1 00:00:00,200 --> 00:00:02,280 Speaker 1: So, Kevin, before we jump into today, I want to 2 00:00:02,360 --> 00:00:07,119 Speaker 1: talk about an upcoming benefit concert that I am producing, 3 00:00:07,240 --> 00:00:09,880 Speaker 1: that I am involved in and that I roped you 4 00:00:09,920 --> 00:00:13,640 Speaker 1: into as well. So this is Gennamural and Friends a 5 00:00:13,720 --> 00:00:17,160 Speaker 1: Night of Song, and this is benefiting Harvest Home, which 6 00:00:17,239 --> 00:00:22,919 Speaker 1: is an organization in LA that provides support for unhoused 7 00:00:22,960 --> 00:00:27,840 Speaker 1: pregnant women. It's truly an incredible organization. The people running 8 00:00:27,840 --> 00:00:31,159 Speaker 1: in are so amazing and I've met many of the 9 00:00:31,840 --> 00:00:35,199 Speaker 1: women in the house who are there now. We've just 10 00:00:35,240 --> 00:00:38,080 Speaker 1: throw a baby shower for them, and it is truly 11 00:00:38,440 --> 00:00:41,640 Speaker 1: remarkable how amazing these women are. And you know, just 12 00:00:41,720 --> 00:00:44,240 Speaker 1: with a little bit of support and help, like how 13 00:00:44,280 --> 00:00:47,760 Speaker 1: they can thrive. So I'm so thrilled that we are 14 00:00:47,760 --> 00:00:50,360 Speaker 1: doing this event. It's called Genermural and Friends and Night 15 00:00:50,440 --> 00:00:54,040 Speaker 1: a Song. It's going to feature pop and Broadway songs 16 00:00:54,120 --> 00:00:57,760 Speaker 1: performed by all of our wonderful friends who can sing 17 00:00:57,920 --> 00:01:00,000 Speaker 1: their little faces off, including you. 18 00:01:00,120 --> 00:01:02,440 Speaker 2: It's incredible. You know, we got some good friends who 19 00:01:02,480 --> 00:01:04,800 Speaker 2: are willing to do good things. I feel honored to 20 00:01:04,800 --> 00:01:06,679 Speaker 2: have been asked in a part of this group. You 21 00:01:06,720 --> 00:01:10,440 Speaker 2: have people like Jesse Tyler, Ferguson, Shyanne Jackson, Are you 22 00:01:10,480 --> 00:01:14,920 Speaker 2: kidding me? Rachel Vaig Jones, myself, Austin Mackenzie, Ty Taylor, 23 00:01:14,959 --> 00:01:17,760 Speaker 2: Tracy Tom's, Carly Thomas Smith, and Kim Dawson. 24 00:01:18,080 --> 00:01:21,400 Speaker 1: And it's produced by our dear friend Seth Radetski. He's 25 00:01:21,440 --> 00:01:26,120 Speaker 1: incredible and his partner, James Wesley Jackson, who is producing 26 00:01:26,200 --> 00:01:29,880 Speaker 1: it from New York. He's putting it all together for us. 27 00:01:29,880 --> 00:01:32,280 Speaker 1: He graciously was I asked him and I was like, 28 00:01:32,400 --> 00:01:34,200 Speaker 1: you know, you don't have to say us, and he's 29 00:01:34,240 --> 00:01:38,039 Speaker 1: like yes, So he's flying himself out for this and yeah, 30 00:01:38,800 --> 00:01:40,479 Speaker 1: and you and I are singing a song together lots 31 00:01:40,480 --> 00:01:41,920 Speaker 1: of there's going to be lots of bops. It's going 32 00:01:42,000 --> 00:01:44,280 Speaker 1: to be an awesome night. And it's also going to 33 00:01:44,319 --> 00:01:48,960 Speaker 1: be amazing because we're raising money for the you know, 34 00:01:49,040 --> 00:01:52,240 Speaker 1: Harvest Home, so that's the most important thing. So it's 35 00:01:52,280 --> 00:01:55,120 Speaker 1: April twenty first at the Eli and Edith Road Stage 36 00:01:55,160 --> 00:01:57,480 Speaker 1: in Santa Monica. Tickets are on sales, so go to 37 00:01:57,520 --> 00:02:01,400 Speaker 1: Harvest Home La dot org Slash Benefit Concert to get 38 00:02:01,400 --> 00:02:02,080 Speaker 1: your tickets. 39 00:02:02,240 --> 00:02:05,120 Speaker 2: Now. Come see us on April twenty first in Santa Monica. 40 00:02:06,720 --> 00:02:10,040 Speaker 2: And that's what you really missed with Jenna and Kevin 41 00:02:10,440 --> 00:02:12,080 Speaker 2: An iHeartRadio podcast. 42 00:02:14,160 --> 00:02:19,720 Speaker 1: Welcome to That's What You Really Miss Podcast. This we 43 00:02:19,760 --> 00:02:28,600 Speaker 1: have a recurring returning guest, the very very Accomplished Now Mike's. 44 00:02:28,280 --> 00:02:34,280 Speaker 2: Mike, famously Mike's Mike, and he gave us some things 45 00:02:34,280 --> 00:02:38,840 Speaker 2: to look out for in season three, and through this conversation, 46 00:02:38,880 --> 00:02:40,359 Speaker 2: he's now given us a new list of things to 47 00:02:40,360 --> 00:02:43,480 Speaker 2: look out for season four. So we go over all 48 00:02:43,560 --> 00:02:46,840 Speaker 2: of that. We guckle up. What a man. He shows 49 00:02:46,960 --> 00:02:50,760 Speaker 2: up with notes so prepared. I love it. Okay, here 50 00:02:50,880 --> 00:02:57,359 Speaker 2: is YouTube Sensation, Cultural Maven, Taste Maker, Mike's Mike. 51 00:02:58,440 --> 00:03:04,560 Speaker 1: Hello, Welcome, Welcome, hello season three. So we talked to 52 00:03:04,600 --> 00:03:08,799 Speaker 1: you before we went through three. You said, look out, 53 00:03:09,200 --> 00:03:13,640 Speaker 1: you warned us, you told us, you spoke the truth, 54 00:03:14,840 --> 00:03:18,200 Speaker 1: and we listened. It is truly so good. It is 55 00:03:19,200 --> 00:03:22,400 Speaker 1: arguably one of the best. I think the issue that 56 00:03:22,440 --> 00:03:25,120 Speaker 1: we have with it is we are emotionally tied to 57 00:03:25,160 --> 00:03:27,679 Speaker 1: those earlier seasons in a different way, so it's hard 58 00:03:27,720 --> 00:03:29,919 Speaker 1: for us to say, like, oh, this is our favorite, 59 00:03:30,400 --> 00:03:32,920 Speaker 1: but I think I think for sure it beats season 60 00:03:33,040 --> 00:03:33,960 Speaker 1: two for me. 61 00:03:35,200 --> 00:03:39,320 Speaker 3: Yeah, it's like, even like going through my notes again 62 00:03:39,720 --> 00:03:42,960 Speaker 3: about season three, I'm like, damn, they did the big one, 63 00:03:43,080 --> 00:03:44,080 Speaker 3: like it's so. 64 00:03:44,000 --> 00:03:47,840 Speaker 2: Good it is I think, and I think you're the 65 00:03:47,920 --> 00:03:51,000 Speaker 2: voice of the people. Well we have now come to 66 00:03:51,840 --> 00:03:56,640 Speaker 2: you knew that. And congratulations on the million people who subscribed. Yes, 67 00:03:57,040 --> 00:03:59,520 Speaker 2: thank you, thank you. Actually had a slash of my 68 00:03:59,760 --> 00:04:03,720 Speaker 2: one million brownie for breakfast this morning because my friend 69 00:04:03,800 --> 00:04:07,560 Speaker 2: got a brownie delivered with my face on. It was fun. 70 00:04:07,800 --> 00:04:09,080 Speaker 2: What part of your face did you eat? 71 00:04:10,360 --> 00:04:12,320 Speaker 3: Okay, So it's actually from this is such like a 72 00:04:12,320 --> 00:04:14,800 Speaker 3: crazy sentence. It's from my New York magazine shoot. 73 00:04:14,840 --> 00:04:15,320 Speaker 2: The photo. 74 00:04:15,960 --> 00:04:18,200 Speaker 3: It's the part of the picture where my face is 75 00:04:18,240 --> 00:04:19,120 Speaker 3: going into the TV. 76 00:04:19,640 --> 00:04:22,839 Speaker 2: We ate my face. That was awesome. That was a 77 00:04:22,839 --> 00:04:28,120 Speaker 2: great photo shoot. Like, hello, excellent, so crazy it happened. 78 00:04:28,880 --> 00:04:32,200 Speaker 2: I know we're talking about Glee, but hold on because 79 00:04:32,440 --> 00:04:35,200 Speaker 2: I feel like, even since last time we saw you, 80 00:04:35,240 --> 00:04:41,080 Speaker 2: which wasn't that long ago, you are just everywhere anything, 81 00:04:41,400 --> 00:04:41,880 Speaker 2: You're doing it. 82 00:04:42,080 --> 00:04:44,360 Speaker 3: I'm literally just doing anything and doing it all, which 83 00:04:44,760 --> 00:04:47,159 Speaker 3: in itself that feels very Glee. 84 00:04:48,360 --> 00:04:51,520 Speaker 2: Yes, certainly that it does. How do you feel like 85 00:04:51,600 --> 00:04:55,920 Speaker 2: reaching a million subscribers? What does that feel like? Crazy 86 00:04:55,920 --> 00:04:59,839 Speaker 2: milestone for me? Because when I started, I was like, oh, absolutely, 87 00:04:59,839 --> 00:05:01,760 Speaker 2: no way I would get that far. And also I 88 00:05:01,800 --> 00:05:05,040 Speaker 2: feel like, especially in Australia, there's not that many YouTubers, 89 00:05:05,800 --> 00:05:09,040 Speaker 2: so it's just like wild to me considering most of 90 00:05:09,040 --> 00:05:12,360 Speaker 2: the people that watched me aren't like in Australia that 91 00:05:12,480 --> 00:05:14,920 Speaker 2: in the US UK, so I can't tangibly see these people. 92 00:05:15,600 --> 00:05:17,920 Speaker 2: When it hits a million, I'm like, wait a second, 93 00:05:17,920 --> 00:05:20,960 Speaker 2: that's a lot of people like who and where where 94 00:05:21,000 --> 00:05:25,720 Speaker 2: are you guys show yourselves? But many people that live 95 00:05:25,760 --> 00:05:29,720 Speaker 2: in Australia, right right, I mean just times that by 96 00:05:29,760 --> 00:05:37,960 Speaker 2: like thirty two. But yeah, yeah, yeah. 97 00:05:31,960 --> 00:05:32,279 Speaker 3: It's. 98 00:05:34,920 --> 00:05:36,600 Speaker 2: About It's fine. Yeah. 99 00:05:36,920 --> 00:05:37,440 Speaker 3: Yeah. 100 00:05:37,720 --> 00:05:42,080 Speaker 1: So while we were watching again, sorry, congrats on the million, 101 00:05:42,200 --> 00:05:44,800 Speaker 1: I was like, just back to us now, absolute, let's 102 00:05:44,800 --> 00:05:48,240 Speaker 1: get back to it. No, but uh, I want to 103 00:05:48,240 --> 00:05:49,480 Speaker 1: talk about the Trouble Tones. 104 00:05:50,440 --> 00:05:55,359 Speaker 3: Yeah, I want to know when the episodes were coming out, 105 00:05:55,680 --> 00:05:59,719 Speaker 3: would they see the audience response to the Trouble Tones, 106 00:05:59,720 --> 00:06:02,960 Speaker 3: because I'm trying to think, like what year was season three? 107 00:06:03,040 --> 00:06:09,160 Speaker 3: Season three was like twenty eleven, twelve, Yeah, yeah, so 108 00:06:09,200 --> 00:06:11,400 Speaker 3: the girls were on Tumblr, the girls were on Twitter, 109 00:06:11,760 --> 00:06:15,400 Speaker 3: so surely like the show people were saying that everyone 110 00:06:15,440 --> 00:06:16,360 Speaker 3: loves the Trouble Tones. 111 00:06:17,440 --> 00:06:21,520 Speaker 2: I'm like, why, like, where is the spin off. Where 112 00:06:21,839 --> 00:06:24,800 Speaker 2: was it? I feel like they were very underappreciated. 113 00:06:24,920 --> 00:06:28,080 Speaker 1: Now we love them and we loved watching them, but 114 00:06:28,160 --> 00:06:31,680 Speaker 1: I don't feel like it got the breath of no 115 00:06:31,960 --> 00:06:33,360 Speaker 1: that it should have gotten. 116 00:06:33,320 --> 00:06:36,080 Speaker 2: Because I think we also would have heard more people 117 00:06:36,120 --> 00:06:38,680 Speaker 2: talking about it on set, and if it. 118 00:06:38,680 --> 00:06:41,640 Speaker 1: Really had taken I feel like the writers would have 119 00:06:41,640 --> 00:06:44,960 Speaker 1: also listened, because they tend to do that, right. 120 00:06:45,040 --> 00:06:47,440 Speaker 2: So yeah, but I think the things they were focusing 121 00:06:47,520 --> 00:06:53,000 Speaker 2: on were the Brittany Santana storyline, right, which was wrapped 122 00:06:53,080 --> 00:06:57,200 Speaker 2: up within that, and then just the chart success of 123 00:06:57,279 --> 00:06:59,560 Speaker 2: some of their songs. I feel like it was an 124 00:06:59,640 --> 00:07:04,680 Speaker 2: overall a Glee thing instead of a trouble Tones thing, right, 125 00:07:04,720 --> 00:07:11,320 Speaker 2: which I feel like, yeah, missed an awesome opportunity because really, 126 00:07:11,560 --> 00:07:15,000 Speaker 2: MVP of the things I've learned from Glee season three 127 00:07:15,600 --> 00:07:20,480 Speaker 2: is just more trouble Tones. Yeah, agreed, get dissolved into 128 00:07:20,520 --> 00:07:23,559 Speaker 2: new directions, which I also appreciate, but like it should 129 00:07:23,560 --> 00:07:26,520 Speaker 2: have stood on its own absolutely. I mean, they should 130 00:07:26,560 --> 00:07:26,800 Speaker 2: have won. 131 00:07:27,200 --> 00:07:30,240 Speaker 3: Was a sectional store regionals where it's like they'll compete 132 00:07:30,240 --> 00:07:32,840 Speaker 3: against each other, right, trouble Tones didn't win. 133 00:07:34,040 --> 00:07:37,440 Speaker 2: How is that possible? Regional regionals? 134 00:07:37,520 --> 00:07:41,080 Speaker 3: Yeah? But also that kind of what you're saying before. 135 00:07:41,120 --> 00:07:43,720 Speaker 3: That's how I feel about as well, where there's so 136 00:07:43,800 --> 00:07:47,120 Speaker 3: much happening in the season that they couldn't really spend 137 00:07:47,160 --> 00:07:49,400 Speaker 3: too much time focusing on it. But it's like it's 138 00:07:49,400 --> 00:07:54,520 Speaker 3: not like they were doing wasteful storyline season four, but 139 00:07:55,040 --> 00:07:57,840 Speaker 3: there's just so much good stuff happening that it's like 140 00:07:58,920 --> 00:08:00,560 Speaker 3: it sucks there wasn't more Trouble but I get it 141 00:08:00,560 --> 00:08:02,920 Speaker 3: at the same time, right happening. 142 00:08:03,640 --> 00:08:07,080 Speaker 2: Yeah, I it also feels like the fandom of a 143 00:08:07,240 --> 00:08:10,160 Speaker 2: girl groups could have been harnessed in such a way. 144 00:08:10,760 --> 00:08:13,760 Speaker 2: Oh god, yeah, it just wasn't you know, it wasn't it. 145 00:08:14,800 --> 00:08:17,520 Speaker 3: I Mean one of my notes from season four is 146 00:08:17,600 --> 00:08:19,720 Speaker 3: to look out for the Spice Girls cover that they do. 147 00:08:20,000 --> 00:08:25,120 Speaker 3: But I'm like, the Troubleton should have done that. Yeah, totally, totally. Yeah, 148 00:08:25,320 --> 00:08:27,040 Speaker 3: Like give me a Little Mix Wings. I don't know 149 00:08:27,040 --> 00:08:29,200 Speaker 3: if that was around twenty eleven, but I would. 150 00:08:28,960 --> 00:08:31,520 Speaker 2: Have think it was. I don't think it was yet 151 00:08:32,720 --> 00:08:35,560 Speaker 2: it was close, though it might have been. It was close. 152 00:08:36,520 --> 00:08:39,120 Speaker 3: I just love Little MiGs so like any Little Mix song, 153 00:08:39,160 --> 00:08:39,720 Speaker 3: I would have died. 154 00:08:39,800 --> 00:08:43,600 Speaker 2: The Little Mix was is the best girl group in 155 00:08:43,640 --> 00:08:47,360 Speaker 2: the world, Like Current so good, like so you guys 156 00:08:47,400 --> 00:08:50,920 Speaker 2: are coming back. Yeah, yeah, they have to have to. 157 00:08:51,080 --> 00:08:53,280 Speaker 3: You said you're coming back, and I'm getting one direction 158 00:08:53,360 --> 00:08:55,400 Speaker 3: flashback for like, we will be back and it's been 159 00:08:55,440 --> 00:08:56,000 Speaker 3: ten years. 160 00:08:56,400 --> 00:09:03,600 Speaker 2: I feel like they're more coordinated in one direction right there. 161 00:09:03,920 --> 00:09:08,000 Speaker 2: Give them, they're giving them their singles, albums, whatever. And 162 00:09:08,040 --> 00:09:13,280 Speaker 2: then because trust the girl groups more than the boy groups, 163 00:09:13,600 --> 00:09:16,240 Speaker 2: like looking at look at Disney's Child and Beyonce, she 164 00:09:16,320 --> 00:09:20,360 Speaker 2: brings them back. So true. What's everyone's favorite girl group? Oh? 165 00:09:20,800 --> 00:09:23,200 Speaker 2: All time? Yeah? On the Spot? 166 00:09:23,920 --> 00:09:26,520 Speaker 3: Oh god, oh. 167 00:09:26,440 --> 00:09:29,360 Speaker 2: God, it's really hard. This is really hard. I can 168 00:09:29,400 --> 00:09:33,040 Speaker 2: do mine. Nice to start us off, Spice Skills and 169 00:09:33,080 --> 00:09:33,760 Speaker 2: Red Velvet. 170 00:09:34,880 --> 00:09:39,000 Speaker 1: Wow, I say, Spice Cirls is the top that came 171 00:09:39,040 --> 00:09:39,520 Speaker 1: to mind. 172 00:09:40,720 --> 00:09:43,560 Speaker 3: Yeah, I just love the Spice Skills media. 173 00:09:43,880 --> 00:09:49,160 Speaker 2: The girl groups, they were girls, right, they were the girls? Yeah. 174 00:09:49,679 --> 00:09:53,520 Speaker 2: I mean they owned an entire like two year period. Yes, 175 00:09:53,600 --> 00:09:57,240 Speaker 2: they did, like the world. It was just the Spice Crowls. 176 00:09:57,640 --> 00:10:01,680 Speaker 2: They have a movie, think so good. 177 00:10:02,520 --> 00:10:05,240 Speaker 1: I was, you know, when we do the Spice Girls 178 00:10:05,280 --> 00:10:07,520 Speaker 1: on Glee. I was supposed to play Ginger and I 179 00:10:07,600 --> 00:10:11,000 Speaker 1: was very excited about it, and then they wrote it 180 00:10:11,440 --> 00:10:13,400 Speaker 1: and of course I had to be scary spice, which 181 00:10:13,440 --> 00:10:14,839 Speaker 1: I love scary spice, but I. 182 00:10:14,800 --> 00:10:18,200 Speaker 2: Love Tina just to be like the sexy, cute one 183 00:10:18,360 --> 00:10:21,600 Speaker 2: for one. You want to be the talented one. 184 00:10:22,120 --> 00:10:25,800 Speaker 1: It was fair enough, fair enough, one of the talented 185 00:10:25,800 --> 00:10:28,280 Speaker 1: ones the red had with the Yeah but. 186 00:10:30,559 --> 00:10:33,520 Speaker 3: Kitty Becca Okay, I'm trying to remember if she was 187 00:10:33,559 --> 00:10:36,200 Speaker 3: wearing the dress. 188 00:10:36,440 --> 00:10:40,880 Speaker 2: Yeah, okay, fair enough. I see what happened the boots. 189 00:10:41,040 --> 00:10:43,120 Speaker 2: I think spy skulls for me as well, and maybe 190 00:10:43,160 --> 00:10:45,000 Speaker 2: like TLC Guessie's child. 191 00:10:46,679 --> 00:10:52,920 Speaker 1: Right of course, yeah, okay, okay. So you also said 192 00:10:52,920 --> 00:10:55,040 Speaker 1: the last hand that we talked that Cell Block Tango 193 00:10:55,160 --> 00:10:57,120 Speaker 1: is one of your favorites, and that was three. 194 00:10:58,640 --> 00:11:02,079 Speaker 2: Kevin also said he's like that's a pop. I'm actually 195 00:11:02,120 --> 00:11:04,800 Speaker 2: a little upset about it because I feel like we 196 00:11:04,880 --> 00:11:09,599 Speaker 2: got jypped at the length of it. Oh yeah, the 197 00:11:09,640 --> 00:11:16,400 Speaker 2: Russian verse, yes, like we need that right, Like that 198 00:11:16,440 --> 00:11:21,160 Speaker 2: feels homophobic to cut out exactly exactly. Come on, let's 199 00:11:21,160 --> 00:11:24,400 Speaker 2: like let's get a little oh in the like, give 200 00:11:24,480 --> 00:11:27,760 Speaker 2: me the drama and the emotion. The storyline that it's 201 00:11:27,880 --> 00:11:32,080 Speaker 2: used in is insane, absolutely like whatever, if we gotta 202 00:11:32,080 --> 00:11:34,959 Speaker 2: do sell Walk Tanger, we gotta do it. That's right, yeah, exactly, 203 00:11:35,280 --> 00:11:37,640 Speaker 2: but it needed to be eight hours long. No, exactly. 204 00:11:37,840 --> 00:11:40,360 Speaker 3: I like the amount of times I think I can't 205 00:11:40,360 --> 00:11:42,120 Speaker 3: remember I said this last time, but the amount of 206 00:11:42,120 --> 00:11:45,880 Speaker 3: times where my friend Vanessa and I will like send 207 00:11:45,920 --> 00:11:48,160 Speaker 3: each other a voice and it's just like he had 208 00:11:48,200 --> 00:11:52,120 Speaker 3: a gabb like just specifically that section. And we're not 209 00:11:52,160 --> 00:11:54,920 Speaker 3: even referencing cell Block Tanker from Chicago. We're referencing the 210 00:11:54,960 --> 00:11:55,559 Speaker 3: Glee version. 211 00:11:56,000 --> 00:12:02,800 Speaker 2: Of course, of course that's appreciated, just like Patie. It 212 00:12:02,880 --> 00:12:05,600 Speaker 2: is a good one. It's really fun. Can you imagine 213 00:12:05,600 --> 00:12:06,120 Speaker 2: that on tour? 214 00:12:06,720 --> 00:12:08,360 Speaker 1: Oh that would have been could we could have gotten 215 00:12:08,360 --> 00:12:10,600 Speaker 1: backup dancers? We did the big scrim in the back 216 00:12:11,760 --> 00:12:13,480 Speaker 1: the chairs. You're right, you're right. 217 00:12:13,480 --> 00:12:17,400 Speaker 2: You're so fun. Nobody's like really singing on it, like 218 00:12:17,480 --> 00:12:20,440 Speaker 2: you got to be fun. Oh, it's so fun. It's 219 00:12:20,480 --> 00:12:21,800 Speaker 2: just like talk talking. 220 00:12:22,520 --> 00:12:25,720 Speaker 3: Was there a lot of Chicago songs on Glee? Is 221 00:12:25,760 --> 00:12:28,079 Speaker 3: mister cellophane from Chicago? 222 00:12:28,200 --> 00:12:33,160 Speaker 2: Yes? Yes, mister? Okay, what else did we do on Glee? 223 00:12:33,160 --> 00:12:33,560 Speaker 2: Did we do? 224 00:12:36,000 --> 00:12:36,040 Speaker 1: So? 225 00:12:36,160 --> 00:12:40,480 Speaker 2: We did Hot Honey Rag? But nowadays with Gwinnette and 226 00:12:41,200 --> 00:12:45,000 Speaker 2: gun motion not to be confused with the car recorder, those 227 00:12:45,480 --> 00:12:49,040 Speaker 2: might have been it. That might have been it. Yeah, yeah, 228 00:12:49,679 --> 00:12:50,559 Speaker 2: such a good musical. 229 00:12:58,880 --> 00:13:03,920 Speaker 1: So we pulled the fans on Instagram and they they spoke, 230 00:13:04,480 --> 00:13:06,280 Speaker 1: and here are some of the best songs. 231 00:13:06,640 --> 00:13:09,640 Speaker 2: Okay, I'll compare them against my top songs. Yeah yeah, 232 00:13:09,679 --> 00:13:14,439 Speaker 2: and here's the list. So number five is shake it Out. Yep. 233 00:13:14,520 --> 00:13:18,560 Speaker 2: So my list excellence, number four smooth Criminal. Also on 234 00:13:18,600 --> 00:13:21,079 Speaker 2: my list, Excellence in Voice of the People. 235 00:13:21,480 --> 00:13:25,240 Speaker 3: Cough Syrup, also on my list, I wrote, cough syrup brackets. 236 00:13:25,360 --> 00:13:33,679 Speaker 2: Okay. Number two rumor has it someone like you? Absolutely? Absolutely? 237 00:13:34,360 --> 00:13:41,079 Speaker 1: Okay, let's see number one, Paradise by the dashboard Light. Okay, 238 00:13:41,640 --> 00:13:46,120 Speaker 1: all right, So now we didn't know how popular Paradise was. 239 00:13:46,920 --> 00:13:49,720 Speaker 1: Right with the fans, we're kind of surprised by it 240 00:13:49,760 --> 00:13:53,120 Speaker 1: as well. Okay, we get it because it isn't a 241 00:13:53,240 --> 00:13:58,640 Speaker 1: big episode. The circumstances are surrounding it. We're big, the characters, 242 00:13:58,720 --> 00:14:00,839 Speaker 1: everything that was happening, What was yours? 243 00:14:01,600 --> 00:14:04,520 Speaker 3: So I'm reading that as a contextual hit, much like 244 00:14:04,559 --> 00:14:06,720 Speaker 3: that one that are in the Grande and Justin Bieber 245 00:14:06,760 --> 00:14:08,840 Speaker 3: got as a number one in twenty twenty about staying 246 00:14:08,840 --> 00:14:10,760 Speaker 3: Home like that would not have gone number one any 247 00:14:10,760 --> 00:14:14,079 Speaker 3: other time in his goot about that song, yeah, it's 248 00:14:14,080 --> 00:14:18,280 Speaker 3: a contextual hit. So to me, I'm like, contextual hit. 249 00:14:19,760 --> 00:14:24,640 Speaker 2: That's turting my brain. That is brilliant. Okay, that's why 250 00:14:24,640 --> 00:14:25,760 Speaker 2: we're doing subscribers. 251 00:14:25,880 --> 00:14:29,960 Speaker 3: Yes, exactly my top ones. There's a lot of intersection. 252 00:14:30,200 --> 00:14:33,440 Speaker 3: But I've got rumor, has it someone like you survivor, 253 00:14:33,480 --> 00:14:37,760 Speaker 3: I will survive? Oh oh yes with criminal cough syrup, 254 00:14:37,840 --> 00:14:41,160 Speaker 3: cell block, tango, shake it out and then never can 255 00:14:41,240 --> 00:14:45,560 Speaker 3: say goodbye, which is Quinn during the Michael Jackson episode. 256 00:14:45,640 --> 00:14:50,160 Speaker 3: I love that cover. It's a great cover and it's 257 00:14:50,200 --> 00:14:51,960 Speaker 3: like one of the three songs that she has as. 258 00:14:51,880 --> 00:14:54,440 Speaker 1: A solo in It is not what I would have thought, 259 00:14:54,640 --> 00:14:57,040 Speaker 1: but no, that's my mean. 260 00:14:57,480 --> 00:15:02,360 Speaker 2: I love mean from the season. Yes, I love it. Yes, Okay, yeah, okay, 261 00:15:02,480 --> 00:15:02,920 Speaker 2: I get that. 262 00:15:03,080 --> 00:15:06,040 Speaker 3: I just I think that the Michael Jackson episode was 263 00:15:06,040 --> 00:15:09,760 Speaker 3: a sleeper hit for me, like mm hmmm, I mean 264 00:15:09,800 --> 00:15:12,600 Speaker 3: two of the songs are in my list, and I 265 00:15:12,640 --> 00:15:17,200 Speaker 3: also remember, I feel like I remember seeing Artie singing, 266 00:15:18,160 --> 00:15:20,360 Speaker 3: what's the Michael Jackson song that has Janet in it 267 00:15:20,400 --> 00:15:20,680 Speaker 3: as well? 268 00:15:20,720 --> 00:15:23,520 Speaker 2: Scream? Yeah, Scream with Mike Chang. 269 00:15:24,240 --> 00:15:27,800 Speaker 3: Yeah, I love Scream. So like when I watched it, 270 00:15:27,880 --> 00:15:29,720 Speaker 3: like the rewatch, I was like, wait. 271 00:15:30,000 --> 00:15:35,600 Speaker 2: Glee did scream? That feels so random, like full ass video. 272 00:15:35,800 --> 00:15:36,400 Speaker 2: I love a hit. 273 00:15:37,400 --> 00:15:39,640 Speaker 3: Yeah, I love it, but yeah in terms of like 274 00:15:39,760 --> 00:15:45,320 Speaker 3: top song, like I think just in terms of how 275 00:15:45,320 --> 00:15:47,400 Speaker 3: many times I've played it, it's going to be cell blocked. 276 00:15:47,120 --> 00:15:56,760 Speaker 2: Tango, Oh my god. Also the Trouble Turnes Candy Man, Yes, good, 277 00:15:57,600 --> 00:16:02,760 Speaker 2: they came out in Yeah, like it was curious like 278 00:16:02,800 --> 00:16:06,840 Speaker 2: their budget or the Trouble Tones existed in McKinley. But no, 279 00:16:07,240 --> 00:16:10,680 Speaker 2: that was universe other timeline. I mean it was Mafia 280 00:16:11,240 --> 00:16:16,320 Speaker 2: of course. Yeah, but like Sugar's data, right, that was insane. 281 00:16:16,480 --> 00:16:20,040 Speaker 3: That's one of my like things that I wrote down. 282 00:16:20,080 --> 00:16:22,400 Speaker 3: I was like, when Sugar says that her dad isn't 283 00:16:22,440 --> 00:16:25,280 Speaker 3: in the Mafia, I was. I loved them. I was like, wow, 284 00:16:25,320 --> 00:16:26,440 Speaker 3: I love that. That's so funny. 285 00:16:26,480 --> 00:16:26,720 Speaker 2: He he. 286 00:16:29,960 --> 00:16:33,400 Speaker 3: I actually have like a bunch of like season three 287 00:16:34,400 --> 00:16:36,120 Speaker 3: highlights that I was going to be like, do you 288 00:16:36,160 --> 00:16:37,520 Speaker 3: agree that these were highlights? 289 00:16:37,640 --> 00:16:40,320 Speaker 2: Tell us? Oh yeah, please, let's go. Well you gave 290 00:16:40,400 --> 00:16:43,920 Speaker 2: us a hit list of things to look out for. Absolutely, well, 291 00:16:44,160 --> 00:16:46,440 Speaker 2: so let's come there, you go, and then we'll tell 292 00:16:46,440 --> 00:16:47,600 Speaker 2: you what you told us to look out for. 293 00:16:48,040 --> 00:16:51,720 Speaker 3: Okay, these ones are like sort of revisionist highlights. So 294 00:16:52,000 --> 00:16:54,720 Speaker 3: the top one being hurts asymmetrical half jumper. 295 00:16:57,800 --> 00:17:00,720 Speaker 2: Did you see that? Can't stand you? 296 00:17:04,560 --> 00:17:07,320 Speaker 3: Radily gets up and he's got like a chow like 297 00:17:08,160 --> 00:17:12,640 Speaker 3: jump out. I'm like, yeah, that is a mm hmm. Yeah, 298 00:17:13,119 --> 00:17:16,760 Speaker 3: that's what I was expecting in the room. It was 299 00:17:16,800 --> 00:17:21,440 Speaker 3: giving like low e ba like the surf being served. Okay, 300 00:17:21,680 --> 00:17:25,120 Speaker 3: next the swimming pool proposal with Ladie rolling into. 301 00:17:24,960 --> 00:17:28,240 Speaker 1: The pool a thousand percent. You know that that was 302 00:17:28,359 --> 00:17:32,080 Speaker 1: random So that wasn't written in in the direct. 303 00:17:31,800 --> 00:17:36,800 Speaker 3: Which like that's what a true artist does on the spot, 304 00:17:36,960 --> 00:17:38,840 Speaker 3: that they feel it in the moment and they just 305 00:17:38,880 --> 00:17:39,600 Speaker 3: go for it. 306 00:17:39,760 --> 00:17:42,879 Speaker 2: Correct. It happened because I wore them down because I 307 00:17:42,920 --> 00:17:45,640 Speaker 2: was complaining all the I'm like I want to go, yeah, 308 00:17:45,680 --> 00:17:47,399 Speaker 2: can I just can I just do one take? And 309 00:17:47,400 --> 00:17:50,640 Speaker 2: everyone's like no, yes, and You're like, let me send it. 310 00:17:51,000 --> 00:17:54,199 Speaker 2: You had one take and you took it went. Let 311 00:17:54,200 --> 00:17:57,560 Speaker 2: me tell you give me an inch, take a mile, 312 00:17:58,160 --> 00:18:04,919 Speaker 2: it takes one. Bomber signing sus boob no more general period. Yeah. 313 00:18:05,320 --> 00:18:07,439 Speaker 2: Like I remember watching that episode and I was like, 314 00:18:07,560 --> 00:18:09,919 Speaker 2: what amunity genius? 315 00:18:10,359 --> 00:18:10,600 Speaker 1: True? 316 00:18:11,160 --> 00:18:15,760 Speaker 2: What this? Yeah? Comedy timing, that's right? Like leave some 317 00:18:15,840 --> 00:18:17,640 Speaker 2: for the rest of us. My god. 318 00:18:18,880 --> 00:18:22,159 Speaker 3: Then I had Mercedes going viral, where the video had 319 00:18:22,200 --> 00:18:24,560 Speaker 3: four hundred and eighty five views, but also four hundred 320 00:18:24,600 --> 00:18:26,920 Speaker 3: and eighty five comments in playing to everyone who watched 321 00:18:26,920 --> 00:18:27,840 Speaker 3: the video commented on it. 322 00:18:27,920 --> 00:18:34,520 Speaker 2: Yeah. Engagement, Yeah, kind of engagement. That's the goal. Like 323 00:18:34,520 --> 00:18:37,639 Speaker 2: that's what I'm striving that Mercedes viral videos of. 324 00:18:37,680 --> 00:18:42,680 Speaker 1: My visions one million exactly, Like it's a one for one. 325 00:18:43,080 --> 00:18:47,600 Speaker 2: Yes, there's a Coco melon numbers. Oh yeah, I'm. 326 00:18:47,440 --> 00:18:50,240 Speaker 3: Actually like slight side stepp of having a cocoa melon era, 327 00:18:50,400 --> 00:18:53,639 Speaker 3: which is like just those ten hour videos of like 328 00:18:53,960 --> 00:18:55,240 Speaker 3: out of space sounds. 329 00:18:55,600 --> 00:18:57,360 Speaker 2: Oh yeah, Like I just. 330 00:18:57,320 --> 00:18:59,480 Speaker 3: Put that on and I'm like, so' zen, I feel 331 00:18:59,480 --> 00:19:02,280 Speaker 3: like the baby watching Cocamealon or like the dancing fruit. 332 00:19:03,040 --> 00:19:06,560 Speaker 1: The dancing fruit that's funny is. 333 00:19:07,000 --> 00:19:15,639 Speaker 3: A moment number one and coco melon. Yes, actually, maybe 334 00:19:15,640 --> 00:19:17,480 Speaker 3: that's what I'll do today. I'll like do an edit 335 00:19:17,600 --> 00:19:22,640 Speaker 3: of this jumping fruit with cell block tango. My last 336 00:19:22,920 --> 00:19:25,760 Speaker 3: my last two like random highlights were the Tina swap 337 00:19:25,800 --> 00:19:30,520 Speaker 3: episode of course perhaps and then the last outfit that 338 00:19:30,640 --> 00:19:32,600 Speaker 3: Rachel waves of the season, which is when she arrives 339 00:19:32,600 --> 00:19:34,720 Speaker 3: in New York. She's got like the red jacket on. 340 00:19:36,480 --> 00:19:40,360 Speaker 1: Yes, magically looking beautiful after getting on a train weeping. 341 00:19:41,119 --> 00:19:45,399 Speaker 2: Yeah she ate that, Yeah she did. It's very Mary 342 00:19:45,480 --> 00:19:50,879 Speaker 2: Tyler Morris. Yes, yes, yeah, those are my specific highlights. 343 00:19:50,960 --> 00:19:54,440 Speaker 2: Those are great. M I agree with all of those. 344 00:19:54,480 --> 00:19:56,600 Speaker 2: Not that me too, but I do thank you. The 345 00:19:56,720 --> 00:20:08,600 Speaker 2: accolidation is good. So when you spoke to you, last 346 00:20:09,440 --> 00:20:12,240 Speaker 2: things you told us to look out for were Quinn's 347 00:20:12,280 --> 00:20:17,400 Speaker 2: pink hare era girl through it. She went through it. 348 00:20:17,760 --> 00:20:21,199 Speaker 2: She was the first quarter of this season like she 349 00:20:21,400 --> 00:20:24,399 Speaker 2: was read. The pink hair was just the tip of 350 00:20:24,400 --> 00:20:27,359 Speaker 2: the iceberg. We say Quinn's on a different show, like 351 00:20:27,440 --> 00:20:29,440 Speaker 2: she's just in her own TV show. 352 00:20:29,520 --> 00:20:32,439 Speaker 3: Yeah, I would say if that was airing now, she 353 00:20:32,480 --> 00:20:35,960 Speaker 3: would be viping absolutely. 354 00:20:37,160 --> 00:20:42,880 Speaker 2: Like it's a very vape. Yeah, I hate you so much. 355 00:20:45,080 --> 00:20:49,600 Speaker 2: You told us to watch for Ross Washington. I love 356 00:20:49,680 --> 00:20:53,000 Speaker 2: her and like didn't have enough of her, couldn't get 357 00:20:53,000 --> 00:20:55,120 Speaker 2: another to give to a child. You're going to give 358 00:20:55,119 --> 00:20:57,720 Speaker 2: Beth to a grandchild like Reads of the Century, You're 359 00:20:57,800 --> 00:21:03,399 Speaker 2: like sandbag boobs or whatever. I can't so good And 360 00:21:03,720 --> 00:21:07,040 Speaker 2: I think maybe one of the only people who have 361 00:21:07,680 --> 00:21:13,040 Speaker 2: like truly matched Jane's energy yes, like. 362 00:21:13,280 --> 00:21:16,399 Speaker 3: And it's just unexpected, like you don't expect Ninny Leaks 363 00:21:16,440 --> 00:21:18,120 Speaker 3: to like bring it like that. 364 00:21:18,800 --> 00:21:23,880 Speaker 1: No, nobody accepted that. I think really really funny, so solid. 365 00:21:24,119 --> 00:21:26,800 Speaker 1: Ryan did very solid, very funny. 366 00:21:27,000 --> 00:21:29,440 Speaker 2: I don't know how he knew, but like, thank god. 367 00:21:30,280 --> 00:21:33,000 Speaker 1: Yeah, you said Sugar would be the best new character, 368 00:21:33,880 --> 00:21:37,520 Speaker 1: hands down. Obviously she gave us the trouble tones. You 369 00:21:37,560 --> 00:21:42,240 Speaker 1: also said the trouble tones. Oh, your favorite episodes were 370 00:21:42,320 --> 00:21:44,320 Speaker 1: Choke and Nationals, which I have to say Choke was 371 00:21:44,400 --> 00:21:46,720 Speaker 1: very good, but Nationals is definitely one of my favorites 372 00:21:46,800 --> 00:21:49,120 Speaker 1: for sure. Yeah, top yes, top two. 373 00:21:49,880 --> 00:21:53,760 Speaker 3: I love to Choke because it felt unexpected. It was 374 00:21:53,800 --> 00:21:57,760 Speaker 3: like a but because she choked and like didn't get 375 00:21:57,800 --> 00:22:01,879 Speaker 3: her dream, that felt like a good payoff because like, 376 00:22:01,920 --> 00:22:03,720 Speaker 3: I love it when it like sort of subverts to 377 00:22:03,720 --> 00:22:10,960 Speaker 3: your expectations. Quinn gets prom queen and then she gives 378 00:22:11,000 --> 00:22:13,720 Speaker 3: it to Rachel, like that kind of thing where it's like, oh, 379 00:22:13,760 --> 00:22:15,439 Speaker 3: this is what the character wanted the whole time, but 380 00:22:15,440 --> 00:22:19,359 Speaker 3: it's ah, they've learned something like that kind of. 381 00:22:19,359 --> 00:22:24,280 Speaker 2: Stuff to lesson. To go along with what you were 382 00:22:24,280 --> 00:22:31,000 Speaker 2: saying before, Michael and Props were both surprises. We knew 383 00:22:31,000 --> 00:22:34,440 Speaker 2: props was fun because like Wemember, we had fun doing it. Yeah, 384 00:22:34,520 --> 00:22:37,720 Speaker 2: but watching both of those episodes back, like, oh, this 385 00:22:38,119 --> 00:22:41,879 Speaker 2: is good. Budget was high. On the Michael episode, that 386 00:22:41,920 --> 00:22:45,280 Speaker 2: budget was very I know, and we went over But 387 00:22:45,720 --> 00:22:48,639 Speaker 2: my information could be incorrect, but I do think just 388 00:22:48,800 --> 00:22:52,000 Speaker 2: one of the songs, like Thriller in the SUPERWL episode, 389 00:22:52,000 --> 00:22:54,240 Speaker 2: I think costs like a quarter of a million dollars 390 00:22:54,240 --> 00:22:56,880 Speaker 2: for that one, So I would believe that. And now 391 00:22:56,920 --> 00:23:00,800 Speaker 2: we're doing like the full Michael catalog. Yeah, I don't 392 00:23:00,800 --> 00:23:01,560 Speaker 2: know that what. 393 00:23:02,880 --> 00:23:05,639 Speaker 3: Yeah, iconic, but obviously so glad it happened because then 394 00:23:05,680 --> 00:23:07,040 Speaker 3: I got Nevikan Sai Goodbye. 395 00:23:07,440 --> 00:23:11,119 Speaker 1: Yeah, obviously it was worth it any I mean, I 396 00:23:11,119 --> 00:23:12,960 Speaker 1: don't know if you noticed, Michael, there was so many 397 00:23:13,000 --> 00:23:15,920 Speaker 1: songs like packed in because obviously how do you pick that, 398 00:23:16,040 --> 00:23:18,480 Speaker 1: Like dialogue was like cut off at the end of 399 00:23:18,560 --> 00:23:21,359 Speaker 1: scenes just to start the song. 400 00:23:21,440 --> 00:23:28,480 Speaker 2: I like, it just starts, Yeah, exactly, just give me 401 00:23:28,480 --> 00:23:31,000 Speaker 2: to Michael song exactly get there. Excellent. 402 00:23:31,320 --> 00:23:35,520 Speaker 1: So we've obviously we've heard you. We've we've talked about 403 00:23:35,560 --> 00:23:38,040 Speaker 1: season three. We love it, we think it's excellent. 404 00:23:38,680 --> 00:23:38,960 Speaker 2: M h. 405 00:23:40,920 --> 00:23:49,240 Speaker 1: You've mentioned about season four. Mm hmmm, We're okay. We're 406 00:23:49,280 --> 00:23:52,439 Speaker 1: going into season four. We're a little scared. Many fans 407 00:23:52,520 --> 00:23:55,480 Speaker 1: told us said season three just get ready, one of 408 00:23:55,520 --> 00:23:56,040 Speaker 1: the best seasons. 409 00:23:56,080 --> 00:23:57,080 Speaker 2: We're like, what are you talking about? 410 00:23:57,080 --> 00:24:00,960 Speaker 1: And now they're like, season four not so great? Get ready, 411 00:24:01,200 --> 00:24:03,600 Speaker 1: you should be scared, and I'm like, oh my god, 412 00:24:03,720 --> 00:24:05,880 Speaker 1: I am scared. I have a lot of really good 413 00:24:05,920 --> 00:24:11,160 Speaker 1: memories from season four, like being on set behind the scenes, 414 00:24:11,640 --> 00:24:18,520 Speaker 1: but I don't truly remember the plot, right, was there anyone? 415 00:24:18,960 --> 00:24:21,919 Speaker 2: Right? Is there? Right? 416 00:24:22,160 --> 00:24:22,400 Speaker 1: Okay? 417 00:24:23,200 --> 00:24:24,800 Speaker 2: I would say, tell us. 418 00:24:24,680 --> 00:24:27,760 Speaker 3: See things from season four that I'm like, I loved 419 00:24:27,800 --> 00:24:31,800 Speaker 3: that big tick, but then there's like a big cloudy 420 00:24:32,000 --> 00:24:34,000 Speaker 3: question mark around everything else, and. 421 00:24:34,080 --> 00:24:37,719 Speaker 2: I'm like, do you have any thoughts of like specific 422 00:24:38,000 --> 00:24:41,200 Speaker 2: good I have like a page full of r yes. 423 00:24:43,040 --> 00:24:45,240 Speaker 3: I mean okay, So the first thing straight out the gate, 424 00:24:45,320 --> 00:24:50,160 Speaker 3: like season four has excellent cameos and like special guests, 425 00:24:50,400 --> 00:24:51,600 Speaker 3: so like Cassandra. 426 00:24:51,240 --> 00:24:59,040 Speaker 2: July, I mean forever, like what like Santra. 427 00:24:58,840 --> 00:25:02,960 Speaker 3: July, and then Sir Jisca Parka comes in Let's have 428 00:25:03,000 --> 00:25:05,560 Speaker 3: a kiki, Like, yeah, let's have a. 429 00:25:05,520 --> 00:25:09,080 Speaker 2: Kiki and it's turkyoking time. Oh like that absolutely? 430 00:25:09,119 --> 00:25:12,120 Speaker 3: That is like one of my highlights of season four 431 00:25:12,280 --> 00:25:16,080 Speaker 3: is really, because it's just like, oh, it's so ridiculous. 432 00:25:16,520 --> 00:25:19,960 Speaker 3: Let alone in that gigantic loft. They're in that eighteen 433 00:25:20,040 --> 00:25:25,320 Speaker 3: hundred dollars a month. I'm like, excuse me, how you 434 00:25:25,400 --> 00:25:28,240 Speaker 3: like what? And not to mention they have no rental 435 00:25:28,320 --> 00:25:31,840 Speaker 3: history and they just get off the first go realism. 436 00:25:32,200 --> 00:25:35,840 Speaker 3: But then that apartment has like the blinds that are 437 00:25:35,880 --> 00:25:41,240 Speaker 3: different cities around York in England? Do you remember that 438 00:25:41,600 --> 00:25:45,640 Speaker 3: when you see how they decorate the apartment, But it's 439 00:25:45,640 --> 00:25:51,240 Speaker 3: like specifically I think maybe Pas like episode thirteen fourteen, 440 00:25:51,280 --> 00:25:53,760 Speaker 3: when Blaine's there, there's like a scene where here in 441 00:25:53,760 --> 00:25:56,359 Speaker 3: the kitchen and they have this blind and on the 442 00:25:56,359 --> 00:25:59,000 Speaker 3: blind has like names and I thought they were like 443 00:25:59,080 --> 00:26:03,359 Speaker 3: names of like in New York. But then you have 444 00:26:03,400 --> 00:26:06,239 Speaker 3: a look closely and it's all places around York in 445 00:26:06,320 --> 00:26:12,960 Speaker 3: England and it's like so prominently like styled in the apartment. 446 00:26:13,040 --> 00:26:15,080 Speaker 3: So I was like, Okay, does one of them love England? 447 00:26:15,200 --> 00:26:17,680 Speaker 3: Like what's going on here? This is so random? 448 00:26:17,840 --> 00:26:21,440 Speaker 2: What an interesting choice? Yeah, so keep an eye out 449 00:26:21,440 --> 00:26:25,000 Speaker 2: for that. Okay, So perhaps googled New York and forgot 450 00:26:25,040 --> 00:26:27,920 Speaker 2: to put a new right. Yes, let's just get into 451 00:26:27,920 --> 00:26:28,480 Speaker 2: this York. 452 00:26:29,040 --> 00:26:32,480 Speaker 3: Yeah, yeah, okay, so Santra July. 453 00:26:33,119 --> 00:26:33,560 Speaker 2: Next thing. 454 00:26:33,640 --> 00:26:39,360 Speaker 3: This was big for me because famously Australian when Australian 455 00:26:39,480 --> 00:26:43,919 Speaker 3: Dean Gaya from Australian idol as Brodie. But it was 456 00:26:44,000 --> 00:26:49,879 Speaker 3: so random random. Yeah, Like it felt like an intersection 457 00:26:50,000 --> 00:26:53,480 Speaker 3: of like things that should not intersect. I'm like, gleing 458 00:26:53,560 --> 00:26:56,560 Speaker 3: Australia aren't in the same time, Brian, how long. 459 00:26:56,440 --> 00:26:58,639 Speaker 2: Does Brody last? Do we remember? Did you last a 460 00:26:58,640 --> 00:26:59,080 Speaker 2: long time? 461 00:27:00,520 --> 00:27:02,720 Speaker 3: In season four? He doesn't go into season five, but 462 00:27:02,760 --> 00:27:05,479 Speaker 3: I think it's like maybe at least half of season 463 00:27:05,520 --> 00:27:11,800 Speaker 3: four season r okay, yeah, then yeah, A whole bunch 464 00:27:11,840 --> 00:27:14,000 Speaker 3: of other characters come in blah blah blah blah blah 465 00:27:14,040 --> 00:27:17,440 Speaker 3: blah blah. But my highlight from the time that they 466 00:27:17,440 --> 00:27:19,720 Speaker 3: come in is when Tina says that she had to 467 00:27:20,440 --> 00:27:23,560 Speaker 3: change her tattoo from Mike Chang forever to make change. 468 00:27:23,280 --> 00:27:35,240 Speaker 2: Forever forget about it. So that's excellent. So what else? 469 00:27:35,240 --> 00:27:38,200 Speaker 3: Okay, Rachel and Kurt together in New York. I love 470 00:27:38,240 --> 00:27:40,879 Speaker 3: all those storylines. I feel like it's so fun and 471 00:27:41,119 --> 00:27:44,000 Speaker 3: so correct that they got Kurt there as well. Yes, 472 00:27:45,440 --> 00:27:49,520 Speaker 3: the fact that Sue can't insult Marley. I thought that 473 00:27:49,600 --> 00:27:53,560 Speaker 3: was funny, like you are a beautiful girl with beautiful 474 00:27:53,560 --> 00:27:55,440 Speaker 3: blue eyes, and Mary's like. 475 00:27:55,880 --> 00:27:59,880 Speaker 2: Okay, thank you. 476 00:28:01,040 --> 00:28:06,440 Speaker 3: So that was then I've got Britney's sham election, plus 477 00:28:06,480 --> 00:28:09,200 Speaker 3: getting kicked off the cheers for lowering the GPA average. 478 00:28:11,520 --> 00:28:15,280 Speaker 3: Finally some repercussions. She famously got the zero point series 479 00:28:15,359 --> 00:28:17,080 Speaker 3: g p A at the end of season three, which 480 00:28:17,119 --> 00:28:20,280 Speaker 3: caused her to stay down a year, which meant she 481 00:28:20,400 --> 00:28:22,320 Speaker 3: was allowed to be in the school cohort for season four. 482 00:28:22,359 --> 00:28:23,240 Speaker 3: So let's celebrate that. 483 00:28:23,720 --> 00:28:30,159 Speaker 2: No truly, thank goodness series cousin Kiki, do we have 484 00:28:30,240 --> 00:28:36,000 Speaker 2: do you remember? Vaguely? Vaguely yes, Brittany. 485 00:28:35,960 --> 00:28:39,800 Speaker 3: Gets she finds like a random phone at like the laundromat, Yeah, 486 00:28:40,000 --> 00:28:42,880 Speaker 3: and it has like a rip up version of Siri 487 00:28:42,960 --> 00:28:43,600 Speaker 3: called Kiki. 488 00:28:45,480 --> 00:28:45,960 Speaker 2: And she's like. 489 00:28:45,920 --> 00:28:48,520 Speaker 3: Running around school with Kiki and she's got this gigantic 490 00:28:48,600 --> 00:28:51,400 Speaker 3: coffee and she's like, Kiki, what sizes my coffee? She's like, 491 00:28:51,400 --> 00:28:57,800 Speaker 3: it's a Setanta. Like I'm telling you, season four just 492 00:28:58,120 --> 00:29:01,720 Speaker 3: doing anything, absolutely anything. 493 00:29:01,760 --> 00:29:03,880 Speaker 2: They were like, just go for it, just go for it. Yeah, 494 00:29:04,320 --> 00:29:07,680 Speaker 2: we have twenty two episodes. Just please anything. 495 00:29:07,720 --> 00:29:11,640 Speaker 1: Like as the new cast came in to me, watching 496 00:29:11,720 --> 00:29:15,760 Speaker 1: new cast is sometimes hard to attach to, like say 497 00:29:15,760 --> 00:29:18,400 Speaker 1: by the Bell and all these you know, new classes. 498 00:29:18,600 --> 00:29:21,680 Speaker 1: How did you feel when you were watching a new 499 00:29:21,720 --> 00:29:22,480 Speaker 1: class come in. 500 00:29:23,960 --> 00:29:26,160 Speaker 2: The way I felt about it was let's get me 501 00:29:26,240 --> 00:29:29,080 Speaker 2: back to New York. Anytime the young I was like, 502 00:29:29,120 --> 00:29:31,920 Speaker 2: can I see what Tene is doing? Please? Like anytime 503 00:29:31,920 --> 00:29:34,560 Speaker 2: they come on screen, I'm like, let's get back to 504 00:29:34,600 --> 00:29:35,520 Speaker 2: the old crew. 505 00:29:35,920 --> 00:29:39,719 Speaker 3: Like I obviously get why they did it, and I 506 00:29:39,960 --> 00:29:43,520 Speaker 3: feel bad that, like everyone hated the new characters, but 507 00:29:43,520 --> 00:29:46,240 Speaker 3: at the same time, it's like, h you could have 508 00:29:46,320 --> 00:29:49,880 Speaker 3: made them more likable, Like nothing about them really stood out. 509 00:29:49,920 --> 00:29:52,440 Speaker 3: Like I feel like with the original set of characters, 510 00:29:52,440 --> 00:29:55,320 Speaker 3: you were like, Okay, these people all kind of suck, 511 00:29:55,440 --> 00:29:56,960 Speaker 3: but at the end of the day, they're all like 512 00:29:58,360 --> 00:30:01,800 Speaker 3: either funny or the nice people in some capacity, or 513 00:30:01,800 --> 00:30:04,520 Speaker 3: they have good storylines and arcs. But in season four, 514 00:30:04,560 --> 00:30:08,600 Speaker 3: you just like there's these four characters and you're like, oh, 515 00:30:08,800 --> 00:30:11,560 Speaker 3: Pitty is like the worst person in the world. 516 00:30:12,120 --> 00:30:13,000 Speaker 2: Then you have like. 517 00:30:14,560 --> 00:30:17,040 Speaker 3: The I don't even remember the bowl Cut's name, the 518 00:30:17,080 --> 00:30:20,440 Speaker 3: bowl Cut, and then the other one, who's Thee, the 519 00:30:20,480 --> 00:30:23,960 Speaker 3: cousin of Puck. I'm like, cool, as if I care 520 00:30:24,840 --> 00:30:28,040 Speaker 3: to know his cousin completely forgot. 521 00:30:29,360 --> 00:30:33,680 Speaker 2: Oh that's right, he gets the tattoos. He has the tattoo, right, Yeah. 522 00:30:33,840 --> 00:30:36,440 Speaker 3: And then and then Marley comes in and like I 523 00:30:37,480 --> 00:30:40,160 Speaker 3: liked Marley, but I'm like, what is your tea? What's 524 00:30:40,200 --> 00:30:43,040 Speaker 3: the tea on Marley? She's just nice. Like my favorite 525 00:30:43,080 --> 00:30:46,520 Speaker 3: thing about Marlee is when Sue gives her and her 526 00:30:46,600 --> 00:30:50,480 Speaker 3: mom some presents for Christmas, and the mom visits Sue 527 00:30:50,560 --> 00:30:53,320 Speaker 3: and says, thanks for what you did for Marley and me, 528 00:30:53,720 --> 00:30:55,320 Speaker 3: and Sue says, I'm not you're talking about. I had 529 00:30:55,320 --> 00:31:02,520 Speaker 3: nothing to do with making up that movie so stupid. 530 00:31:03,320 --> 00:31:06,360 Speaker 2: It was Marley not well off? Was she was? She poor? 531 00:31:07,200 --> 00:31:07,880 Speaker 2: She was poor? 532 00:31:08,120 --> 00:31:10,400 Speaker 3: She was in my video. I remember I called her 533 00:31:10,640 --> 00:31:12,480 Speaker 3: poor mousey brown hair. 534 00:31:12,320 --> 00:31:19,160 Speaker 4: Girl, right, I vaguely remember that. But I'm like, we 535 00:31:19,200 --> 00:31:23,320 Speaker 4: did that already, Like we like Sam's character was poor, 536 00:31:23,800 --> 00:31:25,680 Speaker 4: Like we did it so like. 537 00:31:25,720 --> 00:31:29,240 Speaker 3: Literally, so it's like that, or like for example, Kitty 538 00:31:29,880 --> 00:31:32,560 Speaker 3: her arc being like, oh my god, she's a cheerleader 539 00:31:32,600 --> 00:31:35,280 Speaker 3: who is horrible, but she's going to come around. It's 540 00:31:35,320 --> 00:31:38,280 Speaker 3: like I've never seen that before in this specific show. 541 00:31:38,280 --> 00:31:42,400 Speaker 3: Literally literally, it's like I guess they're trying to emulate 542 00:31:42,800 --> 00:31:45,000 Speaker 3: some of the best parts of season one to three 543 00:31:45,600 --> 00:31:47,600 Speaker 3: by like doing them again with different characters and slightly 544 00:31:47,680 --> 00:31:48,000 Speaker 3: changing it. 545 00:31:48,040 --> 00:31:51,040 Speaker 2: But I'm like, you would never be quinn No with 546 00:31:51,160 --> 00:31:55,240 Speaker 2: a Sui lesson for future teen Chows. Interesting, Yeah, that's 547 00:31:55,280 --> 00:31:56,640 Speaker 2: the moral of the story. You would never begin. 548 00:31:57,680 --> 00:31:59,880 Speaker 1: So I feel like what you're saying though, is like 549 00:32:00,400 --> 00:32:03,040 Speaker 1: they're like, let's do everything under the kitchen sink for 550 00:32:03,160 --> 00:32:06,520 Speaker 1: season four. But also there's really some funny moments, Like 551 00:32:06,560 --> 00:32:08,560 Speaker 1: there's some far too. 552 00:32:08,920 --> 00:32:14,120 Speaker 3: Yeah, I think because they were doing anything the really 553 00:32:14,120 --> 00:32:19,920 Speaker 3: good yea, sometimes you're like, was that necessary? But then 554 00:32:19,960 --> 00:32:22,280 Speaker 3: sometimes you'd be like that was so unnecessary and I'm 555 00:32:22,320 --> 00:32:23,040 Speaker 3: glad you did. 556 00:32:22,920 --> 00:32:27,160 Speaker 1: It rightly unnecessary, but okay, we'll take it. 557 00:32:27,280 --> 00:32:30,960 Speaker 3: Yeah, But like some of it pays off. For example, 558 00:32:31,080 --> 00:32:34,040 Speaker 3: the Sara Jessica paka let's have a Kiki Turkey look 559 00:32:34,080 --> 00:32:37,960 Speaker 3: you time, Like in what universe is that necessary? 560 00:32:38,200 --> 00:32:40,680 Speaker 2: But like I loved it. 561 00:32:40,680 --> 00:32:43,080 Speaker 1: It's wild. It's actually when I watched it, my job 562 00:32:43,160 --> 00:32:46,880 Speaker 1: was on the ground wild. I was shocked, Like I 563 00:32:46,920 --> 00:32:49,320 Speaker 1: don't like turkey like you time. I've never like turkey 564 00:32:49,400 --> 00:32:49,960 Speaker 1: lurkey time. 565 00:32:50,040 --> 00:32:54,560 Speaker 2: It's time. I hate it. I actually hate it. It's 566 00:32:54,720 --> 00:32:59,800 Speaker 2: so it makes those two songs together, but then theists 567 00:32:59,880 --> 00:33:01,920 Speaker 2: like type A Kiki, how has that like monologue at 568 00:33:01,920 --> 00:33:04,160 Speaker 2: the start, and they included that. Yeah. 569 00:33:04,640 --> 00:33:07,640 Speaker 3: I was like, oh yeah, yeah, I had to take 570 00:33:07,640 --> 00:33:09,560 Speaker 3: the train, and I'm like, yes. 571 00:33:09,760 --> 00:33:12,760 Speaker 2: Yes as well, if you had to do somehow make 572 00:33:12,800 --> 00:33:16,840 Speaker 2: those into a mashup, I feel like they nailed it, yeah, 573 00:33:16,880 --> 00:33:21,040 Speaker 2: because there couldn't be two more different songs exactly. Music 574 00:33:21,080 --> 00:33:22,960 Speaker 2: producers are like, what is this? Come on? 575 00:33:23,360 --> 00:33:25,200 Speaker 3: And I feel like getting her to do it specifically 576 00:33:25,320 --> 00:33:27,840 Speaker 3: was such like a genius move as well, totally like 577 00:33:28,200 --> 00:33:29,400 Speaker 3: she's such a New Yorker. 578 00:33:30,280 --> 00:33:32,640 Speaker 2: Do you imagine that being her and you come on 579 00:33:32,680 --> 00:33:38,360 Speaker 2: to this musical show and the song you get a 580 00:33:38,480 --> 00:33:41,480 Speaker 2: musical girl though. I feel like she'd be like, yes, 581 00:33:41,600 --> 00:33:43,720 Speaker 2: give me this, like she like, is she like a 582 00:33:43,760 --> 00:33:47,880 Speaker 2: show tunes girl? Yeah, and she's on Broadway and she's yeah, 583 00:33:48,040 --> 00:33:49,480 Speaker 2: she's I did not know that. 584 00:33:49,520 --> 00:33:54,880 Speaker 3: It's myaka blind spot can tap into that order. She's 585 00:33:54,920 --> 00:33:59,520 Speaker 3: like a registered artist on Spotify with her covers. 586 00:33:59,560 --> 00:34:01,320 Speaker 2: I'll have to check it out. It would just be 587 00:34:01,600 --> 00:34:05,960 Speaker 2: let's have a k It's she doesn't sing Turkey lucky time, 588 00:34:06,000 --> 00:34:07,600 Speaker 2: that's just Rachel. That's right. 589 00:34:07,720 --> 00:34:10,239 Speaker 3: So I just let's have a Kiki. I want to 590 00:34:10,239 --> 00:34:15,839 Speaker 3: have a keky like locks the doors, like lock the door. 591 00:34:16,719 --> 00:34:18,839 Speaker 2: I mean they do smash it. They look like they're 592 00:34:18,840 --> 00:34:22,719 Speaker 2: having they do all the drag queens in there too. 593 00:34:23,040 --> 00:34:26,200 Speaker 3: Oh we love that. I mean yeah, again, so random, 594 00:34:26,640 --> 00:34:31,399 Speaker 3: I'm so random, Like what Okay? Then, oh, you need 595 00:34:31,400 --> 00:34:34,480 Speaker 3: to watch out for this one. The breakup episode. I 596 00:34:34,520 --> 00:34:35,760 Speaker 3: think it's called the Breakup. 597 00:34:36,480 --> 00:34:39,960 Speaker 2: It breaks up so many people everyone. 598 00:34:40,160 --> 00:34:42,920 Speaker 3: There's like literally like three breakups in the episode. I 599 00:34:42,960 --> 00:34:46,839 Speaker 3: think Tumblr would have been in absolute shambles. I think 600 00:34:46,880 --> 00:34:50,360 Speaker 3: they had to send like a like an emergency squad 601 00:34:50,440 --> 00:34:52,640 Speaker 3: to the Tumblr server room just to make sure that 602 00:34:52,719 --> 00:34:56,160 Speaker 3: like everything's not on fire, because like it would have 603 00:34:56,160 --> 00:34:59,719 Speaker 3: been an absolute ship show, right, just emotionally prepare for 604 00:34:59,760 --> 00:35:03,759 Speaker 3: that when the episode The Breakup comes up. Okay, then 605 00:35:03,800 --> 00:35:06,400 Speaker 3: we have the piano man Brad telling Sue that he 606 00:35:06,480 --> 00:35:07,480 Speaker 3: hates the Glee Club. 607 00:35:08,560 --> 00:35:11,879 Speaker 2: I love that. That was like unnecessary law, but I'm like, yeah, 608 00:35:12,360 --> 00:35:14,480 Speaker 2: it's perfect though, he's been long enough here. 609 00:35:15,120 --> 00:35:17,440 Speaker 3: Yeah. That sort of ties into I think this might 610 00:35:17,440 --> 00:35:21,759 Speaker 3: have been in season three, when Sue's like yelling at 611 00:35:21,840 --> 00:35:25,000 Speaker 3: Will and says that he doesn't even know the names 612 00:35:25,000 --> 00:35:26,040 Speaker 3: of the kids in the band. 613 00:35:28,520 --> 00:35:30,440 Speaker 2: Yeah, I love what the show's self aware, like that 614 00:35:30,520 --> 00:35:31,719 Speaker 2: kind of thing. Very good. 615 00:35:33,280 --> 00:35:37,319 Speaker 3: Then, Okay, you find out that families are living in 616 00:35:37,400 --> 00:35:40,239 Speaker 3: squalor in Lord Tubbington's high rises that are not up 617 00:35:40,280 --> 00:35:45,040 Speaker 3: to code. That's what I mean by like because they 618 00:35:45,160 --> 00:35:49,120 Speaker 3: can say anything, right, They're just like putting absolutely anything in. 619 00:35:49,400 --> 00:35:53,400 Speaker 2: So I think that was during Fondu for two. What 620 00:35:53,480 --> 00:35:56,160 Speaker 2: a surprise. I've loved Fondue for two. 621 00:35:56,480 --> 00:35:56,719 Speaker 1: Yeah. 622 00:35:58,040 --> 00:36:01,480 Speaker 2: I hated it when it was on originally. Yeah, I 623 00:36:01,480 --> 00:36:05,160 Speaker 2: didn't get it. Look, I didn't get it. I was behind. 624 00:36:05,640 --> 00:36:09,080 Speaker 2: I get it now. Yeah, that was my bad. I 625 00:36:09,160 --> 00:36:10,160 Speaker 2: wasn't cultural enough. 626 00:36:10,680 --> 00:36:16,520 Speaker 3: It's even better on rewatch. Yeah, because it's like stupid. Okay, 627 00:36:16,560 --> 00:36:21,839 Speaker 3: here we go the Sue singing superbass. That's the fun 628 00:36:21,840 --> 00:36:25,440 Speaker 3: one to watch out for. Which Okay, the plot line 629 00:36:25,520 --> 00:36:30,879 Speaker 3: around that being Sue CON's plain into signing a contract 630 00:36:30,960 --> 00:36:32,759 Speaker 3: and the only way for him to get out of 631 00:36:32,800 --> 00:36:35,320 Speaker 3: the contract is to beat her in a Nicki Minaj 632 00:36:35,480 --> 00:36:36,839 Speaker 3: Mariah Carey sing off. 633 00:36:37,520 --> 00:36:41,160 Speaker 2: Like, were these randomly generated? These plots? It sounds like 634 00:36:42,760 --> 00:36:47,920 Speaker 2: I generated gone wrong. I don't know, hmm. Chatchibut was 635 00:36:47,920 --> 00:36:52,760 Speaker 2: beta testing Ungleie. I remember shooting that, Okay, I remember 636 00:36:52,760 --> 00:36:56,600 Speaker 2: the performance. Oh and it was a performance excellist stage. 637 00:36:56,680 --> 00:37:03,600 Speaker 3: Yeah, Sue during a wedding episode when she's walking down 638 00:37:03,640 --> 00:37:05,960 Speaker 3: the aisle to La Cromosa and she's wearing the exact 639 00:37:06,000 --> 00:37:06,600 Speaker 3: same dress. 640 00:37:07,719 --> 00:37:10,239 Speaker 2: That's great. That's a highlight for me. 641 00:37:10,680 --> 00:37:16,400 Speaker 3: Definitely, Becky saying mind your own gay business, gay Blaine. 642 00:37:18,880 --> 00:37:22,600 Speaker 2: She's not wrong, she's not wrong, Like I don't even 643 00:37:22,640 --> 00:37:25,239 Speaker 2: know the context of that, her being like my job 644 00:37:25,360 --> 00:37:29,720 Speaker 2: gay business gay blade. I started saying that that's funny. 645 00:37:29,840 --> 00:37:33,600 Speaker 3: Yeah, so you love that. And then of course Spice Girls. 646 00:37:33,760 --> 00:37:38,520 Speaker 3: And my last one is the Britney Code, which is 647 00:37:38,560 --> 00:37:41,040 Speaker 3: I think maybe at the end of season four when 648 00:37:41,680 --> 00:37:46,640 Speaker 3: she gets like scattered by MIT and they like get 649 00:37:46,640 --> 00:37:48,680 Speaker 3: her to do a test or something and she like 650 00:37:48,760 --> 00:37:50,560 Speaker 3: gets a zero. But then on the other side of 651 00:37:50,560 --> 00:37:53,799 Speaker 3: the page in her like drawings, she's like done some 652 00:37:53,920 --> 00:37:56,600 Speaker 3: kind of like mathematical genius thing called the Britney Code. 653 00:37:59,640 --> 00:38:01,320 Speaker 2: So what is the show? 654 00:38:02,360 --> 00:38:02,400 Speaker 1: What? 655 00:38:02,760 --> 00:38:03,720 Speaker 2: Yeah? 656 00:38:03,840 --> 00:38:08,200 Speaker 3: In terms of like story arcs in season four, I 657 00:38:08,239 --> 00:38:10,800 Speaker 3: feel like the New York stuff is definitely a highlight 658 00:38:10,880 --> 00:38:13,640 Speaker 3: because it's like something that the audience is not used 659 00:38:13,680 --> 00:38:21,080 Speaker 3: to seeing through season one, two three. How exciting yeah. 660 00:38:21,480 --> 00:38:23,680 Speaker 3: But then of course, like it wouldn't be Glee without 661 00:38:23,719 --> 00:38:26,719 Speaker 3: some insane like music covers and stuff. So I think 662 00:38:27,160 --> 00:38:30,880 Speaker 3: in the New York stuff, we get Kurt and his 663 00:38:31,040 --> 00:38:33,080 Speaker 3: new love interest. I can't remember his name. I want 664 00:38:33,120 --> 00:38:34,640 Speaker 3: to say, it's like Adam or something. It's like a 665 00:38:34,640 --> 00:38:40,600 Speaker 3: British guy and he sings like something about booty but 666 00:38:40,640 --> 00:38:45,320 Speaker 3: it's like a like really weird cover and Kurt's like clapping. 667 00:38:44,920 --> 00:38:45,560 Speaker 2: In the audience. 668 00:38:45,600 --> 00:38:49,799 Speaker 3: He's like whoa, and You're like this is atrocious. So, 669 00:38:49,920 --> 00:38:52,920 Speaker 3: like I I can't even warn you about what episodes 670 00:38:52,960 --> 00:38:54,680 Speaker 3: to watch out for when that comes in. 671 00:38:54,719 --> 00:38:55,960 Speaker 2: It could come into any second. 672 00:38:56,320 --> 00:38:57,800 Speaker 1: Okay, well, we're just going to be it's going to 673 00:38:57,840 --> 00:38:59,879 Speaker 1: be a random attack of violence on us. 674 00:39:00,040 --> 00:39:00,560 Speaker 2: Yeah. 675 00:39:00,640 --> 00:39:04,360 Speaker 3: Actually his name is Adam because he's like club. His 676 00:39:04,440 --> 00:39:06,799 Speaker 3: glee club is called Adam's Apples and that piece, right, 677 00:39:07,520 --> 00:39:08,960 Speaker 3: he named your club after yourself. 678 00:39:09,200 --> 00:39:13,680 Speaker 2: I remember Adam's Apples, very remember this, Okay, okay, okay. 679 00:39:13,360 --> 00:39:15,200 Speaker 3: Yeah, so just watch out. I feel like you really 680 00:39:15,239 --> 00:39:17,319 Speaker 3: need to prepare mentally for that. 681 00:39:17,600 --> 00:39:18,399 Speaker 2: I need to look at them. 682 00:39:19,360 --> 00:39:24,040 Speaker 3: Otherwise, the McKinley stuff for season four, it's just like 683 00:39:25,719 --> 00:39:28,400 Speaker 3: should write it down or like put a mark somewhere 684 00:39:28,400 --> 00:39:31,799 Speaker 3: every time there's a love triangle, okay, because there's there's 685 00:39:31,840 --> 00:39:35,400 Speaker 3: literally like five and it's like, oh my god. 686 00:39:35,600 --> 00:39:37,719 Speaker 1: Well you've left us a lot to look forward to 687 00:39:38,040 --> 00:39:41,319 Speaker 1: and to not look forward to. So we're really look 688 00:39:41,360 --> 00:39:44,080 Speaker 1: forward to those things, really girding for all of this. 689 00:39:45,040 --> 00:39:47,520 Speaker 1: Before we let you go, you said you were working 690 00:39:47,600 --> 00:39:50,440 Speaker 1: you were going to work on Lost A Lost recap 691 00:39:50,520 --> 00:39:52,200 Speaker 1: for two? How is it going? 692 00:39:53,280 --> 00:39:56,000 Speaker 2: Is it going? It is going? It is going. 693 00:39:56,040 --> 00:39:59,759 Speaker 3: I've actually I've nearly finished writing it. I have like, 694 00:40:00,280 --> 00:40:02,480 Speaker 3: have you seen season two? Have lost either of. 695 00:40:02,440 --> 00:40:03,880 Speaker 2: You when it was original? 696 00:40:05,120 --> 00:40:09,600 Speaker 3: Okay, Okay, without spoiling too much about my video, there's 697 00:40:09,640 --> 00:40:15,160 Speaker 3: a specific number in the season that's like a really 698 00:40:15,160 --> 00:40:18,120 Speaker 3: important part of the season. Yes, And I'm trying to 699 00:40:18,160 --> 00:40:22,080 Speaker 3: make the video exactly that link God bless. So it's 700 00:40:22,120 --> 00:40:25,760 Speaker 3: like I'm like trying to write it to the second. 701 00:40:26,200 --> 00:40:29,200 Speaker 2: So it's like, I'm really it's even harder than it 702 00:40:29,440 --> 00:40:30,040 Speaker 2: already is. 703 00:40:30,160 --> 00:40:33,799 Speaker 3: Yeah, I'm trying to make it exactly that while I'm 704 00:40:33,840 --> 00:40:35,440 Speaker 3: scripting before I film it. 705 00:40:36,840 --> 00:40:41,680 Speaker 2: I have the Diamad jumpsuit, so I got it. I'm serious. 706 00:40:42,480 --> 00:40:44,880 Speaker 2: It's so serious. There's also something in the air, right 707 00:40:44,920 --> 00:40:48,239 Speaker 2: now because I know so many people who are randomly 708 00:40:48,320 --> 00:40:51,080 Speaker 2: just rewatching lost. Right now, that's a good one. Maybe 709 00:40:51,080 --> 00:40:55,880 Speaker 2: I'll do it. It's a really good rewatch and a 710 00:40:55,960 --> 00:40:56,520 Speaker 2: long time. 711 00:40:58,080 --> 00:40:59,600 Speaker 1: You know, when they used to shoot on film, I 712 00:40:59,600 --> 00:41:02,080 Speaker 1: have to stay back to l A and sometimes when 713 00:41:02,080 --> 00:41:03,840 Speaker 1: I went through security, it would wipe the film and 714 00:41:03,880 --> 00:41:06,880 Speaker 1: they'd have to reshoot it all like night shoots. 715 00:41:09,320 --> 00:41:13,600 Speaker 2: Get through security. I can't film go through the X 716 00:41:13,680 --> 00:41:17,960 Speaker 2: ray or something. Yeah, the film off the traveling with 717 00:41:18,000 --> 00:41:20,839 Speaker 2: like a film camera yourself, like a picture camera. You 718 00:41:20,840 --> 00:41:24,800 Speaker 2: can't run it through alas if you've already used the 719 00:41:25,440 --> 00:41:28,400 Speaker 2: exposes it. You know, they just can't check it. 720 00:41:29,440 --> 00:41:32,360 Speaker 1: Oh my gosh, but yeah they've lost They used to 721 00:41:32,680 --> 00:41:34,520 Speaker 1: some foot and stuff like that. 722 00:41:34,520 --> 00:41:38,120 Speaker 2: That's such a fun fact. Did we start shooting digital 723 00:41:38,160 --> 00:41:41,400 Speaker 2: season four? It was three or four? So yes, I 724 00:41:41,400 --> 00:41:45,239 Speaker 2: think it was four. I think you're right, So we scared. Yes, 725 00:41:45,320 --> 00:41:47,440 Speaker 2: we went from film to digital. We were one of 726 00:41:47,480 --> 00:41:50,080 Speaker 2: the last shows to shoot on film. Yes, then at 727 00:41:50,080 --> 00:41:51,719 Speaker 2: that time we were one of like two that were 728 00:41:51,719 --> 00:41:54,680 Speaker 2: still on that. We're on film, right, Okay, that makes 729 00:41:54,680 --> 00:41:56,920 Speaker 2: so much sense, and I think pay attention to how 730 00:41:57,000 --> 00:41:57,520 Speaker 2: the lighting is. 731 00:41:57,880 --> 00:42:01,520 Speaker 1: Just look, we did you make up like a more 732 00:42:01,920 --> 00:42:05,719 Speaker 1: a more intense makeup to cover all of our digital blemishes. 733 00:42:05,800 --> 00:42:07,880 Speaker 2: Yes, exactly, as it picks up a lot more so 734 00:42:07,960 --> 00:42:11,560 Speaker 2: you just see everything. Oh they aren't teens, yeah, exactly. 735 00:42:11,719 --> 00:42:12,759 Speaker 2: Look at those wrinkles. 736 00:42:13,920 --> 00:42:16,279 Speaker 3: Stop when I say, like a teen show now and 737 00:42:16,320 --> 00:42:21,480 Speaker 3: they're like twenty five, thirty thirty, Come on, like there 738 00:42:21,560 --> 00:42:23,600 Speaker 3: is no bar anymore. It's just like he could be 739 00:42:23,640 --> 00:42:27,120 Speaker 3: forty and play like a twelve year old? Are bringing 740 00:42:27,160 --> 00:42:27,840 Speaker 3: this crossed? 741 00:42:28,239 --> 00:42:33,640 Speaker 1: Dare me my, daremy? Thank you so much for coming 742 00:42:33,640 --> 00:42:37,280 Speaker 1: on again joining us. Congratulations on all of your wild success. 743 00:42:37,280 --> 00:42:40,160 Speaker 1: We're really happy for you. You're in well deserved. Good 744 00:42:40,239 --> 00:42:43,320 Speaker 1: luck with the loss to to the minute, I'll be waiting, 745 00:42:43,520 --> 00:42:44,200 Speaker 1: We'll be waiting. 746 00:42:45,040 --> 00:42:47,280 Speaker 2: Thank you for having me back on Loves Run my Mouth. 747 00:42:47,640 --> 00:42:50,040 Speaker 2: I hope you can come back when we finish season 748 00:42:50,080 --> 00:42:53,680 Speaker 2: four to do this all over again, like I would 749 00:42:53,680 --> 00:42:56,360 Speaker 2: love to, like just see your mental state after. 750 00:42:56,120 --> 00:43:00,120 Speaker 1: Season fo Yeah, and then we listened to this before. 751 00:43:00,280 --> 00:43:02,359 Speaker 2: Yes, okay, I feel like this is also a good 752 00:43:02,480 --> 00:43:05,319 Speaker 2: check in on like what's happening with you because you're 753 00:43:05,360 --> 00:43:09,560 Speaker 2: faith taking over the world exactly famously just doing anything. Yeah, 754 00:43:09,760 --> 00:43:13,200 Speaker 2: I'm doing it well. Start doing that. So true. So 755 00:43:13,239 --> 00:43:17,120 Speaker 2: good to see you you too, Thank you so much, 756 00:43:17,280 --> 00:43:18,000 Speaker 2: Thank you Mike. 757 00:43:19,000 --> 00:43:22,240 Speaker 1: Wow, Well this got me really excited, and I'm excited 758 00:43:22,280 --> 00:43:23,120 Speaker 1: for season before. 759 00:43:23,239 --> 00:43:27,800 Speaker 2: I'm definitely more excited. Oh good, Okay, I'm glad because 760 00:43:28,239 --> 00:43:32,239 Speaker 2: he tuned me into like what we're getting ourselves into. Yeah, 761 00:43:33,040 --> 00:43:36,360 Speaker 2: the insanity. So if I know, my expectations are to expect, 762 00:43:36,680 --> 00:43:39,279 Speaker 2: prepare yourself. Yeah, I get it. 763 00:43:39,880 --> 00:43:42,720 Speaker 1: Okay, Well we'll see and then we'll return after season 764 00:43:42,719 --> 00:43:45,960 Speaker 1: four and see how we're doing. I will have Mike 765 00:43:46,040 --> 00:43:46,439 Speaker 1: on again. 766 00:43:46,840 --> 00:43:49,319 Speaker 2: Yeah, I don't know, like what episodes. I think I 767 00:43:49,320 --> 00:43:53,480 Speaker 2: get seasons four and five jumbled, Yes, yeah, so I 768 00:43:53,520 --> 00:43:56,160 Speaker 2: don't know what's what, and so I'm I'm really excited. 769 00:43:56,239 --> 00:43:58,239 Speaker 1: I think it's a lot more than we think, like 770 00:43:58,480 --> 00:44:01,839 Speaker 1: we're getting it's all up until graduation, right, So there's 771 00:44:01,880 --> 00:44:06,720 Speaker 1: a lot of like the our duel for class president, 772 00:44:07,719 --> 00:44:09,520 Speaker 1: I think is this season right? 773 00:44:09,760 --> 00:44:15,560 Speaker 2: Yeah? The school shooting, oh, shooting stars soon, there's the 774 00:44:15,600 --> 00:44:18,120 Speaker 2: blackout episode, the one to go Out. 775 00:44:18,040 --> 00:44:21,200 Speaker 1: With Paris that he directed, right, Yeah, there's quite a bit, 776 00:44:21,680 --> 00:44:24,399 Speaker 1: and we've got competitions, so there's a. 777 00:44:24,360 --> 00:44:27,000 Speaker 2: Bunch and all the new kids that we love. Of course, 778 00:44:27,000 --> 00:44:30,160 Speaker 2: we love all right well buckle love you guys. We're 779 00:44:30,840 --> 00:44:35,080 Speaker 2: headed to the road to season four and that's a 780 00:44:35,120 --> 00:44:37,640 Speaker 2: wrap on season three. Thank you for joining us, Thanks 781 00:44:37,640 --> 00:44:41,959 Speaker 2: for being with us. See you on the other side 782 00:44:42,080 --> 00:44:45,800 Speaker 2: for season four and that's what you really missed. Thanks 783 00:44:45,800 --> 00:44:48,919 Speaker 2: for listening and follow us on Instagram at and that's 784 00:44:48,960 --> 00:44:51,120 Speaker 2: what you really miss pod. Make sure to write us 785 00:44:51,120 --> 00:44:53,719 Speaker 2: a review and leave us five stars. See you next time.