WEBVTT - Episode 9: Polycule Story, Bro

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<v Speaker 1>The Hookup is a production of iHeart Podcasts, Blumbhouse Television,

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<v Speaker 1>and Amber twenty Listener discretion is totally advised. Solving a

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<v Speaker 1>mystery is kind of like a Rubik's cube. At the beginning,

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<v Speaker 1>all you have is this scramble of disorganized tiles and

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<v Speaker 1>the vague reassurance that some combination of twists and turns

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<v Speaker 1>will restore the cube to order. Like if I line

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<v Speaker 1>up this clue with this question and this person, suddenly

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<v Speaker 1>I have a strip of consecutive red tiles and things

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<v Speaker 1>start to make a little sense. Example, let's say the

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<v Speaker 1>Ludlow Lodge apartment complex is one green tile. Being the

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<v Speaker 1>site of Sante's disappearance, we can say with some confidence

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<v Speaker 1>that it's relevant to the puzzle. Another green tile would

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<v Speaker 1>be the psychotic former Bellboy who lives at Ludlow Lodge.

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<v Speaker 1>He went crazy and attacked Matello that night. So it's

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<v Speaker 1>an easy connection. So let's just shift this row so

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<v Speaker 1>the two tiles are side by side. Okay, great, what's

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<v Speaker 1>another clue I can shove into this metaphor? Hmm, the hookup?

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<v Speaker 1>Of course, bell Boy did make Mateo inhale it, but

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<v Speaker 1>I can't make those tiles line up because we're forgetting

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<v Speaker 1>about my stalker. You know, he who wears a crustwick

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<v Speaker 1>bad mitten hoodie and watches me from the shadows definitely

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<v Speaker 1>warns a tile. Except when I try to make the

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<v Speaker 1>stalker fit into the puzzle, it pushes bel Boy out

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<v Speaker 1>of the way. After all, I bumped into bell Boy

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<v Speaker 1>while running away from my stalker, so they couldn't be

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<v Speaker 1>the same. No, but the bell Boy has to be involved.

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<v Speaker 1>I mean, take this yellow square here. This is the

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<v Speaker 1>vision Mateo pulled down from the hook up Hive mind,

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<v Speaker 1>in which he saw a body being shoved down the

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<v Speaker 1>normally locked the lodge, dumbwaiter. And who would have keys

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<v Speaker 1>to said dumbwaiter The fucking bell Boy, of course, which

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<v Speaker 1>is a really hard piece of evidence to ignore if

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<v Speaker 1>it even is evidence, It hadn't occurred to me. But

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<v Speaker 1>isn't it possible that when Matteo recounted his vision he

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<v Speaker 1>was actually already under the Hives influence and that was

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<v Speaker 1>all a lie to throw me off. That would align

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<v Speaker 1>with Elias's yellow tile here where he suspected that Sandy

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<v Speaker 1>was involved in manufacturing the hookup.

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<v Speaker 2>Maybe maybe that's the issue.

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<v Speaker 1>If we stop trusting Elias's intel. A lot of this

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<v Speaker 1>falls apart. Plus, he literally had access to the school's

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<v Speaker 1>cadaver lab. Like, hello, easy body disposal. Damn it, it

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<v Speaker 1>can't be Alias. He has an alibi. Yeah, a mystery

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<v Speaker 1>is a lot like a Rubik's cube. I don't know

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<v Speaker 1>how to solve either. Hey, Wade, what's an inflatable butt plug?

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<v Speaker 3>Which part isn't clear? This place is bigger than I

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<v Speaker 3>was expecting.

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<v Speaker 1>Yeah, it's like the three story sex Costco. I never

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<v Speaker 1>knew I wanted. That's a lie. I've always wanted a

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<v Speaker 1>three story sex costco.

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<v Speaker 3>Whoa check out the mosaic wall of condom wrappers?

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<v Speaker 1>Are you posting that?

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<v Speaker 2>Mm hmm?

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<v Speaker 3>Hashtag gay, hashtag gay boy, hashtag LGBTQ, hashtag gay life,

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<v Speaker 3>hashtag gay life.

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<v Speaker 1>Wow, really showing some pride in the tags there? Huh?

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<v Speaker 3>What?

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<v Speaker 1>Nothing?

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<v Speaker 3>No? Really?

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<v Speaker 2>What they say you can pick your friends?

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<v Speaker 1>Hey, the sandbox is my territory.

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<v Speaker 2>You tweet bitch, and they say you can pick your nose.

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<v Speaker 1>Fine?

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<v Speaker 3>You smelling boogers anyway.

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<v Speaker 1>But for some reason, I have always been pathologically unable

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<v Speaker 1>to pick my battles. I just find it curious when

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<v Speaker 1>I see tags like that. I mean, don't you feel

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<v Speaker 1>a little weird exploiting your sexuality to drive social media traffic?

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<v Speaker 3>Exploiting my sexuality? Who's being a? How is it a

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<v Speaker 3>crime to celebrate and share my identity?

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<v Speaker 1>Well, like, your identity isn't really what you're celebrating and sharing.

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<v Speaker 1>You're sharing an Android quality photo of a condom ball.

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<v Speaker 1>I mean, there's nothing even specifically queer about that. Like

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<v Speaker 1>if you were to post a picture of a newborn

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<v Speaker 1>cousin which you captioned at hashtag gays of Instagram?

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<v Speaker 3>Is the newborn cousin gay? Well, how could we know

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<v Speaker 3>that exactly?

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<v Speaker 4>So?

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<v Speaker 3>Why are you assuming the tags should all be straight?

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<v Speaker 1>I'm not. I'm saying that if the post isn't about

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<v Speaker 1>who the baby fucks, the tags don't need to be either.

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<v Speaker 3>WHOA? How can you reduce the entirety of the gay

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<v Speaker 3>experience to who you.

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<v Speaker 1>Fuck by tagging a photo of condoms as gay?

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<v Speaker 3>I didn't realize you were one of those I'm gay,

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<v Speaker 3>but it's not my entire personality types.

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<v Speaker 1>Bold words from someone who up until very recently described

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<v Speaker 1>themselves as straight acting.

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<v Speaker 3>Oh Jesus dayman, did that seem straight acting?

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<v Speaker 5>It?

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<v Speaker 1>Did not, No, so we should probably, like, I don't know,

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<v Speaker 1>look for clues or something.

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<v Speaker 2>That was weird.

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<v Speaker 1>It's probably just the locale, right, you know the same

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<v Speaker 1>way bookstores give you the urge to poop. Sex shops

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<v Speaker 1>make you horny for your sort of nemesis.

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<v Speaker 3>Okay, scrapy doo. And exactly what kind of clues are

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<v Speaker 3>you envisioning we'll find here?

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<v Speaker 4>You know?

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<v Speaker 1>Like, uh, this could be one.

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<v Speaker 3>Commander Cox Space Explorer five five? Do do people still

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<v Speaker 3>buy porn on DVD?

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<v Speaker 4>Well?

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<v Speaker 1>Not since Max acquired mission to uranus.

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<v Speaker 3>Uriness pun That is a low hanging fruit, my friend.

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<v Speaker 3>At the very least I was expecting we come in peace.

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<v Speaker 3>Did you just shit? That is better?

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<v Speaker 1>Oh my god, Wade, we could be a stand up duo.

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<v Speaker 1>I'm the funny one and you play the straight man.

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<v Speaker 4>Haw ha.

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<v Speaker 3>Save it for the podcast.

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<v Speaker 1>Podcasts are kind of gay.

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<v Speaker 3>Damien, aren't these?

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<v Speaker 1>They are indeed behind the glass counter, colorful little bottles

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<v Speaker 1>are aligned in perfect order. Musk Berlin Blitz, Chinese water torture,

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<v Speaker 1>and of course the hookup. Oh yeah, one thing I

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<v Speaker 1>should have mentioned. As we were entering Chock full of Nuts,

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<v Speaker 1>I gave way to spark notes run down on the hookup.

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<v Speaker 1>Fortunately for him, I'm very good at explaining complex information

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<v Speaker 1>in super digestible terms. So when Mateo maybe received that

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<v Speaker 1>dumbwaiter murder vision from a hive mind propagoon, I tried

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<v Speaker 1>to move the red rubiscube tile but couldn't because of Elias,

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<v Speaker 1>the gay science kid from Werewolf. Does that make sense,

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<v Speaker 1>hey Wade, what's an inflatable butt plug?

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<v Speaker 2>Anyway?

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<v Speaker 3>The hookup?

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<v Speaker 5>Welcome to Chalk full of Nuts, where the customer always

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<v Speaker 5>comes first. As Ludlow Hills Premiere Adult Supply Boutique, We're

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<v Speaker 5>sure to knock your socks off and get your rocks off.

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<v Speaker 1>Uh, thank you.

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<v Speaker 5>I wasn't finished.

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<v Speaker 3>Now I have to start over.

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<v Speaker 5>Welcome to Chalk full of Nuts, where the customer always

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<v Speaker 5>comes first. As Ludlow Hills Premiere Adult Supply Boutique, We're

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<v Speaker 5>sure to knock your socks off and get your rocks off.

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<v Speaker 3>I'm Nancy, Jesus.

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<v Speaker 1>Thanks Nancy. Could you possibly tell me who your supplier

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<v Speaker 1>is for these hookup poppers?

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<v Speaker 3>Do I look like I know that? Well?

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<v Speaker 1>No, Frankly, But is it something you could find out?

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<v Speaker 5>Well no, Frankly, I can't disclose distributor information, but I

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<v Speaker 5>can tell you about the promotion we're running this week,

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<v Speaker 5>a free bottle of the hookup with every purchase.

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<v Speaker 2>Audio cue Damien's heart sinks.

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<v Speaker 3>Kitchen's pushing the hookup.

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<v Speaker 1>That feels bad and like the next phase of a

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<v Speaker 1>very deliberate rollout scheme. I'll just get one bottle of

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<v Speaker 1>the hookup, thanks for research purposes. Not a total lie, though, truthfully,

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<v Speaker 1>I have been thinking I'm just given all the anguish lately.

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<v Speaker 1>Maybe it would be easier if no quit it?

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<v Speaker 4>Dame?

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<v Speaker 3>Did you just slap yourself?

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<v Speaker 1>Don't worry about it?

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<v Speaker 3>Hey?

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<v Speaker 2>Uh?

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<v Speaker 1>Do you take apple pey?

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<v Speaker 5>I literally just said you'd get the hookup free with

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<v Speaker 5>any purchase. Why would you buy it alone?

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<v Speaker 1>Oh my god, fine, I'll get this.

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<v Speaker 2>I should have looked at what I was grabbing.

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<v Speaker 5>All right, one red silicone ballgag and your free.

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<v Speaker 3>Bottle of the hookup.

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<v Speaker 1>Thank you so much, Nancy.

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<v Speaker 3>So nope, Hey, I don't think shame you, do you?

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<v Speaker 3>Oh Damien? Look Prestwick Badminton Nody ten o'clock.

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<v Speaker 1>Six o'clock, seven o'clock. You're right, okay, not necessarily him, though,

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<v Speaker 1>I mean I hear the bad mitten kids are a

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<v Speaker 1>horny crown.

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<v Speaker 3>Look, he's got the black mask. That's definitely your attacker.

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<v Speaker 1>Okay, first of all, we refer to him as my stalker,

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<v Speaker 1>it implies I'm borth stalking. Second, fuck, he's coming this

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<v Speaker 1>way in the aisle, Go go go.

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<v Speaker 3>Can you see him? Yeah, he's heading towards the back.

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<v Speaker 3>Come on, wait, turn that off. He's gonna hear us.

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<v Speaker 3>I'm trying. I don't know how it got switched out. Stop.

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<v Speaker 3>I don't think there is an off button. Maybe it's voice.

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<v Speaker 1>There's an off button. Wade fucking give me that.

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<v Speaker 3>Stop it. On the bright side, we're lucky it wasn't

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<v Speaker 3>one of the ten inch ones. Your stalker definitely would

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<v Speaker 3>have heard that.

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<v Speaker 2>Well, I do appreciate the levity.

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<v Speaker 1>I'm a little more folk, gust On, said stalker, passing

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<v Speaker 1>through a set of double doors across the shop. Where

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<v Speaker 1>does that door lead.

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<v Speaker 5>The Minotaur's sex labyrinth?

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<v Speaker 1>Just Dancy, Jesus scared me.

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<v Speaker 5>Sorry, had to restock the electro shock lube.

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<v Speaker 3>What's the minotaur's sex labyrinth.

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<v Speaker 5>It's where we keep our higher end instruments of pleasure.

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<v Speaker 1>Can we go in there?

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<v Speaker 3>If you think you can afford anything.

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<v Speaker 1>Swar vibrators in there are something to me affording. What's

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<v Speaker 1>to say about the Minotaur's sex labyrinth? Sans context? You

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<v Speaker 1>might think it's some froddy fundraiser spookas the crumbling stone

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<v Speaker 1>walls are just spray painted plaster, and the gravel coating

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<v Speaker 1>the floor obviously came from a home depot decorative rocks

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<v Speaker 1>bag somewhat infrequently. The odd plasticene phallus protrudes from the walls,

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<v Speaker 1>looking more like exhibits than product for sale.

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<v Speaker 3>Oh, I wasn't expecting this to actually be a labyrinth.

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<v Speaker 3>It's not a great business model. You can't find anything.

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<v Speaker 1>Sh I think he went that way?

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<v Speaker 3>Come on, Damian, slow down.

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<v Speaker 1>I don't want to lose him.

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<v Speaker 3>It's fine, he's just around this corner. Of course, it's

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<v Speaker 3>equally possible he vanished into oblivion.

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<v Speaker 1>We stumble out into a circular clearing scattered with fake

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<v Speaker 1>plastic shackles and skeletons. I guess for max dungeon aesthetic.

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<v Speaker 1>The outer wall is punctuated by six branching corridors, each

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<v Speaker 1>one opening into a wash of darkness. Damn it, six passages?

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<v Speaker 3>Fuck? Which way did he go? I? Don't know. I

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<v Speaker 3>can't see. It's too fucking dim. Was that you? No?

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<v Speaker 1>Did you hear that one?

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<v Speaker 3>Hey, Damien, how well do you remember your Greek mythology?

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<v Speaker 4>Uh?

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<v Speaker 1>Beyond what I've seen in Zena? Not super well? Why

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<v Speaker 1>do you ask?

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<v Speaker 3>Are we just wondering how theseus escaped the labyrinth in

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<v Speaker 3>that story?

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<v Speaker 1>Fuck theseus? This is my story, and I'm gonna escape

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<v Speaker 1>the labyrinth my way with Metal. Remember earlier how we

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<v Speaker 1>figured out Metal has been showing the targeted ads for

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<v Speaker 1>a chalk full of nuts.

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<v Speaker 3>We fell right into its trap by coming here.

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<v Speaker 1>I don't necessarily think it was a trap. Yeah, the

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<v Speaker 1>app lurred us.

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<v Speaker 2>Here, but.

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<v Speaker 1>I think Metal has been helping me. Look this sort

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<v Speaker 1>by proximity tab has never been here before. Metal is

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<v Speaker 1>on our side.

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<v Speaker 3>Huh. Whoa waite?

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<v Speaker 1>Look Look at the second profile down Sondy.

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<v Speaker 3>That can't really be him, can it?

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<v Speaker 1>We'll see. Look when I move in this direction, the

0:12:53.760 --> 0:12:59.040
<v Speaker 1>profiles reorder themselves. Yes, yes, okay, Come on this way,

0:13:00.000 --> 0:13:02.520
<v Speaker 1>follow the path, delving deeper and deeper into the maze

0:13:02.600 --> 0:13:05.160
<v Speaker 1>until we come face to face.

0:13:04.920 --> 0:13:08.360
<v Speaker 3>With Adore off limits.

0:13:09.280 --> 0:13:10.439
<v Speaker 1>The limit does not exist.

0:13:10.520 --> 0:13:14.000
<v Speaker 3>Wad wait, wait, wait, hold a second what are you

0:13:14.040 --> 0:13:16.040
<v Speaker 3>really sure you're ready?

0:13:16.440 --> 0:13:18.560
<v Speaker 1>I warrant you this is going to be dangerous. Wade.

0:13:18.960 --> 0:13:20.520
<v Speaker 1>I won't blame you if you want to go home,

0:13:20.640 --> 0:13:22.079
<v Speaker 1>but I just know it's not what I mean.

0:13:22.960 --> 0:13:26.200
<v Speaker 3>Are you sure you're ready to know what happened? Even

0:13:26.240 --> 0:13:28.800
<v Speaker 3>if that metal account really is himmen and we manage

0:13:28.800 --> 0:13:33.840
<v Speaker 3>some spectacular rescue. What's your plan? Are you too just

0:13:33.880 --> 0:13:35.319
<v Speaker 3>gonna pick up where you left off?

0:13:37.160 --> 0:13:41.640
<v Speaker 1>I think that's the plan. I mean, otherwise, what was

0:13:41.679 --> 0:13:47.320
<v Speaker 1>the point of all this? But it's weird imagining the

0:13:47.360 --> 0:13:52.880
<v Speaker 1>person I was back then. I mean, would Santy even

0:13:52.920 --> 0:13:53.520
<v Speaker 1>recognize me?

0:13:53.559 --> 0:13:59.560
<v Speaker 3>Now? Sorry, not a helpful question, but I definitely don't

0:13:59.559 --> 0:14:02.920
<v Speaker 3>want to go, at least not alone.

0:14:04.720 --> 0:14:04.960
<v Speaker 6>Rat.

0:14:06.640 --> 0:14:07.440
<v Speaker 3>Then let's go.

0:14:14.120 --> 0:14:15.360
<v Speaker 2>For obvious reasons.

0:14:15.400 --> 0:14:17.800
<v Speaker 1>I've been doing a lot of research lately on paupers,

0:14:18.320 --> 0:14:22.520
<v Speaker 1>you know, the chemical makeup, history manufacturing. So as I

0:14:22.560 --> 0:14:25.000
<v Speaker 1>find myself in the center of what I have no

0:14:25.120 --> 0:14:28.440
<v Speaker 1>doubt is the factory producing the hookup, I'm surprised at

0:14:28.480 --> 0:14:33.680
<v Speaker 1>how well surprised I am. See as Wade and I

0:14:33.720 --> 0:14:37.000
<v Speaker 1>emerge from the dim passageway and onto the catwalk stretching

0:14:37.040 --> 0:14:40.280
<v Speaker 1>across the top of the factory, it's impossible not to

0:14:40.360 --> 0:14:41.880
<v Speaker 1>notice what this place looks like.

0:14:42.400 --> 0:14:46.280
<v Speaker 3>Holy shit, is this a craft brewery?

0:14:46.320 --> 0:14:49.640
<v Speaker 1>Indeed, tall metallic brewing tanks line the walls, and the

0:14:49.680 --> 0:14:52.960
<v Speaker 1>faux labyrinth architecture has been replaced by the sleek, wooden

0:14:53.040 --> 0:14:56.720
<v Speaker 1>veneer and metal graded walkways you'd find on well a

0:14:56.800 --> 0:15:00.520
<v Speaker 1>brewery tour. It looks like one, but so I don't

0:15:00.520 --> 0:15:06.920
<v Speaker 1>think they're making IPAs. Check the emblem on the brewing tanks.

0:15:05.600 --> 0:15:08.880
<v Speaker 3>The hookup, and see below that those little.

0:15:08.680 --> 0:15:13.280
<v Speaker 1>Words miasma corp, miasma.

0:15:14.680 --> 0:15:16.760
<v Speaker 3>Hey, what are you doing getting a better look?

0:15:18.200 --> 0:15:20.720
<v Speaker 4>Double time truck gets here in an hour and we're

0:15:20.720 --> 0:15:22.800
<v Speaker 4>still short three thousand bottles.

0:15:23.040 --> 0:15:27.360
<v Speaker 3>Three thousand bottles. There aren't three thousand gays in Ludlow County.

0:15:29.280 --> 0:15:33.520
<v Speaker 2>Oh oh no, The barking foreman remains to be seen.

0:15:33.600 --> 0:15:35.720
<v Speaker 1>But I have a clearer of you now, the worker

0:15:35.760 --> 0:15:41.360
<v Speaker 1>bees bottling and packaging the poppers, and I wish I didn't.

0:15:46.920 --> 0:15:50.440
<v Speaker 1>It's all the converted hookup goons of Ludlow Hills, Big Top,

0:15:50.760 --> 0:15:53.960
<v Speaker 1>a bell boy, the PM Peter, the cute Chipotle cashier

0:15:54.320 --> 0:15:55.440
<v Speaker 1>Faki is gay.

0:15:56.960 --> 0:15:59.400
<v Speaker 2>Rather was I guess?

0:16:00.360 --> 0:16:05.280
<v Speaker 1>And then of course Matteo. It's not enough to just

0:16:05.400 --> 0:16:07.400
<v Speaker 1>fuck with them. They have to be a part of

0:16:07.440 --> 0:16:10.760
<v Speaker 1>this too. You heard that guy, The hookup is about

0:16:10.760 --> 0:16:15.360
<v Speaker 1>to be shipped wide. I can't let that happen, not

0:16:15.440 --> 0:16:16.160
<v Speaker 1>to anyone else.

0:16:16.800 --> 0:16:20.640
<v Speaker 3>Okay, fine, but don't just barge in half cocked. Look

0:16:21.240 --> 0:16:23.000
<v Speaker 3>down on the ground floor. Do you see that bullpen

0:16:23.040 --> 0:16:23.520
<v Speaker 3>of desks?

0:16:24.120 --> 0:16:24.360
<v Speaker 1>Wait?

0:16:24.440 --> 0:16:25.680
<v Speaker 3>No where right there?

0:16:25.880 --> 0:16:26.440
<v Speaker 1>I don't see it.

0:16:26.440 --> 0:16:27.200
<v Speaker 3>Look where I'm pointed.

0:16:27.200 --> 0:16:29.120
<v Speaker 1>Don't get mad at me. I see it.

0:16:29.480 --> 0:16:31.640
<v Speaker 3>And do you see the PC on the desk?

0:16:32.320 --> 0:16:38.120
<v Speaker 1>Mmmmm? And that external hard drive plugged into it? And

0:16:38.200 --> 0:16:41.400
<v Speaker 1>if I were damning evidence about this entire operation.

0:16:41.520 --> 0:16:43.320
<v Speaker 3>I'd probably be on that drive.

0:16:44.160 --> 0:16:46.360
<v Speaker 1>With that kind of data, we could shut this entire

0:16:46.400 --> 0:16:50.840
<v Speaker 1>thing down. Okay, I have an idea, And before you

0:16:50.880 --> 0:16:54.680
<v Speaker 1>say it, yes, I'm on metal right now. Minnie Gerkin

0:16:55.400 --> 0:16:59.280
<v Speaker 1>tap local hiker forty two. He looks like the guy

0:16:59.320 --> 0:17:04.800
<v Speaker 1>who murders the local hikers. Tap arcouterie whore for twenty tap.

0:17:04.920 --> 0:17:06.000
<v Speaker 3>Why are you liking them all?

0:17:06.480 --> 0:17:11.000
<v Speaker 1>It's part of the plan, trust me, escaped mental patient

0:17:11.400 --> 0:17:15.800
<v Speaker 1>tep Okay, I'm ready. The thing is I need you

0:17:15.880 --> 0:17:16.560
<v Speaker 1>to stay up here?

0:17:16.920 --> 0:17:17.959
<v Speaker 3>What why?

0:17:18.160 --> 0:17:20.480
<v Speaker 1>Because if all those is planned, I'll be sending the

0:17:20.480 --> 0:17:22.520
<v Speaker 1>goons up this way and I need you to help

0:17:22.520 --> 0:17:24.200
<v Speaker 1>get them out through the labyrinth safely.

0:17:24.880 --> 0:17:27.959
<v Speaker 3>Really, are we sure that rescuing them is top priority?

0:17:28.280 --> 0:17:30.840
<v Speaker 1>They're not in control of themselves. They don't want to

0:17:30.840 --> 0:17:31.840
<v Speaker 1>be here any more than we do.

0:17:33.760 --> 0:17:34.359
<v Speaker 3>Debatable.

0:17:35.920 --> 0:17:38.679
<v Speaker 1>The pathway to the computer is unobstructed, but puts me

0:17:38.680 --> 0:17:41.119
<v Speaker 1>in a view of some goons filling hookup bottles nearby.

0:17:42.119 --> 0:17:44.800
<v Speaker 1>But if I could just maneuver a tight, little forward

0:17:44.880 --> 0:17:49.639
<v Speaker 1>roll past this first gap, I'd be in the clear. Okay,

0:17:49.800 --> 0:18:11.080
<v Speaker 1>easy enough. Sometimes in moments like this, you know, when

0:18:11.119 --> 0:18:14.320
<v Speaker 1>I fuck up really badly, like knocking over for a

0:18:14.400 --> 0:18:17.720
<v Speaker 1>giant brewing towers of poppers badly, I try to remind

0:18:17.760 --> 0:18:21.119
<v Speaker 1>myself that the ability to continuously reach new depths of

0:18:21.200 --> 0:18:26.240
<v Speaker 1>fuck uptitude is a talent in itself. Who am I kidding?

0:18:26.280 --> 0:18:28.240
<v Speaker 1>The hook up liquid is spilling everywhere.

0:18:28.320 --> 0:18:29.800
<v Speaker 2>It's gonna flood the entire place.

0:18:30.640 --> 0:18:34.119
<v Speaker 1>Okay, breeze to your mouth, Breathe through your mouth, breathe. Fuck.

0:18:34.720 --> 0:18:37.760
<v Speaker 1>Just a few meters ahead, an erupting popper tank gushes

0:18:37.800 --> 0:18:43.479
<v Speaker 1>its contents all over the desk, completely dousing the hard drive. Okay,

0:18:43.720 --> 0:18:45.320
<v Speaker 1>new plan, escape with my life.

0:18:46.040 --> 0:18:47.520
<v Speaker 2>I pivot back towards the stairs.

0:18:48.880 --> 0:18:55.040
<v Speaker 1>It's little D, Big Top create great, Great, I'm majorly

0:18:55.080 --> 0:18:57.280
<v Speaker 1>not in the mood. Get out of my fucking way.

0:18:57.359 --> 0:19:04.080
<v Speaker 1>I'm serious to that, you serious, Mateo. I knew Matteo

0:19:04.359 --> 0:19:06.880
<v Speaker 1>would probably be here. I mean, I was prepared for that,

0:19:07.000 --> 0:19:09.040
<v Speaker 1>but it's it's still hard.

0:19:09.560 --> 0:19:12.000
<v Speaker 3>You haven't been serious to day in your life.

0:19:12.359 --> 0:19:16.040
<v Speaker 1>You're a joke, Damien, and not a very funny one.

0:19:16.800 --> 0:19:19.520
<v Speaker 1>It's all of them now, all the goons circling me

0:19:19.600 --> 0:19:22.959
<v Speaker 1>from every direction. Ah, being around this many guys I've

0:19:23.000 --> 0:19:24.719
<v Speaker 1>hooked up with would be a nightmare, even if they

0:19:24.760 --> 0:19:28.040
<v Speaker 1>weren't trying to kill me. The hookup level is still

0:19:28.080 --> 0:19:29.480
<v Speaker 1>rising almost to my waist.

0:19:29.640 --> 0:19:31.240
<v Speaker 3>Now where is it?

0:19:31.240 --> 0:19:35.600
<v Speaker 1>I always have that on me? Mmmm? Don't you just

0:19:35.960 --> 0:19:40.440
<v Speaker 1>love the smell of freshly baked poppers? Little D? Nice? Try,

0:19:40.960 --> 0:19:43.000
<v Speaker 1>But you're talking to the guy who wears an N

0:19:43.080 --> 0:19:47.000
<v Speaker 1>ninety five mask to hookups. Now, get the fuck out

0:19:47.000 --> 0:19:54.600
<v Speaker 1>of my way, Big Top, stop, get off me, grub, Damien.

0:19:54.440 --> 0:19:59.440
<v Speaker 6>Babel Hurst, are you proud of the mess you've made up?

0:19:59.480 --> 0:20:03.880
<v Speaker 1>On the cot walk? He steps into view, black mask, Crestwick,

0:20:03.920 --> 0:20:08.680
<v Speaker 1>Badminton hoodie. There's no mistaking that's my stalker. Can't help

0:20:08.720 --> 0:20:11.000
<v Speaker 1>who I am when I go over to a hookups

0:20:11.040 --> 0:20:18.040
<v Speaker 1>as got to critique the decoor. It looks better this way.

0:20:18.720 --> 0:20:20.720
<v Speaker 4>Both of you to assume I'm just another one of

0:20:20.720 --> 0:20:21.720
<v Speaker 4>your hookups.

0:20:22.359 --> 0:20:25.480
<v Speaker 1>Well, they're historically the guys who hate me the most,

0:20:25.680 --> 0:20:27.840
<v Speaker 1>so kind of just felt like the most likely outcome

0:20:28.600 --> 0:20:31.600
<v Speaker 1>anxiety Royals in my guts is my stalker pulls back

0:20:31.640 --> 0:20:35.359
<v Speaker 1>his mustard hood and begins sliding off black sheer mask.

0:20:35.760 --> 0:20:38.440
<v Speaker 1>Well it's just like my life, coach said, But only

0:20:38.480 --> 0:20:40.560
<v Speaker 1>one of us would received a grant upon graduating if

0:20:40.560 --> 0:20:43.280
<v Speaker 1>we stop trusting me. Elias of intel a lot of this.

0:20:43.440 --> 0:20:45.600
<v Speaker 4>As long as snt he was in the picture, I

0:20:45.600 --> 0:20:46.959
<v Speaker 4>never stood a chance of winning.

0:20:48.240 --> 0:20:56.200
<v Speaker 1>The simplest solution is often the likeliest. Elias stop, stop, stop,

0:20:57.760 --> 0:21:05.040
<v Speaker 1>they need a sack. Okay, huh didn't we rule Elias out?

0:21:05.640 --> 0:21:08.080
<v Speaker 1>I mean, I thought he had an alibi since Santy

0:21:08.160 --> 0:21:11.560
<v Speaker 1>went missing during the Crustwit Crustaceans badminton final, anyone on

0:21:11.600 --> 0:21:13.720
<v Speaker 1>the team should be in the clear. And I checked

0:21:13.720 --> 0:21:19.640
<v Speaker 1>the yearbook. Elias really was a Crustacean, But that doesn't

0:21:19.680 --> 0:21:26.119
<v Speaker 1>necessarily mean he actually played in the final. Shit okay, okay,

0:21:26.119 --> 0:21:28.720
<v Speaker 1>but but what about when Matteo had that vision from

0:21:28.720 --> 0:21:30.919
<v Speaker 1>the Hive mind, you know, of the body being dumped

0:21:30.960 --> 0:21:33.879
<v Speaker 1>down the Ludlow watch, dumbwaiter. He told me he didn't

0:21:33.880 --> 0:21:37.000
<v Speaker 1>recognize the person, and he'd already met Elias at that point.

0:21:38.840 --> 0:21:42.680
<v Speaker 1>Unless Matteo really was already fully under the Hives influence

0:21:42.680 --> 0:21:44.600
<v Speaker 1>when he told me that, and it really was just

0:21:44.640 --> 0:21:48.199
<v Speaker 1>all a lie to get me off Elias's trail. And

0:21:48.280 --> 0:21:50.879
<v Speaker 1>would you look at that? All the yellow tiles are

0:21:50.880 --> 0:21:55.479
<v Speaker 1>finally aligned. So is any of this pive mind stuff

0:21:55.520 --> 0:21:56.320
<v Speaker 1>even real?

0:21:57.119 --> 0:21:59.320
<v Speaker 3>Always asking the good questions?

0:22:00.200 --> 0:22:05.440
<v Speaker 1>As Elias speaks nay proselytizes, two goons emerge from the shadows,

0:22:05.480 --> 0:22:11.600
<v Speaker 1>wheeling forth this contraption. It's tall, supporting itself on three legs.

0:22:12.280 --> 0:22:14.439
<v Speaker 1>There are these two cuffs affixed to the top of

0:22:14.480 --> 0:22:17.560
<v Speaker 1>the machine, another two at the bottom, presumably for her

0:22:17.640 --> 0:22:18.359
<v Speaker 1>hands and feet.

0:22:18.880 --> 0:22:21.280
<v Speaker 7>I know you don't believe in fate, Damien, or that

0:22:21.359 --> 0:22:24.520
<v Speaker 7>everything happens for a reason, but I wish you would.

0:22:28.119 --> 0:22:31.399
<v Speaker 7>You can't really believe it's a coincidence that you're witnessing

0:22:31.400 --> 0:22:33.440
<v Speaker 7>the birth of humanity's future.

0:22:34.080 --> 0:22:36.040
<v Speaker 1>Humanity's future is a sex wing.

0:22:36.400 --> 0:22:38.400
<v Speaker 7>Has anyone ever told you that your use of humor

0:22:38.400 --> 0:22:42.040
<v Speaker 7>in certain situations could be considered tone death once or twice.

0:22:42.640 --> 0:22:43.680
<v Speaker 6>It's not a sex.

0:22:43.480 --> 0:22:45.560
<v Speaker 3>Wing, it's hunt.

0:22:47.080 --> 0:22:52.320
<v Speaker 7>It's the hookup neural gateway, the hookup neural gateway.

0:22:53.240 --> 0:22:54.639
<v Speaker 1>Like hon, it's an acronym.

0:22:55.520 --> 0:22:56.160
<v Speaker 6>Fuck boys.

0:22:56.840 --> 0:23:00.439
<v Speaker 1>Strap me in as Elias hangs from the hookup neural

0:23:00.920 --> 0:23:01.920
<v Speaker 1>gate way.

0:23:02.000 --> 0:23:04.240
<v Speaker 2>What's the fuck? I don't know, like a kinky christ.

0:23:04.520 --> 0:23:07.359
<v Speaker 1>One of the goons activates the control terminal near the base,

0:23:07.560 --> 0:23:10.479
<v Speaker 1>punching buttons that I am just certain I'll wish weren't punched.

0:23:10.800 --> 0:23:15.359
<v Speaker 7>To answer your question, yes, the hideline stuff is very real,

0:23:16.080 --> 0:23:20.200
<v Speaker 7>as you've probably gathered. In addition to toggling the user's sexuality

0:23:20.480 --> 0:23:23.680
<v Speaker 7>inhaling the hookup poppers installs a brain link to all

0:23:23.720 --> 0:23:27.160
<v Speaker 7>the other goons, activate rinecott.

0:23:28.880 --> 0:23:31.840
<v Speaker 1>The neural gate I don't know what's fucking called it.

0:23:31.840 --> 0:23:35.160
<v Speaker 1>It starts to shake, and then these two little robotic

0:23:35.560 --> 0:23:38.240
<v Speaker 1>tendrils poke out from the ends of the machine, high

0:23:38.240 --> 0:23:44.560
<v Speaker 1>tech baby tentacles, sneaking upwards towards alas the face again closer, closer, closer.

0:23:44.720 --> 0:23:46.960
<v Speaker 6>This part's why I have to strap in.

0:23:47.640 --> 0:23:51.040
<v Speaker 1>What do you mean? Oh? Oh good, No, Elias, don't

0:23:51.080 --> 0:23:54.879
<v Speaker 1>let the don't put those up. Oh Jesus fucking fuck dude,

0:23:54.920 --> 0:23:56.359
<v Speaker 1>they went up your fucking news.

0:23:58.400 --> 0:24:03.280
<v Speaker 8>Yeah, this is it, the memories, the.

0:24:03.359 --> 0:24:06.720
<v Speaker 2>Experiences, Then it's real.

0:24:07.200 --> 0:24:11.120
<v Speaker 1>Elias can actually access the memories of anyone who's taken

0:24:11.160 --> 0:24:11.640
<v Speaker 1>the hookup.

0:24:11.920 --> 0:24:18.520
<v Speaker 6>What's the matter, Boyo, don't believe me? I got that

0:24:18.640 --> 0:24:19.760
<v Speaker 6>from Mateo's brain.

0:24:20.200 --> 0:24:22.600
<v Speaker 4>He actually has a lot of wonderful memories of you,

0:24:23.320 --> 0:24:26.560
<v Speaker 4>like when you didn't tell him he looked nearly identical

0:24:26.600 --> 0:24:29.120
<v Speaker 4>through your missing X. Then expose him to the hook

0:24:29.200 --> 0:24:32.040
<v Speaker 4>up while using him to help fine set missing X

0:24:32.160 --> 0:24:34.720
<v Speaker 4>dump and much with all this insanity over position.

0:24:35.119 --> 0:24:38.440
<v Speaker 6>Your whole neurotic bottom thing not as good as you think.

0:24:38.520 --> 0:24:38.919
<v Speaker 1>Stop it.

0:24:39.160 --> 0:24:42.040
<v Speaker 4>And since I already know everything about you, why wouldn't

0:24:42.040 --> 0:24:44.160
<v Speaker 4>you just take a little whip and join us.

0:24:45.080 --> 0:24:47.160
<v Speaker 6>Oh you're gonna love it?

0:24:47.680 --> 0:24:48.440
<v Speaker 1>Are you one too?

0:24:48.920 --> 0:24:49.680
<v Speaker 3>A hookup goon?

0:24:50.119 --> 0:24:53.200
<v Speaker 6>Of course not. Then I couldn't control them.

0:24:54.280 --> 0:25:00.320
<v Speaker 4>You control them, eeny Meani mini.

0:25:02.240 --> 0:25:02.879
<v Speaker 3>Big cop.

0:25:03.359 --> 0:25:06.520
<v Speaker 4>Sir Damien doesn't believe in my absolute control.

0:25:06.800 --> 0:25:08.040
<v Speaker 3>So let's prove him wrong.

0:25:08.920 --> 0:25:16.639
<v Speaker 8>I command you to sit, good boy, now back a

0:25:18.280 --> 0:25:21.440
<v Speaker 8>beautiful and last me.

0:25:24.200 --> 0:25:28.360
<v Speaker 1>Guy, what's happening to him?

0:25:29.359 --> 0:25:31.000
<v Speaker 6>He's following orders?

0:25:32.760 --> 0:25:36.040
<v Speaker 1>What the actual buck, Elias, do you hate gay people

0:25:36.119 --> 0:25:36.880
<v Speaker 1>this much.

0:25:39.440 --> 0:25:42.280
<v Speaker 6>Hate gay people? Where'd that come from?

0:25:42.320 --> 0:25:44.960
<v Speaker 1>Probably the same bump fuck alt right hovel of a

0:25:45.000 --> 0:25:47.280
<v Speaker 1>hometown that you did. Is this like a right of

0:25:47.359 --> 0:25:50.320
<v Speaker 1>passage where you're from, you know, go on pilgrimage andcourage

0:25:50.359 --> 0:25:51.160
<v Speaker 1>some sodomites.

0:25:51.160 --> 0:25:52.360
<v Speaker 6>It's still me, Damien.

0:25:53.040 --> 0:25:56.080
<v Speaker 4>I know the socio political implications of that hook cup

0:25:56.280 --> 0:25:58.919
<v Speaker 4>give a certain impression, but it's not what.

0:25:58.760 --> 0:26:02.280
<v Speaker 1>You're thinking moment. I'm thinking you're probably not even gay?

0:26:02.880 --> 0:26:05.160
<v Speaker 1>Do you just fake it to lure queer guys into

0:26:05.160 --> 0:26:06.040
<v Speaker 1>your sick web?

0:26:06.280 --> 0:26:08.120
<v Speaker 6>Did it seem like I was faking it?

0:26:09.359 --> 0:26:09.679
<v Speaker 3>You know what?

0:26:09.840 --> 0:26:12.480
<v Speaker 4>Honestly, if you really think I'm straight, you're an even

0:26:12.520 --> 0:26:13.720
<v Speaker 4>more detective than I thought.

0:26:14.160 --> 0:26:17.320
<v Speaker 6>So then, and no, it's not a self loathing gay thing.

0:26:17.720 --> 0:26:18.200
<v Speaker 6>My home is.

0:26:18.320 --> 0:26:21.800
<v Speaker 4>Sexuality is a gift and I thank God every day

0:26:21.840 --> 0:26:22.200
<v Speaker 4>for it.

0:26:22.320 --> 0:26:25.160
<v Speaker 3>Then what, Danion?

0:26:26.359 --> 0:26:29.199
<v Speaker 4>When you applied to kress with you, did any of

0:26:29.240 --> 0:26:31.919
<v Speaker 4>your application essays mention your sexuality?

0:26:33.200 --> 0:26:35.560
<v Speaker 1>I'm pretty sure I talked about being gay in one

0:26:35.600 --> 0:26:36.120
<v Speaker 1>of them.

0:26:36.440 --> 0:26:37.639
<v Speaker 6>Right, so did I.

0:26:38.000 --> 0:26:41.160
<v Speaker 4>But I'm curious why did you mention it? I mean,

0:26:41.400 --> 0:26:44.240
<v Speaker 4>does your propensity for dick really matter? In regards to

0:26:44.280 --> 0:26:45.440
<v Speaker 4>your journalism studies?

0:26:46.520 --> 0:26:48.920
<v Speaker 1>How can you reduce the entirety of the gay experience

0:26:48.960 --> 0:26:52.359
<v Speaker 1>to who you fuck? You're wrong. It's a part of

0:26:52.359 --> 0:26:52.840
<v Speaker 1>who I am.

0:26:53.200 --> 0:26:56.359
<v Speaker 6>Of course it is, and that's not really why you

0:26:56.440 --> 0:26:57.680
<v Speaker 6>mentioned it in your apps.

0:26:58.160 --> 0:27:02.199
<v Speaker 4>You name dropped your sexuality because you knew subconsciously or

0:27:02.240 --> 0:27:05.919
<v Speaker 4>otherwise you might not make the cut without it. You

0:27:06.000 --> 0:27:09.040
<v Speaker 4>knew that compared to all the other kids applying for

0:27:09.119 --> 0:27:12.000
<v Speaker 4>that program, being a straight dude, but putting you at

0:27:12.040 --> 0:27:15.920
<v Speaker 4>a disadvantage, So you commodified yourself making.

0:27:15.680 --> 0:27:19.399
<v Speaker 1>Sense Yet literally no, you sound like an insane person,

0:27:19.440 --> 0:27:21.639
<v Speaker 1>and I'm worried about secondhand cancelation.

0:27:22.080 --> 0:27:24.560
<v Speaker 4>If you thought applying to the journalism major was tough,

0:27:24.920 --> 0:27:27.840
<v Speaker 4>you can't even fathen the competition for the Ashcroft in

0:27:28.200 --> 0:27:30.280
<v Speaker 4>research grants five ten years ago.

0:27:30.320 --> 0:27:33.440
<v Speaker 6>I would have had a shock. But didn't you hear

0:27:33.720 --> 0:27:37.000
<v Speaker 6>day's not diverse anymore? In an era where diversity gets

0:27:37.000 --> 0:27:40.920
<v Speaker 6>you the goods. All this talk of intersectionality and cis.

0:27:40.560 --> 0:27:44.760
<v Speaker 8>White gay privilege really starts to close some doors.

0:27:45.359 --> 0:27:50.680
<v Speaker 1>So, realizing that your diverse status was waning, you set

0:27:50.680 --> 0:27:53.920
<v Speaker 1>out to rarefy homosexuality.

0:27:53.000 --> 0:27:54.800
<v Speaker 6>Bing ming dinging ding. You got it.

0:27:55.280 --> 0:27:57.199
<v Speaker 4>I didn't agree to make the hook up because I

0:27:57.320 --> 0:27:58.240
<v Speaker 4>hate being day.

0:27:59.480 --> 0:28:02.879
<v Speaker 6>I did it to be the only day left, and

0:28:03.160 --> 0:28:07.200
<v Speaker 6>soon I will be restin him.

0:28:07.720 --> 0:28:10.480
<v Speaker 1>Don't touch me, give me back, then, lest let me go.

0:28:11.240 --> 0:28:15.200
<v Speaker 4>Were you baptized, Damien, I'm assuming not. You drug me

0:28:15.240 --> 0:28:16.879
<v Speaker 4>as a type to turn to ash if you cross

0:28:16.920 --> 0:28:20.159
<v Speaker 4>a church threshold. Still, I think there's a lot to

0:28:20.200 --> 0:28:26.840
<v Speaker 4>be learned from the sacrament, purification, rebirth, all obtainable with.

0:28:26.920 --> 0:28:28.960
<v Speaker 3>Just a quick dip.

0:28:29.640 --> 0:28:33.080
<v Speaker 2>Oh, baptism by poppers. I should have known it would

0:28:33.160 --> 0:28:33.600
<v Speaker 2>end like this.

0:28:33.880 --> 0:28:35.919
<v Speaker 4>Of course, you could make this easier on everyone if

0:28:35.920 --> 0:28:37.840
<v Speaker 4>you're just inhaled of your own free will.

0:28:38.440 --> 0:28:41.840
<v Speaker 1>I'd rather face bucket tape worm than willingly join your

0:28:42.080 --> 0:28:43.160
<v Speaker 1>blow ass hide mind.

0:28:43.520 --> 0:28:46.840
<v Speaker 4>Actually it's called the hook up polecule. High mind sounds

0:28:46.840 --> 0:28:52.600
<v Speaker 4>a little too twentieth century sci fi. Polecule feels more

0:28:52.720 --> 0:28:57.920
<v Speaker 4>right and interconnected. Cohort of individuals bound together through sexuality.

0:28:58.920 --> 0:28:59.840
<v Speaker 3>That was my idea.

0:29:01.960 --> 0:29:07.719
<v Speaker 6>Nothing really, this is the last time of every day. Boy. Oh,

0:29:07.920 --> 0:29:09.640
<v Speaker 6>you don't have anything to add.

0:29:10.800 --> 0:29:36.560
<v Speaker 1>Yeah, polly Cule story Broa ties him. Written and directed

0:29:36.600 --> 0:29:40.040
<v Speaker 1>by Noah Feinberg. That's Me, sound design and score by

0:29:40.120 --> 0:29:42.960
<v Speaker 1>Jeremiah Zimmerman, starring Noah Feinberg.

0:29:43.200 --> 0:29:43.520
<v Speaker 6>That's Me.

0:29:43.800 --> 0:29:47.840
<v Speaker 1>As Damian, Ray Santiago as Santy and A Matteo, Nico

0:29:47.920 --> 0:29:52.360
<v Speaker 1>Greatham as Wade, Augustus Prue as Elias, Scott Evans as

0:29:52.360 --> 0:29:55.880
<v Speaker 1>Big Tuck, Jeffrey Self as bell Boy, Tina Majorino as

0:29:55.920 --> 0:29:59.440
<v Speaker 1>Doctor Wiley, Obi A Biley as p and Peter, Gabrielle

0:29:59.520 --> 0:30:03.800
<v Speaker 1>Ruiz as Joma, Sadie Dickinson as Meg. Additional voices by

0:30:03.880 --> 0:30:08.000
<v Speaker 1>Megan Taylor, Harvey, Susan C. Bennett, Verona, blue Mark Bramhall,

0:30:08.200 --> 0:30:12.800
<v Speaker 1>Bryan Daniel Porter, Chris Dickey, Aaron Cocher, Christopher Corbin, Kiff,

0:30:12.880 --> 0:30:17.719
<v Speaker 1>Vandenhavel and Rhys Griffin. Opening theme by Alex Yoder, Casting

0:30:17.760 --> 0:30:21.880
<v Speaker 1>director Sonny Bowling and Meg Mormon. Executive producers from iHeart,

0:30:22.000 --> 0:30:26.600
<v Speaker 1>Trevor Young and Matt Frederick. Executive producers from Blumbhouse, Christicky

0:30:26.720 --> 0:30:27.720
<v Speaker 1>and Noah Feinberg.

0:30:28.240 --> 0:30:28.600
<v Speaker 3>That's Me.

0:30:29.320 --> 0:30:33.240
<v Speaker 1>Executive producers from Ember twenty David Thwaites and Jimmy Jellen.

0:30:33.480 --> 0:30:37.080
<v Speaker 1>Supervising producer Rachel Foley, editor Noah Feinberg.

0:30:37.760 --> 0:30:38.080
<v Speaker 2>That's Me,