WEBVTT - Sister Act with Nithya Raman 

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<v Speaker 1>On the Bedel Cast, the questions asked if movies have

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<v Speaker 1>women in them, are all their discussions just boyfriends and husbands,

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<v Speaker 1>or do they have individualism? The patriarchy ze invest start

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<v Speaker 1>changing it with the Betel Cast. Welcome to the Bechtel Cast.

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<v Speaker 1>My name is Jamie Loftus, my name is Caitlin Darante,

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<v Speaker 1>and you know the deal. This is our podcast about

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<v Speaker 1>the portrayal of women in movies. We use the Bechtel

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<v Speaker 1>test as a jumping off point to initiate a larger conversation,

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<v Speaker 1>treatment and representation. Yes, Jamie, have a question. Yes, please?

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<v Speaker 1>What is the Bechtel Test? Oh? I'm so glad? Do

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<v Speaker 1>you asked her? It was like three years later. I'm like,

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<v Speaker 1>I don't understand it. What have you said it? And

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<v Speaker 1>then I was like, that's not fair, sames, unrestupid. Well

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<v Speaker 1>okay for Jamie fruit just you from my reference. Yes,

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<v Speaker 1>it is a media metric created by cartoonist Alison Bechtel,

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<v Speaker 1>sometimes called the Bechtel Wallace test, in which two female

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<v Speaker 1>identifying characters with names must speak to each other about

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<v Speaker 1>something other than a man, and by our metric, it

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<v Speaker 1>has to be at least a two line exchange of dialogue, right,

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<v Speaker 1>I think it'd be easy. Usually it's not. I mean,

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<v Speaker 1>look at the Oscar nominees. Well what if so I

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<v Speaker 1>hope someone like slides into our d M s and

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<v Speaker 1>it's like Ford v. Ferrari pass the Bechdel test. You eve,

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<v Speaker 1>but I didn't see it. What if it did? What if?

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<v Speaker 1>What if the cars identifies, you know, and they rammed

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<v Speaker 1>each other? Boats do canonically canonically, But I don't know.

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<v Speaker 1>We'll see. Yeah, if anyone knows if Ford v. Ferrari

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<v Speaker 1>passed the Beckdel test? What a wild ride? That movie?

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<v Speaker 1>What ride? Yeah? Because cars? Because cars, you know what

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<v Speaker 1>cars are. I'm really excited for both their guests and

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<v Speaker 1>the movie we're covering today. We've been getting this request

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<v Speaker 1>since we started the show, and we were just kind

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<v Speaker 1>of just waiting for the for the for the right

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<v Speaker 1>guests to come along. So I'm very excited. We're doing

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<v Speaker 1>Sister Act. We're doing Sister Act. We're gonna deviate a

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<v Speaker 1>little bit from the format because our guests. We're gonna

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<v Speaker 1>ask some questions, an interview a little bit. We gotta

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<v Speaker 1>get to know where you go. Because she is an

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<v Speaker 1>urban planner, a community advocate. She served as executive director

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<v Speaker 1>of Time's Up Entertainment, and currently she is running for

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<v Speaker 1>Los Angeles City Council District four are election where it's

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<v Speaker 1>literally sitting. It's in District four at this very moment,

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<v Speaker 1>the election for which is on March three. It's Nythia Rahman. Hi, welcome, Hi,

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<v Speaker 1>I'm so happy to be here. Okay, we're also just

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<v Speaker 1>for our listeners. Were recording literally at Caitlin's house in

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<v Speaker 1>District four right now. I mostly came because I think

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<v Speaker 1>both of the our constituents, So yeah, one podcast. It's

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<v Speaker 1>a real grassroots movement. So if you're an l A

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<v Speaker 1>listener and you live in that district, perc your ears

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<v Speaker 1>up extra. But everyone just okay, yeah I did. They

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<v Speaker 1>were so excited you're here. We're so happy. We're big

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<v Speaker 1>fans likewise, so um yeah, I want to just start

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<v Speaker 1>about by talking about what motivated you to run for

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<v Speaker 1>city council. What what you know made the decision to

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<v Speaker 1>leave your day job and uh start campaigning. Well, it

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<v Speaker 1>was not It's definitely not something I've been thinking about

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<v Speaker 1>my whole life, so it was a big decision for me. Um.

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<v Speaker 1>I also have two little kids. I have four year

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<v Speaker 1>old twins. They're very cute right now after initial hard,

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<v Speaker 1>hard period when they were infants, but now they're they're people.

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<v Speaker 1>They're adorable, they're so fun and the campaign takes me

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<v Speaker 1>away from them a lot um. And I left a

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<v Speaker 1>very good job at a very exciting job at times

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<v Speaker 1>up to come do this. But I'm running for two reasons.

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<v Speaker 1>One is I was pretty angry about how the city

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<v Speaker 1>was responding to the issue of homelessness, uh and the

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<v Speaker 1>broader housing crisis that homeless this is just you know,

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<v Speaker 1>one part of and I I started a homeless coalition

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<v Speaker 1>in my neighborhood. I worked at city Hall a few

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<v Speaker 1>years ago and wrote a report about the city's response

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<v Speaker 1>on homelessness. And my report at that time found that

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<v Speaker 1>the city was already spending more than a hundred million

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<v Speaker 1>dollars on homelessness, but that the majority of the money

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<v Speaker 1>was actually going to putting homeless individuals in jail and

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<v Speaker 1>then releasing them, a policy which is both incredibly cruel

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<v Speaker 1>and ineffective. So you can see by the growth of

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<v Speaker 1>homelessness in Los Angeles five years later. At that time

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<v Speaker 1>there were twenty three thousand people experiencing homelessness. Now there's

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<v Speaker 1>almost thirty seven thousand in the city of Los Angeles,

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<v Speaker 1>so it's grown by fourteen thousand and five years, which

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<v Speaker 1>is a staggering increase. And to me, you know, I

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<v Speaker 1>left city hall. I had twins, I left the workforce

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<v Speaker 1>for a little while. But while I was at home,

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<v Speaker 1>I helped start this homeless coalition in my neighborhood which

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<v Speaker 1>actually serves Los Filas as well, uh and it's called CELA.

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<v Speaker 1>We started as a group of neighbors who were get

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<v Speaker 1>together doing volunteer outreach and getting to know people who

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<v Speaker 1>lived on the streets and in our neighborhoods. So Los

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<v Speaker 1>Fila's Silver Lake Echo Park, a bunch of neighborhoods that

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<v Speaker 1>were right near the river. There's a lot of encampments

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<v Speaker 1>near the river, and these were all our areas where

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<v Speaker 1>there were no people experiencing homelessness living out outdoors before

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<v Speaker 1>at all. This was new, and so I think a

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<v Speaker 1>group of people who were like, what do we do?

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<v Speaker 1>You know, this is happening, and we don't know what

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<v Speaker 1>to do. We got together and started doing outreach and

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<v Speaker 1>we would go out and talk to people who were

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<v Speaker 1>living in encampments get to know them by name, we'd

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<v Speaker 1>bring food and water, and we would try and learn

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<v Speaker 1>from them, you know, more about them and their stories

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<v Speaker 1>and how they ended up there, but also what was

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<v Speaker 1>preventing them from getting back into stable housing. And as

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<v Speaker 1>we learned about the situation that they experienced on the ground,

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<v Speaker 1>what we realized was that the city had made it

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<v Speaker 1>incredibly difficult once they were experiencing homelessness for them to

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<v Speaker 1>actually get back into housing. So in that whole region,

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<v Speaker 1>so we served an area stretching from Los Filas all

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<v Speaker 1>the way to Cyprus Park, So if you know l A,

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<v Speaker 1>that's a huge area of the city. There was no

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<v Speaker 1>walk in shelter beds, There was not a single shower

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<v Speaker 1>that they could go use. There was not a really

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<v Speaker 1>a bathroom where they were welcomed. There was not a

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<v Speaker 1>drop in case manager. Like if you wanted help and

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<v Speaker 1>you wanted to talk to somebody to get the help

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<v Speaker 1>that you needed, whether it be case management work, whether

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<v Speaker 1>it be mental health support, whether it be addiction counseling,

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<v Speaker 1>whatever it is that you needed help with, it was

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<v Speaker 1>not available for you anywhere in this entire area. So

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<v Speaker 1>I started looking at the system that we had created

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<v Speaker 1>around homelessness and I knew this from my work at

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<v Speaker 1>city Hall, but it was made so much more real

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<v Speaker 1>to me once I was looking at it from the

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<v Speaker 1>perspective of someone who was actually experiencing homelessness. Was that

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<v Speaker 1>the system we set up in l A was not

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<v Speaker 1>really designed to help people. It was designed basically by

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<v Speaker 1>people who don't care about this issue. And I just thought, here,

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<v Speaker 1>I am, I have a full time job, I have

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<v Speaker 1>two little kids, and all these other volunteers who are

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<v Speaker 1>weren't running the SELA program also do. And we kept

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<v Speaker 1>asking the city for a drop in center with a

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<v Speaker 1>shower and uh you know, a hot meal and access

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<v Speaker 1>to case management for the area. They ignored us. They

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<v Speaker 1>wouldn't even meet with us, Our council members wouldn't even

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<v Speaker 1>really meet with us. Finally, we did it ourselves. We

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<v Speaker 1>raised money, we we applied for grants, we held a fundraiser,

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<v Speaker 1>and we started operating a one day a week drop

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<v Speaker 1>in center, which has now grown to four sites, yeah

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<v Speaker 1>in in Silver Lake. And I just started thinking, if

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<v Speaker 1>the people who were in power felt any amount of

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<v Speaker 1>the sense of urgency that I do, and that you know,

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<v Speaker 1>all of these other volunteers did around this issue, I

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<v Speaker 1>think we would just be facing a very different situation

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<v Speaker 1>in Los Angeles. So that's when I started thinking about

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<v Speaker 1>running UM. And I'm you know, I'm trained as an

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<v Speaker 1>urban planner. I've thought about cities, and I've worked on

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<v Speaker 1>cities for pretty much my entire career except for my

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<v Speaker 1>time at times up so and the more I thought

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<v Speaker 1>about it, the more it made sense. And then the

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<v Speaker 1>second reason is actually that I wanted to run, was

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<v Speaker 1>because this election is actually an incredible opportunity, Like we

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<v Speaker 1>have a chance right now to invite a lot more

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<v Speaker 1>people into the municipal election, which is historically had very

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<v Speaker 1>very low participation rates in Los Angeles. Now it's going

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<v Speaker 1>to coincide with the federal election for the first time,

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<v Speaker 1>so it's on Super Tuesday. Yeah, and I'm sure everyone's

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<v Speaker 1>planning to vote on Super Tuesday, So we have an

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<v Speaker 1>opportunity to invite a lot more people into the municipal

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<v Speaker 1>political process to say, like, when you're going out there

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<v Speaker 1>and voting for whoever you want to vote for, you

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<v Speaker 1>should care about this and you can transform what you

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<v Speaker 1>see around you, like what you look, what you see

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<v Speaker 1>on the streets, and of l a, what you see

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<v Speaker 1>here right now. If this is not acceptable to you,

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<v Speaker 1>and I know it's not to most people. Our message

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<v Speaker 1>to them is you have a moment right now to

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<v Speaker 1>completely transform. It's so exciting. We're very, very very grateful

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<v Speaker 1>you're running because truly like every like um, I mean

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<v Speaker 1>you can you can check out Nathia's website and Nadia

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<v Speaker 1>for the city dot com for all of your policies

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<v Speaker 1>in detail. But it just it seems like it's just

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<v Speaker 1>stands to improve literally, I mean, everyone's life in district force.

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<v Speaker 1>So we're excited about it. Um. I think something that

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<v Speaker 1>our listeners are always trying to figure out, um, how

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<v Speaker 1>to do, is is do you have any I guess

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<v Speaker 1>advice for like the average citizen who's just trying to

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<v Speaker 1>be more involved and be more engaged in local issues especially.

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<v Speaker 1>I think that yeah, like you were saying that, I

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<v Speaker 1>mean super Tuesday, Um, is such a huge opportunity for awareness. Um,

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<v Speaker 1>what can the average person do to be engaged specifically

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<v Speaker 1>in l A or anywhere. I mean, let's let's go

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<v Speaker 1>for l A. Well, I think, yeah, I would just

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<v Speaker 1>dig into a little bit more this idea that part

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<v Speaker 1>of the reason why we have an l A that

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<v Speaker 1>feels right now incredibly hostile to lower income residents, whether

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<v Speaker 1>it be looking through how we serve our homeless residents,

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<v Speaker 1>or whether it be looking at how we're dealing with

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<v Speaker 1>a massive increase in rental prices that has far outpaced incomes,

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<v Speaker 1>Like our city can do a lot to help tenants,

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<v Speaker 1>our city can do a lot to help people who

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<v Speaker 1>are on the verge of becoming homeless. And over and

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<v Speaker 1>over again, they have looked away from those powers and responsibilities.

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<v Speaker 1>And I feel like, I think if you're somebody who's

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<v Speaker 1>living in l A particularly, I think it's really important

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<v Speaker 1>to understand what powers are local officials have, whether it

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<v Speaker 1>be at the council or whether it be at the supervisors,

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<v Speaker 1>and get involved in those races and make sure that

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<v Speaker 1>we're voting in candidates whose values you believe in and trust,

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<v Speaker 1>because right now, we have a political system in Los

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<v Speaker 1>Angeles that's really ossified, you know it is. It's like

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<v Speaker 1>like I've been interacting with it now and it feels

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<v Speaker 1>like you're up against some It's like whenever I deal

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<v Speaker 1>with any aspect of the traditional system, it feels like

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<v Speaker 1>I have gone back in time to three decades. Terrifying.

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<v Speaker 1>It's like all men like, there's only two elected representatives

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<v Speaker 1>out of eighteen total electives at City Hall, so fifteen

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<v Speaker 1>council members and city attorney, mayor and a city controller,

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<v Speaker 1>so only two out of those out of that teen

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<v Speaker 1>our women. It's just like very clubby culture where everybody

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<v Speaker 1>knows each other, but just a little bit of engagement

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<v Speaker 1>from residents could completely transform that and it has so

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<v Speaker 1>in recent weeks and months we've seen both of the

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<v Speaker 1>city and the county that advocacy by either homelessness advocates

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<v Speaker 1>who want to see a reduction in punitive responses to

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<v Speaker 1>homelessness and push for a more compassionate response have shown

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<v Speaker 1>up at city Hall and protested and changed policy, which yeah,

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<v Speaker 1>which is incredible. And then at the county level, we've

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<v Speaker 1>seen this huge criminal justice reform movement that has actually

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<v Speaker 1>stopped the construction of a three point five billion dollar

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<v Speaker 1>meant it was called a mental health jail. I mean

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<v Speaker 1>it was a mental health facility, but it was really

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<v Speaker 1>another big jail. And now there have another measure on

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<v Speaker 1>the ballot called Measure Are, which everyone should get informed about.

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<v Speaker 1>But in both of those situations, we've seen that involvement

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<v Speaker 1>engagement by residents can change things and it doesn't take uch,

0:12:00.559 --> 0:12:01.960
<v Speaker 1>you know. So if you can show up to like one,

0:12:02.360 --> 0:12:04.720
<v Speaker 1>get on a mailing list, show up to one protest,

0:12:05.320 --> 0:12:08.120
<v Speaker 1>you know, and just having those numbers, invite a couple

0:12:08.160 --> 0:12:10.160
<v Speaker 1>of friends to it, and then go to brunch afterwards,

0:12:11.080 --> 0:12:15.600
<v Speaker 1>it yeah, exactly, you know. So so even little things

0:12:15.640 --> 0:12:19.240
<v Speaker 1>like I I love doing service, like I love the

0:12:19.280 --> 0:12:21.600
<v Speaker 1>idea of and we invite lots of volunteers in the

0:12:21.640 --> 0:12:24.280
<v Speaker 1>coalition that I started here in silver Lake and Los

0:12:24.360 --> 0:12:28.320
<v Speaker 1>VELAs to come in and make food or too, you know,

0:12:28.400 --> 0:12:31.120
<v Speaker 1>set up that whole shower program that we do weekly,

0:12:31.679 --> 0:12:34.320
<v Speaker 1>and that's a great opportunity. But if you want to

0:12:34.400 --> 0:12:37.760
<v Speaker 1>change the systems that result in us having to do

0:12:37.800 --> 0:12:40.960
<v Speaker 1>that kind of volunteer work week after week, then you

0:12:41.000 --> 0:12:42.599
<v Speaker 1>have to go to city Hall or you have to

0:12:42.640 --> 0:12:44.719
<v Speaker 1>go to the Board of Supervisors and like show up

0:12:44.760 --> 0:12:47.000
<v Speaker 1>in protest and make the change that's going to change

0:12:47.040 --> 0:12:48.880
<v Speaker 1>the system. So that's what I would say to people

0:12:48.880 --> 0:12:51.440
<v Speaker 1>who are getting involved, is like, get informed and get

0:12:51.480 --> 0:12:55.960
<v Speaker 1>involved in advocacy because that can transform the city. Absolutely. Okay, cool,

0:12:56.040 --> 0:12:57.600
<v Speaker 1>thank you so much. It was I feel like I'm

0:12:57.600 --> 0:13:01.720
<v Speaker 1>talking We're way too long this We are asking you questions.

0:13:01.720 --> 0:13:04.559
<v Speaker 1>But that's how that works. You shouldn't have a sign

0:13:04.640 --> 0:13:06.720
<v Speaker 1>or something where you're like, you know, just like scrite

0:13:06.760 --> 0:13:12.719
<v Speaker 1>your nose and you're like, we're also, I mean, just

0:13:12.960 --> 0:13:16.240
<v Speaker 1>because of what our show is about, We're we're curious

0:13:16.240 --> 0:13:20.200
<v Speaker 1>about your time with time's up. And um, what what

0:13:20.240 --> 0:13:23.360
<v Speaker 1>was that experience like in what coming from city hall

0:13:23.800 --> 0:13:26.240
<v Speaker 1>to being a stay at home mom to going two

0:13:26.280 --> 0:13:29.600
<v Speaker 1>times of what sort of brought you there? Um? What

0:13:29.679 --> 0:13:32.640
<v Speaker 1>brought me there was not particularly exciting. I just somebody

0:13:32.640 --> 0:13:37.520
<v Speaker 1>sent me the job listing, and but I think they

0:13:37.640 --> 0:13:40.840
<v Speaker 1>wanted me because I'm guessing I don't have a lot

0:13:40.840 --> 0:13:42.680
<v Speaker 1>of insight, but I think they were excited about the

0:13:42.720 --> 0:13:48.079
<v Speaker 1>fact that I had taken advocacy and transformed it into

0:13:48.480 --> 0:13:52.280
<v Speaker 1>either concrete programs or concrete policy changes in the past,

0:13:52.360 --> 0:13:54.040
<v Speaker 1>and I think they were hoping that I could do

0:13:54.120 --> 0:13:57.560
<v Speaker 1>something similar there, which, UM, I'm very proud to say

0:13:57.640 --> 0:14:00.800
<v Speaker 1>that we did so. In the in the year a

0:14:00.800 --> 0:14:02.319
<v Speaker 1>little more than a year that I was the e D,

0:14:02.960 --> 0:14:06.800
<v Speaker 1>we put together this incredible mentorship program for the executive

0:14:06.800 --> 0:14:10.440
<v Speaker 1>and producer pipeline. Um. Yeah, and we actually took the

0:14:10.480 --> 0:14:13.679
<v Speaker 1>money for that came out of Less Moon Vesta's settlement

0:14:16.080 --> 0:14:20.520
<v Speaker 1>love that knife. So we had an opportunity to apply

0:14:20.600 --> 0:14:22.000
<v Speaker 1>for that money. So I was like, we have this

0:14:22.040 --> 0:14:24.400
<v Speaker 1>amazing program already in place. I applied for that funding

0:14:24.400 --> 0:14:25.600
<v Speaker 1>and we were able to set it up and it

0:14:25.640 --> 0:14:28.040
<v Speaker 1>was incredible. We have an incredible group of people who

0:14:28.080 --> 0:14:33.080
<v Speaker 1>are associated with it, but essentially supports people who don't

0:14:33.080 --> 0:14:37.240
<v Speaker 1>necessarily have the industry connections as who are assistants or

0:14:37.760 --> 0:14:42.600
<v Speaker 1>junior executives in that pipeline and gives them this incredible

0:14:42.800 --> 0:14:46.280
<v Speaker 1>network and an intensive mentorship relationship to help them move ahead.

0:14:47.000 --> 0:14:49.360
<v Speaker 1>And it was a really cool program. And it's also

0:14:49.400 --> 0:14:51.200
<v Speaker 1>it has a very unique thing which I think is

0:14:51.200 --> 0:14:55.480
<v Speaker 1>relevant in the context of this pay up Hollywood, you know,

0:14:55.560 --> 0:14:57.840
<v Speaker 1>this movement to talk about how a little. So we

0:14:57.920 --> 0:15:01.280
<v Speaker 1>had a ten tho dollar stipend in program that would

0:15:01.280 --> 0:15:04.480
<v Speaker 1>be given to anyone who was selected for it, because

0:15:04.480 --> 0:15:06.840
<v Speaker 1>we knew that if you came in and we're getting

0:15:06.840 --> 0:15:10.240
<v Speaker 1>paid minimum wage or whatever these you know, agencies or

0:15:10.560 --> 0:15:13.520
<v Speaker 1>production companies pay you, you wouldn't necessarily have the money

0:15:13.520 --> 0:15:16.160
<v Speaker 1>to go out and have drinks, which is where you

0:15:16.160 --> 0:15:19.000
<v Speaker 1>like make the relationships that get you, you know. So

0:15:19.080 --> 0:15:21.200
<v Speaker 1>I think it was a program that was designed really

0:15:21.200 --> 0:15:26.000
<v Speaker 1>well but also really acknowledge the realities of Hollywood and

0:15:26.040 --> 0:15:29.239
<v Speaker 1>what it takes to get ahead in the industry. Um.

0:15:29.320 --> 0:15:31.040
<v Speaker 1>And we had a couple of other week just released

0:15:31.040 --> 0:15:35.360
<v Speaker 1>these resources for performers on sets telling you exactly what

0:15:35.400 --> 0:15:39.600
<v Speaker 1>your rights are when you go out and do an audition. Yeah,

0:15:39.680 --> 0:15:42.200
<v Speaker 1>and we that we compiled all these resources from different

0:15:42.240 --> 0:15:44.360
<v Speaker 1>places and I kicked started that project and it was

0:15:44.400 --> 0:15:47.160
<v Speaker 1>released after I left. But it was very very important

0:15:47.160 --> 0:15:48.920
<v Speaker 1>to me that people who were new to the industry

0:15:49.000 --> 0:15:51.600
<v Speaker 1>knew not just what their rights were, but where they

0:15:51.600 --> 0:15:54.640
<v Speaker 1>could turn if they needed help. So we did that. UM.

0:15:54.640 --> 0:15:57.040
<v Speaker 1>But I would say my broader experience of being at

0:15:57.080 --> 0:16:00.920
<v Speaker 1>times up was really fascinating because as an relative outsider

0:16:00.960 --> 0:16:03.720
<v Speaker 1>to the entertainment industry and someone who had come from

0:16:03.760 --> 0:16:07.720
<v Speaker 1>an advocacy nonprofit background, I was and I don't know

0:16:07.720 --> 0:16:10.800
<v Speaker 1>whether your experience you're both like in then you consider

0:16:10.840 --> 0:16:16.520
<v Speaker 1>yourselves in the industry, right, yes, yeah, well I maybe,

0:16:16.560 --> 0:16:18.920
<v Speaker 1>I mean I would be curious about your experience, But

0:16:19.000 --> 0:16:22.320
<v Speaker 1>I felt like the industry is really conservative. I mean

0:16:22.400 --> 0:16:25.200
<v Speaker 1>I think, yeah, it feels like a vested interest in

0:16:25.320 --> 0:16:27.720
<v Speaker 1>like making it not look that way. But then once

0:16:27.760 --> 0:16:29.560
<v Speaker 1>you actually start to talk to people, You're like, oh,

0:16:29.600 --> 0:16:33.760
<v Speaker 1>this is actually very fucked up interesting, Okay, cool. Yeah,

0:16:33.840 --> 0:16:36.720
<v Speaker 1>And I think like the Times Up moment and movement

0:16:36.960 --> 0:16:41.080
<v Speaker 1>and the me too activism and a lot of organizing

0:16:41.080 --> 0:16:44.280
<v Speaker 1>that's now happened not related to Times Up necessarily, although

0:16:44.320 --> 0:16:46.160
<v Speaker 1>some of it did happen under the Times Up umbrella

0:16:46.520 --> 0:16:49.920
<v Speaker 1>around like women of color coming together or different groups

0:16:49.920 --> 0:16:52.280
<v Speaker 1>that have kind of been ignored or left out in

0:16:52.360 --> 0:16:55.680
<v Speaker 1>some ways. I feel like that is pushing for some changes.

0:16:55.720 --> 0:16:58.520
<v Speaker 1>But I was kind of surprised at how conservative the

0:16:58.520 --> 0:17:01.160
<v Speaker 1>industry was and how a lot of it I think

0:17:01.360 --> 0:17:04.400
<v Speaker 1>is related to the way in which you get a job,

0:17:04.560 --> 0:17:08.479
<v Speaker 1>so you tolerate abuse because if you speak out, not

0:17:08.560 --> 0:17:11.359
<v Speaker 1>just sexual misconduct, but any like just like somebody yelling

0:17:11.400 --> 0:17:15.560
<v Speaker 1>at you or throwing stuff from whatever, aggressively long working

0:17:15.560 --> 0:17:19.040
<v Speaker 1>hours or whatever it is, because your next job depends

0:17:19.040 --> 0:17:22.720
<v Speaker 1>on this person's referral, right, And that's that's basically like

0:17:22.760 --> 0:17:26.000
<v Speaker 1>you're a freelancer, but you're in a union if you're lucky, Yeah,

0:17:26.040 --> 0:17:28.760
<v Speaker 1>if you're lucky, but it and in a fairly small

0:17:28.800 --> 0:17:30.840
<v Speaker 1>industry where everybody knows each other. And that's just a

0:17:30.920 --> 0:17:33.840
<v Speaker 1>recipe for I think really bad can be a recipe

0:17:33.840 --> 0:17:35.880
<v Speaker 1>for really bad working conditions. So I was really excited

0:17:35.880 --> 0:17:38.119
<v Speaker 1>to be in a position where we were bringing workers

0:17:38.200 --> 0:17:42.399
<v Speaker 1>together and talking about workers rights, you know. And I

0:17:42.440 --> 0:17:45.400
<v Speaker 1>think it sometimes entertainment industry people didn't think about themselves

0:17:45.480 --> 0:17:48.560
<v Speaker 1>as workers and didn't think about themselves as having workers

0:17:48.640 --> 0:17:51.159
<v Speaker 1>rights because that's like a different you know. And so

0:17:51.200 --> 0:17:52.840
<v Speaker 1>it's like exciting to be like, hey, you're a writer,

0:17:52.960 --> 0:17:55.840
<v Speaker 1>but that's work. Yeah, that's where you deserve to be

0:17:55.840 --> 0:17:58.040
<v Speaker 1>treated in a particular way. So it was it was cool.

0:17:58.080 --> 0:18:01.639
<v Speaker 1>It was a really exciting moment in Yeah, history, I

0:18:01.640 --> 0:18:04.160
<v Speaker 1>guess exciting to be a part of it and play

0:18:04.240 --> 0:18:07.720
<v Speaker 1>some small role in in it. That's so amazing. Yeah,

0:18:08.119 --> 0:18:09.480
<v Speaker 1>is there is there anything else you would like for

0:18:09.520 --> 0:18:12.280
<v Speaker 1>us to touch on before we start talking sister act?

0:18:12.440 --> 0:18:14.480
<v Speaker 1>And I guess I would just say to the residents

0:18:14.520 --> 0:18:17.520
<v Speaker 1>of Los Angeles, Yes, you look around. You see a

0:18:17.560 --> 0:18:20.359
<v Speaker 1>city that I think is really struggling. We have a

0:18:20.400 --> 0:18:24.240
<v Speaker 1>massive homelessness crisis. We have rising rents, we have bad air,

0:18:24.920 --> 0:18:27.879
<v Speaker 1>we have unsafe streets, and I could go on and

0:18:27.920 --> 0:18:30.760
<v Speaker 1>on and on, but all of these things are solvable,

0:18:31.359 --> 0:18:34.520
<v Speaker 1>and all of these things are completely surmountable if we

0:18:34.560 --> 0:18:36.359
<v Speaker 1>have the right people in office. And I'm here to

0:18:36.400 --> 0:18:40.480
<v Speaker 1>tell you that you deserve better, and I feel like

0:18:40.520 --> 0:18:43.600
<v Speaker 1>that probably applies to most cities in the US, Like,

0:18:43.680 --> 0:18:45.640
<v Speaker 1>it's not this is not an l A specific thing. There.

0:18:45.640 --> 0:18:49.280
<v Speaker 1>If you don't live in l A, get informed, damn

0:18:49.280 --> 0:18:51.960
<v Speaker 1>deserve better too. Yes, I can't wait to vote for you.

0:18:52.000 --> 0:18:55.480
<v Speaker 1>So thank you for happy that you're here. Um. Oh,

0:18:55.520 --> 0:18:58.119
<v Speaker 1>and I had one I had one fun question, okay,

0:18:58.160 --> 0:19:00.800
<v Speaker 1>which is, okay, so you have two young kids at um,

0:19:01.080 --> 0:19:05.320
<v Speaker 1>what is something that you like because we're always trying

0:19:05.320 --> 0:19:07.600
<v Speaker 1>to like our whole show is just basically like the

0:19:07.640 --> 0:19:11.359
<v Speaker 1>media that messed with our brains as children and talking

0:19:11.359 --> 0:19:13.760
<v Speaker 1>about it now, is there something that you can watch

0:19:13.840 --> 0:19:15.960
<v Speaker 1>for your kids that you're like, I feel good about this.

0:19:16.680 --> 0:19:20.919
<v Speaker 1>So my kids actually only have watched with any desire.

0:19:21.600 --> 0:19:26.800
<v Speaker 1>Two things. One is Daniel Tiger, which is the cartoon

0:19:26.880 --> 0:19:32.080
<v Speaker 1>does derived from Mr Rogers Neighborhood. It is so simplistic

0:19:32.200 --> 0:19:36.760
<v Speaker 1>and it's so sweet and lovely and it's so boring.

0:19:37.560 --> 0:19:40.240
<v Speaker 1>But I can't I can't have you see it. Yeah,

0:19:40.480 --> 0:19:44.040
<v Speaker 1>like babysat kids watching Daniel Tiger and like, well, nothing,

0:19:44.200 --> 0:19:50.280
<v Speaker 1>you know, it's nothing bad is happening, but what is happening? Right? Um?

0:19:50.320 --> 0:19:52.119
<v Speaker 1>And the only other thing that they watch and I

0:19:52.160 --> 0:19:54.040
<v Speaker 1>have a boy and a girl, boy and girl twins,

0:19:54.200 --> 0:19:57.960
<v Speaker 1>and the only other thing that they watch is Frozen. Alright,

0:19:58.160 --> 0:20:01.040
<v Speaker 1>I mean that's we've covered that. You know it does

0:20:01.040 --> 0:20:05.800
<v Speaker 1>pretty well, sister ed you love to see it. Uh so,

0:20:05.920 --> 0:20:08.239
<v Speaker 1>I mean we're always just looking to because we're like,

0:20:08.640 --> 0:20:11.320
<v Speaker 1>we don't know what to recommend to parents who listened

0:20:11.359 --> 0:20:14.200
<v Speaker 1>to the show. Um so if you if you haven't

0:20:14.240 --> 0:20:18.520
<v Speaker 1>heard of Daniel Tiger or Frozen, now are the two

0:20:18.600 --> 0:20:25.159
<v Speaker 1>humans in America who haven't heard of froz? Yes, you

0:20:25.240 --> 0:20:29.199
<v Speaker 1>gotta check it out. People can't can't stop talking about it.

0:20:29.640 --> 0:20:31.240
<v Speaker 1>I haven't did you see this? I didn't see the

0:20:31.280 --> 0:20:33.800
<v Speaker 1>second one. I did see the second one from Molina

0:20:33.880 --> 0:20:39.280
<v Speaker 1>voices of character, There's there's an interesting conversation to be

0:20:39.320 --> 0:20:41.159
<v Speaker 1>had about that movie as well. Maybe we'll get to

0:20:41.160 --> 0:20:43.439
<v Speaker 1>it someday. All right, great, in the meantime, listen to

0:20:43.440 --> 0:20:47.160
<v Speaker 1>our Frozen one episode. Everybody. Actually, I'll down I didn't

0:20:47.160 --> 0:20:49.720
<v Speaker 1>know you had done for I'll download that and listen

0:20:49.760 --> 0:20:54.480
<v Speaker 1>to it. But but now let's let's let's pivot into

0:20:54.480 --> 0:20:56.200
<v Speaker 1>the rest of the show. We're talking about Sister app

0:20:56.280 --> 0:20:58.280
<v Speaker 1>that's right before we do. Let's take a quick break first,

0:20:58.320 --> 0:21:07.480
<v Speaker 1>and then we'll be right back. We're back. Okay, So

0:21:07.680 --> 0:21:11.040
<v Speaker 1>we're talking Sister Act. It's a movie. It can what

0:21:11.040 --> 0:21:13.560
<v Speaker 1>what's a movie? Now? Hold on, now, hold on, bear

0:21:13.640 --> 0:21:18.200
<v Speaker 1>with me. We're today, we're talking about we're talking about

0:21:18.240 --> 0:21:23.440
<v Speaker 1>a feature length film. Uh. It came out in It

0:21:23.560 --> 0:21:28.240
<v Speaker 1>stars Whoopie Goldberg. It's called Sister Act. Uh. Nittia, what

0:21:28.320 --> 0:21:30.800
<v Speaker 1>is your experience with this movie? When did you first

0:21:30.880 --> 0:21:34.800
<v Speaker 1>see it your relationship? Shoot, I don't even I've seen

0:21:34.840 --> 0:21:39.359
<v Speaker 1>it so many times. I was rewatched it before coming

0:21:39.400 --> 0:21:43.080
<v Speaker 1>here today, and I realized I knew lines, I knew

0:21:44.000 --> 0:21:45.679
<v Speaker 1>you know, like I have watched you know, I've just

0:21:45.720 --> 0:21:49.320
<v Speaker 1>it's been so much a part of like rerun go

0:21:49.480 --> 0:21:52.440
<v Speaker 1>Home on the couch, Oh, Sister Acts on. I'm gonna

0:21:52.440 --> 0:21:55.040
<v Speaker 1>watch it again from I'm like, if if anyone has

0:21:55.040 --> 0:21:59.400
<v Speaker 1>ever just like had TBS, you've seen this movie, Like

0:21:59.640 --> 0:22:02.280
<v Speaker 1>there there were certain moments where I had, like I

0:22:02.320 --> 0:22:04.840
<v Speaker 1>have a similar experience with it where I really liked

0:22:04.840 --> 0:22:06.679
<v Speaker 1>it when I was a kid, and then just like

0:22:07.000 --> 0:22:09.359
<v Speaker 1>as I got older, I just would like see it

0:22:09.440 --> 0:22:11.639
<v Speaker 1>every once in a while until like some point in

0:22:11.680 --> 0:22:14.040
<v Speaker 1>the movies I'm like, oh, that's a commercial break, you know,

0:22:14.119 --> 0:22:17.320
<v Speaker 1>like like that kind of movie that's on TV all

0:22:17.320 --> 0:22:19.720
<v Speaker 1>the time. Yeah, I don't know. I never watched it

0:22:19.760 --> 0:22:22.399
<v Speaker 1>with like any critical lens before. I just was like,

0:22:22.640 --> 0:22:26.399
<v Speaker 1>I like it, and I was so pleasantly surprised watching

0:22:26.400 --> 0:22:28.920
<v Speaker 1>it with a critical lens. There's so much to love

0:22:28.960 --> 0:22:33.920
<v Speaker 1>about this movie. So it's just romp and had a

0:22:34.040 --> 0:22:38.880
<v Speaker 1>ten on the Caitlin Rompo Meter What's your History. I

0:22:38.920 --> 0:22:42.040
<v Speaker 1>had seen it, I believe once when it came out

0:22:42.240 --> 0:22:44.160
<v Speaker 1>at a drive in movie theater. I would have been

0:22:44.280 --> 0:22:47.440
<v Speaker 1>about six. That sounds like such a fun but because

0:22:47.480 --> 0:22:51.199
<v Speaker 1>I was, well, here's the thing, I was young and rambunctious,

0:22:51.240 --> 0:22:53.280
<v Speaker 1>and because we were in the confines of a car

0:22:53.480 --> 0:22:55.679
<v Speaker 1>and not like in a theater where we had to

0:22:55.720 --> 0:22:59.720
<v Speaker 1>respect other people's you know, time and attention, I don't

0:22:59.760 --> 0:23:02.959
<v Speaker 1>think I paid any attention to the movie. Um whoopsies.

0:23:03.119 --> 0:23:05.520
<v Speaker 1>So I felt like I hadn't really seen this movie

0:23:06.080 --> 0:23:08.359
<v Speaker 1>for the first time until about a year ago, and

0:23:08.400 --> 0:23:11.600
<v Speaker 1>I was like, I haven't seen I've seen doubt that

0:23:11.680 --> 0:23:15.480
<v Speaker 1>others not the Yeah, the Sister movie. It's a Sister

0:23:15.520 --> 0:23:18.520
<v Speaker 1>Act is there was I have a whole thing because

0:23:18.560 --> 0:23:21.159
<v Speaker 1>I was like, maybe, unfortunately Doubt is for some reason

0:23:21.160 --> 0:23:24.080
<v Speaker 1>one of my favorite movies. It's so depressing, but there's

0:23:24.119 --> 0:23:27.639
<v Speaker 1>the right reaction that yeah, that is I really I

0:23:27.640 --> 0:23:29.520
<v Speaker 1>don't like. I came out when I was fifteen, and

0:23:29.560 --> 0:23:33.800
<v Speaker 1>I saw it in theaters twice. Why. I couldn't tell you, um,

0:23:33.880 --> 0:23:35.800
<v Speaker 1>but there were a lot of them like, oh, this

0:23:35.880 --> 0:23:38.879
<v Speaker 1>is just like Doubt without all the problems. Yeah, it

0:23:39.000 --> 0:23:41.679
<v Speaker 1>really is. You've got your maryl character, You've got your

0:23:41.680 --> 0:23:44.679
<v Speaker 1>Amy Adams character, thankfully you don't have your Philippine war

0:23:44.720 --> 0:23:49.800
<v Speaker 1>Hoffman character. And that's the makings of a fun movie. True.

0:23:49.840 --> 0:23:51.840
<v Speaker 1>So yeah, I had only seen this movie really for

0:23:51.880 --> 0:23:54.840
<v Speaker 1>the first time until like about a year ago, um,

0:23:54.880 --> 0:23:57.400
<v Speaker 1>because I was like, I can't have I never seen

0:23:57.880 --> 0:24:01.440
<v Speaker 1>do I what is Sister Act? So I watched it

0:24:01.440 --> 0:24:03.919
<v Speaker 1>and I was like, what a fun movie? Like I

0:24:03.960 --> 0:24:06.159
<v Speaker 1>didn't realize that was the story. I thought that like

0:24:06.400 --> 0:24:09.480
<v Speaker 1>Whoopi Goldberg was already a nun. I didn't realize that

0:24:09.520 --> 0:24:11.919
<v Speaker 1>she was like in hiding as a nun. So I

0:24:11.960 --> 0:24:14.840
<v Speaker 1>was like, oh, what fun I do? I do always

0:24:14.880 --> 0:24:18.560
<v Speaker 1>forget that there is a murder Writers and then like

0:24:18.600 --> 0:24:21.920
<v Speaker 1>two seconds later the music gets very silly. Yes, yes,

0:24:21.920 --> 0:24:23.440
<v Speaker 1>it's like they're like, oh, she's got to get out

0:24:23.440 --> 0:24:26.120
<v Speaker 1>of there. It's like do do do? Do Do? Do? Right?

0:24:26.280 --> 0:24:30.800
<v Speaker 1>The nineties were wild? Okay, so should do the recap

0:24:30.800 --> 0:24:34.720
<v Speaker 1>and we'll go from there. Okay, So we first see

0:24:35.040 --> 0:24:38.879
<v Speaker 1>Dolores van Cartier. That's, of course Whoopi Goldberg as a

0:24:38.960 --> 0:24:42.399
<v Speaker 1>kid in Catholic school. She's not taking it seriously. We

0:24:42.520 --> 0:24:45.159
<v Speaker 1>cut to her as an adult. Then she's a lounge

0:24:45.359 --> 0:24:49.040
<v Speaker 1>singer in Reno, Nevada. Ever heard of it? Sort of?

0:24:49.960 --> 0:24:52.000
<v Speaker 1>I hadn't really seen. I'm like, this movie made me

0:24:52.040 --> 0:24:54.320
<v Speaker 1>want to go to Reno. I've never been. Um, I've

0:24:54.359 --> 0:24:57.240
<v Speaker 1>seen a lot of seasons of Reno one and that

0:24:57.280 --> 0:25:00.720
<v Speaker 1>makes me not want to go to Reno. I would agree, Yeah, yeah,

0:25:00.960 --> 0:25:02.280
<v Speaker 1>isn't that where you go to get like an old

0:25:02.320 --> 0:25:04.800
<v Speaker 1>timey divorce or something that used to be like the

0:25:04.840 --> 0:25:08.840
<v Speaker 1>hot spot for like I think you can have to

0:25:08.840 --> 0:25:13.360
<v Speaker 1>go anywhere in Nevada, right, I think so? I think

0:25:13.400 --> 0:25:15.720
<v Speaker 1>that like that was I feel like I've I don't know,

0:25:15.800 --> 0:25:18.160
<v Speaker 1>I think that's the movie. The women they go to Reno,

0:25:18.560 --> 0:25:22.160
<v Speaker 1>I think, yes, they do that movie is so weird. Yeah,

0:25:22.240 --> 0:25:24.440
<v Speaker 1>we have to do it someday. Anyway, if you want

0:25:24.440 --> 0:25:26.800
<v Speaker 1>to get married very quickly or divorced very quickly, go

0:25:26.920 --> 0:25:31.240
<v Speaker 1>to Nevada anyway. So that's where she's based and she

0:25:31.560 --> 0:25:36.520
<v Speaker 1>is together with Vince Laracca. That's Harvey Kitel's character, playing

0:25:36.600 --> 0:25:41.280
<v Speaker 1>the type fame. But everywhere, um, he has his wife,

0:25:41.320 --> 0:25:43.880
<v Speaker 1>he's he's married to someone else, uh, and doesn't want

0:25:43.920 --> 0:25:46.520
<v Speaker 1>to leave her for Dolores. So she's like, screw it,

0:25:46.560 --> 0:25:48.639
<v Speaker 1>I'm leaving you and I'm getting out of here. But

0:25:48.760 --> 0:25:50.680
<v Speaker 1>right when she goes to tell him that she's leaving,

0:25:50.920 --> 0:25:56.640
<v Speaker 1>she witnesses him and his goons murdering another goon of his. So,

0:25:56.920 --> 0:26:01.040
<v Speaker 1>not wanting any witnesses to his crime, Vince sends his

0:26:01.119 --> 0:26:03.480
<v Speaker 1>goons after Dolores to kill her, and then the fun

0:26:03.600 --> 0:26:09.199
<v Speaker 1>music starts playing. She's like, yeah, she gets out, she

0:26:09.240 --> 0:26:12.159
<v Speaker 1>gets away. She goes to the police and they're like, wait,

0:26:12.280 --> 0:26:17.960
<v Speaker 1>you're with Vince Laracca. He's this big organized crime guy

0:26:18.040 --> 0:26:19.840
<v Speaker 1>and we're trying to put him away. So if you're

0:26:19.840 --> 0:26:23.040
<v Speaker 1>willing to testify, we can do that. In the meantime,

0:26:23.080 --> 0:26:26.000
<v Speaker 1>we have to put you in witness protection until this

0:26:26.080 --> 0:26:29.320
<v Speaker 1>court date you got the movie, there's got to be

0:26:29.359 --> 0:26:33.920
<v Speaker 1>a movie. So Lieutenant Souther puts her in a convent

0:26:34.119 --> 0:26:37.639
<v Speaker 1>in San Francisco and she has to pretend to be

0:26:37.800 --> 0:26:41.119
<v Speaker 1>a nun and the high jinks in Sue Baby, Um

0:26:41.280 --> 0:26:49.080
<v Speaker 1>Reverend Mother, they's so good. Reverend Mother played by Maggie Smith.

0:26:49.560 --> 0:26:52.560
<v Speaker 1>She's the only one who knows who Dolores really is,

0:26:52.680 --> 0:26:55.719
<v Speaker 1>and everyone else in the convent thinks that she is

0:26:56.359 --> 0:27:00.160
<v Speaker 1>a nun named Sister Mary Clarence. She's basically Mary all

0:27:00.240 --> 0:27:07.680
<v Speaker 1>in doubt for all my Doubta Smiths, she's your Oh yes,

0:27:07.720 --> 0:27:09.720
<v Speaker 1>that's I see. I couldn't have remembered that. And it's

0:27:09.720 --> 0:27:14.680
<v Speaker 1>allegedly my favorite movie. Um. So she meets the other nuns,

0:27:14.720 --> 0:27:19.760
<v Speaker 1>including Mary Patrick who is Cathy and Jimie. She's very cheerful,

0:27:20.240 --> 0:27:23.680
<v Speaker 1>and then there's a young nun who is dressed differently

0:27:23.720 --> 0:27:26.280
<v Speaker 1>and I don't know enough about Catholicism to know why.

0:27:26.440 --> 0:27:32.760
<v Speaker 1>I don't know either. She is a Sister Mary Robert Jr. Nun. Yeah,

0:27:33.080 --> 0:27:34.919
<v Speaker 1>it's like when you're like a brownie and then like

0:27:34.960 --> 0:27:37.000
<v Speaker 1>a junie, and like a daisy, and then a brownie

0:27:37.080 --> 0:27:41.280
<v Speaker 1>and then a Catholic or like shot just like the

0:27:41.280 --> 0:27:45.399
<v Speaker 1>Girl Scouts. Basically the Catholic church. It operates, uh, just

0:27:45.560 --> 0:27:51.000
<v Speaker 1>like Horrible the Girl Scouts. And then we see them

0:27:51.320 --> 0:27:54.080
<v Speaker 1>in like the church service. The nuns are singing and acchoir.

0:27:54.200 --> 0:27:58.680
<v Speaker 1>They're really bad. No one's attending the services. Reverend Mother

0:27:58.720 --> 0:28:01.400
<v Speaker 1>doesn't want any of the nun is going outside because

0:28:01.440 --> 0:28:04.640
<v Speaker 1>it's a dangerous neighborhood I guess, or she she thinks

0:28:04.680 --> 0:28:08.920
<v Speaker 1>it is um And then Dolores is trying to adjust

0:28:08.960 --> 0:28:11.000
<v Speaker 1>to all of this, but she's not good at being

0:28:11.040 --> 0:28:16.040
<v Speaker 1>a nun. Believe she was born to stand out. Meanwhile,

0:28:16.400 --> 0:28:21.320
<v Speaker 1>Vince realizes that Lieutenant South there must have Dolores, so

0:28:21.359 --> 0:28:23.800
<v Speaker 1>he puts out like a hit on her for a

0:28:23.800 --> 0:28:26.280
<v Speaker 1>lot of money. So now a bunch of like sleazy

0:28:26.320 --> 0:28:29.160
<v Speaker 1>bad guys are out looking for her. And then there's

0:28:29.200 --> 0:28:31.679
<v Speaker 1>a rat in the police department. Someone is leaking info

0:28:31.760 --> 0:28:35.040
<v Speaker 1>to the bad guys. Like plot, they're just like I

0:28:35.119 --> 0:28:38.440
<v Speaker 1>guess I just mostly want to see the nuns. Yeah,

0:28:38.520 --> 0:28:41.560
<v Speaker 1>I guess there's got to be a climax to the movie. Yeah.

0:28:41.920 --> 0:28:47.200
<v Speaker 1>And then back at the convent, Reverend Mother is like, hey, Dolores,

0:28:47.320 --> 0:28:49.920
<v Speaker 1>since you have a background of music, you're going to

0:28:50.080 --> 0:28:52.640
<v Speaker 1>join the choir and she does it sound like a

0:28:52.640 --> 0:28:54.600
<v Speaker 1>punishment and like that sounds like the best part of

0:28:54.600 --> 0:28:59.600
<v Speaker 1>being a nun. And she helps the nuns become better singers.

0:28:59.600 --> 0:29:04.720
<v Speaker 1>She kind helps update the music choices, she's mixing genres,

0:29:05.360 --> 0:29:07.880
<v Speaker 1>she's giving I love that like long scene where she's

0:29:07.920 --> 0:29:11.240
<v Speaker 1>like coaching them and they're listening and she's, Oh, it's

0:29:11.280 --> 0:29:15.560
<v Speaker 1>so good. And then because their music is so exciting

0:29:15.600 --> 0:29:19.520
<v Speaker 1>now it's bringing people into the church and people are

0:29:19.760 --> 0:29:23.320
<v Speaker 1>actually fill the butts, are filling the seats. There's very

0:29:23.400 --> 0:29:25.840
<v Speaker 1>like moments where you know, like in a movie where

0:29:25.880 --> 0:29:28.840
<v Speaker 1>they're like young people enter and they're dressed in a

0:29:28.960 --> 0:29:32.400
<v Speaker 1>very like young person way. There's a lot of young

0:29:32.520 --> 0:29:35.840
<v Speaker 1>people enter moments, and the and the reverence like, oh,

0:29:36.040 --> 0:29:42.280
<v Speaker 1>young people are entering, Welcome young I was like, oh, man,

0:29:42.360 --> 0:29:44.640
<v Speaker 1>it's like I don't know what the costume design situation was,

0:29:44.680 --> 0:29:47.560
<v Speaker 1>but I'm like, oh, definitely a young person palette going

0:29:47.600 --> 0:29:49.960
<v Speaker 1>on here. What was also weird was that I feel

0:29:50.000 --> 0:29:52.280
<v Speaker 1>like style has come back around so that when the

0:29:52.320 --> 0:29:55.200
<v Speaker 1>young people entered, I was like, I want that right.

0:29:56.520 --> 0:29:58.520
<v Speaker 1>And this also, this movie takes place in San Francisco.

0:29:58.560 --> 0:30:01.120
<v Speaker 1>I spent a lot of time being like, where are they.

0:30:01.360 --> 0:30:03.040
<v Speaker 1>I don't like, we were just my boyfriend and I

0:30:03.080 --> 0:30:05.920
<v Speaker 1>were just like they could be. Um, I don't know,

0:30:06.000 --> 0:30:10.160
<v Speaker 1>I didn't guess San Francisco. And then at some point, yeah,

0:30:10.240 --> 0:30:12.680
<v Speaker 1>I think there was a shot at the Golden Gate Bridge. Yeah,

0:30:12.800 --> 0:30:17.920
<v Speaker 1>and so that was the only yeah, right. And it's

0:30:17.960 --> 0:30:20.600
<v Speaker 1>also at this time that they're going out into San Francisco,

0:30:20.720 --> 0:30:23.640
<v Speaker 1>into the neighborhood and their help trying to turn it around.

0:30:23.720 --> 0:30:25.800
<v Speaker 1>There's a porn store and they're like, don't go in here.

0:30:26.280 --> 0:30:29.960
<v Speaker 1>And then then the pope hears about how good the

0:30:30.040 --> 0:30:32.360
<v Speaker 1>choir is, and he's like, I'm gonna come see a

0:30:32.360 --> 0:30:35.720
<v Speaker 1>concert because popes are are good. They're good, and they

0:30:37.600 --> 0:30:41.840
<v Speaker 1>they're fine, they're fine, great judges of music. Yeah, for sure,

0:30:42.200 --> 0:30:45.040
<v Speaker 1>I was like, this is a this is a happening, Pope, right.

0:30:45.880 --> 0:30:49.600
<v Speaker 1>But it's also at this time when Lieutenant Southor is like, hey,

0:30:49.640 --> 0:30:52.200
<v Speaker 1>we got you your court date, Dolores. You don't have

0:30:52.280 --> 0:30:55.800
<v Speaker 1>to really be in the convent anymore. But then it's

0:30:55.840 --> 0:30:59.720
<v Speaker 1>also at this point where Vince finds out where Dolores

0:31:00.160 --> 0:31:04.440
<v Speaker 1>is because because of the mall right, and then you're like, right,

0:31:04.760 --> 0:31:12.800
<v Speaker 1>the it pays off, so shocked. I forgot. Yeah, So

0:31:12.960 --> 0:31:16.360
<v Speaker 1>Vince sends his goons to kidnap Dolores and bring her

0:31:16.360 --> 0:31:19.600
<v Speaker 1>back to Reno, and then the nuns find out that

0:31:19.880 --> 0:31:22.800
<v Speaker 1>Dolores isn't actually a nun, so then they chartered a

0:31:22.840 --> 0:31:26.960
<v Speaker 1>helicopter to fly to Reno to help save her. And

0:31:27.000 --> 0:31:30.840
<v Speaker 1>then there's this whole big chase scene Dolores punches the

0:31:30.920 --> 0:31:37.600
<v Speaker 1>d goons and the nuts j hijinks more silly music,

0:31:38.080 --> 0:31:41.320
<v Speaker 1>and then finally the cops stop the bad guys and

0:31:41.400 --> 0:31:44.240
<v Speaker 1>arrest them, and then the nuns go back to San

0:31:44.240 --> 0:31:49.160
<v Speaker 1>Francisco to their concert for the poem and he loves

0:31:49.280 --> 0:31:53.600
<v Speaker 1>it standing ovations so good. And then at the end

0:31:53.640 --> 0:31:56.320
<v Speaker 1>I forgot the end, there's like that freeze frame and

0:31:56.360 --> 0:31:59.400
<v Speaker 1>then it switches to a People magazine and it's like,

0:31:59.520 --> 0:32:04.280
<v Speaker 1>guess what like Witness Protection None or whatever it is.

0:32:04.560 --> 0:32:07.400
<v Speaker 1>It's like, what a silly, fun way to end a movie.

0:32:08.120 --> 0:32:10.440
<v Speaker 1>So yeah, that's the story. That's the story. Where should

0:32:10.440 --> 0:32:13.200
<v Speaker 1>we start? I just wanted to start with a fun

0:32:13.280 --> 0:32:16.280
<v Speaker 1>fact that I learned, yes, which is the actor who

0:32:16.280 --> 0:32:19.960
<v Speaker 1>plays Pope John Paul the Second in this movie. I

0:32:20.000 --> 0:32:21.960
<v Speaker 1>was like, oh, who is this? I've never heard of

0:32:21.960 --> 0:32:25.720
<v Speaker 1>this person. Apparently his entire career was playing Pope John

0:32:25.720 --> 0:32:29.400
<v Speaker 1>Paul the Second in various things. He's credited on like

0:32:29.760 --> 0:32:33.120
<v Speaker 1>twenty things, and it's all Pope John Paul the Second.

0:32:33.360 --> 0:32:36.120
<v Speaker 1>He was Pope John Paul the Second on Alf he was,

0:32:37.200 --> 0:32:39.680
<v Speaker 1>he was on Ali McBeal as the Pope. He was

0:32:39.720 --> 0:32:41.680
<v Speaker 1>on Murphy Brown as the Pope. He was on Golden

0:32:41.720 --> 0:32:43.880
<v Speaker 1>Girls as the Pope. He was on everything, and is

0:32:43.920 --> 0:32:46.680
<v Speaker 1>he in the Two Popes? He was, No, he's dead.

0:32:47.800 --> 0:32:51.160
<v Speaker 1>So they had to get Anthony Hopkins. I have no idea. Yeah,

0:32:51.200 --> 0:32:53.880
<v Speaker 1>they called maybe he was like a pope impersonator. That

0:32:53.960 --> 0:32:56.040
<v Speaker 1>was his job. And then someone just saw him and

0:32:56.160 --> 0:32:58.160
<v Speaker 1>was like, oh, you should just play the pope where

0:32:58.160 --> 0:33:01.960
<v Speaker 1>we just have you standing saying anything. And by all accounts,

0:33:01.960 --> 0:33:04.440
<v Speaker 1>the Pope thought he did a great job. They're like,

0:33:04.960 --> 0:33:09.120
<v Speaker 1>he was like, that's a good representation of me, the Pope. UM.

0:33:09.200 --> 0:33:12.400
<v Speaker 1>So that's well, that's I guess that's all I have

0:33:12.480 --> 0:33:15.520
<v Speaker 1>to say. Thank you so much. UM for me, I

0:33:15.560 --> 0:33:19.800
<v Speaker 1>thought this movie held up quite well, and I think

0:33:20.040 --> 0:33:22.160
<v Speaker 1>it has a lot to do with it only being

0:33:22.440 --> 0:33:25.480
<v Speaker 1>being rated PG, so there's not a lot of like

0:33:26.000 --> 0:33:27.680
<v Speaker 1>because a lot of the movies that end up being

0:33:27.880 --> 0:33:31.560
<v Speaker 1>especially comedies that end up being wildly problematic and toxic

0:33:32.040 --> 0:33:35.840
<v Speaker 1>because they have freer reigin to make, you know, just

0:33:36.200 --> 0:33:40.560
<v Speaker 1>racist jokes and homophobic jokes because there are rated and

0:33:40.560 --> 0:33:43.040
<v Speaker 1>stuff like that. I don't know if that's the only

0:33:43.080 --> 0:33:45.920
<v Speaker 1>reason why it holds up very well, but I'm like, oh,

0:33:46.120 --> 0:33:48.320
<v Speaker 1>you know, this is a movie for like kids and families,

0:33:48.400 --> 0:33:51.720
<v Speaker 1>and I've watched it more than once with my mom. Yeah,

0:33:52.600 --> 0:34:00.240
<v Speaker 1>it's such a pure whatever it's on TV. They're really

0:34:00.320 --> 0:34:04.280
<v Speaker 1>is something for everyone for everybody. Uh. It directed by oh,

0:34:04.320 --> 0:34:07.000
<v Speaker 1>I want to get his name right, Emil Ardelino, who

0:34:07.080 --> 0:34:10.600
<v Speaker 1>also directed Dirty Dancing, his other big So he's this

0:34:10.640 --> 0:34:14.840
<v Speaker 1>guy's just churning out classics. It was also I was

0:34:15.000 --> 0:34:17.440
<v Speaker 1>watching it, I was almost I waited to do the

0:34:17.480 --> 0:34:19.520
<v Speaker 1>research until I just want to have fun watching it,

0:34:19.960 --> 0:34:21.759
<v Speaker 1>And I was like, this movie is so good that

0:34:21.800 --> 0:34:23.920
<v Speaker 1>I think it may have even been written by a woman.

0:34:24.480 --> 0:34:27.719
<v Speaker 1>But it wasn't. It was written by a man who

0:34:27.719 --> 0:34:30.760
<v Speaker 1>did a good job imagine it. But then I also

0:34:30.800 --> 0:34:33.319
<v Speaker 1>read that it went through a few different rewrites. Some

0:34:33.360 --> 0:34:35.719
<v Speaker 1>of the screenwriters who were brought on Carry Fisher was

0:34:35.920 --> 0:34:41.840
<v Speaker 1>Carry Fisher and Nancy Myers, So which is carry Fisher

0:34:41.880 --> 0:34:44.080
<v Speaker 1>has punched up some of the some of the best

0:34:44.160 --> 0:34:46.680
<v Speaker 1>movies that you never think she was involved in. It's true,

0:34:46.760 --> 0:34:50.360
<v Speaker 1>she's the coolest, but yeah, I mean this movie largely

0:34:50.440 --> 0:34:55.000
<v Speaker 1>is just about it's very female driven. The men are

0:34:55.080 --> 0:34:59.360
<v Speaker 1>either the pope, the priest who's in a couple of scenes,

0:34:59.440 --> 0:35:02.200
<v Speaker 1>and then the of guys. But aside from that, it's

0:35:02.239 --> 0:35:06.480
<v Speaker 1>like just a very female driven story. You know, Whoopie

0:35:06.480 --> 0:35:11.239
<v Speaker 1>Goldberg is the lead is peek here. Yes, she's a

0:35:11.280 --> 0:35:15.640
<v Speaker 1>peak of her Whoopie Goldberg like powers. And I loved that.

0:35:15.920 --> 0:35:18.080
<v Speaker 1>I remember I look, you know, I was watching it,

0:35:18.120 --> 0:35:22.000
<v Speaker 1>and I remember seeing her in the movie and she's

0:35:22.320 --> 0:35:25.799
<v Speaker 1>this you know, sexual being, you know, who's the love

0:35:25.880 --> 0:35:30.040
<v Speaker 1>interest for Harvey Keitel. And I remember being really excited

0:35:30.080 --> 0:35:32.040
<v Speaker 1>that there was a I don't know that just I

0:35:32.080 --> 0:35:34.200
<v Speaker 1>was like, oh, excited that, you know, I'm dark skinned,

0:35:34.239 --> 0:35:38.200
<v Speaker 1>and just to see her as this like very attractive

0:35:39.200 --> 0:35:42.120
<v Speaker 1>you know, and I don't know, it was great. It

0:35:42.239 --> 0:35:43.920
<v Speaker 1>was like really exciting to see that when I was

0:35:44.000 --> 0:35:46.799
<v Speaker 1>young and totally and it was an audience. It was

0:35:46.840 --> 0:35:49.000
<v Speaker 1>not directed just towards black audiences. I mean, it was

0:35:49.080 --> 0:35:51.600
<v Speaker 1>for everybody. And you know, and that and that was

0:35:51.640 --> 0:35:58.440
<v Speaker 1>exciting for me. I remember that. That's great. Yeah, and

0:35:58.520 --> 0:36:02.160
<v Speaker 1>I also read that this was originally written for Bette Midler,

0:36:02.320 --> 0:36:04.959
<v Speaker 1>who you know that it's been a fine It would

0:36:04.960 --> 0:36:06.680
<v Speaker 1>have been a good movie, I'm sure. Still, but like,

0:36:06.800 --> 0:36:11.160
<v Speaker 1>Whoopie kills it. She kills it. She absolutely kills it.

0:36:11.160 --> 0:36:13.560
<v Speaker 1>It's so good. And and what you said, Mathea goes

0:36:13.600 --> 0:36:20.600
<v Speaker 1>to show like why casting diverse casts is important for representation. Yeah, yeah,

0:36:20.640 --> 0:36:26.440
<v Speaker 1>this is like, you know, when did Friends start airing? Fo? Yeah?

0:36:27.680 --> 0:36:29.640
<v Speaker 1>So later, but still, you know, like I think it

0:36:29.680 --> 0:36:34.239
<v Speaker 1>took Friends how many seasons to have a oh yeah

0:36:34.280 --> 0:36:37.680
<v Speaker 1>with like a black love interest? So long? Yeah, yeah,

0:36:38.120 --> 0:36:41.319
<v Speaker 1>it's I mean it's like, yeah, Whoopy, the impact of

0:36:41.320 --> 0:36:44.200
<v Speaker 1>Whoopie could I mean, we could go on for days.

0:36:44.360 --> 0:36:47.880
<v Speaker 1>She's amazing. She's done like such good advocacy over the

0:36:47.960 --> 0:36:50.359
<v Speaker 1>years too. And but just like, yeah, just by like

0:36:50.719 --> 0:36:54.560
<v Speaker 1>being herself and owning this role and like being sexual,

0:36:54.760 --> 0:36:59.160
<v Speaker 1>being capable of being like just like strong willed, and

0:36:59.320 --> 0:37:02.200
<v Speaker 1>especially in this movie that's built around sisterhood, is like

0:37:02.360 --> 0:37:06.200
<v Speaker 1>so cool and impactful. And I was really excited that

0:37:06.239 --> 0:37:10.600
<v Speaker 1>they didn't have a romantic moment between the police officer,

0:37:11.239 --> 0:37:14.239
<v Speaker 1>and yeah, it seems like there were a few moments

0:37:14.239 --> 0:37:16.239
<v Speaker 1>where I'm like, are they going to do it? I

0:37:16.280 --> 0:37:22.560
<v Speaker 1>was relieved that we're just mutually respectful. Yeah right, it

0:37:22.560 --> 0:37:25.800
<v Speaker 1>would have been like pretty inappropriate had they gotten together.

0:37:26.600 --> 0:37:30.120
<v Speaker 1>It would have blown the case. First of all, yes, exactly,

0:37:30.480 --> 0:37:35.759
<v Speaker 1>that's a great point problem for prosecuting Harvey Channel to

0:37:35.880 --> 0:37:38.720
<v Speaker 1>offer a bit of criticism about not necessarily the movie,

0:37:38.760 --> 0:37:41.279
<v Speaker 1>but his character. He sort of does blow it when

0:37:41.320 --> 0:37:44.200
<v Speaker 1>he's like there's a scene where like Harvey Kitel and

0:37:44.280 --> 0:37:48.279
<v Speaker 1>his goons are like walking around and then Lieutenant South

0:37:48.320 --> 0:37:53.080
<v Speaker 1>there's like, hey, you're going down. I got you. You

0:37:53.120 --> 0:37:56.680
<v Speaker 1>know something's going something happened and I'm going to get you.

0:37:56.760 --> 0:37:59.640
<v Speaker 1>And why would he be so confident if he didn't

0:37:59.760 --> 0:38:03.720
<v Speaker 1>have of Dolores and his protections. And that's what gets

0:38:03.840 --> 0:38:06.280
<v Speaker 1>Harvey Keitel to be like, oh he must have Dolores,

0:38:06.320 --> 0:38:08.319
<v Speaker 1>we have to go kill her. So it's just like

0:38:08.440 --> 0:38:12.000
<v Speaker 1>his like male ego was just it's part of why

0:38:12.160 --> 0:38:18.239
<v Speaker 1>what he was in even more danger. South should get

0:38:18.239 --> 0:38:21.040
<v Speaker 1>his ego under control. But did you? I mean, I

0:38:21.040 --> 0:38:27.520
<v Speaker 1>thought his character was really cool and in so yeah,

0:38:27.600 --> 0:38:30.600
<v Speaker 1>we're it's like I feel like they were almost And

0:38:30.640 --> 0:38:32.799
<v Speaker 1>I'm like, maybe this is just like speaking to how

0:38:32.960 --> 0:38:35.480
<v Speaker 1>a lot of movies like how we've been like like

0:38:35.560 --> 0:38:38.200
<v Speaker 1>unconsciously trained to interpret movies. But I thought that he

0:38:38.280 --> 0:38:41.120
<v Speaker 1>was going to be positioned as a love interest strictly

0:38:41.160 --> 0:38:44.760
<v Speaker 1>because he was nice to her, like that doesn't bode

0:38:44.760 --> 0:38:47.640
<v Speaker 1>well for m but youth written because he was just

0:38:47.760 --> 0:38:52.719
<v Speaker 1>like nice to her, like he was sympathetic to her situation,

0:38:52.920 --> 0:38:55.080
<v Speaker 1>Like there were some moments where he's like, well, deal

0:38:55.120 --> 0:38:57.239
<v Speaker 1>with it, but in general, like he came to her

0:38:57.280 --> 0:38:59.719
<v Speaker 1>show when he was like, hey, probably don't do this.

0:38:59.719 --> 0:39:01.680
<v Speaker 1>Here's was like okay, but are you gonna come? He's

0:39:01.719 --> 0:39:04.480
<v Speaker 1>like yeah, looks pretty cool. Like you just seemed like

0:39:04.520 --> 0:39:08.040
<v Speaker 1>a supportive, kind person, and so yeah, when I kept

0:39:08.160 --> 0:39:09.680
<v Speaker 1>thinking him like, oh, I think he's good to be

0:39:09.800 --> 0:39:11.759
<v Speaker 1>the loved interest, I'm like, I think I just think

0:39:11.800 --> 0:39:15.239
<v Speaker 1>that because when men are kind to women, especially in

0:39:15.360 --> 0:39:18.000
<v Speaker 1>movies of this time, you're kind of trained to think

0:39:18.040 --> 0:39:20.640
<v Speaker 1>that they're going to want something out of it, I guess.

0:39:20.920 --> 0:39:23.399
<v Speaker 1>And it's just that such a common like studio note

0:39:23.400 --> 0:39:25.799
<v Speaker 1>to be like, wait, there's not a hetero romance in

0:39:25.800 --> 0:39:27.960
<v Speaker 1>this movie, Well, then what are we even doing? Put

0:39:28.000 --> 0:39:30.600
<v Speaker 1>it in there, I hope. And and that also, I mean,

0:39:31.200 --> 0:39:33.719
<v Speaker 1>we can't say this for sure, but I just know

0:39:33.880 --> 0:39:36.680
<v Speaker 1>that like historically, Whoopie Goberg has always had a lot

0:39:36.719 --> 0:39:39.640
<v Speaker 1>of say on like what goes into her star vehicles

0:39:39.640 --> 0:39:43.000
<v Speaker 1>and what doesn't. So she also has a lot of

0:39:43.120 --> 0:39:46.880
<v Speaker 1>you know power where you have to imagine that suggestion

0:39:47.040 --> 0:39:49.520
<v Speaker 1>was made and then I mean it didn't fit into

0:39:49.520 --> 0:39:53.040
<v Speaker 1>the story, you didn't need it. And and also she's

0:39:53.080 --> 0:39:59.200
<v Speaker 1>got to stay a nun, right right, so Southey doesn't

0:39:59.440 --> 0:40:05.920
<v Speaker 1>stand a chance against God. Maybe that's the love storright there. Right,

0:40:05.920 --> 0:40:08.800
<v Speaker 1>she does get married to Jesus, So there's still a

0:40:09.000 --> 0:40:16.040
<v Speaker 1>heatero romance in this movie. Great points. We gotta take

0:40:16.040 --> 0:40:23.799
<v Speaker 1>another quick break, but then we'll come right back and

0:40:23.960 --> 0:40:27.719
<v Speaker 1>we're back. Um. Something I wanted to touch on is

0:40:27.920 --> 0:40:31.080
<v Speaker 1>so we do often see in a lot of movies

0:40:31.560 --> 0:40:37.000
<v Speaker 1>women being kidnapped. Danzel fridged things like that. Um, there

0:40:37.160 --> 0:40:40.760
<v Speaker 1>is a kidnapping in this movie, but normally the movies

0:40:40.920 --> 0:40:44.319
<v Speaker 1>we tend to see, and especially you know, action and

0:40:44.360 --> 0:40:48.319
<v Speaker 1>superhero movies. Um, when a woman is kidnapped, it's to

0:40:48.440 --> 0:40:51.080
<v Speaker 1>raise the stakes for the male hero and then he

0:40:51.120 --> 0:40:53.400
<v Speaker 1>has to go and rescue her and to like be

0:40:53.520 --> 0:40:57.120
<v Speaker 1>more heroic. In this movie, two women are kidnapped, Um,

0:40:57.200 --> 0:41:01.319
<v Speaker 1>and whoop, he saves them both. Yeah, for she saves

0:41:01.360 --> 0:41:04.319
<v Speaker 1>she helps Mary Robert escape and get away, and then

0:41:04.480 --> 0:41:07.920
<v Speaker 1>Dolores gets away on her own. Um. I'm impressed that

0:41:07.960 --> 0:41:11.360
<v Speaker 1>you can keep all the names of the nuns because

0:41:12.120 --> 0:41:16.680
<v Speaker 1>I just I mean, I just watched it, watched it already,

0:41:16.719 --> 0:41:29.399
<v Speaker 1>like who the bangs? Exactly? Where is the spinoff Bangs Nune?

0:41:29.600 --> 0:41:32.240
<v Speaker 1>We already have? What is it? What is the Cool Pope?

0:41:32.320 --> 0:41:34.839
<v Speaker 1>What's that show? There was the Young Pope and now

0:41:34.880 --> 0:41:37.560
<v Speaker 1>it's called Now there's a spinoff called I think it's

0:41:37.560 --> 0:41:42.000
<v Speaker 1>like the New Pope. Give the people Bangs Nuns? We

0:41:42.040 --> 0:41:45.440
<v Speaker 1>need banks nuns. Yes, none, none. Representation has been down

0:41:45.480 --> 0:41:49.480
<v Speaker 1>since the nineties, It's true, except for doubt. Let's not

0:41:49.560 --> 0:41:53.840
<v Speaker 1>that's doubt erasure. That was embarrassing. But yeah, that that

0:41:53.960 --> 0:41:57.520
<v Speaker 1>whole sequence is again you're sort of like knowing the

0:41:57.560 --> 0:41:59.239
<v Speaker 1>time that came out, You're like, oh, no, is that

0:41:59.400 --> 0:42:02.400
<v Speaker 1>you know? Is it like you half expected South to

0:42:03.040 --> 0:42:05.040
<v Speaker 1>you know, burst in or just based on what you've

0:42:05.040 --> 0:42:09.320
<v Speaker 1>seen before. But and I feel like because it is

0:42:09.360 --> 0:42:12.160
<v Speaker 1>still a testament to like Whoopi Goldberg, where you just

0:42:12.200 --> 0:42:14.240
<v Speaker 1>always get the feeling whenever you see her on screen

0:42:14.480 --> 0:42:17.640
<v Speaker 1>that she is going to be able to save herself

0:42:17.680 --> 0:42:21.160
<v Speaker 1>like she and and that scene where she is able

0:42:21.200 --> 0:42:25.200
<v Speaker 1>to get Mary Robert to tumble out of the car

0:42:25.920 --> 0:42:29.880
<v Speaker 1>and not die, not die, that could have ended very badly.

0:42:30.160 --> 0:42:35.600
<v Speaker 1>Well that she did it when they slowed and she's Okay,

0:42:35.640 --> 0:42:38.040
<v Speaker 1>go save yourself, I'll take care of her. This is

0:42:38.040 --> 0:42:41.040
<v Speaker 1>not your problem, right, I'm like, oh, she's maybe she's

0:42:41.040 --> 0:42:44.520
<v Speaker 1>done this before. Reno seems wild, but she's able to

0:42:44.640 --> 0:42:47.800
<v Speaker 1>save her friend and then yeah, and then save herself

0:42:47.800 --> 0:42:51.200
<v Speaker 1>like it. That's that's how you know. There is the

0:42:51.239 --> 0:42:54.560
<v Speaker 1>moment at the very end when Harvey Citel is about

0:42:54.600 --> 0:42:57.880
<v Speaker 1>to shoot her and then um South comes in and

0:42:57.880 --> 0:43:00.480
<v Speaker 1>shoots him instead. So technically that's a bit of a rescue.

0:43:00.520 --> 0:43:03.160
<v Speaker 1>But because we've already seen what be getaway on her

0:43:03.160 --> 0:43:06.560
<v Speaker 1>own twice now, already at the very beginning and then

0:43:06.680 --> 0:43:09.239
<v Speaker 1>again at the end, it didn't feel like, oh, she's

0:43:09.280 --> 0:43:11.239
<v Speaker 1>like constantly being damned. What are saved by a man?

0:43:11.440 --> 0:43:14.160
<v Speaker 1>And also like that's his job as a police officer

0:43:14.560 --> 0:43:17.440
<v Speaker 1>to like yeahs like the first time we've seen like

0:43:17.520 --> 0:43:19.839
<v Speaker 1>it was like we gotta see South or succeed. At

0:43:19.880 --> 0:43:23.760
<v Speaker 1>some point he's just been accidentally selling her out movie

0:43:24.000 --> 0:43:28.879
<v Speaker 1>by being a good friend. Um. Another thing I think

0:43:28.960 --> 0:43:31.960
<v Speaker 1>is worth talking about is a big component of this

0:43:32.000 --> 0:43:36.680
<v Speaker 1>movie is like female relationships and female friendships that develop. Um,

0:43:36.719 --> 0:43:41.120
<v Speaker 1>there are some relationships between women where there is some

0:43:41.200 --> 0:43:45.200
<v Speaker 1>tension which we're always like careful to analyze and say, Okay,

0:43:45.200 --> 0:43:47.960
<v Speaker 1>well is it warranted or is there any context for

0:43:48.320 --> 0:43:50.839
<v Speaker 1>because yeah, it's like sometimes we'll see I think like

0:43:51.000 --> 0:43:53.400
<v Speaker 1>a kind of modern trend that will sometimes see is

0:43:53.440 --> 0:43:56.879
<v Speaker 1>like like movies full of female relationships where there's never

0:43:56.920 --> 0:43:58.959
<v Speaker 1>been a problem and you're like, well, this doesn't feel

0:43:59.000 --> 0:44:01.680
<v Speaker 1>really either. What I really liked about this movie is

0:44:01.680 --> 0:44:06.560
<v Speaker 1>that with these female relationships, you are generally getting enough

0:44:06.840 --> 0:44:10.320
<v Speaker 1>context on the character to understand where because it's like

0:44:10.360 --> 0:44:13.200
<v Speaker 1>that the relationship between Maggie Smith and Whoopi Goldberg could

0:44:13.239 --> 0:44:17.319
<v Speaker 1>have been so like reductive and basic and this none

0:44:17.360 --> 0:44:21.680
<v Speaker 1>is mean, This Nune is fun. But with even with

0:44:21.719 --> 0:44:24.800
<v Speaker 1>Maggie Smith's character, you get a like that scene towards

0:44:24.880 --> 0:44:27.879
<v Speaker 1>the end where she explains where she's coming from and

0:44:27.920 --> 0:44:32.080
<v Speaker 1>like she has these insecurities about being obsolete and not belonging,

0:44:32.120 --> 0:44:34.520
<v Speaker 1>and you're just like, oh, you know, you get the

0:44:34.760 --> 0:44:37.520
<v Speaker 1>end to her character, and I feel like you kind

0:44:37.520 --> 0:44:39.120
<v Speaker 1>of get the same for Dolorous for the most part.

0:44:39.120 --> 0:44:42.719
<v Speaker 1>Two for sure, so nice and all the other nuns

0:44:42.719 --> 0:44:45.560
<v Speaker 1>are so nice to her, just immediately love her. They

0:44:45.640 --> 0:44:49.000
<v Speaker 1>love her, they welcome her, They follow her out to

0:44:49.400 --> 0:44:53.399
<v Speaker 1>the bar crosser there as like God, these nuns are

0:44:53.440 --> 0:44:55.879
<v Speaker 1>so desperate to do something, because the second they were like, wait,

0:44:55.920 --> 0:44:59.319
<v Speaker 1>where's she going? We should go probably go to this

0:44:59.360 --> 0:45:03.520
<v Speaker 1>biker bar. I did have one question. Is Maggie Smith

0:45:03.520 --> 0:45:07.120
<v Speaker 1>the British actress? Yes, yes, okay, but it's it's funny

0:45:07.120 --> 0:45:09.120
<v Speaker 1>because in a lot of movies, I feel like with

0:45:09.239 --> 0:45:11.520
<v Speaker 1>nuns not I haven't seen as probably as many as you,

0:45:11.760 --> 0:45:19.160
<v Speaker 1>but too well, I haven't seen doubts, you know. That's fine. Yeah,

0:45:19.200 --> 0:45:22.720
<v Speaker 1>I feel like nuns often have British accents for some reason.

0:45:23.160 --> 0:45:25.320
<v Speaker 1>But maybe it was just because Maggie. Because it was

0:45:25.360 --> 0:45:28.800
<v Speaker 1>both Maggie Smith and the priest who was he was Irish?

0:45:28.920 --> 0:45:31.279
<v Speaker 1>Yeah he was, yeah, he was not. Yeah. The two

0:45:31.320 --> 0:45:33.880
<v Speaker 1>heads of the church were not American, but they were

0:45:33.880 --> 0:45:37.680
<v Speaker 1>in San Francisco, and no effort was really made to

0:45:37.800 --> 0:45:41.480
<v Speaker 1>feel like here. I do think that there is sometimes

0:45:41.520 --> 0:45:45.040
<v Speaker 1>this like dufus brain thing in American culture where they're like, Okay,

0:45:45.040 --> 0:45:47.200
<v Speaker 1>how do we make this character sound authoritative? Let's just

0:45:47.280 --> 0:45:50.840
<v Speaker 1>hire someone British like probably like they're they should have

0:45:50.880 --> 0:45:53.840
<v Speaker 1>hired out for Molina. We should that's true there, I

0:45:53.880 --> 0:45:56.160
<v Speaker 1>mean that we're okay. In addition to Banks and non

0:45:56.200 --> 0:45:58.279
<v Speaker 1>we needed a choke. This sounds like a show that

0:45:58.280 --> 0:46:03.400
<v Speaker 1>would exist American one. You put American before anything, it

0:46:03.560 --> 0:46:08.960
<v Speaker 1>probably exists already or good how many shows the good Doctor,

0:46:09.040 --> 0:46:12.359
<v Speaker 1>the Good Wife, you need, the good nuns, the bad nun?

0:46:13.400 --> 0:46:17.520
<v Speaker 1>Um that also bad teacher? Yeah, I guess bad also bad?

0:46:18.000 --> 0:46:20.680
<v Speaker 1>There's other bads? Right or is it just or like

0:46:20.719 --> 0:46:23.719
<v Speaker 1>the Something Girl, Bad Boys? But then there's also a

0:46:23.719 --> 0:46:29.760
<v Speaker 1>movie called good Boys. Yeah? Yeah, what is going on people?

0:46:31.440 --> 0:46:35.160
<v Speaker 1>There's there's also the Blank Girl. There's so many The

0:46:35.200 --> 0:46:41.240
<v Speaker 1>Blank Girl, the New Girl, the Danish Girl, others, amongst

0:46:41.280 --> 0:46:46.919
<v Speaker 1>other titles. See that great point that just happened? Um,

0:46:47.000 --> 0:46:50.480
<v Speaker 1>but yeah, Nydia, like you're saying, the relationship among the

0:46:50.560 --> 0:46:55.319
<v Speaker 1>nuns is so like there is sometimes conflict, but for

0:46:55.360 --> 0:46:57.799
<v Speaker 1>the most part they're all rooting for each other, and

0:46:57.800 --> 0:47:03.000
<v Speaker 1>you get that relationship with Bangs None and and Dolores

0:47:03.160 --> 0:47:05.960
<v Speaker 1>where she brings that cute little daisy clock. You're like, Oh,

0:47:06.080 --> 0:47:10.520
<v Speaker 1>she's so weird, so weird, she's so weird. She looks

0:47:10.520 --> 0:47:12.960
<v Speaker 1>like she's in her twenties, but maybe she's actually fourteen.

0:47:13.680 --> 0:47:15.520
<v Speaker 1>She gave you fourteen or forty. And you're like, I

0:47:15.560 --> 0:47:18.160
<v Speaker 1>wouldn't be surprised when she brought the clock. Was when

0:47:18.200 --> 0:47:22.600
<v Speaker 1>I was like, yeah, I thought that Dolorous was very

0:47:22.800 --> 0:47:27.360
<v Speaker 1>patient with her. An adult woman brings you a daisy?

0:47:27.719 --> 0:47:31.120
<v Speaker 1>How do you react? I read this whole article and I, oh,

0:47:31.160 --> 0:47:33.000
<v Speaker 1>I should I should pull it up because I don't

0:47:33.000 --> 0:47:37.600
<v Speaker 1>remember what it was called or the source, so you know. Um,

0:47:37.640 --> 0:47:41.600
<v Speaker 1>but it's shipping Dolores and Mary Robert and how they

0:47:41.600 --> 0:47:43.920
<v Speaker 1>have a lesbian relationship and if it's like a coded

0:47:44.000 --> 0:47:48.480
<v Speaker 1>lesbian relationship throughout the movie. Um, some convincing points were made. Listen,

0:47:48.520 --> 0:47:52.759
<v Speaker 1>I'm down, I'm down, and she and she saves Mary

0:47:52.800 --> 0:47:54.640
<v Speaker 1>Robert and the Mary Robert runs back to the common

0:47:54.680 --> 0:47:57.120
<v Speaker 1>and she's like, Dolores is my best friend. We have

0:47:57.200 --> 0:48:00.400
<v Speaker 1>to go to Reno and everyone is like yes, there's

0:48:00.920 --> 0:48:05.160
<v Speaker 1>no discussion I love that scene where they Catholic guilt

0:48:05.680 --> 0:48:11.440
<v Speaker 1>the helicopter pilot. It's also funny to me. I felt

0:48:11.480 --> 0:48:16.040
<v Speaker 1>like the level of religiosity and the fact that people

0:48:16.040 --> 0:48:19.120
<v Speaker 1>wouldn't shoot a nun, the fact that like a helicopter

0:48:19.200 --> 0:48:24.800
<v Speaker 1>pilot would be unable to resist the advances of nuns

0:48:24.840 --> 0:48:28.440
<v Speaker 1>guilting him, like it was so taken for granted. Do

0:48:28.480 --> 0:48:30.920
<v Speaker 1>you think if that was a plot twist now that

0:48:31.040 --> 0:48:34.520
<v Speaker 1>everyone would be like, yes, that works. I don't know.

0:48:35.000 --> 0:48:37.120
<v Speaker 1>I'm like, I feel like if I was faced with

0:48:37.280 --> 0:48:40.520
<v Speaker 1>an aggressive none, I would probably do what she said,

0:48:40.640 --> 0:48:43.920
<v Speaker 1>but I wouldn't. I mean, yeah, I agree like this movie.

0:48:44.000 --> 0:48:46.719
<v Speaker 1>I mean, first of all, is a great propaganda film

0:48:46.719 --> 0:48:48.680
<v Speaker 1>for the Catholic Church. Makes it look like a blast.

0:48:48.800 --> 0:48:52.640
<v Speaker 1>I mean it is a blast. There are no problems.

0:48:53.200 --> 0:48:55.839
<v Speaker 1>I mean I've never seen one there. I mean just

0:48:55.880 --> 0:49:00.359
<v Speaker 1>like bury your Spotlight DVD or whatever. Um. But but yeah,

0:49:00.400 --> 0:49:04.239
<v Speaker 1>it comes out with yeah, like the assumption that the

0:49:04.400 --> 0:49:09.239
<v Speaker 1>entire city of San Francisco is Catholic and suffering from

0:49:09.239 --> 0:49:11.640
<v Speaker 1>deep Catholic guilt and they will they will die for

0:49:11.640 --> 0:49:14.680
<v Speaker 1>Anne at the drop of that which is I don't know.

0:49:14.719 --> 0:49:18.920
<v Speaker 1>I mean, there there are some and none of them particularly, Like,

0:49:19.000 --> 0:49:22.120
<v Speaker 1>I don't think they're really like quote unquote problematic. I

0:49:22.160 --> 0:49:24.240
<v Speaker 1>just think that they do feel very of their time,

0:49:24.400 --> 0:49:30.040
<v Speaker 1>like assuming that everyone is religious and easily manipulated by

0:49:30.120 --> 0:49:35.480
<v Speaker 1>religious figures. The kind of world with no race that

0:49:35.600 --> 0:49:37.279
<v Speaker 1>this movie has written in that I feel like it's

0:49:37.360 --> 0:49:39.560
<v Speaker 1>kind of a hallmark of the nineties where it's just

0:49:40.040 --> 0:49:43.319
<v Speaker 1>basically any character in this movie could be played by

0:49:43.320 --> 0:49:47.600
<v Speaker 1>anyone of any race, and that topic is just kind

0:49:47.600 --> 0:49:52.040
<v Speaker 1>of just not addressed in this particular movie. Um, although

0:49:52.040 --> 0:49:54.520
<v Speaker 1>I would say that one of the things about Maggie

0:49:54.560 --> 0:49:57.520
<v Speaker 1>Smith's character, she's like, the nuns aren't allowed to go outside,

0:49:57.560 --> 0:50:00.160
<v Speaker 1>it's too dangerous. And when you finally get shot to

0:50:00.200 --> 0:50:05.279
<v Speaker 1>the neighborhood this quote dangerous neighborhood, it's predominantly black. So

0:50:05.400 --> 0:50:10.800
<v Speaker 1>it's like, okay, well you're that's Maggie Smith is racist.

0:50:10.800 --> 0:50:15.120
<v Speaker 1>It's what we're saying. God damn it, Maggie Smith is racist. Yeah,

0:50:15.400 --> 0:50:18.640
<v Speaker 1>so yeah, that could have been avoided. Yes. Um, the

0:50:18.640 --> 0:50:22.000
<v Speaker 1>other thing that I I my little you know, ding

0:50:22.120 --> 0:50:26.120
<v Speaker 1>went off. The word hooker gets repeated a couple of

0:50:26.160 --> 0:50:32.640
<v Speaker 1>times very nineties nineties language. Yeah, there there was an

0:50:32.640 --> 0:50:36.720
<v Speaker 1>any like don't don't consume point and you know, porns

0:50:36.719 --> 0:50:40.080
<v Speaker 1>have its pregeous movie that like goes with the like

0:50:40.520 --> 0:50:43.480
<v Speaker 1>very catholic because I feel like this was a movie

0:50:43.560 --> 0:50:48.000
<v Speaker 1>that church groups could go to. Yeah and so, but

0:50:48.080 --> 0:50:51.720
<v Speaker 1>also like I grew up completely secular, and I movies

0:50:51.800 --> 0:50:55.520
<v Speaker 1>with religious components often don't appeal to me or you know,

0:50:55.600 --> 0:50:59.040
<v Speaker 1>I'm not drawn to them necessarily. Um, but I felt

0:50:59.040 --> 0:51:01.640
<v Speaker 1>like this movie was all weirdly secular enough that I

0:51:01.760 --> 0:51:04.040
<v Speaker 1>was like, I can get on board with this. This

0:51:04.120 --> 0:51:07.480
<v Speaker 1>is fun. I'm having a great time. Plus the great music.

0:51:08.120 --> 0:51:10.360
<v Speaker 1>Music is so good. I will have to I have

0:51:10.440 --> 0:51:13.200
<v Speaker 1>to say that when they were singing the first reproduced

0:51:13.320 --> 0:51:19.239
<v Speaker 1>song reproduced under Whoopy Goldbergs production, fun, what a fun Yeah.

0:51:19.320 --> 0:51:21.440
<v Speaker 1>And then they're doing the hymn and then they break

0:51:21.480 --> 0:51:25.200
<v Speaker 1>into the more the clapping and the rhythmic portions, and

0:51:25.239 --> 0:51:29.800
<v Speaker 1>then people just start walking in off the streets. The

0:51:29.840 --> 0:51:33.160
<v Speaker 1>young came in. But I will say at that moment,

0:51:33.160 --> 0:51:35.520
<v Speaker 1>I don't know whether I'm particularly emotional right now or what,

0:51:35.600 --> 0:51:40.880
<v Speaker 1>but I was like, music does your night? It was

0:51:40.960 --> 0:51:43.279
<v Speaker 1>it was man, I was so ready to cry for

0:51:43.320 --> 0:51:45.760
<v Speaker 1>that moment because it's, yeah, you see the youth outside

0:51:45.800 --> 0:51:48.760
<v Speaker 1>and they're like, what's that beautiful music? Oh, what's that?

0:51:48.760 --> 0:51:51.920
<v Speaker 1>That's the church. I'm like, I'm getting propagated. I love it.

0:51:52.120 --> 0:51:55.200
<v Speaker 1>I love it so much. There was I mean, I

0:51:55.239 --> 0:51:57.000
<v Speaker 1>was like, maybe I'll go back to church, and then

0:51:57.040 --> 0:52:00.839
<v Speaker 1>I was like, no, wait, hold on um, but it works. Man.

0:52:01.120 --> 0:52:04.920
<v Speaker 1>At the church where we do the shower program in Silver,

0:52:04.960 --> 0:52:07.480
<v Speaker 1>like Silvery Community Church, they have beautiful music. It's like

0:52:07.560 --> 0:52:12.520
<v Speaker 1>folk music, and it's just gorgeous. I've taken my kids

0:52:12.520 --> 0:52:14.600
<v Speaker 1>there a couple of times. I mean, we're not I

0:52:14.680 --> 0:52:18.359
<v Speaker 1>wasn't raised Christian, we're not deeply you know, I don't

0:52:18.360 --> 0:52:21.759
<v Speaker 1>practice any particular religion deeply right now. But yeah, it's

0:52:21.800 --> 0:52:25.120
<v Speaker 1>just so beautiful and lovely to be in the presence

0:52:25.160 --> 0:52:26.880
<v Speaker 1>of music with all these other people. I mean, I

0:52:26.920 --> 0:52:30.000
<v Speaker 1>guess that's going to a concert, but yeah, but like

0:52:30.040 --> 0:52:32.160
<v Speaker 1>it's I don't know, but it's also spiritually, you know,

0:52:32.200 --> 0:52:35.120
<v Speaker 1>it's connected to a higher Yeah, and their music is

0:52:35.120 --> 0:52:37.160
<v Speaker 1>what brings the pope and he's like, I've heard about

0:52:37.200 --> 0:52:41.240
<v Speaker 1>your great choir command. I really like that scene where

0:52:41.480 --> 0:52:45.560
<v Speaker 1>where Dolores, you know, where Maggie Smith is about to say,

0:52:45.680 --> 0:52:48.640
<v Speaker 1>you know, we can't sing again. Just like the nuns

0:52:48.640 --> 0:52:52.080
<v Speaker 1>are so game for whatever. When there's like that vote

0:52:52.080 --> 0:52:54.239
<v Speaker 1>where Maggie Smith's like should we do boring music or

0:52:54.239 --> 0:52:57.080
<v Speaker 1>fun music? All the nuns are like fun music, and

0:52:57.120 --> 0:53:02.120
<v Speaker 1>Maggie's like okay. Then she like almost resigns because again

0:53:02.200 --> 0:53:04.600
<v Speaker 1>she's like feeling kind of inadequate and a rule. But

0:53:04.640 --> 0:53:07.160
<v Speaker 1>then it's like, no, I do I have to stay.

0:53:07.520 --> 0:53:10.120
<v Speaker 1>Everyone has like a nice little arc. You also have

0:53:10.200 --> 0:53:14.200
<v Speaker 1>that relationship that I really like between Dolores and Sister

0:53:14.280 --> 0:53:16.880
<v Speaker 1>Mary Lazarus, who had been the head of the choire.

0:53:17.160 --> 0:53:21.080
<v Speaker 1>She's the choir and and right at the very beginning

0:53:21.120 --> 0:53:24.560
<v Speaker 1>of their interactions, she's like, I see what's happening. You

0:53:24.680 --> 0:53:27.200
<v Speaker 1>got brought in as a ringer. You're trying to replace me.

0:53:27.280 --> 0:53:30.319
<v Speaker 1>But then when she sees that Whoopee is like knows

0:53:30.360 --> 0:53:32.560
<v Speaker 1>what she's doing. She knows music, she knows where to

0:53:32.600 --> 0:53:35.080
<v Speaker 1>position the people, she knows what notes or what notes,

0:53:35.160 --> 0:53:38.040
<v Speaker 1>and she's like, oh, I'm gonna step down. You're clearly

0:53:38.080 --> 0:53:40.680
<v Speaker 1>better at this um. And there's I feel like that

0:53:40.719 --> 0:53:43.920
<v Speaker 1>could have been in a lesser movie. They would have

0:53:43.960 --> 0:53:46.720
<v Speaker 1>tried to like pit those women against each other and

0:53:46.960 --> 0:53:49.520
<v Speaker 1>just like had her be like no, no, this is

0:53:49.680 --> 0:53:53.640
<v Speaker 1>my thing. But she she like, she's like, no, you

0:53:53.680 --> 0:53:56.080
<v Speaker 1>have the skills, this is your background. And then they

0:53:56.160 --> 0:54:01.560
<v Speaker 1>become friends and they together when they eat ice cream.

0:54:01.760 --> 0:54:04.000
<v Speaker 1>That it was a very nice scene. There was some

0:54:04.080 --> 0:54:08.360
<v Speaker 1>confusion around time for me in the movie. Interesting because

0:54:08.760 --> 0:54:10.719
<v Speaker 1>you know, they when we first see the church, it's

0:54:10.800 --> 0:54:14.920
<v Speaker 1>under construction. They have all the scaffolding there and right,

0:54:15.200 --> 0:54:18.759
<v Speaker 1>you know. And then the implication is that by increasing

0:54:19.040 --> 0:54:21.759
<v Speaker 1>people who are coming into the church, people are passing

0:54:22.200 --> 0:54:25.440
<v Speaker 1>the hat and putting in more money, we're able to

0:54:25.480 --> 0:54:28.359
<v Speaker 1>finish the repairs at the church. But that would take

0:54:28.400 --> 0:54:30.480
<v Speaker 1>a long It would take a long time. How I

0:54:30.520 --> 0:54:33.120
<v Speaker 1>guess it comes down to those montages of like how

0:54:33.200 --> 0:54:34.880
<v Speaker 1>much ground are we cover? Because there was like a

0:54:34.920 --> 0:54:39.480
<v Speaker 1>few long montages of like nuns doing various but the

0:54:39.480 --> 0:54:42.200
<v Speaker 1>whole time they were supposed to wait for the court

0:54:42.280 --> 0:54:45.160
<v Speaker 1>date was two months and then yeah, and then and

0:54:45.200 --> 0:54:47.480
<v Speaker 1>then the lieutenant calls her and says, I got it

0:54:47.680 --> 0:54:51.640
<v Speaker 1>speeded up so it a month. In a month, they

0:54:51.640 --> 0:54:55.319
<v Speaker 1>were able to increase attendance at the church enough to

0:54:55.800 --> 0:55:01.560
<v Speaker 1>raise ten dollars or more. I are a contractor, finished

0:55:01.560 --> 0:55:04.040
<v Speaker 1>the repairs enough how that the Pope could come in

0:55:04.120 --> 0:55:07.560
<v Speaker 1>and be totally impressed and went over the youth of

0:55:07.600 --> 0:55:13.240
<v Speaker 1>all of San Francisco. They've saved them. I mean Delor.

0:55:13.400 --> 0:55:17.560
<v Speaker 1>She's a she's a quick operator. She really solved Catholicism.

0:55:17.920 --> 0:55:19.880
<v Speaker 1>And in the beginning it was also interesting because she

0:55:19.920 --> 0:55:25.000
<v Speaker 1>was like a failed lounge singer but incredibly successful. Sometimes

0:55:25.000 --> 0:55:28.880
<v Speaker 1>you just have to find a caller, you know, it's

0:55:29.920 --> 0:55:34.360
<v Speaker 1>that's beautiful. Oh no, I think I have more varied

0:55:34.400 --> 0:55:39.080
<v Speaker 1>religious issues than I realized. Um yeah, I'm trying to

0:55:39.080 --> 0:55:41.080
<v Speaker 1>think of other I mean, oh, something I did want

0:55:41.080 --> 0:55:42.600
<v Speaker 1>to bring up. So I bring this up a lot

0:55:42.800 --> 0:55:46.000
<v Speaker 1>on the show. But usually, UM, I wouldn't even say

0:55:46.000 --> 0:55:48.960
<v Speaker 1>that this movie is marketed specifically at women. I think

0:55:48.960 --> 0:55:52.120
<v Speaker 1>that it's kind of a general movie. Will be Goldberg

0:55:52.200 --> 0:55:54.840
<v Speaker 1>is such a huge star at this time. This movie

0:55:54.920 --> 0:55:58.800
<v Speaker 1>was hugely successful. Um I had a thirty one million

0:55:58.800 --> 0:56:01.000
<v Speaker 1>dollar budget and it made two wounder thirty one million

0:56:01.080 --> 0:56:04.600
<v Speaker 1>dollars at the box office. So like the movie was,

0:56:04.960 --> 0:56:08.000
<v Speaker 1>it seems like everyone was seeing it. But we do find,

0:56:08.360 --> 0:56:12.840
<v Speaker 1>especially when um the film critic pool was less diverse

0:56:13.440 --> 0:56:16.839
<v Speaker 1>that movies that are directed at general audiences and then

0:56:16.920 --> 0:56:20.279
<v Speaker 1>usually specifically women or people who are not whatever the

0:56:20.480 --> 0:56:23.080
<v Speaker 1>white male critic don't get as good a review. Somehow,

0:56:23.120 --> 0:56:27.320
<v Speaker 1>this movie only has round to me, which hurts my feelings, like,

0:56:27.360 --> 0:56:31.120
<v Speaker 1>how does it not have? And we have I have?

0:56:31.239 --> 0:56:35.080
<v Speaker 1>I found a quote from our noted enemy, Roger Ebert,

0:56:35.520 --> 0:56:38.000
<v Speaker 1>who always has the dumbest takes in spite of being

0:56:38.040 --> 0:56:41.000
<v Speaker 1>the most famous film critic of all time. Here's what

0:56:41.040 --> 0:56:42.600
<v Speaker 1>do you have to say about his direct I found

0:56:42.640 --> 0:56:44.920
<v Speaker 1>to be very fusing. He said, this movie is a

0:56:44.960 --> 0:56:48.840
<v Speaker 1>little bit low key and contemplative and a little too thoughtful,

0:56:49.000 --> 0:56:52.120
<v Speaker 1>which I didn't like. I was like, what he didn't

0:56:52.160 --> 0:56:56.000
<v Speaker 1>like that the movie was thinking about things. It's like, now,

0:56:56.080 --> 0:56:59.800
<v Speaker 1>hold on, there's a point to all this, so that

0:57:00.360 --> 0:57:02.920
<v Speaker 1>you know, so don't with the point bank don't always

0:57:02.920 --> 0:57:06.800
<v Speaker 1>trust Rotten Tomatoes some of the old guy has weighing

0:57:06.840 --> 0:57:09.360
<v Speaker 1>in or but I would even take issue with the

0:57:09.440 --> 0:57:12.520
<v Speaker 1>characterization of the movie. It's too thoughtful, right if it

0:57:12.640 --> 0:57:17.520
<v Speaker 1>it's a wrong, it's just immediate music. It's a it's

0:57:17.520 --> 0:57:24.520
<v Speaker 1>a musical right with with multiple musical montages, right all rule.

0:57:25.520 --> 0:57:27.720
<v Speaker 1>I don't know, I don't I don't know what was

0:57:27.760 --> 0:57:29.800
<v Speaker 1>going on with him, but he was not he didn't

0:57:29.800 --> 0:57:32.840
<v Speaker 1>seem to be he didn't like fun. He seemed to

0:57:32.960 --> 0:57:36.200
<v Speaker 1>not fun. You get the vibe from all of his

0:57:36.600 --> 0:57:41.240
<v Speaker 1>reviews of like, why wasn't this Taxi Driver? I'm like,

0:57:41.720 --> 0:57:46.080
<v Speaker 1>if it's not taxi driver two stars like um now,

0:57:46.120 --> 0:57:51.080
<v Speaker 1>and then wasn't exactly like stand by Me because costead

0:57:51.880 --> 0:57:57.400
<v Speaker 1>stand by Me for girls stars? Um So anyways, just

0:57:57.440 --> 0:58:00.720
<v Speaker 1>another reflection on the state of film criticism this time.

0:58:02.440 --> 0:58:05.720
<v Speaker 1>Did you have any other that's kind of it? I have. Surprisingly,

0:58:06.720 --> 0:58:09.600
<v Speaker 1>I really don't have too much of a bad word

0:58:09.600 --> 0:58:11.600
<v Speaker 1>to say about this mo. Now. I have to say

0:58:11.640 --> 0:58:15.600
<v Speaker 1>that I'm so grateful that as part of my campaign duties,

0:58:17.040 --> 0:58:21.880
<v Speaker 1>I had to rewatch Sister Act, and it should be

0:58:21.880 --> 0:58:26.080
<v Speaker 1>a job qualification. It was such a pleasure because there's

0:58:26.120 --> 0:58:29.480
<v Speaker 1>so much to do right now. But I was like, whoa, whoa, whoa.

0:58:30.600 --> 0:58:33.480
<v Speaker 1>I will set a side time for Sister I need

0:58:33.520 --> 0:58:38.520
<v Speaker 1>to watch this. Don't disturb me. I'm rewatching Sister Act.

0:58:39.800 --> 0:58:42.440
<v Speaker 1>Sometimes my mom will call me and I'm like, sorry,

0:58:42.560 --> 0:58:44.400
<v Speaker 1>I've got too much work to do right now. I

0:58:44.440 --> 0:58:49.720
<v Speaker 1>have to go watch the Social Network. I understand why

0:58:50.040 --> 0:58:52.480
<v Speaker 1>my parents don't think this is a job. I get it.

0:58:52.560 --> 0:58:55.040
<v Speaker 1>I get it, I get it. But I'm a worker

0:58:56.960 --> 0:59:01.760
<v Speaker 1>and you have rights. Yes, we need to a podcast union.

0:59:01.840 --> 0:59:05.600
<v Speaker 1>We need a unionize. Honestly we should. Does this movie

0:59:05.880 --> 0:59:10.440
<v Speaker 1>pass the Vectel test tons, I think almost more than

0:59:10.480 --> 0:59:15.640
<v Speaker 1>any movie we've ever covered. There's whole scenes that passed

0:59:15.760 --> 0:59:19.600
<v Speaker 1>the Bechtel test. Um. I believe that the scene where

0:59:19.720 --> 0:59:22.720
<v Speaker 1>Sister Mary Robert brings in the weird daisy besides mentioning

0:59:22.840 --> 0:59:26.480
<v Speaker 1>her brother one time, that entire scene passes the Bectel test,

0:59:26.560 --> 0:59:30.040
<v Speaker 1>which is like virtually unheard of. Yeah, no, I mean

0:59:30.080 --> 0:59:33.360
<v Speaker 1>I was like, so the pope, do the nuns even

0:59:33.400 --> 0:59:36.960
<v Speaker 1>talk about another man? I mean Help or God or Jesus.

0:59:37.320 --> 0:59:41.320
<v Speaker 1>But yeah, most of the male characters are unseen because

0:59:41.320 --> 0:59:45.360
<v Speaker 1>they're Jesus and God. So I do like, how okay,

0:59:45.440 --> 0:59:48.160
<v Speaker 1>So there's one scene. There's a few scenes where the

0:59:48.440 --> 0:59:52.520
<v Speaker 1>priest is present. I do like how kind of generally

0:59:52.560 --> 0:59:54.880
<v Speaker 1>sidelined he is. But there is that one scene where like,

0:59:55.280 --> 0:59:57.720
<v Speaker 1>and I don't necessarily know entirely how to feel about this,

0:59:57.800 --> 1:00:01.440
<v Speaker 1>but there's a scene between um, the reverend mother or

1:00:01.560 --> 1:00:07.240
<v Speaker 1>mother reverend I don't know, Maggie Smith and Dolores, and Um,

1:00:07.320 --> 1:00:10.840
<v Speaker 1>she's yelling at Dolores for this is pop music. This

1:00:10.880 --> 1:00:13.680
<v Speaker 1>is secular music. Uh. And then the priest comes in.

1:00:14.200 --> 1:00:17.680
<v Speaker 1>He's like, no, I'm going to undermine your authority here

1:00:17.880 --> 1:00:22.560
<v Speaker 1>and be like hey, like he was on Dolores, I

1:00:22.600 --> 1:00:25.640
<v Speaker 1>thought that he just like for me, kind of was

1:00:26.120 --> 1:00:28.800
<v Speaker 1>on board with the nun hive mind of like we

1:00:28.880 --> 1:00:31.200
<v Speaker 1>love what we called burg will do whatever she says,

1:00:31.640 --> 1:00:33.360
<v Speaker 1>so and that, I mean, I see what you're saying.

1:00:33.680 --> 1:00:35.800
<v Speaker 1>But I was like, they should be singing fun music

1:00:36.400 --> 1:00:40.680
<v Speaker 1>or why am I watching um? But yes, yeah, big, big,

1:00:41.360 --> 1:00:45.800
<v Speaker 1>many passes, many passes between many combinations of characters. Yeah.

1:00:45.880 --> 1:00:47.960
<v Speaker 1>Usually if there's two women on screen talking to each other,

1:00:48.000 --> 1:00:50.320
<v Speaker 1>it'll pass the metal test at some point in the car.

1:00:50.400 --> 1:00:52.320
<v Speaker 1>And that's most of the scenes of the movie. So

1:00:52.520 --> 1:00:56.280
<v Speaker 1>this movie is truly it's the one feminist text we've

1:00:56.520 --> 1:01:00.280
<v Speaker 1>We've found it distract as our feminist text. I of it.

1:01:00.400 --> 1:01:03.000
<v Speaker 1>I was so happy. I mean, it's a sister in

1:01:03.040 --> 1:01:06.840
<v Speaker 1>the title. What do you expect? I'm so excited that

1:01:06.880 --> 1:01:09.240
<v Speaker 1>we covered this movie today. Really may be so happy.

1:01:09.760 --> 1:01:11.920
<v Speaker 1>Let's write it. Yes, rate it on our nipple scale.

1:01:12.320 --> 1:01:15.400
<v Speaker 1>We have a scale of zero to five nipples in

1:01:15.400 --> 1:01:18.720
<v Speaker 1>which we rate it based on its representation and treatment

1:01:18.760 --> 1:01:23.120
<v Speaker 1>of women. I'm gonna go with a solid like four

1:01:23.160 --> 1:01:26.280
<v Speaker 1>and a half, And there's just a few of those

1:01:26.360 --> 1:01:30.080
<v Speaker 1>little like nineties jokes and like, you know, uses of

1:01:30.160 --> 1:01:35.520
<v Speaker 1>certain words and you know, like black neighborhood equals dangerous neighborhood.

1:01:36.080 --> 1:01:39.160
<v Speaker 1>But it was far less problematic than I would have

1:01:39.200 --> 1:01:43.560
<v Speaker 1>expected if a movie from the early nineties. It's about

1:01:43.920 --> 1:01:48.760
<v Speaker 1>it's a movie about a woman being accepted into this sisterhood.

1:01:48.800 --> 1:01:52.800
<v Speaker 1>And and even though she's like at the beginning, she's like,

1:01:52.880 --> 1:01:54.720
<v Speaker 1>I don't like this, all the nuns are still like,

1:01:54.800 --> 1:01:56.600
<v Speaker 1>but you're so great, and you're so good at being

1:01:56.600 --> 1:01:58.680
<v Speaker 1>a nun, and we like you so much. Everyone this

1:01:58.800 --> 1:02:02.680
<v Speaker 1>movie is so accepting of each other, so very supportive. Yeah,

1:02:02.920 --> 1:02:05.960
<v Speaker 1>and the one female relationship where there is tension is

1:02:06.040 --> 1:02:09.800
<v Speaker 1>contextualize and like everyone comes around by the end. So yeah,

1:02:09.840 --> 1:02:13.480
<v Speaker 1>it's just it's a beautiful story about sisterhood and we

1:02:13.520 --> 1:02:15.720
<v Speaker 1>need more of them. So I would give this four

1:02:15.720 --> 1:02:19.960
<v Speaker 1>and half nipples and give one to Whoopee, one to

1:02:20.200 --> 1:02:25.040
<v Speaker 1>Maggie Smith, one to her bangs the bangs of the Bangs, none, none,

1:02:25.240 --> 1:02:29.280
<v Speaker 1>and I'll give one to Kathy Najimie, and I'll give

1:02:29.920 --> 1:02:33.240
<v Speaker 1>one to Lieutenant South there love it. Yeah, I'm gonna

1:02:33.240 --> 1:02:34.400
<v Speaker 1>do four and a half to two. I think that

1:02:34.480 --> 1:02:37.680
<v Speaker 1>this this movie just made me so happy. And no

1:02:37.840 --> 1:02:44.120
<v Speaker 1>movies hold up. In this movie, like holds up never happens.

1:02:44.320 --> 1:02:48.080
<v Speaker 1>It's so I just love how there were so many

1:02:48.160 --> 1:02:51.920
<v Speaker 1>opportunities for their writing to kind of turn women against

1:02:51.960 --> 1:02:55.400
<v Speaker 1>each other, but it really never takes that option. And

1:02:55.440 --> 1:02:58.520
<v Speaker 1>like the sisters are on board the whole time. They're

1:02:58.520 --> 1:03:00.880
<v Speaker 1>there to support each other. And when there's a reveal

1:03:00.920 --> 1:03:04.560
<v Speaker 1>of like Dolores isn't who she says she is, they're like,

1:03:04.760 --> 1:03:07.360
<v Speaker 1>who cares she was kidnapped? We're going to arena? Like

1:03:07.400 --> 1:03:11.560
<v Speaker 1>it's just it's so I just like I'm getting emotional

1:03:11.720 --> 1:03:16.880
<v Speaker 1>um there. I mean, there's very low um representation of

1:03:17.400 --> 1:03:20.840
<v Speaker 1>women behind the camera here, which is like something to

1:03:20.920 --> 1:03:25.080
<v Speaker 1>just be aware of. There's one credited female producer, but

1:03:25.240 --> 1:03:28.840
<v Speaker 1>it's you know, directed, written by editor, cinematography. The whole

1:03:28.840 --> 1:03:31.200
<v Speaker 1>bit is kind of men across the board. Just something

1:03:31.560 --> 1:03:33.000
<v Speaker 1>that we try to be aware of. But the story

1:03:33.000 --> 1:03:36.000
<v Speaker 1>itself and the actors that are there, it's just it's

1:03:36.000 --> 1:03:38.360
<v Speaker 1>just the best. So four and a half two will

1:03:38.440 --> 1:03:43.200
<v Speaker 1>be one of Maggie, one of Cathy and half to banks. Yeah,

1:03:43.640 --> 1:03:45.880
<v Speaker 1>I'm you know, I probably not because I haven't done

1:03:45.880 --> 1:03:47.280
<v Speaker 1>this as much as you guys, but I'm gonna give

1:03:47.320 --> 1:03:52.040
<v Speaker 1>it five nipples. Uh, and just look at the disgusting clue.

1:03:52.200 --> 1:03:55.720
<v Speaker 1>We were like just because yeah, like I expected this

1:03:55.800 --> 1:03:58.760
<v Speaker 1>to be yeah, expected it not to hold up as well,

1:03:59.000 --> 1:04:01.960
<v Speaker 1>and I was Yeah, I was so happy to be

1:04:02.000 --> 1:04:03.920
<v Speaker 1>able to watch a movie like this. It was just

1:04:04.080 --> 1:04:07.640
<v Speaker 1>so happy and it gave me an adult rated joy.

1:04:07.720 --> 1:04:09.560
<v Speaker 1>Do I have to assign the nipples to people? If

1:04:09.560 --> 1:04:12.400
<v Speaker 1>you want to? I would, I would, I would follow

1:04:12.480 --> 1:04:15.760
<v Speaker 1>you and we're assigning in your nipple assignments, spreading the

1:04:15.880 --> 1:04:19.200
<v Speaker 1>nipples across the board. Plenty of sisters, plenty of nipples.

1:04:19.240 --> 1:04:22.560
<v Speaker 1>I'll give the pope and one of my nipples. Yeah,

1:04:22.640 --> 1:04:26.200
<v Speaker 1>good for you, didn't get any well, Nathia, thank you

1:04:26.240 --> 1:04:28.400
<v Speaker 1>so much for being here, Thank you for having me.

1:04:28.480 --> 1:04:30.880
<v Speaker 1>Tell us what you want to plug. Where can people

1:04:30.880 --> 1:04:34.080
<v Speaker 1>find you on social media? Oh yeah, yeah, so I

1:04:34.160 --> 1:04:36.440
<v Speaker 1>meant Nitia for the City dot com. But if you

1:04:36.480 --> 1:04:39.240
<v Speaker 1>use social media, follow us on Twitter. Nittia v Raman.

1:04:39.640 --> 1:04:41.440
<v Speaker 1>That's an I T h y A and my last

1:04:41.520 --> 1:04:43.480
<v Speaker 1>name is r A m A and not not quite

1:04:43.480 --> 1:04:46.040
<v Speaker 1>like the noodle. Um. But if you know, if you

1:04:46.160 --> 1:04:48.840
<v Speaker 1>just google Nitia City Council, I'm the only Nitia running

1:04:48.840 --> 1:04:53.400
<v Speaker 1>for city council. Imagine that. Um. And we're on Instagram

1:04:53.400 --> 1:04:56.280
<v Speaker 1>and Natia for the city as well. And um, definitely

1:04:56.320 --> 1:04:58.000
<v Speaker 1>if you're in l A, please look me up, come

1:04:58.040 --> 1:05:00.760
<v Speaker 1>out to canvas. Um. We have a huge volunteer army

1:05:00.800 --> 1:05:02.800
<v Speaker 1>that's knocking on every door in the district to try

1:05:02.800 --> 1:05:05.920
<v Speaker 1>and get people excited about this election and how they

1:05:05.920 --> 1:05:09.240
<v Speaker 1>can expect change in the city. Um. Yeah, so look

1:05:09.440 --> 1:05:11.800
<v Speaker 1>look me up, come out, come meet us. And when

1:05:11.840 --> 1:05:16.840
<v Speaker 1>when's the election again? March three? And vote? Ever come

1:05:16.840 --> 1:05:18.840
<v Speaker 1>out and vote, yes exactly. I'm sure everyone's going to

1:05:18.880 --> 1:05:21.960
<v Speaker 1>be voting for the primaries. You should be well not

1:05:22.400 --> 1:05:25.720
<v Speaker 1>stop bothering our listeners about it. Um. Yeah, thank you

1:05:25.760 --> 1:05:27.960
<v Speaker 1>so much for making the time and and and carving

1:05:28.000 --> 1:05:30.720
<v Speaker 1>Sister Act into your schedule. Yes, thank you for giving

1:05:30.760 --> 1:05:33.960
<v Speaker 1>me the opportunity to carve Sister Act into my schedule anytime.

1:05:35.200 --> 1:05:38.959
<v Speaker 1>Very grateful. Thank you. Guys. Where's Sisterhood right now? Yes? Yes,

1:05:39.080 --> 1:05:43.560
<v Speaker 1>this is the Sisterhood of the Traveling Act. Where's that movie? Okay,

1:05:44.000 --> 1:05:46.720
<v Speaker 1>you can follow us all the normal places Twitter, Instagram,

1:05:46.720 --> 1:05:48.680
<v Speaker 1>et cetera. At Bechtel Cast. You can go to our

1:05:48.720 --> 1:05:53.520
<v Speaker 1>website bechtel cast dot com for our show dates and episodes.

1:05:54.520 --> 1:05:57.360
<v Speaker 1>Our patren aka Matreon is five dollars a month to

1:05:57.560 --> 1:06:00.880
<v Speaker 1>bonus episodes every month, plus the entire back atalogue. And

1:06:01.240 --> 1:06:03.800
<v Speaker 1>I think that's about it. Yeah, thank you so much.

1:06:04.560 --> 1:06:06.320
<v Speaker 1>Thank you. Byfi