WEBVTT - Episode 493 w/ Mike WiLL Made-It

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<v Speaker 1>He is drinks chests, motherfucking podcast man.

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<v Speaker 2>He's a legends every Queens rapper.

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<v Speaker 3>He ain't agreed as your boy in O R E.

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<v Speaker 3>He's a Miami hip hop pioneer. What Ups d J

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<v Speaker 3>e f N.

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<v Speaker 4>Together they drink it up with some.

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<v Speaker 3>Of the biggest players you know what I mean and.

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<v Speaker 2>The most professional unprofessional podcast and your number one source

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<v Speaker 2>for drunk drink chans post Days New Year c That's

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<v Speaker 2>it's time for drink Champions.

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<v Speaker 3>Drink up, mother, what a good be over? The boy

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<v Speaker 3>n a oh ed a? What up is DJ e

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<v Speaker 3>f N?

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<v Speaker 1>And this is militatem and Crazy Roar podcast Drink Champs

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<v Speaker 1>Man with me and e f N started this out.

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<v Speaker 1>We said we want to give people they flowers or

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<v Speaker 1>they can smell them. They thoughts why they can tell them,

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<v Speaker 1>and they drinks while they can drink them. This man

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<v Speaker 1>is an icon. This man is a legend. This man

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<v Speaker 1>has made all of the classic records for the past years,

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<v Speaker 1>in your radio, in your I'm old school something of them.

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<v Speaker 1>I was gonna say, Cassette, I'm sorry, he ain't make

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<v Speaker 1>a concept. This man is a legend of legend. We've

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<v Speaker 1>been wanting to give him his flowers. We want me

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<v Speaker 1>to tell them they did a legendary versus just now,

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<v Speaker 1>and we are going to give him his flowers today.

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<v Speaker 1>We're gonna make sure that he understands what he means

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<v Speaker 1>to hip hop.

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<v Speaker 3>And in case you don't know who the.

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<v Speaker 1>Fuck we're talking about, we're talking about the one, only

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<v Speaker 1>impeccable motherfucker.

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<v Speaker 3>I could have kept going off, but I wanted to

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<v Speaker 3>keep going.

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<v Speaker 4>I wanted to.

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<v Speaker 1>I have never done a versus. I've been offered to

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<v Speaker 1>do a versus. I've never done it. How does it

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<v Speaker 1>feel coming off a versus?

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<v Speaker 4>Man? It's dope. I look at that. I look at

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<v Speaker 4>that versus like like playing two K, like you know

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<v Speaker 4>what I'm saying, or like even playing golf, you know

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<v Speaker 4>what I'm saying, Like I'm picking up golf a lot lately,

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<v Speaker 4>you know what I'm saying. But it's like that, you

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<v Speaker 4>gotta you gotta dial in your game. You gotta stick

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<v Speaker 4>to your game, and you gotta just hopefully end up

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<v Speaker 4>end up on top. You know what I'm saying. You

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<v Speaker 4>and whoever you go against, you gotta have your method

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<v Speaker 4>and you gotta have your game, you know what I'm saying.

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<v Speaker 4>Like on how you gonna you know what I'm saying,

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<v Speaker 4>You utilize your catalog or whatnot, and then it's like

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<v Speaker 4>when you get done, it's like I feel like I

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<v Speaker 4>feel like, you know, versus that's it, like what Swizzing

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<v Speaker 4>and Timbo created right there. It's like that's like a

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<v Speaker 4>winning circle. That's like a you gotta be a winner

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<v Speaker 4>to even get on verses first of all, so it

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<v Speaker 4>ain't it can't be no loser, you know what I'm saying.

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<v Speaker 4>And then you got to know that the person that

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<v Speaker 4>you're going up against, like against you know what I'm saying.

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<v Speaker 4>On the verses, it's like this is another goat. So

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<v Speaker 4>anytime if you slip up on your strategy, you know

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<v Speaker 4>what I'm saying, it could be a slippery slope, you

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<v Speaker 4>know what I'm saying. So it's like you how your

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<v Speaker 4>game died in And that's why I said it's like golf,

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<v Speaker 4>because it's like if you're going for parts A, part four,

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<v Speaker 4>you know what I'm saying, you hit it over there

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<v Speaker 4>in the woods, You're gonna have to clean it up.

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<v Speaker 4>You're gonna have to you know what I'm saying. You

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<v Speaker 4>still got to make your way there and get part.

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<v Speaker 4>You know what I'm saying, because at the end, at

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<v Speaker 4>the end of the ended up that hole right there

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<v Speaker 4>is gonna be like, man, what you get? You know

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<v Speaker 4>what I'm saying. If you if you're a bogie or whatever,

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<v Speaker 4>you know what I'm saying, Your clean up shot might

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<v Speaker 4>be your drive might be asked, but your clean up

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<v Speaker 4>shot might be you know what I'm saying, the shot.

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<v Speaker 4>But it's like I don't know, it's just it's just

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<v Speaker 4>dope because I mean at the end of the day,

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<v Speaker 4>like you could always look back and be like, damn,

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<v Speaker 4>I could have did this different. I could have did

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<v Speaker 4>that different. Like you know what I'm saying when when

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<v Speaker 4>you play golf, when you play NBA two K, like

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<v Speaker 4>you always like damn, I know I lost because of

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<v Speaker 4>this in this game right here, But you know what

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<v Speaker 4>I'm saying, I'm not a loser. I can got damn

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<v Speaker 4>get back on the stick and we could run it

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<v Speaker 4>back or whatever. You feel me and somebody like, hey boy,

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<v Speaker 4>he got a hell of a catalog. Yeah, So it's

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<v Speaker 4>like that's.

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<v Speaker 3>A crazy match. That was I enjoyed. I'm sorry you

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<v Speaker 3>finished so much.

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<v Speaker 4>Yeah. I was just saying, like, man, you got a

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<v Speaker 4>hell of a catalog, and it's like it's not easy

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<v Speaker 4>for no producer to getting getting on stage with him,

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<v Speaker 4>and you do it like a versus you know what

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<v Speaker 4>I'm saying. So, yeah, you know, you know.

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<v Speaker 1>What I love about versus? This is this is this

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<v Speaker 1>is the thing about it is It kind of started

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<v Speaker 1>with Swiss and Tim right. Yeah, And I love the

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<v Speaker 1>fact that y'all kept the tradition going. Yeah, Like when

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<v Speaker 1>I saw y'all, I was like, oh, ship, I seen

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<v Speaker 1>y'all having run on stage.

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<v Speaker 3>I seen y'all together. I'm happy to California.

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<v Speaker 4>Correct.

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<v Speaker 1>Yeah, So when you got the first call with what

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<v Speaker 1>was that?

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<v Speaker 3>What was that thought process?

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<v Speaker 4>It was crazy because it's like man, man, Swizz, We've

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<v Speaker 4>been talking about doing the versus for a minute and

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<v Speaker 4>then we're just trying to figure out like who would

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<v Speaker 4>be like a good matchup.

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<v Speaker 3>Was it always against hit Boy or no?

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<v Speaker 4>It was just like it was a couple of names

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<v Speaker 4>like throwing out that. But I was just like, man,

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<v Speaker 4>like I'm with it because like I really wanted, like

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<v Speaker 4>because I'm thirty six, I really wanted like one of

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<v Speaker 4>the somebody that I grew up like looking up to.

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<v Speaker 4>You know what, I'm saying because it's like I still

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<v Speaker 4>feel like my twenty strong no matter what, Like you

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<v Speaker 4>know what I'm saying. It was like no really like

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<v Speaker 4>you know what I'm saying, and I'd rather like going there,

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<v Speaker 4>like man, yo, this dude gonna this is gonna get washed.

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<v Speaker 1>Wait hold on, So you saying you wanted to battle somebody.

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<v Speaker 3>I was the Statesman. Yeah, really like a DJ for man.

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<v Speaker 4>But yeah, like anybody, okay, Like I was just I

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<v Speaker 4>was just thinking like on some like just just knowing

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<v Speaker 4>like exactly what I was saying, like Okay, this would

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<v Speaker 4>be my method, Like you know what I'm saying, Like

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<v Speaker 4>I got different ways.

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<v Speaker 3>It was confident in your cattle.

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<v Speaker 4>Yeah, I got different ways I can go in this catalog.

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<v Speaker 4>You know what I'm saying. If it was to go

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<v Speaker 4>this way, that way, this way, that way, you know

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<v Speaker 4>what I'm saying. So it was just like you know

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<v Speaker 4>what I'm saying, Like you go to the basketball court

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<v Speaker 4>and you know you can hoot, you like, man, I

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<v Speaker 4>want I want to. I want to ball again? How

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<v Speaker 4>a man I always say he wanted Lebrin Like you

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<v Speaker 4>know what.

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<v Speaker 3>I'm saying, Like you want, you want to, you want but.

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<v Speaker 4>At the same time. It's dope and men hit boy

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<v Speaker 4>ass so many hits around the same time, so it

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<v Speaker 4>was dope. That was a dope ass matchup, you know

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<v Speaker 4>what I'm saying. But me and Swiss have been talking

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<v Speaker 4>about it for like for like a few years, like

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<v Speaker 4>like who were lining up and I'm like, man, I'm

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<v Speaker 4>with it, Like man, I'm with that, Like that that's

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<v Speaker 4>the dope. That's the dope platform because a lot of

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<v Speaker 4>times some people know that I did this, this and that,

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<v Speaker 4>but they don't know I did that, that and this.

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<v Speaker 4>You know what I'm saying. I'm like to be able

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<v Speaker 4>to play all my songs at at one time, you

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<v Speaker 4>know what I'm saying on on on the platform. I'm like, man,

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<v Speaker 4>that that'll be That'll be dope. So that was like

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<v Speaker 4>a couple of years ago. Then randomly Jimmy ivin just

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<v Speaker 4>you know what I'm saying, Texas me, Swizz, you know

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<v Speaker 4>what I'm saying, manager and Timberland and was like, man,

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<v Speaker 4>are we doing the versus of work? You know what

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<v Speaker 4>I'm saying. And then and then and then that's how

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<v Speaker 4>they are. Yeah, we just all talked about it right

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<v Speaker 4>there and then and then in the group text right

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<v Speaker 4>there and it was like and then they were like, man,

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<v Speaker 4>ship Grammy weekend, we're gonna bring the producers back, you

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<v Speaker 4>know what I'm saying, Like, Man, we're trying to figure

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<v Speaker 4>out who down, Like man, you down? Okay boom? Hit

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<v Speaker 4>Boy just said he down. Man, I'm like, shit, let's

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<v Speaker 4>run it like that's that's dope.

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<v Speaker 3>So so so. So here's here's.

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<v Speaker 1>One one thing, right, was what made you agree to

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<v Speaker 1>doing it in California?

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<v Speaker 4>I was doing it wherever? Man, I ain't gonna lie.

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<v Speaker 1>Because because hit Boy's from California, right, and that's kind

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<v Speaker 1>of like home court advantage, no for real, So for you,

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<v Speaker 1>I was like I would have thought that you would

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<v Speaker 1>have said, man, let's do this in the A.

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<v Speaker 4>Let's we can't. We can't do it the name. You

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<v Speaker 4>know what I'm saying, because just like that's like I just.

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<v Speaker 3>Looked at your like.

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<v Speaker 4>Is like that's like actual home. Like it's like that

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<v Speaker 4>ship meant like you thought it was turned up like

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<v Speaker 4>in that room Like man, them song actually means something

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<v Speaker 4>like you feel me like that. That's what the seed is, like,

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<v Speaker 4>you know what I'm saying, planted, But I just felt

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<v Speaker 4>like all we're doing it whatever, just because like, man, man,

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<v Speaker 4>this is this vibration this ship travel when that ship

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<v Speaker 4>was like like so local, but like that vibration travel,

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<v Speaker 4>so like man, we could do it in perish with

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<v Speaker 4>the one up like you know what I'm saying, like.

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<v Speaker 1>I tell you this when you say that, and I'm

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<v Speaker 1>gonna say this to you and it's gonna hurt me.

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<v Speaker 3>This is the South ship again.

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<v Speaker 1>It's so But it was a time when y'all y'all

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<v Speaker 1>going back and forth and hit Boy.

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<v Speaker 3>Plays a NAS record.

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<v Speaker 1>And the NAS record did not go up at all,

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<v Speaker 1>Like I was so mad. And then I had to

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<v Speaker 1>realize that sometimes us in New York, we really did

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<v Speaker 1>think that.

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<v Speaker 4>What's your thoughts? You know what?

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<v Speaker 1>We all But when I seen that, I was like,

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<v Speaker 1>damn Nori. I was just the first time I.

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<v Speaker 3>Was like fuck because it's a conversation. We have a lot.

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<v Speaker 3>So we have him up from Miami, he from.

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<v Speaker 5>New York and we have this conversation that like in

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<v Speaker 5>the early nineties when I was coming up doing stuff,

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<v Speaker 5>New York had the lock on the whole hip hop

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<v Speaker 5>industry and it was hard to break through that.

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<v Speaker 3>The A and rs and labels everybody was New York centric.

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<v Speaker 5>And that's why when you when when Andre says this

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<v Speaker 5>South got something to stay that resonated, and then you

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<v Speaker 5>know the South obviously, I.

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<v Speaker 4>Mean, I mean it's all it's all about like like evolution,

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<v Speaker 4>you know what I'm saying. It's like I feel like

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<v Speaker 4>it was a time where like the West Coast was

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<v Speaker 4>damn like the mecca hip hop, and like the sound,

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<v Speaker 4>like everybody's sound was like West Coast driven then and

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<v Speaker 4>then it was like the mecca hip hop is in

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<v Speaker 4>like New York, you know what I'm saying. And then

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<v Speaker 4>you got you got the whole music industry and the

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<v Speaker 4>mecca hip hop in New York. And then you got

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<v Speaker 4>a whole bunch of like businessmen and like hustlers like

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<v Speaker 4>starting all these different labels and starting all these different

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<v Speaker 4>boutique labels, and there's so much culturing, so much energy

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<v Speaker 4>in New York, you know what I'm saying. So it's

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<v Speaker 4>like that shit just a line, you know what I'm saying.

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<v Speaker 4>It was just like that was like that renaissance and

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<v Speaker 4>then it's like boom, Like when when Andre said that,

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<v Speaker 4>that was like kicking the door open, you know what

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<v Speaker 4>I'm saying. Then it's like it's been it's been so

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<v Speaker 4>many different you know what I'm saying, Like people that

0:10:55.080 --> 0:10:57.600
<v Speaker 4>put the city on their back and like just and

0:10:57.679 --> 0:11:00.560
<v Speaker 4>like just like like bust busting through the doors, you

0:11:00.559 --> 0:11:04.440
<v Speaker 4>know what I'm saying on the sound and it's like man,

0:11:04.520 --> 0:11:06.959
<v Speaker 4>it's like, man, we just I just noticed is like

0:11:07.000 --> 0:11:09.040
<v Speaker 4>a new renaissance. Is like man, like you know what

0:11:09.040 --> 0:11:11.679
<v Speaker 4>I'm saying, And I gotta I gotta hold it down too.

0:11:11.760 --> 0:11:13.640
<v Speaker 4>It's like the mecca hip hop is in Atlanta now

0:11:13.720 --> 0:11:14.920
<v Speaker 4>you know what I'm saying, And.

0:11:15.000 --> 0:11:19.120
<v Speaker 1>Said if I'm gonna if we're sorry New York, but

0:11:20.280 --> 0:11:22.360
<v Speaker 1>it's like Atlanta, y'all all run.

0:11:23.800 --> 0:11:27.320
<v Speaker 4>God, and it ain't nothing wrong with that. Like even

0:11:27.320 --> 0:11:31.040
<v Speaker 4>when even when the even when the mecca hip hop

0:11:31.760 --> 0:11:33.880
<v Speaker 4>was in New York, you know what I'm saying, there

0:11:33.920 --> 0:11:35.880
<v Speaker 4>was so many there was so many people from Atlanta

0:11:35.920 --> 0:11:37.840
<v Speaker 4>that we went to New York. You know what I'm saying,

0:11:37.840 --> 0:11:39.599
<v Speaker 4>we had you know what I'm saying, that's so not

0:11:39.679 --> 0:11:41.640
<v Speaker 4>a mecca down there. It's like it's like the super

0:11:41.640 --> 0:11:43.480
<v Speaker 4>Bowl being here, in the super Bowl being there and the.

0:11:43.480 --> 0:11:46.640
<v Speaker 3>Super you know what I'm saying, Like that, you know.

0:11:46.640 --> 0:11:48.599
<v Speaker 4>What I'm saying, like the World Cup, Like you know

0:11:48.600 --> 0:11:49.080
<v Speaker 4>what I'm saying.

0:11:49.240 --> 0:11:52.760
<v Speaker 5>I'm gonna go and say what I'm saying because when

0:11:52.800 --> 0:11:54.800
<v Speaker 5>somebody else comes, you switch up on me.

0:11:55.240 --> 0:11:56.720
<v Speaker 3>So don't even start that ship.

0:11:57.040 --> 0:11:59.839
<v Speaker 4>Because because you know, because one thing you know about it,

0:12:00.200 --> 0:12:02.199
<v Speaker 4>Like New York got too much energy, you know what

0:12:02.200 --> 0:12:05.920
<v Speaker 4>I'm saying, Like when New York got too much energy,

0:12:05.960 --> 0:12:08.640
<v Speaker 4>too much culture. So it's somebody out there, you know

0:12:08.679 --> 0:12:11.920
<v Speaker 4>what I'm saying. Now, they just need like man, sometimes

0:12:11.960 --> 0:12:13.840
<v Speaker 4>folks would be needing the guidance. So they just be

0:12:13.920 --> 0:12:16.120
<v Speaker 4>needing like the right producer, and they just got to

0:12:16.160 --> 0:12:19.560
<v Speaker 4>be with creating the right way. Like look at Cash Cobaine,

0:12:19.679 --> 0:12:21.600
<v Speaker 4>Like you know what I'm saying. You know what I'm saying,

0:12:21.640 --> 0:12:26.079
<v Speaker 4>Like like man, they whole wave, you know what I'm saying,

0:12:26.400 --> 0:12:28.800
<v Speaker 4>Like their whole waves. Like it's just like a new wave.

0:12:28.840 --> 0:12:30.880
<v Speaker 4>It's like they're being original. You know what I'm saying.

0:12:30.960 --> 0:12:33.200
<v Speaker 4>When pop Smoke came through, there's so many, so many

0:12:33.360 --> 0:12:35.520
<v Speaker 4>energy that then came from New York, the.

0:12:35.520 --> 0:12:38.280
<v Speaker 3>Birthplace of hip hop. You'll never be take no hold on.

0:12:38.880 --> 0:12:43.600
<v Speaker 3>I've always said that we all wanted to be like

0:12:43.640 --> 0:12:45.880
<v Speaker 3>New York. But it was the mecca of you know,

0:12:46.440 --> 0:12:52.679
<v Speaker 3>emulating New York. Y'all are the ones like nah out

0:12:53.200 --> 0:12:58.080
<v Speaker 3>the South man, no gotta comes out here. I like it.

0:12:58.880 --> 0:13:04.280
<v Speaker 4>You know what I'm saying. I man my bad like that.

0:13:04.600 --> 0:13:10.840
<v Speaker 4>You know what I'm saying. I'm sorry, Yeah, this makes

0:13:10.840 --> 0:13:13.000
<v Speaker 4>the appreciate that accountability man.

0:13:13.280 --> 0:13:22.280
<v Speaker 3>No, he's not gonna be accountable lady man like I.

0:13:22.200 --> 0:13:24.400
<v Speaker 4>Don't want to be the New York man. You saw

0:13:24.440 --> 0:13:27.200
<v Speaker 4>the verses like why didn't nobody You know what I'm saying,

0:13:27.280 --> 0:13:29.000
<v Speaker 4>I like, this song got the right.

0:13:28.960 --> 0:13:31.040
<v Speaker 1>Percentage, Like you know what I'm saying, I ain't gonna

0:13:31.040 --> 0:13:35.719
<v Speaker 1>lie when you when that no song play and the

0:13:36.280 --> 0:13:37.599
<v Speaker 1>crowd didn't.

0:13:37.400 --> 0:13:38.199
<v Speaker 3>Erupt like that.

0:13:38.920 --> 0:13:42.240
<v Speaker 1>I kind of was like to myself, I was like, damn,

0:13:43.120 --> 0:13:46.080
<v Speaker 1>I gotta like look at reality.

0:13:46.120 --> 0:13:48.280
<v Speaker 4>No, but she's no that that ain't That ain't fair though,

0:13:48.280 --> 0:13:51.520
<v Speaker 4>because at the same time, there's a whole world where

0:13:51.520 --> 0:13:54.280
<v Speaker 4>when he played that man that ship exactly you know

0:13:54.320 --> 0:13:54.800
<v Speaker 4>what I'm saying.

0:13:55.480 --> 0:13:57.319
<v Speaker 3>It for me, I looked around. I was like, what

0:13:57.360 --> 0:13:57.760
<v Speaker 3>the fun.

0:13:57.800 --> 0:14:01.000
<v Speaker 4>You know what I'm saying, But it's just the room.

0:14:01.400 --> 0:14:03.120
<v Speaker 4>Like what I'm saying could have been certain songs that

0:14:03.160 --> 0:14:05.520
<v Speaker 4>I might have played that might have been to this

0:14:05.679 --> 0:14:08.640
<v Speaker 4>way and the room might not have moved. You know

0:14:08.679 --> 0:14:10.840
<v Speaker 4>what I'm saying, But I knew at that time. It's like, Man,

0:14:10.880 --> 0:14:13.640
<v Speaker 4>I'm playing my catalog with Hi boy catalog. I know

0:14:13.679 --> 0:14:15.240
<v Speaker 4>he got his. You know what I'm saying, I'm gonna

0:14:15.240 --> 0:14:18.400
<v Speaker 4>go hiss, I'm gonna go I'm gonna still go underground.

0:14:18.480 --> 0:14:19.600
<v Speaker 4>You know what I'm saying. I'm not gonna you know

0:14:19.640 --> 0:14:21.360
<v Speaker 4>what I'm Saying'm gonna balance it out, you feel me.

0:14:21.400 --> 0:14:23.840
<v Speaker 4>So it's like it's just a different, different technique, you

0:14:23.840 --> 0:14:24.400
<v Speaker 4>know what I'm saying.

0:14:24.480 --> 0:14:28.800
<v Speaker 1>Okay, So God comes down right now, God says Mike, Well,

0:14:31.320 --> 0:14:37.040
<v Speaker 1>you got one record to make to save humanity. You

0:14:37.160 --> 0:14:45.600
<v Speaker 1>got one feature? What artist you pick it to save humanity?

0:14:46.960 --> 0:14:48.560
<v Speaker 3>Now? This don't gotta be no no.

0:14:48.360 --> 0:14:52.320
<v Speaker 1>No positive record, raw, negative record, just whatever record you

0:14:52.320 --> 0:14:52.800
<v Speaker 1>want to make.

0:14:53.440 --> 0:14:54.880
<v Speaker 3>Who's that artist you're going.

0:14:54.720 --> 0:15:02.800
<v Speaker 4>To right now? Right now? Man said Aran? Who is shre? M? Holy?

0:15:03.040 --> 0:15:04.320
<v Speaker 4>Holy said?

0:15:04.320 --> 0:15:05.160
<v Speaker 3>You're gonna say future?

0:15:06.320 --> 0:15:08.440
<v Speaker 4>I mean ship. You can't bits with future.

0:15:08.480 --> 0:15:09.360
<v Speaker 3>You can't miss the future?

0:15:09.440 --> 0:15:11.000
<v Speaker 4>Yeahs for future?

0:15:11.800 --> 0:15:12.680
<v Speaker 3>But who.

0:15:15.160 --> 0:15:16.480
<v Speaker 4>You know what I'm saying to me, I like to

0:15:16.520 --> 0:15:18.240
<v Speaker 4>throw the curve balls. You know what I'm saying, you know,

0:15:18.680 --> 0:15:20.640
<v Speaker 4>I know whatever you were expecting. I know you weren't

0:15:20.680 --> 0:15:24.040
<v Speaker 4>expecting that, you know what I'm saying. So Seidh Ram,

0:15:24.440 --> 0:15:27.280
<v Speaker 4>he's like popping artists from India. You know what I'm saying,

0:15:27.560 --> 0:15:31.720
<v Speaker 4>India ship. Yeah, he told me about India. Yeah, he

0:15:31.840 --> 0:15:35.160
<v Speaker 4>like it's crazy because him and I had did a

0:15:35.200 --> 0:15:36.040
<v Speaker 4>record before.

0:15:37.520 --> 0:15:38.120
<v Speaker 3>The point.

0:15:38.280 --> 0:15:41.160
<v Speaker 4>So it's like seem I had met him through my

0:15:41.240 --> 0:15:44.200
<v Speaker 4>manager DJ. You know what I'm saying, Like him and

0:15:44.280 --> 0:15:47.800
<v Speaker 4>DJ they Dad did. Dad did like a project of

0:15:47.840 --> 0:15:49.720
<v Speaker 4>two with each other, my depth jam, you know what

0:15:49.720 --> 0:15:52.640
<v Speaker 4>I'm saying. And then I had met Sid and then

0:15:52.920 --> 0:15:54.760
<v Speaker 4>it was like perfect time because he was just getting

0:15:54.760 --> 0:15:57.840
<v Speaker 4>out of his death jam there and like I told him,

0:15:57.840 --> 0:16:00.400
<v Speaker 4>I'm like, bro, we're gonna make that music that made

0:16:00.400 --> 0:16:03.320
<v Speaker 4>people want to get fly. They want makee people want

0:16:03.320 --> 0:16:05.240
<v Speaker 4>to put on cologne. You know what I'm saying, Like

0:16:05.840 --> 0:16:08.720
<v Speaker 4>like if you're in the car with your bibe or whatever,

0:16:08.920 --> 0:16:11.720
<v Speaker 4>and it's like, you know what I'm saying, Like I

0:16:11.800 --> 0:16:14.240
<v Speaker 4>want to put somebody on something new, Like you're gonna

0:16:14.240 --> 0:16:16.280
<v Speaker 4>you're gonna play this, you know what I'm saying. And

0:16:16.600 --> 0:16:18.800
<v Speaker 4>he already has like a whole fan base. They already

0:16:18.800 --> 0:16:21.000
<v Speaker 4>love him, you know what I'm saying, But like I

0:16:21.040 --> 0:16:23.280
<v Speaker 4>wanted to come with like a brand new sound with him,

0:16:23.360 --> 0:16:26.440
<v Speaker 4>you know what I'm saying, Like because his voice was amazing,

0:16:26.600 --> 0:16:28.720
<v Speaker 4>you know what I'm saying. So we ended up locking

0:16:28.800 --> 0:16:33.080
<v Speaker 4>in last year and we just had like we had

0:16:33.080 --> 0:16:35.160
<v Speaker 4>a session in LA but then we had most of

0:16:35.200 --> 0:16:37.360
<v Speaker 4>the sessions that my compound in Atlanta, you know what

0:16:37.360 --> 0:16:39.400
<v Speaker 4>I'm saying, made it way, and like, man.

0:16:42.640 --> 0:16:45.320
<v Speaker 3>He tried to say that donal he's at my compound and.

0:16:47.520 --> 0:16:51.840
<v Speaker 4>That's not normal now seventy thousand square feet, you know

0:16:51.840 --> 0:16:56.680
<v Speaker 4>what I'm saying. Well, that's a blessing for sure, you

0:16:56.760 --> 0:16:59.800
<v Speaker 4>know what I'm saying. But that's like the headquarters. You

0:16:59.840 --> 0:17:02.440
<v Speaker 4>know I'm saying, we were cooking up and just we're

0:17:02.480 --> 0:17:04.600
<v Speaker 4>just trying to innovate, you know what I'm saying. We're

0:17:04.640 --> 0:17:07.480
<v Speaker 4>just trying to like literally innovate and like create like

0:17:07.520 --> 0:17:10.760
<v Speaker 4>a new sound, like a new wave. Like even like

0:17:10.840 --> 0:17:13.520
<v Speaker 4>pairing this producer with this new artist like man, man

0:17:13.560 --> 0:17:15.840
<v Speaker 4>you tough and youtuugh Man, I want to see y'all

0:17:15.880 --> 0:17:18.399
<v Speaker 4>go crazy, like because I feel like that's important. Like

0:17:18.640 --> 0:17:21.000
<v Speaker 4>even when when Rocco had linked me in future like that.

0:17:21.040 --> 0:17:22.679
<v Speaker 4>You know what I'm saying. It was like we created

0:17:22.680 --> 0:17:24.760
<v Speaker 4>a whole wave and you know what I'm saying, it's

0:17:24.800 --> 0:17:28.320
<v Speaker 4>like me, you know what I'm saying, Lincoln, countless people

0:17:28.320 --> 0:17:31.520
<v Speaker 4>with countless people and seeing what kind of wave that created.

0:17:31.520 --> 0:17:33.480
<v Speaker 4>You know what I'm saying, It's like that, that's what

0:17:33.600 --> 0:17:36.199
<v Speaker 4>That's what the centralized hub is. But like see it,

0:17:36.200 --> 0:17:38.240
<v Speaker 4>it's like one of the persons, one of the people

0:17:38.280 --> 0:17:40.320
<v Speaker 4>that I was walking in last year, and it's like

0:17:41.000 --> 0:17:43.280
<v Speaker 4>man his pen and so he was raised he was

0:17:43.320 --> 0:17:45.560
<v Speaker 4>born in India, but raising the bay, you know what

0:17:45.560 --> 0:17:50.720
<v Speaker 4>I'm saying. His voice is like amazing. And then we

0:17:50.840 --> 0:17:53.600
<v Speaker 4>ended up finding like that that that pocket where it's

0:17:53.640 --> 0:17:56.840
<v Speaker 4>like any beat out come on, any beat that comes on,

0:17:57.200 --> 0:18:00.440
<v Speaker 4>it's like he's attacking it. So it's like the beat

0:18:00.480 --> 0:18:03.600
<v Speaker 4>that I'm thinking, like Yo, this is a difficult beat,

0:18:03.640 --> 0:18:06.160
<v Speaker 4>but it's like man, hole get on this, or like, man,

0:18:06.200 --> 0:18:08.280
<v Speaker 4>this is a hard beat for like twenty one Savage

0:18:08.320 --> 0:18:10.880
<v Speaker 4>on somebody vibe out shit, or like this a hard

0:18:10.920 --> 0:18:13.520
<v Speaker 4>beat for you know what I'm saying, Kanye or Da

0:18:13.600 --> 0:18:15.119
<v Speaker 4>Da da Like you know what I'm saying. But I

0:18:15.200 --> 0:18:17.760
<v Speaker 4>might just not have got that got those beats to

0:18:17.880 --> 0:18:20.600
<v Speaker 4>like these artists, you know what I'm saying, but they're

0:18:20.640 --> 0:18:23.840
<v Speaker 4>like challenging, so it's like only specific artists are gonna

0:18:23.840 --> 0:18:27.440
<v Speaker 4>hear the understand it. And it's like, man, any beat

0:18:27.440 --> 0:18:29.560
<v Speaker 4>I turned on, it's like, man, this dude knows how

0:18:29.600 --> 0:18:31.640
<v Speaker 4>to take it, Like, you know what I'm saying, just

0:18:31.760 --> 0:18:33.679
<v Speaker 4>take it there, and his voice just takes it to

0:18:34.200 --> 0:18:36.320
<v Speaker 4>it just matches the energy of the beat. Like it's

0:18:36.400 --> 0:18:38.399
<v Speaker 4>very seldom that, you know what I'm saying, when you

0:18:38.480 --> 0:18:40.200
<v Speaker 4>when you got like a beat that you feel like

0:18:40.520 --> 0:18:43.200
<v Speaker 4>there's a no brainer just even by itself. It's very

0:18:43.240 --> 0:18:46.480
<v Speaker 4>seldom that an artist like matches that matches that energy.

0:18:46.480 --> 0:18:48.240
<v Speaker 4>But when they do, like that's the magic, you know

0:18:48.280 --> 0:18:51.320
<v Speaker 4>what I'm saying. And it's like all the songs that

0:18:51.359 --> 0:18:53.240
<v Speaker 4>we did, it was like it was like that. It

0:18:53.320 --> 0:18:55.800
<v Speaker 4>was like he was like expanding the beat. It was

0:18:55.800 --> 0:18:58.240
<v Speaker 4>like he was like he was making real songs on

0:18:58.320 --> 0:19:00.280
<v Speaker 4>that shit though, you know what I'm saying, And it's

0:19:00.320 --> 0:19:02.720
<v Speaker 4>like and it's real heartfelt in his real life, and

0:19:02.800 --> 0:19:05.840
<v Speaker 4>I feel like, you know what I'm saying, Like, I'm like, man, bro,

0:19:05.960 --> 0:19:07.959
<v Speaker 4>if I could get away with singing that good, bro,

0:19:08.040 --> 0:19:10.680
<v Speaker 4>you can sing you could just sing that. Somebody ask

0:19:10.760 --> 0:19:15.280
<v Speaker 4>him anything. Man, he's singing, he's singing. Is that the

0:19:15.359 --> 0:19:18.520
<v Speaker 4>language he's singing? He's singing his language. But this project

0:19:18.600 --> 0:19:21.680
<v Speaker 4>right here is like majority English. You know what I'm saying.

0:19:22.080 --> 0:19:24.119
<v Speaker 4>He might he might balance it out, but you know

0:19:24.160 --> 0:19:27.800
<v Speaker 4>what I'm saying, but it's like majority English. But it's like, man,

0:19:27.840 --> 0:19:31.000
<v Speaker 4>it's a vibe. Man, he has he actually has a

0:19:31.000 --> 0:19:33.800
<v Speaker 4>song on my album and that's gonna be the introduction.

0:19:33.920 --> 0:19:36.840
<v Speaker 4>And then right after that we're dropping a project together.

0:19:37.000 --> 0:19:37.600
<v Speaker 4>You know what I'm saying.

0:19:37.640 --> 0:19:42.200
<v Speaker 3>That Okay, so sorry, so they got to you're dropping

0:19:42.200 --> 0:19:42.639
<v Speaker 3>an album.

0:19:42.760 --> 0:19:44.480
<v Speaker 4>We're saying, oh yeah, I'm dropping an album.

0:19:44.560 --> 0:19:46.440
<v Speaker 3>Okay, is just breaking news?

0:19:47.680 --> 0:19:51.359
<v Speaker 4>A no, no, okay, yeah, but my last album was

0:19:51.440 --> 0:19:54.760
<v Speaker 4>nine years ago, you know what I'm saying. So like, man,

0:19:54.880 --> 0:19:57.560
<v Speaker 4>took nine years. You know what I'm saying, hit the reset.

0:19:57.600 --> 0:19:59.720
<v Speaker 4>But so this new album is called Reset. You know

0:19:59.720 --> 0:20:02.359
<v Speaker 4>what I'm saying. It's Ransom three. It's r three s

0:20:02.359 --> 0:20:05.000
<v Speaker 4>CT you know what I'm saying. Ransom always still for

0:20:05.119 --> 0:20:07.840
<v Speaker 4>releasing all new songs orchestrated by Mike Will. You know

0:20:07.880 --> 0:20:12.159
<v Speaker 4>what I'm saying, So boom, like that was Ransom I

0:20:12.160 --> 0:20:14.720
<v Speaker 4>already put out Ransom one that was a mixtape, Ransom Too.

0:20:14.760 --> 0:20:17.040
<v Speaker 4>It was like the debut album, and then this is

0:20:17.119 --> 0:20:20.240
<v Speaker 4>Ransom three, nine years later, you know what I'm saying.

0:20:20.400 --> 0:20:22.679
<v Speaker 4>And I feel like this, like, man, I feel like

0:20:22.680 --> 0:20:24.360
<v Speaker 4>this is the hardest ship I don't put together, cause

0:20:24.400 --> 0:20:27.680
<v Speaker 4>it's like it's like a crazy intersection. You know what

0:20:27.680 --> 0:20:30.520
<v Speaker 4>I'm saying. It's like the type of artists that's on here,

0:20:30.560 --> 0:20:32.920
<v Speaker 4>Like the track list that's on here is like it's

0:20:32.960 --> 0:20:35.320
<v Speaker 4>like it's like a crazy intersection. It's just like the

0:20:35.440 --> 0:20:39.200
<v Speaker 4>cool it's like and it's just natural. It's like it's

0:20:39.280 --> 0:20:40.600
<v Speaker 4>not for its.

0:20:42.960 --> 0:20:43.240
<v Speaker 3>Artist.

0:20:44.200 --> 0:20:46.680
<v Speaker 4>Just so everything happened at the Compound in the five.

0:20:46.520 --> 0:20:52.640
<v Speaker 1>Percent culture nine years is reborn, right, Yes, it's called

0:20:52.720 --> 0:20:54.040
<v Speaker 1>born born you know.

0:20:54.920 --> 0:20:58.520
<v Speaker 3>Yeah, so the fact that you know you knew that

0:20:58.600 --> 0:21:01.320
<v Speaker 3>if you do that or coach, did you hear what

0:21:01.320 --> 0:21:01.600
<v Speaker 3>he said?

0:21:01.600 --> 0:21:01.760
<v Speaker 4>Though?

0:21:01.840 --> 0:21:04.720
<v Speaker 5>Yeah, I don't know about They recorded everything at the compounds,

0:21:04.720 --> 0:21:06.800
<v Speaker 5>like everything we talk about here there, how important it

0:21:06.840 --> 0:21:09.560
<v Speaker 5>is to be with the artists.

0:21:09.320 --> 0:21:10.280
<v Speaker 3>To work with the artists.

0:21:10.400 --> 0:21:14.159
<v Speaker 4>Yeah, you know what I'm saying, And everyone is important

0:21:14.160 --> 0:21:14.720
<v Speaker 4>because it's like.

0:21:16.200 --> 0:21:16.760
<v Speaker 3>That's crazy.

0:21:16.800 --> 0:21:19.280
<v Speaker 4>Even the number three is like I started looking.

0:21:19.080 --> 0:21:22.000
<v Speaker 1>At egals nine three times yeah, yeah, three times three

0:21:22.000 --> 0:21:27.400
<v Speaker 1>egles nine, Like.

0:21:26.160 --> 0:21:27.880
<v Speaker 3>I'm looking at everybodybody looking at me, like what.

0:21:27.960 --> 0:21:30.200
<v Speaker 4>Wrong with this nigga? I was I was looking at

0:21:30.760 --> 0:21:33.600
<v Speaker 4>the numerology number three. You know what I'm saying. I

0:21:33.640 --> 0:21:36.560
<v Speaker 4>was just saying there was like beginning, middle, and and

0:21:36.720 --> 0:21:38.840
<v Speaker 4>like you know what I'm saying, past, present, future, And

0:21:38.880 --> 0:21:41.000
<v Speaker 4>it was like that's what like over these nine years,

0:21:41.040 --> 0:21:43.840
<v Speaker 4>it's like I've been able to like even reflect you

0:21:43.840 --> 0:21:46.159
<v Speaker 4>know what I'm saying and understand and then you know

0:21:46.200 --> 0:21:49.760
<v Speaker 4>what I'm saying, like like now get back into the

0:21:49.840 --> 0:21:53.080
<v Speaker 4>creative zone and and then start back hooking up and

0:21:53.119 --> 0:21:55.960
<v Speaker 4>doing like new collaborations. And then just like as I

0:21:56.000 --> 0:21:59.240
<v Speaker 4>put this compound together, like you know what I'm saying,

0:21:59.320 --> 0:22:02.359
<v Speaker 4>like just setting up session, whatever happened organically, like not

0:22:02.400 --> 0:22:05.200
<v Speaker 4>even reaching just like whatever, Like it's touched right here.

0:22:05.200 --> 0:22:08.679
<v Speaker 4>It's like man, boom, Like if they pull it up,

0:22:08.720 --> 0:22:11.320
<v Speaker 4>it's like their intention is like I'm trying to cook

0:22:11.400 --> 0:22:12.880
<v Speaker 4>up with my will, Like you know what I'm saying,

0:22:13.040 --> 0:22:15.359
<v Speaker 4>my intention, My intention is I'm trying to cook over

0:22:15.359 --> 0:22:18.000
<v Speaker 4>with this person, and boom is like you know what

0:22:18.000 --> 0:22:20.320
<v Speaker 4>I'm saying. These beats was made right here at this compound,

0:22:20.400 --> 0:22:22.560
<v Speaker 4>and if any of these songs were recorded, it was

0:22:22.640 --> 0:22:26.040
<v Speaker 4>like ten minutes down the street at Max. You know

0:22:26.040 --> 0:22:29.440
<v Speaker 4>what I'm saying. But it's like now at this point,

0:22:29.480 --> 0:22:32.000
<v Speaker 4>it's been nine years, I got so much music secked up.

0:22:32.080 --> 0:22:35.360
<v Speaker 4>But like this album right here, I'm excited about fifteen songs,

0:22:35.840 --> 0:22:39.720
<v Speaker 4>Reset Ransom three and yeah, you know what I'm saying.

0:22:40.640 --> 0:22:43.720
<v Speaker 4>So it's a good it's a good collar cleanse man.

0:22:43.960 --> 0:22:47.119
<v Speaker 4>Right now, when a lot of people saying that everything

0:22:48.440 --> 0:22:50.199
<v Speaker 4>you know what I'm saying sounds the same or like

0:22:50.280 --> 0:22:52.280
<v Speaker 4>it's boring, I feel like this is a is a

0:22:52.320 --> 0:22:54.359
<v Speaker 4>good polert cleanse for that. You know what I'm saying.

0:22:54.480 --> 0:22:59.119
<v Speaker 3>That's the beauty about you is you have a sound,

0:22:59.520 --> 0:23:03.760
<v Speaker 3>but that's versatile. It's so versatile.

0:23:03.920 --> 0:23:06.120
<v Speaker 4>It's that ear drummer where it's a ear drummer sound.

0:23:06.280 --> 0:23:08.680
<v Speaker 4>You know. I got a whole production team, like you

0:23:08.760 --> 0:23:12.080
<v Speaker 4>know what I'm saying, And that was one thing that

0:23:12.280 --> 0:23:14.160
<v Speaker 4>you know what I'm saying, I started early on. It's

0:23:14.200 --> 0:23:16.560
<v Speaker 4>like my production team is, like you know what I'm saying,

0:23:16.680 --> 0:23:20.240
<v Speaker 4>started off for just like me, but but I have

0:23:20.359 --> 0:23:23.399
<v Speaker 4>other people. Yeah, for sure, you know what I'm saying,

0:23:23.440 --> 0:23:26.480
<v Speaker 4>like I started off with ear Drummers, Like in two

0:23:26.480 --> 0:23:28.159
<v Speaker 4>thousand and seven, I was in high school, you know

0:23:28.200 --> 0:23:32.440
<v Speaker 4>what I'm saying. I was like seventeen eighteen and and Boom,

0:23:32.520 --> 0:23:34.000
<v Speaker 4>I came up with the name ear Drummers, you know

0:23:34.040 --> 0:23:37.000
<v Speaker 4>what I'm saying. And then like I was like, man, boom,

0:23:37.240 --> 0:23:39.280
<v Speaker 4>I was already making the beat for Gucci and stuff.

0:23:39.359 --> 0:23:44.439
<v Speaker 4>You know what I'm saying. So I was like, man, yeah, like.

0:23:44.440 --> 0:23:46.000
<v Speaker 3>You started for sure.

0:23:47.440 --> 0:23:49.399
<v Speaker 4>I had like a group that I was in before

0:23:49.440 --> 0:23:51.080
<v Speaker 4>we had like a buzz on the outside of town,

0:23:51.359 --> 0:23:55.320
<v Speaker 4>you know what I'm saying. And then like like like

0:23:55.359 --> 0:23:56.960
<v Speaker 4>a lot of the cause I'm from, I'm from like

0:23:57.080 --> 0:23:59.199
<v Speaker 4>car like Marietta, so you know what I'm saying, Like

0:23:59.240 --> 0:24:01.840
<v Speaker 4>a lot of the folks outside of Atlanta. Yeah that's

0:24:01.920 --> 0:24:04.760
<v Speaker 4>like that's like going seventy five north outside of Atlanta.

0:24:04.840 --> 0:24:07.399
<v Speaker 4>Yoh okay, you know what I'm saying. So boom, A

0:24:07.400 --> 0:24:09.119
<v Speaker 4>lot of a lot of the artists on the West

0:24:09.119 --> 0:24:13.160
<v Speaker 4>Side like shouted low defoel you know what I'm saying.

0:24:13.480 --> 0:24:16.640
<v Speaker 4>Franchise like they would go say, man for real, rest

0:24:16.640 --> 0:24:19.560
<v Speaker 4>in peace, man. They would they would go to the

0:24:19.560 --> 0:24:22.000
<v Speaker 4>they would go to like Cayd County clubs or like

0:24:22.080 --> 0:24:25.520
<v Speaker 4>Marietta clubs, and like like that's how a lot of

0:24:25.560 --> 0:24:27.480
<v Speaker 4>them got popping, you know what I'm saying. So Boom

0:24:27.520 --> 0:24:29.879
<v Speaker 4>Shotty Lowe was like one of the first artists to

0:24:30.000 --> 0:24:33.040
<v Speaker 4>be like, boom, give me his number out like fifteen sixteen,

0:24:33.240 --> 0:24:35.040
<v Speaker 4>let me come to the studio, you know what I'm saying.

0:24:35.080 --> 0:24:36.879
<v Speaker 4>So I used to go to Defoyel studio when I

0:24:36.920 --> 0:24:39.240
<v Speaker 4>was like a teenager, you know what I'm saying. And

0:24:39.280 --> 0:24:42.199
<v Speaker 4>then and then Gucci I had running to him at

0:24:42.240 --> 0:24:48.000
<v Speaker 4>Patchwork because you know what I'm saying, studio, Yeah, big studio. Okay, okay, yeah,

0:24:48.359 --> 0:24:50.760
<v Speaker 4>So like you know, back then, we didn't we couldn't

0:24:50.800 --> 0:24:54.000
<v Speaker 4>bounce to beat down and just air dropping or like texting,

0:24:54.080 --> 0:24:56.200
<v Speaker 4>you know what I'm saying, Like like I'm thirty six,

0:24:56.320 --> 0:24:58.879
<v Speaker 4>but they was like back then, I was like I

0:24:58.960 --> 0:25:02.200
<v Speaker 4>was like sixteen seven. So we had multi track recorders,

0:25:02.200 --> 0:25:04.040
<v Speaker 4>so I was recording on my beats on a multi

0:25:04.040 --> 0:25:06.920
<v Speaker 4>travel recorder. I burned that joint on CD. But then

0:25:06.960 --> 0:25:09.600
<v Speaker 4>I go to Patrick to get my CDs pressed up.

0:25:09.720 --> 0:25:11.440
<v Speaker 4>To get my Beat CD pressed up, you know what

0:25:11.440 --> 0:25:14.200
<v Speaker 4>I'm saying, cost me about one hundred and fifty two hundred.

0:25:14.200 --> 0:25:16.959
<v Speaker 4>You know what I'm saying, Boom, get my bacds pressed up.

0:25:17.200 --> 0:25:19.880
<v Speaker 4>And then they say, Mike will boom phone number all that.

0:25:20.000 --> 0:25:21.560
<v Speaker 4>You know what I'm saying. I used to just I

0:25:21.640 --> 0:25:24.040
<v Speaker 4>might have a box of fifty or a box one hundred.

0:25:24.480 --> 0:25:26.040
<v Speaker 4>I'll give him to the white folks, you know what

0:25:26.080 --> 0:25:29.840
<v Speaker 4>I'm saying. So one day I was right folks, No, no,

0:25:29.880 --> 0:25:38.800
<v Speaker 4>the right folks, you know, the right folks man. And

0:25:39.000 --> 0:25:40.679
<v Speaker 4>one of the first people that I gave it to

0:25:40.720 --> 0:25:43.119
<v Speaker 4>because I was getting I was printing my CDs. And

0:25:43.160 --> 0:25:45.159
<v Speaker 4>then and then my boy Blaze and told me he

0:25:45.200 --> 0:25:46.640
<v Speaker 4>was like, man, Gucci man upstairs.

0:25:46.640 --> 0:25:46.800
<v Speaker 3>Bro.

0:25:47.119 --> 0:25:49.400
<v Speaker 4>I was like, for real And then he was like, yes,

0:25:49.520 --> 0:25:52.760
<v Speaker 4>I went upstairs. Boom gave Gucci a CD. And then

0:25:53.240 --> 0:25:56.040
<v Speaker 4>was like he went in the lounge. He was playing

0:25:56.040 --> 0:25:58.840
<v Speaker 4>the CD and then he was just free selling to

0:25:58.880 --> 0:26:01.480
<v Speaker 4>all the beats and then he ended up coming out

0:26:01.520 --> 0:26:04.040
<v Speaker 4>here like hey, ain't she started with the beats. I'm

0:26:04.040 --> 0:26:05.560
<v Speaker 4>like hell yeah. He was like come in here right quick,

0:26:05.640 --> 0:26:08.360
<v Speaker 4>shut this out, and he was just rapping. And then

0:26:09.240 --> 0:26:11.880
<v Speaker 4>like I was listening to him, like man, damn, it's hard.

0:26:11.920 --> 0:26:13.720
<v Speaker 4>He was like, man, I need the file for this man.

0:26:14.400 --> 0:26:16.920
<v Speaker 4>So one of my homeboys, he already was getting paid

0:26:16.920 --> 0:26:19.040
<v Speaker 4>for beats. Like one of my homeboys I was making

0:26:19.040 --> 0:26:21.280
<v Speaker 4>beats with the name of marvela Jay. You know what

0:26:21.280 --> 0:26:23.440
<v Speaker 4>I'm saying. He was already getting paid for beats. So

0:26:24.000 --> 0:26:25.840
<v Speaker 4>I was like, man, damn, I can get paid for

0:26:25.880 --> 0:26:27.720
<v Speaker 4>a beat. He asked me for the file. So you

0:26:27.720 --> 0:26:29.240
<v Speaker 4>didn't know that at the time. You didn't know that you.

0:26:29.320 --> 0:26:32.960
<v Speaker 4>I ain't never got paid. I ain't get paid for

0:26:32.960 --> 0:26:36.320
<v Speaker 4>a feature. So I was so I told Goos, I'm like,

0:26:36.600 --> 0:26:37.879
<v Speaker 4>you got to think this underground.

0:26:37.880 --> 0:26:38.160
<v Speaker 3>Goops.

0:26:38.200 --> 0:26:40.720
<v Speaker 4>I'm just like I'm like, man, I tell Goose, like, man,

0:26:41.320 --> 0:26:45.080
<v Speaker 4>walk a flock. But just before I knew who Walker

0:26:45.119 --> 0:26:46.960
<v Speaker 4>Flocker was like you know what I'm saying.

0:26:47.840 --> 0:26:49.240
<v Speaker 3>I understand I'm trying to.

0:26:49.960 --> 0:26:52.879
<v Speaker 4>This is like this is like, yeah, this is like

0:26:53.359 --> 0:26:55.080
<v Speaker 4>before I knew who Walker Flocker was, you know what

0:26:55.080 --> 0:26:59.920
<v Speaker 4>I'm saying. And but so boom I ended up giving

0:27:00.160 --> 0:27:01.879
<v Speaker 4>to the city. So he's like, man, I need the files.

0:27:02.320 --> 0:27:04.760
<v Speaker 4>So I was like, man, all right, man, ship bro,

0:27:04.840 --> 0:27:06.400
<v Speaker 4>you just got to holler at my people. It's all

0:27:06.440 --> 0:27:09.680
<v Speaker 4>good me management, And yeah, I ain't had no management.

0:27:10.200 --> 0:27:14.879
<v Speaker 4>What I'm saying saying. So he started laughing. He was

0:27:14.920 --> 0:27:16.919
<v Speaker 4>like hey. He was like, man, I fuck with you. Man,

0:27:16.920 --> 0:27:18.359
<v Speaker 4>You're gonna be He was like, you a little player,

0:27:18.440 --> 0:27:20.720
<v Speaker 4>let me get your number. How do you I was like, man,

0:27:20.800 --> 0:27:23.920
<v Speaker 4>fifteen sixteen whatever I was at the time. So he's

0:27:23.920 --> 0:27:26.320
<v Speaker 4>like he's like, man, boom, we'll shameing numbers. So now

0:27:26.359 --> 0:27:29.280
<v Speaker 4>I got Gucci numbers. So now I had like I had,

0:27:29.320 --> 0:27:32.280
<v Speaker 4>like different like independent artists. I'm like, yeah, man, I'll

0:27:32.280 --> 0:27:34.440
<v Speaker 4>be rocking with guc Man, you know what I'm saying.

0:27:34.480 --> 0:27:36.560
<v Speaker 4>So there one dude wanted to buy buy a feature.

0:27:36.720 --> 0:27:39.600
<v Speaker 4>So I called Gucci one time, like yeah, hey, Gucci,

0:27:39.640 --> 0:27:41.240
<v Speaker 4>you know what I'm saying, Hey, I got this dude

0:27:41.280 --> 0:27:42.640
<v Speaker 4>want to buy a feature? You know what I'm saying.

0:27:42.640 --> 0:27:46.560
<v Speaker 6>He was like, oh, Gucci, been a feature from your beat? Okay,

0:27:46.600 --> 0:27:49.840
<v Speaker 6>no Gucci, Gucci? So you like, man, hey making me.

0:27:50.040 --> 0:27:53.000
<v Speaker 6>Hey it was this It was this level. Gucci was like, man,

0:27:53.000 --> 0:27:54.640
<v Speaker 6>give me thirty five hundred for I hit the road.

0:27:55.080 --> 0:27:56.760
<v Speaker 6>You know what I'm saying. It was that level Gucci,

0:27:56.800 --> 0:27:59.640
<v Speaker 6>you know what I'm saying. But but he still knew.

0:27:59.680 --> 0:28:02.520
<v Speaker 6>I was like a young dude like just at his phone,

0:28:02.680 --> 0:28:04.600
<v Speaker 6>just trying to make something happen, like you feel me.

0:28:04.920 --> 0:28:07.840
<v Speaker 6>So he had ended up going to jail. And then

0:28:07.880 --> 0:28:09.760
<v Speaker 6>when he went to jail, Me and Walker had met

0:28:09.760 --> 0:28:11.400
<v Speaker 6>each other in the club. You know what I'm saying,

0:28:11.720 --> 0:28:14.320
<v Speaker 6>But I never knew Walker knew Guccie. Me and Walker

0:28:14.359 --> 0:28:16.200
<v Speaker 6>met each other on a whole nother note. We damned

0:28:16.200 --> 0:28:17.280
<v Speaker 6>they were about to fight each other.

0:28:17.359 --> 0:28:20.960
<v Speaker 4>You know what I'm saying, Like, yeah, that's how me

0:28:21.040 --> 0:28:23.119
<v Speaker 4>and walking back like you know what I'm saying. It

0:28:23.240 --> 0:28:28.280
<v Speaker 4>was like all right, so so boom, we are there,

0:28:28.880 --> 0:28:31.200
<v Speaker 4>Well we're out there, were out there in Marietta. We

0:28:31.200 --> 0:28:33.159
<v Speaker 4>were in one of these clubs. It's a popping spot

0:28:33.240 --> 0:28:35.400
<v Speaker 4>club Q. You know what I'm saying, I'm too young

0:28:35.440 --> 0:28:36.880
<v Speaker 4>to even being this joint. You know what I'm.

0:28:36.760 --> 0:28:39.160
<v Speaker 3>Saying in my mind is walking like this.

0:28:39.600 --> 0:28:41.400
<v Speaker 4>Man, he just talk, you know what I'm saying, Like

0:28:42.320 --> 0:28:47.560
<v Speaker 4>was like man, boom, he come in and like man like,

0:28:47.640 --> 0:28:50.160
<v Speaker 4>it's all us over here. We got our own people.

0:28:50.400 --> 0:28:52.880
<v Speaker 4>And then like walking them there. They're from the South Side,

0:28:53.040 --> 0:28:54.960
<v Speaker 4>So you know what I'm saying. They was in that

0:28:55.080 --> 0:28:58.600
<v Speaker 4>deep So some song come on somebody that he was

0:28:58.640 --> 0:29:02.040
<v Speaker 4>with jumping face, throwing something in my face. So I'm

0:29:02.080 --> 0:29:03.720
<v Speaker 4>the youngest of my whole crew. So one of my

0:29:03.760 --> 0:29:06.720
<v Speaker 4>guys just push him. You know what I'm saying. Now

0:29:06.760 --> 0:29:09.080
<v Speaker 4>that dude fly over there. Now that dude turning into

0:29:09.080 --> 0:29:12.760
<v Speaker 4>three dudes, and then we start turning in, we start transforming.

0:29:13.000 --> 0:29:16.000
<v Speaker 4>Everybody started forming, and then out of nowhere, Walker jump

0:29:16.040 --> 0:29:18.479
<v Speaker 4>in front of his guys and put his hands up

0:29:18.480 --> 0:29:20.800
<v Speaker 4>and it's like hey, heldo, holo, hold up, like you're

0:29:20.840 --> 0:29:24.120
<v Speaker 4>like hey, and then my boy, my boy os. I

0:29:24.120 --> 0:29:27.040
<v Speaker 4>had just met him. It's my brother still to this day,

0:29:27.320 --> 0:29:30.360
<v Speaker 4>you know what I'm saying. But I had just met him,

0:29:30.360 --> 0:29:31.959
<v Speaker 4>but he was from New York. He had a New

0:29:32.000 --> 0:29:34.680
<v Speaker 4>York had on. So him and Walker had already been

0:29:34.720 --> 0:29:37.560
<v Speaker 4>talking over here. So when they see us, when they

0:29:37.560 --> 0:29:39.720
<v Speaker 4>see the ship out to go down, they go both

0:29:40.080 --> 0:29:41.600
<v Speaker 4>run over there, walk and get in front of his

0:29:41.640 --> 0:29:43.840
<v Speaker 4>people alls get in front of us, and then they

0:29:44.240 --> 0:29:47.280
<v Speaker 4>liked up and then and then walking like man, you

0:29:47.320 --> 0:29:49.080
<v Speaker 4>ain't trying from New York. I'm like, nah, we ain't

0:29:49.120 --> 0:29:50.360
<v Speaker 4>from New York. He's from New York, you know what

0:29:50.360 --> 0:29:53.440
<v Speaker 4>I'm saying. And then and then and then walking like

0:29:53.520 --> 0:29:56.160
<v Speaker 4>man walking like nah, nah, man ain't nigga cool man

0:29:56.280 --> 0:29:58.480
<v Speaker 4>like ooh. And then he turned around and tell this dude, Man, hey, bro,

0:29:58.600 --> 0:30:00.920
<v Speaker 4>y'all nigga find him for back? Bro, how far the

0:30:00.920 --> 0:30:04.800
<v Speaker 4>fuck back? So boom they fall back Boom. You know

0:30:04.840 --> 0:30:06.840
<v Speaker 4>what I'm saying. Now we're over here, and next thing,

0:30:06.880 --> 0:30:08.960
<v Speaker 4>you know, I go to the bathroom. You know what

0:30:09.000 --> 0:30:12.080
<v Speaker 4>I'm saying. I see this nigga in the bathroom. I'm like, man,

0:30:12.760 --> 0:30:15.040
<v Speaker 4>probably this nigga gonna probably try some shit. Like when

0:30:15.040 --> 0:30:16.880
<v Speaker 4>I walk out the bathroom, because he walking out, I'm

0:30:16.880 --> 0:30:20.040
<v Speaker 4>walking in. You know what I'm saying, Yeah, so boom,

0:30:20.080 --> 0:30:21.800
<v Speaker 4>I don't know who this is. I don't know this walker,

0:30:21.880 --> 0:30:24.800
<v Speaker 4>flock or nothing. You know what I'm saying. Yeah, like

0:30:24.960 --> 0:30:27.040
<v Speaker 4>we're in the clubs, club shit, you know what I'm saying.

0:30:27.680 --> 0:30:29.720
<v Speaker 4>So you know what I'm saying, boom. Next thing, you know,

0:30:30.640 --> 0:30:33.640
<v Speaker 4>he walk out. You know what I'm saying, walking in Boom.

0:30:34.080 --> 0:30:36.400
<v Speaker 4>I ain't never goddamn coming out there. So you know.

0:30:36.560 --> 0:30:38.360
<v Speaker 4>And then when you know, when you're too young, like

0:30:38.400 --> 0:30:41.720
<v Speaker 4>you sixteen in the twenty or eighteen and old the

0:30:41.760 --> 0:30:44.160
<v Speaker 4>club whatever it was, you know what I'm saying, you

0:30:44.280 --> 0:30:45.840
<v Speaker 4>can kind of you can kind of tell this some

0:30:45.880 --> 0:30:48.960
<v Speaker 4>one you used to walker like I'm walking out, walk up,

0:30:48.960 --> 0:30:51.680
<v Speaker 4>put the arm around me, like, hey, bro, man, damn,

0:30:51.720 --> 0:30:54.600
<v Speaker 4>it's a hose in here. Bro, you know what I'm saying.

0:30:55.040 --> 0:30:56.680
<v Speaker 4>And I was like, I was like, I'm like man,

0:30:56.720 --> 0:30:58.560
<v Speaker 4>I'm like, nah for real, I'm like remember the hell

0:30:58.640 --> 0:31:01.160
<v Speaker 4>y'all from He was like, man from the south Side.

0:31:01.240 --> 0:31:03.800
<v Speaker 4>He was like, man, Broy got was like here, Bro.

0:31:03.960 --> 0:31:05.960
<v Speaker 4>I was like like non for shure for sure. And

0:31:05.960 --> 0:31:08.360
<v Speaker 4>then he was like he was like man. He was

0:31:08.360 --> 0:31:09.920
<v Speaker 4>like man, I was. He was like, Man, my bad

0:31:09.960 --> 0:31:12.360
<v Speaker 4>about earlier, Bro, my nigga, my niggas down there tweaking, Bro,

0:31:12.480 --> 0:31:14.160
<v Speaker 4>Man your boy. He was coole at hell. Man he

0:31:14.200 --> 0:31:15.840
<v Speaker 4>had on the New York had. I was just talking

0:31:15.840 --> 0:31:18.080
<v Speaker 4>to him like I'm from New York like and then

0:31:18.080 --> 0:31:19.800
<v Speaker 4>I was like word, and then he was like he

0:31:19.880 --> 0:31:21.360
<v Speaker 4>was like man. Yeah, he was like, man, what should

0:31:21.400 --> 0:31:23.520
<v Speaker 4>be doing? I'm like, man, I just I was just

0:31:23.520 --> 0:31:24.720
<v Speaker 4>trying to get to the money.

0:31:24.480 --> 0:31:26.800
<v Speaker 3>Bro, like some real ship beats.

0:31:27.840 --> 0:31:28.960
<v Speaker 4>So I told him I was trying to get to

0:31:29.000 --> 0:31:31.240
<v Speaker 4>the I turn him out, my bad him. I was

0:31:31.240 --> 0:31:33.040
<v Speaker 4>trying to get to the money. And then and then

0:31:33.120 --> 0:31:36.560
<v Speaker 4>he was like he was like man. He was like

0:31:36.600 --> 0:31:37.920
<v Speaker 4>he was like, man, what you do. You hustled, what

0:31:38.040 --> 0:31:39.960
<v Speaker 4>you do. I was like, man, Ship, I make beats

0:31:40.280 --> 0:31:42.280
<v Speaker 4>and he was like, man, oh Ship. He was like, man,

0:31:42.320 --> 0:31:45.440
<v Speaker 4>my cousin Gucci. Man like right for real, I'm like, nigga, Gucci,

0:31:45.480 --> 0:31:47.640
<v Speaker 4>my nigga. I pull out my phone. I was showing

0:31:47.640 --> 0:31:49.800
<v Speaker 4>them two numbers I got on Gucci and he like

0:31:50.560 --> 0:31:52.720
<v Speaker 4>he was like, oh, ship boy, you know Gucci for real.

0:31:53.120 --> 0:31:54.480
<v Speaker 4>He was like, he was like, man, hey, let me

0:31:54.520 --> 0:31:56.200
<v Speaker 4>get your number. Guchi about to come home, Like, let

0:31:56.240 --> 0:31:58.560
<v Speaker 4>me get your number. So boh he got my number.

0:31:59.040 --> 0:32:01.920
<v Speaker 4>And then like I walked back over there to like

0:32:02.280 --> 0:32:04.520
<v Speaker 4>to my guys people you know what I'm saying, and

0:32:04.600 --> 0:32:07.280
<v Speaker 4>one of my brothers like these my big brothers. They

0:32:07.280 --> 0:32:09.240
<v Speaker 4>tell my mom like, man, we got him. You know

0:32:09.240 --> 0:32:10.480
<v Speaker 4>what I'm saying, Like he's gonna be good when he

0:32:10.560 --> 0:32:12.080
<v Speaker 4>came home, Like you know what I'm saying, he gonna

0:32:12.120 --> 0:32:15.000
<v Speaker 4>come home. Like so he like, you gave that nigga

0:32:15.000 --> 0:32:17.440
<v Speaker 4>your number. I'm like I'm like, hey, yeah, he's the

0:32:17.480 --> 0:32:20.080
<v Speaker 4>man that goosey cousin. Bro. You know he was like

0:32:20.160 --> 0:32:22.280
<v Speaker 4>he was like, man, fuck that nigga.

0:32:22.360 --> 0:32:25.400
<v Speaker 3>Bro, Like you know what I'm saying, Like that's how

0:32:25.480 --> 0:32:26.120
<v Speaker 3>niggas are crazy.

0:32:26.120 --> 0:32:28.040
<v Speaker 4>You know what I'm saying. So you know what I'm saying.

0:32:28.080 --> 0:32:30.600
<v Speaker 4>So he like, man, hell like, so I'm thinking I

0:32:30.680 --> 0:32:33.960
<v Speaker 4>slipped Yeah, I'm thinking I slipped up. I'm like, man,

0:32:34.520 --> 0:32:36.520
<v Speaker 4>I went back and I told walking. I'm like, man, hey, bro,

0:32:36.560 --> 0:32:37.360
<v Speaker 4>I gave you the wrong.

0:32:37.680 --> 0:32:40.000
<v Speaker 3>Get the number back. He took the number back.

0:32:41.440 --> 0:32:44.880
<v Speaker 4>I'm like, brother, I gave you the wrong down number,

0:32:45.040 --> 0:32:47.600
<v Speaker 4>and I gave him my Internet number. Like you know

0:32:47.720 --> 0:32:50.120
<v Speaker 4>that's when you had dollar. You know what I'm saying,

0:32:50.200 --> 0:32:54.120
<v Speaker 4>this is yeah, yeah, so I give my Internet number.

0:32:54.240 --> 0:32:55.880
<v Speaker 4>You know what I'm saying. So I'm like, man, if

0:32:55.880 --> 0:32:57.640
<v Speaker 4>it's ever meant to be whatever, you know what I'm saying,

0:32:57.680 --> 0:33:00.440
<v Speaker 4>like boom, So I just leave. I forget about the

0:33:00.480 --> 0:33:03.480
<v Speaker 4>whole scenario. One day, I'm I'm not supposed to be

0:33:03.560 --> 0:33:05.160
<v Speaker 4>on the phone. I'm slick gonna punishment, you know what

0:33:05.160 --> 0:33:07.800
<v Speaker 4>I'm saying. When I grab the phone. I got my

0:33:07.840 --> 0:33:10.520
<v Speaker 4>sister phone she done went to college. I got another

0:33:10.520 --> 0:33:14.000
<v Speaker 4>phone in my room, plug up the internet line. She

0:33:14.200 --> 0:33:17.480
<v Speaker 4>started ringing. I'm like hello, and You're like, man, nigga,

0:33:17.480 --> 0:33:19.400
<v Speaker 4>you don't never pick up the phone. I'm like, man,

0:33:19.400 --> 0:33:22.280
<v Speaker 4>who is like you're like man if Walker, I'm like

0:33:22.320 --> 0:33:24.280
<v Speaker 4>Walker wykome who he was like, man, Gucci comes in

0:33:24.320 --> 0:33:26.040
<v Speaker 4>from the club. I'm like, oh Ship, what up bro?

0:33:26.520 --> 0:33:29.960
<v Speaker 4>And then so boom our first conversation. We chop it

0:33:30.040 --> 0:33:32.840
<v Speaker 4>up for like thirty minutes, forty five minutes, and he

0:33:32.960 --> 0:33:35.160
<v Speaker 4>telling me like he's just telling me, like, man, who

0:33:35.160 --> 0:33:36.920
<v Speaker 4>with mom is? Like how.

0:33:38.280 --> 0:33:40.000
<v Speaker 3>WA's whole family is gangster?

0:33:40.320 --> 0:33:44.440
<v Speaker 4>Yeah? No, for real? So he tells me who his

0:33:44.480 --> 0:33:46.680
<v Speaker 4>mom is. You know what I'm saying. He telling me

0:33:46.720 --> 0:33:49.760
<v Speaker 4>how she managed Gucci and how she really liked the

0:33:49.800 --> 0:33:51.960
<v Speaker 4>Plug and now I want Nikki.

0:33:51.720 --> 0:33:53.720
<v Speaker 3>Back then before Nikki.

0:33:53.720 --> 0:33:56.760
<v Speaker 4>Oh yeah, yeah, it's way before Nikki, you know what

0:33:56.760 --> 0:33:59.200
<v Speaker 4>I'm saying. So he's just telling me like she managing

0:33:59.240 --> 0:34:01.600
<v Speaker 4>Gucci and like she like the Plug and everything like that.

0:34:01.680 --> 0:34:04.400
<v Speaker 4>So I'm like, I'm like, damn for real. He're like hey, yeah,

0:34:04.560 --> 0:34:07.080
<v Speaker 4>you know what I'm saying. So now me and Walker

0:34:07.120 --> 0:34:09.360
<v Speaker 4>staying in contact. So like he used to hit me

0:34:09.360 --> 0:34:11.520
<v Speaker 4>from his mom number sometimes, you know what I'm saying.

0:34:11.760 --> 0:34:14.240
<v Speaker 4>So one time I'm calling him back and then she

0:34:14.239 --> 0:34:15.799
<v Speaker 4>she picked up the phone and she was like, is

0:34:15.800 --> 0:34:19.200
<v Speaker 4>this Mike will I was like yeah. She was like, man, hey, man,

0:34:19.239 --> 0:34:21.200
<v Speaker 4>you are you all my soign talk about Man, he

0:34:21.280 --> 0:34:23.160
<v Speaker 4>keep telling me how you're gonna be the biggest producer,

0:34:23.480 --> 0:34:24.680
<v Speaker 4>and you know what I'm saying, this is and that

0:34:24.760 --> 0:34:26.279
<v Speaker 4>and like you know what I'm saying, Like.

0:34:28.880 --> 0:34:29.560
<v Speaker 3>You know what I'm saying.

0:34:30.320 --> 0:34:32.719
<v Speaker 4>Like he was like, he was like, man, he kept

0:34:32.960 --> 0:34:34.440
<v Speaker 4>he kept telling me how you're gonna be the biggest

0:34:34.440 --> 0:34:36.279
<v Speaker 4>producer and like how you're gonna take over the game,

0:34:36.600 --> 0:34:38.000
<v Speaker 4>and how I need to meet with you. I need

0:34:38.000 --> 0:34:40.920
<v Speaker 4>to meet with you, sweetie. I was like, I'm like, man, man,

0:34:40.920 --> 0:34:42.840
<v Speaker 4>I'm ready, like he told me, like you the plug

0:34:42.960 --> 0:34:45.759
<v Speaker 4>like man. At this time, I ow who she was

0:34:45.800 --> 0:34:50.640
<v Speaker 4>my stomach touching the back and my stomach touched my back.

0:34:50.840 --> 0:34:53.960
<v Speaker 4>You know what I'm saying. So I talked to her

0:34:54.000 --> 0:34:56.600
<v Speaker 4>about that about me up and now me and Walker

0:34:56.640 --> 0:34:59.520
<v Speaker 4>staying in contact. Then another time he like, hey, bro,

0:34:59.560 --> 0:35:01.920
<v Speaker 4>I got my I want to talk to you boom

0:35:02.120 --> 0:35:04.719
<v Speaker 4>Gucci like her boy, good thing you running to my cousin. Boy,

0:35:04.719 --> 0:35:06.320
<v Speaker 4>I need them beats, you know what I'm saying. Get

0:35:06.400 --> 0:35:08.360
<v Speaker 4>them beats to my little cousin. Man, you know what

0:35:08.360 --> 0:35:11.160
<v Speaker 4>I'm saying. So from there, he started having me pull

0:35:11.239 --> 0:35:13.399
<v Speaker 4>up to the studio. You know what I'm saying. So

0:35:14.440 --> 0:35:17.399
<v Speaker 4>like back then, I'm I'm now I'm the youngest nigga

0:35:17.400 --> 0:35:19.080
<v Speaker 4>in this room. You know what I'm saying, because like

0:35:19.560 --> 0:35:21.640
<v Speaker 4>it's me and Walker, we the two youngest niggas in

0:35:21.680 --> 0:35:24.520
<v Speaker 4>the room. But in the room it's like Shoddy red

0:35:24.719 --> 0:35:27.040
<v Speaker 4>Stove and drump my boy. You know what I'm saying.

0:35:27.080 --> 0:35:28.719
<v Speaker 4>In fact, boy, you know what I'm saying. All the

0:35:28.719 --> 0:35:30.880
<v Speaker 4>producers who I look up to, I'm like, damn, like,

0:35:30.920 --> 0:35:32.719
<v Speaker 4>I'm now I'm in the room with these niggas. You

0:35:32.719 --> 0:35:35.120
<v Speaker 4>know what I'm saying. So I remember being in there

0:35:35.120 --> 0:35:38.920
<v Speaker 4>one night and Gucci was like he was like, he

0:35:39.040 --> 0:35:41.719
<v Speaker 4>was like, man, he was listening to some beats and

0:35:41.719 --> 0:35:43.560
<v Speaker 4>he was like, hey, bro, this is my young nigga

0:35:43.600 --> 0:35:46.440
<v Speaker 4>right here. Man's my young nigga. Mike will I played

0:35:46.440 --> 0:35:50.080
<v Speaker 4>them beats. Bro. I'm like yeah, I'm like, man, hey,

0:35:50.320 --> 0:35:54.279
<v Speaker 4>now like you feel me like I'm in here, well here, no,

0:35:54.680 --> 0:35:57.279
<v Speaker 4>these like the gladiators right here. I'm like and he

0:35:57.440 --> 0:35:58.560
<v Speaker 4>like what you shy?

0:35:58.680 --> 0:35:58.800
<v Speaker 5>You know?

0:35:59.120 --> 0:36:04.040
<v Speaker 4>Put be you know what I'm saying. And then told

0:36:04.080 --> 0:36:07.200
<v Speaker 4>you this. So I heard play on the beats boom

0:36:07.600 --> 0:36:09.640
<v Speaker 4>him and his whole squad and that just freestyle and

0:36:09.719 --> 0:36:12.120
<v Speaker 4>just you know what I'm saying, vibing to the beat,

0:36:12.360 --> 0:36:14.680
<v Speaker 4>and then from there like you know what I'm saying,

0:36:14.680 --> 0:36:16.799
<v Speaker 4>and then from there like that's how I met Like

0:36:16.920 --> 0:36:19.480
<v Speaker 4>Ko Ko pulled me to his side. He would give

0:36:19.480 --> 0:36:21.120
<v Speaker 4>me some advice on the beat, and they told him,

0:36:21.120 --> 0:36:22.719
<v Speaker 4>will give me some advice on the beat. They told him,

0:36:22.719 --> 0:36:24.560
<v Speaker 4>would let me come over to his crib. You know

0:36:24.600 --> 0:36:26.480
<v Speaker 4>what I'm saying. He had my sessions going on. I

0:36:26.520 --> 0:36:28.600
<v Speaker 4>met a lot of artists at They told my mama

0:36:28.640 --> 0:36:30.759
<v Speaker 4>house like you know what I'm saying, that's why he'll

0:36:30.960 --> 0:36:32.880
<v Speaker 4>forever be my big brother, Like you know what I'm saying.

0:36:33.200 --> 0:36:36.080
<v Speaker 4>And and that was just me being the youngest guy

0:36:36.120 --> 0:36:38.839
<v Speaker 4>in the room. But it's like they embraced me like that.

0:36:38.880 --> 0:36:41.440
<v Speaker 4>But meanwhile, when Walker told his mom that when he

0:36:41.480 --> 0:36:45.239
<v Speaker 4>told them that he had never heard a beat, he

0:36:45.239 --> 0:36:47.000
<v Speaker 4>ain't never heard a high hat, he ain't never heard

0:36:47.000 --> 0:36:47.440
<v Speaker 4>none of my.

0:36:47.480 --> 0:36:50.279
<v Speaker 3>Music about you for you without hearing anything.

0:36:50.000 --> 0:36:53.680
<v Speaker 4>Without hearing just going off vibe, you know what I'm saying,

0:36:53.719 --> 0:36:57.680
<v Speaker 4>Like he saw like how we transformed out there, he

0:36:58.239 --> 0:37:00.759
<v Speaker 4>knowing like man, these dudes got to move. But you

0:37:00.800 --> 0:37:03.719
<v Speaker 4>know what I'm saying. But at the same time, this dude,

0:37:03.840 --> 0:37:06.200
<v Speaker 4>coolest head on the phone, like you know what I'm saying,

0:37:06.440 --> 0:37:10.080
<v Speaker 4>And I'm sure he could like tell like the passion,

0:37:10.160 --> 0:37:12.360
<v Speaker 4>like you know what I'm saying, like when I'm talking

0:37:12.360 --> 0:37:14.480
<v Speaker 4>to him, And I had a vision. I always had

0:37:14.480 --> 0:37:16.320
<v Speaker 4>a vision, like as a young nigga, Like you know

0:37:16.320 --> 0:37:18.680
<v Speaker 4>what I'm saying, Like I always had a vision and

0:37:18.840 --> 0:37:21.520
<v Speaker 4>like how big like this ship could actually be you

0:37:21.560 --> 0:37:25.040
<v Speaker 4>know what I'm saying, And and and Walker was overly

0:37:25.120 --> 0:37:28.200
<v Speaker 4>vouching like I'm talking about to a to a point

0:37:28.200 --> 0:37:30.239
<v Speaker 4>where like, man, we might go to some Gucci Man

0:37:30.360 --> 0:37:33.799
<v Speaker 4>video shoot sometime. We might go to Gucci Man video

0:37:33.800 --> 0:37:36.319
<v Speaker 4>shoot sometime, and you know what I'm saying. He want

0:37:36.360 --> 0:37:38.120
<v Speaker 4>to walk up in the middle of everybody and be like,

0:37:38.200 --> 0:37:41.600
<v Speaker 4>hey man, this young nigga about to take over the game. Man,

0:37:41.880 --> 0:37:43.279
<v Speaker 4>Like you know what I'm saying, this and that, this

0:37:43.320 --> 0:37:45.760
<v Speaker 4>and that. So it's like, yeah, man, shout out, shout

0:37:45.760 --> 0:37:47.640
<v Speaker 4>out to Walker, shout out to death. You know what

0:37:47.680 --> 0:37:48.080
<v Speaker 4>I'm saying.

0:37:52.960 --> 0:37:54.799
<v Speaker 1>Yes, So you know, we went twenty minutes to suit

0:37:54.880 --> 0:37:56.560
<v Speaker 1>you a glass and we wanted to make sure.

0:37:56.719 --> 0:38:03.440
<v Speaker 4>The glass talk to that man. Know what, Let me

0:38:03.520 --> 0:38:07.600
<v Speaker 4>tell you something, But.

0:38:10.600 --> 0:38:14.200
<v Speaker 1>Let me just tell you something, brother, what you have done,

0:38:14.400 --> 0:38:18.840
<v Speaker 1>what you have overcame, what you have provided to the game.

0:38:19.280 --> 0:38:22.560
<v Speaker 1>We got to give your flowers, brother, like, like we gotta,

0:38:22.719 --> 0:38:25.440
<v Speaker 1>we got we got to get your flowers. Brother, like,

0:38:28.920 --> 0:38:33.520
<v Speaker 1>you are really one of the best producers ever made it.

0:38:34.000 --> 0:38:39.400
<v Speaker 3>So we want to get you.

0:38:39.719 --> 0:38:44.919
<v Speaker 1>I'm sorry, gave you better than they because it comes

0:38:44.960 --> 0:38:46.960
<v Speaker 1>from our people. But we want to tell you how

0:38:47.040 --> 0:38:49.319
<v Speaker 1>much you mean to us, man, Like I mean to

0:38:49.400 --> 0:38:53.719
<v Speaker 1>the game period is You're a legend, legend, you are icon.

0:38:54.160 --> 0:38:56.400
<v Speaker 3>You you you you are one of the.

0:38:56.239 --> 0:38:59.880
<v Speaker 1>Best producers out there, if not the best producer out.

0:38:59.680 --> 0:39:01.680
<v Speaker 3>There, And we want to give you your flowers.

0:39:01.840 --> 0:39:07.040
<v Speaker 4>Man, appreciate that. Appreciate that. I appreciate that. It's definitely

0:39:07.040 --> 0:39:08.440
<v Speaker 4>going up in the compound. Man.

0:39:08.560 --> 0:39:12.400
<v Speaker 1>Yeah yeah, And and I can't lie every time I

0:39:12.440 --> 0:39:15.040
<v Speaker 1>see you, like I got a beef for you, and

0:39:15.120 --> 0:39:15.440
<v Speaker 1>I was.

0:39:15.400 --> 0:39:19.120
<v Speaker 6>Like, damn yeah yeah.

0:39:19.200 --> 0:39:24.200
<v Speaker 4>But also also also we gotta we gotta get our

0:39:24.280 --> 0:39:25.520
<v Speaker 4>drinking game on with them.

0:39:25.719 --> 0:39:27.000
<v Speaker 3>Are we ready for quick time, y'all?

0:39:27.200 --> 0:39:27.359
<v Speaker 4>Yeah?

0:39:27.400 --> 0:39:28.800
<v Speaker 3>Yeah, yeah, yeah, no, no already.

0:39:29.160 --> 0:39:31.279
<v Speaker 1>Now, if you don't want to drink, you don't have to.

0:39:32.080 --> 0:39:35.000
<v Speaker 1>You can sit or you can sit by the way.

0:39:36.600 --> 0:39:44.360
<v Speaker 1>You have just won Drink Champs most expensive. Patty Lavelle

0:39:44.400 --> 0:39:46.200
<v Speaker 1>had it for a second.

0:39:47.480 --> 0:39:48.960
<v Speaker 3>No, she she ordered.

0:39:48.760 --> 0:39:51.520
<v Speaker 1>Camis and then I and I ordered her office.

0:39:52.239 --> 0:39:55.719
<v Speaker 3>But when you ordered this ship with whatever whatever the.

0:39:55.719 --> 0:39:56.080
<v Speaker 4>Name that.

0:39:59.440 --> 0:40:02.640
<v Speaker 3>The other one thirty two thousands.

0:40:04.640 --> 0:40:07.040
<v Speaker 4>I ain't gonna lie. I ain't gonna lie. Man. You

0:40:07.040 --> 0:40:08.560
<v Speaker 4>you are, you are what you and you are what

0:40:08.600 --> 0:40:09.879
<v Speaker 4>you consume. You know what I'm saying.

0:40:10.239 --> 0:40:11.080
<v Speaker 3>So you're killing in.

0:40:14.040 --> 0:40:17.759
<v Speaker 1>We got a officially, Mike will is the most expensive

0:40:18.080 --> 0:40:20.759
<v Speaker 1>Nigo on Drink Champs.

0:40:22.520 --> 0:40:27.840
<v Speaker 3>Yo, hold on, you're gonna compete with relaxed Teddy Rolly

0:40:27.840 --> 0:40:32.560
<v Speaker 3>came very close. Teddy Body came a humble production budget.

0:40:37.600 --> 0:40:39.759
<v Speaker 4>Now this shot, this ship is a big This ship

0:40:39.840 --> 0:40:41.799
<v Speaker 4>is a big platform. Man. You know what I'm saying,

0:40:43.200 --> 0:40:46.520
<v Speaker 4>and and and and it's all about you know, taste

0:40:46.520 --> 0:40:50.319
<v Speaker 4>palace man, y'all got go by that we keep keep them.

0:40:51.360 --> 0:40:53.120
<v Speaker 3>Yes, we all hate the spade driven.

0:40:53.320 --> 0:40:55.920
<v Speaker 1>But do you I don't even know how to pronounce

0:40:55.960 --> 0:40:56.279
<v Speaker 1>this ship.

0:40:56.320 --> 0:40:56.880
<v Speaker 4>You ordered.

0:40:58.600 --> 0:41:05.000
<v Speaker 7>Bumba bro that's the type of that's the type of red.

0:41:05.280 --> 0:41:09.200
<v Speaker 4>Okay, so where's that from? This specific one? I don't

0:41:09.200 --> 0:41:09.960
<v Speaker 4>know where it's from.

0:41:11.040 --> 0:41:14.080
<v Speaker 1>Talk that one kind of ship because no, no, he's

0:41:14.120 --> 0:41:14.760
<v Speaker 1>very expensive.

0:41:15.360 --> 0:41:18.840
<v Speaker 3>I said I can hang out with this nigga, and

0:41:19.000 --> 0:41:20.120
<v Speaker 3>he wanted he would it.

0:41:20.160 --> 0:41:27.680
<v Speaker 4>I was like, this is my type of Yeah, okay,

0:41:28.200 --> 0:41:31.759
<v Speaker 4>break where's that coming from? This one right here, come

0:41:31.800 --> 0:41:32.960
<v Speaker 4>from Italy, Italy.

0:41:33.040 --> 0:41:35.000
<v Speaker 3>Okay, listen, I can hang.

0:41:34.840 --> 0:41:38.160
<v Speaker 4>With you all day for sure. I have you ever

0:41:38.200 --> 0:41:39.040
<v Speaker 4>been in Napa Valley?

0:41:39.200 --> 0:41:44.640
<v Speaker 1>Absolutely? Yeah, absolutely, I'm gonna opens one. Dude, I'm a chemist. Dude,

0:41:44.719 --> 0:41:47.040
<v Speaker 1>I'm I'm I'm all that, I'm.

0:41:46.880 --> 0:41:47.399
<v Speaker 4>With all that.

0:41:48.000 --> 0:41:48.319
<v Speaker 3>So cool.

0:41:48.320 --> 0:41:50.239
<v Speaker 4>We got we got, we got the album, the joint,

0:41:50.280 --> 0:41:50.799
<v Speaker 4>we got the list.

0:41:50.880 --> 0:41:53.239
<v Speaker 3>So you got to explain your game. This is our

0:41:53.280 --> 0:41:55.319
<v Speaker 3>drinking game. We're gonna give you two options right here.

0:41:55.680 --> 0:41:59.560
<v Speaker 5>You picked one, we don't drink one of the options

0:41:59.840 --> 0:42:02.759
<v Speaker 5>you say both both are neither, Like you really don't

0:42:02.760 --> 0:42:05.040
<v Speaker 5>want to answer, you want to be politically correct. Then

0:42:05.080 --> 0:42:06.919
<v Speaker 5>we all take a shot or we take a drink.

0:42:07.680 --> 0:42:09.880
<v Speaker 5>But really it's about stories. It's really about bringing up

0:42:09.920 --> 0:42:11.160
<v Speaker 5>names and places and things.

0:42:11.680 --> 0:42:12.520
<v Speaker 4>Yeah, it's not.

0:42:12.600 --> 0:42:14.359
<v Speaker 3>It's not about pinning anybody against each other.

0:42:14.440 --> 0:42:14.600
<v Speaker 8>Yea.

0:42:15.320 --> 0:42:16.319
<v Speaker 3>So the first one is.

0:42:16.520 --> 0:42:22.520
<v Speaker 4>I don't want no smoke. Future young thug, Come on, man,

0:42:22.600 --> 0:42:30.359
<v Speaker 4>y'all popping up like that, you're taking we got, Yeah,

0:42:30.400 --> 0:42:32.600
<v Speaker 4>I got, I gotta, I gotta, I gotta say both.

0:42:32.880 --> 0:42:36.440
<v Speaker 4>You know what I'm saying, because a drink. Yeah, because

0:42:36.480 --> 0:42:38.359
<v Speaker 4>of all of what they all of what they did

0:42:38.480 --> 0:42:40.399
<v Speaker 4>for the game, and and you know what I'm saying,

0:42:40.480 --> 0:42:44.520
<v Speaker 4>how they push it forward, like like it was real.

0:42:44.600 --> 0:42:46.680
<v Speaker 4>It was real similar meeting both of them. You know

0:42:46.719 --> 0:42:48.600
<v Speaker 4>what I'm saying, Because it was like it was like

0:42:49.800 --> 0:42:51.719
<v Speaker 4>it was real similar meeting both of them, because it's

0:42:51.719 --> 0:42:55.400
<v Speaker 4>like like I had my future, like I said earlier,

0:42:55.480 --> 0:42:59.400
<v Speaker 4>like with Rocco. You know what I'm saying, Future and

0:42:59.520 --> 0:43:03.479
<v Speaker 4>Rock Shakestage situation ship for real?

0:43:03.560 --> 0:43:05.399
<v Speaker 3>I really hold a f BG.

0:43:05.600 --> 0:43:06.160
<v Speaker 4>You know what I'm saying.

0:43:06.280 --> 0:43:07.799
<v Speaker 3>It was crazy. Sorry to cut you off.

0:43:07.960 --> 0:43:11.120
<v Speaker 1>I met Future and Rocco in the same exact place.

0:43:11.880 --> 0:43:13.880
<v Speaker 1>I can't say weird because I think they still hang

0:43:13.960 --> 0:43:18.279
<v Speaker 1>out there. So I met Rocco one day there and

0:43:18.320 --> 0:43:20.080
<v Speaker 1>then I met Future the next day.

0:43:20.239 --> 0:43:24.520
<v Speaker 4>It was crazy, Yeah, non for real, but we was

0:43:24.800 --> 0:43:27.040
<v Speaker 4>like I will always see Future, like we'll be in

0:43:27.040 --> 0:43:30.799
<v Speaker 4>the same clubs or whatnot. But like one day I

0:43:30.840 --> 0:43:33.000
<v Speaker 4>was holding that Roco like, man, bro, what's up? Man?

0:43:33.080 --> 0:43:35.080
<v Speaker 4>Like man, you know what I'm saying. You need to

0:43:35.120 --> 0:43:38.000
<v Speaker 4>steal a rap bro, Like I got some ship for you.

0:43:38.360 --> 0:43:40.440
<v Speaker 4>He was like, man, look man, I'm putting the focus

0:43:40.480 --> 0:43:42.239
<v Speaker 4>on you know what I'm saying, my guy right here? Man,

0:43:42.320 --> 0:43:44.160
<v Speaker 4>you know what I'm saying. Yeah, he was like, man,

0:43:44.160 --> 0:43:46.160
<v Speaker 4>he was like, man, this dude next, So me in

0:43:46.239 --> 0:43:49.279
<v Speaker 4>future had exchange numbers right then. Then like a night

0:43:49.440 --> 0:43:52.359
<v Speaker 4>or two later, I was in Magic and.

0:43:52.280 --> 0:43:54.759
<v Speaker 3>Then like I was a city yeah club.

0:43:54.600 --> 0:43:57.960
<v Speaker 4>Yeah for sure. And and that's you know, that's we

0:43:58.520 --> 0:44:00.839
<v Speaker 4>in Atlanta. Like you record the song just to go

0:44:00.880 --> 0:44:02.520
<v Speaker 4>to Magic, just to just to play it, you know

0:44:02.560 --> 0:44:05.080
<v Speaker 4>what I'm saying. Like that's like, can your ship play

0:44:05.120 --> 0:44:06.560
<v Speaker 4>at the Grammy? He's like, you know what I'm saying.

0:44:06.800 --> 0:44:09.239
<v Speaker 4>So it's like for he heal. So it's like one

0:44:09.280 --> 0:44:12.200
<v Speaker 4>day we imagine and and like I'm I'm telling Esco,

0:44:12.360 --> 0:44:15.560
<v Speaker 4>this is my first time me and Esco like I'm yeah.

0:44:15.960 --> 0:44:18.240
<v Speaker 4>So I'm like, I'm like, man, he went to jail

0:44:18.719 --> 0:44:21.359
<v Speaker 4>right years later, you know what I'm saying. But but

0:44:21.400 --> 0:44:23.280
<v Speaker 4>like when when I when I when I was talking

0:44:23.280 --> 0:44:26.399
<v Speaker 4>to him mom at this specific time, I was like, man,

0:44:26.440 --> 0:44:28.200
<v Speaker 4>a bro, I'm about to go on a crazy run.

0:44:28.800 --> 0:44:30.319
<v Speaker 4>I'm like, man, I'm about have going a crazy run

0:44:30.480 --> 0:44:32.520
<v Speaker 4>working with every artist in the city. Bro, I'm at

0:44:32.560 --> 0:44:34.480
<v Speaker 4>every studio every night, like I want to be able

0:44:34.520 --> 0:44:36.919
<v Speaker 4>to come through here and like and and like play

0:44:37.000 --> 0:44:38.800
<v Speaker 4>these records and break these records, like I want to

0:44:38.800 --> 0:44:41.160
<v Speaker 4>fuck with you. Whatever you're fucking with, I'm fucking with,

0:44:41.320 --> 0:44:42.799
<v Speaker 4>like you know what I'm saying, like off the rip,

0:44:43.080 --> 0:44:45.239
<v Speaker 4>And so he was like, man, hey, bro, man, the

0:44:45.320 --> 0:44:47.440
<v Speaker 4>artists I'm focusing on right now is future. You know

0:44:47.480 --> 0:44:50.280
<v Speaker 4>what I'm saying. And I was like, I'm like a word.

0:44:50.760 --> 0:44:52.200
<v Speaker 4>And then he was like he was like yeah, like

0:44:52.280 --> 0:44:53.799
<v Speaker 4>you know about future. I was like, man, that's the

0:44:53.800 --> 0:44:56.160
<v Speaker 4>one who got I'm like, what's so he got here? Like, Man,

0:44:56.320 --> 0:44:59.239
<v Speaker 4>you heard Mexico Lingo. I was like, hell yeah, I was.

0:45:00.920 --> 0:45:02.320
<v Speaker 4>I remember True Life.

0:45:03.800 --> 0:45:06.399
<v Speaker 3>Talking to us about future, but he caught a meat

0:45:06.440 --> 0:45:09.320
<v Speaker 3>had m m. Yeah. He was down with the Dungeon

0:45:09.360 --> 0:45:10.560
<v Speaker 3>family at that time.

0:45:11.160 --> 0:45:13.600
<v Speaker 7>Before that or this is after that, you know, this

0:45:13.719 --> 0:45:18.680
<v Speaker 7>was this has been after that and then so so

0:45:18.920 --> 0:45:21.319
<v Speaker 7>he was like, man, Mexico Lingo and I was like, man,

0:45:21.320 --> 0:45:24.720
<v Speaker 7>I had been hearing that and Platinum and and and Magic.

0:45:24.800 --> 0:45:26.880
<v Speaker 4>You know what I'm saying, like between those two clubs,

0:45:26.880 --> 0:45:30.080
<v Speaker 4>Like I was hearing that, like like I was hearing

0:45:30.080 --> 0:45:32.120
<v Speaker 4>that overly, so I was like, oh, like yo, no,

0:45:32.160 --> 0:45:33.919
<v Speaker 4>I fuck with that Mexico Lingo. And I was trying

0:45:33.920 --> 0:45:35.960
<v Speaker 4>to figure out who that was from the city, you

0:45:36.000 --> 0:45:38.560
<v Speaker 4>know what I'm saying. So then boom, he was like, man,

0:45:38.600 --> 0:45:40.440
<v Speaker 4>that's Future, you know what I'm saying, Like that's the

0:45:40.480 --> 0:45:43.000
<v Speaker 4>artist I'm focused on. I'm like, man, ships line the

0:45:43.040 --> 0:45:44.040
<v Speaker 4>session up, you feel me?

0:45:45.360 --> 0:45:47.879
<v Speaker 3>This off DJ.

0:45:48.760 --> 0:45:51.120
<v Speaker 4>So that ended up being the second person that like

0:45:51.200 --> 0:45:54.080
<v Speaker 4>within like that week that was talking about like you

0:45:54.120 --> 0:45:56.120
<v Speaker 4>know what I'm saying, Mike Will and Mike Will in Future.

0:45:56.160 --> 0:45:59.719
<v Speaker 4>So boom we had set up the session and one

0:45:59.760 --> 0:46:02.440
<v Speaker 4>thing I already had knew about Pluto was like, man,

0:46:02.719 --> 0:46:05.000
<v Speaker 4>all right, man Broke got an out of pocket flow

0:46:05.040 --> 0:46:07.560
<v Speaker 4>and he done to do like different shit like you

0:46:07.600 --> 0:46:10.319
<v Speaker 4>know what I'm saying, Mexico Lingo and watch this Like

0:46:10.360 --> 0:46:12.479
<v Speaker 4>those were my like introductions, you know what I'm saying,

0:46:12.520 --> 0:46:16.160
<v Speaker 4>like to like but I had heard his music before,

0:46:16.160 --> 0:46:18.719
<v Speaker 4>but I ain't know it was him, Like but like nah,

0:46:18.719 --> 0:46:20.560
<v Speaker 4>I know, like okay, this is this is bro you

0:46:20.560 --> 0:46:23.000
<v Speaker 4>know what I'm saying. So from then it was just

0:46:23.040 --> 0:46:26.080
<v Speaker 4>like I'm in the studio every day, every day. You

0:46:26.080 --> 0:46:28.760
<v Speaker 4>know what I'm saying every song on Dirty Spike Streets

0:46:28.800 --> 0:46:31.960
<v Speaker 4>calling true story. You know what I'm saying, honest, you

0:46:31.960 --> 0:46:35.279
<v Speaker 4>know what I'm saying, Like like Pluto, you know what

0:46:35.280 --> 0:46:38.000
<v Speaker 4>I'm saying. Astronaut said all that like every day. You

0:46:38.000 --> 0:46:40.160
<v Speaker 4>know what I'm saying. So it was like it was

0:46:40.200 --> 0:46:43.120
<v Speaker 4>like that that right there was like a groundbreaking time.

0:46:43.160 --> 0:46:45.160
<v Speaker 4>And then I remember, like you know what I'm saying,

0:46:45.200 --> 0:46:48.600
<v Speaker 4>like like all that was happening in Me and Pluto

0:46:48.680 --> 0:46:51.040
<v Speaker 4>were like the young and bringing the cool and bringing

0:46:51.040 --> 0:46:53.480
<v Speaker 4>them forward, pushing sound in like the out of pocket

0:46:54.000 --> 0:46:57.600
<v Speaker 4>like sound like for like we're like owning that space,

0:46:57.640 --> 0:46:59.440
<v Speaker 4>you know what I'm saying. And then I remember, like

0:47:00.040 --> 0:47:02.839
<v Speaker 4>this time. Now we're moving around now bro into put

0:47:02.960 --> 0:47:05.120
<v Speaker 4>on tour, Like now I'm working with all kinds of

0:47:05.160 --> 0:47:07.440
<v Speaker 4>different artists. I'm l a a little bit more in

0:47:07.600 --> 0:47:09.560
<v Speaker 4>New York, a little bit more Miami, Like I'm moving

0:47:09.600 --> 0:47:11.720
<v Speaker 4>around now. And then I go back to the city

0:47:11.760 --> 0:47:14.520
<v Speaker 4>and then Gucci telling me about young Thug you know

0:47:14.520 --> 0:47:16.640
<v Speaker 4>what I'm saying, and go like, Bro, I'm telling you

0:47:16.640 --> 0:47:18.560
<v Speaker 4>when you meet this dude right here, Bro, this dude

0:47:18.680 --> 0:47:20.320
<v Speaker 4>is a star. Bro, Like you know what I'm saying.

0:47:20.640 --> 0:47:23.279
<v Speaker 1>And what was the first record you in future when

0:47:23.280 --> 0:47:26.120
<v Speaker 1>you got together that you was like, oh my god,

0:47:26.200 --> 0:47:26.880
<v Speaker 1>this is it.

0:47:27.680 --> 0:47:30.360
<v Speaker 4>Uh dirty dirty s Frike was the first time that

0:47:30.600 --> 0:47:33.600
<v Speaker 4>Fight was the first time drink that fright was the

0:47:33.600 --> 0:47:37.560
<v Speaker 4>first song that Fight was the first song that we

0:47:38.360 --> 0:47:38.919
<v Speaker 4>that we did.

0:47:39.040 --> 0:47:40.719
<v Speaker 3>You know what I'm saying, that's your first song.

0:47:41.160 --> 0:47:43.239
<v Speaker 4>Yeah, yeah, the first song we did. You know what

0:47:43.239 --> 0:47:47.640
<v Speaker 4>I'm saying. And you know anything, you know what I'm saying.

0:47:47.760 --> 0:47:49.279
<v Speaker 4>You want to put the lane with it, if you

0:47:49.320 --> 0:47:52.120
<v Speaker 4>want to put Kanye whatever you want to do. You

0:47:52.160 --> 0:47:52.640
<v Speaker 4>know what I'm saying.

0:47:53.239 --> 0:47:59.920
<v Speaker 8>You know what I'm saying. For the want me a lot,

0:48:02.280 --> 0:48:05.120
<v Speaker 8>I was like, shit, that was.

0:48:05.120 --> 0:48:07.520
<v Speaker 4>The first song that then like ain't nowhere around it.

0:48:07.560 --> 0:48:11.319
<v Speaker 4>I feel like that was just like that was like

0:48:11.400 --> 0:48:13.560
<v Speaker 4>when we when we knew like we that's when like

0:48:13.600 --> 0:48:16.360
<v Speaker 4>the radio was playing that joint for thirty minutes straight,

0:48:16.440 --> 0:48:18.799
<v Speaker 4>you know what I'm saying, and like running it back.

0:48:18.840 --> 0:48:21.120
<v Speaker 4>They were like excited about it, like coming off of

0:48:21.160 --> 0:48:23.640
<v Speaker 4>that True Story project, you know what I'm saying, Like,

0:48:23.960 --> 0:48:27.120
<v Speaker 4>ain't away around it was like it like broke them all.

0:48:27.200 --> 0:48:29.560
<v Speaker 4>But then like when we did like the night we

0:48:29.600 --> 0:48:31.560
<v Speaker 4>did Turn on the lights and never end in the

0:48:31.600 --> 0:48:35.080
<v Speaker 4>same night, you know what I'm saying, And like and

0:48:35.120 --> 0:48:36.799
<v Speaker 4>I ain't gonna lie, you know what I'm saying. Like

0:48:36.960 --> 0:48:39.239
<v Speaker 4>it was similar to like ain't nowhere around it because

0:48:39.239 --> 0:48:43.399
<v Speaker 4>he did, ain't nowhere around it and Tony Montana, damn

0:48:43.440 --> 0:48:44.880
<v Speaker 4>there in the same night. You know what I'm saying.

0:48:45.120 --> 0:48:48.279
<v Speaker 3>Future is my hero, the future of the man bro.

0:48:49.480 --> 0:48:59.959
<v Speaker 9>Future we got going, you know what I'm saying.

0:49:00.480 --> 0:49:02.400
<v Speaker 4>We like with like with like thug too. It was

0:49:02.440 --> 0:49:07.640
<v Speaker 4>like was another one where it was like, man, this dude,

0:49:09.080 --> 0:49:11.440
<v Speaker 4>this dude like was the first person to make me

0:49:11.440 --> 0:49:15.080
<v Speaker 4>feel like disconnected from the city, like because I was

0:49:15.120 --> 0:49:17.640
<v Speaker 4>always the young and like, you know what I'm saying,

0:49:17.640 --> 0:49:20.120
<v Speaker 4>So I'm the youngest one in the room. So we

0:49:20.239 --> 0:49:22.960
<v Speaker 4>always bringing like the whether it's me and walking me

0:49:23.000 --> 0:49:24.359
<v Speaker 4>and future me, and like you know what I'm saying,

0:49:24.400 --> 0:49:27.279
<v Speaker 4>Like we were bringing like the young, the new, the

0:49:27.320 --> 0:49:29.440
<v Speaker 4>new ship. And then it's like now I'm moving them

0:49:29.480 --> 0:49:31.840
<v Speaker 4>outside of the city. Been going for a little bit.

0:49:31.880 --> 0:49:34.120
<v Speaker 4>Then I come back and I meet this dude thumb

0:49:34.120 --> 0:49:36.799
<v Speaker 4>and I'm like, damn, like hold on, he got a

0:49:36.880 --> 0:49:38.719
<v Speaker 4>whole new lingo, he got a whole new sway, he

0:49:38.760 --> 0:49:41.120
<v Speaker 4>got a whole new and then I'm hearing like, what

0:49:41.120 --> 0:49:42.840
<v Speaker 4>are you doing with like eight away my field? What

0:49:42.840 --> 0:49:44.640
<v Speaker 4>are you doing with like Sonny, what are you doing

0:49:44.640 --> 0:49:47.160
<v Speaker 4>with Metro? You know what I'm saying, Yeah, you know

0:49:47.200 --> 0:49:50.799
<v Speaker 4>what I'm saying. Like, and I'm hearing that, I'm like,

0:49:50.920 --> 0:49:53.000
<v Speaker 4>I'm like, damn, they come with a new wave. I'm like,

0:49:53.320 --> 0:49:55.520
<v Speaker 4>that's hard, Like they created like a new wave, you

0:49:55.560 --> 0:49:59.520
<v Speaker 4>know what I'm saying, because like like like that's that's

0:50:00.080 --> 0:50:02.319
<v Speaker 4>it's tough to do because there's so many creatives and

0:50:02.360 --> 0:50:07.120
<v Speaker 4>so many like like dope creative people coming out of Atlanta.

0:50:07.160 --> 0:50:09.600
<v Speaker 4>It's like and then in that twenty five is like

0:50:09.640 --> 0:50:11.799
<v Speaker 4>a big ass pot like a gumbo pie, and you

0:50:11.920 --> 0:50:14.400
<v Speaker 4>gotta be original, you know what I'm saying, Like to

0:50:14.600 --> 0:50:17.360
<v Speaker 4>like really like like go, you gotta be bringing like

0:50:17.440 --> 0:50:20.160
<v Speaker 4>something new, like for your ship to cut through, and

0:50:20.280 --> 0:50:22.360
<v Speaker 4>you gotta put up like X amount of points and

0:50:22.520 --> 0:50:25.080
<v Speaker 4>X amount of hours. So it's like, you know what

0:50:25.080 --> 0:50:26.960
<v Speaker 4>I'm saying, Like when when you start seeing them new

0:50:27.000 --> 0:50:31.200
<v Speaker 4>waves form, like you you you start you start seeing it,

0:50:31.239 --> 0:50:33.520
<v Speaker 4>So it's like, man, salute to both of them. Guys. Man,

0:50:33.560 --> 0:50:35.360
<v Speaker 4>you know what I'm saying Pluto and Young Thuff for

0:50:35.440 --> 0:50:38.640
<v Speaker 4>being originators and taking the city and the sound as

0:50:38.680 --> 0:50:40.920
<v Speaker 4>far as like, you know what I'm saying, they took it.

0:50:41.000 --> 0:50:42.320
<v Speaker 4>You feel me and taking it.

0:50:42.239 --> 0:50:48.160
<v Speaker 3>Expected them both? Right, Okay Gucci or Walker.

0:50:50.800 --> 0:50:53.840
<v Speaker 4>Man, Yeah, try get me joint.

0:50:55.040 --> 0:50:56.480
<v Speaker 3>You're gonna get yourself drump because.

0:50:56.280 --> 0:50:59.960
<v Speaker 4>You know we're gonna we're gonna say, we're gonna say

0:51:00.880 --> 0:51:03.360
<v Speaker 4>what we're talking about.

0:51:03.960 --> 0:51:11.279
<v Speaker 3>Whatever you like, better friends, we can take a shot.

0:51:11.880 --> 0:51:15.000
<v Speaker 3>I'm not gonna lie to you. You might have had

0:51:15.040 --> 0:51:18.040
<v Speaker 3>the best twirl on drinking Champs history. The way he

0:51:18.239 --> 0:51:21.920
<v Speaker 3>just working.

0:51:22.120 --> 0:51:23.560
<v Speaker 4>That's why I know you know that.

0:51:23.719 --> 0:51:30.360
<v Speaker 1>But Valley when he said that, But Valley, he twirled.

0:51:30.760 --> 0:51:37.600
<v Speaker 4>This is an expensive nigga here, listen. Yeah, we gotta

0:51:37.640 --> 0:51:38.120
<v Speaker 4>say both.

0:51:39.080 --> 0:51:43.759
<v Speaker 3>Okay, both what poker d m X cool. That's a

0:51:43.800 --> 0:51:45.680
<v Speaker 3>good one resting piece of both.

0:51:48.840 --> 0:51:49.000
<v Speaker 1>Bro.

0:51:49.880 --> 0:51:58.120
<v Speaker 4>I'm an indecisive nigga. Bro, let's just keep drinking. Drink, drink.

0:51:58.440 --> 0:52:08.000
<v Speaker 4>That's what I can pick the shot, bud. Yeah, I

0:52:08.040 --> 0:52:09.920
<v Speaker 4>was literally trying to be both of them.

0:52:09.960 --> 0:52:11.480
<v Speaker 3>Okay, you want me to take this?

0:52:12.480 --> 0:52:21.120
<v Speaker 10>You take this, Ladies, you know I'm scared of Girlrihanna,

0:52:22.120 --> 0:52:23.000
<v Speaker 10>take a sht.

0:52:27.040 --> 0:52:28.160
<v Speaker 4>Pour it up performation.

0:52:31.280 --> 0:52:34.160
<v Speaker 3>God for real, but I google that.

0:52:34.320 --> 0:52:36.080
<v Speaker 4>I was like this, nigga did formation?

0:52:37.719 --> 0:52:39.080
<v Speaker 3>Your catalog is wild? I didn't.

0:52:39.080 --> 0:52:40.920
<v Speaker 4>I don't even realize that.

0:52:41.800 --> 0:52:45.279
<v Speaker 1>Listen, I listen. I'm taking a shot for your catalog. Listen,

0:52:45.280 --> 0:52:46.600
<v Speaker 1>I'm taking a shot for your catalog.

0:52:46.719 --> 0:52:51.760
<v Speaker 5>Congratulations, brother, Like your catalog is the type of catalog

0:52:51.800 --> 0:52:54.239
<v Speaker 5>that you could take a break for nine years, you

0:52:55.160 --> 0:52:58.960
<v Speaker 5>break continuously in everybody's ears that you never left.

0:52:59.400 --> 0:53:07.640
<v Speaker 4>That's real. It's an agent like Barolo's agent. And hey,

0:53:07.680 --> 0:53:09.400
<v Speaker 4>this is this is a thirty year Kanyak that we're

0:53:09.400 --> 0:53:09.840
<v Speaker 4>sipping on.

0:53:10.160 --> 0:53:11.240
<v Speaker 3>Let's let's talk about the Kanye.

0:53:11.320 --> 0:53:15.760
<v Speaker 4>Yeah, it's a thirty year Kanye. Don know, it just happened.

0:53:16.880 --> 0:53:19.040
<v Speaker 4>Just happened. It just happened. It just happened.

0:53:20.440 --> 0:53:21.200
<v Speaker 3>It just happened.

0:53:21.200 --> 0:53:25.360
<v Speaker 4>Man. So this was make this is premiss promis.

0:53:25.640 --> 0:53:28.400
<v Speaker 11>Yeah, this a little suspicious ship, No, for sure, this

0:53:28.520 --> 0:53:29.439
<v Speaker 11>is this is your ship.

0:53:30.000 --> 0:53:32.239
<v Speaker 4>Man. This is like it's like it's like it's my

0:53:32.560 --> 0:53:34.520
<v Speaker 4>it's my ship as far as like like you fuck

0:53:34.560 --> 0:53:37.239
<v Speaker 4>with it, I fuck with it organically, fuck with it.

0:53:38.719 --> 0:53:40.800
<v Speaker 4>One of my one of my family. You know what

0:53:40.800 --> 0:53:44.279
<v Speaker 4>I'm saying. They came with this like like in two

0:53:44.280 --> 0:53:47.120
<v Speaker 4>thousand and three, So that's twenty three years ago, you

0:53:47.160 --> 0:53:50.240
<v Speaker 4>know what I'm saying. So, like and there was already

0:53:50.280 --> 0:53:52.560
<v Speaker 4>aged eight years back then, you know what I'm saying.

0:53:52.600 --> 0:53:56.400
<v Speaker 4>So it's thirty one years you know what I'm saying, Kanyak.

0:53:56.760 --> 0:53:59.680
<v Speaker 4>But if you even if you see the drinks on

0:53:59.800 --> 0:54:02.680
<v Speaker 4>us video whatever, like it's in a lot of videos. Man,

0:54:02.719 --> 0:54:05.200
<v Speaker 4>we've we've been drinking this something to someone to love

0:54:05.320 --> 0:54:06.759
<v Speaker 4>video and all that kind of stuff. You know what

0:54:06.760 --> 0:54:08.600
<v Speaker 4>I'm saying from this, you know what I'm saying. And

0:54:09.520 --> 0:54:12.600
<v Speaker 4>you got for the guys and the girl. Yeah, it's

0:54:12.600 --> 0:54:15.080
<v Speaker 4>the first pink This's the first pink con. You know

0:54:15.120 --> 0:54:18.800
<v Speaker 4>what I'm saying. This ain't like like New Baux or anything.

0:54:18.840 --> 0:54:22.759
<v Speaker 4>It's not like a liquord. It's like proof. Yeah, you

0:54:22.800 --> 0:54:26.839
<v Speaker 4>know what I'm saying. So it's like yeah for sure. Yeah. Man,

0:54:26.920 --> 0:54:35.320
<v Speaker 4>So we're sipping on this age age up there. Okay,

0:54:35.760 --> 0:54:36.040
<v Speaker 4>you know.

0:54:38.200 --> 0:54:39.000
<v Speaker 3>Race shwimm it.

0:54:40.600 --> 0:54:46.600
<v Speaker 4>Outcasts, No, man, we gotta go, we gotta go. Damn.

0:54:48.400 --> 0:54:52.080
<v Speaker 4>That's not even easy, man. That's the section over there.

0:54:52.200 --> 0:54:56.319
<v Speaker 3>Dominican and the Columbian section make the question.

0:54:56.880 --> 0:55:00.200
<v Speaker 4>They made the question that some Cold Brothers man taking

0:55:00.239 --> 0:55:02.920
<v Speaker 4>a shot to that we got Let's take a shot, man,

0:55:03.320 --> 0:55:06.280
<v Speaker 4>Let's take a shot man. It ain't it ain't nothing

0:55:06.320 --> 0:55:08.880
<v Speaker 4>come before the Shrim. But you know what I'm saying,

0:55:08.960 --> 0:55:11.040
<v Speaker 4>thank you for thank you the outcast, thank you to

0:55:11.400 --> 0:55:13.840
<v Speaker 4>you know what I'm saying, Hypnotized Noise Dungeon fan for

0:55:14.000 --> 0:55:17.560
<v Speaker 4>the inspiration to even for us, even like for me

0:55:17.600 --> 0:55:19.640
<v Speaker 4>as a producer, and you know what I'm saying, for

0:55:19.719 --> 0:55:21.880
<v Speaker 4>us even kicking the door and like you know what

0:55:21.880 --> 0:55:25.239
<v Speaker 4>I'm saying, take it, like push your limits, you know

0:55:25.239 --> 0:55:27.640
<v Speaker 4>what I'm saying, Like for real, what.

0:55:27.480 --> 0:55:29.960
<v Speaker 3>Was the thing I heard with them? The labels named

0:55:30.000 --> 0:55:31.800
<v Speaker 3>after them backwards.

0:55:31.400 --> 0:55:35.720
<v Speaker 4>And yeah so but yeah tell us, yeah, so my label,

0:55:35.880 --> 0:55:39.440
<v Speaker 4>my production company is Ear Drummers, you know what I'm saying.

0:55:39.560 --> 0:55:41.640
<v Speaker 4>And then to turn into a record label, and like

0:55:41.719 --> 0:55:44.800
<v Speaker 4>Shrim was already like they were already trying to do

0:55:45.440 --> 0:55:48.000
<v Speaker 4>like songwriting, sweight leaves, make beats, like you know what

0:55:48.000 --> 0:55:50.239
<v Speaker 4>I'm saying. Like so they were already part of the

0:55:50.239 --> 0:55:52.440
<v Speaker 4>squad and they were messing with my brother's p Nasty

0:55:52.480 --> 0:55:57.920
<v Speaker 4>and Mars and and Boom like like this one Jimmy,

0:55:58.320 --> 0:56:00.239
<v Speaker 4>like I had like man, I had like thir teen

0:56:00.320 --> 0:56:02.800
<v Speaker 4>songs on the radio at this time. Man, Jimmy I

0:56:02.880 --> 0:56:04.520
<v Speaker 4>been telling me like, man, you need to have your

0:56:04.560 --> 0:56:06.520
<v Speaker 4>own label, you know what I'm saying, so you can

0:56:06.560 --> 0:56:08.359
<v Speaker 4>put out your own music. Man.

0:56:08.560 --> 0:56:11.479
<v Speaker 3>Yeah, takes care of producers so much for real.

0:56:11.560 --> 0:56:14.200
<v Speaker 4>And he loved that and it was like, man, I

0:56:14.239 --> 0:56:15.799
<v Speaker 4>want to I want to give you a label deal.

0:56:16.280 --> 0:56:17.359
<v Speaker 4>And it took me two years.

0:56:18.560 --> 0:56:18.759
<v Speaker 8>Yeah.

0:56:19.239 --> 0:56:21.480
<v Speaker 4>So my manager is Jimmy Iven. Nephew, you know what

0:56:21.480 --> 0:56:25.800
<v Speaker 4>I'm saying. J Okay, yes, yep. So that's the homie.

0:56:25.880 --> 0:56:28.320
<v Speaker 4>So he introduced me to Jimmy Iveen. When Jimmy Iven,

0:56:28.400 --> 0:56:30.520
<v Speaker 4>when me and him met and like we chopped it up.

0:56:30.560 --> 0:56:32.640
<v Speaker 4>It was just like, man, Jimmy Iven just took me

0:56:32.680 --> 0:56:35.120
<v Speaker 4>under his wing and just was like, man, boom whenever

0:56:35.160 --> 0:56:37.400
<v Speaker 4>you in time you come over here. Like he loved it,

0:56:37.560 --> 0:56:39.600
<v Speaker 4>like just feel game, like you know what I'm saying.

0:56:40.280 --> 0:56:41.879
<v Speaker 3>Brought up. He's a great guy.

0:56:42.160 --> 0:56:44.480
<v Speaker 4>So he was like, he was like, man, you really

0:56:44.560 --> 0:56:48.160
<v Speaker 4>need to start your own record label because you just yeah,

0:56:48.360 --> 0:56:51.839
<v Speaker 4>like man, you're essentially just out here inventing the sound

0:56:51.920 --> 0:56:54.719
<v Speaker 4>and just giving it to like all these different like

0:56:54.840 --> 0:56:57.080
<v Speaker 4>companies or whatnot. You know what I'm saying. And it's

0:56:57.120 --> 0:56:59.400
<v Speaker 4>like they're not even cut you in on your invention,

0:56:59.760 --> 0:57:02.080
<v Speaker 4>Like you know what I'm saying. So you're you're inventing,

0:57:02.120 --> 0:57:05.360
<v Speaker 4>You're inventing the sound, You're inventing somebody, you know what

0:57:05.400 --> 0:57:07.640
<v Speaker 4>I'm saying. And it's like, here, take this, this is

0:57:07.680 --> 0:57:10.920
<v Speaker 4>all we have, Like take this for your invention. And

0:57:10.960 --> 0:57:12.600
<v Speaker 4>it's like, you know what I'm saying. He made me

0:57:12.680 --> 0:57:15.160
<v Speaker 4>understand that and a whole other way. So I was like,

0:57:15.200 --> 0:57:18.120
<v Speaker 4>I'm like, damn, Like you're right. So it took me

0:57:18.120 --> 0:57:20.640
<v Speaker 4>two years to grasp it because I always said I

0:57:20.680 --> 0:57:24.040
<v Speaker 4>wanted a record label. But at the same time, it's

0:57:24.040 --> 0:57:26.600
<v Speaker 4>like when you got when you're right here, sitting right

0:57:26.640 --> 0:57:28.240
<v Speaker 4>here in the same room with Jimmy I being here

0:57:28.240 --> 0:57:31.400
<v Speaker 4>like man, I'm trying to get your label deal. It's like, damn,

0:57:31.440 --> 0:57:34.160
<v Speaker 4>do I'm having so much successful doing what I'm doing?

0:57:34.440 --> 0:57:35.360
<v Speaker 4>Do I want to take a.

0:57:35.320 --> 0:57:38.040
<v Speaker 3>Different clots and that this is the actually this is.

0:57:38.000 --> 0:57:41.200
<v Speaker 4>The real thing. Like now you're about you want to

0:57:41.240 --> 0:57:45.120
<v Speaker 4>take that on. Now it's a whole different like position,

0:57:45.240 --> 0:57:46.840
<v Speaker 4>Like it's a whole different hat. It's like you're an

0:57:46.840 --> 0:57:49.520
<v Speaker 4>executive now, you know what I'm saying, Like producing is

0:57:49.560 --> 0:57:51.680
<v Speaker 4>one thing you're doing a service. And then now you're

0:57:51.720 --> 0:57:53.240
<v Speaker 4>an executive, you know what I'm saying. Then you're an

0:57:53.240 --> 0:57:56.200
<v Speaker 4>executive producing. Now you're inventing something. And then you have

0:57:56.240 --> 0:57:58.840
<v Speaker 4>to create this product and then package it all the.

0:57:58.760 --> 0:58:01.640
<v Speaker 3>Way up and operation.

0:58:01.400 --> 0:58:04.680
<v Speaker 4>Yeah, to a point where people consume it and are

0:58:04.760 --> 0:58:06.160
<v Speaker 4>happy with it, you know what I'm saying, Because how

0:58:06.240 --> 0:58:07.800
<v Speaker 4>much suff do we consume and be like, man, this

0:58:07.840 --> 0:58:11.080
<v Speaker 4>ship trash? You feel me? So now that's what you're

0:58:11.080 --> 0:58:12.720
<v Speaker 4>trying to do, you know what I'm saying. And so

0:58:13.040 --> 0:58:14.960
<v Speaker 4>it's like it's a it's a it's a totally it's

0:58:15.000 --> 0:58:16.920
<v Speaker 4>a totally different ball game. So it took me two

0:58:17.040 --> 0:58:19.160
<v Speaker 4>years to be like, man, you know what, Man, we're

0:58:19.160 --> 0:58:20.560
<v Speaker 4>gonna do this ship, you know what I'm saying. So

0:58:20.640 --> 0:58:23.120
<v Speaker 4>P and Mars they were already rocking up with with

0:58:23.240 --> 0:58:25.280
<v Speaker 4>swaying Gym, you know what I'm saying, And they were

0:58:25.320 --> 0:58:28.280
<v Speaker 4>already over there cooking up crazy stuff. But P and

0:58:28.360 --> 0:58:30.160
<v Speaker 4>Mars would be at a lot of those meetings too,

0:58:30.560 --> 0:58:32.919
<v Speaker 4>so they knowing the temperature too, Like, man, were about

0:58:32.960 --> 0:58:34.280
<v Speaker 4>to do it, label do it at some point, you

0:58:34.320 --> 0:58:37.000
<v Speaker 4>know what I'm saying. And then we also had a

0:58:37.040 --> 0:58:39.439
<v Speaker 4>few more artists that we were looking at at the time,

0:58:39.480 --> 0:58:41.760
<v Speaker 4>you know what I'm saying, And artists are bubbling and

0:58:41.800 --> 0:58:44.000
<v Speaker 4>it's like, man, you know what, Man, we want to

0:58:44.000 --> 0:58:45.240
<v Speaker 4>try to sign them, or we want to try to

0:58:45.240 --> 0:58:50.720
<v Speaker 4>sign them. We're trying to sign sign anybody because I'm knowing, like, man,

0:58:50.720 --> 0:58:52.280
<v Speaker 4>I'm trying to take this sign and I'm trying to

0:58:52.280 --> 0:58:54.000
<v Speaker 4>push it as far as possible. I'm trying to bring

0:58:54.040 --> 0:58:56.240
<v Speaker 4>as many new artists to the game, and I'm trying

0:58:56.280 --> 0:58:58.520
<v Speaker 4>to work with the biggest artists in the game. Again,

0:58:58.600 --> 0:59:01.720
<v Speaker 4>I'm a new sign and like get them to sound

0:59:01.760 --> 0:59:03.720
<v Speaker 4>that that that comes from us, like you know what

0:59:03.720 --> 0:59:05.640
<v Speaker 4>I'm saying, and like just changed the game with like

0:59:05.680 --> 0:59:08.160
<v Speaker 4>that new sound, like you know what I'm saying, which

0:59:08.840 --> 0:59:13.480
<v Speaker 4>you feel me like, So so yeah, man, like ended

0:59:13.560 --> 0:59:15.920
<v Speaker 4>up long story short, man, y'all got me drinking. So

0:59:15.920 --> 0:59:16.360
<v Speaker 4>I'm just.

0:59:18.560 --> 0:59:22.440
<v Speaker 3>The next question. But I got you.

0:59:22.480 --> 0:59:27.520
<v Speaker 4>But but so it's like it's like it's the name Flip.

0:59:27.600 --> 0:59:30.120
<v Speaker 4>So we go to the studio. We had the studio

0:59:30.160 --> 0:59:33.960
<v Speaker 4>one day and I tell I tell, I asked Jimmy

0:59:33.960 --> 0:59:36.040
<v Speaker 4>and Sway and I'm like, man, because I had one

0:59:36.120 --> 0:59:37.960
<v Speaker 4>day I had wrote down like because I wanted to do.

0:59:38.080 --> 0:59:40.920
<v Speaker 4>Like I was always thinking about the expansion of ear drummers,

0:59:41.160 --> 0:59:42.600
<v Speaker 4>So I was like, man, we got to have like

0:59:42.640 --> 0:59:47.080
<v Speaker 4>a live rock and roll side because we already own it,

0:59:47.200 --> 0:59:49.240
<v Speaker 4>like like this hip hop like trap side, you know

0:59:49.280 --> 0:59:51.200
<v Speaker 4>what I'm saying. So it's like, what is the ear

0:59:51.280 --> 0:59:54.280
<v Speaker 4>drummers spelled backwards? I was thinking about Oprah and Harpo,

0:59:54.520 --> 0:59:57.000
<v Speaker 4>you know what I'm saying. And then I was like, man, okay,

0:59:57.320 --> 1:00:00.000
<v Speaker 4>ship man, what is it if we spelled ear drummers backwards?

1:00:00.080 --> 1:00:02.760
<v Speaker 4>Man Race Stremmer, Like that's hard. So I was gonna

1:00:02.920 --> 1:00:07.760
<v Speaker 4>make that life the live, the live alternative side, you

1:00:07.760 --> 1:00:09.520
<v Speaker 4>know what I'm saying. And then when I met them,

1:00:09.600 --> 1:00:12.080
<v Speaker 4>I'm like, man, the dude is the coolest dudes on earth.

1:00:12.480 --> 1:00:15.520
<v Speaker 4>Like like they just they just walking and just making

1:00:15.560 --> 1:00:18.640
<v Speaker 4>bangers after bankers, after bankers, after bankers, like swily making

1:00:18.680 --> 1:00:20.680
<v Speaker 4>hard at beats, like you know what I'm saying. Seeing

1:00:20.720 --> 1:00:22.960
<v Speaker 4>him like cook up no tight and like they I

1:00:23.000 --> 1:00:24.720
<v Speaker 4>got tears when I hurt no tight, like you know

1:00:24.760 --> 1:00:27.480
<v Speaker 4>what I'm saying, and everything like that, it's like I'm

1:00:27.480 --> 1:00:29.920
<v Speaker 4>seeing I'm like, man, these dudes can make anything cool

1:00:30.080 --> 1:00:32.560
<v Speaker 4>on earth, you know what I'm saying. Hey, Hey, what

1:00:32.640 --> 1:00:35.120
<v Speaker 4>y'all thinking about the name Ray Stremmer for the group name?

1:00:35.800 --> 1:00:38.120
<v Speaker 4>And then they're like Race Stremer, what's that. I'm like, man,

1:00:38.160 --> 1:00:41.840
<v Speaker 4>that's the ear drummers backwards, Like oh, hell yeah, nigga, nigga,

1:00:41.840 --> 1:00:44.040
<v Speaker 4>that's squad, Like hey, yeah, let's do it, you know

1:00:44.040 --> 1:00:46.400
<v Speaker 4>what I'm saying. And then they're like, man, hey, you're

1:00:46.400 --> 1:00:50.640
<v Speaker 4>shrimp life. I'm like, see just they already flipped.

1:00:56.480 --> 1:00:59.640
<v Speaker 3>All right, excellent Kendrick or Drake.

1:01:00.280 --> 1:01:08.040
<v Speaker 4>Got gonna do this, damn all right. So I'm gonna

1:01:08.040 --> 1:01:09.680
<v Speaker 4>just I'm gonna just go ahead, and I'm gonna just

1:01:09.760 --> 1:01:11.520
<v Speaker 4>go ahead and go Kendrick, you know what I'm saying,

1:01:12.040 --> 1:01:16.640
<v Speaker 4>And you know what I'm saying. And I want to

1:01:16.640 --> 1:01:19.040
<v Speaker 4>salute Drake for you know what I'm saying, being somebody

1:01:19.080 --> 1:01:22.480
<v Speaker 4>who who always like showed love from the beginning, Like

1:01:22.480 --> 1:01:24.000
<v Speaker 4>you know what I'm saying. He was like one of

1:01:24.040 --> 1:01:26.840
<v Speaker 4>the first like major artists like go on Twitter and

1:01:26.880 --> 1:01:28.560
<v Speaker 4>just tweet like Mike Will made it, you know what

1:01:28.560 --> 1:01:30.920
<v Speaker 4>I'm saying. And then he remixed Ship and then him

1:01:30.920 --> 1:01:34.200
<v Speaker 4>the Future had for real, you know what I'm saying

1:01:34.200 --> 1:01:37.000
<v Speaker 4>on my track and then like even even with with

1:01:37.040 --> 1:01:39.600
<v Speaker 4>Pluto early days, you know what I'm saying, going on

1:01:39.640 --> 1:01:42.080
<v Speaker 4>the road with with with with Drake, it was like,

1:01:42.400 --> 1:01:44.280
<v Speaker 4>you know what I'm saying, Drake always showed love, you

1:01:44.320 --> 1:01:46.920
<v Speaker 4>know what I'm saying. And then it's like with Kendrick,

1:01:47.040 --> 1:01:49.200
<v Speaker 4>it was like me and Kendrick just had like a

1:01:49.240 --> 1:01:53.680
<v Speaker 4>little bit like more like personal close relationship in the

1:01:53.760 --> 1:01:57.280
<v Speaker 4>sense of like literally every time, like like the first

1:01:57.320 --> 1:02:01.200
<v Speaker 4>time me and Kendrick met, it was like two too

1:02:01.240 --> 1:02:04.080
<v Speaker 4>much records that I could look at. You produced for

1:02:04.200 --> 1:02:07.560
<v Speaker 4>Kendred for real, but you know, it took us seven years.

1:02:07.720 --> 1:02:09.520
<v Speaker 5>It took them a while, y'all. But y'all have been

1:02:09.560 --> 1:02:11.680
<v Speaker 5>interacting but just never music.

1:02:11.760 --> 1:02:14.760
<v Speaker 4>So we met. We met Ryan like twenty twenty eleven

1:02:15.040 --> 1:02:18.280
<v Speaker 4>school Boy Q introducers Q. That's my brother. We had

1:02:18.320 --> 1:02:20.840
<v Speaker 4>already did, Yeah, we had already did my Hate and

1:02:20.920 --> 1:02:24.480
<v Speaker 4>Joint and we did my Hat and Joint. And then

1:02:24.800 --> 1:02:26.680
<v Speaker 4>they were in Atlanta one day and he was like, Man,

1:02:26.680 --> 1:02:28.120
<v Speaker 4>I need to link you with this dude that's on

1:02:28.160 --> 1:02:31.960
<v Speaker 4>my label. Man, he about to be the next biggest thing,

1:02:32.040 --> 1:02:33.720
<v Speaker 4>Like I'm like for real. And then he was like

1:02:33.760 --> 1:02:35.920
<v Speaker 4>I'm like what's his name here? Like Kendrick and I

1:02:36.000 --> 1:02:39.360
<v Speaker 4>was like ship. I'm like, man, man, tell me what studio.

1:02:39.480 --> 1:02:40.840
<v Speaker 4>So he told me to go to stink on you.

1:02:41.160 --> 1:02:43.960
<v Speaker 4>I got to stink on you. I'm in there with Kendrick. Man.

1:02:43.960 --> 1:02:46.680
<v Speaker 4>I'm playing a bunch of beats in Atlanta stink.

1:02:46.440 --> 1:02:50.720
<v Speaker 3>Only Yeah yeah Early Kendrick.

1:02:51.080 --> 1:02:53.479
<v Speaker 4>Yeah. So I'm playing them. I'm playing them a bunch

1:02:53.480 --> 1:02:55.400
<v Speaker 4>of beats. He take a bunch of beats. So I

1:02:55.440 --> 1:02:58.120
<v Speaker 4>was like, I just put him to outside. I ain't

1:02:58.160 --> 1:02:59.880
<v Speaker 4>really know him like this, and at this time, like

1:03:00.320 --> 1:03:03.200
<v Speaker 4>certain people were like leaking my beats or like leaking

1:03:03.240 --> 1:03:06.560
<v Speaker 4>like certain songs like produce my mic well this and

1:03:06.640 --> 1:03:07.800
<v Speaker 4>this and that. You know what I'm saying. I don't

1:03:07.840 --> 1:03:10.520
<v Speaker 4>really know him any different than anybody else. So I

1:03:10.600 --> 1:03:13.520
<v Speaker 4>was like, man, I'm like, bro, let me how let

1:03:13.520 --> 1:03:15.320
<v Speaker 4>you right correeat. So then we step out of the studio.

1:03:15.360 --> 1:03:17.880
<v Speaker 4>I'm like, hey, bro, look man like, Bro, I'm gonna

1:03:17.880 --> 1:03:20.360
<v Speaker 4>give you all these beats, bro, and you just gotta man,

1:03:20.400 --> 1:03:21.880
<v Speaker 4>you just gotta give me a word. Bro. You're not

1:03:21.880 --> 1:03:23.760
<v Speaker 4>gonna lead, nohing, Bro, just on lead now, you know

1:03:23.800 --> 1:03:26.520
<v Speaker 4>what I'm saying. And then he started laughing. He was like, hey, bro,

1:03:26.560 --> 1:03:30.240
<v Speaker 4>I fuck with you money, Bro, and we and we

1:03:30.360 --> 1:03:31.720
<v Speaker 4>go in the studio. He was like, hey, bro, you

1:03:31.800 --> 1:03:33.520
<v Speaker 4>know this nigga just pulled me out and said his

1:03:33.680 --> 1:03:36.120
<v Speaker 4>nigga just pulled me out and said, hey bro, man,

1:03:36.200 --> 1:03:38.479
<v Speaker 4>hey man, I'm gonna give you my beats, but nigga,

1:03:38.480 --> 1:03:40.760
<v Speaker 4>don't leave my ship. Nigga. Fuck with this nigga. You

1:03:40.800 --> 1:03:43.080
<v Speaker 4>know what I'm saying. And then ever since then it

1:03:43.200 --> 1:03:46.080
<v Speaker 4>was like, man, we were locked in, and like every

1:03:46.160 --> 1:03:48.240
<v Speaker 4>time he would come to Atlanta, like you know what

1:03:48.280 --> 1:03:50.120
<v Speaker 4>I'm saying, Like as soon as he laying, pull on

1:03:50.200 --> 1:03:52.040
<v Speaker 4>here on my phone. You know what I'm saying, I'll

1:03:52.040 --> 1:03:54.320
<v Speaker 4>pull up on them playing my ganga beats him a

1:03:54.320 --> 1:03:56.920
<v Speaker 4>gangab beasts anytime, my man la. As soon as I

1:03:57.000 --> 1:04:00.000
<v Speaker 4>laying I'm hitting their phone, I'm pulling up on them saying,

1:04:00.040 --> 1:04:01.720
<v Speaker 4>think were linking up. You know what I'm saying. You

1:04:01.760 --> 1:04:03.320
<v Speaker 4>know what I'm saying is.

1:04:03.280 --> 1:04:06.280
<v Speaker 3>That how Humble was made, How humble was me.

1:04:06.560 --> 1:04:08.200
<v Speaker 4>So that was like just to find we.

1:04:08.360 --> 1:04:11.720
<v Speaker 3>Don't get out of there. We could go back to them, but.

1:04:12.720 --> 1:04:15.480
<v Speaker 4>That was the foundation. That's how the foundation was, Like

1:04:15.520 --> 1:04:19.600
<v Speaker 4>how Humble was made. It was like okay, now, good kid,

1:04:19.640 --> 1:04:24.520
<v Speaker 4>Mad City and Pimple Butterfly Drop, and I'm like, Damn,

1:04:24.520 --> 1:04:26.080
<v Speaker 4>I ain't made neither one of these. I know I

1:04:26.080 --> 1:04:29.600
<v Speaker 4>didne gave him at least five hundred and sixty five beats,

1:04:29.640 --> 1:04:31.480
<v Speaker 4>like you know what I'm saying, or something like crazy,

1:04:31.560 --> 1:04:33.120
<v Speaker 4>like I didn't. I didn't get this man a lot

1:04:33.120 --> 1:04:34.720
<v Speaker 4>of beats, you know what I'm saying. So I had

1:04:34.720 --> 1:04:36.640
<v Speaker 4>to just ask one of those already there though, that

1:04:36.640 --> 1:04:37.560
<v Speaker 4>boy sucking them tru.

1:04:39.280 --> 1:04:42.240
<v Speaker 3>You know what I'm saying, We're one of those beats already.

1:04:42.240 --> 1:04:43.720
<v Speaker 3>Did he already have him? No?

1:04:45.160 --> 1:04:48.240
<v Speaker 4>So he was like so he was like, So he

1:04:48.360 --> 1:04:50.840
<v Speaker 4>was like, man, I asked him. I'm like, Bro, Man,

1:04:50.880 --> 1:04:53.240
<v Speaker 4>for real, Bro, I'm giving you the wrong beats. Like

1:04:53.280 --> 1:04:56.480
<v Speaker 4>I'm hearing the albums and I can hear that gave

1:04:56.560 --> 1:04:57.600
<v Speaker 4>him to that.

1:04:57.840 --> 1:05:00.280
<v Speaker 5>Yeah, he keeps changing from that album to the an

1:05:00.280 --> 1:05:02.640
<v Speaker 5>album change, so this album change.

1:05:02.680 --> 1:05:05.000
<v Speaker 4>So when I'm hearing the album, I'm like, I'm hearing

1:05:05.000 --> 1:05:07.040
<v Speaker 4>that I did give him the wrong beats, you know

1:05:07.080 --> 1:05:09.280
<v Speaker 4>what I'm saying. So I'm like, hey, bro, keep giving

1:05:09.280 --> 1:05:10.840
<v Speaker 4>me the wrong beats. If you just give me like

1:05:10.880 --> 1:05:13.160
<v Speaker 4>a direction you want to go, man, I feel like

1:05:13.200 --> 1:05:14.240
<v Speaker 4>you know what I'm saying. He was like no, no,

1:05:14.320 --> 1:05:15.800
<v Speaker 4>you ain't giving me the wrong beats, Like all them

1:05:15.800 --> 1:05:18.200
<v Speaker 4>beats you give me hard like like I just know

1:05:18.240 --> 1:05:19.840
<v Speaker 4>when I when I when I go in with you,

1:05:19.880 --> 1:05:21.720
<v Speaker 4>I want to just lock in with you and I

1:05:21.800 --> 1:05:23.400
<v Speaker 4>want to God, damn, you know what I'm saying. So

1:05:23.760 --> 1:05:26.600
<v Speaker 4>when we were starting down, it was like I feel

1:05:26.640 --> 1:05:28.560
<v Speaker 4>like that was the early stages. Like with Kendrick, you

1:05:28.600 --> 1:05:30.680
<v Speaker 4>never know, you never really know what's going on, Like

1:05:30.960 --> 1:05:33.240
<v Speaker 4>you know what I'm saying, he's on his planet, and

1:05:33.240 --> 1:05:35.400
<v Speaker 4>then you know what I'm saying when he summits you.

1:05:35.400 --> 1:05:37.960
<v Speaker 4>You know what I'm saying, Like we call you in

1:05:38.360 --> 1:05:40.880
<v Speaker 4>and then it's like man, he really had, he really

1:05:40.960 --> 1:05:43.720
<v Speaker 4>had called me and was like, man, yo, you're in La.

1:05:43.920 --> 1:05:46.080
<v Speaker 4>I'm like, I'm in LA. And he pulled up to

1:05:46.120 --> 1:05:49.920
<v Speaker 4>the crib like like early, like nine in the morning,

1:05:49.960 --> 1:05:52.240
<v Speaker 4>ten in the morning. Was over there like damn there

1:05:52.280 --> 1:05:54.000
<v Speaker 4>all day going through all kind of beats. Took a

1:05:54.040 --> 1:05:55.960
<v Speaker 4>whole bunch of beats, you know what I'm saying. Then

1:05:55.960 --> 1:05:57.720
<v Speaker 4>he hit me back here like man, I pull up

1:05:57.760 --> 1:05:59.720
<v Speaker 4>to the studio, pull up to the studio with him.

1:06:00.000 --> 1:06:03.320
<v Speaker 4>He let me hear Humble, DNA and XXX. He had

1:06:03.360 --> 1:06:06.520
<v Speaker 4>just started xxx. I'm like, god, dang, you know what

1:06:06.520 --> 1:06:13.120
<v Speaker 4>I'm saying, Like, man recorded, yeah, humble DNA, and you

1:06:13.160 --> 1:06:15.080
<v Speaker 4>didn't know. You didn't know that he recorded it.

1:06:15.600 --> 1:06:17.040
<v Speaker 3>He gave me the beat.

1:06:17.400 --> 1:06:19.240
<v Speaker 4>Yeah. But he was telling me he was going in

1:06:19.400 --> 1:06:21.120
<v Speaker 4>like he'll send me like a little video on his

1:06:21.160 --> 1:06:23.240
<v Speaker 4>phone and stuff like that. So then when we when

1:06:23.840 --> 1:06:25.840
<v Speaker 4>I get to the studio and I hear that, he's like, man,

1:06:25.880 --> 1:06:28.160
<v Speaker 4>I just want to finish this DNA. He was like, man,

1:06:28.200 --> 1:06:30.000
<v Speaker 4>you got your you got your computer, you got your

1:06:30.040 --> 1:06:32.360
<v Speaker 4>beat machine. I'm like, hell yeah, So I put out

1:06:32.400 --> 1:06:35.400
<v Speaker 4>my computer and then and then he was like then

1:06:35.440 --> 1:06:37.200
<v Speaker 4>he was telling me how you wanted to wrap on there,

1:06:37.560 --> 1:06:38.840
<v Speaker 4>and he was like, man, I just want to hear

1:06:38.840 --> 1:06:41.440
<v Speaker 4>like what kind of beach you'll dude like around you around,

1:06:41.480 --> 1:06:43.360
<v Speaker 4>like this kind of flow, you know what I'm saying.

1:06:43.480 --> 1:06:45.840
<v Speaker 4>So now I do the second half of DNA. You

1:06:45.840 --> 1:06:48.439
<v Speaker 4>know what I'm saying. And then it's just loud. I'm like, man,

1:06:48.440 --> 1:06:50.720
<v Speaker 4>this ship so out of here, bruh. So now I

1:06:50.760 --> 1:06:54.680
<v Speaker 4>was like, we're excited about DNA. So he telling me like, man, well, humble,

1:06:54.720 --> 1:06:58.600
<v Speaker 4>he like humble, Man, Like I love this song. I

1:06:58.640 --> 1:07:01.000
<v Speaker 4>noticed a slot I know this a but I don't

1:07:01.000 --> 1:07:04.560
<v Speaker 4>know if it fit like Damn necessarily, Like I got DNA,

1:07:05.040 --> 1:07:07.760
<v Speaker 4>DNA need to be my single, Like I'm just snapping

1:07:07.800 --> 1:07:09.800
<v Speaker 4>on that joint. We knew DNA was just hard, but

1:07:09.880 --> 1:07:12.360
<v Speaker 4>he knew Humble was like he knew it was gonna

1:07:12.360 --> 1:07:13.880
<v Speaker 4>be a commercial. He knew it was gonna be a slap,

1:07:13.960 --> 1:07:15.920
<v Speaker 4>but he 'tof he wanted to put it out, like

1:07:16.000 --> 1:07:19.880
<v Speaker 4>you know what I'm saying. And so he was like, man,

1:07:19.920 --> 1:07:22.040
<v Speaker 4>you're about to drop Ransom too, right, And I was

1:07:22.120 --> 1:07:23.760
<v Speaker 4>like yeah. He was like, man, he was like, you

1:07:23.840 --> 1:07:26.400
<v Speaker 4>might as well take Humble for Ransom too. I was like,

1:07:26.640 --> 1:07:29.400
<v Speaker 4>I'm like, hey, I'm like, Bro's supposed to be on

1:07:29.520 --> 1:07:32.200
<v Speaker 4>your album? No, no, he just he just says this.

1:07:32.480 --> 1:07:36.080
<v Speaker 4>I'm like he was dead serious. I'm just like, Bro, look,

1:07:36.080 --> 1:07:38.920
<v Speaker 4>I ain't gonna lie to you. Man. I appreciate that, Bro,

1:07:39.320 --> 1:07:40.560
<v Speaker 4>you know what I'm saying, but I feel like I'm

1:07:40.640 --> 1:07:43.400
<v Speaker 4>stealing if I do that. Bro, Like, man, this song

1:07:43.920 --> 1:07:46.040
<v Speaker 4>this sounds so big, bro, and it's gonna be some

1:07:46.160 --> 1:07:48.920
<v Speaker 4>much bigger. Did you know what I'm saying. I'm like,

1:07:49.000 --> 1:07:52.720
<v Speaker 4>gonna be somewhere bigger. You put it out, bro. Man,

1:07:52.840 --> 1:07:56.680
<v Speaker 4>I'm like, Man, you yeah. He was like, I'm like, man,

1:07:56.720 --> 1:07:57.880
<v Speaker 4>you got it. He was like, Man, I don't know.

1:07:58.080 --> 1:08:00.360
<v Speaker 4>I'm gonna sleep on it. Da da da, And next thing,

1:08:00.400 --> 1:08:03.200
<v Speaker 4>you know, hit me the next day. He was like, Man,

1:08:03.280 --> 1:08:05.000
<v Speaker 4>send me whatever song you want me to get on

1:08:05.120 --> 1:08:06.880
<v Speaker 4>for your album. He was like, man, Top just said

1:08:06.880 --> 1:08:07.919
<v Speaker 4>the same thing you said.

1:08:08.040 --> 1:08:08.080
<v Speaker 5>Like.

1:08:08.520 --> 1:08:09.800
<v Speaker 4>He was like, man, he was like, Man, what you

1:08:09.840 --> 1:08:11.440
<v Speaker 4>think which one you think should be the single? Like

1:08:12.080 --> 1:08:15.440
<v Speaker 4>Humble DNA. I was like, Man, depending on when you drop,

1:08:15.720 --> 1:08:17.040
<v Speaker 4>Like you know what I'm saying, You just dropping a

1:08:17.120 --> 1:08:19.200
<v Speaker 4>single and then you're gonna drop the album a little later,

1:08:19.840 --> 1:08:21.320
<v Speaker 4>Go Humble. You know what I'm saying, you are if

1:08:21.320 --> 1:08:25.160
<v Speaker 4>you're gonna drop the single, then the album same week, Man,

1:08:25.240 --> 1:08:27.360
<v Speaker 4>go DNA. You know what I'm saying. Got that shot value.

1:08:27.439 --> 1:08:31.400
<v Speaker 4>So he ended up shooting both videos. He dropped Humble,

1:08:31.760 --> 1:08:33.840
<v Speaker 4>ship went through the roof, and then a couple of

1:08:33.880 --> 1:08:36.040
<v Speaker 4>weeks later he dropped the album, and then he had

1:08:36.080 --> 1:08:39.080
<v Speaker 4>the video for DNA, and then Humble was number one,

1:08:39.320 --> 1:08:41.840
<v Speaker 4>and then DNA was number two, Hot one hundred and

1:08:41.960 --> 1:08:44.800
<v Speaker 4>that ship just both for like Humble double diamond and

1:08:44.960 --> 1:08:49.040
<v Speaker 4>DNA is fucking fifteen times platinum. Man, told you that

1:08:51.360 --> 1:08:55.360
<v Speaker 4>appreciate that we're toasting it that I told you that

1:08:57.040 --> 1:08:59.960
<v Speaker 4>you gotta watching chips sound bro, I ain't gonna lie.

1:09:00.040 --> 1:09:10.519
<v Speaker 3>These just fantastic. Who those they feel vegan? They are vegan? Yeah,

1:09:13.920 --> 1:09:16.479
<v Speaker 3>definitely veganis real talk.

1:09:17.560 --> 1:09:20.000
<v Speaker 5>Uh So, just to be sure, you said Kendrick on

1:09:20.040 --> 1:09:28.880
<v Speaker 5>that one, right, we drinking or not? You know we're drinking,

1:09:31.760 --> 1:09:37.720
<v Speaker 5>Get a boy, any reason.

1:09:38.640 --> 1:09:41.240
<v Speaker 4>That's just that's just more who raised me? Like you

1:09:41.280 --> 1:09:43.479
<v Speaker 4>know what I'm saying. I was super young when both

1:09:43.479 --> 1:09:45.200
<v Speaker 4>of them came out, you know what I'm saying. But

1:09:45.400 --> 1:09:49.280
<v Speaker 4>like Pansy and Bonn b like major influences. Like for

1:09:49.360 --> 1:09:53.679
<v Speaker 4>sure it's some pizzas, some piece of pounds, real.

1:09:53.560 --> 1:09:58.160
<v Speaker 3>Talk, organized noise or beats by the pound.

1:09:59.840 --> 1:10:05.000
<v Speaker 4>I damn that's crazy. I gotta organized noials though, Man,

1:10:05.200 --> 1:10:08.200
<v Speaker 4>you know what I'm saying. Recipes We wait for real

1:10:08.640 --> 1:10:10.920
<v Speaker 4>major influence, you know what I'm saying.

1:10:12.080 --> 1:10:14.400
<v Speaker 3>And recipes Bush Bill Fro ghetto boys too, you know,

1:10:14.600 --> 1:10:19.960
<v Speaker 3>for sure, Mike jack or Prince Michael Jackson. What you

1:10:20.000 --> 1:10:20.800
<v Speaker 3>motherfuckers write it? Like?

1:10:21.479 --> 1:10:24.960
<v Speaker 4>Man, y'all y'all have some cold like that's what y'all

1:10:25.040 --> 1:10:25.439
<v Speaker 4>want to get.

1:10:25.520 --> 1:10:30.040
<v Speaker 1>That's we always ask three chances, and we love we

1:10:30.200 --> 1:10:30.679
<v Speaker 1>love Michael.

1:10:30.840 --> 1:10:33.720
<v Speaker 3>We like the stories of either like the legends that

1:10:33.800 --> 1:10:34.719
<v Speaker 3>made Little Purple.

1:10:34.960 --> 1:10:37.320
<v Speaker 4>You know, you know what's crazy, like during this journey

1:10:37.400 --> 1:10:39.680
<v Speaker 4>right here, like I've been I've been trying to like

1:10:40.680 --> 1:10:44.559
<v Speaker 4>figure out like like like print, like like Purple Rain

1:10:44.880 --> 1:10:50.720
<v Speaker 4>and like Thriller, like them nine songs journeys like man,

1:10:51.120 --> 1:10:54.519
<v Speaker 4>both of them songs were like major influences. Like how

1:10:54.600 --> 1:10:57.600
<v Speaker 4>those songs, how those projects were so short, but it

1:10:57.680 --> 1:10:59.800
<v Speaker 4>went on the fucking journey, like you know what I'm saying.

1:11:00.240 --> 1:11:02.880
<v Speaker 4>So I don't know, Man, I don't know. I might,

1:11:02.960 --> 1:11:10.240
<v Speaker 4>I might go let you finished. I'm going Mike, Oh,

1:11:11.320 --> 1:11:12.960
<v Speaker 4>I'm so, I'm not gonna lie to you.

1:11:14.240 --> 1:11:19.920
<v Speaker 3>We don't know. Like they're beef. Their beef is historial beef.

1:11:20.720 --> 1:11:22.040
<v Speaker 3>Oh man, crazy beef.

1:11:22.320 --> 1:11:25.880
<v Speaker 5>We've been hearing all kinds of stories trying to run

1:11:25.920 --> 1:11:26.879
<v Speaker 5>over Michael Jackson.

1:11:27.160 --> 1:11:29.680
<v Speaker 3>Oh, like running off the road, trying to run him

1:11:29.680 --> 1:11:30.120
<v Speaker 3>off the road.

1:11:30.840 --> 1:11:31.240
<v Speaker 4>No, no, no.

1:11:31.560 --> 1:11:33.320
<v Speaker 1>So So this is the reason why we don't we

1:11:33.400 --> 1:11:38.400
<v Speaker 1>don't never answer this. It is because we always like

1:11:38.560 --> 1:11:42.360
<v Speaker 1>get new information that happens, and we find out that

1:11:43.160 --> 1:11:47.400
<v Speaker 1>first off, Prince, it's a meaning.

1:11:48.920 --> 1:11:51.360
<v Speaker 3>That's what Michael Jackson said about Princess.

1:11:51.240 --> 1:11:58.760
<v Speaker 1>Michaelright, Sorry, we didn't know this story. You're ready, You're ready.

1:12:02.479 --> 1:12:06.600
<v Speaker 1>Farrell calls me one day, Oh the super Yeah. So

1:12:06.680 --> 1:12:16.400
<v Speaker 1>Farrell calls me one day and he's like, Laurie, I

1:12:16.560 --> 1:12:18.040
<v Speaker 1>kind of like need a favor for me.

1:12:18.120 --> 1:12:18.880
<v Speaker 4>So I'm like, what the fuck?

1:12:19.080 --> 1:12:20.040
<v Speaker 3>What are we talking?

1:12:20.080 --> 1:12:20.240
<v Speaker 5>Mom?

1:12:20.720 --> 1:12:23.559
<v Speaker 3>Does Farrell needed a favor for me? Right?

1:12:24.040 --> 1:12:28.960
<v Speaker 1>But he says, I said Michael Jackson a bunch of beats?

1:12:31.160 --> 1:12:35.880
<v Speaker 1>He said, that's not what normal will rap on. Michael

1:12:35.960 --> 1:12:37.880
<v Speaker 1>Jackson wanted to rap on super dugs.

1:12:37.960 --> 1:12:42.200
<v Speaker 3>What what? So Farrell said him a bunch, like.

1:12:44.680 --> 1:12:48.759
<v Speaker 4>You know, one of them. He like, Michael Jackson joints.

1:12:49.080 --> 1:12:50.559
<v Speaker 4>I want to nor.

1:12:52.000 --> 1:12:56.200
<v Speaker 3>Morel hit me. I'm like, holy moly, Walker Moly.

1:12:58.320 --> 1:13:02.320
<v Speaker 1>So Barrell hits me and I actually, I don't know

1:13:02.400 --> 1:13:04.200
<v Speaker 1>if I ever said this part of the story. I

1:13:04.320 --> 1:13:09.600
<v Speaker 1>actually picked out five beats for Michael. Yeah, no, no, no, no, no,

1:13:10.280 --> 1:13:12.840
<v Speaker 1>not for Michael. For Farrell.

1:13:14.000 --> 1:13:18.240
<v Speaker 4>Was like, yo, just pick out these five beats, and

1:13:18.360 --> 1:13:19.080
<v Speaker 4>I actually.

1:13:18.800 --> 1:13:20.120
<v Speaker 3>For him to give it to Michael.

1:13:21.200 --> 1:13:23.080
<v Speaker 4>I don't I don't ever know if I've ever.

1:13:25.080 --> 1:13:26.800
<v Speaker 3>Does that make sense? Like, I don't know if I

1:13:26.880 --> 1:13:29.720
<v Speaker 3>ever did that, like, I just it was like, you

1:13:29.840 --> 1:13:34.400
<v Speaker 3>know what, bro, you're my g I got you and

1:13:34.520 --> 1:13:34.920
<v Speaker 3>I did it.

1:13:35.200 --> 1:13:36.840
<v Speaker 1>So I don't know if that was ever for that,

1:13:37.120 --> 1:13:48.439
<v Speaker 1>but that's one of my best stories in Michael Jackson. Jackson,

1:13:48.920 --> 1:13:50.679
<v Speaker 1>one of my fucking beats.

1:13:52.120 --> 1:13:55.000
<v Speaker 3>You. Thank god there wasn't no social media back then.

1:13:56.200 --> 1:13:59.880
<v Speaker 4>Imagine back then it was fucking social media.

1:14:00.040 --> 1:14:01.120
<v Speaker 3>God, man, we need to.

1:14:01.439 --> 1:14:04.880
<v Speaker 4>I would have been like, because I believe Michael Jackson

1:14:05.160 --> 1:14:05.960
<v Speaker 4>was a gangster.

1:14:06.439 --> 1:14:11.639
<v Speaker 3>For sure, why you got quiet? I mean, I don't

1:14:11.680 --> 1:14:13.960
<v Speaker 3>know for sure.

1:14:15.080 --> 1:14:18.720
<v Speaker 5>I think Michael Jackson, but he did call Prince of

1:14:18.800 --> 1:14:20.439
<v Speaker 5>meanis why don't he just square up with them?

1:14:21.840 --> 1:14:24.840
<v Speaker 4>Man? He got too much to lose. He got too much.

1:14:25.240 --> 1:14:27.800
<v Speaker 4>You know what's I lose? See that gangsterday? You know

1:14:27.880 --> 1:14:29.040
<v Speaker 4>how to walk away from you know?

1:14:29.280 --> 1:14:30.680
<v Speaker 3>I love the story. I don't think it's true, the

1:14:30.680 --> 1:14:33.800
<v Speaker 3>one with him in Park five. I don't think it's

1:14:33.800 --> 1:14:34.360
<v Speaker 3>the true story.

1:14:34.560 --> 1:14:35.640
<v Speaker 4>That's amazing.

1:14:37.200 --> 1:14:37.439
<v Speaker 5>Story.

1:14:37.920 --> 1:14:40.400
<v Speaker 3>A comedian is telling it. There's a comedian that's been

1:14:40.439 --> 1:14:41.120
<v Speaker 3>telling that story.

1:14:41.760 --> 1:14:42.280
<v Speaker 4>That's funny.

1:14:43.200 --> 1:14:46.200
<v Speaker 5>Wait, can you can you tell him I had to

1:14:46.280 --> 1:14:50.240
<v Speaker 5>do with your daughter that that park was dating. But

1:14:50.360 --> 1:14:52.759
<v Speaker 5>when Quincy Jones and Michael's connection, you know. So Michael

1:14:52.800 --> 1:14:55.680
<v Speaker 5>looked at Quincy Jones, daughter is like his niece, and

1:14:55.760 --> 1:14:59.000
<v Speaker 5>as supposed that, he saw Park like, you know, disrespect

1:14:59.040 --> 1:15:01.200
<v Speaker 5>her in some kind of way, and then he stepped

1:15:01.240 --> 1:15:03.519
<v Speaker 5>to him and then they fought. I mean, I think

1:15:03.560 --> 1:15:05.559
<v Speaker 5>this is a fake story, but it's an amazing story

1:15:05.680 --> 1:15:07.240
<v Speaker 5>just to pretend that it happened.

1:15:07.280 --> 1:15:09.280
<v Speaker 3>And they said that Michael had to ill reach.

1:15:13.840 --> 1:15:15.599
<v Speaker 4>My wife from Gary in the end, man.

1:15:17.800 --> 1:15:19.760
<v Speaker 3>And Joe, and Joe Jackson was hard on him, so

1:15:19.880 --> 1:15:21.160
<v Speaker 3>he grew up hardcore.

1:15:20.960 --> 1:15:23.560
<v Speaker 4>Honestly, man, je just salute Joe Jackson. Man, I'm in

1:15:23.680 --> 1:15:24.160
<v Speaker 4>a rare.

1:15:24.200 --> 1:15:27.799
<v Speaker 3>Curator, man, But he raised them hardcore.

1:15:28.439 --> 1:15:30.040
<v Speaker 4>I mean, that's what they said in the movies, but

1:15:30.120 --> 1:15:32.200
<v Speaker 4>that could have been anything we all would raise hardcore.

1:15:34.040 --> 1:15:36.240
<v Speaker 5>I'm not saying that the extreme of hardcore. But nonetheless

1:15:36.479 --> 1:15:37.519
<v Speaker 5>he's still he raised them.

1:15:37.920 --> 1:15:38.519
<v Speaker 4>Vision for sure.

1:15:38.640 --> 1:15:38.960
<v Speaker 3>Yeah.

1:15:39.640 --> 1:15:43.040
<v Speaker 4>Right, they want to go to the next question, because

1:15:43.080 --> 1:15:43.960
<v Speaker 4>I got a lot more.

1:15:45.320 --> 1:15:49.040
<v Speaker 3>Naza l L naz ll cool Jackson.

1:15:49.400 --> 1:15:55.760
<v Speaker 4>I'm going nast going now. I'm saluting them both.

1:15:56.000 --> 1:15:58.760
<v Speaker 5>Yeah, absolutely, I love them from queens Ace Hood of

1:15:58.800 --> 1:15:59.639
<v Speaker 5>twenty one Savage.

1:16:00.280 --> 1:16:06.599
<v Speaker 4>H uh, I got bankers for both of them, brothers. Man,

1:16:06.920 --> 1:16:12.960
<v Speaker 4>you know, what I'm saying, thank you, brother. Uh, we

1:16:13.040 --> 1:16:15.200
<v Speaker 4>need to keep drinking, man, I got bankers for both

1:16:15.240 --> 1:16:19.000
<v Speaker 4>of them, man, so little got it and I'm gonna

1:16:19.000 --> 1:16:26.000
<v Speaker 4>take you know what I'm saying. Okay, let's go you ready, absolutely, Hey,

1:16:26.280 --> 1:16:28.160
<v Speaker 4>even though we drink, I'm gonna still go twenty one.

1:16:29.080 --> 1:16:30.200
<v Speaker 4>I'm gonna go twenty one on that.

1:16:31.120 --> 1:16:36.000
<v Speaker 3>You made us drink and then you took it drinks. Man,

1:16:38.600 --> 1:16:39.000
<v Speaker 3>that's okay.

1:16:39.040 --> 1:16:40.200
<v Speaker 4>I'm start getting like that now.

1:16:40.320 --> 1:16:48.519
<v Speaker 12>Man's talking like that the boy alchemist mm hmm, yeah,

1:16:50.560 --> 1:16:51.520
<v Speaker 12>probably alchemists.

1:16:51.560 --> 1:16:54.599
<v Speaker 4>Man, I had a lot of inspiration shut out man

1:16:54.880 --> 1:16:58.680
<v Speaker 4>for real, big up it boy, but big up to

1:16:58.720 --> 1:17:00.439
<v Speaker 4>both of them for real and kind of.

1:17:00.800 --> 1:17:05.320
<v Speaker 3>Yeah, they're both Dre or Quincy Jones, doctor Jack Quincy

1:17:05.400 --> 1:17:06.439
<v Speaker 3>Jones I am.

1:17:08.640 --> 1:17:16.519
<v Speaker 4>I ain't got to do with this ship. Mm hmm.

1:17:18.280 --> 1:17:20.040
<v Speaker 3>I mean you could argue that Dre is the hip

1:17:20.080 --> 1:17:21.760
<v Speaker 3>hop Quincy Jones he is.

1:17:22.000 --> 1:17:24.559
<v Speaker 4>What I was about to say, like Quincy Jones laid

1:17:24.560 --> 1:17:28.160
<v Speaker 4>the foundation, Dre came through and pushed it, you know

1:17:28.200 --> 1:17:31.519
<v Speaker 4>what I'm saying with a whole new sound, it's like, ah,

1:17:31.800 --> 1:17:34.000
<v Speaker 4>but it's like, you know what's crazy when I when

1:17:34.040 --> 1:17:37.840
<v Speaker 4>I wrap up albums like as an executive producer, Like,

1:17:37.880 --> 1:17:39.040
<v Speaker 4>you know what I'm saying, I want to listen to

1:17:39.160 --> 1:17:42.160
<v Speaker 4>this album that I'm putting together next to like some

1:17:42.320 --> 1:17:44.439
<v Speaker 4>albums out look at like some of the best albums.

1:17:44.479 --> 1:17:48.280
<v Speaker 4>So it's like I always play Thriller. I always play

1:17:48.400 --> 1:17:51.680
<v Speaker 4>like Get Rich of Dog Trying. I always play like,

1:17:51.800 --> 1:17:53.479
<v Speaker 4>you know what I'm saying, all lives on me, you

1:17:53.520 --> 1:17:57.360
<v Speaker 4>know what I'm saying. And it's like and it's like,

1:17:58.400 --> 1:18:01.479
<v Speaker 4>but Drayden producer, all on me, right, But I still

1:18:01.560 --> 1:18:03.439
<v Speaker 4>listen to it, you know what I'm saying. And then

1:18:03.600 --> 1:18:05.560
<v Speaker 4>then I'll listen to the Game's album, you know what

1:18:05.560 --> 1:18:09.559
<v Speaker 4>I'm saying, And and I listened to that with whatever album'

1:18:09.600 --> 1:18:13.120
<v Speaker 4>about to drop, because like I thought it was short,

1:18:13.200 --> 1:18:15.600
<v Speaker 4>you know what I'm saying, Give Give It to the

1:18:15.760 --> 1:18:19.519
<v Speaker 4>Trump was long, but it's still like that same complete journey,

1:18:19.560 --> 1:18:21.560
<v Speaker 4>you know what I'm saying. So it's like if I

1:18:21.720 --> 1:18:24.040
<v Speaker 4>if we had CD changers, you know what I'm saying,

1:18:24.160 --> 1:18:26.040
<v Speaker 4>and I had my CD in and it was a

1:18:26.160 --> 1:18:28.400
<v Speaker 4>change over to the CD, change over to this CD

1:18:28.600 --> 1:18:31.240
<v Speaker 4>change over the city, come back to my city? Is

1:18:31.320 --> 1:18:33.639
<v Speaker 4>my ship hitting in the line of that flowing Yeah,

1:18:34.320 --> 1:18:37.240
<v Speaker 4>we're going to look both for them, man, for that's

1:18:37.280 --> 1:18:41.479
<v Speaker 4>the absolutely that Jones get y'all drunk today.

1:18:41.600 --> 1:18:46.240
<v Speaker 3>Many metro booming and murder.

1:18:46.120 --> 1:18:49.559
<v Speaker 4>Beats, by the way, Finy Jones the most drunk I've.

1:18:49.479 --> 1:18:54.960
<v Speaker 3>Ever in my life, Jones, and I don't think in

1:18:55.400 --> 1:19:01.080
<v Speaker 3>l a that was, man, I gotta tell it.

1:19:01.200 --> 1:19:01.240
<v Speaker 2>So.

1:19:05.000 --> 1:19:06.719
<v Speaker 3>Metro boom and murder beats.

1:19:07.360 --> 1:19:11.439
<v Speaker 4>Metro Boom for sure, been on metros still. Fourteen man

1:19:11.560 --> 1:19:13.559
<v Speaker 4>salute and everything he built. Pull it up.

1:19:13.760 --> 1:19:17.720
<v Speaker 5>Wow, oh ship, I'm in the whole nother fucking You're

1:19:17.760 --> 1:19:19.080
<v Speaker 5>You're in somebody else's quick time.

1:19:19.160 --> 1:19:23.200
<v Speaker 3>Yeah else the A s R or the NPC two thousand.

1:19:25.840 --> 1:19:28.320
<v Speaker 4>MPC hands down, man, that's that was my That was

1:19:28.400 --> 1:19:32.679
<v Speaker 4>my secret weapon. I just got the A SR last summer,

1:19:33.360 --> 1:19:35.320
<v Speaker 4>so I've been working with it lately. I've been making

1:19:35.360 --> 1:19:38.519
<v Speaker 4>some dope ship, but like the NPC my walking weapon

1:19:38.600 --> 1:19:40.920
<v Speaker 4>of choice, I still plugged the A s R up

1:19:40.960 --> 1:19:41.519
<v Speaker 4>to the NPC.

1:19:42.439 --> 1:19:44.559
<v Speaker 3>What was your first machine that you used?

1:19:45.160 --> 1:19:48.040
<v Speaker 4>My first beat machine, I had got the Core E

1:19:48.280 --> 1:19:50.800
<v Speaker 4>S one. My pots that grabbed me the Core ears one,

1:19:51.120 --> 1:19:52.960
<v Speaker 4>and that's how I taught myself how to make beats,

1:19:53.040 --> 1:19:54.560
<v Speaker 4>and then I used to have that plugged up to

1:19:54.680 --> 1:19:57.240
<v Speaker 4>like a cashio keyboard. Then one of the homies in

1:19:57.320 --> 1:20:01.599
<v Speaker 4>my and my my group here that he had bought

1:20:01.640 --> 1:20:03.800
<v Speaker 4>a Triting for like a thousand dollars, you know what

1:20:03.840 --> 1:20:05.880
<v Speaker 4>I'm saying. And then he got the writing and then

1:20:05.920 --> 1:20:08.560
<v Speaker 4>I was plugging that up with the with the with

1:20:08.680 --> 1:20:11.520
<v Speaker 4>the core years one. And then I got the multi travelcorder.

1:20:11.960 --> 1:20:14.000
<v Speaker 4>So that was before pro tools and all that shit,

1:20:14.040 --> 1:20:16.679
<v Speaker 4>you know what I'm saying there, Yeah, and then boring

1:20:16.720 --> 1:20:18.280
<v Speaker 4>I got my mini studio. The next thing, you know,

1:20:18.840 --> 1:20:21.760
<v Speaker 4>I go buy myself to NPC, you know what I'm saying.

1:20:22.160 --> 1:20:24.080
<v Speaker 4>And then my mom helped me get like like these

1:20:24.200 --> 1:20:26.360
<v Speaker 4>keyboard wrecks, you know what I'm saying. Like she'll she'll

1:20:26.560 --> 1:20:29.479
<v Speaker 4>she'll get the credit card and then I'll pay on it,

1:20:29.600 --> 1:20:31.720
<v Speaker 4>like you know what I'm saying. So like it was

1:20:31.800 --> 1:20:33.479
<v Speaker 4>like some ship like that, and shout out to my

1:20:33.600 --> 1:20:36.599
<v Speaker 4>mom like she man, hey, she was letting everybody come

1:20:36.680 --> 1:20:39.160
<v Speaker 4>through the house. The music was loud, you know what

1:20:39.160 --> 1:20:42.240
<v Speaker 4>I'm saying. She she was there through the whole process. Man.

1:20:42.320 --> 1:20:44.760
<v Speaker 4>So that's why, like mom cast for anything, I don't

1:20:44.800 --> 1:20:46.320
<v Speaker 4>carry like you know what I'm saying, Like she she

1:20:46.520 --> 1:20:49.000
<v Speaker 4>got it, like she was always believing. You know what

1:20:49.040 --> 1:20:51.400
<v Speaker 4>I'm saying, I'm out on school nights. You know what

1:20:51.400 --> 1:20:54.559
<v Speaker 4>I'm saying in high school like she didn't. She wasn't

1:20:54.600 --> 1:20:57.320
<v Speaker 4>saying it was okay, but like she she could have

1:20:57.439 --> 1:20:59.040
<v Speaker 4>killed me. You know what I'm saying, like for real,

1:20:59.080 --> 1:21:01.120
<v Speaker 4>because I kept bucking, you know what I'm saying. And

1:21:01.400 --> 1:21:03.080
<v Speaker 4>I just knew I wanted to get that music out.

1:21:03.160 --> 1:21:05.519
<v Speaker 4>So yeah, shout out to mom, shout.

1:21:08.840 --> 1:21:13.880
<v Speaker 3>The mom to change of t I got nothing to

1:21:13.920 --> 1:21:14.200
<v Speaker 3>do with this.

1:21:14.240 --> 1:21:18.160
<v Speaker 4>See y'all doing like this ship that's them. That's it.

1:21:18.479 --> 1:21:21.240
<v Speaker 4>It's like a mixed thing. It's like inspiration or like

1:21:21.720 --> 1:21:23.880
<v Speaker 4>you know what I'm saying, where you want to go?

1:21:25.640 --> 1:21:27.800
<v Speaker 3>And I got shot? I got the shot.

1:21:28.080 --> 1:21:30.960
<v Speaker 4>We got the shot. Manleu Atlanta man, you know what

1:21:31.000 --> 1:21:32.160
<v Speaker 4>I'm saying, continue.

1:21:31.760 --> 1:21:35.400
<v Speaker 3>To be great, so Lou Atlanta man, be honest. Atlanta

1:21:35.479 --> 1:21:40.320
<v Speaker 3>helped me down. To Atlanta helps.

1:21:39.200 --> 1:21:40.479
<v Speaker 4>When they both for my new album.

1:21:41.760 --> 1:21:45.240
<v Speaker 3>You know, Atlanta helped me down. Thank you all man, man,

1:21:45.360 --> 1:21:48.960
<v Speaker 3>every I love Atlanta. Man funk that. I'm sorry.

1:21:49.080 --> 1:21:54.200
<v Speaker 1>I held back a long time. Why did you help

1:21:54.280 --> 1:21:59.200
<v Speaker 1>back from yourself? He was here, man, I was hating

1:21:59.200 --> 1:22:00.000
<v Speaker 1>a little shout out to.

1:22:01.840 --> 1:22:03.680
<v Speaker 4>Talk to the real niggas from New York. Man like,

1:22:03.800 --> 1:22:05.320
<v Speaker 4>welcome man, anything, you.

1:22:05.360 --> 1:22:05.519
<v Speaker 3>Know what.

1:22:07.640 --> 1:22:11.760
<v Speaker 5>The hell you down Miami, help me the walls, help

1:22:11.840 --> 1:22:16.200
<v Speaker 5>me downs.

1:22:14.120 --> 1:22:18.360
<v Speaker 4>Help me top Man. Just fighting it, man, damn but

1:22:19.160 --> 1:22:19.519
<v Speaker 4>fighting it.

1:22:19.840 --> 1:22:21.320
<v Speaker 3>He just said that I'm fighting it.

1:22:21.560 --> 1:22:24.160
<v Speaker 4>It was my favorite rapper. Like since I'm serious, you

1:22:24.200 --> 1:22:26.360
<v Speaker 4>know what I'm saying. And then like I've been working

1:22:26.400 --> 1:22:28.560
<v Speaker 4>with two Changes since he was titty boy, Like, you

1:22:28.600 --> 1:22:31.000
<v Speaker 4>know what I'm saying, Like I used to, I used

1:22:31.000 --> 1:22:34.080
<v Speaker 4>to grind, I used to I know him since he

1:22:34.160 --> 1:22:36.920
<v Speaker 4>was titty boy. Yeah, I used to drive all the

1:22:36.960 --> 1:22:40.320
<v Speaker 4>way from the staying that, you know what I'm saying,

1:22:40.680 --> 1:22:44.720
<v Speaker 4>all the way down there to two chains and old neck. Man,

1:22:45.000 --> 1:22:46.920
<v Speaker 4>I might run out of gas on that drive, you

1:22:46.960 --> 1:22:48.160
<v Speaker 4>know what I'm saying. But he wanted to go to

1:22:48.240 --> 1:22:51.880
<v Speaker 4>the studio at eleven pm, twelve am. I've been there

1:22:51.880 --> 1:22:54.320
<v Speaker 4>all night with Change man, Like we're just banging out

1:22:54.920 --> 1:22:59.120
<v Speaker 4>different sounds and yeah, man, like I remember when he

1:22:59.200 --> 1:23:02.960
<v Speaker 4>thought everybody was leaping on him and we all knew, like, man,

1:23:03.320 --> 1:23:06.680
<v Speaker 4>this nigga about to be the biggest, one of the biggest, for.

1:23:07.200 --> 1:23:10.680
<v Speaker 3>I knew it too. That's what you called him.

1:23:11.439 --> 1:23:13.760
<v Speaker 4>If you if you heard, if you, if you heard

1:23:13.800 --> 1:23:16.719
<v Speaker 4>that man you weren't thinking that man you were hating

1:23:17.320 --> 1:23:20.680
<v Speaker 4>he could fit man for rell you were hating? Was

1:23:20.720 --> 1:23:25.799
<v Speaker 4>that nigga? Real hip hop artist? Man? Yeah? For two change?

1:23:26.200 --> 1:23:33.160
<v Speaker 3>What's that nigga to h R shoty Red or drummer boy?

1:23:35.920 --> 1:23:43.160
<v Speaker 4>M hm produce the ship? Well, I got nothing to

1:23:43.240 --> 1:23:48.639
<v Speaker 4>do with this. Shout out, shout out the Memphis damn.

1:23:49.880 --> 1:23:51.760
<v Speaker 4>They got nothing to do it. Go ahead them just

1:23:51.840 --> 1:23:58.800
<v Speaker 4>a little man just drinking. There were engine definitely feel

1:23:58.840 --> 1:23:59.759
<v Speaker 4>to the engine man.

1:24:00.160 --> 1:24:03.519
<v Speaker 3>All right, and I'm taking a whole shots like I'm doing.

1:24:03.960 --> 1:24:05.200
<v Speaker 3>I'm gonnaunted kicking right now.

1:24:08.200 --> 1:24:10.600
<v Speaker 1>Because you know why why, I'm gonna be honest with

1:24:10.680 --> 1:24:13.920
<v Speaker 1>you A lot of us. I wanted Mike Will here.

1:24:15.560 --> 1:24:16.160
<v Speaker 4>For years.

1:24:16.600 --> 1:24:18.559
<v Speaker 3>I wanted Mike Will to get his flowers.

1:24:19.120 --> 1:24:25.400
<v Speaker 1>Mike Will's a person that deserves what's going on right now.

1:24:26.080 --> 1:24:29.360
<v Speaker 1>You are a legend of a legend, you are icon,

1:24:29.520 --> 1:24:36.200
<v Speaker 1>your icon, and me ef n a whole establishment drink champs.

1:24:36.560 --> 1:24:38.240
<v Speaker 3>We wanted to give you a flopers.

1:24:41.560 --> 1:24:44.360
<v Speaker 1>I don't I don't mind being as saucy as I'm

1:24:44.439 --> 1:24:48.880
<v Speaker 1>being saucy today because it's it's for you, brother, and

1:24:49.479 --> 1:24:52.760
<v Speaker 1>you know what me and him are in s's it

1:24:52.880 --> 1:25:02.160
<v Speaker 1>called whatever ye because you know why, Nah, you you

1:25:02.360 --> 1:25:07.200
<v Speaker 1>really deserve your flowers. You really we want you to

1:25:07.320 --> 1:25:11.400
<v Speaker 1>know that what you did to the game is so beautiful.

1:25:12.160 --> 1:25:14.000
<v Speaker 1>You're going to continue to give you your flowers.

1:25:14.240 --> 1:25:15.519
<v Speaker 4>No, I appy sure, you know what I'm saying.

1:25:18.560 --> 1:25:20.880
<v Speaker 3>Okay, continue, Yeah, were still we were almost. Yeah, We're

1:25:20.880 --> 1:25:24.320
<v Speaker 3>still were still almost. We're still in a bit logic

1:25:24.400 --> 1:25:26.440
<v Speaker 3>and pro tools on purchas.

1:25:26.479 --> 1:25:27.559
<v Speaker 4>I don't know how to use logic.

1:25:29.360 --> 1:25:30.639
<v Speaker 3>Juicy Jay Wi Kalisa.

1:25:31.640 --> 1:25:34.840
<v Speaker 4>Damn, it's another thing.

1:25:36.200 --> 1:25:36.320
<v Speaker 3>Man.

1:25:36.360 --> 1:25:38.160
<v Speaker 4>We're going to toss up to that one too. Man.

1:25:38.439 --> 1:25:42.280
<v Speaker 4>You know what I'm saying, Well, man, my two stoner buddies. Man,

1:25:42.479 --> 1:25:44.200
<v Speaker 4>my brother's right there. Man, you know what I'm saying.

1:25:46.439 --> 1:25:49.280
<v Speaker 3>You can just over your simple You don't shout.

1:25:49.080 --> 1:25:51.320
<v Speaker 4>Out to Juicy j Man for being a blueprint, man

1:25:52.120 --> 1:25:55.400
<v Speaker 4>for being an inspiration, and and and the run that

1:25:55.479 --> 1:25:57.800
<v Speaker 4>we went on with so legendary. I went on the

1:25:57.840 --> 1:25:58.880
<v Speaker 4>run with both of them. Guys.

1:25:58.960 --> 1:26:08.040
<v Speaker 3>Man up, DJ Premiere, Pete Rock. This is very even question,

1:26:09.560 --> 1:26:11.240
<v Speaker 3>but I don't I would like to see what you're

1:26:11.280 --> 1:26:12.080
<v Speaker 3>how you're gonna answer.

1:26:16.600 --> 1:26:19.760
<v Speaker 4>I probably say Premiere that was hard.

1:26:20.000 --> 1:26:24.120
<v Speaker 3>I thought he was going to answer, that's hard, trick

1:26:24.200 --> 1:26:25.080
<v Speaker 3>Daddy Rick Ross.

1:26:27.080 --> 1:26:31.000
<v Speaker 4>Damn all right, mam, have.

1:26:31.080 --> 1:26:31.800
<v Speaker 3>You worked with Trick?

1:26:32.320 --> 1:26:33.479
<v Speaker 4>I ain't ever worked with Trick?

1:26:33.560 --> 1:26:35.120
<v Speaker 5>Oh man, I could hear you guys, that would be

1:26:35.160 --> 1:26:39.240
<v Speaker 5>Come on, man, Ross joins you to this crazy trick

1:26:39.360 --> 1:26:43.320
<v Speaker 5>raising nigga, You and Trick would be crazy trick.

1:26:43.200 --> 1:26:48.760
<v Speaker 4>Too, hard man, real legend man bron like. See, y'all

1:26:48.880 --> 1:26:50.479
<v Speaker 4>got me fucked up on this game because I'm a

1:26:50.560 --> 1:26:53.600
<v Speaker 4>I'm an indecisive nigga. I'm already indecisive.

1:26:53.640 --> 1:26:55.000
<v Speaker 3>It's all good, that's what for.

1:26:55.320 --> 1:26:58.599
<v Speaker 4>And when I smoke makes it even worse. Man, they

1:26:58.640 --> 1:27:01.920
<v Speaker 4>were all smoking. Go to the mall, man, he's look

1:27:01.920 --> 1:27:02.280
<v Speaker 4>a shift.

1:27:02.360 --> 1:27:04.320
<v Speaker 3>Can we connect you and Trick man and make something happen?

1:27:07.240 --> 1:27:12.680
<v Speaker 3>Miley Cyrus Champs? Yeah, we drink Champs compilation. Right, Just

1:27:12.760 --> 1:27:19.920
<v Speaker 3>let them let them work together. Man, let's circle back

1:27:19.960 --> 1:27:24.920
<v Speaker 3>after the Yeah, Miley Cyrus and Katy Perry.

1:27:26.080 --> 1:27:30.920
<v Speaker 4>I am gotta go. Miley Cyrus, how did you connect? Man?

1:27:31.000 --> 1:27:34.280
<v Speaker 4>Through r c A. Shout out to Peter Edge, shout

1:27:34.320 --> 1:27:37.400
<v Speaker 4>out to everybody at r c A. It was crazy.

1:27:37.439 --> 1:27:39.360
<v Speaker 4>I had just signed my I had just signed my

1:27:39.439 --> 1:27:43.120
<v Speaker 4>published adventure. So that was my first adventure. Like you

1:27:43.160 --> 1:27:44.560
<v Speaker 4>know what I'm saying, Like a lot of people just

1:27:44.640 --> 1:27:48.080
<v Speaker 4>think I just make beat. So like like I'm an

1:27:48.160 --> 1:27:50.200
<v Speaker 4>executive too, you know what I'm saying. So it's like

1:27:50.280 --> 1:27:52.560
<v Speaker 4>I never even signed a part deal or anything like

1:27:52.640 --> 1:27:54.960
<v Speaker 4>that until they would give me adventure and I can

1:27:55.040 --> 1:27:56.880
<v Speaker 4>sign all the guys that was a part of my team,

1:27:57.000 --> 1:27:58.799
<v Speaker 4>you know what I'm saying, because those guys that already

1:27:59.200 --> 1:28:00.120
<v Speaker 4>we had already.

1:28:00.240 --> 1:28:01.840
<v Speaker 3>Sorry starting to coach, but can you explain what that

1:28:02.000 --> 1:28:03.840
<v Speaker 3>venture is? Like what does that mean for people that

1:28:03.920 --> 1:28:04.639
<v Speaker 3>don't understand?

1:28:04.880 --> 1:28:07.680
<v Speaker 4>Okay, So ear Drummers was was an idea that I

1:28:07.800 --> 1:28:10.640
<v Speaker 4>had when I was you know what I'm saying, in

1:28:10.720 --> 1:28:12.720
<v Speaker 4>two thousand and six, two thousand and seven. Then I

1:28:12.920 --> 1:28:15.920
<v Speaker 4>created the AOC made it a real production company. It

1:28:16.040 --> 1:28:18.080
<v Speaker 4>was just me and then you know what I'm saying.

1:28:18.120 --> 1:28:21.040
<v Speaker 4>Then I had my brother SCHOOLI. Then I had my

1:28:21.680 --> 1:28:23.439
<v Speaker 4>brother A plus I was going to high school with

1:28:24.160 --> 1:28:27.559
<v Speaker 4>you know what I'm saying, Dan Boom, Like we're creating

1:28:27.600 --> 1:28:30.240
<v Speaker 4>our sound. And then next thing you know, I'm meet

1:28:30.320 --> 1:28:34.120
<v Speaker 4>I mean my brother p Nasty through a mutual and

1:28:34.320 --> 1:28:36.360
<v Speaker 4>you know what I'm saying, he got he know, Mars

1:28:36.520 --> 1:28:38.000
<v Speaker 4>Like you know what I'm saying that Mars no jabo.

1:28:38.439 --> 1:28:40.000
<v Speaker 4>And I was like, man, I was like, man, we

1:28:40.160 --> 1:28:42.840
<v Speaker 4>hurdled up. I got like a vision where it's like, man, hey, look,

1:28:43.040 --> 1:28:45.760
<v Speaker 4>we're gonna build like a big production company and we're gonna,

1:28:45.800 --> 1:28:47.479
<v Speaker 4>like you know what I'm saying, We're gonna like take

1:28:47.520 --> 1:28:50.080
<v Speaker 4>over the game and we're gonna like just spread our

1:28:50.200 --> 1:28:53.400
<v Speaker 4>sound like through all type because because I was looking

1:28:53.439 --> 1:28:55.160
<v Speaker 4>at it, like I had like a bunch of songs

1:28:55.200 --> 1:28:57.400
<v Speaker 4>out in the street with Gucci and Juice Man and

1:28:57.520 --> 1:28:59.599
<v Speaker 4>all type of artists in Atlanta. But I was like, man,

1:28:59.640 --> 1:29:02.120
<v Speaker 4>what's the difference between me and like a like a

1:29:02.640 --> 1:29:05.240
<v Speaker 4>Kanye West, like a Doctor Dre or like a you

1:29:05.280 --> 1:29:07.080
<v Speaker 4>know what I'm saying, Little John, or like a Quincy

1:29:07.200 --> 1:29:09.240
<v Speaker 4>Jones or like you know what I'm saying anything like that.

1:29:09.320 --> 1:29:11.559
<v Speaker 4>And it was like, man, these guys got production teams,

1:29:11.760 --> 1:29:13.400
<v Speaker 4>like you know what I'm saying. Like, and so I

1:29:13.479 --> 1:29:15.120
<v Speaker 4>was like, man, I got to build a solid team.

1:29:15.240 --> 1:29:18.680
<v Speaker 4>So everybody I was on the team like man, we're

1:29:18.720 --> 1:29:21.080
<v Speaker 4>going through it like with a super fine tooth comb,

1:29:21.200 --> 1:29:23.280
<v Speaker 4>like where it's like man, everybody gotta be we gotta

1:29:23.320 --> 1:29:25.120
<v Speaker 4>be like minded. If we're not like minded, we're not

1:29:25.200 --> 1:29:27.400
<v Speaker 4>gonna be able to do nothing, you know what I'm saying.

1:29:27.479 --> 1:29:30.120
<v Speaker 4>So now out of linked over these like minded brothers

1:29:30.200 --> 1:29:32.680
<v Speaker 4>right here, and we were on a mission. Like you

1:29:32.720 --> 1:29:34.360
<v Speaker 4>know what I'm saying. We already got our goals what

1:29:34.479 --> 1:29:36.120
<v Speaker 4>we want to do. We want to get a song

1:29:36.160 --> 1:29:38.840
<v Speaker 4>on the radio, we want to get a label deal,

1:29:38.880 --> 1:29:40.680
<v Speaker 4>we want to get an album placement. You know what

1:29:40.680 --> 1:29:43.200
<v Speaker 4>I'm saying. We want to be able to have money,

1:29:43.280 --> 1:29:45.240
<v Speaker 4>take care of our lives. And you know what I'm saying.

1:29:45.240 --> 1:29:47.120
<v Speaker 4>We had simple goals, you know what I'm saying, and

1:29:47.160 --> 1:29:49.360
<v Speaker 4>then we just locked in. We're just on it every

1:29:49.400 --> 1:29:55.120
<v Speaker 4>single day. So and during that time, during yeah, during

1:29:55.200 --> 1:29:59.000
<v Speaker 4>that time, it's like like like I already have my

1:29:59.120 --> 1:30:01.439
<v Speaker 4>tag and I'm already working with Gucci and different artists

1:30:01.439 --> 1:30:03.200
<v Speaker 4>and stuff like that. And then we had the ear

1:30:03.280 --> 1:30:05.320
<v Speaker 4>Drummer tag, you know what I'm saying, And like these

1:30:05.360 --> 1:30:08.800
<v Speaker 4>guys were more like were like chill, like they ain't

1:30:08.800 --> 1:30:10.800
<v Speaker 4>really had no tasks at the time, Like we were

1:30:10.840 --> 1:30:13.040
<v Speaker 4>trying to figure out what the tags were gonna be

1:30:13.160 --> 1:30:15.240
<v Speaker 4>and everything like that. So it's like, you know what

1:30:15.280 --> 1:30:18.200
<v Speaker 4>I'm saying, Like okay Boom, Mike, we made the ear drummers.

1:30:18.760 --> 1:30:22.160
<v Speaker 4>People don't know like, okay man he was working with

1:30:22.680 --> 1:30:24.479
<v Speaker 4>He worked with Mars on that one. He worked with

1:30:24.520 --> 1:30:26.439
<v Speaker 4>Pee on that one, he worked with Spoody on that one,

1:30:26.479 --> 1:30:28.160
<v Speaker 4>he worked with Plus on that one. He worked with

1:30:28.240 --> 1:30:30.360
<v Speaker 4>jaybo on that one. And let's say read the credits,

1:30:30.400 --> 1:30:33.759
<v Speaker 4>you know what I'm saying. But even when the companies

1:30:33.800 --> 1:30:36.000
<v Speaker 4>didn't though, and they were just hear Mike will do

1:30:36.240 --> 1:30:39.639
<v Speaker 4>like word them mouth, these folks coming at me were

1:30:39.680 --> 1:30:42.200
<v Speaker 4>like beat like money I never even imagined I could

1:30:42.240 --> 1:30:44.720
<v Speaker 4>get right And at this time I'm broke. I got

1:30:44.760 --> 1:30:47.280
<v Speaker 4>three songs on the charts. I got No Light, Turn

1:30:47.360 --> 1:30:51.880
<v Speaker 4>on the Lights and Mercy and Band's Maca Dance, you

1:30:51.920 --> 1:30:53.880
<v Speaker 4>know what I'm saying, Like all them on the line,

1:30:54.120 --> 1:30:56.760
<v Speaker 4>I mean, all them on the charts. But at the

1:30:56.840 --> 1:30:59.560
<v Speaker 4>same time we were broke, like we weren't getting no

1:30:59.560 --> 1:31:03.680
<v Speaker 4>money from like like like the publishing or whatever, like

1:31:03.800 --> 1:31:05.200
<v Speaker 4>all that kind of stuff, cause we didn't have our

1:31:05.240 --> 1:31:07.200
<v Speaker 4>business in order, you know what I'm saying, Like we're

1:31:07.240 --> 1:31:10.960
<v Speaker 4>getting it out the dirt. So it's like like even

1:31:11.000 --> 1:31:13.639
<v Speaker 4>when these companies is coming at me and saying like man,

1:31:13.880 --> 1:31:15.439
<v Speaker 4>we want to give you all this money right here.

1:31:15.439 --> 1:31:18.360
<v Speaker 4>It's like, nah, I gotta because I was I was

1:31:18.400 --> 1:31:20.040
<v Speaker 4>going to Georgia State. You know what I'm saying. I

1:31:20.120 --> 1:31:21.600
<v Speaker 4>went to Georgia State for a couple of years and

1:31:21.640 --> 1:31:23.599
<v Speaker 4>I learned the music business, you know what I'm saying.

1:31:23.960 --> 1:31:26.560
<v Speaker 4>And then I understood, like, Okay, I can go to

1:31:26.680 --> 1:31:28.439
<v Speaker 4>these companies and tell them what kind of business I

1:31:28.560 --> 1:31:30.320
<v Speaker 4>want to do with them, you know what I'm saying.

1:31:30.360 --> 1:31:31.920
<v Speaker 4>So I want to do a joint venture. You know

1:31:31.960 --> 1:31:33.600
<v Speaker 4>what I'm saying. I'm not going to go to you

1:31:33.680 --> 1:31:36.080
<v Speaker 4>and talk about doing the joint venture without already the

1:31:36.200 --> 1:31:39.240
<v Speaker 4>venture venturing, you know what I'm saying. And so now

1:31:39.400 --> 1:31:41.040
<v Speaker 4>I'm coming to you talking about like I want to

1:31:41.080 --> 1:31:42.960
<v Speaker 4>do a joint venture. But like you know what I'm saying,

1:31:43.120 --> 1:31:46.400
<v Speaker 4>my guys got placements too. Me and my guys got

1:31:46.439 --> 1:31:48.400
<v Speaker 4>placements too, you know what I'm saying. And we got

1:31:48.840 --> 1:31:50.559
<v Speaker 4>you know what I'm saying, We got underground placement, who

1:31:50.600 --> 1:31:53.200
<v Speaker 4>got radio placement, got olumplacement. Were just out here working.

1:31:53.280 --> 1:31:55.720
<v Speaker 4>This is without any you know what I'm saying, any

1:31:55.880 --> 1:32:00.679
<v Speaker 4>like entries to the room or like a like any

1:32:00.760 --> 1:32:06.320
<v Speaker 4>kind of people ushering, no ushering, it's just like us

1:32:06.479 --> 1:32:09.920
<v Speaker 4>just working hard. So Boom, so we had it. So

1:32:10.960 --> 1:32:13.439
<v Speaker 4>certain companies like, hey, man, we only want to sign you.

1:32:13.800 --> 1:32:16.360
<v Speaker 4>You know what I'm saying. The certain companies like, man,

1:32:16.400 --> 1:32:18.080
<v Speaker 4>if we give you adventure, we're only gonna give you

1:32:18.160 --> 1:32:20.680
<v Speaker 4>this all right, I'm gonna just hold out. We're just

1:32:20.720 --> 1:32:23.240
<v Speaker 4>gonna stay broke, you know what I'm saying until y'all

1:32:23.320 --> 1:32:25.160
<v Speaker 4>come all the way right. You know what I'm saying,

1:32:25.160 --> 1:32:28.000
<v Speaker 4>Because if we do somewhere anybody, we need to have

1:32:28.200 --> 1:32:31.360
<v Speaker 4>like we're doing something with y'all to have financial freedom,

1:32:31.880 --> 1:32:33.240
<v Speaker 4>you know what I'm saying. So then we can lock

1:32:33.320 --> 1:32:35.840
<v Speaker 4>in and do what we do best, like you feel me.

1:32:36.240 --> 1:32:39.160
<v Speaker 4>So that's what we're trying to do. So boom shout

1:32:39.200 --> 1:32:41.400
<v Speaker 4>out to Big John. He was leaving I and my

1:32:43.600 --> 1:32:45.679
<v Speaker 4>and then he was going to Wanner and he told

1:32:45.760 --> 1:32:47.559
<v Speaker 4>me when he was when he was making that move,

1:32:47.640 --> 1:32:49.560
<v Speaker 4>he was like, hey, bro, I don't do nothing but

1:32:49.720 --> 1:32:51.599
<v Speaker 4>nobody like you know what I'm saying. I know everybody

1:32:51.680 --> 1:32:53.760
<v Speaker 4>call you, but man, I want to. I want to.

1:32:54.000 --> 1:32:55.639
<v Speaker 4>I want to you know what I'm saying. I want

1:32:55.680 --> 1:32:57.360
<v Speaker 4>to get get it right with you know what I'm saying.

1:32:57.600 --> 1:33:01.120
<v Speaker 4>And it was, and it was other other executives that

1:33:01.240 --> 1:33:03.840
<v Speaker 4>really believed in me, like even with Ethiopia, like she

1:33:04.280 --> 1:33:07.840
<v Speaker 4>connected me with my manager DJ, which is Jimmy Elban's nephew,

1:33:08.160 --> 1:33:11.360
<v Speaker 4>because Ethiopia met me and knew I ain't had no manager.

1:33:11.240 --> 1:33:14.120
<v Speaker 3>D Jimmy el Bean's nephew, nephew.

1:33:14.280 --> 1:33:18.320
<v Speaker 4>Yeah. Yeah, So Ethiopia, she she knew, like, okay, man,

1:33:18.360 --> 1:33:20.560
<v Speaker 4>this young dude got the division and he got his

1:33:20.640 --> 1:33:22.920
<v Speaker 4>stuff going and he got business by this, so he

1:33:23.120 --> 1:33:26.000
<v Speaker 4>just need a manager. And then she told DJ, like, man,

1:33:26.040 --> 1:33:28.080
<v Speaker 4>you should go to Atlanta and meet with this kid

1:33:28.200 --> 1:33:30.519
<v Speaker 4>Mike Will. Like, man, he not signing nobody or nothing,

1:33:30.560 --> 1:33:32.320
<v Speaker 4>but he making a lot of noise and he's smart,

1:33:32.680 --> 1:33:34.320
<v Speaker 4>and it's like I like what he I liked what

1:33:34.400 --> 1:33:37.519
<v Speaker 4>he building. And then DJ was already known for managing

1:33:37.600 --> 1:33:41.120
<v Speaker 4>like Polo, you know what I'm saying, boy, wonder hit boy,

1:33:41.120 --> 1:33:42.640
<v Speaker 4>you know what I'm saying, Different people like that. So

1:33:42.720 --> 1:33:44.560
<v Speaker 4>it's like at the end of the day, it's like

1:33:45.360 --> 1:33:48.439
<v Speaker 4>he was already like a like a manager for producers

1:33:48.479 --> 1:33:51.800
<v Speaker 4>and everything. So DJ flied to Atlanta and then we

1:33:51.920 --> 1:33:54.519
<v Speaker 4>chopped it up and then I just told him like, hey,

1:33:54.600 --> 1:33:57.320
<v Speaker 4>look all these companies coming at me right now, Everybody

1:33:57.400 --> 1:33:59.360
<v Speaker 4>talking to me about management, all this kind of shit.

1:33:59.560 --> 1:34:02.040
<v Speaker 4>I'm trying to see who's the first person who's gonna

1:34:02.120 --> 1:34:04.439
<v Speaker 4>go give me this joint venture that I'm talking about.

1:34:04.640 --> 1:34:06.240
<v Speaker 4>So me and my boys ain't got worried about no

1:34:06.320 --> 1:34:09.599
<v Speaker 4>money and we could just focus on just like locking

1:34:09.640 --> 1:34:12.120
<v Speaker 4>in on the and we get access to them because

1:34:12.200 --> 1:34:15.560
<v Speaker 4>we got hits from from Gucci Man to Disney, like

1:34:15.720 --> 1:34:17.200
<v Speaker 4>you don't matter who you put us in with you

1:34:17.439 --> 1:34:18.680
<v Speaker 4>you know what I'm saying. We got it, like you

1:34:18.720 --> 1:34:20.759
<v Speaker 4>know what I'm saying. And this before we had anything

1:34:20.800 --> 1:34:22.920
<v Speaker 4>on the radio. So DJ was like, all right, shit,

1:34:22.960 --> 1:34:24.559
<v Speaker 4>I'm gonna get it done, like you know what I'm saying.

1:34:24.840 --> 1:34:26.840
<v Speaker 4>So he started working on getting it done. But then

1:34:27.600 --> 1:34:30.200
<v Speaker 4>Big John saw how long I was holding out on it,

1:34:30.680 --> 1:34:33.080
<v Speaker 4>to the point where Big John was like, man, I bro,

1:34:33.200 --> 1:34:34.960
<v Speaker 4>when I made this move, this is the first move

1:34:35.000 --> 1:34:36.720
<v Speaker 4>I'm finna do. Bro. I see what I see how

1:34:36.760 --> 1:34:38.760
<v Speaker 4>you keep building it, you know what I'm saying. And

1:34:38.880 --> 1:34:41.200
<v Speaker 4>then next thing you know, him and Ryan Press flew

1:34:41.240 --> 1:34:43.200
<v Speaker 4>me out to La you know what I'm saying, and

1:34:43.439 --> 1:34:45.280
<v Speaker 4>they wouldn't let me lead till we got the deal. Done.

1:34:45.320 --> 1:34:49.400
<v Speaker 4>I was just I was just negotiating. I was negotiating.

1:34:50.240 --> 1:34:52.360
<v Speaker 4>I don't even know what. Yeah, I ain't know what

1:34:53.120 --> 1:34:55.680
<v Speaker 4>it was. Necessarily I'm negotiating it. But they wanted to

1:34:55.720 --> 1:34:57.400
<v Speaker 4>do it. They're like, man, I bro, look we believe

1:34:57.439 --> 1:34:59.640
<v Speaker 4>in you. So whatever you're doing. So they bless me

1:35:00.160 --> 1:35:02.720
<v Speaker 4>and bless my guys and then started putting this like

1:35:03.360 --> 1:35:05.400
<v Speaker 4>in writing camps, and so they set up a meeting.

1:35:06.280 --> 1:35:08.080
<v Speaker 4>They were set up for meeting with me in New

1:35:08.160 --> 1:35:10.439
<v Speaker 4>York with all the labels. This is my first time

1:35:10.479 --> 1:35:12.720
<v Speaker 4>in New York in the winter time. I go up

1:35:12.720 --> 1:35:15.200
<v Speaker 4>there and try to treat it like Atlanta, like with

1:35:15.360 --> 1:35:18.200
<v Speaker 4>the thumbs in like a jogging suit. Like I'm thinking

1:35:18.240 --> 1:35:18.920
<v Speaker 4>I'm in Atlanta.

1:35:19.120 --> 1:35:21.040
<v Speaker 3>But I learned so many shorts out there, so I

1:35:21.160 --> 1:35:21.680
<v Speaker 3>understand you.

1:35:22.040 --> 1:35:25.920
<v Speaker 4>Man, that ship humble me. Man, that ship was like

1:35:26.520 --> 1:35:28.800
<v Speaker 4>the wind was cutting through my bones. So I had this.

1:35:29.040 --> 1:35:31.720
<v Speaker 4>I had this last meeting. It was when the sun

1:35:31.880 --> 1:35:34.360
<v Speaker 4>was down. There was too cold outside. So Ryan Press

1:35:34.479 --> 1:35:36.000
<v Speaker 4>was like, man, we got one more meeting with RCA.

1:35:36.760 --> 1:35:38.960
<v Speaker 4>I'm like, nah, bro, I'm not going back outside, and

1:35:39.080 --> 1:35:40.960
<v Speaker 4>he was like, man, you gotta go to this one.

1:35:41.000 --> 1:35:43.120
<v Speaker 4>Like the whole staff is there and like they kept

1:35:43.160 --> 1:35:45.000
<v Speaker 4>the staff overtime, like you know what I'm saying, Like

1:35:45.080 --> 1:35:46.880
<v Speaker 4>this is just will be a good one. Like I'm like, bro,

1:35:47.000 --> 1:35:49.000
<v Speaker 4>it's too cold, bro, like you know what I'm saying.

1:35:49.040 --> 1:35:51.439
<v Speaker 4>My manager had to call DJ. He like, man, bro,

1:35:52.160 --> 1:35:53.760
<v Speaker 4>this is just this will be a good this is

1:35:53.760 --> 1:35:55.880
<v Speaker 4>a bit. So I'm like, man, Okay, there's people who

1:35:55.920 --> 1:35:58.200
<v Speaker 4>I'm newly in business with. I can't just be stubborn,

1:35:58.320 --> 1:35:59.680
<v Speaker 4>like you know what I'm saying, and I'm up here

1:35:59.680 --> 1:36:02.400
<v Speaker 4>in New York or fuck it, like you know what

1:36:02.439 --> 1:36:05.439
<v Speaker 4>I'm saying. Boom, go getting there, Go get in the car. Boom.

1:36:05.479 --> 1:36:07.960
<v Speaker 4>We go to the motherfucking We go to the motherfucking

1:36:08.000 --> 1:36:10.639
<v Speaker 4>meeting and then they showed me a bunch of artists

1:36:10.680 --> 1:36:13.040
<v Speaker 4>and then I played and we can't Stop. And it's

1:36:13.080 --> 1:36:15.640
<v Speaker 4>crazy because I had just told my manager like two

1:36:15.680 --> 1:36:17.360
<v Speaker 4>weeks before, like man, I was trying to get that

1:36:17.479 --> 1:36:20.000
<v Speaker 4>song to Miley Cyrus. I'm like, man, this song remind

1:36:20.040 --> 1:36:25.400
<v Speaker 4>me of like Party in the USA, and so boom,

1:36:25.560 --> 1:36:28.080
<v Speaker 4>we had that meeting with RCA. They heard we Can't

1:36:28.120 --> 1:36:30.120
<v Speaker 4>Stop and they're like, yo, this would be good for

1:36:30.240 --> 1:36:32.679
<v Speaker 4>Miley Cyrus. And I was like, man, I'll be perfect,

1:36:32.800 --> 1:36:34.880
<v Speaker 4>Like because I ain't know what artists was signed where,

1:36:35.320 --> 1:36:37.720
<v Speaker 4>so I ain't know Miley Cyrus was signed over there.

1:36:37.840 --> 1:36:39.320
<v Speaker 4>So they were like, man, this would be good for one.

1:36:39.360 --> 1:36:41.800
<v Speaker 4>I'm like, hey, I'll be perfect. So Boom gave them

1:36:41.840 --> 1:36:44.000
<v Speaker 4>the song you know what I'm saying. They played it

1:36:44.080 --> 1:36:46.280
<v Speaker 4>for her. She heard it. She was like, man, damn,

1:36:46.280 --> 1:36:48.760
<v Speaker 4>this remind me of like a party I went to, like,

1:36:48.880 --> 1:36:50.639
<v Speaker 4>it just sounds fun, like you know what I'm saying.

1:36:50.960 --> 1:36:52.600
<v Speaker 4>So she was trying to cut that one, you know

1:36:52.640 --> 1:36:54.400
<v Speaker 4>what I'm saying, And then we got in the sitdio.

1:36:54.479 --> 1:36:58.280
<v Speaker 4>We cut that one and we did twenty three. Yeah real,

1:37:00.080 --> 1:37:03.280
<v Speaker 4>thank you for bringing that full. Yeah, we've been on track.

1:37:03.280 --> 1:37:04.000
<v Speaker 3>You brought it back.

1:37:04.240 --> 1:37:06.080
<v Speaker 4>No, no, no, I was just I was just let

1:37:06.160 --> 1:37:09.120
<v Speaker 4>y'all know the whole thing. Can you said, let them

1:37:09.120 --> 1:37:13.000
<v Speaker 4>know about the the v y'all told me, y'all, y'all

1:37:13.040 --> 1:37:13.920
<v Speaker 4>asked me about two.

1:37:15.200 --> 1:37:17.160
<v Speaker 3>You brought it back because I was with the ventures

1:37:17.920 --> 1:37:20.840
<v Speaker 3>still three more were good. We're good.

1:37:21.200 --> 1:37:25.360
<v Speaker 4>Three more all right? And by the way, man, I

1:37:25.400 --> 1:37:27.680
<v Speaker 4>don't want to keep elaborating on this, but it's like

1:37:28.520 --> 1:37:30.200
<v Speaker 4>Mighty didn't want to rap that night, you know, what

1:37:30.240 --> 1:37:32.880
<v Speaker 4>I'm saying. She didn't want to write. She didn't want

1:37:32.880 --> 1:37:35.120
<v Speaker 4>to She didn't come in there and say, hey, I

1:37:35.200 --> 1:37:37.160
<v Speaker 4>want to make a rap song like it was we

1:37:37.320 --> 1:37:40.000
<v Speaker 4>Can't Start, We Can't Stop as a singing record. To her,

1:37:40.120 --> 1:37:42.000
<v Speaker 4>that just sounded fun, Like you know what I'm saying,

1:37:42.040 --> 1:37:45.880
<v Speaker 4>that that record just sound fun. But like and in

1:37:46.000 --> 1:37:49.479
<v Speaker 4>my mind as a producer, like you know, we producers,

1:37:49.520 --> 1:37:51.640
<v Speaker 4>we see like these pictures and we see like these

1:37:51.640 --> 1:37:53.840
<v Speaker 4>bigger pictures and we're trying to we're trying to push

1:37:53.880 --> 1:37:56.439
<v Speaker 4>towards something. So during that time, I was trying, we

1:37:56.479 --> 1:37:57.920
<v Speaker 4>were trying to like me and my start, we were

1:37:57.920 --> 1:38:01.360
<v Speaker 4>trying to do something like like trap pop, like some

1:38:01.520 --> 1:38:03.559
<v Speaker 4>trap pop kind of vibes, Like we're trying to push

1:38:03.600 --> 1:38:07.000
<v Speaker 4>the trap sound as pop as possible and see how

1:38:07.080 --> 1:38:08.640
<v Speaker 4>far we could push it. Because at the end of

1:38:08.680 --> 1:38:11.960
<v Speaker 4>the day, anybody like my age younger, like we all

1:38:12.040 --> 1:38:15.160
<v Speaker 4>grew up on MTV, v H one, you know what

1:38:15.200 --> 1:38:17.120
<v Speaker 4>I'm saying, We all grew up on Nori Yeager, you

1:38:17.160 --> 1:38:26.640
<v Speaker 4>know what I'm saying. Like, but but at the end

1:38:26.680 --> 1:38:29.479
<v Speaker 4>of the day, no so real ship shout out to Miley.

1:38:29.600 --> 1:38:33.000
<v Speaker 4>She believed in the vision, like she didn't. She didn't

1:38:33.000 --> 1:38:34.760
<v Speaker 4>look at it. She didn't look at it in no

1:38:34.920 --> 1:38:37.280
<v Speaker 4>kind of way like, oh, he's not big enough for

1:38:37.360 --> 1:38:39.920
<v Speaker 4>he's not small enough. Like she already doing what she

1:38:40.040 --> 1:38:41.720
<v Speaker 4>was doing. She ain't have to do, she ain't have

1:38:41.800 --> 1:38:43.880
<v Speaker 4>to try ship. She already told me, Like, man, I

1:38:43.920 --> 1:38:47.360
<v Speaker 4>don't I don't want she said, I don't want to

1:38:47.400 --> 1:38:48.880
<v Speaker 4>rap because I don't want people to I don't want

1:38:48.920 --> 1:38:50.479
<v Speaker 4>to compute my fans. I don't want them to think

1:38:50.479 --> 1:38:52.840
<v Speaker 4>that I'm trying to like this way. I'm like, there

1:38:52.880 --> 1:38:55.960
<v Speaker 4>could be yeah, but I'm like, man, but look, I

1:38:56.000 --> 1:38:59.080
<v Speaker 4>already got this verse from Juicy J and wiz Man.

1:38:59.120 --> 1:39:01.120
<v Speaker 4>I already had to I'm like, I already got a

1:39:01.200 --> 1:39:04.160
<v Speaker 4>verse written from Tran, I got this hook written from Tron,

1:39:04.720 --> 1:39:07.000
<v Speaker 4>one of the greatest songwriters of all time. Salute the

1:39:07.160 --> 1:39:10.439
<v Speaker 4>Tron rock City. You know what I'm saying, And I'm like, man,

1:39:10.640 --> 1:39:12.479
<v Speaker 4>I sit in here with you. We can go line

1:39:12.520 --> 1:39:14.360
<v Speaker 4>for line till we get it right. But I feel

1:39:14.400 --> 1:39:16.320
<v Speaker 4>like this would be so hard. If you do this, man,

1:39:16.439 --> 1:39:19.040
<v Speaker 4>like it, it'll be game changing. Like you know what

1:39:19.040 --> 1:39:22.120
<v Speaker 4>I'm saying, It'll be like when like Britney Spears did,

1:39:22.240 --> 1:39:25.200
<v Speaker 4>like any kind of different record than when Justin Timberlate

1:39:25.280 --> 1:39:27.960
<v Speaker 4>came with like sexy back like man like this this

1:39:28.080 --> 1:39:29.720
<v Speaker 4>is this will like break the mold, you know what

1:39:29.720 --> 1:39:38.040
<v Speaker 4>I'm saying. So yeah, world up man. So that that

1:39:38.160 --> 1:39:41.200
<v Speaker 4>was then introduction to trap pop, that ship global, you

1:39:41.240 --> 1:39:47.200
<v Speaker 4>know what I'm saying. So shout out to slip rip

1:39:47.320 --> 1:39:50.800
<v Speaker 4>man for real for you know what I'm saying. Like

1:39:50.840 --> 1:39:52.559
<v Speaker 4>I'm just saying, getting paid.

1:39:53.880 --> 1:39:56.679
<v Speaker 3>Off the record.

1:39:56.880 --> 1:39:59.000
<v Speaker 4>Yeah that's right.

1:40:00.040 --> 1:40:06.400
<v Speaker 3>Yeah, yeah, all right, Zetoven or Sunny Digital.

1:40:07.320 --> 1:40:12.200
<v Speaker 4>I am. We gotta toest man. You gotta take a

1:40:12.320 --> 1:40:15.040
<v Speaker 4>toe my big brother and my little brother, man, you

1:40:15.080 --> 1:40:17.000
<v Speaker 4>know what I'm saying, love them both.

1:40:19.040 --> 1:40:20.920
<v Speaker 3>All right south side of lex Luga.

1:40:22.280 --> 1:40:26.400
<v Speaker 4>Mine, we're gonna go on that one man, We're gonna

1:40:26.400 --> 1:40:29.120
<v Speaker 4>go Sizzle Man. Shout out to Sizzle. You know what

1:40:29.160 --> 1:40:31.559
<v Speaker 4>I'm saying. That's the first. That's the first other young

1:40:31.640 --> 1:40:33.519
<v Speaker 4>nigga I seen come on the on the scene like

1:40:34.280 --> 1:40:36.439
<v Speaker 4>right after me. Like I remember when walking met him.

1:40:37.040 --> 1:40:38.880
<v Speaker 4>You know what I'm saying, I remember when walking back

1:40:39.640 --> 1:40:41.880
<v Speaker 4>Lex Luga too. I really got a toast to it.

1:40:41.880 --> 1:40:43.439
<v Speaker 4>I just don't want to get y'all too drunk, you

1:40:43.479 --> 1:40:47.880
<v Speaker 4>know what I'm saying. But yeah, yeah, we really got

1:40:47.920 --> 1:40:49.160
<v Speaker 4>a toast to that. You know what I'm saying, Cause

1:40:49.160 --> 1:40:51.559
<v Speaker 4>I remember I remember when Walking met both of them.

1:40:53.960 --> 1:40:57.160
<v Speaker 4>So like after after me and Walker was moving around

1:40:57.560 --> 1:41:04.280
<v Speaker 4>and and and we're doing everything like with Gucci, cause

1:41:04.280 --> 1:41:07.439
<v Speaker 4>that's when Gucci started doing like no Paying, No Pencil

1:41:07.479 --> 1:41:09.240
<v Speaker 4>Traple Harll is like a lot of that mixtape. So

1:41:10.160 --> 1:41:11.439
<v Speaker 4>and like you know what I'm saying, he was just

1:41:11.520 --> 1:41:14.479
<v Speaker 4>like going crazy and just freestyling on my tracks. And

1:41:15.600 --> 1:41:17.679
<v Speaker 4>at this point, like man, he's saying walk and flock

1:41:17.720 --> 1:41:20.479
<v Speaker 4>and flying. He's saying Mike Will made it like he's saying,

1:41:20.520 --> 1:41:21.880
<v Speaker 4>like you're fucking with us, you know what I'm saying.

1:41:21.920 --> 1:41:24.080
<v Speaker 4>So it's like, hey, man, we could do something bigger

1:41:24.120 --> 1:41:26.800
<v Speaker 4>than like being these little young dudes. Say you know

1:41:26.840 --> 1:41:28.800
<v Speaker 4>what I'm saying, keep getting into like the fights in

1:41:28.840 --> 1:41:30.720
<v Speaker 4>the club and all this kind of shit, Like man,

1:41:30.760 --> 1:41:33.560
<v Speaker 4>Gucci Man really going rock star status, bro, Like you

1:41:33.600 --> 1:41:35.120
<v Speaker 4>know what I'm saying, We can really take this ship

1:41:35.479 --> 1:41:37.960
<v Speaker 4>on somewhere. So it's like I'm telling Walker, like, bro,

1:41:38.040 --> 1:41:40.320
<v Speaker 4>you need a rap, you know what I'm saying. He like, man,

1:41:40.360 --> 1:41:42.400
<v Speaker 4>everybody keep telling me that, bro, Like man, I ain't

1:41:42.439 --> 1:41:44.479
<v Speaker 4>fit the ramp like, man, I ain't with all that whoo.

1:41:45.000 --> 1:41:48.160
<v Speaker 4>So one day he called me, He's like, bro, I

1:41:48.240 --> 1:41:51.200
<v Speaker 4>did my first rap song. Bro like ooh yeah. I'm like,

1:41:51.280 --> 1:41:53.519
<v Speaker 4>I'm like for real. And then he like he like, man,

1:41:53.520 --> 1:41:55.200
<v Speaker 4>I'm like, let me hear. You're like, man, you gotta

1:41:55.240 --> 1:41:57.120
<v Speaker 4>hear this ship. Bro, you gotta hear this ship. So

1:41:57.200 --> 1:41:59.599
<v Speaker 4>he playing me that we on the way and I'm

1:41:59.640 --> 1:42:02.080
<v Speaker 4>hearing that. I'm like, I'm like, I'm like damn. I'm like, bro,

1:42:02.160 --> 1:42:04.280
<v Speaker 4>you really just snapped. Bro. He was like, hey, Bro,

1:42:04.400 --> 1:42:06.280
<v Speaker 4>I'm like, who the hell made that beat? And he

1:42:06.439 --> 1:42:08.120
<v Speaker 4>was like he was like, Bro, it's this. Your nigga

1:42:08.120 --> 1:42:10.599
<v Speaker 4>ain't south Side, but I just make this young nigga Broke.

1:42:10.600 --> 1:42:12.160
<v Speaker 4>He mind me up, Broke here mind me and you.

1:42:12.280 --> 1:42:14.920
<v Speaker 4>When I first met you, Bro like, Bro, I'm telling you, bro,

1:42:15.040 --> 1:42:16.800
<v Speaker 4>he gonna heat. Hey, I need to I need to

1:42:16.880 --> 1:42:18.599
<v Speaker 4>introduce y'all to each other. You know what I'm saying,

1:42:18.680 --> 1:42:19.559
<v Speaker 4>y'all niggas together.

1:42:19.640 --> 1:42:22.759
<v Speaker 3>Bro knows the same people.

1:42:23.240 --> 1:42:26.080
<v Speaker 4>South Side started eight away in my Yeah, yeah, you

1:42:26.120 --> 1:42:27.800
<v Speaker 4>know what I'm saying. He was like, man, he was like, man,

1:42:28.280 --> 1:42:30.880
<v Speaker 4>when I introduced y'all, Bro, Like, Bro, that shit gonna

1:42:30.880 --> 1:42:33.960
<v Speaker 4>be like game changing, bro Like and then you know

1:42:33.960 --> 1:42:35.560
<v Speaker 4>what I'm saying, he had linked me and me in

1:42:35.680 --> 1:42:38.439
<v Speaker 4>south Side up and then Boom, me in south Side

1:42:38.479 --> 1:42:40.920
<v Speaker 4>were like we always were rocking, you know what I'm saying.

1:42:41.040 --> 1:42:42.600
<v Speaker 4>And it was crazy because his mom was trying to

1:42:42.640 --> 1:42:44.639
<v Speaker 4>put me south Side and Alex Luger in the group.

1:42:45.280 --> 1:42:48.320
<v Speaker 4>You know what I'm saying. Like that that's how Dal

1:42:48.400 --> 1:42:51.160
<v Speaker 4>had the vision, you know what I'm saying. But then like, yeah,

1:42:51.320 --> 1:42:52.920
<v Speaker 4>they have had the vision. Dal was trying to put

1:42:53.000 --> 1:42:54.640
<v Speaker 4>me south Side and Lex in the group. You know

1:42:54.720 --> 1:42:56.760
<v Speaker 4>what I'm saying. That would have been super crazy. But

1:42:56.880 --> 1:42:59.200
<v Speaker 4>that was around the time I started Ear Drummers, you

1:42:59.240 --> 1:43:01.439
<v Speaker 4>know what I'm saying. So it was another executive that

1:43:01.640 --> 1:43:06.400
<v Speaker 4>was running the production company for there, and so he

1:43:07.080 --> 1:43:10.560
<v Speaker 4>everybody else just signed their contracts. Like with me, I

1:43:10.880 --> 1:43:12.960
<v Speaker 4>already had a lawyer. I already had like family that

1:43:13.160 --> 1:43:15.400
<v Speaker 4>was lawyers. You know what I'm saying. Boom, we like,

1:43:15.439 --> 1:43:16.880
<v Speaker 4>you know what I'm saying. We looked over it and

1:43:16.960 --> 1:43:19.439
<v Speaker 4>then I was just letting that executive know like, man,

1:43:19.520 --> 1:43:21.960
<v Speaker 4>this isn't gonna work because I'm trying to start something

1:43:22.000 --> 1:43:24.519
<v Speaker 4>called Ear Drummers, and I can't like turn my back

1:43:24.600 --> 1:43:26.120
<v Speaker 4>on my guys, Like you know what I'm saying, but

1:43:26.200 --> 1:43:29.120
<v Speaker 4>I feel like I need to do this. I feel

1:43:29.120 --> 1:43:30.840
<v Speaker 4>like I need to do this too, like you know

1:43:30.880 --> 1:43:32.760
<v Speaker 4>what I'm saying, because like, like you know what I'm saying,

1:43:33.040 --> 1:43:35.519
<v Speaker 4>goos Walker, everybody embraced me, you know what I'm saying,

1:43:35.560 --> 1:43:36.840
<v Speaker 4>So I want to get it right, but I want

1:43:36.880 --> 1:43:39.559
<v Speaker 4>to do it like this, and like that dude kind

1:43:39.600 --> 1:43:41.679
<v Speaker 4>of like just he didn't really know me. We ain't

1:43:41.680 --> 1:43:43.680
<v Speaker 4>have we didn't really have a relationship, like I have

1:43:43.800 --> 1:43:46.240
<v Speaker 4>more relationship like walking there, you know what I'm saying.

1:43:46.240 --> 1:43:47.760
<v Speaker 4>So he kind of like just shrugged me off, you

1:43:47.800 --> 1:43:49.920
<v Speaker 4>know what I'm saying. And then at that point it

1:43:50.000 --> 1:43:52.120
<v Speaker 4>was like that's when I want to meet, like like

1:43:52.800 --> 1:43:55.000
<v Speaker 4>to change in future, you know what I'm saying. But

1:43:56.200 --> 1:43:59.519
<v Speaker 4>Dare she always been a real anti real family to me,

1:43:59.720 --> 1:44:01.680
<v Speaker 4>Like you know what I'm saying. Her brother Joe is

1:44:01.760 --> 1:44:04.240
<v Speaker 4>like my man, one of my closest mentors. Like we

1:44:04.360 --> 1:44:06.800
<v Speaker 4>talk every single day, you know what I'm saying, since

1:44:07.200 --> 1:44:09.000
<v Speaker 4>by since two thousand and seven, Like you know what

1:44:09.040 --> 1:44:12.160
<v Speaker 4>I'm saying, And like, man, they whole family, Like you

1:44:12.160 --> 1:44:13.560
<v Speaker 4>know what I'm saying, and braced me. So it's like

1:44:14.120 --> 1:44:16.000
<v Speaker 4>it's deeper than rap, like you know what I'm saying

1:44:16.040 --> 1:44:17.839
<v Speaker 4>with them or whatnot.

1:44:18.160 --> 1:44:20.280
<v Speaker 3>So let me let me ask you lord to you

1:44:20.400 --> 1:44:20.880
<v Speaker 3>or respect?

1:44:23.479 --> 1:44:32.599
<v Speaker 4>Respect? Whys out there?

1:44:32.640 --> 1:44:32.760
<v Speaker 2>Bro?

1:44:37.800 --> 1:44:40.560
<v Speaker 4>I don't have the exact way of answering this, but

1:44:41.320 --> 1:44:54.080
<v Speaker 4>gyaltier respect. I probably say respect because it's like I

1:44:54.120 --> 1:44:56.040
<v Speaker 4>don't know how to break it down. As long as

1:44:56.080 --> 1:44:58.479
<v Speaker 4>as long as as long as long as you respect me.

1:44:58.560 --> 1:45:00.560
<v Speaker 4>It's like it's some kind of loyalty that there, Like,

1:45:00.640 --> 1:45:03.600
<v Speaker 4>you know what I'm saying, respect that you feel me like,

1:45:04.160 --> 1:45:06.280
<v Speaker 4>as long as you respect me, it gotta be some

1:45:06.400 --> 1:45:09.000
<v Speaker 4>type of loyalty there because you're not you're not crossing

1:45:09.040 --> 1:45:11.680
<v Speaker 4>the line of disrespect, you know what I'm saying. And

1:45:12.160 --> 1:45:15.360
<v Speaker 4>I don't know, like everybody gonna have their own definitions

1:45:15.400 --> 1:45:19.360
<v Speaker 4>of loyalty, you know what I'm saying. But but respect

1:45:19.400 --> 1:45:23.280
<v Speaker 4>and respect, I don't really have a correct way of

1:45:23.720 --> 1:45:26.880
<v Speaker 4>answering that. But that's that's what I would say. Yeah,

1:45:27.640 --> 1:45:28.200
<v Speaker 4>all right, so.

1:45:28.320 --> 1:45:29.160
<v Speaker 3>Now take a shot.

1:45:30.800 --> 1:45:32.760
<v Speaker 4>I forgot that that was that same game. I thought

1:45:32.800 --> 1:45:35.080
<v Speaker 4>this was me just throwing something out there. That's the

1:45:35.160 --> 1:45:42.960
<v Speaker 4>same game that came.

1:45:43.680 --> 1:45:50.520
<v Speaker 3>Yeah, we always say both the white, we say both, Okay.

1:45:52.160 --> 1:45:55.840
<v Speaker 4>My bad, ive been, my bad. I've been I've been

1:45:55.920 --> 1:45:57.519
<v Speaker 4>drinking and smoking. I thought we were on to the

1:45:57.560 --> 1:46:00.519
<v Speaker 4>other but the other game, Yeah, definitely take a shot

1:46:00.600 --> 1:46:00.920
<v Speaker 4>to that one.

1:46:01.120 --> 1:46:05.439
<v Speaker 3>This is what we'd like to ask you. I'm humble,

1:46:07.960 --> 1:46:08.880
<v Speaker 3>how did this happen?

1:46:09.640 --> 1:46:12.680
<v Speaker 4>So humble? You know what I'm saying. Shout out to

1:46:12.760 --> 1:46:16.240
<v Speaker 4>Kendrick Man. He had reshot to me and and told me,

1:46:16.400 --> 1:46:19.320
<v Speaker 4>like man, he was about to start a new project.

1:46:20.400 --> 1:46:25.200
<v Speaker 4>So boom, he comes comes to the studio, spends a

1:46:25.280 --> 1:46:27.639
<v Speaker 4>whole but my matter of fact, comes to my crib

1:46:27.800 --> 1:46:32.120
<v Speaker 4>in La, spends them the whole compound. I had a compound,

1:46:32.160 --> 1:46:34.800
<v Speaker 4>then I had a crib by La, and he came

1:46:34.880 --> 1:46:37.240
<v Speaker 4>over there and then he was just listening to beats

1:46:37.280 --> 1:46:40.840
<v Speaker 4>down there all day. Took a bunch of beats and

1:46:40.920 --> 1:46:43.200
<v Speaker 4>then he started like he started like sending me like

1:46:43.320 --> 1:46:46.800
<v Speaker 4>different videos and he was just like man, showing me

1:46:46.920 --> 1:46:50.000
<v Speaker 4>like different snippers of Humble, different snippers of DNA. And

1:46:50.080 --> 1:46:52.320
<v Speaker 4>then so I was like, man, Dawn, this ship hard.

1:46:52.479 --> 1:46:53.920
<v Speaker 4>Like man, when you get to La, I'm like, man,

1:46:54.120 --> 1:46:56.799
<v Speaker 4>be out there on such and such day, So boom,

1:46:57.080 --> 1:46:59.040
<v Speaker 4>when I get out there, I call him come to

1:46:59.160 --> 1:47:01.920
<v Speaker 4>the studio boone. He played me Humble, and he played

1:47:01.960 --> 1:47:04.920
<v Speaker 4>me DNA, and he played me x x six And

1:47:05.040 --> 1:47:08.080
<v Speaker 4>I'm like, man, my mom was just blown on all

1:47:08.160 --> 1:47:10.800
<v Speaker 4>three of them because that shit was like fireworks. It's

1:47:10.840 --> 1:47:13.679
<v Speaker 4>like they are three different directions, but it's like bright

1:47:13.720 --> 1:47:17.760
<v Speaker 4>as a motherfucker. So it's like he played me those

1:47:17.840 --> 1:47:21.720
<v Speaker 4>three and then Humble, Humble was one of them. You

1:47:21.760 --> 1:47:24.160
<v Speaker 4>know what I'm saying, Like I made that beat. It

1:47:24.280 --> 1:47:27.960
<v Speaker 4>was crazy. I had made that beat with my brother Plus.

1:47:28.479 --> 1:47:30.280
<v Speaker 4>I had pulled up on him at this studio like

1:47:30.520 --> 1:47:33.640
<v Speaker 4>around our way, like round and like the Mary of

1:47:33.680 --> 1:47:35.880
<v Speaker 4>the area, you know what I'm saying. He Plus was

1:47:35.920 --> 1:47:38.360
<v Speaker 4>already over there and I was just around that area.

1:47:38.520 --> 1:47:41.800
<v Speaker 4>So so boom, I heard Plus was in there. So

1:47:41.840 --> 1:47:44.200
<v Speaker 4>I pulled up to a studio, went in the studio,

1:47:44.800 --> 1:47:48.280
<v Speaker 4>and then boom, he was in there making beats. I

1:47:48.360 --> 1:47:50.280
<v Speaker 4>finished this one beat that he started on and then

1:47:50.280 --> 1:47:53.240
<v Speaker 4>he said he about to go outside smoking cigarette or whatever,

1:47:53.360 --> 1:47:55.880
<v Speaker 4>but he was taking a car, so boom, I literally

1:47:56.400 --> 1:47:59.680
<v Speaker 4>I literally started Humble cooked her Humble. He come in

1:47:59.720 --> 1:48:01.840
<v Speaker 4>the room. You know what I'm saying, He like, damn,

1:48:01.840 --> 1:48:04.800
<v Speaker 4>but he just made this right now, I'm like, man, hey, yeah, bro,

1:48:04.880 --> 1:48:06.760
<v Speaker 4>this shit going crazy, like you know what I'm saying.

1:48:07.120 --> 1:48:09.040
<v Speaker 4>And I knew like Gucci was on his way home,

1:48:09.439 --> 1:48:11.280
<v Speaker 4>so I was trying to make something like I was

1:48:11.360 --> 1:48:12.920
<v Speaker 4>just trying to get a whole pack that was just

1:48:13.120 --> 1:48:14.720
<v Speaker 4>urgent for Gucci, Like you know what I'm saying, Like

1:48:15.200 --> 1:48:16.880
<v Speaker 4>because he was his he was on his way home,

1:48:17.000 --> 1:48:19.360
<v Speaker 4>so like to me, that beat was just urgent. So

1:48:20.479 --> 1:48:22.240
<v Speaker 4>Plus came in there here like, man, it's hard, I'm

1:48:22.240 --> 1:48:24.280
<v Speaker 4>about to bounce this. I'm like, hell, no, bro, you go,

1:48:24.720 --> 1:48:26.920
<v Speaker 4>you gotta ask someone there. So he put the final

1:48:27.000 --> 1:48:29.120
<v Speaker 4>touches on that joint. And this is my brother from

1:48:29.120 --> 1:48:30.600
<v Speaker 4>eleventh grade. You know what I'm saying. This is what

1:48:30.680 --> 1:48:33.080
<v Speaker 4>I did. This is what I did formation with this?

1:48:33.200 --> 1:48:35.960
<v Speaker 4>What did love me with this? What I did like

1:48:36.000 --> 1:48:38.240
<v Speaker 4>a lot of classics with like he's an animal man,

1:48:38.280 --> 1:48:41.160
<v Speaker 4>shout out to Plus. You know what I'm saying. But yeah,

1:48:41.200 --> 1:48:43.519
<v Speaker 4>he had he added the final touches on that joint.

1:48:43.880 --> 1:48:48.559
<v Speaker 4>And then I remember like me and Gucci ended up

1:48:48.600 --> 1:48:50.599
<v Speaker 4>doing first day out of fat and then after first

1:48:50.680 --> 1:48:53.240
<v Speaker 4>day out of the fast, like Gucci just wanted straight,

1:48:53.600 --> 1:48:55.720
<v Speaker 4>straight like dark beats. He didn't want nothing else that

1:48:55.880 --> 1:48:59.200
<v Speaker 4>sounded like urgent on the radio, So he like he

1:48:59.320 --> 1:49:02.320
<v Speaker 4>might have heard a beat for Humble like once or twice,

1:49:02.360 --> 1:49:05.760
<v Speaker 4>but joint, it could have it could have been you

1:49:05.800 --> 1:49:08.360
<v Speaker 4>know what I'm saying. But you know, like producers, we

1:49:08.479 --> 1:49:11.519
<v Speaker 4>always got like a vision on who we want to

1:49:11.560 --> 1:49:13.280
<v Speaker 4>make the beat for. Like when I made easter Land

1:49:13.280 --> 1:49:15.200
<v Speaker 4>and six for Gucci back in the day, I was thinking, like,

1:49:15.280 --> 1:49:17.080
<v Speaker 4>I'm making a beat for dip set, you know what

1:49:17.080 --> 1:49:19.000
<v Speaker 4>I'm saying, And it's like, you know what I'm saying.

1:49:19.040 --> 1:49:21.200
<v Speaker 4>But then when Gucci was doing like in freestyle tapes,

1:49:21.200 --> 1:49:24.000
<v Speaker 4>it's like I played that beat and then he just

1:49:24.080 --> 1:49:26.439
<v Speaker 4>went in and snapped on that motherfucker and it's like, man,

1:49:26.520 --> 1:49:28.200
<v Speaker 4>this was this was like a hook. This is my

1:49:28.360 --> 1:49:30.960
<v Speaker 4>first joint. That's how I jumped off the porch and

1:49:31.080 --> 1:49:33.200
<v Speaker 4>this is a hood classic still to this day. You

1:49:33.240 --> 1:49:36.600
<v Speaker 4>know what I'm saying. Nineteen years later, you feel me up,

1:49:38.240 --> 1:49:41.360
<v Speaker 4>I got a producer. You might have a vision. But

1:49:41.840 --> 1:49:43.320
<v Speaker 4>I say all that to say, you might have a

1:49:43.439 --> 1:49:45.360
<v Speaker 4>vision as a producer, like I'm making a beat for

1:49:45.479 --> 1:49:47.679
<v Speaker 4>this person, but it might not be for that person,

1:49:48.040 --> 1:49:50.120
<v Speaker 4>Like you know what I'm saying, And sometimes it is

1:49:50.200 --> 1:49:54.040
<v Speaker 4>for that person. But but like that right there, Gucci

1:49:54.080 --> 1:49:55.680
<v Speaker 4>already knew like, man, I got first day out of

1:49:55.680 --> 1:49:58.519
<v Speaker 4>the fast all right, boom, I want to I want

1:49:58.560 --> 1:50:00.280
<v Speaker 4>to do all different beats like this and me and

1:50:00.400 --> 1:50:03.160
<v Speaker 4>they token started collabing and then we did everybody looking

1:50:03.200 --> 1:50:06.680
<v Speaker 4>in at that project came out dope and then Dog

1:50:06.800 --> 1:50:08.519
<v Speaker 4>was asking me for beats and I just felt like

1:50:08.560 --> 1:50:10.679
<v Speaker 4>that beat was always urgent, you know what I'm saying.

1:50:10.960 --> 1:50:14.479
<v Speaker 4>But to me also, I felt like that beat was like, damn,

1:50:14.600 --> 1:50:17.120
<v Speaker 4>this is like this guy like some West Coast vibe

1:50:17.160 --> 1:50:20.880
<v Speaker 4>to it. It sounded like some West Coast like you

1:50:20.920 --> 1:50:22.880
<v Speaker 4>know what I'm saying, d boys ship, But you know

1:50:22.920 --> 1:50:24.760
<v Speaker 4>what I'm saying, But it got like the trap vibe

1:50:24.800 --> 1:50:27.280
<v Speaker 4>to it perfect. I'm like, man, Kendrick are going crazy

1:50:27.320 --> 1:50:30.040
<v Speaker 4>on this ship and he got the vision fit perfectly.

1:50:30.560 --> 1:50:32.960
<v Speaker 4>Went dumb. You know what I'm saying, shout out the humble.

1:50:35.000 --> 1:50:37.400
<v Speaker 4>I should want that, I should want to post him.

1:50:38.320 --> 1:50:41.920
<v Speaker 3>And you said that you a school boy, surprised connected

1:50:41.960 --> 1:50:43.759
<v Speaker 3>you with Kendrick? Right, how did y'all you and school

1:50:43.760 --> 1:50:45.080
<v Speaker 3>with Q connect? Originally?

1:50:45.840 --> 1:50:47.639
<v Speaker 4>Originally that was through Brock.

1:50:47.560 --> 1:50:49.040
<v Speaker 3>And it seems like it's early TD.

1:50:49.400 --> 1:50:52.040
<v Speaker 4>Yeah, that was through Brock and Matt. You know what

1:50:52.040 --> 1:50:55.479
<v Speaker 4>I'm saying. They shot they connected me with Q and

1:50:56.439 --> 1:50:59.719
<v Speaker 4>and Dave three, and I was just sitting like brocking

1:50:59.760 --> 1:51:03.880
<v Speaker 4>Matt like a bunch of beats. And then my hating

1:51:03.960 --> 1:51:06.000
<v Speaker 4>joint ended up being one of the joints of school

1:51:06.000 --> 1:51:08.400
<v Speaker 4>Boy QT Pit and then they send it back and

1:51:08.439 --> 1:51:11.920
<v Speaker 4>I'm like, man, this dude hard as a motherfucker. Project

1:51:12.040 --> 1:51:13.840
<v Speaker 4>ended up dropping, And at that time, me and Q

1:51:14.040 --> 1:51:16.120
<v Speaker 4>used to just stay chopping it up. N whenever he

1:51:16.200 --> 1:51:18.000
<v Speaker 4>came to Atlanta, Like you know what I'm saying with

1:51:18.120 --> 1:51:20.800
<v Speaker 4>Lincoln go to some of the shows and different shit

1:51:20.920 --> 1:51:23.760
<v Speaker 4>like that, and we just kept a lot there like that,

1:51:23.960 --> 1:51:27.360
<v Speaker 4>like TD, that's family. And it's crazy before I even

1:51:27.439 --> 1:51:31.920
<v Speaker 4>came around, Like I think like DJ had something to

1:51:32.000 --> 1:51:37.439
<v Speaker 4>do with helping, Like no, no, DJ, Yeah, my manager DJ,

1:51:37.920 --> 1:51:40.640
<v Speaker 4>he had something to do with like like even with

1:51:40.800 --> 1:51:42.519
<v Speaker 4>TD coming in, like you know what I'm saying with

1:51:42.600 --> 1:51:45.679
<v Speaker 4>in the scope, So it's like this was always family.

1:51:45.720 --> 1:51:48.400
<v Speaker 4>It was always like one degree separation with Damn. They're

1:51:48.400 --> 1:51:50.760
<v Speaker 4>always working at the same studios and all that shit.

1:51:50.840 --> 1:51:55.040
<v Speaker 4>But like I'm happy, I'm happy, humble with landed, where

1:51:55.200 --> 1:51:57.439
<v Speaker 4>landed I'm happy. First day out of the fairs landed,

1:51:57.479 --> 1:51:59.599
<v Speaker 4>word landed. And it's like that's just how things end

1:51:59.680 --> 1:52:00.639
<v Speaker 4>up working their stuff out.

1:52:00.960 --> 1:52:01.960
<v Speaker 3>They went to the right places.

1:52:02.000 --> 1:52:07.639
<v Speaker 4>Man, pull it up? Mm hmm, how did that happen?

1:52:09.479 --> 1:52:10.000
<v Speaker 4>Poor it up?

1:52:10.080 --> 1:52:10.280
<v Speaker 12>Man?

1:52:11.120 --> 1:52:13.240
<v Speaker 4>That was a dope session, man, like that was that

1:52:13.360 --> 1:52:19.280
<v Speaker 4>was really that was Rihanna Wright in camp and I

1:52:19.400 --> 1:52:23.719
<v Speaker 4>was locked in with Tryan and p Nasty and Mars

1:52:23.880 --> 1:52:26.360
<v Speaker 4>and and then it was like, man, we worked on

1:52:26.400 --> 1:52:28.400
<v Speaker 4>a lot of different songs we worked on. We actually

1:52:28.479 --> 1:52:31.599
<v Speaker 4>worked on we Can't Stop, and like some more songs

1:52:31.720 --> 1:52:36.479
<v Speaker 4>during like during like like around that time, like just

1:52:36.840 --> 1:52:38.639
<v Speaker 4>in the in the vein of like man, we're gonna

1:52:39.040 --> 1:52:41.960
<v Speaker 4>we're gonna do something for like Rihanna or like just

1:52:42.040 --> 1:52:45.439
<v Speaker 4>a pop star you feel me and and Rihanna had

1:52:45.479 --> 1:52:47.840
<v Speaker 4>been working on the album for a minute and so

1:52:48.000 --> 1:52:49.960
<v Speaker 4>they were bands to Make a Dance was hot at

1:52:50.000 --> 1:52:54.920
<v Speaker 4>the time. So they were telling me like, man, yeah, yeah,

1:52:55.760 --> 1:52:58.160
<v Speaker 4>So they were just telling me, like, man, if Rihanna

1:52:58.240 --> 1:53:00.320
<v Speaker 4>get a female version of this song, man, like she

1:53:00.400 --> 1:53:02.560
<v Speaker 4>need like a song like this out of just like

1:53:02.680 --> 1:53:05.760
<v Speaker 4>because Bands of Maker Dance was like blue hot, like

1:53:06.320 --> 1:53:10.280
<v Speaker 4>it was just like everywhere, like everybody like, man, it's

1:53:10.360 --> 1:53:13.960
<v Speaker 4>still like, it's still so many remixes that I want

1:53:14.000 --> 1:53:16.160
<v Speaker 4>to hear that I never heard that I heard about,

1:53:16.520 --> 1:53:18.160
<v Speaker 4>you know what I'm saying for bands of Macca dance

1:53:19.000 --> 1:53:23.040
<v Speaker 4>or so anyway I had. I had this one beat

1:53:23.120 --> 1:53:25.240
<v Speaker 4>and I remember this specific beat because I tried to

1:53:25.280 --> 1:53:28.200
<v Speaker 4>give it to Walker and Walker was like, man, Bro,

1:53:28.280 --> 1:53:30.120
<v Speaker 4>you're trying to make me do a whole other bands

1:53:30.160 --> 1:53:31.880
<v Speaker 4>to make her dance. Brother, it beat something like bands

1:53:31.960 --> 1:53:33.840
<v Speaker 4>make a dance, you know what I'm saying. I remember

1:53:33.920 --> 1:53:35.720
<v Speaker 4>he said that, and I was just like, it's a

1:53:35.800 --> 1:53:38.320
<v Speaker 4>different beat, but it's like, so what, Bro, It's a

1:53:38.439 --> 1:53:40.479
<v Speaker 4>vibe like you know what I'm saying, Like Niggas was

1:53:40.520 --> 1:53:42.200
<v Speaker 4>doing that with Little Giant, but this is my brother,

1:53:42.360 --> 1:53:44.040
<v Speaker 4>just this Walker, So you're like, bro, give me some

1:53:44.120 --> 1:53:45.800
<v Speaker 4>whole new ship, like you know what I'm saying. So

1:53:45.960 --> 1:53:48.040
<v Speaker 4>when he said that, it stood out to me. And

1:53:48.120 --> 1:53:49.720
<v Speaker 4>then when they kept asking, like man, we want the

1:53:49.760 --> 1:53:51.880
<v Speaker 4>female version of bands to make her dance, It's like

1:53:51.960 --> 1:53:55.160
<v Speaker 4>I literally played that same beat for Taran. Taran just

1:53:55.240 --> 1:53:57.000
<v Speaker 4>walked it down quick.

1:53:57.600 --> 1:53:58.080
<v Speaker 3>And then.

1:54:00.160 --> 1:54:02.680
<v Speaker 4>Chris Brown, he had pulled up to the studio. You

1:54:02.760 --> 1:54:05.920
<v Speaker 4>know what I'm saying, and like he was listening to

1:54:05.960 --> 1:54:07.800
<v Speaker 4>a bunch of different records and he ended up coming

1:54:07.840 --> 1:54:08.240
<v Speaker 4>in the room.

1:54:08.720 --> 1:54:10.360
<v Speaker 3>Fantastic thing.

1:54:12.520 --> 1:54:14.800
<v Speaker 4>He ended up. He ended up coming in the room

1:54:15.400 --> 1:54:19.120
<v Speaker 4>and then boom he heard he heard like a few

1:54:19.160 --> 1:54:21.040
<v Speaker 4>different records, but he heard pour it Up. And he

1:54:21.200 --> 1:54:23.880
<v Speaker 4>was like, man, yo, man, did we hear this one?

1:54:23.960 --> 1:54:26.000
<v Speaker 4>And I was like, I'm like nah. And then he

1:54:26.120 --> 1:54:28.280
<v Speaker 4>was like here like man, but we got it here

1:54:28.360 --> 1:54:30.400
<v Speaker 4>this one like you know what I'm saying. Like and

1:54:30.520 --> 1:54:34.200
<v Speaker 4>then and then boom so and I was like, man, ship, bro,

1:54:34.480 --> 1:54:35.920
<v Speaker 4>you know what I'm saying. I'll be hard like and

1:54:36.000 --> 1:54:37.960
<v Speaker 4>the next thing, I know, like you know what I'm saying.

1:54:38.000 --> 1:54:40.000
<v Speaker 4>He was like, man, what's this record that Chris is

1:54:40.000 --> 1:54:41.920
<v Speaker 4>talking about? Pull it up? You know what I'm saying.

1:54:42.320 --> 1:54:45.440
<v Speaker 4>And she she asked Omar that, and then Omar had

1:54:45.480 --> 1:54:47.440
<v Speaker 4>hit me. I was like, man, yo, she asked me

1:54:47.480 --> 1:54:50.280
<v Speaker 4>about pour it Up? So Boom sent them send the

1:54:50.360 --> 1:54:52.960
<v Speaker 4>pour it up. She heard it. She was like, oh yeah, no, no,

1:54:53.120 --> 1:54:54.960
<v Speaker 4>this is is fun. Like this is just dope. You

1:54:55.040 --> 1:54:57.560
<v Speaker 4>know what I'm saying. She man, she took that ship

1:54:57.800 --> 1:55:01.680
<v Speaker 4>like like out of here. She sounded amazing on that joint.

1:55:02.440 --> 1:55:04.760
<v Speaker 4>I Remember when I first heard that joint, I was like, man, yo,

1:55:04.880 --> 1:55:06.400
<v Speaker 4>this should is this should is out of here. It

1:55:06.480 --> 1:55:11.040
<v Speaker 4>was nothing like that ever before, Like when it came out,

1:55:11.120 --> 1:55:13.080
<v Speaker 4>that was like some trap pop type ship like.

1:55:14.680 --> 1:55:16.440
<v Speaker 3>That for real.

1:55:17.960 --> 1:55:19.920
<v Speaker 4>Bands and make a dance with some trap pop.

1:55:20.760 --> 1:55:23.400
<v Speaker 5>Your your teenage version of yourself is probably to be

1:55:23.480 --> 1:55:27.760
<v Speaker 5>a producer. Who were your top five inspirational producers at that.

1:55:28.400 --> 1:55:36.120
<v Speaker 4>Time in your life teenage? Definitely Hypnotide Mind, Juicy J

1:55:36.200 --> 1:55:41.680
<v Speaker 4>and DJ Paul, you know what I'm saying. Definitely Organized Noise,

1:55:42.840 --> 1:55:53.120
<v Speaker 4>Definitely Many Fresh, definitely for real and and Timberland, you

1:55:53.160 --> 1:55:55.640
<v Speaker 4>know what I'm saying. And Doctor Dray too though you

1:55:55.680 --> 1:55:56.200
<v Speaker 4>know what I'm saying.

1:55:56.280 --> 1:55:56.600
<v Speaker 12>For real?

1:55:57.760 --> 1:56:03.680
<v Speaker 3>Yeah, And where are you on? Like how much do

1:56:03.760 --> 1:56:06.440
<v Speaker 3>you sample? Actually sample? Like how much is that a

1:56:06.480 --> 1:56:07.480
<v Speaker 3>part of your repertoire?

1:56:07.880 --> 1:56:10.880
<v Speaker 4>Like I don't see me. I'm like an open I'm

1:56:10.960 --> 1:56:13.680
<v Speaker 4>like an open like mind when I when it comes

1:56:13.680 --> 1:56:17.000
<v Speaker 4>to creativity, like I look at making beats and making songs,

1:56:17.040 --> 1:56:19.560
<v Speaker 4>like cooking or like you know what I'm saying, playing golf,

1:56:19.640 --> 1:56:22.440
<v Speaker 4>It's like it's just art, it's just layers. So like

1:56:22.560 --> 1:56:24.760
<v Speaker 4>when when it comes to like sampling, like if it's

1:56:24.800 --> 1:56:29.000
<v Speaker 4>a simple like I gotta I gotta record with Savage

1:56:29.040 --> 1:56:30.600
<v Speaker 4>on my on my album. You know what I'm saying.

1:56:30.640 --> 1:56:35.840
<v Speaker 4>I got that that sample from you know what I'm saying,

1:56:35.920 --> 1:56:38.440
<v Speaker 4>Like I gut to I collaborate with you know what

1:56:38.480 --> 1:56:41.360
<v Speaker 4>I'm saying. And when I when I heard the sample,

1:56:41.400 --> 1:56:43.640
<v Speaker 4>I was just like, oh yeah, this ship hard. Immediately

1:56:44.040 --> 1:56:46.000
<v Speaker 4>laid drums on that motherfucker, you know what I'm saying.

1:56:46.400 --> 1:56:49.680
<v Speaker 4>And so that was just organic like that. But then

1:56:49.760 --> 1:56:53.040
<v Speaker 4>it's like I got another song where you know what

1:56:53.040 --> 1:56:55.240
<v Speaker 4>I'm saying, I might have like a Viner out and

1:56:55.320 --> 1:56:59.000
<v Speaker 4>I might just be like just like scratching something like

1:56:59.160 --> 1:57:01.280
<v Speaker 4>into the song and like it might go with the

1:57:01.360 --> 1:57:05.200
<v Speaker 4>rhythm or even like DNA on when I when I

1:57:05.240 --> 1:57:07.400
<v Speaker 4>said for Ray James, give me some Ganja, I ain't

1:57:07.440 --> 1:57:09.560
<v Speaker 4>know that was Ray James give me some ganja. Like

1:57:09.640 --> 1:57:11.360
<v Speaker 4>that beat was just going so hard, and I was

1:57:11.440 --> 1:57:13.480
<v Speaker 4>like I was waiting on my boy plus to pull

1:57:13.560 --> 1:57:15.520
<v Speaker 4>up with the weed too, you know what I'm saying.

1:57:15.560 --> 1:57:17.640
<v Speaker 4>So when I hit that separa just right on point,

1:57:17.640 --> 1:57:19.360
<v Speaker 4>they were like, give me some ganja, give me some

1:57:19.480 --> 1:57:21.680
<v Speaker 4>gud give me give me some gundry. You know what

1:57:21.680 --> 1:57:23.560
<v Speaker 4>I'm saying, give me, give me me, and then Kendrick

1:57:23.680 --> 1:57:25.839
<v Speaker 4>was just over there like going crazy and the speakers

1:57:25.880 --> 1:57:28.680
<v Speaker 4>were so loud, but Kendrick was going so crazy, all like, bro,

1:57:28.720 --> 1:57:31.320
<v Speaker 4>I ain't gonna lie that ship kind of hard, like

1:57:31.400 --> 1:57:35.200
<v Speaker 4>how you like with how you rapping, Cause it's kind

1:57:35.240 --> 1:57:36.960
<v Speaker 4>of like give me some Ganja kind of like it's

1:57:37.000 --> 1:57:39.320
<v Speaker 4>like give me some more bars. It's like they kind

1:57:39.360 --> 1:57:41.520
<v Speaker 4>of go with it, and like that was an accident.

1:57:41.640 --> 1:57:44.200
<v Speaker 4>You know what I'm saying. That was an accident and

1:57:44.600 --> 1:57:47.680
<v Speaker 4>we ended up I ended up clicking that joint in there.

1:57:48.080 --> 1:57:50.040
<v Speaker 3>Is sampling your go to first thing?

1:57:50.360 --> 1:57:53.440
<v Speaker 4>Or is it like I'm with I'm with whatever, man,

1:57:53.520 --> 1:57:55.480
<v Speaker 4>not really, you know what I'm saying, But I'm with

1:57:55.640 --> 1:57:57.960
<v Speaker 4>whatever I say. I say drums are my first thing,

1:57:58.440 --> 1:58:00.520
<v Speaker 4>but I just like making something different, So rock a

1:58:00.560 --> 1:58:02.680
<v Speaker 4>fucking sample up or if there's some shit I never

1:58:02.760 --> 1:58:06.320
<v Speaker 4>heard before or some shit that's inspiring, you could do it. Yeah,

1:58:06.440 --> 1:58:08.240
<v Speaker 4>like that shit is fun, Like you know what I'm saying,

1:58:08.320 --> 1:58:10.640
<v Speaker 4>Definitely depending on who I'm in the studio with. You

1:58:10.680 --> 1:58:14.120
<v Speaker 4>know what I'm saying with the squad, Like everybody think

1:58:14.160 --> 1:58:16.120
<v Speaker 4>it's different. So it's just like, man, we're just trying

1:58:16.160 --> 1:58:19.520
<v Speaker 4>to make something sound as different and out of box

1:58:19.720 --> 1:58:21.080
<v Speaker 4>and unique as possible.

1:58:21.160 --> 1:58:24.320
<v Speaker 3>So, however, like you use any tool in the toolbox.

1:58:24.040 --> 1:58:26.440
<v Speaker 4>Exactly, for sure, I want to learn how to use AI.

1:58:27.640 --> 1:58:31.160
<v Speaker 3>Oh so, how what's your take on Tim and what

1:58:31.320 --> 1:58:32.480
<v Speaker 3>he's trying.

1:58:32.280 --> 1:58:33.640
<v Speaker 4>To do with AI? What's Tim doing?

1:58:34.440 --> 1:58:38.000
<v Speaker 3>Uh? Basically, isn't he got AI artists? Right? That's what

1:58:38.080 --> 1:58:39.680
<v Speaker 3>he's trying to do. And he got backlash for it.

1:58:40.000 --> 1:58:43.840
<v Speaker 4>I believe, what is it? Right?

1:58:43.960 --> 1:58:45.080
<v Speaker 3>But it's an ar artist.

1:58:45.160 --> 1:58:48.920
<v Speaker 2>And then and basically his whole thing was that, And

1:58:49.000 --> 1:58:51.120
<v Speaker 2>I don't you know, I'm not quoting him forbade him,

1:58:51.120 --> 1:58:53.919
<v Speaker 2>but he was just basically saying, look, I got ideas

1:58:54.040 --> 1:58:57.120
<v Speaker 2>that maybe artists I work with don't have the same ideas,

1:58:57.120 --> 1:58:58.960
<v Speaker 2>and I want to be able to put these ideas

1:58:59.000 --> 1:59:02.160
<v Speaker 2>out and so aireartists, well, you know, allow him to

1:59:02.200 --> 1:59:02.840
<v Speaker 2>do these things.

1:59:03.200 --> 1:59:06.640
<v Speaker 4>Yeah, to me, I look at I look at I

1:59:06.720 --> 1:59:09.840
<v Speaker 4>don't have nothing against like AI at all. Like I

1:59:09.920 --> 1:59:12.560
<v Speaker 4>look at AI like a new tool. Like if you're creative,

1:59:12.960 --> 1:59:14.440
<v Speaker 4>you know what I'm saying. It's like a new tool.

1:59:14.560 --> 1:59:17.440
<v Speaker 4>So it's like like I was telling somebody the other

1:59:17.520 --> 1:59:21.680
<v Speaker 4>day that I had just said in this interview that

1:59:21.960 --> 1:59:24.080
<v Speaker 4>I remember I had went to my first hip hop

1:59:24.200 --> 1:59:28.600
<v Speaker 4>concert with Bone Thirst and Harmony and like I was like, yeah,

1:59:28.640 --> 1:59:30.800
<v Speaker 4>I was like six seven years old and my pops

1:59:30.840 --> 1:59:33.280
<v Speaker 4>took me. And then when we left, my pops was like, man,

1:59:33.920 --> 1:59:36.360
<v Speaker 4>you know what, man, music is done. I'm like, man,

1:59:36.400 --> 1:59:38.320
<v Speaker 4>what do you mean? And then he was like he

1:59:38.440 --> 1:59:40.440
<v Speaker 4>was like, man, it was no instruments on the stage

1:59:40.440 --> 1:59:42.600
<v Speaker 4>because he was used to going to like Ohio Players,

1:59:42.800 --> 1:59:44.840
<v Speaker 4>you know what I'm saying, Earth Winning Fire, like all

1:59:44.920 --> 1:59:47.040
<v Speaker 4>those different bands, so he like it was no instruments

1:59:47.120 --> 1:59:48.440
<v Speaker 4>on stage. He was like, it was just a DJ

1:59:48.600 --> 1:59:52.120
<v Speaker 4>out there but turntables, dudes just yelling in a microphone

1:59:52.200 --> 1:59:56.280
<v Speaker 4>like it's done. But like that same type of music

1:59:56.400 --> 1:59:58.920
<v Speaker 4>and that culture, that hip hop culture right there, It's

1:59:59.000 --> 2:00:01.400
<v Speaker 4>like I was able to move mountains with it, like

2:00:01.440 --> 2:00:03.600
<v Speaker 4>you know what I'm saying. So it's like with AI,

2:00:04.600 --> 2:00:06.720
<v Speaker 4>just at the same time where everybody's saying like shit

2:00:06.840 --> 2:00:08.880
<v Speaker 4>is dry, shit has done, and shit sound the same,

2:00:09.000 --> 2:00:10.840
<v Speaker 4>or this and that, this and that, and then it's like,

2:00:11.000 --> 2:00:13.760
<v Speaker 4>oh they're doing AI. I still haven't heard the song

2:00:13.840 --> 2:00:16.440
<v Speaker 4>or I haven't met anybody who's heard the song. And

2:00:16.560 --> 2:00:17.960
<v Speaker 4>it's like hey bro, you got to hit this new

2:00:18.000 --> 2:00:21.600
<v Speaker 4>AI shit like you know what I'm saying. No, But

2:00:22.720 --> 2:00:26.120
<v Speaker 4>like even but a person can't wait to tell you, like, man,

2:00:26.200 --> 2:00:28.600
<v Speaker 4>hey bro, you know this AI, right? They can't. They can't,

2:00:28.600 --> 2:00:30.120
<v Speaker 4>you know what I'm saying. They're like, you can you

2:00:30.200 --> 2:00:30.800
<v Speaker 4>condamn there?

2:00:31.120 --> 2:00:31.320
<v Speaker 3>Yeah?

2:00:31.320 --> 2:00:33.520
<v Speaker 4>You can damn there here like when it's AI. So

2:00:33.600 --> 2:00:35.840
<v Speaker 4>you gotta utilize it like a tool. If you can't

2:00:35.880 --> 2:00:38.520
<v Speaker 4>get a big choir, utilize it like that. Or if

2:00:38.560 --> 2:00:40.520
<v Speaker 4>you can't get this so you can't get that, you

2:00:40.600 --> 2:00:43.760
<v Speaker 4>gotta utilize it like that. But but that's like that's

2:00:43.840 --> 2:00:46.040
<v Speaker 4>like if you get like a keyboard and you just

2:00:46.160 --> 2:00:48.880
<v Speaker 4>go get the stock beats. Nobody goes to the keyboard

2:00:48.920 --> 2:00:51.160
<v Speaker 4>and gets the stock beats. They use a keyboard and

2:00:51.240 --> 2:00:54.040
<v Speaker 4>make beats. Like you know what I'm saying, Nobody expects

2:00:54.080 --> 2:00:55.760
<v Speaker 4>to use the stock beats. So when you go to

2:00:55.880 --> 2:00:58.040
<v Speaker 4>like these AI platforms, they showing you what it can do,

2:00:58.400 --> 2:00:59.560
<v Speaker 4>you know what I'm saying. But that's just showing you

2:00:59.600 --> 2:01:01.280
<v Speaker 4>what it could do. Now you got to utilize the

2:01:01.320 --> 2:01:04.200
<v Speaker 4>motherfucker like a keyboard or whatever. And you gotta utilize

2:01:04.240 --> 2:01:07.000
<v Speaker 4>it like a tool and and and expand the sound

2:01:07.080 --> 2:01:09.240
<v Speaker 4>you know what I'm saying, But you know, a certain

2:01:09.360 --> 2:01:11.920
<v Speaker 4>certain people of creativity level just hit right here, you

2:01:11.960 --> 2:01:13.600
<v Speaker 4>know what I'm saying. It's all about.

2:01:14.920 --> 2:01:15.480
<v Speaker 3>You know what I'm saying.

2:01:16.360 --> 2:01:18.560
<v Speaker 5>I mean, I think I think there's there's pros and

2:01:18.640 --> 2:01:20.920
<v Speaker 5>concert because there's definitely I saw something.

2:01:20.960 --> 2:01:22.320
<v Speaker 3>I don't know how accurate this report is.

2:01:22.360 --> 2:01:24.440
<v Speaker 5>They said that some of the top music that was

2:01:24.480 --> 2:01:28.000
<v Speaker 5>playing on Spotify was all AI generated groups.

2:01:28.920 --> 2:01:31.240
<v Speaker 4>And and but at the same time, like right now,

2:01:31.280 --> 2:01:34.080
<v Speaker 4>you know, at the same time, if somebody wasn't a

2:01:34.160 --> 2:01:37.960
<v Speaker 4>student of the game, or wasn't like like a student

2:01:38.000 --> 2:01:41.920
<v Speaker 4>of music, or wasn't a creator or like hasn't created

2:01:41.960 --> 2:01:44.080
<v Speaker 4>any type of music, it's gonna be hard for them

2:01:44.120 --> 2:01:46.280
<v Speaker 4>to pull up one of these AI you know what

2:01:46.320 --> 2:01:50.040
<v Speaker 4>I'm saying platforms or whatever, or the apps or whatever

2:01:50.200 --> 2:01:51.720
<v Speaker 4>and and make a song.

2:01:52.720 --> 2:01:54.080
<v Speaker 3>They already have to have it in them.

2:01:55.800 --> 2:01:58.600
<v Speaker 4>It got to somewhere, It got to come from somewhere.

2:01:58.680 --> 2:02:01.480
<v Speaker 4>So it's like like you got to even know like,

2:02:01.560 --> 2:02:03.600
<v Speaker 4>oh man, let me mix this with that. And you

2:02:03.640 --> 2:02:05.040
<v Speaker 4>know what I'm saying, it's just like cooking. You can

2:02:05.120 --> 2:02:06.760
<v Speaker 4>go in the kitchen with a whole bunch of season

2:02:06.840 --> 2:02:09.880
<v Speaker 4>and the sauces and protein and whatever. You know what

2:02:09.920 --> 2:02:11.680
<v Speaker 4>I'm saying. You can fuck the shit up, you can

2:02:11.760 --> 2:02:13.440
<v Speaker 4>burn it, you can do whatever it is, like you

2:02:13.480 --> 2:02:15.120
<v Speaker 4>know what I'm saying, or not cook it all the way, right,

2:02:15.160 --> 2:02:17.160
<v Speaker 4>you can get sick and all that shit, or you

2:02:17.240 --> 2:02:20.120
<v Speaker 4>can we got we got a cookoff. We can use

2:02:20.120 --> 2:02:22.520
<v Speaker 4>the same season or whatever, and we can make two

2:02:22.600 --> 2:02:24.760
<v Speaker 4>totally different dishes, like you know what I'm saying. So

2:02:24.840 --> 2:02:26.920
<v Speaker 4>it's like, it's all about how you use that shit,

2:02:27.040 --> 2:02:30.720
<v Speaker 4>you know what I'm saying. And if somebody uses the

2:02:30.800 --> 2:02:33.480
<v Speaker 4>AI shit and it's cheesy, they will probably go in

2:02:33.480 --> 2:02:35.000
<v Speaker 4>the studio make a cheesy joint too.

2:02:35.480 --> 2:02:37.520
<v Speaker 3>But the argument could be made.

2:02:38.240 --> 2:02:39.960
<v Speaker 5>You know, these tech companies are kind of like the

2:02:40.000 --> 2:02:42.320
<v Speaker 5>new record labels, right, We kind of could say that

2:02:43.680 --> 2:02:45.720
<v Speaker 5>the tech companies they're kind of like the new record

2:02:45.800 --> 2:02:49.840
<v Speaker 5>labels in a sense. The streaming platforms, the social media

2:02:50.400 --> 2:02:52.040
<v Speaker 5>music is being promoted a lot.

2:02:52.400 --> 2:02:56.000
<v Speaker 4>Yeah, but it's different because the music. I just say

2:02:56.040 --> 2:02:59.280
<v Speaker 4>it's different because those a more retail and like, you

2:02:59.360 --> 2:03:03.200
<v Speaker 4>know what I'm saying, record labels are more distribution.

2:03:03.320 --> 2:03:08.000
<v Speaker 5>Right, right, but they distribute now through DSPs exactly retail, right,

2:03:08.080 --> 2:03:09.960
<v Speaker 5>But it's not like old school where you had to

2:03:10.040 --> 2:03:13.240
<v Speaker 5>go physically, and they're still using tech, is what I'm saying.

2:03:13.720 --> 2:03:16.240
<v Speaker 3>The texts are now the gatekeeper the distribution.

2:03:16.720 --> 2:03:20.120
<v Speaker 5>So my thing is that my worry is that just

2:03:20.280 --> 2:03:23.520
<v Speaker 5>like the idea that maybe record labels at some point

2:03:23.600 --> 2:03:27.360
<v Speaker 5>started dumbing down music to a degree to make it

2:03:27.520 --> 2:03:29.080
<v Speaker 5>easier for them to reproduce it and.

2:03:29.120 --> 2:03:29.880
<v Speaker 3>Make money off of it.

2:03:29.960 --> 2:03:32.760
<v Speaker 5>And I have to deal with talent, real talent, you

2:03:32.800 --> 2:03:35.320
<v Speaker 5>know what I'm saying, Maybe this happens in AI like

2:03:35.920 --> 2:03:41.160
<v Speaker 5>these DSPs, these tech companies eventually start phasing out. Like

2:03:41.280 --> 2:03:43.240
<v Speaker 5>of course you're never going to be replaced, but it's

2:03:43.240 --> 2:03:45.360
<v Speaker 5>I'm talking about the generation under you and the generation

2:03:45.520 --> 2:03:49.440
<v Speaker 5>under that. If they started getting desensitized to real music,

2:03:50.240 --> 2:03:51.560
<v Speaker 5>then AI becomes a problem.

2:03:52.800 --> 2:03:56.040
<v Speaker 4>Yeah, it's all about I feel like when they're kind

2:03:56.080 --> 2:03:58.840
<v Speaker 4>of like being able to produce and like being able

2:03:58.880 --> 2:04:01.360
<v Speaker 4>to create music. Man, all about how good of a

2:04:01.440 --> 2:04:03.320
<v Speaker 4>student you were, you know what I'm saying, Like the

2:04:03.400 --> 2:04:06.360
<v Speaker 4>best artists, the best producers, the best everything, they were

2:04:06.480 --> 2:04:09.160
<v Speaker 4>a student of something of the music, you know what

2:04:09.160 --> 2:04:13.080
<v Speaker 4>I'm saying. So it's like and then it's all about

2:04:13.200 --> 2:04:16.800
<v Speaker 4>your your creativity level and how you collaborate. The best

2:04:16.840 --> 2:04:19.200
<v Speaker 4>song is the best collaboration, you know what I'm saying.

2:04:19.280 --> 2:04:21.840
<v Speaker 4>So at the end of the day, it's like I

2:04:21.920 --> 2:04:24.840
<v Speaker 4>don't I don't see AI. Like I said, if once

2:04:24.920 --> 2:04:27.280
<v Speaker 4>I hear that song, that's like I ain't gonna lie this.

2:04:27.760 --> 2:04:29.720
<v Speaker 4>I can't go without hearing this song, Like you know

2:04:29.720 --> 2:04:32.960
<v Speaker 4>what I'm saying. For the most part, it's still like

2:04:33.240 --> 2:04:37.040
<v Speaker 4>artists that people are connecting to. Sometimes it might be songs.

2:04:37.080 --> 2:04:40.000
<v Speaker 4>It's just you know what I'm saying, that's just playing

2:04:40.080 --> 2:04:43.160
<v Speaker 4>and somebody might have created something that's easy on the

2:04:43.240 --> 2:04:45.640
<v Speaker 4>ears and putting the right marketing dollars behind it and

2:04:45.760 --> 2:04:48.200
<v Speaker 4>pushing it a certain type of way that you know

2:04:48.240 --> 2:04:52.400
<v Speaker 4>what I'm saying that, But you know, like that's cool.

2:04:52.560 --> 2:04:55.280
<v Speaker 4>That's that's like their creation and that's what they push,

2:04:55.680 --> 2:04:58.800
<v Speaker 4>and that's like it's gonna connect just like another song

2:04:58.960 --> 2:05:01.920
<v Speaker 4>is gonna connect or like anything everything has. It's like

2:05:02.240 --> 2:05:05.160
<v Speaker 4>like like its moments type shit, if that makes sense.

2:05:05.280 --> 2:05:08.080
<v Speaker 4>And I just I just feel like the AI shit

2:05:08.200 --> 2:05:10.720
<v Speaker 4>is like it's so broad that it's like it could

2:05:10.760 --> 2:05:12.480
<v Speaker 4>be used as a tool or it could be used

2:05:12.480 --> 2:05:15.040
<v Speaker 4>to make a whole song. And I don't think I

2:05:15.120 --> 2:05:17.720
<v Speaker 4>don't think it's like US versus AI thing. I think

2:05:17.760 --> 2:05:20.520
<v Speaker 4>it's like how do we utilize AI to make the

2:05:21.360 --> 2:05:25.520
<v Speaker 4>biggest joint? And because you got the technology side, but

2:05:25.640 --> 2:05:28.720
<v Speaker 4>then we're still real humans, Like we're still going outside,

2:05:28.760 --> 2:05:31.960
<v Speaker 4>were still seeing shit, We're still hearing cars ride by,

2:05:32.480 --> 2:05:34.320
<v Speaker 4>like you know what I'm saying, Like we still in

2:05:34.440 --> 2:05:37.960
<v Speaker 4>the barbershops, We still like amongst people. So it's like

2:05:38.400 --> 2:05:41.520
<v Speaker 4>you got that world just like just like you got

2:05:41.840 --> 2:05:43.760
<v Speaker 4>the world where people sitting in the house with the

2:05:43.800 --> 2:05:46.360
<v Speaker 4>gaggos all day and they be somewhere in the metaverse

2:05:46.360 --> 2:05:47.600
<v Speaker 4>and all that kind of shit, Like you know what

2:05:47.600 --> 2:05:50.000
<v Speaker 4>I'm saying, Like you got that world, and you got

2:05:50.240 --> 2:05:53.040
<v Speaker 4>like like the real world, like is that ship playing

2:05:53.080 --> 2:05:54.880
<v Speaker 4>in the in the cars and the clubs and the

2:05:55.040 --> 2:05:58.160
<v Speaker 4>radio or is the people playing there or people talking

2:05:58.160 --> 2:06:00.440
<v Speaker 4>about it? Did the impact culture like you know what

2:06:00.440 --> 2:06:03.800
<v Speaker 4>I'm saying in any type of way, Like did anybody

2:06:03.920 --> 2:06:06.080
<v Speaker 4>care that this joint came out? You know what I'm saying?

2:06:06.440 --> 2:06:09.720
<v Speaker 4>And that's I think that's something that they're gonna have

2:06:09.800 --> 2:06:12.120
<v Speaker 4>to figure out. It's like what's gonna be the presence

2:06:12.320 --> 2:06:15.640
<v Speaker 4>with this AI person or this ar artist or whatever

2:06:16.280 --> 2:06:16.960
<v Speaker 4>in the real.

2:06:16.880 --> 2:06:21.840
<v Speaker 1>World questions about this song. What just give me one

2:06:22.920 --> 2:06:29.000
<v Speaker 1>word DNA electrifying. We can't stop.

2:06:30.880 --> 2:06:40.800
<v Speaker 4>I just said game change right, Uh, trend sting. Okay,

2:06:43.240 --> 2:06:46.600
<v Speaker 4>they tell me that something won't gonna work really yeah,

2:06:48.160 --> 2:06:51.480
<v Speaker 4>Well we can't because yeah, because at that time, pop

2:06:51.600 --> 2:06:54.280
<v Speaker 4>radio was eighty m so it's at a certain tempo

2:06:54.840 --> 2:06:58.280
<v Speaker 4>and we can't start was like this party. We can

2:06:58.400 --> 2:07:01.840
<v Speaker 4>do what we want. And it's like, Bro, no matter

2:07:01.920 --> 2:07:04.040
<v Speaker 4>what you do, Bro, you cannot slow down pop radio.

2:07:04.760 --> 2:07:07.400
<v Speaker 4>It ain't gonna happen. Bro, They're not gonna let this

2:07:07.640 --> 2:07:11.440
<v Speaker 4>sounds slow down pop radio. Like this is how it works.

2:07:12.360 --> 2:07:13.360
<v Speaker 4>Ship changed the game.

2:07:15.400 --> 2:07:17.120
<v Speaker 3>Oh I love this.

2:07:19.000 --> 2:07:24.920
<v Speaker 4>Falling damn one word?

2:07:26.120 --> 2:07:30.240
<v Speaker 3>Whatever you want to I'll accept whatever he said.

2:07:30.280 --> 2:07:40.160
<v Speaker 4>Three words now, okay, all but falling that was I

2:07:40.280 --> 2:07:43.680
<v Speaker 4>should like that, should like that should Damn there like

2:07:43.720 --> 2:07:45.480
<v Speaker 4>a dream. Bro, I ain't gonna lie, you know what

2:07:45.480 --> 2:07:48.880
<v Speaker 4>I'm saying, because like I gotta tell a little story,

2:07:48.920 --> 2:07:51.600
<v Speaker 4>I'm falling. I'm gonna keep it brief, but y'all got

2:07:51.720 --> 2:07:54.360
<v Speaker 4>to drinking. Don't keep you know what I'm saying. But

2:07:54.560 --> 2:07:57.800
<v Speaker 4>like man, shout out to DJ. You know what I'm saying.

2:07:57.920 --> 2:08:01.960
<v Speaker 4>Like he was a part of a lot of eminem projects,

2:08:02.080 --> 2:08:04.280
<v Speaker 4>Like you know what I'm saying the whole time. Yeah,

2:08:04.600 --> 2:08:06.560
<v Speaker 4>So that's what Falling with the follow was on that.

2:08:07.040 --> 2:08:10.720
<v Speaker 4>So was on that as well. Are you're talking about

2:08:10.840 --> 2:08:13.800
<v Speaker 4>Oh are you talking about are you talking about Falling.

2:08:16.320 --> 2:08:19.160
<v Speaker 3>Little palk about Yeah?

2:08:19.200 --> 2:08:21.920
<v Speaker 4>Yeah, okay, okay x x X and Little Pete? Okay,

2:08:22.760 --> 2:08:23.520
<v Speaker 4>that one is.

2:08:26.440 --> 2:08:26.720
<v Speaker 3>That one?

2:08:26.920 --> 2:08:34.600
<v Speaker 4>Is that one's that one's like wavy, Yeah, wavy salute

2:08:34.600 --> 2:08:36.200
<v Speaker 4>to both of them, you know what I'm saying, resting,

2:08:36.240 --> 2:08:40.800
<v Speaker 4>peace of resting, piece of Little Pete. But I was

2:08:40.960 --> 2:08:46.760
<v Speaker 4>that was that was so both of them are yeah,

2:08:47.280 --> 2:08:49.840
<v Speaker 4>God bless yeah, man, resting piece of both of them. Man,

2:08:50.320 --> 2:08:55.440
<v Speaker 4>Like that was that was just that was just wavy.

2:08:55.920 --> 2:08:57.720
<v Speaker 3>This record is totally different.

2:08:58.120 --> 2:09:03.000
<v Speaker 4>Yeah, Now Falling it was a unique situation, man, because

2:09:03.760 --> 2:09:06.640
<v Speaker 4>Maconey I had gave that beat to Maconey, you know

2:09:06.640 --> 2:09:11.720
<v Speaker 4>what I'm saying, So like like, let's he's good. I'm

2:09:11.760 --> 2:09:15.880
<v Speaker 4>thinking of Maconey had wrote the joint. You know what

2:09:15.880 --> 2:09:19.480
<v Speaker 4>I'm saying. He was already like what our with our

2:09:19.560 --> 2:09:21.360
<v Speaker 4>production company, you know what I'm saying. He was part

2:09:21.360 --> 2:09:24.200
<v Speaker 4>of that venture as well. Yeah, for sure, he part

2:09:24.240 --> 2:09:27.880
<v Speaker 4>of that published adventure as well. Beat John He was

2:09:27.880 --> 2:09:31.000
<v Speaker 4>one of my first signs, along with Race Trimmer you

2:09:31.040 --> 2:09:35.520
<v Speaker 4>know what I'm saying, and yeah, so you know what

2:09:35.520 --> 2:09:38.840
<v Speaker 4>I'm saying, so so boom, Like I had gave him

2:09:38.920 --> 2:09:43.520
<v Speaker 4>that beat and and he had he had him and

2:09:43.600 --> 2:09:46.000
<v Speaker 4>little people were already working on the project, so him

2:09:46.040 --> 2:09:49.000
<v Speaker 4>a little Pete had did the song together you know

2:09:49.040 --> 2:09:51.120
<v Speaker 4>what I'm saying, and it was already a dope song.

2:09:51.240 --> 2:09:53.240
<v Speaker 4>Then Wiz Khalifa did a song on the same beat,

2:09:53.600 --> 2:09:54.880
<v Speaker 4>you know what I'm saying, and it's like me and

2:09:55.000 --> 2:09:57.680
<v Speaker 4>Wiz already had so much history, and then I was

2:09:57.760 --> 2:09:59.400
<v Speaker 4>just trying to like figure out, like which one do

2:09:59.520 --> 2:10:01.840
<v Speaker 4>I make another beat for? Both of the songs were

2:10:01.880 --> 2:10:04.360
<v Speaker 4>like so good, you know what I'm saying, And and

2:10:04.440 --> 2:10:07.120
<v Speaker 4>I thought Wiz was gonna end up using I thought

2:10:07.160 --> 2:10:08.760
<v Speaker 4>he was gonna end up using that beat because he

2:10:08.840 --> 2:10:11.600
<v Speaker 4>told me he was going to hold it. And and

2:10:11.680 --> 2:10:14.520
<v Speaker 4>then that was the beat that Maconey and Pete ended

2:10:14.600 --> 2:10:21.560
<v Speaker 4>up doing that song too. And then after that, after that, yeah, man,

2:10:22.080 --> 2:10:27.000
<v Speaker 4>like that song was done. They had it on this project,

2:10:27.480 --> 2:10:31.880
<v Speaker 4>and then I think like one of the music executives

2:10:32.240 --> 2:10:37.240
<v Speaker 4>had let had let Xxx hit the record, like before

2:10:37.280 --> 2:10:41.400
<v Speaker 4>he had passed and he heard it and was like, man, yo, yo,

2:10:41.520 --> 2:10:43.680
<v Speaker 4>this is a this is a dope song like and

2:10:43.800 --> 2:10:45.760
<v Speaker 4>he ended up doing a verse to it and then

2:10:45.920 --> 2:10:48.800
<v Speaker 4>he ended up passing away. I never got a chance

2:10:48.840 --> 2:10:51.560
<v Speaker 4>to meet xxx. I didn't even get a chance to

2:10:51.600 --> 2:10:56.040
<v Speaker 4>meet him. And it's crazy. Man, my man, my man, Adam,

2:10:56.640 --> 2:11:00.160
<v Speaker 4>my man, Adam Leber had had was just connect then

2:11:00.200 --> 2:11:02.880
<v Speaker 4>that's right before he right before he passed away, you

2:11:02.920 --> 2:11:05.440
<v Speaker 4>know what I'm saying. But man, man, it was so talented,

2:11:06.120 --> 2:11:07.800
<v Speaker 4>Like I wish we could have you know what I'm saying.

2:11:07.800 --> 2:11:09.600
<v Speaker 4>I wish we could have Like I know, we would

2:11:09.640 --> 2:11:12.280
<v Speaker 4>have went crazy right up. Yeah, Florida, dude, for sure.

2:11:12.720 --> 2:11:15.000
<v Speaker 4>Imagine like this this is my note.

2:11:15.920 --> 2:11:20.120
<v Speaker 3>You know, like I thought you met, Yeah, I won't

2:11:20.680 --> 2:11:21.280
<v Speaker 3>thought you'll met.

2:11:21.680 --> 2:11:23.880
<v Speaker 4>Yeah, Man, I wish I wish we would have met.

2:11:23.880 --> 2:11:25.160
<v Speaker 4>You know what I'm saying. I know we would have

2:11:25.200 --> 2:11:28.520
<v Speaker 4>went crazy because he was another like young rock star

2:11:28.680 --> 2:11:30.520
<v Speaker 4>that was like pushing it forward, you know what I'm saying.

2:11:31.000 --> 2:11:34.920
<v Speaker 1>And to me, that's what you you do, like you

2:11:35.040 --> 2:11:39.640
<v Speaker 1>make rock stars. Brake shrim is a rock star like Swimming.

2:11:39.920 --> 2:11:45.120
<v Speaker 3>It's not like they rockstar like to me, that's what

2:11:45.280 --> 2:11:45.720
<v Speaker 3>you made.

2:11:46.280 --> 2:11:48.280
<v Speaker 4>But see I wouldn't even I won't even take the

2:11:48.400 --> 2:11:50.520
<v Speaker 4>credit of like like I get what you're saying. I

2:11:50.560 --> 2:11:52.720
<v Speaker 4>appreciate that, but I wouldn't take the credit of like

2:11:52.920 --> 2:11:54.840
<v Speaker 4>making them you know what I'm saying, Like I can

2:11:55.160 --> 2:11:58.240
<v Speaker 4>I can identify with a rock star head, you know

2:11:58.280 --> 2:12:01.680
<v Speaker 4>what I'm saying. It's like like it's like it's like

2:12:02.040 --> 2:12:04.840
<v Speaker 4>if it's like if we never wore a sup before

2:12:05.160 --> 2:12:07.440
<v Speaker 4>and then were walking time for it, they already know like, oh, yeah,

2:12:07.440 --> 2:12:09.160
<v Speaker 4>I need to put him in this, and like I

2:12:09.240 --> 2:12:10.720
<v Speaker 4>need to cut it like this, and he gonna like

2:12:10.760 --> 2:12:12.360
<v Speaker 4>it like that, like you know what I'm saying. So

2:12:12.480 --> 2:12:15.520
<v Speaker 4>it's like, yeah, that's like a tail that's like a tailor,

2:12:15.600 --> 2:12:17.480
<v Speaker 4>you know what I'm saying. So it's like I could

2:12:17.480 --> 2:12:19.120
<v Speaker 4>see a rock shot and be like, man, I ain't

2:12:19.160 --> 2:12:20.720
<v Speaker 4>gonna lie. He just need to do this right here,

2:12:21.200 --> 2:12:23.000
<v Speaker 4>and like, man, we're gonna end up, you know what

2:12:23.000 --> 2:12:25.480
<v Speaker 4>I'm saying, doing some shit that's gonna change the game,

2:12:25.680 --> 2:12:26.800
<v Speaker 4>Like you know what I'm saying, Like I knew what

2:12:26.880 --> 2:12:29.760
<v Speaker 4>it was when I'm at Pluto, Like I knew what

2:12:29.800 --> 2:12:31.680
<v Speaker 4>it was when I'm at Sway, Like I knew what

2:12:31.800 --> 2:12:33.800
<v Speaker 4>it was when I'm at Macone, like I knew what

2:12:33.880 --> 2:12:36.160
<v Speaker 4>it was when I'm at Like, I mean, Chief Keep

2:12:36.280 --> 2:12:38.360
<v Speaker 4>was already you know what I'm saying, like kicking the

2:12:38.440 --> 2:12:40.640
<v Speaker 4>door and making noise. You know what I'm saying. But

2:12:40.720 --> 2:12:42.160
<v Speaker 4>that's my brother, Like you know what I'm.

2:12:42.000 --> 2:12:44.200
<v Speaker 3>Saying, Like I love I love the fact that he

2:12:44.360 --> 2:12:45.280
<v Speaker 3>was standing next to you.

2:12:46.280 --> 2:12:48.200
<v Speaker 4>That's my brother right there. You know what I'm saying.

2:12:48.480 --> 2:12:50.600
<v Speaker 4>Right up, you know what I'm saying. But now just

2:12:50.720 --> 2:12:52.720
<v Speaker 4>knowing what it is sich for Ram, you know what

2:12:52.720 --> 2:12:55.160
<v Speaker 4>I'm saying. Miley Cyrus is like you know what I'm saying.

2:12:55.160 --> 2:12:57.400
<v Speaker 4>You just seeing like the rock start. Like I can't

2:12:57.480 --> 2:13:00.280
<v Speaker 4>say I made Miley Cyrus, but it's like, you know

2:13:00.280 --> 2:13:03.320
<v Speaker 4>what I'm saying. We already she already had a major

2:13:03.440 --> 2:13:05.480
<v Speaker 4>fan base of handle Mon Tennis. Like man, we just

2:13:05.560 --> 2:13:08.040
<v Speaker 4>gave her a new identity or something that you know

2:13:08.080 --> 2:13:10.320
<v Speaker 4>what I'm saying. That we was even vibing too, like damn,

2:13:10.440 --> 2:13:12.520
<v Speaker 4>like hold up this shit kind of hard, like I

2:13:12.600 --> 2:13:14.280
<v Speaker 4>fuck with this, Like you know what I'm saying. So

2:13:14.400 --> 2:13:17.480
<v Speaker 4>it's like it's like it's just it's just like being

2:13:17.520 --> 2:13:20.360
<v Speaker 4>able to identify I don't I don't I don't make

2:13:20.440 --> 2:13:23.680
<v Speaker 4>them they already are made. I just can identify, like

2:13:25.120 --> 2:13:27.880
<v Speaker 4>the IT factor, you know what I'm saying, or up

2:13:28.360 --> 2:13:31.880
<v Speaker 4>no matter how big or how up and coming or

2:13:32.000 --> 2:13:34.560
<v Speaker 4>anything like I don't. I don't. I don't look at

2:13:34.600 --> 2:13:38.120
<v Speaker 4>it like wave to ride like I always was trying

2:13:38.120 --> 2:13:40.600
<v Speaker 4>to like create the wave, like with somebody like man,

2:13:40.640 --> 2:13:42.920
<v Speaker 4>we're gonna create a wave, Like you know what I'm saying,

2:13:43.160 --> 2:13:45.240
<v Speaker 4>Like as soon as y'all think y'all could seem I

2:13:45.320 --> 2:13:47.680
<v Speaker 4>forget about UCJ, but we're finna come back. Bands, make

2:13:47.720 --> 2:13:51.640
<v Speaker 4>a dance, smoking nigga. You know what I'm saying, show out,

2:13:51.800 --> 2:13:54.880
<v Speaker 4>you know what I'm saying, Stealing this bitch like twenty three,

2:13:55.160 --> 2:13:57.120
<v Speaker 4>Like we're going crazy, like you know what I'm saying,

2:13:57.320 --> 2:13:59.640
<v Speaker 4>Like as soon as y'all think that I could overlook future,

2:13:59.720 --> 2:14:02.960
<v Speaker 4>Like I'm saying, we're going dirty, fright, ain't nowhere around

2:14:03.040 --> 2:14:04.960
<v Speaker 4>the itching. You know what I'm saying, turn on the

2:14:05.080 --> 2:14:08.960
<v Speaker 4>lights never in New Bugatti. You know what I'm saying,

2:14:09.320 --> 2:14:12.640
<v Speaker 4>Like all kinds of joints, ships back to back, like

2:14:13.160 --> 2:14:15.160
<v Speaker 4>move that dope, like you know what I'm saying, Like

2:14:16.200 --> 2:14:18.120
<v Speaker 4>part of me, you know what I'm saying. And then

2:14:18.200 --> 2:14:21.080
<v Speaker 4>it's like as soon as you think, like, I'll never

2:14:21.160 --> 2:14:23.280
<v Speaker 4>listen to my style song. Man, you're talking about man

2:14:23.320 --> 2:14:25.720
<v Speaker 4>with my Jay's on. You know what I'm saying, Like

2:14:26.520 --> 2:14:29.800
<v Speaker 4>now now overseas, they moving like this, They weren't never

2:14:29.920 --> 2:14:31.520
<v Speaker 4>moving like this in certain rooms like you know what

2:14:31.520 --> 2:14:33.720
<v Speaker 4>I'm saying, Like they move into they move into the

2:14:33.800 --> 2:14:36.200
<v Speaker 4>bounce like you know what I'm saying. And then it's like,

2:14:36.960 --> 2:14:38.840
<v Speaker 4>but she cool enough to even want to even do

2:14:38.920 --> 2:14:41.120
<v Speaker 4>that joint? You know what I'm saying, Trust to trust

2:14:41.160 --> 2:14:43.600
<v Speaker 4>the process. Just be like, nah, my fan's not gonna

2:14:43.640 --> 2:14:45.840
<v Speaker 4>like it. I don't do that kind of music. I'm

2:14:45.880 --> 2:14:48.920
<v Speaker 4>not doing that right. It's too risky, you feel me,

2:14:49.080 --> 2:14:51.440
<v Speaker 4>you know what I'm saying. So that's rock star ship.

2:14:51.440 --> 2:14:53.000
<v Speaker 3>Comes from that line, Pops.

2:14:53.840 --> 2:15:01.520
<v Speaker 1>Yeah you kept that real nigga ship. Man, I swear

2:15:01.600 --> 2:15:05.040
<v Speaker 1>to god. Man, let me just tell you something. Yeah,

2:15:05.720 --> 2:15:09.200
<v Speaker 1>we're taking a picture. But I don't ever want you

2:15:09.320 --> 2:15:18.520
<v Speaker 1>to ever think that our culture don't understand how much

2:15:18.640 --> 2:15:19.440
<v Speaker 1>you mean to us.

2:15:20.160 --> 2:15:22.920
<v Speaker 4>Man. I love the culture. Man. I look, you know

2:15:23.000 --> 2:15:25.720
<v Speaker 4>I used to think like that. I used to think

2:15:25.800 --> 2:15:27.720
<v Speaker 4>like that, but I said it. I was like, Man,

2:15:27.800 --> 2:15:30.160
<v Speaker 4>this next run is for everybody who believes. Man, because

2:15:30.160 --> 2:15:35.680
<v Speaker 4>we man, you know what I'm saying, there's so many

2:15:35.720 --> 2:15:37.920
<v Speaker 4>people that believe. There's so many people in the culture

2:15:37.960 --> 2:15:40.680
<v Speaker 4>that's like that. Like you said, like man ended up

2:15:40.720 --> 2:15:43.480
<v Speaker 4>telling me you got your back. Man, I appreciate that

2:15:43.600 --> 2:15:50.280
<v Speaker 4>you believe you Man, there's more believe. Louder should be louder,

2:15:50.360 --> 2:15:52.640
<v Speaker 4>But this is really louder because I ain't gonna lie.

2:15:53.000 --> 2:15:56.760
<v Speaker 3>Ire, we got your back seems louder. That's let me

2:15:56.880 --> 2:16:02.720
<v Speaker 3>change it. Thank Youtivity is way more you you Listen,

2:16:02.880 --> 2:16:04.120
<v Speaker 3>you the man slam.

2:16:06.120 --> 2:16:11.880
<v Speaker 4>Should in the case you don't know you for ten years.

2:16:12.080 --> 2:16:14.560
<v Speaker 3>In case you don't know, listen, we got your back

2:16:14.640 --> 2:16:15.080
<v Speaker 3>over here.

2:16:15.400 --> 2:16:16.240
<v Speaker 4>That's hard, I.

2:16:16.280 --> 2:16:19.640
<v Speaker 3>Mean, but said, and you kind of don't need us,

2:16:20.680 --> 2:16:26.360
<v Speaker 3>but we want you to know that we got your back.

2:16:26.440 --> 2:16:28.640
<v Speaker 1>We're here, we're here, regards we're here like like like

2:16:28.800 --> 2:16:32.280
<v Speaker 1>like like you you kind of don't because you know

2:16:32.920 --> 2:16:33.720
<v Speaker 1>ship nigga.

2:16:34.200 --> 2:16:36.720
<v Speaker 4>You doing good but great.

2:16:37.760 --> 2:16:41.800
<v Speaker 1>But guess what that's that that shouldn't be No, that's

2:16:41.840 --> 2:16:45.039
<v Speaker 1>not what what what what we are doing over here?

2:16:45.440 --> 2:16:46.600
<v Speaker 1>Let me just tell you something, Mike.

2:16:47.840 --> 2:16:49.720
<v Speaker 3>I'm sorry. I don't mean to call you Mike.

2:16:50.120 --> 2:16:50.800
<v Speaker 4>I don't know if I.

2:16:51.640 --> 2:16:55.680
<v Speaker 3>Don't even know, I don't even get the will to

2:16:55.840 --> 2:16:59.360
<v Speaker 3>call you right, let me just take something.

2:17:04.040 --> 2:17:05.200
<v Speaker 4>But let me just take you something.

2:17:08.280 --> 2:17:09.959
<v Speaker 3>You're one of the best producers out there.

2:17:10.040 --> 2:17:15.720
<v Speaker 1>Brother and me and my brother this motherfucker right here.

2:17:16.959 --> 2:17:21.280
<v Speaker 1>We love giving people they flowers. We love making sure

2:17:21.560 --> 2:17:25.040
<v Speaker 1>that people understand that in hip hop.

2:17:25.480 --> 2:17:27.359
<v Speaker 3>This is what we're doing. Legacy.

2:17:27.440 --> 2:17:32.920
<v Speaker 1>This is your fucking home. Anytime you fucking yeah yeah, yeah, yeah, yeah,

2:17:33.040 --> 2:17:37.240
<v Speaker 1>yeah yeah, yeah yeah yeah. Anytime you fucking feel like

2:17:38.000 --> 2:17:41.400
<v Speaker 1>you wanna not the pink toenails though, please, I'll bother

2:17:41.480 --> 2:17:44.520
<v Speaker 1>tell christ.

2:17:44.840 --> 2:17:48.440
<v Speaker 3>Let's just go to you want to promote your pink toenail? No, no, no, no,

2:17:48.640 --> 2:17:49.640
<v Speaker 3>I got black toenails.

2:17:49.680 --> 2:17:50.320
<v Speaker 4>That's horrible.

2:17:50.800 --> 2:17:54.480
<v Speaker 3>That's horrible. What's my brother in law like, Oh my god,

2:17:55.000 --> 2:17:56.720
<v Speaker 3>oh my look look look.

2:17:56.520 --> 2:17:59.240
<v Speaker 1>Look, look, look at look good look looks oh I

2:17:59.320 --> 2:18:02.880
<v Speaker 1>have black to nails. But listen, No, no, no, Mike

2:18:03.000 --> 2:18:05.880
<v Speaker 1>will Mike. Well, let me just tell you somebody, this

2:18:06.080 --> 2:18:06.960
<v Speaker 1>is your platform.

2:18:07.480 --> 2:18:08.240
<v Speaker 3>This is your home.

2:18:08.720 --> 2:18:11.520
<v Speaker 1>Anytime you ever want to put more, you want to talk,

2:18:11.840 --> 2:18:14.200
<v Speaker 1>you want to tell people, you want to say that, yo,

2:18:14.560 --> 2:18:15.600
<v Speaker 1>this is this is this.

2:18:15.800 --> 2:18:21.320
<v Speaker 3>Is your platform, one million percent. And I look at that.

2:18:21.520 --> 2:18:30.400
<v Speaker 11>Your watch, your watch is fucking fantastic, Mike, Mike, I

2:18:30.560 --> 2:18:31.560
<v Speaker 11>just wanted you to know this.

2:18:32.640 --> 2:18:37.439
<v Speaker 1>Whenever you want to talk anything, this is your platform.

2:18:39.320 --> 2:18:41.600
<v Speaker 1>Look at us, This is your platform.

2:18:41.760 --> 2:18:45.040
<v Speaker 3>Right ho day doll it on.

2:18:48.760 --> 2:18:52.160
<v Speaker 5>Drink Champs is a drink Champs LLC production hosts and

2:18:52.280 --> 2:18:55.200
<v Speaker 5>executive producers n O r E and d j e

2:18:55.440 --> 2:18:55.680
<v Speaker 5>f N.

2:18:56.879 --> 2:18:57.680
<v Speaker 3>Listen to Drink.

2:18:57.560 --> 2:19:01.840
<v Speaker 5>Champs on Apple Podcast, Amazon Music, Spotify, or wherever you

2:19:02.000 --> 2:19:05.760
<v Speaker 5>get your podcasts. Thanks for joining us for another episode

2:19:05.800 --> 2:19:08.440
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