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Speaker 1: Hope you had a good weekend. Welcome to Monday Show,

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Speaker 1: Moran Studio. Morning. Well, let's get started and go around

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Speaker 1: the room and see what's up with everybody. His future

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Speaker 1: and sports gambling isn't very bright and seeing him without

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Speaker 1: a hat on is a rare sight. His name is

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Speaker 1: producer Eddie. All right, you know our phone screener, Abby.

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Speaker 1: She's been looking for love, right, It's been a storyline

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Speaker 1: on the show over and over. I have the answer, guys,

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Speaker 1: I saw it. There's a new TV show coming out

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Speaker 1: on Fox. I think it comes out on March and

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Speaker 1: it's called Farmer Wants a Wife. It's like The Bachelor,

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Speaker 1: but a bunch of farmers. Abby loves farmers. This is

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Speaker 1: right up her. Ally, she needs to get on the show. Abby.

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Speaker 1: Will you come to the microphone. Please have two questions

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Speaker 1: for you. First of all, good morning morning. Question one,

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Speaker 1: would you go on a reality dating show? This one

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Speaker 1: sounds cool. This sounds like number number two. Would you

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Speaker 1: like to day to Farmer? Yeah? Okay. If this show

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Speaker 1: us successful, they'll do a season two and we'll make

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Speaker 1: some calls. Would you go on Farmer Once a Wife?

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Speaker 1: I need to do research. If I can do research.

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Speaker 1: Can I look at it anything? You mean, like what

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Speaker 1: it's about? No? No, it's basically farmers and they look

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Speaker 1: would you go on that kind of show? Cool? Is

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Speaker 1: there a single guy? Abby will go on like she, Oh, Abby,

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Speaker 1: you were in glasses today. Oh, they're the blue light ones.

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Speaker 1: It looks like you're going to a shooting range that

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Speaker 1: pink or clear. It does look like Okay, Abbey, it's

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Speaker 1: good to see it. It doesn't look like she's about

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Speaker 1: to get a show. Take her air rifle out. This

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Speaker 1: next man also goes by Jason Gibble, but when it

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Speaker 1: comes to making business deals, he can't even get a

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Speaker 1: nibble here. He is lunchbox. Everybody. Well, Bobby has been

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Speaker 1: encouraging us to spread our wings and fly chase our dreams.

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Speaker 1: And I just want to let you guys know I

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Speaker 1: maybe leaving the show. I've applied for a new job,

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Speaker 1: breaking news. Okay, yeah. Netflix is hiring flight attendants that

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Speaker 1: pay three hundred and eighty five thousand dollars a year,

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Speaker 1: and so I have put my name in the hat.

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Speaker 1: And they say they need independent judgment, discretion and outstanding

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Speaker 1: customer service skills, which all the things I possess. And

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Speaker 1: it says you need to be able to lift thirty pounds.

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Speaker 1: I can lift thirty pounds. What about experience as a

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Speaker 1: flight attendant? I didn't say anything about that. Does Netflix

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Speaker 1: having an airline? Like what is it? Yeah, because you

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Speaker 1: fly talent around they have private jets. Oh, you fly

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Speaker 1: talent around. And then also executives. So this is a

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Speaker 1: double edged sword, guys. Not only am I going to

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Speaker 1: be making three hundred and eighty five thousand dollars a year,

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Speaker 1: I'm going to be in front of execs at Netflix.

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Speaker 1: And eventually they're gonna be like, hey, you ever acted before?

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Speaker 1: And I'm like, well, actually I have. I was in

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Speaker 1: bad out of Hell. I won't say that. So I'm

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Speaker 1: gonna meet the stars. They're like, hey, maybe you should

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Speaker 1: come on set and try a couple of lines. So

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Speaker 1: I'm gonna be making a lot of money flying around

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Speaker 1: the country, and you really should apply for that job. Yes,

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Speaker 1: I'm going to. I hope you get it. I hope

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Speaker 1: you get a call back. I mean, how awesome would that?

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Speaker 1: Would you leave for that? Guys? Are good money? Would

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Speaker 1: you leave for that? Yeah? Okay, you heard it here

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Speaker 1: first everybody. Maybe by the time you get that job,

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Speaker 1: when you get taught. Christley back in here to be

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Speaker 1: the guests, the host cool maybe from his luxury prison,

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Speaker 1: can FaceTime a minute. All right, lunchbox, thank you. While

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Speaker 1: we may never question her ability to drive, her toughest

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Speaker 1: task last year was keeping a fish alive here. She

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Speaker 1: has amy everybody. So I had booked a guest for

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Speaker 1: my four Things podcast that I was very excited about.

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Speaker 1: Her time is very valuable. She's an expert in her field.

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Speaker 1: And I started recording with her, and we'd been talking

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Speaker 1: for fifteen minutes, and I realized I didn't hit record.

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Speaker 1: Oh that's not good again, is it. That's a first

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Speaker 1: of all, it's on brand a little bit right, Like, No,

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Speaker 1: that's a fullness even once in the four years. No,

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Speaker 1: I'm just saying, in general, in four hundred episodes, you're forgetful. Yeah,

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Speaker 1: you're a forgetful person. But go ahead. Yeahhh and so

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Speaker 1: as more defied obviously, but it got me wondering what

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Speaker 1: would what would Bobby do in that situation? Would not

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Speaker 1: have told them, Oh, I would have just kept going

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Speaker 1: and then eventually revisited in the middle of other things,

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Speaker 1: some of those first things, and then I would have

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Speaker 1: reset it. In the middle to use back at the beginning.

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Speaker 1: That's right. Smart. So, but I wouldn't have said anything

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Speaker 1: because I wonder one of them the whole time, going,

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Speaker 1: oh my god, what an idiot, because you know for

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Speaker 1: sure they would have been doing that. It would have

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Speaker 1: been like, what an idiot. I'm never doing this podcast again.

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Speaker 1: I'm telling everybody else about this podcast that it's only

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Speaker 1: round by an idiot. Well that's what she did. Then

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Speaker 1: you stopped, and so didn't. I wasn't recording, said, I

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Speaker 1: just said, just keep going. I know. Oh no, also

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Speaker 1: part of my personality and get us at all that

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Speaker 1: idiot stuff. I mean talk about I still I lost

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Speaker 1: sleep over it. It's like, oh the worst, I'm the worst.

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Speaker 1: But I forgive myself. Yeah, but I said, we started over.

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Speaker 1: She was gracious, was gracious. I'd have sped through that stuff.

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Speaker 1: I'd got off that podcast pretty quick. I bet you

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Speaker 1: show your recording this. Okay from Mountain Pipe, Arkansas. He's

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Speaker 1: gonna golf Pebble Beach with Eddie. Let's hope that he's ready.

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Speaker 1: Bobby Bones, thank you, thank you, thank you. Well, this

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Speaker 1: is what I would say. And I wasn't gonna lead

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Speaker 1: with this this morning. But I just got this text

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Speaker 1: from my friend s J says, Hey, we're having a

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Speaker 1: staff discussion because allegedly you recommended to Emily the Criminal

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Speaker 1: to watch, and people on our staff are saying, not

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Speaker 1: touch your feelings, that it was not good. I replied,

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Speaker 1: wasn't me. I haven't seen that movie. But who on

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Speaker 1: the show recommended Emily the Criminal? Did you guys all

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Speaker 1: liked it? Yes, we loved it. I thought it was

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Speaker 1: very entertaining. So what do you think about it? Then

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Speaker 1: when they say they didn't like it, then they don't

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Speaker 1: have very good taste? Are they idiots? Yeah? Maybe they

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Speaker 1: didn't really watch it. Yeah, may I don't know what

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Speaker 1: they were expecting it. It's not gonna win Best Picture,

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Speaker 1: but it was an entertaining fun like a movie like

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Speaker 1: you're like, oh like, And I did say it's low budget,

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Speaker 1: so don't expect like high quality. But that storyline's amazing. Yeah,

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Speaker 1: but don't like take it down and go, well, but

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Speaker 1: but how do you liked it? He didn't be awesome?

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Speaker 1: There you go, right, that's what we're saying. We're about

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Speaker 1: your man. WoT back? Oh, Tom Petty, I think so

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Speaker 1: you guys are sticking with that. Yeah, all right, my

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Speaker 1: original one too, and I'll roll over to this one

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Speaker 1: as well. So sometimes I'll make cookies at home. There's

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Speaker 1: still something I do on the side, and I learned

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Speaker 1: this from my wife. But if you I like chokie cookies,

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Speaker 1: I don't like make a peanut butter cookies. I hate

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Speaker 1: peanut butter, so usually I only do chocolate chip. And

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Speaker 1: at first I didn't realize that they had to be

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Speaker 1: so I can't like for him to get hard in

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Speaker 1: the oven. The first couple of times I did it,

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Speaker 1: and so I would push up like a fork on it.

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Speaker 1: It would be wayte softly, like they're not done. The

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Speaker 1: thing is they got to come out and then harden,

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Speaker 1: I didn't know that right. Took me like two batches

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Speaker 1: to figure it out. So I finally I'm pretty good

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Speaker 1: at getting them out at the right time. But then

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Speaker 1: I take a little bit of sea salt, just a

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Speaker 1: tad on the cholie cookie and just put a little

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Speaker 1: on the top. Game changer. Game changer, dude, I didn't

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Speaker 1: know salt on chalkie cookie would be good. Are you serious?

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Speaker 1: That is the most disgusting. Actually, I was at a

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Speaker 1: restaurant a couple of weeks ago, my wife ordered a

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Speaker 1: chocolate chip cookie and I took one bite of it.

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Speaker 1: It had salt on it, and I spit it out.

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Speaker 1: The absolute worst thing I have ever had. Had sea

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Speaker 1: salt in the box. Like my wife gets, it's a

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Speaker 1: little bit of box. I got like this, like salt,

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Speaker 1: baby cookie, bab I'm just your elbows. It's good. It's good.

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Speaker 1: You guys washing cookie. Get out. That's it. Time to

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Speaker 1: open up the mailbag. Something Hello, Bobby. I played guitar

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Speaker 1: and I sing, I'd like to get your thoughts and

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Speaker 1: critiques on my ability to do so. I watched Heath

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Speaker 1: Sanders interview on how you discovered them and thought, why

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Speaker 1: not give it a shot. Not that I believe I'm

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Speaker 1: bound for stardom, but I would just like an honest opinion.

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Speaker 1: I don't do social media. I'm a rancher in Southeast Kansas.

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Speaker 1: I decided to just record something with my phone. I'm

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Speaker 1: feeding cattle. I don't have a guitar here, so this

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Speaker 1: is the best I can do at the moment. Love

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Speaker 1: the show. Can't wait to get your opinion. Best regards

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Speaker 1: at him and he said, clip him singing, So we'll

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Speaker 1: critique it right here, go ahead. I guess everything that

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Speaker 1: change except what would you go? Billion? Good day dreams

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Speaker 1: A dream? The baby you are my favorite memory of

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Speaker 1: pretty good. Yeah I'm bad. If I just heard her

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Speaker 1: singing around the ranch, I'd be like, dang it, I'm

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Speaker 1: You're a good singer, really good ranch singer. I feel

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Speaker 1: like you have to get out and sing a bunch

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Speaker 1: more because he's falling off his notes um where he's

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Speaker 1: hitting it and he's just but it's pretty good. I

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Speaker 1: don't know that you're going to get discovered from that

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Speaker 1: kind of clip. I think if you get a guitar

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Speaker 1: and you go, when you play a few places, you

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Speaker 1: get some reps under your belt, you feel more comfortable

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Speaker 1: singing and holding some of these notes. I think you

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Speaker 1: have a real shot to have a shot. You know

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Speaker 1: right now well that you ain't there, but you do

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Speaker 1: have the promise of you know instinctually how to sing,

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Speaker 1: so now it's just learning really what to sing and

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Speaker 1: how to sing it. Bones. What if he does videos

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Speaker 1: from the ranch while he's singing it. I think if

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Speaker 1: there's a he's on a cow or cows are around him,

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Speaker 1: people love authenticity. So if he's and he is authentically

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Speaker 1: a rancher. I would record on the ranch. Oh yeah,

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Speaker 1: I'm picturing him singing while he's loading hay or building

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Speaker 1: a fence. Sure, or if he can just kind of

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Speaker 1: like lure the cows in and make it sound like, look,

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Speaker 1: every time I sing, the cows come in and then

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Speaker 1: they all just like sit down and they start swaying knocking.

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Speaker 1: For that's what I'm talking about me now, y'all trying

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Speaker 1: to choreograph. There are a lot of people that sing

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Speaker 1: really well on the internet, and you can be one

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Speaker 1: of them, or you can practice and get really good

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Speaker 1: and be somebody who sings good on the internet but

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Speaker 1: also can sing good in person. In this so, I

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Speaker 1: think you're a couple steps away, but I think you

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Speaker 1: have the promise to do it. But right now you

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Speaker 1: ain't there that I mean, you can't get there, but

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Speaker 1: we appreciate that. I like these I I would encourage

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Speaker 1: more people to do them, but I don't want I

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Speaker 1: don't want to crash our inbox. Would crash your inbox

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Speaker 1: if people started sending his clips. Yeah, maybe you send

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Speaker 1: us a link. Do that. Don't send us an attachment,

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Speaker 1: but link it to like a YouTube. Or something. If

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Speaker 1: you're like and in the clip be like, hey, Bobby,

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Speaker 1: I was just wanting to see if you're critake me

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Speaker 1: and then what could take him on the air. Yeah,

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Speaker 1: that'd be awesome constantly. It was a fun game. But

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Speaker 1: we can find a star. What do you think of

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Speaker 1: that guy, Lunchbox? It's a no for me, dog, it's

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Speaker 1: a noo for now. But you can tell he knows

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Speaker 1: he can sing at a bar in Kansas. That's fine

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Speaker 1: in his hometown. Guys. It's also on a telephone. But

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Speaker 1: that's all we have to go with, right, right, Eddie,

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Speaker 1: I mean, I'm just telling you he's not good enough. Okay, Yeah,

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Speaker 1: for what though? If he wants to be like Heath

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Speaker 1: Sanders and be discovered he ain't there. Well, I don't

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Speaker 1: think Heat Sanders wasn't a good even then as he

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Speaker 1: is now. So right, it's we're all growing every day.

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Speaker 1: I think if he puts the time in, he can

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Speaker 1: actually get pretty good. Thanks, Adam. Appreciate that email you

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Speaker 1: guys if you want to send us a link to

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Speaker 1: you performing, but in the clip, you gotta be like, hey,

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Speaker 1: Bobby Bones, this is me. Don't just send me a

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Speaker 1: clip of you from like nineteen ninety six. He cat

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Speaker 1: fishing me. All you have to do send it to

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Speaker 1: us more. You want to go mailbag at Bobby Bones

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Speaker 1: dot com. Right, thank you, We've got your game. Now

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Speaker 1: is foun the closed Bobby mail Bag year. It's time

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Speaker 1: for the Bobby feud. Welcome everybody here. I'll ask you

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Speaker 1: a question that thousands and thousands of people have answered.

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Speaker 1: Let's see how you do. We always roll the dice

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Speaker 1: to see who goes first. Number three. That'll be Eddie. Okay,

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Speaker 1: you'll go first. Wide Open Country has a list of

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Speaker 1: the top ten most influential artists of the nineties based

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Speaker 1: on fan research on their own. Top ten most influential

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Speaker 1: country artists of the nineties got the strength of yours, Eddie.

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Speaker 1: All Right, I'm gonna start off easy. In the nineties,

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Speaker 1: very influential. Let's go Garth Brooks. Garth Brooks, show it

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Speaker 1: to me. Number one. Answer one point, Eddie, good job.

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Speaker 1: We give one point for the number one because it's

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Speaker 1: the easiest one to get correct. Go ahead, okay. Shania

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Speaker 1: Twain huge in the nineties, inspired women all over the world. Man,

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Speaker 1: is that the answer? I feel lack a woman? Alright,

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Speaker 1: Eddie man feel like a woman. Top ten most influential

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Speaker 1: artists of the nineties. Let's stick to influencing women all

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Speaker 1: over the world. Reba's on this list. Show me from Oklahoma,

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Speaker 1: Miss Reba Macatya at number eight, big points. Number eight,

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Speaker 1: Oh gosh, why didn't I think of this earlier? Look,

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Speaker 1: he influenced me to go water skiing. I'm not very

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Speaker 1: good at it. But that video of Chattahoochie. Give me

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Speaker 1: Alan Jackson, he wants Alan Jackson. Can you see Alan

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Speaker 1: Jackson under the chat? Dude, you never knew how much

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Speaker 1: water man? All right now? Number six? Answer there, Eddie.

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Speaker 1: You know who influenced me to start a band with

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Speaker 1: my best friend Brooks and Dunn. So I'm assuming they

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Speaker 1: inspired everyone too to do this. Give me Brooks and

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Speaker 1: dunno scooting? Is that the answer? Different? Number four? Number four?

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Speaker 1: He got twenty one points right now? So Top ten

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Speaker 1: most influential artists of the nineties. Garth and Shanai are

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Speaker 1: one and two. Brooks and Dunn or four. Alan Jackson

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Speaker 1: is six and Rebas eight. Oh man, Let's go with

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Speaker 1: inspired people to drink lots of beer. Mark Chestnut show me,

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Speaker 1: mister Chessnut. That was a funt. That was a funt amy, Okay,

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Speaker 1: still a lot of points on the board. Go ahead, Well,

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Speaker 1: I mean my guy is George straight? How do you

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Speaker 1: influence people? Well, how did any of the mentaluence? I

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Speaker 1: told you everything on other country artists. Yes, George, carry

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Speaker 1: your love with you. Yeah, people were looking for real

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Speaker 1: estate properties from the eighties though, Just growing that out there.

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Speaker 1: Go ahead, Tim mcgrawl of Coorse Jemmy, Tim McGraw, correct,

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Speaker 1: he has seventeen points, just like that. She's one of

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Speaker 1: the kind. Okay, all right, Well, golly, I got so

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Speaker 1: many on here, but it's just a toss up at

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Speaker 1: what's what you know? So I'll pick another. Well, gobert

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Speaker 1: reebo is eight, okay, when he was ten? Let's go with.

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Speaker 1: What did Eddie say? Who was the last one? He said?

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Speaker 1: I'm sorry, I said, Mark Chestnut. Okay, how would you

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Speaker 1: give her that? Oh? Sorry? Time you went on? What

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Speaker 1: did Eddie say? Can't him and Hall lunchbox over to you?

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Speaker 1: Oh my god? Oh it's easy. Florida Georgia Line one

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Speaker 1: of the top ten most influential artists in the nineties.

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Speaker 1: Florida Georgia Line, go where they I've been boarding the nineties. Hey, Johannson, Buddy,

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Speaker 1: I'm good one. Hey hey Eddie, Okay, okay, I got

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Speaker 1: this influential the nineties. Give me Joe Diffie the pickup man,

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Speaker 1: shoe and pick up man. Yeah, points are double amy,

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Speaker 1: you're only down to four points. Yeah, so there are one, two, three,

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Speaker 1: answer are still left on the board. A lot of

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Speaker 1: points up there. We're looking for the most influential country

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Speaker 1: artists in the nineties. Three five and nine are still

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Speaker 1: up there, three five and nine, lunchboxes. Strategy was smart.

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Speaker 1: He's just trying to get to the later round point

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Speaker 1: your strategy. Yes, I thought so too, because I didn't

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Speaker 1: have no points on the board to catch Eddie at

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Speaker 1: twenty one. Not the guy to do his deal. You

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Speaker 1: know here, this is not running out. My time is

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Speaker 1: this part's not. But when you're going Eddie, what did

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Speaker 1: he say? What did Eddie say? Okay, Travis Tritt, show

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Speaker 1: me Travis Tritt, shock Bammy. All right, lunch box, a

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Speaker 1: lot of points up there, you're ready, Yeah, John Party,

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Speaker 1: faith Hill, show me Faith Hill. She was at number eleven,

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Speaker 1: that's fine, she wasn't top ten. Hey, Hey, that's fine. Hey,

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Speaker 1: he's fine with that triple Eddie's third round Eddie points

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Speaker 1: a triple, last round bones, give me Vince Gill, show

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Speaker 1: Eddie Vince Gill. Yeah, good one, good one, good one,

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Speaker 1: gosh influential. All right, give me Winona Judd show me

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Speaker 1: why Nona? This is crazy? Hey, my strategy worked. Wait

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Speaker 1: later rounds. There's one answer left, Eddie. Oh, I don't

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Speaker 1: know if I can get this. It's the number three answer.

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Speaker 1: You have one You've dominated game over put who is ten?

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Speaker 1: Tim Grawl, Oh girl ten, Vince Gill nine, Riba eight,

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Speaker 1: George Straight seven, Allen Jackson six, Wind, Nona five Brooks

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Speaker 1: and done four three. You don't have yet Shania two,

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Speaker 1: Garth one gosh nineteen nineties. No one's ever closed the category.

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Speaker 1: By the way, well Amy got points, so no but

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Speaker 1: closed the category. There's always something left. Oh yeah, you're right.

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Speaker 1: Oh man, Why am I not getting this? I grew

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Speaker 1: him in a hall and bud yep. I mean, let's

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Speaker 1: just go Kenny Chesney shall me Chatsney? Okay. I think

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Speaker 1: his song came out in the nineties because it was

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Speaker 1: influential for sure, Billy Ray Cyrus, I thought, yeah, I

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Speaker 1: get it. You gotta dude, come on, hey, if you

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Speaker 1: get it, it's worth times a hundred. Come on, dude,

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Speaker 1: Luke Combs, you got this times one hundred times, yeah,

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Speaker 1: times one hundred. That means you'll never get it. Deana Carter, well,

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Speaker 1: I'll tell you that Dena Carter isn't ever fifteen. It's

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Speaker 1: in correct. Martina McBride was a fourteen. Oh. John Michael

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Speaker 1: mcgomery's a thirteen. Trusia Eater was at twelve. I forgot

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Speaker 1: about them for sure. I had tia. Your number three

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Speaker 1: answer of the most influential artist of the nineties was

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Speaker 1: better you dominate a buddy. I should have just gone

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Speaker 1: through my seed case from you, right, Eddie, here's your

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Speaker 1: song for winning the game. So the Chris Leaves are

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Speaker 1: in jail. She's in Kentucky, he's in Florida. Yeah, And

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Speaker 1: so we started talking about if you have to go

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Speaker 1: to jail for a long time, how long how long

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Speaker 1: do you wait before you move on or your spouse

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Speaker 1: moves on from you, if you go on for thirty years,

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Speaker 1: or does it matter what crime you committed. If it's fraud,

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Speaker 1: maybe they don't leave you. If it's murder and it's

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Speaker 1: a way, yeah, probably they do. So lunchbox, if your

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Speaker 1: wife went to jail, what's the longest you would wait

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Speaker 1: before you said, I'm gonna go and get divorced? One year?

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Speaker 1: See that to me sounds way way short. Yeah, this

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Speaker 1: move way short. No, No, she can get out in

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Speaker 1: a year and we can be together. But if it's

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Speaker 1: more than that, I mean, I can't sit around forever. Guys,

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Speaker 1: eighteen months, she gets an eighteen month sentence. Sorry, are

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Speaker 1: you gonna wait the year first? Or you like, well,

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Speaker 1: since it's eighteen I might as gonna move on with

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Speaker 1: the life. I might as well move on with my life. Oh,

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Speaker 1: can you have to understand, like when you're in prison

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Speaker 1: the world changes so much in that time that I

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Speaker 1: can't How do you know you hear everybody that gets

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Speaker 1: out of jail? You watch from people, Yeah, you watch

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Speaker 1: people gonna have been in there one year. You watch

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Speaker 1: prison shows and they're like, man, what is this a phone?

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Speaker 1: A computer? Like they're blown away And so I can't

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Speaker 1: stop time, like I can't stop living life. So you

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Speaker 1: asked your wife the same question. Yeah, here's that clip.

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Speaker 1: I'd wait for ever. No, no, no, be for real.

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Speaker 1: That's stupid, that's stupid. Let's say I'm sentenced to ten years,

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Speaker 1: that's a long time. I'd wait ten years. I'll be real,

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Speaker 1: maybe ten ten max. Okay, because I think you'd be

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Speaker 1: sent as to tim but then you get out in

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Speaker 1: less fifteen years. Okay, this game is stupid. I've done Okay,

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Speaker 1: because I said that if you guys just a one year,

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Speaker 1: I'd be like, oh no, oh, if I were just

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Speaker 1: for one you wouldn't even wait for me long year,

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Speaker 1: here's a long time. Dang it. Would you look for

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Speaker 1: another wife or would you just be looking to have

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Speaker 1: some fun and maybe you would just stay with her?

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Speaker 1: I would be looking to have fun. But you never know,

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Speaker 1: like what if you fall in love it happens, or

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Speaker 1: get somebody pregnant? Right, that does happen. And that's the

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Speaker 1: problem is you can't do any of that when she's

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Speaker 1: in prison. You when she's behind a plastic like you

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Speaker 1: go into there's a plastic partition between you. Guys. It's like, man,

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Speaker 1: is this really love or is this just like fifty years?

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Speaker 1: We might answer, wow, there's fifty years. You couldn't last

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Speaker 1: forty that's a weird number. Well, you said fifty. I don't.

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Speaker 1: Let's be realistic. I mean, honestly, if it's twenty years,

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Speaker 1: your life's almost over too. So you can't wait twenty years, Eddie?

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Speaker 1: How long a you're waiting for your wife forever? Okay,

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Speaker 1: that's what I said. That's want to say fifty to

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Speaker 1: give another answer. Why can you not be honest? Why?

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Speaker 1: Why does your wife laugh at your one year That's

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Speaker 1: what's weird to me, Like she's just oh, okay, because

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Speaker 1: she's like, oh, she knows him. That's crazy. So the

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Speaker 1: Chris Lais are in jail, we thought it'd be fine

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Speaker 1: for Lunchbox to go and visit Todd. Chris Lay Todd

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Speaker 1: has been a guest host on this show before. What

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Speaker 1: did you find out about how this works? So you

396
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Speaker 1: have to be on their visitor list they have. They

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Speaker 1: have a list that they put and if you are

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Speaker 1: on the visitation list, you're allowed to get into the

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Speaker 1: prison to visit him. So the only way I'm gonna

400
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Speaker 1: get in is if I can get a hold of him,

401
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Speaker 1: write him a letter and get him to put me

402
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Speaker 1: on his list and say come on down, because I

403
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Speaker 1: can't just show up at the jail. They won't let

404
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Speaker 1: me in. I bet you anybody famous in jail then

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Speaker 1: might have people showing up all the time. Yeah, correct,

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Speaker 1: makes sense. Okay, so you have to write a you

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Speaker 1: can't call Can you call people? Meaning is there a

408
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Speaker 1: certain time where you're like, hey, I'm gonna now I

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Speaker 1: think they can call you. Yeah, because like I don't

410
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Speaker 1: know how they but I mean they have some of them.

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Speaker 1: But this is a nice jail, right, have a phone

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Speaker 1: in there. They may have FaceTime in that jail. I

413
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Speaker 1: have no idea. Yeah. Well, so you're gonna write a letter.

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Speaker 1: You have the address, the place I got the address,

415
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Speaker 1: I got everything. I just need an envelope and a

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Speaker 1: stamp and we're good to go. Where's he gonna find

417
00:22:21,760 --> 00:22:24,040
Speaker 1: that we get? So here's what. You can't email him

418
00:22:24,520 --> 00:22:26,679
Speaker 1: because don't they have like computer time? Yeah, you would think,

419
00:22:26,800 --> 00:22:29,000
Speaker 1: but I don't have his email. I don't know Todd's email.

420
00:22:29,119 --> 00:22:31,400
Speaker 1: Is it like Todd Christy at jail dot com dot

421
00:22:31,440 --> 00:22:35,040
Speaker 1: com jail dot com. Okay, I'll try um, So I'll

422
00:22:35,080 --> 00:22:37,720
Speaker 1: do this, then write the letter tonight. Okay, bring it

423
00:22:37,760 --> 00:22:39,760
Speaker 1: in tomorrow. We want to hear the letter. And if

424
00:22:39,800 --> 00:22:41,359
Speaker 1: we're okay with it, you're not gonna get us some trouble.

425
00:22:41,400 --> 00:22:42,719
Speaker 1: We'll mail it off and see if we can get

426
00:22:42,760 --> 00:22:44,000
Speaker 1: you on the list. Okay, and if you don't like

427
00:22:44,119 --> 00:22:46,119
Speaker 1: my letter, we can. Will you help me edit it.

428
00:22:46,200 --> 00:22:47,760
Speaker 1: I'll write you a palm like at at Abbey but

429
00:22:47,800 --> 00:22:53,480
Speaker 1: she never you know, I'll write it, okay tomorrow to Todd.

430
00:22:53,600 --> 00:22:55,879
Speaker 1: You're a letter to Todd and you'll go down there.

431
00:22:55,880 --> 00:23:00,600
Speaker 1: If he replies back in, I'll lead tomorrow. That's how

432
00:23:00,640 --> 00:23:03,320
Speaker 1: it mail works these days. I like it. It takes

433
00:23:03,320 --> 00:23:04,960
Speaker 1: a little longer from maild well yeah, yeah, but I

434
00:23:05,000 --> 00:23:06,840
Speaker 1: mean I'm saying, like, the day after I find out that,

435
00:23:06,920 --> 00:23:10,560
Speaker 1: he says, yeah, you'll lead the next day. A teenager

436
00:23:10,640 --> 00:23:13,359
Speaker 1: wins a six hundred and thirteen thousand dollars Lucky Seven's

437
00:23:13,400 --> 00:23:15,679
Speaker 1: Fast Money jackpot when the ticket was given to her

438
00:23:15,720 --> 00:23:18,880
Speaker 1: by a friend. A teen at nineteen years old won

439
00:23:18,920 --> 00:23:22,680
Speaker 1: six hundred thousand dollars well as a gift. It was

440
00:23:22,720 --> 00:23:25,800
Speaker 1: a gift. Yeah, they need to like talk to this teenager, right,

441
00:23:25,880 --> 00:23:28,399
Speaker 1: it was a gift. That's unreal. The ticket was a

442
00:23:28,440 --> 00:23:34,119
Speaker 1: gift a teenager. It's crazy. A gift. He handed me

443
00:23:34,200 --> 00:23:41,600
Speaker 1: the ticket and said he bought it for Christmas. Scratched it. Oh,

444
00:23:42,160 --> 00:23:43,960
Speaker 1: like remember when our buddy we used to work with

445
00:23:44,080 --> 00:23:45,680
Speaker 1: one two hundred thousan dollars and he's like, I'm bout

446
00:23:45,680 --> 00:23:46,960
Speaker 1: a car. We're like, d D, dude, what are you doing?

447
00:23:46,960 --> 00:23:48,760
Speaker 1: What are you doing? You gotta be taxes? Like about

448
00:23:48,760 --> 00:23:50,600
Speaker 1: a car? I'm going to trip? Yeah yeah, stop it,

449
00:23:50,640 --> 00:23:57,600
Speaker 1: stomp it. Yeah, that's crazy. Okay, you're Samy's pile of stories.

450
00:23:57,800 --> 00:23:59,960
Speaker 1: If you're trying to fall asleep faster and you walk

451
00:24:00,000 --> 00:24:03,359
Speaker 1: watch TV before bed, you might want to try suspenseful

452
00:24:03,720 --> 00:24:06,680
Speaker 1: dramas because the study was just done and researchers found

453
00:24:06,920 --> 00:24:09,880
Speaker 1: that those that watched that type of TV before bed,

454
00:24:10,119 --> 00:24:12,720
Speaker 1: they fell asleep the fastest of any other categories like

455
00:24:12,840 --> 00:24:16,520
Speaker 1: documentaries and other stuff that sounds counterintuitive. Yeah, or you

456
00:24:16,520 --> 00:24:17,800
Speaker 1: want to get your heart rate up, you get nerve

457
00:24:17,840 --> 00:24:20,480
Speaker 1: as you get nerve before bed, or you don't know

458
00:24:20,520 --> 00:24:22,359
Speaker 1: what's going to happen, so you just fall asleep. Other

459
00:24:22,440 --> 00:24:26,760
Speaker 1: researchers say, I watch Freddie and Jason the worst researchers

460
00:24:26,760 --> 00:24:29,160
Speaker 1: I've ever heard of, or films. But also it didn't

461
00:24:29,160 --> 00:24:32,720
Speaker 1: say quality asleep, but just said you've fell faster. And

462
00:24:32,800 --> 00:24:34,959
Speaker 1: then I have a list of suspenseful dramas in case

463
00:24:35,000 --> 00:24:39,600
Speaker 1: you want to check one out. Ahead, The Old Man. Yeah, yeah,

464
00:24:39,640 --> 00:24:42,440
Speaker 1: that's a great show. A drama. I mean, I guess

465
00:24:42,440 --> 00:24:44,960
Speaker 1: I wouldn't call that a suspenseful drama. It's a series

466
00:24:45,680 --> 00:24:47,880
Speaker 1: more than a move. It's a little suspenseful though, because

467
00:24:47,880 --> 00:24:50,480
Speaker 1: you don't know what's the second going on is. It's awesome,

468
00:24:50,520 --> 00:24:52,000
Speaker 1: it's awesome. It's like the best shot seen in a

469
00:24:52,040 --> 00:24:54,359
Speaker 1: long time. Go ahead, if you google suspenseful TV, these

470
00:24:54,359 --> 00:24:56,760
Speaker 1: shows come up. The Old Man, Jack Ryan, I'll watch

471
00:24:56,800 --> 00:25:00,200
Speaker 1: The Old Man before you go to bed, don't. I did?

472
00:25:00,240 --> 00:25:02,040
Speaker 1: And one I wanted to keep watching. Episode is one

473
00:25:02,040 --> 00:25:04,119
Speaker 1: of those shows that finished like I gotta watch another one.

474
00:25:04,240 --> 00:25:06,040
Speaker 1: And two you're just like, oh my god, I'm don't

475
00:25:06,119 --> 00:25:08,000
Speaker 1: that's this is the worst research I've heard. Just move

476
00:25:08,080 --> 00:25:12,199
Speaker 1: on this. We should fire this research company. Okay, all right, Severance, Yellowstone.

477
00:25:12,240 --> 00:25:14,960
Speaker 1: Those are other shows which. Speaking of Yellowstone, the Wall

478
00:25:15,040 --> 00:25:17,840
Speaker 1: Street Journal did a whole ride up on how cowboy

479
00:25:17,960 --> 00:25:21,919
Speaker 1: fashion has gotten so big in cities and suburbs simply

480
00:25:22,000 --> 00:25:25,439
Speaker 1: because of the show Yellowstone. One fan, who lives outside

481
00:25:25,480 --> 00:25:27,800
Speaker 1: in New York said he started watching Yellowstone and then

482
00:25:27,840 --> 00:25:30,080
Speaker 1: really got into the look. He now owns five pairs

483
00:25:30,200 --> 00:25:34,359
Speaker 1: of cowboy boots, eddiehears cowboy stuff every day, Dallas Cowboys. Okay.

484
00:25:36,119 --> 00:25:38,080
Speaker 1: The Wall Street Journal also talked to a fan in

485
00:25:38,240 --> 00:25:41,320
Speaker 1: Germany who is now dressing like a cattle rancher. But

486
00:25:41,800 --> 00:25:44,800
Speaker 1: he's not what a loser I know? And you're not

487
00:25:44,880 --> 00:25:47,720
Speaker 1: even a rancher. There's a difference in wearing it. Don't

488
00:25:47,720 --> 00:25:52,000
Speaker 1: wearing chaps to work in Brooklyn because you watch the show. Okay,

489
00:25:52,040 --> 00:25:54,240
Speaker 1: all right? What else? I got the five best country

490
00:25:54,280 --> 00:25:58,359
Speaker 1: breakup songs of all times? All right? Number five Stay Sugarland, don't.

491
00:26:00,000 --> 00:26:01,560
Speaker 1: This one's awesome and you forget how good it is

492
00:26:01,600 --> 00:26:03,880
Speaker 1: to con hear it again. They recorded this in one take,

493
00:26:04,520 --> 00:26:07,399
Speaker 1: just Christian and a guitar in her with a vocal

494
00:26:08,119 --> 00:26:10,560
Speaker 1: in the studio. It's a crazy story behind it. We

495
00:26:10,640 --> 00:26:12,760
Speaker 1: did a bobycast talking about this. That's a good one.

496
00:26:12,800 --> 00:26:17,800
Speaker 1: What else, George straight give it away? You know a

497
00:26:17,840 --> 00:26:20,480
Speaker 1: little too upbeat. I like my breakup songs to be

498
00:26:20,560 --> 00:26:22,760
Speaker 1: sad and slow, and I think you could sing this

499
00:26:22,960 --> 00:26:25,240
Speaker 1: and actually think it's not sad. Yeah, but in the

500
00:26:25,320 --> 00:26:28,400
Speaker 1: song they're definitely breaking up. Absolutely, just give it away

501
00:26:28,640 --> 00:26:30,840
Speaker 1: for sure. I like mine to be sad though, feeling

502
00:26:31,000 --> 00:26:33,720
Speaker 1: like slow tempo. What else? Keith Whitley I'm over you

503
00:26:38,080 --> 00:26:42,120
Speaker 1: or just Keith Whitley insert most every song, most every

504
00:26:42,160 --> 00:26:45,080
Speaker 1: song at number two, Dolly Pardon, I Will Always Love You,

505
00:26:47,760 --> 00:26:51,000
Speaker 1: And this wasn't really a romantic breakup song, though she

506
00:26:51,119 --> 00:26:54,760
Speaker 1: wrote this as a hey, I appreciate you, but I

507
00:26:54,880 --> 00:26:58,600
Speaker 1: got to go now this Porter Wagner, it is good job. Yeah,

508
00:26:58,640 --> 00:27:01,439
Speaker 1: that's what that is. So shared like a friendship breakup,

509
00:27:01,440 --> 00:27:03,119
Speaker 1: Like I would write this ready if we ever broke up.

510
00:27:03,160 --> 00:27:04,680
Speaker 1: Oh well yeah, because we didn't make out, but we

511
00:27:04,680 --> 00:27:07,520
Speaker 1: didn't still a lot of time together. And Roy Acuf

512
00:27:07,560 --> 00:27:10,120
Speaker 1: did this in the forties, but the most popular one

513
00:27:10,200 --> 00:27:12,800
Speaker 1: is Willie Nelson Blue Eyes, Crime in the Rain. This

514
00:27:12,920 --> 00:27:17,480
Speaker 1: is one of my favorite songs of all times. And

515
00:27:17,600 --> 00:27:19,920
Speaker 1: this one's just literally one of my favorite songs ever

516
00:27:20,040 --> 00:27:24,960
Speaker 1: period of all live play the roy I kept crying,

517
00:27:26,840 --> 00:27:29,879
Speaker 1: that's upbeat. Well the horns throw it out a little bit,

518
00:27:31,320 --> 00:27:41,600
Speaker 1: good by party, iw weird now still sad though it's

519
00:27:41,640 --> 00:27:45,760
Speaker 1: like the Looney Tunes horn on the back. I know

520
00:27:45,960 --> 00:27:48,160
Speaker 1: that throws it off, but okay, Amy, is that it? Yeah?

521
00:27:48,200 --> 00:27:52,040
Speaker 1: Well maybe that's my vile. That was Amy's pile of stories.

522
00:27:52,560 --> 00:27:59,720
Speaker 1: It's time for the good news. Ay, so in Chester

523
00:27:59,800 --> 00:28:03,120
Speaker 1: Cannticuet and an artist and solved something downtown that's super cool.

524
00:28:03,320 --> 00:28:07,800
Speaker 1: Locals can use it. Visitors. You hop in the wish booth.

525
00:28:07,880 --> 00:28:10,639
Speaker 1: It looks like an old school phone booth. Yeah, well

526
00:28:10,680 --> 00:28:13,480
Speaker 1: like a UK phone booth. Oh yeah yeah, the red

527
00:28:13,600 --> 00:28:17,280
Speaker 1: It's very cute and you hop in and you've got

528
00:28:17,320 --> 00:28:19,800
Speaker 1: a direct line to the universe. Doesn't even calls to

529
00:28:19,880 --> 00:28:22,879
Speaker 1: coin like fountains I took from it. Make all the

530
00:28:22,920 --> 00:28:25,119
Speaker 1: wishes don't cause you anything. You just got to get

531
00:28:25,160 --> 00:28:27,000
Speaker 1: in there, you know. Somebody'sn't get their p though, of

532
00:28:27,119 --> 00:28:29,920
Speaker 1: course some drunk dude. Well, and I'm wondering too, because

533
00:28:30,160 --> 00:28:32,280
Speaker 1: is it I don't know if it's recording them, but

534
00:28:32,400 --> 00:28:34,800
Speaker 1: are like people hopping there and it's like, okay, you're

535
00:28:34,880 --> 00:28:37,440
Speaker 1: God and they're like saying things or whatever. It's not

536
00:28:37,600 --> 00:28:39,640
Speaker 1: a confession booth or they're gonna arrest people. But I

537
00:28:39,680 --> 00:28:42,240
Speaker 1: think it will be cool if people could leave some

538
00:28:42,360 --> 00:28:43,920
Speaker 1: sort of message and then somebody else could get in

539
00:28:43,960 --> 00:28:46,080
Speaker 1: and see it and go I can actually help that person,

540
00:28:46,840 --> 00:28:49,200
Speaker 1: and then they could do it. It's that next level.

541
00:28:49,560 --> 00:28:53,560
Speaker 1: But fifteen hundred wishes have been recorded in the booths

542
00:28:53,600 --> 00:28:57,160
Speaker 1: so far. And recorded, so they're recording them. They are okay.

543
00:28:57,240 --> 00:28:59,080
Speaker 1: Christopher Owens, he's the artist that created it, and he

544
00:28:59,120 --> 00:29:01,520
Speaker 1: said we need hope now and this is a whimsical

545
00:29:01,640 --> 00:29:04,640
Speaker 1: way of going about it and hopefully inspiring people. It's fun,

546
00:29:05,280 --> 00:29:08,000
Speaker 1: it's positive. I'm for it. It didn't cost anybody any money.

547
00:29:08,200 --> 00:29:09,920
Speaker 1: That's a good deal. That is what it's all about.

548
00:29:10,640 --> 00:29:15,640
Speaker 1: That was tell me something good. Let's go do Amy's

549
00:29:15,720 --> 00:29:22,560
Speaker 1: Morning Corny, The Morning Corny. What do you call an

550
00:29:22,640 --> 00:29:27,080
Speaker 1: old apple? What do you call an old apple? Granny Smith?

551
00:29:32,560 --> 00:29:36,880
Speaker 1: That was the Morning Corny. It's a Bobby Bones Show interviews.

552
00:29:37,280 --> 00:29:40,600
Speaker 1: In case you didn't know about to have Hardy right

553
00:29:40,680 --> 00:29:43,280
Speaker 1: here in studio on this stage. Hardy's got a couple

554
00:29:43,400 --> 00:29:45,800
Speaker 1: number ones that he has as an artist. I mean

555
00:29:45,800 --> 00:29:47,400
Speaker 1: not to count the ones he's written for other people,

556
00:29:47,720 --> 00:29:54,160
Speaker 1: but you would know this song called one Beer. He's

557
00:29:54,200 --> 00:29:56,440
Speaker 1: got a song with Landy Wilson right now called wait

558
00:29:56,480 --> 00:30:03,480
Speaker 1: in the Truck. Here's a love of that. He's a

559
00:30:03,520 --> 00:30:06,200
Speaker 1: great songwriter, obviously a great artist. He's been on on

560
00:30:06,280 --> 00:30:08,840
Speaker 1: tour with Morgan Wallen. He's got the long hair, the

561
00:30:09,000 --> 00:30:10,760
Speaker 1: dark glasses. He's like a cooler version to me. Let's

562
00:30:10,760 --> 00:30:12,600
Speaker 1: admit it. He's a cooler version of me. Here he

563
00:30:12,800 --> 00:30:15,600
Speaker 1: is celebrating his new album, The Mockingbird and the Crow

564
00:30:15,960 --> 00:30:19,040
Speaker 1: that is out. Now Here is Hardy on the Bobby

565
00:30:19,080 --> 00:30:21,760
Speaker 1: Bones Show, Now Party. What's going on, buddy? How are

566
00:30:21,800 --> 00:30:23,680
Speaker 1: you good? Man? Good to see you again? I think

567
00:30:23,880 --> 00:30:26,000
Speaker 1: it's I saw you perform a couple of times, but

568
00:30:26,120 --> 00:30:28,320
Speaker 1: I haven't. I guess we haven't seen each other personally

569
00:30:28,320 --> 00:30:30,160
Speaker 1: in a while. But man, I tell you what, you

570
00:30:30,320 --> 00:30:33,320
Speaker 1: go hard, It's awesome, and it's like you go, it's

571
00:30:33,400 --> 00:30:35,520
Speaker 1: it's really cool to see I guess we talked on

572
00:30:35,560 --> 00:30:37,520
Speaker 1: the phone. You told me you like believed in ghosts,

573
00:30:37,560 --> 00:30:40,360
Speaker 1: or you texted something about ghosts. I had a ghost

574
00:30:40,360 --> 00:30:43,760
Speaker 1: story at at my house. Is this a real story

575
00:30:43,880 --> 00:30:46,600
Speaker 1: or it is a real story. Man. I was always

576
00:30:46,680 --> 00:30:49,240
Speaker 1: like apprehensive and skeptical. And there's some stuff that happened

577
00:30:49,400 --> 00:30:52,400
Speaker 1: that I can't I literally cannot explain. And I lived alone,

578
00:30:53,560 --> 00:30:57,240
Speaker 1: so I collect Native American artifacts like arrowheads and stuff

579
00:30:57,280 --> 00:31:00,040
Speaker 1: like that. And the short story is I found on

580
00:31:00,200 --> 00:31:02,240
Speaker 1: a place on the Cumberland River that was very potent,

581
00:31:02,360 --> 00:31:04,880
Speaker 1: and the river had gotten really high for a long

582
00:31:04,960 --> 00:31:07,000
Speaker 1: time and then it dropped and so basically it had

583
00:31:07,040 --> 00:31:09,240
Speaker 1: shaved away a lot of the dirt on the river bank,

584
00:31:09,400 --> 00:31:11,920
Speaker 1: and which is what you do when you go look right,

585
00:31:11,960 --> 00:31:13,360
Speaker 1: you wait for a big rain and it washes away

586
00:31:13,400 --> 00:31:15,920
Speaker 1: new dirt and new find arrowheads in it. And a

587
00:31:15,960 --> 00:31:18,800
Speaker 1: buddy of mine and myself found this spot and it

588
00:31:18,960 --> 00:31:21,120
Speaker 1: was just there was like a ton of broken arrowheads,

589
00:31:21,440 --> 00:31:23,560
Speaker 1: a ton of arrow It was just really really potent

590
00:31:23,600 --> 00:31:25,760
Speaker 1: and like fresh, and we both kind of had like

591
00:31:26,000 --> 00:31:28,520
Speaker 1: a We were like, man, this is like spooky because

592
00:31:28,560 --> 00:31:31,200
Speaker 1: it's like the first time it's been revealed, you know,

593
00:31:31,360 --> 00:31:33,240
Speaker 1: to the earth or whatever. Anyway, so we found some

594
00:31:33,320 --> 00:31:36,800
Speaker 1: stuff and I took it home and like a week later, man,

595
00:31:36,880 --> 00:31:39,200
Speaker 1: I mean there's a million stories. I woke up, all

596
00:31:39,240 --> 00:31:41,520
Speaker 1: the lights would be on in the house, all my

597
00:31:41,720 --> 00:31:45,720
Speaker 1: countertop appliances would be unplugged. What do you mean unplugged

598
00:31:45,760 --> 00:31:50,480
Speaker 1: like litter from the plugs like blender, toaster, microwave lamp.

599
00:31:50,920 --> 00:31:52,520
Speaker 1: Was this when you had enough money for a housekeeper?

600
00:31:52,600 --> 00:31:55,080
Speaker 1: Maybe they did that. No. I lived completely alone, and

601
00:31:55,200 --> 00:31:57,760
Speaker 1: it would be like like it was on the night before,

602
00:31:57,800 --> 00:31:59,000
Speaker 1: like when I went to bed, like a Mica Away,

603
00:31:59,000 --> 00:32:02,959
Speaker 1: nobody unplugged a Michael way um and were you drinking

604
00:32:03,040 --> 00:32:06,280
Speaker 1: the night before, dude, I'm telling you. Callie and I

605
00:32:06,400 --> 00:32:11,160
Speaker 1: hung a big mirror um and the next day we

606
00:32:11,280 --> 00:32:12,680
Speaker 1: went to look at the mirror and there was a

607
00:32:12,800 --> 00:32:16,720
Speaker 1: giant scratch across the front of the mirror um. One

608
00:32:16,800 --> 00:32:19,280
Speaker 1: night we were watching Yellowstone. And there's no way you can't.

609
00:32:19,280 --> 00:32:21,680
Speaker 1: There's no way you can justify the scratch. I want

610
00:32:21,720 --> 00:32:24,040
Speaker 1: to be able to, but I promise you I cannot.

611
00:32:24,280 --> 00:32:26,440
Speaker 1: I have no idea how to justify it. To tell

612
00:32:26,480 --> 00:32:28,640
Speaker 1: me the Yellowstone when that before I go on any farther,

613
00:32:28,720 --> 00:32:31,800
Speaker 1: go ahead. We were watching Yellowstone and we heard a

614
00:32:31,880 --> 00:32:33,960
Speaker 1: noise downstairs and she was like, what was that? And

615
00:32:34,000 --> 00:32:36,320
Speaker 1: I was like, I sounded like a chair got like

616
00:32:36,360 --> 00:32:38,680
Speaker 1: scooted across the floor. And we had a chair from

617
00:32:38,720 --> 00:32:40,880
Speaker 1: our kitchen table that had been like a scooted like

618
00:32:41,000 --> 00:32:45,400
Speaker 1: ten feet out from our kitchen table. And when I

619
00:32:45,520 --> 00:32:48,240
Speaker 1: tell you, like, I lived in Joelton in a house

620
00:32:48,520 --> 00:32:50,920
Speaker 1: in a cabin that's driveway was like a mile and

621
00:32:50,960 --> 00:32:53,840
Speaker 1: a half long in the middle of nowhere. Nobody knows

622
00:32:53,920 --> 00:32:56,440
Speaker 1: where this house is, Like, it's completely impossible that it

623
00:32:56,520 --> 00:32:59,480
Speaker 1: was it was a person. Plus the doors were locked

624
00:32:59,480 --> 00:33:03,960
Speaker 1: and everything. So your theory can't prove it right or wrong.

625
00:33:04,400 --> 00:33:08,400
Speaker 1: Is that it's possible that from your collection of native

626
00:33:08,440 --> 00:33:13,640
Speaker 1: emeric something effects Yeah, you brought something home, yeah, and

627
00:33:14,000 --> 00:33:15,719
Speaker 1: why do you still do you still have the other thing?

628
00:33:15,800 --> 00:33:18,640
Speaker 1: So we eventually because I dumped them more immediately since

629
00:33:18,640 --> 00:33:19,760
Speaker 1: I thought that I would get rid of them. I

630
00:33:20,160 --> 00:33:22,600
Speaker 1: had one moment Callie quit staying with me because she

631
00:33:22,640 --> 00:33:24,320
Speaker 1: was so freaked out because it was it was always

632
00:33:24,360 --> 00:33:26,520
Speaker 1: something like it wasn't just those things, like it was

633
00:33:27,360 --> 00:33:29,400
Speaker 1: like a light would turn on and off downstairs while

634
00:33:29,440 --> 00:33:31,600
Speaker 1: we were awake, like it was crazy stuff that was

635
00:33:31,680 --> 00:33:34,600
Speaker 1: never it wasn't like polter geist like we saw anything

636
00:33:34,720 --> 00:33:37,120
Speaker 1: or anything crazy. But I had one There was five

637
00:33:37,200 --> 00:33:38,680
Speaker 1: days in a row that I woke up through two

638
00:33:38,800 --> 00:33:40,600
Speaker 1: fifty nine or three in the morning on the dot.

639
00:33:41,080 --> 00:33:43,400
Speaker 1: And the last morning I did it, I got up

640
00:33:43,440 --> 00:33:45,840
Speaker 1: out of bed and this this house kind of it

641
00:33:45,920 --> 00:33:47,560
Speaker 1: just had a loft with a master bedroom, and it

642
00:33:47,600 --> 00:33:49,560
Speaker 1: was really creaky. It was a cabin. And when I

643
00:33:49,640 --> 00:33:52,040
Speaker 1: got out of bed and turned my lamp on, something

644
00:33:52,200 --> 00:33:54,920
Speaker 1: jumped from the loft of my house to the floor

645
00:33:55,080 --> 00:33:57,880
Speaker 1: and ran through the house, and I jumped out of bed.

646
00:33:57,920 --> 00:33:59,760
Speaker 1: I thought somebody, I literally thought somebody was in my

647
00:33:59,840 --> 00:34:01,520
Speaker 1: hand house. It was a big thing, like a human

648
00:34:01,600 --> 00:34:04,560
Speaker 1: sized thing. Wasn't a mouse, No, it shook the dishes

649
00:34:04,720 --> 00:34:07,920
Speaker 1: in the dishwasher kind of deal. And I jumped up

650
00:34:07,960 --> 00:34:10,040
Speaker 1: and like went through the whole house and and then

651
00:34:10,320 --> 00:34:12,600
Speaker 1: we went Callie was like, let's get some sage and

652
00:34:12,680 --> 00:34:14,399
Speaker 1: just try to see if we can sage the house.

653
00:34:14,680 --> 00:34:17,000
Speaker 1: And we saged every corner and I went in there

654
00:34:17,120 --> 00:34:19,200
Speaker 1: with like a purpose and was very like stern and

655
00:34:19,360 --> 00:34:21,399
Speaker 1: was like if we have something of yours or blah

656
00:34:21,440 --> 00:34:24,040
Speaker 1: blah blah, like we're sorry, but we're you know, it's

657
00:34:24,080 --> 00:34:25,839
Speaker 1: time for you to leave. You said it out loud, Yeah,

658
00:34:26,480 --> 00:34:31,160
Speaker 1: laughed like an idiot, felt like yeah, and um, we'd

659
00:34:31,200 --> 00:34:33,279
Speaker 1: never had a problem again. But my mom, who has

660
00:34:33,320 --> 00:34:36,560
Speaker 1: never told a lie in her entire life, would go

661
00:34:36,680 --> 00:34:38,719
Speaker 1: out there occasionally just it's like a really pretty place

662
00:34:38,760 --> 00:34:40,080
Speaker 1: in My parents live here, so they would go out

663
00:34:40,080 --> 00:34:41,839
Speaker 1: there to like hang out or something when I'm there

664
00:34:41,960 --> 00:34:44,080
Speaker 1: or gone. And my mom said that she would go

665
00:34:44,160 --> 00:34:46,239
Speaker 1: in that bedroom, the one with the mirror scratch, and

666
00:34:46,320 --> 00:34:47,800
Speaker 1: that the lamp would turn on and off and she

667
00:34:47,840 --> 00:34:49,719
Speaker 1: would be like, Okay, I'm leaving, and then as she

668
00:34:49,760 --> 00:34:51,600
Speaker 1: would go to walk out the front door, that the

669
00:34:51,719 --> 00:34:53,480
Speaker 1: lamp by the front door would turn on and off

670
00:34:54,200 --> 00:34:58,200
Speaker 1: after after we saged it. It's almost like an electrical problem.

671
00:34:58,239 --> 00:35:00,600
Speaker 1: It is a cabin, you know. I mean, it could

672
00:35:00,600 --> 00:35:03,279
Speaker 1: be a huge coincidence. But the chair scooting across the

673
00:35:03,360 --> 00:35:05,960
Speaker 1: floor and then scratch on the mirror and the thing

674
00:35:06,080 --> 00:35:08,600
Speaker 1: jumping from my loft, I cannot explain that, And it

675
00:35:08,680 --> 00:35:10,360
Speaker 1: was one hundred percent real, And I can't prove that

676
00:35:10,440 --> 00:35:12,560
Speaker 1: it's not real because I wasn't there. Yeah, I obviously

677
00:35:12,600 --> 00:35:16,840
Speaker 1: you're not believing ghosts at all in the form of

678
00:35:17,480 --> 00:35:20,799
Speaker 1: how people describe them. I struggle with it. I obviously

679
00:35:20,960 --> 00:35:23,880
Speaker 1: think there are things bigger and my brain doesn't have

680
00:35:23,960 --> 00:35:29,040
Speaker 1: the capacity to understand things that it simply has not seen.

681
00:35:29,160 --> 00:35:30,520
Speaker 1: I mean, I think there's so much that we can't

682
00:35:30,520 --> 00:35:32,160
Speaker 1: even imagine that we don't even know is out there.

683
00:35:32,200 --> 00:35:34,160
Speaker 1: I think science can explain it. I mean, we didn't

684
00:35:34,160 --> 00:35:36,799
Speaker 1: know radio waves existed till like a hundred something years ago.

685
00:35:36,920 --> 00:35:40,239
Speaker 1: That's a great point, but science then prove they did,

686
00:35:40,320 --> 00:35:42,560
Speaker 1: so now we do so, I guess until we have

687
00:35:42,760 --> 00:35:46,239
Speaker 1: some sort of machine that proves so. Yes, and that

688
00:35:46,400 --> 00:35:48,600
Speaker 1: is a valid point. Until I like counterpoint you with going,

689
00:35:48,680 --> 00:35:50,400
Speaker 1: but then science did go that's true, and so I

690
00:35:50,440 --> 00:35:52,279
Speaker 1: don't have that, so I still can well, I think

691
00:35:52,320 --> 00:35:54,279
Speaker 1: that a lot of it is like people think it's

692
00:35:54,400 --> 00:35:57,040
Speaker 1: all like hocus pocus, and so they think it's silly

693
00:35:57,080 --> 00:35:59,400
Speaker 1: to invest a lot of money in like time to

694
00:36:00,200 --> 00:36:02,080
Speaker 1: you know, invest in stuff that could try to prove

695
00:36:02,160 --> 00:36:04,279
Speaker 1: that they were real. I think I can't prove that

696
00:36:04,480 --> 00:36:07,720
Speaker 1: you're not right. And my only story is my grandmother

697
00:36:07,760 --> 00:36:10,799
Speaker 1: adopted me for a long time, very instrumental in all

698
00:36:10,840 --> 00:36:12,160
Speaker 1: my life, lived with her for most of my life.

699
00:36:12,440 --> 00:36:15,560
Speaker 1: And she left me a guitar and it was the

700
00:36:15,640 --> 00:36:17,040
Speaker 1: righting a guitar, but she played it in church and

701
00:36:17,080 --> 00:36:18,799
Speaker 1: she never took a lesson. And you know, I went

702
00:36:18,840 --> 00:36:20,520
Speaker 1: to a Pentecostal church when I was young, before I

703
00:36:20,560 --> 00:36:22,279
Speaker 1: went to a Baptist church. I grew up in a

704
00:36:22,440 --> 00:36:25,600
Speaker 1: very rural town in Arkansas. And so she left it

705
00:36:25,880 --> 00:36:27,480
Speaker 1: and it was really all she had to leave. And

706
00:36:27,600 --> 00:36:30,560
Speaker 1: I remember I was like talking she had died and whatever,

707
00:36:30,920 --> 00:36:33,520
Speaker 1: and I was like, okay, if you send me some

708
00:36:33,719 --> 00:36:35,759
Speaker 1: kind of sign or whatever, that thing and the freaking

709
00:36:35,800 --> 00:36:39,360
Speaker 1: guitar fell over. Oh really it felt, and I dude,

710
00:36:39,520 --> 00:36:41,400
Speaker 1: now did I I don't know. I don't know if

711
00:36:41,400 --> 00:36:42,560
Speaker 1: I did something. I don't know. I don't think I

712
00:36:42,640 --> 00:36:45,120
Speaker 1: kicked it. But the guitar fell over. Yeah, but I

713
00:36:45,200 --> 00:36:48,160
Speaker 1: still struggle because I can't see it, touch it, feel it.

714
00:36:48,320 --> 00:36:50,920
Speaker 1: Sids can't show me to just go yes, it's absolutely true,

715
00:36:50,920 --> 00:36:52,640
Speaker 1: but I can't tell you you're wrong. I just go dang. Now,

716
00:36:52,719 --> 00:36:54,719
Speaker 1: listen to one more story, lunchbox. Tell him your story,

717
00:36:54,880 --> 00:36:56,880
Speaker 1: and then you tell me if you think he's legitimate,

718
00:36:56,880 --> 00:36:59,000
Speaker 1: because he's held onto the story for fifteen years. So

719
00:36:59,160 --> 00:37:01,200
Speaker 1: am my buddy's house, who lived like four houses down

720
00:37:01,239 --> 00:37:03,520
Speaker 1: for me spending the night One night and I get

721
00:37:03,600 --> 00:37:05,040
Speaker 1: up to go to the bathroom and I walked down

722
00:37:05,080 --> 00:37:08,760
Speaker 1: the hallway and a ghost pushes me in the closet,

723
00:37:08,960 --> 00:37:10,759
Speaker 1: locks the door, and it gets really cold in there

724
00:37:10,960 --> 00:37:13,320
Speaker 1: and I cannot open the door. And there is a

725
00:37:13,400 --> 00:37:15,400
Speaker 1: ghost because we would be there after school and you

726
00:37:15,440 --> 00:37:18,279
Speaker 1: would see footprints on the stairs in the front door

727
00:37:18,520 --> 00:37:21,200
Speaker 1: would unlock and lock with us just sitting on the couch.

728
00:37:21,480 --> 00:37:24,120
Speaker 1: No one's touching it. And these guys do not believe me,

729
00:37:24,360 --> 00:37:29,680
Speaker 1: but happens. Tell them where the ghost touched you? Though? No, no,

730
00:37:29,760 --> 00:37:33,040
Speaker 1: there was no I just tell you, it shoved me

731
00:37:33,080 --> 00:37:34,640
Speaker 1: in the closet and I could not get out, and

732
00:37:34,719 --> 00:37:37,919
Speaker 1: it got really really cold in the closet. I can't

733
00:37:37,920 --> 00:37:39,640
Speaker 1: prove it didn't have him, but he lies so much

734
00:37:40,320 --> 00:37:43,319
Speaker 1: that just based on that alone, it's hard to believe it. Look,

735
00:37:43,360 --> 00:37:46,040
Speaker 1: Hardy's here. Do you have a new record? That's that's out?

736
00:37:46,760 --> 00:37:48,160
Speaker 1: We have a lot to talking about music wise. We

737
00:37:48,239 --> 00:37:50,440
Speaker 1: kind of got on that sidetrack there, But so as

738
00:37:50,480 --> 00:37:52,759
Speaker 1: far as I would just imagine with you being such

739
00:37:52,760 --> 00:37:54,600
Speaker 1: a prominent songwriter, and I don't know if you do

740
00:37:54,680 --> 00:37:56,400
Speaker 1: this to yourself, but do you put extra pressure on

741
00:37:56,480 --> 00:37:58,080
Speaker 1: yourself when you put out a project of your own

742
00:37:58,080 --> 00:37:59,839
Speaker 1: because people know you for being a great songwriter? Am

743
00:37:59,920 --> 00:38:01,880
Speaker 1: former a little bit because it's all had to be

744
00:38:02,000 --> 00:38:04,160
Speaker 1: really good because we know all the great stuff you've

745
00:38:04,160 --> 00:38:05,920
Speaker 1: written for other folks too. No, I agree. I think

746
00:38:05,920 --> 00:38:07,319
Speaker 1: that it has to beat the stuff that I've had

747
00:38:07,360 --> 00:38:09,440
Speaker 1: cut on other people are else. People would just constantly

748
00:38:09,440 --> 00:38:11,160
Speaker 1: be like, oh, why didn't you put that out yourself?

749
00:38:12,520 --> 00:38:15,560
Speaker 1: But you know, like my record cycle is usually two years,

750
00:38:15,600 --> 00:38:18,719
Speaker 1: and so I mean I pick usually, I mean it

751
00:38:18,800 --> 00:38:20,680
Speaker 1: still has to be me, you know, but I pick

752
00:38:20,840 --> 00:38:23,920
Speaker 1: like the best ten fifteen songs of that those two

753
00:38:24,000 --> 00:38:27,320
Speaker 1: years or so. That for myself. But I haven't you

754
00:38:27,400 --> 00:38:29,560
Speaker 1: feel the pressure for sure, anything you've held on for

755
00:38:29,680 --> 00:38:31,560
Speaker 1: over a year. That's something they made the record. Um

756
00:38:31,880 --> 00:38:34,520
Speaker 1: oh yeah, Jack, I think was the first song that

757
00:38:34,600 --> 00:38:37,560
Speaker 1: we cut and that one you still stayed in love

758
00:38:37,600 --> 00:38:39,360
Speaker 1: with even a year later. Yeah, because that's hard. It

759
00:38:39,440 --> 00:38:41,160
Speaker 1: was kind of the first song that it's the records

760
00:38:41,200 --> 00:38:43,799
Speaker 1: half country and half rock. That was the first song

761
00:38:44,000 --> 00:38:46,920
Speaker 1: that kind of sparked the rock side of things, so

762
00:38:47,680 --> 00:38:49,960
Speaker 1: that we kind of based that's the cornerstone of the

763
00:38:50,080 --> 00:38:52,200
Speaker 1: rock side of stuff. So we held onto that one forever.

764
00:38:55,080 --> 00:38:58,520
Speaker 1: On the Bobby Bones Show, Now parties here a new record,

765
00:38:58,560 --> 00:39:00,680
Speaker 1: The mocking Bird and the Crow. It is out. You

766
00:39:00,680 --> 00:39:02,479
Speaker 1: guys should check it out. How do you do? Because

767
00:39:02,520 --> 00:39:05,279
Speaker 1: there are seventeen songs on this what's a good number

768
00:39:05,320 --> 00:39:07,040
Speaker 1: of tracks? And then why do you cut it off?

769
00:39:07,200 --> 00:39:08,799
Speaker 1: Or why did you add a couple more? You mean

770
00:39:08,840 --> 00:39:10,719
Speaker 1: just to make a record? Yeah, I mean seventeen? Why

771
00:39:10,800 --> 00:39:14,080
Speaker 1: the number? Why? I don't know. I mean, I really

772
00:39:14,160 --> 00:39:16,000
Speaker 1: we had I think I had like seven and seven

773
00:39:16,080 --> 00:39:19,960
Speaker 1: and Joey Moy and Seth were like, let's see if

774
00:39:19,960 --> 00:39:21,439
Speaker 1: we can get a couple more, and it just sort

775
00:39:21,480 --> 00:39:23,759
Speaker 1: of turned out to be that way. And for it

776
00:39:23,840 --> 00:39:25,000
Speaker 1: to be like a half and a half thing, I

777
00:39:25,040 --> 00:39:27,480
Speaker 1: wanted it to be like a decent amount on both sides.

778
00:39:27,880 --> 00:39:30,239
Speaker 1: You've really walked that line, though, because again you say,

779
00:39:30,800 --> 00:39:32,800
Speaker 1: and I've heard the record two halfs rock, halfs country,

780
00:39:32,800 --> 00:39:36,120
Speaker 1: but there's also kind of a blurry a few songs

781
00:39:36,200 --> 00:39:38,160
Speaker 1: on there too that could be both. But I think

782
00:39:38,200 --> 00:39:41,439
Speaker 1: you've created that space and country music where you listen

783
00:39:41,560 --> 00:39:43,359
Speaker 1: you go, well, yeah, sure it's right, but I could

784
00:39:43,400 --> 00:39:45,560
Speaker 1: also hear this like and in the opposite. I mean,

785
00:39:46,160 --> 00:39:47,799
Speaker 1: you ever get those guys go out You're too rot

786
00:39:47,880 --> 00:39:51,360
Speaker 1: for this place, man, A little bit. I mean, maybe

787
00:39:51,440 --> 00:39:55,040
Speaker 1: not that like direct, but yeah, I mean some of

788
00:39:55,120 --> 00:39:57,000
Speaker 1: that when you're doing Hicks tape where people like, I

789
00:39:57,040 --> 00:39:58,760
Speaker 1: don't know, man, this' a little too crazy. It probably

790
00:39:58,800 --> 00:40:03,120
Speaker 1: can't work or did nobody care enough not I wasn't

791
00:40:03,200 --> 00:40:07,200
Speaker 1: big enough for anybody to care yet, But I mean,

792
00:40:07,320 --> 00:40:12,600
Speaker 1: I definitely feel like there's some apprehension, especially in the

793
00:40:12,640 --> 00:40:15,080
Speaker 1: country world. I've actually been the rock world has been

794
00:40:15,120 --> 00:40:19,120
Speaker 1: super super cool and has accepted me more than I

795
00:40:19,200 --> 00:40:21,120
Speaker 1: honestly even thought they would. And I'm very thankful for that,

796
00:40:21,280 --> 00:40:24,239
Speaker 1: But I mean there's definitely been a little bit apprehension

797
00:40:25,719 --> 00:40:28,160
Speaker 1: from some of my songs being too heavy or whatever.

798
00:40:28,440 --> 00:40:30,719
Speaker 1: You grew up in a small town in Mississippi, What

799
00:40:31,360 --> 00:40:33,800
Speaker 1: was that town like and what did people listen to

800
00:40:34,239 --> 00:40:36,320
Speaker 1: either on the radio or CD? Like, what did you

801
00:40:36,360 --> 00:40:39,400
Speaker 1: grow up around? I grew up, Well, Philadelphia is awesome,

802
00:40:39,440 --> 00:40:41,640
Speaker 1: by the way, I like you hear a lot of

803
00:40:41,680 --> 00:40:44,560
Speaker 1: people talk about like I'm glad I left that, you know,

804
00:40:44,920 --> 00:40:47,320
Speaker 1: blankety blank town. But I loved my hometown and a

805
00:40:47,400 --> 00:40:52,719
Speaker 1: lot of people most people in Philadelphia love Philadelphia. But man,

806
00:40:52,800 --> 00:40:55,200
Speaker 1: I my dad instilled rock and rolling me when I

807
00:40:55,239 --> 00:40:57,040
Speaker 1: was like a little, like a really little kid, So

808
00:40:57,120 --> 00:41:00,239
Speaker 1: I became super obsessed with it in classic rocket until

809
00:41:00,239 --> 00:41:03,920
Speaker 1: I kind of discovered like MTV and then could discover

810
00:41:04,080 --> 00:41:06,040
Speaker 1: music on my own. You know. So I grew up

811
00:41:06,080 --> 00:41:08,560
Speaker 1: listening to rock and roll, but country country was around.

812
00:41:08,600 --> 00:41:10,520
Speaker 1: But I will say, like a lot of people loved

813
00:41:10,600 --> 00:41:12,080
Speaker 1: rock and roll, and there were two or three there

814
00:41:12,160 --> 00:41:13,960
Speaker 1: was a weird little music scene, like a lot of

815
00:41:14,800 --> 00:41:17,719
Speaker 1: like a weird amount of people could play instruments, and

816
00:41:17,760 --> 00:41:19,759
Speaker 1: there were bands and stuff in this little small town.

817
00:41:20,320 --> 00:41:22,360
Speaker 1: And so a lot of people. Rock and roll was

818
00:41:22,400 --> 00:41:25,799
Speaker 1: really big in my in my hometown for sure. In Philadelphia, Mississippi,

819
00:41:25,840 --> 00:41:29,600
Speaker 1: did they have like a fake Liberty Bell Mississippi Liberty Bell. No,

820
00:41:29,880 --> 00:41:31,960
Speaker 1: no Phillies. But I've always wondered about that. The high

821
00:41:31,960 --> 00:41:34,200
Speaker 1: school team was the Eagles, Like none of that. That

822
00:41:34,239 --> 00:41:36,799
Speaker 1: would be funny. No, I've always thought it'd be kind

823
00:41:36,800 --> 00:41:38,920
Speaker 1: of funny too, But we didn't adopt anything from the

824
00:41:39,040 --> 00:41:42,560
Speaker 1: real Philly. I don't know why you are loyal and

825
00:41:42,719 --> 00:41:45,600
Speaker 1: you are You speak from Mississippi a lot like I

826
00:41:45,960 --> 00:41:48,480
Speaker 1: do for Arkansas, right, like Arkansas. A lot of what

827
00:41:48,640 --> 00:41:52,440
Speaker 1: I do I represent constantly and consistently. Why is that

828
00:41:52,520 --> 00:41:54,719
Speaker 1: so important to you to be the guy from Mississippi? Man?

829
00:41:54,840 --> 00:41:56,880
Speaker 1: I just, first of all, I don't There's a lot

830
00:41:56,920 --> 00:42:00,839
Speaker 1: of really big artists like Elvis, Robert Johnson, whatever, there's

831
00:42:00,840 --> 00:42:03,800
Speaker 1: a million a faith hill from Mississippi, but there's not

832
00:42:03,880 --> 00:42:06,480
Speaker 1: a ton And I just I like making my hometown

833
00:42:06,520 --> 00:42:10,239
Speaker 1: proud and making my state proud, and and um, I

834
00:42:10,320 --> 00:42:12,960
Speaker 1: don't know, man, there's just something inside of me that's

835
00:42:13,040 --> 00:42:15,080
Speaker 1: extremely proud to be from Mississippi. I think it gets

836
00:42:15,120 --> 00:42:17,200
Speaker 1: a bad rap and gets it's the butt end of

837
00:42:17,239 --> 00:42:19,280
Speaker 1: a lot of like you know, redneck jokes and stuff

838
00:42:19,320 --> 00:42:21,279
Speaker 1: like that. And I think taking pride in that is

839
00:42:22,160 --> 00:42:24,680
Speaker 1: cool as opposed to you know, getting getting offended by

840
00:42:24,719 --> 00:42:26,680
Speaker 1: it or whatever. But it's a state full of small

841
00:42:26,719 --> 00:42:29,240
Speaker 1: towns that doesn't have a city, and it's just really unique.

842
00:42:29,239 --> 00:42:31,640
Speaker 1: There's like one degree of separation between everybody in the

843
00:42:31,680 --> 00:42:34,160
Speaker 1: whole state. Like you can meet some person that knows

844
00:42:34,200 --> 00:42:36,080
Speaker 1: somebody you know if you don't know that person. It's

845
00:42:36,160 --> 00:42:37,960
Speaker 1: it's really special. I mean, you guys in us are

846
00:42:37,960 --> 00:42:40,160
Speaker 1: like nine fiftieth to every pole and everybody. It's like

847
00:42:40,200 --> 00:42:43,520
Speaker 1: Missisippi Arkansas. It's like the fattest, the most liters pregnant.

848
00:42:44,560 --> 00:42:46,239
Speaker 1: But only we can say that, and we can only

849
00:42:46,239 --> 00:42:48,200
Speaker 1: make fun of it because we're that's us. Yeah, and

850
00:42:48,280 --> 00:42:51,000
Speaker 1: I but if somebody else does, man, I will nothing

851
00:42:51,160 --> 00:42:53,960
Speaker 1: that fires me up. Like when somebody goes after Arkansas. Dude,

852
00:42:53,960 --> 00:42:56,320
Speaker 1: I'm with you, man. So if you take your glasses

853
00:42:56,360 --> 00:42:59,920
Speaker 1: and hat off, can you go incognito? Uh? The gotique?

854
00:43:00,160 --> 00:43:02,840
Speaker 1: It gets me still. I've tried. I did stagecoach, but

855
00:43:02,880 --> 00:43:06,200
Speaker 1: I wore a m I wore like a big quicksilver

856
00:43:06,320 --> 00:43:10,440
Speaker 1: hat and a mask and one of those sunglasses. The

857
00:43:10,960 --> 00:43:14,360
Speaker 1: pit vipers, the big flashy like so hot man in

858
00:43:14,440 --> 00:43:17,600
Speaker 1: the mask. I like almost suffocated. Um, but I did it.

859
00:43:17,680 --> 00:43:19,000
Speaker 1: I did it for like a whole day, and it's

860
00:43:19,160 --> 00:43:22,000
Speaker 1: it's I did that. But I don't know. I haven't

861
00:43:22,040 --> 00:43:24,000
Speaker 1: tried it too much. But maybe well I can't see,

862
00:43:24,080 --> 00:43:27,000
Speaker 1: but I've done it before. Like I'm is your vision bad?

863
00:43:27,120 --> 00:43:29,520
Speaker 1: It's bad enough? Yeah, mine is really bad. And so

864
00:43:29,560 --> 00:43:31,839
Speaker 1: I've taken my glass off to walk through, like walked

865
00:43:31,840 --> 00:43:35,839
Speaker 1: through like an event for our our company. And even

866
00:43:35,920 --> 00:43:38,319
Speaker 1: my bosses didn't know who I was. They were like, hey,

867
00:43:38,440 --> 00:43:41,400
Speaker 1: oh really, I had no idea. You wear a hat mostly,

868
00:43:41,440 --> 00:43:44,800
Speaker 1: don't you? I mean, haven't had enough? Yeah enough, but

869
00:43:45,280 --> 00:43:47,879
Speaker 1: I would have great hair. Check it out. I can't

870
00:43:47,920 --> 00:43:49,239
Speaker 1: see it from there. Yeah you know, I thought you

871
00:43:49,280 --> 00:43:51,040
Speaker 1: said you have gray hair. Great, you have good hair?

872
00:43:51,080 --> 00:43:52,440
Speaker 1: You have good had of hair? Yeah? No, great, I

873
00:43:52,480 --> 00:43:54,680
Speaker 1: have great hair. I have some great do you do?

874
00:43:55,160 --> 00:43:57,319
Speaker 1: Are you? Do you have your hair on top? Yeah? Yeah,

875
00:43:57,360 --> 00:43:59,520
Speaker 1: I have a good because you do have Oh you

876
00:43:59,560 --> 00:44:01,080
Speaker 1: have a great Wow. He has a great hair too.

877
00:44:01,360 --> 00:44:04,560
Speaker 1: Mostly people to wear hats all the time are balding, dude,

878
00:44:04,640 --> 00:44:06,719
Speaker 1: I you know you get that from your mom's side.

879
00:44:06,760 --> 00:44:08,239
Speaker 1: The family have you ever heard that, Like, if your

880
00:44:08,280 --> 00:44:10,919
Speaker 1: mom's brothers had a full head of hair their whole life,

881
00:44:11,000 --> 00:44:14,440
Speaker 1: then you probably will. And both my mom's brothers have

882
00:44:14,840 --> 00:44:16,920
Speaker 1: and or had a full head of hair. So I'm

883
00:44:16,960 --> 00:44:19,640
Speaker 1: I think I'm I'm in the clear. I think, do

884
00:44:19,719 --> 00:44:21,920
Speaker 1: you ever plan to cut the because it's not really

885
00:44:21,960 --> 00:44:24,279
Speaker 1: a mullet? You just have long hair? No, just regularly long?

886
00:44:24,360 --> 00:44:26,759
Speaker 1: Has it always been that way since like high school? No,

887
00:44:26,920 --> 00:44:29,239
Speaker 1: I had like they call the Bama Bangs. Dude, I

888
00:44:29,320 --> 00:44:33,279
Speaker 1: had the frat boy like justin Bieber. I cannot see that.

889
00:44:34,920 --> 00:44:36,640
Speaker 1: You know what's annoyingable? I think I have a picture

890
00:44:36,680 --> 00:44:38,320
Speaker 1: on my phone. I'll show you at some point. So

891
00:44:38,680 --> 00:44:41,960
Speaker 1: it's it's terribly annoying that Hardy was also an awesome

892
00:44:42,000 --> 00:44:45,160
Speaker 1: athlete too. It's like these guys come in that are

893
00:44:45,400 --> 00:44:50,240
Speaker 1: that are everything that I never was. Very talented, awesome athlete,

894
00:44:50,360 --> 00:44:53,840
Speaker 1: can like sing, play guitar, creative, and it's like I

895
00:44:53,880 --> 00:44:56,160
Speaker 1: should never even like this guy. I literally shouldn't like

896
00:44:56,239 --> 00:44:58,880
Speaker 1: you because I have all this like childhood angst from

897
00:44:58,920 --> 00:45:00,680
Speaker 1: people like you. But I do. I like you a

898
00:45:00,760 --> 00:45:02,359
Speaker 1: live I appreciate that. Yeah, it's look at me, I'm

899
00:45:02,400 --> 00:45:05,200
Speaker 1: girling therapy. H how about that? The Hey, the name

900
00:45:05,239 --> 00:45:09,160
Speaker 1: the mocking Bird and the Crow just why um basically

901
00:45:09,239 --> 00:45:14,279
Speaker 1: signifies the struggle I have with um the very water

902
00:45:14,400 --> 00:45:17,000
Speaker 1: down term is or is you know country artist versus

903
00:45:17,040 --> 00:45:20,319
Speaker 1: a rock artist? Um, it's it talks about the mock

904
00:45:20,360 --> 00:45:23,160
Speaker 1: and bird singing songs sound like other songs you've heard,

905
00:45:23,200 --> 00:45:25,160
Speaker 1: which is kind of sticking to the format, and that

906
00:45:25,280 --> 00:45:27,200
Speaker 1: get bleeds into the songwriter side of me too. And

907
00:45:27,719 --> 00:45:30,600
Speaker 1: and you know, writing songs for the radio, and maybe

908
00:45:30,680 --> 00:45:32,279
Speaker 1: you know the struggle I have, we should I write

909
00:45:32,320 --> 00:45:34,479
Speaker 1: more songs and sing more songs for the radio versus

910
00:45:34,520 --> 00:45:36,480
Speaker 1: the crow, which kind of is not as pretty and

911
00:45:36,840 --> 00:45:40,200
Speaker 1: it you know, it doesn't sound as as um pretty

912
00:45:40,200 --> 00:45:41,680
Speaker 1: as a mak and bird. It kind of flies its

913
00:45:41,719 --> 00:45:43,839
Speaker 1: own path. And it's just a song that talks about

914
00:45:43,840 --> 00:45:47,000
Speaker 1: the internal struggle I have with that. On the Bobby

915
00:45:47,040 --> 00:45:49,560
Speaker 1: Bones Show, now the party, Hey, what do you do

916
00:45:49,680 --> 00:45:51,959
Speaker 1: for like mental health? I would assume as an artist

917
00:45:52,040 --> 00:45:56,200
Speaker 1: you I'm gonna insert my story in your story. There

918
00:45:56,719 --> 00:46:00,640
Speaker 1: are insecurities. You're a creative, you have time and spaces

919
00:46:00,640 --> 00:46:02,080
Speaker 1: you need to go and be by yourself. Is any

920
00:46:02,120 --> 00:46:04,440
Speaker 1: of that true? By the way, Yeah, would you consider

921
00:46:04,480 --> 00:46:07,399
Speaker 1: yourself insecure a certain certain parts of your life. Maybe

922
00:46:07,600 --> 00:46:09,080
Speaker 1: if I do, if I am, I don't know if

923
00:46:09,080 --> 00:46:10,880
Speaker 1: I know it. But I go to therapy. Okay, I

924
00:46:10,920 --> 00:46:12,400
Speaker 1: have a therapist. Good for you? What do you? What

925
00:46:12,440 --> 00:46:13,800
Speaker 1: do you do? From the hell? Do you go to therapy?

926
00:46:14,680 --> 00:46:16,560
Speaker 1: You go? You ever go away? Ever you have somewhere

927
00:46:16,560 --> 00:46:18,000
Speaker 1: you want to go away too? Yeah, I just got

928
00:46:18,080 --> 00:46:20,800
Speaker 1: back from Mississippi. Um for two weeks. I like to

929
00:46:20,840 --> 00:46:24,120
Speaker 1: deer hunt, but like the arrowhead thing I do, I'll

930
00:46:24,160 --> 00:46:29,160
Speaker 1: recharge alone. UM. So if I can spend like one

931
00:46:29,239 --> 00:46:31,680
Speaker 1: day or half a day alone every week, that's like

932
00:46:31,920 --> 00:46:34,720
Speaker 1: huge for me. I just be alone with my thoughts

933
00:46:34,760 --> 00:46:36,759
Speaker 1: and stuff. And I don't know it just it helps

934
00:46:36,800 --> 00:46:40,440
Speaker 1: me a time. How does your new wife do with that?

935
00:46:40,800 --> 00:46:44,080
Speaker 1: Because my wife does not need to be alone, right

936
00:46:44,440 --> 00:46:47,480
Speaker 1: I do. I'm very much an alane person. And it

937
00:46:47,640 --> 00:46:49,400
Speaker 1: was took a long time before she actually understood it

938
00:46:49,400 --> 00:46:51,400
Speaker 1: wasn't about her, right, and not that she was ever

939
00:46:51,480 --> 00:46:53,080
Speaker 1: deeply offended. She was just like, I don't understand. I

940
00:46:53,120 --> 00:46:56,319
Speaker 1: was like, I need to be like alone for a while. Yeah.

941
00:46:56,360 --> 00:46:58,279
Speaker 1: It has nothing to do with your significant other. It's

942
00:46:58,280 --> 00:47:00,360
Speaker 1: just all about you. Did you have any sort of

943
00:47:00,520 --> 00:47:02,759
Speaker 1: communication barrier there about that or did she get it? No,

944
00:47:02,960 --> 00:47:05,040
Speaker 1: she's dude, she's awesome. I mean we she and I

945
00:47:05,160 --> 00:47:08,560
Speaker 1: did like the premarital like you know, um, therapy or

946
00:47:08,600 --> 00:47:12,000
Speaker 1: counseling or whatever, and and um we talked about a

947
00:47:12,040 --> 00:47:13,520
Speaker 1: lot of that and most of the stuff we already

948
00:47:13,560 --> 00:47:15,920
Speaker 1: knew about each other. But no, she's she's awesome. I mean,

949
00:47:16,120 --> 00:47:17,840
Speaker 1: if you know, like I said, once a week I

950
00:47:17,880 --> 00:47:19,160
Speaker 1: can just be like, hey, I'm gonna go do a

951
00:47:19,239 --> 00:47:21,919
Speaker 1: thing and I'll see you tonight or something, and she's

952
00:47:21,960 --> 00:47:24,040
Speaker 1: like totally cool with it. And she has her things too,

953
00:47:24,160 --> 00:47:28,160
Speaker 1: you know. Um, well, yeah, no, she's she's super super

954
00:47:28,239 --> 00:47:30,680
Speaker 1: cool about it. Any songs on this record have to

955
00:47:30,760 --> 00:47:32,719
Speaker 1: do with being like in a relationship and in love.

956
00:47:33,200 --> 00:47:37,680
Speaker 1: Iron Country is, um the only love song on the record.

957
00:47:37,760 --> 00:47:39,480
Speaker 1: It's the only song about a girl. Well, I wouldn't

958
00:47:39,480 --> 00:47:41,160
Speaker 1: expect like eight or nine or anything, but I figured

959
00:47:41,160 --> 00:47:42,839
Speaker 1: it at some point. Yeah, there's one you live alive

960
00:47:42,920 --> 00:47:45,520
Speaker 1: and you create from it. Yeah, sure, so something would

961
00:47:45,560 --> 00:47:49,320
Speaker 1: be in there about that. Yeah, Iron Country? So what

962
00:47:49,680 --> 00:47:51,200
Speaker 1: so what does that one though? Iron Country? Like, what's

963
00:47:51,239 --> 00:47:53,560
Speaker 1: what's the place like? There? There? The hook is therein no?

964
00:47:53,640 --> 00:47:55,640
Speaker 1: Iron country, but there's a yo U and it talks

965
00:47:55,680 --> 00:47:58,640
Speaker 1: about like, uh um, like I know how to do

966
00:47:58,719 --> 00:48:00,239
Speaker 1: all this stuff. I know how to build a house

967
00:48:00,280 --> 00:48:02,960
Speaker 1: on a hill and and just all these things. You know.

968
00:48:03,440 --> 00:48:05,120
Speaker 1: It's got a country twist on it, right, it's got

969
00:48:05,200 --> 00:48:07,120
Speaker 1: the good old boy redneck twist. But it's basically like,

970
00:48:07,520 --> 00:48:09,200
Speaker 1: but what's the point of all that if I don't

971
00:48:09,200 --> 00:48:10,759
Speaker 1: have somebody to do it for and to do it with.

972
00:48:10,920 --> 00:48:12,600
Speaker 1: So it's like, there ain't no iron country, but there's

973
00:48:12,600 --> 00:48:14,719
Speaker 1: a wild U. I slipping through the channels a couple

974
00:48:14,760 --> 00:48:18,880
Speaker 1: weeks ago, and I saw you on wrestling. Yeah, and

975
00:48:20,400 --> 00:48:22,279
Speaker 1: I have I have a USA network is one of

976
00:48:22,360 --> 00:48:24,759
Speaker 1: my main channels. I'll flip through because my ship, my

977
00:48:24,840 --> 00:48:27,360
Speaker 1: show's on USA, and so it just comes through like

978
00:48:27,480 --> 00:48:29,719
Speaker 1: you do your like radio channels. And I flipping through

979
00:48:29,760 --> 00:48:32,000
Speaker 1: and I see you like going through the ropes, and

980
00:48:32,040 --> 00:48:34,880
Speaker 1: I'm like, what is happening here? And then I worried

981
00:48:34,880 --> 00:48:37,960
Speaker 1: you we're gonna get hurt because I mean I would

982
00:48:37,960 --> 00:48:39,759
Speaker 1: assume those guys are I mean, they know what they're

983
00:48:39,760 --> 00:48:42,000
Speaker 1: doing and they're big and strong. Yeah, so how did

984
00:48:42,080 --> 00:48:45,560
Speaker 1: you because is WrestleMania You're performing at something right or

985
00:48:45,640 --> 00:48:49,920
Speaker 1: you did, um royal rumble? Yeah, do you know what

986
00:48:50,040 --> 00:48:52,439
Speaker 1: that is? It's where they come down one at a time. Yeah,

987
00:48:52,560 --> 00:48:56,680
Speaker 1: and then they throw each other last one. Yeah, we're

988
00:48:56,760 --> 00:48:59,319
Speaker 1: doing that next week. I think that's pretty cool. Yeah,

989
00:48:59,480 --> 00:49:03,480
Speaker 1: did you like, how do you practice? We rehearsed it.

990
00:49:04,000 --> 00:49:07,760
Speaker 1: That's what everybody says. Wrestling is real, but it's rehearsed.

991
00:49:08,680 --> 00:49:12,239
Speaker 1: And because that guitar was real, dude, that was that

992
00:49:12,440 --> 00:49:15,000
Speaker 1: really happened, you know what I mean? And um, so

993
00:49:15,080 --> 00:49:16,880
Speaker 1: when a guitar gets broken over a human's back or

994
00:49:18,360 --> 00:49:20,160
Speaker 1: you have to hit him in a certain spot. He

995
00:49:20,719 --> 00:49:23,560
Speaker 1: the guy was like, just hit me high, hit me high,

996
00:49:23,640 --> 00:49:25,600
Speaker 1: don't hit me. He was like, hit me on the

997
00:49:25,640 --> 00:49:27,840
Speaker 1: wide part of my back. But uh and he was

998
00:49:27,880 --> 00:49:30,040
Speaker 1: like make sure it's just flat, like dead flat, and

999
00:49:30,120 --> 00:49:32,600
Speaker 1: he was I remember him saying, the harder you hit me,

1000
00:49:32,680 --> 00:49:34,400
Speaker 1: the worst it's gonna hurt. So you might as well

1001
00:49:34,560 --> 00:49:36,839
Speaker 1: like swing for the fence and really try to hit

1002
00:49:36,880 --> 00:49:38,760
Speaker 1: me as hard as you can. Did you ever practice

1003
00:49:38,840 --> 00:49:40,640
Speaker 1: that guitar breaking though, or was it a one time shot?

1004
00:49:40,800 --> 00:49:44,719
Speaker 1: I did? And they they had this like stunt guy

1005
00:49:44,840 --> 00:49:47,000
Speaker 1: backstage and he put this like vest on and he

1006
00:49:47,040 --> 00:49:49,000
Speaker 1: was like all right, give it a shot. And he

1007
00:49:49,160 --> 00:49:51,879
Speaker 1: was kind of like, I think he never thought I'd

1008
00:49:51,920 --> 00:49:54,120
Speaker 1: swung anything before in my life, and he was like,

1009
00:49:54,200 --> 00:49:55,919
Speaker 1: so when you grab it, you grab it down here.

1010
00:49:56,320 --> 00:49:59,200
Speaker 1: I'm like, dude, I'm broken guitars before, and he played ball,

1011
00:49:59,239 --> 00:50:03,320
Speaker 1: he would be best stuff. So um anyway, so he

1012
00:50:03,400 --> 00:50:04,719
Speaker 1: did it, and I did it as hard as I

1013
00:50:04,760 --> 00:50:07,440
Speaker 1: could and it didn't break. And then they all panicked.

1014
00:50:07,520 --> 00:50:09,320
Speaker 1: This was like an hour before I was supposed to

1015
00:50:09,320 --> 00:50:12,200
Speaker 1: do it live, and I know what they do is

1016
00:50:12,560 --> 00:50:14,560
Speaker 1: I don't know, I'm gonna say anyway. They take the

1017
00:50:14,640 --> 00:50:17,200
Speaker 1: guitar apart, they take all the heavy stuff or the

1018
00:50:17,239 --> 00:50:19,399
Speaker 1: metal stuff from the inside, and then they hot blew

1019
00:50:19,480 --> 00:50:21,480
Speaker 1: it back together, which is still like it's not like,

1020
00:50:22,719 --> 00:50:26,440
Speaker 1: you know, still still, but um, I did it. And

1021
00:50:26,480 --> 00:50:28,319
Speaker 1: then the guy like panicked and he was like trying

1022
00:50:28,360 --> 00:50:30,360
Speaker 1: to coach me how to like swing it and stuff,

1023
00:50:30,400 --> 00:50:31,680
Speaker 1: and I was like, dude, I got it. And they

1024
00:50:31,760 --> 00:50:34,080
Speaker 1: gave they had a different guitar, and it just I

1025
00:50:34,120 --> 00:50:35,600
Speaker 1: think the one that they gave me at first was

1026
00:50:35,680 --> 00:50:37,800
Speaker 1: a little more put together when you relieved when it

1027
00:50:37,880 --> 00:50:40,799
Speaker 1: broke when it was live, more relieved than I've ever

1028
00:50:40,920 --> 00:50:45,040
Speaker 1: been in my life. I was like, I just I

1029
00:50:45,080 --> 00:50:48,800
Speaker 1: wanted to be like, yes, right there, um, but it

1030
00:50:48,920 --> 00:50:51,080
Speaker 1: was awesome, dude. Also, they should take the metal stuff

1031
00:50:51,080 --> 00:50:53,200
Speaker 1: out of a guitar. They don't even be convinced. We

1032
00:50:53,360 --> 00:50:55,719
Speaker 1: know that these are great athletes. Yeah, well you know,

1033
00:50:56,120 --> 00:50:58,280
Speaker 1: can you imagine, like, no, the guitar needs to be legitimate.

1034
00:50:59,160 --> 00:51:01,959
Speaker 1: You need to hit him with guitar less Paul, Yes please?

1035
00:51:03,160 --> 00:51:06,120
Speaker 1: Uh And then you came out no injuries, no shoulder injuries, nothing,

1036
00:51:06,160 --> 00:51:07,880
Speaker 1: You're flying around a little all right, good for you,

1037
00:51:08,120 --> 00:51:10,800
Speaker 1: good man. Hearty's new records out. It is called The

1038
00:51:10,880 --> 00:51:12,759
Speaker 1: mocking Bird and the Crow. What are you gonna play

1039
00:51:12,760 --> 00:51:14,239
Speaker 1: for us? There? I'm gonna play a song off the

1040
00:51:14,320 --> 00:51:16,160
Speaker 1: record called Happy. I think it's my favorite song on

1041
00:51:16,200 --> 00:51:19,560
Speaker 1: the record. All right, here we go. Hey, you wrote

1042
00:51:19,600 --> 00:51:22,960
Speaker 1: that one by yourself? Yeah? Why what what inspired you

1043
00:51:23,000 --> 00:51:24,680
Speaker 1: do that by yourself? And what? Like? Tell me about

1044
00:51:24,719 --> 00:51:27,680
Speaker 1: the song what it's about? Um Man? I just had

1045
00:51:27,800 --> 00:51:30,279
Speaker 1: like a actually like at one point I wanted to

1046
00:51:30,280 --> 00:51:32,200
Speaker 1: write like a children's book, and I was thinking about

1047
00:51:32,239 --> 00:51:37,359
Speaker 1: some ideas and and um, a publisher told me one time, Uh,

1048
00:51:37,480 --> 00:51:39,759
Speaker 1: we were talking about doing drugs. We weren't doing drugs,

1049
00:51:39,800 --> 00:51:41,680
Speaker 1: but we were literally just talking about it. A kid's

1050
00:51:41,719 --> 00:51:46,920
Speaker 1: booked older guy older than me, and he was like, man,

1051
00:51:47,520 --> 00:51:49,200
Speaker 1: he was like, if there's any advice I have for you,

1052
00:51:49,320 --> 00:51:51,520
Speaker 1: don't use a week's worth of happiness in one night.

1053
00:51:51,600 --> 00:51:53,640
Speaker 1: And that always stuck with me. And it was in

1054
00:51:53,719 --> 00:51:55,680
Speaker 1: the time of like cutting the record, so I sent

1055
00:51:55,760 --> 00:51:58,040
Speaker 1: it to to Seth and Joey and everybody, and and

1056
00:51:58,360 --> 00:52:00,160
Speaker 1: uh said, I really want to put this on the

1057
00:52:00,200 --> 00:52:02,920
Speaker 1: record on the countryside. That's awesome, man. The mocking Bird

1058
00:52:02,960 --> 00:52:05,880
Speaker 1: and the Crow the tour dates he starts in February.

1059
00:52:05,960 --> 00:52:07,680
Speaker 1: Go to Hearty official dot com. Runs all the way

1060
00:52:07,719 --> 00:52:11,160
Speaker 1: through um spring you're doing. It's all over the place,

1061
00:52:11,200 --> 00:52:12,840
Speaker 1: but go check it out for the mocking Bird and

1062
00:52:12,880 --> 00:52:15,439
Speaker 1: the Crew with Jamison Rodgers on on tour with you. Yeah,

1063
00:52:15,480 --> 00:52:18,759
Speaker 1: and a rock band. Uh, blame my youth off Big

1064
00:52:18,800 --> 00:52:20,960
Speaker 1: Loud Rock. We're gonna rap with this. These are five

1065
00:52:21,080 --> 00:52:25,759
Speaker 1: uncomfortable questions from listeners. Our heartiest, our heartiest glasses real

1066
00:52:25,880 --> 00:52:29,120
Speaker 1: or fake? Real? Very real? Who pays when you and

1067
00:52:29,160 --> 00:52:33,440
Speaker 1: Morgan wall and go to dinner? Oh? My record label? Nice?

1068
00:52:34,280 --> 00:52:36,920
Speaker 1: He looks at them as he says that does Hearty

1069
00:52:37,040 --> 00:52:40,720
Speaker 1: drive a cool car? Yeah? This is where you answered,

1070
00:52:40,760 --> 00:52:42,640
Speaker 1: what kind of cool? I have a I have a

1071
00:52:42,719 --> 00:52:45,560
Speaker 1: Jack Roush edition of two fifty Super Duty, and I

1072
00:52:45,640 --> 00:52:49,839
Speaker 1: have a camouflage wrapped uh F one fifty King Ranch

1073
00:52:50,160 --> 00:52:52,399
Speaker 1: with thirty eight inch tires. It's a lot of gas,

1074
00:52:52,560 --> 00:52:56,600
Speaker 1: that's what I hear. That's a lot of gas. Not

1075
00:52:56,760 --> 00:52:59,200
Speaker 1: a car. Oh no, not the camouflage and see him.

1076
00:52:59,239 --> 00:53:01,279
Speaker 1: I took the camera truck to my hometown to go

1077
00:53:01,360 --> 00:53:02,880
Speaker 1: deer hunt in the last two weeks and it was

1078
00:53:02,920 --> 00:53:05,799
Speaker 1: a huge mistake. It was a huge mistake. Two more,

1079
00:53:05,880 --> 00:53:10,480
Speaker 1: what's the coolest part of Hardy's new house? Oh? Oh man, um,

1080
00:53:11,000 --> 00:53:14,440
Speaker 1: the my like studio room. I love it. I have

1081
00:53:14,480 --> 00:53:17,840
Speaker 1: all my cool trinkets and stuff in there. Arrowheads, yeah, tons,

1082
00:53:18,360 --> 00:53:20,640
Speaker 1: they stay in there opposite into the bedroom. Probably will go.

1083
00:53:21,239 --> 00:53:24,880
Speaker 1: And finally, how did Hardy get famous? I have no idea.

1084
00:53:25,719 --> 00:53:27,640
Speaker 1: That's that's why it's good enough for us. There is

1085
00:53:27,640 --> 00:53:30,120
Speaker 1: Hardy everybody albums out, The mocking Bird and the Crow.

1086
00:53:30,280 --> 00:53:33,640
Speaker 1: Go check it out, go see him on tour. Thank

1087
00:53:33,680 --> 00:53:35,440
Speaker 1: you guys for hanging out with us. It's at this

1088
00:53:35,560 --> 00:53:37,960
Speaker 1: time every morning we catch you up on what we

1089
00:53:38,080 --> 00:53:41,040
Speaker 1: think somewhat important or interesting. It's our version of the

1090
00:53:41,080 --> 00:53:47,719
Speaker 1: news Bobby's Bes stories the price of eggs so high

1091
00:53:48,239 --> 00:53:50,320
Speaker 1: that people are apparently trying to sneak them across the

1092
00:53:50,400 --> 00:53:55,920
Speaker 1: border from Mexico, where they are cheaper at three dollars

1093
00:53:55,960 --> 00:53:58,480
Speaker 1: and forty cents. A thirty count carton of eggs is

1094
00:53:58,520 --> 00:54:00,520
Speaker 1: as steel and wire as Mexico. Well you know what

1095
00:54:00,560 --> 00:54:04,440
Speaker 1: also stole in warlds Mexico, your head if you're not

1096
00:54:04,520 --> 00:54:08,759
Speaker 1: careful eggs. I don't even like eggs that much. Oh,

1097
00:54:08,960 --> 00:54:12,080
Speaker 1: come on, I don't eat eggs that much, So this

1098
00:54:12,239 --> 00:54:15,040
Speaker 1: story to me, I'm just not an egg guy at all.

1099
00:54:15,239 --> 00:54:17,200
Speaker 1: I was trying to explain the price of eggs to

1100
00:54:17,280 --> 00:54:19,360
Speaker 1: my son because he likes to have four eggs a

1101
00:54:19,440 --> 00:54:26,320
Speaker 1: day every day and work what kind like a scrambled

1102
00:54:26,560 --> 00:54:29,239
Speaker 1: over easy, like where the white is cooked but the

1103
00:54:29,960 --> 00:54:32,160
Speaker 1: yolk is running. Yeah, over easy. I would not know

1104
00:54:32,200 --> 00:54:37,680
Speaker 1: how to make that. Yeah, I can scramble, that's easy. Yeah. Yeah.

1105
00:54:37,920 --> 00:54:39,839
Speaker 1: So did you say, hey, easy on the eggs. Yeah,

1106
00:54:39,880 --> 00:54:41,960
Speaker 1: I'm like, hey, we should cut down to two a

1107
00:54:42,040 --> 00:54:44,200
Speaker 1: day and then like have a piece of bread and

1108
00:54:44,400 --> 00:54:46,440
Speaker 1: some fruit. And it just always has to be so

1109
00:54:46,520 --> 00:54:49,080
Speaker 1: many eggs. Did you guys go across the border? Eddy?

1110
00:54:49,080 --> 00:54:50,399
Speaker 1: When you were a kid to get stuff, Oh yeah,

1111
00:54:50,400 --> 00:54:52,560
Speaker 1: all the time. But and like fruit, you can buy

1112
00:54:52,640 --> 00:54:54,080
Speaker 1: fruit over there, but you had to take the seat

1113
00:54:54,120 --> 00:54:56,360
Speaker 1: out because you couldn't bring the seat over to America

1114
00:54:56,600 --> 00:54:58,799
Speaker 1: because they don't want your planning it. Yeah but why

1115
00:54:59,080 --> 00:55:01,319
Speaker 1: what was that reasoning? Yeah, they just said, because they

1116
00:55:01,320 --> 00:55:04,200
Speaker 1: don't want you to reproduce these this fruit that's native

1117
00:55:04,239 --> 00:55:07,680
Speaker 1: to Mexico in America. Yeah, so if we buy avocados,

1118
00:55:08,160 --> 00:55:11,279
Speaker 1: avocados grow avocados here. Yeah, but they were so good.

1119
00:55:11,360 --> 00:55:17,120
Speaker 1: Mexican avocados are delicious. Really yes, would you sneak the

1120
00:55:17,280 --> 00:55:20,040
Speaker 1: fruit seeds in? Oh yeah, like there like keystir like

1121
00:55:20,120 --> 00:55:25,840
Speaker 1: in jail. Oh yeah, but here's the thing though, just

1122
00:55:26,120 --> 00:55:29,520
Speaker 1: under the seat smuggle. But here's the thing though. They

1123
00:55:29,600 --> 00:55:31,839
Speaker 1: had a knife though, so like if they caught the avocados,

1124
00:55:31,880 --> 00:55:33,640
Speaker 1: they'd either it was either they were in a good

1125
00:55:33,680 --> 00:55:35,160
Speaker 1: mood or a bad mood. They're in a good mood,

1126
00:55:35,200 --> 00:55:37,239
Speaker 1: they would cut it for you through the seat out

1127
00:55:37,280 --> 00:55:39,200
Speaker 1: and here here's the avocados. But if they're in a

1128
00:55:39,239 --> 00:55:41,120
Speaker 1: bad mood, thank you, those are mine. They just kept

1129
00:55:41,120 --> 00:55:43,400
Speaker 1: the avocado. Oh yeah, what else would you take across

1130
00:55:43,400 --> 00:55:45,440
Speaker 1: the border or would you go like I had some

1131
00:55:45,480 --> 00:55:48,799
Speaker 1: friends that would you get dental work done in Mexico? Bad?

1132
00:55:48,920 --> 00:55:51,200
Speaker 1: This battles a battle one dude. So we went over

1133
00:55:51,280 --> 00:55:52,799
Speaker 1: for lunch. I was in high school and I went

1134
00:55:52,840 --> 00:55:56,480
Speaker 1: with a football player and he wanted the bad stuff,

1135
00:55:57,080 --> 00:56:00,520
Speaker 1: the peed stuff. He wanted like steroids. Yes, And so

1136
00:56:00,760 --> 00:56:02,600
Speaker 1: I didn't know he was doing this, those three of us,

1137
00:56:02,840 --> 00:56:05,359
Speaker 1: and he disappeared while we were having lunch. He didn't

1138
00:56:05,400 --> 00:56:07,320
Speaker 1: tell us. He went to the pharmacy to buy this stuff.

1139
00:56:07,440 --> 00:56:09,200
Speaker 1: And we're coming back and me and my other buddy,

1140
00:56:09,200 --> 00:56:12,040
Speaker 1: we're like singing along on the radio, and the customs

1141
00:56:12,080 --> 00:56:14,080
Speaker 1: guy's like, oh, this is crazy, Like three high school

1142
00:56:14,120 --> 00:56:16,520
Speaker 1: kids at two o'clock, two pm. This isn't right. Pull

1143
00:56:16,560 --> 00:56:19,160
Speaker 1: over stall number one and we're like, okay, no big deal.

1144
00:56:19,480 --> 00:56:21,360
Speaker 1: So we sit there, da da da dada da. They

1145
00:56:21,440 --> 00:56:23,160
Speaker 1: checked the car, they don't find anything. All right, you

1146
00:56:23,200 --> 00:56:25,720
Speaker 1: guys are good. Take off and then my buddy's like pale.

1147
00:56:25,920 --> 00:56:28,920
Speaker 1: He's like white faced, the football player, and he reaches

1148
00:56:28,920 --> 00:56:30,279
Speaker 1: in his pocket. He's like here, man, put down the

1149
00:56:30,280 --> 00:56:33,440
Speaker 1: glove box, Like what is this. He's like, I bought steroids,

1150
00:56:33,480 --> 00:56:35,560
Speaker 1: Like I just I was so scared. I was so scared.

1151
00:56:35,600 --> 00:56:37,360
Speaker 1: I'm so glad they didn't catch us, Like, dude, we

1152
00:56:37,440 --> 00:56:40,879
Speaker 1: could have gone to jail. Yeah, what happened? If would

1153
00:56:40,880 --> 00:56:43,239
Speaker 1: they were just taking him. I have taken all of

1154
00:56:43,280 --> 00:56:45,160
Speaker 1: you where they have taken even him to jail. I

1155
00:56:45,280 --> 00:56:46,960
Speaker 1: think just him because it was in his pocket. But

1156
00:56:47,040 --> 00:56:49,000
Speaker 1: there's no way that they can isolate like that. We

1157
00:56:49,080 --> 00:56:51,359
Speaker 1: didn't know. I mean, if you're with them, I think

1158
00:56:51,400 --> 00:56:53,640
Speaker 1: they just kind of treat everyone the same. Now somebody's

1159
00:56:53,640 --> 00:56:55,359
Speaker 1: the driver, do they put you in jail if they

1160
00:56:55,400 --> 00:56:57,040
Speaker 1: find something like that? And we were already on the

1161
00:56:57,040 --> 00:56:59,319
Speaker 1: American side, So if we're going to jail, that's fine,

1162
00:56:59,400 --> 00:57:02,800
Speaker 1: going Mexican. It was a different story. What's that story?

1163
00:57:03,040 --> 00:57:06,040
Speaker 1: I don't want to Okay, Okay, Well that's the story

1164
00:57:06,160 --> 00:57:08,400
Speaker 1: from Fox five San Diego. A woman has given up

1165
00:57:08,400 --> 00:57:10,919
Speaker 1: on driving after being involved in thirteen car accidents before

1166
00:57:10,960 --> 00:57:14,960
Speaker 1: she turned thirty. She says that she's pushed her luck enough. Amy,

1167
00:57:15,880 --> 00:57:17,760
Speaker 1: that's what I thought. Well, Amy's the lolder than thirty,

1168
00:57:17,880 --> 00:57:21,600
Speaker 1: says can't be her? Yeah, just a chat older. How

1169
00:57:21,640 --> 00:57:24,000
Speaker 1: many car accidents have you been in in any form

1170
00:57:24,080 --> 00:57:28,640
Speaker 1: or fashion? Minor fender bender to big wreck, Lunchbuck's done

1171
00:57:28,640 --> 00:57:29,920
Speaker 1: a bad wreck once where he was sitting in a

1172
00:57:29,960 --> 00:57:31,800
Speaker 1: drunk driver smashed into the back of his car. Lucky,

1173
00:57:32,040 --> 00:57:34,000
Speaker 1: lucky to live. We were doing the show. We weren't

1174
00:57:34,040 --> 00:57:35,760
Speaker 1: live on the air, but it was what we're working together. Yeah,

1175
00:57:35,960 --> 00:57:38,080
Speaker 1: crushed into him, crushed into me, and he was going

1176
00:57:38,120 --> 00:57:40,640
Speaker 1: about fifty five. Never hit the brakes and they had

1177
00:57:40,640 --> 00:57:42,000
Speaker 1: to get a tow truck to the front of my

1178
00:57:42,160 --> 00:57:43,800
Speaker 1: car and the back of his did get him out

1179
00:57:43,840 --> 00:57:46,040
Speaker 1: of my trunk because he was so far in Wow.

1180
00:57:46,320 --> 00:57:48,880
Speaker 1: And Bobby called me right there. He's like asking me

1181
00:57:48,920 --> 00:57:50,320
Speaker 1: something about work, and I tell him and then he

1182
00:57:50,440 --> 00:57:52,040
Speaker 1: was like, what are you doing? I've just gotten a rank.

1183
00:57:52,080 --> 00:57:54,080
Speaker 1: He goes, why didn't you leave with that? I'm like, oh,

1184
00:57:54,120 --> 00:57:57,360
Speaker 1: I mean you you called that's the headline and dang,

1185
00:57:57,600 --> 00:57:59,360
Speaker 1: Bobby got crushed. How many wrecks have you been in

1186
00:57:59,440 --> 00:58:02,160
Speaker 1: though your whole life? Two? That one end One When

1187
00:58:02,200 --> 00:58:04,280
Speaker 1: I was in college, I was coming around a curve

1188
00:58:04,680 --> 00:58:06,920
Speaker 1: and there was a yield sign and I didn't. The

1189
00:58:07,040 --> 00:58:09,160
Speaker 1: car in front of me yielded and I wasn't ready

1190
00:58:09,160 --> 00:58:10,720
Speaker 1: to yield, and I hit the back of you wasn't

1191
00:58:10,720 --> 00:58:13,120
Speaker 1: ready to yield. You just you just didn't yield. I

1192
00:58:13,200 --> 00:58:15,680
Speaker 1: wasn't ready. There was the other night we were Kayle

1193
00:58:15,760 --> 00:58:18,439
Speaker 1: and I were turning into a driveway and it's dark,

1194
00:58:18,720 --> 00:58:21,200
Speaker 1: it's nighttime, and okay, I dipped it and I'm just

1195
00:58:21,240 --> 00:58:23,680
Speaker 1: the light turning into the driveway across. So I'm on

1196
00:58:23,720 --> 00:58:25,200
Speaker 1: the it's on the left side, so I got a

1197
00:58:25,240 --> 00:58:28,000
Speaker 1: cross and she starts yelling, oh my god, wad There

1198
00:58:28,040 --> 00:58:29,440
Speaker 1: was a car coming our way but no lights on

1199
00:58:30,440 --> 00:58:34,240
Speaker 1: almost nailed us. I never saw them. And we pulled

1200
00:58:34,240 --> 00:58:36,400
Speaker 1: them the driveway and I'm just slow, you know me,

1201
00:58:36,760 --> 00:58:40,320
Speaker 1: Yeah slow, And she's like, oh my god, and I stopped.

1202
00:58:40,320 --> 00:58:42,000
Speaker 1: Don't drop myself, what's up? And then I saw the

1203
00:58:42,040 --> 00:58:44,919
Speaker 1: car just go right by us, man, which was nuts.

1204
00:58:45,000 --> 00:58:47,080
Speaker 1: I've been at one. I just got no. I rearinted somebody.

1205
00:58:47,120 --> 00:58:50,360
Speaker 1: One time it was your fault. There was an accident

1206
00:58:50,720 --> 00:58:52,800
Speaker 1: and I pulled over a hill and cars were everywhere

1207
00:58:52,800 --> 00:58:54,320
Speaker 1: and it was like I had to slam. I didn't

1208
00:58:54,360 --> 00:58:56,160
Speaker 1: slam quick enough because it had just happened, okay, and

1209
00:58:56,240 --> 00:58:59,160
Speaker 1: so I hit the back like there was like three

1210
00:58:59,240 --> 00:59:01,520
Speaker 1: cars that did it, and so I hit it and

1211
00:59:01,640 --> 00:59:04,000
Speaker 1: that was it. One time somebody hit me. We were

1212
00:59:04,000 --> 00:59:06,880
Speaker 1: going in front this Jessville high school to have. They

1213
00:59:06,880 --> 00:59:08,400
Speaker 1: were on our arrivals and we were going from them,

1214
00:59:08,400 --> 00:59:10,479
Speaker 1: waving pine trees like you saw it because we're mountain Pine.

1215
00:59:11,760 --> 00:59:14,520
Speaker 1: When they were all standing outside and somebody reminded me, okay,

1216
00:59:14,640 --> 00:59:16,280
Speaker 1: but I just went back in my car Spiez scraped

1217
00:59:16,720 --> 00:59:19,360
Speaker 1: and pulled it out and kept driving. And it happened

1218
00:59:19,440 --> 00:59:21,400
Speaker 1: right in front of their school. So it was embarrassing.

1219
00:59:21,880 --> 00:59:23,280
Speaker 1: But I don't count that one because I just pulled

1220
00:59:23,280 --> 00:59:25,120
Speaker 1: it right out. It's all good. Yeah, So just one

1221
00:59:25,240 --> 00:59:30,040
Speaker 1: for me, Amy, So hitting objects like poles and hydrates counts, okay. So,

1222
00:59:30,320 --> 00:59:32,480
Speaker 1: and then my most recent one over Christmas break, which

1223
00:59:32,480 --> 00:59:35,200
Speaker 1: was an accident on the highway. I think I'm at

1224
00:59:35,320 --> 00:59:42,600
Speaker 1: eighty two more. Your punch card gets in you had

1225
00:59:42,680 --> 00:59:47,160
Speaker 1: since I was sixteen. Those are two talking about your

1226
00:59:47,200 --> 00:59:50,560
Speaker 1: whole life, Amy, She's like, that's twenty twenty only guys, dude.

1227
00:59:50,640 --> 00:59:52,720
Speaker 1: I just thought of one from our parking garage when

1228
00:59:52,720 --> 00:59:56,840
Speaker 1: I popped the tire. Oh okay, so nine Eddie three

1229
00:59:57,720 --> 00:59:59,800
Speaker 1: A one right when I man, I got my learners

1230
00:59:59,800 --> 01:00:02,880
Speaker 1: p just got it and I was pulling over to

1231
01:00:02,920 --> 01:00:06,040
Speaker 1: the side, like turning right, and a motorcycle decided to

1232
01:00:06,040 --> 01:00:08,520
Speaker 1: pass the car behind me on the shoulder. I was there,

1233
01:00:08,600 --> 01:00:10,920
Speaker 1: he clipped me. It was brutal. Well, this one has

1234
01:00:11,000 --> 01:00:14,560
Speaker 1: quit again, all those accent at four thirty. She's got

1235
01:00:14,680 --> 01:00:17,600
Speaker 1: to get places somehow though. Yeah. Also in the news,

1236
01:00:17,680 --> 01:00:20,440
Speaker 1: Beyonce is returning to the stage for the first time

1237
01:00:20,480 --> 01:00:22,280
Speaker 1: more than four years. She's gonna get twenty four million

1238
01:00:22,280 --> 01:00:24,880
Speaker 1: bucks for one night only. Wow. She's playing a private

1239
01:00:24,880 --> 01:00:27,360
Speaker 1: performance at the lavish grand opening of the Atlantis Royal

1240
01:00:27,440 --> 01:00:30,920
Speaker 1: Hotel in Dubai. The massive complex feature seven hundred hotel rooms,

1241
01:00:30,920 --> 01:00:34,160
Speaker 1: a hundred luxury suites, and two hundred liven apartments. They're

1242
01:00:34,200 --> 01:00:38,200
Speaker 1: paying Beyonce a twenty four and then six zeros that

1243
01:00:38,240 --> 01:00:42,720
Speaker 1: would equal twenty four million dollars. Kim Kardashi in according

1244
01:00:42,760 --> 01:00:45,640
Speaker 1: to page six, by Princess Diana's amethyst Cross necklace for

1245
01:00:45,680 --> 01:00:49,920
Speaker 1: two hundred thousand dollars. She famously wore the cross to

1246
01:00:50,000 --> 01:00:53,040
Speaker 1: a London charity Galla in nineteen eighty seven, and then

1247
01:00:53,120 --> 01:00:56,320
Speaker 1: finally from the New York Post. A flight attendant mistakenly

1248
01:00:56,440 --> 01:00:59,280
Speaker 1: deploys the inflatable slide first day on the job. Yeah.

1249
01:01:00,040 --> 01:01:03,880
Speaker 1: A brand new flight attendant accidentally employed the inflatable slide

1250
01:01:03,960 --> 01:01:06,360
Speaker 1: while the plane was taxiing on her first day. The

1251
01:01:06,480 --> 01:01:10,080
Speaker 1: blunder costs the airline about sixty thousand dollars. The flattent

1252
01:01:10,160 --> 01:01:13,600
Speaker 1: was embarrassed. She was removed from duty order back to training.

1253
01:01:14,120 --> 01:01:16,160
Speaker 1: According to the outlet, did they at least let her

1254
01:01:16,200 --> 01:01:18,840
Speaker 1: slide down? You know, it doesn't say in the story,

1255
01:01:18,880 --> 01:01:24,960
Speaker 1: but I would doubt that's the case. Stories. So, this

1256
01:01:25,040 --> 01:01:27,960
Speaker 1: woman sent her ex boyfriend a thousand texts after being dumped.

1257
01:01:28,480 --> 01:01:29,960
Speaker 1: Do you think that's gonna get him back? Do you

1258
01:01:30,000 --> 01:01:32,440
Speaker 1: think that's gonna make him go? While she's so passionate

1259
01:01:32,480 --> 01:01:34,680
Speaker 1: about me? Maybe I should go back to her A

1260
01:01:34,920 --> 01:01:38,680
Speaker 1: thousand texts after being dumped, the twenty eight year old

1261
01:01:39,120 --> 01:01:42,720
Speaker 1: was banned from contacting her ex boyfriend in any way

1262
01:01:42,840 --> 01:01:46,120
Speaker 1: whatsoever for eighteen months and sentenced to eighteen months of

1263
01:01:46,200 --> 01:01:50,400
Speaker 1: community service and also thirty days of rehab activity. The

1264
01:01:50,480 --> 01:01:54,160
Speaker 1: woman harassed her ex boyfriend by texting him over a

1265
01:01:54,320 --> 01:01:58,480
Speaker 1: thousand times and calling him repeatedly as well. Despite making

1266
01:01:58,480 --> 01:02:00,840
Speaker 1: it clearly wanted nothing to do with her, she kept

1267
01:02:00,920 --> 01:02:03,880
Speaker 1: calling them and kept trying to rekindle their romance. Now,

1268
01:02:04,640 --> 01:02:06,920
Speaker 1: I don't think it would be justifiable. Let's say he

1269
01:02:06,960 --> 01:02:08,680
Speaker 1: really did wrong, like he killed her to August, I

1270
01:02:08,720 --> 01:02:11,320
Speaker 1: don't know. Oh man, she's just so mad. You still

1271
01:02:11,400 --> 01:02:13,840
Speaker 1: can't do that. But I would understand if like you're

1272
01:02:13,880 --> 01:02:16,240
Speaker 1: trying to yell at him, make him feel why you're

1273
01:02:16,240 --> 01:02:18,520
Speaker 1: so but trying to get him back by doing this,

1274
01:02:19,520 --> 01:02:22,240
Speaker 1: that's gonna work. That's not gonna work at all. She's

1275
01:02:22,240 --> 01:02:27,880
Speaker 1: trying to get the messaging process. He has passion. And

1276
01:02:28,000 --> 01:02:32,360
Speaker 1: also if she can't have him, and that's a scary

1277
01:02:32,400 --> 01:02:36,160
Speaker 1: part about this, And also a restraining order is just

1278
01:02:36,200 --> 01:02:38,120
Speaker 1: a piece of paper, and people that are crazy do

1279
01:02:38,240 --> 01:02:39,640
Speaker 1: crazy things, and a piece of paper is not going

1280
01:02:39,680 --> 01:02:42,000
Speaker 1: to keep crazy people doing crazy things, Like I would

1281
01:02:42,000 --> 01:02:43,800
Speaker 1: be scared to death. And also he has to go.

1282
01:02:45,320 --> 01:02:48,520
Speaker 1: Why did I date her? Ever? Like where did I miss?

1283
01:02:49,120 --> 01:02:53,240
Speaker 1: How did I How did I not see absolutely a

1284
01:02:53,600 --> 01:02:58,200
Speaker 1: peep from the beginning? But maybe he enjoyed a little

1285
01:02:58,200 --> 01:03:00,760
Speaker 1: bit of her crazy, but then she got too well

1286
01:03:00,760 --> 01:03:03,080
Speaker 1: I don't think she had crazy until after he dumped her.

1287
01:03:03,720 --> 01:03:05,840
Speaker 1: And how about her now she's in the national news

1288
01:03:06,520 --> 01:03:09,000
Speaker 1: for being able. Who's gonna be able to date her?

1289
01:03:09,760 --> 01:03:11,600
Speaker 1: Google her name? She's out. You got to find someone

1290
01:03:11,640 --> 01:03:13,840
Speaker 1: that doesn't have a computer or no access to anything.

1291
01:03:15,960 --> 01:03:19,760
Speaker 1: Amish as someone in the middle of nowhere farmer wants

1292
01:03:19,760 --> 01:03:25,160
Speaker 1: a wife that show. I feel so bad for him. Listen,

1293
01:03:25,160 --> 01:03:28,280
Speaker 1: I've had a similar ish experience. I feel I don't

1294
01:03:28,320 --> 01:03:30,160
Speaker 1: feel bad. Here's why I feel bad for her. So

1295
01:03:30,320 --> 01:03:34,640
Speaker 1: I kind of obviously something isn't healthy within her. So

1296
01:03:34,720 --> 01:03:37,280
Speaker 1: I don't that stinks for her, that that's not able

1297
01:03:37,400 --> 01:03:39,960
Speaker 1: to be addressed and fixed. And maybe it will now

1298
01:03:40,240 --> 01:03:42,120
Speaker 1: and now she's always going to be known as twenty

1299
01:03:42,120 --> 01:03:44,680
Speaker 1: eight year old Michelle Felton who sent her ex boyfriend

1300
01:03:44,720 --> 01:03:47,120
Speaker 1: a thousand texts. And if I'm going out with Michelle

1301
01:03:47,160 --> 01:03:48,760
Speaker 1: felt in five years from now, and I'm some dude

1302
01:03:48,800 --> 01:03:50,240
Speaker 1: that lives where she lives, and I'm all of them

1303
01:03:50,400 --> 01:03:53,640
Speaker 1: just Googler because everybody goes, oh my god, oh god,

1304
01:03:53,760 --> 01:03:55,680
Speaker 1: that's a deal breaker. Okay, but let's say she does

1305
01:03:55,760 --> 01:03:58,080
Speaker 1: work through it. She can say I haven't good for her,

1306
01:03:58,120 --> 01:04:01,440
Speaker 1: but it ain't for me. I have a certificate of therapy.

1307
01:04:02,400 --> 01:04:06,400
Speaker 1: You take that. Everybody better help university. Look, this shows

1308
01:04:06,920 --> 01:04:10,560
Speaker 1: like she proved she got help. That's crazy, and like

1309
01:04:10,720 --> 01:04:14,400
Speaker 1: in literally crazy. That's from oddity Central dot com. The

1310
01:04:14,480 --> 01:04:15,800
Speaker 1: other thing I wanted to talk about was I told

1311
01:04:15,840 --> 01:04:17,360
Speaker 1: Amy on the air it's been a few days ago

1312
01:04:17,960 --> 01:04:20,760
Speaker 1: because she did the movie on HBO Max. It was

1313
01:04:20,760 --> 01:04:23,800
Speaker 1: a Christmas movie called Holiday Harmony, that's what's called. Yeah,

1314
01:04:24,520 --> 01:04:26,240
Speaker 1: And so that that whole thing started where I got

1315
01:04:26,280 --> 01:04:30,360
Speaker 1: an email they said, hey, can Amy do this? She goes,

1316
01:04:30,480 --> 01:04:34,040
Speaker 1: she nails it, comes back, we watch it, she nails it.

1317
01:04:34,480 --> 01:04:35,560
Speaker 1: And then she's like, I think I want to just

1318
01:04:35,640 --> 01:04:37,240
Speaker 1: I don't know, take acting lessons and that's what you've

1319
01:04:37,240 --> 01:04:39,160
Speaker 1: been doing. Yes, And I said, hey, if you want

1320
01:04:39,200 --> 01:04:41,160
Speaker 1: to act, like, you can't just sit around on your

1321
01:04:41,200 --> 01:04:43,120
Speaker 1: hands and you can't wait for the right time because

1322
01:04:43,120 --> 01:04:44,800
Speaker 1: there's never a right time. If you want to act,

1323
01:04:44,960 --> 01:04:48,640
Speaker 1: go do it. Go act. And people are like, are

1324
01:04:48,680 --> 01:04:50,760
Speaker 1: you telling Amy to leave? Get get rid of the show?

1325
01:04:51,200 --> 01:04:53,600
Speaker 1: The show? And I'm not. But I'll tell you this, if,

1326
01:04:53,720 --> 01:04:55,800
Speaker 1: like I told Lunchbox on his game show, deal, yeah,

1327
01:04:55,800 --> 01:04:57,400
Speaker 1: if I get on Survivor, I can go. That's not

1328
01:04:57,480 --> 01:04:58,800
Speaker 1: what I said. I said, if you wanted to go

1329
01:04:59,080 --> 01:05:00,600
Speaker 1: and take a couple of weeks, just go on audition

1330
01:05:00,600 --> 01:05:02,800
Speaker 1: for all these game shows, Yeah, you can go. Do that.

1331
01:05:03,000 --> 01:05:05,120
Speaker 1: I love that. So same thing for you if you

1332
01:05:05,200 --> 01:05:06,880
Speaker 1: want to go, and there's like two or three weeks

1333
01:05:06,920 --> 01:05:08,520
Speaker 1: where it's like, I just want to go audition for

1334
01:05:08,600 --> 01:05:12,040
Speaker 1: these roles. Go do it. And this is Eddie. I

1335
01:05:12,040 --> 01:05:13,400
Speaker 1: don't know about you, buddy. Yeah, it's just me and

1336
01:05:13,440 --> 01:05:17,720
Speaker 1: you waiting. Mind. Yeah, I don't know. But that's what

1337
01:05:18,040 --> 01:05:21,480
Speaker 1: even anyone listening. There's never the perfect time to do anything,

1338
01:05:21,520 --> 01:05:23,160
Speaker 1: and there's always going to be some sacrifice you have

1339
01:05:23,320 --> 01:05:26,760
Speaker 1: to give. And if you really are passionate about something,

1340
01:05:26,840 --> 01:05:28,200
Speaker 1: you have to do it because no one's going to

1341
01:05:28,240 --> 01:05:29,360
Speaker 1: push you to do it because they don't care as

1342
01:05:29,440 --> 01:05:33,000
Speaker 1: much as you do about you. So that's what I

1343
01:05:33,120 --> 01:05:35,200
Speaker 1: meant by that, not please Amy, I'm begging you to

1344
01:05:35,280 --> 01:05:37,520
Speaker 1: leave the show. Yeah, I think in the moment, I

1345
01:05:37,640 --> 01:05:40,160
Speaker 1: sort of made a comment like you're trying to try

1346
01:05:40,200 --> 01:05:41,680
Speaker 1: to get me to go, and of course that's why

1347
01:05:41,720 --> 01:05:44,120
Speaker 1: everybody jumped on it, and all of a sudden, I'm

1348
01:05:44,120 --> 01:05:46,000
Speaker 1: the snare drum everybody's beating on with the story story

1349
01:05:46,440 --> 01:05:48,760
Speaker 1: I should have I know that's not what you were saying.

1350
01:05:48,920 --> 01:05:53,200
Speaker 1: I just was playing along with it, and I appreciate

1351
01:05:53,320 --> 01:05:56,000
Speaker 1: the encouragement. I know exactly what you meant. And so yeah,

1352
01:05:56,040 --> 01:05:57,640
Speaker 1: people don't need to think that you will go do it,

1353
01:05:57,840 --> 01:06:00,200
Speaker 1: trust me. That's not how Bobby would go about doing that,

1354
01:06:00,840 --> 01:06:02,320
Speaker 1: how would I go by doing what? I don't know,

1355
01:06:02,480 --> 01:06:06,760
Speaker 1: Like convincing me to this is how I'd commit to you. Hey,

1356
01:06:06,880 --> 01:06:08,720
Speaker 1: I had a meeting with myself and it's time that

1357
01:06:08,800 --> 01:06:10,440
Speaker 1: you need. We need to figure out a good way

1358
01:06:10,440 --> 01:06:12,120
Speaker 1: for you to get out of here. Yeah yeah, yeah.

1359
01:06:12,200 --> 01:06:14,320
Speaker 1: But to everybody out there, if there's something that you're

1360
01:06:14,320 --> 01:06:15,720
Speaker 1: working towards, you like, I'm just gonna wait for the

1361
01:06:15,800 --> 01:06:17,919
Speaker 1: right moment. There's never a right moment. The right moment

1362
01:06:18,000 --> 01:06:20,280
Speaker 1: when you commit to doing it, and that's it. That's

1363
01:06:20,320 --> 01:06:22,480
Speaker 1: the only right moment. I don't know what it is

1364
01:06:22,520 --> 01:06:24,880
Speaker 1: you're waiting for, but go do it. Are you waiting

1365
01:06:24,920 --> 01:06:28,240
Speaker 1: to be like a character actor when you're sixty? Oh?

1366
01:06:28,440 --> 01:06:30,960
Speaker 1: They need those they do well when they never reboot

1367
01:06:31,000 --> 01:06:33,120
Speaker 1: of Golden Girls. That'll be perfect for you. Okay. So

1368
01:06:33,520 --> 01:06:37,040
Speaker 1: I am still actively taking lessons and my goal is

1369
01:06:37,080 --> 01:06:39,320
Speaker 1: too audition for stuff this year, Yes, but it's still

1370
01:06:39,520 --> 01:06:41,840
Speaker 1: but in town, it's still January. But in town, that's

1371
01:06:41,880 --> 01:06:44,200
Speaker 1: not real stuff. It's like people trying to do country

1372
01:06:44,280 --> 01:06:46,840
Speaker 1: music in Des Moines, Iowa. It's like there maybe a

1373
01:06:46,920 --> 01:06:48,960
Speaker 1: couple of places there, but it's really you gotta be

1374
01:06:49,080 --> 01:06:54,720
Speaker 1: there she can be in a music video, you know. Anyway,

1375
01:06:54,840 --> 01:07:03,520
Speaker 1: Moving one today, this story comes us from Morgan County, Georgia. Ay,

1376
01:07:03,640 --> 01:07:06,120
Speaker 1: twenty eight year old man went into Walmart, got a

1377
01:07:06,160 --> 01:07:08,680
Speaker 1: bunch of items and went through the self checkout. The

1378
01:07:08,760 --> 01:07:11,040
Speaker 1: only problem is he didn't scan all the items. Stole

1379
01:07:11,040 --> 01:07:13,360
Speaker 1: about one hundred and sixty five dollars worth of stuff,

1380
01:07:13,840 --> 01:07:16,000
Speaker 1: and when they busted him, they said, hey, can I

1381
01:07:16,160 --> 01:07:17,960
Speaker 1: keep the stuff that I paid for? They're like, yeah,

1382
01:07:17,960 --> 01:07:19,880
Speaker 1: we'll put it in your car for you. He goes,

1383
01:07:19,920 --> 01:07:22,600
Speaker 1: here are my keys? They popped the trunk. No way,

1384
01:07:23,000 --> 01:07:28,080
Speaker 1: thirty seven pounds of marijuana. Damn, that's a good one.

1385
01:07:28,160 --> 01:07:30,959
Speaker 1: They just like baited him there. I mean that was great. Well,

1386
01:07:31,240 --> 01:07:33,640
Speaker 1: I don't I don't know they knew he had that

1387
01:07:33,680 --> 01:07:35,640
Speaker 1: INSI they had no idea. It was just an idiot.

1388
01:07:35,680 --> 01:07:37,280
Speaker 1: I don't know that they baited him as much as

1389
01:07:37,320 --> 01:07:39,480
Speaker 1: they were just fortunate that he was like double it.

1390
01:07:41,200 --> 01:07:43,120
Speaker 1: Yoh good help me. Yeah you put that in there.

1391
01:07:43,760 --> 01:07:46,560
Speaker 1: They're gonna let you keep the stuff. Okay, I'm lunchbox

1392
01:07:46,600 --> 01:07:49,920
Speaker 1: at your bone Head Story of the Day. Thank you

1393
01:07:50,000 --> 01:07:51,720
Speaker 1: guys for hanging out with us on The Bobby Bones

1394
01:07:51,720 --> 01:07:56,800
Speaker 1: Show podcast Today. Really long, fine conversation with Hardy. I

1395
01:07:56,880 --> 01:07:58,760
Speaker 1: mean he came in. We talked about the fact that

1396
01:07:58,800 --> 01:08:03,240
Speaker 1: he thinks his place was haunted by Native American ghosts.

1397
01:08:03,920 --> 01:08:06,600
Speaker 1: Would that be accurate? Yes, because of artifacts he collects.

1398
01:08:06,600 --> 01:08:09,280
Speaker 1: And this isn't. I don't, he's not like maybe he's

1399
01:08:09,560 --> 01:08:13,480
Speaker 1: he's for sure. We will see you tomorrow, have a

1400
01:08:13,520 --> 01:08:17,000
Speaker 1: great day. Goodbye everybody. By Ball