1 00:00:05,240 --> 00:00:07,680 Speaker 1: Hey, this Sandy and Samantha, and welcome to stuff. I 2 00:00:07,760 --> 00:00:19,279 Speaker 1: never told your prediction of iHeart radio and yes, so 3 00:00:19,360 --> 00:00:23,360 Speaker 1: welcome to another edition of spind Fiction, which is a 4 00:00:23,440 --> 00:00:27,200 Speaker 1: once the once the month, once a month series, any series. 5 00:00:27,440 --> 00:00:29,480 Speaker 1: While I'm questioning myself a lot at the beginning, right here, 6 00:00:30,000 --> 00:00:34,040 Speaker 1: um where where we read fiction and it might be 7 00:00:34,200 --> 00:00:38,240 Speaker 1: slightly more sound produced depending on what we're reading. Um. 8 00:00:38,240 --> 00:00:41,720 Speaker 1: It is an ongoing segment, and currently we are in 9 00:00:41,840 --> 00:00:47,440 Speaker 1: a continuing fiction called Terminus the Depopulation Event. So if 10 00:00:47,440 --> 00:00:50,600 Speaker 1: you're not caught up on that, this is chapter two, 11 00:00:50,680 --> 00:00:52,280 Speaker 1: I think, but it's the third one because there's a 12 00:00:52,320 --> 00:00:55,760 Speaker 1: prologue which makes sense of course. So yeah, I check 13 00:00:55,800 --> 00:00:58,720 Speaker 1: those out if you haven't checked them out. Also, if 14 00:00:58,720 --> 00:01:00,880 Speaker 1: this is not your thing, it's once a month. I 15 00:01:01,040 --> 00:01:02,400 Speaker 1: like to throw that in because I have friends who 16 00:01:02,440 --> 00:01:05,000 Speaker 1: specifically don't like that kind of thing. I'm not saying 17 00:01:05,080 --> 00:01:07,399 Speaker 1: as if like you suck for not liking this. I 18 00:01:07,440 --> 00:01:13,080 Speaker 1: just know it. I knew it. I knew Samantha you're 19 00:01:13,120 --> 00:01:16,800 Speaker 1: back there again. I'll let her do it. But I 20 00:01:17,000 --> 00:01:18,880 Speaker 1: know I'm saying, if you're not liking it, you suck. 21 00:01:19,240 --> 00:01:22,320 Speaker 1: Oh I thought you were carrying out against me. No, no, no, 22 00:01:22,440 --> 00:01:26,399 Speaker 1: I'm supporting you, saying if you don't like this, you suck. Okay, 23 00:01:26,760 --> 00:01:29,479 Speaker 1: all right now, all right, we're on the same page. 24 00:01:29,480 --> 00:01:33,920 Speaker 1: Thank you, thank you. I will say I recently, I 25 00:01:33,959 --> 00:01:38,120 Speaker 1: think in one of the first renditions of this, you 26 00:01:38,160 --> 00:01:41,880 Speaker 1: and I discussed like sharing our writing and how scary 27 00:01:41,959 --> 00:01:45,840 Speaker 1: that can be. I did recently share it with some people. 28 00:01:45,959 --> 00:01:49,400 Speaker 1: I've actually only shared it with two people before this 29 00:01:49,560 --> 00:01:52,680 Speaker 1: before like the podcast, because I'm thinking we could bring 30 00:01:52,680 --> 00:01:55,680 Speaker 1: in some voices and stuff. I think that would be fun, 31 00:01:56,720 --> 00:01:59,680 Speaker 1: like even in this one. I think it was too 32 00:01:59,760 --> 00:02:01,840 Speaker 1: late to do it, but I was I was looking 33 00:02:01,880 --> 00:02:05,800 Speaker 1: at having a little casting sheet, a wish list, bringing 34 00:02:05,840 --> 00:02:07,920 Speaker 1: some people in. I gotta get you, Samantha. I've got 35 00:02:07,960 --> 00:02:13,079 Speaker 1: two people I'm thinking for you. Okay, great, Okay. Do 36 00:02:13,720 --> 00:02:17,280 Speaker 1: I get to play the dog? You did seriously think 37 00:02:17,320 --> 00:02:21,880 Speaker 1: I was asking you to play a dog earlier. I 38 00:02:21,960 --> 00:02:24,720 Speaker 1: believe it. I hope supporting you in every way, and 39 00:02:24,760 --> 00:02:27,360 Speaker 1: I will be a dog that is the kind of 40 00:02:27,400 --> 00:02:30,880 Speaker 1: wonderful friend and supportive person that you are. Thank you. 41 00:02:32,639 --> 00:02:34,880 Speaker 1: So this is gonna be a bit shorter. I was 42 00:02:35,000 --> 00:02:37,200 Speaker 1: going through this because again I wrote this in twenty time, 43 00:02:37,680 --> 00:02:40,320 Speaker 1: I realized that the chapters are very uneven in length, 44 00:02:41,160 --> 00:02:43,120 Speaker 1: and I could go in and change it, I guess, 45 00:02:43,160 --> 00:02:46,200 Speaker 1: but usually they end at a place that Okay, that's 46 00:02:46,200 --> 00:02:50,120 Speaker 1: a good ending, just leave it there. Um, But that 47 00:02:50,160 --> 00:02:53,799 Speaker 1: means that this one is shorter, and I did want 48 00:02:53,840 --> 00:02:57,480 Speaker 1: to put a trigger warning at the top. If you 49 00:02:57,680 --> 00:02:59,960 Speaker 1: have missed the last ones you don't want to go 50 00:03:00,040 --> 00:03:01,840 Speaker 1: back for whatever reason, you're like, no, I'm starting with 51 00:03:01,880 --> 00:03:04,040 Speaker 1: this one. That's what it is. Um, this is a 52 00:03:04,080 --> 00:03:07,240 Speaker 1: pretty I like to say, this is the worst time 53 00:03:07,240 --> 00:03:09,640 Speaker 1: to be doing this, except some people seem to like me, 54 00:03:10,440 --> 00:03:14,280 Speaker 1: actually find catharsis through things that are similar to trauma 55 00:03:14,400 --> 00:03:18,320 Speaker 1: traumatic experience as you've gone through. So this story is 56 00:03:18,360 --> 00:03:22,040 Speaker 1: an end of the world story. It's about a virus. 57 00:03:22,040 --> 00:03:24,400 Speaker 1: It's a sex space virus. UM. There's a lot of 58 00:03:24,440 --> 00:03:28,920 Speaker 1: issues around motherhood, bodily autonomy, the government taking away people's 59 00:03:29,000 --> 00:03:34,240 Speaker 1: right to choose UM, and basically controlling their bodies. So yeah, 60 00:03:34,280 --> 00:03:36,880 Speaker 1: a lot of that stuff is stuff that we're dealing 61 00:03:36,880 --> 00:03:39,640 Speaker 1: with now. So I don't really get it. If you're like, Nope, 62 00:03:39,800 --> 00:03:45,200 Speaker 1: not today, that makes sense to me. Essentially, there's been 63 00:03:45,200 --> 00:03:49,200 Speaker 1: a lot of like travel and introspection on the main character, 64 00:03:49,240 --> 00:03:52,680 Speaker 1: Tilda's behalf on did she do the right thing in 65 00:03:52,760 --> 00:03:56,880 Speaker 1: taking her son Madison, and feeling like she's inadequate and 66 00:03:56,920 --> 00:03:59,720 Speaker 1: that she is more of an older sister than his mother, 67 00:04:00,960 --> 00:04:04,360 Speaker 1: and hiding from the enforcers, trying to find a place 68 00:04:04,400 --> 00:04:07,240 Speaker 1: safe and warm, and trying to find food, all that stuff. 69 00:04:07,280 --> 00:04:11,080 Speaker 1: So there will also be discussion around hunger um if 70 00:04:11,080 --> 00:04:14,560 Speaker 1: that that is a trigger for you as well. So alright, 71 00:04:14,640 --> 00:04:18,680 Speaker 1: with all of those disclaimers aside, let us get into 72 00:04:18,880 --> 00:04:29,720 Speaker 1: the fiction portion. Tilda drent dark, shadowy dreams of specters 73 00:04:29,760 --> 00:04:33,840 Speaker 1: and cold needles and screaming. Her sores peeled away her 74 00:04:33,839 --> 00:04:37,440 Speaker 1: skin as she was chased by tireless pursuers shouting obscenities 75 00:04:37,480 --> 00:04:41,520 Speaker 1: that her, calling her horrible names, and then dogs barking 76 00:04:42,160 --> 00:04:49,159 Speaker 1: ever close her, barking, barking, barking. She jerked awake, heart pounding. 77 00:04:50,279 --> 00:04:54,640 Speaker 1: Madison murmured sleepily from her arms. The dogs were real. 78 00:04:55,120 --> 00:04:59,440 Speaker 1: There was barking in the distance. Before she could process 79 00:04:59,480 --> 00:05:02,280 Speaker 1: this and what could mean, the sound of voices overrode 80 00:05:02,360 --> 00:05:06,440 Speaker 1: everything else. Her heart nearly stopped at the spike of adrenaline. 81 00:05:07,600 --> 00:05:13,080 Speaker 1: Mm hmm, she whispered, in Madison's ear, pulling him closer. 82 00:05:13,720 --> 00:05:16,080 Speaker 1: She propped herself up as much as she could, trying 83 00:05:16,120 --> 00:05:19,159 Speaker 1: to get a glimpse at the windshield. Her eyes felt 84 00:05:19,200 --> 00:05:22,200 Speaker 1: too wide, her ears strained in an attempt to figure 85 00:05:22,240 --> 00:05:25,520 Speaker 1: out how many were speaking and how close they were. 86 00:05:26,720 --> 00:05:30,640 Speaker 1: Madison shifted, trying to sit up, but Tilda held him down. No, 87 00:05:30,839 --> 00:05:35,760 Speaker 1: stay there, Okay, stay still and be quiet. Her whispered 88 00:05:35,800 --> 00:05:38,719 Speaker 1: commands had more effect due to the quivering of her arms. 89 00:05:39,200 --> 00:05:42,680 Speaker 1: Madison realized the seriousness of the situation, the gravity of 90 00:05:42,720 --> 00:05:47,320 Speaker 1: it evident in her shaking. Two men outside the fence 91 00:05:48,160 --> 00:05:53,279 Speaker 1: getting closer. She couldn't yet pick out any words, not 92 00:05:53,440 --> 00:05:56,320 Speaker 1: enough to tell if they were enforcers. The barking had 93 00:05:56,360 --> 00:06:01,679 Speaker 1: faded away, granting Tilda the tiniest liver of really dogs 94 00:06:01,720 --> 00:06:04,520 Speaker 1: would have sniffed them out immediately. It must have been 95 00:06:04,520 --> 00:06:07,360 Speaker 1: a wild dog, perhaps barking as the men passed, Drawing 96 00:06:07,440 --> 00:06:10,960 Speaker 1: tilt awake before the intruders could get too close. In 97 00:06:11,040 --> 00:06:13,800 Speaker 1: her dream, the barking chased her, but this had been 98 00:06:13,800 --> 00:06:18,040 Speaker 1: more of a warning. The sound of grating metal had 99 00:06:18,120 --> 00:06:21,400 Speaker 1: Madison tensing in her hold. She drew a sharp breath, 100 00:06:21,760 --> 00:06:25,600 Speaker 1: Debating different escape options, different pathways, but she could not 101 00:06:25,640 --> 00:06:28,200 Speaker 1: see the end of any of them, could not foresee 102 00:06:28,320 --> 00:06:32,520 Speaker 1: any one of them leading to success. She could hear 103 00:06:32,520 --> 00:06:37,840 Speaker 1: gravel crunching, could catch snatches of sentences graveyard. There's no 104 00:06:37,880 --> 00:06:40,440 Speaker 1: one here. I'm telling you, there's somewhere across the river 105 00:06:40,520 --> 00:06:44,200 Speaker 1: in Cleo Springs, if they're here at all, or miss 106 00:06:45,000 --> 00:06:50,000 Speaker 1: out to check. The second voice was softer, sharper. Maybe 107 00:06:50,400 --> 00:06:54,400 Speaker 1: dead already, anyone considered that. The second man replied, but 108 00:06:54,480 --> 00:06:58,880 Speaker 1: Tilda couldn't make it out quick care anyway. Madison put 109 00:06:58,920 --> 00:07:02,000 Speaker 1: his hands over his mouth, shaking himself. Now she shoosed 110 00:07:02,080 --> 00:07:07,839 Speaker 1: him again. Probably dead, and good riddance. They're not dead. 111 00:07:09,120 --> 00:07:12,120 Speaker 1: The men were close. A light danced by the windshield. 112 00:07:12,560 --> 00:07:20,200 Speaker 1: Madison shuddered fearfully. Don't, Tilda breathed. She could see faint 113 00:07:20,240 --> 00:07:25,200 Speaker 1: silhouettes now drawing closer. Con it's cold as out here. 114 00:07:26,200 --> 00:07:30,080 Speaker 1: Shut up. The other man commanded authority, like tempered steel 115 00:07:30,200 --> 00:07:34,440 Speaker 1: in his voice. Tilda's spine tingled with fear. An onslought 116 00:07:34,520 --> 00:07:36,600 Speaker 1: of images of what they do to her and to 117 00:07:36,760 --> 00:07:41,840 Speaker 1: Madison if they were caught, overwhelmed her senses. One of 118 00:07:41,880 --> 00:07:43,880 Speaker 1: the men leveled his light at one of the cars 119 00:07:43,920 --> 00:07:47,040 Speaker 1: in front of them, giving it a cursory inspection. Close 120 00:07:47,120 --> 00:07:50,760 Speaker 1: your eyes, Tilda whispered, gently, turning Madison's face into the 121 00:07:50,800 --> 00:07:54,360 Speaker 1: black upholstery. She pressed her cheek into his hair, half hidden, 122 00:07:54,800 --> 00:07:57,720 Speaker 1: one eye darting wildly, taking in the two men. As 123 00:07:57,760 --> 00:08:03,960 Speaker 1: they moved closer, all of her muscles tensed. They approached silently, 124 00:08:04,000 --> 00:08:10,040 Speaker 1: both tall, outfitted in shades of black enforcers. The light 125 00:08:10,080 --> 00:08:13,239 Speaker 1: hovered over the car in front of theirs. Tilda turned 126 00:08:13,240 --> 00:08:15,760 Speaker 1: her face into medicine's soft hair to hide her pale 127 00:08:15,800 --> 00:08:20,640 Speaker 1: skin from the light. The light passed over them, she 128 00:08:20,680 --> 00:08:25,720 Speaker 1: could see it through her eyelids. She'd fight, she promised herself, 129 00:08:26,480 --> 00:08:33,280 Speaker 1: tooth and nail, but it wouldn't be enough. Both mother 130 00:08:33,360 --> 00:08:37,600 Speaker 1: and child stopped breathing. The light darted away and back again, 131 00:08:38,240 --> 00:08:43,600 Speaker 1: and in the distance, a dog howled. The light danced 132 00:08:43,600 --> 00:08:47,280 Speaker 1: at the area just above Tilda's feet. Does that sound 133 00:08:47,280 --> 00:08:52,040 Speaker 1: like it's getting closer to you? The question was steady, carefully, 134 00:08:52,080 --> 00:08:57,720 Speaker 1: So are you frightened? The quieter and more controlled of 135 00:08:57,720 --> 00:09:02,679 Speaker 1: the two scoffed disdainfully. A quick and vehement denial sprung 136 00:09:02,720 --> 00:09:06,559 Speaker 1: to the other man's lips. No, but it would have 137 00:09:06,600 --> 00:09:09,600 Speaker 1: scared our targets right, I'm telling you they're not here. 138 00:09:09,920 --> 00:09:13,080 Speaker 1: The town isn't that far away. They would have kept going, 139 00:09:13,720 --> 00:09:17,200 Speaker 1: but his partner interrupted, others are searching the town. We 140 00:09:17,440 --> 00:09:22,720 Speaker 1: are searching here the handle, Tilda realized with the frantic clarity, 141 00:09:23,000 --> 00:09:24,640 Speaker 1: if they look at the handle, they'll see where my 142 00:09:24,679 --> 00:09:28,600 Speaker 1: hands mushed away the dust. She opened her eyes, long 143 00:09:28,720 --> 00:09:33,520 Speaker 1: ceasing and anticipation of being discovered, of shouting, of never 144 00:09:33,559 --> 00:09:38,160 Speaker 1: seeing medicine again. But the light shifted away, illuminating the 145 00:09:38,200 --> 00:09:41,600 Speaker 1: car behind them. Tilda didn't move. Her muscles were so 146 00:09:41,720 --> 00:09:45,680 Speaker 1: tense she wasn't confident she'd be able to in ordered medicine. 147 00:09:46,400 --> 00:09:48,719 Speaker 1: The enforcers continued to snipe at each other, but their 148 00:09:48,720 --> 00:09:52,679 Speaker 1: bickering grew further and further away. Exhaling a shaky breath, 149 00:09:52,760 --> 00:09:55,720 Speaker 1: Tilda went limp, all the strength draining from her body. 150 00:09:56,120 --> 00:09:59,400 Speaker 1: Answer those questions pounding at her brain demanding her attention, 151 00:09:59,679 --> 00:10:02,720 Speaker 1: but the chemical cocktail of her terror made it impossible 152 00:10:02,760 --> 00:10:06,760 Speaker 1: to focus on anything but trying to breathe properly, to 153 00:10:06,880 --> 00:10:11,400 Speaker 1: not collapse in on herself. In her arms, Madison took 154 00:10:11,440 --> 00:10:16,880 Speaker 1: panicky breasts, his small frame trembling automatically Tilda lifted a 155 00:10:16,920 --> 00:10:19,800 Speaker 1: wobbly hand and carted her fingers clumsily through the hair 156 00:10:19,960 --> 00:10:23,040 Speaker 1: not concealed by his hood. She felt him begin to 157 00:10:23,080 --> 00:10:27,680 Speaker 1: relax at her shaky efforts to provide comfort, eyes fuddling clothed. 158 00:10:29,160 --> 00:10:33,200 Speaker 1: How many random events led to where they were, things 159 00:10:33,200 --> 00:10:37,760 Speaker 1: seemingly inconsequential, stretching out and touching all around them, contracting 160 00:10:37,760 --> 00:10:42,760 Speaker 1: and expanding time and lives and everything. A barking dog, 161 00:10:43,200 --> 00:10:46,920 Speaker 1: a sound echoing across the fabric of existence. Tilda and 162 00:10:46,960 --> 00:10:51,120 Speaker 1: Madison were spared, two lives, still there because of something 163 00:10:51,240 --> 00:10:57,320 Speaker 1: so small, history, brick by brick, and every action. Tilda 164 00:10:57,440 --> 00:11:00,280 Speaker 1: late a week, unable to calm, wanting the sun to come, 165 00:11:00,320 --> 00:11:03,640 Speaker 1: but dreading it at the same time. Where would they go? 166 00:11:04,920 --> 00:11:07,440 Speaker 1: The town was close, according to the two men, but 167 00:11:07,520 --> 00:11:12,160 Speaker 1: the enforcers were there, searching, watching for who. She couldn't 168 00:11:12,200 --> 00:11:14,000 Speaker 1: be sure, but something in her gut told her it 169 00:11:14,040 --> 00:11:17,600 Speaker 1: was for her and her son. Either way, they were 170 00:11:17,600 --> 00:11:23,679 Speaker 1: still fugitives, but they desperately needed supplies. They couldn't go back. 171 00:11:23,800 --> 00:11:26,000 Speaker 1: There was nothing to go back to, not with next 172 00:11:26,040 --> 00:11:28,920 Speaker 1: to nothing. Straying into the woods would be too dangerous, 173 00:11:29,000 --> 00:11:33,079 Speaker 1: bordering on suicidal, not ideal, But what choice do we have? 174 00:11:34,080 --> 00:11:38,360 Speaker 1: The mantra held equal parts hysteria and desperate resignation. Unless 175 00:11:38,400 --> 00:11:40,719 Speaker 1: she could think of another option, they'd have to go, 176 00:11:42,360 --> 00:11:45,120 Speaker 1: though her mind wrestled with it until the Cicada's lulled 177 00:11:45,120 --> 00:11:47,920 Speaker 1: in the twilight before dawn. She'd known deep down at 178 00:11:47,960 --> 00:11:52,400 Speaker 1: the very start there was no alternate solution. Denying it 179 00:11:52,440 --> 00:11:55,720 Speaker 1: didn't help, but accepting it meant accepting that she was trapped, 180 00:11:57,480 --> 00:12:00,280 Speaker 1: that she'd have to sneak into the town place sun 181 00:12:00,360 --> 00:12:04,240 Speaker 1: in danger to keep them both alive. It was a 182 00:12:04,320 --> 00:12:07,319 Speaker 1: hell of a conundrum once you'd have to deal with 183 00:12:07,400 --> 00:12:11,400 Speaker 1: like it or not. In the morning, her stomach grumbled, 184 00:12:11,440 --> 00:12:17,280 Speaker 1: cramping painfully. Addison huddled in her arms. Cold sunlight broke 185 00:12:17,320 --> 00:12:20,520 Speaker 1: over the horizon, slowly spilling cool light over the junkyard, 186 00:12:20,679 --> 00:12:25,760 Speaker 1: the skeletons of cars casting long, menacing shadows. Tilda didn't 187 00:12:25,760 --> 00:12:28,680 Speaker 1: blink for a long time, staring at the black seat 188 00:12:28,720 --> 00:12:31,120 Speaker 1: in front of her is. The line of light steadily 189 00:12:31,200 --> 00:12:35,280 Speaker 1: rose until it reached the ceiling, bringing with it no warmth, 190 00:12:36,000 --> 00:12:40,520 Speaker 1: only dread and hard decisions. A new day had begun, 191 00:13:07,760 --> 00:13:12,040 Speaker 1: and that brings us to the end of Terminus Chapter two. 192 00:13:12,720 --> 00:13:16,839 Speaker 1: And so look for chapter three next month. Um, we 193 00:13:17,080 --> 00:13:20,560 Speaker 1: we're moving right along, as they say, and I hope 194 00:13:20,600 --> 00:13:22,480 Speaker 1: that I hope that you enjoyed it. As I said, 195 00:13:22,480 --> 00:13:25,800 Speaker 1: this is a shorter This was a shorter chapter and 196 00:13:26,320 --> 00:13:30,600 Speaker 1: hopefully builds up some of the tension of what Tilda 197 00:13:30,800 --> 00:13:34,520 Speaker 1: is facing and what she is running from, um in 198 00:13:34,600 --> 00:13:38,200 Speaker 1: more of a a visual way, because she's there's sort 199 00:13:38,240 --> 00:13:42,480 Speaker 1: of the ongoing mental issues that she's running from, but 200 00:13:42,640 --> 00:13:48,480 Speaker 1: also the real world ones that are related, that are related. 201 00:13:49,160 --> 00:13:51,360 Speaker 1: Oh gosh, there's so much I want to talk about, 202 00:13:51,400 --> 00:13:53,280 Speaker 1: but it comes later. But I would love if anybody 203 00:13:53,280 --> 00:13:59,600 Speaker 1: has any theories and what's about to happen, because this 204 00:13:59,679 --> 00:14:02,360 Speaker 1: is kind kind of it is a vulnerable thing for me. 205 00:14:03,080 --> 00:14:07,080 Speaker 1: I'm also sort of accepted. I'm happy to share it, 206 00:14:07,200 --> 00:14:09,680 Speaker 1: I guess, even though I know it's not perfect, and 207 00:14:09,720 --> 00:14:12,360 Speaker 1: even though I know it has issues, it's something that 208 00:14:12,480 --> 00:14:15,640 Speaker 1: I love writing fiction, I love audio fiction. I love 209 00:14:15,640 --> 00:14:18,280 Speaker 1: hearing what Christina does with it. So in a lot 210 00:14:18,280 --> 00:14:22,880 Speaker 1: of ways, this is very indulgent, but hopefully you are 211 00:14:23,360 --> 00:14:29,480 Speaker 1: enjoying it as well. So thanks as always for listening. 212 00:14:29,480 --> 00:14:34,760 Speaker 1: Thanks to you Samantha for the continued support. Yes, thanks 213 00:14:34,800 --> 00:14:39,000 Speaker 1: to Christina for being amazing and making these happen. And yeah, 214 00:14:39,040 --> 00:14:41,480 Speaker 1: if there is anything in the fiction realm that is 215 00:14:41,520 --> 00:14:43,840 Speaker 1: in the public domain that you would like for us 216 00:14:43,880 --> 00:14:46,480 Speaker 1: to read, because I think we could. I would love 217 00:14:46,480 --> 00:14:50,840 Speaker 1: to do some branching out sometimes some special episodes. Um, 218 00:14:50,880 --> 00:14:52,680 Speaker 1: I've been thinking about like fan fiction. I know we've 219 00:14:52,720 --> 00:14:54,600 Speaker 1: talked about that before, but that could be really fun. 220 00:14:55,120 --> 00:14:58,720 Speaker 1: Please send those suggestions our way. You can email as 221 00:14:58,720 --> 00:15:00,080 Speaker 1: a stuff and your mom stuff and I heart me 222 00:15:00,280 --> 00:15:02,200 Speaker 1: dot com. You can find us on Twitter at months 223 00:15:02,280 --> 00:15:04,920 Speaker 1: of podcast or Instagram and stuff I've never told you. Thanks. 224 00:15:04,920 --> 00:15:07,920 Speaker 1: It's always to our super producer, Christina. Thank you, Christina, 225 00:15:08,040 --> 00:15:10,200 Speaker 1: and thanks to you for listening. Stephaner told you the 226 00:15:10,240 --> 00:15:12,560 Speaker 1: protection to iHeart Radio. For more podcast from I Heart Radio, 227 00:15:12,600 --> 00:15:14,640 Speaker 1: you can check out the iHeart Radio Apple podcast or 228 00:15:14,600 --> 00:15:16,080 Speaker 1: wherever you listen to your favorite shows.