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Speaker 1: No, well, Confessions Too.

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Speaker 2: Was partially all my story Part two, Part two, but

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Speaker 2: that part one that you're talking about was just like

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Speaker 2: me just thinking of what could possibly be happening, if

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Speaker 2: you know, to goddess and Ush's.

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Speaker 3: Position, Okay, what you prefer one or two?

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Speaker 4: Because I have this debate all the time with like

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Speaker 4: real R and B heads, and of course two is

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Speaker 4: the smash, but I think Confessions one might be.

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Speaker 3: Better as time is went.

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Speaker 4: From not a hit record standpoint, just from a music standpoint.

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Speaker 2: I mean a story because it's something. The first version

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Speaker 2: is called all bad. It's not called confessions. That's what it's.

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Speaker 2: You know, it's called all bad. So the all bad,

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Speaker 2: the story of all bad. I think it is better

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Speaker 2: than two. But two was just so you know, deliberate

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Speaker 2: about you know, a guy having a girlfriend, getting a

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Speaker 2: girl pregnant, and you know it ain't much you can

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Speaker 2: much wiggle room in there, but this every time I

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Speaker 2: was in La, i was with my ex girlfriend, it's

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Speaker 2: so many layers of that that, you know what I mean,

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Speaker 2: And I just was running away with it like it's like.

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Speaker 5: Oh I could say this too, Oh I can say

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Speaker 5: it's so yeah.

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Speaker 4: So then how many times have you had to lie

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Speaker 4: to the woman in your personal life that now it.

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Speaker 3: Was just lyrics. I was talking shit, that wasn't true.

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Speaker 5: I mean, well, I think, well, let me take that back.

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Speaker 4: Take that back, definitely say babe, that was come on,

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Speaker 4: I was just writing.

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Speaker 1: It was just for the art, never for other people.

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Speaker 6: Me.

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Speaker 2: Yeah, my lyrics. I have had to take that, like,

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Speaker 2: you know, I forgot to be rapping.

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Speaker 7: Sometimes you can do it's easier to do it for

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Speaker 7: other artists.

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Speaker 8: I'm just writing, but when it's your record, it's like, nah.

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Speaker 5: Come on, you know it was my record, and people.

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Speaker 2: Like, so, yeah, you was doing what.

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Speaker 5: Yeah, I'm like, I thought I was writing for us.

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Speaker 4: Just throw us under the bus, Like now I think

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Speaker 4: he's coming trying to get into this world of his head,

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Speaker 4: like come on, you know.

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Speaker 7: I mean this Yeah yeah, yeah, I just you know,

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Speaker 7: let's go to let's talk about the beginning of JD

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Speaker 7: because a lot of people don't I mean, I'm sure

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Speaker 7: you talked about it before, but a lot of people

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Speaker 7: don't know that you actually lived in New York for

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Speaker 7: a while.

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Speaker 2: Yeah, like thirteen fourteen fifteen, I stayed in Brooklyn Easy

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Speaker 2: High School.

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Speaker 3: You went to you from Crown Heights. Why Atlanta keep

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Speaker 3: trying to claim.

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Speaker 5: Him from New York Street?

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Speaker 2: I didn't. I didn't go to high school. I was

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Speaker 2: I actually had a tutor, okay, and I was staying

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Speaker 2: with actually Chad Elliott, and Chad actually lived in Brooklyn.

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Speaker 5: That's where I was basically staying with him.

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Speaker 2: But yeah, that's what I actually, you know, that was

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Speaker 2: a good learning crash course for me to be in

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Speaker 2: New York at that period of time and for me

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Speaker 2: to be that young, to be able to stay there

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Speaker 2: and just see what was going on and just to

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Speaker 2: be around. You know, it's a thing when you don't

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Speaker 2: have money and you, like I guess you're poor, you

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Speaker 2: see a lot and you don't get into no trouble

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Speaker 2: because don'tbody want to rob you. You could just go

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Speaker 2: wherever you want to go, you know what I mean?

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Speaker 2: So I got I got opportunity, you know, go to

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Speaker 2: Fort Green.

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Speaker 8: You wouldn't go there.

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Speaker 5: Now, get haircuts from knaps.

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Speaker 3: Oh, it's really nice and for Green, you know what

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Speaker 3: I mean?

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Speaker 2: Like, you know, I got chased by the Decepticons.

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Speaker 3: Wow?

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Speaker 8: Uh, how do you put that in the Army record?

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Speaker 5: Nobody, girl knows.

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Speaker 2: What I'm talking about because yeah, I think yesterday, back yesterday,

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Speaker 2: we were in the group chat about all the homies

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Speaker 2: and he tried to post the pictures on my hot

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Speaker 2: like bad dress days or whatever, and I had all

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Speaker 2: polo pull up to head Chel and I was like, Nigga,

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Speaker 2: want decept to come.

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Speaker 8: He didn't know what you was talking about?

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Speaker 6: Her?

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Speaker 2: Never heard of low life forms in here?

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Speaker 6: Right?

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Speaker 8: You keep forgetting who you're talking to you I forgot.

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Speaker 3: Yeah, he definitely don't know.

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Speaker 7: I don't know something about that. The low had bunch

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Speaker 7: of people don't know. They probably listening like.

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Speaker 3: Yeah, they don't even know what the sad low.

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Speaker 4: So in case you ain't know, so what that actually

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Speaker 4: means at the end of the day, that's some real

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Speaker 4: Brooklyn booster ship.

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Speaker 5: Super Brooklyn. I ain't know what it was, by the way, I.

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Speaker 2: Just I learned like this, like yeah, yeah, because I

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Speaker 2: mean here in Atlanta, we wore a lot of polo,

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Speaker 2: and Polo was like the thing here. So you know,

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Speaker 2: me going to New York and having on polo and

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Speaker 2: and I was little niggas was trying to get oh yeah,

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Speaker 2: I'm gonna get ribbed.

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Speaker 5: For some polo.

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Speaker 8: Yeah.

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Speaker 4: Absolutely, that was Currncy. What brought you back to Atlanta

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Speaker 4: at that point?

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Speaker 5: I mean, I was, I was still I lived here.

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Speaker 2: I just was. I was just with Chad, and I mean,

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Speaker 2: my my, you know, I was like Johnny five at

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Speaker 2: at that age. I was just like, if it was

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Speaker 2: hip hop, I had to be right there wherever it

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Speaker 2: was at.

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Speaker 5: So it was some hip hop going on.

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Speaker 6: I was.

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Speaker 5: So when my mother, I was like, Yo, can I

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Speaker 5: go stay with Chad?

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Speaker 2: My mom was like, yeah, go ahead about when I went.

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Speaker 2: And I stayed up there and I and I and

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Speaker 2: I ended up liking it and I wanted to be

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Speaker 2: there more.

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Speaker 5: And I just stayed, you know what I mean.

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Speaker 2: And it's crazy because, like I said, the it's almost

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Speaker 2: like slum Dog Millionaire for me because it's like the

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Speaker 2: things that started happening to me after that.

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Speaker 5: I knew what to do based on me living and

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Speaker 5: you know what I mean, so or I.

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Speaker 2: Knew what the answers was based on me being there.

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Speaker 2: So it's like it's really weird, like that type of situation.

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Speaker 4: You think that more on a business side or a

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Speaker 4: music side of that time in Brooklyn and how it

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Speaker 4: resonated with you was I I'm saying from taking that

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Speaker 4: time in Brooklyn, how did to go into the music

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Speaker 4: moving forward to how going to the business as far

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Speaker 4: as reading people, being in New York City and being

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Speaker 4: in a whole new city as far as music goes

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Speaker 4: as well, I'm coming back to Atlanta.

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Speaker 2: I mean really for me, it was like I guess

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Speaker 2: I ended up building relationships that I didn't even know

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Speaker 2: that I was That's what I'm saying. I didn't even

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Speaker 2: know that I was going I could. I mean, you know,

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Speaker 2: I was trying to produce, like I think fifteen probably yeah, fifteen,

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Speaker 2: I me and Chad was making beats and what he

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Speaker 2: was trying to make even have no equipment. We just

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Speaker 2: had records, right, We just had a whole bunch of records.

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Speaker 5: His mom had records.

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Speaker 2: And I think it was like downtown record store. Is

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Speaker 2: that the neameborhood? It was either it was Downtown Records

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Speaker 2: or something like that.

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Speaker 5: It was a record store in Brooklyn.

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Speaker 2: That that's where I first saw a break beat and

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Speaker 2: I saw a breakbeat collection and I bought the collection

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Speaker 2: and it's still in there somewhere right there. But that's

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Speaker 2: when I just started my love for like, oh, I'm

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Speaker 2: gonna make beats, but I ain't really I still didn't

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Speaker 2: have no drum machine. And I used to just like

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Speaker 2: play the records and just like think in my head,

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Speaker 2: like we're gonna sample this.

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Speaker 5: And like I said, oddly enough.

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Speaker 2: It was just be like I just meet somebody, like

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Speaker 2: I meet different DJs, this that person.

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Speaker 5: And then once I started making records, I had.

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Speaker 2: These these these relationships already just that that was just

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Speaker 2: right there based on me being you know, being a

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Speaker 2: young dude. So I guess it worked out for both

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Speaker 2: business and and you know what I mean, and and

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Speaker 2: and on the artist.

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Speaker 3: Side, what were y'all listening to with that?

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Speaker 2: So, I mean I was listening to like whatever was

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Speaker 2: you know, the radio was, you know, I guess b LS, Magic,

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Speaker 2: Crap Attack. I never missed that.

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Speaker 6: You know.

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Speaker 2: I was in this house tape taping the radio shows

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Speaker 2: and so anything everything that was, everything that was coming

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Speaker 2: out I was listening to. It was like, like I said,

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Speaker 2: I was just a sponge. It was never like it

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Speaker 2: wasn't one hip hop record that I didn't know. They

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Speaker 2: wont one hip hop record that came out that I

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Speaker 2: wasn't like up on even like and like it's it's

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Speaker 2: weird because, like I say, even with the whole like

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Speaker 2: I started djaying.

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Speaker 5: Around that same time, like about.

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Speaker 8: Fifteen, where it was like house parties.

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Speaker 7: Or no never DJ real justj okay, okayj.

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Speaker 5: DJ being Chad was DJing in the house and.

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Speaker 2: Living on Eastern Parkway. I learned Jamaican records that I

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Speaker 2: would have never course don't. We don't have that, so

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Speaker 2: you know, the main I think the biggest record when

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Speaker 2: I stayed in Brooklyn was cool mm hmm.

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Speaker 8: They don't know nothing about that, you know what.

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Speaker 2: We go outside I'm talking about.

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Speaker 5: I'm like, what the hell is this?

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Speaker 2: Every block boom boom boom, so you know, but that's

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Speaker 2: what I'm saying. So all of this stuff is like

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Speaker 2: these all these little pieces that I didn't actually know

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Speaker 2: that I it's gonna have to that that I could

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Speaker 2: use or you know, or what was gonna happen with

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Speaker 2: me with a producer. But it was just it definitely

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Speaker 2: was a crazy learning I mean school basically.

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Speaker 4: Yeah, and when you full hip hop fifteen year old

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Speaker 4: JD at that time, yeah, not even thinking R and

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Speaker 4: B would even be a.

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Speaker 3: Path for you, nah uh never, which is crazy.

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Speaker 4: What sparked that R and B part of your brain,

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Speaker 4: because I could even see some of those Jamaican records

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Speaker 4: as much as a lot of those breakbeat stuff in

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Speaker 4: old dancehall stuff is hip hop. A lot of that

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Speaker 4: melodic shit is really from R and B.

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Speaker 2: It is.

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Speaker 5: I mean, you know, it was crazy about the the

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Speaker 5: R and B side. I don't. I didn't approach R

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Speaker 5: and B like R and B.

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Speaker 2: I approached it like I could write songs, so I'm like,

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Speaker 2: you know, and I wrote, I write hooks, so I

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Speaker 2: write the hooks for the some rap records. I'm like,

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Speaker 2: if I write a hook, I could write, I could

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Speaker 2: possibly write a song. But I never I never was

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Speaker 2: doing it prior to trying to do it. So once

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Speaker 2: Crisscross came out and they was so big, and Babyface

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Speaker 2: told me that, you know, I wasn't ship if I

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Speaker 2: couldn't do it again, I was like, well, all right,

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Speaker 2: I gotta figure out how to do something else. So

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Speaker 2: my mind started just going into like, Okay, I'm gonna

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Speaker 2: try to make an R and B record, and I was.

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Speaker 2: I was fearless at that time too. When you don't

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Speaker 2: have a bunch of hits, you don't kid if you

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Speaker 2: don't make none. By the way, if the first person

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Speaker 2: I went in the studio, if they would have listened

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Speaker 2: to me, I would have been responsible for sampling, damn

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Speaker 2: this sampling records period, because that's that's all I wanted

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Speaker 2: to do. I didn't have a mind to like make music.

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Speaker 2: My mind was we're gonna take this and we're gonna

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Speaker 2: rap over this, We're gonna put this part in, and

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Speaker 2: we're gonna put this part in, like and.

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Speaker 8: Who was this artist?

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Speaker 3: And I want.

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Speaker 2: I don't want to do that because I mean I

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Speaker 2: don't want you know, But that that that them not

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Speaker 2: understanding because it wasn't really like a It wasn't really

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Speaker 2: like a thing that they was like, JD, you don't

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Speaker 2: know what the fuck you're talking about. Or maybe it

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Speaker 2: was because I was young, but at the same time,

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Speaker 2: it was like it was unusual for probably a fifteen

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Speaker 2: year old kid to be saying, like, yo, let's take

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Speaker 2: these people's music and let's loop it and let me

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Speaker 2: rap over it. And to them at that time in

247
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Speaker 2: nineteen probably eighty nine, yeah, probably eighty nine, that sounded

248
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Speaker 2: like stealing, you know what I mean, completely thievery.

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Speaker 3: Right, so and no musical integrity.

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Speaker 2: Yeah, not one bit, so so you know, I would

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Speaker 2: go one place and I'm like, listen, I want you

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Speaker 2: to loop this record up. By the way, I didn't

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Speaker 2: even know what that meant. I ain't had no drum machine,

254
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Speaker 2: so I'm not really even knowing. I'm just like, I

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Speaker 2: want this to play the whole time.

256
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Speaker 3: I like this part.

257
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Speaker 2: Yeah, And the dude was like, it can't take their music,

258
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Speaker 2: but I'm gonna make something that sound like it. And

259
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Speaker 2: I'm like, all right, let me give you a chance

260
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Speaker 2: to see if you're gonna make something to sound like

261
00:13:33,720 --> 00:13:41,360
Speaker 2: make some I'm like, nah, that ain't it. That ain't it,

262
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Speaker 2: that's not it, that's not what. That's not that's not

263
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Speaker 2: the sound I want. And then I had Chad there

264
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Speaker 2: and we both like, nah, we're supposed to sample this.

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Speaker 5: Now we don't know.

266
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Speaker 2: We don't know what we're talking about because I don't

267
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Speaker 2: know what sampling is. Like I said, I never even

268
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Speaker 2: had no I ain't have no equipment. So something happened

269
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Speaker 2: in that process where and this was records that me

270
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Speaker 2: and Chad was trying to make. We was trying to

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Speaker 2: be artists, and in that process that didn't work.

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Speaker 5: Me and Chad didn't work as artists.

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Speaker 2: Records came out on an independent but dydn't do nothing.

274
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Speaker 2: But I mean, at the same time I was doing

275
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Speaker 2: exact same thing. Man him was rapping.

276
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Speaker 5: I was writing.

277
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Speaker 2: Hooks and I was writing, but I didn't have the

278
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Speaker 2: production part yet and so I didn't like, I didn't

279
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Speaker 2: really love the music. So these girls that I met

280
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Speaker 2: on tour with Houdini when I was on the Fresh Veest,

281
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Speaker 2: they was like, we wanted we group, and I'm like,

282
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Speaker 2: y'all group. I'm like, well, y'all should.

283
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Speaker 5: Let me produce you. I never produced.

284
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Speaker 2: Straight said this, this is what I've said, and it

285
00:14:59,080 --> 00:15:01,720
Speaker 2: was like what And I'm like, yea, you should let

286
00:15:01,760 --> 00:15:04,800
Speaker 2: me produce you. We go back to Atlanta, you should

287
00:15:04,880 --> 00:15:07,760
Speaker 2: let me produce you. Now I was thinking already back

288
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Speaker 2: to Atlanta. I'm like, listen, they got a car. They

289
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Speaker 2: they older, they can come pick me up, they could

290
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Speaker 2: take me places I have nothing, Like, I'm just trying

291
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Speaker 2: to stand.

292
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Speaker 3: They got a car.

293
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Speaker 2: Yeah, you're gonna come pick me up and get some

294
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Speaker 2: food whatever whatever it is, right, So I'm seeing all

295
00:15:25,720 --> 00:15:28,360
Speaker 2: of this, but we on tour. So yeah, So at sixteen,

296
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Speaker 2: I had the I started making beats and I'm making beats,

297
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Speaker 2: making beats, and I think I want to say the

298
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Speaker 2: Soup Times Leather.

299
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Speaker 5: Project had come out. It was doing okay.

300
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Speaker 2: It wasn't like I said, it didn't do amazing, but

301
00:15:46,800 --> 00:15:48,880
Speaker 2: it did enough to get like a little bit of

302
00:15:48,880 --> 00:15:51,640
Speaker 2: notoriety for them. I got a little bit of money,

303
00:15:52,280 --> 00:15:56,280
Speaker 2: and they got into Jet Magazine. And when they got

304
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Speaker 2: in Jet Magazine, they had a full little picture in there.

305
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Speaker 2: And that's what got the Chris's mom to notice me

306
00:16:04,400 --> 00:16:07,640
Speaker 2: at at the mall, because if she wouldn't have saw

307
00:16:07,680 --> 00:16:11,440
Speaker 2: that Jet magazine, she I probably wouldn't even hooked up

308
00:16:11,480 --> 00:16:14,640
Speaker 2: with Chris and Chris because the DJ from Silk Times

309
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Speaker 2: Leather was with me and she was like, I just

310
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Speaker 2: saw you in Jet magazine. They weren't thinking about me,

311
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Speaker 2: so they was thinking about her. They thought, okay, well

312
00:16:22,600 --> 00:16:25,040
Speaker 2: this gotta be legit because I seen her in the magazine.

313
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Speaker 2: That's the only thing that probably like that. Definitely that

314
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Speaker 2: saved me and got me connected with Christ and Christ.

315
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Speaker 2: But basically I was just walking through the mall, no Greenbrie.

316
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Speaker 2: I went to greenbro mall to get get some sneakers,

317
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Speaker 2: I think, and just a humbug and Chris and Chris

318
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Speaker 2: was in the mall and like I said, I'm just

319
00:16:45,960 --> 00:16:51,440
Speaker 2: looking at them, and I'm thinking, like, you guys must

320
00:16:51,440 --> 00:16:54,720
Speaker 2: be like on Nickelodeon or something like, because I was like,

321
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Speaker 2: I'm not. I'm super hip hop by the way, So

322
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Speaker 2: I don't like Nickelodeon, I don't like nothing, and I

323
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Speaker 2: don't like nothing that's remotely close to Disney any of that. Right,

324
00:17:05,320 --> 00:17:09,159
Speaker 2: So but I keep looking at these kids, and the

325
00:17:09,160 --> 00:17:11,920
Speaker 2: girls in the mall they watching them like, so I'm

326
00:17:12,000 --> 00:17:13,720
Speaker 2: asking people, I'm like, who is this and people like,

327
00:17:13,760 --> 00:17:17,080
Speaker 2: oh no, and they go to this. So I'm actually

328
00:17:17,320 --> 00:17:21,240
Speaker 2: at this point following these kids around them all and

329
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Speaker 2: they go to the Cookie Company they used to be

330
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Speaker 2: like the Cookie.

331
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Speaker 4: Company and thank god you was a kid too, and yeah.

332
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Speaker 2: So I'm following these kids around and I'm a kid too,

333
00:17:33,680 --> 00:17:38,080
Speaker 2: So don't you know, he's looking crazy? And they go

334
00:17:38,160 --> 00:17:41,119
Speaker 2: to cookie counter and the girls just working at Cookie

335
00:17:41,200 --> 00:17:46,840
Speaker 2: Company they freaking out. They screaming, They're giving them free cookies.

336
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Speaker 8: All off the look. They're not famous, nothing, nothing, okay,

337
00:17:50,720 --> 00:17:55,680
Speaker 8: And I'm like, yeah, I'm.

338
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Speaker 2: Like, is this like this gotta be a joke or

339
00:17:58,280 --> 00:18:00,359
Speaker 2: something like what's going on right now? They felt like

340
00:18:00,400 --> 00:18:02,640
Speaker 2: I was in the Twilight Zone because I'm like, nobody

341
00:18:02,640 --> 00:18:05,400
Speaker 2: else around me is paying no attention to this, right,

342
00:18:05,600 --> 00:18:09,040
Speaker 2: Like the girl that's with me, Dola mixed from some

343
00:18:09,240 --> 00:18:11,560
Speaker 2: times other she ain't saying like, yo, look at that.

344
00:18:12,000 --> 00:18:14,600
Speaker 2: It seemed like nobody's paying no attention to this but

345
00:18:14,760 --> 00:18:18,359
Speaker 2: me and this ship is happening. Like so I'm sitting

346
00:18:18,400 --> 00:18:22,399
Speaker 2: them looking, I'm like, somebody got to tell me something.

347
00:18:22,440 --> 00:18:24,560
Speaker 2: So first of all, I'm mad because I ain't got

348
00:18:24,560 --> 00:18:25,320
Speaker 2: no free cookies.

349
00:18:25,400 --> 00:18:27,080
Speaker 5: That's that's first.

350
00:18:27,119 --> 00:18:29,760
Speaker 2: That's first, because I'm like, I'm not even really I'm not.

351
00:18:30,640 --> 00:18:33,040
Speaker 2: It ain't hit me yet that they could be a group.

352
00:18:33,960 --> 00:18:38,080
Speaker 2: I'm just I'm thinking they just somebody already. Not nothing

353
00:18:38,119 --> 00:18:40,440
Speaker 2: about me being like I could write for these kids

354
00:18:40,480 --> 00:18:42,160
Speaker 2: or nothing. I don't have that even in my brain.

355
00:18:42,640 --> 00:18:47,240
Speaker 2: I'm trying to figure out how she and the magazine

356
00:18:48,080 --> 00:18:52,399
Speaker 2: I'm with her, y'all giving them free cookies and we

357
00:18:52,440 --> 00:18:55,000
Speaker 2: should be getting the fresh. That's what I'm trying to

358
00:18:55,000 --> 00:18:55,440
Speaker 2: figure out.

359
00:18:56,280 --> 00:18:59,199
Speaker 3: And I heard that's why you're a vegan to this day.

360
00:18:59,440 --> 00:19:04,840
Speaker 2: Noah shouldn't be. So I go, I go over to them. Mom,

361
00:19:04,840 --> 00:19:08,240
Speaker 2: I'm like, yo, what what do y'all do. And it's

362
00:19:08,320 --> 00:19:11,560
Speaker 2: like what I said, what y'all do? And he's like,

363
00:19:11,560 --> 00:19:15,440
Speaker 2: what you mean when we do? I'm like, what do y'all.

364
00:19:16,760 --> 00:19:17,080
Speaker 3: To school?

365
00:19:17,119 --> 00:19:21,320
Speaker 5: They're like, we just cool. I'm like, y'all just cool.

366
00:19:22,840 --> 00:19:25,840
Speaker 2: And like yeah, I said, well, y'all don't rap and

367
00:19:25,840 --> 00:19:29,040
Speaker 2: they said rap like rapping was whacked. By the way,

368
00:19:29,080 --> 00:19:31,680
Speaker 2: this is the moment in time when I will never

369
00:19:31,760 --> 00:19:34,320
Speaker 2: ever see in life because every little young motherfucker think

370
00:19:34,359 --> 00:19:38,080
Speaker 2: you can wrap. This was a time period when kids

371
00:19:38,119 --> 00:19:39,240
Speaker 2: didn't want to be rappers.

372
00:19:40,240 --> 00:19:42,560
Speaker 4: I feel like adults. Hope talks about that all the time.

373
00:19:42,600 --> 00:19:44,280
Speaker 4: Like he was like, I didn't. I was a secret

374
00:19:44,280 --> 00:19:46,320
Speaker 4: that I was a rapper because rappers weren't really cool

375
00:19:46,320 --> 00:19:46,800
Speaker 4: at that time.

376
00:19:47,040 --> 00:19:49,200
Speaker 2: Yeah, I mean, I guess right. So I said this

377
00:19:49,280 --> 00:19:50,960
Speaker 2: to them. I'm saying, like, do y'all wrap? They said

378
00:19:51,040 --> 00:19:58,080
Speaker 2: rap like we don't want that. And at that point

379
00:19:58,119 --> 00:20:02,600
Speaker 2: that's when I was like, oh, ship, y'all don't even

380
00:20:02,600 --> 00:20:09,040
Speaker 2: make music. So then I'm like, so why these girls

381
00:20:09,040 --> 00:20:10,639
Speaker 2: giving y'all free ship?

382
00:20:10,840 --> 00:20:14,479
Speaker 5: They're just cool and they that's what he said. He's like,

383
00:20:14,640 --> 00:20:18,679
Speaker 5: which is cool. They love us, like they love y'all.

384
00:20:19,240 --> 00:20:22,440
Speaker 8: What now you sound like I hated JD.

385
00:20:25,119 --> 00:20:28,640
Speaker 4: On some stars, Like there's gotta be something like they

386
00:20:28,720 --> 00:20:31,919
Speaker 4: just love that twelve years old telling you that.

387
00:20:32,400 --> 00:20:36,720
Speaker 2: I'm like, but what's going on? So at that point,

388
00:20:36,720 --> 00:20:40,760
Speaker 2: I'm like, Okay, these little bastard day That's how I'm feeling.

389
00:20:40,800 --> 00:20:43,480
Speaker 2: Like this little dude talking to me like he's like

390
00:20:43,600 --> 00:20:46,240
Speaker 2: he got all of But by the way, they was fresh.

391
00:20:46,720 --> 00:20:48,760
Speaker 2: They had on new sneakers. They was in the mall

392
00:20:48,760 --> 00:20:50,480
Speaker 2: getting sneakers and getting.

393
00:20:50,160 --> 00:20:52,400
Speaker 3: Free ship close on the right way at that time,

394
00:20:52,640 --> 00:20:53,480
Speaker 3: close on the right way.

395
00:20:53,920 --> 00:20:56,879
Speaker 2: They was fly. They was fly kids. They had boxes.

396
00:20:57,200 --> 00:21:00,880
Speaker 2: They ship was cut and I was just like.

397
00:21:01,560 --> 00:21:03,320
Speaker 7: Back then that would appeal to the young girls that

398
00:21:03,359 --> 00:21:05,640
Speaker 7: work in the mall, like oh they some cute little boys.

399
00:21:05,840 --> 00:21:08,680
Speaker 5: N you really don't understand what I'm saying.

400
00:21:08,680 --> 00:21:10,160
Speaker 2: It was like you you would have saw this ship,

401
00:21:10,200 --> 00:21:14,800
Speaker 2: it would be bugging like you gotta show you.

402
00:21:14,840 --> 00:21:17,760
Speaker 4: Got a cameras, just walk through them all, no one stopping, nobody,

403
00:21:20,000 --> 00:21:20,639
Speaker 4: not one person.

404
00:21:21,160 --> 00:21:25,000
Speaker 7: Okay, if you've seen two little boys and they don't

405
00:21:25,000 --> 00:21:26,280
Speaker 7: do nothing, you've.

406
00:21:26,160 --> 00:21:31,399
Speaker 2: Never seen them nowhere, and you would be like you

407
00:21:31,520 --> 00:21:35,600
Speaker 2: seen me, and they'd be like screaming. I'm not saying

408
00:21:35,640 --> 00:21:39,720
Speaker 2: like they was freaking out, and I'm like, what's going on?

409
00:21:40,480 --> 00:21:42,720
Speaker 2: And then Chris was like, yeah, we come here every week,

410
00:21:42,800 --> 00:21:45,520
Speaker 2: this this our hood, just where we're at. They know us,

411
00:21:45,880 --> 00:21:50,600
Speaker 2: and I'm just like what m hm. And at that

412
00:21:50,720 --> 00:21:56,040
Speaker 2: point I froze in my mind just start going. I'm like, Yo,

413
00:21:56,640 --> 00:22:00,320
Speaker 2: if I find a song for these kids and these

414
00:22:00,359 --> 00:22:02,399
Speaker 2: girls are acting like this already, They're gonna be the

415
00:22:02,400 --> 00:22:04,800
Speaker 2: biggest shit in the world. I said this in the mall.

416
00:22:05,840 --> 00:22:08,480
Speaker 2: I couldn't find a song, but I said in the mall,

417
00:22:10,600 --> 00:22:14,920
Speaker 2: So then I you know, I'm like, well, y'all should

418
00:22:14,960 --> 00:22:17,000
Speaker 2: give me y'all number, and they was like for what.

419
00:22:17,560 --> 00:22:19,680
Speaker 2: That's when they was looking at me, like yore going

420
00:22:19,840 --> 00:22:23,879
Speaker 2: what you want my number for? Right, I'm like, I

421
00:22:23,920 --> 00:22:27,320
Speaker 2: want to make some records with y'all. Mind you, I

422
00:22:27,320 --> 00:22:30,520
Speaker 2: don't have no records. I mean sometimes leathers whatever, but

423
00:22:31,359 --> 00:22:38,240
Speaker 2: I never made no I never made a male rap

424
00:22:38,320 --> 00:22:42,040
Speaker 2: record besides me, right, so I don't actually even know

425
00:22:42,080 --> 00:22:44,080
Speaker 2: what I'm talking about when I'm telling them I've been

426
00:22:44,080 --> 00:22:50,000
Speaker 2: making songs for girls, right, writing female lyrics, and they

427
00:22:50,000 --> 00:22:52,120
Speaker 2: eleven and twelve, So I just still I don't even

428
00:22:52,200 --> 00:22:53,720
Speaker 2: know that life no more?

429
00:22:53,800 --> 00:22:59,240
Speaker 3: Right, I just want I just like cookie whatever, three cookies.

430
00:23:01,040 --> 00:23:03,840
Speaker 2: I So I get the numbers and I'm like, we

431
00:23:03,920 --> 00:23:07,200
Speaker 2: just start hanging out and they start, they start coming

432
00:23:07,240 --> 00:23:12,159
Speaker 2: to my house and at first, you know, I couldn't

433
00:23:12,200 --> 00:23:16,800
Speaker 2: figure out how I was gonna get them to rap.

434
00:23:17,080 --> 00:23:18,840
Speaker 5: And then it hit me.

435
00:23:23,440 --> 00:23:27,320
Speaker 2: One day we was in the car and we was

436
00:23:27,400 --> 00:23:32,280
Speaker 2: playing I think it was playing ice Cube America's Most

437
00:23:32,280 --> 00:23:36,840
Speaker 2: Wanted Album, and they knew all the lyrics. And then

438
00:23:36,840 --> 00:23:38,919
Speaker 2: without me asking, I was playing, I was and they

439
00:23:39,000 --> 00:23:41,199
Speaker 2: knew all lyrics and I was looking in the review

440
00:23:41,320 --> 00:23:42,880
Speaker 2: and I could see them back then in the back

441
00:23:42,960 --> 00:23:43,560
Speaker 2: seat like.

442
00:23:44,480 --> 00:23:48,640
Speaker 5: Her pay back, some motherfucker making like I got.

443
00:23:48,920 --> 00:23:54,480
Speaker 2: I'm like, they act like rappers. They know the lyrics.

444
00:23:55,680 --> 00:23:57,960
Speaker 2: So that's why I'm starting. I'm talking to myself like,

445
00:23:59,160 --> 00:24:00,200
Speaker 2: if I write a song.

446
00:24:00,080 --> 00:24:05,359
Speaker 5: On that they like they delivered, they rap it like

447
00:24:05,400 --> 00:24:07,200
Speaker 5: they're doing ice Cube.

448
00:24:08,400 --> 00:24:09,200
Speaker 2: Ship might work.

449
00:24:11,400 --> 00:24:13,560
Speaker 5: But I'm like, JD, you ain't ice Cube.

450
00:24:13,280 --> 00:24:17,520
Speaker 3: Though at the same time his name, so.

451
00:24:19,040 --> 00:24:21,040
Speaker 2: But you know, I'm saying that that's the part that

452
00:24:21,040 --> 00:24:24,720
Speaker 2: I tried I left out. I'm like, wow, ice Cube.

453
00:24:24,760 --> 00:24:26,840
Speaker 3: Very few people are to this.

454
00:24:26,880 --> 00:24:31,600
Speaker 2: Day, you know what I mean. So, uh, I should

455
00:24:31,640 --> 00:24:35,720
Speaker 2: have thought about that part, because that part did. It

456
00:24:35,760 --> 00:24:38,399
Speaker 2: took a long time for them to get to like

457
00:24:38,520 --> 00:24:39,359
Speaker 2: what I was writing.

458
00:24:39,840 --> 00:24:41,120
Speaker 3: But that's why overthink.

459
00:24:41,560 --> 00:24:43,720
Speaker 4: If you really overthought it and thought I'm not ice

460
00:24:43,760 --> 00:24:44,920
Speaker 4: Cube would have got there.

461
00:24:44,960 --> 00:24:46,560
Speaker 2: Well, I mean you had. I had to come up.

462
00:24:46,680 --> 00:24:50,080
Speaker 2: I had to say that podcast. They were the first song.

463
00:24:50,160 --> 00:24:53,840
Speaker 2: They was like mm hmm, what is this right?

464
00:24:54,280 --> 00:25:00,720
Speaker 5: Literally, and it's.

465
00:25:00,560 --> 00:25:02,240
Speaker 2: So a wild because I have so much stuff that's

466
00:25:02,320 --> 00:25:05,280
Speaker 2: going on at the time that I'm telling y'all this story.

467
00:25:06,200 --> 00:25:12,400
Speaker 2: This is I think in the same week that Chris

468
00:25:12,400 --> 00:25:14,480
Speaker 2: and Chris come to my house and we start making

469
00:25:14,520 --> 00:25:17,560
Speaker 2: records actually start and I start figuring out how I'm

470
00:25:17,560 --> 00:25:23,000
Speaker 2: gonna do this. This guy named Ian Bert that's from

471
00:25:23,000 --> 00:25:26,080
Speaker 2: Atlanta comes to my house and he says, y'all, I

472
00:25:26,119 --> 00:25:28,639
Speaker 2: got this girl I want you to meet. She just

473
00:25:28,680 --> 00:25:33,040
Speaker 2: came from out of town. She talented. I think she

474
00:25:33,280 --> 00:25:35,640
Speaker 2: I think she is star. We need to do something

475
00:25:35,680 --> 00:25:36,760
Speaker 2: with her. Now.

476
00:25:37,520 --> 00:25:39,200
Speaker 5: Once again my house.

477
00:25:40,720 --> 00:25:43,480
Speaker 2: It's just like I got equipment, but I ain't really

478
00:25:43,520 --> 00:25:47,600
Speaker 2: got no outlet. I don't know why ian brought this

479
00:25:47,680 --> 00:25:49,919
Speaker 2: girl to my house, but he did. And I mean,

480
00:25:49,960 --> 00:25:53,760
Speaker 2: I guess, you know, whatever the universe brought him over there.

481
00:25:54,119 --> 00:25:56,600
Speaker 5: The girl was left Eye. The Left Eye comes to

482
00:25:56,640 --> 00:25:57,400
Speaker 5: my house.

483
00:25:58,720 --> 00:26:03,399
Speaker 2: And she ends up she's from fresh from Philly, s

484
00:26:03,800 --> 00:26:06,920
Speaker 2: nowhere to station. She ends up staying in my closet

485
00:26:07,040 --> 00:26:13,359
Speaker 2: basically at my house. So basically all of this is

486
00:26:13,400 --> 00:26:15,679
Speaker 2: going on in my bedroom. I got Chris and Chris

487
00:26:15,880 --> 00:26:18,280
Speaker 2: my room. I got this girl in the closet, they

488
00:26:18,400 --> 00:26:21,520
Speaker 2: left Eye, Me and Ian talking all this in my bedroom.

489
00:26:21,560 --> 00:26:24,280
Speaker 2: My mother doors closed. My mom don't know what's going on.

490
00:26:26,680 --> 00:26:30,600
Speaker 2: So when I meet Left Eye and I see what's

491
00:26:30,600 --> 00:26:34,080
Speaker 2: going on with her, I start trying to like make

492
00:26:34,160 --> 00:26:39,000
Speaker 2: everybody work. So I got this crazy idea. I'm like,

493
00:26:39,080 --> 00:26:43,000
Speaker 2: I'm a sample Michael Jackson and Paul McCartney, and I'm

494
00:26:43,000 --> 00:26:45,880
Speaker 2: gonna make the girl is mine and you and Chris

495
00:26:45,920 --> 00:26:48,280
Speaker 2: gonna argue over left Eye.

496
00:26:51,000 --> 00:26:53,440
Speaker 3: I could hear Left Eye cursing both of them right now.

497
00:26:54,400 --> 00:26:57,880
Speaker 2: It was this is I tried it. It was. It's

498
00:26:57,960 --> 00:27:01,800
Speaker 2: crazy because, like I said, the idea of samples and

499
00:27:01,840 --> 00:27:04,320
Speaker 2: the way I was trying to do things, this was.

500
00:27:04,880 --> 00:27:12,120
Speaker 2: This was. This was ten years ten years before Kanye,

501
00:27:13,680 --> 00:27:18,000
Speaker 2: This was ten years before just Blaze. When I'm what

502
00:27:18,080 --> 00:27:22,760
Speaker 2: I'm talking about, I'm literally saying this and I tried it.

503
00:27:23,400 --> 00:27:27,199
Speaker 2: I was trying it. I just I didn't know it

504
00:27:27,320 --> 00:27:29,560
Speaker 2: wasn't right, but I knew that's what I wanted to do.

505
00:27:29,680 --> 00:27:30,480
Speaker 6: I was.

506
00:27:30,800 --> 00:27:34,120
Speaker 2: I knew it was that was supposed to happen, right,

507
00:27:34,640 --> 00:27:36,680
Speaker 2: and I had, you know, I sampled the Girl is

508
00:27:36,760 --> 00:27:40,560
Speaker 2: Mine and I had it, but the song was just

509
00:27:40,600 --> 00:27:46,840
Speaker 2: so like super cheesy song for a rap record. But

510
00:27:47,200 --> 00:27:50,439
Speaker 2: the idea was there, but they ain't love the idea.

511
00:27:50,520 --> 00:27:52,959
Speaker 2: Chris Chris was just like they did it, but it

512
00:27:53,040 --> 00:27:55,240
Speaker 2: was just like whatever, right, And that was like the

513
00:27:55,280 --> 00:27:58,200
Speaker 2: beginning of let's trying to get into it.

514
00:27:58,680 --> 00:27:59,360
Speaker 5: And then.

515
00:28:01,760 --> 00:28:07,560
Speaker 2: I wrote some more records for them, and I started realizing, like, okay,

516
00:28:08,480 --> 00:28:10,480
Speaker 2: once again, back to the ice cube, things like I

517
00:28:10,520 --> 00:28:13,000
Speaker 2: gotta make records that these kids actually.

518
00:28:14,359 --> 00:28:15,640
Speaker 5: That feel like it's them.

519
00:28:17,400 --> 00:28:19,880
Speaker 2: And I think that's where I started getting my writing

520
00:28:20,000 --> 00:28:26,480
Speaker 2: chops really really together, because I start understanding that when

521
00:28:26,520 --> 00:28:30,720
Speaker 2: you write music, you gotta write for the person. The

522
00:28:30,760 --> 00:28:37,640
Speaker 2: person has to feel like it's them. And I woke

523
00:28:37,760 --> 00:28:41,720
Speaker 2: up one morning I was like, okay, because like I said,

524
00:28:41,760 --> 00:28:44,800
Speaker 2: I wasn't. I was. I was hip hop, super hip hop,

525
00:28:44,880 --> 00:28:47,480
Speaker 2: no guy on, no music, I don't no keyboards, none

526
00:28:47,520 --> 00:28:51,200
Speaker 2: of that I'm sampling. I'm just trying to sample. So

527
00:28:51,440 --> 00:28:57,560
Speaker 2: I had turntables and I had and I kept thinking

528
00:28:57,600 --> 00:29:00,760
Speaker 2: about ice Cube. I'm thinking about ice Cube. I'm saying like, Okay,

529
00:29:00,800 --> 00:29:02,080
Speaker 2: I gotta make these kids a.

530
00:29:02,040 --> 00:29:09,440
Speaker 5: Record like ice Cube. So then I took easy Boys

531
00:29:09,440 --> 00:29:12,440
Speaker 5: in the Hood. And then.

532
00:29:15,240 --> 00:29:18,040
Speaker 2: Ice Cube had this song on his album, well go

533
00:29:18,200 --> 00:29:21,280
Speaker 2: little Boys and Girls they all love Me, Come sit

534
00:29:21,320 --> 00:29:22,840
Speaker 2: on the Lap. He had that.

535
00:29:23,200 --> 00:29:27,120
Speaker 5: So I took the Little Boys and then I.

536
00:29:27,120 --> 00:29:30,640
Speaker 2: Put Boys in the Hood from Easy, and I was

537
00:29:30,680 --> 00:29:34,040
Speaker 2: doing that on the turntables, So there was like little

538
00:29:34,040 --> 00:29:37,080
Speaker 2: Boys in the Hood, Little Boys in the Hood, and

539
00:29:37,080 --> 00:29:40,080
Speaker 2: I'm like, oh, wouldn't go over well on this is

540
00:29:40,080 --> 00:29:42,760
Speaker 2: a song Little Boys in the Hood.

541
00:29:43,880 --> 00:29:46,240
Speaker 5: And then I start thinking about what I can write about.

542
00:29:46,280 --> 00:29:48,840
Speaker 2: So now I start asking them questions about what they

543
00:29:48,920 --> 00:29:52,720
Speaker 2: see and what's going on. And I start thinking about

544
00:29:53,080 --> 00:29:56,800
Speaker 2: the movie Boys in the Hood with the kids like

545
00:29:56,800 --> 00:30:00,000
Speaker 2: you want to see a Dead Body, and how those

546
00:30:00,000 --> 00:30:02,360
Speaker 2: those kids actually was the ones that were singing all

547
00:30:02,400 --> 00:30:05,200
Speaker 2: the murder shit before everybody else, right, So I started

548
00:30:05,240 --> 00:30:09,440
Speaker 2: thinking about how Little Boys in the Hood actually.

549
00:30:10,560 --> 00:30:12,719
Speaker 5: Their vision of what's going on in the hood. You

550
00:30:12,800 --> 00:30:15,000
Speaker 5: never actually hear that perspective, right.

551
00:30:15,600 --> 00:30:21,160
Speaker 2: So I wrote that song that was a song, so

552
00:30:21,200 --> 00:30:23,280
Speaker 2: I start going off that. I'm like, I'm going with this,

553
00:30:23,800 --> 00:30:26,640
Speaker 2: and when they heard it, I seen their eyes light up.

554
00:30:26,640 --> 00:30:27,880
Speaker 5: Like yeah, that's us.

555
00:30:28,680 --> 00:30:31,040
Speaker 2: You said something, that's what we want to talk about.

556
00:30:31,280 --> 00:30:34,920
Speaker 2: And I'm like, oh okay. So at that point I

557
00:30:34,960 --> 00:30:37,720
Speaker 2: knew they was gonna rap it way better, and they did.

558
00:30:37,760 --> 00:30:40,720
Speaker 2: They rapped the lyrics better than they did the other songs.

559
00:30:41,120 --> 00:30:43,479
Speaker 2: They sounded like they really wanted to do this. They

560
00:30:43,600 --> 00:30:45,840
Speaker 2: was acting like rappers and.

561
00:30:47,280 --> 00:30:47,760
Speaker 6: That song.

562
00:30:47,840 --> 00:30:50,840
Speaker 2: I thought that song was gonna be there smash little

563
00:30:50,880 --> 00:30:54,480
Speaker 2: boys in the hood. So I finished that demo and

564
00:30:54,600 --> 00:30:58,760
Speaker 2: I sent the demo out to rough House and they

565
00:30:58,800 --> 00:31:01,239
Speaker 2: called back like, yeah, we want to signed them, and

566
00:31:01,280 --> 00:31:02,600
Speaker 2: I was like, oh shit.

567
00:31:03,000 --> 00:31:05,400
Speaker 4: And at this point, there isn't like the kid rapper

568
00:31:05,400 --> 00:31:06,760
Speaker 4: hasn't existed yet at all.

569
00:31:07,440 --> 00:31:12,000
Speaker 3: Yeah I mean me, yeah, well yeah that.

570
00:31:13,400 --> 00:31:14,480
Speaker 2: Nobody, Me and Chad.

571
00:31:14,920 --> 00:31:17,800
Speaker 5: But yeah, that's just that was the beginning that I think,

572
00:31:17,920 --> 00:31:18,920
Speaker 5: like ninety.

573
00:31:18,600 --> 00:31:21,840
Speaker 4: One, I just want to quickly interrupt because you're just

574
00:31:21,840 --> 00:31:24,200
Speaker 4: saying left Eye was living in your career.

575
00:31:24,360 --> 00:31:25,440
Speaker 3: It's just crazy.

576
00:31:25,440 --> 00:31:26,080
Speaker 2: It was crazy.

577
00:31:26,440 --> 00:31:29,440
Speaker 4: So where is left Eye at this point? Because of course,

578
00:31:29,440 --> 00:31:31,840
Speaker 4: your focus is criss cross. But what is left Eye

579
00:31:31,880 --> 00:31:35,240
Speaker 4: doing at this time? Who is Reco around at this time?

580
00:31:35,400 --> 00:31:36,640
Speaker 4: Is t bos around at this time?

581
00:31:36,680 --> 00:31:40,960
Speaker 2: What is nah so so left? I was still part left.

582
00:31:40,960 --> 00:31:46,560
Speaker 2: I was really like pro pre social death, right because

583
00:31:46,720 --> 00:31:49,280
Speaker 2: none of that. I mean, you know, my mixtapes was

584
00:31:49,280 --> 00:31:51,360
Speaker 2: caused by the way I was DJing mixtapes.

585
00:31:51,360 --> 00:31:52,480
Speaker 5: I would sell mixtapes in.

586
00:31:52,520 --> 00:31:55,960
Speaker 2: School, but I wasn't like DJing clubs or whatever. But

587
00:31:56,000 --> 00:32:01,560
Speaker 2: my mixtapes was called social death mixtapes. And you know,

588
00:32:01,640 --> 00:32:03,480
Speaker 2: Left Eye, she was down. She was at the house.

589
00:32:04,040 --> 00:32:10,640
Speaker 2: She was actually really like instrumental in helping me figure

590
00:32:10,680 --> 00:32:15,760
Speaker 2: out the backwards jeans and getting the clothing right because

591
00:32:15,800 --> 00:32:18,280
Speaker 2: we used to just try crazy shit all the time

592
00:32:18,320 --> 00:32:22,520
Speaker 2: and be around each other. So really she was She

593
00:32:22,680 --> 00:32:25,160
Speaker 2: was not a part of what was going on with

594
00:32:25,200 --> 00:32:27,480
Speaker 2: Chris Graus, but she was just a support you know,

595
00:32:27,600 --> 00:32:29,920
Speaker 2: part of the support team, and she just was around

596
00:32:30,200 --> 00:32:31,680
Speaker 2: we was figuring out blah blah blah.

597
00:32:31,720 --> 00:32:32,640
Speaker 6: Then he.

598
00:32:36,080 --> 00:32:42,920
Speaker 2: Met another girl named Crystal, and he found Tea Bars.

599
00:32:43,360 --> 00:32:45,800
Speaker 2: I don't know how he did this, and then he

600
00:32:45,920 --> 00:32:52,200
Speaker 2: thought about putting these girls together and the first group

601
00:32:53,160 --> 00:32:56,240
Speaker 2: TL she was called second Nature, and it was basically

602
00:32:56,280 --> 00:33:03,560
Speaker 2: my group, and once he got T Buys, I did

603
00:33:03,600 --> 00:33:04,440
Speaker 2: a demo on.

604
00:33:06,080 --> 00:33:09,480
Speaker 5: I did a demo on them on T Bys and

605
00:33:09,640 --> 00:33:11,160
Speaker 5: Left Eye basically at my house.

606
00:33:11,960 --> 00:33:17,360
Speaker 2: And I'm trying to get their demo but also knowing

607
00:33:17,400 --> 00:33:18,800
Speaker 2: that Chrisscruss thing is moving.

608
00:33:18,920 --> 00:33:24,680
Speaker 5: Yeah, and I'm six seventeen at this point, right, and

609
00:33:24,760 --> 00:33:27,720
Speaker 5: how old are they who Chris and Chris is eleven

610
00:33:27,760 --> 00:33:28,600
Speaker 5: and twelve.

611
00:33:28,320 --> 00:33:31,240
Speaker 3: And Ts and Leftot that's around.

612
00:33:31,040 --> 00:33:32,880
Speaker 5: Rightly seventeen eighteen years old?

613
00:33:33,440 --> 00:33:33,720
Speaker 2: Right?

614
00:33:33,880 --> 00:33:35,960
Speaker 7: When jump drops and I told you last time, I

615
00:33:35,960 --> 00:33:38,440
Speaker 7: would say, I said that to me, is probably low

616
00:33:38,520 --> 00:33:39,959
Speaker 7: key the greatest disc record ever.

617
00:33:40,160 --> 00:33:40,360
Speaker 6: It was.

618
00:33:40,440 --> 00:33:43,720
Speaker 2: It's interesting because it was it was the Eminem type

619
00:33:43,800 --> 00:33:48,160
Speaker 2: disc record, in which I don't believe people really look

620
00:33:48,160 --> 00:33:49,120
Speaker 2: at Eminem records.

621
00:33:49,120 --> 00:33:51,120
Speaker 5: It's diss records. Right when you talk about.

622
00:33:50,920 --> 00:33:55,360
Speaker 2: Greatest disc songs, I never hear people talk about Eminem dissoning,

623
00:33:55,520 --> 00:33:58,960
Speaker 2: sinking Britney Spears. Yeah right. I feel like that's what

624
00:33:59,280 --> 00:34:01,840
Speaker 2: the Cris Cross thing was. Because ABC was looked at

625
00:34:01,920 --> 00:34:04,560
Speaker 2: as an R and B group and they want rappers.

626
00:34:04,960 --> 00:34:07,959
Speaker 5: It looked like, oh, you rapper boys is trying to

627
00:34:08,000 --> 00:34:12,400
Speaker 5: just pick won't you all go a dozz effects?

628
00:34:13,680 --> 00:34:13,919
Speaker 2: Wow?

629
00:34:14,400 --> 00:34:15,640
Speaker 3: But where was that? Where did that come from?

630
00:34:15,640 --> 00:34:15,799
Speaker 2: Though?

631
00:34:15,800 --> 00:34:15,880
Speaker 4: Like?

632
00:34:15,880 --> 00:34:18,440
Speaker 8: Why did? Why did? Why was those lyrics in that record?

633
00:34:19,800 --> 00:34:22,160
Speaker 5: That's just that's what I felt like needed to happen.

634
00:34:22,680 --> 00:34:23,960
Speaker 8: I just wanted to go ABC.

635
00:34:24,719 --> 00:34:24,919
Speaker 5: Well.

636
00:34:24,960 --> 00:34:27,600
Speaker 2: I just felt like I wanted to make sure that

637
00:34:27,719 --> 00:34:31,240
Speaker 2: Chris and Chris was established as rappers and I didn't

638
00:34:31,280 --> 00:34:33,640
Speaker 2: want them to come off like like I said, I

639
00:34:33,680 --> 00:34:38,440
Speaker 2: felt like, especially me at this time, I was, you know,

640
00:34:39,040 --> 00:34:41,560
Speaker 2: no shoe strings in my I was walking around here

641
00:34:41,640 --> 00:34:46,839
Speaker 2: like super duper b boy like, so all I could

642
00:34:46,840 --> 00:34:50,520
Speaker 2: think about was like, we're gonna dis somebody, somebody getting

643
00:34:50,520 --> 00:34:54,680
Speaker 2: ready to get it right. I don't know, you know,

644
00:34:54,719 --> 00:34:55,440
Speaker 2: that's what it was.

645
00:34:55,520 --> 00:34:57,759
Speaker 5: I was, you know, and it was like it just

646
00:34:57,800 --> 00:34:59,919
Speaker 5: felt like the thing to do. I don't know why.

647
00:35:00,120 --> 00:35:01,680
Speaker 7: So they just caught it straight just because you just

648
00:35:01,680 --> 00:35:02,880
Speaker 7: felt like somebody gotta get it.

649
00:35:02,960 --> 00:35:05,799
Speaker 2: Yeah, I mean, and you know, like I said, I

650
00:35:05,840 --> 00:35:09,680
Speaker 2: felt like it was an era where these two artists

651
00:35:09,840 --> 00:35:13,120
Speaker 2: was like young, so it was gonna be something that

652
00:35:13,160 --> 00:35:15,040
Speaker 2: you really paid attention to. I just was trying to

653
00:35:15,080 --> 00:35:17,560
Speaker 2: find a you know thing. It wasn't really like, it

654
00:35:17,680 --> 00:35:18,560
Speaker 2: wasn't no real beef.

655
00:35:19,719 --> 00:35:22,280
Speaker 3: It wasn't no real beef.

656
00:35:22,280 --> 00:35:26,160
Speaker 5: It was just like a let's set this tone.

657
00:35:26,400 --> 00:35:29,160
Speaker 2: Let's make sure that people know the difference between you

658
00:35:29,840 --> 00:35:33,000
Speaker 2: and them, and the only the way to do that

659
00:35:33,320 --> 00:35:35,959
Speaker 2: is to act like rappers, you know what I'm saying.

660
00:35:36,040 --> 00:35:38,120
Speaker 2: And by the way, all I was listening to was

661
00:35:38,120 --> 00:35:40,640
Speaker 2: God damn, I'm glad y'all set it up. It used

662
00:35:40,680 --> 00:35:44,799
Speaker 2: to be That's all I was listening to, like every day.

663
00:35:45,960 --> 00:35:48,879
Speaker 2: Like I think Jack and Foe Beast came out right

664
00:35:48,880 --> 00:35:51,680
Speaker 2: before I made Jump. You know what I'm saying. I'm

665
00:35:51,719 --> 00:35:55,959
Speaker 2: like Ice Cuban of Lynch My I'm like, oh my god,

666
00:35:56,000 --> 00:35:59,520
Speaker 2: we gotta make some shit like this. So I probably me.

667
00:35:59,600 --> 00:36:03,400
Speaker 5: I was just like this world, cue everybody.

668
00:36:03,640 --> 00:36:05,600
Speaker 4: So then Jump, being the last record you wrote for

669
00:36:05,680 --> 00:36:09,960
Speaker 4: Criss Cross, how do we transition into more of the

670
00:36:10,080 --> 00:36:11,280
Speaker 4: j D as.

671
00:36:11,160 --> 00:36:15,000
Speaker 3: An artist label owners so so deaf? How does that

672
00:36:15,000 --> 00:36:18,560
Speaker 3: that transfer? You gotta take your take.

673
00:36:19,880 --> 00:36:21,840
Speaker 8: Let's just usher, don't worry about it.

674
00:36:23,680 --> 00:36:26,000
Speaker 2: Where are you at, I'm in the studio.

675
00:36:27,760 --> 00:36:28,680
Speaker 6: Where are you at?

676
00:36:29,000 --> 00:36:29,840
Speaker 2: I'm in the studio.

677
00:36:31,120 --> 00:36:32,320
Speaker 6: I'm coming to you right now.

678
00:36:33,160 --> 00:36:35,799
Speaker 2: I'm doing podcast Get a fourth mic and they can

679
00:36:35,840 --> 00:36:36,200
Speaker 2: hear you.

680
00:36:37,200 --> 00:36:41,839
Speaker 6: What podcasts? Who are you doing? Fucked up? My ship?

681
00:36:41,920 --> 00:36:44,359
Speaker 3: Nigga, get the fourth mic.

682
00:36:44,400 --> 00:36:49,560
Speaker 9: I want to talk my ship the podcast. I was

683
00:36:49,600 --> 00:36:53,800
Speaker 9: having a bad day. My baby mother called me this

684
00:36:54,040 --> 00:36:55,359
Speaker 9: morning ship.

685
00:36:56,000 --> 00:36:59,120
Speaker 3: Oh never, man, I take it back, man, fuck that.

686
00:36:59,400 --> 00:37:01,560
Speaker 6: I'm going up that It is me. I'm going up

687
00:37:03,040 --> 00:37:05,120
Speaker 6: on the car. Make that sop to night, laying boat

688
00:37:05,160 --> 00:37:06,799
Speaker 6: trucks off to night. They don't come it up.

689
00:37:06,880 --> 00:37:09,120
Speaker 8: That's what happened, baby.

690
00:37:09,200 --> 00:37:12,440
Speaker 2: Yes, yes, we're.

691
00:37:11,440 --> 00:37:12,279
Speaker 6: Throwing an out.

692
00:37:13,880 --> 00:37:15,240
Speaker 2: Okay, I'm doing.

693
00:37:16,880 --> 00:37:17,160
Speaker 6: Nigga.

694
00:37:17,200 --> 00:37:22,320
Speaker 2: All right, all right, bye bye, No, hang up, daddy,

695
00:37:24,239 --> 00:37:26,279
Speaker 2: you just said you was on the wed Come and

696
00:37:26,400 --> 00:37:29,320
Speaker 2: come on the podcast. Don't worry about come on. You

697
00:37:29,360 --> 00:37:33,640
Speaker 2: will see what you give me, see what is Come on,

698
00:37:34,840 --> 00:37:38,359
Speaker 2: I'm in the corn dog you're gonna be You're gonna

699
00:37:38,719 --> 00:37:43,120
Speaker 2: You're gonna be on the You're gonna be on the podcast.

700
00:37:43,160 --> 00:37:43,680
Speaker 2: They hear you.

701
00:37:45,000 --> 00:37:46,680
Speaker 6: Well, I want to know who's a way beat up?

702
00:37:46,760 --> 00:37:48,440
Speaker 5: Were you with beat up?

703
00:37:52,120 --> 00:37:52,320
Speaker 6: You know?

704
00:37:52,560 --> 00:37:52,719
Speaker 2: Yeah?

705
00:37:52,800 --> 00:37:54,919
Speaker 5: Yeah yeah yeah yeah yeah.

706
00:37:55,000 --> 00:37:57,319
Speaker 4: Okay, No, I don't like the tone of that. Yeah yeah, yeah,

707
00:37:57,360 --> 00:37:59,840
Speaker 4: yeah yeah, I don't like that.

708
00:38:01,040 --> 00:38:04,520
Speaker 9: Listen, it's only going if I join the motherfucking interview.

709
00:38:04,760 --> 00:38:07,719
Speaker 9: And I'm going in right now. You look, you're the

710
00:38:07,760 --> 00:38:09,759
Speaker 9: group that you know what them dealing with.

711
00:38:11,080 --> 00:38:11,960
Speaker 2: I'm doing that.

712
00:38:18,520 --> 00:38:19,160
Speaker 6: Man, dollar cap?

713
00:38:23,600 --> 00:38:26,479
Speaker 2: Can this be the trailer? Hell, yo, yo, I'm gonna

714
00:38:26,480 --> 00:38:30,080
Speaker 2: call you yo yo, if you come and come on, man,

715
00:38:30,080 --> 00:38:34,040
Speaker 2: I got to finish, ma'am. Tell me if you you cap,

716
00:38:34,320 --> 00:38:39,320
Speaker 2: you cap, that's what you're doing, you capping? You capping?

717
00:38:40,160 --> 00:38:42,440
Speaker 2: Well you better hurry up, man, got look look listen,

718
00:38:42,600 --> 00:38:47,359
Speaker 2: look look man, it's a whole, a whole cruel people here,

719
00:38:48,120 --> 00:38:50,799
Speaker 2: they gotta put Are you coming to do that?

720
00:38:50,960 --> 00:38:52,200
Speaker 8: He's more than welcome to come.

721
00:38:53,880 --> 00:38:54,399
Speaker 6: Where you been?

722
00:38:59,680 --> 00:39:03,320
Speaker 8: Oh my god, man, yeah, yeah.

723
00:39:06,680 --> 00:39:17,160
Speaker 2: Bye man, bye bye, all right bye, I'm overlooking the city.

724
00:39:17,520 --> 00:39:18,120
Speaker 6: Take me up.

725
00:39:20,520 --> 00:39:24,719
Speaker 4: Trying to you all right, bye bye man, bye man,

726
00:39:25,680 --> 00:39:29,280
Speaker 4: come on bye, all right, keep wrong, by the way,

727
00:39:30,120 --> 00:39:31,680
Speaker 4: we're not going to pretend like that didn't happen, and

728
00:39:31,680 --> 00:39:34,000
Speaker 4: then we're gonna be like, so tell us about criss cross. No,

729
00:39:34,080 --> 00:39:38,200
Speaker 4: all right, we'll continue with it, but we still rolling. Okay, geez,

730
00:39:38,719 --> 00:39:40,040
Speaker 4: how do we get to that guy?

731
00:39:40,600 --> 00:39:42,840
Speaker 3: How did that happen? Oh?

732
00:39:42,920 --> 00:39:43,399
Speaker 6: My god?

733
00:39:44,080 --> 00:39:46,400
Speaker 5: Yeah, that's my life is like every day.

734
00:39:46,640 --> 00:39:47,000
Speaker 2: All right.

735
00:39:47,520 --> 00:39:49,400
Speaker 4: You feel like you're a parent all the time because

736
00:39:49,400 --> 00:39:52,640
Speaker 4: you've worked with so many younger artists.

737
00:39:52,000 --> 00:39:56,360
Speaker 2: Not just young artists, adults. Next car might be I

738
00:39:56,480 --> 00:40:02,520
Speaker 2: should saying something crazy. It's like everybody, Daniel, it's everybody.

739
00:40:02,680 --> 00:40:04,880
Speaker 3: We feel like we're Daniel's father too. We feel like

740
00:40:04,880 --> 00:40:05,799
Speaker 3: we're Daniel's father too.

741
00:40:05,880 --> 00:40:06,400
Speaker 8: We got.

742
00:40:08,120 --> 00:40:12,200
Speaker 2: You know, everybody. It's like all my artists, I'm some

743
00:40:12,440 --> 00:40:15,920
Speaker 2: type of that person with them. Like tonight, Escape has

744
00:40:15,960 --> 00:40:23,439
Speaker 2: a concert and Candy and Tiny have COVID they sold

745
00:40:23,480 --> 00:40:26,400
Speaker 2: twenty thousand tickets. Dawn tell nobody that they can't make it.

746
00:40:26,800 --> 00:40:27,680
Speaker 8: Oh my shit.

747
00:40:28,360 --> 00:40:33,200
Speaker 2: So Tasha and Tamika, the sisters are on my phone, like, yo,

748
00:40:33,600 --> 00:40:35,160
Speaker 2: can you come perform with us?

749
00:40:35,520 --> 00:40:37,600
Speaker 3: We said, Amarus the feelings, you know, all the Escape res.

750
00:40:39,719 --> 00:40:42,600
Speaker 2: I can't. I just was getting over a little sickness.

751
00:40:42,680 --> 00:40:43,640
Speaker 2: I'm trying to you know what I mean.

752
00:40:43,680 --> 00:40:45,480
Speaker 5: But yeah, that's that's that's my.

753
00:40:46,880 --> 00:40:50,040
Speaker 4: That is actually an interesting transition to what we were

754
00:40:50,040 --> 00:40:52,840
Speaker 4: really asking of getting from doing the crisscross thing to

755
00:40:52,960 --> 00:40:55,600
Speaker 4: now I now. Now I know I could be the

756
00:40:55,719 --> 00:40:58,080
Speaker 4: label owner, not just the producer. And I really want

757
00:40:58,080 --> 00:40:59,839
Speaker 4: to sign acts like I'm not gonna let Ta Boys

758
00:40:59,880 --> 00:41:01,040
Speaker 4: and left I get away anymore.

759
00:41:01,239 --> 00:41:03,279
Speaker 3: I get I see the game successfully.

760
00:41:03,360 --> 00:41:05,799
Speaker 2: No no, no, no no no. I never cared about it.

761
00:41:05,880 --> 00:41:07,799
Speaker 2: I mean, you know, I never cared. I never cared

762
00:41:07,800 --> 00:41:17,040
Speaker 2: about no artists that get away from no listen man, okay,

763
00:41:17,600 --> 00:41:21,279
Speaker 2: oh maybe it is. Wait a minute. His FaceTime to me.

764
00:41:25,840 --> 00:41:26,279
Speaker 6: Opened up.

765
00:41:26,320 --> 00:41:33,760
Speaker 2: Nig all right, man, hold on, they different.

766
00:41:33,400 --> 00:41:35,800
Speaker 8: Yeah, he turned.

767
00:41:36,160 --> 00:41:39,360
Speaker 4: Take your time, man, keep everything wrong, y'all got a

768
00:41:39,400 --> 00:41:39,919
Speaker 4: third mic.

769
00:41:42,880 --> 00:41:45,280
Speaker 3: Keep everything rolling, every everything everything rolling.

770
00:41:48,400 --> 00:41:48,959
Speaker 8: Put this funny.

771
00:41:50,000 --> 00:41:51,160
Speaker 5: We're gonna break the internet.

772
00:41:51,440 --> 00:41:51,920
Speaker 3: I'm ready.

773
00:41:52,400 --> 00:41:53,279
Speaker 5: I don't want to be said.

774
00:41:53,719 --> 00:41:54,640
Speaker 6: They took me right now.

775
00:41:55,120 --> 00:41:58,279
Speaker 3: Yeah, yeah, well up right, we have not stopped rowing

776
00:41:58,520 --> 00:41:59,160
Speaker 3: censor ship.

777
00:41:59,239 --> 00:42:02,520
Speaker 5: Don't stop, bro, not an interview started. Now that I'm here, nigga,

778
00:42:02,600 --> 00:42:03,520
Speaker 5: niggas know what time it is.

779
00:42:03,680 --> 00:42:04,399
Speaker 2: Take my shoes off.

780
00:42:04,520 --> 00:42:07,399
Speaker 5: I'm here. Yeah, me too. I got my shoes off yours.

781
00:42:07,600 --> 00:42:08,160
Speaker 5: I'm gonna keep it.

782
00:42:09,200 --> 00:42:12,000
Speaker 10: But listen, it's what we nothing but a bunch of laughing.

783
00:42:12,040 --> 00:42:14,600
Speaker 10: The monojis, a bunch of real ship, a bunch of

784
00:42:14,680 --> 00:42:18,560
Speaker 10: real talk. All that now, all that ship, that corporate

785
00:42:18,600 --> 00:42:20,480
Speaker 10: ship that he been kicking, all that we don't know,

786
00:42:20,480 --> 00:42:21,319
Speaker 10: all that type of time.

787
00:42:22,080 --> 00:42:25,200
Speaker 5: I'm fresh off tour. The only nigga who you.

788
00:42:25,000 --> 00:42:25,879
Speaker 6: Know check the facts.

789
00:42:25,920 --> 00:42:29,080
Speaker 5: One gotta drop no fucking single to put twenty thousand.

790
00:42:28,840 --> 00:42:31,000
Speaker 3: Asses in no seats nigga me talk that talk.

791
00:42:31,000 --> 00:42:31,920
Speaker 6: Ain't nobody do that?

792
00:42:32,040 --> 00:42:35,279
Speaker 3: I like me kiss the Red Hot should be who else?

793
00:42:36,200 --> 00:42:39,840
Speaker 5: Who else? Rock groups? Nigga and I don't do rock music.

794
00:42:39,960 --> 00:42:40,279
Speaker 2: You know that?

795
00:42:41,520 --> 00:42:44,320
Speaker 3: Oh he man kissed? I was thinking, Jada, No.

796
00:42:45,120 --> 00:42:46,520
Speaker 5: That's a big hum. I'm suposed to kis kss.

797
00:42:46,520 --> 00:42:50,160
Speaker 10: You know the ro legs talk all that shitout.

798
00:42:50,880 --> 00:42:53,040
Speaker 5: You know what I'm saying. That's the honey. I'm talking

799
00:42:53,040 --> 00:42:55,600
Speaker 5: abou kiss niggas that paint blow up.

800
00:42:55,800 --> 00:42:57,080
Speaker 8: Very well, you know what I mean verywhere.

801
00:42:57,440 --> 00:43:00,239
Speaker 10: Yeah, we're gonna ask any why you know, want to

802
00:43:00,280 --> 00:43:02,000
Speaker 10: work with two. He's scared to do it.

803
00:43:02,200 --> 00:43:04,000
Speaker 5: He might not be legendary enough to pull it off.

804
00:43:05,080 --> 00:43:06,440
Speaker 8: JD might not be leged enough.

805
00:43:07,480 --> 00:43:08,799
Speaker 3: He need a bigger koon.

806
00:43:09,840 --> 00:43:12,759
Speaker 5: Am I bigger than Jermaine? You? Absolutely?

807
00:43:12,760 --> 00:43:14,200
Speaker 8: Are you bigger than Jamaine?

808
00:43:14,360 --> 00:43:16,120
Speaker 2: Absolutely in what capacity?

809
00:43:16,280 --> 00:43:18,560
Speaker 5: All capacity as an artist at Jermaine and walking them

810
00:43:18,560 --> 00:43:19,600
Speaker 5: all with me together?

811
00:43:20,280 --> 00:43:22,759
Speaker 3: Artists popularity, your popularity for sure.

812
00:43:22,920 --> 00:43:29,640
Speaker 1: But music, I'm not gonna tell you.

813
00:43:31,000 --> 00:43:33,680
Speaker 5: I ain't gonna test that on the visits. But you know,

814
00:43:33,760 --> 00:43:35,200
Speaker 5: Snoop found me though, you know what I.

815
00:43:35,080 --> 00:43:37,439
Speaker 10: Mean, I was, I was ready, you know what I mean?

816
00:43:37,560 --> 00:43:39,760
Speaker 10: Like j kind of got it easy.

817
00:43:40,040 --> 00:43:40,680
Speaker 8: He got it easy.

818
00:43:40,719 --> 00:43:41,279
Speaker 5: Absolutely.

819
00:43:41,280 --> 00:43:43,239
Speaker 10: That's like a nigga bringing me a castle roll in

820
00:43:43,320 --> 00:43:46,120
Speaker 10: his made already and I saying, here you go eat like.

821
00:43:46,080 --> 00:43:48,319
Speaker 5: I came to him already. He'll tell you I came ready.

822
00:43:48,719 --> 00:43:50,600
Speaker 8: This wasn't just the perfect time. Was we was just

823
00:43:50,640 --> 00:43:51,280
Speaker 8: getting into.

824
00:43:51,760 --> 00:43:54,560
Speaker 5: And we haven't met. Member, I met you up.

825
00:43:54,520 --> 00:43:56,400
Speaker 8: A bunch of times, but it wasn't. It wasn't the

826
00:43:56,440 --> 00:43:58,280
Speaker 8: type environment get.

827
00:43:58,160 --> 00:44:00,799
Speaker 5: Your hair kicking you sit down, don't scared of sitting

828
00:44:00,800 --> 00:44:01,319
Speaker 5: next to your son.

829
00:44:01,360 --> 00:44:03,160
Speaker 10: Nigga, It's okay, we're about to This is gonna be

830
00:44:03,160 --> 00:44:04,799
Speaker 10: the most This is gonna be the biggest interview've done

831
00:44:04,840 --> 00:44:05,920
Speaker 10: in the past two years.

832
00:44:06,040 --> 00:44:10,040
Speaker 3: He said you he said he a bigger eye can.

833
00:44:09,960 --> 00:44:15,120
Speaker 7: To you he's a star, yeah for sure, popularity for sure.

834
00:44:15,160 --> 00:44:18,120
Speaker 8: But he said he's a music No, he just gave you.

835
00:44:18,120 --> 00:44:20,799
Speaker 5: He give you because I say, do what he can do.

836
00:44:21,320 --> 00:44:22,319
Speaker 5: No one I can make beat.

837
00:44:22,360 --> 00:44:24,359
Speaker 8: But that's the genius in it. You could do things work,

838
00:44:24,480 --> 00:44:25,600
Speaker 8: you can do things that you can't.

839
00:44:25,719 --> 00:44:28,400
Speaker 5: It works, right. I'm like, yeah, all that.

840
00:44:29,080 --> 00:44:31,439
Speaker 10: He has a thrasher jersey and that's incredible. I haven't

841
00:44:31,480 --> 00:44:33,719
Speaker 10: seen that since Jermaine had a sweet at Phillips. It's

842
00:44:33,760 --> 00:44:36,360
Speaker 10: stay Farm now. Yeah, are you from Atlanta?

843
00:44:36,600 --> 00:44:36,759
Speaker 8: Yeah?

844
00:44:37,239 --> 00:44:37,920
Speaker 5: What part.

845
00:44:39,560 --> 00:44:40,160
Speaker 8: My nigga?

846
00:44:40,600 --> 00:44:48,240
Speaker 5: You face? It's going everywhere. I'm telling you these clips

847
00:44:48,239 --> 00:44:49,080
Speaker 5: are gonna be crazy.

848
00:44:49,400 --> 00:44:50,760
Speaker 3: Listen, I'm chilling.

849
00:44:51,000 --> 00:44:52,120
Speaker 5: I'm just here. I'm chilling.

850
00:44:54,760 --> 00:44:56,399
Speaker 7: So Jane is perfect cause we was kind of sort

851
00:44:56,400 --> 00:44:57,319
Speaker 7: of getting into the bow.

852
00:44:57,400 --> 00:44:59,640
Speaker 3: Wow, he said. He said he had to wear the

853
00:44:59,680 --> 00:45:01,760
Speaker 3: dog as a demo. Ready handled to you.

854
00:45:01,760 --> 00:45:07,640
Speaker 2: You ain't nothing. It was before we started this.

855
00:45:07,719 --> 00:45:08,920
Speaker 5: Can we get some alcohol?

856
00:45:09,000 --> 00:45:10,120
Speaker 8: He said that. He said, the castle?

857
00:45:11,120 --> 00:45:12,600
Speaker 5: Can we get the castle?

858
00:45:12,680 --> 00:45:15,040
Speaker 10: Can we get some I've been drinking brown you know

859
00:45:15,040 --> 00:45:18,400
Speaker 10: what I'm saying, Get on some water. These are yours

860
00:45:18,719 --> 00:45:21,640
Speaker 10: and my socks are Adidas. The outfit has been sponsible

861
00:45:21,640 --> 00:45:23,960
Speaker 10: by myself, you see, to be in the w right.

862
00:45:24,280 --> 00:45:25,680
Speaker 10: I was going to wear some jewelry, but I know

863
00:45:25,800 --> 00:45:27,279
Speaker 10: you have likes. I didn't want to like fun up.

864
00:45:32,960 --> 00:45:33,439
Speaker 2: All right?

865
00:45:33,840 --> 00:45:36,920
Speaker 5: This is yeah? I love it.

866
00:45:37,160 --> 00:45:39,040
Speaker 8: Yeah that's cute.

867
00:45:39,120 --> 00:45:39,719
Speaker 2: What are you doing?

868
00:45:39,840 --> 00:45:39,920
Speaker 6: Like?

869
00:45:40,120 --> 00:45:42,000
Speaker 10: Because they say you're always supposed to like when you

870
00:45:42,080 --> 00:45:45,360
Speaker 10: talk to people, you know, like you know, you're talking

871
00:45:45,400 --> 00:45:47,680
Speaker 10: to buy the shoes that a man wears, about the

872
00:45:48,000 --> 00:45:51,279
Speaker 10: watch he wears. Oh so people, can't you talked me, well,

873
00:45:52,239 --> 00:45:53,799
Speaker 10: you want that.

874
00:45:58,760 --> 00:45:59,520
Speaker 8: Was the part of yours.

875
00:46:00,040 --> 00:46:02,239
Speaker 4: Can I get through the recollection of both y'all the

876
00:46:02,239 --> 00:46:04,920
Speaker 4: first day y'all, your recollection of it and his recollection

877
00:46:05,000 --> 00:46:05,160
Speaker 4: of it?

878
00:46:06,440 --> 00:46:09,480
Speaker 2: You want this brown just what you want?

879
00:46:09,760 --> 00:46:10,480
Speaker 5: She wants me to like.

880
00:46:10,760 --> 00:46:15,680
Speaker 2: It's so eazy, ship I might Oh my god. Okay, So,

881
00:46:15,680 --> 00:46:18,560
Speaker 2: so I'm comes to Atlanta.

882
00:46:19,640 --> 00:46:21,920
Speaker 10: We'll call you back. I'm in the interview with Jermaine.

883
00:46:22,120 --> 00:46:24,400
Speaker 10: We're not coming to Magic, We're going somewhere else tonight.

884
00:46:25,440 --> 00:46:30,520
Speaker 10: Just nothing. I'm okay now, I mean I'm feeling myself.

885
00:46:30,680 --> 00:46:36,960
Speaker 10: Call you back, Bather, we love you, I love it.

886
00:46:37,840 --> 00:46:41,440
Speaker 2: Yeah, okay, his nigga comes over here. My phone started

887
00:46:41,440 --> 00:46:42,919
Speaker 2: going off.

888
00:46:45,000 --> 00:46:48,400
Speaker 5: It's gonna be the best interview of all. Listen.

889
00:46:48,800 --> 00:46:55,840
Speaker 2: This is a premiere for listen. So relax, relax from Ohio,

890
00:46:56,160 --> 00:47:02,960
Speaker 2: right right. So Bow comes to Atlanta. I'm not really

891
00:47:03,000 --> 00:47:06,319
Speaker 2: sure to bow out cares who I am when he

892
00:47:06,360 --> 00:47:10,120
Speaker 2: comes to Atlanta because he was signed to death Row

893
00:47:10,920 --> 00:47:15,160
Speaker 2: and you know, you know, everything outside of death Row

894
00:47:15,320 --> 00:47:25,360
Speaker 2: was soft as you know, Cotton. But you know, he comes.

895
00:47:25,520 --> 00:47:29,239
Speaker 2: He comes on a night when it probably couldn't have

896
00:47:29,280 --> 00:47:31,239
Speaker 2: been a better night for him to come to Atlanta. Right,

897
00:47:32,440 --> 00:47:39,560
Speaker 2: So I picked him up in my counting on tea

898
00:47:39,760 --> 00:47:43,600
Speaker 2: and I take him to this club. He's eleven years old.

899
00:47:43,640 --> 00:47:45,360
Speaker 2: He can't get he ain't supposed to be in the club.

900
00:47:45,400 --> 00:47:47,960
Speaker 2: I take him to the club because that same night,

901
00:47:48,000 --> 00:47:52,360
Speaker 2: me and jay Z is performing and we're doing the jam.

902
00:47:52,880 --> 00:47:54,719
Speaker 10: Not to cut you off, but this is the part.

903
00:47:54,760 --> 00:47:56,440
Speaker 10: We have to make sure we insert that footage.

904
00:47:58,000 --> 00:47:58,719
Speaker 8: Yeah, we'll do that.

905
00:47:59,400 --> 00:48:02,480
Speaker 5: Inert the footag. I'm thinking like direct talk, like ship.

906
00:48:04,840 --> 00:48:05,480
Speaker 5: But I don't have came.

907
00:48:05,640 --> 00:48:07,200
Speaker 10: We would have got to insert that because people might

908
00:48:07,239 --> 00:48:08,960
Speaker 10: not believe it. They think it's about our times every

909
00:48:09,000 --> 00:48:09,560
Speaker 10: time we talk.

910
00:48:09,520 --> 00:48:11,800
Speaker 5: To me, man, what's wrong with this nigga?

911
00:48:11,800 --> 00:48:16,440
Speaker 10: Man, I'm just saying we should insert the footage in

912
00:48:16,480 --> 00:48:16,759
Speaker 10: the corner.

913
00:48:17,040 --> 00:48:19,440
Speaker 5: They're gonna saying that we know and insert that.

914
00:48:19,680 --> 00:48:24,200
Speaker 10: Your video is gonna be over your footage of me performing.

915
00:48:24,960 --> 00:48:27,880
Speaker 10: Just let me do the interview. I'm smoking to you,

916
00:48:28,160 --> 00:48:31,080
Speaker 10: tap with you downright.

917
00:48:30,040 --> 00:48:30,600
Speaker 2: So listen.

918
00:48:30,719 --> 00:48:32,560
Speaker 3: So I want your eleven year old recollection.

919
00:48:35,760 --> 00:48:42,160
Speaker 2: So me and jay Z is performing. We do one anything,

920
00:48:44,040 --> 00:48:49,160
Speaker 2: hove do two three songs. But before that, I introduced

921
00:48:49,160 --> 00:48:54,040
Speaker 2: whole to bow and hope like this little guy, you know,

922
00:48:54,840 --> 00:48:57,080
Speaker 2: he looking at him like what do you do? And

923
00:48:57,120 --> 00:49:01,360
Speaker 2: I'm like he raped and and by the way, I

924
00:49:01,480 --> 00:49:05,080
Speaker 2: know I seen bow just like y'all seen him.

925
00:49:05,600 --> 00:49:06,399
Speaker 3: I did not see.

926
00:49:07,200 --> 00:49:08,759
Speaker 2: He didn't he was too young.

927
00:49:08,800 --> 00:49:11,160
Speaker 5: I was produce a credit. We're gonna run footage over that.

928
00:49:11,200 --> 00:49:17,000
Speaker 2: But come on, man, come on, that was eight. How

929
00:49:17,000 --> 00:49:17,600
Speaker 2: old was you?

930
00:49:17,840 --> 00:49:19,560
Speaker 3: I was born in ninety so what year was that?

931
00:49:19,960 --> 00:49:20,160
Speaker 6: Man?

932
00:49:20,160 --> 00:49:20,880
Speaker 5: He doesn't remember this.

933
00:49:21,200 --> 00:49:22,799
Speaker 8: I remember that. I remember that.

934
00:49:23,560 --> 00:49:25,840
Speaker 5: When was this ninety three?

935
00:49:26,640 --> 00:49:27,399
Speaker 2: Three years old?

936
00:49:27,600 --> 00:49:30,239
Speaker 3: I don't remember our sin when I was three like that.

937
00:49:30,840 --> 00:49:31,799
Speaker 3: I watched reruns, but.

938
00:49:34,040 --> 00:49:34,560
Speaker 8: I remember.

939
00:49:34,719 --> 00:49:37,000
Speaker 2: I remember that. So Bow I was on our senio

940
00:49:37,280 --> 00:49:40,440
Speaker 2: before I, you know, before we actually hooked up, and

941
00:49:40,480 --> 00:49:42,319
Speaker 2: I you know, they was telling me about them they

942
00:49:42,400 --> 00:49:44,120
Speaker 2: signed and blah blah blah. So I was like, you

943
00:49:44,200 --> 00:49:46,280
Speaker 2: was sending to Atlanta, let's kick it. He came Atlanta

944
00:49:46,280 --> 00:49:48,560
Speaker 2: that night, me and Jay, like I said, was performing.

945
00:49:49,200 --> 00:49:53,359
Speaker 2: We started performing. And then Jay was like j D no,

946
00:49:53,520 --> 00:49:59,319
Speaker 2: by the way, I think home started performing and bow

947
00:49:59,400 --> 00:50:02,120
Speaker 2: I was sitting on the stage like this, let me perform,

948
00:50:02,280 --> 00:50:04,440
Speaker 2: Let me perform. This is just telling me. He's eleven

949
00:50:04,520 --> 00:50:07,640
Speaker 2: years old. I respect that, let me perform. And I'm like,

950
00:50:08,120 --> 00:50:11,360
Speaker 2: let you perform. I know, you see my crowd, I

951
00:50:11,400 --> 00:50:14,000
Speaker 2: got a whold, this ship is packed, and he like,

952
00:50:14,160 --> 00:50:16,680
Speaker 2: let me perform. I'm like, I never even seen this

953
00:50:16,760 --> 00:50:19,480
Speaker 2: guy performed, So I'm like, I don't know what's gonna

954
00:50:19,480 --> 00:50:23,280
Speaker 2: fucking happen. I'm like, nah, let me perform.

955
00:50:23,360 --> 00:50:24,080
Speaker 5: Let me perform.

956
00:50:24,120 --> 00:50:28,080
Speaker 2: So then so then whole finish, and then I go

957
00:50:28,160 --> 00:50:29,719
Speaker 2: back and I start talking to the crowd, and then

958
00:50:29,760 --> 00:50:32,000
Speaker 2: some kind of way I don't know what made me

959
00:50:32,120 --> 00:50:33,240
Speaker 2: say it, I'm like, yo.

960
00:50:34,080 --> 00:50:35,960
Speaker 5: This little kid on the stage with me right now,

961
00:50:36,040 --> 00:50:36,800
Speaker 5: he want a rap?

962
00:50:37,320 --> 00:50:43,000
Speaker 2: And the crowds like, oh yeah. I'm like, I'm nervous

963
00:50:43,040 --> 00:50:45,399
Speaker 2: as a motherfucker. I'm scared of his head, Like, what's

964
00:50:45,480 --> 00:50:48,799
Speaker 2: what's going to happen? So then I gave a microphone

965
00:50:49,239 --> 00:50:51,239
Speaker 2: and he told the dude, he said, put the beat on.

966
00:50:51,400 --> 00:50:55,359
Speaker 2: Tell the DJ to put the beat on. I'm like,

967
00:50:55,360 --> 00:50:58,600
Speaker 2: oh wait, he told the DJ with the dude, what's

968
00:50:58,600 --> 00:51:03,040
Speaker 2: going on? So he's like really doing it. The DJ

969
00:51:03,120 --> 00:51:06,080
Speaker 2: put the beat on. He started freestyling, the crowd going crazy.

970
00:51:06,600 --> 00:51:07,880
Speaker 2: I don't know what he was saying.

971
00:51:08,239 --> 00:51:08,920
Speaker 3: You remember the rap?

972
00:51:10,520 --> 00:51:11,839
Speaker 5: No, I don't.

973
00:51:11,920 --> 00:51:14,800
Speaker 2: He probably wasn't saying nothing, but I'm.

974
00:51:14,640 --> 00:51:19,520
Speaker 10: Gonna let you going, no, I remember it like you

975
00:51:19,560 --> 00:51:21,200
Speaker 10: just say no, I don't.

976
00:51:21,239 --> 00:51:23,360
Speaker 5: But I remember that day like it was yesterday.

977
00:51:23,440 --> 00:51:25,960
Speaker 10: I remember being at the Hide and Buckhead, which is

978
00:51:25,960 --> 00:51:28,560
Speaker 10: is still there. When I was checking in the hotel,

979
00:51:28,640 --> 00:51:30,560
Speaker 10: Hole was checking in too. I never told this story

980
00:51:30,560 --> 00:51:33,680
Speaker 10: to nobody. Hope was checking into And what's crazy is

981
00:51:33,719 --> 00:51:36,279
Speaker 10: how I knew it was jay Z. I know y'all

982
00:51:36,280 --> 00:51:40,600
Speaker 10: had the record together, but the only memory I had

983
00:51:40,640 --> 00:51:42,680
Speaker 10: of jay Z at that time because being on Death Row,

984
00:51:42,760 --> 00:51:44,840
Speaker 10: I'm I'm West Coast out, but I was always like

985
00:51:44,840 --> 00:51:47,120
Speaker 10: a hip hop baby, so I knew what the fuck

986
00:51:47,200 --> 00:51:51,320
Speaker 10: was going on. When I saw Hole was checking in himself.

987
00:51:52,480 --> 00:51:56,120
Speaker 10: This is when it tells me man sunshine baby.

988
00:51:56,719 --> 00:51:59,719
Speaker 5: Yeah right, That's how I knew.

989
00:51:59,719 --> 00:52:01,800
Speaker 10: I'm like, oh, this guy looks familiar. I'm like, oh, okay,

990
00:52:01,800 --> 00:52:04,320
Speaker 10: I know that song. Jamaine kept me in the hotel

991
00:52:04,360 --> 00:52:07,600
Speaker 10: the whole day. I was in the hotel with my mom.

992
00:52:07,640 --> 00:52:09,160
Speaker 10: I'm like, Yo, where's hey he playing?

993
00:52:10,200 --> 00:52:10,600
Speaker 5: I don't know.

994
00:52:10,680 --> 00:52:14,600
Speaker 10: He pulls up in the Black Billy and I come downstairs.

995
00:52:14,640 --> 00:52:16,480
Speaker 10: I remember asking the first question I have asked you

996
00:52:16,520 --> 00:52:17,319
Speaker 10: that I never forget this.

997
00:52:17,880 --> 00:52:20,759
Speaker 5: I said, what kind of car is this? Should like

998
00:52:20,960 --> 00:52:23,759
Speaker 5: thick rabbit fur in the front. Never seen a car

999
00:52:23,800 --> 00:52:25,040
Speaker 5: with just a B on it. So I'm like with

1000
00:52:25,080 --> 00:52:26,880
Speaker 5: the fund like this is crazy. When I want to

1001
00:52:26,960 --> 00:52:29,359
Speaker 5: his crib, I'm like, oh shit, this.

1002
00:52:29,320 --> 00:52:31,880
Speaker 10: Guy's fucking rich, like you know, he got every car

1003
00:52:32,000 --> 00:52:35,480
Speaker 10: in the back, got fucking dog's pool game room, Like

1004
00:52:35,480 --> 00:52:36,440
Speaker 10: this shit is crazy.

1005
00:52:36,600 --> 00:52:40,640
Speaker 5: And then that night was it a trial? What's the

1006
00:52:40,680 --> 00:52:41,520
Speaker 5: name of the club?

1007
00:52:42,040 --> 00:52:45,279
Speaker 10: Atri right, and everything is saying this fact like I

1008
00:52:45,320 --> 00:52:47,640
Speaker 10: wanted to go, I wanted to perform, I wanted to rap.

1009
00:52:47,680 --> 00:52:49,160
Speaker 10: I wanted to do my shit. It was me, you,

1010
00:52:49,280 --> 00:52:52,600
Speaker 10: jay Z and Bratt. If I'm not mistaken. Bratt was

1011
00:52:52,680 --> 00:52:55,319
Speaker 10: on the stage with us that night and I was like, Yo,

1012
00:52:55,360 --> 00:52:56,920
Speaker 10: I want to rap. I want to wrap fuck that,

1013
00:52:57,360 --> 00:53:00,319
Speaker 10: I want to rap, and you know, I.

1014
00:53:00,239 --> 00:53:03,600
Speaker 4: Mean we were joking around, but to have that confidence,

1015
00:53:03,600 --> 00:53:04,520
Speaker 4: what did that come from?

1016
00:53:04,520 --> 00:53:05,000
Speaker 5: At eleven?

1017
00:53:05,600 --> 00:53:08,719
Speaker 3: Because you got people that wouldn't have that type of confiden.

1018
00:53:08,400 --> 00:53:10,719
Speaker 5: Because I've been doing it. That was the whole thing.

1019
00:53:10,840 --> 00:53:11,480
Speaker 5: We get a cup, I.

1020
00:53:11,480 --> 00:53:13,720
Speaker 3: Can't ask on Jay yet car and it's the verbal

1021
00:53:14,000 --> 00:53:15,240
Speaker 3: Virgil rest in peace.

1022
00:53:15,120 --> 00:53:17,560
Speaker 10: Rug absolutely so for me it was like, yeah, man,

1023
00:53:17,600 --> 00:53:23,840
Speaker 10: what I'm sorry, Virgil rest I'm sorry, Virgil, but Virgil

1024
00:53:23,840 --> 00:53:25,600
Speaker 10: made it. You can't take credit for somebody who did

1025
00:53:25,600 --> 00:53:28,040
Speaker 10: the carpet. You bought the carpet on no matter fact

1026
00:53:28,080 --> 00:53:31,040
Speaker 10: he sent you the carpet. No, even car is a

1027
00:53:31,120 --> 00:53:37,759
Speaker 10: rug virgin when you when you when you're like a

1028
00:53:37,800 --> 00:53:41,440
Speaker 10: weed smoking with ash anywhere. Oh hell no, get him

1029
00:53:41,440 --> 00:53:44,399
Speaker 10: a couple of we'll talk to me while let's keep

1030
00:53:44,400 --> 00:53:44,719
Speaker 10: it wrong.

1031
00:53:45,280 --> 00:53:46,280
Speaker 5: Is gonna be the best.

1032
00:53:46,520 --> 00:53:47,920
Speaker 3: I want to keep this entire thing the way.

1033
00:53:47,960 --> 00:53:49,400
Speaker 5: You know, we're not add ain't nothing.

1034
00:53:49,440 --> 00:53:50,200
Speaker 2: This is beautiful.

1035
00:53:50,560 --> 00:53:51,960
Speaker 5: I love it. I'm not even getting in trouble. This

1036
00:53:51,960 --> 00:53:52,440
Speaker 5: is truful.

1037
00:53:52,760 --> 00:53:53,400
Speaker 8: This is beautiful.

1038
00:53:53,840 --> 00:53:55,960
Speaker 3: You feel like in trouble. We don't matter business.

1039
00:53:58,680 --> 00:53:59,040
Speaker 5: It's good.

1040
00:53:59,200 --> 00:54:01,200
Speaker 3: We know those type dudes. All right, so yeah, you're

1041
00:54:01,200 --> 00:54:03,919
Speaker 3: perform at eleven. Did you have by the way, which

1042
00:54:03,960 --> 00:54:05,920
Speaker 3: is a legendary No, that was that he was.

1043
00:54:06,040 --> 00:54:09,399
Speaker 10: Well, that happened. That wasn't supposed to happen. Okay, thanks,

1044
00:54:09,760 --> 00:54:13,360
Speaker 10: that wasn't supposed to happen. You know, I remember Shug

1045
00:54:13,520 --> 00:54:17,879
Speaker 10: like no, like tall sineo, No, you can't go out there,

1046
00:54:18,000 --> 00:54:21,160
Speaker 10: you know what I'm saying. And then my mom at

1047
00:54:21,200 --> 00:54:25,920
Speaker 10: the time was like, this is this is it? If

1048
00:54:25,920 --> 00:54:27,960
Speaker 10: it ain't gonna happen. And that's always tell people like,

1049
00:54:27,960 --> 00:54:29,799
Speaker 10: if you feel it, if you love this hip hop shit,

1050
00:54:29,880 --> 00:54:31,239
Speaker 10: if you really want to do it, you gotta go

1051
00:54:31,239 --> 00:54:32,920
Speaker 10: for I'm gonna fuck what type of time you own

1052
00:54:33,680 --> 00:54:35,160
Speaker 10: with time, and you gotta go.

1053
00:54:35,280 --> 00:54:36,560
Speaker 5: You know what I'm saying. That was my mom went

1054
00:54:36,640 --> 00:54:36,799
Speaker 5: to go.

1055
00:54:37,080 --> 00:54:39,560
Speaker 10: And you know, I look back at that like damn

1056
00:54:39,600 --> 00:54:43,440
Speaker 10: Like there's nobody from my from my age bracket from

1057
00:54:43,480 --> 00:54:45,919
Speaker 10: the time I came into the game, No job rule,

1058
00:54:46,160 --> 00:54:50,160
Speaker 10: no Nelly. Anybody who came out like in the two

1059
00:54:50,160 --> 00:54:52,040
Speaker 10: thousands and mid two thousands, they never.

1060
00:54:51,960 --> 00:54:52,560
Speaker 5: Did our seneo.

1061
00:54:52,840 --> 00:54:56,680
Speaker 10: No few artists that are still I'm talking ninety three,

1062
00:54:56,800 --> 00:54:58,960
Speaker 10: none of them niggas was rapping them.

1063
00:54:59,040 --> 00:54:59,879
Speaker 5: Niggas wasn't rapping.

1064
00:55:00,200 --> 00:55:01,799
Speaker 3: There's people that came out in ninety three that didn't

1065
00:55:01,800 --> 00:55:03,000
Speaker 3: do wasn't rapping.

1066
00:55:03,719 --> 00:55:05,480
Speaker 10: And if they was, I telling them, y'all niggas wanted

1067
00:55:05,560 --> 00:55:08,360
Speaker 10: rapping when I was rapping, or maybe y'all was, but not.

1068
00:55:08,600 --> 00:55:10,799
Speaker 10: I was like, that was the perfect time for me

1069
00:55:10,840 --> 00:55:12,520
Speaker 10: to go ahead and do my ship and I'm glad

1070
00:55:12,520 --> 00:55:14,840
Speaker 10: that my mom pushed me to do that. That was

1071
00:55:15,000 --> 00:55:17,200
Speaker 10: not as you can see if you wrote the if

1072
00:55:17,200 --> 00:55:18,880
Speaker 10: you rolle the footage back, it happened at the end

1073
00:55:18,880 --> 00:55:20,520
Speaker 10: of the show, but.

1074
00:55:20,520 --> 00:55:21,400
Speaker 5: The credits is rolling.

1075
00:55:21,560 --> 00:55:23,839
Speaker 10: I'm cursing, saying all type of shit that a six

1076
00:55:23,880 --> 00:55:24,799
Speaker 10: shrow shouldn't be saying.

1077
00:55:25,200 --> 00:55:27,920
Speaker 3: But where where does your you connect with death Row

1078
00:55:28,280 --> 00:55:29,000
Speaker 3: in ninety three?

1079
00:55:29,080 --> 00:55:31,760
Speaker 5: Even connect? It happened in my hometown, Columbus, Ohio.

1080
00:55:31,840 --> 00:55:35,919
Speaker 10: So what happened was the Chronic tour came and God

1081
00:55:36,000 --> 00:55:38,000
Speaker 10: rested you know rpd A. J.

1082
00:55:38,160 --> 00:55:38,560
Speaker 5: Johnson.

1083
00:55:39,000 --> 00:55:41,879
Speaker 10: Of course I know him as you know my nigga Friday. Yeah,

1084
00:55:41,920 --> 00:55:43,320
Speaker 10: you know what I'm saying, did this thing or whatever?

1085
00:55:43,360 --> 00:55:46,319
Speaker 10: But Eazel, but he was actually the MC of the

1086
00:55:46,320 --> 00:55:48,280
Speaker 10: whole entire Chronic tour. So when he got on stage,

1087
00:55:48,280 --> 00:55:49,880
Speaker 10: she was like, Yo, anybody want to come on staging?

1088
00:55:50,800 --> 00:55:53,920
Speaker 10: So my mom, of course, you know the kids, you

1089
00:55:53,960 --> 00:55:55,720
Speaker 10: go to cons of the kids always Donna get selected

1090
00:55:55,719 --> 00:55:58,000
Speaker 10: the kids, they cute, whatever picked me.

1091
00:55:58,080 --> 00:55:58,759
Speaker 5: I go on there, I.

1092
00:55:58,680 --> 00:56:01,560
Speaker 10: Start rapping, They throwing money off the stage. Dads comes

1093
00:56:01,640 --> 00:56:04,960
Speaker 10: grass me bring me backstage. And that's how the famous

1094
00:56:05,000 --> 00:56:07,160
Speaker 10: picture of me snoop at like nineteen.

1095
00:56:09,600 --> 00:56:12,200
Speaker 3: Put that right down here, absolutely right.

1096
00:56:12,800 --> 00:56:16,720
Speaker 5: So that happens.

1097
00:56:17,560 --> 00:56:20,080
Speaker 4: You know, you know, we've given his flowers like he

1098
00:56:20,080 --> 00:56:24,080
Speaker 4: pulled up just long, long time, he said.

1099
00:56:25,080 --> 00:56:28,400
Speaker 10: So that's how the legendary picture pop me Snoop and

1100
00:56:28,480 --> 00:56:30,080
Speaker 10: Dre Crazy.

1101
00:56:30,560 --> 00:56:31,840
Speaker 5: I would say like top.

1102
00:56:33,320 --> 00:56:35,439
Speaker 10: Not top five, not top ten, but like definitely top

1103
00:56:35,480 --> 00:56:36,760
Speaker 10: twenty pictures of hip hop picture.

1104
00:56:36,960 --> 00:56:37,560
Speaker 5: That's how I feel.

1105
00:56:37,560 --> 00:56:39,279
Speaker 10: That's a that's a that's a don't know, don't know

1106
00:56:39,360 --> 00:56:42,319
Speaker 10: nigga currently wrapping right now, making noise, making no type

1107
00:56:42,360 --> 00:56:43,800
Speaker 10: of money right now. I got a picture with Snoop

1108
00:56:43,840 --> 00:56:47,560
Speaker 10: at nineteen or eighteen, Dre at twenty one, Me is

1109
00:56:47,680 --> 00:56:48,040
Speaker 10: us three.

1110
00:56:48,080 --> 00:56:48,759
Speaker 5: That's what it was.

1111
00:56:49,640 --> 00:56:51,920
Speaker 10: And from there on it was Okay, we're gonna put

1112
00:56:52,000 --> 00:56:54,000
Speaker 10: him in the audience. They're gonna take him on tour.

1113
00:56:54,239 --> 00:56:55,839
Speaker 10: Every city we go to, we're gonna put We're gonna

1114
00:56:55,880 --> 00:56:56,360
Speaker 10: pick him.

1115
00:56:56,400 --> 00:57:01,239
Speaker 4: Well, Game Gamesac what game photo shopped himself with Tupac.

1116
00:57:01,600 --> 00:57:02,480
Speaker 3: When they was kids.

1117
00:57:03,239 --> 00:57:06,520
Speaker 5: What I tell you.

1118
00:57:08,200 --> 00:57:11,400
Speaker 2: The white boy just act like you're gonna hear with

1119
00:57:11,480 --> 00:57:13,120
Speaker 2: game kids.

1120
00:57:13,160 --> 00:57:15,719
Speaker 3: I was like, how did this happen? It was photoshops?

1121
00:57:15,760 --> 00:57:19,240
Speaker 8: So back to uh, back to uh the J Show. Yeah,

1122
00:57:19,240 --> 00:57:24,160
Speaker 8: when you performed, were you signed to know? At that

1123
00:57:24,200 --> 00:57:25,440
Speaker 8: point you store sign.

1124
00:57:25,360 --> 00:57:28,600
Speaker 10: No, but I knew it was it was official because

1125
00:57:28,600 --> 00:57:30,160
Speaker 10: when I got the call j D. I don't even

1126
00:57:30,160 --> 00:57:33,040
Speaker 10: know if you know this, but I was actually on

1127
00:57:33,080 --> 00:57:35,840
Speaker 10: the football field and my mom when I was when

1128
00:57:35,840 --> 00:57:37,920
Speaker 10: I was on the sidelines, my mom like ran down

1129
00:57:37,960 --> 00:57:39,160
Speaker 10: to the fence section were going to.

1130
00:57:39,120 --> 00:57:42,320
Speaker 5: Atlanta and like two days I'm like, for what with

1131
00:57:42,360 --> 00:57:43,840
Speaker 5: JAMAINI Prie? Who was that?

1132
00:57:43,840 --> 00:57:45,680
Speaker 10: That's why Jamais I don't even think knew who I was.

1133
00:57:45,720 --> 00:57:48,480
Speaker 10: I'm like, what Chris crossed it up? But as I

1134
00:57:48,520 --> 00:57:51,400
Speaker 10: was growing up, you know, I really wasn't a big

1135
00:57:51,440 --> 00:57:54,440
Speaker 10: Crisscross fan growing up because I always was like, man,

1136
00:57:54,440 --> 00:57:56,600
Speaker 10: I'm supposed to be with them niggas is like I'm

1137
00:57:56,600 --> 00:57:58,360
Speaker 10: on the biggest life. I'm supposed to But I was

1138
00:57:58,400 --> 00:58:00,320
Speaker 10: a kid did but that's how I was thinking, you

1139
00:58:00,360 --> 00:58:02,960
Speaker 10: know what I mean. So I looked at everybody back.

1140
00:58:04,240 --> 00:58:04,760
Speaker 6: Yeah bad.

1141
00:58:05,600 --> 00:58:06,760
Speaker 2: Really that's the thing like.

1142
00:58:08,640 --> 00:58:08,840
Speaker 6: Death.

1143
00:58:09,160 --> 00:58:13,000
Speaker 10: Like I'm like, I'm and I'm making music like at

1144
00:58:13,000 --> 00:58:15,000
Speaker 10: the time Corrupt was writing my ship. You know, I'm

1145
00:58:15,040 --> 00:58:17,240
Speaker 10: only like seven years old, so eight years old, you

1146
00:58:17,240 --> 00:58:21,040
Speaker 10: know what I mean. So in my mind, I'm like,

1147
00:58:21,160 --> 00:58:24,000
Speaker 10: I'm supposed to be where they at, Like why why

1148
00:58:24,000 --> 00:58:25,560
Speaker 10: am I just I don't get it, you know what

1149
00:58:25,560 --> 00:58:29,320
Speaker 10: I mean? But it everything fell in line once, you know,

1150
00:58:29,360 --> 00:58:31,360
Speaker 10: the snoop and the death ro thing kind of fell apart.

1151
00:58:31,720 --> 00:58:33,600
Speaker 5: I went back home and then I got the call

1152
00:58:33,640 --> 00:58:35,520
Speaker 5: from Steeve put On. I'm like, yo, we got a

1153
00:58:35,520 --> 00:58:37,200
Speaker 5: situation we should put.

1154
00:58:37,160 --> 00:58:39,320
Speaker 10: In with Jermaine the pre and then once I you know,

1155
00:58:39,360 --> 00:58:42,360
Speaker 10: did my homework, I'm like, damn all right. Then once

1156
00:58:42,400 --> 00:58:45,000
Speaker 10: you able to Biley, okay, showing me some new ship

1157
00:58:45,080 --> 00:58:47,160
Speaker 10: as a big home he supposed to do. Took me

1158
00:58:47,200 --> 00:58:49,680
Speaker 10: to the crib, first big house I ever saw. I'm like, fuck,

1159
00:58:50,200 --> 00:58:55,120
Speaker 10: JD had eleven cars. I'm like, the fuck like dogs, cars,

1160
00:58:55,240 --> 00:58:57,240
Speaker 10: the mansion, the the girls.

1161
00:58:57,280 --> 00:59:02,280
Speaker 5: I'm seeing them go in and out. I'm sorry to legs,

1162
00:59:02,400 --> 00:59:04,800
Speaker 5: I hate that word. This is fast. JD is cool.

1163
00:59:05,320 --> 00:59:05,720
Speaker 5: I'm like.

1164
00:59:07,200 --> 00:59:08,120
Speaker 2: This like it's cool.

1165
00:59:08,200 --> 00:59:10,600
Speaker 10: I'm like, yo, this is like the first like dude

1166
00:59:10,640 --> 00:59:13,760
Speaker 10: who I seen in my life that it's really cool.

1167
00:59:13,840 --> 00:59:16,400
Speaker 10: Like my pops wasn't around like that. So I'm like, yo,

1168
00:59:16,520 --> 00:59:20,200
Speaker 10: damn this niggas like he let any fun and he

1169
00:59:20,320 --> 00:59:22,040
Speaker 10: young like and he'd be doing ship, you know what

1170
00:59:22,040 --> 00:59:23,560
Speaker 10: i mean. First time I ever been on the yacht,

1171
00:59:24,000 --> 00:59:25,800
Speaker 10: j D took me first foot ball ever been to

1172
00:59:25,960 --> 00:59:28,200
Speaker 10: jad took me first piece of jewey ever rocked.

1173
00:59:28,240 --> 00:59:29,720
Speaker 5: That was real. Jad gave it to me.

1174
00:59:29,760 --> 00:59:31,760
Speaker 10: So it was like, that's what a that's a lottle

1175
00:59:31,760 --> 00:59:33,320
Speaker 10: home and that's what you want your big homie to do.

1176
00:59:34,040 --> 00:59:36,320
Speaker 10: And it was it was. It was all enough of that.

1177
00:59:36,400 --> 00:59:38,160
Speaker 10: So even though it was no ink sign, I knew

1178
00:59:38,160 --> 00:59:39,680
Speaker 10: where I wanted to be. He knew where I was going,

1179
00:59:40,320 --> 00:59:42,959
Speaker 10: and it was it was, it was nothing to think.

1180
00:59:42,880 --> 00:59:46,480
Speaker 4: About how we get from the jay Z stage to

1181
00:59:46,600 --> 00:59:49,760
Speaker 4: beare the dog? Where does that transition happen?

1182
00:59:51,320 --> 00:59:51,560
Speaker 6: Wow?

1183
00:59:51,920 --> 00:59:52,200
Speaker 5: It did?

1184
00:59:52,240 --> 00:59:56,240
Speaker 10: I about say, I said, still ship, I still said,

1185
00:59:57,320 --> 00:59:58,240
Speaker 10: it's a long time.

1186
00:59:58,320 --> 00:59:58,680
Speaker 5: It was.

1187
00:59:58,720 --> 01:00:01,000
Speaker 2: It was it was still a process. That's with him too,

1188
01:00:01,040 --> 01:00:06,040
Speaker 2: because like when I got bow out, it was ten

1189
01:00:06,120 --> 01:00:11,360
Speaker 2: years after Crisscross one. I mean, you know, totally ten years,

1190
01:00:12,520 --> 01:00:15,040
Speaker 2: a real ten year stretch. Now I was just looking

1191
01:00:15,040 --> 01:00:18,160
Speaker 2: at like, okay, well it's been ten years, so it's

1192
01:00:18,280 --> 01:00:21,680
Speaker 2: I could do this again. Now it's been long enough

1193
01:00:21,720 --> 01:00:24,320
Speaker 2: where people won't it won't look like that's my thing.

1194
01:00:26,440 --> 01:00:31,120
Speaker 2: Because I was. I kept fighting being the guy who

1195
01:00:31,320 --> 01:00:34,360
Speaker 2: knows how to put out young artists. I don't know why,

1196
01:00:34,440 --> 01:00:35,560
Speaker 2: but you.

1197
01:00:35,600 --> 01:00:36,120
Speaker 3: Know I get it.

1198
01:00:36,160 --> 01:00:41,400
Speaker 2: I was fighting it right and so I gave myself

1199
01:00:41,440 --> 01:00:44,360
Speaker 2: this stretch to be like, Okay, shit, I ain't did

1200
01:00:44,560 --> 01:00:46,600
Speaker 2: I ain't did. Nobody young in ten years, so can't

1201
01:00:46,600 --> 01:00:48,960
Speaker 2: nobody say you've been that's all you do?

1202
01:00:49,080 --> 01:00:49,200
Speaker 6: Right?

1203
01:00:50,000 --> 01:00:51,600
Speaker 5: So then I when I got to bow out.

1204
01:00:51,640 --> 01:00:55,200
Speaker 2: But bow Wow was different than Crisscross because Criscrouss weren't artists.

1205
01:00:55,560 --> 01:00:57,680
Speaker 2: He was already, like you said, he was rapping before

1206
01:00:57,720 --> 01:00:59,960
Speaker 2: he even came to me. He thought his name was

1207
01:01:00,080 --> 01:01:03,160
Speaker 2: kid Gangster like that was his rap name on death Row.

1208
01:01:03,280 --> 01:01:07,880
Speaker 2: So he was already rapping. He was already like around

1209
01:01:07,960 --> 01:01:11,120
Speaker 2: weed smoke, you know, death Row at at the time

1210
01:01:11,120 --> 01:01:14,200
Speaker 2: when he was there, it was it was deaf. It

1211
01:01:14,240 --> 01:01:15,800
Speaker 2: was death Row like you know what I mean. It

1212
01:01:15,920 --> 01:01:19,200
Speaker 2: was like the craziest probably company and shit around that

1213
01:01:19,280 --> 01:01:20,520
Speaker 2: he could be around as a kid.

1214
01:01:21,600 --> 01:01:24,120
Speaker 3: Crazy for an adult, yeah, it was.

1215
01:01:24,120 --> 01:01:24,880
Speaker 2: Crazy for adult.

1216
01:01:25,000 --> 01:01:25,200
Speaker 5: Yeah.

1217
01:01:25,240 --> 01:01:30,400
Speaker 2: But but so so I had to figure out how

1218
01:01:30,520 --> 01:01:35,880
Speaker 2: to get to a place that he'll like because he

1219
01:01:35,960 --> 01:01:39,600
Speaker 2: already was a artist. Christ and Chris I made into artists, right,

1220
01:01:39,680 --> 01:01:41,440
Speaker 2: but he was already a artist. So I had to, like,

1221
01:01:42,960 --> 01:01:44,760
Speaker 2: I had to figure out him. Yeh see what he

1222
01:01:44,840 --> 01:01:46,640
Speaker 2: was doing? Da da da, So he had to stay

1223
01:01:47,160 --> 01:01:50,920
Speaker 2: he stayed here and the land in my house and

1224
01:01:51,120 --> 01:01:53,240
Speaker 2: was just like around and around and around, and we

1225
01:01:53,360 --> 01:01:57,800
Speaker 2: put out we put out one song ros Huh on

1226
01:01:57,880 --> 01:02:04,160
Speaker 2: the Wild Wild West soundtrack with Will Smith, and that

1227
01:02:04,320 --> 01:02:06,120
Speaker 2: wasn't it, right, that won't the song.

1228
01:02:06,280 --> 01:02:06,840
Speaker 8: It wasn't it.

1229
01:02:06,880 --> 01:02:08,880
Speaker 2: But but it was just a test to see and

1230
01:02:08,920 --> 01:02:10,840
Speaker 2: I was just trying to like hurry up and get

1231
01:02:10,920 --> 01:02:16,160
Speaker 2: him out. And then it was like I'm like, nah,

1232
01:02:16,160 --> 01:02:19,560
Speaker 2: that ain't it. He not he not He not cool enough,

1233
01:02:19,760 --> 01:02:21,360
Speaker 2: Like he just seemed like a little rapper.

1234
01:02:21,680 --> 01:02:22,200
Speaker 5: Regret that.

1235
01:02:22,280 --> 01:02:24,440
Speaker 2: Now I'm like, it can't be, Like he can't be

1236
01:02:24,640 --> 01:02:27,920
Speaker 2: just like a little rapper. He gotta be, he gotta be.

1237
01:02:28,240 --> 01:02:33,600
Speaker 2: He gotta be like double flies. Chris was to everybody

1238
01:02:33,680 --> 01:02:35,360
Speaker 2: like when you said you was wearing your pants back,

1239
01:02:35,480 --> 01:02:39,160
Speaker 2: was like I was trying to figure out what was

1240
01:02:39,200 --> 01:02:41,439
Speaker 2: bow Wow gonna be? How was I gonna get bow

1241
01:02:41,480 --> 01:02:46,200
Speaker 2: Wow to have that same effect on young kids and

1242
01:02:46,280 --> 01:02:48,320
Speaker 2: young boys and whatever, young girls and all of that.

1243
01:02:48,440 --> 01:02:52,560
Speaker 2: So it's like I just kept trying to think of

1244
01:02:52,600 --> 01:02:56,000
Speaker 2: like the coolest ship, the coolest ship that he could

1245
01:02:56,040 --> 01:02:58,560
Speaker 2: possibly do, blah blah blah blah blah blah blah. And

1246
01:02:58,600 --> 01:03:03,120
Speaker 2: then uh, I got the soundtrack for Big Mama's House.

1247
01:03:04,560 --> 01:03:08,680
Speaker 2: And I'm like, I'm gonna figure it out with this.

1248
01:03:08,760 --> 01:03:10,360
Speaker 2: I'm gonna figure out a song for about while on

1249
01:03:10,400 --> 01:03:12,600
Speaker 2: the soundtrack, and we don't get this going.

1250
01:03:12,920 --> 01:03:15,280
Speaker 7: There used to be a real thing. Breaking artists on soundtracks.

1251
01:03:15,560 --> 01:03:17,040
Speaker 7: They used to be a real thing because it was

1252
01:03:17,040 --> 01:03:18,040
Speaker 7: a broken was the cheap.

1253
01:03:18,400 --> 01:03:20,960
Speaker 2: It was a cheats A movie especially had a big

1254
01:03:21,000 --> 01:03:23,560
Speaker 2: movie like Mark Lawrence. It was big like Big Mama's House.

1255
01:03:23,840 --> 01:03:25,680
Speaker 2: The budget was bigger than what you could get on

1256
01:03:25,720 --> 01:03:28,640
Speaker 2: the album budget for the artists, right, so you could

1257
01:03:28,640 --> 01:03:31,360
Speaker 2: get a big video. His first video, Dave Myers did

1258
01:03:31,400 --> 01:03:34,160
Speaker 2: his first video. You don't know no new artists who

1259
01:03:34,280 --> 01:03:35,120
Speaker 2: get Dave Myers.

1260
01:03:35,280 --> 01:03:35,840
Speaker 8: That's crazy.

1261
01:03:35,920 --> 01:03:39,320
Speaker 2: He's thirteen, He's twelve years old. He got Dave Mis's

1262
01:03:39,360 --> 01:03:46,480
Speaker 2: his first his first video, right. So so I'm like,

1263
01:03:46,680 --> 01:03:50,560
Speaker 2: you know, I'm thinking, I'm so the first time about

1264
01:03:50,600 --> 01:03:54,720
Speaker 2: when we did the first record, I wasn't thinking about.

1265
01:03:55,440 --> 01:04:00,200
Speaker 5: The collaboration between him and Snoop. I wasn't. I wasn't

1266
01:04:00,200 --> 01:04:00,640
Speaker 5: really like.

1267
01:04:02,400 --> 01:04:07,520
Speaker 2: Married to how important that was, right, And then it

1268
01:04:07,680 --> 01:04:11,520
Speaker 2: started clicking to me, like, you know, this guy is

1269
01:04:13,760 --> 01:04:19,760
Speaker 2: mentored by Snoop, produced by me on my label, like

1270
01:04:19,800 --> 01:04:22,000
Speaker 2: you gotta use all of this ship. This is, this

1271
01:04:22,160 --> 01:04:25,240
Speaker 2: is these are super powers, like these are not like

1272
01:04:25,760 --> 01:04:28,080
Speaker 2: this ain't shit that you could just like, oh yeah,

1273
01:04:28,200 --> 01:04:31,600
Speaker 2: Snoop found him and like you said, left eyes in

1274
01:04:31,640 --> 01:04:33,640
Speaker 2: the closet like you can't just like you know what

1275
01:04:33,680 --> 01:04:35,200
Speaker 2: I mean. And I was doing that At first. I

1276
01:04:35,320 --> 01:04:39,240
Speaker 2: wasn't even like putting that energy into it. And then

1277
01:04:39,320 --> 01:04:41,960
Speaker 2: one one day I thought about it and I was like, Yo,

1278
01:04:42,720 --> 01:04:46,080
Speaker 2: I'm gonna do a video with bow Wow and I'm

1279
01:04:46,080 --> 01:04:48,000
Speaker 2: gonna have a dog running down the street and he

1280
01:04:48,120 --> 01:04:49,800
Speaker 2: gonna turn into bow Wow.

1281
01:04:51,280 --> 01:04:52,960
Speaker 5: And I mean, I'm in. Bratt was here.

1282
01:04:53,000 --> 01:04:54,840
Speaker 2: It was being Brat was thin and she was like

1283
01:04:54,880 --> 01:04:57,360
Speaker 2: you crazy, and I'm like, nah, that shit gonna be stupid.

1284
01:04:57,920 --> 01:05:01,440
Speaker 2: And I'm like, Snoop did it. Snoop turned into the thing,

1285
01:05:01,480 --> 01:05:03,520
Speaker 2: and I'm like, we gotta do we gotta do about

1286
01:05:03,600 --> 01:05:05,760
Speaker 2: He's little bow Wow. His name is little bow Wow

1287
01:05:05,840 --> 01:05:08,880
Speaker 2: for its basically little Snoop. That's what his name is. Right.

1288
01:05:09,440 --> 01:05:13,600
Speaker 2: So once I started understanding, and that was the Okay,

1289
01:05:13,600 --> 01:05:15,400
Speaker 2: we got some meat right here, We gotta we got

1290
01:05:15,400 --> 01:05:19,200
Speaker 2: some meat right here. What how I gonna make him

1291
01:05:19,240 --> 01:05:23,960
Speaker 2: sound so that he can live up to that, that

1292
01:05:23,960 --> 01:05:26,240
Speaker 2: that level of you know, creativity.

1293
01:05:28,840 --> 01:05:34,960
Speaker 5: And then I'm like he always be acting like he.

1294
01:05:34,880 --> 01:05:39,600
Speaker 2: Could really rap, right, Brad like, yeah, that the motherfucker

1295
01:05:39,680 --> 01:05:43,439
Speaker 2: think he ship. I'm like, all right, well, Brad, write

1296
01:05:43,480 --> 01:05:45,600
Speaker 2: him a rap right. At this point, Brat was.

1297
01:05:48,400 --> 01:05:48,800
Speaker 3: Chicago.

1298
01:05:49,720 --> 01:05:52,840
Speaker 2: I'm like, I can't even do her raps right. I'm like,

1299
01:05:53,960 --> 01:05:58,080
Speaker 2: I'm like, you write, I'm writing rap. I write a song, right,

1300
01:05:58,200 --> 01:06:01,080
Speaker 2: bounce with me. First verse, I said, rap, you write

1301
01:06:01,120 --> 01:06:03,720
Speaker 2: the second verse. I want you to write that ship

1302
01:06:03,800 --> 01:06:07,360
Speaker 2: like you write it and write it crazy with cadence

1303
01:06:07,400 --> 01:06:08,560
Speaker 2: and all of this.

1304
01:06:09,360 --> 01:06:12,600
Speaker 5: So Brat did it verse. Now I'm thinking.

1305
01:06:13,080 --> 01:06:16,360
Speaker 8: It's too hard for him.

1306
01:06:16,520 --> 01:06:18,400
Speaker 2: I'm thinking, like we done went too far because he

1307
01:06:18,400 --> 01:06:19,960
Speaker 2: ain't gonna be a the door because this ain't how

1308
01:06:20,000 --> 01:06:25,360
Speaker 2: he rapped, right. So then we're doing it in here,

1309
01:06:25,400 --> 01:06:28,919
Speaker 2: actually in this room right here, or come in this room.

1310
01:06:29,120 --> 01:06:30,680
Speaker 2: And he didn't want he never wanted me to be

1311
01:06:30,720 --> 01:06:33,040
Speaker 2: in the studio when he writes, when he do his verses.

1312
01:06:33,840 --> 01:06:36,120
Speaker 2: So I left the room. I think I went to

1313
01:06:36,160 --> 01:06:40,520
Speaker 2: the strip club or something. I came back and he

1314
01:06:40,560 --> 01:06:42,960
Speaker 2: had did it. I heard Brat verse. I ain't even

1315
01:06:43,000 --> 01:06:44,919
Speaker 2: hear my verse. I heard the verse that that Bratt

1316
01:06:44,960 --> 01:06:46,040
Speaker 2: did when I came.

1317
01:06:45,880 --> 01:06:50,840
Speaker 3: Back, and I was like, m you still have that

1318
01:06:51,520 --> 01:06:52,040
Speaker 3: the reference?

1319
01:06:53,080 --> 01:06:54,840
Speaker 2: I mean now the references to him. Oh you're talking

1320
01:06:54,880 --> 01:06:57,320
Speaker 2: about the Brat reference reference. I don't know. I don't

1321
01:06:57,320 --> 01:07:01,600
Speaker 2: know it's probably, but I can. I was like, how

1322
01:07:01,680 --> 01:07:04,520
Speaker 2: y'all getting him to do that? And by the fact,

1323
01:07:04,920 --> 01:07:07,320
Speaker 2: it wasn't just it was just you, It was just

1324
01:07:07,400 --> 01:07:13,080
Speaker 2: you and Brian him. It was Brian now like he's

1325
01:07:13,080 --> 01:07:16,080
Speaker 2: saying is light, but he wasn't rapping like that, so

1326
01:07:16,160 --> 01:07:19,040
Speaker 2: I didn't think. I thought it was like this was

1327
01:07:19,080 --> 01:07:22,680
Speaker 2: gonna be difficult for him, and it wasn't. It was

1328
01:07:22,760 --> 01:07:27,280
Speaker 2: like super easy for him. And I'm like, wait a minute,

1329
01:07:28,560 --> 01:07:33,560
Speaker 2: Oh oh, he could really rap like like like he

1330
01:07:33,600 --> 01:07:35,800
Speaker 2: could really rap like this, ain't like some ship like

1331
01:07:36,200 --> 01:07:38,480
Speaker 2: And I wasn't here when he did it, so I

1332
01:07:38,480 --> 01:07:40,320
Speaker 2: don't even know how the fuck he came out right,

1333
01:07:41,160 --> 01:07:42,760
Speaker 2: So all I know is I heard the song and

1334
01:07:42,800 --> 01:07:46,320
Speaker 2: I'm like, okay, boom, I need to get somebody on

1335
01:07:46,400 --> 01:07:50,760
Speaker 2: the song. I called Toshing from Escape over here to

1336
01:07:50,840 --> 01:07:54,320
Speaker 2: sing the hook and we started finishing the Bounce of

1337
01:07:54,320 --> 01:07:58,920
Speaker 2: Me record, and at that point all I all I

1338
01:07:58,960 --> 01:08:01,720
Speaker 2: could start thinking about was the video I'm thinking about, Like, yo,

1339
01:08:01,760 --> 01:08:04,360
Speaker 2: when these people see this little dude rapping like this

1340
01:08:05,040 --> 01:08:08,560
Speaker 2: and he turned into a dog and we got a

1341
01:08:08,600 --> 01:08:12,000
Speaker 2: little singing hook on heire, we should be good, right.

1342
01:08:12,080 --> 01:08:13,880
Speaker 2: I'm just trying to you know what I mean. I'm

1343
01:08:13,920 --> 01:08:15,040
Speaker 2: trying to do what I'm doing.

1344
01:08:15,600 --> 01:08:17,479
Speaker 5: You know. I started paying attention to that.

1345
01:08:17,600 --> 01:08:21,760
Speaker 2: I started paying attention to how much social death meant

1346
01:08:21,800 --> 01:08:25,960
Speaker 2: to kids because of Bow Wow. I start seeing other

1347
01:08:26,080 --> 01:08:28,800
Speaker 2: young artists want to rap because of bow Wow. And

1348
01:08:28,840 --> 01:08:35,360
Speaker 2: I start saying, Okay, he's creating this a thing, and social.

1349
01:08:35,080 --> 01:08:38,800
Speaker 5: Death is the brand behind this thing. Right. So then

1350
01:08:38,840 --> 01:08:40,840
Speaker 5: that's when I start stop.

1351
01:08:42,640 --> 01:08:47,120
Speaker 2: I started not being scared to like be the guy

1352
01:08:47,160 --> 01:08:50,160
Speaker 2: that breaks young artists. I'm like, Okay, at this point,

1353
01:08:50,320 --> 01:08:53,320
Speaker 2: i know how to do this better than anybody, so

1354
01:08:54,080 --> 01:08:57,200
Speaker 2: I'm gonna just figure out how to do it again,

1355
01:08:57,680 --> 01:09:00,320
Speaker 2: but do it on a different scale. Right. So when

1356
01:09:00,320 --> 01:09:02,280
Speaker 2: the rap game came, that's what that was. The rap

1357
01:09:02,360 --> 01:09:07,120
Speaker 2: game basically did exactly that Bow Wow bow I was twelve.

1358
01:09:08,040 --> 01:09:11,200
Speaker 2: The rap game took it back down. They was there

1359
01:09:11,200 --> 01:09:13,840
Speaker 2: was a whole group of you young motherfuckers that slew

1360
01:09:14,400 --> 01:09:17,519
Speaker 2: right like now, like Mulatto, younger than bow Wow j

1361
01:09:17,720 --> 01:09:19,760
Speaker 2: I's younger than Bower. All of these kids, they're younger

1362
01:09:19,800 --> 01:09:21,760
Speaker 2: than him. So it's like the same thing. It's like

1363
01:09:22,000 --> 01:09:24,920
Speaker 2: you've seen that's what. That's what, That's what it just started.

1364
01:09:24,960 --> 01:09:27,120
Speaker 2: I saw that, and I'm like, oh, this is gonna

1365
01:09:27,120 --> 01:09:31,519
Speaker 2: be my thing. I'm gonna start go one, gonna take

1366
01:09:31,560 --> 01:09:33,479
Speaker 2: it back and figure out a way to do it again,

1367
01:09:33,560 --> 01:09:36,720
Speaker 2: and just keep sending it and selling it into a

1368
01:09:36,720 --> 01:09:38,760
Speaker 2: whole new audience. You know what I mean, even like this,

1369
01:09:39,120 --> 01:09:42,400
Speaker 2: like this whole Tray Young thing, like Trey Young is

1370
01:09:42,439 --> 01:09:46,599
Speaker 2: what twenty one will put you on. Try put Trey

1371
01:09:46,640 --> 01:09:50,800
Speaker 2: Young's twenty one he posted because you young, right, how

1372
01:09:50,800 --> 01:09:51,280
Speaker 2: old is he?

1373
01:09:52,160 --> 01:09:53,280
Speaker 5: Like twenty two?

1374
01:09:53,640 --> 01:09:58,200
Speaker 2: Okay, So it's people that that's that's fucking with Trey

1375
01:09:58,240 --> 01:10:01,400
Speaker 2: Young buying these snip You're seeing these hoodies, buying the

1376
01:10:01,439 --> 01:10:04,040
Speaker 2: hoodies and all that. They probably ain't even listen to

1377
01:10:04,439 --> 01:10:08,000
Speaker 2: Jermaine du Prix album, but now they see this, this

1378
01:10:08,160 --> 01:10:11,120
Speaker 2: is associated with that, and that's that's that's giving this

1379
01:10:11,160 --> 01:10:15,080
Speaker 2: whole brand a whole another that start over thing. And

1380
01:10:15,120 --> 01:10:17,160
Speaker 2: it's like, now, like I said, now that I know

1381
01:10:17,280 --> 01:10:19,640
Speaker 2: that that's what it is, that's what I use so

1382
01:10:19,800 --> 01:10:22,120
Speaker 2: just to answer your question in a long form, that's

1383
01:10:22,120 --> 01:10:25,640
Speaker 2: what bow I did. He brought. He brought that that

1384
01:10:25,800 --> 01:10:29,599
Speaker 2: structure to me. Once I realized what it was, I'm like, okay,

1385
01:10:29,880 --> 01:10:32,760
Speaker 2: I gotta use this because yeah, as a star, like

1386
01:10:32,800 --> 01:10:36,599
Speaker 2: he said, if you as a rapper to see kids

1387
01:10:37,160 --> 01:10:40,160
Speaker 2: fainting and running and chasing him, you can't duplicate that,

1388
01:10:40,800 --> 01:10:42,400
Speaker 2: Like that's not some ship. You're gonna be like, Okay,

1389
01:10:42,439 --> 01:10:45,080
Speaker 2: well I'm gonna go. We're gonna go find another one

1390
01:10:45,080 --> 01:10:46,799
Speaker 2: of these. Okay.

1391
01:10:47,000 --> 01:10:48,439
Speaker 4: I do kind of want to I kind of want

1392
01:10:48,439 --> 01:10:50,960
Speaker 4: to gas him up a little bit. What you what

1393
01:10:51,080 --> 01:10:53,960
Speaker 4: you feel you brought to so so death? Oh wow,

1394
01:10:55,240 --> 01:10:56,960
Speaker 4: I know, just take a simple question.

1395
01:10:57,640 --> 01:10:57,840
Speaker 5: You know.

1396
01:10:58,360 --> 01:11:01,599
Speaker 10: You know, after we got done with Millennium Tour, I'm like, JD, look,

1397
01:11:03,520 --> 01:11:05,120
Speaker 10: you know the ship I was talking when I came

1398
01:11:05,120 --> 01:11:08,599
Speaker 10: in here. I'm like, look here, man, you normal gas post.

1399
01:11:09,439 --> 01:11:10,760
Speaker 5: If nobody was gonna do it, I'm gonna do it.

1400
01:11:10,840 --> 01:11:11,920
Speaker 5: So I'm like, get off.

1401
01:11:12,080 --> 01:11:15,799
Speaker 10: I'm like JD. Look, I said, Nigga, I'm like kiss

1402
01:11:16,080 --> 01:11:17,960
Speaker 10: rolling stones right now. I told you, you know, I mean

1403
01:11:18,000 --> 01:11:19,800
Speaker 10: me and Drake we talk a lot here, like Nigga, listen,

1404
01:11:21,120 --> 01:11:22,880
Speaker 10: I don't know nobody else in the business other than

1405
01:11:22,920 --> 01:11:25,280
Speaker 10: the greats who can go on tour arenas and roll

1406
01:11:25,280 --> 01:11:26,720
Speaker 10: out of bed and go do some ship and do

1407
01:11:26,800 --> 01:11:27,320
Speaker 10: what y'all did.

1408
01:11:27,320 --> 01:11:28,280
Speaker 5: That shit is incredible.

1409
01:11:28,320 --> 01:11:30,840
Speaker 10: So it's like I tell him all the time, even

1410
01:11:30,840 --> 01:11:33,160
Speaker 10: when we're in our group chat and we talking ship

1411
01:11:33,240 --> 01:11:34,599
Speaker 10: to each other, I'm nigg you know, I'm the biggest

1412
01:11:34,680 --> 01:11:35,000
Speaker 10: artist you.

1413
01:11:35,000 --> 01:11:38,280
Speaker 5: Ever had, straight up, up and down movies.

1414
01:11:39,560 --> 01:11:42,760
Speaker 10: If that fails hosting the first rapper to host the

1415
01:11:42,760 --> 01:11:45,599
Speaker 10: grant you know, the rig, all that one O six

1416
01:11:46,120 --> 01:11:48,680
Speaker 10: hosting skills, rap and act and all that, I'm the

1417
01:11:48,680 --> 01:11:49,599
Speaker 10: bo Jackson the rap.

1418
01:11:50,880 --> 01:11:51,840
Speaker 8: Get your ship off.

1419
01:11:55,320 --> 01:11:57,679
Speaker 3: Off now you ain't not the bou Jackson rap.

1420
01:11:58,680 --> 01:12:01,680
Speaker 10: I mean I never really dipped into like sneakers and

1421
01:12:01,680 --> 01:12:04,240
Speaker 10: what he accomplished, you know what I'm saying, that's all him.

1422
01:12:04,280 --> 01:12:09,240
Speaker 10: But as far as like what l laid down while heep,

1423
01:12:09,439 --> 01:12:12,840
Speaker 10: you know, Hove could be Bo Jackson rap on a

1424
01:12:12,840 --> 01:12:16,360
Speaker 10: business standpoint from wrapping the business, absolutely, But when we're

1425
01:12:16,360 --> 01:12:21,400
Speaker 10: talking about entertainment, pure entertainment, I don't give it like

1426
01:12:22,439 --> 01:12:25,679
Speaker 10: I really feel like I'm that nigga, like acting, what's

1427
01:12:25,720 --> 01:12:30,040
Speaker 10: do it hosts or something? Pay me rapping, just prove

1428
01:12:30,120 --> 01:12:32,599
Speaker 10: that for two months straight, you know what I'm saying.

1429
01:12:32,640 --> 01:12:35,880
Speaker 10: So it's like I tell him all the time, no

1430
01:12:35,920 --> 01:12:38,760
Speaker 10: disrespect to nobody who will signed to the label before me.

1431
01:12:38,840 --> 01:12:42,680
Speaker 10: But it's like, you know, it's like the end of

1432
01:12:42,720 --> 01:12:46,120
Speaker 10: snoopid me when me and Dog talk, is when Drake

1433
01:12:46,160 --> 01:12:48,360
Speaker 10: come around, when JD around.

1434
01:12:49,640 --> 01:12:52,719
Speaker 5: It's just weird. It's just how it just funct ways

1435
01:12:52,760 --> 01:12:53,040
Speaker 5: that way.

1436
01:12:53,080 --> 01:12:54,960
Speaker 10: But I tell him all the time, and I'm like,

1437
01:12:55,000 --> 01:12:57,439
Speaker 10: Snooper tell Drad, I'm the biggest moment, no matter what,

1438
01:12:58,600 --> 01:13:00,920
Speaker 10: I'm the biggest, and that's what it is.

1439
01:13:01,000 --> 01:13:03,200
Speaker 8: Jad called me when y'all was on tour. He asked

1440
01:13:03,240 --> 01:13:03,639
Speaker 8: me a question.

1441
01:13:03,720 --> 01:13:06,519
Speaker 7: He said, Yo, why he said bad was selling out

1442
01:13:06,640 --> 01:13:09,639
Speaker 7: all these arenas and it's crazy.

1443
01:13:09,760 --> 01:13:11,599
Speaker 8: He was like, but none of these blogs is picking

1444
01:13:11,600 --> 01:13:14,920
Speaker 8: it up. They're not talking about it. They not.

1445
01:13:15,120 --> 01:13:16,720
Speaker 10: They wasn't at the time, probably not like how you

1446
01:13:16,880 --> 01:13:19,280
Speaker 10: wanted them to, but they did for when it mattered.

1447
01:13:19,400 --> 01:13:21,400
Speaker 2: You know what I'm saying, shave room, fuck with you.

1448
01:13:21,640 --> 01:13:23,559
Speaker 2: I'm not talking about the shaved room, talking about these

1449
01:13:23,720 --> 01:13:31,680
Speaker 2: rat gods, the blogs. The blogs. I mean, say academic right,

1450
01:13:31,760 --> 01:13:36,880
Speaker 2: academic DJ, academics. I'm talking to you here right now.

1451
01:13:37,880 --> 01:13:41,640
Speaker 2: I don't know I'm that serious. I'm saying he a

1452
01:13:41,720 --> 01:13:45,280
Speaker 2: young he's a young guy, right, because this is something

1453
01:13:45,320 --> 01:13:49,040
Speaker 2: that that's always really really weird to me about social

1454
01:13:49,120 --> 01:13:54,960
Speaker 2: death because I talk about we've been talking about the youth.

1455
01:13:55,080 --> 01:13:56,799
Speaker 5: You see how young I was when I started.

1456
01:13:57,600 --> 01:14:00,639
Speaker 2: You see how young he was. Everything here it has

1457
01:14:00,800 --> 01:14:05,479
Speaker 2: always been young. But you Barry Gordy Nook, Okay, but

1458
01:14:06,080 --> 01:14:11,160
Speaker 2: I'm saying you got all these you got young bloggers

1459
01:14:11,160 --> 01:14:13,360
Speaker 2: now that claim their.

1460
01:14:16,880 --> 01:14:20,080
Speaker 5: What is it reporting the young artists of the world?

1461
01:14:20,160 --> 01:14:20,320
Speaker 2: Right?

1462
01:14:20,479 --> 01:14:21,120
Speaker 3: Yeah?

1463
01:14:21,160 --> 01:14:24,639
Speaker 2: How do you not report the young guy that got

1464
01:14:24,680 --> 01:14:26,360
Speaker 2: all the young guys.

1465
01:14:25,960 --> 01:14:28,640
Speaker 4: Into because you have to look at the name of

1466
01:14:28,640 --> 01:14:31,800
Speaker 4: the toy I was doing that. I'm thirty one years old.

1467
01:14:32,200 --> 01:14:34,920
Speaker 4: I'm running to that tour that was my whole childhood.

1468
01:14:35,200 --> 01:14:38,040
Speaker 4: These people is literally who I grew up on, Like

1469
01:14:38,080 --> 01:14:40,200
Speaker 4: this is when I was trying to get pussy, was

1470
01:14:40,240 --> 01:14:41,320
Speaker 4: when they was making music.

1471
01:14:42,880 --> 01:14:46,360
Speaker 3: So that's where I've run to. And no matter how.

1472
01:14:46,200 --> 01:14:48,960
Speaker 4: Old those bloggers, wherever they are, their audience is younger.

1473
01:14:50,520 --> 01:14:52,280
Speaker 4: Now you're just trying to post some ship where you

1474
01:14:52,320 --> 01:14:55,840
Speaker 4: look old. Because hip hop, hip hop moves in two

1475
01:14:55,960 --> 01:14:58,200
Speaker 4: years of hip hop is fifteen years in any other genres.

1476
01:14:59,040 --> 01:15:02,200
Speaker 2: Listen, I would I I would agree with that. But

1477
01:15:02,240 --> 01:15:05,120
Speaker 2: that's not the truth, right. You know, Tom Brady win

1478
01:15:05,200 --> 01:15:08,599
Speaker 2: the Super Bowl this year, they're going to report that.

1479
01:15:08,560 --> 01:15:11,440
Speaker 3: Shit, Uh, because.

1480
01:15:15,160 --> 01:15:15,759
Speaker 5: That's different.

1481
01:15:15,880 --> 01:15:20,519
Speaker 4: No, no, no, ESPN will, ESPN will, but People's Magazine and

1482
01:15:20,600 --> 01:15:23,240
Speaker 4: Tom Brady.

1483
01:15:23,280 --> 01:15:28,360
Speaker 5: But do you know why? Because the nah but no.

1484
01:15:28,439 --> 01:15:31,320
Speaker 2: But but like you said, I'm trying to give your flowers.

1485
01:15:31,320 --> 01:15:34,200
Speaker 2: I'm just saying, like I get it. Wait, listen, listen, listen.

1486
01:15:34,200 --> 01:15:40,840
Speaker 2: All I'm saying is I don't understand how you overlook,

1487
01:15:42,040 --> 01:15:43,920
Speaker 2: like you just said, if you want to be both jacks,

1488
01:15:43,960 --> 01:15:46,040
Speaker 2: whatever you want to be, I don't understand how you

1489
01:15:46,080 --> 01:15:52,040
Speaker 2: overlook a guy that came out at twelve years old,

1490
01:15:52,640 --> 01:15:58,439
Speaker 2: so three million records in two thousand and one and

1491
01:15:58,479 --> 01:16:06,280
Speaker 2: in twenty twenty one. Okay, it's selling out arenas and

1492
01:16:08,160 --> 01:16:10,920
Speaker 2: nobody else that was on one O six and.

1493
01:16:10,960 --> 01:16:13,080
Speaker 5: Part when Bowo was number one on one O six

1494
01:16:13,160 --> 01:16:16,200
Speaker 5: and part is doing that is't even even out. No,

1495
01:16:16,360 --> 01:16:17,200
Speaker 5: that's that's that's facts.

1496
01:16:17,240 --> 01:16:20,040
Speaker 4: But I get justin lea boy a quick meme, real quick.

1497
01:16:20,280 --> 01:16:22,479
Speaker 4: You asking for flowers from the wrong soil. Know what

1498
01:16:22,520 --> 01:16:25,400
Speaker 4: I'm not asking I'm not, but I'm really I'm not.

1499
01:16:25,439 --> 01:16:25,679
Speaker 2: Really.

1500
01:16:25,960 --> 01:16:27,799
Speaker 3: I don't want anybody ever honored anyone.

1501
01:16:27,960 --> 01:16:29,320
Speaker 5: What I'm saying, I don't honor gossip.

1502
01:16:29,400 --> 01:16:31,200
Speaker 2: Yeah, but I'm saying I don't really want nobody to

1503
01:16:31,240 --> 01:16:34,000
Speaker 2: give him like, oh, bow you deserve this. He doesn't say,

1504
01:16:34,200 --> 01:16:36,120
Speaker 2: yeah he does. But that's not saying. That's not what

1505
01:16:36,160 --> 01:16:36,559
Speaker 2: I'm just saying.

1506
01:16:36,600 --> 01:16:38,880
Speaker 8: I'm just certain things that should be reported.

1507
01:16:38,439 --> 01:16:39,479
Speaker 5: By just hip hop.

1508
01:16:39,560 --> 01:16:42,639
Speaker 2: This is a hip hop thing, Like it's like, this

1509
01:16:42,720 --> 01:16:47,080
Speaker 2: is hip hop. This is you talking about it? Like

1510
01:16:47,120 --> 01:16:49,439
Speaker 2: I said, this is what I had to do. I

1511
01:16:49,600 --> 01:16:53,360
Speaker 2: was ignoring the fact that what the superpowers that bow

1512
01:16:53,760 --> 01:16:57,439
Speaker 2: come with before me? Bow I was signed to Doctor

1513
01:16:57,560 --> 01:17:02,639
Speaker 2: Dre and Snoop Dog at five years old.

1514
01:17:02,680 --> 01:17:04,000
Speaker 3: He's the Forrest Gump of hip hop.

1515
01:17:04,439 --> 01:17:08,360
Speaker 5: Yes, but I'm just saying to say hit everything.

1516
01:17:08,439 --> 01:17:10,519
Speaker 2: But to say that right, to say that and then

1517
01:17:10,640 --> 01:17:13,040
Speaker 2: look at it and be like it's twenty.

1518
01:17:12,760 --> 01:17:16,400
Speaker 8: Twenty one, right, it should be reported.

1519
01:17:16,400 --> 01:17:19,000
Speaker 2: Like you you ain't gotta you ain't gotta say, oh

1520
01:17:19,080 --> 01:17:20,000
Speaker 2: I fuck with Bowy.

1521
01:17:20,040 --> 01:17:21,160
Speaker 5: That niggas don't know what it is.

1522
01:17:21,320 --> 01:17:23,080
Speaker 2: All you gotta do is like, yo, do you you

1523
01:17:23,120 --> 01:17:26,120
Speaker 2: could do it for I can't believe he's do you

1524
01:17:26,240 --> 01:17:29,040
Speaker 2: realize that Bow selling out of yeah Bow?

1525
01:17:29,040 --> 01:17:29,880
Speaker 5: Why something Bow?

1526
01:17:29,960 --> 01:17:32,040
Speaker 2: I just set out a show in New Jersey tonight.

1527
01:17:32,080 --> 01:17:33,680
Speaker 2: You could do it dumb like that and make it

1528
01:17:33,720 --> 01:17:36,880
Speaker 2: look like you hating, but still like you ain't.

1529
01:17:36,960 --> 01:17:38,160
Speaker 5: You ain't getting them in flowers.

1530
01:17:38,200 --> 01:17:39,000
Speaker 2: It's just the fuck that.

1531
01:17:39,080 --> 01:17:42,320
Speaker 5: But you have to acknowledge to your argument though.

1532
01:17:42,360 --> 01:17:44,720
Speaker 10: We in the businesses where it's like that's done for

1533
01:17:44,800 --> 01:17:47,320
Speaker 10: me lately type of shit. Motherfuckers can only remember what

1534
01:17:47,360 --> 01:17:50,400
Speaker 10: they can remember. It's no country, no, I know. It's

1535
01:17:50,439 --> 01:17:53,919
Speaker 10: weird like that's when you mentioned Tom Brady Pastor Mahomes

1536
01:17:53,920 --> 01:17:56,360
Speaker 10: is supposed to be the Steph Curry of the NFL,

1537
01:17:56,439 --> 01:17:59,439
Speaker 10: the new the new motherfucker on the black, who's changing

1538
01:17:59,439 --> 01:18:01,960
Speaker 10: the landscape football in the quarterback it's supposed to play

1539
01:18:02,000 --> 01:18:03,360
Speaker 10: with when the o g step up and he gotta

1540
01:18:03,360 --> 01:18:06,920
Speaker 10: face the younger and then he beats it. And then

1541
01:18:06,920 --> 01:18:09,519
Speaker 10: you look up and see how many accolades Tom got

1542
01:18:09,720 --> 01:18:11,880
Speaker 10: and he's still winning it today, which we still are.

1543
01:18:13,040 --> 01:18:17,360
Speaker 10: It's different. Why the Tom Brady compareson to soul Off,

1544
01:18:17,439 --> 01:18:20,400
Speaker 10: It's like you got it. You gotta talk about who

1545
01:18:20,439 --> 01:18:21,800
Speaker 10: then win more rings in time?

1546
01:18:23,000 --> 01:18:25,519
Speaker 5: Nobody. It's like Steph just broke the record. Ain't nobody

1547
01:18:25,520 --> 01:18:26,559
Speaker 5: about to beat that ship times?

1548
01:18:26,680 --> 01:18:29,000
Speaker 3: But but right now, and he beat them right now,

1549
01:18:31,720 --> 01:18:32,800
Speaker 3: and he beat the right now.

1550
01:18:32,880 --> 01:18:36,240
Speaker 5: Nigga water kidd washed him, cleaned it.

1551
01:18:37,640 --> 01:18:39,800
Speaker 10: Oh no, gotta make it if you if you had

1552
01:18:39,840 --> 01:18:43,360
Speaker 10: a son and he got he did.

1553
01:18:43,439 --> 01:18:45,679
Speaker 3: But guess guess who sold more jerseys after he beat him?

1554
01:18:45,960 --> 01:18:46,320
Speaker 5: Who?

1555
01:18:46,560 --> 01:18:47,120
Speaker 3: Patrick Mahon.

1556
01:18:49,720 --> 01:18:53,760
Speaker 5: That's the world saying that's a flowers thing. I'm not

1557
01:18:53,760 --> 01:18:54,479
Speaker 5: talking about flowers.

1558
01:18:54,439 --> 01:18:56,479
Speaker 2: I don't want nobody get I don't I don't want

1559
01:18:56,479 --> 01:18:57,360
Speaker 2: nobody get confused.

1560
01:18:57,400 --> 01:18:59,040
Speaker 5: I'm not talking about the flowers. I'm just saying in

1561
01:18:59,160 --> 01:19:00,200
Speaker 5: hip hop in general, I.

1562
01:19:00,160 --> 01:19:02,519
Speaker 2: Just feel like I feel like I feel like this

1563
01:19:02,680 --> 01:19:05,760
Speaker 2: is one of the parts of hip hop that being

1564
01:19:05,800 --> 01:19:11,839
Speaker 2: from the South actually is the downfall or down sparrow

1565
01:19:11,920 --> 01:19:17,120
Speaker 2: about being from the South because the South. Things happen

1566
01:19:17,160 --> 01:19:20,439
Speaker 2: in the South like that that are not reported as

1567
01:19:20,560 --> 01:19:22,680
Speaker 2: just a hip hop moment and when and not, and

1568
01:19:22,760 --> 01:19:25,400
Speaker 2: it's not about, hey, give these guys a flowers. It's

1569
01:19:25,479 --> 01:19:28,920
Speaker 2: just just reported as a moment, like, guys, this is

1570
01:19:29,040 --> 01:19:38,679
Speaker 2: twenty twenty one. Jarru no fat Joe, no fabulous, No

1571
01:19:38,680 --> 01:19:39,639
Speaker 2: not Joe get his ship.

1572
01:19:41,560 --> 01:19:42,320
Speaker 3: Joe is doing great.

1573
01:19:42,640 --> 01:19:45,120
Speaker 2: I mean I'm asking I'm talking about the people that

1574
01:19:45,240 --> 01:19:47,920
Speaker 2: was on one O six and part. All I'm saying

1575
01:19:48,040 --> 01:19:51,600
Speaker 2: is just list of rappers that was on one O

1576
01:19:51,720 --> 01:19:52,719
Speaker 2: six in part when.

1577
01:19:52,600 --> 01:19:54,680
Speaker 5: Bow Wow was number one on one on sixth A part.

1578
01:19:54,720 --> 01:19:55,679
Speaker 2: You remember this, right.

1579
01:19:55,560 --> 01:19:59,639
Speaker 3: Of course, name one of them that's free, of course.

1580
01:20:00,040 --> 01:20:04,160
Speaker 2: The name one that's on tour that's selling out twenty

1581
01:20:04,320 --> 01:20:05,639
Speaker 2: thousand seed the ring.

1582
01:20:05,720 --> 01:20:06,000
Speaker 3: Okay.

1583
01:20:06,000 --> 01:20:08,479
Speaker 4: Can I ask you this though, if Fat Joe sold

1584
01:20:08,479 --> 01:20:11,759
Speaker 4: out Madison Square Garden today, do you think these outlets

1585
01:20:11,800 --> 01:20:15,720
Speaker 4: that you're asking for flowers from would completely disagree If

1586
01:20:15,760 --> 01:20:17,880
Speaker 4: Fat Joe completely disagreed.

1587
01:20:17,520 --> 01:20:18,400
Speaker 5: What I'm talking about.

1588
01:20:18,560 --> 01:20:21,760
Speaker 4: I'm not saying anything about that.

1589
01:20:22,439 --> 01:20:22,680
Speaker 6: Do that.

1590
01:20:22,720 --> 01:20:25,519
Speaker 8: It's not reported what they wouldn't come on the.

1591
01:20:25,880 --> 01:20:27,400
Speaker 3: Would say you know what they were saying. They were saying,

1592
01:20:27,400 --> 01:20:29,439
Speaker 3: you Drake sold out for a week, So y'all are

1593
01:20:29,560 --> 01:20:32,360
Speaker 3: put why are you using the word person?

1594
01:20:32,400 --> 01:20:33,639
Speaker 8: I don't think they would, nah.

1595
01:20:33,880 --> 01:20:37,759
Speaker 2: I definitely listen by the way, one New York outlet

1596
01:20:38,160 --> 01:20:41,920
Speaker 2: would post say something about this. One of these guys

1597
01:20:42,080 --> 01:20:45,240
Speaker 2: would Charlemagne, whether it be it's gonna.

1598
01:20:44,960 --> 01:20:47,639
Speaker 3: Be from the South. Charlemaine's from the South.

1599
01:20:48,000 --> 01:20:50,080
Speaker 2: Yeah, but he's not He's from New York. Now stop,

1600
01:20:50,120 --> 01:20:55,080
Speaker 2: don't do that. He is somebody would say, I'm saying,

1601
01:20:55,120 --> 01:20:56,600
Speaker 2: I don't I believe that.

1602
01:20:56,600 --> 01:20:57,680
Speaker 8: I don't think they would do.

1603
01:20:57,960 --> 01:21:00,320
Speaker 4: We have his argument with our friend Justice shout out

1604
01:21:00,360 --> 01:21:01,440
Speaker 4: to LVR and everybody.

1605
01:21:02,240 --> 01:21:02,559
Speaker 8: Justice.

1606
01:21:02,720 --> 01:21:05,400
Speaker 4: Still, I feel like has this Atlanta complex with New

1607
01:21:05,479 --> 01:21:08,280
Speaker 4: York ship, and we have such the opposite because I

1608
01:21:08,280 --> 01:21:11,360
Speaker 4: feel like y'all have dominated us my entire life, maybe

1609
01:21:11,400 --> 01:21:14,320
Speaker 4: not Maul's life, but my life. Y'all have had a musically.

1610
01:21:14,479 --> 01:21:16,280
Speaker 4: So I look at Justice and Justin and I are

1611
01:21:16,280 --> 01:21:18,439
Speaker 4: the same age, and I'm like, how you still have.

1612
01:21:18,439 --> 01:21:20,879
Speaker 3: This New York complex over ship musically.

1613
01:21:21,360 --> 01:21:24,080
Speaker 4: I'm looking at y'all like we need to get like you.

1614
01:21:24,120 --> 01:21:26,680
Speaker 2: But media media wise.

1615
01:21:26,520 --> 01:21:28,800
Speaker 4: But that changed with the Internet out, especially with COVID too.

1616
01:21:28,880 --> 01:21:30,400
Speaker 4: Still you don't need to go into fucking New York

1617
01:21:30,400 --> 01:21:30,680
Speaker 4: no more.

1618
01:21:30,720 --> 01:21:33,559
Speaker 2: It's still it's still no different.

1619
01:21:34,360 --> 01:21:35,960
Speaker 3: And this hurts me to say it's a New Yorker, Like,

1620
01:21:36,000 --> 01:21:36,599
Speaker 3: don't think.

1621
01:21:36,400 --> 01:21:38,240
Speaker 2: This is easy for me. What you're saying that you

1622
01:21:38,320 --> 01:21:40,960
Speaker 2: don't need to do that, you don't, but you still

1623
01:21:41,200 --> 01:21:46,200
Speaker 2: have to is in Miami. He's from Queens, But you

1624
01:21:46,240 --> 01:21:49,120
Speaker 2: don't have to go to time. You know it pains

1625
01:21:49,120 --> 01:21:50,559
Speaker 2: me to say you don't have to do nothing in

1626
01:21:50,560 --> 01:21:50,880
Speaker 2: New York.

1627
01:21:50,920 --> 01:21:52,320
Speaker 8: No morning, I wouldn't say nothing.

1628
01:21:52,400 --> 01:21:53,480
Speaker 5: He's in New Yorker.

1629
01:21:53,560 --> 01:21:55,680
Speaker 4: You need that, You need that audience. It is the

1630
01:21:55,800 --> 01:21:57,719
Speaker 4: audience you need from New York. Don't get it twisted.

1631
01:21:57,920 --> 01:22:00,360
Speaker 4: That's a I'm saying. As far as in the street, shit,

1632
01:22:00,400 --> 01:22:02,720
Speaker 4: you don't it's gonna be there New York so like

1633
01:22:03,320 --> 01:22:05,440
Speaker 4: and everyone in the industry.

1634
01:22:04,840 --> 01:22:06,120
Speaker 5: New York is still like the number one mark.

1635
01:22:06,160 --> 01:22:08,240
Speaker 3: You gotta tap it one hundred per shit. Don't move

1636
01:22:08,320 --> 01:22:09,040
Speaker 3: out of New York City.

1637
01:22:09,080 --> 01:22:16,719
Speaker 10: That's what I said, just because it's the city wise

1638
01:22:16,800 --> 01:22:18,599
Speaker 10: everything though, Like this is how I feel like. It's

1639
01:22:18,600 --> 01:22:21,320
Speaker 10: a different energy. I get like when JD said, Okay,

1640
01:22:21,320 --> 01:22:23,800
Speaker 10: we sold out every fucking arena across the nation, right

1641
01:22:24,280 --> 01:22:28,799
Speaker 10: with the Tampa that's twenty thousand. If it was crazy,

1642
01:22:28,920 --> 01:22:30,880
Speaker 10: JD was there, it was it was retarded from top

1643
01:22:30,920 --> 01:22:32,160
Speaker 10: to bottom. But when we went to New York. We

1644
01:22:32,240 --> 01:22:33,559
Speaker 10: go to New York, we prepare for that ship. We

1645
01:22:33,600 --> 01:22:36,479
Speaker 10: look like even as rappers, we look up when we

1646
01:22:36,520 --> 01:22:38,120
Speaker 10: go to New York. We know that shit feel like

1647
01:22:38,160 --> 01:22:40,080
Speaker 10: a Monday night football game. Mal you're from New York

1648
01:22:40,080 --> 01:22:42,479
Speaker 10: you're from Queens, you know how we feel like when

1649
01:22:42,520 --> 01:22:45,080
Speaker 10: we about to owe the garden. Oh my god, watch

1650
01:22:45,280 --> 01:22:47,840
Speaker 10: can't wait? Everything go down in the gardens, you know

1651
01:22:47,880 --> 01:22:50,280
Speaker 10: what I'm saying. So we we to this day, niggas,

1652
01:22:50,320 --> 01:22:53,640
Speaker 10: even young niggas, we look forward to going to New

1653
01:22:53,720 --> 01:22:56,400
Speaker 10: York like that's always gonna be like to me, the

1654
01:22:56,479 --> 01:22:59,520
Speaker 10: number one spot, even though the a's a home. Ohio's

1655
01:22:59,520 --> 01:23:00,680
Speaker 10: the city like we know.

1656
01:23:01,240 --> 01:23:03,880
Speaker 4: But audience wise, I agree, nothing in the world of

1657
01:23:04,080 --> 01:23:07,360
Speaker 4: York is fuck America. The world don't move without New

1658
01:23:07,439 --> 01:23:07,840
Speaker 4: York City.

1659
01:23:07,960 --> 01:23:08,360
Speaker 2: I'm saying.

1660
01:23:08,360 --> 01:23:10,439
Speaker 4: With this industry ship, with the blog ship and the

1661
01:23:10,479 --> 01:23:12,840
Speaker 4: people like that ship don't matter no more.

1662
01:23:13,040 --> 01:23:15,960
Speaker 7: And sometimes you don't want you flowers from certain people

1663
01:23:16,720 --> 01:23:18,240
Speaker 7: like I just I mean, I'm saying, I don't care

1664
01:23:18,240 --> 01:23:21,160
Speaker 7: if certain people are reporting my status of my accolades,

1665
01:23:21,200 --> 01:23:21,960
Speaker 7: like I don't don't.

1666
01:23:22,040 --> 01:23:22,800
Speaker 8: I don't do it for that.

1667
01:23:22,920 --> 01:23:25,640
Speaker 7: Yeah, But as long as my pears though, like the

1668
01:23:25,720 --> 01:23:27,840
Speaker 7: niggas that I'm in the game with that they look

1669
01:23:27,920 --> 01:23:29,479
Speaker 7: up and be like, yo, he did what last.

1670
01:23:30,960 --> 01:23:35,040
Speaker 2: I've been fighting this forever. It's just a thing. It's

1671
01:23:35,080 --> 01:23:38,240
Speaker 2: a thing because you just want because because like I said,

1672
01:23:38,280 --> 01:23:44,080
Speaker 2: you want to you just want people to know. I

1673
01:23:44,160 --> 01:23:45,840
Speaker 2: just want people to know. I don't care if, like

1674
01:23:45,880 --> 01:23:47,519
Speaker 2: I said, they can say whatever they want to say

1675
01:23:47,560 --> 01:23:49,680
Speaker 2: about the situation. I'm not asking you.

1676
01:23:49,720 --> 01:23:53,280
Speaker 5: To even give me a r Your.

1677
01:23:53,840 --> 01:23:56,439
Speaker 8: Not getting reviews, they're not saying nothing.

1678
01:23:56,680 --> 01:23:59,599
Speaker 2: They're not saying nothing and acting like it doesn't even exist.

1679
01:24:00,280 --> 01:24:05,120
Speaker 2: And that that is partially why. I'm sure this is

1680
01:24:05,120 --> 01:24:07,479
Speaker 2: a question that y'all want to allude to, but this

1681
01:24:07,600 --> 01:24:11,439
Speaker 2: is partially why I did what I did when I

1682
01:24:11,439 --> 01:24:13,920
Speaker 2: did what I did on that Puff thing that day

1683
01:24:13,920 --> 01:24:16,559
Speaker 2: when we got on there about this versus, because I

1684
01:24:16,600 --> 01:24:22,320
Speaker 2: felt like I felt like the people that were screaming

1685
01:24:22,479 --> 01:24:25,760
Speaker 2: what they scream about Puff, they've heard it, they've seen it,

1686
01:24:25,840 --> 01:24:31,720
Speaker 2: because New York spills it out right. I guarantee you

1687
01:24:31,760 --> 01:24:35,160
Speaker 2: it's fifty records that I did that the majority that

1688
01:24:35,240 --> 01:24:37,960
Speaker 2: people don't know about because I'm here in Atlanta, and

1689
01:24:38,920 --> 01:24:42,280
Speaker 2: what happens with Bow Wow Tour has happened with my records,

1690
01:24:42,280 --> 01:24:44,400
Speaker 2: and what has happened with these artists and has happened

1691
01:24:44,439 --> 01:24:46,600
Speaker 2: with these You've heard the records, but you don't know

1692
01:24:46,640 --> 01:24:49,960
Speaker 2: what they've done. And unless Jenny starts popping shit and

1693
01:24:50,000 --> 01:24:52,960
Speaker 2: talking and going crazy, you don't even be knowing, right,

1694
01:24:53,200 --> 01:24:57,280
Speaker 2: Like I seen somebody yesterday and he's like, Yo, I

1695
01:24:57,280 --> 01:24:59,519
Speaker 2: mean how much ice cream are you gonna post? Do

1696
01:24:59,560 --> 01:25:03,160
Speaker 2: you make me music anymore? And I'm like, damn you

1697
01:25:03,160 --> 01:25:06,599
Speaker 2: you know? Do do you realize that I graduated from

1698
01:25:06,800 --> 01:25:13,160
Speaker 2: the class of ninety two? And alright, Lennox record might

1699
01:25:13,200 --> 01:25:14,719
Speaker 2: be number one in the next two weeks?

1700
01:25:14,720 --> 01:25:15,960
Speaker 3: Phenomenal record blacks?

1701
01:25:16,760 --> 01:25:19,800
Speaker 2: What were we talking about? Like, I'm but I had to

1702
01:25:20,000 --> 01:25:22,240
Speaker 2: I have to say this, right, you see what I'm saying.

1703
01:25:22,320 --> 01:25:24,080
Speaker 5: I have to say. This is nobody gonna say.

1704
01:25:24,120 --> 01:25:28,120
Speaker 2: Yo. Do y'all realize that this nigga started in ninety two? Yeah,

1705
01:25:28,120 --> 01:25:29,680
Speaker 2: I'm not asking you to give my flowers. I'm not

1706
01:25:29,720 --> 01:25:31,840
Speaker 2: even had you to say, Yo, the records jamming and

1707
01:25:31,880 --> 01:25:37,519
Speaker 2: I get it. I want you to say, who never

1708
01:25:37,680 --> 01:25:40,200
Speaker 2: have been a nigga? Do with this? Loan for this?

1709
01:25:40,439 --> 01:25:43,680
Speaker 2: Hard for this? What Hull saying? That's me?

1710
01:25:44,320 --> 01:25:46,400
Speaker 3: Can I ask? Can I ask you a very white therapy?

1711
01:25:47,400 --> 01:25:47,439
Speaker 4: No?

1712
01:25:47,920 --> 01:25:49,439
Speaker 3: Can I have a very white therapy question?

1713
01:25:49,520 --> 01:25:50,000
Speaker 2: Yeah?

1714
01:25:50,080 --> 01:25:52,639
Speaker 4: Back to you deciding when you saw Chris Cross getting

1715
01:25:52,680 --> 01:25:56,360
Speaker 4: all them cookies for free in that mall and said, no,

1716
01:25:56,479 --> 01:25:58,519
Speaker 4: they got something. I want to write for them. I

1717
01:25:58,560 --> 01:26:00,880
Speaker 4: want to be behind them and make them the stars.

1718
01:26:01,479 --> 01:26:03,479
Speaker 4: You don't feel like you've done that your whole career

1719
01:26:03,840 --> 01:26:06,280
Speaker 4: and didn't do the puff route where even though I

1720
01:26:06,320 --> 01:26:09,320
Speaker 4: am helping make these records, I'm gonna make sure I'm

1721
01:26:09,400 --> 01:26:10,800
Speaker 4: next to them, not behind them.

1722
01:26:11,640 --> 01:26:13,280
Speaker 5: So I feel like when you.

1723
01:26:13,240 --> 01:26:15,479
Speaker 4: Made that decision, when you saw them getting the free cookies,

1724
01:26:16,160 --> 01:26:18,240
Speaker 4: has come to this point of what you upset about

1725
01:26:18,240 --> 01:26:21,240
Speaker 4: in saying people not knowing about your whole legacy.

1726
01:26:20,840 --> 01:26:22,439
Speaker 5: No no, because you didn't have to yell it no,

1727
01:26:22,479 --> 01:26:23,840
Speaker 5: but I just did it. But that's what I'm saying.

1728
01:26:23,880 --> 01:26:24,639
Speaker 2: I'm not upset.

1729
01:26:24,760 --> 01:26:26,479
Speaker 3: This is the things the wrong word.

1730
01:26:26,479 --> 01:26:26,880
Speaker 8: I'm sorry.

1731
01:26:27,000 --> 01:26:29,640
Speaker 2: I'm not upset. What I feel like. I feel like this.

1732
01:26:30,240 --> 01:26:34,439
Speaker 2: I feel like we talked. We talk about things in

1733
01:26:34,560 --> 01:26:39,960
Speaker 2: this industry and in this sphere, and we have questions

1734
01:26:39,960 --> 01:26:45,960
Speaker 2: about things. And if you don't mention what I'm saying,

1735
01:26:46,680 --> 01:26:49,439
Speaker 2: you won't get the answers to why. All right, So say,

1736
01:26:49,479 --> 01:26:52,680
Speaker 2: for instance, R and B music right, R and B

1737
01:26:52,800 --> 01:26:57,320
Speaker 2: music today will never sound like R and B music sounded.

1738
01:26:58,680 --> 01:27:00,960
Speaker 5: Like you guys might like it or somebody else might

1739
01:27:01,040 --> 01:27:01,280
Speaker 5: like it.

1740
01:27:01,400 --> 01:27:06,479
Speaker 2: Yeah, because it's nobody from nineteen ninety two in the

1741
01:27:06,560 --> 01:27:10,160
Speaker 2: top ten chart, in the top ten on the charts

1742
01:27:10,520 --> 01:27:14,960
Speaker 2: in twenty one. Right, that's a conversation. I ain't got

1743
01:27:15,000 --> 01:27:17,519
Speaker 2: nothing to do it, Jamay getting no flowers. This is

1744
01:27:17,520 --> 01:27:20,120
Speaker 2: a conversation that you gotta be like. Guys, listen, you

1745
01:27:20,160 --> 01:27:25,439
Speaker 2: do realize the existence of R and B that we love. Whoever,

1746
01:27:25,640 --> 01:27:28,639
Speaker 2: maybe you don't if you don't like it. But that

1747
01:27:28,880 --> 01:27:33,519
Speaker 2: new audition Bobby Brown, I'll be sure Era, none of

1748
01:27:33,520 --> 01:27:38,599
Speaker 2: them producers are nowhere to be found, right, And that's

1749
01:27:38,640 --> 01:27:41,880
Speaker 2: what I'm saying. This is I'm saying, is we gotta

1750
01:27:41,920 --> 01:27:46,679
Speaker 2: start talking about this because people keep arguing about music

1751
01:27:46,760 --> 01:27:48,760
Speaker 2: like why R and B music ain't this good? And

1752
01:27:48,800 --> 01:27:53,320
Speaker 2: this is why. It's not because the artists ain't good.

1753
01:27:53,760 --> 01:27:56,840
Speaker 2: It's because the new artists they're not being trained by nobody.

1754
01:27:57,040 --> 01:28:00,320
Speaker 2: Because the people that train me ain't. You know my story.

1755
01:28:00,360 --> 01:28:04,879
Speaker 2: I said, I've ran into Babyface. Who's these people running into.

1756
01:28:05,240 --> 01:28:10,519
Speaker 4: But that's where producer tags and producers like Puff depending

1757
01:28:10,520 --> 01:28:12,719
Speaker 4: on how you view him as a producer them getting

1758
01:28:12,760 --> 01:28:14,920
Speaker 4: in front of shit. That's important because that keeps the

1759
01:28:15,080 --> 01:28:18,040
Speaker 4: legacy going. It makes the regular consumer, not the nerd

1760
01:28:18,120 --> 01:28:20,200
Speaker 4: like me that are looking the fucking album credits and

1761
01:28:20,280 --> 01:28:22,360
Speaker 4: know who did the New Edition shit. You have to

1762
01:28:22,400 --> 01:28:24,960
Speaker 4: be that producer that steps up and say, hey, I made.

1763
01:28:24,840 --> 01:28:25,639
Speaker 3: This fucking record.

1764
01:28:26,160 --> 01:28:28,320
Speaker 4: That's gonna keep you relevant because the younger artist is

1765
01:28:28,400 --> 01:28:29,320
Speaker 4: gonna be like, wait that shit.

1766
01:28:29,400 --> 01:28:31,040
Speaker 3: I grew up on JD did that shit?

1767
01:28:32,000 --> 01:28:35,160
Speaker 4: So you still one in New Addition stepped up and said, hey,

1768
01:28:35,200 --> 01:28:36,559
Speaker 4: I produced the New Addition shit.

1769
01:28:36,600 --> 01:28:38,120
Speaker 5: Yeah, but it didn't happen. But that's what I'm saying.

1770
01:28:38,120 --> 01:28:40,080
Speaker 3: You still just try to producer tags annoy the fuck

1771
01:28:40,120 --> 01:28:41,240
Speaker 3: out of me. But I get it.

1772
01:28:41,320 --> 01:28:43,519
Speaker 2: I totally get it. But I'm saying you still speaking

1773
01:28:43,520 --> 01:28:47,560
Speaker 2: about producer. I'm just speaking about the genre in itself,

1774
01:28:48,200 --> 01:28:49,680
Speaker 2: the genre in itself.

1775
01:28:50,400 --> 01:28:51,160
Speaker 3: What's the genre now?

1776
01:28:51,240 --> 01:28:53,920
Speaker 2: With R Kelly being gone, He's fifty percent of the

1777
01:28:54,040 --> 01:28:56,880
Speaker 2: R and B of R and B music that that

1778
01:28:57,040 --> 01:29:00,559
Speaker 2: was there, right, So then you had Me, you gonna

1779
01:29:00,560 --> 01:29:04,120
Speaker 2: have Puff, you have Dark Child, you have.

1780
01:29:05,760 --> 01:29:07,360
Speaker 3: Don't start naming because the we're gonna leave someone out.

1781
01:29:07,360 --> 01:29:07,920
Speaker 3: It's gonna get it.

1782
01:29:08,080 --> 01:29:10,639
Speaker 5: Well, you know, I I'm just saying. People know, I'm

1783
01:29:10,640 --> 01:29:12,000
Speaker 5: not saying what we know.

1784
01:29:12,080 --> 01:29:15,479
Speaker 2: But what I'm saying is all of these people was

1785
01:29:15,720 --> 01:29:19,200
Speaker 2: covering these this period of time. Right when you look

1786
01:29:19,240 --> 01:29:22,720
Speaker 2: at the charts now, you don't see any of them names, right.

1787
01:29:23,080 --> 01:29:25,840
Speaker 2: And that's what I posted the other day when I said,

1788
01:29:25,880 --> 01:29:28,439
Speaker 2: I'm saying like I wasn't dissing nobody, and I wasn't

1789
01:29:28,439 --> 01:29:32,040
Speaker 2: trying to throw no shots at nobody. I'm saying, God damn,

1790
01:29:32,120 --> 01:29:35,600
Speaker 2: I'm looking at the ship saying I came out in

1791
01:29:35,680 --> 01:29:37,800
Speaker 2: ninety two and I'm the only person.

1792
01:29:39,640 --> 01:29:40,519
Speaker 8: Right, I get it.

1793
01:29:40,560 --> 01:29:41,360
Speaker 2: But that's wow.

1794
01:29:41,479 --> 01:29:44,040
Speaker 4: Okay, But that's why versus important, and the conversation you

1795
01:29:44,160 --> 01:29:46,920
Speaker 4: have with puff is the next conversation we need to have.

1796
01:29:46,880 --> 01:29:49,680
Speaker 2: About versus gotta happen because because.

1797
01:29:50,400 --> 01:29:53,160
Speaker 3: I said this on the podcast prior to before we

1798
01:29:53,200 --> 01:29:53,839
Speaker 3: even sat.

1799
01:29:53,640 --> 01:29:55,679
Speaker 5: Down, drink that ship.

1800
01:29:57,439 --> 01:30:03,840
Speaker 4: I'm good, I'm cool, I'm good, good, I said, if

1801
01:30:03,840 --> 01:30:05,920
Speaker 4: we want to go through these verses conversations with producers,

1802
01:30:05,960 --> 01:30:07,400
Speaker 4: because that's what started that.

1803
01:30:08,320 --> 01:30:11,000
Speaker 7: Spicy was that because that ship felt a little spicy,

1804
01:30:11,320 --> 01:30:12,200
Speaker 7: like it was real.

1805
01:30:12,520 --> 01:30:15,280
Speaker 3: I'm gonna get to the ship like it was some

1806
01:30:15,360 --> 01:30:16,840
Speaker 3: ship being said, and I saw it.

1807
01:30:16,800 --> 01:30:19,720
Speaker 4: When it kind of got the three of us in

1808
01:30:19,720 --> 01:30:21,639
Speaker 4: the room, who can come out with a record without

1809
01:30:21,640 --> 01:30:22,400
Speaker 4: help the same.

1810
01:30:22,240 --> 01:30:24,479
Speaker 7: Way, the same way you were just talking, like wait,

1811
01:30:24,560 --> 01:30:26,960
Speaker 7: do you know like I saw something of that with

1812
01:30:27,000 --> 01:30:30,720
Speaker 7: the get your ship off right now, Like I saw

1813
01:30:30,800 --> 01:30:31,840
Speaker 7: pop sayings like what you gonna do?

1814
01:30:31,840 --> 01:30:32,040
Speaker 6: Play?

1815
01:30:32,040 --> 01:30:34,000
Speaker 7: A bunch of kid records played that, and I saw

1816
01:30:34,120 --> 01:30:36,640
Speaker 7: That's when you was like, wait, hold up, do you know?

1817
01:30:36,800 --> 01:30:37,160
Speaker 6: Like uh?

1818
01:30:38,000 --> 01:30:39,920
Speaker 8: And then you go and played the record and he

1819
01:30:40,040 --> 01:30:40,400
Speaker 8: was like.

1820
01:30:41,000 --> 01:30:43,479
Speaker 2: I wrote that. I say, you didn't write that.

1821
01:30:43,880 --> 01:30:45,880
Speaker 5: You didn't write you didn't write ship?

1822
01:30:46,439 --> 01:30:47,719
Speaker 2: How much of that was like real?

1823
01:30:48,120 --> 01:30:49,120
Speaker 5: That j D talking ship?

1824
01:30:49,200 --> 01:30:51,360
Speaker 7: And on top of that, because I know Dre's name

1825
01:30:51,400 --> 01:30:53,280
Speaker 7: was being thrown around in that a lot. Doctor Dre's

1826
01:30:53,320 --> 01:30:54,880
Speaker 7: name has been thrown around love did you and Drake

1827
01:30:54,920 --> 01:30:57,760
Speaker 7: squash that ship? Yeah, y'all talk y'all cool?

1828
01:30:58,560 --> 01:31:04,960
Speaker 1: I remember, but you know, interesting drinks, get to the

1829
01:31:05,000 --> 01:31:09,280
Speaker 1: puff ship? Interesting thing about he just say get.

1830
01:31:09,120 --> 01:31:16,960
Speaker 5: To the puff ship? Just I know it was just.

1831
01:31:17,439 --> 01:31:18,000
Speaker 2: Two hours ago.

1832
01:31:18,479 --> 01:31:20,599
Speaker 5: Don't you hold Why don't you put this in there?

1833
01:31:20,920 --> 01:31:25,920
Speaker 2: What put drink? Nor did we come from his drink?

1834
01:31:26,040 --> 01:31:27,880
Speaker 5: I wanted say they talking ship? You know why? Because

1835
01:31:27,880 --> 01:31:30,920
Speaker 5: he never, like j is so exactly And that's.

1836
01:31:30,840 --> 01:31:31,960
Speaker 2: What I'm saying a little bit.

1837
01:31:35,680 --> 01:31:38,559
Speaker 5: It's coming listen talking, listen, listen.

1838
01:31:39,080 --> 01:31:41,960
Speaker 2: That's what made me and Dre have a beef anyway,

1839
01:31:42,200 --> 01:31:44,360
Speaker 2: what you're saying, that's what I said in the x

1840
01:31:44,520 --> 01:31:47,280
Speaker 2: x L a while ago, and there was a Scratch magazine.

1841
01:31:47,320 --> 01:31:49,240
Speaker 2: I think I said that. I said, yo, if you can,

1842
01:31:49,960 --> 01:31:53,280
Speaker 2: if you put me, But it was it was about me,

1843
01:31:53,400 --> 01:31:55,439
Speaker 2: Timbling and Dre at the time.

1844
01:31:56,479 --> 01:31:58,599
Speaker 8: Timble is another one of those producers and Drayden.

1845
01:31:58,960 --> 01:32:02,519
Speaker 2: Drayden like the comment, and I you know, and then

1846
01:32:02,600 --> 01:32:04,960
Speaker 2: so Dre and and then Timberland was rocking with Dre

1847
01:32:05,040 --> 01:32:06,720
Speaker 2: at the time, so then both of them teamed up

1848
01:32:06,760 --> 01:32:11,840
Speaker 2: on me and basically did a diss record. But yeah,

1849
01:32:12,040 --> 01:32:14,559
Speaker 2: that conversation that we was having, it was very interesting

1850
01:32:14,560 --> 01:32:18,719
Speaker 2: to me because I'm like, you know, one, I fucked

1851
01:32:18,720 --> 01:32:23,880
Speaker 2: with puff and and versus never would make me not

1852
01:32:23,960 --> 01:32:26,120
Speaker 2: fuck with Puff Puff Puff Daddy's my man.

1853
01:32:26,600 --> 01:32:29,879
Speaker 5: He's Puff Dad, and.

1854
01:32:29,760 --> 01:32:32,160
Speaker 2: What he did and what he does and in this

1855
01:32:32,280 --> 01:32:34,920
Speaker 2: business is amazing and how he does it is amazing.

1856
01:32:36,760 --> 01:32:41,960
Speaker 2: But but when it comes to getting in this box

1857
01:32:42,840 --> 01:32:46,320
Speaker 2: and sitting in this motherfucking writing a song from scratch

1858
01:32:46,439 --> 01:32:51,559
Speaker 2: to finish, finding an artist, putting the artists on the song,

1859
01:32:51,640 --> 01:32:53,880
Speaker 2: and then finishing it and giving it to y'all as

1860
01:32:53,880 --> 01:32:58,679
Speaker 2: a product, I don't know. I don't know six people

1861
01:32:58,720 --> 01:33:01,800
Speaker 2: that y'all that people even mentioned today that do that.

1862
01:33:02,920 --> 01:33:04,120
Speaker 3: What do you what do you think?

1863
01:33:04,320 --> 01:33:06,160
Speaker 2: I don't know six of them all? Right now?

1864
01:33:07,320 --> 01:33:10,080
Speaker 4: What can I can I ask a question?

1865
01:33:10,120 --> 01:33:10,840
Speaker 3: I know you want to answer?

1866
01:33:11,000 --> 01:33:13,120
Speaker 5: How you talk right now? I like to.

1867
01:33:16,720 --> 01:33:19,080
Speaker 4: What you think Dre Lack, what you think, Swiz lack,

1868
01:33:19,120 --> 01:33:21,439
Speaker 4: what you think, Tim lack, what you think Puff Black?

1869
01:33:21,840 --> 01:33:24,240
Speaker 4: Where they can't everybody?

1870
01:33:25,040 --> 01:33:25,719
Speaker 6: I want.

1871
01:33:27,479 --> 01:33:27,840
Speaker 2: A question.

1872
01:33:29,000 --> 01:33:30,559
Speaker 5: I'm not I'm not.

1873
01:33:30,720 --> 01:33:32,840
Speaker 2: I'm not saying that. I'm not saying a la It's

1874
01:33:32,880 --> 01:33:34,840
Speaker 2: not a lack. It's just a thing that they don't.

1875
01:33:34,960 --> 01:33:37,559
Speaker 2: I don't think they cared about doing these things. By

1876
01:33:37,560 --> 01:33:39,479
Speaker 2: the way, I told you at the beginning of this,

1877
01:33:40,240 --> 01:33:42,600
Speaker 2: I might not have wanted to be a writer, but

1878
01:33:42,680 --> 01:33:43,759
Speaker 2: I ain't have no choice.

1879
01:33:43,880 --> 01:33:47,160
Speaker 3: Yeah, I think Dre had a choice circumstances.

1880
01:33:47,200 --> 01:33:50,040
Speaker 2: You know, you had Snoop Dogg around. You got Snoop Dogg,

1881
01:33:50,160 --> 01:33:52,800
Speaker 2: d O c around you like I got a rightful

1882
01:33:52,880 --> 01:33:57,320
Speaker 2: I'm not going you know what I mean? Puff was

1883
01:33:58,680 --> 01:34:00,600
Speaker 2: from a different way. That way he did it. I

1884
01:34:00,640 --> 01:34:03,200
Speaker 2: don't know that he cared the right he had Davante

1885
01:34:03,160 --> 01:34:04,840
Speaker 2: a Ryan you got you know what I mean? You

1886
01:34:04,920 --> 01:34:07,360
Speaker 2: got you got all these you got, I'll be sure

1887
01:34:07,400 --> 01:34:09,680
Speaker 2: you got all these people you got, you got all

1888
01:34:09,720 --> 01:34:12,200
Speaker 2: these different things that you can pull from. I just

1889
01:34:12,240 --> 01:34:14,280
Speaker 2: feel like I don't know if they I don't know

1890
01:34:14,320 --> 01:34:15,360
Speaker 2: if they lack it.

1891
01:34:15,479 --> 01:34:16,280
Speaker 5: I just feel like.

1892
01:34:16,320 --> 01:34:20,280
Speaker 2: They have They was in a position that didn't call

1893
01:34:20,439 --> 01:34:23,040
Speaker 2: for them to do that. You understand I'm saying with like,

1894
01:34:23,080 --> 01:34:26,240
Speaker 2: same thing with Timbland Tembling had Missie, what you're gonna do?

1895
01:34:27,280 --> 01:34:31,960
Speaker 2: You try to outrite her? I got, I got something

1896
01:34:32,000 --> 01:34:35,439
Speaker 2: for you. Let me hear what you got, right, you

1897
01:34:35,520 --> 01:34:37,679
Speaker 2: know what I mean? I didn't have that. I didn't

1898
01:34:37,720 --> 01:34:42,320
Speaker 2: have that. That that that luxury to have somebody just

1899
01:34:42,360 --> 01:34:45,560
Speaker 2: sitting in the room, that's amazing and be like you

1900
01:34:45,640 --> 01:34:48,000
Speaker 2: may here you go, here go a song. I'm sitting

1901
01:34:48,040 --> 01:34:54,280
Speaker 2: in the room by myself and I'm like, ship, Okay,

1902
01:34:54,439 --> 01:34:55,639
Speaker 2: I'm gonna do this. Ship.

1903
01:34:55,720 --> 01:34:56,759
Speaker 3: I gotta make sure.

1904
01:34:56,840 --> 01:34:58,400
Speaker 2: I'm thinking I hear something, you know what I'm saying.

1905
01:34:58,400 --> 01:35:02,719
Speaker 2: But so but that that I felt like, I feel

1906
01:35:02,720 --> 01:35:05,680
Speaker 2: like when we start the way versus is now right

1907
01:35:06,280 --> 01:35:09,439
Speaker 2: and it's a performance and it's people on stage and

1908
01:35:09,439 --> 01:35:11,080
Speaker 2: people doing what they gotta do.

1909
01:35:11,080 --> 01:35:12,479
Speaker 5: You know who made it that way though? Right?

1910
01:35:12,920 --> 01:35:16,240
Speaker 2: Yeah? I actually started that with him and Soldier Boy

1911
01:35:16,960 --> 01:35:19,640
Speaker 2: with the with the actually really performed.

1912
01:35:19,200 --> 01:35:23,960
Speaker 3: When behind him in the video. No no, no for that.

1913
01:35:23,920 --> 01:35:27,280
Speaker 5: Was that was like the you know what I'm saying

1914
01:35:27,640 --> 01:35:28,080
Speaker 5: the way.

1915
01:35:30,479 --> 01:35:33,559
Speaker 10: Because the ship that motherfuckers don't know is when Jermaine

1916
01:35:33,640 --> 01:35:36,599
Speaker 10: was like, man, it's an official y'all really, my nigga,

1917
01:35:36,640 --> 01:35:39,080
Speaker 10: we about to really do it. Yeah, So Jermaine was like, yok,

1918
01:35:39,520 --> 01:35:42,599
Speaker 10: you ain't gonna be able to perform like that got energy,

1919
01:35:42,680 --> 01:35:43,479
Speaker 10: that ain't.

1920
01:35:43,320 --> 01:35:45,080
Speaker 5: Gonna I'm like, Jadi, listen, I ain't gonna sign up

1921
01:35:45,080 --> 01:35:45,240
Speaker 5: for this.

1922
01:35:45,240 --> 01:35:49,360
Speaker 10: Motherfucker. I can't perform. I gotta perform. That's my specialty.

1923
01:35:49,680 --> 01:35:51,240
Speaker 10: I got to show the world. Remind him what we

1924
01:35:51,320 --> 01:35:54,080
Speaker 10: just talked about. Right, Niggas can get quickly in this

1925
01:35:54,160 --> 01:35:56,800
Speaker 10: day in the age. Right, So I'm like, look, I'm

1926
01:35:56,840 --> 01:35:58,880
Speaker 10: not even gonna do it. If I can't do it,

1927
01:35:58,880 --> 01:36:02,519
Speaker 10: how I do it? Soon we did it. Niggas really

1928
01:36:02,640 --> 01:36:04,519
Speaker 10: had no choice. And I think after that, that's what

1929
01:36:04,640 --> 01:36:07,280
Speaker 10: I told Tim at puff House when we face times you.

1930
01:36:07,320 --> 01:36:08,120
Speaker 5: When I was at puff.

1931
01:36:07,960 --> 01:36:10,559
Speaker 2: House, by the way, cut you off.

1932
01:36:10,560 --> 01:36:12,400
Speaker 10: I said, Tim, I changed the landscape, but this versushit.

1933
01:36:12,439 --> 01:36:14,240
Speaker 10: Niggas gotta perform there any rapper that come.

1934
01:36:14,160 --> 01:36:16,280
Speaker 2: Out first, Lenna, give you a flowers. They got it.

1935
01:36:16,400 --> 01:36:18,160
Speaker 5: They gotta fucking perform.

1936
01:36:18,240 --> 01:36:20,120
Speaker 2: That's another That's another one I want to talk about.

1937
01:36:20,160 --> 01:36:23,280
Speaker 2: I don't be like like Jad, you just bitter. I'm

1938
01:36:23,280 --> 01:36:26,320
Speaker 2: not bitter. Listen, but I will say this, you're not

1939
01:36:26,320 --> 01:36:27,880
Speaker 2: going on popping ship ship.

1940
01:36:28,520 --> 01:36:31,880
Speaker 5: I ain't even been drinking. I'm just popping ship I'm chilling.

1941
01:36:32,439 --> 01:36:35,640
Speaker 2: And Soldier Boy still have had one numbers than the

1942
01:36:35,760 --> 01:36:38,200
Speaker 2: last four verses that came out.

1943
01:36:38,200 --> 01:36:42,000
Speaker 5: And I don't care how many artists they just had performed.

1944
01:36:42,640 --> 01:36:46,360
Speaker 2: These niggas had six hundred and fifty thousand people in their.

1945
01:36:46,280 --> 01:36:50,040
Speaker 4: Room, I mean Sodier Boy, and they come from the

1946
01:36:50,080 --> 01:36:52,040
Speaker 4: Internet era. They were the first two artists.

1947
01:36:52,280 --> 01:36:57,000
Speaker 2: That's what I'm saying. Why mention it? You had three

1948
01:36:57,120 --> 01:37:00,880
Speaker 2: six Mafia and the whole hip hop commute unity and

1949
01:37:00,960 --> 01:37:02,639
Speaker 2: they ain't bust four hundred thousand?

1950
01:37:02,720 --> 01:37:04,559
Speaker 4: Can I put it this way? We know how fickle

1951
01:37:04,640 --> 01:37:06,360
Speaker 4: the Internet is, right? The Internet is the most fick

1952
01:37:06,360 --> 01:37:06,960
Speaker 4: a place on earth.

1953
01:37:07,400 --> 01:37:11,599
Speaker 3: If bow Wow and Soldier Boy or the godfathers of it,

1954
01:37:11,800 --> 01:37:13,040
Speaker 3: what do you think is gonna happen?

1955
01:37:13,560 --> 01:37:14,120
Speaker 5: I get it.

1956
01:37:14,200 --> 01:37:17,599
Speaker 4: I just saying they're not gonna be because the Internet

1957
01:37:17,640 --> 01:37:20,000
Speaker 4: moves so quick, they're gonna forget. They're gonna forget their

1958
01:37:20,040 --> 01:37:22,479
Speaker 4: forefathers until it's tomb mention.

1959
01:37:23,200 --> 01:37:26,080
Speaker 2: Say, it ain't like I said. It ain't even like

1960
01:37:26,479 --> 01:37:29,640
Speaker 2: you're not giving nobody no flowers. This is real numbers.

1961
01:37:30,040 --> 01:37:32,680
Speaker 2: It ain't like I'm saying, like, hey guys, look we

1962
01:37:32,840 --> 01:37:36,639
Speaker 2: out here selling records. No, I know that's going.

1963
01:37:36,479 --> 01:37:39,160
Speaker 3: On, right, I'm saying the Internet is so fucking fickle.

1964
01:37:39,240 --> 01:37:41,760
Speaker 4: Of course they'll forget their godfathers and not try to

1965
01:37:41,760 --> 01:37:44,479
Speaker 4: fucking promote them and give them their actual flowers.

1966
01:37:44,479 --> 01:37:46,080
Speaker 5: I just know I believe.

1967
01:37:46,320 --> 01:37:47,320
Speaker 3: Let me ask you more for that.

1968
01:37:47,520 --> 01:37:48,120
Speaker 5: Let me ask you this.

1969
01:37:48,320 --> 01:37:50,800
Speaker 2: You think I was from New York, he'll have more

1970
01:37:51,360 --> 01:37:54,600
Speaker 2: publicity about what he does, as far as.

1971
01:37:54,960 --> 01:37:59,240
Speaker 5: It'll be the same, uh bigger than Yeah.

1972
01:37:59,240 --> 01:38:01,240
Speaker 4: But I'm saying to thinking hours from New York, I

1973
01:38:01,240 --> 01:38:03,000
Speaker 4: don't think you would have approached his career the same way.

1974
01:38:03,000 --> 01:38:04,720
Speaker 4: And I don't think it would have been the same way.

1975
01:38:04,960 --> 01:38:05,840
Speaker 3: So I don't even know if.

1976
01:38:05,720 --> 01:38:08,120
Speaker 2: You get to this point here, but you're looking at

1977
01:38:08,160 --> 01:38:10,479
Speaker 2: I'm talking about, you know what I'm talking about. I'm saying,

1978
01:38:11,120 --> 01:38:13,920
Speaker 2: I just feel I just feel like we I feel

1979
01:38:13,920 --> 01:38:18,000
Speaker 2: like it's a piece missing to Southern hip hop, right.

1980
01:38:18,400 --> 01:38:21,960
Speaker 2: And I feel like when accolades come in Southern hip hop,

1981
01:38:22,560 --> 01:38:26,840
Speaker 2: it's not looked at on the same level as others,

1982
01:38:27,000 --> 01:38:30,000
Speaker 2: as those that come from New York and LA. By

1983
01:38:30,040 --> 01:38:32,280
Speaker 2: the way, I feel like it's I feel like it's

1984
01:38:32,320 --> 01:38:34,200
Speaker 2: definitely looked at on a difference.

1985
01:38:34,320 --> 01:38:34,800
Speaker 8: I feel like a.

1986
01:38:34,840 --> 01:38:37,760
Speaker 7: Boo was different though, because he came in so young, right,

1987
01:38:37,840 --> 01:38:41,599
Speaker 7: and the content now is so violent and you know,

1988
01:38:41,760 --> 01:38:45,240
Speaker 7: drug use and shit like that, and it'll be hard

1989
01:38:45,320 --> 01:38:47,360
Speaker 7: for us to accept bow Wow net because it's.

1990
01:38:47,240 --> 01:38:48,519
Speaker 8: Like, Nigga, we watched you grow up.

1991
01:38:48,640 --> 01:38:51,840
Speaker 7: You can't start talking like crazy like these new artists

1992
01:38:51,840 --> 01:38:54,200
Speaker 7: as coming up out of the streets because we watched

1993
01:38:54,200 --> 01:38:58,439
Speaker 7: you from twelve thirteen, fourteen, movie star hostings all of

1994
01:38:58,479 --> 01:39:00,360
Speaker 7: these things, like you've been out of here, you've been

1995
01:39:00,400 --> 01:39:01,799
Speaker 7: in another superstar forever.

1996
01:39:02,240 --> 01:39:03,000
Speaker 8: So now it's like.

1997
01:39:02,960 --> 01:39:07,120
Speaker 7: The content and what these younger kids want is more grimy,

1998
01:39:07,160 --> 01:39:10,800
Speaker 7: it's more street, it's more violent, like they want that.

1999
01:39:11,040 --> 01:39:13,240
Speaker 7: But you know that ain't true though, as far as

2000
01:39:13,240 --> 01:39:15,840
Speaker 7: what most of it ain't true. Oh no, what they're saying, No,

2001
01:39:15,920 --> 01:39:17,559
Speaker 7: we know that. But I'm just saying from about they're

2002
01:39:17,560 --> 01:39:18,640
Speaker 7: not going to read except.

2003
01:39:18,800 --> 01:39:21,240
Speaker 3: Yeah, I think we're in the era of kids telling

2004
01:39:21,240 --> 01:39:21,639
Speaker 3: the truth.

2005
01:39:22,640 --> 01:39:24,200
Speaker 5: And there it is. He just gave me to the points.

2006
01:39:25,600 --> 01:39:27,479
Speaker 3: I think the kid the kid rapper has changed.

2007
01:39:27,840 --> 01:39:31,120
Speaker 5: It has It's like, no, I have these.

2008
01:39:31,040 --> 01:39:33,639
Speaker 3: Kids from Chicago are fourteen and they're talking. They're really doing.

2009
01:39:33,720 --> 01:39:36,200
Speaker 5: I have to bring this up right, but you know

2010
01:39:36,240 --> 01:39:38,080
Speaker 5: it's more real than just killing it all that type

2011
01:39:38,080 --> 01:39:39,960
Speaker 5: of that's true, but you know I have to bring

2012
01:39:40,000 --> 01:39:43,160
Speaker 5: this up right? What Okay, go there?

2013
01:39:43,160 --> 01:39:44,040
Speaker 2: You know how to bring this up?

2014
01:39:44,120 --> 01:39:45,439
Speaker 5: Go there? That's true.

2015
01:39:46,280 --> 01:39:47,920
Speaker 2: I mean, go there.

2016
01:39:48,800 --> 01:39:50,599
Speaker 3: It sounds like me and my posit. Thanks getting.

2017
01:39:52,240 --> 01:39:56,280
Speaker 2: No, I'm just saying, you know, I had a little

2018
01:39:56,320 --> 01:39:58,080
Speaker 2: TV show called The Rap Game, right.

2019
01:39:59,640 --> 01:40:01,679
Speaker 5: The fir. This person who won was miss Mulatto.

2020
01:40:01,760 --> 01:40:02,520
Speaker 2: I remember.

2021
01:40:03,880 --> 01:40:06,040
Speaker 3: Shout Mulatto or a lotto.

2022
01:40:06,120 --> 01:40:10,519
Speaker 2: Now that's three different people you just name, right? You

2023
01:40:10,560 --> 01:40:11,360
Speaker 2: do realize that?

2024
01:40:13,040 --> 01:40:18,679
Speaker 8: No, how was it three different people?

2025
01:40:18,920 --> 01:40:21,080
Speaker 5: I mean, you ain't catch what I just said.

2026
01:40:21,760 --> 01:40:22,519
Speaker 3: Triple on Tandra.

2027
01:40:23,640 --> 01:40:25,040
Speaker 5: It could be a double on Tangra, but.

2028
01:40:25,000 --> 01:40:28,640
Speaker 2: No, it's three different people. If you watched on my show, okay,

2029
01:40:28,800 --> 01:40:31,599
Speaker 2: she wasn't the girl that you see now, okay, okay,

2030
01:40:31,600 --> 01:40:32,040
Speaker 2: all right.

2031
01:40:32,080 --> 01:40:36,160
Speaker 3: Right, I thought you John telling me like.

2032
01:40:34,800 --> 01:40:37,120
Speaker 5: She went from Miss Mulatto to.

2033
01:40:39,439 --> 01:40:45,800
Speaker 2: Big Little Lotto to Big Lotto right now, she's whatever whatever.

2034
01:40:45,520 --> 01:40:47,760
Speaker 3: But cancel culture did that to some degree.

2035
01:40:48,000 --> 01:40:51,519
Speaker 2: Okay, But I'm just saying, when you watch it, do

2036
01:40:51,560 --> 01:40:54,760
Speaker 2: you you know nobody speaks on what they've seen. They

2037
01:40:54,840 --> 01:41:01,920
Speaker 2: watched this people, you watched this girl be what she

2038
01:41:03,240 --> 01:41:06,200
Speaker 2: says she is now that you know you didn't see her.

2039
01:41:06,600 --> 01:41:07,400
Speaker 8: That's what you're saying.

2040
01:41:07,439 --> 01:41:10,240
Speaker 5: You've seen this, you watched it.

2041
01:41:10,280 --> 01:41:12,559
Speaker 2: So I don't know that when you say that about

2042
01:41:12,560 --> 01:41:14,200
Speaker 2: if ba I was doing it, I don't know why,

2043
01:41:14,280 --> 01:41:18,920
Speaker 2: but that's not what I would Yeah, I wouldn't even

2044
01:41:18,960 --> 01:41:21,360
Speaker 2: suggest him to do that dumb anyway. But I'm saying,

2045
01:41:22,120 --> 01:41:25,840
Speaker 2: I'm watching people watch people do this and don't care.

2046
01:41:26,080 --> 01:41:28,880
Speaker 4: But you feel a lot of I don't feel like

2047
01:41:28,920 --> 01:41:31,519
Speaker 4: she talk about some wild shit that we wouldn't believe

2048
01:41:31,680 --> 01:41:33,599
Speaker 4: she would have done after that show.

2049
01:41:34,520 --> 01:41:36,439
Speaker 3: Did she say some shit? Then maybe I missed it

2050
01:41:37,240 --> 01:41:38,679
Speaker 3: in a degree of like what come.

2051
01:41:38,600 --> 01:41:41,679
Speaker 2: On after the show. But I'm saying you basically watched

2052
01:41:41,720 --> 01:41:44,960
Speaker 2: her grow up on that TV show. That's what I'm saying,

2053
01:41:45,040 --> 01:41:47,880
Speaker 2: Like you do realize like the first season when she

2054
01:41:48,040 --> 01:41:51,080
Speaker 2: won I brought her back on the second season to

2055
01:41:52,240 --> 01:41:55,680
Speaker 2: rock with the second one? Yeah, so therefore did you

2056
01:41:55,760 --> 01:41:57,679
Speaker 2: hear her talking the way she was talking at that time?

2057
01:41:57,840 --> 01:42:00,680
Speaker 2: I'm not writing the raps, know what I'm saying. This

2058
01:42:00,720 --> 01:42:02,439
Speaker 2: is a second this is a new year. By the way,

2059
01:42:03,040 --> 01:42:05,800
Speaker 2: the third year, I brought her back again, and we

2060
01:42:05,880 --> 01:42:06,719
Speaker 2: have all three.

2061
01:42:06,920 --> 01:42:09,160
Speaker 5: You know what I'm saying, start having all three winners.

2062
01:42:11,200 --> 01:42:12,240
Speaker 5: Did you hear a rap like that?

2063
01:42:12,360 --> 01:42:12,559
Speaker 6: Then?

2064
01:42:13,240 --> 01:42:13,320
Speaker 2: No?

2065
01:42:13,680 --> 01:42:15,040
Speaker 5: Right, there's nothing wrong with it.

2066
01:42:15,120 --> 01:42:19,320
Speaker 2: What I'm saying is the audience is watching this and

2067
01:42:19,400 --> 01:42:22,880
Speaker 2: allowing you to do whatever the fuck you're Okay, you

2068
01:42:22,920 --> 01:42:23,840
Speaker 2: know you see what I'm saying.

2069
01:42:23,880 --> 01:42:26,519
Speaker 3: They don't, you know, I mean her defense. I've been

2070
01:42:26,560 --> 01:42:29,920
Speaker 3: in studio with I've watched her right rap.

2071
01:42:32,280 --> 01:42:33,400
Speaker 2: From the jump she.

2072
01:42:35,479 --> 01:42:37,960
Speaker 5: I said she was the winner, like rap, But you're

2073
01:42:37,960 --> 01:42:39,920
Speaker 5: not always blame that. I don't understand. In this time

2074
01:42:39,960 --> 01:42:41,400
Speaker 5: of age though, it's just on it.

2075
01:42:41,400 --> 01:42:43,720
Speaker 10: It's different eras like with basketball, like JD like right

2076
01:42:43,760 --> 01:42:46,360
Speaker 10: now it's niggas that I feel like Steth Curik better

2077
01:42:46,400 --> 01:42:47,679
Speaker 10: than Jordan mm hmm.

2078
01:42:48,640 --> 01:42:50,360
Speaker 5: Just a plumb of what they see. You know what

2079
01:42:50,360 --> 01:42:50,720
Speaker 5: I'm saying.

2080
01:42:50,720 --> 01:42:51,800
Speaker 8: They don't know what they're talking about.

2081
01:42:51,840 --> 01:42:53,920
Speaker 3: But but they like the three pointer more than they

2082
01:42:53,960 --> 01:42:55,280
Speaker 3: love the Actually, it's.

2083
01:42:55,120 --> 01:42:57,439
Speaker 5: Like it's changing the new wave of the game, you

2084
01:42:57,479 --> 01:42:57,880
Speaker 5: know what I mean.

2085
01:42:57,880 --> 01:43:00,800
Speaker 10: And it's like, but I mean when the I feel

2086
01:43:00,840 --> 01:43:03,599
Speaker 10: like if one thing can can end that though.

2087
01:43:03,880 --> 01:43:06,040
Speaker 2: That's the thing about basketball. That's why don't even understand

2088
01:43:06,040 --> 01:43:09,880
Speaker 2: that whole conversation. But it's true, No, it's not. Because

2089
01:43:09,920 --> 01:43:11,760
Speaker 2: it's like, if you listen.

2090
01:43:11,960 --> 01:43:16,040
Speaker 10: My dog right now on SHOT's Christmas list was down there,

2091
01:43:16,040 --> 01:43:19,160
Speaker 10: I want some air jorwdan ones. She got all the motherfuckers,

2092
01:43:19,160 --> 01:43:21,400
Speaker 10: but she want more. If I say that, what do

2093
01:43:21,439 --> 01:43:24,120
Speaker 10: Michael Jordan do? What she's gonna say shoes? Mm hm,

2094
01:43:24,479 --> 01:43:27,200
Speaker 10: you know what I'm saying. So it's like it's still

2095
01:43:27,240 --> 01:43:30,240
Speaker 10: the substance in DNA of what have you done for

2096
01:43:30,280 --> 01:43:30,719
Speaker 10: me lately?

2097
01:43:30,760 --> 01:43:33,519
Speaker 5: That's how the whole game is. That's what this whole time. Yeah,

2098
01:43:33,520 --> 01:43:35,440
Speaker 5: but we're.

2099
01:43:34,560 --> 01:43:36,439
Speaker 2: Not talking about We're not talking about that. You're going

2100
01:43:37,160 --> 01:43:40,800
Speaker 2: let's go man for man at the end of the day.

2101
01:43:41,960 --> 01:43:46,479
Speaker 2: If the finals come and as good as Steph Curry is.

2102
01:43:47,439 --> 01:43:48,479
Speaker 5: It's Katie in the picture.

2103
01:43:48,560 --> 01:43:51,760
Speaker 2: He don't win the championship. Ain't no need for you

2104
01:43:51,800 --> 01:43:53,800
Speaker 2: to even have the conversation about him being better than

2105
01:43:53,880 --> 01:43:56,960
Speaker 2: Jordan's because we don't seen Jordan be putting that same

2106
01:43:57,200 --> 01:43:58,479
Speaker 2: hot box and he wins.

2107
01:43:58,720 --> 01:44:01,040
Speaker 8: For the record, nobody's better than Michael Jordan. That's just.

2108
01:44:01,280 --> 01:44:04,640
Speaker 3: But we've also seen one. We've seen Braun lose and

2109
01:44:04,680 --> 01:44:05,360
Speaker 3: still calling.

2110
01:44:05,200 --> 01:44:07,320
Speaker 2: The goat's error.

2111
01:44:07,400 --> 01:44:10,880
Speaker 3: We've seen bronis right now.

2112
01:44:11,800 --> 01:44:14,040
Speaker 4: We've seen Braun lose a couple of times, and he's

2113
01:44:14,040 --> 01:44:15,280
Speaker 4: still a goat to a lot of That's it.

2114
01:44:15,439 --> 01:44:21,400
Speaker 2: You know why tell me? You know went to three

2115
01:44:21,439 --> 01:44:24,240
Speaker 2: different teams. He took them to the championship. I don't know

2116
01:44:24,280 --> 01:44:27,920
Speaker 2: about it, Michael j Just a matter of fact, I'm

2117
01:44:27,920 --> 01:44:33,440
Speaker 2: saying that in itself to me, makes Lebron James a goat.

2118
01:44:33,760 --> 01:44:37,799
Speaker 2: He is the goats because he took three different teams

2119
01:44:37,800 --> 01:44:41,639
Speaker 2: to the championship and nay one. I don't know nobody

2120
01:44:41,640 --> 01:44:44,200
Speaker 2: that did that. Michael Jordan left the Bulls. It was

2121
01:44:44,240 --> 01:44:47,880
Speaker 2: over with right, came back three, Peter, you know what

2122
01:44:47,920 --> 01:44:50,360
Speaker 2: I mean. Like what I'm saying when he left the

2123
01:44:50,360 --> 01:44:52,960
Speaker 2: Bulls and went to Washington, I'm just saying, you know

2124
01:44:53,000 --> 01:44:55,280
Speaker 2: what I mean, that was fun though, that was fun.

2125
01:44:55,640 --> 01:44:58,519
Speaker 2: I'm just saying, still, you gotta give Lebron that for

2126
01:44:58,560 --> 01:45:01,760
Speaker 2: that right. I just feel like it's always about It's

2127
01:45:01,800 --> 01:45:03,800
Speaker 2: always a thing like when you when you say that

2128
01:45:03,960 --> 01:45:08,519
Speaker 2: who's better than who? It's one thing that already can

2129
01:45:08,560 --> 01:45:12,400
Speaker 2: always say like yeah, but have you done this right?

2130
01:45:12,439 --> 01:45:14,040
Speaker 2: It's the same thing like with Hope. Right, I was

2131
01:45:15,160 --> 01:45:21,960
Speaker 2: watching I was watching uh because I'm just getting ready

2132
01:45:21,960 --> 01:45:27,680
Speaker 2: to say something. I was watching. I was watching the

2133
01:45:27,720 --> 01:45:33,720
Speaker 2: Hall of Fame and even for me, a person that's

2134
01:45:33,760 --> 01:45:37,160
Speaker 2: been around hole before, Hope was what people know Hope

2135
01:45:37,240 --> 01:45:45,559
Speaker 2: is now to hear them say this, Leapers got more

2136
01:45:45,600 --> 01:45:50,799
Speaker 2: nominations Grammy nominations than any artist ever. Why do rappers

2137
01:45:50,880 --> 01:45:52,200
Speaker 2: keep saying they with him?

2138
01:45:52,760 --> 01:45:52,960
Speaker 6: Right?

2139
01:45:54,000 --> 01:45:56,040
Speaker 5: This is what I'm saying, Like what.

2140
01:45:57,400 --> 01:46:00,360
Speaker 2: You can feel that up?

2141
01:46:00,400 --> 01:46:05,840
Speaker 10: But sometimes ain't gonna be okay.

2142
01:46:05,640 --> 01:46:06,160
Speaker 3: A lot of times.

2143
01:46:09,560 --> 01:46:11,439
Speaker 2: But I'm saying, okay, now we like to get back

2144
01:46:11,439 --> 01:46:14,920
Speaker 2: to the conversation anyway. That that I just feel like.

2145
01:46:17,160 --> 01:46:19,360
Speaker 8: Says the puff is the puff versus happening.

2146
01:46:19,720 --> 01:46:20,360
Speaker 2: I don't think so.

2147
01:46:20,720 --> 01:46:21,040
Speaker 8: Why not?

2148
01:46:21,680 --> 01:46:24,840
Speaker 2: Because I feel like it's it's it's it's it's a

2149
01:46:24,880 --> 01:46:30,000
Speaker 2: performance based thing now and the majority of Puff records,

2150
01:46:30,280 --> 01:46:32,280
Speaker 2: who's gonna perform?

2151
01:46:32,560 --> 01:46:34,280
Speaker 8: I mean, you can bring people out on stage. That's

2152
01:46:34,280 --> 01:46:35,680
Speaker 8: part of the performance is.

2153
01:46:35,640 --> 01:46:37,559
Speaker 2: One of the greatest lot former You can't nobody do

2154
01:46:37,640 --> 01:46:40,559
Speaker 2: big verses. And I don't know that Mace would come

2155
01:46:40,560 --> 01:46:43,200
Speaker 2: out with him no more, right, so, so I don't

2156
01:46:43,200 --> 01:46:43,439
Speaker 2: know that.

2157
01:46:43,560 --> 01:46:45,760
Speaker 5: I don't think it would happen based on that.

2158
01:46:45,960 --> 01:46:48,360
Speaker 8: Yeah, I would love to see that though.

2159
01:46:48,800 --> 01:46:51,120
Speaker 2: All my people were rocking, you know, that's you know

2160
01:46:51,120 --> 01:46:55,519
Speaker 2: what I mean, And and we're coming with a whole

2161
01:46:55,520 --> 01:46:56,200
Speaker 2: lot of energy.

2162
01:46:56,479 --> 01:46:58,479
Speaker 7: So that was something that was something on that on

2163
01:46:58,520 --> 01:47:00,240
Speaker 7: that I G Live thing with you and Puff that

2164
01:47:00,560 --> 01:47:02,880
Speaker 7: I kind of noticed. I was like, I think that

2165
01:47:02,920 --> 01:47:06,920
Speaker 7: people just really don't know the extent of JD's like

2166
01:47:07,240 --> 01:47:11,000
Speaker 7: producing the songwriting, Like we know obviously the big hits

2167
01:47:11,479 --> 01:47:14,760
Speaker 7: or some people know the big big hits, but even

2168
01:47:14,760 --> 01:47:15,760
Speaker 7: in things Puff was saying.

2169
01:47:15,800 --> 01:47:18,280
Speaker 8: I was like, Puff ain't given JD enough credit right now.

2170
01:47:18,120 --> 01:47:22,840
Speaker 2: But also Puff also Puff was and not Puff and

2171
01:47:23,040 --> 01:47:28,080
Speaker 2: anybody else that thinks about this battle, they actually try

2172
01:47:28,120 --> 01:47:32,840
Speaker 2: to downplay the bow Wow era, right, Yeah, when we

2173
01:47:32,880 --> 01:47:36,920
Speaker 2: get into the two thousand ones, two thousand and twos,

2174
01:47:37,000 --> 01:47:40,960
Speaker 2: two thousand and three era of soci death, I don't

2175
01:47:41,000 --> 01:47:45,519
Speaker 2: know that bad Boy was even in existence sure personally, Yeah.

2176
01:47:45,960 --> 01:47:46,880
Speaker 3: I mean, I know what you mean.

2177
01:47:46,960 --> 01:47:47,479
Speaker 2: I don't know.

2178
01:47:49,200 --> 01:47:51,040
Speaker 3: I mean I never seen a bad boy, but it

2179
01:47:51,080 --> 01:47:52,599
Speaker 3: wasn't of course, I never seen a bad.

2180
01:47:52,479 --> 01:47:56,000
Speaker 5: Boy record number one on one on six part.

2181
01:47:55,320 --> 01:47:55,840
Speaker 3: At that time.

2182
01:47:56,000 --> 01:47:57,559
Speaker 4: No, but that's not fair because I mean they had

2183
01:47:57,600 --> 01:48:00,400
Speaker 4: their era and as a lot of labels do they

2184
01:48:00,479 --> 01:48:01,720
Speaker 4: move on and have to know, you.

2185
01:48:01,640 --> 01:48:03,880
Speaker 2: Can't say that's not fair. We're talking about going against me.

2186
01:48:03,960 --> 01:48:06,360
Speaker 2: It's not fair against other people. You're talking about meat up.

2187
01:48:06,520 --> 01:48:10,080
Speaker 2: Get you what you can do about me to say that,

2188
01:48:11,320 --> 01:48:12,120
Speaker 2: you know what I thought.

2189
01:48:12,000 --> 01:48:17,360
Speaker 5: It was gonna be like me, it's going viral. I'm

2190
01:48:17,400 --> 01:48:22,439
Speaker 5: just smoking what I'm saying.

2191
01:48:22,479 --> 01:48:26,320
Speaker 2: You said right now here right, I'm saying this right

2192
01:48:26,360 --> 01:48:30,559
Speaker 2: now for anybody that's challenging me. Right, you gotta challenge me.

2193
01:48:30,600 --> 01:48:33,840
Speaker 2: We're gonna go through. We're gonna start when we start, right.

2194
01:48:34,200 --> 01:48:37,120
Speaker 2: Just say we started in the ninety We started in

2195
01:48:37,240 --> 01:48:41,120
Speaker 2: ninety four, okay, right, and me and Puff went head

2196
01:48:41,240 --> 01:48:44,559
Speaker 2: up ninety four, ninety five, ninety six, ninety seven, ninety nine,

2197
01:48:45,280 --> 01:48:47,080
Speaker 2: two thousand, two thousand and one.

2198
01:48:48,560 --> 01:48:50,599
Speaker 5: That's what ship starts getting dark at.

2199
01:48:51,120 --> 01:48:53,320
Speaker 2: Okay, that's what it's gonna start getting dark.

2200
01:48:53,479 --> 01:48:58,120
Speaker 8: But someone argue that Puff has enough from the nineties.

2201
01:48:59,800 --> 01:49:00,840
Speaker 3: To kind of to make it.

2202
01:49:00,800 --> 01:49:02,840
Speaker 7: A fight, to make that look like you gotta look

2203
01:49:02,840 --> 01:49:05,439
Speaker 7: at y'all going twenty, gonna be me, y'all going twenty,

2204
01:49:06,040 --> 01:49:06,759
Speaker 7: y'all going twenty.

2205
01:49:06,800 --> 01:49:10,160
Speaker 2: I'm just I'm saying. All I'm saying is all I'm

2206
01:49:10,160 --> 01:49:12,519
Speaker 2: saying is the Bow Wow era.

2207
01:49:12,840 --> 01:49:13,720
Speaker 8: You can't discredit that.

2208
01:49:13,800 --> 01:49:15,439
Speaker 2: I know what you mean is a is an era.

2209
01:49:15,720 --> 01:49:18,639
Speaker 4: And that Dirty Money album is fine twisted. That Dirty

2210
01:49:18,640 --> 01:49:20,120
Speaker 4: Money album is fined. Don't get it twisted.

2211
01:49:20,320 --> 01:49:22,320
Speaker 5: But I told you, But look, I told you.

2212
01:49:23,840 --> 01:49:26,720
Speaker 3: Iry to have for me.

2213
01:49:27,800 --> 01:49:32,559
Speaker 5: Who I mean? Max might be like, like we talked

2214
01:49:32,600 --> 01:49:35,240
Speaker 5: about two thousands, changed his his.

2215
01:49:39,160 --> 01:49:45,840
Speaker 2: Went, y'all ship this ship. I am hip hop. When

2216
01:49:45,880 --> 01:49:48,880
Speaker 2: it comes to band hip hop, you go back all

2217
01:49:48,920 --> 01:49:50,479
Speaker 2: and I go, now, who won?

2218
01:49:50,800 --> 01:49:50,960
Speaker 6: Bro?

2219
01:49:51,320 --> 01:49:54,320
Speaker 2: That's what it is. Especially if I go new ship.

2220
01:49:54,760 --> 01:49:59,280
Speaker 2: That's Big Bow our first album, his first album in

2221
01:49:59,320 --> 01:50:03,360
Speaker 2: two thousand one sold three million. That's not That's before

2222
01:50:03,400 --> 01:50:05,760
Speaker 2: we get to him in Sierra, before we get to

2223
01:50:05,840 --> 01:50:08,439
Speaker 2: him in O Marion, before we get to him and

2224
01:50:08,520 --> 01:50:11,760
Speaker 2: Chris Brown, before the real hits that niggas really be

2225
01:50:11,840 --> 01:50:12,400
Speaker 2: talking about.

2226
01:50:12,600 --> 01:50:14,120
Speaker 3: They got a whole COVID stream.

2227
01:50:16,960 --> 01:50:22,320
Speaker 2: I can't, I can't talk. I can't That's what I'm saying.

2228
01:50:22,680 --> 01:50:24,200
Speaker 5: So I'm saying this is what I'm saying.

2229
01:50:24,240 --> 01:50:26,720
Speaker 2: All I'm saying is that that that's a part of

2230
01:50:26,760 --> 01:50:29,560
Speaker 2: it that I feel like, like I said, majority of

2231
01:50:29,640 --> 01:50:32,200
Speaker 2: people they you know, even when I look at people

2232
01:50:32,240 --> 01:50:34,040
Speaker 2: when they talk about me and they say something about

2233
01:50:34,080 --> 01:50:38,880
Speaker 2: JERMAINI Free, they say legendary producer in the nineties. Do

2234
01:50:38,920 --> 01:50:40,120
Speaker 2: you know when bo came out?

2235
01:50:40,120 --> 01:50:40,439
Speaker 8: People?

2236
01:50:41,560 --> 01:50:44,280
Speaker 2: Do you know when Confessions came out? Do you know

2237
01:50:44,320 --> 01:50:47,519
Speaker 2: when Emancipation of Me and Me came out? It wasn't

2238
01:50:47,520 --> 01:50:48,760
Speaker 2: in the nineties.

2239
01:50:48,520 --> 01:50:50,800
Speaker 3: Right, not even close?

2240
01:50:51,040 --> 01:50:51,120
Speaker 6: This.

2241
01:50:52,000 --> 01:50:52,800
Speaker 5: I love this.

2242
01:50:53,520 --> 01:50:55,640
Speaker 2: I wanted to talk this was this a legends.

2243
01:50:58,760 --> 01:51:02,479
Speaker 5: Two thousand and one, three, five, six, seven.

2244
01:51:02,600 --> 01:51:06,439
Speaker 2: Emancipation of meeting came out in two thousand and seven, right,

2245
01:51:07,320 --> 01:51:11,840
Speaker 2: people be forgetting about that whole little patch of records.

2246
01:51:12,600 --> 01:51:16,080
Speaker 2: I'm telling you, I don't give fucked. But nobody saying

2247
01:51:16,760 --> 01:51:19,200
Speaker 2: pump that ain't got nothing for two thousand and seven,

2248
01:51:19,920 --> 01:51:23,200
Speaker 2: not on bad Boy, No no.

2249
01:51:23,240 --> 01:51:26,240
Speaker 8: Way, Listen, man, I need I want to see.

2250
01:51:26,120 --> 01:51:30,519
Speaker 3: That pinion somebody.

2251
01:51:31,200 --> 01:51:32,760
Speaker 8: I ain't gonna lie. I would, I would, I would.

2252
01:51:34,280 --> 01:51:36,400
Speaker 7: This is why we need diverses, though, because I feel like,

2253
01:51:36,560 --> 01:51:40,360
Speaker 7: once you have that people start hearing these records now

2254
01:51:40,360 --> 01:51:42,640
Speaker 7: and it comes back to them like, oh shit, And

2255
01:51:42,680 --> 01:51:45,280
Speaker 7: like I said, people don't even know half of those

2256
01:51:45,280 --> 01:51:46,840
Speaker 7: ship that shit you just said a lot of people

2257
01:51:46,880 --> 01:51:47,479
Speaker 7: forgot about that.

2258
01:51:47,520 --> 01:51:49,080
Speaker 8: They don't even they're not even thinking about that.

2259
01:51:49,760 --> 01:51:53,920
Speaker 7: Puff is more popular, you know, he has probably the

2260
01:51:54,000 --> 01:51:57,040
Speaker 7: records that people gravitate two more in the club when

2261
01:51:57,080 --> 01:51:58,519
Speaker 7: it comes on. So that's what they thinking when they

2262
01:51:58,560 --> 01:52:01,280
Speaker 7: think versus when it could drop. I'm like, oh yeah,

2263
01:52:01,320 --> 01:52:05,120
Speaker 7: but you talking about records that people just completely forgot about.

2264
01:52:05,240 --> 01:52:06,920
Speaker 7: And I understand why you, Like, Yo, why how did

2265
01:52:07,000 --> 01:52:09,040
Speaker 7: you just forget about that two thousand and seven?

2266
01:52:09,840 --> 01:52:13,200
Speaker 3: Like you said that versus a promoter first j D

2267
01:52:13,360 --> 01:52:13,840
Speaker 3: is a musician.

2268
01:52:13,880 --> 01:52:16,880
Speaker 10: First run about verses? And I told j like that

2269
01:52:17,000 --> 01:52:20,080
Speaker 10: ship different. We have seen the biggest niggas who might

2270
01:52:20,120 --> 01:52:21,200
Speaker 10: have more number ones.

2271
01:52:23,400 --> 01:52:24,040
Speaker 2: And that's what I think.

2272
01:52:24,640 --> 01:52:27,439
Speaker 5: I get up and I see it. I ain't gonna say,

2273
01:52:27,680 --> 01:52:28,360
Speaker 5: but I see it.

2274
01:52:28,439 --> 01:52:29,599
Speaker 6: You know what I think?

2275
01:52:29,640 --> 01:52:31,000
Speaker 5: And I think Puff said that that day.

2276
01:52:31,040 --> 01:52:32,280
Speaker 2: He was like, JA, what you gonna do.

2277
01:52:32,240 --> 01:52:33,919
Speaker 5: If you're gonna play them Marian records?

2278
01:52:35,000 --> 01:52:36,760
Speaker 3: And I'm like, I'll say names.

2279
01:52:36,800 --> 01:52:39,160
Speaker 4: When we watched Nellie and Luton, who could ever say

2280
01:52:39,200 --> 01:52:42,160
Speaker 4: Nelly that era. No one could compare Nelly's era of

2281
01:52:42,200 --> 01:52:45,439
Speaker 4: that time. Ever, I walked into that saying, damn, Luta

2282
01:52:45,520 --> 01:52:48,840
Speaker 4: might get washed and then what happened. It's different when

2283
01:52:48,880 --> 01:52:50,439
Speaker 4: you really match up those records and.

2284
01:52:50,400 --> 01:52:51,559
Speaker 5: Cultual moments different.

2285
01:52:51,600 --> 01:52:53,960
Speaker 3: I felt it, yeah, but it's way different. But it

2286
01:52:54,080 --> 01:52:55,160
Speaker 3: hit different in verses.

2287
01:52:55,360 --> 01:52:57,280
Speaker 5: But that's what I'm saying. That's what I'm saying.

2288
01:52:57,479 --> 01:53:00,280
Speaker 2: That's what tell you that ship hit infer.

2289
01:53:00,760 --> 01:53:08,120
Speaker 10: I'm agreeing with you like this, that's right, Okay, Nah,

2290
01:53:08,240 --> 01:53:08,639
Speaker 10: it's up.

2291
01:53:08,680 --> 01:53:10,400
Speaker 8: So that was you got, You picked the setlist yourself.

2292
01:53:10,960 --> 01:53:11,519
Speaker 2: Nobody help me.

2293
01:53:11,640 --> 01:53:13,799
Speaker 10: We put that ship to me and my DJ. DJ

2294
01:53:13,880 --> 01:53:17,200
Speaker 10: just put that ship together in motion. JD know, say,

2295
01:53:17,280 --> 01:53:19,400
Speaker 10: jad is what we're doing. He's like, okay, you ain't

2296
01:53:19,400 --> 01:53:22,640
Speaker 10: done that in that's gonna okay, this is how are

2297
01:53:22,680 --> 01:53:23,040
Speaker 10: we about to?

2298
01:53:23,120 --> 01:53:24,760
Speaker 5: Okay and we're gonna walk away with the dub and

2299
01:53:24,760 --> 01:53:26,160
Speaker 5: this mm hm.

2300
01:53:26,200 --> 01:53:28,160
Speaker 4: Say no more quick quickly before we get to what

2301
01:53:28,240 --> 01:53:29,599
Speaker 4: pussed you off on the phone, because I do want

2302
01:53:29,600 --> 01:53:35,080
Speaker 4: to get to that. I do want to ask because

2303
01:53:35,960 --> 01:53:37,280
Speaker 4: because of what you're saying, I don't think a lot

2304
01:53:37,280 --> 01:53:39,800
Speaker 4: of people know that you produced the R A record

2305
01:53:39,840 --> 01:53:41,720
Speaker 4: that's out now that is about to be number one.

2306
01:53:41,960 --> 01:53:44,479
Speaker 4: You be division, you be with you really be with

2307
01:53:44,520 --> 01:53:49,879
Speaker 4: the new generation. What you think about the whisper singers

2308
01:53:49,880 --> 01:53:51,360
Speaker 4: of R and B right now? And how do you

2309
01:53:51,400 --> 01:53:55,200
Speaker 4: pick who you work with and who's worthy to come

2310
01:53:55,240 --> 01:53:57,400
Speaker 4: into this studio? Because R and B, I think is

2311
01:53:57,439 --> 01:54:01,000
Speaker 4: in a very good place, but it's changed drastically when

2312
01:54:01,000 --> 01:54:02,000
Speaker 4: it comes to vocals.

2313
01:54:02,320 --> 01:54:05,680
Speaker 2: Well, I just like I said, I just really realized

2314
01:54:06,360 --> 01:54:10,400
Speaker 2: why R and B has changed, and it's because nobody's

2315
01:54:10,439 --> 01:54:13,200
Speaker 2: going in the studio. Mary J. Blige got a new

2316
01:54:13,240 --> 01:54:14,759
Speaker 2: single produced by DJ Caller.

2317
01:54:14,880 --> 01:54:15,320
Speaker 8: I hate it.

2318
01:54:15,400 --> 01:54:19,559
Speaker 2: I don't like it. See, we got to be like

2319
01:54:19,760 --> 01:54:25,400
Speaker 2: the thumbnails and ship like listen.

2320
01:54:26,040 --> 01:54:28,280
Speaker 5: So my point is too much sense, listen.

2321
01:54:28,360 --> 01:54:32,360
Speaker 2: My point is this point. My point is this, when

2322
01:54:34,440 --> 01:54:37,080
Speaker 2: not when, what's the last number one R and B?

2323
01:54:37,160 --> 01:54:38,760
Speaker 2: Wrecking that call? It made.

2324
01:54:41,680 --> 01:54:43,000
Speaker 5: R and B exactly.

2325
01:54:43,600 --> 01:54:45,360
Speaker 4: I guess the bryceon Teller and Rihanna one would be

2326
01:54:45,400 --> 01:54:46,520
Speaker 4: popped to me, that wouldn't be R and B.

2327
01:54:46,680 --> 01:54:48,880
Speaker 2: Okay, So this is my point. That's what I'm saying.

2328
01:54:49,280 --> 01:54:53,640
Speaker 2: You got a legendary artist like Mary J. Blize going

2329
01:54:53,680 --> 01:54:56,560
Speaker 2: in the studio with people that don't make the music.

2330
01:54:56,720 --> 01:54:59,760
Speaker 3: Is this was exactly what we were talking about, exactly.

2331
01:55:00,120 --> 01:55:02,440
Speaker 2: This is what I was saying, This is what's happening

2332
01:55:02,520 --> 01:55:05,040
Speaker 2: in R and B. Right, So take say, for instance,

2333
01:55:05,440 --> 01:55:09,560
Speaker 2: Chloe Right, I don't I mean, is the Chloy record

2334
01:55:09,560 --> 01:55:11,720
Speaker 2: a hip hop record or R and B song to you?

2335
01:55:12,680 --> 01:55:14,960
Speaker 4: It sounds like a hard drive record that a label said,

2336
01:55:15,040 --> 01:55:16,560
Speaker 4: I think this will work with the algorithms.

2337
01:55:18,040 --> 01:55:18,640
Speaker 8: It's hip hop.

2338
01:55:21,560 --> 01:55:22,120
Speaker 3: I'm telling you what.

2339
01:55:23,680 --> 01:55:26,400
Speaker 2: You use her. She's an R and B artist. They

2340
01:55:26,440 --> 01:55:30,680
Speaker 2: want the murdered beats like this. You're not. You're not

2341
01:55:30,840 --> 01:55:37,560
Speaker 2: gonna get Yeah cords from Babyface, chords from Jimmy Jeames,

2342
01:55:37,640 --> 01:55:41,560
Speaker 2: Terry Lewis, cords from dark Child, No warmth, it's from

2343
01:55:41,600 --> 01:55:43,840
Speaker 2: even Pharrell. You're not gonna get none of that ship

2344
01:55:43,880 --> 01:55:46,720
Speaker 2: that you probably like from R and B from these

2345
01:55:46,760 --> 01:55:48,680
Speaker 2: guys that think people are going to get.

2346
01:55:48,760 --> 01:55:50,640
Speaker 7: But you know why that is though, because now people

2347
01:55:50,680 --> 01:55:54,040
Speaker 7: are more concerned with just putting the names that Mary J.

2348
01:55:54,160 --> 01:55:55,520
Speaker 8: Blige produced by Calid.

2349
01:55:55,880 --> 01:55:57,960
Speaker 7: It's the name, It's not so much the art and

2350
01:55:57,960 --> 01:56:00,120
Speaker 7: what makes sense no more because if you see.

2351
01:56:00,040 --> 01:56:00,800
Speaker 8: Calent and Mary J.

2352
01:56:00,920 --> 01:56:02,600
Speaker 7: Blige, you're gonna click on it, just because those are

2353
01:56:02,680 --> 01:56:04,600
Speaker 7: names that you click on but then now if you

2354
01:56:04,600 --> 01:56:07,560
Speaker 7: see an amazing R and B producer that you don't know,

2355
01:56:07,600 --> 01:56:10,680
Speaker 7: but it makes more sense sonically and it's a smash,

2356
01:56:10,880 --> 01:56:13,200
Speaker 7: people might not run to click it because they don't

2357
01:56:13,200 --> 01:56:14,240
Speaker 7: recognize that name.

2358
01:56:14,520 --> 01:56:16,200
Speaker 2: Yeah, but I understand that. But I'm saying, it's just

2359
01:56:16,240 --> 01:56:18,080
Speaker 2: like this when I used to when I be in

2360
01:56:18,120 --> 01:56:22,480
Speaker 2: my office, I used to love having Lil John and

2361
01:56:23,120 --> 01:56:25,960
Speaker 2: Bowow and all the artists come up to the office

2362
01:56:26,000 --> 01:56:28,120
Speaker 2: and just be in the office and playing music and

2363
01:56:28,160 --> 01:56:31,120
Speaker 2: talking ship. You see, I fanst y'all said what y'all

2364
01:56:31,160 --> 01:56:33,200
Speaker 2: said about that call it Mary.

2365
01:56:33,080 --> 01:56:36,480
Speaker 4: J because we talked about it already, or exactly what

2366
01:56:36,560 --> 01:56:39,600
Speaker 4: he just said. I said, Mary's needs better people around her.

2367
01:56:39,640 --> 01:56:41,840
Speaker 4: Manager needs to know that this is out of touch.

2368
01:56:41,840 --> 01:56:44,160
Speaker 3: You're just trying to find the name music.

2369
01:56:45,200 --> 01:56:47,640
Speaker 10: One thing I can relate to also Mary on what

2370
01:56:47,720 --> 01:56:49,640
Speaker 10: the number one show stars right now?

2371
01:56:50,360 --> 01:56:50,880
Speaker 8: Mm hmmm.

2372
01:56:51,120 --> 01:56:54,120
Speaker 5: Acting, Yeah, just killing shit exactly. So sometimes you know.

2373
01:56:54,080 --> 01:56:58,920
Speaker 10: You just the fact that you've been an actress too.

2374
01:56:59,000 --> 01:57:00,360
Speaker 5: You know what I'm saying. I can feel that I

2375
01:57:00,400 --> 01:57:01,200
Speaker 5: know how that shit feel.

2376
01:57:01,960 --> 01:57:04,160
Speaker 7: But the music suffers then because now you're out of touch.

2377
01:57:04,240 --> 01:57:05,680
Speaker 7: But and now you're just going.

2378
01:57:05,480 --> 01:57:07,400
Speaker 5: With such a legend and the other genre of what

2379
01:57:07,440 --> 01:57:09,920
Speaker 5: you do. I can always come back to that.

2380
01:57:10,200 --> 01:57:13,760
Speaker 4: But that's why fifty fifty decided.

2381
01:57:14,960 --> 01:57:15,960
Speaker 2: But you know that's aur though.

2382
01:57:16,000 --> 01:57:16,840
Speaker 8: You know they say that's a courage.

2383
01:57:16,880 --> 01:57:18,720
Speaker 7: Once you go too far into the acting and all that,

2384
01:57:19,160 --> 01:57:21,200
Speaker 7: as a musician, it's hard to come back.

2385
01:57:21,240 --> 01:57:23,920
Speaker 10: I just did it for two months. I just I

2386
01:57:24,080 --> 01:57:25,440
Speaker 10: just said them, Are I just did it?

2387
01:57:25,960 --> 01:57:27,400
Speaker 3: Mm hmm, And yeah.

2388
01:57:27,400 --> 01:57:29,200
Speaker 4: I don't know if that's just because after, like Mike,

2389
01:57:29,360 --> 01:57:31,640
Speaker 4: you had at least two or three big hits.

2390
01:57:31,680 --> 01:57:33,560
Speaker 3: I feel like after like my four.

2391
01:57:33,920 --> 01:57:41,160
Speaker 2: Facts, they ain't doing no movies after like Mike though, what.

2392
01:57:38,960 --> 01:57:41,040
Speaker 3: What wasn't him a salon trying to go to Cedric

2393
01:57:41,240 --> 01:57:42,720
Speaker 3: Entertainers or something?

2394
01:57:42,920 --> 01:57:45,040
Speaker 2: What what movie was saying? After you did?

2395
01:57:45,160 --> 01:57:48,040
Speaker 5: I like, I'm talking about not right after like Mike though.

2396
01:57:48,200 --> 01:57:53,280
Speaker 2: I mean, but like like Mike, after that, but come on,

2397
01:57:53,520 --> 01:57:55,440
Speaker 2: I'm talking about I'm just I'm saying not he didn't

2398
01:57:55,440 --> 01:57:58,400
Speaker 2: do no movies right after like Mike. He didn't go Will.

2399
01:57:58,240 --> 01:58:00,880
Speaker 3: Smith exactly even should have we war.

2400
01:58:00,800 --> 01:58:02,840
Speaker 2: Fifty million at the box office. He should have did

2401
01:58:02,880 --> 01:58:06,440
Speaker 2: Will Smith. I was telling him Will Smith.

2402
01:58:06,200 --> 01:58:08,480
Speaker 10: You know, but we still won because with the with

2403
01:58:08,600 --> 01:58:11,040
Speaker 10: the movie came that like Mike soundtrack, what you had

2404
01:58:11,560 --> 01:58:14,000
Speaker 10: on your label, that's how the whole that's why to

2405
01:58:14,000 --> 01:58:15,640
Speaker 10: this day and this shit is crazy. I'm bringing this

2406
01:58:15,800 --> 01:58:20,400
Speaker 10: up even though it's Curtis blow song. Bigas think that

2407
01:58:20,480 --> 01:58:23,800
Speaker 10: it's mice whole basketball basketball, Like the whole world thinks

2408
01:58:23,840 --> 01:58:28,680
Speaker 10: that belongs to me, Like that's my song, Like like

2409
01:58:28,960 --> 01:58:31,240
Speaker 10: it's the crazy shit in the world. So you're right,

2410
01:58:31,320 --> 01:58:33,160
Speaker 10: like we after we did the movie, it went back

2411
01:58:33,200 --> 01:58:35,720
Speaker 10: to the soundtrack. From the soundtrack became the single from

2412
01:58:35,760 --> 01:58:38,840
Speaker 10: that came Taking Home with for Real and it was

2413
01:58:38,160 --> 01:58:39,960
Speaker 10: and it was Hardball y'all tried.

2414
01:58:40,000 --> 01:58:41,720
Speaker 4: I like the I'd like to try to do with

2415
01:58:41,720 --> 01:58:43,360
Speaker 4: the littles on the Hardball soundtrack.

2416
01:58:44,000 --> 01:58:46,360
Speaker 3: Who do you think? Who do y'allt wane.

2417
01:58:46,120 --> 01:58:46,600
Speaker 2: On that record?

2418
01:58:47,280 --> 01:58:48,520
Speaker 5: I feel like we was all like.

2419
01:58:48,680 --> 01:58:50,560
Speaker 3: No one even gonna know the record we're talking about.

2420
01:58:50,480 --> 01:58:55,200
Speaker 5: Yeah, but they gonna look it up though, Remember it's

2421
01:58:55,200 --> 01:58:55,360
Speaker 5: a hit.

2422
01:58:56,320 --> 01:58:58,400
Speaker 3: We don't know they're gonna know what it's a hit

2423
01:58:58,440 --> 01:58:58,680
Speaker 3: after that?

2424
01:58:58,760 --> 01:59:01,720
Speaker 5: Wait, wait they you know it was number one on

2425
01:59:01,720 --> 01:59:02,760
Speaker 5: one of those parts.

2426
01:59:03,040 --> 01:59:05,640
Speaker 4: But there was kids. You have to remind kids you

2427
01:59:05,680 --> 01:59:07,760
Speaker 4: have too. Oh ship, that was a ship I grew

2428
01:59:07,840 --> 01:59:08,680
Speaker 4: up on kids.

2429
01:59:08,760 --> 01:59:12,400
Speaker 2: Yes, your age. I know they know that song. They

2430
01:59:12,440 --> 01:59:15,240
Speaker 2: wanted him to perform that song because Sammy on that tool.

2431
01:59:15,280 --> 01:59:18,280
Speaker 4: They don't even know Lozane was in a Doctor Doolittle

2432
01:59:18,320 --> 01:59:20,160
Speaker 4: like they're gonna ship oh wait, I went back to

2433
01:59:20,200 --> 01:59:23,320
Speaker 4: Doctor see Exactlysane was in BMF.

2434
01:59:24,320 --> 01:59:26,160
Speaker 2: I'm talking about.

2435
01:59:27,440 --> 01:59:28,960
Speaker 8: It's just it's not even.

2436
01:59:32,280 --> 01:59:35,920
Speaker 10: You know, like Willi's relevance though, Like because speaking of

2437
01:59:35,960 --> 01:59:39,760
Speaker 10: a nigga like a little ze right, somebody who I

2438
01:59:39,800 --> 01:59:43,560
Speaker 10: feel it is on one of the like most and

2439
01:59:43,680 --> 01:59:45,880
Speaker 10: JA you might look crazy, but like for my era,

2440
01:59:46,040 --> 01:59:48,040
Speaker 10: like the most iconic, like R and B record, like

2441
01:59:48,040 --> 01:59:50,640
Speaker 10: he has a memorable verse on the one to a record,

2442
01:59:50,680 --> 01:59:53,680
Speaker 10: like his verse is very memorable. Like we talk about relevance,

2443
01:59:53,720 --> 01:59:55,240
Speaker 10: what we speaking on because as we just said, his

2444
01:59:55,360 --> 01:59:59,480
Speaker 10: name is like he is in the biggest, if not

2445
01:59:59,520 --> 01:59:59,800
Speaker 10: one of the.

2446
01:59:59,760 --> 02:00:01,680
Speaker 5: Big it's like urban shows us out right now.

2447
02:00:02,360 --> 02:00:04,000
Speaker 10: So it's like when we speak on relevance, like what

2448
02:00:04,120 --> 02:00:06,600
Speaker 10: is what is really the definition of relevance?

2449
02:00:08,080 --> 02:00:09,520
Speaker 5: Is it current?

2450
02:00:09,560 --> 02:00:10,200
Speaker 2: Shit? Is it?

2451
02:00:10,320 --> 02:00:12,120
Speaker 5: Like? Like what are we basing that word of one?

2452
02:00:12,120 --> 02:00:13,640
Speaker 8: Because I hear that, Yeah, you would have to be

2453
02:00:13,680 --> 02:00:14,760
Speaker 8: current if it's relevant.

2454
02:00:16,080 --> 02:00:18,320
Speaker 4: I think I think it's in the eye of the beholder,

2455
02:00:18,720 --> 02:00:21,600
Speaker 4: to be quite honest, which what what's really relevant to you?

2456
02:00:21,840 --> 02:00:24,600
Speaker 4: Back to the platforms that matter and the people that matter?

2457
02:00:25,000 --> 02:00:26,960
Speaker 4: Am I relevant to the shit that matters to me?

2458
02:00:27,320 --> 02:00:28,960
Speaker 4: Am I being talked about in the places I want

2459
02:00:28,960 --> 02:00:31,040
Speaker 4: to be talked about? And I have the money I have?

2460
02:00:31,120 --> 02:00:32,280
Speaker 4: Do I have the accolades I have?

2461
02:00:32,960 --> 02:00:33,480
Speaker 3: Yeah, it's not.

2462
02:00:34,280 --> 02:00:35,880
Speaker 4: Relevancy is in the eye of the beholder at this

2463
02:00:35,880 --> 02:00:38,160
Speaker 4: point because the Internet, that shit has spread everything across

2464
02:00:38,200 --> 02:00:41,080
Speaker 4: the world. Agree that it's every little pocket. There's no

2465
02:00:41,120 --> 02:00:44,080
Speaker 4: more little niche sit, no more. It's even smaller than niche.

2466
02:00:44,600 --> 02:00:49,000
Speaker 4: So it's in how you feel smaller niche, and like,

2467
02:00:50,080 --> 02:00:51,920
Speaker 4: do you want to be relevant right now? Because look

2468
02:00:51,960 --> 02:00:54,960
Speaker 4: what is relevant? And I'm not even talking about music

2469
02:00:55,000 --> 02:00:57,400
Speaker 4: at this point. We could put this to the entire world.

2470
02:00:57,680 --> 02:00:59,840
Speaker 4: We could do this with the presidency race, Like do

2471
02:01:00,080 --> 02:01:03,160
Speaker 4: we want to be relevant? Because relevancy is bullshit? It's

2472
02:01:03,200 --> 02:01:04,640
Speaker 4: a bunch of nonsense.

2473
02:01:04,520 --> 02:01:06,440
Speaker 7: Don't I don't know if I care so much about relevancy.

2474
02:01:06,440 --> 02:01:08,960
Speaker 7: I'd rather just when people get it and they go

2475
02:01:09,000 --> 02:01:10,120
Speaker 7: back to it like he's.

2476
02:01:10,000 --> 02:01:11,040
Speaker 8: Been putting out hot shit.

2477
02:01:11,400 --> 02:01:12,840
Speaker 5: Okay, like a.

2478
02:01:12,840 --> 02:01:15,280
Speaker 7: Lot of motherfuckers go fast and they hit the top

2479
02:01:15,320 --> 02:01:17,760
Speaker 7: and it's like oh shit, yeah, but then they fizz

2480
02:01:17,800 --> 02:01:20,680
Speaker 7: out and it's over it. Like I'd rather be like

2481
02:01:20,840 --> 02:01:23,960
Speaker 7: a JD consistent years of Nigga's been hit for thirty

2482
02:01:24,040 --> 02:01:27,200
Speaker 7: thirty years. Y'all may not be talking about it. I

2483
02:01:27,280 --> 02:01:30,520
Speaker 7: may not be relevant in certain conversations and roundtables because

2484
02:01:30,560 --> 02:01:32,880
Speaker 7: you're just not talking about it for whatever reason. But

2485
02:01:32,920 --> 02:01:34,480
Speaker 7: if somebody throws my name on the table and I'm

2486
02:01:34,480 --> 02:01:36,160
Speaker 7: like damn, and then you start rolling through the files

2487
02:01:36,160 --> 02:01:38,120
Speaker 7: and you're looking like, oh, he's been putting out shit

2488
02:01:39,000 --> 02:01:41,760
Speaker 7: since two thousand and one, that's been Yeah.

2489
02:01:41,800 --> 02:01:43,560
Speaker 2: See, I don't I don't even get caught up in that.

2490
02:01:43,560 --> 02:01:46,120
Speaker 2: I'm never even worried about that relevance.

2491
02:01:46,200 --> 02:01:47,440
Speaker 8: Yeah, but you know that's what I'm saying.

2492
02:01:47,440 --> 02:01:49,280
Speaker 5: You don't even I don't even know what that means, right.

2493
02:01:49,680 --> 02:01:52,200
Speaker 2: I feel like the one thing that people like I

2494
02:01:52,200 --> 02:01:55,400
Speaker 2: said I'm a numbers guy. What people don't understand about

2495
02:01:55,440 --> 02:01:57,920
Speaker 2: me is I play the numbers, and the numbers that

2496
02:01:58,000 --> 02:02:02,520
Speaker 2: I play is that every mogul that people compare me to,

2497
02:02:02,960 --> 02:02:06,520
Speaker 2: I'm younger than them. So in every dance that we

2498
02:02:06,680 --> 02:02:08,520
Speaker 2: be talking about, even like the way we when you're

2499
02:02:08,520 --> 02:02:11,320
Speaker 2: talking about academics page and dah da da dah, and

2500
02:02:11,360 --> 02:02:15,240
Speaker 2: his audience is younger. I don't think people be understanding

2501
02:02:15,240 --> 02:02:17,480
Speaker 2: that I'm younger than Puff. I'm younger than jay Z,

2502
02:02:18,160 --> 02:02:23,440
Speaker 2: I'm younger than Kevin Lyles, I'm younger than Russell. I'm younger.

2503
02:02:23,880 --> 02:02:25,760
Speaker 2: I'm younger than all of these dudes. I'm younger than

2504
02:02:25,800 --> 02:02:28,840
Speaker 2: Teddy Riley. I'm younger than all of these guys. I

2505
02:02:28,920 --> 02:02:31,560
Speaker 2: might not be young by much, but I'm younger than them, right,

2506
02:02:32,080 --> 02:02:34,760
Speaker 2: So therefore my audience is younger than them. And then

2507
02:02:34,800 --> 02:02:39,040
Speaker 2: I got younger artists that is younger than any artist

2508
02:02:39,120 --> 02:02:42,600
Speaker 2: that they got, which makes my audience even younger than their. Right,

2509
02:02:43,040 --> 02:02:46,080
Speaker 2: So for me, I feel like the relevance part thing

2510
02:02:46,120 --> 02:02:46,960
Speaker 2: don't even work for me.

2511
02:02:47,040 --> 02:02:50,440
Speaker 5: Because people know me for Bawour.

2512
02:02:50,760 --> 02:02:53,200
Speaker 2: People know me for Anthony Hamilton, people know me for

2513
02:02:53,240 --> 02:02:56,560
Speaker 2: the Rap Game, people know me for Escape, people know

2514
02:02:56,640 --> 02:02:58,760
Speaker 2: me for the Brat, people know me for Criss Krust.

2515
02:02:59,720 --> 02:03:03,320
Speaker 2: That it is that ships all over the place, right,

2516
02:03:03,680 --> 02:03:07,240
Speaker 2: you can't I can't possibly be like, Okay, well I

2517
02:03:07,280 --> 02:03:10,800
Speaker 2: expect you if you listen to Escape, you you listen

2518
02:03:10,880 --> 02:03:13,680
Speaker 2: about Wow, Like no, no, there's no way.

2519
02:03:13,880 --> 02:03:19,000
Speaker 4: Matter fact, that's the point, right, that's the point off

2520
02:03:19,000 --> 02:03:19,839
Speaker 4: I break the labels.

2521
02:03:19,880 --> 02:03:20,760
Speaker 2: You know what I'm just saying.

2522
02:03:20,880 --> 02:03:24,480
Speaker 3: Escape you you could love it like you just can't.

2523
02:03:24,520 --> 02:03:26,720
Speaker 2: It's no way possible for you to be for you

2524
02:03:26,760 --> 02:03:29,880
Speaker 2: to even have that conversation about me at a time,

2525
02:03:29,960 --> 02:03:33,040
Speaker 2: you know what I mean, because when you're talking about

2526
02:03:33,120 --> 02:03:36,360
Speaker 2: this person, I might be over here just in this space, right,

2527
02:03:36,640 --> 02:03:39,000
Speaker 2: you know what I mean. Like, And that's the one thing,

2528
02:03:39,400 --> 02:03:41,480
Speaker 2: like when we talk about the R and B, you saying,

2529
02:03:41,480 --> 02:03:44,560
Speaker 2: how am I going into it now? Like I said,

2530
02:03:44,600 --> 02:03:51,440
Speaker 2: I continue to keep starting at one. I live by

2531
02:03:51,560 --> 02:03:54,040
Speaker 2: like the clock because I think people don't understand that,

2532
02:03:54,120 --> 02:03:56,760
Speaker 2: Like niggas think that they get to ten, they gonna

2533
02:03:56,760 --> 02:03:59,720
Speaker 2: go to twenty. You go to twenty, you started back

2534
02:03:59,760 --> 02:04:03,640
Speaker 2: at you just you know, you get get to ten,

2535
02:04:03,960 --> 02:04:07,360
Speaker 2: you start back over. It starts at eleven, one and two,

2536
02:04:07,440 --> 02:04:11,320
Speaker 2: it starts over again. And if you can figure out

2537
02:04:11,400 --> 02:04:15,360
Speaker 2: how to start over and keep going back to ten

2538
02:04:16,560 --> 02:04:18,920
Speaker 2: and start back over and keep going back to ten,

2539
02:04:20,120 --> 02:04:23,000
Speaker 2: that's a gift to me or even a trick that

2540
02:04:23,680 --> 02:04:24,960
Speaker 2: it's hard to figure it out.

2541
02:04:25,000 --> 02:04:26,280
Speaker 3: Can you explain that a little bit more?

2542
02:04:26,320 --> 02:04:27,800
Speaker 4: I know what you're saying, but I think you need

2543
02:04:27,800 --> 02:04:29,440
Speaker 4: to explain that a little bit more, because that was

2544
02:04:29,480 --> 02:04:32,560
Speaker 4: probably one of the bigger jewels you just drought this

2545
02:04:32,760 --> 02:04:33,320
Speaker 4: entire Yeah.

2546
02:04:33,360 --> 02:04:36,880
Speaker 2: I mean I don't know how much how much it

2547
02:04:36,920 --> 02:04:38,760
Speaker 2: was used to be something. I fear it because it

2548
02:04:38,840 --> 02:04:44,080
Speaker 2: was like, you know, most people that get successful, they

2549
02:04:44,120 --> 02:04:48,920
Speaker 2: get way up here, right, and most people play the

2550
02:04:49,000 --> 02:04:52,360
Speaker 2: game safe once they get at the top ye where

2551
02:04:52,360 --> 02:04:56,160
Speaker 2: they like, I'm up here. Every move I make has

2552
02:04:56,200 --> 02:04:59,160
Speaker 2: to be something that keeps me up here, as opposed

2553
02:04:59,160 --> 02:05:01,760
Speaker 2: to me going back down here and grabbing somebody that

2554
02:05:01,840 --> 02:05:07,160
Speaker 2: ain't nobody. Right, I go up here and I leave

2555
02:05:07,240 --> 02:05:09,000
Speaker 2: that up there, and I go back down here and

2556
02:05:09,080 --> 02:05:12,440
Speaker 2: I grab something that's nobody's talking about exactly right.

2557
02:05:12,960 --> 02:05:16,080
Speaker 5: So and I and I realized that.

2558
02:05:17,400 --> 02:05:20,720
Speaker 2: It's really just a fear thing, Like if you're scared

2559
02:05:20,760 --> 02:05:23,640
Speaker 2: of it, you shouldn't do it. But if you don't

2560
02:05:23,680 --> 02:05:29,520
Speaker 2: have no fear of how going back down here even

2561
02:05:29,600 --> 02:05:33,040
Speaker 2: bothers this? Right? Me working with Arin Lennox has nothing

2562
02:05:33,040 --> 02:05:35,640
Speaker 2: to do about bow. I was bow, Wow, he's here,

2563
02:05:35,680 --> 02:05:36,280
Speaker 2: he's up here.

2564
02:05:37,560 --> 02:05:38,840
Speaker 5: What you say?

2565
02:05:39,720 --> 02:05:43,120
Speaker 3: That's who everybody relaxed, that's my friend.

2566
02:05:42,480 --> 02:05:55,000
Speaker 2: Oh god, nobody can say something just getting crazy.

2567
02:05:53,840 --> 02:06:04,160
Speaker 11: Artists and this ship went down.

2568
02:06:03,960 --> 02:06:08,880
Speaker 2: We all love. My point is, like I said, I

2569
02:06:09,440 --> 02:06:11,680
Speaker 2: figured that out, and I and I figured it out

2570
02:06:11,800 --> 02:06:14,680
Speaker 2: because I did it first. That's the first thing I

2571
02:06:14,720 --> 02:06:18,120
Speaker 2: did with Chris Cross, Chris Crust, so all these records

2572
02:06:18,360 --> 02:06:21,680
Speaker 2: and I went and got escaped, and nobody expected that

2573
02:06:21,760 --> 02:06:24,000
Speaker 2: to happen. Nobody wanted me to do that. People at

2574
02:06:24,040 --> 02:06:27,120
Speaker 2: Columbia thought I was crazy, like Jaman, what are you doing?

2575
02:06:27,200 --> 02:06:29,280
Speaker 5: You got the rappers, you want to.

2576
02:06:29,280 --> 02:06:31,160
Speaker 2: Come with more rap music, and I'm like, no, I

2577
02:06:31,160 --> 02:06:33,160
Speaker 2: want an R and B group. When it got the

2578
02:06:33,280 --> 02:06:35,680
Speaker 2: R and B group got them going boom, they going

2579
02:06:36,800 --> 02:06:40,960
Speaker 2: go find up female rapper at a time when female

2580
02:06:41,000 --> 02:06:44,560
Speaker 2: rappers is not selling records, and just you have no

2581
02:06:45,320 --> 02:06:49,200
Speaker 2: you just could not possibly work right. You go do

2582
02:06:50,000 --> 02:06:55,520
Speaker 2: Brat boom, Jagged Edge. You just keep you just keep

2583
02:06:55,600 --> 02:06:59,640
Speaker 2: starting at one. And I don't feel like if you

2584
02:06:59,760 --> 02:07:04,800
Speaker 2: start at ten with an artist, that's where all the

2585
02:07:04,840 --> 02:07:07,920
Speaker 2: all the all the hopes and dreams is let out

2586
02:07:07,960 --> 02:07:12,960
Speaker 2: of the air balloon, you know, because like if if

2587
02:07:13,000 --> 02:07:17,440
Speaker 2: I would have had, you know, win a game bow

2588
02:07:17,440 --> 02:07:21,880
Speaker 2: Wow his own space and tried to put bow Wow

2589
02:07:22,040 --> 02:07:25,640
Speaker 2: on a Jagged Edge record or some shit like that

2590
02:07:25,880 --> 02:07:30,520
Speaker 2: to break him, I wouldn't have never really seen his audience,

2591
02:07:30,640 --> 02:07:32,360
Speaker 2: you know what I mean. I feel like that's another thing.

2592
02:07:32,400 --> 02:07:35,720
Speaker 2: Like I've tried to make sure all the artists get

2593
02:07:35,760 --> 02:07:39,240
Speaker 2: their own audience, they get their own people, they get this.

2594
02:07:39,240 --> 02:07:43,280
Speaker 2: This is what's going on, right, And you know, like

2595
02:07:44,640 --> 02:07:46,960
Speaker 2: when we speak about the art record, when did the

2596
02:07:47,120 --> 02:07:50,600
Speaker 2: art record? I told her, I was like, Yo, well

2597
02:07:50,640 --> 02:07:53,520
Speaker 2: I found a sample. I'm like, listen, you know the

2598
02:07:53,760 --> 02:07:57,000
Speaker 2: girls on Instagram. I seen you say this too. All

2599
02:07:57,080 --> 02:07:58,880
Speaker 2: y'all be saying, y'all getting a mirror, y'all be like

2600
02:07:58,880 --> 02:08:02,560
Speaker 2: this that pressure, right? I said, watch every girl gonna

2601
02:08:02,560 --> 02:08:05,760
Speaker 2: do this, we make this song. And she's like, you think,

2602
02:08:05,920 --> 02:08:07,680
Speaker 2: so that's.

2603
02:08:07,560 --> 02:08:08,200
Speaker 3: A good impression.

2604
02:08:09,720 --> 02:08:14,120
Speaker 2: And I'm like, yes, listen, and so I know people

2605
02:08:14,160 --> 02:08:16,839
Speaker 2: be seeing me post all these videos of these girls,

2606
02:08:17,520 --> 02:08:21,400
Speaker 2: and it's like that shit is amazing to me because

2607
02:08:21,440 --> 02:08:24,520
Speaker 2: these girls, this is not nobody asking, This is not

2608
02:08:24,600 --> 02:08:29,440
Speaker 2: a promotion player nobody. These girls. Every morning I wake up,

2609
02:08:29,480 --> 02:08:35,200
Speaker 2: it's ten thousand girls posting that song. Yeah, you know

2610
02:08:35,240 --> 02:08:37,760
Speaker 2: what I'm saying, Like that shit is wild to me.

2611
02:08:38,400 --> 02:08:41,040
Speaker 2: And once again, I still feel like that's another I

2612
02:08:41,040 --> 02:08:43,160
Speaker 2: feel like she's another one that's in that space. That's

2613
02:08:43,200 --> 02:08:46,000
Speaker 2: not you know, they're not really talking about it. This

2614
02:08:46,080 --> 02:08:49,280
Speaker 2: is you know, this is this, this is a just

2615
02:08:49,360 --> 02:08:50,200
Speaker 2: a real record.

2616
02:08:50,200 --> 02:08:52,520
Speaker 4: But that's that's numbers verse what we see on the

2617
02:08:52,520 --> 02:08:55,040
Speaker 4: internet with the bullshit, because that's doing numbers.

2618
02:08:55,640 --> 02:08:56,879
Speaker 3: It's just not on the bullshit.

2619
02:08:57,480 --> 02:08:58,720
Speaker 2: Yeah, but I mean, I mean, I'm not even talking

2620
02:08:58,720 --> 02:09:00,840
Speaker 2: about the numbers. I'm just saying just about the fact

2621
02:09:00,920 --> 02:09:02,640
Speaker 2: that like when we talk about like when we talk

2622
02:09:02,680 --> 02:09:04,920
Speaker 2: about R and B music, that's a pure R and

2623
02:09:04,960 --> 02:09:08,920
Speaker 2: B record, ain't you know what I mean, ain't no

2624
02:09:09,040 --> 02:09:11,600
Speaker 2: rap shit in And she ain't trying to rap. She's singing,

2625
02:09:11,840 --> 02:09:15,200
Speaker 2: there's a pure R and B record. She's singing, it's

2626
02:09:15,240 --> 02:09:19,920
Speaker 2: a pure R and B record that everybody loves it.

2627
02:09:20,080 --> 02:09:22,880
Speaker 2: All black girls are like going crazy over the song,

2628
02:09:22,960 --> 02:09:25,680
Speaker 2: like it's a black girl anthem. And I just feel

2629
02:09:25,720 --> 02:09:28,760
Speaker 2: like that's the that as long as I can make

2630
02:09:28,800 --> 02:09:30,720
Speaker 2: because I'm just asking you a question. The long way,

2631
02:09:30,760 --> 02:09:32,840
Speaker 2: as long as I can make records like that and

2632
02:09:32,920 --> 02:09:35,920
Speaker 2: continue to keep making records like that, those are the

2633
02:09:35,920 --> 02:09:37,840
Speaker 2: type of artists I'm gonna reach for. It don't matter,

2634
02:09:38,480 --> 02:09:43,200
Speaker 2: Like you know what Laraty was before I did that song.

2635
02:09:43,640 --> 02:09:45,760
Speaker 2: None of that mattered to me, you know what I mean.

2636
02:09:46,480 --> 02:09:49,400
Speaker 2: Where certain producers, they won't work with you unless you

2637
02:09:49,560 --> 02:09:52,720
Speaker 2: uh you know bow wow, like you know what I mean,

2638
02:09:53,040 --> 02:09:56,000
Speaker 2: I don't care about where artist is. You know, when

2639
02:09:56,000 --> 02:09:57,800
Speaker 2: I did a mancipation of me me, people told me

2640
02:09:57,840 --> 02:10:01,720
Speaker 2: I saved Mariah's life. I don't even really that because

2641
02:10:01,720 --> 02:10:03,960
Speaker 2: I didn't know what she was doing prior.

2642
02:10:04,200 --> 02:10:05,400
Speaker 3: I mean, Christmas saved your life.

2643
02:10:05,840 --> 02:10:10,240
Speaker 2: I mean Christmas saved everybody. Christmas.

2644
02:10:10,840 --> 02:10:12,760
Speaker 5: There, I'm on that record. Christmas.

2645
02:10:13,400 --> 02:10:17,640
Speaker 2: Oh god, anyway, Christmas, I'm on the record.

2646
02:10:18,160 --> 02:10:21,520
Speaker 5: Yeah you know, it's the biggest record. Oh my god.

2647
02:10:22,120 --> 02:10:24,440
Speaker 2: Yeah. So so I mean that's what it is, you know.

2648
02:10:24,520 --> 02:10:28,360
Speaker 2: So like even with division, like it's crazy. When I

2649
02:10:28,360 --> 02:10:32,040
Speaker 2: first started working with Damn, half of my friends didn't

2650
02:10:32,040 --> 02:10:33,840
Speaker 2: even know who the fuck he was. It's like, who

2651
02:10:33,920 --> 02:10:37,280
Speaker 2: is this who were working with? And then it's like okay,

2652
02:10:37,480 --> 02:10:42,600
Speaker 2: oh I heard it? Oh private for a while, all right, yeah,

2653
02:10:42,720 --> 02:10:46,280
Speaker 2: oh all right, yeah I heard this song. Okay, cool, And.

2654
02:10:48,600 --> 02:10:52,000
Speaker 5: My mindset is, oh, this is a new.

2655
02:10:55,320 --> 02:10:59,160
Speaker 2: Canvas. It's a new canvas for me to go back

2656
02:10:59,200 --> 02:10:59,840
Speaker 2: to one again.

2657
02:11:00,400 --> 02:11:02,560
Speaker 3: When they sing too like, you know what I.

2658
02:11:02,600 --> 02:11:05,520
Speaker 2: Mean, So I'm like, if I make this one ring.

2659
02:11:05,560 --> 02:11:07,360
Speaker 3: He's a piece of ship, but he can solve.

2660
02:11:11,160 --> 02:11:11,680
Speaker 2: As a human.

2661
02:11:11,720 --> 02:11:12,520
Speaker 3: He's a real piece of.

2662
02:11:15,040 --> 02:11:15,240
Speaker 6: God.

2663
02:11:15,520 --> 02:11:16,040
Speaker 3: I'm joking.

2664
02:11:17,080 --> 02:11:19,440
Speaker 2: So I'm I'm looking at that saying, you know, I'm

2665
02:11:19,440 --> 02:11:21,200
Speaker 2: gonna go back to one. I'm gonna do that, go

2666
02:11:21,240 --> 02:11:24,200
Speaker 2: back to one boom and get that to ten. And

2667
02:11:24,280 --> 02:11:26,520
Speaker 2: that's just my that's my that's my game.

2668
02:11:26,560 --> 02:11:28,400
Speaker 7: I think it's still I think it's still crazy. And

2669
02:11:28,400 --> 02:11:29,520
Speaker 7: I think I might have told you this when we

2670
02:11:29,600 --> 02:11:32,120
Speaker 7: went to Magic City. The fact that you still go

2671
02:11:32,200 --> 02:11:35,000
Speaker 7: to the DJ booth with the record of the artist

2672
02:11:35,040 --> 02:11:36,720
Speaker 7: that you're working with and give it to the DJ

2673
02:11:36,840 --> 02:11:39,879
Speaker 7: to play it, after all of your accolades and success

2674
02:11:39,920 --> 02:11:42,440
Speaker 7: and the legendary icon that you are. To me, that's

2675
02:11:42,480 --> 02:11:45,880
Speaker 7: still the craziest flex ever that you still do that,

2676
02:11:46,600 --> 02:11:48,640
Speaker 7: take the record to the DJ and like you play this.

2677
02:11:49,680 --> 02:11:51,680
Speaker 8: Dudes at your level, your stead, they're not doing that.

2678
02:11:52,320 --> 02:11:55,280
Speaker 2: But you know why I do it. You want to

2679
02:11:55,320 --> 02:11:55,840
Speaker 2: know why I do it?

2680
02:11:55,920 --> 02:11:56,120
Speaker 6: Why?

2681
02:11:56,720 --> 02:11:59,640
Speaker 2: Because I feel like it's a gift and the curse.

2682
02:11:59,680 --> 02:12:03,920
Speaker 2: Because I have these fucking paralyzed records, right I have

2683
02:12:04,040 --> 02:12:07,960
Speaker 2: records that have paralyzed DJs that when I go to

2684
02:12:08,040 --> 02:12:11,400
Speaker 2: the club it's a certain five records that they just

2685
02:12:11,600 --> 02:12:17,120
Speaker 2: automatically play Welcome to Atlanta, Money and anything like you

2686
02:12:17,200 --> 02:12:18,040
Speaker 2: by Bow Wow.

2687
02:12:20,480 --> 02:12:21,440
Speaker 5: Pays for sure.

2688
02:12:22,240 --> 02:12:24,280
Speaker 2: Yeah, they might play two Usher records right now. These

2689
02:12:24,320 --> 02:12:27,640
Speaker 2: are paralyzed to me. These are the records that paralyze

2690
02:12:27,640 --> 02:12:31,080
Speaker 2: you and make you like that make me seem like

2691
02:12:31,120 --> 02:12:33,560
Speaker 2: I'm stuck in that era. Right, So when I go

2692
02:12:33,600 --> 02:12:35,560
Speaker 2: to the club, I don't want to hear Welcome to Atlanta.

2693
02:12:35,920 --> 02:12:37,840
Speaker 2: Not in twenty twenty one.

2694
02:12:38,480 --> 02:12:38,680
Speaker 6: Right.

2695
02:12:38,720 --> 02:12:39,960
Speaker 5: We was in the club other night. I was in

2696
02:12:40,000 --> 02:12:41,560
Speaker 5: honest other in the daytime, and.

2697
02:12:41,680 --> 02:12:44,880
Speaker 2: They ship and the nigga's playing Welcome Towards and I'm like,

2698
02:12:45,160 --> 02:12:47,320
Speaker 2: it ain't even It's just me.

2699
02:12:47,280 --> 02:12:49,800
Speaker 5: And him in here.

2700
02:12:50,760 --> 02:12:51,480
Speaker 2: We're in Atlanta.

2701
02:12:51,600 --> 02:12:54,360
Speaker 4: You don't need to work out Atlanta.

2702
02:12:54,640 --> 02:12:54,840
Speaker 5: Yo.

2703
02:12:55,000 --> 02:12:55,600
Speaker 2: Wait a minute.

2704
02:12:55,960 --> 02:12:58,240
Speaker 5: I went to the DJO. Cut that off.

2705
02:12:58,320 --> 02:13:01,200
Speaker 2: I say, Yo, my nigga, listen, if you don't play

2706
02:13:01,240 --> 02:13:04,720
Speaker 2: that pressure right now, I need to hear pressure right

2707
02:13:05,160 --> 02:13:07,480
Speaker 2: because moving the strip, yeah, please.

2708
02:13:07,720 --> 02:13:09,640
Speaker 5: There's some pressure come on about. I was like, man,

2709
02:13:10,040 --> 02:13:10,920
Speaker 5: every girl.

2710
02:13:10,680 --> 02:13:13,120
Speaker 10: In here that I did say that, I'm so tired

2711
02:13:13,120 --> 02:13:15,080
Speaker 10: of this ship. I'm like, yo, every time I click

2712
02:13:15,120 --> 02:13:18,960
Speaker 10: on I g pressure. At least like the girl, I

2713
02:13:18,960 --> 02:13:22,400
Speaker 10: love definitely doing some type of ships press strip club.

2714
02:13:22,440 --> 02:13:24,879
Speaker 5: I'm like you look at the bar tender, look yeah,

2715
02:13:25,240 --> 02:13:26,040
Speaker 5: pouring shots up.

2716
02:13:26,120 --> 02:13:28,160
Speaker 3: She's singing what more did the Magic City?

2717
02:13:28,800 --> 02:13:30,920
Speaker 8: I was chilling, like what was he doing? What was his?

2718
02:13:32,760 --> 02:13:35,800
Speaker 5: How that go without me? You?

2719
02:13:36,000 --> 02:13:36,360
Speaker 6: You did?

2720
02:13:37,160 --> 02:13:38,960
Speaker 2: And we're gonna get to what pictures you just.

2721
02:13:38,880 --> 02:13:40,840
Speaker 5: Don't now We're about to up this ship.

2722
02:13:41,600 --> 02:13:42,320
Speaker 3: We did the history.

2723
02:13:42,480 --> 02:13:45,120
Speaker 5: No, no, you was.

2724
02:13:45,240 --> 02:13:45,920
Speaker 6: You was there that night?

2725
02:13:45,960 --> 02:13:46,400
Speaker 8: You was there?

2726
02:13:46,880 --> 02:13:48,320
Speaker 6: But yeah, you was there?

2727
02:13:48,720 --> 02:13:49,360
Speaker 8: Yeah?

2728
02:13:50,280 --> 02:13:53,000
Speaker 3: How you asked that they was there?

2729
02:13:53,480 --> 02:13:54,640
Speaker 8: Your tension was everywhere.

2730
02:13:54,920 --> 02:13:57,000
Speaker 7: Every five minutes, you had somebody tapping you, the girl

2731
02:13:57,120 --> 02:14:00,280
Speaker 7: tapping you know. He was all over h ain't no

2732
02:14:00,320 --> 02:14:01,600
Speaker 7: a llegenedd he letting his ship fly.

2733
02:14:01,760 --> 02:14:04,880
Speaker 10: What I might be the only nigga like in the

2734
02:14:04,920 --> 02:14:09,040
Speaker 10: history in not just city to like go downstairs in

2735
02:14:09,120 --> 02:14:12,000
Speaker 10: the dressing room all the girls be at and like

2736
02:14:12,080 --> 02:14:12,880
Speaker 10: through like maybe like.

2737
02:14:12,840 --> 02:14:16,360
Speaker 5: Fifteen thousand, like get your ship also and they can

2738
02:14:16,440 --> 02:14:17,000
Speaker 5: vounce for that.

2739
02:14:17,320 --> 02:14:20,840
Speaker 8: Mm hmm. No, listen, we clear on the show to

2740
02:14:20,920 --> 02:14:21,760
Speaker 8: go downstairs.

2741
02:14:22,000 --> 02:14:24,480
Speaker 5: They when they crow their hair.

2742
02:14:24,400 --> 02:14:26,040
Speaker 3: Round, I can make I can teach you how to

2743
02:14:26,080 --> 02:14:27,040
Speaker 3: make a race for.

2744
02:14:27,040 --> 02:14:28,800
Speaker 10: All that where they get ready to look good for

2745
02:14:28,880 --> 02:14:30,480
Speaker 10: niggas like us to like to walk in that type

2746
02:14:30,520 --> 02:14:34,800
Speaker 10: of Yeah, you nigga to ever go downstairs and do

2747
02:14:34,880 --> 02:14:36,040
Speaker 10: what I did, No.

2748
02:14:36,080 --> 02:14:38,040
Speaker 8: Cat Jad, you ain't do that. Don't look at them

2749
02:14:38,040 --> 02:14:40,280
Speaker 8: like that. J never do that. You ain't do that.

2750
02:14:40,480 --> 02:14:43,320
Speaker 2: Once you there do, I gotta teach them how to.

2751
02:14:43,320 --> 02:14:47,400
Speaker 7: Make you gotta go down there, you gotta you gotta

2752
02:14:47,440 --> 02:14:49,400
Speaker 7: go down there and throw twenty if he threw fifteen,

2753
02:14:51,120 --> 02:14:51,360
Speaker 7: because I

2754
02:14:51,440 --> 02:14:53,200
Speaker 5: Might hear you do that, and I'm gonna do thirty,

2755
02:14:54,640 --> 02:14:55,920
Speaker 5: No worry, no,