1 00:00:00,880 --> 00:00:03,640 Speaker 1: Well, now it's time for today's Strawberry Letter and listen. 2 00:00:03,680 --> 00:00:07,360 Speaker 1: If you need advice on relationships, dating, work, sex, parenting, 3 00:00:07,360 --> 00:00:10,320 Speaker 1: and more, please submit your Strawberry Letter and Steve Harvey 4 00:00:10,760 --> 00:00:12,760 Speaker 1: FM dot com that's where you do it. And all 5 00:00:12,760 --> 00:00:15,480 Speaker 1: you have to do is just click submit Strawberry Letter. 6 00:00:16,079 --> 00:00:19,680 Speaker 1: We'll get it and we could be reading your letter 7 00:00:20,400 --> 00:00:22,239 Speaker 1: live on the air, just like we're going to read 8 00:00:22,280 --> 00:00:24,919 Speaker 1: this one right here, right now. It could be yours. Yeah, 9 00:00:25,000 --> 00:00:28,000 Speaker 1: you never heard be buggle up, hold on tight, We 10 00:00:28,040 --> 00:00:30,280 Speaker 1: got it for you. Here it is the Strawberry Letter. 11 00:00:30,680 --> 00:00:35,320 Speaker 1: Thank you, nephew. Subject. I'm dating super Fly. Dear Stephen Shirley. 12 00:00:35,400 --> 00:00:38,400 Speaker 1: I'm in my late forties and I'm a puppeteer and 13 00:00:38,520 --> 00:00:43,239 Speaker 1: I do stage plays and at the children's theater. I 14 00:00:43,320 --> 00:00:45,920 Speaker 1: also teach theater at a community college and I work 15 00:00:46,000 --> 00:00:48,800 Speaker 1: part time in a village boutique. I just got out 16 00:00:48,800 --> 00:00:51,199 Speaker 1: of a bad relationship, so I was just trying to 17 00:00:51,240 --> 00:00:55,160 Speaker 1: stay busy. But then I'm at a slightly older man 18 00:00:55,280 --> 00:00:58,800 Speaker 1: and I'm fascinated by him. He came into the boutique 19 00:00:58,800 --> 00:01:01,320 Speaker 1: about three months ago, and he told me he's a 20 00:01:01,360 --> 00:01:04,960 Speaker 1: thrift store fanatic because he likes clothes from the sixties 21 00:01:04,959 --> 00:01:08,160 Speaker 1: and seventies. I sold him a lot of vintage shirts, 22 00:01:08,280 --> 00:01:11,360 Speaker 1: two pairs of bell bottomed slacks we want. We went 23 00:01:11,400 --> 00:01:13,880 Speaker 1: on a few dates and I realized that he really 24 00:01:13,920 --> 00:01:17,000 Speaker 1: does like the old school vibe in his clothing. He 25 00:01:17,160 --> 00:01:19,760 Speaker 1: visited my home after we went out a few times, 26 00:01:19,959 --> 00:01:22,160 Speaker 1: and he said it was too modern for his taste. 27 00:01:22,360 --> 00:01:25,480 Speaker 1: And he suggested I get wall to wall carpet because 28 00:01:25,480 --> 00:01:30,040 Speaker 1: hardwood floors make make a home less comfortable. Then I 29 00:01:30,200 --> 00:01:35,520 Speaker 1: visited huh. Then I visited his home and it was 30 00:01:35,560 --> 00:01:38,440 Speaker 1: like a time warp. He has a picture of the 31 00:01:38,520 --> 00:01:41,560 Speaker 1: Jackson five on his mantel and it is signed by 32 00:01:41,680 --> 00:01:45,120 Speaker 1: Joe Jackson. He said that his e that's his era, 33 00:01:45,200 --> 00:01:48,920 Speaker 1: and he loves old music. I figured that it was 34 00:01:48,960 --> 00:01:51,760 Speaker 1: a great time for him in his life, so he 35 00:01:51,840 --> 00:01:55,000 Speaker 1: kind of is stuck there. Now when we go out, 36 00:01:55,360 --> 00:01:58,120 Speaker 1: it's not as embarrassing, and I love his old cologne 37 00:01:58,240 --> 00:02:01,320 Speaker 1: and his pinky ring. He is well spoken, so when 38 00:02:01,320 --> 00:02:04,960 Speaker 1: he chooses to talk in seventies jargon, it throws me off, 39 00:02:05,320 --> 00:02:10,519 Speaker 1: but I don't show it. The more time we spend together, 40 00:02:10,600 --> 00:02:12,760 Speaker 1: the more I'm falling for him. But I don't know 41 00:02:12,800 --> 00:02:15,320 Speaker 1: if he will ever snap out of this phase. There's 42 00:02:15,360 --> 00:02:17,520 Speaker 1: no way I could live in his house with the 43 00:02:17,680 --> 00:02:21,200 Speaker 1: laminate kitchen counters and furry rugs all over the bathroom, 44 00:02:21,639 --> 00:02:24,920 Speaker 1: and he can't live in mine with the hardwood floors. 45 00:02:25,160 --> 00:02:27,440 Speaker 1: I want to ask him what his intentions are, but 46 00:02:27,480 --> 00:02:29,840 Speaker 1: I don't want to be too forward. I also want 47 00:02:29,840 --> 00:02:33,520 Speaker 1: to know if he's willing to compromise on his superfly tendencies. 48 00:02:33,800 --> 00:02:40,000 Speaker 1: How do I handle this? Well? You dig anyway? Well, 49 00:02:40,840 --> 00:02:44,400 Speaker 1: I get all wrapped up in this man and his quirks, 50 00:02:44,880 --> 00:02:48,119 Speaker 1: and you already know he's not going to change. I mean, 51 00:02:48,200 --> 00:02:51,440 Speaker 1: I think you're setting yourself up to lose and to 52 00:02:51,520 --> 00:02:55,040 Speaker 1: be hurt in this situation. He is not going to change. 53 00:02:55,080 --> 00:02:58,560 Speaker 1: He's been like this since the seventies. This is twenty 54 00:02:58,639 --> 00:03:01,960 Speaker 1: twenty one, you know, Like you said, the seventies were 55 00:03:02,000 --> 00:03:04,280 Speaker 1: probably a good time for him, and yes the music 56 00:03:04,480 --> 00:03:07,440 Speaker 1: was everything. But how can he be so stuck and 57 00:03:07,520 --> 00:03:10,720 Speaker 1: live his entire life in the past. What about all 58 00:03:10,720 --> 00:03:13,240 Speaker 1: the stuff that's happened since then? I mean, he is 59 00:03:13,320 --> 00:03:17,320 Speaker 1: not super Fly. That was a movie, okay, did even 60 00:03:17,320 --> 00:03:19,959 Speaker 1: see the remake a few years ago? That was really good. 61 00:03:20,040 --> 00:03:22,520 Speaker 1: He probably missed that though, because he's still stuck in 62 00:03:22,520 --> 00:03:26,560 Speaker 1: the seventies. The point is we cannot live in the past. 63 00:03:26,680 --> 00:03:29,359 Speaker 1: The past is over. We have to find something we 64 00:03:29,480 --> 00:03:32,680 Speaker 1: enjoy about this life here and now make the best 65 00:03:32,680 --> 00:03:35,360 Speaker 1: of it, because one thing's for sure, life is short. 66 00:03:36,360 --> 00:03:39,960 Speaker 1: Everything changes, and we must make those necessary adjustments and 67 00:03:40,040 --> 00:03:42,360 Speaker 1: just be grateful that we got a chance to see 68 00:03:42,480 --> 00:03:46,080 Speaker 1: and appreciate the seventies. But embrace where you are now. 69 00:03:46,280 --> 00:03:48,680 Speaker 1: You can't go back there and stay there with him. 70 00:03:49,120 --> 00:03:52,720 Speaker 1: Live in the now, because that's all you have. Mister 71 00:03:52,840 --> 00:03:56,720 Speaker 1: Superfly doesn't see it that way. So that's why I say, 72 00:03:56,760 --> 00:03:58,840 Speaker 1: I don't think you guys are gonna make it. Steve, 73 00:04:00,560 --> 00:04:08,720 Speaker 1: I disagree with everything Shirley just said. I do. I'll 74 00:04:08,840 --> 00:04:14,080 Speaker 1: support this brother. I am all about the era he's from. 75 00:04:14,760 --> 00:04:18,400 Speaker 1: I love him. I don't see how you're gonna get 76 00:04:18,480 --> 00:04:23,080 Speaker 1: hurt in this. Nah. Let me say this. He is 77 00:04:23,360 --> 00:04:30,159 Speaker 1: not going to change at all that much. Shirley got right. 78 00:04:31,680 --> 00:04:36,839 Speaker 1: That don't mean he gonna hurt you now. First of all, ladies, 79 00:04:36,960 --> 00:04:40,080 Speaker 1: let me start with child. You're in your late parties. 80 00:04:41,320 --> 00:04:45,680 Speaker 1: You are puppeteer, and you do stage plays as a 81 00:04:45,800 --> 00:04:55,200 Speaker 1: children's theater. You're lucky. Anybody talking to you, because if 82 00:04:55,240 --> 00:04:58,359 Speaker 1: your old ass tell me you're a puppeteer and you 83 00:04:58,520 --> 00:05:03,760 Speaker 1: do a children's theater, I'm fen to walk away because 84 00:05:03,800 --> 00:05:07,920 Speaker 1: you ain't even the puppet. You're the puppet tear for 85 00:05:08,000 --> 00:05:10,919 Speaker 1: you're the one up under the thing, talking with your 86 00:05:10,920 --> 00:05:13,719 Speaker 1: hand like you got a sock on it. So now 87 00:05:13,800 --> 00:05:18,560 Speaker 1: let's not getting mad at him, Sirley, she didn't bring 88 00:05:18,600 --> 00:05:22,000 Speaker 1: a whole lot to the table to start with, puppeteer 89 00:05:22,120 --> 00:05:26,760 Speaker 1: children to play part and work part time at the 90 00:05:26,880 --> 00:05:31,880 Speaker 1: vintage boutique. Come on, now, let's stay focused, which is 91 00:05:31,920 --> 00:05:34,520 Speaker 1: where he walked into and you met him. He bought 92 00:05:34,520 --> 00:05:37,240 Speaker 1: a bunch of old sixty seventy shirts and two pair 93 00:05:37,279 --> 00:05:42,080 Speaker 1: of bill bops. Y'all went on some dates and you 94 00:05:42,160 --> 00:05:45,840 Speaker 1: realize he loves old school vibe in his clothes. You 95 00:05:45,960 --> 00:05:49,800 Speaker 1: out on the date with ron O'Neil, y'aut on the 96 00:05:49,920 --> 00:05:53,080 Speaker 1: date with the Mac, You out on a date with 97 00:05:53,200 --> 00:05:57,720 Speaker 1: pretty Tony, You out on the date with the seventies. 98 00:05:59,080 --> 00:06:02,160 Speaker 1: You in his car. If he could still have an 99 00:06:02,160 --> 00:06:05,920 Speaker 1: eight track, he would. I'm telling you he got a 100 00:06:06,000 --> 00:06:13,000 Speaker 1: really real in his house somewhere. So now you say 101 00:06:13,080 --> 00:06:15,600 Speaker 1: you do you kind of like the old cologne he 102 00:06:15,640 --> 00:06:23,520 Speaker 1: wears that's high karate, draw car Polo, Houston and Brute. 103 00:06:24,640 --> 00:06:26,719 Speaker 1: He got all of it on the counter. I love 104 00:06:26,800 --> 00:06:30,760 Speaker 1: this dude right here. When we come back, Shirley and 105 00:06:31,160 --> 00:06:37,600 Speaker 1: Tommy will ask Pimping questions any question they won't, and 106 00:06:37,640 --> 00:06:39,880 Speaker 1: he gonna show you why the seventies was all in 107 00:06:39,960 --> 00:06:42,039 Speaker 1: that litter. Jim. When we come back, one of the 108 00:06:42,080 --> 00:06:45,680 Speaker 1: greatest players from the seventies, Pimping will be here to respond. 109 00:06:46,040 --> 00:06:48,200 Speaker 1: Coming up at twenty three minutes after the hour, I'm 110 00:06:48,279 --> 00:06:51,240 Speaker 1: dating super Fly is the Strawberry letter subject. We'll be 111 00:06:51,240 --> 00:06:56,760 Speaker 1: back right after this. You're listening, all right, Come on, Steve, 112 00:06:56,839 --> 00:07:03,279 Speaker 1: let's recap today's Strawberry Letters subject I'm dating Sue. Wow, Steve, 113 00:07:04,360 --> 00:07:07,560 Speaker 1: it's gonna be here just for a minute, because what 114 00:07:07,640 --> 00:07:10,560 Speaker 1: I'm gonna introduce you to is somebody from the seventies. Now, 115 00:07:10,640 --> 00:07:13,040 Speaker 1: this woman that met this man that is ventage. He's 116 00:07:13,040 --> 00:07:16,320 Speaker 1: slightly old and she forty something, so we already know 117 00:07:16,520 --> 00:07:20,240 Speaker 1: he's probably sixty at least, because he loved his seventies, 118 00:07:20,760 --> 00:07:24,080 Speaker 1: as do I, and now she kind of liked her. 119 00:07:24,680 --> 00:07:27,800 Speaker 1: The stuff he were a cologne which is high Karati 120 00:07:27,920 --> 00:07:31,360 Speaker 1: to car Polo Houston brute, but his house is waller 121 00:07:31,440 --> 00:07:34,000 Speaker 1: wall carpet. And got a picture that Jackson five signed 122 00:07:34,080 --> 00:07:36,520 Speaker 1: up there by Joe Jackson, which means he was no 123 00:07:36,720 --> 00:07:40,440 Speaker 1: where near to Jackson five. But he did see Joe 124 00:07:40,520 --> 00:07:44,040 Speaker 1: somewhere at a club at a tag, so he got 125 00:07:44,120 --> 00:07:46,680 Speaker 1: Joe to sign the picture, and that meant a lot 126 00:07:46,720 --> 00:07:50,240 Speaker 1: to it. He's got laminated kitchen, countless furry rugs all 127 00:07:50,240 --> 00:07:53,360 Speaker 1: over the bathroom. He can't live in your house because 128 00:07:53,360 --> 00:07:55,160 Speaker 1: of the hallwood floors, and he didn't told you you 129 00:07:55,240 --> 00:07:58,800 Speaker 1: need waller waff carbon to make your house. I want 130 00:07:58,800 --> 00:08:00,640 Speaker 1: to ask him what his intentions all, but I don't 131 00:08:00,680 --> 00:08:02,320 Speaker 1: want to be too far to also want to know 132 00:08:02,360 --> 00:08:05,560 Speaker 1: if he's willing to compromise on his super fly tendency. 133 00:08:05,800 --> 00:08:08,360 Speaker 1: That ain't gonna happen, lady, and here to help you 134 00:08:08,440 --> 00:08:16,200 Speaker 1: understand it. Please welcome Pimpon m oh Man. What's happening? 135 00:08:16,280 --> 00:08:17,680 Speaker 1: You know? I don't never get to come in it 136 00:08:17,800 --> 00:08:20,840 Speaker 1: just time? What's it? What's up? Timmy? What's up? Pepper? 137 00:08:20,880 --> 00:08:24,040 Speaker 1: And how you doing? Man? It ain't nothing? Everything everything everything? 138 00:08:24,080 --> 00:08:28,760 Speaker 1: It was up? Shanny? How you doing this letter about you? Don't? 139 00:08:28,840 --> 00:08:33,280 Speaker 1: You mustn't sound like it to me, Sammy, he man, blacks, 140 00:08:33,360 --> 00:08:35,760 Speaker 1: be me. Let me try to help out you y'all 141 00:08:35,760 --> 00:08:38,319 Speaker 1: gonna ask me some questions. I can help us, you know, 142 00:08:38,480 --> 00:08:40,120 Speaker 1: get to get a grip on what is was going? 143 00:08:40,240 --> 00:08:48,160 Speaker 1: Ain't you know what? Hold long, Timmy hold on you still? Yes, yes, 144 00:08:48,240 --> 00:08:52,000 Speaker 1: I can just checking me now, don't come in everything'tney 145 00:08:52,240 --> 00:08:54,240 Speaker 1: you know I mean, you know, you know, I mean 146 00:08:54,280 --> 00:08:56,200 Speaker 1: if the back they will open, holl a a player, 147 00:08:56,280 --> 00:08:59,720 Speaker 1: you know what I'm saying. Go ahead and Tommy, yeah, 148 00:09:00,080 --> 00:09:02,400 Speaker 1: so you know she'll look concerned and lady and let 149 00:09:02,480 --> 00:09:04,760 Speaker 1: him man about the you know, the wall to wall 150 00:09:04,880 --> 00:09:08,000 Speaker 1: carved man? Can you can you break that down for us? Oh? 151 00:09:08,120 --> 00:09:11,680 Speaker 1: You gouss it had wall to wall corvet man. You 152 00:09:11,720 --> 00:09:14,320 Speaker 1: know what I mean. When it's just so much plushness 153 00:09:14,400 --> 00:09:18,120 Speaker 1: running up through your toes, you know what I mean? 154 00:09:18,200 --> 00:09:22,120 Speaker 1: And shag is the best kind. You know. Anytime you 155 00:09:22,200 --> 00:09:25,439 Speaker 1: need a plastic rate to raise up the nap on 156 00:09:25,520 --> 00:09:31,880 Speaker 1: your compat, that's when pimping has never been easy out man, Yeah, 157 00:09:32,600 --> 00:09:37,199 Speaker 1: see me. The lady the puppet talked a lot about 158 00:09:37,240 --> 00:09:39,240 Speaker 1: what he wore, but she didn't say what kind of 159 00:09:39,280 --> 00:09:43,000 Speaker 1: car he drives? What what kind of car can'tact. What 160 00:09:43,679 --> 00:09:47,720 Speaker 1: ass you're thinking? Again? What are gonna dout? You kind 161 00:09:47,720 --> 00:09:49,640 Speaker 1: of like an out here and something people ain't getting 162 00:09:49,760 --> 00:09:53,160 Speaker 1: know out here? Man? I got a s veghal with 163 00:09:53,280 --> 00:09:56,520 Speaker 1: the slanted trunk on it, with the towel on the bank. 164 00:09:56,640 --> 00:10:02,040 Speaker 1: You feel me that long dog? I got that el 165 00:10:02,160 --> 00:10:04,800 Speaker 1: the rattle that long dog too. Dog. You know what 166 00:10:04,840 --> 00:10:07,600 Speaker 1: I'm saying, I ain't. He got a couple of Cadillacs. 167 00:10:07,760 --> 00:10:09,760 Speaker 1: That's what he needs. And you're gonna ride in it too. 168 00:10:09,840 --> 00:10:12,400 Speaker 1: It's a lot more room in it. The only thing 169 00:10:12,440 --> 00:10:14,960 Speaker 1: about them calls from the seventies. All the leather than 170 00:10:15,040 --> 00:10:16,640 Speaker 1: cracked in it. You're gonna cut the back of your 171 00:10:16,720 --> 00:10:23,160 Speaker 1: thighs or when you're screwed in with you. I'm just 172 00:10:23,320 --> 00:10:28,120 Speaker 1: trying to okay what Pepperman? I really don't think she 173 00:10:28,280 --> 00:10:30,680 Speaker 1: liked the shoes you got on? Man? What what kind 174 00:10:30,679 --> 00:10:33,920 Speaker 1: of shoes are? Though? I mean, what's it not to like? 175 00:10:35,559 --> 00:10:41,720 Speaker 1: Name morris O, the big block crop? Why would you 176 00:10:41,800 --> 00:10:44,600 Speaker 1: not like the big block crock? I don't even understand 177 00:10:45,520 --> 00:10:49,960 Speaker 1: square times No, no, no, we're still pointed. I got 178 00:10:50,000 --> 00:10:53,320 Speaker 1: some square toes if you want them. I got some 179 00:10:53,400 --> 00:10:55,800 Speaker 1: pilgrim shoes. I got a bull with the gold buck 180 00:10:55,800 --> 00:11:00,720 Speaker 1: along top of our way there that things giving, So 181 00:11:00,880 --> 00:11:04,840 Speaker 1: you just put those back in the closet. Yeah, I'm 182 00:11:04,880 --> 00:11:07,400 Speaker 1: bringing them out there. Things get shooting for the year, 183 00:11:09,600 --> 00:11:12,160 Speaker 1: all right? So, um, what if she needs to get 184 00:11:12,160 --> 00:11:14,320 Speaker 1: in touch with you? You know what while you guys 185 00:11:14,320 --> 00:11:16,240 Speaker 1: were out, do you have a cell phone? Because they 186 00:11:16,280 --> 00:11:20,120 Speaker 1: weren't in in the seventies. No, I am what I 187 00:11:20,160 --> 00:11:24,000 Speaker 1: need a cell phone? Phone? But you know they've been 188 00:11:24,120 --> 00:11:30,520 Speaker 1: shutting down pay phones now I don't know what's happening. Yeah, yeah, okay, 189 00:11:30,600 --> 00:11:32,920 Speaker 1: change I'm gonna make I'm gonna gonna get a cell phone. 190 00:11:32,960 --> 00:11:36,840 Speaker 1: I'm gonna do that for okay. Yeah, okay, Now here's 191 00:11:36,880 --> 00:11:39,079 Speaker 1: a no, I'm gonna get on at Walmart in case 192 00:11:39,120 --> 00:11:40,560 Speaker 1: I don't want to see you no more. I can't 193 00:11:40,559 --> 00:11:42,880 Speaker 1: throw it away like a drug dealer. They said burn it? 194 00:11:44,320 --> 00:11:51,400 Speaker 1: What you know? Like on the wine? Where were you 195 00:11:51,440 --> 00:11:54,520 Speaker 1: gonna ask Tommy so Pepper? You know the young ladies 196 00:11:54,559 --> 00:11:57,080 Speaker 1: complaining that it's too dark in your house? Man? What 197 00:11:57,240 --> 00:12:01,199 Speaker 1: is all? What kind of lights you got hanging in him? 198 00:12:01,280 --> 00:12:03,760 Speaker 1: Why would you cut the lights on? How you gonna see? 199 00:12:03,840 --> 00:12:06,400 Speaker 1: How you gonna see? The lava lamp if you got 200 00:12:06,440 --> 00:12:10,760 Speaker 1: all these damn lights on that lava lamp, man, it's 201 00:12:10,760 --> 00:12:13,240 Speaker 1: a beautiful thing. It ain't ever the same, it chant 202 00:12:13,400 --> 00:12:17,160 Speaker 1: only time. And then I got my black light posters up. Man, 203 00:12:17,240 --> 00:12:20,120 Speaker 1: I got black lights on in here. Just be careful 204 00:12:20,160 --> 00:12:22,760 Speaker 1: with the line on your clothes because it showed everything 205 00:12:22,840 --> 00:12:25,360 Speaker 1: when you put that black line on it. Baby, you 206 00:12:25,440 --> 00:12:28,000 Speaker 1: gotta be careil man, wear some white. If you wear black, 207 00:12:28,080 --> 00:12:33,440 Speaker 1: you're gonna look nasty. One last thing he told her, 208 00:12:34,400 --> 00:12:37,720 Speaker 1: He told her her house was too modern, you know, 209 00:12:37,920 --> 00:12:40,320 Speaker 1: for him. So how what should she change? How what 210 00:12:40,400 --> 00:12:42,840 Speaker 1: should she do to man? This girl? It's just a 211 00:12:42,880 --> 00:12:45,720 Speaker 1: couple of things. Man, Get yourself a few bean bags 212 00:12:45,760 --> 00:12:48,440 Speaker 1: and throw them around the room. And get yourself some 213 00:12:48,440 --> 00:12:50,839 Speaker 1: some beaded curtains in the middle room so you can 214 00:12:50,840 --> 00:12:54,199 Speaker 1: divide these areas off with some beads hanging out the signal. 215 00:12:54,240 --> 00:13:00,640 Speaker 1: And that's all she needs. Only wide over space walking through. 216 00:13:02,720 --> 00:13:07,240 Speaker 1: All right, guys, Thank you Pemp and you can leave 217 00:13:07,280 --> 00:13:10,319 Speaker 1: your comments on Today's Strawberry Letter at Instagram, on Instagram 218 00:13:10,360 --> 00:13:13,000 Speaker 1: at Steve Harvey FM, and check out the Strawberry Letter 219 00:13:13,080 --> 00:13:16,000 Speaker 1: podcast on demand coming up next. You know what it is? 220 00:13:16,280 --> 00:13:20,319 Speaker 1: Sports with Junior Right after this, you're listening to the 221 00:13:20,480 --> 00:13:21,880 Speaker 1: Steve Harvey Morning Show