WEBVTT - LIT

0:00:09.320 --> 0:00:16.239
<v Speaker 1>Carola. She's the queen of talking. He was sown. She's

0:00:16.280 --> 0:00:19.400
<v Speaker 1>on the side. You got the snoop on on the

0:00:19.440 --> 0:00:28.360
<v Speaker 1>on side. No one can do with Clie Carola Carola.

0:00:29.640 --> 0:00:36.320
<v Speaker 1>No one can do with quiet like Carola Carolina. Hey, y'all,

0:00:36.320 --> 0:00:39.800
<v Speaker 1>welcome to Hyper Caroline Hobby. I am your host, Caroline Hobby.

0:00:40.240 --> 0:00:42.519
<v Speaker 1>I know music, I know people, and I know the

0:00:42.640 --> 0:00:45.440
<v Speaker 1>questions do you want to ask? So let's get Hyper

0:00:46.560 --> 0:00:49.479
<v Speaker 1>heads up. These are adults having adult conversations, so there

0:00:49.479 --> 0:00:54.240
<v Speaker 1>could be adult content. Hey, y'all, thanks for tuning into Hyper.

0:00:54.720 --> 0:00:59.080
<v Speaker 1>This week is Lit. They are a huge rock band.

0:00:59.080 --> 0:01:00.639
<v Speaker 1>They had some of the big gets hit I think

0:01:00.640 --> 0:01:02.560
<v Speaker 1>one of the longest number ones of all time. It

0:01:02.600 --> 0:01:05.720
<v Speaker 1>went twelve weeks My own Worst Enemy, and they were

0:01:05.760 --> 0:01:08.480
<v Speaker 1>eaten by Pamla Anderson. If you're gonna get eaten by someone,

0:01:08.480 --> 0:01:11.080
<v Speaker 1>it might as well be Pamla Anderson. So please welcome

0:01:11.160 --> 0:01:13.839
<v Speaker 1>A J and Jeremy pop off from the band Lit.

0:01:14.080 --> 0:01:17.600
<v Speaker 1>Hey guys, Hi, Hello, So I'm here with the pop

0:01:17.600 --> 0:01:23.160
<v Speaker 1>Off Brothers. Introduce yourselves the pop Off Brothers. Pop Off

0:01:23.959 --> 0:01:26.800
<v Speaker 1>it does, it's very um. It catches your attention. Pop

0:01:26.800 --> 0:01:30.160
<v Speaker 1>Off like popping Off and Lit have become too popular

0:01:30.880 --> 0:01:35.200
<v Speaker 1>terms in pop culture these days, so we're about years

0:01:35.240 --> 0:01:37.919
<v Speaker 1>ahead of our time. What does pop off mean? And uh,

0:01:38.080 --> 0:01:42.680
<v Speaker 1>pop culture like popping off? Like I don't know, one

0:01:42.720 --> 0:01:45.000
<v Speaker 1>of the reality shows A Girl was just like pop off,

0:01:45.160 --> 0:01:52.720
<v Speaker 1>pop off perfect. So where are we right now? What

0:01:52.880 --> 0:01:54.880
<v Speaker 1>is this awesome venue that we're sitting in in Nashville?

0:01:54.920 --> 0:01:59.520
<v Speaker 1>This is the Redneck Social Club Okay, management Headquarters, which

0:01:59.560 --> 0:02:03.680
<v Speaker 1>is awesome. It's like a bar, a dance hall. It's

0:02:03.760 --> 0:02:06.760
<v Speaker 1>kind of like in a cool like street crid kind

0:02:06.760 --> 0:02:10.160
<v Speaker 1>of location to sort of stripped down music venue. You know,

0:02:11.160 --> 0:02:13.239
<v Speaker 1>had the party vibe. Do you guys throw some parties

0:02:13.240 --> 0:02:16.920
<v Speaker 1>in here with a new couple? Yeah, okay, we had

0:02:16.919 --> 0:02:19.080
<v Speaker 1>after age over there and bands get up and jam

0:02:19.160 --> 0:02:20.840
<v Speaker 1>and we've got to find a clip to throw in

0:02:20.919 --> 0:02:24.119
<v Speaker 1>right here. Of the karaoke that took place, I don't

0:02:24.120 --> 0:02:26.120
<v Speaker 1>know if it was carried. It was sort of like

0:02:26.160 --> 0:02:30.560
<v Speaker 1>an American audition. It was amazing. Was everybody sober doing this?

0:02:31.840 --> 0:02:36.280
<v Speaker 1>So it sounded great. So I want to start off

0:02:36.280 --> 0:02:40.280
<v Speaker 1>with a little rapid fire first off, Well, actually I

0:02:40.320 --> 0:02:42.080
<v Speaker 1>want you to describe yourself, but I want to rapid

0:02:42.080 --> 0:02:45.160
<v Speaker 1>fire first. What is the coolest venue that you guys

0:02:45.160 --> 0:02:46.840
<v Speaker 1>have ever played. You guys are in the band lit.

0:02:46.960 --> 0:02:49.120
<v Speaker 1>For everyone's listening, Jeremy and a j pop off there

0:02:49.120 --> 0:02:51.919
<v Speaker 1>in the band Lit. They're founding members. They're also brothers.

0:02:53.400 --> 0:02:58.120
<v Speaker 1>Then they're also amazing. Coolest venue you've ever played, man,

0:02:58.200 --> 0:03:00.639
<v Speaker 1>I'd see some of the European festival balls we've done,

0:03:01.040 --> 0:03:06.600
<v Speaker 1>just like fields of people. That's insane. So I mean

0:03:06.600 --> 0:03:08.679
<v Speaker 1>that's I guess that's not really a venue. But Red

0:03:08.760 --> 0:03:14.480
<v Speaker 1>Rocks in Denver pretty breathtaking. Um, it's very pretty. We've

0:03:14.520 --> 0:03:17.280
<v Speaker 1>played some amazing, little tiny places and some amazing The

0:03:17.320 --> 0:03:20.560
<v Speaker 1>first we played um Baltimore Raven Stadium. That was like

0:03:20.560 --> 0:03:22.320
<v Speaker 1>our first huge show that we ever played, and that

0:03:22.400 --> 0:03:26.680
<v Speaker 1>was like, you know, impressionable day because we had never

0:03:27.480 --> 0:03:29.760
<v Speaker 1>played in front of it, played in something that big before,

0:03:29.840 --> 0:03:32.120
<v Speaker 1>so that was kind of gnarly. And we made it

0:03:32.440 --> 0:03:34.560
<v Speaker 1>messed us up to because we were on the big

0:03:34.600 --> 0:03:36.760
<v Speaker 1>screen on the other side of the football field and

0:03:36.800 --> 0:03:38.920
<v Speaker 1>so there was a delay. So I was like doing

0:03:38.920 --> 0:03:41.520
<v Speaker 1>my rock pose and and I saw the screen and

0:03:41.600 --> 0:03:43.160
<v Speaker 1>my hands were in a different place than they were

0:03:43.160 --> 0:03:46.720
<v Speaker 1>on the neck. Totally messed me up. Yeah, I learned

0:03:46.720 --> 0:03:49.080
<v Speaker 1>to not look at those screens after that. Oh yeah,

0:03:49.080 --> 0:03:52.040
<v Speaker 1>it was it a bad mess up. I mean, it's

0:03:52.080 --> 0:03:54.400
<v Speaker 1>always weird just seeing a giant version of yourself too.

0:03:54.680 --> 0:03:57.480
<v Speaker 1>You just kind of want to keep looking in. It's

0:03:57.600 --> 0:04:02.080
<v Speaker 1>very distracting. That is true, Okay, weirdest thing you've ever

0:04:02.160 --> 0:04:07.760
<v Speaker 1>seen on the road. We're just saying, maybe like we're

0:04:07.880 --> 0:04:11.600
<v Speaker 1>you know when after after party like meat and Greek stuff.

0:04:11.600 --> 0:04:15.880
<v Speaker 1>I'm autographed a glass eyeball before and I pull this

0:04:15.880 --> 0:04:18.360
<v Speaker 1>guy pulled his eye out and had us he want

0:04:18.400 --> 0:04:20.760
<v Speaker 1>us to sign his glass eye. That's weird. Ship, that's

0:04:20.800 --> 0:04:24.839
<v Speaker 1>so weird. I think when you are when you're a

0:04:24.880 --> 0:04:29.000
<v Speaker 1>band touring your first time out, so many things are

0:04:29.040 --> 0:04:31.080
<v Speaker 1>weird because you're in so many new places and you're

0:04:31.080 --> 0:04:33.640
<v Speaker 1>meeting new people, and you know, the food is different

0:04:33.760 --> 0:04:38.440
<v Speaker 1>or the cities look different and um, and then after

0:04:38.440 --> 0:04:40.360
<v Speaker 1>a while, like none of it's weird anymore. It's kind

0:04:40.360 --> 0:04:43.200
<v Speaker 1>of all normal. So that's true. Once you've seen so much,

0:04:43.200 --> 0:04:50.440
<v Speaker 1>just like anything goes. Favorite country you've been to, Japan

0:04:50.560 --> 0:04:55.560
<v Speaker 1>I think is my favorite. Why because for me, I'm

0:04:55.560 --> 0:04:57.479
<v Speaker 1>not a big fan of flying. I'm not afraid of flying,

0:04:57.520 --> 0:04:59.440
<v Speaker 1>I'm just I'm not a fan of sitting down in

0:04:59.480 --> 0:05:02.840
<v Speaker 1>a chair for fourteen hours. So if I'm going to

0:05:02.920 --> 0:05:06.520
<v Speaker 1>go through all that paint and agony of being locked

0:05:06.560 --> 0:05:08.320
<v Speaker 1>up for that long, when I get off that plane,

0:05:08.360 --> 0:05:11.760
<v Speaker 1>I want to be somewhere that's like another planet. Um.

0:05:11.800 --> 0:05:15.760
<v Speaker 1>You know, when you fly from New York to Frankfurt, Germany,

0:05:15.800 --> 0:05:17.760
<v Speaker 1>you got to play and you're like, this looks kind

0:05:17.760 --> 0:05:20.320
<v Speaker 1>of like anywhere in America, you know. But when you

0:05:20.360 --> 0:05:23.599
<v Speaker 1>get to Japan, you know, you're in a front in

0:05:23.600 --> 0:05:26.839
<v Speaker 1>a foreign country and it's and it's very modern and cool.

0:05:26.960 --> 0:05:30.760
<v Speaker 1>And I love the food, I love the culture. That's awesome.

0:05:30.760 --> 0:05:33.520
<v Speaker 1>What about you, a j I would probably stay Japan

0:05:33.720 --> 0:05:35.400
<v Speaker 1>as well, I mean just because it's you know, if

0:05:35.400 --> 0:05:38.719
<v Speaker 1>you're gonna travel, um. So, I think there's so many,

0:05:38.760 --> 0:05:40.840
<v Speaker 1>so many parts of Europe that just feels like it

0:05:40.960 --> 0:05:43.000
<v Speaker 1>kind of feels like the East Coast or something. You know,

0:05:43.080 --> 0:05:46.360
<v Speaker 1>it's not not super um I don't know, you know,

0:05:46.640 --> 0:05:50.159
<v Speaker 1>like a traveling really, but I think Holland, like the

0:05:50.200 --> 0:05:52.920
<v Speaker 1>Netherlands and those places where it's just so clean and

0:05:52.960 --> 0:05:57.839
<v Speaker 1>tidy and you know that everything's like compartmentalized, and yeah,

0:05:57.880 --> 0:06:01.279
<v Speaker 1>I love I love that part of the world. Okay,

0:06:02.160 --> 0:06:07.839
<v Speaker 1>who are else biggest biggest musical influences man all over

0:06:07.880 --> 0:06:10.240
<v Speaker 1>the place. For us, that's always band. You know, grew

0:06:10.320 --> 0:06:13.440
<v Speaker 1>up on heavy metal music, so you know, Maiden and

0:06:14.240 --> 0:06:16.840
<v Speaker 1>Judas Priest and all. That's all the It's almost like

0:06:16.880 --> 0:06:19.760
<v Speaker 1>you gotta pick a decade because definitely the biggest influence

0:06:19.760 --> 0:06:23.440
<v Speaker 1>on our childhood was probably heavy metal, but the biggest

0:06:23.440 --> 0:06:28.760
<v Speaker 1>influence in our um songwriting probably be like more like

0:06:29.200 --> 0:06:37.360
<v Speaker 1>Elvis Costello or the Eagles, Don Henley, um um and uh.

0:06:37.640 --> 0:06:40.280
<v Speaker 1>But you know, as a guitar player, Boston I love.

0:06:42.080 --> 0:06:44.080
<v Speaker 1>So it's like if you threw a year out or

0:06:44.080 --> 0:06:46.039
<v Speaker 1>a decade out, I could probably name a handful that

0:06:46.080 --> 0:06:49.400
<v Speaker 1>it's we're still influenced by. You know, it's two thousand

0:06:49.440 --> 0:06:52.560
<v Speaker 1>and sixteen and there's still people that influence us. You know.

0:06:52.640 --> 0:06:55.320
<v Speaker 1>But we were born in the seventies and our dad

0:06:55.400 --> 0:06:57.480
<v Speaker 1>was on the radio and he'd bring home albums and

0:06:57.960 --> 0:07:00.400
<v Speaker 1>so we we were little kids, we didn't know what

0:07:00.440 --> 0:07:04.360
<v Speaker 1>was what was pop or rock or or metal or country.

0:07:04.760 --> 0:07:09.760
<v Speaker 1>We liked Kenny Rogers and the Cars and Van Halen

0:07:09.880 --> 0:07:12.640
<v Speaker 1>and Dolly Parton. You know, this was all stuff that

0:07:12.880 --> 0:07:16.600
<v Speaker 1>we had in our living room on vinyl. So um,

0:07:16.760 --> 0:07:23.040
<v Speaker 1>there's so many. Elvis definitely do both of them. I'm

0:07:23.080 --> 0:07:24.640
<v Speaker 1>actually I want to get I'm gonna get a tattoo,

0:07:24.680 --> 0:07:26.440
<v Speaker 1>and I think one of our friends, I can't remember

0:07:26.440 --> 0:07:28.200
<v Speaker 1>whose idea it was, but I think I'm gonna I'm

0:07:28.200 --> 0:07:30.280
<v Speaker 1>gonna steal it before someone gets it. But it's the

0:07:30.440 --> 0:07:34.360
<v Speaker 1>playing card with Elvis Presley and Elvis Costello, the king,

0:07:34.640 --> 0:07:38.400
<v Speaker 1>you know, kings of both sides. Speaking of tattoos, you

0:07:38.400 --> 0:07:42.920
<v Speaker 1>guys both have full sleeves that are amazing. Yeah, gotta

0:07:42.960 --> 0:07:46.120
<v Speaker 1>finish this one, but thank you. What is your favorite

0:07:46.160 --> 0:07:48.440
<v Speaker 1>tattoo and what is your least favorite tattoo that you

0:07:48.480 --> 0:07:52.080
<v Speaker 1>guys have on your arms. I think for me, my

0:07:52.120 --> 0:07:56.360
<v Speaker 1>favorite is probably our my tribute to al Bigal, our

0:07:56.440 --> 0:08:01.480
<v Speaker 1>drummer who we lost. Um that's my Alno tattoo. But um,

0:08:01.600 --> 0:08:04.360
<v Speaker 1>my least favorite is probably my my leg tattoo, my

0:08:04.400 --> 0:08:07.800
<v Speaker 1>first one. It's like a tribal I don't know what

0:08:07.920 --> 0:08:09.720
<v Speaker 1>the hell it is, but it's ugly. It's the only

0:08:09.720 --> 0:08:11.520
<v Speaker 1>one I think i'd cover up. I've got someone, you know,

0:08:11.520 --> 0:08:13.320
<v Speaker 1>tattoos that are kind of silly that I'm like, I

0:08:13.360 --> 0:08:15.560
<v Speaker 1>wouldn't get that again, but I wouldn't cover them up

0:08:15.560 --> 0:08:18.240
<v Speaker 1>with that leg. When I will, I'll cover it. Not

0:08:18.280 --> 0:08:20.920
<v Speaker 1>a fan. Okay, well everyone makes a first mistake, but

0:08:20.960 --> 0:08:22.720
<v Speaker 1>I don't show my legs very often anyway. It's like

0:08:22.800 --> 0:08:29.240
<v Speaker 1>you should, right, chicken leg. Thank you that I get

0:08:29.240 --> 0:08:33.920
<v Speaker 1>a tattoo have a chicken bone on it. I do

0:08:34.040 --> 0:08:37.040
<v Speaker 1>have a leg tattoo that has a similar story. It's

0:08:37.080 --> 0:08:39.200
<v Speaker 1>my first one. And you guys both did like tattoos

0:08:39.240 --> 0:08:41.360
<v Speaker 1>for the first time. I don't know why when we

0:08:41.360 --> 0:08:43.200
<v Speaker 1>were when we were a teenage and we were like

0:08:43.240 --> 0:08:46.280
<v Speaker 1>eighteen nineteen with our first tattoos, and back then it

0:08:46.320 --> 0:08:49.880
<v Speaker 1>was like a big commitment. You know, um, you know,

0:08:49.960 --> 0:08:51.680
<v Speaker 1>you could start here, but if you could see it

0:08:51.679 --> 0:08:53.760
<v Speaker 1>from your sleeve, it was gonna be harder to get jobs.

0:08:53.800 --> 0:08:56.040
<v Speaker 1>And we already had long hair, so it's already hard

0:08:56.120 --> 0:08:59.600
<v Speaker 1>enough to to, you know, find jobs that would deal

0:08:59.640 --> 0:09:02.560
<v Speaker 1>with our band in our lifestyle. And so that was

0:09:02.600 --> 0:09:04.920
<v Speaker 1>like and then if you went below the elbow was like,

0:09:04.960 --> 0:09:10.200
<v Speaker 1>oh wow, and drop security. Now kids are starting on

0:09:10.240 --> 0:09:12.080
<v Speaker 1>their neck. You'll see like you know, you see these

0:09:12.120 --> 0:09:14.719
<v Speaker 1>kids and they're literally their first tattoo was like the

0:09:14.960 --> 0:09:16.720
<v Speaker 1>whole front of their throat and they take your shirt

0:09:16.760 --> 0:09:20.960
<v Speaker 1>off and they get nothing else, but um, I don't know.

0:09:21.000 --> 0:09:25.360
<v Speaker 1>I went down to the hand recently, and so that

0:09:25.480 --> 0:09:27.719
<v Speaker 1>is an everyday reminder that it's going to be very

0:09:27.720 --> 0:09:30.240
<v Speaker 1>hard for me to ever put a suit on and

0:09:30.280 --> 0:09:32.559
<v Speaker 1>go work in the corporate world. So but maybe that's

0:09:32.600 --> 0:09:36.240
<v Speaker 1>kind of why you did it, And yeah, I never

0:09:36.400 --> 0:09:39.000
<v Speaker 1>probably would anyways, but it's a daily reminder that I

0:09:39.040 --> 0:09:42.480
<v Speaker 1>have to go out and kick ass because I can't.

0:09:42.640 --> 0:09:44.559
<v Speaker 1>I don't have a backup option now to just put

0:09:44.559 --> 0:09:47.400
<v Speaker 1>a suit on and go work at a wherever. Right. Yeah,

0:09:47.520 --> 0:09:51.319
<v Speaker 1>now you got a hand really pretty much security, all

0:09:51.679 --> 0:09:54.440
<v Speaker 1>sugar skull, and it's got black diamonds and eyes, which

0:09:54.600 --> 0:09:59.880
<v Speaker 1>sort of that ring. Um, so yeah, it was that

0:10:00.080 --> 0:10:07.080
<v Speaker 1>under what Okay, so let's start at the beginning. You

0:10:07.120 --> 0:10:08.960
<v Speaker 1>guys are brothers. Jeremy, how much older are you than

0:10:09.000 --> 0:10:12.480
<v Speaker 1>a j Two years? Okay, So you guys formed this

0:10:12.640 --> 0:10:16.840
<v Speaker 1>first band called Razzle when a j You were fourteen,

0:10:17.160 --> 0:10:21.400
<v Speaker 1>Jeremy you were sixteen. Well when I was The band

0:10:21.440 --> 0:10:23.680
<v Speaker 1>formed around them, but I was a drummer at the time.

0:10:23.760 --> 0:10:26.079
<v Speaker 1>I know you switched to singing. How did that was?

0:10:26.240 --> 0:10:28.199
<v Speaker 1>When I was sixteen? I started singing because you kuldn't

0:10:28.240 --> 0:10:31.960
<v Speaker 1>find a singer that was, you know, half decent um,

0:10:32.000 --> 0:10:34.400
<v Speaker 1>So I yeah, I said I'll give a shot. So

0:10:34.440 --> 0:10:39.160
<v Speaker 1>you did not originally want to sing, you know, I

0:10:39.240 --> 0:10:41.920
<v Speaker 1>just I love drums and I never really thought about,

0:10:41.920 --> 0:10:44.959
<v Speaker 1>you know, one instrument. Our grandfather was a drummer, jazz musician,

0:10:45.040 --> 0:10:47.400
<v Speaker 1>so that was I was exposed to that and had

0:10:47.440 --> 0:10:49.680
<v Speaker 1>access to his drum kid, and it was the first

0:10:49.720 --> 0:10:53.040
<v Speaker 1>instrument I learned how to play. Um. And then I

0:10:53.040 --> 0:10:55.600
<v Speaker 1>think it's just after playing a show as a drummer,

0:10:55.640 --> 0:10:57.160
<v Speaker 1>I just realized that was I didn't want to be

0:10:57.160 --> 0:11:00.520
<v Speaker 1>cooped up behind a kid. Run for you, free like

0:11:00.559 --> 0:11:03.120
<v Speaker 1>the bird that you are. Okay, so you switched the singing.

0:11:03.800 --> 0:11:06.480
<v Speaker 1>And then Jeremy, you are in the band as guitar.

0:11:06.960 --> 0:11:11.360
<v Speaker 1>You played lead guitar, and you're also the original band

0:11:11.360 --> 0:11:14.680
<v Speaker 1>members Kevin, Sean and Alan. You are together the whole

0:11:14.679 --> 0:11:17.000
<v Speaker 1>time you formed Razzle and stayed together through lit the

0:11:17.000 --> 0:11:20.440
<v Speaker 1>whole time. Seawan didn't. And when we started out, I

0:11:20.520 --> 0:11:22.240
<v Speaker 1>was actually in a couple of other bands. When I

0:11:22.280 --> 0:11:25.319
<v Speaker 1>was sixteen, I dropped out of high school as a

0:11:25.400 --> 0:11:29.880
<v Speaker 1>junior to pursue my rock and roll dreams, and um,

0:11:30.040 --> 0:11:32.480
<v Speaker 1>they were doing the Razzle thing, and then we all

0:11:32.559 --> 0:11:35.600
<v Speaker 1>kind of about a year or two later we all

0:11:35.720 --> 0:11:38.440
<v Speaker 1>joined up, and so there was a fifth member guitar

0:11:38.480 --> 0:11:42.360
<v Speaker 1>player in the early days and then um and then

0:11:42.360 --> 0:11:45.800
<v Speaker 1>it was just me, A, J, Kevin and al for

0:11:45.840 --> 0:11:49.240
<v Speaker 1>twenty years. So that's a huge dedication to stay through

0:11:49.280 --> 0:11:51.600
<v Speaker 1>all the changing of the band names, the changing of

0:11:51.600 --> 0:11:54.600
<v Speaker 1>the record labels, all of your musical evolution. Y'all never

0:11:54.640 --> 0:11:59.320
<v Speaker 1>broke up. Don't you think that sort of brayer it is? Yeah, extremely,

0:11:59.360 --> 0:12:01.600
<v Speaker 1>I mean there it's weird, is something about I feel

0:12:01.600 --> 0:12:04.120
<v Speaker 1>like a lot of Orange County bands have stayed together

0:12:04.200 --> 0:12:07.000
<v Speaker 1>for for a really long time. I don't know if

0:12:07.000 --> 0:12:11.440
<v Speaker 1>it's maybe it's just a culture that you know that's

0:12:11.480 --> 0:12:16.800
<v Speaker 1>so cal kind of um, I don't know, people, it

0:12:16.880 --> 0:12:19.160
<v Speaker 1>was family for us. So and you guys never had

0:12:19.160 --> 0:12:21.800
<v Speaker 1>another option of another job, Like you're like, we're being

0:12:21.840 --> 0:12:23.600
<v Speaker 1>a van or sticking to it because sometimes people are

0:12:23.600 --> 0:12:26.000
<v Speaker 1>scared to commit to van that you have to, man,

0:12:26.080 --> 0:12:28.640
<v Speaker 1>I think it's just like anything career wise, you know,

0:12:28.679 --> 0:12:31.280
<v Speaker 1>it's just no backup plan. That was the best way

0:12:31.520 --> 0:12:34.199
<v Speaker 1>spending the entertainment period. You've got to have and you

0:12:34.280 --> 0:12:38.319
<v Speaker 1>got to devote yourself. We would always have very menial

0:12:39.160 --> 0:12:42.920
<v Speaker 1>jobs just to make just enough to let cover studio

0:12:43.000 --> 0:12:46.160
<v Speaker 1>rent for band practice and gas in the car for gigs,

0:12:46.160 --> 0:12:48.440
<v Speaker 1>and whatever money we made at the gigs we would

0:12:48.440 --> 0:12:51.600
<v Speaker 1>put back into the band to make flyers or print

0:12:51.920 --> 0:12:55.600
<v Speaker 1>CDs or cassettes or stickers, and um, we were pretty

0:12:55.600 --> 0:12:59.080
<v Speaker 1>relentless guerilla marketers. You know. This is with you know,

0:12:59.679 --> 0:13:02.000
<v Speaker 1>before social media and that kind of stuff. So our

0:13:02.040 --> 0:13:06.360
<v Speaker 1>social media was us being socially active. And we would

0:13:06.400 --> 0:13:10.040
<v Speaker 1>just go out to multiple bars, multiple concerts, multiple anywhere

0:13:10.040 --> 0:13:11.920
<v Speaker 1>where there was people hanging out that we thought might

0:13:11.960 --> 0:13:13.960
<v Speaker 1>like what we were doing. We would go there with

0:13:14.320 --> 0:13:17.600
<v Speaker 1>piles of stuff to give them, and we'd stand outside

0:13:17.640 --> 0:13:19.840
<v Speaker 1>of shows and just give them and we and and

0:13:19.960 --> 0:13:23.600
<v Speaker 1>that worked really um because we were you know, by

0:13:23.640 --> 0:13:26.800
<v Speaker 1>the time we got a record deal, we were is

0:13:26.800 --> 0:13:28.640
<v Speaker 1>that what got to the record deal, just going out

0:13:28.640 --> 0:13:31.480
<v Speaker 1>and hustling. And Razzle was your first record deal with

0:13:32.840 --> 0:13:34.400
<v Speaker 1>you know, we never had a record deal with Razzle.

0:13:34.600 --> 0:13:37.600
<v Speaker 1>It switched to Stain. Stain. Yeah, but then there's another

0:13:37.600 --> 0:13:39.920
<v Speaker 1>band called Stain, So you came up with Lit, which

0:13:39.960 --> 0:13:41.560
<v Speaker 1>I love the name let It was the name of

0:13:41.600 --> 0:13:43.559
<v Speaker 1>the first album, so it was the band was Stained.

0:13:43.600 --> 0:13:46.040
<v Speaker 1>The album is called lit. I didn't have a record.

0:13:47.240 --> 0:13:50.480
<v Speaker 1>We got signed to, Yeah, a hip hop label called

0:13:50.480 --> 0:13:54.360
<v Speaker 1>Delicious Vinyl. It was Malicious Vinyl was there, like you know,

0:13:54.440 --> 0:13:58.280
<v Speaker 1>wicked step child for the rock stuff. Okay, it's a

0:13:58.360 --> 0:14:01.880
<v Speaker 1>Delicious Vinyl. So they had like they had Tone Loc

0:14:02.120 --> 0:14:05.360
<v Speaker 1>and they had Young MC and they had the Far

0:14:05.480 --> 0:14:08.680
<v Speaker 1>Side and UM they were like a really cool especially

0:14:08.679 --> 0:14:13.280
<v Speaker 1>now looking back, they're a really cool, credible UM hip

0:14:13.360 --> 0:14:16.360
<v Speaker 1>hop label. And but they had this couple of crazy

0:14:16.440 --> 0:14:19.280
<v Speaker 1>dudes that worked there that were really into rock and roll,

0:14:19.320 --> 0:14:22.440
<v Speaker 1>and so they convinced them to UM let them sign

0:14:22.440 --> 0:14:24.720
<v Speaker 1>a couple of rock bands. And so that was like

0:14:26.040 --> 0:14:28.280
<v Speaker 1>and we were in a bar in San Diego in

0:14:28.320 --> 0:14:31.360
<v Speaker 1>front of like nine people and they were like two

0:14:31.400 --> 0:14:35.960
<v Speaker 1>of the nine people and it turned But how did

0:14:36.040 --> 0:14:38.720
<v Speaker 1>you guys change from Razzle? Why did you all dump

0:14:38.760 --> 0:14:42.400
<v Speaker 1>Razzle the name? I think it's a lot of it

0:14:42.440 --> 0:14:44.520
<v Speaker 1>was just the evolution of the band's we've been together

0:14:44.600 --> 0:14:46.880
<v Speaker 1>that long, you kind of you grow. We were just

0:14:46.920 --> 0:14:49.120
<v Speaker 1>little kids when we started the first one M and

0:14:49.240 --> 0:14:50.800
<v Speaker 1>we just changed, we kind of outgrew it. It was

0:14:50.840 --> 0:14:53.640
<v Speaker 1>it just felt too high school. Yeah, it was a

0:14:53.640 --> 0:14:59.720
<v Speaker 1>little too bright for us about not that sweet we

0:14:59.720 --> 0:15:02.040
<v Speaker 1>were changing, music was changing. Everything was just kind of

0:15:02.080 --> 0:15:05.080
<v Speaker 1>we we you know, I think with any artist, the

0:15:05.160 --> 0:15:06.920
<v Speaker 1>more you do it, and as you start doing it

0:15:06.960 --> 0:15:10.320
<v Speaker 1>for longer, you you start to figure out what it

0:15:10.480 --> 0:15:12.440
<v Speaker 1>is that you want to do, you know, start more

0:15:12.440 --> 0:15:16.080
<v Speaker 1>heavy metal, fish or heavy. Right. Well, we were all

0:15:16.080 --> 0:15:18.120
<v Speaker 1>over the place here, like we still are kind of

0:15:18.160 --> 0:15:20.720
<v Speaker 1>we We were never afraid to get really heavy or

0:15:20.760 --> 0:15:25.000
<v Speaker 1>to get really um emotional and and sad. You know,

0:15:25.040 --> 0:15:27.000
<v Speaker 1>we were always kind of pushing it a little farther

0:15:27.040 --> 0:15:29.880
<v Speaker 1>in either direction. And I think when we started to

0:15:29.920 --> 0:15:32.080
<v Speaker 1>have some success that we started to kind of focus

0:15:32.120 --> 0:15:33.640
<v Speaker 1>it in a little bit more on what we felt

0:15:33.640 --> 0:15:38.320
<v Speaker 1>we were the best at. What is the best I

0:15:38.320 --> 0:15:42.720
<v Speaker 1>don't know. I'm still trying to figure it out. We

0:15:42.760 --> 0:15:45.360
<v Speaker 1>geek out on on songwriting. We just we love to,

0:15:45.880 --> 0:15:49.040
<v Speaker 1>you know. Once we started collaborating with other writers, it's

0:15:49.040 --> 0:15:53.360
<v Speaker 1>sort of exposed us and opened us up to um,

0:15:53.520 --> 0:15:57.160
<v Speaker 1>you know, just not limiting ourselves and and always being

0:15:57.200 --> 0:15:59.440
<v Speaker 1>open to kind of evolved and let it happen. And

0:15:59.440 --> 0:16:01.360
<v Speaker 1>if it felt I thought right, we just would always

0:16:01.400 --> 0:16:03.680
<v Speaker 1>go with it. So, you know, if you listen from

0:16:03.720 --> 0:16:06.080
<v Speaker 1>from one album to the next, we've kind of constantly

0:16:06.160 --> 0:16:09.080
<v Speaker 1>changed a little bit, and uh, what's the underlying theme

0:16:09.120 --> 0:16:12.000
<v Speaker 1>though that connects all the records. Well, I mean we're

0:16:13.360 --> 0:16:15.800
<v Speaker 1>we like to drink and we like to like a

0:16:15.800 --> 0:16:19.000
<v Speaker 1>good time. Yeah, I don't know that. We kind of

0:16:19.000 --> 0:16:20.760
<v Speaker 1>think I think lits more of an energy for us.

0:16:20.760 --> 0:16:22.560
<v Speaker 1>It's always We've always been kind of lumped into that.

0:16:23.280 --> 0:16:25.320
<v Speaker 1>We've had, in the beginning a lot of stoner followers

0:16:25.360 --> 0:16:29.080
<v Speaker 1>and people, and we're you know, well, we also had

0:16:30.040 --> 0:16:33.800
<v Speaker 1>the guy who directed our very first video. Um, when

0:16:33.800 --> 0:16:36.360
<v Speaker 1>he after the show and he saw us play live,

0:16:36.400 --> 0:16:38.080
<v Speaker 1>he said, and this is when we were still called staining.

0:16:38.120 --> 0:16:41.360
<v Speaker 1>He said, um, seeing you guys live as like watching

0:16:41.360 --> 0:16:43.960
<v Speaker 1>a bomb go off in a building, and so we

0:16:43.960 --> 0:16:47.520
<v Speaker 1>were thinking, that's kind of cool. Bomb fuse lit, like

0:16:47.600 --> 0:16:50.080
<v Speaker 1>getting ready to explode, like that kind of thing. So

0:16:51.240 --> 0:16:53.360
<v Speaker 1>it's just the worst. It sucks. I hope I don't

0:16:53.560 --> 0:16:55.640
<v Speaker 1>ever have to do that again. Oh man. I mean

0:16:55.680 --> 0:16:58.200
<v Speaker 1>the process of that is exhausting. And then you find

0:16:58.240 --> 0:17:01.040
<v Speaker 1>when you like like staining and you realize it's taken.

0:17:01.640 --> 0:17:04.000
<v Speaker 1>But I think I'm glad you'll moved on. Yeah, I think,

0:17:04.040 --> 0:17:07.960
<v Speaker 1>I think And actually, well, the funny story about that

0:17:08.080 --> 0:17:15.040
<v Speaker 1>is that staining the band Staying or Stained a Lewis Music.

0:17:15.359 --> 0:17:17.200
<v Speaker 1>They got sued by the same guy we got sued

0:17:17.200 --> 0:17:19.000
<v Speaker 1>by when we were called staining. But the difference was

0:17:19.240 --> 0:17:21.760
<v Speaker 1>we were like f you to the guy and they

0:17:21.760 --> 0:17:23.600
<v Speaker 1>were like, all right, we'll pay you. So those guys

0:17:23.640 --> 0:17:25.679
<v Speaker 1>actually paid the guy off. And you know, oh, I

0:17:25.720 --> 0:17:28.240
<v Speaker 1>thought it was Aaron Lewis's band that was the stain

0:17:28.320 --> 0:17:30.119
<v Speaker 1>of the problems and it was like a writer for

0:17:30.720 --> 0:17:35.840
<v Speaker 1>Thrasher magazine or something sitting on the name. So what

0:17:35.960 --> 0:17:37.680
<v Speaker 1>was it like? You guys have been playing since you're

0:17:37.680 --> 0:17:40.199
<v Speaker 1>like teenagers. Now you get this first record of what happens? Now,

0:17:40.640 --> 0:17:43.000
<v Speaker 1>what is your life looking like? I mean after the

0:17:43.040 --> 0:17:44.800
<v Speaker 1>first record deal, not a whole lot change. You know,

0:17:44.880 --> 0:17:48.119
<v Speaker 1>we just kept doing what we were doing and actually

0:17:48.160 --> 0:17:49.800
<v Speaker 1>had copies of the record to sell. You know, I

0:17:49.800 --> 0:17:52.120
<v Speaker 1>guess that was a difference, but still like self promoting

0:17:52.200 --> 0:17:54.879
<v Speaker 1>or was the record lea well helping? They helped a

0:17:54.880 --> 0:17:58.400
<v Speaker 1>little bit. I mean what printed posters and the first

0:17:58.400 --> 0:18:01.720
<v Speaker 1>deal was very am and we would go up to Hollywood,

0:18:01.880 --> 0:18:04.520
<v Speaker 1>um to three times a week and go in the

0:18:04.520 --> 0:18:07.480
<v Speaker 1>mail room and stuff envelopes and stuff, you know, and

0:18:08.760 --> 0:18:11.000
<v Speaker 1>um use their copy or to print stuff and just

0:18:11.640 --> 0:18:14.320
<v Speaker 1>we would try to do everything we could take advantage

0:18:14.320 --> 0:18:16.760
<v Speaker 1>of whatever resources that there were. But I mean, the real,

0:18:17.240 --> 0:18:20.359
<v Speaker 1>the real beginning for us was when our c A

0:18:20.880 --> 0:18:24.119
<v Speaker 1>got a copy of My Worst Enemy. And it was

0:18:24.200 --> 0:18:26.280
<v Speaker 1>weird how it happened because they had already passed on us,

0:18:26.320 --> 0:18:28.080
<v Speaker 1>like two or three times. Did you make that with

0:18:28.440 --> 0:18:31.960
<v Speaker 1>Malicious Delicious? So you guys were out of your Delicious

0:18:32.000 --> 0:18:35.359
<v Speaker 1>Delicious yea, and now you're a free agent. So that

0:18:35.440 --> 0:18:37.800
<v Speaker 1>kind of just dissolved over time. It was a great

0:18:37.880 --> 0:18:40.320
<v Speaker 1>launching point, but it kind of dissolved. Honestly, I don't

0:18:40.320 --> 0:18:42.840
<v Speaker 1>even remember that. We may have still been with them,

0:18:42.840 --> 0:18:44.400
<v Speaker 1>and I think they probably just let us go because

0:18:44.480 --> 0:18:46.000
<v Speaker 1>they saw and it would be better for us and

0:18:46.040 --> 0:18:48.600
<v Speaker 1>it would remember all the details then, but that I

0:18:48.680 --> 0:18:50.879
<v Speaker 1>made a new album after that deal. We did some

0:18:50.960 --> 0:18:53.960
<v Speaker 1>demos and on that on that demo was My Worst

0:18:54.080 --> 0:18:58.359
<v Speaker 1>Enemy Miserable Day. They were like, yeah, two top five

0:18:58.440 --> 0:19:01.560
<v Speaker 1>hits on out of four songs got passed on. Everybody

0:19:01.560 --> 0:19:06.600
<v Speaker 1>passed on that. So funny how the music. Yeah, but

0:19:06.640 --> 0:19:09.680
<v Speaker 1>the whole thing is our manager um at the time,

0:19:09.840 --> 0:19:11.720
<v Speaker 1>rudas A. Petty's her name was on the CD with

0:19:11.800 --> 0:19:14.959
<v Speaker 1>her phone number, and radio promo rep at our ci

0:19:15.080 --> 0:19:17.760
<v Speaker 1>A recognized her name from a college that they went

0:19:17.800 --> 0:19:21.000
<v Speaker 1>to in Michigan together, like years passed and he was like, WHOA,

0:19:21.080 --> 0:19:22.600
<v Speaker 1>no way, So he took it into his office and

0:19:22.600 --> 0:19:25.080
<v Speaker 1>put it in and he flipped out over that song

0:19:25.160 --> 0:19:27.560
<v Speaker 1>and then he went to yeah, so he went down

0:19:27.560 --> 0:19:29.560
<v Speaker 1>the hall. It was just a weird thing. And then

0:19:29.680 --> 0:19:32.080
<v Speaker 1>the next thing, it happened really fast after that. We

0:19:32.119 --> 0:19:36.240
<v Speaker 1>went from they heard it, they wanted it. We signed

0:19:36.240 --> 0:19:38.440
<v Speaker 1>with them. We were in the studio like two weeks later,

0:19:38.560 --> 0:19:41.520
<v Speaker 1>and then we finished the record right before Christmas time.

0:19:41.920 --> 0:19:45.000
<v Speaker 1>And then January second, Kai Rock started playing My Horst

0:19:45.040 --> 0:19:46.800
<v Speaker 1>Enemy and it was actually a station that started playing

0:19:46.800 --> 0:19:49.119
<v Speaker 1>the demo and we had to like they had to

0:19:49.119 --> 0:19:52.080
<v Speaker 1>send him a season desist better because it was it

0:19:52.160 --> 0:19:54.240
<v Speaker 1>was a demo version and we weren't anywhere near close

0:19:54.240 --> 0:19:56.000
<v Speaker 1>to you know, ready to release. So it was one

0:19:56.000 --> 0:20:00.320
<v Speaker 1>of those crazy things. Just isn't that those stories crazy?

0:20:00.400 --> 0:20:03.440
<v Speaker 1>Because you've now been an issue, why like five ten years?

0:20:03.440 --> 0:20:06.439
<v Speaker 1>Really doing it at this point over ten years and

0:20:06.480 --> 0:20:09.280
<v Speaker 1>it feels like that's magical, like someone randomly gets your

0:20:09.320 --> 0:20:11.760
<v Speaker 1>CD and then you get a record deal. But there's

0:20:12.040 --> 0:20:15.800
<v Speaker 1>ten years of like custling developing, but then that's just

0:20:15.800 --> 0:20:17.560
<v Speaker 1>true lucky break. That's the kind of stories that are

0:20:17.640 --> 0:20:20.080
<v Speaker 1>crazy because it's really like ten years of hard work

0:20:20.160 --> 0:20:25.000
<v Speaker 1>but then finally something. It's Yeah, the stars eventually have

0:20:25.119 --> 0:20:28.000
<v Speaker 1>to kind of align in your favor totally. I mean,

0:20:28.320 --> 0:20:30.159
<v Speaker 1>because there's too many people. And I didn't used to

0:20:30.200 --> 0:20:34.440
<v Speaker 1>believe that. Fifteen years ago. People would say, oh, there's

0:20:34.440 --> 0:20:36.240
<v Speaker 1>so many talents of people that never make it, and

0:20:36.280 --> 0:20:38.440
<v Speaker 1>I would always kind of felt at that time, like, well, no,

0:20:38.720 --> 0:20:41.639
<v Speaker 1>there's something missing, Like they might be talented, but they

0:20:41.640 --> 0:20:44.359
<v Speaker 1>don't they don't have anything for people to invest in,

0:20:44.359 --> 0:20:46.919
<v Speaker 1>Like they don't have a vibe or an image, or

0:20:46.920 --> 0:20:48.680
<v Speaker 1>the show sucks, or they're great in the studio or

0:20:48.680 --> 0:20:51.080
<v Speaker 1>their four vice versa. They're they're great performers, but they

0:20:51.119 --> 0:20:53.479
<v Speaker 1>don't write great songs. Or I always just felt like

0:20:53.560 --> 0:20:56.960
<v Speaker 1>there must be some piece that's missing otherwise why aren't

0:20:56.960 --> 0:20:59.280
<v Speaker 1>you making it? So you believe that if all the

0:20:59.280 --> 0:21:01.679
<v Speaker 1>pieces are too other, you will eventually make it. I

0:21:01.760 --> 0:21:04.560
<v Speaker 1>used to believe That's why I started coming to Nashville,

0:21:04.600 --> 0:21:07.680
<v Speaker 1>and then I've actually seen a lot of people get

0:21:08.320 --> 0:21:11.200
<v Speaker 1>kind of overlooked. But do you think it eventually comes

0:21:11.200 --> 0:21:14.520
<v Speaker 1>around if you stick with it long enough. Certainly can

0:21:14.640 --> 0:21:17.679
<v Speaker 1>I mean times have definitely changed a lot, so, I

0:21:17.920 --> 0:21:20.000
<v Speaker 1>that's a tough question to answer. And with YouTube there's

0:21:20.000 --> 0:21:23.160
<v Speaker 1>still much more access to finding artists. I guess there's

0:21:23.160 --> 0:21:25.960
<v Speaker 1>people now with that are experiencing a lot of success

0:21:26.000 --> 0:21:28.400
<v Speaker 1>and they have no experience. There's people with a lot

0:21:28.400 --> 0:21:31.240
<v Speaker 1>of experience that never get the success. I don't think

0:21:31.280 --> 0:21:33.080
<v Speaker 1>that that was the case twenty years ago. I think

0:21:33.080 --> 0:21:36.040
<v Speaker 1>you had to really fifteen years ago. I think you

0:21:36.080 --> 0:21:39.480
<v Speaker 1>had to really bust ass develop your local following and

0:21:39.520 --> 0:21:42.080
<v Speaker 1>get and then maybe try to expand that to a

0:21:42.160 --> 0:21:45.720
<v Speaker 1>regional following. And I mean bands that you you know,

0:21:45.760 --> 0:21:47.879
<v Speaker 1>if you think back in like the late nineties or

0:21:47.920 --> 0:21:50.800
<v Speaker 1>early two thousand's, I mean bands like the Dave Matthews

0:21:50.840 --> 0:21:54.560
<v Speaker 1>band that we're playing selling out stadiums, had a huge

0:21:54.640 --> 0:21:58.640
<v Speaker 1>college following just showing up, playing in bars, playing at

0:21:58.640 --> 0:22:01.080
<v Speaker 1>frat parties that they and they built these like legions

0:22:01.080 --> 0:22:04.080
<v Speaker 1>of fans over time, and then they they sort of

0:22:04.080 --> 0:22:06.120
<v Speaker 1>turned the tables on the industry, and the industry had

0:22:06.160 --> 0:22:09.320
<v Speaker 1>to come follow because there was something happening. So and

0:22:09.359 --> 0:22:11.520
<v Speaker 1>now it's kind of that's like a band like Dirty

0:22:11.520 --> 0:22:13.639
<v Speaker 1>Heads is doing that. Now you see some bands that

0:22:13.720 --> 0:22:16.359
<v Speaker 1>still kind of get it and they're working it, but

0:22:16.400 --> 0:22:18.440
<v Speaker 1>they'll have following. You know, they'll be able to tour forever,

0:22:18.960 --> 0:22:22.760
<v Speaker 1>right because they their grassroots following the film. I feel

0:22:22.800 --> 0:22:25.600
<v Speaker 1>like that is true. Like in southern California, especially in

0:22:25.600 --> 0:22:27.320
<v Speaker 1>this era when you guys were emerging, there was a

0:22:27.320 --> 0:22:29.080
<v Speaker 1>lot of bands coming out of there, like No Doubt

0:22:29.119 --> 0:22:34.040
<v Speaker 1>came out of that into the Spring were you guys

0:22:34.080 --> 0:22:36.400
<v Speaker 1>all kind of happening at the same time. They kind

0:22:36.400 --> 0:22:38.160
<v Speaker 1>of beat us a little bit. Within a few years

0:22:38.200 --> 0:22:41.280
<v Speaker 1>you had you had Offspring and and No Doubt, and

0:22:41.359 --> 0:22:46.760
<v Speaker 1>you had even like Corn and but Orange County, I mean,

0:22:46.760 --> 0:22:48.800
<v Speaker 1>it's so crazy the history that comes out of there

0:22:48.880 --> 0:22:50.840
<v Speaker 1>for every time that what year, what were the years

0:22:51.680 --> 0:22:55.560
<v Speaker 1>that was all nineties ish and the two and then

0:22:55.560 --> 0:22:59.240
<v Speaker 1>since then you've had you know, bands like Advantage Sevenfold

0:22:59.320 --> 0:23:02.960
<v Speaker 1>and um Um and Young the Giant and then I

0:23:02.960 --> 0:23:07.040
<v Speaker 1>mean country Wise too. I mean there's been you know,

0:23:07.080 --> 0:23:11.600
<v Speaker 1>Gary Allen's from Orange County and UM and Jackson Brown

0:23:11.760 --> 0:23:17.320
<v Speaker 1>is actually from Fullerton where we're from. UM and UM.

0:23:17.359 --> 0:23:19.680
<v Speaker 1>You know there's a street, there's a street that runs

0:23:19.680 --> 0:23:22.720
<v Speaker 1>through Santa ana called Rate and that's Bonnie Rate's dad.

0:23:22.800 --> 0:23:25.919
<v Speaker 1>Is that that's named named after him. There's a lot

0:23:26.000 --> 0:23:28.440
<v Speaker 1>of history in where we come from. It's just it's

0:23:28.480 --> 0:23:32.200
<v Speaker 1>a really spread out county. It's not like a little scene.

0:23:32.240 --> 0:23:35.199
<v Speaker 1>It's like we didn't know all those bands until we

0:23:35.200 --> 0:23:38.720
<v Speaker 1>were We met him in you know, at some festival

0:23:38.760 --> 0:23:42.520
<v Speaker 1>in New York or something. So you guys get signed

0:23:42.520 --> 0:23:44.480
<v Speaker 1>in this two week period. It's like a magical thing

0:23:44.480 --> 0:23:47.640
<v Speaker 1>that happens. And you're recording your album. You put out

0:23:48.160 --> 0:23:50.560
<v Speaker 1>my own wor cinam. Tell me what that's like, because

0:23:50.560 --> 0:23:52.600
<v Speaker 1>this is the this is the biggest charning rock song

0:23:52.640 --> 0:23:56.040
<v Speaker 1>in if ever right, it's one of the biggest rock

0:23:56.080 --> 0:23:58.159
<v Speaker 1>songs that ever was. We had a good round with it.

0:23:58.200 --> 0:24:00.720
<v Speaker 1>We like twelve weeks at the top, that eleven weeks

0:24:00.680 --> 0:24:05.000
<v Speaker 1>and number one. Yeah, it was fine. We I mean

0:24:05.040 --> 0:24:08.280
<v Speaker 1>we got well, we were we were still in an

0:24:08.359 --> 0:24:12.960
<v Speaker 1>r V and we hadn't glamorous so fast. Well we

0:24:13.000 --> 0:24:14.639
<v Speaker 1>had all the time kind of it was before we

0:24:14.680 --> 0:24:17.199
<v Speaker 1>started blowing our money, and we definitely stayed smart and

0:24:17.240 --> 0:24:20.040
<v Speaker 1>efficient for a while and until we just thought we

0:24:20.119 --> 0:24:22.640
<v Speaker 1>deserved a little luxury, so we went forward for the bus. Well,

0:24:22.680 --> 0:24:24.679
<v Speaker 1>we couldn't. We got to a point where we couldn't

0:24:24.680 --> 0:24:27.159
<v Speaker 1>really drive ourselves around anymore. We were getting you know,

0:24:27.600 --> 0:24:29.560
<v Speaker 1>it was getting a little crazy. But when when you're

0:24:29.560 --> 0:24:31.359
<v Speaker 1>you're in the middle of the country and you have

0:24:31.480 --> 0:24:33.679
<v Speaker 1>six weeks seven weeks of dates left, and all your

0:24:33.720 --> 0:24:35.919
<v Speaker 1>stuff is packed in this r V, you have to

0:24:35.960 --> 0:24:37.760
<v Speaker 1>get home first to unpack it so that you could

0:24:37.800 --> 0:24:40.920
<v Speaker 1>get a bush. And so we were pulling up to

0:24:40.920 --> 0:24:42.919
<v Speaker 1>all these so you guys had a tour, books and everything.

0:24:42.920 --> 0:24:45.440
<v Speaker 1>You're doing your own thing. When this happened, we were

0:24:45.560 --> 0:24:48.160
<v Speaker 1>well we we yeah, we were when when that song

0:24:48.440 --> 0:24:50.600
<v Speaker 1>finally got to number one in the summertime, we were out,

0:24:51.119 --> 0:24:53.920
<v Speaker 1>we were playing Woodstock and playing you know, on tour

0:24:54.000 --> 0:24:55.840
<v Speaker 1>with the Offspring and the Warp Tour, and we were

0:24:55.840 --> 0:24:58.320
<v Speaker 1>doing all this stuff. We were I mean that year

0:24:58.400 --> 0:25:01.840
<v Speaker 1>we left home in January. We left home in January

0:25:02.119 --> 0:25:04.679
<v Speaker 1>and we didn't come back until September of two thousand,

0:25:05.400 --> 0:25:08.159
<v Speaker 1>literally eighteen months we were gone from home. Didn't come

0:25:08.200 --> 0:25:11.560
<v Speaker 1>home once. Yeah, just like not even bring you know,

0:25:11.800 --> 0:25:13.479
<v Speaker 1>not even bring your suitcase in, just like bring your

0:25:13.480 --> 0:25:16.320
<v Speaker 1>backpack in and paying for a little bit. But yeah,

0:25:16.359 --> 0:25:18.879
<v Speaker 1>it was crazy, Like the whole video you know, treatments

0:25:18.880 --> 0:25:21.520
<v Speaker 1>to like we think the song was before we were

0:25:21.640 --> 0:25:24.840
<v Speaker 1>like as soon as it was done recording, we um,

0:25:25.240 --> 0:25:26.800
<v Speaker 1>it was done recording. When we were downe recording that

0:25:26.920 --> 0:25:30.520
<v Speaker 1>we had you know, video producers in their treatments, and

0:25:30.600 --> 0:25:34.359
<v Speaker 1>we were you know, kind of thrown into the makeup

0:25:34.440 --> 0:25:36.320
<v Speaker 1>room and all this new stuff that you know, three

0:25:36.400 --> 0:25:39.840
<v Speaker 1>hundred three or fifty thousand dollar video, you know, from

0:25:39.880 --> 0:25:41.639
<v Speaker 1>never experiencing any of that, and the next thing you know,

0:25:41.680 --> 0:25:44.159
<v Speaker 1>we're on MTV, we're on TRL or so that all

0:25:44.160 --> 0:25:46.800
<v Speaker 1>happened really quickly. Were you guys ready for that? Were

0:25:46.800 --> 0:25:49.200
<v Speaker 1>you ready for this instant thame? I know y'all had

0:25:49.440 --> 0:25:51.760
<v Speaker 1>wanted it, but like that changed overnight for you guys,

0:25:51.800 --> 0:25:53.720
<v Speaker 1>literally right, I think we were. I think we were

0:25:53.720 --> 0:25:56.879
<v Speaker 1>ready for it. I mean we nothing was like you know,

0:25:57.040 --> 0:25:59.880
<v Speaker 1>like you said we were. We were kind of prime

0:26:00.200 --> 0:26:03.159
<v Speaker 1>over the course of ten plus years, and we're really

0:26:03.200 --> 0:26:05.840
<v Speaker 1>comfortable on stage. We were comfortable. You know, we had

0:26:05.840 --> 0:26:09.280
<v Speaker 1>already done a million interviews and with local fanzines and

0:26:09.280 --> 0:26:12.240
<v Speaker 1>things like that, so we're Um. That's the difference I

0:26:12.240 --> 0:26:15.199
<v Speaker 1>think between something like an American Idol winner and in

0:26:15.240 --> 0:26:17.520
<v Speaker 1>a band that's been kind of put through the you're

0:26:17.520 --> 0:26:20.800
<v Speaker 1>not quite ready the American idol, like you don't haven't

0:26:20.840 --> 0:26:23.920
<v Speaker 1>had that preparation time period. You might have some media

0:26:24.000 --> 0:26:26.560
<v Speaker 1>training and you know, extensive amount of that, but yeah,

0:26:26.720 --> 0:26:28.439
<v Speaker 1>not not really. When you get on the stage in

0:26:28.440 --> 0:26:31.040
<v Speaker 1>that connection with a crowd, that happens over I think,

0:26:31.040 --> 0:26:33.560
<v Speaker 1>over time learning how to work that. So what we're

0:26:33.600 --> 0:26:35.600
<v Speaker 1>the what was the fan situation? Like, what was like

0:26:35.640 --> 0:26:38.160
<v Speaker 1>we're girls just throwing themselves at you guys? Was it

0:26:38.200 --> 0:26:40.280
<v Speaker 1>was that crazy to be like walking on a street

0:26:40.280 --> 0:26:41.840
<v Speaker 1>and everyone know who you are. And Jeremy at that

0:26:41.880 --> 0:26:44.520
<v Speaker 1>point you had a long beard to like a long

0:26:44.600 --> 0:26:47.160
<v Speaker 1>braided beard, which you've cut off. I always loved your beard.

0:26:47.680 --> 0:26:49.360
<v Speaker 1>I had. I had a long beard for a long

0:26:49.400 --> 0:26:51.040
<v Speaker 1>time and that was kind of like my calling card.

0:26:51.080 --> 0:26:55.120
<v Speaker 1>But people to cut that off. Um. Actually was when

0:26:55.160 --> 0:26:58.320
<v Speaker 1>our our drummer Al passed away and it was kind

0:26:58.320 --> 0:27:02.400
<v Speaker 1>of an end of an era. So I I um,

0:27:02.240 --> 0:27:04.400
<v Speaker 1>I'm not to bring it down, but we were at

0:27:04.400 --> 0:27:07.439
<v Speaker 1>the funeral and people were putting stuff in the ground,

0:27:07.480 --> 0:27:11.000
<v Speaker 1>like letters and pictures and bottles of Jack Daniels and

0:27:11.200 --> 0:27:13.600
<v Speaker 1>drumsticks or whatever, and I didn't have anything to put

0:27:13.720 --> 0:27:15.440
<v Speaker 1>put in there, and I was like, looking, I'm like, well,

0:27:15.480 --> 0:27:16.960
<v Speaker 1>my watch isn't really going to do him any good.

0:27:16.960 --> 0:27:19.919
<v Speaker 1>And and uh so his daughter was there and that

0:27:20.080 --> 0:27:23.800
<v Speaker 1>I had the the the grave digger guy that was

0:27:23.840 --> 0:27:25.520
<v Speaker 1>over digging another grave, and I called him over and

0:27:25.720 --> 0:27:28.520
<v Speaker 1>he had me scissors, and he got me this big

0:27:28.520 --> 0:27:33.080
<v Speaker 1>old pair of rusty you know, shears, and his daughter

0:27:33.119 --> 0:27:34.439
<v Speaker 1>cut it off right there and then threw it in

0:27:34.440 --> 0:27:36.680
<v Speaker 1>the written around with him. So you're going to cut

0:27:36.720 --> 0:27:38.919
<v Speaker 1>it off, That's so it's kind of a tribute to him.

0:27:38.920 --> 0:27:40.520
<v Speaker 1>I was kind of the end of an era that day.

0:27:40.560 --> 0:27:43.960
<v Speaker 1>But but yeah, so to go. Actually, what you were

0:27:43.960 --> 0:27:47.400
<v Speaker 1>talking about it was it was we were I think

0:27:47.440 --> 0:27:49.960
<v Speaker 1>the only thing about that time that looking back on it,

0:27:49.960 --> 0:27:51.960
<v Speaker 1>when I said, watched videos and I see stuff, I'm

0:27:52.040 --> 0:27:55.160
<v Speaker 1>I'm like, man, I wish we would have been able

0:27:55.200 --> 0:27:56.640
<v Speaker 1>to kind of soak that in a little bit more

0:27:56.920 --> 0:27:58.800
<v Speaker 1>and enjoy that a little bit more. Because they had

0:27:58.880 --> 0:28:01.960
<v Speaker 1>us run so ragged. We didn't know our head from

0:28:01.960 --> 0:28:03.600
<v Speaker 1>our asks. We didn't know if we were coming or going.

0:28:04.200 --> 0:28:06.520
<v Speaker 1>And um, we knew it was awesome and we were

0:28:06.520 --> 0:28:09.119
<v Speaker 1>having a great time, but we were a few months in.

0:28:09.200 --> 0:28:12.600
<v Speaker 1>We were so exhausted because we were just burning the

0:28:12.600 --> 0:28:15.480
<v Speaker 1>candle at not only both ends, but in the middle too.

0:28:15.560 --> 0:28:19.199
<v Speaker 1>We just were It was gnarly. And how did you

0:28:19.200 --> 0:28:21.280
<v Speaker 1>guys keep your health up and keep your relationships with

0:28:21.320 --> 0:28:23.840
<v Speaker 1>the band up? Because that is probably I guess you'd

0:28:23.880 --> 0:28:27.760
<v Speaker 1>had all that practice, a lot of drinking, kept it

0:28:27.840 --> 0:28:30.760
<v Speaker 1>all in perspective, and that was that was the one

0:28:30.760 --> 0:28:32.120
<v Speaker 1>thing that learn in the hard way. A few times,

0:28:32.200 --> 0:28:34.280
<v Speaker 1>I guess, you know, you get run down and you

0:28:34.320 --> 0:28:37.520
<v Speaker 1>start stalking the bus up with vitamins and you know,

0:28:37.680 --> 0:28:39.800
<v Speaker 1>to kind of offset the drinking, and you learn how

0:28:39.840 --> 0:28:44.600
<v Speaker 1>to you drink a lot of water. Definitely, you fall

0:28:44.640 --> 0:28:47.320
<v Speaker 1>down a few times before you figure out your system.

0:28:48.320 --> 0:28:50.120
<v Speaker 1>And you guys always got along before it was just

0:28:50.160 --> 0:28:52.520
<v Speaker 1>the four of you, all right, you always got along.

0:28:53.040 --> 0:28:55.800
<v Speaker 1>We always had a road crew that was like family too,

0:28:55.840 --> 0:28:59.160
<v Speaker 1>so we were just like this, you know, unstoppable unit

0:28:59.200 --> 0:29:02.280
<v Speaker 1>on the road us. Yeah, it was really cool. Looking back.

0:29:03.280 --> 0:29:05.480
<v Speaker 1>It was kind of a neat thing that that there

0:29:05.560 --> 0:29:09.080
<v Speaker 1>wasn't really any one particular person that was getting It

0:29:09.160 --> 0:29:11.080
<v Speaker 1>was kind of all for one, one for all, and

0:29:11.080 --> 0:29:12.880
<v Speaker 1>and we would come back into the bus at the

0:29:12.920 --> 0:29:14.200
<v Speaker 1>end of the night and we were just the same

0:29:14.280 --> 0:29:16.760
<v Speaker 1>knuckleheads that we were five years ago, ten years ago,

0:29:16.840 --> 0:29:19.520
<v Speaker 1>we still watching the same stuff on the TV, drinking

0:29:19.520 --> 0:29:22.960
<v Speaker 1>the same cheap beer and you know, playing CEO and

0:29:23.040 --> 0:29:26.400
<v Speaker 1>poker and stuff with our friends, and um, I think

0:29:26.400 --> 0:29:28.880
<v Speaker 1>that we had that foundation that we had built and

0:29:28.920 --> 0:29:30.880
<v Speaker 1>that's what kind of kept us through all the all

0:29:30.920 --> 0:29:35.680
<v Speaker 1>the roller coaster ride. So my on ours enemy is huge, massive,

0:29:35.960 --> 0:29:38.920
<v Speaker 1>and then here comes Miserable and you guys are calling

0:29:38.920 --> 0:29:42.040
<v Speaker 1>all over Pamela Anderson, which unfortunately it's not a real

0:29:42.560 --> 0:29:45.960
<v Speaker 1>version of Pamila innersion, but it's like a giant Pamlet.

0:29:46.480 --> 0:29:50.479
<v Speaker 1>How is that better? It was killer? We m the

0:29:50.480 --> 0:29:54.240
<v Speaker 1>coolest music video I've ever seen. That's one of my

0:29:54.240 --> 0:29:58.560
<v Speaker 1>favorite videos. She eats all of us. Who's the last

0:29:58.560 --> 0:30:01.959
<v Speaker 1>to survive? I think is the last one? Yeah, you

0:30:02.000 --> 0:30:03.840
<v Speaker 1>hang on the longest. I was hanging on her ear

0:30:03.880 --> 0:30:07.920
<v Speaker 1>for a while there. Uh. That's an interesting thing in

0:30:08.000 --> 0:30:11.440
<v Speaker 1>YouTube is the TV show that Pan did called v

0:30:11.520 --> 0:30:14.960
<v Speaker 1>I P where they wrote an entire episode about the band.

0:30:15.440 --> 0:30:17.800
<v Speaker 1>So we all we got our little our shot at acting,

0:30:17.880 --> 0:30:21.880
<v Speaker 1>and we're really good actors, especially if the one on

0:30:21.880 --> 0:30:25.000
<v Speaker 1>YouTube I think is German subtitles. Oh yeah, that was

0:30:25.080 --> 0:30:27.440
<v Speaker 1>that's amazing. Really gives it a nice touch. So you

0:30:27.440 --> 0:30:32.120
<v Speaker 1>guys friends with Tamil Anderson. We were, I mean, she

0:30:32.280 --> 0:30:34.520
<v Speaker 1>was amazing. She's super, she's great. We talked to her

0:30:34.520 --> 0:30:36.000
<v Speaker 1>in a long time, but she was. She was very

0:30:36.040 --> 0:30:38.239
<v Speaker 1>sweet to do our video. She and that was her

0:30:38.400 --> 0:30:42.280
<v Speaker 1>prime time too. She was on high. Yeah, she um.

0:30:43.120 --> 0:30:44.600
<v Speaker 1>A couple of years later, we were on tour with

0:30:44.680 --> 0:30:46.480
<v Speaker 1>Kid Rock and that was when they were together, and

0:30:46.640 --> 0:30:48.800
<v Speaker 1>she made a point, you know, when she would come out,

0:30:48.840 --> 0:30:50.440
<v Speaker 1>she always make a point to come in our dressing

0:30:50.480 --> 0:30:52.840
<v Speaker 1>room and hang out with us and say hi and

0:30:52.840 --> 0:30:56.480
<v Speaker 1>and check in. And she was just very always, very sweet,

0:30:56.760 --> 0:30:59.200
<v Speaker 1>very down to earth, very you know, and and just

0:30:59.240 --> 0:31:02.840
<v Speaker 1>a real pro. You know. It's just, um, she totally

0:31:02.960 --> 0:31:07.160
<v Speaker 1>knew her her drill and she just kind of it

0:31:07.200 --> 0:31:09.120
<v Speaker 1>was neat. It was a neat process to be a

0:31:09.120 --> 0:31:12.080
<v Speaker 1>part of. You know. At the same time, Harry Jeremy,

0:31:12.240 --> 0:31:16.200
<v Speaker 1>you did Cribs, which was amazing. I just watched your

0:31:16.200 --> 0:31:18.600
<v Speaker 1>whole Cribs thing, and you have like a ticky jet

0:31:18.640 --> 0:31:21.440
<v Speaker 1>synviobe going on. It's how you described it your house.

0:31:21.800 --> 0:31:24.760
<v Speaker 1>Tell me what that was like. I've just always been

0:31:24.800 --> 0:31:30.600
<v Speaker 1>into um, mid century modern furniture and stuff and it's

0:31:30.600 --> 0:31:33.520
<v Speaker 1>evolved over the years, and um, I've always kind of

0:31:33.560 --> 0:31:35.800
<v Speaker 1>just had a Before music paid their bills, I used

0:31:35.840 --> 0:31:38.160
<v Speaker 1>to buy and sell furniture, and I used to like

0:31:38.680 --> 0:31:40.560
<v Speaker 1>have to like set up the store and like set

0:31:40.600 --> 0:31:42.320
<v Speaker 1>up little scenes and all that stuff. I've just always

0:31:42.400 --> 0:31:46.240
<v Speaker 1>kind of had an eye for like design and stuff. So, um,

0:31:46.360 --> 0:31:49.840
<v Speaker 1>the nice thing about that time frame is I was

0:31:49.880 --> 0:31:52.440
<v Speaker 1>able to afford some stuff that up until then I

0:31:52.560 --> 0:31:55.440
<v Speaker 1>was only admiring from Afar. So I was able to

0:31:55.440 --> 0:31:58.719
<v Speaker 1>buy some cool stuff. And it was fun. You know,

0:31:59.080 --> 0:32:03.520
<v Speaker 1>the Cribs episode, it looked like we were just drinking

0:32:03.520 --> 0:32:05.440
<v Speaker 1>and partying and had a bunch of friends about the house.

0:32:05.960 --> 0:32:08.600
<v Speaker 1>But that's how it was. Once we were home and

0:32:08.640 --> 0:32:10.760
<v Speaker 1>had got a little bit of time to celebrate with

0:32:10.760 --> 0:32:12.240
<v Speaker 1>our friends and our family, that was what it was

0:32:12.280 --> 0:32:15.520
<v Speaker 1>like every night, just people coming over, people hanging out,

0:32:15.640 --> 0:32:19.120
<v Speaker 1>barbecue and having drinks, just you know, enjoying your first house.

0:32:19.200 --> 0:32:21.840
<v Speaker 1>I mean, you know how it is. It's just that's awesome.

0:32:22.240 --> 0:32:26.760
<v Speaker 1>And um, people, there's a big community, people like you guys,

0:32:26.960 --> 0:32:30.120
<v Speaker 1>y'all love a big group of friends. We live in

0:32:30.160 --> 0:32:32.440
<v Speaker 1>a really cool town. Yeah, and it's and we've had

0:32:32.480 --> 0:32:35.080
<v Speaker 1>the same friends for forever. Yeah, so we like to

0:32:35.520 --> 0:32:38.240
<v Speaker 1>and now they all have kids and they're all married

0:32:38.280 --> 0:32:39.880
<v Speaker 1>and have their own houses, so we like, you know,

0:32:39.920 --> 0:32:43.400
<v Speaker 1>we definitely love to get everyone together and barbecue and

0:32:44.200 --> 0:32:47.560
<v Speaker 1>that's what it's all about. So after this time period,

0:32:47.680 --> 0:32:53.280
<v Speaker 1>you did the My Enemy Miserable Ziplock. That's another great one. Yeah,

0:32:53.320 --> 0:32:55.640
<v Speaker 1>we filmed that at the house where they filmed the

0:32:55.720 --> 0:32:57.920
<v Speaker 1>rat Back movie. So it was just, you know, that

0:32:58.040 --> 0:33:01.640
<v Speaker 1>was all about everything. We we were very We're one

0:33:01.640 --> 0:33:05.200
<v Speaker 1>of those bands that fancy ourselves, you know, the Rockwell

0:33:05.320 --> 0:33:08.720
<v Speaker 1>rat Pack. When did you, guys feel like you have arrived?

0:33:08.800 --> 0:33:10.800
<v Speaker 1>Like how did did you have a moment where you're like, okay,

0:33:10.920 --> 0:33:14.000
<v Speaker 1>we're doing this like we are we are stars, we

0:33:14.120 --> 0:33:17.480
<v Speaker 1>have arrived on the scene and how did that change

0:33:17.480 --> 0:33:20.960
<v Speaker 1>your mentality? And I guess for it was kind of

0:33:21.040 --> 0:33:24.000
<v Speaker 1>surreal being in Times Square and you know, hang out

0:33:24.040 --> 0:33:27.320
<v Speaker 1>with that Carson daily and having you know a bunch

0:33:27.360 --> 0:33:30.120
<v Speaker 1>of kids in the street like we did TRL a

0:33:30.200 --> 0:33:33.600
<v Speaker 1>few times and yeah, that's to me, that's like one

0:33:33.600 --> 0:33:38.440
<v Speaker 1>of the most surreal Um the MTV era too, like

0:33:38.560 --> 0:33:41.200
<v Speaker 1>this is an MTV was so happening, And yeah, we

0:33:41.240 --> 0:33:42.600
<v Speaker 1>had never been in New York city. So I was

0:33:42.680 --> 0:33:45.720
<v Speaker 1>just like, what the hell, this is crazy? It was

0:33:45.960 --> 0:33:49.680
<v Speaker 1>we were we kind of we got very lucky that

0:33:49.760 --> 0:33:52.800
<v Speaker 1>we were able to see an experience because that was

0:33:52.880 --> 0:33:54.760
<v Speaker 1>kind of the end of all that. You know, it

0:33:54.880 --> 0:33:57.840
<v Speaker 1>was the end of selling you know, a million CDs

0:33:58.320 --> 0:34:01.360
<v Speaker 1>and you know it was sold a million CDs. We

0:34:01.440 --> 0:34:03.200
<v Speaker 1>sold more than that, but I mean that was when

0:34:03.280 --> 0:34:10.120
<v Speaker 1>people still bought CDs and artist anymore. It's like, it's

0:34:10.160 --> 0:34:12.120
<v Speaker 1>just what do you down If we wanted to go

0:34:12.200 --> 0:34:14.600
<v Speaker 1>buy a CD right now where we even go, we

0:34:14.680 --> 0:34:16.399
<v Speaker 1>have to go to music row and just walk into

0:34:16.480 --> 0:34:19.120
<v Speaker 1>an office and grab one. But we just like you

0:34:19.120 --> 0:34:22.920
<v Speaker 1>wouldn't you know that we we kind of rode that

0:34:23.040 --> 0:34:25.160
<v Speaker 1>last wave. And we also got rode that last wave

0:34:25.239 --> 0:34:28.320
<v Speaker 1>of of MTV playing music videos and their shows like

0:34:28.400 --> 0:34:33.800
<v Speaker 1>trl UM, which would be cool if if that element

0:34:33.840 --> 0:34:36.600
<v Speaker 1>of it came back, because I feel like that's there's

0:34:36.640 --> 0:34:42.560
<v Speaker 1>that it's missing, that that like fan interaction, Like that's

0:34:42.760 --> 0:34:45.319
<v Speaker 1>counting the new trls like Twitter and Instagram. I guess

0:34:45.440 --> 0:34:48.160
<v Speaker 1>that kind of thing that they can get closer um

0:34:48.239 --> 0:34:49.920
<v Speaker 1>that way. But yeah, it used to be you'd have

0:34:50.000 --> 0:34:51.800
<v Speaker 1>to like wait out in front of a you know,

0:34:52.080 --> 0:34:54.680
<v Speaker 1>you're the MTV building or whatever and hope to get

0:34:54.680 --> 0:34:57.719
<v Speaker 1>a glimpse of I mean, I remember I remember one

0:34:57.719 --> 0:35:00.120
<v Speaker 1>of the first we we we got to experience. It's

0:35:00.160 --> 0:35:03.719
<v Speaker 1>what it was like to have fans camped out in

0:35:03.800 --> 0:35:06.600
<v Speaker 1>front of your hotel and like you get out of

0:35:06.640 --> 0:35:08.759
<v Speaker 1>your van and try to walk from the van to

0:35:08.840 --> 0:35:11.160
<v Speaker 1>the lobby and you have to stop and sign stuff. Take.

0:35:11.360 --> 0:35:14.919
<v Speaker 1>I mean now it's back then you you ead stay

0:35:14.920 --> 0:35:17.360
<v Speaker 1>in hotels under fake names so that people couldn't find you.

0:35:17.440 --> 0:35:20.839
<v Speaker 1>And now people people are twittering, Hey, I'm at such

0:35:20.960 --> 0:35:22.920
<v Speaker 1>such hotel, Come see me, and it's like they're and

0:35:23.040 --> 0:35:25.800
<v Speaker 1>it's like a whole different, whole different plans now, but

0:35:25.920 --> 0:35:32.240
<v Speaker 1>it's it's crazy name a few different ones almost, Mr Blonde,

0:35:32.800 --> 0:35:36.960
<v Speaker 1>I wanted Mr E for a while, say it again,

0:35:37.600 --> 0:35:43.520
<v Speaker 1>Mr Mry Mr. Oh my gosh, creative. I think I

0:35:43.760 --> 0:35:47.720
<v Speaker 1>think I stole from someone else. I can't remember Elvis obviously.

0:35:48.600 --> 0:35:50.480
<v Speaker 1>So you guys toured with a lot of people, butch Walker,

0:35:51.160 --> 0:35:54.480
<v Speaker 1>No Doubt, Kid Rock what those tours like, How's no

0:35:54.600 --> 0:35:59.880
<v Speaker 1>Doubt is amazing? Which is super cool. Yeah, they're all

0:36:00.360 --> 0:36:06.160
<v Speaker 1>wired them together. I've never we've never had any bad

0:36:06.200 --> 0:36:09.080
<v Speaker 1>experiences with with tours. We've always been lucky and had

0:36:09.239 --> 0:36:10.879
<v Speaker 1>had a great time with all the band's we've gone

0:36:10.880 --> 0:36:14.280
<v Speaker 1>out with. UM. I don't know, we think Gwen's Gwen's

0:36:14.280 --> 0:36:17.120
<v Speaker 1>Anaheim girl. She's like, you know, she's very much like

0:36:17.280 --> 0:36:20.920
<v Speaker 1>a lot of people we grew up with, and we're

0:36:20.920 --> 0:36:22.520
<v Speaker 1>all still we're still friends with a lot of the

0:36:22.560 --> 0:36:26.640
<v Speaker 1>people that we've toured with. We um UM And I

0:36:26.680 --> 0:36:29.399
<v Speaker 1>think there was only one band and not just saying

0:36:29.400 --> 0:36:30.799
<v Speaker 1>this because I don't want to throw them under the bus,

0:36:30.800 --> 0:36:32.200
<v Speaker 1>but I don't even remember their name, But there was

0:36:32.320 --> 0:36:34.960
<v Speaker 1>one band that we sent home one time after one

0:36:35.000 --> 0:36:39.239
<v Speaker 1>show because we just always had such good chemistry with

0:36:39.280 --> 0:36:41.400
<v Speaker 1>anybody that we toured with, and that if we sense

0:36:41.440 --> 0:36:43.080
<v Speaker 1>that that wasn't going to be the case, we would

0:36:43.080 --> 0:36:46.400
<v Speaker 1>either pass or we would nip it. What was the

0:36:46.480 --> 0:36:48.520
<v Speaker 1>vibe you liked to tour with? Like, what's the vibe

0:36:48.520 --> 0:36:53.719
<v Speaker 1>you're looking for on the road? I mean going out

0:36:53.760 --> 0:36:56.080
<v Speaker 1>with thousand horses that was a fun tour. It's just

0:36:56.239 --> 0:36:58.840
<v Speaker 1>having we started to feel like just one big band.

0:36:59.200 --> 0:37:00.920
<v Speaker 1>You know, when everybody even you, after you've done a

0:37:00.960 --> 0:37:03.840
<v Speaker 1>sound check, y'all meet up for dinner or you know,

0:37:03.880 --> 0:37:05.520
<v Speaker 1>we'd have those guys on our bus all the time

0:37:05.600 --> 0:37:08.120
<v Speaker 1>and go to the next town with us, and it's

0:37:08.440 --> 0:37:12.360
<v Speaker 1>we wanted to feel like um one big crew. You know,

0:37:12.840 --> 0:37:16.000
<v Speaker 1>it's cool. But a thousand horses was getting started. You

0:37:16.080 --> 0:37:18.239
<v Speaker 1>guys took them out on a tour with you guys. Yeah,

0:37:18.840 --> 0:37:22.239
<v Speaker 1>that was a great time. And our fans, dug those

0:37:22.280 --> 0:37:24.960
<v Speaker 1>guys are they're a great band. It was a great guys,

0:37:25.000 --> 0:37:26.920
<v Speaker 1>great friends. So you guys just want to fun. You

0:37:26.960 --> 0:37:28.800
<v Speaker 1>want to be a family, like a band of brothers.

0:37:29.080 --> 0:37:32.000
<v Speaker 1>You know, there's too much downtime on the road to

0:37:32.320 --> 0:37:35.439
<v Speaker 1>to if if the people that you're around all day

0:37:36.040 --> 0:37:38.680
<v Speaker 1>or on days off or after the show, if if

0:37:38.760 --> 0:37:43.680
<v Speaker 1>that group of people aren't like your second family, then

0:37:43.960 --> 0:37:46.120
<v Speaker 1>it makes being on the road even that much more,

0:37:47.200 --> 0:37:51.719
<v Speaker 1>you know, trying and taxing because it's just your you know,

0:37:51.920 --> 0:37:54.560
<v Speaker 1>there's so many hours in the day. You know, you

0:37:54.640 --> 0:37:56.239
<v Speaker 1>have to sacrifice a lot to be on the road,

0:37:56.400 --> 0:38:00.200
<v Speaker 1>like families, wives not being the kids so all have.

0:38:00.680 --> 0:38:02.600
<v Speaker 1>So you have to make it worth it, I guess,

0:38:03.800 --> 0:38:05.040
<v Speaker 1>and you want to and you want to have a

0:38:05.080 --> 0:38:06.759
<v Speaker 1>good time and you and you want to help people out,

0:38:06.800 --> 0:38:09.160
<v Speaker 1>so you want to give bands a shot at stuff.

0:38:09.200 --> 0:38:11.200
<v Speaker 1>And you also you know, you want to open up

0:38:11.239 --> 0:38:12.960
<v Speaker 1>for cool people too, so you can. I mean, it's

0:38:12.960 --> 0:38:15.719
<v Speaker 1>just a big The touring community is different. Everybody's in

0:38:15.760 --> 0:38:18.080
<v Speaker 1>the same kind of boat. What whether you're in four

0:38:18.200 --> 0:38:20.319
<v Speaker 1>buses or you're in a van, you're still away from

0:38:20.360 --> 0:38:22.200
<v Speaker 1>your family. You're still away from your kids or your

0:38:22.280 --> 0:38:25.680
<v Speaker 1>wives and your girlfriends are um and you're you know,

0:38:26.680 --> 0:38:28.400
<v Speaker 1>you're doing what you love to do. But you know

0:38:28.680 --> 0:38:33.360
<v Speaker 1>there's there's a lot of it's not you know, it's awesome,

0:38:33.480 --> 0:38:35.480
<v Speaker 1>but it's not easy. You know, what do you love

0:38:35.520 --> 0:38:38.800
<v Speaker 1>so much about it? Why is it so awesome? And

0:38:38.880 --> 0:38:40.560
<v Speaker 1>you get to do with what we love doing, you know,

0:38:40.760 --> 0:38:44.520
<v Speaker 1>just performing, performing and connecting with people that have already

0:38:44.520 --> 0:38:45.960
<v Speaker 1>connected with you. To be able to be out on

0:38:46.000 --> 0:38:47.680
<v Speaker 1>the road and go from town to town and have

0:38:47.840 --> 0:38:50.719
<v Speaker 1>that in common with all these you know, people come

0:38:50.760 --> 0:38:53.160
<v Speaker 1>to the shows and we're one of those bands that

0:38:53.200 --> 0:38:55.840
<v Speaker 1>hangs out with with you know, the people that came

0:38:55.880 --> 0:38:58.160
<v Speaker 1>out to see us will hang out until the last

0:38:58.200 --> 0:39:00.520
<v Speaker 1>person leaves. You know, as a word, that's what it's

0:39:00.560 --> 0:39:09.000
<v Speaker 1>all about. You're always cool about this guy. Now we're yeah,

0:39:09.040 --> 0:39:11.120
<v Speaker 1>we've you know, you know where you come from, you

0:39:11.200 --> 0:39:12.800
<v Speaker 1>know how much work it takes to get there, and

0:39:13.239 --> 0:39:15.760
<v Speaker 1>and without the support of all the all the fans,

0:39:17.120 --> 0:39:21.080
<v Speaker 1>you know, you really you don't have ship. Okay. So

0:39:21.880 --> 0:39:25.000
<v Speaker 1>after that big air of like this big record, you

0:39:25.080 --> 0:39:27.400
<v Speaker 1>guys had a little bit of tragedy, A lot of

0:39:27.440 --> 0:39:30.640
<v Speaker 1>tragedy struck you guys with your parents and your drummer.

0:39:31.480 --> 0:39:33.400
<v Speaker 1>So how did life change for you guys, like that

0:39:33.800 --> 0:39:35.759
<v Speaker 1>phase hit and what did it make How did it

0:39:35.800 --> 0:39:38.080
<v Speaker 1>make you reevaluate because your drummer passed away and your

0:39:38.160 --> 0:39:40.400
<v Speaker 1>parents were in a car accident. Yeah, it was like

0:39:40.480 --> 0:39:42.440
<v Speaker 1>it was back to back. Well I don't know how

0:39:42.440 --> 0:39:43.960
<v Speaker 1>it back to back it was, but definitely it was

0:39:43.960 --> 0:39:45.680
<v Speaker 1>pretty close period of a couple of years. I just

0:39:45.800 --> 0:39:48.399
<v Speaker 1>felt like, no matter what, like he's trying to get

0:39:48.520 --> 0:39:50.480
<v Speaker 1>up and you just, yeah, we get kept getting like

0:39:50.719 --> 0:39:55.600
<v Speaker 1>pulled back down. Um. Our mom and stepdad were on

0:39:56.200 --> 0:39:58.799
<v Speaker 1>on their Harley and they got hit head on by

0:39:58.800 --> 0:40:02.440
<v Speaker 1>a drunk driver. He was killed and she barely survived.

0:40:03.000 --> 0:40:05.920
<v Speaker 1>She was you know, really really critical for a long

0:40:06.040 --> 0:40:09.279
<v Speaker 1>time and was in the hospital for several months, and

0:40:09.400 --> 0:40:11.080
<v Speaker 1>so we had to kind of put music on hold

0:40:11.880 --> 0:40:13.719
<v Speaker 1>for a little while because we you know, we had

0:40:13.760 --> 0:40:16.560
<v Speaker 1>to be there. Two three, four, shifts a day at

0:40:16.600 --> 0:40:19.279
<v Speaker 1>the hospital, taking turns and you know, working with the

0:40:19.360 --> 0:40:23.719
<v Speaker 1>doctors and the nurses and all. I was, um, really

0:40:23.920 --> 0:40:30.080
<v Speaker 1>like life changing time. And then but what came from

0:40:30.160 --> 0:40:33.520
<v Speaker 1>that was that was my first trip to Nashville to

0:40:34.080 --> 0:40:39.000
<v Speaker 1>start experiencing this place and and writing and writing country

0:40:39.080 --> 0:40:41.359
<v Speaker 1>music and doing all that, and so it opened up.

0:40:41.440 --> 0:40:43.200
<v Speaker 1>It's like it was like this really dark period of

0:40:43.239 --> 0:40:44.920
<v Speaker 1>time and then this little window over here kind of

0:40:44.960 --> 0:40:47.520
<v Speaker 1>opened up and like the sun kind of shined through it.

0:40:47.600 --> 0:40:53.520
<v Speaker 1>It was like, Okay, my our manager at the time,

0:40:53.640 --> 0:40:56.040
<v Speaker 1>just kind of tricked me into coming out here. I think.

0:40:58.719 --> 0:41:01.040
<v Speaker 1>I mean, we you know, we had been here a

0:41:01.160 --> 0:41:03.000
<v Speaker 1>bunch of times, just on tour and playing you know,

0:41:03.080 --> 0:41:07.399
<v Speaker 1>we were fortunate enough to get to play the star

0:41:07.480 --> 0:41:13.600
<v Speaker 1>Wood and um and um. But it was so yeah,

0:41:13.640 --> 0:41:16.680
<v Speaker 1>there was that, and then we kind of fired back up,

0:41:16.760 --> 0:41:19.200
<v Speaker 1>and then things were starting to rap back up. We

0:41:19.280 --> 0:41:21.120
<v Speaker 1>were actually getting ready to go on tour with Kiss

0:41:21.680 --> 0:41:26.320
<v Speaker 1>in Europe when the news came down for about our drummer,

0:41:26.440 --> 0:41:30.719
<v Speaker 1>So Allen. So then again then then we had to

0:41:30.760 --> 0:41:32.839
<v Speaker 1>push pause again and then we had to be around

0:41:32.880 --> 0:41:34.719
<v Speaker 1>to take care of him and so and to be

0:41:34.840 --> 0:41:36.480
<v Speaker 1>there for him and to support him. And that was

0:41:36.680 --> 0:41:39.279
<v Speaker 1>another several months of being on the pause button, and

0:41:39.840 --> 0:41:41.600
<v Speaker 1>not just pause that we had to decide whether or

0:41:41.640 --> 0:41:44.239
<v Speaker 1>not we were going to keep, you know, moving forward

0:41:44.239 --> 0:41:46.600
<v Speaker 1>as a band. We just because you're twenty years at

0:41:46.640 --> 0:41:48.360
<v Speaker 1>this point, right, Yeah, we were never a band that

0:41:48.400 --> 0:41:51.200
<v Speaker 1>we never had to audition anybody, you know, we never

0:41:51.520 --> 0:41:54.719
<v Speaker 1>we we just we just always were, you know, so decide, Okay,

0:41:54.760 --> 0:41:56.000
<v Speaker 1>well I was not in the band. Do we have

0:41:56.320 --> 0:41:58.640
<v Speaker 1>you know, we're going to keep keep playing, We're gonna

0:41:58.640 --> 0:42:01.840
<v Speaker 1>make another record. Um. And I think it was Nathan,

0:42:01.880 --> 0:42:04.840
<v Speaker 1>who's our drummer now, was close with Alan, and he

0:42:05.000 --> 0:42:07.279
<v Speaker 1>just sort of it was just a natural. He had

0:42:07.320 --> 0:42:09.080
<v Speaker 1>kind of already been helping when Al got really sick,

0:42:09.120 --> 0:42:10.799
<v Speaker 1>and he would he would get up there with him

0:42:10.840 --> 0:42:12.800
<v Speaker 1>and take over when he got too tired, and and

0:42:12.880 --> 0:42:15.279
<v Speaker 1>so it just naturally he kind of just you know

0:42:15.480 --> 0:42:19.920
<v Speaker 1>passed the tork absolutely. So I mean that that definitely

0:42:20.080 --> 0:42:23.880
<v Speaker 1>was part of the organic, you know, the thing that

0:42:24.000 --> 0:42:27.440
<v Speaker 1>happened that kept us moving. And then you know, I think, um,

0:42:27.560 --> 0:42:30.640
<v Speaker 1>like Jeremy's talking about coming here and finding some new inspiration,

0:42:30.760 --> 0:42:33.239
<v Speaker 1>and then I started coming here with him, and um,

0:42:33.600 --> 0:42:35.520
<v Speaker 1>I met so many great writers and learned how to

0:42:35.640 --> 0:42:39.680
<v Speaker 1>kind of you know, expand my horizons writing wise and learned.

0:42:39.800 --> 0:42:42.040
<v Speaker 1>I have learned a lot. This has been a you know,

0:42:42.320 --> 0:42:44.400
<v Speaker 1>the school of Nashville has been pretty crazy. Were you

0:42:44.440 --> 0:42:47.560
<v Speaker 1>guys surprised to see that it's not just so liked

0:42:47.840 --> 0:42:50.439
<v Speaker 1>like people think Nashville is really not at all? It's

0:42:50.520 --> 0:42:54.200
<v Speaker 1>so diverse? It was it was diverse. I mean I

0:42:54.320 --> 0:42:59.680
<v Speaker 1>started coming here ten years ago, and um it's changed

0:43:01.000 --> 0:43:03.359
<v Speaker 1>since then, but even then, it's pretty diverse. I mean

0:43:04.160 --> 0:43:08.600
<v Speaker 1>it's never been this like backwards country thing. It's always

0:43:08.680 --> 0:43:12.880
<v Speaker 1>been pretty Yeah. Divorce, I guess is the word. So

0:43:13.000 --> 0:43:14.760
<v Speaker 1>what has life looked like for you guys in Nashville,

0:43:18.160 --> 0:43:21.440
<v Speaker 1>like today in your career? Like what is happening with

0:43:21.600 --> 0:43:23.800
<v Speaker 1>you guys in the Nashville community, Like what does that

0:43:23.880 --> 0:43:27.160
<v Speaker 1>look like for real? It's you guys writing country songs?

0:43:27.320 --> 0:43:30.600
<v Speaker 1>Or is lit going more country? Or where is the

0:43:30.640 --> 0:43:34.359
<v Speaker 1>direction of your music these days? I mean, he has

0:43:34.480 --> 0:43:36.560
<v Speaker 1>it's it's it's definitely taken on a little bit of

0:43:36.600 --> 0:43:38.640
<v Speaker 1>a country flavor. I don't know, you know, it depends

0:43:38.640 --> 0:43:41.439
<v Speaker 1>on who you're asking. Um, you know, when some people

0:43:42.000 --> 0:43:44.319
<v Speaker 1>there's people that that when they think of country music,

0:43:44.360 --> 0:43:47.239
<v Speaker 1>they feel like it's gotten so it's changed so much

0:43:47.280 --> 0:43:49.480
<v Speaker 1>and it's gonna the lines of them have gotten blurred,

0:43:49.480 --> 0:43:51.440
<v Speaker 1>and there's a lot of crossover. So I don't really

0:43:51.520 --> 0:43:55.000
<v Speaker 1>necessarily think we claim to be country. We just definitely

0:43:55.040 --> 0:43:57.160
<v Speaker 1>have that influence on our music now. And I mean,

0:43:57.200 --> 0:44:00.239
<v Speaker 1>I think I think so much of the countrys that's all,

0:44:00.320 --> 0:44:02.200
<v Speaker 1>that's all I listened to, and I think it's just

0:44:02.320 --> 0:44:06.440
<v Speaker 1>been um all these life changes, you know what I

0:44:06.480 --> 0:44:08.400
<v Speaker 1>mean When you when you hear country music, it's a

0:44:08.480 --> 0:44:10.719
<v Speaker 1>lot more relatable to a you know, a guy that's

0:44:10.760 --> 0:44:14.880
<v Speaker 1>been through loss and guys that have been married and

0:44:14.960 --> 0:44:18.640
<v Speaker 1>divorced and have kids now, and not even just that,

0:44:18.880 --> 0:44:22.959
<v Speaker 1>but it's also you know, we still write songs about

0:44:23.080 --> 0:44:25.080
<v Speaker 1>having a good time. We still write songs about girls,

0:44:25.160 --> 0:44:29.239
<v Speaker 1>and we still write songs about drinking, and that really

0:44:29.360 --> 0:44:31.920
<v Speaker 1>has been completely absent from rock and roll in the

0:44:32.000 --> 0:44:34.120
<v Speaker 1>last ten years. I don't know if any band that's

0:44:34.160 --> 0:44:37.320
<v Speaker 1>come out that you hear on our rock station that

0:44:38.160 --> 0:44:40.320
<v Speaker 1>write songs that have anything to do with what we

0:44:40.719 --> 0:44:44.239
<v Speaker 1>write songs about country. It's a different story. That's we

0:44:44.320 --> 0:44:47.759
<v Speaker 1>write about the same stuff. And so the country has

0:44:47.840 --> 0:44:49.640
<v Speaker 1>kind of opened up to rock. I feel like you

0:44:49.680 --> 0:44:51.920
<v Speaker 1>have Steven Tyler coming in even like my husband's been

0:44:51.960 --> 0:44:55.640
<v Speaker 1>a thousand horses for kind of southern rock. Well, and

0:44:57.000 --> 0:44:58.880
<v Speaker 1>it's not just rock. I mean, there's there's a lot

0:44:58.920 --> 0:45:00.880
<v Speaker 1>of bands. I mean when you when you see their shows,

0:45:01.000 --> 0:45:06.800
<v Speaker 1>I mean, it's a rock show, um with country leaning production,

0:45:07.120 --> 0:45:11.960
<v Speaker 1>with music wise, but it's still it's um. I mean,

0:45:12.120 --> 0:45:13.880
<v Speaker 1>and there's several country out of it. I mean, you

0:45:13.920 --> 0:45:16.359
<v Speaker 1>can't walk down Broadway in any of those honky tonks

0:45:16.400 --> 0:45:19.040
<v Speaker 1>without here and them play one of our songs. Um,

0:45:19.320 --> 0:45:22.359
<v Speaker 1>they're gonna play our songs as many times as they're

0:45:22.360 --> 0:45:25.480
<v Speaker 1>gonna play friends in low places, and and it's just

0:45:25.760 --> 0:45:28.640
<v Speaker 1>we're all because we're all singing, we're all. You know,

0:45:28.680 --> 0:45:30.319
<v Speaker 1>there's some bands. We used to say this a long

0:45:30.360 --> 0:45:31.960
<v Speaker 1>time ago, but it kind of still applies. Like there's

0:45:32.000 --> 0:45:33.920
<v Speaker 1>some bands that you listen to what your headphones on

0:45:34.600 --> 0:45:36.080
<v Speaker 1>and you know, what your eyes closed. And then there's

0:45:36.120 --> 0:45:37.759
<v Speaker 1>some bands that you put on the boom box when

0:45:37.800 --> 0:45:40.120
<v Speaker 1>you're hanging out with your friends. And we kind of

0:45:40.160 --> 0:45:45.399
<v Speaker 1>always wanted to be that band, like don't don't don't

0:45:45.480 --> 0:45:48.040
<v Speaker 1>dissect our music too much or or read too far

0:45:48.160 --> 0:45:50.000
<v Speaker 1>into it. Just turn it up and just hang out

0:45:50.040 --> 0:45:52.440
<v Speaker 1>and have a good time. And that's, um, I think

0:45:52.520 --> 0:45:55.360
<v Speaker 1>that's why we relate so much to the Country audience

0:45:55.440 --> 0:45:57.400
<v Speaker 1>and they relate to us. And we've you know, we

0:45:57.640 --> 0:46:00.439
<v Speaker 1>were such good friends with like I mean, our best

0:46:00.520 --> 0:46:04.520
<v Speaker 1>friends are thousand Horses and Jamie Johnson and you know

0:46:04.920 --> 0:46:11.680
<v Speaker 1>the guys that uh people would would would be surprised

0:46:11.719 --> 0:46:13.680
<v Speaker 1>at how in time we have been with that with

0:46:13.800 --> 0:46:16.840
<v Speaker 1>that community for as many, many many years as we have.

0:46:17.040 --> 0:46:20.319
<v Speaker 1>But um, we were talking about this week. It's funny

0:46:20.320 --> 0:46:23.480
<v Speaker 1>because the the fans are kind of the same and

0:46:23.719 --> 0:46:26.359
<v Speaker 1>and we're you know, the only the only people now

0:46:26.520 --> 0:46:29.040
<v Speaker 1>that I guess, um, that we have to convince, if

0:46:29.080 --> 0:46:31.359
<v Speaker 1>that's the word you want to use, is the old

0:46:31.440 --> 0:46:35.920
<v Speaker 1>school gatekeepers that are deciding whether or not the country

0:46:35.960 --> 0:46:38.400
<v Speaker 1>fans get to hear it, you know, and there's just

0:46:38.440 --> 0:46:41.680
<v Speaker 1>a few of them, and they definitely still hold that key.

0:46:42.800 --> 0:46:46.720
<v Speaker 1>Definitely hold the key. Yeah. So what have you guys

0:46:46.960 --> 0:46:51.560
<v Speaker 1>learned like your evolution? How have you guys? You have

0:46:51.680 --> 0:46:55.520
<v Speaker 1>transitioned so much through your career. What has made all

0:46:55.560 --> 0:46:58.000
<v Speaker 1>these transitions just flow for you guys? Because you'll never

0:46:58.320 --> 0:47:01.480
<v Speaker 1>quit you know, You've had what level record deals kind

0:47:01.480 --> 0:47:04.560
<v Speaker 1>of change direction. You've dealt with tragedy, and yet you'll

0:47:04.560 --> 0:47:07.600
<v Speaker 1>have been together twenty plus years. How have you managed

0:47:07.640 --> 0:47:16.240
<v Speaker 1>to stay fluid? Uh, loving making songs and loving playing

0:47:16.320 --> 0:47:21.800
<v Speaker 1>them live. I mean, ultimately, it's still a process that

0:47:22.360 --> 0:47:24.360
<v Speaker 1>I mean, you know, we're gonna leave here in a

0:47:24.400 --> 0:47:26.359
<v Speaker 1>few minutes and go over Jeffrey Steel's house and write

0:47:26.400 --> 0:47:29.160
<v Speaker 1>with him, one of our favorite writers of all time,

0:47:29.239 --> 0:47:35.399
<v Speaker 1>and it's such a walking into his place with nothing

0:47:35.480 --> 0:47:39.160
<v Speaker 1>but a guitar and walking out with a song that

0:47:39.239 --> 0:47:41.759
<v Speaker 1>you're stuck in your head for three days is like,

0:47:42.360 --> 0:47:46.360
<v Speaker 1>that's mind blowing. Still after twenty years and having some

0:47:46.520 --> 0:47:49.040
<v Speaker 1>hits and selling some records or whatever, to still be

0:47:49.160 --> 0:47:51.440
<v Speaker 1>that excited about. I wonder what's going to happen today.

0:47:51.760 --> 0:47:53.840
<v Speaker 1>I mean, that's the thing. It's like going fishent you know,

0:47:54.160 --> 0:47:56.279
<v Speaker 1>you could not catch anything. Or it's like golf. You

0:47:56.360 --> 0:47:59.600
<v Speaker 1>know that one golf shot they'll keep you coming back

0:48:00.000 --> 0:48:02.000
<v Speaker 1>time and time again, even if you suck. So kind

0:48:02.000 --> 0:48:03.359
<v Speaker 1>of fun that you don't know what you're gonna get,

0:48:03.640 --> 0:48:06.080
<v Speaker 1>it kind of makes it magical. Yeah, yeah, it really is.

0:48:06.560 --> 0:48:09.440
<v Speaker 1>And it's a process that we've never gotten used to,

0:48:09.719 --> 0:48:11.600
<v Speaker 1>and it's a process we've never taken for granted. So

0:48:12.640 --> 0:48:14.880
<v Speaker 1>I think it's that. And then I think, also, you

0:48:14.960 --> 0:48:18.360
<v Speaker 1>know we have stepped away. We've never stepped away completely.

0:48:18.480 --> 0:48:20.799
<v Speaker 1>But you know, I own a I own a bar

0:48:20.960 --> 0:48:24.880
<v Speaker 1>restaurant in California. They have a slide bar, a J

0:48:25.000 --> 0:48:31.960
<v Speaker 1>owns a salon, and so we do other things too.

0:48:32.200 --> 0:48:35.799
<v Speaker 1>You have you can't just be all time one thing,

0:48:35.840 --> 0:48:40.320
<v Speaker 1>I don't think, because um, you'll just go crazy. So

0:48:40.480 --> 0:48:42.400
<v Speaker 1>it's nice to be able to step away and do

0:48:42.920 --> 0:48:45.080
<v Speaker 1>dive into something head first for a couple of weeks,

0:48:45.120 --> 0:48:47.239
<v Speaker 1>and then go back and dive into music and go

0:48:47.360 --> 0:48:49.040
<v Speaker 1>out and play some shows, and then come back and

0:48:49.520 --> 0:48:51.400
<v Speaker 1>spend time with your family and you know, go to

0:48:51.640 --> 0:48:54.359
<v Speaker 1>your kids football game and and you know, you guys

0:48:54.560 --> 0:48:57.919
<v Speaker 1>have kids. Yeah, have a thirteen year old daughter about

0:48:57.960 --> 0:49:00.960
<v Speaker 1>to enter the fun years of that school coming up.

0:49:01.440 --> 0:49:05.080
<v Speaker 1>It coming for you guys. Yeah, let's pay back time.

0:49:06.320 --> 0:49:11.759
<v Speaker 1>And you have Jake. Yeah, okay, that's the right. Jake

0:49:11.760 --> 0:49:14.120
<v Speaker 1>will be beating up, beating up the boys that are

0:49:14.680 --> 0:49:18.480
<v Speaker 1>not you're not being appropriate with Presley security. So what

0:49:18.560 --> 0:49:22.440
<v Speaker 1>are you guys looking forward to most musically? What does

0:49:22.480 --> 0:49:25.719
<v Speaker 1>it look like for lit in the direction you're headed

0:49:25.760 --> 0:49:29.359
<v Speaker 1>where are you guys going. We've been I mean we're

0:49:30.160 --> 0:49:35.040
<v Speaker 1>stoked on. We've recorded six songs so far, like masters, UM,

0:49:35.880 --> 0:49:39.719
<v Speaker 1>we're here this week writing more hopefully. UM. We're just

0:49:39.800 --> 0:49:41.960
<v Speaker 1>looking to get we'll have a single out hopefully by

0:49:42.080 --> 0:49:46.120
<v Speaker 1>summer and UM shows coming out and play with some

0:49:46.200 --> 0:49:50.440
<v Speaker 1>of these some of these guys are talking about more shows. Okay,

0:49:50.520 --> 0:49:53.480
<v Speaker 1>So I like to end my podcast a little thing

0:49:53.560 --> 0:49:56.440
<v Speaker 1>called leave your Life. Just give me some inspiration to

0:49:56.480 --> 0:50:01.520
<v Speaker 1>all the listeners out there based on your life? Man,

0:50:04.680 --> 0:50:10.000
<v Speaker 1>mm hmm. Are we has everybody stumped on this one?

0:50:10.120 --> 0:50:13.279
<v Speaker 1>Or it can be anything, doesn't that be super deep

0:50:13.400 --> 0:50:16.279
<v Speaker 1>or just some inspiration that you tell maybe to some

0:50:16.640 --> 0:50:18.880
<v Speaker 1>other people trying to do music, or what you have

0:50:19.120 --> 0:50:24.479
<v Speaker 1>learned through your journey. And one of my favorite quotes

0:50:24.520 --> 0:50:26.160
<v Speaker 1>is if you if you ain't growing, you're dyeing, so

0:50:26.400 --> 0:50:29.279
<v Speaker 1>constantly try and push it a little bit. I'd say,

0:50:29.400 --> 0:50:31.640
<v Speaker 1>keep pushing the envelope. Get out of your comfort zone.

0:50:32.480 --> 0:50:38.880
<v Speaker 1>I love that any dad, mm hmm. I mean I

0:50:38.960 --> 0:50:42.080
<v Speaker 1>think that if you're whether you're making music or you're

0:50:42.440 --> 0:50:47.600
<v Speaker 1>making jewelry, or you're you're you know, you're doing hair,

0:50:47.760 --> 0:50:50.680
<v Speaker 1>or you're doing any kind of you're being creative, and um,

0:50:50.840 --> 0:50:52.920
<v Speaker 1>if people are into what you're doing and you're getting

0:50:52.920 --> 0:50:56.080
<v Speaker 1>good feedback, then there's no reason to ever doubt that

0:50:56.239 --> 0:51:00.319
<v Speaker 1>that couldn't translate into bigger and bigger success. I mean, um,

0:51:00.880 --> 0:51:02.680
<v Speaker 1>you always have to kind of look back and if

0:51:02.840 --> 0:51:05.359
<v Speaker 1>if you're doing something and no one's really reacting, then

0:51:05.560 --> 0:51:07.640
<v Speaker 1>maybe you gotta take a look at it. And but

0:51:07.840 --> 0:51:11.520
<v Speaker 1>if if if the feeling is like, wow, this is cool. Um,

0:51:11.800 --> 0:51:13.680
<v Speaker 1>that's how we always felt about our music. And I

0:51:13.760 --> 0:51:16.879
<v Speaker 1>think that we just followed that. We just just hold

0:51:16.960 --> 0:51:20.200
<v Speaker 1>onto the believers, keep them close and keep them motivating

0:51:20.280 --> 0:51:23.960
<v Speaker 1>you and and and the people I've I've found that

0:51:24.040 --> 0:51:26.000
<v Speaker 1>usually the naysayers are just kind of people that have

0:51:26.120 --> 0:51:29.279
<v Speaker 1>failed in their own you know, on their own way

0:51:29.360 --> 0:51:33.560
<v Speaker 1>to wherever they're at. So um, So I don't know

0:51:33.560 --> 0:51:36.359
<v Speaker 1>if that makes any sense. Believe in yourself and hold

0:51:36.400 --> 0:51:40.279
<v Speaker 1>onto that little fire. Yeah, just be smart about you know,

0:51:40.640 --> 0:51:43.960
<v Speaker 1>if you're doing something and it's not quite dialed in yet,

0:51:44.040 --> 0:51:45.680
<v Speaker 1>then dial it in. Brow it back out there, you know,

0:51:45.800 --> 0:51:47.880
<v Speaker 1>follow the signs. So you guys are all good at

0:51:47.920 --> 0:51:51.560
<v Speaker 1>taking a little bit of construction constructive criticism, sure, absolutely,

0:51:51.920 --> 0:51:54.680
<v Speaker 1>but only to a certain point. You know, there's a

0:51:54.680 --> 0:51:58.200
<v Speaker 1>difference between between constructive criticism and naysayers. You know, so

0:51:58.719 --> 0:52:00.320
<v Speaker 1>you kind of have to have a good age and

0:52:00.360 --> 0:52:03.560
<v Speaker 1>what's gonna you know, I guess who you're listening to.

0:52:04.200 --> 0:52:10.040
<v Speaker 1>And social media has really messed up people's ability to

0:52:11.239 --> 0:52:17.000
<v Speaker 1>um be themselves and stick to it because um, it

0:52:17.080 --> 0:52:18.759
<v Speaker 1>doesn't matter what you do. I mean, you could go

0:52:19.080 --> 0:52:21.319
<v Speaker 1>you could go on Facebook right now and say hey,

0:52:21.360 --> 0:52:24.880
<v Speaker 1>I'm gonna give away a hundred dollars um to everybody

0:52:24.960 --> 0:52:27.600
<v Speaker 1>I see, and there's you know, ten or twenty people

0:52:27.640 --> 0:52:30.880
<v Speaker 1>are going to go, oh hundred or one out of thousand,

0:52:31.520 --> 0:52:36.640
<v Speaker 1>you know, Oh that's stupid, you know whatever. And we

0:52:37.080 --> 0:52:39.719
<v Speaker 1>you know, we're almost forced to post multiple things a

0:52:39.800 --> 0:52:43.359
<v Speaker 1>day and you're almost like you check back and it's like, oh,

0:52:43.400 --> 0:52:45.239
<v Speaker 1>I wonder why that didn't get very many likes or

0:52:45.840 --> 0:52:47.880
<v Speaker 1>you know, the comments are always Look, it's just it

0:52:49.440 --> 0:52:51.080
<v Speaker 1>messes with your head like that. You know, there was

0:52:51.120 --> 0:52:52.840
<v Speaker 1>a time where you just did your thing and you

0:52:52.920 --> 0:52:57.239
<v Speaker 1>just went for it. And and I uh, when our

0:52:57.320 --> 0:53:00.399
<v Speaker 1>publicist told me a few years ago, he's like which

0:53:00.400 --> 0:53:02.200
<v Speaker 1>I always try to remind AJ because he's a little

0:53:02.239 --> 0:53:05.560
<v Speaker 1>more sensitive to it than I am. But um, whatever

0:53:05.640 --> 0:53:11.080
<v Speaker 1>you do, don't read the blogs or the Yeah, now

0:53:11.200 --> 0:53:12.919
<v Speaker 1>it's now everything is a blog. But it's like, whatever

0:53:12.960 --> 0:53:15.440
<v Speaker 1>you do, don't read the blogs. And if you do that,

0:53:15.719 --> 0:53:19.680
<v Speaker 1>whatever you do, don't read the comments and so and

0:53:19.760 --> 0:53:23.480
<v Speaker 1>I've the other brutal and I've actually learned over the

0:53:23.560 --> 0:53:26.600
<v Speaker 1>years that if you don't read them, they really don't exist.

0:53:27.280 --> 0:53:28.920
<v Speaker 1>It's true, that's so true. It's whatever you put in

0:53:29.000 --> 0:53:31.960
<v Speaker 1>your own reality. Yeah, if you never read the comments section,

0:53:32.200 --> 0:53:34.600
<v Speaker 1>they will A negative comment will never mess up. You're

0:53:34.600 --> 0:53:36.000
<v Speaker 1>getting to the point now it's too because you know

0:53:36.080 --> 0:53:39.040
<v Speaker 1>you have control. If someone says something rude or negative,

0:53:39.080 --> 0:53:40.960
<v Speaker 1>you can delete it for no one to no one

0:53:41.000 --> 0:53:42.719
<v Speaker 1>sees it. And I've gotten to the point now where

0:53:42.840 --> 0:53:44.759
<v Speaker 1>I'll leave the like the most fucked up ship just

0:53:44.840 --> 0:53:46.359
<v Speaker 1>so I can kind of and I learned to kind

0:53:46.400 --> 0:53:48.120
<v Speaker 1>of laugh at it, like, Okay, I'm gonna let I'll

0:53:48.160 --> 0:53:51.080
<v Speaker 1>let the fans that die hards get after handle this.

0:53:51.600 --> 0:53:55.719
<v Speaker 1>That's a great Just don't look at it. Yeah, it's hard,

0:53:56.520 --> 0:53:59.640
<v Speaker 1>it's hard, but it works if you don't. Okay you guys,

0:53:59.719 --> 0:54:01.759
<v Speaker 1>eight Day and Jeremy pop Off from the band Lit,

0:54:02.440 --> 0:54:11.399
<v Speaker 1>thank you guys for on my podcast. You guys are amazing, Hey,

0:54:11.520 --> 0:54:24.600
<v Speaker 1>sater Caral, She's a queen of talking. Thank you guys

0:54:24.680 --> 0:54:26.839
<v Speaker 1>so much for tuning in. I hope that you love

0:54:26.960 --> 0:54:30.680
<v Speaker 1>listening to LIT. And next week is really special because

0:54:30.880 --> 0:54:32.800
<v Speaker 1>it's the week after Mother's Day and I decided to

0:54:32.840 --> 0:54:34.960
<v Speaker 1>do a tribute to Mother's and I found three of

0:54:35.040 --> 0:54:38.400
<v Speaker 1>my favorite new moms and we are talking everything about motherhood,

0:54:38.920 --> 0:54:40.640
<v Speaker 1>all of it. And they are real and honest and

0:54:40.760 --> 0:54:43.400
<v Speaker 1>hilarious and we have champagne the whole time. I Kristen

0:54:43.480 --> 0:54:46.520
<v Speaker 1>Brest joining me. She's married to Preston from Low Cash.

0:54:46.719 --> 0:54:48.520
<v Speaker 1>They had a huge hit last year called I Love

0:54:48.600 --> 0:54:51.480
<v Speaker 1>This Life. And she also worked at Big Machine Records,

0:54:51.520 --> 0:54:55.279
<v Speaker 1>where my husband is signed and Taylor Swift is signed

0:54:55.320 --> 0:54:59.200
<v Speaker 1>over there, Florida, Georgia, Line, Thomas Rhett, the Band, Perry

0:54:59.400 --> 0:55:01.919
<v Speaker 1>Cassidy Pe, There's so many stars, so she has huge

0:55:01.960 --> 0:55:05.840
<v Speaker 1>insight into the music industry. Audrey Ball guest is also

0:55:06.040 --> 0:55:09.960
<v Speaker 1>joining me with Mary Katherine Music and Audrey. Her father

0:55:10.200 --> 0:55:12.560
<v Speaker 1>was David Ball. He had he sold over a million

0:55:12.600 --> 0:55:15.840
<v Speaker 1>albums and he had a huge song called Writing Shotgun

0:55:15.960 --> 0:55:20.320
<v Speaker 1>with Private Malone and Audrey and Mary Katin. We're in

0:55:20.360 --> 0:55:22.759
<v Speaker 1>a trio called the music the Mercy Birds, so they

0:55:22.840 --> 0:55:25.120
<v Speaker 1>have so much to talk about, and they all have

0:55:25.239 --> 0:55:27.799
<v Speaker 1>little new babies that are precious and adorable. But they

0:55:27.880 --> 0:55:29.759
<v Speaker 1>just spilled beans and get real with it and it's

0:55:29.800 --> 0:55:32.520
<v Speaker 1>really awesome and it's refreshing to hear, so you're not

0:55:32.600 --> 0:55:34.279
<v Speaker 1>gonna want to miss that, and we laugh a lot

0:55:34.640 --> 0:55:37.200
<v Speaker 1>and it's just the best, So tune in next week

0:55:37.400 --> 0:55:40.320
<v Speaker 1>and also please subscribe on iTunes. So many of you

0:55:40.400 --> 0:55:43.120
<v Speaker 1>guys are awesome and listening on my website Caroline Hobby

0:55:43.160 --> 0:55:45.120
<v Speaker 1>dot com. But in order to grow this thing and

0:55:45.200 --> 0:55:47.680
<v Speaker 1>become the number one podcast, I need you guys to

0:55:47.760 --> 0:55:51.960
<v Speaker 1>go um subscribe on iTunes and leave comments. So y'all

0:55:51.960 --> 0:55:53.759
<v Speaker 1>are the best. See you next week. Thanks by