1 00:00:01,639 --> 00:00:04,880 Speaker 1: Hi, I'm Kristin Davis, and I want to know, are 2 00:00:04,880 --> 00:00:09,040 Speaker 1: you a Charlotte? Okay, we're back to the show. We're 3 00:00:09,080 --> 00:00:12,119 Speaker 1: back to the show. So Carrie's home, she's thinking, she's 4 00:00:12,160 --> 00:00:14,200 Speaker 1: got She's She's like, I got to thinking. I mean, 5 00:00:14,240 --> 00:00:16,439 Speaker 1: it's so funny to hear the lines, you know, because 6 00:00:16,520 --> 00:00:19,239 Speaker 1: everyone used to talk about this stuff. But I was like, yeah, yeah, whatever, 7 00:00:19,360 --> 00:00:22,360 Speaker 1: And now I'm like, no, it's incredible. It's so great, right, 8 00:00:22,720 --> 00:00:24,560 Speaker 1: And I do think she says and just like that 9 00:00:24,760 --> 00:00:26,480 Speaker 1: at some point, which is all she does. Funny. 10 00:00:26,600 --> 00:00:28,400 Speaker 2: I noticed that when I was watching it this morning. 11 00:00:29,120 --> 00:00:32,879 Speaker 1: It's interesting. It's interesting. No, no didn't. I had no 12 00:00:32,920 --> 00:00:35,919 Speaker 1: idea that that was going on. But it was. So 13 00:00:35,960 --> 00:00:39,479 Speaker 1: she's talking about, you know, friendship with an ex and 14 00:00:40,040 --> 00:00:43,040 Speaker 1: is it an unsolvable equation or is it you know, 15 00:00:43,080 --> 00:00:45,440 Speaker 1: what does the ex mean? Right? Like she talks about 16 00:00:45,479 --> 00:00:48,120 Speaker 1: math for a second, which is kind of funny. I 17 00:00:48,240 --> 00:00:51,440 Speaker 1: was like, okay, talking about math equations? All right. So 18 00:00:51,560 --> 00:00:55,720 Speaker 1: Steve adorably shows up at Miranda's door because he's like, 19 00:00:55,840 --> 00:00:59,640 Speaker 1: you ran from me. That really hurt my feelings. He's 20 00:00:59,680 --> 00:01:03,400 Speaker 1: so sweet, like that's so vulnerable and adorable that he 21 00:01:03,480 --> 00:01:06,399 Speaker 1: says that to her right, like yeah, God, I just 22 00:01:06,440 --> 00:01:07,399 Speaker 1: love him so much. 23 00:01:07,840 --> 00:01:10,080 Speaker 2: And Miranda kind of. 24 00:01:09,959 --> 00:01:13,559 Speaker 1: Burst into tears, which is also fascinating. And I didn't 25 00:01:13,600 --> 00:01:16,640 Speaker 1: remember any of this, but Cynthia's just so so good. 26 00:01:16,640 --> 00:01:19,280 Speaker 1: They're so good together, and you see that she really 27 00:01:19,360 --> 00:01:21,840 Speaker 1: has this turmoil and she says a few a few 28 00:01:21,880 --> 00:01:24,400 Speaker 1: times in the scene like I really miss you, and 29 00:01:24,440 --> 00:01:26,600 Speaker 1: you realize at that point like oh, it's like so 30 00:01:26,800 --> 00:01:30,000 Speaker 1: much more. And then she wants to even fully admit 31 00:01:30,120 --> 00:01:34,360 Speaker 1: to you know, like he has connected with her underneath 32 00:01:34,480 --> 00:01:39,199 Speaker 1: all of her facade toughness, you know, and I love 33 00:01:39,240 --> 00:01:42,920 Speaker 1: it so much. So Steve is backed great, so great, 34 00:01:43,040 --> 00:01:48,680 Speaker 1: It's so great. Then I weirdly am running. I don't 35 00:01:48,720 --> 00:01:52,080 Speaker 1: remember this at all. I'm like, what am I wearing? 36 00:01:52,600 --> 00:01:55,880 Speaker 1: I don't remember filming this. I'm running around the reservoir, 37 00:01:55,920 --> 00:01:56,680 Speaker 1: which is a theme. 38 00:01:56,840 --> 00:01:58,360 Speaker 2: You have a lot of scenes where you run around 39 00:01:58,360 --> 00:02:00,760 Speaker 2: the wad I know and not what? 40 00:02:00,880 --> 00:02:01,760 Speaker 1: I did not remember? 41 00:02:02,200 --> 00:02:05,120 Speaker 2: Do you run? No? I did? 42 00:02:05,320 --> 00:02:05,880 Speaker 3: I did. 43 00:02:05,960 --> 00:02:08,320 Speaker 1: At one point when I was on Melrose Place, I 44 00:02:08,400 --> 00:02:12,359 Speaker 1: had the very distinct sensation that I was not working 45 00:02:12,400 --> 00:02:14,000 Speaker 1: out enough to fit in. 46 00:02:14,080 --> 00:02:16,079 Speaker 2: I have tried to run and I hate it. 47 00:02:16,200 --> 00:02:18,919 Speaker 1: I had to get a running coach. Wow, because all 48 00:02:18,960 --> 00:02:21,480 Speaker 1: of the girls will talk about their workout routines and 49 00:02:21,520 --> 00:02:24,760 Speaker 1: I was like, dun, I'm not not not doing it 50 00:02:24,800 --> 00:02:27,760 Speaker 1: at all. Right, So I got a running coach and 51 00:02:27,800 --> 00:02:29,360 Speaker 1: he would teach me how to run because I was 52 00:02:29,360 --> 00:02:31,160 Speaker 1: one of those kids where everyone would laugh at me 53 00:02:31,200 --> 00:02:31,680 Speaker 1: when I ran. 54 00:02:32,760 --> 00:02:34,240 Speaker 2: Yeah, thank you. 55 00:02:34,520 --> 00:02:36,840 Speaker 1: Not cute at the time, but I thank you. So 56 00:02:36,880 --> 00:02:39,000 Speaker 1: he taught me how to run better. I don't know 57 00:02:39,040 --> 00:02:40,760 Speaker 1: that I'm still that good, but he taught me how 58 00:02:40,800 --> 00:02:43,000 Speaker 1: to run better. And I ran on the beach, which 59 00:02:43,080 --> 00:02:46,440 Speaker 1: was hard, really hard, and it made my quads look 60 00:02:46,520 --> 00:02:48,520 Speaker 1: like a like a speed skater in the Olympics. 61 00:02:48,680 --> 00:02:48,840 Speaker 3: Wo. 62 00:02:49,120 --> 00:02:51,320 Speaker 1: Yeah, build up what I was looking for. 63 00:02:51,639 --> 00:02:53,399 Speaker 2: Yeah, it was a bad idea. 64 00:02:53,520 --> 00:02:55,880 Speaker 1: I did quite that. But then when they were like 65 00:02:55,960 --> 00:02:58,919 Speaker 1: Charlotte runs, I did think it made sense because she's 66 00:02:59,080 --> 00:03:04,080 Speaker 1: so focused and trying to move forward in her pursuits. Right, 67 00:03:04,120 --> 00:03:06,919 Speaker 1: it seemed to work. And she also plays tennis, which 68 00:03:06,960 --> 00:03:10,000 Speaker 1: we'll get to with the Kyle character, you know, with Trey, 69 00:03:10,200 --> 00:03:12,280 Speaker 1: and she makes jokes about her waspy family and that's 70 00:03:12,280 --> 00:03:14,600 Speaker 1: how they handle emotions, which I think is great. Right, 71 00:03:14,960 --> 00:03:16,639 Speaker 1: Like those things I thought were great. So I was 72 00:03:16,680 --> 00:03:18,760 Speaker 1: like yes, yes, let's run. Let's try to wear some 73 00:03:18,800 --> 00:03:21,160 Speaker 1: decent workout where and run. So I'm running and I 74 00:03:21,160 --> 00:03:23,840 Speaker 1: see a horse. I didn't remember this. I remember that 75 00:03:23,880 --> 00:03:26,640 Speaker 1: I would talk about my love, my Taddy love, but 76 00:03:26,680 --> 00:03:29,640 Speaker 1: I hadn't remembered I tell a story, or Carrie tells 77 00:03:29,680 --> 00:03:31,959 Speaker 1: the story. I guess the voiceover that I had fallen 78 00:03:32,000 --> 00:03:34,680 Speaker 1: off the horse and broken my collar bone, and my 79 00:03:34,840 --> 00:03:38,160 Speaker 1: father had sold the horse the next day, which seems 80 00:03:38,200 --> 00:03:41,960 Speaker 1: so harsh, you know, like wow, I hadn't remembered any 81 00:03:42,000 --> 00:03:45,600 Speaker 1: of that, Like emotionally, you see why Charlotte loves her 82 00:03:45,640 --> 00:03:49,760 Speaker 1: dogs that are coming so much, right because her dad 83 00:03:49,880 --> 00:03:54,040 Speaker 1: sold her horse like the next day. But I was competing, 84 00:03:54,080 --> 00:03:56,240 Speaker 1: I think, I mean, like what, I've got to look 85 00:03:56,280 --> 00:04:01,800 Speaker 1: up Charlotte's backstory. Wow, I remember, any I do remember 86 00:04:01,800 --> 00:04:03,520 Speaker 1: that she had a horse named Taddy that she loved. 87 00:04:03,640 --> 00:04:06,280 Speaker 1: So I see this horse and it's riding through Central 88 00:04:06,280 --> 00:04:08,480 Speaker 1: Park and I had this still happens where you'll just 89 00:04:08,480 --> 00:04:10,480 Speaker 1: be walking in Central Park and see a horse go by, and. 90 00:04:10,440 --> 00:04:12,720 Speaker 2: It's just I just saw one and I was just 91 00:04:12,760 --> 00:04:13,480 Speaker 2: walking there. Yeah. 92 00:04:13,560 --> 00:04:16,240 Speaker 1: Yeah, it's incredible, right, Like it's such an old world 93 00:04:16,320 --> 00:04:19,760 Speaker 1: thing that's still happening. It's it's pretty cool. So I 94 00:04:19,760 --> 00:04:22,840 Speaker 1: see the horse, we hear the story I think from 95 00:04:22,920 --> 00:04:26,680 Speaker 1: Carrie about Taddy, the horse in the competition that broke 96 00:04:26,760 --> 00:04:29,400 Speaker 1: my collarbone, and then I think, maybe it's time to 97 00:04:29,440 --> 00:04:32,359 Speaker 1: get back in this saddle. And that's a lovely writing, 98 00:04:32,760 --> 00:04:35,400 Speaker 1: you know. It connects to the others without me having 99 00:04:35,440 --> 00:04:37,120 Speaker 1: to have a guy, which I think is great. 100 00:04:37,480 --> 00:04:37,640 Speaker 2: Right. 101 00:04:37,760 --> 00:04:41,800 Speaker 1: Yeah, then Samantha, this is great And I would love 102 00:04:41,839 --> 00:04:44,640 Speaker 1: to know where John enosays, the actor who plays mister 103 00:04:44,720 --> 00:04:47,240 Speaker 1: too Big, which we're about to meet, did you ever 104 00:04:47,279 --> 00:04:47,719 Speaker 1: meet him? 105 00:04:48,440 --> 00:04:48,719 Speaker 3: No? 106 00:04:48,839 --> 00:04:51,880 Speaker 1: Oh, he was all around in the scene and really, 107 00:04:52,640 --> 00:04:55,320 Speaker 1: I mean, my god, he has so nice. 108 00:04:55,120 --> 00:04:56,680 Speaker 2: Yeah, and I means nice. 109 00:04:58,520 --> 00:05:00,880 Speaker 3: At one. This is a rumor I heard that Samantha 110 00:05:00,920 --> 00:05:04,320 Speaker 3: that Kim Kotrell got to choose her love interest at 111 00:05:04,360 --> 00:05:06,360 Speaker 3: a certain point once the show got more successful, that 112 00:05:06,480 --> 00:05:07,800 Speaker 3: she could like sign off on them or. 113 00:05:08,080 --> 00:05:08,960 Speaker 2: We all do you do? 114 00:05:09,160 --> 00:05:11,600 Speaker 3: Yeah, So you guys would say, like, I, okay, did 115 00:05:11,640 --> 00:05:13,040 Speaker 3: this person but not to that person? 116 00:05:13,279 --> 00:05:15,160 Speaker 1: This is what would happen, so not if it was 117 00:05:15,200 --> 00:05:17,520 Speaker 1: a one episode, at least not for me. And I 118 00:05:17,560 --> 00:05:20,640 Speaker 1: don't know in that case, you know, because well she 119 00:05:20,720 --> 00:05:23,880 Speaker 1: had some kind of you know, more intimate stuff to 120 00:05:23,920 --> 00:05:26,080 Speaker 1: do with people, right, So maybe they asked her, which 121 00:05:26,080 --> 00:05:29,400 Speaker 1: would have been lovely idea, But like for me, I 122 00:05:29,440 --> 00:05:32,880 Speaker 1: don't think. I don't think they asked me to be 123 00:05:32,960 --> 00:05:35,160 Speaker 1: involved until it was Trey. 124 00:05:35,120 --> 00:05:37,720 Speaker 3: Really, so when they chose Trey, they like. But this 125 00:05:37,760 --> 00:05:39,960 Speaker 3: is what was say no to Chicam maclachlin. I mean, 126 00:05:40,000 --> 00:05:42,480 Speaker 3: you must have been psyched, right, Yeah. 127 00:05:42,600 --> 00:05:46,560 Speaker 1: Well I was shocked when I was. I was shocked 128 00:05:46,600 --> 00:05:49,040 Speaker 1: for so many reasons. But actually, now that I'm thinking 129 00:05:49,120 --> 00:05:50,760 Speaker 1: back on it, they didn't actually ask me. They just 130 00:05:50,800 --> 00:05:52,400 Speaker 1: told me right right, right. 131 00:05:52,320 --> 00:05:54,400 Speaker 2: Right right now. That's a great gat for you guys, 132 00:05:54,560 --> 00:05:55,680 Speaker 2: beyond absolutely. 133 00:05:55,720 --> 00:05:58,359 Speaker 1: But also Michael Patrick had gone to an event like 134 00:05:58,400 --> 00:06:02,360 Speaker 1: a picnic and he had been there and he just 135 00:06:03,040 --> 00:06:06,479 Speaker 1: Michael Patrick was just dazzled. But the thing that was 136 00:06:06,520 --> 00:06:08,760 Speaker 1: weird for me was that what I've been told, because 137 00:06:08,800 --> 00:06:10,720 Speaker 1: Michael would sit us down before every season tell us 138 00:06:10,720 --> 00:06:13,760 Speaker 1: the arc of our character, the big picture, even way back. 139 00:06:13,839 --> 00:06:18,040 Speaker 1: It was very respectful, respectful and lovely and we were 140 00:06:18,040 --> 00:06:22,880 Speaker 1: included even though we had no titles, and he the 141 00:06:22,960 --> 00:06:26,640 Speaker 1: idea was that, you know, the beginning of the third season, 142 00:06:26,640 --> 00:06:28,440 Speaker 1: I started talking about like I'm going to get married. 143 00:06:28,480 --> 00:06:30,200 Speaker 1: I've got this book and it tells me how and 144 00:06:30,200 --> 00:06:31,159 Speaker 1: I look so crazy. 145 00:06:31,480 --> 00:06:33,360 Speaker 2: I have so many friends that do stuff like that. 146 00:06:33,400 --> 00:06:35,760 Speaker 3: Really, oh my god, well I read this book on 147 00:06:35,800 --> 00:06:38,080 Speaker 3: this many dates. This should be happening, and you know that, 148 00:06:38,120 --> 00:06:40,840 Speaker 3: like these books aren't. Actually, you know, totally. 149 00:06:41,120 --> 00:06:42,640 Speaker 2: Yes, it was very hard. 150 00:06:42,720 --> 00:06:47,400 Speaker 1: I had to really act my ass off, super didactic, 151 00:06:47,520 --> 00:06:49,800 Speaker 1: like this is what I'm going to do. No, no, no, no, no, 152 00:06:50,400 --> 00:06:53,040 Speaker 1: so I would. I'm really They set me on a course, 153 00:06:53,160 --> 00:06:54,560 Speaker 1: you know, I'm going to be married by the end 154 00:06:54,560 --> 00:06:57,400 Speaker 1: of the year. And then the idea originally. 155 00:06:56,960 --> 00:06:58,000 Speaker 2: Had been so funny. 156 00:06:58,160 --> 00:07:00,600 Speaker 1: I mean, but people do this because. 157 00:07:00,360 --> 00:07:05,039 Speaker 3: They've done the one I've done all these like books 158 00:07:05,040 --> 00:07:05,920 Speaker 3: that you read, you know. 159 00:07:06,080 --> 00:07:11,720 Speaker 1: Wow. Yeah, yeah, I avoid them like the plague. Okay, yeah, smart, 160 00:07:11,920 --> 00:07:14,000 Speaker 1: thank you. Well, I think because I played Charlotte. 161 00:07:13,680 --> 00:07:15,360 Speaker 2: Right, you already got that. 162 00:07:15,560 --> 00:07:20,200 Speaker 1: Yeah. So the idea for Trey in the original before 163 00:07:20,320 --> 00:07:23,400 Speaker 1: we met Kyle, was that Charlotte would find this guy 164 00:07:23,880 --> 00:07:26,200 Speaker 1: and he would be handsome and everything, but that he 165 00:07:26,360 --> 00:07:30,120 Speaker 1: was super boring and that everyone hated him, and then 166 00:07:30,160 --> 00:07:31,720 Speaker 1: it would be the kind of thing where they'd be like, 167 00:07:31,800 --> 00:07:34,040 Speaker 1: oh God, here he comes, will you talk to him? 168 00:07:34,520 --> 00:07:37,480 Speaker 1: The friends, which we've all been through, right, But the 169 00:07:37,520 --> 00:07:39,640 Speaker 1: problem was he was played by Colin mcclo so he's 170 00:07:39,680 --> 00:07:43,480 Speaker 1: not boring. He's not boring any and all of us 171 00:07:43,560 --> 00:07:44,400 Speaker 1: were equally like. 172 00:07:47,160 --> 00:07:48,640 Speaker 2: So they had to shift real quick. 173 00:07:49,560 --> 00:07:51,360 Speaker 1: That was the joy of our writers is that they. 174 00:07:51,360 --> 00:07:53,400 Speaker 3: They would just go with what you guys really were, 175 00:07:53,560 --> 00:07:55,120 Speaker 3: and which. 176 00:07:54,560 --> 00:08:07,280 Speaker 1: Was I think, why at work, have you seen this 177 00:08:07,360 --> 00:08:10,960 Speaker 1: thing lately about they've made a bunch of movies where 178 00:08:10,960 --> 00:08:12,760 Speaker 1: there's like an older woman and any younger guy. 179 00:08:12,880 --> 00:08:13,480 Speaker 2: Yeah, yeah, and. 180 00:08:13,440 --> 00:08:15,360 Speaker 1: They're actually talking about this being a trend. 181 00:08:15,520 --> 00:08:15,760 Speaker 2: Okay. 182 00:08:15,960 --> 00:08:18,040 Speaker 1: Part of the reason is a trend is because the 183 00:08:18,120 --> 00:08:22,480 Speaker 1: younger guys grew up with different expectations and kind of 184 00:08:22,640 --> 00:08:27,080 Speaker 1: training and are not as held down by kind of 185 00:08:27,120 --> 00:08:29,120 Speaker 1: the you know, stereotypical norms. 186 00:08:29,200 --> 00:08:31,240 Speaker 2: Their courage right right. 187 00:08:31,280 --> 00:08:33,319 Speaker 3: And I think I think older women are also getting 188 00:08:33,360 --> 00:08:35,240 Speaker 3: more brave, you know, because I think probably there was 189 00:08:35,280 --> 00:08:37,679 Speaker 3: always probably younger women that younger men that wanted to 190 00:08:37,720 --> 00:08:39,280 Speaker 3: go out with older women, but maybe some older women 191 00:08:39,320 --> 00:08:40,920 Speaker 3: felt like, maybe I'm not supposed to do this, Like 192 00:08:40,920 --> 00:08:43,040 Speaker 3: I don't know if you remember when Demi Moore dated Ashton, 193 00:08:43,480 --> 00:08:45,080 Speaker 3: certainly she I mean, I think a lot of people 194 00:08:45,080 --> 00:08:47,480 Speaker 3: were like, oh lucky. You know, that's a hot couple. 195 00:08:47,520 --> 00:08:50,520 Speaker 3: But she got flack as well, you know, so it's like, 196 00:08:50,520 --> 00:08:53,600 Speaker 3: why should she be getting flack? Well, your male counterparts 197 00:08:53,640 --> 00:08:54,959 Speaker 3: are not getting any flack. 198 00:08:54,880 --> 00:08:58,120 Speaker 1: You know, for one hot second. Yeah, no man ever 199 00:08:58,160 --> 00:09:01,960 Speaker 1: gets flack, but all the women get It's insane. But 200 00:09:02,000 --> 00:09:04,720 Speaker 1: what I love now is they're making these like Laura 201 00:09:04,800 --> 00:09:07,280 Speaker 1: Dern did one with Chris Hemsworth. I want to say, 202 00:09:07,280 --> 00:09:10,080 Speaker 1: love it. Yeah, I did some young man. 203 00:09:10,120 --> 00:09:13,040 Speaker 2: I don't even know that, so, yes, I loved it. 204 00:09:13,080 --> 00:09:13,880 Speaker 1: Did you love it? Yeah? 205 00:09:13,880 --> 00:09:16,520 Speaker 2: I was really good. I love the director, Michael Showalter. 206 00:09:16,640 --> 00:09:19,840 Speaker 1: He's yeah, he's so good. He's so good. Like I 207 00:09:19,880 --> 00:09:21,680 Speaker 1: love that trend and I want it to be a 208 00:09:21,720 --> 00:09:25,640 Speaker 1: real trend. And there's some other actress person who's talked 209 00:09:25,640 --> 00:09:27,160 Speaker 1: about this and I can't remember who it is right now, 210 00:09:27,160 --> 00:09:31,440 Speaker 1: but I'm like, yeah, yeah, let's do that. Let's do that. 211 00:09:31,679 --> 00:09:34,880 Speaker 1: But then I think to myself, I mean, it's odd 212 00:09:34,920 --> 00:09:37,720 Speaker 1: with with my kids, right, Like, you know, I can't 213 00:09:37,720 --> 00:09:40,320 Speaker 1: really just be like, hey, here's this thirty year old. 214 00:09:40,240 --> 00:09:43,719 Speaker 2: Dude, Like good, what I mean? 215 00:09:43,800 --> 00:09:46,079 Speaker 3: Look at the director what's her name? Who did Fifty 216 00:09:46,080 --> 00:09:48,040 Speaker 3: Shades of Gray, who's got the much younger husband and 217 00:09:48,160 --> 00:09:50,360 Speaker 3: they are like super in love and they've been together 218 00:09:50,400 --> 00:09:51,360 Speaker 3: for twenty years. 219 00:09:51,760 --> 00:09:51,960 Speaker 2: Yeah. 220 00:09:52,040 --> 00:09:55,800 Speaker 1: No, that's super impressive. I mean you can always find it, right, Yeah, 221 00:09:55,840 --> 00:09:58,720 Speaker 1: But I think for my kids, I wouldn't want to 222 00:09:58,760 --> 00:10:02,120 Speaker 1: casually introduce Actually you don't know right right right? If 223 00:10:02,160 --> 00:10:04,920 Speaker 1: it was something, if you were serious, yes, yes, and 224 00:10:04,920 --> 00:10:08,160 Speaker 1: then if the guy could play basketball, everything would be fine. 225 00:10:10,960 --> 00:10:13,120 Speaker 1: Our kids would like me, I have to send him 226 00:10:13,160 --> 00:10:16,839 Speaker 1: to a coach if he wasn't good at basketball. But 227 00:10:16,840 --> 00:10:19,120 Speaker 1: but I think I love that trend. I mean not 228 00:10:19,160 --> 00:10:21,080 Speaker 1: to say that there's anything wrong with men our age 229 00:10:21,120 --> 00:10:22,679 Speaker 1: because because there's not. But I mean a lot of 230 00:10:22,679 --> 00:10:25,200 Speaker 1: them are married obviously, or you know, maybe divorce. 231 00:10:25,320 --> 00:10:27,800 Speaker 3: No, my friend, she was on some dating apps and 232 00:10:27,840 --> 00:10:29,120 Speaker 3: she's a really successful writer. 233 00:10:29,280 --> 00:10:29,960 Speaker 2: She's really cool. 234 00:10:30,120 --> 00:10:32,320 Speaker 3: She's around our ages, and so she was on there 235 00:10:32,360 --> 00:10:33,960 Speaker 3: and she wasn't getting like a lot of matches. And 236 00:10:33,960 --> 00:10:36,480 Speaker 3: then she expanded her profile to include like much younger 237 00:10:36,520 --> 00:10:42,319 Speaker 3: guys and her she was like flooded and now she's 238 00:10:42,320 --> 00:10:44,280 Speaker 3: gonna she's the one. We're gonna we might I think 239 00:10:44,320 --> 00:10:46,880 Speaker 3: we might write something together. But you know, she was 240 00:10:46,920 --> 00:10:49,600 Speaker 3: flooded with all these younger guys trying to go out 241 00:10:49,600 --> 00:10:54,360 Speaker 3: with them, and I think she had a fun flaying 242 00:10:54,440 --> 00:10:54,920 Speaker 3: with one guy. 243 00:10:55,000 --> 00:10:58,960 Speaker 2: Yeah yeah, I mean maybe that's what it is. But 244 00:10:59,040 --> 00:11:02,559 Speaker 2: it was so funny. She got like this massive like wow. 245 00:11:04,480 --> 00:11:06,320 Speaker 1: Okay, all right, all right, let's go back to the show. 246 00:11:06,600 --> 00:11:07,240 Speaker 2: Back to the show. 247 00:11:07,280 --> 00:11:10,920 Speaker 1: Okay. So Samantha is walking down the street. This fits 248 00:11:11,000 --> 00:11:11,360 Speaker 1: right in. 249 00:11:11,960 --> 00:11:13,560 Speaker 2: This is before Apps, you guys. 250 00:11:13,559 --> 00:11:16,560 Speaker 1: She's walking down the street Madison Avenue, and she walks 251 00:11:16,600 --> 00:11:19,319 Speaker 1: by this honk a man his name in life is 252 00:11:19,400 --> 00:11:22,560 Speaker 1: Johnny Knows, and he looks at her and she looks 253 00:11:22,600 --> 00:11:25,280 Speaker 1: at him and it's like, oh, sizzily, and then she 254 00:11:25,360 --> 00:11:27,480 Speaker 1: walks past him and looks in the window at Prada 255 00:11:27,800 --> 00:11:30,200 Speaker 1: on the Upper East Side, and then he comes back 256 00:11:30,280 --> 00:11:33,800 Speaker 1: and he says something like, you know, you look amazing, 257 00:11:33,840 --> 00:11:37,760 Speaker 1: and she goes, well, you're so confident. What makes you 258 00:11:37,840 --> 00:11:41,600 Speaker 1: so cocky? And he goes, I guess I was born 259 00:11:41,640 --> 00:11:45,040 Speaker 1: that way. And he's not joking, we find out later, 260 00:11:45,160 --> 00:11:47,520 Speaker 1: which is super funny. But I love how he plays 261 00:11:47,520 --> 00:11:49,719 Speaker 1: it because he's just like light and kind of like, well, 262 00:11:49,760 --> 00:11:51,920 Speaker 1: I guess I was just born that way. He's like 263 00:11:52,120 --> 00:11:52,800 Speaker 1: just the hunk. 264 00:11:52,840 --> 00:11:54,400 Speaker 2: I mean, if that guy asked you on the street, 265 00:11:54,400 --> 00:11:56,160 Speaker 2: you'd be like, wow, I mean. 266 00:11:56,360 --> 00:12:00,320 Speaker 1: Right right, And Samantha plays it a little very cool know, 267 00:12:00,360 --> 00:12:04,120 Speaker 1: which is very like, yeah, very cool for her, right 268 00:12:04,480 --> 00:12:06,840 Speaker 1: for her. So then we're just going to do her 269 00:12:06,880 --> 00:12:10,960 Speaker 1: storyline because I think it's super interesting. They go, they're 270 00:12:10,960 --> 00:12:15,160 Speaker 1: in her really weirdly red bedroom and she takes her 271 00:12:15,640 --> 00:12:18,559 Speaker 1: she's in her like cute little lingerie and he strips 272 00:12:18,559 --> 00:12:21,320 Speaker 1: that shirt off and you're just like Jesus, and then 273 00:12:21,480 --> 00:12:23,160 Speaker 1: he goes, you know, I think I need to tell 274 00:12:23,200 --> 00:12:26,160 Speaker 1: you something before we go any further, and she's like yes, 275 00:12:26,520 --> 00:12:27,960 Speaker 1: and she I can see in her face she thinks 276 00:12:27,960 --> 00:12:29,640 Speaker 1: he's going to say he has a STD or something, 277 00:12:29,720 --> 00:12:31,559 Speaker 1: and she's like, oh, no, this is bad. And then 278 00:12:31,559 --> 00:12:32,960 Speaker 1: he goes, you know, I just need to tell you 279 00:12:33,000 --> 00:12:35,199 Speaker 1: I'm very well in dowed, and he seems kind of 280 00:12:35,440 --> 00:12:39,640 Speaker 1: adorably embarrassed when you say, he's right so cute, and 281 00:12:39,679 --> 00:12:42,920 Speaker 1: she's like, oh, that's wonderful. She's all. 282 00:12:46,200 --> 00:12:47,640 Speaker 2: She's very into it. 283 00:12:47,800 --> 00:12:50,320 Speaker 1: And then we come to find out no, it's actually 284 00:12:50,360 --> 00:12:56,040 Speaker 1: an actual problem. It's interesting and even Samantha can't do it, 285 00:12:56,320 --> 00:12:58,600 Speaker 1: which is bizarre. And I would love to know his 286 00:12:58,920 --> 00:13:01,280 Speaker 1: experience of playing that guy. Because all the guys. 287 00:13:01,320 --> 00:13:02,760 Speaker 2: I wonder if a lot of women after that show 288 00:13:02,760 --> 00:13:04,719 Speaker 2: were like, Okay, I'm ready right. 289 00:13:07,559 --> 00:13:09,480 Speaker 1: I mean, it could have been because all the guys 290 00:13:09,520 --> 00:13:12,240 Speaker 1: have trippy, trippy stories about yeah. 291 00:13:12,080 --> 00:13:14,040 Speaker 2: Like about women hitting on them after being on the show. 292 00:13:14,040 --> 00:13:17,720 Speaker 1: Were just hating them really depending on who they played, 293 00:13:17,960 --> 00:13:20,120 Speaker 1: really like who like I feel kind of bad for them? 294 00:13:20,360 --> 00:13:23,280 Speaker 1: Who was just telling us, Oh, well, Futterman was telling 295 00:13:23,360 --> 00:13:25,800 Speaker 1: us that people had said all kind of crazy things 296 00:13:25,840 --> 00:13:29,000 Speaker 1: to him about the mouse and whatever, you know what 297 00:13:29,000 --> 00:13:32,480 Speaker 1: I mean? And then right, and then someone else, Oh, 298 00:13:32,840 --> 00:13:35,880 Speaker 1: Brian van Holt, because he kind of had a he 299 00:13:35,920 --> 00:13:38,360 Speaker 1: played like a like a I don't want to say 300 00:13:38,360 --> 00:13:41,319 Speaker 1: who it was written after, but you know, he was 301 00:13:41,400 --> 00:13:44,920 Speaker 1: kind of ick, and so people would sometimes they'd be like, oh, 302 00:13:44,960 --> 00:13:46,760 Speaker 1: my god, you're that guy and then be like, oh, 303 00:13:47,040 --> 00:13:49,680 Speaker 1: that was terrible, you know whatever, like he'd actually done it, 304 00:13:49,720 --> 00:13:55,520 Speaker 1: you know. M And also Bridget who played Natasha, told 305 00:13:55,559 --> 00:13:57,280 Speaker 1: me that for years people would come up to her 306 00:13:57,840 --> 00:14:00,960 Speaker 1: and say things like, you know, you were in Carrie's life? 307 00:14:01,720 --> 00:14:02,520 Speaker 2: Are you cute? 308 00:14:02,600 --> 00:14:03,719 Speaker 1: Isn't that messed up? 309 00:14:05,200 --> 00:14:10,920 Speaker 3: People don't realize this is not real Carrie. She didn't, Yeah, 310 00:14:10,960 --> 00:14:15,920 Speaker 3: she actually Harrie actually did worse because there were as 311 00:14:15,920 --> 00:14:18,920 Speaker 3: Bridget like, he was single, right, yes, yeah, yeah, and they. 312 00:14:18,840 --> 00:14:21,400 Speaker 1: Were broken up, you know what I mean. So she 313 00:14:21,440 --> 00:14:22,720 Speaker 1: had put up with it for a while, but she 314 00:14:22,760 --> 00:14:25,880 Speaker 1: said as time went on, people would come up there 315 00:14:25,920 --> 00:14:28,560 Speaker 1: and be like, you you know, you were wronged and 316 00:14:28,760 --> 00:14:31,160 Speaker 1: you know whatever. You know, she'd be like, oh, thank god, 317 00:14:31,160 --> 00:14:33,920 Speaker 1: the ties of turn. Anyway, it's all very trippy. But yes, 318 00:14:33,960 --> 00:14:37,240 Speaker 1: it is all fictional, so it's interesting to me. 319 00:14:37,640 --> 00:14:42,160 Speaker 2: Maybe he doesn't I don't know. Probably it's fine. I 320 00:14:42,280 --> 00:14:43,760 Speaker 2: just want to say no, I'm sure he has a 321 00:14:43,760 --> 00:14:44,120 Speaker 2: good one. 322 00:14:44,280 --> 00:14:47,560 Speaker 1: I'm sure it's good. I feel in my bones that 323 00:14:47,800 --> 00:14:51,160 Speaker 1: is good just from the way that he handled it 324 00:14:51,200 --> 00:14:54,040 Speaker 1: at the time. I could be wrong. I have no 325 00:14:54,160 --> 00:14:57,880 Speaker 1: personal knowledge. He didn't seem to have any problem with it. 326 00:14:57,960 --> 00:14:58,640 Speaker 1: Let me put it that. 327 00:14:58,680 --> 00:14:59,880 Speaker 2: Maybe you should find out now. 328 00:15:00,040 --> 00:15:03,040 Speaker 1: To find out for sure. But I do feel at 329 00:15:03,080 --> 00:15:07,200 Speaker 1: the time we had figured out, like as a group, 330 00:15:07,440 --> 00:15:08,960 Speaker 1: that it was hard for the men to come into 331 00:15:09,040 --> 00:15:12,400 Speaker 1: our show as girlfriends. Basically, they were playing the girlfriend 332 00:15:12,560 --> 00:15:16,200 Speaker 1: equivalent parts, right, and it seemed unusual for them to 333 00:15:16,240 --> 00:15:18,520 Speaker 1: be doing that, and sometimes they seemed uncomfortable, So we 334 00:15:18,520 --> 00:15:20,760 Speaker 1: would kind of try to be friendly you know, and 335 00:15:20,840 --> 00:15:23,480 Speaker 1: try to be like, oh you okay, how are you feeling? 336 00:15:23,680 --> 00:15:26,480 Speaker 1: And I remember talking to Johnny's I'm fine, you. 337 00:15:26,440 --> 00:15:30,200 Speaker 2: Know, how are you? I love it. 338 00:15:30,360 --> 00:15:32,440 Speaker 1: I hope that that's still true. Okay, here we go, 339 00:15:32,520 --> 00:15:38,160 Speaker 1: there's so much more. Okay. So this is when they okay, okay, Carrie. 340 00:15:38,280 --> 00:15:41,200 Speaker 1: Carrie decides Carrie sees okay. So they have this whole 341 00:15:41,200 --> 00:15:43,280 Speaker 1: conversation about can you be friends with your ex? Then 342 00:15:43,320 --> 00:15:45,800 Speaker 1: Carrie goes home and she finds a Laura Ashley dressed 343 00:15:45,800 --> 00:15:48,720 Speaker 1: from the nineteen eighties, which I had a few of 344 00:15:49,280 --> 00:15:51,560 Speaker 1: that I wore for auditions, you know, and they would 345 00:15:51,560 --> 00:15:54,040 Speaker 1: be like my special dress, which really makes me laugh 346 00:15:54,080 --> 00:15:58,160 Speaker 1: and possibly why I didn't get parts in the eighties when. 347 00:15:58,040 --> 00:15:59,160 Speaker 2: I just got out of college. 348 00:15:59,440 --> 00:16:02,240 Speaker 1: Right, So she finds an old dress and she realizes like, 349 00:16:02,320 --> 00:16:04,600 Speaker 1: this is so crazy that we would keep old clothes, 350 00:16:04,800 --> 00:16:06,720 Speaker 1: but that we just throw away our ex boyfriends. And 351 00:16:06,760 --> 00:16:10,680 Speaker 1: she decides to call Big. She calls them up. Natasha 352 00:16:10,800 --> 00:16:15,200 Speaker 1: picks up the phone, not expecting this, so Carrie hangs 353 00:16:15,280 --> 00:16:17,000 Speaker 1: up the phone. You know, this is in the olden 354 00:16:17,080 --> 00:16:21,240 Speaker 1: days with regular phones. Right then she decides like, oh no, 355 00:16:21,400 --> 00:16:23,880 Speaker 1: he could see caller ID so I'm going to call 356 00:16:23,920 --> 00:16:26,320 Speaker 1: back so that he calls back. She calls back, and 357 00:16:26,400 --> 00:16:29,800 Speaker 1: they have this whole conversation, and then they decide to 358 00:16:30,000 --> 00:16:32,760 Speaker 1: have lunch at eleven Madison Park, which is still a lovely, 359 00:16:33,000 --> 00:16:37,160 Speaker 1: very formal, expensive restaurant, and Carrie comes in this beautiful 360 00:16:37,200 --> 00:16:39,480 Speaker 1: pink dress. I have no memory of this scene at all. 361 00:16:39,760 --> 00:16:44,160 Speaker 1: I vaguely remember stress about but there's like a number 362 00:16:44,240 --> 00:16:46,440 Speaker 1: of different restaurant scenes, Like there's the restaurant scene where 363 00:16:46,480 --> 00:16:49,880 Speaker 1: they eventually fall in the pond, right, There's a bunch 364 00:16:49,920 --> 00:16:52,720 Speaker 1: of restaurant scenes, but this one I didn't remember at all. 365 00:16:52,760 --> 00:16:54,760 Speaker 1: And I didn't even know what was going to happen, right, Like, 366 00:16:54,800 --> 00:16:56,840 Speaker 1: I'm just sitting on the edge of my seat, What's 367 00:16:56,880 --> 00:16:59,120 Speaker 1: going to happen? It was so good, It was so good. 368 00:16:59,400 --> 00:17:03,440 Speaker 1: And she has her beautiful, natural, curly hair a little 369 00:17:03,480 --> 00:17:06,399 Speaker 1: bit of frizz on top. I love it so desperately. 370 00:17:06,920 --> 00:17:11,040 Speaker 1: And he is being nervous, which we've almost never seen. Yeah, 371 00:17:11,400 --> 00:17:12,160 Speaker 1: and it's interesting. 372 00:17:12,359 --> 00:17:13,840 Speaker 2: It's always like mister cool guy. 373 00:17:13,800 --> 00:17:16,119 Speaker 1: Right, and he's like repeating himself and nervous because he 374 00:17:16,200 --> 00:17:18,439 Speaker 1: knows that he has to tell her that he and 375 00:17:18,520 --> 00:17:22,920 Speaker 1: Natasha are engaged. And he tells her. She says, let's 376 00:17:22,920 --> 00:17:24,600 Speaker 1: make a pact that we're not going to talk to 377 00:17:24,640 --> 00:17:27,359 Speaker 1: each other about our relationships until they get very serious, 378 00:17:27,520 --> 00:17:32,720 Speaker 1: at which point there's a horrific long silence, literally horrific 379 00:17:33,000 --> 00:17:36,119 Speaker 1: to the point where I'm like, carry, get up and 380 00:17:36,200 --> 00:17:38,720 Speaker 1: run because I couldn't remember what was going to happen. 381 00:17:38,840 --> 00:17:41,040 Speaker 1: But like, he just looks at her for the longest time. 382 00:17:41,320 --> 00:17:43,280 Speaker 1: And the thing that I thought was great about it 383 00:17:43,320 --> 00:17:45,639 Speaker 1: is he's so torn. Like, on the one hand, he 384 00:17:45,720 --> 00:17:47,919 Speaker 1: is engaged to this girl and she's lovely and like 385 00:17:48,000 --> 00:17:51,240 Speaker 1: perfect in so many ways, but he's still so torn, 386 00:17:51,800 --> 00:17:55,280 Speaker 1: you know about telling Carrie Like it's interesting, and I 387 00:17:55,280 --> 00:17:58,640 Speaker 1: thought he played it really really well. Yeah, you know, 388 00:17:58,920 --> 00:18:01,600 Speaker 1: totally because you just so much in his eyes. Yeah right, 389 00:18:01,840 --> 00:18:03,280 Speaker 1: But also you wouldn't be like fuck you. 390 00:18:03,480 --> 00:18:05,639 Speaker 2: Like yeah, like it's kind of mysterious. You don't really 391 00:18:05,680 --> 00:18:07,040 Speaker 2: know what he's thinking. You're like, oh, do you want 392 00:18:07,040 --> 00:18:07,840 Speaker 2: to be back with Carrie? 393 00:18:07,880 --> 00:18:08,199 Speaker 1: Do you not? 394 00:18:08,400 --> 00:18:10,200 Speaker 2: You don't really know where he's coming from. 395 00:18:10,400 --> 00:18:13,360 Speaker 1: No, And I mean that's the whole thing with mister Babs. Yeah, 396 00:18:13,440 --> 00:18:15,440 Speaker 1: I mean the whole that's the entire thing. You never 397 00:18:15,760 --> 00:18:19,200 Speaker 1: know where he's coming from and I so relate to that, 398 00:18:19,760 --> 00:18:20,920 Speaker 1: to being in those. 399 00:18:20,840 --> 00:18:23,479 Speaker 3: Relationships where you're just it's like that old school man 400 00:18:23,520 --> 00:18:25,479 Speaker 3: you doesn't know how to express his feelings, doesn't know 401 00:18:25,520 --> 00:18:28,000 Speaker 3: how to talk to you, and it's very frustrated. 402 00:18:28,000 --> 00:18:29,840 Speaker 1: And that's why people want to go out with younger men. 403 00:18:30,240 --> 00:18:33,359 Speaker 3: Yeah, interesting, because they're they're a little better at talking. 404 00:18:33,680 --> 00:18:35,880 Speaker 1: It seems like, yeah, I mean, I'm sure that's something. 405 00:18:35,920 --> 00:18:37,879 Speaker 3: Maybe they're not brought up with the same like old 406 00:18:37,920 --> 00:18:40,320 Speaker 3: school macho like you are not allowed to have any 407 00:18:40,320 --> 00:18:42,280 Speaker 3: feelings and you can never talk about that, you. 408 00:18:42,160 --> 00:18:45,440 Speaker 1: Know, Yeah, definitely, And good for them, Yeah, that's true. 409 00:18:45,640 --> 00:18:48,879 Speaker 1: So he tells her that they're engaged. She puts her 410 00:18:48,920 --> 00:18:51,760 Speaker 1: head down in her hands, and then she says, it's 411 00:18:51,840 --> 00:18:54,880 Speaker 1: just really cut my heart so bad. She says, you 412 00:18:54,920 --> 00:18:57,479 Speaker 1: string me along for two years, then you married some 413 00:18:57,520 --> 00:18:59,560 Speaker 1: twenty five year old girl after five months. 414 00:19:00,040 --> 00:19:00,800 Speaker 2: And he's like, I. 415 00:19:00,840 --> 00:19:02,639 Speaker 1: Did not string you along, and I just want to 416 00:19:02,720 --> 00:19:04,520 Speaker 1: kill him. I just want to kill him. You know, 417 00:19:04,880 --> 00:19:07,840 Speaker 1: he totally strung her along. He totally what is he 418 00:19:08,000 --> 00:19:12,320 Speaker 1: talking about? Like men you are to carry you really 419 00:19:12,359 --> 00:19:16,840 Speaker 1: are like a good friend, right, well, of course, but 420 00:19:16,880 --> 00:19:19,280 Speaker 1: I also really really relate you know what I mean, 421 00:19:19,359 --> 00:19:23,920 Speaker 1: And like I have had I mean, I can't think 422 00:19:24,000 --> 00:19:25,960 Speaker 1: right now of an Oh what's kind of that thing? 423 00:19:26,000 --> 00:19:27,600 Speaker 3: You know? Well, she says it later, like when you 424 00:19:27,600 --> 00:19:30,720 Speaker 3: break a guy in and then you help them grow 425 00:19:30,760 --> 00:19:32,240 Speaker 3: and then they're ready for the next one, but not 426 00:19:32,320 --> 00:19:32,520 Speaker 3: for you. 427 00:19:32,600 --> 00:19:35,240 Speaker 1: It's super annoying. And I have definitely felt that I 428 00:19:35,280 --> 00:19:37,000 Speaker 1: can't think of who they are right now, which is 429 00:19:37,119 --> 00:19:39,919 Speaker 1: interesting that I have forgotten them. But I know that 430 00:19:39,920 --> 00:19:41,760 Speaker 1: there are times in my youth where I was like, well, 431 00:19:41,760 --> 00:19:44,640 Speaker 1: I did all the work and now look at that. 432 00:19:44,920 --> 00:19:47,520 Speaker 1: But I didn't really necessarily want that, right So there 433 00:19:47,600 --> 00:19:50,160 Speaker 1: was that too of like but I'm still free, which 434 00:19:50,200 --> 00:19:52,480 Speaker 1: is great, That's what I wanted, you know what I mean. 435 00:19:52,520 --> 00:19:55,800 Speaker 1: It's interesting. So now we cut to Carry and me 436 00:19:55,880 --> 00:19:57,879 Speaker 1: and the stables in the Claremont stables like I was 437 00:19:57,880 --> 00:20:01,760 Speaker 1: telling about, and I'm just thinking, like, why is Charlotte 438 00:20:01,800 --> 00:20:04,160 Speaker 1: making poor Carrie be there and her heels? 439 00:20:04,840 --> 00:20:07,240 Speaker 2: Why do carry weare heels to go to the stage. 440 00:20:07,480 --> 00:20:09,960 Speaker 2: She's Carrie because. 441 00:20:09,720 --> 00:20:12,360 Speaker 1: She's Carrie, and I, you know, I want to get 442 00:20:12,359 --> 00:20:14,720 Speaker 1: back up on the horse. But she's obviously just basically 443 00:20:14,760 --> 00:20:18,560 Speaker 1: flipping out after this lunch, right and just like, she's 444 00:20:18,600 --> 00:20:19,560 Speaker 1: a very cute. 445 00:20:19,320 --> 00:20:21,720 Speaker 2: Top by the way, but I wish I had all. 446 00:20:21,600 --> 00:20:23,760 Speaker 1: Of it is very cute, and she has it in 447 00:20:23,800 --> 00:20:26,400 Speaker 1: this storage unit somewhere. Maybe one day it will come 448 00:20:26,400 --> 00:20:30,960 Speaker 1: back out. And Carrie compares her relationship with Big to 449 00:20:31,000 --> 00:20:33,360 Speaker 1: a horse and that she broke him in right, which 450 00:20:33,400 --> 00:20:36,719 Speaker 1: is all the horse imagery, as you said, is fantastic 451 00:20:36,760 --> 00:20:40,080 Speaker 1: through the whole show. And I'm scared to get on 452 00:20:40,119 --> 00:20:44,439 Speaker 1: the horse, which is also interesting, and I kind of forget. 453 00:20:44,480 --> 00:20:46,080 Speaker 1: I go to get on the horse and then I'm 454 00:20:46,080 --> 00:20:49,400 Speaker 1: like no, and then we leave and I'm like low 455 00:20:49,520 --> 00:20:52,280 Speaker 1: level Charlotte terrified, Like Charlotte has a lot of a 456 00:20:52,280 --> 00:20:55,679 Speaker 1: lot of big feelings. Then we're back to Samantha. She 457 00:20:55,920 --> 00:20:56,960 Speaker 1: just can't do it. 458 00:20:57,440 --> 00:20:58,920 Speaker 2: Which is so sad. 459 00:20:59,359 --> 00:21:03,160 Speaker 3: And I felt bad for him too, like she needs 460 00:21:03,160 --> 00:21:06,080 Speaker 3: a really big, big vagina big Cucci. 461 00:21:07,119 --> 00:21:10,760 Speaker 2: I guess. I mean, I hope he found someone that 462 00:21:10,800 --> 00:21:13,400 Speaker 2: could do it. I know, yeah, I. 463 00:21:13,400 --> 00:21:17,600 Speaker 1: Just feel like if you tried longer, harder with some 464 00:21:18,440 --> 00:21:19,280 Speaker 1: luprikin nerve. 465 00:21:19,359 --> 00:21:22,680 Speaker 2: I don't know, but I haven't seen some guys. Their 466 00:21:22,680 --> 00:21:24,479 Speaker 2: penises are crazy, you know what I mean. 467 00:21:24,480 --> 00:21:27,720 Speaker 3: I'm not saying it's more like okay, not in life. 468 00:21:27,760 --> 00:21:29,080 Speaker 3: I've never been with a guy where I was like, 469 00:21:29,119 --> 00:21:32,240 Speaker 3: oh my god. But like sometimes if you see people online, 470 00:21:32,359 --> 00:21:32,760 Speaker 3: you're like. 471 00:21:32,760 --> 00:21:35,040 Speaker 2: Does that really real? It's right, you know. 472 00:21:35,480 --> 00:21:37,560 Speaker 1: I mean there's that one guy where they made a 473 00:21:38,080 --> 00:21:40,560 Speaker 1: I mean, obviously, Heather's made me feel very comfortable. You 474 00:21:40,600 --> 00:21:44,560 Speaker 1: guys say some crazy craziness on here. There's that one 475 00:21:44,840 --> 00:21:48,800 Speaker 1: porn guy where they made a dildo based on him, right, yeah, 476 00:21:49,000 --> 00:21:51,240 Speaker 1: that was because we've had to film at numerous sex 477 00:21:52,000 --> 00:21:55,119 Speaker 1: shops or whatever. I don't want to how big is it. 478 00:21:55,119 --> 00:21:56,919 Speaker 1: It was pretty big, but I don't feel like it 479 00:21:56,960 --> 00:21:58,119 Speaker 1: was like, it's not ridiculous. 480 00:21:58,119 --> 00:22:01,600 Speaker 3: But I've seen people like it's like, you know, you 481 00:22:01,720 --> 00:22:02,480 Speaker 3: want that. 482 00:22:02,200 --> 00:22:03,199 Speaker 2: I mean I don't want that. 483 00:22:03,400 --> 00:22:04,520 Speaker 1: Yeah, no, I don't want that. 484 00:22:04,520 --> 00:22:05,359 Speaker 2: It's crazy. 485 00:22:05,720 --> 00:22:07,840 Speaker 1: Heather just really put her hands far away. You guys, 486 00:22:07,880 --> 00:22:10,639 Speaker 1: like twelve inches okay, in case you're not watching, I 487 00:22:10,680 --> 00:22:13,399 Speaker 1: mean that is kind of what is implied, because like 488 00:22:13,760 --> 00:22:16,560 Speaker 1: when they are trying again, you know, they're kind of 489 00:22:16,600 --> 00:22:19,239 Speaker 1: going slow and she's like okay, okay, okay, and then 490 00:22:19,280 --> 00:22:22,320 Speaker 1: he goes, okay, are we ready and she's like are 491 00:22:22,359 --> 00:22:28,840 Speaker 1: we ready? So I guess there's implying length Yeah, that's weird. 492 00:22:28,960 --> 00:22:31,359 Speaker 1: I can't imagine that that could be painful. I don't know. 493 00:22:31,440 --> 00:22:33,960 Speaker 1: I've never had that problem. I don't know. It's a 494 00:22:34,560 --> 00:22:39,399 Speaker 1: loading storyline, man, Oh my god. So then I've skipped 495 00:22:39,440 --> 00:22:41,959 Speaker 1: around a bit. But oh then this is so sweet. 496 00:22:42,000 --> 00:22:44,760 Speaker 1: So Miranda and Steve go to dinner because they're trying 497 00:22:44,760 --> 00:22:47,199 Speaker 1: to be friends, but you can so tell that, you know, 498 00:22:47,840 --> 00:22:52,200 Speaker 1: it's just unfinished, finished business man. So they come back 499 00:22:52,240 --> 00:22:54,800 Speaker 1: and they have the sweetest room. It's the sweetest scene 500 00:22:54,800 --> 00:22:57,120 Speaker 1: in her bedroom, which also made me think, like, does 501 00:22:57,200 --> 00:22:59,800 Speaker 1: Miranda not have the rest of her set yet? Because 502 00:22:59,800 --> 00:23:03,560 Speaker 1: we had to, we would each get more walls, you know, 503 00:23:03,680 --> 00:23:06,199 Speaker 1: as time went on, and for a long time I 504 00:23:06,320 --> 00:23:08,800 Speaker 1: only had the white bedroom with a picture of a 505 00:23:08,840 --> 00:23:12,360 Speaker 1: woman falling through water like she was sad and interesting 506 00:23:12,400 --> 00:23:14,679 Speaker 1: picture and a pink lamp, which I still have in 507 00:23:14,720 --> 00:23:17,320 Speaker 1: my house. And I used to only have two flats 508 00:23:17,359 --> 00:23:19,480 Speaker 1: that they would just move around. And then once I 509 00:23:19,520 --> 00:23:22,719 Speaker 1: had a hallway when Samantha sleeps with my door man, 510 00:23:23,040 --> 00:23:24,800 Speaker 1: and I was like, I don't even remember that allway 511 00:23:24,800 --> 00:23:27,200 Speaker 1: where that all the way goes? And then I get 512 00:23:27,200 --> 00:23:29,720 Speaker 1: a kitchen when Samantha sleeps with my brother but then 513 00:23:29,720 --> 00:23:33,080 Speaker 1: that kitchen disappears. Also, they're all white. That's how you 514 00:23:33,119 --> 00:23:36,120 Speaker 1: know that they're mine, right, And then I think, well, 515 00:23:36,119 --> 00:23:37,720 Speaker 1: we don't go to my house in this scene which 516 00:23:38,119 --> 00:23:41,040 Speaker 1: with the horses, but with Samantha we just see her 517 00:23:41,080 --> 00:23:43,960 Speaker 1: red bedroom, and with Miranda, I feel like we just 518 00:23:44,040 --> 00:23:47,159 Speaker 1: see the bedroom with a metal bed. But when she 519 00:23:47,200 --> 00:23:49,360 Speaker 1: had the interior designer, she did have a living room. 520 00:23:49,640 --> 00:23:50,199 Speaker 2: But I don't know. 521 00:23:50,320 --> 00:23:52,560 Speaker 3: One of my most memorable Miranda scenes was when she 522 00:23:52,720 --> 00:23:54,840 Speaker 3: made the brownies and she's trying not to eat the 523 00:23:54,840 --> 00:23:56,560 Speaker 3: whole tray and then she threw them in the trash, 524 00:23:56,560 --> 00:23:58,520 Speaker 3: but then she out of the trash, and then she 525 00:23:58,600 --> 00:24:00,119 Speaker 3: threw them in the trash again, and then she or 526 00:24:00,320 --> 00:24:02,360 Speaker 3: like soap on it, so she talcau. 527 00:24:02,440 --> 00:24:04,560 Speaker 1: You remember when she ate the cake out of the 528 00:24:04,600 --> 00:24:07,199 Speaker 1: trash or the cookie she eats out of the trash. 529 00:24:07,840 --> 00:24:10,600 Speaker 1: I know this because it's a meme. Okay, it's a meme. 530 00:24:10,640 --> 00:24:11,400 Speaker 2: It's really good. 531 00:24:11,560 --> 00:24:12,280 Speaker 1: It's really good. 532 00:24:13,080 --> 00:24:15,840 Speaker 2: It's relatable. You're like, I'll just have one cookie totally. 533 00:24:15,960 --> 00:24:19,040 Speaker 1: I mean all the Miranda food stuff is hysterical. Like 534 00:24:19,080 --> 00:24:22,040 Speaker 1: they wrote that scene and Cynthia was always so game 535 00:24:22,080 --> 00:24:24,040 Speaker 1: to do it because we would really eat in the 536 00:24:24,080 --> 00:24:26,720 Speaker 1: coffee shop scenes and it really was. Yeah, everyone was 537 00:24:26,760 --> 00:24:30,200 Speaker 1: just food. They would ask us in advance, what food 538 00:24:30,200 --> 00:24:32,600 Speaker 1: do you want? You would try to order wisely obviously, 539 00:24:33,160 --> 00:24:36,000 Speaker 1: and it would you order very long maybe it depends. 540 00:24:36,000 --> 00:24:38,240 Speaker 1: I would usually order like a chicken breast or something 541 00:24:38,280 --> 00:24:41,600 Speaker 1: something that was like, you know, not to like let it. 542 00:24:41,680 --> 00:24:43,400 Speaker 1: Like I was not into the salad. Cynthia was into 543 00:24:43,440 --> 00:24:45,800 Speaker 1: the salads. So they eventually write a scene where she 544 00:24:45,800 --> 00:24:47,680 Speaker 1: has like all this salad dressing and it's like all 545 00:24:47,680 --> 00:24:49,719 Speaker 1: over her face and I was like, you guys, why 546 00:24:49,760 --> 00:24:50,640 Speaker 1: are you going so far? 547 00:24:50,840 --> 00:24:51,800 Speaker 2: Like, don't go so far? 548 00:24:51,880 --> 00:24:55,000 Speaker 1: And she's so totally game. And sometimes like it's salmon 549 00:24:55,119 --> 00:24:55,880 Speaker 1: or something else. 550 00:24:56,600 --> 00:24:58,960 Speaker 2: Like a protein, yeah, anyone else yet. 551 00:25:00,680 --> 00:25:03,160 Speaker 1: A fair amount of salads, except they're hard to eat, 552 00:25:03,240 --> 00:25:05,560 Speaker 1: and they really want us to eat, right, So if 553 00:25:05,600 --> 00:25:07,159 Speaker 1: you don't pick your fork up, they'll come over there 554 00:25:07,200 --> 00:25:08,280 Speaker 1: and be like pick your work up. 555 00:25:09,119 --> 00:25:10,520 Speaker 2: Okay, I'm trying. That's a problem. 556 00:25:10,560 --> 00:25:12,640 Speaker 3: I mean we both know, like once they're shooting from 557 00:25:12,640 --> 00:25:13,879 Speaker 3: all you have to eat a lot of food in 558 00:25:13,920 --> 00:25:16,000 Speaker 3: those moments because you can do like twenty takes or 559 00:25:17,119 --> 00:25:17,520 Speaker 3: that scene. 560 00:25:17,600 --> 00:25:31,200 Speaker 1: Yeah, we got to cover hubble, Yes, which we kind 561 00:25:31,240 --> 00:25:33,680 Speaker 1: of did. Anyway, it's such a good scene. And I 562 00:25:33,800 --> 00:25:35,520 Speaker 1: lose my voice in the scene. You can tell that 563 00:25:35,680 --> 00:25:37,840 Speaker 1: because we had to sing so much. Oh wow, my 564 00:25:37,960 --> 00:25:40,159 Speaker 1: voice is like half at half masks. 565 00:25:40,200 --> 00:25:40,960 Speaker 2: I never noticed that. 566 00:25:41,200 --> 00:25:43,040 Speaker 1: I also lose my voice a lot in that as 567 00:25:43,080 --> 00:25:45,240 Speaker 1: the season goes, because we would work all night, all night, 568 00:25:45,280 --> 00:25:47,680 Speaker 1: all night and have to be loud even though we're 569 00:25:47,680 --> 00:25:51,159 Speaker 1: body micd and everything. So my voice is like scratchy, 570 00:25:51,359 --> 00:25:53,679 Speaker 1: and I'm always scared to death of singing. And I 571 00:25:53,720 --> 00:25:57,040 Speaker 1: can tell Sarah's like caretaking me in that scene. She's 572 00:25:57,080 --> 00:25:59,879 Speaker 1: like looking at me, like focus and focus on me. 573 00:26:00,160 --> 00:26:02,760 Speaker 1: Don't be scared, I know, because also you're singing Barbara 574 00:26:02,760 --> 00:26:06,200 Speaker 1: Streyx and it's not an easy song, you know. But 575 00:26:06,240 --> 00:26:09,520 Speaker 1: it's a fun It's fun to watch because, like we are, 576 00:26:09,760 --> 00:26:13,439 Speaker 1: the three of us so invested in explaining to Samantha 577 00:26:14,000 --> 00:26:18,280 Speaker 1: the similarities and the beauty of the way we were 578 00:26:18,280 --> 00:26:20,240 Speaker 1: in case any of you listening have not seen the 579 00:26:20,240 --> 00:26:25,200 Speaker 1: way we were watching. It's magical in so many ways. 580 00:26:25,200 --> 00:26:28,160 Speaker 2: And they duplicated the plaza scene right exactly. 581 00:26:28,560 --> 00:26:31,480 Speaker 1: Yeah, I mean, it's incredible, it's incredible, And just recently 582 00:26:31,520 --> 00:26:33,840 Speaker 1: when we were promoting that other show. I'm not going 583 00:26:33,880 --> 00:26:36,320 Speaker 1: to say that. We were in Paris and we went 584 00:26:36,359 --> 00:26:38,440 Speaker 1: on this kind of like they have like lengthy talk 585 00:26:38,480 --> 00:26:41,520 Speaker 1: shows in Europe, you know, And Cynthia, Sarah and I 586 00:26:41,600 --> 00:26:44,119 Speaker 1: went together onto this talk show and there was a 587 00:26:44,160 --> 00:26:47,040 Speaker 1: whole panel of people interviewing us, like maybe five people. 588 00:26:47,080 --> 00:26:50,560 Speaker 1: It was so interesting, and the main woman was in charge, 589 00:26:50,840 --> 00:26:54,800 Speaker 1: and they had this whole package made of the way 590 00:26:54,800 --> 00:26:57,600 Speaker 1: we were, of Barbara Streys and singing of Sara Jessica 591 00:26:57,680 --> 00:27:00,480 Speaker 1: talking about how she loves Barbara Streisan and then the 592 00:27:00,560 --> 00:27:03,800 Speaker 1: scene at the end of this episode, and they played 593 00:27:03,840 --> 00:27:06,480 Speaker 1: the whole thing for us and all of us teared 594 00:27:06,560 --> 00:27:10,520 Speaker 1: up thinking about it. Yeah, it was so good and 595 00:27:10,680 --> 00:27:13,960 Speaker 1: so beautiful, and at that point we didn't know that 596 00:27:14,040 --> 00:27:17,320 Speaker 1: the show was ending, but it reminded us, you know 597 00:27:17,520 --> 00:27:21,119 Speaker 1: of like all the times before, you know, and like 598 00:27:21,240 --> 00:27:24,280 Speaker 1: what we've gotten to make and just the beauty and my. 599 00:27:24,280 --> 00:27:26,679 Speaker 3: Li was in a really memorable moment, and not only that, 600 00:27:26,760 --> 00:27:30,520 Speaker 3: it was like your guys friendship and just that beautiful Like, yeah, 601 00:27:30,560 --> 00:27:32,240 Speaker 3: it was just a great energy. 602 00:27:31,920 --> 00:27:35,120 Speaker 1: Absolutely absolutely, and it was so good. And right when 603 00:27:35,119 --> 00:27:37,520 Speaker 1: they finished, because I was looking at Cynthia and Sarah 604 00:27:37,520 --> 00:27:41,520 Speaker 1: because I'm I'm the crier, right, it was like, oh, 605 00:27:41,640 --> 00:27:43,680 Speaker 1: what are they going to do? They're teared up and 606 00:27:44,160 --> 00:27:47,359 Speaker 1: they don't want to be teared up by so like 607 00:27:47,400 --> 00:27:49,200 Speaker 1: when it was done, I think I jumped in there 608 00:27:49,240 --> 00:27:51,600 Speaker 1: to try to talk, to give them a minute or whatever. 609 00:27:51,640 --> 00:27:53,359 Speaker 1: But I mean, it was it really like and then 610 00:27:53,359 --> 00:27:55,199 Speaker 1: when I watched the episode, I have all those feelings 611 00:27:55,240 --> 00:27:57,040 Speaker 1: all over again. It's so good. 612 00:27:57,200 --> 00:27:59,720 Speaker 2: Yeah, really so good. It's one of the most powerful episodes. 613 00:27:59,720 --> 00:28:00,960 Speaker 2: I think, I agree. 614 00:28:01,160 --> 00:28:03,800 Speaker 1: And so she let's just talk through it just briefly. 615 00:28:03,960 --> 00:28:08,240 Speaker 1: So basically, the engagement party has been happening. Carrie's been 616 00:28:08,280 --> 00:28:10,400 Speaker 1: down the street with us talking about how she can 617 00:28:10,480 --> 00:28:13,159 Speaker 1: feel them down there. She was invited, but she didn't go, 618 00:28:13,200 --> 00:28:15,639 Speaker 1: which also is a little weird they invited her, but whatever, 619 00:28:16,000 --> 00:28:18,760 Speaker 1: and you know, we're all we're drinking and we're like, 620 00:28:19,040 --> 00:28:21,600 Speaker 1: you know, you know, and we're trying to talk about 621 00:28:21,600 --> 00:28:24,560 Speaker 1: other things. And then she walks by it, which you know, 622 00:28:24,680 --> 00:28:28,480 Speaker 1: she's like kind of drawn, you know, like a moth 623 00:28:28,560 --> 00:28:31,119 Speaker 1: to a flame, right, And she sees Big getting in 624 00:28:31,160 --> 00:28:33,200 Speaker 1: the car with Natasha, and he sees her and he's 625 00:28:33,240 --> 00:28:36,639 Speaker 1: wearing this very black brown suit and he to me, 626 00:28:36,760 --> 00:28:38,560 Speaker 1: I'm like, why do we care so much about him? 627 00:28:38,640 --> 00:28:43,080 Speaker 1: Journey me? That's how I felt, right, And she looks incredible, 628 00:28:43,520 --> 00:28:47,080 Speaker 1: you in that white slip dress, just to die. So 629 00:28:47,160 --> 00:28:50,760 Speaker 1: he walks over to her, and she's so sweet and 630 00:28:50,840 --> 00:28:54,320 Speaker 1: kind of sad and sweet and has so much poise. 631 00:28:54,480 --> 00:28:57,320 Speaker 2: She's like looking for clarity too, like why did you 632 00:28:57,360 --> 00:29:01,440 Speaker 2: ask her to marry you? Not mer why her? Yeah, 633 00:29:01,560 --> 00:29:04,640 Speaker 2: it doesn't really answer. Yeah, he does this. He says 634 00:29:04,640 --> 00:29:05,880 Speaker 2: it was complicated, you. 635 00:29:05,960 --> 00:29:08,800 Speaker 1: Know, And then he says it was just so hard. 636 00:29:09,160 --> 00:29:10,880 Speaker 1: That's what he says, hard, which I just want to 637 00:29:10,960 --> 00:29:11,240 Speaker 1: kill on. 638 00:29:12,040 --> 00:29:13,160 Speaker 2: I'm like, oh. 639 00:29:13,240 --> 00:29:16,120 Speaker 1: But then he goes and she's just so and I 640 00:29:16,160 --> 00:29:18,320 Speaker 1: think the word would be simple, right, but it. 641 00:29:18,280 --> 00:29:21,440 Speaker 2: Doesn't say easy. Maybe easy totally. 642 00:29:22,040 --> 00:29:24,200 Speaker 1: But then you're thinking, what is it costing her to 643 00:29:24,280 --> 00:29:26,200 Speaker 1: be like that? That's what I'm thinking. At least, I'm like, 644 00:29:26,280 --> 00:29:28,960 Speaker 1: how hard is she having to try to be so easy? 645 00:29:29,000 --> 00:29:30,840 Speaker 1: I mean, maybe she just is naturally that way, but 646 00:29:30,920 --> 00:29:31,840 Speaker 1: I don't know anything about it. 647 00:29:31,840 --> 00:29:34,200 Speaker 3: Easier to kind of keep that up after five months 648 00:29:34,280 --> 00:29:38,200 Speaker 3: a few years later, you know, nobody's that easy, right. 649 00:29:38,640 --> 00:29:40,160 Speaker 2: They need to that's one thing too. 650 00:29:40,440 --> 00:29:43,120 Speaker 1: So then he kind of trails off. He doesn't really 651 00:29:43,120 --> 00:29:45,880 Speaker 1: give her like a solid answer, and that leads her 652 00:29:46,840 --> 00:29:50,400 Speaker 1: into remembering the brober strisanber Red for a moment, and 653 00:29:50,440 --> 00:29:53,719 Speaker 1: she reaches up and touches his hair and says, you know, 654 00:29:53,920 --> 00:29:58,160 Speaker 1: your girl is lovely, Hubble, and he says. 655 00:29:58,200 --> 00:29:59,840 Speaker 2: He's kind of like, doesn't make what. I don't get it. 656 00:30:00,200 --> 00:30:02,719 Speaker 1: He says, I don't get it, and Carrie says, and 657 00:30:02,800 --> 00:30:06,480 Speaker 1: you never did. Yeah, and it's so incredibly good. And 658 00:30:06,520 --> 00:30:08,600 Speaker 1: then she walks away towards camera, which is one of 659 00:30:08,640 --> 00:30:11,640 Speaker 1: the most beautiful shots. It's a shot and the wind 660 00:30:11,640 --> 00:30:12,360 Speaker 1: blows her hair. 661 00:30:12,760 --> 00:30:13,080 Speaker 3: Yeah. 662 00:30:13,120 --> 00:30:15,680 Speaker 1: Oh, it's incredible. And he's in the background, and who 663 00:30:15,720 --> 00:30:19,360 Speaker 1: cares about him? You know what I mean? And then 664 00:30:20,400 --> 00:30:22,640 Speaker 1: and then she says, this is so good. So she's 665 00:30:22,680 --> 00:30:24,920 Speaker 1: worked right by the plaza, which is where the horses 666 00:30:25,040 --> 00:30:27,440 Speaker 1: are for the horse drunk carriages for Central Park, which 667 00:30:27,440 --> 00:30:29,920 Speaker 1: I really personally wish they weren't, but they still are. 668 00:30:30,480 --> 00:30:33,240 Speaker 1: So she walks by the horses and you can see 669 00:30:33,280 --> 00:30:36,120 Speaker 1: it's actually one of our ads is playing the horse 670 00:30:36,200 --> 00:30:38,840 Speaker 1: drunk carriage why And he's trying to put the harness 671 00:30:38,880 --> 00:30:40,680 Speaker 1: on the horse's head and the horse doesn't want the 672 00:30:40,720 --> 00:30:43,840 Speaker 1: harness on its head. It's like fighting it, right, and 673 00:30:44,160 --> 00:30:47,200 Speaker 1: the line, the voiceover line says, then I had a thought. 674 00:30:47,600 --> 00:30:51,200 Speaker 1: Maybe I didn't break Big. Maybe the problem was he 675 00:30:51,280 --> 00:30:55,320 Speaker 1: didn't break me. Maybe some women aren't meant to be tamed. 676 00:30:56,720 --> 00:31:00,000 Speaker 2: Oh chills. I feel like I related to that so much. 677 00:31:00,040 --> 00:31:03,080 Speaker 1: And it's so good. And maybe some women aren't meant 678 00:31:03,120 --> 00:31:06,320 Speaker 1: to be damed. And isn't that just who we should. 679 00:31:06,000 --> 00:31:08,040 Speaker 3: Be and not just fit into this box, but just 680 00:31:08,080 --> 00:31:09,440 Speaker 3: to really be your authentic self. 681 00:31:09,640 --> 00:31:13,560 Speaker 1: Yes, yes, and it's so good in her and that 682 00:31:13,640 --> 00:31:15,440 Speaker 1: horse and I have a look. 683 00:31:15,680 --> 00:31:17,880 Speaker 3: That was an iconic moment, just like walking away with 684 00:31:17,920 --> 00:31:20,680 Speaker 3: a horse and the thing, and like whether or not 685 00:31:20,720 --> 00:31:22,440 Speaker 3: I get this guy, I'm fabulous. 686 00:31:22,720 --> 00:31:29,560 Speaker 1: Yeah, absolutely, ablutely. And then she says maybe they need 687 00:31:29,600 --> 00:31:32,840 Speaker 1: to run free until they find someone just as wild 688 00:31:33,040 --> 00:31:33,760 Speaker 1: to run with. 689 00:31:34,240 --> 00:31:34,600 Speaker 2: Yeah. 690 00:31:34,680 --> 00:31:37,840 Speaker 1: I've forgotten that part because she doesn't really like the 691 00:31:38,200 --> 00:31:40,240 Speaker 1: I don't know what happens next because I can't remember, 692 00:31:40,240 --> 00:31:43,360 Speaker 1: but Aidan comes eventually. He's I mean, I don't know, 693 00:31:43,360 --> 00:31:45,640 Speaker 1: maybe this is unfair. He's not really someone to run 694 00:31:45,640 --> 00:31:46,120 Speaker 1: wild with. 695 00:31:46,360 --> 00:31:47,600 Speaker 3: Yeah, I mean I guess you could see him as 696 00:31:47,600 --> 00:31:50,160 Speaker 3: slightly wilder than Big, but He's not exactly what you're 697 00:31:50,200 --> 00:31:52,720 Speaker 3: picturing when you're saying that, you know, yeah. 698 00:31:53,160 --> 00:31:55,640 Speaker 1: You're thinking, let this woman run wild like real. 699 00:31:56,200 --> 00:31:56,360 Speaker 3: Right. 700 00:31:57,120 --> 00:32:01,520 Speaker 1: Anyway, it was really good. Oh wait, here's some Emos trivia. Okay. 701 00:32:01,520 --> 00:32:05,400 Speaker 1: His name is John Enos the third and he played 702 00:32:05,440 --> 00:32:08,160 Speaker 1: mister Cocky and he was normal for this episode as 703 00:32:08,320 --> 00:32:10,880 Speaker 1: Bobby Perezy on Melo's plis. Oh my god, he go 704 00:32:11,040 --> 00:32:13,440 Speaker 1: you work with him? No, I think he came after me. 705 00:32:14,680 --> 00:32:17,160 Speaker 1: Maybe that's what we talked about after this episode. He 706 00:32:17,240 --> 00:32:20,480 Speaker 1: went on to do two hundred and twelve episodes of 707 00:32:20,520 --> 00:32:24,280 Speaker 1: The Young and the Restless. Wow, Oh my gosh, Katie, 708 00:32:24,360 --> 00:32:27,160 Speaker 1: did you know him from Mello's place? No, apparently we 709 00:32:27,160 --> 00:32:29,480 Speaker 1: were both on the same season four. Maybe I did. 710 00:32:29,760 --> 00:32:32,280 Speaker 1: We've got to find John Yos and ask him. 711 00:32:32,600 --> 00:32:33,840 Speaker 2: Maybe you should have him on talk. 712 00:32:34,040 --> 00:32:38,479 Speaker 1: Should be catching up with friends. Then we have some 713 00:32:38,560 --> 00:32:41,160 Speaker 1: trivia about the the yes we recreated we already talked 714 00:32:41,160 --> 00:32:44,959 Speaker 1: about that. Eleven Mels eleven Madison Park still open. 715 00:32:45,320 --> 00:32:46,720 Speaker 2: I'm glad we did this episode. 716 00:32:46,720 --> 00:32:49,160 Speaker 1: I love this I love this episode so much. I 717 00:32:49,160 --> 00:32:52,120 Speaker 1: had totally forgotten that that white dress is John Galliano 718 00:32:52,200 --> 00:32:56,480 Speaker 1: for Christian. Do you are really the most desired Vintage season. 719 00:32:56,600 --> 00:32:57,440 Speaker 2: Are you serious? 720 00:32:57,920 --> 00:33:00,040 Speaker 3: Also, the it would be fun to talk about some 721 00:33:00,120 --> 00:33:02,880 Speaker 3: of your I love like your love story with Kyle 722 00:33:03,480 --> 00:33:04,000 Speaker 3: and Evan. 723 00:33:04,360 --> 00:33:06,240 Speaker 2: I mean, it was so fun to see Charlotte go 724 00:33:06,400 --> 00:33:09,240 Speaker 2: through that. I'm glad. I'm so glad. 725 00:33:09,440 --> 00:33:12,480 Speaker 1: I mean it was kind of it was it was 726 00:33:12,560 --> 00:33:15,080 Speaker 1: kind of stressful at times, you know what I mean. 727 00:33:15,120 --> 00:33:16,600 Speaker 1: But also I want to talk about your. 728 00:33:16,520 --> 00:33:17,920 Speaker 2: Movie you made. Oh thank you. 729 00:33:18,000 --> 00:33:21,720 Speaker 1: Okay, I cannot believe you wrote, directed, and started in 730 00:33:21,760 --> 00:33:24,920 Speaker 1: a film called Chosen Family, which I love the titles. 731 00:33:25,000 --> 00:33:26,800 Speaker 2: Yeah, I mean, how did you do this? 732 00:33:27,000 --> 00:33:27,160 Speaker 1: Well? 733 00:33:27,560 --> 00:33:28,320 Speaker 2: You know, I tried. 734 00:33:28,360 --> 00:33:30,520 Speaker 3: I wanted to celebrate friendships and the friends with the 735 00:33:30,600 --> 00:33:33,840 Speaker 3: Chosen Family, and you know, in a lot of ways, 736 00:33:33,840 --> 00:33:35,600 Speaker 3: I've been inspired by Sex in the City, maybe because 737 00:33:35,600 --> 00:33:37,440 Speaker 3: I can relate, But it's kind of about how there's 738 00:33:37,600 --> 00:33:40,040 Speaker 3: like a sort of like a codependency undercurrent to it 739 00:33:40,040 --> 00:33:42,320 Speaker 3: as well. It's kind of about how, you know, sometimes 740 00:33:42,320 --> 00:33:45,120 Speaker 3: if your family has certain maybe dysfunctional patterns, how you 741 00:33:45,120 --> 00:33:46,320 Speaker 3: can be attracted. 742 00:33:45,840 --> 00:33:48,200 Speaker 1: To that in your relationship and then see this film. 743 00:33:50,000 --> 00:33:51,719 Speaker 3: It's kind of about how your friends are really your 744 00:33:51,760 --> 00:33:54,080 Speaker 3: family and love it. 745 00:33:54,520 --> 00:33:56,160 Speaker 1: But how was it directing yourself? 746 00:33:56,360 --> 00:33:56,800 Speaker 2: It was fun. 747 00:33:56,920 --> 00:33:58,920 Speaker 3: There's also a story plot about dating a guy, a 748 00:33:58,960 --> 00:34:00,720 Speaker 3: divorced guy with a kid, and I don't know if 749 00:34:00,720 --> 00:34:03,080 Speaker 3: you've will you have kids, but but you know, when 750 00:34:03,080 --> 00:34:05,600 Speaker 3: you're dated, I don't know, either dating someone and them 751 00:34:05,640 --> 00:34:07,479 Speaker 3: trying to get along with your kids, or you know, 752 00:34:08,000 --> 00:34:09,880 Speaker 3: you dating someone trying to get along with their kids, 753 00:34:10,120 --> 00:34:12,560 Speaker 3: that that can be sometimes like a like a transitional 754 00:34:12,600 --> 00:34:17,560 Speaker 3: period where they're not always so excited, like, oh, I'm. 755 00:34:17,160 --> 00:34:18,799 Speaker 1: Not going to introduce my kids to the thirty year 756 00:34:18,840 --> 00:34:19,959 Speaker 1: old that I'm going to find in the future. 757 00:34:19,960 --> 00:34:21,480 Speaker 3: I think some people I know have had like no 758 00:34:21,600 --> 00:34:24,200 Speaker 3: problems and they get along great. But sometimes you know, 759 00:34:24,280 --> 00:34:27,799 Speaker 3: there there's there's a period of course. Yeah, but like 760 00:34:27,920 --> 00:34:30,560 Speaker 3: how did you direct yourself? Well, you know, I had 761 00:34:30,560 --> 00:34:33,799 Speaker 3: people on set that were great. I had my best 762 00:34:33,840 --> 00:34:36,359 Speaker 3: friend who's a producer. His name is Michael Nichols, and 763 00:34:36,560 --> 00:34:39,200 Speaker 3: he was there. He would help and then the dp's amazing. 764 00:34:39,239 --> 00:34:42,839 Speaker 3: He actually shot Emily in Paris and yeah and uh 765 00:34:43,120 --> 00:34:44,799 Speaker 3: and a bunch of other cool shows. So they would 766 00:34:44,800 --> 00:34:46,400 Speaker 3: help me and be like we'll try this or try that, 767 00:34:46,520 --> 00:34:48,239 Speaker 3: or maybe this seems not working, try it this way, 768 00:34:48,320 --> 00:34:49,719 Speaker 3: try it that way. So we were like a little 769 00:34:49,800 --> 00:34:53,560 Speaker 3: three group where we talked about everything in advance and cool. Yeah, 770 00:34:53,600 --> 00:34:56,000 Speaker 3: and I hoped to. I have some other stuff that 771 00:34:56,000 --> 00:34:58,960 Speaker 3: I'm developing. I just wrote a new script it's called Trigger, 772 00:34:59,040 --> 00:34:59,759 Speaker 3: that I'm working on with. 773 00:34:59,800 --> 00:35:01,200 Speaker 2: An as A Hope and Ted Hope. 774 00:35:01,400 --> 00:35:04,719 Speaker 3: And I optioned this Leanne Moriarty book It's called The 775 00:35:04,800 --> 00:35:07,000 Speaker 3: Hypnotist Love Story, and I'm working on it with my 776 00:35:07,040 --> 00:35:09,359 Speaker 3: friend Deb Fisher, who's the showrunner of the first two 777 00:35:09,360 --> 00:35:10,839 Speaker 3: seasons of Ginny and Georgia. 778 00:35:10,560 --> 00:35:12,359 Speaker 2: Which was a really good job. Who loves this show. 779 00:35:12,440 --> 00:35:15,480 Speaker 3: Yeah, yeah, so and we have we might turn to 780 00:35:15,520 --> 00:35:16,440 Speaker 3: a movie, a TV show. 781 00:35:16,440 --> 00:35:17,759 Speaker 2: We're kind of figuring it out right now. 782 00:35:17,800 --> 00:35:20,759 Speaker 3: But I love email stories, you know, the stories with 783 00:35:20,800 --> 00:35:21,879 Speaker 3: female protagonists. 784 00:35:22,360 --> 00:35:22,959 Speaker 2: I love it. 785 00:35:23,160 --> 00:35:25,880 Speaker 1: Yay. And do you do you want to continue directing? 786 00:35:26,160 --> 00:35:27,120 Speaker 2: I do. I would love to. 787 00:35:27,239 --> 00:35:29,200 Speaker 3: I mean, I love all kinds of behind the scenes, 788 00:35:29,239 --> 00:35:30,640 Speaker 3: Like I like the producing aspect. 789 00:35:30,680 --> 00:35:31,920 Speaker 2: I'd like to option books. 790 00:35:32,440 --> 00:35:36,000 Speaker 3: Maybe I'll do stuff where I don't director, writer, you know, 791 00:35:36,040 --> 00:35:38,440 Speaker 3: But but I love every aspect. I like acting, acting 792 00:35:38,440 --> 00:35:40,920 Speaker 3: in it, directing, writing, producing. It's so much harder when 793 00:35:40,960 --> 00:35:42,759 Speaker 3: you direct and writing and produce because it's like it 794 00:35:42,800 --> 00:35:45,400 Speaker 3: can take years and it's kind of like your baby. 795 00:35:45,440 --> 00:35:47,319 Speaker 3: And then when people make different decisions that you think 796 00:35:47,360 --> 00:35:50,120 Speaker 3: they shouldn't be making, it's much more of like a rollercoaster. 797 00:35:50,320 --> 00:35:51,800 Speaker 2: But it's very fun. 798 00:35:52,080 --> 00:35:53,480 Speaker 3: Yeah, you know, it's so fun to be in this 799 00:35:53,520 --> 00:35:56,080 Speaker 3: business and to learn about all the like how much 800 00:35:56,080 --> 00:35:58,600 Speaker 3: cinematography makes a huge difference, how much the editing makes 801 00:35:58,600 --> 00:36:00,720 Speaker 3: a huge difference, the music makes a huge difference. 802 00:36:00,719 --> 00:36:02,880 Speaker 2: It's fun to learn about all that stuff. 803 00:36:02,920 --> 00:36:04,600 Speaker 1: Absolutely, I'm so impressed. 804 00:36:04,800 --> 00:36:05,120 Speaker 2: Thank you. 805 00:36:05,280 --> 00:36:05,800 Speaker 1: It's amazing. 806 00:36:05,800 --> 00:36:06,440 Speaker 2: You're so sweet. 807 00:36:06,440 --> 00:36:08,759 Speaker 3: You know what, you meet people and you are just 808 00:36:08,840 --> 00:36:12,240 Speaker 3: like a very very sweet, lovely person. 809 00:36:12,400 --> 00:36:18,040 Speaker 2: Thank you. Sometimes I'm not just not here. Yeah, why right? 810 00:36:18,480 --> 00:36:21,520 Speaker 3: But you have like maybe they based the character on 811 00:36:21,560 --> 00:36:24,120 Speaker 3: your true but you have all then you know what 812 00:36:24,120 --> 00:36:27,840 Speaker 3: I mean, Like it seems that you really it's cool. 813 00:36:29,160 --> 00:36:32,719 Speaker 2: And you're like, wow, that person isn't sure we. 814 00:36:32,760 --> 00:36:35,680 Speaker 1: Have all been in that moment and you're like, I'm. 815 00:36:35,520 --> 00:36:36,440 Speaker 2: Really looking for it. 816 00:36:36,480 --> 00:36:38,160 Speaker 3: And then you're like wow that person is and you're 817 00:36:38,200 --> 00:36:42,560 Speaker 3: like so mean, you know it's you are lovely. 818 00:36:42,760 --> 00:36:45,160 Speaker 2: Thank you so much. It's so fun talking lovely. 819 00:36:45,239 --> 00:36:46,960 Speaker 1: It's really fun having you. I mean, the thing I 820 00:36:46,960 --> 00:36:49,239 Speaker 1: think about Charlotte and what I love about her I 821 00:36:49,280 --> 00:36:51,840 Speaker 1: obviously love Charlotte, and we really did develop her together 822 00:36:51,960 --> 00:36:54,120 Speaker 1: because she wasn't so much in the book that we 823 00:36:54,320 --> 00:36:55,880 Speaker 1: based the show off of, right. 824 00:36:56,080 --> 00:36:57,600 Speaker 2: So no one gets really deep. 825 00:36:57,760 --> 00:36:59,560 Speaker 3: Like as it goes along, you get to learn so 826 00:36:59,640 --> 00:37:01,239 Speaker 3: much about her and she's complicated. 827 00:37:01,239 --> 00:37:04,160 Speaker 1: And thankful to the writers for that, you know, they 828 00:37:04,239 --> 00:37:07,040 Speaker 1: gave me such a gift. And Michael Patrick especially, like 829 00:37:07,400 --> 00:37:10,640 Speaker 1: we have such an incredible relationship and know each other 830 00:37:10,680 --> 00:37:10,960 Speaker 1: so well. 831 00:37:10,960 --> 00:37:14,120 Speaker 3: Obviously it's really cute, like your properness mixed with like 832 00:37:14,200 --> 00:37:15,640 Speaker 3: the raunchy nature of the show. 833 00:37:15,719 --> 00:37:16,560 Speaker 2: It's really funny. 834 00:37:16,760 --> 00:37:17,160 Speaker 3: You know. 835 00:37:17,200 --> 00:37:18,520 Speaker 2: I have had moments on here. 836 00:37:18,600 --> 00:37:20,719 Speaker 1: We had someone on and it was an episode where 837 00:37:20,719 --> 00:37:22,600 Speaker 1: we had to say the P word or something and 838 00:37:22,640 --> 00:37:24,160 Speaker 1: I didn't want to say it. And then one of 839 00:37:24,160 --> 00:37:27,919 Speaker 1: the comments was like, Davis seems really conflicted. I'm like, yes, yes, 840 00:37:27,960 --> 00:37:28,600 Speaker 1: i am. I am. 841 00:37:28,719 --> 00:37:29,560 Speaker 2: I played Charlotte. 842 00:37:29,560 --> 00:37:30,480 Speaker 1: I am conflicted. 843 00:37:31,000 --> 00:37:37,880 Speaker 2: I'm not against freedom. It's not your personality, right, adorable? 844 00:37:37,960 --> 00:37:40,799 Speaker 1: Yeah, right, thank you, thank you your joy And I 845 00:37:40,920 --> 00:37:44,319 Speaker 1: can't wait to say I'm going to go watch some 846 00:37:44,440 --> 00:37:46,160 Speaker 1: pictures with you. Let's do it. 847 00:37:46,280 --> 00:37:47,120 Speaker 2: Let's do it.