WEBVTT - Michael B. Jordan

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<v Speaker 1>Money. We are than take val. We are the authority

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<v Speaker 1>on all things, and ladies and gentlemen, my name is

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<v Speaker 1>take this. You already be money podcast that it is

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<v Speaker 1>your authority. All things are and you got you got

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<v Speaker 1>a move. You can't throw up in the building. Um.

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<v Speaker 1>You know, some people are gifted, many are called, but

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<v Speaker 1>the chosen a few come on preaching. We've we've watched

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<v Speaker 1>this young man grow from just smell a little bud,

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<v Speaker 1>smeller the seat, through the wire, through the wire, smell

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<v Speaker 1>little buds the seat, into the biggest superstar in the world,

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<v Speaker 1>our friend in the building. Yeah he wops. Okay, this

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<v Speaker 1>is who game. We're still working on this Who game.

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<v Speaker 1>But but he's still a good friend. Makes might Yeah, man,

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<v Speaker 1>graddri it's cooling. Finally Snigger brought oranges. He brought oranges.

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<v Speaker 1>Its acute orange is a cute one one did not bring.

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<v Speaker 1>I ate the rest of him on the ride over here.

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<v Speaker 1>He's a solo artist. Damn you understand what the team player.

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<v Speaker 1>He's a solo artist. It's crazy like we see Frank,

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<v Speaker 1>but he ain't got no cute that all Frank ugly Well,

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<v Speaker 1>Frank is all beard. He said he don't have at

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<v Speaker 1>he thought he might be, thank you, my brother, the

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<v Speaker 1>thank you for joining us. Man. I know you are. Um,

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<v Speaker 1>you're on a world win um of a tour um

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<v Speaker 1>and life has just been really good as it has

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<v Speaker 1>um from the inside looking in, from the outside looking there,

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<v Speaker 1>and um as we've known you for so long. UM,

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<v Speaker 1>you deserve it. Thank you, man, you deserve it. Appreciate it.

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<v Speaker 1>You work hard, you got the gift, and you're only

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<v Speaker 1>getting better, which is very scary, very scary. No boy

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<v Speaker 1>directing there, no, no listen, listen. Yeah, you're gonna you

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<v Speaker 1>You're gonna eat everything on the say. I mean, there's

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<v Speaker 1>some things on the table. I didn't even see yet,

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<v Speaker 1>so I gotta you know, I'm at this part of

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<v Speaker 1>the table. But this there's there's a there's a there's

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<v Speaker 1>a lot of a lot more table to go through.

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<v Speaker 1>So let's let's do it. Let's let's do a kind

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<v Speaker 1>of a fast track. Let's do We want to keep

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<v Speaker 1>you long, but we want to get to some information.

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<v Speaker 1>Let's do a fast track. Let's do let's start at

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<v Speaker 1>Let's start at that first phone call after after after

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<v Speaker 1>the magical audition, and someone says you got the part

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<v Speaker 1>which part which one. The first one was the Wire,

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<v Speaker 1>the first one major role for Whire wasn't the first one.

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<v Speaker 1>Hardball was probably the first ball. Yeah yeah, I mean

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<v Speaker 1>baby Baby still trying to prove he wasn't. I I

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<v Speaker 1>would say, you know, the Wire, the Wire, No, sorry,

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<v Speaker 1>Hardball was probably the first one that really had me travel,

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<v Speaker 1>you know, part of an ensemble cast, you know, per

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<v Speaker 1>diem you know what I'm saying. You know, it was real.

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<v Speaker 1>It was real, you know, like like you know, just

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<v Speaker 1>the whole production of like making a feature film. That

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<v Speaker 1>was like my first kind of introduction to like the

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<v Speaker 1>game on that level, working with you know, Keanu Reeves

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<v Speaker 1>and Diane Lane, you know, just um, it was. It

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<v Speaker 1>was one of those projects at the time. He was

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<v Speaker 1>shooting The Matrix, so we didn't even know what that

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<v Speaker 1>was going to be, you know what I'm saying. So

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<v Speaker 1>it was I think he was in the process of

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<v Speaker 1>shooting it. We met Lawrence Fishburn. He took us out

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<v Speaker 1>to dinner one time, all the kids and stuff like that.

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<v Speaker 1>We met Lawrence Fishburn and stuff like that. So you

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<v Speaker 1>call him Larry Larry, I didn't. I can call him

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<v Speaker 1>Glad No. But but but I think that was the

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<v Speaker 1>first I was the first kind of like, you know, okay,

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<v Speaker 1>I can I think I could do this? Is this

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<v Speaker 1>is cool. I'm more curious about the industry, you know,

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<v Speaker 1>understanding a little bit of the fundamentals of what acting is.

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<v Speaker 1>Before that was just kind of like just showing up,

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<v Speaker 1>reading the lines and you know, and trying not to

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<v Speaker 1>you know, fuck up. But that one was the first

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<v Speaker 1>time I think I'm kind of teetered into the realm

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<v Speaker 1>of like a character and like how to like you know,

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<v Speaker 1>so to speak. So, yeah, so are you in school

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<v Speaker 1>at this time? I'm in school, you know what I'm saying,

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<v Speaker 1>getting like tutor, you know what I'm saying. So I'm

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<v Speaker 1>just skipping a lot of days of school. But at

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<v Speaker 1>the same time, you know, there's a there's an on

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<v Speaker 1>set teacher that you got put in a certain amount

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<v Speaker 1>of hours in that you know, us and the rest

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<v Speaker 1>of the kids will you know, do a couple hours

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<v Speaker 1>of school and then and then get back to work.

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<v Speaker 1>So when does school change? When is it you go

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<v Speaker 1>back after to like regular to regular school, went back

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<v Speaker 1>to Harriball regular school. Uh, And at that point, you know,

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<v Speaker 1>you're still in the acting tip. You know, what I mean,

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<v Speaker 1>you're still hustling, You're still trying to with that. I'm like,

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<v Speaker 1>you not a star at school. I mean I'm Hollywood,

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<v Speaker 1>you know what I'm saying. Yeah, I think everybody that's

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<v Speaker 1>trying to do something in the entertainment industry in like

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<v Speaker 1>middle school, high school becomes Hollywood no matter what, like

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<v Speaker 1>that's your nickname. They're not really that creative outside of that,

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<v Speaker 1>it's like Hollywood. It's like what it is? So like

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<v Speaker 1>that was the like a cheer, like yay, Like nobody

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<v Speaker 1>understood it. I mean, how could you you know, you're

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<v Speaker 1>doing something that's so against the norm. And where are

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<v Speaker 1>you New y So, nort New Jersey doing that? Uh

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<v Speaker 1>you know yeah yeah, So I'm sure that's tough. You're

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<v Speaker 1>from Brick City and you're going to do movies and

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<v Speaker 1>because it's just it's just it's not normal. It's not

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<v Speaker 1>how do they process it? I mean, ain't for nobody

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<v Speaker 1>really process you know what I'm saying. But for me,

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<v Speaker 1>you know what I'm saying, it was it was it

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<v Speaker 1>was you know, leaving school early, going auditions, mission days

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<v Speaker 1>of school. You know, you might see a you know,

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<v Speaker 1>a model's ad in the Sunday paper or toys or

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<v Speaker 1>rest add or you know, a little Freedo with those

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<v Speaker 1>the de rito's, uh you know value pack with the

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<v Speaker 1>little like you know points on the back of it.

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<v Speaker 1>You were collecting like buy something off the you know,

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<v Speaker 1>out of the book. Like, yeah, I was a little

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<v Speaker 1>kid in that, you know, shit like that I was doing.

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<v Speaker 1>And then you know, then the wire kicked in and

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<v Speaker 1>all my children, Yeah, and then it was you know,

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<v Speaker 1>was on the story. It was the storytories. Man. Yeah,

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<v Speaker 1>you didn't know that. I did know that. I know

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<v Speaker 1>something I don't know. He's probably watching the stories. No,

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<v Speaker 1>my mama watched Mama grandmama had the stories a lock,

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<v Speaker 1>That's what it was. So like all my children was

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<v Speaker 1>definitely where I kind of like learned like the work

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<v Speaker 1>ethic of acting like the actual Yeah, because they locked

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<v Speaker 1>then yeah, I mean you do like one hundred and

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<v Speaker 1>you know, episode and a half a day, one hundred

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<v Speaker 1>hundred plus pages a day, you know what I'm saying.

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<v Speaker 1>Plus yeah, they're cranking them daily. Tyler Perry before Tyler Perry,

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<v Speaker 1>what I mean, soaps is some machine. I mean there

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<v Speaker 1>is no like you know, you rarely get multiple takes,

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<v Speaker 1>so It's like if you didn't if you ain't study,

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<v Speaker 1>if you ain't know your shit, the next day it

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<v Speaker 1>will be on air and people will be watching you

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<v Speaker 1>fuck up. So like you only need one and two

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<v Speaker 1>those so you like, no, no, no, should no, no what.

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<v Speaker 1>I'm gonna be prepared. I'm gonna know my ship better

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<v Speaker 1>than anybody. So like that was kind of like, yeah,

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<v Speaker 1>and when and when that did you move to LA

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<v Speaker 1>to do the Stories or were you still I was

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<v Speaker 1>in New York, so like, so after I finished the

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<v Speaker 1>soap operas, that's when I moved. Once I wasn't going

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<v Speaker 1>to college, I was like, all right, I'm not going

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<v Speaker 1>to school. I'm gonna move to LA. I'm gonna keep

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<v Speaker 1>pursuing this thing. And so so right after I finished

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<v Speaker 1>my my run on the Stories, I up and moved

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<v Speaker 1>to uh to La. That's what y'all scoundrels. Yeah that time, man, Yeah,

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<v Speaker 1>part boy, And what was that transition like for you

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<v Speaker 1>coming from New York coming to LA And maybe the

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<v Speaker 1>chase is different, maybe the you know, the process is different.

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<v Speaker 1>Just now being in Hollywood versus being in that space

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<v Speaker 1>in the middle. I feel like the grind was like

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<v Speaker 1>I had a work ethic and developed a work ethic

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<v Speaker 1>from like being on the East Coast. It was just

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<v Speaker 1>a certain level of like grit and like just wanting

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<v Speaker 1>to go get it that really kept me locked in

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<v Speaker 1>out here in LA and then seeing the pace of

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<v Speaker 1>La is a little bit different than it is, not

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<v Speaker 1>a little bit a lot different than it is on

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<v Speaker 1>the East Coast. So just yeah, just the you know,

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<v Speaker 1>just being hungry when we want to like, you know,

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<v Speaker 1>lock in sacrifice. You know, the one thing I did

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<v Speaker 1>was hooping audition. That was it. We rarely went out,

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<v Speaker 1>you know what I'm saying. Like, well, besides when me

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<v Speaker 1>and Sterling was promoting you hooped? What mean? League? Come on,

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<v Speaker 1>I'm just asking listen, y'all know if y'all you know

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<v Speaker 1>you who? If who you know too? Because I mean

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<v Speaker 1>I know y'all know you and I have we got championship.

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<v Speaker 1>Oh my lord. You know what I'm saying. Y'all were

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<v Speaker 1>playing a political game a lot longer than me. So

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<v Speaker 1>you had already knew that you had the politics with Shane,

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<v Speaker 1>you had to do this, and that you got the

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<v Speaker 1>little Stack team and play with your friends. I would

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<v Speaker 1>just have stucky to get on the squad. This is

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<v Speaker 1>the worst time I heard that. Yeah, team, I mean

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<v Speaker 1>you had team chemistry, y'all play with who y'all wanted

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<v Speaker 1>to play with? I got, I got my homie and

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<v Speaker 1>then everybody else. Yeah, I had got, I got place

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<v Speaker 1>for a team, You had your home, you had who

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<v Speaker 1>was he? Did you not long it took to get league?

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<v Speaker 1>When you finally got it, he shot for all the seasons.

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<v Speaker 1>So yeah, scored thirty five? You shot eighty times. You

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<v Speaker 1>know y'all lost, right, I don't let you get that

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<v Speaker 1>A little boy like that, man, Yeah, maybe maybe fifty times.

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<v Speaker 1>Because I got I got a championship with my first team.

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<v Speaker 1>So you write about the politics though, because my first

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<v Speaker 1>team we won and who I finally got me Jamie

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<v Speaker 1>fob Yes, Corey Hardrick, King Spurs, Okay, we were the King.

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<v Speaker 1>I was on the King's Corey Hardrick. Uh Roderick fucking

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<v Speaker 1>Roderick right man? Yea, yeah, yeah, come on. Roger Kenneth

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<v Speaker 1>Career was on my team. Uh time, Marcus Polk, Charlie

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<v Speaker 1>Burrell and Brione we had and then when I finally

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<v Speaker 1>got JN they put him on an island and he

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<v Speaker 1>was taking forty shots. He was averaging thirty two. Yeah

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<v Speaker 1>for y'all um, now, but that was that was the

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<v Speaker 1>beginning of really all of our relationships due the Entertainment League,

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<v Speaker 1>you know what I mean, where we really built our

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<v Speaker 1>bond with each other and everybody started to just get

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<v Speaker 1>get to know each other because they were there were

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<v Speaker 1>people in the league that it was just like, uh, yeah, yeah,

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<v Speaker 1>du talented, but I don't really fun with him. Yeah,

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<v Speaker 1>you know what I mean, And that's just life and that,

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<v Speaker 1>you know, I mean. In an interesting thing, I felt

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<v Speaker 1>like the league kind of brought that concept of how

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<v Speaker 1>if you do make it to one of the professional leagues,

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<v Speaker 1>you're dealing with multiple people and multiple personalities because what

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<v Speaker 1>we do is very singular, like even with you go

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<v Speaker 1>to your trailer, like we found we found out that. Okay,

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<v Speaker 1>now we're in a locker room with each other. Now

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<v Speaker 1>we're going to eleague parties. Now it's like damn, they're

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<v Speaker 1>sanctioned things and they taking all star teams to different

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<v Speaker 1>cities and guys are participating in that, and you start realizing, like, yo,

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<v Speaker 1>who's a real person. Yeah, Like you know, I remember

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<v Speaker 1>when we first really got cool and and it was

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<v Speaker 1>something it might have been an egg event and he

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<v Speaker 1>was like, man, just gonna pick me up. And I'm like,

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<v Speaker 1>all right, shit, little far As here at the time,

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<v Speaker 1>way out, all right, we're picking about and but just

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<v Speaker 1>building those relationships and finding people within this industry. Man

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<v Speaker 1>shout out to Shane, shout out, Shane. Put something together

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<v Speaker 1>that really connected a lot of us that we've kept

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<v Speaker 1>going and then even you know, me creating with Tank

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<v Speaker 1>the R and B money run for years that now

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<v Speaker 1>it's like, you know, I had to like calm it

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<v Speaker 1>down because start going viral and like take put your

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<v Speaker 1>phone up, tut of these phone calls that you know

0:12:41.520 --> 0:12:43.800
<v Speaker 1>you were a part of. Chris Brown and pulled up

0:12:43.840 --> 0:12:46.880
<v Speaker 1>and you know, the brim Brothers and Jamie Fox and

0:12:47.200 --> 0:12:49.719
<v Speaker 1>but somewhere safe that you know, we're not gonna get

0:12:50.160 --> 0:12:52.520
<v Speaker 1>some food that just want to hack us exactly because that,

0:12:52.720 --> 0:12:54.400
<v Speaker 1>you know, because we do other stuff, because we have

0:12:54.480 --> 0:12:56.000
<v Speaker 1>something to do it. It is what I'm always trying

0:12:56.000 --> 0:12:59.719
<v Speaker 1>to tell Jay Valentine. I do other things. Yeah, but

0:13:00.600 --> 0:13:03.719
<v Speaker 1>he knows I have shows on the weekend, right, but

0:13:03.880 --> 0:13:06.319
<v Speaker 1>on the fastest break, he wants to hack my wrist,

0:13:06.960 --> 0:13:09.440
<v Speaker 1>He wants to hack my fingers. This is the money

0:13:09.480 --> 0:13:11.959
<v Speaker 1>making part of the ball. This is hands are not

0:13:12.160 --> 0:13:16.959
<v Speaker 1>part of the ball. Where is your client manage me?

0:13:19.400 --> 0:13:21.920
<v Speaker 1>You know what times I quit? I can't even imagine.

0:13:25.160 --> 0:13:28.520
<v Speaker 1>It doesn't matter. You wasn't getting a shout out. It's okay,

0:13:29.040 --> 0:13:32.040
<v Speaker 1>all right, out of this basketball place. Nobody plays better

0:13:32.080 --> 0:13:37.520
<v Speaker 1>than me. Oh my lord. Did you ever feel any

0:13:37.640 --> 0:13:41.199
<v Speaker 1>downtime or or any lag or pc yourself in a

0:13:41.280 --> 0:13:43.719
<v Speaker 1>space where you were at a crossroad and trying to

0:13:43.800 --> 0:13:45.960
<v Speaker 1>really figure things out to get to that next level?

0:13:46.080 --> 0:13:52.439
<v Speaker 1>Oh yeah, I mean I would say the summer maybe

0:13:52.679 --> 0:14:00.920
<v Speaker 1>before I booked Red Tails, I would say was probably

0:14:01.000 --> 0:14:03.400
<v Speaker 1>one of the crossroads for me. I was like, all right,

0:14:03.480 --> 0:14:06.319
<v Speaker 1>this is the last rent check I got. I don't

0:14:06.480 --> 0:14:11.160
<v Speaker 1>overdrafted everything I could overdraft and borrow money from every

0:14:11.240 --> 0:14:14.560
<v Speaker 1>out I could think of. This doesn't work out this month,

0:14:15.120 --> 0:14:17.120
<v Speaker 1>I'm heading back to Jersey, and you know, we were

0:14:17.120 --> 0:14:18.760
<v Speaker 1>gonna figure it out. We're gonna you know, I don't

0:14:18.760 --> 0:14:20.120
<v Speaker 1>know what I'm gonna do, but we're gonna we're gonna

0:14:20.120 --> 0:14:24.880
<v Speaker 1>figure it out. Um. And then audition for it, booked it.

0:14:25.160 --> 0:14:27.480
<v Speaker 1>That found out that thing's giving that that I had

0:14:27.560 --> 0:14:29.280
<v Speaker 1>got the role, and that was like the first time

0:14:29.360 --> 0:14:31.880
<v Speaker 1>that I had enough money that I could actually stack,

0:14:32.040 --> 0:14:34.000
<v Speaker 1>I was like, okay, cool, I could pay off everything

0:14:34.000 --> 0:14:37.000
<v Speaker 1>I need to pay off this, put a little something up.

0:14:37.000 --> 0:14:38.720
<v Speaker 1>I can stay out here for another six months, you

0:14:38.760 --> 0:14:40.440
<v Speaker 1>know what I'm saying, et cetera, et cetera. And then

0:14:40.520 --> 0:14:43.320
<v Speaker 1>literally the jobs just kept I kept booking from there.

0:14:43.400 --> 0:14:44.920
<v Speaker 1>It was just kind of like that kind of opened

0:14:44.960 --> 0:14:47.040
<v Speaker 1>up the floodgates for me, and then it just kind

0:14:47.080 --> 0:14:48.760
<v Speaker 1>of continued from that moment. So I would say, like

0:14:48.800 --> 0:14:50.760
<v Speaker 1>when I moved out here, you know, I was still

0:14:50.840 --> 0:14:54.080
<v Speaker 1>booking like little episodics, you know what I'm saying, guest

0:14:54.120 --> 0:14:56.960
<v Speaker 1>starring roles on you know, Cside or Lauren Order or

0:14:57.000 --> 0:14:59.720
<v Speaker 1>whatever it was. I was cool, but I was getting

0:14:59.720 --> 0:15:01.680
<v Speaker 1>to know town. I was getting no casting directors. I

0:15:01.760 --> 0:15:03.640
<v Speaker 1>was getting to know, like, you know, the players that

0:15:03.760 --> 0:15:06.160
<v Speaker 1>are in there, that are in the you know, the

0:15:06.320 --> 0:15:13.640
<v Speaker 1>entertainment world. And also you know, the executives and the

0:15:13.760 --> 0:15:16.720
<v Speaker 1>casting directors loved the shows that I was doing, so

0:15:17.040 --> 0:15:18.520
<v Speaker 1>like it was the work that I was doing that

0:15:18.560 --> 0:15:20.440
<v Speaker 1>they would see that either if they didn't like it,

0:15:20.520 --> 0:15:22.440
<v Speaker 1>their wife loved it. You know what I'm saying, Oh

0:15:22.520 --> 0:15:24.280
<v Speaker 1>my god, my husband loves you. Oh my god, my

0:15:24.400 --> 0:15:26.520
<v Speaker 1>wife loves you, like, let's come in. So like it

0:15:26.680 --> 0:15:30.680
<v Speaker 1>was like this invested interest of like, you know, certain

0:15:30.720 --> 0:15:33.840
<v Speaker 1>people in town to kind of keep me booked them busy,

0:15:33.880 --> 0:15:35.760
<v Speaker 1>I guess a little bit. So that that was that

0:15:35.920 --> 0:15:38.000
<v Speaker 1>was that was a good run. But you know, I

0:15:38.040 --> 0:15:39.920
<v Speaker 1>would say that when I first moved out, it was

0:15:39.960 --> 0:15:42.560
<v Speaker 1>like still booking jobs but still dead broke. So like yeah,

0:15:42.560 --> 0:15:44.240
<v Speaker 1>you like, oh yo, that's wasn't name from the wire,

0:15:44.240 --> 0:15:46.600
<v Speaker 1>but I'm like, yeah, but I'm me and Sterling's applying

0:15:46.640 --> 0:15:49.240
<v Speaker 1>at Jack in a box or like you know what

0:15:49.280 --> 0:15:51.760
<v Speaker 1>I mean, and like no, y'all overqualified. Like it was

0:15:51.800 --> 0:15:53.320
<v Speaker 1>a moment where it was like, yeah, we were going

0:15:53.360 --> 0:15:57.640
<v Speaker 1>to fast food spots um trying to you know, apply

0:15:57.800 --> 0:15:59.360
<v Speaker 1>for jobs, and it was like one of those moments

0:15:59.400 --> 0:16:01.080
<v Speaker 1>sitting in the car before we went there, it was like, Yo,

0:16:01.440 --> 0:16:03.200
<v Speaker 1>we're about to do this shit. Are we about to

0:16:03.480 --> 0:16:06.520
<v Speaker 1>apply for goddamn fast food right now? And these nigs

0:16:06.560 --> 0:16:08.080
<v Speaker 1>gonna know who I am, So it's not like, oh,

0:16:08.760 --> 0:16:11.160
<v Speaker 1>it's like a random person Like no, that's the tough spot.

0:16:11.400 --> 0:16:13.240
<v Speaker 1>I was willing to take the l you know what

0:16:13.320 --> 0:16:16.160
<v Speaker 1>I'm saying, and like and deal with the you look familiar,

0:16:16.280 --> 0:16:17.920
<v Speaker 1>are you the you know what I'm saying, just the

0:16:18.040 --> 0:16:20.000
<v Speaker 1>kind of definitely was gonna get that with a number eight.

0:16:22.320 --> 0:16:23.920
<v Speaker 1>He didn't even know that he could have just called

0:16:23.960 --> 0:16:28.560
<v Speaker 1>me out of the game a quarterdouns. He didn't realize that,

0:16:29.480 --> 0:16:31.240
<v Speaker 1>you know what I mean, I am on the back

0:16:34.160 --> 0:16:41.320
<v Speaker 1>you know a hey man Wallace, Wallace, I know, I

0:16:41.440 --> 0:16:48.280
<v Speaker 1>know you man. Nah nah the time take your food

0:16:48.320 --> 0:17:00.480
<v Speaker 1>to keep it quishing. Um the fast food. I listen.

0:17:00.720 --> 0:17:04.399
<v Speaker 1>I remember being in ranch of Couca Manga after the

0:17:04.480 --> 0:17:07.200
<v Speaker 1>money when the money was low and I was I

0:17:07.280 --> 0:17:12.159
<v Speaker 1>had a I had a rented Lincoln town car that

0:17:12.359 --> 0:17:16.880
<v Speaker 1>I was hiding from the rental company. Okay, um the story, okay,

0:17:16.880 --> 0:17:19.240
<v Speaker 1>it was taking. It took off because I had you know,

0:17:19.440 --> 0:17:23.399
<v Speaker 1>they had a two bedroom. There was only like so

0:17:23.520 --> 0:17:27.879
<v Speaker 1>I took off the ranch. All got in there. You

0:17:27.920 --> 0:17:30.040
<v Speaker 1>picked me up around that area. So we were deep

0:17:31.280 --> 0:17:34.600
<v Speaker 1>and I'm looking at this best Buy like I could

0:17:34.600 --> 0:17:36.919
<v Speaker 1>pack boxes here, I could I could stack some box right,

0:17:36.920 --> 0:17:38.600
<v Speaker 1>because if you go do the like the open night

0:17:43.240 --> 0:17:45.159
<v Speaker 1>and made me trying to figure it out though, but

0:17:45.359 --> 0:17:49.600
<v Speaker 1>hanging out with box right and it looking like yeah,

0:17:49.720 --> 0:17:51.360
<v Speaker 1>everything was together when him at the party and I'm

0:17:51.400 --> 0:17:54.840
<v Speaker 1>right next to him and the almost was rubbing. It's like, okay,

0:17:54.920 --> 0:17:57.960
<v Speaker 1>they're doing it. And then I drive that the town

0:17:58.040 --> 0:18:00.960
<v Speaker 1>car back to back to ranch show. Yeah, you know

0:18:01.000 --> 0:18:03.639
<v Speaker 1>what I'm saying, that rubber really meets the road and

0:18:03.760 --> 0:18:05.879
<v Speaker 1>trying to figure out what that next movie. That's the

0:18:06.040 --> 0:18:08.960
<v Speaker 1>entertainment business in a nut show. Yeah, because it's it's

0:18:09.000 --> 0:18:12.280
<v Speaker 1>about staying the course. It's about staying out here or

0:18:12.440 --> 0:18:14.480
<v Speaker 1>wherever that is. That that's that you're close to the

0:18:14.560 --> 0:18:17.440
<v Speaker 1>work that will one day you'll wake up and you'll

0:18:17.440 --> 0:18:20.600
<v Speaker 1>get that phone call that it changes for you, you

0:18:20.640 --> 0:18:24.359
<v Speaker 1>know what I mean. Like I remember having a conversation

0:18:24.440 --> 0:18:27.600
<v Speaker 1>with you. He's like, I gotta go to the bay.

0:18:28.400 --> 0:18:31.520
<v Speaker 1>I was like to the bay and he was like,

0:18:31.600 --> 0:18:34.760
<v Speaker 1>it's a movie out there. It's like it's an indie movie.

0:18:35.800 --> 0:18:39.159
<v Speaker 1>And the crazy thing is, you know our relationship and

0:18:39.240 --> 0:18:44.480
<v Speaker 1>my relationship with with our fellow brother Tristan Wild. He

0:18:44.680 --> 0:18:47.680
<v Speaker 1>also was supposed to be part of that movie and

0:18:47.760 --> 0:18:50.480
<v Speaker 1>got sick when he was doing UM nine two one

0:18:50.600 --> 0:18:54.800
<v Speaker 1>zero And I remember you called me and you were like, bro,

0:18:54.920 --> 0:18:57.760
<v Speaker 1>this this movie is is special. And at first you

0:18:57.800 --> 0:18:59.280
<v Speaker 1>didn't tell me what it's about you, just like you,

0:18:59.600 --> 0:19:03.120
<v Speaker 1>you know. And then I never forget this. You said

0:19:04.119 --> 0:19:09.920
<v Speaker 1>you should come up here. I was like why, and

0:19:10.000 --> 0:19:11.960
<v Speaker 1>he was like, no, nig because you're from the Bay.

0:19:12.160 --> 0:19:13.920
<v Speaker 1>I'm telling you you could just play one of the parts.

0:19:13.920 --> 0:19:16.600
<v Speaker 1>And I was like, ning, I'm not an actor. I

0:19:17.440 --> 0:19:22.160
<v Speaker 1>knew you setting me up there, but I could say

0:19:22.240 --> 0:19:26.120
<v Speaker 1>brow three times in the movie and I'm like, nah,

0:19:26.160 --> 0:19:29.359
<v Speaker 1>I'm cool. I mean you told He was like, he

0:19:29.480 --> 0:19:32.040
<v Speaker 1>finally told me what the movie is about with Oscar Grant,

0:19:32.280 --> 0:19:33.800
<v Speaker 1>and I was like, oh shit, I knew about the

0:19:33.840 --> 0:19:36.080
<v Speaker 1>whole thing. I was like, this is about it's about

0:19:36.080 --> 0:19:39.200
<v Speaker 1>to be different. This is going to be different. And

0:19:39.320 --> 0:19:41.240
<v Speaker 1>the crazy thing is my cousin at the time was

0:19:41.320 --> 0:19:44.440
<v Speaker 1>going to college or before. But before that, with Ryan,

0:19:45.840 --> 0:19:48.240
<v Speaker 1>your cousin was the number one linebacker in the nation

0:19:48.280 --> 0:19:49.800
<v Speaker 1>of the time. He go to sc him and Ryan

0:19:49.920 --> 0:19:52.560
<v Speaker 1>both from Oakland. They linked and him he already telling

0:19:52.600 --> 0:19:54.800
<v Speaker 1>me about him. And then you like, hey man, this

0:19:55.640 --> 0:19:58.720
<v Speaker 1>young director out the Bay. He got this great idea

0:19:59.680 --> 0:20:03.600
<v Speaker 1>and and what you did with that movie it represented

0:20:03.720 --> 0:20:06.640
<v Speaker 1>us so well with you not being from the Bay,

0:20:06.880 --> 0:20:09.280
<v Speaker 1>like just not aside from us all being black men,

0:20:09.359 --> 0:20:13.480
<v Speaker 1>but just the Bay Area. We have a very like

0:20:15.920 --> 0:20:18.680
<v Speaker 1>it's a particular island that we live on out there

0:20:18.840 --> 0:20:20.800
<v Speaker 1>right there. It's just so different from the rest of

0:20:20.840 --> 0:20:22.399
<v Speaker 1>the West Coast. But the rest of the world. We

0:20:22.480 --> 0:20:24.760
<v Speaker 1>got our own language, we got our own the way

0:20:24.800 --> 0:20:27.680
<v Speaker 1>we dressed. It's just we live in our own world. Tanker,

0:20:27.760 --> 0:20:30.240
<v Speaker 1>tell you go up there, he'd be like, I enjoyed myself.

0:20:30.600 --> 0:20:34.119
<v Speaker 1>I love it, but it is different. So to capture

0:20:34.200 --> 0:20:36.680
<v Speaker 1>that and the way you captured it, bro, I don't

0:20:36.680 --> 0:20:38.119
<v Speaker 1>even know if I've ever even told you over all

0:20:38.160 --> 0:20:40.520
<v Speaker 1>these years, like you really made me proud of just

0:20:40.640 --> 0:20:43.719
<v Speaker 1>a friend because I didn't see my friend anymore. Ye,

0:20:45.000 --> 0:20:47.639
<v Speaker 1>And that's a huge part, you know that with acting.

0:20:48.640 --> 0:20:51.640
<v Speaker 1>I did not see Mike, you know what I mean,

0:20:51.720 --> 0:20:54.520
<v Speaker 1>Like I saw you playing Oscar and I'm like, oh,

0:20:54.600 --> 0:20:58.639
<v Speaker 1>he he did this such a great service. I appreciate that.

0:20:58.720 --> 0:21:02.640
<v Speaker 1>So thank you from us, No, no, thanks all mine.

0:21:02.680 --> 0:21:05.320
<v Speaker 1>And just be able to like embody that that character

0:21:05.440 --> 0:21:08.520
<v Speaker 1>and that you know that moment in time. You know me,

0:21:09.080 --> 0:21:11.160
<v Speaker 1>I was real pissed off around that time just in general,

0:21:11.280 --> 0:21:12.879
<v Speaker 1>just like it was a lot you know, shooting's going on.

0:21:13.000 --> 0:21:14.639
<v Speaker 1>Trade by Martin just got shot. There was a lot,

0:21:14.760 --> 0:21:16.520
<v Speaker 1>a lot, a lot of shit going on in the world,

0:21:16.560 --> 0:21:18.480
<v Speaker 1>and like that was an outlet for me to kind

0:21:18.520 --> 0:21:21.000
<v Speaker 1>of express myself the way I could, which is through

0:21:21.040 --> 0:21:22.560
<v Speaker 1>the work. You know what I'm saying, And then you know,

0:21:22.800 --> 0:21:24.800
<v Speaker 1>and say something. You know what I'm saying. So so

0:21:25.440 --> 0:21:28.160
<v Speaker 1>you know, meet and Ryan and you know, going through

0:21:28.200 --> 0:21:30.720
<v Speaker 1>all the steps, so moving up there and living and

0:21:31.400 --> 0:21:33.760
<v Speaker 1>staying in you know, you know, just you know, in

0:21:33.880 --> 0:21:36.800
<v Speaker 1>close proximity to to you know, Oscar's friends and family,

0:21:36.920 --> 0:21:38.520
<v Speaker 1>you know, people that you know. I had had to

0:21:38.520 --> 0:21:40.000
<v Speaker 1>get to know him through the people that knew him

0:21:40.040 --> 0:21:42.159
<v Speaker 1>the best, you know. And that was my first time

0:21:42.240 --> 0:21:45.200
<v Speaker 1>really doing like a like a real deep dive like that,

0:21:45.480 --> 0:21:46.879
<v Speaker 1>you know, as far as doing like a real the

0:21:46.960 --> 0:21:48.920
<v Speaker 1>real homework, you know what I'm saying, and like and

0:21:49.080 --> 0:21:51.800
<v Speaker 1>and so so for me, it was doing a bunch

0:21:51.840 --> 0:21:53.320
<v Speaker 1>of things. I got a chance to say something, I

0:21:53.359 --> 0:21:55.800
<v Speaker 1>got a chance to prove that could carry a film,

0:21:56.320 --> 0:21:58.920
<v Speaker 1>you know. But then also I represent you know, so

0:21:59.119 --> 0:22:01.840
<v Speaker 1>many other you know, Trayvion Martins and Oscar Grants throughout

0:22:01.840 --> 0:22:03.760
<v Speaker 1>the world. You know what I'm saying that that don't

0:22:03.800 --> 0:22:05.720
<v Speaker 1>get their stories told. You know what I'm saying that

0:22:05.760 --> 0:22:09.640
<v Speaker 1>doesn't get an opportunity to you know, to get justice,

0:22:09.800 --> 0:22:11.600
<v Speaker 1>you know what I'm saying. So so yeah, that movie

0:22:11.720 --> 0:22:13.199
<v Speaker 1>meant a lot, checked a lot of boxing for him.

0:22:14.840 --> 0:22:17.080
<v Speaker 1>I want to get to the where are you going?

0:22:17.200 --> 0:22:18.520
<v Speaker 1>You know? I want to get to the I want

0:22:18.520 --> 0:22:20.280
<v Speaker 1>to get to the Blockbuster. It's happening right now. But

0:22:20.359 --> 0:22:22.560
<v Speaker 1>I just want to ask you one question before we

0:22:22.640 --> 0:22:25.560
<v Speaker 1>get to the you know, to the series of of amazing,

0:22:25.960 --> 0:22:28.800
<v Speaker 1>amazing body of work that you've got. Appreciate that, um,

0:22:30.200 --> 0:22:32.800
<v Speaker 1>because we see, like we've we've been in Hollywood for

0:22:32.880 --> 0:22:36.360
<v Speaker 1>quite some time, and we kind of understand the overtones

0:22:36.520 --> 0:22:39.040
<v Speaker 1>and then the undertones of how this thing kind of

0:22:39.119 --> 0:22:43.480
<v Speaker 1>moves and shakes and and the question I wanted to

0:22:43.520 --> 0:22:47.800
<v Speaker 1>ask you is like, why do you think it's you?

0:22:50.320 --> 0:22:52.399
<v Speaker 1>Out of all the people you've come up with, and

0:22:52.480 --> 0:22:55.119
<v Speaker 1>out of all the people you know, you've worked with,

0:22:55.400 --> 0:22:58.439
<v Speaker 1>that you know put in the work and who are

0:22:58.560 --> 0:23:01.960
<v Speaker 1>talented and you are amazing, is only talented amazing work ethic?

0:23:02.720 --> 0:23:07.040
<v Speaker 1>What is the special quality about Michael B. Jordan that

0:23:07.800 --> 0:23:16.280
<v Speaker 1>sets him apart from everybody else? I mean that's tough

0:23:16.520 --> 0:23:22.720
<v Speaker 1>only because women of faith and understanding, you know that

0:23:24.119 --> 0:23:26.399
<v Speaker 1>it's above us, you know what I'm saying, Like our

0:23:26.440 --> 0:23:29.120
<v Speaker 1>blessings were blessed, you know what I'm saying, and highly favored,

0:23:29.160 --> 0:23:32.160
<v Speaker 1>you know, so we know spirituality, God has a lot

0:23:32.240 --> 0:23:36.119
<v Speaker 1>to do with us and success and the blessings that

0:23:36.160 --> 0:23:38.760
<v Speaker 1>we have, and just and just the avoidance of bullshit,

0:23:39.240 --> 0:23:40.879
<v Speaker 1>you know what I'm saying that could knock us off

0:23:40.920 --> 0:23:43.160
<v Speaker 1>our path, because that's equally as important. You know, I'm

0:23:43.160 --> 0:23:46.119
<v Speaker 1>talking about family prayer circles, people that we're shielding. So

0:23:46.200 --> 0:23:51.480
<v Speaker 1>there's that that that goes there. Um. I mean I

0:23:51.520 --> 0:23:53.159
<v Speaker 1>was a little bit what this movie was about for me,

0:23:53.359 --> 0:23:55.480
<v Speaker 1>you know, trying to figure out like you know, having

0:23:55.560 --> 0:23:58.680
<v Speaker 1>that conversation, you know, kind of exercising my way through

0:23:59.440 --> 0:24:02.240
<v Speaker 1>you know, why me? You know, and I think part

0:24:02.280 --> 0:24:08.560
<v Speaker 1>of it is chosen you know, for certain things. And

0:24:08.720 --> 0:24:14.600
<v Speaker 1>then also my ability that I think maybe the I

0:24:14.680 --> 0:24:17.920
<v Speaker 1>don't know, process information, think, put things together, you know,

0:24:18.160 --> 0:24:23.280
<v Speaker 1>build shit, you know, I um my gut, my intuition.

0:24:23.800 --> 0:24:25.400
<v Speaker 1>You know, I listened to that shit all the time,

0:24:25.640 --> 0:24:28.840
<v Speaker 1>you know. Um being able to read people. You know,

0:24:29.040 --> 0:24:31.399
<v Speaker 1>here the hear the note behind the note? You know

0:24:31.440 --> 0:24:32.879
<v Speaker 1>what is it? What is what is the real intent

0:24:33.000 --> 0:24:35.159
<v Speaker 1>behind things? You know? Being able to kind of like

0:24:36.200 --> 0:24:43.080
<v Speaker 1>dissect that all the time, um, which is a lot.

0:24:43.880 --> 0:24:47.920
<v Speaker 1>But at the same time, it's my norm, you know

0:24:47.960 --> 0:24:49.680
<v Speaker 1>what I mean, So you know, And then I said

0:24:49.680 --> 0:24:51.600
<v Speaker 1>the work ethic. You know, it's a combination. It's it's

0:24:51.600 --> 0:24:52.840
<v Speaker 1>a bunch of different things. I don't think it's like

0:24:52.840 --> 0:24:54.879
<v Speaker 1>the one thing that that makes it makes it different.

0:24:54.920 --> 0:24:58.399
<v Speaker 1>I think it's just a combination of just um particular

0:24:58.560 --> 0:25:03.600
<v Speaker 1>point of views and approaches and disciplines that that equal.

0:25:04.480 --> 0:25:06.720
<v Speaker 1>You know, the ability to like, you know, do what

0:25:06.840 --> 0:25:11.359
<v Speaker 1>I do. You know, Um, that's the I want to

0:25:11.400 --> 0:25:13.240
<v Speaker 1>accept all of that, right, because all of that is

0:25:13.320 --> 0:25:18.360
<v Speaker 1>very much true. Oh, I feel like you're you're part

0:25:18.400 --> 0:25:23.040
<v Speaker 1>of a bigger universal message. It's empathy, bro. I think

0:25:23.080 --> 0:25:26.280
<v Speaker 1>it's empathy being able to, like I feel, I'm an EmPATH,

0:25:26.480 --> 0:25:28.240
<v Speaker 1>you know what I'm saying. But once you feel and

0:25:28.320 --> 0:25:29.960
<v Speaker 1>you understand what it is, you can give people what

0:25:30.040 --> 0:25:38.480
<v Speaker 1>they need. Well, that too, that you are proof that

0:25:39.760 --> 0:25:47.560
<v Speaker 1>good people went hmm, that being a good aggression, being

0:25:47.560 --> 0:25:50.520
<v Speaker 1>an amazing human being, because there's always this quote of

0:25:51.280 --> 0:25:57.520
<v Speaker 1>good guys always finished last. That's not true. I agree,

0:25:58.320 --> 0:26:02.680
<v Speaker 1>And you are giving good people an example, an example

0:26:04.280 --> 0:26:07.159
<v Speaker 1>you can do it the right way. You cannot be

0:26:07.280 --> 0:26:10.520
<v Speaker 1>part of that, part of that and these other things.

0:26:11.400 --> 0:26:13.800
<v Speaker 1>You can do it the right way. You can be

0:26:14.040 --> 0:26:16.439
<v Speaker 1>raised right, you can talk right, you can act right,

0:26:16.520 --> 0:26:18.520
<v Speaker 1>you can walk around, you can do your best. I

0:26:18.640 --> 0:26:24.040
<v Speaker 1>met your mom and daddy. Yeah, yeah, you're from you

0:26:24.200 --> 0:26:26.800
<v Speaker 1>from good stock, bro, Like you come from good things.

0:26:26.840 --> 0:26:29.879
<v Speaker 1>And what he's saying is absolutely right. You're an example

0:26:29.920 --> 0:26:33.119
<v Speaker 1>for that, bro, And we're here to tell you that.

0:26:33.800 --> 0:26:37.479
<v Speaker 1>Look all the rest of this ship, you have been

0:26:37.600 --> 0:26:42.399
<v Speaker 1>consistently you from the day I met you, And I

0:26:42.520 --> 0:26:45.640
<v Speaker 1>had no idea you was going and looking at Jack

0:26:45.720 --> 0:26:48.560
<v Speaker 1>in the box applications because that didn't matter to me.

0:26:49.119 --> 0:26:51.960
<v Speaker 1>I like, that's the homie. Like I never get caught

0:26:52.000 --> 0:26:53.679
<v Speaker 1>up in none of that. My friends and my friends,

0:26:54.680 --> 0:26:58.000
<v Speaker 1>but now we all know what this life has done

0:26:58.080 --> 0:27:00.960
<v Speaker 1>for you in a position that put you in and

0:27:01.080 --> 0:27:03.720
<v Speaker 1>you are the same exact person. Appreciate that you're the

0:27:03.800 --> 0:27:07.880
<v Speaker 1>same exact person. If like, listen at the at the premiere,

0:27:08.800 --> 0:27:13.160
<v Speaker 1>if we catch your eyes, it's expected. Yeah, I don't.

0:27:13.280 --> 0:27:16.040
<v Speaker 1>I don't care who in this mild. We gonna hug out,

0:27:16.040 --> 0:27:17.439
<v Speaker 1>We gonna tell each other we love each other. Man.

0:27:17.640 --> 0:27:20.680
<v Speaker 1>Thank you, Thank you, and congratulations, and this is what

0:27:20.840 --> 0:27:23.360
<v Speaker 1>it's supposed to be when it's a real brotherhood. Yeah,

0:27:24.040 --> 0:27:25.800
<v Speaker 1>this ain't about nothing else, and we got to stop

0:27:25.840 --> 0:27:29.320
<v Speaker 1>telling people that it's about Oh, he ain't checked in

0:27:29.400 --> 0:27:31.040
<v Speaker 1>with me, he ain't called me. And I man, we

0:27:31.160 --> 0:27:35.760
<v Speaker 1>got lives and we're busy moving. But when we when

0:27:35.760 --> 0:27:38.360
<v Speaker 1>we catch you, we catch these eyes and I see

0:27:38.400 --> 0:27:41.840
<v Speaker 1>my brother, tell where we left, bro, So you know

0:27:43.000 --> 0:27:45.640
<v Speaker 1>close to you. For that, I appreciate in a real way.

0:27:46.119 --> 0:27:47.480
<v Speaker 1>I was trying to figure out if you was trying

0:27:47.480 --> 0:27:50.159
<v Speaker 1>to ask why you wasn't kill Munger, and he was,

0:27:50.320 --> 0:27:52.159
<v Speaker 1>that's that's I thought you was going there, but you

0:27:52.240 --> 0:27:57.080
<v Speaker 1>didn't go there. You didn't go there. No exact question. No,

0:27:57.280 --> 0:28:00.960
<v Speaker 1>we're curious. You know when we kill mother. No he

0:28:01.080 --> 0:28:04.240
<v Speaker 1>killed Killker. I can't be killed Monger. He went crazy,

0:28:08.200 --> 0:28:16.080
<v Speaker 1>he rocked. I just made him think maybe like the

0:28:16.200 --> 0:28:23.720
<v Speaker 1>home killed Morkers home. Let's get let's let's get to

0:28:23.760 --> 0:28:26.920
<v Speaker 1>the ship man, let's get the creed man. Let's do it. Um.

0:28:28.800 --> 0:28:33.639
<v Speaker 1>Bro in In the one, I said, okay, he's coming.

0:28:35.160 --> 0:28:39.040
<v Speaker 1>In the two, you sat in that hospital bed, you

0:28:39.120 --> 0:28:45.560
<v Speaker 1>shook me up. I said, he's here. In three, I

0:28:45.640 --> 0:28:50.120
<v Speaker 1>said he's out of control and you cheated. What you

0:28:50.240 --> 0:28:55.480
<v Speaker 1>talking about the little girls in cheek of control? It's

0:28:55.520 --> 0:28:59.640
<v Speaker 1>a cheek coat. I said, Oh, out of your mind,

0:29:00.520 --> 0:29:08.480
<v Speaker 1>eurtic control. He must be stupid stum sitting I'm in

0:29:08.480 --> 0:29:18.920
<v Speaker 1>there doing this. Whatever, Bro, I watched, I watched. I

0:29:19.040 --> 0:29:23.320
<v Speaker 1>watched Create three and I was so proud of you

0:29:23.920 --> 0:29:29.160
<v Speaker 1>favorite so many levels. I watched that entire movie with

0:29:29.360 --> 0:29:33.080
<v Speaker 1>a smile on my favor and even when I was emotional,

0:29:33.440 --> 0:29:45.800
<v Speaker 1>I still had a smile. Yeah it was. It was

0:29:45.880 --> 0:29:49.160
<v Speaker 1>a man. And I'm sitting next to Kevin Gates. And

0:29:50.320 --> 0:29:56.000
<v Speaker 1>when I say enjoying himself, I'm talking. You see that's

0:29:56.040 --> 0:29:59.440
<v Speaker 1>where it goes right there, that's a souldier You had

0:29:59.600 --> 0:30:07.360
<v Speaker 1>the what's going on? Right? So y'all were engaged? Yeah, yeah, yeah, Well,

0:30:07.440 --> 0:30:09.400
<v Speaker 1>I say, at the time of his life, I love it.

0:30:09.680 --> 0:30:12.680
<v Speaker 1>Great movie. It was, Bro, it was, it was it

0:30:12.880 --> 0:30:20.520
<v Speaker 1>was amazing, and it was more growth. Yeah you're the director, man,

0:30:20.600 --> 0:30:23.960
<v Speaker 1>it's crazy. It's a star. Give me give me the

0:30:24.120 --> 0:30:30.000
<v Speaker 1>process real quick. Of you learning sign language? Oh so

0:30:30.240 --> 0:30:33.840
<v Speaker 1>like I was learning sign language while I was working

0:30:33.840 --> 0:30:36.320
<v Speaker 1>out in preproduction too. So like one of the things

0:30:36.320 --> 0:30:38.360
<v Speaker 1>me and Bianca once I got the me and Tessa.

0:30:38.400 --> 0:30:39.719
<v Speaker 1>When I got the new script, I was like, man,

0:30:39.760 --> 0:30:41.680
<v Speaker 1>we should have just kept up with it from Creed too.

0:30:41.720 --> 0:30:43.360
<v Speaker 1>We would have been way more fluent right now. We

0:30:43.360 --> 0:30:44.840
<v Speaker 1>would have been great, you know what I'm saying. But

0:30:45.080 --> 0:30:47.160
<v Speaker 1>but we we put ourselves on a you know, a

0:30:47.240 --> 0:30:51.400
<v Speaker 1>fast track to kind of like learn it, uh while

0:30:51.640 --> 0:30:53.400
<v Speaker 1>while I was working out. So like, while I was

0:30:53.440 --> 0:30:55.960
<v Speaker 1>working I would work out, you know, have production meetings,

0:30:56.040 --> 0:30:58.000
<v Speaker 1>script meetings, you know what I'm saying. Whatever, we're building

0:30:58.080 --> 0:30:59.320
<v Speaker 1>the thing. But then I'll just go off to the

0:30:59.320 --> 0:31:01.000
<v Speaker 1>side for a little bit, do an hour a day,

0:31:01.120 --> 0:31:03.440
<v Speaker 1>you know what I'm saying, with with my coach, and

0:31:03.680 --> 0:31:05.920
<v Speaker 1>we would uh, you know, go through the basics, you

0:31:05.960 --> 0:31:07.320
<v Speaker 1>know what I'm saying. He would kind of like, you know,

0:31:07.360 --> 0:31:09.960
<v Speaker 1>he would sign I would you know, you know, mimic

0:31:10.080 --> 0:31:11.840
<v Speaker 1>the sign, and then he will test me on those

0:31:11.920 --> 0:31:13.360
<v Speaker 1>like four or five signs, you know what I mean,

0:31:13.720 --> 0:31:16.520
<v Speaker 1>every like fifteen minutes or so, and then we would like,

0:31:16.680 --> 0:31:19.280
<v Speaker 1>you know, recap that entire hour and I would try

0:31:19.320 --> 0:31:21.160
<v Speaker 1>to go off memory and do that, and then the

0:31:21.240 --> 0:31:23.240
<v Speaker 1>next day they'll recap half of what we did the

0:31:23.320 --> 0:31:25.320
<v Speaker 1>day before, et cetera. Et cetera, and kind of just

0:31:25.400 --> 0:31:29.120
<v Speaker 1>stare stepped me to uh until I didn't have any

0:31:29.160 --> 0:31:32.640
<v Speaker 1>more time laugh. But honestly, on the day, I'm a

0:31:32.720 --> 0:31:35.160
<v Speaker 1>real visual person. I'm a visual learning so I could

0:31:35.280 --> 0:31:37.960
<v Speaker 1>I could, I could pick up on signs pretty quickly

0:31:38.520 --> 0:31:41.600
<v Speaker 1>and then register it digested and then and then go

0:31:41.840 --> 0:31:44.800
<v Speaker 1>go do what I gotta do. That was that was

0:31:44.880 --> 0:31:48.080
<v Speaker 1>a very special part of the movie. Thank you, and

0:31:48.200 --> 0:31:50.160
<v Speaker 1>and it and it was like it was it was

0:31:51.400 --> 0:31:55.960
<v Speaker 1>we put we we It was a natural evolution of things.

0:31:56.080 --> 0:31:58.560
<v Speaker 1>Of course movie. You know, Donnas meets the love of

0:31:58.600 --> 0:32:00.720
<v Speaker 1>his life. You know what I'm saying, He asked progressive

0:32:00.800 --> 0:32:03.760
<v Speaker 1>hearing loss. You know, we don't know what where where

0:32:03.840 --> 0:32:06.680
<v Speaker 1>that's going? Cool? Second film we pick up he's starting

0:32:06.720 --> 0:32:08.400
<v Speaker 1>a family of his own. You know what I'm saying.

0:32:09.000 --> 0:32:12.480
<v Speaker 1>Now you know that the daughter can or can't she?

0:32:12.640 --> 0:32:15.320
<v Speaker 1>You know, the parents have more concerned you know, a

0:32:15.400 --> 0:32:19.160
<v Speaker 1>healthy baby. You know what I'm saying, kiddy get passed down?

0:32:19.240 --> 0:32:21.400
<v Speaker 1>Does she have it or not? The heartbreak of you

0:32:21.480 --> 0:32:24.760
<v Speaker 1>know within you know internally between the Donnas is okay, damn,

0:32:25.000 --> 0:32:26.920
<v Speaker 1>Now what how am I going to move forward with this?

0:32:27.240 --> 0:32:29.760
<v Speaker 1>Questions around that and it was played beautifully by you know,

0:32:29.920 --> 0:32:31.960
<v Speaker 1>Rocky and Adonnas. You know what I'm saying, really trying

0:32:32.000 --> 0:32:33.920
<v Speaker 1>to figure out like what manhood is and like what

0:32:34.120 --> 0:32:36.640
<v Speaker 1>parents all about. You know, cool, we got that the

0:32:36.760 --> 0:32:39.640
<v Speaker 1>third film. I don't have to talk about it. We're

0:32:39.640 --> 0:32:43.200
<v Speaker 1>already fully a self family. You know, the house is

0:32:43.200 --> 0:32:45.880
<v Speaker 1>already tricked out, and Donnas has clearly invested time to

0:32:45.960 --> 0:32:48.480
<v Speaker 1>make sure and money to make sure his daughter is

0:32:48.480 --> 0:32:50.080
<v Speaker 1>going to get all the things that he never got,

0:32:50.200 --> 0:32:51.600
<v Speaker 1>you know what I'm saying, and really trying to like

0:32:51.720 --> 0:32:53.720
<v Speaker 1>you know, make her life a lot better and comfortable,

0:32:53.760 --> 0:32:55.480
<v Speaker 1>et cetera, et cetera, and building all the things and

0:32:55.520 --> 0:32:57.640
<v Speaker 1>blah blah blah blah whatever. So in this movie it

0:32:57.720 --> 0:33:00.000
<v Speaker 1>was really important, like to just normalize in the way.

0:33:00.480 --> 0:33:03.480
<v Speaker 1>You know, it really felt inclusive and it wasn't about

0:33:03.560 --> 0:33:07.080
<v Speaker 1>the audience or anybody having sympathy for her. It's like, no,

0:33:07.680 --> 0:33:10.320
<v Speaker 1>it's the empathy. You know, I understanding. You know what

0:33:10.320 --> 0:33:20.040
<v Speaker 1>I'm saying, what you need. She's Mila Davis Kent, Mila superstar, superstar, superstar, Yeah,

0:33:20.200 --> 0:33:23.920
<v Speaker 1>and so talented, and I learned so much from her,

0:33:23.960 --> 0:33:25.960
<v Speaker 1>so just and then she encouraged me like look like

0:33:26.080 --> 0:33:29.480
<v Speaker 1>even if you don't know exactly the sign gesture, your

0:33:29.520 --> 0:33:31.920
<v Speaker 1>body language is signing you know what I'm saying. And

0:33:32.080 --> 0:33:35.160
<v Speaker 1>the deaf community appreciates that so much by not just

0:33:35.280 --> 0:33:38.800
<v Speaker 1>talking to them or like getting frustrated, no gesture like try,

0:33:39.040 --> 0:33:41.000
<v Speaker 1>like and that's something for us that you know, the hearing.

0:33:41.040 --> 0:33:44.280
<v Speaker 1>We're definitely you know, you know, we're ignorant in a

0:33:44.320 --> 0:33:48.400
<v Speaker 1>lot of ways. But but but and and but just

0:33:48.640 --> 0:33:50.320
<v Speaker 1>getting out of your own get it out of our

0:33:50.360 --> 0:33:51.720
<v Speaker 1>own head and being like, oh I can't do this,

0:33:51.720 --> 0:33:54.360
<v Speaker 1>somethe feel stupid. D No, just try and I think

0:33:54.400 --> 0:33:58.719
<v Speaker 1>it'll make a big difference. And my last piece, I mean,

0:33:58.840 --> 0:34:04.840
<v Speaker 1>listen and them, I mean, let me tell you something, man, listen,

0:34:05.000 --> 0:34:09.839
<v Speaker 1>what's up? What's up? Yeah, because I act a little

0:34:09.880 --> 0:34:14.560
<v Speaker 1>bit like if you're a TV one and and and

0:34:14.680 --> 0:34:20.600
<v Speaker 1>like lifetimes I'm like Michael beal okay, um, Michael G.

0:34:20.840 --> 0:34:29.799
<v Speaker 1>I'm like Michael G. Michael G four Michael anyway, Um,

0:34:30.760 --> 0:34:38.160
<v Speaker 1>you guys were having so many conversations outside of the script,

0:34:40.640 --> 0:34:44.200
<v Speaker 1>like just within the physicality of how you guys were

0:34:44.320 --> 0:34:47.359
<v Speaker 1>dealing with each other, from eye contact to no eye

0:34:47.440 --> 0:34:52.279
<v Speaker 1>contact to when I say it was crazy. It was

0:34:52.360 --> 0:34:56.160
<v Speaker 1>like y'all had done movies before, like you guys have

0:34:56.280 --> 0:34:59.400
<v Speaker 1>been sync before in other moments to build because the

0:34:59.440 --> 0:35:03.000
<v Speaker 1>build up that of chemistry, yeah, is really crazy and

0:35:03.080 --> 0:35:06.960
<v Speaker 1>it's rare. It's rare, and that undercurrent that y'all were

0:35:07.040 --> 0:35:12.200
<v Speaker 1>carrying along with what was being said in the environment.

0:35:12.239 --> 0:35:15.640
<v Speaker 1>But it was incredible, Thank you. Man. No, he's he's

0:35:15.680 --> 0:35:17.160
<v Speaker 1>a special talent, you know what I mean. He's a

0:35:17.239 --> 0:35:19.600
<v Speaker 1>kindred spirit too, you know what I'm saying. He immediately

0:35:19.800 --> 0:35:21.920
<v Speaker 1>he would feel like one of us, like like a

0:35:22.000 --> 0:35:25.920
<v Speaker 1>brother for sure. Um and and and he he he,

0:35:26.320 --> 0:35:31.040
<v Speaker 1>he has so much depth to him and complexities that

0:35:31.480 --> 0:35:34.600
<v Speaker 1>just played perfectly you know in the film that we

0:35:34.760 --> 0:35:37.040
<v Speaker 1>needed from our antagonis you know what I'm saying, to

0:35:37.400 --> 0:35:43.840
<v Speaker 1>to to counter the counterbalance are equally as complex and

0:35:44.120 --> 0:35:46.360
<v Speaker 1>the depth of a Donos you know, of our heroes

0:35:46.480 --> 0:35:49.520
<v Speaker 1>so so so he played that perfectly. He was a workhorse.

0:35:49.640 --> 0:35:51.240
<v Speaker 1>He you know, he was willing to get into shape.

0:35:51.280 --> 0:35:53.160
<v Speaker 1>He was sacrificed, you know what I'm saying. He's you know,

0:35:53.280 --> 0:35:55.000
<v Speaker 1>you know, just time just to really put it in

0:35:55.080 --> 0:35:58.600
<v Speaker 1>and take this shit seriously, learning choreography, learning a certain style,

0:35:59.120 --> 0:36:02.240
<v Speaker 1>you know, and bodying you know Damien as a character,

0:36:02.320 --> 0:36:04.200
<v Speaker 1>you know what I'm saying coming from Crenshaw just being

0:36:04.320 --> 0:36:07.360
<v Speaker 1>like just an la la story and and it and

0:36:07.480 --> 0:36:09.399
<v Speaker 1>it worked, man, it really worked. And then the box

0:36:09.480 --> 0:36:13.200
<v Speaker 1>and stuff just really like um fell into place. And

0:36:13.600 --> 0:36:15.360
<v Speaker 1>that was one that I probably daydreamed the most about

0:36:15.840 --> 0:36:18.120
<v Speaker 1>from like just over the course of the entire trilogy,

0:36:18.480 --> 0:36:19.960
<v Speaker 1>just like how would I do the fights if I

0:36:20.040 --> 0:36:22.440
<v Speaker 1>ever had an opportunity to do them? And like that

0:36:22.840 --> 0:36:25.000
<v Speaker 1>was something that I really like said, we just want

0:36:25.000 --> 0:36:36.200
<v Speaker 1>to swing for the fences. So why is he here? So?

0:36:36.280 --> 0:36:37.400
<v Speaker 1>Why is he here? I mean, this is an R

0:36:37.440 --> 0:36:40.120
<v Speaker 1>and B money, This R and B parka podcast. What

0:36:40.440 --> 0:36:42.719
<v Speaker 1>was it? Okay, let's do it. Yeah, so you drink

0:36:42.760 --> 0:36:54.960
<v Speaker 1>your tea. Oh yeah, I'm here to Uh no, Lord

0:36:55.000 --> 0:37:02.879
<v Speaker 1>wanted to keep me humble. Were going with a cheat.

0:37:03.000 --> 0:37:05.920
<v Speaker 1>I don't know where he's going down? Where you going?

0:37:06.000 --> 0:37:07.400
<v Speaker 1>It was a little bit like it was little cheers

0:37:07.440 --> 0:37:09.120
<v Speaker 1>and that a little bit. I heard cheers a little bit.

0:37:09.200 --> 0:37:11.279
<v Speaker 1>It's a lot of bar action. It's low kind of

0:37:11.400 --> 0:37:18.399
<v Speaker 1>far action to top five. Yeah, don't look at your

0:37:18.520 --> 0:37:27.280
<v Speaker 1>top five, Michael, looking at you, Michael, You're top five?

0:37:27.920 --> 0:37:36.520
<v Speaker 1>All be single yea, all this be Song, Micha Be,

0:37:37.160 --> 0:37:49.560
<v Speaker 1>mich Go Bees talk five yo yo yeah, Tang Yang

0:37:49.920 --> 0:38:03.520
<v Speaker 1>Tang Tan Yeah, clearly right now, Michael stop up, fuck

0:38:13.239 --> 0:38:20.000
<v Speaker 1>Michael B. Jordan's your top five R and B singers.

0:38:21.719 --> 0:38:29.960
<v Speaker 1>I'm going Marvin Gay. M h gotta go Marvin Gay.

0:38:30.800 --> 0:38:36.319
<v Speaker 1>I'm going Russian. There's no particular order us. Yeah, yeah, yeah,

0:38:37.120 --> 0:38:44.080
<v Speaker 1>I'm going. So if he's the king of pop, does

0:38:44.080 --> 0:39:02.239
<v Speaker 1>that consider for play with Michael Jackson Beyonce four? Oh man, um,

0:39:06.239 --> 0:39:12.920
<v Speaker 1>this is tough luth who ended out right look and

0:39:13.000 --> 0:39:18.319
<v Speaker 1>that thing out right? Yeah yeah, lufa, lufa. I don't

0:39:18.520 --> 0:39:21.440
<v Speaker 1>mention thanks going in there. I got you said. I

0:39:21.440 --> 0:39:24.960
<v Speaker 1>don't mention thanks going in there. You're six man. You

0:39:25.000 --> 0:39:26.480
<v Speaker 1>know what I'm saying. I got I gotta you know,

0:39:26.640 --> 0:39:29.560
<v Speaker 1>Michael Jordan, I don't mind coming off the bench. I'm

0:39:29.560 --> 0:39:34.680
<v Speaker 1>just saying, but I started, Yeah, we got we got

0:39:34.719 --> 0:39:37.200
<v Speaker 1>one more thing, one more thing for you. Wonna let

0:39:37.200 --> 0:39:48.000
<v Speaker 1>you out the doll You've been associated with it a

0:39:48.080 --> 0:39:54.160
<v Speaker 1>lot of great people. Yeah, but in this segment, you

0:39:54.280 --> 0:39:58.439
<v Speaker 1>better not. I ain't saying no names. I ain't saying

0:39:58.520 --> 0:40:07.040
<v Speaker 1>no name. I ain't saying no names. Don't you don't

0:40:07.080 --> 0:40:20.680
<v Speaker 1>say shit? I ain't saying no. I love y'all. I'm

0:40:20.719 --> 0:40:22.719
<v Speaker 1>sorry I took to get here. I got this again,

0:40:24.120 --> 0:40:31.200
<v Speaker 1>back standing invitation. Listen right now, you give us a

0:40:31.280 --> 0:40:36.560
<v Speaker 1>story funnier fucked up or funny and fucked up. The

0:40:36.640 --> 0:40:40.280
<v Speaker 1>only rule to the game is you can't say no names.

0:40:40.840 --> 0:40:49.000
<v Speaker 1>This is Michael B. Wakanda, Creed Wire, Fruit Fruit Bill

0:40:49.040 --> 0:40:55.040
<v Speaker 1>Station Jordan Whoa. I ain't saying no names, man, I

0:40:55.239 --> 0:40:58.279
<v Speaker 1>got stories now. I gotta figure out how to tell

0:40:58.320 --> 0:41:01.400
<v Speaker 1>these stories without no names. Okay, let me see what

0:41:01.480 --> 0:41:12.879
<v Speaker 1>I got for y'all. It was frank. It was trying

0:41:12.920 --> 0:41:22.000
<v Speaker 1>to think. What's it going? Um My mind goes, y'all, Okay,

0:41:22.120 --> 0:41:34.520
<v Speaker 1>this listen. Uh you know, I'm no I'm gonna think

0:41:34.520 --> 0:41:36.200
<v Speaker 1>it's something good. So so so let me let me,

0:41:36.280 --> 0:41:40.319
<v Speaker 1>let me ponder. Come on, ponder. I would rather y'all

0:41:40.360 --> 0:41:45.000
<v Speaker 1>give me like a city and then let me and

0:41:45.040 --> 0:42:09.359
<v Speaker 1>then okay, okay, okay, is getting warm. Uh So I'm

0:42:09.400 --> 0:42:12.880
<v Speaker 1>down in Miami. You know I usually stay at that

0:42:12.920 --> 0:42:20.319
<v Speaker 1>particular hotel, and um, I'm promoting the film, so I'm

0:42:20.320 --> 0:42:22.600
<v Speaker 1>money down there for a little bit of time. You know,

0:42:23.040 --> 0:42:26.040
<v Speaker 1>you hit you know certain outlets. You know what I'm saying,

0:42:26.120 --> 0:42:29.839
<v Speaker 1>you know, just television, Telemundo. You know what I'm saying.

0:42:30.040 --> 0:42:32.279
<v Speaker 1>You know, you bounce around, you do your press or whatever,

0:42:33.320 --> 0:42:37.279
<v Speaker 1>and you go back to the hotel and then that's

0:42:37.320 --> 0:42:38.320
<v Speaker 1>when you do the rest of the press. You know

0:42:38.360 --> 0:42:41.320
<v Speaker 1>what I'm saying, press, junk and cool. Cool. So I

0:42:41.400 --> 0:42:45.800
<v Speaker 1>had my dad press. I didn't eat that much that

0:42:45.960 --> 0:42:47.840
<v Speaker 1>day because I woke up. It's a little late. You

0:42:47.880 --> 0:42:50.879
<v Speaker 1>know what I'm saying, Uh, from the night before, which

0:42:50.960 --> 0:42:52.680
<v Speaker 1>is it is we're in Miami, so there's not a

0:42:52.719 --> 0:42:56.600
<v Speaker 1>lot of sleep going you know. You know, liquid I

0:42:56.680 --> 0:43:03.200
<v Speaker 1>v's are helpful, Coconut water's top top tier rehydration. So

0:43:03.680 --> 0:43:07.640
<v Speaker 1>next day, don't eat that much. Don't eat that much. Um.

0:43:08.360 --> 0:43:10.640
<v Speaker 1>A couple of other co stars don't eat as much

0:43:10.680 --> 0:43:14.040
<v Speaker 1>as either, So nobody's really eating a lot. A lot

0:43:14.120 --> 0:43:16.960
<v Speaker 1>of tea. Un get the voice together, talking a lot.

0:43:18.440 --> 0:43:21.560
<v Speaker 1>So we leave the hotel and when we go to uh,

0:43:21.960 --> 0:43:25.319
<v Speaker 1>we go to dinner. At this point, you know, order

0:43:25.360 --> 0:43:27.280
<v Speaker 1>advertisers here. I said, but you know, we're really drinking.

0:43:27.320 --> 0:43:30.440
<v Speaker 1>We're really we're drinking a lot, you know, alcohols flowing.

0:43:31.320 --> 0:43:33.959
<v Speaker 1>So it's a lot of drinks, not a lot of food.

0:43:34.480 --> 0:43:37.920
<v Speaker 1>I repeat we have, we haven't. We didn't eat a

0:43:37.960 --> 0:43:42.040
<v Speaker 1>lot the last couple of days. So we proceed to

0:43:42.440 --> 0:43:44.880
<v Speaker 1>have a good time. Take a little little nibble here,

0:43:44.960 --> 0:43:46.040
<v Speaker 1>a little of this, a little that, you know what

0:43:46.040 --> 0:43:48.080
<v Speaker 1>I'm saying, Tasting a little bit, and I ain't eat

0:43:48.080 --> 0:43:50.400
<v Speaker 1>a full meal. Cool? Great, right as time. I'm a

0:43:50.440 --> 0:43:55.520
<v Speaker 1>little lit um. A couple of the people that I'm

0:43:55.560 --> 0:43:59.880
<v Speaker 1>with they lit too, a little bit more more lit

0:43:59.920 --> 0:44:01.480
<v Speaker 1>the I am. I'm usually the guy that, like you

0:44:01.560 --> 0:44:04.839
<v Speaker 1>can't tell, is like really drunk, but I'm but I'm nice.

0:44:05.080 --> 0:44:07.040
<v Speaker 1>I'm there, I'm all the way there. It looks like

0:44:07.080 --> 0:44:14.080
<v Speaker 1>the lights around. Ain't nobody home? All right? A couple

0:44:14.120 --> 0:44:17.040
<v Speaker 1>other people a little bit more visibly messed up. So

0:44:17.120 --> 0:44:18.759
<v Speaker 1>in my mind, I'm like, okay, cool, let me let me,

0:44:18.880 --> 0:44:20.799
<v Speaker 1>let me let me help these people get to where

0:44:21.040 --> 0:44:23.120
<v Speaker 1>you know where we're going, you know what I'm saying, safely.

0:44:23.200 --> 0:44:24.759
<v Speaker 1>So I'm in the middle of, like, you know, trying to,

0:44:24.840 --> 0:44:26.360
<v Speaker 1>you know, help people get to where they gotta go,

0:44:26.440 --> 0:44:29.200
<v Speaker 1>et cetera, et cetera. We run across some ladies. All right,

0:44:29.239 --> 0:44:31.040
<v Speaker 1>this is Miami. You know what I'm saying. We're outside,

0:44:31.120 --> 0:44:33.920
<v Speaker 1>you know what I'm saying, the venue in which we're

0:44:33.920 --> 0:44:36.920
<v Speaker 1>getting ready to go into, and some ladies that are there,

0:44:37.040 --> 0:44:39.200
<v Speaker 1>they might have recognized maybe a couple of us or

0:44:39.239 --> 0:44:42.000
<v Speaker 1>whatever case may be. All right, they wanted to roll

0:44:42.080 --> 0:44:48.279
<v Speaker 1>in and we all rolling all access. So we're in

0:44:48.360 --> 0:44:53.319
<v Speaker 1>this particular spot, more drinks are coming, a certain group

0:44:53.320 --> 0:44:58.800
<v Speaker 1>of ladies are there. Um, one of the people that

0:44:58.840 --> 0:45:02.319
<v Speaker 1>they're starts now look so good, you know what I'm saying.

0:45:02.400 --> 0:45:05.640
<v Speaker 1>They they you know, they stumbling a little bit, you know, balanced,

0:45:05.680 --> 0:45:07.880
<v Speaker 1>a little off, all right, cool, And I'm like, hey, yo,

0:45:08.239 --> 0:45:10.200
<v Speaker 1>I think it might be good. You probably should go

0:45:10.320 --> 0:45:13.000
<v Speaker 1>back you know what I'm saying to where we came from.

0:45:13.160 --> 0:45:15.120
<v Speaker 1>You know what I'm saying, where we where we reside at.

0:45:15.200 --> 0:45:16.480
<v Speaker 1>You know what I'm saying. I think it's I think

0:45:16.480 --> 0:45:18.000
<v Speaker 1>it's I think it's done. You know. We gotta get

0:45:18.080 --> 0:45:20.120
<v Speaker 1>up in the morning. We gotta leave. This is we

0:45:20.239 --> 0:45:22.040
<v Speaker 1>did it. We did it, guys. We had a great time.

0:45:22.160 --> 0:45:26.040
<v Speaker 1>It was a great time. Cool. So he didn't want

0:45:26.080 --> 0:45:28.800
<v Speaker 1>to go. So he didn't want to leave, So he

0:45:28.960 --> 0:45:36.239
<v Speaker 1>proceeded to to grab the bottle from a lady that

0:45:36.440 --> 0:45:39.320
<v Speaker 1>was with us, and he grabbed it like so like

0:45:39.520 --> 0:45:43.080
<v Speaker 1>he grabbed the bottle with like such force that he

0:45:43.560 --> 0:45:49.640
<v Speaker 1>he cracked his own like face with it right like bah,

0:45:50.640 --> 0:45:53.640
<v Speaker 1>and he just kind of like kept drinking. I saw

0:45:53.719 --> 0:45:55.800
<v Speaker 1>it vividly, so I was like, oh shit. I was like,

0:45:55.880 --> 0:45:57.320
<v Speaker 1>oh man, like that that was like that was like

0:45:57.360 --> 0:45:59.280
<v Speaker 1>it was you know, it was a big bottle filming

0:45:59.400 --> 0:46:01.600
<v Speaker 1>like that. I with that. That that's that's hurtful. That

0:46:01.719 --> 0:46:04.200
<v Speaker 1>that's not that doesn't feel good. But he kept drinking

0:46:04.280 --> 0:46:07.759
<v Speaker 1>like it was nothing. So everything was cool, blah blah blah. Great,

0:46:07.880 --> 0:46:09.000
<v Speaker 1>So we had the rest of the night, had a

0:46:09.040 --> 0:46:12.240
<v Speaker 1>good time. But blah blah blah. Get back in the car, cool,

0:46:12.560 --> 0:46:15.160
<v Speaker 1>get back to the tell cool. I'm skipping over a

0:46:15.200 --> 0:46:16.919
<v Speaker 1>lot of things, but that's not important to the story.

0:46:17.239 --> 0:46:22.560
<v Speaker 1>Got it. Next morning? Wake up? My phone is like,

0:46:25.880 --> 0:46:29.960
<v Speaker 1>what is going on? Hey, what's up? Fastop? Yeah, what's

0:46:30.000 --> 0:46:35.040
<v Speaker 1>going on? Oh shit, what happened to you? What happened?

0:46:35.520 --> 0:46:39.160
<v Speaker 1>He no, Mike, tell me what happened? Well, no, you're good.

0:46:39.400 --> 0:46:42.919
<v Speaker 1>Happen what's good? What's what's going on you? Yo? Oh?

0:46:44.040 --> 0:46:45.960
<v Speaker 1>Like I don't know, I don't I don't know how to.

0:46:46.040 --> 0:46:48.880
<v Speaker 1>I don't know how to. You know, if he was

0:46:48.920 --> 0:46:50.680
<v Speaker 1>calling the person I was supposed to calm him down

0:46:50.800 --> 0:46:53.200
<v Speaker 1>and like act like it wasn't that. I wasn't. I

0:46:53.320 --> 0:46:56.719
<v Speaker 1>wasn't the one. I'm fresh fresh, I'm fresh, Yo. You

0:46:56.760 --> 0:47:00.440
<v Speaker 1>need to you gotta we gotta call somebody. And I

0:47:00.480 --> 0:47:02.160
<v Speaker 1>don't know if you can get on the plane like that,

0:47:02.400 --> 0:47:03.880
<v Speaker 1>like like I don't know if they're gonna let us.

0:47:03.880 --> 0:47:05.799
<v Speaker 1>Do you want a plane like that? So you might

0:47:05.840 --> 0:47:10.160
<v Speaker 1>need emergency dentists, you know what I'm saying, some stitches

0:47:10.239 --> 0:47:13.320
<v Speaker 1>you feeling? It was, it was the whole situation, and

0:47:13.520 --> 0:47:18.560
<v Speaker 1>that was. It was a knight in Miami. That's saying names.

0:47:19.360 --> 0:47:21.000
<v Speaker 1>I did a good job. A couple of times I

0:47:21.040 --> 0:47:23.640
<v Speaker 1>almost sucked up. I did a good job, a good job.

0:47:23.920 --> 0:47:27.239
<v Speaker 1>Moral of the story is, huh, don't drink with Michael B.

0:47:27.400 --> 0:47:33.279
<v Speaker 1>Jordan without eating, without eating? Yeah, because you want to

0:47:33.320 --> 0:47:35.359
<v Speaker 1>try to match my ship, and don't don't match my ship.

0:47:35.480 --> 0:47:41.040
<v Speaker 1>And if you're looking for you're looking to be consoled,

0:47:41.080 --> 0:47:45.680
<v Speaker 1>consolt or comfort, don't call don't, don't, don't don't. I'm

0:47:45.680 --> 0:47:49.200
<v Speaker 1>gonna tell to you real you're not you. You butch

0:47:49.200 --> 0:47:51.400
<v Speaker 1>your ship, you bunch your ship. It's it's it was,

0:47:51.520 --> 0:47:55.880
<v Speaker 1>it was, Yeah, it was m wow, I have been

0:47:55.880 --> 0:47:59.719
<v Speaker 1>any knights in Miami of those kinds that I don't

0:47:59.760 --> 0:48:03.200
<v Speaker 1>really remember, you know, just just thank the Lord. I

0:48:03.320 --> 0:48:07.240
<v Speaker 1>woke up in the hotel I checked in. That's crazy,

0:48:08.000 --> 0:48:12.040
<v Speaker 1>not me. I don't live like that anymore. Ever, what

0:48:12.200 --> 0:48:14.040
<v Speaker 1>you mean? I don't live like that. I always know

0:48:14.120 --> 0:48:17.440
<v Speaker 1>where I'm gonna wake up at again. Ever, Okay, you

0:48:18.080 --> 0:48:19.719
<v Speaker 1>know me a long time. You ain't never seen me

0:48:19.800 --> 0:48:22.200
<v Speaker 1>get they ain't. Nobody had to do. I know you

0:48:23.640 --> 0:48:25.920
<v Speaker 1>hold your ship very well too, though. No, no, no, no, no,

0:48:26.280 --> 0:48:32.160
<v Speaker 1>he doesn't. He don't do what we're talking about. But

0:48:32.280 --> 0:48:39.320
<v Speaker 1>he gets extremely violent. Yeah, depends what he drinking, you know. Okay,

0:48:39.360 --> 0:48:45.640
<v Speaker 1>it doesn't matter. Nice guy. He's like people, Yeah, these niggas.

0:48:45.680 --> 0:48:48.759
<v Speaker 1>And then it just goes from there. It goes from there.

0:48:49.400 --> 0:48:51.920
<v Speaker 1>It goes from us having a great time to him

0:48:51.960 --> 0:48:56.440
<v Speaker 1>telling Steph Curry all right, telling niggas take a picture

0:48:56.480 --> 0:48:58.239
<v Speaker 1>with us if he want to be safe out there.

0:49:00.560 --> 0:49:03.279
<v Speaker 1>I said, why do I have to sell them? Why

0:49:03.320 --> 0:49:06.719
<v Speaker 1>do I have to if you want to be safe?

0:49:07.400 --> 0:49:11.080
<v Speaker 1>Why does it have to be the masage? Why do

0:49:11.200 --> 0:49:16.560
<v Speaker 1>I why I got the picture with pictures on my face?

0:49:18.360 --> 0:49:24.000
<v Speaker 1>Shot crazy? That's not how I related The man with

0:49:24.080 --> 0:49:28.480
<v Speaker 1>his brother. But Mike be my brother. Oh man, you're

0:49:28.480 --> 0:49:31.200
<v Speaker 1>awesome brother. Yeah. And that's just not that's just not

0:49:31.400 --> 0:49:35.359
<v Speaker 1>you know, friends talking. That's that's um. You know, I'm

0:49:35.400 --> 0:49:37.960
<v Speaker 1>gonna pull myself outside of that outside looking at it. Man.

0:49:38.040 --> 0:49:42.040
<v Speaker 1>Amazing brother, man, thank you've done amazing work. Um. Um

0:49:42.400 --> 0:49:45.839
<v Speaker 1>your your your legs clean man, and keep it that way. Brother.

0:49:46.480 --> 0:49:49.759
<v Speaker 1>You represent well my ladies and gentlemen. My name is taking.

0:49:51.120 --> 0:49:54.279
<v Speaker 1>This is the Army Money podcast and uh do you

0:49:54.320 --> 0:49:59.839
<v Speaker 1>say that? Cool? And uh what else can I say? Man?

0:50:00.040 --> 0:50:11.279
<v Speaker 1>Brekn Us in the building. Michael Petrone. R and B

0:50:11.400 --> 0:50:14.280
<v Speaker 1>Money is a production of the Black Effect Podcast Network.

0:50:14.640 --> 0:50:20.080
<v Speaker 1>For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

0:50:20.239 --> 0:50:23.440
<v Speaker 1>or wherever you listen to your favorite shows. Don't forget

0:50:23.480 --> 0:50:26.279
<v Speaker 1>to subscribe to and rate our show, and you can

0:50:26.320 --> 0:50:29.719
<v Speaker 1>connect with us on social media at Jay Valentine and

0:50:29.880 --> 0:50:33.680
<v Speaker 1>at the Real Tank. For the extended episode, subscribe to

0:50:33.880 --> 0:50:37.439
<v Speaker 1>YouTube dot com, forward Slash, R and B Money