WEBVTT - One on One: Gregg Henry

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<v Speaker 1>I am all in. Let's kiss you.

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<v Speaker 2>I am all in with Scott Patterson an iHeartRadio podcast.

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<v Speaker 1>Hey Everybody, Scott Patterson, I am all In podcast, iHeartRadio,

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<v Speaker 1>iHeart Media, iHeart Podcasts. One on one interview with the

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<v Speaker 1>one and only Greg Henry, who portrays the lovable Mitchem Huntsberger.

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<v Speaker 1>He is the father of Logan. We all know who

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<v Speaker 1>he is. Let's get to know Greg a little bit

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<v Speaker 1>better before we bring him on. He's best known for

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<v Speaker 1>his performance as serial killer Dennis Raider in the television

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<v Speaker 1>film The Hunt for the BTK Killer, and for playing

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<v Speaker 1>various heavies in various films such as Payback nineteen ninety nine,

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<v Speaker 1>Marvel Studios, Guardians of the Galaxy films, Brian de Palmer's

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<v Speaker 1>Body Double nineteen eighty four, The Ladder, of whom Henry

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<v Speaker 1>has collaborated with frequently over the years, acting in six

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<v Speaker 1>DiPalma films. He has been featured in over seventy five

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<v Speaker 1>television programs, including The Richies, Firefly, Chicago, Mad twenty four, Airwolf, CSI,

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<v Speaker 1>Crime Scene Investigation, Murder, Schroke, Gilmore Girls, matt Lock, In

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<v Speaker 1>the Heat of the Night, and so on and so on,

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<v Speaker 1>and so on. He played the roles of Dobbs in

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<v Speaker 1>the USA Network series White Collar and Hollis Doyle in

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<v Speaker 1>the ABC's series Scandal. In twenty thirteen, he played Detective

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<v Speaker 1>Carl Redick in The Killing. In twenty fourteen, he had

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<v Speaker 1>a small role in the Marvel film Guardians and the

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<v Speaker 1>Galaxy as well as its sequels, is Peter Quill's grandfather.

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<v Speaker 1>He appeared in recurring roles in Hell on Wheels and

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<v Speaker 1>the following He also portrayed the title role in Shakespeare's

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<v Speaker 1>Julius Caesar in twenty and seventeens Shakespeare in the Park

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<v Speaker 1>in New York City. I give you, ladies and gentlemen,

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<v Speaker 1>the one, the only Greg henry Man. I've been reading

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<v Speaker 1>articles about you. I've been trying to catch up all

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<v Speaker 1>your all your stuff. I get.

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<v Speaker 3>I get to wear my hat backwards on this, you know,

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<v Speaker 3>because let's face it.

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<v Speaker 2>When.

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<v Speaker 1>That is correct. So look, thanks for joining us. Uh

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<v Speaker 1>so we'll just get started here.

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<v Speaker 2>You are.

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<v Speaker 1>You know, we're getting some real opinions about your character

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<v Speaker 1>on this show. So I'm glad you're here so we

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<v Speaker 1>could dive in and hear what your your thoughts are

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<v Speaker 1>an opinion, So let's take it from the beginning. How

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<v Speaker 1>did you get the role?

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<v Speaker 2>I got offered the role.

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<v Speaker 1>Nice.

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<v Speaker 3>It's one of those you know, when those things work out,

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<v Speaker 3>it's always so nice.

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<v Speaker 4>You know.

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<v Speaker 3>There's like rumors going around and like, oh, actors would

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<v Speaker 3>much rather read for the part.

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<v Speaker 1>And no, no way.

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<v Speaker 3>It's much nicer for them to call up and you say, yeah, yes,

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<v Speaker 3>I'd love to yes.

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<v Speaker 1>So yeah, so you so they just ordered to tell

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<v Speaker 1>us about how you saw mitcham how you interpreted the role,

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<v Speaker 1>because it's in the writing, right And I always found

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<v Speaker 1>that Amy and Dan's writing was so ultra specific that

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<v Speaker 1>you didn't really need to do much with it. I mean,

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<v Speaker 1>it's just there on the page. So how did you

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<v Speaker 1>approach this role?

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<v Speaker 2>Oh?

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<v Speaker 3>Yeah, Well, first of all, I totally agree about their writing.

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<v Speaker 3>It's so clear and specific and uh and uh and

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<v Speaker 3>musical and unique and and uh and that's you know,

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<v Speaker 3>what was exciting about the part is the language, first

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<v Speaker 3>of all. But then they then it was in terms

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<v Speaker 3>of Mitch and I.

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<v Speaker 2>You know, I I looked at him and his uh a.

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<v Speaker 3>Guy who's doing his job and is trying to in

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<v Speaker 3>trying to do his best to help uh young Rory

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<v Speaker 3>in the in the situation that he's put in, and

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<v Speaker 3>uh and and believes believes all of his advice to her,

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<v Speaker 3>and uh and I think it's some good advice to

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<v Speaker 3>her times of course, where the opinion's part is where

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<v Speaker 3>it's where I say, I don't I don't think you

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<v Speaker 3>got it. I don't think you can cut it. And that,

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<v Speaker 3>of course is a great great smack to all the

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<v Speaker 3>fans and to Rory herself.

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<v Speaker 2>But then then it sort of escalates, as as.

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<v Speaker 3>I guess, uh, the relationship of Logan and Rory escalated,

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<v Speaker 3>and so I it was then other things kind of

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<v Speaker 3>became clear about him, you know, that we're that he

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<v Speaker 3>that was kind of revealed actually that he had a

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<v Speaker 3>harder line about sort of family and class and that

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<v Speaker 3>sort of thing than then I originally thought when I

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<v Speaker 3>originally started working on it, you know what I mean?

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<v Speaker 1>Hm, Right, things came out in scripts that you hadn't

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<v Speaker 1>seen yet, Yeah, right, you're right. Yeah, that was a

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<v Speaker 1>big scene. I think one of the most satisfying scenes

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<v Speaker 1>that I have witnessed so far. And because I'm only

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<v Speaker 1>up to season six, episode nine at this point, because

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<v Speaker 1>I never saw the show, I never watched the show.

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<v Speaker 1>I mean I saw the pilot obviously, but I and

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<v Speaker 1>I was forced to see one of the Netflix iterations

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<v Speaker 1>because I had to go to the premiere and I

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<v Speaker 1>was forced to sit in the theater and watch it.

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<v Speaker 1>I usually excuse myself and go to the bar next

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<v Speaker 1>door or something, because I want to avoid it, all

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<v Speaker 1>the pain.

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<v Speaker 2>They're taking a great weight off of my shoulders.

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<v Speaker 3>Because I was going to say, my knowledge is not

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<v Speaker 3>encyclopedic of the whole show.

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<v Speaker 1>Nora is mine.

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<v Speaker 2>I know the fans are so wonderfully dedicated and their

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<v Speaker 2>knowledge is encyclopedic.

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<v Speaker 1>So right it is. But one of the more satisfying

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<v Speaker 1>and bizarre and funny scenes I ever have ever seen

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<v Speaker 1>on that show or any show, was when Logan brings

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<v Speaker 1>Rory to the Huntsburger home for dinner. It was divine,

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<v Speaker 1>It was existential, surreal, anything you want to throw at it,

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<v Speaker 1>it was. It was just beautiful filmmaking. It was unbelievably funny,

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<v Speaker 1>and the woman who plays your wife was hysterical. It

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<v Speaker 1>was hysterical. I haven't laughed that hard at that show.

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<v Speaker 1>With all the stick and all the jokes, all the joking,

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<v Speaker 1>just that scene provided more comedy for me than anything

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<v Speaker 1>I've seen on that show. And I mean, she got

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<v Speaker 1>eaten alive in that scene. And I guess Mitcham is

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<v Speaker 1>basing her inability to defend herself at that dinner and

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<v Speaker 1>her inability to speak up in a meeting with you,

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<v Speaker 1>in attendance with other newspaper employees about ideas and stories

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<v Speaker 1>and this kind of thing. So you determined that she

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<v Speaker 1>just wasn't cut out for this business because she's not assertive,

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<v Speaker 1>you know, she's not a go getter.

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<v Speaker 3>She's not you know, I you know, I think that

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<v Speaker 3>that's very much part of the assessment, you know, not

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<v Speaker 3>just her writing skills, but the whole package.

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<v Speaker 1>Right, And now we're gonna let's talk about Matt Zukri,

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<v Speaker 1>who I find to be Mattie Alphabet, Matt terrific guy,

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<v Speaker 1>h terrific actor. And just I think that's the thing

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<v Speaker 1>that people don't realize how good he is, because if

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<v Speaker 1>he can stand with you. And the one thing I

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<v Speaker 1>do remember that I haven't seen that I haven't seen

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<v Speaker 1>the episode, but the Malibu fallout in the Malibu, Yeah,

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<v Speaker 1>the Malibu. That scene to me was, I mean, if

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<v Speaker 1>if Maddie can stand up to you and go back

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<v Speaker 1>and forth like that, with that level of ferocity. I thought, Wow,

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<v Speaker 1>there's there's more than meets the eye here. This kid

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<v Speaker 1>really has some skills if he can do that, because

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<v Speaker 1>that's hard to do.

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<v Speaker 3>Oh, he has big skills. And he's a you know,

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<v Speaker 3>just real talent. But he's a real hard worker too

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<v Speaker 3>at what he does. You know, he's like he's very very.

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<v Speaker 2>Intent on that.

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<v Speaker 3>It was still while maintaining you know, very you know,

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<v Speaker 3>sort of cool equili delibrium you know, on.

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<v Speaker 2>Set and everything.

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<v Speaker 3>You know, he's great to talk with and everything, and

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<v Speaker 3>and it's funny.

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<v Speaker 2>I I have.

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<v Speaker 3>A good buddy that's works with him on The Resident

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<v Speaker 3>for all those years and talks about how he's just

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<v Speaker 3>his work thick, you know, just amazing, and in that's

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<v Speaker 3>in that scene I recall just just you know, having

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<v Speaker 3>fun is just like the gates.

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<v Speaker 2>The gates went up and off we went.

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<v Speaker 3>You know.

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<v Speaker 1>The thing, the thing I appreciate about his work so

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<v Speaker 1>much is how like all of that hard work pays

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<v Speaker 1>off and how smooth his delivery is and how effortless

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<v Speaker 1>and how easy it is. And it's just I love

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<v Speaker 1>watching that kid. I really do that scene between you

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<v Speaker 1>two guys, is just the class. It's you're involved in

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<v Speaker 1>classic Gilmore scenes in my estimation, love love, love the work.

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<v Speaker 1>All right, So you're you're, you're, you're in a one

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<v Speaker 1>minute conversation with Orys where you tell her she doesn't

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<v Speaker 1>have what it takes to be a writer. Uh, and

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<v Speaker 1>it changed the direct trajectory of her life. Do you

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<v Speaker 1>think Mitcham was too hard Do you think Mitchen does

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<v Speaker 1>Greg think Mitchen was too hard on Rory? You the actor,

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<v Speaker 1>you you're the.

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<v Speaker 2>Guy given all the fan reaction.

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<v Speaker 4>Absolutely, But if I think on if I think on it,

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<v Speaker 4>I I think it was without a second chance, you

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<v Speaker 4>know what I mean?

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<v Speaker 3>It was. It was it was a pretty harsh you know,

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<v Speaker 3>he didn't he didn't, you know, send it to the

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<v Speaker 3>minor leagues for a little while or anything. He really

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<v Speaker 3>just said, you're out of here. You know, it's not

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<v Speaker 3>going to work for you. And and that sort of

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<v Speaker 3>thing is you know, it's said to people in all

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<v Speaker 3>kinds of fields of endeavor, but but but certainly in

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<v Speaker 3>show business that's said a lot, right, and uh, and

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<v Speaker 3>and that you don't have it and you're not going

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<v Speaker 3>to cut it and now and and those things uh

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<v Speaker 3>uh cut deep to use a phrase, so it's like

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<v Speaker 3>it's they are life changing. I've known him to be

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<v Speaker 3>life changing for a lot of people, and uh and

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<v Speaker 3>and life changing for periods of my life and you

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<v Speaker 3>know what I mean.

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<v Speaker 1>So mm hmm. There's another scene you do with ed

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<v Speaker 1>Herman in the bathroom. Richard confronts you and you come

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<v Speaker 1>clean about offering her an internship and how your family

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<v Speaker 1>treated Rory to dinner. How do you remember what do

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<v Speaker 1>you remember most about working with that and that scene?

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<v Speaker 3>If you remember, He's just a wonderful guy and I

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<v Speaker 3>was a fan of his work, you know, and so

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<v Speaker 3>it was it was just a great thrill, and he

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<v Speaker 3>was he was quite funny on the set and very

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<v Speaker 3>sort of you know, he's he plays all these kind

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<v Speaker 3>of very close to the best tight guys, you know,

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<v Speaker 3>and I didn't find him to be that way, and

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<v Speaker 3>I found him to be, you know, very very fun

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<v Speaker 3>and and.

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<v Speaker 2>And again not a lot of you know, there there

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<v Speaker 2>wasn't a lot.

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<v Speaker 3>Of razzle dazzle or discussion or anything. It was it

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<v Speaker 3>was just kind of let's play and we did.

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<v Speaker 1>Yeah, you think you were pushing you think Mitcham was

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<v Speaker 1>pushing logan too hard to get into the business.

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<v Speaker 3>I mean, I think he's I think he was a

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<v Speaker 3>harsh critic of his son, and I think he's a tough,

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<v Speaker 3>a tough father to have.

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<v Speaker 2>I think that that's certainly true.

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<v Speaker 1>How many newspapers did mitcham control? How powerful? How wealthy

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<v Speaker 1>was he?

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<v Speaker 2>Well?

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<v Speaker 1>Was he a billionaire? Was he what level was he

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<v Speaker 1>Rupert Murdoch level? I don't think he was.

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<v Speaker 2>I don't know, But that's what's just kind of my understanding.

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<v Speaker 3>My understanding was kind of because he was so personally involved,

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<v Speaker 3>you know what I mean, because he.

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<v Speaker 1>Was so.

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<v Speaker 3>Tight on with you know, who is writing, who's the assistant,

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<v Speaker 3>who is and how they're sort of like restructuring this

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<v Speaker 3>business and everything. To me, it seemed like it was

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<v Speaker 3>a lesser empire, an empire, but a lesser.

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<v Speaker 1>Okay, but certainly significantly greater than the Gilmore Empire, I

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<v Speaker 1>think so, right right, Yeah, so you you actually got

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<v Speaker 1>to work getting back to Matt's Matty Matty alphabet. You

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<v Speaker 1>got to do an episode with him in the Resident.

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<v Speaker 1>What was that reunion?

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<v Speaker 2>Like, Well, that was reunion was just us saying hello,

0:13:43.640 --> 0:13:45.000
<v Speaker 2>we didn't act together in that thing.

0:13:45.040 --> 0:13:46.880
<v Speaker 1>Oh you didn't you didn't do an episode.

0:13:46.840 --> 0:13:53.640
<v Speaker 3>Somebody else, So that all this that stuff was with

0:13:53.679 --> 0:13:56.480
<v Speaker 3>my good buddy Bruce Greenwood. But but Maddie and I,

0:13:56.520 --> 0:13:58.160
<v Speaker 3>you know, we we got to spend a little little

0:13:58.160 --> 0:14:00.800
<v Speaker 3>bit of time together saying hey and catching up.

0:14:00.840 --> 0:14:04.439
<v Speaker 1>And I ran into Bruce green where we did a

0:14:04.440 --> 0:14:09.920
<v Speaker 1>Batman film together, animated film together. He voiced Batman and

0:14:09.960 --> 0:14:13.760
<v Speaker 1>I voiced a couple other characters, and there was this

0:14:13.800 --> 0:14:16.600
<v Speaker 1>big premiere. He told me about you guys have a band,

0:14:17.360 --> 0:14:20.680
<v Speaker 1>and that you you play, you play out and you

0:14:20.400 --> 0:14:22.560
<v Speaker 1>you have you have some kind of very special band.

0:14:22.600 --> 0:14:23.640
<v Speaker 1>Tell us a little bit about that.

0:14:24.720 --> 0:14:27.240
<v Speaker 3>But we do a lot of music, you know, the

0:14:27.840 --> 0:14:31.000
<v Speaker 3>definition of a not a band. I'm I'm a I'm

0:14:31.040 --> 0:14:33.520
<v Speaker 3>a songwriter. I'm a singer songwriter and and Bruce is

0:14:33.560 --> 0:14:36.040
<v Speaker 3>also a great singer songwriter. And we sort of shared

0:14:36.080 --> 0:14:40.160
<v Speaker 3>that sort of passion of music and uh and uh

0:14:40.600 --> 0:14:42.800
<v Speaker 3>and through a lot of jam sessions in that and

0:14:43.000 --> 0:14:45.560
<v Speaker 3>uh and Bruce was very good at.

0:14:47.960 --> 0:14:49.400
<v Speaker 2>Well, very good at a lot of things. He's kind

0:14:49.400 --> 0:14:50.240
<v Speaker 2>of a renaissance man.

0:14:50.280 --> 0:14:52.240
<v Speaker 3>But but he's good at these sort of engineering and

0:14:52.280 --> 0:14:57.400
<v Speaker 3>recording and you know, which I don't particularly excel at

0:14:58.000 --> 0:15:02.920
<v Speaker 3>but so he Uh. So, we worked on a couple

0:15:02.960 --> 0:15:06.840
<v Speaker 3>of CDs that I had of my songs, and uh and.

0:15:06.760 --> 0:15:07.680
<v Speaker 1>I was, yeah, I was.

0:15:07.880 --> 0:15:09.840
<v Speaker 3>I was gigging out, you know, about once every two

0:15:09.880 --> 0:15:11.960
<v Speaker 3>months or something like that that at that point in

0:15:12.040 --> 0:15:18.600
<v Speaker 3>time at Genghis Cohen and uh and and Bar five

0:15:18.800 --> 0:15:24.160
<v Speaker 3>and some other places and uh uh and and he'd come,

0:15:24.720 --> 0:15:28.720
<v Speaker 3>you know, and and sing with me. But it was

0:15:28.760 --> 0:15:33.880
<v Speaker 3>all my songs, right and then uh and I'm a

0:15:33.880 --> 0:15:36.520
<v Speaker 3>piano player, he's a guitar player, and you know there's

0:15:36.200 --> 0:15:38.320
<v Speaker 3>the they feud for life.

0:15:38.080 --> 0:15:38.280
<v Speaker 2>You know.

0:15:38.480 --> 0:15:45.000
<v Speaker 3>So uh but any rate, uh So, on the second

0:15:45.040 --> 0:15:47.120
<v Speaker 3>sort of CD that we worked on together, he he

0:15:47.200 --> 0:15:50.920
<v Speaker 3>was shooting, uh, oh god, what was it?

0:15:51.200 --> 0:15:52.160
<v Speaker 2>Hollywood Homicide.

0:15:52.240 --> 0:15:54.720
<v Speaker 3>I can't remember the title exactly, but it was a

0:15:54.760 --> 0:15:58.760
<v Speaker 3>movie with Dwight Yoakam and we were doing the master

0:15:59.320 --> 0:16:02.360
<v Speaker 3>mix on it, and he uh he asked why if

0:16:02.360 --> 0:16:05.840
<v Speaker 3>he would listen to something, and Dwight said okay, So

0:16:05.920 --> 0:16:09.920
<v Speaker 3>he listened and uh and then like two days later

0:16:09.960 --> 0:16:12.200
<v Speaker 3>he called up and he listened to one song. And

0:16:12.240 --> 0:16:14.240
<v Speaker 3>two days later he called up and said, you mind,

0:16:14.640 --> 0:16:16.880
<v Speaker 3>I think Greg in mind if I recorded that song?

0:16:17.280 --> 0:16:18.000
<v Speaker 1>Oh nice?

0:16:18.920 --> 0:16:23.320
<v Speaker 2>And uh uh yeah, I would mind.

0:16:23.440 --> 0:16:27.320
<v Speaker 1>No, no way, not you.

0:16:27.880 --> 0:16:32.600
<v Speaker 3>So so Greenwood has always been my sort of my

0:16:32.600 --> 0:16:36.520
<v Speaker 3>my promoter, my producer, my uh my partner.

0:16:36.600 --> 0:16:37.200
<v Speaker 2>In all of that.

0:16:37.440 --> 0:16:40.440
<v Speaker 3>But but we don't have a band like to my

0:16:40.560 --> 0:16:42.240
<v Speaker 3>left on bass and to my right.

0:16:42.280 --> 0:16:46.360
<v Speaker 1>Wait, what happened with the Dwight Yoga song? Did he

0:16:46.440 --> 0:16:47.520
<v Speaker 1>record it? Oh?

0:16:47.640 --> 0:16:50.160
<v Speaker 2>Yeah he did. I mean, you know, for a long time.

0:16:50.160 --> 0:16:54.280
<v Speaker 3>On an album, whether he recorded it for like seven months,

0:16:54.360 --> 0:16:56.240
<v Speaker 3>six months something like that, we didn't know whether he

0:16:56.320 --> 0:16:58.840
<v Speaker 3>recorded it. And then and then he called us up

0:16:58.880 --> 0:17:02.240
<v Speaker 3>and said, you know, you guys could come out to

0:17:02.280 --> 0:17:04.360
<v Speaker 3>the studio and listen to what we've done with it.

0:17:04.880 --> 0:17:06.560
<v Speaker 2>And we went out to the studio and.

0:17:06.560 --> 0:17:10.720
<v Speaker 3>Listened and uh and it was, you know, it was

0:17:10.760 --> 0:17:17.040
<v Speaker 3>like one of those things where, uh, I I didn't

0:17:17.040 --> 0:17:20.400
<v Speaker 3>know quite what I imagined, but it was it was so much.

0:17:20.200 --> 0:17:21.160
<v Speaker 2>More than I imagine.

0:17:21.200 --> 0:17:23.720
<v Speaker 3>It was just you know, this just the waterworks are

0:17:23.720 --> 0:17:27.320
<v Speaker 3>coming down and uh so, you know, it was like

0:17:27.400 --> 0:17:30.840
<v Speaker 3>so fulfilling and uh uh and we walked away, you know,

0:17:30.960 --> 0:17:34.040
<v Speaker 3>clicking our heels and shouting woohoo and like it's.

0:17:33.760 --> 0:17:38.320
<v Speaker 2>Definitely made the album. They right, And so then we

0:17:38.359 --> 0:17:38.960
<v Speaker 2>go to see him.

0:17:39.000 --> 0:17:43.240
<v Speaker 3>He's playing at the at the Henry Fonda and uh

0:17:43.680 --> 0:17:46.440
<v Speaker 3>in a in a small tour it's called Dwight Alone.

0:17:46.480 --> 0:17:48.359
<v Speaker 3>It was just him and one other guy, an acoustics

0:17:48.400 --> 0:17:51.200
<v Speaker 3>sort of tour, and uh we said, well, maybe he's going.

0:17:51.119 --> 0:17:54.440
<v Speaker 2>To play this all, you know, And we get there

0:17:54.520 --> 0:17:56.320
<v Speaker 2>and no, he doesn't play it.

0:17:57.400 --> 0:18:00.359
<v Speaker 3>So we go out to the bus afterwards and uh,

0:18:00.400 --> 0:18:02.679
<v Speaker 3>you know, say, you know, we're here to see what

0:18:02.920 --> 0:18:04.600
<v Speaker 3>And then.

0:18:05.000 --> 0:18:08.280
<v Speaker 2>You know, after they make room, they lead us up

0:18:08.280 --> 0:18:12.040
<v Speaker 2>in and he comes out and he goes, oh, I

0:18:12.160 --> 0:18:13.480
<v Speaker 2>got something I want to show you.

0:18:14.119 --> 0:18:15.399
<v Speaker 1>I'm like, oh, okay.

0:18:15.680 --> 0:18:15.920
<v Speaker 3>Yeah.

0:18:16.000 --> 0:18:17.880
<v Speaker 2>Well we're sitting there in the in.

0:18:17.880 --> 0:18:20.879
<v Speaker 3>The win a Bago in the bus and he comes

0:18:20.920 --> 0:18:25.640
<v Speaker 3>out and he pops in a DVD and he plays

0:18:26.960 --> 0:18:30.359
<v Speaker 3>video of the song and he said, we're making it

0:18:30.400 --> 0:18:30.879
<v Speaker 3>the single.

0:18:31.720 --> 0:18:34.200
<v Speaker 1>Oh my gosh, he made it.

0:18:34.440 --> 0:18:36.359
<v Speaker 2>He made it the first single from the album. The

0:18:36.560 --> 0:18:37.280
<v Speaker 2>population me.

0:18:37.800 --> 0:18:39.840
<v Speaker 1>Yeah, what's the name of the song?

0:18:40.720 --> 0:18:41.560
<v Speaker 2>The back of your hand?

0:18:42.040 --> 0:18:45.240
<v Speaker 1>The back of your hand. Oh that's so exciting.

0:18:45.760 --> 0:18:46.639
<v Speaker 2>Oh god, it was.

0:18:46.800 --> 0:18:50.160
<v Speaker 3>Yeah, it was goodnight for for for both of us,

0:18:50.200 --> 0:18:53.359
<v Speaker 3>for all of us, and so uh yeah, and it

0:18:53.440 --> 0:18:53.840
<v Speaker 3>went well.

0:18:53.920 --> 0:18:55.560
<v Speaker 2>The video did very well.

0:18:55.560 --> 0:18:58.320
<v Speaker 3>The video was like number one on country music television.

0:18:58.440 --> 0:19:01.439
<v Speaker 1>Oh my gosh, so you must have been. Did you

0:19:01.440 --> 0:19:06.800
<v Speaker 1>get flooded with offers and no, go down to Nashville work?

0:19:07.400 --> 0:19:07.600
<v Speaker 3>You know?

0:19:07.880 --> 0:19:09.760
<v Speaker 2>You know, I went down to Nashville. I ended up

0:19:09.800 --> 0:19:11.119
<v Speaker 2>signing with a you know, a.

0:19:12.240 --> 0:19:15.639
<v Speaker 3>Publisher there to uh, to manage my catalog and stuff

0:19:15.680 --> 0:19:15.879
<v Speaker 3>like that.

0:19:15.960 --> 0:19:17.679
<v Speaker 2>I have the publishing on my stuff.

0:19:17.720 --> 0:19:18.639
<v Speaker 1>Is it Warner Chapel?

0:19:20.000 --> 0:19:22.000
<v Speaker 3>It wasn't Warner Chapel. Had a very nice meeting with

0:19:22.040 --> 0:19:26.159
<v Speaker 3>Warner Chapel, but I went with Music. It was a

0:19:26.200 --> 0:19:29.520
<v Speaker 3>smaller company which has since been bought up by the.

0:19:29.440 --> 0:19:36.280
<v Speaker 2>Big behemoth BMG. But yeah, but it was, it was

0:19:36.440 --> 0:19:38.520
<v Speaker 2>very it was a very exciting time.

0:19:38.560 --> 0:19:41.720
<v Speaker 1>And so yeah, that's very exciting.

0:19:42.160 --> 0:19:45.600
<v Speaker 2>That song got a lot of play and then got on.

0:19:47.040 --> 0:19:50.440
<v Speaker 3>Country Music, Television's Greatest Hits, got on Dwight's Greatest Hits

0:19:50.520 --> 0:19:51.640
<v Speaker 3>of the twenty first century.

0:19:51.760 --> 0:19:53.960
<v Speaker 1>So it's good for you.

0:19:54.600 --> 0:19:55.879
<v Speaker 2>Yeah, that's fun.

0:19:56.080 --> 0:19:58.480
<v Speaker 1>Yeah. So, so how's it been going with the song?

0:19:58.560 --> 0:19:59.359
<v Speaker 2>In my music?

0:19:59.400 --> 0:20:01.320
<v Speaker 3>You got to go to Greg Lee, Henry, you can

0:20:01.359 --> 0:20:04.800
<v Speaker 3>go anywhere like Spotify, Apple, but my middle name.

0:20:05.240 --> 0:20:09.159
<v Speaker 1>So has that continued? Have other artists recorded your stuff?

0:20:10.000 --> 0:20:14.399
<v Speaker 3>No, I've spent No. No, other artists have recorded. I

0:20:14.440 --> 0:20:18.080
<v Speaker 3>did you know it was played in concert the back

0:20:18.119 --> 0:20:22.000
<v Speaker 3>of marine by none other than Taylor Swift.

0:20:22.560 --> 0:20:26.360
<v Speaker 1>Oh my goodness, you can barely.

0:20:26.000 --> 0:20:31.560
<v Speaker 2>Hear it for the screaming fans. But that was kind

0:20:31.600 --> 0:20:32.760
<v Speaker 2>of a thrill, you know.

0:20:33.040 --> 0:20:37.439
<v Speaker 3>So if Taylor Taylor's ever looking again, I immediately wrote

0:20:37.440 --> 0:20:38.200
<v Speaker 3>like four for her.

0:20:38.320 --> 0:20:40.879
<v Speaker 2>But you know she's does a pretty good job on

0:20:40.920 --> 0:20:42.000
<v Speaker 2>her own, right.

0:20:42.520 --> 0:20:52.840
<v Speaker 1>That's very very exciting. So you played Grandpa Quill in

0:20:52.920 --> 0:20:55.560
<v Speaker 1>all three Guardians of the Galaxy movies. How fun is

0:20:55.600 --> 0:20:57.159
<v Speaker 1>it to be a part of that cast?

0:20:57.920 --> 0:20:58.440
<v Speaker 2>Oh?

0:20:58.840 --> 0:21:02.560
<v Speaker 1>We know that James gun created all that stuff. That's right.

0:21:02.920 --> 0:21:05.320
<v Speaker 1>He wrote, he writes and directs all that stuff. That's that.

0:21:05.440 --> 0:21:08.200
<v Speaker 1>Sean Gunn's brother, Sean is involved with all those things.

0:21:08.520 --> 0:21:11.679
<v Speaker 1>He just had a big role in the latest movie,

0:21:11.880 --> 0:21:14.239
<v Speaker 1>in the latest iteration. You're in these films. Tell us

0:21:14.240 --> 0:21:19.200
<v Speaker 1>about this experience being a part of such a brilliant

0:21:19.280 --> 0:21:21.760
<v Speaker 1>and fun film franchise.

0:21:23.000 --> 0:21:28.640
<v Speaker 3>Yeah, it's crazy, it's crazy fun. And I know James

0:21:29.760 --> 0:21:38.800
<v Speaker 3>Gun from Slither, which was his first directorial event. And

0:21:38.800 --> 0:21:42.600
<v Speaker 3>and and also in that cast was Nathan Fillion and

0:21:42.640 --> 0:21:43.720
<v Speaker 3>Michael Rooker.

0:21:43.560 --> 0:21:47.119
<v Speaker 2>And Rooker and Elizabeth Banks.

0:21:47.200 --> 0:21:51.840
<v Speaker 1>And I've spent a few evenings with Rooker. Yeah, I've

0:21:51.840 --> 0:21:55.399
<v Speaker 1>been ROOKERD. As I said, of nature, he is a

0:21:55.440 --> 0:21:57.000
<v Speaker 1>force of nature for sure.

0:21:57.640 --> 0:21:58.400
<v Speaker 2>Absolutely.

0:21:58.840 --> 0:22:01.720
<v Speaker 1>Oh my goodness. If you haven't been Rookard, then you have.

0:22:02.000 --> 0:22:05.120
<v Speaker 1>Then you're a different kind of person. Once you've been ROOKERD.

0:22:05.520 --> 0:22:08.760
<v Speaker 1>Once you've been ROOKERD, you've been rokered man.

0:22:08.840 --> 0:22:10.600
<v Speaker 2>You for life.

0:22:15.400 --> 0:22:20.160
<v Speaker 3>But uh, so I knew, you know, And I did

0:22:20.200 --> 0:22:23.800
<v Speaker 3>another movie with him, super and I did another couple

0:22:23.840 --> 0:22:25.800
<v Speaker 3>of things with James, and so James is the guy

0:22:25.880 --> 0:22:28.960
<v Speaker 3>that took me, you know, and uh, you know, cast

0:22:29.000 --> 0:22:30.240
<v Speaker 3>me in Slither first of all.

0:22:30.320 --> 0:22:33.600
<v Speaker 2>And and that's how that all sort of began. And

0:22:33.640 --> 0:22:38.000
<v Speaker 2>then he called me up. He was in London already

0:22:38.040 --> 0:22:43.200
<v Speaker 2>sort of shooting, already shooting.

0:22:43.080 --> 0:22:47.120
<v Speaker 3>And and called up and asked me if I wanted

0:22:47.119 --> 0:22:48.359
<v Speaker 3>to play a part and I said yeah.

0:22:48.960 --> 0:22:50.760
<v Speaker 2>I said what's part? And he said Grandpa And I

0:22:50.800 --> 0:22:57.320
<v Speaker 2>said grandpa. He's a young grandpa.

0:22:57.400 --> 0:23:04.840
<v Speaker 3>Okay, fine, So so so that's that's how that began.

0:23:05.119 --> 0:23:08.840
<v Speaker 3>And then uh it went to London and shot that

0:23:09.280 --> 0:23:13.919
<v Speaker 3>and uh and there were always uh you know, we

0:23:14.000 --> 0:23:16.359
<v Speaker 3>did a little bit of stuff for the end of

0:23:16.760 --> 0:23:22.240
<v Speaker 3>the first episode if you will, Volume one.

0:23:21.280 --> 0:23:24.080
<v Speaker 2>M and uh uh.

0:23:25.480 --> 0:23:28.720
<v Speaker 3>That was a sort of a collection of all the characters,

0:23:28.800 --> 0:23:31.400
<v Speaker 3>kind of a doing a while the credits run sort

0:23:31.400 --> 0:23:33.960
<v Speaker 3>of thing, you know, which was.

0:23:33.920 --> 0:23:36.040
<v Speaker 2>Never which was never used.

0:23:36.200 --> 0:23:40.480
<v Speaker 3>But I had no idea that, you know, I was

0:23:40.520 --> 0:23:42.560
<v Speaker 3>pretty sure James was going to hit it out of

0:23:42.600 --> 0:23:45.360
<v Speaker 3>the park with that one, but just how deep, I mean,

0:23:45.440 --> 0:23:46.119
<v Speaker 3>I didn't.

0:23:46.240 --> 0:23:47.639
<v Speaker 1>Quite get that, you know.

0:23:49.680 --> 0:23:53.200
<v Speaker 3>And then you know, James is just uh, not only

0:23:53.200 --> 0:23:57.040
<v Speaker 3>a brilliant guy, but he's a lovely guy, a warm guy.

0:23:57.160 --> 0:23:59.280
<v Speaker 2>And and uh when.

0:23:59.160 --> 0:24:01.840
<v Speaker 3>He did too, he called up and said, I got something,

0:24:02.000 --> 0:24:05.240
<v Speaker 3>but I don't know, it's not much, but come and

0:24:05.240 --> 0:24:07.080
<v Speaker 3>and I went. And it was sort of a time

0:24:07.119 --> 0:24:11.639
<v Speaker 3>when all the family was there, Jamie Shawn's family was

0:24:11.680 --> 0:24:14.840
<v Speaker 3>their brother's father, mother, everybody.

0:24:14.920 --> 0:24:16.680
<v Speaker 2>So that was kind of fun.

0:24:16.680 --> 0:24:20.120
<v Speaker 3>And then the big sort of like idle wave that's

0:24:20.160 --> 0:24:22.359
<v Speaker 3>taking over the town.

0:24:22.480 --> 0:24:24.560
<v Speaker 2>Everybody got to play sort of parts.

0:24:24.280 --> 0:24:27.960
<v Speaker 3>And Grandpa was kind of in that because it's the

0:24:28.080 --> 0:24:32.359
<v Speaker 3>rare eye that can actually find Grandpa in volume two.

0:24:33.480 --> 0:24:35.560
<v Speaker 3>But that's what's called to do to do volume three

0:24:35.640 --> 0:24:38.600
<v Speaker 3>and have that little bit it was, which was a

0:24:38.640 --> 0:24:43.000
<v Speaker 3>lovely sort of like bookend culmination of the character and

0:24:43.040 --> 0:24:47.840
<v Speaker 3>the story. Uh, it was great and being a part

0:24:47.840 --> 0:24:49.240
<v Speaker 3>of you know that gang.

0:24:49.400 --> 0:24:51.640
<v Speaker 2>I mean there's a lot of laughing involved.

0:24:51.680 --> 0:24:57.720
<v Speaker 3>I mean they are all genuinely funny, fun people, good folks.

0:25:04.640 --> 0:25:07.359
<v Speaker 1>All Right, we're going to do something called rapid fire

0:25:08.320 --> 0:25:10.960
<v Speaker 1>a bunch of questions. I'm to fire them at you.

0:25:10.960 --> 0:25:13.320
<v Speaker 1>You do not have to answer them quickly.

0:25:15.000 --> 0:25:17.800
<v Speaker 2>Oh, this is not a required fire slow answer.

0:25:18.040 --> 0:25:23.159
<v Speaker 1>Yeah, correct? How do you like your coffee? Black? Are

0:25:23.200 --> 0:25:25.640
<v Speaker 1>you team Logan? Well, we already know Team Logan, Team

0:25:25.720 --> 0:25:26.680
<v Speaker 1>Jess team.

0:25:26.720 --> 0:25:28.320
<v Speaker 2>You should know that.

0:25:27.480 --> 0:25:31.399
<v Speaker 1>I know that I'm team Logan too. Who's your favorite

0:25:31.440 --> 0:25:34.520
<v Speaker 1>Gilmour Girls couple? Luke, Laurela, Emily or Richard.

0:25:35.080 --> 0:25:37.680
<v Speaker 2>I think I'm gonna go Luke Laurela.

0:25:38.160 --> 0:25:38.359
<v Speaker 4>You know.

0:25:38.400 --> 0:25:45.160
<v Speaker 1>Would you rather work with Michelle or Kirk Kirk? Why? Oh, well,

0:25:45.320 --> 0:25:50.160
<v Speaker 1>obviously you work with it. Would you rather hang out

0:25:50.280 --> 0:25:54.960
<v Speaker 1>with Paris Geller or Lane Kim, Paris Galer?

0:25:55.080 --> 0:25:55.800
<v Speaker 2>Was that Lizon?

0:25:56.720 --> 0:26:07.359
<v Speaker 1>Yes? Yeah, Hers, Paris Harvard or Yale? Yale? Or drop

0:26:07.400 --> 0:26:08.560
<v Speaker 1>out and live in the poolhouse?

0:26:10.600 --> 0:26:10.840
<v Speaker 2>Well?

0:26:13.240 --> 0:26:16.359
<v Speaker 1>Would you rather attend a DAR event with Emily or

0:26:16.400 --> 0:26:17.760
<v Speaker 1>a town meeting with Taylor?

0:26:18.800 --> 0:26:21.760
<v Speaker 2>A town meeting with Taylor? I think still want to

0:26:21.760 --> 0:26:23.000
<v Speaker 2>go to a DAR.

0:26:22.720 --> 0:26:28.440
<v Speaker 1>Meeting Gilmore girl's character that you would want as a roommate.

0:26:29.119 --> 0:26:32.080
<v Speaker 2>I don't know. I'll take the kid, I take Maddie.

0:26:33.359 --> 0:26:37.000
<v Speaker 1>There you go. Something in your life. You are all

0:26:37.040 --> 0:26:37.640
<v Speaker 1>in on.

0:26:38.520 --> 0:26:41.880
<v Speaker 2>Thing in my life. I'm all in on songwriting, which

0:26:41.920 --> 0:26:46.200
<v Speaker 2>is the name of this acting. Yeah, I mean, you know, yeah,

0:26:47.320 --> 0:26:49.520
<v Speaker 2>writing writing of that, that's what women.

0:26:50.040 --> 0:26:52.320
<v Speaker 1>Who are your influences? Who are your song Who do

0:26:52.359 --> 0:26:55.520
<v Speaker 1>you consider to be your favorite songwriters? Who do you

0:26:55.560 --> 0:26:57.360
<v Speaker 1>find inspirational?

0:26:58.520 --> 0:27:02.399
<v Speaker 3>Well, uh, a bunch of you know, there's there's lots

0:27:02.400 --> 0:27:04.600
<v Speaker 3>of people. But you know, Randy Newman is kind of

0:27:04.600 --> 0:27:09.000
<v Speaker 3>my songwriting god. And I was lucky enough to work

0:27:09.040 --> 0:27:14.400
<v Speaker 3>with him one time, doing a show called The Education

0:27:14.480 --> 0:27:17.679
<v Speaker 3>of Randy Newman down at South Coast Rep, which was

0:27:17.720 --> 0:27:20.680
<v Speaker 3>a bunch of his songs. And he was down there

0:27:20.720 --> 0:27:25.440
<v Speaker 3>with us once a week, regaling us with tales and

0:27:25.560 --> 0:27:30.240
<v Speaker 3>making us laugh and showing us also what phenomenal ear

0:27:30.400 --> 0:27:33.760
<v Speaker 3>and how precise he is. And then we got to

0:27:33.800 --> 0:27:37.159
<v Speaker 3>watch him go and conduct at Fox to conduct the

0:27:37.160 --> 0:27:43.280
<v Speaker 3>full orchestra, and which was great. He's like, you know,

0:27:43.359 --> 0:27:45.720
<v Speaker 3>he reads the score like this, and then he's up

0:27:45.760 --> 0:27:50.280
<v Speaker 3>and conducting and and just you know, a wonderful guy

0:27:50.280 --> 0:27:54.400
<v Speaker 3>and musically and and lyrically and sort of observation of.

0:27:54.400 --> 0:27:56.160
<v Speaker 2>Life wise, I find him great.

0:27:56.200 --> 0:28:02.439
<v Speaker 3>But but my favorite, my favorite right now is Jason Isbel.

0:28:05.000 --> 0:28:09.320
<v Speaker 3>Of course, love Tom Waits, I love Bruce Springsteen, I

0:28:09.359 --> 0:28:15.840
<v Speaker 3>love you know, just Merle Hagger, you know all kinds

0:28:15.840 --> 0:28:16.240
<v Speaker 3>of people.

0:28:17.000 --> 0:28:20.840
<v Speaker 1>Interesting. Well, good luck, thank you for your time. Keep

0:28:20.880 --> 0:28:25.040
<v Speaker 1>writing that sweet music. It is something that I do

0:28:25.200 --> 0:28:28.960
<v Speaker 1>as well, Is that right? Oh sure? Yeah? I mean

0:28:29.000 --> 0:28:33.920
<v Speaker 1>I Warner Chappel invited me down on several occasions now

0:28:33.920 --> 0:28:36.600
<v Speaker 1>to come work with some of their song writers, some

0:28:36.640 --> 0:28:39.920
<v Speaker 1>of their artists, and I've never co written before, and

0:28:39.960 --> 0:28:43.440
<v Speaker 1>I'm eager to do it, but I just have there's

0:28:43.480 --> 0:28:45.640
<v Speaker 1>always been a project that got in the way and

0:28:45.680 --> 0:28:47.320
<v Speaker 1>I had to cancel the trip. So I'm going to

0:28:47.360 --> 0:28:50.400
<v Speaker 1>try to make it down there in twenty four and

0:28:50.480 --> 0:28:51.240
<v Speaker 1>follow through along.

0:28:51.360 --> 0:28:53.440
<v Speaker 3>This is an interesting thing because that was kind of

0:28:53.440 --> 0:28:59.080
<v Speaker 3>the thing too, when you know, Bug was saying, well,

0:28:59.120 --> 0:29:02.480
<v Speaker 3>come down here will set you with writers, and I

0:29:02.520 --> 0:29:06.760
<v Speaker 3>was like, I kind of write them all myself, you know.

0:29:07.640 --> 0:29:09.880
<v Speaker 2>Matter of fact, I remember a Warner.

0:29:09.600 --> 0:29:12.040
<v Speaker 3>Chapel the guy was like, so you wrote these all

0:29:12.160 --> 0:29:14.479
<v Speaker 3>by yourself, and I'm like, yeah, I wrote them all

0:29:14.520 --> 0:29:19.880
<v Speaker 3>by myself, right, And and they have a different philosophy

0:29:19.960 --> 0:29:26.240
<v Speaker 3>down there, right, or an additional philosophy, let's say, of that,

0:29:26.320 --> 0:29:29.000
<v Speaker 3>And I didn't. I didn't partake in that either, and

0:29:29.040 --> 0:29:32.240
<v Speaker 3>I kind of regret that. You know, I'm going to

0:29:32.640 --> 0:29:34.960
<v Speaker 3>the time when the iron was hot, and you know,

0:29:35.800 --> 0:29:36.640
<v Speaker 3>I still like to do.

0:29:37.120 --> 0:29:39.800
<v Speaker 1>I mean, I'm eager to have the experience. I'm curious

0:29:39.800 --> 0:29:41.760
<v Speaker 1>to see what comes out of it because I've never

0:29:42.160 --> 0:29:44.240
<v Speaker 1>I've tried to do it a couple of times with friends,

0:29:44.280 --> 0:29:48.360
<v Speaker 1>and it's just like it's like, you know, it's it's

0:29:48.520 --> 0:29:52.640
<v Speaker 1>it's because it's such a different process for me than

0:29:52.680 --> 0:29:55.840
<v Speaker 1>having anybody in the room. It's about you know, I

0:29:55.880 --> 0:29:58.480
<v Speaker 1>don't know how you do it, but I think a

0:29:58.520 --> 0:30:01.120
<v Speaker 1>lot of people do it the same. Right, You get

0:30:01.120 --> 0:30:03.560
<v Speaker 1>a chord progression, and then a feeling comes, and then

0:30:03.560 --> 0:30:07.040
<v Speaker 1>a lyric comes, and then a melody might emerge, and

0:30:07.400 --> 0:30:09.720
<v Speaker 1>you know, what comes first doesn't matter. But for me,

0:30:09.800 --> 0:30:15.000
<v Speaker 1>it's always been the chord progression and then a lyric

0:30:15.080 --> 0:30:17.200
<v Speaker 1>that has to make sense and match to a melody.

0:30:17.640 --> 0:30:21.160
<v Speaker 1>And the melody is the hardest part for me. And

0:30:21.240 --> 0:30:24.160
<v Speaker 1>I know some people are There's very few people that

0:30:24.200 --> 0:30:27.080
<v Speaker 1>are that gifted that they can nail the melody right

0:30:27.080 --> 0:30:30.760
<v Speaker 1>away and it takes a lot of work sometimes, so

0:30:31.320 --> 0:30:33.720
<v Speaker 1>but that's how it works. But I am intrigued in

0:30:34.200 --> 0:30:37.600
<v Speaker 1>seeing how it works with another person. I really am

0:30:37.680 --> 0:30:40.480
<v Speaker 1>intrigued by that. So I'll get down there eventually.

0:30:41.000 --> 0:30:43.760
<v Speaker 2>Yeah. I find it a curious thing as well, because

0:30:43.760 --> 0:30:46.200
<v Speaker 2>it's it's interesting.

0:30:46.200 --> 0:30:47.720
<v Speaker 3>One of the things that Dwight and I talked about

0:30:48.080 --> 0:30:50.960
<v Speaker 3>in terms of it about writing was that very thing,

0:30:51.000 --> 0:30:53.760
<v Speaker 3>the melody thing he says that he says, I always

0:30:53.800 --> 0:30:57.000
<v Speaker 3>have to have something to record something because a melody

0:30:57.040 --> 0:30:59.120
<v Speaker 3>will come in and go out and it will never

0:30:59.240 --> 0:31:00.440
<v Speaker 3>come back right.

0:31:01.240 --> 0:31:03.600
<v Speaker 1>You have to record You always have to have that

0:31:03.680 --> 0:31:05.640
<v Speaker 1>thing exactly right.

0:31:06.000 --> 0:31:08.040
<v Speaker 3>And I can't tell you how many times I've gone,

0:31:08.120 --> 0:31:12.360
<v Speaker 3>god damnit, he told me right, because you.

0:31:12.360 --> 0:31:15.880
<v Speaker 1>Can't get it back. No, and you can almost get

0:31:15.920 --> 0:31:18.320
<v Speaker 1>it back, but you know, it's not that magic, and.

0:31:18.560 --> 0:31:20.440
<v Speaker 2>Most of them just doesn't really count.

0:31:20.600 --> 0:31:26.840
<v Speaker 5>Yeah right right, Yeah, very frustrating. And you know, I've

0:31:26.880 --> 0:31:29.280
<v Speaker 5>written things for the for the theater as well. I've

0:31:29.280 --> 0:31:33.640
<v Speaker 5>written music and lyrics and composed sort of for a

0:31:33.680 --> 0:31:37.160
<v Speaker 5>couple of different musicals and and so there there's a

0:31:37.240 --> 0:31:39.520
<v Speaker 5>little bit of a collaboration with the book writer and

0:31:39.760 --> 0:31:43.080
<v Speaker 5>you know, and and other people sort of like contributing lyrics.

0:31:43.080 --> 0:31:47.240
<v Speaker 5>But when I, you know, other than you know, and

0:31:47.320 --> 0:31:49.440
<v Speaker 5>Greenwood and I have written a couple songs together, but

0:31:49.480 --> 0:31:51.920
<v Speaker 5>even all the music that we do together, that's not.

0:31:51.920 --> 0:31:54.800
<v Speaker 2>What we really do together. We don't really do that.

0:31:55.080 --> 0:31:57.600
<v Speaker 2>We sort of write individually.

0:32:00.360 --> 0:32:00.760
<v Speaker 4>Yeah.

0:32:00.840 --> 0:32:04.120
<v Speaker 1>Interesting, All right, Well, look, thanks, I don't want to

0:32:04.120 --> 0:32:06.880
<v Speaker 1>take up any more of your time. Thank you. Soul

0:32:07.280 --> 0:32:09.320
<v Speaker 1>pleasure much pleasure.

0:32:09.360 --> 0:32:09.560
<v Speaker 3>Man.

0:32:09.640 --> 0:32:12.000
<v Speaker 1>Fans are gonna love this. They are going to love this.

0:32:12.080 --> 0:32:14.280
<v Speaker 1>They eat this stuff up. They loved all that behind

0:32:14.280 --> 0:32:16.880
<v Speaker 1>the scenes stuff. They love getting to know you, So

0:32:16.960 --> 0:32:17.320
<v Speaker 1>thank you.

0:32:17.520 --> 0:32:19.960
<v Speaker 3>One thing I do know for sure, over the years

0:32:19.960 --> 0:32:24.240
<v Speaker 3>of beating fans, you know, I've played a lot of

0:32:24.320 --> 0:32:30.120
<v Speaker 3>really bad people in show business, you know, doing doing

0:32:30.320 --> 0:32:36.520
<v Speaker 3>dastardly things, as villains are to do. But nothing incurs

0:32:36.640 --> 0:32:42.120
<v Speaker 3>wrath like the wrath of the fans of when I said, I.

0:32:42.080 --> 0:32:43.280
<v Speaker 2>Don't think you cut it.

0:32:43.640 --> 0:32:44.440
<v Speaker 1>That's serious.

0:32:44.640 --> 0:32:49.720
<v Speaker 3>Yeah, I tipped my hat to the whole project. And

0:32:49.720 --> 0:32:52.560
<v Speaker 3>of course Amy, you know, I did the last season

0:32:53.320 --> 0:32:56.120
<v Speaker 3>when she was not there when or was you know,

0:32:56.200 --> 0:32:59.800
<v Speaker 3>and and the scripts were still fine, but it was

0:32:59.840 --> 0:33:02.400
<v Speaker 3>like and it's funny after talking about songwriting and it's

0:33:02.520 --> 0:33:04.840
<v Speaker 3>just talking about melody, talking about the little things that

0:33:04.880 --> 0:33:05.360
<v Speaker 3>are different.

0:33:05.400 --> 0:33:11.080
<v Speaker 2>It's a close, but it's not. It's not the music.

0:33:11.160 --> 0:33:14.520
<v Speaker 2>It wasn't really really the music. I just think she's

0:33:14.560 --> 0:33:17.480
<v Speaker 2>so gifted and she and Dan do such great stuff.

0:33:17.800 --> 0:33:22.520
<v Speaker 1>One thing I did notice about season seven, David Rosenthal

0:33:22.560 --> 0:33:25.520
<v Speaker 1>took over. He was a writer on the staff and

0:33:25.600 --> 0:33:30.400
<v Speaker 1>he wrote some fantastic episodes. Actually, one of my favorite

0:33:30.440 --> 0:33:33.960
<v Speaker 1>episodes or the first six seasons, David Rosenthal wrote. So

0:33:34.080 --> 0:33:36.520
<v Speaker 1>he is a gifted, gifted writer in his own right,

0:33:36.600 --> 0:33:41.000
<v Speaker 1>but to ask somebody to come in and do that

0:33:41.360 --> 0:33:45.120
<v Speaker 1>is an impossible ask. You're not you can get close,

0:33:45.240 --> 0:33:49.120
<v Speaker 1>but it's it's these are voices that Amy and Dan hear.

0:33:49.440 --> 0:33:53.120
<v Speaker 1>These are their voices. This cannot be duplicated. And I

0:33:53.200 --> 0:33:56.120
<v Speaker 1>thought he did a pretty commendable job. Haven't seen season

0:33:56.160 --> 0:34:00.640
<v Speaker 1>seven yet, and I'll opine I guess further. Yeah, I'm

0:34:00.760 --> 0:34:03.440
<v Speaker 1>very curious. I thought he really took the brunt of

0:34:03.440 --> 0:34:08.520
<v Speaker 1>it unfairly. But yeah, I mean, the fans want what

0:34:08.560 --> 0:34:11.319
<v Speaker 1>they want, they got and I mean who you lay

0:34:11.520 --> 0:34:14.160
<v Speaker 1>who do you lay that at the feet of right?

0:34:14.239 --> 0:34:17.480
<v Speaker 1>Because Amy and Dan left for a very specific reason.

0:34:17.480 --> 0:34:20.239
<v Speaker 1>They didn't get the proper deal and they thought they

0:34:20.480 --> 0:34:24.279
<v Speaker 1>deserved it, and that was sort of tradition to give

0:34:24.320 --> 0:34:26.600
<v Speaker 1>a two year deal instead of a one year deal,

0:34:26.680 --> 0:34:29.759
<v Speaker 1>and they just couldn't stomach it. And more power to them, right,

0:34:29.800 --> 0:34:32.280
<v Speaker 1>I mean, they they made their they made a choice.

0:34:32.320 --> 0:34:35.920
<v Speaker 1>And it's like, hey, you know, business, yes, exactly, the

0:34:35.960 --> 0:34:37.080
<v Speaker 1>business side exactly.

0:34:37.080 --> 0:34:40.200
<v Speaker 3>They make that that that choice, and and and again

0:34:40.360 --> 0:34:41.560
<v Speaker 3>they all all respect it.

0:34:41.600 --> 0:34:44.440
<v Speaker 2>To David Rosenthal, it's just it's different.

0:34:44.480 --> 0:34:48.200
<v Speaker 3>It's just different almost, you know, in a in a

0:34:49.560 --> 0:34:51.279
<v Speaker 3>in that's in that slight way, you.

0:34:51.239 --> 0:34:54.759
<v Speaker 1>Know, mm hmm, yeah, little little differences make a huge

0:34:54.760 --> 0:34:57.960
<v Speaker 1>difference in that in that regard. Anyway, thank you so

0:34:58.640 --> 0:35:01.719
<v Speaker 1>very much. Great welcome to you, great catching up with you,

0:35:02.120 --> 0:35:03.320
<v Speaker 1>good luck with everything.

0:35:03.760 --> 0:35:04.480
<v Speaker 2>Thank you. YouTube.

0:35:05.120 --> 0:35:06.359
<v Speaker 1>Hopefully we can talk to.

0:35:07.600 --> 0:35:10.160
<v Speaker 3>How the how the factory work in Nashville goes, you know,

0:35:12.640 --> 0:35:16.040
<v Speaker 3>the whole bridge. No, no, it's the opening line of

0:35:16.080 --> 0:35:16.480
<v Speaker 3>the bridge.

0:35:19.120 --> 0:35:22.319
<v Speaker 6>All right, allry, buddy, all right, take care, all right,

0:35:22.320 --> 0:35:30.600
<v Speaker 6>take care, bud.

0:35:51.600 --> 0:35:55.399
<v Speaker 1>Everybody talks again. Follow us on Instagram at I Am

0:35:55.480 --> 0:35:59.920
<v Speaker 1>all In podcast and email us at Gilmore at iHeart

0:36:00.120 --> 0:36:11.120
<v Speaker 1>radio dot com.