WEBVTT - The Napoleon of Crime: Adam Worth

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<v Speaker 1>Ridiculous Crime is a production of iHeartRadio.

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<v Speaker 2>Hey, Saren, what's up, Elizabeth?

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<v Speaker 3>Are you?

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<v Speaker 2>I'm doing pretty good?

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<v Speaker 3>Good.

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<v Speaker 2>Yeah, I've been wearing all your hoodies?

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<v Speaker 4>Have you?

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<v Speaker 3>Is that where they all went?

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<v Speaker 2>Totally? Have been a really fun week. People are like, dude,

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<v Speaker 2>you've been dressing a lot better this week. And I'm like,

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<v Speaker 2>I know, it's not always the same two hoodies.

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<v Speaker 3>Interesting.

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<v Speaker 2>Yeah, they're like, is that a good Dard quote?

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<v Speaker 3>I was like, no, no, it's that's so you're the

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<v Speaker 3>one who's been breaking in and stealing all my stuff?

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<v Speaker 2>Cool this week?

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<v Speaker 3>Cool?

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<v Speaker 2>You know, it's ridiculous, I do, Elizabeth. Imagine this. Okay,

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<v Speaker 2>in a place called Ashland County, which I think is

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<v Speaker 2>in Virginia. I'm pretty sure it's in Virginia, there was

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<v Speaker 2>this bandit, this mask bandit, who broke in to a

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<v Speaker 2>liquor store and ABC store and that's what it's called

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<v Speaker 2>by brand name ABC, and they drank up a bunch

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<v Speaker 2>of bourbon, you know, and then they passed out drunk

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<v Speaker 2>on the bathroom floor.

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<v Speaker 3>Okay.

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<v Speaker 2>The great part was that the mask bandit was a raccoon.

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<v Speaker 2>Wait what Yeah, So the Hanover County Animal Protection they

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<v Speaker 2>found a raccoon passed out in the toilet of the

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<v Speaker 2>ABC starter. They broke like numerous bottles of bourbon drank

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<v Speaker 2>up like I'm assuming licked it up. I don't think

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<v Speaker 2>they're taking slugs out of the bottle, but maybe anyway,

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<v Speaker 2>the trash panda was just trashed on the floor of

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<v Speaker 2>the bathroom and then quote, after a few hours of

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<v Speaker 2>sleep and zero signs of injury other than maybe a

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<v Speaker 2>hangover and poor life choices, he was safely released back

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<v Speaker 2>to the wild. That's from animal transport or animal protection rather.

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<v Speaker 2>So there you go. I thought that was pretty good that,

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<v Speaker 2>you know, it's ridiculous. You'd never expect, you know, to

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<v Speaker 2>hear about a mass bandit and it's a.

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<v Speaker 3>Raccoon and it's you got me there right there you go.

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<v Speaker 3>It's ridiculous. Do you want to know what else is ridiculous?

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<v Speaker 2>Please?

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<v Speaker 3>Being the Napoleon of crime, can you do that?

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<v Speaker 4>Yes?

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<v Speaker 3>You can. This is Ridiculous Crime, a podcast about absurd

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<v Speaker 3>and outrageous capers, heists, and cons. It's always ninety nine

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<v Speaker 3>percent murder free and one hundred percent ridiculous.

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<v Speaker 2>Ah, you damn right.

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<v Speaker 3>We love a non violent criminal, don't we, Folks?

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<v Speaker 2>We do, Oh, we do.

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<v Speaker 3>And we love a cast of characters, right.

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<v Speaker 2>Gang, you say a cat of characters, oh cast, yes,

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<v Speaker 2>them too.

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<v Speaker 3>Hold on to your support, host, Zaren, I have a

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<v Speaker 3>hum dinger for you.

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<v Speaker 2>Oh I'm going to pull them up.

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<v Speaker 4>Yeah.

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<v Speaker 3>So this guy, right, his exploits take place at such

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<v Speaker 3>an interesting time in history, especially from a crime perspective.

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<v Speaker 3>So let's dig into this ridiculous Schmorgesborg.

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<v Speaker 4>You do.

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<v Speaker 3>I want to tell you about Adam Worth.

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<v Speaker 2>Okay.

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<v Speaker 3>He was born in eighteen forty four in Prussia into

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<v Speaker 3>a German Jewish family whose exact town of origin we

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<v Speaker 3>do not know.

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<v Speaker 2>It probably has, like you know, changed over time.

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<v Speaker 3>He's building a missigees.

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<v Speaker 2>In the Prussian Empire, right, So yeah.

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<v Speaker 3>I mean we all know immigration records from that era incomplete.

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<v Speaker 2>Totally lost. So why I tell people count Laslow There.

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<v Speaker 3>It is and they believe you as well they should.

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<v Speaker 3>His parents immigrated to the US when he was really young,

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<v Speaker 3>and they settled in Cambridge, Massachusetts. His father was a tailor,

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<v Speaker 3>a hard working family. Adam was like this quiet, intelligent,

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<v Speaker 3>introverted child, didn't cause trouble, did well in school. He

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<v Speaker 3>was something of like a math and logistics whiz ah yeah.

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<v Speaker 2>And Cambridge just like Mit and Harvard.

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<v Speaker 3>I right, yeah, yeah exactly, And so you know all

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<v Speaker 3>of these things they would come in handy later in life. Okay,

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<v Speaker 3>in his teens he worked in a dry goods store.

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<v Speaker 3>He was like, did clerical work. He was a good boy.

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<v Speaker 3>Sounds like he didn't break the law, didn't hang with

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<v Speaker 3>the wrong crowd. Remember when you recently told me about

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<v Speaker 3>that original bank robber.

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<v Speaker 2>Guy, yeah, George Leon Leslie.

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<v Speaker 3>Yes. And how the Civil War impacted crime in the

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<v Speaker 3>US vastly. Yes, well we're about to see that again.

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<v Speaker 2>I love that.

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<v Speaker 3>I know you do. So when the Civil War broke

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<v Speaker 3>out in eighteen sixty one, you.

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<v Speaker 2>Know I loved nineteenth century crime.

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<v Speaker 3>Waste Worth was seventeen. He enlisted in the Union Army

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<v Speaker 3>by lying about his age. Okay, it's not clear, like

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<v Speaker 3>why he was so like chomping at the bit to

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<v Speaker 3>get out there patriotism?

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<v Speaker 4>Was it?

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<v Speaker 3>Teenage? Bravado? Restlessness? Who knows?

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<v Speaker 2>My grandfather lied about his age. She joined the navy

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<v Speaker 2>and to get out of Iowa. So it happened. He

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<v Speaker 2>said he was seventeen when he's actually sixteen. Oh, interact,

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<v Speaker 2>then you.

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<v Speaker 3>Can get into. Who knows, maybe he just wanted to

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<v Speaker 3>get out out of Massachusetts. What we do know is

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<v Speaker 3>that army life was not for him. Yeah, yeah, he deserted,

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<v Speaker 3>good for him. Then he re enlisted under an alias

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<v Speaker 3>no even better, and then he deserted again.

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<v Speaker 2>I love it, I know.

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<v Speaker 3>So desertion was common in like the early years of

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<v Speaker 3>the war. Everything super chaotic, like the training supplies, leadership,

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<v Speaker 3>like there's it's all over the place, and.

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<v Speaker 2>There were plenty of woods to run into.

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<v Speaker 3>Oh it is so easy. And there were so many

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<v Speaker 3>who were like conscripted, who had zero interest in being there.

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<v Speaker 2>And they realized it sucked when they got there, Like

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<v Speaker 2>I got a couple of hot meals, and how I

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<v Speaker 2>realized I.

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<v Speaker 3>Had two dirt farmer ancestors in Alabama and they certainly

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<v Speaker 3>could not afford the men of the house, leaving a

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<v Speaker 3>mom and a grandma and like a grip of kids

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<v Speaker 3>to like scrape out a living in the middle of nowhere.

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<v Speaker 3>So one of the men deserted and came home to

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<v Speaker 3>keep the family fed. The other one came home missing

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<v Speaker 3>a leg, lost cause indeed, So back to Worth August

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<v Speaker 3>eighteen sixty two. So Worth, he when he re enlisted

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<v Speaker 3>after desertion. The first time he used an alias. So

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<v Speaker 3>he's serving under this alias.

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<v Speaker 2>And he's not flipping sides, he's just serving, just.

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<v Speaker 3>Going yeah Ni precisely, So he's serving under an alias.

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<v Speaker 3>At the time, he was mistakenly listed as killed in

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<v Speaker 3>action at the Second Battle of bull Run. Oh.

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<v Speaker 2>I love that. I report on that one.

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<v Speaker 3>I don't know if it was like a clerical error

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<v Speaker 3>or if like someone misidentified him in the field of battle.

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<v Speaker 3>Either way, this gave him an idea anassis. If he

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<v Speaker 3>was already quote dead according to the US government, then

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<v Speaker 3>he figured he had like basically been given a blank slate,

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<v Speaker 3>and so he could reinvent himself. They had no legal

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<v Speaker 3>accountability for desertion, totally couldn't draft him. I love him,

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<v Speaker 3>So he seized the opportunity. He's now a dead man.

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<v Speaker 3>So he heads for the Northeast, where, like the cities

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<v Speaker 3>there rapidly changing, things are getting exciting. He dives right

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<v Speaker 3>in New York in the mid eighteen sixties. It's full

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<v Speaker 3>of new immigrants, corrupt politicians, massive wealth disparity, yes, yes,

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<v Speaker 3>and so crime is just flourishing in areas like the

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<v Speaker 3>Fourth Ward and the.

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<v Speaker 2>Bowery little five points.

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<v Speaker 3>Little five points gangs of New York era, so they're

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<v Speaker 3>like pickpocket gangs, river thieves, burglars, fences, everything's operating out

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<v Speaker 3>in the open. Yes, young Adam Worth he found himself

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<v Speaker 3>drawn into increasingly sophisticated criminal circles. So he starts out

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<v Speaker 3>in like the pickpocket gangs, and then he keeps working

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<v Speaker 3>his way up. One of the most important figures in

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<v Speaker 3>his early criminal development was Fredrika Marm Mandelbomb.

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<v Speaker 2>Oh, yes, we've we kind of touched on her. Should

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<v Speaker 2>do a story.

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<v Speaker 3>Well, that's I'm thinking she totally needs her own episode.

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<v Speaker 3>She was like his own family. She was a German

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<v Speaker 3>Jewish immigrant, but where his family was honest and law abiding.

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<v Speaker 3>Marm ran the largest and most profitable fencing operation in

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<v Speaker 3>the country, and she supplied tools to burglars. She financed

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<v Speaker 3>really big jobs, and she bought stolen go like at scale.

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<v Speaker 3>So she's this shrewd judge of talent too, and she

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<v Speaker 3>really quickly she saw Adam Worth, and she's like, guys, smart,

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<v Speaker 3>super pleasant to be around, and he stays so calm

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<v Speaker 3>under pressure.

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<v Speaker 2>That's super valuable.

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<v Speaker 3>Huge, So she's like he's also he's not a brawler,

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<v Speaker 3>he's not a drinker. Can recommend him soft spoken, he's calculating.

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<v Speaker 3>He's like super methodical, logistical minded. Huh. So she starts

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<v Speaker 3>giving him responsibilities that she usually wouldn't entrust to newcomers.

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<v Speaker 3>She's got him planning robberies, supervising crews. You know, again

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<v Speaker 3>with the logistic stuff. And because he had all this

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<v Speaker 3>math and organizational skills, you combine that in. He also

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<v Speaker 3>had an ability to like assume different identities. Really yeah,

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<v Speaker 3>it was really easy for him. So he becomes invaluable

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<v Speaker 3>to marm I bet So. His most important early partnership

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<v Speaker 3>was with Charles Piano Charlie Bullard, So Pianolie, Piano Charlie.

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<v Speaker 3>They like, he's believed to have been born in the

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<v Speaker 3>eighteen forties, maybe in New York State, maybe in Ohio.

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<v Speaker 3>Like he didn't tell anyone the truth. He was suave,

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<v Speaker 3>he was charismatic. He was also a musically talented safe cracker.

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<v Speaker 3>Oh yeah, interesting, well it really was. He was musically gifted.

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<v Speaker 3>He played the piano in saloons, in boarding houses. That's

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<v Speaker 3>the name Piano Charlie, sometimes as like a legit job,

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<v Speaker 3>sometimes as a cover to scout potential targets, and so

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<v Speaker 3>he was this expert with lock picks and explosives. So

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<v Speaker 3>you combine that with worse skills in planning, timing, evasion,

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<v Speaker 3>these two are unstoppable. And there were stumbles along the way.

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<v Speaker 3>Charlie got busted and locked up for stealing one hundred

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<v Speaker 3>thousand dollars worth of stuff from the Hudson River Railway Express.

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<v Speaker 3>Marm Mandelbaum needed her safe cracker out of the clink. Folks.

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<v Speaker 3>We got ourselves a good old fashioned jail break. Yes,

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<v Speaker 3>So Marm rents an office across the street from the

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<v Speaker 3>prison where Charlie's being held. She bribes some guards. They

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<v Speaker 3>keep things quiet, and when the time is right, they

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<v Speaker 3>helped kick off a riot. And it was then that

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<v Speaker 3>Worth coordinated a crew to tunnel into Bullard's cell.

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<v Speaker 2>Wow, so she's doing basically setting up what you do

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<v Speaker 2>for a bank robbery, but to get out her piano Charlie.

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<v Speaker 3>Right, But people weren't doing tunneling bank robbery, Yes, exactly,

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<v Speaker 3>But the technique worked, and so they're like, you know what,

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<v Speaker 3>let's run with this. And then that happened. The running

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<v Speaker 3>with it happened that Boyleston National bank in Boston in

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<v Speaker 3>eighteen sixty nine. So the Boyleston National Bank robbery is

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<v Speaker 3>thought by like some historians, as one of the earliest major, professional,

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<v Speaker 3>highly planned, technically sophisticated bank burglaries in the US during

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<v Speaker 3>the post Civil War period, right up there with your guide,

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<v Speaker 3>George Leonidis Leslie. So the robbery was significant for two reasons.

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<v Speaker 3>It marked one of the first times that a crew

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<v Speaker 3>tunneled into a bank, and it also it was what

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<v Speaker 3>put Adam Worth on the radar of the Pinkerton Agency.

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<v Speaker 3>Oh yeah, so this is no, this is a critical

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<v Speaker 3>event in the evolution of organized burglary totally by eighteen

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<v Speaker 3>sixty nine. So banks they're like relying on heavy iron

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<v Speaker 3>safes with combination locks, like pretty simple vault rooms. They've

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<v Speaker 3>got like a watchmen or two and then limited night patrols. Timelocks.

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<v Speaker 3>Safes weren't really a thing.

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<v Speaker 2>Yeah, Yale hasn't really reinvented the safe fault.

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<v Speaker 3>So skilled safe crackers what they call boxmen like Piano

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<v Speaker 3>Charlie could manipulate or like drill locks with enough time

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<v Speaker 3>and quiet. All right, now, let's talk about Boston, right

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<v Speaker 3>recovering from like all this wartime economic turbulence and things

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<v Speaker 3>are in an upswing. So the banks brimming with merchant money,

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<v Speaker 3>trade receipts, railroad financing.

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<v Speaker 2>Right, of course you're getting seen all that come into play,

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<v Speaker 2>all the big railroad trust.

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<v Speaker 3>Yeah, there's gold, negotiable bonds, like lots of loot, loose security.

0:12:08.880 --> 0:12:13.240
<v Speaker 3>Perfect combination for Worth and piano Charlie. So just like

0:12:13.440 --> 0:12:15.800
<v Speaker 3>if the jail break, they rented a room next to

0:12:15.880 --> 0:12:19.960
<v Speaker 3>Boylston Bank. First things first, Worth watched the guards and

0:12:19.960 --> 0:12:23.400
<v Speaker 3>got a sense of their schedules. He tracked and analyzed

0:12:23.400 --> 0:12:26.440
<v Speaker 3>the access that bank employees had to the vault. And

0:12:26.440 --> 0:12:28.520
<v Speaker 3>then speaking of the vault, he mapped the layout. He

0:12:28.600 --> 0:12:32.160
<v Speaker 3>knew every inch of the place, so he established the

0:12:32.200 --> 0:12:35.120
<v Speaker 3>timing that would work best. And then they started tunneling

0:12:35.160 --> 0:12:38.160
<v Speaker 3>through that shared wall. Remember no one had really done

0:12:38.200 --> 0:12:39.120
<v Speaker 3>this before.

0:12:39.600 --> 0:12:40.760
<v Speaker 2>Territories brilliant.

0:12:40.840 --> 0:12:43.280
<v Speaker 3>They worked late at nights so people wouldn't hear them,

0:12:43.640 --> 0:12:47.720
<v Speaker 3>and then they put up special drapes to keep the

0:12:47.720 --> 0:12:49.839
<v Speaker 3>the dust controlled so I wasn't showing out.

0:12:49.880 --> 0:12:51.679
<v Speaker 2>And also you got like cops are walking around, so

0:12:51.720 --> 0:12:53.959
<v Speaker 2>you need kind of like a screen to hide bar

0:12:54.040 --> 0:12:54.640
<v Speaker 2>work from them.

0:12:54.800 --> 0:12:58.600
<v Speaker 3>Exactly. So once in piano Charlie got to work, so

0:12:58.679 --> 0:13:02.200
<v Speaker 3>he manipulated the tumble by sound and feel. They didn't

0:13:02.240 --> 0:13:04.400
<v Speaker 3>have to blast their way in. It was clean, it

0:13:04.440 --> 0:13:08.400
<v Speaker 3>was elegant, and this was a hallmark of the new

0:13:08.520 --> 0:13:12.080
<v Speaker 3>gentleman burglar style that was emerging in American cities, George

0:13:12.160 --> 0:13:15.680
<v Speaker 3>Leslie's style. So worth in Piano Charlie. They cleaned the

0:13:15.720 --> 0:13:18.960
<v Speaker 3>place out. It's said that they came away with somewhere

0:13:19.000 --> 0:13:22.200
<v Speaker 3>between one hundred thousand two hundred thousand dollars damn, which

0:13:22.240 --> 0:13:25.120
<v Speaker 3>today is two point four million to four point eight million.

0:13:25.679 --> 0:13:28.800
<v Speaker 3>That's insane, that's an incredible amount of guys. Two guys.

0:13:28.880 --> 0:13:31.360
<v Speaker 2>I would quitt done.

0:13:32.679 --> 0:13:38.640
<v Speaker 3>Exactly Ruba, Jamaica. So they got cash, negotiable securities, bonds, gold,

0:13:38.760 --> 0:13:42.160
<v Speaker 3>certificates of deposit. It's a perfect haul because it's easy

0:13:42.200 --> 0:13:47.559
<v Speaker 3>to transport, difficult to trace. Boston police stunned. This didn't

0:13:47.600 --> 0:13:50.040
<v Speaker 3>look like any of the robberies, any of the local

0:13:50.080 --> 0:13:53.760
<v Speaker 3>gangs don't pull off too clean. They're like, you know what,

0:13:54.080 --> 0:13:56.320
<v Speaker 3>whoever did this had to be from New York City,

0:13:56.760 --> 0:14:01.559
<v Speaker 3>Like New York City, so they called in the Pinkertons,

0:14:01.840 --> 0:14:06.360
<v Speaker 3>and the Pinkerton Agency soon linked the job to piano,

0:14:06.520 --> 0:14:09.719
<v Speaker 3>Charlie and Worth. They couldn't prove it, but they're like, oh,

0:14:12.000 --> 0:14:14.400
<v Speaker 3>and at this time the stories all over the papers,

0:14:14.480 --> 0:14:16.600
<v Speaker 3>the press are loving it. But then like there's no

0:14:16.720 --> 0:14:21.080
<v Speaker 3>real leads, interest tapers off. One thing the Pinkertons did

0:14:21.160 --> 0:14:25.720
<v Speaker 3>uncover was that Worth and Charlie had shipped some trunks

0:14:25.720 --> 0:14:29.200
<v Speaker 3>from Boston to New York. And that wasn't an actual lead,

0:14:29.280 --> 0:14:32.720
<v Speaker 3>but it sent up red flags for the Pinkertons. Marm

0:14:32.800 --> 0:14:35.240
<v Speaker 3>and Charlie and Worth. They knew the red flags were

0:14:35.280 --> 0:14:39.480
<v Speaker 3>bad for business always, So with the heat increasing, Worth

0:14:39.640 --> 0:14:43.000
<v Speaker 3>and Charlie headed to Europe. Marm had all these connections

0:14:43.040 --> 0:14:45.720
<v Speaker 3>there who could get the pair plugged in. Off they go.

0:14:45.800 --> 0:14:48.200
<v Speaker 3>They go to London, and this was the beginning of

0:14:48.280 --> 0:14:53.120
<v Speaker 3>Worth's evolution from like skilled thief to criminal mastermind. Totally

0:14:53.320 --> 0:14:55.800
<v Speaker 3>think about London in the early eighteen seventies. So it's

0:14:55.840 --> 0:14:59.280
<v Speaker 3>the largest city in the world, center of an empire,

0:15:00.000 --> 0:15:02.080
<v Speaker 3>and it was somewhere that a guy with like charm

0:15:02.240 --> 0:15:05.720
<v Speaker 3>and money and false papers could easily blend in with

0:15:05.760 --> 0:15:08.800
<v Speaker 3>the swells. So he was now going by the name

0:15:08.880 --> 0:15:13.200
<v Speaker 3>Henry Judson Raymond, and he was a respectable American businessman

0:15:13.800 --> 0:15:16.520
<v Speaker 3>he had the spoils of all his East Coast jobs,

0:15:16.800 --> 0:15:20.000
<v Speaker 3>so he bought himself nice suits, he rented a fancy flat.

0:15:20.120 --> 0:15:25.640
<v Speaker 3>He ingratiated himself with all the local American expats, and

0:15:25.680 --> 0:15:28.720
<v Speaker 3>then he starts assembling this crew of specialists from the

0:15:28.720 --> 0:15:32.600
<v Speaker 3>criminal underworld. Wow, let's take a break. When we come back,

0:15:32.640 --> 0:15:35.000
<v Speaker 3>I'm going to tell you about this new crime syndicate

0:15:35.120 --> 0:16:00.440
<v Speaker 3>Worth was building and where that took him. Zaren Elizabeth Zarnabeth.

0:16:00.560 --> 0:16:04.280
<v Speaker 3>When we left off, Adam Worth was living in London

0:16:04.320 --> 0:16:07.840
<v Speaker 3>as Henry Judson Raymond love that name. Yeah, he was

0:16:07.880 --> 0:16:11.040
<v Speaker 3>living the good life, setting up a new gang of thieves,

0:16:11.120 --> 0:16:11.680
<v Speaker 3>and he had.

0:16:11.520 --> 0:16:13.080
<v Speaker 2>A code and he was looking clean.

0:16:13.240 --> 0:16:14.320
<v Speaker 3>Oh, he's looking so clean.

0:16:14.400 --> 0:16:19.040
<v Speaker 2>He's he's got one of those little cigarette or like

0:16:19.040 --> 0:16:21.000
<v Speaker 2>a cigar tampers, like on the gold chain.

0:16:21.080 --> 0:16:24.280
<v Speaker 3>Like, oh, he's got everything. He's a fine dress man.

0:16:25.680 --> 0:16:31.280
<v Speaker 3>Worth believed violence was the enemy of a successful criminal enterprise. Ooh,

0:16:31.640 --> 0:16:36.280
<v Speaker 3>I like that. A violent crime always generated public panics

0:16:36.720 --> 0:16:39.680
<v Speaker 3>and that brought on police involvement.

0:16:39.160 --> 0:16:41.400
<v Speaker 2>Totally in anger and fear, all the things you don't want.

0:16:41.480 --> 0:16:43.960
<v Speaker 3>So he was like, you know, non violent crimes, but

0:16:44.160 --> 0:16:48.440
<v Speaker 3>especially ones discovered long afterward, could be quietly forgotten by

0:16:48.440 --> 0:16:51.640
<v Speaker 3>both police and the press, and.

0:16:51.600 --> 0:16:54.240
<v Speaker 2>So his he romanticized by the public.

0:16:54.520 --> 0:16:58.800
<v Speaker 3>Yeah, oh yeah. He forbade his crew from carrying weapons.

0:16:59.000 --> 0:17:02.400
<v Speaker 3>Smart can't do it, no enhancements for him. Well, and

0:17:02.480 --> 0:17:04.880
<v Speaker 3>anyone who violated the rule got kicked out. I don't

0:17:04.920 --> 0:17:08.080
<v Speaker 3>care how talented you are, how valuable you carry a weapon,

0:17:08.119 --> 0:17:11.040
<v Speaker 3>You're out of here. And so this contributed to like

0:17:11.080 --> 0:17:15.879
<v Speaker 3>this really unusually low arrest rate and almost complete absence

0:17:15.960 --> 0:17:19.760
<v Speaker 3>of public attention during his peak years of operations Uber Smart.

0:17:19.840 --> 0:17:22.560
<v Speaker 3>So just like back in the States, his operations were

0:17:22.600 --> 0:17:27.720
<v Speaker 3>built on extended surveillance, perfect timing, forged documents. He thought

0:17:27.800 --> 0:17:31.399
<v Speaker 3>of everything, all these like really specific secure escape routes,

0:17:31.880 --> 0:17:35.680
<v Speaker 3>solid contingency plans. He was a logistics.

0:17:35.160 --> 0:17:37.680
<v Speaker 2>Guy totally, and mathematical as hell.

0:17:37.840 --> 0:17:40.960
<v Speaker 3>Yeah, here's a rare criminal who thinks things all the

0:17:40.960 --> 0:17:43.720
<v Speaker 3>way through, you know, like we're always saying, is the problem?

0:17:44.240 --> 0:17:47.920
<v Speaker 3>So Victorian police described him as quote the most patient

0:17:48.000 --> 0:17:49.119
<v Speaker 3>burglar on record.

0:17:49.400 --> 0:17:52.160
<v Speaker 2>Hm, I like that somehow a compliment the way they put.

0:17:51.960 --> 0:17:57.119
<v Speaker 3>It, Yes, it was very much so. So his fencing

0:17:57.160 --> 0:18:02.720
<v Speaker 3>system was also revolutionary for the time. He didn't sell

0:18:02.840 --> 0:18:09.120
<v Speaker 3>stolen goods locally. He used multiple brokers across different countries. Yeah,

0:18:09.160 --> 0:18:13.080
<v Speaker 3>so a diamond stolen in London would go through like Antwerp,

0:18:13.320 --> 0:18:16.920
<v Speaker 3>Hamburg and New York before being sold in Cape Town.

0:18:17.440 --> 0:18:18.119
<v Speaker 2>It's South Africa.

0:18:18.160 --> 0:18:23.639
<v Speaker 3>Wow, So his like crazy process made police recovery nearly impossible.

0:18:23.720 --> 0:18:25.320
<v Speaker 2>Yeah, because they don't they don't know to be looking

0:18:25.359 --> 0:18:26.560
<v Speaker 2>for it, because they don't know what's stolen and it

0:18:26.760 --> 0:18:29.399
<v Speaker 2>was likely not in contact with the London PA.

0:18:29.480 --> 0:18:33.199
<v Speaker 3>Everything in the operation was unprecedented. So he treated his

0:18:33.280 --> 0:18:39.160
<v Speaker 3>associates with fairness and professionalism. He paid them promptly, He

0:18:39.280 --> 0:18:42.600
<v Speaker 3>financed their legal defense when they got arrested very smart,

0:18:42.720 --> 0:18:45.280
<v Speaker 3>protected their families if they went to prison. He's like

0:18:45.320 --> 0:18:47.800
<v Speaker 3>took care of that ultimately. And so we had like

0:18:47.840 --> 0:18:54.000
<v Speaker 3>this crazy loyalty that heah, it was so rare. So

0:18:54.800 --> 0:18:58.520
<v Speaker 3>he himself, he had a ton of aliases and passports.

0:18:58.960 --> 0:19:02.440
<v Speaker 3>He could pass as an American businessman, a German tourist,

0:19:02.560 --> 0:19:06.760
<v Speaker 3>a French trader, a British gentleman, because he mastered all

0:19:06.840 --> 0:19:11.080
<v Speaker 3>of these different languages. No, he was great with language.

0:19:11.680 --> 0:19:16.440
<v Speaker 3>He would also learn like the various elements of etiquette

0:19:16.720 --> 0:19:20.600
<v Speaker 3>for high society in all these places. Yeah, he was

0:19:20.680 --> 0:19:24.439
<v Speaker 3>so convincing, like in any social context, and so the

0:19:24.480 --> 0:19:28.679
<v Speaker 3>syndicate itself. Historians say that his London operations were like

0:19:28.760 --> 0:19:33.280
<v Speaker 3>the first modern criminal corporation, I'd say. And so he

0:19:33.400 --> 0:19:37.520
<v Speaker 3>had specialized crews for safe cracking, some that forged documents,

0:19:37.960 --> 0:19:42.000
<v Speaker 3>the jewelry, theft, surveillance, and he made sure to really

0:19:42.080 --> 0:19:46.480
<v Speaker 3>compartmentalize all the operations so that no single arrested member

0:19:46.480 --> 0:19:51.760
<v Speaker 3>could expose the entire operation structure super siloed. Yeah, and

0:19:51.800 --> 0:19:54.280
<v Speaker 3>he had all kinds of business fronts so he could do,

0:19:54.440 --> 0:19:59.320
<v Speaker 3>you know, launder everything shipping, import, export businesses of course.

0:20:00.080 --> 0:20:02.960
<v Speaker 3>And then there were the international associates, so he would

0:20:03.040 --> 0:20:05.800
<v Speaker 3>recruit people from like all the criminal hotspots at the time,

0:20:05.880 --> 0:20:08.760
<v Speaker 3>like Paris, Brussels, Hamburg, New York.

0:20:09.240 --> 0:20:13.919
<v Speaker 2>I hope that Hamburg made the list exactly, and like

0:20:14.000 --> 0:20:16.560
<v Speaker 2>his double life got more and more complex.

0:20:17.040 --> 0:20:20.879
<v Speaker 3>So he socialized in all of like London's elegant salons,

0:20:21.160 --> 0:20:23.320
<v Speaker 3>He went to the theater, he hated all the most

0:20:23.359 --> 0:20:27.640
<v Speaker 3>fashionable restaurants, and he had this reputation as this charming

0:20:27.720 --> 0:20:33.160
<v Speaker 3>cosmopolitan and he collected upper class acquaintances not just for

0:20:33.520 --> 0:20:38.879
<v Speaker 3>pleasure but for information. And so he had you know,

0:20:38.920 --> 0:20:42.800
<v Speaker 3>he's got these impeccable manners, this understated style. He's the

0:20:42.960 --> 0:20:45.440
<v Speaker 3>last person any of these people would think would be

0:20:45.480 --> 0:20:45.919
<v Speaker 3>a criminal.

0:20:46.040 --> 0:20:49.399
<v Speaker 2>Oh he's super culture. They're thinking he's like a landering count.

0:20:49.240 --> 0:20:51.840
<v Speaker 3>And he didn't. He didn't like flaunt his wealth. He

0:20:51.880 --> 0:20:54.840
<v Speaker 3>didn't associate with hard men. So yeah, of course they're

0:20:54.880 --> 0:20:56.639
<v Speaker 3>going to tell him things and never think that it

0:20:56.760 --> 0:20:58.520
<v Speaker 3>you know, Oh, it can be traced back to he's

0:20:58.560 --> 0:21:01.440
<v Speaker 3>the one who did something along the way. He got

0:21:01.440 --> 0:21:06.560
<v Speaker 3>married Louise Margaret Balduc. She was a frenchwoman, had no

0:21:06.680 --> 0:21:08.400
<v Speaker 3>knowledge of his criminal activities.

0:21:08.480 --> 0:21:11.280
<v Speaker 2>Really, not just saying that in court, but.

0:21:11.000 --> 0:21:13.800
<v Speaker 3>This truly did. And they wound up having two kids together.

0:21:13.880 --> 0:21:17.320
<v Speaker 3>He kept his whole family, the wife and kids, totally

0:21:17.359 --> 0:21:19.119
<v Speaker 3>shielded from his world of crime.

0:21:19.480 --> 0:21:20.000
<v Speaker 4>They had no.

0:21:19.960 --> 0:21:23.080
<v Speaker 3>Idea when he wasn't home. They thought he was traveling

0:21:23.080 --> 0:21:23.960
<v Speaker 3>for business.

0:21:23.760 --> 0:21:25.640
<v Speaker 2>Of course, and it made very international.

0:21:25.760 --> 0:21:29.080
<v Speaker 3>Yeah, he ye had all the import export businesses and such.

0:21:29.240 --> 0:21:31.480
<v Speaker 3>It was in this time that he pulled his most

0:21:31.520 --> 0:21:36.920
<v Speaker 3>famous and audacious theft. Let's talk about Thomas Gainsborough's portrait

0:21:37.000 --> 0:21:40.199
<v Speaker 3>of Georgiana Cavendish, Duchess of Devonshire.

0:21:40.520 --> 0:21:42.280
<v Speaker 2>Oh totally dude, Oh my goodness.

0:21:42.359 --> 0:21:44.720
<v Speaker 3>So I wish we could have bendor on as a

0:21:44.720 --> 0:21:47.159
<v Speaker 3>guest right now to talk about painting. Alas you'll have

0:21:47.200 --> 0:21:50.199
<v Speaker 3>to make do with Lilo Me. Portrait was painted in

0:21:50.240 --> 0:21:54.280
<v Speaker 3>seventeen eighty seven. Gainsborough is widely regarded as one of

0:21:54.280 --> 0:21:57.520
<v Speaker 3>the most gifted portrait and landscape painters in British hist.

0:21:57.480 --> 0:21:59.120
<v Speaker 2>I'll say one of the best, if not the best,

0:21:59.160 --> 0:22:00.080
<v Speaker 2>in British history.

0:22:00.040 --> 0:22:03.200
<v Speaker 3>Yes, he helped define the look and style of late

0:22:03.280 --> 0:22:06.720
<v Speaker 3>eighteenth century British art. And he was known for like this,

0:22:06.800 --> 0:22:11.320
<v Speaker 3>really elegant fluid brushwork, nuanced luminous color.

0:22:11.520 --> 0:22:12.400
<v Speaker 2>Color is incredible.

0:22:13.160 --> 0:22:15.720
<v Speaker 3>And he's best known for the blue boy painted in

0:22:15.760 --> 0:22:17.280
<v Speaker 3>the seventeench.

0:22:16.560 --> 0:22:19.760
<v Speaker 2>Colors are incredible. Yeah, you've seen him in person, Yes,

0:22:19.880 --> 0:22:22.200
<v Speaker 2>Oh my goodness, it's insane.

0:22:21.960 --> 0:22:24.359
<v Speaker 3>And it was just like this day. Yeah, it glows.

0:22:24.400 --> 0:22:28.760
<v Speaker 3>So he establishes the visual identity of George and Britain.

0:22:29.960 --> 0:22:34.679
<v Speaker 3>So this portrait of Georgiana Cavendish, Duchess of Devonshire, it

0:22:34.760 --> 0:22:38.200
<v Speaker 3>was already a famous painting by the eighteen hundreds. Georgiana

0:22:38.400 --> 0:22:42.879
<v Speaker 3>was glamorous, she was politically influential, she was fashionable, she

0:22:43.040 --> 0:22:47.680
<v Speaker 3>was a writer, a talented musician and amateur scientist. In fact,

0:22:47.680 --> 0:22:51.440
<v Speaker 3>she had a small labatter house where she conducted chemistry experiments.

0:22:52.240 --> 0:22:55.359
<v Speaker 3>So she was also tragic. So she was a gambler

0:22:55.440 --> 0:22:59.200
<v Speaker 3>and she got herself into incredible debt. In seventeen eighty four,

0:22:59.280 --> 0:23:01.879
<v Speaker 3>her gambling debt was one hundred thousand pounds, which is

0:23:01.960 --> 0:23:06.080
<v Speaker 3>like fourteen million pounds today. She had an affair with

0:23:06.200 --> 0:23:11.159
<v Speaker 3>Earl Gray of the Teeth and got pregnant, so she

0:23:11.280 --> 0:23:14.160
<v Speaker 3>was shipped off to France to have the baby, which

0:23:14.200 --> 0:23:16.560
<v Speaker 3>then the baby was passed off to the Earl's family

0:23:16.600 --> 0:23:19.359
<v Speaker 3>and she wasn't able to see her again. She was

0:23:19.359 --> 0:23:21.440
<v Speaker 3>this beautiful woman who toward the end of her life

0:23:21.480 --> 0:23:24.560
<v Speaker 3>had a tumor in her eye, went blind and had

0:23:24.600 --> 0:23:26.920
<v Speaker 3>like a huge scar on her face as a result.

0:23:27.000 --> 0:23:29.399
<v Speaker 3>Oh lord, and she was really sickly after that. She

0:23:29.440 --> 0:23:31.560
<v Speaker 3>passed away when she was only forty eight years old.

0:23:32.119 --> 0:23:36.560
<v Speaker 3>Tragic and perhaps that haunted her bloodline, as she was

0:23:36.600 --> 0:23:40.840
<v Speaker 3>the great great great grand aunt of Diana, Princess of Wales.

0:23:41.280 --> 0:23:43.800
<v Speaker 3>Really yes, so anyway.

0:23:43.480 --> 0:23:44.840
<v Speaker 2>She's on that Spencer line.

0:23:45.080 --> 0:23:49.880
<v Speaker 3>Yeah. Her portrait depicting her in a plumed hat and

0:23:49.960 --> 0:23:56.840
<v Speaker 3>having that famous Gainsborough luminosity yet it had a mythic reputation,

0:23:57.160 --> 0:24:01.040
<v Speaker 3>so for year, for decades the painting was believed lost.

0:24:01.960 --> 0:24:04.240
<v Speaker 3>No one knew where it was, but it was discovered

0:24:04.280 --> 0:24:07.840
<v Speaker 3>in eighteen seventy six in the home of the dowager,

0:24:07.960 --> 0:24:12.040
<v Speaker 3>Viscountess car Court. Okay, yeah, sure, lady, oh I just

0:24:12.080 --> 0:24:14.760
<v Speaker 3>found it. I don't know behind it was a sheet,

0:24:14.840 --> 0:24:16.840
<v Speaker 3>but it was returned to society and it was this

0:24:17.000 --> 0:24:21.200
<v Speaker 3>huge sensation, so London newspapers called it the greatest portrait

0:24:21.280 --> 0:24:29.720
<v Speaker 3>reappearance of the century many reappearances. The art dealer's Thomas

0:24:29.760 --> 0:24:33.080
<v Speaker 3>Agnew and Sons was one of the most prestigious firms

0:24:33.119 --> 0:24:36.439
<v Speaker 3>in Europe, and they purchased the painting at auction for

0:24:36.640 --> 0:24:42.480
<v Speaker 3>ten thousand guineas, which was about you know, ten thousand pounds. Now,

0:24:42.600 --> 0:24:46.359
<v Speaker 3>that was the highest price ever paid for a portrait

0:24:46.480 --> 0:24:51.200
<v Speaker 3>up to that time. Its value, its fame, sudden cultural prominence.

0:24:51.520 --> 0:24:56.119
<v Speaker 3>It made this like instantly recognizable icon, and it was

0:24:56.160 --> 0:24:58.879
<v Speaker 3>also then the perfect target for a criminal with a

0:24:58.920 --> 0:25:03.359
<v Speaker 3>taste for symbol, someone like Adam Worth. So Worth he

0:25:03.400 --> 0:25:06.040
<v Speaker 3>didn't steal it to sell it. He stole it because

0:25:06.080 --> 0:25:09.119
<v Speaker 3>it was a symbol of prestige and daring. It was

0:25:09.160 --> 0:25:11.280
<v Speaker 3>like a psychological prize.

0:25:11.000 --> 0:25:14.320
<v Speaker 2>And to make a great gift someone.

0:25:15.440 --> 0:25:18.200
<v Speaker 3>It would also serve as collateral if he ever needed

0:25:18.320 --> 0:25:20.360
<v Speaker 3>leverage with criminal.

0:25:22.119 --> 0:25:23.000
<v Speaker 2>Law enforcement.

0:25:23.280 --> 0:25:28.160
<v Speaker 3>Yeah, exactly so. Worth. He believed that the agnew price

0:25:28.440 --> 0:25:33.199
<v Speaker 3>signaled vulnerability because he figured that the gallery's pride in

0:25:33.240 --> 0:25:37.280
<v Speaker 3>its acquisition blinded it to security risks. So he later

0:25:37.359 --> 0:25:39.159
<v Speaker 3>said that he viewed the painting as a kind of

0:25:39.240 --> 0:25:42.879
<v Speaker 3>talisman or mascot, and he never intended to damage it

0:25:43.000 --> 0:25:46.320
<v Speaker 3>or ransom it. So as we know, Adam Worth was

0:25:46.520 --> 0:25:50.679
<v Speaker 3>never impulsive. His approach to the Gainsborough theft was like

0:25:50.880 --> 0:25:54.040
<v Speaker 3>had the same meticulous attention of all his other jobs.

0:25:54.400 --> 0:25:58.080
<v Speaker 3>He spent weeks studying the layout of the gallery, the

0:25:58.240 --> 0:26:01.760
<v Speaker 3>entry and exit points, nearby patrol patterns, the habits of

0:26:01.800 --> 0:26:05.199
<v Speaker 3>the night watchmen, how the painting was mounted, even the

0:26:05.240 --> 0:26:09.960
<v Speaker 3>construction of display cases. He visited the gallery tons and

0:26:10.000 --> 0:26:12.560
<v Speaker 3>tons of times disguised as a patron, and he could

0:26:12.560 --> 0:26:15.280
<v Speaker 3>pull us off because he was known in London art

0:26:15.320 --> 0:26:17.760
<v Speaker 3>circles at the time, because he would pose as this

0:26:17.880 --> 0:26:21.800
<v Speaker 3>American collector and it wouldn't be unusual then for him

0:26:21.800 --> 0:26:24.200
<v Speaker 3>to like hit up the gallery a bunch of times

0:26:24.240 --> 0:26:27.919
<v Speaker 3>to see a famous painting with a cool backstory. And

0:26:27.960 --> 0:26:30.640
<v Speaker 3>once he decided that he needed the painting, he got

0:26:30.640 --> 0:26:33.160
<v Speaker 3>to work. So he got his paws on a set

0:26:33.200 --> 0:26:36.280
<v Speaker 3>of duplicate keys for the gallery, and he mapped out

0:26:36.640 --> 0:26:40.560
<v Speaker 3>the lighting conditions and the windows in the place. All

0:26:40.600 --> 0:26:43.240
<v Speaker 3>of this was done with two unnamed to this day

0:26:43.520 --> 0:26:47.399
<v Speaker 3>criminal associates. As with all his other work, there was

0:26:47.440 --> 0:26:49.240
<v Speaker 3>no violence and no coercion.

0:26:49.480 --> 0:26:52.080
<v Speaker 2>Do we think that these associates are insiders, like who

0:26:52.119 --> 0:26:53.920
<v Speaker 2>work in somehow in the farm.

0:26:54.080 --> 0:26:55.720
<v Speaker 3>And my guess is that's how he got the keys.

0:26:55.800 --> 0:26:57.600
<v Speaker 2>That's what I'm saying. You said, the duplicate keys and

0:26:57.680 --> 0:26:59.720
<v Speaker 2>now he's got the lighting conditions.

0:26:59.720 --> 0:27:03.840
<v Speaker 3>I was like, yes, probably insiders. Zaron, close your eyes

0:27:05.560 --> 0:27:06.119
<v Speaker 3>to make Sarin.

0:27:06.520 --> 0:27:17.920
<v Speaker 4>Yeah.

0:27:18.119 --> 0:27:21.320
<v Speaker 3>It's the night of May twenty sixth, eighteen seventy six.

0:27:22.080 --> 0:27:26.640
<v Speaker 3>You are the portrait of Georgiana Cavendish, Duchess of Devonshire.

0:27:27.240 --> 0:27:29.879
<v Speaker 3>You've recently been installed at the Thomas Agnu and Sons

0:27:29.920 --> 0:27:33.680
<v Speaker 3>Gallery in London. You missed the Dowager's House where you'd

0:27:33.720 --> 0:27:36.919
<v Speaker 3>been hanging out pun intended for a while. But this

0:27:37.000 --> 0:27:40.160
<v Speaker 3>place is nice. The staff are so excited you're here,

0:27:40.280 --> 0:27:42.440
<v Speaker 3>and so many people come through to give you the eye.

0:27:42.920 --> 0:27:47.000
<v Speaker 3>They marvel at your beauty, your composition. They're proud of you.

0:27:47.000 --> 0:27:50.000
<v Speaker 3>You are eating this up. The last employee of the

0:27:50.040 --> 0:27:52.880
<v Speaker 3>gallery has just left. Do you hear the back door lock?

0:27:53.280 --> 0:27:56.919
<v Speaker 3>And silence falls across the rooms in the gallery. Some

0:27:57.080 --> 0:28:00.200
<v Speaker 3>time elapses, and then you hear keys open the back door.

0:28:00.440 --> 0:28:03.480
<v Speaker 3>It's still dark out, middle of the night. Really, someone

0:28:03.560 --> 0:28:07.119
<v Speaker 3>must have left something behind you. Hear light footsteps and

0:28:07.160 --> 0:28:10.320
<v Speaker 3>the creak of the polished wood floors. Someone is approaching.

0:28:10.920 --> 0:28:15.000
<v Speaker 3>The feet walk with steady determination purpose. They stop right

0:28:15.080 --> 0:28:18.120
<v Speaker 3>in front of you. In the slight shard of moonlight

0:28:18.200 --> 0:28:21.359
<v Speaker 3>coming through a skylight, you see a face. It's a

0:28:21.400 --> 0:28:24.040
<v Speaker 3>man you've seen before, someone who's come to admire you

0:28:24.119 --> 0:28:27.920
<v Speaker 3>a few times, always very well dressed. He's ruggedly handsome,

0:28:28.359 --> 0:28:31.480
<v Speaker 3>full head of well claffed hair and a healthy mustache.

0:28:31.960 --> 0:28:35.840
<v Speaker 3>He stares at you in no rush, not nervous, sure

0:28:35.840 --> 0:28:39.320
<v Speaker 3>of himself. He reaches out and traces a finger along

0:28:39.360 --> 0:28:43.480
<v Speaker 3>your frame. You feel a tingle in your canvas. Why, sir,

0:28:43.840 --> 0:28:46.520
<v Speaker 3>you wish you could gasp. He takes a step back

0:28:46.560 --> 0:28:49.720
<v Speaker 3>and then approaches again, this time lifting you off the wall.

0:28:50.320 --> 0:28:52.680
<v Speaker 3>He turns you around and you now face the rich

0:28:52.760 --> 0:28:56.360
<v Speaker 3>blue wall you feel and begin to unfasten the frame

0:28:56.440 --> 0:28:59.640
<v Speaker 3>from around you. With a tender touch, he gently lifts

0:28:59.640 --> 0:29:03.040
<v Speaker 3>the brackets used to keep you pent and stretched for display.

0:29:03.520 --> 0:29:07.160
<v Speaker 3>In an instant, you are free, the tension removed, You

0:29:07.240 --> 0:29:11.080
<v Speaker 3>flop forward, your midsection loose as gentle as ever. The

0:29:11.120 --> 0:29:14.680
<v Speaker 3>man tenderly rolls you up, not too tight, but still firm.

0:29:15.320 --> 0:29:18.360
<v Speaker 3>He slides you into a heavy, unbleached cotton sleeve and

0:29:18.440 --> 0:29:21.320
<v Speaker 3>holds you under his arm. He uses his other arm

0:29:21.360 --> 0:29:23.480
<v Speaker 3>to replace the empty frame on the wall where you

0:29:23.640 --> 0:29:26.720
<v Speaker 3>just hung. Then he turns and heads for the back door.

0:29:27.600 --> 0:29:30.280
<v Speaker 3>You know there is a guard up front. He has

0:29:30.280 --> 0:29:33.520
<v Speaker 3>apparently heard nothing. The two of you reached the back door,

0:29:33.800 --> 0:29:36.920
<v Speaker 3>he opens it, steps out into the night, closes the door,

0:29:36.920 --> 0:29:38.880
<v Speaker 3>and then locks it with the set of keys produced

0:29:38.880 --> 0:29:41.720
<v Speaker 3>from his pocket. Off you go into the night with

0:29:41.760 --> 0:29:45.320
<v Speaker 3>this mystery man. You are sure more adventure awaits, and

0:29:45.400 --> 0:29:48.880
<v Speaker 3>you feel no fear, no sense of danger. You believe

0:29:48.920 --> 0:29:53.880
<v Speaker 3>your namesake the visage that launched you would agree, so

0:29:54.800 --> 0:29:57.400
<v Speaker 3>Worth was able to steal what was the like the

0:29:57.400 --> 0:30:01.200
<v Speaker 3>most famous painting in London at the time, never damaged

0:30:01.240 --> 0:30:02.480
<v Speaker 3>the painting or the frame.

0:30:02.720 --> 0:30:04.320
<v Speaker 2>This is like the Mona Lisa of London.

0:30:04.440 --> 0:30:08.080
<v Speaker 3>Yes, yes, he left everything undisturbed all around it, no

0:30:08.240 --> 0:30:12.040
<v Speaker 3>signs of forest entry, no witnesses saw him, no police

0:30:12.040 --> 0:30:16.320
<v Speaker 3>patrols notice anything. The disappearance wasn't discovered until the next

0:30:16.320 --> 0:30:21.000
<v Speaker 3>morning they walk in, She's gone And it was one

0:30:21.040 --> 0:30:26.920
<v Speaker 3>of the most humiliating unsolved robberies in London art history

0:30:26.920 --> 0:30:32.880
<v Speaker 3>at the time. Exactly, so contrary to criminal custom, like

0:30:32.920 --> 0:30:35.040
<v Speaker 3>I said, he didn't try and sell the painting. He

0:30:35.160 --> 0:30:37.920
<v Speaker 3>kept it as this private trophy because that's what they

0:30:38.000 --> 0:30:39.760
<v Speaker 3>kept thinking, Oh, this thing's going to pop up on

0:30:39.840 --> 0:30:43.400
<v Speaker 3>the market somewhere. He carried it with him for years

0:30:43.640 --> 0:30:45.520
<v Speaker 3>in a specially constructed case.

0:30:46.080 --> 0:30:46.440
<v Speaker 2>Wow.

0:30:46.600 --> 0:30:49.120
<v Speaker 3>Yeah, So by the late eighteen seventies.

0:30:48.640 --> 0:30:51.160
<v Speaker 2>Are he like falling in love with it?

0:30:51.160 --> 0:30:53.600
<v Speaker 3>It was just it meant like everything. It meant like

0:30:53.640 --> 0:30:55.440
<v Speaker 3>it was the symbol.

0:30:55.480 --> 0:30:59.240
<v Speaker 2>But I mean it's also like, as.

0:30:58.280 --> 0:31:00.320
<v Speaker 3>He called it, it was a talisman. So once he

0:31:00.400 --> 0:31:02.040
<v Speaker 3>had that, that was like he had to carry it

0:31:02.080 --> 0:31:06.800
<v Speaker 3>with him. Late eighteen seventies though he is the absolute

0:31:06.960 --> 0:31:11.760
<v Speaker 3>unquestioned leader of the most sophisticated non violent criminal network

0:31:11.760 --> 0:31:12.800
<v Speaker 3>in the Western world.

0:31:12.880 --> 0:31:14.440
<v Speaker 2>Completely, I'm wondering why he's on this show.

0:31:14.960 --> 0:31:19.680
<v Speaker 3>Well, London was only one component of his expanding operations,

0:31:19.720 --> 0:31:22.640
<v Speaker 3>and so by the next decade he had like he

0:31:22.680 --> 0:31:24.760
<v Speaker 3>had spread out far beyond Britain.

0:31:24.840 --> 0:31:28.240
<v Speaker 2>Oh, I'm sure, I'm sure he's working Russia and South Africa.

0:31:28.280 --> 0:31:30.960
<v Speaker 3>Well let's take a pause for some ads. I know

0:31:31.040 --> 0:31:33.560
<v Speaker 3>you love them ads. Yum yum, give me some. That's

0:31:33.560 --> 0:31:34.840
<v Speaker 3>what you yelled during every ad.

0:31:34.960 --> 0:31:37.560
<v Speaker 2>I got my wallet, Yeah, I start throwing money at

0:31:37.600 --> 0:31:38.320
<v Speaker 2>the microphones.

0:31:39.000 --> 0:32:03.800
<v Speaker 3>Back in the flash, Zeren adam Worth, Adam Worth. So

0:32:04.080 --> 0:32:06.760
<v Speaker 3>he rocked to the east coast of the US, went

0:32:06.840 --> 0:32:10.720
<v Speaker 3>to London, became a legend, and then he branched out

0:32:10.760 --> 0:32:14.280
<v Speaker 3>further onto the continent. So records like you were saying,

0:32:14.320 --> 0:32:20.200
<v Speaker 3>records from Belgium, France, Germany, Austria, all these police archives

0:32:20.240 --> 0:32:24.360
<v Speaker 3>show the presence of his associates all throughout this place.

0:32:24.640 --> 0:32:29.600
<v Speaker 3>His organization targeted high value jewelry shipments, banks and like

0:32:29.720 --> 0:32:34.920
<v Speaker 3>wealthy travelers. So Paris at the time had this wealthy aristocracy,

0:32:35.040 --> 0:32:39.440
<v Speaker 3>growing bourgeois class, so this was like a natural target

0:32:39.520 --> 0:32:44.400
<v Speaker 3>for jewel theft, and his teams frequently operated during the

0:32:44.440 --> 0:32:47.920
<v Speaker 3>summer social season, so he wasn't just fencing through these places.

0:32:47.960 --> 0:32:52.840
<v Speaker 3>Now or drawing members of his syndicate cultural moments. Yeah,

0:32:52.880 --> 0:32:56.680
<v Speaker 3>he's going they're committing crimes there. So the French elite,

0:32:56.720 --> 0:32:59.760
<v Speaker 3>they're vacationing at coastal resorts and they're bringing all their

0:32:59.800 --> 0:33:01.840
<v Speaker 3>like lavish jewelry. Yeah, they want to show off to

0:33:01.880 --> 0:33:09.320
<v Speaker 3>the Yes, exactly. In Belgium, the banking centers like in Antwerp,

0:33:09.960 --> 0:33:14.800
<v Speaker 3>in Liege, they offered all these like fabulous opportunities for forgery,

0:33:14.960 --> 0:33:18.880
<v Speaker 3>financial fraud. Then you have the German cities like Berlin

0:33:19.480 --> 0:33:24.920
<v Speaker 3>Hamburg again were transit points for stolen goods and forged documents,

0:33:25.800 --> 0:33:30.600
<v Speaker 3>and so he designed trans national routes for moving stolen merchandise,

0:33:30.680 --> 0:33:34.440
<v Speaker 3>like we said. And then the biggest thing about that

0:33:34.560 --> 0:33:38.080
<v Speaker 3>is that there was no cooperation between these nations. Yeah,

0:33:38.160 --> 0:33:41.520
<v Speaker 3>so the law enforcement couldn't track things once it left

0:33:41.560 --> 0:33:42.440
<v Speaker 3>whichever country.

0:33:42.520 --> 0:33:45.120
<v Speaker 2>They basically only communicate through the telegraph at this point.

0:33:45.200 --> 0:33:49.520
<v Speaker 3>Yeah. Yeah, he went to Egypt in the early eighteen eighties, Yeah,

0:33:49.520 --> 0:33:53.760
<v Speaker 3>because he saw opportunity and strife there. So it's this

0:33:53.840 --> 0:33:59.959
<v Speaker 3>really tumultuous environment after the Anglo Egyptian War. So European officers, diplomats,

0:34:00.120 --> 0:34:04.720
<v Speaker 3>businessmen would go through Cairo and Alexandria carrying like tons

0:34:04.760 --> 0:34:06.440
<v Speaker 3>of cash.

0:34:05.800 --> 0:34:07.400
<v Speaker 2>Jewelry largely unguarded.

0:34:07.520 --> 0:34:13.840
<v Speaker 3>Yeah, and Worth's organization exploited those those vulnerabilities. He also

0:34:14.000 --> 0:34:17.280
<v Speaker 3>leveraged like the bustling port activity there to move stolen

0:34:17.280 --> 0:34:21.839
<v Speaker 3>goods really discreetly, because you could bribe anybody at Forge manifest.

0:34:22.000 --> 0:34:23.920
<v Speaker 2>It would be so much fun to rob a modern

0:34:23.960 --> 0:34:26.759
<v Speaker 2>major general of the British Empire in Cairo.

0:34:29.200 --> 0:34:33.480
<v Speaker 3>Soup. Yes, I know, I can see it. And so

0:34:33.520 --> 0:34:36.239
<v Speaker 3>then we have South Africa. So the diamond mines of

0:34:36.320 --> 0:34:41.200
<v Speaker 3>Kimberly were notorious for theft, smuggling, corruption. So you have

0:34:41.280 --> 0:34:44.799
<v Speaker 3>all these African laborers, they're under brutal conditions and like

0:34:44.880 --> 0:34:47.120
<v Speaker 3>a lot of them would try and sneak diamonds out

0:34:47.120 --> 0:34:51.600
<v Speaker 3>of the mines. Yeah, the stolen stones needed you needed

0:34:51.600 --> 0:34:55.359
<v Speaker 3>a sophisticated fence network to get those to market. So

0:34:55.400 --> 0:34:59.640
<v Speaker 3>he didn't personally participate in those mind thefts, but his

0:34:59.840 --> 0:35:02.960
<v Speaker 3>org organization did a lot with in terms of like

0:35:03.000 --> 0:35:06.440
<v Speaker 3>purchasing the stolen diamonds and moving him to Europe, so

0:35:07.040 --> 0:35:12.080
<v Speaker 3>he would have anonymous purchasing agents, coded letters forged shipping papers.

0:35:12.840 --> 0:35:17.280
<v Speaker 3>They really started this like international scale of laundering diamonds.

0:35:17.680 --> 0:35:22.440
<v Speaker 3>So by the mid eighteen eighties, he's wealthy, respected by criminals,

0:35:22.760 --> 0:35:28.600
<v Speaker 3>feared by police, loved by society. His visibility was increasing

0:35:29.239 --> 0:35:31.239
<v Speaker 3>because he had like now he has more and more

0:35:31.360 --> 0:35:35.200
<v Speaker 3>international travel patterns. It's starting to make him a person

0:35:35.280 --> 0:35:38.520
<v Speaker 3>of interest for all these various European police forces.

0:35:38.520 --> 0:35:39.920
<v Speaker 2>He's got to be starting to show up at too

0:35:39.960 --> 0:35:42.239
<v Speaker 2>many places where there're exactly.

0:35:42.000 --> 0:35:44.440
<v Speaker 3>And so because he's not, he's now he's branching out,

0:35:44.440 --> 0:35:48.240
<v Speaker 3>branching out. And at the time too, surveillance techniques are improving.

0:35:48.320 --> 0:35:49.719
<v Speaker 2>Oh that's right, because you now you started getting the

0:35:49.760 --> 0:35:51.320
<v Speaker 2>modern detective work right.

0:35:51.200 --> 0:35:54.719
<v Speaker 3>And as you said, telegraph communication, like that's how they're communicating,

0:35:54.760 --> 0:35:58.120
<v Speaker 3>but it's faster and faster and worth He's now in

0:35:58.160 --> 0:36:02.160
<v Speaker 3>his forties, he's starting to take greater risk. So his

0:36:02.360 --> 0:36:06.960
<v Speaker 3>downfall came in Belgium during a robbery that fell way

0:36:07.000 --> 0:36:10.919
<v Speaker 3>below his usual standards. So October fifth, eighteen ninety two,

0:36:11.440 --> 0:36:14.919
<v Speaker 3>he and these two associates, they tried to burglarize the

0:36:15.040 --> 0:36:17.560
<v Speaker 3>American Express office in Liege.

0:36:17.320 --> 0:36:19.040
<v Speaker 2>Okay, which used to be like the Western Union where

0:36:19.040 --> 0:36:20.080
<v Speaker 2>they're sending money and stuff.

0:36:20.120 --> 0:36:25.160
<v Speaker 3>So they actually exactly and so police later testified that

0:36:25.239 --> 0:36:28.680
<v Speaker 3>their actions were suspicious from the jump, and they made

0:36:28.760 --> 0:36:31.840
<v Speaker 3>repeated visits. They asked really weird questions. They'd go in

0:36:31.840 --> 0:36:34.399
<v Speaker 3>there and be like, oh, I don't know how much

0:36:34.440 --> 0:36:36.520
<v Speaker 3>money did you have the counter right now? That's just

0:36:36.680 --> 0:36:37.800
<v Speaker 3>I'm just curious.

0:36:37.400 --> 0:36:40.080
<v Speaker 2>How big is your safe? Like roughly speaking in Cubic.

0:36:40.120 --> 0:36:40.719
<v Speaker 2>Sit made a.

0:36:40.760 --> 0:36:44.680
<v Speaker 3>Look and they they were behaving in a way that

0:36:44.840 --> 0:36:50.759
<v Speaker 3>was totally uncharacteristic of his typical, meticulous planning. And some

0:36:50.840 --> 0:36:54.200
<v Speaker 3>say that like he's starting to slip due to stress

0:36:54.360 --> 0:36:57.520
<v Speaker 3>or financial pressure. Others are like, you know, he was

0:36:57.680 --> 0:37:06.160
<v Speaker 3>just emotionally exhausted. He had no spoons left zarinving this

0:37:06.280 --> 0:37:09.239
<v Speaker 3>double life. Plus his wife's health was declining, mainly her

0:37:09.280 --> 0:37:12.759
<v Speaker 3>mental health, like she was having some issues. And then

0:37:12.880 --> 0:37:16.000
<v Speaker 3>also like his criminal network as it grew, it started

0:37:16.040 --> 0:37:19.120
<v Speaker 3>to get a little more fragmented. Whatever the cause, the

0:37:19.239 --> 0:37:22.799
<v Speaker 3>robbery was a disaster. So the Belgian police they got

0:37:22.800 --> 0:37:25.719
<v Speaker 3>a tip about this AMEX heist, so they were there

0:37:25.800 --> 0:37:29.879
<v Speaker 3>waiting when Worth and his accomplices broke in and there was.

0:37:29.800 --> 0:37:31.760
<v Speaker 2>Like a struggle inside.

0:37:31.640 --> 0:37:34.560
<v Speaker 3>Yeah, they're like, oh hey, what's up, and there's this

0:37:34.600 --> 0:37:37.279
<v Speaker 3>little struggle ensues. But then Worth he's like, no, no,

0:37:37.480 --> 0:37:41.719
<v Speaker 3>we don't use violence, all right, surrender peacefully and so.

0:37:42.160 --> 0:37:45.680
<v Speaker 3>But he did give a false name. However, you know

0:37:45.719 --> 0:37:48.360
<v Speaker 3>who shows up, the Pinkertons.

0:37:49.040 --> 0:37:50.360
<v Speaker 2>What they crossed the Atlantic.

0:37:51.640 --> 0:37:58.719
<v Speaker 3>They had been him for years, up stories about and

0:37:58.160 --> 0:38:01.000
<v Speaker 3>they were in English, I'm looking for him. Then they

0:38:01.120 --> 0:38:02.000
<v Speaker 3>hit the continent.

0:38:02.600 --> 0:38:05.200
<v Speaker 2>Um, yeah, they.

0:38:05.480 --> 0:38:08.040
<v Speaker 3>Were the ones who identified him. They heard about this.

0:38:08.200 --> 0:38:09.799
<v Speaker 3>They show up. They're like, no, no, no, we know who

0:38:09.840 --> 0:38:15.560
<v Speaker 3>that is. He gets convicted and sentenced to seven years

0:38:15.880 --> 0:38:19.760
<v Speaker 3>in prison. And the prison was harsh there, but orderly,

0:38:20.280 --> 0:38:23.600
<v Speaker 3>and he was like he was a perfect model prisoner,

0:38:24.080 --> 0:38:26.799
<v Speaker 3>and so that got him privileges and like reduced some

0:38:26.840 --> 0:38:30.640
<v Speaker 3>of the hostility from the guards. But with him behind bars,

0:38:30.680 --> 0:38:35.440
<v Speaker 3>his empire was ruined. Like the syndicate totally fell apart

0:38:35.480 --> 0:38:39.280
<v Speaker 3>without his leadership. Some of the members were arrested, others

0:38:39.400 --> 0:38:43.680
<v Speaker 3>retired or like fled to South America. His wife suffered

0:38:43.719 --> 0:38:46.640
<v Speaker 3>a total mental collapse and had to be committed to

0:38:46.680 --> 0:38:50.000
<v Speaker 3>an institution. His two kids. I mean, because think about it,

0:38:50.040 --> 0:38:52.520
<v Speaker 3>she's already struggling and then she finds out like her

0:38:52.560 --> 0:38:56.000
<v Speaker 3>world is rocked. Yeah, the kids they get put into

0:38:56.040 --> 0:38:58.239
<v Speaker 3>a boarding school, but they didn't know how they were

0:38:58.239 --> 0:39:02.080
<v Speaker 3>going to afford this. His health starts to decline. He's

0:39:02.120 --> 0:39:06.440
<v Speaker 3>like rapidly aging. So he once was this suave criminal mastermind.

0:39:06.480 --> 0:39:11.319
<v Speaker 3>Now he's like a thin, sickly introspective schedule of who

0:39:11.320 --> 0:39:14.320
<v Speaker 3>he was. Yeah. So he gets released in eighteen ninety

0:39:14.320 --> 0:39:19.319
<v Speaker 3>seven early for good behavior. He's fifty three. He's diminished,

0:39:19.320 --> 0:39:22.839
<v Speaker 3>but he is determined to rebuild some semblance of stability

0:39:22.840 --> 0:39:27.360
<v Speaker 3>for his kids. He had one asset remaining, the Gainsborough

0:39:27.400 --> 0:39:31.040
<v Speaker 3>portrait that he never no. He had left it with

0:39:31.080 --> 0:39:34.120
<v Speaker 3>a trusted associate before his arrest, and so that was

0:39:34.160 --> 0:39:37.480
<v Speaker 3>his bargaining chip. So he gets out. He goes to

0:39:37.520 --> 0:39:41.880
<v Speaker 3>the United States and he seeks out Pinkerton. What Yes,

0:39:43.760 --> 0:39:47.719
<v Speaker 3>the detective whose pursuit of him had spanned three decades

0:39:47.800 --> 0:39:51.399
<v Speaker 3>at this point. So surprisingly, Pinkerton's like, yeah, I'll meet

0:39:51.440 --> 0:39:54.399
<v Speaker 3>with you. I mean, at this point he's not he's

0:39:54.440 --> 0:39:55.120
<v Speaker 3>done his time.

0:39:55.320 --> 0:39:57.280
<v Speaker 2>Does Pinkerton write about him in one of his books?

0:39:57.400 --> 0:39:57.640
<v Speaker 3>Yeah?

0:39:57.680 --> 0:39:58.520
<v Speaker 2>Oh wow.

0:39:58.640 --> 0:40:01.600
<v Speaker 3>So they meet and and they developed this like weird

0:40:01.800 --> 0:40:05.440
<v Speaker 3>mutual respect. I bet, and Pinkerton was like he really

0:40:05.480 --> 0:40:10.400
<v Speaker 3>admired Worth's discipline and how he was nonviolent. Worth respected

0:40:10.440 --> 0:40:15.799
<v Speaker 3>how tenacious Pinkerton was, and so Worth proposes a deal.

0:40:16.040 --> 0:40:20.800
<v Speaker 3>He's like, I'll return the Gainesboro if the gallery pays

0:40:21.360 --> 0:40:25.960
<v Speaker 3>this huge amount to fund my children's care. And Pinkerton

0:40:26.600 --> 0:40:28.719
<v Speaker 3>he wants to get his name on there as the

0:40:28.719 --> 0:40:31.720
<v Speaker 3>one who resolved one of the most famous art thefts

0:40:31.760 --> 0:40:34.440
<v Speaker 3>in history. So it's like, I will act as the

0:40:34.480 --> 0:40:38.680
<v Speaker 3>intermediary to make this happen. So they go back and

0:40:38.719 --> 0:40:42.760
<v Speaker 3>forth negotiations for months, and then finally the gallery agrees.

0:40:43.239 --> 0:40:46.520
<v Speaker 3>So the handover took place in eighteen ninety nine in Paris.

0:40:47.000 --> 0:40:50.759
<v Speaker 3>So Worth personally delivered the painting rolled up still in

0:40:50.760 --> 0:40:54.000
<v Speaker 3>the protective case, in excellent perfect condition.

0:40:54.239 --> 0:40:56.759
<v Speaker 2>And is he claiming that he stole it or he

0:40:56.800 --> 0:40:57.480
<v Speaker 2>knows where it is?

0:40:57.600 --> 0:40:57.759
<v Speaker 3>Oh?

0:40:57.760 --> 0:41:00.560
<v Speaker 2>No, you want.

0:41:00.400 --> 0:41:05.600
<v Speaker 3>To want it back. So the return of the portrait

0:41:05.760 --> 0:41:07.320
<v Speaker 3>front page news worldwide.

0:41:07.400 --> 0:41:08.480
<v Speaker 2>I bet so.

0:41:08.560 --> 0:41:11.920
<v Speaker 3>With the funds from the settlement, Worth regained custody of

0:41:11.960 --> 0:41:15.520
<v Speaker 3>his children. He moved them all to London, living quietly

0:41:15.600 --> 0:41:19.840
<v Speaker 3>under his real name. In Kensington. He opened a modest

0:41:20.320 --> 0:41:24.879
<v Speaker 3>private inquiry office. He became a PI and occasionally he

0:41:24.920 --> 0:41:32.000
<v Speaker 3>worked with the Pinkertons on minor jobs. Hacker, yes, exactly,

0:41:32.320 --> 0:41:34.640
<v Speaker 3>So he wasn't wealthy, but he was able to have

0:41:34.680 --> 0:41:38.960
<v Speaker 3>like a stable life for his family. He he did

0:41:39.000 --> 0:41:42.000
<v Speaker 3>still have ill health, and he would he loved to

0:41:42.040 --> 0:41:46.600
<v Speaker 3>tell stories about his exploits. Oh yeah, and he would

0:41:46.600 --> 0:41:51.359
<v Speaker 3>tell like trusted acquaintances. But he never betrayed former associates.

0:41:51.360 --> 0:41:56.160
<v Speaker 3>He kept his like really strict criminal cod Pickerton operatives

0:41:56.200 --> 0:41:59.359
<v Speaker 3>continued to visit him, but they came because they were

0:41:59.440 --> 0:42:02.879
<v Speaker 3>fascinating by the wisdom and the perspective that he had

0:42:02.920 --> 0:42:07.600
<v Speaker 3>gained and could share with them for their detecting totally,

0:42:07.640 --> 0:42:08.280
<v Speaker 3>you know development.

0:42:08.280 --> 0:42:10.440
<v Speaker 2>It's kind of like visiting Hannibal Lecter if you're an

0:42:10.480 --> 0:42:12.640
<v Speaker 2>FBI agent, right, it's just like I need help on

0:42:12.680 --> 0:42:13.359
<v Speaker 2>findingding the guy.

0:42:13.280 --> 0:42:18.520
<v Speaker 3>About the Criminal Behavior Unit in the FBI came about

0:42:18.560 --> 0:42:23.200
<v Speaker 3>of interviewing all those serials. Yeah, ida thing, so Adam Worth.

0:42:23.280 --> 0:42:25.600
<v Speaker 3>He died on January eighth, nineteen oh two, at the

0:42:25.600 --> 0:42:30.480
<v Speaker 3>age of fifty seven of complications of pneumonia. He's buried

0:42:30.480 --> 0:42:33.719
<v Speaker 3>at Highgates Cemetery, which is one of London's most prestigious

0:42:33.800 --> 0:42:35.799
<v Speaker 3>Victorian burial grounds. Karl Marx is.

0:42:35.719 --> 0:42:37.520
<v Speaker 2>Buried just about say, as long as I know it,

0:42:37.680 --> 0:42:38.080
<v Speaker 2>so is.

0:42:38.040 --> 0:42:40.920
<v Speaker 3>George Michael Douglas Adams and Malcolm McLaren.

0:42:42.239 --> 0:42:45.879
<v Speaker 2>George Michael okay when yeah, I just doing the math there.

0:42:46.239 --> 0:42:48.160
<v Speaker 3>Adam Worth's headstone the first.

0:42:48.000 --> 0:42:49.640
<v Speaker 2>I went with George sand I was like, that's not

0:42:49.640 --> 0:42:50.200
<v Speaker 2>what you said.

0:42:50.560 --> 0:42:54.279
<v Speaker 3>It's Orge Michelle. His headstone has his real name on it.

0:42:54.719 --> 0:42:58.719
<v Speaker 3>Adam Worth. His kids, they you know, were very close

0:42:58.760 --> 0:43:00.960
<v Speaker 3>to him, even though he was gone on so often.

0:43:01.360 --> 0:43:03.840
<v Speaker 3>They're the ones who arranged for the grave and maintained

0:43:03.840 --> 0:43:06.719
<v Speaker 3>it for years, so they didn't have there was no

0:43:07.040 --> 0:43:07.840
<v Speaker 3>hard feelings.

0:43:07.920 --> 0:43:09.760
<v Speaker 2>They you know, they forgave and forgot.

0:43:09.880 --> 0:43:12.120
<v Speaker 3>Yeah, so to speak, and know his death did not

0:43:12.360 --> 0:43:17.120
<v Speaker 3>diminish his influence. Instead, his legend just grew. How so

0:43:17.360 --> 0:43:20.400
<v Speaker 3>I can hear the masses yelling from their open windows

0:43:20.440 --> 0:43:26.840
<v Speaker 3>so exactly. In eighteen ninety three, Sir Arthur Conan Doyle

0:43:27.040 --> 0:43:30.640
<v Speaker 3>introduced Professor James Moriarty in the Sherlock Holmes novel The

0:43:30.760 --> 0:43:37.920
<v Speaker 3>Final Problem. So Moriarty is described as a mastermind controlling

0:43:37.960 --> 0:43:41.760
<v Speaker 3>a vast network of criminals, a strategist who avoids violence

0:43:41.800 --> 0:43:46.880
<v Speaker 3>but orchestrates brilliant crimes from behind the scenes. Victorian readers

0:43:47.280 --> 0:43:49.680
<v Speaker 3>immediately recognized the parallel.

0:43:49.320 --> 0:43:51.840
<v Speaker 2>Totally, even down to the being a mathematician, you like

0:43:51.960 --> 0:43:52.640
<v Speaker 2>being good at math.

0:43:52.680 --> 0:43:57.120
<v Speaker 3>In Scotland, Yards inspector John Shore had publicly called Adam

0:43:57.200 --> 0:44:01.840
<v Speaker 3>Worth quote the Napoleon of crime. That exact phrase is

0:44:01.920 --> 0:44:04.520
<v Speaker 3>used to describe Moriarty in the Final Problem.

0:44:04.560 --> 0:44:06.040
<v Speaker 2>That's why I was wondering, how can you be that

0:44:06.040 --> 0:44:07.279
<v Speaker 2>that's moriorty.

0:44:07.680 --> 0:44:11.120
<v Speaker 3>So Doyle adopted the phrase directly. And though Moriarty was

0:44:11.160 --> 0:44:16.480
<v Speaker 3>a mathematician rather than a thief, the structural similarities discipline, invisibility,

0:44:16.560 --> 0:44:21.040
<v Speaker 3>organization unmistakable to everybody. And this made sense because there

0:44:21.040 --> 0:44:24.080
<v Speaker 3>were a lot of London crime reporters who corresponded with

0:44:24.160 --> 0:44:28.120
<v Speaker 3>detective agencies and covered the Worth story who were also

0:44:28.239 --> 0:44:32.520
<v Speaker 3>part of like Doyle's professional orbit. So George Salah, he

0:44:32.560 --> 0:44:35.080
<v Speaker 3>was a journalist for the Daily Telegraph. He wrote about

0:44:35.120 --> 0:44:38.239
<v Speaker 3>Worth and you know, quote the Napoleon of the underworld.

0:44:38.640 --> 0:44:42.759
<v Speaker 3>Doyle admired and followed Sala's writing. He also mingled with

0:44:42.800 --> 0:44:46.520
<v Speaker 3>all these journalists and editors who wrote about real crime syndicates.

0:44:47.239 --> 0:44:51.040
<v Speaker 3>Worth's name frequently appeared in those discussions, and Doyle's editor,

0:44:51.520 --> 0:44:56.040
<v Speaker 3>Herbert Greeno Smith definitely knew the Worth legend. And then

0:44:56.040 --> 0:44:59.320
<v Speaker 3>there was Pankerton. I love this so The clearest bridge

0:44:59.320 --> 0:45:03.400
<v Speaker 3>between Work and Moriarty is Pinkerton. So as we know,

0:45:03.520 --> 0:45:06.760
<v Speaker 3>he tracked Worth for decades and he amassed the most

0:45:06.840 --> 0:45:10.480
<v Speaker 3>complete file on him. And Doyle was part of the

0:45:10.520 --> 0:45:14.160
<v Speaker 3>same upper middle class London social world that Pinkerton moved

0:45:14.160 --> 0:45:17.440
<v Speaker 3>in when he traveled to England, so they crossed paths.

0:45:18.640 --> 0:45:22.040
<v Speaker 3>Worth didn't just influence literature, he also contributed to the

0:45:22.080 --> 0:45:28.480
<v Speaker 3>development of international policing cooperation. Yeah, it's like his ability

0:45:28.520 --> 0:45:31.680
<v Speaker 3>to slip the borders expose the weaknesses of having all

0:45:31.680 --> 0:45:36.239
<v Speaker 3>these fragmented police systems. The Pinkertons in particular used their

0:45:36.280 --> 0:45:39.840
<v Speaker 3>pursuit of Worth as a model for creating trans national

0:45:39.960 --> 0:45:41.320
<v Speaker 3>investigative practices.

0:45:41.440 --> 0:45:45.000
<v Speaker 2>So wait, did they kind of not like singularly but

0:45:45.239 --> 0:45:46.360
<v Speaker 2>inspire interpots?

0:45:46.480 --> 0:45:50.600
<v Speaker 3>Yeah? Wow, he you know, he was one of the

0:45:50.640 --> 0:45:54.360
<v Speaker 3>main contributors. So hit like all of his meticulous planning

0:45:54.840 --> 0:45:59.520
<v Speaker 3>inspired Scotland Yard to adopt more systematic surveillance techniques. They

0:45:59.560 --> 0:46:03.360
<v Speaker 3>started up with dossier's and they started, okay, we'll coordinate

0:46:03.400 --> 0:46:05.080
<v Speaker 3>with foreign agencies.

0:46:05.200 --> 0:46:06.640
<v Speaker 2>We'll come up with a flying squad.

0:46:06.840 --> 0:46:12.520
<v Speaker 3>His story has inspired books, documentaries, fictionalized portrayals. He's like

0:46:12.600 --> 0:46:18.200
<v Speaker 3>the archetype of the gentleman, criminal, cultured, non violent, intelligent, enigmatic,

0:46:19.200 --> 0:46:20.880
<v Speaker 3>and he gets you know, romanticized.

0:46:21.239 --> 0:46:25.879
<v Speaker 2>He's the archetype, one of the best criminals of all times. Yes, Mariarty, like.

0:46:25.920 --> 0:46:29.279
<v Speaker 3>His crimes are real. His ability to exploit the weaknesses

0:46:29.320 --> 0:46:35.120
<v Speaker 3>of global capitalism is so profound. Aaron, what's your ridiculous takeaway?

0:46:35.920 --> 0:46:36.160
<v Speaker 5>Man?

0:46:36.320 --> 0:46:38.600
<v Speaker 2>That was great? They well the fact that I have

0:46:38.680 --> 0:46:41.240
<v Speaker 2>to admit I did not know this guy's criminal career,

0:46:41.360 --> 0:46:43.120
<v Speaker 2>or did he inspired Moriarty. I didn't know he was

0:46:43.160 --> 0:46:46.400
<v Speaker 2>inspired by a real person. And I love Mariarty obviously.

0:46:46.400 --> 0:46:49.680
<v Speaker 2>I'm not like reading the Wikipedia page of Moriarty. I'm

0:46:49.719 --> 0:46:53.160
<v Speaker 2>just reading this the Conan Doyle stories and appreciating him

0:46:53.160 --> 0:46:55.760
<v Speaker 2>as a character, watching the movies, appreciating as a character,

0:46:56.320 --> 0:46:59.279
<v Speaker 2>and had no idea, never even thought to think, wow,

0:46:59.320 --> 0:47:01.120
<v Speaker 2>I want to read Bay he's not a real guy.

0:47:01.320 --> 0:47:04.200
<v Speaker 2>I just assumed he was, Like, it's so fantastically he

0:47:04.200 --> 0:47:06.799
<v Speaker 2>had to come out of Coden Doyle's imagination.

0:47:06.480 --> 0:47:08.080
<v Speaker 3>Right, No real guy, I thought.

0:47:08.239 --> 0:47:09.480
<v Speaker 2>In a lot of ways, I always thought it was

0:47:09.560 --> 0:47:12.239
<v Speaker 2>him portraying himself as a villain, like this is what

0:47:12.320 --> 0:47:13.080
<v Speaker 2>I would be Like.

0:47:13.120 --> 0:47:15.879
<v Speaker 3>I have no idea, And then I stumbled upon this guy.

0:47:16.760 --> 0:47:18.160
<v Speaker 2>What's your tis Elizabeth?

0:47:18.520 --> 0:47:20.960
<v Speaker 3>This is again one of those cases where we can

0:47:21.040 --> 0:47:24.399
<v Speaker 3>kind of admire a criminal because he's non violent. He's

0:47:24.480 --> 0:47:29.000
<v Speaker 3>punching up, yeah, and he's just a fascinating character. Plus

0:47:29.040 --> 0:47:31.160
<v Speaker 3>he hung out with a guy piano Charlie.

0:47:31.680 --> 0:47:34.959
<v Speaker 2>I mean, come on, and he's walking around with a

0:47:35.160 --> 0:47:38.120
<v Speaker 2>very famous painting in a special case he created as

0:47:38.120 --> 0:47:38.719
<v Speaker 2>a lucky child.

0:47:39.280 --> 0:47:40.400
<v Speaker 3>Absolutely pristine.

0:47:40.560 --> 0:47:43.120
<v Speaker 2>It's beautiful, an unbleached cotton cloth.

0:47:43.280 --> 0:47:45.359
<v Speaker 3>I love it. I think I need to talk back

0:47:45.400 --> 0:47:45.799
<v Speaker 3>after that.

0:47:45.840 --> 0:47:46.680
<v Speaker 2>I think we both.

0:47:49.600 --> 0:48:03.040
<v Speaker 5>Oh my god. I hey is Aaron and Elizabeth. This

0:48:03.160 --> 0:48:06.920
<v Speaker 5>is Sarah from Texas and like this week's Flapper bandit,

0:48:07.080 --> 0:48:11.000
<v Speaker 5>I attended the University of Texas at Austin. My tuition

0:48:11.280 --> 0:48:15.880
<v Speaker 5>was completely covered by my parents' military benefits, and somehow

0:48:15.960 --> 0:48:19.840
<v Speaker 5>I still came out with fifty thousand dollars in student loans.

0:48:20.520 --> 0:48:21.440
<v Speaker 5>That's ridiculous.

0:48:24.440 --> 0:48:30.520
<v Speaker 6>Sorry, Yeah, welcome to higher education in the United States.

0:48:31.480 --> 0:48:36.080
<v Speaker 6>I love that it got covered, but not loving the Yeah.

0:48:36.120 --> 0:48:40.040
<v Speaker 3>That's it for today, My condolences. You can find us

0:48:40.080 --> 0:48:43.440
<v Speaker 3>online at ridiculous crime dot com. We're also at Ridiculous

0:48:43.480 --> 0:48:48.000
<v Speaker 3>Crime on Blue Sky Instagram. We're on YouTube at Ridiculous

0:48:48.000 --> 0:48:51.160
<v Speaker 3>Crime Pod Fun Little Animations, fun for you and me.

0:48:52.040 --> 0:48:54.280
<v Speaker 2>You got producer D on there now he's telling a story.

0:48:54.320 --> 0:48:57.319
<v Speaker 2>Did you see that a producer D. If you want

0:48:57.360 --> 0:48:58.080
<v Speaker 2>to see what he looks like?

0:48:58.239 --> 0:49:01.719
<v Speaker 3>Yeah, yeah, check that out. Email us at Ridiculous Crime

0:49:01.719 --> 0:49:05.359
<v Speaker 3>at gmail dot com and as always, leave a talk

0:49:05.400 --> 0:49:07.640
<v Speaker 3>back on the iHeart app. You can share what your

0:49:08.000 --> 0:49:11.759
<v Speaker 3>student debt is. We start it, we can start a calculator.

0:49:12.719 --> 0:49:15.600
<v Speaker 3>Either way. It's on the iHeart app's free reach out.

0:49:20.760 --> 0:49:23.760
<v Speaker 3>Ridiculous Crime is hosted by Elizabeth Dutton and Zaren Burnett,

0:49:23.880 --> 0:49:27.480
<v Speaker 3>produced and edited by the Napoleon of Podcasting Dave Cousten,

0:49:27.800 --> 0:49:32.239
<v Speaker 3>starring Annalys rutger Is Judith. Research is by nonviolent catalytic

0:49:32.280 --> 0:49:35.480
<v Speaker 3>converter Fee from Marisa Brown and Pinkerton whose heart Really

0:49:35.520 --> 0:49:38.160
<v Speaker 3>Isn't in It Jabari Davis. The theme song is by

0:49:38.200 --> 0:49:42.080
<v Speaker 3>lock picking specialist Thomas Lee and master of disguise Travis Dutton.

0:49:42.239 --> 0:49:45.359
<v Speaker 3>Post wardrobe is provided by Botany five hundred. Guest hair

0:49:45.440 --> 0:49:49.359
<v Speaker 3>and makeup by Sparkleshot and mister Andre. Executive producers are

0:49:49.360 --> 0:49:52.840
<v Speaker 3>Scotland Yard Detectives Just one week from retirement, Ben Bollen

0:49:53.000 --> 0:50:04.720
<v Speaker 3>and Noel Brown. Crime say It one more time. Udiquious Crime.

0:50:05.719 --> 0:50:09.040
<v Speaker 1>Ridiculous Crime is a production of iHeartRadio. Four more podcasts

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