WEBVTT - 1979 with Larry Wilmore

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<v Speaker 1>Hello all, welcome back to look back at It Back.

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<v Speaker 1>We're so glad that you guys chose to tune in

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<v Speaker 1>today they're still here and that you're still listening. That

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<v Speaker 1>is really what's impressive is.

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<v Speaker 2>That you have not stopped listening.

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<v Speaker 1>And today's guest, Alex is going to introduce because I

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<v Speaker 1>feel like, Alex, you were particularly excited about this.

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<v Speaker 3>I'm very excited.

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<v Speaker 2>Boom.

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<v Speaker 3>I am stoked.

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<v Speaker 4>I have admired our guests work since I truly came

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<v Speaker 4>into comedic consciousness. What you should be familiar with is

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<v Speaker 4>that he co created and insecure alongside East the Ray

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<v Speaker 4>created Grown Ishu. He's the executive producer of The Bernie

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<v Speaker 4>mac Show, supervising producer of The Jimmie Fox Show, executive

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<v Speaker 4>producer of The PJ is one of the greatest cartoons

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<v Speaker 4>ever created, co producer of The Fresh Prince of bel Air.

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<v Speaker 4>He has written I'm running it Down. He has written

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<v Speaker 4>for it in living color, Sister Sister, The Office, the

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<v Speaker 4>Night they show you know him from, then the show Everybody.

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<v Speaker 3>It is Larry Wilmore.

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<v Speaker 5>Thanks for having me, guy. I add a couple of corrections,

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<v Speaker 5>though I actually created the Bringing Back Show, talk about

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<v Speaker 5>it and co created the pj's with Steve Tumkans.

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<v Speaker 3>Okay, fixie.

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<v Speaker 5>Those were two career highlights.

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<v Speaker 1>Come On creator Larry Willmore. But Larry the year he

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<v Speaker 1>chose nineteen seventy nine, And what we like to do

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<v Speaker 1>is just kind of get into it in a way

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<v Speaker 1>where we kind of find out, like kind of where

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<v Speaker 1>you were and who you were in nineteen seventy nine.

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<v Speaker 1>So paint us a picture of Larry Willmore nineteen seventy nine.

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<v Speaker 5>Okay, I don't know if I can cuss on the show.

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<v Speaker 3>Absolutely can, please, because I'm.

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<v Speaker 5>The old as fuck you can't go off star.

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<v Speaker 6>Nineteen seventy nine was my last year in high school's

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<v Speaker 6>year that I grew up in nineteen seventy nine, So

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<v Speaker 6>it was a real transition year for me, and it

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<v Speaker 6>kind of sticks out in my mind.

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<v Speaker 5>There was some and it's a transition year in the world,

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<v Speaker 5>I feel too, you know, there's a lot of residents,

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<v Speaker 5>like so many things were transitioning that year. I look

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<v Speaker 5>at it as a year of transition, and I was

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<v Speaker 5>looking up nineteen seven and I'm like, wow, there was

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<v Speaker 5>a lot of examples of that that ad nothing to

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<v Speaker 5>do with me. That kind of represented transition in the world,

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<v Speaker 5>you know, and how the world kind of changed in

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<v Speaker 5>that year, and so my life was changing then too.

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<v Speaker 5>It but I didn't know how it was going to change,

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<v Speaker 5>but it was. It was a really interesting area.

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<v Speaker 2>Do you have an afro? Who's your hair? What is

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<v Speaker 2>your hair doing?

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<v Speaker 3>What's my hair.

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<v Speaker 5>At that point. I had an afro before that that

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<v Speaker 5>was really big, but I think it was trimmed down

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<v Speaker 5>at that point. I played a lot of sports growing

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<v Speaker 5>I grew up in a sports neighborhood, and I have

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<v Speaker 5>a picture. I no picture for my basketball days. My

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<v Speaker 5>hair literally this was in the newspaper. Come on, you know,

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<v Speaker 5>my hair was out to hear. But I think that

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<v Speaker 5>I think that's my senior year. But I think by

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<v Speaker 5>the time I graduated, I think I had turned it.

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<v Speaker 2>Down because you had to get serious.

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<v Speaker 1>It was time to start being a grownup.

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<v Speaker 5>When I went I went to Catholic school, so part

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<v Speaker 5>having an afrot was my way of rebelling against me.

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<v Speaker 3>Yes, uniformity absolutely.

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<v Speaker 4>Was there a particular moment in that time frame or

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<v Speaker 4>in that period that shaped what I would I guess

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<v Speaker 4>I would say, like your consciousness or were you like

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<v Speaker 4>aware of.

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<v Speaker 3>What was happening in the world at the times.

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<v Speaker 4>Like you know, because that that senior year before you

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<v Speaker 4>get to college, you're so like I can speak to

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<v Speaker 4>my experience. I'm like, I felt like I was so

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<v Speaker 4>selfishly involved that.

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<v Speaker 3>I kind of did disregarded.

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<v Speaker 4>What was happening around me, or wasn't as conscious yet

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<v Speaker 4>about what was going on in the world around me.

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<v Speaker 4>Do you could you say that it was the same

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<v Speaker 4>for you or did the time have to call for

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<v Speaker 4>a little more immediacy in that way for you?

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<v Speaker 5>No, seventy nine was more of a lost period for me.

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<v Speaker 5>I didn't quite have the confidence to know what I

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<v Speaker 5>wanted to do yet. I felt like I kind of

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<v Speaker 5>failed in school. My family life is not good. My

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<v Speaker 5>parents did divorced years earlier, and I remember our home

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<v Speaker 5>life was kind of disaster at that point. It was real.

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<v Speaker 5>It was a big down arrow. But there were a

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<v Speaker 5>couple of arrows in that year that were pointing up

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<v Speaker 5>that I think I appreciated later. That's why I called

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<v Speaker 5>it a transition here, because it was so down for

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<v Speaker 5>me in many ways. I really going from that moment forward,

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<v Speaker 5>I started to get a feeling of I have nothing

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<v Speaker 5>to lose because I think the low point. So that's

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<v Speaker 5>what it represented for me more than anything. But I

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<v Speaker 5>wish I could say I was aware of things to

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<v Speaker 5>a certain extent, because I was always interested in things.

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<v Speaker 5>But there was so much that was a mountain to me,

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<v Speaker 5>like not having not really knowing where I was going,

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<v Speaker 5>basically not having any money or any means. You know.

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<v Speaker 5>I worked in a gas station that summer. I remember,

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<v Speaker 5>I ended up going to a junior college in that fall.

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<v Speaker 5>Kind of lost, but I started to find myself in

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<v Speaker 5>at terms of purpose because I decided to be a

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<v Speaker 5>theater major. A lot of I think, a lot of

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<v Speaker 5>escape in some ways, but not involvement yet, not engagement yet.

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<v Speaker 2>What George are you doing.

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<v Speaker 5>I didn't do drugs because I was always I'm kind

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<v Speaker 5>of a contrary person, and so because it was so

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<v Speaker 5>prevalent around me and I kind of went against it.

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<v Speaker 5>And I was an athlete always, and I was always afraid,

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<v Speaker 5>you know, I didn't want to fuck that up because

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<v Speaker 5>I was good in sports, you know, and you know,

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<v Speaker 5>I just didn't want to get involved in that.

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<v Speaker 3>He was high on life.

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<v Speaker 1>Yeah, that like same kind of way, like what I

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<v Speaker 1>went to All White High School for a little while. Well,

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<v Speaker 1>it was very suburban, I should say white. But I

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<v Speaker 1>went out to the suburbs high school my freshman year,

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<v Speaker 1>and when I was off there, I was like super like,

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<v Speaker 1>I'm from the city and I'm listening to like my

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<v Speaker 1>rap music, and I'm like, I'm not conforming to whatever

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<v Speaker 1>this is.

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<v Speaker 2>And then when I went back.

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<v Speaker 1>To like an industry school, I was like, I listened

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<v Speaker 1>to alternative music. What is going on around me? I'm

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<v Speaker 1>gonna do the opposite. I was definitely back out of

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<v Speaker 1>a way.

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<v Speaker 5>For a while.

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<v Speaker 4>I have always said, of Santa did there exists this

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<v Speaker 4>masculine of center black woman, but inside is a white man,

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<v Speaker 4>a young white boy trying to get out, trying to

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<v Speaker 4>get out every single day.

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<v Speaker 5>Well, music was an important part for me that year

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<v Speaker 5>because I had so few things to rely on. I

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<v Speaker 5>felt like, when you feel lost, sometimes music is the

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<v Speaker 5>only thing. Yeah, and what were.

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<v Speaker 3>You listening to? Yeah?

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<v Speaker 5>Uh. The big thing that year was this, here's where

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<v Speaker 5>the transition was. So I'll call it black music, you know,

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<v Speaker 5>one of a better work. But some people call it

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<v Speaker 5>disco or whatever. But my friend, my best friend, still

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<v Speaker 5>my best friend in the world. His name is Wreck

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<v Speaker 5>and he had. We were two of the only black

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<v Speaker 5>people in our class at the school, and he had

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<v Speaker 5>come from New York. He had been from New York.

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<v Speaker 5>He was from the Bronx, and New York had just

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<v Speaker 5>started doing what we called mixing music on the radio,

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<v Speaker 5>you know, where they would have DJs come on and

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<v Speaker 5>they would do these mixes, and they weren't doing that here.

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<v Speaker 5>They would just play records, and so he would bring

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<v Speaker 5>back tapes of it. I'm like, this stuff is fantastic,

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<v Speaker 5>you know, this is great, and so I was really

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<v Speaker 5>just listening to that kind of you know, it was

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<v Speaker 5>really the early hip hop that my ear was listening to.

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<v Speaker 3>And you saw the beginning of hip hop. Yeah, I was.

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<v Speaker 5>There at the beginning and was and my soul was

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<v Speaker 5>a part of it. So nineteen seventy nine was a

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<v Speaker 5>year rappers the light came out, and for me it

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<v Speaker 5>was huge because we had talked about because of some

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<v Speaker 5>of the tapes that I had heard. I heard the

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<v Speaker 5>DJ's using the breaks in the songs. There was a

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<v Speaker 5>song called a tsop by MFSB that had it was

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<v Speaker 5>called the Message, you know, and there was that was

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<v Speaker 5>one of the first breaks that TJ's used to do

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<v Speaker 5>you know, rapping over and stuff, and it was it

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<v Speaker 5>was so cool, you know, and I was like, man,

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<v Speaker 5>that's dope, you know. And so when Rappers to Light

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<v Speaker 5>came out, we already knew that technique. You know, they

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<v Speaker 5>were using the Chik song good Times you know today.

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<v Speaker 5>So it was a validation of what we were listening

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<v Speaker 5>to up to that point, okay, And it was so

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<v Speaker 5>exciting to me to hear that validation that said, oh,

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<v Speaker 5>now everybody's listening to the stuff that we've been listening

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<v Speaker 5>to right well, to be there at the beginning of

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<v Speaker 5>it was so exciting. You know.

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<v Speaker 3>I'm glad.

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<v Speaker 4>I'm glad you bring this up, Larry, because I don't know,

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<v Speaker 4>I don't know if you've seen or heard this online.

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<v Speaker 4>There is a conversation presently taking place where the rappers

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<v Speaker 4>up today, and you know, it's a lot of like

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<v Speaker 4>trap rapping and like mumble rapping.

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<v Speaker 3>And there are a lot of young hip hop artists

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<v Speaker 3>right now.

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<v Speaker 4>Who are revisiting or for lack of a better looking

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<v Speaker 4>back at you know, the rappers delight in the beginning

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<v Speaker 4>of hip hop, and they're they're fighting back against the

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<v Speaker 4>claims that they're that the present day hip hop or

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<v Speaker 4>present day rappers aren't really rapping about anything, and it's

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<v Speaker 4>kind of mumbo jumbo. And the young rappers, the gen

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<v Speaker 4>zs and like the young millennial rappers are like, how

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<v Speaker 4>is anything that we're doing anything different from hip hop?

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<v Speaker 5>The hippit the hop hip hip hop?

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<v Speaker 4>Like, like, y'all, how how is that any different? So

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<v Speaker 4>I'm curious to see, well that I would love.

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<v Speaker 5>Well, the difference is because that was rebelling against something.

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<v Speaker 5>Even though today you can say they weren't rapping about anything,

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<v Speaker 5>the fact that they were rapping was the rebellion itself,

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<v Speaker 5>you know, the fact that they were taking They weren't

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<v Speaker 5>They didn't come up with this music that was sheiks,

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<v Speaker 5>that was good times, just boom boom boom and just

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<v Speaker 5>rapping over that and it's like, wait, why are they

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<v Speaker 5>doing this? The rebellion was in the form that was

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<v Speaker 5>the rebellion that what they were.

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<v Speaker 1>That was the radical, The radicalness of it was what

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<v Speaker 1>they were doing.

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<v Speaker 5>Radicals was the form. Like if people talk about the

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<v Speaker 5>Beatles Beatles was one of my favorite groups, and then

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<v Speaker 5>say they were singing I Want to hold your hand

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<v Speaker 5>and everything, Yes, but it was the form that the

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<v Speaker 5>the Beatles broke the form. It doesn't matter that they

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<v Speaker 5>were saying about holding your hands, you know, their hair

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<v Speaker 5>and how they looked, and they embraced black music like

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<v Speaker 5>nobody had before.

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<v Speaker 1>And there's another big difference too, and that is that

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<v Speaker 1>the reason rappers like sounds that way is because they

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<v Speaker 1>intentionally wanted to sound that way.

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<v Speaker 2>And the reason that these kids sounds that ways because they're.

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<v Speaker 5>Hot, right, Larry's remember Larry's music. And also this music

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<v Speaker 5>remembers started as they started as house parties. That's how

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<v Speaker 5>it started. So of course you're going to be rapping

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<v Speaker 5>about fun stuff and you want people to party, you

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<v Speaker 5>want people to keep. You aren't going to get people

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<v Speaker 5>on the dance floor, you know, so you know, announcing

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<v Speaker 5>who you are and introducing yourself and all that kind

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<v Speaker 5>of stuff. All those things became like staples of it.

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<v Speaker 5>But people love that kind of stuff, you know. So

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<v Speaker 5>it was it was, but it was new then. You

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<v Speaker 5>had never heard it, so there was no such thing

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<v Speaker 5>as a certain type of it. It was just the thing,

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<v Speaker 5>you know.

0:11:20.880 --> 0:11:37.559
<v Speaker 1>I know you said, Larry that like there was you

0:11:37.600 --> 0:11:41.920
<v Speaker 1>weren't necessarily as like a socially conscious.

0:11:41.559 --> 0:11:42.840
<v Speaker 2>Or tapped in at that time.

0:11:43.240 --> 0:11:45.480
<v Speaker 1>But there were some things I was curious when we

0:11:45.480 --> 0:11:48.280
<v Speaker 1>were delving into this year that I was like, I

0:11:48.280 --> 0:11:50.600
<v Speaker 1>wonder what that must have been, Like, you know, like

0:11:51.040 --> 0:11:53.679
<v Speaker 1>we get the first state in the nation to make

0:11:53.720 --> 0:11:57.000
<v Speaker 1>Junetee the holiday, and that's Texas. Where are you living

0:11:57.600 --> 0:12:00.400
<v Speaker 1>at this point in nineteen seventy nine, like we're you

0:12:00.440 --> 0:12:01.600
<v Speaker 1>had you heard of Juneteenth?

0:12:01.720 --> 0:12:04.320
<v Speaker 5>Ye oh yeah, yeah, yeah, every I mean my family's

0:12:04.320 --> 0:12:08.200
<v Speaker 5>from Chicago and oh yeah back from Chicago, very black Chicago,

0:12:08.320 --> 0:12:10.240
<v Speaker 5>v in Mississippi or you know.

0:12:10.520 --> 0:12:14.000
<v Speaker 4>Traight up Detroit for me, Yeah, you heard of knew

0:12:14.000 --> 0:12:18.160
<v Speaker 4>what Juneteenth was. Yes, I was like, you'all just got here.

0:12:20.040 --> 0:12:23.920
<v Speaker 5>I always made fun of junteenth, you know, to because

0:12:23.960 --> 0:12:27.480
<v Speaker 5>it celebrated getting news late, which to me was come on,

0:12:27.679 --> 0:12:35.800
<v Speaker 5>talking about holiday about time joke. So I never took

0:12:35.840 --> 0:12:39.320
<v Speaker 5>it that seriously young, you know, Texas doing it. You

0:12:39.400 --> 0:12:41.760
<v Speaker 5>never thought it would grow into anything else. So I

0:12:41.800 --> 0:12:43.360
<v Speaker 5>don't know if I had a radar for that because

0:12:43.400 --> 0:12:44.640
<v Speaker 5>it was no big deal for us.

0:12:45.160 --> 0:12:46.679
<v Speaker 2>That's guess what I was wondering.

0:12:46.720 --> 0:12:48.439
<v Speaker 1>It's like we look back at that kind of stuff

0:12:48.440 --> 0:12:51.440
<v Speaker 1>and we're like, oh wow, Like as our jories were,

0:12:51.480 --> 0:12:53.960
<v Speaker 1>like whoa that was a moment, But I'm like sometimes

0:12:54.080 --> 0:12:55.600
<v Speaker 1>was it wasn't a moment for black people who were

0:12:55.640 --> 0:12:56.079
<v Speaker 1>just living?

0:12:56.120 --> 0:12:57.200
<v Speaker 2>You know, were they just like.

0:12:57.360 --> 0:13:01.880
<v Speaker 5>It wasn't It was like they your moment. A bigger

0:13:01.920 --> 0:13:03.839
<v Speaker 5>moment was a couple of years later, trying to get

0:13:03.920 --> 0:13:08.920
<v Speaker 5>King's birthday a holiday. Yeah, Stevie Wonders song coming out, Yeah,

0:13:09.320 --> 0:13:11.880
<v Speaker 5>that was that was so much bigger now everybody was

0:13:11.880 --> 0:13:15.000
<v Speaker 5>conscious of that. But you know, I still I do joke.

0:13:15.280 --> 0:13:20.960
<v Speaker 5>I've been doing standing again lately, Sam, because I say,

0:13:21.160 --> 0:13:22.800
<v Speaker 5>you know, there's I was talking about white guilt and

0:13:23.160 --> 0:13:25.040
<v Speaker 5>black people. We don't have guilt as a group. I

0:13:25.040 --> 0:13:26.600
<v Speaker 5>mean I have a little bit of guilt, Like I

0:13:26.600 --> 0:13:28.800
<v Speaker 5>still feel bad about tricking white people and thinking that

0:13:28.840 --> 0:13:30.640
<v Speaker 5>black people really care about Junete.

0:13:34.000 --> 0:13:35.480
<v Speaker 3>Just wanted the day off, that's all.

0:13:36.200 --> 0:13:39.319
<v Speaker 5>You know. Now it's a holiday, still a wowed to.

0:13:39.240 --> 0:13:41.360
<v Speaker 4>Meet that white people get to be off of work

0:13:41.400 --> 0:13:46.840
<v Speaker 4>on a day where it's wold to even have it

0:13:46.840 --> 0:13:50.000
<v Speaker 4>as a holiday.

0:13:47.480 --> 0:13:47.560
<v Speaker 3>That.

0:13:49.040 --> 0:13:55.199
<v Speaker 1>They have to they have to do.

0:13:54.559 --> 0:13:56.560
<v Speaker 4>The white people should be in service to black people

0:13:56.600 --> 0:13:59.880
<v Speaker 4>on June specifically, or you.

0:14:00.040 --> 0:14:01.839
<v Speaker 5>All in three weeks later said I just heard we

0:14:01.840 --> 0:14:08.640
<v Speaker 5>were working. I just got the news. You know, that's

0:14:08.640 --> 0:14:12.880
<v Speaker 5>how you celebrate your team gets Yeah, tell people. But

0:14:13.080 --> 0:14:16.640
<v Speaker 5>now I was I was conscious of news events because

0:14:16.640 --> 0:14:19.480
<v Speaker 5>I was always kind of a news junkie, and the

0:14:19.560 --> 0:14:23.640
<v Speaker 5>big event that year was Iran, which ironic, ironically here

0:14:23.720 --> 0:14:27.120
<v Speaker 5>we are resonates this year because it's really almost the

0:14:27.160 --> 0:14:29.440
<v Speaker 5>same type of thing. I was very conscious of what

0:14:29.480 --> 0:14:33.400
<v Speaker 5>was happening there because you know, we had the hostages

0:14:33.480 --> 0:14:36.640
<v Speaker 5>taken him, and so I was very much into that

0:14:36.880 --> 0:14:38.760
<v Speaker 5>at the end of that year.

0:14:38.720 --> 0:14:42.880
<v Speaker 1>And Jesse Jackson got the hostages. The Black Hostage is released, correct,

0:14:44.080 --> 0:14:45.000
<v Speaker 1>I mean Jesse.

0:14:46.240 --> 0:14:48.640
<v Speaker 5>There. The appreciation for Jesse, you know.

0:14:48.920 --> 0:14:52.840
<v Speaker 4>His fingerprints was going so much of American ideas.

0:14:53.440 --> 0:14:58.040
<v Speaker 5>It really is amazing, you know, Yeah, he was, he was,

0:14:58.440 --> 0:15:01.200
<v Speaker 5>he was a special and some of those things, you know.

0:15:01.560 --> 0:15:04.800
<v Speaker 5>And they weren't interested in the Black hostages so much.

0:15:04.600 --> 0:15:05.680
<v Speaker 2>Time, which is beautiful.

0:15:05.920 --> 0:15:09.120
<v Speaker 3>Yeah, which is sometimes because I.

0:15:13.040 --> 0:15:18.120
<v Speaker 1>Just also like that they recognized we really hold no value.

0:15:19.040 --> 0:15:20.920
<v Speaker 2>This isn't a good negotiations.

0:15:22.720 --> 0:15:24.120
<v Speaker 3>Once then we are not a good.

0:15:26.280 --> 0:15:32.160
<v Speaker 5>Exactly. It's like, wait, I can't go to I remember

0:15:32.200 --> 0:15:33.520
<v Speaker 5>what you don't abuse me.

0:15:34.120 --> 0:15:36.040
<v Speaker 1>When something was like little and they would be like

0:15:36.120 --> 0:15:39.280
<v Speaker 1>talking about like Iraq and I ran or something in school,

0:15:39.280 --> 0:15:42.280
<v Speaker 1>and they like they might Boston or they might do this.

0:15:42.640 --> 0:15:44.240
<v Speaker 1>In my mind, I always like, well, they're not coming

0:15:44.240 --> 0:15:47.960
<v Speaker 1>to Dorchester. They don't they don't care what we're doing.

0:15:48.200 --> 0:15:52.440
<v Speaker 4>Yeah, I always think I remember during nine to eleven,

0:15:52.600 --> 0:15:55.040
<v Speaker 4>like people in Detroit getting people in my school being

0:15:55.120 --> 0:15:56.840
<v Speaker 4>picked up from school. I'm like, I don't know if

0:15:56.840 --> 0:15:59.760
<v Speaker 4>they're coming over here, dog like coming to they not.

0:16:00.640 --> 0:16:03.640
<v Speaker 5>Well, people don't realize sometimes white supremacy is your friend

0:16:06.040 --> 0:16:07.520
<v Speaker 5>doesn't have to be Larry.

0:16:07.560 --> 0:16:09.040
<v Speaker 3>That is the kind of sound by we are looking

0:16:09.040 --> 0:16:09.920
<v Speaker 3>for on this podcast.

0:16:10.880 --> 0:16:16.320
<v Speaker 5>People are always so negative about white supremaci upside they

0:16:16.360 --> 0:16:19.600
<v Speaker 5>never do. They never do. It's like I always say,

0:16:19.760 --> 0:16:21.840
<v Speaker 5>the thing that runs slavery was racism.

0:16:23.040 --> 0:16:26.040
<v Speaker 2>You know, like all with all the stuff that's going

0:16:26.040 --> 0:16:28.560
<v Speaker 2>on right now, is I read? I mean right?

0:16:28.640 --> 0:16:31.280
<v Speaker 1>And I was, you know, getting on I've been flying

0:16:31.320 --> 0:16:33.400
<v Speaker 1>a lot, and I live in Atlanta, and I'm you know,

0:16:33.440 --> 0:16:35.920
<v Speaker 1>flying out of Atlanta and one of my officers like,

0:16:36.000 --> 0:16:37.520
<v Speaker 1>you got to be careful on new planes, you know,

0:16:37.560 --> 0:16:38.760
<v Speaker 1>you don't know what they might do. I'm like, they're

0:16:38.760 --> 0:16:42.960
<v Speaker 1>not taking a flight from Atlanta, no two hour flights,

0:16:42.960 --> 0:16:46.320
<v Speaker 1>and they're not taking a plane for the black folks trying.

0:16:46.160 --> 0:16:47.000
<v Speaker 2>To get to New York.

0:16:47.440 --> 0:16:55.360
<v Speaker 4>That's not making a statement that I'm playing, just playing. Yeah,

0:16:55.880 --> 0:16:59.000
<v Speaker 4>black Hollywood going from Atlanta to New York.

0:16:59.120 --> 0:17:02.600
<v Speaker 1>No more worried about a flight out of Logan, you

0:17:02.680 --> 0:17:10.560
<v Speaker 1>know what I mean that that might get.

0:17:07.760 --> 0:17:09.240
<v Speaker 5>Will you be terrorizing today?

0:17:09.400 --> 0:17:16.680
<v Speaker 2>No connection is getting on the plane getting off?

0:17:17.080 --> 0:17:22.119
<v Speaker 5>Yeah, it's like the next one. We don't see the purpose.

0:17:23.840 --> 0:17:25.280
<v Speaker 2>Where's the flight going to main?

0:17:28.760 --> 0:17:34.959
<v Speaker 5>Is there a layover? All right? The layovers and Detroit?

0:17:35.080 --> 0:17:37.280
<v Speaker 4>That's okay, come on, And that's and that's where I

0:17:37.400 --> 0:17:42.960
<v Speaker 4>come in. We're saying, we say, Larry. Earlier, you mentioned

0:17:43.040 --> 0:17:47.200
<v Speaker 4>that you were a theater major, which made me, uh,

0:17:47.480 --> 0:17:51.720
<v Speaker 4>which made my ears park up. So you know you

0:17:51.600 --> 0:17:54.600
<v Speaker 4>you you were, you were a theater major. We fast

0:17:54.600 --> 0:17:58.120
<v Speaker 4>forward to a Living Color where you create iconic queer

0:17:58.200 --> 0:17:59.360
<v Speaker 4>characters for the nineties.

0:17:59.720 --> 0:18:01.119
<v Speaker 3>So sure, in your.

0:18:01.000 --> 0:18:04.680
<v Speaker 4>Time as a theater major, what was your like relationship

0:18:04.880 --> 0:18:07.040
<v Speaker 4>with like the queer community, if you had any sort

0:18:07.080 --> 0:18:10.000
<v Speaker 4>of like you know, interactions with them at all at

0:18:10.000 --> 0:18:10.400
<v Speaker 4>that time?

0:18:10.560 --> 0:18:13.920
<v Speaker 5>Sure, I mean, well theaters where the queer of course.

0:18:16.040 --> 0:18:19.280
<v Speaker 5>I'll tell you my first big running where really I

0:18:19.320 --> 0:18:24.720
<v Speaker 5>had consciousness around it was I got my first break

0:18:24.760 --> 0:18:26.439
<v Speaker 5>when I was still in college. It was at the

0:18:26.480 --> 0:18:29.520
<v Speaker 5>Market Tape perform. It was called the Improvisational Theater Project.

0:18:29.600 --> 0:18:32.359
<v Speaker 5>I just plucked into an audition and I didn't. I

0:18:32.400 --> 0:18:34.679
<v Speaker 5>was a stupid kid, and I was even like when

0:18:34.720 --> 0:18:36.920
<v Speaker 5>I finished my edition, I say, I said, well, Larry,

0:18:36.960 --> 0:18:38.880
<v Speaker 5>how can we contact you if we want to hire it? Go? Well,

0:18:38.960 --> 0:18:40.560
<v Speaker 5>I really don't have a phone right now. I could

0:18:40.600 --> 0:18:45.480
<v Speaker 5>call you guys, you know, that's that's right, And and

0:18:45.520 --> 0:18:49.240
<v Speaker 5>they actually hired me. I was I auditioned for an understudy,

0:18:49.240 --> 0:18:50.800
<v Speaker 5>but then they hired me for a lead because the

0:18:50.800 --> 0:18:52.720
<v Speaker 5>person who had had the lead had just left, and

0:18:52.760 --> 0:18:57.040
<v Speaker 5>that was Forrest Whitaker. And Fort and I have been

0:18:57.080 --> 0:19:01.640
<v Speaker 5>friends already. We had done this summer of just some

0:19:02.320 --> 0:19:05.240
<v Speaker 5>friends getting together kind of doing like this show. I

0:19:05.600 --> 0:19:09.639
<v Speaker 5>did like a little like comedy monologue type thing, and

0:19:09.680 --> 0:19:12.000
<v Speaker 5>he did a dramatic thing. So I hadn't known Fort before,

0:19:13.800 --> 0:19:18.639
<v Speaker 5>but so our producer, Philip Penberg was his name. He

0:19:18.720 --> 0:19:23.399
<v Speaker 5>had a husband, you know, and like in nineteen eighty one,

0:19:23.480 --> 0:19:26.320
<v Speaker 5>and I'm like a husband that was him, but.

0:19:26.240 --> 0:19:27.840
<v Speaker 3>No papers with spots.

0:19:28.359 --> 0:19:32.440
<v Speaker 5>It was so it was such bring. I was so lucky.

0:19:32.440 --> 0:19:37.080
<v Speaker 5>You guys, because I got to see such a normalization

0:19:37.200 --> 0:19:41.919
<v Speaker 5>of what that was rather than having whatever about it,

0:19:42.000 --> 0:19:44.280
<v Speaker 5>you know, and the way he talked about him and

0:19:44.320 --> 0:19:47.560
<v Speaker 5>everything and all that stuff, and I'm like, Okay, why

0:19:47.560 --> 0:19:50.080
<v Speaker 5>are people tripping about this? You know, like I got

0:19:50.040 --> 0:19:52.320
<v Speaker 5>to see early in So I was so lucky to

0:19:52.560 --> 0:19:56.720
<v Speaker 5>know somebody who had it, not just a boyfriend, but

0:19:56.800 --> 0:20:00.480
<v Speaker 5>he was had an instant he had that was his husband. Yeah,

0:20:00.720 --> 0:20:04.160
<v Speaker 5>it's different when it's when there's an institution involved.

0:20:04.160 --> 0:20:07.760
<v Speaker 1>This, Larry, this is what me and sim has been

0:20:07.800 --> 0:20:11.720
<v Speaker 1>talking about on ground You were a ground zero hip hop.

0:20:11.760 --> 0:20:14.480
<v Speaker 2>You were ground zero of gay relations.

0:20:14.520 --> 0:20:18.080
<v Speaker 1>Absolutely, you are a man at the epicenter.

0:20:18.400 --> 0:20:21.639
<v Speaker 3>Yeah, we're lucky, way ahead of your town.

0:20:22.359 --> 0:20:25.560
<v Speaker 5>Guys. That was luck, But I considered myself that's a

0:20:25.600 --> 0:20:31.399
<v Speaker 5>blessing to experience that because, guys, the prejudice against Caves

0:20:31.640 --> 0:20:36.119
<v Speaker 5>was huge. I mean the head wind was huge in

0:20:36.160 --> 0:20:38.960
<v Speaker 5>those days, you know, I mean just the ridicule, especially

0:20:38.960 --> 0:20:41.960
<v Speaker 5>in the black community. Yeah, I mean Philip was Jewish,

0:20:42.000 --> 0:20:45.280
<v Speaker 5>you know, he wasn't Black. But for me, I was

0:20:45.359 --> 0:20:47.600
<v Speaker 5>able to and I didn't have that strong opinion at

0:20:47.600 --> 0:20:49.600
<v Speaker 5>that time because even there were some kids who we

0:20:49.640 --> 0:20:52.000
<v Speaker 5>knew were gay, but nobody said anything. It was no

0:20:52.080 --> 0:20:54.480
<v Speaker 5>big deal because we and we made fun of everybody,

0:20:54.560 --> 0:20:55.560
<v Speaker 5>whether you're gay or straight.

0:20:55.680 --> 0:20:59.959
<v Speaker 4>So everybody comes for every opportunity exactly.

0:21:00.040 --> 0:21:01.960
<v Speaker 3>That's right, you know, when it comes.

0:21:01.760 --> 0:21:05.000
<v Speaker 4>To like comedy especially, I feel like there's always been

0:21:05.160 --> 0:21:08.600
<v Speaker 4>such a space for I mean the nineties especially, but

0:21:08.640 --> 0:21:11.359
<v Speaker 4>like like you said, even beforehand, the seventies, in the eighties,

0:21:11.400 --> 0:21:16.479
<v Speaker 4>there was always just like a targeted, rampant way of

0:21:16.520 --> 0:21:18.560
<v Speaker 4>like communicating and gay people, how much we do not

0:21:18.680 --> 0:21:20.000
<v Speaker 4>fuck with that, you know what I mean, even if

0:21:20.040 --> 0:21:22.280
<v Speaker 4>it was a joking word right, And I feel like

0:21:22.480 --> 0:21:28.160
<v Speaker 4>now whenever queer comics, you know, decide to like kind

0:21:28.160 --> 0:21:30.600
<v Speaker 4>of fire back in a way or tell you, it's

0:21:30.640 --> 0:21:32.840
<v Speaker 4>always kind of met with like, oh, well, look the

0:21:32.960 --> 0:21:33.639
<v Speaker 4>gays are.

0:21:33.520 --> 0:21:34.920
<v Speaker 3>Mad, and I'm like, no, I'm not mad.

0:21:35.160 --> 0:21:37.399
<v Speaker 4>I'm responding in the way that I know how it

0:21:37.440 --> 0:21:39.560
<v Speaker 4>was the same way it's been given to me, roasting,

0:21:40.160 --> 0:21:44.320
<v Speaker 4>having jokes, and that comes from just like a natural

0:21:44.720 --> 0:21:47.879
<v Speaker 4>way of like, hey, everybody's how understanding how the world is.

0:21:48.240 --> 0:21:50.840
<v Speaker 4>Everybody's not gonna love this and know how to know

0:21:50.880 --> 0:21:51.720
<v Speaker 4>how to arm yours and.

0:21:51.680 --> 0:21:54.800
<v Speaker 1>How you kind of like like just kind of how

0:21:54.840 --> 0:21:57.240
<v Speaker 1>we came up. I think there just was an overall

0:21:57.440 --> 0:22:01.560
<v Speaker 1>understanding of like everybody gonn like you if they don't

0:22:01.560 --> 0:22:04.600
<v Speaker 1>have to, don't have to there, and everybody doesn't have

0:22:04.680 --> 0:22:07.840
<v Speaker 1>to accept you, and so like go and like find

0:22:07.880 --> 0:22:13.520
<v Speaker 1>your tribes and find your.

0:22:13.040 --> 0:22:15.160
<v Speaker 2>Stantints down, you know what I.

0:22:15.119 --> 0:22:20.320
<v Speaker 5>Mean, And that you were no matter who you were

0:22:20.600 --> 0:22:23.240
<v Speaker 5>or what you had, somebody was going to pick on you.

0:22:23.280 --> 0:22:27.240
<v Speaker 5>And you have to learn your friend and your friend

0:22:31.480 --> 0:22:35.240
<v Speaker 5>and afterwards it would go do something together and be friends.

0:22:35.240 --> 0:22:38.240
<v Speaker 5>You would be I remember, you know, you would have

0:22:38.320 --> 0:22:40.720
<v Speaker 5>fight kids and then you'd be the best of friends afterwards.

0:22:41.040 --> 0:22:41.680
<v Speaker 3>That's how you think.

0:22:42.440 --> 0:22:43.320
<v Speaker 2>Absolutely yes.

0:22:43.480 --> 0:22:46.440
<v Speaker 5>So I'll tell you a quick story about I did

0:22:46.480 --> 0:22:49.800
<v Speaker 5>a joke in my act about black and gay very

0:22:49.800 --> 0:22:53.560
<v Speaker 5>early on, and Rosie o'donnald didn't like it, and she

0:22:53.760 --> 0:22:57.679
<v Speaker 5>canceled me from this show called stand Up Spotlight, you know,

0:22:57.800 --> 0:23:02.200
<v Speaker 5>And what year was this? This iseteen ninety one, I believe,

0:23:02.400 --> 0:23:04.840
<v Speaker 5>you know. Yeah, And this was from my point of view,

0:23:04.920 --> 0:23:07.600
<v Speaker 5>and it was the joke was basically, he says, guys,

0:23:07.760 --> 0:23:10.560
<v Speaker 5>I have nothing against gay people, but I don't like

0:23:10.600 --> 0:23:13.680
<v Speaker 5>it when gay people compare their discrimination to black people,

0:23:13.680 --> 0:23:15.800
<v Speaker 5>because come on, the same thing. Come on, because I

0:23:15.800 --> 0:23:17.560
<v Speaker 5>don't black out of the club. I was like, they

0:23:17.560 --> 0:23:18.840
<v Speaker 5>don't have to come out of the closet. And I

0:23:18.880 --> 0:23:21.000
<v Speaker 5>was like, mom, Dad, I'm black. It's like, what how

0:23:21.040 --> 0:23:22.080
<v Speaker 5>long has this been going on?

0:23:23.640 --> 0:23:24.440
<v Speaker 3>I still love you.

0:23:25.920 --> 0:23:28.200
<v Speaker 5>But the joke wasn't putting down against I was talking

0:23:28.240 --> 0:23:33.120
<v Speaker 5>about discrimination and how you know there's a certain thing

0:23:33.240 --> 0:23:35.480
<v Speaker 5>about you can't hide when you're black, was what the

0:23:35.520 --> 0:23:39.240
<v Speaker 5>point of view? Absolutely, and you know, but not to

0:23:39.400 --> 0:23:41.639
<v Speaker 5>do mean, it wasn't putting down gay people. But Rosie

0:23:41.640 --> 0:23:45.720
<v Speaker 5>Donald hated it and she sentsored me whatever. And then

0:23:45.800 --> 0:23:49.600
<v Speaker 5>years later, like twenty years later, she had a special

0:23:50.080 --> 0:23:53.400
<v Speaker 5>and Wanda Sykes was on her special and did exactly, oh,

0:23:53.520 --> 0:23:54.520
<v Speaker 5>the exact same joke.

0:23:54.560 --> 0:23:56.680
<v Speaker 3>I've heard her do that exact same joke twenty years.

0:23:57.080 --> 0:24:00.800
<v Speaker 5>It was like that, yeah, you're right, blank and queery

0:24:00.880 --> 0:24:04.040
<v Speaker 5>not to say years ago.

0:24:03.840 --> 0:24:09.320
<v Speaker 1>But it's like times dictate people's like ideas changing, and

0:24:09.400 --> 0:24:11.840
<v Speaker 1>also the messenger, you know what I mean. It's like

0:24:12.359 --> 0:24:14.960
<v Speaker 1>sometimes it's just like the body it comes out of

0:24:15.359 --> 0:24:18.919
<v Speaker 1>someone's more willing to processes than somebody else, And like

0:24:20.000 --> 0:24:22.960
<v Speaker 1>it's it's weird how that that kind of plays out,

0:24:23.240 --> 0:24:24.760
<v Speaker 1>you know, it happens to me all the time, and

0:24:24.800 --> 0:24:27.120
<v Speaker 1>I'm just kind of like, I guess I just wasn't

0:24:27.200 --> 0:24:29.880
<v Speaker 1>the one to deliver her said message.

0:24:30.160 --> 0:24:32.960
<v Speaker 5>That makes a difference from the message.

0:24:32.400 --> 0:24:34.160
<v Speaker 2>Absolutely like it happens.

0:24:34.480 --> 0:24:37.160
<v Speaker 4>And also there's a long list of people who pissed

0:24:37.200 --> 0:24:39.280
<v Speaker 4>off Rosie o'donald in the nineties. So I think you

0:24:39.320 --> 0:24:41.360
<v Speaker 4>were like in some sort of company.

0:24:41.560 --> 0:24:42.639
<v Speaker 5>Well she pissed me up.

0:24:43.160 --> 0:24:47.160
<v Speaker 3>Hey listen, all right, well she's in Ireland now, Well,

0:24:48.160 --> 0:24:55.680
<v Speaker 3>Rosie girl, it'll be all right.

0:24:59.000 --> 0:25:03.240
<v Speaker 2>I'm just gonna say we love you, but with.

0:25:04.640 --> 0:25:05.600
<v Speaker 3>He an't say nothing wrong.

0:25:05.680 --> 0:25:05.960
<v Speaker 5>I am.

0:25:06.280 --> 0:25:08.720
<v Speaker 3>I am black first black first over here.

0:25:08.960 --> 0:25:12.119
<v Speaker 4>I did I did you remember when everybody remember when

0:25:12.160 --> 0:25:14.200
<v Speaker 4>everybody was going hard at Chick fil A being like.

0:25:14.200 --> 0:25:16.320
<v Speaker 3>They don't like I was.

0:25:16.440 --> 0:25:18.639
<v Speaker 4>I was in my act when it when it was

0:25:18.680 --> 0:25:20.320
<v Speaker 4>the news at the time, I was in my stand

0:25:20.400 --> 0:25:23.239
<v Speaker 4>up being like, guys, let me tell you something. I

0:25:23.320 --> 0:25:26.119
<v Speaker 4>knew I liked fried chicken before I knew I was gay.

0:25:26.840 --> 0:25:30.640
<v Speaker 4>I knew I liked dick like chicken chicken. What came first,

0:25:30.640 --> 0:25:32.080
<v Speaker 4>the chicken on the dick, the chicken.

0:25:32.840 --> 0:25:33.520
<v Speaker 3>And also.

0:25:34.840 --> 0:25:37.040
<v Speaker 1>I'm gonna eat Chick fil A because it's an active

0:25:37.040 --> 0:25:39.800
<v Speaker 1>rebellion to be to be gay in the chick fil

0:25:39.800 --> 0:25:43.840
<v Speaker 1>a is an active rebellion to eat, to eat those

0:25:43.920 --> 0:25:46.480
<v Speaker 1>nuggets they don't want you to have and.

0:25:47.480 --> 0:25:48.440
<v Speaker 3>Behind those counters.

0:25:48.440 --> 0:25:55.000
<v Speaker 4>Also, it's more statistically largely a gay organization. I don't

0:25:55.040 --> 0:25:57.640
<v Speaker 4>know who they think they fooling over there.

0:25:57.720 --> 0:25:58.080
<v Speaker 2>Very gay.

0:25:58.240 --> 0:26:15.080
<v Speaker 4>Yeah, Larry, we were discussing music.

0:26:15.119 --> 0:26:17.240
<v Speaker 3>What was your relationship with Motown? I know you were.

0:26:17.240 --> 0:26:19.480
<v Speaker 3>You were one of the founding members of hip hop.

0:26:19.520 --> 0:26:22.240
<v Speaker 1>We're a seventy nine, We're about to roll.

0:26:23.600 --> 0:26:26.119
<v Speaker 5>We're listening to Rick James at that time, like that

0:26:26.359 --> 0:26:28.320
<v Speaker 5>was considered. Prince had just started.

0:26:28.560 --> 0:26:29.840
<v Speaker 2>We're about to roll harder today.

0:26:30.119 --> 0:26:31.120
<v Speaker 3>Absolutely absolutely.

0:26:31.119 --> 0:26:33.359
<v Speaker 5>I don't know Parliament. I remember it was a big deal.

0:26:33.440 --> 0:26:35.200
<v Speaker 5>Like I was in the funk in those days.

0:26:36.359 --> 0:26:38.840
<v Speaker 1>We're about to get into real cocaine music. Yeah, yeah,

0:26:39.480 --> 0:26:41.879
<v Speaker 1>you know what I mean, good good coke music.

0:26:42.680 --> 0:26:49.200
<v Speaker 5>Yeah. Uh Don Summer was huge. Yeah, back girls mixing

0:26:49.240 --> 0:26:51.520
<v Speaker 5>stuff like that was one of the songs too that

0:26:52.320 --> 0:26:56.880
<v Speaker 5>a lot of DJs like was uh because the TYPEEP

0:26:56.960 --> 0:26:57.680
<v Speaker 5>and you know.

0:26:58.240 --> 0:27:01.040
<v Speaker 3>Coming in you were you in there, you were at the.

0:27:01.000 --> 0:27:06.480
<v Speaker 5>Club, not really a little bit, but I was more

0:27:06.760 --> 0:27:10.240
<v Speaker 5>into finding the music like that. I think that summer,

0:27:10.240 --> 0:27:12.680
<v Speaker 5>I started spending a lot of time in record stores

0:27:12.720 --> 0:27:14.840
<v Speaker 5>and I would look for twelve ventures that were called

0:27:15.000 --> 0:27:17.960
<v Speaker 5>those days of music I hadn't heard, or people I

0:27:17.960 --> 0:27:21.240
<v Speaker 5>didn't know, and I would I ended I got a

0:27:21.240 --> 0:27:23.720
<v Speaker 5>couple of turntables, and I would find them to see

0:27:23.720 --> 0:27:25.760
<v Speaker 5>if I could mix things together and see what it

0:27:25.960 --> 0:27:28.880
<v Speaker 5>sounded like. And I was really into just beats and

0:27:29.000 --> 0:27:31.560
<v Speaker 5>just different things I hadn't heard. I would take chances

0:27:31.600 --> 0:27:35.199
<v Speaker 5>on things, you know. So I was I was not

0:27:35.280 --> 0:27:38.520
<v Speaker 5>so much in the clubs as into the music music,

0:27:38.520 --> 0:27:40.320
<v Speaker 5>you know, and finding artists I had never heard of.

0:27:40.560 --> 0:27:43.520
<v Speaker 5>Some were East Coast artists that weren't really known out

0:27:43.680 --> 0:27:46.800
<v Speaker 5>on the West coast, you know, and it was it

0:27:46.840 --> 0:27:48.600
<v Speaker 5>was fun to do that. So I was more into

0:27:48.640 --> 0:27:52.359
<v Speaker 5>a music discovery period during that time. You know, I

0:27:52.400 --> 0:27:53.760
<v Speaker 5>didn't you know, I went to the clubs a little bit,

0:27:53.840 --> 0:27:56.120
<v Speaker 5>but it wasn't really my thing because you know, at

0:27:56.119 --> 0:27:58.679
<v Speaker 5>that point, I was underage, I wasn't twenty one. I

0:27:58.680 --> 0:28:00.440
<v Speaker 5>didn't have any money, so you had to sneak into

0:28:00.440 --> 0:28:03.720
<v Speaker 5>the clubs if you went, and that was exhausted, all right.

0:28:03.760 --> 0:28:07.080
<v Speaker 1>I have to say, you weren't doing drugs. You weren't

0:28:07.200 --> 0:28:10.440
<v Speaker 1>sneaking out. You weren't sneaking in the club. I'm a

0:28:10.440 --> 0:28:12.360
<v Speaker 1>little disappointed, little scandal.

0:28:13.920 --> 0:28:15.760
<v Speaker 5>Club. I did sneak into the club.

0:28:17.119 --> 0:28:19.080
<v Speaker 3>Time what you are?

0:28:20.800 --> 0:28:23.719
<v Speaker 2>I just knew you were coming in talking about how

0:28:23.720 --> 0:28:24.840
<v Speaker 2>you were lines off.

0:28:25.359 --> 0:28:28.200
<v Speaker 3>It's like, all, ky, yeah, you were listening to akas.

0:28:28.240 --> 0:28:29.360
<v Speaker 3>You wouldn't do none of the coach.

0:28:30.359 --> 0:28:32.720
<v Speaker 5>I have that responsible gene. I think this is what

0:28:32.800 --> 0:28:36.520
<v Speaker 5>it is. Well, it's like, I gotta eat my genius.

0:28:36.760 --> 0:28:37.720
<v Speaker 5>This nigga's gotta eat.

0:28:37.760 --> 0:28:41.000
<v Speaker 3>I gotta I wouldn't say.

0:28:41.040 --> 0:28:43.200
<v Speaker 4>Nineteen seventy nine was also the year of Prior, and

0:28:43.960 --> 0:28:45.120
<v Speaker 4>we're talking to the comedian.

0:28:45.160 --> 0:28:46.560
<v Speaker 3>I'm like, what was your relationship?

0:28:46.600 --> 0:28:46.760
<v Speaker 5>Man?

0:28:46.760 --> 0:28:47.560
<v Speaker 3>Well, how you know?

0:28:48.040 --> 0:28:51.480
<v Speaker 4>I'm sure you I'm what your Prior has been spoken

0:28:51.480 --> 0:28:53.200
<v Speaker 4>about at nausey and I'm sure, But I would love

0:28:53.240 --> 0:28:55.880
<v Speaker 4>to hear your personal relationship with prior.

0:28:55.640 --> 0:28:57.680
<v Speaker 5>To I have a couple of a couple of things.

0:28:57.760 --> 0:29:01.680
<v Speaker 5>So there was nothing bigger than enter Prior in comedy

0:29:01.680 --> 0:29:04.680
<v Speaker 5>at that moment, And God, I wish I could take

0:29:04.680 --> 0:29:06.440
<v Speaker 5>you guys back in the time machine so you could

0:29:06.520 --> 0:29:11.120
<v Speaker 5>experience it, because nobody has replaced Prior in terms of

0:29:11.160 --> 0:29:13.800
<v Speaker 5>his importance in the culture and how special he felt.

0:29:13.920 --> 0:29:16.440
<v Speaker 5>We felt like he was getting away with stuff, like

0:29:16.480 --> 0:29:19.680
<v Speaker 5>he was saying stuff that we couldn't believe he was saying.

0:29:19.680 --> 0:29:24.360
<v Speaker 5>And so Richard Pryor the best Richard Pryor, stand up specialist,

0:29:24.440 --> 0:29:27.640
<v Speaker 5>Richard Pryor live in concert, this is before the Fire

0:29:27.680 --> 0:29:30.840
<v Speaker 5>and all that stuff. You know, there was nothing bigger

0:29:30.840 --> 0:29:33.200
<v Speaker 5>at the time. And my dad had a I saw

0:29:33.240 --> 0:29:35.320
<v Speaker 5>it in both in the movie theaters. They had a

0:29:35.560 --> 0:29:38.240
<v Speaker 5>first stand up thing released in the theaters, and my

0:29:38.320 --> 0:29:40.280
<v Speaker 5>dad had an eight track of it, if you could believe,

0:29:40.800 --> 0:29:43.240
<v Speaker 5>and I wore that eight track out and the eight

0:29:43.320 --> 0:29:45.760
<v Speaker 5>track was slightly different from the movie. You know, my

0:29:45.920 --> 0:29:50.520
<v Speaker 5>ear could tell and I just knew every single line

0:29:50.600 --> 0:29:54.280
<v Speaker 5>and moving and just everything in it. And at that

0:29:54.440 --> 0:29:57.440
<v Speaker 5>time I had dreams of maybe doing stand up. Okay,

0:29:57.520 --> 0:30:00.600
<v Speaker 5>so I had actually a just and at the end

0:30:00.640 --> 0:30:02.840
<v Speaker 5>of nineteen seventy nine at the Comedy Story, That's how

0:30:02.840 --> 0:30:06.240
<v Speaker 5>my nineteen seventy nine ended, wow, pointing to the future,

0:30:06.280 --> 0:30:11.640
<v Speaker 5>you know. And when I was in there, I saw

0:30:11.760 --> 0:30:14.280
<v Speaker 5>Richard Pryor, you know, he actually kind of walked by me.

0:30:14.360 --> 0:30:16.479
<v Speaker 5>I was it was I think I went in one

0:30:16.560 --> 0:30:19.000
<v Speaker 5>night where I just kind of lied about my age.

0:30:19.000 --> 0:30:23.160
<v Speaker 5>I used to sneak into the comedy. See yeah, still

0:30:23.840 --> 0:30:29.440
<v Speaker 5>it was to sneak into the comedy. I was sneaking

0:30:29.480 --> 0:30:31.880
<v Speaker 5>in for my dreams. But I'll never forget I heard it.

0:30:32.000 --> 0:30:33.320
<v Speaker 5>I say, excuse me, and I'm like, oh, And it

0:30:33.320 --> 0:30:35.040
<v Speaker 5>was Richard Prier walking home and I was like, ah,

0:30:35.160 --> 0:30:37.520
<v Speaker 5>you know, and he was trying out material in the

0:30:37.560 --> 0:30:39.640
<v Speaker 5>original room, you know, And I got to see him

0:30:39.680 --> 0:30:42.400
<v Speaker 5>go up and saw pol Mooney. I remember going into

0:30:42.400 --> 0:30:44.959
<v Speaker 5>the main room just standing in the vaccine David Letterman

0:30:45.200 --> 0:30:48.520
<v Speaker 5>him seeing and seeing people go up and it was magical,

0:30:48.640 --> 0:30:50.880
<v Speaker 5>I mean just and I thought, I can't these people

0:30:50.920 --> 0:30:52.880
<v Speaker 5>are the funnies people in the world. How who am

0:30:52.880 --> 0:30:54.000
<v Speaker 5>I to think that I could do this?

0:30:54.320 --> 0:30:58.800
<v Speaker 1>Is like crazy that I feel like like every stand

0:30:58.840 --> 0:31:01.840
<v Speaker 1>ups kind of origin and intstead up, like you have

0:31:02.000 --> 0:31:04.840
<v Speaker 1>that kind of a story, like see what you're telling

0:31:04.920 --> 0:31:07.200
<v Speaker 1>your store. I'm like, oh, I was at the store

0:31:07.280 --> 0:31:10.560
<v Speaker 1>and I remember like they walked by and I was

0:31:10.600 --> 0:31:13.280
<v Speaker 1>like standing in the back of the room hanging on

0:31:13.360 --> 0:31:16.560
<v Speaker 1>every word, and like, I think about all these comedians

0:31:16.560 --> 0:31:19.560
<v Speaker 1>who are now just going straight to the internet and

0:31:19.640 --> 0:31:21.480
<v Speaker 1>kind of skipping that part of.

0:31:23.320 --> 0:31:24.760
<v Speaker 2>That part of it.

0:31:24.880 --> 0:31:26.800
<v Speaker 1>That is, so they go straight to the internet and

0:31:26.800 --> 0:31:28.040
<v Speaker 1>then they get the following, and then they.

0:31:28.000 --> 0:31:30.680
<v Speaker 2>Just go on tour and they they never see a need.

0:31:30.560 --> 0:31:32.440
<v Speaker 1>To hang out at a comedy store or to go

0:31:32.600 --> 0:31:33.640
<v Speaker 1>to these places.

0:31:33.360 --> 0:31:37.560
<v Speaker 3>And chal store, we're all going, we're all going down.

0:31:37.840 --> 0:31:41.080
<v Speaker 2>But you still like rush these rooms and like pack

0:31:41.160 --> 0:31:43.840
<v Speaker 2>ourselves in just to be like what are they going

0:31:43.840 --> 0:31:44.320
<v Speaker 2>to say?

0:31:44.520 --> 0:31:47.920
<v Speaker 5>You know, it's important to be small first and to yes,

0:31:48.160 --> 0:31:51.840
<v Speaker 5>say that, yes, and say and to see your heroes.

0:31:51.880 --> 0:31:54.200
<v Speaker 5>I mean, prior was a god. Just have a god

0:31:54.360 --> 0:31:58.280
<v Speaker 5>walking on earth to by me, you know, it was amazing,

0:31:58.400 --> 0:31:59.880
<v Speaker 5>you know, and to see that and to be in

0:32:00.240 --> 0:32:02.840
<v Speaker 5>and to be humbled by it as well, and to

0:32:02.960 --> 0:32:06.240
<v Speaker 5>not automatically think that that could be you. You could

0:32:06.240 --> 0:32:08.080
<v Speaker 5>still want it, but you need to be humbled. You

0:32:08.160 --> 0:32:11.640
<v Speaker 5>have to have humility around it. And if you're seeing

0:32:11.680 --> 0:32:15.960
<v Speaker 5>it life, you realize how hard it really is. Yeah, man,

0:32:16.800 --> 0:32:17.560
<v Speaker 5>it's not that.

0:32:17.520 --> 0:32:20.720
<v Speaker 1>Easy, and that humility makes you work harder and makes

0:32:20.760 --> 0:32:22.200
<v Speaker 1>it work harder better.

0:32:22.480 --> 0:32:24.680
<v Speaker 2>I used to go into the comedy celler and just

0:32:24.720 --> 0:32:27.360
<v Speaker 2>like look at the table and see who was sitting.

0:32:27.120 --> 0:32:29.840
<v Speaker 4>There in there, and like sit, you know, the closest

0:32:29.880 --> 0:32:32.479
<v Speaker 4>table right here in the middle trying to but you'm not,

0:32:32.840 --> 0:32:33.200
<v Speaker 4>but not.

0:32:33.160 --> 0:32:35.160
<v Speaker 1>At the table because I don't want to look thirsty

0:32:35.360 --> 0:32:36.640
<v Speaker 1>and just be like man.

0:32:37.000 --> 0:32:38.160
<v Speaker 3>One day, I hope I'll.

0:32:37.960 --> 0:32:40.520
<v Speaker 2>Be able to sit over there and now look at us,

0:32:40.560 --> 0:32:44.960
<v Speaker 2>you know what I mean. That would be so cool.

0:32:45.320 --> 0:32:47.240
<v Speaker 1>One of those comments that is to sit back there

0:32:47.400 --> 0:32:49.360
<v Speaker 1>and like old court, you know what I mean.

0:32:49.640 --> 0:32:52.800
<v Speaker 5>I remember when keenan Ivory Wayne's hosted this tribute to

0:32:52.880 --> 0:32:56.560
<v Speaker 5>Richard Pryor, and on the show itself, he said this

0:32:56.720 --> 0:33:00.200
<v Speaker 5>was the first time he was meeting Richard because when

0:33:00.200 --> 0:33:02.720
<v Speaker 5>he see him at the comedy store, he purposely didn't

0:33:02.720 --> 0:33:04.600
<v Speaker 5>want to meet him because he felt he wasn't ready

0:33:04.960 --> 0:33:06.600
<v Speaker 5>and you wanted to meet him at a time when

0:33:06.600 --> 0:33:09.960
<v Speaker 5>he felt he was worthy enough to meet him, even

0:33:10.000 --> 0:33:12.400
<v Speaker 5>though had he met him back then prior would have

0:33:12.440 --> 0:33:14.520
<v Speaker 5>been cold and all that stuff, but he didn't feel

0:33:14.880 --> 0:33:16.800
<v Speaker 5>And I thought that was such an interesting thing to

0:33:17.480 --> 0:33:19.640
<v Speaker 5>you know, you have all that Hebro worship going on

0:33:19.800 --> 0:33:22.680
<v Speaker 5>and can't even allow you to say hi to somebody.

0:33:22.920 --> 0:33:23.160
<v Speaker 2>Dude.

0:33:23.200 --> 0:33:25.120
<v Speaker 1>There's like you don't want to speak because they might

0:33:25.200 --> 0:33:27.720
<v Speaker 1>speak back, and you like, I don't even.

0:33:27.520 --> 0:33:28.960
<v Speaker 2>Got the right time. I don't want to mess up

0:33:29.120 --> 0:33:31.600
<v Speaker 2>to say something back to you.

0:33:31.640 --> 0:33:34.440
<v Speaker 5>I don't want to mess up to live in concert guys.

0:33:34.480 --> 0:33:37.040
<v Speaker 5>Going back to that, that was the first germ of

0:33:37.120 --> 0:33:40.200
<v Speaker 5>me thinking well, maybe this is something I can do.

0:33:41.200 --> 0:33:43.640
<v Speaker 5>Because I was so inspired by it. There was just

0:33:43.720 --> 0:33:46.920
<v Speaker 5>there was nothing funnier on the earth to me at

0:33:46.960 --> 0:33:47.480
<v Speaker 5>that point.

0:33:47.640 --> 0:33:49.280
<v Speaker 4>Nothing You were like, let me try to be like

0:33:49.320 --> 0:33:52.480
<v Speaker 4>even a small fraction of funny as funny as this,

0:33:53.240 --> 0:33:55.000
<v Speaker 4>and least.

0:33:54.920 --> 0:33:56.920
<v Speaker 5>At least to give it a shot, because I tried

0:33:56.920 --> 0:33:58.680
<v Speaker 5>to stand up in high school, like in a talent

0:33:58.720 --> 0:34:00.680
<v Speaker 5>show and stuff like that. Okay, thinking about it as

0:34:00.720 --> 0:34:04.240
<v Speaker 5>a profession, Thinking about it as a profession, it's different. Yeah, yeah,

0:34:04.360 --> 0:34:06.920
<v Speaker 5>I knew, I understood it the different. I also wanted to

0:34:06.920 --> 0:34:09.360
<v Speaker 5>be an actor, and I was. I was starting to

0:34:09.360 --> 0:34:11.480
<v Speaker 5>take acting classes, and like I said, it's a theater major.

0:34:11.520 --> 0:34:13.560
<v Speaker 5>So I had different things in mind. I didn't know

0:34:13.600 --> 0:34:14.919
<v Speaker 5>I was going to be a writer at that time,

0:34:14.920 --> 0:34:17.920
<v Speaker 5>but a good friend of mine was already writing, and uh,

0:34:18.840 --> 0:34:21.920
<v Speaker 5>and so that became a possibility soon thereafter.

0:34:22.200 --> 0:34:24.920
<v Speaker 4>I think that's a lot of like stand up comics,

0:34:25.000 --> 0:34:27.880
<v Speaker 4>like origins of just like I started doing stand up

0:34:27.880 --> 0:34:29.960
<v Speaker 4>at least it was for me as well. Like people

0:34:29.960 --> 0:34:31.960
<v Speaker 4>ask me all the time, like how did you I'm

0:34:32.000 --> 0:34:32.680
<v Speaker 4>sure they ask you to.

0:34:32.680 --> 0:34:33.880
<v Speaker 3>Say, I'm like, how did it?

0:34:33.960 --> 0:34:35.520
<v Speaker 4>How does it feel? How did it feel being a

0:34:35.520 --> 0:34:38.600
<v Speaker 4>writer at SNEL? And I'm like, dude, that was never

0:34:38.640 --> 0:34:39.960
<v Speaker 4>in my plan whatsoever?

0:34:42.200 --> 0:34:42.799
<v Speaker 3>If you would have.

0:34:42.760 --> 0:34:44.840
<v Speaker 4>Told me when I started stand up, you know, like

0:34:45.120 --> 0:34:46.120
<v Speaker 4>I didn't even know that stand.

0:34:46.040 --> 0:34:48.320
<v Speaker 3>Up comedians were writers on television shows.

0:34:48.600 --> 0:34:51.560
<v Speaker 4>I had no awareness of it because of like where

0:34:51.560 --> 0:34:54.040
<v Speaker 4>I'm from, entertainment wasn't even an option. They were like, boy,

0:34:54.040 --> 0:34:55.719
<v Speaker 4>go get you a government job and show as now

0:34:55.840 --> 0:34:58.120
<v Speaker 4>somewhere you ain't gonna be funny, my mama was my

0:34:58.120 --> 0:34:58.880
<v Speaker 4>mom said to this day.

0:34:58.880 --> 0:35:00.440
<v Speaker 3>I was like, you never made me. I don't know what.

0:35:04.000 --> 0:35:06.480
<v Speaker 4>So it's like if you don't really see it, you

0:35:06.520 --> 0:35:08.319
<v Speaker 4>don't really understand it. You just have people that you

0:35:08.400 --> 0:35:10.480
<v Speaker 4>like admire, and you think if I, like I was

0:35:10.520 --> 0:35:12.080
<v Speaker 4>saying to you, I'm like, if I could be a

0:35:12.200 --> 0:35:14.080
<v Speaker 4>little bit as funny as it, I know I can

0:35:14.640 --> 0:35:18.000
<v Speaker 4>make something to do something, but something like now the

0:35:18.360 --> 0:35:20.000
<v Speaker 4>like the way it is like you were saying, like

0:35:20.120 --> 0:35:23.040
<v Speaker 4>the internet culture of it. Could you imagine someone telling

0:35:23.160 --> 0:35:24.120
<v Speaker 4>Richard Pryor.

0:35:24.160 --> 0:35:29.400
<v Speaker 5>You gotta get your TikTok numbers up, followers up.

0:35:29.920 --> 0:35:32.120
<v Speaker 4>Richard, You know what I mean, I just think about

0:35:32.120 --> 0:35:34.480
<v Speaker 4>so much like talent that and not even just like

0:35:34.480 --> 0:35:36.799
<v Speaker 4>speaking of like me and Sam or anybody, like just

0:35:36.840 --> 0:35:39.640
<v Speaker 4>so much talent that gets like, you know, pushed aside

0:35:39.680 --> 0:35:41.640
<v Speaker 4>for the sake of the fact that we now live

0:35:41.680 --> 0:35:44.720
<v Speaker 4>in this world where it only matters what you're doing

0:35:44.760 --> 0:35:47.560
<v Speaker 4>online and it's not about there's there's there's a reverse

0:35:47.600 --> 0:35:49.480
<v Speaker 4>of that too on the on the side of the industry,

0:35:49.480 --> 0:35:53.359
<v Speaker 4>where it's like so many talented people, you know, have

0:35:53.440 --> 0:35:56.800
<v Speaker 4>to be small because now we're in a place where

0:35:57.239 --> 0:35:59.840
<v Speaker 4>you can't just pluck somebody and be like I'm putting

0:35:59.800 --> 0:36:03.120
<v Speaker 4>you Johnny Carson. There's no like platform that exists that

0:36:03.120 --> 0:36:06.120
<v Speaker 4>way anymore, or you're made a start by being on

0:36:06.160 --> 0:36:07.880
<v Speaker 4>television the night everybody's watching it.

0:36:07.960 --> 0:36:14.799
<v Speaker 5>Yeah, the dangers of social media fame is over exposure. Absolutely,

0:36:15.719 --> 0:36:18.719
<v Speaker 5>you can over it because as a comedian, if we're

0:36:18.760 --> 0:36:21.319
<v Speaker 5>being honest about it, it takes it takes a.

0:36:21.320 --> 0:36:22.640
<v Speaker 3>Couple of years.

0:36:22.680 --> 0:36:25.200
<v Speaker 5>Like even an hour set, it takes a couple of years,

0:36:25.320 --> 0:36:28.600
<v Speaker 5>two or three years honestly, for being honest, if you're

0:36:29.320 --> 0:36:33.480
<v Speaker 5>you know, you could do it in eighteen months, but honestly,

0:36:33.520 --> 0:36:36.960
<v Speaker 5>thirty six months. It's a true amount of time. Yeah,

0:36:37.040 --> 0:36:39.200
<v Speaker 5>to have a solid I mean a solid to be

0:36:39.280 --> 0:36:42.480
<v Speaker 5>solid solid hour, that's the amount of time it takes.

0:36:42.640 --> 0:36:45.440
<v Speaker 5>But if you're putting that material out all the time,

0:36:45.560 --> 0:36:47.920
<v Speaker 5>you lose the effect that it's not special audience getting

0:36:47.960 --> 0:36:51.560
<v Speaker 5>to experience fresh and new, you know when they see you.

0:36:52.080 --> 0:36:53.080
<v Speaker 2>So you don't grow it.

0:36:53.680 --> 0:36:55.400
<v Speaker 1>You burn it and then you move on and you

0:36:55.480 --> 0:36:57.759
<v Speaker 1>burn it and you move on, and you're not growing it.

0:36:57.800 --> 0:37:00.320
<v Speaker 1>You're not growing the ideas, you're not growing the perspective.

0:37:00.480 --> 0:37:03.239
<v Speaker 5>All right. It's funny because as I'm doing stand up again,

0:37:03.800 --> 0:37:06.480
<v Speaker 5>I was having this conversation at the store about a

0:37:06.480 --> 0:37:09.719
<v Speaker 5>month or so ago, and and I was telling them

0:37:09.760 --> 0:37:12.000
<v Speaker 5>I said, well, part of the said why are you

0:37:12.000 --> 0:37:14.000
<v Speaker 5>you know, we're each your material. I said, well, part

0:37:14.000 --> 0:37:15.480
<v Speaker 5>of it I have to ask myself why am I

0:37:15.520 --> 0:37:19.400
<v Speaker 5>doing it? You know, I can't. I can't just go

0:37:19.520 --> 0:37:21.719
<v Speaker 5>up and just be funny. But yeah, what is my

0:37:22.120 --> 0:37:24.040
<v Speaker 5>Why am I on stage? And what is the audience

0:37:24.120 --> 0:37:26.920
<v Speaker 5>expectation of me? There are all these things, and am

0:37:26.960 --> 0:37:29.760
<v Speaker 5>I living up to to any thing that I should

0:37:29.760 --> 0:37:31.200
<v Speaker 5>be up there? I can't just be up there just

0:37:31.320 --> 0:37:33.920
<v Speaker 5>being funny, Larry, Larry.

0:37:33.600 --> 0:37:35.279
<v Speaker 3>We can tell you. I mean, I know you said

0:37:35.280 --> 0:37:36.960
<v Speaker 3>you're just getting back into these stand up streets.

0:37:37.040 --> 0:37:38.880
<v Speaker 4>We can sort of tell you what these audiences are

0:37:39.000 --> 0:37:42.640
<v Speaker 4>expecting because of so much CrowdWork.

0:37:43.040 --> 0:37:44.239
<v Speaker 5>Know, this is good, I appreciate it.

0:37:44.320 --> 0:37:47.520
<v Speaker 4>Tell us there's so much CrowdWork happening out there online.

0:37:47.600 --> 0:37:51.200
<v Speaker 4>People are actively coming to shows. They want to sit

0:37:51.280 --> 0:37:54.160
<v Speaker 4>up for it, they want to be involved. They like

0:37:54.200 --> 0:37:56.640
<v Speaker 4>I literally I did shows like a few years ago,

0:37:56.840 --> 0:37:59.479
<v Speaker 4>and I was like on the road somewhere and great,

0:37:59.480 --> 0:38:01.919
<v Speaker 4>we had a great time. I got my whole hour out.

0:38:02.280 --> 0:38:03.920
<v Speaker 4>I was saying, you know, hello and thank you to

0:38:03.960 --> 0:38:05.920
<v Speaker 4>people coming out. There was like a group of people

0:38:05.920 --> 0:38:07.880
<v Speaker 4>they were like, oh my god, we were so scared

0:38:07.920 --> 0:38:09.439
<v Speaker 4>that you. We were just wondering when you were gonna

0:38:09.440 --> 0:38:11.040
<v Speaker 4>start talking to us. I was like, this is what

0:38:11.040 --> 0:38:14.759
<v Speaker 4>people think that.

0:38:13.719 --> 0:38:14.399
<v Speaker 3>It's about them.

0:38:14.440 --> 0:38:16.960
<v Speaker 4>They don't think that this is like an actual set

0:38:17.000 --> 0:38:18.200
<v Speaker 4>that someone has written out.

0:38:18.239 --> 0:38:20.560
<v Speaker 5>I tell the people I.

0:38:20.480 --> 0:38:25.040
<v Speaker 4>Wrote something, Okay, I wrote something, so y'all, I'm not

0:38:25.080 --> 0:38:26.520
<v Speaker 4>that interested in y'all for real.

0:38:26.760 --> 0:38:28.320
<v Speaker 3>If something that's.

0:38:28.200 --> 0:38:29.600
<v Speaker 5>The dirty truth, that's the dirty.

0:38:29.719 --> 0:38:32.399
<v Speaker 4>If something organic happens in the audience, cool, let's make

0:38:32.400 --> 0:38:36.319
<v Speaker 4>a moment. But I'm not starting off like, well, what's

0:38:36.360 --> 0:38:36.879
<v Speaker 4>up with y'all?

0:38:37.080 --> 0:38:39.120
<v Speaker 2>But also, you shouldn't.

0:38:39.200 --> 0:38:42.520
<v Speaker 1>You shouldn't pay money to come watch a thing like

0:38:42.560 --> 0:38:47.319
<v Speaker 1>an artist or watch a thing. And I hope that

0:38:47.360 --> 0:38:50.960
<v Speaker 1>they're going to rely on you. I did nothing.

0:38:51.120 --> 0:38:55.200
<v Speaker 3>Yeah need you?

0:38:55.320 --> 0:38:58.560
<v Speaker 5>Yeah. It's like if you went to a concert and

0:38:58.600 --> 0:39:05.919
<v Speaker 5>on every song they said every.

0:39:02.840 --> 0:39:06.080
<v Speaker 4>But that is what they do they do, which is

0:39:06.280 --> 0:39:11.480
<v Speaker 4>I don't go to a lot of concerts.

0:39:14.400 --> 0:39:16.280
<v Speaker 2>That's what this whole generation is about.

0:39:16.320 --> 0:39:18.920
<v Speaker 1>I went to a Playboy Cardi concert, like very early

0:39:18.960 --> 0:39:21.359
<v Speaker 1>on in his career. I go to this country I'm

0:39:21.360 --> 0:39:23.279
<v Speaker 1>at I'm in Philly, I'm at the Punchline. They have

0:39:23.280 --> 0:39:24.800
<v Speaker 1>a venue across the street they own, and they're like,

0:39:24.840 --> 0:39:26.080
<v Speaker 1>you want to go see play work card I was like,

0:39:26.160 --> 0:39:26.600
<v Speaker 1>I guess.

0:39:27.040 --> 0:39:28.000
<v Speaker 2>And I go to this.

0:39:28.080 --> 0:39:32.480
<v Speaker 1>Show and he's standing there by hisself. They're just things

0:39:32.480 --> 0:39:37.880
<v Speaker 1>flashing behind him. He's jumping up and down and the

0:39:37.960 --> 0:39:39.839
<v Speaker 1>kids are just saying all the words to him and

0:39:39.880 --> 0:39:40.560
<v Speaker 1>he's just like.

0:39:40.600 --> 0:39:42.800
<v Speaker 2>Holding the mic and they're just like, no, no, he

0:39:42.960 --> 0:39:44.200
<v Speaker 2>just jumping.

0:39:44.239 --> 0:39:48.480
<v Speaker 1>And I was like, I have aged out of whatever.

0:39:50.000 --> 0:39:50.839
<v Speaker 3>The Sugarhill game.

0:39:51.719 --> 0:39:54.439
<v Speaker 2>I was like, I just don't know what these kids want.

0:39:55.520 --> 0:39:59.480
<v Speaker 1>I just don't understanding.

0:39:59.600 --> 0:40:02.080
<v Speaker 3>For me to understand, that's precisely what Larry.

0:40:01.840 --> 0:40:02.279
<v Speaker 5>Was telling us.

0:40:02.280 --> 0:40:05.480
<v Speaker 3>They're not here talking about jack shit, they're high drugs.

0:40:08.400 --> 0:40:11.080
<v Speaker 5>That's so funny. Well, a lot of people, Sam, I

0:40:11.120 --> 0:40:14.480
<v Speaker 5>think they get they want fame by proxy, you know,

0:40:15.239 --> 0:40:18.759
<v Speaker 5>where they don't have to have any skin in the

0:40:18.800 --> 0:40:19.720
<v Speaker 5>game or doing anything.

0:40:21.320 --> 0:40:23.520
<v Speaker 4>Seventy nine, it was just all about you actually had

0:40:23.520 --> 0:40:25.880
<v Speaker 4>to love this. You actually had to be dedicated to

0:40:25.880 --> 0:40:28.960
<v Speaker 4>what You had to have a purpose. Yeah, you had

0:40:28.960 --> 0:40:30.799
<v Speaker 4>to have a purpose behind what you were saying, and

0:40:30.800 --> 0:40:32.720
<v Speaker 4>the people had to feel like there was some purpose

0:40:32.760 --> 0:40:33.080
<v Speaker 4>behind you.

0:40:33.120 --> 0:40:34.120
<v Speaker 3>Like you were talking about Prior.

0:40:34.719 --> 0:40:39.279
<v Speaker 4>He was tapping into us like a social consciousness that

0:40:39.560 --> 0:40:42.680
<v Speaker 4>involved being foolish, you know, foolish on stage, but he

0:40:42.760 --> 0:40:44.960
<v Speaker 4>was actually speaking to like a lot of people's experience,

0:40:45.000 --> 0:40:47.640
<v Speaker 4>which I think a lot of that is missing from

0:40:48.160 --> 0:40:49.480
<v Speaker 4>our generations.

0:40:49.760 --> 0:40:51.880
<v Speaker 3>You know, a lot of people criticized Chapelle about.

0:40:51.680 --> 0:40:54.120
<v Speaker 4>You know, really being like gather around kids, you know,

0:40:54.239 --> 0:40:56.160
<v Speaker 4>with his style of copty. But that's just the mark

0:40:56.160 --> 0:40:58.360
<v Speaker 4>of being older and maturing in your delivery.

0:40:58.600 --> 0:40:59.280
<v Speaker 3>He's changing.

0:41:00.160 --> 0:41:02.920
<v Speaker 5>Yeah, the thing that the thing that made Prior special

0:41:03.600 --> 0:41:08.280
<v Speaker 5>as opposed to just funny is that Prior was unapologetic

0:41:08.480 --> 0:41:11.279
<v Speaker 5>about bearing his soul and he didn't care if it

0:41:11.760 --> 0:41:12.880
<v Speaker 5>flattered him or did not.

0:41:13.000 --> 0:41:14.680
<v Speaker 3>He wasn't lying about nothing.

0:41:14.760 --> 0:41:17.439
<v Speaker 5>So yes, but he didn't care if it was done

0:41:17.480 --> 0:41:23.160
<v Speaker 5>flattering to him. Yeah, many, many, many performers. Something has

0:41:23.200 --> 0:41:26.719
<v Speaker 5>to flatter them in a way, you know, or it

0:41:26.800 --> 0:41:27.960
<v Speaker 5>can't put them in a bat.

0:41:27.880 --> 0:41:29.760
<v Speaker 2>He can't always be the hero of the story.

0:41:29.880 --> 0:41:31.359
<v Speaker 5>Hey, that's exactly right.

0:41:31.480 --> 0:41:35.040
<v Speaker 3>He was one of the first ones being like, I

0:41:35.120 --> 0:41:37.480
<v Speaker 3>was out here with the trans girls. You can't set it.

0:41:37.760 --> 0:41:39.080
<v Speaker 2>You can always be the hero.

0:41:39.400 --> 0:41:42.680
<v Speaker 5>Yeah. No. Richard Pryor and Richard Pryor Live and Smoking

0:41:43.360 --> 0:41:46.120
<v Speaker 5>talked about you know, you have a sucking dick, you know,

0:41:46.239 --> 0:41:49.279
<v Speaker 5>and yeah that state and people are like, wait what

0:41:49.440 --> 0:41:51.399
<v Speaker 5>he goes? You know. The thing about zuck a dick

0:41:51.520 --> 0:41:52.880
<v Speaker 5>is like, you can't say that I need to dig

0:41:52.880 --> 0:41:54.120
<v Speaker 5>about it, that I need to dig about it.

0:41:54.320 --> 0:41:57.440
<v Speaker 4>And this was nineteen seventy that come on, he said that,

0:41:57.600 --> 0:42:00.960
<v Speaker 4>and the eye the audience was silent.

0:42:01.160 --> 0:42:01.680
<v Speaker 3>You want.

0:42:02.400 --> 0:42:04.239
<v Speaker 2>Alex said the same thing to me, like.

0:42:08.680 --> 0:42:10.640
<v Speaker 3>I can't even argue with her. I argue with her

0:42:10.680 --> 0:42:13.080
<v Speaker 3>a lot, Larry, I can't I don't know if you

0:42:13.080 --> 0:42:13.839
<v Speaker 3>could tell we are.

0:42:14.120 --> 0:42:16.279
<v Speaker 4>It's probably the one episode we haven't really argued that

0:42:16.480 --> 0:42:19.200
<v Speaker 4>much where a company.

0:42:18.800 --> 0:42:21.320
<v Speaker 5>Of royalty, we bring people together.

0:42:23.040 --> 0:42:27.800
<v Speaker 2>Principal like energy, and we are being very well behaved.

0:42:27.840 --> 0:42:29.719
<v Speaker 5>I'll say the last thing. I'll say this is the

0:42:29.800 --> 0:42:31.319
<v Speaker 5>last thing for nineteen seventy nine. That was a big

0:42:31.360 --> 0:42:34.880
<v Speaker 5>moment for me. And this again sounds silly, but Michigan

0:42:34.880 --> 0:42:38.560
<v Speaker 5>State beats Indiana State in the n cua A Finals.

0:42:38.680 --> 0:42:41.840
<v Speaker 5>Magic Johnson comes to the Lakers that year in the fall,

0:42:42.200 --> 0:42:45.879
<v Speaker 5>come on show time for my Lakers. What a great time.

0:42:46.080 --> 0:42:50.280
<v Speaker 5>And that to me I had I was, you know big,

0:42:50.360 --> 0:42:53.919
<v Speaker 5>I played basketball then. And we had my friend Bill

0:42:54.000 --> 0:42:55.719
<v Speaker 5>Duffy who's lived down the street for me. He was

0:42:55.719 --> 0:42:57.239
<v Speaker 5>a couple of years older than me, and he was

0:42:57.239 --> 0:42:59.520
<v Speaker 5>in magic class. He was a high school American, and

0:42:59.560 --> 0:43:02.520
<v Speaker 5>so he told us about Magic before Magic became things said, Man,

0:43:02.600 --> 0:43:05.279
<v Speaker 5>this is dude. He's like six' ten point. Guard, well

0:43:05.320 --> 0:43:08.239
<v Speaker 5>like no, way he's he's doing link to the court

0:43:08.320 --> 0:43:10.719
<v Speaker 5>behind the, backs like no. Way it's like his name Is,

0:43:10.719 --> 0:43:12.000
<v Speaker 5>Magic like get the fuck out Of?

0:43:12.120 --> 0:43:13.399
<v Speaker 3>Magic who is this?

0:43:13.440 --> 0:43:16.480
<v Speaker 5>Guy and So i'll never forget Seeing magic for the

0:43:16.520 --> 0:43:19.839
<v Speaker 5>first time playing Cal State. Fulleton this is before those

0:43:19.840 --> 0:43:24.560
<v Speaker 5>big games and you know it was. OVER i was,

0:43:24.600 --> 0:43:26.800
<v Speaker 5>like this is the greatest thing. Ever so nineteen seventy

0:43:26.800 --> 0:43:31.000
<v Speaker 5>AND i also represented just this savior for basketball Me

0:43:31.600 --> 0:43:35.759
<v Speaker 5>Magic johnson came down from heaven to The, lakers you,

0:43:35.840 --> 0:43:39.360
<v Speaker 5>know and just, changed just changed the dynamic of, basketball

0:43:40.800 --> 0:43:43.400
<v Speaker 5>especially In Los angeles because nothing was bigger than The

0:43:43.400 --> 0:43:47.960
<v Speaker 5>dodgers in those. Days, yeah that's, magic change that. Around

0:43:47.960 --> 0:43:48.319
<v Speaker 5>so there you.

0:43:48.320 --> 0:43:51.040
<v Speaker 4>Go, Well, larry this is the only TIME i would

0:43:51.040 --> 0:43:53.759
<v Speaker 4>disagree with. You where you say useless information comes out of,

0:43:53.800 --> 0:43:57.640
<v Speaker 4>YOU i. Disagree you have been a wealth of information

0:43:58.160 --> 0:44:00.759
<v Speaker 4>for us on this show. Today thank you so much

0:44:00.800 --> 0:44:01.280
<v Speaker 4>for joining.

0:44:01.320 --> 0:44:03.799
<v Speaker 2>Us, yes we really appreciate you being here and taking the.

0:44:03.800 --> 0:44:07.279
<v Speaker 4>Time SO i appreciate you. Guys so we end every

0:44:07.320 --> 0:44:13.239
<v Speaker 4>episode with a fill in the. Blank, yes just show

0:44:13.280 --> 0:44:15.200
<v Speaker 4>that so that you can be. Ready we'll let you

0:44:15.280 --> 0:44:20.399
<v Speaker 4>go last for the vibe of this, Episode, Sam i'll

0:44:20.400 --> 0:44:22.400
<v Speaker 4>throw it to you and you'll get to hear the

0:44:23.400 --> 0:44:25.160
<v Speaker 4>sentence you will have to fill in the blank for as.

0:44:25.200 --> 0:44:25.399
<v Speaker 5>Well.

0:44:25.880 --> 0:44:28.800
<v Speaker 2>Sam try to, say, right history not only repeats It that's.

0:44:28.719 --> 0:44:33.319
<v Speaker 3>Right history not only repeats itself it. Blank it.

0:44:35.040 --> 0:44:37.440
<v Speaker 2>Tightens its afro when it's time to get down the.

0:44:37.480 --> 0:44:47.160
<v Speaker 4>Business that love, That AND i will say history not

0:44:47.680 --> 0:44:53.879
<v Speaker 4>only repeats. Itself it doesn't do, drugs and it pursues

0:44:54.520 --> 0:44:59.239
<v Speaker 4>its passion and it has a message and the message

0:44:59.280 --> 0:45:00.760
<v Speaker 4>is hip.

0:45:01.000 --> 0:45:08.960
<v Speaker 3>Hop so you see what we're going for here and

0:45:09.760 --> 0:45:11.439
<v Speaker 3>will pass it to you to. Clause that's.

0:45:11.440 --> 0:45:20.360
<v Speaker 5>Out history not only repeats, itself it turns into mystery

0:45:20.640 --> 0:45:23.120
<v Speaker 5>before it comes back and becomes history once.

0:45:23.160 --> 0:45:29.040
<v Speaker 3>Again, boom that just blew my wig. Back that's one

0:45:29.040 --> 0:45:30.360
<v Speaker 3>of my best. ONES i will say that.

0:45:31.840 --> 0:45:32.319
<v Speaker 2>Was the best.

0:45:32.360 --> 0:45:35.440
<v Speaker 1>One i've never Seen alex fangir out like this has

0:45:35.560 --> 0:45:38.520
<v Speaker 1>been quite. Ridiculous his teeth have been showing the entire.

0:45:38.600 --> 0:45:42.160
<v Speaker 2>Time so thank you for this. Memory thank, you appreciate you.

0:45:42.120 --> 0:45:46.200
<v Speaker 5>Being thank you, guys, question thank you so.

0:45:46.320 --> 0:45:59.160
<v Speaker 4>Much thank you guys for. Listening larry.

0:45:55.960 --> 0:45:58.480
<v Speaker 1>Look back at it as a production Of iHeartMedia and

0:45:58.520 --> 0:46:01.240
<v Speaker 1>this is. Important it is co hosted By, Me Sam

0:46:01.320 --> 0:46:04.799
<v Speaker 1>jay And Alex. English theme music By Aaron. Kaufman it

0:46:04.840 --> 0:46:08.279
<v Speaker 1>is executive produced By Lindsay, Hoffman anna Host nier And.

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<v Speaker 1>Jennakago co, produced mixed and mastered By Carmen. Laurent additional

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<v Speaker 1>support By Casey. Donahue researched By Jabbari davis