1
00:00:03,240 --> 00:00:05,600
Speaker 1: All right, Man, Boulet Cap Podcast special guests in here,

2
00:00:06,080 --> 00:00:07,160
Speaker 1: Coyote here.

3
00:00:08,920 --> 00:00:09,280
Speaker 2: Cracking.

4
00:00:09,360 --> 00:00:11,280
Speaker 1: Are you guys coyote for hire officially? Now?

5
00:00:11,560 --> 00:00:15,400
Speaker 3: I think so, Man, because you become for googling, well

6
00:00:15,440 --> 00:00:17,160
Speaker 3: for listen, for Google reasons.

7
00:00:18,000 --> 00:00:20,759
Speaker 1: I feel like when I Google coyote a lot of

8
00:00:20,800 --> 00:00:23,920
Speaker 1: other things, like as you know, the search engine optimization,

9
00:00:23,960 --> 00:00:26,160
Speaker 1: that's your purposes only. I feel like you guys should

10
00:00:26,200 --> 00:00:28,159
Speaker 1: go with the coyote for higher h.

11
00:00:29,040 --> 00:00:32,080
Speaker 4: I feel like people knows for that. People shout us

12
00:00:32,080 --> 00:00:33,559
Speaker 4: out for that, and we don't shot away from it.

13
00:00:33,640 --> 00:00:38,199
Speaker 4: Our record label is Coyote for Hire. But we're still Coyote.

14
00:00:38,240 --> 00:00:40,880
Speaker 4: You know why we're still Coyote because I heard Pitbull say.

15
00:00:40,760 --> 00:00:41,320
Speaker 2: Some real shit.

16
00:00:41,680 --> 00:00:43,200
Speaker 4: He was like, you know what, I know I made

17
00:00:43,240 --> 00:00:47,400
Speaker 4: it when pit Bull came above the and the dog

18
00:00:47,880 --> 00:00:48,839
Speaker 4: when he when you.

19
00:00:49,000 --> 00:00:51,560
Speaker 1: Google, that's true, you know what that's true?

20
00:00:51,600 --> 00:00:54,560
Speaker 5: So you guys at least can see what hey, when

21
00:00:54,600 --> 00:00:57,160
Speaker 5: you google pit Bull, the dog don't come up, you guys.

22
00:00:57,320 --> 00:00:58,360
Speaker 5: You guys have your goal set.

23
00:00:58,520 --> 00:01:00,640
Speaker 3: Yeah, so that's what I was saying. That's finish line.

24
00:01:00,640 --> 00:01:02,760
Speaker 3: But I like Coyote for a little ring to it,

25
00:01:02,800 --> 00:01:05,559
Speaker 3: you know what I'm saying? A little abbreviation as well.

26
00:01:05,640 --> 00:01:07,360
Speaker 3: See four h.

27
00:01:07,600 --> 00:01:08,520
Speaker 1: You can play with that.

28
00:01:08,840 --> 00:01:10,720
Speaker 2: Calls whatever you want. You know what I'm saying.

29
00:01:11,600 --> 00:01:14,280
Speaker 4: People, by the fault, you become your Instagram handle by

30
00:01:14,319 --> 00:01:14,640
Speaker 4: the fall.

31
00:01:14,880 --> 00:01:15,960
Speaker 2: Yeah, for sure, you know what I'm saying.

32
00:01:16,000 --> 00:01:18,800
Speaker 4: So but when you look us up on Spotify and ship,

33
00:01:18,880 --> 00:01:21,920
Speaker 4: it's just Coyote. But the record label that releases all

34
00:01:21,920 --> 00:01:23,920
Speaker 4: our music is Coyote for Hire, So I think we

35
00:01:24,040 --> 00:01:26,520
Speaker 4: pop up even though someone try to take that name too.

36
00:01:26,560 --> 00:01:30,000
Speaker 4: And now artists called Coyote for Hire that pops up

37
00:01:30,040 --> 00:01:32,400
Speaker 4: on our ship, and I'm trying to fucking figure.

38
00:01:32,280 --> 00:01:35,360
Speaker 3: They might have strate strategically did that to get us

39
00:01:35,360 --> 00:01:37,280
Speaker 3: to give them some money or something and buy her

40
00:01:37,280 --> 00:01:38,080
Speaker 3: fucking name back.

41
00:01:38,120 --> 00:01:39,200
Speaker 1: You know what happens a lot.

42
00:01:39,560 --> 00:01:42,080
Speaker 5: They be dropping music too, and they drop music, then

43
00:01:42,080 --> 00:01:44,800
Speaker 5: they're just fucking they're just biting.

44
00:01:44,640 --> 00:01:46,880
Speaker 3: Yeah exactly. But we'll find them, is what it is.

45
00:01:46,959 --> 00:01:49,640
Speaker 3: And all the time we'll find you and we'll kill you.

46
00:01:50,280 --> 00:01:54,800
Speaker 4: Allegedly we're Coyote. Coyote man. Two of us are fucking idiots.

47
00:01:55,040 --> 00:01:56,559
Speaker 1: I really like the Yode's.

48
00:01:56,600 --> 00:01:59,240
Speaker 3: I've been trying to push the change Coyote to the Yotis.

49
00:01:59,280 --> 00:02:02,600
Speaker 3: But you know coyote represents it's two of us, and

50
00:02:02,640 --> 00:02:04,480
Speaker 3: it represents one of us, you know what I'm saying.

51
00:02:05,000 --> 00:02:08,080
Speaker 1: So, yeah, you guys a few different fucking AKA.

52
00:02:08,360 --> 00:02:10,160
Speaker 2: The thing was like, you know, when you hear Queen,

53
00:02:10,720 --> 00:02:11,720
Speaker 2: it's like singular.

54
00:02:11,760 --> 00:02:14,120
Speaker 4: I mean it's singular, and it's like all these great

55
00:02:14,160 --> 00:02:17,519
Speaker 4: Linn Park, Lincoln Park. So it's like when you see him,

56
00:02:17,560 --> 00:02:19,400
Speaker 4: you see me, when you see me, you see him

57
00:02:19,440 --> 00:02:24,359
Speaker 4: mob deep Yeah exactly, Well yeah, mob I gus gang stars.

58
00:02:24,400 --> 00:02:27,800
Speaker 1: They didn't call the gang stars exactly. Yeah.

59
00:02:27,919 --> 00:02:30,959
Speaker 3: It fucking irks me when motherfuckers called us the coyotes.

60
00:02:31,200 --> 00:02:33,640
Speaker 1: I'm like, what, don't add an S to it?

61
00:02:33,760 --> 00:02:36,840
Speaker 3: Man, If you're gonna say you're gonna add the s,

62
00:02:36,960 --> 00:02:38,240
Speaker 3: just say the Yodi's.

63
00:02:38,760 --> 00:02:40,400
Speaker 5: I got to say, I'm super proud of you guys, man,

64
00:02:40,400 --> 00:02:43,919
Speaker 5: because talking to you a lot about yeah, in the

65
00:02:44,000 --> 00:02:46,720
Speaker 5: last couple of years, your journey and yeah, checking in

66
00:02:46,800 --> 00:02:47,359
Speaker 5: everyone you.

67
00:02:47,320 --> 00:02:51,079
Speaker 1: Hated us when you first met us, so you know

68
00:02:51,080 --> 00:02:52,680
Speaker 1: what I mean, both no, but I with y'all.

69
00:02:52,720 --> 00:02:54,760
Speaker 5: I remember like telling him, like when you guys came out,

70
00:02:54,760 --> 00:02:56,239
Speaker 5: I was like, man, this dude's got like a fucking

71
00:02:56,280 --> 00:02:56,800
Speaker 5: sick ass.

72
00:02:56,840 --> 00:02:58,800
Speaker 1: Look like this song just sucks.

73
00:02:59,000 --> 00:03:01,440
Speaker 3: Yeah, shout out the head too, man. He just shouted

74
00:03:01,520 --> 00:03:04,120
Speaker 3: us out not too long ago. He said, everything we've

75
00:03:04,120 --> 00:03:06,480
Speaker 3: been doing for the past twelve months is fucking fire.

76
00:03:06,720 --> 00:03:08,000
Speaker 1: You know, bullshit, and you.

77
00:03:07,960 --> 00:03:09,600
Speaker 3: Know it means a lot coming from Head. He's a

78
00:03:09,600 --> 00:03:10,799
Speaker 3: tough fucking critic, you know what.

79
00:03:11,080 --> 00:03:13,600
Speaker 4: Let me say one thing, bro, when it comes I'm

80
00:03:13,639 --> 00:03:16,560
Speaker 4: gonna give Kevis flowers when it comes to this Mexican

81
00:03:16,680 --> 00:03:17,240
Speaker 4: rap shit.

82
00:03:17,400 --> 00:03:19,240
Speaker 2: This anyone talking about Mexicans.

83
00:03:19,480 --> 00:03:23,160
Speaker 4: The only person whoever brings us up in every conversation

84
00:03:23,600 --> 00:03:26,000
Speaker 4: or at least several that I've heard in the media's keV.

85
00:03:26,280 --> 00:03:29,200
Speaker 4: In the media spaces bootlet keV. Motherfuckers can't bring up

86
00:03:29,240 --> 00:03:32,280
Speaker 4: Mexican rappers and keV don't throw our name in there, bro.

87
00:03:32,400 --> 00:03:35,760
Speaker 2: So for that, because Kevin knows what's up. Man.

88
00:03:35,800 --> 00:03:38,360
Speaker 3: You already know he's a true hip hop head and shit.

89
00:03:38,760 --> 00:03:40,920
Speaker 3: So man, he's always showing us love and you know

90
00:03:41,000 --> 00:03:41,760
Speaker 3: it's gonna be away.

91
00:03:42,080 --> 00:03:43,960
Speaker 5: You guys are joke, man, And like you know, I

92
00:03:44,040 --> 00:03:45,960
Speaker 5: always use you guys as an example now because I

93
00:03:46,000 --> 00:03:48,880
Speaker 5: have like upcoming artists coming up here or they'll be

94
00:03:48,920 --> 00:03:50,800
Speaker 5: recording in the studio and then like if I walk

95
00:03:50,880 --> 00:03:52,640
Speaker 5: by the like, hey, you got any game, and I'll

96
00:03:52,640 --> 00:03:54,640
Speaker 5: be like, man, you know, like at the end of

97
00:03:54,680 --> 00:03:56,720
Speaker 5: the day, bro, like what you guys are doing with

98
00:03:56,760 --> 00:04:01,680
Speaker 5: like freestyles and just like yeah, fucking putting up using

99
00:04:01,720 --> 00:04:05,040
Speaker 5: cap cut and putting your lyrics like you know, like

100
00:04:05,080 --> 00:04:06,880
Speaker 5: at the end of the day, everybody's got an excuse

101
00:04:07,200 --> 00:04:09,720
Speaker 5: for why, Well, I don't have a content guy, or

102
00:04:09,720 --> 00:04:11,120
Speaker 5: I don't have someone to shoot this shit, or I

103
00:04:11,120 --> 00:04:12,560
Speaker 5: don't have this like bitch, you got an iPhone in

104
00:04:12,560 --> 00:04:13,040
Speaker 5: your pocket.

105
00:04:13,160 --> 00:04:14,200
Speaker 2: Yeah, exactly.

106
00:04:14,280 --> 00:04:18,120
Speaker 1: So either you apply yourself enough to figure out how

107
00:04:18,120 --> 00:04:19,960
Speaker 1: to fucking do shit on your own, because I remember

108
00:04:20,040 --> 00:04:21,400
Speaker 1: you and I were talking and you're like, Bro, I'll

109
00:04:21,440 --> 00:04:23,240
Speaker 1: just find a cool spot, you set up the.

110
00:04:23,160 --> 00:04:25,880
Speaker 5: Phone and record, and then I'll edit it and then

111
00:04:25,920 --> 00:04:28,400
Speaker 5: it's up. And then anytime you guys have ever come

112
00:04:28,440 --> 00:04:31,040
Speaker 5: on my show, you're very adamant about, like, Yo, send

113
00:04:31,040 --> 00:04:33,000
Speaker 5: me the raw shit so I can put the lyrics

114
00:04:33,040 --> 00:04:35,159
Speaker 5: on it, so I can click it up myself.

115
00:04:35,520 --> 00:04:36,560
Speaker 1: And we started that way.

116
00:04:36,640 --> 00:04:36,800
Speaker 4: Man.

117
00:04:36,839 --> 00:04:39,039
Speaker 3: Now, if you're on Instagram, and if now you're go

118
00:04:39,080 --> 00:04:41,400
Speaker 3: on Instagram, there's a lot of motherfuckers that are doing

119
00:04:41,440 --> 00:04:44,080
Speaker 3: that little formula that we were doing back then. Now

120
00:04:44,120 --> 00:04:46,240
Speaker 3: we're switching it up, you know, because you can't. You

121
00:04:46,279 --> 00:04:48,719
Speaker 3: can't be a fucking a single trick pony and shit.

122
00:04:48,839 --> 00:04:51,760
Speaker 3: But you know what I mean, we damn near inspired

123
00:04:51,760 --> 00:04:53,479
Speaker 3: a whole little wave of people.

124
00:04:53,200 --> 00:04:55,280
Speaker 1: Trying to do that formula. You know what I'm saying.

125
00:04:55,320 --> 00:04:57,560
Speaker 4: There's a track record, you can find it. I guarantee

126
00:04:57,560 --> 00:04:59,880
Speaker 4: if we're not the first, we're one of the first

127
00:05:00,279 --> 00:05:03,119
Speaker 4: to take that real form just with iPhone, single shot,

128
00:05:03,279 --> 00:05:06,240
Speaker 4: semi creative and put the lyrics in it, and it

129
00:05:06,320 --> 00:05:08,640
Speaker 4: started working for us. The thing is when it starts working,

130
00:05:08,680 --> 00:05:11,800
Speaker 4: then it comes becomes easily duplicated. Sure, and we gave

131
00:05:11,839 --> 00:05:13,440
Speaker 4: a lot of people the game. A lot of homies

132
00:05:13,440 --> 00:05:16,479
Speaker 4: were hitting us up. I won't say names like we

133
00:05:16,520 --> 00:05:18,080
Speaker 4: do my artist elections.

134
00:05:18,120 --> 00:05:21,840
Speaker 2: I remember I was like, bro like, and you should

135
00:05:21,880 --> 00:05:25,080
Speaker 2: do that because we have eight billion people on the phone.

136
00:05:25,640 --> 00:05:28,000
Speaker 4: Your job is to just find them. So that's why

137
00:05:28,040 --> 00:05:31,360
Speaker 4: I say getting best for us, when we got best

138
00:05:31,600 --> 00:05:33,560
Speaker 4: was the best thing that could have ever happened to

139
00:05:33,680 --> 00:05:37,400
Speaker 4: us because we knew we were those guys. So because

140
00:05:37,400 --> 00:05:39,120
Speaker 4: we had a chip on our shoulder, we're like, man,

141
00:05:39,160 --> 00:05:41,080
Speaker 4: fuck that, like We're gonna prove to them we are

142
00:05:41,160 --> 00:05:43,560
Speaker 4: those guys, and the only way to prove it was

143
00:05:43,640 --> 00:05:46,560
Speaker 4: to attack the Internet. And because we were on our

144
00:05:46,600 --> 00:05:49,040
Speaker 4: ass and we couldn't drop music, we just were forced

145
00:05:49,080 --> 00:05:49,800
Speaker 4: to get creative.

146
00:05:49,920 --> 00:05:51,960
Speaker 5: Well, I want to talk about that because obviously, like

147
00:05:52,000 --> 00:05:55,720
Speaker 5: I'm very hip to your guys's journey with whatever's going

148
00:05:55,760 --> 00:05:57,520
Speaker 5: on in the background. But for people who don't know,

149
00:05:58,320 --> 00:06:00,120
Speaker 5: you know, a lot of people were introduced to you

150
00:06:00,160 --> 00:06:01,040
Speaker 5: through being.

151
00:06:00,800 --> 00:06:04,520
Speaker 1: Signed to Whack. Yeah, right, shot to Whack. Whack's my guy.

152
00:06:06,160 --> 00:06:08,080
Speaker 5: Give people kind of a breakdown because you guys are

153
00:06:08,080 --> 00:06:09,560
Speaker 5: currently not with Whack anymore.

154
00:06:09,560 --> 00:06:13,640
Speaker 4: Correct, we are not so whack. Essentially, he found us

155
00:06:13,640 --> 00:06:17,080
Speaker 4: when we were just an idea. We had just created Coyote,

156
00:06:17,200 --> 00:06:20,000
Speaker 4: like two months prior, and we shot two videos, which

157
00:06:20,080 --> 00:06:23,640
Speaker 4: was Viva Mexico and one that never came out, and

158
00:06:23,720 --> 00:06:26,000
Speaker 4: it got into Wax's hands and he's like, oh, well,

159
00:06:26,080 --> 00:06:27,560
Speaker 4: it got into a lot of people's hands, a lot

160
00:06:27,560 --> 00:06:29,800
Speaker 4: of labels, and they were all interested, but of course

161
00:06:29,800 --> 00:06:32,000
Speaker 4: they wanted to see logistics, what the numbers were like,

162
00:06:32,440 --> 00:06:34,799
Speaker 4: and they're like, well, it's just an idea, it doesn't exist.

163
00:06:35,240 --> 00:06:38,159
Speaker 4: Whack liked that it didn't exist, and he's like, fuck it,

164
00:06:38,160 --> 00:06:40,120
Speaker 4: we'll take you from the ground up. Blah blah blah.

165
00:06:40,440 --> 00:06:43,200
Speaker 4: So within two months of inception, we were signed to

166
00:06:43,200 --> 00:06:46,039
Speaker 4: Whack and we were on tour with Blue Face and

167
00:06:46,080 --> 00:06:47,640
Speaker 4: he put he put his money where his mouth. Us

168
00:06:47,720 --> 00:06:50,880
Speaker 4: put a check in our in our bank account, first

169
00:06:50,880 --> 00:06:54,560
Speaker 4: big check as rappers, and that's pretty tight, right yeah.

170
00:06:54,560 --> 00:06:57,279
Speaker 4: But then twenty twenty happened, So that was late twenty nineteen.

171
00:06:57,360 --> 00:07:00,800
Speaker 4: Twenty twenty happened. It started off eight we were on

172
00:07:00,880 --> 00:07:04,480
Speaker 4: tour with Game all over Europe, killing it, you know

173
00:07:04,480 --> 00:07:06,760
Speaker 4: what I'm saying, And then we come back to the

174
00:07:06,800 --> 00:07:10,559
Speaker 4: world being shut down, which in turn led to us

175
00:07:10,600 --> 00:07:15,840
Speaker 4: being benched. And then when we got benched, we kind

176
00:07:15,880 --> 00:07:18,800
Speaker 4: of just decided to take matters into our own hands

177
00:07:18,920 --> 00:07:21,840
Speaker 4: and we started moving independently even though we were signed

178
00:07:22,200 --> 00:07:24,600
Speaker 4: and WAC never stopped it. Soul shut out to him,

179
00:07:24,840 --> 00:07:28,280
Speaker 4: and then we really stepped on the gas twenty twenty two,

180
00:07:28,400 --> 00:07:31,120
Speaker 4: and then as of last year, it started gaining a

181
00:07:31,160 --> 00:07:34,360
Speaker 4: lot of momntums. So naturally he was calling because you know,

182
00:07:34,680 --> 00:07:37,200
Speaker 4: he put some money in our pocket, and we just

183
00:07:37,360 --> 00:07:39,240
Speaker 4: made it right with him. We're like, what's your number?

184
00:07:40,240 --> 00:07:43,360
Speaker 4: He said his number, We gave it to him, and

185
00:07:43,400 --> 00:07:45,400
Speaker 4: it's all up, bro, he caused the phone. I'll still

186
00:07:45,440 --> 00:07:46,800
Speaker 4: answer vice versa.

187
00:07:47,120 --> 00:07:50,240
Speaker 1: So you guys, essentially, you guys bought your contract.

188
00:07:50,280 --> 00:07:52,760
Speaker 3: Yeah, yeah, we pretty much brought ourselves out of our contract,

189
00:07:52,760 --> 00:07:54,960
Speaker 3: you know, just trying to make the business right, because

190
00:07:55,000 --> 00:07:57,720
Speaker 3: you know, this is a fucking just the music business.

191
00:07:57,760 --> 00:08:00,400
Speaker 3: So not trying to leave any bad blood or whatever.

192
00:08:00,480 --> 00:08:02,040
Speaker 3: But we just had to do what was right for

193
00:08:02,200 --> 00:08:05,200
Speaker 3: us because we were already moving independent. So it was

194
00:08:05,240 --> 00:08:07,320
Speaker 3: like we might as well be independent, Like why are

195
00:08:07,320 --> 00:08:09,400
Speaker 3: we still pigeonholding to this you know what I mean,

196
00:08:09,440 --> 00:08:11,760
Speaker 3: this contract? So you know what I mean, We just

197
00:08:11,800 --> 00:08:13,240
Speaker 3: had to make it right. We made it right, and

198
00:08:13,280 --> 00:08:15,360
Speaker 3: now bet on yourself exactly, bet.

199
00:08:15,200 --> 00:08:17,320
Speaker 4: On yourself and shout out to him because he never

200
00:08:17,440 --> 00:08:20,160
Speaker 4: blocked us when we were because we were releasing on

201
00:08:20,280 --> 00:08:22,200
Speaker 4: DSPs and all that, and he kind of let us

202
00:08:22,200 --> 00:08:25,120
Speaker 4: do our thing even when we were contractually.

203
00:08:24,440 --> 00:08:25,080
Speaker 2: On his shine.

204
00:08:25,240 --> 00:08:27,200
Speaker 1: He could have been like, hey, y'all ain't putting that

205
00:08:27,240 --> 00:08:30,040
Speaker 1: music if it in through one percent.

206
00:08:30,160 --> 00:08:32,800
Speaker 4: So he kept the solid. So when he named his price,

207
00:08:32,840 --> 00:08:35,439
Speaker 4: we kept the solid right back. And it's still all

208
00:08:35,600 --> 00:08:40,240
Speaker 4: ve man, but as of twenty twenty four, we've been independent.

209
00:08:40,679 --> 00:08:42,959
Speaker 1: Congratulations man, Thank you man, thank you man.

210
00:08:43,000 --> 00:08:45,320
Speaker 3: And ever since then, man, we've been moving and doing

211
00:08:45,320 --> 00:08:48,280
Speaker 3: cool shit. And the more shit we do, the more

212
00:08:48,320 --> 00:08:51,840
Speaker 3: shit happens. So like, fucking like, I'm excited to what

213
00:08:51,920 --> 00:08:53,559
Speaker 3: the future is going to hold for us, because man,

214
00:08:53,559 --> 00:08:55,280
Speaker 3: we finally got the ball rolling.

215
00:08:55,320 --> 00:08:55,880
Speaker 1: You know what I'm saying.

216
00:08:55,880 --> 00:08:57,800
Speaker 2: We're growing every fucking day for sure.

217
00:08:58,240 --> 00:09:01,160
Speaker 5: Give me for people who don't know, Like, obviously you

218
00:09:01,240 --> 00:09:03,360
Speaker 5: kind of gave us a quick You guys created the

219
00:09:03,360 --> 00:09:04,200
Speaker 5: group not long ago.

220
00:09:04,240 --> 00:09:05,480
Speaker 1: I mean it's what five years ago?

221
00:09:05,640 --> 00:09:09,720
Speaker 5: Yeah, about five years ago.

222
00:09:09,920 --> 00:09:10,760
Speaker 1: You guys were cutting hair.

223
00:09:11,120 --> 00:09:14,280
Speaker 4: Yeah, yeah, yeah, so we own a barbershop on Melrose.

224
00:09:14,600 --> 00:09:15,800
Speaker 1: You guys still got the barbershop.

225
00:09:15,880 --> 00:09:18,440
Speaker 5: Yeah, okay, yeah, give me the background of like, because

226
00:09:18,440 --> 00:09:20,040
Speaker 5: because obviously that's kind of crazy, you.

227
00:09:20,000 --> 00:09:21,720
Speaker 1: Know, like, let's rap.

228
00:09:21,920 --> 00:09:25,120
Speaker 4: Yeah yeah, so, well, we were already rapping before that.

229
00:09:25,480 --> 00:09:28,240
Speaker 4: We've been in many factions, you know, we've been rapping

230
00:09:28,240 --> 00:09:29,120
Speaker 4: for a long time.

231
00:09:29,559 --> 00:09:31,280
Speaker 2: Then we met Marcus.

232
00:09:30,920 --> 00:09:33,160
Speaker 4: Black I don't know if you know Black, course, Yeah,

233
00:09:33,280 --> 00:09:35,640
Speaker 4: and we met him at our Bark relationship Google.

234
00:09:35,920 --> 00:09:38,600
Speaker 3: Yeah, exactly exactly. One of the sicks in the game

235
00:09:38,720 --> 00:09:40,040
Speaker 3: for so great guy.

236
00:09:40,559 --> 00:09:44,800
Speaker 4: Pen Game's crazy games are crazy, super crazy. One of

237
00:09:44,880 --> 00:09:47,040
Speaker 4: the few people that I feel like Drake stole his

238
00:09:47,120 --> 00:09:48,600
Speaker 4: whole flow and just ran with it.

239
00:09:48,640 --> 00:09:50,000
Speaker 2: I mean a little bit.

240
00:09:50,000 --> 00:09:54,320
Speaker 4: You never heard Marcus Black before Drake, No, not before Drake.

241
00:09:54,400 --> 00:09:57,640
Speaker 4: He sounds like Drake, except.

242
00:09:57,559 --> 00:09:59,520
Speaker 1: I've heard it. I've heard him obviously, I've heard it ship,

243
00:09:59,640 --> 00:09:59,880
Speaker 1: you know.

244
00:09:59,880 --> 00:10:02,560
Speaker 4: Like, and there's some little insight that would kind of

245
00:10:02,600 --> 00:10:07,559
Speaker 4: solidify that, but whatever, I don't know, that's all hear saved, Yeah, exactly.

246
00:10:07,640 --> 00:10:09,760
Speaker 2: But but he's fucking an animal.

247
00:10:10,040 --> 00:10:12,040
Speaker 4: He's one of the few people that I take his

248
00:10:12,120 --> 00:10:14,480
Speaker 4: insight when it comes to my bars, if he feels

249
00:10:14,520 --> 00:10:15,360
Speaker 4: I could have done better.

250
00:10:15,840 --> 00:10:16,960
Speaker 2: So anyways, when he came.

251
00:10:16,800 --> 00:10:18,600
Speaker 4: To our shop, he was the first to really tell

252
00:10:18,679 --> 00:10:21,360
Speaker 4: us like, hey, you guys are dope, but you don't

253
00:10:21,360 --> 00:10:24,640
Speaker 4: have no branding. You're not you're not going hard enough.

254
00:10:24,679 --> 00:10:26,520
Speaker 4: He's like, so, you guys are just dope. But he's like,

255
00:10:26,559 --> 00:10:29,880
Speaker 4: if I would just being dope enough, And I kind

256
00:10:29,880 --> 00:10:31,600
Speaker 4: of was like, it kind of irked.

257
00:10:31,400 --> 00:10:32,240
Speaker 2: Me even at the time.

258
00:10:32,920 --> 00:10:34,800
Speaker 4: But then that's when my brother came up with the

259
00:10:34,840 --> 00:10:37,800
Speaker 4: idea of rebranding, and he came up with Coyote because

260
00:10:38,360 --> 00:10:39,800
Speaker 4: we were going through something.

261
00:10:40,000 --> 00:10:43,680
Speaker 2: I got all the genius ideas we're going through something

262
00:10:43,720 --> 00:10:46,439
Speaker 2: personally too that that just makes this guy takes credit

263
00:10:46,520 --> 00:10:46,960
Speaker 2: for him.

264
00:10:47,280 --> 00:10:52,000
Speaker 4: No, but you know what coyote is right obviously. Yeah,

265
00:10:52,080 --> 00:10:57,439
Speaker 4: And at the time our pops was deported and Marcus

266
00:10:57,520 --> 00:11:00,320
Speaker 4: was like, everything I gotta do should be subtly, like

267
00:11:00,559 --> 00:11:02,959
Speaker 4: with what's going on in your life with like y'all Mexican,

268
00:11:03,040 --> 00:11:06,320
Speaker 4: that's really all superpower. He's like, so everything down to

269
00:11:06,360 --> 00:11:09,520
Speaker 4: your names should be even if it's subtle, it should

270
00:11:09,559 --> 00:11:11,880
Speaker 4: be kind of all time in together for trying to

271
00:11:11,880 --> 00:11:13,479
Speaker 4: put it put your culture.

272
00:11:13,120 --> 00:11:14,440
Speaker 2: On our back.

273
00:11:14,960 --> 00:11:15,640
Speaker 1: Is your dad back?

274
00:11:16,120 --> 00:11:17,079
Speaker 2: Huh No?

275
00:11:17,080 --> 00:11:17,760
Speaker 1: No, damn.

276
00:11:18,640 --> 00:11:21,600
Speaker 3: Where in Mexico's living. He's in TJ. So he stays close,

277
00:11:21,640 --> 00:11:22,920
Speaker 3: you know what I'm saying. So we could go over

278
00:11:22,960 --> 00:11:24,800
Speaker 3: there and go back and forth taking lunch.

279
00:11:25,480 --> 00:11:29,320
Speaker 1: Was at the Dennis last week. I was I had

280
00:11:29,360 --> 00:11:32,280
Speaker 1: to get my crown reattached. Did you ever go to

281
00:11:32,320 --> 00:11:36,040
Speaker 1: Lionfish and TJ? I don't know the restaurant in the world.

282
00:11:36,559 --> 00:11:41,320
Speaker 1: It's like, uh seafood, oh my god, yeah, busting for sure.

283
00:11:41,480 --> 00:11:45,560
Speaker 2: The tackles by his house, all the tagos are fire

284
00:11:45,600 --> 00:11:46,000
Speaker 2: out there.

285
00:11:46,840 --> 00:11:48,719
Speaker 5: So so he's still in TJ. So he's not far

286
00:11:48,840 --> 00:11:51,079
Speaker 5: so you know, it's not like at least that's good.

287
00:11:51,440 --> 00:11:52,520
Speaker 5: How often you guys go back.

288
00:11:52,440 --> 00:11:54,280
Speaker 2: And see him pretty often?

289
00:11:54,320 --> 00:11:56,240
Speaker 1: Now? Yeah? Pretty often?

290
00:11:56,320 --> 00:12:00,080
Speaker 3: Probably like ship every day?

291
00:12:02,840 --> 00:12:06,000
Speaker 1: Yeah, I don't know every day we see him every day?

292
00:12:07,720 --> 00:12:11,120
Speaker 4: Oh yeah Chinese fluid, So Chinese food is great over there.

293
00:12:11,240 --> 00:12:12,720
Speaker 2: But yeah, shout out to my pops.

294
00:12:12,760 --> 00:12:13,000
Speaker 1: Man.

295
00:12:13,600 --> 00:12:16,200
Speaker 4: He he don't even know he was the inspiration for

296
00:12:16,240 --> 00:12:19,480
Speaker 4: the name, and he used to hate that we rapped,

297
00:12:19,520 --> 00:12:20,880
Speaker 4: but he's starting to get it.

298
00:12:21,080 --> 00:12:23,320
Speaker 1: Are you, like, do you like show him ship? Like, Dad, Look,

299
00:12:23,360 --> 00:12:24,400
Speaker 1: we have a song with Shaq.

300
00:12:25,040 --> 00:12:30,199
Speaker 5: Yeah, I mean, like everybody knows who Shack is, Like.

301
00:12:28,800 --> 00:12:31,199
Speaker 3: Like, I mean, I feel like a lot of our

302
00:12:31,240 --> 00:12:34,040
Speaker 3: family members were like, damn, what the fuck Shaquille Neil,

303
00:12:34,440 --> 00:12:37,040
Speaker 3: this is really possible, Like y'a already doing this ship

304
00:12:37,120 --> 00:12:40,560
Speaker 3: And we even have cousins that were artists and stuff,

305
00:12:40,600 --> 00:12:43,840
Speaker 3: and like we're inspiring them to like get back into it,

306
00:12:44,040 --> 00:12:46,200
Speaker 3: which is kind of cool to watch, you know, but

307
00:12:46,240 --> 00:12:48,640
Speaker 3: it's like, you don't want to do this, man, get

308
00:12:48,640 --> 00:12:49,400
Speaker 3: the fuck out of here.

309
00:12:50,320 --> 00:12:51,559
Speaker 1: It looks better than what it.

310
00:12:51,520 --> 00:12:55,080
Speaker 4: Really is, but it looks better than the feelds we've

311
00:12:55,200 --> 00:12:56,000
Speaker 4: inspired My dad.

312
00:12:56,040 --> 00:12:59,000
Speaker 2: Did you see the Poto video? So he was the

313
00:12:59,000 --> 00:13:00,000
Speaker 2: one with Mario Lopez.

314
00:13:00,280 --> 00:13:02,959
Speaker 3: Yeah, we had yeah, yeah, we had his song playing

315
00:13:03,000 --> 00:13:05,720
Speaker 3: in the beginning, and then we did a real, real

316
00:13:05,800 --> 00:13:07,920
Speaker 3: form the real ship that we do. We had him

317
00:13:07,920 --> 00:13:10,080
Speaker 3: playing the guitar, singing a song that he did in

318
00:13:10,160 --> 00:13:13,840
Speaker 3: one take, which was pretty fucking impressive, and we just, uh,

319
00:13:14,160 --> 00:13:16,480
Speaker 3: he was singing in front of a campfire with his

320
00:13:16,520 --> 00:13:19,840
Speaker 3: guitar and we're just chilling to promote that bultchoal rollout

321
00:13:20,400 --> 00:13:21,120
Speaker 3: and it.

322
00:13:21,200 --> 00:13:22,199
Speaker 1: Came out pretty fire.

323
00:13:22,559 --> 00:13:24,640
Speaker 3: And then once we posted it, he seen he got

324
00:13:24,679 --> 00:13:26,480
Speaker 3: like fifteen hundred likes or something like that.

325
00:13:26,840 --> 00:13:27,199
Speaker 1: He was.

326
00:13:28,720 --> 00:13:31,120
Speaker 3: He was like, he's like, he was like, wait till

327
00:13:31,120 --> 00:13:33,079
Speaker 3: I give him that next one. And I'm like, what,

328
00:13:33,280 --> 00:13:34,160
Speaker 3: ain't no next one?

329
00:13:34,360 --> 00:13:36,080
Speaker 1: Get here? Start your own page.

330
00:13:36,880 --> 00:13:38,760
Speaker 2: But that's gonna be the altro to our album. Is

331
00:13:38,760 --> 00:13:39,400
Speaker 2: my dad's song.

332
00:13:39,640 --> 00:13:40,319
Speaker 1: Oh that's fire.

333
00:13:40,960 --> 00:13:42,960
Speaker 4: So he did that one take, bro, because I wanted

334
00:13:43,000 --> 00:13:47,160
Speaker 4: him to sing them I'm throwing it on netas, but.

335
00:13:47,160 --> 00:13:48,079
Speaker 1: He couldn't get it.

336
00:13:48,200 --> 00:13:50,080
Speaker 4: And then I was like, I was like, bro, just

337
00:13:50,120 --> 00:13:52,040
Speaker 4: give me a song, you know, like the back of

338
00:13:52,080 --> 00:13:55,040
Speaker 4: your hand, right, And I just pressed record one, took

339
00:13:55,120 --> 00:13:57,000
Speaker 4: it and you could hear it at the end of

340
00:13:57,040 --> 00:13:59,120
Speaker 4: the recording and I'm like, that's the one. That's the one,

341
00:13:59,120 --> 00:14:01,800
Speaker 4: and I just stopped it. He killed it, So it's

342
00:14:01,800 --> 00:14:03,480
Speaker 4: gonna be we might have him on all of our

343
00:14:03,480 --> 00:14:05,400
Speaker 4: album as trust Fire.

344
00:14:05,960 --> 00:14:08,920
Speaker 1: I love the video because you guys have like Concrete.

345
00:14:08,960 --> 00:14:10,160
Speaker 1: Kemp Flores was in here.

346
00:14:10,400 --> 00:14:12,000
Speaker 2: Just trying to incorporate the culture. Man.

347
00:14:12,040 --> 00:14:12,199
Speaker 1: Bro.

348
00:14:12,480 --> 00:14:14,040
Speaker 5: By the way, I think Concrete is one of the

349
00:14:14,040 --> 00:14:17,280
Speaker 5: most ridiculously hilarious human being.

350
00:14:16,960 --> 00:14:19,040
Speaker 3: That fucking you don't even you don't even got to

351
00:14:19,160 --> 00:14:22,160
Speaker 3: like say anything like this motherfucker just makes facial.

352
00:14:21,800 --> 00:14:25,440
Speaker 5: Express skis have gotten over the years. And then I

353
00:14:25,520 --> 00:14:27,600
Speaker 5: just saw I never seen him do stand up. I

354
00:14:27,640 --> 00:14:29,240
Speaker 5: know he's been blowing up doing stand up. He's not

355
00:14:29,280 --> 00:14:31,600
Speaker 5: doing him for a while. And I saw him the

356
00:14:31,640 --> 00:14:34,640
Speaker 5: other night at the Haha Club in North Hollywood, and

357
00:14:34,680 --> 00:14:37,360
Speaker 5: this motherfucker had me leaking out of my face, but

358
00:14:37,680 --> 00:14:38,520
Speaker 5: I was dead.

359
00:14:38,640 --> 00:14:42,680
Speaker 4: Bro, future Goat go or future Legend. He's already he's

360
00:14:42,680 --> 00:14:43,000
Speaker 4: gonna do.

361
00:14:43,160 --> 00:14:44,960
Speaker 1: He gotta do movies, bro, like he got to write.

362
00:14:45,760 --> 00:14:48,640
Speaker 3: He's a good actor. We had Kemp Floors on there too.

363
00:14:48,720 --> 00:14:49,760
Speaker 3: He's fucking.

364
00:14:51,120 --> 00:14:53,360
Speaker 1: To stand up. Yeah, just he's gonna be on the

365
00:14:53,360 --> 00:14:53,960
Speaker 1: podcast soon.

366
00:14:54,360 --> 00:14:58,480
Speaker 4: I saw you saw he's funny as we're supposed to

367
00:14:58,520 --> 00:15:00,000
Speaker 4: have him on the video too. With that fool got

368
00:15:00,080 --> 00:15:03,640
Speaker 4: to Hollywood is blowing up now He's like, man, I

369
00:15:03,720 --> 00:15:04,640
Speaker 4: go through my agent.

370
00:15:05,280 --> 00:15:12,360
Speaker 1: Really, he just couldn't made Mario Lopez. By the way,

371
00:15:12,360 --> 00:15:12,840
Speaker 1: what happened?

372
00:15:12,840 --> 00:15:12,920
Speaker 2: Man?

373
00:15:13,360 --> 00:15:16,320
Speaker 3: Just internet fan of a fan. That's what it is, man,

374
00:15:16,360 --> 00:15:17,000
Speaker 3: the Internet.

375
00:15:17,120 --> 00:15:17,320
Speaker 1: Man.

376
00:15:17,920 --> 00:15:20,320
Speaker 3: Like I said earlier, Man, you do cool ship and

377
00:15:20,360 --> 00:15:23,800
Speaker 3: more cool shit fucking happens. And for motherfuckers like me

378
00:15:23,840 --> 00:15:26,360
Speaker 3: and my bro, you know what I'm saying. First generation

379
00:15:26,480 --> 00:15:29,920
Speaker 3: Mexican American Mario Lopez was like one of the first

380
00:15:29,920 --> 00:15:31,640
Speaker 3: guys that we seen, like say, by the bet, I

381
00:15:31,640 --> 00:15:33,160
Speaker 3: didn't even know he was Mexican. At first, I thought

382
00:15:33,160 --> 00:15:34,240
Speaker 3: he was like agent or something.

383
00:15:34,440 --> 00:15:35,000
Speaker 1: But then when.

384
00:15:34,920 --> 00:15:38,120
Speaker 3: I found out he was fucking Mexican, all that's pretty cool.

385
00:15:38,240 --> 00:15:41,359
Speaker 3: Like we have a space here, you know, in Hollywood

386
00:15:41,720 --> 00:15:42,760
Speaker 3: type ship, and.

387
00:15:42,640 --> 00:15:45,000
Speaker 4: He wrapped us the right way, like motherfucker. You know,

388
00:15:45,120 --> 00:15:46,880
Speaker 4: always kept making sure he looked good.

389
00:15:48,400 --> 00:15:49,000
Speaker 1: You look good.

390
00:15:49,080 --> 00:15:53,800
Speaker 3: Were usually portrayed as fat, fat ass taco eating motherfucker,

391
00:15:53,840 --> 00:15:56,000
Speaker 3: and he was like looking good and ship. I don't

392
00:15:56,040 --> 00:15:59,720
Speaker 3: know what he'd be doing, bro, motherfucker, don't eat no sugar.

393
00:16:00,000 --> 00:16:00,960
Speaker 1: Since I was a kid.

394
00:16:01,160 --> 00:16:04,760
Speaker 4: He was like one of the first proper representations of latinos.

395
00:16:05,160 --> 00:16:07,280
Speaker 4: So when he reached out to us, like we weren't

396
00:16:07,320 --> 00:16:09,880
Speaker 4: just gonna let it be like oh, he gave us props.

397
00:16:09,880 --> 00:16:12,680
Speaker 4: Oh this is cool. So we immediately are our head

398
00:16:12,720 --> 00:16:14,200
Speaker 4: starts rolling like all right, how.

399
00:16:14,120 --> 00:16:17,640
Speaker 3: Can we and DMUs like, man, you guys are fucking badass.

400
00:16:17,680 --> 00:16:19,720
Speaker 3: I love what you guys are doing. And we're already

401
00:16:19,760 --> 00:16:22,480
Speaker 3: thinking like, oh you think we're badass, we'll come out

402
00:16:22,480 --> 00:16:23,040
Speaker 3: to a video.

403
00:16:23,160 --> 00:16:23,280
Speaker 1: Then.

404
00:16:23,520 --> 00:16:28,400
Speaker 4: Yeah, it was like a serious production produced by us too.

405
00:16:28,520 --> 00:16:30,720
Speaker 2: Shout out to Marmos and Yody Productions.

406
00:16:30,880 --> 00:16:33,440
Speaker 1: Are you guys directing all your own ship? Co direct? Yeah?

407
00:16:33,520 --> 00:16:35,040
Speaker 2: Co directing? Damn here you know you.

408
00:16:35,000 --> 00:16:37,840
Speaker 1: Guys got this videos out right now? Yeah you know

409
00:16:37,880 --> 00:16:38,400
Speaker 1: what I'm saying.

410
00:16:38,480 --> 00:16:40,800
Speaker 3: Yeah, first man, Yeah, we just all get together and

411
00:16:40,880 --> 00:16:42,440
Speaker 3: just kind of just start throwing things at the wall,

412
00:16:42,480 --> 00:16:45,000
Speaker 3: spitball in and then like whenever we picked something up,

413
00:16:45,040 --> 00:16:47,600
Speaker 3: we just start running with it and just start treading

414
00:16:47,840 --> 00:16:48,920
Speaker 3: idea his back, and so.

415
00:16:48,880 --> 00:16:50,400
Speaker 2: We pretty much pitch it tomorrow.

416
00:16:50,560 --> 00:16:52,560
Speaker 4: We didn't even have a song yet, bro, but we're

417
00:16:52,680 --> 00:16:56,560
Speaker 4: just like, yo, we got this idea, which was that

418
00:16:56,640 --> 00:17:00,680
Speaker 4: Western idea I sent them the Desperado You ever seen

419
00:17:00,720 --> 00:17:04,000
Speaker 4: that esproto of course when Steve he's at the bar

420
00:17:04,080 --> 00:17:07,800
Speaker 4: and he sang, fucking course the biggest Mexican I ever seen, bro.

421
00:17:07,920 --> 00:17:10,639
Speaker 4: And then we then we incorporated the Selena's dad in

422
00:17:10,680 --> 00:17:13,640
Speaker 4: the movie. So I pretty much pitched him the whole

423
00:17:13,800 --> 00:17:16,960
Speaker 4: fucking bit. It took him like three weeks to respond,

424
00:17:17,080 --> 00:17:19,600
Speaker 4: but once she responded, he's like, man, I'm fucking in.

425
00:17:19,920 --> 00:17:22,280
Speaker 4: And what we do with those type of guys him Shack,

426
00:17:22,480 --> 00:17:24,680
Speaker 4: We pretty much structure the whole shoot around them.

427
00:17:25,119 --> 00:17:28,880
Speaker 1: You kind of have to their availabilities. Whenever you're available,

428
00:17:28,880 --> 00:17:30,240
Speaker 1: we'll make it work. Yeah.

429
00:17:30,040 --> 00:17:31,800
Speaker 3: Yeah, he has to do that with me too, Like

430
00:17:31,920 --> 00:17:33,960
Speaker 3: he has to like structure it around me because I'll

431
00:17:34,000 --> 00:17:35,240
Speaker 3: be like, yeah, Shack.

432
00:17:36,000 --> 00:17:38,080
Speaker 4: I just tell this motherfucker where to be. But I'm like,

433
00:17:38,119 --> 00:17:40,520
Speaker 4: this motherfucker's fucking day to day too, Dawn there.

434
00:17:40,720 --> 00:17:44,840
Speaker 2: Yeah.

435
00:17:44,960 --> 00:17:46,560
Speaker 1: Yeah, man, he gave us a date.

436
00:17:46,520 --> 00:17:48,600
Speaker 4: And then boom, now we're like said, now we need

437
00:17:48,640 --> 00:17:50,240
Speaker 4: a song because we didn't have a song. We made

438
00:17:50,240 --> 00:17:53,240
Speaker 4: this song like a week or two before we were

439
00:17:53,280 --> 00:17:54,800
Speaker 4: already shooting the video.

440
00:17:55,600 --> 00:17:58,720
Speaker 1: Wow. So so that song was recorded after you knew

441
00:17:58,800 --> 00:17:59,639
Speaker 1: he was down to this.

442
00:18:00,520 --> 00:18:03,680
Speaker 4: We had two potential songs, but we both He wasn't

443
00:18:03,680 --> 00:18:05,640
Speaker 4: sold on one and I wasn't sold on the other.

444
00:18:06,160 --> 00:18:07,800
Speaker 2: So then I was like, A, then we got to

445
00:18:07,840 --> 00:18:08,480
Speaker 2: make something else.

446
00:18:08,560 --> 00:18:11,320
Speaker 4: And then last minute we got Magic on it, MC

447
00:18:11,480 --> 00:18:14,040
Speaker 4: Magic on it, and then you know, we got the

448
00:18:14,080 --> 00:18:18,240
Speaker 4: whole cast legend, the legend shout up, where are you from?

449
00:18:18,240 --> 00:18:18,600
Speaker 1: Phoenix?

450
00:18:18,680 --> 00:18:19,040
Speaker 2: Phoenix?

451
00:18:19,119 --> 00:18:21,280
Speaker 1: Right there? It is, Yes, my bro, I notice sounds

452
00:18:21,280 --> 00:18:22,359
Speaker 1: a kid there.

453
00:18:22,400 --> 00:18:24,760
Speaker 3: Were going to tap in with Magic tomorrow. We're flying

454
00:18:24,760 --> 00:18:28,560
Speaker 3: out the Houston. We're going on the video there headsweek.

455
00:18:28,960 --> 00:18:30,879
Speaker 4: We going to Houston tomorrow to shoot a song with

456
00:18:30,960 --> 00:18:33,879
Speaker 4: Mexican O t N, MC Magic and the Yodis. So

457
00:18:34,480 --> 00:18:36,440
Speaker 4: we're just tomorrow tomorrow.

458
00:18:36,560 --> 00:18:38,919
Speaker 5: Yeah, ship, I just got invited by OT's dad to

459
00:18:38,920 --> 00:18:40,520
Speaker 5: go back out there to shoot hogs this week.

460
00:18:40,800 --> 00:18:42,600
Speaker 2: This week when pull up tomorrow.

461
00:18:42,960 --> 00:18:44,439
Speaker 5: I got a fucking interview. I got a money back

462
00:18:44,520 --> 00:18:48,520
Speaker 5: yo interview on fucking Wednesday. That's tomorrow, tomorrow, Wednesday.

463
00:18:48,720 --> 00:18:52,320
Speaker 2: Yeah, how many days you out there just in and out?

464
00:18:52,440 --> 00:18:52,920
Speaker 2: No man?

465
00:18:53,240 --> 00:18:57,240
Speaker 4: Magic literally hit us up yesterday midday and I was like, damn,

466
00:18:57,480 --> 00:19:00,159
Speaker 4: like we I mean, it's terrible timing, but yes, like

467
00:19:00,280 --> 00:19:01,840
Speaker 4: fuck it will be there you know what I'm saying.

468
00:19:02,200 --> 00:19:04,920
Speaker 4: So we're gonna be up there some more legendary ship.

469
00:19:05,000 --> 00:19:06,520
Speaker 4: We got that be Real ship. I don't know when

470
00:19:06,520 --> 00:19:07,640
Speaker 4: this is gonna drop, but I.

471
00:19:07,560 --> 00:19:10,960
Speaker 1: Saw the be Real uh trailer look sick.

472
00:19:11,000 --> 00:19:14,399
Speaker 4: You video is awesome. Shout out to be Real man, Like,

473
00:19:14,440 --> 00:19:16,840
Speaker 4: We're just it's crazy. We're in this space now where

474
00:19:16,840 --> 00:19:19,439
Speaker 4: we're kind of like rubbing shoulders with people that we

475
00:19:19,520 --> 00:19:23,200
Speaker 4: grew up admiring and they have a similar admiration to us,

476
00:19:23,240 --> 00:19:27,080
Speaker 4: and it's kind of like, uh, hard to grab some time.

477
00:19:27,320 --> 00:19:29,840
Speaker 5: What I think like too, is like you know, like, uh,

478
00:19:30,200 --> 00:19:32,720
Speaker 5: I don't like the I've never liked like when you

479
00:19:32,880 --> 00:19:35,920
Speaker 5: just box people in on their race, like when people

480
00:19:35,960 --> 00:19:39,400
Speaker 5: say like, yo, you're a dope Mexican rapper. Like someone

481
00:19:39,480 --> 00:19:43,040
Speaker 5: asked me, uh, I did a podcast yesterday and they were.

482
00:19:42,920 --> 00:19:46,400
Speaker 1: Just like, who's Like, who's the dope rapper from LA?

483
00:19:47,240 --> 00:19:49,440
Speaker 5: I mentioned you guys, I think I met, I mentioned

484
00:19:50,040 --> 00:19:52,840
Speaker 5: I mentioned Ruccie, but I was like, I like Lefty,

485
00:19:52,960 --> 00:19:55,520
Speaker 5: you know he's entertaining, but I wasn't like for a

486
00:19:55,560 --> 00:19:58,000
Speaker 5: Mexican guy, you know what I'm saying, Like yeah, and

487
00:19:58,040 --> 00:20:01,480
Speaker 5: I feel like, you know you guys as our MC's

488
00:20:02,240 --> 00:20:03,919
Speaker 5: happened to be Mexican, and I kind of look at

489
00:20:03,960 --> 00:20:05,600
Speaker 5: like OT that way, and I look at like super

490
00:20:05,640 --> 00:20:09,560
Speaker 5: guys that way, and it's like, I feel like the

491
00:20:09,560 --> 00:20:15,280
Speaker 5: the narrative of Mexican mcs being like boxed in or

492
00:20:15,400 --> 00:20:17,919
Speaker 5: like type cast it into like a sohol year.

493
00:20:18,000 --> 00:20:20,680
Speaker 1: Yeah you can go do lowrider shows you. I feel

494
00:20:20,680 --> 00:20:23,640
Speaker 1: like that ships like starting to finally like got away. Man.

495
00:20:23,880 --> 00:20:26,320
Speaker 2: It is because we got the numbers in this country.

496
00:20:26,400 --> 00:20:29,760
Speaker 2: It's the biggest minority in the country, and we're actually

497
00:20:29,800 --> 00:20:32,240
Speaker 2: now getting to the point where we can box with

498
00:20:32,720 --> 00:20:34,520
Speaker 2: whoever you put us in the ring with, you know

499
00:20:34,520 --> 00:20:35,000
Speaker 2: what I'm saying.

500
00:20:35,040 --> 00:20:36,919
Speaker 4: So not all of us, but a lot of us.

501
00:20:37,000 --> 00:20:39,240
Speaker 4: And I think Mexican OT is one of them. Like

502
00:20:39,280 --> 00:20:40,760
Speaker 4: you put them on a song with anyone, he could

503
00:20:40,800 --> 00:20:43,160
Speaker 4: probably box or hang. I think me and my brother

504
00:20:43,240 --> 00:20:46,159
Speaker 4: are up there, you guys, dough Man, I think is

505
00:20:46,240 --> 00:20:46,560
Speaker 4: up there?

506
00:20:46,760 --> 00:20:51,280
Speaker 1: Man is crazy? Oh god, he's yeah, she's fired.

507
00:20:51,840 --> 00:20:54,320
Speaker 3: You know what really fucking irks me though, When motherfuckers

508
00:20:54,320 --> 00:20:57,320
Speaker 3: be like, oh, this is the Mexican YG or this

509
00:20:57,359 --> 00:21:00,920
Speaker 3: is the Mexican Kendrick and Jcob, It's like, man, what

510
00:21:00,960 --> 00:21:01,399
Speaker 3: the fuck?

511
00:21:01,440 --> 00:21:03,600
Speaker 2: That just sounds retarded, Bro, I don't hear you know what.

512
00:21:03,760 --> 00:21:05,199
Speaker 1: You know what, you never heard anybody saying that kind

513
00:21:05,200 --> 00:21:06,080
Speaker 1: of shit about cypers.

514
00:21:05,920 --> 00:21:08,719
Speaker 2: Hill exactly exactly.

515
00:21:08,359 --> 00:21:10,560
Speaker 3: Right, because everybody try to make a post about me

516
00:21:10,600 --> 00:21:13,520
Speaker 3: and my bro saying we're the Mexican fucking Kendrick and

517
00:21:13,600 --> 00:21:15,880
Speaker 3: j Cole, which is way out of line. I think,

518
00:21:15,960 --> 00:21:18,520
Speaker 3: like we got our own style, you know what I'm saying.

519
00:21:18,840 --> 00:21:21,440
Speaker 3: And I was just like, what the fuck that's fucking weird, Yeah,

520
00:21:21,680 --> 00:21:23,200
Speaker 3: fucking super lame.

521
00:21:23,440 --> 00:21:24,879
Speaker 5: What's like almost like what you guys said about the

522
00:21:24,920 --> 00:21:28,040
Speaker 5: pitopull thing. It's like you guys, your guys's goals a

523
00:21:28,040 --> 00:21:28,520
Speaker 5: lot bigger.

524
00:21:28,560 --> 00:21:30,760
Speaker 4: We're up there for sure, and people, I think that's

525
00:21:30,760 --> 00:21:36,520
Speaker 4: why it's taking us longer to get there because people,

526
00:21:36,760 --> 00:21:39,120
Speaker 4: I don't know, man, in La, you see what's going on, bro,

527
00:21:39,280 --> 00:21:42,240
Speaker 4: Like besides the people that are already huge, like Tyler

528
00:21:42,320 --> 00:21:45,240
Speaker 4: and all the TV guys, no one in our realm

529
00:21:45,320 --> 00:21:48,639
Speaker 4: of success or fame or a little above or below

530
00:21:49,040 --> 00:21:52,520
Speaker 4: it's doing creative stuff like us, Bro. Not nobody like

531
00:21:52,600 --> 00:21:53,880
Speaker 4: point them out, brocause I.

532
00:21:53,840 --> 00:21:55,080
Speaker 2: Don't see it, you know what I'm saying.

533
00:21:55,119 --> 00:22:00,800
Speaker 4: And sometimes in Las it takes longer because they're used

534
00:22:00,800 --> 00:22:03,160
Speaker 4: to seeing the same ship and the same ship.

535
00:22:03,119 --> 00:22:05,160
Speaker 1: Works and it's the same the same ship.

536
00:22:05,280 --> 00:22:07,280
Speaker 5: Like that's the thing is, like, you know, you guys

537
00:22:07,320 --> 00:22:09,560
Speaker 5: aren't doing like running gun hip hop videos. You guys

538
00:22:09,560 --> 00:22:12,920
Speaker 5: are doing like really well thought out, like yeah, fucking

539
00:22:13,400 --> 00:22:14,200
Speaker 5: movies I did.

540
00:22:14,359 --> 00:22:17,719
Speaker 1: Like, are you guys working with one person that shoots

541
00:22:17,800 --> 00:22:19,080
Speaker 1: this stuff tomorrow?

542
00:22:19,200 --> 00:22:21,119
Speaker 3: He's been doing our stuff as of lately, but we

543
00:22:21,160 --> 00:22:22,919
Speaker 3: gotta we got a couple of dudes we like to

544
00:22:22,920 --> 00:22:23,359
Speaker 3: fuck with.

545
00:22:23,520 --> 00:22:26,199
Speaker 1: You know. The visions all feel very like similar to.

546
00:22:26,280 --> 00:22:27,000
Speaker 2: Yeah, very similar.

547
00:22:27,080 --> 00:22:29,640
Speaker 3: Yeah, yeah, the ones we've been posting lately, Yes, all

548
00:22:30,080 --> 00:22:33,000
Speaker 3: working with Marmo Smatmo Films and the DP.

549
00:22:33,160 --> 00:22:36,159
Speaker 4: He has a super dope to Caesar, shout out to Caesar.

550
00:22:36,480 --> 00:22:39,760
Speaker 4: We got a good thing going, man, where they see

551
00:22:39,760 --> 00:22:42,320
Speaker 4: our visions and they're able to elevate them and add

552
00:22:42,359 --> 00:22:45,640
Speaker 4: their own vision. And sometimes most times we co direct,

553
00:22:45,680 --> 00:22:48,880
Speaker 4: but the last one to be real one and even

554
00:22:48,920 --> 00:22:51,479
Speaker 4: the Devil one, we kind of step back on that

555
00:22:51,520 --> 00:22:54,080
Speaker 4: one and kind of just let them do it because

556
00:22:54,119 --> 00:22:56,880
Speaker 4: typically we're so hands on where we probably get annoying

557
00:22:57,160 --> 00:22:59,920
Speaker 4: because we're like just like but then when we step

558
00:23:00,040 --> 00:23:02,639
Speaker 4: back sometimes we're like we should have stepped in more.

559
00:23:04,000 --> 00:23:05,400
Speaker 1: Yeah, this last one is coming out.

560
00:23:05,440 --> 00:23:07,919
Speaker 3: I was kind of fucking pissed off about it, but

561
00:23:08,320 --> 00:23:10,760
Speaker 3: it's gonna be cool still. At the end of the day,

562
00:23:10,760 --> 00:23:14,919
Speaker 3: it's just my own nitpicking and I'm my worst critic,

563
00:23:14,960 --> 00:23:17,280
Speaker 3: you know what I mean. So whenever I see space

564
00:23:17,280 --> 00:23:20,640
Speaker 3: for improvement, I'm gonna fucking be vocal about it and say, nah,

565
00:23:21,000 --> 00:23:23,639
Speaker 3: you fucking should have fucking listened to me, jackass, when

566
00:23:23,680 --> 00:23:26,560
Speaker 3: I told you this about fucking film this goddamnit, say that.

567
00:23:26,560 --> 00:23:27,439
Speaker 2: No one's gonna know.

568
00:23:27,680 --> 00:23:31,760
Speaker 4: But you know, but because when we see our contemporaries,

569
00:23:31,760 --> 00:23:33,080
Speaker 4: a lot of people like you said one of the

570
00:23:33,080 --> 00:23:35,960
Speaker 4: boxers in with the Mexicans, right, which I'll take it, bro,

571
00:23:36,119 --> 00:23:38,560
Speaker 4: Like I fuck with the doat Mexican movement going on.

572
00:23:39,040 --> 00:23:42,640
Speaker 4: I love it, and you know, we're not the head

573
00:23:42,640 --> 00:23:45,160
Speaker 4: of the spirit, but we're on the way. But our

574
00:23:45,200 --> 00:23:51,400
Speaker 4: contemporaries to me is like Kendrick lamar Uh Tyler the creator.

575
00:23:51,240 --> 00:23:53,640
Speaker 1: Right Creatively, that's that's the bar you're trying.

576
00:23:53,400 --> 00:23:57,359
Speaker 4: To So we have a conversation with ourselves where it's like, Okay,

577
00:23:57,880 --> 00:24:01,760
Speaker 4: if this is how we view ourselves, we have to

578
00:24:01,760 --> 00:24:04,760
Speaker 4: present it as such, you know, what I'm saying, So, uh,

579
00:24:04,920 --> 00:24:06,520
Speaker 4: you know, we're making bread off music.

580
00:24:06,840 --> 00:24:08,440
Speaker 2: It comes to the point so and you.

581
00:24:08,359 --> 00:24:10,359
Speaker 1: Guys are obviously reinvesting because these videos are.

582
00:24:10,320 --> 00:24:11,800
Speaker 2: Back cheap man. You know what I'm saying.

583
00:24:11,840 --> 00:24:13,919
Speaker 4: Motherfuckers go by bust downs and we know we like

584
00:24:13,960 --> 00:24:15,440
Speaker 4: to look flying. We got our shit, you know what

585
00:24:15,440 --> 00:24:17,679
Speaker 4: I'm saying, But we're reinvesting it in the in the

586
00:24:17,720 --> 00:24:21,480
Speaker 4: product because we got to separate ourselves from the bunch,

587
00:24:21,560 --> 00:24:23,720
Speaker 4: because they try to put us in with the bunch,

588
00:24:23,920 --> 00:24:24,560
Speaker 4: but most.

589
00:24:24,320 --> 00:24:27,080
Speaker 5: People would skim on the video and then go buy

590
00:24:27,080 --> 00:24:29,520
Speaker 5: a fucking exactly a Gucci belt or something.

591
00:24:29,560 --> 00:24:31,480
Speaker 4: We're doing the opposite, and we still got enough to

592
00:24:31,520 --> 00:24:33,800
Speaker 4: look fly, you know what I'm saying. Right, and we

593
00:24:33,800 --> 00:24:35,440
Speaker 4: were the bustdowns are on the way, you know what

594
00:24:35,440 --> 00:24:37,000
Speaker 4: I'm saying. We just met up with a dealer and

595
00:24:37,000 --> 00:24:40,560
Speaker 4: all that. But for us, it's more like the art

596
00:24:40,640 --> 00:24:41,280
Speaker 4: comes first.

597
00:24:41,280 --> 00:24:44,040
Speaker 3: But when I look at these fucking receipts sometimes I'm like,

598
00:24:44,200 --> 00:24:46,399
Speaker 3: Namn Man should have just pulled up in front of

599
00:24:46,400 --> 00:24:48,920
Speaker 3: a fly as Web with some bitches and just did that,

600
00:24:48,960 --> 00:24:52,720
Speaker 3: because god damn, you gotta spend this on that and that,

601
00:24:52,920 --> 00:24:56,280
Speaker 3: because the fucking the tab on the clothes and the

602
00:24:56,359 --> 00:24:58,160
Speaker 3: gear and all that also adds up, you know.

603
00:24:58,119 --> 00:25:01,040
Speaker 5: Well how much Like because you guys, there's a few

604
00:25:01,040 --> 00:25:04,680
Speaker 5: western towns you could get around around l A. That's

605
00:25:04,720 --> 00:25:06,200
Speaker 5: not cheap cheap.

606
00:25:06,119 --> 00:25:06,560
Speaker 2: That's all.

607
00:25:06,840 --> 00:25:10,320
Speaker 1: Yeah, put that ship for two days. You've got a

608
00:25:10,320 --> 00:25:13,280
Speaker 1: minimum time, Yeah, especially people you two days.

609
00:25:13,359 --> 00:25:16,560
Speaker 4: Yeah, just to do the math some motherfuckers out here,

610
00:25:16,600 --> 00:25:19,520
Speaker 4: you know what I'm saying, Like, Uh, we don't.

611
00:25:19,560 --> 00:25:22,320
Speaker 2: We don't take this ship lightly. Bro. We spent bag

612
00:25:22,440 --> 00:25:23,840
Speaker 2: six figures on videos.

613
00:25:23,840 --> 00:25:24,000
Speaker 1: Bro.

614
00:25:24,080 --> 00:25:26,800
Speaker 2: It's like like we changed the way we see this ship.

615
00:25:26,880 --> 00:25:29,560
Speaker 3: Like like it's like, what could you do for this

616
00:25:30,200 --> 00:25:32,080
Speaker 3: for hip hop or or whatever it is? You know,

617
00:25:32,160 --> 00:25:33,679
Speaker 3: what can we do for it instead of what it

618
00:25:33,720 --> 00:25:34,440
Speaker 3: could do for us?

619
00:25:34,520 --> 00:25:35,240
Speaker 1: Like you know what I'm saying.

620
00:25:35,280 --> 00:25:38,000
Speaker 3: So we're trying to give it something great, wow, and

621
00:25:38,040 --> 00:25:40,000
Speaker 3: in return that could give us something you know what

622
00:25:40,000 --> 00:25:42,480
Speaker 3: I'm saying. We're just trying to track, trying to switch

623
00:25:42,520 --> 00:25:44,320
Speaker 3: the way we were thinking because we used to wrap

624
00:25:44,440 --> 00:25:46,960
Speaker 3: like to get the money, the fame and all that.

625
00:25:47,240 --> 00:25:49,640
Speaker 3: Now it's like, nah, let's do something fucking good. Let's

626
00:25:49,640 --> 00:25:52,360
Speaker 3: give it back to the Yeah, that's what we're trying to.

627
00:25:52,640 --> 00:25:55,600
Speaker 4: Eat because we want the culture to not only we

628
00:25:55,640 --> 00:25:59,240
Speaker 4: want the culture is starting to respect our pen game.

629
00:25:59,359 --> 00:26:02,399
Speaker 4: And we said our contemporaries like and all these people

630
00:26:02,400 --> 00:26:05,920
Speaker 4: are doing shit for love, Shaq free ninety nine, Mario

631
00:26:05,960 --> 00:26:09,040
Speaker 4: Lopez free ninety nine, be real same. So we have

632
00:26:09,119 --> 00:26:11,200
Speaker 4: all these people that are pulling up because not only

633
00:26:11,200 --> 00:26:14,280
Speaker 4: do they give us a look, a great look, they

634
00:26:14,400 --> 00:26:17,640
Speaker 4: trust us that in return, We're gonna give them a look,

635
00:26:17,720 --> 00:26:20,000
Speaker 4: you know what I'm saying. So, as crazy as it sounds,

636
00:26:20,000 --> 00:26:22,520
Speaker 4: we gave Shack a look. This motherfucker went viral. Snoop

637
00:26:22,560 --> 00:26:26,480
Speaker 4: Dogg posted it, TMZ posted us like three times.

638
00:26:26,800 --> 00:26:31,960
Speaker 2: And Rick Ross trying to copy Kobe and hyeah they copy, Yeah,

639
00:26:32,040 --> 00:26:34,800
Speaker 2: they for show copied it. But Kobe and Shack of this,

640
00:26:34,880 --> 00:26:35,800
Speaker 2: yeah for sure.

641
00:26:37,240 --> 00:26:39,359
Speaker 4: And even Mario Lopez, you know what I'm saying, like

642
00:26:39,400 --> 00:26:40,840
Speaker 4: he's showing a mad love.

643
00:26:40,800 --> 00:26:43,080
Speaker 2: But yeah, yeah, Like what the fuck we don't own Shack?

644
00:26:43,160 --> 00:26:47,480
Speaker 1: You can do record, brother, you want? How was that? Like, Shack?

645
00:26:47,920 --> 00:26:49,680
Speaker 5: How you guys are from l A obviously, so Shacks

646
00:26:49,680 --> 00:26:52,000
Speaker 5: a Laker legend, for got a statue outside of the

647
00:26:52,040 --> 00:26:53,000
Speaker 5: fucking Staple Center.

648
00:26:53,200 --> 00:26:53,840
Speaker 2: Love that guy.

649
00:26:54,000 --> 00:26:55,639
Speaker 1: One of the most famous human beings ever walked the

650
00:26:55,680 --> 00:26:56,280
Speaker 1: face of the ever.

651
00:26:56,440 --> 00:26:58,880
Speaker 3: Yeah, his fucking or is crazy. He's like a god

652
00:26:58,920 --> 00:27:00,280
Speaker 3: amongst men already.

653
00:27:00,320 --> 00:27:03,760
Speaker 5: Third Yodie, how like, first of all, what were the

654
00:27:03,800 --> 00:27:06,320
Speaker 5: discussions between him just being a fan because he always

655
00:27:06,320 --> 00:27:08,920
Speaker 5: shows loved a lot of different artists. Yeah, yeah, a

656
00:27:09,000 --> 00:27:11,439
Speaker 5: lot of independent artists too, But like, how do you

657
00:27:11,480 --> 00:27:14,320
Speaker 5: translate that from like him rapping with you?

658
00:27:15,359 --> 00:27:17,600
Speaker 1: So that's that's fucking sick.

659
00:27:18,040 --> 00:27:20,159
Speaker 4: The first time he ever hit us up, which was

660
00:27:20,200 --> 00:27:22,760
Speaker 4: also video my brother posted just on his phone again

661
00:27:22,880 --> 00:27:24,119
Speaker 4: going back on the phone.

662
00:27:23,880 --> 00:27:25,119
Speaker 2: I was parked on the phone.

663
00:27:25,200 --> 00:27:28,760
Speaker 3: And then we had just recorded a song at I

664
00:27:28,800 --> 00:27:31,000
Speaker 3: forgot whose studio was. We did a song whatever it

665
00:27:31,040 --> 00:27:34,719
Speaker 3: was Holly Morning, yeah in Vegas. Now, this was at

666
00:27:34,760 --> 00:27:36,640
Speaker 3: his house over here. I don't know if he still

667
00:27:36,640 --> 00:27:37,000
Speaker 3: has it.

668
00:27:36,840 --> 00:27:39,720
Speaker 1: It was a while talking about the Giant House, like

669
00:27:40,000 --> 00:27:40,520
Speaker 1: like the White House.

670
00:27:40,560 --> 00:27:44,280
Speaker 2: Yeah, yeah, long gone with French, I never got oh.

671
00:27:44,200 --> 00:27:46,000
Speaker 1: Yeah yeah you said about you take the elevator down?

672
00:27:46,200 --> 00:27:48,760
Speaker 3: Yeah, that spot. We did a song that he had

673
00:27:48,760 --> 00:27:50,880
Speaker 3: a record with French Montana. It never got really sound

674
00:27:50,880 --> 00:27:53,680
Speaker 3: about right, yeah, And I was hearing it the next

675
00:27:53,720 --> 00:27:55,680
Speaker 3: day and I was like, damn, I gassed this motherfucker.

676
00:27:55,760 --> 00:27:58,600
Speaker 3: So I just recorded myself rapping the lyrics posted it,

677
00:27:58,640 --> 00:28:02,400
Speaker 3: didn't think nothing of it, and fucking came across Shack's

678
00:28:02,440 --> 00:28:05,560
Speaker 3: eyes and then fucking next thing you know, we got

679
00:28:05,560 --> 00:28:07,400
Speaker 3: a fucking DM from Shacks ain't dope.

680
00:28:07,480 --> 00:28:09,720
Speaker 1: I'll funk with y'all. Y'all dope as fuck like.

681
00:28:09,760 --> 00:28:12,440
Speaker 3: You're going, and he shot us to follow and then

682
00:28:12,960 --> 00:28:14,440
Speaker 3: we're fucking super hyped that day.

683
00:28:14,600 --> 00:28:16,120
Speaker 2: It was during the pandemic.

684
00:28:15,680 --> 00:28:19,879
Speaker 4: Too, so immediately, like I was legit a fan of

685
00:28:19,920 --> 00:28:21,880
Speaker 4: shacks raps, I love no hooks with him.

686
00:28:22,720 --> 00:28:23,959
Speaker 1: I mean, I know people like to try to give

687
00:28:24,000 --> 00:28:27,119
Speaker 1: Damian the props, but Shack had fucking jay Z and

688
00:28:27,240 --> 00:28:27,560
Speaker 1: Nas on.

689
00:28:27,560 --> 00:28:31,680
Speaker 3: The record and Wool Tang Biggie Black thought you went

690
00:28:31,800 --> 00:28:35,320
Speaker 3: platinum as a rapper like most like it was a

691
00:28:35,359 --> 00:28:39,000
Speaker 3: different time, but this motherfucker had you can't stand the rain, you.

692
00:28:39,000 --> 00:28:43,120
Speaker 4: Understand was fire, So before stopped the ring. Whatever you

693
00:28:43,160 --> 00:28:46,360
Speaker 4: can can't stop, the r can't stop. So not only

694
00:28:46,360 --> 00:28:48,440
Speaker 4: did we show him admiragers and for being a laker,

695
00:28:48,480 --> 00:28:51,320
Speaker 4: but almost immediately we're like above that, like I love

696
00:28:51,400 --> 00:28:54,480
Speaker 4: your pen game as a rapper, I respect you too,

697
00:28:54,640 --> 00:28:56,120
Speaker 4: So immediately we dropped the seed.

698
00:28:56,160 --> 00:28:57,120
Speaker 2: The first day, like.

699
00:28:57,160 --> 00:28:59,200
Speaker 4: One day, hopefully we get you out of retirement and

700
00:28:59,240 --> 00:29:01,160
Speaker 4: get you on a song. And he was just like,

701
00:29:01,200 --> 00:29:03,240
Speaker 4: as long as its hardcore, I'm with it, you know

702
00:29:03,280 --> 00:29:05,280
Speaker 4: what I'm saying. But that was two years before we

703
00:29:05,320 --> 00:29:08,040
Speaker 4: actually got the song done, so it was just like

704
00:29:08,120 --> 00:29:11,000
Speaker 4: relationship building. He started sending his means, we were saying

705
00:29:11,000 --> 00:29:14,080
Speaker 4: me there was like regular stuff. And then last year

706
00:29:14,480 --> 00:29:16,520
Speaker 4: he started sharing our stuff a lot. He was just

707
00:29:16,560 --> 00:29:18,920
Speaker 4: sharing what we were doing. So we're like, all right,

708
00:29:18,920 --> 00:29:21,760
Speaker 4: he's tapped in, so maybe now is the time to

709
00:29:21,800 --> 00:29:23,560
Speaker 4: send him a song. And we had done the song

710
00:29:23,880 --> 00:29:26,720
Speaker 4: that was super hardcore, the Three Locals one, and it

711
00:29:26,800 --> 00:29:29,480
Speaker 4: was with ghost Face Killer in mind because we talked

712
00:29:29,520 --> 00:29:33,720
Speaker 4: to somebody that potentially it could have happened. Yeah, and

713
00:29:33,760 --> 00:29:36,200
Speaker 4: it didn't happen, but we had it and we're like,

714
00:29:36,200 --> 00:29:37,360
Speaker 4: fucking I'm send it to Shack.

715
00:29:37,840 --> 00:29:39,200
Speaker 1: He's my favorite member.

716
00:29:39,400 --> 00:29:43,320
Speaker 2: Really, he's up. There's top three. I love method.

717
00:29:42,960 --> 00:29:45,120
Speaker 5: Man, goes Face in my top ten ever, So top

718
00:29:45,160 --> 00:29:46,960
Speaker 5: ten ever, Yeah, sure, I think goes Face.

719
00:29:47,280 --> 00:29:51,840
Speaker 1: Yeah, his new album's Crazy too Fire.

720
00:29:51,880 --> 00:29:53,480
Speaker 2: He never lost it, yeah, he never.

721
00:29:53,760 --> 00:29:56,600
Speaker 3: He hasn't lost a step bro, and even on the features, bro,

722
00:29:56,680 --> 00:29:58,720
Speaker 3: he still fucking goes crazy.

723
00:29:58,520 --> 00:29:59,520
Speaker 2: Shit with him and nams.

724
00:29:59,680 --> 00:30:04,200
Speaker 3: He went banana, Yeah, I don't never disrespect me records.

725
00:30:04,040 --> 00:30:06,720
Speaker 5: You guys, uh, get get in the record. He sends

726
00:30:06,720 --> 00:30:08,400
Speaker 5: it back to you, and now it's like, all right,

727
00:30:08,440 --> 00:30:09,360
Speaker 5: well we gotta shoot the video.

728
00:30:09,800 --> 00:30:12,840
Speaker 4: Yeah, so again it goes back. He facetimes us. My

729
00:30:12,920 --> 00:30:15,760
Speaker 4: brother immediately like this is the thing. We don't let

730
00:30:16,080 --> 00:30:18,600
Speaker 4: the opportunity just pass. We shoot our shot if it

731
00:30:18,640 --> 00:30:20,680
Speaker 4: felas and felt my brother first thing down there he's

732
00:30:20,720 --> 00:30:22,960
Speaker 4: my brother says, was you know, we gotta bring you

733
00:30:23,000 --> 00:30:23,760
Speaker 4: out to the video.

734
00:30:24,520 --> 00:30:26,240
Speaker 2: Shack's like I'm there, I'm there.

735
00:30:26,320 --> 00:30:29,600
Speaker 4: So we're already like okay, and you know, we hang

736
00:30:29,720 --> 00:30:31,640
Speaker 4: up and then we kind of want to not bother him,

737
00:30:32,040 --> 00:30:34,040
Speaker 4: and then he keeps texting us. He starts sending us

738
00:30:34,040 --> 00:30:36,959
Speaker 4: beats and like da, So I'm like okay, Like Shack's

739
00:30:37,000 --> 00:30:38,760
Speaker 4: really like he's fucking.

740
00:30:38,480 --> 00:30:41,680
Speaker 3: With also sending us memes and ship of yeah dying

741
00:30:41,760 --> 00:30:42,480
Speaker 3: on Instagram.

742
00:30:42,560 --> 00:30:46,080
Speaker 2: It was just pretty so all right, we're on the

743
00:30:46,120 --> 00:30:47,080
Speaker 2: same you guys.

744
00:30:47,240 --> 00:30:48,200
Speaker 1: We're the saying.

745
00:30:49,720 --> 00:30:51,880
Speaker 3: Once you start trading memes with each other, you're like,

746
00:30:51,920 --> 00:30:54,080
Speaker 3: all right, this is becoming like a friendship here.

747
00:30:54,160 --> 00:30:56,160
Speaker 1: So it was like all right, he just got.

748
00:30:56,000 --> 00:30:57,680
Speaker 3: A little bit more comfortable, you know what I mean.

749
00:30:57,720 --> 00:30:59,120
Speaker 3: He can tell his motherfucker anything.

750
00:30:59,360 --> 00:31:00,360
Speaker 1: So he was on tour.

751
00:31:00,800 --> 00:31:03,400
Speaker 4: I saw he was in La one day and I

752
00:31:03,440 --> 00:31:05,600
Speaker 4: was like, shock, if you could give us fucking one hour,

753
00:31:05,680 --> 00:31:09,280
Speaker 4: bro that yeah, we'll plan it around done in an hour. Yeah,

754
00:31:09,640 --> 00:31:12,520
Speaker 4: he said, yes, we planned it. He gave us two

755
00:31:12,520 --> 00:31:15,480
Speaker 4: hours and we did what we did and he we

756
00:31:15,640 --> 00:31:20,440
Speaker 4: went stupid viral and that was like another step on

757
00:31:20,480 --> 00:31:22,800
Speaker 4: the gas that it boosted us even more than what

758
00:31:22,880 --> 00:31:24,880
Speaker 4: we were already doing. Man, he's been a real blessing.

759
00:31:25,320 --> 00:31:27,880
Speaker 4: He text us randomly. He's really embodied being the third

760
00:31:27,920 --> 00:31:32,480
Speaker 4: member of Coyote. We have a few other songs with him. Yeah,

761
00:31:32,520 --> 00:31:34,520
Speaker 4: he just text us randomly like around.

762
00:31:35,320 --> 00:31:37,760
Speaker 3: But there was an award for like the most random

763
00:31:37,840 --> 00:31:40,280
Speaker 3: link up. I think that one would have won it

764
00:31:40,320 --> 00:31:44,320
Speaker 3: for for sure, the most random link of shack.

765
00:31:44,840 --> 00:31:46,200
Speaker 1: But ship we made that ship.

766
00:31:46,200 --> 00:31:49,360
Speaker 2: I would have never thought.

767
00:31:48,160 --> 00:31:51,360
Speaker 1: There Jersey Living.

768
00:31:51,480 --> 00:31:53,160
Speaker 2: Yeah, we got to songs that we got to.

769
00:31:53,440 --> 00:31:55,320
Speaker 3: We're gonna hang those up at the studio, you know

770
00:31:55,360 --> 00:31:58,160
Speaker 3: what I mean. Yeah, but that's the bro And it's

771
00:31:58,200 --> 00:32:00,440
Speaker 3: crazy to say that, but it's true, like us to bro,

772
00:32:00,640 --> 00:32:02,440
Speaker 3: like we talk to them all the time.

773
00:32:03,080 --> 00:32:07,520
Speaker 5: Explain to me, like, how because you guys obviously being

774
00:32:07,520 --> 00:32:10,600
Speaker 5: with Whack, I felt like I felt like you guys

775
00:32:10,640 --> 00:32:14,120
Speaker 5: were kind of obviously when you sign with Whack, opportunities

776
00:32:14,120 --> 00:32:17,400
Speaker 5: come because Whack is a well connected person. Those opportunities

777
00:32:17,440 --> 00:32:19,840
Speaker 5: don't necessarily translate into like real fans.

778
00:32:20,120 --> 00:32:21,560
Speaker 2: Yeah, definitely not right.

779
00:32:21,760 --> 00:32:23,720
Speaker 5: But I feel like what you guys have been doing

780
00:32:23,720 --> 00:32:26,000
Speaker 5: the last like year and a half or so, you

781
00:32:26,040 --> 00:32:28,360
Speaker 5: guys are building like a real buzz or real fan base.

782
00:32:28,480 --> 00:32:31,000
Speaker 5: What was it like that you feel like you guys

783
00:32:31,040 --> 00:32:37,040
Speaker 5: started to do differently that translated into people becoming actual fans,

784
00:32:37,120 --> 00:32:39,280
Speaker 5: not like passive fans. I'm talking about like people who like,

785
00:32:39,400 --> 00:32:41,080
Speaker 5: go buy a ticket, people who buy a T shirt,

786
00:32:41,080 --> 00:32:41,800
Speaker 5: people who are like you.

787
00:32:41,880 --> 00:32:44,560
Speaker 3: Just you can't cheat the work, bro, You can't fool

788
00:32:44,600 --> 00:32:46,880
Speaker 3: the people. You can't cheat the work. Like if a

789
00:32:46,920 --> 00:32:49,800
Speaker 3: motherfucker puts a bag behind you and it it throws

790
00:32:49,840 --> 00:32:51,720
Speaker 3: you out there, that doesn't mean it's gonna work, you

791
00:32:51,760 --> 00:32:53,160
Speaker 3: know what I mean. You can get all the code

792
00:32:53,200 --> 00:32:55,880
Speaker 3: signs in the world, but if your shit's not connecting

793
00:32:55,920 --> 00:32:59,400
Speaker 3: with anybody, you don't got a message, Like what's your movement?

794
00:32:59,440 --> 00:32:59,959
Speaker 1: What is it for?

795
00:33:00,400 --> 00:33:00,600
Speaker 2: Mean?

796
00:33:00,760 --> 00:33:03,800
Speaker 3: Like people aren't gonna fucking follow you because you can't

797
00:33:03,920 --> 00:33:07,800
Speaker 3: cheat the system like you need a What we did

798
00:33:08,000 --> 00:33:10,360
Speaker 3: was like we started trying to cater to them, and

799
00:33:10,400 --> 00:33:13,240
Speaker 3: we fucking forgot what made us get in this position

800
00:33:13,360 --> 00:33:15,960
Speaker 3: in the first place. That's why we hit a little

801
00:33:16,000 --> 00:33:17,479
Speaker 3: bump on the road, you know what I mean at

802
00:33:17,480 --> 00:33:20,560
Speaker 3: that time. But what we fucking started doing is like, nah,

803
00:33:20,560 --> 00:33:23,120
Speaker 3: what God is here? The way we were fucking rapping

804
00:33:23,160 --> 00:33:25,720
Speaker 3: back then, So let's get back to that and start

805
00:33:25,720 --> 00:33:28,120
Speaker 3: connecting with people on a different level so we can

806
00:33:28,160 --> 00:33:31,600
Speaker 3: build this colt following that just follows us. And then

807
00:33:32,000 --> 00:33:34,560
Speaker 3: once you build that bro like in music, you'll never

808
00:33:34,640 --> 00:33:35,200
Speaker 3: go hungry.

809
00:33:35,280 --> 00:33:37,920
Speaker 1: Like those motherfuckers are gonna always support you to support,

810
00:33:38,200 --> 00:33:41,920
Speaker 1: so they're gonna they're gonna buy buy the sweater exactly

811
00:33:41,960 --> 00:33:44,480
Speaker 1: by the heart, special edition whatever.

812
00:33:44,760 --> 00:33:47,240
Speaker 3: Yeah, So that's what That's what was our mentality going

813
00:33:47,280 --> 00:33:49,160
Speaker 3: into it, like, nah, we can't cheat the ship, Like,

814
00:33:49,240 --> 00:33:51,760
Speaker 3: let's put the footwork in that's needed instead of like,

815
00:33:51,800 --> 00:33:54,920
Speaker 3: all right, let's get this fucking big ass fucking industry

816
00:33:55,200 --> 00:33:58,600
Speaker 3: to put their name behind our ship and blasts out there.

817
00:33:58,640 --> 00:34:00,880
Speaker 3: Because they did that, and now the hood rat record

818
00:34:00,920 --> 00:34:03,360
Speaker 3: that you're a fan of you love so much. Win

819
00:34:03,680 --> 00:34:07,040
Speaker 3: but yeah, yeah, to win top forty on rhythmic rhythmic charts.

820
00:34:07,040 --> 00:34:08,640
Speaker 3: I don't know if that means anything. I don't know

821
00:34:08,680 --> 00:34:10,759
Speaker 3: what the fuck rhythmic.

822
00:34:10,200 --> 00:34:12,680
Speaker 2: Charts is, but I remember it's a billboard though.

823
00:34:13,239 --> 00:34:15,120
Speaker 1: Yeah, and they record is dope.

824
00:34:15,120 --> 00:34:17,640
Speaker 3: But you can't cheat the fucking work, bro, Like you

825
00:34:17,680 --> 00:34:20,000
Speaker 3: want to build fans, go out there, let the people

826
00:34:20,040 --> 00:34:22,120
Speaker 3: touch you while the fuck you acting famous when you

827
00:34:22,200 --> 00:34:26,120
Speaker 3: got fucking whatever followers you got, Like, Bro, you can't

828
00:34:26,200 --> 00:34:27,120
Speaker 3: cheat the fucking work.

829
00:34:27,880 --> 00:34:30,600
Speaker 4: And I think also, like again going back to what

830
00:34:30,680 --> 00:34:33,480
Speaker 4: you're trying to appeage, there's A and RS and people

831
00:34:33,520 --> 00:34:35,600
Speaker 4: telling you when we pull up with our dope shit,

832
00:34:35,680 --> 00:34:37,080
Speaker 4: even like the ship we deal with sim but we

833
00:34:37,160 --> 00:34:39,520
Speaker 4: pulled up like yo, look what we got, and people

834
00:34:39,520 --> 00:34:41,080
Speaker 4: are like, no one wants to hear this ship. No

835
00:34:41,160 --> 00:34:42,160
Speaker 4: wants to hear this ship.

836
00:34:42,760 --> 00:34:46,759
Speaker 3: You start beleave in bro and nowadays broke because of

837
00:34:46,800 --> 00:34:49,640
Speaker 3: the Internet, there's a space for anybody to find their

838
00:34:49,680 --> 00:34:52,160
Speaker 3: crowd and grab them and then fucking eat off of the.

839
00:34:52,239 --> 00:34:54,239
Speaker 5: Problem with the people who you're talking about A and

840
00:34:54,360 --> 00:34:57,880
Speaker 5: RS is like their livelihood, like them being gainfully employed,

841
00:34:58,280 --> 00:35:00,560
Speaker 5: depends on whether or not a song is uote unquote

842
00:35:00,600 --> 00:35:03,480
Speaker 5: hit record. So when they get like I would almost

843
00:35:03,480 --> 00:35:06,439
Speaker 5: say almost any A and R period, when they give

844
00:35:06,440 --> 00:35:09,120
Speaker 5: you feedback, it's coming from a place of job security.

845
00:35:09,400 --> 00:35:11,799
Speaker 4: Yeah, and that's why now they're losing their jobs in

846
00:35:11,840 --> 00:35:14,920
Speaker 4: the industries and shambles because you have people like us

847
00:35:15,000 --> 00:35:18,560
Speaker 4: that we're direct to consumer, like I don't need nobody's approval.

848
00:35:18,680 --> 00:35:20,920
Speaker 4: Like once we started doing, like, look, bro, this is

849
00:35:20,920 --> 00:35:22,239
Speaker 4: what we want to do. This is not only what

850
00:35:22,280 --> 00:35:24,040
Speaker 4: we want to do. This is what we're best at.

851
00:35:24,400 --> 00:35:26,239
Speaker 4: Because trying to do the LA sound and all this

852
00:35:26,280 --> 00:35:29,000
Speaker 4: other stuff, we could do it. But if I'm Steph

853
00:35:29,000 --> 00:35:31,719
Speaker 4: Curry in the three pointers, my fucking go to while

854
00:35:31,760 --> 00:35:34,960
Speaker 4: the fuck am I not shooting the three Yeah, So

855
00:35:35,000 --> 00:35:37,319
Speaker 4: that's kind of the angle we started taking. And if

856
00:35:37,360 --> 00:35:40,239
Speaker 4: we fell on what we're good at, at least it's

857
00:35:40,280 --> 00:35:43,160
Speaker 4: on our fucking it's on us, it's on you.

858
00:35:43,440 --> 00:35:46,040
Speaker 5: You're like going out your way, Like hey man, I

859
00:35:46,040 --> 00:35:48,839
Speaker 5: can't blame this on anybody because you could at least

860
00:35:48,840 --> 00:35:50,640
Speaker 5: go to sleep at night knowing we did it our

861
00:35:50,680 --> 00:35:52,400
Speaker 5: way and it didn't work, and that's fine. But if

862
00:35:52,400 --> 00:35:54,040
Speaker 5: you go to sleep at night and it didn't work

863
00:35:54,760 --> 00:35:57,319
Speaker 5: because you followed trends, or you followed with some.

864
00:35:57,719 --> 00:36:00,799
Speaker 4: That doesn't feel good, that feels terrible, that's work because

865
00:36:00,800 --> 00:36:02,840
Speaker 4: you agree with them. I remember people started saying it

866
00:36:02,880 --> 00:36:04,719
Speaker 4: about hood right even when you guys told us and

867
00:36:04,760 --> 00:36:06,560
Speaker 4: a few other people, I was like, man, the fuck

868
00:36:06,600 --> 00:36:09,080
Speaker 4: the things I agree with these motherfuckers. I hate this song,

869
00:36:09,440 --> 00:36:11,239
Speaker 4: you know what I'm saying, But now I appreciate it

870
00:36:11,280 --> 00:36:13,719
Speaker 4: because it did put a battery in our back.

871
00:36:13,760 --> 00:36:15,560
Speaker 5: And No, but when you guys, even when you guys

872
00:36:15,560 --> 00:36:19,040
Speaker 5: came and rapped, you guys killed it. Yeah, I was like, well,

873
00:36:19,080 --> 00:36:24,759
Speaker 5: these are hard like shit like dope for uh, for

874
00:36:24,880 --> 00:36:27,920
Speaker 5: you guys, man, like give me you guys obviously have

875
00:36:28,040 --> 00:36:30,759
Speaker 5: a guy with two belts, oh.

876
00:36:30,760 --> 00:36:31,960
Speaker 2: Yeah, with a tag team chests.

877
00:36:32,000 --> 00:36:34,239
Speaker 4: But these are our belts really too for everyone I

878
00:36:34,320 --> 00:36:35,440
Speaker 4: think you know what I'm saying, like.

879
00:36:35,440 --> 00:36:38,240
Speaker 3: Kind of heavy, so we need a big, strong, hefty

880
00:36:38,239 --> 00:36:39,680
Speaker 3: guy in the back hold of them for us.

881
00:36:39,800 --> 00:36:42,160
Speaker 4: We actually won these too. This ain't no belts have

882
00:36:42,239 --> 00:36:44,040
Speaker 4: been given this the homicide one.

883
00:36:44,120 --> 00:36:46,919
Speaker 1: Those are WWF's by the way, too, so you didn't

884
00:36:46,960 --> 00:36:48,960
Speaker 1: those aren't fucking like I went to the w W

885
00:36:49,120 --> 00:36:51,520
Speaker 1: shopping bottom recently. No, because that's a w.

886
00:36:51,320 --> 00:36:53,000
Speaker 3: W like if you know, you know, you know what

887
00:36:53,000 --> 00:36:55,600
Speaker 3: I mean. We're fucking big vintage fans.

888
00:36:55,600 --> 00:36:56,320
Speaker 2: You know what I'm saying.

889
00:36:57,280 --> 00:36:59,200
Speaker 1: You know I'm walking some vintage right now. And you

890
00:36:59,200 --> 00:37:00,960
Speaker 1: guys areso wrestling guys.

891
00:37:00,840 --> 00:37:04,960
Speaker 3: Yeah, grew up wrestling, Yeah, I mean I fucking almost

892
00:37:05,040 --> 00:37:06,160
Speaker 3: killed this guy at one point.

893
00:37:06,239 --> 00:37:09,040
Speaker 1: Can you say you grew up wrestling in the dockyard? Yeah,

894
00:37:09,040 --> 00:37:09,640
Speaker 1: in the backyard.

895
00:37:09,719 --> 00:37:11,280
Speaker 2: It was doing a backyard.

896
00:37:11,120 --> 00:37:14,560
Speaker 1: Table ladders, real matches.

897
00:37:16,280 --> 00:37:18,480
Speaker 3: That shit became like a thing where our parents would

898
00:37:18,520 --> 00:37:20,200
Speaker 3: be like when they leave the house and then leave

899
00:37:20,280 --> 00:37:21,440
Speaker 3: us there no wrestling.

900
00:37:22,080 --> 00:37:23,719
Speaker 2: It was like we didn't know it was fake.

901
00:37:24,080 --> 00:37:26,560
Speaker 4: So we're over here really making each other cry because

902
00:37:26,600 --> 00:37:28,600
Speaker 4: we had belts that we would It was a twenty

903
00:37:28,600 --> 00:37:30,759
Speaker 4: four to seventh thing where you could win the belts, right,

904
00:37:31,200 --> 00:37:32,200
Speaker 4: so any given.

905
00:37:32,000 --> 00:37:36,040
Speaker 3: Time and then you win the hardcore belt. Was this

906
00:37:36,080 --> 00:37:39,200
Speaker 3: stuff alcohol right, twenty four to seven belt. I'll be

907
00:37:39,239 --> 00:37:42,720
Speaker 3: walking out the motherfucking bathroom in this motherfucker steel chair.

908
00:37:42,880 --> 00:37:46,000
Speaker 4: But but legit making each other cry, like putting each

909
00:37:46,040 --> 00:37:49,000
Speaker 4: other through tables. He threw a center block in my head.

910
00:37:49,120 --> 00:37:51,560
Speaker 3: I got I was an accident, though it was an

911
00:37:51,560 --> 00:37:56,120
Speaker 3: accident because look one of the little my little cousin Anthony.

912
00:37:56,160 --> 00:37:59,160
Speaker 3: He ended up throwing the belt over the fence because

913
00:37:59,160 --> 00:38:00,959
Speaker 3: we were fining for one of these belts right here

914
00:38:01,320 --> 00:38:04,239
Speaker 3: back in the days, though not these exact belts, but yeah,

915
00:38:04,440 --> 00:38:06,600
Speaker 3: he threw it over the fence and we couldn't wrestle

916
00:38:06,640 --> 00:38:08,640
Speaker 3: anymore because we were trying to climb the ladder to

917
00:38:08,680 --> 00:38:09,160
Speaker 3: get the belt.

918
00:38:09,200 --> 00:38:12,239
Speaker 2: You guys have a ladder match, terrible ladders and in

919
00:38:12,280 --> 00:38:12,880
Speaker 2: the backyard.

920
00:38:13,239 --> 00:38:14,960
Speaker 3: Yeah, so we were all like, damn, I didn't want

921
00:38:15,000 --> 00:38:16,720
Speaker 3: to jump the fence. I could have jumped the fence,

922
00:38:16,760 --> 00:38:19,560
Speaker 3: but I kind of pretend I can't. Yeah, I try

923
00:38:19,600 --> 00:38:21,720
Speaker 3: to act like my fucking ankle was heurt or whatever.

924
00:38:22,080 --> 00:38:24,000
Speaker 3: And then he was like, all right, I'll fucking do it.

925
00:38:24,440 --> 00:38:26,840
Speaker 3: But he couldn't get up there because he was a

926
00:38:26,840 --> 00:38:28,160
Speaker 3: little chunky kid, you know what I mean.

927
00:38:28,360 --> 00:38:30,040
Speaker 2: Put the center block on the floor.

928
00:38:29,880 --> 00:38:31,760
Speaker 3: So he put the center block on the floor, still

929
00:38:31,760 --> 00:38:33,759
Speaker 3: on the center block, jumped over, and he was like,

930
00:38:33,800 --> 00:38:36,000
Speaker 3: but when I jump over, I need the cinder block

931
00:38:36,080 --> 00:38:36,719
Speaker 3: to jump back.

932
00:38:36,800 --> 00:38:39,400
Speaker 2: So when I land, you threw the cinder block so

933
00:38:39,440 --> 00:38:40,319
Speaker 2: I can step on it.

934
00:38:41,239 --> 00:38:42,160
Speaker 1: Wait one second.

935
00:38:43,239 --> 00:38:45,680
Speaker 3: As he jumped over, I grabbed the cinder block, said

936
00:38:45,680 --> 00:38:47,239
Speaker 3: fuck you. I didn't even think I just threw it.

937
00:38:47,280 --> 00:38:48,000
Speaker 2: I don't even want.

938
00:38:51,400 --> 00:38:52,080
Speaker 1: I heard was.

939
00:38:53,560 --> 00:39:00,040
Speaker 3: I was like, I got I know there was a ladder.

940
00:39:01,360 --> 00:39:04,160
Speaker 4: Now and then no one could jump to the defence.

941
00:39:04,200 --> 00:39:05,120
Speaker 4: But not everyone don't.

942
00:39:05,840 --> 00:39:10,960
Speaker 3: I'm scared, like, oh no, he's hurt adrenaline. This guy,

943
00:39:11,000 --> 00:39:13,040
Speaker 3: we don't use the block to jump back over. It

944
00:39:13,480 --> 00:39:16,640
Speaker 3: was covered like his whole face was red. Leading mom

945
00:39:16,680 --> 00:39:18,560
Speaker 3: just stished me up all the time. I'm thinking, like

946
00:39:18,600 --> 00:39:20,160
Speaker 3: how am I getting? How am I going to get

947
00:39:20,160 --> 00:39:21,799
Speaker 3: out of this ship with my mom? She's gonna fuck

948
00:39:21,880 --> 00:39:22,200
Speaker 3: me up?

949
00:39:22,440 --> 00:39:24,400
Speaker 1: And I was like, I got it. I'm gonna blame Anthony.

950
00:39:24,600 --> 00:39:28,040
Speaker 2: He's only four years old. The first we're blaming a

951
00:39:28,040 --> 00:39:28,520
Speaker 2: four year old.

952
00:39:28,600 --> 00:39:32,040
Speaker 1: Yeah, he threw the seconds, but he chucked it. He

953
00:39:32,120 --> 00:39:34,399
Speaker 1: got fucking straight. I said, if.

954
00:39:34,320 --> 00:39:36,480
Speaker 3: Anthony would have never threw the belt over the fence,

955
00:39:36,480 --> 00:39:37,680
Speaker 3: he would have never got crabbed.

956
00:39:37,680 --> 00:39:39,400
Speaker 2: I said, I fell off the fence.

957
00:39:39,600 --> 00:39:41,480
Speaker 3: He shot the Anthony man, he was a real one.

958
00:39:41,520 --> 00:39:43,640
Speaker 3: He took my mom's chew out like a champion and

959
00:39:43,680 --> 00:39:47,279
Speaker 3: wrapped me out. He just sat there and cried him,

960
00:39:47,560 --> 00:39:48,760
Speaker 3: almost chewing him out.

961
00:39:48,640 --> 00:39:51,040
Speaker 2: Like you motherfucker, you throw the belt. Look at what

962
00:39:51,120 --> 00:39:54,279
Speaker 2: happened A big Yeah. They just stished me up out

963
00:39:54,280 --> 00:39:55,360
Speaker 2: there on the kitchen table.

964
00:39:57,560 --> 00:39:59,239
Speaker 5: Have you guys got to link with any wrestlers yet?

965
00:39:59,480 --> 00:40:01,160
Speaker 5: Anybody chat or tapping off?

966
00:40:02,080 --> 00:40:04,879
Speaker 4: We know the homie Santana Proud what's his name?

967
00:40:05,880 --> 00:40:08,000
Speaker 1: From New York? You guy should work with?

968
00:40:08,120 --> 00:40:08,239
Speaker 3: Uh?

969
00:40:09,080 --> 00:40:11,560
Speaker 1: You know there's a guy named st Strickling is the

970
00:40:11,560 --> 00:40:16,439
Speaker 1: a W champ? A rapper really hard? You know him? Yeah?

971
00:40:16,520 --> 00:40:20,200
Speaker 1: He last week we're doing the record fuckers that had

972
00:40:20,239 --> 00:40:20,760
Speaker 1: been crazy.

973
00:40:21,600 --> 00:40:24,040
Speaker 4: We're trying to throw an event where we mixed hip hop,

974
00:40:24,080 --> 00:40:25,280
Speaker 4: wrestling and comedy.

975
00:40:25,680 --> 00:40:29,839
Speaker 1: Bro, y'all should do it. Fucking let's go. We're talking down,

976
00:40:29,960 --> 00:40:31,239
Speaker 1: I'm down, and let's do it.

977
00:40:31,280 --> 00:40:34,000
Speaker 4: We got Rakisi right, we still got Rakeshi's number. We're

978
00:40:34,000 --> 00:40:36,719
Speaker 4: talking with a lot of these guys. Man, let's do it.

979
00:40:36,719 --> 00:40:38,320
Speaker 4: We're gonna have Vernee and Ken hosted.

980
00:40:38,640 --> 00:40:40,000
Speaker 1: I know all kind of wrestlers.

981
00:40:40,000 --> 00:40:42,600
Speaker 2: Dog, let's say less, bro, don't tell.

982
00:40:42,440 --> 00:40:45,040
Speaker 5: Me super tighted with someone like like ah, like a

983
00:40:45,080 --> 00:40:48,520
Speaker 5: few of the USO guys like U Zilla, who's to

984
00:40:48,760 --> 00:40:51,440
Speaker 5: Who's uh the Roman Ranges?

985
00:40:51,440 --> 00:40:56,000
Speaker 1: I think it's his cousin? Fire him, bro? Yeah, I

986
00:40:56,000 --> 00:40:56,880
Speaker 1: know a lot of those guys.

987
00:40:57,000 --> 00:40:58,920
Speaker 2: We're trying to do like a festival bow where's a

988
00:40:59,320 --> 00:41:01,200
Speaker 2: called Yodi Man and ship show.

989
00:41:01,120 --> 00:41:05,239
Speaker 4: Where it's wrestling, comedy and rap. But in the coolest way.

990
00:41:05,520 --> 00:41:07,680
Speaker 3: Where would you do that in the States. The ring,

991
00:41:08,239 --> 00:41:11,080
Speaker 3: it's going to be a wrestling ring. Whoever performs, the

992
00:41:11,120 --> 00:41:14,160
Speaker 3: performers are rapping in the ring. Yeah, everything in the ring.

993
00:41:14,239 --> 00:41:17,840
Speaker 3: The comedy is in the ring, spying in all in

994
00:41:17,880 --> 00:41:20,759
Speaker 3: the ring. It's gonna be a complete ship show. Chaos

995
00:41:20,760 --> 00:41:22,120
Speaker 3: but beautiful sounds fire.

996
00:41:22,320 --> 00:41:23,440
Speaker 2: You heard don Coyote.

997
00:41:24,440 --> 00:41:26,120
Speaker 1: The venue they have like.

998
00:41:29,760 --> 00:41:33,840
Speaker 2: But they already throw wrestling events there. They throw wrestling events.

999
00:41:33,880 --> 00:41:36,400
Speaker 4: They're already. We could put the ring in there, and

1000
00:41:36,440 --> 00:41:38,480
Speaker 4: we could put bleachers in there. We got the connection

1001
00:41:38,560 --> 00:41:41,759
Speaker 4: for bleachers and then they got an upstairs part balcony

1002
00:41:41,760 --> 00:41:42,560
Speaker 4: wraps around it.

1003
00:41:43,080 --> 00:41:45,440
Speaker 2: All that you're down. What were trying to make it

1004
00:41:45,480 --> 00:41:46,480
Speaker 2: like a yearly.

1005
00:41:46,320 --> 00:41:50,319
Speaker 3: Fucking complete circus should be hard Midget strippers.

1006
00:41:49,920 --> 00:41:51,759
Speaker 2: Midge strippers, that would be hard.

1007
00:41:51,880 --> 00:41:55,280
Speaker 1: I I got a lap dance from a single midget

1008
00:41:55,280 --> 00:41:55,920
Speaker 1: stripper before.

1009
00:41:56,400 --> 00:41:59,000
Speaker 2: What you smashing is it wasn't married.

1010
00:42:00,080 --> 00:42:04,239
Speaker 1: If you were married, I'm no, of course not, but

1011
00:42:04,280 --> 00:42:06,279
Speaker 1: if I wasn't married, you're a single. I give it

1012
00:42:06,280 --> 00:42:09,040
Speaker 1: a just to just to say I did it.

1013
00:42:10,000 --> 00:42:13,360
Speaker 2: I guess for the story, like very like chunky.

1014
00:42:13,800 --> 00:42:14,799
Speaker 1: Yeah, you know, they.

1015
00:42:14,719 --> 00:42:18,560
Speaker 3: Got definitely got. They're definitely thick. They thick in the

1016
00:42:18,680 --> 00:42:25,680
Speaker 3: forehead too. Their faces looks like Rihanna's look like Rihanna

1017
00:42:25,840 --> 00:42:28,080
Speaker 3: on a small body.

1018
00:42:28,239 --> 00:42:31,520
Speaker 1: Gorgeous is what I'm saying. But you know they got forehead.

1019
00:42:31,760 --> 00:42:33,759
Speaker 2: Yeah, that's what I'm saying. Like Rihanna is like a

1020
00:42:33,800 --> 00:42:34,680
Speaker 2: full grown midget.

1021
00:42:38,760 --> 00:42:44,880
Speaker 3: US bad mission just kept going.

1022
00:42:46,080 --> 00:42:47,680
Speaker 4: I think she's one of the battest girls out there.

1023
00:42:47,680 --> 00:42:50,560
Speaker 4: But you know, yeah, for sure there's a resemblance there.

1024
00:42:51,360 --> 00:42:53,319
Speaker 1: Yeah, I know there's a resemblance there. For sure.

1025
00:42:53,719 --> 00:42:55,600
Speaker 4: When I see a bad midget, I'll be like, man,

1026
00:42:55,680 --> 00:42:56,640
Speaker 4: I look like Rihanna.

1027
00:42:56,840 --> 00:43:00,920
Speaker 2: Like that.

1028
00:43:01,040 --> 00:43:04,399
Speaker 1: It's great. So talk, let's talk about the album. Yeah.

1029
00:43:04,560 --> 00:43:09,680
Speaker 2: LT Aliens dropped this before after before before on the twelve,

1030
00:43:10,080 --> 00:43:12,440
Speaker 2: I think, so, I think, so that's the day we're

1031
00:43:12,440 --> 00:43:13,319
Speaker 2: aiming for right now.

1032
00:43:13,440 --> 00:43:16,800
Speaker 4: That's you know, on the corner, Yeah to light twelve.

1033
00:43:17,200 --> 00:43:19,640
Speaker 4: So we we we're gonna have a release show.

1034
00:43:19,719 --> 00:43:23,400
Speaker 1: Fourteenth is the fourteenth, Friday Friday.

1035
00:43:23,440 --> 00:43:26,040
Speaker 3: I don't know what today is, so I don't fucking

1036
00:43:26,280 --> 00:43:28,439
Speaker 3: around that time, sometime in June.

1037
00:43:28,520 --> 00:43:29,520
Speaker 1: I think it's July.

1038
00:43:29,680 --> 00:43:34,800
Speaker 2: July, yeah, July, Okay, July twelve.

1039
00:43:34,920 --> 00:43:40,680
Speaker 4: L Dot Aliens featuring the Yodis, Shaq, west Side, Bugie.

1040
00:43:40,480 --> 00:43:45,840
Speaker 2: Rigan, Ricky Blanco, Ricky Blanco, the Game, Dom Man, Jesus.

1041
00:43:46,680 --> 00:43:48,799
Speaker 2: There's a lot of dope ship on there, Sucker Free

1042
00:43:49,360 --> 00:43:53,120
Speaker 2: the Homie from Lantic one on four. It's gonna be dope, man.

1043
00:43:53,160 --> 00:43:55,399
Speaker 2: I'm super proud of it. Uh.

1044
00:43:55,880 --> 00:43:57,520
Speaker 4: We might have a show at the Saint Rock in

1045
00:43:57,600 --> 00:43:59,279
Speaker 4: the South Bay. I know people like to stay in

1046
00:43:59,320 --> 00:44:01,680
Speaker 4: fucking hot, so we're trying to move people out of

1047
00:44:01,719 --> 00:44:05,239
Speaker 4: Hollywood and go to our side of town. That might

1048
00:44:05,280 --> 00:44:07,680
Speaker 4: be the final Roxy though, I know. But they're out

1049
00:44:07,680 --> 00:44:08,520
Speaker 4: of business right now.

1050
00:44:08,880 --> 00:44:12,000
Speaker 3: They're they're not going to open till September or some

1051
00:44:12,080 --> 00:44:12,719
Speaker 3: ship like that.

1052
00:44:12,880 --> 00:44:14,719
Speaker 1: I'm glad they're fixing it. Every time you have to rock,

1053
00:44:14,800 --> 00:44:15,840
Speaker 1: you're like, what the fuck?

1054
00:44:16,760 --> 00:44:18,480
Speaker 4: I think they're opening it back up in August, but

1055
00:44:18,520 --> 00:44:20,759
Speaker 4: I think August is already booked, so they're thinking about

1056
00:44:20,760 --> 00:44:22,680
Speaker 4: booking us there in September.

1057
00:44:22,880 --> 00:44:25,160
Speaker 1: The South Bay show, and then you gotta spin the

1058
00:44:25,200 --> 00:44:26,719
Speaker 1: block and do the Roxy. Yeah.

1059
00:44:26,840 --> 00:44:29,160
Speaker 3: Yeah, it's gonna be more of a like listening type

1060
00:44:29,160 --> 00:44:30,319
Speaker 3: of party, you know what I mean.

1061
00:44:30,440 --> 00:44:32,200
Speaker 2: I don't know. I still don't know what we're gonna do.

1062
00:44:32,239 --> 00:44:34,080
Speaker 3: That we might do, I mean, Ship, we might pull

1063
00:44:34,080 --> 00:44:36,759
Speaker 3: out the midges and tables and ladders and chairs there Ship,

1064
00:44:37,200 --> 00:44:39,239
Speaker 3: who knows it's still away from now.

1065
00:44:39,840 --> 00:44:44,279
Speaker 1: The echo that echoes it's an echo park. That's that's

1066
00:44:44,280 --> 00:44:46,000
Speaker 1: the first time OT was in TOWNY did the echo

1067
00:44:46,040 --> 00:44:47,879
Speaker 1: It's it's a it's a good room.

1068
00:44:48,120 --> 00:44:49,000
Speaker 2: I think we went there.

1069
00:44:49,560 --> 00:44:51,000
Speaker 1: I think it's like four or five hundred tickets.

1070
00:44:51,080 --> 00:44:55,239
Speaker 2: Oh, it came to the studio after that night. Yes, yeah,

1071
00:44:55,520 --> 00:44:57,680
Speaker 2: I remember that was that. I think that was the Echo.

1072
00:44:57,800 --> 00:44:58,000
Speaker 1: Yeah.

1073
00:44:58,040 --> 00:45:00,359
Speaker 5: So there's the Echo Plex and then the Echo. They're

1074
00:45:00,400 --> 00:45:04,800
Speaker 5: like one's it's super fucking weird because one's like below

1075
00:45:04,880 --> 00:45:05,200
Speaker 5: the other.

1076
00:45:06,040 --> 00:45:09,320
Speaker 1: But so you got to like go down the stairs

1077
00:45:09,680 --> 00:45:11,520
Speaker 1: and like walk past all the homeless piss to get

1078
00:45:11,520 --> 00:45:14,360
Speaker 1: to the real. But there's two venues in that space,

1079
00:45:14,600 --> 00:45:15,960
Speaker 1: one of them smaller, one of them is bigger. But

1080
00:45:15,960 --> 00:45:17,359
Speaker 1: it's a good venue, I mean Ship.

1081
00:45:17,600 --> 00:45:17,960
Speaker 2: Yeah.

1082
00:45:18,239 --> 00:45:19,960
Speaker 4: The thing about the same rock, I think we got

1083
00:45:19,960 --> 00:45:21,560
Speaker 4: it for free.

1084
00:45:22,400 --> 00:45:23,160
Speaker 2: They don't like pain.

1085
00:45:23,920 --> 00:45:30,279
Speaker 3: We don't even pay our producers deal Ship because you know,

1086
00:45:30,840 --> 00:45:33,600
Speaker 3: the hardest process for us is just kidding, man, shout

1087
00:45:33,680 --> 00:45:34,960
Speaker 3: all the motherfucking producers.

1088
00:45:34,960 --> 00:45:35,120
Speaker 1: Man.

1089
00:45:37,040 --> 00:45:39,440
Speaker 4: So we go through I swear people think we're joking,

1090
00:45:39,480 --> 00:45:42,600
Speaker 4: but we'll probably go through five hundred beats to find one,

1091
00:45:43,440 --> 00:45:45,920
Speaker 4: and like I guess, we could write to anything, right, Like,

1092
00:45:45,960 --> 00:45:46,960
Speaker 4: if I have to do a.

1093
00:45:46,920 --> 00:45:47,600
Speaker 2: Song, I will.

1094
00:45:47,880 --> 00:45:50,280
Speaker 1: So it's the hardest part for you, Yeah, just because

1095
00:45:50,360 --> 00:45:51,600
Speaker 1: lately we've been we've been.

1096
00:45:51,800 --> 00:45:53,800
Speaker 3: Fighting the beat and then getting the first line is

1097
00:45:53,840 --> 00:45:56,160
Speaker 3: probably the hardest part. You know, Once we got that

1098
00:45:56,360 --> 00:45:57,920
Speaker 3: and then everything just starts flowing.

1099
00:45:58,719 --> 00:46:01,000
Speaker 4: Like you ever hear people say the worst has come

1100
00:46:01,040 --> 00:46:03,799
Speaker 4: to me. So that's what we're searching for now. So

1101
00:46:04,120 --> 00:46:04,560
Speaker 4: I hear it.

1102
00:46:04,560 --> 00:46:07,640
Speaker 2: Bet I want the worst to come. Yeah, just nothing forced.

1103
00:46:07,760 --> 00:46:09,680
Speaker 4: I don't want to thinking, oh I like this beat,

1104
00:46:10,120 --> 00:46:12,279
Speaker 4: and then I'm thinking thinking thinking which I can if

1105
00:46:12,280 --> 00:46:14,839
Speaker 4: I have to. But lately what I'm looking for is

1106
00:46:14,880 --> 00:46:18,120
Speaker 4: I want the beat that pull the ship out of

1107
00:46:18,160 --> 00:46:18,920
Speaker 4: me pretty.

1108
00:46:18,719 --> 00:46:23,040
Speaker 2: Much, So going there with some fully loaded clips.

1109
00:46:22,680 --> 00:46:26,680
Speaker 4: It takes fucking going through five hundred beats, and sometimes

1110
00:46:26,680 --> 00:46:28,839
Speaker 4: we find them on YouTube or beat stars will pay

1111
00:46:28,840 --> 00:46:33,280
Speaker 4: the forty dollars fucking lease or whatever. Sometimes forty dollars

1112
00:46:33,320 --> 00:46:34,560
Speaker 4: exclusive you know what I'm saying.

1113
00:46:35,200 --> 00:46:39,080
Speaker 1: YouTube, Like, YouTube is a great place to find beats.

1114
00:46:39,400 --> 00:46:42,279
Speaker 4: Yeah, but you know, once it shit really starts popping off.

1115
00:46:42,320 --> 00:46:43,440
Speaker 4: I know we're going to get a lot of.

1116
00:46:43,360 --> 00:46:46,400
Speaker 3: People type beat records on this project that we're putting in.

1117
00:46:46,520 --> 00:46:49,120
Speaker 1: So when you find the type beat type record, you

1118
00:46:49,160 --> 00:46:52,160
Speaker 1: just fucking just in the bio.

1119
00:46:52,360 --> 00:46:55,920
Speaker 3: Yeah, there's this thing called it's called transfer YouTube to

1120
00:46:56,040 --> 00:47:00,560
Speaker 3: MP three, no trust, copy baste and then they go

1121
00:47:00,640 --> 00:47:03,480
Speaker 3: straight to the iTunes and then boom, I get on it.

1122
00:47:03,520 --> 00:47:05,919
Speaker 1: Listen. The best way to I'm not even I fuck

1123
00:47:05,960 --> 00:47:07,480
Speaker 1: with a lot of producers, but the best way to

1124
00:47:07,520 --> 00:47:09,000
Speaker 1: really steal a beat is to just send it to

1125
00:47:09,080 --> 00:47:10,600
Speaker 1: a producer who's good enough and be like, can you

1126
00:47:10,680 --> 00:47:11,160
Speaker 1: reproduce this?

1127
00:47:11,400 --> 00:47:13,120
Speaker 2: Yeah, that's facts, that's fact.

1128
00:47:13,239 --> 00:47:14,719
Speaker 1: Now that's frowned upon.

1129
00:47:15,080 --> 00:47:17,600
Speaker 4: Yeah you shouldn't. I get it. Producers probably hate us.

1130
00:47:17,600 --> 00:47:19,839
Speaker 4: But if we know the producers different, we'll give them

1131
00:47:19,880 --> 00:47:22,200
Speaker 4: the splits and all that. But there's been times where

1132
00:47:22,239 --> 00:47:24,839
Speaker 4: we find a producer on YouTube or beat start them

1133
00:47:24,880 --> 00:47:26,880
Speaker 4: and we'll hit them up and there there's no response.

1134
00:47:26,920 --> 00:47:28,919
Speaker 4: I'm like, all right, I'm gonna just upload your ship,

1135
00:47:29,400 --> 00:47:30,920
Speaker 4: you know what I'm saying. Like the dude, we did

1136
00:47:30,920 --> 00:47:33,840
Speaker 4: with Shack. He's never reached out that beat, so he

1137
00:47:33,880 --> 00:47:35,080
Speaker 4: don't know that he has.

1138
00:47:38,320 --> 00:47:40,719
Speaker 1: You must have like giving up on his dream. Has

1139
00:47:40,800 --> 00:47:42,840
Speaker 1: no idea that Shacks wrap it on his beat.

1140
00:47:42,760 --> 00:47:45,319
Speaker 4: No fucking clue, you know what I'm saying. But again,

1141
00:47:45,360 --> 00:47:47,440
Speaker 4: when the producers reach out, we get the business right,

1142
00:47:47,480 --> 00:47:50,000
Speaker 4: you know what I'm saying. But oftentimes we just find

1143
00:47:50,040 --> 00:47:51,840
Speaker 4: the beats on the women. It's like, all right, I

1144
00:47:51,840 --> 00:47:54,759
Speaker 4: don't know who this saying. Yeah, and it's hip hop.

1145
00:47:54,800 --> 00:47:57,680
Speaker 1: Man, you're independent, you know ship hip hop.

1146
00:47:57,719 --> 00:48:01,719
Speaker 2: It was made off stealing, so yeah, for sure. Whatever. Yeah,

1147
00:48:01,760 --> 00:48:02,799
Speaker 2: we've had people what.

1148
00:48:02,840 --> 00:48:04,279
Speaker 3: Was that dude that hit us up? Was like, hey,

1149
00:48:04,280 --> 00:48:07,200
Speaker 3: I bought this beat? You guys are rapping up, Like,

1150
00:48:07,320 --> 00:48:09,279
Speaker 3: all right, buddy, hits ours now? Like, what do you

1151
00:48:09,280 --> 00:48:10,920
Speaker 3: want to do? Suis sue me?

1152
00:48:11,080 --> 00:48:13,680
Speaker 1: Fuck it? Take it down? Yeah? How many streams did

1153
00:48:13,680 --> 00:48:17,560
Speaker 1: you get on the one that you bought? Nothing?

1154
00:48:17,719 --> 00:48:18,080
Speaker 2: Nothing?

1155
00:48:18,320 --> 00:48:20,600
Speaker 3: It was nothing because we looked it up and we're like,

1156
00:48:20,600 --> 00:48:23,280
Speaker 3: what the fuck this shit got like fucking thirty plays?

1157
00:48:23,320 --> 00:48:25,279
Speaker 3: Bro and the kicker is a lot of people use

1158
00:48:25,400 --> 00:48:26,879
Speaker 3: that beat, so I send them a lot of songs

1159
00:48:26,920 --> 00:48:27,080
Speaker 3: I love.

1160
00:48:27,120 --> 00:48:28,279
Speaker 1: How many people use this beat?

1161
00:48:28,320 --> 00:48:30,239
Speaker 3: Like, while you hitting us up because he's seen it

1162
00:48:30,360 --> 00:48:32,439
Speaker 3: was the most traction, like, hey this is my beat,

1163
00:48:32,520 --> 00:48:34,800
Speaker 3: I bought it, I used it, blahlah blah blah blah.

1164
00:48:35,160 --> 00:48:36,880
Speaker 3: And I was like, what are you gonna do, Suis

1165
00:48:36,880 --> 00:48:38,520
Speaker 3: fuck it dude, the producer.

1166
00:48:38,120 --> 00:48:40,839
Speaker 4: Fuck dudecause you already let eight other rappers wrap over

1167
00:48:40,880 --> 00:48:41,719
Speaker 4: there too.

1168
00:48:41,880 --> 00:48:43,240
Speaker 1: Motherfuckers used to resell beats.

1169
00:48:43,320 --> 00:48:45,239
Speaker 3: I'm trying to get sued, bro, to be honest, I

1170
00:48:45,239 --> 00:48:46,960
Speaker 3: want to get sued. It's gonna show me that I'm

1171
00:48:47,280 --> 00:48:47,920
Speaker 3: doing something right.

1172
00:48:48,000 --> 00:48:52,239
Speaker 5: Alchemist once had a beat that he sold to Jadakiss

1173
00:48:52,239 --> 00:48:58,160
Speaker 5: and raz Cast and raz Cast disstant On van Goya,

1174
00:48:58,480 --> 00:49:00,200
Speaker 5: at least on the Van Go demo that they were

1175
00:49:00,200 --> 00:49:01,640
Speaker 5: passing out of Tower Records.

1176
00:49:01,840 --> 00:49:05,359
Speaker 4: Okay, you know Alchemists. Yeah man, I'm trying that. That's

1177
00:49:05,400 --> 00:49:08,480
Speaker 4: our next collab project. We're trying to well.

1178
00:49:08,480 --> 00:49:11,400
Speaker 5: Alchemists is, in my opinion, uh to Go, possibly the

1179
00:49:11,400 --> 00:49:12,160
Speaker 5: greatest of all time.

1180
00:49:12,560 --> 00:49:14,799
Speaker 1: Yeah, up there he's up there, Bro.

1181
00:49:14,520 --> 00:49:15,799
Speaker 2: What I like for what we like?

1182
00:49:15,920 --> 00:49:17,520
Speaker 5: Think about the run he's been on the last like

1183
00:49:17,760 --> 00:49:21,160
Speaker 5: fucking five or six years, bro, Like Alfredo Grammy nominated

1184
00:49:21,760 --> 00:49:23,760
Speaker 5: he did with Larry June, Like all these collab albums

1185
00:49:23,800 --> 00:49:25,920
Speaker 5: he's doing like it's like his second breath is so

1186
00:49:26,000 --> 00:49:28,440
Speaker 5: crazy and for the ship that like you definitely I

1187
00:49:28,440 --> 00:49:31,600
Speaker 5: think Kanye, Timberland, all those guys you know who.

1188
00:49:31,520 --> 00:49:34,840
Speaker 3: Got a sick This is like you know who got

1189
00:49:35,200 --> 00:49:38,080
Speaker 3: nick as second breath of fresh air, Bro, Limp, Biscuit,

1190
00:49:38,640 --> 00:49:42,360
Speaker 3: Fred Durst and them out of nowhere. Bro, They're going crazy.

1191
00:49:42,400 --> 00:49:46,040
Speaker 3: They're the world fucking packing that ship out. And it's

1192
00:49:46,040 --> 00:49:48,439
Speaker 3: not like old motherfuckers in the crowd. There's a bunch

1193
00:49:48,440 --> 00:49:50,840
Speaker 3: of young motherfuckers in the crowd going crazy.

1194
00:49:51,040 --> 00:49:52,080
Speaker 1: I'm not gonna lie, dude.

1195
00:49:52,760 --> 00:49:54,560
Speaker 4: You know we got a Fred Durt's feature coming to

1196
00:49:55,960 --> 00:49:58,560
Speaker 4: we did? We linked up with Dj Lethal Legend.

1197
00:49:58,640 --> 00:50:01,040
Speaker 1: Yeah, he's been fucking shopping Biscuit.

1198
00:50:01,360 --> 00:50:02,320
Speaker 2: Uh.

1199
00:50:02,440 --> 00:50:06,440
Speaker 1: I liked Significant Other a lot. That's a great album.

1200
00:50:06,440 --> 00:50:09,640
Speaker 4: The first album I ever stole was the Chocolate Star Fist.

1201
00:50:09,760 --> 00:50:15,720
Speaker 1: Hot Flavored Water. So some of their songs haven't aged

1202
00:50:15,719 --> 00:50:16,120
Speaker 1: the best.

1203
00:50:16,320 --> 00:50:17,720
Speaker 2: No, I haven't heard that album along.

1204
00:50:17,760 --> 00:50:20,160
Speaker 3: You know roll that Rolling song was a smash right

1205
00:50:20,239 --> 00:50:22,600
Speaker 3: from what I remember. That's but now, like when you

1206
00:50:22,680 --> 00:50:26,960
Speaker 3: hear it, rolling is kind of hard. Breakstuff is breaks

1207
00:50:27,040 --> 00:50:28,920
Speaker 3: up is hard rolling, and you hear it is kind

1208
00:50:28,960 --> 00:50:29,799
Speaker 3: of cheesy.

1209
00:50:29,719 --> 00:50:31,719
Speaker 5: Bump break stuff to but like that ship the ship

1210
00:50:31,760 --> 00:50:35,440
Speaker 5: with method Man pretty hard hardest, hardest.

1211
00:50:36,400 --> 00:50:38,440
Speaker 2: That beat is still one of its beats.

1212
00:50:38,440 --> 00:50:41,920
Speaker 1: Ever, when a freestyle over that.

1213
00:50:42,400 --> 00:50:45,640
Speaker 3: I think, I think I've written to that beat multiple times,

1214
00:50:45,680 --> 00:50:47,399
Speaker 3: but then the verses goes somewhere else.

1215
00:50:47,719 --> 00:50:50,120
Speaker 1: Yeah, fire beat.

1216
00:50:50,320 --> 00:50:53,839
Speaker 2: Rocking, Yeah, all that a good era.

1217
00:50:54,000 --> 00:50:56,600
Speaker 4: That was a good era, bro, your t R my

1218
00:50:56,680 --> 00:51:01,000
Speaker 4: childhood exactly, DM mad Black Kid. You know, and what

1219
00:51:01,160 --> 00:51:02,960
Speaker 4: you think of Eminem ship Man. I saw you do

1220
00:51:03,040 --> 00:51:07,320
Speaker 4: a post about it, the verse or the video he rapped.

1221
00:51:09,200 --> 00:51:11,919
Speaker 4: It's like, the video is fucking great. No, the video

1222
00:51:12,000 --> 00:51:14,840
Speaker 4: is great. I thought he had some videos artis. But

1223
00:51:16,200 --> 00:51:17,920
Speaker 4: I think that as a song.

1224
00:51:19,160 --> 00:51:21,120
Speaker 1: To me, he made that song for people like me

1225
00:51:21,200 --> 00:51:24,480
Speaker 1: who remember nostalgia because because when he used to put

1226
00:51:24,480 --> 00:51:25,680
Speaker 1: his old albums.

1227
00:51:25,440 --> 00:51:28,200
Speaker 3: His first, his first record is always the one picking.

1228
00:51:29,280 --> 00:51:31,719
Speaker 2: But it's like, how I love I don't.

1229
00:51:31,800 --> 00:51:33,799
Speaker 3: I don't like eminem slander at all. You know, I'm

1230
00:51:33,840 --> 00:51:35,440
Speaker 3: a hip hop d I understand.

1231
00:51:35,680 --> 00:51:37,160
Speaker 1: And I actually thought music to be murdered by it.

1232
00:51:37,280 --> 00:51:41,280
Speaker 3: This is my album, and I got excited about kill Jady,

1233
00:51:41,480 --> 00:51:42,960
Speaker 3: the whole thing that he's doing right now.

1234
00:51:42,960 --> 00:51:43,640
Speaker 2: I'm a little.

1235
00:51:43,400 --> 00:51:46,520
Speaker 3: Excited about I'm excited to the title kN slim Shady's

1236
00:51:46,560 --> 00:51:48,759
Speaker 3: dead or whatever. But I think him doing the guess

1237
00:51:48,760 --> 00:51:50,719
Speaker 3: Who's back all the time, Like how many guess whose

1238
00:51:50,719 --> 00:51:51,560
Speaker 3: back songs do we need?

1239
00:51:51,640 --> 00:51:52,200
Speaker 1: This is what I say.

1240
00:51:52,360 --> 00:51:54,600
Speaker 5: I think I understand. I understand what he was trying

1241
00:51:54,640 --> 00:51:56,640
Speaker 5: to do. Yeah, I thought there was some good rapping

1242
00:51:56,680 --> 00:51:58,640
Speaker 5: on their. Eminem is always gonna be good rapping.

1243
00:51:58,600 --> 00:51:59,040
Speaker 1: For sure.

1244
00:52:00,840 --> 00:52:04,960
Speaker 5: I don't love the song. My friend hates it. Who

1245
00:52:04,960 --> 00:52:05,920
Speaker 5: I posted his text.

1246
00:52:05,920 --> 00:52:07,840
Speaker 1: He was like, I've never wanted somebody to be addicted

1247
00:52:07,880 --> 00:52:12,480
Speaker 1: to drugs again. See, I'm an Eminem stand So dude,

1248
00:52:12,480 --> 00:52:14,920
Speaker 1: you have to listen because I am an Eminem fucking

1249
00:52:15,000 --> 00:52:20,759
Speaker 1: fan and I've been so vocally like hating from like Recovery.

1250
00:52:21,040 --> 00:52:25,080
Speaker 1: I like recovery, but anything out of recovery recovery, but

1251
00:52:25,200 --> 00:52:29,240
Speaker 1: anything after that relapse recovery where no relap.

1252
00:52:30,480 --> 00:52:35,440
Speaker 2: Recovery is good, but relaps wasn't relapse. Relapsed to me

1253
00:52:35,640 --> 00:52:36,880
Speaker 2: was his last good album.

1254
00:52:37,360 --> 00:52:39,560
Speaker 1: I think I think good.

1255
00:52:39,600 --> 00:52:41,840
Speaker 2: I like Recovery good, bro, if you look at the

1256
00:52:41,960 --> 00:52:42,839
Speaker 2: raps in there and the.

1257
00:52:42,840 --> 00:52:47,279
Speaker 1: Content, it's one of the lyrically strongest album. Accent was weird, bro.

1258
00:52:48,040 --> 00:52:50,520
Speaker 3: I know once you get past the accent and you're

1259
00:52:50,520 --> 00:52:53,040
Speaker 3: looking at his wordplay and the concept of his records.

1260
00:52:54,640 --> 00:53:02,480
Speaker 2: Three Crazy whatever will so Cold, the song will go.

1261
00:53:02,840 --> 00:53:04,760
Speaker 2: That song crazy.

1262
00:53:04,320 --> 00:53:07,560
Speaker 1: So to me like anything after Recovery so like I

1263
00:53:07,600 --> 00:53:10,919
Speaker 1: hated Marshall Mathers LP two. I thought Revivals. I think

1264
00:53:10,960 --> 00:53:12,759
Speaker 1: Revival is one of the worst albums.

1265
00:53:12,400 --> 00:53:15,000
Speaker 2: That I don't know. If I heard Revival, it's.

1266
00:53:14,640 --> 00:53:16,560
Speaker 1: It's the worst. It might be the worst hip hop

1267
00:53:16,600 --> 00:53:20,560
Speaker 1: album by a major artist. It is an absolute I

1268
00:53:20,560 --> 00:53:24,279
Speaker 1: don't I don't stand by these words. Kama Cozi was

1269
00:53:24,440 --> 00:53:24,839
Speaker 1: very hard.

1270
00:53:25,360 --> 00:53:26,839
Speaker 2: I didn't hear Kamaki you.

1271
00:53:26,800 --> 00:53:30,879
Speaker 1: Know what to murdered by was fucking fire good. That's

1272
00:53:30,960 --> 00:53:35,280
Speaker 1: eminem album since probably I heard it once.

1273
00:53:35,320 --> 00:53:37,799
Speaker 3: I heard it once and I never went back to it,

1274
00:53:37,880 --> 00:53:40,040
Speaker 3: so I probably got to go back.

1275
00:53:39,880 --> 00:53:42,719
Speaker 5: To you remember like on like Eminem Show and the

1276
00:53:42,800 --> 00:53:44,840
Speaker 5: g and the Ship, like he was like making beats

1277
00:53:44,880 --> 00:53:46,160
Speaker 5: that sound like you would used to be able to

1278
00:53:46,200 --> 00:53:48,000
Speaker 5: hear Eminem produce beating me like, oh, that sounds like

1279
00:53:48,000 --> 00:53:50,120
Speaker 5: an Eminem bat. Like when he did nas is the Cross,

1280
00:53:50,239 --> 00:53:52,720
Speaker 5: like like Renegade did the Cross?

1281
00:53:53,160 --> 00:53:57,520
Speaker 2: Yes, the version Mary carry the Cross that's.

1282
00:53:57,400 --> 00:54:00,400
Speaker 1: On that's a minem bat. What he pretty.

1283
00:54:01,160 --> 00:54:04,600
Speaker 2: That was God. I love that song.

1284
00:54:04,640 --> 00:54:08,480
Speaker 1: I don't know this is the thing, like I feel

1285
00:54:08,480 --> 00:54:11,200
Speaker 1: like music to be murdered by. It sounded like a

1286
00:54:11,239 --> 00:54:13,560
Speaker 1: fucking Eminem album. Again, it wasn't like him trying to

1287
00:54:13,840 --> 00:54:15,400
Speaker 1: and then other thing like I wish you was stopped

1288
00:54:15,360 --> 00:54:16,640
Speaker 1: working with Skyler Gray Dog.

1289
00:54:17,400 --> 00:54:19,880
Speaker 2: Like he's trying to make the records and like.

1290
00:54:20,680 --> 00:54:23,480
Speaker 5: At least like you know, they got some records. I

1291
00:54:23,480 --> 00:54:26,240
Speaker 5: can appreciate the sky of the Great Pink Songs gotta.

1292
00:54:26,080 --> 00:54:26,560
Speaker 1: Stop, though.

1293
00:54:27,200 --> 00:54:29,000
Speaker 2: I like him when he's on his demonic ship and

1294
00:54:29,080 --> 00:54:31,920
Speaker 2: he's like when he's darking on drugs for sure, like

1295
00:54:32,440 --> 00:54:33,040
Speaker 2: that song with.

1296
00:54:34,719 --> 00:54:34,879
Speaker 1: Bro.

1297
00:54:35,440 --> 00:54:37,920
Speaker 3: I think this motherfucker is just speaking Chinese to us

1298
00:54:37,960 --> 00:54:41,120
Speaker 3: because he got so technical and good that it's like

1299
00:54:41,320 --> 00:54:44,120
Speaker 3: not good. You know, it's like so many like damn,

1300
00:54:44,160 --> 00:54:46,040
Speaker 3: you got to rewind and hear what he said here

1301
00:54:46,080 --> 00:54:46,239
Speaker 3: and this.

1302
00:54:46,400 --> 00:54:50,239
Speaker 1: Like cannabis man, like two thousand BC was tough.

1303
00:54:50,480 --> 00:54:53,840
Speaker 4: I think I think Eminem is strictly on how good

1304
00:54:53,880 --> 00:54:57,240
Speaker 4: it is and not focused on is this a good how.

1305
00:54:57,120 --> 00:54:58,840
Speaker 1: Good of a rapper am I going to be on?

1306
00:54:59,160 --> 00:55:01,279
Speaker 1: I like, listen, I like music to be murdered by.

1307
00:55:01,520 --> 00:55:02,400
Speaker 2: I need to hear it.

1308
00:55:02,320 --> 00:55:04,600
Speaker 1: It's a really really, really really good album.

1309
00:55:04,640 --> 00:55:05,440
Speaker 2: I'm excited about that.

1310
00:55:06,080 --> 00:55:08,120
Speaker 1: I'm excited for the album too, because at the end

1311
00:55:08,160 --> 00:55:12,000
Speaker 1: of the day, if you know, this is the warm up,

1312
00:55:12,040 --> 00:55:14,759
Speaker 1: and this is like a vintage eminem warm up, for sure,

1313
00:55:14,800 --> 00:55:15,720
Speaker 1: it should be a good album.

1314
00:55:15,800 --> 00:55:19,160
Speaker 4: He was gussing the videos dope, video is dope. It's

1315
00:55:19,280 --> 00:55:20,800
Speaker 4: just to me, I guess I didn't like that. It

1316
00:55:20,920 --> 00:55:22,880
Speaker 4: was two nostalgic for me a couple because I want

1317
00:55:22,920 --> 00:55:26,279
Speaker 4: to hear something new, right Versus's.

1318
00:55:25,680 --> 00:55:27,960
Speaker 1: Thing obviously made that for people like us who are

1319
00:55:27,960 --> 00:55:31,239
Speaker 1: like into his like but if it didn't connect.

1320
00:55:30,960 --> 00:55:33,960
Speaker 2: With us, yeah, but it did, though it didn't connect

1321
00:55:33,960 --> 00:55:34,359
Speaker 2: with a lot of.

1322
00:55:34,680 --> 00:55:36,799
Speaker 1: But but I'm saying, like, who's the demographic for this ship?

1323
00:55:37,040 --> 00:55:38,200
Speaker 2: Yeah it was it.

1324
00:55:38,200 --> 00:55:40,880
Speaker 1: Ain't nobody belove thirty. Ain't nobody really like you know

1325
00:55:40,920 --> 00:55:43,440
Speaker 1: what I'm saying. Like, But a lot of people love it.

1326
00:55:44,080 --> 00:55:44,480
Speaker 1: I don't know.

1327
00:55:44,600 --> 00:55:47,320
Speaker 2: I think it's just I mean that shit went stupid viral.

1328
00:55:47,800 --> 00:55:49,840
Speaker 1: Maybe it was number one. People do love it.

1329
00:55:49,840 --> 00:55:50,120
Speaker 2: I don't know.

1330
00:55:50,960 --> 00:55:52,239
Speaker 1: And for the record, I don't even hate it. I

1331
00:55:52,239 --> 00:55:53,040
Speaker 1: think it's just okay.

1332
00:55:53,160 --> 00:55:57,960
Speaker 2: Middle America is pretty big, exactly, But you know.

1333
00:55:57,920 --> 00:56:01,160
Speaker 3: What, we need him over like them nineteen ninety nine

1334
00:56:01,239 --> 00:56:04,120
Speaker 3: beats like the fucking I just don't give a fuck

1335
00:56:04,200 --> 00:56:06,360
Speaker 3: beats like bringing back to some Boom back.

1336
00:56:07,680 --> 00:56:07,919
Speaker 1: Listen.

1337
00:56:07,960 --> 00:56:10,680
Speaker 5: I didn't think KI was absolute. I thought it was

1338
00:56:10,800 --> 00:56:13,720
Speaker 5: just I'm like, dog, I'm not going to re listen

1339
00:56:13,719 --> 00:56:16,279
Speaker 5: to this. Yeah, Like I get it. The video was cool,

1340
00:56:16,280 --> 00:56:18,920
Speaker 5: the concept was cool. Like the visually. I feel like,

1341
00:56:18,960 --> 00:56:20,640
Speaker 5: if you want, if you listen to the song, because

1342
00:56:20,640 --> 00:56:22,360
Speaker 5: I fucked up and I heard the song before I

1343
00:56:22,360 --> 00:56:24,200
Speaker 5: watched the video and I was.

1344
00:56:24,160 --> 00:56:25,880
Speaker 1: Like, this ship is whatever.

1345
00:56:26,000 --> 00:56:26,239
Speaker 2: Dog.

1346
00:56:26,560 --> 00:56:28,759
Speaker 1: Then you see the video and you're like, oh.

1347
00:56:29,160 --> 00:56:30,880
Speaker 2: Yeah, just what he was doing.

1348
00:56:31,719 --> 00:56:34,040
Speaker 1: I get it. It's paying how muge to all his

1349
00:56:34,080 --> 00:56:37,520
Speaker 1: old videos. I get it, Like hopefully there's some dre

1350
00:56:37,719 --> 00:56:40,920
Speaker 1: fucking beats on me and hopefully, you know, just not

1351
00:56:41,040 --> 00:56:42,200
Speaker 1: Skylar Gray Bright.

1352
00:56:42,800 --> 00:56:44,719
Speaker 4: What was that song, bro, the Devil in Side where

1353
00:56:44,760 --> 00:56:47,520
Speaker 4: he's like when the Devil comes and he's like suspending

1354
00:56:47,560 --> 00:56:50,200
Speaker 4: an animation like somebody's hold like hold to me there,

1355
00:56:50,320 --> 00:56:53,320
Speaker 4: Like when he's just on his fucking like comic book.

1356
00:56:53,239 --> 00:56:57,880
Speaker 2: Characters before all of that infinite he's talking about like

1357
00:56:57,960 --> 00:57:00,160
Speaker 2: a hunted house or something, right, and he's like the

1358
00:57:00,160 --> 00:57:03,719
Speaker 2: books are flying off, flying off shelves. Yeah, I love

1359
00:57:04,239 --> 00:57:05,879
Speaker 2: That's one of my biggest influences.

1360
00:57:05,960 --> 00:57:08,000
Speaker 3: I like Eminem when I hear him and he sounds

1361
00:57:08,000 --> 00:57:09,239
Speaker 3: like a fucking comic book.

1362
00:57:09,360 --> 00:57:12,000
Speaker 1: You know. My favorite Eminem era was eminem Show and

1363
00:57:12,000 --> 00:57:14,680
Speaker 1: then all the gun It mixtapes and all the like

1364
00:57:14,719 --> 00:57:15,880
Speaker 1: Green Lantern mix tapes.

1365
00:57:16,080 --> 00:57:19,200
Speaker 2: Yeah yeah, I like the Slim Slim Shadyop was My

1366
00:57:19,200 --> 00:57:21,520
Speaker 2: favorite album is eminem Show and then Slim Shadio P.

1367
00:57:21,640 --> 00:57:22,840
Speaker 1: Then I had Marshall Baders.

1368
00:57:23,120 --> 00:57:27,360
Speaker 2: There was good album classic yeah, yes, class the first three.

1369
00:57:28,680 --> 00:57:30,400
Speaker 2: I love that guy. He was one of my biggest

1370
00:57:30,440 --> 00:57:32,160
Speaker 2: influences to this day.

1371
00:57:32,280 --> 00:57:35,040
Speaker 5: When after eminem Show that had just lose It and

1372
00:57:35,160 --> 00:57:39,520
Speaker 5: had uh It had Curtain Curtain Call that was the

1373
00:57:39,520 --> 00:57:41,080
Speaker 5: greatest hits uh not.

1374
00:57:42,880 --> 00:57:46,320
Speaker 3: It was like, but there was all right, fuck Eminem,

1375
00:57:47,640 --> 00:57:51,760
Speaker 3: Aliens June, what's the date today?

1376
00:57:52,400 --> 00:57:58,120
Speaker 2: Look, I get it right, Aliens. You know what I'm saying.

1377
00:57:58,200 --> 00:58:01,680
Speaker 2: That is gonna be crazy Core Encore. I liked Encore.

1378
00:58:01,880 --> 00:58:02,600
Speaker 1: There's some ship on.

1379
00:58:02,960 --> 00:58:04,360
Speaker 2: The mocking Bird song on there.

1380
00:58:04,560 --> 00:58:07,000
Speaker 5: They had that ship with Obie Trice that you better

1381
00:58:07,080 --> 00:58:09,360
Speaker 5: love me. I just want know. That was on the

1382
00:58:09,360 --> 00:58:10,240
Speaker 5: eight Miles soundtrack.

1383
00:58:11,160 --> 00:58:14,600
Speaker 4: I fucked it on Core. I fucked with everything until

1384
00:58:14,640 --> 00:58:16,720
Speaker 4: I think relapsed. I stopped kind of listening.

1385
00:58:16,800 --> 00:58:20,640
Speaker 1: Yeah that's fair. Well, look man, L dot aliens. Sometimes

1386
00:58:21,200 --> 00:58:24,640
Speaker 1: sometimes July Is think it's in tune.

1387
00:58:24,880 --> 00:58:25,880
Speaker 2: Yeah, exactly.

1388
00:58:26,240 --> 00:58:27,360
Speaker 1: So he wants to rap or not.

1389
00:58:27,520 --> 00:58:29,800
Speaker 2: Bro, I know we weren't here to rap, but I

1390
00:58:29,920 --> 00:58:33,400
Speaker 2: kind of like to sure this guy always wants to rap.

1391
00:58:33,440 --> 00:58:36,400
Speaker 2: I mean, want to put that hustle in the house

1392
00:58:36,440 --> 00:58:39,200
Speaker 2: on there. Man, We're just gonna wrap in the house

1393
00:58:42,400 --> 00:58:46,560
Speaker 2: rap everywhere. He damn if it was the interview segment.

1394
00:58:46,480 --> 00:58:48,440
Speaker 1: You are now there's the freestyle segment.

1395
00:58:48,880 --> 00:58:52,720
Speaker 2: Yeah, let's go all right on a different YouTube video now.

1396
00:58:52,760 --> 00:58:54,440
Speaker 2: But we fumble this. We're not gonna drop it.

1397
00:58:54,520 --> 00:58:56,680
Speaker 1: Okay, So if you don't see it, they fumbled it. Yeah,

1398
00:58:57,600 --> 00:59:00,280
Speaker 1: you won't rap or not sure rap. I get