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Speaker 1: I leave in I you wanna way back home? Either

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Speaker 1: way we want to be.

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Speaker 2: There, doesn't matter how much baggage you claim.

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Speaker 3: Give us time and a turmano and gay.

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Speaker 1: We want to send you off inside. Do you wanna

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Speaker 1: welcome you back home? Tell us all about it? We

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Speaker 1: scared her? Was it fine?

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Speaker 2: Now?

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Speaker 1: Porn?

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Speaker 2: Do you need to ride?

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Speaker 1: Do you need to ride? Do you need to ride?

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Speaker 1: Do you need to ride? Do you need to ride?

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Speaker 1: Do you need ride?

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Speaker 2: Right with Karen and Chris welcome to Do you need

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Speaker 2: a ride? This is Chris Fairbanks. I'm about to jump

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Speaker 2: in the car with Karen Kilgarriff. We are late to

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Speaker 2: pick up Eddie Pepatone. His actually his flight came in early.

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Speaker 2: It's not our fault. Hi just doing that and then

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Speaker 2: I'll give you your mite. It's impossible And there's that,

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Speaker 2: got it? Everything's impossible, right, everything's impossible.

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Speaker 1: That's my new approach.

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Speaker 2: I guess if you just expect everything to be impossible,

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Speaker 2: you'll never be disappointed. And they've been doing. First of all,

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Speaker 2: American Airlines is no sponsor. Oh so do you need

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Speaker 2: a round?

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Speaker 4: Oh?

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Speaker 1: Are you calling them out?

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Speaker 2: Well?

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Speaker 1: Are we about to do this corporate thing?

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Speaker 2: It's a little frustrating. How could he be an almost

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Speaker 2: an hour early.

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Speaker 3: I know, well, that's the thing you never planned for,

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Speaker 3: is like something great to happen with the airport.

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Speaker 2: Right I g yes. I mean that's the worst place

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Speaker 2: on earth. It's the opposite to Disneyland. It's everyone hates

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Speaker 2: going there, and we've decided that's where our podcast will

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Speaker 2: often be driving too. Of course we don't actually get

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Speaker 2: out and go there, but we have to go there.

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Speaker 1: We have to get into it.

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Speaker 2: We have to drive into all these people.

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Speaker 1: And also, I.

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Speaker 3: Think it creates that tension. People sitting in a podcast

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Speaker 3: studio booth won't ever have this kind of emotional, dramatic

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Speaker 3: tension that we have every episode.

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Speaker 2: Chris, I am legitimately frustrated. Negative feelings are surging through me,

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Speaker 2: and I'm glad I can just bring it to people.

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Speaker 1: Always. There's Eddie hold on.

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Speaker 2: He's calling. It's probably mad hold on.

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Speaker 3: Hello, Hello, wait ship sorry hello.

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Speaker 4: Yes, So I'm here.

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Speaker 1: Yes, I'm a terminal four.

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Speaker 2: And if you are you close, we are close.

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Speaker 1: We are like eight minutes away.

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Speaker 2: We are already recording or less.

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Speaker 1: Yeah, you're you're being recorded right now.

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Speaker 4: And I think it says out one the door.

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Speaker 2: Okay, okay, sometimes it does.

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Speaker 1: We'll just keep your eye open for you. Yeah, try

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Speaker 1: to wave your hat around in the air and.

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Speaker 3: Great, okay, so you'll see me your podcast hot, okay, great, Yeah,

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Speaker 3: and definitely be better better in the car.

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Speaker 2: Than you are right now, the higher energy. Just kidding, Eddie, Okay.

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Speaker 2: I hope. In addition, I hope he was patiently waiting.

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Speaker 2: And we can assume he was impatiently waiting. That's a

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Speaker 2: long time to sit there.

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Speaker 3: Well, he's he was taxing when he called me, and

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Speaker 3: I miraculously just made it up the one on one

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Speaker 3: and over the four or five in I think twelve

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Speaker 3: minutes to get to your house.

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Speaker 2: That you must have been driving like a lunatic.

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Speaker 3: I did scream stop breaking at one point. Everyone in

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Speaker 3: front of me seemed to just be breaking for no reason.

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Speaker 2: And did they react to your screams?

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Speaker 1: No, no, No, that was that was only on me.

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Speaker 3: That's the lesson you never learned in a car like that,

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Speaker 3: is that you're just making your own environment toxic.

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Speaker 2: Yeah, and exactly the negativity that I scream at others,

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Speaker 2: I'm only screaming at myself.

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Speaker 3: It's bouncing back, But it does feel good in the moment,

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Speaker 3: because like if you're just if you're going downhill on

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Speaker 3: the four or five and all the traffic is going, well,

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Speaker 3: don't put on your ba I think it's because everyone's

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Speaker 3: stoned all the time.

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Speaker 2: I think, yeah, it's because we got legal. I blame

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Speaker 2: that for a lot of I swear to you breaking that.

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Speaker 3: Weird kind of tippy tappy breaking where you're just like

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Speaker 3: it's for nothing.

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Speaker 2: Amen, are you paranoid?

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Speaker 1: Amen?

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Speaker 2: Did you get a bad bag of stuff? I know

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Speaker 2: about as much about we eat as a seventies cop.

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Speaker 1: You've got a bad strain of the grass.

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Speaker 2: You know, reefer kills, right, I mean while you're driving,

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Speaker 2: if you break too much, someone could hit you and

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Speaker 2: then they have something to do with you dying. But anyway,

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Speaker 2: I'm the.

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Speaker 3: Associated for sure, and I have a mustache, not badge.

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Speaker 3: Can we just talk very quickly about hilariously vacant.

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Speaker 1: I was at the end of our Howard Kramer podcast.

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Speaker 1: I really did doun on you.

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Speaker 2: You should I don't think that you should get down

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Speaker 2: on yourself never.

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Speaker 1: We should never look back.

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Speaker 2: Every once in a while, like yours, my brain will

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Speaker 2: completely shut down and I will have a look of

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Speaker 2: fear on my face, which I don't. I don't remember

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Speaker 2: if you recall, it was like you had seen a

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Speaker 2: ghost in the road.

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Speaker 1: Yeah, road ghosts probably the worst road ghost.

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Speaker 2: Road ghost Where else are they gonna get out of here?

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Speaker 2: You get clipped on your bike and you die on

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Speaker 2: the curb side, you better haunt that street.

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Speaker 3: You better like that shirt you wore, because you're wearing

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Speaker 3: it for eternity.

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Speaker 2: It's really it's such a bad gig of your ghost

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Speaker 2: haunting an intersection because all you can really do is

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Speaker 2: mess with the lights.

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Speaker 3: Yeah, and just kind of spook people on a rainy night. Yeah, yeah,

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Speaker 3: hopefully you're in a nightgown.

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Speaker 1: It adds something, I guess.

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Speaker 2: I bet the most popular haunt for a street ghosts

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Speaker 2: to make puddles splash people.

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Speaker 3: Then it's more like a street ghost prank. And it

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Speaker 3: doesn't have the kind of weight that you want.

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Speaker 1: As a ghost.

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Speaker 2: And I guess the ghost doesn't have the ability to

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Speaker 2: move a puddle in front of a person or make

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Speaker 2: a car show up. So I'm hard to.

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Speaker 1: Say, though, who knows what those ghosts can do?

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Speaker 2: Christmas Angels, you know we take a left here.

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Speaker 3: What Okay, yeah, are you just naming other things?

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Speaker 2: I'm just saying some dead some apparitions are able to

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Speaker 2: conjure up puddles in front of a person standing there

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Speaker 2: with a brand new jackets.

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Speaker 1: That's Happening's what you're saying, is it's happening.

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Speaker 2: Yes, your average street ghost does not have that higher

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Speaker 2: up ability. They're just lost, but they have.

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Speaker 1: They died here what happened.

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Speaker 2: No one will acknowledge me since my funeral, which I recall,

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Speaker 2: but I haven't put them together. And he seemed in

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Speaker 2: good spirits.

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Speaker 3: I've known Eddie for a while and as you can

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Speaker 3: tell by my half apologetic, half doubling down on just

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Speaker 3: rubbing salt in the wound, which is very much my style.

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Speaker 1: Eddie and I so I like it, take them while

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Speaker 1: they're waiting.

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Speaker 5: It.

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Speaker 1: Eddie and I have that kind of we're real talkers.

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Speaker 1: I'd say you keep it real.

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Speaker 3: I like to think we keep it real because we

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Speaker 3: both think it's funny to be insulted. I like to.

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Speaker 2: Think his mic ready, oh yeah, good idea, because we

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Speaker 2: are gonna just pick him up. I'm hunched over. I

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Speaker 2: have the mic tuck between my legs like an electronic penis.

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Speaker 2: You know what I enjoy, Chris Electronic Penis.

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Speaker 1: Yes, perfect set up, knockdown.

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Speaker 3: It's that every time I re listen to this podcast

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Speaker 3: and really quickly sidebarring, thank.

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Speaker 1: You so much for listening to this podcast.

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Speaker 2: All of you who do We really like that and

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Speaker 2: if we could ask for you to more than listen

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Speaker 2: to it and to rate it on.

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Speaker 1: iTunes, Oh, don't be afraid on iTunes.

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Speaker 3: Yes, positive rating would be even better than a mediocre one.

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Speaker 2: And we're a bad you currently hat what you're listening to,

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Speaker 2: in which case can't argue that, don't just don't give

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Speaker 2: us a nag of rating. I don't know how much

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Speaker 2: how many podcasts get that.

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Speaker 3: I'd prefer your apathy then your action against test it.

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Speaker 1: I'm gonna try to scream into it and then try

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Speaker 1: to whisper into it. Yeah, yeah, that's how it's going

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Speaker 1: to get us.

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Speaker 2: With Eddie Pepatone, I am going to have to be

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Speaker 2: adjusting the ones and twos because that guy has some range.

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Speaker 2: So I'm going to be you know, when he gets

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Speaker 2: into it as soon as he mentions molestation.

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Speaker 1: Or Barbara to his life. Barbara the other Room is

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Speaker 1: one of my favorite things.

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Speaker 2: As soon as he's doing any kind of impression of

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Speaker 2: a lounge singer, I'm gonna keep I'm gonna have to

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Speaker 2: be on them because I know he'll be low and

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Speaker 2: then he's gonna have a non flashback.

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Speaker 3: You're going to be sliding those levels around like a

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Speaker 3: regular fill in the blank of a person who is

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Speaker 3: a famous music engineer.

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Speaker 2: Now have you been hanging out with DJs? Where did

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Speaker 2: you learn all that specific jargon?

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Speaker 1: I know nouns, I know many specialized nouns.

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Speaker 2: I know many specimens of nouns.

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Speaker 1: I have brags. I have brags all day long.

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Speaker 2: And by the way, at the end of the last podcast,

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Speaker 2: you didn't shut down. I was in a riff session

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Speaker 2: with someone that and it was all inside jokes. What

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Speaker 2: are you going to be? Are you?

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Speaker 1: But I also, hey, I was there too, of you guys.

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Speaker 2: I was in Austin between the years of nineteen ninety

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Speaker 2: eight and two thousand and two.

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Speaker 1: You know, there's something about Howard Kramer.

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Speaker 3: Though he's a special spirit, he affects me in a

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Speaker 3: different way.

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Speaker 2: I think, is this a It's not romantic? Is it?

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Speaker 4: Well?

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Speaker 1: I think no, it's not. I mean I.

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Speaker 3: Hesitated only because I absolutely love him, but it's I

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Speaker 3: think Howard he's one of the and you would fit

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Speaker 3: into this category two of like a comedian who's also manly,

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Speaker 3: like actually dudish and manly.

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Speaker 2: Yeah, you hear that that many now that you related

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Speaker 2: me to it, Now I'm starting to.

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Speaker 1: See how you see them, you know what I mean?

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Speaker 1: He has a high school feeling to it that I

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Speaker 1: really do like me.

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Speaker 2: He's very funny but also a chiseled Uh, it's kind

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Speaker 2: of a physical specimen.

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Speaker 1: Yeah.

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Speaker 2: So yeah, it is hard to podcast with those times.

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Speaker 3: It's hard, you know why, because most of the time

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Speaker 3: I'm like this rabbid raccoon that's just trying to out

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Speaker 3: riff everybody.

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Speaker 1: But sometimes I want to be a pretty girl. I

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Speaker 1: would like to be a pretty girl sometimes. Love the.

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Speaker 2: He's not he has rabies, but he's not going to

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Speaker 2: bite you. He's just going to.

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Speaker 1: Joke.

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Speaker 3: He's gonna try to beat your joke, which is so unattractive.

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Speaker 2: What's this a bunch of garbage in a trash can?

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Speaker 1: Yeah, more like that's what you are, Army family.

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Speaker 2: Yeah, there about your garbage in a trash can?

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Speaker 1: Go away, raccoon, You're the worst.

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Speaker 2: The riffing raccoon is doing political ship.

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Speaker 1: Now the riffing raccoon has lost his way.

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Speaker 3: He started out so legit just garbage stuff and like

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Speaker 3: nighttime stuff, raccoon stuff, washing his hands like a.

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Speaker 2: I can't how come no one's a dressing People talk

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Speaker 2: about monkeys all day. No one is addressing the fact

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Speaker 2: that raccoons have thumbs. I've seen their their little tiny

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Speaker 2: black hands. I've seen them scoop and run with cat food.

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Speaker 1: One of the best videos.

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Speaker 2: It's the best video.

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Speaker 1: It's the best.

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Speaker 3: Also, have you seen the raccoon The picture of the

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Speaker 3: raccoon holding the kitten, standing up on his legs holding

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Speaker 3: a kitten like a babysitter.

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Speaker 1: It's the cutest thing.

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Speaker 2: I don't know what's he about to bite it in half?

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Speaker 2: Because raccoons and cats don't mix.

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Speaker 1: We don't know. We just don't know.

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Speaker 2: I'm being racist maybe, but yeah, you that was a

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Speaker 2: great already though, this is our best episode and we

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Speaker 2: don't even have a guest in the We are on

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Speaker 2: firing on all cylinders and I'm not and I'm trying.

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Speaker 2: That's before I even bring up the engine, which is

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Speaker 2: firing on all.

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Speaker 3: Cylinders but doesn't have a housing in the oil pan.

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Speaker 3: Please remember right, there is risk involved that we have

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Speaker 3: some tension that we're taking on stage with us exactly.

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Speaker 1: And we're now very close to lax.

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Speaker 2: We're not so close. We are late, but we are

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Speaker 2: so close and we're not late.

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Speaker 1: Eddie was early, which is so irritating.

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Speaker 2: I need to keep I remember I said it, I

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Speaker 2: predicted it.

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Speaker 3: You did predict it on the phone.

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Speaker 2: It is creepy. I'm like, I have a feeling about this. Yeah,

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Speaker 2: I have a of a nut of trying to think

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Speaker 2: of someone on a famous example of superstition. But anyway, just.

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Speaker 3: Any super like like like, don't black cat crossing your path?

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Speaker 2: Yeah, I have a real like show up early because

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Speaker 2: this is like stepping on a crack and your mom's

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Speaker 2: back right right, right right.

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Speaker 1: Don't put your hat on the bed. That's one of

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Speaker 1: my favorites. Yeah, don't you out of the bed right right.

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Speaker 2: When Eddie gets in and takes off the hat that

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Speaker 2: he will be wearing, just say, hey, don't put that

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Speaker 2: on the bed.

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Speaker 3: Please don't put it on the bed. And there is

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Speaker 3: a sheet on the back seat to cover the dog.

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Speaker 1: Here, I'll just.

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Speaker 2: Be revealing that you sometimes sleep in your car, I

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Speaker 2: mean the back seat of my car.

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Speaker 3: Sometimes I like to go just to park on a

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Speaker 3: front city street. It may or may not be in

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Speaker 3: front of Howard Cramer's house and sleep.

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Speaker 1: That's all. This is not true, that is all. We

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Speaker 1: don't have feelings for.

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Speaker 2: Power sake of joking. She's not really attracted to Howard.

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Speaker 2: She's just acknowledged.

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Speaker 1: I mean, I might be attracted to him, but I

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Speaker 1: don't have feeling.

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Speaker 2: We can tell he's handsome, knows he's handsome. I just said,

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Speaker 2: we I guess I am too.

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Speaker 1: You're attracted to him or you're handsome too.

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Speaker 4: Well.

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Speaker 2: During the podcast, I felt intimidated because I'm attracted to

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Speaker 2: his It's present. It's like a guy being attracted to

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Speaker 2: I want to be like this guy in these ways.

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Speaker 2: It's not a let's get naked friend, it's a I

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Speaker 2: wish that I might, you know. And we started making

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Speaker 2: fun of our own podcast. I know yours has a format.

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Speaker 3: And studio and that's so unattracted and yeah, yes, no

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Speaker 3: power moves.

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Speaker 1: You know why because Howard is an alpha.

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Speaker 2: That's what it is.

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Speaker 3: He's alpha all the way. So you find yourself, you

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Speaker 3: know what I mean? I might as will have like

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Speaker 3: been standing pigeon toed, like looking.

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Speaker 1: Down at the ground. It's so not me, but like

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Speaker 1: it's just the effect.

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Speaker 2: That Alpha has not a lot of kin. And that's

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Speaker 2: not to says mean to freshman high school freshman.

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Speaker 1: I think he would be would he.

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Speaker 2: Would he'd make Oh and we're gonna get right in here, yep,

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Speaker 2: right here?

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Speaker 1: Yeah, yeah, yeah, yeah, yeah, termin all.

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Speaker 2: You've done it all the time, entering l as. She's

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Speaker 2: done it about a thousand times. But I had to

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Speaker 2: tell her.

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Speaker 1: And it's American, which is eternal four.

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Speaker 2: So is that on the other side, Yeah, it is? Indeed?

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Speaker 1: Is that is that him? Again?

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Speaker 2: I don't know?

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Speaker 1: Hello, hold on, hold on, hold on.

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Speaker 3: No, you stay on this side, Yeah, stay by the

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Speaker 3: terminal side. We are we just we're just making the

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Speaker 3: loop right now. We're moments away from you.

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Speaker 2: Yeah yeah, okay.

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Speaker 3: Yes, yes, we'll be there within three minutes.

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Speaker 4: Okay.

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Speaker 2: That sounds amazing. That's I just figured out how we

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Speaker 2: should be recording our podcast. I stand at the airport terminal.

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Speaker 2: You put me on speaker phone.

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Speaker 1: It just sounded so great.

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Speaker 2: Yeah, so real, Well it's hopefully he's uh, he's tired.

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Speaker 1: I imagine he's very tired.

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Speaker 3: But the question he was asking is kind of hilarious

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00:16:32,400 --> 00:16:35,120
Speaker 3: because he was basically saying, should I go stand where

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Speaker 3: all the people that are trying to take a super shuttle?

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Speaker 1: Yeah?

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00:16:37,840 --> 00:16:41,000
Speaker 2: Yeah, no, that would be bad, very bad, He's like,

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Speaker 2: and then we would just stop in the road. I

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Speaker 2: guess we could pull it off, but people would yell

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Speaker 2: at us.

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Speaker 1: Yeah here at la.

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Speaker 2: God, it washes over me right when I enter this shithole.

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Speaker 2: I really don't like being here, and it's part of

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Speaker 2: my job. It's okay, you're right, breathe.

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Speaker 1: Just some nice deed.

348
00:16:59,600 --> 00:17:02,360
Speaker 2: It ain't nose or out the nose, through.

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00:17:02,240 --> 00:17:04,960
Speaker 3: The nose, out the mouth in blue out red, in

350
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Speaker 3: blue out red.

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Speaker 1: And we're coming up on feel better shuttle.

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Speaker 2: I feel better.

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Speaker 1: Yeah, no, it's gonna be fine.

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Speaker 2: What are you doing? Squarely, Just because you have a

355
00:17:15,600 --> 00:17:17,600
Speaker 2: lime green car doesn't mean we're gonna see you in

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Speaker 2: our peripheral very loud. I hope that wasn't gunfire. Oh,

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Speaker 2: this place, this place really stresses me out. This is crazy.

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Speaker 2: Terminal four will be on the other side. I'm afraid

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Speaker 2: we have to cut past.

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Speaker 1: But we don't do that cut through because that would

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Speaker 1: be bad.

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00:17:32,119 --> 00:17:34,520
Speaker 2: No, No, that would be bad. I think we actually

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00:17:34,600 --> 00:17:37,080
Speaker 2: have to do this loop and go past International, which

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Speaker 2: you know, I don't.

365
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Speaker 1: It sucks.

366
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Speaker 2: It's Europeans.

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00:17:40,520 --> 00:17:42,679
Speaker 1: It's kind of stopped to Europeans.

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Speaker 3: Oh were There's gonna be so many Mann sandals and

369
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Speaker 3: high waisted shorts.

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Speaker 2: Why is everyone stopped? This makes us a liar. About

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Speaker 2: three minutes, It's okay, it's gonna be more like four

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Speaker 2: or five.

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Speaker 1: Calmback, wait, let's just let the three minutes.

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Speaker 2: Pass, okay before we warn him.

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Speaker 3: You know, anxiety is such a fascinating thing. Look at

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Speaker 3: this guy.

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00:18:01,960 --> 00:18:06,600
Speaker 2: What, oh, just be sideways park hat Lax phone number

378
00:18:06,600 --> 00:18:11,640
Speaker 2: one nine one zero seven seven. Someone's about to find

379
00:18:11,640 --> 00:18:13,080
Speaker 2: out how they're driving was.

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Speaker 1: It was not good?

381
00:18:15,080 --> 00:18:15,720
Speaker 2: It was bad.

382
00:18:16,000 --> 00:18:17,000
Speaker 1: I didn't like it.

383
00:18:17,200 --> 00:18:20,600
Speaker 2: I guess that that was a phone number for Actually

384
00:18:21,200 --> 00:18:24,000
Speaker 2: we just advertised for them. That wasn't a phone number.

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00:18:24,160 --> 00:18:27,000
Speaker 3: You know what park cat park cat shuttle at Lax.

386
00:18:27,320 --> 00:18:30,600
Speaker 3: When you want your shuttle as sideways as all hell.

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Speaker 2: And stopped in traffic atslip dickens. Oh.

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Speaker 1: I just wish Eddie could see how close we were.

389
00:18:36,600 --> 00:18:38,959
Speaker 2: I wish he could see how great his episode was.

390
00:18:41,280 --> 00:18:43,440
Speaker 1: That we spent the whole time talking about Howard Green.

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00:18:45,720 --> 00:18:48,440
Speaker 1: Oh well, well, well.

392
00:18:48,240 --> 00:18:51,120
Speaker 2: What's the opposite of an alpha? What am I?

393
00:18:51,200 --> 00:18:52,800
Speaker 1: Uh? An omega?

394
00:18:53,080 --> 00:18:56,359
Speaker 2: An omega dog? Is that a thing?

395
00:18:56,560 --> 00:18:57,960
Speaker 1: Is that it? You're the omega man?

396
00:18:58,040 --> 00:19:00,280
Speaker 2: Am I a sigma pie? Off of?

397
00:19:01,080 --> 00:19:01,240
Speaker 4: Uh?

398
00:19:01,680 --> 00:19:02,720
Speaker 2: Cap and cappuccino?

399
00:19:02,840 --> 00:19:05,760
Speaker 1: Well, you're you're not. You're very alpha. You like a

400
00:19:05,800 --> 00:19:08,280
Speaker 1: good fist fight. Oh sorry, there was a time. No,

401
00:19:08,440 --> 00:19:09,040
Speaker 1: do you want a mom?

402
00:19:09,359 --> 00:19:13,600
Speaker 2: No, it's just that right. A long time ago, I

403
00:19:13,680 --> 00:19:18,680
Speaker 2: was like, what's the most uh, you know, high strung fraternity?

404
00:19:18,920 --> 00:19:20,240
Speaker 2: It's capa cappuccino.

405
00:19:20,480 --> 00:19:21,640
Speaker 1: Did you do that on stage?

406
00:19:21,840 --> 00:19:25,040
Speaker 2: No? No, it was in like fourth or fifth grade. Yeah.

407
00:19:26,040 --> 00:19:29,880
Speaker 1: It was early Montana, early.

408
00:19:29,600 --> 00:19:33,600
Speaker 2: Montana comedy before there was a stage, before I knew

409
00:19:33,680 --> 00:19:41,240
Speaker 2: what I was doing. Unlike today professional Nightly, I pound

410
00:19:41,240 --> 00:19:41,960
Speaker 2: that ship out.

411
00:19:45,080 --> 00:19:48,560
Speaker 3: I'm talking about comedy, but we are talking about comedy.

412
00:19:48,680 --> 00:19:52,800
Speaker 2: That's not the ladies, which I also occasionally.

413
00:19:54,119 --> 00:19:56,720
Speaker 1: You're not afraid to pound a lady, Chris.

414
00:19:56,760 --> 00:19:59,359
Speaker 2: It sounds violent, but I just don't know how to

415
00:19:59,480 --> 00:20:00,000
Speaker 2: use words.

416
00:20:00,920 --> 00:20:02,600
Speaker 3: Wait, are there are other things we can tell our

417
00:20:02,640 --> 00:20:05,600
Speaker 3: listeners to like do or oh the do you need

418
00:20:05,600 --> 00:20:05,960
Speaker 3: to ride?

419
00:20:06,000 --> 00:20:08,479
Speaker 1: Fan tweet on Twitter? If you're on Twitter and you

420
00:20:08,640 --> 00:20:10,000
Speaker 1: like it, and yeah.

421
00:20:10,119 --> 00:20:12,240
Speaker 2: And I believe there's a Facebook page as well.

422
00:20:12,880 --> 00:20:14,200
Speaker 1: There is a Facebook page.

423
00:20:14,720 --> 00:20:15,760
Speaker 2: You're not a facebooker.

424
00:20:15,960 --> 00:20:16,879
Speaker 1: I don't Facebook.

425
00:20:16,920 --> 00:20:19,800
Speaker 2: That's okay. Not everyone needs to, No, I don't.

426
00:20:19,840 --> 00:20:22,639
Speaker 3: I feel like less is more on Facebook. Yeah, thoughts

427
00:20:22,640 --> 00:20:23,800
Speaker 3: and prayers on Facebook.

428
00:20:23,840 --> 00:20:25,480
Speaker 2: I just I do know. I get a lot of

429
00:20:25,520 --> 00:20:28,840
Speaker 2: local gigs in town on Facebook. Might be yes for

430
00:20:28,960 --> 00:20:30,480
Speaker 2: booking a majority of them.

431
00:20:30,640 --> 00:20:33,080
Speaker 1: I can barely show up to the shows I agree

432
00:20:33,119 --> 00:20:34,680
Speaker 1: to do. I don't need more.

433
00:20:34,880 --> 00:20:38,280
Speaker 2: Well, I agree to them on Facebook, and then Facebook

434
00:20:38,320 --> 00:20:40,240
Speaker 2: has nothing to do with whether or not I show up.

435
00:20:40,560 --> 00:20:42,600
Speaker 2: That's on me. Okay, that's on me and my.

436
00:20:44,520 --> 00:20:44,960
Speaker 4: Record.

437
00:20:45,359 --> 00:20:49,240
Speaker 2: Honda sponsor. Do you need a ride? Do you sorry?

438
00:20:49,240 --> 00:20:50,159
Speaker 2: Do you need a ride?

439
00:20:50,680 --> 00:20:53,080
Speaker 1: Do you need a ride?

440
00:20:54,040 --> 00:20:55,480
Speaker 4: That was good?

441
00:20:55,520 --> 00:20:55,800
Speaker 2: Okay?

442
00:20:56,040 --> 00:20:56,359
Speaker 1: Too much?

443
00:20:57,280 --> 00:20:58,800
Speaker 4: Need a ride?

444
00:20:59,040 --> 00:20:59,399
Speaker 2: Question?

445
00:20:59,480 --> 00:21:01,399
Speaker 1: Mark? Do capital do.

446
00:21:01,520 --> 00:21:05,320
Speaker 3: Oop ruining everything?

447
00:21:05,400 --> 00:21:07,240
Speaker 2: You're really messing up our episode.

448
00:21:08,119 --> 00:21:10,960
Speaker 1: But we're so close I can see American lines.

449
00:21:12,000 --> 00:21:14,520
Speaker 2: Oh yeah, you just have to get in there.

450
00:21:18,040 --> 00:21:20,199
Speaker 3: How do I do it? I'm gonna have to get you.

451
00:21:20,400 --> 00:21:22,800
Speaker 3: I'm gonna have to get old school New York cab driver.

452
00:21:23,080 --> 00:21:26,080
Speaker 2: Yeah, I mean this guy's doing it. There's a cab

453
00:21:26,160 --> 00:21:29,040
Speaker 2: driver right here, getting new school La, you get old

454
00:21:29,040 --> 00:21:30,399
Speaker 2: school New York on him.

455
00:21:30,960 --> 00:21:33,320
Speaker 1: You were gonna do an East coast West coast rivalry.

456
00:21:33,440 --> 00:21:35,959
Speaker 1: Someone will be shot. Yeah, hey, how about sugar Night

457
00:21:36,040 --> 00:21:37,160
Speaker 1: running over some people?

458
00:21:38,160 --> 00:21:41,080
Speaker 2: This is the new Oh yeah, yeah, oh.

459
00:21:41,000 --> 00:21:43,520
Speaker 1: I don't mean to go topical. I messed up what

460
00:21:44,040 --> 00:21:45,480
Speaker 1: that was that.

461
00:21:45,720 --> 00:21:47,720
Speaker 2: I thought that was an old news issue because it

462
00:21:47,840 --> 00:21:48,680
Speaker 2: hasn't he always been.

463
00:21:49,640 --> 00:21:50,879
Speaker 1: He's been killing for a while.

464
00:21:50,960 --> 00:21:51,200
Speaker 4: Yeah.

465
00:21:51,320 --> 00:21:53,399
Speaker 2: Yeah, he didn't have something to do with the last

466
00:21:53,400 --> 00:21:55,600
Speaker 2: time I got in trouble because the Biggie Tupac thing.

467
00:21:55,960 --> 00:21:58,760
Speaker 2: I don't know who was killed in from of the

468
00:21:58,760 --> 00:22:03,119
Speaker 2: automotive museums. All. You don't memorize depths. I focus on

469
00:22:03,240 --> 00:22:08,040
Speaker 2: positive things. Let's get in there. Just member aggression.

470
00:22:09,160 --> 00:22:11,560
Speaker 1: Yes, I respect you. I like it.

471
00:22:12,200 --> 00:22:13,840
Speaker 2: Damn it. Why is that noudy? It needs to be

472
00:22:13,880 --> 00:22:19,840
Speaker 2: an Inny. Oh, We're we're getting in there. That's right.

473
00:22:19,920 --> 00:22:20,840
Speaker 4: I called him at Dork.

474
00:22:21,400 --> 00:22:24,240
Speaker 2: Oh hello, officer.

475
00:22:23,880 --> 00:22:25,040
Speaker 1: Hello officer.

476
00:22:25,400 --> 00:22:28,080
Speaker 2: Okay, here is Eddie. Let's see here. I do not

477
00:22:28,240 --> 00:22:29,640
Speaker 2: recognize any of these.

478
00:22:29,400 --> 00:22:31,399
Speaker 1: He said eleven something.

479
00:22:32,000 --> 00:22:33,640
Speaker 2: Yeah, we should have listened to that.

480
00:22:34,000 --> 00:22:37,960
Speaker 3: Is this an orthodox Eddie standing here with the huge there?

481
00:22:37,840 --> 00:22:39,920
Speaker 2: He is there, he is I'm gonna wave at him.

482
00:22:39,920 --> 00:22:47,000
Speaker 3: No, I meant that, yeah, yeah, yeah, Hi hop on in.

483
00:22:47,400 --> 00:22:52,040
Speaker 2: Oh he needs help, Okay, I can unplugged.

484
00:22:52,160 --> 00:22:55,800
Speaker 1: We can't help you, yeah, or or do you need

485
00:22:55,840 --> 00:23:00,439
Speaker 1: to go in the backpack? I'm all I'm shouting very loudly.

486
00:23:03,000 --> 00:23:05,680
Speaker 2: I have my recording studio in my lap.

487
00:23:06,560 --> 00:23:13,080
Speaker 3: And sorry, OK.

488
00:23:13,600 --> 00:23:14,760
Speaker 2: Here you go Eddie.

489
00:23:15,560 --> 00:23:21,600
Speaker 4: Hey, everybody, it's a great day to be uh in

490
00:23:21,640 --> 00:23:26,200
Speaker 4: an air force. It's really it's they arrange it so well.

491
00:23:26,760 --> 00:23:33,080
Speaker 4: There's a terrific flow to the traffic to flow.

492
00:23:34,760 --> 00:23:36,919
Speaker 2: We'd like to try to but if you're you know

493
00:23:37,000 --> 00:23:38,560
Speaker 2: what of your uncomfortable.

494
00:23:38,840 --> 00:23:40,200
Speaker 1: I can kick up this ac for you.

495
00:23:41,880 --> 00:23:44,760
Speaker 2: I'm we We're so sorry that we're late. But the

496
00:23:44,760 --> 00:23:46,560
Speaker 2: only is your flight right.

497
00:23:46,840 --> 00:23:48,600
Speaker 4: Flight was early, and I got a couple of ds.

498
00:23:48,680 --> 00:23:52,280
Speaker 4: So funny that I when I get when I are

499
00:23:52,280 --> 00:23:52,760
Speaker 4: we taping?

500
00:23:52,960 --> 00:23:53,280
Speaker 2: We are?

501
00:23:53,280 --> 00:23:56,000
Speaker 4: Indeed, when I got off the plane, it was so

502
00:23:56,119 --> 00:23:59,680
Speaker 4: fucking movie. First of all, I did two shows last

503
00:23:59,720 --> 00:24:03,280
Speaker 4: night Toronto, and I had to be at the airport

504
00:24:03,920 --> 00:24:06,840
Speaker 4: at about four for six am flight. So I did

505
00:24:06,880 --> 00:24:11,639
Speaker 4: not sleep. I didn't sleepy even I did try, but

506
00:24:12,280 --> 00:24:14,520
Speaker 4: I didn't eat anything. But like a couple of you

507
00:24:14,560 --> 00:24:16,320
Speaker 4: know it's trying to be good. I had like little

508
00:24:16,440 --> 00:24:21,040
Speaker 4: trail mix, you know of little cranberries are very good,

509
00:24:21,119 --> 00:24:24,240
Speaker 4: you know, the little dried cranberries. Everybody loves them. I

510
00:24:24,280 --> 00:24:28,680
Speaker 4: think I'd like to be the spokesperson for dried cranberries

511
00:24:28,720 --> 00:24:30,879
Speaker 4: the way the way Cober.

512
00:24:31,400 --> 00:24:32,880
Speaker 2: I prefer them to cabs.

513
00:24:35,080 --> 00:24:37,399
Speaker 1: Ierson, what would that sound like?

514
00:24:37,520 --> 00:24:42,040
Speaker 4: Yeah, for dried cranberries, commercial cranberries, commercial dried cranberry. For

515
00:24:42,119 --> 00:24:47,240
Speaker 4: dry cranberries. Yes, you know, you know, traveling is difficult,

516
00:24:48,080 --> 00:24:54,639
Speaker 4: very difficult, and there's a lot of temptation to eat salty, fatty,

517
00:24:54,880 --> 00:25:02,960
Speaker 4: heart clogging foods. Dry tried. Take to Betty. Take two, Eddie.

518
00:25:03,240 --> 00:25:05,080
Speaker 4: First of all, we wanted to be a little up

519
00:25:05,080 --> 00:25:08,000
Speaker 4: at eat. We wanted to be up, not like you know.

520
00:25:08,200 --> 00:25:10,679
Speaker 4: It's a ted talk. So here we go again with

521
00:25:10,760 --> 00:25:11,400
Speaker 4: dry cranberries.

522
00:25:11,760 --> 00:25:13,479
Speaker 2: Here you try and speak quickly.

523
00:25:14,600 --> 00:25:18,399
Speaker 4: Tried cranberries. They make travel better. Eat them? Do it now?

524
00:25:18,600 --> 00:25:20,119
Speaker 4: I'm the bitter boodhen do it.

525
00:25:21,000 --> 00:25:26,240
Speaker 2: It's a little angry. I don't know you're right about that.

526
00:25:26,600 --> 00:25:30,160
Speaker 4: Take three, Hey, are you traveling and going nuts? I

527
00:25:30,240 --> 00:25:32,720
Speaker 4: know I am. I can't eat. I can't eat half

528
00:25:32,720 --> 00:25:36,240
Speaker 4: of this stuff. But try cranberries went put in with

529
00:25:36,400 --> 00:25:39,679
Speaker 4: regular nuts. Make them sweeter, don't they? They sure do,

530
00:25:40,080 --> 00:25:42,720
Speaker 4: and travel goes a lot faster, at least the first

531
00:25:42,720 --> 00:25:47,320
Speaker 4: half hour. Ah, the second six hours not so fast.

532
00:25:47,600 --> 00:25:49,240
Speaker 4: But try dried cranberries, do it?

533
00:25:49,720 --> 00:25:54,080
Speaker 2: Brought you into the council for people who like dried cranberries.

534
00:25:56,960 --> 00:25:59,919
Speaker 4: But what I what I originally was saying, is that,

535
00:26:00,760 --> 00:26:02,959
Speaker 4: you know, I've been trying to eat vegan and I've

536
00:26:03,000 --> 00:26:05,359
Speaker 4: been doing well, but what but I lose my ship

537
00:26:05,800 --> 00:26:07,960
Speaker 4: on these flights. As soon as I got off this flight,

538
00:26:08,640 --> 00:26:11,399
Speaker 4: I went and got a whole pizza while I was

539
00:26:11,440 --> 00:26:13,880
Speaker 4: waiting for you guys, like one of those little boxed

540
00:26:13,880 --> 00:26:20,080
Speaker 4: pizzas in the airports, a personal, personal, personal pizza, and

541
00:26:20,119 --> 00:26:23,320
Speaker 4: I ate about four slices of that with the diet coke.

542
00:26:23,359 --> 00:26:25,600
Speaker 4: And then I had a chocolate croissant, and then and

543
00:26:25,640 --> 00:26:27,040
Speaker 4: then I have a coffee, and I'm like, oh, yeah,

544
00:26:27,040 --> 00:26:30,240
Speaker 4: I feel a lot better. I feel a lot better.

545
00:26:30,520 --> 00:26:32,200
Speaker 1: Cranberries aren't going to help you.

546
00:26:31,920 --> 00:26:38,640
Speaker 4: No, Cranberries don't do it when you're like ravenously insanely hungry.

547
00:26:38,880 --> 00:26:41,600
Speaker 2: Yeah, you've had an entire day of flying. That dried

548
00:26:41,600 --> 00:26:44,560
Speaker 2: cranberry is as delicious and convenient as they are for travel,

549
00:26:44,560 --> 00:26:48,240
Speaker 2: are not going to sustain your energy levels. That's I

550
00:26:48,320 --> 00:26:48,760
Speaker 2: don't you know.

551
00:26:49,040 --> 00:26:51,480
Speaker 4: You may got an argument from the Cranberry bog people

552
00:26:51,480 --> 00:26:53,600
Speaker 4: who I understand are hardy and angry.

553
00:26:53,680 --> 00:26:55,520
Speaker 2: You know what, I'll take them on any day, you

554
00:26:55,560 --> 00:26:58,040
Speaker 2: know what. Yeah, I'll take on the cranberry.

555
00:26:58,119 --> 00:27:02,440
Speaker 3: I'm sick of people there comscial for their stupid juice with.

556
00:27:02,440 --> 00:27:04,520
Speaker 1: Those two shoes.

557
00:27:05,680 --> 00:27:10,119
Speaker 2: Farmers they already did. They stole it from Burtles and

558
00:27:10,200 --> 00:27:11,600
Speaker 2: James by the way.

559
00:27:11,680 --> 00:27:15,160
Speaker 4: Yeah, isn't it funny how these you know, these monolithic corporations,

560
00:27:15,200 --> 00:27:17,600
Speaker 4: they get bigger and bigger, and yet their front men

561
00:27:17,800 --> 00:27:22,720
Speaker 4: are two horrific actors, you know from Van Nuys, pretending

562
00:27:22,760 --> 00:27:25,040
Speaker 4: to be farmers. There are no more farmers anymore. There's

563
00:27:25,080 --> 00:27:30,720
Speaker 4: just machines that eat people. And Monsanto's seeds, you know, Monsanto.

564
00:27:31,640 --> 00:27:34,640
Speaker 3: It's like a big seed, half seed, half person. That's

565
00:27:34,800 --> 00:27:35,960
Speaker 3: that's planting things.

566
00:27:36,440 --> 00:27:40,200
Speaker 4: I think in the in the near future because of Montanto,

567
00:27:40,600 --> 00:27:42,879
Speaker 4: you know, with the GMOs and stuff. I think pretty

568
00:27:42,880 --> 00:27:44,320
Speaker 4: soon you're just gonna get a knock on your door.

569
00:27:44,320 --> 00:27:46,200
Speaker 4: It's going to be like a fucking piece of corn

570
00:27:46,280 --> 00:27:49,000
Speaker 4: with a gun. That because they're they don't know what

571
00:27:49,000 --> 00:27:49,560
Speaker 4: they're doing.

572
00:27:49,840 --> 00:27:51,639
Speaker 1: The corn doesn't know the corn.

573
00:27:51,760 --> 00:27:54,800
Speaker 2: Does you feel they're going to modify it to the

574
00:27:54,800 --> 00:27:56,480
Speaker 2: point where it has feelings and.

575
00:27:56,400 --> 00:28:01,160
Speaker 4: The like computers. Everybody's worried about computers taking over the world.

576
00:28:01,520 --> 00:28:04,280
Speaker 4: I really think food it's gonna be like, hey, Bob,

577
00:28:04,320 --> 00:28:07,680
Speaker 4: did you see that piece of corn? Move piece of corn?

578
00:28:07,720 --> 00:28:08,479
Speaker 4: Take my wallet?

579
00:28:09,600 --> 00:28:13,119
Speaker 3: Write this down and send it to Pixar and through

580
00:28:13,160 --> 00:28:16,200
Speaker 3: the mail, through the mail, so that you own this idea,

581
00:28:16,280 --> 00:28:19,479
Speaker 3: because the corn Wars is your idea.

582
00:28:19,720 --> 00:28:22,680
Speaker 2: Just crack it up and the corn Wars.

583
00:28:25,440 --> 00:28:29,400
Speaker 4: Pixar do that? Would they confront Could they do it?

584
00:28:29,920 --> 00:28:36,480
Speaker 4: They could? Would they should? They? I mean, no toy

585
00:28:36,600 --> 00:28:38,840
Speaker 4: with me after sleep?

586
00:28:41,320 --> 00:28:44,560
Speaker 2: Oh, I can't get the idea of a giant corn

587
00:28:44,880 --> 00:28:47,760
Speaker 2: with a little husk grabbing and then it kind of

588
00:28:47,760 --> 00:28:49,840
Speaker 2: turns to a hand and they pick up a firearm.

589
00:28:51,280 --> 00:28:53,600
Speaker 4: I think it would be I think it would be

590
00:28:53,600 --> 00:28:56,120
Speaker 4: easy to do. The characters like like the bad corn

591
00:28:56,200 --> 00:28:59,000
Speaker 4: is sort of sort of like bad sopranos guys and

592
00:28:59,120 --> 00:29:02,520
Speaker 4: mafia guys maybe, and then there's and then there's the

593
00:29:02,560 --> 00:29:06,360
Speaker 4: renegade corn, maybe the organic corn that's trying to save

594
00:29:06,440 --> 00:29:07,960
Speaker 4: the war like they're the good guy.

595
00:29:08,080 --> 00:29:12,760
Speaker 2: Yeah, the organic corn would look like the Thanksgiving cornucopia corn.

596
00:29:12,880 --> 00:29:14,880
Speaker 2: It's just like different colors because.

597
00:29:14,600 --> 00:29:17,160
Speaker 4: They different colors.

598
00:29:17,560 --> 00:29:21,640
Speaker 2: Yeah, I think it should be a Native American doing

599
00:29:21,640 --> 00:29:22,080
Speaker 2: it always.

600
00:29:22,840 --> 00:29:24,480
Speaker 4: You know, you're right about that. It should be a

601
00:29:24,560 --> 00:29:25,320
Speaker 4: Native America.

602
00:29:25,400 --> 00:29:28,040
Speaker 2: I mean, does it get more organic than that? I

603
00:29:28,080 --> 00:29:31,240
Speaker 2: hate to take it to a you know, but white

604
00:29:31,320 --> 00:29:35,320
Speaker 2: people kick them out of this country. Sorry, I didn't

605
00:29:35,320 --> 00:29:36,280
Speaker 2: mean to take it that far.

606
00:29:36,840 --> 00:29:39,560
Speaker 4: No, no, no, I I I really think we did.

607
00:29:39,680 --> 00:29:43,120
Speaker 4: I mean I every day I watch a video or

608
00:29:43,160 --> 00:29:46,640
Speaker 4: recreation of the Trail of Tears, just just you know,

609
00:29:46,840 --> 00:29:52,200
Speaker 4: to get the day started, to check, kick start to

610
00:29:52,240 --> 00:29:55,000
Speaker 4: be grateful. I think you have to look at other

611
00:29:55,080 --> 00:29:59,400
Speaker 4: people's atrocities to be grateful, you know, because it's so

612
00:29:59,480 --> 00:30:02,360
Speaker 4: hard to like, you know, I'm a big guy who

613
00:30:02,400 --> 00:30:05,880
Speaker 4: makes gratitude less well, once a year I do it.

614
00:30:05,920 --> 00:30:09,000
Speaker 4: But when I make one, it's always like, oh, I'm

615
00:30:09,040 --> 00:30:12,640
Speaker 4: so glad I have sneakers. It doesn't you really, that

616
00:30:12,680 --> 00:30:15,560
Speaker 4: doesn't cut it all. I'm glad my elbow is working right,

617
00:30:15,680 --> 00:30:17,479
Speaker 4: you know. It's like that doesn't cut it.

618
00:30:17,600 --> 00:30:20,400
Speaker 2: Sometimes I feel like I'm not achieving the things in

619
00:30:20,440 --> 00:30:22,800
Speaker 2: life I need to achieve. And that's when I watch

620
00:30:22,880 --> 00:30:25,000
Speaker 2: Mariy Povich and then.

621
00:30:25,080 --> 00:30:27,720
Speaker 4: Realize, yeah, he's still on the air.

622
00:30:28,000 --> 00:30:30,480
Speaker 2: So doing paternity tests everything. And then I'm like, I'm

623
00:30:30,480 --> 00:30:33,280
Speaker 2: doing great. Why was I so hard on myself?

624
00:30:35,400 --> 00:30:38,400
Speaker 4: Look, it's got like just the just people who their

625
00:30:38,480 --> 00:30:40,640
Speaker 4: lives are just such a mess, just.

626
00:30:40,640 --> 00:30:45,480
Speaker 2: The bottom dwellers of society, the bottom bwellers.

627
00:30:44,880 --> 00:30:46,840
Speaker 1: Perhaps the bottom dwellers, bottom feeders.

628
00:30:47,080 --> 00:30:49,320
Speaker 2: They go down there because that's where they feed bank

629
00:30:49,440 --> 00:30:53,880
Speaker 2: sand dabs of society down there, eating shy.

630
00:30:54,400 --> 00:30:56,880
Speaker 4: How does Povich go home like like and you and

631
00:30:56,880 --> 00:31:01,320
Speaker 4: and I bet he fancies himself like an aeradite intellectual

632
00:31:01,480 --> 00:31:05,800
Speaker 4: like like in his head, that's my job, like and

633
00:31:05,840 --> 00:31:07,960
Speaker 4: then he goes home to a like a nice sands

634
00:31:08,120 --> 00:31:10,320
Speaker 4: or wine and you know.

635
00:31:10,320 --> 00:31:12,880
Speaker 2: And Connie Chung Right's.

636
00:31:13,840 --> 00:31:16,040
Speaker 1: They're making it work still Wow?

637
00:31:16,080 --> 00:31:18,640
Speaker 2: Does she ask about his day? I doubt it.

638
00:31:18,840 --> 00:31:20,080
Speaker 1: You know what that both of them are.

639
00:31:20,120 --> 00:31:23,080
Speaker 2: She's a journalist. He tells people whether or not the

640
00:31:23,160 --> 00:31:27,360
Speaker 2: baby came from their and their DNA who's.

641
00:31:28,360 --> 00:31:31,000
Speaker 3: They're both on tons of pills. It doesn't matter, they're

642
00:31:31,880 --> 00:31:35,400
Speaker 3: tons of pills. You read that, No, I'm it's completely

643
00:31:35,400 --> 00:31:38,520
Speaker 3: made up. But you know, those are eyes, both of

644
00:31:38,560 --> 00:31:40,760
Speaker 3: them and dead eyes.

645
00:31:40,760 --> 00:31:41,680
Speaker 1: They're like dolls.

646
00:31:41,760 --> 00:31:44,640
Speaker 4: There's dolls. Well they have to be, don't you think.

647
00:31:44,920 --> 00:31:48,640
Speaker 4: Don't you think Hollywood? If you call that Hollywood like

648
00:31:48,720 --> 00:31:51,080
Speaker 4: takes its toll on you. Like the show you do?

649
00:31:51,560 --> 00:31:53,480
Speaker 4: Like the show you do. You say, oh, it's just

650
00:31:53,560 --> 00:31:56,560
Speaker 4: a job, it's just a job. But if it's a

651
00:31:56,600 --> 00:32:01,040
Speaker 4: horrific thing day after day where you're watching the bottom

652
00:32:01,120 --> 00:32:04,080
Speaker 4: dwellers and you're profiting of them, yeah, I think it

653
00:32:04,240 --> 00:32:04,960
Speaker 4: nips away.

654
00:32:05,120 --> 00:32:07,480
Speaker 2: It has to. And I know it did to Jerry

655
00:32:07,520 --> 00:32:10,520
Speaker 2: Springer because there's a there's a girl in town, Lisa Gotman.

656
00:32:10,680 --> 00:32:13,600
Speaker 2: She we did laugh Rights together for whatever reason. Her

657
00:32:13,640 --> 00:32:17,240
Speaker 2: family was very close to Jerry Springer and he was

658
00:32:17,280 --> 00:32:20,040
Speaker 2: a sweet man and he was a smart man. He

659
00:32:20,160 --> 00:32:21,959
Speaker 2: used to be a mayor of a town. And then

660
00:32:22,000 --> 00:32:26,200
Speaker 2: he's basically doing is violent pornography.

661
00:32:25,560 --> 00:32:27,920
Speaker 4: On his talk show? Is doing that now?

662
00:32:28,360 --> 00:32:28,479
Speaker 1: Oh?

663
00:32:28,560 --> 00:32:28,640
Speaker 4: Oh?

664
00:32:28,920 --> 00:32:31,640
Speaker 2: I think I am talking about expired television. Yeah, but

665
00:32:31,680 --> 00:32:35,080
Speaker 2: everyone remember it's he's like, oh, and that's cute. The

666
00:32:35,240 --> 00:32:37,320
Speaker 2: oh that's where her brass strap comes down and we

667
00:32:37,400 --> 00:32:39,720
Speaker 2: pixel later oh and then she punches.

668
00:32:39,920 --> 00:32:44,160
Speaker 4: Okay, I call it the momentum of evil, and it

669
00:32:44,280 --> 00:32:48,400
Speaker 4: ties into the Cranberry commercials. Somehow eventually it will we.

670
00:32:48,360 --> 00:32:51,720
Speaker 2: Put up a little very no problem.

671
00:32:51,840 --> 00:32:53,720
Speaker 4: Yeah, we are working on no.

672
00:32:54,000 --> 00:32:57,600
Speaker 1: Sleeping here, a lot of it.

673
00:32:57,760 --> 00:33:00,360
Speaker 2: It's not as simple as people think. We aren't just

674
00:33:00,480 --> 00:33:03,600
Speaker 2: giving rides. You are very much doing as a service

675
00:33:03,640 --> 00:33:06,400
Speaker 2: by being on our podcast, and we really appreciate it. Oh.

676
00:33:06,400 --> 00:33:09,200
Speaker 4: By the way, this is great though, because it saves

677
00:33:09,240 --> 00:33:10,720
Speaker 4: me about one hundred dollars.

678
00:33:10,800 --> 00:33:11,960
Speaker 2: Yeah, right right.

679
00:33:12,040 --> 00:33:15,200
Speaker 4: And my last though before you came was do they charge?

680
00:33:15,560 --> 00:33:18,800
Speaker 1: Yeah, that charge we charged and fifty dollars.

681
00:33:18,840 --> 00:33:21,840
Speaker 2: Maybe maybe that's I keep saying we should get a

682
00:33:21,840 --> 00:33:24,520
Speaker 2: sponsor like Dollar Shave Club or whatever. A lot of

683
00:33:24,560 --> 00:33:28,080
Speaker 2: these podcasts have Razor Blade sponsors for some reason. Maybe

684
00:33:28,080 --> 00:33:30,400
Speaker 2: they consider it a plan B if they want to.

685
00:33:30,640 --> 00:33:34,479
Speaker 4: May I make a suggestion that if you guys become

686
00:33:34,600 --> 00:33:38,320
Speaker 4: part of Uber, you could bank so many episodes, you know,

687
00:33:38,440 --> 00:33:40,920
Speaker 4: in one week. Like everybody who gets in the cab,

688
00:33:41,000 --> 00:33:44,040
Speaker 4: you just thrust a mic to them, not like Cab

689
00:33:44,120 --> 00:33:45,800
Speaker 4: Confessions or anything, but just.

690
00:33:45,840 --> 00:33:48,080
Speaker 3: Like you're just saying, any any man off the street,

691
00:33:48,120 --> 00:33:50,000
Speaker 3: Johnny Lunch, pale on the street.

692
00:33:49,760 --> 00:33:51,400
Speaker 2: I don't want to deal with civilians.

693
00:33:51,560 --> 00:33:53,360
Speaker 1: D you know you don't want to do that on

694
00:33:53,400 --> 00:33:54,120
Speaker 1: your podcast.

695
00:33:54,720 --> 00:33:57,680
Speaker 4: You I don't do it, but I think this type

696
00:33:57,720 --> 00:34:00,400
Speaker 4: of but it's okay for us to do. Oh.

697
00:34:00,800 --> 00:34:02,960
Speaker 2: I think you wouldn't have them in your studio, but

698
00:34:03,480 --> 00:34:03,920
Speaker 2: I haven't.

699
00:34:04,080 --> 00:34:13,319
Speaker 3: You wouldn't shoplift, You wouldn't steal a car.

700
00:34:08,600 --> 00:34:12,040
Speaker 4: That I don't know. I don't think you know me.

701
00:34:14,360 --> 00:34:18,120
Speaker 4: You know, when I'm pushed into a corner, I will.

702
00:34:18,040 --> 00:34:18,799
Speaker 1: Pirates some ship.

703
00:34:19,000 --> 00:34:21,479
Speaker 2: He will get into a stranger's car, is what he's saying.

704
00:34:21,920 --> 00:34:25,960
Speaker 1: He will will abo make some money.

705
00:34:26,400 --> 00:34:28,680
Speaker 2: But yeah, when you want to get sponsored by Uber

706
00:34:28,800 --> 00:34:31,000
Speaker 2: and and it would be a comic that we we

707
00:34:31,080 --> 00:34:33,120
Speaker 2: want to have control over the guests still, but then

708
00:34:33,560 --> 00:34:37,280
Speaker 2: we just mentioned a code that you'd punch in or something.

709
00:34:37,400 --> 00:34:39,920
Speaker 2: Come on Uber, they're listening. You know they're listening.

710
00:34:39,920 --> 00:34:41,600
Speaker 1: You know they listened every episode.

711
00:34:41,920 --> 00:34:45,560
Speaker 4: Now, looking at some interesting billboards? Does does does the

712
00:34:45,680 --> 00:34:48,000
Speaker 4: Chappie billboard look interesting to you? The Chappy?

713
00:34:48,400 --> 00:34:51,319
Speaker 1: I just saw the trailer for Chappie last night.

714
00:34:51,480 --> 00:34:52,000
Speaker 4: You saw it?

715
00:34:52,200 --> 00:34:52,399
Speaker 1: Yes?

716
00:34:52,520 --> 00:34:57,239
Speaker 3: Did it look I literally can't remember one thing about it.

717
00:34:58,000 --> 00:35:00,759
Speaker 3: The fact that it was like a horror movie that

718
00:35:01,000 --> 00:35:03,959
Speaker 3: was called Chappie and May laughed so hard.

719
00:35:06,000 --> 00:35:07,360
Speaker 2: That's a horrible name.

720
00:35:07,280 --> 00:35:09,799
Speaker 4: That's well, I don't I disagree with you, Chris, and

721
00:35:09,880 --> 00:35:12,279
Speaker 4: I don't mean to do it on the road. But

722
00:35:12,360 --> 00:35:16,960
Speaker 4: I feel like I feel like when you put I

723
00:35:17,040 --> 00:35:21,319
Speaker 4: put like a name that doesn't signify you know what,

724
00:35:21,600 --> 00:35:24,000
Speaker 4: the horror I think it has more of an impact.

725
00:35:24,040 --> 00:35:27,440
Speaker 4: It's like, it's like when they use children in horror movies,

726
00:35:27,480 --> 00:35:29,480
Speaker 4: like d like, it's always a bad time when a

727
00:35:29,560 --> 00:35:32,200
Speaker 4: child says, can I have a glass of water? In

728
00:35:32,239 --> 00:35:35,520
Speaker 4: a horror movie? Because you know shit is going to

729
00:35:35,680 --> 00:35:37,880
Speaker 4: go down quickly?

730
00:35:38,000 --> 00:35:40,279
Speaker 2: You're right, And you go to see Chappy and you're like,

731
00:35:40,400 --> 00:35:42,360
Speaker 2: what a lighthearted the English rump?

732
00:35:42,400 --> 00:35:44,000
Speaker 1: I'm about a friend.

733
00:35:44,200 --> 00:35:46,240
Speaker 2: No, it's about someone's face melting.

734
00:35:46,840 --> 00:35:48,640
Speaker 1: Wait? No, is that the one is choppy? The one

735
00:35:48,640 --> 00:35:51,440
Speaker 1: by the guy that did District nine about robots?

736
00:35:51,520 --> 00:35:53,640
Speaker 2: Oh?

737
00:35:53,880 --> 00:35:57,560
Speaker 4: Yeah, the poster looked really good. Yeah. I based all

738
00:35:57,640 --> 00:36:00,680
Speaker 4: the movies I go on now on a poster or

739
00:36:00,719 --> 00:36:03,719
Speaker 4: the billboard. I won't see a trailer. I won't read

740
00:36:03,719 --> 00:36:06,040
Speaker 4: a review. It's like if the poster doesn't hit me right,

741
00:36:06,520 --> 00:36:08,760
Speaker 4: it's like, no, I'm usually right.

742
00:36:08,880 --> 00:36:11,200
Speaker 2: But really, I think I know from the trailer I

743
00:36:11,239 --> 00:36:14,640
Speaker 2: remember seeing it. Now, isn't it just a ripoff of

744
00:36:14,760 --> 00:36:18,319
Speaker 2: short circuit. Now I don't like to it's true. I mean, oh,

745
00:36:18,360 --> 00:36:22,480
Speaker 2: a robot with feelings orange juice, not from concentrate, like

746
00:36:22,640 --> 00:36:27,040
Speaker 2: he was learning about how the human works. And that's

747
00:36:27,040 --> 00:36:27,719
Speaker 2: what this movie is.

748
00:36:27,840 --> 00:36:31,320
Speaker 4: Number five is Alive and that number five Alive.

749
00:36:32,960 --> 00:36:35,120
Speaker 2: Circuit. And there was the Middle Eastern guy or he's

750
00:36:35,239 --> 00:36:37,520
Speaker 2: Indian in it. I thought he was so funny, and

751
00:36:37,520 --> 00:36:39,400
Speaker 2: then I see him in another movie and I realized

752
00:36:39,440 --> 00:36:43,400
Speaker 2: he's doing a horrible impression. He's totally just a white

753
00:36:43,400 --> 00:36:49,440
Speaker 2: guy my numbered favorites in life, and I think they

754
00:36:49,520 --> 00:36:53,719
Speaker 2: darkened his face a little. I mean, don't don't I

755
00:36:53,840 --> 00:36:55,080
Speaker 2: mean that we have rules.

756
00:36:55,120 --> 00:36:57,400
Speaker 3: There wasn't the Internet. It was well didn't know that

757
00:36:57,480 --> 00:36:58,840
Speaker 3: hurt people's people's feelings.

758
00:36:58,920 --> 00:37:01,560
Speaker 4: It was a ship like that goes on. When I

759
00:37:01,640 --> 00:37:04,480
Speaker 4: used to audition for commercials. I don't anymore. But when

760
00:37:04,520 --> 00:37:06,960
Speaker 4: I used to audition, they were looking for a bald

761
00:37:07,000 --> 00:37:12,719
Speaker 4: guy to do some fucking horrible thing like anal leakage

762
00:37:13,400 --> 00:37:16,120
Speaker 4: whatever it was. And by the way, that was my

763
00:37:16,200 --> 00:37:18,520
Speaker 4: last audition. I'm serious. It was for a thing that

764
00:37:18,640 --> 00:37:23,000
Speaker 4: stopped anal leakage. I'm not kidding. I'm not kidding. Have

765
00:37:23,080 --> 00:37:27,640
Speaker 4: you remember that ship I remember that there was Chris

766
00:37:27,680 --> 00:37:32,960
Speaker 4: you do, I remember, yeah, blocking It's just which.

767
00:37:32,760 --> 00:37:34,640
Speaker 2: Kind of is what that medication did?

768
00:37:35,239 --> 00:37:39,359
Speaker 4: Okay, so you medica. This was the last commercial I

769
00:37:39,400 --> 00:37:41,960
Speaker 4: ever went into in my felt's a good last one.

770
00:37:42,280 --> 00:37:45,160
Speaker 4: And and I go in and it's so humiliate like

771
00:37:45,200 --> 00:37:48,600
Speaker 4: and I'm just doing it because I'm broke, and I'm like,

772
00:37:48,760 --> 00:37:52,719
Speaker 4: my my fucking commercial agent. Is this really sweet woman

773
00:37:52,760 --> 00:37:55,719
Speaker 4: who's very gunna ho and always saying, look, one of

774
00:37:55,760 --> 00:38:00,000
Speaker 4: these things, could you?

775
00:38:00,239 --> 00:38:04,080
Speaker 2: I mean, I had a couple of commercials changed my year.

776
00:38:04,360 --> 00:38:05,759
Speaker 4: Yeah, your year of it?

777
00:38:06,000 --> 00:38:06,200
Speaker 1: Yeah?

778
00:38:06,280 --> 00:38:06,520
Speaker 2: Yeah?

779
00:38:06,640 --> 00:38:10,880
Speaker 4: But what's her name? Changed her life? Courtney the Progressive Woman.

780
00:38:13,120 --> 00:38:15,839
Speaker 1: Yes, she changed a lot of people.

781
00:38:17,920 --> 00:38:21,800
Speaker 4: You know, she rebounded pretty well off a very very

782
00:38:21,840 --> 00:38:26,600
Speaker 4: bad Uh first of all, image and drug problem she's.

783
00:38:26,440 --> 00:38:31,160
Speaker 1: Doing, he knows, he knows. Her first nose was rough.

784
00:38:31,480 --> 00:38:38,719
Speaker 2: Yeah, this one's more slope, like a ski jump. Quickly

785
00:38:38,800 --> 00:38:41,840
Speaker 2: I went I was so humiliated in the first place.

786
00:38:42,040 --> 00:38:44,680
Speaker 2: But then the motherfucking director.

787
00:38:45,760 --> 00:38:50,040
Speaker 4: I was reading the copy wrong for some reason, like

788
00:38:50,160 --> 00:38:53,239
Speaker 4: I was fucking up one of the words, and he

789
00:38:53,280 --> 00:38:57,319
Speaker 4: got he got literally like kind of slammed his hand down.

790
00:38:57,880 --> 00:38:58,280
Speaker 2: AI.

791
00:38:58,640 --> 00:39:01,640
Speaker 4: Yeah, Yeah, he was like, god damn it. Like, now

792
00:39:01,680 --> 00:39:04,239
Speaker 4: you can imagine it's sort of like Mary Polvish. These

793
00:39:04,280 --> 00:39:06,640
Speaker 4: guys get chipped away if this is what they're doing

794
00:39:06,680 --> 00:39:11,319
Speaker 4: with their lives, like a leaggage, and what's the what's

795
00:39:11,360 --> 00:39:15,200
Speaker 4: another commercial? You know, like a thing to make your

796
00:39:15,239 --> 00:39:17,080
Speaker 4: heart stop? Whatever they do?

797
00:39:17,239 --> 00:39:22,320
Speaker 2: He directed the viagraa jam band when here's accession he thought.

798
00:39:22,440 --> 00:39:24,520
Speaker 1: After that, he thought, I was like, I'm on my way.

799
00:39:24,600 --> 00:39:27,520
Speaker 2: Yeah, guys, you're just you're blues you're doing the blues making.

800
00:39:28,040 --> 00:39:30,640
Speaker 2: Yeah and you and Okay.

801
00:39:30,840 --> 00:39:32,879
Speaker 4: So it's funny. We're talking about this today because it's

802
00:39:32,880 --> 00:39:35,360
Speaker 4: Super Bowl Sunday, and today's the day where everybody thinks

803
00:39:35,960 --> 00:39:38,359
Speaker 4: these commercials are going to be so do you guys

804
00:39:38,480 --> 00:39:40,960
Speaker 4: know this? Right on Super Bowl Sunday they have the

805
00:39:41,040 --> 00:39:43,960
Speaker 4: fucking commercials that are supposed to be so great and

806
00:39:44,000 --> 00:39:46,600
Speaker 4: they turn out to be pretty bad.

807
00:39:46,920 --> 00:39:50,439
Speaker 2: Yeah. Yeah, I've already seen some of them. They're like, ooh,

808
00:39:50,520 --> 00:39:52,680
Speaker 2: sneak peek at the puppy who hangs out with the

809
00:39:52,719 --> 00:39:55,680
Speaker 2: Clydesdale Budweiser don't drive drunk.

810
00:39:55,880 --> 00:39:58,640
Speaker 4: Someone told me I should see that one. Isn't that funny,

811
00:39:58,840 --> 00:39:59,560
Speaker 4: It's it's.

812
00:39:59,480 --> 00:40:02,640
Speaker 2: Adorable, It's just it is not no it's like a

813
00:40:02,680 --> 00:40:06,040
Speaker 2: puppy and the horse takes a liking to it. It gets

814
00:40:06,040 --> 00:40:08,200
Speaker 2: out of the barn and all these and then a

815
00:40:08,280 --> 00:40:11,839
Speaker 2: wolf is trying to kill the puppy kidding, and then

816
00:40:11,920 --> 00:40:16,160
Speaker 2: all the courses, all the Clydesdales gallop over and they

817
00:40:16,400 --> 00:40:20,399
Speaker 2: scare away the wolf. And then it says Budweiser, drink responsibly.

818
00:40:20,560 --> 00:40:22,839
Speaker 4: And did you hear about Go Daddy doing anything where

819
00:40:22,840 --> 00:40:24,879
Speaker 4: a puppet puppy gets shipped And they had to pull

820
00:40:24,960 --> 00:40:29,399
Speaker 4: the commercial. Oh, Go Daddy, which is a scumbag. Yeah there,

821
00:40:29,480 --> 00:40:33,120
Speaker 4: gumbag corporation run by a CEO who does big game hunting.

822
00:40:33,280 --> 00:40:35,799
Speaker 2: I think don't get the money. I think I give

823
00:40:35,840 --> 00:40:38,080
Speaker 2: the money in before my website and I don't even

824
00:40:38,160 --> 00:40:38,520
Speaker 2: know why.

825
00:40:38,680 --> 00:40:40,879
Speaker 1: So I think Go Daddy sells.

826
00:40:42,400 --> 00:40:43,000
Speaker 2: Right there.

827
00:40:43,480 --> 00:40:46,200
Speaker 4: Oh yeah. And they always have like, you know, chicks

828
00:40:46,200 --> 00:40:49,920
Speaker 4: and bikinis for no fucking reason. But but they had

829
00:40:49,920 --> 00:40:53,560
Speaker 4: a they had a Super Bowl lad where a puppy

830
00:40:53,960 --> 00:40:57,280
Speaker 4: finds its way home and this this elderly woman grabs

831
00:40:57,360 --> 00:40:59,719
Speaker 4: us say I'm so glad you're here because I'm gonna

832
00:40:59,719 --> 00:41:02,160
Speaker 4: ship you because someone wants to buy you a tida.

833
00:41:02,280 --> 00:41:07,000
Speaker 4: And all these organizations crazy boycot it and they had

834
00:41:07,000 --> 00:41:08,360
Speaker 4: a pullet within hours.

835
00:41:09,440 --> 00:41:12,719
Speaker 2: I'm glad they did. I believe that people would be

836
00:41:12,760 --> 00:41:14,880
Speaker 2: stupid enough to see that and go, well, no, I

837
00:41:14,960 --> 00:41:17,120
Speaker 2: figured out how I get my knee a puppy.

838
00:41:17,239 --> 00:41:18,160
Speaker 4: No, what's it take?

839
00:41:18,200 --> 00:41:20,879
Speaker 2: One day? Poke holes in it, just like I did

840
00:41:20,920 --> 00:41:24,440
Speaker 2: with my spider jars. And then this kid. Can you

841
00:41:24,480 --> 00:41:27,800
Speaker 2: imagine a kid a puppy and it's just a dead

842
00:41:28,080 --> 00:41:29,920
Speaker 2: puppy and what's in the fox?

843
00:41:31,920 --> 00:41:36,680
Speaker 1: Somehow the puppy got beheaded head in a box.

844
00:41:36,960 --> 00:41:38,880
Speaker 2: Go, Daddy's sending you a message.

845
00:41:39,920 --> 00:41:42,480
Speaker 1: Now that would go viral, that would be.

846
00:41:44,200 --> 00:41:46,320
Speaker 4: But I'm in the commercial world. What we're trying to

847
00:41:46,320 --> 00:41:48,200
Speaker 4: say is the commercial world is a blood bath.

848
00:41:48,360 --> 00:41:49,440
Speaker 1: It is amazing.

849
00:41:49,840 --> 00:41:51,880
Speaker 2: Well, I wish I knew what you said instead of

850
00:41:51,880 --> 00:41:54,800
Speaker 2: anal leak. And you're like when I got the Mad Squirts.

851
00:41:55,360 --> 00:42:00,000
Speaker 1: Dermit, the worlds were chosen for a reason.

852
00:42:00,400 --> 00:42:03,000
Speaker 4: But I can't believe I didn't, like tell the guy

853
00:42:03,040 --> 00:42:06,120
Speaker 4: to go fuck himself. Regret. I regret that I didn't

854
00:42:06,160 --> 00:42:06,600
Speaker 4: do that.

855
00:42:06,800 --> 00:42:09,319
Speaker 2: I have said things in commercial and then I don't

856
00:42:09,320 --> 00:42:11,960
Speaker 2: get seen by that casting company. But there's plenty of

857
00:42:12,040 --> 00:42:13,960
Speaker 2: down at two hundred self. Look, do you still go

858
00:42:14,040 --> 00:42:14,560
Speaker 2: out for them.

859
00:42:14,719 --> 00:42:14,960
Speaker 1: I do.

860
00:42:15,160 --> 00:42:18,520
Speaker 4: Yeah, I won't. I won't know unless they ask, unless

861
00:42:18,560 --> 00:42:21,359
Speaker 4: they're like Eddie, they want you blah blah blah. And

862
00:42:21,400 --> 00:42:25,560
Speaker 4: if it's a decent fucking product, like if it's Dorito's, well.

863
00:42:25,560 --> 00:42:30,920
Speaker 3: Unlike you, how are you doing on temperature because I'm

864
00:42:30,960 --> 00:42:32,400
Speaker 3: freezing and I can't feel my feet.

865
00:42:35,040 --> 00:42:38,080
Speaker 4: A big difference, I'll tell you. And this always irks

866
00:42:38,120 --> 00:42:40,120
Speaker 4: me a little bit. There's a big difference between the

867
00:42:40,160 --> 00:42:42,120
Speaker 4: front and back of cars as far as they see.

868
00:42:42,320 --> 00:42:46,680
Speaker 2: Yeah, yeah, unless you have Yeah, well, it's also dangerous.

869
00:42:46,719 --> 00:42:48,680
Speaker 2: I got a horrible rack in a Honda Fit and

870
00:42:48,719 --> 00:42:51,520
Speaker 2: I can't wait for you to buy something more like

871
00:42:51,520 --> 00:42:52,200
Speaker 2: a Danali.

872
00:42:52,680 --> 00:42:54,800
Speaker 4: Oh yes, I'll be safe.

873
00:42:54,800 --> 00:42:57,440
Speaker 2: And then also air will shoot out into passengers.

874
00:42:57,520 --> 00:42:59,800
Speaker 4: Now, Karen, do you have donkeys?

875
00:43:00,360 --> 00:43:01,200
Speaker 1: I do, yeh.

876
00:43:03,200 --> 00:43:05,080
Speaker 3: But I also collect dog hair and spread it on

877
00:43:05,080 --> 00:43:12,160
Speaker 3: the back. Yeah, it's everywhere. I that hair is the

878
00:43:12,440 --> 00:43:15,680
Speaker 3: is the embedded kind that doesn't fly around.

879
00:43:15,680 --> 00:43:16,799
Speaker 1: It will not come off.

880
00:43:16,880 --> 00:43:19,879
Speaker 3: I've gone at it with like lint rollers and high

881
00:43:19,960 --> 00:43:20,920
Speaker 3: powered vacuums.

882
00:43:21,080 --> 00:43:23,920
Speaker 2: It's not moving birds from a field in your sock

883
00:43:24,239 --> 00:43:25,000
Speaker 2: on your shoe lace.

884
00:43:25,120 --> 00:43:26,400
Speaker 1: Yeah, they're like ticks.

885
00:43:26,600 --> 00:43:29,160
Speaker 2: You have cats yea, oh you have both.

886
00:43:29,200 --> 00:43:34,200
Speaker 4: Okay, yeah, man, I I I have a menagerie of animals.

887
00:43:34,200 --> 00:43:37,520
Speaker 4: I've become doo little ish a bit. You know where

888
00:43:37,560 --> 00:43:40,480
Speaker 4: I walk in and I'm like, Hello, Sherman. These are

889
00:43:40,480 --> 00:43:43,400
Speaker 4: all the names of the pets. Hello Sherman, Alo, Charlotte,

890
00:43:43,440 --> 00:43:47,200
Speaker 4: Hello Katie, Hello Louis. It's seven animals I live with.

891
00:43:47,520 --> 00:43:48,760
Speaker 2: Do they ever go hello?

892
00:43:49,680 --> 00:43:51,919
Speaker 4: It feels like my friend, you ever.

893
00:43:51,840 --> 00:43:55,319
Speaker 2: Get a tip of the hat that what we're describing

894
00:43:55,440 --> 00:44:00,239
Speaker 2: here is delusions caused by possible mental illness, Yes, because

895
00:44:00,360 --> 00:44:03,799
Speaker 2: animals don't and no offense, I just no. But if

896
00:44:03,840 --> 00:44:06,719
Speaker 2: your pets are talking to you, I don't know. You

897
00:44:06,800 --> 00:44:10,200
Speaker 2: might want to see a guy guy, Yeah, just a guy.

898
00:44:10,320 --> 00:44:12,799
Speaker 4: But I see a guy who's sympathetic to cats, and

899
00:44:12,840 --> 00:44:15,719
Speaker 4: so it goes nowhere.

900
00:44:14,719 --> 00:44:18,160
Speaker 1: Right, Okay, ask your cat for me if he likes me.

901
00:44:18,440 --> 00:44:20,600
Speaker 2: Yeah, it's just a doctor. You think it's going to

902
00:44:20,680 --> 00:44:22,799
Speaker 2: help you, or a therapist. It's like, hey, I get it.

903
00:44:22,840 --> 00:44:25,120
Speaker 2: I'm a cat man too, And then you just high five.

904
00:44:26,040 --> 00:44:28,160
Speaker 2: I am a cat man myself. I love cats.

905
00:44:28,239 --> 00:44:29,520
Speaker 4: Oh you do you I remember that?

906
00:44:29,800 --> 00:44:30,680
Speaker 2: Yeah? Yeah?

907
00:44:30,680 --> 00:44:32,640
Speaker 1: No, dogs, Can I say a thing that I should

908
00:44:32,640 --> 00:44:33,520
Speaker 1: have said to dogs?

909
00:44:33,600 --> 00:44:36,759
Speaker 3: Ied it fifteen seconds ago, high five and then Bob

910
00:44:36,800 --> 00:44:40,759
Speaker 3: seekers Catman do play ship. Imagine if that was right,

911
00:44:43,239 --> 00:44:48,960
Speaker 3: I'm a cat man too. Will you text me your

912
00:44:48,960 --> 00:44:50,759
Speaker 3: address so that we can I can put it in

913
00:44:50,800 --> 00:44:51,160
Speaker 3: my mouth.

914
00:44:51,200 --> 00:44:52,480
Speaker 4: Oh right, you want to text it?

915
00:44:52,680 --> 00:44:55,040
Speaker 3: Yeah, because if you say out loud people wait outside

916
00:44:55,040 --> 00:44:55,359
Speaker 3: your house.

917
00:44:56,360 --> 00:44:58,880
Speaker 2: Well you're already you will get murdered by our fans.

918
00:44:59,000 --> 00:45:02,920
Speaker 4: I already have several people outside my place.

919
00:45:03,160 --> 00:45:03,799
Speaker 1: What are they doing?

920
00:45:04,000 --> 00:45:06,640
Speaker 4: Oh they just they're just like, please do the bit,

921
00:45:09,160 --> 00:45:10,440
Speaker 4: and it's just annoyt.

922
00:45:10,800 --> 00:45:12,800
Speaker 1: Yeah, it's hard to live your life.

923
00:45:13,080 --> 00:45:13,760
Speaker 4: It's hard.

924
00:45:14,320 --> 00:45:20,600
Speaker 2: I think you know that, all right, if you just yeah,

925
00:45:20,640 --> 00:45:23,600
Speaker 2: and then we'll and I will. I will read it

926
00:45:23,680 --> 00:45:26,680
Speaker 2: off of your text, good idea, and I will transcribe

927
00:45:26,680 --> 00:45:30,319
Speaker 2: it into a map navigation on my phone, and then.

928
00:45:30,239 --> 00:45:34,480
Speaker 3: We'll use the hand signals we've pre rehearsed right silent

929
00:45:34,520 --> 00:45:35,279
Speaker 3: hand signals, we.

930
00:45:35,360 --> 00:45:37,879
Speaker 2: Get it, which is basically just I point left right

931
00:45:39,280 --> 00:45:42,560
Speaker 2: just while you're wait. Oh sorry, no, no, I was

932
00:45:42,640 --> 00:45:44,839
Speaker 2: just going to thank him at a weird time for

933
00:45:44,880 --> 00:45:50,359
Speaker 2: being on the podcast. That guy has no father of mine?

934
00:45:50,360 --> 00:45:54,759
Speaker 2: That ever clear song. What happened? He had kids in

935
00:45:54,800 --> 00:45:56,080
Speaker 2: the car and he almost side.

936
00:45:55,880 --> 00:45:58,600
Speaker 1: Swiped it for Ford Aerostar tried to come all the

937
00:45:58,600 --> 00:45:59,040
Speaker 1: way over.

938
00:45:59,400 --> 00:46:01,120
Speaker 4: Yeah, really nice, Eddie.

939
00:46:01,120 --> 00:46:03,080
Speaker 2: Where were you?

940
00:46:03,600 --> 00:46:05,759
Speaker 4: I just came back from Toronto?

941
00:46:06,120 --> 00:46:08,960
Speaker 2: Was that an Ian Atlas gig Oh?

942
00:46:09,000 --> 00:46:11,120
Speaker 4: I heard that name when I was out there, but.

943
00:46:11,120 --> 00:46:13,000
Speaker 2: You know, I've been talking to him. I'd like to

944
00:46:13,000 --> 00:46:13,720
Speaker 2: go to Toronto.

945
00:46:13,760 --> 00:46:18,040
Speaker 4: How was it, oh Man? This place called the Comedy

946
00:46:18,239 --> 00:46:23,560
Speaker 4: Comedy Underground. I've heard who is super fucking great. That's great,

947
00:46:23,760 --> 00:46:28,160
Speaker 4: like like they're really really into it, you know what

948
00:46:28,160 --> 00:46:28,480
Speaker 4: I mean?

949
00:46:28,760 --> 00:46:30,720
Speaker 2: And I like Canadians in general.

950
00:46:30,880 --> 00:46:33,359
Speaker 4: Yeah, I mean, so I always had.

951
00:46:32,840 --> 00:46:35,200
Speaker 2: To go that broad but it's a positive thing, So

952
00:46:35,760 --> 00:46:37,719
Speaker 2: it's okay. I love all Canadians, all of them.

953
00:46:37,800 --> 00:46:38,960
Speaker 1: Canadians are the greatest.

954
00:46:39,040 --> 00:46:42,960
Speaker 4: They are the best of the crew. Except yeah, what

955
00:46:43,000 --> 00:46:43,200
Speaker 4: is it?

956
00:46:43,239 --> 00:46:44,880
Speaker 2: They're really good natured.

957
00:46:45,120 --> 00:46:46,719
Speaker 1: They're just so goddamn reasonable.

958
00:46:47,160 --> 00:46:48,320
Speaker 4: Yeah, they're mellow.

959
00:46:48,960 --> 00:46:50,759
Speaker 2: I never see him stressed out up there.

960
00:46:51,040 --> 00:46:54,279
Speaker 4: Yeah, yeah, it's clean. Well, I well, I was in

961
00:46:54,320 --> 00:46:56,960
Speaker 4: the winter. Man. It's so funny. I've been doing this.

962
00:46:57,200 --> 00:46:59,120
Speaker 4: I've been doing this the last couple of months. I've

963
00:46:59,120 --> 00:47:03,280
Speaker 4: been going to like fucking Chicago, Rochester, New York City,

964
00:47:03,640 --> 00:47:07,680
Speaker 4: going from brutal snowy weather to La and it's so

965
00:47:08,000 --> 00:47:10,919
Speaker 4: fucking funny. I like it. I do too.

966
00:47:11,080 --> 00:47:11,839
Speaker 2: Do you like the snow?

967
00:47:11,960 --> 00:47:14,239
Speaker 4: I like I do. I like I like the cold weather,

968
00:47:14,360 --> 00:47:15,680
Speaker 4: especially to ban out here.

969
00:47:15,840 --> 00:47:16,040
Speaker 2: Yeah.

970
00:47:16,120 --> 00:47:20,640
Speaker 4: Yeah, in uh, I don't know, Land of the Eternal Sunshine.

971
00:47:20,719 --> 00:47:25,200
Speaker 2: Yeah. No seasons, no, no seasons, time passing except birthday.

972
00:47:25,320 --> 00:47:26,840
Speaker 2: My birthday is in a couple of days. By the

973
00:47:27,080 --> 00:47:28,640
Speaker 2: happy birthday. I just plug that.

974
00:47:29,280 --> 00:47:31,040
Speaker 1: February fifth, everybody, thank you.

975
00:47:31,160 --> 00:47:36,400
Speaker 4: February fifth. Yep, yep, very nice. That's a super birthday.

976
00:47:36,600 --> 00:47:39,560
Speaker 2: But yeah, but when you're up there in Canadia, but

977
00:47:39,800 --> 00:47:43,520
Speaker 2: they just, uh, they just are relaxed all the time.

978
00:47:43,600 --> 00:47:46,080
Speaker 1: I think, are they smart? I mean, like smarter than

979
00:47:46,200 --> 00:47:47,239
Speaker 1: your average No.

980
00:47:47,160 --> 00:47:51,040
Speaker 2: One accuses them of being the smartest. But that's not

981
00:47:51,160 --> 00:47:52,200
Speaker 2: why you're there, that's not.

982
00:47:52,280 --> 00:47:55,359
Speaker 4: Look, this is my theory. If you're less stressed, you're

983
00:47:55,440 --> 00:48:00,400
Speaker 4: smarter because stress, you know, stress kind of just creates

984
00:48:00,600 --> 00:48:03,320
Speaker 4: all this bullshit that gets in the way of you thinking.

985
00:48:03,520 --> 00:48:05,520
Speaker 2: Yeahctive reasoning and things like that.

986
00:48:05,840 --> 00:48:08,240
Speaker 3: I also think it's kind of cool to be smart

987
00:48:08,239 --> 00:48:11,799
Speaker 3: in Canada, whereas here it's like football and like I'm

988
00:48:11,840 --> 00:48:14,399
Speaker 3: going to be on American Idol. But like up there,

989
00:48:14,640 --> 00:48:17,560
Speaker 3: I remember my friend Christine Goodin in high school. She

990
00:48:17,600 --> 00:48:20,399
Speaker 3: had Canadian cousins that came to visit and I was

991
00:48:20,760 --> 00:48:23,880
Speaker 3: I was totally in love with her. One cousin who

992
00:48:24,000 --> 00:48:27,680
Speaker 3: was probably like twenty two, and he brought a scientific

993
00:48:27,719 --> 00:48:29,040
Speaker 3: American with him.

994
00:48:29,480 --> 00:48:32,480
Speaker 1: I thought that was the most I couldn't get over it.

995
00:48:32,480 --> 00:48:34,240
Speaker 3: It was like made me weak in the knees because

996
00:48:34,719 --> 00:48:38,080
Speaker 3: I've never seen a guy be like kind of in my.

997
00:48:38,160 --> 00:48:38,920
Speaker 1: On my own time.

998
00:48:39,040 --> 00:48:42,880
Speaker 3: I'm going to pursue the scientific arts.

999
00:48:43,640 --> 00:48:46,080
Speaker 2: By days off, I'm going to go to my own school.

1000
00:48:46,320 --> 00:48:49,160
Speaker 3: Yes, I'm going to go to extra school because there's

1001
00:48:49,200 --> 00:48:49,759
Speaker 3: nothing like.

1002
00:48:49,719 --> 00:48:51,719
Speaker 1: That in my world up until that point.

1003
00:48:51,880 --> 00:48:52,640
Speaker 2: Yeah.

1004
00:48:52,719 --> 00:48:54,839
Speaker 4: Yeah, I don't know what that is. It's just it's

1005
00:48:55,000 --> 00:48:58,880
Speaker 4: nice though, and they're great comedy fans and it's just

1006
00:48:59,080 --> 00:49:02,200
Speaker 4: and they're really appreciate because I guess you know, there's

1007
00:49:02,239 --> 00:49:05,839
Speaker 4: smaller places and they don't get a lot of well

1008
00:49:05,880 --> 00:49:12,960
Speaker 4: they do, but not often. I think, Yeah, so they're appreciative, appreciative. Yeah,

1009
00:49:13,600 --> 00:49:18,240
Speaker 4: my commercial editions we go, so they're appreciative, right, Eddie.

1010
00:49:18,520 --> 00:49:21,560
Speaker 3: Can you get to word appreciative because I think that's

1011
00:49:21,560 --> 00:49:22,360
Speaker 3: what's on the paper.

1012
00:49:22,560 --> 00:49:25,360
Speaker 4: So it's ain't a leakage, No, Eddie, isn't that what

1013
00:49:25,480 --> 00:49:28,040
Speaker 4: it is? This potato chip is supposed to stop?

1014
00:49:28,760 --> 00:49:31,080
Speaker 2: No, it's it's funny you said potato chicken.

1015
00:49:31,200 --> 00:49:32,960
Speaker 1: Wasn't experience.

1016
00:49:33,200 --> 00:49:35,799
Speaker 2: I experienced dandel the kitchen. It was from o Lean.

1017
00:49:36,040 --> 00:49:39,799
Speaker 4: Yes, oh oil that they would use that, that is

1018
00:49:39,840 --> 00:49:41,360
Speaker 4: what didn't product was all about.

1019
00:49:41,560 --> 00:49:43,720
Speaker 2: Yeah, this is like, hey, do you still like eating

1020
00:49:43,719 --> 00:49:47,239
Speaker 2: potato chips with I think it was manufactured month seto.

1021
00:49:47,440 --> 00:49:48,640
Speaker 4: You go out for this spot?

1022
00:49:48,920 --> 00:49:53,439
Speaker 2: No, no, but I I am Eddie announced the time

1023
00:49:53,480 --> 00:49:57,680
Speaker 2: to tell you I was the director. I was wearing

1024
00:49:57,719 --> 00:50:00,120
Speaker 2: glasses and a scarf, so you don't recognize me, and

1025
00:50:00,160 --> 00:50:01,239
Speaker 2: I'm sorry. I got mad at you.

1026
00:50:01,560 --> 00:50:03,000
Speaker 1: Let's have a real apology.

1027
00:50:03,120 --> 00:50:05,000
Speaker 2: Here is what he did. He came in. He's like,

1028
00:50:05,360 --> 00:50:08,799
Speaker 2: I'm a I'm a man with a family. When you

1029
00:50:08,840 --> 00:50:10,239
Speaker 2: get the squirts, and I.

1030
00:50:10,280 --> 00:50:11,440
Speaker 4: Was like, the squirts?

1031
00:50:12,400 --> 00:50:16,120
Speaker 2: The who was this guy? Read the read the board.

1032
00:50:16,160 --> 00:50:16,879
Speaker 2: It's on the board.

1033
00:50:17,120 --> 00:50:19,080
Speaker 4: I'm sorry, I'm from an improv troup.

1034
00:50:20,880 --> 00:50:21,720
Speaker 1: As we speak.

1035
00:50:21,880 --> 00:50:25,560
Speaker 2: Well, I'm no ending you because I'm the director. I said,

1036
00:50:26,200 --> 00:50:26,800
Speaker 2: no ending.

1037
00:50:27,040 --> 00:50:27,880
Speaker 1: You got that address?

1038
00:50:28,600 --> 00:50:34,920
Speaker 4: Oh? Another one one south right? Yeah? Yeah. Another. Another

1039
00:50:34,960 --> 00:50:39,839
Speaker 4: thing I hated about these fucking commercials was that they

1040
00:50:39,840 --> 00:50:45,720
Speaker 4: were always directed by Brits and these horrible little piece

1041
00:50:45,760 --> 00:50:50,160
Speaker 4: of ship spots and and and they would and and

1042
00:50:50,160 --> 00:50:52,719
Speaker 4: and this guy this, these British guys would always be like,

1043
00:50:52,880 --> 00:50:58,959
Speaker 4: all right, if you could, uh, just kind of look

1044
00:50:59,040 --> 00:51:05,920
Speaker 4: away when she says camcorder and like like like he

1045
00:51:06,000 --> 00:51:09,440
Speaker 4: had this to me, you had this like fucking attitude,

1046
00:51:09,680 --> 00:51:13,759
Speaker 4: like we're doing this, like amazing little thing. Did you

1047
00:51:13,800 --> 00:51:14,560
Speaker 4: get the address?

1048
00:51:14,800 --> 00:51:17,200
Speaker 2: Yeah, yeah, it works out. This is a great route.

1049
00:51:17,239 --> 00:51:17,719
Speaker 2: I love this.

1050
00:51:17,880 --> 00:51:21,479
Speaker 3: And you've been You've been vexed by commercial auditions for

1051
00:51:21,520 --> 00:51:24,239
Speaker 3: so long because the first time I ever saw you

1052
00:51:24,280 --> 00:51:26,960
Speaker 3: at the Fake Gallery, you did that thing where it

1053
00:51:27,040 --> 00:51:31,160
Speaker 3: was the commercial edition when the Apocalypse.

1054
00:51:31,239 --> 00:51:38,319
Speaker 5: After the Apocalypse, Oh well I find them so yeah

1055
00:51:38,440 --> 00:51:40,799
Speaker 5: and uh and at the end of that one, I

1056
00:51:40,960 --> 00:51:42,880
Speaker 5: said that at the end of that one, it was

1057
00:51:42,880 --> 00:51:44,759
Speaker 5: only like me, like I would say things to the

1058
00:51:44,800 --> 00:51:46,680
Speaker 5: casting person like.

1059
00:51:48,160 --> 00:51:51,120
Speaker 4: It's just good. Like they would be like a disembodied voice,

1060
00:51:51,120 --> 00:51:54,560
Speaker 4: and I'd be I'd be yelling, can they they be saying,

1061
00:51:54,560 --> 00:51:56,399
Speaker 4: can you read the copy? And I'd be like, it's

1062
00:51:56,480 --> 00:52:00,560
Speaker 4: just good to hear another voice. Hey, you know, after

1063
00:52:00,600 --> 00:52:03,440
Speaker 4: this audition, a couple of us are gonna forge for food.

1064
00:52:03,480 --> 00:52:08,560
Speaker 4: If you want to come, and then the casting person answered, well,

1065
00:52:08,600 --> 00:52:11,040
Speaker 4: that sounds like just leave a flyer for that if

1066
00:52:11,560 --> 00:52:15,400
Speaker 4: maybe I'll come to that. And then at the end

1067
00:52:15,520 --> 00:52:18,360
Speaker 4: they decided to go with the charred corpse instead of

1068
00:52:18,400 --> 00:52:23,080
Speaker 4: me to sell Cerealie, We're gonna go with the chart corpse.

1069
00:52:25,440 --> 00:52:26,960
Speaker 1: It's definitely a different on you.

1070
00:52:27,040 --> 00:52:30,320
Speaker 2: It's not you, it's just a different direction. Thank you, Karen.

1071
00:52:31,040 --> 00:52:33,080
Speaker 4: But you know, you know, everybody used to tell me,

1072
00:52:33,120 --> 00:52:36,279
Speaker 4: which I also found insulting. Eddie, you just you so

1073
00:52:36,600 --> 00:52:39,680
Speaker 4: look like the everyman. And I was like, well, thank

1074
00:52:39,719 --> 00:52:42,239
Speaker 4: you for that. Thank you.

1075
00:52:42,600 --> 00:52:46,120
Speaker 2: That's not at all insure your your insults are so

1076
00:52:46,280 --> 00:52:46,880
Speaker 2: well worded.

1077
00:52:47,000 --> 00:52:50,760
Speaker 4: Yeah, you look like the plumber. And you're gonna work,

1078
00:52:50,920 --> 00:52:55,120
Speaker 4: and you're gonna work, and then you're gonna work some more.

1079
00:52:56,080 --> 00:52:59,640
Speaker 2: But mostly plumbing. Mostly you're a plumber.

1080
00:52:59,719 --> 00:53:03,359
Speaker 4: Now, I'll never forget going in one time for a

1081
00:53:03,560 --> 00:53:08,279
Speaker 4: fucking Musins commercial and just that's the thing we have

1082
00:53:08,360 --> 00:53:18,239
Speaker 4: to sit and go. Oh, wil an Old and I

1083
00:53:18,280 --> 00:53:21,720
Speaker 4: walked in there. I did book at about three years running,

1084
00:53:21,719 --> 00:53:25,160
Speaker 4: but no, of course I didn't.

1085
00:53:25,239 --> 00:53:26,960
Speaker 2: But it would be fun to be the voice of

1086
00:53:27,000 --> 00:53:27,680
Speaker 2: the actual book.

1087
00:53:27,760 --> 00:53:30,160
Speaker 4: Yeah, you don't know the stuff.

1088
00:53:33,360 --> 00:53:35,160
Speaker 2: I packed all my book of clothing the.

1089
00:53:36,880 --> 00:53:37,200
Speaker 1: Worse.

1090
00:53:38,640 --> 00:53:42,040
Speaker 2: But yeah, oh that's the word. Yeah, you're sickly good.

1091
00:53:42,160 --> 00:53:43,360
Speaker 2: Oh you're doing it perfectly.

1092
00:53:43,600 --> 00:53:47,719
Speaker 4: But also also like what's really depressing is like what

1093
00:53:48,440 --> 00:53:51,200
Speaker 4: the industry saw me as Like when I would walk

1094
00:53:51,239 --> 00:53:54,520
Speaker 4: into the room and see the people that I was

1095
00:53:54,560 --> 00:53:58,600
Speaker 4: their type. I just would always have to like read

1096
00:53:58,600 --> 00:54:03,400
Speaker 4: a self help book after like that, because it was like, really,

1097
00:54:03,560 --> 00:54:06,960
Speaker 4: this is what I am to you fucking people.

1098
00:54:09,160 --> 00:54:11,520
Speaker 2: Around Christmas time, it's fun to go on them where

1099
00:54:11,560 --> 00:54:15,120
Speaker 2: they ask for a Santa Claus and every guy in

1100
00:54:15,239 --> 00:54:18,759
Speaker 2: town who professionally is Santa Claus to committed to where

1101
00:54:18,760 --> 00:54:23,719
Speaker 2: they have a big white beard, and don't they more

1102
00:54:23,760 --> 00:54:26,279
Speaker 2: about they maintain a jolly nus. They're like, well, like

1103
00:54:26,480 --> 00:54:28,680
Speaker 2: if I just wait, I'm probably gonna not get as

1104
00:54:28,719 --> 00:54:33,080
Speaker 2: many gigs, be it in a a shopping mall or

1105
00:54:33,120 --> 00:54:36,880
Speaker 2: on a commercial or actually just weeks of desperation. Visiting

1106
00:54:36,960 --> 00:54:43,359
Speaker 2: of children's hospital. Yeah, nothing's more desperate than visiting sick kids.

1107
00:54:44,120 --> 00:54:44,759
Speaker 2: You said it.

1108
00:54:45,160 --> 00:54:46,680
Speaker 4: I visit sick all the time.

1109
00:54:48,000 --> 00:54:48,200
Speaker 3: Here.

1110
00:54:50,480 --> 00:54:53,760
Speaker 4: That's I'm visiting sick kids for myself, just so I'm grateful.

1111
00:54:53,800 --> 00:54:57,680
Speaker 4: I just go in and I leave okay, yeah, I

1112
00:54:57,719 --> 00:55:00,680
Speaker 4: am not. I am doing better than you, sir.

1113
00:55:01,040 --> 00:55:04,640
Speaker 2: That's your son visit except kids, it's your Murray perfect.

1114
00:55:05,760 --> 00:55:07,920
Speaker 1: I was actually just remembering I went on it.

1115
00:55:08,120 --> 00:55:10,560
Speaker 3: I only went on like three commercial auditions because I

1116
00:55:10,600 --> 00:55:13,799
Speaker 3: was so I was such a terrible auditioner anyway, but

1117
00:55:14,280 --> 00:55:14,960
Speaker 3: those ones, they.

1118
00:55:14,880 --> 00:55:16,160
Speaker 1: Would make you improv stuff.

1119
00:55:16,239 --> 00:55:19,280
Speaker 3: Yeah, and so I was always like out of my mind,

1120
00:55:19,360 --> 00:55:22,160
Speaker 3: uncomfortable just the second I got there. And one time

1121
00:55:22,160 --> 00:55:24,600
Speaker 3: I was waiting in the waiting room and two dudes

1122
00:55:24,600 --> 00:55:28,560
Speaker 3: who worked at the casting office got into a fist fight, and.

1123
00:55:28,640 --> 00:55:31,560
Speaker 1: I got up and left so quickly and called my agent.

1124
00:55:31,600 --> 00:55:33,440
Speaker 3: I was like, two dudes got into a fist fight.

1125
00:55:33,480 --> 00:55:35,759
Speaker 3: I'm not going back there. And it was like they

1126
00:55:35,760 --> 00:55:38,440
Speaker 3: were like my agent called there was like my client

1127
00:55:38,520 --> 00:55:40,359
Speaker 3: was very upset, But I actually wasn't.

1128
00:55:40,360 --> 00:55:43,560
Speaker 1: I just it was the perfect excuse. Oh they got

1129
00:55:43,640 --> 00:55:44,759
Speaker 1: in a fight. I'm not going back.

1130
00:55:44,800 --> 00:55:46,839
Speaker 2: I'm again. You never know much.

1131
00:55:47,680 --> 00:55:51,279
Speaker 4: I would always be afraid that my agent, I swear

1132
00:55:51,320 --> 00:55:53,160
Speaker 4: to God, It's like just me being a little kid.

1133
00:55:53,840 --> 00:55:56,760
Speaker 4: I would always keep going, okay going. I would always

1134
00:55:56,760 --> 00:56:02,919
Speaker 4: be afraid of my agent getting a report. It would

1135
00:56:02,960 --> 00:56:06,600
Speaker 4: be like my team, I worry about it.

1136
00:56:06,920 --> 00:56:08,680
Speaker 2: I worry about the other day. I went in for

1137
00:56:08,719 --> 00:56:11,840
Speaker 2: one and yeah, I'm supposed to be a mean director guy.

1138
00:56:11,880 --> 00:56:14,719
Speaker 4: Actually, are you having fun with them? Now you're going in.

1139
00:56:15,000 --> 00:56:17,600
Speaker 2: I like the I'm getting used to auditioning and I

1140
00:56:17,640 --> 00:56:18,120
Speaker 2: feel like.

1141
00:56:18,280 --> 00:56:20,719
Speaker 4: If it is, are you booking any Yeah?

1142
00:56:20,960 --> 00:56:24,200
Speaker 2: I got commercial a lot, but that's cool. When what

1143
00:56:24,280 --> 00:56:26,520
Speaker 2: was Canadian one was in the UK? What you know,

1144
00:56:26,600 --> 00:56:28,000
Speaker 2: you wouldn't see that.

1145
00:56:28,280 --> 00:56:31,120
Speaker 4: That's even better. Nobody sees you do them exactly.

1146
00:56:31,680 --> 00:56:32,799
Speaker 2: I was pretty happy about that.

1147
00:56:32,840 --> 00:56:34,960
Speaker 4: But I want to be flown in Japan and do

1148
00:56:35,040 --> 00:56:37,719
Speaker 4: those few million dollar ones, but nobody knows.

1149
00:56:37,880 --> 00:56:40,719
Speaker 2: I got to go to Spain. You did, as you

1150
00:56:40,760 --> 00:56:42,520
Speaker 2: went on the beach in Spain, and then I got

1151
00:56:42,560 --> 00:56:47,200
Speaker 2: to go to England for a commercial yeah and one

1152
00:56:47,600 --> 00:56:51,879
Speaker 2: oh yeah for Expedia dot c a Canadian and then

1153
00:56:51,960 --> 00:56:53,080
Speaker 2: for a Mini Cooper.

1154
00:56:53,160 --> 00:56:56,520
Speaker 4: That's cool when you could go to Spain ship right, So.

1155
00:56:56,560 --> 00:56:58,360
Speaker 2: I think I got spoiled and I'm like, this is

1156
00:56:58,400 --> 00:57:00,239
Speaker 2: the best gig ever. I'm going to focus on this,

1157
00:57:00,360 --> 00:57:03,080
Speaker 2: but I I haven't booked anything right now, and like

1158
00:57:03,160 --> 00:57:07,800
Speaker 2: you mentioned before, I've been for how long food for yeah,

1159
00:57:07,840 --> 00:57:10,560
Speaker 2: for since I shaved my mustache. I haven't had a

1160
00:57:10,560 --> 00:57:15,359
Speaker 2: good audition. I've shaved it eight months ago.

1161
00:57:15,560 --> 00:57:18,000
Speaker 4: Okay, yeah, yeah it is streaky like that though.

1162
00:57:17,880 --> 00:57:24,560
Speaker 2: Right, yeah, yeah it's my mustache. Yeah, well it's had

1163
00:57:24,600 --> 00:57:28,080
Speaker 2: a streak. It was. I was getting callbacks all the time.

1164
00:57:28,120 --> 00:57:30,240
Speaker 2: I'm like, well, yeah, I'm in the groove, and where's

1165
00:57:30,560 --> 00:57:33,120
Speaker 2: this groove? Isn't going to go anywhere but straight.

1166
00:57:32,840 --> 00:57:34,440
Speaker 4: To the.

1167
00:57:36,920 --> 00:57:44,360
Speaker 2: Emperor has got a brand new clo whatever anyway it'll make.

1168
00:57:44,520 --> 00:57:47,760
Speaker 2: I don't feel wildly uncomfortable anymore when I go into

1169
00:57:47,840 --> 00:57:48,200
Speaker 2: a room.

1170
00:57:48,600 --> 00:57:51,240
Speaker 4: You know, next exit by the way, yes, quickly, little

1171
00:57:51,240 --> 00:57:52,880
Speaker 4: one on the right. You don't know where it is,

1172
00:57:52,920 --> 00:57:56,560
Speaker 4: folks listening, yes, because I already have people in front

1173
00:57:56,560 --> 00:58:00,800
Speaker 4: of my goddamn house constantly like, oh please sign this,

1174
00:58:02,280 --> 00:58:04,560
Speaker 4: well you used the olean bag.

1175
00:58:05,320 --> 00:58:07,360
Speaker 3: And then there's that one guy with the God hates

1176
00:58:07,440 --> 00:58:09,320
Speaker 3: fag sign, which doesn't make sense.

1177
00:58:10,600 --> 00:58:11,480
Speaker 1: Why is he there?

1178
00:58:12,440 --> 00:58:14,600
Speaker 2: I always want I want to go in in front

1179
00:58:14,600 --> 00:58:17,240
Speaker 2: of a grocery store where a god hates bags?

1180
00:58:17,960 --> 00:58:20,720
Speaker 4: What God hates bags?

1181
00:58:20,720 --> 00:58:21,280
Speaker 2: To get them?

1182
00:58:22,320 --> 00:58:24,360
Speaker 4: I just love Lately.

1183
00:58:25,160 --> 00:58:26,000
Speaker 1: They're pretty great.

1184
00:58:26,320 --> 00:58:29,360
Speaker 2: Yeah, hubs, I'm tired of working for the Here we go,

1185
00:58:29,480 --> 00:58:33,160
Speaker 2: we're taking this sweet, sweet, sweet sweet. Then beautiful and

1186
00:58:33,160 --> 00:58:34,439
Speaker 2: then we're gonna turn right.

1187
00:58:34,680 --> 00:58:37,120
Speaker 1: Are you so relaxed, Eddie because you're home now?

1188
00:58:37,200 --> 00:58:38,640
Speaker 4: You guys, did that really well?

1189
00:58:39,040 --> 00:58:42,080
Speaker 2: Oh? You did you have fun? Are you currently having fun?

1190
00:58:42,120 --> 00:58:43,920
Speaker 2: It's not. I'm glad.

1191
00:58:44,560 --> 00:58:45,720
Speaker 1: Are you ready for some more fun?

1192
00:58:45,880 --> 00:58:48,400
Speaker 2: Some of our episodes, I'll be honest, are kind of stinkers,

1193
00:58:48,480 --> 00:58:51,040
Speaker 2: and I think this one was up there with with

1194
00:58:51,200 --> 00:58:52,880
Speaker 2: Aaron Foley and.

1195
00:58:52,520 --> 00:58:54,760
Speaker 4: Some of the better one.

1196
00:58:55,760 --> 00:58:57,880
Speaker 2: She was great, but I don't want to talk about her.

1197
00:58:57,960 --> 00:58:58,919
Speaker 2: Let's talk about you.

1198
00:58:59,680 --> 00:59:01,000
Speaker 4: When you dropped me off for what do we do?

1199
00:59:01,120 --> 00:59:04,080
Speaker 2: It ends abruptly and awkwardly, and we actually.

1200
00:59:03,800 --> 00:59:05,040
Speaker 4: That's actually kind of cool.

1201
00:59:05,520 --> 00:59:08,000
Speaker 2: Yeah, yeah, we'll end with you stop right here. No,

1202
00:59:09,400 --> 00:59:11,560
Speaker 2: he just wanted it to end the whole time.

1203
00:59:11,800 --> 00:59:16,400
Speaker 4: That'd be funny. Like I say, well, I came out

1204
00:59:16,480 --> 00:59:19,480
Speaker 4: the other day to my parents and then I'm like,

1205
00:59:19,560 --> 00:59:20,280
Speaker 4: stop right here.

1206
00:59:21,440 --> 00:59:24,160
Speaker 2: He could really this is where my house is. The

1207
00:59:24,200 --> 00:59:28,120
Speaker 2: podcast ends. When the podcast ends, when.

1208
00:59:29,680 --> 00:59:32,400
Speaker 4: We are really close though, by the way, very very

1209
00:59:32,480 --> 00:59:32,880
Speaker 4: very close.

1210
00:59:32,920 --> 00:59:34,840
Speaker 2: Well, then what did your parents say when you told.

1211
00:59:34,720 --> 00:59:37,919
Speaker 4: Him that when I came out? Yeah, well I did

1212
00:59:37,960 --> 00:59:40,160
Speaker 4: come out, and the biggest thing I ever came out

1213
00:59:40,200 --> 00:59:42,520
Speaker 4: as was an actor. When I told my dad no.

1214
00:59:42,920 --> 00:59:45,040
Speaker 4: When I told my dad I was going, my dad

1215
00:59:45,200 --> 00:59:47,400
Speaker 4: was like a dean of high school, and he wanted

1216
00:59:47,480 --> 00:59:51,200
Speaker 4: and he kind of wanted me to be a dentist

1217
00:59:51,480 --> 00:59:54,520
Speaker 4: for some reason, like I didn't want to be a doctor.

1218
00:59:54,720 --> 00:59:56,200
Speaker 4: And then he's and then I said, all right, how

1219
00:59:56,200 --> 00:59:58,480
Speaker 4: about a dentist? I said that just to please them,

1220
00:59:58,720 --> 01:00:02,240
Speaker 4: And he was really excited. Did that. I was studying dentistry.

1221
01:00:02,080 --> 01:00:03,280
Speaker 1: And you actually studied it.

1222
01:00:03,360 --> 01:00:05,640
Speaker 2: That's the same pressure as the elf and Rudolph. He

1223
01:00:06,040 --> 01:00:08,640
Speaker 2: felt he wanted to be a dentist. Dentist, Yeah, but

1224
01:00:08,680 --> 01:00:11,720
Speaker 2: he was an elf. He was actually the elfin Rudolf.

1225
01:00:11,880 --> 01:00:14,400
Speaker 2: He was passionate about dentistry. He's like, why am I

1226
01:00:14,440 --> 01:00:16,840
Speaker 2: a miss? Why look at me making these toys. I'm like,

1227
01:00:17,160 --> 01:00:18,160
Speaker 2: that's a pretty good gig.

1228
01:00:19,280 --> 01:00:21,400
Speaker 4: My dad gave me a fucking Noca needle for my

1229
01:00:21,440 --> 01:00:25,840
Speaker 4: sixteen I'm not kidding. It was a beautiful like like

1230
01:00:25,920 --> 01:00:27,840
Speaker 4: state of the yard, Like you don't get to se

1231
01:00:27,960 --> 01:00:29,000
Speaker 4: him because they always hide him.

1232
01:00:29,040 --> 01:00:32,400
Speaker 2: Now the me, So did that then light a fire

1233
01:00:32,480 --> 01:00:33,200
Speaker 2: under your ass?

1234
01:00:33,560 --> 01:00:35,520
Speaker 4: Did when you get a Novicaine needle.

1235
01:00:35,360 --> 01:00:42,080
Speaker 2: That you let me reach into my stocking?

1236
01:00:42,360 --> 01:00:42,600
Speaker 4: Ow?

1237
01:00:43,440 --> 01:00:44,000
Speaker 2: What is this?

1238
01:00:46,240 --> 01:00:47,000
Speaker 1: It's a needle.

1239
01:00:47,160 --> 01:00:49,920
Speaker 4: Son, I'm sorry, Son, I was supposed to be covered with.

1240
01:00:51,720 --> 01:00:53,280
Speaker 1: I had to put a wine cork on the end

1241
01:00:53,320 --> 01:00:53,520
Speaker 1: of that.

1242
01:00:53,800 --> 01:00:55,840
Speaker 4: You'll probably for a couple of hours.

1243
01:00:55,880 --> 01:00:59,880
Speaker 2: Only a couple guys used it. Behind my works. There's

1244
01:00:59,880 --> 01:01:01,720
Speaker 2: a couple of guys in an alley that I let

1245
01:01:01,800 --> 01:01:04,120
Speaker 2: use the needle. But other than that, it's brand new

1246
01:01:04,240 --> 01:01:05,840
Speaker 2: sound and I'm going to be a dentist.

1247
01:01:06,040 --> 01:01:07,840
Speaker 1: He gave me a needle.

1248
01:01:08,000 --> 01:01:11,440
Speaker 4: That's the best get to the right.

1249
01:01:11,320 --> 01:01:15,439
Speaker 2: Okay, And well, did your dad evere.

1250
01:01:15,480 --> 01:01:16,840
Speaker 4: Right behind this great car?

1251
01:01:16,960 --> 01:01:17,760
Speaker 1: Okay?

1252
01:01:18,080 --> 01:01:23,640
Speaker 2: Perfect? Yeah, No one's gonna bother for a little bit.

1253
01:01:23,800 --> 01:01:28,360
Speaker 2: So did your dad ultimately see you act and realize

1254
01:01:28,400 --> 01:01:29,760
Speaker 2: that you made a life for yourself?

1255
01:01:30,160 --> 01:01:32,720
Speaker 4: You know? It took him so long because he heard

1256
01:01:32,720 --> 01:01:37,360
Speaker 4: about the Olean commercial heard he heard about a lot

1257
01:01:37,440 --> 01:01:38,720
Speaker 4: of this stuff because he had a friend in the

1258
01:01:38,720 --> 01:01:43,320
Speaker 4: commercial industry and kidding that would be funny if like Bob,

1259
01:01:45,320 --> 01:01:48,880
Speaker 4: which I'm sure you got from that, but Bob, I

1260
01:01:48,920 --> 01:01:51,560
Speaker 4: don't know. He screwed up a couple of words and

1261
01:01:51,560 --> 01:01:54,080
Speaker 4: ain't a leakage product. It was perfect for him because

1262
01:01:54,080 --> 01:01:56,160
Speaker 4: he he looks like Ship, you know what I mean.

1263
01:01:56,600 --> 01:01:58,479
Speaker 4: He's a kid who looks like ship and he's gonna

1264
01:01:58,480 --> 01:02:01,720
Speaker 4: go far if he could just harn it. This everyman,

1265
01:02:02,000 --> 01:02:05,600
Speaker 4: which basically means, you know a person doesn't look well.

1266
01:02:08,120 --> 01:02:11,840
Speaker 2: You're an everyman if everyone in America was a sick plumber.

1267
01:02:11,920 --> 01:02:14,720
Speaker 1: Now it's a compliment.

1268
01:02:15,000 --> 01:02:18,840
Speaker 2: Go Eddie, you're great. This was fun and yeah, this

1269
01:02:19,000 --> 01:02:21,920
Speaker 2: was good. Many delight. We're going to go back to

1270
01:02:21,960 --> 01:02:24,320
Speaker 2: the airport and pick up our nest guests like this.

1271
01:02:24,240 --> 01:02:27,840
Speaker 4: Is, by the way. That is so funny to me.

1272
01:02:28,440 --> 01:02:31,280
Speaker 4: Airports are the one place I hate going. I go

1273
01:02:31,360 --> 01:02:33,880
Speaker 4: there regularly. Do you now kind of dig it?

1274
01:02:33,920 --> 01:02:35,720
Speaker 1: And I love it?

1275
01:02:36,600 --> 01:02:37,480
Speaker 4: It is hilarious.

1276
01:02:37,560 --> 01:02:40,040
Speaker 2: Maybe it's kind of my character, I guess, but I

1277
01:02:40,120 --> 01:02:42,800
Speaker 2: don't I get. I get a feeling of anxiety the

1278
01:02:42,840 --> 01:02:43,840
Speaker 2: moment they know you do.

1279
01:02:43,920 --> 01:02:46,080
Speaker 4: Some of the cops know you at this point. You

1280
01:02:46,080 --> 01:02:48,480
Speaker 4: know that's the podcast. Let them throw folks.

1281
01:02:48,640 --> 01:02:51,720
Speaker 2: I'm sure they noticed that there's occasionally a car where

1282
01:02:51,760 --> 01:02:55,160
Speaker 2: people inexplicably have microphones in their hands.

1283
01:02:55,360 --> 01:02:58,080
Speaker 3: So you're going to get I just realized though, as

1284
01:02:58,080 --> 01:03:00,920
Speaker 3: we talked about that we might be uh.

1285
01:03:00,960 --> 01:03:03,880
Speaker 1: Suspects since we're at the airport so much.

1286
01:03:07,200 --> 01:03:10,240
Speaker 2: A size checking out that lady.

1287
01:03:10,560 --> 01:03:13,200
Speaker 1: Yeah, we could be We could be in serious danger.

1288
01:03:13,240 --> 01:03:20,000
Speaker 3: But no, look around at whatever you feel like looking at.

1289
01:03:20,440 --> 01:03:23,200
Speaker 2: Had she wasn't wearing a brassier. I wanted to warn

1290
01:03:23,280 --> 01:03:27,080
Speaker 2: her that'll cause permanent hangage.

1291
01:03:27,160 --> 01:03:28,920
Speaker 4: All right, guys, thank you so much.

1292
01:03:30,240 --> 01:03:32,560
Speaker 1: Coming out. You have a podcast do you want to

1293
01:03:32,560 --> 01:03:33,200
Speaker 1: talk about.

1294
01:03:33,480 --> 01:03:36,800
Speaker 4: Yes, please listen to my podcast on the Old Things

1295
01:03:36,800 --> 01:03:40,600
Speaker 4: Comedy Network. It's called Pep Talks with the Bitter Buddha

1296
01:03:40,840 --> 01:03:43,240
Speaker 4: and you could subscribe to it on iTunes. I'm going

1297
01:03:43,320 --> 01:03:45,680
Speaker 4: to be at the San Francisco Sketch Fest. Oh fun,

1298
01:03:46,480 --> 01:03:49,200
Speaker 4: kept coming up to February sixth, seven and eight yd

1299
01:03:49,240 --> 01:03:51,840
Speaker 4: and that's a green gravel fest. And I at the

1300
01:03:51,920 --> 01:03:55,120
Speaker 4: end of February and then the punchline March like eleven.

1301
01:03:55,120 --> 01:03:56,720
Speaker 4: I'm going to headline a punch That's great.

1302
01:03:56,920 --> 01:03:58,760
Speaker 1: That's a great The punchline in San Francisco.

1303
01:03:58,960 --> 01:03:59,760
Speaker 4: Yeah nice.

1304
01:04:00,120 --> 01:04:02,120
Speaker 2: That's to San Francisco Trips or is it right?

1305
01:04:02,240 --> 01:04:04,800
Speaker 4: That's right, it's it's San Francisco.

1306
01:04:05,040 --> 01:04:08,040
Speaker 2: I will and then back to San Francisco.

1307
01:04:08,320 --> 01:04:09,160
Speaker 4: I like San Francisco.

1308
01:04:09,360 --> 01:04:11,680
Speaker 2: You gotta go back to go get your hearts. You

1309
01:04:11,720 --> 01:04:13,400
Speaker 2: gotta go back a second time to get your heart.

1310
01:04:15,000 --> 01:04:16,560
Speaker 2: Every leaving their heart there.

1311
01:04:17,440 --> 01:04:20,280
Speaker 3: And thinging about it?

1312
01:04:20,360 --> 01:04:23,040
Speaker 2: Well, go alright guy, thanks for being on. Do you

1313
01:04:23,080 --> 01:04:27,600
Speaker 2: need a ride? D y n A R?

1314
01:04:28,560 --> 01:04:32,880
Speaker 1: Are you leaving? I you wanna way back home? Either

1315
01:04:32,920 --> 01:04:34,040
Speaker 1: way we want to.

1316
01:04:33,960 --> 01:04:39,320
Speaker 2: Be there, doesn't matter how much baggage you clean.

1317
01:04:39,600 --> 01:04:43,440
Speaker 3: Give us time and they turning on and gage.

1318
01:04:44,800 --> 01:04:49,280
Speaker 1: We want to send you up in Si. We want

1319
01:04:49,320 --> 01:04:54,400
Speaker 1: to welcome you back home. Tell us all about it.

1320
01:04:54,440 --> 01:04:56,200
Speaker 1: We scared? Or was it fine?

1321
01:04:58,200 --> 01:04:58,360
Speaker 4: Now?

1322
01:04:58,480 --> 01:05:00,600
Speaker 2: Porn the BP.

1323
01:05:14,720 --> 01:05:18,080
Speaker 1: Do you need to ride? Do you need to ride?

1324
01:05:18,720 --> 01:05:21,920
Speaker 1: Do you need to ride? Do you need to ride?

1325
01:05:22,640 --> 01:05:23,960
Speaker 1: Do you need to ride?

1326
01:05:24,600 --> 01:05:28,000
Speaker 3: Do you need ride? Do you need to ride?

1327
01:05:28,560 --> 01:05:29,280
Speaker 4: Do you need

1328
01:05:35,800 --> 01:05:36,960
Speaker 2: With Karen and Criss