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Speaker 1: We're you're back. Oh, Lah Tanner, Rito's.

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Speaker 2: What's up, Jodie Sweeten?

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Speaker 1: What's up? Andrew Barber? How are you enjoying this nice

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Speaker 1: rainy weather here?

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Speaker 2: It's like, I feel like, I feel like I should

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Speaker 2: get a pumpkin spice latte or something because this is

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Speaker 2: very It's finally fall here in southern Calif.

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Speaker 1: There you go, yeah, yeah, it's uh it is. It's

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Speaker 1: finally feeling like. I definitely was uh reading and curled

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Speaker 1: up with a book and a blanket earlier too, So.

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Speaker 2: That's the best.

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Speaker 1: I love that it's a blanket and and that sort

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Speaker 1: of weather. But by the way, everyone who's listening must

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Speaker 1: be like, oh my god, it must be freezing it. No,

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Speaker 1: it's for most people in the country would be t

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Speaker 1: shirt weather, probably raining, but they would be like, but

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Speaker 1: not cold.

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Speaker 3: Yeah, and we're like sixty seven here it's.

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Speaker 1: Right oh the wind, you know, and we're like in

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Speaker 1: Parkas so yeah, yes, we get a hint of a

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Speaker 1: season here where the wind is blowing. It must be fall, right, Yep.

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Speaker 3: We don't know how to drive in the rain.

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Speaker 1: We don't like we're just no, no, we're yeah, we're

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Speaker 1: not accustomed to the weather. But it's quite lovely here,

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Speaker 1: and I'm enjoying it, but it is certainly not helping

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Speaker 1: my seasonal depression, with your with my sads.

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Speaker 2: With the between the time change.

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Speaker 1: I've been getting up earlier though, you know, I know

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Speaker 1: we had this day okay conversation where I was like,

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Speaker 1: I hate it being sunny in the morning, but I've

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Speaker 1: tried to capitalize on it a little bit. You've You've

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Speaker 1: inspired me, Abe, and I actually have like tried to

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Speaker 1: get up a little bit earlier, just to enjoy a

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Speaker 1: little bit more daylight.

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Speaker 2: Oh that makes me happy to hear that, look at

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Speaker 2: me inspiring you.

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Speaker 1: That's a I don't know that I'm gonna love it,

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Speaker 1: but I'm trying. I appreciate the effort.

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Speaker 2: But yeah, no, I love love the rain, love the fall,

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Speaker 2: love everything about this season, and excited about the holidays

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Speaker 2: coming up.

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Speaker 1: So yay, yeah, yeay. I know. I can't believe we're

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Speaker 1: here already.

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Speaker 2: Yeah, right, where did this year go? It's almost twenty

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Speaker 2: twenty four. Where did this year go?

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Speaker 1: I don't know.

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Speaker 2: I mean, we were on strike for half of it,

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Speaker 2: so maybe that's why we're in like a time home.

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Speaker 1: It's been on strike we've been in. It's just it's

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Speaker 1: the time warp that never stopped from twenty twenty. Yeah, true, true,

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Speaker 1: further circling down the vortex, Yeah yeah, we're just trapped

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Speaker 1: in a loop. Well, well, if we're trapping a loop,

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Speaker 1: why don't we break down an episode of Full House

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Speaker 1: and really entertain ourselves.

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Speaker 2: Let's let's let's do that. We will fix all of

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Speaker 2: your seasonal depression right now with the with this lovely reason, we.

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Speaker 1: Will attempt to lest we open ourselves up to any

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Speaker 1: legal question.

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Speaker 2: True, we are not medical professional.

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Speaker 1: This is these statements have not been evaluated by the FDA.

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Speaker 1: But we're gonna do our best.

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Speaker 2: Uh So, today we are discussing season one, episode nineteen

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Speaker 2: titled seven Month Itch Part one?

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Speaker 1: Wait did we ever introduce ourselves? Did we do our things?

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Speaker 2: We didn't see? Now? Hey, you you forget the outro

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Speaker 2: sometimes now I'm forgetting the intro.

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Speaker 1: I'm just so excited that I remembered that we forgot something.

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Speaker 2: This is why we make an excellent team. We're here

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Speaker 2: for each other.

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Speaker 1: We do okay, all right? Perfect?

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Speaker 2: So rewind? Okay, so why don't we get into it?

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Speaker 3: Jody?

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Speaker 1: Hey, we're back and.

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Speaker 2: You are welcome back to how rude Tannertos. We allow

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Speaker 2: that in Michael, who are You're Jody Sweeten? I'm Andrea Barber.

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Speaker 1: I'm Jody Sweeten.

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Speaker 3: We have really screwed this up.

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Speaker 1: No way today made it brilliant?

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Speaker 2: Are our editor is cursing our names right now? Or

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Speaker 2: just yeah, just maybe just leave it all in.

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Speaker 1: No, it's part of our charm. It's part of our charm.

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Speaker 1: We're just Yeah, we're very real people who very really

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Speaker 1: don't know how to do a podcast.

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Speaker 2: Okay, so we're the least qualified people to be doing

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Speaker 2: this podcast. There or at least a million fans out there.

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Speaker 1: Now, that's imposter syndrome. And we dealt with that last episode.

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Speaker 1: We are not that is not who we are.

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Speaker 3: Well the fan a Ritos are definitely qualified and we're here.

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Speaker 1: By the way, by the way, our editor just said

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Speaker 1: this is all staying no great, So yeah, yeah, this

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Speaker 1: is there's no choice.

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Speaker 2: Yeah, it's how are you Tanerto's unfiltered and unhinged? Oh

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Speaker 2: so today we are discussing season one, episode nineteen seven

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Speaker 2: month Itch Part one. It first aired on March Line.

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Speaker 1: There's a part two.

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Speaker 2: Yes, this is our first two parter. Yeah, very exciting.

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Speaker 2: It aired on March eleventh, nineteen eighty eight, and it

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Speaker 2: goes a little something like this, Jesse is fed up

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Speaker 2: with his lack of privacy and family responsibilities, especially when

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Speaker 2: they interfere with his love life. It was directed by

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Speaker 2: Lee Shallatt Yes and written Hello, Yes, we Love Lee

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Speaker 2: and written by Jeff Franklin.

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Speaker 3: It is guest.

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Speaker 2: Starring Chelsea Noble as Samantha, who's also known for Growing

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Speaker 2: Pains and The Left Behind movie series, and she's also

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Speaker 2: known for being Kirk Cameron's wife. Yeah, which I think

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Speaker 2: she met right around she met.

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Speaker 1: Well, she was dating she dated John John Stamos, right,

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Speaker 1: and I think they were actually I don't know if

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Speaker 1: they were dating at the time she did this episode

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Speaker 1: or if that came after. I'm not sure which Chicken

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Speaker 1: her egg sort of happened, but yeah, and then at

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Speaker 1: some point they obviously broke up, and then she met

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Speaker 1: Kirk and then they Yeah, so that was.

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Speaker 2: And they've been Yeah, they've been Mary she diverged and

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Speaker 2: it's just such a small world. They got married in

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Speaker 2: nineteen ninety one, and Chelsea went on to do three

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Speaker 2: seasons of Growing Pains alongside Kirk they now have six

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Speaker 2: children together. So it's just so funny that these episodes

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Speaker 2: are back to back, right.

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Speaker 1: It's weird.

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Speaker 2: Yeah, and the last one and Chelsea in this one,

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Speaker 2: it's really funny. Okay. So that's just she's our only

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Speaker 2: guest star for this week. And we opened the show

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Speaker 2: in the living room where Jesse is on the phone

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Speaker 2: with his flame of the month, Samantha, Samantha another uh name.

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Speaker 1: They're back, but she calls her Sammy.

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Speaker 2: Oh oh okay, so sam Yeah, sometimes he calls her

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Speaker 2: sam and Sammy yeah, so okay. But I'm gonna say,

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Speaker 2: just for the record, if her birth name is Samantha,

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Speaker 2: it's another a name A name, Okay.

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Speaker 1: But yes, I'm sorry. It was not meaning to discount that.

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Speaker 2: Yes, j.

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Speaker 3: Your sads are coming out.

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Speaker 2: So Jesse promises Sammy that this is going to be

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Speaker 2: the most romantic weekend of her life, mostly because the

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Speaker 2: entire family Tanner family will be gone visiting Disneyland. And

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Speaker 2: this phone that he's holding, this cordless phone, is a sight.

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Speaker 2: It is like large and in charge is It's.

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Speaker 1: Like I think we said, it's like one of those

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Speaker 1: like SAT phones, you know what I mean, those giant

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Speaker 1: satellite things with the antenna that's the long three feet

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Speaker 1: long and it weighs sixty pounds. You have to wear

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Speaker 1: like a purse with it. Yeah, that's what this. It

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Speaker 1: definitely feels like these are the things. These are the

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Speaker 1: kind of cordless phones that like it like if you

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Speaker 1: threw them, it was it was a bad idea. Oh

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Speaker 1: I'm not going to tell you how I learned that lesson,

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Speaker 1: but I'm just saying that. Yeah, cordless phones like that

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Speaker 1: do not grow there.

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Speaker 3: Like some weight.

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Speaker 2: I mean, you could do a hit workout just by

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Speaker 2: carrying two cordless phones.

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Speaker 3: They're massive.

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Speaker 1: Yeah, they don't know the how you know, you had

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Speaker 1: to walk around and hold that up to your ear.

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Speaker 2: It was a workout. So Stephanie comes running into the

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Speaker 2: room screaming Uncle Jesse, which prompts Jesse to quickly end

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Speaker 2: this lovey dovey phone call with Samantha. Stephanie continues to

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Speaker 2: run around the living room screaming, Disneyland, Disneyland, Disneyland.

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Speaker 3: You are hype Jody, like you are.

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Speaker 1: That is about how I would act when I was

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Speaker 1: actually going to Disneyland, because I grew up near Disneyland. Yeah,

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Speaker 1: I'm also a Disney lover, and that is yeah, I

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Speaker 1: definitely I only stopped doing that about two years ago,

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Speaker 1: where I've run around in the circle scream now. But

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Speaker 1: I loved Disneyland. It was great. And again the irony

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Speaker 1: that john is not the person leading the charge to

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Speaker 1: Disneyland as the most Disney person, it's just funny to

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Speaker 1: watch him be like, oh God, I'm glad I'm not

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Speaker 1: going to Disneyland. I'm like the words that would never

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Speaker 1: come out of Johnson never.

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Speaker 2: No, he has always been a huge Disney lover and yeah,

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Speaker 2: he should have gone on this field trip, but yeah, no, no,

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Speaker 2: he's staying back for this awesome date. So Jesse's trying

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Speaker 2: to get Stephanie to calm down by teaching her these

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Speaker 2: breathing techniques, but she's not having it. She's just going crazy.

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Speaker 2: So finally the rest of the family comes downstairs and Joey,

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Speaker 2: who's taking note of Steph's hyperactivity, tells Danny, I think

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Speaker 2: you need to switch her to decaf.

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Speaker 3: Not not a bad idea.

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Speaker 2: Danny explains to Steph that the plane won't leave any

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Speaker 2: earlier just because they're the first ones on it, and

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Speaker 2: Stephanie's like, well, for the first ones on it. Then

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Speaker 2: we'll be the first ones off, and then we can

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Speaker 2: be the first in line at the Matterhorn and Joey

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Speaker 2: chimes in with his his yodel o Lady, who's just hysterical.

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Speaker 2: Matter Horn is a great ride, I.

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Speaker 1: Do if you are wearing a neck brace, that ride

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Speaker 1: is never that ride like you around like that. I mean,

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Speaker 1: I love it, it's great, but I really I haven't

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Speaker 1: been on it in years, and my neck might be

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Speaker 1: all the better for it because it's never been able

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Speaker 1: to be made smooth. But that's part of the fun,

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Speaker 1: is that it's terrifying and you look like you're going

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Speaker 1: into into a yetti and then you abruptly turn to

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Speaker 1: the left right.

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Speaker 3: The yetti is so scary.

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Speaker 1: I always yetti. Both hate it and love it, like

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Speaker 1: I used to have to cover their eyes on.

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Speaker 2: So Stephanie asks DJ to explain again how great it's

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Speaker 2: going to be a Disneyland, and DJ tells her that

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Speaker 2: Disneyland has the greatest rides and Minnie and Mickey will

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Speaker 2: come up and talk to you. Stephanie tells everyone to

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Speaker 2: stop yak and it's time to go. She grabs a

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Speaker 2: large Duffel bag and a large suitcase that are both

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Speaker 2: bigger than she is.

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Speaker 1: She struggles out the door. Lets go, no time to wait, people,

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Speaker 1: Let's move it, move it, move it. Come on, Yeah,

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Speaker 1: she's leading the charge. Yep.

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Speaker 2: Danny asks Jesse, are you sure you don't want to

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Speaker 2: go with us? And Jesse is sure and he quickly

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Speaker 2: ushers the family out the door with their bags. We

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Speaker 2: cut to later that day in the living room, a

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Speaker 2: Jesse and Sammy walk in wearing tennis gear and carrying

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Speaker 2: tennis records.

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Speaker 1: I can't, I have to say, John. I don't know why,

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Speaker 1: but John looks ridiculous in this outfit.

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Speaker 3: I just can look.

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00:11:06,720 --> 00:11:09,800
Speaker 1: I just saw him. It's like a FeelA shirt or something,

221
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Speaker 1: and I just want to go, no, you know.

222
00:11:13,120 --> 00:11:15,480
Speaker 2: It doesn't look good in any decade that we're in.

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Speaker 1: It's just it's just not it's I think it's because

224
00:11:18,960 --> 00:11:20,720
Speaker 1: we know him so well that I'm just looking at

225
00:11:20,800 --> 00:11:25,080
Speaker 1: him going this, I don't buy this, never right. But yeah,

226
00:11:25,120 --> 00:11:26,599
Speaker 1: maybe it's just because we know him so well. But

227
00:11:26,640 --> 00:11:28,640
Speaker 1: it was funny thing, it's just because we know it

228
00:11:28,679 --> 00:11:34,119
Speaker 1: was a very eighties moment, like very eighty tennis.

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00:11:32,880 --> 00:11:36,920
Speaker 2: Totally or yeah, yeah, they had like the pastel colored shirts,

230
00:11:36,960 --> 00:11:38,319
Speaker 2: and he wore.

231
00:11:38,160 --> 00:11:40,680
Speaker 1: Tennis shoes, so he's at least not playing I'm playing

232
00:11:40,720 --> 00:11:41,280
Speaker 1: tennis in.

233
00:11:41,280 --> 00:11:42,640
Speaker 2: Boots, Thank goodness.

234
00:11:42,720 --> 00:11:44,520
Speaker 3: I learned improvement from.

235
00:11:44,760 --> 00:11:48,360
Speaker 1: Uh from the touch football incident. Yeah, or the basketball

236
00:11:48,440 --> 00:11:50,640
Speaker 1: rather the basketball. I can't can't do that in boots.

237
00:11:50,840 --> 00:11:52,679
Speaker 2: Got to take off your motorcycle boots if you want

238
00:11:52,720 --> 00:11:56,440
Speaker 2: to play sports. Yeah. So Jesse is so excited that

239
00:11:56,480 --> 00:11:59,800
Speaker 2: he won three sets, until he quickly figures out that

240
00:12:00,040 --> 00:12:01,800
Speaker 2: Amantha is the one that let him win.

241
00:12:02,960 --> 00:12:03,360
Speaker 1: Oops.

242
00:12:03,920 --> 00:12:07,160
Speaker 2: Whoops. So Jesse notices that the house is very quiet.

243
00:12:07,600 --> 00:12:09,960
Speaker 2: He remarks that he and Samantha have been going out

244
00:12:10,040 --> 00:12:12,880
Speaker 2: for one month, yet this is the first time they

245
00:12:12,920 --> 00:12:14,480
Speaker 2: have been alone together.

246
00:12:15,040 --> 00:12:17,520
Speaker 1: Okay, Jesse's taking it slow for once.

247
00:12:17,800 --> 00:12:20,440
Speaker 3: Oh, this is like a ten year relationship in Jesse years.

248
00:12:20,920 --> 00:12:24,400
Speaker 1: Ten years, yeah, you dog years. Everything like every three

249
00:12:24,520 --> 00:12:27,480
Speaker 1: days is like seven years in Jesse time.

250
00:12:27,640 --> 00:12:30,640
Speaker 3: Yeah, this might be of the longest relationship old.

251
00:12:30,480 --> 00:12:31,920
Speaker 1: Together at this point, you know what I mean.

252
00:12:32,240 --> 00:12:36,280
Speaker 2: Yeah, they're planning retirement, Yeah, exactly, they're picking out years

253
00:12:36,760 --> 00:12:41,600
Speaker 2: for sure, totally. So he's very excited that this is

254
00:12:41,600 --> 00:12:45,839
Speaker 2: their first time alone together. And I was trying to

255
00:12:45,840 --> 00:12:47,640
Speaker 2: figure out why have they not been alone. Well, Samantha

256
00:12:47,679 --> 00:12:50,640
Speaker 2: lives at her her parents' house, and Jesse's been living

257
00:12:50,679 --> 00:12:53,080
Speaker 2: in what he calls Peebe's playhouse. So that's why this

258
00:12:53,160 --> 00:12:55,880
Speaker 2: is their first time alone. So Jesse decides he's going

259
00:12:55,960 --> 00:12:59,440
Speaker 2: to make Samantha a very romantic dinner. Does she want

260
00:12:59,480 --> 00:13:02,160
Speaker 2: extra speed or original recipe?

261
00:13:02,760 --> 00:13:03,000
Speaker 1: Again?

262
00:13:03,080 --> 00:13:04,679
Speaker 3: My chicken, cold fried chicken.

263
00:13:04,800 --> 00:13:06,240
Speaker 1: Yeah, my chicken. It's a thing.

264
00:13:07,080 --> 00:13:09,440
Speaker 2: So Samantha says she's gonna go take a shower, and

265
00:13:09,480 --> 00:13:13,920
Speaker 2: we get another have mercy from Jesse. We cut to

266
00:13:13,920 --> 00:13:17,200
Speaker 2: the kitchen where Jesse is busy preparing this romantic dinner

267
00:13:17,360 --> 00:13:21,160
Speaker 2: and he's singing, love machine. I'm just a love machine.

268
00:13:20,800 --> 00:13:24,079
Speaker 1: In a fantastic like what is that like a sharkskin suit?

269
00:13:24,120 --> 00:13:27,680
Speaker 1: I mean, come on the silvery like when the bolo

270
00:13:27,840 --> 00:13:31,079
Speaker 1: tie and the oh oh horizontal stripes that he met

271
00:13:32,360 --> 00:13:36,960
Speaker 1: horizontal horizontal, up and down right horizontal stripes. Yeah, oh

272
00:13:37,000 --> 00:13:37,559
Speaker 1: it's true.

273
00:13:37,720 --> 00:13:40,600
Speaker 2: No, he looks he's very excited about this romantic dinner.

274
00:13:41,600 --> 00:13:45,520
Speaker 2: He's set in the table with a white lace tablecloth

275
00:13:45,640 --> 00:13:50,680
Speaker 2: and these taper candles. That's fancy. This, this is gonna

276
00:13:50,679 --> 00:13:51,520
Speaker 2: be a fancy.

277
00:13:52,240 --> 00:13:55,120
Speaker 1: Chick made that tablecloth. That was the story there.

278
00:13:55,240 --> 00:13:56,720
Speaker 3: It does seem like an heirloom.

279
00:13:56,840 --> 00:13:59,120
Speaker 1: Yeah, I would agree, pass down.

280
00:14:00,559 --> 00:14:02,920
Speaker 2: So he pours the champagne and we cut to the

281
00:14:02,920 --> 00:14:06,280
Speaker 2: hallway where Jesse's bringing a glass of champagne to Samantha

282
00:14:06,360 --> 00:14:09,360
Speaker 2: in the bathroom. So but he teases her by holding

283
00:14:09,400 --> 00:14:12,480
Speaker 2: the champagne just out of her reach, attempting to lure

284
00:14:12,520 --> 00:14:15,040
Speaker 2: her further out of the bathroom so he can sneak

285
00:14:15,080 --> 00:14:19,760
Speaker 2: a peek. Yeah, he's not He's not successful, and he

286
00:14:19,880 --> 00:14:22,040
Speaker 2: leaves to go change into his evening attire.

287
00:14:22,160 --> 00:14:24,640
Speaker 3: I thought it was cute. It was flirty there alone.

288
00:14:24,760 --> 00:14:28,960
Speaker 2: It's appro This is finally appropriate to be flirting sexually

289
00:14:29,240 --> 00:14:31,480
Speaker 2: in a hole. At least he's alone, there's no children present,

290
00:14:31,600 --> 00:14:32,280
Speaker 2: So I give.

291
00:14:32,200 --> 00:14:35,120
Speaker 1: Him, yeah, right for once. Although I think this is

292
00:14:35,160 --> 00:14:37,800
Speaker 1: the least amount he's made out with anyone and there's

293
00:14:37,840 --> 00:14:42,480
Speaker 1: no one around, you know what I mean. He's done

294
00:14:42,640 --> 00:14:45,440
Speaker 1: far more with far more people in the room, you

295
00:14:45,440 --> 00:14:47,680
Speaker 1: know what I mean, Like, all of a sudden, he's like, oh,

296
00:14:47,720 --> 00:14:51,000
Speaker 1: it's been a month, where like he is. This is

297
00:14:51,080 --> 00:14:52,040
Speaker 1: commitment for Jesse.

298
00:14:52,240 --> 00:14:55,680
Speaker 3: This is a huhuge change. Yeah, this is he is.

299
00:14:56,000 --> 00:14:59,720
Speaker 2: He's a changed man. We cut to the living room

300
00:14:59,720 --> 00:15:03,520
Speaker 2: where the front door opens and in walks the family.

301
00:15:04,360 --> 00:15:09,560
Speaker 2: Oh yeah, Stephanie is pissed. She's so sad because it

302
00:15:09,720 --> 00:15:13,280
Speaker 2: was too foggy for their plane to take off. I

303
00:15:13,560 --> 00:15:17,760
Speaker 2: just go Carl the fog, yep is a thing.

304
00:15:18,040 --> 00:15:19,320
Speaker 1: Wait, Carl the fog.

305
00:15:20,200 --> 00:15:22,840
Speaker 2: Yeah, he has an Instagram account. That's the fog. The

306
00:15:22,880 --> 00:15:24,840
Speaker 2: San Francisco fog is called Carl.

307
00:15:25,520 --> 00:15:25,720
Speaker 1: What.

308
00:15:26,840 --> 00:15:30,320
Speaker 2: I don't know why? And there's an in you.

309
00:15:30,280 --> 00:15:33,080
Speaker 1: Just no, no, no, but you just mentioned that, like obviously, Carl.

310
00:15:33,160 --> 00:15:35,880
Speaker 1: I was like, wait, what are you talking about?

311
00:15:36,320 --> 00:15:40,280
Speaker 2: Like I don't know the history behind the nickname, but yeah, there's.

312
00:15:40,200 --> 00:15:42,760
Speaker 1: Are you sure there's a history behind the nickname farther

313
00:15:42,840 --> 00:15:45,600
Speaker 1: back than just Instagram or it was somebody was like,

314
00:15:45,640 --> 00:15:47,160
Speaker 1: I'm gonna name the fog Carl.

315
00:15:48,280 --> 00:15:49,640
Speaker 2: I'm sure. Ay.

316
00:15:50,240 --> 00:15:52,600
Speaker 1: Maybe it's like think since like the the you know,

317
00:15:52,840 --> 00:15:55,760
Speaker 1: the the early nineteen hundreds, they've been like here comes Carl,

318
00:15:56,120 --> 00:15:58,360
Speaker 1: before there was even a bridge to get fogged in

319
00:15:58,760 --> 00:15:59,280
Speaker 1: or an airport.

320
00:15:59,320 --> 00:16:01,880
Speaker 2: You don't know that that famous Tony Bennett Bennett song

321
00:16:01,960 --> 00:16:03,880
Speaker 2: about my.

322
00:16:03,840 --> 00:16:06,760
Speaker 1: Frog it's my heart in Carl Francisco.

323
00:16:06,920 --> 00:16:10,479
Speaker 2: Yeah, oh okay, here's the breaking news, the fact.

324
00:16:10,280 --> 00:16:13,960
Speaker 1: Carls with a K least we let's make it. Carl

325
00:16:14,040 --> 00:16:16,600
Speaker 1: the Fog has been a part of San Francisco since

326
00:16:16,640 --> 00:16:21,800
Speaker 1: his Twitter account ah nay Twitter now x all whatever

327
00:16:22,160 --> 00:16:25,960
Speaker 1: account first appeared in twenty ten. The anonymous user behind

328
00:16:25,960 --> 00:16:29,800
Speaker 1: the parody account has tweeted over ten thousand times and

329
00:16:29,920 --> 00:16:32,000
Speaker 1: has a mass of following of around three hundred and

330
00:16:32,000 --> 00:16:35,320
Speaker 1: forty four thousand, seven hundred. Fog joke lovers, Well, that's

331
00:16:35,360 --> 00:16:37,640
Speaker 1: gonna be three hundred and forty four thousand, seven hundred

332
00:16:37,640 --> 00:16:40,880
Speaker 1: and one because I am going to go follow Carl

333
00:16:40,920 --> 00:16:41,280
Speaker 1: the Fog.

334
00:16:41,680 --> 00:16:44,800
Speaker 2: Yeah, make that too. I'm gonna go follow too, because that's.

335
00:16:44,440 --> 00:16:47,200
Speaker 1: Wall it and you're just throwing it out there.

336
00:16:47,560 --> 00:16:49,400
Speaker 2: Yeah. Well I've seen it, like I've seen it come

337
00:16:49,440 --> 00:16:51,520
Speaker 2: up in my feet. I have friends in San Francisco.

338
00:16:51,680 --> 00:16:53,760
Speaker 2: I've run her friends up there, so got it? Yeah,

339
00:16:53,800 --> 00:16:55,080
Speaker 2: so I I Carl just like.

340
00:16:55,280 --> 00:16:58,120
Speaker 1: Carl is Carl just slipping in your DMS?

341
00:16:58,280 --> 00:17:00,360
Speaker 2: Yeah, I mean, well he's in my for you page

342
00:17:00,440 --> 00:17:03,080
Speaker 2: or whatever, right right, He's like you've been in your

343
00:17:03,120 --> 00:17:06,800
Speaker 2: DMS just like, hey, you won't see me coming, but

344
00:17:06,880 --> 00:17:07,960
Speaker 2: here I am right.

345
00:17:07,920 --> 00:17:10,400
Speaker 1: Just yeah, yeah, I have your feet.

346
00:17:10,440 --> 00:17:10,680
Speaker 2: Really.

347
00:17:12,000 --> 00:17:14,200
Speaker 1: Carl is a reference to Tim Burton's two thousand and

348
00:17:14,200 --> 00:17:17,920
Speaker 1: three film Big Fish, which is such a fantastic movie,

349
00:17:18,160 --> 00:17:20,160
Speaker 1: although at least one local reader tells us the name

350
00:17:20,200 --> 00:17:21,760
Speaker 1: is Carl with a seat was used back in the

351
00:17:21,800 --> 00:17:25,960
Speaker 1: nineteen eighties. Okay, there is lore. If anyone has any

352
00:17:26,000 --> 00:17:28,919
Speaker 1: information on the history of Carl.

353
00:17:29,200 --> 00:17:33,040
Speaker 3: K or Carl c the Fog of San Francisco.

354
00:17:32,840 --> 00:17:36,440
Speaker 1: I'd be fascinated to learn, because it is both useless

355
00:17:36,560 --> 00:17:37,320
Speaker 1: and entertaining.

356
00:17:37,720 --> 00:17:38,880
Speaker 3: That's my favorite alley.

357
00:17:39,640 --> 00:17:40,840
Speaker 1: Yeah.

358
00:17:41,119 --> 00:17:43,000
Speaker 2: Now I have a new life goal, which is to

359
00:17:43,040 --> 00:17:46,560
Speaker 2: get Carl the Fog in his Twitter to like give

360
00:17:46,640 --> 00:17:49,120
Speaker 2: us a shout out, give this podcast a shout out.

361
00:17:49,160 --> 00:17:50,840
Speaker 3: Please, Carl the Fog please.

362
00:17:51,000 --> 00:17:52,240
Speaker 1: Yeah, life goal.

363
00:17:52,359 --> 00:17:56,159
Speaker 2: All right, I'm on it, on it. So Danny is

364
00:17:56,200 --> 00:18:00,560
Speaker 2: trying to console Stephanie. He offers her an alternative. Hey,

365
00:18:00,600 --> 00:18:04,360
Speaker 2: he's gonna make tonight a family fun night right here

366
00:18:04,480 --> 00:18:05,000
Speaker 2: at home.

367
00:18:05,560 --> 00:18:08,080
Speaker 1: That's never a good idea. That's never fun. I've tried

368
00:18:08,080 --> 00:18:09,560
Speaker 1: to pitch that idea to my kids when there's a

369
00:18:09,560 --> 00:18:12,560
Speaker 1: big disappointment. You're like, hey, I'm gonna put on a show,

370
00:18:12,600 --> 00:18:14,760
Speaker 1: and they're like, shut up, mom, they can see right

371
00:18:14,840 --> 00:18:15,199
Speaker 1: through it.

372
00:18:15,480 --> 00:18:15,680
Speaker 2: Yeah.

373
00:18:15,880 --> 00:18:23,040
Speaker 1: INSTEP toxic positive is like no, no, no.

374
00:18:21,640 --> 00:18:23,560
Speaker 2: She says that Joey's like, hey, what could be more

375
00:18:23,560 --> 00:18:25,399
Speaker 2: fun than that? And Stuff's like, I'll tell you what.

376
00:18:25,640 --> 00:18:28,360
Speaker 2: Something that starts with a D and n's in the land.

377
00:18:28,960 --> 00:18:31,240
Speaker 1: D Land, Yeah, d d Land.

378
00:18:32,119 --> 00:18:36,080
Speaker 2: So Stephanie goes off running upstairs and DJ follows her.

379
00:18:36,720 --> 00:18:39,400
Speaker 2: Danny says, these disappointments are really hard on a six

380
00:18:39,480 --> 00:18:42,199
Speaker 2: year old, and Joey responds with, I can't believe we

381
00:18:42,240 --> 00:18:43,440
Speaker 2: missed Captain EO.

382
00:18:44,400 --> 00:18:49,040
Speaker 1: I remember love Captain EO. Yes, now now it's now

383
00:18:49,080 --> 00:18:49,320
Speaker 1: it is.

384
00:18:49,400 --> 00:18:51,560
Speaker 2: It's like a Star Wars isn't a Star Wars or

385
00:18:51,640 --> 00:18:52,360
Speaker 2: Star Tours.

386
00:18:52,960 --> 00:18:57,520
Speaker 1: Now Star Tours is uh, Captain EO was in the

387
00:18:57,520 --> 00:18:59,160
Speaker 1: theater like next to it. I don't know, I don't

388
00:18:59,200 --> 00:19:02,080
Speaker 1: know they've sent they've probably taken that out and made

389
00:19:02,119 --> 00:19:04,080
Speaker 1: it part of the line for Space Mountain, which is

390
00:19:04,119 --> 00:19:06,320
Speaker 1: now thirty seven days long.

391
00:19:07,600 --> 00:19:10,040
Speaker 2: That's what the fast pass too, that's right, Yeah, exactly,

392
00:19:10,040 --> 00:19:11,120
Speaker 2: that's what the fast pass.

393
00:19:10,880 --> 00:19:12,400
Speaker 1: That you paid seventeen thousand dollars for.

394
00:19:12,800 --> 00:19:16,160
Speaker 2: Right, So you can watch Captain EO slash Star Wars

395
00:19:16,240 --> 00:19:17,960
Speaker 2: or whatever.

396
00:19:18,200 --> 00:19:20,320
Speaker 1: Yeah, you can learn the whole history of Captain EO.

397
00:19:20,680 --> 00:19:22,640
Speaker 1: You can learn about it. When he was Lieutenant EO.

398
00:19:23,040 --> 00:19:24,760
Speaker 1: You know, it's just it goes way back.

399
00:19:24,880 --> 00:19:27,080
Speaker 2: Yeah. Yeah, and then go hit the matterhorn and break

400
00:19:27,119 --> 00:19:30,359
Speaker 2: your neck. I mean it will be Disneyland is the

401
00:19:30,400 --> 00:19:31,520
Speaker 2: complete experience.

402
00:19:31,840 --> 00:19:32,439
Speaker 1: It really is.

403
00:19:33,160 --> 00:19:35,240
Speaker 2: Okay, so we quickly because we get the kitchen.

404
00:19:35,240 --> 00:19:39,040
Speaker 1: Isn't just kidding. I love you, Disneyland. We love you.

405
00:19:39,240 --> 00:19:43,800
Speaker 2: Yeah. We actually we had annual passes. They both lived

406
00:19:43,840 --> 00:19:46,080
Speaker 2: in Orange County, so we would go all the time,

407
00:19:46,640 --> 00:19:49,119
Speaker 2: and we would always go in the rain because there

408
00:19:49,119 --> 00:19:51,760
Speaker 2: was nobody to go to Disneyland. Yeah, there's nobody on line.

409
00:19:51,920 --> 00:19:52,520
Speaker 1: Not anymore.

410
00:19:52,960 --> 00:19:54,840
Speaker 2: I missed those days and not anymore.

411
00:19:55,640 --> 00:19:57,119
Speaker 3: So we are back in the kitchen.

412
00:19:57,600 --> 00:20:00,960
Speaker 2: Jesse walks downstairs wearing you know that any silver suit

413
00:20:01,000 --> 00:20:03,920
Speaker 2: with the bolo tie. The audience goes whoo, and he

414
00:20:04,000 --> 00:20:07,200
Speaker 2: lights the candles. We flipped to the hallway where Danny

415
00:20:07,240 --> 00:20:09,080
Speaker 2: tells Joey, oh, I'm just gonna let Jesse know that

416
00:20:09,119 --> 00:20:11,639
Speaker 2: we're back, and he knocks on the bathroom door, not

417
00:20:11,760 --> 00:20:15,840
Speaker 2: realizing that Samantha is in it. So Danny sticks his

418
00:20:15,880 --> 00:20:18,040
Speaker 2: head and he says, hey, we're back. We got fogged

419
00:20:18,080 --> 00:20:20,840
Speaker 2: in and he shuts the door. Samantha sticks her head

420
00:20:20,840 --> 00:20:23,000
Speaker 2: out of the shower curtain and says, what did you say, Jess.

421
00:20:23,800 --> 00:20:27,480
Speaker 2: Danny walks in notices that there's lingerie hanging on the

422
00:20:27,520 --> 00:20:30,080
Speaker 2: shower just as Samantha pops her head out of the

423
00:20:30,080 --> 00:20:34,720
Speaker 2: shower again. Danny is startled, and he says, have mercy.

424
00:20:34,880 --> 00:20:39,040
Speaker 2: They awkwardly introduce themselves. Danny is just a hotness. He

425
00:20:39,119 --> 00:20:41,119
Speaker 2: is stammering, he's stuttering.

426
00:20:41,280 --> 00:20:45,960
Speaker 1: Get out of the bathroom. You never have you ever

427
00:20:46,080 --> 00:20:48,960
Speaker 1: opened the door to someone in the shower or on

428
00:20:49,119 --> 00:20:52,359
Speaker 1: the toilet and been like, oh my god, oh oh oh, No,

429
00:20:52,520 --> 00:20:54,760
Speaker 1: I'm gonna stand here and have an awkward conversation. No,

430
00:20:54,920 --> 00:20:59,080
Speaker 1: You're like, yeah, and you run away. You have No,

431
00:20:59,200 --> 00:20:59,639
Speaker 1: I haven't.

432
00:21:00,000 --> 00:21:01,760
Speaker 2: I haven't done it, but I'm saying yes, I like,

433
00:21:01,800 --> 00:21:03,680
Speaker 2: I get it. Like Danny just won't stop.

434
00:21:03,560 --> 00:21:05,800
Speaker 1: Especially a strange woman in your house. You're gonna be like,

435
00:21:05,840 --> 00:21:08,160
Speaker 1: I'm gonna stand here and be a weird, creepy dude.

436
00:21:08,160 --> 00:21:09,320
Speaker 1: That's in Yeah, i'd like.

437
00:21:09,520 --> 00:21:14,439
Speaker 2: He offers her shampoo and why you're not at CBS.

438
00:21:14,800 --> 00:21:18,040
Speaker 1: Go then excuse me and see yourself out would be plenty.

439
00:21:18,080 --> 00:21:20,760
Speaker 1: I don't need any shampoo or conditioner, just you to leave.

440
00:21:23,040 --> 00:21:26,240
Speaker 2: There are no boundaries in the full house at all. Right,

441
00:21:27,160 --> 00:21:29,439
Speaker 2: So finally Danny just gets the hell out of there

442
00:21:29,440 --> 00:21:33,639
Speaker 2: and he starts calling Jesse's name, Jesse, Jesse. So now

443
00:21:33,760 --> 00:21:36,840
Speaker 2: Jesse hears his name being called. He's in the kitchen,

444
00:21:36,880 --> 00:21:39,600
Speaker 2: and he slowly rises from behind the kitchen island with

445
00:21:39,600 --> 00:21:41,920
Speaker 2: a really panicked look on his face.

446
00:21:42,119 --> 00:21:44,520
Speaker 1: It's like when you hear your kids screaming your mom

447
00:21:44,600 --> 00:21:46,159
Speaker 1: and you're like running into the room and they're like

448
00:21:46,160 --> 00:21:49,160
Speaker 1: what and you're like, I didn't wait, you didn't yell

449
00:21:49,200 --> 00:21:51,439
Speaker 1: for me, and they're like no, but did you ever

450
00:21:51,480 --> 00:21:53,560
Speaker 1: have that happen or is it just me going crazy?

451
00:21:53,600 --> 00:21:56,360
Speaker 2: No? It's like phantom fantom Fant're just so used.

452
00:21:56,160 --> 00:21:59,159
Speaker 1: To somebody being like mom and you're just running the

453
00:21:59,200 --> 00:22:01,159
Speaker 1: room and they're like, we didn't even say anything.

454
00:22:01,240 --> 00:22:03,280
Speaker 2: Yeah, yeah, no, I hear, I hear. I hear those

455
00:22:03,359 --> 00:22:09,280
Speaker 2: That's in my nightmares in general, right cause I repeating Mom, Mom, Mom.

456
00:22:09,640 --> 00:22:13,080
Speaker 2: So Jesse rushes upstairs just as DJ Stephan Joey walk

457
00:22:13,119 --> 00:22:15,320
Speaker 2: in the other door. They notice all the food and

458
00:22:15,320 --> 00:22:16,160
Speaker 2: they get excited.

459
00:22:16,800 --> 00:22:17,639
Speaker 3: Joey says, hey.

460
00:22:17,560 --> 00:22:20,760
Speaker 2: Let's take a trip to dinner Land, and he starts

461
00:22:20,800 --> 00:22:24,119
Speaker 2: imitating carnival music and pretending that the bread can talk.

462
00:22:24,640 --> 00:22:27,959
Speaker 2: It's very entertaining, but Stephanie is not impressed.

463
00:22:27,840 --> 00:22:31,160
Speaker 1: No, and is sitting like a potato. Might I ask,

464
00:22:31,359 --> 00:22:33,800
Speaker 1: I'm just my bo I still, I'm pretty sure. I still,

465
00:22:33,840 --> 00:22:35,520
Speaker 1: like I realized, I still have that same posture.

466
00:22:35,600 --> 00:22:37,920
Speaker 2: Like, left to my own devices, i'd be sitting like that,

467
00:22:38,040 --> 00:22:41,080
Speaker 2: you'd be sitting like that. It's your favorite, it's your comfort,

468
00:22:41,240 --> 00:22:44,399
Speaker 2: or you're sulking your sulking posture, or just your comfort.

469
00:22:44,600 --> 00:22:45,760
Speaker 1: Or just how I feel best.

470
00:22:45,880 --> 00:22:51,280
Speaker 2: Yeah. So Jesse comes backs down back downstairs, he notices

471
00:22:51,320 --> 00:22:55,080
Speaker 2: that they are eating his romantic dinner. Why aren't you

472
00:22:55,119 --> 00:22:58,560
Speaker 2: guys at disney Land, he demands to know, and Stephanie

473
00:22:58,560 --> 00:23:03,199
Speaker 2: tells him fog, fog, fog. Danny enters the room and

474
00:23:03,200 --> 00:23:05,880
Speaker 2: tells Jesse, oh, hey, I met your friend upstairs. She's

475
00:23:06,080 --> 00:23:11,840
Speaker 2: very clean. Again awkward. Jesse can't believe this. He's been

476
00:23:11,880 --> 00:23:15,080
Speaker 2: waiting a month to be alone with Samantha. He sits

477
00:23:15,119 --> 00:23:18,160
Speaker 2: down next to Stephanie, who remarks, I've been waiting five

478
00:23:18,200 --> 00:23:20,240
Speaker 2: and a half years to go to Disneyland.

479
00:23:20,520 --> 00:23:20,840
Speaker 1: Yeah.

480
00:23:20,880 --> 00:23:23,280
Speaker 2: They both say how much they hate fog and drop

481
00:23:23,400 --> 00:23:26,960
Speaker 2: their heads onto the table in defeat. It's true, not

482
00:23:27,080 --> 00:23:29,200
Speaker 2: very many people are happy in this house right now.

483
00:23:29,480 --> 00:23:31,520
Speaker 1: No, no, despite Family Fun Night.

484
00:23:32,000 --> 00:23:35,240
Speaker 2: Right, family fun Night is just not fun. So after

485
00:23:35,240 --> 00:23:37,879
Speaker 2: the commercial break, we're in the living room, where the

486
00:23:38,000 --> 00:23:41,119
Speaker 2: entire family plus Samantha have gathered on the couch for

487
00:23:41,240 --> 00:23:44,880
Speaker 2: Family Fun Night. Danny is trying to hype people up.

488
00:23:45,240 --> 00:23:48,639
Speaker 2: Jesse and Stephanie are just not having it. They're so dejected.

489
00:23:49,320 --> 00:23:51,920
Speaker 2: Danny passes out a guitar in a tambourine and gets

490
00:23:51,920 --> 00:23:53,960
Speaker 2: everyone to sing if you're happy and you know it,

491
00:23:54,040 --> 00:23:57,719
Speaker 2: clap your hands. Steph is clearly not happy, even when

492
00:23:57,800 --> 00:24:00,639
Speaker 2: Joey tries to get her to laugh by imitating Popeye.

493
00:24:01,000 --> 00:24:03,040
Speaker 1: Nobody's ever happy when you bring out a guitar and

494
00:24:03,080 --> 00:24:05,800
Speaker 1: a tambourine in a small group, everyone does.

495
00:24:06,560 --> 00:24:07,720
Speaker 2: Nobody wants to do that.

496
00:24:07,720 --> 00:24:08,720
Speaker 1: Nobody wants to do that.

497
00:24:08,920 --> 00:24:10,760
Speaker 2: No, so nett.

498
00:24:10,840 --> 00:24:13,399
Speaker 3: Then Danny tries to get everyone to sing row.

499
00:24:13,359 --> 00:24:17,760
Speaker 1: Row Row your boat but also not great.

500
00:24:18,119 --> 00:24:23,760
Speaker 2: DJ says that's dopey, which triggers Stephanie dopey. Don't say that,

501
00:24:25,160 --> 00:24:29,119
Speaker 2: of course. Then Danny accidentally tells Steph that she's grumpy, sleepy,

502
00:24:29,320 --> 00:24:32,160
Speaker 2: like he's just rubbing salt in the wound. At this point,

503
00:24:32,800 --> 00:24:35,880
Speaker 2: steph finally stops him and says, thanks, but family fun

504
00:24:36,000 --> 00:24:40,679
Speaker 2: night just isn't fun. The audience aws is. Stephanie runs upstairs,

505
00:24:40,760 --> 00:24:44,160
Speaker 2: and DJ says she'll go talk to her. So now

506
00:24:44,240 --> 00:24:47,560
Speaker 2: Jesse tries to subtly signal for Danny and Joey to

507
00:24:47,600 --> 00:24:50,760
Speaker 2: get lost so he and Sammy can have some time alone.

508
00:24:51,280 --> 00:24:54,280
Speaker 2: They take the hint and they leave. Samantha tells Jesse

509
00:24:54,400 --> 00:24:57,399
Speaker 2: how great his family is, but Jesse's still upset that

510
00:24:57,480 --> 00:25:01,199
Speaker 2: it could have been an even better night. Samantha says, well, hey,

511
00:25:01,240 --> 00:25:03,440
Speaker 2: why don't we go to this cute bed and breakfast

512
00:25:03,480 --> 00:25:08,280
Speaker 2: that I know of before I know? Right? Well, Jesse

513
00:25:08,400 --> 00:25:10,960
Speaker 2: loves this idea, but then oaps. He remembers that he

514
00:25:11,080 --> 00:25:14,760
Speaker 2: promised he would babysit, so he can't go to the airbnb,

515
00:25:14,920 --> 00:25:18,840
Speaker 2: got it. He's so frustrated, so they start to kiss,

516
00:25:18,880 --> 00:25:23,159
Speaker 2: and randomly Michelle walks in and very awkwardly just stares

517
00:25:23,160 --> 00:25:26,359
Speaker 2: at them. Jesse gives her five bucks and says, hey,

518
00:25:26,400 --> 00:25:29,280
Speaker 2: go catch a movie, and Michelle takes the money and

519
00:25:29,440 --> 00:25:31,600
Speaker 2: walks out. Yes, she's great of it.

520
00:25:31,640 --> 00:25:33,199
Speaker 1: There's an everywhere you look moment in there too, but

521
00:25:33,200 --> 00:25:34,000
Speaker 1: I'll get back to it.

522
00:25:34,119 --> 00:25:36,720
Speaker 2: Ooh oh, okay, I don't Yeah, I don't have one

523
00:25:36,840 --> 00:25:40,640
Speaker 2: for that, so okay, that'll be news to me. So yeah,

524
00:25:40,640 --> 00:25:43,919
Speaker 2: that was a cute moment. Audience loves it. Then we

525
00:25:43,960 --> 00:25:47,000
Speaker 2: cut to DJ and Stephanie's room. Stephanie is laying on

526
00:25:47,000 --> 00:25:50,800
Speaker 2: her bed sulking. DJ walks in and tells Steph that

527
00:25:51,080 --> 00:25:53,160
Speaker 2: she knows what it's like not to get what you want.

528
00:25:53,520 --> 00:25:58,520
Speaker 2: Remember the oat boat commercial, ah, which is to call back.

529
00:25:58,680 --> 00:26:00,840
Speaker 1: That's such a great sibling way to be, Like, remember

530
00:26:00,880 --> 00:26:02,720
Speaker 1: when you screwed me over and I didn't get the

531
00:26:02,760 --> 00:26:04,560
Speaker 1: thing that I wanted because you got what you want. Like,

532
00:26:04,600 --> 00:26:06,840
Speaker 1: it's that's a sibling way to be, like remember when

533
00:26:06,880 --> 00:26:09,239
Speaker 1: I was disappointed and you were really happy? Yeah, well

534
00:26:09,280 --> 00:26:10,200
Speaker 1: it's size, doesn't it?

535
00:26:10,280 --> 00:26:15,600
Speaker 2: Like it's so passive aggressive, it's yeah, exactly it Yeah, although.

536
00:26:15,320 --> 00:26:17,480
Speaker 1: Steph doesn't fall for it. Stefph's like, yeah, you basically

537
00:26:17,480 --> 00:26:19,679
Speaker 1: tried to kill me, okay, good points.

538
00:26:19,800 --> 00:26:20,600
Speaker 3: She points it out.

539
00:26:20,680 --> 00:26:22,440
Speaker 2: She's just like you chased me your in the kitchen

540
00:26:22,480 --> 00:26:24,159
Speaker 2: and tried to kill me, and it's like so she

541
00:26:24,240 --> 00:26:25,399
Speaker 2: calls DJ on all lit.

542
00:26:25,320 --> 00:26:28,120
Speaker 1: But rarely do you do you mention? Like old episodes

543
00:26:28,119 --> 00:26:31,840
Speaker 1: in uh you know, I was surprised. Yeah, in the

544
00:26:31,920 --> 00:26:34,480
Speaker 1: nineties that was not popular to do, but this was.

545
00:26:34,600 --> 00:26:36,080
Speaker 1: It was a funny, great joke.

546
00:26:36,200 --> 00:26:38,119
Speaker 2: Though it was a good one, it was it was

547
00:26:38,160 --> 00:26:41,720
Speaker 2: well earned. Yes, So DJ decides there's only one way

548
00:26:41,840 --> 00:26:46,240
Speaker 2: to make Stephanie smile, the tickle monster. DJ tickles Stephanie

549
00:26:46,240 --> 00:26:49,360
Speaker 2: while Stephanie tries not to not to not to laugh

550
00:26:49,359 --> 00:26:52,000
Speaker 2: and tries to convince her this isn't working, but it's working,

551
00:26:52,240 --> 00:26:53,359
Speaker 2: and she starts laughing.

552
00:26:53,400 --> 00:26:54,280
Speaker 3: Were you really laughing?

553
00:26:54,280 --> 00:26:54,719
Speaker 1: Are you yes?

554
00:26:54,800 --> 00:26:55,240
Speaker 2: Tiklish?

555
00:26:55,680 --> 00:26:59,520
Speaker 1: Well, here's the thing. I'm not ticklish unless someone, like,

556
00:27:00,040 --> 00:27:03,800
Speaker 1: unless I'm held down and someone's tickling me. Otherwise I'm

557
00:27:03,840 --> 00:27:05,520
Speaker 1: like I can sit there and kind of turn it off.

558
00:27:07,000 --> 00:27:11,320
Speaker 2: But if it's yeah, in a in a in a hold.

559
00:27:11,119 --> 00:27:13,760
Speaker 1: Okay, yeah, which sounds horrible really.

560
00:27:14,040 --> 00:27:17,200
Speaker 3: But that's what siblings do to each other, each other

561
00:27:17,320 --> 00:27:18,320
Speaker 3: down and each other.

562
00:27:18,320 --> 00:27:22,400
Speaker 1: They could tell by the way I was like, yeah, yeah,

563
00:27:22,440 --> 00:27:24,880
Speaker 1: I was actually laughing. It's so great that, like, pee

564
00:27:24,840 --> 00:27:25,240
Speaker 1: wee herman.

565
00:27:25,640 --> 00:27:28,080
Speaker 2: So Danny walks in and he's very pleased to see

566
00:27:28,119 --> 00:27:31,439
Speaker 2: that Stephanie is happy again, but Stephanie corrects him. She's like, no,

567
00:27:31,480 --> 00:27:34,080
Speaker 2: that didn't count because it was a tickle monster that was.

568
00:27:34,240 --> 00:27:38,200
Speaker 1: Forced happiness, not for after. Yeah.

569
00:27:38,760 --> 00:27:41,480
Speaker 2: Danny tells her that she has every right to be sad,

570
00:27:41,720 --> 00:27:44,760
Speaker 2: and he completely understands, but he wants her to really

571
00:27:44,760 --> 00:27:47,560
Speaker 2: think about this. She's not always going to get her

572
00:27:47,600 --> 00:27:50,960
Speaker 2: own way, and while she's being sad, she's missing out

573
00:27:51,040 --> 00:27:55,120
Speaker 2: on a lot of other fun things. The violins start

574
00:27:55,200 --> 00:27:55,920
Speaker 2: to play.

575
00:27:56,320 --> 00:27:58,040
Speaker 1: Not Disneyland, though, you know what I mean?

576
00:27:58,480 --> 00:27:59,880
Speaker 2: Yeah, Disney you know what I mean.

577
00:28:00,760 --> 00:28:02,040
Speaker 3: This is a weird selfish.

578
00:28:02,160 --> 00:28:05,560
Speaker 1: She's not being selfish, she's no, she's saying I gonna

579
00:28:05,560 --> 00:28:08,480
Speaker 1: go to Disneyland. She's six. Yeah, she's sitting stuff's actually

580
00:28:08,520 --> 00:28:10,919
Speaker 1: handling it pretty well. If that would happen. We had

581
00:28:10,960 --> 00:28:13,400
Speaker 1: a whole trip planned and your kid at six years old,

582
00:28:13,480 --> 00:28:15,600
Speaker 1: and you were like, sorry, we can't go. Can you

583
00:28:15,680 --> 00:28:18,080
Speaker 1: imagine like just melt that day.

584
00:28:18,480 --> 00:28:20,960
Speaker 2: Give her the day to be sad. You know, she's allowed.

585
00:28:21,280 --> 00:28:23,359
Speaker 1: Yeah, but it's you know, we have to teach the

586
00:28:23,440 --> 00:28:27,560
Speaker 1: lesson in a quick time. I've only got twenty seven minutes.

587
00:28:27,880 --> 00:28:30,040
Speaker 2: The violins are starting to play here, which says this

588
00:28:30,080 --> 00:28:33,000
Speaker 2: is this is an emotional moment, or a teachable moment.

589
00:28:32,840 --> 00:28:34,880
Speaker 1: Or time to get up. Whige All three.

590
00:28:34,800 --> 00:28:37,160
Speaker 2: Right, it's a little unwarranted, like they're not really having

591
00:28:37,160 --> 00:28:39,920
Speaker 2: a like they've talked about grief, they've talked about loss,

592
00:28:40,040 --> 00:28:42,320
Speaker 2: and now they're talking about you're sad about Disneyland. I

593
00:28:42,360 --> 00:28:44,680
Speaker 2: don't think they needed violence here, but that's just mine.

594
00:28:44,720 --> 00:28:48,200
Speaker 1: Well, but I think they're starting to have to identify

595
00:28:48,360 --> 00:28:51,080
Speaker 1: the like teachable moment in the show. I think they're

596
00:28:51,080 --> 00:28:53,480
Speaker 1: finding that maybe that like is resonating with viewers that

597
00:28:53,520 --> 00:28:57,800
Speaker 1: they like when they're sort of that like mom and

598
00:28:57,840 --> 00:28:59,600
Speaker 1: then you know, oh, look we're having a moment.

599
00:28:59,720 --> 00:29:03,840
Speaker 3: Yeah, I pay attention. This is the moment you need

600
00:29:03,880 --> 00:29:04,840
Speaker 3: to This is the lesson.

601
00:29:04,880 --> 00:29:08,720
Speaker 2: Okay, okay. So Danny says to Stephanie it's up to her.

602
00:29:08,960 --> 00:29:11,320
Speaker 2: She can feel sorry for herself, or she can feel

603
00:29:11,360 --> 00:29:13,280
Speaker 2: bad for a little while and shake it off and

604
00:29:13,360 --> 00:29:15,040
Speaker 2: move on to the next fun thing.

605
00:29:15,600 --> 00:29:18,320
Speaker 1: It's been three hours, Danny, the kid's disappointed about going

606
00:29:18,320 --> 00:29:18,840
Speaker 1: to Disneyland.

607
00:29:18,920 --> 00:29:20,720
Speaker 2: Just let her sleep it off. That's my opinion. She'll

608
00:29:20,720 --> 00:29:23,160
Speaker 2: feel better in the morning. She'll get distracted, you know. Yeah,

609
00:29:23,240 --> 00:29:26,680
Speaker 2: I agree. But DJ knows one thing that'll be fun,

610
00:29:27,040 --> 00:29:31,000
Speaker 2: tickling Danny. So the girls attack Danny and tickling him.

611
00:29:31,040 --> 00:29:32,800
Speaker 2: He's still trying to sing if You're happy and you

612
00:29:32,880 --> 00:29:36,240
Speaker 2: know it. They're having a funnel time, and Jesse walks

613
00:29:36,240 --> 00:29:39,400
Speaker 2: by with his guitar and he clocks this moment and

614
00:29:39,680 --> 00:29:43,680
Speaker 2: then sadly walks into his own room. Yes, so, now

615
00:29:43,680 --> 00:29:46,480
Speaker 2: we're in Jesse's room, where Jesse walks over to the wall.

616
00:29:46,560 --> 00:29:49,800
Speaker 2: He notices that one of the pink bunnies is peeling

617
00:29:49,920 --> 00:29:54,200
Speaker 2: off the wall. Kind of symbolic here. Joey walks in,

618
00:29:54,280 --> 00:29:57,360
Speaker 2: eating a carton of ice cream and asks Jesse what's

619
00:29:57,400 --> 00:30:00,480
Speaker 2: going on. Jesse says, every time I walk in this room,

620
00:30:00,480 --> 00:30:02,600
Speaker 2: it seems like there are more pink bunnies on the wall.

621
00:30:03,080 --> 00:30:07,000
Speaker 2: Joey replies, well, you know how rabbits are, which it

622
00:30:07,040 --> 00:30:08,600
Speaker 2: took me a minute, but ultiply joke.

623
00:30:08,640 --> 00:30:10,520
Speaker 1: You do you not know how rabbits are?

624
00:30:10,760 --> 00:30:14,160
Speaker 2: Yes, I do. It took me a minute. I was

625
00:30:14,200 --> 00:30:16,760
Speaker 2: slow to catch on to that joke, but it was funny.

626
00:30:17,240 --> 00:30:20,800
Speaker 2: So Jesse sits Joey down for a talk. Joey apologizes

627
00:30:21,000 --> 00:30:24,200
Speaker 2: if they ruined his night with Samantha. Jesse says, well,

628
00:30:24,200 --> 00:30:28,040
Speaker 2: it's not just that. He asks, Joseph, doesn't living here

629
00:30:28,120 --> 00:30:32,160
Speaker 2: get to you sometimes? Joey says, no, never he loves it,

630
00:30:33,040 --> 00:30:36,680
Speaker 2: but Jesse's skeptical. You mean you love changing diapers, making

631
00:30:36,680 --> 00:30:39,480
Speaker 2: school lunches, helping them with their homework. Did I mention

632
00:30:39,720 --> 00:30:44,320
Speaker 2: changing diapers? Joey explains that, well, he didn't have brothers

633
00:30:44,320 --> 00:30:46,920
Speaker 2: and sisters growing up, and he feels like he's part

634
00:30:46,960 --> 00:30:49,600
Speaker 2: of a big family here. He says, I like having

635
00:30:49,640 --> 00:30:53,440
Speaker 2: people to care about and that includes you. This is

636
00:30:53,480 --> 00:30:55,240
Speaker 2: a very nice moment between.

637
00:30:54,880 --> 00:30:56,280
Speaker 1: These two very sweet moments.

638
00:30:56,400 --> 00:30:58,680
Speaker 2: Yeah, I'm enjoying it doesn't seem.

639
00:30:58,440 --> 00:31:01,360
Speaker 1: To really be landing with him, but Joey was being

640
00:31:01,480 --> 00:31:02,360
Speaker 1: very Yeah.

641
00:31:02,200 --> 00:31:05,680
Speaker 2: Joey's trying, He's trying to get to get him to understand.

642
00:31:07,000 --> 00:31:09,680
Speaker 2: So Jesse explains that he used to be this freewheeling,

643
00:31:10,080 --> 00:31:12,600
Speaker 2: living on the edge, no strings kind of guy, and

644
00:31:12,640 --> 00:31:15,080
Speaker 2: now he feels like he's married or something. He's got

645
00:31:15,120 --> 00:31:18,240
Speaker 2: all these responsibilities and hassles of three kids, yet he

646
00:31:18,280 --> 00:31:21,760
Speaker 2: can't even deduct them from his taxes. Joey replies, well,

647
00:31:21,840 --> 00:31:26,120
Speaker 2: technically you could if you married Danny So okay.

648
00:31:26,200 --> 00:31:28,640
Speaker 1: San Francisco, late eighties, very forward thinking.

649
00:31:28,480 --> 00:31:32,240
Speaker 2: Very forward. Jesse says, it's all just getting to him.

650
00:31:32,400 --> 00:31:35,200
Speaker 2: He has zero privacy, He can't write his music because

651
00:31:35,200 --> 00:31:38,760
Speaker 2: there's so many distractions. He tries writing his music from

652
00:31:38,760 --> 00:31:41,600
Speaker 2: his life experiences, but his last three songs have been

653
00:31:41,640 --> 00:31:46,520
Speaker 2: about changing diapers, measles, and tub toys. Jesse has things

654
00:31:46,560 --> 00:31:49,960
Speaker 2: he wants to accomplish in his life, and maybe living

655
00:31:50,000 --> 00:31:52,320
Speaker 2: in the Tanner House is holding him back.

656
00:31:53,720 --> 00:31:56,680
Speaker 1: I felt like this was maybe the beginning of Jesse's

657
00:31:57,240 --> 00:31:59,480
Speaker 1: jingle writing career, because you know, he went on and

658
00:31:59,560 --> 00:32:01,200
Speaker 1: Joey go to write jingles and he's like, yeah, I've

659
00:32:01,200 --> 00:32:04,840
Speaker 1: written songs about tub toys, and you know what. I

660
00:32:04,880 --> 00:32:07,520
Speaker 1: was like, Hey, maybe you should tap into this, Jesse.

661
00:32:07,640 --> 00:32:09,200
Speaker 1: It might be might actually pay off for you.

662
00:32:09,400 --> 00:32:11,800
Speaker 2: That's a good connection. I never thought of that before.

663
00:32:12,840 --> 00:32:16,440
Speaker 2: I think you're onto something. So later that night, we

664
00:32:16,480 --> 00:32:19,120
Speaker 2: hear special Dissolve music that suggests this might not be

665
00:32:19,160 --> 00:32:23,160
Speaker 2: a normal scene. It is dark and Jesse is asleep

666
00:32:23,200 --> 00:32:25,320
Speaker 2: in his bed when he suddenly hears the voice of

667
00:32:25,360 --> 00:32:30,080
Speaker 2: Samantha calling his name, Jesse. Samantha walks into the room

668
00:32:30,120 --> 00:32:35,200
Speaker 2: wearing a beautiful Fusia cocktail down. Jesse smiles and suggests

669
00:32:35,200 --> 00:32:38,360
Speaker 2: that maybe she shouldn't be in there because everybody's here

670
00:32:38,440 --> 00:32:41,880
Speaker 2: at home. The very next second, DJ rushes into the room,

671
00:32:41,920 --> 00:32:44,840
Speaker 2: wearing pajamas and carrying a textbook. Uncle Jesse, I need

672
00:32:44,880 --> 00:32:47,760
Speaker 2: help with my homework. This is quickly followed by Steph,

673
00:32:47,800 --> 00:32:50,560
Speaker 2: also in pajamas, rushing into the room, Uncle Jesse, will

674
00:32:50,560 --> 00:32:53,680
Speaker 2: you give me a piggyback ride? She and Jesse argue

675
00:32:53,680 --> 00:32:57,680
Speaker 2: back and forth with our moment, your moment, the moment

676
00:32:57,880 --> 00:33:00,760
Speaker 2: where you rub your eyes and you're like like, yes,

677
00:33:00,920 --> 00:33:01,720
Speaker 2: he does.

678
00:33:02,160 --> 00:33:05,360
Speaker 1: That was either I'm having a really terrible allergic reaction

679
00:33:05,560 --> 00:33:06,280
Speaker 1: or I'm crying.

680
00:33:07,480 --> 00:33:09,760
Speaker 2: I like this bit. The last time I saw this

681
00:33:09,840 --> 00:33:12,480
Speaker 2: was back in episode two, our very first date, when

682
00:33:12,480 --> 00:33:14,880
Speaker 2: you're trying to coax Jesse into reading a bedtime story.

683
00:33:14,960 --> 00:33:18,160
Speaker 2: So this is kind of an effective effective method. So

684
00:33:18,360 --> 00:33:21,360
Speaker 2: next Michelle toddles into the room and we hear a

685
00:33:21,400 --> 00:33:24,800
Speaker 2: baby voice over which I presume is Dave Koier.

686
00:33:24,960 --> 00:33:26,080
Speaker 1: That is definitely Dave.

687
00:33:26,240 --> 00:33:31,280
Speaker 2: Yeah, Uncle Jesse, change my diaper? Me y mean? So

688
00:33:31,360 --> 00:33:34,040
Speaker 2: now we know that this is a dream sequence, because,

689
00:33:34,080 --> 00:33:36,240
Speaker 2: as Jesse points out, Michelle can't really talk yet.

690
00:33:36,520 --> 00:33:36,640
Speaker 1: Right.

691
00:33:36,920 --> 00:33:39,480
Speaker 2: Also, Michelle points out that Jesse isn't allowed to have

692
00:33:39,600 --> 00:33:43,920
Speaker 2: girls in his room, thank you? Yes, right, Yeah, she's

693
00:33:43,920 --> 00:33:46,720
Speaker 2: got a point. So Jesse tries to show the girls

694
00:33:46,720 --> 00:33:48,720
Speaker 2: out of the room when Danny and joe walk in,

695
00:33:48,800 --> 00:33:54,600
Speaker 2: announcing Jesse, it's your turn and you're their uncle. So uh,

696
00:33:54,840 --> 00:33:57,360
Speaker 2: Jesse's like he gets everyone out of the room except

697
00:33:57,400 --> 00:34:01,040
Speaker 2: for Samantha. He starts kissing Samantha when suddenly we see

698
00:34:01,040 --> 00:34:04,320
Speaker 2: a special effect of the girls appearing on top of

699
00:34:04,360 --> 00:34:07,360
Speaker 2: the jukebox out of nowhere, repeating their requests I need

700
00:34:07,400 --> 00:34:09,520
Speaker 2: help with my homework. I want a piggyback ride.

701
00:34:09,840 --> 00:34:12,880
Speaker 1: But I see it in a rather threatening tone. You

702
00:34:13,120 --> 00:34:16,760
Speaker 1: do you're still one to pig. I was like, oh god,

703
00:34:17,000 --> 00:34:17,279
Speaker 1: you know.

704
00:34:17,360 --> 00:34:19,239
Speaker 3: Oh yes, this is you're setting up.

705
00:34:19,640 --> 00:34:25,560
Speaker 2: But it is a very creepy, creepy me. So next,

706
00:34:25,600 --> 00:34:28,560
Speaker 2: this is followed by Joey and Danny suddenly appearing at

707
00:34:28,560 --> 00:34:31,400
Speaker 2: the head of the bed, repeating their phrases it's your turn,

708
00:34:31,880 --> 00:34:36,040
Speaker 2: you're their uncle, and then they disappear. Samantha tells Jesse

709
00:34:36,320 --> 00:34:39,040
Speaker 2: we could have been so happy together, and he tries

710
00:34:39,080 --> 00:34:42,000
Speaker 2: to hug her, but she disappears right out from under him.

711
00:34:42,760 --> 00:34:46,520
Speaker 2: Michelle walks in the room, but not one Michelle. Two

712
00:34:46,600 --> 00:34:50,440
Speaker 2: Michelle's walk in in a weird zombie like fashion and

713
00:34:50,480 --> 00:34:52,800
Speaker 2: demand change me, change me, beat.

714
00:34:52,600 --> 00:34:55,000
Speaker 1: Me, change me, ga me, and that's the first time

715
00:34:55,040 --> 00:34:57,440
Speaker 1: that we see both Ashley and Mary Kate on camera.

716
00:34:57,920 --> 00:35:00,200
Speaker 2: Oh I love it. Yeah, I was like a great

717
00:35:00,239 --> 00:35:03,239
Speaker 2: way to get them both on screen at the same time.

718
00:35:03,200 --> 00:35:05,680
Speaker 1: And they were happy and loving it looked. I mean,

719
00:35:05,920 --> 00:35:08,040
Speaker 1: it was a very cute little moment. I mean, despite

720
00:35:08,200 --> 00:35:10,720
Speaker 1: the fact that it was, you know, a weird, creepy

721
00:35:10,800 --> 00:35:11,920
Speaker 1: dream sequence.

722
00:35:12,280 --> 00:35:15,160
Speaker 2: Right right, it was cute to see the both of them, Yes,

723
00:35:15,200 --> 00:35:18,080
Speaker 2: and you know acting the scene. It was great. So

724
00:35:18,239 --> 00:35:23,040
Speaker 2: Jesse is freaked out and cue the bizarro fish fish

725
00:35:23,040 --> 00:35:24,799
Speaker 2: eye lens. I don't know what.

726
00:35:24,880 --> 00:35:28,000
Speaker 1: This was the coolest thing because I'd never seen that

727
00:35:28,040 --> 00:35:29,799
Speaker 1: before as a kid. And you can see me in

728
00:35:29,840 --> 00:35:33,240
Speaker 1: the bottom corner, I'm like looking at probably at a monitor,

729
00:35:33,320 --> 00:35:35,880
Speaker 1: I think, oh, because they had a monitor there so

730
00:35:35,920 --> 00:35:38,880
Speaker 1: we could all see where we were fitting in the screen.

731
00:35:39,640 --> 00:35:41,719
Speaker 1: And I think I was like, oh my god, look

732
00:35:41,760 --> 00:35:44,840
Speaker 1: at that and keep your eyes off to keep my

733
00:35:44,840 --> 00:35:47,319
Speaker 1: eyes off of looking at the at us on the

734
00:35:47,400 --> 00:35:50,560
Speaker 1: thing thing. But yeah, that was like the first weird

735
00:35:50,719 --> 00:35:54,080
Speaker 1: camera lens thing that I remember learning about as a

736
00:35:54,160 --> 00:35:55,360
Speaker 1: kid was a fish eye lens.

737
00:35:55,760 --> 00:35:59,640
Speaker 2: It's so creepy and so distorted and is it just like,

738
00:36:00,080 --> 00:36:03,040
Speaker 2: is it the normal camera and they just change the

739
00:36:03,120 --> 00:36:03,719
Speaker 2: lens or this.

740
00:36:04,000 --> 00:36:06,680
Speaker 1: Yeah, you can't drop lens lenses on them, and it's

741
00:36:06,719 --> 00:36:09,080
Speaker 1: just a lens that's like more boat out. So it

742
00:36:09,200 --> 00:36:11,640
Speaker 1: makes everything in the center more prominent.

743
00:36:12,200 --> 00:36:13,160
Speaker 2: Got it? Okay? Yeah?

744
00:36:13,200 --> 00:36:16,360
Speaker 1: Oh yeah, well it they were. It was super creepy.

745
00:36:16,480 --> 00:36:21,200
Speaker 1: It was this. If you put that clip of the

746
00:36:21,239 --> 00:36:25,719
Speaker 1: show to some really scary music, can you imagine how

747
00:36:25,719 --> 00:36:28,240
Speaker 1: horrifying that would be? So when you put the Shining

748
00:36:28,400 --> 00:36:31,759
Speaker 1: too like a you know, fun eighty sitcom, You're like, oh,

749
00:36:31,800 --> 00:36:33,839
Speaker 1: I could it's a happy go lucky film, No, this

750
00:36:33,920 --> 00:36:36,360
Speaker 1: could be absolutely terrifying.

751
00:36:36,760 --> 00:36:39,880
Speaker 2: It's it was give me flashbacks to Halloween horror nights.

752
00:36:40,000 --> 00:36:42,239
Speaker 2: It was so terrifying. I was just like, this is

753
00:36:42,280 --> 00:36:45,080
Speaker 2: straight out of one of those horror mazes. Yes, So

754
00:36:45,200 --> 00:36:48,080
Speaker 2: Jesse finally wakes up. He's dripping in sweat and he's

755
00:36:48,080 --> 00:36:51,680
Speaker 2: screaming help. He can't take it anymore. He has to

756
00:36:51,719 --> 00:36:57,000
Speaker 2: get out of this house. So the next morning, Joey

757
00:36:57,000 --> 00:36:59,200
Speaker 2: and Danny walk into Jesse's room to wake him up,

758
00:36:59,680 --> 00:37:03,080
Speaker 2: but find an empty bed and a note on the pillow.

759
00:37:03,360 --> 00:37:07,000
Speaker 2: What the note reads, Guys, I didn't want to wake

760
00:37:07,040 --> 00:37:09,320
Speaker 2: anyone up, so I left this note, I need to

761
00:37:09,320 --> 00:37:11,359
Speaker 2: get away for a while. I don't know where I'm

762
00:37:11,400 --> 00:37:14,000
Speaker 2: going or when i'll be back, or if I will

763
00:37:14,040 --> 00:37:16,120
Speaker 2: even be back. I don't think it's working out for

764
00:37:16,200 --> 00:37:20,160
Speaker 2: me here. I'll call soon. Tell the girls I love them.

765
00:37:20,239 --> 00:37:24,560
Speaker 2: Oh no, Stephan, DJ walk in and say where's uncle Jesse,

766
00:37:25,200 --> 00:37:28,080
Speaker 2: Danny and Joey just awkwardly look at each other, not

767
00:37:28,239 --> 00:37:30,640
Speaker 2: knowing what to say, as a Chiron appears on the

768
00:37:30,640 --> 00:37:37,560
Speaker 2: screen saying to be continued. Oh boy, our first cliffhanger.

769
00:37:37,160 --> 00:37:40,040
Speaker 1: First cliffhanger. And I think if I remember it, I

770
00:37:40,040 --> 00:37:41,880
Speaker 1: think I know what comes next.

771
00:37:42,360 --> 00:37:44,160
Speaker 2: Oh you have, Oh you haven't. Oh I've already watched it.

772
00:37:44,200 --> 00:37:44,800
Speaker 2: I already watched it.

773
00:37:44,880 --> 00:37:46,360
Speaker 1: Oh I haven't watched it yet. You haven't watched my

774
00:37:47,120 --> 00:37:49,000
Speaker 1: I haven't watched it yet. If I get too far

775
00:37:49,040 --> 00:37:52,160
Speaker 1: ahead of myself, then then I get confused in it

776
00:37:52,200 --> 00:37:56,080
Speaker 1: A true But yeah, I'm gonna watch it, And yeah,

777
00:37:56,760 --> 00:37:57,880
Speaker 1: I think I know what happens.

778
00:37:58,120 --> 00:38:00,279
Speaker 2: And this is also the second episode that ends with

779
00:38:00,360 --> 00:38:02,759
Speaker 2: a freeze frame, which is it goes quick, So if

780
00:38:02,800 --> 00:38:05,160
Speaker 2: you missed it, that's why, because it goes quick. But yeah,

781
00:38:05,160 --> 00:38:07,960
Speaker 2: the last episode was ended in a freeze frame, and

782
00:38:08,000 --> 00:38:09,880
Speaker 2: this episode ended in a freeze frame, which to my

783
00:38:09,920 --> 00:38:11,240
Speaker 2: knowledge is the only two times.

784
00:38:11,520 --> 00:38:11,800
Speaker 1: Yeah.

785
00:38:11,880 --> 00:38:14,680
Speaker 2: Usually it was kind of strange, but okay, yeah.

786
00:38:14,200 --> 00:38:16,000
Speaker 1: The editor found a new button and was like, look

787
00:38:16,040 --> 00:38:18,960
Speaker 1: what I can do. And then they were like, okay,

788
00:38:18,960 --> 00:38:20,960
Speaker 1: two episodes is enough, dude, that's enough.

789
00:38:21,080 --> 00:38:23,400
Speaker 2: Frame stop it, just stop that. Don't do that.

790
00:38:23,640 --> 00:38:24,399
Speaker 1: Yeah, don't do that.

791
00:38:24,560 --> 00:38:27,080
Speaker 3: So that's our show to be, and that's our show.

792
00:38:27,239 --> 00:38:29,960
Speaker 1: I'm on tenter hooks.

793
00:38:29,640 --> 00:38:33,120
Speaker 2: Waiting, Oh what what tell tell me.

794
00:38:33,400 --> 00:38:35,319
Speaker 1: For the next for what happens next?

795
00:38:35,320 --> 00:38:37,239
Speaker 2: Oh, I thought you were talking about your everywhere you

796
00:38:37,280 --> 00:38:38,200
Speaker 2: look moment. I got excited.

797
00:38:38,200 --> 00:38:39,840
Speaker 1: Oh, oh, well that's true. I do have so my

798
00:38:39,920 --> 00:38:43,600
Speaker 1: everywhere you look moment. Oh wait, what was it? What

799
00:38:43,640 --> 00:38:44,000
Speaker 1: did I see?

800
00:38:44,000 --> 00:38:46,279
Speaker 2: You said something when Michelle toddled out and took the

801
00:38:46,320 --> 00:38:47,520
Speaker 2: money from.

802
00:38:48,360 --> 00:38:52,919
Speaker 1: And took the money. If you look behind her, there's

803
00:38:52,960 --> 00:38:56,839
Speaker 1: someone standing in the alcove there. I don't know who.

804
00:38:57,320 --> 00:38:59,600
Speaker 1: It's not Adria or it's not I don't know who is,

805
00:38:59,640 --> 00:39:03,000
Speaker 1: but there's it's a handler. It's someone it might have

806
00:39:03,040 --> 00:39:04,880
Speaker 1: been Bob, but I don't know who it was, but

807
00:39:05,040 --> 00:39:06,960
Speaker 1: is standing in the alcohol and you just see I mean,

808
00:39:07,000 --> 00:39:09,399
Speaker 1: I guess, and they left it in because I don't

809
00:39:09,400 --> 00:39:12,120
Speaker 1: think she was meant to like run off. I think

810
00:39:12,120 --> 00:39:14,200
Speaker 1: it was kind of an unscripted moment because you can

811
00:39:14,239 --> 00:39:17,200
Speaker 1: see Chelsea and John's reaction they're sort of laughing. But

812
00:39:17,560 --> 00:39:19,440
Speaker 1: whoever was back there, I guess she was like, I'm

813
00:39:19,560 --> 00:39:21,279
Speaker 1: out see you later, me and the dish rag or

814
00:39:21,280 --> 00:39:23,200
Speaker 1: whatever it was that she took with her, and.

815
00:39:24,200 --> 00:39:26,840
Speaker 2: Yeah, that's so funny. I didn't notice that. Yeah, I

816
00:39:26,880 --> 00:39:29,360
Speaker 2: don't know if that was a cast member or maybe.

817
00:39:29,120 --> 00:39:32,920
Speaker 1: It was you leave it right, you could leave it

818
00:39:32,960 --> 00:39:35,560
Speaker 1: in because it just looked like another person in the house.

819
00:39:35,640 --> 00:39:37,279
Speaker 1: But I was like, hey, who's that.

820
00:39:37,640 --> 00:39:40,799
Speaker 2: Yeah, we're so used to seeing Michelle alone and unattended.

821
00:39:40,840 --> 00:39:41,759
Speaker 3: We're just like, why is there?

822
00:39:41,800 --> 00:39:44,840
Speaker 1: Right, Michelle just wanders around the house with no baby

823
00:39:44,880 --> 00:39:49,200
Speaker 1: gates or nothing, just toddler walks measures that. Now it's fine,

824
00:39:49,320 --> 00:39:49,840
Speaker 1: it's fine.

825
00:39:50,560 --> 00:39:53,680
Speaker 2: It's so eighties eighties child safety.

826
00:39:54,360 --> 00:39:58,960
Speaker 1: Oh well, I am very excited for next week's episode, uh,

827
00:39:59,600 --> 00:40:01,240
Speaker 1: to see what happens next.

828
00:40:01,560 --> 00:40:03,880
Speaker 2: I am too, I am I think I know what

829
00:40:03,960 --> 00:40:06,600
Speaker 2: happens next, but I'm still excited to kind of get

830
00:40:06,640 --> 00:40:09,239
Speaker 2: to the get to the finish line here and finish up,

831
00:40:09,280 --> 00:40:12,239
Speaker 2: like what what happens our first two part, first two part.

832
00:40:12,400 --> 00:40:13,480
Speaker 2: It's first two part.

833
00:40:13,480 --> 00:40:17,920
Speaker 1: Well, everybody, make sure that you are watching along with us.

834
00:40:18,000 --> 00:40:21,120
Speaker 1: You can watch these on all your streaming services or

835
00:40:21,160 --> 00:40:25,080
Speaker 1: your DVDs. Make sure you are also liking and subscribing

836
00:40:25,120 --> 00:40:29,040
Speaker 1: and rating the podcast so that we can make sure

837
00:40:29,080 --> 00:40:30,640
Speaker 1: and get at the top of the chart so that

838
00:40:30,680 --> 00:40:33,400
Speaker 1: you guys can have lots more fun full House tanner

839
00:40:33,440 --> 00:40:37,480
Speaker 1: Rito's episodes to listen to. And we are having so

840
00:40:37,560 --> 00:40:40,560
Speaker 1: much fun doing this. I just love I love watching

841
00:40:40,640 --> 00:40:43,520
Speaker 1: these old episodes. It's so great And if you're loving it,

842
00:40:43,560 --> 00:40:46,920
Speaker 1: please make sure and also follow us on Instagram at

843
00:40:46,960 --> 00:40:50,520
Speaker 1: how Rude Podcast. You can also send us your comments,

844
00:40:50,560 --> 00:40:54,359
Speaker 1: your questions for our minisodes, or you know, call us

845
00:40:54,360 --> 00:40:56,520
Speaker 1: on things that you noticed or maybe that we forgot,

846
00:40:57,239 --> 00:40:59,399
Speaker 1: and you can email us at how Rude podcast at

847
00:40:59,440 --> 00:41:01,600
Speaker 1: gmail dot com. We would love to hear from you,

848
00:41:02,200 --> 00:41:05,839
Speaker 1: So remember you guys. Until next time. The world is

849
00:41:06,080 --> 00:41:10,080
Speaker 1: oh I'm not even kidding so close. The world is full. Nope, nope, no,

850
00:41:10,160 --> 00:41:13,239
Speaker 1: world is. The world is small and the house is full.

851
00:41:13,400 --> 00:41:13,640
Speaker 2: There.

852
00:41:14,239 --> 00:41:15,799
Speaker 1: Yes, I have to think about it.

853
00:41:15,840 --> 00:41:18,200
Speaker 2: If you got cocky, because last week, last week, you

854
00:41:18,239 --> 00:41:18,840
Speaker 2: got it.

855
00:41:18,840 --> 00:41:20,479
Speaker 1: It was like I got it perfect right. The world

856
00:41:20,520 --> 00:41:21,879
Speaker 1: is small and the house is full.

857
00:41:22,880 --> 00:41:24,480
Speaker 2: There we go, perfection.

858
00:41:25,320 --> 00:41:27,040
Speaker 3: Chef's kiss, Sweet Lock