WEBVTT - Claude Duval: The First Gallant Highwayman

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<v Speaker 1>Welcome to Criminalia, a production of Shondaland Audio in partnership

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<v Speaker 1>with iHeartRadio.

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<v Speaker 2>The legendary representations of highwaymen are often told through word

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<v Speaker 2>of mouth or a lore ballads, and sometimes novels and plays,

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<v Speaker 2>and there's probably been a movie or two or three

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<v Speaker 2>based on the more famous robbers. Some highwaymen had originally

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<v Speaker 2>been soldiers who had fallen on hard times. Some were

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<v Speaker 2>straight up criminals, and some, like Claude Duval, were highwaymen

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<v Speaker 2>who were polite, chivalrous, and sometimes portrayed as a version

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<v Speaker 2>of robin Hood, although none of them gave their loot

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<v Speaker 2>to those less fortunate. Opinions differ among biographers and historians

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<v Speaker 2>when it comes to Claude's life, So let's talk about

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<v Speaker 2>how his acts of highway robbery created what became known

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<v Speaker 2>as the gentleman robber. Welcome to Criminalia. I'm Maria Tremarky.

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<v Speaker 1>And I'm Holly Frye. Claude was born in sixteen forty

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<v Speaker 1>three in Normandy. His father was a miller that's a

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<v Speaker 1>person who operates a mill to grind grain, and his

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<v Speaker 1>mother was a tailor. There are some versions of his

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<v Speaker 1>story that suggests that they had at one point been

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<v Speaker 1>a noble family and then were stripped of title and land.

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<v Speaker 1>But that's not something that we can corroborate. He did

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<v Speaker 1>grow up in dont, France, where it was said that

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<v Speaker 1>quote common honesty was a most uncommon ingredient in the

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<v Speaker 1>moral economy of the place. So maybe he didn't stand

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<v Speaker 1>a chance at living a legit life if that statement

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<v Speaker 1>painted a correct narrative. He was educated, but only to

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<v Speaker 1>the level his parents thought he needed. They believed that

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<v Speaker 1>he would become a footman, which was one of the

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<v Speaker 1>higher ranking domestic worker roles in an upper class household.

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<v Speaker 2>At age thirteen, Claude took a job as a stable boy,

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<v Speaker 2>where he was given the opportunity to travel to Paris

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<v Speaker 2>with some of the English royalists who'd followed Charles the

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<v Speaker 2>Second to France. He went, and his work there as

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<v Speaker 2>a footman paid off. By age fourteen. He was working

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<v Speaker 2>for the English exiles who were waiting for the restoration

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<v Speaker 2>of the monarchy. The restoration was, at its very simple basics,

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<v Speaker 2>the re establishment of Charles the Second as King of England.

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<v Speaker 2>If you listened to the first episode of the season

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<v Speaker 2>about the Wicked Lady, this follows right on the heels

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<v Speaker 2>of Charles the First being executed and the parliamentarians taking over.

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<v Speaker 2>Mostly Claude spent his time running errands, but he also

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<v Speaker 2>had a job at Sannasprie, described as the cross between

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<v Speaker 2>an ale house and a brothel. It was here that

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<v Speaker 2>his storians believe he mostly just flirted with women, but

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<v Speaker 2>also practiced his charm and charisma.

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<v Speaker 1>When Claude moved to England in sixteen sixty with the

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<v Speaker 1>formerly exiled royalists and nobility, this coincided with when Charles

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<v Speaker 1>the Second was restored to the throne, he went to

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<v Speaker 1>work as a footman for a quote person of quality.

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<v Speaker 1>That person of quality is thought to have been Charles Lennox,

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<v Speaker 1>Duke of Richmond. It's at this time in his life

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<v Speaker 1>where he learned the manners of a gentleman, which he

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<v Speaker 1>later used to enhance his gentleman robber reputation. But the

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<v Speaker 1>footman gig did not last very long for Claude. Rumors

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<v Speaker 1>suggest that he spent too much money on drinking, gambling

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<v Speaker 1>and women, and with his finances dwindling, and probably that

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<v Speaker 1>behavior wasn't looked upon with delight by his employer, he

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<v Speaker 1>decided to take a turn as a highwayman and began

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<v Speaker 1>dabbling in robbery as a side gig, and in no

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<v Speaker 1>time his new lifestyle brought fame and fortune.

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<v Speaker 2>Claude had arrived in England from France at age seventeen,

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<v Speaker 2>which was right in the middle of what the Newgate

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<v Speaker 2>Calendar called quote universal joy upon the return of the

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<v Speaker 2>royal family, which made the whole nation almost mad. Everyone

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<v Speaker 2>ran into extravagances, and Duval, whose inclinations were as vicious

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<v Speaker 2>as any man's, soon became an extraordinary proficient in gaming, purring,

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<v Speaker 2>drunkenness and all manner of debauchery. Of note that use

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<v Speaker 2>of vicious here refers to his proclivity toward his vices,

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<v Speaker 2>not violence. But when he started to run out of funds,

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<v Speaker 2>he'd rob a few English locals. He got himself his

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<v Speaker 2>gentlemanly reputation because he didn't participate in the rough behavior

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<v Speaker 2>and murderers undertakings of many of his fellow highwaymen. He

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<v Speaker 2>wanted it known that he was appalled by those who

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<v Speaker 2>used violence, and he himself would never engage in such

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<v Speaker 2>a thing. Claude became known for his politeness and his chivalry,

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<v Speaker 2>as well as the quote romantic darling of the ladies,

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<v Speaker 2>violent or not, though a highway robber, gentleman, robber or

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<v Speaker 2>thug would be hanged just the same.

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<v Speaker 1>Claude was a celebrated French born robber of Restoration, England,

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<v Speaker 1>a period that ran from sixteen sixty to sixteen eighty eight,

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<v Speaker 1>and his career choice popularized him as a dashing highwayman,

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<v Speaker 1>a word that first appeared in an Anglo Saxon document

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<v Speaker 1>from ten seventeen. The golden age of highway robbery is

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<v Speaker 1>considered to have been between seventeen hundred to eighteen thirty,

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<v Speaker 1>but it's Claude who is one of the earliest name

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<v Speaker 1>brigands recorded by the London Gazette of sixteen sixty six.

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<v Speaker 1>His reputation and his press coverage was built on his

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<v Speaker 1>fashionable appearance and gallant treatment toward those he robbed. He

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<v Speaker 1>never did resort to physical violence, at least as far

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<v Speaker 1>as we can tell. He mostly operated on the roads

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<v Speaker 1>to London. A stage coach, for instance, could only average

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<v Speaker 1>about seven miles per hour, give or take, and that

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<v Speaker 1>made it really easy to ambush on a horse, usually

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<v Speaker 1>a stolen horse and with a flint locked pistol, which

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<v Speaker 1>was a fairly new style of firearm that was known

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<v Speaker 1>to be light, accurate and cheap compared to its predecessors.

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<v Speaker 2>We're going to take a break for a word from

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<v Speaker 2>our sponsors. When we return, we'll tell the most famous

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<v Speaker 2>tale there is about Claude, the gentleman robber.

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<v Speaker 1>Welcome back to Criminalia. With a quote flamboyant sweep of

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<v Speaker 1>his feathered hat, Claude became the most wanted highwayman in England.

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<v Speaker 1>Claude found the richest marks and therefore many of his

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<v Speaker 1>raids took place at Maidenhead Thicket, a dense land at

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<v Speaker 1>the time, as well as on the Bath Road. He

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<v Speaker 1>found Blackheath and Hampstead to also be quite lucrative.

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<v Speaker 2>His image as a debonair and courteous highwayman was important

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<v Speaker 2>to him. So we're going to tell a story that

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<v Speaker 2>maybe truth or close to the truth, but even if

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<v Speaker 2>it's not the truth, it's a perfect way to describe

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<v Speaker 2>his style. The crime he may be most famous for,

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<v Speaker 2>and which has likely been exaggerated over the centuries, was

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<v Speaker 2>his attempt to rob a couple at Hampstead Heath. As

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<v Speaker 2>he approached the carriage, he yelled out the call of

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<v Speaker 2>the highway robber, stand and deliver. According to English critic,

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<v Speaker 2>essayist and poet Lee Hunt, this robbery was quote an

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<v Speaker 2>eternal feather in the cap of highway gentility.

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<v Speaker 1>Here's what allegedly went down. The carriage was carrying a nobleman,

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<v Speaker 1>his wife, and their domestic worker when Claude stopped them unexpectedly.

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<v Speaker 1>The wife challenged Claude to a contest described as a

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<v Speaker 1>quote musical interlude involving a flute and a coronto. That's

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<v Speaker 1>a type of dance. You might not expect a highwayman

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<v Speaker 1>to carry a flute along with his pistols and sword

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<v Speaker 1>and other tools of the trade, but according to this legend,

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<v Speaker 1>he had one, and in response to her challenge, started

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<v Speaker 1>to play along with her. He asked whether she could

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<v Speaker 1>dance as well as she played. That was an invitation

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<v Speaker 1>she accepted. Her husband was against it. He probably thought

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<v Speaker 1>this was the weirdest flirting his wife had ever done.

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<v Speaker 1>And so these two people, according to lore, danced to

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<v Speaker 1>karanto under the moonlight. Though we can't figure out who

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<v Speaker 1>would have been playing the flute exactly. Maybe he could

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<v Speaker 1>play and dance at the same time, but this very request,

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<v Speaker 1>it said, amused Claude, and because he was so delighted

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<v Speaker 1>by the interaction, he reduced their payment to him from

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<v Speaker 1>four hundred pounds to a mere one hundred, and he

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<v Speaker 1>did make them promise to never bother him. This sounds

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<v Speaker 1>like a slow, lightly hilarious, and very romanticized version of

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<v Speaker 1>the story, doesn't it. There is another version with a

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<v Speaker 1>different ending. In that one, the nobleman had neglected to pay,

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<v Speaker 1>but under Claude's demands he did, and he paid the

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<v Speaker 1>full four hundred exaggerated or not, This story became an

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<v Speaker 1>important scene, immortalized in a painting by William Powell Frith

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<v Speaker 1>in eighteen sixty. It also showed up in other artworks.

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<v Speaker 2>Dancing with his target is a great example that set

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<v Speaker 2>Claude apart from other highwaymen, and it's a distinctive behavior.

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<v Speaker 2>Yet he often rode with men who were criminals and

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<v Speaker 2>who probably did not ascribe to the same code of

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<v Speaker 2>conduct as he did. The myth of his life later

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<v Speaker 2>became even more embellished, with some people claiming that he

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<v Speaker 2>once saved Charles the Second's life and that he was

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<v Speaker 2>a bit more than just a friend to Nell Gwynn

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<v Speaker 2>pretty witty Nell, as she was called, was an actress,

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<v Speaker 2>but is probably best remembered in history as a mistress

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<v Speaker 2>of King Charles the Second.

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<v Speaker 1>On November nineteenth, sixteen sixty nine, a proclamation listing notorious

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<v Speaker 1>offenders was issued. Claude was number one on that list. Additionally,

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<v Speaker 1>a reward of twenty pounds was placed on his head,

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<v Speaker 1>and the London Gazette described him as quote the most

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<v Speaker 1>wanted highwayman in England. Many accounts suggest that Claude left

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<v Speaker 1>England for France at this time, hoping that authorities in

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<v Speaker 1>his own reputation would cool down a little bit. But

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<v Speaker 1>he found that the practice of highway robbery was a

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<v Speaker 1>lot less lucrative in France, mainly because carriages and the

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<v Speaker 1>people who traveled in them typically traveled with less money

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<v Speaker 1>and more guns than those outside of London. So caution

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<v Speaker 1>to the wind, Claude returned to England with quote a

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<v Speaker 1>flamboyant sweep of his feathered hat.

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<v Speaker 2>We're going to take a break for a word from

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<v Speaker 2>our sponsors. When we're back, we'll talk about Claude's arrest.

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<v Speaker 1>Welcome back to Criminalium. The road ended for Claude in

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<v Speaker 1>sixteen seventy, so let's talk about his arrest, trial and execution.

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<v Speaker 2>It was in a tavern called the Hole in the

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<v Speaker 2>Wall in Covent Garden where Claude was arrested in December

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<v Speaker 2>of sixteen sixty nine after having a bit too much ale,

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<v Speaker 2>and it didn't help his cause that he was carrying

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<v Speaker 2>three pistols and a sword. According to his biographer William Pope,

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<v Speaker 2>it's generally considered that if he had been sober, he

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<v Speaker 2>wouldn't have been apprehended so easily. Too much ale, At

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<v Speaker 2>least what we uncovered in our early research seems to

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<v Speaker 2>be a pattern for arrest among high waymen.

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<v Speaker 1>His exploits had deepened his polite reputation, especially his chivalry

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<v Speaker 1>with women. In fact, Claude had fans. Some women actually

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<v Speaker 1>wanted to be robbed by him, and this arrest was

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<v Speaker 1>just not the affair they were looking for. Alexander Smith's

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<v Speaker 1>A History of the Lives and Robberies of the most

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<v Speaker 1>Notorious Highwaymen, Footpads, Shoplifts and Cheats, which was published after

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<v Speaker 1>Claude's death, turned people on to the lives and motivations

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<v Speaker 1>of these popular criminals. Although Smith was trying to persuade

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<v Speaker 1>people against a life of crime. Writing during the golden

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<v Speaker 1>age of highwaymen, quote stirred the public appetite for tales

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<v Speaker 1>of rascality. Smith's book was heavily edited, but the authenticity

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<v Speaker 1>that's got big Air quotes on it of his narrative,

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<v Speaker 1>he claimed, was at its heart to keep the criminal's

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<v Speaker 1>voice in the expression of the accounts. When every publisher

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<v Speaker 1>wanted a good story, even if factual information was kind

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<v Speaker 1>of overlooked. In fact, publishers began to visit Newgate Prison

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<v Speaker 1>looking for criminals who were willing to sell their stories.

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<v Speaker 2>Claude had a short stay at Newgate Prison while waiting

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<v Speaker 2>for his trial. It was once the most notorious prison

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<v Speaker 2>in London. While there, it's reported that he had many guests.

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<v Speaker 2>Most of his admirers were women, and women were the

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<v Speaker 2>ones lining up to visit the Gentleman robber. Claude was

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<v Speaker 2>arraigned and convicted at the Old Bailey on six counts

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<v Speaker 2>of highway robbery. Though he had certainly committed additional highway crimes,

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<v Speaker 2>there was no evidence to prove he did. There were

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<v Speaker 2>many attempts, mainly from women, to grant reprieve those who

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<v Speaker 2>didn't want to see him imprisoned, argued about his good

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<v Speaker 2>character and that he had never engaged in any violence.

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<v Speaker 2>In fact, Claude was convinced he would be pardoned by

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<v Speaker 2>Charles the Second, he was not. During his trial, Judge

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<v Speaker 2>Sir William Morton ignored the protests and because of quote

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<v Speaker 2>the spectacle of ladies of fashion and beauty masked with

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<v Speaker 2>tear stained faces, he cleared the courtroom at one point

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<v Speaker 2>during proceeding.

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<v Speaker 1>Taught at last after a ten year successful career in

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<v Speaker 1>highway robbery, Claude was sentenced to death by hanging at Tiburn.

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<v Speaker 1>He who quote brought class and dignity to the profession

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<v Speaker 1>of highwaymen, died in London on January twenty first, sixteen seventy.

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<v Speaker 1>He may have been French by birth, but as an

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<v Speaker 1>English highwayman under English law, he was hanged. He was

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<v Speaker 1>twenty seven years old. Claude was buried at Saint Paul's Church,

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<v Speaker 1>possibly under the pseudonym Peter Duval. The Newgate Calendar described

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<v Speaker 1>his funeral as a quote large affair. He was laid

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<v Speaker 1>in state, a distinguished burial that allowed people to view

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<v Speaker 1>him and paid their respects. Many people attended the funeral

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<v Speaker 1>and its said his tomb had quote a white marble

0:15:02.800 --> 0:15:06.760
<v Speaker 1>stone laid over him. So this, i'll suggests he was

0:15:06.880 --> 0:15:10.600
<v Speaker 1>not treated like a common criminal in death. He was

0:15:10.760 --> 0:15:14.880
<v Speaker 1>perhaps more a celebrity criminal who helped create the cultural

0:15:14.920 --> 0:15:16.880
<v Speaker 1>identity of the gentleman robber.

0:15:17.840 --> 0:15:20.760
<v Speaker 2>His memoirs were written by William Pope while Claude was

0:15:20.800 --> 0:15:25.200
<v Speaker 2>at Newgate Prison and are considered the main source of

0:15:25.280 --> 0:15:28.640
<v Speaker 2>many events in his life, including the first account of

0:15:28.640 --> 0:15:33.320
<v Speaker 2>his time as a highwayman. It was and is considered

0:15:33.360 --> 0:15:37.800
<v Speaker 2>the exaggerated biographical account that turned Claude into a folk legend.

0:15:38.520 --> 0:15:43.320
<v Speaker 2>Some truth, some truthsh but in the end it's believed

0:15:43.440 --> 0:15:46.440
<v Speaker 2>Claude was the gentleman robber who paved the way for

0:15:46.520 --> 0:15:50.080
<v Speaker 2>future depictions and adventures of the chivalrous highwayman.

0:15:50.800 --> 0:15:52.840
<v Speaker 1>Would you like a swig from the hip flask?

0:15:53.160 --> 0:15:56.400
<v Speaker 2>Time? Maybe two? Oh Claude?

0:15:56.960 --> 0:16:02.320
<v Speaker 1>Okay? So in doing this one, I wanted to incorporate

0:16:02.560 --> 0:16:07.800
<v Speaker 1>the fact that Claude was French but operated largely in England,

0:16:08.280 --> 0:16:13.360
<v Speaker 1>so ingredients are coming from both countries. And I wanted

0:16:13.360 --> 0:16:19.320
<v Speaker 1>to include Ale because that features in his arrest, as

0:16:19.360 --> 0:16:22.440
<v Speaker 1>well as the place that he worked when he was younger.

0:16:22.680 --> 0:16:25.880
<v Speaker 1>So it's actually named after that place, the Santa Spree,

0:16:26.440 --> 0:16:29.760
<v Speaker 1>because a spree, of course in French means spirit, which

0:16:29.800 --> 0:16:34.200
<v Speaker 1>references alcohol on a secondary way. And also because Claude

0:16:34.200 --> 0:16:35.920
<v Speaker 1>just had a lot of spirit.

0:16:35.640 --> 0:16:38.240
<v Speaker 2>So you could say that now that's.

0:16:38.000 --> 0:16:42.280
<v Speaker 1>His drink, the Santa Spree. So this one is easy

0:16:42.320 --> 0:16:44.480
<v Speaker 1>to put together, but there is some floater on top.

0:16:44.560 --> 0:16:47.080
<v Speaker 1>So get ready. You are going to combine in your

0:16:47.120 --> 0:16:51.120
<v Speaker 1>shaking tin an ounce and a half of gin, three

0:16:51.200 --> 0:16:53.440
<v Speaker 1>quarters of an ounce of lime juice, so that gin

0:16:53.720 --> 0:16:58.680
<v Speaker 1>is referencing England, three quarters of an ounce of benedictine,

0:16:58.800 --> 0:17:02.400
<v Speaker 1>which is French, it's a French herbal liquor, and then

0:17:02.600 --> 0:17:05.000
<v Speaker 1>three quarters of an ounce of simple syrup. And you're

0:17:05.000 --> 0:17:07.680
<v Speaker 1>gonna give that a good shake with ice, and you're

0:17:07.720 --> 0:17:11.320
<v Speaker 1>gonna strain it into a glass that can hold at

0:17:11.400 --> 0:17:14.400
<v Speaker 1>least six ounces of liquid, because then you are going

0:17:14.400 --> 0:17:17.720
<v Speaker 1>to float on top of it three ounces of ale.

0:17:18.240 --> 0:17:20.200
<v Speaker 1>So this is another good time where you get out

0:17:20.240 --> 0:17:24.600
<v Speaker 1>your bar spoon with the flat end that sits perpendicular

0:17:24.720 --> 0:17:28.159
<v Speaker 1>to the actual shaft of the spoon and pour it

0:17:28.240 --> 0:17:32.320
<v Speaker 1>down it very carefully, and the ale is darker than

0:17:32.359 --> 0:17:34.199
<v Speaker 1>the rest of the drinks, so you get kind of

0:17:34.400 --> 0:17:38.399
<v Speaker 1>a rich top to it. How you drink this is

0:17:38.720 --> 0:17:42.880
<v Speaker 1>a drinker's choice because it tells the story two ways.

0:17:43.520 --> 0:17:46.639
<v Speaker 1>You can just drink it as it's presented at that point,

0:17:46.640 --> 0:17:49.080
<v Speaker 1>and you start with ale, and then it gets richer

0:17:49.160 --> 0:17:53.080
<v Speaker 1>and becomes a little more interesting and sweeter as you

0:17:53.160 --> 0:17:55.199
<v Speaker 1>go as the two mix together in the tipping of

0:17:55.200 --> 0:17:58.920
<v Speaker 1>the glass. Or you can stir it together, which does

0:17:58.960 --> 0:18:02.919
<v Speaker 1>something very interesting because it still has the mouthfeel of

0:18:02.960 --> 0:18:06.640
<v Speaker 1>an ale like that, you know, kind of frothy, slightly

0:18:06.680 --> 0:18:09.960
<v Speaker 1>bubbly thing, but it doesn't taste like one at all,

0:18:10.160 --> 0:18:14.080
<v Speaker 1>and it's super weird but very delicious. I was pleasantly

0:18:14.119 --> 0:18:16.240
<v Speaker 1>surprised by how this one turned out. So those are

0:18:16.320 --> 0:18:19.840
<v Speaker 1>your options in drinking it. Listen. I don't usually drink

0:18:19.920 --> 0:18:21.720
<v Speaker 1>a lot of beers, ales, et cetera.

0:18:21.920 --> 0:18:24.560
<v Speaker 2>I didn't think, so I'm a little surprised by this one.

0:18:24.720 --> 0:18:27.560
<v Speaker 1>So there was a special trip to the grocery store

0:18:30.880 --> 0:18:34.600
<v Speaker 1>to make the mocktail on this one. We're combining some

0:18:34.720 --> 0:18:38.520
<v Speaker 1>things because you're gonna make a syrup. So before you

0:18:38.600 --> 0:18:41.080
<v Speaker 1>make anything drink wise, you have to make a syrup.

0:18:41.440 --> 0:18:44.879
<v Speaker 1>We're making an allspice syrup. In lieu of a simple syrup.

0:18:44.920 --> 0:18:47.399
<v Speaker 1>So you're just gonna do a cup of water, a

0:18:47.440 --> 0:18:50.600
<v Speaker 1>cup of sugar, and a tablespoon or a little more

0:18:50.600 --> 0:18:52.840
<v Speaker 1>if you really like allspice. I like it to be

0:18:52.960 --> 0:18:55.119
<v Speaker 1>very flavored. And this is kind of making up for

0:18:55.160 --> 0:18:58.800
<v Speaker 1>the benedictine, so you can be pretty heavy with it. Also,

0:18:58.840 --> 0:19:01.399
<v Speaker 1>if you want to add other spices to it, you

0:19:01.440 --> 0:19:04.240
<v Speaker 1>can do that, throw in a little base, throw in

0:19:04.280 --> 0:19:07.960
<v Speaker 1>a little you know, whatever you wish. We don't know

0:19:08.000 --> 0:19:11.199
<v Speaker 1>what all's in benedictine, So the floor is yours, and

0:19:11.240 --> 0:19:13.760
<v Speaker 1>you're just gonna let that simmer until it all combines,

0:19:13.800 --> 0:19:16.359
<v Speaker 1>and then let it cool and strain it off, and

0:19:16.400 --> 0:19:18.240
<v Speaker 1>then you have your all spice syrups. So you will

0:19:18.359 --> 0:19:21.239
<v Speaker 1>use an ounce of that syrup, three quarters of an

0:19:21.240 --> 0:19:23.240
<v Speaker 1>ounce of lime, and then an ounce and a half

0:19:23.280 --> 0:19:26.520
<v Speaker 1>of flat tonic. You'll do the same thing. You'll shake

0:19:26.560 --> 0:19:28.639
<v Speaker 1>it until it's really cold, pour it into a pre

0:19:28.800 --> 0:19:32.240
<v Speaker 1>chilled glass. And then you have options here because we're

0:19:32.240 --> 0:19:35.320
<v Speaker 1>obviously not going to do ale, so you can either

0:19:35.400 --> 0:19:37.680
<v Speaker 1>if you want to stay very true to the original

0:19:37.680 --> 0:19:41.440
<v Speaker 1>flavor of the drink, you can float a non alcoholic

0:19:41.560 --> 0:19:45.040
<v Speaker 1>beer on top. I feel like that is a category

0:19:45.160 --> 0:19:48.399
<v Speaker 1>that has really gotten a lot better in the last

0:19:48.440 --> 0:19:54.159
<v Speaker 1>few years as more people have embraced sober lifestyles or

0:19:54.240 --> 0:19:58.280
<v Speaker 1>just not into drinking alcohol, which is totally cool. So

0:19:58.320 --> 0:20:00.359
<v Speaker 1>you have a lot more options. I would reck commend

0:20:00.440 --> 0:20:03.480
<v Speaker 1>that as the ideal. If you don't want to do that, though,

0:20:03.520 --> 0:20:06.159
<v Speaker 1>you could use ginger ale here. The problem is that

0:20:06.320 --> 0:20:08.000
<v Speaker 1>ginger ale you're gonna have to go with a very

0:20:08.000 --> 0:20:10.480
<v Speaker 1>low sugar one because if you go with a full

0:20:10.480 --> 0:20:13.840
<v Speaker 1>sugar it's not gonna float at all because it will

0:20:13.880 --> 0:20:16.280
<v Speaker 1>compete with the all spice syrup. As we all remember

0:20:16.720 --> 0:20:20.640
<v Speaker 1>if we've done this before, you want your heaviest thing

0:20:20.840 --> 0:20:24.000
<v Speaker 1>on the bottom. So ginger ales, depending on the brand,

0:20:24.040 --> 0:20:26.480
<v Speaker 1>can sometimes have a lot of sugar and be quite thick.

0:20:27.320 --> 0:20:29.040
<v Speaker 1>If you get one like that, it's gonna sink. It

0:20:29.080 --> 0:20:32.720
<v Speaker 1>won't quite work the way is intended. So ideal outcome

0:20:32.760 --> 0:20:36.040
<v Speaker 1>would be a non alcoholic beer. Second option is a

0:20:36.160 --> 0:20:39.360
<v Speaker 1>very low sugar ginger ale, or even a ginger beer

0:20:39.359 --> 0:20:41.960
<v Speaker 1>if you want a little bite, and that is the

0:20:42.040 --> 0:20:45.439
<v Speaker 1>Santa Sprie to give you the spirit of Claude Duval.

0:20:45.600 --> 0:20:51.520
<v Speaker 1>You can wear your feather hat o bananas. We hope

0:20:51.560 --> 0:20:57.080
<v Speaker 1>you have enjoyed this very very fun story of this

0:20:57.320 --> 0:21:03.159
<v Speaker 1>very spirited and sometimes hilarious gentlemen, Robert. We will be

0:21:03.200 --> 0:21:06.440
<v Speaker 1>right back here again next week with another highwayman and

0:21:07.720 --> 0:21:09.680
<v Speaker 1>more drinks to go with that story. We hope to

0:21:09.680 --> 0:21:34.480
<v Speaker 1>see a here. Criminalia is a production of Shondaland Audio

0:21:34.560 --> 0:21:38.879
<v Speaker 1>in partnership with iHeartRadio. For more podcasts from Shondaland Audio,

0:21:39.160 --> 0:21:42.760
<v Speaker 1>please visit the iHeartRadio app, Apple Podcasts, or wherever you

0:21:42.800 --> 0:21:44.159
<v Speaker 1>listen to your favorite shows.