WEBVTT - Eight Crazy Nights with Alex Danton-Klein

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<v Speaker 1>On the Bechdecast, the questions asked if movies have women

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<v Speaker 1>and them, are all their discussions just boyfriends and husbands,

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<v Speaker 1>or do they have individualism? The patriarchy? Zeph and Bast

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<v Speaker 1>start changing it with the Bechdel Cast.

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<v Speaker 2>How is it?

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<v Speaker 3>It's like it's like Hi, I'm Jamie, him Jamie, and

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<v Speaker 3>then like hi, I'm Ji, Like how do you There's

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<v Speaker 3>so many scenes that are like three different out of

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<v Speaker 3>Sandler voices, and.

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<v Speaker 4>They're all annoying their way.

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<v Speaker 3>Well, yes comes with the territory, Yes, indeed, and meanwhile

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<v Speaker 3>bringing New Hampshire into like, leave New England out of this,

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<v Speaker 3>Leave New England. I have so many thoughts I leave

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<v Speaker 3>New England.

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<v Speaker 4>Out of this. I was.

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<v Speaker 3>I was mad they called it Dukesbury. I think that

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<v Speaker 3>they were I Alex, let me know what you think. Sorry,

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<v Speaker 3>we're just gonna the episode started. They're like I thought

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<v Speaker 3>they were like making a weird reference to Tuksbury, which

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<v Speaker 3>is not in New Hampshire. My dad used to work

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<v Speaker 3>at a mental hospital in Tooks, so I was like,

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<v Speaker 3>you leave ticks Burry out of it.

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<v Speaker 4>I don't know.

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<v Speaker 5>I actually spent a long time googling what potential town

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<v Speaker 5>this could be in New Hampshire, because I was like, so,

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<v Speaker 5>I'm obviously we're skipping. We'll tup back to the introductions later.

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<v Speaker 5>I am a Jewish person. I grew up in New

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<v Speaker 5>York City, which obviously has a very large portion of

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<v Speaker 5>Jews are there, like many many people are Jewish there,

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<v Speaker 5>and if you're not Jewish, you obviously.

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<v Speaker 6>Know many Jews. So it's just like infused in the

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<v Speaker 6>culture of New York.

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<v Speaker 5>I'm a fourth or fourth generation Brooklyn Night so hardcore

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<v Speaker 5>like Brooklyn Jewish history here. And then I moved to

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<v Speaker 5>New England around two thousand and eight, so I have the.

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<v Speaker 6>Jewish experience in New York.

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<v Speaker 5>And then also this like cultural whiplash of being in

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<v Speaker 5>New England and being Jewish in New England, which is

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<v Speaker 5>really different than being Jewish in New York. So the

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<v Speaker 5>whole time watching this movie, I spent a lot of

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<v Speaker 5>time googling life but what town could this be?

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<v Speaker 7>Though?

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<v Speaker 5>Like there aren't enough Jewish, like what town in New Hampshire?

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<v Speaker 5>Like it's I have a whole list of notes, It's

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<v Speaker 5>just not true.

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<v Speaker 3>Like like I thought it was such a weird place

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<v Speaker 3>to set it. Yeah, I mean, and they made it

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<v Speaker 3>sound like there's a very small Jewish population in this town.

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<v Speaker 3>But I'm like, why are we setting it there, because

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<v Speaker 3>then Hanaka doesn't really happen, Like it's just confusing.

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<v Speaker 2>Yes, it's confusing, and that is the whole movie what

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<v Speaker 2>we're talking about today, which is eight Crazy Nights. Hello,

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<v Speaker 2>and welcome to the Bechdel Cast. It's us here, we are,

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<v Speaker 2>and the voice you heard is that of our guest.

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<v Speaker 2>She is a Jewish leftist fiber artist. She works in

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<v Speaker 2>fundraising and is the tech director of a middle school

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<v Speaker 2>theater program. It's Alex Stanton Klein. Hello and welcome.

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<v Speaker 6>Hi. I'm so glad to be here.

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<v Speaker 2>Tell us more about your fiber artistry to start, and

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<v Speaker 2>then we'll get back into dumping on Crazy Nights.

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<v Speaker 1>Yeah.

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<v Speaker 3>And also just like, if you don't know what the

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<v Speaker 3>Bechdel Test is or what this show is, just look

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<v Speaker 3>it up. It's fine, we've been on for eight years.

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<v Speaker 3>Like do your homework.

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<v Speaker 6>Yeah, very happy to be here.

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<v Speaker 5>I do a lot of embroidery and textile art and

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<v Speaker 5>like I said, I'm in New England. I sell in

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<v Speaker 5>New England markets. You can find me on Instagram at

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<v Speaker 5>Zinia Socialist Supply company just co ginnya socialist supply co

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<v Speaker 5>on Instagram. Also in addition to making leftist art and

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<v Speaker 5>make an embarrassing amount of musical theater themed stickers and

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<v Speaker 5>postcards and so on. So if you need something that

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<v Speaker 5>is a very very specific reference to just one line

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<v Speaker 5>in Rent, I'm your girl.

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<v Speaker 2>Love that. I love that.

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<v Speaker 3>We still haven't we actually still have not covered Chris

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<v Speaker 3>Columbus's Rent two thousand and five, if you like to return,

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<v Speaker 3>as someone would ay, I still like I because I

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<v Speaker 3>didn't see the show before that. I'm like, that movie

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<v Speaker 3>is good, and then you watch it You're like, no,

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<v Speaker 3>it's not. But even as I'm watching it like it's perfect,

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<v Speaker 3>it's great.

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<v Speaker 5>No, I have the deepest amount of love and hate

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<v Speaker 5>for that movie. Like it's like they're both there in

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<v Speaker 5>my soul. And I'd be happy to talk more about it.

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<v Speaker 5>And you know that we have a whole group of

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<v Speaker 5>friends in a little chat that would be delighted to

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<v Speaker 5>join in us as well.

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<v Speaker 4>So thrilling too.

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<v Speaker 3>I remember that I for a listener context, Alex is

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<v Speaker 3>a dear friend of mine, and the night before I

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<v Speaker 3>moved to La so like almost ten years ago, Jake

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<v Speaker 3>was driving me from I forgot something, I'd like lost something,

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<v Speaker 3>Jake being her husband or her husband refer to him

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<v Speaker 3>as nothing else. But Jake and I were driving somewhere

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<v Speaker 3>and we were listening to the Rent movie soundtrack, like

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<v Speaker 3>just screaming and reaching the conclusion that maybe this is

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<v Speaker 3>not very good and it was just the best.

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<v Speaker 2>Wait, is Jake not who you saw I Frankenstein with?

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<v Speaker 3>Yes, Jake actually has deep Buchdel castlere like Jake and

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<v Speaker 3>I saw I Frankenstein, I would say easily three times.

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<v Speaker 3>And this was before the AMC stubs days, so we

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<v Speaker 3>were paying twenty bucks a pop, which we were really

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<v Speaker 3>heavily investing in the I Frankenstein lore universe. Always have,

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<v Speaker 3>always will, same with the Master of Disguise.

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<v Speaker 6>Yeah, not to keep bringing like mad into the Backdel

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<v Speaker 6>cast because.

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<v Speaker 2>Wow, but sorry, we're talking about We're talking about Jake,

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<v Speaker 2>We're talking about Frankenstein.

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<v Speaker 5>But we're gonna talking about Grant too, because Jamie and

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<v Speaker 5>Jake forced me and Grant to watch I Frankenstide like

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<v Speaker 5>all of us, very late at night one night pretty

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<v Speaker 5>recently actually, like within the past six months or so,

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<v Speaker 5>and we had to sit down and watch it.

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<v Speaker 3>It was actually pretty violent, because yeah, it was already

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<v Speaker 3>like one in the morning, was like, we have to

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<v Speaker 3>start watching I Frankenstein and pause and rewind the part

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<v Speaker 3>where he's swinging nunchucks at nobody on the top of

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<v Speaker 3>a mountain, which is still my favorite part.

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<v Speaker 4>I am a demon Prince.

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<v Speaker 5>Jammie bought our baby a demon prince, Onesie. So before

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<v Speaker 5>is going to continue to.

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<v Speaker 3>The next generation, Kitlin, I forgot to tell you I

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<v Speaker 3>did order a custom I Frankenstein baby once for.

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<v Speaker 4>Baby kline.

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<v Speaker 2>Wow, that's amazing. So okay, sorry your fiver art right slash.

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<v Speaker 2>Tell us about your relationship with the movie Eight Crazy Nights.

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<v Speaker 6>Okay.

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<v Speaker 5>So Jamie texted me and said, would you like to

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<v Speaker 5>come on beckdelcast and talk a little bit about this movie?

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<v Speaker 5>And I said, oh, yeah, I think I've seen it before.

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<v Speaker 5>And then it horrifically like played before my eyes in

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<v Speaker 5>slow motion as I was like re experiencing this event.

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<v Speaker 5>So let me take you back to like two thousand,

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<v Speaker 5>let's say five or six, and I'm in college and

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<v Speaker 5>it is an unnamed liberal arts college wherein it is

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<v Speaker 5>the perfect blending of both the era and then the

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<v Speaker 5>type of college I went to where everybody was really

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<v Speaker 5>into ironic racism, which, as we all know, is just racist,

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<v Speaker 5>but white people get to be like, oh haha, it

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<v Speaker 5>was funny when I said it, and that's it.

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<v Speaker 4>What a time.

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<v Speaker 5>It was really lovely, and I was one of smattering

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<v Speaker 5>of Jewish people on campus, and I can't remember it

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<v Speaker 5>was my roommate or someone who like lived in my door,

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<v Speaker 5>my near us, but at the time they were like,

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<v Speaker 5>you have to watch this movie.

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<v Speaker 6>It's really funny.

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<v Speaker 5>And I'll say, similarly to the I Frankenstein watch, it

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<v Speaker 5>was inflicted upon me, but unlike I Frankenstein, I didn't

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<v Speaker 5>laugh at all. And I remember just sitting there letting

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<v Speaker 5>them watch me watch this movie. And it was like

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<v Speaker 5>the weirdest experience of like a group of non Jews

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<v Speaker 5>of boys just like sitting there watching me experience a

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<v Speaker 5>movie that they thought was like the epidity of Jewish culture.

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<v Speaker 5>I was just like, why, why, why is this a

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<v Speaker 5>part of my life? Yeah?

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<v Speaker 4>Unfair, unfair.

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<v Speaker 3>I am curious because this is the second I believe

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<v Speaker 3>Hanuka movie we have on the show. Both movies, as

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<v Speaker 3>Kaylin and I both have in our notes, ultimately end

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<v Speaker 3>up being more about youth basketball than Hanukkah. So I'm curious,

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<v Speaker 3>is there Do you have a favorite and it doesn't

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<v Speaker 3>have to be a movie, but do you a favorite

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<v Speaker 3>piece of Hanukkah media?

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<v Speaker 6>Yeah?

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<v Speaker 5>I mean I think before we talk about that, I

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<v Speaker 5>will just say because it would be weird for me.

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<v Speaker 6>I feel like my grandmother would be really mad if

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<v Speaker 6>I didn't say.

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<v Speaker 5>This, Like, Hankkah is only it's not one of the

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<v Speaker 5>major Jewish holidays, which often surprises people who aren't Jewish,

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<v Speaker 5>like there are many other holidays that actually are of

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<v Speaker 5>greater significance, and so Hannaka is just it's it's in

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<v Speaker 5>the winter time. It has this weird sort of competitive

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<v Speaker 5>thing with Christmas sort of.

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<v Speaker 2>Which is why people like place so much emphasis on it,

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<v Speaker 2>because it's actually just like, well it's Christmas time, but

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<v Speaker 2>we'll acknowledge all their holidays that are happening around this

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<v Speaker 2>ends up, but ultimately it's just very Christmas centric, right, Yeah.

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<v Speaker 5>I feel like a lot of Hanukka material relates like

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<v Speaker 5>exists only in relationship to Christmas. It doesn't have its

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<v Speaker 5>own thing, which is just sort of Obviously, we live

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<v Speaker 5>in a fairly Christian society, even if we're not legally

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<v Speaker 5>yet just pure Christian society.

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<v Speaker 2>Not quite a christ sho fascist regime yet.

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<v Speaker 3>But yeah, just take note of when this is released,

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<v Speaker 3>because by the time you listen to it, we may be.

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<v Speaker 8>So.

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<v Speaker 5>All that said, knowing that Hankkah is like a major holiday,

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<v Speaker 5>I think there are other Jewish movies that are awesome

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<v Speaker 5>and amazing and are about Jewish culture and are really

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<v Speaker 5>fun and exciting.

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<v Speaker 6>Crossing Delancey is a delight.

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<v Speaker 5>It's a rom com and this woman gets set up

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<v Speaker 5>by like a matchmaker with a man who sells pickles

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<v Speaker 5>at a deli, and it's very, very cute, and it's

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<v Speaker 5>a woman director too. I think that one's lovely, not

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<v Speaker 5>a Hanuka movie, but a very lovely Jewish movie. I

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<v Speaker 5>honestly have a really problematic as hell, but I have

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<v Speaker 5>a really large soft spot in my heart for.

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<v Speaker 6>Hanka. Oh my god, sorry, pregnancy brain.

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<v Speaker 5>The big like Honega, like the juice ploitation type Honka

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<v Speaker 5>movie that came out with Adam.

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<v Speaker 4>Is it the Hebrew Hammer?

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<v Speaker 3>Yeah?

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<v Speaker 6>Yeah, my dad and I watched that all the time.

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<v Speaker 6>We love it.

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<v Speaker 5>Yeah, it's problematic as hell. It is supposed to be

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<v Speaker 5>like a black exploitation movie. But with Jews, and it's sexist.

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<v Speaker 5>I mean, it's like, got terrible problems with it, but

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<v Speaker 5>I find.

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<v Speaker 6>It very funny.

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<v Speaker 5>And the idea is that he has to save Hankah

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<v Speaker 5>again from some like evil kind of Christian fascist type

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<v Speaker 5>played by Andy Dick.

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<v Speaker 4>So yeah, I was like.

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<v Speaker 3>Yeah, this this this cast so Adam Goldberg, Judy Greer,

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<v Speaker 3>Andy Dick, Mario Van Peebles, Peter Coyote, I mean of

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<v Speaker 3>e t Fame, of et No No, of the Hebrew

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<v Speaker 3>Hammer fame.

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<v Speaker 2>Sorry, So yeah, that's a.

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<v Speaker 6>That's a fun one.

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<v Speaker 1>Yeah.

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<v Speaker 5>I'm not saying it's good. I want to stress it's

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<v Speaker 5>not good. It is fun, sure, Yeah, yeah, yeah.

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<v Speaker 2>What was the name of the dcom that we covered

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<v Speaker 2>a couple of years ago, Jamie, that's also about youth basketball.

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<v Speaker 2>It was called Full Court Miracle, right.

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<v Speaker 3>We had fay or Love on for that, And I

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<v Speaker 3>think at the time we discussed I mean, I am

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<v Speaker 3>not Jewish, and I grew up with such limited exposure

0:11:17.360 --> 0:11:20.480
<v Speaker 3>to Jewish culture because, as we've alluded to, I did

0:11:20.520 --> 0:11:23.040
<v Speaker 3>not grow up in a community where there were a

0:11:23.080 --> 0:11:25.760
<v Speaker 3>lot of Jewish people, and so I think my main

0:11:26.200 --> 0:11:30.920
<v Speaker 3>understanding of this holiday specifically would have been an episode

0:11:30.920 --> 0:11:33.520
<v Speaker 3>of Rugrats, and honestly.

0:11:33.120 --> 0:11:36.000
<v Speaker 6>That pretty accurate. I would say I grew that.

0:11:36.200 --> 0:11:37.480
<v Speaker 4>I was like, all right, yeah, that.

0:11:37.840 --> 0:11:39.680
<v Speaker 6>Gives you a good working knowledge of the basics of

0:11:39.679 --> 0:11:40.240
<v Speaker 6>the holiday.

0:11:41.040 --> 0:11:44.679
<v Speaker 5>What's weird is there's iconography in the movie vaguely that

0:11:44.760 --> 0:11:47.040
<v Speaker 5>relate to Hankah, but like, you never see him. I

0:11:47.040 --> 0:11:49.640
<v Speaker 5>don't think lighting a manora or doing like none of

0:11:49.640 --> 0:11:52.920
<v Speaker 5>the characters are doing Honkkah right, unless I'm misremembering.

0:11:53.600 --> 0:11:53.840
<v Speaker 4>No.

0:11:54.280 --> 0:11:58.280
<v Speaker 8>I also was a little bit confused at like at

0:11:58.280 --> 0:12:01.000
<v Speaker 8>the beginning, I'm like, maybe, honestly, I found it very

0:12:01.040 --> 0:12:03.000
<v Speaker 8>hard to focus on this movie and I refuse to

0:12:03.000 --> 0:12:04.719
<v Speaker 8>watch it twice, so there may be And.

0:12:04.679 --> 0:12:07.480
<v Speaker 2>It's only eighty six minutes long, not even it's like

0:12:07.559 --> 0:12:08.880
<v Speaker 2>seventy six minutes long.

0:12:09.160 --> 0:12:12.400
<v Speaker 3>It definitely has like Master of Guy's syndrome, where it's

0:12:12.440 --> 0:12:17.800
<v Speaker 3>so short but it feels unbelievably long, grueling. Yeah, but there,

0:12:17.840 --> 0:12:23.520
<v Speaker 3>I think at the beginning, Whitey aka also Adam Sandler

0:12:24.040 --> 0:12:26.280
<v Speaker 3>says that he is not Jewish, but then by the

0:12:26.480 --> 0:12:30.360
<v Speaker 3>end they invite everyone over for Hanukkah, and I was like, wait,

0:12:30.840 --> 0:12:34.040
<v Speaker 3>didn't this start with this character stating he like he

0:12:34.120 --> 0:12:35.880
<v Speaker 3>doesn't celebrate Hanukkah.

0:12:35.679 --> 0:12:38.720
<v Speaker 2>Right, and then also, but is his sister not extremely

0:12:38.840 --> 0:12:43.280
<v Speaker 2>like Jewish coded Yes, in an offensive and stereotypical way. Yes,

0:12:43.960 --> 0:12:46.360
<v Speaker 2>but they're not a Jewish family, so you really just

0:12:46.440 --> 0:12:47.600
<v Speaker 2>wonder what's happening there.

0:12:48.040 --> 0:12:50.080
<v Speaker 3>So why did they go so far out of their

0:12:50.120 --> 0:12:52.720
<v Speaker 3>way to be like, these siblings are not Jewish, but

0:12:52.800 --> 0:12:54.880
<v Speaker 3>then by the end they are.

0:12:55.120 --> 0:12:57.440
<v Speaker 4>It was like, I don't know, this movie's a mess.

0:12:57.559 --> 0:12:59.000
<v Speaker 4>It's all ye, and.

0:12:58.880 --> 0:13:01.679
<v Speaker 5>I'll say I even at one point when they showed

0:13:01.679 --> 0:13:05.720
<v Speaker 5>the exter of Whitey and his sister's house, I've paused

0:13:05.760 --> 0:13:08.480
<v Speaker 5>it because you can see I think that there are

0:13:08.600 --> 0:13:11.840
<v Speaker 5>Christmas and Hanuka decorations just to add extra confusion, so

0:13:11.920 --> 0:13:14.320
<v Speaker 5>like they have a large amount of Christmas decorations and

0:13:14.360 --> 0:13:17.160
<v Speaker 5>also some Honica decorations too, Like I saw some blues

0:13:17.160 --> 0:13:17.719
<v Speaker 5>white in there.

0:13:18.120 --> 0:13:23.040
<v Speaker 3>Ultimately, this family is considering celebrating Hanukkah, and it's unclear why.

0:13:24.600 --> 0:13:28.599
<v Speaker 2>They just appreciate a whole cultures question.

0:13:28.320 --> 0:13:33.360
<v Speaker 4>Mark, Yeah, there, I mean unproblematic, simply duo.

0:13:34.600 --> 0:13:38.040
<v Speaker 2>So wait, Jamie, what's your history if any with this movie.

0:13:38.200 --> 0:13:41.120
<v Speaker 3>I hadn't seen it, I although I've heard it like

0:13:41.880 --> 0:13:46.040
<v Speaker 3>referenced so many times I've heard there's I don't know,

0:13:46.160 --> 0:13:48.480
<v Speaker 3>like I wouldn't have seen this, Like I was too

0:13:48.520 --> 0:13:50.200
<v Speaker 3>young to see this when it came out, but I

0:13:50.240 --> 0:13:54.440
<v Speaker 3>do remember like later on, just like boys doing impressions

0:13:54.440 --> 0:13:58.040
<v Speaker 3>of the Whitey character. I do have like probably around

0:13:58.080 --> 0:14:01.240
<v Speaker 3>the same like Borat impression era, just like a really

0:14:01.240 --> 0:14:03.920
<v Speaker 3>difficult time to be in middle school. But I mean

0:14:03.960 --> 0:14:05.640
<v Speaker 3>I guess that there's just so there's always going to

0:14:05.720 --> 0:14:08.880
<v Speaker 3>be an annoying, offensive character and middle school boys are

0:14:08.960 --> 0:14:11.640
<v Speaker 3>going to do an impression of it ad nauseum.

0:14:11.720 --> 0:14:14.360
<v Speaker 4>So I knew about Whitey weirdly.

0:14:14.679 --> 0:14:16.679
<v Speaker 3>And that is all I knew about this movie. I'd

0:14:16.720 --> 0:14:19.080
<v Speaker 3>never seen it before. What about you, Caitlin.

0:14:19.640 --> 0:14:21.640
<v Speaker 2>I did see it for the first time only like

0:14:21.760 --> 0:14:24.680
<v Speaker 2>probably two or three years ago. I don't know what

0:14:24.720 --> 0:14:28.120
<v Speaker 2>compelled me exactly to like it's time take it upon

0:14:28.120 --> 0:14:31.040
<v Speaker 2>myself to watch it, but I was just like shot

0:14:31.120 --> 0:14:32.080
<v Speaker 2>up in the middle of the night.

0:14:33.160 --> 0:14:34.720
<v Speaker 4>Yeah, I must do this.

0:14:35.480 --> 0:14:38.440
<v Speaker 2>I mean, we've been talking about potentially covering this movie

0:14:38.520 --> 0:14:40.960
<v Speaker 2>on the podcast for years because around this time we

0:14:41.040 --> 0:14:45.880
<v Speaker 2>almost always do like a very Christian centric Christmas movie

0:14:45.920 --> 0:14:50.160
<v Speaker 2>slate of movies, and we were like, let's diversify the

0:14:50.240 --> 0:14:53.160
<v Speaker 2>slate of movies. So because this is one of the

0:14:53.400 --> 0:14:59.280
<v Speaker 2>few mainstream, you know, Hollywood movies that centers Hanukkah or

0:14:59.520 --> 0:15:02.840
<v Speaker 2>that at least has Honkah as a backdrop, because this

0:15:02.920 --> 0:15:05.920
<v Speaker 2>movie is kind of not about Honkah at all, that

0:15:06.000 --> 0:15:08.120
<v Speaker 2>I was like, Oh, I should watch this. I've heard

0:15:08.160 --> 0:15:11.800
<v Speaker 2>about it. And at the time, because we were well

0:15:11.800 --> 0:15:15.480
<v Speaker 2>into doing the Bechdel Cast, I was like, oh, this

0:15:15.520 --> 0:15:17.760
<v Speaker 2>is one of the most problematic movies I've ever seen.

0:15:18.880 --> 0:15:22.560
<v Speaker 2>It's not funny at all, not a single joke lands.

0:15:22.560 --> 0:15:26.320
<v Speaker 2>And I know that comedy is subjective, but this movie is,

0:15:26.360 --> 0:15:31.840
<v Speaker 2>I would say, objectively not even remotely funny. So I

0:15:31.880 --> 0:15:35.160
<v Speaker 2>was like, gross, But it'll make for a good conversation

0:15:35.240 --> 0:15:37.960
<v Speaker 2>when we inevitably cover it. And here we are doing

0:15:38.080 --> 0:15:43.840
<v Speaker 2>just that, and I can't wait to really just do

0:15:44.040 --> 0:15:49.120
<v Speaker 2>us a slam dunk to use some basketball terminology to

0:15:49.280 --> 0:15:50.240
<v Speaker 2>dunk on the movie.

0:15:50.600 --> 0:15:51.720
<v Speaker 4>Wow, incredible.

0:15:52.280 --> 0:15:56.440
<v Speaker 3>And also the animation sucks. Sorry, Like I said, the

0:15:57.640 --> 0:16:02.320
<v Speaker 3>like sync between the mouth and the the vocal performances.

0:16:01.720 --> 0:16:03.240
<v Speaker 4>Is never SINGCD.

0:16:03.680 --> 0:16:05.800
<v Speaker 3>And then there is something I kind of like. I

0:16:05.880 --> 0:16:07.680
<v Speaker 3>was bothered by it at first, but then I kind

0:16:07.680 --> 0:16:08.400
<v Speaker 3>of grew to like it.

0:16:08.440 --> 0:16:08.920
<v Speaker 4>Over time.

0:16:09.240 --> 0:16:12.640
<v Speaker 3>Anytime there's a group like a wide shot of everyone singing,

0:16:12.680 --> 0:16:14.920
<v Speaker 3>no one's mouth this movie, I think they like were

0:16:14.920 --> 0:16:15.680
<v Speaker 3>not able to.

0:16:15.800 --> 0:16:19.280
<v Speaker 4>Like afford to make everyone sing.

0:16:19.560 --> 0:16:22.120
<v Speaker 3>But it's just like you hear, especially like that big

0:16:22.200 --> 0:16:24.520
<v Speaker 3>number towards the end and they pull out, it's like

0:16:24.560 --> 0:16:27.840
<v Speaker 3>the whole community center singing and dancing. Everyone's mouth is

0:16:28.120 --> 0:16:32.960
<v Speaker 3>totally shut like like it's I found it scary at first,

0:16:33.000 --> 0:16:35.400
<v Speaker 3>and then they do it again in the end end

0:16:35.480 --> 0:16:38.200
<v Speaker 3>scene at the mall. Still couldn't afford to open the mouths.

0:16:38.840 --> 0:16:41.520
<v Speaker 3>Why make it a group scene if that is you know,

0:16:41.640 --> 0:16:42.840
<v Speaker 3>it doesn't matter, It doesn't matter.

0:16:43.360 --> 0:16:44.240
<v Speaker 4>It's a perfect movie.

0:16:44.480 --> 0:16:47.400
<v Speaker 6>No, that's.

0:16:48.280 --> 0:16:48.400
<v Speaker 3>No.

0:16:48.640 --> 0:16:50.560
<v Speaker 5>I think that I do at some point want to

0:16:50.560 --> 0:16:52.800
<v Speaker 5>talk about the music from it because like some of

0:16:52.880 --> 0:16:57.320
<v Speaker 5>us talking are very musical theater kids at our hearts,

0:16:57.400 --> 0:17:00.640
<v Speaker 5>and like the music is so bad it's like hurt

0:17:00.680 --> 0:17:03.440
<v Speaker 5>my I was like, this isn't how music, Like, like

0:17:03.520 --> 0:17:05.600
<v Speaker 5>I understand they're supposed to be funny and the songs

0:17:05.600 --> 0:17:08.320
<v Speaker 5>are funny, like I'm not I did not get that part,

0:17:08.760 --> 0:17:11.440
<v Speaker 5>but right it just like like to me, I was.

0:17:11.400 --> 0:17:12.359
<v Speaker 6>Like, but this is it.

0:17:12.440 --> 0:17:14.680
<v Speaker 5>Like when you think about an animated movie that has

0:17:14.800 --> 0:17:17.760
<v Speaker 5>music or musical or something else that where people sing

0:17:18.119 --> 0:17:20.760
<v Speaker 5>like none of the there weren't reasons for them to sing.

0:17:20.800 --> 0:17:22.520
<v Speaker 5>He was just like, I guess the musical number will

0:17:22.560 --> 0:17:24.480
<v Speaker 5>go here, and then another one will go here, and

0:17:24.560 --> 0:17:27.719
<v Speaker 5>like they just don't function well as musical numbers.

0:17:27.720 --> 0:17:30.359
<v Speaker 6>And that was, yeah, honestly very stressful for me.

0:17:30.680 --> 0:17:31.720
<v Speaker 4>Why technical.

0:17:31.840 --> 0:17:34.639
<v Speaker 3>I think it was the song technical foul that broke me.

0:17:34.800 --> 0:17:37.480
<v Speaker 3>Oh my gosh, where and it was stuck in my head.

0:17:37.680 --> 0:17:40.040
<v Speaker 3>That's why I had to go see Wicked immediately after,

0:17:40.119 --> 0:17:42.679
<v Speaker 3>because I was like, I can't go to sleep, but that's.

0:17:42.400 --> 0:17:47.040
<v Speaker 4>A technical foul, like stuck in my head. That song was.

0:17:47.280 --> 0:17:49.240
<v Speaker 3>I mean, none of the songs are really necessary, but

0:17:49.280 --> 0:17:51.840
<v Speaker 3>that one just comes out of nowhere. It's so long

0:17:52.280 --> 0:17:55.040
<v Speaker 3>and has nothing to do with anything. The best song

0:17:55.080 --> 0:17:58.159
<v Speaker 3>in the movie is a decade old song they use

0:17:58.200 --> 0:18:01.040
<v Speaker 3>in the credits, the Honka song Like, which is also

0:18:01.200 --> 0:18:04.600
<v Speaker 3>clearly why the movie exists, because the line eight crazy

0:18:04.680 --> 0:18:07.240
<v Speaker 3>nights appears in the song and it's a classic.

0:18:07.320 --> 0:18:08.200
<v Speaker 4>It's super funny.

0:18:08.280 --> 0:18:11.639
<v Speaker 3>Like Adam Sandler does is not He's not one of

0:18:11.680 --> 0:18:16.000
<v Speaker 3>my guys, but I get why people like him. When

0:18:16.040 --> 0:18:18.240
<v Speaker 3>I listen to the Hankkah song. I don't get why

0:18:18.280 --> 0:18:20.560
<v Speaker 3>people like him. When I watch Eight Crazy.

0:18:20.400 --> 0:18:22.879
<v Speaker 5>Nights, do you know that the big joke among at

0:18:22.960 --> 0:18:25.159
<v Speaker 5>least someone of my friends and family about the Hanka

0:18:25.280 --> 0:18:28.360
<v Speaker 5>song is just like our whole family would.

0:18:28.200 --> 0:18:31.120
<v Speaker 6>Just go, I mean, Adam, what are you doing? Why

0:18:31.160 --> 0:18:33.000
<v Speaker 6>are you just giving people a list of Jews?

0:18:33.040 --> 0:18:35.600
<v Speaker 5>Nobody needs that that secret like, don't make a list

0:18:35.640 --> 0:18:41.359
<v Speaker 5>of us, It's not safe. And yeah, I would have

0:18:41.600 --> 0:18:44.480
<v Speaker 5>actually kind of enjoyed a movie if it featured eight

0:18:44.520 --> 0:18:47.000
<v Speaker 5>Crazy Nights and eat Crazy Night or like sorry, if

0:18:47.040 --> 0:18:48.959
<v Speaker 5>the the Hanka song had been like a part of

0:18:49.000 --> 0:18:50.240
<v Speaker 5>the story.

0:18:49.800 --> 0:18:50.360
<v Speaker 6>In some way.

0:18:50.440 --> 0:18:53.239
<v Speaker 4>Why not? Really, yeah, why just do that?

0:18:53.280 --> 0:18:55.000
<v Speaker 6>I would have had fun with that. You know, that

0:18:55.000 --> 0:18:56.679
<v Speaker 6>would have been a really enjoyable movie.

0:18:56.720 --> 0:19:00.880
<v Speaker 2>Maybe maybe, Well, let's take a quick break and then

0:19:01.040 --> 0:19:05.240
<v Speaker 2>we will come back and do the recap of this

0:19:05.640 --> 0:19:08.280
<v Speaker 2>seventy six minute long feature film.

0:19:08.920 --> 0:19:21.640
<v Speaker 4>Bear it back and we're back, and we're back.

0:19:21.720 --> 0:19:24.959
<v Speaker 3>Yes, this does have another feature of a movie that

0:19:25.080 --> 0:19:27.800
<v Speaker 3>just couldn't make it to feature length, which is that

0:19:27.920 --> 0:19:30.640
<v Speaker 3>it also has an incredibly long credit sequence.

0:19:30.720 --> 0:19:32.760
<v Speaker 4>So it looks like it's eighty minutes long, but it

0:19:32.840 --> 0:19:33.160
<v Speaker 4>is not.

0:19:33.680 --> 0:19:37.720
<v Speaker 3>It just they play the Hanakah song all the way through,

0:19:38.400 --> 0:19:41.480
<v Speaker 3>but it's like a new improvised version, so it's like

0:19:41.560 --> 0:19:42.440
<v Speaker 3>six minutes long.

0:19:42.760 --> 0:19:44.480
<v Speaker 2>As soon as you get the title card where it's

0:19:44.520 --> 0:19:46.920
<v Speaker 2>like directed bye blah blah blah, I turned it off.

0:19:46.960 --> 0:19:49.920
<v Speaker 2>I couldn't listen to another second, so I missed that

0:19:50.080 --> 0:19:55.320
<v Speaker 2>the whole credit song, unfortunately, but oh no, it would

0:19:55.359 --> 0:20:02.120
<v Speaker 2>darn it missed it. Okay, So here's the recap. We

0:20:02.240 --> 0:20:07.959
<v Speaker 2>open on voiceover narration from Rob Schneider. And if that

0:20:08.440 --> 0:20:10.800
<v Speaker 2>doesn't tell you everything you need to know right at

0:20:10.800 --> 0:20:12.240
<v Speaker 2>the top, I.

0:20:12.119 --> 0:20:13.840
<v Speaker 4>Just also the narrator.

0:20:13.920 --> 0:20:15.800
<v Speaker 3>I know that they're trying to like do like a

0:20:15.840 --> 0:20:19.439
<v Speaker 3>holiday movie pastige there, but also anytime the narrator talks,

0:20:19.480 --> 0:20:21.639
<v Speaker 3>it just makes it sound like the movie is insecure,

0:20:21.680 --> 0:20:23.680
<v Speaker 3>that you don't understand what's happening.

0:20:24.280 --> 0:20:25.840
<v Speaker 4>You're like, I know, I got it.

0:20:25.920 --> 0:20:29.360
<v Speaker 3>I know he's walking around, and then cut to Rob

0:20:29.359 --> 0:20:33.919
<v Speaker 3>Schneider doing an offensive accent. Yes, first spoken line of

0:20:33.960 --> 0:20:35.560
<v Speaker 3>dialogue is Rob Schneider.

0:20:35.600 --> 0:20:38.800
<v Speaker 5>This movie is so firmly rooted in two thousand and two,

0:20:39.760 --> 0:20:43.760
<v Speaker 5>like in particular with the racism, the offensiveness, the weight jokes,

0:20:43.760 --> 0:20:45.040
<v Speaker 5>the joke. We'll get to all of that, but like

0:20:45.480 --> 0:20:47.360
<v Speaker 5>you when you open, when the movie opens with Rob

0:20:47.359 --> 0:20:50.679
<v Speaker 5>Schneider doing something offensive, you're like, it's really two thousand

0:20:50.680 --> 0:20:51.160
<v Speaker 5>and two.

0:20:51.040 --> 0:20:53.240
<v Speaker 4>In here, it stinks in here.

0:20:53.480 --> 0:20:56.280
<v Speaker 3>It's wild that this is like this is also this

0:20:56.359 --> 0:21:00.640
<v Speaker 3>is the same year as my favorite Adam Sandler performance

0:21:00.880 --> 0:21:05.080
<v Speaker 3>in Punch Drunk Love. Oh yeah, and then he just

0:21:05.160 --> 0:21:09.520
<v Speaker 3>had to end the year like this, no accounting.

0:21:09.040 --> 0:21:12.359
<v Speaker 2>For it, you know. He he has range from something

0:21:12.400 --> 0:21:14.520
<v Speaker 2>that's pretty good to something that's really.

0:21:14.320 --> 0:21:15.960
<v Speaker 4>Fucking terrible, too horrible.

0:21:16.359 --> 0:21:21.280
<v Speaker 2>Yeah, yeah, okay. So the voiceover is explaining that Christmas

0:21:21.320 --> 0:21:23.800
<v Speaker 2>is right around the corner and that tonight is the

0:21:23.800 --> 0:21:27.440
<v Speaker 2>first night of Hanukkah, although some people aren't excited about

0:21:27.480 --> 0:21:32.479
<v Speaker 2>the holidays, including a man named Davy Stone. This is

0:21:32.600 --> 0:21:37.800
<v Speaker 2>the main Adam Sandler character who is designed to look

0:21:37.960 --> 0:21:39.960
<v Speaker 2>like Adam Sandler. Yes, very much.

0:21:40.000 --> 0:21:42.600
<v Speaker 3>I will be calling him Adam Sandler. I can't be

0:21:42.640 --> 0:21:44.560
<v Speaker 3>bothered to call him daddy.

0:21:46.119 --> 0:21:49.960
<v Speaker 2>So he is a down on his luck guy. He's

0:21:49.960 --> 0:21:54.000
<v Speaker 2>at a Chinese restaurant getting drunk. He leaves without paying,

0:21:54.200 --> 0:21:58.640
<v Speaker 2>so the cops start chasing him, but not before he

0:21:58.760 --> 0:22:02.800
<v Speaker 2>drunkenly makes with his car. For some reason.

0:22:03.040 --> 0:22:05.080
<v Speaker 5>That is a note on my many list of things

0:22:05.160 --> 0:22:07.840
<v Speaker 5>I don't like. I just said, do not like him

0:22:07.880 --> 0:22:10.640
<v Speaker 5>making out with his car at all? Not a good

0:22:10.720 --> 0:22:14.080
<v Speaker 5>joke comment not good bad.

0:22:14.000 --> 0:22:17.119
<v Speaker 3>Is well, you're you're correct, it is not good and

0:22:17.200 --> 0:22:21.560
<v Speaker 3>it doesn't even crack the top fifty percentile of bad,

0:22:21.640 --> 0:22:22.879
<v Speaker 3>which is which is wild.

0:22:23.240 --> 0:22:23.520
<v Speaker 6>Yeah.

0:22:23.880 --> 0:22:28.840
<v Speaker 2>So then he starts like snowboarding around town on the

0:22:28.880 --> 0:22:33.320
<v Speaker 2>lid of a trash can or something. He's singing a song, Oh.

0:22:33.200 --> 0:22:36.560
<v Speaker 3>My God, and the songs are even the song's titles

0:22:36.600 --> 0:22:40.359
<v Speaker 3>are lazy. Davy's song is the first song, and he's like,

0:22:40.640 --> 0:22:45.600
<v Speaker 3>I don't like Hanukkah or Christmas. I don't like this

0:22:45.760 --> 0:22:48.600
<v Speaker 3>time of year. And you're like, oh, all right, this

0:22:48.880 --> 0:22:50.320
<v Speaker 3>thinks I don't like it.

0:22:50.600 --> 0:22:51.560
<v Speaker 4>Yeah, that's the whole song.

0:22:51.680 --> 0:22:55.560
<v Speaker 2>The chorus is I hate love, I hate you, I

0:22:55.640 --> 0:22:59.160
<v Speaker 2>hate me, and you're like, cool, go to therapy, sir.

0:22:59.640 --> 0:23:02.480
<v Speaker 3>There's I mean, it's like there, that is a reasonable

0:23:02.520 --> 0:23:05.680
<v Speaker 3>starting point. I mean, he's like, he's scrooging around. Okay,

0:23:06.280 --> 0:23:08.600
<v Speaker 3>but what is this going to build to? And the

0:23:08.640 --> 0:23:10.600
<v Speaker 3>answer is not very much.

0:23:11.080 --> 0:23:13.280
<v Speaker 5>I do want to know in the opening bits, and

0:23:13.320 --> 0:23:15.439
<v Speaker 5>this is something that I noticed when I moved to

0:23:15.480 --> 0:23:19.440
<v Speaker 5>New England, is that they had this the Ice Santa

0:23:19.480 --> 0:23:22.359
<v Speaker 5>and the Ice Manora side by side, and they are

0:23:22.600 --> 0:23:25.640
<v Speaker 5>of equal height and of equal importance in this town

0:23:25.720 --> 0:23:31.480
<v Speaker 5>that supposedly of Jewish people, right, Yeah, the percentage of

0:23:31.720 --> 0:23:34.600
<v Speaker 5>the percentage of the Jewish population in New Hampshire is

0:23:34.800 --> 0:23:36.320
<v Speaker 5>around zero point eight percent.

0:23:36.440 --> 0:23:39.000
<v Speaker 6>So I don't think I googled it after living because

0:23:39.000 --> 0:23:39.720
<v Speaker 6>it's eight.

0:23:40.840 --> 0:23:43.480
<v Speaker 5>Yeah, it's small, and I think there's like a few

0:23:43.520 --> 0:23:45.680
<v Speaker 5>towns that have like concentrations, but it's not like there's

0:23:45.720 --> 0:23:47.800
<v Speaker 5>a huge you know, So it doesn't make sense to

0:23:47.880 --> 0:23:50.400
<v Speaker 5>Jamie's point earlier to have it set in New Hampshire.

0:23:50.720 --> 0:23:53.760
<v Speaker 6>But also my point is living.

0:23:53.560 --> 0:23:56.639
<v Speaker 5>In New England, it's very rare to see Honeka be

0:23:56.760 --> 0:24:01.040
<v Speaker 5>treated with the same level of decorative important as Christmas.

0:24:01.119 --> 0:24:03.560
<v Speaker 5>And I just like straight from the beginning, I was like, well,

0:24:03.560 --> 0:24:06.680
<v Speaker 5>that doesn't feel right to me. Like the last like

0:24:06.680 --> 0:24:10.399
<v Speaker 5>like I right, my husband and I went to a

0:24:10.600 --> 0:24:12.840
<v Speaker 5>mall and the whole you walk into the mall and

0:24:12.840 --> 0:24:15.159
<v Speaker 5>the whole entryway is all Christmas stuff And then we

0:24:15.200 --> 0:24:17.640
<v Speaker 5>walked like down the side to the area that had

0:24:17.640 --> 0:24:19.919
<v Speaker 5>actually there was like they were renovating it and it

0:24:19.960 --> 0:24:21.760
<v Speaker 5>was ripped off with caution tape and there was like

0:24:21.840 --> 0:24:26.040
<v Speaker 5>one small manora of side over there, like that's that's

0:24:26.119 --> 0:24:28.480
<v Speaker 5>kind of how we expect honna going to be treated

0:24:28.560 --> 0:24:30.840
<v Speaker 5>in places where there are not a lot of Jews, right,

0:24:30.880 --> 0:24:31.879
<v Speaker 5>It's not the main focus.

0:24:31.920 --> 0:24:34.440
<v Speaker 6>So it just felt so not accurate.

0:24:34.720 --> 0:24:37.479
<v Speaker 5>Like right from the beginning, I'm like, ad a buddy, like,

0:24:37.600 --> 0:24:40.679
<v Speaker 5>what what are you doing? This isn't how this is

0:24:40.720 --> 0:24:43.600
<v Speaker 5>not an authentic to me anyway, based on my experience

0:24:43.600 --> 0:24:46.120
<v Speaker 5>and how I experienced a hanika.

0:24:45.640 --> 0:24:49.160
<v Speaker 6>In New England or outside of a major metropolis.

0:24:49.280 --> 0:24:51.919
<v Speaker 3>I was very confused at the choice to set it

0:24:52.080 --> 0:24:54.920
<v Speaker 3>in New England if they were not going to make

0:24:54.960 --> 0:24:58.760
<v Speaker 3>it a point that like Christmas is so dominant in

0:24:59.000 --> 0:25:01.840
<v Speaker 3>New England and like have that be sort of like

0:25:02.240 --> 0:25:04.760
<v Speaker 3>a plot point or something that's referenced in more than

0:25:04.760 --> 0:25:06.879
<v Speaker 3>a couple of passing jokes. But it just feels like

0:25:06.960 --> 0:25:10.320
<v Speaker 3>an excuse for the movie to not actually be about Hanakah.

0:25:10.320 --> 0:25:13.600
<v Speaker 4>It's really bizarre. I was like, what is this movie about?

0:25:13.800 --> 0:25:16.359
<v Speaker 6>Is Adam Sandler? Is he from New England? Is that

0:25:16.400 --> 0:25:18.359
<v Speaker 6>I'm kind of guessing he's from New York?

0:25:19.080 --> 0:25:21.600
<v Speaker 5>Okay, I just assumed he was, Like, let's just set

0:25:21.600 --> 0:25:23.120
<v Speaker 5>it up in New England for the.

0:25:23.080 --> 0:25:23.439
<v Speaker 6>Hell of it.

0:25:23.520 --> 0:25:25.840
<v Speaker 3>Oh, I guess he moved to Manchester when he was

0:25:25.880 --> 0:25:28.560
<v Speaker 3>a kid. Okay, Okay, so he did go to high

0:25:28.560 --> 0:25:32.920
<v Speaker 3>school in New Hampshire. I guess that explains New Hampshire

0:25:32.960 --> 0:25:33.720
<v Speaker 3>at least.

0:25:33.920 --> 0:25:38.480
<v Speaker 2>Right, Yeah, but the like vibe seems very off. As

0:25:38.520 --> 0:25:42.560
<v Speaker 2>you said, Alex, in any case, he's snowboarding around, he's

0:25:42.600 --> 0:25:45.560
<v Speaker 2>singing about how he hates everybody, and he's just being

0:25:45.720 --> 0:25:51.280
<v Speaker 2>cruel and awful to everyone he encounters. And like you said, Jamie, like, sure,

0:25:51.320 --> 0:25:55.800
<v Speaker 2>if he's like a gringe type, fine place for a

0:25:55.880 --> 0:25:59.640
<v Speaker 2>character to start, assuming he'll have an arc. But they

0:25:59.680 --> 0:26:03.119
<v Speaker 2>like went way too far in that direction of just

0:26:03.160 --> 0:26:06.119
<v Speaker 2>being so horrible that he is like irredeemable.

0:26:06.480 --> 0:26:09.560
<v Speaker 5>I think I couldn't find myself rooting for him. No,

0:26:10.240 --> 0:26:11.560
<v Speaker 5>in anyway I.

0:26:11.520 --> 0:26:13.960
<v Speaker 3>Felt that, especially the second we meet Jennifer, I'm like,

0:26:14.040 --> 0:26:16.360
<v Speaker 3>I can't believe she has to end up with this guy.

0:26:16.560 --> 0:26:20.560
<v Speaker 4>This is so unfair to her, like I know this

0:26:20.680 --> 0:26:23.280
<v Speaker 4>is the only woman. And also I mean, we'll get

0:26:23.320 --> 0:26:24.840
<v Speaker 4>to it, but just the animation style.

0:26:25.240 --> 0:26:28.600
<v Speaker 3>We talked about this a lot in animated movies in general,

0:26:28.640 --> 0:26:32.720
<v Speaker 3>but just how like the tropes in how women are animated,

0:26:32.880 --> 0:26:36.240
<v Speaker 3>and then the love interest just looks like a hot lady.

0:26:36.560 --> 0:26:39.440
<v Speaker 3>You're just like And then any woman who the Adam

0:26:39.480 --> 0:26:42.760
<v Speaker 3>Sandler character doesn't want to have sex with is designed

0:26:43.200 --> 0:26:47.760
<v Speaker 3>so wildly differently, so like offensive that the lady with three.

0:26:47.640 --> 0:26:51.240
<v Speaker 4>Boobs, I'm like, what are what is? What is that?

0:26:51.920 --> 0:26:54.439
<v Speaker 3>And she comes out of nowhere in nax and I

0:26:54.560 --> 0:26:58.919
<v Speaker 3>was like, wait, we haven't met this character before. She

0:26:59.040 --> 0:27:00.840
<v Speaker 3>shows up so late in the movie.

0:27:00.920 --> 0:27:01.720
<v Speaker 4>She's like, here's me.

0:27:02.320 --> 0:27:03.480
<v Speaker 9>I was like, what is this?

0:27:03.840 --> 0:27:07.480
<v Speaker 2>She is established early on, but like for what reason?

0:27:07.560 --> 0:27:12.720
<v Speaker 2>It's it's so annoying anyway. So he's being awful to everyone,

0:27:12.840 --> 0:27:15.760
<v Speaker 2>and then he gets arrested and goes before a judge

0:27:15.800 --> 0:27:18.600
<v Speaker 2>who is about to give him a harsh sentence because

0:27:18.600 --> 0:27:21.040
<v Speaker 2>he has a history of like just being awful and

0:27:21.080 --> 0:27:25.439
<v Speaker 2>disruptive in the community. But then a man named Whitey

0:27:25.520 --> 0:27:29.640
<v Speaker 2>Duval who is also voiced by Adam Sandler, is this a.

0:27:29.600 --> 0:27:30.680
<v Speaker 4>Whitey Bulger joke?

0:27:30.880 --> 0:27:30.960
<v Speaker 7>Like?

0:27:31.080 --> 0:27:32.160
<v Speaker 4>What? What?

0:27:33.440 --> 0:27:34.320
<v Speaker 2>I don't I don't know.

0:27:34.960 --> 0:27:38.119
<v Speaker 4>If so, it doesn't make sense.

0:27:38.200 --> 0:27:42.320
<v Speaker 2>It doesn't make sense. He interjects and suggests that Davy

0:27:42.400 --> 0:27:47.040
<v Speaker 2>do community service in the form of helping Whitey referee

0:27:47.080 --> 0:27:51.680
<v Speaker 2>youth basketball games. That's because that's gonna set him straight.

0:27:52.119 --> 0:27:55.439
<v Speaker 3>That's a that's a hefty dose of white privilege right

0:27:55.520 --> 0:27:58.240
<v Speaker 3>at right at the top where it's like, oh, you've

0:27:58.280 --> 0:28:03.640
<v Speaker 3>been sentenced to not even community service, you've been sentenced

0:28:03.680 --> 0:28:06.520
<v Speaker 3>to a part time job, right like he got a

0:28:06.640 --> 0:28:10.840
<v Speaker 3>job out of almost getting a dy Yes.

0:28:11.000 --> 0:28:16.280
<v Speaker 2>And then Davy reluctantly agrees to this after saying a

0:28:16.400 --> 0:28:22.280
<v Speaker 2>whole string of very ablest things to Whitey. But he's like, fine,

0:28:22.359 --> 0:28:24.520
<v Speaker 2>I'll do it because otherwise he's going to be sentenced

0:28:24.520 --> 0:28:27.399
<v Speaker 2>to like ten years in prison. So he's like, I

0:28:27.440 --> 0:28:30.280
<v Speaker 2>guess i'll referee youth basketball instead ten.

0:28:30.240 --> 0:28:33.520
<v Speaker 4>Years in prison, or we'll give you a job. I'm like, uh,

0:28:33.560 --> 0:28:36.280
<v Speaker 4>huh huh. Justice system makes sense.

0:28:36.600 --> 0:28:40.719
<v Speaker 2>And meanwhile, there's a subplot where Whitey is hoping to

0:28:41.120 --> 0:28:45.360
<v Speaker 2>win the All Star patch at the youth league basketball

0:28:45.520 --> 0:28:46.800
<v Speaker 2>banquet that's coming up.

0:28:46.960 --> 0:28:49.760
<v Speaker 3>I will say I was I was a little invested

0:28:49.800 --> 0:28:52.440
<v Speaker 3>in the patch. I wanted him to get the patch

0:28:52.760 --> 0:28:56.600
<v Speaker 3>that makes one of us because I didn't give a shit.

0:28:56.760 --> 0:28:58.040
<v Speaker 4>Now I was rooting for him.

0:28:58.880 --> 0:29:01.920
<v Speaker 5>I think it like Jamie is saying, there's a movie

0:29:01.920 --> 0:29:05.000
<v Speaker 5>that appears to like middle school boys, and then they

0:29:05.040 --> 0:29:07.480
<v Speaker 5>do the voice, and like, the Whitey voice just made

0:29:07.560 --> 0:29:10.440
<v Speaker 5>me like physically tends up because I was like, oh,

0:29:10.480 --> 0:29:13.120
<v Speaker 5>it's every boy from my middle school. It just like

0:29:13.240 --> 0:29:15.760
<v Speaker 5>as you just that, it just brought it all back,

0:29:15.800 --> 0:29:16.840
<v Speaker 5>and I just couldn't.

0:29:16.880 --> 0:29:18.520
<v Speaker 6>I couldn't support Whitey because of that.

0:29:18.800 --> 0:29:21.120
<v Speaker 4>Yeah, I totally understand. I don't know.

0:29:21.200 --> 0:29:24.080
<v Speaker 3>I mean, I I he's the only character that I mean,

0:29:24.120 --> 0:29:27.040
<v Speaker 3>he's just so abused when he's put in the in

0:29:27.080 --> 0:29:28.480
<v Speaker 3>the shit statue.

0:29:28.840 --> 0:29:32.720
<v Speaker 2>Oh, he is a sympathetic character. Yeah, because you feel

0:29:32.760 --> 0:29:35.560
<v Speaker 2>sorry for him, you feel pretty for it. We'll talk

0:29:35.600 --> 0:29:36.160
<v Speaker 2>all about it.

0:29:36.200 --> 0:29:38.160
<v Speaker 3>But yeah, I mean, I'm not gonna I'm not like,

0:29:38.440 --> 0:29:41.600
<v Speaker 3>why don't you guys like Whitey. I understand, I understand.

0:29:41.720 --> 0:29:43.760
<v Speaker 3>I just wanted him to get the patch. I mean,

0:29:43.800 --> 0:29:47.520
<v Speaker 3>he gets spoiler or he gets five of them.

0:29:48.840 --> 0:29:53.520
<v Speaker 2>Yeah. Okay. So it's the first basketball game that Davy

0:29:53.880 --> 0:29:56.960
<v Speaker 2>is meant to be refereeing, but he's not really doing

0:29:57.000 --> 0:30:02.760
<v Speaker 2>his job. He then makes another string of extremely fat

0:30:02.760 --> 0:30:05.840
<v Speaker 2>phobic remarks to one of the players on one of

0:30:05.840 --> 0:30:10.640
<v Speaker 2>the teams, and the game ends and Whitey is upset

0:30:10.800 --> 0:30:14.840
<v Speaker 2>about the way Davy is treating people, so he takes

0:30:14.960 --> 0:30:15.960
<v Speaker 2>Davy to the mall.

0:30:16.600 --> 0:30:19.200
<v Speaker 3>Maybe that's why I like Whitey. I like going to

0:30:19.240 --> 0:30:21.640
<v Speaker 3>the mall because he I find it comforting.

0:30:21.240 --> 0:30:23.840
<v Speaker 2>To the going to the dunkin Donuts in the mall.

0:30:24.040 --> 0:30:28.200
<v Speaker 3>Yeah, I'm doing that too. I'm hitting up the dunks

0:30:28.200 --> 0:30:30.960
<v Speaker 3>at the Glendell Gallery. I'm unknown entity there. So maybe

0:30:31.000 --> 0:30:32.080
<v Speaker 3>that's why I connect with him.

0:30:32.120 --> 0:30:33.200
<v Speaker 2>I don't know, I understand.

0:30:33.280 --> 0:30:36.520
<v Speaker 4>Yeah, that's a technical file. It's sucking my head again

0:30:38.280 --> 0:30:40.640
<v Speaker 4>much anyway.

0:30:40.680 --> 0:30:45.240
<v Speaker 2>So Whitey is teaching Davy a lesson at the mall,

0:30:45.360 --> 0:30:48.560
<v Speaker 2>of course, and he's telling Davy he needs to be

0:30:48.600 --> 0:30:54.400
<v Speaker 2>more respectful. And there a woman named Jennifer Friedman who

0:30:54.560 --> 0:30:59.480
<v Speaker 2>is voiced by Jackie Sandler aka Adam Sandler's his wife.

0:30:59.680 --> 0:31:01.480
<v Speaker 2>Although I don't think they were married at the time.

0:31:01.720 --> 0:31:03.480
<v Speaker 2>I don't know if this is how they met or what,

0:31:03.560 --> 0:31:06.360
<v Speaker 2>but this is pre their marriage, I believe.

0:31:06.920 --> 0:31:11.640
<v Speaker 4>Interesting. Yes, I did not realize that it's true.

0:31:12.080 --> 0:31:15.320
<v Speaker 3>That is baffling that you could fall in love during

0:31:15.320 --> 0:31:17.720
<v Speaker 3>the production of this movie.

0:31:18.560 --> 0:31:18.840
<v Speaker 2>Yeah.

0:31:18.920 --> 0:31:20.360
<v Speaker 4>Yeah, they got married the next.

0:31:20.160 --> 0:31:21.920
<v Speaker 3>Year, So I feel like it's kind of safe to

0:31:21.960 --> 0:31:26.320
<v Speaker 3>say that eight Crazy Nights, I mean, something good came

0:31:26.360 --> 0:31:26.760
<v Speaker 3>out of it.

0:31:26.800 --> 0:31:30.920
<v Speaker 2>So they brought them together there good for them anyway.

0:31:31.000 --> 0:31:35.520
<v Speaker 2>So Jennifer and her son Benjamin are there at the

0:31:35.560 --> 0:31:39.000
<v Speaker 2>mall because I believe she works at Dunkin Donuts. She detonomically.

0:31:39.600 --> 0:31:42.680
<v Speaker 3>I looked into it because I Caitlin, as you know,

0:31:42.800 --> 0:31:45.400
<v Speaker 3>I love keeping track of product placement. There is so

0:31:45.560 --> 0:31:48.200
<v Speaker 3>much of this. What I learned though, is that they

0:31:48.240 --> 0:31:50.680
<v Speaker 3>got permission for none of it. None of it, well

0:31:50.720 --> 0:31:53.880
<v Speaker 3>none of it, so there's not even a reason for it, Like,

0:31:54.160 --> 0:31:57.120
<v Speaker 3>but you've got which because at first, when Whitey was

0:31:57.160 --> 0:32:00.400
<v Speaker 3>showing Adam Sandler every store at the mall, first reason,

0:32:00.440 --> 0:32:01.720
<v Speaker 3>I was like, oh, this must have been how they

0:32:01.800 --> 0:32:04.240
<v Speaker 3>funded the movie, right with this product life. It turns

0:32:04.240 --> 0:32:06.200
<v Speaker 3>out they were just doing that for no reason at all.

0:32:06.600 --> 0:32:12.680
<v Speaker 3>Sharper Image, Body Shop, GNC, Tyrax, Spencer's Sabarro, Dunks Sees Candy,

0:32:13.080 --> 0:32:16.320
<v Speaker 3>Panda Express, Victoria's Secret Italian Eatery, Hot Dog Gonna Stick,

0:32:16.400 --> 0:32:18.840
<v Speaker 3>and seven to eleven. They got no money to do that.

0:32:18.920 --> 0:32:21.160
<v Speaker 3>They just they were just like, here's this.

0:32:21.760 --> 0:32:22.280
<v Speaker 4>Do you like this?

0:32:22.400 --> 0:32:24.400
<v Speaker 6>It's just for the love of them all. Yeah, they

0:32:24.440 --> 0:32:28.360
<v Speaker 6>just had to. I mean, I like, how did you feel,

0:32:28.920 --> 0:32:29.360
<v Speaker 6>how did you.

0:32:29.320 --> 0:32:32.760
<v Speaker 5>Feel about the Dunks situation? Because I know your feelings

0:32:32.760 --> 0:32:33.680
<v Speaker 5>on Dunks.

0:32:33.440 --> 0:32:38.240
<v Speaker 3>But like representation matters, like it's I I liked that

0:32:38.320 --> 0:32:40.680
<v Speaker 3>there was a Dunks in New Hampshire.

0:32:41.000 --> 0:32:42.160
<v Speaker 4>That makes sense to me.

0:32:42.840 --> 0:32:47.080
<v Speaker 3>And I like Jennifer all one thing I know about her.

0:32:47.920 --> 0:32:53.160
<v Speaker 3>I'm I'm rooting for Jennifer to somehow bust through the

0:32:53.160 --> 0:32:53.960
<v Speaker 3>fourth wall.

0:32:53.800 --> 0:32:56.640
<v Speaker 4>And be in a different movie. But I do.

0:32:56.720 --> 0:33:01.000
<v Speaker 3>I like a girl who works at Dunkin Donuts. Yeah,

0:33:01.120 --> 0:33:04.040
<v Speaker 3>hell yeah, working class hero, exactly.

0:33:03.760 --> 0:33:04.760
<v Speaker 4>Exact single mother.

0:33:05.640 --> 0:33:09.120
<v Speaker 3>But then she ends Honestly, she ends this movie worse

0:33:09.320 --> 0:33:12.640
<v Speaker 3>off than when she started because now she has like

0:33:12.720 --> 0:33:13.680
<v Speaker 3>a second.

0:33:13.360 --> 0:33:15.480
<v Speaker 4>Son, not even a boyfriend.

0:33:15.880 --> 0:33:18.760
<v Speaker 3>She's a single mother to a man child, ten year

0:33:18.800 --> 0:33:20.280
<v Speaker 3>old and a thirty three year old.

0:33:20.360 --> 0:33:23.000
<v Speaker 4>It's just it's unpleasant. Yeah.

0:33:23.080 --> 0:33:26.239
<v Speaker 2>In any case, Jennifer and her son are there and

0:33:26.280 --> 0:33:30.640
<v Speaker 2>they bring donuts to Whitey. This is something she does regularly,

0:33:31.440 --> 0:33:36.200
<v Speaker 2>and Davy is like, you know, noticing her and sexually

0:33:36.280 --> 0:33:41.160
<v Speaker 2>harassing her and insulting her son. But then he realizes

0:33:41.240 --> 0:33:45.160
<v Speaker 2>that he knows her because they went to school together

0:33:45.240 --> 0:33:48.719
<v Speaker 2>and they used to be friends. But he's been an

0:33:48.720 --> 0:33:51.800
<v Speaker 2>asshole for the past twenty years and so he probably

0:33:51.840 --> 0:33:55.480
<v Speaker 2>doesn't have a chance with her. Just kidding. Jennifer is

0:33:55.560 --> 0:33:56.640
<v Speaker 2>Davy's love.

0:33:56.480 --> 0:33:59.760
<v Speaker 3>Interest I for some reason, I mean not that I mean,

0:33:59.800 --> 0:34:02.640
<v Speaker 3>I like, there's never a point in the movie where

0:34:02.680 --> 0:34:05.840
<v Speaker 3>I'm on Davy's side, but it like make me extra

0:34:06.000 --> 0:34:09.080
<v Speaker 3>angry that he didn't even recognize her. I was like,

0:34:09.400 --> 0:34:12.200
<v Speaker 3>she like of all of the like he didn't even

0:34:12.239 --> 0:34:16.520
<v Speaker 3>remember who she was his best friend from childhood.

0:34:16.560 --> 0:34:19.279
<v Speaker 4>Like that's it makes no sense.

0:34:19.200 --> 0:34:23.239
<v Speaker 2>They dated, like they were like tween boyfriend girlfriend, you

0:34:23.400 --> 0:34:25.120
<v Speaker 2>had a little kiss in the flashback.

0:34:25.280 --> 0:34:28.240
<v Speaker 3>You would recognize that person. It doesn't matter how different

0:34:28.239 --> 0:34:29.919
<v Speaker 3>they look, you would recognize them.

0:34:30.040 --> 0:34:33.759
<v Speaker 5>That's like he's just too busy bullying her son, like

0:34:33.880 --> 0:34:35.800
<v Speaker 5>he loves bullying children.

0:34:36.040 --> 0:34:40.400
<v Speaker 3>That I found that like so wildly off putting, Like

0:34:40.680 --> 0:34:43.040
<v Speaker 3>on top of everything else. I was like if I

0:34:43.040 --> 0:34:46.359
<v Speaker 3>if my childhood sweetheart didn't recognize me, I would be

0:34:46.440 --> 0:34:48.319
<v Speaker 3>like fuck this guy, Like I know.

0:34:49.160 --> 0:34:52.520
<v Speaker 2>Also worth noting that Jennifer and her son are seem

0:34:52.560 --> 0:34:56.040
<v Speaker 2>to be the only other two Jewish characters besides Davy

0:34:56.280 --> 0:34:59.920
<v Speaker 2>in the story, because Benjamin is describing the Hanuka give

0:35:00.160 --> 0:35:04.000
<v Speaker 2>he has received so far, so it's established that Jennifer

0:35:04.320 --> 0:35:11.279
<v Speaker 2>is also Jewish. So then Whitey takes Davy home, but

0:35:11.320 --> 0:35:15.000
<v Speaker 2>gets stuck in the snow outside Davy's house and Davy

0:35:15.040 --> 0:35:18.279
<v Speaker 2>doesn't care or do anything to help, So Whitey's just

0:35:18.320 --> 0:35:21.680
<v Speaker 2>like out there for hours until he gets unstuck with

0:35:21.760 --> 0:35:26.080
<v Speaker 2>the help of some plot deer that keep showing up.

0:35:26.520 --> 0:35:28.560
<v Speaker 6>The deer also played by Adam Sandler.

0:35:28.800 --> 0:35:30.239
<v Speaker 2>Yes, yeah, so when they.

0:35:30.160 --> 0:35:33.320
<v Speaker 6>Go that's important.

0:35:32.440 --> 0:35:33.920
<v Speaker 2>That's Adam Taylor's voice.

0:35:34.120 --> 0:35:36.600
<v Speaker 4>Another fun fact.

0:35:36.400 --> 0:35:42.759
<v Speaker 3>From Scholgarly Journal Wikipedia is that in the test screenings

0:35:42.880 --> 0:35:47.840
<v Speaker 3>of this, Whitey's voice was originally even more high pitched

0:35:48.600 --> 0:35:53.160
<v Speaker 3>and they brought it down, and that Sandler was begged

0:35:53.239 --> 0:35:56.480
<v Speaker 3>to remove some of the deer shitting jokes, but he

0:35:56.719 --> 0:35:58.799
<v Speaker 3>was like, that's a bridge too far.

0:35:59.400 --> 0:36:00.520
<v Speaker 4>I will not.

0:36:01.120 --> 0:36:03.840
<v Speaker 3>I'm keeping them, all of them, all of them, all,

0:36:03.920 --> 0:36:07.720
<v Speaker 3>forty of them. I think though you honestly see deer

0:36:07.880 --> 0:36:11.200
<v Speaker 3>shitting on screen more than you hear Jennifer speak.

0:36:11.760 --> 0:36:13.160
<v Speaker 2>I think that's accurate.

0:36:13.560 --> 0:36:15.959
<v Speaker 4>Anyways, this movie wrong.

0:36:19.920 --> 0:36:24.719
<v Speaker 2>So in Davy's house, he is drinking and also looking

0:36:24.760 --> 0:36:28.640
<v Speaker 2>at a picture of his parents, who are implied to

0:36:28.800 --> 0:36:34.040
<v Speaker 2>have died. Then Whitey finally gets home and we meet

0:36:34.120 --> 0:36:38.080
<v Speaker 2>his sister, Eleanor, who he lives with. Eleanor is also

0:36:38.200 --> 0:36:44.040
<v Speaker 2>voiced by Adam Sandler and we'll talk more about Eleanor.

0:36:44.239 --> 0:36:49.920
<v Speaker 2>But then we get voiceover narration that says that Whitey

0:36:50.040 --> 0:36:53.879
<v Speaker 2>tends to do odd jobs around town to make ends meet.

0:36:54.560 --> 0:36:57.280
<v Speaker 2>The next day we see him doing this type of work,

0:36:57.440 --> 0:37:02.120
<v Speaker 2>which includes cleaning out some port of Davy is there

0:37:02.239 --> 0:37:05.080
<v Speaker 2>puking in one of the porta potties, and he comes

0:37:05.080 --> 0:37:08.120
<v Speaker 2>out and then he shoves Whitey into one of the

0:37:08.160 --> 0:37:11.960
<v Speaker 2>stalls and pushes it down a hill. So now sewage

0:37:12.000 --> 0:37:14.240
<v Speaker 2>gets all over Whitey.

0:37:14.239 --> 0:37:16.239
<v Speaker 4>And that's I think we can all agree. That's a

0:37:16.239 --> 0:37:17.000
<v Speaker 4>technical owl.

0:37:17.160 --> 0:37:21.040
<v Speaker 2>That's a technical that's a technical fowl. That's comedy, baby,

0:37:21.120 --> 0:37:25.399
<v Speaker 2>you know. That's does hilarious jokes and we love it.

0:37:25.560 --> 0:37:29.280
<v Speaker 2>And then Davy sprays him with a hose which freezes

0:37:29.320 --> 0:37:32.720
<v Speaker 2>because it's winter in New Hampshire. And then the deer

0:37:32.840 --> 0:37:36.480
<v Speaker 2>help Whitey again by licking the shit ice off of him,

0:37:36.560 --> 0:37:39.600
<v Speaker 2>and we're just like, why is this movie like this.

0:37:39.920 --> 0:37:42.920
<v Speaker 4>It's also implied that he gets like sort of a blowhop.

0:37:43.520 --> 0:37:44.440
<v Speaker 4>Dear o sorrow.

0:37:44.960 --> 0:37:48.000
<v Speaker 3>I'm sorry, that's referenced in a one off joke Crazy.

0:37:47.920 --> 0:37:50.400
<v Speaker 4>Day licked my balls or whatever.

0:37:50.680 --> 0:37:50.880
<v Speaker 2>This is.

0:37:51.360 --> 0:37:55.200
<v Speaker 4>This is a movie for ten year old boys.

0:37:57.880 --> 0:38:04.000
<v Speaker 2>That night, Davy Whitey and Benjamin Jenniferson are at the

0:38:04.040 --> 0:38:08.480
<v Speaker 2>basketball courts where a few adult men are playing pickup,

0:38:09.160 --> 0:38:11.919
<v Speaker 2>and Davy's like, I could beat all you guys at basketball.

0:38:12.120 --> 0:38:14.600
<v Speaker 4>Oh this pissed me off. This pissed me off.

0:38:15.200 --> 0:38:19.560
<v Speaker 3>When it's implied that he does nothing but drink beer

0:38:19.719 --> 0:38:23.560
<v Speaker 3>and then he's shirtless and like ripped, I was like,

0:38:23.640 --> 0:38:28.960
<v Speaker 3>this is this is ego gone wild? This character canonically

0:38:29.320 --> 0:38:31.479
<v Speaker 3>and this is not a judgment, but it just felt

0:38:31.520 --> 0:38:35.359
<v Speaker 3>like Adam Sandler being like, oh my cartoon avatar has

0:38:35.440 --> 0:38:39.040
<v Speaker 3>to be hot ripped. Like yeah, it just it felt

0:38:39.080 --> 0:38:40.120
<v Speaker 3>like it was an email.

0:38:41.000 --> 0:38:44.080
<v Speaker 2>Also, I formed a theory in this scene where I

0:38:44.160 --> 0:38:47.120
<v Speaker 2>was like, oh, I wonder if the reason this is

0:38:47.200 --> 0:38:50.400
<v Speaker 2>animated is because Adam Sandler wants to be portrayed as

0:38:50.440 --> 0:38:52.520
<v Speaker 2>being way better at basketball than he normally is. But

0:38:52.520 --> 0:38:56.080
<v Speaker 2>then I saw some clips of him playing basketball. I

0:38:56.440 --> 0:38:59.600
<v Speaker 2>he seems all right. I guess he could probably have

0:38:59.640 --> 0:39:00.279
<v Speaker 2>done it live.

0:39:00.320 --> 0:39:04.240
<v Speaker 3>ASHI played those at those like famous oh my gosh,

0:39:04.239 --> 0:39:08.040
<v Speaker 3>what am I thinking? Those famous Gary Shandling basketball games.

0:39:08.080 --> 0:39:10.680
<v Speaker 3>He was like a common attender. I know that he

0:39:10.760 --> 0:39:14.320
<v Speaker 3>really likes basketball. I think that this is only animated

0:39:14.360 --> 0:39:17.560
<v Speaker 3>because he was trying to which again like doesn't worry.

0:39:17.560 --> 0:39:18.319
<v Speaker 4>It was trying to.

0:39:18.400 --> 0:39:25.160
<v Speaker 3>Like visually parody old animated Christmas Specials. But I don't

0:39:25.239 --> 0:39:31.520
<v Speaker 3>know where the thirty four million dollars went here because the.

0:39:30.400 --> 0:39:34.160
<v Speaker 4>Mouths don't even move. It's just I don't know.

0:39:34.800 --> 0:39:38.280
<v Speaker 5>And did it look to you like the old Christmas

0:39:38.320 --> 0:39:42.000
<v Speaker 5>Specials animated example, Yeah, I didn't get that feel like

0:39:42.040 --> 0:39:44.840
<v Speaker 5>the the the animation style didn't feel like it was

0:39:44.840 --> 0:39:48.959
<v Speaker 5>connected to a specific era and was like in conversation

0:39:49.080 --> 0:39:50.919
<v Speaker 5>with that era if you welcome, right.

0:39:51.000 --> 0:39:53.799
<v Speaker 3>I didn't feel like it was like referencing anything in particular,

0:39:54.160 --> 0:39:57.600
<v Speaker 3>which I guess I find somewhat explained by the fact

0:39:57.600 --> 0:40:00.920
<v Speaker 3>that like ten animation studios ended up working on this,

0:40:01.120 --> 0:40:03.280
<v Speaker 3>so I don't know like what was going on behind

0:40:03.320 --> 0:40:04.279
<v Speaker 3>the scenes, but like.

0:40:04.880 --> 0:40:09.319
<v Speaker 4>There's no there's no cohesive creative vision going on here.

0:40:09.880 --> 0:40:12.080
<v Speaker 2>Yeah. It kind of reminds me of Sausage Party, which

0:40:12.120 --> 0:40:17.640
<v Speaker 2>also had a lot of like animation stuff going on, and.

0:40:17.680 --> 0:40:20.359
<v Speaker 3>I was like they were like breaking union, like they

0:40:20.360 --> 0:40:23.920
<v Speaker 3>were crossing picket lines to do Sausage Party.

0:40:24.000 --> 0:40:26.480
<v Speaker 4>It's awesome, Yeah, worth it?

0:40:26.880 --> 0:40:30.600
<v Speaker 2>Oh gosh, Okay, So Davy is like I can beat

0:40:30.600 --> 0:40:32.759
<v Speaker 2>all you guys a basketball. So he plays two on

0:40:32.840 --> 0:40:37.239
<v Speaker 2>two first with Whitey, who gets immediately injured, and it's

0:40:37.280 --> 0:40:38.840
<v Speaker 2>supposed to be a hilarious.

0:40:38.480 --> 0:40:39.840
<v Speaker 4>Joke technical foul.

0:40:40.920 --> 0:40:44.680
<v Speaker 2>It was a technical foul. Then Davey plays with Benjamin

0:40:44.960 --> 0:40:49.919
<v Speaker 2>as his teammate and they win. We'll talk more about

0:40:49.920 --> 0:40:52.520
<v Speaker 2>that in the discussion, but I'll just breeze right past

0:40:52.560 --> 0:40:56.680
<v Speaker 2>all the fat phobia inherent in this scene. But Jennifer

0:40:56.960 --> 0:41:00.640
<v Speaker 2>then comes by to pick Benjamin up up and she

0:41:00.760 --> 0:41:04.280
<v Speaker 2>sees Davy and her son playing together, and she's like hmm.

0:41:04.680 --> 0:41:09.600
<v Speaker 2>But then she's also like mmmmm, yeah, because she hates Davy,

0:41:10.000 --> 0:41:12.360
<v Speaker 2>but also maybe she's starting to like him.

0:41:12.640 --> 0:41:15.680
<v Speaker 3>I wouldn't want my kid around Davy, to be perfectly honest,

0:41:15.760 --> 0:41:20.319
<v Speaker 3>he's a bad guy, yes, And then anytime she's like, hey,

0:41:20.440 --> 0:41:22.120
<v Speaker 3>get away from my kid. You're a bad guy, he's like,

0:41:22.200 --> 0:41:23.640
<v Speaker 3>what do you mean by that?

0:41:25.800 --> 0:41:28.640
<v Speaker 5>He spent the beginning of the movie bullying other children

0:41:28.880 --> 0:41:30.200
<v Speaker 5>and then also bullied.

0:41:31.400 --> 0:41:31.880
<v Speaker 10>Yeah.

0:41:32.120 --> 0:41:34.319
<v Speaker 5>Right, Like it's very reasonable for her to be like,

0:41:34.560 --> 0:41:38.319
<v Speaker 5>based on my past experiences with you, I don't think

0:41:38.360 --> 0:41:40.000
<v Speaker 5>that you'll treat my son well, you know, Like that

0:41:40.040 --> 0:41:42.680
<v Speaker 5>seems like a very normal Jennifer, that's very normal.

0:41:42.640 --> 0:41:44.799
<v Speaker 3>Right, She's got to do it, She's got to do

0:41:44.840 --> 0:41:46.799
<v Speaker 3>And meanwhile, like Adam Saylor is standing next to an

0:41:46.840 --> 0:41:48.680
<v Speaker 3>unconscious old man and is like.

0:41:48.600 --> 0:41:53.560
<v Speaker 4>What is wrong with me? And it's like, dude. Anyways.

0:41:54.520 --> 0:41:59.040
<v Speaker 2>Then there's another song where Davy and Jennifer reminisced about

0:41:59.040 --> 0:42:02.120
<v Speaker 2>their youth. There's a whole flashback sequence. They used to

0:42:02.120 --> 0:42:07.960
<v Speaker 2>be friends and like young lovers as tweens, and but

0:42:08.000 --> 0:42:12.800
<v Speaker 2>obviously everything has changed. Then Davy comes home to discover

0:42:12.960 --> 0:42:15.640
<v Speaker 2>that the men that he had just beaten at basketball

0:42:16.440 --> 0:42:20.960
<v Speaker 2>are lighting his house on fire. So now his home

0:42:21.480 --> 0:42:25.640
<v Speaker 2>is gone, and Whitey offers Davy to let him stay

0:42:25.719 --> 0:42:27.360
<v Speaker 2>with him and his sister Eleanor.

0:42:27.719 --> 0:42:30.680
<v Speaker 3>Things get very dark in the back half of this movie.

0:42:30.800 --> 0:42:32.719
<v Speaker 3>The most and this is like not the most, the

0:42:32.760 --> 0:42:34.840
<v Speaker 3>most depressing thing is yet to come, which I was

0:42:34.880 --> 0:42:35.839
<v Speaker 3>truly shocked by.

0:42:36.360 --> 0:42:40.319
<v Speaker 2>Yeah, So then Davey comes to stay with them for

0:42:40.400 --> 0:42:43.799
<v Speaker 2>a while, and this is where we get the it's a.

0:42:43.719 --> 0:42:48.440
<v Speaker 4>Technical foul motivated by anything. No, it's just like farting.

0:42:48.640 --> 0:42:53.480
<v Speaker 3>Yet that that's a technical foul, Like it's just this

0:42:53.920 --> 0:42:56.960
<v Speaker 3>in my mind, technical foul is half the run time

0:42:57.000 --> 0:42:57.879
<v Speaker 3>of this movie, it.

0:42:57.960 --> 0:43:00.319
<v Speaker 4>Just felt like it would not stop.

0:43:00.719 --> 0:43:03.280
<v Speaker 2>It goes on so long. Yeah, it's basically just Whitey

0:43:03.360 --> 0:43:06.399
<v Speaker 2>explaining the rules that Davey has to follow because he's

0:43:06.440 --> 0:43:11.440
<v Speaker 2>so disrespectful. And it seems to actually kind of work,

0:43:11.560 --> 0:43:15.800
<v Speaker 2>because the next time we see Davy, he is behaving

0:43:15.840 --> 0:43:18.319
<v Speaker 2>a little bit more respectfully. He seems to be like

0:43:19.400 --> 0:43:22.840
<v Speaker 2>kinder and more sensitive.

0:43:22.640 --> 0:43:25.399
<v Speaker 4>Kind of like that's what worked on him. The song

0:43:25.480 --> 0:43:26.719
<v Speaker 4>is technically.

0:43:28.360 --> 0:43:31.920
<v Speaker 2>Right, it doesn't make sense. But then sometime passes and

0:43:31.960 --> 0:43:35.480
<v Speaker 2>I think it is now the eighth day of Hanukkah,

0:43:35.640 --> 0:43:37.839
<v Speaker 2>and now you're realizing, oh, this movie is called Eight

0:43:37.880 --> 0:43:40.880
<v Speaker 2>Crazy Nights. You have an expectation that it's going to

0:43:40.920 --> 0:43:43.520
<v Speaker 2>be about eight crazy nights, and yet most of it

0:43:43.600 --> 0:43:46.240
<v Speaker 2>happens off screen, and none of the nights are actually

0:43:46.440 --> 0:43:48.520
<v Speaker 2>crazy quote unquote.

0:43:48.719 --> 0:43:53.120
<v Speaker 3>And so a couple of like vaguely eventful days. But

0:43:53.280 --> 0:43:58.760
<v Speaker 3>because this, like because the main character doesn't celebrate Hanukkah

0:43:58.880 --> 0:44:01.840
<v Speaker 3>anymore for a reason, where about to learn? And because

0:44:01.960 --> 0:44:06.480
<v Speaker 3>it doesn't seem like anyone except Jennifer and Benjamin celebrate Hanukkah,

0:44:06.600 --> 0:44:09.520
<v Speaker 3>and we never see them celebrate Hannakah because we don't

0:44:09.680 --> 0:44:14.279
<v Speaker 3>care about them. The fact that it's Hanakkah is very

0:44:14.280 --> 0:44:17.879
<v Speaker 3>easy to forget because you only see Christmas decorations and

0:44:17.920 --> 0:44:19.520
<v Speaker 3>no one is celebrating Hankah.

0:44:19.960 --> 0:44:23.919
<v Speaker 5>So I saw because I went deep down a rabbit

0:44:24.000 --> 0:44:26.759
<v Speaker 5>hole reading like reviews from that time, and then I

0:44:26.920 --> 0:44:30.560
<v Speaker 5>ended up on like a Reddit talking about this movie,

0:44:30.600 --> 0:44:33.560
<v Speaker 5>and somebody from many years ago wrote in that this

0:44:33.760 --> 0:44:36.560
<v Speaker 5>was their favorite movie to watch during the Christmas season

0:44:36.680 --> 0:44:39.040
<v Speaker 5>and it just really exemplified Christmas.

0:44:38.560 --> 0:44:43.400
<v Speaker 6>For them, which I thought was just a really great point. Like,

0:44:43.480 --> 0:44:45.600
<v Speaker 6>it doesn't it's not a Hanukkah movie. I don't know

0:44:45.600 --> 0:44:46.520
<v Speaker 6>what to say. It's not.

0:44:46.719 --> 0:44:50.880
<v Speaker 5>There's no Ronica's not present. It's not a character in

0:44:50.920 --> 0:44:53.319
<v Speaker 5>the movie. It's not it's just not there.

0:44:53.960 --> 0:44:57.200
<v Speaker 3>It's a whole movie about why this one character no

0:44:57.280 --> 0:45:03.080
<v Speaker 3>longer celebrates Hanukkah due to brutal childhood trauma, which is

0:45:03.120 --> 0:45:06.480
<v Speaker 3>a story, but not really a Hanakah story.

0:45:07.480 --> 0:45:12.640
<v Speaker 2>Right, Okay, So we are now at the eighth day

0:45:12.680 --> 0:45:16.440
<v Speaker 2>of Hanukkah. Davy is hanging out with Whitey and Eleanor

0:45:16.560 --> 0:45:19.960
<v Speaker 2>and white He tells the story of how Davy learned

0:45:20.000 --> 0:45:23.040
<v Speaker 2>that his parents had been killed in a car accident

0:45:23.719 --> 0:45:26.399
<v Speaker 2>when he was a kid. Like twenty years prior, and

0:45:27.080 --> 0:45:33.160
<v Speaker 2>this grief and traumatic loss is what has made Davy

0:45:33.960 --> 0:45:36.560
<v Speaker 2>so horrible to everyone around him.

0:45:36.920 --> 0:45:40.200
<v Speaker 3>I was not prepared for something that heavy that the

0:45:40.280 --> 0:45:42.680
<v Speaker 3>movie is, like, you know, the second you learn that

0:45:42.800 --> 0:45:44.879
<v Speaker 3>his parents died in this horrible way, you're like, well,

0:45:44.880 --> 0:45:48.320
<v Speaker 3>this movie isn't equipped to have this conversation remotely.

0:45:48.360 --> 0:45:49.320
<v Speaker 4>Why even try?

0:45:49.520 --> 0:45:52.040
<v Speaker 3>Oh but yeah, I was like, wow, it's a dark

0:45:52.080 --> 0:45:53.200
<v Speaker 3>turn at the very end.

0:45:53.560 --> 0:45:55.279
<v Speaker 5>Yeah, I think they put it in. I mean it

0:45:55.280 --> 0:45:57.319
<v Speaker 5>felt to me very strongly like they put it in

0:45:57.360 --> 0:46:01.239
<v Speaker 5>there just to be like and that, uh, that excuses

0:46:01.239 --> 0:46:02.560
<v Speaker 5>every single thing he's ever.

0:46:02.360 --> 0:46:05.720
<v Speaker 6>Done so far. Right, You're right, that's the solution.

0:46:05.840 --> 0:46:08.719
<v Speaker 5>And it's just you know, I used to teach it

0:46:08.760 --> 0:46:11.040
<v Speaker 5>at preschool and we used I mean we used to

0:46:11.040 --> 0:46:11.359
<v Speaker 5>say a.

0:46:11.280 --> 0:46:14.080
<v Speaker 6>Lot of like that may explain the behavior, but it.

0:46:14.000 --> 0:46:16.360
<v Speaker 5>Does not excuse it. And I feel like that phrase

0:46:16.400 --> 0:46:19.399
<v Speaker 5>works really well here for Davy, Like that might give

0:46:19.480 --> 0:46:22.400
<v Speaker 5>some explanation for why he's he acts like an asshole,

0:46:22.480 --> 0:46:25.680
<v Speaker 5>but like, ultimately it's on him to still be a

0:46:25.719 --> 0:46:28.319
<v Speaker 5>good person in the world, right, Like, we still participate,

0:46:28.480 --> 0:46:31.000
<v Speaker 5>we live in a society, Davy, Like, come on, get

0:46:31.000 --> 0:46:33.040
<v Speaker 5>it together. You can't just put people import of bodies

0:46:33.040 --> 0:46:34.840
<v Speaker 5>and throw them off a cliff, like, we don't do that.

0:46:35.880 --> 0:46:38.839
<v Speaker 4>It won't bring your parents back. Davy, to throw an

0:46:38.840 --> 0:46:40.359
<v Speaker 4>old man off a cliff.

0:46:40.640 --> 0:46:43.719
<v Speaker 2>Well, that's the lesson he learns by the end.

0:46:43.800 --> 0:46:45.839
<v Speaker 4>I guess that's what he learns by the end.

0:46:45.960 --> 0:46:52.920
<v Speaker 3>I shouldn't have thrown that old man off of a cliff. Okay, girlfriend, please, son, please,

0:46:53.040 --> 0:46:54.040
<v Speaker 3>I learned to my lesson.

0:46:54.160 --> 0:46:55.040
<v Speaker 4>Where's my reward?

0:46:55.280 --> 0:46:58.400
<v Speaker 2>Where's my reward in the form of a human woman

0:46:58.520 --> 0:47:02.760
<v Speaker 2>who I now get to claim as my property anyway? Okay.

0:47:03.080 --> 0:47:05.480
<v Speaker 2>The reminder of this story about the loss of his

0:47:05.560 --> 0:47:09.319
<v Speaker 2>parents sets Davy off. He lashes out at Whitey and

0:47:09.360 --> 0:47:13.640
<v Speaker 2>Eleanor and he storms off. He gets drunk again and

0:47:13.680 --> 0:47:16.759
<v Speaker 2>then breaks into the mall because ninety percent of this

0:47:16.800 --> 0:47:18.840
<v Speaker 2>movie either takes place at the mall or at a

0:47:18.880 --> 0:47:23.399
<v Speaker 2>youth basketball game. And he goes to the mall and

0:47:23.920 --> 0:47:26.840
<v Speaker 2>he's there to try to talk to Jennifer at Dunkin Donuts,

0:47:26.880 --> 0:47:29.040
<v Speaker 2>but it's like very clearly after hours and no one

0:47:29.080 --> 0:47:32.040
<v Speaker 2>is there, and he just like breaks in and he's

0:47:32.080 --> 0:47:36.320
<v Speaker 2>belligerently screaming into the void until all of the stores

0:47:37.080 --> 0:47:40.320
<v Speaker 2>in the Mall come to life, question.

0:47:40.080 --> 0:47:45.759
<v Speaker 7>Mark really interesting, you know, And then they sing to

0:47:45.880 --> 0:47:48.960
<v Speaker 7>Davy and they tell him to cry and to let

0:47:49.000 --> 0:47:52.560
<v Speaker 7>it all out because he has never dealt with his

0:47:52.680 --> 0:47:55.479
<v Speaker 7>grief over the loss of his parents in a way

0:47:55.520 --> 0:47:58.680
<v Speaker 7>that is like healthy or effective or anything like that,

0:47:59.320 --> 0:48:00.720
<v Speaker 7>and he's really didn't to cry.

0:48:00.880 --> 0:48:03.759
<v Speaker 3>Wouldn't it be amazing if that message came from a

0:48:03.840 --> 0:48:06.839
<v Speaker 3>character we've met before and not.

0:48:07.000 --> 0:48:13.120
<v Speaker 2>Some weird like foot Locker animated like hallucination or something like.

0:48:13.160 --> 0:48:15.279
<v Speaker 3>I know we could talk about this in the discussion too,

0:48:15.360 --> 0:48:18.160
<v Speaker 3>but like you can't even get away from the misogyny

0:48:18.400 --> 0:48:19.239
<v Speaker 3>in the mall.

0:48:19.520 --> 0:48:21.960
<v Speaker 4>Like it's Tyra Banks as an.

0:48:21.800 --> 0:48:25.240
<v Speaker 3>Empty dress which from Victoria's Secret that still gets sexually

0:48:25.280 --> 0:48:29.200
<v Speaker 3>harassed by a jar of vitamins or like protein powder

0:48:29.280 --> 0:48:32.760
<v Speaker 3>oh from Chance, Yeah yeah, Tyra Banks as an empty

0:48:32.880 --> 0:48:35.719
<v Speaker 3>dress that is still getting hit on really sums up

0:48:35.800 --> 0:48:38.960
<v Speaker 3>the movie's views on women to me.

0:48:40.040 --> 0:48:42.520
<v Speaker 5>And I love again that you were saying that he didn't.

0:48:42.560 --> 0:48:44.680
<v Speaker 5>It wasn't like he was sponsored by this movie. He

0:48:44.760 --> 0:48:47.160
<v Speaker 5>was just like what if corporate? What if like the

0:48:47.320 --> 0:48:50.600
<v Speaker 5>embodiment of corporations told me how to have feelings?

0:48:50.800 --> 0:48:55.879
<v Speaker 3>It's so good that, like I became all the more

0:48:55.920 --> 0:48:57.839
<v Speaker 3>confused by this movie when it when I found out

0:48:57.880 --> 0:49:01.440
<v Speaker 3>that he was like sort of doing something like illegal

0:49:01.560 --> 0:49:04.200
<v Speaker 3>by having done that, because you're supposed to get the

0:49:04.239 --> 0:49:07.120
<v Speaker 3>consent of but it's really weird.

0:49:07.200 --> 0:49:09.319
<v Speaker 4>I don't know. But yeah, they're like, well, okay, we've

0:49:09.360 --> 0:49:12.120
<v Speaker 4>introduced five thousand characters for some reason, but at the

0:49:12.280 --> 0:49:15.399
<v Speaker 4>emotional peak of the movie, let's have none of them

0:49:15.440 --> 0:49:18.640
<v Speaker 4>there and it'll just be logos from the mall.

0:49:19.120 --> 0:49:21.040
<v Speaker 2>Yeah. Awesome, good storytelling.

0:49:21.360 --> 0:49:21.800
<v Speaker 4>Yeah.

0:49:22.520 --> 0:49:25.439
<v Speaker 2>Anyway, so they're telling him to let it all out

0:49:25.480 --> 0:49:28.400
<v Speaker 2>and to open up about his feelings, and he's reluctant

0:49:28.400 --> 0:49:32.239
<v Speaker 2>to do so, but then he opens the Hanaka card

0:49:32.320 --> 0:49:35.240
<v Speaker 2>that his parents wrote for him and that he received

0:49:35.320 --> 0:49:39.640
<v Speaker 2>the night that they died, and he finally cries. And

0:49:39.680 --> 0:49:43.560
<v Speaker 2>then some cops come into the mall because he's broken in,

0:49:43.840 --> 0:49:46.680
<v Speaker 2>and he's like, you know, trespassing, and they're about to

0:49:46.840 --> 0:49:50.719
<v Speaker 2>arrest him, but Davy escapes and he gets on a

0:49:50.760 --> 0:49:54.799
<v Speaker 2>bus to New York City. Ever heard of it? But

0:49:54.840 --> 0:49:57.640
<v Speaker 2>then he has a change of heart and heads to

0:49:57.840 --> 0:50:02.600
<v Speaker 2>the youth league basketball banquet, the one where Whitey hopes

0:50:02.640 --> 0:50:04.200
<v Speaker 2>to win the All Star patch.

0:50:04.719 --> 0:50:11.640
<v Speaker 3>You're like, oh, right, that plotline, still rooting for him, and.

0:50:11.600 --> 0:50:14.800
<v Speaker 2>He does this because Davy wants to apologize to Whitey

0:50:14.920 --> 0:50:18.480
<v Speaker 2>for his behavior. And then we cut to the banquet.

0:50:19.040 --> 0:50:23.759
<v Speaker 2>Whitey does not win the patch, so he is devastated.

0:50:23.880 --> 0:50:28.920
<v Speaker 2>It goes to sub guy voiced by John Lovetz. I think, yeah, sure,

0:50:29.840 --> 0:50:34.000
<v Speaker 2>So Whitey and Eleanor leave because Whitey is so upset

0:50:34.040 --> 0:50:37.239
<v Speaker 2>that he didn't win. And then Davey comes into the

0:50:37.239 --> 0:50:40.680
<v Speaker 2>banquet and the cops are right behind him and they

0:50:41.000 --> 0:50:44.760
<v Speaker 2>arrest Davy, but before they take him away, he makes

0:50:44.800 --> 0:50:51.520
<v Speaker 2>this impassioned speech via song about how Whitey should have

0:50:51.560 --> 0:50:53.719
<v Speaker 2>won the patch because he does so much for the

0:50:53.760 --> 0:50:58.280
<v Speaker 2>community and no one appreciates him. But Whitey cares about people,

0:50:58.440 --> 0:51:03.080
<v Speaker 2>and Davey regrets it's being so cruel to him. And

0:51:03.840 --> 0:51:06.719
<v Speaker 2>this is where I just like basically zoned out, and

0:51:06.760 --> 0:51:09.040
<v Speaker 2>I didn't write the rest of the recap because I

0:51:09.080 --> 0:51:12.160
<v Speaker 2>was just like my brain turned to mush. But basically

0:51:12.360 --> 0:51:14.400
<v Speaker 2>I think what happens. So everyone goes back to the

0:51:14.480 --> 0:51:16.560
<v Speaker 2>mall and.

0:51:16.600 --> 0:51:18.960
<v Speaker 4>But their mouths are they're lockdobs.

0:51:20.239 --> 0:51:23.520
<v Speaker 2>Okay, First, first, it's just Whitey and Eleanor at the mall,

0:51:24.080 --> 0:51:27.520
<v Speaker 2>and Whitey is crying because everyone in town thinks he's

0:51:27.520 --> 0:51:30.680
<v Speaker 2>a joke and I didn't vote for him for the patch.

0:51:31.480 --> 0:51:33.840
<v Speaker 2>But then Davy and the whole rest of the town

0:51:34.160 --> 0:51:38.200
<v Speaker 2>show up, and the mayor is like, here, Whitey, here's

0:51:38.239 --> 0:51:42.160
<v Speaker 2>the patch after all. And then everyone who had previously

0:51:42.200 --> 0:51:45.440
<v Speaker 2>won the patch from the past thirty five years also

0:51:45.480 --> 0:51:48.680
<v Speaker 2>are like, yeah, Whitey, here's my patch because you're the

0:51:48.719 --> 0:51:52.000
<v Speaker 2>best guy in town. And then there's like a moment

0:51:52.040 --> 0:51:57.400
<v Speaker 2>where Davy and Jennifer like kind of reconnect, and that's

0:51:57.680 --> 0:52:03.160
<v Speaker 2>the end of the movie. Yay, So let's take another

0:52:03.239 --> 0:52:05.520
<v Speaker 2>quick break and we'll come back to.

0:52:05.320 --> 0:52:19.200
<v Speaker 3>Discuss, and we're back. My first, I'd like to open

0:52:19.239 --> 0:52:23.440
<v Speaker 3>the conversation by saying, why isn't David Spade in this movie?

0:52:23.520 --> 0:52:24.280
<v Speaker 4>Were they fighting?

0:52:25.719 --> 0:52:25.959
<v Speaker 2>Wow?

0:52:26.160 --> 0:52:27.160
<v Speaker 4>I feel like he's.

0:52:27.000 --> 0:52:30.600
<v Speaker 3>The one, you know, Sandler verse guy who who's not

0:52:30.800 --> 0:52:34.200
<v Speaker 3>popping up. True, that's all the thoughts I have in

0:52:34.200 --> 0:52:34.720
<v Speaker 3>the movie.

0:52:34.800 --> 0:52:37.400
<v Speaker 4>Everyone else, take it away, Yeah, take it away. Episode.

0:52:41.280 --> 0:52:43.120
<v Speaker 2>I guess the context for this movie. I couldn't find

0:52:43.160 --> 0:52:45.360
<v Speaker 2>a whole lot on the development of it. But the title,

0:52:45.400 --> 0:52:49.000
<v Speaker 2>as we've referenced, is taken from the line of the

0:52:49.000 --> 0:52:54.840
<v Speaker 2>Honkkah song that Adam Sandler wrote and performed and so

0:52:54.960 --> 0:52:57.440
<v Speaker 2>that's they were like, Hey, there's a line in the

0:52:57.520 --> 0:53:00.640
<v Speaker 2>song it says eight crazy nights if that was a

0:53:00.680 --> 0:53:03.720
<v Speaker 2>movie where most of the nights take place off screen

0:53:03.960 --> 0:53:06.280
<v Speaker 2>and the ones we do see are pretty tame.

0:53:06.840 --> 0:53:10.600
<v Speaker 3>I mean, they've they've built SNL spin off movies on less,

0:53:10.840 --> 0:53:13.640
<v Speaker 3>so that's not even disqualifying.

0:53:13.960 --> 0:53:17.960
<v Speaker 2>Yeah, necessarily right, but uh, it just like is a

0:53:17.960 --> 0:53:21.880
<v Speaker 2>bummer that one of the few American movies that centers

0:53:21.920 --> 0:53:24.760
<v Speaker 2>a Jewish holiday is like also one of the worst

0:53:24.760 --> 0:53:26.320
<v Speaker 2>movies ever made.

0:53:26.520 --> 0:53:29.440
<v Speaker 3>And also not about the holiday that it's advertising that

0:53:29.480 --> 0:53:33.520
<v Speaker 3>it's about, right, Yeah, Alex, Alex, what was it like

0:53:34.040 --> 0:53:38.720
<v Speaker 3>for you to, uh to revisit this this gem?

0:53:39.440 --> 0:53:42.880
<v Speaker 5>Well, well so again, I think I said to Caitlin

0:53:42.880 --> 0:53:46.239
<v Speaker 5>before we started, it is really something to watch a

0:53:46.280 --> 0:53:50.160
<v Speaker 5>purported comedy just in complete silence, Like Jake and I

0:53:50.200 --> 0:53:51.440
<v Speaker 5>were sitting I were sitting there.

0:53:51.480 --> 0:53:54.080
<v Speaker 6>We just sat there like the whole time.

0:53:54.320 --> 0:53:56.520
<v Speaker 5>Like, I don't think either of us laughed at anything

0:53:57.280 --> 0:54:00.520
<v Speaker 5>pertaining to the movie. I think during the corporate day scene,

0:54:00.560 --> 0:54:02.680
<v Speaker 5>I might have just blacked out, Like I almost don't

0:54:02.719 --> 0:54:04.440
<v Speaker 5>remember it at all because I was just like, what

0:54:04.600 --> 0:54:08.720
<v Speaker 5>is happening here? Yeah, utterly bizarre.

0:54:10.040 --> 0:54:13.719
<v Speaker 6>I you know, the message of Honicah is really it's you.

0:54:13.640 --> 0:54:16.880
<v Speaker 5>Know about the I mean every I don't want to

0:54:16.880 --> 0:54:19.799
<v Speaker 5>speak for every disperson, but I feel like there are

0:54:19.800 --> 0:54:22.319
<v Speaker 5>a lot of different ways that you can interpret it

0:54:22.400 --> 0:54:24.520
<v Speaker 5>and talk about it, and none of them were present

0:54:24.680 --> 0:54:25.239
<v Speaker 5>in this movie.

0:54:25.360 --> 0:54:27.480
<v Speaker 6>I don't even think we ever saw a minora being

0:54:27.520 --> 0:54:28.560
<v Speaker 6>lit at all.

0:54:29.040 --> 0:54:30.080
<v Speaker 4>I don't think so.

0:54:30.480 --> 0:54:33.440
<v Speaker 6>And again, as you said, it wasn't eight crazy nights.

0:54:33.480 --> 0:54:36.600
<v Speaker 5>It was eight mostly during the days, and nothing to

0:54:36.640 --> 0:54:40.200
<v Speaker 5>do with Hankah really, and we're in New Hampshire.

0:54:40.800 --> 0:54:44.560
<v Speaker 3>Yeah, yeah, it just felt I mean like I feel

0:54:44.560 --> 0:54:46.279
<v Speaker 3>like because yeah, I was also had a hard time

0:54:46.320 --> 0:54:49.920
<v Speaker 3>finding any sort of meaningful background on this. But given

0:54:49.960 --> 0:54:55.840
<v Speaker 3>the number of like credited writers and credited animation companies.

0:54:55.400 --> 0:54:57.560
<v Speaker 4>I feel like it's it's safe to say that.

0:54:57.640 --> 0:55:01.400
<v Speaker 3>Maybe this was coherent at one point being generous, but

0:55:01.480 --> 0:55:07.560
<v Speaker 3>it definitely did not like end that way.

0:55:08.160 --> 0:55:09.360
<v Speaker 4>I don't know why.

0:55:09.880 --> 0:55:13.719
<v Speaker 3>It seems like Adam Sandler was really you know, like, no,

0:55:13.920 --> 0:55:15.880
<v Speaker 3>we will not like he had a lot of creative

0:55:15.920 --> 0:55:18.040
<v Speaker 3>control to the point where he could be like, you

0:55:18.160 --> 0:55:22.680
<v Speaker 3>cannot take out the deer shitting scenes, so like, I

0:55:22.719 --> 0:55:25.160
<v Speaker 3>don't know, I don't know what to make of this.

0:55:25.400 --> 0:55:28.960
<v Speaker 3>It's like it's so bad and like you were saying earlier, Alex,

0:55:29.000 --> 0:55:32.000
<v Speaker 3>like is just sort of like this charcutory board of

0:55:32.040 --> 0:55:36.120
<v Speaker 3>like offensive early two thousands jokes where we have not

0:55:36.480 --> 0:55:40.520
<v Speaker 3>one but two characters that are strictly there to be

0:55:40.840 --> 0:55:47.239
<v Speaker 3>fat shamed, one child, one adult, incredible variety. The callback

0:55:47.280 --> 0:55:48.880
<v Speaker 3>with we didn't I don't think this came up in

0:55:48.880 --> 0:55:50.759
<v Speaker 3>the recap because it has no bearing on the.

0:55:50.680 --> 0:55:54.000
<v Speaker 4>Plot, But there's a child who.

0:55:54.120 --> 0:55:58.919
<v Speaker 3>Just like Adam Sandler's fat shaming, who is crying, and

0:55:59.320 --> 0:56:01.960
<v Speaker 3>I feel like that plays into bullying and also plays

0:56:02.000 --> 0:56:07.000
<v Speaker 3>into like tropes around bad people being really sensitive I guess,

0:56:07.880 --> 0:56:12.239
<v Speaker 3>and like overly emotional. And then we cut to like

0:56:12.680 --> 0:56:15.640
<v Speaker 3>a joke of like he Adam Sandler's like, kid, you

0:56:15.760 --> 0:56:20.279
<v Speaker 3>gotta get a bra, like just middle school bullying as a.

0:56:20.200 --> 0:56:21.560
<v Speaker 4>Thirty three year old character.

0:56:22.040 --> 0:56:24.960
<v Speaker 3>Yeah, and then when we go to Victoria's secret apparently

0:56:25.760 --> 0:56:29.600
<v Speaker 3>against Victoria's secrets, Will not that that's a great company,

0:56:29.640 --> 0:56:32.680
<v Speaker 3>but it's just so weird that he didn't ask. But

0:56:32.760 --> 0:56:35.440
<v Speaker 3>then we see like that kid trying on. It's a

0:56:35.600 --> 0:56:37.960
<v Speaker 3>very like incoherent joke.

0:56:38.320 --> 0:56:42.280
<v Speaker 2>Yeah, not only are the jokes incredibly problematic and reductive

0:56:42.360 --> 0:56:46.399
<v Speaker 2>and punching down to marginalize people. They often don't make

0:56:46.440 --> 0:56:48.200
<v Speaker 2>sense and are very sad.

0:56:49.520 --> 0:56:51.480
<v Speaker 3>And then it never comes back, which is not like,

0:56:51.600 --> 0:56:54.120
<v Speaker 3>oh I wish there was a third beat of that joke,

0:56:54.160 --> 0:56:57.440
<v Speaker 3>but like it's still You're like, why is why is

0:56:57.480 --> 0:56:58.160
<v Speaker 3>any of it here?

0:56:58.280 --> 0:56:59.360
<v Speaker 4>I don't know right.

0:56:59.440 --> 0:57:04.880
<v Speaker 2>Similarly, the adult who is relentlessly fat shamed is shown

0:57:04.920 --> 0:57:07.399
<v Speaker 2>on screen. The brief moment that he's on screen, he's

0:57:07.440 --> 0:57:13.480
<v Speaker 2>depicted as being like very uncoordinated and clueless, and then

0:57:14.440 --> 0:57:16.520
<v Speaker 2>the losing players of the two on two game have

0:57:16.600 --> 0:57:19.520
<v Speaker 2>to eat his jockstrap because that is like the worst

0:57:19.520 --> 0:57:24.640
<v Speaker 2>punishment conceivable, You have to eat a fat person's undergarment.

0:57:24.760 --> 0:57:28.160
<v Speaker 3>Like, but it's also like that should be true if

0:57:28.200 --> 0:57:29.560
<v Speaker 3>anyone's undergarded.

0:57:29.680 --> 0:57:30.320
<v Speaker 2>That shouldn't for.

0:57:30.360 --> 0:57:33.840
<v Speaker 3>The punishment for anybody, Like body type should not be

0:57:33.920 --> 0:57:36.200
<v Speaker 3>a factor in why you wouldn't want to do that.

0:57:36.200 --> 0:57:37.400
<v Speaker 4>They're like, well, if it was.

0:57:37.760 --> 0:57:39.840
<v Speaker 3>If it was like a guy, I would need to

0:57:39.840 --> 0:57:42.640
<v Speaker 3>cuss jockstrap if it was his, if he had a

0:57:42.680 --> 0:57:44.040
<v Speaker 3>different body type.

0:57:43.840 --> 0:57:47.040
<v Speaker 2>Well that's the joke. It's just like it's especially gross

0:57:47.840 --> 0:57:50.840
<v Speaker 2>because it belongs to a fat person. So it's just

0:57:50.880 --> 0:57:55.920
<v Speaker 2>like nonsensical jokes like that. There's, as we referenced already,

0:57:56.120 --> 0:58:01.520
<v Speaker 2>the anti Asian racism in a care who works at

0:58:01.560 --> 0:58:05.320
<v Speaker 2>a Chinese restaurant who is voiced by Rob Schneider doing.

0:58:05.160 --> 0:58:08.560
<v Speaker 3>His definitely not the only time Rob Schneider's done this,

0:58:09.200 --> 0:58:11.800
<v Speaker 3>I cannot I could pull a second example out of

0:58:12.000 --> 0:58:13.680
<v Speaker 3>my head, but I know he's done this before.

0:58:14.000 --> 0:58:14.480
<v Speaker 7>We know.

0:58:14.520 --> 0:58:16.520
<v Speaker 2>We talked about this on I think it was our

0:58:16.560 --> 0:58:21.200
<v Speaker 2>fifty First Dates episode. There are like the whole pieces

0:58:21.240 --> 0:58:27.000
<v Speaker 2>written about the long list of often anti Asian racist

0:58:27.040 --> 0:58:30.040
<v Speaker 2>jokes and characters that he does in movies like I

0:58:30.080 --> 0:58:32.440
<v Speaker 2>Now Pronounce You Chuck and Larry is an example. He

0:58:32.480 --> 0:58:35.280
<v Speaker 2>does it in fifty First Day, every movie, it's almost

0:58:35.280 --> 0:58:38.480
<v Speaker 2>every movie he's in, honestly, So he's just doing another

0:58:38.520 --> 0:58:42.920
<v Speaker 2>example of it in Eight Crazy Nights. And then there

0:58:42.960 --> 0:58:47.040
<v Speaker 2>are a whole slew of ableist jokes that are directed

0:58:47.040 --> 0:58:49.160
<v Speaker 2>toward Whitey and Eleanor.

0:58:49.360 --> 0:58:52.920
<v Speaker 5>I have a real problem with how they treated Eleanor

0:58:53.040 --> 0:58:56.320
<v Speaker 5>in the movie. I mean it just it starts bad

0:58:56.400 --> 0:58:58.240
<v Speaker 5>and then it gets so much worse. And then the

0:58:58.240 --> 0:59:00.840
<v Speaker 5>thing with the like she her hair is a wig,

0:59:00.920 --> 0:59:03.200
<v Speaker 5>and that's a big funny joke for a while that

0:59:03.240 --> 0:59:07.040
<v Speaker 5>she loses her wig, and it just felt like everything

0:59:07.120 --> 0:59:09.760
<v Speaker 5>they were doing to Whitey but made it worse because

0:59:09.760 --> 0:59:11.240
<v Speaker 5>she's a woman, you know what I mean, Like they're

0:59:11.280 --> 0:59:13.280
<v Speaker 5>like it's already bad. And then we added in a

0:59:13.280 --> 0:59:14.640
<v Speaker 5>lot of misogyny too.

0:59:15.120 --> 0:59:19.800
<v Speaker 2>Because they seem to have they're like fraternal twins, they

0:59:19.880 --> 0:59:23.360
<v Speaker 2>seem to have been born with the same physical disability,

0:59:24.160 --> 0:59:27.640
<v Speaker 2>and so there's a ton of ablest jokes made about them.

0:59:28.240 --> 0:59:31.720
<v Speaker 2>But like you said, yeah, it's even the offensive jokes

0:59:31.920 --> 0:59:35.520
<v Speaker 2>that are leveled at Eleanor are even more so because

0:59:35.560 --> 0:59:39.440
<v Speaker 2>she is a woman and she's like voiced with this

0:59:39.680 --> 0:59:43.120
<v Speaker 2>very like shrill, annoying voice that Adam Sandler is doing

0:59:43.160 --> 0:59:45.720
<v Speaker 2>that's like very intentionally annoying.

0:59:45.640 --> 0:59:48.840
<v Speaker 4>And apparently could have been worse, which is so wild.

0:59:49.280 --> 0:59:54.120
<v Speaker 2>Yeah, and then for those two characters, the character design

0:59:54.480 --> 0:59:57.680
<v Speaker 2>is way more cartoonish than every single other character. Every

0:59:57.720 --> 1:00:03.000
<v Speaker 2>single other character you see at least resemble like human people,

1:00:03.840 --> 1:00:07.280
<v Speaker 2>But for these two characters, Whitey and Eleanor, they're very

1:00:07.400 --> 1:00:13.120
<v Speaker 2>very very cartoonish looking, like they they don't resemble human

1:00:13.200 --> 1:00:17.400
<v Speaker 2>beings the way that humans look. So it's just another

1:00:18.000 --> 1:00:21.920
<v Speaker 2>way that the movie doesn't take them seriously, that the

1:00:22.000 --> 1:00:28.160
<v Speaker 2>movie is disparaging toward these people. And then meanwhile, like Davy,

1:00:28.440 --> 1:00:31.720
<v Speaker 2>as we said, has like chiseled pecks and abs, and

1:00:31.760 --> 1:00:32.720
<v Speaker 2>it's like, give.

1:00:32.560 --> 1:00:36.120
<v Speaker 3>Me a bit break doesn't make Yeah, that's I feel

1:00:36.120 --> 1:00:40.120
<v Speaker 3>like that's an Adam Sandler email, like hold on, hold on,

1:00:40.520 --> 1:00:41.080
<v Speaker 3>make me way.

1:00:41.240 --> 1:00:45.360
<v Speaker 10>Yeah, he's a loser, but he's got to be sexy

1:00:45.440 --> 1:00:50.120
<v Speaker 10>because he looks like me, Like, I don't know, I

1:00:50.160 --> 1:00:53.560
<v Speaker 10>don't know how much creative control should one person be.

1:00:53.440 --> 1:00:58.439
<v Speaker 9>Permitted to have, do your dumb man, this guy would

1:00:58.480 --> 1:01:01.400
<v Speaker 9>not have chiseled abs like and the fact that like

1:01:01.680 --> 1:01:04.360
<v Speaker 9>that is sort of used to justify why he's like

1:01:04.920 --> 1:01:09.080
<v Speaker 9>treating other characters so fat phobic, like is well.

1:01:08.960 --> 1:01:12.400
<v Speaker 3>Because he's got You're like that doesn't make narrative sense

1:01:13.000 --> 1:01:14.640
<v Speaker 3>given his the only.

1:01:14.480 --> 1:01:16.600
<v Speaker 4>Thing we see him consume the entire movie is.

1:01:16.960 --> 1:01:21.200
<v Speaker 3>Beer anyways, right, I don't even know? And yeah, I

1:01:21.240 --> 1:01:23.040
<v Speaker 3>mean going back to Eleanor a little bit, I mean

1:01:23.080 --> 1:01:24.960
<v Speaker 3>I just found it. Really I felt like she was

1:01:25.040 --> 1:01:27.960
<v Speaker 3>treated I mean, she's treated horrifically, but it also felt

1:01:28.000 --> 1:01:31.400
<v Speaker 3>like she was like they were leaning on like Jewish

1:01:31.480 --> 1:01:35.840
<v Speaker 3>stereotypes with her, but her character was. It was very unclear.

1:01:35.960 --> 1:01:37.920
<v Speaker 3>I mean, not that it would make it okay either way,

1:01:37.960 --> 1:01:39.480
<v Speaker 3>but I was like, I'm pretty sure we were told

1:01:39.520 --> 1:01:41.600
<v Speaker 3>at the beginning of the movie this character isn't Jewish,

1:01:41.720 --> 1:01:45.080
<v Speaker 3>and then they layer all of these horrible stereotypes on her.

1:01:45.280 --> 1:01:47.280
<v Speaker 3>It's just like another thing where it's like both offensive

1:01:47.320 --> 1:01:48.120
<v Speaker 3>and confusing.

1:01:48.280 --> 1:01:51.640
<v Speaker 5>He's doing it like a stereotypical Jewish old lady voice,

1:01:51.920 --> 1:01:54.000
<v Speaker 5>and like we picked up on that right away when

1:01:54.000 --> 1:01:55.920
<v Speaker 5>I was watching it. I was like, that's so weird

1:01:55.920 --> 1:02:01.800
<v Speaker 5>because like, again, they're not they're not Jews away.

1:02:00.840 --> 1:02:03.440
<v Speaker 3>Right, like the first thing we learned about those, right

1:02:04.760 --> 1:02:07.000
<v Speaker 3>And like you said, like even if they were Jewish characters,

1:02:07.520 --> 1:02:13.000
<v Speaker 3>to then lean into that stereotype is just lazy and reductive.

1:02:12.720 --> 1:02:15.960
<v Speaker 4>Problematic and confusing. Every joke in this movie.

1:02:16.240 --> 1:02:19.400
<v Speaker 5>I was pleasantly surprised that, I mean, are we ready

1:02:19.400 --> 1:02:20.320
<v Speaker 5>to talk about We're ready.

1:02:20.160 --> 1:02:20.840
<v Speaker 6>To talk to Jennifer.

1:02:21.080 --> 1:02:21.960
<v Speaker 2>Let's let's do it.

1:02:22.000 --> 1:02:25.840
<v Speaker 5>I was pleasantly surprised that Jennifer didn't seem to fulfill

1:02:25.920 --> 1:02:29.680
<v Speaker 5>any Jewish like women's stereotypes. Really, I mean, in all

1:02:29.720 --> 1:02:32.240
<v Speaker 5>of that, I'm saying it as if it's a compliment,

1:02:32.280 --> 1:02:34.880
<v Speaker 5>but also as I angrily texted Jamie, we know like

1:02:34.960 --> 1:02:37.040
<v Speaker 5>six facts about Jennifer, Like, what do we really know

1:02:37.040 --> 1:02:40.640
<v Speaker 5>about Jennifer. She's not a well defined character. She's a woman,

1:02:41.520 --> 1:02:43.000
<v Speaker 5>she's a brunette.

1:02:42.440 --> 1:02:45.680
<v Speaker 2>She's a mom, she works at Dunkin Donuts, she's Jewish,

1:02:46.000 --> 1:02:47.080
<v Speaker 2>she's generous.

1:02:47.520 --> 1:02:49.360
<v Speaker 4>Yeah, yeah, she's a nice person.

1:02:49.960 --> 1:02:53.120
<v Speaker 2>And she doesn't put up with Davy's shit a lot

1:02:53.160 --> 1:02:55.320
<v Speaker 2>of the time. And until that very it makes you

1:02:55.400 --> 1:02:58.640
<v Speaker 2>wonder why she's willing to like get with him, because

1:02:58.720 --> 1:03:02.520
<v Speaker 2>has he redeemed himself because he's so irredeemable that like

1:03:03.760 --> 1:03:04.919
<v Speaker 2>he doesn't do enough.

1:03:04.960 --> 1:03:07.760
<v Speaker 3>I think No, it's she's treated as a trophy at

1:03:07.800 --> 1:03:10.520
<v Speaker 3>the end, I mean, which I think has made pretty explicit.

1:03:10.080 --> 1:03:13.040
<v Speaker 4>By how like and they make eleanor do it where it's.

1:03:12.880 --> 1:03:16.680
<v Speaker 3>Like, if you guys don't, Kish shall kick you in

1:03:16.720 --> 1:03:17.280
<v Speaker 3>the teeth.

1:03:17.560 --> 1:03:20.040
<v Speaker 4>And then Jennifer is like, yep, makes sense. I guess.

1:03:20.560 --> 1:03:24.320
<v Speaker 4>I guess you're my son now too. You're like Jesus, come.

1:03:24.520 --> 1:03:26.480
<v Speaker 5>You know, honestly, Then I'm going to retract my previous

1:03:26.520 --> 1:03:28.440
<v Speaker 5>statement that it was nice that she wasn't treated with

1:03:28.520 --> 1:03:31.960
<v Speaker 5>Jewish stereotypes, because the reason they probably didn't imbue her

1:03:32.000 --> 1:03:35.080
<v Speaker 5>with Jewish stereotypes is because she was a trophy at

1:03:35.120 --> 1:03:36.640
<v Speaker 5>the end, right, Like a lot in a lot of

1:03:36.680 --> 1:03:40.520
<v Speaker 5>movies like that, the Jewish woman character really does only

1:03:40.560 --> 1:03:43.720
<v Speaker 5>exist to be sort of mocked in a number of

1:03:43.720 --> 1:03:46.360
<v Speaker 5>different a variety of different fun ways. And so I

1:03:46.360 --> 1:03:48.000
<v Speaker 5>feel like you can you can have one or the other.

1:03:48.040 --> 1:03:50.040
<v Speaker 5>But Adam Sandler would not want his prize to be

1:03:50.160 --> 1:03:53.440
<v Speaker 5>kind of, you know, mired in Jewish stereotypes, right, like

1:03:53.480 --> 1:03:55.240
<v Speaker 5>he would he would separate those two out.

1:03:55.880 --> 1:03:59.760
<v Speaker 2>It's very bleak, right, especially because the like the woman

1:04:00.040 --> 1:04:04.920
<v Speaker 2>trophy in so many movies is like very waspy. Everything

1:04:05.040 --> 1:04:06.320
<v Speaker 2>is bad in the movie.

1:04:07.600 --> 1:04:08.720
<v Speaker 4>It's like where does ivid?

1:04:08.800 --> 1:04:11.800
<v Speaker 3>Yeah, the I guess I don't have anything to say

1:04:11.840 --> 1:04:16.280
<v Speaker 3>about the Dead Parents except like, what a wildly serious

1:04:16.320 --> 1:04:19.320
<v Speaker 3>plot point to deploy with like ten minutes left in

1:04:19.360 --> 1:04:22.120
<v Speaker 3>the movie. But yeah, I think, like Alex you said

1:04:22.120 --> 1:04:25.360
<v Speaker 3>it perfectly earlier, where it's like it's that is presented

1:04:25.440 --> 1:04:29.960
<v Speaker 3>as a justification for all of his behavior, which obviously

1:04:30.000 --> 1:04:32.360
<v Speaker 3>it isn't, and then when he makes the smallest bit

1:04:32.400 --> 1:04:36.400
<v Speaker 3>of progress as a person, he's immediately given trophy. Jennifer

1:04:37.320 --> 1:04:40.800
<v Speaker 3>who like stands up for him kind of in a

1:04:40.840 --> 1:04:43.840
<v Speaker 3>weird vacuum. I think it's like the only real justification

1:04:44.000 --> 1:04:46.760
<v Speaker 3>is like they have a connection from the past and

1:04:46.800 --> 1:04:50.560
<v Speaker 3>she's nice. There's also oh gosh, I want to take

1:04:50.600 --> 1:04:53.600
<v Speaker 3>sure I mentioned that there's also just like a again

1:04:53.720 --> 1:04:59.400
<v Speaker 3>like expectedly bad presentation of an unhoused person in this too, yes,

1:04:59.440 --> 1:05:01.640
<v Speaker 3>where like I don't even want to get it, but

1:05:01.680 --> 1:05:06.040
<v Speaker 3>it's like all of the stereotypes you would expect are present,

1:05:06.360 --> 1:05:09.280
<v Speaker 3>and it's again a character that doesn't do anything except

1:05:09.560 --> 1:05:10.160
<v Speaker 3>be there.

1:05:10.200 --> 1:05:12.120
<v Speaker 2>So it's like they just either to be made fun of.

1:05:12.320 --> 1:05:16.400
<v Speaker 3>Yeah, right, the same as you know, mister Chang and

1:05:16.440 --> 1:05:19.040
<v Speaker 3>like yeah, they're just like oh yeah, these are like

1:05:19.280 --> 1:05:21.400
<v Speaker 3>this is the joke we always make in the Adam

1:05:21.480 --> 1:05:23.439
<v Speaker 3>Sandler movie, so we have to make it here too,

1:05:23.720 --> 1:05:28.880
<v Speaker 3>and it's just like lazy and bad what else.

1:05:29.360 --> 1:05:34.240
<v Speaker 2>They're similarly a very brief but noticeable transphobic joke in

1:05:34.240 --> 1:05:38.280
<v Speaker 2>one of the songs in Songs song Form emblematic of

1:05:38.320 --> 1:05:40.440
<v Speaker 2>the type of stuff that this movie thinks is funny.

1:05:40.800 --> 1:05:44.520
<v Speaker 3>The protein powder hits on the victorious decrodrazy. You're just

1:05:44.640 --> 1:05:46.640
<v Speaker 3>at the point you're like, all right, I'm just like

1:05:46.720 --> 1:05:48.840
<v Speaker 3>I've I've stopped.

1:05:48.480 --> 1:05:50.800
<v Speaker 2>Feeling I didn't even write that down because I had

1:05:50.840 --> 1:05:53.440
<v Speaker 2>like checked out so hard at that point that I

1:05:53.480 --> 1:05:57.000
<v Speaker 2>was like, I can't My brain is mush, I can't even.

1:05:56.800 --> 1:06:00.520
<v Speaker 3>It's honestly like, yeah, listeners, let us know if we've

1:06:00.560 --> 1:06:02.959
<v Speaker 3>forgotten anything, because I found it so hard to lock

1:06:03.040 --> 1:06:05.160
<v Speaker 3>in on this movie, and I kept pausing it to be.

1:06:05.160 --> 1:06:09.200
<v Speaker 4>Like, yeah, we'll do an earlier point.

1:06:09.240 --> 1:06:12.280
<v Speaker 2>Like It's one thing. If there is a character who

1:06:12.320 --> 1:06:18.200
<v Speaker 2>hasn't properly dealt with grief, who is like turning to

1:06:18.320 --> 1:06:24.120
<v Speaker 2>substance use to cope, and who like with the help

1:06:24.200 --> 1:06:28.480
<v Speaker 2>of their community perhaps is able to like turn things

1:06:28.520 --> 1:06:32.280
<v Speaker 2>around and deal with things in a healthier way. There's

1:06:32.320 --> 1:06:34.720
<v Speaker 2>a lot of movies about that. Also. I was thinking

1:06:34.760 --> 1:06:39.040
<v Speaker 2>about how there's like a whole subgenre of movies about

1:06:39.320 --> 1:06:43.240
<v Speaker 2>a like down on his luck man, often someone who

1:06:43.280 --> 1:06:47.200
<v Speaker 2>is like dealing with alcoholism, who is either by like

1:06:47.280 --> 1:06:50.920
<v Speaker 2>community service, like is sentenced to community service, or something

1:06:51.640 --> 1:06:56.560
<v Speaker 2>that he has to coach a like youth team. Yeah,

1:06:56.640 --> 1:06:59.760
<v Speaker 2>there are so many movies to this effect. I'm starting

1:06:59.800 --> 1:07:02.320
<v Speaker 2>a lit boxed list, and so far I have. There's

1:07:02.320 --> 1:07:04.760
<v Speaker 2>a movie, there's a Ben Affleck movie called The Way Back.

1:07:04.880 --> 1:07:10.240
<v Speaker 2>I think Hoosiers has this premise. I want to say,

1:07:10.440 --> 1:07:13.320
<v Speaker 2>is Mighty Ducks one of them? Yes, Mighty Ducks?

1:07:13.520 --> 1:07:14.880
<v Speaker 6>Yeah, absolutely a.

1:07:14.920 --> 1:07:17.880
<v Speaker 2>League of their own. Like it's the Tom Hanks character.

1:07:18.120 --> 1:07:23.160
<v Speaker 4>Okay, that's half like TV pilots too. He's back.

1:07:23.640 --> 1:07:26.000
<v Speaker 2>So if anyone has any other I know I'm missing

1:07:26.040 --> 1:07:28.280
<v Speaker 2>so many. Oh there was actually a movie that I

1:07:28.600 --> 1:07:31.840
<v Speaker 2>was an extra in called The Winning Season starring Sam

1:07:31.920 --> 1:07:34.720
<v Speaker 2>Rockwell and Emma Roberts, that I think never got a

1:07:34.760 --> 1:07:35.680
<v Speaker 2>theatrical release.

1:07:36.000 --> 1:07:38.040
<v Speaker 4>But like that sounds like a mad lib.

1:07:38.320 --> 1:07:41.240
<v Speaker 2>I'm basically the star of it as I walk through

1:07:41.520 --> 1:07:46.040
<v Speaker 2>one cafeteria scene with no speaking role. But it's like, yeah,

1:07:46.160 --> 1:07:49.720
<v Speaker 2>Sam Rockwell like gets community service and has to coach

1:07:49.800 --> 1:07:52.760
<v Speaker 2>a girls basketball team. So like, there's just so many

1:07:52.760 --> 1:07:56.040
<v Speaker 2>movies to this effect, a Crazy Nights being one of them. Anyway,

1:07:56.520 --> 1:07:58.640
<v Speaker 2>if there's a movie where like it's a similar premise

1:07:58.760 --> 1:08:03.280
<v Speaker 2>and the character like learns through like the love and

1:08:03.320 --> 1:08:06.720
<v Speaker 2>companionship of the people around him and that's his arc

1:08:06.920 --> 1:08:10.360
<v Speaker 2>and that he like treats people better because of it, fine, whatever,

1:08:10.440 --> 1:08:14.200
<v Speaker 2>Like this is also the premise of many many holiday movies,

1:08:14.760 --> 1:08:18.760
<v Speaker 2>but like this one is just so half baked in

1:08:18.840 --> 1:08:24.080
<v Speaker 2>its execution, and the character starts out so irredeemable that

1:08:25.080 --> 1:08:27.840
<v Speaker 2>you're just like, why do I care? Why am I

1:08:27.880 --> 1:08:32.400
<v Speaker 2>watching this? It's horrible, it's so tropy. Yeah, and it's

1:08:32.520 --> 1:08:33.559
<v Speaker 2>an absolute mess.

1:08:33.880 --> 1:08:36.400
<v Speaker 5>I think that his character, like I was saying, a

1:08:36.400 --> 1:08:39.679
<v Speaker 5>lot of his behavior, I mean, there's no coming back

1:08:39.720 --> 1:08:42.040
<v Speaker 5>from some of the things he did, Like when you

1:08:42.080 --> 1:08:44.880
<v Speaker 5>throw you know, when you throw an old man off

1:08:44.920 --> 1:08:47.120
<v Speaker 5>a cliff inside a porner body and let him get

1:08:47.120 --> 1:08:51.960
<v Speaker 5>covered in shit, like there's really I mean, there's no redemption.

1:08:52.040 --> 1:08:54.679
<v Speaker 6>There's no redemption to be how No, And I think

1:08:54.720 --> 1:08:56.880
<v Speaker 6>that even and I think that's probably why they drop

1:08:56.920 --> 1:08:59.360
<v Speaker 6>the dead parents in at the end. They're like today

1:08:59.840 --> 1:09:00.320
<v Speaker 6>and it.

1:09:00.360 --> 1:09:03.320
<v Speaker 5>Just doesn't that doesn't make it better. And I also

1:09:03.360 --> 1:09:07.240
<v Speaker 5>think that is redeeming himself by saying maybe white he

1:09:07.280 --> 1:09:12.040
<v Speaker 5>should win the Patch Award, Like that's not.

1:09:11.080 --> 1:09:13.439
<v Speaker 6>Is that redemption? Is that enough? Did he balance the

1:09:13.439 --> 1:09:15.920
<v Speaker 6>scales of justice? I feel like he did not right.

1:09:16.240 --> 1:09:19.200
<v Speaker 2>We've talked about this before, but male redemption arcs and

1:09:19.320 --> 1:09:22.360
<v Speaker 2>stories like this is something we see all the time,

1:09:22.400 --> 1:09:26.680
<v Speaker 2>where a man will be really awful to people and

1:09:26.800 --> 1:09:31.120
<v Speaker 2>do things that are arguably irredeemable, but because he does

1:09:31.200 --> 1:09:33.839
<v Speaker 2>one tiny little thing he does not even the bare minimum,

1:09:33.880 --> 1:09:36.320
<v Speaker 2>He does less than the bare minimum, but still gets

1:09:36.600 --> 1:09:41.840
<v Speaker 2>a redemption arc because culturally we just allow bad male

1:09:41.920 --> 1:09:46.320
<v Speaker 2>behavior far more than we permit or tolerate any kind

1:09:46.320 --> 1:09:50.040
<v Speaker 2>of bad behavior from marginalized genders.

1:09:50.080 --> 1:09:53.479
<v Speaker 3>Well, yeah, like the thresholds for a man's redemption is

1:09:53.520 --> 1:09:57.040
<v Speaker 3>far lower, and the threshold for punishment of anyone who's

1:09:57.080 --> 1:09:57.759
<v Speaker 3>not a man.

1:09:57.680 --> 1:09:59.280
<v Speaker 4>Is also a far lower.

1:09:59.520 --> 1:10:02.640
<v Speaker 3>Like, you know, we see women get punished all the

1:10:02.680 --> 1:10:06.640
<v Speaker 3>time for existing and then like you know, characters like

1:10:06.680 --> 1:10:09.599
<v Speaker 3>this do the most horrific shit possible and then are

1:10:09.720 --> 1:10:12.840
<v Speaker 3>nice one time, and then it's like, no.

1:10:12.840 --> 1:10:17.000
<v Speaker 4>You're right, you're right, here's your woman property after me too.

1:10:17.040 --> 1:10:19.439
<v Speaker 5>There were all those apologies that came out, and I'm

1:10:19.439 --> 1:10:22.679
<v Speaker 5>thinking in particular of I want to say Mario Batali

1:10:22.760 --> 1:10:25.080
<v Speaker 5>and he was like, I'm sorry I sectually harassed people.

1:10:25.400 --> 1:10:28.760
<v Speaker 6>Here is a cinnamon role recipe. Everything's good, And it was.

1:10:28.720 --> 1:10:33.760
<v Speaker 2>Just like, what, Well, that's the thing. Yeah, Like, if

1:10:33.760 --> 1:10:38.479
<v Speaker 2>you're a white man in society and you do something horrible,

1:10:38.960 --> 1:10:40.120
<v Speaker 2>you have a shot or redemption.

1:10:40.400 --> 1:10:42.760
<v Speaker 3>Caitlyn, I keep forgetting to bring this up. I think

1:10:42.760 --> 1:10:44.439
<v Speaker 3>about it every couple of months. I want to do

1:10:44.479 --> 1:10:48.200
<v Speaker 3>a Matreon theme that's like white male O Tour post

1:10:48.280 --> 1:10:50.639
<v Speaker 3>Me Too movie, because there were so many of them

1:10:50.720 --> 1:10:53.639
<v Speaker 3>that were like, I get it, guys, I get it,

1:10:54.200 --> 1:10:56.720
<v Speaker 3>my bad and then it's like the only movie they'll

1:10:56.720 --> 1:11:00.360
<v Speaker 3>ever make that centers a woman and it makes no sense. Listeners,

1:11:00.400 --> 1:11:03.120
<v Speaker 3>please drop your your Like I've been meaning to make

1:11:03.120 --> 1:11:07.200
<v Speaker 3>a letterbox list of like Maleo term my b post

1:11:07.280 --> 1:11:11.800
<v Speaker 3>Me Too movies because some are okay, most of them

1:11:11.880 --> 1:11:14.880
<v Speaker 3>are incoherent and forgettable, but I feel like there was

1:11:15.000 --> 1:11:16.800
<v Speaker 3>they were like, oh, we gotta get Brad's in here

1:11:16.920 --> 1:11:18.479
<v Speaker 3>and like and it.

1:11:18.520 --> 1:11:20.479
<v Speaker 4>Like doesn't work. I actually think one of the better

1:11:20.520 --> 1:11:23.280
<v Speaker 4>ones is The Last Duel. Oh, the Last Duel is

1:11:23.320 --> 1:11:24.479
<v Speaker 4>a good example that men.

1:11:25.120 --> 1:11:28.200
<v Speaker 3>For example, is a that's the Alex Garland post me

1:11:28.240 --> 1:11:29.120
<v Speaker 3>to movies.

1:11:30.040 --> 1:11:31.200
<v Speaker 4>There's just a lot of them.

1:11:31.320 --> 1:11:34.400
<v Speaker 2>It's Bombshell, directed by j Rod.

1:11:35.120 --> 1:11:38.920
<v Speaker 3>Yes, that's that might be bottom of the barrel for me.

1:11:39.200 --> 1:11:42.040
<v Speaker 3>That movie is dog shit And at the time I

1:11:42.200 --> 1:11:43.519
<v Speaker 3>was and they tried to kill me.

1:11:43.600 --> 1:11:46.759
<v Speaker 4>At the time I got called by the newspaper.

1:11:46.120 --> 1:11:49.760
<v Speaker 3>When I said the Bombshell was like dog shit and

1:11:49.800 --> 1:11:50.559
<v Speaker 3>bad for women.

1:11:51.360 --> 1:11:55.160
<v Speaker 4>They're like, what do you mean you hate you hate women, Like.

1:11:56.479 --> 1:11:59.800
<v Speaker 2>Yes, yeah, that's exactly what that means there is that it.

1:12:00.640 --> 1:12:06.360
<v Speaker 2>Does anyone have any other thoughts about Eight Crazy Nights?

1:12:07.680 --> 1:12:09.960
<v Speaker 3>Yeah, I mean, I think I forget when we last

1:12:09.960 --> 1:12:12.760
<v Speaker 3>had this conversation, but I do want to just sort

1:12:12.800 --> 1:12:15.960
<v Speaker 3>of like take a second for us to acknowledge Adam

1:12:16.000 --> 1:12:19.599
<v Speaker 3>Sandler's politics, which are actually quite relevant to this movie

1:12:19.600 --> 1:12:23.400
<v Speaker 3>in spite of it not really being about Hanakah.

1:12:23.479 --> 1:12:29.000
<v Speaker 2>Right, yeah, yeah, So Adam Sandler has a history of

1:12:29.080 --> 1:12:34.200
<v Speaker 2>having a very pro Israel stance. A couple examples of

1:12:34.240 --> 1:12:37.599
<v Speaker 2>this seems like a lot of it happened in twenty fifteen,

1:12:37.640 --> 1:12:42.639
<v Speaker 2>at least publicly, where he was reported as saying, quote,

1:12:42.680 --> 1:12:45.320
<v Speaker 2>I will always stand with Israel. I can't tolerate people

1:12:45.320 --> 1:12:48.439
<v Speaker 2>who criticize Israel without walking in their shoes. I hate

1:12:48.439 --> 1:12:51.080
<v Speaker 2>the lies they spread and their lack of knowledge. I

1:12:51.080 --> 1:12:55.000
<v Speaker 2>am proud to stand up for the Israelis unquote. And

1:12:55.040 --> 1:12:58.760
<v Speaker 2>then also in that year, there was this whole thing

1:12:58.800 --> 1:13:03.720
<v Speaker 2>where the frontman of Pink Floyd Roger Waters, you know,

1:13:03.760 --> 1:13:08.000
<v Speaker 2>he's a proponent of the BDS movement, he said he

1:13:08.040 --> 1:13:12.200
<v Speaker 2>would not play shows in Israel. Howard Stern then went

1:13:12.280 --> 1:13:15.479
<v Speaker 2>on like a long rant about this on his show

1:13:15.880 --> 1:13:19.240
<v Speaker 2>in October of twenty fifteen, and then Adam Sandler went

1:13:19.280 --> 1:13:24.000
<v Speaker 2>on The Howard Stern Show and said something to the

1:13:24.000 --> 1:13:27.080
<v Speaker 2>effect of like, I'm disgusted when they single out Israel.

1:13:27.280 --> 1:13:30.160
<v Speaker 2>I'm very pro Israel. He goes on to say like

1:13:30.200 --> 1:13:35.040
<v Speaker 2>he doesn't like it when musicians won't play concerts in Israel,

1:13:35.520 --> 1:13:37.400
<v Speaker 2>and then he's like, I love what you had to

1:13:37.439 --> 1:13:40.200
<v Speaker 2>say about it, Howard Stern, which was like some of

1:13:40.240 --> 1:13:44.599
<v Speaker 2>the most vile, racist, horrible stuff. I don't even want

1:13:44.600 --> 1:13:47.360
<v Speaker 2>to repeat it, but if anyone's interested in looking that

1:13:47.479 --> 1:13:50.960
<v Speaker 2>up on their own time, and that's why I was curious, like, Okay,

1:13:51.000 --> 1:13:54.679
<v Speaker 2>this is you know, nearly ten years ago. Has Adam

1:13:54.760 --> 1:13:58.400
<v Speaker 2>Sandler's stance changed at all? And it seems like he

1:13:58.479 --> 1:14:02.320
<v Speaker 2>hasn't said a whole lot about it in the past decade,

1:14:02.400 --> 1:14:06.080
<v Speaker 2>aside from after October seventh of twenty twenty three, he

1:14:06.120 --> 1:14:10.720
<v Speaker 2>did post on Instagram saying that I've been heartbroken by

1:14:10.760 --> 1:14:13.960
<v Speaker 2>the horrendous attacks on Israel. I pray for peace ands

1:14:14.040 --> 1:14:18.599
<v Speaker 2>the safety of innocent Israelis and Palestinians everywhere. So now

1:14:18.640 --> 1:14:23.599
<v Speaker 2>he's sort of like both sides in it, which is

1:14:23.840 --> 1:14:26.920
<v Speaker 2>it's a choice. It's a choice, and I don't think

1:14:26.920 --> 1:14:29.360
<v Speaker 2>he said much about it publicly since.

1:14:29.320 --> 1:14:32.200
<v Speaker 5>Yeah, no, it's a different choice I think than he

1:14:32.320 --> 1:14:35.680
<v Speaker 5>had been making in the past. And part of me

1:14:35.800 --> 1:14:38.200
<v Speaker 5>wants to the optimistic part of me wants to see

1:14:38.200 --> 1:14:40.240
<v Speaker 5>that as a sign of progress. I mean, I think

1:14:41.360 --> 1:14:46.639
<v Speaker 5>going from supporting Howard Stern's vile statements that are incredibly

1:14:46.720 --> 1:14:50.519
<v Speaker 5>racist to saying Palaestins are also people who deserve safety

1:14:50.680 --> 1:14:53.280
<v Speaker 5>is like, you know, again, that is it's a step.

1:14:53.320 --> 1:14:53.800
<v Speaker 4>We can call it.

1:14:53.880 --> 1:14:55.280
<v Speaker 5>Let's just call a step. I don't think it needs

1:14:55.280 --> 1:14:57.120
<v Speaker 5>to be complimented. I don't think it needs to be

1:14:57.280 --> 1:14:59.800
<v Speaker 5>like celebrated. It's just like a hey, so we did

1:14:59.800 --> 1:15:02.200
<v Speaker 5>do and that's cool, you know. And I think that

1:15:02.280 --> 1:15:05.320
<v Speaker 5>like a lot of the support for Israel is generational.

1:15:05.360 --> 1:15:07.760
<v Speaker 5>So Adam Sandler just want to note what generation is

1:15:07.800 --> 1:15:09.360
<v Speaker 5>he and he's how old is he?

1:15:09.800 --> 1:15:10.360
<v Speaker 4>Gen X?

1:15:10.600 --> 1:15:13.519
<v Speaker 5>Yeah, so there's actually been a real shift in like

1:15:13.640 --> 1:15:16.120
<v Speaker 5>millennials and gen z around Israel. And I think a

1:15:16.120 --> 1:15:17.800
<v Speaker 5>lot of it is that there's social media and that

1:15:17.840 --> 1:15:21.080
<v Speaker 5>you can really see the harm that is being done

1:15:21.080 --> 1:15:23.880
<v Speaker 5>into Palestindian So I think that there's that component of

1:15:23.920 --> 1:15:26.120
<v Speaker 5>it that younger people are just a little bit more

1:15:26.720 --> 1:15:28.400
<v Speaker 5>in the know about that sort of thing and a

1:15:28.439 --> 1:15:32.479
<v Speaker 5>little more involved in that way. So I'm not trying

1:15:32.479 --> 1:15:34.080
<v Speaker 5>to give him a pass at all, but I am

1:15:34.240 --> 1:15:38.479
<v Speaker 5>like contextualizing that, like older Jews tend to have stronger

1:15:38.520 --> 1:15:41.719
<v Speaker 5>opinions and stronger support for Israel. Then sure, and again

1:15:41.720 --> 1:15:44.800
<v Speaker 5>and painting with a very brudbrush, because everybody has their.

1:15:44.680 --> 1:15:48.559
<v Speaker 2>Own thoughts, of course, of course, yeah, so I guess, yeah,

1:15:48.680 --> 1:15:54.040
<v Speaker 2>unsurprising that he has these various stances over the years.

1:15:54.960 --> 1:15:59.280
<v Speaker 2>But it feels like what so much of Hollywood is doing,

1:15:59.320 --> 1:16:02.559
<v Speaker 2>which is just like remaining mostly silent on the.

1:16:02.520 --> 1:16:05.920
<v Speaker 4>Matter, right, which which is? Which is? Which is still

1:16:06.320 --> 1:16:08.200
<v Speaker 4>saying something? Which is very.

1:16:08.240 --> 1:16:13.080
<v Speaker 2>Point to say something, because when a genocide is happening,

1:16:13.280 --> 1:16:19.720
<v Speaker 2>and when a decades long subjugation of an entire population

1:16:19.760 --> 1:16:25.880
<v Speaker 2>of people is not being acknowledged, that is being complicit

1:16:26.040 --> 1:16:29.320
<v Speaker 2>and that is very much part of the violence.

1:16:29.680 --> 1:16:33.000
<v Speaker 5>I'm I'm a member of Jewish Voices for Peace, which

1:16:33.000 --> 1:16:35.920
<v Speaker 5>is a nonprofit that's anti Sionist. I feel like that's

1:16:35.920 --> 1:16:39.320
<v Speaker 5>important to say, and a big part of Jewish Voices

1:16:39.320 --> 1:16:43.519
<v Speaker 5>for Peace is talking about how so many Jews have

1:16:43.800 --> 1:16:47.040
<v Speaker 5>just like a deep understanding of what state sanctioned violence

1:16:47.120 --> 1:16:50.680
<v Speaker 5>looks like and what a genocide looks like, because this

1:16:50.760 --> 1:16:54.080
<v Speaker 5>is unfortunately, a big part of our history, from programs

1:16:54.200 --> 1:16:57.280
<v Speaker 5>to blood libel claims and so much more all the way,

1:16:57.760 --> 1:17:00.800
<v Speaker 5>including the Holocaust. And I mean Jews, I feel like,

1:17:01.080 --> 1:17:05.120
<v Speaker 5>unfortunately are uniquely qualified to say this is a genocide.

1:17:05.160 --> 1:17:07.519
<v Speaker 5>And that's where Jewis Voices for Peace really comes into plays,

1:17:07.520 --> 1:17:09.519
<v Speaker 5>saying like we can see what we can call it

1:17:09.560 --> 1:17:12.240
<v Speaker 5>for what it is, like, we see what's happening, and

1:17:12.720 --> 1:17:14.640
<v Speaker 5>that is I think what is so heartbreaking to be

1:17:14.720 --> 1:17:17.960
<v Speaker 5>a Jewish person watching this happen is that, like, I

1:17:18.000 --> 1:17:20.120
<v Speaker 5>know what this is. I am familiar with the name.

1:17:20.160 --> 1:17:22.679
<v Speaker 5>I'm familiar with what a genocide is, and to see

1:17:22.680 --> 1:17:25.680
<v Speaker 5>it be perpetrated by people who call themselves Jewish like

1:17:25.720 --> 1:17:28.120
<v Speaker 5>me is just it's it's deeply heartbreaking.

1:17:29.200 --> 1:17:29.599
<v Speaker 4>I can't.

1:17:29.640 --> 1:17:33.679
<v Speaker 3>I mean, yeah, I have felt so like heartened bias

1:17:33.720 --> 1:17:37.320
<v Speaker 3>seeing work like the La branch of Jewish Voices for

1:17:37.320 --> 1:17:38.200
<v Speaker 3>Peace is wonderful.

1:17:38.600 --> 1:17:40.000
<v Speaker 4>I've been going to a lot of events.

1:17:40.000 --> 1:17:44.000
<v Speaker 3>Actually, one of our previous guests on the show, Sammerfera,

1:17:44.360 --> 1:17:46.720
<v Speaker 3>recently did an event with writers against the war on

1:17:46.800 --> 1:17:50.640
<v Speaker 3>Gaza out here, and like it does feel, and I

1:17:50.800 --> 1:17:54.920
<v Speaker 3>just like I've been tremendously educated by groups like these,

1:17:55.160 --> 1:17:59.120
<v Speaker 3>and particularly by Palestinian writers, and I am glad for

1:17:59.400 --> 1:18:05.120
<v Speaker 3>like and younger generations that there has been such movement

1:18:05.280 --> 1:18:08.320
<v Speaker 3>because we have, you know, flawed tools, but tools to

1:18:08.360 --> 1:18:11.519
<v Speaker 3>be able to better understand that makes the propaganda less

1:18:11.560 --> 1:18:15.120
<v Speaker 3>powerful kind of, I guess taking it back to Adam Sandler,

1:18:15.160 --> 1:18:19.759
<v Speaker 3>I've the silence. I don't know, It's like, again, everyone

1:18:19.880 --> 1:18:22.439
<v Speaker 3>is on an individual journey. Who knows how his kids feeled.

1:18:22.479 --> 1:18:24.240
<v Speaker 3>I know that there's a lot of families that are

1:18:24.240 --> 1:18:29.960
<v Speaker 3>fractured by younger generations being against Israel, you know, But

1:18:30.800 --> 1:18:34.839
<v Speaker 3>silence is a business decision is something that I find

1:18:35.040 --> 1:18:41.479
<v Speaker 3>particularly vile and unsettling because it's like, I don't not

1:18:41.720 --> 1:18:44.960
<v Speaker 3>particular to Adam Sandler, but it's like there's you can't

1:18:44.960 --> 1:18:49.080
<v Speaker 3>not have a feeling about it. So the silence is

1:18:49.360 --> 1:18:53.240
<v Speaker 3>just it's it's a very pointed choice.

1:18:53.320 --> 1:18:55.599
<v Speaker 4>So we don't know, but something.

1:18:55.479 --> 1:19:00.000
<v Speaker 3>That I have seen just again of how this continues

1:19:00.280 --> 1:19:04.840
<v Speaker 3>to affect. I mean, obviously we should be centering the

1:19:04.840 --> 1:19:09.040
<v Speaker 3>Palestinian people first and foremost, but as sort of we

1:19:09.080 --> 1:19:12.519
<v Speaker 3>see these issues continue to be discussed less and less

1:19:12.960 --> 1:19:17.360
<v Speaker 3>in media. I was really surprised. There's a recent story

1:19:17.400 --> 1:19:20.280
<v Speaker 3>where Gladiator Too just came out I'm going somewhere with this,

1:19:20.680 --> 1:19:25.479
<v Speaker 3>and there was originally an Egyptian Palestinian actor, I hope

1:19:25.520 --> 1:19:30.320
<v Speaker 3>I'm saying her name correctly, Mae Kalamawi, who was originally

1:19:30.520 --> 1:19:35.800
<v Speaker 3>I believe Paul Mescal's love interest. It's Gladiator, so I'm

1:19:35.800 --> 1:19:37.880
<v Speaker 3>sure it wasn't a great part, but like all of

1:19:37.880 --> 1:19:41.320
<v Speaker 3>her scenes were shot and then her entire part was

1:19:41.360 --> 1:19:44.519
<v Speaker 3>cut out of the movie in post production, which was

1:19:44.520 --> 1:19:49.240
<v Speaker 3>taking place after she had been vocally supportive of Palestine

1:19:49.479 --> 1:19:54.360
<v Speaker 3>because of course she's a Palestinian actor. And just the

1:19:54.400 --> 1:20:00.559
<v Speaker 3>fact that this is still really deeply affecting, particularly Palestinian artists,

1:20:00.840 --> 1:20:03.679
<v Speaker 3>and it is like becoming less and less and less

1:20:04.240 --> 1:20:05.800
<v Speaker 3>discussed as time went on.

1:20:05.880 --> 1:20:09.800
<v Speaker 4>I'm so like surprised. I guess at this point that

1:20:09.800 --> 1:20:10.320
<v Speaker 4>that is like.

1:20:10.320 --> 1:20:12.200
<v Speaker 3>Not a story that seems to have broken through in

1:20:12.240 --> 1:20:14.280
<v Speaker 3>any meaningful way, in spite of the fact that like

1:20:14.320 --> 1:20:16.200
<v Speaker 3>the movie is out and doing very well.

1:20:17.640 --> 1:20:21.080
<v Speaker 4>So yeah, I don't know, it's.

1:20:20.760 --> 1:20:25.320
<v Speaker 2>Just I mean, it's just indicative of medias of Hollywood's

1:20:25.360 --> 1:20:33.000
<v Speaker 2>of society's apathy. Yeah, if not outward cruelty and violence

1:20:33.040 --> 1:20:37.280
<v Speaker 2>toward Palestinians, and it's so disheartening, and that's why we

1:20:37.360 --> 1:20:38.639
<v Speaker 2>must continue.

1:20:38.760 --> 1:20:41.360
<v Speaker 3>That's why we must talk about eight Crazy Nights on

1:20:41.360 --> 1:20:42.320
<v Speaker 3>the Betel cast.

1:20:42.600 --> 1:20:45.120
<v Speaker 2>If it's a vehicle for us to then also talk

1:20:45.160 --> 1:20:47.760
<v Speaker 2>about Palestinian liberation.

1:20:47.720 --> 1:20:49.639
<v Speaker 3>Then yeah, we're also in the in the new year,

1:20:49.880 --> 1:20:53.160
<v Speaker 3>going to be covering a few Palestinian films as well.

1:20:53.160 --> 1:20:56.240
<v Speaker 3>Like we want to keep the conversation going. But yeah,

1:20:56.240 --> 1:20:57.439
<v Speaker 3>we wanted to talk to you about it because I

1:20:57.479 --> 1:21:00.320
<v Speaker 3>know you're you're involved with Jewish voices for peace and

1:21:01.200 --> 1:21:04.880
<v Speaker 3>just in general are the best. I've learned so much

1:21:05.000 --> 1:21:10.920
<v Speaker 3>from you. You've You've educated my whole family truly, Yeah about.

1:21:10.600 --> 1:21:12.400
<v Speaker 4>What well my brother lived with you.

1:21:12.560 --> 1:21:14.280
<v Speaker 5>Yeah, it's trying to radicalize your brother.

1:21:15.000 --> 1:21:17.920
<v Speaker 3>And then my dad visited you guys on the stoop

1:21:18.000 --> 1:21:20.000
<v Speaker 3>during the pandemic and he learned things too.

1:21:20.439 --> 1:21:24.080
<v Speaker 4>He was like communist. Alex Is added again.

1:21:23.960 --> 1:21:28.120
<v Speaker 5>He called he called me the world's friendliest socialist.

1:21:28.200 --> 1:21:29.040
<v Speaker 2>I think he.

1:21:30.560 --> 1:21:33.120
<v Speaker 4>Gave me that feels like an attack on me.

1:21:35.080 --> 1:21:39.160
<v Speaker 3>As opposed to my daughter, who's the world's bitchiest socialist.

1:21:39.040 --> 1:21:40.559
<v Speaker 4>Because I just say in a really friendly way.

1:21:40.600 --> 1:21:41.960
<v Speaker 6>I'm like, wouldn't that be neat if?

1:21:44.840 --> 1:21:50.080
<v Speaker 2>Oh my gosh, anyway, thank you for talking with us

1:21:50.280 --> 1:21:53.040
<v Speaker 2>about this, and yeah, does does anyone have anything else

1:21:53.040 --> 1:21:54.040
<v Speaker 2>they want to talk about?

1:21:54.720 --> 1:21:58.000
<v Speaker 3>This movie sucks ass, it's quite bad. And if you

1:21:58.000 --> 1:22:00.479
<v Speaker 3>think it's good, considered, did you see it when you

1:22:00.520 --> 1:22:04.360
<v Speaker 3>were ten? And if not, there's something seriously wrong with you.

1:22:04.800 --> 1:22:06.559
<v Speaker 4>This is the time. Usually it's like, you love what

1:22:06.600 --> 1:22:06.880
<v Speaker 4>you love.

1:22:06.920 --> 1:22:10.240
<v Speaker 3>If you love this movie, you're sick and need you

1:22:10.280 --> 1:22:10.719
<v Speaker 3>need help?

1:22:11.080 --> 1:22:14.120
<v Speaker 5>Oh, we didn't talk about this, but very briefly did

1:22:14.160 --> 1:22:16.920
<v Speaker 5>a woman talk to another woman ever in the course

1:22:16.960 --> 1:22:17.439
<v Speaker 5>of the movie.

1:22:17.479 --> 1:22:19.280
<v Speaker 6>Because I tried to keep track of that.

1:22:19.800 --> 1:22:22.360
<v Speaker 5>I think that the closest it comes is when Eleanor

1:22:22.439 --> 1:22:25.080
<v Speaker 5>tells them to kiss. But she's not just talking to Jennifer.

1:22:25.160 --> 1:22:27.240
<v Speaker 5>She's also talking today, she's.

1:22:27.080 --> 1:22:30.160
<v Speaker 3>Talking to the royal Yeah, right, the collective we.

1:22:30.320 --> 1:22:33.719
<v Speaker 2>And the context is like, have a heterosexual kiss, please?

1:22:33.840 --> 1:22:34.200
<v Speaker 4>Yes?

1:22:34.880 --> 1:22:38.760
<v Speaker 2>Yeah, don't think it passes the Bechdel test even remotely. Yeah,

1:22:38.920 --> 1:22:43.600
<v Speaker 2>Jennifer doesn't have any friends. Also, like if she was

1:22:43.600 --> 1:22:47.360
<v Speaker 2>like on a basketball team with Davey when they were kids,

1:22:47.400 --> 1:22:50.880
<v Speaker 2>Like she's a basketball player, why doesn't like there could

1:22:50.880 --> 1:22:54.520
<v Speaker 2>have easily been a thing where like she's playing basketball

1:22:54.560 --> 1:22:56.920
<v Speaker 2>with her son or shooting hoops or whatever like, but

1:22:57.000 --> 1:23:00.000
<v Speaker 2>the movie doesn't care at all about characterizing her except

1:23:00.120 --> 1:23:04.559
<v Speaker 2>to have her be like an attractive person that Davy

1:23:04.680 --> 1:23:07.880
<v Speaker 2>can win as a trophy at the end.

1:23:08.080 --> 1:23:10.080
<v Speaker 3>Yeah, which is too bad because they give her like

1:23:11.280 --> 1:23:17.320
<v Speaker 3>some potentially interesting characteristics but have no interest in exploring

1:23:17.479 --> 1:23:20.720
<v Speaker 3>any of them, any of her interiority, Like she is

1:23:20.840 --> 1:23:25.280
<v Speaker 3>just a cardboard cutout at them all, and I will give.

1:23:25.080 --> 1:23:27.000
<v Speaker 2>It to her that she's kind of the she's one

1:23:27.040 --> 1:23:30.280
<v Speaker 2>of the few people who will call Davy out for

1:23:30.360 --> 1:23:35.840
<v Speaker 2>his cruel awful behavior light he does it too, But

1:23:36.400 --> 1:23:37.400
<v Speaker 2>that feels.

1:23:37.200 --> 1:23:40.559
<v Speaker 3>Very like attempted feminism of the time, where it's like

1:23:41.040 --> 1:23:43.759
<v Speaker 3>they say one thing and then they do another. Because

1:23:44.200 --> 1:23:46.080
<v Speaker 3>she still ends up with them at the end, like

1:23:46.120 --> 1:23:49.880
<v Speaker 3>there's there is no real consequence other than a delay

1:23:49.920 --> 1:23:51.760
<v Speaker 3>of less than a week, it seems like.

1:23:52.800 --> 1:23:57.280
<v Speaker 2>Well, also, there's a fine line between a character who

1:23:57.320 --> 1:24:02.640
<v Speaker 2>we are not meant to like making reductive and problematic

1:24:02.720 --> 1:24:07.679
<v Speaker 2>remarks to people and the movie framing that as being wrong,

1:24:07.920 --> 1:24:10.519
<v Speaker 2>And there is some degree of that in this movie,

1:24:10.520 --> 1:24:12.559
<v Speaker 2>because he does get called out quite a bit. But

1:24:12.600 --> 1:24:17.479
<v Speaker 2>then the movie also relies on jokes that are like,

1:24:17.520 --> 1:24:22.400
<v Speaker 2>for example, any time Whitey has a seizure or a

1:24:22.400 --> 1:24:25.400
<v Speaker 2>lot of Whitey's behavior is like the movie making fun

1:24:25.439 --> 1:24:28.000
<v Speaker 2>of him from a very ableist point of view. So

1:24:28.200 --> 1:24:31.400
<v Speaker 2>even though the Davy character will be called out for

1:24:31.560 --> 1:24:35.240
<v Speaker 2>being ablest, the movie then turns around and makes the

1:24:35.280 --> 1:24:40.080
<v Speaker 2>same ableist jokes. So it's like, then, then why are

1:24:40.120 --> 1:24:41.920
<v Speaker 2>you even calling him out? If this is how you

1:24:42.000 --> 1:24:44.519
<v Speaker 2>feel about people with disabilities, or if this is how

1:24:44.520 --> 1:24:47.760
<v Speaker 2>you feel about fat people or whatever. So it's just

1:24:48.240 --> 1:24:53.680
<v Speaker 2>so disgusting. I'll give the movie zero nipple. I give

1:24:53.720 --> 1:24:56.520
<v Speaker 2>the movie negative five nipples.

1:24:56.520 --> 1:24:59.240
<v Speaker 3>Nice the end, I think I will do the same,

1:25:00.160 --> 1:25:05.800
<v Speaker 3>and I have nothing else to say about it, like, honestly, yeah,

1:25:05.960 --> 1:25:06.680
<v Speaker 3>what about.

1:25:06.400 --> 1:25:06.960
<v Speaker 4>You, Alex?

1:25:07.360 --> 1:25:11.120
<v Speaker 5>Yeah, I think negative five feels fair. Can I give

1:25:11.160 --> 1:25:14.320
<v Speaker 5>it like negative stars of David too? Maybe like half

1:25:14.320 --> 1:25:17.320
<v Speaker 5>a half a star of David? Just because like, where

1:25:17.400 --> 1:25:20.200
<v Speaker 5>is the Hanukah? I saw some menorahs in the background.

1:25:20.840 --> 1:25:24.040
<v Speaker 5>They were ice sculptures. That's it, basically, So I'm gonna

1:25:24.040 --> 1:25:25.280
<v Speaker 5>give it half a star of David.

1:25:25.720 --> 1:25:26.719
<v Speaker 6>Hmm, That's all I got.

1:25:27.479 --> 1:25:31.599
<v Speaker 3>It's brutal I also, I think, as we've talked through this,

1:25:31.960 --> 1:25:36.280
<v Speaker 3>I think now that in an earlier draft of the

1:25:36.360 --> 1:25:41.280
<v Speaker 3>movie that Whitey and Eleanor were Jewish, and that's why

1:25:41.280 --> 1:25:44.240
<v Speaker 3>the ending doesn't make sense. But then they changed it.

1:25:44.560 --> 1:25:48.080
<v Speaker 3>Why they changed it is anyone's guess, but I would

1:25:48.120 --> 1:25:50.360
<v Speaker 3>guess that they added that because they say it's in

1:25:50.400 --> 1:25:53.840
<v Speaker 3>that one line that we that unfortunately introduces Whitey where

1:25:53.840 --> 1:25:55.439
<v Speaker 3>he they're like, Whitey, you're.

1:25:55.320 --> 1:25:58.320
<v Speaker 4>Not even Jewish. He's like, I know. But so I

1:25:58.360 --> 1:26:00.600
<v Speaker 4>don't know why they added that. They could have just

1:26:00.680 --> 1:26:01.280
<v Speaker 4>taken it out.

1:26:01.560 --> 1:26:05.920
<v Speaker 3>Anyways, I have nothing else to say.

1:26:06.320 --> 1:26:09.240
<v Speaker 2>Well, Alex, thank you so much for joining us for

1:26:09.360 --> 1:26:10.160
<v Speaker 2>this discussion.

1:26:10.520 --> 1:26:11.360
<v Speaker 6>Thanks for having me.

1:26:11.439 --> 1:26:12.600
<v Speaker 4>I'm sorry.

1:26:14.320 --> 1:26:17.120
<v Speaker 2>Tell us more about your your art and your work

1:26:17.200 --> 1:26:20.639
<v Speaker 2>and where people can find you and plug away.

1:26:21.160 --> 1:26:21.639
<v Speaker 6>Excellent.

1:26:21.760 --> 1:26:25.960
<v Speaker 5>Yeah, you can find me on Instagram, Zinnia Socialist Supply Company.

1:26:26.400 --> 1:26:29.960
<v Speaker 5>I make radical art stickers, all sorts of stuff like that,

1:26:30.240 --> 1:26:33.320
<v Speaker 5>lots of rent theme stickers as we discussed before, but

1:26:33.600 --> 1:26:36.439
<v Speaker 5>don't worry, other musical theater stickers as well.

1:26:37.560 --> 1:26:37.920
<v Speaker 4>Thank god.

1:26:39.120 --> 1:26:42.080
<v Speaker 6>Yeah, I know we got to keep the all.

1:26:42.200 --> 1:26:42.880
<v Speaker 4>We need it all.

1:26:44.400 --> 1:26:49.400
<v Speaker 6>So you can find me on there and yeah, yeah, that's.

1:26:49.240 --> 1:26:52.639
<v Speaker 2>That you can get our stickers on our merch store.

1:26:53.520 --> 1:26:56.320
<v Speaker 2>So but the best way to support our show is

1:26:56.400 --> 1:27:01.720
<v Speaker 2>to go to patreon dot com slash Bechdel Cast and

1:27:01.920 --> 1:27:05.160
<v Speaker 2>subscribe to our Matreon where you get two bonus episodes

1:27:05.160 --> 1:27:09.200
<v Speaker 2>every single month, plus access to the back catalog. Also,

1:27:09.280 --> 1:27:14.760
<v Speaker 2>we have live shows coming up in La San Francisco

1:27:14.920 --> 1:27:18.320
<v Speaker 2>and Portland, so if you go to link tree slash

1:27:18.400 --> 1:27:21.479
<v Speaker 2>Bechtel Cast, you can grab tickets to those shows. We'd

1:27:21.520 --> 1:27:24.040
<v Speaker 2>love to see you. They as well as some of

1:27:24.040 --> 1:27:26.120
<v Speaker 2>them will be live streamed, so even if you don't

1:27:26.160 --> 1:27:29.160
<v Speaker 2>live in those cities, the La Show and the Portland

1:27:29.160 --> 1:27:32.679
<v Speaker 2>show will be live streamed, so you can still watch

1:27:32.960 --> 1:27:34.439
<v Speaker 2>those if you grab tickets.

1:27:35.320 --> 1:27:38.400
<v Speaker 4>And yeah, that's Alex.

1:27:38.600 --> 1:27:41.240
<v Speaker 3>We owe you a good movie, so come back with

1:27:41.320 --> 1:27:45.240
<v Speaker 3>your favorite movie and we will cover that next.

1:27:45.400 --> 1:27:46.240
<v Speaker 6>That sounds amazing.

1:27:46.439 --> 1:27:51.479
<v Speaker 3>Come on board, all right, gang, and yeah, with on

1:27:51.520 --> 1:27:52.800
<v Speaker 3>that note, let's.

1:27:53.439 --> 1:27:56.160
<v Speaker 2>This movie has been a technical foul.

1:27:57.520 --> 1:28:02.560
<v Speaker 4>Perfect Bye bye.

1:28:02.640 --> 1:28:06.320
<v Speaker 2>The Bechdelcast is a production of iHeartMedia, hosted by Caitlin

1:28:06.400 --> 1:28:10.160
<v Speaker 2>Derante and Jamie loftis produced by Sophie Lichtermann, edited by

1:28:10.200 --> 1:28:13.719
<v Speaker 2>Moe laboord Our theme song was composed by Mike Kaplan

1:28:13.840 --> 1:28:17.880
<v Speaker 2>with vocals by Katherine Voskresenski. Our logo and merch is

1:28:17.960 --> 1:28:22.000
<v Speaker 2>designed by Jamie Loftis and a special thanks to Aristotle Acevedo.

1:28:22.600 --> 1:28:26.080
<v Speaker 2>For more information about the podcast, please visit Linktree Slash

1:28:26.120 --> 1:28:26.840
<v Speaker 2>Bechdel Cast