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Speaker 1: Come on my gole tracts on the episode two into

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Speaker 1: early Behoma booster tabi.

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Speaker 2: Suta ma get us in santy do you get down

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Speaker 2: to we easter man gasta a sleep.

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Speaker 3: From the stime.

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Speaker 4: More by long stars.

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Speaker 3: Make on Sunday long the stars.

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Speaker 5: Look on about.

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Speaker 2: That's all Madmas.

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Speaker 1: Welcome everyone to episode number fifteen, the last episode in

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Speaker 1: The Princess of South Beach season two, and this is

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Speaker 1: a very special episode because this time we are not

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Speaker 1: having a following up to our wonderful story. Asides from this,

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Speaker 1: this is a moment which we would like to go

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Speaker 1: behind the scenes of the Princess of South Beach. And

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Speaker 1: who can give us a tour inside of the Princess

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Speaker 1: of South Beach better than our creator, writer, executive producer

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Speaker 1: and director for the English version, Jasamine. The wonderful all adjussemine.

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Speaker 5: Not the wonderful.

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Speaker 4: Maybe is the la Rucha, maybe the terrible, maybe the dictator,

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Speaker 4: but not the wonderful, never the wonderful.

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Speaker 1: That depends on the time of the day and what

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Speaker 1: episode we're working on. That's definitely something true. But most

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Speaker 1: of the time you are the wonderful Jasmine, and we

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Speaker 1: love you. Welcome welcome to episode fifteen, Jasmine, Thank you,

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Speaker 1: thank you. And we have a very special guest on

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Speaker 1: this episode as well, which is our wonderful and unique Raoul.

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Speaker 1: Andy Bustillios is here with us. Andy, how are you hi?

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Speaker 3: I'm good. How are you guys?

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Speaker 1: Welcome on board, my friend. You are in New York

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Speaker 1: right now.

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Speaker 3: No, I'm in Los Angeles.

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Speaker 1: You're in Los Angeles. So we are having a multi

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Speaker 1: geo something connection from New York to Los Angeles to

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Speaker 1: Mexico City.

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Speaker 5: But that's how Princess is.

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Speaker 4: That's I mean, even in season one we recorded in

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Speaker 4: like five different countries or something, and you know how

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Speaker 4: many different cities, and so that's the way it's always

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Speaker 4: been with Princess.

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Speaker 5: Everybody's all over the place.

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Speaker 1: That's correct. We've been everywhere. We've been everywhere with talents

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Speaker 1: from all around. And Andy, tell us, how do you

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Speaker 1: feel by approaching season two after working on season one?

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Speaker 1: How was your experience and how the Draoul evolved from

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Speaker 1: the beginning till now.

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Speaker 6: I feel like, well, first I was just very excited

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Speaker 6: to get to do like a bunch of stuff and

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Speaker 6: getting to see him kind of not just be like

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Speaker 6: the fun sweet idiot who like just puts his foot

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Speaker 6: in his mouth constantly. But to like, like there was

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Speaker 6: one really fun scene that I got to do with

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Speaker 6: X that was just like that very serious where I'm

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Speaker 6: just like talking to her about her girlfriend and stuff.

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Speaker 3: And to just get to just be like the most

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Speaker 3: like serious version I guess of role was like so cool.

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Speaker 6: It was great to be able to kind of bring

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Speaker 6: him there and then immediately pull him out because he

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Speaker 6: says something dumb and gets in trouble. But it was

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Speaker 6: great to kind of see him, you know, get even

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Speaker 6: more fleshed out and more just endearing.

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Speaker 1: I guess absolutely this is I think it's pretty much

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Speaker 1: Draoul's season. It's, uh, we're following him, that's his journey,

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Speaker 1: and we were had We had a lot of fun

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Speaker 1: recording you, and there were lots of new experiences working

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Speaker 1: with you all along and all the improv that you

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Speaker 1: could do with X and everything. It was so much

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Speaker 1: fun to see and to be honest, I can tell

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Speaker 1: you as a producer that it was. It was a

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Speaker 1: really enjoyment to see you working together. Jasmine, how was

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Speaker 1: your experience directing Andy on this on this season?

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Speaker 4: I mean, the reality is that like directing for Princess

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Speaker 4: is uh, I should barely even get the title because

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Speaker 4: I really just like let the actors do whatever they

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Speaker 4: want to do, and and especially like Andy, how long

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Speaker 4: have you known.

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Speaker 3: X uh we met? I mean it's got to be

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Speaker 3: eight years, are even more, And that's.

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Speaker 6: At UCB basically a very long time when she started

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Speaker 6: doing a bunch of improv and stuff, and so we

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Speaker 6: were both kind of doing shows and performing all the time.

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Speaker 3: Yeah, let mean, just just these blowers, all right? Can

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Speaker 3: we turn up the ac please? It's a little hot

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Speaker 3: in here. And I curated a playlist. I hope you

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Speaker 3: like cats?

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Speaker 5: What like you made a playlist of like me Allen,

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Speaker 5: No Silly.

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Speaker 3: The musical Cats because Jella goes can then Jella goes to.

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Speaker 5: Shut the fuck up before I hate you.

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Speaker 4: Yeah, I mean, you guys have known each other for

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Speaker 4: so long, and so getting getting you two in a

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Speaker 4: room together, you're both such seasoned improvisers that it.

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Speaker 5: Was really like I was like, you know you guys already.

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Speaker 4: And season two it was nice because everybody knew the characters,

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Speaker 4: they knew the tone of the show, and so it

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Speaker 4: was really about like letting the car drive itself. And

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Speaker 4: like letting it go on autopilot and letting you guys

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Speaker 4: have fun.

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Speaker 6: Yeah, it definitely felt very easy to kind of get

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Speaker 6: to do that stuff. I was like, oh, yeah, I

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Speaker 6: know exactly what to do in this situation, and X

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Speaker 6: knows exactly how to like cut me in such a

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Speaker 6: funny way that I was like, this is so fun.

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Speaker 3: It was great.

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Speaker 1: It was, it was And and it's very interesting to

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Speaker 1: see how you approached the character and how it developed,

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Speaker 1: and how the character grew in the way that you

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Speaker 1: portrayed him. And and it's really really, really a very

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Speaker 1: interesting and very enjoyable situation to see you working on

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Speaker 1: this And how was it for you to, uh, to

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Speaker 1: work on a on a distance working on a on

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Speaker 1: a distance basis. You were working in in Los Angeles,

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Speaker 1: then you were we were working all all over the place.

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Speaker 1: How was it for you? Was it easy?

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Speaker 3: Well, honestly, it was.

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Speaker 6: It's I just think it's very cool that we like

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Speaker 6: when we did the New York recording stuff, working like

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Speaker 6: setting up so that I can see all the other

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Speaker 6: actors and get to act off of them.

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Speaker 3: Was really cool. But then also getting to actually do

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Speaker 3: it in person here in La with X. Was awesome.

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Speaker 3: So I feel like both are great.

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Speaker 6: Obviously, but nothing beats getting to be in a room

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Speaker 6: I think with someone that you get to perform with.

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Speaker 6: That's it felt so like the sort of energy felt

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Speaker 6: bumped up for sure, just because you feel you get

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Speaker 6: to feed off each other and you feel it in

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Speaker 6: the room well.

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Speaker 4: And in the first season you got to do scenes

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Speaker 4: with it. I think it's really fun to watch the

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Speaker 4: fans try and figure out what scenes were done in

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Speaker 4: person and what scenes were done a part. In the

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Speaker 4: first season you got to do scenes with Gina Torres

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Speaker 4: and with Danny Pino where we had you guys over

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Speaker 4: on Zoom. But this season you had a scene with

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Speaker 4: Alan Eisenberg who plays Andres, and you guys were not together.

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Speaker 4: And not only did we not have you together physically,

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Speaker 4: you weren't even on zoom. You were just cold reading.

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Speaker 4: I don't know if you got to listen to that scene.

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Speaker 3: I did when he calls me and stuff, Yeah, yeah.

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Speaker 5: Or no, the bros scene where you guys are on

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Speaker 5: the road driver.

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Speaker 3: Yeah, I mean we're bros, right, bros?

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Speaker 4: Yeah?

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Speaker 2: Yeah, I guess we are.

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Speaker 1: It.

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Speaker 4: Really when I heard it, I could not tell that

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Speaker 4: you guys had not done it together, and there's you

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Speaker 4: guys both did such so much fun improving in that scene.

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Speaker 5: It was amazing how it cut together.

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Speaker 3: Oh that's awesome.

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Speaker 6: I mean even the stuff with Rachel from the first season.

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Speaker 6: She messaged me on Twitter and was like, first she

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Speaker 6: was so nice and very sweet, but also it was

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Speaker 6: just like, it sounds like we acted together, even though

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Speaker 6: we we're never in the same room or even zoomed

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Speaker 6: or anything. It's incredible the way you guys edited together.

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Speaker 6: Forgot about Yeah, it's crazy.

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Speaker 4: Oh, I didn't realize you and Rachel were never together.

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Speaker 5: I forgot about that.

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Speaker 6: No, it was crazy. She messaged me and was like,

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Speaker 6: this isn't as crazy. We never even met, and it

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Speaker 6: sounds great. Sounds like we were acting so well. To guy,

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Speaker 6: I was like, oh, this is so nice.

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Speaker 1: Yeah, I think it's a There's a lot of talent

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Speaker 1: involved here, from the actors obviously Jasmin and the creator director,

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Speaker 1: and also I need to give credit to the engineers

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Speaker 1: and producers. Catensa, our production manager, which we're very very

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Speaker 1: much aware of the distance between the actors and that

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Speaker 1: we needed to have this narrative working and have it

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Speaker 1: didn't matter if you were in New York, or Rachel

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Speaker 1: was in La or we even had a talent here

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Speaker 1: in Mexico. Everybody needed to sound like if they were

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Speaker 1: in the same place, and all the Juan Alwin Kateensa,

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Speaker 1: they were all very aware that that how was the

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Speaker 1: scene portrayed or recorded before, so that you can have

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Speaker 1: interactions and we could give a follow up, so that

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Speaker 1: we can when when when you would be put together

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Speaker 1: in the same track, you would sound real normal. And

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Speaker 1: that's something that that maybe we were able to trick

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Speaker 1: our audience and make them believe that the actual scene

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Speaker 1: was being recorded with all the talents altogether.

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Speaker 4: Yeah, and it really is like a painstaking process to

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Speaker 4: line those tracks up, but like and and to make

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Speaker 4: people sound like you're in conversation, because even on Zoom,

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Speaker 4: there's always like a little bit of lag. There's like

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Speaker 4: a you know, depending on people's Internet connections, and so

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Speaker 4: even when you guys were recording together on Zoom, sometimes

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Speaker 4: like you would sync up the audio afterwards and there

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Speaker 4: was still that weird lag and we had to like

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Speaker 4: go through and cut millisec in my millisecond just so

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Speaker 4: that it sounded like you guys were in conversation.

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Speaker 1: Yeah, yeah, yeah, it was. It's a wonderful process. And

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Speaker 1: that's why we love audio, and that's why we love podcasts,

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Speaker 1: and and we are thankful for the media, and we

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Speaker 1: are thankful for all the talent that has been put

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Speaker 1: together into all this. This is a huge production, this

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Speaker 1: actual production. I don't know if you are aware, but

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Speaker 1: we did the same episodes in English as well as

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Speaker 1: in Spanish, so everything needed to be duplicated and in

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Speaker 1: some cases recreated. Because if you get to listen the

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Speaker 1: Spanish version against the English version, you will find very

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Speaker 1: very that it's not too similar. There are quite an

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Speaker 1: interesting differences between both of them. Even though the story

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Speaker 1: is the same, the humor is approached in a different way.

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Speaker 1: The pauses and everything there, everything is is quite different.

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Speaker 1: And it's a different angles of the same diamond, you know.

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Speaker 1: It's like you are watching a diamond from different sites, perspectives,

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Speaker 1: and the facets are different. So it's a it's a

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Speaker 1: very very interesting process. It was a long process to do.

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Speaker 1: We I think we spent like probably, well Jasmine, maybe

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Speaker 1: six months producing our season two, the.

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Speaker 5: Actual production production. Yeah, I think.

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Speaker 4: Yeah, and Andy, I'd love to hear your thoughts on

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Speaker 4: how season one and season two were different. I know

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Speaker 4: that I approached them differently as a writer, but I

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Speaker 4: wonder for you, especially given that Raoul has a much

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Speaker 4: bigger role in season two, Like, what did you feel

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Speaker 4: like were the differences in the two seasons?

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Speaker 6: Well, I think because he could kind of discovered more.

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Speaker 6: It seemed like he was a very, very naive in

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Speaker 6: the first season, sweetly naive, and then by the second

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Speaker 6: season he's discovered that things are messed up and that

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Speaker 6: not everything's the truth and all this kind of stuff,

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Speaker 6: and so it's interesting to see him kind of process

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Speaker 6: that still keep his sort of sweetness, but be able

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Speaker 6: to actually delve deeper into himself and find sort of yeah,

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Speaker 6: like emotions and things Sack actually get mad about things

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Speaker 6: to like, be able to actually be more of an.

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Speaker 3: Interesting person if it is great.

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Speaker 6: Yeah, And also like when we did that first season,

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Speaker 6: I feel like I by the end of it, I

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Speaker 6: really knew who he was. And then obviously we didn't

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Speaker 6: record again until very much later, So that's always like

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Speaker 6: a weird thing where I'm like, oh, I got to

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Speaker 6: remember how I felt when I was recording that first time,

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Speaker 6: because it was such a thing. It was so cool,

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Speaker 6: and so I think that that space also made it

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Speaker 6: so that the approach was I was also coming in

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Speaker 6: differently and viewing him slightly differently, So it wasn't exactly

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Speaker 6: so it felt like actual time had passed for him

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Speaker 6: and because it had for me.

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Speaker 1: Yeah, oh yeah, Andy, I need to make this question,

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Speaker 1: where do you think Raoul is going? Where do you

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Speaker 1: think Jasmine is taking us for season three? Where do

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Speaker 1: you think? What do you think is happening to Raoul

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Speaker 1: next season?

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Speaker 3: I don't know.

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Speaker 6: Oh, I imagine if in this one I pretty much

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Speaker 6: hit my pants, I assume the next one I'm gonna

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Speaker 6: piss myself. I assume something like that. Maybe I'll be

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Speaker 6: in a diaper. I'll be in an accidenthere. I have

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Speaker 6: to just wear a diaper all the time. That's probably

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Speaker 6: a good possibility. I'll probably maybe I'll get ripped. That'll

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Speaker 6: be fun. I'll just be super ripped.

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Speaker 1: Can you tell us about can you tell us about

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Speaker 1: Raoul's sex appeal and why he is so attractive to woman?

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Speaker 6: Honestly, even doing that scene with X where the waitress

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Speaker 6: was just like into me, even I was like, wait,

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Speaker 6: what's happening? Was so I don't even know, which I

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Speaker 6: think is even extra funny because I'm also surprised, Like,

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Speaker 6: what are.

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Speaker 3: You talking about? She wasn't nating, you know what I mean.

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Speaker 3: So I don't know.

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Speaker 6: I think it's one of those mysteries of the world,

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Speaker 6: impossible to really understand.

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Speaker 3: But I love that it's a thing. I think it's

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Speaker 3: so funny, and I love how mad it.

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Speaker 1: Makes act I understand it's to think, but it's a

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Speaker 1: big thing.

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Speaker 6: It makes him attractive.

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Speaker 3: It's so funny. I love that.

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Speaker 4: Yeah, I think I think Raoul also like it's interesting

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Speaker 4: to think about what these characters look like because they

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Speaker 4: don't necessarily like everybody I'm sure has a different picture

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Speaker 4: of what Raoul looks like in their mind.

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Speaker 5: And like, I don't know, is Raoul like a short king?

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Speaker 5: Is he like clearly he has shall we say bde

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Speaker 5: you know, he has that energy.

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Speaker 4: That like women find really attractive. But like, yeah, I've

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Speaker 4: never really because I think even in season one, like

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Speaker 4: he's so like he's such a cry baby and he's

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Speaker 4: so like it's always been like what is it that

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Speaker 4: Gloria seasoned him?

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Speaker 5: Why is why?

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Speaker 4: Why were they together in the first place, you know,

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Speaker 4: and obviously in season two we we somewhat answer that question,

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Speaker 4: but yeah, what do you think, Raoul raol Andy, what

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Speaker 4: do you What do you.

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Speaker 5: Think it is that makes role so attractive?

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Speaker 6: In my head, I like, I picture a much taller,

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Speaker 6: like like a lanky, like sweet sort of like a

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Speaker 6: tall giant, like a sweet giant, I guess, or or

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Speaker 6: something like that, because I'm like, well, yeah, if they

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Speaker 6: fell in love and stuff, he's probably like a tall

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Speaker 6: should be like a prince, sort of Disney prince kind

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Speaker 6: of kind of guy, but he's not. And maybe that's

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Speaker 6: what makes him so interesting, because he goes against sort

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Speaker 6: of character. But yeah, I think it's the sweetness mixed

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Speaker 6: with what I assume in my head is is if

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Speaker 6: I was taller, I picture myself taller whenever I read

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Speaker 6: those lines.

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Speaker 3: Taller but like sweeter and dumber. And I think that's

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Speaker 3: that that combo.

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Speaker 6: I think is maybe like a very interesting one that

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Speaker 6: you don't really see as much, like you know, yeah.

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Speaker 1: Very interesting, very interesting. Everybody uses uh its own their

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Speaker 1: own imagination to picture the character as we hear them.

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Speaker 1: I honestly picture Raoul in a very different way, pretty

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Speaker 1: very much like you. I mean physically very much like you.

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Speaker 1: But Jasmine, tell us about the characters. I mean, we've

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Speaker 1: been traveling with this. Uh, we've been having a big,

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Speaker 1: interesting journey with all these characters for a long long time.

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Speaker 1: Tell us about your creative process. How did this story

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Speaker 1: came up to you in your mind? Why have you

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Speaker 1: done this? So this character is so cherished, so so

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Speaker 1: love tell us about that. Tell Us about your process.

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Speaker 4: Well, it originally really started as like a love letter

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Speaker 4: to telenoilas and the kinds of telenoils that we grew

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Speaker 4: up with. And a lot of the characters were sort

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Speaker 4: of based on the tropes that you see in telenoil

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Speaker 4: Less and so Raoul is one of the first characters

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Speaker 4: that I thought of because I was like, you know,

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Speaker 4: there for if she's gonna be this like influencer and

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Speaker 4: this like socialite, Like she's got to have her arm candy,

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Speaker 4: she's got to have this like perfect boyfriend, and it's

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Speaker 4: always this like super masculine hero dude, and and a

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Speaker 4: lot of where the characters came from was wanting to

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Speaker 4: flip a lot of those tropes on their head. And

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Speaker 4: so rather than have him like he he really thinks

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Speaker 4: of himself as this like Disney prince, but then he

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Speaker 4: cries at the drop of a hat, and so it's

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Speaker 4: just like this like strange dichotomy of like being like

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Speaker 4: a super hot man, baby.

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Speaker 3: That's awesome.

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Speaker 1: Yeah, that's you, that's you.

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Speaker 5: Yeah, who like, you know, super.

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Speaker 4: And I think it is his like emotional vulnerability that

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Speaker 4: that really probably is was the spark between them. I

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Speaker 4: think she probably at first was like I like that

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Speaker 4: he's sensitive, and then she was like, fuck, he's so sensitive.

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Speaker 4: But like, also, Luisa, right, like you look at Gina Torres.

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Speaker 4: She's dropped dead gorgeous, and in the script she's supposed

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Speaker 4: to be this like plastic surgery nightmare woman who like

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Speaker 4: her father calls her Diego Rivera with a wig on,

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Speaker 4: you know. And so but then like you're in the

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Speaker 4: recordings with her and you're like, I'm literally looking at

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Speaker 4: a goddess. And so trying to like keep those two

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Speaker 4: things in mind is just like really funny.

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Speaker 5: I think a lot of the.

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Speaker 4: Characters in the show sort of and I think the

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Speaker 4: show operates in a different reality than the one that

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Speaker 4: we live in.

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Speaker 5: For sure.

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Speaker 4: Season one I think is very much that like telenovela energy.

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Speaker 4: Season two was a little more like Scooby Doo adventure.

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Speaker 5: But I think in any.

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Speaker 4: Season the show will always be operating on this like

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Speaker 4: elevated plane of existence, where like it's like uncanny and

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Speaker 4: like it's.

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Speaker 5: Not the real world.

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Speaker 4: It's like sparkly and a little crazy and anything can happen,

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Speaker 4: including you know, a musical dream sequence that was so cool.

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Speaker 3: When I got to hear that, I was like, oh

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Speaker 3: my god, it came together.

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Speaker 2: So Ola familia. This is Danny Pino played Nacho Santana

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Speaker 2: in season two of Princess of South Beach. We had

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Speaker 2: an incredible time recording season two with Jasmine Romero and

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Speaker 2: her fantastic team. Probably one of the most unforgettable moments

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Speaker 2: from this season was singing as Nacho. The song was

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Speaker 2: hilarious and specific and really pulled me out of my

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Speaker 2: comfort zone. Not only that, but I got to be

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Speaker 2: the narrator for season two, and that gave me the

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Speaker 2: license to chew on all of the scenery. So I

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Speaker 2: hope you enjoyed it. Thank you again for listening, and

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Speaker 2: gabbye Banacho.

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Speaker 1: Yeah, we had a musical number on episode nine that

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Speaker 1: was an infamous episode nine that we got to put

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Speaker 1: together it was wonderful. It was one of the things

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Speaker 1: that we were of the yeah, of the parts of

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Speaker 1: the season that we were all trying to approach in

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Speaker 1: a in a better way to I don't think we

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Speaker 1: ever did a musical number in any episode before for

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Speaker 1: any other kind of series. And yeah, it was so

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Speaker 1: much fun to do it. Obviously that your talent made

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Speaker 1: it work and made it shine, but uh, but wow,

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Speaker 1: it was. It was an amazing experience to work out

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Speaker 1: that musical number. Congratulations on that.

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Speaker 3: So much fun.

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Speaker 6: It sounded so cool and yep, because I recorded just

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Speaker 6: my parts, Obviously, I had no idea what it was

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Speaker 6: going to sound like like at all because when I

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Speaker 6: did it, yeah, it was just the music but no

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Speaker 6: vocals from anyone else. So it was just me going well,

395
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Speaker 6: like doing the low end of a lot of stuff

396
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Speaker 6: and being like, what is this going to sound like?

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Speaker 3: And it sounds unreal. It's so good.

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Speaker 6: Oh.

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Speaker 5: So the first time you heard it was like when

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Speaker 5: you heard it on the podcast.

401
00:22:37,040 --> 00:22:40,680
Speaker 3: Yeah, yeah, because when I recorded it, I was singing.

402
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Speaker 6: But it was just the music track to Wed You

403
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Speaker 6: go in and be like yeah, yeah.

404
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Speaker 3: And it was crazy. So to actually hear it was

405
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Speaker 3: like whoa with everything filled in and big and beautiful.

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Speaker 5: Oh it was awesome right right right right?

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Speaker 1: Yeah?

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Speaker 4: Yeah, I mean it really it was wild putting that

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Speaker 4: thing together. And you know, even going into this season,

410
00:23:07,240 --> 00:23:10,200
Speaker 4: I was like, are the actors gonna say yes? Like

411
00:23:10,480 --> 00:23:14,119
Speaker 4: a mass came to to do this crazy thing, and

412
00:23:14,320 --> 00:23:17,440
Speaker 4: everybody was just like really game, including like ex did

413
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Speaker 4: this crazy rap that's like supposed to like it's like,

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Speaker 4: you know, we have We initially approached the musical thinking,

415
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Speaker 4: how can we take a little bit from a bunch

416
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Speaker 4: of different musicals and like because you know, Raoul is

417
00:23:33,680 --> 00:23:36,240
Speaker 4: like obsessed with musical theater and so like he would

418
00:23:36,440 --> 00:23:39,520
Speaker 4: in his brain have like lay Miss and Hamilton and

419
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Speaker 4: have all of these like references to musicals, and so

420
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Speaker 4: when we started writing it, we were like, okay, well,

421
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Speaker 4: let's you each piece of the musical is going to

422
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Speaker 4: be a different like homage to a different show. And

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Speaker 4: so like I think Luisa's is maybe meant to be

424
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Speaker 4: like Schwartz, who are modeled off of like the A

425
00:23:57,880 --> 00:24:01,280
Speaker 4: Podder song, you know, like each pe has like different references.

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Speaker 4: And then and and your part was always conceived of

427
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Speaker 4: as this like punchline within the within the musical, which

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Speaker 4: I can it's so worked. Uh, you did such a

429
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Speaker 4: good job. It's and it really is one of the

430
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Speaker 4: moments where like we laughed out loud writing it, you know,

431
00:24:17,440 --> 00:24:20,320
Speaker 4: recording it, listening to it afterwards. It was just it

432
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Speaker 4: was really really fun to do.

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Speaker 1: Absolutely absolutely so, Yeah, the Princess of South Beach is

434
00:24:26,480 --> 00:24:30,360
Speaker 1: full with surprises and and I think it's a it's

435
00:24:30,400 --> 00:24:33,880
Speaker 1: a it's a wonderful series and it's not a general piece,

436
00:24:34,040 --> 00:24:37,159
Speaker 1: is it's a there are many genres involved in in

437
00:24:37,480 --> 00:24:39,960
Speaker 1: in what we're doing with Princess of South Beach. So

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Speaker 1: I want to thank you, Jasmin for for bringing us

439
00:24:43,119 --> 00:24:46,960
Speaker 1: your baby and and letting us nurture it and and

440
00:24:47,160 --> 00:24:50,120
Speaker 1: and give it life. And it's been it's been really

441
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Speaker 1: a lot of fun working on this. Although we have

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Speaker 1: the scars in our backs from working with you, but

443
00:25:00,920 --> 00:25:06,000
Speaker 1: it's uh, but we we show them with pride. I

444
00:25:06,119 --> 00:25:07,800
Speaker 1: want to thank you guys. I want to thank you

445
00:25:07,960 --> 00:25:12,719
Speaker 1: for joining us for this episode. Andy, thank you very

446
00:25:12,840 --> 00:25:16,960
Speaker 1: much for coming over. And uh, it's been a it's

447
00:25:17,000 --> 00:25:19,760
Speaker 1: been wonderful to see you again and hope to see

448
00:25:19,800 --> 00:25:23,520
Speaker 1: you on season three and we are waiting for you

449
00:25:23,800 --> 00:25:26,560
Speaker 1: and uh, and you have a lot of fence that

450
00:25:26,680 --> 00:25:30,639
Speaker 1: are already waiting to see what's happening with Raw next.

451
00:25:30,560 --> 00:25:33,719
Speaker 4: Time, and yeah, have you seen have you seen your

452
00:25:33,760 --> 00:25:34,439
Speaker 4: Twitter fans?

453
00:25:34,480 --> 00:25:35,600
Speaker 3: Though, Oh they're great.

454
00:25:35,680 --> 00:25:37,440
Speaker 6: I was just I was trying to look a look

455
00:25:37,520 --> 00:25:40,040
Speaker 6: through them really quick because I was like, uh, because

456
00:25:40,040 --> 00:25:43,000
Speaker 6: there's so many nice people that constantly will like tag

457
00:25:43,040 --> 00:25:44,520
Speaker 6: me and stuff and be like, oh, this episode is

458
00:25:44,560 --> 00:25:46,520
Speaker 6: so great and it fills my heart to like wake

459
00:25:46,600 --> 00:25:49,560
Speaker 6: up and like heart all the all the stuff on

460
00:25:49,720 --> 00:25:52,880
Speaker 6: on X or Twitter. But yeah, it's great.

461
00:25:52,920 --> 00:25:55,840
Speaker 4: I love it. Yeah. I mean there there are tweets

462
00:25:55,880 --> 00:25:58,320
Speaker 4: that are like protect Rowl at all costs, like my

463
00:25:58,480 --> 00:25:59,480
Speaker 4: baby Rowl, like the.

464
00:25:59,640 --> 00:26:08,600
Speaker 6: People fans fans, It's so nice, truly. Yeah, thank you

465
00:26:08,640 --> 00:26:10,240
Speaker 6: guys for having me on. This was a It was

466
00:26:10,280 --> 00:26:12,560
Speaker 6: so nice to kind of reminisce and and think about

467
00:26:12,600 --> 00:26:12,960
Speaker 6: this again.

468
00:26:13,440 --> 00:26:13,680
Speaker 1: Thank you.

469
00:26:14,560 --> 00:26:15,199
Speaker 3: What a blast.

470
00:26:15,920 --> 00:26:16,640
Speaker 5: Thank you Andy.

471
00:26:16,720 --> 00:26:18,359
Speaker 4: Do you have any requests if we do get a

472
00:26:18,400 --> 00:26:20,280
Speaker 4: season three, do you have any requests for your character?

473
00:26:22,400 --> 00:26:24,800
Speaker 6: Honestly, I loved getting the sing because I do sing

474
00:26:24,880 --> 00:26:27,280
Speaker 6: in real life like a singer, so that was so

475
00:26:27,520 --> 00:26:28,359
Speaker 6: cool to get to do.

476
00:26:28,560 --> 00:26:32,320
Speaker 3: I was like, oh, I get to mix these two things. Together.

477
00:26:33,160 --> 00:26:33,960
Speaker 3: So I loved that.

478
00:26:34,960 --> 00:26:39,200
Speaker 6: But other than that, more stuff where I'm falling or struggling,

479
00:26:39,320 --> 00:26:42,280
Speaker 6: like carrying, just doing. The sounds of me trying to

480
00:26:42,320 --> 00:26:45,040
Speaker 6: carry the big suitcase was one of my like I

481
00:26:45,200 --> 00:26:48,320
Speaker 6: love that kind of like foly sound of like, oh God,

482
00:26:50,640 --> 00:26:54,000
Speaker 6: when I was trying to hold in my ship my pants,

483
00:26:54,800 --> 00:26:58,960
Speaker 6: I was getting lightheaded from like a hyperventilating trying to

484
00:26:59,040 --> 00:27:02,200
Speaker 6: keep it in, and it was I was dying trying

485
00:27:02,240 --> 00:27:04,159
Speaker 6: not to break because it was so funny to me.

486
00:27:05,080 --> 00:27:08,440
Speaker 6: So please, just I love physical humor. Physical comedy is

487
00:27:08,440 --> 00:27:10,840
Speaker 6: my favorite thing, and to get to do it audio

488
00:27:11,680 --> 00:27:14,960
Speaker 6: orally is so cool and fun and it gets me

489
00:27:15,080 --> 00:27:19,400
Speaker 6: to like approach physical comedy in a different way, which

490
00:27:19,480 --> 00:27:20,480
Speaker 6: is a fun challenge.

491
00:27:20,720 --> 00:27:22,440
Speaker 5: You packed like you were going to war. Who told

492
00:27:22,480 --> 00:27:24,080
Speaker 5: you to bring six lotions? Okay?

493
00:27:24,119 --> 00:27:27,600
Speaker 6: Those skin creams are medicated, Okay, I listen to the doctors.

494
00:27:27,600 --> 00:27:29,680
Speaker 3: I believe in science. Okay, whatever, I don't need to

495
00:27:29,720 --> 00:27:33,280
Speaker 3: explain myself to you. Try skin meanly great?

496
00:27:34,480 --> 00:27:38,359
Speaker 1: Thank you, Andy Thine. Give us a hint of what's happening,

497
00:27:38,520 --> 00:27:42,840
Speaker 1: what should we wait for? What's coming for everyone here

498
00:27:42,920 --> 00:27:45,080
Speaker 1: in season three for the Princess.

499
00:27:45,280 --> 00:27:51,320
Speaker 4: Tell us something you well, I I definitely you're not

500
00:27:51,359 --> 00:27:53,800
Speaker 4: supposed to write this way, I think, but I definitely

501
00:27:53,960 --> 00:27:58,000
Speaker 4: like will will leave problems for future Jasmine to figure out.

502
00:27:58,359 --> 00:28:01,160
Speaker 5: And so like the first and I was like, well,

503
00:28:01,200 --> 00:28:03,560
Speaker 5: I don't know what the resolution any of this is.

504
00:28:03,640 --> 00:28:06,120
Speaker 4: Like I really went into season two like not knowing

505
00:28:06,160 --> 00:28:10,359
Speaker 4: what a Stevan's secret was, not knowing like how the

506
00:28:10,440 --> 00:28:12,959
Speaker 4: Gabby stuff was gonna resolve. I was like future Jazzminal

507
00:28:13,040 --> 00:28:14,320
Speaker 4: figured it out, and then like I had to write

508
00:28:14,359 --> 00:28:16,840
Speaker 4: the script and I was like, oh shit, and so really,

509
00:28:16,920 --> 00:28:22,720
Speaker 4: season three, I'm taking requests, I'm taking suggestions. Actually, a

510
00:28:22,800 --> 00:28:25,159
Speaker 4: lot of season two came out of like fan theories

511
00:28:25,240 --> 00:28:27,399
Speaker 4: that I saw or things that that people said, like,

512
00:28:27,440 --> 00:28:31,800
Speaker 4: oh I wish this would happen. The musical came out

513
00:28:31,840 --> 00:28:34,560
Speaker 4: of people being like, how did you have Raoul Esparza

514
00:28:35,160 --> 00:28:37,280
Speaker 4: on the show and not have him saying And so

515
00:28:37,480 --> 00:28:39,760
Speaker 4: I was like, all right, we'll write a musical, and

516
00:28:39,840 --> 00:28:43,720
Speaker 4: so like Raoul. The whole storyline of like Raoul getting

517
00:28:43,760 --> 00:28:48,320
Speaker 4: hit in the head, and like Alan's character andres being

518
00:28:48,560 --> 00:28:53,880
Speaker 4: being Victoria's son, like all of that stuff was just

519
00:28:54,000 --> 00:28:55,959
Speaker 4: the setup so that I could get to the musical

520
00:28:56,240 --> 00:28:58,440
Speaker 4: and really I'll think about, like what is the set

521
00:28:58,520 --> 00:29:00,400
Speaker 4: piece that I want and how do I get these

522
00:29:00,480 --> 00:29:02,600
Speaker 4: characters to get me there? And really so so we'll

523
00:29:02,600 --> 00:29:05,640
Speaker 4: see I like the idea of Raoul like getting yoked

524
00:29:05,760 --> 00:29:06,680
Speaker 4: for season C.

525
00:29:07,000 --> 00:29:10,200
Speaker 1: Yeah, I can see, I can see that in your mind.

526
00:29:10,280 --> 00:29:12,040
Speaker 1: Your mind is the first thing with ideas.

527
00:29:12,120 --> 00:29:17,800
Speaker 4: Now, Oh yeah, Rol's bodybuilding also like he's he's you know,

528
00:29:18,040 --> 00:29:21,840
Speaker 4: involved with the mafia now and is like hanging out

529
00:29:21,880 --> 00:29:25,080
Speaker 4: with these like sopranos guys, and so we'll see what

530
00:29:25,200 --> 00:29:27,280
Speaker 4: happens there. But I also I would like to see

531
00:29:27,360 --> 00:29:29,640
Speaker 4: Raoul have like a love story of his own and

532
00:29:29,800 --> 00:29:34,760
Speaker 4: really like find someone and even if it's like I

533
00:29:34,840 --> 00:29:37,920
Speaker 4: think sometimes like it's finding yourself and being okay with

534
00:29:38,160 --> 00:29:40,800
Speaker 4: just being by yourself is a thing, like that's kind

535
00:29:40,840 --> 00:29:44,560
Speaker 4: of Louis's journey in season two, and so uh, you know,

536
00:29:44,720 --> 00:29:46,680
Speaker 4: definitely I want to I want to focus on Raoul

537
00:29:46,760 --> 00:29:49,800
Speaker 4: and continue to let him blossom, because I really do

538
00:29:49,920 --> 00:29:51,840
Speaker 4: think he's grown over the last two seasons.

539
00:29:51,920 --> 00:29:53,959
Speaker 6: Maybe I'll find a woman who cries just as much

540
00:29:53,960 --> 00:29:56,640
Speaker 6: as me, and then of course I'm constantly just the

541
00:29:56,760 --> 00:30:00,200
Speaker 6: most annoying people in the world, constantly crying or how

542
00:30:00,280 --> 00:30:01,040
Speaker 6: much they love each other.

543
00:30:02,840 --> 00:30:04,640
Speaker 4: You keep inviting people for a movie night and they're

544
00:30:04,680 --> 00:30:08,000
Speaker 4: like absolutely no covert and tissues.

545
00:30:08,080 --> 00:30:11,040
Speaker 3: Disgusting, Like oh, you guys want to come.

546
00:30:11,000 --> 00:30:14,560
Speaker 5: Over Schindler's List. It's like no, no, no, Selby's Choice. No,

547
00:30:17,320 --> 00:30:18,640
Speaker 5: you guys even cry it, Mama Mia.

548
00:30:18,840 --> 00:30:18,880
Speaker 4: No.

549
00:30:21,640 --> 00:30:24,000
Speaker 1: Well, thank you so much, thank you so much, and

550
00:30:24,440 --> 00:30:28,000
Speaker 1: uh everyone, thank you so much for listening and enjoying

551
00:30:28,480 --> 00:30:30,280
Speaker 1: Princess of South Beach Season two.

552
00:30:31,120 --> 00:30:33,760
Speaker 4: Really quick, before we go, I just want to add

553
00:30:33,800 --> 00:30:38,600
Speaker 4: a couple of thank yous. Thank you to Megan Bagala

554
00:30:38,680 --> 00:30:41,320
Speaker 4: who helped, uh, who composed all the music for the

555
00:30:41,440 --> 00:30:45,320
Speaker 4: musical and and worked on the lyrics, and I helped

556
00:30:45,520 --> 00:30:47,480
Speaker 4: very minimally on the lyrics. She like really did the

557
00:30:47,520 --> 00:30:50,560
Speaker 4: whole thing and put the whole arrangement together. Huge shout

558
00:30:50,560 --> 00:30:53,920
Speaker 4: out to her. She's incredibly talented. Moni sa Heinrichs, who

559
00:30:54,040 --> 00:30:57,000
Speaker 4: like helped me beat out the season, who had worked

560
00:30:57,040 --> 00:30:59,200
Speaker 4: with me on season one and and helped me figure

561
00:30:59,200 --> 00:31:01,920
Speaker 4: out like how are we gonna make a season two

562
00:31:01,920 --> 00:31:03,440
Speaker 4: and what are we gonna do with all these characters?

563
00:31:03,680 --> 00:31:06,680
Speaker 4: Can Sian Hatar The whole team at Sonoro obviously the

564
00:31:06,760 --> 00:31:11,680
Speaker 4: incredibly talented cast Roles, who came up with an amazing

565
00:31:11,920 --> 00:31:14,440
Speaker 4: theme song for season two. I didn't think we could

566
00:31:14,480 --> 00:31:16,560
Speaker 4: top season one, and season two's theme song was just

567
00:31:16,840 --> 00:31:19,040
Speaker 4: as good, if not better. I also want to shout

568
00:31:19,080 --> 00:31:21,960
Speaker 4: out Joan Housman, who helped me, you know, come up

569
00:31:22,000 --> 00:31:24,280
Speaker 4: with all of these crazy characters in the first season,

570
00:31:24,400 --> 00:31:28,000
Speaker 4: and like, whose influence is still felt in the show. Yeah,

571
00:31:28,120 --> 00:31:30,280
Speaker 4: it's just this show is such a labor of love.

572
00:31:30,720 --> 00:31:30,880
Speaker 6: Oh.

573
00:31:31,360 --> 00:31:33,840
Speaker 4: Actually, here's a little bit of fun trivia for the fans.

574
00:31:34,160 --> 00:31:37,240
Speaker 4: I want to think my husband, Eric Messri because the

575
00:31:37,360 --> 00:31:42,480
Speaker 4: idea of Himbos came from him. I was tearing my

576
00:31:42,640 --> 00:31:44,680
Speaker 4: hair out trying to figure out, what is this stem

577
00:31:44,760 --> 00:31:45,240
Speaker 4: on secret?

578
00:31:45,560 --> 00:31:46,320
Speaker 5: What are we gonna do?

579
00:31:46,720 --> 00:31:50,360
Speaker 4: I originally had like a very dark storyline, and my

580
00:31:50,480 --> 00:31:52,760
Speaker 4: husband was like, I don't think this is what your

581
00:31:52,840 --> 00:31:56,040
Speaker 4: fans are coming to. Hear, like, nobody wants this to

582
00:31:56,160 --> 00:31:58,320
Speaker 4: be like a dark show. You want it to be

583
00:31:58,480 --> 00:32:01,600
Speaker 4: light and fun and silly and still. And we went

584
00:32:01,680 --> 00:32:03,480
Speaker 4: out one night to a bar and we're trying to

585
00:32:03,520 --> 00:32:06,000
Speaker 4: figure it out, and he was like, what if it's Himbos?

586
00:32:06,040 --> 00:32:09,880
Speaker 4: And I was like, you're a genius, like and and

587
00:32:10,480 --> 00:32:12,800
Speaker 4: so the whole idea of making a stuff and it

588
00:32:12,920 --> 00:32:15,200
Speaker 4: just ap fits perfectly with a Stevan's character. I can't

589
00:32:15,240 --> 00:32:17,880
Speaker 4: imagine anyone who's more of a himbo than is Stevan.

590
00:32:18,720 --> 00:32:20,680
Speaker 4: I think the whole show is filled with himbos.

591
00:32:21,320 --> 00:32:24,479
Speaker 5: Raoul is a himbo. Stevan is a himbo. We need

592
00:32:24,600 --> 00:32:25,760
Speaker 5: more himbos in general.

593
00:32:26,200 --> 00:32:29,000
Speaker 4: And so yeah, I want to thank Eric Masri, who

594
00:32:29,280 --> 00:32:33,200
Speaker 4: like is you know, my rock and also occasionally has

595
00:32:33,280 --> 00:32:34,160
Speaker 4: a stroke of genius.

596
00:32:35,440 --> 00:32:40,240
Speaker 1: This is the end now, and hope to hear from

597
00:32:40,280 --> 00:32:44,200
Speaker 1: you and hope that you can hear from us soon.

598
00:32:44,440 --> 00:32:47,320
Speaker 1: On season three for the Princess of South Beach, this

599
00:32:47,600 --> 00:32:52,440
Speaker 1: was Luis Luardo Castillo, Jasmine and Romero and the Ostigios

600
00:32:52,720 --> 00:32:57,480
Speaker 1: and all the team gere insa Juan Edwin says hello,

601
00:32:58,680 --> 00:33:00,960
Speaker 1: take care guys, bye.

602
00:33:01,040 --> 00:33:08,160
Speaker 5: Bye bye bye and thank you again. You good to

603
00:33:08,240 --> 00:33:08,440
Speaker 5: see you.

604
00:33:12,200 --> 00:33:15,120
Speaker 1: The Princess of South Beach season two was produced by

605
00:33:15,200 --> 00:33:20,320
Speaker 1: Sonoro in partnership with Iheartsmichael Tura Network. Created and directed

606
00:33:20,400 --> 00:33:24,760
Speaker 1: by Jasmine Romero, Written by Jasmine Romero with help from

607
00:33:24,880 --> 00:33:29,920
Speaker 1: Nissa Hendricks. Produced by Luisa Duardo Castillo executive produced by

608
00:33:30,000 --> 00:33:34,600
Speaker 1: Jasmine Romero executive produced by Conall Byrne and Jessel Beanss

609
00:33:34,640 --> 00:33:39,240
Speaker 1: for iHeart and Camilla Victoriano and Josha Weinstein for Sonoro.

610
00:33:40,040 --> 00:33:47,640
Speaker 1: Performances by Danny Pino and Thebustigios, X Mayo, Gina Torres,

611
00:33:48,160 --> 00:33:54,920
Speaker 1: Raule Sparsa, Kelly Knko, Brent Harvey, Alan Eisenberg, Pearl Sheen, Kua, Ten,

612
00:33:55,400 --> 00:34:02,360
Speaker 1: Torrin Hamilton, Mike Cabelan, Jazzmine Romero, Fredo Narciso, Johanna Hausman,

613
00:34:02,840 --> 00:34:08,960
Speaker 1: Corrine Gilliard, Eileen Clark, Karima Pinter, Joseph Limos, Ryan Perris,

614
00:34:09,520 --> 00:34:16,200
Speaker 1: Johann Hamlin, Franco Hamlin, Gray Saltine, Paco Loossano, Nico Posi,

615
00:34:16,800 --> 00:34:23,320
Speaker 1: Emiliano Quintanard Kelsey, Gunn, Wendel Johnson, Carmina Garai and Luis

616
00:34:23,400 --> 00:34:30,160
Speaker 1: Eduardo Castillo. Our production manager is Kennza Chaine. Recording engineering

617
00:34:30,280 --> 00:34:33,440
Speaker 1: and sound design by Luin Nirigoyen and Juan Diaz, with

618
00:34:33,640 --> 00:34:37,960
Speaker 1: help from Cassandra Tinajro and Andres Biena. Casting a coordination

619
00:34:38,160 --> 00:34:43,000
Speaker 1: by Kerenza Chaiis Angeli Martinez, Alex Gonzalez and Andres Childis

620
00:34:43,560 --> 00:34:47,919
Speaker 1: theme song and original music by Rodrigo Garcia. Rolis theme

621
00:34:48,000 --> 00:34:53,480
Speaker 1: song performed by Jaffetzamajoa and Carol Velasco. Raoul Streimsical had

622
00:34:53,600 --> 00:34:57,800
Speaker 1: music and lyrics by Mega Bagala with help from Jasmine Romero.

623
00:34:58,560 --> 00:35:03,640
Speaker 1: Performed by Rowlis ba Arza, Danny Pino, Gina Torres, Andy Bustigios,

624
00:35:04,040 --> 00:35:09,120
Speaker 1: x Mayo, Kelly Conkle and Jasmine Romero. Voices recorded at

625
00:35:09,160 --> 00:35:12,400
Speaker 1: the Invisible Studios in Los Angeles, the Relic Room in

626
00:35:12,480 --> 00:35:16,000
Speaker 1: New York, and the Hollowood Halls in Portland, with engineering

627
00:35:16,160 --> 00:35:21,520
Speaker 1: by Charles Carroll, David Wilson, Neil Wagenson, Sam Bear, Brett

628
00:35:21,640 --> 00:35:26,040
Speaker 1: Tubin and Justin Phelps. With special thanks to Heronimo A

629
00:35:26,120 --> 00:35:26,400
Speaker 1: Villa