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Speaker 1: So in walks Leanne rhymes and you know she's always

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Speaker 1: just so pleased with herself. I do. And she's coming

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Speaker 1: out of the kitchen and she's holding her can and

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Speaker 1: she goes, sorry, boys, just needed to obey my thirst.

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Speaker 1: And I go, then why are you holding a seven up?

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Speaker 1: You know, because it's like I mean, and I didn't.

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Speaker 1: You know a lot of people I wouldn't destroy, like

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Speaker 1: I know that you had to, but it just makes

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Speaker 1: me feel it's like all Lemon Lime sodas are the same.

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Speaker 1: Yeah on Coola's Please, they're not. And so it's like,

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Speaker 1: you know, she had said something about that Spot character

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Speaker 1: or Spot, I'd be on board more than anyone, right,

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Speaker 1: you know, he's a hero of mine. He's like Joe

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Speaker 1: cool without all the baggage. And that's right.

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Speaker 2: Hey, welcome to Hollywood hair buckets.

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Speaker 3: I just guided to kicking button dropping names in the

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Speaker 3: right carpet line back hallways of this industry we call showbiz.

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Speaker 1: What up?

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Speaker 3: What you've been reading in the news about scary new

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Speaker 3: movie MM the Suicide Squad.

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Speaker 1: And that trailers should be illegal or they should only

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Speaker 1: have it in Germany or something. You can go there

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Speaker 1: if you want that six stuff. Have you heard some

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Speaker 1: of the things they do over there in Germany.

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Speaker 3: You read about this movie and how the subject matter

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Speaker 3: they're dealing with in this movie is very serious, very dark,

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Speaker 3: as dark as it gets. And so what they've done

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Speaker 3: is they've hired an onset psychiatrist to help the actors

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Speaker 3: deal with these characters that they're and.

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Speaker 1: The and the depths which they're exploring, and the recesses

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Speaker 1: of their mind and these little tunnels that we don't

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Speaker 1: normally travel into.

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Speaker 3: Because the idea of living inside Captain Boomerang's world.

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Speaker 1: That you get a stain on you at some point

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Speaker 1: and that doesn't wash, so you can't put club soda

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Speaker 1: on that at some point.

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Speaker 3: How much of you is Ja Corney and how much

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Speaker 3: is Captain boomer And which.

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Speaker 1: Yes, and which elements are are Jay and which elements

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Speaker 1: are Captain Boomerang? And how can you decipher when you're

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Speaker 1: with your kids, when you look at am I gonna

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Speaker 1: suddenly Boomerang one of them in the face, and it's

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Speaker 1: and it's a real question, it's a real challenge for

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Speaker 1: these people, and they have to somehow decompress. And so

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Speaker 1: they've started having these onset therapists, And if I could

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Speaker 1: about this film briefly, didn't we have enough mean monsters

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Speaker 1: that at least and this is the first nice thing

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Speaker 1: you'll hear me say about Frankingstein at least when I

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Speaker 1: see Frankingstein, I know that he's a bad guy. But

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Speaker 1: one of these superheroes they got in this cage in

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Speaker 1: this trailer has like a body, like a real woman. Yeah,

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Speaker 1: And I get confused about how to feel because I

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Speaker 1: find out she's doing some bad means stuff and like

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Speaker 1: what a wolfman might do or Dracula and killing. But

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Speaker 1: when I look at her, she looked like she's built

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Speaker 1: for something else.

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Speaker 3: And with Frankie, there's no confusing sexual play.

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Speaker 1: No m I mean, I know you're gonna say, well,

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Speaker 1: what about bride of.

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Speaker 2: She has a hair you don't like that? Well, it's

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Speaker 2: just it's just so you like.

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Speaker 1: It on March.

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Speaker 2: Is it just a color difference?

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Speaker 1: Yes, I mean we don't have to get it into

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Speaker 1: the March thing. But anyway, so you know they invent

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Speaker 1: this one. And then we were talking about Captain Boomerang though.

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Speaker 3: Yeah, well, just speaking for me personally, I support this.

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Speaker 3: I'm glad that these resources are available, not because there

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Speaker 3: was Therapy's therapy, That's what I'm saying, because there was

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Speaker 3: a time when you couldn't talk about this stuff out loud,

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Speaker 3: and that's why we got what happened with Heath Ledger.

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Speaker 3: You know, some people say that he had a very

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Speaker 3: serious drug addiction going into that movie. No, no, no,

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Speaker 3: it was trying to be. It was putting on the makeup.

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Speaker 1: The Joker and embracing chaos like that, yes, and not

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Speaker 1: having an analyst to talk to him on the way out.

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Speaker 3: And they talk about when when Jim Carrey played the Grinch,

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Speaker 3: he still hasn't fully shed that character.

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Speaker 2: And he used to go home put a knife in

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Speaker 2: his mouth.

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Speaker 1: Well, if any go ahead, what he.

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Speaker 3: Used to go home from shooting the Grinch? Mm hmm,

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Speaker 3: and the darkness of that character. He take a sharp

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Speaker 3: knife and just kind of rest it in his mouth.

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Speaker 3: Oh yeah, that was just his way of coping with

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Speaker 3: the because.

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Speaker 1: Now he would smear a big goop of peanut butter

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Speaker 1: on it first, right, but it's but that's still well

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Speaker 1: it's dangerous, yes, yeah.

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Speaker 3: And he'd fall asleep with a with a knife in

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Speaker 3: his mouth, just in case if he could feel the

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Speaker 3: Grinch taking over.

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Speaker 1: That he wanted to be able to pound on the

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Speaker 1: back of the handle and drive it straight through the

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Speaker 1: back of his neck. And I think if you watch

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Speaker 1: some of the deleted scenes or making of featurettes around

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Speaker 1: the Grinch, the Grinch is the one with all the

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Speaker 1: vaccine problems, and he's never really been able to escape

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Speaker 1: that mentality. And that's a little piece, that's a little

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Speaker 1: seed that still lives him. Yes, yes, that's still in there.

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Speaker 3: Or like when Jason Alexander played Boris Badenough.

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Speaker 1: Hmm, yeah, the rocket bone.

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Speaker 3: He says, and that in that move in the you know,

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Speaker 3: the gag reel if he says, if I seem to

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Speaker 3: have turned, if like if I turn, kill me, I

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Speaker 3: need you to kill me on the spot. Do it

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Speaker 3: for me, do it for my family. If Boris takes over,

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Speaker 3: that's it because they because they didn't have these resources,

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Speaker 3: they weren't able to do.

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Speaker 1: Yes, there was no analyst there like Captain Boomerango's Now.

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Speaker 2: Yeah.

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Speaker 1: Well, I remember when Alan Coming played Nightcrawler and just

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Speaker 1: the idea of disappearing and reappearing and he said, I

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Speaker 1: remember he said to me one night we were having

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Speaker 1: pasta and he said, sometimes I want to disappear and

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Speaker 1: not reappear in a in a pool or something. And

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Speaker 1: think about that, and shouldn't he have been able to

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Speaker 1: talk to an analyst and not me because I had

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Speaker 1: him a full of pasta. I couldn't even respond to

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Speaker 1: tell him that it would be.

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Speaker 2: Okay disappear and not reappear in a pool.

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Speaker 3: I see he wants to, Yes, he wants to go

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Speaker 3: into the bottom part of a.

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Speaker 1: Pool m hm and maybe swim through the filter or something.

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Speaker 1: I don't know. I mean I couldn't. I couldn't do.

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Speaker 1: I couldn't take it all apart. And I don't know

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Speaker 1: because I've never occupied a role quite like.

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Speaker 3: That, Right, what's the scariest what's the scariest rabbit hole

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Speaker 3: you've gone down? Was it Bugs Bunny?

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Speaker 1: Mmm? For me, that's not as scary because he is

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Speaker 1: such a mary prankster, and so there's always the sort

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Speaker 1: of glee and the irreverence there to kind of be

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Speaker 1: able to laugh at himself. So for me, I guess

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Speaker 1: it was scarier when I had to be in that

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Speaker 1: Cheaper by the Dozen movie. And I wish we'd had

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Speaker 1: a therapist on set for that, yeah, because a lot

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Speaker 1: of those children were sexual deviance. Yes, and I'm not

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Speaker 1: saying Hillary Duff when I say that. But I'm not

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Speaker 1: not saying Hillary Duff when.

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Speaker 4: I say that.

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Speaker 1: And so just the idea of all those kids in

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Speaker 1: that family and just near a.

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Speaker 2: Party ranger who's trying to.

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Speaker 1: Trying to wrangle them all, and the implication that ultimately

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Speaker 1: some of those kids are going to have to be

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Speaker 1: put down. That's ah on screen, but it's obviously going

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Speaker 1: to happen. It's too much for that house. So I

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Speaker 1: think that was cut.

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Speaker 3: I mean, I guess you were in it, but I

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Speaker 3: always assumed that they just cut that scene because at

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Speaker 3: the end of the movie, well it goes there's twelve

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Speaker 3: at the beginning, Yeah, and then there's seven and then four.

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Speaker 1: Yeah, and you never see they're just they're just not there. Yeah,

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Speaker 1: And they are, and they are being invited into my

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Speaker 1: cabin during the during the scenes that wound up on

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Speaker 1: the cutting room floor. And it's a time issue and

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Speaker 1: some other things. But the way that some of them

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Speaker 1: met their end was pretty gruesome. Was it like a

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Speaker 1: cutting room? Is that in the cabin? Yes, there's a Yes,

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Speaker 1: the cabin has a cutting room floor, and just the

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Speaker 1: nefarious tools that I had designed for that film. I

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Speaker 1: don't really like to think about it. What's the scariest

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Speaker 1: thing you've done in terms of your brain getting molded

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Speaker 1: into the shape of a madman?

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Speaker 3: Boy ah, And it's like you say, I don't love

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Speaker 3: thinking about it.

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Speaker 1: Well, we had no analyst on set.

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Speaker 4: Yeah, So to go back to that time, I guess

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Speaker 4: it would be the guy who was on U five

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Speaker 4: seventy one who gets blown off with a cannonball.

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Speaker 3: Sometimes you know, you're like, you know that moment where

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Speaker 3: you're like drifting off to sleep. You know, you can

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Speaker 3: feel yourself.

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Speaker 1: Like, okay, furmisings about it. It.

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Speaker 3: Imagine just before he reached the point of sleep in

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Speaker 3: your mind, a cannonball is curdling into your face.

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Speaker 1: Uh yeah.

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Speaker 2: And so now you're now you're up, Now you're awake, Now.

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Speaker 4: Your girlfriend is up, your kids are up. You know,

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Speaker 4: because you've got to bring you've got to break everyone close.

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Speaker 1: After something like that happens to you, well you gotta

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Speaker 1: get Yeah, you gotta get your kids in there to

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Speaker 1: dislodge the cannon view. But also, yes, I was going

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Speaker 1: to say, also to be sort of cannonball interference a

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Speaker 1: human shield.

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Speaker 3: Yes, yeah, because there was no one there to say, like.

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Speaker 1: This is a character, this is a movie. If only

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Speaker 1: we'd have a therapist to talk about and go like

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Speaker 1: for them to say, well, you're reading lines from a

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Speaker 1: script and you kind of knew that and a lot

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Speaker 1: of the way you look his makeup and stuff, right,

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Speaker 1: and this is a guy.

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Speaker 3: You know, this is a comic book carrier. There's no

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Speaker 3: reason to take it to this insanely dark place.

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Speaker 1: This is for children. It's almost silly. Yeah, So that

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Speaker 1: if that had been there, because what we had to

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Speaker 1: do was just sort of seal off these memories and

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Speaker 1: throw away the key. And now they're seeping back out

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Speaker 1: on the and I think you hear that. It's we're

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Speaker 1: getting chills. Ah, Okay, well I did that to myself

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Speaker 1: picturing when I was being that park ranger. Again.

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Speaker 3: We have a great segment coming up. Tom Sharpling is back.

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Speaker 3: He was on the show a few weeks ago, and

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Speaker 3: we have talked since then and we we we we

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Speaker 3: all agree that it would be good to take another

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Speaker 3: stab at his appearance.

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Speaker 1: We both had things that we would Yeah, yes, I

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Speaker 1: think he embarrassed himself and I think.

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Speaker 2: That, but we have we have some stuff that I

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Speaker 2: think we could have done better as well.

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Speaker 1: Oh gosh, yes, there I have had better ideas since.

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Speaker 3: And that's coming right up on Hollywood Handbook.

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Speaker 1: So I'm in the office with Steve six.

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Speaker 2: Then the teacher's like, so, well, speak up, tell me

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Speaker 2: what happened.

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Speaker 1: And I'm like, well, none of these guys are gonna

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Speaker 1: talk about it.

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Speaker 5: I will.

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Speaker 3: They said they wanted to go to be pushed on

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Speaker 3: the swing, so it went all the way around.

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Speaker 1: Uh they asked me to do that.

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Speaker 3: Yeah, and they're sitting there's the three of them all

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Speaker 3: stacked up on the one on the one, so I

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Speaker 3: push Max Collins, lead singer.

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Speaker 2: He's on the bottom.

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Speaker 3: Yeah, he's not holding on enough, so he just shoots out.

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Speaker 1: The front from under the other two. Yes, and they

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Speaker 1: dropped down.

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Speaker 3: The other two dropped down, falling in different directions, both

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Speaker 3: sort of flipping, so they land on their heads.

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Speaker 1: The swing doesn't move at all. Uh huh, yeah, he

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Speaker 1: slids straight off. Well, he's always wearing slippery pants. And

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Speaker 1: so they got suspension. Good, that's good, And I got

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Speaker 1: an a plus. One time Max is playing with a

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Speaker 1: slinky out there and he starts shooting it out straight

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Speaker 1: and it's not hit me on my neck, gave a

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Speaker 1: red mark. And we go to principal and he says,

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Speaker 1: Max says, just tell him we were playing together. I go, no,

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Speaker 1: you were playing and hurt my neck. Well, I wound

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Speaker 1: up getting attention. He told the principal that I punched

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Speaker 1: him first. And believe me, if I punched him first,

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Speaker 1: you would know it.

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Speaker 2: Hey, welcome to Hollywood Handbook.

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Speaker 1: I'm not done, Hayes. Yeah, I forget it. I don't

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Speaker 1: want to get no. No, no, no, no. Fish.

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Speaker 3: I honestly did think you were No. It felt like

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Speaker 3: a sort of a coda on the on the story.

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Speaker 3: But you were saying, if you would punched Max Collins,

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Speaker 3: then people would know.

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Speaker 1: Yeah, you would know it, and I would have I

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Speaker 1: would have said that in the.

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Speaker 3: Story, right, and you got detention. Yeah, and there was

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Speaker 3: something else you wanted to say, jokes on them.

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Speaker 1: I got some great work done in there. So go ahead.

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Speaker 2: Hey, welcome to Hollywood Handbook.

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Speaker 3: And It'sider's guyed to kicking button dropping names in the

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Speaker 3: red carpet lineback always of this industry we call showbiz,

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Speaker 3: we don't I mean, we don't need a long introduction

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Speaker 3: for this. Everyone has heard the last episode we did

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Speaker 3: with with Tom Sharpling, and you can hear it in

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Speaker 3: the episode. It's not Uh, it's not gonna be surprised

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Speaker 3: to anyone that this is one that we would like

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Speaker 3: another shot.

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Speaker 1: Would like to do over. Yeah, Tom, Tom is here,

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Speaker 1: Say hi Tom. Hi.

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Speaker 2: Uh, Tom came on already.

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Speaker 1: I feel the attitude so much more positive better.

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Speaker 3: Yeah, Tom came on our show.

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Speaker 2: He has a podcast.

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Speaker 3: We were trying to help him find a home for

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Speaker 3: the podcast, potentially on the Earwolf network, being willing to

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Speaker 3: introduce him to the people. And this was prior to

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Speaker 3: the Script's acquisition. Actually you can remember. It's honestly, it'd

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Speaker 3: say that, like what was the scripts? What was it like?

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Speaker 1: Scripts came in back in the Stone Age before we

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Speaker 1: had all these resources that Scripts has provided. Uh, it's real.

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Speaker 1: The cash night and day. Oh yeah, well the cash

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Speaker 1: is nice. I like what the cash buys me.

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Speaker 3: So Tom came and we had this conversation. I think

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Speaker 3: we both have things we want to apologize for. Tom

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00:16:07,520 --> 00:16:12,440
Speaker 3: let his temper get out of control. Uh he acted

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Speaker 3: like he didn't know who seth Godin was.

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Speaker 1: Yes, yes, I didn't.

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Speaker 4: I recall that that I actually did not know who

285
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Speaker 4: he was.

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Speaker 1: Let's not start this.

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Speaker 4: Okay, it's a in golf, It's a mulligan, right is

288
00:16:24,960 --> 00:16:27,160
Speaker 4: that what they call it? Like you take a mulligan

289
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Speaker 4: when you're just like, we're just gonna do this over right, right?

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Speaker 1: Yes?

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Speaker 4: So can We're just taking a mulligan on that last

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Speaker 4: named after Jerry Mulligan from.

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Speaker 1: Carrie Mulligan from who Carri pronounced Carrie, Yes, Harry Carrie.

294
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Speaker 1: She's done Letterman, but she yes, she's in an education

295
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Speaker 1: I know.

296
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Speaker 2: I sort of consider her Carrie mugl Mulligan from Letterman.

297
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Speaker 1: M HM in drive if you remember the parent, she

298
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Speaker 1: was in love with the Silent scorpion Man. And so

299
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Speaker 1: we would like another crack at it, and hopefully we

300
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Speaker 1: find a scorpion man of our own during this to

301
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Speaker 1: sort of brood and inspire. Now i'd like to start

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Speaker 1: just I want to apologize and Tom this is to

303
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Speaker 1: you and stop touching the things. But so this is

304
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Speaker 1: from me to you. I'm sorry. I didn't realize I

305
00:17:27,400 --> 00:17:31,880
Speaker 1: think at the time what a baby you were and

306
00:17:31,920 --> 00:17:38,639
Speaker 1: how oh this is go on nope, and how much

307
00:17:38,760 --> 00:17:42,720
Speaker 1: you would fly off the handle over the smallest suggestion

308
00:17:42,880 --> 00:17:46,320
Speaker 1: and I could have used more tact, maybe in making

309
00:17:46,359 --> 00:17:49,280
Speaker 1: suggestions that were positive that would have made things better

310
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Speaker 1: for you. But I could have done it in a

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Speaker 1: way that didn't imply you had done something wrong.

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Speaker 4: Okay, you know what, in the spirit of just being

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Speaker 4: I accept your apology.

314
00:18:04,400 --> 00:18:05,439
Speaker 1: Thank you for me.

315
00:18:07,119 --> 00:18:09,520
Speaker 2: This is a question of research.

316
00:18:09,560 --> 00:18:12,520
Speaker 3: I guess I didn't realize going in that you invented

317
00:18:12,600 --> 00:18:17,280
Speaker 3: Monk and to have not for you to have come

318
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Speaker 3: on here and for us not to discuss.

319
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Speaker 4: The defective detective, yes.

320
00:18:23,760 --> 00:18:28,080
Speaker 3: To like to go into all the mysteries you devised,

321
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Speaker 3: like to not deal with that aspect of your career.

322
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Speaker 1: That must have been very disorienting for you that you

323
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Speaker 1: didn't take.

324
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Speaker 4: You didn't show the proper respects for the entire body

325
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Speaker 4: of work.

326
00:18:39,840 --> 00:18:42,720
Speaker 1: Yes, it's a little hard for it.

327
00:18:43,160 --> 00:18:45,480
Speaker 4: Yes, I mean I'd be lying if I said it

328
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Speaker 4: didn't sting a little bit.

329
00:18:48,440 --> 00:18:53,000
Speaker 1: But thank you. I appreciate your apology.

330
00:18:52,400 --> 00:18:55,920
Speaker 2: Because this character you create for people who.

331
00:18:55,720 --> 00:18:57,240
Speaker 1: Don't create the character.

332
00:18:58,680 --> 00:19:01,960
Speaker 4: Oh, I was a staffer on the show.

333
00:19:01,920 --> 00:19:04,120
Speaker 1: But you invented a lot of his moves.

334
00:19:04,960 --> 00:19:08,680
Speaker 4: I contributed writing to the show. Sure, I mean I.

335
00:19:08,359 --> 00:19:11,240
Speaker 1: You were the one that said he should be all

336
00:19:11,560 --> 00:19:16,359
Speaker 1: fucked up weird, right, that was not me? No, I

337
00:19:16,720 --> 00:19:18,520
Speaker 1: wrote you made him a detective.

338
00:19:18,800 --> 00:19:22,520
Speaker 4: Not me either, No, I came on you. I didn't,

339
00:19:22,640 --> 00:19:28,520
Speaker 4: I do, and I currently do. That's nice, It is nice.

340
00:19:29,560 --> 00:19:34,960
Speaker 1: Did Monk overlap with him doing men in Black? It

341
00:19:35,040 --> 00:19:38,639
Speaker 1: did not? Is that he look crazy? Is that Monk?

342
00:19:39,040 --> 00:19:40,199
Speaker 2: Is that the same universe?

343
00:19:40,240 --> 00:19:43,720
Speaker 1: Well? This, yes, the black of verse? Yes? Is that

344
00:19:44,480 --> 00:19:45,320
Speaker 1: part of it?

345
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Speaker 4: Like? Is are we supposed to wonder if his head's

346
00:19:48,400 --> 00:19:52,720
Speaker 4: gonna No? No, no, he's not running up. He's not

347
00:19:52,800 --> 00:19:56,960
Speaker 4: an alien running a pawn shop on monk, like he's

348
00:19:56,960 --> 00:20:01,400
Speaker 4: an earthling okay, and there are no aliens Monk, but that.

349
00:20:01,480 --> 00:20:04,160
Speaker 2: Isn't what he would That is what he would say.

350
00:20:04,359 --> 00:20:07,640
Speaker 4: Yes, if he was the alien, Yes, until somebody gunned

351
00:20:07,680 --> 00:20:10,760
Speaker 4: his head explode, Yeah, has to blow up and then

352
00:20:11,000 --> 00:20:12,320
Speaker 4: like a green flate.

353
00:20:13,000 --> 00:20:13,200
Speaker 1: Hmm.

354
00:20:14,560 --> 00:20:18,240
Speaker 4: If he was Monk would not see this is this

355
00:20:18,280 --> 00:20:22,399
Speaker 4: is we're off? No, this is stupid again.

356
00:20:22,520 --> 00:20:23,600
Speaker 1: Already, let's talky.

357
00:20:23,400 --> 00:20:27,119
Speaker 3: About five S five E fourteen. Mister Monk visits a farm.

358
00:20:27,400 --> 00:20:34,119
Speaker 4: Yeah, fourteen would make that that's we're talking uh season

359
00:20:34,160 --> 00:20:37,560
Speaker 4: five episodes, okay, so that would be.

360
00:20:37,720 --> 00:20:40,080
Speaker 2: Uh Disher retires.

361
00:20:40,200 --> 00:20:40,440
Speaker 1: Yeah.

362
00:20:41,040 --> 00:20:43,960
Speaker 4: So now we're If it's fourteen, then we're five into

363
00:20:44,000 --> 00:20:44,800
Speaker 4: the back seven.

364
00:20:46,680 --> 00:20:50,919
Speaker 1: Sure he does not seem if I could say, and

365
00:20:51,000 --> 00:20:54,399
Speaker 1: I don't recall this episode specifically, but I imagine he's not

366
00:20:54,600 --> 00:20:58,560
Speaker 1: suited to farm life. It's a little messy in that environment,

367
00:20:58,680 --> 00:20:59,000
Speaker 1: is it not?

368
00:20:59,320 --> 00:21:01,439
Speaker 3: Well, he's trying it, probably find some piece of quiet

369
00:21:01,440 --> 00:21:04,120
Speaker 3: from all these murder mysteries he needs to be solving.

370
00:21:04,240 --> 00:21:08,200
Speaker 4: Well, See, this is I didn't come here to talk

371
00:21:08,240 --> 00:21:12,159
Speaker 4: about specific episodes of a thing I did that I

372
00:21:12,160 --> 00:21:13,720
Speaker 4: couldn't even I couldn't.

373
00:21:14,040 --> 00:21:16,720
Speaker 1: I don't remember any of it. Okay, forget specific episodes.

374
00:21:16,720 --> 00:21:18,520
Speaker 1: Any hanky panky between him and that assistant.

375
00:21:19,720 --> 00:21:23,159
Speaker 4: No, no, no, no, is this like some sort of

376
00:21:23,240 --> 00:21:25,680
Speaker 4: like monk gotcha thing?

377
00:21:25,800 --> 00:21:26,040
Speaker 3: Now?

378
00:21:26,359 --> 00:21:30,520
Speaker 4: It's like it's weird because you guys clearly don't know

379
00:21:30,600 --> 00:21:33,520
Speaker 4: anything about it, but you're trying to like catch me

380
00:21:33,760 --> 00:21:35,440
Speaker 4: on on like a loophole.

381
00:21:35,640 --> 00:21:38,600
Speaker 1: This is genuine curiosity. Don know what you're talking about.

382
00:21:38,920 --> 00:21:41,560
Speaker 1: This is genuine curiosity. We've got three adult men in here,

383
00:21:41,560 --> 00:21:43,640
Speaker 1: and are we going to talk about sex or what

384
00:21:45,200 --> 00:21:47,960
Speaker 1: I mean? We're talking monk? He's got a female assistant.

385
00:21:48,119 --> 00:21:50,359
Speaker 1: You never wondered if there was any hanky panky. I

386
00:21:50,440 --> 00:21:51,280
Speaker 1: knew there wasn't.

387
00:21:51,960 --> 00:21:57,640
Speaker 4: Ok yeah, it didn't fit the storyline, all right, all right, so.

388
00:21:57,760 --> 00:22:01,080
Speaker 3: I guess this is just part of our larger endeavor

389
00:22:01,160 --> 00:22:07,960
Speaker 3: with you finding areas of strength knowledge to figure out

390
00:22:08,080 --> 00:22:13,800
Speaker 3: what your ideal show should be. Right, I mean, isn't

391
00:22:13,840 --> 00:22:15,600
Speaker 3: that still like sort of our mission here.

392
00:22:15,680 --> 00:22:17,600
Speaker 1: Yeah, we don't want you to have to retire early

393
00:22:17,720 --> 00:22:22,240
Speaker 1: like Disher, and that is you have to meet monk

394
00:22:23,320 --> 00:22:25,159
Speaker 1: monk knowledge. Is that?

395
00:22:25,200 --> 00:22:28,080
Speaker 4: I mean, that's probably your number one what you're bringing

396
00:22:28,119 --> 00:22:28,400
Speaker 4: to this.

397
00:22:28,720 --> 00:22:31,919
Speaker 1: The biggest asset that we can identify.

398
00:22:32,000 --> 00:22:36,040
Speaker 4: Thus, I'd have to go back to school on it,

399
00:22:36,119 --> 00:22:40,120
Speaker 4: kind of like if I remember rightly season Well that

400
00:22:40,240 --> 00:22:43,480
Speaker 4: I do know is Seth what is it Golden.

401
00:22:43,240 --> 00:22:47,200
Speaker 1: Or grodenin yeah? Right? Is it? Which it's Goden? Yes?

402
00:22:47,640 --> 00:22:51,399
Speaker 1: And he writes what like money voting, need to get upset?

403
00:22:51,560 --> 00:22:54,320
Speaker 4: He writes money books or something. Yes, he writes money books.

404
00:22:54,440 --> 00:22:59,840
Speaker 1: Okay, big pitch monk punks. We've seen the success of

405
00:23:00,119 --> 00:23:04,640
Speaker 1: or more girls. We've seen these recap shows a go

406
00:23:04,720 --> 00:23:08,160
Speaker 1: Bay side. All they all they do is just watch

407
00:23:08,200 --> 00:23:12,960
Speaker 1: a show and say what but imagine and you don't

408
00:23:12,960 --> 00:23:16,399
Speaker 1: have to work too hard. You watch the show and say,

409
00:23:16,440 --> 00:23:20,120
Speaker 1: what is what happened? But you actually worked there and

410
00:23:20,160 --> 00:23:21,360
Speaker 1: in part created it.

411
00:23:22,720 --> 00:23:27,160
Speaker 4: So I would just do episodes. My show, The Best Show,

412
00:23:28,119 --> 00:23:32,320
Speaker 4: which is like a comedy call in show, like a

413
00:23:32,359 --> 00:23:38,600
Speaker 4: fun thing, would now turn into recapping a TV series

414
00:23:38,640 --> 00:23:40,879
Speaker 4: I worked on episode by episode.

415
00:23:41,800 --> 00:23:45,120
Speaker 3: Well, these other guys are only in front of the scenes,

416
00:23:45,359 --> 00:23:48,080
Speaker 3: whereas you come from a perspective.

417
00:23:47,800 --> 00:23:51,680
Speaker 4: Like I remember when we were doing mister Monk gets

418
00:23:51,720 --> 00:24:00,240
Speaker 4: hypnotized that when when I heard we were getting what's

419
00:24:00,240 --> 00:24:03,920
Speaker 4: his face to play the shrink in it? The guy

420
00:24:03,920 --> 00:24:06,200
Speaker 4: from West Wing? What's the guy from West Wing?

421
00:24:06,640 --> 00:24:09,240
Speaker 1: Oh uh, Richard Schiff?

422
00:24:09,440 --> 00:24:13,959
Speaker 4: Yeah, when I heard Richard Schiff was on board, then

423
00:24:13,960 --> 00:24:17,200
Speaker 4: it's like, all right, well let's let's like look at

424
00:24:17,200 --> 00:24:22,239
Speaker 4: these lines again coming out of his mouth versus just

425
00:24:22,280 --> 00:24:24,680
Speaker 4: what we came up with in the room.

426
00:24:25,080 --> 00:24:28,800
Speaker 1: Let's shift it up. Yeah, well that's exactly shift up

427
00:24:28,800 --> 00:24:29,160
Speaker 1: the dial.

428
00:24:29,359 --> 00:24:34,840
Speaker 4: I do think it's a paradigm shift. So yeah, so

429
00:24:34,920 --> 00:24:36,520
Speaker 4: that's what you're saying the show. I would not do

430
00:24:36,600 --> 00:24:39,920
Speaker 4: that show now, that would be that's not the show

431
00:24:39,960 --> 00:24:41,760
Speaker 4: I would you signed an NDA.

432
00:24:43,080 --> 00:24:44,919
Speaker 1: No I did. I did last day of Monk not

433
00:24:45,040 --> 00:24:46,960
Speaker 1: allowed to tell Monk secrets.

434
00:24:46,760 --> 00:24:49,560
Speaker 4: So you know, what an NDA is? Yes, it's a

435
00:24:49,640 --> 00:24:53,720
Speaker 4: what A What does A stand for? Because I've done

436
00:24:54,480 --> 00:24:56,199
Speaker 4: this is a track let me try to get me

437
00:24:56,240 --> 00:24:58,679
Speaker 4: to try to get me to say he wants you

438
00:24:58,720 --> 00:25:01,800
Speaker 4: to say, but I'm not allowed to say, blake doing

439
00:25:01,840 --> 00:25:03,760
Speaker 4: attitude again.

440
00:25:05,119 --> 00:25:06,640
Speaker 1: This is we've done this before.

441
00:25:07,119 --> 00:25:09,200
Speaker 4: I did my homework on you guys, since the last

442
00:25:09,200 --> 00:25:13,040
Speaker 4: time I was here. And it's like in the movie Patton.

443
00:25:13,080 --> 00:25:16,240
Speaker 4: You ever see the movie Paton? Yeah, I read your book.

444
00:25:16,520 --> 00:25:19,439
Speaker 4: I read your Remember when he said.

445
00:25:19,320 --> 00:25:21,840
Speaker 2: Yeah, it's like a giants man gets a right.

446
00:25:22,600 --> 00:25:24,800
Speaker 4: No, that's a movie called Big Fan.

447
00:25:25,240 --> 00:25:27,280
Speaker 2: Okay, Oh so that's what you're a big fan of?

448
00:25:27,320 --> 00:25:28,440
Speaker 1: Ours is what you're getting it.

449
00:25:29,800 --> 00:25:34,760
Speaker 4: Look, I'm not regretting this yet being back here, I

450
00:25:34,800 --> 00:25:38,040
Speaker 4: still think we can pull this out. We're still on

451
00:25:38,080 --> 00:25:42,840
Speaker 4: the runway, the apology model. You guys were nice, still

452
00:25:42,840 --> 00:25:45,240
Speaker 4: doing a modeling. Well, no, they're not that kind of runway.

453
00:25:45,320 --> 00:25:49,879
Speaker 1: Oh yes, oh right, okay, you would rather recut project

454
00:25:50,000 --> 00:25:54,040
Speaker 1: runway go all the way back through? Remember what the

455
00:25:54,080 --> 00:25:59,080
Speaker 1: wild personality Sentino and the like doing your tim gun?

456
00:25:59,119 --> 00:26:01,680
Speaker 1: Do your tim gun real quick for us, Tom, I

457
00:26:01,720 --> 00:26:05,479
Speaker 1: don't do impressions, okay, okay, okay, Well we found another

458
00:26:05,560 --> 00:26:07,399
Speaker 1: weakness and we just have to find a way to

459
00:26:07,400 --> 00:26:07,840
Speaker 1: mask it.

460
00:26:10,160 --> 00:26:14,120
Speaker 4: Does he just leave like that engineer Cody, Yeah, yeah, yeah,

461
00:26:14,119 --> 00:26:18,679
Speaker 4: that's really distracting. And he leaves the door open.

462
00:26:19,000 --> 00:26:24,000
Speaker 3: Leaves the door open, changing the quality of the sound significantly.

463
00:26:24,520 --> 00:26:28,040
Speaker 3: I've come to accept just an unspoken thing that it's

464
00:26:28,040 --> 00:26:31,400
Speaker 3: a bowel as you and just not mention.

465
00:26:31,320 --> 00:26:33,399
Speaker 1: It the room. I thought he had a roast in

466
00:26:33,440 --> 00:26:36,400
Speaker 1: the oven. Is the frequency with that she's running off

467
00:26:36,400 --> 00:26:36,960
Speaker 1: to the kitchen.

468
00:26:37,040 --> 00:26:38,280
Speaker 2: He's got a check on the road.

469
00:26:38,920 --> 00:26:41,840
Speaker 1: Yeah, maybe just glaze it again or something.

470
00:26:42,640 --> 00:26:45,239
Speaker 4: Because because it just feels different now in here. It's

471
00:26:45,280 --> 00:26:48,600
Speaker 4: like I hear street noise. But as I was saying,

472
00:26:48,600 --> 00:26:51,520
Speaker 4: I read your book, so to speak, I know the

473
00:26:51,560 --> 00:26:55,199
Speaker 4: story of you guys now too. So this is a

474
00:26:55,200 --> 00:26:56,760
Speaker 4: different kind of dance. This time.

475
00:26:56,920 --> 00:26:57,920
Speaker 1: We're an open book.

476
00:26:59,240 --> 00:27:02,000
Speaker 4: I just I I can hold my own against you

477
00:27:02,000 --> 00:27:05,720
Speaker 4: guys and kind of throw stuff right back at you

478
00:27:05,760 --> 00:27:06,200
Speaker 4: this time.

479
00:27:06,359 --> 00:27:07,639
Speaker 1: All right, lay something on me.

480
00:27:10,119 --> 00:27:11,760
Speaker 4: Is that a scratch off ticket over there?

481
00:27:11,800 --> 00:27:14,600
Speaker 1: What is that? Yes? We give these people deserve them.

482
00:27:14,720 --> 00:27:17,760
Speaker 4: There's those prank ones where like you win and then

483
00:27:18,720 --> 00:27:22,200
Speaker 4: people no, no, snake doesn't jump out of the scratch

484
00:27:22,240 --> 00:27:26,480
Speaker 4: off ticket, it's no. It's the ones where it says

485
00:27:26,480 --> 00:27:28,840
Speaker 4: like you win, and then like the person's jumping around

486
00:27:28,880 --> 00:27:29,280
Speaker 4: the room and.

487
00:27:29,320 --> 00:27:31,120
Speaker 1: Then because it's so hot in their mouth.

488
00:27:31,359 --> 00:27:35,560
Speaker 4: Well no, because the ticket says because it's it's it's fake.

489
00:27:37,240 --> 00:27:42,240
Speaker 4: It's not fake, dog do it's it's okay, it's like

490
00:27:43,000 --> 00:27:45,040
Speaker 4: you scratch off. It says like you win, and then

491
00:27:45,119 --> 00:27:47,119
Speaker 4: it says just like ha ha, just kidding.

492
00:27:47,160 --> 00:27:49,159
Speaker 1: And then you film the purple a string and it

493
00:27:49,240 --> 00:27:50,280
Speaker 1: comes away and there.

494
00:27:50,240 --> 00:27:52,840
Speaker 4: No, that's that would be in addition to what was

495
00:27:52,920 --> 00:27:56,760
Speaker 4: underneath the yes, okay, that one of those that is

496
00:27:56,800 --> 00:28:00,639
Speaker 4: this the book that no, no, no, this is it

497
00:28:00,760 --> 00:28:03,879
Speaker 4: is paper, but yeah, this is just it has words,

498
00:28:03,920 --> 00:28:06,560
Speaker 4: but it's flat paper. I'm just trying to hold my

499
00:28:06,640 --> 00:28:09,080
Speaker 4: own here with this without feeling like.

500
00:28:09,320 --> 00:28:12,399
Speaker 1: It was weird. You came at us like you figured

501
00:28:12,480 --> 00:28:14,919
Speaker 1: us out now and you were gonna lay some heavy stuff,

502
00:28:14,920 --> 00:28:16,480
Speaker 1: but then you just asked him if it was a

503
00:28:16,520 --> 00:28:20,920
Speaker 1: scratch off ticket. Now, I was trying to not take

504
00:28:20,960 --> 00:28:22,760
Speaker 1: him a long way around, trying to.

505
00:28:22,720 --> 00:28:24,919
Speaker 4: Just knock him off his game a little bit haze,

506
00:28:25,680 --> 00:28:28,320
Speaker 4: but it didn't. It maybe didn't track as much because

507
00:28:28,359 --> 00:28:29,040
Speaker 4: you guys.

508
00:28:28,880 --> 00:28:30,160
Speaker 1: I've never seen him get rattled.

509
00:28:31,040 --> 00:28:37,040
Speaker 4: He's like, hitch, huh, but I can do the same

510
00:28:37,040 --> 00:28:37,640
Speaker 4: to you too.

511
00:28:38,560 --> 00:28:39,120
Speaker 1: I don't know.

512
00:28:40,720 --> 00:28:42,480
Speaker 4: I mean, what are those sunglasses over there?

513
00:28:42,640 --> 00:28:46,760
Speaker 1: Hey hold on now, wait a damn seven.

514
00:28:46,840 --> 00:28:49,560
Speaker 4: Okay, listen, when we had you back here, I mean

515
00:28:49,600 --> 00:28:50,960
Speaker 4: it's we're inside and.

516
00:28:50,880 --> 00:28:56,000
Speaker 1: You you come into my studio, well scripts's studio, but

517
00:28:56,000 --> 00:29:00,160
Speaker 1: that I scheduled time in mm hmm. And you're attacking

518
00:29:00,240 --> 00:29:02,240
Speaker 1: the thing on my table that I wear and just

519
00:29:02,280 --> 00:29:05,200
Speaker 1: shield my eyes. It's California.

520
00:29:05,840 --> 00:29:08,360
Speaker 4: Uh huh. They couldn't sit in the car.

521
00:29:08,640 --> 00:29:16,440
Speaker 1: Oh jesus, I'm really fucking steamed now. I didn't want

522
00:29:16,480 --> 00:29:20,200
Speaker 1: to have to do this, Tom. Yeah, but it might

523
00:29:20,240 --> 00:29:28,440
Speaker 1: be time to fight fire with fire. Oh okay, So

524
00:29:28,560 --> 00:29:33,120
Speaker 1: when you're so, how come when you're doing monk, which

525
00:29:33,160 --> 00:29:37,240
Speaker 1: I haven't done in a long time. Yeah exactly, so yeah, yeah,

526
00:29:37,320 --> 00:29:42,440
Speaker 1: come thank you? Yeah, wake up back in? Yeah, do

527
00:29:42,560 --> 00:29:46,560
Speaker 1: some monk. At least that's something to be fair. Look

528
00:29:46,600 --> 00:29:47,000
Speaker 1: to be fair.

529
00:29:47,040 --> 00:29:49,440
Speaker 4: The sunglass thing was a low blow, So I do

530
00:29:49,520 --> 00:29:54,720
Speaker 4: apologize for that. It is California. I'm sorry, Sean.

531
00:29:55,040 --> 00:29:59,920
Speaker 6: It's safer to have them, So yeah, I apologize for that.

532
00:30:00,040 --> 00:30:03,800
Speaker 4: Scratch off tickets. I'm still a little puzzled by, like

533
00:30:03,920 --> 00:30:06,720
Speaker 4: is that like a It's just a treat, just like you,

534
00:30:06,840 --> 00:30:11,360
Speaker 4: just like after you a hard podcast, you scratch off

535
00:30:11,400 --> 00:30:13,400
Speaker 4: some tickets to kind of blow off some steam.

536
00:30:13,640 --> 00:30:16,720
Speaker 1: It's a gift for guests. You actually get something when

537
00:30:16,760 --> 00:30:19,680
Speaker 1: you do this show, not like when people go and

538
00:30:19,680 --> 00:30:22,040
Speaker 1: do monk punks. Well, you don't give him any things.

539
00:30:22,040 --> 00:30:24,200
Speaker 4: I wouldn't know that because I didn't get one last time.

540
00:30:25,240 --> 00:30:29,600
Speaker 1: But that was prescripts number one. I'm not sure you

541
00:30:29,640 --> 00:30:32,000
Speaker 1: earned it last time. And it's not necessarily that they

542
00:30:32,000 --> 00:30:34,640
Speaker 1: weren't here. Some of the stuff that you said last

543
00:30:34,680 --> 00:30:41,520
Speaker 1: time was let's just face it, what like, yeah, dumb stuff.

544
00:30:41,760 --> 00:30:44,400
Speaker 3: We the way, I mean, the thing we can do

545
00:30:44,440 --> 00:30:47,720
Speaker 3: with these is Cody can if he like rubs his

546
00:30:47,800 --> 00:30:50,960
Speaker 3: face on these. He has a specific kind of human

547
00:30:51,040 --> 00:30:55,760
Speaker 3: grease that where you can see what's underneath the cards

548
00:30:55,760 --> 00:30:58,480
Speaker 3: without scratching it off, and then it fades away and

549
00:30:58,520 --> 00:31:00,200
Speaker 3: if you don't scratch it you can return.

550
00:31:00,360 --> 00:31:04,520
Speaker 4: Okay, Well what about what if what about this? If

551
00:31:04,520 --> 00:31:08,520
Speaker 4: he doesn't wash the grease for a while, would it

552
00:31:08,560 --> 00:31:12,840
Speaker 4: get strong enough to go to like one of the

553
00:31:13,280 --> 00:31:16,840
Speaker 4: lottery ticket vending machines and could you see throw it inside,

554
00:31:17,240 --> 00:31:18,640
Speaker 4: like through the glass.

555
00:31:18,400 --> 00:31:21,880
Speaker 1: Like could the grease march in there on its own power? Yeah?

556
00:31:21,920 --> 00:31:25,240
Speaker 4: And then you'd be like, all right, let's just buy those,

557
00:31:25,320 --> 00:31:27,680
Speaker 4: and don't buy those because there's a bunch of losers there.

558
00:31:27,840 --> 00:31:30,800
Speaker 1: We want the third ticket, the eighth ticket, we want

559
00:31:30,800 --> 00:31:34,080
Speaker 1: twelve tickets after that. And it's the grease telling us

560
00:31:34,120 --> 00:31:37,680
Speaker 1: the secrets. So the grease marches off his face, stomps

561
00:31:37,720 --> 00:31:41,320
Speaker 1: inside the little case, sort of dances across the tickets,

562
00:31:41,320 --> 00:31:43,760
Speaker 1: then comes back and climbs in Cody's ear. It tells

563
00:31:43,800 --> 00:31:46,960
Speaker 1: him the secrets. This sounds like a good thing.

564
00:31:47,360 --> 00:31:50,600
Speaker 4: Yeah, Like like and does the grease come back or

565
00:31:50,680 --> 00:31:52,880
Speaker 4: is it just gone once it goes off his face?

566
00:31:53,000 --> 00:31:55,280
Speaker 3: See, well, this is the painful thing about it. It

567
00:31:55,600 --> 00:31:57,320
Speaker 3: can't survive on its own.

568
00:31:57,240 --> 00:32:00,760
Speaker 6: Okay, and it's got a very short time spend sure

569
00:32:00,920 --> 00:32:04,040
Speaker 6: like like Osmosis Jones like that kind of thing where

570
00:32:04,080 --> 00:32:07,719
Speaker 6: exactly like, yes, so you have seen it.

571
00:32:08,080 --> 00:32:08,400
Speaker 1: I have.

572
00:32:09,040 --> 00:32:10,960
Speaker 3: And so this is I mean, part of why we

573
00:32:12,200 --> 00:32:13,960
Speaker 3: arranged to do this again the way we did is

574
00:32:14,000 --> 00:32:17,120
Speaker 3: because what we're what maybe we're looking for with you

575
00:32:18,280 --> 00:32:25,200
Speaker 3: is a partner. You're hosting the show essentially solo talking

576
00:32:25,600 --> 00:32:29,719
Speaker 3: just to an invisible brend.

577
00:32:29,880 --> 00:32:32,680
Speaker 1: The listenership, I call it, right, so you call it

578
00:32:32,680 --> 00:32:35,160
Speaker 1: the listenership. So how about this? Your dress is a

579
00:32:35,200 --> 00:32:38,000
Speaker 1: pirate captain. Maybe even Jack Sparrow. We tied him with

580
00:32:38,040 --> 00:32:40,480
Speaker 1: some of that stuff. Oh so you're just you're being

581
00:32:40,680 --> 00:32:44,200
Speaker 1: super literal with the listener shit. It just gave me

582
00:32:44,240 --> 00:32:46,160
Speaker 1: an idea for some kind of hook for the show,

583
00:32:46,240 --> 00:32:48,800
Speaker 1: because honestly, you've talked about your show a few times

584
00:32:48,960 --> 00:32:50,560
Speaker 1: and I can't picture it.

585
00:32:50,720 --> 00:32:53,560
Speaker 4: Okay, Well, the thing you're not supposed to You just

586
00:32:53,600 --> 00:32:56,760
Speaker 4: supposed to listen to it and not necessarily picture it.

587
00:32:57,280 --> 00:33:00,400
Speaker 4: Oh please, I mean maybe I should just focus on

588
00:33:00,480 --> 00:33:02,640
Speaker 4: Maybe I should be wearing sunglasses while I do it

589
00:33:02,720 --> 00:33:04,520
Speaker 4: or something, Tom that.

590
00:33:04,480 --> 00:33:14,280
Speaker 1: Would you know what, Tom, I'll tell you what. This

591
00:33:14,440 --> 00:33:18,120
Speaker 1: isn't gonna be. This isn't gonna be you apologizing for

592
00:33:18,160 --> 00:33:21,400
Speaker 1: saying something about my sunglasses and then saying something else

593
00:33:21,440 --> 00:33:26,600
Speaker 1: about my sunglasses. I promise that's not the game. And

594
00:33:26,680 --> 00:33:30,160
Speaker 1: if it happens one more time, I'm not gonna be

595
00:33:30,160 --> 00:33:34,479
Speaker 1: held responsible for what I do and scripts and nobody

596
00:33:34,480 --> 00:33:38,800
Speaker 1: else is gonna be able to protect you, so I

597
00:33:38,800 --> 00:33:40,640
Speaker 1: can't hide behind this pile of money.

598
00:33:42,000 --> 00:33:44,040
Speaker 2: Yeah, they got to get rid of this. I mean,

599
00:33:44,360 --> 00:33:45,520
Speaker 2: should that be in here?

600
00:33:45,680 --> 00:33:45,960
Speaker 1: Yeah?

601
00:33:46,000 --> 00:33:48,520
Speaker 3: I mean I guess it's like from the I see

602
00:33:48,600 --> 00:33:51,360
Speaker 3: like Jeff Alreat comes in and takes out just a

603
00:33:51,440 --> 00:33:54,440
Speaker 3: little bit at a time. I don't know why he

604
00:33:54,560 --> 00:33:57,040
Speaker 3: can't just like take the whole, you know, get some peoples.

605
00:33:57,280 --> 00:33:59,640
Speaker 1: That little tiny I don't want to call it a purse,

606
00:33:59,680 --> 00:34:02,960
Speaker 1: but a very small carrying case for the money. And

607
00:34:03,000 --> 00:34:05,880
Speaker 1: he can only fit so much in there. Yes, it's

608
00:34:05,880 --> 00:34:08,319
Speaker 1: like a fashion thing or something. But he has a

609
00:34:08,400 --> 00:34:12,880
Speaker 1: very very small pouch, yeah, that he's putting the money in.

610
00:34:12,960 --> 00:34:15,319
Speaker 1: And I wish he would get something bigger because it's

611
00:34:15,400 --> 00:34:17,160
Speaker 1: very strange to have it in here all the time.

612
00:34:18,080 --> 00:34:21,120
Speaker 1: And I don't want to be held responsible and I can.

613
00:34:21,280 --> 00:34:23,520
Speaker 3: I mean for me, it's a you know, like I've

614
00:34:23,560 --> 00:34:28,400
Speaker 3: seen money, but for someone like engineer Cody to be

615
00:34:28,520 --> 00:34:30,759
Speaker 3: like he has to be here like smelling it all day.

616
00:34:30,840 --> 00:34:32,400
Speaker 1: If he finds out what it is and what it

617
00:34:32,440 --> 00:34:36,200
Speaker 1: could do with it, that's trouble. Tom.

618
00:34:36,280 --> 00:34:37,880
Speaker 2: What about Cody?

619
00:34:38,080 --> 00:34:39,600
Speaker 1: Yeah? What about him?

620
00:34:39,680 --> 00:34:43,000
Speaker 3: I'm just looking at you guys sitting together, and I

621
00:34:43,160 --> 00:34:46,480
Speaker 3: just see like, is this it is this?

622
00:34:46,520 --> 00:34:50,000
Speaker 1: What it is? Is this a combination? So pairing me

623
00:34:50,080 --> 00:34:51,920
Speaker 1: with Cody? What about that for?

624
00:34:52,080 --> 00:34:52,200
Speaker 4: What?

625
00:34:52,400 --> 00:34:53,480
Speaker 1: For when? What?

626
00:34:53,560 --> 00:34:55,720
Speaker 4: Who would do what role on the show.

627
00:34:55,840 --> 00:34:59,560
Speaker 1: Well, let's see. Oh okay, let's hear what it might sound.

628
00:34:59,560 --> 00:35:05,719
Speaker 3: Look, let's let's just do Yeah, let's just do the

629
00:35:05,800 --> 00:35:08,040
Speaker 3: podcast of you guys.

630
00:35:08,560 --> 00:35:10,439
Speaker 2: Let's just kind of play it out. Is my sound

631
00:35:10,520 --> 00:35:11,000
Speaker 2: still going?

632
00:35:11,040 --> 00:35:14,200
Speaker 1: Cody? Yeah? And what are we doing here?

633
00:35:14,239 --> 00:35:16,719
Speaker 4: Which which, Well, first, it's kind of hard to see you.

634
00:35:16,840 --> 00:35:19,120
Speaker 1: This is a computer monitors. Yeah, that's let's keep it

635
00:35:19,160 --> 00:35:19,520
Speaker 1: that way.

636
00:35:19,880 --> 00:35:23,320
Speaker 3: Actually, this is how this is how we find it sometimes,

637
00:35:23,360 --> 00:35:25,319
Speaker 3: you know, we just play it out and we see

638
00:35:25,320 --> 00:35:25,920
Speaker 3: what works.

639
00:35:26,320 --> 00:35:28,680
Speaker 1: Okay, so let's just let's just show. Let's just do

640
00:35:28,719 --> 00:35:31,799
Speaker 1: it from the top.

641
00:35:31,880 --> 00:35:39,360
Speaker 7: It's the Tom and Cody Show at seven seventy seven am.

642
00:35:39,920 --> 00:35:43,560
Speaker 1: That's back again that I thought we sees.

643
00:35:44,239 --> 00:35:47,000
Speaker 2: Tom eggs beautiful.

644
00:35:48,000 --> 00:35:51,320
Speaker 4: Hey, everybody, welcome back to the to the show. It's

645
00:35:51,880 --> 00:35:54,640
Speaker 4: clock on the walls telling me it's seven seventy seven.

646
00:35:54,760 --> 00:35:58,200
Speaker 4: I hope everybody's gonna have a great day today. It's

647
00:35:58,280 --> 00:36:00,440
Speaker 4: real sonny out there. You might want to if you're

648
00:36:00,480 --> 00:36:02,759
Speaker 4: going to be driving. Uh, I'm not going to say

649
00:36:03,520 --> 00:36:06,239
Speaker 4: you want to drive without anything on your eyes. I

650
00:36:06,320 --> 00:36:10,279
Speaker 4: might want to think about something to help protect your

651
00:36:10,400 --> 00:36:14,800
Speaker 4: vision from getting hit in the sun in your eyes.

652
00:36:15,280 --> 00:36:20,120
Speaker 4: They sell these things called, uh there, you know glasses

653
00:36:20,120 --> 00:36:23,200
Speaker 4: that people wear for when they have vision problems. They

654
00:36:23,239 --> 00:36:26,080
Speaker 4: sell these things now that don't correct your vision, but

655
00:36:26,160 --> 00:36:30,040
Speaker 4: they protect your eyes from the sun. They are called sunglasses,

656
00:36:30,239 --> 00:36:33,120
Speaker 4: and you really might want to check them out.

657
00:36:33,400 --> 00:36:37,040
Speaker 1: There are all sorts of enough and this is what

658
00:36:37,080 --> 00:36:37,279
Speaker 1: you do.

659
00:36:37,520 --> 00:36:40,400
Speaker 3: You're you're falling into your old I'm still this is

660
00:36:40,400 --> 00:36:40,839
Speaker 3: what I'm saying.

661
00:36:40,920 --> 00:36:44,080
Speaker 1: Let's throw it over to Cody. Yeah, he's Cody.

662
00:36:44,120 --> 00:36:48,680
Speaker 8: He's raising his hand sunglasses, sun shades.

663
00:36:48,960 --> 00:36:51,240
Speaker 1: Yeah, I'm sure you want to be on that side

664
00:36:51,280 --> 00:36:54,879
Speaker 1: of this thing. Code. Oh baby, I'm already here. Yeah,

665
00:36:54,960 --> 00:36:55,680
Speaker 1: thank you, Cody.

666
00:36:56,600 --> 00:36:58,439
Speaker 4: What's it like, Cody, when you see one of these

667
00:36:58,960 --> 00:37:03,880
Speaker 4: dipshits walking down on suns Have Boulevard with their sunglasses on,

668
00:37:03,960 --> 00:37:06,160
Speaker 4: don't you just want to like throw a brick in

669
00:37:06,200 --> 00:37:06,920
Speaker 4: their face.

670
00:37:06,719 --> 00:37:11,440
Speaker 1: Wring their little necks? Right, my face, little neck. This

671
00:37:11,640 --> 00:37:12,640
Speaker 1: better not be about me.

672
00:37:13,840 --> 00:37:20,000
Speaker 4: So the topic today is sunglasses and the douches who

673
00:37:20,040 --> 00:37:22,759
Speaker 4: wear them. The number is what's the number here?

674
00:37:23,320 --> 00:37:25,160
Speaker 1: One eight hundred ear Wolf, one.

675
00:37:25,040 --> 00:37:30,239
Speaker 4: Eight hundred ear Wolf. Let's go to the phones. Scripts.

676
00:37:30,480 --> 00:37:34,600
Speaker 4: It's one one hundred script scripts, is it? S? C

677
00:37:34,800 --> 00:37:35,960
Speaker 4: R I, P T S.

678
00:37:36,200 --> 00:37:38,680
Speaker 1: Just put as many p's in to get seven to

679
00:37:38,680 --> 00:37:39,440
Speaker 1: get to the seven.

680
00:37:39,520 --> 00:37:42,440
Speaker 4: Okay, one eight hundred scripts. Let's go to the phones

681
00:37:42,520 --> 00:37:47,640
Speaker 4: right now, We've got Hayes from Los Angeles calling in.

682
00:37:48,520 --> 00:37:53,359
Speaker 1: Hey, welcome to the show. Well, no, that's supposed to No,

683
00:37:53,680 --> 00:37:55,120
Speaker 1: I'm curious. I'm curious.

684
00:37:56,120 --> 00:37:57,239
Speaker 2: Look, I can do guess the show.

685
00:37:57,280 --> 00:38:00,359
Speaker 3: I sort of like this version where Cody plays all

686
00:38:00,400 --> 00:38:01,880
Speaker 3: of the callers as well.

687
00:38:02,080 --> 00:38:04,839
Speaker 4: All right, hey, we got Hayes from Hollywood on the line.

688
00:38:05,040 --> 00:38:05,960
Speaker 1: What's going on? Hayes?

689
00:38:06,000 --> 00:38:10,520
Speaker 8: Oh hi, I'm Hayes. I like sunglasses too. What why

690
00:38:10,520 --> 00:38:11,120
Speaker 8: are you talking to?

691
00:38:11,480 --> 00:38:11,919
Speaker 1: My friend?

692
00:38:11,960 --> 00:38:14,680
Speaker 8: Wait, wears them sometimes. What what's wrong with him?

693
00:38:14,800 --> 00:38:17,319
Speaker 4: Now, Hayes, you're the host or co host of a

694
00:38:17,320 --> 00:38:20,040
Speaker 4: show called Hollywood Handbook? Is that correct?

695
00:38:20,120 --> 00:38:22,920
Speaker 1: That's true? Yeah? And you do it with who's the

696
00:38:22,920 --> 00:38:25,640
Speaker 1: guy you do it with? Sean Clements Uh huh?

697
00:38:25,760 --> 00:38:27,080
Speaker 4: Seawan wears sunglasses?

698
00:38:27,120 --> 00:38:29,759
Speaker 1: He does? And what do you think about? That? Is

699
00:38:29,840 --> 00:38:35,520
Speaker 1: about me? This is about me two things.

700
00:38:35,600 --> 00:38:39,600
Speaker 4: Okay, alright, I'm hang I'm hanging up on this guy. Yeah, So, Cody,

701
00:38:39,600 --> 00:38:40,880
Speaker 4: how do you think those calls went.

702
00:38:41,120 --> 00:38:45,280
Speaker 1: You know, not not great. I think we should listen.

703
00:38:45,360 --> 00:38:46,680
Speaker 1: First of all, change the number here.

704
00:38:46,680 --> 00:38:49,839
Speaker 3: The whole backstory with the sunglasses, which Shawn sunglasses is,

705
00:38:50,080 --> 00:38:51,680
Speaker 3: it's it's Blues Brothers.

706
00:38:51,680 --> 00:38:53,239
Speaker 1: It's just Blues Brothers. He wants to be one of

707
00:38:53,239 --> 00:38:54,000
Speaker 1: the Blues Brothers.

708
00:38:54,280 --> 00:38:59,040
Speaker 9: Uh huh, because it's if you look at Jake Elwood,

709
00:38:59,160 --> 00:39:02,759
Speaker 9: there's Blue brother and Blues Brothers two thousand, two K,

710
00:39:03,040 --> 00:39:05,720
Speaker 9: and I feel like there must be another one coming.

711
00:39:07,320 --> 00:39:10,719
Speaker 1: If you just look, Matthew, it's a pattern thing you

712
00:39:10,760 --> 00:39:11,560
Speaker 1: could look.

713
00:39:11,640 --> 00:39:14,799
Speaker 4: I'm not in the game as the way you guys are.

714
00:39:16,600 --> 00:39:19,040
Speaker 4: Because the bb Y two K had a little kid,

715
00:39:20,400 --> 00:39:24,200
Speaker 4: you pull a vacation, you're that kid grown up now

716
00:39:25,360 --> 00:39:27,800
Speaker 4: and you're trying to get the Blues Brothers back together again.

717
00:39:28,000 --> 00:39:30,200
Speaker 1: And if you crunching numbies on this stuff, you're gonna

718
00:39:30,239 --> 00:39:32,520
Speaker 1: find out that we're not that far off from it

719
00:39:32,560 --> 00:39:35,200
Speaker 1: being time for another I don't know what it'll be

720
00:39:35,239 --> 00:39:37,319
Speaker 1: if it's BB two K three to zero.

721
00:39:37,480 --> 00:39:40,640
Speaker 3: If you look at the ancient Blues Brother's calendar, it does.

722
00:39:41,280 --> 00:39:45,080
Speaker 1: Yes, it all points to you know, pretty soon. And

723
00:39:45,120 --> 00:39:49,360
Speaker 1: so if I'm not ready, then anyone could just swoop

724
00:39:49,400 --> 00:39:52,759
Speaker 1: in and become the role that I was meant to

725
00:39:52,800 --> 00:39:56,319
Speaker 1: play because I love the blues and it's such a

726
00:39:56,440 --> 00:40:02,400
Speaker 1: rich expression. And to have two white guys in sunglasses

727
00:40:03,000 --> 00:40:06,480
Speaker 1: with hats on representing the blues the way it was

728
00:40:06,640 --> 00:40:07,880
Speaker 1: meant to be saying.

729
00:40:07,800 --> 00:40:11,000
Speaker 3: Doing the bluesiest thing there is, which is the splits.

730
00:40:11,239 --> 00:40:11,680
Speaker 10: Mm hmm.

731
00:40:13,560 --> 00:40:16,759
Speaker 1: So if I could be a part of something like that,

732
00:40:16,960 --> 00:40:20,160
Speaker 1: then it would make this whole wild journey worth it

733
00:40:20,200 --> 00:40:20,400
Speaker 1: to me.

734
00:40:21,480 --> 00:40:25,480
Speaker 4: So I'm sorry. I'm sorry for them teasing you about

735
00:40:25,520 --> 00:40:26,239
Speaker 4: the sunglasses.

736
00:40:26,480 --> 00:40:30,280
Speaker 1: So that was about me earlier, the stuff with Cody

737
00:40:30,280 --> 00:40:30,719
Speaker 1: and all that.

738
00:40:31,080 --> 00:40:32,880
Speaker 4: Are you gonna flip out if I say.

739
00:40:32,719 --> 00:40:37,560
Speaker 1: It was, I'm I'm cool as a cucumber baby.

740
00:40:37,719 --> 00:40:38,960
Speaker 4: It was all about you.

741
00:40:40,600 --> 00:40:43,279
Speaker 1: Wow. It was meant to hurt Wow, and it was

742
00:40:43,320 --> 00:40:46,400
Speaker 1: to hurt me. Wow. Something's welling up inside of me

743
00:40:46,440 --> 00:40:49,040
Speaker 1: and I'm putting it back down. And it's and I

744
00:40:49,040 --> 00:40:53,400
Speaker 1: don't want to tazz out on you guys, And I

745
00:40:53,400 --> 00:40:55,759
Speaker 1: I second that you don't want him to tazz out

746
00:40:55,800 --> 00:40:59,640
Speaker 1: of you, okay, And it's I mean I can't because

747
00:40:59,680 --> 00:41:01,880
Speaker 1: I used to taz out in the studio sometimes before

748
00:41:02,000 --> 00:41:06,200
Speaker 1: the before scripts ooned all the microphones, and so it

749
00:41:06,239 --> 00:41:07,560
Speaker 1: was a little safer.

750
00:41:07,400 --> 00:41:10,200
Speaker 4: And now they just shut off if if they if

751
00:41:10,200 --> 00:41:12,520
Speaker 4: your levels go too high, the MIC's just have like

752
00:41:12,560 --> 00:41:15,359
Speaker 4: a governor on them that just they just click off.

753
00:41:15,719 --> 00:41:19,080
Speaker 1: So you know better. Yeah, So what I'm doing is

754
00:41:19,160 --> 00:41:22,240
Speaker 1: trying to control it through some of my breathing exercises.

755
00:41:23,560 --> 00:41:27,920
Speaker 4: Second thing which could help your blues, Harmonica playing.

756
00:41:35,160 --> 00:41:39,240
Speaker 1: Sorry, are you hearing those breathing exercises on Mike? Well?

757
00:41:39,760 --> 00:41:41,040
Speaker 1: Are those coming through on Mike?

758
00:41:41,680 --> 00:41:44,920
Speaker 3: It's better than the alternative, which is you becoming a tornado.

759
00:41:44,960 --> 00:41:46,520
Speaker 1: We we we we we we we.

760
00:41:48,239 --> 00:41:51,640
Speaker 3: Here's the other thing about the show that for me

761
00:41:51,800 --> 00:41:53,399
Speaker 3: is why this is maybe not gonna work.

762
00:41:54,320 --> 00:41:59,959
Speaker 2: It's Cody's show. He's eating your watch real.

763
00:42:00,400 --> 00:42:05,719
Speaker 3: When it's you and Cody, it's like you are like

764
00:42:05,840 --> 00:42:08,440
Speaker 3: lifts in his shoes basically, so you like support him

765
00:42:08,480 --> 00:42:09,000
Speaker 3: a little bit.

766
00:42:09,560 --> 00:42:12,040
Speaker 1: Yeah yeah, and you make it, you know you. I didn't.

767
00:42:12,120 --> 00:42:13,800
Speaker 2: I'd make his legs look a little longer.

768
00:42:14,080 --> 00:42:15,319
Speaker 4: I didn't see it that way at all.

769
00:42:15,480 --> 00:42:20,319
Speaker 1: And his calves look nicer. Yes, yeah, but it's but

770
00:42:20,440 --> 00:42:25,080
Speaker 1: what it is. What the show is Cody's Thanks Tom,

771
00:42:26,560 --> 00:42:31,280
Speaker 1: he waited, he blew you off my ears. I guess

772
00:42:31,920 --> 00:42:35,160
Speaker 1: in this way where then when you would speak afterwards,

773
00:42:35,480 --> 00:42:41,840
Speaker 1: I would feel pretty pissed, Yeah, that you were stealing

774
00:42:41,880 --> 00:42:43,160
Speaker 1: Cody's shine.

775
00:42:43,200 --> 00:42:44,880
Speaker 4: That I was just saying anything.

776
00:42:45,040 --> 00:42:47,480
Speaker 1: Yeah, because they really I wanted Cody to have a

777
00:42:47,480 --> 00:42:51,239
Speaker 1: little more runway. So is this why you don't work

778
00:42:51,239 --> 00:42:54,400
Speaker 1: with a partner in general? No, this is all right.

779
00:42:54,440 --> 00:42:56,440
Speaker 4: See we're we're all the way back where we were

780
00:42:56,520 --> 00:42:59,799
Speaker 4: last time, but it's somehow even worse this time because

781
00:42:59,840 --> 00:43:03,480
Speaker 4: it's just it's making less sense than it did last time. Also, oh,

782
00:43:04,640 --> 00:43:10,920
Speaker 4: so you're saying that I grease face over here, No offense,

783
00:43:11,080 --> 00:43:13,000
Speaker 4: I mean, it's is that something you're into.

784
00:43:13,080 --> 00:43:15,880
Speaker 2: Grease nose is really it's mostly coming from his nose.

785
00:43:16,160 --> 00:43:19,200
Speaker 1: So I did the thing.

786
00:43:20,200 --> 00:43:24,600
Speaker 4: He missed every queue and kind of thing I was

787
00:43:24,719 --> 00:43:27,680
Speaker 4: leading him to in terms of anything having to do

788
00:43:27,760 --> 00:43:35,480
Speaker 4: with comedy. And then he ate my lunch and you

789
00:43:35,560 --> 00:43:38,239
Speaker 4: put your sunglasses on. Now, so this is now.

790
00:43:38,760 --> 00:43:43,720
Speaker 3: I just had a feeling, okay, And now this character

791
00:43:43,960 --> 00:43:46,880
Speaker 3: is the Baby Blues.

792
00:43:47,000 --> 00:43:48,719
Speaker 1: This is Baby Blues grown up now.

793
00:43:49,520 --> 00:43:50,040
Speaker 5: Mm hmmm.

794
00:43:50,640 --> 00:43:55,360
Speaker 4: Yeah, like Rusty uh Rusty uh from Vacation.

795
00:43:57,400 --> 00:44:00,919
Speaker 1: Well that movie, isn't it, don't you know? Spoil that's

796
00:44:00,960 --> 00:44:03,239
Speaker 1: the end of the movie where he turns out to

797
00:44:03,280 --> 00:44:03,840
Speaker 1: be rusty.

798
00:44:05,840 --> 00:44:07,680
Speaker 4: Wait, baby Blues is rusty.

799
00:44:07,960 --> 00:44:09,880
Speaker 2: No, it's at the end of the vacation movie.

800
00:44:10,719 --> 00:44:13,080
Speaker 4: Yeah, oh oh, the end of the Vacation movie they

801
00:44:13,120 --> 00:44:17,880
Speaker 4: reveal that ed Helms is is actually Anthony Michael Hall. Yes, Okay,

802
00:44:18,400 --> 00:44:21,040
Speaker 4: does Anthony Michael Hall come in at the end? Did

803
00:44:21,080 --> 00:44:22,719
Speaker 4: they like morph or something?

804
00:44:23,480 --> 00:44:27,680
Speaker 2: He ed Helms's character stole his family, so.

805
00:44:27,680 --> 00:44:30,280
Speaker 1: It's like the gift. Yeah, it's got a twist.

806
00:44:30,520 --> 00:44:33,200
Speaker 3: Yeah, And like he shows up at the end because

807
00:44:33,400 --> 00:44:38,359
Speaker 3: Edelms was leading the family into a trap, into like

808
00:44:38,440 --> 00:44:44,839
Speaker 3: this shit pool, and Anthony Michael Hall appears to.

809
00:44:45,280 --> 00:44:46,120
Speaker 1: But he's too late.

810
00:44:46,160 --> 00:44:49,359
Speaker 2: They've already they're taken some of the shit water in.

811
00:44:49,320 --> 00:44:51,600
Speaker 3: Their mouths and like spat it out and stuff, and

812
00:44:51,640 --> 00:44:53,640
Speaker 3: then they find some toilet paper than anything.

813
00:44:53,719 --> 00:44:56,040
Speaker 1: Michaelholl's too late, which no one would do that in

814
00:44:56,120 --> 00:44:58,520
Speaker 1: a normal pool, to spit water.

815
00:44:58,640 --> 00:45:00,480
Speaker 2: Just take some water in their mouths and spit it

816
00:45:00,520 --> 00:45:01,000
Speaker 2: into the air.

817
00:45:01,160 --> 00:45:03,040
Speaker 1: You don't do that. You're not just enjoying that you're

818
00:45:03,040 --> 00:45:03,680
Speaker 1: in some water.

819
00:45:04,680 --> 00:45:07,120
Speaker 4: When I'm like three feet away from other people, do

820
00:45:07,200 --> 00:45:09,719
Speaker 4: I just spit water out that they're going to be

821
00:45:09,760 --> 00:45:10,320
Speaker 4: swimming in it?

822
00:45:10,760 --> 00:45:11,920
Speaker 1: You don't goggle the pool water.

823
00:45:12,000 --> 00:45:13,160
Speaker 2: It's just fun to be a daughter.

824
00:45:13,280 --> 00:45:13,360
Speaker 5: Now.

825
00:45:13,440 --> 00:45:15,560
Speaker 4: Is that an LA thing? Is that like a Hollywood thing?

826
00:45:16,520 --> 00:45:18,320
Speaker 4: Did you just gargle pool water?

827
00:45:18,520 --> 00:45:20,200
Speaker 1: It's a people thing, brother.

828
00:45:20,080 --> 00:45:22,640
Speaker 4: Okay, well I guess I'm not your kind of people then.

829
00:45:22,760 --> 00:45:23,080
Speaker 1: Brother.

830
00:45:24,440 --> 00:45:27,640
Speaker 3: The sunglasses being on your forehead is like, it's like

831
00:45:27,719 --> 00:45:30,160
Speaker 3: Baby Blues and Shawn are here at the same they're

832
00:45:30,200 --> 00:45:31,280
Speaker 3: sharing the same face.

833
00:45:31,400 --> 00:45:33,600
Speaker 1: And that's what I wanted to kind of get across

834
00:45:33,640 --> 00:45:38,839
Speaker 1: to Tom if he is able to reconcile that idea. Now, Tom,

835
00:45:38,960 --> 00:45:41,440
Speaker 1: last time you were here, you brought up frontal torpedoes

836
00:45:41,480 --> 00:45:41,839
Speaker 1: a lot.

837
00:45:42,800 --> 00:45:46,960
Speaker 4: I think that was women frontle torpedoes. I didn't say

838
00:45:47,000 --> 00:45:49,160
Speaker 4: anything about that, and you guys said everything.

839
00:45:49,360 --> 00:45:54,920
Speaker 1: And now you mentioned the Gift, And there is a

840
00:45:54,960 --> 00:45:57,600
Speaker 1: movie coming out now called The Gift, but there was

841
00:45:57,640 --> 00:46:01,520
Speaker 1: a movie before called The Gift Bitch feature Katie Home's

842
00:46:01,520 --> 00:46:04,040
Speaker 1: frontal torpedo, and that's the one your guitar and I

843
00:46:04,080 --> 00:46:05,920
Speaker 1: have a feeling that's what you're talking about. I have

844
00:46:05,920 --> 00:46:07,600
Speaker 1: a feeling you brought it up just so you could

845
00:46:07,600 --> 00:46:11,160
Speaker 1: say that you like that scene. So let's get it

846
00:46:11,200 --> 00:46:13,080
Speaker 1: out of the way and try to move back to

847
00:46:13,200 --> 00:46:15,600
Speaker 1: more I don't reasonable themes.

848
00:46:17,440 --> 00:46:21,680
Speaker 4: Let's do the popcorn gallery gallery. Okay, see this is one.

849
00:46:21,800 --> 00:46:23,560
Speaker 4: This is what I mean by me knowing your thing.

850
00:46:25,680 --> 00:46:26,640
Speaker 4: This is the segment.

851
00:46:27,040 --> 00:46:30,000
Speaker 2: Yes, so this is what you were building up to.

852
00:46:30,480 --> 00:46:32,920
Speaker 4: I thought it was called hot Dog Gallery last time,

853
00:46:33,440 --> 00:46:37,880
Speaker 4: and since it's learned, it's called popcorn hot Dog fixation. Yes,

854
00:46:38,680 --> 00:46:41,400
Speaker 4: so you guys all thing like frontal torpedoes. I'm starting

855
00:46:41,440 --> 00:46:44,279
Speaker 4: to think of as like it's like some kind of

856
00:46:44,320 --> 00:46:45,759
Speaker 4: analogy for breasts.

857
00:46:46,280 --> 00:46:48,760
Speaker 1: Yes, that's what I put together after the show lasts.

858
00:46:48,800 --> 00:46:52,239
Speaker 4: That's between the two of you. I've said, I've never

859
00:46:52,400 --> 00:46:53,279
Speaker 4: said that ever.

860
00:46:54,680 --> 00:46:58,440
Speaker 3: And the hot like hot that's like a phallic it

861
00:46:58,520 --> 00:47:02,400
Speaker 3: all has, Like Layer said, I have no honestly no desire.

862
00:47:02,040 --> 00:47:07,359
Speaker 1: To even explore. Well not in this weird roundabout way.

863
00:47:07,560 --> 00:47:09,960
Speaker 4: It's like, see, I don't like, we're all grown ups.

864
00:47:11,280 --> 00:47:13,279
Speaker 4: I don't know if you even if that's true that

865
00:47:13,320 --> 00:47:14,239
Speaker 4: we're all grown ups.

866
00:47:15,360 --> 00:47:17,400
Speaker 1: Oh, we don't know how old engineer Cody boy.

867
00:47:17,320 --> 00:47:22,160
Speaker 2: Is the popcorn Gallery. It's time for the Popcorn Gallery.

868
00:47:22,200 --> 00:47:26,520
Speaker 3: It's a segment on Hollywood, henbook, Let's do some questions

869
00:47:26,520 --> 00:47:27,759
Speaker 3: from our listeners.

870
00:47:28,080 --> 00:47:29,760
Speaker 4: Oh so there are questions this time.

871
00:47:30,120 --> 00:47:33,040
Speaker 3: Yes, we did get some questions for you because last

872
00:47:33,040 --> 00:47:37,080
Speaker 3: time you were like, oh, Nick Kroll got questions like

873
00:47:37,160 --> 00:47:40,200
Speaker 3: our dialec. Shouldn't I get the same treatment as Nick Krol?

874
00:47:40,719 --> 00:47:44,840
Speaker 1: Baby about it? I wasn't what.

875
00:47:45,320 --> 00:47:48,400
Speaker 4: I wasn't a baby about it. Okay, all you guys

876
00:47:48,480 --> 00:47:52,120
Speaker 4: have done is I even said that needle me and

877
00:47:53,360 --> 00:47:56,480
Speaker 4: trick me, and then I give it back to you guys,

878
00:47:57,000 --> 00:47:59,000
Speaker 4: one tenth of what you've given. And then I'm worried

879
00:47:59,040 --> 00:48:02,120
Speaker 4: that you're gonna tat out. You're like threatening me with

880
00:48:02,160 --> 00:48:04,879
Speaker 4: some with violence basically, which is.

881
00:48:05,200 --> 00:48:08,200
Speaker 1: I never said you we can take that, we can

882
00:48:08,239 --> 00:48:11,879
Speaker 1: take it to court, Taz. I never said anything about

883
00:48:11,960 --> 00:48:15,239
Speaker 1: becoming violent. Well, you said I hope I don't tat out.

884
00:48:15,280 --> 00:48:20,360
Speaker 1: I hope you don't, which is threatening me even more

885
00:48:20,760 --> 00:48:24,120
Speaker 1: if you're scared of me being you know, taz and out. Huh,

886
00:48:24,520 --> 00:48:29,920
Speaker 1: Like that's a reasonable feeling to have. But I never

887
00:48:29,960 --> 00:48:33,000
Speaker 1: said I never threatened any kind of specific physical violence.

888
00:48:33,040 --> 00:48:35,520
Speaker 1: I think I said I might destroy the microphones.

889
00:48:35,960 --> 00:48:37,440
Speaker 4: Which is physical violence.

890
00:48:37,640 --> 00:48:42,040
Speaker 1: Oh please, you're a microphone? Now you wish that's it?

891
00:48:43,239 --> 00:48:46,000
Speaker 3: They are the questions I mean, well, I mean I

892
00:48:46,040 --> 00:48:48,560
Speaker 3: honestly want to like get this idea like that you

893
00:48:48,600 --> 00:48:54,080
Speaker 3: are a microphone. It's pretty funny, honestly in your dreams,

894
00:48:54,120 --> 00:48:58,359
Speaker 3: not in a million years. Here's a question from Superman.

895
00:48:59,280 --> 00:49:05,959
Speaker 4: Superman, Okay, yeah, my question is eggs. What's not to get?

896
00:49:06,120 --> 00:49:06,279
Speaker 10: Bro?

897
00:49:09,000 --> 00:49:12,560
Speaker 4: And this is Superman asking me this question. Yes, well,

898
00:49:12,640 --> 00:49:17,560
Speaker 4: I would say to him, I'm glad your whole whole

899
00:49:17,600 --> 00:49:22,280
Speaker 4: planet blew up and all your relatives are dead, dodging.

900
00:49:21,920 --> 00:49:22,719
Speaker 1: The question, and.

901
00:49:25,120 --> 00:49:26,719
Speaker 2: That he has a sister and a dog.

902
00:49:27,760 --> 00:49:32,759
Speaker 1: This deflection, you know what I mean? Where? Yeah, it's

903
00:49:32,800 --> 00:49:36,600
Speaker 1: this like defense mechanism that you have that I wish

904
00:49:36,640 --> 00:49:39,239
Speaker 1: we could somehow break. Sure you want to move the

905
00:49:39,520 --> 00:49:42,120
Speaker 1: target a little bit. You don't want to face there's

906
00:49:42,160 --> 00:49:46,680
Speaker 1: something you don't get and Superman knows that. And now

907
00:49:46,680 --> 00:49:48,439
Speaker 1: it's like you make it a comic thing.

908
00:49:50,880 --> 00:49:55,360
Speaker 4: What oka say that question was asked to you, then, Hayes,

909
00:49:56,400 --> 00:49:57,279
Speaker 4: what's not to get?

910
00:49:57,320 --> 00:49:59,560
Speaker 1: Well, how would you answer that? Well?

911
00:49:59,800 --> 00:50:02,200
Speaker 4: I wouldn't be asked me because I get it. The

912
00:50:02,320 --> 00:50:05,319
Speaker 4: understanding is that I get it and that you don't.

913
00:50:05,920 --> 00:50:09,000
Speaker 4: So you get it obviously. Sean must get it then

914
00:50:09,880 --> 00:50:13,280
Speaker 4: and three Snow's over here gets it totally in it.

915
00:50:13,200 --> 00:50:16,600
Speaker 1: Right, man, I get it too. I get it too.

916
00:50:17,080 --> 00:50:19,879
Speaker 4: If he can say I get it, then I guess

917
00:50:19,880 --> 00:50:21,560
Speaker 4: there's no floor on any of this.

918
00:50:22,160 --> 00:50:22,919
Speaker 1: I get it too.

919
00:50:23,480 --> 00:50:25,239
Speaker 3: Here's a question, and this is actually something I've been

920
00:50:25,239 --> 00:50:28,720
Speaker 3: warning for a while. This is from hunch Hondo. Dear Ton,

921
00:50:29,480 --> 00:50:31,920
Speaker 3: do you prefer to stay under the shadows of other, bigger,

922
00:50:31,960 --> 00:50:34,719
Speaker 3: more famous TV and movies people because you're allergic to

923
00:50:34,719 --> 00:50:37,200
Speaker 3: the sun or because you're afraid to take big chances?

924
00:50:38,719 --> 00:50:38,959
Speaker 1: Wait?

925
00:50:39,080 --> 00:50:43,160
Speaker 2: Hold, so the question is why is it?

926
00:50:43,200 --> 00:50:47,400
Speaker 4: Why do you make the choice to take a back

927
00:50:47,440 --> 00:50:52,520
Speaker 4: seat to like other more famous people such as and

928
00:50:52,560 --> 00:50:56,000
Speaker 4: to basically remain anonymous? Like who who am I taking

929
00:50:56,040 --> 00:50:56,640
Speaker 4: a back seat to?

930
00:50:57,440 --> 00:51:00,680
Speaker 1: Yeah? Pet homes Brown, oiler Brown older?

931
00:51:01,320 --> 00:51:02,680
Speaker 4: How am I taking a back seat to?

932
00:51:03,760 --> 00:51:08,640
Speaker 1: Grease Knows? He's not wrong, so I'm behind Greece. That's

933
00:51:08,640 --> 00:51:11,560
Speaker 1: a great example. Yeah, Grease Knows is a really great example.

934
00:51:11,880 --> 00:51:17,320
Speaker 3: Huh, because why in just like your short interaction yeah

935
00:51:17,360 --> 00:51:18,040
Speaker 3: with Grease.

936
00:51:17,880 --> 00:51:20,080
Speaker 1: Nose, you really let him drive the bus and you

937
00:51:20,160 --> 00:51:22,279
Speaker 1: basically kind of like were like, I think this is

938
00:51:22,320 --> 00:51:24,600
Speaker 1: my stop, and you made them stop the bus and

939
00:51:24,640 --> 00:51:26,440
Speaker 1: you like got off the bus and he kind of

940
00:51:26,520 --> 00:51:27,239
Speaker 1: ran away with it.

941
00:51:27,280 --> 00:51:29,359
Speaker 4: Well, I don't even look, I don't know two things

942
00:51:29,360 --> 00:51:30,360
Speaker 4: about Pete Holmes.

943
00:51:30,480 --> 00:51:32,680
Speaker 1: See, I think you missed my stuff back there. I

944
00:51:32,719 --> 00:51:34,200
Speaker 1: mean that was kind of you on the bus.

945
00:51:34,440 --> 00:51:36,920
Speaker 4: Well we usually say about Peter. Everyone knows two things

946
00:51:36,920 --> 00:51:39,720
Speaker 4: about Pete Holmes. He would raise Catholic and he's in therapy.

947
00:51:41,719 --> 00:51:44,960
Speaker 1: You don't know. You don't know this well now I do. Oh,

948
00:51:45,080 --> 00:51:47,160
Speaker 1: give me a break. I don't know.

949
00:51:47,320 --> 00:51:48,600
Speaker 4: Is he does he love life?

950
00:51:48,719 --> 00:51:51,440
Speaker 2: Read pod Mass? Read a news book every once in

951
00:51:51,440 --> 00:51:53,120
Speaker 2: a while, read pod Mass.

952
00:51:53,480 --> 00:51:56,200
Speaker 1: What's that thing that's the Avy Club thing? Yeah?

953
00:51:56,360 --> 00:51:59,919
Speaker 4: No, I'm not gonna I mean who writes the pod

954
00:52:00,080 --> 00:52:04,919
Speaker 4: Mass things like like Ekeon I see that name over there?

955
00:52:05,280 --> 00:52:06,880
Speaker 1: Oh? All the big hitters.

956
00:52:06,960 --> 00:52:10,759
Speaker 3: Yeah, they have sort of a rotating cast. Yes players,

957
00:52:10,960 --> 00:52:15,279
Speaker 3: I think tany Heasy code a journalist. Yeah yeah, and

958
00:52:15,360 --> 00:52:16,440
Speaker 3: they're probably doing.

959
00:52:16,520 --> 00:52:21,920
Speaker 4: Word and do they focusing? What kind of shine do

960
00:52:22,000 --> 00:52:22,840
Speaker 4: they give this show?

961
00:52:23,000 --> 00:52:26,920
Speaker 1: Over there? Jack McCollum did a great What kind of

962
00:52:27,000 --> 00:52:28,000
Speaker 1: shine do they give this one?

963
00:52:28,080 --> 00:52:29,759
Speaker 4: Yeah?

964
00:52:29,920 --> 00:52:33,120
Speaker 1: We're kind of post pod Mass in a way, don't

965
00:52:33,120 --> 00:52:33,640
Speaker 1: you feel that?

966
00:52:33,680 --> 00:52:37,799
Speaker 4: Hayz So Okay, it's about so if they contacted you,

967
00:52:37,800 --> 00:52:40,760
Speaker 4: you guys would just say like, well, we'll pass.

968
00:52:40,880 --> 00:52:44,200
Speaker 3: They have a segment called we see what you said there?

969
00:52:45,080 --> 00:52:50,960
Speaker 3: Uh huh, which is great quotes. Imagine opening the door

970
00:52:51,000 --> 00:52:55,440
Speaker 3: where this show is eligible for we see what you

971
00:52:55,440 --> 00:52:56,320
Speaker 3: said there at.

972
00:52:56,160 --> 00:52:59,520
Speaker 1: All, sure, and then trying to pick one thing that

973
00:52:59,600 --> 00:53:01,520
Speaker 1: where you see what we said, because it's sort of

974
00:53:01,520 --> 00:53:03,840
Speaker 1: a like, I don't know if you're familiar with the

975
00:53:03,880 --> 00:53:07,120
Speaker 1: style of joke, but there's sort of like someone will

976
00:53:07,200 --> 00:53:12,359
Speaker 1: do a cleverness and commit that, and then someone else

977
00:53:12,400 --> 00:53:14,840
Speaker 1: will go and I see what you did there, or

978
00:53:14,920 --> 00:53:18,399
Speaker 1: even better, the person committing the cleverness will go, see

979
00:53:18,440 --> 00:53:21,560
Speaker 1: what I did there? Right, And so they're playing off that,

980
00:53:23,320 --> 00:53:26,520
Speaker 1: but this time you're saying, so it's said.

981
00:53:26,400 --> 00:53:29,640
Speaker 3: Which is technically what was happening in the original version.

982
00:53:29,640 --> 00:53:31,880
Speaker 1: Oh yes, in the original version it was always that

983
00:53:31,960 --> 00:53:32,719
Speaker 1: they were saying it.

984
00:53:33,000 --> 00:53:37,000
Speaker 3: But this is an improvement on that. It's a more accurate, well,

985
00:53:37,040 --> 00:53:39,000
Speaker 3: and it's what's actually going on.

986
00:53:39,280 --> 00:53:47,959
Speaker 1: And legally it's more protectable. But yes, it's a heron man.

987
00:53:48,800 --> 00:53:54,480
Speaker 1: But if you open the door even just a little

988
00:53:54,920 --> 00:53:59,000
Speaker 1: squeaky little creek in order to sort of draw a

989
00:53:59,040 --> 00:54:03,239
Speaker 1: single cleverness out of any given episode, let's say the

990
00:54:04,400 --> 00:54:09,040
Speaker 1: Nick Thune episode of our program, you're suddenly going to

991
00:54:09,080 --> 00:54:12,000
Speaker 1: find that you're under an avalanche of sort of if

992
00:54:12,040 --> 00:54:14,440
Speaker 1: you can picture a cartoon character opening closet and the

993
00:54:14,480 --> 00:54:17,080
Speaker 1: tennis racket falls and the bulling ball bunks his head

994
00:54:17,120 --> 00:54:20,600
Speaker 1: and all the different pieces because there's so much inside,

995
00:54:21,920 --> 00:54:24,719
Speaker 1: you might be good on a podmast thing. They'd be

996
00:54:24,760 --> 00:54:26,560
Speaker 1: pulling some of the grease noses stuff.

997
00:54:26,880 --> 00:54:30,319
Speaker 4: So Green, I get you pressed Grease knows, but he

998
00:54:30,440 --> 00:54:32,879
Speaker 4: didn't say did you see what I said there?

999
00:54:32,920 --> 00:54:36,280
Speaker 1: At the end of any of his quips, they're plugging

1000
00:54:36,320 --> 00:54:36,680
Speaker 1: that in.

1001
00:54:37,239 --> 00:54:41,160
Speaker 4: So so it'll say, like you see what I said

1002
00:54:41,239 --> 00:54:42,320
Speaker 4: there as the header.

1003
00:54:43,120 --> 00:54:46,719
Speaker 1: Then it'll say the header says, we see what you

1004
00:54:46,840 --> 00:54:47,879
Speaker 1: said there, And.

1005
00:54:47,920 --> 00:54:50,480
Speaker 4: Then the end of each it'll say, like, well they

1006
00:54:50,480 --> 00:54:54,560
Speaker 4: plug in, it'll say, like that lottery ticket's worth seventy

1007
00:54:54,560 --> 00:54:59,880
Speaker 4: five bucks, let's buy that roll? Did you see what

1008
00:54:59,880 --> 00:55:04,560
Speaker 4: I said there? Dash Dash, Grease snows Comma. It's kind

1009
00:55:04,560 --> 00:55:08,920
Speaker 4: of like it's kind of like open parentheses ear Wolf Industries,

1010
00:55:09,040 --> 00:55:10,040
Speaker 4: close parentheses.

1011
00:55:10,280 --> 00:55:13,120
Speaker 2: Well, it would be his show, okay, which.

1012
00:55:13,000 --> 00:55:16,960
Speaker 3: I guess would be called Grease Lightning see what he

1013
00:55:17,000 --> 00:55:17,600
Speaker 3: said there?

1014
00:55:20,239 --> 00:55:25,800
Speaker 4: And would it say grease snows and in parentheses Engineer

1015
00:55:25,880 --> 00:55:29,319
Speaker 4: Cody because you just call yourself, are you gonna say

1016
00:55:29,320 --> 00:55:32,200
Speaker 4: goodbye to the idea of your that your name is Cody.

1017
00:55:33,040 --> 00:55:37,880
Speaker 8: It never really was. I was Jockstrap and shit birds.

1018
00:55:38,560 --> 00:55:41,359
Speaker 4: It seems like Greasenows has definitely moved to the top

1019
00:55:41,400 --> 00:55:45,080
Speaker 4: of the the top of the charts. Here that that's

1020
00:55:45,120 --> 00:55:47,160
Speaker 4: gonna be around for a while. You might want to

1021
00:55:47,239 --> 00:55:48,120
Speaker 4: ease back into it.

1022
00:55:48,160 --> 00:55:50,279
Speaker 2: I'm sorry I forgot to introduce you again.

1023
00:55:51,000 --> 00:55:57,600
Speaker 7: It's the topic Cody Show and featuring Greasens presented.

1024
00:55:57,800 --> 00:56:00,600
Speaker 1: Here's Grease Knows. Hate this fucking song.

1025
00:56:01,600 --> 00:56:03,319
Speaker 4: Hey, grease Snows, what's going on?

1026
00:56:03,360 --> 00:56:05,040
Speaker 1: It's so cool?

1027
00:56:05,239 --> 00:56:05,399
Speaker 3: Yes?

1028
00:56:06,640 --> 00:56:11,160
Speaker 1: What are you doing this weekend? Grease Snows probably sleeping in.

1029
00:56:11,480 --> 00:56:15,680
Speaker 1: We're gonna check out some little I love it good.

1030
00:56:17,239 --> 00:56:19,359
Speaker 2: And imagine what his pillow is gonna look like after

1031
00:56:19,400 --> 00:56:20,000
Speaker 2: a long night.

1032
00:56:20,040 --> 00:56:21,959
Speaker 1: Have Tom Have you ever heard of punk rock?

1033
00:56:22,640 --> 00:56:23,000
Speaker 4: I have?

1034
00:56:23,160 --> 00:56:26,160
Speaker 1: Yes, Okay, you wouldn't know it from hearing some of

1035
00:56:26,160 --> 00:56:27,160
Speaker 1: the stuff you're doing on.

1036
00:56:27,080 --> 00:56:31,640
Speaker 4: My because they is doing. The most punk rock thing

1037
00:56:31,880 --> 00:56:34,640
Speaker 4: is to hate punk music.

1038
00:56:34,800 --> 00:56:37,800
Speaker 1: Okay, so to hear what it is pretty punk? Yes,

1039
00:56:37,920 --> 00:56:40,360
Speaker 1: to hear punk music and to be like that sucks.

1040
00:56:40,360 --> 00:56:43,560
Speaker 1: Sh it's wame, and then say you want to sleep

1041
00:56:44,000 --> 00:56:48,080
Speaker 1: uh huh, come on, you see what he said there,

1042
00:56:48,400 --> 00:56:49,800
Speaker 1: It was pretty punk rock.

1043
00:56:51,560 --> 00:56:57,240
Speaker 4: Grassius amigo, So grease snows, Yes, what are you gonna

1044
00:56:57,280 --> 00:57:01,920
Speaker 4: do this weekend? That's probably are we doing the show still?

1045
00:57:02,160 --> 00:57:03,160
Speaker 1: Yes? Okay?

1046
00:57:04,040 --> 00:57:09,520
Speaker 8: Uh yeah, that's that's that sums it up. Maybe doing

1047
00:57:09,560 --> 00:57:12,200
Speaker 8: some sex or something, huh.

1048
00:57:12,280 --> 00:57:14,720
Speaker 3: And see, what a great way to phrase having sex,

1049
00:57:14,760 --> 00:57:17,480
Speaker 3: to say that you're like doing sex or something.

1050
00:57:17,760 --> 00:57:20,480
Speaker 2: Yeah, to like like to just like inverted in such

1051
00:57:20,480 --> 00:57:20,680
Speaker 2: a way.

1052
00:57:20,720 --> 00:57:23,880
Speaker 3: I've actually never heard that specific phrasing of like saying

1053
00:57:23,880 --> 00:57:26,480
Speaker 3: you're gonna have some like like I'm doing sex and stuff.

1054
00:57:26,920 --> 00:57:30,160
Speaker 3: And it's just like he's he just approaches the world

1055
00:57:30,240 --> 00:57:33,480
Speaker 3: from just kind of distorted lens, and it's.

1056
00:57:33,360 --> 00:57:35,000
Speaker 1: Felt like he was trying to set you up for

1057
00:57:35,080 --> 00:57:36,840
Speaker 1: some of your front torpedo stuff.

1058
00:57:37,320 --> 00:57:39,240
Speaker 4: So wait, so you see, so he's it's like a

1059
00:57:39,280 --> 00:57:42,560
Speaker 4: different lens that he's see that he's seeing things through. Yes,

1060
00:57:42,720 --> 00:57:44,920
Speaker 4: almost like the kind of lens you'd wear if like

1061
00:57:44,960 --> 00:57:48,280
Speaker 4: the sun was irritating your eyes, right and you like

1062
00:57:48,320 --> 00:57:50,800
Speaker 4: would put a lens in front of them to keep

1063
00:57:50,800 --> 00:57:54,440
Speaker 4: it so your guys were not irritated. I'm so, how

1064
00:57:54,440 --> 00:57:57,040
Speaker 4: would you hold those? How would you hold those? How

1065
00:57:57,080 --> 00:57:59,480
Speaker 4: would you hold those lenses to get in front of

1066
00:57:59,520 --> 00:58:04,560
Speaker 4: your eyes. Tom, I'm talking so over this. I'm not

1067
00:58:04,640 --> 00:58:10,680
Speaker 4: even mad anymore. I'm sad for you, but it's pathetic. Honestly,

1068
00:58:11,200 --> 00:58:14,480
Speaker 4: We're trying to do you a favor here, and it's

1069
00:58:14,640 --> 00:58:17,680
Speaker 4: pathetic at this point that it's like you don't want

1070
00:58:17,680 --> 00:58:20,440
Speaker 4: to learn. Okay, fine, but to take it out on me.

1071
00:58:20,680 --> 00:58:24,000
Speaker 4: We've explained the Blues Brothers thing. The glasses were a

1072
00:58:24,040 --> 00:58:27,360
Speaker 4: gift from my If only I could have learned at

1073
00:58:27,360 --> 00:58:30,560
Speaker 4: the feet of Hayes and Sean and Grease.

1074
00:58:30,640 --> 00:58:33,000
Speaker 1: Know, it's all about how to do it right.

1075
00:58:33,440 --> 00:58:36,480
Speaker 4: I've been doing my show for a long time and

1076
00:58:37,280 --> 00:58:40,480
Speaker 4: now I've got to hear someone saying that they're doing

1077
00:58:40,560 --> 00:58:43,800
Speaker 4: sex or something is apparently he's got the keys to comedy.

1078
00:58:43,840 --> 00:58:44,040
Speaker 10: Now.

1079
00:58:44,320 --> 00:58:48,520
Speaker 1: Sex is this universal human experience. We all know what

1080
00:58:48,560 --> 00:58:51,040
Speaker 1: it is, but what Cody's doing is looking at it

1081
00:58:51,200 --> 00:58:54,320
Speaker 1: just from this slightly different angle, this distorted line, and

1082
00:58:54,360 --> 00:58:56,760
Speaker 1: it's something you you look at every day, but now

1083
00:58:57,040 --> 00:58:59,959
Speaker 1: he's showing it to you in this other light where

1084
00:59:00,040 --> 00:59:01,480
Speaker 1: it's like, are you going to be able to think

1085
00:59:01,480 --> 00:59:05,160
Speaker 1: about sex ever again? Without hearing Grease Snow's saying doing

1086
00:59:05,240 --> 00:59:10,040
Speaker 1: sex in your ear? Yes, whispering in your ear. I imagine

1087
00:59:09,880 --> 00:59:13,360
Speaker 1: every single time that you know I get boned, boned out,

1088
00:59:13,400 --> 00:59:16,680
Speaker 1: boned up, is it's going to be for me that

1089
00:59:16,760 --> 00:59:20,400
Speaker 1: he's whispering in your ear saying grease snow's talking about it, or.

1090
00:59:20,360 --> 00:59:22,919
Speaker 4: That he's whispering into your saying, like that walking dead

1091
00:59:22,960 --> 00:59:25,920
Speaker 4: lottery ticket has that's worth two hundred dollars.

1092
00:59:26,440 --> 00:59:29,400
Speaker 1: You might want to buy that one. It's a distorted lens.

1093
00:59:30,400 --> 00:59:33,040
Speaker 4: But you're taunting me by saying that now, knowing you're

1094
00:59:33,080 --> 00:59:34,880
Speaker 4: hoping I take the bait so that I can get

1095
00:59:35,640 --> 00:59:37,000
Speaker 4: we're trying to past it.

1096
00:59:37,120 --> 00:59:40,680
Speaker 1: I'm past it. I'm not doing that anymore. I'm not

1097
00:59:40,800 --> 00:59:43,680
Speaker 1: even mad anymore. But you're so mad.

1098
00:59:43,760 --> 00:59:48,120
Speaker 3: It's actually you're actually you're actually the one who's mad mad.

1099
00:59:49,240 --> 00:59:50,080
Speaker 1: Oh no, I am mad.

1100
00:59:50,120 --> 00:59:53,200
Speaker 4: I'll admit I'm totally mad because this was a gigantic

1101
00:59:53,200 --> 00:59:57,920
Speaker 4: waste of time. Again, this is this is dumbest. This

1102
00:59:58,000 --> 01:00:03,800
Speaker 4: is the dumbest show. No, wait your time, let me

1103
01:00:04,960 --> 01:00:07,640
Speaker 4: it's dumber now because it was dumb enough when it

1104
01:00:07,680 --> 01:00:10,320
Speaker 4: was you two and whoever that drip who was here

1105
01:00:10,400 --> 01:00:10,800
Speaker 4: last time?

1106
01:00:10,840 --> 01:00:14,720
Speaker 1: What was his name? The engineer Sam? He wants But

1107
01:00:14,840 --> 01:00:16,040
Speaker 1: this guy, this guy.

1108
01:00:17,240 --> 01:00:19,960
Speaker 4: You're making like this guy is the second coming of

1109
01:00:19,960 --> 01:00:22,760
Speaker 4: of uh. You know, it's like I honestly didn't know.

1110
01:00:22,800 --> 01:00:24,920
Speaker 4: I thought he was a piece of ship until today.

1111
01:00:25,280 --> 01:00:29,520
Speaker 4: I honestly did not like him, Bruce.

1112
01:00:29,320 --> 01:00:29,600
Speaker 1: I know.

1113
01:00:29,680 --> 01:00:32,360
Speaker 4: I mean it's like it's like it's the second coming

1114
01:00:32,400 --> 01:00:34,240
Speaker 4: of of what's his face?

1115
01:00:33,760 --> 01:00:38,160
Speaker 1: Le JB. Novak? Bill Hicks? Yeah, yes, yeah.

1116
01:00:37,840 --> 01:00:42,440
Speaker 3: Well no, yes, because Novak is the second coming of Hicks.

1117
01:00:42,680 --> 01:00:45,400
Speaker 1: Okay, and so yes, I guess that would make Grease

1118
01:00:45,520 --> 01:00:48,240
Speaker 1: Nos second third Grease.

1119
01:00:50,080 --> 01:00:53,560
Speaker 4: Okay, what did you want to do this weekend?

1120
01:00:53,640 --> 01:00:54,880
Speaker 1: Tom?

1121
01:00:54,960 --> 01:00:58,000
Speaker 4: I think I probably want to at this point walk

1122
01:00:58,040 --> 01:01:02,200
Speaker 4: into the ocean because I have no interest in living.

1123
01:01:02,240 --> 01:01:05,600
Speaker 4: If this is the world I live in where I'm

1124
01:01:05,640 --> 01:01:10,440
Speaker 4: doing everything wrong and I'm I'm looking up at Grease Snows,

1125
01:01:11,920 --> 01:01:13,720
Speaker 4: who apparently is doing everything right.

1126
01:01:14,240 --> 01:01:16,200
Speaker 2: What would walking into the ocean.

1127
01:01:15,960 --> 01:01:16,520
Speaker 4: Would kill me?

1128
01:01:16,560 --> 01:01:20,320
Speaker 1: It would kill I would drown a wave? Would? They're waves?

1129
01:01:20,640 --> 01:01:22,560
Speaker 1: It just toss you back out of the shore.

1130
01:01:25,160 --> 01:01:29,040
Speaker 4: Okay, So I can't even I can't even escape.

1131
01:01:29,080 --> 01:01:31,600
Speaker 1: This is what you're saying. I'm trapped here, keep getting

1132
01:01:31,640 --> 01:01:36,360
Speaker 1: rescued by the wave. Yeah, well that's a or or

1133
01:01:36,400 --> 01:01:37,000
Speaker 1: a lifeguard.

1134
01:01:37,160 --> 01:01:40,880
Speaker 4: Thanks Grease Nos. Like in Staten Island Summer. You guys

1135
01:01:40,920 --> 01:01:46,240
Speaker 4: catch that. I watched part one of it. I'm waiting

1136
01:01:46,320 --> 01:01:48,160
Speaker 4: part cycle, the.

1137
01:01:48,120 --> 01:01:49,440
Speaker 2: Staten Island Summer Cycle.

1138
01:01:49,600 --> 01:01:55,080
Speaker 4: Yeah, I'm interested to see because it's about this boy

1139
01:01:55,160 --> 01:01:57,720
Speaker 4: going to Harvard? Is it going to pick it up

1140
01:01:57,760 --> 01:01:59,040
Speaker 4: at Harvard? Part two?

1141
01:02:00,240 --> 01:02:02,080
Speaker 2: See, that's a great that's a great question.

1142
01:02:02,160 --> 01:02:05,640
Speaker 1: You don't know. And because I figured look in next Summer,

1143
01:02:05,720 --> 01:02:10,560
Speaker 1: Oh it was Harvard Man already this part too. Did

1144
01:02:10,600 --> 01:02:11,479
Speaker 1: you see Harvard Man?

1145
01:02:12,400 --> 01:02:12,480
Speaker 10: No?

1146
01:02:12,640 --> 01:02:17,080
Speaker 1: I didn't, Greg No. Oh. So so.

1147
01:02:18,520 --> 01:02:21,560
Speaker 4: If I look, and I wouldn't, I wouldn't even try

1148
01:02:21,600 --> 01:02:24,000
Speaker 4: to be on the level of writing for like a

1149
01:02:24,280 --> 01:02:26,400
Speaker 4: Staten Island summer type thing. But if I was pitched,

1150
01:02:26,440 --> 01:02:28,200
Speaker 4: if I if we were all blue skying, I would

1151
01:02:28,200 --> 01:02:32,080
Speaker 4: pitch have the kid try to bring a little bit

1152
01:02:32,120 --> 01:02:33,800
Speaker 4: of Staten Island to Harvard.

1153
01:02:35,200 --> 01:02:41,000
Speaker 1: Yeah. Right, is this the show you're onto something?

1154
01:02:41,080 --> 01:02:41,320
Speaker 2: Yes?

1155
01:02:42,400 --> 01:02:44,760
Speaker 4: Is this What does that look like? Staten Island Summer

1156
01:02:44,800 --> 01:02:52,919
Speaker 4: recap show Tom Tom Staten Island Summer. So it would

1157
01:02:52,960 --> 01:02:55,760
Speaker 4: be one episode, t sharp you hearing us, So it

1158
01:02:55,760 --> 01:02:59,920
Speaker 4: would be and then at the end, like the can

1159
01:03:00,000 --> 01:03:02,160
Speaker 4: do a nation of Staten Island Summer, I get the

1160
01:03:02,280 --> 01:03:04,640
Speaker 4: cast on and that's like the final episode of my

1161
01:03:04,680 --> 01:03:07,720
Speaker 4: Staten Island Summer thing that suddenly I'm in the room

1162
01:03:07,800 --> 01:03:15,520
Speaker 4: with I'm in the room. I got Joss Forte strong arms.

1163
01:03:15,880 --> 01:03:19,360
Speaker 1: You know what. I like to call Colin Jost Colin jokes,

1164
01:03:20,520 --> 01:03:22,120
Speaker 1: because that's what he's bringing to the table.

1165
01:03:22,480 --> 01:03:27,480
Speaker 4: Okay, Marshall, Penny Marshall, get her in the room.

1166
01:03:27,720 --> 01:03:34,320
Speaker 3: Uh moy a hand, Bobby jokes, because he also tells jokes.

1167
01:03:36,000 --> 01:03:39,360
Speaker 1: Then that other fella to double back quickly. I sometimes

1168
01:03:39,360 --> 01:03:40,840
Speaker 1: call Penny Marshall Penny.

1169
01:03:40,600 --> 01:03:45,400
Speaker 2: Jokes sometimes because she can also do seriously.

1170
01:03:45,080 --> 01:03:48,360
Speaker 1: Yeah, I've seen her do some stuff that's pretty mind

1171
01:03:48,400 --> 01:03:58,720
Speaker 1: blowingly heartbreaking lye rivetingly dramatic. I gotta go, let's go.

1172
01:04:00,560 --> 01:04:05,040
Speaker 1: I need to leave. What's going on? I have to leave.

1173
01:04:05,120 --> 01:04:06,400
Speaker 5: I can't be here anymore.

1174
01:04:06,480 --> 01:04:13,840
Speaker 1: Why I have this thing? What is it?

1175
01:04:13,840 --> 01:04:14,920
Speaker 5: It's like an appointment?

1176
01:04:15,600 --> 01:04:17,880
Speaker 1: What kind of appointment is it?

1177
01:04:17,880 --> 01:04:21,520
Speaker 5: It's like I don't want to say because I leave

1178
01:04:21,560 --> 01:04:22,520
Speaker 5: it in the podcast.

1179
01:04:22,920 --> 01:04:23,240
Speaker 1: You know.

1180
01:04:25,040 --> 01:04:27,200
Speaker 4: It doesn't have to do with getting new sunglasses.

1181
01:04:29,200 --> 01:04:31,200
Speaker 5: Okay, So the ones that I have give me a

1182
01:04:31,240 --> 01:04:34,800
Speaker 5: headache because I don't know if the arms are too

1183
01:04:34,840 --> 01:04:36,800
Speaker 5: tight on my head. But I just can't wear them

1184
01:04:36,840 --> 01:04:40,800
Speaker 5: for very long. And I'm afraid that even if I

1185
01:04:40,840 --> 01:04:43,800
Speaker 5: did get the new Blues Brothers movie, Okay, so great,

1186
01:04:43,920 --> 01:04:45,960
Speaker 5: okay great, but then I can't be on set for

1187
01:04:46,000 --> 01:04:47,840
Speaker 5: those long days with the mom because they give me

1188
01:04:47,880 --> 01:04:50,040
Speaker 5: such a headache that I keep having to lie down.

1189
01:04:52,520 --> 01:04:55,320
Speaker 4: And then dan Ackroid's going to be like, young man,

1190
01:04:56,720 --> 01:05:04,080
Speaker 4: we need to go shoot the dance sequence with Bruno. Yeah,

1191
01:05:04,280 --> 01:05:08,160
Speaker 4: we need to do everybody needs Somebody with Bruno Mars.

1192
01:05:08,320 --> 01:05:08,560
Speaker 5: Yeah.

1193
01:05:10,120 --> 01:05:12,640
Speaker 4: And then you're gonna be like, your head hurts.

1194
01:05:12,760 --> 01:05:16,080
Speaker 1: I'll be like, Okay, then I won't be moving the

1195
01:05:16,080 --> 01:05:18,520
Speaker 1: way that they really need you to move for that stuff.

1196
01:05:18,600 --> 01:05:21,240
Speaker 3: Imagine if they're doing oh god, if they were doing

1197
01:05:21,280 --> 01:05:23,520
Speaker 3: like a Muddy Water song and you suddenly have to

1198
01:05:23,560 --> 01:05:25,720
Speaker 3: lie down and everyone thinks that you're like making fun

1199
01:05:25,760 --> 01:05:27,800
Speaker 3: of Muddy Water for being dead.

1200
01:05:28,000 --> 01:05:30,600
Speaker 4: Yeah, and then you're looking up and John Goodman is

1201
01:05:30,640 --> 01:05:32,840
Speaker 4: saying like, come on, get up and dance with us.

1202
01:05:34,520 --> 01:05:38,440
Speaker 1: Well, John Goodman, it's like, oh, we get to lie down? Wait?

1203
01:05:39,240 --> 01:05:42,280
Speaker 4: Wait are we like? Wait, we're lying down? If he

1204
01:05:42,320 --> 01:05:44,120
Speaker 4: gets to do it, I obviously should get to do

1205
01:05:44,160 --> 01:05:44,680
Speaker 4: it as well.

1206
01:05:44,760 --> 01:05:46,640
Speaker 1: Yeah. He may be saying, oh good someone else is

1207
01:05:46,720 --> 01:05:54,720
Speaker 1: lying down taking the heat off me for once, and.

1208
01:05:54,720 --> 01:05:58,480
Speaker 3: He's asking, he's asking, but now he's asking the PA

1209
01:05:58,640 --> 01:06:02,400
Speaker 3: to undo him from the Roman column that's attached to

1210
01:06:02,480 --> 01:06:06,920
Speaker 3: his back, that's there to you know, create the illusion

1211
01:06:06,960 --> 01:06:13,000
Speaker 3: of a self supported human being. And now he's yeah, now,

1212
01:06:13,160 --> 01:06:15,520
Speaker 3: suddenly all three of you guys are are trying to

1213
01:06:15,560 --> 01:06:18,560
Speaker 3: do proud Mary, I guess on the ground.

1214
01:06:18,800 --> 01:06:21,720
Speaker 4: Yeah, well then they should just shoot it from above.

1215
01:06:21,760 --> 01:06:24,720
Speaker 4: And you guys make like you're making snow angels, right,

1216
01:06:24,840 --> 01:06:27,960
Speaker 4: just like blues snow angels.

1217
01:06:28,520 --> 01:06:31,960
Speaker 1: Yeah, well, hopefully it won't come to that, but so

1218
01:06:32,120 --> 01:06:33,560
Speaker 1: to find the right glasses, it might.

1219
01:06:33,800 --> 01:06:36,920
Speaker 4: I think you're gonna see this is ending on a

1220
01:06:36,920 --> 01:06:37,520
Speaker 4: better note.

1221
01:06:37,680 --> 01:06:39,560
Speaker 1: Yes, I'm glad, Yes, I'm glad.

1222
01:06:39,600 --> 01:06:42,400
Speaker 3: We I'm glad we found it because Sean, you opened

1223
01:06:42,440 --> 01:06:45,200
Speaker 3: up about the thing that's something that was making you

1224
01:06:45,200 --> 01:06:45,880
Speaker 3: feel vulnerable.

1225
01:06:45,920 --> 01:06:47,480
Speaker 1: I got some space to feel vulnerable, which we.

1226
01:06:47,560 --> 01:06:49,960
Speaker 3: Never would have found if if Tom hadn't been doing

1227
01:06:49,960 --> 01:06:54,680
Speaker 3: his sunglasses thing. And uh, just like probing fruitlessly for

1228
01:06:55,000 --> 01:06:56,800
Speaker 3: a way to get into we see what you said there.

1229
01:06:56,840 --> 01:07:01,000
Speaker 4: Yeah, it's like we pushed through it. I think something

1230
01:07:01,000 --> 01:07:04,320
Speaker 4: good came out of this. Sean, You're gonna get new sunglasses.

1231
01:07:04,400 --> 01:07:08,760
Speaker 1: Mm hmm. Team you get you launched. Grease knows his career.

1232
01:07:09,320 --> 01:07:13,560
Speaker 4: Grease knows is now a breakout star, and he's gonna

1233
01:07:13,600 --> 01:07:16,360
Speaker 4: just be cleaning up all around town with these scratch offs.

1234
01:07:17,000 --> 01:07:23,200
Speaker 1: Lenny Grease? Is that anything? Lenny Bruce? But he's Lenny Grease.

1235
01:07:24,120 --> 01:07:25,600
Speaker 1: You see what you see what I said there?

1236
01:07:25,640 --> 01:07:27,880
Speaker 4: You see what I said there is next week just

1237
01:07:27,960 --> 01:07:30,360
Speaker 4: gonna be the Hollywood Handbook edition.

1238
01:07:32,880 --> 01:07:35,240
Speaker 1: It's just gonna so. Yeah, this was a winner. Yes,

1239
01:07:35,280 --> 01:07:36,000
Speaker 1: I think so too.

1240
01:07:36,800 --> 01:07:38,840
Speaker 3: Let's get it's a big it's a big prize for

1241
01:07:38,880 --> 01:07:40,480
Speaker 3: who gets the pro version in this one.

1242
01:07:40,800 --> 01:07:41,200
Speaker 2: Mm hmm.

1243
01:07:41,440 --> 01:07:43,320
Speaker 1: So I wonder who it is. I guess it's just

1244
01:07:43,320 --> 01:07:44,560
Speaker 1: gonna be the first person. I see.

1245
01:07:44,720 --> 01:07:49,200
Speaker 3: We haven't done yet, Oh Jack Russell Brand. Okay, has

1246
01:07:49,240 --> 01:07:50,040
Speaker 3: he gotten it before?

1247
01:07:50,120 --> 01:07:53,800
Speaker 1: I don't know. You're in a real rush to.

1248
01:07:53,800 --> 01:07:57,040
Speaker 3: Get out here, so just do just do a quick

1249
01:07:57,120 --> 01:07:59,200
Speaker 3: version of what Jack Russell Brand gets as his pro

1250
01:07:59,280 --> 01:08:00,000
Speaker 3: version prize.

1251
01:08:01,160 --> 01:08:05,280
Speaker 1: Jack Russell Bran, you can get pro versions. So it's

1252
01:08:05,320 --> 01:08:07,920
Speaker 1: a sound of me sip a nice coffee through a straw.

1253
01:08:09,280 --> 01:08:09,920
Speaker 1: But so it.

1254
01:08:15,520 --> 01:08:20,520
Speaker 2: Say bye Tom bye.

1255
01:08:23,400 --> 01:08:26,360
Speaker 10: This has been an Earwolf Media Production Executive producers Jeff

1256
01:08:26,400 --> 01:08:38,960
Speaker 10: Ulrick and Scott Ackerman. For more information, visit earwolf dot com.

1257
01:08:34,120 --> 01:08:44,879
Speaker 1: Ear Warf Radio, Boom dot com, The worlf Dead