1 00:00:00,960 --> 00:00:04,560 Speaker 1: On the Bechdecast, the questions asked if movies have women 2 00:00:04,680 --> 00:00:07,960 Speaker 1: and them, are all their discussions just boyfriends and husbands, 3 00:00:08,000 --> 00:00:12,400 Speaker 1: or do they have individualism? The patriarchy? Zeph and Bast 4 00:00:12,800 --> 00:00:16,000 Speaker 1: start changing it with the Bechdel Cast. 5 00:00:16,280 --> 00:00:16,720 Speaker 2: How is it? 6 00:00:16,720 --> 00:00:20,680 Speaker 3: It's like it's like Hi, I'm Jamie, him Jamie, and 7 00:00:20,720 --> 00:00:24,360 Speaker 3: then like hi, I'm Ji, Like how do you There's 8 00:00:24,400 --> 00:00:26,840 Speaker 3: so many scenes that are like three different out of 9 00:00:26,920 --> 00:00:29,800 Speaker 3: Sandler voices, and. 10 00:00:29,760 --> 00:00:31,920 Speaker 4: They're all annoying their way. 11 00:00:32,200 --> 00:00:35,839 Speaker 3: Well, yes comes with the territory, Yes, indeed, and meanwhile 12 00:00:35,960 --> 00:00:39,239 Speaker 3: bringing New Hampshire into like, leave New England out of this, 13 00:00:39,400 --> 00:00:41,319 Speaker 3: Leave New England. I have so many thoughts I leave 14 00:00:41,360 --> 00:00:42,279 Speaker 3: New England. 15 00:00:41,920 --> 00:00:43,199 Speaker 4: Out of this. I was. 16 00:00:43,640 --> 00:00:46,120 Speaker 3: I was mad they called it Dukesbury. I think that 17 00:00:46,159 --> 00:00:48,520 Speaker 3: they were I Alex, let me know what you think. Sorry, 18 00:00:48,520 --> 00:00:52,320 Speaker 3: we're just gonna the episode started. They're like I thought 19 00:00:52,320 --> 00:00:55,160 Speaker 3: they were like making a weird reference to Tuksbury, which 20 00:00:55,200 --> 00:00:58,240 Speaker 3: is not in New Hampshire. My dad used to work 21 00:00:58,240 --> 00:01:00,800 Speaker 3: at a mental hospital in Tooks, so I was like, 22 00:01:00,960 --> 00:01:02,600 Speaker 3: you leave ticks Burry out of it. 23 00:01:02,680 --> 00:01:03,120 Speaker 4: I don't know. 24 00:01:03,200 --> 00:01:06,399 Speaker 5: I actually spent a long time googling what potential town 25 00:01:06,480 --> 00:01:10,440 Speaker 5: this could be in New Hampshire, because I was like, so, 26 00:01:10,560 --> 00:01:13,840 Speaker 5: I'm obviously we're skipping. We'll tup back to the introductions later. 27 00:01:14,160 --> 00:01:16,560 Speaker 5: I am a Jewish person. I grew up in New 28 00:01:16,640 --> 00:01:19,560 Speaker 5: York City, which obviously has a very large portion of 29 00:01:20,400 --> 00:01:23,040 Speaker 5: Jews are there, like many many people are Jewish there, 30 00:01:23,080 --> 00:01:24,800 Speaker 5: and if you're not Jewish, you obviously. 31 00:01:24,600 --> 00:01:27,080 Speaker 6: Know many Jews. So it's just like infused in the 32 00:01:27,080 --> 00:01:27,920 Speaker 6: culture of New York. 33 00:01:28,400 --> 00:01:33,039 Speaker 5: I'm a fourth or fourth generation Brooklyn Night so hardcore 34 00:01:33,120 --> 00:01:36,080 Speaker 5: like Brooklyn Jewish history here. And then I moved to 35 00:01:36,120 --> 00:01:41,480 Speaker 5: New England around two thousand and eight, so I have the. 36 00:01:40,720 --> 00:01:42,200 Speaker 6: Jewish experience in New York. 37 00:01:42,280 --> 00:01:44,920 Speaker 5: And then also this like cultural whiplash of being in 38 00:01:44,920 --> 00:01:46,560 Speaker 5: New England and being Jewish in New England, which is 39 00:01:46,640 --> 00:01:48,560 Speaker 5: really different than being Jewish in New York. So the 40 00:01:48,600 --> 00:01:50,680 Speaker 5: whole time watching this movie, I spent a lot of 41 00:01:50,720 --> 00:01:53,120 Speaker 5: time googling life but what town could this be? 42 00:01:53,200 --> 00:01:53,440 Speaker 7: Though? 43 00:01:53,480 --> 00:01:56,400 Speaker 5: Like there aren't enough Jewish, like what town in New Hampshire? 44 00:01:56,480 --> 00:01:58,520 Speaker 5: Like it's I have a whole list of notes, It's 45 00:01:58,560 --> 00:01:59,480 Speaker 5: just not true. 46 00:01:59,280 --> 00:02:02,200 Speaker 3: Like like I thought it was such a weird place 47 00:02:02,240 --> 00:02:03,560 Speaker 3: to set it. Yeah, I mean, and they made it 48 00:02:03,560 --> 00:02:07,400 Speaker 3: sound like there's a very small Jewish population in this town. 49 00:02:07,400 --> 00:02:09,919 Speaker 3: But I'm like, why are we setting it there, because 50 00:02:09,919 --> 00:02:13,720 Speaker 3: then Hanaka doesn't really happen, Like it's just confusing. 51 00:02:14,320 --> 00:02:18,760 Speaker 2: Yes, it's confusing, and that is the whole movie what 52 00:02:18,760 --> 00:02:22,680 Speaker 2: we're talking about today, which is eight Crazy Nights. Hello, 53 00:02:22,720 --> 00:02:26,360 Speaker 2: and welcome to the Bechdel Cast. It's us here, we are, 54 00:02:26,440 --> 00:02:28,760 Speaker 2: and the voice you heard is that of our guest. 55 00:02:29,280 --> 00:02:33,160 Speaker 2: She is a Jewish leftist fiber artist. She works in 56 00:02:33,200 --> 00:02:36,040 Speaker 2: fundraising and is the tech director of a middle school 57 00:02:36,120 --> 00:02:39,880 Speaker 2: theater program. It's Alex Stanton Klein. Hello and welcome. 58 00:02:40,280 --> 00:02:42,080 Speaker 6: Hi. I'm so glad to be here. 59 00:02:42,600 --> 00:02:45,960 Speaker 2: Tell us more about your fiber artistry to start, and 60 00:02:45,960 --> 00:02:49,600 Speaker 2: then we'll get back into dumping on Crazy Nights. 61 00:02:49,960 --> 00:02:50,160 Speaker 1: Yeah. 62 00:02:50,200 --> 00:02:52,120 Speaker 3: And also just like, if you don't know what the 63 00:02:52,120 --> 00:02:54,239 Speaker 3: Bechdel Test is or what this show is, just look 64 00:02:54,240 --> 00:02:56,680 Speaker 3: it up. It's fine, we've been on for eight years. 65 00:02:56,880 --> 00:02:57,880 Speaker 3: Like do your homework. 66 00:02:58,040 --> 00:03:00,839 Speaker 6: Yeah, very happy to be here. 67 00:03:01,240 --> 00:03:05,280 Speaker 5: I do a lot of embroidery and textile art and 68 00:03:05,520 --> 00:03:07,239 Speaker 5: like I said, I'm in New England. I sell in 69 00:03:07,320 --> 00:03:10,600 Speaker 5: New England markets. You can find me on Instagram at 70 00:03:10,720 --> 00:03:15,240 Speaker 5: Zinia Socialist Supply company just co ginnya socialist supply co 71 00:03:16,080 --> 00:03:19,280 Speaker 5: on Instagram. Also in addition to making leftist art and 72 00:03:19,320 --> 00:03:23,480 Speaker 5: make an embarrassing amount of musical theater themed stickers and 73 00:03:23,600 --> 00:03:25,960 Speaker 5: postcards and so on. So if you need something that 74 00:03:26,080 --> 00:03:29,600 Speaker 5: is a very very specific reference to just one line 75 00:03:29,639 --> 00:03:31,560 Speaker 5: in Rent, I'm your girl. 76 00:03:32,240 --> 00:03:33,200 Speaker 2: Love that. I love that. 77 00:03:34,120 --> 00:03:37,040 Speaker 3: We still haven't we actually still have not covered Chris 78 00:03:37,080 --> 00:03:41,040 Speaker 3: Columbus's Rent two thousand and five, if you like to return, 79 00:03:41,200 --> 00:03:44,080 Speaker 3: as someone would ay, I still like I because I 80 00:03:44,120 --> 00:03:47,520 Speaker 3: didn't see the show before that. I'm like, that movie 81 00:03:47,640 --> 00:03:49,120 Speaker 3: is good, and then you watch it You're like, no, 82 00:03:49,160 --> 00:03:52,440 Speaker 3: it's not. But even as I'm watching it like it's perfect, 83 00:03:52,440 --> 00:03:52,880 Speaker 3: it's great. 84 00:03:53,400 --> 00:03:55,560 Speaker 5: No, I have the deepest amount of love and hate 85 00:03:55,600 --> 00:03:57,520 Speaker 5: for that movie. Like it's like they're both there in 86 00:03:57,600 --> 00:04:00,720 Speaker 5: my soul. And I'd be happy to talk more about it. 87 00:04:00,760 --> 00:04:02,480 Speaker 5: And you know that we have a whole group of 88 00:04:02,520 --> 00:04:04,800 Speaker 5: friends in a little chat that would be delighted to 89 00:04:04,880 --> 00:04:06,280 Speaker 5: join in us as well. 90 00:04:07,760 --> 00:04:10,200 Speaker 4: So thrilling too. 91 00:04:10,360 --> 00:04:15,920 Speaker 3: I remember that I for a listener context, Alex is 92 00:04:15,920 --> 00:04:19,120 Speaker 3: a dear friend of mine, and the night before I 93 00:04:19,320 --> 00:04:23,960 Speaker 3: moved to La so like almost ten years ago, Jake 94 00:04:24,839 --> 00:04:28,440 Speaker 3: was driving me from I forgot something, I'd like lost something, 95 00:04:28,560 --> 00:04:31,920 Speaker 3: Jake being her husband or her husband refer to him 96 00:04:31,960 --> 00:04:36,480 Speaker 3: as nothing else. But Jake and I were driving somewhere 97 00:04:36,480 --> 00:04:39,960 Speaker 3: and we were listening to the Rent movie soundtrack, like 98 00:04:40,200 --> 00:04:43,880 Speaker 3: just screaming and reaching the conclusion that maybe this is 99 00:04:43,920 --> 00:04:48,000 Speaker 3: not very good and it was just the best. 100 00:04:48,560 --> 00:04:52,320 Speaker 2: Wait, is Jake not who you saw I Frankenstein with? 101 00:04:52,720 --> 00:04:56,080 Speaker 3: Yes, Jake actually has deep Buchdel castlere like Jake and 102 00:04:56,120 --> 00:04:59,719 Speaker 3: I saw I Frankenstein, I would say easily three times. 103 00:04:59,720 --> 00:05:02,120 Speaker 3: And this was before the AMC stubs days, so we 104 00:05:02,120 --> 00:05:05,640 Speaker 3: were paying twenty bucks a pop, which we were really 105 00:05:05,680 --> 00:05:12,159 Speaker 3: heavily investing in the I Frankenstein lore universe. Always have, 106 00:05:12,320 --> 00:05:15,160 Speaker 3: always will, same with the Master of Disguise. 107 00:05:15,360 --> 00:05:18,240 Speaker 6: Yeah, not to keep bringing like mad into the Backdel 108 00:05:18,320 --> 00:05:19,240 Speaker 6: cast because. 109 00:05:19,240 --> 00:05:22,040 Speaker 2: Wow, but sorry, we're talking about We're talking about Jake, 110 00:05:22,080 --> 00:05:23,919 Speaker 2: We're talking about Frankenstein. 111 00:05:23,400 --> 00:05:25,680 Speaker 5: But we're gonna talking about Grant too, because Jamie and 112 00:05:25,880 --> 00:05:29,960 Speaker 5: Jake forced me and Grant to watch I Frankenstide like 113 00:05:30,000 --> 00:05:32,479 Speaker 5: all of us, very late at night one night pretty 114 00:05:32,520 --> 00:05:35,080 Speaker 5: recently actually, like within the past six months or so, 115 00:05:35,600 --> 00:05:38,400 Speaker 5: and we had to sit down and watch it. 116 00:05:38,400 --> 00:05:41,480 Speaker 3: It was actually pretty violent, because yeah, it was already 117 00:05:41,520 --> 00:05:43,400 Speaker 3: like one in the morning, was like, we have to 118 00:05:43,560 --> 00:05:47,960 Speaker 3: start watching I Frankenstein and pause and rewind the part 119 00:05:47,960 --> 00:05:50,919 Speaker 3: where he's swinging nunchucks at nobody on the top of 120 00:05:50,960 --> 00:05:54,039 Speaker 3: a mountain, which is still my favorite part. 121 00:05:55,000 --> 00:05:56,479 Speaker 4: I am a demon Prince. 122 00:05:57,160 --> 00:06:00,400 Speaker 5: Jammie bought our baby a demon prince, Onesie. So before 123 00:06:00,760 --> 00:06:01,560 Speaker 5: is going to continue to. 124 00:06:01,560 --> 00:06:04,719 Speaker 3: The next generation, Kitlin, I forgot to tell you I 125 00:06:04,760 --> 00:06:08,760 Speaker 3: did order a custom I Frankenstein baby once for. 126 00:06:10,560 --> 00:06:11,200 Speaker 4: Baby kline. 127 00:06:11,480 --> 00:06:18,920 Speaker 2: Wow, that's amazing. So okay, sorry your fiver art right slash. 128 00:06:19,040 --> 00:06:24,279 Speaker 2: Tell us about your relationship with the movie Eight Crazy Nights. 129 00:06:24,360 --> 00:06:24,680 Speaker 6: Okay. 130 00:06:24,880 --> 00:06:27,800 Speaker 5: So Jamie texted me and said, would you like to 131 00:06:27,800 --> 00:06:30,920 Speaker 5: come on beckdelcast and talk a little bit about this movie? 132 00:06:30,920 --> 00:06:32,960 Speaker 5: And I said, oh, yeah, I think I've seen it before. 133 00:06:33,000 --> 00:06:36,839 Speaker 5: And then it horrifically like played before my eyes in 134 00:06:36,880 --> 00:06:39,839 Speaker 5: slow motion as I was like re experiencing this event. 135 00:06:39,920 --> 00:06:43,599 Speaker 5: So let me take you back to like two thousand, 136 00:06:44,440 --> 00:06:48,800 Speaker 5: let's say five or six, and I'm in college and 137 00:06:48,839 --> 00:06:52,280 Speaker 5: it is an unnamed liberal arts college wherein it is 138 00:06:52,440 --> 00:06:54,720 Speaker 5: the perfect blending of both the era and then the 139 00:06:54,760 --> 00:06:56,840 Speaker 5: type of college I went to where everybody was really 140 00:06:56,880 --> 00:07:00,000 Speaker 5: into ironic racism, which, as we all know, is just racist, 141 00:07:00,240 --> 00:07:02,680 Speaker 5: but white people get to be like, oh haha, it 142 00:07:02,760 --> 00:07:05,920 Speaker 5: was funny when I said it, and that's it. 143 00:07:06,000 --> 00:07:06,599 Speaker 4: What a time. 144 00:07:07,200 --> 00:07:10,880 Speaker 5: It was really lovely, and I was one of smattering 145 00:07:10,920 --> 00:07:14,160 Speaker 5: of Jewish people on campus, and I can't remember it 146 00:07:14,200 --> 00:07:16,280 Speaker 5: was my roommate or someone who like lived in my door, 147 00:07:16,400 --> 00:07:18,720 Speaker 5: my near us, but at the time they were like, 148 00:07:18,760 --> 00:07:19,840 Speaker 5: you have to watch this movie. 149 00:07:19,880 --> 00:07:20,800 Speaker 6: It's really funny. 150 00:07:20,840 --> 00:07:24,440 Speaker 5: And I'll say, similarly to the I Frankenstein watch, it 151 00:07:24,480 --> 00:07:28,080 Speaker 5: was inflicted upon me, but unlike I Frankenstein, I didn't 152 00:07:28,160 --> 00:07:32,160 Speaker 5: laugh at all. And I remember just sitting there letting 153 00:07:32,200 --> 00:07:35,200 Speaker 5: them watch me watch this movie. And it was like 154 00:07:35,240 --> 00:07:39,000 Speaker 5: the weirdest experience of like a group of non Jews 155 00:07:39,000 --> 00:07:42,040 Speaker 5: of boys just like sitting there watching me experience a 156 00:07:42,080 --> 00:07:45,000 Speaker 5: movie that they thought was like the epidity of Jewish culture. 157 00:07:45,520 --> 00:07:49,040 Speaker 5: I was just like, why, why, why is this a 158 00:07:49,040 --> 00:07:51,200 Speaker 5: part of my life? Yeah? 159 00:07:51,320 --> 00:07:52,760 Speaker 4: Unfair, unfair. 160 00:07:53,520 --> 00:07:58,040 Speaker 3: I am curious because this is the second I believe 161 00:07:58,040 --> 00:08:03,080 Speaker 3: Hanuka movie we have on the show. Both movies, as 162 00:08:03,160 --> 00:08:06,000 Speaker 3: Kaylin and I both have in our notes, ultimately end 163 00:08:06,080 --> 00:08:10,760 Speaker 3: up being more about youth basketball than Hanukkah. So I'm curious, 164 00:08:11,040 --> 00:08:12,960 Speaker 3: is there Do you have a favorite and it doesn't 165 00:08:12,960 --> 00:08:14,720 Speaker 3: have to be a movie, but do you a favorite 166 00:08:14,760 --> 00:08:16,720 Speaker 3: piece of Hanukkah media? 167 00:08:17,320 --> 00:08:17,560 Speaker 6: Yeah? 168 00:08:17,640 --> 00:08:20,360 Speaker 5: I mean I think before we talk about that, I 169 00:08:20,360 --> 00:08:22,520 Speaker 5: will just say because it would be weird for me. 170 00:08:22,680 --> 00:08:24,240 Speaker 6: I feel like my grandmother would be really mad if 171 00:08:24,240 --> 00:08:24,880 Speaker 6: I didn't say. 172 00:08:24,760 --> 00:08:28,760 Speaker 5: This, Like, Hankkah is only it's not one of the 173 00:08:28,800 --> 00:08:31,679 Speaker 5: major Jewish holidays, which often surprises people who aren't Jewish, 174 00:08:31,720 --> 00:08:34,440 Speaker 5: like there are many other holidays that actually are of 175 00:08:34,480 --> 00:08:37,880 Speaker 5: greater significance, and so Hannaka is just it's it's in 176 00:08:37,920 --> 00:08:41,120 Speaker 5: the winter time. It has this weird sort of competitive 177 00:08:41,160 --> 00:08:43,400 Speaker 5: thing with Christmas sort of. 178 00:08:44,080 --> 00:08:46,960 Speaker 2: Which is why people like place so much emphasis on it, 179 00:08:47,000 --> 00:08:49,920 Speaker 2: because it's actually just like, well it's Christmas time, but 180 00:08:50,679 --> 00:08:53,400 Speaker 2: we'll acknowledge all their holidays that are happening around this 181 00:08:54,080 --> 00:08:58,160 Speaker 2: ends up, but ultimately it's just very Christmas centric, right, Yeah. 182 00:08:58,200 --> 00:09:01,080 Speaker 5: I feel like a lot of Hanukka material relates like 183 00:09:01,200 --> 00:09:03,760 Speaker 5: exists only in relationship to Christmas. It doesn't have its 184 00:09:03,800 --> 00:09:06,240 Speaker 5: own thing, which is just sort of Obviously, we live 185 00:09:06,280 --> 00:09:09,840 Speaker 5: in a fairly Christian society, even if we're not legally 186 00:09:10,000 --> 00:09:13,599 Speaker 5: yet just pure Christian society. 187 00:09:13,720 --> 00:09:17,079 Speaker 2: Not quite a christ sho fascist regime yet. 188 00:09:17,520 --> 00:09:21,720 Speaker 3: But yeah, just take note of when this is released, 189 00:09:21,880 --> 00:09:23,840 Speaker 3: because by the time you listen to it, we may be. 190 00:09:25,640 --> 00:09:25,720 Speaker 8: So. 191 00:09:25,840 --> 00:09:29,040 Speaker 5: All that said, knowing that Hankkah is like a major holiday, 192 00:09:29,040 --> 00:09:31,200 Speaker 5: I think there are other Jewish movies that are awesome 193 00:09:31,280 --> 00:09:33,559 Speaker 5: and amazing and are about Jewish culture and are really 194 00:09:33,600 --> 00:09:34,600 Speaker 5: fun and exciting. 195 00:09:35,040 --> 00:09:36,920 Speaker 6: Crossing Delancey is a delight. 196 00:09:37,000 --> 00:09:39,840 Speaker 5: It's a rom com and this woman gets set up 197 00:09:39,880 --> 00:09:43,200 Speaker 5: by like a matchmaker with a man who sells pickles 198 00:09:43,200 --> 00:09:45,240 Speaker 5: at a deli, and it's very, very cute, and it's 199 00:09:45,240 --> 00:09:48,280 Speaker 5: a woman director too. I think that one's lovely, not 200 00:09:48,320 --> 00:09:51,800 Speaker 5: a Hanuka movie, but a very lovely Jewish movie. I 201 00:09:51,840 --> 00:09:54,840 Speaker 5: honestly have a really problematic as hell, but I have 202 00:09:54,880 --> 00:09:58,040 Speaker 5: a really large soft spot in my heart for. 203 00:10:00,160 --> 00:10:02,040 Speaker 6: Hanka. Oh my god, sorry, pregnancy brain. 204 00:10:02,160 --> 00:10:04,680 Speaker 5: The big like Honega, like the juice ploitation type Honka 205 00:10:04,760 --> 00:10:07,720 Speaker 5: movie that came out with Adam. 206 00:10:07,880 --> 00:10:09,080 Speaker 4: Is it the Hebrew Hammer? 207 00:10:09,559 --> 00:10:09,920 Speaker 3: Yeah? 208 00:10:10,040 --> 00:10:12,160 Speaker 6: Yeah, my dad and I watched that all the time. 209 00:10:12,400 --> 00:10:12,920 Speaker 6: We love it. 210 00:10:13,040 --> 00:10:15,400 Speaker 5: Yeah, it's problematic as hell. It is supposed to be 211 00:10:15,440 --> 00:10:19,520 Speaker 5: like a black exploitation movie. But with Jews, and it's sexist. 212 00:10:19,600 --> 00:10:22,000 Speaker 5: I mean, it's like, got terrible problems with it, but 213 00:10:22,080 --> 00:10:22,600 Speaker 5: I find. 214 00:10:22,440 --> 00:10:23,120 Speaker 6: It very funny. 215 00:10:23,120 --> 00:10:25,280 Speaker 5: And the idea is that he has to save Hankah 216 00:10:25,400 --> 00:10:30,079 Speaker 5: again from some like evil kind of Christian fascist type 217 00:10:30,120 --> 00:10:31,160 Speaker 5: played by Andy Dick. 218 00:10:31,280 --> 00:10:33,040 Speaker 4: So yeah, I was like. 219 00:10:33,080 --> 00:10:38,720 Speaker 3: Yeah, this this this cast so Adam Goldberg, Judy Greer, 220 00:10:39,000 --> 00:10:44,320 Speaker 3: Andy Dick, Mario Van Peebles, Peter Coyote, I mean of 221 00:10:44,400 --> 00:10:48,199 Speaker 3: e t Fame, of et No No, of the Hebrew 222 00:10:48,240 --> 00:10:48,959 Speaker 3: Hammer fame. 223 00:10:49,200 --> 00:10:51,840 Speaker 2: Sorry, So yeah, that's a. 224 00:10:51,960 --> 00:10:52,640 Speaker 6: That's a fun one. 225 00:10:52,840 --> 00:10:53,000 Speaker 1: Yeah. 226 00:10:53,040 --> 00:10:55,280 Speaker 5: I'm not saying it's good. I want to stress it's 227 00:10:55,280 --> 00:10:57,480 Speaker 5: not good. It is fun, sure, Yeah, yeah, yeah. 228 00:10:58,280 --> 00:11:00,440 Speaker 2: What was the name of the dcom that we covered 229 00:11:00,480 --> 00:11:03,199 Speaker 2: a couple of years ago, Jamie, that's also about youth basketball. 230 00:11:03,320 --> 00:11:05,920 Speaker 2: It was called Full Court Miracle, right. 231 00:11:06,440 --> 00:11:08,760 Speaker 3: We had fay or Love on for that, And I 232 00:11:08,760 --> 00:11:12,240 Speaker 3: think at the time we discussed I mean, I am 233 00:11:12,240 --> 00:11:16,600 Speaker 3: not Jewish, and I grew up with such limited exposure 234 00:11:17,360 --> 00:11:20,480 Speaker 3: to Jewish culture because, as we've alluded to, I did 235 00:11:20,520 --> 00:11:23,040 Speaker 3: not grow up in a community where there were a 236 00:11:23,080 --> 00:11:25,760 Speaker 3: lot of Jewish people, and so I think my main 237 00:11:26,200 --> 00:11:30,920 Speaker 3: understanding of this holiday specifically would have been an episode 238 00:11:30,920 --> 00:11:33,520 Speaker 3: of Rugrats, and honestly. 239 00:11:33,120 --> 00:11:36,000 Speaker 6: That pretty accurate. I would say I grew that. 240 00:11:36,200 --> 00:11:37,480 Speaker 4: I was like, all right, yeah, that. 241 00:11:37,840 --> 00:11:39,680 Speaker 6: Gives you a good working knowledge of the basics of 242 00:11:39,679 --> 00:11:40,240 Speaker 6: the holiday. 243 00:11:41,040 --> 00:11:44,679 Speaker 5: What's weird is there's iconography in the movie vaguely that 244 00:11:44,760 --> 00:11:47,040 Speaker 5: relate to Hankah, but like, you never see him. I 245 00:11:47,040 --> 00:11:49,640 Speaker 5: don't think lighting a manora or doing like none of 246 00:11:49,640 --> 00:11:52,920 Speaker 5: the characters are doing Honkkah right, unless I'm misremembering. 247 00:11:53,600 --> 00:11:53,840 Speaker 4: No. 248 00:11:54,280 --> 00:11:58,280 Speaker 8: I also was a little bit confused at like at 249 00:11:58,280 --> 00:12:01,000 Speaker 8: the beginning, I'm like, maybe, honestly, I found it very 250 00:12:01,040 --> 00:12:03,000 Speaker 8: hard to focus on this movie and I refuse to 251 00:12:03,000 --> 00:12:04,719 Speaker 8: watch it twice, so there may be And. 252 00:12:04,679 --> 00:12:07,480 Speaker 2: It's only eighty six minutes long, not even it's like 253 00:12:07,559 --> 00:12:08,880 Speaker 2: seventy six minutes long. 254 00:12:09,160 --> 00:12:12,400 Speaker 3: It definitely has like Master of Guy's syndrome, where it's 255 00:12:12,440 --> 00:12:17,800 Speaker 3: so short but it feels unbelievably long, grueling. Yeah, but there, 256 00:12:17,840 --> 00:12:23,520 Speaker 3: I think at the beginning, Whitey aka also Adam Sandler 257 00:12:24,040 --> 00:12:26,280 Speaker 3: says that he is not Jewish, but then by the 258 00:12:26,480 --> 00:12:30,360 Speaker 3: end they invite everyone over for Hanukkah, and I was like, wait, 259 00:12:30,840 --> 00:12:34,040 Speaker 3: didn't this start with this character stating he like he 260 00:12:34,120 --> 00:12:35,880 Speaker 3: doesn't celebrate Hanukkah. 261 00:12:35,679 --> 00:12:38,720 Speaker 2: Right, and then also, but is his sister not extremely 262 00:12:38,840 --> 00:12:43,280 Speaker 2: like Jewish coded Yes, in an offensive and stereotypical way. Yes, 263 00:12:43,960 --> 00:12:46,360 Speaker 2: but they're not a Jewish family, so you really just 264 00:12:46,440 --> 00:12:47,600 Speaker 2: wonder what's happening there. 265 00:12:48,040 --> 00:12:50,080 Speaker 3: So why did they go so far out of their 266 00:12:50,120 --> 00:12:52,720 Speaker 3: way to be like, these siblings are not Jewish, but 267 00:12:52,800 --> 00:12:54,880 Speaker 3: then by the end they are. 268 00:12:55,120 --> 00:12:57,440 Speaker 4: It was like, I don't know, this movie's a mess. 269 00:12:57,559 --> 00:12:59,000 Speaker 4: It's all ye, and. 270 00:12:58,880 --> 00:13:01,679 Speaker 5: I'll say I even at one point when they showed 271 00:13:01,679 --> 00:13:05,720 Speaker 5: the exter of Whitey and his sister's house, I've paused 272 00:13:05,760 --> 00:13:08,480 Speaker 5: it because you can see I think that there are 273 00:13:08,600 --> 00:13:11,840 Speaker 5: Christmas and Hanuka decorations just to add extra confusion, so 274 00:13:11,920 --> 00:13:14,320 Speaker 5: like they have a large amount of Christmas decorations and 275 00:13:14,360 --> 00:13:17,160 Speaker 5: also some Honica decorations too, Like I saw some blues 276 00:13:17,160 --> 00:13:17,719 Speaker 5: white in there. 277 00:13:18,120 --> 00:13:23,040 Speaker 3: Ultimately, this family is considering celebrating Hanukkah, and it's unclear why. 278 00:13:24,600 --> 00:13:28,599 Speaker 2: They just appreciate a whole cultures question. 279 00:13:28,320 --> 00:13:33,360 Speaker 4: Mark, Yeah, there, I mean unproblematic, simply duo. 280 00:13:34,600 --> 00:13:38,040 Speaker 2: So wait, Jamie, what's your history if any with this movie. 281 00:13:38,200 --> 00:13:41,120 Speaker 3: I hadn't seen it, I although I've heard it like 282 00:13:41,880 --> 00:13:46,040 Speaker 3: referenced so many times I've heard there's I don't know, 283 00:13:46,160 --> 00:13:48,480 Speaker 3: like I wouldn't have seen this, Like I was too 284 00:13:48,520 --> 00:13:50,200 Speaker 3: young to see this when it came out, but I 285 00:13:50,240 --> 00:13:54,440 Speaker 3: do remember like later on, just like boys doing impressions 286 00:13:54,440 --> 00:13:58,040 Speaker 3: of the Whitey character. I do have like probably around 287 00:13:58,080 --> 00:14:01,240 Speaker 3: the same like Borat impression era, just like a really 288 00:14:01,240 --> 00:14:03,920 Speaker 3: difficult time to be in middle school. But I mean 289 00:14:03,960 --> 00:14:05,640 Speaker 3: I guess that there's just so there's always going to 290 00:14:05,720 --> 00:14:08,880 Speaker 3: be an annoying, offensive character and middle school boys are 291 00:14:08,960 --> 00:14:11,640 Speaker 3: going to do an impression of it ad nauseum. 292 00:14:11,720 --> 00:14:14,360 Speaker 4: So I knew about Whitey weirdly. 293 00:14:14,679 --> 00:14:16,679 Speaker 3: And that is all I knew about this movie. I'd 294 00:14:16,720 --> 00:14:19,080 Speaker 3: never seen it before. What about you, Caitlin. 295 00:14:19,640 --> 00:14:21,640 Speaker 2: I did see it for the first time only like 296 00:14:21,760 --> 00:14:24,680 Speaker 2: probably two or three years ago. I don't know what 297 00:14:24,720 --> 00:14:28,120 Speaker 2: compelled me exactly to like it's time take it upon 298 00:14:28,120 --> 00:14:31,040 Speaker 2: myself to watch it, but I was just like shot 299 00:14:31,120 --> 00:14:32,080 Speaker 2: up in the middle of the night. 300 00:14:33,160 --> 00:14:34,720 Speaker 4: Yeah, I must do this. 301 00:14:35,480 --> 00:14:38,440 Speaker 2: I mean, we've been talking about potentially covering this movie 302 00:14:38,520 --> 00:14:40,960 Speaker 2: on the podcast for years because around this time we 303 00:14:41,040 --> 00:14:45,880 Speaker 2: almost always do like a very Christian centric Christmas movie 304 00:14:45,920 --> 00:14:50,160 Speaker 2: slate of movies, and we were like, let's diversify the 305 00:14:50,240 --> 00:14:53,160 Speaker 2: slate of movies. So because this is one of the 306 00:14:53,400 --> 00:14:59,280 Speaker 2: few mainstream, you know, Hollywood movies that centers Hanukkah or 307 00:14:59,520 --> 00:15:02,840 Speaker 2: that at least has Honkah as a backdrop, because this 308 00:15:02,920 --> 00:15:05,920 Speaker 2: movie is kind of not about Honkah at all, that 309 00:15:06,000 --> 00:15:08,120 Speaker 2: I was like, Oh, I should watch this. I've heard 310 00:15:08,160 --> 00:15:11,800 Speaker 2: about it. And at the time, because we were well 311 00:15:11,800 --> 00:15:15,480 Speaker 2: into doing the Bechdel Cast, I was like, oh, this 312 00:15:15,520 --> 00:15:17,760 Speaker 2: is one of the most problematic movies I've ever seen. 313 00:15:18,880 --> 00:15:22,560 Speaker 2: It's not funny at all, not a single joke lands. 314 00:15:22,560 --> 00:15:26,320 Speaker 2: And I know that comedy is subjective, but this movie is, 315 00:15:26,360 --> 00:15:31,840 Speaker 2: I would say, objectively not even remotely funny. So I 316 00:15:31,880 --> 00:15:35,160 Speaker 2: was like, gross, But it'll make for a good conversation 317 00:15:35,240 --> 00:15:37,960 Speaker 2: when we inevitably cover it. And here we are doing 318 00:15:38,080 --> 00:15:43,840 Speaker 2: just that, and I can't wait to really just do 319 00:15:44,040 --> 00:15:49,120 Speaker 2: us a slam dunk to use some basketball terminology to 320 00:15:49,280 --> 00:15:50,240 Speaker 2: dunk on the movie. 321 00:15:50,600 --> 00:15:51,720 Speaker 4: Wow, incredible. 322 00:15:52,280 --> 00:15:56,440 Speaker 3: And also the animation sucks. Sorry, Like I said, the 323 00:15:57,640 --> 00:16:02,320 Speaker 3: like sync between the mouth and the the vocal performances. 324 00:16:01,720 --> 00:16:03,240 Speaker 4: Is never SINGCD. 325 00:16:03,680 --> 00:16:05,800 Speaker 3: And then there is something I kind of like. I 326 00:16:05,880 --> 00:16:07,680 Speaker 3: was bothered by it at first, but then I kind 327 00:16:07,680 --> 00:16:08,400 Speaker 3: of grew to like it. 328 00:16:08,440 --> 00:16:08,920 Speaker 4: Over time. 329 00:16:09,240 --> 00:16:12,640 Speaker 3: Anytime there's a group like a wide shot of everyone singing, 330 00:16:12,680 --> 00:16:14,920 Speaker 3: no one's mouth this movie, I think they like were 331 00:16:14,920 --> 00:16:15,680 Speaker 3: not able to. 332 00:16:15,800 --> 00:16:19,280 Speaker 4: Like afford to make everyone sing. 333 00:16:19,560 --> 00:16:22,120 Speaker 3: But it's just like you hear, especially like that big 334 00:16:22,200 --> 00:16:24,520 Speaker 3: number towards the end and they pull out, it's like 335 00:16:24,560 --> 00:16:27,840 Speaker 3: the whole community center singing and dancing. Everyone's mouth is 336 00:16:28,120 --> 00:16:32,960 Speaker 3: totally shut like like it's I found it scary at first, 337 00:16:33,000 --> 00:16:35,400 Speaker 3: and then they do it again in the end end 338 00:16:35,480 --> 00:16:38,200 Speaker 3: scene at the mall. Still couldn't afford to open the mouths. 339 00:16:38,840 --> 00:16:41,520 Speaker 3: Why make it a group scene if that is you know, 340 00:16:41,640 --> 00:16:42,840 Speaker 3: it doesn't matter, It doesn't matter. 341 00:16:43,360 --> 00:16:44,240 Speaker 4: It's a perfect movie. 342 00:16:44,480 --> 00:16:47,400 Speaker 6: No, that's. 343 00:16:48,280 --> 00:16:48,400 Speaker 3: No. 344 00:16:48,640 --> 00:16:50,560 Speaker 5: I think that I do at some point want to 345 00:16:50,560 --> 00:16:52,800 Speaker 5: talk about the music from it because like some of 346 00:16:52,880 --> 00:16:57,320 Speaker 5: us talking are very musical theater kids at our hearts, 347 00:16:57,400 --> 00:17:00,640 Speaker 5: and like the music is so bad it's like hurt 348 00:17:00,680 --> 00:17:03,440 Speaker 5: my I was like, this isn't how music, Like, like 349 00:17:03,520 --> 00:17:05,600 Speaker 5: I understand they're supposed to be funny and the songs 350 00:17:05,600 --> 00:17:08,320 Speaker 5: are funny, like I'm not I did not get that part, 351 00:17:08,760 --> 00:17:11,440 Speaker 5: but right it just like like to me, I was. 352 00:17:11,400 --> 00:17:12,359 Speaker 6: Like, but this is it. 353 00:17:12,440 --> 00:17:14,680 Speaker 5: Like when you think about an animated movie that has 354 00:17:14,800 --> 00:17:17,760 Speaker 5: music or musical or something else that where people sing 355 00:17:18,119 --> 00:17:20,760 Speaker 5: like none of the there weren't reasons for them to sing. 356 00:17:20,800 --> 00:17:22,520 Speaker 5: He was just like, I guess the musical number will 357 00:17:22,560 --> 00:17:24,480 Speaker 5: go here, and then another one will go here, and 358 00:17:24,560 --> 00:17:27,719 Speaker 5: like they just don't function well as musical numbers. 359 00:17:27,720 --> 00:17:30,359 Speaker 6: And that was, yeah, honestly very stressful for me. 360 00:17:30,680 --> 00:17:31,720 Speaker 4: Why technical. 361 00:17:31,840 --> 00:17:34,639 Speaker 3: I think it was the song technical foul that broke me. 362 00:17:34,800 --> 00:17:37,480 Speaker 3: Oh my gosh, where and it was stuck in my head. 363 00:17:37,680 --> 00:17:40,040 Speaker 3: That's why I had to go see Wicked immediately after, 364 00:17:40,119 --> 00:17:42,679 Speaker 3: because I was like, I can't go to sleep, but that's. 365 00:17:42,400 --> 00:17:47,040 Speaker 4: A technical foul, like stuck in my head. That song was. 366 00:17:47,280 --> 00:17:49,240 Speaker 3: I mean, none of the songs are really necessary, but 367 00:17:49,280 --> 00:17:51,840 Speaker 3: that one just comes out of nowhere. It's so long 368 00:17:52,280 --> 00:17:55,040 Speaker 3: and has nothing to do with anything. The best song 369 00:17:55,080 --> 00:17:58,159 Speaker 3: in the movie is a decade old song they use 370 00:17:58,200 --> 00:18:01,040 Speaker 3: in the credits, the Honka song Like, which is also 371 00:18:01,200 --> 00:18:04,600 Speaker 3: clearly why the movie exists, because the line eight crazy 372 00:18:04,680 --> 00:18:07,240 Speaker 3: nights appears in the song and it's a classic. 373 00:18:07,320 --> 00:18:08,200 Speaker 4: It's super funny. 374 00:18:08,280 --> 00:18:11,639 Speaker 3: Like Adam Sandler does is not He's not one of 375 00:18:11,680 --> 00:18:16,000 Speaker 3: my guys, but I get why people like him. When 376 00:18:16,040 --> 00:18:18,240 Speaker 3: I listen to the Hankkah song. I don't get why 377 00:18:18,280 --> 00:18:20,560 Speaker 3: people like him. When I watch Eight Crazy. 378 00:18:20,400 --> 00:18:22,879 Speaker 5: Nights, do you know that the big joke among at 379 00:18:22,960 --> 00:18:25,159 Speaker 5: least someone of my friends and family about the Hanka 380 00:18:25,280 --> 00:18:28,360 Speaker 5: song is just like our whole family would. 381 00:18:28,200 --> 00:18:31,120 Speaker 6: Just go, I mean, Adam, what are you doing? Why 382 00:18:31,160 --> 00:18:33,000 Speaker 6: are you just giving people a list of Jews? 383 00:18:33,040 --> 00:18:35,600 Speaker 5: Nobody needs that that secret like, don't make a list 384 00:18:35,640 --> 00:18:41,359 Speaker 5: of us, It's not safe. And yeah, I would have 385 00:18:41,600 --> 00:18:44,480 Speaker 5: actually kind of enjoyed a movie if it featured eight 386 00:18:44,520 --> 00:18:47,000 Speaker 5: Crazy Nights and eat Crazy Night or like sorry, if 387 00:18:47,040 --> 00:18:48,959 Speaker 5: the the Hanka song had been like a part of 388 00:18:49,000 --> 00:18:50,240 Speaker 5: the story. 389 00:18:49,800 --> 00:18:50,360 Speaker 6: In some way. 390 00:18:50,440 --> 00:18:53,239 Speaker 4: Why not? Really, yeah, why just do that? 391 00:18:53,280 --> 00:18:55,000 Speaker 6: I would have had fun with that. You know, that 392 00:18:55,000 --> 00:18:56,679 Speaker 6: would have been a really enjoyable movie. 393 00:18:56,720 --> 00:19:00,880 Speaker 2: Maybe maybe, Well, let's take a quick break and then 394 00:19:01,040 --> 00:19:05,240 Speaker 2: we will come back and do the recap of this 395 00:19:05,640 --> 00:19:08,280 Speaker 2: seventy six minute long feature film. 396 00:19:08,920 --> 00:19:21,640 Speaker 4: Bear it back and we're back, and we're back. 397 00:19:21,720 --> 00:19:24,959 Speaker 3: Yes, this does have another feature of a movie that 398 00:19:25,080 --> 00:19:27,800 Speaker 3: just couldn't make it to feature length, which is that 399 00:19:27,920 --> 00:19:30,640 Speaker 3: it also has an incredibly long credit sequence. 400 00:19:30,720 --> 00:19:32,760 Speaker 4: So it looks like it's eighty minutes long, but it 401 00:19:32,840 --> 00:19:33,160 Speaker 4: is not. 402 00:19:33,680 --> 00:19:37,720 Speaker 3: It just they play the Hanakah song all the way through, 403 00:19:38,400 --> 00:19:41,480 Speaker 3: but it's like a new improvised version, so it's like 404 00:19:41,560 --> 00:19:42,440 Speaker 3: six minutes long. 405 00:19:42,760 --> 00:19:44,480 Speaker 2: As soon as you get the title card where it's 406 00:19:44,520 --> 00:19:46,920 Speaker 2: like directed bye blah blah blah, I turned it off. 407 00:19:46,960 --> 00:19:49,920 Speaker 2: I couldn't listen to another second, so I missed that 408 00:19:50,080 --> 00:19:55,320 Speaker 2: the whole credit song, unfortunately, but oh no, it would 409 00:19:55,359 --> 00:20:02,120 Speaker 2: darn it missed it. Okay, So here's the recap. We 410 00:20:02,240 --> 00:20:07,959 Speaker 2: open on voiceover narration from Rob Schneider. And if that 411 00:20:08,440 --> 00:20:10,800 Speaker 2: doesn't tell you everything you need to know right at 412 00:20:10,800 --> 00:20:12,240 Speaker 2: the top, I. 413 00:20:12,119 --> 00:20:13,840 Speaker 4: Just also the narrator. 414 00:20:13,920 --> 00:20:15,800 Speaker 3: I know that they're trying to like do like a 415 00:20:15,840 --> 00:20:19,439 Speaker 3: holiday movie pastige there, but also anytime the narrator talks, 416 00:20:19,480 --> 00:20:21,639 Speaker 3: it just makes it sound like the movie is insecure, 417 00:20:21,680 --> 00:20:23,680 Speaker 3: that you don't understand what's happening. 418 00:20:24,280 --> 00:20:25,840 Speaker 4: You're like, I know, I got it. 419 00:20:25,920 --> 00:20:29,360 Speaker 3: I know he's walking around, and then cut to Rob 420 00:20:29,359 --> 00:20:33,919 Speaker 3: Schneider doing an offensive accent. Yes, first spoken line of 421 00:20:33,960 --> 00:20:35,560 Speaker 3: dialogue is Rob Schneider. 422 00:20:35,600 --> 00:20:38,800 Speaker 5: This movie is so firmly rooted in two thousand and two, 423 00:20:39,760 --> 00:20:43,760 Speaker 5: like in particular with the racism, the offensiveness, the weight jokes, 424 00:20:43,760 --> 00:20:45,040 Speaker 5: the joke. We'll get to all of that, but like 425 00:20:45,480 --> 00:20:47,360 Speaker 5: you when you open, when the movie opens with Rob 426 00:20:47,359 --> 00:20:50,679 Speaker 5: Schneider doing something offensive, you're like, it's really two thousand 427 00:20:50,680 --> 00:20:51,160 Speaker 5: and two. 428 00:20:51,040 --> 00:20:53,240 Speaker 4: In here, it stinks in here. 429 00:20:53,480 --> 00:20:56,280 Speaker 3: It's wild that this is like this is also this 430 00:20:56,359 --> 00:21:00,640 Speaker 3: is the same year as my favorite Adam Sandler performance 431 00:21:00,880 --> 00:21:05,080 Speaker 3: in Punch Drunk Love. Oh yeah, and then he just 432 00:21:05,160 --> 00:21:09,520 Speaker 3: had to end the year like this, no accounting. 433 00:21:09,040 --> 00:21:12,359 Speaker 2: For it, you know. He he has range from something 434 00:21:12,400 --> 00:21:14,520 Speaker 2: that's pretty good to something that's really. 435 00:21:14,320 --> 00:21:15,960 Speaker 4: Fucking terrible, too horrible. 436 00:21:16,359 --> 00:21:21,280 Speaker 2: Yeah, yeah, okay. So the voiceover is explaining that Christmas 437 00:21:21,320 --> 00:21:23,800 Speaker 2: is right around the corner and that tonight is the 438 00:21:23,800 --> 00:21:27,440 Speaker 2: first night of Hanukkah, although some people aren't excited about 439 00:21:27,480 --> 00:21:32,479 Speaker 2: the holidays, including a man named Davy Stone. This is 440 00:21:32,600 --> 00:21:37,800 Speaker 2: the main Adam Sandler character who is designed to look 441 00:21:37,960 --> 00:21:39,960 Speaker 2: like Adam Sandler. Yes, very much. 442 00:21:40,000 --> 00:21:42,600 Speaker 3: I will be calling him Adam Sandler. I can't be 443 00:21:42,640 --> 00:21:44,560 Speaker 3: bothered to call him daddy. 444 00:21:46,119 --> 00:21:49,960 Speaker 2: So he is a down on his luck guy. He's 445 00:21:49,960 --> 00:21:54,000 Speaker 2: at a Chinese restaurant getting drunk. He leaves without paying, 446 00:21:54,200 --> 00:21:58,640 Speaker 2: so the cops start chasing him, but not before he 447 00:21:58,760 --> 00:22:02,800 Speaker 2: drunkenly makes with his car. For some reason. 448 00:22:03,040 --> 00:22:05,080 Speaker 5: That is a note on my many list of things 449 00:22:05,160 --> 00:22:07,840 Speaker 5: I don't like. I just said, do not like him 450 00:22:07,880 --> 00:22:10,640 Speaker 5: making out with his car at all? Not a good 451 00:22:10,720 --> 00:22:14,080 Speaker 5: joke comment not good bad. 452 00:22:14,000 --> 00:22:17,119 Speaker 3: Is well, you're you're correct, it is not good and 453 00:22:17,200 --> 00:22:21,560 Speaker 3: it doesn't even crack the top fifty percentile of bad, 454 00:22:21,640 --> 00:22:22,879 Speaker 3: which is which is wild. 455 00:22:23,240 --> 00:22:23,520 Speaker 6: Yeah. 456 00:22:23,880 --> 00:22:28,840 Speaker 2: So then he starts like snowboarding around town on the 457 00:22:28,880 --> 00:22:33,320 Speaker 2: lid of a trash can or something. He's singing a song, Oh. 458 00:22:33,200 --> 00:22:36,560 Speaker 3: My God, and the songs are even the song's titles 459 00:22:36,600 --> 00:22:40,359 Speaker 3: are lazy. Davy's song is the first song, and he's like, 460 00:22:40,640 --> 00:22:45,600 Speaker 3: I don't like Hanukkah or Christmas. I don't like this 461 00:22:45,760 --> 00:22:48,600 Speaker 3: time of year. And you're like, oh, all right, this 462 00:22:48,880 --> 00:22:50,320 Speaker 3: thinks I don't like it. 463 00:22:50,600 --> 00:22:51,560 Speaker 4: Yeah, that's the whole song. 464 00:22:51,680 --> 00:22:55,560 Speaker 2: The chorus is I hate love, I hate you, I 465 00:22:55,640 --> 00:22:59,160 Speaker 2: hate me, and you're like, cool, go to therapy, sir. 466 00:22:59,640 --> 00:23:02,480 Speaker 3: There's I mean, it's like there, that is a reasonable 467 00:23:02,520 --> 00:23:05,680 Speaker 3: starting point. I mean, he's like, he's scrooging around. Okay, 468 00:23:06,280 --> 00:23:08,600 Speaker 3: but what is this going to build to? And the 469 00:23:08,640 --> 00:23:10,600 Speaker 3: answer is not very much. 470 00:23:11,080 --> 00:23:13,280 Speaker 5: I do want to know in the opening bits, and 471 00:23:13,320 --> 00:23:15,439 Speaker 5: this is something that I noticed when I moved to 472 00:23:15,480 --> 00:23:19,440 Speaker 5: New England, is that they had this the Ice Santa 473 00:23:19,480 --> 00:23:22,359 Speaker 5: and the Ice Manora side by side, and they are 474 00:23:22,600 --> 00:23:25,640 Speaker 5: of equal height and of equal importance in this town 475 00:23:25,720 --> 00:23:31,480 Speaker 5: that supposedly of Jewish people, right, Yeah, the percentage of 476 00:23:31,720 --> 00:23:34,600 Speaker 5: the percentage of the Jewish population in New Hampshire is 477 00:23:34,800 --> 00:23:36,320 Speaker 5: around zero point eight percent. 478 00:23:36,440 --> 00:23:39,000 Speaker 6: So I don't think I googled it after living because 479 00:23:39,000 --> 00:23:39,720 Speaker 6: it's eight. 480 00:23:40,840 --> 00:23:43,480 Speaker 5: Yeah, it's small, and I think there's like a few 481 00:23:43,520 --> 00:23:45,680 Speaker 5: towns that have like concentrations, but it's not like there's 482 00:23:45,720 --> 00:23:47,800 Speaker 5: a huge you know, So it doesn't make sense to 483 00:23:47,880 --> 00:23:50,400 Speaker 5: Jamie's point earlier to have it set in New Hampshire. 484 00:23:50,720 --> 00:23:53,760 Speaker 6: But also my point is living. 485 00:23:53,560 --> 00:23:56,639 Speaker 5: In New England, it's very rare to see Honeka be 486 00:23:56,760 --> 00:24:01,040 Speaker 5: treated with the same level of decorative important as Christmas. 487 00:24:01,119 --> 00:24:03,560 Speaker 5: And I just like straight from the beginning, I was like, well, 488 00:24:03,560 --> 00:24:06,680 Speaker 5: that doesn't feel right to me. Like the last like 489 00:24:06,680 --> 00:24:10,399 Speaker 5: like I right, my husband and I went to a 490 00:24:10,600 --> 00:24:12,840 Speaker 5: mall and the whole you walk into the mall and 491 00:24:12,840 --> 00:24:15,159 Speaker 5: the whole entryway is all Christmas stuff And then we 492 00:24:15,200 --> 00:24:17,640 Speaker 5: walked like down the side to the area that had 493 00:24:17,640 --> 00:24:19,919 Speaker 5: actually there was like they were renovating it and it 494 00:24:19,960 --> 00:24:21,760 Speaker 5: was ripped off with caution tape and there was like 495 00:24:21,840 --> 00:24:26,040 Speaker 5: one small manora of side over there, like that's that's 496 00:24:26,119 --> 00:24:28,480 Speaker 5: kind of how we expect honna going to be treated 497 00:24:28,560 --> 00:24:30,840 Speaker 5: in places where there are not a lot of Jews, right, 498 00:24:30,880 --> 00:24:31,879 Speaker 5: It's not the main focus. 499 00:24:31,920 --> 00:24:34,440 Speaker 6: So it just felt so not accurate. 500 00:24:34,720 --> 00:24:37,479 Speaker 5: Like right from the beginning, I'm like, ad a buddy, like, 501 00:24:37,600 --> 00:24:40,679 Speaker 5: what what are you doing? This isn't how this is 502 00:24:40,720 --> 00:24:43,600 Speaker 5: not an authentic to me anyway, based on my experience 503 00:24:43,600 --> 00:24:46,120 Speaker 5: and how I experienced a hanika. 504 00:24:45,640 --> 00:24:49,160 Speaker 6: In New England or outside of a major metropolis. 505 00:24:49,280 --> 00:24:51,919 Speaker 3: I was very confused at the choice to set it 506 00:24:52,080 --> 00:24:54,920 Speaker 3: in New England if they were not going to make 507 00:24:54,960 --> 00:24:58,760 Speaker 3: it a point that like Christmas is so dominant in 508 00:24:59,000 --> 00:25:01,840 Speaker 3: New England and like have that be sort of like 509 00:25:02,240 --> 00:25:04,760 Speaker 3: a plot point or something that's referenced in more than 510 00:25:04,760 --> 00:25:06,879 Speaker 3: a couple of passing jokes. But it just feels like 511 00:25:06,960 --> 00:25:10,320 Speaker 3: an excuse for the movie to not actually be about Hanakah. 512 00:25:10,320 --> 00:25:13,600 Speaker 4: It's really bizarre. I was like, what is this movie about? 513 00:25:13,800 --> 00:25:16,359 Speaker 6: Is Adam Sandler? Is he from New England? Is that 514 00:25:16,400 --> 00:25:18,359 Speaker 6: I'm kind of guessing he's from New York? 515 00:25:19,080 --> 00:25:21,600 Speaker 5: Okay, I just assumed he was, Like, let's just set 516 00:25:21,600 --> 00:25:23,120 Speaker 5: it up in New England for the. 517 00:25:23,080 --> 00:25:23,439 Speaker 6: Hell of it. 518 00:25:23,520 --> 00:25:25,840 Speaker 3: Oh, I guess he moved to Manchester when he was 519 00:25:25,880 --> 00:25:28,560 Speaker 3: a kid. Okay, Okay, so he did go to high 520 00:25:28,560 --> 00:25:32,920 Speaker 3: school in New Hampshire. I guess that explains New Hampshire 521 00:25:32,960 --> 00:25:33,720 Speaker 3: at least. 522 00:25:33,920 --> 00:25:38,480 Speaker 2: Right, Yeah, but the like vibe seems very off. As 523 00:25:38,520 --> 00:25:42,560 Speaker 2: you said, Alex, in any case, he's snowboarding around, he's 524 00:25:42,600 --> 00:25:45,560 Speaker 2: singing about how he hates everybody, and he's just being 525 00:25:45,720 --> 00:25:51,280 Speaker 2: cruel and awful to everyone he encounters. And like you said, Jamie, like, sure, 526 00:25:51,320 --> 00:25:55,800 Speaker 2: if he's like a gringe type, fine place for a 527 00:25:55,880 --> 00:25:59,640 Speaker 2: character to start, assuming he'll have an arc. But they 528 00:25:59,680 --> 00:26:03,119 Speaker 2: like went way too far in that direction of just 529 00:26:03,160 --> 00:26:06,119 Speaker 2: being so horrible that he is like irredeemable. 530 00:26:06,480 --> 00:26:09,560 Speaker 5: I think I couldn't find myself rooting for him. No, 531 00:26:10,240 --> 00:26:11,560 Speaker 5: in anyway I. 532 00:26:11,520 --> 00:26:13,960 Speaker 3: Felt that, especially the second we meet Jennifer, I'm like, 533 00:26:14,040 --> 00:26:16,360 Speaker 3: I can't believe she has to end up with this guy. 534 00:26:16,560 --> 00:26:20,560 Speaker 4: This is so unfair to her, like I know this 535 00:26:20,680 --> 00:26:23,280 Speaker 4: is the only woman. And also I mean, we'll get 536 00:26:23,320 --> 00:26:24,840 Speaker 4: to it, but just the animation style. 537 00:26:25,240 --> 00:26:28,600 Speaker 3: We talked about this a lot in animated movies in general, 538 00:26:28,640 --> 00:26:32,720 Speaker 3: but just how like the tropes in how women are animated, 539 00:26:32,880 --> 00:26:36,240 Speaker 3: and then the love interest just looks like a hot lady. 540 00:26:36,560 --> 00:26:39,440 Speaker 3: You're just like And then any woman who the Adam 541 00:26:39,480 --> 00:26:42,760 Speaker 3: Sandler character doesn't want to have sex with is designed 542 00:26:43,200 --> 00:26:47,760 Speaker 3: so wildly differently, so like offensive that the lady with three. 543 00:26:47,640 --> 00:26:51,240 Speaker 4: Boobs, I'm like, what are what is? What is that? 544 00:26:51,920 --> 00:26:54,439 Speaker 3: And she comes out of nowhere in nax and I 545 00:26:54,560 --> 00:26:58,919 Speaker 3: was like, wait, we haven't met this character before. She 546 00:26:59,040 --> 00:27:00,840 Speaker 3: shows up so late in the movie. 547 00:27:00,920 --> 00:27:01,720 Speaker 4: She's like, here's me. 548 00:27:02,320 --> 00:27:03,480 Speaker 9: I was like, what is this? 549 00:27:03,840 --> 00:27:07,480 Speaker 2: She is established early on, but like for what reason? 550 00:27:07,560 --> 00:27:12,720 Speaker 2: It's it's so annoying anyway. So he's being awful to everyone, 551 00:27:12,840 --> 00:27:15,760 Speaker 2: and then he gets arrested and goes before a judge 552 00:27:15,800 --> 00:27:18,600 Speaker 2: who is about to give him a harsh sentence because 553 00:27:18,600 --> 00:27:21,040 Speaker 2: he has a history of like just being awful and 554 00:27:21,080 --> 00:27:25,439 Speaker 2: disruptive in the community. But then a man named Whitey 555 00:27:25,520 --> 00:27:29,640 Speaker 2: Duval who is also voiced by Adam Sandler, is this a. 556 00:27:29,600 --> 00:27:30,680 Speaker 4: Whitey Bulger joke? 557 00:27:30,880 --> 00:27:30,960 Speaker 7: Like? 558 00:27:31,080 --> 00:27:32,160 Speaker 4: What? What? 559 00:27:33,440 --> 00:27:34,320 Speaker 2: I don't I don't know. 560 00:27:34,960 --> 00:27:38,119 Speaker 4: If so, it doesn't make sense. 561 00:27:38,200 --> 00:27:42,320 Speaker 2: It doesn't make sense. He interjects and suggests that Davy 562 00:27:42,400 --> 00:27:47,040 Speaker 2: do community service in the form of helping Whitey referee 563 00:27:47,080 --> 00:27:51,680 Speaker 2: youth basketball games. That's because that's gonna set him straight. 564 00:27:52,119 --> 00:27:55,439 Speaker 3: That's a that's a hefty dose of white privilege right 565 00:27:55,520 --> 00:27:58,240 Speaker 3: at right at the top where it's like, oh, you've 566 00:27:58,280 --> 00:28:03,640 Speaker 3: been sentenced to not even community service, you've been sentenced 567 00:28:03,680 --> 00:28:06,520 Speaker 3: to a part time job, right like he got a 568 00:28:06,640 --> 00:28:10,840 Speaker 3: job out of almost getting a dy Yes. 569 00:28:11,000 --> 00:28:16,280 Speaker 2: And then Davy reluctantly agrees to this after saying a 570 00:28:16,400 --> 00:28:22,280 Speaker 2: whole string of very ablest things to Whitey. But he's like, fine, 571 00:28:22,359 --> 00:28:24,520 Speaker 2: I'll do it because otherwise he's going to be sentenced 572 00:28:24,520 --> 00:28:27,399 Speaker 2: to like ten years in prison. So he's like, I 573 00:28:27,440 --> 00:28:30,280 Speaker 2: guess i'll referee youth basketball instead ten. 574 00:28:30,240 --> 00:28:33,520 Speaker 4: Years in prison, or we'll give you a job. I'm like, uh, 575 00:28:33,560 --> 00:28:36,280 Speaker 4: huh huh. Justice system makes sense. 576 00:28:36,600 --> 00:28:40,719 Speaker 2: And meanwhile, there's a subplot where Whitey is hoping to 577 00:28:41,120 --> 00:28:45,360 Speaker 2: win the All Star patch at the youth league basketball 578 00:28:45,520 --> 00:28:46,800 Speaker 2: banquet that's coming up. 579 00:28:46,960 --> 00:28:49,760 Speaker 3: I will say I was I was a little invested 580 00:28:49,800 --> 00:28:52,440 Speaker 3: in the patch. I wanted him to get the patch 581 00:28:52,760 --> 00:28:56,600 Speaker 3: that makes one of us because I didn't give a shit. 582 00:28:56,760 --> 00:28:58,040 Speaker 4: Now I was rooting for him. 583 00:28:58,880 --> 00:29:01,920 Speaker 5: I think it like Jamie is saying, there's a movie 584 00:29:01,920 --> 00:29:05,000 Speaker 5: that appears to like middle school boys, and then they 585 00:29:05,040 --> 00:29:07,480 Speaker 5: do the voice, and like, the Whitey voice just made 586 00:29:07,560 --> 00:29:10,440 Speaker 5: me like physically tends up because I was like, oh, 587 00:29:10,480 --> 00:29:13,120 Speaker 5: it's every boy from my middle school. It just like 588 00:29:13,240 --> 00:29:15,760 Speaker 5: as you just that, it just brought it all back, 589 00:29:15,800 --> 00:29:16,840 Speaker 5: and I just couldn't. 590 00:29:16,880 --> 00:29:18,520 Speaker 6: I couldn't support Whitey because of that. 591 00:29:18,800 --> 00:29:21,120 Speaker 4: Yeah, I totally understand. I don't know. 592 00:29:21,200 --> 00:29:24,080 Speaker 3: I mean, I I he's the only character that I mean, 593 00:29:24,120 --> 00:29:27,040 Speaker 3: he's just so abused when he's put in the in 594 00:29:27,080 --> 00:29:28,480 Speaker 3: the shit statue. 595 00:29:28,840 --> 00:29:32,720 Speaker 2: Oh, he is a sympathetic character. Yeah, because you feel 596 00:29:32,760 --> 00:29:35,560 Speaker 2: sorry for him, you feel pretty for it. We'll talk 597 00:29:35,600 --> 00:29:36,160 Speaker 2: all about it. 598 00:29:36,200 --> 00:29:38,160 Speaker 3: But yeah, I mean, I'm not gonna I'm not like, 599 00:29:38,440 --> 00:29:41,600 Speaker 3: why don't you guys like Whitey. I understand, I understand. 600 00:29:41,720 --> 00:29:43,760 Speaker 3: I just wanted him to get the patch. I mean, 601 00:29:43,800 --> 00:29:47,520 Speaker 3: he gets spoiler or he gets five of them. 602 00:29:48,840 --> 00:29:53,520 Speaker 2: Yeah. Okay. So it's the first basketball game that Davy 603 00:29:53,880 --> 00:29:56,960 Speaker 2: is meant to be refereeing, but he's not really doing 604 00:29:57,000 --> 00:30:02,760 Speaker 2: his job. He then makes another string of extremely fat 605 00:30:02,760 --> 00:30:05,840 Speaker 2: phobic remarks to one of the players on one of 606 00:30:05,840 --> 00:30:10,640 Speaker 2: the teams, and the game ends and Whitey is upset 607 00:30:10,800 --> 00:30:14,840 Speaker 2: about the way Davy is treating people, so he takes 608 00:30:14,960 --> 00:30:15,960 Speaker 2: Davy to the mall. 609 00:30:16,600 --> 00:30:19,200 Speaker 3: Maybe that's why I like Whitey. I like going to 610 00:30:19,240 --> 00:30:21,640 Speaker 3: the mall because he I find it comforting. 611 00:30:21,240 --> 00:30:23,840 Speaker 2: To the going to the dunkin Donuts in the mall. 612 00:30:24,040 --> 00:30:28,200 Speaker 3: Yeah, I'm doing that too. I'm hitting up the dunks 613 00:30:28,200 --> 00:30:30,960 Speaker 3: at the Glendell Gallery. I'm unknown entity there. So maybe 614 00:30:31,000 --> 00:30:32,080 Speaker 3: that's why I connect with him. 615 00:30:32,120 --> 00:30:33,200 Speaker 2: I don't know, I understand. 616 00:30:33,280 --> 00:30:36,520 Speaker 4: Yeah, that's a technical file. It's sucking my head again 617 00:30:38,280 --> 00:30:40,640 Speaker 4: much anyway. 618 00:30:40,680 --> 00:30:45,240 Speaker 2: So Whitey is teaching Davy a lesson at the mall, 619 00:30:45,360 --> 00:30:48,560 Speaker 2: of course, and he's telling Davy he needs to be 620 00:30:48,600 --> 00:30:54,400 Speaker 2: more respectful. And there a woman named Jennifer Friedman who 621 00:30:54,560 --> 00:30:59,480 Speaker 2: is voiced by Jackie Sandler aka Adam Sandler's his wife. 622 00:30:59,680 --> 00:31:01,480 Speaker 2: Although I don't think they were married at the time. 623 00:31:01,720 --> 00:31:03,480 Speaker 2: I don't know if this is how they met or what, 624 00:31:03,560 --> 00:31:06,360 Speaker 2: but this is pre their marriage, I believe. 625 00:31:06,920 --> 00:31:11,640 Speaker 4: Interesting. Yes, I did not realize that it's true. 626 00:31:12,080 --> 00:31:15,320 Speaker 3: That is baffling that you could fall in love during 627 00:31:15,320 --> 00:31:17,720 Speaker 3: the production of this movie. 628 00:31:18,560 --> 00:31:18,840 Speaker 2: Yeah. 629 00:31:18,920 --> 00:31:20,360 Speaker 4: Yeah, they got married the next. 630 00:31:20,160 --> 00:31:21,920 Speaker 3: Year, So I feel like it's kind of safe to 631 00:31:21,960 --> 00:31:26,320 Speaker 3: say that eight Crazy Nights, I mean, something good came 632 00:31:26,360 --> 00:31:26,760 Speaker 3: out of it. 633 00:31:26,800 --> 00:31:30,920 Speaker 2: So they brought them together there good for them anyway. 634 00:31:31,000 --> 00:31:35,520 Speaker 2: So Jennifer and her son Benjamin are there at the 635 00:31:35,560 --> 00:31:39,000 Speaker 2: mall because I believe she works at Dunkin Donuts. She detonomically. 636 00:31:39,600 --> 00:31:42,680 Speaker 3: I looked into it because I Caitlin, as you know, 637 00:31:42,800 --> 00:31:45,400 Speaker 3: I love keeping track of product placement. There is so 638 00:31:45,560 --> 00:31:48,200 Speaker 3: much of this. What I learned though, is that they 639 00:31:48,240 --> 00:31:50,680 Speaker 3: got permission for none of it. None of it, well 640 00:31:50,720 --> 00:31:53,880 Speaker 3: none of it, so there's not even a reason for it, Like, 641 00:31:54,160 --> 00:31:57,120 Speaker 3: but you've got which because at first, when Whitey was 642 00:31:57,160 --> 00:32:00,400 Speaker 3: showing Adam Sandler every store at the mall, first reason, 643 00:32:00,440 --> 00:32:01,720 Speaker 3: I was like, oh, this must have been how they 644 00:32:01,800 --> 00:32:04,240 Speaker 3: funded the movie, right with this product life. It turns 645 00:32:04,240 --> 00:32:06,200 Speaker 3: out they were just doing that for no reason at all. 646 00:32:06,600 --> 00:32:12,680 Speaker 3: Sharper Image, Body Shop, GNC, Tyrax, Spencer's Sabarro, Dunks Sees Candy, 647 00:32:13,080 --> 00:32:16,320 Speaker 3: Panda Express, Victoria's Secret Italian Eatery, Hot Dog Gonna Stick, 648 00:32:16,400 --> 00:32:18,840 Speaker 3: and seven to eleven. They got no money to do that. 649 00:32:18,920 --> 00:32:21,160 Speaker 3: They just they were just like, here's this. 650 00:32:21,760 --> 00:32:22,280 Speaker 4: Do you like this? 651 00:32:22,400 --> 00:32:24,400 Speaker 6: It's just for the love of them all. Yeah, they 652 00:32:24,440 --> 00:32:28,360 Speaker 6: just had to. I mean, I like, how did you feel, 653 00:32:28,920 --> 00:32:29,360 Speaker 6: how did you. 654 00:32:29,320 --> 00:32:32,760 Speaker 5: Feel about the Dunks situation? Because I know your feelings 655 00:32:32,760 --> 00:32:33,680 Speaker 5: on Dunks. 656 00:32:33,440 --> 00:32:38,240 Speaker 3: But like representation matters, like it's I I liked that 657 00:32:38,320 --> 00:32:40,680 Speaker 3: there was a Dunks in New Hampshire. 658 00:32:41,000 --> 00:32:42,160 Speaker 4: That makes sense to me. 659 00:32:42,840 --> 00:32:47,080 Speaker 3: And I like Jennifer all one thing I know about her. 660 00:32:47,920 --> 00:32:53,160 Speaker 3: I'm I'm rooting for Jennifer to somehow bust through the 661 00:32:53,160 --> 00:32:53,960 Speaker 3: fourth wall. 662 00:32:53,800 --> 00:32:56,640 Speaker 4: And be in a different movie. But I do. 663 00:32:56,720 --> 00:33:01,000 Speaker 3: I like a girl who works at Dunkin Donuts. Yeah, 664 00:33:01,120 --> 00:33:04,040 Speaker 3: hell yeah, working class hero, exactly. 665 00:33:03,760 --> 00:33:04,760 Speaker 4: Exact single mother. 666 00:33:05,640 --> 00:33:09,120 Speaker 3: But then she ends Honestly, she ends this movie worse 667 00:33:09,320 --> 00:33:12,640 Speaker 3: off than when she started because now she has like 668 00:33:12,720 --> 00:33:13,680 Speaker 3: a second. 669 00:33:13,360 --> 00:33:15,480 Speaker 4: Son, not even a boyfriend. 670 00:33:15,880 --> 00:33:18,760 Speaker 3: She's a single mother to a man child, ten year 671 00:33:18,800 --> 00:33:20,280 Speaker 3: old and a thirty three year old. 672 00:33:20,360 --> 00:33:23,000 Speaker 4: It's just it's unpleasant. Yeah. 673 00:33:23,080 --> 00:33:26,239 Speaker 2: In any case, Jennifer and her son are there and 674 00:33:26,280 --> 00:33:30,640 Speaker 2: they bring donuts to Whitey. This is something she does regularly, 675 00:33:31,440 --> 00:33:36,200 Speaker 2: and Davy is like, you know, noticing her and sexually 676 00:33:36,280 --> 00:33:41,160 Speaker 2: harassing her and insulting her son. But then he realizes 677 00:33:41,240 --> 00:33:45,160 Speaker 2: that he knows her because they went to school together 678 00:33:45,240 --> 00:33:48,719 Speaker 2: and they used to be friends. But he's been an 679 00:33:48,720 --> 00:33:51,800 Speaker 2: asshole for the past twenty years and so he probably 680 00:33:51,840 --> 00:33:55,480 Speaker 2: doesn't have a chance with her. Just kidding. Jennifer is 681 00:33:55,560 --> 00:33:56,640 Speaker 2: Davy's love. 682 00:33:56,480 --> 00:33:59,760 Speaker 3: Interest I for some reason, I mean not that I mean, 683 00:33:59,800 --> 00:34:02,640 Speaker 3: I like, there's never a point in the movie where 684 00:34:02,680 --> 00:34:05,840 Speaker 3: I'm on Davy's side, but it like make me extra 685 00:34:06,000 --> 00:34:09,080 Speaker 3: angry that he didn't even recognize her. I was like, 686 00:34:09,400 --> 00:34:12,200 Speaker 3: she like of all of the like he didn't even 687 00:34:12,239 --> 00:34:16,520 Speaker 3: remember who she was his best friend from childhood. 688 00:34:16,560 --> 00:34:19,279 Speaker 4: Like that's it makes no sense. 689 00:34:19,200 --> 00:34:23,239 Speaker 2: They dated, like they were like tween boyfriend girlfriend, you 690 00:34:23,400 --> 00:34:25,120 Speaker 2: had a little kiss in the flashback. 691 00:34:25,280 --> 00:34:28,240 Speaker 3: You would recognize that person. It doesn't matter how different 692 00:34:28,239 --> 00:34:29,919 Speaker 3: they look, you would recognize them. 693 00:34:30,040 --> 00:34:33,759 Speaker 5: That's like he's just too busy bullying her son, like 694 00:34:33,880 --> 00:34:35,800 Speaker 5: he loves bullying children. 695 00:34:36,040 --> 00:34:40,400 Speaker 3: That I found that like so wildly off putting, Like 696 00:34:40,680 --> 00:34:43,040 Speaker 3: on top of everything else. I was like if I 697 00:34:43,040 --> 00:34:46,359 Speaker 3: if my childhood sweetheart didn't recognize me, I would be 698 00:34:46,440 --> 00:34:48,319 Speaker 3: like fuck this guy, Like I know. 699 00:34:49,160 --> 00:34:52,520 Speaker 2: Also worth noting that Jennifer and her son are seem 700 00:34:52,560 --> 00:34:56,040 Speaker 2: to be the only other two Jewish characters besides Davy 701 00:34:56,280 --> 00:34:59,920 Speaker 2: in the story, because Benjamin is describing the Hanuka give 702 00:35:00,160 --> 00:35:04,000 Speaker 2: he has received so far, so it's established that Jennifer 703 00:35:04,320 --> 00:35:11,279 Speaker 2: is also Jewish. So then Whitey takes Davy home, but 704 00:35:11,320 --> 00:35:15,000 Speaker 2: gets stuck in the snow outside Davy's house and Davy 705 00:35:15,040 --> 00:35:18,279 Speaker 2: doesn't care or do anything to help, So Whitey's just 706 00:35:18,320 --> 00:35:21,680 Speaker 2: like out there for hours until he gets unstuck with 707 00:35:21,760 --> 00:35:26,080 Speaker 2: the help of some plot deer that keep showing up. 708 00:35:26,520 --> 00:35:28,560 Speaker 6: The deer also played by Adam Sandler. 709 00:35:28,800 --> 00:35:30,239 Speaker 2: Yes, yeah, so when they. 710 00:35:30,160 --> 00:35:33,320 Speaker 6: Go that's important. 711 00:35:32,440 --> 00:35:33,920 Speaker 2: That's Adam Taylor's voice. 712 00:35:34,120 --> 00:35:36,600 Speaker 4: Another fun fact. 713 00:35:36,400 --> 00:35:42,759 Speaker 3: From Scholgarly Journal Wikipedia is that in the test screenings 714 00:35:42,880 --> 00:35:47,840 Speaker 3: of this, Whitey's voice was originally even more high pitched 715 00:35:48,600 --> 00:35:53,160 Speaker 3: and they brought it down, and that Sandler was begged 716 00:35:53,239 --> 00:35:56,480 Speaker 3: to remove some of the deer shitting jokes, but he 717 00:35:56,719 --> 00:35:58,799 Speaker 3: was like, that's a bridge too far. 718 00:35:59,400 --> 00:36:00,520 Speaker 4: I will not. 719 00:36:01,120 --> 00:36:03,840 Speaker 3: I'm keeping them, all of them, all of them, all, 720 00:36:03,920 --> 00:36:07,720 Speaker 3: forty of them. I think though you honestly see deer 721 00:36:07,880 --> 00:36:11,200 Speaker 3: shitting on screen more than you hear Jennifer speak. 722 00:36:11,760 --> 00:36:13,160 Speaker 2: I think that's accurate. 723 00:36:13,560 --> 00:36:15,959 Speaker 4: Anyways, this movie wrong. 724 00:36:19,920 --> 00:36:24,719 Speaker 2: So in Davy's house, he is drinking and also looking 725 00:36:24,760 --> 00:36:28,640 Speaker 2: at a picture of his parents, who are implied to 726 00:36:28,800 --> 00:36:34,040 Speaker 2: have died. Then Whitey finally gets home and we meet 727 00:36:34,120 --> 00:36:38,080 Speaker 2: his sister, Eleanor, who he lives with. Eleanor is also 728 00:36:38,200 --> 00:36:44,040 Speaker 2: voiced by Adam Sandler and we'll talk more about Eleanor. 729 00:36:44,239 --> 00:36:49,920 Speaker 2: But then we get voiceover narration that says that Whitey 730 00:36:50,040 --> 00:36:53,879 Speaker 2: tends to do odd jobs around town to make ends meet. 731 00:36:54,560 --> 00:36:57,280 Speaker 2: The next day we see him doing this type of work, 732 00:36:57,440 --> 00:37:02,120 Speaker 2: which includes cleaning out some port of Davy is there 733 00:37:02,239 --> 00:37:05,080 Speaker 2: puking in one of the porta potties, and he comes 734 00:37:05,080 --> 00:37:08,120 Speaker 2: out and then he shoves Whitey into one of the 735 00:37:08,160 --> 00:37:11,960 Speaker 2: stalls and pushes it down a hill. So now sewage 736 00:37:12,000 --> 00:37:14,240 Speaker 2: gets all over Whitey. 737 00:37:14,239 --> 00:37:16,239 Speaker 4: And that's I think we can all agree. That's a 738 00:37:16,239 --> 00:37:17,000 Speaker 4: technical owl. 739 00:37:17,160 --> 00:37:21,040 Speaker 2: That's a technical that's a technical fowl. That's comedy, baby, 740 00:37:21,120 --> 00:37:25,399 Speaker 2: you know. That's does hilarious jokes and we love it. 741 00:37:25,560 --> 00:37:29,280 Speaker 2: And then Davy sprays him with a hose which freezes 742 00:37:29,320 --> 00:37:32,720 Speaker 2: because it's winter in New Hampshire. And then the deer 743 00:37:32,840 --> 00:37:36,480 Speaker 2: help Whitey again by licking the shit ice off of him, 744 00:37:36,560 --> 00:37:39,600 Speaker 2: and we're just like, why is this movie like this. 745 00:37:39,920 --> 00:37:42,920 Speaker 4: It's also implied that he gets like sort of a blowhop. 746 00:37:43,520 --> 00:37:44,440 Speaker 4: Dear o sorrow. 747 00:37:44,960 --> 00:37:48,000 Speaker 3: I'm sorry, that's referenced in a one off joke Crazy. 748 00:37:47,920 --> 00:37:50,400 Speaker 4: Day licked my balls or whatever. 749 00:37:50,680 --> 00:37:50,880 Speaker 2: This is. 750 00:37:51,360 --> 00:37:55,200 Speaker 4: This is a movie for ten year old boys. 751 00:37:57,880 --> 00:38:04,000 Speaker 2: That night, Davy Whitey and Benjamin Jenniferson are at the 752 00:38:04,040 --> 00:38:08,480 Speaker 2: basketball courts where a few adult men are playing pickup, 753 00:38:09,160 --> 00:38:11,919 Speaker 2: and Davy's like, I could beat all you guys at basketball. 754 00:38:12,120 --> 00:38:14,600 Speaker 4: Oh this pissed me off. This pissed me off. 755 00:38:15,200 --> 00:38:19,560 Speaker 3: When it's implied that he does nothing but drink beer 756 00:38:19,719 --> 00:38:23,560 Speaker 3: and then he's shirtless and like ripped, I was like, 757 00:38:23,640 --> 00:38:28,960 Speaker 3: this is this is ego gone wild? This character canonically 758 00:38:29,320 --> 00:38:31,479 Speaker 3: and this is not a judgment, but it just felt 759 00:38:31,520 --> 00:38:35,359 Speaker 3: like Adam Sandler being like, oh my cartoon avatar has 760 00:38:35,440 --> 00:38:39,040 Speaker 3: to be hot ripped. Like yeah, it just it felt 761 00:38:39,080 --> 00:38:40,120 Speaker 3: like it was an email. 762 00:38:41,000 --> 00:38:44,080 Speaker 2: Also, I formed a theory in this scene where I 763 00:38:44,160 --> 00:38:47,120 Speaker 2: was like, oh, I wonder if the reason this is 764 00:38:47,200 --> 00:38:50,400 Speaker 2: animated is because Adam Sandler wants to be portrayed as 765 00:38:50,440 --> 00:38:52,520 Speaker 2: being way better at basketball than he normally is. But 766 00:38:52,520 --> 00:38:56,080 Speaker 2: then I saw some clips of him playing basketball. I 767 00:38:56,440 --> 00:38:59,600 Speaker 2: he seems all right. I guess he could probably have 768 00:38:59,640 --> 00:39:00,279 Speaker 2: done it live. 769 00:39:00,320 --> 00:39:04,240 Speaker 3: ASHI played those at those like famous oh my gosh, 770 00:39:04,239 --> 00:39:08,040 Speaker 3: what am I thinking? Those famous Gary Shandling basketball games. 771 00:39:08,080 --> 00:39:10,680 Speaker 3: He was like a common attender. I know that he 772 00:39:10,760 --> 00:39:14,320 Speaker 3: really likes basketball. I think that this is only animated 773 00:39:14,360 --> 00:39:17,560 Speaker 3: because he was trying to which again like doesn't worry. 774 00:39:17,560 --> 00:39:18,319 Speaker 4: It was trying to. 775 00:39:18,400 --> 00:39:25,160 Speaker 3: Like visually parody old animated Christmas Specials. But I don't 776 00:39:25,239 --> 00:39:31,520 Speaker 3: know where the thirty four million dollars went here because the. 777 00:39:30,400 --> 00:39:34,160 Speaker 4: Mouths don't even move. It's just I don't know. 778 00:39:34,800 --> 00:39:38,280 Speaker 5: And did it look to you like the old Christmas 779 00:39:38,320 --> 00:39:42,000 Speaker 5: Specials animated example, Yeah, I didn't get that feel like 780 00:39:42,040 --> 00:39:44,840 Speaker 5: the the the animation style didn't feel like it was 781 00:39:44,840 --> 00:39:48,959 Speaker 5: connected to a specific era and was like in conversation 782 00:39:49,080 --> 00:39:50,919 Speaker 5: with that era if you welcome, right. 783 00:39:51,000 --> 00:39:53,799 Speaker 3: I didn't feel like it was like referencing anything in particular, 784 00:39:54,160 --> 00:39:57,600 Speaker 3: which I guess I find somewhat explained by the fact 785 00:39:57,600 --> 00:40:00,920 Speaker 3: that like ten animation studios ended up working on this, 786 00:40:01,120 --> 00:40:03,280 Speaker 3: so I don't know like what was going on behind 787 00:40:03,320 --> 00:40:04,279 Speaker 3: the scenes, but like. 788 00:40:04,880 --> 00:40:09,319 Speaker 4: There's no there's no cohesive creative vision going on here. 789 00:40:09,880 --> 00:40:12,080 Speaker 2: Yeah. It kind of reminds me of Sausage Party, which 790 00:40:12,120 --> 00:40:17,640 Speaker 2: also had a lot of like animation stuff going on, and. 791 00:40:17,680 --> 00:40:20,359 Speaker 3: I was like they were like breaking union, like they 792 00:40:20,360 --> 00:40:23,920 Speaker 3: were crossing picket lines to do Sausage Party. 793 00:40:24,000 --> 00:40:26,480 Speaker 4: It's awesome, Yeah, worth it? 794 00:40:26,880 --> 00:40:30,600 Speaker 2: Oh gosh, Okay, So Davy is like I can beat 795 00:40:30,600 --> 00:40:32,759 Speaker 2: all you guys a basketball. So he plays two on 796 00:40:32,840 --> 00:40:37,239 Speaker 2: two first with Whitey, who gets immediately injured, and it's 797 00:40:37,280 --> 00:40:38,840 Speaker 2: supposed to be a hilarious. 798 00:40:38,480 --> 00:40:39,840 Speaker 4: Joke technical foul. 799 00:40:40,920 --> 00:40:44,680 Speaker 2: It was a technical foul. Then Davey plays with Benjamin 800 00:40:44,960 --> 00:40:49,919 Speaker 2: as his teammate and they win. We'll talk more about 801 00:40:49,920 --> 00:40:52,520 Speaker 2: that in the discussion, but I'll just breeze right past 802 00:40:52,560 --> 00:40:56,680 Speaker 2: all the fat phobia inherent in this scene. But Jennifer 803 00:40:56,960 --> 00:41:00,640 Speaker 2: then comes by to pick Benjamin up up and she 804 00:41:00,760 --> 00:41:04,280 Speaker 2: sees Davy and her son playing together, and she's like hmm. 805 00:41:04,680 --> 00:41:09,600 Speaker 2: But then she's also like mmmmm, yeah, because she hates Davy, 806 00:41:10,000 --> 00:41:12,360 Speaker 2: but also maybe she's starting to like him. 807 00:41:12,640 --> 00:41:15,680 Speaker 3: I wouldn't want my kid around Davy, to be perfectly honest, 808 00:41:15,760 --> 00:41:20,319 Speaker 3: he's a bad guy, yes, And then anytime she's like, hey, 809 00:41:20,440 --> 00:41:22,120 Speaker 3: get away from my kid. You're a bad guy, he's like, 810 00:41:22,200 --> 00:41:23,640 Speaker 3: what do you mean by that? 811 00:41:25,800 --> 00:41:28,640 Speaker 5: He spent the beginning of the movie bullying other children 812 00:41:28,880 --> 00:41:30,200 Speaker 5: and then also bullied. 813 00:41:31,400 --> 00:41:31,880 Speaker 10: Yeah. 814 00:41:32,120 --> 00:41:34,319 Speaker 5: Right, Like it's very reasonable for her to be like, 815 00:41:34,560 --> 00:41:38,319 Speaker 5: based on my past experiences with you, I don't think 816 00:41:38,360 --> 00:41:40,000 Speaker 5: that you'll treat my son well, you know, Like that 817 00:41:40,040 --> 00:41:42,680 Speaker 5: seems like a very normal Jennifer, that's very normal. 818 00:41:42,640 --> 00:41:44,799 Speaker 3: Right, She's got to do it, She's got to do 819 00:41:44,840 --> 00:41:46,799 Speaker 3: And meanwhile, like Adam Saylor is standing next to an 820 00:41:46,840 --> 00:41:48,680 Speaker 3: unconscious old man and is like. 821 00:41:48,600 --> 00:41:53,560 Speaker 4: What is wrong with me? And it's like, dude. Anyways. 822 00:41:54,520 --> 00:41:59,040 Speaker 2: Then there's another song where Davy and Jennifer reminisced about 823 00:41:59,040 --> 00:42:02,120 Speaker 2: their youth. There's a whole flashback sequence. They used to 824 00:42:02,120 --> 00:42:07,960 Speaker 2: be friends and like young lovers as tweens, and but 825 00:42:08,000 --> 00:42:12,800 Speaker 2: obviously everything has changed. Then Davy comes home to discover 826 00:42:12,960 --> 00:42:15,640 Speaker 2: that the men that he had just beaten at basketball 827 00:42:16,440 --> 00:42:20,960 Speaker 2: are lighting his house on fire. So now his home 828 00:42:21,480 --> 00:42:25,640 Speaker 2: is gone, and Whitey offers Davy to let him stay 829 00:42:25,719 --> 00:42:27,360 Speaker 2: with him and his sister Eleanor. 830 00:42:27,719 --> 00:42:30,680 Speaker 3: Things get very dark in the back half of this movie. 831 00:42:30,800 --> 00:42:32,719 Speaker 3: The most and this is like not the most, the 832 00:42:32,760 --> 00:42:34,840 Speaker 3: most depressing thing is yet to come, which I was 833 00:42:34,880 --> 00:42:35,839 Speaker 3: truly shocked by. 834 00:42:36,360 --> 00:42:40,319 Speaker 2: Yeah, So then Davey comes to stay with them for 835 00:42:40,400 --> 00:42:43,799 Speaker 2: a while, and this is where we get the it's a. 836 00:42:43,719 --> 00:42:48,440 Speaker 4: Technical foul motivated by anything. No, it's just like farting. 837 00:42:48,640 --> 00:42:53,480 Speaker 3: Yet that that's a technical foul, Like it's just this 838 00:42:53,920 --> 00:42:56,960 Speaker 3: in my mind, technical foul is half the run time 839 00:42:57,000 --> 00:42:57,879 Speaker 3: of this movie, it. 840 00:42:57,960 --> 00:43:00,319 Speaker 4: Just felt like it would not stop. 841 00:43:00,719 --> 00:43:03,280 Speaker 2: It goes on so long. Yeah, it's basically just Whitey 842 00:43:03,360 --> 00:43:06,399 Speaker 2: explaining the rules that Davey has to follow because he's 843 00:43:06,440 --> 00:43:11,440 Speaker 2: so disrespectful. And it seems to actually kind of work, 844 00:43:11,560 --> 00:43:15,800 Speaker 2: because the next time we see Davy, he is behaving 845 00:43:15,840 --> 00:43:18,319 Speaker 2: a little bit more respectfully. He seems to be like 846 00:43:19,400 --> 00:43:22,840 Speaker 2: kinder and more sensitive. 847 00:43:22,640 --> 00:43:25,399 Speaker 4: Kind of like that's what worked on him. The song 848 00:43:25,480 --> 00:43:26,719 Speaker 4: is technically. 849 00:43:28,360 --> 00:43:31,920 Speaker 2: Right, it doesn't make sense. But then sometime passes and 850 00:43:31,960 --> 00:43:35,480 Speaker 2: I think it is now the eighth day of Hanukkah, 851 00:43:35,640 --> 00:43:37,839 Speaker 2: and now you're realizing, oh, this movie is called Eight 852 00:43:37,880 --> 00:43:40,880 Speaker 2: Crazy Nights. You have an expectation that it's going to 853 00:43:40,920 --> 00:43:43,520 Speaker 2: be about eight crazy nights, and yet most of it 854 00:43:43,600 --> 00:43:46,240 Speaker 2: happens off screen, and none of the nights are actually 855 00:43:46,440 --> 00:43:48,520 Speaker 2: crazy quote unquote. 856 00:43:48,719 --> 00:43:53,120 Speaker 3: And so a couple of like vaguely eventful days. But 857 00:43:53,280 --> 00:43:58,760 Speaker 3: because this, like because the main character doesn't celebrate Hanukkah 858 00:43:58,880 --> 00:44:01,840 Speaker 3: anymore for a reason, where about to learn? And because 859 00:44:01,960 --> 00:44:06,480 Speaker 3: it doesn't seem like anyone except Jennifer and Benjamin celebrate Hanukkah, 860 00:44:06,600 --> 00:44:09,520 Speaker 3: and we never see them celebrate Hannakah because we don't 861 00:44:09,680 --> 00:44:14,279 Speaker 3: care about them. The fact that it's Hanakkah is very 862 00:44:14,280 --> 00:44:17,879 Speaker 3: easy to forget because you only see Christmas decorations and 863 00:44:17,920 --> 00:44:19,520 Speaker 3: no one is celebrating Hankah. 864 00:44:19,960 --> 00:44:23,919 Speaker 5: So I saw because I went deep down a rabbit 865 00:44:24,000 --> 00:44:26,759 Speaker 5: hole reading like reviews from that time, and then I 866 00:44:26,920 --> 00:44:30,560 Speaker 5: ended up on like a Reddit talking about this movie, 867 00:44:30,600 --> 00:44:33,560 Speaker 5: and somebody from many years ago wrote in that this 868 00:44:33,760 --> 00:44:36,560 Speaker 5: was their favorite movie to watch during the Christmas season 869 00:44:36,680 --> 00:44:39,040 Speaker 5: and it just really exemplified Christmas. 870 00:44:38,560 --> 00:44:43,400 Speaker 6: For them, which I thought was just a really great point. Like, 871 00:44:43,480 --> 00:44:45,600 Speaker 6: it doesn't it's not a Hanukkah movie. I don't know 872 00:44:45,600 --> 00:44:46,520 Speaker 6: what to say. It's not. 873 00:44:46,719 --> 00:44:50,880 Speaker 5: There's no Ronica's not present. It's not a character in 874 00:44:50,920 --> 00:44:53,319 Speaker 5: the movie. It's not it's just not there. 875 00:44:53,960 --> 00:44:57,200 Speaker 3: It's a whole movie about why this one character no 876 00:44:57,280 --> 00:45:03,080 Speaker 3: longer celebrates Hanukkah due to brutal childhood trauma, which is 877 00:45:03,120 --> 00:45:06,480 Speaker 3: a story, but not really a Hanakah story. 878 00:45:07,480 --> 00:45:12,640 Speaker 2: Right, Okay, So we are now at the eighth day 879 00:45:12,680 --> 00:45:16,440 Speaker 2: of Hanukkah. Davy is hanging out with Whitey and Eleanor 880 00:45:16,560 --> 00:45:19,960 Speaker 2: and white He tells the story of how Davy learned 881 00:45:20,000 --> 00:45:23,040 Speaker 2: that his parents had been killed in a car accident 882 00:45:23,719 --> 00:45:26,399 Speaker 2: when he was a kid. Like twenty years prior, and 883 00:45:27,080 --> 00:45:33,160 Speaker 2: this grief and traumatic loss is what has made Davy 884 00:45:33,960 --> 00:45:36,560 Speaker 2: so horrible to everyone around him. 885 00:45:36,920 --> 00:45:40,200 Speaker 3: I was not prepared for something that heavy that the 886 00:45:40,280 --> 00:45:42,680 Speaker 3: movie is, like, you know, the second you learn that 887 00:45:42,800 --> 00:45:44,879 Speaker 3: his parents died in this horrible way, you're like, well, 888 00:45:44,880 --> 00:45:48,320 Speaker 3: this movie isn't equipped to have this conversation remotely. 889 00:45:48,360 --> 00:45:49,320 Speaker 4: Why even try? 890 00:45:49,520 --> 00:45:52,040 Speaker 3: Oh but yeah, I was like, wow, it's a dark 891 00:45:52,080 --> 00:45:53,200 Speaker 3: turn at the very end. 892 00:45:53,560 --> 00:45:55,279 Speaker 5: Yeah, I think they put it in. I mean it 893 00:45:55,280 --> 00:45:57,319 Speaker 5: felt to me very strongly like they put it in 894 00:45:57,360 --> 00:46:01,239 Speaker 5: there just to be like and that, uh, that excuses 895 00:46:01,239 --> 00:46:02,560 Speaker 5: every single thing he's ever. 896 00:46:02,360 --> 00:46:05,720 Speaker 6: Done so far. Right, You're right, that's the solution. 897 00:46:05,840 --> 00:46:08,719 Speaker 5: And it's just you know, I used to teach it 898 00:46:08,760 --> 00:46:11,040 Speaker 5: at preschool and we used I mean we used to 899 00:46:11,040 --> 00:46:11,359 Speaker 5: say a. 900 00:46:11,280 --> 00:46:14,080 Speaker 6: Lot of like that may explain the behavior, but it. 901 00:46:14,000 --> 00:46:16,360 Speaker 5: Does not excuse it. And I feel like that phrase 902 00:46:16,400 --> 00:46:19,399 Speaker 5: works really well here for Davy, Like that might give 903 00:46:19,480 --> 00:46:22,400 Speaker 5: some explanation for why he's he acts like an asshole, 904 00:46:22,480 --> 00:46:25,680 Speaker 5: but like, ultimately it's on him to still be a 905 00:46:25,719 --> 00:46:28,319 Speaker 5: good person in the world, right, Like, we still participate, 906 00:46:28,480 --> 00:46:31,000 Speaker 5: we live in a society, Davy, Like, come on, get 907 00:46:31,000 --> 00:46:33,040 Speaker 5: it together. You can't just put people import of bodies 908 00:46:33,040 --> 00:46:34,840 Speaker 5: and throw them off a cliff, like, we don't do that. 909 00:46:35,880 --> 00:46:38,839 Speaker 4: It won't bring your parents back. Davy, to throw an 910 00:46:38,840 --> 00:46:40,359 Speaker 4: old man off a cliff. 911 00:46:40,640 --> 00:46:43,719 Speaker 2: Well, that's the lesson he learns by the end. 912 00:46:43,800 --> 00:46:45,839 Speaker 4: I guess that's what he learns by the end. 913 00:46:45,960 --> 00:46:52,920 Speaker 3: I shouldn't have thrown that old man off of a cliff. Okay, girlfriend, please, son, please, 914 00:46:53,040 --> 00:46:54,040 Speaker 3: I learned to my lesson. 915 00:46:54,160 --> 00:46:55,040 Speaker 4: Where's my reward? 916 00:46:55,280 --> 00:46:58,400 Speaker 2: Where's my reward in the form of a human woman 917 00:46:58,520 --> 00:47:02,760 Speaker 2: who I now get to claim as my property anyway? Okay. 918 00:47:03,080 --> 00:47:05,480 Speaker 2: The reminder of this story about the loss of his 919 00:47:05,560 --> 00:47:09,319 Speaker 2: parents sets Davy off. He lashes out at Whitey and 920 00:47:09,360 --> 00:47:13,640 Speaker 2: Eleanor and he storms off. He gets drunk again and 921 00:47:13,680 --> 00:47:16,759 Speaker 2: then breaks into the mall because ninety percent of this 922 00:47:16,800 --> 00:47:18,840 Speaker 2: movie either takes place at the mall or at a 923 00:47:18,880 --> 00:47:23,399 Speaker 2: youth basketball game. And he goes to the mall and 924 00:47:23,920 --> 00:47:26,840 Speaker 2: he's there to try to talk to Jennifer at Dunkin Donuts, 925 00:47:26,880 --> 00:47:29,040 Speaker 2: but it's like very clearly after hours and no one 926 00:47:29,080 --> 00:47:32,040 Speaker 2: is there, and he just like breaks in and he's 927 00:47:32,080 --> 00:47:36,320 Speaker 2: belligerently screaming into the void until all of the stores 928 00:47:37,080 --> 00:47:40,320 Speaker 2: in the Mall come to life, question. 929 00:47:40,080 --> 00:47:45,759 Speaker 7: Mark really interesting, you know, And then they sing to 930 00:47:45,880 --> 00:47:48,960 Speaker 7: Davy and they tell him to cry and to let 931 00:47:49,000 --> 00:47:52,560 Speaker 7: it all out because he has never dealt with his 932 00:47:52,680 --> 00:47:55,479 Speaker 7: grief over the loss of his parents in a way 933 00:47:55,520 --> 00:47:58,680 Speaker 7: that is like healthy or effective or anything like that, 934 00:47:59,320 --> 00:48:00,720 Speaker 7: and he's really didn't to cry. 935 00:48:00,880 --> 00:48:03,759 Speaker 3: Wouldn't it be amazing if that message came from a 936 00:48:03,840 --> 00:48:06,839 Speaker 3: character we've met before and not. 937 00:48:07,000 --> 00:48:13,120 Speaker 2: Some weird like foot Locker animated like hallucination or something like. 938 00:48:13,160 --> 00:48:15,279 Speaker 3: I know we could talk about this in the discussion too, 939 00:48:15,360 --> 00:48:18,160 Speaker 3: but like you can't even get away from the misogyny 940 00:48:18,400 --> 00:48:19,239 Speaker 3: in the mall. 941 00:48:19,520 --> 00:48:21,960 Speaker 4: Like it's Tyra Banks as an. 942 00:48:21,800 --> 00:48:25,240 Speaker 3: Empty dress which from Victoria's Secret that still gets sexually 943 00:48:25,280 --> 00:48:29,200 Speaker 3: harassed by a jar of vitamins or like protein powder 944 00:48:29,280 --> 00:48:32,760 Speaker 3: oh from Chance, Yeah yeah, Tyra Banks as an empty 945 00:48:32,880 --> 00:48:35,719 Speaker 3: dress that is still getting hit on really sums up 946 00:48:35,800 --> 00:48:38,960 Speaker 3: the movie's views on women to me. 947 00:48:40,040 --> 00:48:42,520 Speaker 5: And I love again that you were saying that he didn't. 948 00:48:42,560 --> 00:48:44,680 Speaker 5: It wasn't like he was sponsored by this movie. He 949 00:48:44,760 --> 00:48:47,160 Speaker 5: was just like what if corporate? What if like the 950 00:48:47,320 --> 00:48:50,600 Speaker 5: embodiment of corporations told me how to have feelings? 951 00:48:50,800 --> 00:48:55,879 Speaker 3: It's so good that, like I became all the more 952 00:48:55,920 --> 00:48:57,839 Speaker 3: confused by this movie when it when I found out 953 00:48:57,880 --> 00:49:01,440 Speaker 3: that he was like sort of doing something like illegal 954 00:49:01,560 --> 00:49:04,200 Speaker 3: by having done that, because you're supposed to get the 955 00:49:04,239 --> 00:49:07,120 Speaker 3: consent of but it's really weird. 956 00:49:07,200 --> 00:49:09,319 Speaker 4: I don't know. But yeah, they're like, well, okay, we've 957 00:49:09,360 --> 00:49:12,120 Speaker 4: introduced five thousand characters for some reason, but at the 958 00:49:12,280 --> 00:49:15,399 Speaker 4: emotional peak of the movie, let's have none of them 959 00:49:15,440 --> 00:49:18,640 Speaker 4: there and it'll just be logos from the mall. 960 00:49:19,120 --> 00:49:21,040 Speaker 2: Yeah. Awesome, good storytelling. 961 00:49:21,360 --> 00:49:21,800 Speaker 4: Yeah. 962 00:49:22,520 --> 00:49:25,439 Speaker 2: Anyway, so they're telling him to let it all out 963 00:49:25,480 --> 00:49:28,400 Speaker 2: and to open up about his feelings, and he's reluctant 964 00:49:28,400 --> 00:49:32,239 Speaker 2: to do so, but then he opens the Hanaka card 965 00:49:32,320 --> 00:49:35,240 Speaker 2: that his parents wrote for him and that he received 966 00:49:35,320 --> 00:49:39,640 Speaker 2: the night that they died, and he finally cries. And 967 00:49:39,680 --> 00:49:43,560 Speaker 2: then some cops come into the mall because he's broken in, 968 00:49:43,840 --> 00:49:46,680 Speaker 2: and he's like, you know, trespassing, and they're about to 969 00:49:46,840 --> 00:49:50,719 Speaker 2: arrest him, but Davy escapes and he gets on a 970 00:49:50,760 --> 00:49:54,799 Speaker 2: bus to New York City. Ever heard of it? But 971 00:49:54,840 --> 00:49:57,640 Speaker 2: then he has a change of heart and heads to 972 00:49:57,840 --> 00:50:02,600 Speaker 2: the youth league basketball banquet, the one where Whitey hopes 973 00:50:02,640 --> 00:50:04,200 Speaker 2: to win the All Star patch. 974 00:50:04,719 --> 00:50:11,640 Speaker 3: You're like, oh, right, that plotline, still rooting for him, and. 975 00:50:11,600 --> 00:50:14,800 Speaker 2: He does this because Davy wants to apologize to Whitey 976 00:50:14,920 --> 00:50:18,480 Speaker 2: for his behavior. And then we cut to the banquet. 977 00:50:19,040 --> 00:50:23,759 Speaker 2: Whitey does not win the patch, so he is devastated. 978 00:50:23,880 --> 00:50:28,920 Speaker 2: It goes to sub guy voiced by John Lovetz. I think, yeah, sure, 979 00:50:29,840 --> 00:50:34,000 Speaker 2: So Whitey and Eleanor leave because Whitey is so upset 980 00:50:34,040 --> 00:50:37,239 Speaker 2: that he didn't win. And then Davey comes into the 981 00:50:37,239 --> 00:50:40,680 Speaker 2: banquet and the cops are right behind him and they 982 00:50:41,000 --> 00:50:44,760 Speaker 2: arrest Davy, but before they take him away, he makes 983 00:50:44,800 --> 00:50:51,520 Speaker 2: this impassioned speech via song about how Whitey should have 984 00:50:51,560 --> 00:50:53,719 Speaker 2: won the patch because he does so much for the 985 00:50:53,760 --> 00:50:58,280 Speaker 2: community and no one appreciates him. But Whitey cares about people, 986 00:50:58,440 --> 00:51:03,080 Speaker 2: and Davey regrets it's being so cruel to him. And 987 00:51:03,840 --> 00:51:06,719 Speaker 2: this is where I just like basically zoned out, and 988 00:51:06,760 --> 00:51:09,040 Speaker 2: I didn't write the rest of the recap because I 989 00:51:09,080 --> 00:51:12,160 Speaker 2: was just like my brain turned to mush. But basically 990 00:51:12,360 --> 00:51:14,400 Speaker 2: I think what happens. So everyone goes back to the 991 00:51:14,480 --> 00:51:16,560 Speaker 2: mall and. 992 00:51:16,600 --> 00:51:18,960 Speaker 4: But their mouths are they're lockdobs. 993 00:51:20,239 --> 00:51:23,520 Speaker 2: Okay, First, first, it's just Whitey and Eleanor at the mall, 994 00:51:24,080 --> 00:51:27,520 Speaker 2: and Whitey is crying because everyone in town thinks he's 995 00:51:27,520 --> 00:51:30,680 Speaker 2: a joke and I didn't vote for him for the patch. 996 00:51:31,480 --> 00:51:33,840 Speaker 2: But then Davy and the whole rest of the town 997 00:51:34,160 --> 00:51:38,200 Speaker 2: show up, and the mayor is like, here, Whitey, here's 998 00:51:38,239 --> 00:51:42,160 Speaker 2: the patch after all. And then everyone who had previously 999 00:51:42,200 --> 00:51:45,440 Speaker 2: won the patch from the past thirty five years also 1000 00:51:45,480 --> 00:51:48,680 Speaker 2: are like, yeah, Whitey, here's my patch because you're the 1001 00:51:48,719 --> 00:51:52,000 Speaker 2: best guy in town. And then there's like a moment 1002 00:51:52,040 --> 00:51:57,400 Speaker 2: where Davy and Jennifer like kind of reconnect, and that's 1003 00:51:57,680 --> 00:52:03,160 Speaker 2: the end of the movie. Yay, So let's take another 1004 00:52:03,239 --> 00:52:05,520 Speaker 2: quick break and we'll come back to. 1005 00:52:05,320 --> 00:52:19,200 Speaker 3: Discuss, and we're back. My first, I'd like to open 1006 00:52:19,239 --> 00:52:23,440 Speaker 3: the conversation by saying, why isn't David Spade in this movie? 1007 00:52:23,520 --> 00:52:24,280 Speaker 4: Were they fighting? 1008 00:52:25,719 --> 00:52:25,959 Speaker 2: Wow? 1009 00:52:26,160 --> 00:52:27,160 Speaker 4: I feel like he's. 1010 00:52:27,000 --> 00:52:30,600 Speaker 3: The one, you know, Sandler verse guy who who's not 1011 00:52:30,800 --> 00:52:34,200 Speaker 3: popping up. True, that's all the thoughts I have in 1012 00:52:34,200 --> 00:52:34,720 Speaker 3: the movie. 1013 00:52:34,800 --> 00:52:37,400 Speaker 4: Everyone else, take it away, Yeah, take it away. Episode. 1014 00:52:41,280 --> 00:52:43,120 Speaker 2: I guess the context for this movie. I couldn't find 1015 00:52:43,160 --> 00:52:45,360 Speaker 2: a whole lot on the development of it. But the title, 1016 00:52:45,400 --> 00:52:49,000 Speaker 2: as we've referenced, is taken from the line of the 1017 00:52:49,000 --> 00:52:54,840 Speaker 2: Honkkah song that Adam Sandler wrote and performed and so 1018 00:52:54,960 --> 00:52:57,440 Speaker 2: that's they were like, Hey, there's a line in the 1019 00:52:57,520 --> 00:53:00,640 Speaker 2: song it says eight crazy nights if that was a 1020 00:53:00,680 --> 00:53:03,720 Speaker 2: movie where most of the nights take place off screen 1021 00:53:03,960 --> 00:53:06,280 Speaker 2: and the ones we do see are pretty tame. 1022 00:53:06,840 --> 00:53:10,600 Speaker 3: I mean, they've they've built SNL spin off movies on less, 1023 00:53:10,840 --> 00:53:13,640 Speaker 3: so that's not even disqualifying. 1024 00:53:13,960 --> 00:53:17,960 Speaker 2: Yeah, necessarily right, but uh, it just like is a 1025 00:53:17,960 --> 00:53:21,880 Speaker 2: bummer that one of the few American movies that centers 1026 00:53:21,920 --> 00:53:24,760 Speaker 2: a Jewish holiday is like also one of the worst 1027 00:53:24,760 --> 00:53:26,320 Speaker 2: movies ever made. 1028 00:53:26,520 --> 00:53:29,440 Speaker 3: And also not about the holiday that it's advertising that 1029 00:53:29,480 --> 00:53:33,520 Speaker 3: it's about, right, Yeah, Alex, Alex, what was it like 1030 00:53:34,040 --> 00:53:38,720 Speaker 3: for you to, uh to revisit this this gem? 1031 00:53:39,440 --> 00:53:42,880 Speaker 5: Well, well so again, I think I said to Caitlin 1032 00:53:42,880 --> 00:53:46,239 Speaker 5: before we started, it is really something to watch a 1033 00:53:46,280 --> 00:53:50,160 Speaker 5: purported comedy just in complete silence, Like Jake and I 1034 00:53:50,200 --> 00:53:51,440 Speaker 5: were sitting I were sitting there. 1035 00:53:51,480 --> 00:53:54,080 Speaker 6: We just sat there like the whole time. 1036 00:53:54,320 --> 00:53:56,520 Speaker 5: Like, I don't think either of us laughed at anything 1037 00:53:57,280 --> 00:54:00,520 Speaker 5: pertaining to the movie. I think during the corporate day scene, 1038 00:54:00,560 --> 00:54:02,680 Speaker 5: I might have just blacked out, Like I almost don't 1039 00:54:02,719 --> 00:54:04,440 Speaker 5: remember it at all because I was just like, what 1040 00:54:04,600 --> 00:54:08,720 Speaker 5: is happening here? Yeah, utterly bizarre. 1041 00:54:10,040 --> 00:54:13,719 Speaker 6: I you know, the message of Honicah is really it's you. 1042 00:54:13,640 --> 00:54:16,880 Speaker 5: Know about the I mean every I don't want to 1043 00:54:16,880 --> 00:54:19,799 Speaker 5: speak for every disperson, but I feel like there are 1044 00:54:19,800 --> 00:54:22,319 Speaker 5: a lot of different ways that you can interpret it 1045 00:54:22,400 --> 00:54:24,520 Speaker 5: and talk about it, and none of them were present 1046 00:54:24,680 --> 00:54:25,239 Speaker 5: in this movie. 1047 00:54:25,360 --> 00:54:27,480 Speaker 6: I don't even think we ever saw a minora being 1048 00:54:27,520 --> 00:54:28,560 Speaker 6: lit at all. 1049 00:54:29,040 --> 00:54:30,080 Speaker 4: I don't think so. 1050 00:54:30,480 --> 00:54:33,440 Speaker 6: And again, as you said, it wasn't eight crazy nights. 1051 00:54:33,480 --> 00:54:36,600 Speaker 5: It was eight mostly during the days, and nothing to 1052 00:54:36,640 --> 00:54:40,200 Speaker 5: do with Hankah really, and we're in New Hampshire. 1053 00:54:40,800 --> 00:54:44,560 Speaker 3: Yeah, yeah, it just felt I mean like I feel 1054 00:54:44,560 --> 00:54:46,279 Speaker 3: like because yeah, I was also had a hard time 1055 00:54:46,320 --> 00:54:49,920 Speaker 3: finding any sort of meaningful background on this. But given 1056 00:54:49,960 --> 00:54:55,840 Speaker 3: the number of like credited writers and credited animation companies. 1057 00:54:55,400 --> 00:54:57,560 Speaker 4: I feel like it's it's safe to say that. 1058 00:54:57,640 --> 00:55:01,400 Speaker 3: Maybe this was coherent at one point being generous, but 1059 00:55:01,480 --> 00:55:07,560 Speaker 3: it definitely did not like end that way. 1060 00:55:08,160 --> 00:55:09,360 Speaker 4: I don't know why. 1061 00:55:09,880 --> 00:55:13,719 Speaker 3: It seems like Adam Sandler was really you know, like, no, 1062 00:55:13,920 --> 00:55:15,880 Speaker 3: we will not like he had a lot of creative 1063 00:55:15,920 --> 00:55:18,040 Speaker 3: control to the point where he could be like, you 1064 00:55:18,160 --> 00:55:22,680 Speaker 3: cannot take out the deer shitting scenes, so like, I 1065 00:55:22,719 --> 00:55:25,160 Speaker 3: don't know, I don't know what to make of this. 1066 00:55:25,400 --> 00:55:28,960 Speaker 3: It's like it's so bad and like you were saying earlier, Alex, 1067 00:55:29,000 --> 00:55:32,000 Speaker 3: like is just sort of like this charcutory board of 1068 00:55:32,040 --> 00:55:36,120 Speaker 3: like offensive early two thousands jokes where we have not 1069 00:55:36,480 --> 00:55:40,520 Speaker 3: one but two characters that are strictly there to be 1070 00:55:40,840 --> 00:55:47,239 Speaker 3: fat shamed, one child, one adult, incredible variety. The callback 1071 00:55:47,280 --> 00:55:48,880 Speaker 3: with we didn't I don't think this came up in 1072 00:55:48,880 --> 00:55:50,759 Speaker 3: the recap because it has no bearing on the. 1073 00:55:50,680 --> 00:55:54,000 Speaker 4: Plot, But there's a child who. 1074 00:55:54,120 --> 00:55:58,919 Speaker 3: Just like Adam Sandler's fat shaming, who is crying, and 1075 00:55:59,320 --> 00:56:01,960 Speaker 3: I feel like that plays into bullying and also plays 1076 00:56:02,000 --> 00:56:07,000 Speaker 3: into like tropes around bad people being really sensitive I guess, 1077 00:56:07,880 --> 00:56:12,239 Speaker 3: and like overly emotional. And then we cut to like 1078 00:56:12,680 --> 00:56:15,640 Speaker 3: a joke of like he Adam Sandler's like, kid, you 1079 00:56:15,760 --> 00:56:20,279 Speaker 3: gotta get a bra, like just middle school bullying as a. 1080 00:56:20,200 --> 00:56:21,560 Speaker 4: Thirty three year old character. 1081 00:56:22,040 --> 00:56:24,960 Speaker 3: Yeah, and then when we go to Victoria's secret apparently 1082 00:56:25,760 --> 00:56:29,600 Speaker 3: against Victoria's secrets, Will not that that's a great company, 1083 00:56:29,640 --> 00:56:32,680 Speaker 3: but it's just so weird that he didn't ask. But 1084 00:56:32,760 --> 00:56:35,440 Speaker 3: then we see like that kid trying on. It's a 1085 00:56:35,600 --> 00:56:37,960 Speaker 3: very like incoherent joke. 1086 00:56:38,320 --> 00:56:42,280 Speaker 2: Yeah, not only are the jokes incredibly problematic and reductive 1087 00:56:42,360 --> 00:56:46,399 Speaker 2: and punching down to marginalize people. They often don't make 1088 00:56:46,440 --> 00:56:48,200 Speaker 2: sense and are very sad. 1089 00:56:49,520 --> 00:56:51,480 Speaker 3: And then it never comes back, which is not like, 1090 00:56:51,600 --> 00:56:54,120 Speaker 3: oh I wish there was a third beat of that joke, 1091 00:56:54,160 --> 00:56:57,440 Speaker 3: but like it's still You're like, why is why is 1092 00:56:57,480 --> 00:56:58,160 Speaker 3: any of it here? 1093 00:56:58,280 --> 00:56:59,360 Speaker 4: I don't know right. 1094 00:56:59,440 --> 00:57:04,880 Speaker 2: Similarly, the adult who is relentlessly fat shamed is shown 1095 00:57:04,920 --> 00:57:07,399 Speaker 2: on screen. The brief moment that he's on screen, he's 1096 00:57:07,440 --> 00:57:13,480 Speaker 2: depicted as being like very uncoordinated and clueless, and then 1097 00:57:14,440 --> 00:57:16,520 Speaker 2: the losing players of the two on two game have 1098 00:57:16,600 --> 00:57:19,520 Speaker 2: to eat his jockstrap because that is like the worst 1099 00:57:19,520 --> 00:57:24,640 Speaker 2: punishment conceivable, You have to eat a fat person's undergarment. 1100 00:57:24,760 --> 00:57:28,160 Speaker 3: Like, but it's also like that should be true if 1101 00:57:28,200 --> 00:57:29,560 Speaker 3: anyone's undergarded. 1102 00:57:29,680 --> 00:57:30,320 Speaker 2: That shouldn't for. 1103 00:57:30,360 --> 00:57:33,840 Speaker 3: The punishment for anybody, Like body type should not be 1104 00:57:33,920 --> 00:57:36,200 Speaker 3: a factor in why you wouldn't want to do that. 1105 00:57:36,200 --> 00:57:37,400 Speaker 4: They're like, well, if it was. 1106 00:57:37,760 --> 00:57:39,840 Speaker 3: If it was like a guy, I would need to 1107 00:57:39,840 --> 00:57:42,640 Speaker 3: cuss jockstrap if it was his, if he had a 1108 00:57:42,680 --> 00:57:44,040 Speaker 3: different body type. 1109 00:57:43,840 --> 00:57:47,040 Speaker 2: Well that's the joke. It's just like it's especially gross 1110 00:57:47,840 --> 00:57:50,840 Speaker 2: because it belongs to a fat person. So it's just 1111 00:57:50,880 --> 00:57:55,920 Speaker 2: like nonsensical jokes like that. There's, as we referenced already, 1112 00:57:56,120 --> 00:58:01,520 Speaker 2: the anti Asian racism in a care who works at 1113 00:58:01,560 --> 00:58:05,320 Speaker 2: a Chinese restaurant who is voiced by Rob Schneider doing. 1114 00:58:05,160 --> 00:58:08,560 Speaker 3: His definitely not the only time Rob Schneider's done this, 1115 00:58:09,200 --> 00:58:11,800 Speaker 3: I cannot I could pull a second example out of 1116 00:58:12,000 --> 00:58:13,680 Speaker 3: my head, but I know he's done this before. 1117 00:58:14,000 --> 00:58:14,480 Speaker 7: We know. 1118 00:58:14,520 --> 00:58:16,520 Speaker 2: We talked about this on I think it was our 1119 00:58:16,560 --> 00:58:21,200 Speaker 2: fifty First Dates episode. There are like the whole pieces 1120 00:58:21,240 --> 00:58:27,000 Speaker 2: written about the long list of often anti Asian racist 1121 00:58:27,040 --> 00:58:30,040 Speaker 2: jokes and characters that he does in movies like I 1122 00:58:30,080 --> 00:58:32,440 Speaker 2: Now Pronounce You Chuck and Larry is an example. He 1123 00:58:32,480 --> 00:58:35,280 Speaker 2: does it in fifty First Day, every movie, it's almost 1124 00:58:35,280 --> 00:58:38,480 Speaker 2: every movie he's in, honestly, So he's just doing another 1125 00:58:38,520 --> 00:58:42,920 Speaker 2: example of it in Eight Crazy Nights. And then there 1126 00:58:42,960 --> 00:58:47,040 Speaker 2: are a whole slew of ableist jokes that are directed 1127 00:58:47,040 --> 00:58:49,160 Speaker 2: toward Whitey and Eleanor. 1128 00:58:49,360 --> 00:58:52,920 Speaker 5: I have a real problem with how they treated Eleanor 1129 00:58:53,040 --> 00:58:56,320 Speaker 5: in the movie. I mean it just it starts bad 1130 00:58:56,400 --> 00:58:58,240 Speaker 5: and then it gets so much worse. And then the 1131 00:58:58,240 --> 00:59:00,840 Speaker 5: thing with the like she her hair is a wig, 1132 00:59:00,920 --> 00:59:03,200 Speaker 5: and that's a big funny joke for a while that 1133 00:59:03,240 --> 00:59:07,040 Speaker 5: she loses her wig, and it just felt like everything 1134 00:59:07,120 --> 00:59:09,760 Speaker 5: they were doing to Whitey but made it worse because 1135 00:59:09,760 --> 00:59:11,240 Speaker 5: she's a woman, you know what I mean, Like they're 1136 00:59:11,280 --> 00:59:13,280 Speaker 5: like it's already bad. And then we added in a 1137 00:59:13,280 --> 00:59:14,640 Speaker 5: lot of misogyny too. 1138 00:59:15,120 --> 00:59:19,800 Speaker 2: Because they seem to have they're like fraternal twins, they 1139 00:59:19,880 --> 00:59:23,360 Speaker 2: seem to have been born with the same physical disability, 1140 00:59:24,160 --> 00:59:27,640 Speaker 2: and so there's a ton of ablest jokes made about them. 1141 00:59:28,240 --> 00:59:31,720 Speaker 2: But like you said, yeah, it's even the offensive jokes 1142 00:59:31,920 --> 00:59:35,520 Speaker 2: that are leveled at Eleanor are even more so because 1143 00:59:35,560 --> 00:59:39,440 Speaker 2: she is a woman and she's like voiced with this 1144 00:59:39,680 --> 00:59:43,120 Speaker 2: very like shrill, annoying voice that Adam Sandler is doing 1145 00:59:43,160 --> 00:59:45,720 Speaker 2: that's like very intentionally annoying. 1146 00:59:45,640 --> 00:59:48,840 Speaker 4: And apparently could have been worse, which is so wild. 1147 00:59:49,280 --> 00:59:54,120 Speaker 2: Yeah, and then for those two characters, the character design 1148 00:59:54,480 --> 00:59:57,680 Speaker 2: is way more cartoonish than every single other character. Every 1149 00:59:57,720 --> 01:00:03,000 Speaker 2: single other character you see at least resemble like human people, 1150 01:00:03,840 --> 01:00:07,280 Speaker 2: But for these two characters, Whitey and Eleanor, they're very 1151 01:00:07,400 --> 01:00:13,120 Speaker 2: very very cartoonish looking, like they they don't resemble human 1152 01:00:13,200 --> 01:00:17,400 Speaker 2: beings the way that humans look. So it's just another 1153 01:00:18,000 --> 01:00:21,920 Speaker 2: way that the movie doesn't take them seriously, that the 1154 01:00:22,000 --> 01:00:28,160 Speaker 2: movie is disparaging toward these people. And then meanwhile, like Davy, 1155 01:00:28,440 --> 01:00:31,720 Speaker 2: as we said, has like chiseled pecks and abs, and 1156 01:00:31,760 --> 01:00:32,720 Speaker 2: it's like, give. 1157 01:00:32,560 --> 01:00:36,120 Speaker 3: Me a bit break doesn't make Yeah, that's I feel 1158 01:00:36,120 --> 01:00:40,120 Speaker 3: like that's an Adam Sandler email, like hold on, hold on, 1159 01:00:40,520 --> 01:00:41,080 Speaker 3: make me way. 1160 01:00:41,240 --> 01:00:45,360 Speaker 10: Yeah, he's a loser, but he's got to be sexy 1161 01:00:45,440 --> 01:00:50,120 Speaker 10: because he looks like me, Like, I don't know, I 1162 01:00:50,160 --> 01:00:53,560 Speaker 10: don't know how much creative control should one person be. 1163 01:00:53,440 --> 01:00:58,439 Speaker 9: Permitted to have, do your dumb man, this guy would 1164 01:00:58,480 --> 01:01:01,400 Speaker 9: not have chiseled abs like and the fact that like 1165 01:01:01,680 --> 01:01:04,360 Speaker 9: that is sort of used to justify why he's like 1166 01:01:04,920 --> 01:01:09,080 Speaker 9: treating other characters so fat phobic, like is well. 1167 01:01:08,960 --> 01:01:12,400 Speaker 3: Because he's got You're like that doesn't make narrative sense 1168 01:01:13,000 --> 01:01:14,640 Speaker 3: given his the only. 1169 01:01:14,480 --> 01:01:16,600 Speaker 4: Thing we see him consume the entire movie is. 1170 01:01:16,960 --> 01:01:21,200 Speaker 3: Beer anyways, right, I don't even know? And yeah, I 1171 01:01:21,240 --> 01:01:23,040 Speaker 3: mean going back to Eleanor a little bit, I mean 1172 01:01:23,080 --> 01:01:24,960 Speaker 3: I just found it. Really I felt like she was 1173 01:01:25,040 --> 01:01:27,960 Speaker 3: treated I mean, she's treated horrifically, but it also felt 1174 01:01:28,000 --> 01:01:31,400 Speaker 3: like she was like they were leaning on like Jewish 1175 01:01:31,480 --> 01:01:35,840 Speaker 3: stereotypes with her, but her character was. It was very unclear. 1176 01:01:35,960 --> 01:01:37,920 Speaker 3: I mean, not that it would make it okay either way, 1177 01:01:37,960 --> 01:01:39,480 Speaker 3: but I was like, I'm pretty sure we were told 1178 01:01:39,520 --> 01:01:41,600 Speaker 3: at the beginning of the movie this character isn't Jewish, 1179 01:01:41,720 --> 01:01:45,080 Speaker 3: and then they layer all of these horrible stereotypes on her. 1180 01:01:45,280 --> 01:01:47,280 Speaker 3: It's just like another thing where it's like both offensive 1181 01:01:47,320 --> 01:01:48,120 Speaker 3: and confusing. 1182 01:01:48,280 --> 01:01:51,640 Speaker 5: He's doing it like a stereotypical Jewish old lady voice, 1183 01:01:51,920 --> 01:01:54,000 Speaker 5: and like we picked up on that right away when 1184 01:01:54,000 --> 01:01:55,920 Speaker 5: I was watching it. I was like, that's so weird 1185 01:01:55,920 --> 01:02:01,800 Speaker 5: because like, again, they're not they're not Jews away. 1186 01:02:00,840 --> 01:02:03,440 Speaker 3: Right, like the first thing we learned about those, right 1187 01:02:04,760 --> 01:02:07,000 Speaker 3: And like you said, like even if they were Jewish characters, 1188 01:02:07,520 --> 01:02:13,000 Speaker 3: to then lean into that stereotype is just lazy and reductive. 1189 01:02:12,720 --> 01:02:15,960 Speaker 4: Problematic and confusing. Every joke in this movie. 1190 01:02:16,240 --> 01:02:19,400 Speaker 5: I was pleasantly surprised that, I mean, are we ready 1191 01:02:19,400 --> 01:02:20,320 Speaker 5: to talk about We're ready. 1192 01:02:20,160 --> 01:02:20,840 Speaker 6: To talk to Jennifer. 1193 01:02:21,080 --> 01:02:21,960 Speaker 2: Let's let's do it. 1194 01:02:22,000 --> 01:02:25,840 Speaker 5: I was pleasantly surprised that Jennifer didn't seem to fulfill 1195 01:02:25,920 --> 01:02:29,680 Speaker 5: any Jewish like women's stereotypes. Really, I mean, in all 1196 01:02:29,720 --> 01:02:32,240 Speaker 5: of that, I'm saying it as if it's a compliment, 1197 01:02:32,280 --> 01:02:34,880 Speaker 5: but also as I angrily texted Jamie, we know like 1198 01:02:34,960 --> 01:02:37,040 Speaker 5: six facts about Jennifer, Like, what do we really know 1199 01:02:37,040 --> 01:02:40,640 Speaker 5: about Jennifer. She's not a well defined character. She's a woman, 1200 01:02:41,520 --> 01:02:43,000 Speaker 5: she's a brunette. 1201 01:02:42,440 --> 01:02:45,680 Speaker 2: She's a mom, she works at Dunkin Donuts, she's Jewish, 1202 01:02:46,000 --> 01:02:47,080 Speaker 2: she's generous. 1203 01:02:47,520 --> 01:02:49,360 Speaker 4: Yeah, yeah, she's a nice person. 1204 01:02:49,960 --> 01:02:53,120 Speaker 2: And she doesn't put up with Davy's shit a lot 1205 01:02:53,160 --> 01:02:55,320 Speaker 2: of the time. And until that very it makes you 1206 01:02:55,400 --> 01:02:58,640 Speaker 2: wonder why she's willing to like get with him, because 1207 01:02:58,720 --> 01:03:02,520 Speaker 2: has he redeemed himself because he's so irredeemable that like 1208 01:03:03,760 --> 01:03:04,919 Speaker 2: he doesn't do enough. 1209 01:03:04,960 --> 01:03:07,760 Speaker 3: I think No, it's she's treated as a trophy at 1210 01:03:07,800 --> 01:03:10,520 Speaker 3: the end, I mean, which I think has made pretty explicit. 1211 01:03:10,080 --> 01:03:13,040 Speaker 4: By how like and they make eleanor do it where it's. 1212 01:03:12,880 --> 01:03:16,680 Speaker 3: Like, if you guys don't, Kish shall kick you in 1213 01:03:16,720 --> 01:03:17,280 Speaker 3: the teeth. 1214 01:03:17,560 --> 01:03:20,040 Speaker 4: And then Jennifer is like, yep, makes sense. I guess. 1215 01:03:20,560 --> 01:03:24,320 Speaker 4: I guess you're my son now too. You're like Jesus, come. 1216 01:03:24,520 --> 01:03:26,480 Speaker 5: You know, honestly, Then I'm going to retract my previous 1217 01:03:26,520 --> 01:03:28,440 Speaker 5: statement that it was nice that she wasn't treated with 1218 01:03:28,520 --> 01:03:31,960 Speaker 5: Jewish stereotypes, because the reason they probably didn't imbue her 1219 01:03:32,000 --> 01:03:35,080 Speaker 5: with Jewish stereotypes is because she was a trophy at 1220 01:03:35,120 --> 01:03:36,640 Speaker 5: the end, right, Like a lot in a lot of 1221 01:03:36,680 --> 01:03:40,520 Speaker 5: movies like that, the Jewish woman character really does only 1222 01:03:40,560 --> 01:03:43,720 Speaker 5: exist to be sort of mocked in a number of 1223 01:03:43,720 --> 01:03:46,360 Speaker 5: different a variety of different fun ways. And so I 1224 01:03:46,360 --> 01:03:48,000 Speaker 5: feel like you can you can have one or the other. 1225 01:03:48,040 --> 01:03:50,040 Speaker 5: But Adam Sandler would not want his prize to be 1226 01:03:50,160 --> 01:03:53,440 Speaker 5: kind of, you know, mired in Jewish stereotypes, right, like 1227 01:03:53,480 --> 01:03:55,240 Speaker 5: he would he would separate those two out. 1228 01:03:55,880 --> 01:03:59,760 Speaker 2: It's very bleak, right, especially because the like the woman 1229 01:04:00,040 --> 01:04:04,920 Speaker 2: trophy in so many movies is like very waspy. Everything 1230 01:04:05,040 --> 01:04:06,320 Speaker 2: is bad in the movie. 1231 01:04:07,600 --> 01:04:08,720 Speaker 4: It's like where does ivid? 1232 01:04:08,800 --> 01:04:11,800 Speaker 3: Yeah, the I guess I don't have anything to say 1233 01:04:11,840 --> 01:04:16,280 Speaker 3: about the Dead Parents except like, what a wildly serious 1234 01:04:16,320 --> 01:04:19,320 Speaker 3: plot point to deploy with like ten minutes left in 1235 01:04:19,360 --> 01:04:22,120 Speaker 3: the movie. But yeah, I think, like Alex you said 1236 01:04:22,120 --> 01:04:25,360 Speaker 3: it perfectly earlier, where it's like it's that is presented 1237 01:04:25,440 --> 01:04:29,960 Speaker 3: as a justification for all of his behavior, which obviously 1238 01:04:30,000 --> 01:04:32,360 Speaker 3: it isn't, and then when he makes the smallest bit 1239 01:04:32,400 --> 01:04:36,400 Speaker 3: of progress as a person, he's immediately given trophy. Jennifer 1240 01:04:37,320 --> 01:04:40,800 Speaker 3: who like stands up for him kind of in a 1241 01:04:40,840 --> 01:04:43,840 Speaker 3: weird vacuum. I think it's like the only real justification 1242 01:04:44,000 --> 01:04:46,760 Speaker 3: is like they have a connection from the past and 1243 01:04:46,800 --> 01:04:50,560 Speaker 3: she's nice. There's also oh gosh, I want to take 1244 01:04:50,600 --> 01:04:53,600 Speaker 3: sure I mentioned that there's also just like a again 1245 01:04:53,720 --> 01:04:59,400 Speaker 3: like expectedly bad presentation of an unhoused person in this too, yes, 1246 01:04:59,440 --> 01:05:01,640 Speaker 3: where like I don't even want to get it, but 1247 01:05:01,680 --> 01:05:06,040 Speaker 3: it's like all of the stereotypes you would expect are present, 1248 01:05:06,360 --> 01:05:09,280 Speaker 3: and it's again a character that doesn't do anything except 1249 01:05:09,560 --> 01:05:10,160 Speaker 3: be there. 1250 01:05:10,200 --> 01:05:12,120 Speaker 2: So it's like they just either to be made fun of. 1251 01:05:12,320 --> 01:05:16,400 Speaker 3: Yeah, right, the same as you know, mister Chang and 1252 01:05:16,440 --> 01:05:19,040 Speaker 3: like yeah, they're just like oh yeah, these are like 1253 01:05:19,280 --> 01:05:21,400 Speaker 3: this is the joke we always make in the Adam 1254 01:05:21,480 --> 01:05:23,439 Speaker 3: Sandler movie, so we have to make it here too, 1255 01:05:23,720 --> 01:05:28,880 Speaker 3: and it's just like lazy and bad what else. 1256 01:05:29,360 --> 01:05:34,240 Speaker 2: They're similarly a very brief but noticeable transphobic joke in 1257 01:05:34,240 --> 01:05:38,280 Speaker 2: one of the songs in Songs song Form emblematic of 1258 01:05:38,320 --> 01:05:40,440 Speaker 2: the type of stuff that this movie thinks is funny. 1259 01:05:40,800 --> 01:05:44,520 Speaker 3: The protein powder hits on the victorious decrodrazy. You're just 1260 01:05:44,640 --> 01:05:46,640 Speaker 3: at the point you're like, all right, I'm just like 1261 01:05:46,720 --> 01:05:48,840 Speaker 3: I've I've stopped. 1262 01:05:48,480 --> 01:05:50,800 Speaker 2: Feeling I didn't even write that down because I had 1263 01:05:50,840 --> 01:05:53,440 Speaker 2: like checked out so hard at that point that I 1264 01:05:53,480 --> 01:05:57,000 Speaker 2: was like, I can't My brain is mush, I can't even. 1265 01:05:56,800 --> 01:06:00,520 Speaker 3: It's honestly like, yeah, listeners, let us know if we've 1266 01:06:00,560 --> 01:06:02,959 Speaker 3: forgotten anything, because I found it so hard to lock 1267 01:06:03,040 --> 01:06:05,160 Speaker 3: in on this movie, and I kept pausing it to be. 1268 01:06:05,160 --> 01:06:09,200 Speaker 4: Like, yeah, we'll do an earlier point. 1269 01:06:09,240 --> 01:06:12,280 Speaker 2: Like It's one thing. If there is a character who 1270 01:06:12,320 --> 01:06:18,200 Speaker 2: hasn't properly dealt with grief, who is like turning to 1271 01:06:18,320 --> 01:06:24,120 Speaker 2: substance use to cope, and who like with the help 1272 01:06:24,200 --> 01:06:28,480 Speaker 2: of their community perhaps is able to like turn things 1273 01:06:28,520 --> 01:06:32,280 Speaker 2: around and deal with things in a healthier way. There's 1274 01:06:32,320 --> 01:06:34,720 Speaker 2: a lot of movies about that. Also. I was thinking 1275 01:06:34,760 --> 01:06:39,040 Speaker 2: about how there's like a whole subgenre of movies about 1276 01:06:39,320 --> 01:06:43,240 Speaker 2: a like down on his luck man, often someone who 1277 01:06:43,280 --> 01:06:47,200 Speaker 2: is like dealing with alcoholism, who is either by like 1278 01:06:47,280 --> 01:06:50,920 Speaker 2: community service, like is sentenced to community service, or something 1279 01:06:51,640 --> 01:06:56,560 Speaker 2: that he has to coach a like youth team. Yeah, 1280 01:06:56,640 --> 01:06:59,760 Speaker 2: there are so many movies to this effect. I'm starting 1281 01:06:59,800 --> 01:07:02,320 Speaker 2: a lit boxed list, and so far I have. There's 1282 01:07:02,320 --> 01:07:04,760 Speaker 2: a movie, there's a Ben Affleck movie called The Way Back. 1283 01:07:04,880 --> 01:07:10,240 Speaker 2: I think Hoosiers has this premise. I want to say, 1284 01:07:10,440 --> 01:07:13,320 Speaker 2: is Mighty Ducks one of them? Yes, Mighty Ducks? 1285 01:07:13,520 --> 01:07:14,880 Speaker 6: Yeah, absolutely a. 1286 01:07:14,920 --> 01:07:17,880 Speaker 2: League of their own. Like it's the Tom Hanks character. 1287 01:07:18,120 --> 01:07:23,160 Speaker 4: Okay, that's half like TV pilots too. He's back. 1288 01:07:23,640 --> 01:07:26,000 Speaker 2: So if anyone has any other I know I'm missing 1289 01:07:26,040 --> 01:07:28,280 Speaker 2: so many. Oh there was actually a movie that I 1290 01:07:28,600 --> 01:07:31,840 Speaker 2: was an extra in called The Winning Season starring Sam 1291 01:07:31,920 --> 01:07:34,720 Speaker 2: Rockwell and Emma Roberts, that I think never got a 1292 01:07:34,760 --> 01:07:35,680 Speaker 2: theatrical release. 1293 01:07:36,000 --> 01:07:38,040 Speaker 4: But like that sounds like a mad lib. 1294 01:07:38,320 --> 01:07:41,240 Speaker 2: I'm basically the star of it as I walk through 1295 01:07:41,520 --> 01:07:46,040 Speaker 2: one cafeteria scene with no speaking role. But it's like, yeah, 1296 01:07:46,160 --> 01:07:49,720 Speaker 2: Sam Rockwell like gets community service and has to coach 1297 01:07:49,800 --> 01:07:52,760 Speaker 2: a girls basketball team. So like, there's just so many 1298 01:07:52,760 --> 01:07:56,040 Speaker 2: movies to this effect, a Crazy Nights being one of them. Anyway, 1299 01:07:56,520 --> 01:07:58,640 Speaker 2: if there's a movie where like it's a similar premise 1300 01:07:58,760 --> 01:08:03,280 Speaker 2: and the character like learns through like the love and 1301 01:08:03,320 --> 01:08:06,720 Speaker 2: companionship of the people around him and that's his arc 1302 01:08:06,920 --> 01:08:10,360 Speaker 2: and that he like treats people better because of it, fine, whatever, 1303 01:08:10,440 --> 01:08:14,200 Speaker 2: Like this is also the premise of many many holiday movies, 1304 01:08:14,760 --> 01:08:18,760 Speaker 2: but like this one is just so half baked in 1305 01:08:18,840 --> 01:08:24,080 Speaker 2: its execution, and the character starts out so irredeemable that 1306 01:08:25,080 --> 01:08:27,840 Speaker 2: you're just like, why do I care? Why am I 1307 01:08:27,880 --> 01:08:32,400 Speaker 2: watching this? It's horrible, it's so tropy. Yeah, and it's 1308 01:08:32,520 --> 01:08:33,559 Speaker 2: an absolute mess. 1309 01:08:33,880 --> 01:08:36,400 Speaker 5: I think that his character, like I was saying, a 1310 01:08:36,400 --> 01:08:39,679 Speaker 5: lot of his behavior, I mean, there's no coming back 1311 01:08:39,720 --> 01:08:42,040 Speaker 5: from some of the things he did, Like when you 1312 01:08:42,080 --> 01:08:44,880 Speaker 5: throw you know, when you throw an old man off 1313 01:08:44,920 --> 01:08:47,120 Speaker 5: a cliff inside a porner body and let him get 1314 01:08:47,120 --> 01:08:51,960 Speaker 5: covered in shit, like there's really I mean, there's no redemption. 1315 01:08:52,040 --> 01:08:54,679 Speaker 6: There's no redemption to be how No, And I think 1316 01:08:54,720 --> 01:08:56,880 Speaker 6: that even and I think that's probably why they drop 1317 01:08:56,920 --> 01:08:59,360 Speaker 6: the dead parents in at the end. They're like today 1318 01:08:59,840 --> 01:09:00,320 Speaker 6: and it. 1319 01:09:00,360 --> 01:09:03,320 Speaker 5: Just doesn't that doesn't make it better. And I also 1320 01:09:03,360 --> 01:09:07,240 Speaker 5: think that is redeeming himself by saying maybe white he 1321 01:09:07,280 --> 01:09:12,040 Speaker 5: should win the Patch Award, Like that's not. 1322 01:09:11,080 --> 01:09:13,439 Speaker 6: Is that redemption? Is that enough? Did he balance the 1323 01:09:13,439 --> 01:09:15,920 Speaker 6: scales of justice? I feel like he did not right. 1324 01:09:16,240 --> 01:09:19,200 Speaker 2: We've talked about this before, but male redemption arcs and 1325 01:09:19,320 --> 01:09:22,360 Speaker 2: stories like this is something we see all the time, 1326 01:09:22,400 --> 01:09:26,680 Speaker 2: where a man will be really awful to people and 1327 01:09:26,800 --> 01:09:31,120 Speaker 2: do things that are arguably irredeemable, but because he does 1328 01:09:31,200 --> 01:09:33,839 Speaker 2: one tiny little thing he does not even the bare minimum, 1329 01:09:33,880 --> 01:09:36,320 Speaker 2: He does less than the bare minimum, but still gets 1330 01:09:36,600 --> 01:09:41,840 Speaker 2: a redemption arc because culturally we just allow bad male 1331 01:09:41,920 --> 01:09:46,320 Speaker 2: behavior far more than we permit or tolerate any kind 1332 01:09:46,320 --> 01:09:50,040 Speaker 2: of bad behavior from marginalized genders. 1333 01:09:50,080 --> 01:09:53,479 Speaker 3: Well, yeah, like the thresholds for a man's redemption is 1334 01:09:53,520 --> 01:09:57,040 Speaker 3: far lower, and the threshold for punishment of anyone who's 1335 01:09:57,080 --> 01:09:57,759 Speaker 3: not a man. 1336 01:09:57,680 --> 01:09:59,280 Speaker 4: Is also a far lower. 1337 01:09:59,520 --> 01:10:02,640 Speaker 3: Like, you know, we see women get punished all the 1338 01:10:02,680 --> 01:10:06,640 Speaker 3: time for existing and then like you know, characters like 1339 01:10:06,680 --> 01:10:09,599 Speaker 3: this do the most horrific shit possible and then are 1340 01:10:09,720 --> 01:10:12,840 Speaker 3: nice one time, and then it's like, no. 1341 01:10:12,840 --> 01:10:17,000 Speaker 4: You're right, you're right, here's your woman property after me too. 1342 01:10:17,040 --> 01:10:19,439 Speaker 5: There were all those apologies that came out, and I'm 1343 01:10:19,439 --> 01:10:22,679 Speaker 5: thinking in particular of I want to say Mario Batali 1344 01:10:22,760 --> 01:10:25,080 Speaker 5: and he was like, I'm sorry I sectually harassed people. 1345 01:10:25,400 --> 01:10:28,760 Speaker 6: Here is a cinnamon role recipe. Everything's good, And it was. 1346 01:10:28,720 --> 01:10:33,760 Speaker 2: Just like, what, Well, that's the thing. Yeah, Like, if 1347 01:10:33,760 --> 01:10:38,479 Speaker 2: you're a white man in society and you do something horrible, 1348 01:10:38,960 --> 01:10:40,120 Speaker 2: you have a shot or redemption. 1349 01:10:40,400 --> 01:10:42,760 Speaker 3: Caitlyn, I keep forgetting to bring this up. I think 1350 01:10:42,760 --> 01:10:44,439 Speaker 3: about it every couple of months. I want to do 1351 01:10:44,479 --> 01:10:48,200 Speaker 3: a Matreon theme that's like white male O Tour post 1352 01:10:48,280 --> 01:10:50,639 Speaker 3: Me Too movie, because there were so many of them 1353 01:10:50,720 --> 01:10:53,639 Speaker 3: that were like, I get it, guys, I get it, 1354 01:10:54,200 --> 01:10:56,720 Speaker 3: my bad and then it's like the only movie they'll 1355 01:10:56,720 --> 01:11:00,360 Speaker 3: ever make that centers a woman and it makes no sense. Listeners, 1356 01:11:00,400 --> 01:11:03,120 Speaker 3: please drop your your Like I've been meaning to make 1357 01:11:03,120 --> 01:11:07,200 Speaker 3: a letterbox list of like Maleo term my b post 1358 01:11:07,280 --> 01:11:11,800 Speaker 3: Me Too movies because some are okay, most of them 1359 01:11:11,880 --> 01:11:14,880 Speaker 3: are incoherent and forgettable, but I feel like there was 1360 01:11:15,000 --> 01:11:16,800 Speaker 3: they were like, oh, we gotta get Brad's in here 1361 01:11:16,920 --> 01:11:18,479 Speaker 3: and like and it. 1362 01:11:18,520 --> 01:11:20,479 Speaker 4: Like doesn't work. I actually think one of the better 1363 01:11:20,520 --> 01:11:23,280 Speaker 4: ones is The Last Duel. Oh, the Last Duel is 1364 01:11:23,320 --> 01:11:24,479 Speaker 4: a good example that men. 1365 01:11:25,120 --> 01:11:28,200 Speaker 3: For example, is a that's the Alex Garland post me 1366 01:11:28,240 --> 01:11:29,120 Speaker 3: to movies. 1367 01:11:30,040 --> 01:11:31,200 Speaker 4: There's just a lot of them. 1368 01:11:31,320 --> 01:11:34,400 Speaker 2: It's Bombshell, directed by j Rod. 1369 01:11:35,120 --> 01:11:38,920 Speaker 3: Yes, that's that might be bottom of the barrel for me. 1370 01:11:39,200 --> 01:11:42,040 Speaker 3: That movie is dog shit And at the time I 1371 01:11:42,200 --> 01:11:43,519 Speaker 3: was and they tried to kill me. 1372 01:11:43,600 --> 01:11:46,759 Speaker 4: At the time I got called by the newspaper. 1373 01:11:46,120 --> 01:11:49,760 Speaker 3: When I said the Bombshell was like dog shit and 1374 01:11:49,800 --> 01:11:50,559 Speaker 3: bad for women. 1375 01:11:51,360 --> 01:11:55,160 Speaker 4: They're like, what do you mean you hate you hate women, Like. 1376 01:11:56,479 --> 01:11:59,800 Speaker 2: Yes, yeah, that's exactly what that means there is that it. 1377 01:12:00,640 --> 01:12:06,360 Speaker 2: Does anyone have any other thoughts about Eight Crazy Nights? 1378 01:12:07,680 --> 01:12:09,960 Speaker 3: Yeah, I mean, I think I forget when we last 1379 01:12:09,960 --> 01:12:12,760 Speaker 3: had this conversation, but I do want to just sort 1380 01:12:12,800 --> 01:12:15,960 Speaker 3: of like take a second for us to acknowledge Adam 1381 01:12:16,000 --> 01:12:19,599 Speaker 3: Sandler's politics, which are actually quite relevant to this movie 1382 01:12:19,600 --> 01:12:23,400 Speaker 3: in spite of it not really being about Hanakah. 1383 01:12:23,479 --> 01:12:29,000 Speaker 2: Right, yeah, yeah, So Adam Sandler has a history of 1384 01:12:29,080 --> 01:12:34,200 Speaker 2: having a very pro Israel stance. A couple examples of 1385 01:12:34,240 --> 01:12:37,599 Speaker 2: this seems like a lot of it happened in twenty fifteen, 1386 01:12:37,640 --> 01:12:42,639 Speaker 2: at least publicly, where he was reported as saying, quote, 1387 01:12:42,680 --> 01:12:45,320 Speaker 2: I will always stand with Israel. I can't tolerate people 1388 01:12:45,320 --> 01:12:48,439 Speaker 2: who criticize Israel without walking in their shoes. I hate 1389 01:12:48,439 --> 01:12:51,080 Speaker 2: the lies they spread and their lack of knowledge. I 1390 01:12:51,080 --> 01:12:55,000 Speaker 2: am proud to stand up for the Israelis unquote. And 1391 01:12:55,040 --> 01:12:58,760 Speaker 2: then also in that year, there was this whole thing 1392 01:12:58,800 --> 01:13:03,720 Speaker 2: where the frontman of Pink Floyd Roger Waters, you know, 1393 01:13:03,760 --> 01:13:08,000 Speaker 2: he's a proponent of the BDS movement, he said he 1394 01:13:08,040 --> 01:13:12,200 Speaker 2: would not play shows in Israel. Howard Stern then went 1395 01:13:12,280 --> 01:13:15,479 Speaker 2: on like a long rant about this on his show 1396 01:13:15,880 --> 01:13:19,240 Speaker 2: in October of twenty fifteen, and then Adam Sandler went 1397 01:13:19,280 --> 01:13:24,000 Speaker 2: on The Howard Stern Show and said something to the 1398 01:13:24,000 --> 01:13:27,080 Speaker 2: effect of like, I'm disgusted when they single out Israel. 1399 01:13:27,280 --> 01:13:30,160 Speaker 2: I'm very pro Israel. He goes on to say like 1400 01:13:30,200 --> 01:13:35,040 Speaker 2: he doesn't like it when musicians won't play concerts in Israel, 1401 01:13:35,520 --> 01:13:37,400 Speaker 2: and then he's like, I love what you had to 1402 01:13:37,439 --> 01:13:40,200 Speaker 2: say about it, Howard Stern, which was like some of 1403 01:13:40,240 --> 01:13:44,599 Speaker 2: the most vile, racist, horrible stuff. I don't even want 1404 01:13:44,600 --> 01:13:47,360 Speaker 2: to repeat it, but if anyone's interested in looking that 1405 01:13:47,479 --> 01:13:50,960 Speaker 2: up on their own time, and that's why I was curious, like, Okay, 1406 01:13:51,000 --> 01:13:54,679 Speaker 2: this is you know, nearly ten years ago. Has Adam 1407 01:13:54,760 --> 01:13:58,400 Speaker 2: Sandler's stance changed at all? And it seems like he 1408 01:13:58,479 --> 01:14:02,320 Speaker 2: hasn't said a whole lot about it in the past decade, 1409 01:14:02,400 --> 01:14:06,080 Speaker 2: aside from after October seventh of twenty twenty three, he 1410 01:14:06,120 --> 01:14:10,720 Speaker 2: did post on Instagram saying that I've been heartbroken by 1411 01:14:10,760 --> 01:14:13,960 Speaker 2: the horrendous attacks on Israel. I pray for peace ands 1412 01:14:14,040 --> 01:14:18,599 Speaker 2: the safety of innocent Israelis and Palestinians everywhere. So now 1413 01:14:18,640 --> 01:14:23,599 Speaker 2: he's sort of like both sides in it, which is 1414 01:14:23,840 --> 01:14:26,920 Speaker 2: it's a choice. It's a choice, and I don't think 1415 01:14:26,920 --> 01:14:29,360 Speaker 2: he said much about it publicly since. 1416 01:14:29,320 --> 01:14:32,200 Speaker 5: Yeah, no, it's a different choice I think than he 1417 01:14:32,320 --> 01:14:35,680 Speaker 5: had been making in the past. And part of me 1418 01:14:35,800 --> 01:14:38,200 Speaker 5: wants to the optimistic part of me wants to see 1419 01:14:38,200 --> 01:14:40,240 Speaker 5: that as a sign of progress. I mean, I think 1420 01:14:41,360 --> 01:14:46,639 Speaker 5: going from supporting Howard Stern's vile statements that are incredibly 1421 01:14:46,720 --> 01:14:50,519 Speaker 5: racist to saying Palaestins are also people who deserve safety 1422 01:14:50,680 --> 01:14:53,280 Speaker 5: is like, you know, again, that is it's a step. 1423 01:14:53,320 --> 01:14:53,800 Speaker 4: We can call it. 1424 01:14:53,880 --> 01:14:55,280 Speaker 5: Let's just call a step. I don't think it needs 1425 01:14:55,280 --> 01:14:57,120 Speaker 5: to be complimented. I don't think it needs to be 1426 01:14:57,280 --> 01:14:59,800 Speaker 5: like celebrated. It's just like a hey, so we did 1427 01:14:59,800 --> 01:15:02,200 Speaker 5: do and that's cool, you know. And I think that 1428 01:15:02,280 --> 01:15:05,320 Speaker 5: like a lot of the support for Israel is generational. 1429 01:15:05,360 --> 01:15:07,760 Speaker 5: So Adam Sandler just want to note what generation is 1430 01:15:07,800 --> 01:15:09,360 Speaker 5: he and he's how old is he? 1431 01:15:09,800 --> 01:15:10,360 Speaker 4: Gen X? 1432 01:15:10,600 --> 01:15:13,519 Speaker 5: Yeah, so there's actually been a real shift in like 1433 01:15:13,640 --> 01:15:16,120 Speaker 5: millennials and gen z around Israel. And I think a 1434 01:15:16,120 --> 01:15:17,800 Speaker 5: lot of it is that there's social media and that 1435 01:15:17,840 --> 01:15:21,080 Speaker 5: you can really see the harm that is being done 1436 01:15:21,080 --> 01:15:23,880 Speaker 5: into Palestindian So I think that there's that component of 1437 01:15:23,920 --> 01:15:26,120 Speaker 5: it that younger people are just a little bit more 1438 01:15:26,720 --> 01:15:28,400 Speaker 5: in the know about that sort of thing and a 1439 01:15:28,439 --> 01:15:32,479 Speaker 5: little more involved in that way. So I'm not trying 1440 01:15:32,479 --> 01:15:34,080 Speaker 5: to give him a pass at all, but I am 1441 01:15:34,240 --> 01:15:38,479 Speaker 5: like contextualizing that, like older Jews tend to have stronger 1442 01:15:38,520 --> 01:15:41,719 Speaker 5: opinions and stronger support for Israel. Then sure, and again 1443 01:15:41,720 --> 01:15:44,800 Speaker 5: and painting with a very brudbrush, because everybody has their. 1444 01:15:44,680 --> 01:15:48,559 Speaker 2: Own thoughts, of course, of course, yeah, so I guess, yeah, 1445 01:15:48,680 --> 01:15:54,040 Speaker 2: unsurprising that he has these various stances over the years. 1446 01:15:54,960 --> 01:15:59,280 Speaker 2: But it feels like what so much of Hollywood is doing, 1447 01:15:59,320 --> 01:16:02,559 Speaker 2: which is just like remaining mostly silent on the. 1448 01:16:02,520 --> 01:16:05,920 Speaker 4: Matter, right, which which is? Which is? Which is still 1449 01:16:06,320 --> 01:16:08,200 Speaker 4: saying something? Which is very. 1450 01:16:08,240 --> 01:16:13,080 Speaker 2: Point to say something, because when a genocide is happening, 1451 01:16:13,280 --> 01:16:19,720 Speaker 2: and when a decades long subjugation of an entire population 1452 01:16:19,760 --> 01:16:25,880 Speaker 2: of people is not being acknowledged, that is being complicit 1453 01:16:26,040 --> 01:16:29,320 Speaker 2: and that is very much part of the violence. 1454 01:16:29,680 --> 01:16:33,000 Speaker 5: I'm I'm a member of Jewish Voices for Peace, which 1455 01:16:33,000 --> 01:16:35,920 Speaker 5: is a nonprofit that's anti Sionist. I feel like that's 1456 01:16:35,920 --> 01:16:39,320 Speaker 5: important to say, and a big part of Jewish Voices 1457 01:16:39,320 --> 01:16:43,519 Speaker 5: for Peace is talking about how so many Jews have 1458 01:16:43,800 --> 01:16:47,040 Speaker 5: just like a deep understanding of what state sanctioned violence 1459 01:16:47,120 --> 01:16:50,680 Speaker 5: looks like and what a genocide looks like, because this 1460 01:16:50,760 --> 01:16:54,080 Speaker 5: is unfortunately, a big part of our history, from programs 1461 01:16:54,200 --> 01:16:57,280 Speaker 5: to blood libel claims and so much more all the way, 1462 01:16:57,760 --> 01:17:00,800 Speaker 5: including the Holocaust. And I mean Jews, I feel like, 1463 01:17:01,080 --> 01:17:05,120 Speaker 5: unfortunately are uniquely qualified to say this is a genocide. 1464 01:17:05,160 --> 01:17:07,519 Speaker 5: And that's where Jewis Voices for Peace really comes into plays, 1465 01:17:07,520 --> 01:17:09,519 Speaker 5: saying like we can see what we can call it 1466 01:17:09,560 --> 01:17:12,240 Speaker 5: for what it is, like, we see what's happening, and 1467 01:17:12,720 --> 01:17:14,640 Speaker 5: that is I think what is so heartbreaking to be 1468 01:17:14,720 --> 01:17:17,960 Speaker 5: a Jewish person watching this happen is that, like, I 1469 01:17:18,000 --> 01:17:20,120 Speaker 5: know what this is. I am familiar with the name. 1470 01:17:20,160 --> 01:17:22,679 Speaker 5: I'm familiar with what a genocide is, and to see 1471 01:17:22,680 --> 01:17:25,680 Speaker 5: it be perpetrated by people who call themselves Jewish like 1472 01:17:25,720 --> 01:17:28,120 Speaker 5: me is just it's it's deeply heartbreaking. 1473 01:17:29,200 --> 01:17:29,599 Speaker 4: I can't. 1474 01:17:29,640 --> 01:17:33,679 Speaker 3: I mean, yeah, I have felt so like heartened bias 1475 01:17:33,720 --> 01:17:37,320 Speaker 3: seeing work like the La branch of Jewish Voices for 1476 01:17:37,320 --> 01:17:38,200 Speaker 3: Peace is wonderful. 1477 01:17:38,600 --> 01:17:40,000 Speaker 4: I've been going to a lot of events. 1478 01:17:40,000 --> 01:17:44,000 Speaker 3: Actually, one of our previous guests on the show, Sammerfera, 1479 01:17:44,360 --> 01:17:46,720 Speaker 3: recently did an event with writers against the war on 1480 01:17:46,800 --> 01:17:50,640 Speaker 3: Gaza out here, and like it does feel, and I 1481 01:17:50,800 --> 01:17:54,920 Speaker 3: just like I've been tremendously educated by groups like these, 1482 01:17:55,160 --> 01:17:59,120 Speaker 3: and particularly by Palestinian writers, and I am glad for 1483 01:17:59,400 --> 01:18:05,120 Speaker 3: like and younger generations that there has been such movement 1484 01:18:05,280 --> 01:18:08,320 Speaker 3: because we have, you know, flawed tools, but tools to 1485 01:18:08,360 --> 01:18:11,519 Speaker 3: be able to better understand that makes the propaganda less 1486 01:18:11,560 --> 01:18:15,120 Speaker 3: powerful kind of, I guess taking it back to Adam Sandler, 1487 01:18:15,160 --> 01:18:19,759 Speaker 3: I've the silence. I don't know, It's like, again, everyone 1488 01:18:19,880 --> 01:18:22,439 Speaker 3: is on an individual journey. Who knows how his kids feeled. 1489 01:18:22,479 --> 01:18:24,240 Speaker 3: I know that there's a lot of families that are 1490 01:18:24,240 --> 01:18:29,960 Speaker 3: fractured by younger generations being against Israel, you know, But 1491 01:18:30,800 --> 01:18:34,839 Speaker 3: silence is a business decision is something that I find 1492 01:18:35,040 --> 01:18:41,479 Speaker 3: particularly vile and unsettling because it's like, I don't not 1493 01:18:41,720 --> 01:18:44,960 Speaker 3: particular to Adam Sandler, but it's like there's you can't 1494 01:18:44,960 --> 01:18:49,080 Speaker 3: not have a feeling about it. So the silence is 1495 01:18:49,360 --> 01:18:53,240 Speaker 3: just it's it's a very pointed choice. 1496 01:18:53,320 --> 01:18:55,599 Speaker 4: So we don't know, but something. 1497 01:18:55,479 --> 01:19:00,000 Speaker 3: That I have seen just again of how this continues 1498 01:19:00,280 --> 01:19:04,840 Speaker 3: to affect. I mean, obviously we should be centering the 1499 01:19:04,840 --> 01:19:09,040 Speaker 3: Palestinian people first and foremost, but as sort of we 1500 01:19:09,080 --> 01:19:12,519 Speaker 3: see these issues continue to be discussed less and less 1501 01:19:12,960 --> 01:19:17,360 Speaker 3: in media. I was really surprised. There's a recent story 1502 01:19:17,400 --> 01:19:20,280 Speaker 3: where Gladiator Too just came out I'm going somewhere with this, 1503 01:19:20,680 --> 01:19:25,479 Speaker 3: and there was originally an Egyptian Palestinian actor, I hope 1504 01:19:25,520 --> 01:19:30,320 Speaker 3: I'm saying her name correctly, Mae Kalamawi, who was originally 1505 01:19:30,520 --> 01:19:35,800 Speaker 3: I believe Paul Mescal's love interest. It's Gladiator, so I'm 1506 01:19:35,800 --> 01:19:37,880 Speaker 3: sure it wasn't a great part, but like all of 1507 01:19:37,880 --> 01:19:41,320 Speaker 3: her scenes were shot and then her entire part was 1508 01:19:41,360 --> 01:19:44,519 Speaker 3: cut out of the movie in post production, which was 1509 01:19:44,520 --> 01:19:49,240 Speaker 3: taking place after she had been vocally supportive of Palestine 1510 01:19:49,479 --> 01:19:54,360 Speaker 3: because of course she's a Palestinian actor. And just the 1511 01:19:54,400 --> 01:20:00,559 Speaker 3: fact that this is still really deeply affecting, particularly Palestinian artists, 1512 01:20:00,840 --> 01:20:03,679 Speaker 3: and it is like becoming less and less and less 1513 01:20:04,240 --> 01:20:05,800 Speaker 3: discussed as time went on. 1514 01:20:05,880 --> 01:20:09,800 Speaker 4: I'm so like surprised. I guess at this point that 1515 01:20:09,800 --> 01:20:10,320 Speaker 4: that is like. 1516 01:20:10,320 --> 01:20:12,200 Speaker 3: Not a story that seems to have broken through in 1517 01:20:12,240 --> 01:20:14,280 Speaker 3: any meaningful way, in spite of the fact that like 1518 01:20:14,320 --> 01:20:16,200 Speaker 3: the movie is out and doing very well. 1519 01:20:17,640 --> 01:20:21,080 Speaker 4: So yeah, I don't know, it's. 1520 01:20:20,760 --> 01:20:25,320 Speaker 2: Just I mean, it's just indicative of medias of Hollywood's 1521 01:20:25,360 --> 01:20:33,000 Speaker 2: of society's apathy. Yeah, if not outward cruelty and violence 1522 01:20:33,040 --> 01:20:37,280 Speaker 2: toward Palestinians, and it's so disheartening, and that's why we 1523 01:20:37,360 --> 01:20:38,639 Speaker 2: must continue. 1524 01:20:38,760 --> 01:20:41,360 Speaker 3: That's why we must talk about eight Crazy Nights on 1525 01:20:41,360 --> 01:20:42,320 Speaker 3: the Betel cast. 1526 01:20:42,600 --> 01:20:45,120 Speaker 2: If it's a vehicle for us to then also talk 1527 01:20:45,160 --> 01:20:47,760 Speaker 2: about Palestinian liberation. 1528 01:20:47,720 --> 01:20:49,639 Speaker 3: Then yeah, we're also in the in the new year, 1529 01:20:49,880 --> 01:20:53,160 Speaker 3: going to be covering a few Palestinian films as well. 1530 01:20:53,160 --> 01:20:56,240 Speaker 3: Like we want to keep the conversation going. But yeah, 1531 01:20:56,240 --> 01:20:57,439 Speaker 3: we wanted to talk to you about it because I 1532 01:20:57,479 --> 01:21:00,320 Speaker 3: know you're you're involved with Jewish voices for peace and 1533 01:21:01,200 --> 01:21:04,880 Speaker 3: just in general are the best. I've learned so much 1534 01:21:05,000 --> 01:21:10,920 Speaker 3: from you. You've You've educated my whole family truly, Yeah about. 1535 01:21:10,600 --> 01:21:12,400 Speaker 4: What well my brother lived with you. 1536 01:21:12,560 --> 01:21:14,280 Speaker 5: Yeah, it's trying to radicalize your brother. 1537 01:21:15,000 --> 01:21:17,920 Speaker 3: And then my dad visited you guys on the stoop 1538 01:21:18,000 --> 01:21:20,000 Speaker 3: during the pandemic and he learned things too. 1539 01:21:20,439 --> 01:21:24,080 Speaker 4: He was like communist. Alex Is added again. 1540 01:21:23,960 --> 01:21:28,120 Speaker 5: He called he called me the world's friendliest socialist. 1541 01:21:28,200 --> 01:21:29,040 Speaker 2: I think he. 1542 01:21:30,560 --> 01:21:33,120 Speaker 4: Gave me that feels like an attack on me. 1543 01:21:35,080 --> 01:21:39,160 Speaker 3: As opposed to my daughter, who's the world's bitchiest socialist. 1544 01:21:39,040 --> 01:21:40,559 Speaker 4: Because I just say in a really friendly way. 1545 01:21:40,600 --> 01:21:41,960 Speaker 6: I'm like, wouldn't that be neat if? 1546 01:21:44,840 --> 01:21:50,080 Speaker 2: Oh my gosh, anyway, thank you for talking with us 1547 01:21:50,280 --> 01:21:53,040 Speaker 2: about this, and yeah, does does anyone have anything else 1548 01:21:53,040 --> 01:21:54,040 Speaker 2: they want to talk about? 1549 01:21:54,720 --> 01:21:58,000 Speaker 3: This movie sucks ass, it's quite bad. And if you 1550 01:21:58,000 --> 01:22:00,479 Speaker 3: think it's good, considered, did you see it when you 1551 01:22:00,520 --> 01:22:04,360 Speaker 3: were ten? And if not, there's something seriously wrong with you. 1552 01:22:04,800 --> 01:22:06,559 Speaker 4: This is the time. Usually it's like, you love what 1553 01:22:06,600 --> 01:22:06,880 Speaker 4: you love. 1554 01:22:06,920 --> 01:22:10,240 Speaker 3: If you love this movie, you're sick and need you 1555 01:22:10,280 --> 01:22:10,719 Speaker 3: need help? 1556 01:22:11,080 --> 01:22:14,120 Speaker 5: Oh, we didn't talk about this, but very briefly did 1557 01:22:14,160 --> 01:22:16,920 Speaker 5: a woman talk to another woman ever in the course 1558 01:22:16,960 --> 01:22:17,439 Speaker 5: of the movie. 1559 01:22:17,479 --> 01:22:19,280 Speaker 6: Because I tried to keep track of that. 1560 01:22:19,800 --> 01:22:22,360 Speaker 5: I think that the closest it comes is when Eleanor 1561 01:22:22,439 --> 01:22:25,080 Speaker 5: tells them to kiss. But she's not just talking to Jennifer. 1562 01:22:25,160 --> 01:22:27,240 Speaker 5: She's also talking today, she's. 1563 01:22:27,080 --> 01:22:30,160 Speaker 3: Talking to the royal Yeah, right, the collective we. 1564 01:22:30,320 --> 01:22:33,719 Speaker 2: And the context is like, have a heterosexual kiss, please? 1565 01:22:33,840 --> 01:22:34,200 Speaker 4: Yes? 1566 01:22:34,880 --> 01:22:38,760 Speaker 2: Yeah, don't think it passes the Bechdel test even remotely. Yeah, 1567 01:22:38,920 --> 01:22:43,600 Speaker 2: Jennifer doesn't have any friends. Also, like if she was 1568 01:22:43,600 --> 01:22:47,360 Speaker 2: like on a basketball team with Davey when they were kids, 1569 01:22:47,400 --> 01:22:50,880 Speaker 2: Like she's a basketball player, why doesn't like there could 1570 01:22:50,880 --> 01:22:54,520 Speaker 2: have easily been a thing where like she's playing basketball 1571 01:22:54,560 --> 01:22:56,920 Speaker 2: with her son or shooting hoops or whatever like, but 1572 01:22:57,000 --> 01:23:00,000 Speaker 2: the movie doesn't care at all about characterizing her except 1573 01:23:00,120 --> 01:23:04,559 Speaker 2: to have her be like an attractive person that Davy 1574 01:23:04,680 --> 01:23:07,880 Speaker 2: can win as a trophy at the end. 1575 01:23:08,080 --> 01:23:10,080 Speaker 3: Yeah, which is too bad because they give her like 1576 01:23:11,280 --> 01:23:17,320 Speaker 3: some potentially interesting characteristics but have no interest in exploring 1577 01:23:17,479 --> 01:23:20,720 Speaker 3: any of them, any of her interiority, Like she is 1578 01:23:20,840 --> 01:23:25,280 Speaker 3: just a cardboard cutout at them all, and I will give. 1579 01:23:25,080 --> 01:23:27,000 Speaker 2: It to her that she's kind of the she's one 1580 01:23:27,040 --> 01:23:30,280 Speaker 2: of the few people who will call Davy out for 1581 01:23:30,360 --> 01:23:35,840 Speaker 2: his cruel awful behavior light he does it too, But 1582 01:23:36,400 --> 01:23:37,400 Speaker 2: that feels. 1583 01:23:37,200 --> 01:23:40,559 Speaker 3: Very like attempted feminism of the time, where it's like 1584 01:23:41,040 --> 01:23:43,759 Speaker 3: they say one thing and then they do another. Because 1585 01:23:44,200 --> 01:23:46,080 Speaker 3: she still ends up with them at the end, like 1586 01:23:46,120 --> 01:23:49,880 Speaker 3: there's there is no real consequence other than a delay 1587 01:23:49,920 --> 01:23:51,760 Speaker 3: of less than a week, it seems like. 1588 01:23:52,800 --> 01:23:57,280 Speaker 2: Well, also, there's a fine line between a character who 1589 01:23:57,320 --> 01:24:02,640 Speaker 2: we are not meant to like making reductive and problematic 1590 01:24:02,720 --> 01:24:07,679 Speaker 2: remarks to people and the movie framing that as being wrong, 1591 01:24:07,920 --> 01:24:10,519 Speaker 2: And there is some degree of that in this movie, 1592 01:24:10,520 --> 01:24:12,559 Speaker 2: because he does get called out quite a bit. But 1593 01:24:12,600 --> 01:24:17,479 Speaker 2: then the movie also relies on jokes that are like, 1594 01:24:17,520 --> 01:24:22,400 Speaker 2: for example, any time Whitey has a seizure or a 1595 01:24:22,400 --> 01:24:25,400 Speaker 2: lot of Whitey's behavior is like the movie making fun 1596 01:24:25,439 --> 01:24:28,000 Speaker 2: of him from a very ableist point of view. So 1597 01:24:28,200 --> 01:24:31,400 Speaker 2: even though the Davy character will be called out for 1598 01:24:31,560 --> 01:24:35,240 Speaker 2: being ablest, the movie then turns around and makes the 1599 01:24:35,280 --> 01:24:40,080 Speaker 2: same ableist jokes. So it's like, then, then why are 1600 01:24:40,120 --> 01:24:41,920 Speaker 2: you even calling him out? If this is how you 1601 01:24:42,000 --> 01:24:44,519 Speaker 2: feel about people with disabilities, or if this is how 1602 01:24:44,520 --> 01:24:47,760 Speaker 2: you feel about fat people or whatever. So it's just 1603 01:24:48,240 --> 01:24:53,680 Speaker 2: so disgusting. I'll give the movie zero nipple. I give 1604 01:24:53,720 --> 01:24:56,520 Speaker 2: the movie negative five nipples. 1605 01:24:56,520 --> 01:24:59,240 Speaker 3: Nice the end, I think I will do the same, 1606 01:25:00,160 --> 01:25:05,800 Speaker 3: and I have nothing else to say about it, like, honestly, yeah, 1607 01:25:05,960 --> 01:25:06,680 Speaker 3: what about. 1608 01:25:06,400 --> 01:25:06,960 Speaker 4: You, Alex? 1609 01:25:07,360 --> 01:25:11,120 Speaker 5: Yeah, I think negative five feels fair. Can I give 1610 01:25:11,160 --> 01:25:14,320 Speaker 5: it like negative stars of David too? Maybe like half 1611 01:25:14,320 --> 01:25:17,320 Speaker 5: a half a star of David? Just because like, where 1612 01:25:17,400 --> 01:25:20,200 Speaker 5: is the Hanukah? I saw some menorahs in the background. 1613 01:25:20,840 --> 01:25:24,040 Speaker 5: They were ice sculptures. That's it, basically, So I'm gonna 1614 01:25:24,040 --> 01:25:25,280 Speaker 5: give it half a star of David. 1615 01:25:25,720 --> 01:25:26,719 Speaker 6: Hmm, That's all I got. 1616 01:25:27,479 --> 01:25:31,599 Speaker 3: It's brutal I also, I think, as we've talked through this, 1617 01:25:31,960 --> 01:25:36,280 Speaker 3: I think now that in an earlier draft of the 1618 01:25:36,360 --> 01:25:41,280 Speaker 3: movie that Whitey and Eleanor were Jewish, and that's why 1619 01:25:41,280 --> 01:25:44,240 Speaker 3: the ending doesn't make sense. But then they changed it. 1620 01:25:44,560 --> 01:25:48,080 Speaker 3: Why they changed it is anyone's guess, but I would 1621 01:25:48,120 --> 01:25:50,360 Speaker 3: guess that they added that because they say it's in 1622 01:25:50,400 --> 01:25:53,840 Speaker 3: that one line that we that unfortunately introduces Whitey where 1623 01:25:53,840 --> 01:25:55,439 Speaker 3: he they're like, Whitey, you're. 1624 01:25:55,320 --> 01:25:58,320 Speaker 4: Not even Jewish. He's like, I know. But so I 1625 01:25:58,360 --> 01:26:00,600 Speaker 4: don't know why they added that. They could have just 1626 01:26:00,680 --> 01:26:01,280 Speaker 4: taken it out. 1627 01:26:01,560 --> 01:26:05,920 Speaker 3: Anyways, I have nothing else to say. 1628 01:26:06,320 --> 01:26:09,240 Speaker 2: Well, Alex, thank you so much for joining us for 1629 01:26:09,360 --> 01:26:10,160 Speaker 2: this discussion. 1630 01:26:10,520 --> 01:26:11,360 Speaker 6: Thanks for having me. 1631 01:26:11,439 --> 01:26:12,600 Speaker 4: I'm sorry. 1632 01:26:14,320 --> 01:26:17,120 Speaker 2: Tell us more about your your art and your work 1633 01:26:17,200 --> 01:26:20,639 Speaker 2: and where people can find you and plug away. 1634 01:26:21,160 --> 01:26:21,639 Speaker 6: Excellent. 1635 01:26:21,760 --> 01:26:25,960 Speaker 5: Yeah, you can find me on Instagram, Zinnia Socialist Supply Company. 1636 01:26:26,400 --> 01:26:29,960 Speaker 5: I make radical art stickers, all sorts of stuff like that, 1637 01:26:30,240 --> 01:26:33,320 Speaker 5: lots of rent theme stickers as we discussed before, but 1638 01:26:33,600 --> 01:26:36,439 Speaker 5: don't worry, other musical theater stickers as well. 1639 01:26:37,560 --> 01:26:37,920 Speaker 4: Thank god. 1640 01:26:39,120 --> 01:26:42,080 Speaker 6: Yeah, I know we got to keep the all. 1641 01:26:42,200 --> 01:26:42,880 Speaker 4: We need it all. 1642 01:26:44,400 --> 01:26:49,400 Speaker 6: So you can find me on there and yeah, yeah, that's. 1643 01:26:49,240 --> 01:26:52,639 Speaker 2: That you can get our stickers on our merch store. 1644 01:26:53,520 --> 01:26:56,320 Speaker 2: So but the best way to support our show is 1645 01:26:56,400 --> 01:27:01,720 Speaker 2: to go to patreon dot com slash Bechdel Cast and 1646 01:27:01,920 --> 01:27:05,160 Speaker 2: subscribe to our Matreon where you get two bonus episodes 1647 01:27:05,160 --> 01:27:09,200 Speaker 2: every single month, plus access to the back catalog. Also, 1648 01:27:09,280 --> 01:27:14,760 Speaker 2: we have live shows coming up in La San Francisco 1649 01:27:14,920 --> 01:27:18,320 Speaker 2: and Portland, so if you go to link tree slash 1650 01:27:18,400 --> 01:27:21,479 Speaker 2: Bechtel Cast, you can grab tickets to those shows. We'd 1651 01:27:21,520 --> 01:27:24,040 Speaker 2: love to see you. They as well as some of 1652 01:27:24,040 --> 01:27:26,120 Speaker 2: them will be live streamed, so even if you don't 1653 01:27:26,160 --> 01:27:29,160 Speaker 2: live in those cities, the La Show and the Portland 1654 01:27:29,160 --> 01:27:32,679 Speaker 2: show will be live streamed, so you can still watch 1655 01:27:32,960 --> 01:27:34,439 Speaker 2: those if you grab tickets. 1656 01:27:35,320 --> 01:27:38,400 Speaker 4: And yeah, that's Alex. 1657 01:27:38,600 --> 01:27:41,240 Speaker 3: We owe you a good movie, so come back with 1658 01:27:41,320 --> 01:27:45,240 Speaker 3: your favorite movie and we will cover that next. 1659 01:27:45,400 --> 01:27:46,240 Speaker 6: That sounds amazing. 1660 01:27:46,439 --> 01:27:51,479 Speaker 3: Come on board, all right, gang, and yeah, with on 1661 01:27:51,520 --> 01:27:52,800 Speaker 3: that note, let's. 1662 01:27:53,439 --> 01:27:56,160 Speaker 2: This movie has been a technical foul. 1663 01:27:57,520 --> 01:28:02,560 Speaker 4: Perfect Bye bye. 1664 01:28:02,640 --> 01:28:06,320 Speaker 2: The Bechdelcast is a production of iHeartMedia, hosted by Caitlin 1665 01:28:06,400 --> 01:28:10,160 Speaker 2: Derante and Jamie loftis produced by Sophie Lichtermann, edited by 1666 01:28:10,200 --> 01:28:13,719 Speaker 2: Moe laboord Our theme song was composed by Mike Kaplan 1667 01:28:13,840 --> 01:28:17,880 Speaker 2: with vocals by Katherine Voskresenski. Our logo and merch is 1668 01:28:17,960 --> 01:28:22,000 Speaker 2: designed by Jamie Loftis and a special thanks to Aristotle Acevedo. 1669 01:28:22,600 --> 01:28:26,080 Speaker 2: For more information about the podcast, please visit Linktree Slash 1670 01:28:26,120 --> 01:28:26,840 Speaker 2: Bechdel Cast