WEBVTT - From the Vault: Anthology of Horror, Volume 7

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<v Speaker 1>Hey, Welcome to Stuff to Blow Your Mind. My name

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<v Speaker 1>is Robert Lamb and I'm Joe McCormick. And it's Saturday.

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<v Speaker 1>Time to go into the vault for a classic episode

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<v Speaker 1>of the show. Uh, this one originally aired? Did this

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<v Speaker 1>one make it in after the October cut off last year?

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<v Speaker 1>Was this beginning of November? That's what That's what I'm reading. Yes, yes,

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<v Speaker 1>but we would have I guess recorded it maybe on

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<v Speaker 1>Halloween or maybe before Halloween, so it all works out.

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<v Speaker 1>The first week of November is still Halloween. In fact,

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<v Speaker 1>the second week of November is still Halloween, and I

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<v Speaker 1>would say maybe the third and fourth and and sometime

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<v Speaker 1>beyond that. Yes, this originally aired on November two. This

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<v Speaker 1>is our Anthology of Horror series, Volume seven. We hope

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<v Speaker 1>you enjoy Welcome to Stuff to Blow Your Mind production

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<v Speaker 1>of My Heart Radio. Hey, Welcome to Stuff to Blow

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<v Speaker 1>Your Mind. My name is Robert Lamb and I'm Joe McCormick.

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<v Speaker 1>And it won't be the first time that Halloween themed

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<v Speaker 1>content is spilling over into November. That We've got a

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<v Speaker 1>really good excuse this time, which is uh, and I

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<v Speaker 1>didn't know this before before before we started recording Today,

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<v Speaker 1>our producer Seth was telling us that apparently quite a

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<v Speaker 1>few Simpson's Treehouse of Horror episodes have had to air

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<v Speaker 1>after Halloween because they've been preempted by baseball or something. Yeah.

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<v Speaker 1>I mean, and of course, you know, we can always

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<v Speaker 1>drive on the fact that not all scary movies come

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<v Speaker 1>out during the month of October. Many come out throughout

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<v Speaker 1>the rest of the year, and ultimately, on this show,

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<v Speaker 1>it's you know, it's kind of Halloween year round. Um. Though,

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<v Speaker 1>I guess the tragedy is that sometimes we put off content.

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<v Speaker 1>We're like, oh, this will be perfect for Halloween, let's

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<v Speaker 1>save this for October, and then we make it through

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<v Speaker 1>October and we're like, ah, didn't actually fit that one

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<v Speaker 1>in this year. Maybe this will happen next October. But hey,

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<v Speaker 1>we're keeping another tradition alive right now because this is

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<v Speaker 1>going to be the Is this the seventh anthology episode

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<v Speaker 1>we've done for October? I think it is. I think

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<v Speaker 1>this is number seven. Um, that doesn't mean we've been

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<v Speaker 1>doing it seven years, because some years we've put out

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<v Speaker 1>more than one volume. But basically, the idea here is

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<v Speaker 1>these kind of spinoff of some old creepy post episodes

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<v Speaker 1>that we did back in the day where we look

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<v Speaker 1>to the world of horror anthology films and especially TV shows,

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<v Speaker 1>we pick something out of the basket and we we

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<v Speaker 1>sort of use it as an excuse to talk about

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<v Speaker 1>something something you know, science, e or um, you know, cultural, basically,

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<v Speaker 1>some sort of sort of topic that that in many

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<v Speaker 1>cases might not make for a full episode of stuff

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<v Speaker 1>to blew your mind on its own, but the horror

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<v Speaker 1>anthology episode gives us an excuse to talk about it,

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<v Speaker 1>and vice versa, the topic gives us an excuse to

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<v Speaker 1>talk about that particular episode. This is especially valuable back

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<v Speaker 1>in the days before Weird House Cinema, when we did

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<v Speaker 1>not have a weekly outlet for for any obsessions with

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<v Speaker 1>macab viewings. So I guess with Weird House, we're always

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<v Speaker 1>talking about movies and uh and and I know specifically,

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<v Speaker 1>what you've got in your heart with these anthology episodes

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<v Speaker 1>is like the nineties Outer Limits Revival. Yes, yeah, I

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<v Speaker 1>look forward to talking about about one of those. I've

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<v Speaker 1>really been enjoying watching those throughout the pandemic. Um My

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<v Speaker 1>wife and I have been watching these pretty much every week,

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<v Speaker 1>remotely with a couple of friends of ours. Actually, uh,

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<v Speaker 1>they host a podcast by the name of Talking Tofu,

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<v Speaker 1>So if you want a like a vegan themed funny podcast,

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<v Speaker 1>I recommend that. I don't know if they're gonna talk

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<v Speaker 1>about Outer Limits at all in there. Maybe they're leaving

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<v Speaker 1>that all for me. But at any rate, I've really enjoyed,

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<v Speaker 1>um exploring and re exploring the nineties Outer Limits episodes

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<v Speaker 1>because there's there's some real garbage in there, um, but

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<v Speaker 1>there are some great episodes and and also just about

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<v Speaker 1>anybody who was doing TV during the nineties seems to

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<v Speaker 1>show up at one point or another, as well as

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<v Speaker 1>a wide variety of Canadian actors. So I to think

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<v Speaker 1>long and hard about which episode to pick here and

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<v Speaker 1>ended up going with one from the second season. This

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<v Speaker 1>is the sixteenth episode of season two, came out in

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<v Speaker 1>and it's titled The d Programmers Now Rob. I ended

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<v Speaker 1>up having to jump through a lot of digital hoops

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<v Speaker 1>to watch this one, but I'm so glad I did.

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<v Speaker 1>This is a phenomenal pick. Yeah, these these episodes were

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<v Speaker 1>I think there is of this recording. They're in kind

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<v Speaker 1>of a streaming limbo where you can fortunately still purchase

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<v Speaker 1>them digitally, which is not the case for some anthology

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<v Speaker 1>shows like I think Tales from the Crypt is still

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<v Speaker 1>exceedingly hard to get ahold of digitally right now because

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<v Speaker 1>of some rights issues. UM. Outer Limits, Yeah, if you're gonna,

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<v Speaker 1>if you're gonna just straight up stream them without purchasing them,

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<v Speaker 1>sometimes you have to. You have to find unique ways

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<v Speaker 1>of viewing them. But if you look around, you can

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<v Speaker 1>find them, and I believe you can digitally purchase these

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<v Speaker 1>episodes still. Uh So The Deep Programmers is out there

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<v Speaker 1>for anyone who who wishes to view it, all right,

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<v Speaker 1>give me the scoop on the Deep Programmers, all right.

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<v Speaker 1>So I'm just I'm not gonna give it the full

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<v Speaker 1>weird House treatment obviously, but just to go through the

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<v Speaker 1>people involved. Um. It was directed by Joseph L. Scanlon,

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<v Speaker 1>who lived through longtime TV genre director who worked on

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<v Speaker 1>such shows as as Outer Limits. He did seven episodes

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<v Speaker 1>of that, He did four episodes of Star Trek The

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<v Speaker 1>Next Generation, He did an episode of Quantum Leap, and

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<v Speaker 1>seven episodes of Land of the Lost, among many other things.

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<v Speaker 1>The writer on this was James Crocker, TV writer who

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<v Speaker 1>wrote multiple episodes of The Outer Limits as well as

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<v Speaker 1>the early two thousand's Twilight Zone revival, which, um, I'm

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<v Speaker 1>not sure I remember that one. He also did some

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<v Speaker 1>Star Trek Deep Space nine as well as the nineteen

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<v Speaker 1>eighties Twilight Zone Revival and more. But speaking of Trek,

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<v Speaker 1>the most notable casting in this episode is Brent Spiner. Um. Yes,

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<v Speaker 1>Data himself plays this uh, this reprogrammer that that's introduced

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<v Speaker 1>as being kind of like this this um part of

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<v Speaker 1>the like the human Resistance movement. He's there to deprogram

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<v Speaker 1>people who have been brainwashed by the the enemy alien overlords.

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<v Speaker 1>And he's a real pleasure in this because you know,

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<v Speaker 1>if everybody loves Data. He was great on on Star

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<v Speaker 1>Trek Next Generation and then the you know, the related movies. Um.

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<v Speaker 1>Some people may know him from Independence Day uh. Seven

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<v Speaker 1>episodes of Night Chord Uh. He pops up in Shocker

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<v Speaker 1>and The Aviator, few episodes of Blunt Talk, various other things.

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<v Speaker 1>A lot of work, but this is one of the

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<v Speaker 1>few play if not the only place I can remember

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<v Speaker 1>seeing mean Brent Spiner. Like, he's he's he's he's rough

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<v Speaker 1>and tumble. He's a bad cop in this, yeah he is. Uh.

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<v Speaker 1>I actually having never seen tons of Star Trek. The

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<v Speaker 1>next generation. I remember I a few years back. I

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<v Speaker 1>was like, Okay, everybody my age has watched a bunch

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<v Speaker 1>of TNNG, I should like watch, you know, go through it.

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<v Speaker 1>And I started in the first season, and oh it was.

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<v Speaker 1>It was rough going. I am to understand it gets

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<v Speaker 1>better as it goes on, but but I didn't make

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<v Speaker 1>it all that far though. Of course, you know, he

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<v Speaker 1>is there in the first season as data. So when

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<v Speaker 1>I think of Brent Spiner, I think of Dr oakein

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<v Speaker 1>an Independence Day. Who you know is a who is

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<v Speaker 1>really one of the biggest rays of sunshine in that movie.

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<v Speaker 1>He plays a uh, I don't even know how. He

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<v Speaker 1>plays a sort of h emotionally stunted, sort of childlike

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<v Speaker 1>scientist who has apparently been in a bunker for forty

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<v Speaker 1>years or something. Yeah, yeah, he's um a goofy man

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<v Speaker 1>scientists kind of a character. But wait, who is he

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<v Speaker 1>in Shocker? I've seen Shocker a number of times and

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<v Speaker 1>I don't remember him at all. It's listed on his filmography.

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<v Speaker 1>I've never seen Shocker. I've only heard heard you gush

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<v Speaker 1>about it. You heard me gush huh, yeah, I thought

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<v Speaker 1>you liked it, right, you have nice things to say

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<v Speaker 1>about it. I mean, Shocker is very bad, but it's

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<v Speaker 1>a it's an entertaining bad. It's it's ridiculous. All right. Well,

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<v Speaker 1>we'll speaking of actors in this. Uh, just a couple

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<v Speaker 1>of others of note here. Um. Eric Anderson plays Evan

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<v Speaker 1>Robert Cooper. Uh. This is a TV and film actor

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<v Speaker 1>who played Rob in Friday the Thirteenth. The final chapter

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<v Speaker 1>is that one of the good Ones is that one

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<v Speaker 1>of the are there good ones? That's the that's the

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<v Speaker 1>last one in which Jason is a human before he's

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<v Speaker 1>an undead revenant. So it goes one through four he's

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<v Speaker 1>a human, and then in the fifth one it's a

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<v Speaker 1>copycat killer, and then in the sixth one that's when

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<v Speaker 1>he's a revenant. This is the last one before he

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<v Speaker 1>gets his head cut in half by Corey Feldman. Okay,

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<v Speaker 1>but Rob, the character in this is a sort of

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<v Speaker 1>he's a sort of dashing hero who shows up. You know,

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<v Speaker 1>you think he's going to save the day, but I

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<v Speaker 1>think ultimately Jason just kills him in a basement. Alright. Well,

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<v Speaker 1>the basic pitch the plot for this episode of the

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<v Speaker 1>Outer Outer Limits. Uh. And in the one of the

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<v Speaker 1>should drive on one of the great things about these

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<v Speaker 1>nineties episodes of the Outer Limits is that generally they're

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<v Speaker 1>they're very earnest, they really want to say something important

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<v Speaker 1>about the human condition, and that serious tone is often

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<v Speaker 1>what makes them so delightful, because sometimes there are wonderful

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<v Speaker 1>sci fi ideas explored in them, sometimes not so much.

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<v Speaker 1>Sometimes the attempt is there, but maybe not the delivery.

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<v Speaker 1>But it also makes the things that don't work that

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<v Speaker 1>make you know, some of the maybe some of the

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<v Speaker 1>performances they're not that crisp uh, it makes them all

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<v Speaker 1>the more hilarious because they're definitely not aiming for comedy.

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<v Speaker 1>There maybe one or two I think that that do

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<v Speaker 1>kind of aim for something more whimsical and fun, and

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<v Speaker 1>I think some of those are the ones that really

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<v Speaker 1>don't hold up. But for the most part, it's Uh,

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<v Speaker 1>it's the seriousness that makes it work. Like if it

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<v Speaker 1>was more self conscious, that would actually kind of cheapen

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<v Speaker 1>it and make it not as fun. Yeah. So in

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<v Speaker 1>this one, it takes place on a future Earth. Earth

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<v Speaker 1>we find out is ruled by alien overlords called the Torqure. Uh.

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<v Speaker 1>They're kind of these repellent, reptilian humanoid titans who seem

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<v Speaker 1>to live solitary lives, like they is if they evolve

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<v Speaker 1>from some sort of a solitary predatory species instead of

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<v Speaker 1>something that had some sort of communal system. Yeah, they're

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<v Speaker 1>like eight foot tall alligator men. So they've got these

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<v Speaker 1>reptilian outsides, and they they're very haughty, and they just

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<v Speaker 1>like to sort of lord around their their bathtub and

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<v Speaker 1>yell at their their human servants and say, oh, why

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<v Speaker 1>aren't you bringing me my oil faster. Yeah, they're kind

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<v Speaker 1>of like giant reptile Mr. Burns's, you know, they're they're

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<v Speaker 1>that level of of awful um. And I guess there's

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<v Speaker 1>probably more than a dash of um Battlefield Earth to

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<v Speaker 1>this as well. Yes, because of course that involved uh,

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<v Speaker 1>super tall alien overlords who you know, have a like

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<v Speaker 1>a brutal rule imposed over Earth. I made that exact note.

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<v Speaker 1>I mean this to be clear. This episode is much

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<v Speaker 1>better than Battlefield Earth. But I got some of those

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<v Speaker 1>notes when I was just reminded of John Travolta in

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<v Speaker 1>the movie yelling I told you to get some man

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<v Speaker 1>animals in here to fix this. Yeah, they look great

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<v Speaker 1>in this. By the way, that the Torquor when we

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<v Speaker 1>first encounter them we don't see their faces, we just

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<v Speaker 1>see their arms. So there's kind of a sense of

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<v Speaker 1>the one sler in the lorax uh to it. And

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<v Speaker 1>then later we get to see them more or less

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<v Speaker 1>in full and uh. Like like most of these episodes

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<v Speaker 1>of The Outer Limits, whenever there is a creature effect,

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<v Speaker 1>it's practical and very well executed. So anyway, yes, we

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<v Speaker 1>have torquor overlords ruling over everything. Helping them are these

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<v Speaker 1>mentally reconditioned human slaves that are called Joe them. So

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<v Speaker 1>the idea, at least at the beginning of the episode

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<v Speaker 1>is that all of the humans left on Earth after

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<v Speaker 1>it's been conquered by these aliens are brainwashed into being

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<v Speaker 1>subservient to their their new alien masters. Right, And so

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<v Speaker 1>we meet up with our our Joe Lem characters, our

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<v Speaker 1>main jo Lem character Evan here, and he's working for

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<v Speaker 1>a tor Core overlord named col Tak. And there's this

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<v Speaker 1>scene where they're preparing him his slime bath. They're preparing

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<v Speaker 1>him his saragon oil. Uh. The other Joe Lom drops

0:12:19.040 --> 0:12:23.400
<v Speaker 1>the saragon oil and breaks it and so uh this

0:12:23.480 --> 0:12:26.439
<v Speaker 1>so coal Tag is brutally murders him. There's a lot

0:12:26.480 --> 0:12:29.720
<v Speaker 1>of coal Tak complaining that the oil is not arriving

0:12:29.760 --> 0:12:32.480
<v Speaker 1>fast enough, so he's in his slime bath. Bring it

0:12:32.520 --> 0:12:36.480
<v Speaker 1>to me the oil. I need the oil. You Jolum

0:12:36.480 --> 0:12:39.240
<v Speaker 1>are always so slow. Yeah, there's a there's a very

0:12:39.240 --> 0:12:43.360
<v Speaker 1>strong Kangan kodos vibe to their their voices in this. Yes,

0:12:43.440 --> 0:12:46.040
<v Speaker 1>the Kangan Kodos thing was also very strong, and I

0:12:46.040 --> 0:12:50.320
<v Speaker 1>wonder what is the timing on that Kangan kotos. So

0:12:50.760 --> 0:12:54.200
<v Speaker 1>they came out before ninety right, yeah they did? Yeah, yeah,

0:12:54.240 --> 0:12:56.520
<v Speaker 1>so they must predate this though then again, I mean

0:12:56.679 --> 0:12:59.240
<v Speaker 1>this is I think the same year as Citizen Kang,

0:12:59.320 --> 0:13:02.640
<v Speaker 1>which is may be the closest analogue. Yeah, my my

0:13:02.720 --> 0:13:05.320
<v Speaker 1>bed is they're both essentially inspired by some of the

0:13:05.400 --> 0:13:09.240
<v Speaker 1>same sci fi precursors, except, of course, the Simpsons took

0:13:09.280 --> 0:13:13.760
<v Speaker 1>it in a intentionally comedic direction and The Outer Limits

0:13:14.000 --> 0:13:16.640
<v Speaker 1>took it in a serious direction, not realizing how comedic

0:13:17.320 --> 0:13:20.920
<v Speaker 1>it comes off. But it's really amusing in this episode. Yeah,

0:13:21.000 --> 0:13:25.320
<v Speaker 1>it is uncanny how much kol Tax sounds like Kang. Now. Um.

0:13:26.200 --> 0:13:28.480
<v Speaker 1>The next big phase in this is that we find

0:13:28.480 --> 0:13:31.920
<v Speaker 1>out well Evan Uh first of all, is spared. He's

0:13:31.960 --> 0:13:34.480
<v Speaker 1>not going to die uh and his luck would have it.

0:13:34.559 --> 0:13:38.360
<v Speaker 1>He's about to go off to rejuvenation training because a

0:13:38.400 --> 0:13:40.480
<v Speaker 1>good Joe Loman is worth keeping around for a very

0:13:40.520 --> 0:13:44.520
<v Speaker 1>long time via life extending a lien technology. So he

0:13:44.600 --> 0:13:49.319
<v Speaker 1>boards a bus to the Bliss Renewal Center. UM. Which

0:13:50.120 --> 0:13:51.880
<v Speaker 1>reminded when I saw this one for this time, it

0:13:51.960 --> 0:13:57.280
<v Speaker 1>just instantly made me think of Simpsons and ren education. Um.

0:13:57.640 --> 0:14:01.880
<v Speaker 1>Sit back and let the hooks do the work exactly. UM.

0:14:01.880 --> 0:14:04.760
<v Speaker 1>But on the way he is kidnapped by the Human

0:14:04.840 --> 0:14:09.960
<v Speaker 1>Resistance Movement and they attempt to deprogram him to remove

0:14:10.080 --> 0:14:13.319
<v Speaker 1>all of this uh, this this alien brainwashing that has

0:14:13.320 --> 0:14:16.360
<v Speaker 1>turned him into a servant and make him part of

0:14:16.400 --> 0:14:18.960
<v Speaker 1>the resistance movement to take back Earth. And this is

0:14:18.960 --> 0:14:22.560
<v Speaker 1>where we meet Brent Spiner's character, Resistance D programmer Professor

0:14:22.600 --> 0:14:25.800
<v Speaker 1>Trent Davis, who is all about stopping a mud hole

0:14:25.880 --> 0:14:27.920
<v Speaker 1>in a Joe Lom if it busts up that that

0:14:28.040 --> 0:14:30.880
<v Speaker 1>old Joe Loam conditioning. Yeah, and I guess this is

0:14:30.920 --> 0:14:35.080
<v Speaker 1>playing up on the idea of an aggressive practice of

0:14:35.240 --> 0:14:39.400
<v Speaker 1>D programming. UM. Trying to to say, okay, this guy

0:14:39.480 --> 0:14:43.680
<v Speaker 1>Evan here, the main character has been has been conditioned,

0:14:43.920 --> 0:14:48.200
<v Speaker 1>or you might say brainwashed by by this alien programming

0:14:48.880 --> 0:14:51.160
<v Speaker 1>that to to sort of like make him fear having

0:14:51.160 --> 0:14:54.960
<v Speaker 1>a will of his own, and you and Brent Spiner's ideas,

0:14:54.960 --> 0:14:56.880
<v Speaker 1>you've got to really like make him snap out of

0:14:56.920 --> 0:15:00.000
<v Speaker 1>it with a bunch of kind of brutal and even

0:15:00.160 --> 0:15:03.920
<v Speaker 1>violent tactics, yelling in his face, burning him, cutting him,

0:15:03.960 --> 0:15:07.160
<v Speaker 1>that kind of thing. Now, the twist here, and so

0:15:07.560 --> 0:15:10.040
<v Speaker 1>you know, standard warning if you don't want this spoiled,

0:15:10.080 --> 0:15:11.560
<v Speaker 1>if you want to go out and see this for yourself,

0:15:11.800 --> 0:15:14.120
<v Speaker 1>pause right now and then come back later. But the

0:15:14.160 --> 0:15:18.200
<v Speaker 1>twist is that they put him through this deep programming system.

0:15:18.240 --> 0:15:20.800
<v Speaker 1>It seems to work. He's part of the resistance. Now

0:15:21.080 --> 0:15:24.720
<v Speaker 1>he helps them in an attempt to assassinate um, his

0:15:24.880 --> 0:15:28.680
<v Speaker 1>former overlord. And then what do we find out at

0:15:28.680 --> 0:15:32.200
<v Speaker 1>the end. We find out, Oh, Brince Spiner was a

0:15:32.280 --> 0:15:35.600
<v Speaker 1>Joe Loom all along himself. He was. He was not

0:15:35.720 --> 0:15:38.120
<v Speaker 1>part of the human resistance. He was just part of

0:15:38.160 --> 0:15:41.880
<v Speaker 1>a rival torque course plot to take out one of

0:15:41.960 --> 0:15:46.000
<v Speaker 1>his his his his rival alien overlords. Right, So what

0:15:46.120 --> 0:15:49.640
<v Speaker 1>you thought was a was a human rebellion against these

0:15:49.680 --> 0:15:55.280
<v Speaker 1>alien invaders was in fact an intra alien political struggle. Yes,

0:15:55.680 --> 0:15:58.640
<v Speaker 1>which is a nice twist and one of the interesting

0:15:58.640 --> 0:16:00.920
<v Speaker 1>things about these Outer Limits episod is they usually have

0:16:00.960 --> 0:16:03.080
<v Speaker 1>a twist, so if you watch enough of them, you

0:16:03.160 --> 0:16:05.000
<v Speaker 1>end up spending half the time just trying to guess

0:16:05.040 --> 0:16:07.440
<v Speaker 1>what the twist is going to be. Uh did you

0:16:07.480 --> 0:16:10.920
<v Speaker 1>guess this one, Joe? Well, I did sort of see

0:16:10.960 --> 0:16:13.600
<v Speaker 1>the twist coming, but only because I knew there was

0:16:13.640 --> 0:16:15.760
<v Speaker 1>gonna be a twist. If I had not known there

0:16:15.800 --> 0:16:17.360
<v Speaker 1>was going to be a twist, I might not have.

0:16:17.760 --> 0:16:20.240
<v Speaker 1>There may be episodes where the twist is there's no twist,

0:16:20.320 --> 0:16:22.160
<v Speaker 1>but I can't think of what it would be off.

0:16:22.200 --> 0:16:24.600
<v Speaker 1>And there are some episodes where the twist occurs super

0:16:24.640 --> 0:16:27.400
<v Speaker 1>early and then it's all about sort of the the

0:16:28.160 --> 0:16:31.680
<v Speaker 1>ramifications of that twist. But there's a twist in there somewhere.

0:16:31.840 --> 0:16:34.840
<v Speaker 1>They're they're kind of a happy like San Junipero of

0:16:34.960 --> 0:16:39.800
<v Speaker 1>the of the Outer Limits. Um, there might be Ah,

0:16:40.360 --> 0:16:44.160
<v Speaker 1>I'm trying to think and nothing's coming to mind. Um.

0:16:44.400 --> 0:16:48.160
<v Speaker 1>The real twist is this is so sweet most of

0:16:48.200 --> 0:16:50.320
<v Speaker 1>the time, you know, because you have the cool narration

0:16:50.400 --> 0:16:52.560
<v Speaker 1>that comes on at the end where the narrator kind

0:16:52.560 --> 0:16:54.480
<v Speaker 1>of drives it home for you. And usually it's something

0:16:54.520 --> 0:16:58.320
<v Speaker 1>like when the humans expand into the stars, they'll deal

0:16:58.440 --> 0:17:01.960
<v Speaker 1>with their greatest enemy themselves. You know, it's always something

0:17:02.000 --> 0:17:04.400
<v Speaker 1>like that, you know, Yeah, this one has some kind

0:17:04.400 --> 0:17:07.440
<v Speaker 1>of pretentious phrases about free will. It was like, at

0:17:07.480 --> 0:17:10.640
<v Speaker 1>what point does a humans free will cease to exist?

0:17:10.840 --> 0:17:14.400
<v Speaker 1>And at that point would we still be human? Questions

0:17:14.440 --> 0:17:17.560
<v Speaker 1>that are are not really exploring in this episode. It's

0:17:18.760 --> 0:17:28.000
<v Speaker 1>questions than the episode we're discussing here. Naturally, this all

0:17:28.040 --> 0:17:31.320
<v Speaker 1>takes place within the context of an extreme sci fi scenario.

0:17:31.520 --> 0:17:34.520
<v Speaker 1>Humans are conditioned to be joe Lems, presumably from a

0:17:34.640 --> 0:17:37.720
<v Speaker 1>very young age, and then this conditioning is continually enforced

0:17:37.760 --> 0:17:40.840
<v Speaker 1>across a lifespan that they might prove quite long due

0:17:40.880 --> 0:17:45.000
<v Speaker 1>to these rejuvenation treatments. And there certainly is a human

0:17:45.040 --> 0:17:48.359
<v Speaker 1>component to the culture that forces this worldview on them.

0:17:48.400 --> 0:17:50.320
<v Speaker 1>But at the helm of all of this are these

0:17:50.359 --> 0:17:54.560
<v Speaker 1>alien masters. Well one thing, though, you mentioned being conditioned

0:17:54.600 --> 0:17:57.480
<v Speaker 1>since childhood. In this case, they say that the alien

0:17:57.520 --> 0:18:01.440
<v Speaker 1>invasion was only about two years ago. Oh yeah, that's right. Yeah,

0:18:01.480 --> 0:18:05.440
<v Speaker 1>so uh so, really these guys haven't been I guess

0:18:05.480 --> 0:18:08.320
<v Speaker 1>that's the long view is that is that they're going

0:18:08.359 --> 0:18:11.840
<v Speaker 1>to keep him around for a while. But Evan has

0:18:11.920 --> 0:18:15.199
<v Speaker 1>couldn't have been a Jolem for that long. Uh. But

0:18:15.359 --> 0:18:17.879
<v Speaker 1>still the idea is that he's he's largely forgotten his

0:18:18.200 --> 0:18:20.480
<v Speaker 1>previous life. He's forgotten what it was to be a

0:18:20.520 --> 0:18:24.840
<v Speaker 1>free human, and now all he thinks is the joelem way.

0:18:25.240 --> 0:18:28.920
<v Speaker 1>So um. Again, this episode is called the d Programmers.

0:18:29.720 --> 0:18:34.000
<v Speaker 1>And when the term d programming has been used before

0:18:34.000 --> 0:18:37.399
<v Speaker 1>in the context of real world ideologies, were generally talking

0:18:37.440 --> 0:18:40.840
<v Speaker 1>about a scenario of an alleged cult or some other

0:18:40.920 --> 0:18:44.840
<v Speaker 1>group with an ideology that's deemed harmful. And I was

0:18:44.840 --> 0:18:47.720
<v Speaker 1>looking into this a bit. Uh. The the idea emerged

0:18:48.320 --> 0:18:50.959
<v Speaker 1>pretty much during the nineties seventies as a part of

0:18:51.760 --> 0:18:56.160
<v Speaker 1>the counter cult movement. Now, before we did that, force

0:18:56.280 --> 0:18:58.520
<v Speaker 1>us to back up another step, because, of course, the

0:18:58.520 --> 0:19:02.280
<v Speaker 1>first big question would be constitutes the cult um. You'll

0:19:02.320 --> 0:19:05.359
<v Speaker 1>typically encounter a list of criteria that includes stuff like

0:19:05.480 --> 0:19:08.520
<v Speaker 1>separation from one's pre existing support group, devotion to a

0:19:08.560 --> 0:19:12.280
<v Speaker 1>single domineering figure. I read one list that focused on

0:19:12.480 --> 0:19:16.840
<v Speaker 1>charismatic leaders, transcendent belief systems, systems of control, and systems

0:19:16.880 --> 0:19:20.640
<v Speaker 1>of influence. But obviously there's a great deal of ambiguity

0:19:20.880 --> 0:19:24.320
<v Speaker 1>in in some of these um definitions. And while we

0:19:24.359 --> 0:19:28.880
<v Speaker 1>can all point to specific, especially historic examples of destructive

0:19:28.880 --> 0:19:31.679
<v Speaker 1>cults and say, yes, well that's a cult. You can

0:19:31.720 --> 0:19:36.720
<v Speaker 1>also throw this word at various religious and political ideologies. Um. Now,

0:19:36.760 --> 0:19:40.240
<v Speaker 1>certainly harmful and abusive cults. It do exist centered around

0:19:40.240 --> 0:19:44.959
<v Speaker 1>harmful ideologies, harmful systems, and or harmful individuals. Uh. So

0:19:45.000 --> 0:19:47.639
<v Speaker 1>that the question isn't whether so groups exists, but to

0:19:47.760 --> 0:19:52.440
<v Speaker 1>what degree other groups are lumped in with them? Uh, etcetera. Now,

0:19:52.480 --> 0:19:55.520
<v Speaker 1>another key to understanding this idea of DP programming is

0:19:55.560 --> 0:19:59.360
<v Speaker 1>the notion of brainwashing. H. This is a term coined

0:19:59.400 --> 0:20:03.040
<v Speaker 1>by journal list and propagandist Edward Hunter, who lived nineteen

0:20:03.080 --> 0:20:06.600
<v Speaker 1>or two through ninety eight, who wrote Brainwashing in Red

0:20:06.680 --> 0:20:10.679
<v Speaker 1>China The Calculated Destruction of Men's Minds, a nineteen fifty

0:20:10.680 --> 0:20:14.240
<v Speaker 1>two anti communism book based on a nineteen fifty article

0:20:14.320 --> 0:20:17.600
<v Speaker 1>that he wrote. And Uh, this was apparently an outlandish

0:20:17.640 --> 0:20:22.360
<v Speaker 1>idea even at the time. Contemporary psychologist and had it

0:20:22.400 --> 0:20:25.920
<v Speaker 1>took issue with it. Later commentators would criticize it. Um,

0:20:26.000 --> 0:20:28.360
<v Speaker 1>but it struck a nerve. It made its way into

0:20:28.400 --> 0:20:31.760
<v Speaker 1>mainstream fiction even uh and uh when we see that

0:20:31.800 --> 0:20:35.439
<v Speaker 1>in films like The Manchurian Candidate and various works of

0:20:35.960 --> 0:20:38.560
<v Speaker 1>visual or written media, and it also made its way

0:20:38.600 --> 0:20:42.200
<v Speaker 1>into political discourse. I think you can possibly see this,

0:20:42.200 --> 0:20:45.840
<v Speaker 1>this type of ideas being associated with behaviorist trends in

0:20:45.920 --> 0:20:50.040
<v Speaker 1>psychology that maybe later psychologists would look back on and

0:20:50.119 --> 0:20:53.760
<v Speaker 1>say that they may have sort of over emphasized the

0:20:53.840 --> 0:20:57.520
<v Speaker 1>role of like mechanistic conditioning and how much it could

0:20:57.560 --> 0:21:02.480
<v Speaker 1>do in shaping a person's cognitive and behavior role tendencies. Yeah. Absolutely,

0:21:02.480 --> 0:21:05.520
<v Speaker 1>I mean you take you take some understanding of behavioralism,

0:21:05.520 --> 0:21:08.800
<v Speaker 1>throw in a few more pop psychologists, a hefty dose

0:21:08.840 --> 0:21:11.480
<v Speaker 1>of red scare, and you have you have a firm

0:21:11.520 --> 0:21:16.159
<v Speaker 1>bedrock upon which to build this idea of of of brainwashing.

0:21:16.640 --> 0:21:19.359
<v Speaker 1>Uh and and even you have like, for instance, the

0:21:19.359 --> 0:21:22.119
<v Speaker 1>CIA's mk Ultra program gets in on it and tries

0:21:22.160 --> 0:21:26.160
<v Speaker 1>to uh to weaponize the idea of mind control, thinking

0:21:26.200 --> 0:21:29.920
<v Speaker 1>that the enemy may have developed techniques that do this.

0:21:30.600 --> 0:21:33.359
<v Speaker 1>And ultimately, of course, the mk Ultra revolve around seeking

0:21:33.359 --> 0:21:37.080
<v Speaker 1>answers and methods. Um from from print, for instance, the

0:21:37.080 --> 0:21:40.679
<v Speaker 1>World of Psychedelics, thinking, well, psychedelics seem to have this

0:21:40.720 --> 0:21:42.720
<v Speaker 1>effect on the way people view the world. Maybe we

0:21:42.760 --> 0:21:46.000
<v Speaker 1>could use that to break down the human mind and

0:21:46.040 --> 0:21:48.720
<v Speaker 1>then build something up in its place. Yeah, and I

0:21:48.760 --> 0:21:52.320
<v Speaker 1>think the question is, like, what level of mechanistic control

0:21:52.440 --> 0:21:56.800
<v Speaker 1>can you ultimately have over somebody else's behavior? Can you?

0:21:56.840 --> 0:21:59.560
<v Speaker 1>Can you essentially just sort of like format the hard

0:21:59.640 --> 0:22:04.480
<v Speaker 1>drive of somebody's brain and completely rewrite their their personality,

0:22:04.680 --> 0:22:08.360
<v Speaker 1>their behaviors, and program them like a robot or much

0:22:08.400 --> 0:22:10.880
<v Speaker 1>more likely, you know, is sort of the reality that

0:22:11.240 --> 0:22:13.359
<v Speaker 1>in the kind of mundane way that we would all

0:22:13.440 --> 0:22:17.280
<v Speaker 1>observe throughout our lives. Yeah, humans can have strong influences

0:22:17.320 --> 0:22:19.920
<v Speaker 1>on each other, especially if there's if there's a lot

0:22:19.960 --> 0:22:22.720
<v Speaker 1>of them, and they form a kind of, uh a

0:22:22.840 --> 0:22:26.240
<v Speaker 1>reinforced social network. But humans don't have lines of code

0:22:26.280 --> 0:22:28.320
<v Speaker 1>in their brain, and you can't like just format the

0:22:28.359 --> 0:22:33.239
<v Speaker 1>hard drive and rewrite their operating system exactly. Uh. An

0:22:33.240 --> 0:22:35.720
<v Speaker 1>excellent source on this that I recommend um as a

0:22:35.760 --> 0:22:39.439
<v Speaker 1>Slate article written by Lorraine Bosonal titled The True Story

0:22:39.440 --> 0:22:42.800
<v Speaker 1>of Brainwashing and How It Shaped America. Um It's great

0:22:42.840 --> 0:22:46.280
<v Speaker 1>reading gets into all this in detail, but essentially they

0:22:46.359 --> 0:22:49.800
<v Speaker 1>write that the brainwashing and mind control, both of these

0:22:49.840 --> 0:22:53.800
<v Speaker 1>were essentially a boogeyman based on fear of communism, fear

0:22:53.800 --> 0:22:57.520
<v Speaker 1>of Eastern culture, and the fear that Russia, China and Ultimately,

0:22:57.560 --> 0:23:00.800
<v Speaker 1>Korea had something that we didn't have. They had some

0:23:00.920 --> 0:23:05.040
<v Speaker 1>tool for breaking down people's will and uh and changing

0:23:05.080 --> 0:23:08.240
<v Speaker 1>their mindset. But as it turned out, the author describes,

0:23:08.320 --> 0:23:12.200
<v Speaker 1>brainwashing was not real. Torture and trauma very much were.

0:23:12.840 --> 0:23:17.640
<v Speaker 1>And for instance, the POWs that were observed, Uh, there

0:23:17.680 --> 0:23:19.920
<v Speaker 1>was this fear that that, oh, well, those the p

0:23:20.080 --> 0:23:22.359
<v Speaker 1>owes during the Korean War, that they had undergone some

0:23:22.400 --> 0:23:25.119
<v Speaker 1>sort of brainwashing, that there, you know, their their minds

0:23:25.119 --> 0:23:28.440
<v Speaker 1>had been changed, when in reality they were they were

0:23:28.480 --> 0:23:33.600
<v Speaker 1>just really traumatized individuals subjected to torturous conditions. Uh. So

0:23:33.680 --> 0:23:37.840
<v Speaker 1>there were no brainwashed sleeper agents. There were just traumatized humans.

0:23:38.359 --> 0:23:42.800
<v Speaker 1>But she she quotes Timothy uh Melly, professor of English

0:23:42.840 --> 0:23:45.199
<v Speaker 1>at Miami University at the time of the writing. At

0:23:45.200 --> 0:23:48.960
<v Speaker 1>any rate, uh and uh, this individual says, quote, the

0:23:49.000 --> 0:23:52.399
<v Speaker 1>basic problem that brainwashing is designed to address is the

0:23:52.480 --> 0:23:56.480
<v Speaker 1>question why would anyone become a communist? And I feel

0:23:56.560 --> 0:23:59.240
<v Speaker 1>like that kind of summarizes a lot of this, uh

0:23:59.600 --> 0:24:01.600
<v Speaker 1>right there. Yeah, And I guess you could apply that

0:24:01.640 --> 0:24:04.840
<v Speaker 1>actually to any kind of ideological or life change that

0:24:04.920 --> 0:24:07.320
<v Speaker 1>you don't understand. I mean, you can ask the same question,

0:24:07.440 --> 0:24:10.159
<v Speaker 1>like why would somebody join what you might think of

0:24:10.200 --> 0:24:12.359
<v Speaker 1>as a cult or why would somebody do X? Or

0:24:12.359 --> 0:24:14.919
<v Speaker 1>why something that doesn't at all seem appealing to you

0:24:14.960 --> 0:24:18.080
<v Speaker 1>and you can't understand why somebody would do it, you

0:24:18.119 --> 0:24:20.080
<v Speaker 1>may at that point have to assume that it's like

0:24:20.160 --> 0:24:23.080
<v Speaker 1>it's like the computer of somebody's brain has been hacked

0:24:23.640 --> 0:24:26.560
<v Speaker 1>and there there's malware in it, when in fact, a

0:24:26.560 --> 0:24:30.400
<v Speaker 1>more useful model might be to uh uh think more

0:24:30.440 --> 0:24:33.440
<v Speaker 1>outside the box in terms of what human incentives are.

0:24:33.520 --> 0:24:35.919
<v Speaker 1>I mean, I I personally think that a lot of

0:24:35.960 --> 0:24:39.159
<v Speaker 1>times we can just have a failure of imagination in

0:24:39.760 --> 0:24:44.760
<v Speaker 1>fathoming people's say, desire for certain kinds of social interactions

0:24:44.840 --> 0:24:47.639
<v Speaker 1>and how much like a is something that even is

0:24:47.680 --> 0:24:51.400
<v Speaker 1>a like truly harmful cult or ideology could fulfill these

0:24:51.440 --> 0:24:55.040
<v Speaker 1>needs for people if they're not getting them elsewhere exactly. Yeah,

0:24:55.800 --> 0:25:00.560
<v Speaker 1>And so looking back to the early nineteen seventies, here, uh,

0:25:00.720 --> 0:25:05.840
<v Speaker 1>at heart, you just had controversial, ideologically driven groups uh

0:25:05.880 --> 0:25:08.679
<v Speaker 1>that were often attractive to young people. And this was

0:25:08.720 --> 0:25:12.080
<v Speaker 1>not an exclusive reality of the nineteen seventies, obviously, but

0:25:12.160 --> 0:25:15.080
<v Speaker 1>this was a pronounced period of concern over it. The

0:25:15.119 --> 0:25:18.919
<v Speaker 1>mid twentieth century United States provides more than enough, not

0:25:18.960 --> 0:25:22.560
<v Speaker 1>only cult Panic, but also Red Panic, Satanic Panic, and

0:25:22.640 --> 0:25:25.800
<v Speaker 1>much more. We got Panics of plenty. Oh yeah, yeah,

0:25:25.840 --> 0:25:28.560
<v Speaker 1>we have an endless, endless supply of them. And again

0:25:28.720 --> 0:25:30.679
<v Speaker 1>not to say that some of these groups were not,

0:25:31.560 --> 0:25:33.640
<v Speaker 1>you know, ultimately harmful, but many of them were not.

0:25:34.040 --> 0:25:37.880
<v Speaker 1>Many of them were just different ideologies that seemed scary

0:25:38.000 --> 0:25:42.399
<v Speaker 1>to certain parts of of the public. I was reading

0:25:42.440 --> 0:25:45.439
<v Speaker 1>a source on this titled Exit Counseling and the Decline

0:25:45.440 --> 0:25:49.320
<v Speaker 1>of d Programming UM. This was by sociologist Stephen A.

0:25:49.520 --> 0:25:52.240
<v Speaker 1>Kent and um in A counselor by the name of

0:25:52.320 --> 0:25:56.520
<v Speaker 1>Joseph p uh Simhart was published in two thousand two

0:25:56.560 --> 0:25:59.560
<v Speaker 1>in Cultic Studies Review, And they were talking about just

0:25:59.600 --> 0:26:02.960
<v Speaker 1>how this deep programming approach work. The the idea that, Okay,

0:26:02.960 --> 0:26:05.280
<v Speaker 1>someone has been exposed to uh to ac cult, they've

0:26:05.320 --> 0:26:06.919
<v Speaker 1>joined a cult, and now we want to get them

0:26:06.960 --> 0:26:08.840
<v Speaker 1>out of it. What can we do? How do we

0:26:09.040 --> 0:26:14.320
<v Speaker 1>how do we reverse mindwashing? Well, we have to deprogram them. Um. So,

0:26:14.320 --> 0:26:16.360
<v Speaker 1>So the first of all, just the the the obvious

0:26:16.400 --> 0:26:19.520
<v Speaker 1>thing here is that that we know that that that

0:26:19.680 --> 0:26:23.720
<v Speaker 1>brainwashing uh and and and mind control. These are uh,

0:26:23.760 --> 0:26:28.440
<v Speaker 1>these are at at least oversimplifications of far more complex problems,

0:26:28.800 --> 0:26:32.440
<v Speaker 1>and therefore the idea of deep programming is based in

0:26:32.720 --> 0:26:36.280
<v Speaker 1>in that fallacy and that oversimplification. At least from the outside,

0:26:36.280 --> 0:26:37.800
<v Speaker 1>it has always kind of seemed to me that the

0:26:38.000 --> 0:26:43.480
<v Speaker 1>the logic behind deprogramming is essentially counter brainwashing. That someone

0:26:43.560 --> 0:26:46.840
<v Speaker 1>has brainwashed you to be in a cult, and now

0:26:46.880 --> 0:26:50.040
<v Speaker 1>we have to like brainwash you back out of it.

0:26:50.119 --> 0:26:52.919
<v Speaker 1>Like you know, it's I took you into this thing,

0:26:53.000 --> 0:26:55.280
<v Speaker 1>and I'm gonna take you out the same way. Uh,

0:26:55.320 --> 0:26:58.840
<v Speaker 1>So you you have to like use sort of like aggressive,

0:26:59.600 --> 0:27:04.200
<v Speaker 1>uh forceful tactics to try to essentially brainwash somebody back

0:27:04.240 --> 0:27:08.399
<v Speaker 1>into whatever is deemed the legitimate culture. Is yeah, And

0:27:08.400 --> 0:27:09.960
<v Speaker 1>of course the first step and all of that is

0:27:10.040 --> 0:27:14.159
<v Speaker 1>just by establishing or labeling, uh, the offending ideology or

0:27:14.240 --> 0:27:16.520
<v Speaker 1>group as a cult, as something that is in some

0:27:16.600 --> 0:27:19.639
<v Speaker 1>way deviant, that is engaging in mind control, and therefore

0:27:19.680 --> 0:27:23.280
<v Speaker 1>there's something to reverse. But then the d programming itself

0:27:23.320 --> 0:27:26.720
<v Speaker 1>that often took the form of involuntary extractions from the

0:27:26.760 --> 0:27:31.879
<v Speaker 1>allegedly deviant ideology or group and then attempts to forcibly

0:27:31.920 --> 0:27:35.720
<v Speaker 1>reverse the alleged mind control or brainwashing. And of course

0:27:35.760 --> 0:27:37.760
<v Speaker 1>all of this should raise just a number of red

0:27:37.800 --> 0:27:41.840
<v Speaker 1>flags for anyone, because, among other things, it assumes that

0:27:41.880 --> 0:27:45.080
<v Speaker 1>the individual, often a young adult, just has no agency

0:27:45.200 --> 0:27:48.080
<v Speaker 1>or choice, like they cannot be trusted to make make

0:27:48.200 --> 0:27:51.400
<v Speaker 1>choices about what they believe in and what they do. Um.

0:27:52.320 --> 0:27:55.400
<v Speaker 1>You know, they are pulled in one direction by charismatic force,

0:27:55.440 --> 0:27:57.119
<v Speaker 1>and now we have to pull them back in another

0:27:57.200 --> 0:28:00.679
<v Speaker 1>direction through intensive uh you know, strong arm tactics like

0:28:00.720 --> 0:28:03.240
<v Speaker 1>it's a boot camp or something. And then on top

0:28:03.280 --> 0:28:05.720
<v Speaker 1>of that, you run the risk of engaging in actual

0:28:05.800 --> 0:28:09.240
<v Speaker 1>kidnapping and abuse in an attempt to deprogram somebody. So

0:28:09.280 --> 0:28:12.680
<v Speaker 1>you quickly get into very legally and ethically murky waters,

0:28:12.960 --> 0:28:16.200
<v Speaker 1>assuming you don't land on as bad or as you know,

0:28:16.320 --> 0:28:20.520
<v Speaker 1>worse UM situation uh compared to what you were attempting

0:28:20.560 --> 0:28:24.320
<v Speaker 1>to save them from. UM. So charges of religious oppression

0:28:24.359 --> 0:28:27.080
<v Speaker 1>and civil rights violation were also made. There were various

0:28:27.160 --> 0:28:32.119
<v Speaker 1>lawsuits related to D programming efforts, and so one of

0:28:32.119 --> 0:28:33.800
<v Speaker 1>the things that that Kent and is co out there

0:28:33.840 --> 0:28:37.320
<v Speaker 1>point out is that is that you saw this um,

0:28:37.840 --> 0:28:42.480
<v Speaker 1>this movement away from D programming um uh, this idea

0:28:42.520 --> 0:28:45.920
<v Speaker 1>that that first of all, D programming didn't prove all

0:28:45.960 --> 0:28:49.040
<v Speaker 1>that effective, but then it gave way to techniques that

0:28:49.080 --> 0:28:53.160
<v Speaker 1>were more progressive, non coercive, that we're more about the

0:28:53.200 --> 0:28:56.680
<v Speaker 1>autonomy of the individual and an attempt to value everyone

0:28:56.800 --> 0:29:00.560
<v Speaker 1>present um and find a structure uh that would like

0:29:00.640 --> 0:29:04.880
<v Speaker 1>work with everyone's value systems, including the value system um

0:29:04.920 --> 0:29:07.760
<v Speaker 1>of the group that the individual is is that they're

0:29:07.760 --> 0:29:10.440
<v Speaker 1>attempting to extract them from all. Right, so maybe there

0:29:10.520 --> 0:29:12.720
<v Speaker 1>is a recognition of flaws within some of these so

0:29:12.840 --> 0:29:15.200
<v Speaker 1>called d programming tactics, But of course you would still

0:29:15.200 --> 0:29:18.240
<v Speaker 1>have the problem that people are ending up in in

0:29:18.240 --> 0:29:20.560
<v Speaker 1>in cults that at least you know their loved ones

0:29:20.600 --> 0:29:23.400
<v Speaker 1>are uh could probably make a strong case or a

0:29:23.440 --> 0:29:26.320
<v Speaker 1>really negative influence on their lives and are certainly hurting

0:29:26.520 --> 0:29:30.000
<v Speaker 1>hurting family relationships and stuff like that. Uh So, so

0:29:30.160 --> 0:29:32.800
<v Speaker 1>is there something else people go to? Is another option

0:29:32.920 --> 0:29:35.960
<v Speaker 1>for trying to trying to help guide their loved ones

0:29:36.000 --> 0:29:38.480
<v Speaker 1>out of these groups? Right, And it seems like, yeah,

0:29:38.480 --> 0:29:40.680
<v Speaker 1>this this idea of exit counseling, or at least this

0:29:40.720 --> 0:29:43.960
<v Speaker 1>basic approach seemed to largely replace it, which which which

0:29:44.240 --> 0:29:47.160
<v Speaker 1>sounds like a no brainer, right, Should we maybe do

0:29:47.320 --> 0:29:49.680
<v Speaker 1>something more like counseling? And what we think of now

0:29:49.760 --> 0:29:52.440
<v Speaker 1>is intervention with a family member we're worried about, or

0:29:52.440 --> 0:29:55.480
<v Speaker 1>should we kidnap them with the aid of some sort

0:29:55.480 --> 0:29:58.480
<v Speaker 1>of third party. Um, you know it. It seems certainly

0:29:58.520 --> 0:30:01.920
<v Speaker 1>from from illegal and more world standpoint, Uh, there's only

0:30:01.920 --> 0:30:04.560
<v Speaker 1>one direction you should go in. And of course it

0:30:04.600 --> 0:30:07.760
<v Speaker 1>also seems that that d programming had had had a

0:30:07.840 --> 0:30:11.080
<v Speaker 1>checkered success rate as well. Reminds me of some other

0:30:11.240 --> 0:30:15.120
<v Speaker 1>stuff I was reading about the Scared Straight programs that

0:30:15.200 --> 0:30:17.800
<v Speaker 1>of course we're quite big what I guess back in

0:30:17.840 --> 0:30:22.200
<v Speaker 1>the nineties, especially the idea that if you had like

0:30:22.320 --> 0:30:26.400
<v Speaker 1>problem kids or kids that that were at risk, you

0:30:26.440 --> 0:30:29.240
<v Speaker 1>would have somebody come in and scare them straight with

0:30:29.320 --> 0:30:33.840
<v Speaker 1>a really scary talk about prison life and how you know. Ultimately,

0:30:34.160 --> 0:30:39.160
<v Speaker 1>some of the numbers didn't subsequently did not support the

0:30:39.200 --> 0:30:42.240
<v Speaker 1>idea that this was effective. Yeah, I can imagine. I

0:30:42.240 --> 0:30:44.400
<v Speaker 1>think it comes down to the just the reality that

0:30:44.440 --> 0:30:47.120
<v Speaker 1>that human beings are far more complicated than that. You know,

0:30:47.200 --> 0:30:49.480
<v Speaker 1>you can't just scare someone straight, you in order to

0:30:49.520 --> 0:30:52.520
<v Speaker 1>move them away from from one way of life or

0:30:52.520 --> 0:30:56.800
<v Speaker 1>worldview towards another. You can't. You can't rescue them from

0:30:56.840 --> 0:31:00.280
<v Speaker 1>from a particular you know, social group or ideology by

0:31:00.360 --> 0:31:03.560
<v Speaker 1>essentially kidnapping them and um and just pointing in the

0:31:03.600 --> 0:31:05.920
<v Speaker 1>other direction like they're an automaton. It just needs to

0:31:05.960 --> 0:31:07.800
<v Speaker 1>be Oh, all you have to do is just get them,

0:31:07.960 --> 0:31:09.760
<v Speaker 1>wind them up and point them in the right direction

0:31:09.760 --> 0:31:12.280
<v Speaker 1>and they'll be fine. Like that's just that's that's not

0:31:12.320 --> 0:31:14.600
<v Speaker 1>really how people work. Well, yeah, it just seems like

0:31:14.640 --> 0:31:17.200
<v Speaker 1>a very top down way of viewing your ability to

0:31:17.240 --> 0:31:20.760
<v Speaker 1>influence other people. So if you want to steer somebody

0:31:20.840 --> 0:31:24.200
<v Speaker 1>toward a path in life that you might very well

0:31:24.240 --> 0:31:26.480
<v Speaker 1>correctly think would be much better for them in the

0:31:26.520 --> 0:31:28.480
<v Speaker 1>long run and might make them much happier in the

0:31:28.480 --> 0:31:30.360
<v Speaker 1>long run and make their loved ones happier in the

0:31:30.400 --> 0:31:33.280
<v Speaker 1>long run, obviously there are ways of doing that other

0:31:33.360 --> 0:31:36.040
<v Speaker 1>than just trying to sort of like dominate and command

0:31:36.160 --> 0:31:38.320
<v Speaker 1>them to move in that direction. I mean, I mean,

0:31:38.320 --> 0:31:41.880
<v Speaker 1>obviously sometimes you can influence people by by sort of

0:31:41.920 --> 0:31:44.960
<v Speaker 1>dominating and commanding them, But you can also influence people

0:31:45.000 --> 0:31:49.480
<v Speaker 1>with say positive incentives, reminding them of reminding them of

0:31:49.480 --> 0:31:52.400
<v Speaker 1>all the good things and opportunities that are open to

0:31:52.440 --> 0:31:55.240
<v Speaker 1>them in in in a freer life outside of the

0:31:55.240 --> 0:31:58.200
<v Speaker 1>strictures of whatever kind of you know, culture or other

0:31:58.240 --> 0:32:02.520
<v Speaker 1>thing this is yeah. Uh so it's this is ultimately

0:32:02.520 --> 0:32:04.760
<v Speaker 1>I think in oversimplification, but it seems like the mind

0:32:04.760 --> 0:32:08.080
<v Speaker 1>control D programming model was more based in the idea

0:32:08.400 --> 0:32:11.080
<v Speaker 1>that something was done to an individual and that thing

0:32:11.200 --> 0:32:14.280
<v Speaker 1>can be undone, you know, and um, you know, it's

0:32:14.320 --> 0:32:17.840
<v Speaker 1>ultimately based in the in the the simplistic fallacy of

0:32:17.880 --> 0:32:20.800
<v Speaker 1>mind control and brainwashing. Now, as for how that relates

0:32:20.840 --> 0:32:23.640
<v Speaker 1>to this Outer Limits episode, Um, you know, I think

0:32:23.640 --> 0:32:28.400
<v Speaker 1>this episode ultimately has a dark view on life and uh,

0:32:28.440 --> 0:32:30.400
<v Speaker 1>you know, one one in which you're going to be

0:32:30.440 --> 0:32:34.680
<v Speaker 1>manipulated by one alien overlord or another, you know, sort

0:32:34.680 --> 0:32:38.120
<v Speaker 1>of you've got to serve somebody vibe. Uh. It feels

0:32:38.200 --> 0:32:41.440
<v Speaker 1>like they're striking a very anti D programming chord here,

0:32:41.520 --> 0:32:44.440
<v Speaker 1>which I think is the chord to strike in your

0:32:44.440 --> 0:32:47.360
<v Speaker 1>in your fiction, as our main character is is just

0:32:47.480 --> 0:32:52.000
<v Speaker 1>D program quote unquote into serving just another cruel master. Well,

0:32:52.120 --> 0:32:54.719
<v Speaker 1>one bit of complexity that this Outer Limits episode does

0:32:54.760 --> 0:32:57.160
<v Speaker 1>get into is we didn't mention that they're actually multiple

0:32:57.280 --> 0:33:02.320
<v Speaker 1>human parties involved in UM in the programming process. So

0:33:02.400 --> 0:33:04.640
<v Speaker 1>in this episode you have Brent Spiner and yet he's

0:33:04.680 --> 0:33:07.760
<v Speaker 1>playing this like brutal D programmer, who's you know, yelling

0:33:07.800 --> 0:33:10.560
<v Speaker 1>at yelling at Evans, saying, wake up, snap out of it.

0:33:10.600 --> 0:33:12.680
<v Speaker 1>You know you're a human, and like cutting him with

0:33:12.680 --> 0:33:15.640
<v Speaker 1>a knife and kicking him around and all this again

0:33:15.680 --> 0:33:18.680
<v Speaker 1>trying to top down just like dominate and coerce him

0:33:18.800 --> 0:33:21.640
<v Speaker 1>into into snapping out of it. But then the other

0:33:21.680 --> 0:33:26.240
<v Speaker 1>side is alongside them is evans wife from before the

0:33:26.280 --> 0:33:29.000
<v Speaker 1>alien invasion. They had become separated, they didn't know what

0:33:29.040 --> 0:33:33.120
<v Speaker 1>had happened to each other and uh, and by getting reacquainted,

0:33:33.480 --> 0:33:35.880
<v Speaker 1>she actually I think that the episode shows that she

0:33:36.160 --> 0:33:39.680
<v Speaker 1>is more effective than Brent Spiner is in breaking through

0:33:39.720 --> 0:33:43.600
<v Speaker 1>with him, and she's actually not not knowingly part of

0:33:43.640 --> 0:33:46.280
<v Speaker 1>the alien plot to get him to assassinate. She is

0:33:46.320 --> 0:33:50.520
<v Speaker 1>also confused about what's going on. So in a way,

0:33:50.560 --> 0:33:52.400
<v Speaker 1>even though it has a cruel twist at the end,

0:33:52.720 --> 0:33:55.480
<v Speaker 1>the episode might sort of be making the point that

0:33:56.160 --> 0:33:59.200
<v Speaker 1>you might have more success breaking through to somebody who

0:33:59.240 --> 0:34:02.120
<v Speaker 1>has been uh, who has been conditioned into a state

0:34:02.160 --> 0:34:05.360
<v Speaker 1>of un freedom by offering them sort of like positive

0:34:05.360 --> 0:34:08.319
<v Speaker 1>incentives of love and connection and reminding them of what's

0:34:08.400 --> 0:34:11.560
<v Speaker 1>good about the other way of life, rather, you know,

0:34:11.680 --> 0:34:14.280
<v Speaker 1>maybe more so than just like beating them and yelling

0:34:14.320 --> 0:34:18.280
<v Speaker 1>at them and trying to command them to be free. Yeah,

0:34:18.920 --> 0:34:21.719
<v Speaker 1>in a way, it's a shame they didn't re explore

0:34:21.880 --> 0:34:24.359
<v Speaker 1>this world in other episodes of the Outer Limits, because

0:34:24.360 --> 0:34:27.160
<v Speaker 1>the nineties Outer Limits Show they did this from time

0:34:27.200 --> 0:34:29.800
<v Speaker 1>to time there there. Sometimes they would do a series

0:34:29.840 --> 0:34:34.080
<v Speaker 1>of even like three or four episodes that took place

0:34:34.120 --> 0:34:38.480
<v Speaker 1>within the same universe and uh and continued. Uh. Sometimes

0:34:38.800 --> 0:34:42.520
<v Speaker 1>same characters or or same faction, same world like this

0:34:42.520 --> 0:34:44.120
<v Speaker 1>would have been. It would have been an interesting one

0:34:44.160 --> 0:34:46.279
<v Speaker 1>for them to come back to and explore that compassion

0:34:46.320 --> 0:34:49.520
<v Speaker 1>angle more and maybe give us some more uplifting ending,

0:34:49.600 --> 0:34:52.759
<v Speaker 1>you know. Yeah, maybe that's how the humans actually do

0:34:52.880 --> 0:34:57.839
<v Speaker 1>rebel successfully against the uhever whatever they're called, the alligator men. Yeah,

0:34:57.920 --> 0:35:00.920
<v Speaker 1>give them a gift basket of saragonal and then that

0:35:01.000 --> 0:35:04.239
<v Speaker 1>they would they'll realize, Oh, the drolem really do care

0:35:04.280 --> 0:35:07.160
<v Speaker 1>about me. No, no, no, I didn't mean that for them.

0:35:07.239 --> 0:35:19.520
<v Speaker 1>I mean, yeah, mount to resistance than All right, well,

0:35:19.560 --> 0:35:23.080
<v Speaker 1>let's switch gears. Let's get into the next next anthology

0:35:23.120 --> 0:35:25.439
<v Speaker 1>selection here. What do you have for us show? All right, well,

0:35:25.480 --> 0:35:29.360
<v Speaker 1>I've got an episode of the Hammer House of Horror.

0:35:29.640 --> 0:35:32.759
<v Speaker 1>Rob Do you know the Hammer House of Horror? Yes,

0:35:32.960 --> 0:35:35.319
<v Speaker 1>now I have to say I've I've only watched the

0:35:35.400 --> 0:35:38.759
<v Speaker 1>one episode, the one we're discussing here today. But um,

0:35:38.760 --> 0:35:42.240
<v Speaker 1>but it's a it's a it's a pretty fun little series. Uh.

0:35:42.520 --> 0:35:46.000
<v Speaker 1>This came out what eight, so you know we're we're

0:35:46.200 --> 0:35:48.799
<v Speaker 1>we're balanced right there on the edge, you know of

0:35:48.840 --> 0:35:51.520
<v Speaker 1>the nineteen seventies and the nineteen eighties. Essentially it's nineteen

0:35:51.600 --> 0:35:55.320
<v Speaker 1>late nineteen seventies production. Uh comes to us from from Hammer,

0:35:55.400 --> 0:35:58.240
<v Speaker 1>so it has that hammer you know, British horror drive

0:35:58.440 --> 0:36:02.600
<v Speaker 1>vibe to it. But each episode is a different story. Um,

0:36:02.680 --> 0:36:05.560
<v Speaker 1>and some of them have some pretty great casts. I

0:36:05.600 --> 0:36:07.160
<v Speaker 1>mean they all, I think they all have a pretty

0:36:07.160 --> 0:36:10.080
<v Speaker 1>great cast. If one episode we have Peter Cushing and

0:36:10.160 --> 0:36:12.759
<v Speaker 1>of young Brian Cox if you're not sure what a

0:36:12.920 --> 0:36:15.840
<v Speaker 1>young Brian Cox looks like, Uh, this is an episode

0:36:15.840 --> 0:36:18.560
<v Speaker 1>worth checking out. And there's another episode, by the way,

0:36:18.680 --> 0:36:22.000
<v Speaker 1>titled Guardian of the Abyss uh in the plot of

0:36:22.080 --> 0:36:25.120
<v Speaker 1>this one involves John D's mirror, or a mirror that's

0:36:25.120 --> 0:36:27.839
<v Speaker 1>supposed to be one of John D's mirrors. I didn't

0:36:27.840 --> 0:36:29.160
<v Speaker 1>get a chance to watch it in full, but I

0:36:29.160 --> 0:36:32.560
<v Speaker 1>had to see if what mirror they showed, and I

0:36:32.600 --> 0:36:34.360
<v Speaker 1>included a picture of it here for you, Joe. It

0:36:34.480 --> 0:36:38.759
<v Speaker 1>it is, obviously is not the fabled magic mirror, the

0:36:38.760 --> 0:36:42.360
<v Speaker 1>Aztec mirror that that John d actually had. This is

0:36:42.440 --> 0:36:44.920
<v Speaker 1>a real They really goth this one up. They had

0:36:44.920 --> 0:36:48.239
<v Speaker 1>to make it look like a like a European haunted mirror. Yeah,

0:36:48.239 --> 0:36:50.319
<v Speaker 1>it's got like a silver rim and a bunch of

0:36:50.320 --> 0:36:52.680
<v Speaker 1>elaborate handles. Get out of here with that, give me

0:36:52.719 --> 0:36:56.719
<v Speaker 1>that or gone face on a yeah. Yeah. But this

0:36:56.800 --> 0:37:00.160
<v Speaker 1>episode that we're gonna talk about here is titled The

0:37:00.200 --> 0:37:03.000
<v Speaker 1>Mark of State. Yes, and boy does it have that

0:37:03.080 --> 0:37:05.439
<v Speaker 1>hammer horror field. Like you say, it's got that late

0:37:05.480 --> 0:37:08.839
<v Speaker 1>seventies British thing. It just this whole thing just like

0:37:08.920 --> 0:37:13.360
<v Speaker 1>it smells like back bacon, you know, Heinz baked beans.

0:37:13.480 --> 0:37:15.640
<v Speaker 1>It's all there. You can smell it through the film.

0:37:16.000 --> 0:37:18.840
<v Speaker 1>So this episode, I guess I'll describe it first and

0:37:18.840 --> 0:37:21.520
<v Speaker 1>then we can talk about what what this connected to

0:37:21.680 --> 0:37:25.640
<v Speaker 1>for me. So this episode begins with a scene of

0:37:25.800 --> 0:37:28.920
<v Speaker 1>brain surgery. You've got a team of doctors who are

0:37:29.000 --> 0:37:34.120
<v Speaker 1>opening up a patient's skull and suddenly the patient he

0:37:34.200 --> 0:37:37.319
<v Speaker 1>seems to show signs of awareness. His eyes start to move,

0:37:37.520 --> 0:37:41.279
<v Speaker 1>scanning the room. He twitches. You see these sort of

0:37:41.320 --> 0:37:45.680
<v Speaker 1>flickers of waxing consciousness, and then the patient starts to

0:37:45.719 --> 0:37:48.800
<v Speaker 1>talk in the middle of the brain surgery. He's moaning

0:37:48.880 --> 0:37:54.640
<v Speaker 1>and he says, leave my soul alone. Solid opening. They

0:37:54.640 --> 0:37:57.120
<v Speaker 1>had me right there at the beginning. Yeah, yeah, we

0:37:57.200 --> 0:38:00.759
<v Speaker 1>got a supernatural or potentially supernatural hospital drama of some

0:38:00.840 --> 0:38:03.319
<v Speaker 1>sort of intense surgery with all sorts of tools and

0:38:03.680 --> 0:38:08.680
<v Speaker 1>like clamps holding the character's head in place. Ye leave

0:38:08.840 --> 0:38:13.520
<v Speaker 1>my soul alone. So next we meet our protagonist who

0:38:13.600 --> 0:38:17.520
<v Speaker 1>is named Edwin Roared, and Edwin works in the morgue

0:38:17.560 --> 0:38:21.359
<v Speaker 1>at the same hospital. He is assigned to process the

0:38:21.400 --> 0:38:25.080
<v Speaker 1>cadaver of the patient from the surgery in the opening scene,

0:38:25.680 --> 0:38:28.400
<v Speaker 1>and we learn in this in this next scene that

0:38:28.440 --> 0:38:32.960
<v Speaker 1>the patient was someone named Samuel Holt. Now. Roared is

0:38:33.000 --> 0:38:35.960
<v Speaker 1>played by the actor Peter mcinry who was born in

0:38:36.040 --> 0:38:39.000
<v Speaker 1>nineteen forty and he's quite good in this. He plays

0:38:39.000 --> 0:38:41.480
<v Speaker 1>a nice focal point of insanity, you know, that kind

0:38:41.520 --> 0:38:45.479
<v Speaker 1>of that necessary character to so many weird tales where

0:38:45.520 --> 0:38:49.239
<v Speaker 1>like the madness is overtaking them. Um. I was not

0:38:49.280 --> 0:38:51.600
<v Speaker 1>really familiar with this guy, but he had a strong

0:38:51.680 --> 0:38:55.640
<v Speaker 1>career on the British stage and on television. Among other things.

0:38:55.719 --> 0:38:58.640
<v Speaker 1>He was in the nineteen seventy three horror anthology film

0:38:59.040 --> 0:39:03.480
<v Speaker 1>Tales that Witness Madness. And another interesting genre piece that

0:39:03.480 --> 0:39:05.840
<v Speaker 1>he's credited to is a film I haven't seen, but

0:39:05.840 --> 0:39:08.920
<v Speaker 1>now I'm super interested in Footprints on the Moon from

0:39:09.040 --> 0:39:13.919
<v Speaker 1>ninety five um, which also featured klas Kinski in a role.

0:39:14.280 --> 0:39:18.160
<v Speaker 1>It was a well received, seemingly surreal jallow film by

0:39:18.239 --> 0:39:23.600
<v Speaker 1>Luigi Bezzoni in which the actor Florinda Bulkan plays a

0:39:23.600 --> 0:39:27.560
<v Speaker 1>woman who is psychologically disturbed by these dreams she keeps

0:39:27.600 --> 0:39:32.360
<v Speaker 1>having about an astronaut dying on the moon. Wow. Yeah,

0:39:32.400 --> 0:39:35.359
<v Speaker 1>so I love that pitch. I'm intrigued. I've never heard

0:39:35.360 --> 0:39:37.680
<v Speaker 1>of it. Uh yeah, I gotta look that up. A

0:39:37.719 --> 0:39:40.360
<v Speaker 1>couple of other actors have noted in this one. Conrad Phillips,

0:39:40.360 --> 0:39:45.839
<v Speaker 1>who lived twenty sixteen, plays um Dr Manders, a delightfully

0:39:45.840 --> 0:39:49.680
<v Speaker 1>impish character. Yeah he's uh what, there's a partner at

0:39:49.680 --> 0:39:52.239
<v Speaker 1>the beginning where he's like, well, gentlemen, we are looking

0:39:52.239 --> 0:39:57.319
<v Speaker 1>at the mortal remains of an individualist. And then we

0:39:57.360 --> 0:39:59.800
<v Speaker 1>also have Georgina Hale. And this was born in nineteen

0:39:59.800 --> 0:40:02.759
<v Speaker 1>four three place Stella. She was in a number of

0:40:02.800 --> 0:40:08.000
<v Speaker 1>Kin Russell movies, including The Devil's Which is, which is

0:40:08.040 --> 0:40:11.399
<v Speaker 1>of course an excellent and uh famed film, infamous I'm

0:40:11.440 --> 0:40:14.080
<v Speaker 1>to understand, and infamous in some circles as well. But

0:40:14.719 --> 0:40:17.120
<v Speaker 1>and and for a long time hard hard to get

0:40:17.120 --> 0:40:20.120
<v Speaker 1>your hands on. But at any rate, um, it's an

0:40:20.160 --> 0:40:23.000
<v Speaker 1>un notable film no matter where you stand on it,

0:40:23.040 --> 0:40:26.439
<v Speaker 1>whether you want to to view it or or burn it. Also,

0:40:26.520 --> 0:40:29.040
<v Speaker 1>getting back to the plot of the episode, we go

0:40:29.120 --> 0:40:31.920
<v Speaker 1>through the autopsy of the patient from the opening scene,

0:40:32.080 --> 0:40:35.160
<v Speaker 1>Samuel Holt, who was in brain surgery and said leave

0:40:35.200 --> 0:40:39.080
<v Speaker 1>my soul alone. We uh. It is revealed that prior

0:40:39.200 --> 0:40:43.240
<v Speaker 1>to his brain surgery, this patient, Samuel Holt, had tried

0:40:43.280 --> 0:40:47.600
<v Speaker 1>to perform a self trepidation. He attempted to create a

0:40:47.680 --> 0:40:52.040
<v Speaker 1>hole in his own skull with a power drill, allegedly

0:40:52.080 --> 0:40:57.080
<v Speaker 1>to relieve pressure in his brain. I think Dr Manders

0:40:57.080 --> 0:40:59.400
<v Speaker 1>has some kind of comment about this. He's like, you know,

0:40:59.680 --> 0:41:01.719
<v Speaker 1>pres here in the brain. Leads to a trip to

0:41:01.760 --> 0:41:06.680
<v Speaker 1>the Old Iron Manga and while sewing up holds body

0:41:06.760 --> 0:41:11.360
<v Speaker 1>after the autopsy, Edwin accidentally pricks his finger with the

0:41:11.400 --> 0:41:14.799
<v Speaker 1>suture needle, and at first he doesn't think anything of this.

0:41:14.920 --> 0:41:17.200
<v Speaker 1>He just puts some iodine on it. But when his

0:41:17.320 --> 0:41:21.040
<v Speaker 1>boss finds out, his boss gets very upset. He's like, uhh.

0:41:21.080 --> 0:41:24.120
<v Speaker 1>He tells Edwin that he needs to go to casualty,

0:41:24.880 --> 0:41:26.759
<v Speaker 1>and I think it tells him he needs to get

0:41:26.760 --> 0:41:30.520
<v Speaker 1>his tetanus shots and a bunch of stuff because well,

0:41:30.600 --> 0:41:33.319
<v Speaker 1>it turns out that when Holt was dying of a

0:41:33.360 --> 0:41:37.759
<v Speaker 1>blood clot in the brain, Holt himself had believed that

0:41:38.120 --> 0:41:42.200
<v Speaker 1>this this was caused by an infection, an infection that

0:41:42.280 --> 0:41:45.839
<v Speaker 1>he called an evil virus. So the guy who said

0:41:45.920 --> 0:41:48.719
<v Speaker 1>leave my soul alone, he believed he was infected with

0:41:48.800 --> 0:41:53.279
<v Speaker 1>a virus of evil. Now, a couple of threads begin

0:41:53.360 --> 0:41:56.200
<v Speaker 1>to develop in this episode that reflects something about Edwin's

0:41:56.320 --> 0:42:02.279
<v Speaker 1>deteriorating psychological state. So one thing is that Edwin perceives

0:42:02.320 --> 0:42:07.239
<v Speaker 1>a strange pattern emerging everywhere he goes. He notices the

0:42:07.320 --> 0:42:11.160
<v Speaker 1>number nine. There's an office sweepstakes that pays out a

0:42:11.200 --> 0:42:14.720
<v Speaker 1>prize of nine pounds. He has to store Holtz body

0:42:14.800 --> 0:42:17.360
<v Speaker 1>and freezer number nine. He has to sew up a

0:42:17.400 --> 0:42:21.320
<v Speaker 1>body using nine stitches to every three inches, and things

0:42:21.360 --> 0:42:26.319
<v Speaker 1>like that. Even more alarmingly, he sometimes believes he can

0:42:26.400 --> 0:42:30.440
<v Speaker 1>hear radio signals in his head, and these are seemingly

0:42:30.520 --> 0:42:33.719
<v Speaker 1>broadcasted from a weather vane on the roof of the hospital.

0:42:34.080 --> 0:42:37.160
<v Speaker 1>Beyond that, he starts to believe that crowds of ominous

0:42:37.200 --> 0:42:41.240
<v Speaker 1>strangers wearing sunglasses or sort of following him around town,

0:42:41.520 --> 0:42:45.000
<v Speaker 1>watching him and menacing him. Now eventually we see his

0:42:45.080 --> 0:42:47.960
<v Speaker 1>home situation, which is that Edwin is single and he

0:42:48.040 --> 0:42:51.160
<v Speaker 1>lives in a house with his extremely grumpy and judgmental

0:42:51.239 --> 0:42:54.800
<v Speaker 1>mother along with a tenant who lives in the house

0:42:54.920 --> 0:42:57.480
<v Speaker 1>named Stella, and this is this character is played by

0:42:57.480 --> 0:43:02.160
<v Speaker 1>Georgina Hale. Edwin at some point tells Stella about you know,

0:43:02.239 --> 0:43:07.360
<v Speaker 1>he's explaining the delusions he's experiencing, and she, very unhelpfully

0:43:07.520 --> 0:43:12.319
<v Speaker 1>is pretty much like, oh yeah, yep um. And so

0:43:12.440 --> 0:43:16.120
<v Speaker 1>it seems like everywhere he goes things nobody's really intervening

0:43:16.360 --> 0:43:20.000
<v Speaker 1>to make things better. So his psychological state worsens. He

0:43:20.040 --> 0:43:23.880
<v Speaker 1>comes to believe that his mother has somehow infected him

0:43:23.960 --> 0:43:27.839
<v Speaker 1>with an evil virus that is attacking his brain, and

0:43:27.920 --> 0:43:30.600
<v Speaker 1>he believes that she may have killed his father years

0:43:30.600 --> 0:43:33.040
<v Speaker 1>ago with the same virus, though it seems his father

0:43:33.080 --> 0:43:36.799
<v Speaker 1>actually died of meningitis. At one point, Edwin visits a

0:43:36.880 --> 0:43:41.680
<v Speaker 1>priest to seek counsel, and then the priest very helpfully

0:43:41.719 --> 0:43:44.120
<v Speaker 1>decides to tell him about the passage in the Book

0:43:44.120 --> 0:43:49.000
<v Speaker 1>of Revelation concerning the number of the Beast. So it's like, oh, yes, uh,

0:43:49.080 --> 0:43:52.000
<v Speaker 1>this man is suffering from some form of psychosis. What

0:43:52.120 --> 0:43:55.560
<v Speaker 1>he needs is the Book of Revelation. Yes, but the

0:43:55.600 --> 0:43:59.840
<v Speaker 1>faith offers many directions for your your your your confusion

0:43:59.840 --> 0:44:03.399
<v Speaker 1>and obsession that may tell you about it. So from

0:44:03.440 --> 0:44:07.200
<v Speaker 1>here things get worse and worse. Edwin ends up doing murders. Uh.

0:44:07.239 --> 0:44:10.560
<v Speaker 1>He's having these full blown delusions that a a coven

0:44:10.640 --> 0:44:14.839
<v Speaker 1>of Satan worshiping doctors and acquaintances of his have put

0:44:14.880 --> 0:44:18.040
<v Speaker 1>a virus in his brain in order to control him,

0:44:18.120 --> 0:44:20.640
<v Speaker 1>and that they want him to eat a baby for Satan.

0:44:22.000 --> 0:44:24.439
<v Speaker 1>But then there's a strange so you know, this could

0:44:24.440 --> 0:44:27.120
<v Speaker 1>just be a story about a man losing his mind,

0:44:27.239 --> 0:44:31.480
<v Speaker 1>But the the episode develops that the same exact delusion

0:44:32.000 --> 0:44:34.920
<v Speaker 1>we discover was held by the man from the surgery

0:44:35.000 --> 0:44:37.960
<v Speaker 1>at the beginning of the episode, Samuel Holt, and in

0:44:38.040 --> 0:44:41.680
<v Speaker 1>the end, Edwin, like Holt, tries to relieve himself of

0:44:41.719 --> 0:44:45.880
<v Speaker 1>the pressure by performing a self trepidation with an electric drill,

0:44:46.440 --> 0:44:49.640
<v Speaker 1>and he also, like Holt, ends up in neurosurgery and

0:44:49.760 --> 0:44:53.200
<v Speaker 1>echo of the opening scene, and the doctors are operating

0:44:53.239 --> 0:44:56.799
<v Speaker 1>on Edwin's brain and we hear a moaning plea leave

0:44:56.920 --> 0:45:01.560
<v Speaker 1>my soul alone, And the ending is very ambiguous. I

0:45:01.600 --> 0:45:04.440
<v Speaker 1>think the viewer is meant to understand that there actually

0:45:04.480 --> 0:45:08.200
<v Speaker 1>is no Satanic coven and that this is in Edwin's head.

0:45:08.239 --> 0:45:10.719
<v Speaker 1>But I think the unanswered question in the narrative is

0:45:10.760 --> 0:45:16.080
<v Speaker 1>whether Edwin was somehow actually infected with this demonic obsession

0:45:16.200 --> 0:45:19.840
<v Speaker 1>and and this this imagery when he pricked his finger

0:45:19.920 --> 0:45:22.680
<v Speaker 1>while he was working on Holt's body. It sort of

0:45:22.760 --> 0:45:25.680
<v Speaker 1>raises this question of would it be possible for this,

0:45:25.680 --> 0:45:29.640
<v Speaker 1>this series of demonic images and ideas to somehow infect

0:45:29.680 --> 0:45:33.960
<v Speaker 1>a person like an evil virus. Now. I don't know

0:45:34.000 --> 0:45:37.600
<v Speaker 1>of any realistic mechanism by which something like this would happen.

0:45:37.640 --> 0:45:39.960
<v Speaker 1>I kind of doubt there is, But I would like

0:45:40.040 --> 0:45:42.799
<v Speaker 1>to explore a sort of related idea that that is

0:45:42.880 --> 0:45:45.680
<v Speaker 1>quite real, which has to do with the idea of

0:45:45.680 --> 0:45:50.680
<v Speaker 1>a relationship between virus like mechanisms and the deep contents

0:45:50.719 --> 0:45:53.600
<v Speaker 1>of the human brain, even things that somebody might think

0:45:53.640 --> 0:45:56.719
<v Speaker 1>of as the soul. Now, UM. The fact that this

0:45:56.840 --> 0:46:01.320
<v Speaker 1>episode centers around round Trepid Nation I found kind of interesting,

0:46:01.480 --> 0:46:04.120
<v Speaker 1>especially since it came out in Britain in nineteen eighty.

0:46:04.440 --> 0:46:07.840
<v Speaker 1>This would have been right after the Countess of weims

0:46:07.920 --> 0:46:11.960
<v Speaker 1>And UH and Mark Amanda Fielding first ran for British

0:46:12.000 --> 0:46:15.240
<v Speaker 1>Parliament on the platform Trap Nation for the National health,

0:46:15.719 --> 0:46:21.360
<v Speaker 1>advocating research into its benefits. UM. She famously trepanned herself

0:46:21.440 --> 0:46:26.719
<v Speaker 1>in nineteen seventy, following Dutch Trap Nation proponent Bart Huges's example,

0:46:27.280 --> 0:46:31.920
<v Speaker 1>and UM, you know this UH may sound a bit crazy,

0:46:31.960 --> 0:46:34.720
<v Speaker 1>but as as Michael Paulin pointed out in his excellent

0:46:34.719 --> 0:46:38.120
<v Speaker 1>book How to Change Your Mind, Fielding has proven herself

0:46:38.160 --> 0:46:41.840
<v Speaker 1>to be an effective drug policy reformer UH. In subsequent years,

0:46:41.880 --> 0:46:46.360
<v Speaker 1>lobbyist and research coordinator. In she founded the Foundation to

0:46:46.440 --> 0:46:52.240
<v Speaker 1>Further Consciousness, later renamed the Beckley Foundation, which supports neuroscientific research.

0:46:52.719 --> 0:46:55.560
<v Speaker 1>Her recent and current work, paul And writes, shifted away

0:46:55.560 --> 0:46:59.040
<v Speaker 1>from Trepin Nation and towards the possibilities posed by psychedelics.

0:46:59.360 --> 0:47:02.279
<v Speaker 1>So you think it's possible this episode was influenced by

0:47:02.520 --> 0:47:06.080
<v Speaker 1>by her famous advocacy for for drilling a hole in

0:47:06.080 --> 0:47:09.799
<v Speaker 1>your skull. Yes, yeah, I I I would, I would

0:47:09.800 --> 0:47:12.040
<v Speaker 1>almost bet on it. You know, it seems like the time,

0:47:12.200 --> 0:47:15.799
<v Speaker 1>you know, like a lot of horror uh fiction, you know,

0:47:16.000 --> 0:47:18.920
<v Speaker 1>it speaks to what's going on in the public mindset,

0:47:18.960 --> 0:47:20.880
<v Speaker 1>and so I feel like there's just there's just too

0:47:20.960 --> 0:47:24.239
<v Speaker 1>much trepinnation in the in the in the in the

0:47:24.280 --> 0:47:26.279
<v Speaker 1>air for this not to be kind of at least

0:47:26.280 --> 0:47:28.640
<v Speaker 1>a partial response to it. Not that it has anything

0:47:28.680 --> 0:47:31.680
<v Speaker 1>particularly you know, deep to say about trepin Nation itself,

0:47:33.000 --> 0:47:35.200
<v Speaker 1>but it's it's it leans, it's a it's just a

0:47:35.239 --> 0:47:38.680
<v Speaker 1>concept that leans, uh, that allows one to lean into

0:47:38.680 --> 0:47:42.200
<v Speaker 1>the horror a bit. You know. It's it's just it's like, uh,

0:47:42.239 --> 0:47:45.239
<v Speaker 1>you know, it's like fly paper for for horror writing. Now,

0:47:45.280 --> 0:47:47.480
<v Speaker 1>if you'd like to hear more about about trepin Nation, though,

0:47:47.520 --> 0:47:49.759
<v Speaker 1>we we did an episode several years back titled The

0:47:49.800 --> 0:47:52.879
<v Speaker 1>Stone of Madness UM that gets into all of that.

0:47:53.000 --> 0:47:55.120
<v Speaker 1>And you know, it's sort of the the older historical

0:47:55.200 --> 0:47:59.759
<v Speaker 1>idea of trepin nation as well as um the more

0:48:00.280 --> 0:48:03.600
<v Speaker 1>modern twentieth century advocates of it. But you know, the

0:48:03.840 --> 0:48:08.040
<v Speaker 1>basic idea came down in the modern sense that you

0:48:08.160 --> 0:48:11.640
<v Speaker 1>have you known increase of blood in the brain that

0:48:11.680 --> 0:48:16.000
<v Speaker 1>could bring about altered states of consciousness, um, etcetera. It's

0:48:16.040 --> 0:48:19.360
<v Speaker 1>a it's a really fascinating, um fascinating topic. To be

0:48:19.440 --> 0:48:22.000
<v Speaker 1>clear that this is what was claimed by its advocates,

0:48:22.000 --> 0:48:25.160
<v Speaker 1>not that we're advocating trepidis right, there's no. I don't

0:48:25.200 --> 0:48:27.680
<v Speaker 1>don't believe there's any scientific evidence that it actually works,

0:48:27.680 --> 0:48:30.919
<v Speaker 1>but it had its vocal proponents. But if you're even

0:48:31.080 --> 0:48:34.040
<v Speaker 1>halfway tempted, I think you should you should take you

0:48:34.080 --> 0:48:37.400
<v Speaker 1>should just follow the model of a Manda Fielding, who

0:48:37.440 --> 0:48:41.240
<v Speaker 1>who again has turned away from um from advocating trepid

0:48:41.280 --> 0:48:45.560
<v Speaker 1>nation and looking more into uh, actual you know, legitimate

0:48:45.560 --> 0:48:49.880
<v Speaker 1>research into psychedelics. Uh. So you know ultimately that that's

0:48:49.920 --> 0:48:52.880
<v Speaker 1>that's a whole area of research that does not require

0:48:52.960 --> 0:48:55.200
<v Speaker 1>drilling a hole in your skull. And it goes without

0:48:55.200 --> 0:48:57.480
<v Speaker 1>saying don't drill a hole in your skull, especially based

0:48:57.480 --> 0:49:00.000
<v Speaker 1>on anything that you hear on this podcast or see

0:49:00.080 --> 0:49:03.400
<v Speaker 1>on the hammer House of Horror. Yeah, don't make major

0:49:03.480 --> 0:49:06.600
<v Speaker 1>life decisions based on the hammer House of Horror series.

0:49:13.280 --> 0:49:17.200
<v Speaker 1>But on the subject of viruses in mind. Uh, this,

0:49:17.200 --> 0:49:19.359
<v Speaker 1>this does bring up a really interesting question of like,

0:49:19.440 --> 0:49:21.799
<v Speaker 1>did you ever wonder, you know, down at the cell level,

0:49:21.840 --> 0:49:26.520
<v Speaker 1>at the molecular level, what is the mechanism of say,

0:49:26.560 --> 0:49:30.120
<v Speaker 1>memory formation. You know, our memories, to to a great extent,

0:49:30.480 --> 0:49:32.520
<v Speaker 1>are a lot of what makes us who we are.

0:49:32.600 --> 0:49:35.000
<v Speaker 1>And so you might say that in a metaphorical since

0:49:35.080 --> 0:49:37.240
<v Speaker 1>you know, memories are a big part of what would

0:49:37.239 --> 0:49:40.080
<v Speaker 1>make your soul. And so I was reading about some

0:49:40.160 --> 0:49:44.480
<v Speaker 1>interesting research and a couple of articles from January. One

0:49:44.480 --> 0:49:48.520
<v Speaker 1>of them was a news feature in Nature by Sarah

0:49:48.520 --> 0:49:52.480
<v Speaker 1>Reardon called cells hack virus like protein to communicate, and

0:49:52.520 --> 0:49:55.439
<v Speaker 1>another one was in The Atlantic by Ed Young called

0:49:55.480 --> 0:50:00.640
<v Speaker 1>brain cells share information with virus like capsules. And these

0:50:00.680 --> 0:50:04.359
<v Speaker 1>two articles were in turn summarizing and reacting to the

0:50:04.400 --> 0:50:08.720
<v Speaker 1>pretty much simultaneous publication of a couple of scientific papers

0:50:08.760 --> 0:50:12.840
<v Speaker 1>in the journal Cell, both concerning a very interesting gene

0:50:12.960 --> 0:50:16.560
<v Speaker 1>and its associated protein, which is known as ARC arc

0:50:16.600 --> 0:50:20.040
<v Speaker 1>A r C. One of these papers was by Ashley

0:50:20.080 --> 0:50:22.400
<v Speaker 1>at All in in Cell and the other one was

0:50:22.480 --> 0:50:25.359
<v Speaker 1>by Petution at All. Now, the gene known as arc

0:50:25.440 --> 0:50:28.759
<v Speaker 1>is present in all kinds of different organisms. You you

0:50:28.800 --> 0:50:32.799
<v Speaker 1>can find different versions of it, saying human cells, in

0:50:32.840 --> 0:50:36.239
<v Speaker 1>the cells of mice, in the cells of flies like

0:50:36.320 --> 0:50:41.239
<v Speaker 1>Drosophila flies in the cells of reptiles and birds, and

0:50:41.640 --> 0:50:45.520
<v Speaker 1>it apparently encodes a product known as the ARC protein,

0:50:45.640 --> 0:50:51.520
<v Speaker 1>where ARC stands for activity regulated cytoskeleton associated protein, and

0:50:51.719 --> 0:50:54.360
<v Speaker 1>ARC has been known about since the nineteen nineties, but

0:50:54.719 --> 0:50:58.080
<v Speaker 1>some recent discoveries have made it seem even more interesting.

0:50:58.320 --> 0:51:01.520
<v Speaker 1>Uh And and there's an interesting scene that Ed Young

0:51:01.600 --> 0:51:04.080
<v Speaker 1>describes in his article about this where he's summarizing the

0:51:04.080 --> 0:51:07.120
<v Speaker 1>research on one of the authors on one of these papers,

0:51:07.239 --> 0:51:11.000
<v Speaker 1>a neuroscientist named Jason Shepherd who works at the University

0:51:11.040 --> 0:51:14.400
<v Speaker 1>of Utah in Salt Lake City, who was studying the

0:51:14.560 --> 0:51:17.920
<v Speaker 1>ARC gene and it's associated proteins in mice in the

0:51:18.080 --> 0:51:21.960
<v Speaker 1>I believe the in the motor neurons of mice. And

0:51:22.040 --> 0:51:25.640
<v Speaker 1>what the article describes is that Jason Shepherd was observing

0:51:25.880 --> 0:51:30.440
<v Speaker 1>the proteins that were made by this gene under a

0:51:30.800 --> 0:51:33.680
<v Speaker 1>under a highly powerful microscope, and when he first saw

0:51:33.760 --> 0:51:38.799
<v Speaker 1>the structures, what he thought was that they looked like viruses. Now,

0:51:38.800 --> 0:51:41.680
<v Speaker 1>of course, these are not viruses, These are not external

0:51:41.719 --> 0:51:45.640
<v Speaker 1>infectious agents. These are structures that are produced by the

0:51:45.800 --> 0:51:49.640
<v Speaker 1>natural cells in a mouse's body. So what both of

0:51:49.640 --> 0:51:52.600
<v Speaker 1>these papers were looking at were that they were studying

0:51:52.640 --> 0:51:56.200
<v Speaker 1>what are known as extra cellular vesicles, and these are

0:51:56.200 --> 0:52:00.759
<v Speaker 1>sort of little chunks of cell membranes that's separate from

0:52:00.760 --> 0:52:03.920
<v Speaker 1>their original host cells and then they go off somewhere

0:52:03.920 --> 0:52:05.640
<v Speaker 1>and do their own things, so that you know, they

0:52:05.680 --> 0:52:08.440
<v Speaker 1>actually are a part of a cell that leaves the

0:52:08.480 --> 0:52:11.720
<v Speaker 1>cell and floats free of it to maybe go connect

0:52:11.760 --> 0:52:14.480
<v Speaker 1>with another cell or do something else in the body.

0:52:14.640 --> 0:52:18.320
<v Speaker 1>And extracellular vesicles can be found all throughout the body,

0:52:18.320 --> 0:52:20.279
<v Speaker 1>but there are a lot of questions about what they do.

0:52:20.320 --> 0:52:23.000
<v Speaker 1>We don't really know a lot, uh, And apparently these

0:52:23.040 --> 0:52:27.239
<v Speaker 1>two teams were looking at these these extracellular vessels that

0:52:27.280 --> 0:52:31.080
<v Speaker 1>were released by various neurons cells in the nervous system

0:52:31.120 --> 0:52:33.839
<v Speaker 1>to find out what they were doing, and they independently

0:52:33.840 --> 0:52:36.680
<v Speaker 1>found that the vesicles that are released by neurons in

0:52:36.719 --> 0:52:42.200
<v Speaker 1>both flies and mice contain this ARC gene. Now it's

0:52:42.200 --> 0:52:46.680
<v Speaker 1>interesting because there is already existing research to show some

0:52:46.719 --> 0:52:49.200
<v Speaker 1>things about this ARC gene, for example, that the ARC

0:52:49.239 --> 0:52:53.600
<v Speaker 1>gene helps neurons form connections between one another, and of

0:52:53.640 --> 0:52:56.440
<v Speaker 1>course connections between neurons underlie a lot of what the

0:52:56.480 --> 0:53:00.239
<v Speaker 1>brain does. And there is also research to show very

0:53:00.280 --> 0:53:04.960
<v Speaker 1>interesting macro behavioral effects of the arc gene. For example,

0:53:05.560 --> 0:53:09.000
<v Speaker 1>mice that are genetically altered to lack the ARC gene

0:53:09.520 --> 0:53:14.279
<v Speaker 1>have difficulty with memory formation tasks. It seems like they

0:53:14.360 --> 0:53:17.799
<v Speaker 1>can't learn, they can't make long term memories. So, say,

0:53:17.800 --> 0:53:20.879
<v Speaker 1>if you train a mouse to run a maze, if

0:53:20.920 --> 0:53:23.120
<v Speaker 1>they don't have the ARC gene, they can't make the

0:53:23.239 --> 0:53:27.160
<v Speaker 1>ARC protein. They apparently can't learn anything about the maze

0:53:27.200 --> 0:53:29.000
<v Speaker 1>that sticks with them. They might have to, you know,

0:53:29.080 --> 0:53:31.680
<v Speaker 1>do the maze as if for the first time every time.

0:53:32.320 --> 0:53:35.160
<v Speaker 1>So it seems that ARC is very important in whatever

0:53:35.280 --> 0:53:40.360
<v Speaker 1>process it is in the brain that turns experiences into

0:53:40.920 --> 0:53:44.160
<v Speaker 1>structural changes in the brain that would you know, allow

0:53:44.200 --> 0:53:46.600
<v Speaker 1>you to say, cement a memory that could be referenced

0:53:46.680 --> 0:53:51.200
<v Speaker 1>later on. But I mentioned that at Young's article describes

0:53:51.280 --> 0:53:55.120
<v Speaker 1>the scene where this researcher is looking at the at

0:53:55.160 --> 0:53:58.680
<v Speaker 1>the ARC proteins under the microscope and that when he

0:53:58.760 --> 0:54:02.120
<v Speaker 1>examined them, he saw what looked like these these hollow

0:54:02.160 --> 0:54:06.880
<v Speaker 1>shells that very much resembled viruses. Specifically, they looked like

0:54:07.040 --> 0:54:11.160
<v Speaker 1>textbook illustrations of HIV, which of course is a type

0:54:11.160 --> 0:54:15.000
<v Speaker 1>of virus known as a retrovirus. And apparently a shepherd

0:54:15.560 --> 0:54:19.000
<v Speaker 1>ran these images by some viral experts, and they did

0:54:19.040 --> 0:54:21.839
<v Speaker 1>confirm that yes, these shells that were being made by

0:54:21.920 --> 0:54:25.560
<v Speaker 1>these cells within the mice's bodies looked a lot like

0:54:25.680 --> 0:54:28.640
<v Speaker 1>the protein shells the capsids that you would find around

0:54:28.680 --> 0:54:32.239
<v Speaker 1>viruses like HIV. So apparently the arc genes that you

0:54:32.239 --> 0:54:35.799
<v Speaker 1>would find in animals like mice today, it descends from

0:54:35.840 --> 0:54:41.239
<v Speaker 1>an ancient class of ancestral genes, types of retro transposons,

0:54:41.280 --> 0:54:43.120
<v Speaker 1>and they can be found in the genomes of all

0:54:43.200 --> 0:54:46.480
<v Speaker 1>kinds of animals. As I said, but these genes are

0:54:46.560 --> 0:54:50.680
<v Speaker 1>very interesting in that they can behave almost like independent

0:54:50.840 --> 0:54:55.359
<v Speaker 1>infectious agents. They can copy themselves and then insert those

0:54:55.400 --> 0:54:59.759
<v Speaker 1>copies of themselves somewhere else within the host's genome. But

0:55:00.000 --> 0:55:04.560
<v Speaker 1>apparently at some point these ancestral retro transposons gain the

0:55:04.600 --> 0:55:08.560
<v Speaker 1>ability not only to copy and paste themselves elsewhere within

0:55:08.600 --> 0:55:12.200
<v Speaker 1>the genome, but to build a protein shell, essentially to

0:55:12.280 --> 0:55:16.640
<v Speaker 1>build themselves a spaceship that would surround this gene, surround

0:55:16.760 --> 0:55:21.160
<v Speaker 1>this length of genetic material, and then allow this cage

0:55:21.200 --> 0:55:26.200
<v Speaker 1>protected strand of genetic information to leave its original host cell,

0:55:26.280 --> 0:55:29.040
<v Speaker 1>to fly off into space and and to go boldly

0:55:30.200 --> 0:55:32.440
<v Speaker 1>and ed young Wrights that this actually is believed to

0:55:32.480 --> 0:55:35.200
<v Speaker 1>be the origin of retroviruses. So in a way, we

0:55:35.280 --> 0:55:39.719
<v Speaker 1>have these genes within our bodies that are actually cousins

0:55:39.800 --> 0:55:44.319
<v Speaker 1>of wild infectious retroviruses that infect people and harm them,

0:55:45.080 --> 0:55:47.440
<v Speaker 1>uh and it. And this apparently is why the shells

0:55:47.520 --> 0:55:51.160
<v Speaker 1>or the capsids made by these stretches of DNA are

0:55:51.200 --> 0:55:53.960
<v Speaker 1>so similar. The ARC gene that you find in animals

0:55:54.000 --> 0:55:56.440
<v Speaker 1>is apparently very similar to a viral gene called a

0:55:56.520 --> 0:55:59.440
<v Speaker 1>GAG gene. And and again this is the gene that

0:55:59.520 --> 0:56:02.759
<v Speaker 1>codes for the construction of this this protein shell, the

0:56:02.800 --> 0:56:07.120
<v Speaker 1>capsid that protects the genetic material of a virus and

0:56:07.160 --> 0:56:09.880
<v Speaker 1>allows it to get into a cell and infect it.

0:56:10.360 --> 0:56:12.680
<v Speaker 1>So what we have here is that there are cells

0:56:12.760 --> 0:56:15.879
<v Speaker 1>within the brains or the nervous systems of animals as

0:56:15.920 --> 0:56:20.160
<v Speaker 1>diverse as you know, from mice to to Drosophila two flies,

0:56:20.719 --> 0:56:24.320
<v Speaker 1>that use this gene similar to a gene found in viruses,

0:56:24.800 --> 0:56:28.560
<v Speaker 1>to build this protein shell or capsid, this structure to

0:56:28.719 --> 0:56:33.279
<v Speaker 1>surround a strand of RNA based information like viruses do,

0:56:33.760 --> 0:56:37.440
<v Speaker 1>and then send that RNA information to another cell again

0:56:37.680 --> 0:56:41.600
<v Speaker 1>like viruses do. So so in a way, you could

0:56:41.640 --> 0:56:45.320
<v Speaker 1>look at the the brain cells as using a very

0:56:45.360 --> 0:56:49.120
<v Speaker 1>similar structure to what is used in viruses to sort

0:56:49.160 --> 0:56:52.600
<v Speaker 1>of infect one another with something with some kind of

0:56:53.080 --> 0:56:56.680
<v Speaker 1>RNA information. So why would cells in the brain be

0:56:56.800 --> 0:57:00.200
<v Speaker 1>doing this? And one possibility is that it's a way

0:57:00.200 --> 0:57:03.040
<v Speaker 1>for neurons to sort of control each other, to exert

0:57:03.120 --> 0:57:06.319
<v Speaker 1>some kind of pressure influence on each other. Of course,

0:57:06.320 --> 0:57:08.319
<v Speaker 1>in the case of a virus, a virus wants to

0:57:08.400 --> 0:57:10.760
<v Speaker 1>infect a new cell so that it makes more copies

0:57:10.800 --> 0:57:13.839
<v Speaker 1>of the virus. But in this case, a neuron could

0:57:13.880 --> 0:57:17.360
<v Speaker 1>maybe use ARC to send RNA to a nearby cell,

0:57:17.520 --> 0:57:21.600
<v Speaker 1>which upon arrival would influence which genes are activated within

0:57:21.680 --> 0:57:25.320
<v Speaker 1>that cell. Now, there's still tons of questions that we

0:57:25.400 --> 0:57:28.600
<v Speaker 1>don't have answered about what what is going on here,

0:57:28.680 --> 0:57:32.760
<v Speaker 1>like what is exactly this RNA cargo for, what does

0:57:32.800 --> 0:57:36.160
<v Speaker 1>it do? What does it do exactly? Though again it's

0:57:36.320 --> 0:57:39.600
<v Speaker 1>very interesting to view this virus like behavior at the

0:57:39.760 --> 0:57:43.240
<v Speaker 1>at the cell level, uh, in light of what we

0:57:43.320 --> 0:57:46.240
<v Speaker 1>know about the macro behavioral effects of the ARC gene.

0:57:46.280 --> 0:57:49.800
<v Speaker 1>Once again, if you disable ARC, a mouse without it

0:57:49.840 --> 0:57:54.200
<v Speaker 1>apparently can't learn or make memories. Fascinating, So we have

0:57:54.280 --> 0:57:58.480
<v Speaker 1>this this this kind of ancestral potential ancestral viral component

0:57:58.560 --> 0:58:01.080
<v Speaker 1>to uh to to to some of the like the

0:58:01.120 --> 0:58:04.520
<v Speaker 1>basic attributes of what do we think to think think

0:58:04.560 --> 0:58:07.360
<v Speaker 1>of having a mind or having a certainly having consciousness,

0:58:07.360 --> 0:58:10.320
<v Speaker 1>but even having just like a functional animal brain. Right though.

0:58:10.360 --> 0:58:14.400
<v Speaker 1>A very interesting thing is though lots of animals have ARC,

0:58:15.000 --> 0:58:18.760
<v Speaker 1>they're not all descended from a common ARC ancestor, or

0:58:18.760 --> 0:58:22.160
<v Speaker 1>at least not within the animal line. So fruit flies

0:58:22.160 --> 0:58:25.200
<v Speaker 1>have ARC genes, mike mice have ARC genes, Humans have

0:58:25.320 --> 0:58:29.880
<v Speaker 1>ARC genes. But it appears that say flies and vertebrates

0:58:29.960 --> 0:58:34.640
<v Speaker 1>acquired these genes, these similar genes from different sources uh

0:58:34.680 --> 0:58:37.920
<v Speaker 1>in uh to quote ed young in separate events that

0:58:37.960 --> 0:58:41.360
<v Speaker 1>took place millions of years apart, and yet they've both

0:58:41.400 --> 0:58:44.360
<v Speaker 1>got this stuff. So it seems like it is something

0:58:44.400 --> 0:58:49.120
<v Speaker 1>that is probably liable to be co opted by by

0:58:49.200 --> 0:58:52.880
<v Speaker 1>animal genomes in a way that is very useful, such

0:58:52.960 --> 0:58:55.640
<v Speaker 1>that it happened multiple times in the history of life.

0:58:56.760 --> 0:58:59.480
<v Speaker 1>And so there are all these really interesting possibilities about

0:58:59.520 --> 0:59:02.760
<v Speaker 1>what this could mean in terms of learning more about

0:59:03.080 --> 0:59:05.920
<v Speaker 1>how our brains work and how our bodies evolved, but

0:59:06.000 --> 0:59:10.080
<v Speaker 1>also in even potentially in in therapeutics, because as we

0:59:10.080 --> 0:59:12.720
<v Speaker 1>were talking about, ARC has been highlighted as possibly playing

0:59:12.720 --> 0:59:16.120
<v Speaker 1>a role in a number of neurological disorders, including some

0:59:16.240 --> 0:59:20.720
<v Speaker 1>age related loss of mental capacity. So Jason Shepard is

0:59:20.960 --> 0:59:24.120
<v Speaker 1>quoted in in ned Young's article as as observing that

0:59:24.200 --> 0:59:27.560
<v Speaker 1>the brains of young mice produce way more ARC protein

0:59:28.120 --> 0:59:30.760
<v Speaker 1>than the brains of old mice. And it looks like

0:59:30.800 --> 0:59:34.840
<v Speaker 1>that possibly by inducing an increased supply of ARC protein

0:59:34.920 --> 0:59:38.200
<v Speaker 1>in an older mouse's brain, the older mouse's brain will

0:59:38.240 --> 0:59:42.160
<v Speaker 1>show improved abilities to learn and adapt, maybe acting a

0:59:42.160 --> 0:59:44.760
<v Speaker 1>little bit more like a younger mouse's brain, having that

0:59:45.240 --> 0:59:50.160
<v Speaker 1>uh that more plastic potential. So I found this fascinating

0:59:50.200 --> 0:59:53.240
<v Speaker 1>that it could quite literally be the case that there's

0:59:53.280 --> 0:59:57.440
<v Speaker 1>something pretty much like a virus in the brain that

0:59:57.640 --> 1:00:01.240
<v Speaker 1>makes our minds what they are. That's fascinating, and it

1:00:01.840 --> 1:00:03.720
<v Speaker 1>of course to how to bring it back to hammer

1:00:03.720 --> 1:00:08.479
<v Speaker 1>House of horrors. Um not. Obviously, nobody's making the point

1:00:08.480 --> 1:00:11.440
<v Speaker 1>that this research means that this episode is entirely possible

1:00:11.520 --> 1:00:19.000
<v Speaker 1>or practical or anything that proof of the episode um revealed.

1:00:19.000 --> 1:00:22.680
<v Speaker 1>But uh no, it um. It does make you uh uh,

1:00:22.840 --> 1:00:27.439
<v Speaker 1>you know, sort of reflect on the seemingly outrageous notion here,

1:00:27.520 --> 1:00:32.280
<v Speaker 1>maybe being a little more reasonable than one might assume.

1:00:32.400 --> 1:00:35.440
<v Speaker 1>Just one watching it. I mean, obviously I can't imagine

1:00:35.480 --> 1:00:38.960
<v Speaker 1>how arc proteins or something similar would make you, uh,

1:00:39.320 --> 1:00:43.640
<v Speaker 1>you know, start obsessing over numerology and uh feeling like

1:00:43.800 --> 1:00:47.080
<v Speaker 1>you have there's a there's an outside pressure from people

1:00:47.080 --> 1:00:50.960
<v Speaker 1>in sunglasses for you to eat a baby. But but

1:00:50.960 --> 1:00:54.200
<v Speaker 1>but still, uh you know, the the basic premise, uh

1:00:54.240 --> 1:00:56.760
<v Speaker 1>you know, matches up with this idea A little bit

1:00:56.920 --> 1:00:59.920
<v Speaker 1>segue to something totally different. I remember when I was

1:01:00.040 --> 1:01:02.560
<v Speaker 1>a kid one time, this is one of my hotel

1:01:02.640 --> 1:01:06.960
<v Speaker 1>cable memories. Do you have hotel cable memories from being Yeah?

1:01:07.160 --> 1:01:10.280
<v Speaker 1>One of mine was we went somewhere we had the

1:01:10.320 --> 1:01:12.800
<v Speaker 1>hotel channels and I saw an episode of Hammer House

1:01:12.800 --> 1:01:15.680
<v Speaker 1>of Horror when I was way too young, and I

1:01:15.760 --> 1:01:18.240
<v Speaker 1>don't remember much about it except that it was an

1:01:18.240 --> 1:01:20.920
<v Speaker 1>episode that had a werewolf in it. And then the

1:01:21.040 --> 1:01:25.200
<v Speaker 1>real twist was, uh, so you think, okay, werewolf, somebody's

1:01:25.240 --> 1:01:27.680
<v Speaker 1>gonna get you know, bit by the werewolf, gonna get mauled,

1:01:27.720 --> 1:01:30.440
<v Speaker 1>and that's the real that's the shocker at the end.

1:01:30.520 --> 1:01:33.120
<v Speaker 1>But instead somebody got killed with an axe in the

1:01:33.120 --> 1:01:36.200
<v Speaker 1>werewolf episode, just about like a guy with an axe.

1:01:36.760 --> 1:01:39.360
<v Speaker 1>I wonder if that was the Peter Cushing episode. I

1:01:39.360 --> 1:01:42.240
<v Speaker 1>think that one involves the animal human hybrids. I don't

1:01:42.240 --> 1:01:44.120
<v Speaker 1>think it had Peter Cushing because I think I would

1:01:44.160 --> 1:01:48.320
<v Speaker 1>have recognized him at least from Star Wars. I. You know,

1:01:48.400 --> 1:01:50.720
<v Speaker 1>this whole mention to this episode. It does make me wonder,

1:01:50.800 --> 1:01:56.200
<v Speaker 1>like what was in the waters too to inspire these

1:01:56.200 --> 1:01:58.360
<v Speaker 1>other elements. You know, we can point to the trap

1:01:58.520 --> 1:02:01.760
<v Speaker 1>nation influence, uh that would have been present in the

1:02:01.800 --> 1:02:06.520
<v Speaker 1>news and so forth. But this idea of of a virus,

1:02:06.800 --> 1:02:10.360
<v Speaker 1>an evil virus um, it reminds me a little bit

1:02:10.400 --> 1:02:14.240
<v Speaker 1>of the plot of The Creeping Flesh from nineteen seventy three,

1:02:14.320 --> 1:02:17.040
<v Speaker 1>which had Peter Cushing and Christopher Lee in it, And

1:02:17.080 --> 1:02:21.320
<v Speaker 1>it involves the development of a serum against evil, the

1:02:21.400 --> 1:02:24.120
<v Speaker 1>idea that that you could you could that I think

1:02:24.160 --> 1:02:27.480
<v Speaker 1>Peter Cushing's characters working on developing one and about to

1:02:27.480 --> 1:02:30.240
<v Speaker 1>have a big breakthrough, like where where did this strange?

1:02:30.360 --> 1:02:32.880
<v Speaker 1>I mean, I guess it's kind of a you know,

1:02:33.480 --> 1:02:37.920
<v Speaker 1>a dumb idea in some respect is very uh. It

1:02:38.000 --> 1:02:42.200
<v Speaker 1>produces the the idea of of evil to something that

1:02:42.240 --> 1:02:44.720
<v Speaker 1>you know, kind kind of like getting back through the brainwashing, uh,

1:02:44.840 --> 1:02:47.680
<v Speaker 1>the programming idea that something has been done and it

1:02:47.720 --> 1:02:51.440
<v Speaker 1>can be undone like that that evil is a broad

1:02:51.480 --> 1:02:55.600
<v Speaker 1>tent concept and in human civilization, uh, that we could

1:02:55.640 --> 1:02:59.240
<v Speaker 1>find some sort of underlying cause of it, cause behind it,

1:02:59.480 --> 1:03:03.160
<v Speaker 1>and and and effectively remove it and everything would be fine.

1:03:03.520 --> 1:03:05.680
<v Speaker 1>You know, sometimes the dumb idea is a brilliant idea.

1:03:06.000 --> 1:03:09.760
<v Speaker 1>There's almost something exactly like that in John Carpenter's Prince

1:03:09.800 --> 1:03:12.040
<v Speaker 1>of Darkness. You know that we have to discover like

1:03:12.280 --> 1:03:16.080
<v Speaker 1>they discover essentially a jar of Satan. It's like this

1:03:16.400 --> 1:03:19.200
<v Speaker 1>physical substance or it's not quite it's something I think

1:03:19.200 --> 1:03:22.440
<v Speaker 1>they call it, like the anti god and there's anti God. Yeah,

1:03:22.480 --> 1:03:27.320
<v Speaker 1>there's some very loose uh pseudo scientific connections actually well

1:03:27.320 --> 1:03:29.840
<v Speaker 1>I mean talking about real physics, but the connections I

1:03:29.840 --> 1:03:32.600
<v Speaker 1>guess would be the pseudo part where they're saying, oh, yeah,

1:03:32.640 --> 1:03:35.040
<v Speaker 1>so there's a particle in an anti particle in in

1:03:35.120 --> 1:03:37.800
<v Speaker 1>modern physics, and so you have the same thing as

1:03:37.840 --> 1:03:39.960
<v Speaker 1>true like God is like the particle and then you've

1:03:40.000 --> 1:03:43.600
<v Speaker 1>got an anti particle anti God that they come together

1:03:43.640 --> 1:03:46.960
<v Speaker 1>and they annihilate. Yeah. I agree that a dumb idea

1:03:47.200 --> 1:03:51.080
<v Speaker 1>take into uh to the limit. You know, you can

1:03:51.120 --> 1:03:54.000
<v Speaker 1>make it very entertaining or sometimes a kind of dumb

1:03:54.080 --> 1:03:57.400
<v Speaker 1>or traditional idea given a new code of paint using

1:03:58.000 --> 1:04:01.040
<v Speaker 1>you know, some current scientific buzz word, uh, you know,

1:04:01.120 --> 1:04:03.160
<v Speaker 1>or something from the headlines like that can make all

1:04:03.200 --> 1:04:06.200
<v Speaker 1>the difference as well, because the basic idea here is like,

1:04:06.400 --> 1:04:10.040
<v Speaker 1>is a curse idea a contagious curse. Man catches curse

1:04:10.080 --> 1:04:12.680
<v Speaker 1>from cursed individual and then has to deal with the curse.

1:04:12.880 --> 1:04:16.160
<v Speaker 1>It's not unlike many werewolf stories, except instead of the

1:04:16.200 --> 1:04:19.200
<v Speaker 1>curse of turning into a wolf uh and killing people,

1:04:19.320 --> 1:04:23.440
<v Speaker 1>it's this, uh, this curse of of these these various

1:04:23.800 --> 1:04:27.560
<v Speaker 1>more you know, I guess, the more obscure, more mysterious,

1:04:27.640 --> 1:04:32.160
<v Speaker 1>um psychological issues popping up. Yeah, and that ultimately makes

1:04:32.160 --> 1:04:34.840
<v Speaker 1>it more terrifying because it's these are these are things

1:04:34.880 --> 1:04:37.000
<v Speaker 1>that that we can point to in the real world

1:04:37.000 --> 1:04:40.080
<v Speaker 1>that he's suffering, you know, like a sudden obsession over things, uh,

1:04:40.160 --> 1:04:43.320
<v Speaker 1>you know, a change and behavior consciousness. Well, and in

1:04:43.360 --> 1:04:45.840
<v Speaker 1>the light of the scientific stuff we were talking about today,

1:04:45.880 --> 1:04:48.440
<v Speaker 1>I think, I don't know, it sort of invites you

1:04:48.520 --> 1:04:50.960
<v Speaker 1>to rethink the idea of what a what a virus

1:04:51.040 --> 1:04:54.200
<v Speaker 1>or infectious agent is. I mean, we naturally think of

1:04:54.280 --> 1:04:58.400
<v Speaker 1>infectious agents as things that are bad and harmful because

1:04:58.440 --> 1:05:01.160
<v Speaker 1>I mean usually when it's like it is, uh, you know,

1:05:01.240 --> 1:05:03.640
<v Speaker 1>a pathogen in the body that is infecting you in

1:05:03.720 --> 1:05:06.000
<v Speaker 1>order to make copies of itself and it doesn't really

1:05:06.000 --> 1:05:08.000
<v Speaker 1>care how much. You know, if it makes you miserable

1:05:08.160 --> 1:05:12.000
<v Speaker 1>or debilitates you some way in the process, that's obviously bad.

1:05:12.400 --> 1:05:16.320
<v Speaker 1>But there are also these essentially things that function like

1:05:16.560 --> 1:05:20.360
<v Speaker 1>infectious agents that have very similar behaviors that are within

1:05:20.440 --> 1:05:22.880
<v Speaker 1>the body, and they might even be things that make

1:05:23.000 --> 1:05:26.680
<v Speaker 1>you who you are in a very inextricable way. Yeah,

1:05:26.880 --> 1:05:29.240
<v Speaker 1>and kind of driving home, would you know, to come

1:05:29.240 --> 1:05:31.960
<v Speaker 1>back around to head Young and his work. The idea

1:05:32.040 --> 1:05:34.480
<v Speaker 1>that you know, we are multitudes. You know that that

1:05:34.560 --> 1:05:37.320
<v Speaker 1>this idea of there being this single thing and this

1:05:37.360 --> 1:05:41.840
<v Speaker 1>is what we are, uh, you know is obviously fall asleep.

1:05:41.840 --> 1:05:43.800
<v Speaker 1>But then you know, when you start looking at like

1:05:43.840 --> 1:05:47.240
<v Speaker 1>the the organism itself, well, there is the organism, but

1:05:47.280 --> 1:05:49.920
<v Speaker 1>then there are all the additional organisms within it that

1:05:50.040 --> 1:05:54.320
<v Speaker 1>make make it up and and influence the ultimate presentation

1:05:54.360 --> 1:05:57.360
<v Speaker 1>and experience, right, I mean, so you you could make

1:05:57.400 --> 1:05:59.760
<v Speaker 1>distinctions that are valid distinctions. You can look at a

1:05:59.800 --> 1:06:02.040
<v Speaker 1>sell in the body and say this is an animal cell,

1:06:02.080 --> 1:06:04.520
<v Speaker 1>this is a you know, mammalian cell and then this

1:06:04.600 --> 1:06:07.760
<v Speaker 1>is a bacterial cell. But in fact, I think he

1:06:07.840 --> 1:06:09.640
<v Speaker 1>makes a good case that when we think about what

1:06:09.720 --> 1:06:12.560
<v Speaker 1>we are, it should probably actually include both, Like the

1:06:12.600 --> 1:06:16.960
<v Speaker 1>bacteria are also us. Yeah. Now, if you're interested in

1:06:17.000 --> 1:06:21.040
<v Speaker 1>watching Hammer House of Horror, our producers Seth informs us that,

1:06:21.240 --> 1:06:24.760
<v Speaker 1>as of this recording, it is currently available on peacock. Uh.

1:06:24.800 --> 1:06:28.200
<v Speaker 1>I was looking around and I found it available to

1:06:28.200 --> 1:06:30.320
<v Speaker 1>to view as a part of a few different streaming

1:06:30.360 --> 1:06:34.040
<v Speaker 1>packages online, you know, various channels. Uh, so it's it's

1:06:34.080 --> 1:06:37.680
<v Speaker 1>definitely out there. Um, you know, multiple episodes. This is

1:06:37.680 --> 1:06:40.200
<v Speaker 1>the only one I've seen, and and I don't have

1:06:40.240 --> 1:06:44.880
<v Speaker 1>the benefit of your your your hotel cable experience of

1:06:44.880 --> 1:06:48.400
<v Speaker 1>of watching uh watching it earlier in life. But but

1:06:48.720 --> 1:06:50.200
<v Speaker 1>it looks like a really it's a really good shows.

1:06:50.400 --> 1:06:52.840
<v Speaker 1>Like I said, check out the titles, check out the

1:06:53.080 --> 1:06:56.400
<v Speaker 1>cast members. Uh, there are several of these that look

1:06:56.440 --> 1:07:00.720
<v Speaker 1>really interesting. Got that classic British crime Yeah, all right, Well,

1:07:00.760 --> 1:07:02.760
<v Speaker 1>we'd love to hear from everyone, of course. Do you

1:07:02.760 --> 1:07:05.840
<v Speaker 1>have favorite episodes of the Hammer House of Horror, favorite

1:07:05.880 --> 1:07:08.320
<v Speaker 1>episodes of the nineties Outer Limits series you'd like to

1:07:08.360 --> 1:07:10.640
<v Speaker 1>chat about with us? We'll let us know. We'd we'd

1:07:10.720 --> 1:07:12.400
<v Speaker 1>love to hear from you, And of course, if you

1:07:12.440 --> 1:07:15.880
<v Speaker 1>have thoughts about the scientific or cultural topics that we

1:07:16.000 --> 1:07:19.680
<v Speaker 1>touched on in these episodes, um, everything's fair game right

1:07:19.680 --> 1:07:22.640
<v Speaker 1>in We've we'd we'd love to discuss it with you.

1:07:23.200 --> 1:07:25.400
<v Speaker 1>Our core episodes of Stuff to Blow Your Mind published

1:07:25.400 --> 1:07:28.680
<v Speaker 1>on Tuesday's and Thursdays. Check them out in the Stuff

1:07:28.680 --> 1:07:31.040
<v Speaker 1>to Blow your Mind podcast feed, and that is where

1:07:31.080 --> 1:07:33.200
<v Speaker 1>you will find them wherever you get your podcast. We

1:07:33.280 --> 1:07:36.720
<v Speaker 1>also have listener Mail on Monday's, Artifact on Wednesdays, and

1:07:36.760 --> 1:07:40.360
<v Speaker 1>Weird House Cinema on Friday's Huge Thanks, as always to

1:07:40.400 --> 1:07:43.959
<v Speaker 1>our excellent audio producer Seth Nicholas Johnson. If you would

1:07:43.960 --> 1:07:45.840
<v Speaker 1>like to get in touch with us with feedback on

1:07:45.880 --> 1:07:48.120
<v Speaker 1>this episode or any other, to suggest a topic for

1:07:48.160 --> 1:07:50.440
<v Speaker 1>the future, just to say hello, you can email us

1:07:50.480 --> 1:08:01.120
<v Speaker 1>at contact at stuff to Blow your Mind dot com.

1:08:01.120 --> 1:08:03.640
<v Speaker 1>Stuff to Blow Your Mind is production of I Heart Radio.

1:08:04.000 --> 1:08:06.080
<v Speaker 1>For more podcasts for my heart Radio, that's the I

1:08:06.160 --> 1:08:09.000
<v Speaker 1>Heart Radio app, Apple Podcasts, or wherever you're listening to

1:08:09.000 --> 1:08:22.400
<v Speaker 1>your favorite shows.