1 00:00:00,360 --> 00:00:02,120 Speaker 1: Welcome back to the eighty five South Show. We are 2 00:00:02,200 --> 00:00:05,560 Speaker 1: here at the BT Awards twenty twenty four, and I'm 3 00:00:05,600 --> 00:00:12,760 Speaker 1: only talking to the interesting entertaining where renown superstars amongst 4 00:00:12,800 --> 00:00:15,240 Speaker 1: us today. Man, this is one of the coldest producers 5 00:00:15,280 --> 00:00:18,479 Speaker 1: that ever come up out of anything that needed to 6 00:00:18,600 --> 00:00:21,720 Speaker 1: be produced, that made some of the most dirty sound 7 00:00:21,760 --> 00:00:23,400 Speaker 1: classics from all across the board. 8 00:00:23,400 --> 00:00:25,200 Speaker 2: And yo, yeah, I main shit. If you ain't never 9 00:00:25,239 --> 00:00:26,240 Speaker 2: had one from. 10 00:00:26,160 --> 00:00:28,680 Speaker 3: Polo or don come on now, what's happening was having 11 00:00:28,720 --> 00:00:31,320 Speaker 3: the home team. What's good? It's under the pleasure to 12 00:00:31,320 --> 00:00:31,600 Speaker 3: be here. 13 00:00:31,640 --> 00:00:36,599 Speaker 1: Man, Man, long time coming, Man, you stay visit, bro, 14 00:00:36,760 --> 00:00:37,879 Speaker 1: you represent the South Show? 15 00:00:37,920 --> 00:00:40,600 Speaker 3: Well? How you being? Man, I've been great. Man like 16 00:00:40,760 --> 00:00:41,360 Speaker 3: living life. 17 00:00:41,400 --> 00:00:43,520 Speaker 4: Man, I actually took the time out, took a little 18 00:00:43,520 --> 00:00:45,599 Speaker 4: break to enjoy the fruits of my label. Man ain't 19 00:00:45,600 --> 00:00:48,320 Speaker 4: gonnan lie because I put work in and when I 20 00:00:48,360 --> 00:00:51,040 Speaker 4: was like really just going super crazy, I didn't do 21 00:00:51,080 --> 00:00:51,600 Speaker 4: nothing else. 22 00:00:51,640 --> 00:00:52,440 Speaker 3: I lived at the studio. 23 00:00:52,479 --> 00:00:53,479 Speaker 4: If you want to see me, you had to come 24 00:00:53,520 --> 00:00:56,000 Speaker 4: to the studio period Like I would do three days 25 00:00:56,400 --> 00:00:58,880 Speaker 4: studio straight, go home, sleep one day, and then three 26 00:00:58,880 --> 00:00:59,959 Speaker 4: more days so it's three on one. 27 00:01:00,360 --> 00:01:03,120 Speaker 3: So I lived that life for like fifteen years real, damn. 28 00:01:03,280 --> 00:01:03,720 Speaker 3: And so. 29 00:01:05,360 --> 00:01:08,040 Speaker 4: When Kobe passed, you know, he was my favorite basketball player, right, 30 00:01:08,360 --> 00:01:11,440 Speaker 4: And when Kobe passed, I said, damn, man, he dedicated 31 00:01:11,440 --> 00:01:14,479 Speaker 4: his whole life to basketball, and he didn't really get 32 00:01:14,520 --> 00:01:16,360 Speaker 4: to enjoy all the money he made. He really did 33 00:01:16,440 --> 00:01:18,720 Speaker 4: get to enjoy his daughter's his wife, but so forth 34 00:01:18,720 --> 00:01:20,919 Speaker 4: and so on. So at that moment, you know, Covid 35 00:01:20,920 --> 00:01:23,679 Speaker 4: had hit around the same time, so the game stopped 36 00:01:23,680 --> 00:01:25,280 Speaker 4: for a minute. So this just gave me a chance 37 00:01:25,280 --> 00:01:27,560 Speaker 4: to start going home. And then I was like, you 38 00:01:27,560 --> 00:01:30,000 Speaker 4: know what, that's kind of cool. Dang, what's up with 39 00:01:30,040 --> 00:01:30,280 Speaker 4: my brother? 40 00:01:30,360 --> 00:01:31,640 Speaker 3: What's old? My sister? My parents? 41 00:01:31,680 --> 00:01:34,360 Speaker 4: But so I just started living life and so and 42 00:01:34,600 --> 00:01:36,319 Speaker 4: I felt like music was just in this place and 43 00:01:36,360 --> 00:01:39,479 Speaker 4: doing his own thing, and I was just always mentor 44 00:01:39,560 --> 00:01:43,920 Speaker 4: so people called me to get things done, business, fixed beasts, relationships, 45 00:01:43,959 --> 00:01:45,720 Speaker 4: so forth and so on, or how to get a 46 00:01:45,720 --> 00:01:48,920 Speaker 4: new artists popping, how to bring an old artist back 47 00:01:49,000 --> 00:01:49,680 Speaker 4: to relevancy. 48 00:01:50,680 --> 00:01:51,440 Speaker 3: And then I. 49 00:01:51,440 --> 00:01:56,360 Speaker 4: Finally met a new generation of artists that like really motivated. 50 00:01:55,880 --> 00:01:57,640 Speaker 2: Me, and I just was in that generation. 51 00:01:58,440 --> 00:02:02,640 Speaker 4: Pop Lord, my boy Jacky he going crazy on writing. 52 00:02:02,680 --> 00:02:04,480 Speaker 4: He just started his own label. So I just did 53 00:02:04,480 --> 00:02:05,960 Speaker 4: a deal with him to get him his own label 54 00:02:06,000 --> 00:02:08,160 Speaker 4: deal because he wanted the niggas in the city. 55 00:02:08,200 --> 00:02:09,720 Speaker 3: That's really like been putting it down forever. 56 00:02:10,120 --> 00:02:12,160 Speaker 4: And so I just thought, man, you helped so many people, 57 00:02:12,600 --> 00:02:14,760 Speaker 4: won't you just start your own company? Because he also 58 00:02:14,800 --> 00:02:16,320 Speaker 4: helped me, like build a lot of things in my 59 00:02:16,320 --> 00:02:19,400 Speaker 4: companies throughout the years, and so to start his own 60 00:02:19,880 --> 00:02:21,800 Speaker 4: production company and publishing company. 61 00:02:23,120 --> 00:02:24,840 Speaker 3: Marini, who I brought here with. 62 00:02:24,760 --> 00:02:28,360 Speaker 2: Me, she's just been over there chilling on some Southwest Atlanta. 63 00:02:28,000 --> 00:02:32,760 Speaker 3: Shit, yeah you feel me? Yeah, juicy two times. My 64 00:02:32,800 --> 00:02:33,920 Speaker 3: boy at Jacob. 65 00:02:34,840 --> 00:02:37,160 Speaker 4: I'm so inspired by him, man, because he's so young 66 00:02:37,600 --> 00:02:38,400 Speaker 4: and I remember when he. 67 00:02:38,440 --> 00:02:40,960 Speaker 3: Was sixteen just running around trying to figure it out. 68 00:02:41,200 --> 00:02:44,360 Speaker 4: But I feel like he brings a different sound out 69 00:02:44,440 --> 00:02:46,560 Speaker 4: of the a he true ahl, but he bring a 70 00:02:46,600 --> 00:02:49,640 Speaker 4: different sound. So, you know, just people like that, anybody 71 00:02:49,680 --> 00:02:51,360 Speaker 4: else is trying to build, Like even the Mike Willis 72 00:02:51,639 --> 00:02:55,040 Speaker 4: who's had a crazy run, who just bought half the block. 73 00:02:55,120 --> 00:02:57,560 Speaker 2: You know what I'm saying, it's going down big. 74 00:02:57,400 --> 00:02:57,880 Speaker 3: You feel me? 75 00:02:57,919 --> 00:02:59,760 Speaker 4: So I just man, I'm just so man. I'm just 76 00:02:59,800 --> 00:03:03,680 Speaker 4: so pro us. They don't make no sense, man, So. 77 00:03:03,720 --> 00:03:04,560 Speaker 2: I want to ask you this. 78 00:03:04,639 --> 00:03:06,959 Speaker 1: You say, you do three days in the studio, what's 79 00:03:06,960 --> 00:03:10,200 Speaker 1: your process like at this point fifteen years in the 80 00:03:10,280 --> 00:03:13,120 Speaker 1: game and you was doing this three days on one 81 00:03:13,200 --> 00:03:15,880 Speaker 1: day off for the long So what's the process now? 82 00:03:15,880 --> 00:03:21,120 Speaker 4: Because you said, yeah, it was crazy, I was totally 83 00:03:21,120 --> 00:03:22,520 Speaker 4: like kind of out of the studio. I just pull 84 00:03:22,639 --> 00:03:24,760 Speaker 4: up and see what's going on and just like you know, 85 00:03:24,880 --> 00:03:26,720 Speaker 4: touch things up or change this and the other, like 86 00:03:26,800 --> 00:03:27,680 Speaker 4: you know, executive produce. 87 00:03:29,000 --> 00:03:30,840 Speaker 3: And in the last. 88 00:03:30,639 --> 00:03:33,880 Speaker 4: Couple of months, especially, like I said, the last month, 89 00:03:34,400 --> 00:03:36,880 Speaker 4: all on the stuffer in my bed twice just because 90 00:03:37,240 --> 00:03:38,960 Speaker 4: I knew we wanted to come out for BT weekend 91 00:03:39,400 --> 00:03:43,280 Speaker 4: and I wanted to present her. So we started out 92 00:03:43,280 --> 00:03:45,320 Speaker 4: by kind of like working out, because I always like 93 00:03:45,320 --> 00:03:46,800 Speaker 4: to see like what a person made up when we 94 00:03:46,880 --> 00:03:49,040 Speaker 4: work out, Like when you hit that when you hit 95 00:03:49,040 --> 00:03:52,080 Speaker 4: that wall, that threshold, I want to see how you respund. 96 00:03:52,520 --> 00:03:54,720 Speaker 3: You know what I'm saying, You're gonna stop, You're gonna cry. 97 00:03:54,960 --> 00:03:55,160 Speaker 3: You know. 98 00:03:55,240 --> 00:03:56,880 Speaker 4: She obviously younger than me, right, so she should be 99 00:03:56,920 --> 00:03:58,760 Speaker 4: able to put my ass when it come on slim 100 00:03:58,840 --> 00:04:02,040 Speaker 4: she is. I do be beating you though you let 101 00:04:02,080 --> 00:04:04,280 Speaker 4: him trick you already know you already know the time 102 00:04:04,360 --> 00:04:07,280 Speaker 4: my mom could defate you know who won. So you know, 103 00:04:07,320 --> 00:04:13,920 Speaker 4: I'm just right everything, everything, everything, So so. 104 00:04:13,880 --> 00:04:15,840 Speaker 3: Guess what, So guess what she coming up talking about? 105 00:04:15,840 --> 00:04:18,040 Speaker 3: She injured all type of whatever, But you injured? 106 00:04:18,440 --> 00:04:21,680 Speaker 2: You know what I was. I was really injured because 107 00:04:21,720 --> 00:04:23,440 Speaker 2: I beat him running up for him. 108 00:04:24,320 --> 00:04:29,279 Speaker 1: You ain't left that part out because his capt his cap. 109 00:04:29,560 --> 00:04:32,080 Speaker 2: But my point is, man like, but she got con defeate, 110 00:04:32,120 --> 00:04:32,760 Speaker 2: A vouch for it. 111 00:04:33,720 --> 00:04:37,480 Speaker 3: Don't just be vouching defate all his life. So you know, man, 112 00:04:37,640 --> 00:04:40,320 Speaker 3: you know he got some type of vengeance against me. 113 00:04:40,400 --> 00:04:41,359 Speaker 2: Man, I could see that. 114 00:04:41,360 --> 00:04:42,800 Speaker 4: He don't even show up no more. By the way, 115 00:04:42,800 --> 00:04:44,359 Speaker 4: you know what I'm saying. He don't show up nobody. 116 00:04:44,520 --> 00:04:46,880 Speaker 4: He's too busy. That's the hardest working dude. Just but 117 00:04:47,000 --> 00:04:48,560 Speaker 4: he got more money he ever had, so I used 118 00:04:48,560 --> 00:04:50,479 Speaker 4: to take his money. We ain't really have no money, 119 00:04:50,480 --> 00:04:52,240 Speaker 4: you know what I'm saying. You know, but we were 120 00:04:52,240 --> 00:04:53,840 Speaker 4: both we were both coming up, you know what I'm saying. 121 00:04:54,200 --> 00:04:55,600 Speaker 4: So you know what I'm saying. But now since we 122 00:04:55,680 --> 00:04:57,680 Speaker 4: got that check, you know what I'm saying, he like, 123 00:04:57,760 --> 00:04:59,719 Speaker 4: you know what, I got family, I got responsibilities. 124 00:04:59,720 --> 00:05:02,440 Speaker 1: Now you know what I'm saying he ain't telling the 125 00:05:02,440 --> 00:05:05,680 Speaker 1: truth about nothing. Man, delete all this footage and start over. Man, 126 00:05:05,920 --> 00:05:07,919 Speaker 1: please do please do put out the truth. 127 00:05:07,920 --> 00:05:10,159 Speaker 3: Do please, man. 128 00:05:10,200 --> 00:05:12,320 Speaker 4: Anybody they know they could see. Man, there no times 129 00:05:12,320 --> 00:05:15,560 Speaker 4: going down like on the dice, on the bowling ping 130 00:05:15,640 --> 00:05:16,840 Speaker 4: pong with jump shots. 131 00:05:19,120 --> 00:05:19,280 Speaker 3: Nah. 132 00:05:19,320 --> 00:05:21,120 Speaker 1: But that just go to show the type of president 133 00:05:21,120 --> 00:05:23,080 Speaker 1: you are, because you're very diverse when it comes to 134 00:05:23,080 --> 00:05:25,960 Speaker 1: the music, Bro, do you have a favorite genre. 135 00:05:25,640 --> 00:05:27,600 Speaker 2: At this point you done crossed over all of them? 136 00:05:27,839 --> 00:05:32,760 Speaker 4: Yeah, real pop, hip hop, arn country, country. 137 00:05:32,480 --> 00:05:35,120 Speaker 2: Like, what's what's your ship now? Is it just you 138 00:05:35,160 --> 00:05:36,039 Speaker 2: know what moment? 139 00:05:36,240 --> 00:05:37,880 Speaker 3: You know what I'm saying. It's like women, you know 140 00:05:37,880 --> 00:05:38,880 Speaker 3: what I'm saying. It's like. 141 00:05:40,640 --> 00:05:42,400 Speaker 2: You got some crazy ship. 142 00:05:42,520 --> 00:05:46,160 Speaker 3: No, it's like when you thought you the most beautiful one. 143 00:05:46,040 --> 00:05:47,480 Speaker 4: All right, that's going I g Right, when you go 144 00:05:47,600 --> 00:05:49,320 Speaker 4: through girls or whatever, right, you think you can see 145 00:05:49,360 --> 00:05:51,920 Speaker 4: them all and all of a sudden you see one. 146 00:05:52,560 --> 00:05:54,520 Speaker 3: They take you to a whole new world like goddamn, 147 00:05:54,560 --> 00:05:55,599 Speaker 3: why come from? 148 00:05:55,880 --> 00:05:58,320 Speaker 4: And it's music the same way as you go through 149 00:05:58,320 --> 00:06:00,560 Speaker 4: the journey of music, especially when you start to travel, 150 00:06:01,920 --> 00:06:04,279 Speaker 4: and then if you understand the essays of music, which 151 00:06:04,360 --> 00:06:09,880 Speaker 4: is soul, which is you know, us, right, you start 152 00:06:09,960 --> 00:06:14,520 Speaker 4: to be like, damn this shit Spanish, but this shit 153 00:06:14,600 --> 00:06:15,279 Speaker 4: African too. 154 00:06:15,680 --> 00:06:17,880 Speaker 1: Man, I just saw some dudes in India that was 155 00:06:17,960 --> 00:06:19,920 Speaker 1: rapping their ass South. I don't know what they was 156 00:06:20,000 --> 00:06:22,720 Speaker 1: rapping about, but whatever he was saying, I believe it. 157 00:06:22,839 --> 00:06:24,680 Speaker 4: That's what I'm saying. So it's about that feel, about 158 00:06:24,680 --> 00:06:27,000 Speaker 4: that connection. And so music for me is the same way. 159 00:06:27,080 --> 00:06:30,080 Speaker 4: So as a producer, obviously you run across all types 160 00:06:30,120 --> 00:06:32,200 Speaker 4: of musicians and writers and you know so far and 161 00:06:32,200 --> 00:06:34,800 Speaker 4: so on, and one day somebody might come in doing country. 162 00:06:34,800 --> 00:06:37,520 Speaker 4: You be like, man, I don't really a fucko country 163 00:06:37,520 --> 00:06:39,520 Speaker 4: like that, but that shit hard, you know what, I 164 00:06:39,600 --> 00:06:41,040 Speaker 4: know what I'm saying. And then he'd be like, man, 165 00:06:41,040 --> 00:06:42,320 Speaker 4: you got Chip my partner out. You got Chip and 166 00:06:42,360 --> 00:06:43,960 Speaker 4: parting out. Then you just go into a whole new world, 167 00:06:44,440 --> 00:06:46,080 Speaker 4: just like when you're on IG with the girls and 168 00:06:46,080 --> 00:06:48,000 Speaker 4: you go to a whole new world of you know, 169 00:06:48,160 --> 00:06:51,839 Speaker 4: like talent and people who do things that you don't do. 170 00:06:52,320 --> 00:06:55,400 Speaker 4: But as a fan of music, you know, it just 171 00:06:55,440 --> 00:06:57,320 Speaker 4: pushed you in, you know, and you just don't be 172 00:06:57,360 --> 00:07:00,599 Speaker 4: a hater and you can man wealthy for. 173 00:07:00,640 --> 00:07:01,400 Speaker 2: Real, to me ask you this. 174 00:07:01,520 --> 00:07:03,279 Speaker 1: I know a lot of young producers run up to 175 00:07:03,320 --> 00:07:05,800 Speaker 1: you and hang you hard drafts and shit, I'm sure 176 00:07:05,839 --> 00:07:08,560 Speaker 1: you're still getting CDs at this point, you know that, Like, 177 00:07:08,880 --> 00:07:11,720 Speaker 1: but you you one of them ones. Is like when 178 00:07:11,880 --> 00:07:14,240 Speaker 1: when a young producer plays you some of his music, 179 00:07:14,320 --> 00:07:16,800 Speaker 1: does it necessarily have to be a hit right then? 180 00:07:16,960 --> 00:07:19,920 Speaker 2: Or can you here like this ain't the best shit, 181 00:07:20,040 --> 00:07:20,960 Speaker 2: but you got something? 182 00:07:21,360 --> 00:07:26,520 Speaker 3: Absolutely Almost everything that was super dope in my career 183 00:07:26,920 --> 00:07:28,640 Speaker 3: started out that way. You know what I'm saying. I 184 00:07:28,680 --> 00:07:32,320 Speaker 3: would say like that probably is my gift, just like. 185 00:07:32,600 --> 00:07:34,080 Speaker 4: Not being a hater of being open, you know what 186 00:07:34,080 --> 00:07:36,720 Speaker 4: I'm saying, Like I got billionaire friends and crackhead friends. 187 00:07:37,120 --> 00:07:39,200 Speaker 4: Now straight up I got homeless partners. You know what 188 00:07:39,200 --> 00:07:41,840 Speaker 4: I'm saying. I got Bill and their partners. And once 189 00:07:41,840 --> 00:07:44,119 Speaker 4: you realize that we are more the same than we are, 190 00:07:44,640 --> 00:07:45,760 Speaker 4: you know different. 191 00:07:46,240 --> 00:07:47,640 Speaker 3: I think that's kind of like what music. 192 00:07:47,640 --> 00:07:50,120 Speaker 4: When you make something special, it brings all different types 193 00:07:50,120 --> 00:07:53,880 Speaker 4: of people together. So guess what think about Even somebody 194 00:07:53,880 --> 00:07:57,000 Speaker 4: like little Baby right before that would have never been 195 00:07:57,040 --> 00:08:01,360 Speaker 4: considered to be something different than only than a local sound, right, 196 00:08:01,640 --> 00:08:04,480 Speaker 4: but then he blew up globally, you feel what I'm saying, 197 00:08:04,600 --> 00:08:06,720 Speaker 4: and nobody started that company coming, you know what I'm saying. 198 00:08:06,720 --> 00:08:08,880 Speaker 4: So I just feel like if it got feel to it, 199 00:08:09,320 --> 00:08:11,080 Speaker 4: it got connection. And that's why I always try to 200 00:08:11,080 --> 00:08:15,120 Speaker 4: teach new artists. Man, let me hear your story. Forget 201 00:08:15,120 --> 00:08:17,720 Speaker 4: everything you heard, forget everything you like you inspired by 202 00:08:17,760 --> 00:08:20,320 Speaker 4: that's great, let me just see where you're coming from. 203 00:08:20,400 --> 00:08:22,960 Speaker 3: Because you what you have is something nobody else has. 204 00:08:23,080 --> 00:08:24,680 Speaker 4: And if you could tap into that and then we 205 00:08:24,720 --> 00:08:29,600 Speaker 4: can put that on a platform a wide spectrum, then 206 00:08:29,640 --> 00:08:30,520 Speaker 4: we got something special. 207 00:08:31,040 --> 00:08:32,240 Speaker 3: They got to come to you to get that. 208 00:08:32,400 --> 00:08:34,280 Speaker 1: Do you feel like a lot of the young producers 209 00:08:34,280 --> 00:08:36,120 Speaker 1: be more chasing the heads than. 210 00:08:36,160 --> 00:08:38,760 Speaker 4: Of course because you know, because ultimately, like you know, 211 00:08:38,880 --> 00:08:41,440 Speaker 4: there's money involved, right, so when we all trying to 212 00:08:41,520 --> 00:08:44,640 Speaker 4: change our lives and come out of a place of desperation. 213 00:08:45,080 --> 00:08:49,040 Speaker 3: That's why I think the ones who are truly remembered 214 00:08:49,640 --> 00:08:51,000 Speaker 3: are the ones who really like. 215 00:08:52,440 --> 00:08:55,079 Speaker 4: Approach it like it took the art series, you know 216 00:08:55,120 --> 00:08:56,640 Speaker 4: what I'm saying, And that goes with anything, you know. 217 00:08:56,679 --> 00:08:59,720 Speaker 4: I think that's where it separates Michael Jordan from anybody 218 00:09:00,040 --> 00:09:01,839 Speaker 4: like Michael Joydan and give an interview at fifty five 219 00:09:01,920 --> 00:09:05,480 Speaker 4: years old, and he's break down in tears about the game. 220 00:09:05,520 --> 00:09:07,360 Speaker 4: You see what I'm saying, because the game is sacred 221 00:09:07,360 --> 00:09:09,400 Speaker 4: to him and the art of the game is secret 222 00:09:09,440 --> 00:09:11,640 Speaker 4: to him, and so that same thing goes for music. 223 00:09:11,920 --> 00:09:16,440 Speaker 4: Anybody who's like who take this art and from a 224 00:09:16,559 --> 00:09:22,559 Speaker 4: point of like indulging themselves in it wholeheartedly, I think 225 00:09:22,600 --> 00:09:24,199 Speaker 4: it's just a different thing. Those are the ones that 226 00:09:24,280 --> 00:09:26,199 Speaker 4: we feel. We know that's James Brown, we know this 227 00:09:26,280 --> 00:09:28,120 Speaker 4: is Michael Jackson. You know what I'm saying. We know 228 00:09:28,200 --> 00:09:32,640 Speaker 4: like when Chris Brown, right, we just feel him. That's it. 229 00:09:32,679 --> 00:09:33,319 Speaker 4: You know what I'm saying. 230 00:09:33,320 --> 00:09:35,240 Speaker 3: It might not even be the best on but we 231 00:09:35,360 --> 00:09:36,600 Speaker 3: feel him. That's it. 232 00:09:36,679 --> 00:09:39,240 Speaker 4: Tupac might not be the best lyricist, we feel them 233 00:09:39,320 --> 00:09:41,320 Speaker 4: with make something better than somebody who got a thousand 234 00:09:41,400 --> 00:09:43,959 Speaker 4: words in the two balls. You feel me. And that's 235 00:09:43,960 --> 00:09:46,439 Speaker 4: what this shit come down to. Like can you connect? 236 00:09:46,600 --> 00:09:47,280 Speaker 4: You know what I'm saying? 237 00:09:47,440 --> 00:09:51,640 Speaker 1: And so yeah, like I can literally sit here and 238 00:09:51,760 --> 00:09:54,160 Speaker 1: ask you a million questions, bro, we got a lot 239 00:09:54,200 --> 00:09:54,920 Speaker 1: of catching up. 240 00:09:54,840 --> 00:09:58,560 Speaker 3: To do, so I and guess what ed five South man? 241 00:09:58,640 --> 00:10:01,440 Speaker 4: Y'all so hard man appreciate it, man, I really respect 242 00:10:01,480 --> 00:10:03,560 Speaker 4: what y'all boys doing. How y'all did it? Like nobody 243 00:10:03,600 --> 00:10:07,480 Speaker 4: else has done. It's an original concept. And I ask 244 00:10:07,520 --> 00:10:09,640 Speaker 4: your boy, man, DC, man, it's crazy. I was like 245 00:10:09,679 --> 00:10:11,559 Speaker 4: the first person to ever pay him to do a 246 00:10:11,600 --> 00:10:12,040 Speaker 4: stand up. 247 00:10:12,400 --> 00:10:13,920 Speaker 1: And now this is what I was about to ask you, 248 00:10:14,000 --> 00:10:16,319 Speaker 1: because before we started, Shaka. 249 00:10:16,080 --> 00:10:18,920 Speaker 2: Zulu was man, I did all this shit foll up. 250 00:10:19,000 --> 00:10:21,360 Speaker 1: So look, I wanted to ask you like to have 251 00:10:21,559 --> 00:10:23,760 Speaker 1: like you said, he invested in you early. Man, what 252 00:10:23,800 --> 00:10:25,640 Speaker 1: does that look like? What did that What was that 253 00:10:25,720 --> 00:10:28,000 Speaker 1: opportunity for you that was created with you? 254 00:10:28,200 --> 00:10:30,160 Speaker 3: Man? Just let me even be around and soak up 255 00:10:30,160 --> 00:10:31,120 Speaker 3: the game. You know what I'm saying. 256 00:10:31,160 --> 00:10:36,120 Speaker 4: Shaka was a college radio station DJ when I met him, 257 00:10:36,320 --> 00:10:37,440 Speaker 4: you know what I'm saying. That's how early in the 258 00:10:37,480 --> 00:10:39,839 Speaker 4: game it was. And I knew Luda Cris. We was 259 00:10:39,920 --> 00:10:42,520 Speaker 4: just both hanging around to A and Atlanta. The scene 260 00:10:42,600 --> 00:10:45,360 Speaker 4: wasn't even like really that big yet. So the people 261 00:10:45,400 --> 00:10:47,240 Speaker 4: that were trying to like just get on and do 262 00:10:47,280 --> 00:10:49,480 Speaker 4: this music thing, you would see the same people over 263 00:10:49,520 --> 00:10:51,800 Speaker 4: and over and over again. And Shaka was just somebody 264 00:10:51,800 --> 00:10:56,000 Speaker 4: who was like already considered to be like smart, executive 265 00:10:56,080 --> 00:10:58,360 Speaker 4: base and somebody who make things happen. So he would 266 00:10:58,360 --> 00:11:00,400 Speaker 4: introduce us to a lot of people and then he 267 00:11:00,480 --> 00:11:02,360 Speaker 4: was on the radio. But like I said, but college radio. 268 00:11:02,520 --> 00:11:03,760 Speaker 4: So eventually he went to Hot. 269 00:11:03,840 --> 00:11:04,440 Speaker 3: You know what I'm saying. 270 00:11:04,480 --> 00:11:07,360 Speaker 4: He got on the first real hip hop station, not 271 00:11:07,559 --> 00:11:09,680 Speaker 4: V no disrespect to be. I love V, I love REGGI, 272 00:11:09,800 --> 00:11:12,160 Speaker 4: I love Mike Roberts, I love the whole history of V. 273 00:11:12,200 --> 00:11:15,440 Speaker 4: But they were like they only had hip hop on 274 00:11:15,480 --> 00:11:20,240 Speaker 4: Friday nights for Fresh Party. But Hot was really just 275 00:11:20,320 --> 00:11:23,520 Speaker 4: catered to hip hop and catered to Atlanta locals. Like, 276 00:11:23,600 --> 00:11:25,800 Speaker 4: to me, that station really is with the turning point 277 00:11:25,800 --> 00:11:28,040 Speaker 4: in Atlanta because they was like, you know what, who 278 00:11:28,040 --> 00:11:28,800 Speaker 4: are you man? 279 00:11:28,840 --> 00:11:31,360 Speaker 3: You popping in in Mckennisville. Well, you popping in. 280 00:11:31,440 --> 00:11:34,040 Speaker 4: College Park, Man, pull up, We're gonna put your record 281 00:11:34,080 --> 00:11:34,760 Speaker 4: on high rotation. 282 00:11:35,080 --> 00:11:36,720 Speaker 3: And so Shaka was a DJ at DE station. 283 00:11:36,880 --> 00:11:38,680 Speaker 4: So, man, when I was in tenth grade, they would 284 00:11:38,679 --> 00:11:40,880 Speaker 4: play my records, you know what I'm saying. So he 285 00:11:41,360 --> 00:11:44,600 Speaker 4: just saw me just like just being energy when I 286 00:11:44,600 --> 00:11:46,160 Speaker 4: was a kid to won't this shit, you know what 287 00:11:46,160 --> 00:11:49,160 Speaker 4: I'm saying. And then I stopped rapping, started producing and 288 00:11:49,600 --> 00:11:52,760 Speaker 4: so going to what he's talking about, Pipping all over 289 00:11:52,800 --> 00:11:58,000 Speaker 4: the World, which became multi platinum Runaway Love, which became Grammy, 290 00:11:58,360 --> 00:12:02,600 Speaker 4: a Grammy winning award win record for Ludacris. That was 291 00:12:02,600 --> 00:12:05,280 Speaker 4: on my first beat. Take both of them records, and 292 00:12:05,640 --> 00:12:07,360 Speaker 4: Shaka was like, I want that record. I want that record, 293 00:12:07,360 --> 00:12:10,199 Speaker 4: and he was like this, they both gonna be Ludacristi's singles, 294 00:12:10,280 --> 00:12:12,760 Speaker 4: and this is why Luther Chris Ludacris already Ludacris. He 295 00:12:12,800 --> 00:12:15,160 Speaker 4: already going crazy, and he like, we're gonna make both 296 00:12:15,200 --> 00:12:17,080 Speaker 4: of these singles and will run away love. 297 00:12:17,559 --> 00:12:19,520 Speaker 3: I knew that song was special. I said, y'all can't 298 00:12:19,559 --> 00:12:20,600 Speaker 3: have this un listen's single. 299 00:12:20,600 --> 00:12:22,520 Speaker 4: He said, Nigga, it's gonna be a single and we're 300 00:12:22,520 --> 00:12:23,760 Speaker 4: gonna make it, make it a Grammy. 301 00:12:24,000 --> 00:12:27,680 Speaker 3: So we we actually tailored tailored that record. We put 302 00:12:28,440 --> 00:12:29,480 Speaker 3: Mary Jay on the record. 303 00:12:29,640 --> 00:12:32,199 Speaker 4: You know, everything was intentional because Lula just wanted to 304 00:12:32,200 --> 00:12:35,840 Speaker 4: break out from being like a comedic, animated, funny type 305 00:12:35,880 --> 00:12:38,040 Speaker 4: rapper to more like Mack could do anything and be 306 00:12:38,040 --> 00:12:40,480 Speaker 4: taken seriously as a rapper, as a lyricist. And so 307 00:12:40,600 --> 00:12:43,320 Speaker 4: I will give much love and respect and honor to 308 00:12:43,360 --> 00:12:44,080 Speaker 4: my bus Shaka. 309 00:12:44,120 --> 00:12:46,319 Speaker 3: You know what I'm saying. I'm a true product of 310 00:12:46,400 --> 00:12:47,040 Speaker 3: the city. 311 00:12:47,080 --> 00:12:47,240 Speaker 2: Man. 312 00:12:47,360 --> 00:12:47,600 Speaker 3: Man. 313 00:12:48,559 --> 00:12:50,960 Speaker 2: I got your publicist later over there, going crazy. 314 00:12:51,040 --> 00:12:51,240 Speaker 3: Man. 315 00:12:51,280 --> 00:12:53,439 Speaker 2: We can literally sit here and do this all day. 316 00:12:53,720 --> 00:12:55,800 Speaker 1: When you come today to Fast Sam Show, I'm gonna 317 00:12:55,800 --> 00:12:58,920 Speaker 1: have my list of all your hits and we going back, 318 00:12:59,120 --> 00:13:01,040 Speaker 1: we going we breaking them all the way down. 319 00:13:01,280 --> 00:13:03,600 Speaker 2: Men, what kind of high hat is that? All that? 320 00:13:03,760 --> 00:13:04,240 Speaker 3: Let's get it. 321 00:13:04,280 --> 00:13:06,280 Speaker 2: I might just have to start pulling up to the studio. 322 00:13:06,320 --> 00:13:08,840 Speaker 1: I'm definitely a fan of what you do and I 323 00:13:08,920 --> 00:13:11,120 Speaker 1: appreciate you giving me a few minutes. Say your time 324 00:13:11,160 --> 00:13:15,120 Speaker 1: to stop here. BT Awards twenty twenty four. Man, already done. 325 00:13:15,160 --> 00:13:17,560 Speaker 1: Please continue to do what you do and we're gonna 326 00:13:17,559 --> 00:13:19,480 Speaker 1: be looking for some ship. When you get off injury, 327 00:13:19,960 --> 00:13:21,520 Speaker 1: you're gonna be taking some shit from you. 328 00:13:21,720 --> 00:13:23,719 Speaker 2: Fully recover now absolutely. 329 00:13:23,880 --> 00:13:27,080 Speaker 1: BT Awards twenty twenty four, eighty five South show Standing 330 00:13:27,280 --> 00:13:29,760 Speaker 1: on Culture with Polo to Done Yes, Sir