1 00:00:12,880 --> 00:00:16,520 Speaker 1: You were listening to Strawberry Spring, based on a short 2 00:00:16,560 --> 00:00:35,040 Speaker 1: story by Stephen King. It's early, too early to deal 3 00:00:35,080 --> 00:00:38,280 Speaker 1: with this. That crowd of reporters is about the last 4 00:00:38,280 --> 00:00:43,040 Speaker 1: thing I need. Henry Kevin, what are you doing here? 5 00:00:43,400 --> 00:00:46,320 Speaker 1: The same as everyone else. I'm here for information. Listeners 6 00:00:46,320 --> 00:00:48,920 Speaker 1: will want to know what's going on. For Christ's sakes. 7 00:00:49,240 --> 00:00:52,480 Speaker 1: I want to know what's going on, don't you. It's 8 00:00:52,520 --> 00:00:55,880 Speaker 1: too soon. I don't have anything for you. Henry. We 9 00:00:55,880 --> 00:00:58,440 Speaker 1: we got back a long time, right, Yeah, you know 10 00:00:58,520 --> 00:01:01,960 Speaker 1: we do as long as I can remember. Great. So 11 00:01:02,160 --> 00:01:06,920 Speaker 1: if you know anything, anything at all, accounting one. See, 12 00:01:06,959 --> 00:01:09,399 Speaker 1: I'm just a little guy around here. I need all 13 00:01:09,440 --> 00:01:14,160 Speaker 1: the help I can get. You and me. We're a team. 14 00:01:14,400 --> 00:01:19,479 Speaker 1: We're not a team. Maybe in your head. We're a team. 15 00:01:19,480 --> 00:01:23,840 Speaker 1: My head, your head. What's the difference. I gotta go, 16 00:01:24,040 --> 00:01:26,440 Speaker 1: let's see the Dean. Alright, I'm gonna go lose myself 17 00:01:26,440 --> 00:01:40,680 Speaker 1: in the crowd. Good luck. It's been eight years. Why 18 00:01:40,680 --> 00:01:43,120 Speaker 1: would spring heeled Jack come back to New Sharon? Now? 19 00:01:44,560 --> 00:01:47,760 Speaker 1: Look at the press setting about there. They're like vultures 20 00:01:48,360 --> 00:01:52,320 Speaker 1: just waiting to pounds. We have to prepare a statement. 21 00:01:52,840 --> 00:01:55,920 Speaker 1: Tell me everything you can about this guy, What do 22 00:01:56,000 --> 00:01:58,360 Speaker 1: you know that we don't? What do you want to know? 23 00:01:59,200 --> 00:02:01,920 Speaker 1: You wrote a book on spring Hill Jack murders. What's 24 00:02:01,920 --> 00:02:04,880 Speaker 1: in this thing that's gonna help us catch him? Look, 25 00:02:05,000 --> 00:02:09,480 Speaker 1: I don't know. Last time he just stopped killing. He disappeared, 26 00:02:09,600 --> 00:02:12,799 Speaker 1: vanished into thin air. I don't know what happened to 27 00:02:12,840 --> 00:02:15,440 Speaker 1: spring Hill Jack any more than you do. Well, we 28 00:02:15,520 --> 00:02:18,520 Speaker 1: must have been close to catching him, probably scared him off. 29 00:02:19,880 --> 00:02:21,840 Speaker 1: How do we know it's really him and not just 30 00:02:21,919 --> 00:02:25,520 Speaker 1: the copycat? I don't, but I can tell you police 31 00:02:25,520 --> 00:02:28,400 Speaker 1: work has come a long way since n This is 32 00:02:29,360 --> 00:02:33,320 Speaker 1: six and this time it's going to be different. Now. 33 00:02:33,360 --> 00:02:35,760 Speaker 1: Either spring Hill Jack is back or someone read your 34 00:02:35,800 --> 00:02:37,880 Speaker 1: book and is looking to make a name for themselves. 35 00:02:37,919 --> 00:02:41,200 Speaker 1: This murder, the one last night he copied Jack's m O. 36 00:02:41,720 --> 00:02:45,519 Speaker 1: He chopped her head off. For Christ's sake, Jesus, I'll 37 00:02:45,560 --> 00:02:48,160 Speaker 1: do whatever I can to help. What can you tell 38 00:02:48,160 --> 00:02:52,680 Speaker 1: me about what you found? He's more violent than ever. 39 00:02:53,360 --> 00:02:56,120 Speaker 1: Half her body was missing, and what's left over was 40 00:02:56,160 --> 00:03:00,120 Speaker 1: draped across the snow. You should know we asked and 41 00:03:00,280 --> 00:03:04,280 Speaker 1: to come down too, And I haven't talked to her 42 00:03:04,360 --> 00:03:08,440 Speaker 1: since the book came out. I haven't thought about Anne 43 00:03:08,440 --> 00:03:12,480 Speaker 1: for some time. After my book on Spring heel Jack 44 00:03:12,600 --> 00:03:15,160 Speaker 1: was published, I got a taste of fame and fortune, 45 00:03:15,160 --> 00:03:18,600 Speaker 1: and she went on to become a journalist. She resented 46 00:03:18,639 --> 00:03:20,560 Speaker 1: the fact that I wrote the book, since we both 47 00:03:20,600 --> 00:03:24,120 Speaker 1: covered the story. She always said I as a narcissist, 48 00:03:24,160 --> 00:03:28,320 Speaker 1: a better suited for celebrity. I always thought she should 49 00:03:28,360 --> 00:03:32,200 Speaker 1: be a psych major, but Rachel had that base covering. 50 00:03:33,600 --> 00:03:35,920 Speaker 1: I guess we all ended up where we're supposed to be. 51 00:03:37,720 --> 00:03:39,680 Speaker 1: No one knows this guy better than the two of 52 00:03:39,720 --> 00:03:41,960 Speaker 1: you did. Did you see the Globe? It's on the 53 00:03:42,000 --> 00:03:45,440 Speaker 1: front page. Anne wrote this. How did she get the 54 00:03:45,480 --> 00:03:48,560 Speaker 1: story so quickly? It went out on the wire? We 55 00:03:48,640 --> 00:03:53,560 Speaker 1: live in modern times. Okay, yeah, I'm gonna have to 56 00:03:53,560 --> 00:03:55,840 Speaker 1: go out there and talk to the press. Are you 57 00:03:55,880 --> 00:03:59,640 Speaker 1: canceling classes? I have four I'm supposed to teach today. 58 00:03:59,640 --> 00:04:02,200 Speaker 1: What do I tell my students? Don't do anything yet. 59 00:04:02,640 --> 00:04:04,640 Speaker 1: I'll bring an army on this campus before I let 60 00:04:04,640 --> 00:04:08,200 Speaker 1: this guy up in my town again. Henry, can we 61 00:04:08,240 --> 00:04:10,920 Speaker 1: count on you? I told you I'll do whatever I 62 00:04:11,000 --> 00:04:14,560 Speaker 1: can to help catch him. We know you will. Now, 63 00:04:14,720 --> 00:04:16,960 Speaker 1: let's all go out there and talk to the press together. 64 00:04:17,640 --> 00:04:24,560 Speaker 1: Strengthen numbers right, Gee Spencer, why do you think spring 65 00:04:24,600 --> 00:04:26,919 Speaker 1: Hill Jack has come back? At this is point, we 66 00:04:26,960 --> 00:04:29,560 Speaker 1: cannot confirm that this is the work of spring Hill Jack. 67 00:04:29,960 --> 00:04:32,800 Speaker 1: Dean Edwards, how is this going to affect the university? 68 00:04:32,839 --> 00:04:36,120 Speaker 1: Our class is going to be canceled as of now. UM, 69 00:04:36,160 --> 00:04:39,520 Speaker 1: we're going to increase security on campus. We have not 70 00:04:39,640 --> 00:04:44,000 Speaker 1: made any decisions about our schedule. Our first priorities to 71 00:04:44,000 --> 00:04:46,719 Speaker 1: the students of New Sharon and we will continue to 72 00:04:46,760 --> 00:04:50,680 Speaker 1: make sure they get the best and safest education possible. 73 00:04:51,920 --> 00:04:54,200 Speaker 1: I want to thank you all for coming, but that 74 00:04:54,400 --> 00:04:57,560 Speaker 1: is all. I have two questions for Professor Dinon. You 75 00:04:57,600 --> 00:04:59,960 Speaker 1: were here during the first wave of killing. You wrote next, 76 00:05:00,000 --> 00:05:02,440 Speaker 1: I was on the murders. Why do you think Springhill 77 00:05:02,520 --> 00:05:05,240 Speaker 1: jackal's returning. I have to echo what Chief Spencer said, 78 00:05:05,360 --> 00:05:08,080 Speaker 1: we do not know if this is really spring Heel Jack. 79 00:05:08,680 --> 00:05:11,760 Speaker 1: My second question, since you made a name for yourself 80 00:05:11,800 --> 00:05:16,599 Speaker 1: off of them, are you worried for your safety? My 81 00:05:16,760 --> 00:05:20,479 Speaker 1: safety when it all started. That was the last thing 82 00:05:20,560 --> 00:05:24,280 Speaker 1: on my mind the night they arrested carl Anna Laura 83 00:05:24,320 --> 00:05:27,320 Speaker 1: for Gail Kerman's murder. I remember staying at the Times 84 00:05:27,400 --> 00:05:30,400 Speaker 1: late and and I were probably there until three in 85 00:05:30,440 --> 00:05:37,520 Speaker 1: the morning. Nice Reny you too. You're a pretty good editor. 86 00:05:38,200 --> 00:05:41,400 Speaker 1: You know that I don't, but that's nice to hear. 87 00:05:42,400 --> 00:05:44,480 Speaker 1: Be honest, though, you thought we were going to break 88 00:05:44,480 --> 00:05:50,159 Speaker 1: a big story, didn't you. Well, I don't know. This 89 00:05:50,279 --> 00:05:53,800 Speaker 1: is a small New England town. I'm not expecting too much. 90 00:05:53,839 --> 00:05:56,120 Speaker 1: But as far as I'm concerned, we should treat every 91 00:05:56,120 --> 00:05:59,160 Speaker 1: story like it's going to be big. Otherwise, what are 92 00:05:59,160 --> 00:06:01,920 Speaker 1: we doing here? I hadn't thought about it that way. 93 00:06:02,080 --> 00:06:07,279 Speaker 1: That's why I'm the editor and you're not. Cheers to 94 00:06:07,400 --> 00:06:13,080 Speaker 1: a job well done. Do you remember the first time 95 00:06:13,120 --> 00:06:17,800 Speaker 1: we've met? So you asked me out sort of you 96 00:06:17,880 --> 00:06:21,719 Speaker 1: were you were the freshman editor for The Times. I 97 00:06:21,839 --> 00:06:27,160 Speaker 1: submitted an opinion piece. Then I asked you out. I 98 00:06:27,240 --> 00:06:30,560 Speaker 1: don't remember that part. What did I say? Oh? You 99 00:06:30,640 --> 00:06:34,200 Speaker 1: turned me down on both accounts. You were very professional. 100 00:06:34,920 --> 00:06:40,000 Speaker 1: Maybe I should have been less professional and and hey, 101 00:06:41,480 --> 00:06:44,400 Speaker 1: you know I'm serious about Rachel. I know, it's just 102 00:06:45,880 --> 00:06:49,240 Speaker 1: what is it? No, my head, it's killing me. Wait 103 00:06:49,279 --> 00:06:52,760 Speaker 1: here here, let me rub your temples. Just stop. Sorry, 104 00:06:53,040 --> 00:06:57,040 Speaker 1: but that's it's not helping. Is there anything I can do? No? Look, 105 00:06:57,120 --> 00:06:59,640 Speaker 1: I gotta go. I need to get outside. All right. 106 00:06:59,720 --> 00:07:01,880 Speaker 1: The only anything that helps is just walking fresh air. 107 00:07:09,880 --> 00:07:16,280 Speaker 1: Henry Ship, Oh Jesus, are you all right? Yeah? I 108 00:07:16,480 --> 00:07:19,480 Speaker 1: turned when I heard you didn't see ros. You gotta 109 00:07:19,520 --> 00:07:21,880 Speaker 1: be more careful. I mean, there's a killer on the loose. Man. 110 00:07:22,400 --> 00:07:24,520 Speaker 1: You need some help here, Let me lend your hand. 111 00:07:26,280 --> 00:07:31,400 Speaker 1: Thanks anytime, buddy, No Oneman was there for you think? 112 00:07:31,520 --> 00:07:35,880 Speaker 1: Who would do such a thing? Who knows? Sometimes people 113 00:07:36,000 --> 00:07:39,520 Speaker 1: just crack under pressure. I you think about it, Vincent, 114 00:07:39,680 --> 00:07:42,720 Speaker 1: then go what he cut off his ear? Tell me 115 00:07:42,800 --> 00:07:45,640 Speaker 1: that's not cracking under pressure. I can barely follow this 116 00:07:45,720 --> 00:07:49,880 Speaker 1: conversation exactly my point. You can't understand what makes a 117 00:07:49,920 --> 00:07:54,240 Speaker 1: man crack. Van Goh was in love. Sometimes it's the 118 00:07:54,360 --> 00:07:57,840 Speaker 1: little things. He cut his ear off. Who are you 119 00:07:57,920 --> 00:08:01,120 Speaker 1: to judge out a run? Need to grab something to 120 00:08:01,120 --> 00:08:03,440 Speaker 1: eat before I get to sleep. Stay on the path. 121 00:08:04,200 --> 00:08:07,840 Speaker 1: You don't want to slip and fall. Thanks for the advice. 122 00:08:21,680 --> 00:08:27,920 Speaker 1: Who's that, Rachel? It's me, Henry. It's three in the morning. 123 00:08:28,520 --> 00:08:36,400 Speaker 1: Open up, please, Oh my god, you're filthy. What happened? 124 00:08:36,720 --> 00:08:39,719 Speaker 1: I was on my way back from the Times. I 125 00:08:39,760 --> 00:08:41,840 Speaker 1: had a few drinks and the migraines said it and 126 00:08:41,880 --> 00:08:45,600 Speaker 1: I tripped on one of those germs. Here's a towel. 127 00:08:46,440 --> 00:08:52,079 Speaker 1: Tut yourself off. Thanks, shop ship. Look at your floor. 128 00:08:52,720 --> 00:08:56,040 Speaker 1: It's a mess. Don't worry about it. I'll deal with 129 00:08:56,080 --> 00:09:00,920 Speaker 1: it in the morning. Are you okay? My head hurts, 130 00:09:01,040 --> 00:09:05,680 Speaker 1: but I'll be okay. No permanent injuries except maybe my pride. 131 00:09:06,400 --> 00:09:09,120 Speaker 1: You know, I've been thinking about it, and your migraines 132 00:09:09,240 --> 00:09:14,040 Speaker 1: might be psychosomatic. What do you mean, remember when we 133 00:09:14,080 --> 00:09:19,280 Speaker 1: talked about emotional memory. Yeah, so I think if we 134 00:09:19,360 --> 00:09:23,560 Speaker 1: can figure out what's triggering your headaches, maybe we can 135 00:09:23,880 --> 00:09:26,640 Speaker 1: help you get rid of them. We just promised me 136 00:09:26,760 --> 00:09:29,840 Speaker 1: we could keep Rachel my girlfriend, separate from Rachel the 137 00:09:29,840 --> 00:09:35,960 Speaker 1: aspiring psychiatrist. I'll do my best, fair enough to be 138 00:09:36,000 --> 00:09:41,360 Speaker 1: honest at this point, I'll try anything. You have some water, 139 00:09:42,240 --> 00:09:45,559 Speaker 1: as far as you remember, you never had migraines before 140 00:09:45,760 --> 00:09:50,720 Speaker 1: your accident, right, No, I didn't. Do you think you 141 00:09:50,760 --> 00:09:53,360 Speaker 1: can try and remember what happened. Are you sure you're 142 00:09:53,360 --> 00:09:58,880 Speaker 1: not forgetting anything. I'll do my best. It was really 143 00:09:58,880 --> 00:10:02,440 Speaker 1: hard to see that night we hit the fog bank. 144 00:10:02,480 --> 00:10:21,600 Speaker 1: It swerved right before we crashed. Mom, Junior, I remember 145 00:10:21,679 --> 00:10:25,640 Speaker 1: crawling along the side of the road. I saw the deer, 146 00:10:25,720 --> 00:10:29,960 Speaker 1: my mom had. It was crippled but still alive. Blood 147 00:10:30,080 --> 00:10:33,959 Speaker 1: was dripping from its mouth, steam puffed from its nose. 148 00:10:34,080 --> 00:10:37,560 Speaker 1: In the cold night air, I worked my way over 149 00:10:37,640 --> 00:10:40,600 Speaker 1: to him. He tried to kick at me, but didn't 150 00:10:40,600 --> 00:10:44,720 Speaker 1: have the strength. I looked it in the eyes. The 151 00:10:44,800 --> 00:10:48,720 Speaker 1: pupils were dilated. All I could see was my reflection 152 00:10:48,760 --> 00:10:55,120 Speaker 1: of pure black. I tried to comfort it. You're okay, 153 00:10:56,240 --> 00:11:02,760 Speaker 1: you're good, be okay. It took all of my strength 154 00:11:02,800 --> 00:11:09,439 Speaker 1: and loaded out of its misery. After that, the sirens 155 00:11:09,480 --> 00:11:12,000 Speaker 1: got louder, and all I remember is waking up on 156 00:11:12,040 --> 00:11:19,200 Speaker 1: the kurney. It's awful, Thank God, you're okay. The doctor 157 00:11:19,280 --> 00:11:22,400 Speaker 1: said I had a concussion. That when I went through 158 00:11:22,440 --> 00:11:25,520 Speaker 1: the windshield, I damaged my frontal lobe, but nobody was 159 00:11:25,559 --> 00:11:28,200 Speaker 1: sure if there was going to be any permanent damage. 160 00:11:28,920 --> 00:11:32,600 Speaker 1: That's when the migraines started, the insomnia, the bad dreams. 161 00:11:33,559 --> 00:11:36,280 Speaker 1: You're lucky you were able to walk away from something 162 00:11:36,320 --> 00:11:41,720 Speaker 1: like that. Lucky, I guess, so my mom and little 163 00:11:41,720 --> 00:11:45,760 Speaker 1: brother weren't so fortunate. All that matters now is that 164 00:11:45,880 --> 00:11:57,000 Speaker 1: your hair. Come on, let's got some sleep. Good morning, 165 00:11:58,480 --> 00:12:05,160 Speaker 1: good boarding. Whould you sleep pretty good? I don't think 166 00:12:05,160 --> 00:12:13,240 Speaker 1: I moved a muscle. That's you're funny. I'm gonna make 167 00:12:13,280 --> 00:12:22,839 Speaker 1: some coffee. It's mar teenth for what is worth. There 168 00:12:22,880 --> 00:12:26,480 Speaker 1: was an arrest overnight of Carl m Laura. He's accused 169 00:12:26,480 --> 00:12:28,720 Speaker 1: of killing Gail Kerman two nights ago in the Animal 170 00:12:28,800 --> 00:12:33,320 Speaker 1: Sciences parking lot across from Shreeve Hall. Hey, Rachel, I 171 00:12:33,320 --> 00:12:36,559 Speaker 1: gotta go. Do you want something to eat? No, I 172 00:12:37,400 --> 00:12:39,559 Speaker 1: gotta get to the paper. They arrested the amur guy 173 00:12:39,640 --> 00:12:47,360 Speaker 1: for the Kerman murder. You're not going to believe this. 174 00:12:48,200 --> 00:12:49,800 Speaker 1: Chelsea got her hands on a copy of the Blue 175 00:12:49,840 --> 00:12:52,960 Speaker 1: support for m Lara. It says here he hasn't confessed 176 00:12:52,960 --> 00:12:55,600 Speaker 1: to anything, and he claims he's innocent. Well it doesn't 177 00:12:55,679 --> 00:12:58,319 Speaker 1: everyone claim they're innocent. If they arrested him, they must 178 00:12:58,360 --> 00:13:00,920 Speaker 1: have something they do. They used with some students in 179 00:13:00,960 --> 00:13:03,200 Speaker 1: his dorm. It turns out he was seen arguing with 180 00:13:03,240 --> 00:13:05,679 Speaker 1: Gail Kerman last month the grinder and get this, they 181 00:13:05,720 --> 00:13:08,439 Speaker 1: just broke up last week. Wait, so that's enough to 182 00:13:08,480 --> 00:13:11,360 Speaker 1: pin a murder on him? People break up on campus 183 00:13:11,440 --> 00:13:14,240 Speaker 1: every day of the week. His roommates said he was 184 00:13:15,400 --> 00:13:18,680 Speaker 1: and I'm quoting here, despondent and the police found a 185 00:13:18,720 --> 00:13:21,040 Speaker 1: seven inch hunting knife and his foot locker under his 186 00:13:21,120 --> 00:13:24,760 Speaker 1: bed again maybe, oh and one more thing, and said 187 00:13:24,800 --> 00:13:27,120 Speaker 1: that foot locker was a picture of Gail Kerman, slice 188 00:13:27,160 --> 00:13:29,360 Speaker 1: to ribbons like a kitty scissor. Class got ahold of 189 00:13:29,360 --> 00:13:33,199 Speaker 1: it and cut it up like a paper doll. Fair enough? Hello, 190 00:13:34,440 --> 00:13:40,760 Speaker 1: right now, what's up? Tean Edwards is calling all students 191 00:13:40,800 --> 00:13:55,240 Speaker 1: back to the quad. Rachel over here. What's this all about? First? 192 00:13:55,880 --> 00:13:59,200 Speaker 1: I want to thank you all for coming on. I 193 00:13:59,520 --> 00:14:01,480 Speaker 1: know we all been through a lot in the past 194 00:14:01,760 --> 00:14:05,319 Speaker 1: few days, and I also want to thank Captin Spencer 195 00:14:05,679 --> 00:14:08,959 Speaker 1: and the new Sharing Police Department from their find Was 196 00:14:09,000 --> 00:14:13,120 Speaker 1: it already the reason I've called you here today? We 197 00:14:13,320 --> 00:14:17,120 Speaker 1: have great news. I'll turn it over to Captain Spencer. 198 00:14:17,880 --> 00:14:22,760 Speaker 1: Thank you, Thank you, Dean Edwards. As you all may 199 00:14:22,800 --> 00:14:26,320 Speaker 1: have heard, we did apprehend the suspect overnight and feel 200 00:14:26,360 --> 00:14:29,520 Speaker 1: confident that we do. Indeed, you have Gail Kerman's killer 201 00:14:29,520 --> 00:14:33,000 Speaker 1: and cousin. Thank god. I feel a little better. I 202 00:14:33,040 --> 00:14:36,680 Speaker 1: feel like I can fath them. And on that note, 203 00:14:37,160 --> 00:14:40,720 Speaker 1: we will be removing the curfew from campus and I 204 00:14:40,760 --> 00:14:42,800 Speaker 1: hope you all can get back to work, put this 205 00:14:42,880 --> 00:14:46,680 Speaker 1: behind you and study forbid terms with a little luck 206 00:14:46,960 --> 00:14:49,960 Speaker 1: the weather, we'll start to break two in the meantime. 207 00:14:50,520 --> 00:14:53,880 Speaker 1: Thank you all for coming, and please remember to look 208 00:14:53,880 --> 00:14:56,280 Speaker 1: out for each other. It's like working out from a nightmare. 209 00:14:56,960 --> 00:14:59,560 Speaker 1: I don't know about you, but I need a drink. 210 00:14:59,800 --> 00:15:01,920 Speaker 1: Let head to the grinder and have a few years. 211 00:15:05,040 --> 00:15:07,240 Speaker 1: Here you go eat. I don't want any food tonight. 212 00:15:07,640 --> 00:15:11,720 Speaker 1: I think we're all set from now. Thanks, here's the 213 00:15:11,800 --> 00:15:15,280 Speaker 1: feeling safe again. I have to admit I do feel better. 214 00:15:18,680 --> 00:15:23,000 Speaker 1: This whole thing is so hard to leave. Honestly, who 215 00:15:23,040 --> 00:15:27,640 Speaker 1: would do something like that? Can you imagine? Almost have 216 00:15:27,720 --> 00:15:31,800 Speaker 1: trusted him, spent time with him, and then he goes 217 00:15:31,880 --> 00:15:36,680 Speaker 1: and does that. It's crazy. And to think he used 218 00:15:36,720 --> 00:15:41,840 Speaker 1: to work here. I just don't get it. I guess 219 00:15:41,880 --> 00:15:43,880 Speaker 1: you never know what someone is thinking or when they 220 00:15:43,960 --> 00:15:48,680 Speaker 1: might crack. Henry, he didn't just crack, he butchered her. 221 00:15:49,080 --> 00:15:53,040 Speaker 1: I know, but look, you're the psych major. Look around. 222 00:15:53,520 --> 00:15:57,360 Speaker 1: It's a sign of the times. JFK. Civil rights violence 223 00:15:57,520 --> 00:16:02,800 Speaker 1: is everywhere. Maybe the pressure just Scott, what have we here? 224 00:16:03,320 --> 00:16:06,320 Speaker 1: Just ignore them? It looks like someone is getting her 225 00:16:06,360 --> 00:16:10,600 Speaker 1: civil rights. Do you mind? Oh? I don't mind at all. 226 00:16:10,800 --> 00:16:12,960 Speaker 1: Why don't you go back to your beers? We're not 227 00:16:13,040 --> 00:16:16,960 Speaker 1: bothering you, Actually you are. I think it's better if 228 00:16:17,000 --> 00:16:20,160 Speaker 1: you just go somewhere else. Maybe go to the park 229 00:16:20,640 --> 00:16:23,280 Speaker 1: or the zoo. What the fund did you just say? 230 00:16:23,600 --> 00:16:28,080 Speaker 1: You heard him, Henry? Don't Yeah, Henry, you don't want 231 00:16:28,080 --> 00:16:31,000 Speaker 1: to get hurt in front of your girlfriend. Oh look, 232 00:16:31,600 --> 00:16:34,120 Speaker 1: he has a knife. What are you gonna do with that? 233 00:16:34,360 --> 00:16:37,200 Speaker 1: Maybe I'll use it on you? Say one world word. 234 00:16:37,520 --> 00:16:45,440 Speaker 1: Come on, Henry, let's just go. Hey, hut the knife down. Yeah, Henry, 235 00:16:45,480 --> 00:16:48,360 Speaker 1: put the knife down before someone gets hurt, because it's 236 00:16:48,400 --> 00:16:58,480 Speaker 1: probably gonna be you good thinking. Let's go. What were 237 00:16:58,520 --> 00:17:01,600 Speaker 1: you going to do with that knife? Yeah? I don't know, 238 00:17:02,000 --> 00:17:05,160 Speaker 1: probably cut myself. But I wasn't going to let them 239 00:17:05,160 --> 00:17:07,919 Speaker 1: talk to you like that. I'm sorry. They have no 240 00:17:08,160 --> 00:17:10,480 Speaker 1: right to speak to you that way. You like my 241 00:17:10,640 --> 00:17:15,679 Speaker 1: night and shining Armor? Come on, go back to my place. 242 00:17:16,200 --> 00:17:22,240 Speaker 1: It's like it's about four. We hurried back to Rachel's apartment. 243 00:17:23,720 --> 00:17:25,720 Speaker 1: Now that I think about it, I don't know what 244 00:17:25,760 --> 00:17:27,800 Speaker 1: I would have done to those guys in the grind 245 00:17:27,840 --> 00:17:31,000 Speaker 1: or that night. I just know my blood was boiling. 246 00:17:32,320 --> 00:17:36,040 Speaker 1: If Rachel wasn't there, I'm not sure what would have happened. 247 00:17:37,119 --> 00:17:40,040 Speaker 1: But thank god she was. I could have ended up 248 00:17:40,040 --> 00:17:49,120 Speaker 1: in jail or worse dead. I fell asleep at Rachel's 249 00:17:49,119 --> 00:17:52,760 Speaker 1: place that night, but it didn't last long. My head 250 00:17:52,840 --> 00:17:55,679 Speaker 1: started to hurt. It could have been the argument in 251 00:17:55,760 --> 00:17:59,680 Speaker 1: the bar. It could have been a million things. Either way, 252 00:18:00,280 --> 00:18:03,480 Speaker 1: I knew I was gonna need some fresh air. I 253 00:18:03,640 --> 00:18:06,800 Speaker 1: was quiet, I always am. I didn't want to wake her. 254 00:18:07,320 --> 00:18:11,200 Speaker 1: Rachel always looked so peaceful when she slept. She was 255 00:18:11,240 --> 00:18:14,480 Speaker 1: always so calm and relaxed, even in the presence of 256 00:18:14,560 --> 00:18:18,520 Speaker 1: full blown racism. I was jealous that her inner peace 257 00:18:18,560 --> 00:18:22,560 Speaker 1: eluded me. I could hear the trees rustling in the wind. 258 00:18:23,560 --> 00:18:28,480 Speaker 1: When I looked out, all I could see was fog, white, impenetrable. 259 00:18:29,080 --> 00:18:32,359 Speaker 1: I got dressed and slipped out of the department. It's 260 00:18:32,400 --> 00:18:36,280 Speaker 1: the lat show with me, d JN. It's been a 261 00:18:36,320 --> 00:18:38,639 Speaker 1: lot to handle the past few days. Year and New Sharon. 262 00:18:39,400 --> 00:18:42,359 Speaker 1: I had one of those portable radios back then, the 263 00:18:42,480 --> 00:18:44,639 Speaker 1: kind with the one ear piece and almost fit in 264 00:18:44,640 --> 00:18:48,040 Speaker 1: your ear. As strange as it was, it was good 265 00:18:48,040 --> 00:18:51,479 Speaker 1: to hear a familiar voice, and for some reason, Kevin 266 00:18:51,800 --> 00:18:53,800 Speaker 1: never bothered my head in this. Let me take a 267 00:18:53,840 --> 00:18:56,119 Speaker 1: request and I'd help you forget about your troubles. So 268 00:18:56,680 --> 00:18:59,040 Speaker 1: here's anything you want to hear. Give me a ring. 269 00:18:59,480 --> 00:19:01,600 Speaker 1: I'll do I best to play it for you. In 270 00:19:01,640 --> 00:19:04,000 Speaker 1: the meantime, there's something new for you to check out. 271 00:19:04,320 --> 00:19:07,639 Speaker 1: When I can't sleep, when my insomnia and migraine sit in, 272 00:19:07,720 --> 00:19:10,680 Speaker 1: I walk. I've been doing it for years, just so 273 00:19:10,960 --> 00:19:14,040 Speaker 1: now taking the night air and try to relax. Breathing 274 00:19:14,080 --> 00:19:16,320 Speaker 1: in the fog. It's like an out of body experience. 275 00:19:17,320 --> 00:19:19,440 Speaker 1: The myths seems to creep into every pore. I can 276 00:19:19,520 --> 00:19:22,919 Speaker 1: just forget about everything and let my mind wander. It 277 00:19:23,040 --> 00:19:25,359 Speaker 1: was a long forty eight hours since they found Gail 278 00:19:25,440 --> 00:19:29,240 Speaker 1: Kerman's body. I was fried. I started those two days 279 00:19:29,320 --> 00:19:31,600 Speaker 1: with a hangover, and by the time that was over, 280 00:19:31,680 --> 00:19:34,520 Speaker 1: I felt like a freight train had driven through my head. 281 00:19:35,760 --> 00:19:38,720 Speaker 1: If I remember correctly, the fog was pretty thick that night, 282 00:19:38,760 --> 00:19:42,360 Speaker 1: and sure not without realize in it, I found myself 283 00:19:42,480 --> 00:19:46,040 Speaker 1: right back at the Animal Science It's parking lot. Long 284 00:19:46,440 --> 00:19:55,920 Speaker 1: request you were out there, no matter, remember your mother 285 00:19:56,040 --> 00:20:02,359 Speaker 1: her money? Yeah. The police tape was wet, almost slippery. 286 00:20:03,359 --> 00:20:06,160 Speaker 1: I tried to imagine what Gail Kerman's last moments must 287 00:20:06,160 --> 00:20:10,000 Speaker 1: have been like. Walking to her car, and Laura coming 288 00:20:10,080 --> 00:20:13,320 Speaker 1: up from behind her, the violence and brutality of the 289 00:20:13,520 --> 00:20:18,639 Speaker 1: knife tearing through her coat, ripping at her skin. The 290 00:20:18,720 --> 00:20:22,600 Speaker 1: snow was running off, dripping down the embankment. I got 291 00:20:22,640 --> 00:20:25,400 Speaker 1: distracted by a couple under the street light. I couldn't 292 00:20:25,400 --> 00:20:28,040 Speaker 1: see their faces, just the outline of their shadows. The 293 00:20:28,119 --> 00:20:30,399 Speaker 1: radio was playing and seemed to be getting louder and 294 00:20:30,440 --> 00:20:33,399 Speaker 1: louder like I couldn't turn it off. Between that and 295 00:20:33,400 --> 00:20:37,400 Speaker 1: the dripping water, the footsteps, the footsteps, I couldn't lower 296 00:20:37,480 --> 00:20:40,840 Speaker 1: the volume. My head was splitting. I've been thinking about 297 00:20:40,880 --> 00:20:43,800 Speaker 1: that foggy night when I walked past all those shadows. 298 00:20:44,080 --> 00:20:47,359 Speaker 1: I remember my mouth being dry and the fog being thick, 299 00:20:47,440 --> 00:20:50,520 Speaker 1: but I can't seem to remember much else. And Samnia 300 00:20:50,600 --> 00:20:53,240 Speaker 1: will do that to you though, make you walking zombie. 301 00:20:53,760 --> 00:20:56,119 Speaker 1: The only saving grace was that there was no reason 302 00:20:56,160 --> 00:20:59,119 Speaker 1: to be alarmed. Emma Laura, the new Sharon Killer was 303 00:20:59,160 --> 00:21:01,680 Speaker 1: in custody, which is probably why no one on campus 304 00:21:01,680 --> 00:21:05,120 Speaker 1: had a worry in the world. I decided to head 305 00:21:05,160 --> 00:21:18,359 Speaker 1: back to Rachel's place and trying to get spress. I 306 00:21:18,359 --> 00:21:25,440 Speaker 1: don't know why call me If you want to take 307 00:21:25,440 --> 00:21:28,200 Speaker 1: a break, I might swing by the fine mood Delta House. 308 00:21:28,640 --> 00:21:30,440 Speaker 1: I know some of the boys there, and I'm sure 309 00:21:30,440 --> 00:21:32,840 Speaker 1: they'd be happy if I brought a friend. They're having 310 00:21:32,880 --> 00:21:35,680 Speaker 1: their annual spring fling. You want to meet up? Maybe 311 00:21:36,119 --> 00:21:38,720 Speaker 1: it sounds like a lot more fun than this. I'm 312 00:21:38,760 --> 00:21:40,159 Speaker 1: parked right in front. You want me to give you 313 00:21:40,200 --> 00:21:43,159 Speaker 1: a ride? No, I'm just on the other side of campus. 314 00:21:43,200 --> 00:21:48,040 Speaker 1: I'll walk, thanks, though, suit yourself, Okay, I'll give you 315 00:21:48,080 --> 00:21:59,840 Speaker 1: a ring before I head out tonight. H shit, Oh 316 00:22:00,320 --> 00:22:04,320 Speaker 1: damn it. Where did those books go? You see? Probably 317 00:22:04,400 --> 00:22:11,959 Speaker 1: cy Latin Science Swear the other two? Hello, excuse me, 318 00:22:12,320 --> 00:22:13,840 Speaker 1: it's hard to see you out here. If you come 319 00:22:13,840 --> 00:22:40,920 Speaker 1: across a couple of books, those are probably it has 320 00:22:40,920 --> 00:22:46,879 Speaker 1: to be somewhere. I when did you get home? Just 321 00:22:47,000 --> 00:22:51,119 Speaker 1: pulled in. I thought you weren't going to be late. Yeah, 322 00:22:52,240 --> 00:22:57,199 Speaker 1: I uh yeah, I wasn't. Um. After I met with 323 00:22:57,240 --> 00:23:00,560 Speaker 1: Dean Edwards and Chief Spencer, I had to finish grading papers, 324 00:23:01,320 --> 00:23:04,760 Speaker 1: I stopped for some milk and came home. That's it, 325 00:23:06,280 --> 00:23:11,800 Speaker 1: that's it. Weren't you out with Jennifer or one of 326 00:23:11,840 --> 00:23:15,400 Speaker 1: your female students at the grinder trying to impress you 327 00:23:15,680 --> 00:23:23,800 Speaker 1: or get extra credits? I'm rage. I no. I know 328 00:23:23,960 --> 00:23:30,520 Speaker 1: you're pregnant, but you're being jealous and now you're being 329 00:23:30,520 --> 00:23:36,359 Speaker 1: emotional rage. You don't understand. Spring heeled Jack is back 330 00:23:36,920 --> 00:23:41,760 Speaker 1: and I have to help catch him. It's not your responsibility. 331 00:23:42,920 --> 00:23:48,960 Speaker 1: This obsession almost destroyed us eight years ago. You don't 332 00:23:49,000 --> 00:23:53,160 Speaker 1: have to help anyone. You only have to help yourself. 333 00:23:54,040 --> 00:24:05,880 Speaker 1: You have to help our baby and me. You don't 334 00:24:05,880 --> 00:24:08,560 Speaker 1: have time for this ship. You spent the entire day 335 00:24:08,600 --> 00:24:11,200 Speaker 1: being dragged back into your past. It's not like you 336 00:24:11,280 --> 00:24:16,399 Speaker 1: had a choice. I totally agree she's being emotional. I 337 00:24:16,440 --> 00:24:18,159 Speaker 1: have to get some things out of the car. I 338 00:24:18,240 --> 00:24:20,719 Speaker 1: left the file box in the trunk. I'll be right in. 339 00:24:23,600 --> 00:24:33,200 Speaker 1: I can't see you. Damn think did I leave the ship? Ship? Ship? Ah? 340 00:24:33,400 --> 00:24:41,399 Speaker 1: There it is to make better? Does Rachel want to 341 00:24:41,440 --> 00:24:44,400 Speaker 1: know where I was all night? I was driving through 342 00:24:44,400 --> 00:24:48,239 Speaker 1: the fog like clockwork. I got another migraine. But she 343 00:24:48,280 --> 00:24:53,600 Speaker 1: doesn't want to hear that. Where's that keyhole? Come on, 344 00:24:54,920 --> 00:24:59,280 Speaker 1: don't die on me. She just wants to know what 345 00:24:59,440 --> 00:25:02,760 Speaker 1: time all be home for dinner. What in the world 346 00:25:02,920 --> 00:25:12,760 Speaker 1: is said on my car? Is that blood? What is 347 00:25:12,800 --> 00:25:19,000 Speaker 1: that the trunk? Oh? My god, it's blood? What is 348 00:25:19,000 --> 00:25:28,919 Speaker 1: this a letter written in blood to Henry, I've missed you. 349 00:25:29,680 --> 00:25:32,919 Speaker 1: Without you, there can be no me. My night is 350 00:25:32,960 --> 00:25:35,520 Speaker 1: sharp and I'm glad to be getting back to work. 351 00:25:36,280 --> 00:25:38,800 Speaker 1: I hope you don't mind, but I needed your car 352 00:25:38,880 --> 00:25:43,040 Speaker 1: to move some things. Consider this an invitation. It's time 353 00:25:43,080 --> 00:25:47,440 Speaker 1: to get reacquainted. B s. Let's just keep this between 354 00:25:47,560 --> 00:25:52,640 Speaker 1: us for now. And congratulations on the bay, Rachel, Thanks Spring, 355 00:25:52,760 --> 00:25:55,840 Speaker 1: heel Jack. It's gonna turn our lives upside down again. 356 00:25:57,920 --> 00:26:18,679 Speaker 1: And oh God, I think she might be right. Strawberry 357 00:26:18,720 --> 00:26:21,359 Speaker 1: Spring is a production of Audio Up Media and I 358 00:26:21,520 --> 00:26:24,280 Speaker 1: Heart Radio, based on a short story by Stephen King. 359 00:26:24,440 --> 00:26:28,320 Speaker 1: Executive produced by Lee Metzker, Jared Gootstadt and Philip Alberstatt, 360 00:26:28,760 --> 00:26:31,960 Speaker 1: Written and directed by the Lee Metzker, Starring Garrett Headland, 361 00:26:32,080 --> 00:26:35,960 Speaker 1: My Little Vent Amilia, Horizon, Guardiola, Sydney Sweeney, Ken Marino, 362 00:26:36,160 --> 00:26:39,800 Speaker 1: Al Madrigal and Brett Passenger. Audio Up in house production 363 00:26:39,840 --> 00:26:44,439 Speaker 1: by Georgana Glick, Franzheim and Laura Ramada, Edited by Carry Caulfield, 364 00:26:44,560 --> 00:26:48,280 Speaker 1: Eric and Jeremiah Zimmerman. Sound design and mixed by Jeremiah Zimmerman. 365 00:26:48,480 --> 00:26:51,480 Speaker 1: Scored by Jeff Peters. Songs and music by jar Gootstatt 366 00:26:51,520 --> 00:26:54,280 Speaker 1: and Jessie stephen Burke. Strawberry Spring is published in Stephen 367 00:26:54,320 --> 00:26:57,679 Speaker 1: King's short story collection night Shift, available in paperback and 368 00:26:57,840 --> 00:27:01,000 Speaker 1: ebro from Anchor Books and as an audiobook from Penguin 369 00:27:01,119 --> 00:27:03,560 Speaker 1: Random House Audio. For the full list of production credits, 370 00:27:03,600 --> 00:27:05,960 Speaker 1: please visit audio up dot com. You can find more 371 00:27:06,040 --> 00:27:08,920 Speaker 1: podcasts from i heart Radio on the i Heart Radio app, 372 00:27:09,080 --> 00:27:20,680 Speaker 1: Apple Podcasts, or wherever you listen to podcasts. Body up