WEBVTT - #83 - Payroll Giovanni

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<v Speaker 1>All right, welcome to the Bootleg keV Podcast. All Right,

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<v Speaker 1>we got an episode today with the Detroit legend Pyro Giovanni,

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<v Speaker 1>founding member of Doe Boys cash Out. Been on a

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<v Speaker 1>solo tear for the last I don't know, I would

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<v Speaker 1>say seven eight years. So he's a Detroit legend. Used

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<v Speaker 1>to be signed to Geez. He been doing his thing

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<v Speaker 1>independently for a minute, so we got to sit down

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<v Speaker 1>and chop it up with him. Can't wait for y'all

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<v Speaker 1>to hear it. He's a smart dude man, just kind

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<v Speaker 1>of like a staple in the Detroit hip hop scene.

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<v Speaker 1>All right, so shout out to perro Giovanni. Before we

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<v Speaker 1>percent off. It's all together. Don't put a space in

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<v Speaker 1>between it. Right. Hey, how about this, Let's get into

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<v Speaker 1>the episode with Perro Giovanni. Yo, it's Bootlet Cab Podcast.

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<v Speaker 1>We got a special guest in here. Detroit's finest, Pyro

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<v Speaker 1>Giovanni is here. Yeah. Yeah, what though, what's up? Man? Welcome?

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<v Speaker 1>Appreciate it. Man, I just saw you in the bay Yo,

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<v Speaker 1>help me understand the uh what is the love relationship

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<v Speaker 1>between the Bay Area and Detroit. It's always been a thing. Yeah,

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<v Speaker 1>it's been before me, you know, it seemed like it's

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<v Speaker 1>been since the beginning of the time. But a lot

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<v Speaker 1>of Detroit dudes used to go to get money. Yeah,

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<v Speaker 1>so I think the lingo and the culture kind of

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<v Speaker 1>you know, transferred game like that. So we always been

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<v Speaker 1>like related, like cousins. Yeah, it feels like Detroit has

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<v Speaker 1>so much in common, like especially you know, like you said,

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<v Speaker 1>like they're just always sonically, it just feels like y'all

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<v Speaker 1>are in the same pocket kind of when it comes

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<v Speaker 1>to culture. And yeah, like I grew up on the

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<v Speaker 1>Street Lords. It was a big, big group in Detroit,

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<v Speaker 1>and they used to have like be legit two short

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<v Speaker 1>e forty all of them on the album. So it

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<v Speaker 1>was like, should we started listening to them just off

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<v Speaker 1>of that right right right right? So you know, and

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<v Speaker 1>sound sound the same. Can we talk about I don't

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<v Speaker 1>know if we're allowed to talk about the fact that

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<v Speaker 1>there's gonna be a reunion album coming? Oh yeah, yeah,

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<v Speaker 1>no boy cash out? So yeah, yeah, So so this

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<v Speaker 1>is the first album and how long or first project?

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<v Speaker 1>Probably about five five six years. Yeah, yeah, we're working

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<v Speaker 1>on it's like ninety percent done. It ain't all the

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<v Speaker 1>way done. What motivated You've been obviously killing it on

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<v Speaker 1>the solo shit, but like what motivated the crew to

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<v Speaker 1>come back together? Man? We always been together, like we

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<v Speaker 1>never broke up. Well, I mean just as far as

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<v Speaker 1>just making you know, like making the studio and making

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<v Speaker 1>that effort to like actually put a body of work together.

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<v Speaker 1>Like it just had to be the perfect time. I

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<v Speaker 1>wanted to be organic because we didn't got in there

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<v Speaker 1>and made music. But it just it seemed forced. I

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<v Speaker 1>don't know, I think everybody had to get some some

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<v Speaker 1>real money. It was like that's because we first started rapping,

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<v Speaker 1>and it was like it was a hobby. It wasn't

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<v Speaker 1>like we was making music to make money. It was

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<v Speaker 1>just like let's get on here and talk some shit.

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<v Speaker 1>And it was just a time where we just all

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<v Speaker 1>had we was all doing good. Everyone's doing good. Ye

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<v Speaker 1>come together, let's do Let's do it because we want to,

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<v Speaker 1>not because we have to, exactly, and that's the best music. Yeah,

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<v Speaker 1>we made a project. How does it feel to be

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<v Speaker 1>like you know, you you mentioned some of the guys

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<v Speaker 1>you grew up listening to, But how does it kind

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<v Speaker 1>of feel to be uh, you're kind of like low

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<v Speaker 1>key like OG's in the city now to like a

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<v Speaker 1>whole new way of a Detroit artist. Man, that's a blessing. Man,

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<v Speaker 1>It's an honor. You know. I remember just being young

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<v Speaker 1>just watching the ogs like Blade and Street Lords and

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<v Speaker 1>east Side Shuttle Boys, all of them on TV. Like damn,

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<v Speaker 1>you know, I love to be in that light day

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<v Speaker 1>in and for dudes to compare me to like Blade

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<v Speaker 1>or Street Lows, you know, that's that's an honor. That's

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<v Speaker 1>like the highest honor in Detroit. Yeah, Detroit seems to

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<v Speaker 1>be like on fire right now, you know so much.

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<v Speaker 1>I mean, listen, Detroit's always had it's place in hip hop.

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<v Speaker 1>You don't feel like, listen, I'm from Phoenix. We have

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<v Speaker 1>zero place in hip hop. We've never had nothing pop off.

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<v Speaker 1>Like it's been rough my whole life Detroit. At least,

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<v Speaker 1>you know, going back to the nineties, you could eat

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<v Speaker 1>you know, obviously there was always Royce or eminem and

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<v Speaker 1>then you know Dyla and you know, I feel like

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<v Speaker 1>even like insane clown Posse was from around Detroit, you

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<v Speaker 1>know what I'm saying. So I feel like, y'all, I've

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<v Speaker 1>always had a presence in hip hop, but but I

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<v Speaker 1>feel like, right now it feels like a whole wave,

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<v Speaker 1>you know what I'm saying. Yeah, Detroit always just had

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<v Speaker 1>like a super underground scene music scene, like super artists,

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<v Speaker 1>that's our own heroes like this, our Tupac, this, our

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<v Speaker 1>Hot Boys and this and that, and it seemed like

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<v Speaker 1>it never got mainstream, like it just only would go

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<v Speaker 1>to Detroit and other Midwest cities and that was it.

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<v Speaker 1>And we used to be like why, like, you know,

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<v Speaker 1>dudes has got more money and more jury than these

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<v Speaker 1>rappers on TV. So it shit sound good, Like why

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<v Speaker 1>the fuck we don't never get there? And it used

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<v Speaker 1>to be like a headache, Like damn what you know?

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<v Speaker 1>What's crazy? Detroit and Chicago share two kind of things

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<v Speaker 1>in my eyes as far as like there's two sides.

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<v Speaker 1>I feel like to like the sonics of the city

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<v Speaker 1>hip hop wise, Like in Detroit there's some of the

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<v Speaker 1>illest boom back traditional just incredible hip hop that you

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<v Speaker 1>ever hear, and then there's the street side of the

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<v Speaker 1>hip hop scene. And I feel like Chicago's kind of

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<v Speaker 1>the same way, Like Chicago's the same city that birth

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<v Speaker 1>Chance and Kanye and Common and you know what I'm saying.

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<v Speaker 1>But on the other side, there's the drill shit. Like

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<v Speaker 1>it feels like there's two separate kind of sounds and

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<v Speaker 1>scenes going on in Detroit, but they do kind of,

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<v Speaker 1>you know, our times come together. But why is that?

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<v Speaker 1>I mean, because you know, Detroit is a it's a

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<v Speaker 1>diverse city. You got the street side and you got

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<v Speaker 1>like at the arts cy freestyle hip hop side. That

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<v Speaker 1>freestyle ship is serious out there, Like it's dudes that

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<v Speaker 1>go to the halls and freestyle battle and all of that,

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<v Speaker 1>like the ship on Black Milk or Guilty Sense. Obviously,

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<v Speaker 1>you know what I'm saying. But we all respect each other.

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<v Speaker 1>You know what I'm saying, Like it's all love. But

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<v Speaker 1>you know, Detroit is a it's a street orientated city.

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<v Speaker 1>You know what I'm saying. Do you feel like Detroit

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<v Speaker 1>is getting better? Because I've heard that, Like the dude

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<v Speaker 1>the Calves is like buying up a bunch of real

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<v Speaker 1>estate and cleaning it up. Like and my boy lives

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<v Speaker 1>in Troy. He does radio in Detroit and at the Bounce.

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<v Speaker 1>But he's he was saying, like ever since he's been there,

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<v Speaker 1>he feels like the city is getting built back up,

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<v Speaker 1>like it's starting to look better. Like, how do you

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<v Speaker 1>feel about where Detroit is right now? I feel like

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<v Speaker 1>it's doing a lot better. I feel like, you know,

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<v Speaker 1>our downtown for show looked better because you like I

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<v Speaker 1>would hear you could buy like fucking hundred dollars houses

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<v Speaker 1>in the Troite or some crazy ship like that right there.

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<v Speaker 1>People for the low be a fixture of her. Yeah,

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<v Speaker 1>but you could like out forty thousand into it. You

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<v Speaker 1>put seventy into a house and you know you're gonna

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<v Speaker 1>have a nice crib. How much? Really? I heard when

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<v Speaker 1>we're in an empire in the Bay, I heard you mentioned, uh,

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<v Speaker 1>you would talk. We got a game coming out called

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<v Speaker 1>out of Pocket. But you you mentioned real estate? Are you?

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<v Speaker 1>Are you pretty tapped in on the real estate side.

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<v Speaker 1>I'm getting into it. Like my first experience in the

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<v Speaker 1>real estate it was a horror story, so I kind

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<v Speaker 1>of like backed away from it, Like what happened? Man?

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<v Speaker 1>I bought a house and uh, it was just a

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<v Speaker 1>raggedy ass house and it just it just went bad.

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<v Speaker 1>But I had got one of those houses. I had

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<v Speaker 1>bad intentions with it. I'm gonna put it like, oh okay, okay,

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<v Speaker 1>you know I had a whole plan to do with it.

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<v Speaker 1>It just didn't go right. So I just kind of

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<v Speaker 1>left it alone. You Like, Damn, I basically wasted like

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<v Speaker 1>ten thousand dollars on this. It could have been worse. Yeah, yeah, yeah,

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<v Speaker 1>ten granted. But my man is one of my clothes homeboys.

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<v Speaker 1>He like own like amner half our neighborhood. Seeing what

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<v Speaker 1>he be doing, I just be learning. I'm just getting

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<v Speaker 1>game from him. So you're starting to get into that. Yeah, Yeah,

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<v Speaker 1>for sure, Yeah, can you take me back because I

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<v Speaker 1>remember when you guys signed with g Z. I was thinking, like,

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<v Speaker 1>because I would heard of you guys and heard some

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<v Speaker 1>of your stuff, I was thinking like wow, like dope,

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<v Speaker 1>like some of the street shot out of Detroit was

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<v Speaker 1>getting like a real mainstream look at the time, and

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<v Speaker 1>it obviously seemed like it didn't work out. It didn't

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<v Speaker 1>work out. You know what I'm saying, What do you

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<v Speaker 1>think when it went wrong with with the CTE situation,

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<v Speaker 1>because I want to say, you guys came into CTE

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<v Speaker 1>like right after Freddy Gibbs had left. Yeah, it was

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<v Speaker 1>like the YG dope. Yeah, so it was like around

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<v Speaker 1>that same era as CTE. Yeah, like what went wrong?

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<v Speaker 1>I don't know, man, I think we wasn't ready for real.

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<v Speaker 1>That was that was new to us, Like we was

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<v Speaker 1>used to just being independent. We really wasn't taking that

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<v Speaker 1>rap shit serious like that. Like we kind of stumbled

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<v Speaker 1>up on it like still out yeah, and we was

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<v Speaker 1>following our path like Okay, now we gotta do this,

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<v Speaker 1>do that. When we got there, it was kind of

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<v Speaker 1>like Okay, who is your pr who's your man? We like, shit,

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<v Speaker 1>we ain't got to learn that ship what is that?

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<v Speaker 1>What does that mean? He was learning as we were,

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<v Speaker 1>so you know, it was a whole type of different

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<v Speaker 1>experience for us. And the Detroit sound really wasn't popping

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<v Speaker 1>like that at the time. They kind of wanted us

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<v Speaker 1>on them, uh to attract ship them them trapped me

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<v Speaker 1>right right. That ship just sounded horrible, like it just

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<v Speaker 1>didn't mesh. Yeah, they like, man, it sounded like some

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<v Speaker 1>old cash money ship. What y'all doing? Why the beat

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<v Speaker 1>so fast? I ain't really understand it like that. Damn.

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<v Speaker 1>I feel like at the timing wasn't good. Timing just

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<v Speaker 1>wasn't good, not at all. I mean because the YG

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<v Speaker 1>thing worked out? Yea, why g shit worked out? I

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<v Speaker 1>watched him make that whole first album. Was that like

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<v Speaker 1>was there like a because I feel like there was

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<v Speaker 1>like a weird period of time where like there was

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<v Speaker 1>like all the old guys from CTE had left, like

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<v Speaker 1>you know what I'm saying, and then you guys were

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<v Speaker 1>like the new regime and the old guys didn't have

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<v Speaker 1>good things to say about about Freddy years. Yeah that good, Yeah,

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<v Speaker 1>fred it was Aaron fucking jez out. Did you guys

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<v Speaker 1>ever feel like like you kind of had to like

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<v Speaker 1>have Jiz's back and a lot of that. Man. Yeah,

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<v Speaker 1>you know, I'm here to get my money, feed my family. Man,

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<v Speaker 1>I ain't. I ain't in here. It in no beefs man.

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<v Speaker 1>That's smart man, Yeah, that's just serious of course, of

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<v Speaker 1>course some music ship. I'm chilling. What was something that

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<v Speaker 1>you learned though from that experience or maybe from j

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<v Speaker 1>Z that you because you know, you've been doing independently

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<v Speaker 1>a lot of boss ship the last you know, seven

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<v Speaker 1>eight years, So like, what's something you took from that

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<v Speaker 1>experience or from j Z directly that you've kind of

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<v Speaker 1>applied to your your career now. His work ethic, like,

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<v Speaker 1>dude just non stop, like and that was like my

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<v Speaker 1>first time ever being in the studio to like seven

0:10:41.160 --> 0:10:44.040
<v Speaker 1>in the morning. Oh yeah those are them nights. Yeah,

0:10:44.080 --> 0:10:45.440
<v Speaker 1>Like I never used to do that. I come in

0:10:45.440 --> 0:10:47.480
<v Speaker 1>the studio two three hours and I'm gonna do what

0:10:47.520 --> 0:10:49.079
<v Speaker 1>you gotta do. Get home. So when I was with him,

0:10:49.120 --> 0:10:51.120
<v Speaker 1>I'm like, why are we doing this? Like we're in

0:10:51.160 --> 0:10:54.640
<v Speaker 1>studio till fucking daylight? Like I'm fucking that ship every

0:10:54.760 --> 0:10:57.200
<v Speaker 1>day and I'm like, man, this dude is a multi millionaire,

0:10:57.320 --> 0:11:00.600
<v Speaker 1>so we gotta put in double the work, right, So

0:11:00.840 --> 0:11:04.280
<v Speaker 1>I started applying that just going to the studio every day. YO.

0:11:05.320 --> 0:11:08.000
<v Speaker 1>Talk about because when was the first project when Carter

0:11:08.160 --> 0:11:11.600
<v Speaker 1>was at twenty sixteen? I want to say sixteen or fifteen.

0:11:11.679 --> 0:11:15.520
<v Speaker 1>I ain't sure what inspired you to do? Uh? First

0:11:15.559 --> 0:11:17.960
<v Speaker 1>of all, get with Cardo, and I feel like, uh,

0:11:18.720 --> 0:11:24.040
<v Speaker 1>you kind of you know, have influenced some other stuff

0:11:24.200 --> 0:11:26.560
<v Speaker 1>happening in hip hop right now. But but but I

0:11:26.559 --> 0:11:30.760
<v Speaker 1>feel like you and Cardo definitely came together and did

0:11:30.800 --> 0:11:33.480
<v Speaker 1>your thing. Man, we're both those projects. But how did

0:11:33.520 --> 0:11:39.160
<v Speaker 1>that happen? Really? Gez Geez, yeah, Gez. He had flew

0:11:39.200 --> 0:11:42.280
<v Speaker 1>me out to Atlanta and we was working on a project.

0:11:42.360 --> 0:11:45.840
<v Speaker 1>What it was going to be me Cardo and Ygi

0:11:45.840 --> 0:11:48.200
<v Speaker 1>and Gezi. It was gonna be a group. Really, it

0:11:48.280 --> 0:11:51.000
<v Speaker 1>was all Cardo produced, and we made a whole project

0:11:51.240 --> 0:11:55.360
<v Speaker 1>that was hard. So you Cardo, Ygi and Gez. Yeah,

0:11:55.440 --> 0:11:56.840
<v Speaker 1>And that was supposed to be like a super roup,

0:11:57.000 --> 0:11:59.120
<v Speaker 1>was called like Paid in Full or something like that.

0:11:59.400 --> 0:12:01.480
<v Speaker 1>And you guys did a whole project, whole project. We

0:12:01.520 --> 0:12:06.000
<v Speaker 1>had beasts from Warren g Dazz Dillinger, what DJ Quick

0:12:06.280 --> 0:12:08.560
<v Speaker 1>and Cardo did like all other beats and it was

0:12:08.600 --> 0:12:11.640
<v Speaker 1>a hard project, but for some reason it never saw

0:12:11.720 --> 0:12:13.560
<v Speaker 1>the day of light. Yeah, but that's where me and

0:12:13.640 --> 0:12:16.920
<v Speaker 1>Cardo found our niche like we found our pocket. You know,

0:12:16.960 --> 0:12:20.040
<v Speaker 1>a lot of them nights in them studios together. How

0:12:20.080 --> 0:12:22.600
<v Speaker 1>many how many songs did you guys do for that project?

0:12:22.640 --> 0:12:24.760
<v Speaker 1>I think we had about a good twelve about ten

0:12:24.880 --> 0:12:27.760
<v Speaker 1>twelve last album. Yeah, we all have solo songs and

0:12:28.400 --> 0:12:32.680
<v Speaker 1>group songs. It was hard. Damn When would that see

0:12:32.679 --> 0:12:34.320
<v Speaker 1>the day of light? If ever, I don't know who

0:12:34.400 --> 0:12:37.280
<v Speaker 1>has that jesz Jzu, it's up to him. You got

0:12:37.280 --> 0:12:39.120
<v Speaker 1>on a hard drive. It's on a hard drive just

0:12:39.120 --> 0:12:43.560
<v Speaker 1>sitting somewhere. Yeah, that shit, man classic. Wow, that sounds

0:12:43.600 --> 0:12:45.680
<v Speaker 1>like that's like one of them albums is like gonna

0:12:45.679 --> 0:12:48.640
<v Speaker 1>be focal or for now every Yeah, that shit was special.

0:12:48.760 --> 0:12:51.640
<v Speaker 1>I was excited about that. Y. Yeah, are you and

0:12:51.760 --> 0:12:54.080
<v Speaker 1>YG still keeping contact? I ain't talked to YG in

0:12:54.080 --> 0:12:57.920
<v Speaker 1>a minute, but that's you know, it's still love for show. Yeah,

0:12:58.400 --> 0:13:01.440
<v Speaker 1>A good dude. And then obviously, just like we were

0:13:01.440 --> 0:13:04.800
<v Speaker 1>talking about the scene in Detroit, Detroit seems like it's

0:13:04.880 --> 0:13:07.800
<v Speaker 1>always been like historically like super divided depending on what

0:13:07.920 --> 0:13:11.000
<v Speaker 1>side you're from, Like what side of town you're from.

0:13:11.880 --> 0:13:15.200
<v Speaker 1>There seems to be like less of that recently, like

0:13:15.240 --> 0:13:18.160
<v Speaker 1>people working together shit like that, Like is that is that?

0:13:18.240 --> 0:13:20.240
<v Speaker 1>You know obviously you and PZ got a whole album together.

0:13:20.360 --> 0:13:24.800
<v Speaker 1>Like how's the Detroit scene right now? You feel like

0:13:24.840 --> 0:13:28.079
<v Speaker 1>as far as just like the camaraderie and you know,

0:13:28.160 --> 0:13:31.520
<v Speaker 1>it feels like there's more people moving together as opposed

0:13:31.559 --> 0:13:33.960
<v Speaker 1>to I feel like it's good, Like we're in a

0:13:34.000 --> 0:13:36.240
<v Speaker 1>good space. It ain't you know, it ain't really much

0:13:36.280 --> 0:13:39.240
<v Speaker 1>beef going on, like everybody really just putting that shit

0:13:39.320 --> 0:13:41.160
<v Speaker 1>to the side and getting their money with his music

0:13:41.160 --> 0:13:43.720
<v Speaker 1>shit because that's where a bag is. And then that

0:13:43.800 --> 0:13:48.920
<v Speaker 1>big Sean Ceipher was fucking crazy, Yeah, because I don't think.

0:13:49.480 --> 0:13:51.600
<v Speaker 1>I don't because I talked to side of Baby and

0:13:51.640 --> 0:13:53.839
<v Speaker 1>he had like no idea that like T Grizzly was

0:13:53.880 --> 0:13:56.360
<v Speaker 1>going to be on there, and like, yeah, you know,

0:13:56.640 --> 0:13:59.319
<v Speaker 1>like he put just everyone. I don't think everyone did

0:13:59.360 --> 0:14:01.959
<v Speaker 1>you know that? Like I had an idea everybody you

0:14:02.000 --> 0:14:03.439
<v Speaker 1>know it's gonna be on there. But I get along

0:14:03.480 --> 0:14:06.960
<v Speaker 1>with everybody. I ain't. I ain't here. Yeah, I wasn't

0:14:06.960 --> 0:14:08.280
<v Speaker 1>like I don't put me on a song with him,

0:14:08.360 --> 0:14:10.440
<v Speaker 1>Like how big of a deal. Is that like to

0:14:10.480 --> 0:14:13.000
<v Speaker 1>have like Sean do that? You know, man Sean been

0:14:13.000 --> 0:14:15.199
<v Speaker 1>showing us love from day one of course, like when

0:14:15.200 --> 0:14:17.640
<v Speaker 1>he didn't even have to. He been shouting us out

0:14:17.679 --> 0:14:21.080
<v Speaker 1>on songs and reaching out doing songs with us. So

0:14:21.360 --> 0:14:23.240
<v Speaker 1>I got I got a lot of respect for Big Sean,

0:14:23.560 --> 0:14:26.720
<v Speaker 1>like he's been embracelests one. Remember you said it's about

0:14:26.720 --> 0:14:29.560
<v Speaker 1>time that Shawn's been popping for a long time. Yeah, yeah,

0:14:29.640 --> 0:14:32.240
<v Speaker 1>for sure, long ass time for sure. Man. It's crazy

0:14:32.240 --> 0:14:36.920
<v Speaker 1>because like I feel like his album with the Detroit

0:14:36.960 --> 0:14:41.120
<v Speaker 1>two was like it's his best, his best body of

0:14:41.160 --> 0:14:43.400
<v Speaker 1>work so far. Man Sewan cold, man, he's been cold

0:14:43.440 --> 0:14:45.480
<v Speaker 1>like that though he used to record at the studio.

0:14:45.560 --> 0:14:47.720
<v Speaker 1>He used to record it before he I think before

0:14:47.720 --> 0:14:50.080
<v Speaker 1>he signed with Kanye. Oh wow. Yeah, like he been

0:14:50.120 --> 0:14:52.920
<v Speaker 1>taking that raption seriously. Yeah, it's crazy to think his

0:14:52.960 --> 0:14:55.080
<v Speaker 1>first album came out ten years ago. He celebrated the

0:14:55.120 --> 0:14:57.480
<v Speaker 1>ten year anniversary and I just was like, fuck, I'm

0:14:57.560 --> 0:14:59.920
<v Speaker 1>old man as hell. I remember when that ship for

0:15:00.120 --> 0:15:03.840
<v Speaker 1>came out. Old is it like him and Mike posing

0:15:03.840 --> 0:15:07.520
<v Speaker 1>and running around dode mixtapes and shit, And it's crazy.

0:15:07.560 --> 0:15:11.720
<v Speaker 1>So you I know you have so that the double Cash,

0:15:11.720 --> 0:15:14.280
<v Speaker 1>that album is coming, and then you're you got a

0:15:14.320 --> 0:15:17.920
<v Speaker 1>new solo album. Yeah, working on it, which is is

0:15:17.960 --> 0:15:21.520
<v Speaker 1>how close is that to being done? About ninety ninety

0:15:21.520 --> 0:15:25.400
<v Speaker 1>five percent? Waiting on a couple verses people, and I

0:15:25.440 --> 0:15:27.480
<v Speaker 1>heard you talking about it in San Francisco. A bit

0:15:27.560 --> 0:15:30.000
<v Speaker 1>kind of breakdown, like the concept of the album, Like

0:15:30.800 --> 0:15:33.760
<v Speaker 1>it's called Giovanni's Way. It's something I've been like promoting

0:15:33.760 --> 0:15:36.200
<v Speaker 1>for like five six ers. Every time I was about

0:15:36.240 --> 0:15:38.880
<v Speaker 1>to come out with it, something else presented itself, like

0:15:38.960 --> 0:15:41.680
<v Speaker 1>Cardo or something, and I just get sidetracked. But I'm

0:15:41.720 --> 0:15:45.880
<v Speaker 1>finally about to drop it. It's basically like everything that

0:15:46.040 --> 0:15:48.040
<v Speaker 1>led me to this point. I'm basically just speaking on

0:15:48.080 --> 0:15:51.520
<v Speaker 1>all of that, all my experiences, everything, What features are

0:15:51.560 --> 0:15:57.400
<v Speaker 1>already on the project, uh t Grizzly and Pasy Cash

0:15:57.520 --> 0:16:05.160
<v Speaker 1>dolluh sh. I think that's it right now, Detroit, Yeah, Yeah,

0:16:05.480 --> 0:16:07.320
<v Speaker 1>I'm reaching out to other people too. But if you

0:16:07.360 --> 0:16:10.080
<v Speaker 1>had it for show, wanted Detroit on her be. If

0:16:10.120 --> 0:16:11.560
<v Speaker 1>you had to pick someone from the Bay to do

0:16:11.560 --> 0:16:15.800
<v Speaker 1>a whole project with, who would be somebody from the Bay. Yeah, man,

0:16:16.040 --> 0:16:17.920
<v Speaker 1>I fuck with a lot of Bay Area. I feel

0:16:17.920 --> 0:16:21.040
<v Speaker 1>like you, Larry June or Cargo, Larry Jone. You know,

0:16:21.080 --> 0:16:23.800
<v Speaker 1>we got a whole project called Game Related. I didn't

0:16:23.800 --> 0:16:27.400
<v Speaker 1>know that. Me my man's HBK Larry June, all Cardo

0:16:27.440 --> 0:16:30.120
<v Speaker 1>Beats All Cardo b We just like threw it out

0:16:30.120 --> 0:16:33.000
<v Speaker 1>there like it wasn't really promoted, none of that. Who else,

0:16:33.120 --> 0:16:35.720
<v Speaker 1>like from the bait would you kind of consider to be? Like,

0:16:36.000 --> 0:16:37.440
<v Speaker 1>you know, you're in the Bay a lot, Like, who's

0:16:37.480 --> 0:16:39.920
<v Speaker 1>somebody who you would kind of consider to be, you know,

0:16:40.000 --> 0:16:43.200
<v Speaker 1>more than a hip hop affiliate. Everyone fucks with each other,

0:16:43.240 --> 0:16:44.840
<v Speaker 1>you know what I'm saying, But there's very few friends.

0:16:44.920 --> 0:16:46.440
<v Speaker 1>I fuck with a lot of dudes on the Baby

0:16:46.480 --> 0:16:49.400
<v Speaker 1>Man Filthy Rich of course, Yeah, of course, E forty

0:16:49.520 --> 0:16:52.800
<v Speaker 1>be legit, a lot of og you know og catch.

0:16:52.840 --> 0:16:54.440
<v Speaker 1>You know what I'm saying. I'm getting hip to the

0:16:54.480 --> 0:16:56.760
<v Speaker 1>younger dudes though. Yeah, there's a whole there's a lot

0:16:56.840 --> 0:16:58.880
<v Speaker 1>going on. Yeah, the Bay's like Detroit. I feel like

0:16:58.920 --> 0:17:00.880
<v Speaker 1>there's like so much new coming out and it's just

0:17:00.920 --> 0:17:02.200
<v Speaker 1>like I can't even keep up with it. That's how

0:17:02.240 --> 0:17:04.600
<v Speaker 1>the trade is. Like I'll be like, what is this?

0:17:04.800 --> 0:17:07.120
<v Speaker 1>Like I see everybody singing in the club. I'm like, oh,

0:17:07.320 --> 0:17:08.879
<v Speaker 1>I'm supposed to know what the shit is? Like, what

0:17:08.960 --> 0:17:12.640
<v Speaker 1>is you know? It's crazy, it's crazy. Yeah. What about like,

0:17:12.880 --> 0:17:15.800
<v Speaker 1>you know, in terms of like let's say ten years

0:17:15.840 --> 0:17:18.280
<v Speaker 1>from now, man, where do you like, like where where

0:17:18.280 --> 0:17:20.640
<v Speaker 1>do you want your legacy to stand that you still

0:17:20.680 --> 0:17:23.080
<v Speaker 1>want to be rapping? Do you still want to like

0:17:23.119 --> 0:17:24.560
<v Speaker 1>do you want to kind of have some other ship

0:17:24.600 --> 0:17:26.119
<v Speaker 1>going on at that point in time? I want to

0:17:26.119 --> 0:17:29.280
<v Speaker 1>be a CEO man, I want to just fall back,

0:17:29.400 --> 0:17:31.359
<v Speaker 1>you know, kind of play the background. Just have a

0:17:31.400 --> 0:17:35.520
<v Speaker 1>bunch of successful artists out there. So you're signing artists, Yeah, yeah,

0:17:35.640 --> 0:17:37.679
<v Speaker 1>that's most definitely like my next thing I'm about to

0:17:37.680 --> 0:17:40.280
<v Speaker 1>get into. You know who's done a good job of

0:17:40.280 --> 0:17:42.480
<v Speaker 1>that is I think that I always give got to

0:17:42.480 --> 0:17:45.880
<v Speaker 1>give him his prosper yo got yeah, so amazing. He

0:17:45.960 --> 0:17:50.000
<v Speaker 1>raised the bar like he raised the touch. It's crazy.

0:17:50.240 --> 0:17:52.680
<v Speaker 1>Yeah yeah, And like you know, I think what's important

0:17:52.720 --> 0:17:55.240
<v Speaker 1>about that is like you got to actually want whoever

0:17:55.280 --> 0:17:57.239
<v Speaker 1>you're signing to be bigger than you. If you're going

0:17:57.280 --> 0:17:59.520
<v Speaker 1>to be an artist who signs other artists, like you

0:17:59.840 --> 0:18:02.520
<v Speaker 1>have to put your ego to the side and genuinely

0:18:02.520 --> 0:18:04.119
<v Speaker 1>want that person to be bigger than you ever were.

0:18:04.400 --> 0:18:07.520
<v Speaker 1>It make your legacy bigger, like all these people came

0:18:07.560 --> 0:18:09.800
<v Speaker 1>from up under him, Like you know, that's that make

0:18:09.840 --> 0:18:13.960
<v Speaker 1>your legacy huge, make it go forever. One hundred. Yeah.

0:18:14.119 --> 0:18:19.280
<v Speaker 1>How did you react to just the pandemic Detroit? Was

0:18:19.320 --> 0:18:22.120
<v Speaker 1>it like super close down there? Yeah, it was shut

0:18:22.200 --> 0:18:24.119
<v Speaker 1>down for a minute. It was shut down for a

0:18:24.119 --> 0:18:27.440
<v Speaker 1>long ass time. But everybody was balling. Everybody's getting money.

0:18:27.440 --> 0:18:30.159
<v Speaker 1>Everybody's getting that money. Man, it was. It was like

0:18:30.320 --> 0:18:33.679
<v Speaker 1>fucking the eighties. It was crazy that that that fucking

0:18:33.720 --> 0:18:37.080
<v Speaker 1>PPP money. Yeah boom. Yeah. I went to the uh

0:18:37.400 --> 0:18:39.680
<v Speaker 1>we got a mark called Somerset. It's like the high

0:18:39.800 --> 0:18:42.320
<v Speaker 1>end mall it was, and she was like a zoo.

0:18:42.640 --> 0:18:45.560
<v Speaker 1>It was just people in there, just fighting and shooting

0:18:45.600 --> 0:18:48.320
<v Speaker 1>and robbing. I'm like, god damn, like people in this

0:18:48.400 --> 0:18:50.359
<v Speaker 1>mall had never been in this mall in they life. Yeah. No,

0:18:50.440 --> 0:18:52.800
<v Speaker 1>I know. I have like close friends of mine who

0:18:52.960 --> 0:18:57.760
<v Speaker 1>have hit serious six figure government looks during the pandemic.

0:18:58.880 --> 0:19:03.040
<v Speaker 1>It's it's wild. Yeah, it's just you have a dude,

0:19:03.119 --> 0:19:06.000
<v Speaker 1>young dude. Put It's like tax season times one hundred.

0:19:06.119 --> 0:19:09.960
<v Speaker 1>But it's like everyone's got It's it's insane, man. Yeah,

0:19:10.000 --> 0:19:12.080
<v Speaker 1>it's like serious as hell, like I'm about to get

0:19:12.119 --> 0:19:17.120
<v Speaker 1>it for a right next week. Careful. Yeah you might

0:19:17.119 --> 0:19:20.359
<v Speaker 1>want to be careful. That might be a red flag. Yeah,

0:19:20.400 --> 0:19:22.479
<v Speaker 1>you might want to, you know, get one of them

0:19:22.480 --> 0:19:24.880
<v Speaker 1>ten thousand other houses. Yeah, yeah, no, they ain't think

0:19:24.920 --> 0:19:28.800
<v Speaker 1>about that. Yeah, it's it's wild. Yo. How how how

0:19:28.840 --> 0:19:31.200
<v Speaker 1>does like the you know, because I'm a big sports

0:19:31.240 --> 0:19:35.720
<v Speaker 1>guy and obviously there's Detroit is a big sports city,

0:19:36.000 --> 0:19:39.440
<v Speaker 1>y'all got out all the fucking teams. But how how

0:19:39.560 --> 0:19:43.280
<v Speaker 1>like how does the you know, the Pistons, Allions, Tigers

0:19:43.320 --> 0:19:45.960
<v Speaker 1>like coincide with the culture in the city, Like, because

0:19:45.960 --> 0:19:48.080
<v Speaker 1>I feel like, you know, some cities will see like

0:19:48.200 --> 0:19:51.120
<v Speaker 1>Quavo on the fucking on the hardwood at the Hawks game,

0:19:51.160 --> 0:19:53.160
<v Speaker 1>ship like that, and I feel like the Pistons are trash.

0:19:53.840 --> 0:19:57.040
<v Speaker 1>Oh I don't do it. I mean, I mean they are.

0:19:57.119 --> 0:19:58.760
<v Speaker 1>You guys got the number one pick in the draft.

0:19:58.760 --> 0:20:01.280
<v Speaker 1>That doesn't mean you're good. I mean I'm not. I'm

0:20:01.320 --> 0:20:03.920
<v Speaker 1>not a big sports dude, right, but I like support

0:20:04.160 --> 0:20:06.680
<v Speaker 1>the players, like tapping with the scene out there. Yeah yeah,

0:20:06.720 --> 0:20:08.760
<v Speaker 1>I just did something with the Pistons, just did something

0:20:08.800 --> 0:20:11.359
<v Speaker 1>with them. We're coming with some whole ship, you know,

0:20:11.800 --> 0:20:13.359
<v Speaker 1>So you did something. What are you doing with the

0:20:13.359 --> 0:20:15.480
<v Speaker 1>Pistons time? I ain't gonna really you know, I don't

0:20:15.480 --> 0:20:17.040
<v Speaker 1>think I could speak of it yet, but you know,

0:20:17.080 --> 0:20:19.359
<v Speaker 1>they come with like their own show through the years.

0:20:19.440 --> 0:20:21.159
<v Speaker 1>Was there like a player on the Pistons or the

0:20:21.200 --> 0:20:23.280
<v Speaker 1>lines that like you ended up like like really connected

0:20:23.280 --> 0:20:25.879
<v Speaker 1>with them, fucking with that. Really got to embrace what

0:20:25.960 --> 0:20:28.439
<v Speaker 1>was going on in Detroit, because I feel like the

0:20:28.480 --> 0:20:31.639
<v Speaker 1>players be on the Pistons ain't had a franchise player

0:20:31.640 --> 0:20:33.520
<v Speaker 1>in a minute, they'd be they be in there like

0:20:33.960 --> 0:20:37.800
<v Speaker 1>year two years and they out, Okay, No I ain't,

0:20:38.000 --> 0:20:41.800
<v Speaker 1>ain't I ain't connect with nobody for real. No, I'd

0:20:41.840 --> 0:20:44.400
<v Speaker 1>have ran into them here and there they show love.

0:20:45.000 --> 0:20:46.720
<v Speaker 1>It's been a while since it was Ben Wallace and

0:20:46.920 --> 0:20:49.800
<v Speaker 1>Rip Hamilton and that's actually who I ran it too.

0:20:49.840 --> 0:20:52.800
<v Speaker 1>I ran Ben Wallace at the club the leg show Love.

0:20:53.240 --> 0:20:56.560
<v Speaker 1>You know, was this recently? This is about probably about

0:20:56.880 --> 0:21:01.359
<v Speaker 1>four years ago. That's still crazy. Ben Wallace had the Love. Yeah,

0:21:01.760 --> 0:21:04.639
<v Speaker 1>that's like ye Upscale club, you know, gotta be a

0:21:04.720 --> 0:21:06.919
<v Speaker 1>nice place. Yeah. What do you think is the biggest

0:21:06.920 --> 0:21:11.760
<v Speaker 1>misconception about perro Giovanni That I'm an asshole? And I

0:21:11.840 --> 0:21:14.440
<v Speaker 1>mean because I don't talk much. Like if I don't

0:21:14.440 --> 0:21:16.159
<v Speaker 1>know you, I don't I'm not gonna talk to you.

0:21:16.200 --> 0:21:19.199
<v Speaker 1>I'm not gonna introduce myself to you. That's just some

0:21:19.240 --> 0:21:22.560
<v Speaker 1>Detroit shit. Like we you know, you kind of be standoffish,

0:21:22.640 --> 0:21:25.640
<v Speaker 1>but I'm a cool you know, like back cat Man.

0:21:25.760 --> 0:21:28.880
<v Speaker 1>Is there anything that you can do to like get

0:21:28.920 --> 0:21:31.520
<v Speaker 1>you because I feel like you're super chill. Right. We

0:21:31.600 --> 0:21:34.520
<v Speaker 1>see T Grizzly doing Twitch and playing games and ship

0:21:34.600 --> 0:21:36.560
<v Speaker 1>and like we can see a whole nother like side

0:21:36.600 --> 0:21:39.359
<v Speaker 1>of Ta Grizzly that nobody ever would know existing. Is

0:21:39.359 --> 0:21:42.120
<v Speaker 1>there anything like that that you might, you know, get into,

0:21:42.200 --> 0:21:45.719
<v Speaker 1>whether it's doing some podcasts and ship or or I mean,

0:21:45.760 --> 0:21:48.600
<v Speaker 1>I'm open for it, you know, I'm over for it.

0:21:48.680 --> 0:21:51.000
<v Speaker 1>I was actually thinking about doing my own podcast or

0:21:51.040 --> 0:21:53.760
<v Speaker 1>something just to share my thoughts and things like, yeah,

0:21:53.960 --> 0:21:56.080
<v Speaker 1>that shouldn't be up. Know what I feel about this

0:21:56.200 --> 0:21:58.359
<v Speaker 1>and feel about that, But I'd be like man in

0:21:58.359 --> 0:22:01.840
<v Speaker 1>the world so sensitive get you might get canceled. They're

0:22:01.840 --> 0:22:04.040
<v Speaker 1>gonna hang you, or they're gonna love you. Hey. I

0:22:04.080 --> 0:22:06.240
<v Speaker 1>feel like Boozy is like cancel proof, you know, boot

0:22:06.320 --> 0:22:08.719
<v Speaker 1>don't give He said the most craziest ship and everyone

0:22:08.760 --> 0:22:10.760
<v Speaker 1>still loves them. Yeah, Boots don't give he don't give

0:22:10.800 --> 0:22:14.120
<v Speaker 1>a fuck manu with Boosy too. Hey. When we would

0:22:14.119 --> 0:22:17.240
<v Speaker 1>always hear, like, you know, coming up in as fans

0:22:17.280 --> 0:22:20.520
<v Speaker 1>of a hip hop like always would hear about Trick

0:22:20.560 --> 0:22:22.679
<v Speaker 1>Trick and the no flies one thing, right, and then

0:22:22.560 --> 0:22:27.440
<v Speaker 1>there's the historical instance of Ross not being allowed to perform,

0:22:28.920 --> 0:22:32.120
<v Speaker 1>which was a real thing that happened people who don't know.

0:22:32.520 --> 0:22:35.320
<v Speaker 1>I don't know the details right right, right right, but

0:22:35.320 --> 0:22:38.080
<v Speaker 1>but that that no flies on thing, like it's like

0:22:38.160 --> 0:22:40.560
<v Speaker 1>it's like almost like hip hop Folkalore where it's like

0:22:40.600 --> 0:22:42.119
<v Speaker 1>if you feel like when you go to Detroit, you

0:22:42.119 --> 0:22:45.520
<v Speaker 1>gotta check it with somebody. Is that something that's like real?

0:22:45.680 --> 0:22:49.120
<v Speaker 1>Or is it more like is it Trick Trick? Most

0:22:49.119 --> 0:22:51.639
<v Speaker 1>definitely is real? Do I know that Trick Trick is

0:22:51.640 --> 0:22:55.720
<v Speaker 1>super like? Trick Trick and Google Squad ain't dudes, ain't

0:22:55.720 --> 0:22:58.240
<v Speaker 1>for no games man, they've been they've been doing that

0:22:58.440 --> 0:23:00.680
<v Speaker 1>is the nineties. I just did a song with Trick

0:23:00.720 --> 0:23:03.040
<v Speaker 1>Trick too, that's the Trick Trick man. He just had

0:23:03.080 --> 0:23:06.439
<v Speaker 1>the hip hop uncovered on FX. He actually got a

0:23:06.480 --> 0:23:10.480
<v Speaker 1>show Sunday, big show out there in Detroit. Yeah, I'm

0:23:10.440 --> 0:23:12.600
<v Speaker 1>hoping I can make it too. That'll be big. Yeah.

0:23:12.800 --> 0:23:14.720
<v Speaker 1>I thought it was dope. They did that FX series

0:23:14.760 --> 0:23:18.800
<v Speaker 1>about Yeah, that was like fucking super dope. Yeah. Do

0:23:18.880 --> 0:23:22.400
<v Speaker 1>you think Eminem does enough for like the scene in Detroit,

0:23:22.480 --> 0:23:25.119
<v Speaker 1>like he never left, he still lives there, right, but

0:23:25.119 --> 0:23:27.160
<v Speaker 1>do you think like he's done enough like to kind

0:23:27.160 --> 0:23:30.800
<v Speaker 1>of help put on other Detroit artists. I feel like

0:23:30.880 --> 0:23:32.720
<v Speaker 1>he didn't put on some people. You know, he put

0:23:32.720 --> 0:23:35.919
<v Speaker 1>on Trick trick for real. Yeah, like you know, Proof,

0:23:36.040 --> 0:23:38.760
<v Speaker 1>Like Proof was real like street crazy, you know what

0:23:38.760 --> 0:23:43.399
<v Speaker 1>I'm saying. The Pa Boys and all that. Yeah, you know,

0:23:43.520 --> 0:23:46.560
<v Speaker 1>but you know, the street side they feel like, you know,

0:23:46.640 --> 0:23:49.080
<v Speaker 1>they don't know him and this and that. What's It's like,

0:23:49.800 --> 0:23:52.120
<v Speaker 1>I don't know many people probably on the street side

0:23:52.280 --> 0:23:55.520
<v Speaker 1>like that. I know personally that are like listening to Eminem,

0:23:56.240 --> 0:23:57.800
<v Speaker 1>you know what I'm saying. A lot we grew up

0:23:57.800 --> 0:24:01.040
<v Speaker 1>listening to m though yours came like we was like

0:24:01.400 --> 0:24:03.159
<v Speaker 1>damn this hard. We was just happy it's from the

0:24:03.200 --> 0:24:05.879
<v Speaker 1>d and then him dudes new Proof and then they

0:24:05.920 --> 0:24:08.119
<v Speaker 1>did a fucking movie called A Mile, like based in

0:24:08.200 --> 0:24:10.120
<v Speaker 1>the city. You know what I'm saying that people were

0:24:10.160 --> 0:24:12.679
<v Speaker 1>just like Oh what is this? Like? It was it

0:24:12.680 --> 0:24:15.959
<v Speaker 1>accurate at all? It didn't really represent like the Detroit

0:24:16.000 --> 0:24:20.080
<v Speaker 1>I come from the trash Detroit repents, like the freestyle

0:24:20.760 --> 0:24:24.040
<v Speaker 1>battle culture. Like it's Detroited diversity, you know what I'm saying.

0:24:24.080 --> 0:24:27.080
<v Speaker 1>Like it's different, different sides of that ship. Who are

0:24:27.080 --> 0:24:30.120
<v Speaker 1>your like top two or three favorite new artists out

0:24:30.119 --> 0:24:31.919
<v Speaker 1>of Detroit that you're that you're just a fan of?

0:24:32.920 --> 0:24:36.520
<v Speaker 1>Uh new artists? Man, there's a lot of them, man,

0:24:36.760 --> 0:24:42.879
<v Speaker 1>so many of them fuck with tape. B let me

0:24:42.920 --> 0:24:48.120
<v Speaker 1>see baby money. Uh, I don't know a lot of them, man.

0:24:48.119 --> 0:24:50.159
<v Speaker 1>They like from my era. So like you mean like

0:24:50.280 --> 0:24:53.359
<v Speaker 1>new like younger, ye, just like you know, there's a

0:24:53.359 --> 0:24:55.160
<v Speaker 1>lot of new. Like we were talking about the Bay,

0:24:55.160 --> 0:24:57.800
<v Speaker 1>there's so much new ship going on. It's like it's

0:24:57.840 --> 0:25:00.400
<v Speaker 1>so many man. Yeah, I fuck with tape being your money.

0:25:00.400 --> 0:25:03.679
<v Speaker 1>I'd be you know, I'll be banging that ship all right.

0:25:03.720 --> 0:25:07.040
<v Speaker 1>My producer Cook is a diehard fan. Cook. You get

0:25:07.040 --> 0:25:12.399
<v Speaker 1>one question. Appreciate that too, man, one question from the

0:25:12.400 --> 0:25:20.840
<v Speaker 1>producer Cook. Many any coming out? Yeah? Yeah, Me and

0:25:20.880 --> 0:25:22.919
<v Speaker 1>Carlo are always working, man. We were actually working on

0:25:23.040 --> 0:25:26.800
<v Speaker 1>Big Boston three. Yeah, and then so like well Big

0:25:26.840 --> 0:25:29.400
<v Speaker 1>Boss of one. You guys had to put the one

0:25:29.400 --> 0:25:32.480
<v Speaker 1>in the half of because of samples for Yeah, that's

0:25:32.480 --> 0:25:36.239
<v Speaker 1>some weird record label ship. I never even listened to

0:25:36.280 --> 0:25:42.440
<v Speaker 1>it actually, right, yeah, yeah, It's like it was cringing

0:25:42.480 --> 0:25:44.520
<v Speaker 1>for me, like why did they do this ship? But

0:25:44.880 --> 0:25:47.720
<v Speaker 1>you know, yeah, I guess it was sample reasons. You

0:25:47.800 --> 0:25:49.640
<v Speaker 1>have some You got that real fan ship to ask

0:25:51.160 --> 0:25:53.400
<v Speaker 1>one of my first songs. I appreciate that you saw

0:25:53.440 --> 0:25:59.480
<v Speaker 1>the short movie. Hey, interrupting the interview to tell you

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0:26:01.440 --> 0:26:04.320
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0:26:41.680 --> 0:26:47.119
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0:26:50.640 --> 0:26:52.800
<v Speaker 1>Appreciate you for pulling up. Appreciate you. So what's the

0:26:52.840 --> 0:26:55.440
<v Speaker 1>timeline on the album? So you say, you know, we

0:26:55.720 --> 0:26:59.000
<v Speaker 1>just talked about three different new albums. Yeah, man, hopefully

0:26:59.119 --> 0:27:01.840
<v Speaker 1>uh g of Ane's way be out here by like August,

0:27:01.920 --> 0:27:03.840
<v Speaker 1>but don't hold me today, So that'll be the first

0:27:03.840 --> 0:27:06.920
<v Speaker 1>thing we're waiting for. Yeah, Okay, then then then Doe

0:27:06.920 --> 0:27:09.440
<v Speaker 1>Boys cash out and I got a project with Zaytoven

0:27:09.560 --> 0:27:13.320
<v Speaker 1>I'm working on too. Oh shit, is a Tooven coming

0:27:13.320 --> 0:27:15.520
<v Speaker 1>with a whole other bag on this ship? Like this

0:27:15.640 --> 0:27:18.359
<v Speaker 1>ship sound different? So you got four projects on them?

0:27:18.400 --> 0:27:20.800
<v Speaker 1>Like I probably got more than that for real? Any

0:27:20.840 --> 0:27:23.800
<v Speaker 1>other collab projects with any other artists, like full collab projects,

0:27:24.080 --> 0:27:27.560
<v Speaker 1>not with no artists. I got something with different producers though. Yeah,

0:27:27.640 --> 0:27:30.159
<v Speaker 1>me and Hellivan of course, me and Hellova and uh

0:27:30.480 --> 0:27:35.320
<v Speaker 1>the Olympics. Okay, yeah, of course. Yeah, Man's Knoxville is there? Uh?

0:27:35.520 --> 0:27:37.000
<v Speaker 1>You know you and PZ linked up for a project.

0:27:37.080 --> 0:27:39.240
<v Speaker 1>Is there another artist in Detroit that you would love

0:27:39.280 --> 0:27:43.159
<v Speaker 1>to do just just a full on collab album with

0:27:43.359 --> 0:27:45.679
<v Speaker 1>I'm out open to anything for real, but you me

0:27:45.720 --> 0:27:48.320
<v Speaker 1>and ps actually talking about doing another project too. You

0:27:48.320 --> 0:27:50.320
<v Speaker 1>know who's gonna I think think they're just killing shit

0:27:50.359 --> 0:27:53.520
<v Speaker 1>ever since they really went straight independent and they were

0:27:53.520 --> 0:27:56.120
<v Speaker 1>independent before. But I swear Vessel been on this ship,

0:27:56.200 --> 0:27:58.800
<v Speaker 1>like yeah, yeah, l he stayed matching on the gap.

0:27:58.920 --> 0:28:00.960
<v Speaker 1>He's been killing it. Yeah. I know he was on

0:28:01.000 --> 0:28:03.840
<v Speaker 1>that Motown situation and you know they kind of started

0:28:03.880 --> 0:28:06.960
<v Speaker 1>him out a little, but like now it's my deal situation.

0:28:07.160 --> 0:28:10.760
<v Speaker 1>He broke free and off independent straight gas. That's how

0:28:10.800 --> 0:28:13.280
<v Speaker 1>Detroit artists worked though, Like we better independent with our

0:28:13.280 --> 0:28:16.480
<v Speaker 1>own freedom. There it is, man, Look, Pero Giovanni, appreciate

0:28:16.480 --> 0:28:19.199
<v Speaker 1>you for pulling up four or five or seven albums

0:28:19.200 --> 0:28:22.640
<v Speaker 1>coming soon? Yeah, about five six of them there, movies

0:28:22.720 --> 0:28:26.360
<v Speaker 1>all that. Hopefully we hear this, yg g Z. Yeah,

0:28:26.359 --> 0:28:28.879
<v Speaker 1>we're gonna speaking into existence. Man. The next time I

0:28:28.880 --> 0:28:31.720
<v Speaker 1>eat a full album there it is perfect the show.

0:28:31.840 --> 0:28:32.600
<v Speaker 1>Appreciate you man