WEBVTT - #443 - Coyote

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<v Speaker 1>All right, Man, Boulet Cap Podcast special guests in here,

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<v Speaker 1>Coyote here.

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<v Speaker 2>Cracking.

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<v Speaker 1>Are you guys coyote for hire officially? Now?

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<v Speaker 3>I think so, Man, because you become for googling, well

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<v Speaker 3>for listen, for Google reasons.

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<v Speaker 1>I feel like when I Google coyote a lot of

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<v Speaker 1>other things, like as you know, the search engine optimization,

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<v Speaker 1>that's your purposes only. I feel like you guys should

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<v Speaker 1>go with the coyote for higher h.

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<v Speaker 4>I feel like people knows for that. People shout us

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<v Speaker 4>out for that, and we don't shot away from it.

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<v Speaker 4>Our record label is Coyote for Hire. But we're still Coyote.

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<v Speaker 4>You know why we're still Coyote because I heard Pitbull say.

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<v Speaker 2>Some real shit.

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<v Speaker 4>He was like, you know what, I know I made

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<v Speaker 4>it when pit Bull came above the and the dog

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<v Speaker 4>when he when you.

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<v Speaker 1>Google, that's true, you know what that's true?

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<v Speaker 5>So you guys at least can see what hey, when

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<v Speaker 5>you google pit Bull, the dog don't come up, you guys.

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<v Speaker 5>You guys have your goal set.

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<v Speaker 3>Yeah, so that's what I was saying. That's finish line.

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<v Speaker 3>But I like Coyote for a little ring to it,

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<v Speaker 3>you know what I'm saying? A little abbreviation as well.

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<v Speaker 3>See four h.

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<v Speaker 1>You can play with that.

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<v Speaker 2>Calls whatever you want. You know what I'm saying.

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<v Speaker 4>People, by the fault, you become your Instagram handle by

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<v Speaker 4>the fall.

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<v Speaker 2>Yeah, for sure, you know what I'm saying.

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<v Speaker 4>So but when you look us up on Spotify and ship,

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<v Speaker 4>it's just Coyote. But the record label that releases all

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<v Speaker 4>our music is Coyote for Hire, So I think we

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<v Speaker 4>pop up even though someone try to take that name too.

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<v Speaker 4>And now artists called Coyote for Hire that pops up

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<v Speaker 4>on our ship, and I'm trying to fucking figure.

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<v Speaker 3>They might have strate strategically did that to get us

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<v Speaker 3>to give them some money or something and buy her

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<v Speaker 3>fucking name back.

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<v Speaker 1>You know what happens a lot.

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<v Speaker 5>They be dropping music too, and they drop music, then

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<v Speaker 5>they're just fucking they're just biting.

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<v Speaker 3>Yeah exactly. But we'll find them, is what it is.

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<v Speaker 3>And all the time we'll find you and we'll kill you.

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<v Speaker 4>Allegedly we're Coyote. Coyote man. Two of us are fucking idiots.

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<v Speaker 1>I really like the Yode's.

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<v Speaker 3>I've been trying to push the change Coyote to the Yotis.

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<v Speaker 3>But you know coyote represents it's two of us, and

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<v Speaker 3>it represents one of us, you know what I'm saying.

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<v Speaker 1>So, yeah, you guys a few different fucking AKA.

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<v Speaker 2>The thing was like, you know, when you hear Queen,

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<v Speaker 2>it's like singular.

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<v Speaker 4>I mean it's singular, and it's like all these great

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<v Speaker 4>Linn Park, Lincoln Park. So it's like when you see him,

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<v Speaker 4>you see me, when you see me, you see him

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<v Speaker 4>mob deep Yeah exactly, Well yeah, mob I gus gang stars.

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<v Speaker 1>They didn't call the gang stars exactly. Yeah.

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<v Speaker 3>It fucking irks me when motherfuckers called us the coyotes.

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<v Speaker 1>I'm like, what, don't add an S to it?

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<v Speaker 3>Man, If you're gonna say you're gonna add the s,

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<v Speaker 3>just say the Yodi's.

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<v Speaker 5>I got to say, I'm super proud of you guys, man,

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<v Speaker 5>because talking to you a lot about yeah, in the

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<v Speaker 5>last couple of years, your journey and yeah, checking in

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<v Speaker 5>everyone you.

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<v Speaker 1>Hated us when you first met us, so you know

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<v Speaker 1>what I mean, both no, but I with y'all.

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<v Speaker 5>I remember like telling him, like when you guys came out,

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<v Speaker 5>I was like, man, this dude's got like a fucking

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<v Speaker 5>sick ass.

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<v Speaker 1>Look like this song just sucks.

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<v Speaker 3>Yeah, shout out the head too, man. He just shouted

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<v Speaker 3>us out not too long ago. He said, everything we've

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<v Speaker 3>been doing for the past twelve months is fucking fire.

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<v Speaker 1>You know, bullshit, and you.

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<v Speaker 3>Know it means a lot coming from Head. He's a

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<v Speaker 3>tough fucking critic, you know what.

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<v Speaker 4>Let me say one thing, bro, when it comes I'm

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<v Speaker 4>gonna give Kevis flowers when it comes to this Mexican

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<v Speaker 4>rap shit.

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<v Speaker 2>This anyone talking about Mexicans.

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<v Speaker 4>The only person whoever brings us up in every conversation

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<v Speaker 4>or at least several that I've heard in the media's keV.

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<v Speaker 4>In the media spaces bootlet keV. Motherfuckers can't bring up

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<v Speaker 4>Mexican rappers and keV don't throw our name in there, bro.

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<v Speaker 2>So for that, because Kevin knows what's up. Man.

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<v Speaker 3>You already know he's a true hip hop head and shit.

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<v Speaker 3>So man, he's always showing us love and you know

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<v Speaker 3>it's gonna be away.

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<v Speaker 5>You guys are joke, man, And like you know, I

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<v Speaker 5>always use you guys as an example now because I

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<v Speaker 5>have like upcoming artists coming up here or they'll be

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<v Speaker 5>recording in the studio and then like if I walk

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<v Speaker 5>by the like, hey, you got any game, and I'll

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<v Speaker 5>be like, man, you know, like at the end of

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<v Speaker 5>the day, bro, like what you guys are doing with

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<v Speaker 5>like freestyles and just like yeah, fucking putting up using

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<v Speaker 5>cap cut and putting your lyrics like you know, like

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<v Speaker 5>at the end of the day, everybody's got an excuse

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<v Speaker 5>for why, Well, I don't have a content guy, or

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<v Speaker 5>I don't have someone to shoot this shit, or I

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<v Speaker 5>don't have this like bitch, you got an iPhone in

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<v Speaker 5>your pocket.

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<v Speaker 2>Yeah, exactly.

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<v Speaker 1>So either you apply yourself enough to figure out how

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<v Speaker 1>to fucking do shit on your own, because I remember

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<v Speaker 1>you and I were talking and you're like, Bro, I'll

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<v Speaker 1>just find a cool spot, you set up the.

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<v Speaker 5>Phone and record, and then I'll edit it and then

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<v Speaker 5>it's up. And then anytime you guys have ever come

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<v Speaker 5>on my show, you're very adamant about, like, Yo, send

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<v Speaker 5>me the raw shit so I can put the lyrics

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<v Speaker 5>on it, so I can click it up myself.

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<v Speaker 1>And we started that way.

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<v Speaker 4>Man.

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<v Speaker 3>Now, if you're on Instagram, and if now you're go

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<v Speaker 3>on Instagram, there's a lot of motherfuckers that are doing

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<v Speaker 3>that little formula that we were doing back then. Now

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<v Speaker 3>we're switching it up, you know, because you can't. You

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<v Speaker 3>can't be a fucking a single trick pony and shit.

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<v Speaker 3>But you know what I mean, we damn near inspired

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<v Speaker 3>a whole little wave of people.

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<v Speaker 1>Trying to do that formula. You know what I'm saying.

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<v Speaker 4>There's a track record, you can find it. I guarantee

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<v Speaker 4>if we're not the first, we're one of the first

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<v Speaker 4>to take that real form just with iPhone, single shot,

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<v Speaker 4>semi creative and put the lyrics in it, and it

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<v Speaker 4>started working for us. The thing is when it starts working,

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<v Speaker 4>then it comes becomes easily duplicated. Sure, and we gave

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<v Speaker 4>a lot of people the game. A lot of homies

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<v Speaker 4>were hitting us up. I won't say names like we

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<v Speaker 4>do my artist elections.

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<v Speaker 2>I remember I was like, bro like, and you should

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<v Speaker 2>do that because we have eight billion people on the phone.

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<v Speaker 4>Your job is to just find them. So that's why

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<v Speaker 4>I say getting best for us, when we got best

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<v Speaker 4>was the best thing that could have ever happened to

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<v Speaker 4>us because we knew we were those guys. So because

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<v Speaker 4>we had a chip on our shoulder, we're like, man,

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<v Speaker 4>fuck that, like We're gonna prove to them we are

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<v Speaker 4>those guys, and the only way to prove it was

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<v Speaker 4>to attack the Internet. And because we were on our

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<v Speaker 4>ass and we couldn't drop music, we just were forced

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<v Speaker 4>to get creative.

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<v Speaker 5>Well, I want to talk about that because obviously, like

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<v Speaker 5>I'm very hip to your guys's journey with whatever's going

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<v Speaker 5>on in the background. But for people who don't know,

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<v Speaker 5>you know, a lot of people were introduced to you

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<v Speaker 5>through being.

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<v Speaker 1>Signed to Whack. Yeah, right, shot to Whack. Whack's my guy.

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<v Speaker 5>Give people kind of a breakdown because you guys are

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<v Speaker 5>currently not with Whack anymore.

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<v Speaker 4>Correct, we are not so whack. Essentially, he found us

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<v Speaker 4>when we were just an idea. We had just created Coyote,

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<v Speaker 4>like two months prior, and we shot two videos, which

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<v Speaker 4>was Viva Mexico and one that never came out, and

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<v Speaker 4>it got into Wax's hands and he's like, oh, well,

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<v Speaker 4>it got into a lot of people's hands, a lot

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<v Speaker 4>of labels, and they were all interested, but of course

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<v Speaker 4>they wanted to see logistics, what the numbers were like,

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<v Speaker 4>and they're like, well, it's just an idea, it doesn't exist.

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<v Speaker 4>Whack liked that it didn't exist, and he's like, fuck it,

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<v Speaker 4>we'll take you from the ground up. Blah blah blah.

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<v Speaker 4>So within two months of inception, we were signed to

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<v Speaker 4>Whack and we were on tour with Blue Face and

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<v Speaker 4>he put he put his money where his mouth. Us

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<v Speaker 4>put a check in our in our bank account, first

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<v Speaker 4>big check as rappers, and that's pretty tight, right yeah.

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<v Speaker 4>But then twenty twenty happened, So that was late twenty nineteen.

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<v Speaker 4>Twenty twenty happened. It started off eight we were on

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<v Speaker 4>tour with Game all over Europe, killing it, you know

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<v Speaker 4>what I'm saying, And then we come back to the

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<v Speaker 4>world being shut down, which in turn led to us

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<v Speaker 4>being benched. And then when we got benched, we kind

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<v Speaker 4>of just decided to take matters into our own hands

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<v Speaker 4>and we started moving independently even though we were signed

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<v Speaker 4>and WAC never stopped it. Soul shut out to him,

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<v Speaker 4>and then we really stepped on the gas twenty twenty two,

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<v Speaker 4>and then as of last year, it started gaining a

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<v Speaker 4>lot of momntums. So naturally he was calling because you know,

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<v Speaker 4>he put some money in our pocket, and we just

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<v Speaker 4>made it right with him. We're like, what's your number?

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<v Speaker 4>He said his number, We gave it to him, and

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<v Speaker 4>it's all up, bro, he caused the phone. I'll still

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<v Speaker 4>answer vice versa.

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<v Speaker 1>So you guys, essentially, you guys bought your contract.

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<v Speaker 3>Yeah, yeah, we pretty much brought ourselves out of our contract,

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<v Speaker 3>you know, just trying to make the business right, because

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<v Speaker 3>you know, this is a fucking just the music business.

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<v Speaker 3>So not trying to leave any bad blood or whatever.

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<v Speaker 3>But we just had to do what was right for

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<v Speaker 3>us because we were already moving independent. So it was

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<v Speaker 3>like we might as well be independent, Like why are

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<v Speaker 3>we still pigeonholding to this you know what I mean,

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<v Speaker 3>this contract? So you know what I mean, We just

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<v Speaker 3>had to make it right. We made it right, and

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<v Speaker 3>now bet on yourself exactly, bet.

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<v Speaker 4>On yourself and shout out to him because he never

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<v Speaker 4>blocked us when we were because we were releasing on

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<v Speaker 4>DSPs and all that, and he kind of let us

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<v Speaker 4>do our thing even when we were contractually.

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<v Speaker 2>On his shine.

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<v Speaker 1>He could have been like, hey, y'all ain't putting that

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<v Speaker 1>music if it in through one percent.

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<v Speaker 4>So he kept the solid. So when he named his price,

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<v Speaker 4>we kept the solid right back. And it's still all

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<v Speaker 4>ve man, but as of twenty twenty four, we've been independent.

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<v Speaker 1>Congratulations man, Thank you man, thank you man.

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<v Speaker 3>And ever since then, man, we've been moving and doing

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<v Speaker 3>cool shit. And the more shit we do, the more

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<v Speaker 3>shit happens. So like, fucking like, I'm excited to what

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<v Speaker 3>the future is going to hold for us, because man,

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<v Speaker 3>we finally got the ball rolling.

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<v Speaker 1>You know what I'm saying.

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<v Speaker 2>We're growing every fucking day for sure.

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<v Speaker 5>Give me for people who don't know, Like, obviously you

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<v Speaker 5>kind of gave us a quick You guys created the

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<v Speaker 5>group not long ago.

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<v Speaker 1>I mean it's what five years ago?

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<v Speaker 5>Yeah, about five years ago.

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<v Speaker 1>You guys were cutting hair.

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<v Speaker 4>Yeah, yeah, yeah, so we own a barbershop on Melrose.

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<v Speaker 1>You guys still got the barbershop.

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<v Speaker 5>Yeah, okay, yeah, give me the background of like, because

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<v Speaker 5>because obviously that's kind of crazy, you.

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<v Speaker 1>Know, like, let's rap.

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<v Speaker 4>Yeah yeah, so, well, we were already rapping before that.

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<v Speaker 4>We've been in many factions, you know, we've been rapping

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<v Speaker 4>for a long time.

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<v Speaker 2>Then we met Marcus.

0:09:30.920 --> 0:09:33.160
<v Speaker 4>Black I don't know if you know Black, course, Yeah,

0:09:33.280 --> 0:09:35.640
<v Speaker 4>and we met him at our Bark relationship Google.

0:09:35.920 --> 0:09:38.600
<v Speaker 3>Yeah, exactly exactly. One of the sicks in the game

0:09:38.720 --> 0:09:40.040
<v Speaker 3>for so great guy.

0:09:40.559 --> 0:09:44.800
<v Speaker 4>Pen Game's crazy games are crazy, super crazy. One of

0:09:44.880 --> 0:09:47.040
<v Speaker 4>the few people that I feel like Drake stole his

0:09:47.120 --> 0:09:48.600
<v Speaker 4>whole flow and just ran with it.

0:09:48.640 --> 0:09:50.000
<v Speaker 2>I mean a little bit.

0:09:50.000 --> 0:09:54.320
<v Speaker 4>You never heard Marcus Black before Drake, No, not before Drake.

0:09:54.400 --> 0:09:57.640
<v Speaker 4>He sounds like Drake, except.

0:09:57.559 --> 0:09:59.520
<v Speaker 1>I've heard it. I've heard him obviously, I've heard it ship,

0:09:59.640 --> 0:09:59.880
<v Speaker 1>you know.

0:09:59.880 --> 0:10:02.560
<v Speaker 4>Like, and there's some little insight that would kind of

0:10:02.600 --> 0:10:07.559
<v Speaker 4>solidify that, but whatever, I don't know, that's all hear saved, Yeah, exactly.

0:10:07.640 --> 0:10:09.760
<v Speaker 2>But but he's fucking an animal.

0:10:10.040 --> 0:10:12.040
<v Speaker 4>He's one of the few people that I take his

0:10:12.120 --> 0:10:14.480
<v Speaker 4>insight when it comes to my bars, if he feels

0:10:14.520 --> 0:10:15.360
<v Speaker 4>I could have done better.

0:10:15.840 --> 0:10:16.960
<v Speaker 2>So anyways, when he came.

0:10:16.800 --> 0:10:18.600
<v Speaker 4>To our shop, he was the first to really tell

0:10:18.679 --> 0:10:21.360
<v Speaker 4>us like, hey, you guys are dope, but you don't

0:10:21.360 --> 0:10:24.640
<v Speaker 4>have no branding. You're not you're not going hard enough.

0:10:24.679 --> 0:10:26.520
<v Speaker 4>He's like, so, you guys are just dope. But he's like,

0:10:26.559 --> 0:10:29.880
<v Speaker 4>if I would just being dope enough, And I kind

0:10:29.880 --> 0:10:31.600
<v Speaker 4>of was like, it kind of irked.

0:10:31.400 --> 0:10:32.240
<v Speaker 2>Me even at the time.

0:10:32.920 --> 0:10:34.800
<v Speaker 4>But then that's when my brother came up with the

0:10:34.840 --> 0:10:37.800
<v Speaker 4>idea of rebranding, and he came up with Coyote because

0:10:38.360 --> 0:10:39.800
<v Speaker 4>we were going through something.

0:10:40.000 --> 0:10:43.680
<v Speaker 2>I got all the genius ideas we're going through something

0:10:43.720 --> 0:10:46.439
<v Speaker 2>personally too that that just makes this guy takes credit

0:10:46.520 --> 0:10:46.960
<v Speaker 2>for him.

0:10:47.280 --> 0:10:52.000
<v Speaker 4>No, but you know what coyote is right obviously. Yeah,

0:10:52.080 --> 0:10:57.439
<v Speaker 4>And at the time our pops was deported and Marcus

0:10:57.520 --> 0:11:00.320
<v Speaker 4>was like, everything I gotta do should be subtly, like

0:11:00.559 --> 0:11:02.959
<v Speaker 4>with what's going on in your life with like y'all Mexican,

0:11:03.040 --> 0:11:06.320
<v Speaker 4>that's really all superpower. He's like, so everything down to

0:11:06.360 --> 0:11:09.520
<v Speaker 4>your names should be even if it's subtle, it should

0:11:09.559 --> 0:11:11.880
<v Speaker 4>be kind of all time in together for trying to

0:11:11.880 --> 0:11:13.479
<v Speaker 4>put it put your culture.

0:11:13.120 --> 0:11:14.440
<v Speaker 2>On our back.

0:11:14.960 --> 0:11:15.640
<v Speaker 1>Is your dad back?

0:11:16.120 --> 0:11:17.079
<v Speaker 2>Huh No?

0:11:17.080 --> 0:11:17.760
<v Speaker 1>No, damn.

0:11:18.640 --> 0:11:21.600
<v Speaker 3>Where in Mexico's living. He's in TJ. So he stays close,

0:11:21.640 --> 0:11:22.920
<v Speaker 3>you know what I'm saying. So we could go over

0:11:22.960 --> 0:11:24.800
<v Speaker 3>there and go back and forth taking lunch.

0:11:25.480 --> 0:11:29.320
<v Speaker 1>Was at the Dennis last week. I was I had

0:11:29.360 --> 0:11:32.280
<v Speaker 1>to get my crown reattached. Did you ever go to

0:11:32.320 --> 0:11:36.040
<v Speaker 1>Lionfish and TJ? I don't know the restaurant in the world.

0:11:36.559 --> 0:11:41.320
<v Speaker 1>It's like, uh seafood, oh my god, yeah, busting for sure.

0:11:41.480 --> 0:11:45.560
<v Speaker 2>The tackles by his house, all the tagos are fire

0:11:45.600 --> 0:11:46.000
<v Speaker 2>out there.

0:11:46.840 --> 0:11:48.719
<v Speaker 5>So so he's still in TJ. So he's not far

0:11:48.840 --> 0:11:51.079
<v Speaker 5>so you know, it's not like at least that's good.

0:11:51.440 --> 0:11:52.520
<v Speaker 5>How often you guys go back.

0:11:52.440 --> 0:11:54.280
<v Speaker 2>And see him pretty often?

0:11:54.320 --> 0:11:56.240
<v Speaker 1>Now? Yeah? Pretty often?

0:11:56.320 --> 0:12:00.080
<v Speaker 3>Probably like ship every day?

0:12:02.840 --> 0:12:06.000
<v Speaker 1>Yeah, I don't know every day we see him every day?

0:12:07.720 --> 0:12:11.120
<v Speaker 4>Oh yeah Chinese fluid, So Chinese food is great over there.

0:12:11.240 --> 0:12:12.720
<v Speaker 2>But yeah, shout out to my pops.

0:12:12.760 --> 0:12:13.000
<v Speaker 1>Man.

0:12:13.600 --> 0:12:16.200
<v Speaker 4>He he don't even know he was the inspiration for

0:12:16.240 --> 0:12:19.480
<v Speaker 4>the name, and he used to hate that we rapped,

0:12:19.520 --> 0:12:20.880
<v Speaker 4>but he's starting to get it.

0:12:21.080 --> 0:12:23.320
<v Speaker 1>Are you, like, do you like show him ship? Like, Dad, Look,

0:12:23.360 --> 0:12:24.400
<v Speaker 1>we have a song with Shaq.

0:12:25.040 --> 0:12:30.199
<v Speaker 5>Yeah, I mean, like everybody knows who Shack is, Like.

0:12:28.800 --> 0:12:31.199
<v Speaker 3>Like, I mean, I feel like a lot of our

0:12:31.240 --> 0:12:34.040
<v Speaker 3>family members were like, damn, what the fuck Shaquille Neil,

0:12:34.440 --> 0:12:37.040
<v Speaker 3>this is really possible, Like y'a already doing this ship

0:12:37.120 --> 0:12:40.560
<v Speaker 3>And we even have cousins that were artists and stuff,

0:12:40.600 --> 0:12:43.840
<v Speaker 3>and like we're inspiring them to like get back into it,

0:12:44.040 --> 0:12:46.200
<v Speaker 3>which is kind of cool to watch, you know, but

0:12:46.240 --> 0:12:48.640
<v Speaker 3>it's like, you don't want to do this, man, get

0:12:48.640 --> 0:12:49.400
<v Speaker 3>the fuck out of here.

0:12:50.320 --> 0:12:51.559
<v Speaker 1>It looks better than what it.

0:12:51.520 --> 0:12:55.080
<v Speaker 4>Really is, but it looks better than the feelds we've

0:12:55.200 --> 0:12:56.000
<v Speaker 4>inspired My dad.

0:12:56.040 --> 0:12:59.000
<v Speaker 2>Did you see the Poto video? So he was the

0:12:59.000 --> 0:13:00.000
<v Speaker 2>one with Mario Lopez.

0:13:00.280 --> 0:13:02.959
<v Speaker 3>Yeah, we had yeah, yeah, we had his song playing

0:13:03.000 --> 0:13:05.720
<v Speaker 3>in the beginning, and then we did a real, real

0:13:05.800 --> 0:13:07.920
<v Speaker 3>form the real ship that we do. We had him

0:13:07.920 --> 0:13:10.080
<v Speaker 3>playing the guitar, singing a song that he did in

0:13:10.160 --> 0:13:13.840
<v Speaker 3>one take, which was pretty fucking impressive, and we just, uh,

0:13:14.160 --> 0:13:16.480
<v Speaker 3>he was singing in front of a campfire with his

0:13:16.520 --> 0:13:19.840
<v Speaker 3>guitar and we're just chilling to promote that bultchoal rollout

0:13:20.400 --> 0:13:21.120
<v Speaker 3>and it.

0:13:21.200 --> 0:13:22.199
<v Speaker 1>Came out pretty fire.

0:13:22.559 --> 0:13:24.640
<v Speaker 3>And then once we posted it, he seen he got

0:13:24.679 --> 0:13:26.480
<v Speaker 3>like fifteen hundred likes or something like that.

0:13:26.840 --> 0:13:27.199
<v Speaker 1>He was.

0:13:28.720 --> 0:13:31.120
<v Speaker 3>He was like, he's like, he was like, wait till

0:13:31.120 --> 0:13:33.079
<v Speaker 3>I give him that next one. And I'm like, what,

0:13:33.280 --> 0:13:34.160
<v Speaker 3>ain't no next one?

0:13:34.360 --> 0:13:36.080
<v Speaker 1>Get here? Start your own page.

0:13:36.880 --> 0:13:38.760
<v Speaker 2>But that's gonna be the altro to our album. Is

0:13:38.760 --> 0:13:39.400
<v Speaker 2>my dad's song.

0:13:39.640 --> 0:13:40.319
<v Speaker 1>Oh that's fire.

0:13:40.960 --> 0:13:42.960
<v Speaker 4>So he did that one take, bro, because I wanted

0:13:43.000 --> 0:13:47.160
<v Speaker 4>him to sing them I'm throwing it on netas, but.

0:13:47.160 --> 0:13:48.079
<v Speaker 1>He couldn't get it.

0:13:48.200 --> 0:13:50.080
<v Speaker 4>And then I was like, I was like, bro, just

0:13:50.120 --> 0:13:52.040
<v Speaker 4>give me a song, you know, like the back of

0:13:52.080 --> 0:13:55.040
<v Speaker 4>your hand, right, And I just pressed record one, took

0:13:55.120 --> 0:13:57.000
<v Speaker 4>it and you could hear it at the end of

0:13:57.040 --> 0:13:59.120
<v Speaker 4>the recording and I'm like, that's the one. That's the one,

0:13:59.120 --> 0:14:01.800
<v Speaker 4>and I just stopped it. He killed it, So it's

0:14:01.800 --> 0:14:03.480
<v Speaker 4>gonna be we might have him on all of our

0:14:03.480 --> 0:14:05.400
<v Speaker 4>album as trust Fire.

0:14:05.960 --> 0:14:08.920
<v Speaker 1>I love the video because you guys have like Concrete.

0:14:08.960 --> 0:14:10.160
<v Speaker 1>Kemp Flores was in here.

0:14:10.400 --> 0:14:12.000
<v Speaker 2>Just trying to incorporate the culture. Man.

0:14:12.040 --> 0:14:12.199
<v Speaker 1>Bro.

0:14:12.480 --> 0:14:14.040
<v Speaker 5>By the way, I think Concrete is one of the

0:14:14.040 --> 0:14:17.280
<v Speaker 5>most ridiculously hilarious human being.

0:14:16.960 --> 0:14:19.040
<v Speaker 3>That fucking you don't even you don't even got to

0:14:19.160 --> 0:14:22.160
<v Speaker 3>like say anything like this motherfucker just makes facial.

0:14:21.800 --> 0:14:25.440
<v Speaker 5>Express skis have gotten over the years. And then I

0:14:25.520 --> 0:14:27.600
<v Speaker 5>just saw I never seen him do stand up. I

0:14:27.640 --> 0:14:29.240
<v Speaker 5>know he's been blowing up doing stand up. He's not

0:14:29.280 --> 0:14:31.600
<v Speaker 5>doing him for a while. And I saw him the

0:14:31.640 --> 0:14:34.640
<v Speaker 5>other night at the Haha Club in North Hollywood, and

0:14:34.680 --> 0:14:37.360
<v Speaker 5>this motherfucker had me leaking out of my face, but

0:14:37.680 --> 0:14:38.520
<v Speaker 5>I was dead.

0:14:38.640 --> 0:14:42.680
<v Speaker 4>Bro, future Goat go or future Legend. He's already he's

0:14:42.680 --> 0:14:43.000
<v Speaker 4>gonna do.

0:14:43.160 --> 0:14:44.960
<v Speaker 1>He gotta do movies, bro, like he got to write.

0:14:45.760 --> 0:14:48.640
<v Speaker 3>He's a good actor. We had Kemp Floors on there too.

0:14:48.720 --> 0:14:49.760
<v Speaker 3>He's fucking.

0:14:51.120 --> 0:14:53.360
<v Speaker 1>To stand up. Yeah, just he's gonna be on the

0:14:53.360 --> 0:14:53.960
<v Speaker 1>podcast soon.

0:14:54.360 --> 0:14:58.480
<v Speaker 4>I saw you saw he's funny as we're supposed to

0:14:58.520 --> 0:15:00.000
<v Speaker 4>have him on the video too. With that fool got

0:15:00.080 --> 0:15:03.640
<v Speaker 4>to Hollywood is blowing up now He's like, man, I

0:15:03.720 --> 0:15:04.640
<v Speaker 4>go through my agent.

0:15:05.280 --> 0:15:12.360
<v Speaker 1>Really, he just couldn't made Mario Lopez. By the way,

0:15:12.360 --> 0:15:12.840
<v Speaker 1>what happened?

0:15:12.840 --> 0:15:12.920
<v Speaker 2>Man?

0:15:13.360 --> 0:15:16.320
<v Speaker 3>Just internet fan of a fan. That's what it is, man,

0:15:16.360 --> 0:15:17.000
<v Speaker 3>the Internet.

0:15:17.120 --> 0:15:17.320
<v Speaker 1>Man.

0:15:17.920 --> 0:15:20.320
<v Speaker 3>Like I said earlier, Man, you do cool ship and

0:15:20.360 --> 0:15:23.800
<v Speaker 3>more cool shit fucking happens. And for motherfuckers like me

0:15:23.840 --> 0:15:26.360
<v Speaker 3>and my bro, you know what I'm saying. First generation

0:15:26.480 --> 0:15:29.920
<v Speaker 3>Mexican American Mario Lopez was like one of the first

0:15:29.920 --> 0:15:31.640
<v Speaker 3>guys that we seen, like say, by the bet, I

0:15:31.640 --> 0:15:33.160
<v Speaker 3>didn't even know he was Mexican. At first, I thought

0:15:33.160 --> 0:15:34.240
<v Speaker 3>he was like agent or something.

0:15:34.440 --> 0:15:35.000
<v Speaker 1>But then when.

0:15:34.920 --> 0:15:38.120
<v Speaker 3>I found out he was fucking Mexican, all that's pretty cool.

0:15:38.240 --> 0:15:41.359
<v Speaker 3>Like we have a space here, you know, in Hollywood

0:15:41.720 --> 0:15:42.760
<v Speaker 3>type ship, and.

0:15:42.640 --> 0:15:45.000
<v Speaker 4>He wrapped us the right way, like motherfucker. You know,

0:15:45.120 --> 0:15:46.880
<v Speaker 4>always kept making sure he looked good.

0:15:48.400 --> 0:15:49.000
<v Speaker 1>You look good.

0:15:49.080 --> 0:15:53.800
<v Speaker 3>Were usually portrayed as fat, fat ass taco eating motherfucker,

0:15:53.840 --> 0:15:56.000
<v Speaker 3>and he was like looking good and ship. I don't

0:15:56.040 --> 0:15:59.720
<v Speaker 3>know what he'd be doing, bro, motherfucker, don't eat no sugar.

0:16:00.000 --> 0:16:00.960
<v Speaker 1>Since I was a kid.

0:16:01.160 --> 0:16:04.760
<v Speaker 4>He was like one of the first proper representations of latinos.

0:16:05.160 --> 0:16:07.280
<v Speaker 4>So when he reached out to us, like we weren't

0:16:07.320 --> 0:16:09.880
<v Speaker 4>just gonna let it be like oh, he gave us props.

0:16:09.880 --> 0:16:12.680
<v Speaker 4>Oh this is cool. So we immediately are our head

0:16:12.720 --> 0:16:14.200
<v Speaker 4>starts rolling like all right, how.

0:16:14.120 --> 0:16:17.640
<v Speaker 3>Can we and DMUs like, man, you guys are fucking badass.

0:16:17.680 --> 0:16:19.720
<v Speaker 3>I love what you guys are doing. And we're already

0:16:19.760 --> 0:16:22.480
<v Speaker 3>thinking like, oh you think we're badass, we'll come out

0:16:22.480 --> 0:16:23.040
<v Speaker 3>to a video.

0:16:23.160 --> 0:16:23.280
<v Speaker 1>Then.

0:16:23.520 --> 0:16:28.400
<v Speaker 4>Yeah, it was like a serious production produced by us too.

0:16:28.520 --> 0:16:30.720
<v Speaker 2>Shout out to Marmos and Yody Productions.

0:16:30.880 --> 0:16:33.440
<v Speaker 1>Are you guys directing all your own ship? Co direct? Yeah?

0:16:33.520 --> 0:16:35.040
<v Speaker 2>Co directing? Damn here you know you.

0:16:35.000 --> 0:16:37.840
<v Speaker 1>Guys got this videos out right now? Yeah you know

0:16:37.880 --> 0:16:38.400
<v Speaker 1>what I'm saying.

0:16:38.480 --> 0:16:40.800
<v Speaker 3>Yeah, first man, Yeah, we just all get together and

0:16:40.880 --> 0:16:42.440
<v Speaker 3>just kind of just start throwing things at the wall,

0:16:42.480 --> 0:16:45.000
<v Speaker 3>spitball in and then like whenever we picked something up,

0:16:45.040 --> 0:16:47.600
<v Speaker 3>we just start running with it and just start treading

0:16:47.840 --> 0:16:48.920
<v Speaker 3>idea his back, and so.

0:16:48.880 --> 0:16:50.400
<v Speaker 2>We pretty much pitch it tomorrow.

0:16:50.560 --> 0:16:52.560
<v Speaker 4>We didn't even have a song yet, bro, but we're

0:16:52.680 --> 0:16:56.560
<v Speaker 4>just like, yo, we got this idea, which was that

0:16:56.640 --> 0:17:00.680
<v Speaker 4>Western idea I sent them the Desperado You ever seen

0:17:00.720 --> 0:17:04.000
<v Speaker 4>that esproto of course when Steve he's at the bar

0:17:04.080 --> 0:17:07.800
<v Speaker 4>and he sang, fucking course the biggest Mexican I ever seen, bro.

0:17:07.920 --> 0:17:10.639
<v Speaker 4>And then we then we incorporated the Selena's dad in

0:17:10.680 --> 0:17:13.640
<v Speaker 4>the movie. So I pretty much pitched him the whole

0:17:13.800 --> 0:17:16.960
<v Speaker 4>fucking bit. It took him like three weeks to respond,

0:17:17.080 --> 0:17:19.600
<v Speaker 4>but once she responded, he's like, man, I'm fucking in.

0:17:19.920 --> 0:17:22.280
<v Speaker 4>And what we do with those type of guys him Shack,

0:17:22.480 --> 0:17:24.680
<v Speaker 4>We pretty much structure the whole shoot around them.

0:17:25.119 --> 0:17:28.880
<v Speaker 1>You kind of have to their availabilities. Whenever you're available,

0:17:28.880 --> 0:17:30.240
<v Speaker 1>we'll make it work. Yeah.

0:17:30.040 --> 0:17:31.800
<v Speaker 3>Yeah, he has to do that with me too, Like

0:17:31.920 --> 0:17:33.960
<v Speaker 3>he has to like structure it around me because I'll

0:17:34.000 --> 0:17:35.240
<v Speaker 3>be like, yeah, Shack.

0:17:36.000 --> 0:17:38.080
<v Speaker 4>I just tell this motherfucker where to be. But I'm like,

0:17:38.119 --> 0:17:40.520
<v Speaker 4>this motherfucker's fucking day to day too, Dawn there.

0:17:40.720 --> 0:17:44.840
<v Speaker 2>Yeah.

0:17:44.960 --> 0:17:46.560
<v Speaker 1>Yeah, man, he gave us a date.

0:17:46.520 --> 0:17:48.600
<v Speaker 4>And then boom, now we're like said, now we need

0:17:48.640 --> 0:17:50.240
<v Speaker 4>a song because we didn't have a song. We made

0:17:50.240 --> 0:17:53.240
<v Speaker 4>this song like a week or two before we were

0:17:53.280 --> 0:17:54.800
<v Speaker 4>already shooting the video.

0:17:55.600 --> 0:17:58.720
<v Speaker 1>Wow. So so that song was recorded after you knew

0:17:58.800 --> 0:17:59.639
<v Speaker 1>he was down to this.

0:18:00.520 --> 0:18:03.680
<v Speaker 4>We had two potential songs, but we both He wasn't

0:18:03.680 --> 0:18:05.640
<v Speaker 4>sold on one and I wasn't sold on the other.

0:18:06.160 --> 0:18:07.800
<v Speaker 2>So then I was like, A, then we got to

0:18:07.840 --> 0:18:08.480
<v Speaker 2>make something else.

0:18:08.560 --> 0:18:11.320
<v Speaker 4>And then last minute we got Magic on it, MC

0:18:11.480 --> 0:18:14.040
<v Speaker 4>Magic on it, and then you know, we got the

0:18:14.080 --> 0:18:18.240
<v Speaker 4>whole cast legend, the legend shout up, where are you from?

0:18:18.240 --> 0:18:18.600
<v Speaker 1>Phoenix?

0:18:18.680 --> 0:18:19.040
<v Speaker 2>Phoenix?

0:18:19.119 --> 0:18:21.280
<v Speaker 1>Right there? It is, Yes, my bro, I notice sounds

0:18:21.280 --> 0:18:22.359
<v Speaker 1>a kid there.

0:18:22.400 --> 0:18:24.760
<v Speaker 3>Were going to tap in with Magic tomorrow. We're flying

0:18:24.760 --> 0:18:28.560
<v Speaker 3>out the Houston. We're going on the video there headsweek.

0:18:28.960 --> 0:18:30.879
<v Speaker 4>We going to Houston tomorrow to shoot a song with

0:18:30.960 --> 0:18:33.879
<v Speaker 4>Mexican O t N, MC Magic and the Yodis. So

0:18:34.480 --> 0:18:36.440
<v Speaker 4>we're just tomorrow tomorrow.

0:18:36.560 --> 0:18:38.919
<v Speaker 5>Yeah, ship, I just got invited by OT's dad to

0:18:38.920 --> 0:18:40.520
<v Speaker 5>go back out there to shoot hogs this week.

0:18:40.800 --> 0:18:42.600
<v Speaker 2>This week when pull up tomorrow.

0:18:42.960 --> 0:18:44.439
<v Speaker 5>I got a fucking interview. I got a money back

0:18:44.520 --> 0:18:48.520
<v Speaker 5>yo interview on fucking Wednesday. That's tomorrow, tomorrow, Wednesday.

0:18:48.720 --> 0:18:52.320
<v Speaker 2>Yeah, how many days you out there just in and out?

0:18:52.440 --> 0:18:52.920
<v Speaker 2>No man?

0:18:53.240 --> 0:18:57.240
<v Speaker 4>Magic literally hit us up yesterday midday and I was like, damn,

0:18:57.480 --> 0:19:00.159
<v Speaker 4>like we I mean, it's terrible timing, but yes, like

0:19:00.280 --> 0:19:01.840
<v Speaker 4>fuck it will be there you know what I'm saying.

0:19:02.200 --> 0:19:04.920
<v Speaker 4>So we're gonna be up there some more legendary ship.

0:19:05.000 --> 0:19:06.520
<v Speaker 4>We got that be Real ship. I don't know when

0:19:06.520 --> 0:19:07.640
<v Speaker 4>this is gonna drop, but I.

0:19:07.560 --> 0:19:10.960
<v Speaker 1>Saw the be Real uh trailer look sick.

0:19:11.000 --> 0:19:14.399
<v Speaker 4>You video is awesome. Shout out to be Real man, Like,

0:19:14.440 --> 0:19:16.840
<v Speaker 4>We're just it's crazy. We're in this space now where

0:19:16.840 --> 0:19:19.439
<v Speaker 4>we're kind of like rubbing shoulders with people that we

0:19:19.520 --> 0:19:23.200
<v Speaker 4>grew up admiring and they have a similar admiration to us,

0:19:23.240 --> 0:19:27.080
<v Speaker 4>and it's kind of like, uh, hard to grab some time.

0:19:27.320 --> 0:19:29.840
<v Speaker 5>What I think like too, is like you know, like, uh,

0:19:30.200 --> 0:19:32.720
<v Speaker 5>I don't like the I've never liked like when you

0:19:32.880 --> 0:19:35.920
<v Speaker 5>just box people in on their race, like when people

0:19:35.960 --> 0:19:39.400
<v Speaker 5>say like, yo, you're a dope Mexican rapper. Like someone

0:19:39.480 --> 0:19:43.040
<v Speaker 5>asked me, uh, I did a podcast yesterday and they were.

0:19:42.920 --> 0:19:46.400
<v Speaker 1>Just like, who's Like, who's the dope rapper from LA?

0:19:47.240 --> 0:19:49.440
<v Speaker 5>I mentioned you guys, I think I met, I mentioned

0:19:50.040 --> 0:19:52.840
<v Speaker 5>I mentioned Ruccie, but I was like, I like Lefty,

0:19:52.960 --> 0:19:55.520
<v Speaker 5>you know he's entertaining, but I wasn't like for a

0:19:55.560 --> 0:19:58.000
<v Speaker 5>Mexican guy, you know what I'm saying, Like yeah, and

0:19:58.040 --> 0:20:01.480
<v Speaker 5>I feel like, you know you guys as our MC's

0:20:02.240 --> 0:20:03.919
<v Speaker 5>happened to be Mexican, and I kind of look at

0:20:03.960 --> 0:20:05.600
<v Speaker 5>like OT that way, and I look at like super

0:20:05.640 --> 0:20:09.560
<v Speaker 5>guys that way, and it's like, I feel like the

0:20:09.560 --> 0:20:15.280
<v Speaker 5>the narrative of Mexican mcs being like boxed in or

0:20:15.400 --> 0:20:17.919
<v Speaker 5>like type cast it into like a sohol year.

0:20:18.000 --> 0:20:20.680
<v Speaker 1>Yeah you can go do lowrider shows you. I feel

0:20:20.680 --> 0:20:23.640
<v Speaker 1>like that ships like starting to finally like got away. Man.

0:20:23.880 --> 0:20:26.320
<v Speaker 2>It is because we got the numbers in this country.

0:20:26.400 --> 0:20:29.760
<v Speaker 2>It's the biggest minority in the country, and we're actually

0:20:29.800 --> 0:20:32.240
<v Speaker 2>now getting to the point where we can box with

0:20:32.720 --> 0:20:34.520
<v Speaker 2>whoever you put us in the ring with, you know

0:20:34.520 --> 0:20:35.000
<v Speaker 2>what I'm saying.

0:20:35.040 --> 0:20:36.919
<v Speaker 4>So not all of us, but a lot of us.

0:20:37.000 --> 0:20:39.240
<v Speaker 4>And I think Mexican OT is one of them. Like

0:20:39.280 --> 0:20:40.760
<v Speaker 4>you put them on a song with anyone, he could

0:20:40.800 --> 0:20:43.160
<v Speaker 4>probably box or hang. I think me and my brother

0:20:43.240 --> 0:20:46.159
<v Speaker 4>are up there, you guys, dough Man, I think is

0:20:46.240 --> 0:20:46.560
<v Speaker 4>up there?

0:20:46.760 --> 0:20:51.280
<v Speaker 1>Man is crazy? Oh god, he's yeah, she's fired.

0:20:51.840 --> 0:20:54.320
<v Speaker 3>You know what really fucking irks me though, When motherfuckers

0:20:54.320 --> 0:20:57.320
<v Speaker 3>be like, oh, this is the Mexican YG or this

0:20:57.359 --> 0:21:00.920
<v Speaker 3>is the Mexican Kendrick and Jcob, It's like, man, what

0:21:00.960 --> 0:21:01.399
<v Speaker 3>the fuck?

0:21:01.440 --> 0:21:03.600
<v Speaker 2>That just sounds retarded, Bro, I don't hear you know what.

0:21:03.760 --> 0:21:05.199
<v Speaker 1>You know what, you never heard anybody saying that kind

0:21:05.200 --> 0:21:06.080
<v Speaker 1>of shit about cypers.

0:21:05.920 --> 0:21:08.719
<v Speaker 2>Hill exactly exactly.

0:21:08.359 --> 0:21:10.560
<v Speaker 3>Right, because everybody try to make a post about me

0:21:10.600 --> 0:21:13.520
<v Speaker 3>and my bro saying we're the Mexican fucking Kendrick and

0:21:13.600 --> 0:21:15.880
<v Speaker 3>j Cole, which is way out of line. I think,

0:21:15.960 --> 0:21:18.520
<v Speaker 3>like we got our own style, you know what I'm saying.

0:21:18.840 --> 0:21:21.440
<v Speaker 3>And I was just like, what the fuck that's fucking weird, Yeah,

0:21:21.680 --> 0:21:23.200
<v Speaker 3>fucking super lame.

0:21:23.440 --> 0:21:24.879
<v Speaker 5>What's like almost like what you guys said about the

0:21:24.920 --> 0:21:28.040
<v Speaker 5>pitopull thing. It's like you guys, your guys's goals a

0:21:28.040 --> 0:21:28.520
<v Speaker 5>lot bigger.

0:21:28.560 --> 0:21:30.760
<v Speaker 4>We're up there for sure, and people, I think that's

0:21:30.760 --> 0:21:36.520
<v Speaker 4>why it's taking us longer to get there because people,

0:21:36.760 --> 0:21:39.120
<v Speaker 4>I don't know, man, in La, you see what's going on, bro,

0:21:39.280 --> 0:21:42.240
<v Speaker 4>Like besides the people that are already huge, like Tyler

0:21:42.320 --> 0:21:45.240
<v Speaker 4>and all the TV guys, no one in our realm

0:21:45.320 --> 0:21:48.639
<v Speaker 4>of success or fame or a little above or below

0:21:49.040 --> 0:21:52.520
<v Speaker 4>it's doing creative stuff like us, Bro. Not nobody like

0:21:52.600 --> 0:21:53.880
<v Speaker 4>point them out, brocause I.

0:21:53.840 --> 0:21:55.080
<v Speaker 2>Don't see it, you know what I'm saying.

0:21:55.119 --> 0:22:00.800
<v Speaker 4>And sometimes in Las it takes longer because they're used

0:22:00.800 --> 0:22:03.160
<v Speaker 4>to seeing the same ship and the same ship.

0:22:03.119 --> 0:22:05.160
<v Speaker 1>Works and it's the same the same ship.

0:22:05.280 --> 0:22:07.280
<v Speaker 5>Like that's the thing is, like, you know, you guys

0:22:07.320 --> 0:22:09.560
<v Speaker 5>aren't doing like running gun hip hop videos. You guys

0:22:09.560 --> 0:22:12.920
<v Speaker 5>are doing like really well thought out, like yeah, fucking

0:22:13.400 --> 0:22:14.200
<v Speaker 5>movies I did.

0:22:14.359 --> 0:22:17.719
<v Speaker 1>Like, are you guys working with one person that shoots

0:22:17.800 --> 0:22:19.080
<v Speaker 1>this stuff tomorrow?

0:22:19.200 --> 0:22:21.119
<v Speaker 3>He's been doing our stuff as of lately, but we

0:22:21.160 --> 0:22:22.919
<v Speaker 3>gotta we got a couple of dudes we like to

0:22:22.920 --> 0:22:23.359
<v Speaker 3>fuck with.

0:22:23.520 --> 0:22:26.199
<v Speaker 1>You know. The visions all feel very like similar to.

0:22:26.280 --> 0:22:27.000
<v Speaker 2>Yeah, very similar.

0:22:27.080 --> 0:22:29.640
<v Speaker 3>Yeah, yeah, the ones we've been posting lately, Yes, all

0:22:30.080 --> 0:22:33.000
<v Speaker 3>working with Marmo Smatmo Films and the DP.

0:22:33.160 --> 0:22:36.159
<v Speaker 4>He has a super dope to Caesar, shout out to Caesar.

0:22:36.480 --> 0:22:39.760
<v Speaker 4>We got a good thing going, man, where they see

0:22:39.760 --> 0:22:42.320
<v Speaker 4>our visions and they're able to elevate them and add

0:22:42.359 --> 0:22:45.640
<v Speaker 4>their own vision. And sometimes most times we co direct,

0:22:45.680 --> 0:22:48.880
<v Speaker 4>but the last one to be real one and even

0:22:48.920 --> 0:22:51.479
<v Speaker 4>the Devil one, we kind of step back on that

0:22:51.520 --> 0:22:54.080
<v Speaker 4>one and kind of just let them do it because

0:22:54.119 --> 0:22:56.880
<v Speaker 4>typically we're so hands on where we probably get annoying

0:22:57.160 --> 0:22:59.920
<v Speaker 4>because we're like just like but then when we step

0:23:00.040 --> 0:23:02.639
<v Speaker 4>back sometimes we're like we should have stepped in more.

0:23:04.000 --> 0:23:05.400
<v Speaker 1>Yeah, this last one is coming out.

0:23:05.440 --> 0:23:07.919
<v Speaker 3>I was kind of fucking pissed off about it, but

0:23:08.320 --> 0:23:10.760
<v Speaker 3>it's gonna be cool still. At the end of the day,

0:23:10.760 --> 0:23:14.919
<v Speaker 3>it's just my own nitpicking and I'm my worst critic,

0:23:14.960 --> 0:23:17.280
<v Speaker 3>you know what I mean. So whenever I see space

0:23:17.280 --> 0:23:20.640
<v Speaker 3>for improvement, I'm gonna fucking be vocal about it and say, nah,

0:23:21.000 --> 0:23:23.639
<v Speaker 3>you fucking should have fucking listened to me, jackass, when

0:23:23.680 --> 0:23:26.560
<v Speaker 3>I told you this about fucking film this goddamnit, say that.

0:23:26.560 --> 0:23:27.439
<v Speaker 2>No one's gonna know.

0:23:27.680 --> 0:23:31.760
<v Speaker 4>But you know, but because when we see our contemporaries,

0:23:31.760 --> 0:23:33.080
<v Speaker 4>a lot of people like you said one of the

0:23:33.080 --> 0:23:35.960
<v Speaker 4>boxers in with the Mexicans, right, which I'll take it, bro,

0:23:36.119 --> 0:23:38.560
<v Speaker 4>Like I fuck with the doat Mexican movement going on.

0:23:39.040 --> 0:23:42.640
<v Speaker 4>I love it, and you know, we're not the head

0:23:42.640 --> 0:23:45.160
<v Speaker 4>of the spirit, but we're on the way. But our

0:23:45.200 --> 0:23:51.400
<v Speaker 4>contemporaries to me is like Kendrick lamar Uh Tyler the creator.

0:23:51.240 --> 0:23:53.640
<v Speaker 1>Right Creatively, that's that's the bar you're trying.

0:23:53.400 --> 0:23:57.359
<v Speaker 4>To So we have a conversation with ourselves where it's like, Okay,

0:23:57.880 --> 0:24:01.760
<v Speaker 4>if this is how we view ourselves, we have to

0:24:01.760 --> 0:24:04.760
<v Speaker 4>present it as such, you know, what I'm saying, So, uh,

0:24:04.920 --> 0:24:06.520
<v Speaker 4>you know, we're making bread off music.

0:24:06.840 --> 0:24:08.440
<v Speaker 2>It comes to the point so and you.

0:24:08.359 --> 0:24:10.359
<v Speaker 1>Guys are obviously reinvesting because these videos are.

0:24:10.320 --> 0:24:11.800
<v Speaker 2>Back cheap man. You know what I'm saying.

0:24:11.840 --> 0:24:13.919
<v Speaker 4>Motherfuckers go by bust downs and we know we like

0:24:13.960 --> 0:24:15.440
<v Speaker 4>to look flying. We got our shit, you know what

0:24:15.440 --> 0:24:17.679
<v Speaker 4>I'm saying, But we're reinvesting it in the in the

0:24:17.720 --> 0:24:21.480
<v Speaker 4>product because we got to separate ourselves from the bunch,

0:24:21.560 --> 0:24:23.720
<v Speaker 4>because they try to put us in with the bunch,

0:24:23.920 --> 0:24:24.560
<v Speaker 4>but most.

0:24:24.320 --> 0:24:27.080
<v Speaker 5>People would skim on the video and then go buy

0:24:27.080 --> 0:24:29.520
<v Speaker 5>a fucking exactly a Gucci belt or something.

0:24:29.560 --> 0:24:31.480
<v Speaker 4>We're doing the opposite, and we still got enough to

0:24:31.520 --> 0:24:33.800
<v Speaker 4>look fly, you know what I'm saying. Right, and we

0:24:33.800 --> 0:24:35.440
<v Speaker 4>were the bustdowns are on the way, you know what

0:24:35.440 --> 0:24:37.000
<v Speaker 4>I'm saying. We just met up with a dealer and

0:24:37.000 --> 0:24:40.560
<v Speaker 4>all that. But for us, it's more like the art

0:24:40.640 --> 0:24:41.280
<v Speaker 4>comes first.

0:24:41.280 --> 0:24:44.040
<v Speaker 3>But when I look at these fucking receipts sometimes I'm like,

0:24:44.200 --> 0:24:46.399
<v Speaker 3>Namn Man should have just pulled up in front of

0:24:46.400 --> 0:24:48.920
<v Speaker 3>a fly as Web with some bitches and just did that,

0:24:48.960 --> 0:24:52.720
<v Speaker 3>because god damn, you gotta spend this on that and that,

0:24:52.920 --> 0:24:56.280
<v Speaker 3>because the fucking the tab on the clothes and the

0:24:56.359 --> 0:24:58.160
<v Speaker 3>gear and all that also adds up, you know.

0:24:58.119 --> 0:25:01.040
<v Speaker 5>Well how much Like because you guys, there's a few

0:25:01.040 --> 0:25:04.680
<v Speaker 5>western towns you could get around around l A. That's

0:25:04.720 --> 0:25:06.200
<v Speaker 5>not cheap cheap.

0:25:06.119 --> 0:25:06.560
<v Speaker 2>That's all.

0:25:06.840 --> 0:25:10.320
<v Speaker 1>Yeah, put that ship for two days. You've got a

0:25:10.320 --> 0:25:13.280
<v Speaker 1>minimum time, Yeah, especially people you two days.

0:25:13.359 --> 0:25:16.560
<v Speaker 4>Yeah, just to do the math some motherfuckers out here,

0:25:16.600 --> 0:25:19.520
<v Speaker 4>you know what I'm saying, Like, Uh, we don't.

0:25:19.560 --> 0:25:22.320
<v Speaker 2>We don't take this ship lightly. Bro. We spent bag

0:25:22.440 --> 0:25:23.840
<v Speaker 2>six figures on videos.

0:25:23.840 --> 0:25:24.000
<v Speaker 1>Bro.

0:25:24.080 --> 0:25:26.800
<v Speaker 2>It's like like we changed the way we see this ship.

0:25:26.880 --> 0:25:29.560
<v Speaker 3>Like like it's like, what could you do for this

0:25:30.200 --> 0:25:32.080
<v Speaker 3>for hip hop or or whatever it is? You know,

0:25:32.160 --> 0:25:33.679
<v Speaker 3>what can we do for it instead of what it

0:25:33.720 --> 0:25:34.440
<v Speaker 3>could do for us?

0:25:34.520 --> 0:25:35.240
<v Speaker 1>Like you know what I'm saying.

0:25:35.280 --> 0:25:38.000
<v Speaker 3>So we're trying to give it something great, wow, and

0:25:38.040 --> 0:25:40.000
<v Speaker 3>in return that could give us something you know what

0:25:40.000 --> 0:25:42.480
<v Speaker 3>I'm saying. We're just trying to track, trying to switch

0:25:42.520 --> 0:25:44.320
<v Speaker 3>the way we were thinking because we used to wrap

0:25:44.440 --> 0:25:46.960
<v Speaker 3>like to get the money, the fame and all that.

0:25:47.240 --> 0:25:49.640
<v Speaker 3>Now it's like, nah, let's do something fucking good. Let's

0:25:49.640 --> 0:25:52.360
<v Speaker 3>give it back to the Yeah, that's what we're trying to.

0:25:52.640 --> 0:25:55.600
<v Speaker 4>Eat because we want the culture to not only we

0:25:55.640 --> 0:25:59.240
<v Speaker 4>want the culture is starting to respect our pen game.

0:25:59.359 --> 0:26:02.399
<v Speaker 4>And we said our contemporaries like and all these people

0:26:02.400 --> 0:26:05.920
<v Speaker 4>are doing shit for love, Shaq free ninety nine, Mario

0:26:05.960 --> 0:26:09.040
<v Speaker 4>Lopez free ninety nine, be real same. So we have

0:26:09.119 --> 0:26:11.200
<v Speaker 4>all these people that are pulling up because not only

0:26:11.200 --> 0:26:14.280
<v Speaker 4>do they give us a look, a great look, they

0:26:14.400 --> 0:26:17.640
<v Speaker 4>trust us that in return, We're gonna give them a look,

0:26:17.720 --> 0:26:20.000
<v Speaker 4>you know what I'm saying. So, as crazy as it sounds,

0:26:20.000 --> 0:26:22.520
<v Speaker 4>we gave Shack a look. This motherfucker went viral. Snoop

0:26:22.560 --> 0:26:26.480
<v Speaker 4>Dogg posted it, TMZ posted us like three times.

0:26:26.800 --> 0:26:31.960
<v Speaker 2>And Rick Ross trying to copy Kobe and hyeah they copy, Yeah,

0:26:32.040 --> 0:26:34.800
<v Speaker 2>they for show copied it. But Kobe and Shack of this,

0:26:34.880 --> 0:26:35.800
<v Speaker 2>yeah for sure.

0:26:37.240 --> 0:26:39.359
<v Speaker 4>And even Mario Lopez, you know what I'm saying, like

0:26:39.400 --> 0:26:40.840
<v Speaker 4>he's showing a mad love.

0:26:40.800 --> 0:26:43.080
<v Speaker 2>But yeah, yeah, Like what the fuck we don't own Shack?

0:26:43.160 --> 0:26:47.480
<v Speaker 1>You can do record, brother, you want? How was that? Like, Shack?

0:26:47.920 --> 0:26:49.680
<v Speaker 5>How you guys are from l A obviously, so Shacks

0:26:49.680 --> 0:26:52.000
<v Speaker 5>a Laker legend, for got a statue outside of the

0:26:52.040 --> 0:26:53.000
<v Speaker 5>fucking Staple Center.

0:26:53.200 --> 0:26:53.840
<v Speaker 2>Love that guy.

0:26:54.000 --> 0:26:55.639
<v Speaker 1>One of the most famous human beings ever walked the

0:26:55.680 --> 0:26:56.280
<v Speaker 1>face of the ever.

0:26:56.440 --> 0:26:58.880
<v Speaker 3>Yeah, his fucking or is crazy. He's like a god

0:26:58.920 --> 0:27:00.280
<v Speaker 3>amongst men already.

0:27:00.320 --> 0:27:03.760
<v Speaker 5>Third Yodie, how like, first of all, what were the

0:27:03.800 --> 0:27:06.320
<v Speaker 5>discussions between him just being a fan because he always

0:27:06.320 --> 0:27:08.920
<v Speaker 5>shows loved a lot of different artists. Yeah, yeah, a

0:27:09.000 --> 0:27:11.439
<v Speaker 5>lot of independent artists too, But like, how do you

0:27:11.480 --> 0:27:14.320
<v Speaker 5>translate that from like him rapping with you?

0:27:15.359 --> 0:27:17.600
<v Speaker 1>So that's that's fucking sick.

0:27:18.040 --> 0:27:20.159
<v Speaker 4>The first time he ever hit us up, which was

0:27:20.200 --> 0:27:22.760
<v Speaker 4>also video my brother posted just on his phone again

0:27:22.880 --> 0:27:24.119
<v Speaker 4>going back on the phone.

0:27:23.880 --> 0:27:25.119
<v Speaker 2>I was parked on the phone.

0:27:25.200 --> 0:27:28.760
<v Speaker 3>And then we had just recorded a song at I

0:27:28.800 --> 0:27:31.000
<v Speaker 3>forgot whose studio was. We did a song whatever it

0:27:31.040 --> 0:27:34.719
<v Speaker 3>was Holly Morning, yeah in Vegas. Now, this was at

0:27:34.760 --> 0:27:36.640
<v Speaker 3>his house over here. I don't know if he still

0:27:36.640 --> 0:27:37.000
<v Speaker 3>has it.

0:27:36.840 --> 0:27:39.720
<v Speaker 1>It was a while talking about the Giant House, like

0:27:40.000 --> 0:27:40.520
<v Speaker 1>like the White House.

0:27:40.560 --> 0:27:44.280
<v Speaker 2>Yeah, yeah, long gone with French, I never got oh.

0:27:44.200 --> 0:27:46.000
<v Speaker 1>Yeah yeah you said about you take the elevator down?

0:27:46.200 --> 0:27:48.760
<v Speaker 3>Yeah, that spot. We did a song that he had

0:27:48.760 --> 0:27:50.880
<v Speaker 3>a record with French Montana. It never got really sound

0:27:50.880 --> 0:27:53.680
<v Speaker 3>about right, yeah, And I was hearing it the next

0:27:53.720 --> 0:27:55.680
<v Speaker 3>day and I was like, damn, I gassed this motherfucker.

0:27:55.760 --> 0:27:58.600
<v Speaker 3>So I just recorded myself rapping the lyrics posted it,

0:27:58.640 --> 0:28:02.400
<v Speaker 3>didn't think nothing of it, and fucking came across Shack's

0:28:02.440 --> 0:28:05.560
<v Speaker 3>eyes and then fucking next thing you know, we got

0:28:05.560 --> 0:28:07.400
<v Speaker 3>a fucking DM from Shacks ain't dope.

0:28:07.480 --> 0:28:09.720
<v Speaker 1>I'll funk with y'all. Y'all dope as fuck like.

0:28:09.760 --> 0:28:12.440
<v Speaker 3>You're going, and he shot us to follow and then

0:28:12.960 --> 0:28:14.440
<v Speaker 3>we're fucking super hyped that day.

0:28:14.600 --> 0:28:16.120
<v Speaker 2>It was during the pandemic.

0:28:15.680 --> 0:28:19.879
<v Speaker 4>Too, so immediately, like I was legit a fan of

0:28:19.920 --> 0:28:21.880
<v Speaker 4>shacks raps, I love no hooks with him.

0:28:22.720 --> 0:28:23.959
<v Speaker 1>I mean, I know people like to try to give

0:28:24.000 --> 0:28:27.119
<v Speaker 1>Damian the props, but Shack had fucking jay Z and

0:28:27.240 --> 0:28:27.560
<v Speaker 1>Nas on.

0:28:27.560 --> 0:28:31.680
<v Speaker 3>The record and Wool Tang Biggie Black thought you went

0:28:31.800 --> 0:28:35.320
<v Speaker 3>platinum as a rapper like most like it was a

0:28:35.359 --> 0:28:39.000
<v Speaker 3>different time, but this motherfucker had you can't stand the rain, you.

0:28:39.000 --> 0:28:43.120
<v Speaker 4>Understand was fire, So before stopped the ring. Whatever you

0:28:43.160 --> 0:28:46.360
<v Speaker 4>can can't stop, the r can't stop. So not only

0:28:46.360 --> 0:28:48.440
<v Speaker 4>did we show him admiragers and for being a laker,

0:28:48.480 --> 0:28:51.320
<v Speaker 4>but almost immediately we're like above that, like I love

0:28:51.400 --> 0:28:54.480
<v Speaker 4>your pen game as a rapper, I respect you too,

0:28:54.640 --> 0:28:56.120
<v Speaker 4>So immediately we dropped the seed.

0:28:56.160 --> 0:28:57.120
<v Speaker 2>The first day, like.

0:28:57.160 --> 0:28:59.200
<v Speaker 4>One day, hopefully we get you out of retirement and

0:28:59.240 --> 0:29:01.160
<v Speaker 4>get you on a song. And he was just like,

0:29:01.200 --> 0:29:03.240
<v Speaker 4>as long as its hardcore, I'm with it, you know

0:29:03.280 --> 0:29:05.280
<v Speaker 4>what I'm saying. But that was two years before we

0:29:05.320 --> 0:29:08.040
<v Speaker 4>actually got the song done, so it was just like

0:29:08.120 --> 0:29:11.000
<v Speaker 4>relationship building. He started sending his means, we were saying

0:29:11.000 --> 0:29:14.080
<v Speaker 4>me there was like regular stuff. And then last year

0:29:14.480 --> 0:29:16.520
<v Speaker 4>he started sharing our stuff a lot. He was just

0:29:16.560 --> 0:29:18.920
<v Speaker 4>sharing what we were doing. So we're like, all right,

0:29:18.920 --> 0:29:21.760
<v Speaker 4>he's tapped in, so maybe now is the time to

0:29:21.800 --> 0:29:23.560
<v Speaker 4>send him a song. And we had done the song

0:29:23.880 --> 0:29:26.720
<v Speaker 4>that was super hardcore, the Three Locals one, and it

0:29:26.800 --> 0:29:29.480
<v Speaker 4>was with ghost Face Killer in mind because we talked

0:29:29.520 --> 0:29:33.720
<v Speaker 4>to somebody that potentially it could have happened. Yeah, and

0:29:33.760 --> 0:29:36.200
<v Speaker 4>it didn't happen, but we had it and we're like,

0:29:36.200 --> 0:29:37.360
<v Speaker 4>fucking I'm send it to Shack.

0:29:37.840 --> 0:29:39.200
<v Speaker 1>He's my favorite member.

0:29:39.400 --> 0:29:43.320
<v Speaker 2>Really, he's up. There's top three. I love method.

0:29:42.960 --> 0:29:45.120
<v Speaker 5>Man, goes Face in my top ten ever, So top

0:29:45.160 --> 0:29:46.960
<v Speaker 5>ten ever, Yeah, sure, I think goes Face.

0:29:47.280 --> 0:29:51.840
<v Speaker 1>Yeah, his new album's Crazy too Fire.

0:29:51.880 --> 0:29:53.480
<v Speaker 2>He never lost it, yeah, he never.

0:29:53.760 --> 0:29:56.600
<v Speaker 3>He hasn't lost a step bro, and even on the features, bro,

0:29:56.680 --> 0:29:58.720
<v Speaker 3>he still fucking goes crazy.

0:29:58.520 --> 0:29:59.520
<v Speaker 2>Shit with him and nams.

0:29:59.680 --> 0:30:04.200
<v Speaker 3>He went banana, Yeah, I don't never disrespect me records.

0:30:04.040 --> 0:30:06.720
<v Speaker 5>You guys, uh, get get in the record. He sends

0:30:06.720 --> 0:30:08.400
<v Speaker 5>it back to you, and now it's like, all right,

0:30:08.440 --> 0:30:09.360
<v Speaker 5>well we gotta shoot the video.

0:30:09.800 --> 0:30:12.840
<v Speaker 4>Yeah, so again it goes back. He facetimes us. My

0:30:12.920 --> 0:30:15.760
<v Speaker 4>brother immediately like this is the thing. We don't let

0:30:16.080 --> 0:30:18.600
<v Speaker 4>the opportunity just pass. We shoot our shot if it

0:30:18.640 --> 0:30:20.680
<v Speaker 4>felas and felt my brother first thing down there he's

0:30:20.720 --> 0:30:22.960
<v Speaker 4>my brother says, was you know, we gotta bring you

0:30:23.000 --> 0:30:23.760
<v Speaker 4>out to the video.

0:30:24.520 --> 0:30:26.240
<v Speaker 2>Shack's like I'm there, I'm there.

0:30:26.320 --> 0:30:29.600
<v Speaker 4>So we're already like okay, and you know, we hang

0:30:29.720 --> 0:30:31.640
<v Speaker 4>up and then we kind of want to not bother him,

0:30:32.040 --> 0:30:34.040
<v Speaker 4>and then he keeps texting us. He starts sending us

0:30:34.040 --> 0:30:36.959
<v Speaker 4>beats and like da, So I'm like okay, Like Shack's

0:30:37.000 --> 0:30:38.760
<v Speaker 4>really like he's fucking.

0:30:38.480 --> 0:30:41.680
<v Speaker 3>With also sending us memes and ship of yeah dying

0:30:41.760 --> 0:30:42.480
<v Speaker 3>on Instagram.

0:30:42.560 --> 0:30:46.080
<v Speaker 2>It was just pretty so all right, we're on the

0:30:46.120 --> 0:30:47.080
<v Speaker 2>same you guys.

0:30:47.240 --> 0:30:48.200
<v Speaker 1>We're the saying.

0:30:49.720 --> 0:30:51.880
<v Speaker 3>Once you start trading memes with each other, you're like,

0:30:51.920 --> 0:30:54.080
<v Speaker 3>all right, this is becoming like a friendship here.

0:30:54.160 --> 0:30:56.160
<v Speaker 1>So it was like all right, he just got.

0:30:56.000 --> 0:30:57.680
<v Speaker 3>A little bit more comfortable, you know what I mean.

0:30:57.720 --> 0:30:59.120
<v Speaker 3>He can tell his motherfucker anything.

0:30:59.360 --> 0:31:00.360
<v Speaker 1>So he was on tour.

0:31:00.800 --> 0:31:03.400
<v Speaker 4>I saw he was in La one day and I

0:31:03.440 --> 0:31:05.600
<v Speaker 4>was like, shock, if you could give us fucking one hour,

0:31:05.680 --> 0:31:09.280
<v Speaker 4>bro that yeah, we'll plan it around done in an hour. Yeah,

0:31:09.640 --> 0:31:12.520
<v Speaker 4>he said, yes, we planned it. He gave us two

0:31:12.520 --> 0:31:15.480
<v Speaker 4>hours and we did what we did and he we

0:31:15.640 --> 0:31:20.440
<v Speaker 4>went stupid viral and that was like another step on

0:31:20.480 --> 0:31:22.800
<v Speaker 4>the gas that it boosted us even more than what

0:31:22.880 --> 0:31:24.880
<v Speaker 4>we were already doing. Man, he's been a real blessing.

0:31:25.320 --> 0:31:27.880
<v Speaker 4>He text us randomly. He's really embodied being the third

0:31:27.920 --> 0:31:32.480
<v Speaker 4>member of Coyote. We have a few other songs with him. Yeah,

0:31:32.520 --> 0:31:34.520
<v Speaker 4>he just text us randomly like around.

0:31:35.320 --> 0:31:37.760
<v Speaker 3>But there was an award for like the most random

0:31:37.840 --> 0:31:40.280
<v Speaker 3>link up. I think that one would have won it

0:31:40.320 --> 0:31:44.320
<v Speaker 3>for for sure, the most random link of shack.

0:31:44.840 --> 0:31:46.200
<v Speaker 1>But ship we made that ship.

0:31:46.200 --> 0:31:49.360
<v Speaker 2>I would have never thought.

0:31:48.160 --> 0:31:51.360
<v Speaker 1>There Jersey Living.

0:31:51.480 --> 0:31:53.160
<v Speaker 2>Yeah, we got to songs that we got to.

0:31:53.440 --> 0:31:55.320
<v Speaker 3>We're gonna hang those up at the studio, you know

0:31:55.360 --> 0:31:58.160
<v Speaker 3>what I mean. Yeah, but that's the bro And it's

0:31:58.200 --> 0:32:00.440
<v Speaker 3>crazy to say that, but it's true, like us to bro,

0:32:00.640 --> 0:32:02.440
<v Speaker 3>like we talk to them all the time.

0:32:03.080 --> 0:32:07.520
<v Speaker 5>Explain to me, like, how because you guys obviously being

0:32:07.520 --> 0:32:10.600
<v Speaker 5>with Whack, I felt like I felt like you guys

0:32:10.640 --> 0:32:14.120
<v Speaker 5>were kind of obviously when you sign with Whack, opportunities

0:32:14.120 --> 0:32:17.400
<v Speaker 5>come because Whack is a well connected person. Those opportunities

0:32:17.440 --> 0:32:19.840
<v Speaker 5>don't necessarily translate into like real fans.

0:32:20.120 --> 0:32:21.560
<v Speaker 2>Yeah, definitely not right.

0:32:21.760 --> 0:32:23.720
<v Speaker 5>But I feel like what you guys have been doing

0:32:23.720 --> 0:32:26.000
<v Speaker 5>the last like year and a half or so, you

0:32:26.040 --> 0:32:28.360
<v Speaker 5>guys are building like a real buzz or real fan base.

0:32:28.480 --> 0:32:31.000
<v Speaker 5>What was it like that you feel like you guys

0:32:31.040 --> 0:32:37.040
<v Speaker 5>started to do differently that translated into people becoming actual fans,

0:32:37.120 --> 0:32:39.280
<v Speaker 5>not like passive fans. I'm talking about like people who like,

0:32:39.400 --> 0:32:41.080
<v Speaker 5>go buy a ticket, people who buy a T shirt,

0:32:41.080 --> 0:32:41.800
<v Speaker 5>people who are like you.

0:32:41.880 --> 0:32:44.560
<v Speaker 3>Just you can't cheat the work, bro, You can't fool

0:32:44.600 --> 0:32:46.880
<v Speaker 3>the people. You can't cheat the work. Like if a

0:32:46.920 --> 0:32:49.800
<v Speaker 3>motherfucker puts a bag behind you and it it throws

0:32:49.840 --> 0:32:51.720
<v Speaker 3>you out there, that doesn't mean it's gonna work, you

0:32:51.760 --> 0:32:53.160
<v Speaker 3>know what I mean. You can get all the code

0:32:53.200 --> 0:32:55.880
<v Speaker 3>signs in the world, but if your shit's not connecting

0:32:55.920 --> 0:32:59.400
<v Speaker 3>with anybody, you don't got a message, Like what's your movement?

0:32:59.440 --> 0:32:59.959
<v Speaker 1>What is it for?

0:33:00.400 --> 0:33:00.600
<v Speaker 2>Mean?

0:33:00.760 --> 0:33:03.800
<v Speaker 3>Like people aren't gonna fucking follow you because you can't

0:33:03.920 --> 0:33:07.800
<v Speaker 3>cheat the system like you need a What we did

0:33:08.000 --> 0:33:10.360
<v Speaker 3>was like we started trying to cater to them, and

0:33:10.400 --> 0:33:13.240
<v Speaker 3>we fucking forgot what made us get in this position

0:33:13.360 --> 0:33:15.960
<v Speaker 3>in the first place. That's why we hit a little

0:33:16.000 --> 0:33:17.479
<v Speaker 3>bump on the road, you know what I mean at

0:33:17.480 --> 0:33:20.560
<v Speaker 3>that time. But what we fucking started doing is like, nah,

0:33:20.560 --> 0:33:23.120
<v Speaker 3>what God is here? The way we were fucking rapping

0:33:23.160 --> 0:33:25.720
<v Speaker 3>back then, So let's get back to that and start

0:33:25.720 --> 0:33:28.120
<v Speaker 3>connecting with people on a different level so we can

0:33:28.160 --> 0:33:31.600
<v Speaker 3>build this colt following that just follows us. And then

0:33:32.000 --> 0:33:34.560
<v Speaker 3>once you build that bro like in music, you'll never

0:33:34.640 --> 0:33:35.200
<v Speaker 3>go hungry.

0:33:35.280 --> 0:33:37.920
<v Speaker 1>Like those motherfuckers are gonna always support you to support,

0:33:38.200 --> 0:33:41.920
<v Speaker 1>so they're gonna they're gonna buy buy the sweater exactly

0:33:41.960 --> 0:33:44.480
<v Speaker 1>by the heart, special edition whatever.

0:33:44.760 --> 0:33:47.240
<v Speaker 3>Yeah, So that's what That's what was our mentality going

0:33:47.280 --> 0:33:49.160
<v Speaker 3>into it, like, nah, we can't cheat the ship, Like,

0:33:49.240 --> 0:33:51.760
<v Speaker 3>let's put the footwork in that's needed instead of like,

0:33:51.800 --> 0:33:54.920
<v Speaker 3>all right, let's get this fucking big ass fucking industry

0:33:55.200 --> 0:33:58.600
<v Speaker 3>to put their name behind our ship and blasts out there.

0:33:58.640 --> 0:34:00.880
<v Speaker 3>Because they did that, and now the hood rat record

0:34:00.920 --> 0:34:03.360
<v Speaker 3>that you're a fan of you love so much. Win

0:34:03.680 --> 0:34:07.040
<v Speaker 3>but yeah, yeah, to win top forty on rhythmic rhythmic charts.

0:34:07.040 --> 0:34:08.640
<v Speaker 3>I don't know if that means anything. I don't know

0:34:08.680 --> 0:34:10.759
<v Speaker 3>what the fuck rhythmic.

0:34:10.200 --> 0:34:12.680
<v Speaker 2>Charts is, but I remember it's a billboard though.

0:34:13.239 --> 0:34:15.120
<v Speaker 1>Yeah, and they record is dope.

0:34:15.120 --> 0:34:17.640
<v Speaker 3>But you can't cheat the fucking work, bro, Like you

0:34:17.680 --> 0:34:20.000
<v Speaker 3>want to build fans, go out there, let the people

0:34:20.040 --> 0:34:22.120
<v Speaker 3>touch you while the fuck you acting famous when you

0:34:22.200 --> 0:34:26.120
<v Speaker 3>got fucking whatever followers you got, Like, Bro, you can't

0:34:26.200 --> 0:34:27.120
<v Speaker 3>cheat the fucking work.

0:34:27.880 --> 0:34:30.600
<v Speaker 4>And I think also, like again going back to what

0:34:30.680 --> 0:34:33.480
<v Speaker 4>you're trying to appeage, there's A and RS and people

0:34:33.520 --> 0:34:35.600
<v Speaker 4>telling you when we pull up with our dope shit,

0:34:35.680 --> 0:34:37.080
<v Speaker 4>even like the ship we deal with sim but we

0:34:37.160 --> 0:34:39.520
<v Speaker 4>pulled up like yo, look what we got, and people

0:34:39.520 --> 0:34:41.080
<v Speaker 4>are like, no one wants to hear this ship. No

0:34:41.160 --> 0:34:42.160
<v Speaker 4>wants to hear this ship.

0:34:42.760 --> 0:34:46.759
<v Speaker 3>You start beleave in bro and nowadays broke because of

0:34:46.800 --> 0:34:49.640
<v Speaker 3>the Internet, there's a space for anybody to find their

0:34:49.680 --> 0:34:52.160
<v Speaker 3>crowd and grab them and then fucking eat off of the.

0:34:52.239 --> 0:34:54.239
<v Speaker 5>Problem with the people who you're talking about A and

0:34:54.360 --> 0:34:57.880
<v Speaker 5>RS is like their livelihood, like them being gainfully employed,

0:34:58.280 --> 0:35:00.560
<v Speaker 5>depends on whether or not a song is uote unquote

0:35:00.600 --> 0:35:03.480
<v Speaker 5>hit record. So when they get like I would almost

0:35:03.480 --> 0:35:06.439
<v Speaker 5>say almost any A and R period, when they give

0:35:06.440 --> 0:35:09.120
<v Speaker 5>you feedback, it's coming from a place of job security.

0:35:09.400 --> 0:35:11.799
<v Speaker 4>Yeah, and that's why now they're losing their jobs in

0:35:11.840 --> 0:35:14.920
<v Speaker 4>the industries and shambles because you have people like us

0:35:15.000 --> 0:35:18.560
<v Speaker 4>that we're direct to consumer, like I don't need nobody's approval.

0:35:18.680 --> 0:35:20.920
<v Speaker 4>Like once we started doing, like, look, bro, this is

0:35:20.920 --> 0:35:22.239
<v Speaker 4>what we want to do. This is not only what

0:35:22.280 --> 0:35:24.040
<v Speaker 4>we want to do. This is what we're best at.

0:35:24.400 --> 0:35:26.239
<v Speaker 4>Because trying to do the LA sound and all this

0:35:26.280 --> 0:35:29.000
<v Speaker 4>other stuff, we could do it. But if I'm Steph

0:35:29.000 --> 0:35:31.719
<v Speaker 4>Curry in the three pointers, my fucking go to while

0:35:31.760 --> 0:35:34.960
<v Speaker 4>the fuck am I not shooting the three Yeah, So

0:35:35.000 --> 0:35:37.319
<v Speaker 4>that's kind of the angle we started taking. And if

0:35:37.360 --> 0:35:40.239
<v Speaker 4>we fell on what we're good at, at least it's

0:35:40.280 --> 0:35:43.160
<v Speaker 4>on our fucking it's on us, it's on you.

0:35:43.440 --> 0:35:46.040
<v Speaker 5>You're like going out your way, Like hey man, I

0:35:46.040 --> 0:35:48.839
<v Speaker 5>can't blame this on anybody because you could at least

0:35:48.840 --> 0:35:50.640
<v Speaker 5>go to sleep at night knowing we did it our

0:35:50.680 --> 0:35:52.400
<v Speaker 5>way and it didn't work, and that's fine. But if

0:35:52.400 --> 0:35:54.040
<v Speaker 5>you go to sleep at night and it didn't work

0:35:54.760 --> 0:35:57.319
<v Speaker 5>because you followed trends, or you followed with some.

0:35:57.719 --> 0:36:00.799
<v Speaker 4>That doesn't feel good, that feels terrible, that's work because

0:36:00.800 --> 0:36:02.840
<v Speaker 4>you agree with them. I remember people started saying it

0:36:02.880 --> 0:36:04.719
<v Speaker 4>about hood right even when you guys told us and

0:36:04.760 --> 0:36:06.560
<v Speaker 4>a few other people, I was like, man, the fuck

0:36:06.600 --> 0:36:09.080
<v Speaker 4>the things I agree with these motherfuckers. I hate this song,

0:36:09.440 --> 0:36:11.239
<v Speaker 4>you know what I'm saying, But now I appreciate it

0:36:11.280 --> 0:36:13.719
<v Speaker 4>because it did put a battery in our back.

0:36:13.760 --> 0:36:15.560
<v Speaker 5>And No, but when you guys, even when you guys

0:36:15.560 --> 0:36:19.040
<v Speaker 5>came and rapped, you guys killed it. Yeah, I was like, well,

0:36:19.080 --> 0:36:24.759
<v Speaker 5>these are hard like shit like dope for uh, for

0:36:24.880 --> 0:36:27.920
<v Speaker 5>you guys, man, like give me you guys obviously have

0:36:28.040 --> 0:36:30.759
<v Speaker 5>a guy with two belts, oh.

0:36:30.760 --> 0:36:31.960
<v Speaker 2>Yeah, with a tag team chests.

0:36:32.000 --> 0:36:34.239
<v Speaker 4>But these are our belts really too for everyone I

0:36:34.320 --> 0:36:35.440
<v Speaker 4>think you know what I'm saying, like.

0:36:35.440 --> 0:36:38.240
<v Speaker 3>Kind of heavy, so we need a big, strong, hefty

0:36:38.239 --> 0:36:39.680
<v Speaker 3>guy in the back hold of them for us.

0:36:39.800 --> 0:36:42.160
<v Speaker 4>We actually won these too. This ain't no belts have

0:36:42.239 --> 0:36:44.040
<v Speaker 4>been given this the homicide one.

0:36:44.120 --> 0:36:46.919
<v Speaker 1>Those are WWF's by the way, too, so you didn't

0:36:46.960 --> 0:36:48.960
<v Speaker 1>those aren't fucking like I went to the w W

0:36:49.120 --> 0:36:51.520
<v Speaker 1>shopping bottom recently. No, because that's a w.

0:36:51.320 --> 0:36:53.000
<v Speaker 3>W like if you know, you know, you know what

0:36:53.000 --> 0:36:55.600
<v Speaker 3>I mean. We're fucking big vintage fans.

0:36:55.600 --> 0:36:56.320
<v Speaker 2>You know what I'm saying.

0:36:57.280 --> 0:36:59.200
<v Speaker 1>You know I'm walking some vintage right now. And you

0:36:59.200 --> 0:37:00.960
<v Speaker 1>guys areso wrestling guys.

0:37:00.840 --> 0:37:04.960
<v Speaker 3>Yeah, grew up wrestling, Yeah, I mean I fucking almost

0:37:05.040 --> 0:37:06.160
<v Speaker 3>killed this guy at one point.

0:37:06.239 --> 0:37:09.040
<v Speaker 1>Can you say you grew up wrestling in the dockyard? Yeah,

0:37:09.040 --> 0:37:09.640
<v Speaker 1>in the backyard.

0:37:09.719 --> 0:37:11.280
<v Speaker 2>It was doing a backyard.

0:37:11.120 --> 0:37:14.560
<v Speaker 1>Table ladders, real matches.

0:37:16.280 --> 0:37:18.480
<v Speaker 3>That shit became like a thing where our parents would

0:37:18.520 --> 0:37:20.200
<v Speaker 3>be like when they leave the house and then leave

0:37:20.280 --> 0:37:21.440
<v Speaker 3>us there no wrestling.

0:37:22.080 --> 0:37:23.719
<v Speaker 2>It was like we didn't know it was fake.

0:37:24.080 --> 0:37:26.560
<v Speaker 4>So we're over here really making each other cry because

0:37:26.600 --> 0:37:28.600
<v Speaker 4>we had belts that we would It was a twenty

0:37:28.600 --> 0:37:30.759
<v Speaker 4>four to seventh thing where you could win the belts, right,

0:37:31.200 --> 0:37:32.200
<v Speaker 4>so any given.

0:37:32.000 --> 0:37:36.040
<v Speaker 3>Time and then you win the hardcore belt. Was this

0:37:36.080 --> 0:37:39.200
<v Speaker 3>stuff alcohol right, twenty four to seven belt. I'll be

0:37:39.239 --> 0:37:42.720
<v Speaker 3>walking out the motherfucking bathroom in this motherfucker steel chair.

0:37:42.880 --> 0:37:46.000
<v Speaker 4>But but legit making each other cry, like putting each

0:37:46.040 --> 0:37:49.000
<v Speaker 4>other through tables. He threw a center block in my head.

0:37:49.120 --> 0:37:51.560
<v Speaker 3>I got I was an accident, though it was an

0:37:51.560 --> 0:37:56.120
<v Speaker 3>accident because look one of the little my little cousin Anthony.

0:37:56.160 --> 0:37:59.160
<v Speaker 3>He ended up throwing the belt over the fence because

0:37:59.160 --> 0:38:00.959
<v Speaker 3>we were fining for one of these belts right here

0:38:01.320 --> 0:38:04.239
<v Speaker 3>back in the days, though not these exact belts, but yeah,

0:38:04.440 --> 0:38:06.600
<v Speaker 3>he threw it over the fence and we couldn't wrestle

0:38:06.640 --> 0:38:08.640
<v Speaker 3>anymore because we were trying to climb the ladder to

0:38:08.680 --> 0:38:09.160
<v Speaker 3>get the belt.

0:38:09.200 --> 0:38:12.239
<v Speaker 2>You guys have a ladder match, terrible ladders and in

0:38:12.280 --> 0:38:12.880
<v Speaker 2>the backyard.

0:38:13.239 --> 0:38:14.960
<v Speaker 3>Yeah, so we were all like, damn, I didn't want

0:38:15.000 --> 0:38:16.720
<v Speaker 3>to jump the fence. I could have jumped the fence,

0:38:16.760 --> 0:38:19.560
<v Speaker 3>but I kind of pretend I can't. Yeah, I try

0:38:19.600 --> 0:38:21.720
<v Speaker 3>to act like my fucking ankle was heurt or whatever.

0:38:22.080 --> 0:38:24.000
<v Speaker 3>And then he was like, all right, I'll fucking do it.

0:38:24.440 --> 0:38:26.840
<v Speaker 3>But he couldn't get up there because he was a

0:38:26.840 --> 0:38:28.160
<v Speaker 3>little chunky kid, you know what I mean.

0:38:28.360 --> 0:38:30.040
<v Speaker 2>Put the center block on the floor.

0:38:29.880 --> 0:38:31.760
<v Speaker 3>So he put the center block on the floor, still

0:38:31.760 --> 0:38:33.759
<v Speaker 3>on the center block, jumped over, and he was like,

0:38:33.800 --> 0:38:36.000
<v Speaker 3>but when I jump over, I need the cinder block

0:38:36.080 --> 0:38:36.719
<v Speaker 3>to jump back.

0:38:36.800 --> 0:38:39.400
<v Speaker 2>So when I land, you threw the cinder block so

0:38:39.440 --> 0:38:40.319
<v Speaker 2>I can step on it.

0:38:41.239 --> 0:38:42.160
<v Speaker 1>Wait one second.

0:38:43.239 --> 0:38:45.680
<v Speaker 3>As he jumped over, I grabbed the cinder block, said

0:38:45.680 --> 0:38:47.239
<v Speaker 3>fuck you. I didn't even think I just threw it.

0:38:47.280 --> 0:38:48.000
<v Speaker 2>I don't even want.

0:38:51.400 --> 0:38:52.080
<v Speaker 1>I heard was.

0:38:53.560 --> 0:39:00.040
<v Speaker 3>I was like, I got I know there was a ladder.

0:39:01.360 --> 0:39:04.160
<v Speaker 4>Now and then no one could jump to the defence.

0:39:04.200 --> 0:39:05.120
<v Speaker 4>But not everyone don't.

0:39:05.840 --> 0:39:10.960
<v Speaker 3>I'm scared, like, oh no, he's hurt adrenaline. This guy,

0:39:11.000 --> 0:39:13.040
<v Speaker 3>we don't use the block to jump back over. It

0:39:13.480 --> 0:39:16.640
<v Speaker 3>was covered like his whole face was red. Leading mom

0:39:16.680 --> 0:39:18.560
<v Speaker 3>just stished me up all the time. I'm thinking, like

0:39:18.600 --> 0:39:20.160
<v Speaker 3>how am I getting? How am I going to get

0:39:20.160 --> 0:39:21.799
<v Speaker 3>out of this ship with my mom? She's gonna fuck

0:39:21.880 --> 0:39:22.200
<v Speaker 3>me up?

0:39:22.440 --> 0:39:24.400
<v Speaker 1>And I was like, I got it. I'm gonna blame Anthony.

0:39:24.600 --> 0:39:28.040
<v Speaker 2>He's only four years old. The first we're blaming a

0:39:28.040 --> 0:39:28.520
<v Speaker 2>four year old.

0:39:28.600 --> 0:39:32.040
<v Speaker 1>Yeah, he threw the seconds, but he chucked it. He

0:39:32.120 --> 0:39:34.399
<v Speaker 1>got fucking straight. I said, if.

0:39:34.320 --> 0:39:36.480
<v Speaker 3>Anthony would have never threw the belt over the fence,

0:39:36.480 --> 0:39:37.680
<v Speaker 3>he would have never got crabbed.

0:39:37.680 --> 0:39:39.400
<v Speaker 2>I said, I fell off the fence.

0:39:39.600 --> 0:39:41.480
<v Speaker 3>He shot the Anthony man, he was a real one.

0:39:41.520 --> 0:39:43.640
<v Speaker 3>He took my mom's chew out like a champion and

0:39:43.680 --> 0:39:47.279
<v Speaker 3>wrapped me out. He just sat there and cried him,

0:39:47.560 --> 0:39:48.760
<v Speaker 3>almost chewing him out.

0:39:48.640 --> 0:39:51.040
<v Speaker 2>Like you motherfucker, you throw the belt. Look at what

0:39:51.120 --> 0:39:54.279
<v Speaker 2>happened A big Yeah. They just stished me up out

0:39:54.280 --> 0:39:55.360
<v Speaker 2>there on the kitchen table.

0:39:57.560 --> 0:39:59.239
<v Speaker 5>Have you guys got to link with any wrestlers yet?

0:39:59.480 --> 0:40:01.160
<v Speaker 5>Anybody chat or tapping off?

0:40:02.080 --> 0:40:04.879
<v Speaker 4>We know the homie Santana Proud what's his name?

0:40:05.880 --> 0:40:08.000
<v Speaker 1>From New York? You guy should work with?

0:40:08.120 --> 0:40:08.239
<v Speaker 3>Uh?

0:40:09.080 --> 0:40:11.560
<v Speaker 1>You know there's a guy named st Strickling is the

0:40:11.560 --> 0:40:16.439
<v Speaker 1>a W champ? A rapper really hard? You know him? Yeah?

0:40:16.520 --> 0:40:20.200
<v Speaker 1>He last week we're doing the record fuckers that had

0:40:20.239 --> 0:40:20.760
<v Speaker 1>been crazy.

0:40:21.600 --> 0:40:24.040
<v Speaker 4>We're trying to throw an event where we mixed hip hop,

0:40:24.080 --> 0:40:25.280
<v Speaker 4>wrestling and comedy.

0:40:25.680 --> 0:40:29.839
<v Speaker 1>Bro, y'all should do it. Fucking let's go. We're talking down,

0:40:29.960 --> 0:40:31.239
<v Speaker 1>I'm down, and let's do it.

0:40:31.280 --> 0:40:34.000
<v Speaker 4>We got Rakisi right, we still got Rakeshi's number. We're

0:40:34.000 --> 0:40:36.719
<v Speaker 4>talking with a lot of these guys. Man, let's do it.

0:40:36.719 --> 0:40:38.320
<v Speaker 4>We're gonna have Vernee and Ken hosted.

0:40:38.640 --> 0:40:40.000
<v Speaker 1>I know all kind of wrestlers.

0:40:40.000 --> 0:40:42.600
<v Speaker 2>Dog, let's say less, bro, don't tell.

0:40:42.440 --> 0:40:45.040
<v Speaker 5>Me super tighted with someone like like ah, like a

0:40:45.080 --> 0:40:48.520
<v Speaker 5>few of the USO guys like U Zilla, who's to

0:40:48.760 --> 0:40:51.440
<v Speaker 5>Who's uh the Roman Ranges?

0:40:51.440 --> 0:40:56.000
<v Speaker 1>I think it's his cousin? Fire him, bro? Yeah, I

0:40:56.000 --> 0:40:56.880
<v Speaker 1>know a lot of those guys.

0:40:57.000 --> 0:40:58.920
<v Speaker 2>We're trying to do like a festival bow where's a

0:40:59.320 --> 0:41:01.200
<v Speaker 2>called Yodi Man and ship show.

0:41:01.120 --> 0:41:05.239
<v Speaker 4>Where it's wrestling, comedy and rap. But in the coolest way.

0:41:05.520 --> 0:41:07.680
<v Speaker 3>Where would you do that in the States. The ring,

0:41:08.239 --> 0:41:11.080
<v Speaker 3>it's going to be a wrestling ring. Whoever performs, the

0:41:11.120 --> 0:41:14.160
<v Speaker 3>performers are rapping in the ring. Yeah, everything in the ring.

0:41:14.239 --> 0:41:17.840
<v Speaker 3>The comedy is in the ring, spying in all in

0:41:17.880 --> 0:41:20.759
<v Speaker 3>the ring. It's gonna be a complete ship show. Chaos

0:41:20.760 --> 0:41:22.120
<v Speaker 3>but beautiful sounds fire.

0:41:22.320 --> 0:41:23.440
<v Speaker 2>You heard don Coyote.

0:41:24.440 --> 0:41:26.120
<v Speaker 1>The venue they have like.

0:41:29.760 --> 0:41:33.840
<v Speaker 2>But they already throw wrestling events there. They throw wrestling events.

0:41:33.880 --> 0:41:36.400
<v Speaker 4>They're already. We could put the ring in there, and

0:41:36.440 --> 0:41:38.480
<v Speaker 4>we could put bleachers in there. We got the connection

0:41:38.560 --> 0:41:41.759
<v Speaker 4>for bleachers and then they got an upstairs part balcony

0:41:41.760 --> 0:41:42.560
<v Speaker 4>wraps around it.

0:41:43.080 --> 0:41:45.440
<v Speaker 2>All that you're down. What were trying to make it

0:41:45.480 --> 0:41:46.480
<v Speaker 2>like a yearly.

0:41:46.320 --> 0:41:50.319
<v Speaker 3>Fucking complete circus should be hard Midget strippers.

0:41:49.920 --> 0:41:51.759
<v Speaker 2>Midge strippers, that would be hard.

0:41:51.880 --> 0:41:55.280
<v Speaker 1>I I got a lap dance from a single midget

0:41:55.280 --> 0:41:55.920
<v Speaker 1>stripper before.

0:41:56.400 --> 0:41:59.000
<v Speaker 2>What you smashing is it wasn't married.

0:42:00.080 --> 0:42:04.239
<v Speaker 1>If you were married, I'm no, of course not, but

0:42:04.280 --> 0:42:06.279
<v Speaker 1>if I wasn't married, you're a single. I give it

0:42:06.280 --> 0:42:09.040
<v Speaker 1>a just to just to say I did it.

0:42:10.000 --> 0:42:13.360
<v Speaker 2>I guess for the story, like very like chunky.

0:42:13.800 --> 0:42:14.799
<v Speaker 1>Yeah, you know, they.

0:42:14.719 --> 0:42:18.560
<v Speaker 3>Got definitely got. They're definitely thick. They thick in the

0:42:18.680 --> 0:42:25.680
<v Speaker 3>forehead too. Their faces looks like Rihanna's look like Rihanna

0:42:25.840 --> 0:42:28.080
<v Speaker 3>on a small body.

0:42:28.239 --> 0:42:31.520
<v Speaker 1>Gorgeous is what I'm saying. But you know they got forehead.

0:42:31.760 --> 0:42:33.759
<v Speaker 2>Yeah, that's what I'm saying. Like Rihanna is like a

0:42:33.800 --> 0:42:34.680
<v Speaker 2>full grown midget.

0:42:38.760 --> 0:42:44.880
<v Speaker 3>US bad mission just kept going.

0:42:46.080 --> 0:42:47.680
<v Speaker 4>I think she's one of the battest girls out there.

0:42:47.680 --> 0:42:50.560
<v Speaker 4>But you know, yeah, for sure there's a resemblance there.

0:42:51.360 --> 0:42:53.319
<v Speaker 1>Yeah, I know there's a resemblance there. For sure.

0:42:53.719 --> 0:42:55.600
<v Speaker 4>When I see a bad midget, I'll be like, man,

0:42:55.680 --> 0:42:56.640
<v Speaker 4>I look like Rihanna.

0:42:56.840 --> 0:43:00.920
<v Speaker 2>Like that.

0:43:01.040 --> 0:43:04.399
<v Speaker 1>It's great. So talk, let's talk about the album. Yeah.

0:43:04.560 --> 0:43:09.680
<v Speaker 2>LT Aliens dropped this before after before before on the twelve,

0:43:10.080 --> 0:43:12.440
<v Speaker 2>I think, so, I think, so that's the day we're

0:43:12.440 --> 0:43:13.319
<v Speaker 2>aiming for right now.

0:43:13.440 --> 0:43:16.800
<v Speaker 4>That's you know, on the corner, Yeah to light twelve.

0:43:17.200 --> 0:43:19.640
<v Speaker 4>So we we we're gonna have a release show.

0:43:19.719 --> 0:43:23.400
<v Speaker 1>Fourteenth is the fourteenth, Friday Friday.

0:43:23.440 --> 0:43:26.040
<v Speaker 3>I don't know what today is, so I don't fucking

0:43:26.280 --> 0:43:28.439
<v Speaker 3>around that time, sometime in June.

0:43:28.520 --> 0:43:29.520
<v Speaker 1>I think it's July.

0:43:29.680 --> 0:43:34.800
<v Speaker 2>July, yeah, July, Okay, July twelve.

0:43:34.920 --> 0:43:40.680
<v Speaker 4>L Dot Aliens featuring the Yodis, Shaq, west Side, Bugie.

0:43:40.480 --> 0:43:45.840
<v Speaker 2>Rigan, Ricky Blanco, Ricky Blanco, the Game, Dom Man, Jesus.

0:43:46.680 --> 0:43:48.799
<v Speaker 2>There's a lot of dope ship on there, Sucker Free

0:43:49.360 --> 0:43:53.120
<v Speaker 2>the Homie from Lantic one on four. It's gonna be dope, man.

0:43:53.160 --> 0:43:55.399
<v Speaker 2>I'm super proud of it. Uh.

0:43:55.880 --> 0:43:57.520
<v Speaker 4>We might have a show at the Saint Rock in

0:43:57.600 --> 0:43:59.279
<v Speaker 4>the South Bay. I know people like to stay in

0:43:59.320 --> 0:44:01.680
<v Speaker 4>fucking hot, so we're trying to move people out of

0:44:01.719 --> 0:44:05.239
<v Speaker 4>Hollywood and go to our side of town. That might

0:44:05.280 --> 0:44:07.680
<v Speaker 4>be the final Roxy though, I know. But they're out

0:44:07.680 --> 0:44:08.520
<v Speaker 4>of business right now.

0:44:08.880 --> 0:44:12.000
<v Speaker 3>They're they're not going to open till September or some

0:44:12.080 --> 0:44:12.719
<v Speaker 3>ship like that.

0:44:12.880 --> 0:44:14.719
<v Speaker 1>I'm glad they're fixing it. Every time you have to rock,

0:44:14.800 --> 0:44:15.840
<v Speaker 1>you're like, what the fuck?

0:44:16.760 --> 0:44:18.480
<v Speaker 4>I think they're opening it back up in August, but

0:44:18.520 --> 0:44:20.759
<v Speaker 4>I think August is already booked, so they're thinking about

0:44:20.760 --> 0:44:22.680
<v Speaker 4>booking us there in September.

0:44:22.880 --> 0:44:25.160
<v Speaker 1>The South Bay show, and then you gotta spin the

0:44:25.200 --> 0:44:26.719
<v Speaker 1>block and do the Roxy. Yeah.

0:44:26.840 --> 0:44:29.160
<v Speaker 3>Yeah, it's gonna be more of a like listening type

0:44:29.160 --> 0:44:30.319
<v Speaker 3>of party, you know what I mean.

0:44:30.440 --> 0:44:32.200
<v Speaker 2>I don't know. I still don't know what we're gonna do.

0:44:32.239 --> 0:44:34.080
<v Speaker 3>That we might do, I mean, Ship, we might pull

0:44:34.080 --> 0:44:36.759
<v Speaker 3>out the midges and tables and ladders and chairs there Ship,

0:44:37.200 --> 0:44:39.239
<v Speaker 3>who knows it's still away from now.

0:44:39.840 --> 0:44:44.279
<v Speaker 1>The echo that echoes it's an echo park. That's that's

0:44:44.280 --> 0:44:46.000
<v Speaker 1>the first time OT was in TOWNY did the echo

0:44:46.040 --> 0:44:47.879
<v Speaker 1>It's it's a it's a good room.

0:44:48.120 --> 0:44:49.000
<v Speaker 2>I think we went there.

0:44:49.560 --> 0:44:51.000
<v Speaker 1>I think it's like four or five hundred tickets.

0:44:51.080 --> 0:44:55.239
<v Speaker 2>Oh, it came to the studio after that night. Yes, yeah,

0:44:55.520 --> 0:44:57.680
<v Speaker 2>I remember that was that. I think that was the Echo.

0:44:57.800 --> 0:44:58.000
<v Speaker 1>Yeah.

0:44:58.040 --> 0:45:00.359
<v Speaker 5>So there's the Echo Plex and then the Echo. They're

0:45:00.400 --> 0:45:04.800
<v Speaker 5>like one's it's super fucking weird because one's like below

0:45:04.880 --> 0:45:05.200
<v Speaker 5>the other.

0:45:06.040 --> 0:45:09.320
<v Speaker 1>But so you got to like go down the stairs

0:45:09.680 --> 0:45:11.520
<v Speaker 1>and like walk past all the homeless piss to get

0:45:11.520 --> 0:45:14.360
<v Speaker 1>to the real. But there's two venues in that space,

0:45:14.600 --> 0:45:15.960
<v Speaker 1>one of them smaller, one of them is bigger. But

0:45:15.960 --> 0:45:17.359
<v Speaker 1>it's a good venue, I mean Ship.

0:45:17.600 --> 0:45:17.960
<v Speaker 2>Yeah.

0:45:18.239 --> 0:45:19.960
<v Speaker 4>The thing about the same rock, I think we got

0:45:19.960 --> 0:45:21.560
<v Speaker 4>it for free.

0:45:22.400 --> 0:45:23.160
<v Speaker 2>They don't like pain.

0:45:23.920 --> 0:45:30.279
<v Speaker 3>We don't even pay our producers deal Ship because you know,

0:45:30.840 --> 0:45:33.600
<v Speaker 3>the hardest process for us is just kidding, man, shout

0:45:33.680 --> 0:45:34.960
<v Speaker 3>all the motherfucking producers.

0:45:34.960 --> 0:45:35.120
<v Speaker 1>Man.

0:45:37.040 --> 0:45:39.440
<v Speaker 4>So we go through I swear people think we're joking,

0:45:39.480 --> 0:45:42.600
<v Speaker 4>but we'll probably go through five hundred beats to find one,

0:45:43.440 --> 0:45:45.920
<v Speaker 4>and like I guess, we could write to anything, right, Like,

0:45:45.960 --> 0:45:46.960
<v Speaker 4>if I have to do a.

0:45:46.920 --> 0:45:47.600
<v Speaker 2>Song, I will.

0:45:47.880 --> 0:45:50.280
<v Speaker 1>So it's the hardest part for you, Yeah, just because

0:45:50.360 --> 0:45:51.600
<v Speaker 1>lately we've been we've been.

0:45:51.800 --> 0:45:53.800
<v Speaker 3>Fighting the beat and then getting the first line is

0:45:53.840 --> 0:45:56.160
<v Speaker 3>probably the hardest part. You know, Once we got that

0:45:56.360 --> 0:45:57.920
<v Speaker 3>and then everything just starts flowing.

0:45:58.719 --> 0:46:01.000
<v Speaker 4>Like you ever hear people say the worst has come

0:46:01.040 --> 0:46:03.799
<v Speaker 4>to me. So that's what we're searching for now. So

0:46:04.120 --> 0:46:04.560
<v Speaker 4>I hear it.

0:46:04.560 --> 0:46:07.640
<v Speaker 2>Bet I want the worst to come. Yeah, just nothing forced.

0:46:07.760 --> 0:46:09.680
<v Speaker 4>I don't want to thinking, oh I like this beat,

0:46:10.120 --> 0:46:12.279
<v Speaker 4>and then I'm thinking thinking thinking which I can if

0:46:12.280 --> 0:46:14.839
<v Speaker 4>I have to. But lately what I'm looking for is

0:46:14.880 --> 0:46:18.120
<v Speaker 4>I want the beat that pull the ship out of

0:46:18.160 --> 0:46:18.920
<v Speaker 4>me pretty.

0:46:18.719 --> 0:46:23.040
<v Speaker 2>Much, So going there with some fully loaded clips.

0:46:22.680 --> 0:46:26.680
<v Speaker 4>It takes fucking going through five hundred beats, and sometimes

0:46:26.680 --> 0:46:28.839
<v Speaker 4>we find them on YouTube or beat stars will pay

0:46:28.840 --> 0:46:33.280
<v Speaker 4>the forty dollars fucking lease or whatever. Sometimes forty dollars

0:46:33.320 --> 0:46:34.560
<v Speaker 4>exclusive you know what I'm saying.

0:46:35.200 --> 0:46:39.080
<v Speaker 1>YouTube, Like, YouTube is a great place to find beats.

0:46:39.400 --> 0:46:42.279
<v Speaker 4>Yeah, but you know, once it shit really starts popping off.

0:46:42.320 --> 0:46:43.440
<v Speaker 4>I know we're going to get a lot of.

0:46:43.360 --> 0:46:46.400
<v Speaker 3>People type beat records on this project that we're putting in.

0:46:46.520 --> 0:46:49.120
<v Speaker 1>So when you find the type beat type record, you

0:46:49.160 --> 0:46:52.160
<v Speaker 1>just fucking just in the bio.

0:46:52.360 --> 0:46:55.920
<v Speaker 3>Yeah, there's this thing called it's called transfer YouTube to

0:46:56.040 --> 0:47:00.560
<v Speaker 3>MP three, no trust, copy baste and then they go

0:47:00.640 --> 0:47:03.480
<v Speaker 3>straight to the iTunes and then boom, I get on it.

0:47:03.520 --> 0:47:05.919
<v Speaker 1>Listen. The best way to I'm not even I fuck

0:47:05.960 --> 0:47:07.480
<v Speaker 1>with a lot of producers, but the best way to

0:47:07.520 --> 0:47:09.000
<v Speaker 1>really steal a beat is to just send it to

0:47:09.080 --> 0:47:10.600
<v Speaker 1>a producer who's good enough and be like, can you

0:47:10.680 --> 0:47:11.160
<v Speaker 1>reproduce this?

0:47:11.400 --> 0:47:13.120
<v Speaker 2>Yeah, that's facts, that's fact.

0:47:13.239 --> 0:47:14.719
<v Speaker 1>Now that's frowned upon.

0:47:15.080 --> 0:47:17.600
<v Speaker 4>Yeah you shouldn't. I get it. Producers probably hate us.

0:47:17.600 --> 0:47:19.839
<v Speaker 4>But if we know the producers different, we'll give them

0:47:19.880 --> 0:47:22.200
<v Speaker 4>the splits and all that. But there's been times where

0:47:22.239 --> 0:47:24.839
<v Speaker 4>we find a producer on YouTube or beat start them

0:47:24.880 --> 0:47:26.880
<v Speaker 4>and we'll hit them up and there there's no response.

0:47:26.920 --> 0:47:28.919
<v Speaker 4>I'm like, all right, I'm gonna just upload your ship,

0:47:29.400 --> 0:47:30.920
<v Speaker 4>you know what I'm saying. Like the dude, we did

0:47:30.920 --> 0:47:33.840
<v Speaker 4>with Shack. He's never reached out that beat, so he

0:47:33.880 --> 0:47:35.080
<v Speaker 4>don't know that he has.

0:47:38.320 --> 0:47:40.719
<v Speaker 1>You must have like giving up on his dream. Has

0:47:40.800 --> 0:47:42.840
<v Speaker 1>no idea that Shacks wrap it on his beat.

0:47:42.760 --> 0:47:45.319
<v Speaker 4>No fucking clue, you know what I'm saying. But again,

0:47:45.360 --> 0:47:47.440
<v Speaker 4>when the producers reach out, we get the business right,

0:47:47.480 --> 0:47:50.000
<v Speaker 4>you know what I'm saying. But oftentimes we just find

0:47:50.040 --> 0:47:51.840
<v Speaker 4>the beats on the women. It's like, all right, I

0:47:51.840 --> 0:47:54.759
<v Speaker 4>don't know who this saying. Yeah, and it's hip hop.

0:47:54.800 --> 0:47:57.680
<v Speaker 1>Man, you're independent, you know ship hip hop.

0:47:57.719 --> 0:48:01.719
<v Speaker 2>It was made off stealing, so yeah, for sure. Whatever. Yeah,

0:48:01.760 --> 0:48:02.799
<v Speaker 2>we've had people what.

0:48:02.840 --> 0:48:04.279
<v Speaker 3>Was that dude that hit us up? Was like, hey,

0:48:04.280 --> 0:48:07.200
<v Speaker 3>I bought this beat? You guys are rapping up, Like,

0:48:07.320 --> 0:48:09.279
<v Speaker 3>all right, buddy, hits ours now? Like, what do you

0:48:09.280 --> 0:48:10.920
<v Speaker 3>want to do? Suis sue me?

0:48:11.080 --> 0:48:13.680
<v Speaker 1>Fuck it? Take it down? Yeah? How many streams did

0:48:13.680 --> 0:48:17.560
<v Speaker 1>you get on the one that you bought? Nothing?

0:48:17.719 --> 0:48:18.080
<v Speaker 2>Nothing?

0:48:18.320 --> 0:48:20.600
<v Speaker 3>It was nothing because we looked it up and we're like,

0:48:20.600 --> 0:48:23.280
<v Speaker 3>what the fuck this shit got like fucking thirty plays?

0:48:23.320 --> 0:48:25.279
<v Speaker 3>Bro and the kicker is a lot of people use

0:48:25.400 --> 0:48:26.879
<v Speaker 3>that beat, so I send them a lot of songs

0:48:26.920 --> 0:48:27.080
<v Speaker 3>I love.

0:48:27.120 --> 0:48:28.279
<v Speaker 1>How many people use this beat?

0:48:28.320 --> 0:48:30.239
<v Speaker 3>Like, while you hitting us up because he's seen it

0:48:30.360 --> 0:48:32.439
<v Speaker 3>was the most traction, like, hey this is my beat,

0:48:32.520 --> 0:48:34.800
<v Speaker 3>I bought it, I used it, blahlah blah blah blah.

0:48:35.160 --> 0:48:36.880
<v Speaker 3>And I was like, what are you gonna do, Suis

0:48:36.880 --> 0:48:38.520
<v Speaker 3>fuck it dude, the producer.

0:48:38.120 --> 0:48:40.839
<v Speaker 4>Fuck dudecause you already let eight other rappers wrap over

0:48:40.880 --> 0:48:41.719
<v Speaker 4>there too.

0:48:41.880 --> 0:48:43.240
<v Speaker 1>Motherfuckers used to resell beats.

0:48:43.320 --> 0:48:45.239
<v Speaker 3>I'm trying to get sued, bro, to be honest, I

0:48:45.239 --> 0:48:46.960
<v Speaker 3>want to get sued. It's gonna show me that I'm

0:48:47.280 --> 0:48:47.920
<v Speaker 3>doing something right.

0:48:48.000 --> 0:48:52.239
<v Speaker 5>Alchemist once had a beat that he sold to Jadakiss

0:48:52.239 --> 0:48:58.160
<v Speaker 5>and raz Cast and raz Cast disstant On van Goya,

0:48:58.480 --> 0:49:00.200
<v Speaker 5>at least on the Van Go demo that they were

0:49:00.200 --> 0:49:01.640
<v Speaker 5>passing out of Tower Records.

0:49:01.840 --> 0:49:05.359
<v Speaker 4>Okay, you know Alchemists. Yeah man, I'm trying that. That's

0:49:05.400 --> 0:49:08.480
<v Speaker 4>our next collab project. We're trying to well.

0:49:08.480 --> 0:49:11.400
<v Speaker 5>Alchemists is, in my opinion, uh to Go, possibly the

0:49:11.400 --> 0:49:12.160
<v Speaker 5>greatest of all time.

0:49:12.560 --> 0:49:14.799
<v Speaker 1>Yeah, up there he's up there, Bro.

0:49:14.520 --> 0:49:15.799
<v Speaker 2>What I like for what we like?

0:49:15.920 --> 0:49:17.520
<v Speaker 5>Think about the run he's been on the last like

0:49:17.760 --> 0:49:21.160
<v Speaker 5>fucking five or six years, bro, Like Alfredo Grammy nominated

0:49:21.760 --> 0:49:23.760
<v Speaker 5>he did with Larry June, Like all these collab albums

0:49:23.800 --> 0:49:25.920
<v Speaker 5>he's doing like it's like his second breath is so

0:49:26.000 --> 0:49:28.440
<v Speaker 5>crazy and for the ship that like you definitely I

0:49:28.440 --> 0:49:31.600
<v Speaker 5>think Kanye, Timberland, all those guys you know who.

0:49:31.520 --> 0:49:34.840
<v Speaker 3>Got a sick This is like you know who got

0:49:35.200 --> 0:49:38.080
<v Speaker 3>nick as second breath of fresh air, Bro, Limp, Biscuit,

0:49:38.640 --> 0:49:42.360
<v Speaker 3>Fred Durst and them out of nowhere. Bro, They're going crazy.

0:49:42.400 --> 0:49:46.040
<v Speaker 3>They're the world fucking packing that ship out. And it's

0:49:46.040 --> 0:49:48.439
<v Speaker 3>not like old motherfuckers in the crowd. There's a bunch

0:49:48.440 --> 0:49:50.840
<v Speaker 3>of young motherfuckers in the crowd going crazy.

0:49:51.040 --> 0:49:52.080
<v Speaker 1>I'm not gonna lie, dude.

0:49:52.760 --> 0:49:54.560
<v Speaker 4>You know we got a Fred Durt's feature coming to

0:49:55.960 --> 0:49:58.560
<v Speaker 4>we did? We linked up with Dj Lethal Legend.

0:49:58.640 --> 0:50:01.040
<v Speaker 1>Yeah, he's been fucking shopping Biscuit.

0:50:01.360 --> 0:50:02.320
<v Speaker 2>Uh.

0:50:02.440 --> 0:50:06.440
<v Speaker 1>I liked Significant Other a lot. That's a great album.

0:50:06.440 --> 0:50:09.640
<v Speaker 4>The first album I ever stole was the Chocolate Star Fist.

0:50:09.760 --> 0:50:15.720
<v Speaker 1>Hot Flavored Water. So some of their songs haven't aged

0:50:15.719 --> 0:50:16.120
<v Speaker 1>the best.

0:50:16.320 --> 0:50:17.720
<v Speaker 2>No, I haven't heard that album along.

0:50:17.760 --> 0:50:20.160
<v Speaker 3>You know roll that Rolling song was a smash right

0:50:20.239 --> 0:50:22.600
<v Speaker 3>from what I remember. That's but now, like when you

0:50:22.680 --> 0:50:26.960
<v Speaker 3>hear it, rolling is kind of hard. Breakstuff is breaks

0:50:27.040 --> 0:50:28.920
<v Speaker 3>up is hard rolling, and you hear it is kind

0:50:28.960 --> 0:50:29.799
<v Speaker 3>of cheesy.

0:50:29.719 --> 0:50:31.719
<v Speaker 5>Bump break stuff to but like that ship the ship

0:50:31.760 --> 0:50:35.440
<v Speaker 5>with method Man pretty hard hardest, hardest.

0:50:36.400 --> 0:50:38.440
<v Speaker 2>That beat is still one of its beats.

0:50:38.440 --> 0:50:41.920
<v Speaker 1>Ever, when a freestyle over that.

0:50:42.400 --> 0:50:45.640
<v Speaker 3>I think, I think I've written to that beat multiple times,

0:50:45.680 --> 0:50:47.399
<v Speaker 3>but then the verses goes somewhere else.

0:50:47.719 --> 0:50:50.120
<v Speaker 1>Yeah, fire beat.

0:50:50.320 --> 0:50:53.839
<v Speaker 2>Rocking, Yeah, all that a good era.

0:50:54.000 --> 0:50:56.600
<v Speaker 4>That was a good era, bro, your t R my

0:50:56.680 --> 0:51:01.000
<v Speaker 4>childhood exactly, DM mad Black Kid. You know, and what

0:51:01.160 --> 0:51:02.960
<v Speaker 4>you think of Eminem ship Man. I saw you do

0:51:03.040 --> 0:51:07.320
<v Speaker 4>a post about it, the verse or the video he rapped.

0:51:09.200 --> 0:51:11.919
<v Speaker 4>It's like, the video is fucking great. No, the video

0:51:12.000 --> 0:51:14.840
<v Speaker 4>is great. I thought he had some videos artis. But

0:51:16.200 --> 0:51:17.920
<v Speaker 4>I think that as a song.

0:51:19.160 --> 0:51:21.120
<v Speaker 1>To me, he made that song for people like me

0:51:21.200 --> 0:51:24.480
<v Speaker 1>who remember nostalgia because because when he used to put

0:51:24.480 --> 0:51:25.680
<v Speaker 1>his old albums.

0:51:25.440 --> 0:51:28.200
<v Speaker 3>His first, his first record is always the one picking.

0:51:29.280 --> 0:51:31.719
<v Speaker 2>But it's like, how I love I don't.

0:51:31.800 --> 0:51:33.799
<v Speaker 3>I don't like eminem slander at all. You know, I'm

0:51:33.840 --> 0:51:35.440
<v Speaker 3>a hip hop d I understand.

0:51:35.680 --> 0:51:37.160
<v Speaker 1>And I actually thought music to be murdered by it.

0:51:37.280 --> 0:51:41.280
<v Speaker 3>This is my album, and I got excited about kill Jady,

0:51:41.480 --> 0:51:42.960
<v Speaker 3>the whole thing that he's doing right now.

0:51:42.960 --> 0:51:43.640
<v Speaker 2>I'm a little.

0:51:43.400 --> 0:51:46.520
<v Speaker 3>Excited about I'm excited to the title kN slim Shady's

0:51:46.560 --> 0:51:48.759
<v Speaker 3>dead or whatever. But I think him doing the guess

0:51:48.760 --> 0:51:50.719
<v Speaker 3>Who's back all the time, Like how many guess whose

0:51:50.719 --> 0:51:51.560
<v Speaker 3>back songs do we need?

0:51:51.640 --> 0:51:52.200
<v Speaker 1>This is what I say.

0:51:52.360 --> 0:51:54.600
<v Speaker 5>I think I understand. I understand what he was trying

0:51:54.640 --> 0:51:56.640
<v Speaker 5>to do. Yeah, I thought there was some good rapping

0:51:56.680 --> 0:51:58.640
<v Speaker 5>on their. Eminem is always gonna be good rapping.

0:51:58.600 --> 0:51:59.040
<v Speaker 1>For sure.

0:52:00.840 --> 0:52:04.960
<v Speaker 5>I don't love the song. My friend hates it. Who

0:52:04.960 --> 0:52:05.920
<v Speaker 5>I posted his text.

0:52:05.920 --> 0:52:07.840
<v Speaker 1>He was like, I've never wanted somebody to be addicted

0:52:07.880 --> 0:52:12.480
<v Speaker 1>to drugs again. See, I'm an Eminem stand So dude,

0:52:12.480 --> 0:52:14.920
<v Speaker 1>you have to listen because I am an Eminem fucking

0:52:15.000 --> 0:52:20.759
<v Speaker 1>fan and I've been so vocally like hating from like Recovery.

0:52:21.040 --> 0:52:25.080
<v Speaker 1>I like recovery, but anything out of recovery recovery, but

0:52:25.200 --> 0:52:29.240
<v Speaker 1>anything after that relapse recovery where no relap.

0:52:30.480 --> 0:52:35.440
<v Speaker 2>Recovery is good, but relaps wasn't relapse. Relapsed to me

0:52:35.640 --> 0:52:36.880
<v Speaker 2>was his last good album.

0:52:37.360 --> 0:52:39.560
<v Speaker 1>I think I think good.

0:52:39.600 --> 0:52:41.840
<v Speaker 2>I like Recovery good, bro, if you look at the

0:52:41.960 --> 0:52:42.839
<v Speaker 2>raps in there and the.

0:52:42.840 --> 0:52:47.279
<v Speaker 1>Content, it's one of the lyrically strongest album. Accent was weird, bro.

0:52:48.040 --> 0:52:50.520
<v Speaker 3>I know once you get past the accent and you're

0:52:50.520 --> 0:52:53.040
<v Speaker 3>looking at his wordplay and the concept of his records.

0:52:54.640 --> 0:53:02.480
<v Speaker 2>Three Crazy whatever will so Cold, the song will go.

0:53:02.840 --> 0:53:04.760
<v Speaker 2>That song crazy.

0:53:04.320 --> 0:53:07.560
<v Speaker 1>So to me like anything after Recovery so like I

0:53:07.600 --> 0:53:10.919
<v Speaker 1>hated Marshall Mathers LP two. I thought Revivals. I think

0:53:10.960 --> 0:53:12.759
<v Speaker 1>Revival is one of the worst albums.

0:53:12.400 --> 0:53:15.000
<v Speaker 2>That I don't know. If I heard Revival, it's.

0:53:14.640 --> 0:53:16.560
<v Speaker 1>It's the worst. It might be the worst hip hop

0:53:16.600 --> 0:53:20.560
<v Speaker 1>album by a major artist. It is an absolute I

0:53:20.560 --> 0:53:24.279
<v Speaker 1>don't I don't stand by these words. Kama Cozi was

0:53:24.440 --> 0:53:24.839
<v Speaker 1>very hard.

0:53:25.360 --> 0:53:26.839
<v Speaker 2>I didn't hear Kamaki you.

0:53:26.800 --> 0:53:30.879
<v Speaker 1>Know what to murdered by was fucking fire good. That's

0:53:30.960 --> 0:53:35.280
<v Speaker 1>eminem album since probably I heard it once.

0:53:35.320 --> 0:53:37.799
<v Speaker 3>I heard it once and I never went back to it,

0:53:37.880 --> 0:53:40.040
<v Speaker 3>so I probably got to go back.

0:53:39.880 --> 0:53:42.719
<v Speaker 5>To you remember like on like Eminem Show and the

0:53:42.800 --> 0:53:44.840
<v Speaker 5>g and the Ship, like he was like making beats

0:53:44.880 --> 0:53:46.160
<v Speaker 5>that sound like you would used to be able to

0:53:46.200 --> 0:53:48.000
<v Speaker 5>hear Eminem produce beating me like, oh, that sounds like

0:53:48.000 --> 0:53:50.120
<v Speaker 5>an Eminem bat. Like when he did nas is the Cross,

0:53:50.239 --> 0:53:52.720
<v Speaker 5>like like Renegade did the Cross?

0:53:53.160 --> 0:53:57.520
<v Speaker 2>Yes, the version Mary carry the Cross that's.

0:53:57.400 --> 0:54:00.400
<v Speaker 1>On that's a minem bat. What he pretty.

0:54:01.160 --> 0:54:04.600
<v Speaker 2>That was God. I love that song.

0:54:04.640 --> 0:54:08.480
<v Speaker 1>I don't know this is the thing, like I feel

0:54:08.480 --> 0:54:11.200
<v Speaker 1>like music to be murdered by. It sounded like a

0:54:11.239 --> 0:54:13.560
<v Speaker 1>fucking Eminem album. Again, it wasn't like him trying to

0:54:13.840 --> 0:54:15.400
<v Speaker 1>and then other thing like I wish you was stopped

0:54:15.360 --> 0:54:16.640
<v Speaker 1>working with Skyler Gray Dog.

0:54:17.400 --> 0:54:19.880
<v Speaker 2>Like he's trying to make the records and like.

0:54:20.680 --> 0:54:23.480
<v Speaker 5>At least like you know, they got some records. I

0:54:23.480 --> 0:54:26.240
<v Speaker 5>can appreciate the sky of the Great Pink Songs gotta.

0:54:26.080 --> 0:54:26.560
<v Speaker 1>Stop, though.

0:54:27.200 --> 0:54:29.000
<v Speaker 2>I like him when he's on his demonic ship and

0:54:29.080 --> 0:54:31.920
<v Speaker 2>he's like when he's darking on drugs for sure, like

0:54:32.440 --> 0:54:33.040
<v Speaker 2>that song with.

0:54:34.719 --> 0:54:34.879
<v Speaker 1>Bro.

0:54:35.440 --> 0:54:37.920
<v Speaker 3>I think this motherfucker is just speaking Chinese to us

0:54:37.960 --> 0:54:41.120
<v Speaker 3>because he got so technical and good that it's like

0:54:41.320 --> 0:54:44.120
<v Speaker 3>not good. You know, it's like so many like damn,

0:54:44.160 --> 0:54:46.040
<v Speaker 3>you got to rewind and hear what he said here

0:54:46.080 --> 0:54:46.239
<v Speaker 3>and this.

0:54:46.400 --> 0:54:50.239
<v Speaker 1>Like cannabis man, like two thousand BC was tough.

0:54:50.480 --> 0:54:53.840
<v Speaker 4>I think I think Eminem is strictly on how good

0:54:53.880 --> 0:54:57.240
<v Speaker 4>it is and not focused on is this a good how.

0:54:57.120 --> 0:54:58.840
<v Speaker 1>Good of a rapper am I going to be on?

0:54:59.160 --> 0:55:01.279
<v Speaker 1>I like, listen, I like music to be murdered by.

0:55:01.520 --> 0:55:02.400
<v Speaker 2>I need to hear it.

0:55:02.320 --> 0:55:04.600
<v Speaker 1>It's a really really, really really good album.

0:55:04.640 --> 0:55:05.440
<v Speaker 2>I'm excited about that.

0:55:06.080 --> 0:55:08.120
<v Speaker 1>I'm excited for the album too, because at the end

0:55:08.160 --> 0:55:12.000
<v Speaker 1>of the day, if you know, this is the warm up,

0:55:12.040 --> 0:55:14.759
<v Speaker 1>and this is like a vintage eminem warm up, for sure,

0:55:14.800 --> 0:55:15.720
<v Speaker 1>it should be a good album.

0:55:15.800 --> 0:55:19.160
<v Speaker 4>He was gussing the videos dope, video is dope. It's

0:55:19.280 --> 0:55:20.800
<v Speaker 4>just to me, I guess I didn't like that. It

0:55:20.920 --> 0:55:22.880
<v Speaker 4>was two nostalgic for me a couple because I want

0:55:22.920 --> 0:55:26.279
<v Speaker 4>to hear something new, right Versus's.

0:55:25.680 --> 0:55:27.960
<v Speaker 1>Thing obviously made that for people like us who are

0:55:27.960 --> 0:55:31.239
<v Speaker 1>like into his like but if it didn't connect.

0:55:30.960 --> 0:55:33.960
<v Speaker 2>With us, yeah, but it did, though it didn't connect

0:55:33.960 --> 0:55:34.359
<v Speaker 2>with a lot of.

0:55:34.680 --> 0:55:36.799
<v Speaker 1>But but I'm saying, like, who's the demographic for this ship?

0:55:37.040 --> 0:55:38.200
<v Speaker 2>Yeah it was it.

0:55:38.200 --> 0:55:40.880
<v Speaker 1>Ain't nobody belove thirty. Ain't nobody really like you know

0:55:40.920 --> 0:55:43.440
<v Speaker 1>what I'm saying. Like, But a lot of people love it.

0:55:44.080 --> 0:55:44.480
<v Speaker 1>I don't know.

0:55:44.600 --> 0:55:47.320
<v Speaker 2>I think it's just I mean that shit went stupid viral.

0:55:47.800 --> 0:55:49.840
<v Speaker 1>Maybe it was number one. People do love it.

0:55:49.840 --> 0:55:50.120
<v Speaker 2>I don't know.

0:55:50.960 --> 0:55:52.239
<v Speaker 1>And for the record, I don't even hate it. I

0:55:52.239 --> 0:55:53.040
<v Speaker 1>think it's just okay.

0:55:53.160 --> 0:55:57.960
<v Speaker 2>Middle America is pretty big, exactly, But you know.

0:55:57.920 --> 0:56:01.160
<v Speaker 3>What, we need him over like them nineteen ninety nine

0:56:01.239 --> 0:56:04.120
<v Speaker 3>beats like the fucking I just don't give a fuck

0:56:04.200 --> 0:56:06.360
<v Speaker 3>beats like bringing back to some Boom back.

0:56:07.680 --> 0:56:07.919
<v Speaker 1>Listen.

0:56:07.960 --> 0:56:10.680
<v Speaker 5>I didn't think KI was absolute. I thought it was

0:56:10.800 --> 0:56:13.720
<v Speaker 5>just I'm like, dog, I'm not going to re listen

0:56:13.719 --> 0:56:16.279
<v Speaker 5>to this. Yeah, Like I get it. The video was cool,

0:56:16.280 --> 0:56:18.920
<v Speaker 5>the concept was cool. Like the visually. I feel like,

0:56:18.960 --> 0:56:20.640
<v Speaker 5>if you want, if you listen to the song, because

0:56:20.640 --> 0:56:22.360
<v Speaker 5>I fucked up and I heard the song before I

0:56:22.360 --> 0:56:24.200
<v Speaker 5>watched the video and I was.

0:56:24.160 --> 0:56:25.880
<v Speaker 1>Like, this ship is whatever.

0:56:26.000 --> 0:56:26.239
<v Speaker 2>Dog.

0:56:26.560 --> 0:56:28.759
<v Speaker 1>Then you see the video and you're like, oh.

0:56:29.160 --> 0:56:30.880
<v Speaker 2>Yeah, just what he was doing.

0:56:31.719 --> 0:56:34.040
<v Speaker 1>I get it. It's paying how muge to all his

0:56:34.080 --> 0:56:37.520
<v Speaker 1>old videos. I get it, Like hopefully there's some dre

0:56:37.719 --> 0:56:40.920
<v Speaker 1>fucking beats on me and hopefully, you know, just not

0:56:41.040 --> 0:56:42.200
<v Speaker 1>Skylar Gray Bright.

0:56:42.800 --> 0:56:44.719
<v Speaker 4>What was that song, bro, the Devil in Side where

0:56:44.760 --> 0:56:47.520
<v Speaker 4>he's like when the Devil comes and he's like suspending

0:56:47.560 --> 0:56:50.200
<v Speaker 4>an animation like somebody's hold like hold to me there,

0:56:50.320 --> 0:56:53.320
<v Speaker 4>Like when he's just on his fucking like comic book.

0:56:53.239 --> 0:56:57.880
<v Speaker 2>Characters before all of that infinite he's talking about like

0:56:57.960 --> 0:57:00.160
<v Speaker 2>a hunted house or something, right, and he's like the

0:57:00.160 --> 0:57:03.719
<v Speaker 2>books are flying off, flying off shelves. Yeah, I love

0:57:04.239 --> 0:57:05.879
<v Speaker 2>That's one of my biggest influences.

0:57:05.960 --> 0:57:08.000
<v Speaker 3>I like Eminem when I hear him and he sounds

0:57:08.000 --> 0:57:09.239
<v Speaker 3>like a fucking comic book.

0:57:09.360 --> 0:57:12.000
<v Speaker 1>You know. My favorite Eminem era was eminem Show and

0:57:12.000 --> 0:57:14.680
<v Speaker 1>then all the gun It mixtapes and all the like

0:57:14.719 --> 0:57:15.880
<v Speaker 1>Green Lantern mix tapes.

0:57:16.080 --> 0:57:19.200
<v Speaker 2>Yeah yeah, I like the Slim Slim Shadyop was My

0:57:19.200 --> 0:57:21.520
<v Speaker 2>favorite album is eminem Show and then Slim Shadio P.

0:57:21.640 --> 0:57:22.840
<v Speaker 1>Then I had Marshall Baders.

0:57:23.120 --> 0:57:27.360
<v Speaker 2>There was good album classic yeah, yes, class the first three.

0:57:28.680 --> 0:57:30.400
<v Speaker 2>I love that guy. He was one of my biggest

0:57:30.440 --> 0:57:32.160
<v Speaker 2>influences to this day.

0:57:32.280 --> 0:57:35.040
<v Speaker 5>When after eminem Show that had just lose It and

0:57:35.160 --> 0:57:39.520
<v Speaker 5>had uh It had Curtain Curtain Call that was the

0:57:39.520 --> 0:57:41.080
<v Speaker 5>greatest hits uh not.

0:57:42.880 --> 0:57:46.320
<v Speaker 3>It was like, but there was all right, fuck Eminem,

0:57:47.640 --> 0:57:51.760
<v Speaker 3>Aliens June, what's the date today?

0:57:52.400 --> 0:57:58.120
<v Speaker 2>Look, I get it right, Aliens. You know what I'm saying.

0:57:58.200 --> 0:58:01.680
<v Speaker 2>That is gonna be crazy Core Encore. I liked Encore.

0:58:01.880 --> 0:58:02.600
<v Speaker 1>There's some ship on.

0:58:02.960 --> 0:58:04.360
<v Speaker 2>The mocking Bird song on there.

0:58:04.560 --> 0:58:07.000
<v Speaker 5>They had that ship with Obie Trice that you better

0:58:07.080 --> 0:58:09.360
<v Speaker 5>love me. I just want know. That was on the

0:58:09.360 --> 0:58:10.240
<v Speaker 5>eight Miles soundtrack.

0:58:11.160 --> 0:58:14.600
<v Speaker 4>I fucked it on Core. I fucked with everything until

0:58:14.640 --> 0:58:16.720
<v Speaker 4>I think relapsed. I stopped kind of listening.

0:58:16.800 --> 0:58:20.640
<v Speaker 1>Yeah that's fair. Well, look man, L dot aliens. Sometimes

0:58:21.200 --> 0:58:24.640
<v Speaker 1>sometimes July Is think it's in tune.

0:58:24.880 --> 0:58:25.880
<v Speaker 2>Yeah, exactly.

0:58:26.240 --> 0:58:27.360
<v Speaker 1>So he wants to rap or not.

0:58:27.520 --> 0:58:29.800
<v Speaker 2>Bro, I know we weren't here to rap, but I

0:58:29.920 --> 0:58:33.400
<v Speaker 2>kind of like to sure this guy always wants to rap.

0:58:33.440 --> 0:58:36.400
<v Speaker 2>I mean, want to put that hustle in the house

0:58:36.440 --> 0:58:39.200
<v Speaker 2>on there. Man, We're just gonna wrap in the house

0:58:42.400 --> 0:58:46.560
<v Speaker 2>rap everywhere. He damn if it was the interview segment.

0:58:46.480 --> 0:58:48.440
<v Speaker 1>You are now there's the freestyle segment.

0:58:48.880 --> 0:58:52.720
<v Speaker 2>Yeah, let's go all right on a different YouTube video now.

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<v Speaker 2>But we fumble this. We're not gonna drop it.

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<v Speaker 1>Okay, So if you don't see it, they fumbled it. Yeah,

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<v Speaker 1>you won't rap or not sure rap. I get