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Speaker 1: He is drinks chests, motherfucking podcast man.

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Speaker 2: He's a legends every Queens rapper.

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Speaker 3: He ain't agreed as your boy in O R E.

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Speaker 3: He's a Miami hip hop pioneer. What Ups d J

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Speaker 3: e f N.

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Speaker 4: Together they drink it up with some.

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Speaker 3: Of the biggest players you know what I mean and.

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Speaker 2: The most professional unprofessional podcast and your number one source

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Speaker 2: for drunk drink chans post Days New Year c That's

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Speaker 2: it's time for drink Champions.

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Speaker 3: Drink up, mother, what a good be over? The boy

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Speaker 3: n a oh ed a? What up is DJ e

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Speaker 3: f N?

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Speaker 1: And this is militatem and Crazy Roar podcast Drink Champs

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Speaker 1: Man with me and e f N started this out.

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Speaker 1: We said we want to give people they flowers or

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Speaker 1: they can smell them. They thoughts why they can tell them,

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Speaker 1: and they drinks while they can drink them. This man

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Speaker 1: is an icon. This man is a legend. This man

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Speaker 1: has made all of the classic records for the past years,

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Speaker 1: in your radio, in your I'm old school something of them.

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Speaker 1: I was gonna say, Cassette, I'm sorry, he ain't make

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Speaker 1: a concept. This man is a legend of legend. We've

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Speaker 1: been wanting to give him his flowers. We want me

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Speaker 1: to tell them they did a legendary versus just now,

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Speaker 1: and we are going to give him his flowers today.

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Speaker 1: We're gonna make sure that he understands what he means

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Speaker 1: to hip hop.

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Speaker 3: And in case you don't know who the.

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Speaker 1: Fuck we're talking about, we're talking about the one, only

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Speaker 1: impeccable motherfucker.

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Speaker 3: I could have kept going off, but I wanted to

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Speaker 3: keep going.

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Speaker 4: I wanted to.

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Speaker 1: I have never done a versus. I've been offered to

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Speaker 1: do a versus. I've never done it. How does it

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Speaker 1: feel coming off a versus?

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Speaker 4: Man? It's dope. I look at that. I look at

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Speaker 4: that versus like like playing two K, like you know

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Speaker 4: what I'm saying, or like even playing golf, you know

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Speaker 4: what I'm saying, Like I'm picking up golf a lot lately,

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Speaker 4: you know what I'm saying. But it's like that, you

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Speaker 4: gotta you gotta dial in your game. You gotta stick

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Speaker 4: to your game, and you gotta just hopefully end up

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Speaker 4: end up on top. You know what I'm saying. You

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Speaker 4: and whoever you go against, you gotta have your method

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Speaker 4: and you gotta have your game, you know what I'm saying.

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Speaker 4: Like on how you gonna you know what I'm saying,

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Speaker 4: You utilize your catalog or whatnot, and then it's like

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Speaker 4: when you get done, it's like I feel like I

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Speaker 4: feel like, you know, versus that's it, like what Swizzing

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Speaker 4: and Timbo created right there. It's like that's like a

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Speaker 4: winning circle. That's like a you gotta be a winner

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Speaker 4: to even get on verses first of all, so it

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Speaker 4: ain't it can't be no loser, you know what I'm saying.

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Speaker 4: And then you got to know that the person that

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Speaker 4: you're going up against, like against you know what I'm saying.

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Speaker 4: On the verses, it's like this is another goat. So

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Speaker 4: anytime if you slip up on your strategy, you know

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Speaker 4: what I'm saying, it could be a slippery slope, you

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Speaker 4: know what I'm saying. So it's like you how your

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Speaker 4: game died in And that's why I said it's like golf,

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Speaker 4: because it's like if you're going for parts A, part four,

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Speaker 4: you know what I'm saying, you hit it over there

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Speaker 4: in the woods, You're gonna have to clean it up.

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Speaker 4: You're gonna have to you know what I'm saying. You

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Speaker 4: still got to make your way there and get part.

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Speaker 4: You know what I'm saying, because at the end, at

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Speaker 4: the end of the ended up that hole right there

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Speaker 4: is gonna be like, man, what you get? You know

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Speaker 4: what I'm saying. If you if you're a bogie or whatever,

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Speaker 4: you know what I'm saying, Your clean up shot might

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Speaker 4: be your drive might be asked, but your clean up

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Speaker 4: shot might be you know what I'm saying, the shot.

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Speaker 4: But it's like I don't know, it's just it's just

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Speaker 4: dope because I mean at the end of the day,

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Speaker 4: like you could always look back and be like, damn,

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Speaker 4: I could have did this different. I could have did

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Speaker 4: that different. Like you know what I'm saying when when

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Speaker 4: you play golf, when you play NBA two K, like

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Speaker 4: you always like damn, I know I lost because of

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Speaker 4: this in this game right here, But you know what

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Speaker 4: I'm saying, I'm not a loser. I can got damn

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Speaker 4: get back on the stick and we could run it

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Speaker 4: back or whatever. You feel me and somebody like, hey boy,

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Speaker 4: he got a hell of a catalog. Yeah, So it's

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Speaker 4: like that's.

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Speaker 3: A crazy match. That was I enjoyed. I'm sorry you

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Speaker 3: finished so much.

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Speaker 4: Yeah. I was just saying, like, man, you got a

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Speaker 4: hell of a catalog, and it's like it's not easy

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Speaker 4: for no producer to getting getting on stage with him,

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Speaker 4: and you do it like a versus you know what

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Speaker 4: I'm saying. So, yeah, you know, you know.

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Speaker 1: What I love about versus? This is this is this

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Speaker 1: is the thing about it is It kind of started

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Speaker 1: with Swiss and Tim right. Yeah, And I love the

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Speaker 1: fact that y'all kept the tradition going. Yeah, Like when

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Speaker 1: I saw y'all, I was like, oh, ship, I seen

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Speaker 1: y'all having run on stage.

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Speaker 3: I seen y'all together. I'm happy to California.

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Speaker 4: Correct.

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Speaker 1: Yeah, So when you got the first call with what

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Speaker 1: was that?

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Speaker 3: What was that thought process?

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Speaker 4: It was crazy because it's like man, man, Swizz, We've

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Speaker 4: been talking about doing the versus for a minute and

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Speaker 4: then we're just trying to figure out like who would

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Speaker 4: be like a good matchup.

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Speaker 3: Was it always against hit Boy or no?

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Speaker 4: It was just like it was a couple of names

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Speaker 4: like throwing out that. But I was just like, man,

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Speaker 4: like I'm with it because like I really wanted, like

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Speaker 4: because I'm thirty six, I really wanted like one of

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Speaker 4: the somebody that I grew up like looking up to.

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Speaker 4: You know what, I'm saying because it's like I still

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Speaker 4: feel like my twenty strong no matter what, Like you

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Speaker 4: know what I'm saying. It was like no really like

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Speaker 4: you know what I'm saying, and I'd rather like going there,

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Speaker 4: like man, yo, this dude gonna this is gonna get washed.

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Speaker 1: Wait hold on, So you saying you wanted to battle somebody.

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Speaker 3: I was the Statesman. Yeah, really like a DJ for man.

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Speaker 4: But yeah, like anybody, okay, Like I was just I

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Speaker 4: was just thinking like on some like just just knowing

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Speaker 4: like exactly what I was saying, like Okay, this would

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Speaker 4: be my method, Like you know what I'm saying, Like

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Speaker 4: I got different ways.

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Speaker 3: It was confident in your cattle.

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Speaker 4: Yeah, I got different ways I can go in this catalog.

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Speaker 4: You know what I'm saying. If it was to go

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Speaker 4: this way, that way, this way, that way, you know

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Speaker 4: what I'm saying. So it was just like you know

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Speaker 4: what I'm saying, Like you go to the basketball court

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Speaker 4: and you know you can hoot, you like, man, I

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Speaker 4: want I want to. I want to ball again? How

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Speaker 4: a man I always say he wanted Lebrin Like you

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Speaker 4: know what.

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Speaker 3: I'm saying, Like you want, you want to, you want but.

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Speaker 4: At the same time. It's dope and men hit boy

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Speaker 4: ass so many hits around the same time, so it

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Speaker 4: was dope. That was a dope ass matchup, you know

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Speaker 4: what I'm saying. But me and Swiss have been talking

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Speaker 4: about it for like for like a few years, like

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Speaker 4: like who were lining up and I'm like, man, I'm

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Speaker 4: with it, Like man, I'm with that, Like that that's

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Speaker 4: the dope. That's the dope platform because a lot of

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Speaker 4: times some people know that I did this, this and that,

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Speaker 4: but they don't know I did that, that and this.

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Speaker 4: You know what I'm saying. I'm like to be able

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Speaker 4: to play all my songs at at one time, you

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Speaker 4: know what I'm saying on on on the platform. I'm like, man,

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Speaker 4: that that'll be That'll be dope. So that was like

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Speaker 4: a couple of years ago. Then randomly Jimmy ivin just

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Speaker 4: you know what I'm saying, Texas me, Swizz, you know

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Speaker 4: what I'm saying, manager and Timberland and was like, man,

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Speaker 4: are we doing the versus of work? You know what

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Speaker 4: I'm saying. And then and then and then that's how

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Speaker 4: they are. Yeah, we just all talked about it right

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Speaker 4: there and then and then in the group text right

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Speaker 4: there and it was like and then they were like, man,

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Speaker 4: ship Grammy weekend, we're gonna bring the producers back, you

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Speaker 4: know what I'm saying, Like, Man, we're trying to figure

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Speaker 4: out who down, Like man, you down? Okay boom? Hit

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Speaker 4: Boy just said he down. Man, I'm like, shit, let's

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Speaker 4: run it like that's that's dope.

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Speaker 3: So so so. So here's here's.

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Speaker 1: One one thing, right, was what made you agree to

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Speaker 1: doing it in California?

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Speaker 4: I was doing it wherever? Man, I ain't gonna lie.

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Speaker 1: Because because hit Boy's from California, right, and that's kind

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Speaker 1: of like home court advantage, no for real, So for you,

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Speaker 1: I was like I would have thought that you would

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Speaker 1: have said, man, let's do this in the A.

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Speaker 4: Let's we can't. We can't do it the name. You

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Speaker 4: know what I'm saying, because just like that's like I just.

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Speaker 3: Looked at your like.

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Speaker 4: Is like that's like actual home. Like it's like that

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Speaker 4: ship meant like you thought it was turned up like

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Speaker 4: in that room Like man, them song actually means something

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Speaker 4: like you feel me like that. That's what the seed is, like,

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Speaker 4: you know what I'm saying, planted, But I just felt

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Speaker 4: like all we're doing it whatever, just because like, man, man,

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Speaker 4: this is this vibration this ship travel when that ship

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Speaker 4: was like like so local, but like that vibration travel,

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Speaker 4: so like man, we could do it in perish with

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Speaker 4: the one up like you know what I'm saying, like.

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Speaker 1: I tell you this when you say that, and I'm

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Speaker 1: gonna say this to you and it's gonna hurt me.

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Speaker 3: This is the South ship again.

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Speaker 1: It's so But it was a time when y'all y'all

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Speaker 1: going back and forth and hit Boy.

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Speaker 3: Plays a NAS record.

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Speaker 1: And the NAS record did not go up at all,

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Speaker 1: Like I was so mad. And then I had to

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Speaker 1: realize that sometimes us in New York, we really did

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Speaker 1: think that.

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Speaker 4: What's your thoughts? You know what?

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Speaker 1: We all But when I seen that, I was like,

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Speaker 1: damn Nori. I was just the first time I.

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Speaker 3: Was like fuck because it's a conversation. We have a lot.

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Speaker 3: So we have him up from Miami, he from.

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Speaker 5: New York and we have this conversation that like in

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Speaker 5: the early nineties when I was coming up doing stuff,

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Speaker 5: New York had the lock on the whole hip hop

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Speaker 5: industry and it was hard to break through that.

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Speaker 3: The A and rs and labels everybody was New York centric.

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Speaker 5: And that's why when you when when Andre says this

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Speaker 5: South got something to stay that resonated, and then you

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Speaker 5: know the South obviously, I.

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Speaker 4: Mean, I mean it's all it's all about like like evolution,

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Speaker 4: you know what I'm saying. It's like I feel like

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Speaker 4: it was a time where like the West Coast was

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Speaker 4: damn like the mecca hip hop, and like the sound,

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Speaker 4: like everybody's sound was like West Coast driven then and

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Speaker 4: then it was like the mecca hip hop is in

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Speaker 4: like New York, you know what I'm saying. And then

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Speaker 4: you got you got the whole music industry and the

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Speaker 4: mecca hip hop in New York. And then you got

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Speaker 4: a whole bunch of like businessmen and like hustlers like

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Speaker 4: starting all these different labels and starting all these different

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Speaker 4: boutique labels, and there's so much culturing, so much energy

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Speaker 4: in New York, you know what I'm saying. So it's

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Speaker 4: like that shit just a line, you know what I'm saying.

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Speaker 4: It was just like that was like that renaissance and

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Speaker 4: then it's like boom, Like when when Andre said that,

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Speaker 4: that was like kicking the door open, you know what

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Speaker 4: I'm saying. Then it's like it's been it's been so

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Speaker 4: many different you know what I'm saying, Like people that

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Speaker 4: put the city on their back and like just and

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Speaker 4: like just like like bust busting through the doors, you

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Speaker 4: know what I'm saying on the sound and it's like man,

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Speaker 4: it's like, man, we just I just noticed is like

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Speaker 4: a new renaissance. Is like man, like you know what

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Speaker 4: I'm saying, And I gotta I gotta hold it down too.

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Speaker 4: It's like the mecca hip hop is in Atlanta now

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Speaker 4: you know what I'm saying, And.

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Speaker 1: Said if I'm gonna if we're sorry New York, but

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Speaker 1: it's like Atlanta, y'all all run.

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Speaker 4: God, and it ain't nothing wrong with that. Like even

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Speaker 4: when even when the even when the mecca hip hop

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Speaker 4: was in New York, you know what I'm saying, there

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Speaker 4: was so many there was so many people from Atlanta

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Speaker 4: that we went to New York. You know what I'm saying,

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Speaker 4: we had you know what I'm saying, that's so not

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Speaker 4: a mecca down there. It's like it's like the super

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Speaker 4: Bowl being here, in the super Bowl being there and the.

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Speaker 3: Super you know what I'm saying, Like that, you know.

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Speaker 4: What I'm saying, like the World Cup, Like you know

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Speaker 4: what I'm saying.

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Speaker 5: I'm gonna go and say what I'm saying because when

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Speaker 5: somebody else comes, you switch up on me.

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Speaker 3: So don't even start that ship.

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Speaker 4: Because because you know, because one thing you know about it,

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Speaker 4: Like New York got too much energy, you know what

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Speaker 4: I'm saying, Like when New York got too much energy,

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Speaker 4: too much culture. So it's somebody out there, you know

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Speaker 4: what I'm saying. Now, they just need like man, sometimes

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Speaker 4: folks would be needing the guidance. So they just be

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Speaker 4: needing like the right producer, and they just got to

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Speaker 4: be with creating the right way. Like look at Cash Cobaine,

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Speaker 4: Like you know what I'm saying. You know what I'm saying,

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Speaker 4: Like like man, they whole wave, you know what I'm saying,

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Speaker 4: Like their whole waves. Like it's just like a new wave.

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Speaker 4: It's like they're being original. You know what I'm saying.

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Speaker 4: When pop Smoke came through, there's so many, so many

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Speaker 4: energy that then came from New York, the.

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Speaker 3: Birthplace of hip hop. You'll never be take no hold on.

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Speaker 3: I've always said that we all wanted to be like

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Speaker 3: New York. But it was the mecca of you know,

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Speaker 3: emulating New York. Y'all are the ones like nah out

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Speaker 3: the South man, no gotta comes out here. I like it.

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Speaker 4: You know what I'm saying. I man my bad like that.

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Speaker 4: You know what I'm saying. I'm sorry, Yeah, this makes

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Speaker 4: the appreciate that accountability man.

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Speaker 3: No, he's not gonna be accountable lady man like I.

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Speaker 4: Don't want to be the New York man. You saw

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Speaker 4: the verses like why didn't nobody You know what I'm saying,

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Speaker 4: I like, this song got the right.

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Speaker 1: Percentage, Like you know what I'm saying, I ain't gonna

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Speaker 1: lie when you when that no song play and the

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Speaker 1: crowd didn't.

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Speaker 3: Erupt like that.

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Speaker 1: I kind of was like to myself, I was like, damn,

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Speaker 1: I gotta like look at reality.

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Speaker 4: No, but she's no that that ain't That ain't fair though,

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Speaker 4: because at the same time, there's a whole world where

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Speaker 4: when he played that man that ship exactly you know

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Speaker 4: what I'm saying.

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Speaker 3: It for me, I looked around. I was like, what

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Speaker 3: the fun.

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Speaker 4: You know what I'm saying, But it's just the room.

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Speaker 4: Like what I'm saying could have been certain songs that

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Speaker 4: I might have played that might have been to this

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Speaker 4: way and the room might not have moved. You know

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Speaker 4: what I'm saying, But I knew at that time. It's like, Man,

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Speaker 4: I'm playing my catalog with Hi boy catalog. I know

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Speaker 4: he got his. You know what I'm saying, I'm gonna

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Speaker 4: go hiss, I'm gonna go I'm gonna still go underground.

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Speaker 4: You know what I'm saying. I'm not gonna you know

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Speaker 4: what I'm Saying'm gonna balance it out, you feel me.

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Speaker 4: So it's like it's just a different, different technique, you

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Speaker 4: know what I'm saying.

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Speaker 1: Okay, So God comes down right now, God says Mike, Well,

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Speaker 1: you got one record to make to save humanity. You

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Speaker 1: got one feature? What artist you pick it to save humanity?

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Speaker 3: Now? This don't gotta be no no.

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Speaker 1: No positive record, raw, negative record, just whatever record you

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Speaker 1: want to make.

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Speaker 3: Who's that artist you're going.

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Speaker 4: To right now? Right now? Man said Aran? Who is shre? M? Holy?

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Speaker 4: Holy said?

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Speaker 3: You're gonna say future?

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Speaker 4: I mean ship. You can't bits with future.

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Speaker 3: You can't miss the future?

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Speaker 4: Yeahs for future?

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Speaker 3: But who.

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Speaker 4: You know what I'm saying to me, I like to

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Speaker 4: throw the curve balls. You know what I'm saying, you know,

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Speaker 4: I know whatever you were expecting. I know you weren't

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Speaker 4: expecting that, you know what I'm saying. So Seidh Ram,

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Speaker 4: he's like popping artists from India. You know what I'm saying,

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Speaker 4: India ship. Yeah, he told me about India. Yeah, he

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Speaker 4: like it's crazy because him and I had did a

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Speaker 4: record before.

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Speaker 3: The point.

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Speaker 4: So it's like seem I had met him through my

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Speaker 4: manager DJ. You know what I'm saying, Like him and

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Speaker 4: DJ they Dad did. Dad did like a project of

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Speaker 4: two with each other, my depth jam, you know what

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Speaker 4: I'm saying. And then I had met Sid and then

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Speaker 4: it was like perfect time because he was just getting

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Speaker 4: out of his death jam there and like I told him,

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Speaker 4: I'm like, bro, we're gonna make that music that made

334
00:16:00,400 --> 00:16:03,320
Speaker 4: people want to get fly. They want makee people want

335
00:16:03,320 --> 00:16:05,240
Speaker 4: to put on cologne. You know what I'm saying, Like

336
00:16:05,840 --> 00:16:08,720
Speaker 4: like if you're in the car with your bibe or whatever,

337
00:16:08,920 --> 00:16:11,720
Speaker 4: and it's like, you know what I'm saying, Like I

338
00:16:11,800 --> 00:16:14,240
Speaker 4: want to put somebody on something new, Like you're gonna

339
00:16:14,240 --> 00:16:16,280
Speaker 4: you're gonna play this, you know what I'm saying. And

340
00:16:16,600 --> 00:16:18,800
Speaker 4: he already has like a whole fan base. They already

341
00:16:18,800 --> 00:16:21,000
Speaker 4: love him, you know what I'm saying, But like I

342
00:16:21,040 --> 00:16:23,280
Speaker 4: wanted to come with like a brand new sound with him,

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Speaker 4: you know what I'm saying, Like because his voice was amazing,

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Speaker 4: you know what I'm saying. So we ended up locking

345
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Speaker 4: in last year and we just had like we had

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Speaker 4: a session in LA but then we had most of

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Speaker 4: the sessions that my compound in Atlanta, you know what

348
00:16:37,360 --> 00:16:39,400
Speaker 4: I'm saying, made it way, and like, man.

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Speaker 3: He tried to say that donal he's at my compound and.

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Speaker 4: That's not normal now seventy thousand square feet, you know

351
00:16:51,840 --> 00:16:56,680
Speaker 4: what I'm saying. Well, that's a blessing for sure, you

352
00:16:56,760 --> 00:16:59,800
Speaker 4: know what I'm saying. But that's like the headquarters. You

353
00:16:59,840 --> 00:17:02,440
Speaker 4: know I'm saying, we were cooking up and just we're

354
00:17:02,480 --> 00:17:04,600
Speaker 4: just trying to innovate, you know what I'm saying. We're

355
00:17:04,640 --> 00:17:07,480
Speaker 4: just trying to like literally innovate and like create like

356
00:17:07,520 --> 00:17:10,760
Speaker 4: a new sound, like a new wave. Like even like

357
00:17:10,840 --> 00:17:13,520
Speaker 4: pairing this producer with this new artist like man, man

358
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Speaker 4: you tough and youtuugh Man, I want to see y'all

359
00:17:15,880 --> 00:17:18,399
Speaker 4: go crazy, like because I feel like that's important. Like

360
00:17:18,640 --> 00:17:21,000
Speaker 4: even when when Rocco had linked me in future like that.

361
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Speaker 4: You know what I'm saying. It was like we created

362
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Speaker 4: a whole wave and you know what I'm saying, it's

363
00:17:24,800 --> 00:17:28,320
Speaker 4: like me, you know what I'm saying, Lincoln, countless people

364
00:17:28,320 --> 00:17:31,520
Speaker 4: with countless people and seeing what kind of wave that created.

365
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Speaker 4: You know what I'm saying, It's like that, that's what

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Speaker 4: That's what the centralized hub is. But like see it,

367
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Speaker 4: it's like one of the persons, one of the people

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Speaker 4: that I was walking in last year, and it's like

369
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Speaker 4: man his pen and so he was raised he was

370
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Speaker 4: born in India, but raising the bay, you know what

371
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Speaker 4: I'm saying. His voice is like amazing. And then we

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00:17:50,840 --> 00:17:53,600
Speaker 4: ended up finding like that that that pocket where it's

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Speaker 4: like any beat out come on, any beat that comes on,

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Speaker 4: it's like he's attacking it. So it's like the beat

375
00:18:00,480 --> 00:18:03,600
Speaker 4: that I'm thinking, like Yo, this is a difficult beat,

376
00:18:03,640 --> 00:18:06,160
Speaker 4: but it's like man, hole get on this, or like, man,

377
00:18:06,200 --> 00:18:08,280
Speaker 4: this is a hard beat for like twenty one Savage

378
00:18:08,320 --> 00:18:10,880
Speaker 4: on somebody vibe out shit, or like this a hard

379
00:18:10,920 --> 00:18:13,520
Speaker 4: beat for you know what I'm saying, Kanye or Da

380
00:18:13,600 --> 00:18:15,119
Speaker 4: Da da Like you know what I'm saying. But I

381
00:18:15,200 --> 00:18:17,760
Speaker 4: might just not have got that got those beats to

382
00:18:17,880 --> 00:18:20,600
Speaker 4: like these artists, you know what I'm saying, but they're

383
00:18:20,640 --> 00:18:23,840
Speaker 4: like challenging, so it's like only specific artists are gonna

384
00:18:23,840 --> 00:18:27,440
Speaker 4: hear the understand it. And it's like, man, any beat

385
00:18:27,440 --> 00:18:29,560
Speaker 4: I turned on, it's like, man, this dude knows how

386
00:18:29,600 --> 00:18:31,640
Speaker 4: to take it, Like, you know what I'm saying, just

387
00:18:31,760 --> 00:18:33,679
Speaker 4: take it there, and his voice just takes it to

388
00:18:34,200 --> 00:18:36,320
Speaker 4: it just matches the energy of the beat. Like it's

389
00:18:36,400 --> 00:18:38,399
Speaker 4: very seldom that, you know what I'm saying, when you

390
00:18:38,480 --> 00:18:40,200
Speaker 4: when you got like a beat that you feel like

391
00:18:40,520 --> 00:18:43,200
Speaker 4: there's a no brainer just even by itself. It's very

392
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Speaker 4: seldom that an artist like matches that matches that energy.

393
00:18:46,480 --> 00:18:48,240
Speaker 4: But when they do, like that's the magic, you know

394
00:18:48,280 --> 00:18:51,320
Speaker 4: what I'm saying. And it's like all the songs that

395
00:18:51,359 --> 00:18:53,240
Speaker 4: we did, it was like it was like that. It

396
00:18:53,320 --> 00:18:55,800
Speaker 4: was like he was like expanding the beat. It was

397
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Speaker 4: like he was like he was making real songs on

398
00:18:58,320 --> 00:19:00,280
Speaker 4: that shit though, you know what I'm saying, And it's

399
00:19:00,320 --> 00:19:02,720
Speaker 4: like and it's real heartfelt in his real life, and

400
00:19:02,800 --> 00:19:05,840
Speaker 4: I feel like, you know what I'm saying, Like, I'm like, man, bro,

401
00:19:05,960 --> 00:19:07,959
Speaker 4: if I could get away with singing that good, bro,

402
00:19:08,040 --> 00:19:10,680
Speaker 4: you can sing you could just sing that. Somebody ask

403
00:19:10,760 --> 00:19:15,280
Speaker 4: him anything. Man, he's singing, he's singing. Is that the

404
00:19:15,359 --> 00:19:18,520
Speaker 4: language he's singing? He's singing his language. But this project

405
00:19:18,600 --> 00:19:21,680
Speaker 4: right here is like majority English. You know what I'm saying.

406
00:19:22,080 --> 00:19:24,119
Speaker 4: He might he might balance it out, but you know

407
00:19:24,160 --> 00:19:27,800
Speaker 4: what I'm saying, but it's like majority English. But it's like, man,

408
00:19:27,840 --> 00:19:31,000
Speaker 4: it's a vibe. Man, he has he actually has a

409
00:19:31,000 --> 00:19:33,800
Speaker 4: song on my album and that's gonna be the introduction.

410
00:19:33,920 --> 00:19:36,840
Speaker 4: And then right after that we're dropping a project together.

411
00:19:37,000 --> 00:19:37,600
Speaker 4: You know what I'm saying.

412
00:19:37,640 --> 00:19:42,200
Speaker 3: That Okay, so sorry, so they got to you're dropping

413
00:19:42,200 --> 00:19:42,639
Speaker 3: an album.

414
00:19:42,760 --> 00:19:44,480
Speaker 4: We're saying, oh yeah, I'm dropping an album.

415
00:19:44,560 --> 00:19:46,440
Speaker 3: Okay, is just breaking news?

416
00:19:47,680 --> 00:19:51,359
Speaker 4: A no, no, okay, yeah, but my last album was

417
00:19:51,440 --> 00:19:54,760
Speaker 4: nine years ago, you know what I'm saying. So like, man,

418
00:19:54,880 --> 00:19:57,560
Speaker 4: took nine years. You know what I'm saying, hit the reset.

419
00:19:57,600 --> 00:19:59,720
Speaker 4: But so this new album is called Reset. You know

420
00:19:59,720 --> 00:20:02,359
Speaker 4: what I'm saying. It's Ransom three. It's r three s

421
00:20:02,359 --> 00:20:05,000
Speaker 4: CT you know what I'm saying. Ransom always still for

422
00:20:05,119 --> 00:20:07,840
Speaker 4: releasing all new songs orchestrated by Mike Will. You know

423
00:20:07,880 --> 00:20:12,159
Speaker 4: what I'm saying, So boom, like that was Ransom I

424
00:20:12,160 --> 00:20:14,720
Speaker 4: already put out Ransom one that was a mixtape, Ransom Too.

425
00:20:14,760 --> 00:20:17,040
Speaker 4: It was like the debut album, and then this is

426
00:20:17,119 --> 00:20:20,240
Speaker 4: Ransom three, nine years later, you know what I'm saying.

427
00:20:20,400 --> 00:20:22,679
Speaker 4: And I feel like this, like, man, I feel like

428
00:20:22,680 --> 00:20:24,360
Speaker 4: this is the hardest ship I don't put together, cause

429
00:20:24,400 --> 00:20:27,680
Speaker 4: it's like it's like a crazy intersection. You know what

430
00:20:27,680 --> 00:20:30,520
Speaker 4: I'm saying. It's like the type of artists that's on here,

431
00:20:30,560 --> 00:20:32,920
Speaker 4: Like the track list that's on here is like it's

432
00:20:32,960 --> 00:20:35,320
Speaker 4: like it's like a crazy intersection. It's just like the

433
00:20:35,440 --> 00:20:39,200
Speaker 4: cool it's like and it's just natural. It's like it's

434
00:20:39,280 --> 00:20:40,600
Speaker 4: not for its.

435
00:20:42,960 --> 00:20:43,240
Speaker 3: Artist.

436
00:20:44,200 --> 00:20:46,680
Speaker 4: Just so everything happened at the Compound in the five.

437
00:20:46,520 --> 00:20:52,640
Speaker 1: Percent culture nine years is reborn, right, Yes, it's called

438
00:20:52,720 --> 00:20:54,040
Speaker 1: born born you know.

439
00:20:54,920 --> 00:20:58,520
Speaker 3: Yeah, so the fact that you know you knew that

440
00:20:58,600 --> 00:21:01,320
Speaker 3: if you do that or coach, did you hear what

441
00:21:01,320 --> 00:21:01,600
Speaker 3: he said?

442
00:21:01,600 --> 00:21:01,760
Speaker 4: Though?

443
00:21:01,840 --> 00:21:04,720
Speaker 5: Yeah, I don't know about They recorded everything at the compounds,

444
00:21:04,720 --> 00:21:06,800
Speaker 5: like everything we talk about here there, how important it

445
00:21:06,840 --> 00:21:09,560
Speaker 5: is to be with the artists.

446
00:21:09,320 --> 00:21:10,280
Speaker 3: To work with the artists.

447
00:21:10,400 --> 00:21:14,159
Speaker 4: Yeah, you know what I'm saying, And everyone is important

448
00:21:14,160 --> 00:21:14,720
Speaker 4: because it's like.

449
00:21:16,200 --> 00:21:16,760
Speaker 3: That's crazy.

450
00:21:16,800 --> 00:21:19,280
Speaker 4: Even the number three is like I started looking.

451
00:21:19,080 --> 00:21:22,000
Speaker 1: At egals nine three times yeah, yeah, three times three

452
00:21:22,000 --> 00:21:27,400
Speaker 1: egles nine, Like.

453
00:21:26,160 --> 00:21:27,880
Speaker 3: I'm looking at everybodybody looking at me, like what.

454
00:21:27,960 --> 00:21:30,200
Speaker 4: Wrong with this nigga? I was I was looking at

455
00:21:30,760 --> 00:21:33,600
Speaker 4: the numerology number three. You know what I'm saying. I

456
00:21:33,640 --> 00:21:36,560
Speaker 4: was just saying there was like beginning, middle, and and

457
00:21:36,720 --> 00:21:38,840
Speaker 4: like you know what I'm saying, past, present, future, And

458
00:21:38,880 --> 00:21:41,000
Speaker 4: it was like that's what like over these nine years,

459
00:21:41,040 --> 00:21:43,840
Speaker 4: it's like I've been able to like even reflect you

460
00:21:43,840 --> 00:21:46,159
Speaker 4: know what I'm saying and understand and then you know

461
00:21:46,200 --> 00:21:49,760
Speaker 4: what I'm saying, like like now get back into the

462
00:21:49,840 --> 00:21:53,080
Speaker 4: creative zone and and then start back hooking up and

463
00:21:53,119 --> 00:21:55,960
Speaker 4: doing like new collaborations. And then just like as I

464
00:21:56,000 --> 00:21:59,240
Speaker 4: put this compound together, like you know what I'm saying,

465
00:21:59,320 --> 00:22:02,359
Speaker 4: like just setting up session, whatever happened organically, like not

466
00:22:02,400 --> 00:22:05,200
Speaker 4: even reaching just like whatever, Like it's touched right here.

467
00:22:05,200 --> 00:22:08,679
Speaker 4: It's like man, boom, Like if they pull it up,

468
00:22:08,720 --> 00:22:11,320
Speaker 4: it's like their intention is like I'm trying to cook

469
00:22:11,400 --> 00:22:12,880
Speaker 4: up with my will, Like you know what I'm saying,

470
00:22:13,040 --> 00:22:15,359
Speaker 4: my intention, My intention is I'm trying to cook over

471
00:22:15,359 --> 00:22:18,000
Speaker 4: with this person, and boom is like you know what

472
00:22:18,000 --> 00:22:20,320
Speaker 4: I'm saying. These beats was made right here at this compound,

473
00:22:20,400 --> 00:22:22,560
Speaker 4: and if any of these songs were recorded, it was

474
00:22:22,640 --> 00:22:26,040
Speaker 4: like ten minutes down the street at Max. You know

475
00:22:26,040 --> 00:22:29,440
Speaker 4: what I'm saying. But it's like now at this point,

476
00:22:29,480 --> 00:22:32,000
Speaker 4: it's been nine years, I got so much music secked up.

477
00:22:32,080 --> 00:22:35,360
Speaker 4: But like this album right here, I'm excited about fifteen songs,

478
00:22:35,840 --> 00:22:39,720
Speaker 4: Reset Ransom three and yeah, you know what I'm saying.

479
00:22:40,640 --> 00:22:43,720
Speaker 4: So it's a good it's a good collar cleanse man.

480
00:22:43,960 --> 00:22:47,119
Speaker 4: Right now, when a lot of people saying that everything

481
00:22:48,440 --> 00:22:50,199
Speaker 4: you know what I'm saying sounds the same or like

482
00:22:50,280 --> 00:22:52,280
Speaker 4: it's boring, I feel like this is a is a

483
00:22:52,320 --> 00:22:54,359
Speaker 4: good polert cleanse for that. You know what I'm saying.

484
00:22:54,480 --> 00:22:59,119
Speaker 3: That's the beauty about you is you have a sound,

485
00:22:59,520 --> 00:23:03,760
Speaker 3: but that's versatile. It's so versatile.

486
00:23:03,920 --> 00:23:06,120
Speaker 4: It's that ear drummer where it's a ear drummer sound.

487
00:23:06,280 --> 00:23:08,680
Speaker 4: You know. I got a whole production team, like you

488
00:23:08,760 --> 00:23:12,080
Speaker 4: know what I'm saying, And that was one thing that

489
00:23:12,280 --> 00:23:14,160
Speaker 4: you know what I'm saying, I started early on. It's

490
00:23:14,200 --> 00:23:16,560
Speaker 4: like my production team is, like you know what I'm saying,

491
00:23:16,680 --> 00:23:20,240
Speaker 4: started off for just like me, but but I have

492
00:23:20,359 --> 00:23:23,399
Speaker 4: other people. Yeah, for sure, you know what I'm saying,

493
00:23:23,440 --> 00:23:26,480
Speaker 4: like I started off with ear Drummers, Like in two

494
00:23:26,480 --> 00:23:28,159
Speaker 4: thousand and seven, I was in high school, you know

495
00:23:28,200 --> 00:23:32,440
Speaker 4: what I'm saying. I was like seventeen eighteen and and Boom,

496
00:23:32,520 --> 00:23:34,000
Speaker 4: I came up with the name ear Drummers, you know

497
00:23:34,040 --> 00:23:37,000
Speaker 4: what I'm saying. And then like I was like, man, boom,

498
00:23:37,240 --> 00:23:39,280
Speaker 4: I was already making the beat for Gucci and stuff.

499
00:23:39,359 --> 00:23:44,439
Speaker 4: You know what I'm saying. So I was like, man, yeah, like.

500
00:23:44,440 --> 00:23:46,000
Speaker 3: You started for sure.

501
00:23:47,440 --> 00:23:49,399
Speaker 4: I had like a group that I was in before

502
00:23:49,440 --> 00:23:51,080
Speaker 4: we had like a buzz on the outside of town,

503
00:23:51,359 --> 00:23:55,320
Speaker 4: you know what I'm saying. And then like like like

504
00:23:55,359 --> 00:23:56,960
Speaker 4: a lot of the cause I'm from, I'm from like

505
00:23:57,080 --> 00:23:59,199
Speaker 4: car like Marietta, so you know what I'm saying, Like

506
00:23:59,240 --> 00:24:01,840
Speaker 4: a lot of the folks outside of Atlanta. Yeah that's

507
00:24:01,920 --> 00:24:04,760
Speaker 4: like that's like going seventy five north outside of Atlanta.

508
00:24:04,840 --> 00:24:07,399
Speaker 4: Yoh okay, you know what I'm saying. So boom, A

509
00:24:07,400 --> 00:24:09,119
Speaker 4: lot of a lot of the artists on the West

510
00:24:09,119 --> 00:24:13,160
Speaker 4: Side like shouted low defoel you know what I'm saying.

511
00:24:13,480 --> 00:24:16,640
Speaker 4: Franchise like they would go say, man for real, rest

512
00:24:16,640 --> 00:24:19,560
Speaker 4: in peace, man. They would they would go to the

513
00:24:19,560 --> 00:24:22,000
Speaker 4: they would go to like Cayd County clubs or like

514
00:24:22,080 --> 00:24:25,520
Speaker 4: Marietta clubs, and like like that's how a lot of

515
00:24:25,560 --> 00:24:27,480
Speaker 4: them got popping, you know what I'm saying. So Boom

516
00:24:27,520 --> 00:24:29,879
Speaker 4: Shotty Lowe was like one of the first artists to

517
00:24:30,000 --> 00:24:33,040
Speaker 4: be like, boom, give me his number out like fifteen sixteen,

518
00:24:33,240 --> 00:24:35,040
Speaker 4: let me come to the studio, you know what I'm saying.

519
00:24:35,080 --> 00:24:36,879
Speaker 4: So I used to go to Defoyel studio when I

520
00:24:36,920 --> 00:24:39,240
Speaker 4: was like a teenager, you know what I'm saying. And

521
00:24:39,280 --> 00:24:42,199
Speaker 4: then and then Gucci I had running to him at

522
00:24:42,240 --> 00:24:48,000
Speaker 4: Patchwork because you know what I'm saying, studio, Yeah, big studio. Okay, okay, yeah,

523
00:24:48,359 --> 00:24:50,760
Speaker 4: So like you know, back then, we didn't we couldn't

524
00:24:50,800 --> 00:24:54,000
Speaker 4: bounce to beat down and just air dropping or like texting,

525
00:24:54,080 --> 00:24:56,200
Speaker 4: you know what I'm saying, Like like I'm thirty six,

526
00:24:56,320 --> 00:24:58,879
Speaker 4: but they was like back then, I was like I

527
00:24:58,960 --> 00:25:02,200
Speaker 4: was like sixteen seven. So we had multi track recorders,

528
00:25:02,200 --> 00:25:04,040
Speaker 4: so I was recording on my beats on a multi

529
00:25:04,040 --> 00:25:06,920
Speaker 4: travel recorder. I burned that joint on CD. But then

530
00:25:06,960 --> 00:25:09,600
Speaker 4: I go to Patrick to get my CDs pressed up.

531
00:25:09,720 --> 00:25:11,440
Speaker 4: To get my Beat CD pressed up, you know what

532
00:25:11,440 --> 00:25:14,200
Speaker 4: I'm saying, cost me about one hundred and fifty two hundred.

533
00:25:14,200 --> 00:25:16,959
Speaker 4: You know what I'm saying, Boom, get my bacds pressed up.

534
00:25:17,200 --> 00:25:19,880
Speaker 4: And then they say, Mike will boom phone number all that.

535
00:25:20,000 --> 00:25:21,560
Speaker 4: You know what I'm saying. I used to just I

536
00:25:21,640 --> 00:25:24,040
Speaker 4: might have a box of fifty or a box one hundred.

537
00:25:24,480 --> 00:25:26,040
Speaker 4: I'll give him to the white folks, you know what

538
00:25:26,080 --> 00:25:29,840
Speaker 4: I'm saying. So one day I was right folks, No, no,

539
00:25:29,880 --> 00:25:38,800
Speaker 4: the right folks, you know, the right folks man. And

540
00:25:39,000 --> 00:25:40,679
Speaker 4: one of the first people that I gave it to

541
00:25:40,720 --> 00:25:43,119
Speaker 4: because I was getting I was printing my CDs. And

542
00:25:43,160 --> 00:25:45,159
Speaker 4: then and then my boy Blaze and told me he

543
00:25:45,200 --> 00:25:46,640
Speaker 4: was like, man, Gucci man upstairs.

544
00:25:46,640 --> 00:25:46,800
Speaker 3: Bro.

545
00:25:47,119 --> 00:25:49,400
Speaker 4: I was like, for real And then he was like, yes,

546
00:25:49,520 --> 00:25:52,760
Speaker 4: I went upstairs. Boom gave Gucci a CD. And then

547
00:25:53,240 --> 00:25:56,040
Speaker 4: was like he went in the lounge. He was playing

548
00:25:56,040 --> 00:25:58,840
Speaker 4: the CD and then he was just free selling to

549
00:25:58,880 --> 00:26:01,480
Speaker 4: all the beats and then he ended up coming out

550
00:26:01,520 --> 00:26:04,040
Speaker 4: here like hey, ain't she started with the beats. I'm

551
00:26:04,040 --> 00:26:05,560
Speaker 4: like hell yeah. He was like come in here right quick,

552
00:26:05,640 --> 00:26:08,360
Speaker 4: shut this out, and he was just rapping. And then

553
00:26:09,240 --> 00:26:11,880
Speaker 4: like I was listening to him, like man, damn, it's hard.

554
00:26:11,920 --> 00:26:13,720
Speaker 4: He was like, man, I need the file for this man.

555
00:26:14,400 --> 00:26:16,920
Speaker 4: So one of my homeboys, he already was getting paid

556
00:26:16,920 --> 00:26:19,040
Speaker 4: for beats. Like one of my homeboys I was making

557
00:26:19,040 --> 00:26:21,280
Speaker 4: beats with the name of marvela Jay. You know what

558
00:26:21,280 --> 00:26:23,440
Speaker 4: I'm saying. He was already getting paid for beats. So

559
00:26:24,000 --> 00:26:25,840
Speaker 4: I was like, man, damn, I can get paid for

560
00:26:25,880 --> 00:26:27,720
Speaker 4: a beat. He asked me for the file. So you

561
00:26:27,720 --> 00:26:29,240
Speaker 4: didn't know that at the time. You didn't know that you.

562
00:26:29,320 --> 00:26:32,960
Speaker 4: I ain't never got paid. I ain't get paid for

563
00:26:32,960 --> 00:26:36,320
Speaker 4: a feature. So I was so I told Goos, I'm like,

564
00:26:36,600 --> 00:26:37,879
Speaker 4: you got to think this underground.

565
00:26:37,880 --> 00:26:38,160
Speaker 3: Goops.

566
00:26:38,200 --> 00:26:40,720
Speaker 4: I'm just like I'm like, man, I tell Goose, like, man,

567
00:26:41,320 --> 00:26:45,080
Speaker 4: walk a flock. But just before I knew who Walker

568
00:26:45,119 --> 00:26:46,960
Speaker 4: Flocker was like you know what I'm saying.

569
00:26:47,840 --> 00:26:49,240
Speaker 3: I understand I'm trying to.

570
00:26:49,960 --> 00:26:52,879
Speaker 4: This is like this is like, yeah, this is like

571
00:26:53,359 --> 00:26:55,080
Speaker 4: before I knew who Walker Flocker was, you know what

572
00:26:55,080 --> 00:26:59,920
Speaker 4: I'm saying. And but so boom I ended up giving

573
00:27:00,160 --> 00:27:01,879
Speaker 4: to the city. So he's like, man, I need the files.

574
00:27:02,320 --> 00:27:04,760
Speaker 4: So I was like, man, all right, man, ship bro,

575
00:27:04,840 --> 00:27:06,400
Speaker 4: you just got to holler at my people. It's all

576
00:27:06,440 --> 00:27:09,680
Speaker 4: good me management, And yeah, I ain't had no management.

577
00:27:10,200 --> 00:27:14,879
Speaker 4: What I'm saying saying. So he started laughing. He was

578
00:27:14,920 --> 00:27:16,919
Speaker 4: like hey. He was like, man, I fuck with you. Man,

579
00:27:16,920 --> 00:27:18,359
Speaker 4: You're gonna be He was like, you a little player,

580
00:27:18,440 --> 00:27:20,720
Speaker 4: let me get your number. How do you I was like, man,

581
00:27:20,800 --> 00:27:23,920
Speaker 4: fifteen sixteen whatever I was at the time. So he's

582
00:27:23,920 --> 00:27:26,320
Speaker 4: like he's like, man, boom, we'll shameing numbers. So now

583
00:27:26,359 --> 00:27:29,280
Speaker 4: I got Gucci numbers. So now I had like I had,

584
00:27:29,320 --> 00:27:32,280
Speaker 4: like different like independent artists. I'm like, yeah, man, I'll

585
00:27:32,280 --> 00:27:34,440
Speaker 4: be rocking with guc Man, you know what I'm saying.

586
00:27:34,480 --> 00:27:36,560
Speaker 4: So there one dude wanted to buy buy a feature.

587
00:27:36,720 --> 00:27:39,600
Speaker 4: So I called Gucci one time, like yeah, hey, Gucci,

588
00:27:39,640 --> 00:27:41,240
Speaker 4: you know what I'm saying, Hey, I got this dude

589
00:27:41,280 --> 00:27:42,640
Speaker 4: want to buy a feature? You know what I'm saying.

590
00:27:42,640 --> 00:27:46,560
Speaker 6: He was like, oh, Gucci, been a feature from your beat? Okay,

591
00:27:46,600 --> 00:27:49,840
Speaker 6: no Gucci, Gucci? So you like, man, hey making me.

592
00:27:50,040 --> 00:27:53,000
Speaker 6: Hey it was this It was this level. Gucci was like, man,

593
00:27:53,000 --> 00:27:54,640
Speaker 6: give me thirty five hundred for I hit the road.

594
00:27:55,080 --> 00:27:56,760
Speaker 6: You know what I'm saying. It was that level Gucci,

595
00:27:56,800 --> 00:27:59,640
Speaker 6: you know what I'm saying. But but he still knew.

596
00:27:59,680 --> 00:28:02,520
Speaker 6: I was like a young dude like just at his phone,

597
00:28:02,680 --> 00:28:04,600
Speaker 6: just trying to make something happen, like you feel me.

598
00:28:04,920 --> 00:28:07,840
Speaker 6: So he had ended up going to jail. And then

599
00:28:07,880 --> 00:28:09,760
Speaker 6: when he went to jail, Me and Walker had met

600
00:28:09,760 --> 00:28:11,400
Speaker 6: each other in the club. You know what I'm saying,

601
00:28:11,720 --> 00:28:14,320
Speaker 6: But I never knew Walker knew Guccie. Me and Walker

602
00:28:14,359 --> 00:28:16,200
Speaker 6: met each other on a whole nother note. We damned

603
00:28:16,200 --> 00:28:17,280
Speaker 6: they were about to fight each other.

604
00:28:17,359 --> 00:28:20,960
Speaker 4: You know what I'm saying, Like, yeah, that's how me

605
00:28:21,040 --> 00:28:23,119
Speaker 4: and walking back like you know what I'm saying. It

606
00:28:23,240 --> 00:28:28,280
Speaker 4: was like all right, so so boom, we are there,

607
00:28:28,880 --> 00:28:31,200
Speaker 4: Well we're out there, were out there in Marietta. We

608
00:28:31,200 --> 00:28:33,159
Speaker 4: were in one of these clubs. It's a popping spot

609
00:28:33,240 --> 00:28:35,400
Speaker 4: club Q. You know what I'm saying, I'm too young

610
00:28:35,440 --> 00:28:36,880
Speaker 4: to even being this joint. You know what I'm.

611
00:28:36,760 --> 00:28:39,160
Speaker 3: Saying in my mind is walking like this.

612
00:28:39,600 --> 00:28:41,400
Speaker 4: Man, he just talk, you know what I'm saying, Like

613
00:28:42,320 --> 00:28:47,560
Speaker 4: was like man, boom, he come in and like man like,

614
00:28:47,640 --> 00:28:50,160
Speaker 4: it's all us over here. We got our own people.

615
00:28:50,400 --> 00:28:52,880
Speaker 4: And then like walking them there. They're from the South Side,

616
00:28:53,040 --> 00:28:54,960
Speaker 4: So you know what I'm saying. They was in that

617
00:28:55,080 --> 00:28:58,600
Speaker 4: deep So some song come on somebody that he was

618
00:28:58,640 --> 00:29:02,040
Speaker 4: with jumping face, throwing something in my face. So I'm

619
00:29:02,080 --> 00:29:03,720
Speaker 4: the youngest of my whole crew. So one of my

620
00:29:03,760 --> 00:29:06,720
Speaker 4: guys just push him. You know what I'm saying. Now

621
00:29:06,760 --> 00:29:09,080
Speaker 4: that dude fly over there. Now that dude turning into

622
00:29:09,080 --> 00:29:12,760
Speaker 4: three dudes, and then we start turning in, we start transforming.

623
00:29:13,000 --> 00:29:16,000
Speaker 4: Everybody started forming, and then out of nowhere, Walker jump

624
00:29:16,040 --> 00:29:18,479
Speaker 4: in front of his guys and put his hands up

625
00:29:18,480 --> 00:29:20,800
Speaker 4: and it's like hey, heldo, holo, hold up, like you're

626
00:29:20,840 --> 00:29:24,120
Speaker 4: like hey, and then my boy, my boy os. I

627
00:29:24,120 --> 00:29:27,040
Speaker 4: had just met him. It's my brother still to this day,

628
00:29:27,320 --> 00:29:30,360
Speaker 4: you know what I'm saying. But I had just met him,

629
00:29:30,360 --> 00:29:31,959
Speaker 4: but he was from New York. He had a New

630
00:29:32,000 --> 00:29:34,680
Speaker 4: York had on. So him and Walker had already been

631
00:29:34,720 --> 00:29:37,560
Speaker 4: talking over here. So when they see us, when they

632
00:29:37,560 --> 00:29:39,720
Speaker 4: see the ship out to go down, they go both

633
00:29:40,080 --> 00:29:41,600
Speaker 4: run over there, walk and get in front of his

634
00:29:41,640 --> 00:29:43,840
Speaker 4: people alls get in front of us, and then they

635
00:29:44,240 --> 00:29:47,280
Speaker 4: liked up and then and then walking like man, you

636
00:29:47,320 --> 00:29:49,080
Speaker 4: ain't trying from New York. I'm like, nah, we ain't

637
00:29:49,120 --> 00:29:50,360
Speaker 4: from New York. He's from New York, you know what

638
00:29:50,360 --> 00:29:53,440
Speaker 4: I'm saying. And then and then and then walking like

639
00:29:53,520 --> 00:29:56,160
Speaker 4: man walking like nah, nah, man ain't nigga cool man

640
00:29:56,280 --> 00:29:58,480
Speaker 4: like ooh. And then he turned around and tell this dude, Man, hey, bro,

641
00:29:58,600 --> 00:30:00,920
Speaker 4: y'all nigga find him for back? Bro, how far the

642
00:30:00,920 --> 00:30:04,800
Speaker 4: fuck back? So boom they fall back Boom. You know

643
00:30:04,840 --> 00:30:06,840
Speaker 4: what I'm saying. Now we're over here, and next thing,

644
00:30:06,880 --> 00:30:08,960
Speaker 4: you know, I go to the bathroom. You know what

645
00:30:09,000 --> 00:30:12,080
Speaker 4: I'm saying. I see this nigga in the bathroom. I'm like, man,

646
00:30:12,760 --> 00:30:15,040
Speaker 4: probably this nigga gonna probably try some shit. Like when

647
00:30:15,040 --> 00:30:16,880
Speaker 4: I walk out the bathroom, because he walking out, I'm

648
00:30:16,880 --> 00:30:20,040
Speaker 4: walking in. You know what I'm saying, Yeah, so boom,

649
00:30:20,080 --> 00:30:21,800
Speaker 4: I don't know who this is. I don't know this walker,

650
00:30:21,880 --> 00:30:24,800
Speaker 4: flock or nothing. You know what I'm saying. Yeah, like

651
00:30:24,960 --> 00:30:27,040
Speaker 4: we're in the clubs, club shit, you know what I'm saying.

652
00:30:27,680 --> 00:30:29,720
Speaker 4: So you know what I'm saying, boom. Next thing, you know,

653
00:30:30,640 --> 00:30:33,640
Speaker 4: he walk out. You know what I'm saying, walking in Boom.

654
00:30:34,080 --> 00:30:36,400
Speaker 4: I ain't never goddamn coming out there. So you know.

655
00:30:36,560 --> 00:30:38,360
Speaker 4: And then when you know, when you're too young, like

656
00:30:38,400 --> 00:30:41,720
Speaker 4: you sixteen in the twenty or eighteen and old the

657
00:30:41,760 --> 00:30:44,160
Speaker 4: club whatever it was, you know what I'm saying, you

658
00:30:44,280 --> 00:30:45,840
Speaker 4: can kind of you can kind of tell this some

659
00:30:45,880 --> 00:30:48,960
Speaker 4: one you used to walker like I'm walking out, walk up,

660
00:30:48,960 --> 00:30:51,680
Speaker 4: put the arm around me, like, hey, bro, man, damn,

661
00:30:51,720 --> 00:30:54,600
Speaker 4: it's a hose in here. Bro, you know what I'm saying.

662
00:30:55,040 --> 00:30:56,680
Speaker 4: And I was like, I was like, I'm like man,

663
00:30:56,720 --> 00:30:58,560
Speaker 4: I'm like, nah for real, I'm like remember the hell

664
00:30:58,640 --> 00:31:01,160
Speaker 4: y'all from He was like, man from the south Side.

665
00:31:01,240 --> 00:31:03,800
Speaker 4: He was like, man, Broy got was like here, Bro.

666
00:31:03,960 --> 00:31:05,960
Speaker 4: I was like like non for shure for sure. And

667
00:31:05,960 --> 00:31:08,360
Speaker 4: then he was like he was like man. He was

668
00:31:08,360 --> 00:31:09,920
Speaker 4: like man, I was. He was like, Man, my bad

669
00:31:09,960 --> 00:31:12,360
Speaker 4: about earlier, Bro, my nigga, my niggas down there tweaking, Bro,

670
00:31:12,480 --> 00:31:14,160
Speaker 4: Man your boy. He was coole at hell. Man he

671
00:31:14,200 --> 00:31:15,840
Speaker 4: had on the New York had. I was just talking

672
00:31:15,840 --> 00:31:18,080
Speaker 4: to him like I'm from New York like and then

673
00:31:18,080 --> 00:31:19,800
Speaker 4: I was like word, and then he was like he

674
00:31:19,880 --> 00:31:21,360
Speaker 4: was like man. Yeah, he was like, man, what should

675
00:31:21,400 --> 00:31:23,520
Speaker 4: be doing? I'm like, man, I just I was just

676
00:31:23,520 --> 00:31:24,720
Speaker 4: trying to get to the money.

677
00:31:24,480 --> 00:31:26,800
Speaker 3: Bro, like some real ship beats.

678
00:31:27,840 --> 00:31:28,960
Speaker 4: So I told him I was trying to get to

679
00:31:29,000 --> 00:31:31,240
Speaker 4: the I turn him out, my bad him. I was

680
00:31:31,240 --> 00:31:33,040
Speaker 4: trying to get to the money. And then and then

681
00:31:33,120 --> 00:31:36,560
Speaker 4: he was like he was like man. He was like

682
00:31:36,600 --> 00:31:37,920
Speaker 4: he was like, man, what you do. You hustled, what

683
00:31:38,040 --> 00:31:39,960
Speaker 4: you do. I was like, man, Ship, I make beats

684
00:31:40,280 --> 00:31:42,280
Speaker 4: and he was like, man, oh Ship. He was like, man,

685
00:31:42,320 --> 00:31:45,440
Speaker 4: my cousin Gucci. Man like right for real, I'm like, nigga, Gucci,

686
00:31:45,480 --> 00:31:47,640
Speaker 4: my nigga. I pull out my phone. I was showing

687
00:31:47,640 --> 00:31:49,800
Speaker 4: them two numbers I got on Gucci and he like

688
00:31:50,560 --> 00:31:52,720
Speaker 4: he was like, oh, ship boy, you know Gucci for real.

689
00:31:53,120 --> 00:31:54,480
Speaker 4: He was like, he was like, man, hey, let me

690
00:31:54,520 --> 00:31:56,200
Speaker 4: get your number. Guchi about to come home, Like, let

691
00:31:56,240 --> 00:31:58,560
Speaker 4: me get your number. So boh he got my number.

692
00:31:59,040 --> 00:32:01,920
Speaker 4: And then like I walked back over there to like

693
00:32:02,280 --> 00:32:04,520
Speaker 4: to my guys people you know what I'm saying, and

694
00:32:04,600 --> 00:32:07,280
Speaker 4: one of my brothers like these my big brothers. They

695
00:32:07,280 --> 00:32:09,240
Speaker 4: tell my mom like, man, we got him. You know

696
00:32:09,240 --> 00:32:10,480
Speaker 4: what I'm saying, Like he's gonna be good when he

697
00:32:10,560 --> 00:32:12,080
Speaker 4: came home, Like you know what I'm saying, he gonna

698
00:32:12,120 --> 00:32:15,000
Speaker 4: come home. Like so he like, you gave that nigga

699
00:32:15,000 --> 00:32:17,440
Speaker 4: your number. I'm like I'm like, hey, yeah, he's the

700
00:32:17,480 --> 00:32:20,080
Speaker 4: man that goosey cousin. Bro. You know he was like

701
00:32:20,160 --> 00:32:22,280
Speaker 4: he was like, man, fuck that nigga.

702
00:32:22,360 --> 00:32:25,400
Speaker 3: Bro, Like you know what I'm saying, Like that's how

703
00:32:25,480 --> 00:32:26,120
Speaker 3: niggas are crazy.

704
00:32:26,120 --> 00:32:28,040
Speaker 4: You know what I'm saying. So you know what I'm saying.

705
00:32:28,080 --> 00:32:30,600
Speaker 4: So he like, man, hell like, so I'm thinking I

706
00:32:30,680 --> 00:32:33,960
Speaker 4: slipped Yeah, I'm thinking I slipped up. I'm like, man,

707
00:32:34,520 --> 00:32:36,520
Speaker 4: I went back and I told walking. I'm like, man, hey, bro,

708
00:32:36,560 --> 00:32:37,360
Speaker 4: I gave you the wrong.

709
00:32:37,680 --> 00:32:40,000
Speaker 3: Get the number back. He took the number back.

710
00:32:41,440 --> 00:32:44,880
Speaker 4: I'm like, brother, I gave you the wrong down number,

711
00:32:45,040 --> 00:32:47,600
Speaker 4: and I gave him my Internet number. Like you know

712
00:32:47,720 --> 00:32:50,120
Speaker 4: that's when you had dollar. You know what I'm saying,

713
00:32:50,200 --> 00:32:54,120
Speaker 4: this is yeah, yeah, so I give my Internet number.

714
00:32:54,240 --> 00:32:55,880
Speaker 4: You know what I'm saying. So I'm like, man, if

715
00:32:55,880 --> 00:32:57,640
Speaker 4: it's ever meant to be whatever, you know what I'm saying,

716
00:32:57,680 --> 00:33:00,440
Speaker 4: like boom, So I just leave. I forget about the

717
00:33:00,480 --> 00:33:03,480
Speaker 4: whole scenario. One day, I'm I'm not supposed to be

718
00:33:03,560 --> 00:33:05,160
Speaker 4: on the phone. I'm slick gonna punishment, you know what

719
00:33:05,160 --> 00:33:07,800
Speaker 4: I'm saying. When I grab the phone. I got my

720
00:33:07,840 --> 00:33:10,520
Speaker 4: sister phone she done went to college. I got another

721
00:33:10,520 --> 00:33:14,000
Speaker 4: phone in my room, plug up the internet line. She

722
00:33:14,200 --> 00:33:17,480
Speaker 4: started ringing. I'm like hello, and You're like, man, nigga,

723
00:33:17,480 --> 00:33:19,400
Speaker 4: you don't never pick up the phone. I'm like, man,

724
00:33:19,400 --> 00:33:22,280
Speaker 4: who is like you're like man if Walker, I'm like

725
00:33:22,320 --> 00:33:24,280
Speaker 4: Walker wykome who he was like, man, Gucci comes in

726
00:33:24,320 --> 00:33:26,040
Speaker 4: from the club. I'm like, oh Ship, what up bro?

727
00:33:26,520 --> 00:33:29,960
Speaker 4: And then so boom our first conversation. We chop it

728
00:33:30,040 --> 00:33:32,840
Speaker 4: up for like thirty minutes, forty five minutes, and he

729
00:33:32,960 --> 00:33:35,160
Speaker 4: telling me like he's just telling me, like, man, who

730
00:33:35,160 --> 00:33:36,920
Speaker 4: with mom is? Like how.

731
00:33:38,280 --> 00:33:40,000
Speaker 3: WA's whole family is gangster?

732
00:33:40,320 --> 00:33:44,440
Speaker 4: Yeah? No, for real? So he tells me who his

733
00:33:44,480 --> 00:33:46,680
Speaker 4: mom is. You know what I'm saying. He telling me

734
00:33:46,720 --> 00:33:49,760
Speaker 4: how she managed Gucci and how she really liked the

735
00:33:49,800 --> 00:33:51,960
Speaker 4: Plug and now I want Nikki.

736
00:33:51,720 --> 00:33:53,720
Speaker 3: Back then before Nikki.

737
00:33:53,720 --> 00:33:56,760
Speaker 4: Oh yeah, yeah, it's way before Nikki, you know what

738
00:33:56,760 --> 00:33:59,200
Speaker 4: I'm saying. So he's just telling me like she managing

739
00:33:59,240 --> 00:34:01,600
Speaker 4: Gucci and like she like the Plug and everything like that.

740
00:34:01,680 --> 00:34:04,400
Speaker 4: So I'm like, I'm like, damn for real. He're like hey, yeah,

741
00:34:04,560 --> 00:34:07,080
Speaker 4: you know what I'm saying. So now me and Walker

742
00:34:07,120 --> 00:34:09,360
Speaker 4: staying in contact. So like he used to hit me

743
00:34:09,360 --> 00:34:11,520
Speaker 4: from his mom number sometimes, you know what I'm saying.

744
00:34:11,760 --> 00:34:14,240
Speaker 4: So one time I'm calling him back and then she

745
00:34:14,239 --> 00:34:15,799
Speaker 4: she picked up the phone and she was like, is

746
00:34:15,800 --> 00:34:19,200
Speaker 4: this Mike will I was like yeah. She was like, man, hey, man,

747
00:34:19,239 --> 00:34:21,200
Speaker 4: you are you all my soign talk about Man, he

748
00:34:21,280 --> 00:34:23,160
Speaker 4: keep telling me how you're gonna be the biggest producer,

749
00:34:23,480 --> 00:34:24,680
Speaker 4: and you know what I'm saying, this is and that

750
00:34:24,760 --> 00:34:26,279
Speaker 4: and like you know what I'm saying, Like.

751
00:34:28,880 --> 00:34:29,560
Speaker 3: You know what I'm saying.

752
00:34:30,320 --> 00:34:32,719
Speaker 4: Like he was like, he was like, man, he kept

753
00:34:32,960 --> 00:34:34,440
Speaker 4: he kept telling me how you're gonna be the biggest

754
00:34:34,440 --> 00:34:36,279
Speaker 4: producer and like how you're gonna take over the game,

755
00:34:36,600 --> 00:34:38,000
Speaker 4: and how I need to meet with you. I need

756
00:34:38,000 --> 00:34:40,920
Speaker 4: to meet with you, sweetie. I was like, I'm like, man, man,

757
00:34:40,920 --> 00:34:42,840
Speaker 4: I'm ready, like he told me, like you the plug

758
00:34:42,960 --> 00:34:45,759
Speaker 4: like man. At this time, I ow who she was

759
00:34:45,800 --> 00:34:50,640
Speaker 4: my stomach touching the back and my stomach touched my back.

760
00:34:50,840 --> 00:34:53,960
Speaker 4: You know what I'm saying. So I talked to her

761
00:34:54,000 --> 00:34:56,600
Speaker 4: about that about me up and now me and Walker

762
00:34:56,640 --> 00:34:59,520
Speaker 4: staying in contact. Then another time he like, hey, bro,

763
00:34:59,560 --> 00:35:01,920
Speaker 4: I got my I want to talk to you boom

764
00:35:02,120 --> 00:35:04,719
Speaker 4: Gucci like her boy, good thing you running to my cousin. Boy,

765
00:35:04,719 --> 00:35:06,320
Speaker 4: I need them beats, you know what I'm saying. Get

766
00:35:06,400 --> 00:35:08,360
Speaker 4: them beats to my little cousin. Man, you know what

767
00:35:08,360 --> 00:35:11,160
Speaker 4: I'm saying. So from there, he started having me pull

768
00:35:11,239 --> 00:35:13,399
Speaker 4: up to the studio. You know what I'm saying. So

769
00:35:14,440 --> 00:35:17,399
Speaker 4: like back then, I'm I'm now I'm the youngest nigga

770
00:35:17,400 --> 00:35:19,080
Speaker 4: in this room. You know what I'm saying, because like

771
00:35:19,560 --> 00:35:21,640
Speaker 4: it's me and Walker, we the two youngest niggas in

772
00:35:21,680 --> 00:35:24,520
Speaker 4: the room. But in the room it's like Shoddy red

773
00:35:24,719 --> 00:35:27,040
Speaker 4: Stove and drump my boy. You know what I'm saying.

774
00:35:27,080 --> 00:35:28,719
Speaker 4: In fact, boy, you know what I'm saying. All the

775
00:35:28,719 --> 00:35:30,880
Speaker 4: producers who I look up to, I'm like, damn, like,

776
00:35:30,920 --> 00:35:32,719
Speaker 4: I'm now I'm in the room with these niggas. You

777
00:35:32,719 --> 00:35:35,120
Speaker 4: know what I'm saying. So I remember being in there

778
00:35:35,120 --> 00:35:38,920
Speaker 4: one night and Gucci was like he was like, he

779
00:35:39,040 --> 00:35:41,719
Speaker 4: was like, man, he was listening to some beats and

780
00:35:41,719 --> 00:35:43,560
Speaker 4: he was like, hey, bro, this is my young nigga

781
00:35:43,600 --> 00:35:46,440
Speaker 4: right here. Man's my young nigga. Mike will I played

782
00:35:46,440 --> 00:35:50,080
Speaker 4: them beats. Bro. I'm like yeah, I'm like, man, hey,

783
00:35:50,320 --> 00:35:54,279
Speaker 4: now like you feel me like I'm in here, well here, no,

784
00:35:54,680 --> 00:35:57,279
Speaker 4: these like the gladiators right here. I'm like and he

785
00:35:57,440 --> 00:35:58,560
Speaker 4: like what you shy?

786
00:35:58,680 --> 00:35:58,800
Speaker 5: You know?

787
00:35:59,120 --> 00:36:04,040
Speaker 4: Put be you know what I'm saying. And then told

788
00:36:04,080 --> 00:36:07,200
Speaker 4: you this. So I heard play on the beats boom

789
00:36:07,600 --> 00:36:09,640
Speaker 4: him and his whole squad and that just freestyle and

790
00:36:09,719 --> 00:36:12,120
Speaker 4: just you know what I'm saying, vibing to the beat,

791
00:36:12,360 --> 00:36:14,680
Speaker 4: and then from there like you know what I'm saying,

792
00:36:14,680 --> 00:36:16,799
Speaker 4: and then from there like that's how I met Like

793
00:36:16,920 --> 00:36:19,480
Speaker 4: Ko Ko pulled me to his side. He would give

794
00:36:19,480 --> 00:36:21,120
Speaker 4: me some advice on the beat, and they told him,

795
00:36:21,120 --> 00:36:22,719
Speaker 4: will give me some advice on the beat. They told him,

796
00:36:22,719 --> 00:36:24,560
Speaker 4: would let me come over to his crib. You know

797
00:36:24,600 --> 00:36:26,480
Speaker 4: what I'm saying. He had my sessions going on. I

798
00:36:26,520 --> 00:36:28,600
Speaker 4: met a lot of artists at They told my mama

799
00:36:28,640 --> 00:36:30,759
Speaker 4: house like you know what I'm saying, that's why he'll

800
00:36:30,960 --> 00:36:32,880
Speaker 4: forever be my big brother, Like you know what I'm saying.

801
00:36:33,200 --> 00:36:36,080
Speaker 4: And and that was just me being the youngest guy

802
00:36:36,120 --> 00:36:38,839
Speaker 4: in the room. But it's like they embraced me like that.

803
00:36:38,880 --> 00:36:41,440
Speaker 4: But meanwhile, when Walker told his mom that when he

804
00:36:41,480 --> 00:36:45,239
Speaker 4: told them that he had never heard a beat, he

805
00:36:45,239 --> 00:36:47,000
Speaker 4: ain't never heard a high hat, he ain't never heard

806
00:36:47,000 --> 00:36:47,440
Speaker 4: none of my.

807
00:36:47,480 --> 00:36:50,279
Speaker 3: Music about you for you without hearing anything.

808
00:36:50,000 --> 00:36:53,680
Speaker 4: Without hearing just going off vibe, you know what I'm saying,

809
00:36:53,719 --> 00:36:57,680
Speaker 4: Like he saw like how we transformed out there, he

810
00:36:58,239 --> 00:37:00,759
Speaker 4: knowing like man, these dudes got to move. But you

811
00:37:00,800 --> 00:37:03,719
Speaker 4: know what I'm saying. But at the same time, this dude,

812
00:37:03,840 --> 00:37:06,200
Speaker 4: coolest head on the phone, like you know what I'm saying,

813
00:37:06,440 --> 00:37:10,080
Speaker 4: And I'm sure he could like tell like the passion,

814
00:37:10,160 --> 00:37:12,360
Speaker 4: like you know what I'm saying, like when I'm talking

815
00:37:12,360 --> 00:37:14,480
Speaker 4: to him, And I had a vision. I always had

816
00:37:14,480 --> 00:37:16,320
Speaker 4: a vision, like as a young nigga, Like you know

817
00:37:16,320 --> 00:37:18,680
Speaker 4: what I'm saying, Like I always had a vision and

818
00:37:18,840 --> 00:37:21,520
Speaker 4: like how big like this ship could actually be you

819
00:37:21,560 --> 00:37:25,040
Speaker 4: know what I'm saying, And and and Walker was overly

820
00:37:25,120 --> 00:37:28,200
Speaker 4: vouching like I'm talking about to a to a point

821
00:37:28,200 --> 00:37:30,239
Speaker 4: where like, man, we might go to some Gucci Man

822
00:37:30,360 --> 00:37:33,799
Speaker 4: video shoot sometime. We might go to Gucci Man video

823
00:37:33,800 --> 00:37:36,319
Speaker 4: shoot sometime, and you know what I'm saying. He want

824
00:37:36,360 --> 00:37:38,120
Speaker 4: to walk up in the middle of everybody and be like,

825
00:37:38,200 --> 00:37:41,600
Speaker 4: hey man, this young nigga about to take over the game. Man,

826
00:37:41,880 --> 00:37:43,279
Speaker 4: Like you know what I'm saying, this and that, this

827
00:37:43,320 --> 00:37:45,760
Speaker 4: and that. So it's like, yeah, man, shout out, shout

828
00:37:45,760 --> 00:37:47,640
Speaker 4: out to Walker, shout out to death. You know what

829
00:37:47,680 --> 00:37:48,080
Speaker 4: I'm saying.

830
00:37:52,960 --> 00:37:54,799
Speaker 1: Yes, So you know, we went twenty minutes to suit

831
00:37:54,880 --> 00:37:56,560
Speaker 1: you a glass and we wanted to make sure.

832
00:37:56,719 --> 00:38:03,440
Speaker 4: The glass talk to that man. Know what, Let me

833
00:38:03,520 --> 00:38:07,600
Speaker 4: tell you something, But.

834
00:38:10,600 --> 00:38:14,200
Speaker 1: Let me just tell you something, brother, what you have done,

835
00:38:14,400 --> 00:38:18,840
Speaker 1: what you have overcame, what you have provided to the game.

836
00:38:19,280 --> 00:38:22,560
Speaker 1: We got to give your flowers, brother, like, like we gotta,

837
00:38:22,719 --> 00:38:25,440
Speaker 1: we got we got to get your flowers. Brother, like,

838
00:38:28,920 --> 00:38:33,520
Speaker 1: you are really one of the best producers ever made it.

839
00:38:34,000 --> 00:38:39,400
Speaker 3: So we want to get you.

840
00:38:39,719 --> 00:38:44,919
Speaker 1: I'm sorry, gave you better than they because it comes

841
00:38:44,960 --> 00:38:46,960
Speaker 1: from our people. But we want to tell you how

842
00:38:47,040 --> 00:38:49,319
Speaker 1: much you mean to us, man, Like I mean to

843
00:38:49,400 --> 00:38:53,719
Speaker 1: the game period is You're a legend, legend, you are icon.

844
00:38:54,160 --> 00:38:56,400
Speaker 3: You you you you are one of the.

845
00:38:56,239 --> 00:38:59,880
Speaker 1: Best producers out there, if not the best producer out.

846
00:38:59,680 --> 00:39:01,680
Speaker 3: There, And we want to give you your flowers.

847
00:39:01,840 --> 00:39:07,040
Speaker 4: Man, appreciate that. Appreciate that. I appreciate that. It's definitely

848
00:39:07,040 --> 00:39:08,440
Speaker 4: going up in the compound. Man.

849
00:39:08,560 --> 00:39:12,400
Speaker 1: Yeah yeah, And and I can't lie every time I

850
00:39:12,440 --> 00:39:15,040
Speaker 1: see you, like I got a beef for you, and

851
00:39:15,120 --> 00:39:15,440
Speaker 1: I was.

852
00:39:15,400 --> 00:39:19,120
Speaker 6: Like, damn yeah yeah.

853
00:39:19,200 --> 00:39:24,200
Speaker 4: But also also also we gotta we gotta get our

854
00:39:24,280 --> 00:39:25,520
Speaker 4: drinking game on with them.

855
00:39:25,719 --> 00:39:27,000
Speaker 3: Are we ready for quick time, y'all?

856
00:39:27,200 --> 00:39:27,359
Speaker 4: Yeah?

857
00:39:27,400 --> 00:39:28,800
Speaker 3: Yeah, yeah, yeah, no, no already.

858
00:39:29,160 --> 00:39:31,279
Speaker 1: Now, if you don't want to drink, you don't have to.

859
00:39:32,080 --> 00:39:35,000
Speaker 1: You can sit or you can sit by the way.

860
00:39:36,600 --> 00:39:44,360
Speaker 1: You have just won Drink Champs most expensive. Patty Lavelle

861
00:39:44,400 --> 00:39:46,200
Speaker 1: had it for a second.

862
00:39:47,480 --> 00:39:48,960
Speaker 3: No, she she ordered.

863
00:39:48,760 --> 00:39:51,520
Speaker 1: Camis and then I and I ordered her office.

864
00:39:52,239 --> 00:39:55,719
Speaker 3: But when you ordered this ship with whatever whatever the.

865
00:39:55,719 --> 00:39:56,080
Speaker 4: Name that.

866
00:39:59,440 --> 00:40:02,640
Speaker 3: The other one thirty two thousands.

867
00:40:04,640 --> 00:40:07,040
Speaker 4: I ain't gonna lie. I ain't gonna lie. Man. You

868
00:40:07,040 --> 00:40:08,560
Speaker 4: you are, you are what you and you are what

869
00:40:08,600 --> 00:40:09,879
Speaker 4: you consume. You know what I'm saying.

870
00:40:10,239 --> 00:40:11,080
Speaker 3: So you're killing in.

871
00:40:14,040 --> 00:40:17,759
Speaker 1: We got a officially, Mike will is the most expensive

872
00:40:18,080 --> 00:40:20,759
Speaker 1: Nigo on Drink Champs.

873
00:40:22,520 --> 00:40:27,840
Speaker 3: Yo, hold on, you're gonna compete with relaxed Teddy Rolly

874
00:40:27,840 --> 00:40:32,560
Speaker 3: came very close. Teddy Body came a humble production budget.

875
00:40:37,600 --> 00:40:39,759
Speaker 4: Now this shot, this ship is a big This ship

876
00:40:39,840 --> 00:40:41,799
Speaker 4: is a big platform. Man. You know what I'm saying,

877
00:40:43,200 --> 00:40:46,520
Speaker 4: and and and and it's all about you know, taste

878
00:40:46,520 --> 00:40:50,319
Speaker 4: palace man, y'all got go by that we keep keep them.

879
00:40:51,360 --> 00:40:53,120
Speaker 3: Yes, we all hate the spade driven.

880
00:40:53,320 --> 00:40:55,920
Speaker 1: But do you I don't even know how to pronounce

881
00:40:55,960 --> 00:40:56,279
Speaker 1: this ship.

882
00:40:56,320 --> 00:40:56,880
Speaker 4: You ordered.

883
00:40:58,600 --> 00:41:05,000
Speaker 7: Bumba bro that's the type of that's the type of red.

884
00:41:05,280 --> 00:41:09,200
Speaker 4: Okay, so where's that from? This specific one? I don't

885
00:41:09,200 --> 00:41:09,960
Speaker 4: know where it's from.

886
00:41:11,040 --> 00:41:14,080
Speaker 1: Talk that one kind of ship because no, no, he's

887
00:41:14,120 --> 00:41:14,760
Speaker 1: very expensive.

888
00:41:15,360 --> 00:41:18,840
Speaker 3: I said I can hang out with this nigga, and

889
00:41:19,000 --> 00:41:20,120
Speaker 3: he wanted he would it.

890
00:41:20,160 --> 00:41:27,680
Speaker 4: I was like, this is my type of Yeah, okay,

891
00:41:28,200 --> 00:41:31,759
Speaker 4: break where's that coming from? This one right here, come

892
00:41:31,800 --> 00:41:32,960
Speaker 4: from Italy, Italy.

893
00:41:33,040 --> 00:41:35,000
Speaker 3: Okay, listen, I can hang.

894
00:41:34,840 --> 00:41:38,160
Speaker 4: With you all day for sure. I have you ever

895
00:41:38,200 --> 00:41:39,040
Speaker 4: been in Napa Valley?

896
00:41:39,200 --> 00:41:44,640
Speaker 1: Absolutely? Yeah, absolutely, I'm gonna opens one. Dude, I'm a chemist. Dude,

897
00:41:44,719 --> 00:41:47,040
Speaker 1: I'm I'm I'm all that, I'm.

898
00:41:46,880 --> 00:41:47,399
Speaker 4: With all that.

899
00:41:48,000 --> 00:41:48,319
Speaker 3: So cool.

900
00:41:48,320 --> 00:41:50,239
Speaker 4: We got we got, we got the album, the joint,

901
00:41:50,280 --> 00:41:50,799
Speaker 4: we got the list.

902
00:41:50,880 --> 00:41:53,239
Speaker 3: So you got to explain your game. This is our

903
00:41:53,280 --> 00:41:55,319
Speaker 3: drinking game. We're gonna give you two options right here.

904
00:41:55,680 --> 00:41:59,560
Speaker 5: You picked one, we don't drink one of the options

905
00:41:59,840 --> 00:42:02,759
Speaker 5: you say both both are neither, Like you really don't

906
00:42:02,760 --> 00:42:05,040
Speaker 5: want to answer, you want to be politically correct. Then

907
00:42:05,080 --> 00:42:06,919
Speaker 5: we all take a shot or we take a drink.

908
00:42:07,680 --> 00:42:09,880
Speaker 5: But really it's about stories. It's really about bringing up

909
00:42:09,920 --> 00:42:11,160
Speaker 5: names and places and things.

910
00:42:11,680 --> 00:42:12,520
Speaker 4: Yeah, it's not.

911
00:42:12,600 --> 00:42:14,359
Speaker 3: It's not about pinning anybody against each other.

912
00:42:14,440 --> 00:42:14,600
Speaker 8: Yea.

913
00:42:15,320 --> 00:42:16,319
Speaker 3: So the first one is.

914
00:42:16,520 --> 00:42:22,520
Speaker 4: I don't want no smoke. Future young thug, Come on, man,

915
00:42:22,600 --> 00:42:30,359
Speaker 4: y'all popping up like that, you're taking we got, Yeah,

916
00:42:30,400 --> 00:42:32,600
Speaker 4: I got, I gotta, I gotta, I gotta say both.

917
00:42:32,880 --> 00:42:36,440
Speaker 4: You know what I'm saying, because a drink. Yeah, because

918
00:42:36,480 --> 00:42:38,359
Speaker 4: of all of what they all of what they did

919
00:42:38,480 --> 00:42:40,399
Speaker 4: for the game, and and you know what I'm saying,

920
00:42:40,480 --> 00:42:44,520
Speaker 4: how they push it forward, like like it was real.

921
00:42:44,600 --> 00:42:46,680
Speaker 4: It was real similar meeting both of them. You know

922
00:42:46,719 --> 00:42:48,600
Speaker 4: what I'm saying, Because it was like it was like

923
00:42:49,800 --> 00:42:51,719
Speaker 4: it was real similar meeting both of them, because it's

924
00:42:51,719 --> 00:42:55,400
Speaker 4: like like I had my future, like I said earlier,

925
00:42:55,480 --> 00:42:59,400
Speaker 4: like with Rocco. You know what I'm saying, Future and

926
00:42:59,520 --> 00:43:03,479
Speaker 4: Rock Shakestage situation ship for real?

927
00:43:03,560 --> 00:43:05,399
Speaker 3: I really hold a f BG.

928
00:43:05,600 --> 00:43:06,160
Speaker 4: You know what I'm saying.

929
00:43:06,280 --> 00:43:07,799
Speaker 3: It was crazy. Sorry to cut you off.

930
00:43:07,960 --> 00:43:11,120
Speaker 1: I met Future and Rocco in the same exact place.

931
00:43:11,880 --> 00:43:13,880
Speaker 1: I can't say weird because I think they still hang

932
00:43:13,960 --> 00:43:18,279
Speaker 1: out there. So I met Rocco one day there and

933
00:43:18,320 --> 00:43:20,080
Speaker 1: then I met Future the next day.

934
00:43:20,239 --> 00:43:24,520
Speaker 4: It was crazy, Yeah, non for real, but we was

935
00:43:24,800 --> 00:43:27,040
Speaker 4: like I will always see Future, like we'll be in

936
00:43:27,040 --> 00:43:30,799
Speaker 4: the same clubs or whatnot. But like one day I

937
00:43:30,840 --> 00:43:33,000
Speaker 4: was holding that Roco like, man, bro, what's up? Man?

938
00:43:33,080 --> 00:43:35,080
Speaker 4: Like man, you know what I'm saying. You need to

939
00:43:35,120 --> 00:43:38,000
Speaker 4: steal a rap bro, Like I got some ship for you.

940
00:43:38,360 --> 00:43:40,440
Speaker 4: He was like, man, look man, I'm putting the focus

941
00:43:40,480 --> 00:43:42,239
Speaker 4: on you know what I'm saying, my guy right here? Man,

942
00:43:42,320 --> 00:43:44,160
Speaker 4: you know what I'm saying. Yeah, he was like, man,

943
00:43:44,160 --> 00:43:46,160
Speaker 4: he was like, man, this dude next, So me in

944
00:43:46,239 --> 00:43:49,279
Speaker 4: future had exchange numbers right then. Then like a night

945
00:43:49,440 --> 00:43:52,359
Speaker 4: or two later, I was in Magic and.

946
00:43:52,280 --> 00:43:54,759
Speaker 3: Then like I was a city yeah club.

947
00:43:54,600 --> 00:43:57,960
Speaker 4: Yeah for sure. And and that's you know, that's we

948
00:43:58,520 --> 00:44:00,839
Speaker 4: in Atlanta. Like you record the song just to go

949
00:44:00,880 --> 00:44:02,520
Speaker 4: to Magic, just to just to play it, you know

950
00:44:02,560 --> 00:44:05,080
Speaker 4: what I'm saying. Like that's like, can your ship play

951
00:44:05,120 --> 00:44:06,560
Speaker 4: at the Grammy? He's like, you know what I'm saying.

952
00:44:06,800 --> 00:44:09,239
Speaker 4: So it's like for he heal. So it's like one

953
00:44:09,280 --> 00:44:12,200
Speaker 4: day we imagine and and like I'm I'm telling Esco,

954
00:44:12,360 --> 00:44:15,560
Speaker 4: this is my first time me and Esco like I'm yeah.

955
00:44:15,960 --> 00:44:18,240
Speaker 4: So I'm like, I'm like, man, he went to jail

956
00:44:18,719 --> 00:44:21,359
Speaker 4: right years later, you know what I'm saying. But but

957
00:44:21,400 --> 00:44:23,280
Speaker 4: like when when I when I when I was talking

958
00:44:23,280 --> 00:44:26,399
Speaker 4: to him mom at this specific time, I was like, man,

959
00:44:26,440 --> 00:44:28,200
Speaker 4: a bro, I'm about to go on a crazy run.

960
00:44:28,800 --> 00:44:30,319
Speaker 4: I'm like, man, I'm about have going a crazy run

961
00:44:30,480 --> 00:44:32,520
Speaker 4: working with every artist in the city. Bro, I'm at

962
00:44:32,560 --> 00:44:34,480
Speaker 4: every studio every night, like I want to be able

963
00:44:34,520 --> 00:44:36,919
Speaker 4: to come through here and like and and like play

964
00:44:37,000 --> 00:44:38,800
Speaker 4: these records and break these records, like I want to

965
00:44:38,800 --> 00:44:41,160
Speaker 4: fuck with you. Whatever you're fucking with, I'm fucking with,

966
00:44:41,320 --> 00:44:42,799
Speaker 4: like you know what I'm saying, like off the rip,

967
00:44:43,080 --> 00:44:45,239
Speaker 4: And so he was like, man, hey, bro, man, the

968
00:44:45,320 --> 00:44:47,440
Speaker 4: artists I'm focusing on right now is future. You know

969
00:44:47,480 --> 00:44:50,280
Speaker 4: what I'm saying. And I was like, I'm like a word.

970
00:44:50,760 --> 00:44:52,200
Speaker 4: And then he was like he was like yeah, like

971
00:44:52,280 --> 00:44:53,799
Speaker 4: you know about future. I was like, man, that's the

972
00:44:53,800 --> 00:44:56,160
Speaker 4: one who got I'm like, what's so he got here? Like, Man,

973
00:44:56,320 --> 00:44:59,239
Speaker 4: you heard Mexico Lingo. I was like, hell yeah, I was.

974
00:45:00,920 --> 00:45:02,320
Speaker 4: I remember True Life.

975
00:45:03,800 --> 00:45:06,399
Speaker 3: Talking to us about future, but he caught a meat

976
00:45:06,440 --> 00:45:09,320
Speaker 3: had m m. Yeah. He was down with the Dungeon

977
00:45:09,360 --> 00:45:10,560
Speaker 3: family at that time.

978
00:45:11,160 --> 00:45:13,600
Speaker 7: Before that or this is after that, you know, this

979
00:45:13,719 --> 00:45:18,680
Speaker 7: was this has been after that and then so so

980
00:45:18,920 --> 00:45:21,319
Speaker 7: he was like, man, Mexico Lingo and I was like, man,

981
00:45:21,320 --> 00:45:24,720
Speaker 7: I had been hearing that and Platinum and and and Magic.

982
00:45:24,800 --> 00:45:26,880
Speaker 4: You know what I'm saying, like between those two clubs,

983
00:45:26,880 --> 00:45:30,080
Speaker 4: Like I was hearing that, like like I was hearing

984
00:45:30,080 --> 00:45:32,120
Speaker 4: that overly, so I was like, oh, like yo, no,

985
00:45:32,160 --> 00:45:33,919
Speaker 4: I fuck with that Mexico Lingo. And I was trying

986
00:45:33,920 --> 00:45:35,960
Speaker 4: to figure out who that was from the city, you

987
00:45:36,000 --> 00:45:38,560
Speaker 4: know what I'm saying. So then boom, he was like, man,

988
00:45:38,600 --> 00:45:40,440
Speaker 4: that's Future, you know what I'm saying, Like that's the

989
00:45:40,480 --> 00:45:43,000
Speaker 4: artist I'm focused on. I'm like, man, ships line the

990
00:45:43,040 --> 00:45:44,040
Speaker 4: session up, you feel me?

991
00:45:45,360 --> 00:45:47,879
Speaker 3: This off DJ.

992
00:45:48,760 --> 00:45:51,120
Speaker 4: So that ended up being the second person that like

993
00:45:51,200 --> 00:45:54,080
Speaker 4: within like that week that was talking about like you

994
00:45:54,120 --> 00:45:56,120
Speaker 4: know what I'm saying, Mike Will and Mike Will in Future.

995
00:45:56,160 --> 00:45:59,719
Speaker 4: So boom we had set up the session and one

996
00:45:59,760 --> 00:46:02,440
Speaker 4: thing I already had knew about Pluto was like, man,

997
00:46:02,719 --> 00:46:05,000
Speaker 4: all right, man Broke got an out of pocket flow

998
00:46:05,040 --> 00:46:07,560
Speaker 4: and he done to do like different shit like you

999
00:46:07,600 --> 00:46:10,319
Speaker 4: know what I'm saying, Mexico Lingo and watch this Like

1000
00:46:10,360 --> 00:46:12,479
Speaker 4: those were my like introductions, you know what I'm saying,

1001
00:46:12,520 --> 00:46:16,160
Speaker 4: like to like but I had heard his music before,

1002
00:46:16,160 --> 00:46:18,719
Speaker 4: but I ain't know it was him, Like but like nah,

1003
00:46:18,719 --> 00:46:20,560
Speaker 4: I know, like okay, this is this is bro you

1004
00:46:20,560 --> 00:46:23,000
Speaker 4: know what I'm saying. So from then it was just

1005
00:46:23,040 --> 00:46:26,080
Speaker 4: like I'm in the studio every day, every day. You

1006
00:46:26,080 --> 00:46:28,760
Speaker 4: know what I'm saying every song on Dirty Spike Streets

1007
00:46:28,800 --> 00:46:31,960
Speaker 4: calling true story. You know what I'm saying, honest, you

1008
00:46:31,960 --> 00:46:35,279
Speaker 4: know what I'm saying, Like like Pluto, you know what

1009
00:46:35,280 --> 00:46:38,000
Speaker 4: I'm saying. Astronaut said all that like every day. You

1010
00:46:38,000 --> 00:46:40,160
Speaker 4: know what I'm saying. So it was like it was

1011
00:46:40,200 --> 00:46:43,120
Speaker 4: like that that right there was like a groundbreaking time.

1012
00:46:43,160 --> 00:46:45,160
Speaker 4: And then I remember, like you know what I'm saying,

1013
00:46:45,200 --> 00:46:48,600
Speaker 4: like like all that was happening in Me and Pluto

1014
00:46:48,680 --> 00:46:51,040
Speaker 4: were like the young and bringing the cool and bringing

1015
00:46:51,040 --> 00:46:53,480
Speaker 4: them forward, pushing sound in like the out of pocket

1016
00:46:54,000 --> 00:46:57,600
Speaker 4: like sound like for like we're like owning that space,

1017
00:46:57,640 --> 00:46:59,440
Speaker 4: you know what I'm saying. And then I remember, like

1018
00:47:00,040 --> 00:47:02,839
Speaker 4: this time. Now we're moving around now bro into put

1019
00:47:02,960 --> 00:47:05,120
Speaker 4: on tour, Like now I'm working with all kinds of

1020
00:47:05,160 --> 00:47:07,440
Speaker 4: different artists. I'm l a a little bit more in

1021
00:47:07,600 --> 00:47:09,560
Speaker 4: New York, a little bit more Miami, Like I'm moving

1022
00:47:09,600 --> 00:47:11,720
Speaker 4: around now. And then I go back to the city

1023
00:47:11,760 --> 00:47:14,520
Speaker 4: and then Gucci telling me about young Thug you know

1024
00:47:14,520 --> 00:47:16,640
Speaker 4: what I'm saying, and go like, Bro, I'm telling you

1025
00:47:16,640 --> 00:47:18,560
Speaker 4: when you meet this dude right here, Bro, this dude

1026
00:47:18,680 --> 00:47:20,320
Speaker 4: is a star. Bro, Like you know what I'm saying.

1027
00:47:20,640 --> 00:47:23,279
Speaker 1: And what was the first record you in future when

1028
00:47:23,280 --> 00:47:26,120
Speaker 1: you got together that you was like, oh my god,

1029
00:47:26,200 --> 00:47:26,880
Speaker 1: this is it.

1030
00:47:27,680 --> 00:47:30,360
Speaker 4: Uh dirty dirty s Frike was the first time that

1031
00:47:30,600 --> 00:47:33,600
Speaker 4: Fight was the first time drink that fright was the

1032
00:47:33,600 --> 00:47:37,560
Speaker 4: first song that Fight was the first song that we

1033
00:47:38,360 --> 00:47:38,919
Speaker 4: that we did.

1034
00:47:39,040 --> 00:47:40,719
Speaker 3: You know what I'm saying, that's your first song.

1035
00:47:41,160 --> 00:47:43,239
Speaker 4: Yeah, yeah, the first song we did. You know what

1036
00:47:43,239 --> 00:47:47,640
Speaker 4: I'm saying. And you know anything, you know what I'm saying.

1037
00:47:47,760 --> 00:47:49,279
Speaker 4: You want to put the lane with it, if you

1038
00:47:49,320 --> 00:47:52,120
Speaker 4: want to put Kanye whatever you want to do. You

1039
00:47:52,160 --> 00:47:52,640
Speaker 4: know what I'm saying.

1040
00:47:53,239 --> 00:47:59,920
Speaker 8: You know what I'm saying. For the want me a lot,

1041
00:48:02,280 --> 00:48:05,120
Speaker 8: I was like, shit, that was.

1042
00:48:05,120 --> 00:48:07,520
Speaker 4: The first song that then like ain't nowhere around it.

1043
00:48:07,560 --> 00:48:11,319
Speaker 4: I feel like that was just like that was like

1044
00:48:11,400 --> 00:48:13,560
Speaker 4: when we when we knew like we that's when like

1045
00:48:13,600 --> 00:48:16,360
Speaker 4: the radio was playing that joint for thirty minutes straight,

1046
00:48:16,440 --> 00:48:18,799
Speaker 4: you know what I'm saying, and like running it back.

1047
00:48:18,840 --> 00:48:21,120
Speaker 4: They were like excited about it, like coming off of

1048
00:48:21,160 --> 00:48:23,640
Speaker 4: that True Story project, you know what I'm saying, Like,

1049
00:48:23,960 --> 00:48:27,120
Speaker 4: ain't away around it was like it like broke them all.

1050
00:48:27,200 --> 00:48:29,560
Speaker 4: But then like when we did like the night we

1051
00:48:29,600 --> 00:48:31,560
Speaker 4: did Turn on the lights and never end in the

1052
00:48:31,600 --> 00:48:35,080
Speaker 4: same night, you know what I'm saying, And like and

1053
00:48:35,120 --> 00:48:36,799
Speaker 4: I ain't gonna lie, you know what I'm saying. Like

1054
00:48:36,960 --> 00:48:39,239
Speaker 4: it was similar to like ain't nowhere around it because

1055
00:48:39,239 --> 00:48:43,399
Speaker 4: he did, ain't nowhere around it and Tony Montana, damn

1056
00:48:43,440 --> 00:48:44,880
Speaker 4: there in the same night. You know what I'm saying.

1057
00:48:45,120 --> 00:48:48,279
Speaker 3: Future is my hero, the future of the man bro.

1058
00:48:49,480 --> 00:48:59,959
Speaker 9: Future we got going, you know what I'm saying.

1059
00:49:00,480 --> 00:49:02,400
Speaker 4: We like with like with like thug too. It was

1060
00:49:02,440 --> 00:49:07,640
Speaker 4: like was another one where it was like, man, this dude,

1061
00:49:09,080 --> 00:49:11,440
Speaker 4: this dude like was the first person to make me

1062
00:49:11,440 --> 00:49:15,080
Speaker 4: feel like disconnected from the city, like because I was

1063
00:49:15,120 --> 00:49:17,640
Speaker 4: always the young and like, you know what I'm saying,

1064
00:49:17,640 --> 00:49:20,120
Speaker 4: So I'm the youngest one in the room. So we

1065
00:49:20,239 --> 00:49:22,960
Speaker 4: always bringing like the whether it's me and walking me

1066
00:49:23,000 --> 00:49:24,359
Speaker 4: and future me, and like you know what I'm saying,

1067
00:49:24,400 --> 00:49:27,279
Speaker 4: Like we were bringing like the young, the new, the

1068
00:49:27,320 --> 00:49:29,440
Speaker 4: new ship. And then it's like now I'm moving them

1069
00:49:29,480 --> 00:49:31,840
Speaker 4: outside of the city. Been going for a little bit.

1070
00:49:31,880 --> 00:49:34,120
Speaker 4: Then I come back and I meet this dude thumb

1071
00:49:34,120 --> 00:49:36,799
Speaker 4: and I'm like, damn, like hold on, he got a

1072
00:49:36,880 --> 00:49:38,719
Speaker 4: whole new lingo, he got a whole new sway, he

1073
00:49:38,760 --> 00:49:41,120
Speaker 4: got a whole new and then I'm hearing like, what

1074
00:49:41,120 --> 00:49:42,840
Speaker 4: are you doing with like eight away my field? What

1075
00:49:42,840 --> 00:49:44,640
Speaker 4: are you doing with like Sonny, what are you doing

1076
00:49:44,640 --> 00:49:47,160
Speaker 4: with Metro? You know what I'm saying, Yeah, you know

1077
00:49:47,200 --> 00:49:50,799
Speaker 4: what I'm saying. Like, and I'm hearing that, I'm like,

1078
00:49:50,920 --> 00:49:53,000
Speaker 4: I'm like, damn, they come with a new wave. I'm like,

1079
00:49:53,320 --> 00:49:55,520
Speaker 4: that's hard, Like they created like a new wave, you

1080
00:49:55,560 --> 00:49:59,520
Speaker 4: know what I'm saying, because like like like that's that's

1081
00:50:00,080 --> 00:50:02,319
Speaker 4: it's tough to do because there's so many creatives and

1082
00:50:02,360 --> 00:50:07,120
Speaker 4: so many like like dope creative people coming out of Atlanta.

1083
00:50:07,160 --> 00:50:09,600
Speaker 4: It's like and then in that twenty five is like

1084
00:50:09,640 --> 00:50:11,799
Speaker 4: a big ass pot like a gumbo pie, and you

1085
00:50:11,920 --> 00:50:14,400
Speaker 4: gotta be original, you know what I'm saying, Like to

1086
00:50:14,600 --> 00:50:17,360
Speaker 4: like really like like go, you gotta be bringing like

1087
00:50:17,440 --> 00:50:20,160
Speaker 4: something new, like for your ship to cut through, and

1088
00:50:20,280 --> 00:50:22,360
Speaker 4: you gotta put up like X amount of points and

1089
00:50:22,520 --> 00:50:25,080
Speaker 4: X amount of hours. So it's like, you know what

1090
00:50:25,080 --> 00:50:26,960
Speaker 4: I'm saying, Like when when you start seeing them new

1091
00:50:27,000 --> 00:50:31,200
Speaker 4: waves form, like you you you start you start seeing it,

1092
00:50:31,239 --> 00:50:33,520
Speaker 4: So it's like, man, salute to both of them. Guys. Man,

1093
00:50:33,560 --> 00:50:35,360
Speaker 4: you know what I'm saying Pluto and Young Thuff for

1094
00:50:35,440 --> 00:50:38,640
Speaker 4: being originators and taking the city and the sound as

1095
00:50:38,680 --> 00:50:40,920
Speaker 4: far as like, you know what I'm saying, they took it.

1096
00:50:41,000 --> 00:50:42,320
Speaker 4: You feel me and taking it.

1097
00:50:42,239 --> 00:50:48,160
Speaker 3: Expected them both? Right, Okay Gucci or Walker.

1098
00:50:50,800 --> 00:50:53,840
Speaker 4: Man, Yeah, try get me joint.

1099
00:50:55,040 --> 00:50:56,480
Speaker 3: You're gonna get yourself drump because.

1100
00:50:56,280 --> 00:50:59,960
Speaker 4: You know we're gonna we're gonna say, we're gonna say

1101
00:51:00,880 --> 00:51:03,360
Speaker 4: what we're talking about.

1102
00:51:03,960 --> 00:51:11,279
Speaker 3: Whatever you like, better friends, we can take a shot.

1103
00:51:11,880 --> 00:51:15,000
Speaker 3: I'm not gonna lie to you. You might have had

1104
00:51:15,040 --> 00:51:18,040
Speaker 3: the best twirl on drinking Champs history. The way he

1105
00:51:18,239 --> 00:51:21,920
Speaker 3: just working.

1106
00:51:22,120 --> 00:51:23,560
Speaker 4: That's why I know you know that.

1107
00:51:23,719 --> 00:51:30,360
Speaker 1: But Valley when he said that, But Valley, he twirled.

1108
00:51:30,760 --> 00:51:37,600
Speaker 4: This is an expensive nigga here, listen. Yeah, we gotta

1109
00:51:37,640 --> 00:51:38,120
Speaker 4: say both.

1110
00:51:39,080 --> 00:51:43,759
Speaker 3: Okay, both what poker d m X cool. That's a

1111
00:51:43,800 --> 00:51:45,680
Speaker 3: good one resting piece of both.

1112
00:51:48,840 --> 00:51:49,000
Speaker 1: Bro.

1113
00:51:49,880 --> 00:51:58,120
Speaker 4: I'm an indecisive nigga. Bro, let's just keep drinking. Drink, drink.

1114
00:51:58,440 --> 00:52:08,000
Speaker 4: That's what I can pick the shot, bud. Yeah, I

1115
00:52:08,040 --> 00:52:09,920
Speaker 4: was literally trying to be both of them.

1116
00:52:09,960 --> 00:52:11,480
Speaker 3: Okay, you want me to take this?

1117
00:52:12,480 --> 00:52:21,120
Speaker 10: You take this, Ladies, you know I'm scared of Girlrihanna,

1118
00:52:22,120 --> 00:52:23,000
Speaker 10: take a sht.

1119
00:52:27,040 --> 00:52:28,160
Speaker 4: Pour it up performation.

1120
00:52:31,280 --> 00:52:34,160
Speaker 3: God for real, but I google that.

1121
00:52:34,320 --> 00:52:36,080
Speaker 4: I was like this, nigga did formation?

1122
00:52:37,719 --> 00:52:39,080
Speaker 3: Your catalog is wild? I didn't.

1123
00:52:39,080 --> 00:52:40,920
Speaker 4: I don't even realize that.

1124
00:52:41,800 --> 00:52:45,279
Speaker 1: Listen, I listen. I'm taking a shot for your catalog. Listen,

1125
00:52:45,280 --> 00:52:46,600
Speaker 1: I'm taking a shot for your catalog.

1126
00:52:46,719 --> 00:52:51,760
Speaker 5: Congratulations, brother, Like your catalog is the type of catalog

1127
00:52:51,800 --> 00:52:54,239
Speaker 5: that you could take a break for nine years, you

1128
00:52:55,160 --> 00:52:58,960
Speaker 5: break continuously in everybody's ears that you never left.

1129
00:52:59,400 --> 00:53:07,640
Speaker 4: That's real. It's an agent like Barolo's agent. And hey,

1130
00:53:07,680 --> 00:53:09,400
Speaker 4: this is this is a thirty year Kanyak that we're

1131
00:53:09,400 --> 00:53:09,840
Speaker 4: sipping on.

1132
00:53:10,160 --> 00:53:11,240
Speaker 3: Let's let's talk about the Kanye.

1133
00:53:11,320 --> 00:53:15,760
Speaker 4: Yeah, it's a thirty year Kanye. Don know, it just happened.

1134
00:53:16,880 --> 00:53:19,040
Speaker 4: Just happened. It just happened. It just happened.

1135
00:53:20,440 --> 00:53:21,200
Speaker 3: It just happened.

1136
00:53:21,200 --> 00:53:25,360
Speaker 4: Man. So this was make this is premiss promis.

1137
00:53:25,640 --> 00:53:28,400
Speaker 11: Yeah, this a little suspicious ship, No, for sure, this

1138
00:53:28,520 --> 00:53:29,439
Speaker 11: is this is your ship.

1139
00:53:30,000 --> 00:53:32,239
Speaker 4: Man. This is like it's like it's like it's my

1140
00:53:32,560 --> 00:53:34,520
Speaker 4: it's my ship as far as like like you fuck

1141
00:53:34,560 --> 00:53:37,239
Speaker 4: with it, I fuck with it organically, fuck with it.

1142
00:53:38,719 --> 00:53:40,800
Speaker 4: One of my one of my family. You know what

1143
00:53:40,800 --> 00:53:44,279
Speaker 4: I'm saying. They came with this like like in two

1144
00:53:44,280 --> 00:53:47,120
Speaker 4: thousand and three, So that's twenty three years ago, you

1145
00:53:47,160 --> 00:53:50,240
Speaker 4: know what I'm saying. So, like and there was already

1146
00:53:50,280 --> 00:53:52,560
Speaker 4: aged eight years back then, you know what I'm saying.

1147
00:53:52,600 --> 00:53:56,400
Speaker 4: So it's thirty one years you know what I'm saying, Kanyak.

1148
00:53:56,760 --> 00:53:59,680
Speaker 4: But if you even if you see the drinks on

1149
00:53:59,800 --> 00:54:02,680
Speaker 4: us video whatever, like it's in a lot of videos. Man,

1150
00:54:02,719 --> 00:54:05,200
Speaker 4: we've we've been drinking this something to someone to love

1151
00:54:05,320 --> 00:54:06,759
Speaker 4: video and all that kind of stuff. You know what

1152
00:54:06,760 --> 00:54:08,600
Speaker 4: I'm saying from this, you know what I'm saying. And

1153
00:54:09,520 --> 00:54:12,600
Speaker 4: you got for the guys and the girl. Yeah, it's

1154
00:54:12,600 --> 00:54:15,080
Speaker 4: the first pink This's the first pink con. You know

1155
00:54:15,120 --> 00:54:18,800
Speaker 4: what I'm saying. This ain't like like New Baux or anything.

1156
00:54:18,840 --> 00:54:22,759
Speaker 4: It's not like a liquord. It's like proof. Yeah, you

1157
00:54:22,800 --> 00:54:26,839
Speaker 4: know what I'm saying. So it's like yeah for sure. Yeah. Man,

1158
00:54:26,920 --> 00:54:35,320
Speaker 4: So we're sipping on this age age up there. Okay,

1159
00:54:35,760 --> 00:54:36,040
Speaker 4: you know.

1160
00:54:38,200 --> 00:54:39,000
Speaker 3: Race shwimm it.

1161
00:54:40,600 --> 00:54:46,600
Speaker 4: Outcasts, No, man, we gotta go, we gotta go. Damn.

1162
00:54:48,400 --> 00:54:52,080
Speaker 4: That's not even easy, man. That's the section over there.

1163
00:54:52,200 --> 00:54:56,319
Speaker 3: Dominican and the Columbian section make the question.

1164
00:54:56,880 --> 00:55:00,200
Speaker 4: They made the question that some Cold Brothers man taking

1165
00:55:00,239 --> 00:55:02,920
Speaker 4: a shot to that we got Let's take a shot, man,

1166
00:55:03,320 --> 00:55:06,280
Speaker 4: Let's take a shot man. It ain't it ain't nothing

1167
00:55:06,320 --> 00:55:08,880
Speaker 4: come before the Shrim. But you know what I'm saying,

1168
00:55:08,960 --> 00:55:11,040
Speaker 4: thank you for thank you the outcast, thank you to

1169
00:55:11,400 --> 00:55:13,840
Speaker 4: you know what I'm saying, Hypnotized Noise Dungeon fan for

1170
00:55:14,000 --> 00:55:17,560
Speaker 4: the inspiration to even for us, even like for me

1171
00:55:17,600 --> 00:55:19,640
Speaker 4: as a producer, and you know what I'm saying, for

1172
00:55:19,719 --> 00:55:21,880
Speaker 4: us even kicking the door and like you know what

1173
00:55:21,880 --> 00:55:25,239
Speaker 4: I'm saying, take it, like push your limits, you know

1174
00:55:25,239 --> 00:55:27,640
Speaker 4: what I'm saying, Like for real, what.

1175
00:55:27,480 --> 00:55:29,960
Speaker 3: Was the thing I heard with them? The labels named

1176
00:55:30,000 --> 00:55:31,800
Speaker 3: after them backwards.

1177
00:55:31,400 --> 00:55:35,720
Speaker 4: And yeah so but yeah tell us, yeah, so my label,

1178
00:55:35,880 --> 00:55:39,440
Speaker 4: my production company is Ear Drummers, you know what I'm saying.

1179
00:55:39,560 --> 00:55:41,640
Speaker 4: And then to turn into a record label, and like

1180
00:55:41,719 --> 00:55:44,800
Speaker 4: Shrim was already like they were already trying to do

1181
00:55:45,440 --> 00:55:48,000
Speaker 4: like songwriting, sweight leaves, make beats, like you know what

1182
00:55:48,000 --> 00:55:50,239
Speaker 4: I'm saying. Like so they were already part of the

1183
00:55:50,239 --> 00:55:52,440
Speaker 4: squad and they were messing with my brother's p Nasty

1184
00:55:52,480 --> 00:55:57,920
Speaker 4: and Mars and and Boom like like this one Jimmy,

1185
00:55:58,320 --> 00:56:00,239
Speaker 4: like I had like man, I had like thir teen

1186
00:56:00,320 --> 00:56:02,800
Speaker 4: songs on the radio at this time. Man, Jimmy I

1187
00:56:02,880 --> 00:56:04,520
Speaker 4: been telling me like, man, you need to have your

1188
00:56:04,560 --> 00:56:06,520
Speaker 4: own label, you know what I'm saying, so you can

1189
00:56:06,560 --> 00:56:08,359
Speaker 4: put out your own music. Man.

1190
00:56:08,560 --> 00:56:11,479
Speaker 3: Yeah, takes care of producers so much for real.

1191
00:56:11,560 --> 00:56:14,200
Speaker 4: And he loved that and it was like, man, I

1192
00:56:14,239 --> 00:56:15,799
Speaker 4: want to I want to give you a label deal.

1193
00:56:16,280 --> 00:56:17,359
Speaker 4: And it took me two years.

1194
00:56:18,560 --> 00:56:18,759
Speaker 8: Yeah.

1195
00:56:19,239 --> 00:56:21,480
Speaker 4: So my manager is Jimmy Iven. Nephew, you know what

1196
00:56:21,480 --> 00:56:25,800
Speaker 4: I'm saying. J Okay, yes, yep. So that's the homie.

1197
00:56:25,880 --> 00:56:28,320
Speaker 4: So he introduced me to Jimmy Iveen. When Jimmy Iven,

1198
00:56:28,400 --> 00:56:30,520
Speaker 4: when me and him met and like we chopped it up.

1199
00:56:30,560 --> 00:56:32,640
Speaker 4: It was just like, man, Jimmy Iven just took me

1200
00:56:32,680 --> 00:56:35,120
Speaker 4: under his wing and just was like, man, boom whenever

1201
00:56:35,160 --> 00:56:37,400
Speaker 4: you in time you come over here. Like he loved it,

1202
00:56:37,560 --> 00:56:39,600
Speaker 4: like just feel game, like you know what I'm saying.

1203
00:56:40,280 --> 00:56:41,879
Speaker 3: Brought up. He's a great guy.

1204
00:56:42,160 --> 00:56:44,480
Speaker 4: So he was like, he was like, man, you really

1205
00:56:44,560 --> 00:56:48,160
Speaker 4: need to start your own record label because you just yeah,

1206
00:56:48,360 --> 00:56:51,839
Speaker 4: like man, you're essentially just out here inventing the sound

1207
00:56:51,920 --> 00:56:54,719
Speaker 4: and just giving it to like all these different like

1208
00:56:54,840 --> 00:56:57,080
Speaker 4: companies or whatnot. You know what I'm saying. And it's

1209
00:56:57,120 --> 00:56:59,400
Speaker 4: like they're not even cut you in on your invention,

1210
00:56:59,760 --> 00:57:02,080
Speaker 4: Like you know what I'm saying. So you're you're inventing,

1211
00:57:02,120 --> 00:57:05,360
Speaker 4: You're inventing the sound, You're inventing somebody, you know what

1212
00:57:05,400 --> 00:57:07,640
Speaker 4: I'm saying. And it's like, here, take this, this is

1213
00:57:07,680 --> 00:57:10,920
Speaker 4: all we have, Like take this for your invention. And

1214
00:57:10,960 --> 00:57:12,600
Speaker 4: it's like, you know what I'm saying. He made me

1215
00:57:12,680 --> 00:57:15,160
Speaker 4: understand that and a whole other way. So I was like,

1216
00:57:15,200 --> 00:57:18,120
Speaker 4: I'm like, damn, Like you're right. So it took me

1217
00:57:18,120 --> 00:57:20,640
Speaker 4: two years to grasp it because I always said I

1218
00:57:20,680 --> 00:57:24,040
Speaker 4: wanted a record label. But at the same time, it's

1219
00:57:24,040 --> 00:57:26,600
Speaker 4: like when you got when you're right here, sitting right

1220
00:57:26,640 --> 00:57:28,240
Speaker 4: here in the same room with Jimmy I being here

1221
00:57:28,240 --> 00:57:31,400
Speaker 4: like man, I'm trying to get your label deal. It's like, damn,

1222
00:57:31,440 --> 00:57:34,160
Speaker 4: do I'm having so much successful doing what I'm doing?

1223
00:57:34,440 --> 00:57:35,360
Speaker 4: Do I want to take a.

1224
00:57:35,320 --> 00:57:38,040
Speaker 3: Different clots and that this is the actually this is.

1225
00:57:38,000 --> 00:57:41,200
Speaker 4: The real thing. Like now you're about you want to

1226
00:57:41,240 --> 00:57:45,120
Speaker 4: take that on. Now it's a whole different like position,

1227
00:57:45,240 --> 00:57:46,840
Speaker 4: Like it's a whole different hat. It's like you're an

1228
00:57:46,840 --> 00:57:49,520
Speaker 4: executive now, you know what I'm saying, Like producing is

1229
00:57:49,560 --> 00:57:51,680
Speaker 4: one thing you're doing a service. And then now you're

1230
00:57:51,720 --> 00:57:53,240
Speaker 4: an executive, you know what I'm saying. Then you're an

1231
00:57:53,240 --> 00:57:56,200
Speaker 4: executive producing. Now you're inventing something. And then you have

1232
00:57:56,240 --> 00:57:58,840
Speaker 4: to create this product and then package it all the.

1233
00:57:58,760 --> 00:58:01,640
Speaker 3: Way up and operation.

1234
00:58:01,400 --> 00:58:04,680
Speaker 4: Yeah, to a point where people consume it and are

1235
00:58:04,760 --> 00:58:06,160
Speaker 4: happy with it, you know what I'm saying, Because how

1236
00:58:06,240 --> 00:58:07,800
Speaker 4: much suff do we consume and be like, man, this

1237
00:58:07,840 --> 00:58:11,080
Speaker 4: ship trash? You feel me? So now that's what you're

1238
00:58:11,080 --> 00:58:12,720
Speaker 4: trying to do, you know what I'm saying. And so

1239
00:58:13,040 --> 00:58:14,960
Speaker 4: it's like it's a it's a it's a totally it's

1240
00:58:15,000 --> 00:58:16,920
Speaker 4: a totally different ball game. So it took me two

1241
00:58:17,040 --> 00:58:19,160
Speaker 4: years to be like, man, you know what, Man, we're

1242
00:58:19,160 --> 00:58:20,560
Speaker 4: gonna do this ship, you know what I'm saying. So

1243
00:58:20,640 --> 00:58:23,120
Speaker 4: P and Mars they were already rocking up with with

1244
00:58:23,240 --> 00:58:25,280
Speaker 4: swaying Gym, you know what I'm saying, And they were

1245
00:58:25,320 --> 00:58:28,280
Speaker 4: already over there cooking up crazy stuff. But P and

1246
00:58:28,360 --> 00:58:30,160
Speaker 4: Mars would be at a lot of those meetings too,

1247
00:58:30,560 --> 00:58:32,919
Speaker 4: so they knowing the temperature too, Like, man, were about

1248
00:58:32,960 --> 00:58:34,280
Speaker 4: to do it, label do it at some point, you

1249
00:58:34,320 --> 00:58:37,000
Speaker 4: know what I'm saying. And then we also had a

1250
00:58:37,040 --> 00:58:39,439
Speaker 4: few more artists that we were looking at at the time,

1251
00:58:39,480 --> 00:58:41,760
Speaker 4: you know what I'm saying, And artists are bubbling and

1252
00:58:41,800 --> 00:58:44,000
Speaker 4: it's like, man, you know what, Man, we want to

1253
00:58:44,000 --> 00:58:45,240
Speaker 4: try to sign them, or we want to try to

1254
00:58:45,240 --> 00:58:50,720
Speaker 4: sign them. We're trying to sign sign anybody because I'm knowing, like, man,

1255
00:58:50,720 --> 00:58:52,280
Speaker 4: I'm trying to take this sign and I'm trying to

1256
00:58:52,280 --> 00:58:54,000
Speaker 4: push it as far as possible. I'm trying to bring

1257
00:58:54,040 --> 00:58:56,240
Speaker 4: as many new artists to the game, and I'm trying

1258
00:58:56,280 --> 00:58:58,520
Speaker 4: to work with the biggest artists in the game. Again,

1259
00:58:58,600 --> 00:59:01,720
Speaker 4: I'm a new sign and like get them to sound

1260
00:59:01,760 --> 00:59:03,720
Speaker 4: that that that comes from us, like you know what

1261
00:59:03,720 --> 00:59:05,640
Speaker 4: I'm saying, and like just changed the game with like

1262
00:59:05,680 --> 00:59:08,160
Speaker 4: that new sound, like you know what I'm saying, which

1263
00:59:08,840 --> 00:59:13,480
Speaker 4: you feel me like, So so yeah, man, like ended

1264
00:59:13,560 --> 00:59:15,920
Speaker 4: up long story short, man, y'all got me drinking. So

1265
00:59:15,920 --> 00:59:16,360
Speaker 4: I'm just.

1266
00:59:18,560 --> 00:59:22,440
Speaker 3: The next question. But I got you.

1267
00:59:22,480 --> 00:59:27,520
Speaker 4: But but so it's like it's like it's the name Flip.

1268
00:59:27,600 --> 00:59:30,120
Speaker 4: So we go to the studio. We had the studio

1269
00:59:30,160 --> 00:59:33,960
Speaker 4: one day and I tell I tell, I asked Jimmy

1270
00:59:33,960 --> 00:59:36,040
Speaker 4: and Sway and I'm like, man, because I had one

1271
00:59:36,120 --> 00:59:37,960
Speaker 4: day I had wrote down like because I wanted to do.

1272
00:59:38,080 --> 00:59:40,920
Speaker 4: Like I was always thinking about the expansion of ear drummers,

1273
00:59:41,160 --> 00:59:42,600
Speaker 4: So I was like, man, we got to have like

1274
00:59:42,640 --> 00:59:47,080
Speaker 4: a live rock and roll side because we already own it,

1275
00:59:47,200 --> 00:59:49,240
Speaker 4: like like this hip hop like trap side, you know

1276
00:59:49,280 --> 00:59:51,200
Speaker 4: what I'm saying. So it's like, what is the ear

1277
00:59:51,280 --> 00:59:54,280
Speaker 4: drummers spelled backwards? I was thinking about Oprah and Harpo,

1278
00:59:54,520 --> 00:59:57,000
Speaker 4: you know what I'm saying. And then I was like, man, okay,

1279
00:59:57,320 --> 01:00:00,000
Speaker 4: ship man, what is it if we spelled ear drummers backwards?

1280
01:00:00,080 --> 01:00:02,760
Speaker 4: Man Race Stremmer, Like that's hard. So I was gonna

1281
01:00:02,920 --> 01:00:07,760
Speaker 4: make that life the live, the live alternative side, you

1282
01:00:07,760 --> 01:00:09,520
Speaker 4: know what I'm saying. And then when I met them,

1283
01:00:09,600 --> 01:00:12,080
Speaker 4: I'm like, man, the dude is the coolest dudes on earth.

1284
01:00:12,480 --> 01:00:15,520
Speaker 4: Like like they just they just walking and just making

1285
01:00:15,560 --> 01:00:18,640
Speaker 4: bangers after bankers, after bankers, after bankers, like swily making

1286
01:00:18,680 --> 01:00:20,680
Speaker 4: hard at beats, like you know what I'm saying. Seeing

1287
01:00:20,720 --> 01:00:22,960
Speaker 4: him like cook up no tight and like they I

1288
01:00:23,000 --> 01:00:24,720
Speaker 4: got tears when I hurt no tight, like you know

1289
01:00:24,760 --> 01:00:27,480
Speaker 4: what I'm saying, and everything like that, it's like I'm

1290
01:00:27,480 --> 01:00:29,920
Speaker 4: seeing I'm like, man, these dudes can make anything cool

1291
01:00:30,080 --> 01:00:32,560
Speaker 4: on earth, you know what I'm saying. Hey, Hey, what

1292
01:00:32,640 --> 01:00:35,120
Speaker 4: y'all thinking about the name Ray Stremmer for the group name?

1293
01:00:35,800 --> 01:00:38,120
Speaker 4: And then they're like Race Stremer, what's that. I'm like, man,

1294
01:00:38,160 --> 01:00:41,840
Speaker 4: that's the ear drummers backwards, Like oh, hell yeah, nigga, nigga,

1295
01:00:41,840 --> 01:00:44,040
Speaker 4: that's squad, Like hey, yeah, let's do it, you know

1296
01:00:44,040 --> 01:00:46,400
Speaker 4: what I'm saying. And then they're like, man, hey, you're

1297
01:00:46,400 --> 01:00:50,640
Speaker 4: shrimp life. I'm like, see just they already flipped.

1298
01:00:56,480 --> 01:00:59,640
Speaker 3: All right, excellent Kendrick or Drake.

1299
01:01:00,280 --> 01:01:08,040
Speaker 4: Got gonna do this, damn all right. So I'm gonna

1300
01:01:08,040 --> 01:01:09,680
Speaker 4: just I'm gonna just go ahead, and I'm gonna just

1301
01:01:09,760 --> 01:01:11,520
Speaker 4: go ahead and go Kendrick, you know what I'm saying,

1302
01:01:12,040 --> 01:01:16,640
Speaker 4: And you know what I'm saying. And I want to

1303
01:01:16,640 --> 01:01:19,040
Speaker 4: salute Drake for you know what I'm saying, being somebody

1304
01:01:19,080 --> 01:01:22,480
Speaker 4: who who always like showed love from the beginning, Like

1305
01:01:22,480 --> 01:01:24,000
Speaker 4: you know what I'm saying. He was like one of

1306
01:01:24,040 --> 01:01:26,840
Speaker 4: the first like major artists like go on Twitter and

1307
01:01:26,880 --> 01:01:28,560
Speaker 4: just tweet like Mike Will made it, you know what

1308
01:01:28,560 --> 01:01:30,920
Speaker 4: I'm saying. And then he remixed Ship and then him

1309
01:01:30,920 --> 01:01:34,200
Speaker 4: the Future had for real, you know what I'm saying

1310
01:01:34,200 --> 01:01:37,000
Speaker 4: on my track and then like even even with with

1311
01:01:37,040 --> 01:01:39,600
Speaker 4: Pluto early days, you know what I'm saying, going on

1312
01:01:39,640 --> 01:01:42,080
Speaker 4: the road with with with with Drake, it was like,

1313
01:01:42,400 --> 01:01:44,280
Speaker 4: you know what I'm saying, Drake always showed love, you

1314
01:01:44,320 --> 01:01:46,920
Speaker 4: know what I'm saying. And then it's like with Kendrick,

1315
01:01:47,040 --> 01:01:49,200
Speaker 4: it was like me and Kendrick just had like a

1316
01:01:49,240 --> 01:01:53,680
Speaker 4: little bit like more like personal close relationship in the

1317
01:01:53,760 --> 01:01:57,280
Speaker 4: sense of like literally every time, like like the first

1318
01:01:57,320 --> 01:02:01,200
Speaker 4: time me and Kendrick met, it was like two too

1319
01:02:01,240 --> 01:02:04,080
Speaker 4: much records that I could look at. You produced for

1320
01:02:04,200 --> 01:02:07,560
Speaker 4: Kendred for real, but you know, it took us seven years.

1321
01:02:07,720 --> 01:02:09,520
Speaker 5: It took them a while, y'all. But y'all have been

1322
01:02:09,560 --> 01:02:11,680
Speaker 5: interacting but just never music.

1323
01:02:11,760 --> 01:02:14,760
Speaker 4: So we met. We met Ryan like twenty twenty eleven

1324
01:02:15,040 --> 01:02:18,280
Speaker 4: school Boy Q introducers Q. That's my brother. We had

1325
01:02:18,320 --> 01:02:20,840
Speaker 4: already did, Yeah, we had already did my Hate and

1326
01:02:20,920 --> 01:02:24,480
Speaker 4: Joint and we did my Hat and Joint. And then

1327
01:02:24,800 --> 01:02:26,680
Speaker 4: they were in Atlanta one day and he was like, Man,

1328
01:02:26,680 --> 01:02:28,120
Speaker 4: I need to link you with this dude that's on

1329
01:02:28,160 --> 01:02:31,960
Speaker 4: my label. Man, he about to be the next biggest thing,

1330
01:02:32,040 --> 01:02:33,720
Speaker 4: Like I'm like for real. And then he was like

1331
01:02:33,760 --> 01:02:35,920
Speaker 4: I'm like what's his name here? Like Kendrick and I

1332
01:02:36,000 --> 01:02:39,360
Speaker 4: was like ship. I'm like, man, man, tell me what studio.

1333
01:02:39,480 --> 01:02:40,840
Speaker 4: So he told me to go to stink on you.

1334
01:02:41,160 --> 01:02:43,960
Speaker 4: I got to stink on you. I'm in there with Kendrick. Man.

1335
01:02:43,960 --> 01:02:46,680
Speaker 4: I'm playing a bunch of beats in Atlanta stink.

1336
01:02:46,440 --> 01:02:50,720
Speaker 3: Only Yeah yeah Early Kendrick.

1337
01:02:51,080 --> 01:02:53,479
Speaker 4: Yeah. So I'm playing them. I'm playing them a bunch

1338
01:02:53,480 --> 01:02:55,400
Speaker 4: of beats. He take a bunch of beats. So I

1339
01:02:55,440 --> 01:02:58,120
Speaker 4: was like, I just put him to outside. I ain't

1340
01:02:58,160 --> 01:02:59,880
Speaker 4: really know him like this, and at this time, like

1341
01:03:00,320 --> 01:03:03,200
Speaker 4: certain people were like leaking my beats or like leaking

1342
01:03:03,240 --> 01:03:06,560
Speaker 4: like certain songs like produce my mic well this and

1343
01:03:06,640 --> 01:03:07,800
Speaker 4: this and that. You know what I'm saying. I don't

1344
01:03:07,840 --> 01:03:10,520
Speaker 4: really know him any different than anybody else. So I

1345
01:03:10,600 --> 01:03:13,520
Speaker 4: was like, man, I'm like, bro, let me how let

1346
01:03:13,520 --> 01:03:15,320
Speaker 4: you right correeat. So then we step out of the studio.

1347
01:03:15,360 --> 01:03:17,880
Speaker 4: I'm like, hey, bro, look man like, Bro, I'm gonna

1348
01:03:17,880 --> 01:03:20,360
Speaker 4: give you all these beats, bro, and you just gotta man,

1349
01:03:20,400 --> 01:03:21,880
Speaker 4: you just gotta give me a word. Bro. You're not

1350
01:03:21,880 --> 01:03:23,760
Speaker 4: gonna lead, nohing, Bro, just on lead now, you know

1351
01:03:23,800 --> 01:03:26,520
Speaker 4: what I'm saying. And then he started laughing. He was like, hey, bro,

1352
01:03:26,560 --> 01:03:30,240
Speaker 4: I fuck with you money, Bro, and we and we

1353
01:03:30,360 --> 01:03:31,720
Speaker 4: go in the studio. He was like, hey, bro, you

1354
01:03:31,800 --> 01:03:33,520
Speaker 4: know this nigga just pulled me out and said his

1355
01:03:33,680 --> 01:03:36,120
Speaker 4: nigga just pulled me out and said, hey bro, man,

1356
01:03:36,200 --> 01:03:38,479
Speaker 4: hey man, I'm gonna give you my beats, but nigga,

1357
01:03:38,480 --> 01:03:40,760
Speaker 4: don't leave my ship. Nigga. Fuck with this nigga. You

1358
01:03:40,800 --> 01:03:43,080
Speaker 4: know what I'm saying. And then ever since then it

1359
01:03:43,200 --> 01:03:46,080
Speaker 4: was like, man, we were locked in, and like every

1360
01:03:46,160 --> 01:03:48,240
Speaker 4: time he would come to Atlanta, like you know what

1361
01:03:48,280 --> 01:03:50,120
Speaker 4: I'm saying, Like as soon as he laying, pull on

1362
01:03:50,200 --> 01:03:52,040
Speaker 4: here on my phone. You know what I'm saying, I'll

1363
01:03:52,040 --> 01:03:54,320
Speaker 4: pull up on them playing my ganga beats him a

1364
01:03:54,320 --> 01:03:56,920
Speaker 4: gangab beasts anytime, my man la. As soon as I

1365
01:03:57,000 --> 01:04:00,000
Speaker 4: laying I'm hitting their phone, I'm pulling up on them saying,

1366
01:04:00,040 --> 01:04:01,720
Speaker 4: think were linking up. You know what I'm saying. You

1367
01:04:01,760 --> 01:04:03,320
Speaker 4: know what I'm saying is.

1368
01:04:03,280 --> 01:04:06,280
Speaker 3: That how Humble was made, How humble was me.

1369
01:04:06,560 --> 01:04:08,200
Speaker 4: So that was like just to find we.

1370
01:04:08,360 --> 01:04:11,720
Speaker 3: Don't get out of there. We could go back to them, but.

1371
01:04:12,720 --> 01:04:15,480
Speaker 4: That was the foundation. That's how the foundation was, Like

1372
01:04:15,520 --> 01:04:19,600
Speaker 4: how Humble was made. It was like okay, now, good kid,

1373
01:04:19,640 --> 01:04:24,520
Speaker 4: Mad City and Pimple Butterfly Drop, and I'm like, Damn,

1374
01:04:24,520 --> 01:04:26,080
Speaker 4: I ain't made neither one of these. I know I

1375
01:04:26,080 --> 01:04:29,600
Speaker 4: didne gave him at least five hundred and sixty five beats,

1376
01:04:29,640 --> 01:04:31,480
Speaker 4: like you know what I'm saying, or something like crazy,

1377
01:04:31,560 --> 01:04:33,120
Speaker 4: like I didn't. I didn't get this man a lot

1378
01:04:33,120 --> 01:04:34,720
Speaker 4: of beats, you know what I'm saying. So I had

1379
01:04:34,720 --> 01:04:36,640
Speaker 4: to just ask one of those already there though, that

1380
01:04:36,640 --> 01:04:37,560
Speaker 4: boy sucking them tru.

1381
01:04:39,280 --> 01:04:42,240
Speaker 3: You know what I'm saying, We're one of those beats already.

1382
01:04:42,240 --> 01:04:43,720
Speaker 3: Did he already have him? No?

1383
01:04:45,160 --> 01:04:48,240
Speaker 4: So he was like so he was like, So he

1384
01:04:48,360 --> 01:04:50,840
Speaker 4: was like, man, I asked him. I'm like, Bro, Man,

1385
01:04:50,880 --> 01:04:53,240
Speaker 4: for real, Bro, I'm giving you the wrong beats. Like

1386
01:04:53,280 --> 01:04:56,480
Speaker 4: I'm hearing the albums and I can hear that gave

1387
01:04:56,560 --> 01:04:57,600
Speaker 4: him to that.

1388
01:04:57,840 --> 01:05:00,280
Speaker 5: Yeah, he keeps changing from that album to the an

1389
01:05:00,280 --> 01:05:02,640
Speaker 5: album change, so this album change.

1390
01:05:02,680 --> 01:05:05,000
Speaker 4: So when I'm hearing the album, I'm like, I'm hearing

1391
01:05:05,000 --> 01:05:07,040
Speaker 4: that I did give him the wrong beats, you know

1392
01:05:07,080 --> 01:05:09,280
Speaker 4: what I'm saying. So I'm like, hey, bro, keep giving

1393
01:05:09,280 --> 01:05:10,840
Speaker 4: me the wrong beats. If you just give me like

1394
01:05:10,880 --> 01:05:13,160
Speaker 4: a direction you want to go, man, I feel like

1395
01:05:13,200 --> 01:05:14,240
Speaker 4: you know what I'm saying. He was like no, no,

1396
01:05:14,320 --> 01:05:15,800
Speaker 4: you ain't giving me the wrong beats, Like all them

1397
01:05:15,800 --> 01:05:18,200
Speaker 4: beats you give me hard like like I just know

1398
01:05:18,240 --> 01:05:19,840
Speaker 4: when I when I when I go in with you,

1399
01:05:19,880 --> 01:05:21,720
Speaker 4: I want to just lock in with you and I

1400
01:05:21,800 --> 01:05:23,400
Speaker 4: want to God, damn, you know what I'm saying. So

1401
01:05:23,760 --> 01:05:26,600
Speaker 4: when we were starting down, it was like I feel

1402
01:05:26,640 --> 01:05:28,560
Speaker 4: like that was the early stages. Like with Kendrick, you

1403
01:05:28,600 --> 01:05:30,680
Speaker 4: never know, you never really know what's going on, Like

1404
01:05:30,960 --> 01:05:33,240
Speaker 4: you know what I'm saying, he's on his planet, and

1405
01:05:33,240 --> 01:05:35,400
Speaker 4: then you know what I'm saying when he summits you.

1406
01:05:35,400 --> 01:05:37,960
Speaker 4: You know what I'm saying, Like we call you in

1407
01:05:38,360 --> 01:05:40,880
Speaker 4: and then it's like man, he really had, he really

1408
01:05:40,960 --> 01:05:43,720
Speaker 4: had called me and was like, man, yo, you're in La.

1409
01:05:43,920 --> 01:05:46,080
Speaker 4: I'm like, I'm in LA. And he pulled up to

1410
01:05:46,120 --> 01:05:49,920
Speaker 4: the crib like like early, like nine in the morning,

1411
01:05:49,960 --> 01:05:52,240
Speaker 4: ten in the morning. Was over there like damn there

1412
01:05:52,280 --> 01:05:54,000
Speaker 4: all day going through all kind of beats. Took a

1413
01:05:54,040 --> 01:05:55,960
Speaker 4: whole bunch of beats, you know what I'm saying. Then

1414
01:05:55,960 --> 01:05:57,720
Speaker 4: he hit me back here like man, I pull up

1415
01:05:57,760 --> 01:05:59,720
Speaker 4: to the studio, pull up to the studio with him.

1416
01:06:00,000 --> 01:06:03,320
Speaker 4: He let me hear Humble, DNA and XXX. He had

1417
01:06:03,360 --> 01:06:06,520
Speaker 4: just started xxx. I'm like, god, dang, you know what

1418
01:06:06,520 --> 01:06:13,120
Speaker 4: I'm saying, Like, man recorded, yeah, humble DNA, and you

1419
01:06:13,160 --> 01:06:15,080
Speaker 4: didn't know. You didn't know that he recorded it.

1420
01:06:15,600 --> 01:06:17,040
Speaker 3: He gave me the beat.

1421
01:06:17,400 --> 01:06:19,240
Speaker 4: Yeah. But he was telling me he was going in

1422
01:06:19,400 --> 01:06:21,120
Speaker 4: like he'll send me like a little video on his

1423
01:06:21,160 --> 01:06:23,240
Speaker 4: phone and stuff like that. So then when we when

1424
01:06:23,840 --> 01:06:25,840
Speaker 4: I get to the studio and I hear that, he's like, man,

1425
01:06:25,880 --> 01:06:28,160
Speaker 4: I just want to finish this DNA. He was like, man,

1426
01:06:28,200 --> 01:06:30,000
Speaker 4: you got your you got your computer, you got your

1427
01:06:30,040 --> 01:06:32,360
Speaker 4: beat machine. I'm like, hell yeah, So I put out

1428
01:06:32,400 --> 01:06:35,400
Speaker 4: my computer and then and then he was like then

1429
01:06:35,440 --> 01:06:37,200
Speaker 4: he was telling me how you wanted to wrap on there,

1430
01:06:37,560 --> 01:06:38,840
Speaker 4: and he was like, man, I just want to hear

1431
01:06:38,840 --> 01:06:41,440
Speaker 4: like what kind of beach you'll dude like around you around,

1432
01:06:41,480 --> 01:06:43,360
Speaker 4: like this kind of flow, you know what I'm saying.

1433
01:06:43,480 --> 01:06:45,840
Speaker 4: So now I do the second half of DNA. You

1434
01:06:45,840 --> 01:06:48,439
Speaker 4: know what I'm saying. And then it's just loud. I'm like, man,

1435
01:06:48,440 --> 01:06:50,720
Speaker 4: this ship so out of here, bruh. So now I

1436
01:06:50,760 --> 01:06:54,680
Speaker 4: was like, we're excited about DNA. So he telling me like, man, well, humble,

1437
01:06:54,720 --> 01:06:58,600
Speaker 4: he like humble, Man, Like I love this song. I

1438
01:06:58,640 --> 01:07:01,000
Speaker 4: noticed a slot I know this a but I don't

1439
01:07:01,000 --> 01:07:04,560
Speaker 4: know if it fit like Damn necessarily, Like I got DNA,

1440
01:07:05,040 --> 01:07:07,760
Speaker 4: DNA need to be my single, Like I'm just snapping

1441
01:07:07,800 --> 01:07:09,800
Speaker 4: on that joint. We knew DNA was just hard, but

1442
01:07:09,880 --> 01:07:12,360
Speaker 4: he knew Humble was like he knew it was gonna

1443
01:07:12,360 --> 01:07:13,880
Speaker 4: be a commercial. He knew it was gonna be a slap,

1444
01:07:13,960 --> 01:07:15,920
Speaker 4: but he 'tof he wanted to put it out, like

1445
01:07:16,000 --> 01:07:19,880
Speaker 4: you know what I'm saying. And so he was like, man,

1446
01:07:19,920 --> 01:07:22,040
Speaker 4: you're about to drop Ransom too, right, And I was

1447
01:07:22,120 --> 01:07:23,760
Speaker 4: like yeah. He was like, man, he was like, you

1448
01:07:23,840 --> 01:07:26,400
Speaker 4: might as well take Humble for Ransom too. I was like,

1449
01:07:26,640 --> 01:07:29,400
Speaker 4: I'm like, hey, I'm like, Bro's supposed to be on

1450
01:07:29,520 --> 01:07:32,200
Speaker 4: your album? No, no, he just he just says this.

1451
01:07:32,480 --> 01:07:36,080
Speaker 4: I'm like he was dead serious. I'm just like, Bro, look,

1452
01:07:36,080 --> 01:07:38,920
Speaker 4: I ain't gonna lie to you. Man. I appreciate that, Bro,

1453
01:07:39,320 --> 01:07:40,560
Speaker 4: you know what I'm saying, but I feel like I'm

1454
01:07:40,640 --> 01:07:43,400
Speaker 4: stealing if I do that. Bro, Like, man, this song

1455
01:07:43,920 --> 01:07:46,040
Speaker 4: this sounds so big, bro, and it's gonna be some

1456
01:07:46,160 --> 01:07:48,920
Speaker 4: much bigger. Did you know what I'm saying. I'm like,

1457
01:07:49,000 --> 01:07:52,720
Speaker 4: gonna be somewhere bigger. You put it out, bro. Man,

1458
01:07:52,840 --> 01:07:56,680
Speaker 4: I'm like, Man, you yeah. He was like, I'm like, man,

1459
01:07:56,720 --> 01:07:57,880
Speaker 4: you got it. He was like, Man, I don't know.

1460
01:07:58,080 --> 01:08:00,360
Speaker 4: I'm gonna sleep on it. Da da da, And next thing,

1461
01:08:00,400 --> 01:08:03,200
Speaker 4: you know, hit me the next day. He was like, Man,

1462
01:08:03,280 --> 01:08:05,000
Speaker 4: send me whatever song you want me to get on

1463
01:08:05,120 --> 01:08:06,880
Speaker 4: for your album. He was like, man, Top just said

1464
01:08:06,880 --> 01:08:07,919
Speaker 4: the same thing you said.

1465
01:08:08,040 --> 01:08:08,080
Speaker 5: Like.

1466
01:08:08,520 --> 01:08:09,800
Speaker 4: He was like, man, he was like, Man, what you

1467
01:08:09,840 --> 01:08:11,440
Speaker 4: think which one you think should be the single? Like

1468
01:08:12,080 --> 01:08:15,440
Speaker 4: Humble DNA. I was like, Man, depending on when you drop,

1469
01:08:15,720 --> 01:08:17,040
Speaker 4: Like you know what I'm saying, You just dropping a

1470
01:08:17,120 --> 01:08:19,200
Speaker 4: single and then you're gonna drop the album a little later,

1471
01:08:19,840 --> 01:08:21,320
Speaker 4: Go Humble. You know what I'm saying, you are if

1472
01:08:21,320 --> 01:08:25,160
Speaker 4: you're gonna drop the single, then the album same week, Man,

1473
01:08:25,240 --> 01:08:27,360
Speaker 4: go DNA. You know what I'm saying. Got that shot value.

1474
01:08:27,439 --> 01:08:31,400
Speaker 4: So he ended up shooting both videos. He dropped Humble,

1475
01:08:31,760 --> 01:08:33,840
Speaker 4: ship went through the roof, and then a couple of

1476
01:08:33,880 --> 01:08:36,040
Speaker 4: weeks later he dropped the album, and then he had

1477
01:08:36,080 --> 01:08:39,080
Speaker 4: the video for DNA, and then Humble was number one,

1478
01:08:39,320 --> 01:08:41,840
Speaker 4: and then DNA was number two, Hot one hundred and

1479
01:08:41,960 --> 01:08:44,800
Speaker 4: that ship just both for like Humble double diamond and

1480
01:08:44,960 --> 01:08:49,040
Speaker 4: DNA is fucking fifteen times platinum. Man, told you that

1481
01:08:51,360 --> 01:08:55,360
Speaker 4: appreciate that we're toasting it that I told you that

1482
01:08:57,040 --> 01:08:59,960
Speaker 4: you gotta watching chips sound bro, I ain't gonna lie.

1483
01:09:00,040 --> 01:09:10,519
Speaker 3: These just fantastic. Who those they feel vegan? They are vegan? Yeah,

1484
01:09:13,920 --> 01:09:16,479
Speaker 3: definitely veganis real talk.

1485
01:09:17,560 --> 01:09:20,000
Speaker 5: Uh So, just to be sure, you said Kendrick on

1486
01:09:20,040 --> 01:09:28,880
Speaker 5: that one, right, we drinking or not? You know we're drinking,

1487
01:09:31,760 --> 01:09:37,720
Speaker 5: Get a boy, any reason.

1488
01:09:38,640 --> 01:09:41,240
Speaker 4: That's just that's just more who raised me? Like you

1489
01:09:41,280 --> 01:09:43,479
Speaker 4: know what I'm saying. I was super young when both

1490
01:09:43,479 --> 01:09:45,200
Speaker 4: of them came out, you know what I'm saying. But

1491
01:09:45,400 --> 01:09:49,280
Speaker 4: like Pansy and Bonn b like major influences. Like for

1492
01:09:49,360 --> 01:09:53,679
Speaker 4: sure it's some pizzas, some piece of pounds, real.

1493
01:09:53,560 --> 01:09:58,160
Speaker 3: Talk, organized noise or beats by the pound.

1494
01:09:59,840 --> 01:10:05,000
Speaker 4: I damn that's crazy. I gotta organized noials though, Man,

1495
01:10:05,200 --> 01:10:08,200
Speaker 4: you know what I'm saying. Recipes We wait for real

1496
01:10:08,640 --> 01:10:10,920
Speaker 4: major influence, you know what I'm saying.

1497
01:10:12,080 --> 01:10:14,400
Speaker 3: And recipes Bush Bill Fro ghetto boys too, you know,

1498
01:10:14,600 --> 01:10:19,960
Speaker 3: for sure, Mike jack or Prince Michael Jackson. What you

1499
01:10:20,000 --> 01:10:20,800
Speaker 3: motherfuckers write it? Like?

1500
01:10:21,479 --> 01:10:24,960
Speaker 4: Man, y'all y'all have some cold like that's what y'all

1501
01:10:25,040 --> 01:10:25,439
Speaker 4: want to get.

1502
01:10:25,520 --> 01:10:30,040
Speaker 1: That's we always ask three chances, and we love we

1503
01:10:30,200 --> 01:10:30,679
Speaker 1: love Michael.

1504
01:10:30,840 --> 01:10:33,720
Speaker 3: We like the stories of either like the legends that

1505
01:10:33,800 --> 01:10:34,719
Speaker 3: made Little Purple.

1506
01:10:34,960 --> 01:10:37,320
Speaker 4: You know, you know what's crazy, like during this journey

1507
01:10:37,400 --> 01:10:39,680
Speaker 4: right here, like I've been I've been trying to like

1508
01:10:40,680 --> 01:10:44,559
Speaker 4: figure out like like like print, like like Purple Rain

1509
01:10:44,880 --> 01:10:50,720
Speaker 4: and like Thriller, like them nine songs journeys like man,

1510
01:10:51,120 --> 01:10:54,519
Speaker 4: both of them songs were like major influences. Like how

1511
01:10:54,600 --> 01:10:57,600
Speaker 4: those songs, how those projects were so short, but it

1512
01:10:57,680 --> 01:10:59,800
Speaker 4: went on the fucking journey, like you know what I'm saying.

1513
01:11:00,240 --> 01:11:02,880
Speaker 4: So I don't know, Man, I don't know. I might,

1514
01:11:02,960 --> 01:11:10,240
Speaker 4: I might go let you finished. I'm going Mike, Oh,

1515
01:11:11,320 --> 01:11:12,960
Speaker 4: I'm so, I'm not gonna lie to you.

1516
01:11:14,240 --> 01:11:19,920
Speaker 3: We don't know. Like they're beef. Their beef is historial beef.

1517
01:11:20,720 --> 01:11:22,040
Speaker 3: Oh man, crazy beef.

1518
01:11:22,320 --> 01:11:25,880
Speaker 5: We've been hearing all kinds of stories trying to run

1519
01:11:25,920 --> 01:11:26,879
Speaker 5: over Michael Jackson.

1520
01:11:27,160 --> 01:11:29,680
Speaker 3: Oh, like running off the road, trying to run him

1521
01:11:29,680 --> 01:11:30,120
Speaker 3: off the road.

1522
01:11:30,840 --> 01:11:31,240
Speaker 4: No, no, no.

1523
01:11:31,560 --> 01:11:33,320
Speaker 1: So So this is the reason why we don't we

1524
01:11:33,400 --> 01:11:38,400
Speaker 1: don't never answer this. It is because we always like

1525
01:11:38,560 --> 01:11:42,360
Speaker 1: get new information that happens, and we find out that

1526
01:11:43,160 --> 01:11:47,400
Speaker 1: first off, Prince, it's a meaning.

1527
01:11:48,920 --> 01:11:51,360
Speaker 3: That's what Michael Jackson said about Princess.

1528
01:11:51,240 --> 01:11:58,760
Speaker 1: Michaelright, Sorry, we didn't know this story. You're ready, You're ready.

1529
01:12:02,479 --> 01:12:06,600
Speaker 1: Farrell calls me one day, Oh the super Yeah. So

1530
01:12:06,680 --> 01:12:16,400
Speaker 1: Farrell calls me one day and he's like, Laurie, I

1531
01:12:16,560 --> 01:12:18,040
Speaker 1: kind of like need a favor for me.

1532
01:12:18,120 --> 01:12:18,880
Speaker 4: So I'm like, what the fuck?

1533
01:12:19,080 --> 01:12:20,040
Speaker 3: What are we talking?

1534
01:12:20,080 --> 01:12:20,240
Speaker 5: Mom?

1535
01:12:20,720 --> 01:12:23,559
Speaker 3: Does Farrell needed a favor for me? Right?

1536
01:12:24,040 --> 01:12:28,960
Speaker 1: But he says, I said Michael Jackson a bunch of beats?

1537
01:12:31,160 --> 01:12:35,880
Speaker 1: He said, that's not what normal will rap on. Michael

1538
01:12:35,960 --> 01:12:37,880
Speaker 1: Jackson wanted to rap on super dugs.

1539
01:12:37,960 --> 01:12:42,200
Speaker 3: What what? So Farrell said him a bunch, like.

1540
01:12:44,680 --> 01:12:48,759
Speaker 4: You know, one of them. He like, Michael Jackson joints.

1541
01:12:49,080 --> 01:12:50,559
Speaker 4: I want to nor.

1542
01:12:52,000 --> 01:12:56,200
Speaker 3: Morel hit me. I'm like, holy moly, Walker Moly.

1543
01:12:58,320 --> 01:13:02,320
Speaker 1: So Barrell hits me and I actually, I don't know

1544
01:13:02,400 --> 01:13:04,200
Speaker 1: if I ever said this part of the story. I

1545
01:13:04,320 --> 01:13:09,600
Speaker 1: actually picked out five beats for Michael. Yeah, no, no, no, no, no,

1546
01:13:10,280 --> 01:13:12,840
Speaker 1: not for Michael. For Farrell.

1547
01:13:14,000 --> 01:13:18,240
Speaker 4: Was like, yo, just pick out these five beats, and

1548
01:13:18,360 --> 01:13:19,080
Speaker 4: I actually.

1549
01:13:18,800 --> 01:13:20,120
Speaker 3: For him to give it to Michael.

1550
01:13:21,200 --> 01:13:23,080
Speaker 4: I don't I don't ever know if I've ever.

1551
01:13:25,080 --> 01:13:26,800
Speaker 3: Does that make sense? Like, I don't know if I

1552
01:13:26,880 --> 01:13:29,720
Speaker 3: ever did that, like, I just it was like, you

1553
01:13:29,840 --> 01:13:34,400
Speaker 3: know what, bro, you're my g I got you and

1554
01:13:34,520 --> 01:13:34,920
Speaker 3: I did it.

1555
01:13:35,200 --> 01:13:36,840
Speaker 1: So I don't know if that was ever for that,

1556
01:13:37,120 --> 01:13:48,439
Speaker 1: but that's one of my best stories in Michael Jackson. Jackson,

1557
01:13:48,920 --> 01:13:50,679
Speaker 1: one of my fucking beats.

1558
01:13:52,120 --> 01:13:55,000
Speaker 3: You. Thank god there wasn't no social media back then.

1559
01:13:56,200 --> 01:13:59,880
Speaker 4: Imagine back then it was fucking social media.

1560
01:14:00,040 --> 01:14:01,120
Speaker 3: God, man, we need to.

1561
01:14:01,439 --> 01:14:04,880
Speaker 4: I would have been like, because I believe Michael Jackson

1562
01:14:05,160 --> 01:14:05,960
Speaker 4: was a gangster.

1563
01:14:06,439 --> 01:14:11,639
Speaker 3: For sure, why you got quiet? I mean, I don't

1564
01:14:11,680 --> 01:14:13,960
Speaker 3: know for sure.

1565
01:14:15,080 --> 01:14:18,720
Speaker 5: I think Michael Jackson, but he did call Prince of

1566
01:14:18,800 --> 01:14:20,439
Speaker 5: meanis why don't he just square up with them?

1567
01:14:21,840 --> 01:14:24,840
Speaker 4: Man? He got too much to lose. He got too much.

1568
01:14:25,240 --> 01:14:27,800
Speaker 4: You know what's I lose? See that gangsterday? You know

1569
01:14:27,880 --> 01:14:29,040
Speaker 4: how to walk away from you know?

1570
01:14:29,280 --> 01:14:30,680
Speaker 3: I love the story. I don't think it's true, the

1571
01:14:30,680 --> 01:14:33,800
Speaker 3: one with him in Park five. I don't think it's

1572
01:14:33,800 --> 01:14:34,360
Speaker 3: the true story.

1573
01:14:34,560 --> 01:14:35,640
Speaker 4: That's amazing.

1574
01:14:37,200 --> 01:14:37,439
Speaker 5: Story.

1575
01:14:37,920 --> 01:14:40,400
Speaker 3: A comedian is telling it. There's a comedian that's been

1576
01:14:40,439 --> 01:14:41,120
Speaker 3: telling that story.

1577
01:14:41,760 --> 01:14:42,280
Speaker 4: That's funny.

1578
01:14:43,200 --> 01:14:46,200
Speaker 5: Wait, can you can you tell him I had to

1579
01:14:46,280 --> 01:14:50,240
Speaker 5: do with your daughter that that park was dating. But

1580
01:14:50,360 --> 01:14:52,759
Speaker 5: when Quincy Jones and Michael's connection, you know. So Michael

1581
01:14:52,800 --> 01:14:55,680
Speaker 5: looked at Quincy Jones, daughter is like his niece, and

1582
01:14:55,760 --> 01:14:59,000
Speaker 5: as supposed that, he saw Park like, you know, disrespect

1583
01:14:59,040 --> 01:15:01,200
Speaker 5: her in some kind of way, and then he stepped

1584
01:15:01,240 --> 01:15:03,519
Speaker 5: to him and then they fought. I mean, I think

1585
01:15:03,560 --> 01:15:05,559
Speaker 5: this is a fake story, but it's an amazing story

1586
01:15:05,680 --> 01:15:07,240
Speaker 5: just to pretend that it happened.

1587
01:15:07,280 --> 01:15:09,280
Speaker 3: And they said that Michael had to ill reach.

1588
01:15:13,840 --> 01:15:15,599
Speaker 4: My wife from Gary in the end, man.

1589
01:15:17,800 --> 01:15:19,760
Speaker 3: And Joe, and Joe Jackson was hard on him, so

1590
01:15:19,880 --> 01:15:21,160
Speaker 3: he grew up hardcore.

1591
01:15:20,960 --> 01:15:23,560
Speaker 4: Honestly, man, je just salute Joe Jackson. Man, I'm in

1592
01:15:23,680 --> 01:15:24,160
Speaker 4: a rare.

1593
01:15:24,200 --> 01:15:27,799
Speaker 3: Curator, man, But he raised them hardcore.

1594
01:15:28,439 --> 01:15:30,040
Speaker 4: I mean, that's what they said in the movies, but

1595
01:15:30,120 --> 01:15:32,200
Speaker 4: that could have been anything we all would raise hardcore.

1596
01:15:34,040 --> 01:15:36,240
Speaker 5: I'm not saying that the extreme of hardcore. But nonetheless

1597
01:15:36,479 --> 01:15:37,519
Speaker 5: he's still he raised them.

1598
01:15:37,920 --> 01:15:38,519
Speaker 4: Vision for sure.

1599
01:15:38,640 --> 01:15:38,960
Speaker 3: Yeah.

1600
01:15:39,640 --> 01:15:43,040
Speaker 4: Right, they want to go to the next question, because

1601
01:15:43,080 --> 01:15:43,960
Speaker 4: I got a lot more.

1602
01:15:45,320 --> 01:15:49,040
Speaker 3: Naza l L naz ll cool Jackson.

1603
01:15:49,400 --> 01:15:55,760
Speaker 4: I'm going nast going now. I'm saluting them both.

1604
01:15:56,000 --> 01:15:58,760
Speaker 5: Yeah, absolutely, I love them from queens Ace Hood of

1605
01:15:58,800 --> 01:15:59,639
Speaker 5: twenty one Savage.

1606
01:16:00,280 --> 01:16:06,599
Speaker 4: H uh, I got bankers for both of them, brothers. Man,

1607
01:16:06,920 --> 01:16:12,960
Speaker 4: you know, what I'm saying, thank you, brother. Uh, we

1608
01:16:13,040 --> 01:16:15,200
Speaker 4: need to keep drinking, man, I got bankers for both

1609
01:16:15,240 --> 01:16:19,000
Speaker 4: of them, man, so little got it and I'm gonna

1610
01:16:19,000 --> 01:16:26,000
Speaker 4: take you know what I'm saying. Okay, let's go you ready, absolutely, Hey,

1611
01:16:26,280 --> 01:16:28,160
Speaker 4: even though we drink, I'm gonna still go twenty one.

1612
01:16:29,080 --> 01:16:30,200
Speaker 4: I'm gonna go twenty one on that.

1613
01:16:31,120 --> 01:16:36,000
Speaker 3: You made us drink and then you took it drinks. Man,

1614
01:16:38,600 --> 01:16:39,000
Speaker 3: that's okay.

1615
01:16:39,040 --> 01:16:40,200
Speaker 4: I'm start getting like that now.

1616
01:16:40,320 --> 01:16:48,519
Speaker 12: Man's talking like that the boy alchemist mm hmm, yeah,

1617
01:16:50,560 --> 01:16:51,520
Speaker 12: probably alchemists.

1618
01:16:51,560 --> 01:16:54,599
Speaker 4: Man, I had a lot of inspiration shut out man

1619
01:16:54,880 --> 01:16:58,680
Speaker 4: for real, big up it boy, but big up to

1620
01:16:58,720 --> 01:17:00,439
Speaker 4: both of them for real and kind of.

1621
01:17:00,800 --> 01:17:05,320
Speaker 3: Yeah, they're both Dre or Quincy Jones, doctor Jack Quincy

1622
01:17:05,400 --> 01:17:06,439
Speaker 3: Jones I am.

1623
01:17:08,640 --> 01:17:16,519
Speaker 4: I ain't got to do with this ship. Mm hmm.

1624
01:17:18,280 --> 01:17:20,040
Speaker 3: I mean you could argue that Dre is the hip

1625
01:17:20,080 --> 01:17:21,760
Speaker 3: hop Quincy Jones he is.

1626
01:17:22,000 --> 01:17:24,559
Speaker 4: What I was about to say, like Quincy Jones laid

1627
01:17:24,560 --> 01:17:28,160
Speaker 4: the foundation, Dre came through and pushed it, you know

1628
01:17:28,200 --> 01:17:31,519
Speaker 4: what I'm saying with a whole new sound, it's like, ah,

1629
01:17:31,800 --> 01:17:34,000
Speaker 4: but it's like, you know what's crazy when I when

1630
01:17:34,040 --> 01:17:37,840
Speaker 4: I wrap up albums like as an executive producer, Like,

1631
01:17:37,880 --> 01:17:39,040
Speaker 4: you know what I'm saying, I want to listen to

1632
01:17:39,160 --> 01:17:42,160
Speaker 4: this album that I'm putting together next to like some

1633
01:17:42,320 --> 01:17:44,439
Speaker 4: albums out look at like some of the best albums.

1634
01:17:44,479 --> 01:17:48,280
Speaker 4: So it's like I always play Thriller. I always play

1635
01:17:48,400 --> 01:17:51,680
Speaker 4: like Get Rich of Dog Trying. I always play like,

1636
01:17:51,800 --> 01:17:53,479
Speaker 4: you know what I'm saying, all lives on me, you

1637
01:17:53,520 --> 01:17:57,360
Speaker 4: know what I'm saying. And it's like and it's like,

1638
01:17:58,400 --> 01:18:01,479
Speaker 4: but Drayden producer, all on me, right, But I still

1639
01:18:01,560 --> 01:18:03,439
Speaker 4: listen to it, you know what I'm saying. And then

1640
01:18:03,600 --> 01:18:05,560
Speaker 4: then I'll listen to the Game's album, you know what

1641
01:18:05,560 --> 01:18:09,559
Speaker 4: I'm saying, And and I listened to that with whatever album'

1642
01:18:09,600 --> 01:18:13,120
Speaker 4: about to drop, because like I thought it was short,

1643
01:18:13,200 --> 01:18:15,600
Speaker 4: you know what I'm saying, Give Give It to the

1644
01:18:15,760 --> 01:18:19,519
Speaker 4: Trump was long, but it's still like that same complete journey,

1645
01:18:19,560 --> 01:18:21,560
Speaker 4: you know what I'm saying. So it's like if I

1646
01:18:21,720 --> 01:18:24,040
Speaker 4: if we had CD changers, you know what I'm saying,

1647
01:18:24,160 --> 01:18:26,040
Speaker 4: and I had my CD in and it was a

1648
01:18:26,160 --> 01:18:28,400
Speaker 4: change over to the CD, change over to this CD

1649
01:18:28,600 --> 01:18:31,240
Speaker 4: change over the city, come back to my city? Is

1650
01:18:31,320 --> 01:18:33,639
Speaker 4: my ship hitting in the line of that flowing Yeah,

1651
01:18:34,320 --> 01:18:37,240
Speaker 4: we're going to look both for them, man, for that's

1652
01:18:37,280 --> 01:18:41,479
Speaker 4: the absolutely that Jones get y'all drunk today.

1653
01:18:41,600 --> 01:18:46,240
Speaker 3: Many metro booming and murder.

1654
01:18:46,120 --> 01:18:49,559
Speaker 4: Beats, by the way, Finy Jones the most drunk I've.

1655
01:18:49,479 --> 01:18:54,960
Speaker 3: Ever in my life, Jones, and I don't think in

1656
01:18:55,400 --> 01:19:01,080
Speaker 3: l a that was, man, I gotta tell it.

1657
01:19:01,200 --> 01:19:01,240
Speaker 2: So.

1658
01:19:05,000 --> 01:19:06,719
Speaker 3: Metro boom and murder beats.

1659
01:19:07,360 --> 01:19:11,439
Speaker 4: Metro Boom for sure, been on metros still. Fourteen man

1660
01:19:11,560 --> 01:19:13,559
Speaker 4: salute and everything he built. Pull it up.

1661
01:19:13,760 --> 01:19:17,720
Speaker 5: Wow, oh ship, I'm in the whole nother fucking You're

1662
01:19:17,760 --> 01:19:19,080
Speaker 5: You're in somebody else's quick time.

1663
01:19:19,160 --> 01:19:23,200
Speaker 3: Yeah else the A s R or the NPC two thousand.

1664
01:19:25,840 --> 01:19:28,320
Speaker 4: MPC hands down, man, that's that was my That was

1665
01:19:28,400 --> 01:19:32,679
Speaker 4: my secret weapon. I just got the A SR last summer,

1666
01:19:33,360 --> 01:19:35,320
Speaker 4: so I've been working with it lately. I've been making

1667
01:19:35,360 --> 01:19:38,519
Speaker 4: some dope ship, but like the NPC my walking weapon

1668
01:19:38,600 --> 01:19:40,920
Speaker 4: of choice, I still plugged the A s R up

1669
01:19:40,960 --> 01:19:41,519
Speaker 4: to the NPC.

1670
01:19:42,439 --> 01:19:44,559
Speaker 3: What was your first machine that you used?

1671
01:19:45,160 --> 01:19:48,040
Speaker 4: My first beat machine, I had got the Core E

1672
01:19:48,280 --> 01:19:50,800
Speaker 4: S one. My pots that grabbed me the Core ears one,

1673
01:19:51,120 --> 01:19:52,960
Speaker 4: and that's how I taught myself how to make beats,

1674
01:19:53,040 --> 01:19:54,560
Speaker 4: and then I used to have that plugged up to

1675
01:19:54,680 --> 01:19:57,240
Speaker 4: like a cashio keyboard. Then one of the homies in

1676
01:19:57,320 --> 01:20:01,599
Speaker 4: my and my my group here that he had bought

1677
01:20:01,640 --> 01:20:03,800
Speaker 4: a Triting for like a thousand dollars, you know what

1678
01:20:03,840 --> 01:20:05,880
Speaker 4: I'm saying. And then he got the writing and then

1679
01:20:05,920 --> 01:20:08,560
Speaker 4: I was plugging that up with the with the with

1680
01:20:08,680 --> 01:20:11,520
Speaker 4: the core years one. And then I got the multi travelcorder.

1681
01:20:11,960 --> 01:20:14,000
Speaker 4: So that was before pro tools and all that shit,

1682
01:20:14,040 --> 01:20:16,679
Speaker 4: you know what I'm saying there, Yeah, and then boring

1683
01:20:16,720 --> 01:20:18,280
Speaker 4: I got my mini studio. The next thing, you know,

1684
01:20:18,840 --> 01:20:21,760
Speaker 4: I go buy myself to NPC, you know what I'm saying.

1685
01:20:22,160 --> 01:20:24,080
Speaker 4: And then my mom helped me get like like these

1686
01:20:24,200 --> 01:20:26,360
Speaker 4: keyboard wrecks, you know what I'm saying. Like she'll she'll

1687
01:20:26,560 --> 01:20:29,479
Speaker 4: she'll get the credit card and then I'll pay on it,

1688
01:20:29,600 --> 01:20:31,720
Speaker 4: like you know what I'm saying. So like it was

1689
01:20:31,800 --> 01:20:33,479
Speaker 4: like some ship like that, and shout out to my

1690
01:20:33,600 --> 01:20:36,599
Speaker 4: mom like she man, hey, she was letting everybody come

1691
01:20:36,680 --> 01:20:39,160
Speaker 4: through the house. The music was loud, you know what

1692
01:20:39,160 --> 01:20:42,240
Speaker 4: I'm saying. She she was there through the whole process. Man.

1693
01:20:42,320 --> 01:20:44,760
Speaker 4: So that's why, like mom cast for anything, I don't

1694
01:20:44,800 --> 01:20:46,320
Speaker 4: carry like you know what I'm saying, Like she she

1695
01:20:46,520 --> 01:20:49,000
Speaker 4: got it, like she was always believing. You know what

1696
01:20:49,040 --> 01:20:51,400
Speaker 4: I'm saying, I'm out on school nights. You know what

1697
01:20:51,400 --> 01:20:54,559
Speaker 4: I'm saying in high school like she didn't. She wasn't

1698
01:20:54,600 --> 01:20:57,320
Speaker 4: saying it was okay, but like she she could have

1699
01:20:57,439 --> 01:20:59,040
Speaker 4: killed me. You know what I'm saying, like for real,

1700
01:20:59,080 --> 01:21:01,120
Speaker 4: because I kept bucking, you know what I'm saying. And

1701
01:21:01,400 --> 01:21:03,080
Speaker 4: I just knew I wanted to get that music out.

1702
01:21:03,160 --> 01:21:05,519
Speaker 4: So yeah, shout out to mom, shout.

1703
01:21:08,840 --> 01:21:13,880
Speaker 3: The mom to change of t I got nothing to

1704
01:21:13,920 --> 01:21:14,200
Speaker 3: do with this.

1705
01:21:14,240 --> 01:21:18,160
Speaker 4: See y'all doing like this ship that's them. That's it.

1706
01:21:18,479 --> 01:21:21,240
Speaker 4: It's like a mixed thing. It's like inspiration or like

1707
01:21:21,720 --> 01:21:23,880
Speaker 4: you know what I'm saying, where you want to go?

1708
01:21:25,640 --> 01:21:27,800
Speaker 3: And I got shot? I got the shot.

1709
01:21:28,080 --> 01:21:30,960
Speaker 4: We got the shot. Manleu Atlanta man, you know what

1710
01:21:31,000 --> 01:21:32,160
Speaker 4: I'm saying, continue.

1711
01:21:31,760 --> 01:21:35,400
Speaker 3: To be great, so Lou Atlanta man, be honest. Atlanta

1712
01:21:35,479 --> 01:21:40,320
Speaker 3: helped me down. To Atlanta helps.

1713
01:21:39,200 --> 01:21:40,479
Speaker 4: When they both for my new album.

1714
01:21:41,760 --> 01:21:45,240
Speaker 3: You know, Atlanta helped me down. Thank you all man, man,

1715
01:21:45,360 --> 01:21:48,960
Speaker 3: every I love Atlanta. Man funk that. I'm sorry.

1716
01:21:49,080 --> 01:21:54,200
Speaker 1: I held back a long time. Why did you help

1717
01:21:54,280 --> 01:21:59,200
Speaker 1: back from yourself? He was here, man, I was hating

1718
01:21:59,200 --> 01:22:00,000
Speaker 1: a little shout out to.

1719
01:22:01,840 --> 01:22:03,680
Speaker 4: Talk to the real niggas from New York. Man like,

1720
01:22:03,800 --> 01:22:05,320
Speaker 4: welcome man, anything, you.

1721
01:22:05,360 --> 01:22:05,519
Speaker 3: Know what.

1722
01:22:07,640 --> 01:22:11,760
Speaker 5: The hell you down Miami, help me the walls, help

1723
01:22:11,840 --> 01:22:16,200
Speaker 5: me downs.

1724
01:22:14,120 --> 01:22:18,360
Speaker 4: Help me top Man. Just fighting it, man, damn but

1725
01:22:19,160 --> 01:22:19,519
Speaker 4: fighting it.

1726
01:22:19,840 --> 01:22:21,320
Speaker 3: He just said that I'm fighting it.

1727
01:22:21,560 --> 01:22:24,160
Speaker 4: It was my favorite rapper. Like since I'm serious, you

1728
01:22:24,200 --> 01:22:26,360
Speaker 4: know what I'm saying. And then like I've been working

1729
01:22:26,400 --> 01:22:28,560
Speaker 4: with two Changes since he was titty boy, Like, you

1730
01:22:28,600 --> 01:22:31,000
Speaker 4: know what I'm saying, Like I used to, I used

1731
01:22:31,000 --> 01:22:34,080
Speaker 4: to grind, I used to I know him since he

1732
01:22:34,160 --> 01:22:36,920
Speaker 4: was titty boy. Yeah, I used to drive all the

1733
01:22:36,960 --> 01:22:40,320
Speaker 4: way from the staying that, you know what I'm saying,

1734
01:22:40,680 --> 01:22:44,720
Speaker 4: all the way down there to two chains and old neck. Man,

1735
01:22:45,000 --> 01:22:46,920
Speaker 4: I might run out of gas on that drive, you

1736
01:22:46,960 --> 01:22:48,160
Speaker 4: know what I'm saying. But he wanted to go to

1737
01:22:48,240 --> 01:22:51,880
Speaker 4: the studio at eleven pm, twelve am. I've been there

1738
01:22:51,880 --> 01:22:54,320
Speaker 4: all night with Change man, Like we're just banging out

1739
01:22:54,920 --> 01:22:59,120
Speaker 4: different sounds and yeah, man, like I remember when he

1740
01:22:59,200 --> 01:23:02,960
Speaker 4: thought everybody was leaping on him and we all knew, like, man,

1741
01:23:03,320 --> 01:23:06,680
Speaker 4: this nigga about to be the biggest, one of the biggest, for.

1742
01:23:07,200 --> 01:23:10,680
Speaker 3: I knew it too. That's what you called him.

1743
01:23:11,439 --> 01:23:13,760
Speaker 4: If you if you heard, if you, if you heard

1744
01:23:13,800 --> 01:23:16,719
Speaker 4: that man you weren't thinking that man you were hating

1745
01:23:17,320 --> 01:23:20,680
Speaker 4: he could fit man for rell you were hating? Was

1746
01:23:20,720 --> 01:23:25,799
Speaker 4: that nigga? Real hip hop artist? Man? Yeah? For two change?

1747
01:23:26,200 --> 01:23:33,160
Speaker 3: What's that nigga to h R shoty Red or drummer boy?

1748
01:23:35,920 --> 01:23:43,160
Speaker 4: M hm produce the ship? Well, I got nothing to

1749
01:23:43,240 --> 01:23:48,639
Speaker 4: do with this. Shout out, shout out the Memphis damn.

1750
01:23:49,880 --> 01:23:51,760
Speaker 4: They got nothing to do it. Go ahead them just

1751
01:23:51,840 --> 01:23:58,800
Speaker 4: a little man just drinking. There were engine definitely feel

1752
01:23:58,840 --> 01:23:59,759
Speaker 4: to the engine man.

1753
01:24:00,160 --> 01:24:03,519
Speaker 3: All right, and I'm taking a whole shots like I'm doing.

1754
01:24:03,960 --> 01:24:05,200
Speaker 3: I'm gonnaunted kicking right now.

1755
01:24:08,200 --> 01:24:10,600
Speaker 1: Because you know why why, I'm gonna be honest with

1756
01:24:10,680 --> 01:24:13,920
Speaker 1: you A lot of us. I wanted Mike Will here.

1757
01:24:15,560 --> 01:24:16,160
Speaker 4: For years.

1758
01:24:16,600 --> 01:24:18,559
Speaker 3: I wanted Mike Will to get his flowers.

1759
01:24:19,120 --> 01:24:25,400
Speaker 1: Mike Will's a person that deserves what's going on right now.

1760
01:24:26,080 --> 01:24:29,360
Speaker 1: You are a legend of a legend, you are icon,

1761
01:24:29,520 --> 01:24:36,200
Speaker 1: your icon, and me ef n a whole establishment drink champs.

1762
01:24:36,560 --> 01:24:38,240
Speaker 3: We wanted to give you a flopers.

1763
01:24:41,560 --> 01:24:44,360
Speaker 1: I don't I don't mind being as saucy as I'm

1764
01:24:44,439 --> 01:24:48,880
Speaker 1: being saucy today because it's it's for you, brother, and

1765
01:24:49,479 --> 01:24:52,760
Speaker 1: you know what me and him are in s's it

1766
01:24:52,880 --> 01:25:02,160
Speaker 1: called whatever ye because you know why, Nah, you you

1767
01:25:02,360 --> 01:25:07,200
Speaker 1: really deserve your flowers. You really we want you to

1768
01:25:07,320 --> 01:25:11,400
Speaker 1: know that what you did to the game is so beautiful.

1769
01:25:12,160 --> 01:25:14,000
Speaker 1: You're going to continue to give you your flowers.

1770
01:25:14,240 --> 01:25:15,519
Speaker 4: No, I appy sure, you know what I'm saying.

1771
01:25:18,560 --> 01:25:20,880
Speaker 3: Okay, continue, Yeah, were still we were almost. Yeah, We're

1772
01:25:20,880 --> 01:25:24,320
Speaker 3: still were still almost. We're still in a bit logic

1773
01:25:24,400 --> 01:25:26,440
Speaker 3: and pro tools on purchas.

1774
01:25:26,479 --> 01:25:27,559
Speaker 4: I don't know how to use logic.

1775
01:25:29,360 --> 01:25:30,639
Speaker 3: Juicy Jay Wi Kalisa.

1776
01:25:31,640 --> 01:25:34,840
Speaker 4: Damn, it's another thing.

1777
01:25:36,200 --> 01:25:36,320
Speaker 3: Man.

1778
01:25:36,360 --> 01:25:38,160
Speaker 4: We're going to toss up to that one too. Man.

1779
01:25:38,439 --> 01:25:42,280
Speaker 4: You know what I'm saying, Well, man, my two stoner buddies. Man,

1780
01:25:42,479 --> 01:25:44,200
Speaker 4: my brother's right there. Man, you know what I'm saying.

1781
01:25:46,439 --> 01:25:49,280
Speaker 3: You can just over your simple You don't shout.

1782
01:25:49,080 --> 01:25:51,320
Speaker 4: Out to Juicy j Man for being a blueprint, man

1783
01:25:52,120 --> 01:25:55,400
Speaker 4: for being an inspiration, and and and the run that

1784
01:25:55,479 --> 01:25:57,800
Speaker 4: we went on with so legendary. I went on the

1785
01:25:57,840 --> 01:25:58,880
Speaker 4: run with both of them. Guys.

1786
01:25:58,960 --> 01:26:08,040
Speaker 3: Man up, DJ Premiere, Pete Rock. This is very even question,

1787
01:26:09,560 --> 01:26:11,240
Speaker 3: but I don't I would like to see what you're

1788
01:26:11,280 --> 01:26:12,080
Speaker 3: how you're gonna answer.

1789
01:26:16,600 --> 01:26:19,760
Speaker 4: I probably say Premiere that was hard.

1790
01:26:20,000 --> 01:26:24,120
Speaker 3: I thought he was going to answer, that's hard, trick

1791
01:26:24,200 --> 01:26:25,080
Speaker 3: Daddy Rick Ross.

1792
01:26:27,080 --> 01:26:31,000
Speaker 4: Damn all right, mam, have.

1793
01:26:31,080 --> 01:26:31,800
Speaker 3: You worked with Trick?

1794
01:26:32,320 --> 01:26:33,479
Speaker 4: I ain't ever worked with Trick?

1795
01:26:33,560 --> 01:26:35,120
Speaker 5: Oh man, I could hear you guys, that would be

1796
01:26:35,160 --> 01:26:39,240
Speaker 5: Come on, man, Ross joins you to this crazy trick

1797
01:26:39,360 --> 01:26:43,320
Speaker 5: raising nigga, You and Trick would be crazy trick.

1798
01:26:43,200 --> 01:26:48,760
Speaker 4: Too, hard man, real legend man bron like. See, y'all

1799
01:26:48,880 --> 01:26:50,479
Speaker 4: got me fucked up on this game because I'm a

1800
01:26:50,560 --> 01:26:53,600
Speaker 4: I'm an indecisive nigga. I'm already indecisive.

1801
01:26:53,640 --> 01:26:55,000
Speaker 3: It's all good, that's what for.

1802
01:26:55,320 --> 01:26:58,599
Speaker 4: And when I smoke makes it even worse. Man, they

1803
01:26:58,640 --> 01:27:01,920
Speaker 4: were all smoking. Go to the mall, man, he's look

1804
01:27:01,920 --> 01:27:02,280
Speaker 4: a shift.

1805
01:27:02,360 --> 01:27:04,320
Speaker 3: Can we connect you and Trick man and make something happen?

1806
01:27:07,240 --> 01:27:12,680
Speaker 3: Miley Cyrus Champs? Yeah, we drink Champs compilation. Right, Just

1807
01:27:12,760 --> 01:27:19,920
Speaker 3: let them let them work together. Man, let's circle back

1808
01:27:19,960 --> 01:27:24,920
Speaker 3: after the Yeah, Miley Cyrus and Katy Perry.

1809
01:27:26,080 --> 01:27:30,920
Speaker 4: I am gotta go. Miley Cyrus, how did you connect? Man?

1810
01:27:31,000 --> 01:27:34,280
Speaker 4: Through r c A. Shout out to Peter Edge, shout

1811
01:27:34,320 --> 01:27:37,400
Speaker 4: out to everybody at r c A. It was crazy.

1812
01:27:37,439 --> 01:27:39,360
Speaker 4: I had just signed my I had just signed my

1813
01:27:39,439 --> 01:27:43,120
Speaker 4: published adventure. So that was my first adventure. Like you

1814
01:27:43,160 --> 01:27:44,560
Speaker 4: know what I'm saying, Like a lot of people just

1815
01:27:44,640 --> 01:27:48,080
Speaker 4: think I just make beat. So like like I'm an

1816
01:27:48,160 --> 01:27:50,200
Speaker 4: executive too, you know what I'm saying. So it's like

1817
01:27:50,280 --> 01:27:52,560
Speaker 4: I never even signed a part deal or anything like

1818
01:27:52,640 --> 01:27:54,960
Speaker 4: that until they would give me adventure and I can

1819
01:27:55,040 --> 01:27:56,880
Speaker 4: sign all the guys that was a part of my team,

1820
01:27:57,000 --> 01:27:58,799
Speaker 4: you know what I'm saying, because those guys that already

1821
01:27:59,200 --> 01:28:00,120
Speaker 4: we had already.

1822
01:28:00,240 --> 01:28:01,840
Speaker 3: Sorry starting to coach, but can you explain what that

1823
01:28:02,000 --> 01:28:03,840
Speaker 3: venture is? Like what does that mean for people that

1824
01:28:03,920 --> 01:28:04,639
Speaker 3: don't understand?

1825
01:28:04,880 --> 01:28:07,680
Speaker 4: Okay, So ear Drummers was was an idea that I

1826
01:28:07,800 --> 01:28:10,640
Speaker 4: had when I was you know what I'm saying, in

1827
01:28:10,720 --> 01:28:12,720
Speaker 4: two thousand and six, two thousand and seven. Then I

1828
01:28:12,920 --> 01:28:15,920
Speaker 4: created the AOC made it a real production company. It

1829
01:28:16,040 --> 01:28:18,080
Speaker 4: was just me and then you know what I'm saying.

1830
01:28:18,120 --> 01:28:21,040
Speaker 4: Then I had my brother SCHOOLI. Then I had my

1831
01:28:21,680 --> 01:28:23,439
Speaker 4: brother A plus I was going to high school with

1832
01:28:24,160 --> 01:28:27,559
Speaker 4: you know what I'm saying, Dan Boom, Like we're creating

1833
01:28:27,600 --> 01:28:30,240
Speaker 4: our sound. And then next thing you know, I'm meet

1834
01:28:30,320 --> 01:28:34,120
Speaker 4: I mean my brother p Nasty through a mutual and

1835
01:28:34,320 --> 01:28:36,360
Speaker 4: you know what I'm saying, he got he know, Mars

1836
01:28:36,520 --> 01:28:38,000
Speaker 4: Like you know what I'm saying that Mars no jabo.

1837
01:28:38,439 --> 01:28:40,000
Speaker 4: And I was like, man, I was like, man, we

1838
01:28:40,160 --> 01:28:42,840
Speaker 4: hurdled up. I got like a vision where it's like, man, hey, look,

1839
01:28:43,040 --> 01:28:45,760
Speaker 4: we're gonna build like a big production company and we're gonna,

1840
01:28:45,800 --> 01:28:47,479
Speaker 4: like you know what I'm saying, We're gonna like take

1841
01:28:47,520 --> 01:28:50,080
Speaker 4: over the game and we're gonna like just spread our

1842
01:28:50,200 --> 01:28:53,400
Speaker 4: sound like through all type because because I was looking

1843
01:28:53,439 --> 01:28:55,160
Speaker 4: at it, like I had like a bunch of songs

1844
01:28:55,200 --> 01:28:57,400
Speaker 4: out in the street with Gucci and Juice Man and

1845
01:28:57,520 --> 01:28:59,599
Speaker 4: all type of artists in Atlanta. But I was like, man,

1846
01:28:59,640 --> 01:29:02,120
Speaker 4: what's the difference between me and like a like a

1847
01:29:02,640 --> 01:29:05,240
Speaker 4: Kanye West, like a Doctor Dre or like a you

1848
01:29:05,280 --> 01:29:07,080
Speaker 4: know what I'm saying, Little John, or like a Quincy

1849
01:29:07,200 --> 01:29:09,240
Speaker 4: Jones or like you know what I'm saying anything like that.

1850
01:29:09,320 --> 01:29:11,559
Speaker 4: And it was like, man, these guys got production teams,

1851
01:29:11,760 --> 01:29:13,400
Speaker 4: like you know what I'm saying. Like, and so I

1852
01:29:13,479 --> 01:29:15,120
Speaker 4: was like, man, I got to build a solid team.

1853
01:29:15,240 --> 01:29:18,680
Speaker 4: So everybody I was on the team like man, we're

1854
01:29:18,720 --> 01:29:21,080
Speaker 4: going through it like with a super fine tooth comb,

1855
01:29:21,200 --> 01:29:23,280
Speaker 4: like where it's like man, everybody gotta be we gotta

1856
01:29:23,320 --> 01:29:25,120
Speaker 4: be like minded. If we're not like minded, we're not

1857
01:29:25,200 --> 01:29:27,400
Speaker 4: gonna be able to do nothing, you know what I'm saying.

1858
01:29:27,479 --> 01:29:30,120
Speaker 4: So now out of linked over these like minded brothers

1859
01:29:30,200 --> 01:29:32,680
Speaker 4: right here, and we were on a mission. Like you

1860
01:29:32,720 --> 01:29:34,360
Speaker 4: know what I'm saying. We already got our goals what

1861
01:29:34,479 --> 01:29:36,120
Speaker 4: we want to do. We want to get a song

1862
01:29:36,160 --> 01:29:38,840
Speaker 4: on the radio, we want to get a label deal,

1863
01:29:38,880 --> 01:29:40,680
Speaker 4: we want to get an album placement. You know what

1864
01:29:40,680 --> 01:29:43,200
Speaker 4: I'm saying. We want to be able to have money,

1865
01:29:43,280 --> 01:29:45,240
Speaker 4: take care of our lives. And you know what I'm saying.

1866
01:29:45,240 --> 01:29:47,120
Speaker 4: We had simple goals, you know what I'm saying, and

1867
01:29:47,160 --> 01:29:49,360
Speaker 4: then we just locked in. We're just on it every

1868
01:29:49,400 --> 01:29:55,120
Speaker 4: single day. So and during that time, during yeah, during

1869
01:29:55,200 --> 01:29:59,000
Speaker 4: that time, it's like like like I already have my

1870
01:29:59,120 --> 01:30:01,439
Speaker 4: tag and I'm already working with Gucci and different artists

1871
01:30:01,439 --> 01:30:03,200
Speaker 4: and stuff like that. And then we had the ear

1872
01:30:03,280 --> 01:30:05,320
Speaker 4: Drummer tag, you know what I'm saying, And like these

1873
01:30:05,360 --> 01:30:08,800
Speaker 4: guys were more like were like chill, like they ain't

1874
01:30:08,800 --> 01:30:10,800
Speaker 4: really had no tasks at the time, Like we were

1875
01:30:10,840 --> 01:30:13,040
Speaker 4: trying to figure out what the tags were gonna be

1876
01:30:13,160 --> 01:30:15,240
Speaker 4: and everything like that. So it's like, you know what

1877
01:30:15,280 --> 01:30:18,200
Speaker 4: I'm saying, Like okay Boom, Mike, we made the ear drummers.

1878
01:30:18,760 --> 01:30:22,160
Speaker 4: People don't know like, okay man he was working with

1879
01:30:22,680 --> 01:30:24,479
Speaker 4: He worked with Mars on that one. He worked with

1880
01:30:24,520 --> 01:30:26,439
Speaker 4: Pee on that one, he worked with Spoody on that one,

1881
01:30:26,479 --> 01:30:28,160
Speaker 4: he worked with Plus on that one. He worked with

1882
01:30:28,240 --> 01:30:30,360
Speaker 4: jaybo on that one. And let's say read the credits,

1883
01:30:30,400 --> 01:30:33,759
Speaker 4: you know what I'm saying. But even when the companies

1884
01:30:33,800 --> 01:30:36,000
Speaker 4: didn't though, and they were just hear Mike will do

1885
01:30:36,240 --> 01:30:39,639
Speaker 4: like word them mouth, these folks coming at me were

1886
01:30:39,680 --> 01:30:42,200
Speaker 4: like beat like money I never even imagined I could

1887
01:30:42,240 --> 01:30:44,720
Speaker 4: get right And at this time I'm broke. I got

1888
01:30:44,760 --> 01:30:47,280
Speaker 4: three songs on the charts. I got No Light, Turn

1889
01:30:47,360 --> 01:30:51,880
Speaker 4: on the Lights and Mercy and Band's Maca Dance, you

1890
01:30:51,920 --> 01:30:53,880
Speaker 4: know what I'm saying, Like all them on the line,

1891
01:30:54,120 --> 01:30:56,760
Speaker 4: I mean, all them on the charts. But at the

1892
01:30:56,840 --> 01:30:59,560
Speaker 4: same time we were broke, like we weren't getting no

1893
01:30:59,560 --> 01:31:03,680
Speaker 4: money from like like like the publishing or whatever, like

1894
01:31:03,800 --> 01:31:05,200
Speaker 4: all that kind of stuff, cause we didn't have our

1895
01:31:05,240 --> 01:31:07,200
Speaker 4: business in order, you know what I'm saying, Like we're

1896
01:31:07,240 --> 01:31:10,960
Speaker 4: getting it out the dirt. So it's like like even

1897
01:31:11,000 --> 01:31:13,639
Speaker 4: when these companies is coming at me and saying like man,

1898
01:31:13,880 --> 01:31:15,439
Speaker 4: we want to give you all this money right here.

1899
01:31:15,439 --> 01:31:18,360
Speaker 4: It's like, nah, I gotta because I was I was

1900
01:31:18,400 --> 01:31:20,040
Speaker 4: going to Georgia State. You know what I'm saying. I

1901
01:31:20,120 --> 01:31:21,600
Speaker 4: went to Georgia State for a couple of years and

1902
01:31:21,640 --> 01:31:23,599
Speaker 4: I learned the music business, you know what I'm saying.

1903
01:31:23,960 --> 01:31:26,560
Speaker 4: And then I understood, like, Okay, I can go to

1904
01:31:26,680 --> 01:31:28,439
Speaker 4: these companies and tell them what kind of business I

1905
01:31:28,560 --> 01:31:30,320
Speaker 4: want to do with them, you know what I'm saying.

1906
01:31:30,360 --> 01:31:31,920
Speaker 4: So I want to do a joint venture. You know

1907
01:31:31,960 --> 01:31:33,600
Speaker 4: what I'm saying. I'm not going to go to you

1908
01:31:33,680 --> 01:31:36,080
Speaker 4: and talk about doing the joint venture without already the

1909
01:31:36,200 --> 01:31:39,240
Speaker 4: venture venturing, you know what I'm saying. And so now

1910
01:31:39,400 --> 01:31:41,040
Speaker 4: I'm coming to you talking about like I want to

1911
01:31:41,080 --> 01:31:42,960
Speaker 4: do a joint venture. But like you know what I'm saying,

1912
01:31:43,120 --> 01:31:46,400
Speaker 4: my guys got placements too. Me and my guys got

1913
01:31:46,439 --> 01:31:48,400
Speaker 4: placements too, you know what I'm saying. And we got

1914
01:31:48,840 --> 01:31:50,559
Speaker 4: you know what I'm saying, We got underground placement, who

1915
01:31:50,600 --> 01:31:53,200
Speaker 4: got radio placement, got olumplacement. Were just out here working.

1916
01:31:53,280 --> 01:31:55,720
Speaker 4: This is without any you know what I'm saying, any

1917
01:31:55,880 --> 01:32:00,679
Speaker 4: like entries to the room or like a like any

1918
01:32:00,760 --> 01:32:06,320
Speaker 4: kind of people ushering, no ushering, it's just like us

1919
01:32:06,479 --> 01:32:09,920
Speaker 4: just working hard. So Boom, so we had it. So

1920
01:32:10,960 --> 01:32:13,439
Speaker 4: certain companies like, hey, man, we only want to sign you.

1921
01:32:13,800 --> 01:32:16,360
Speaker 4: You know what I'm saying. The certain companies like, man,

1922
01:32:16,400 --> 01:32:18,080
Speaker 4: if we give you adventure, we're only gonna give you

1923
01:32:18,160 --> 01:32:20,680
Speaker 4: this all right, I'm gonna just hold out. We're just

1924
01:32:20,720 --> 01:32:23,240
Speaker 4: gonna stay broke, you know what I'm saying until y'all

1925
01:32:23,320 --> 01:32:25,160
Speaker 4: come all the way right. You know what I'm saying,

1926
01:32:25,160 --> 01:32:28,000
Speaker 4: Because if we do somewhere anybody, we need to have

1927
01:32:28,200 --> 01:32:31,360
Speaker 4: like we're doing something with y'all to have financial freedom,

1928
01:32:31,880 --> 01:32:33,240
Speaker 4: you know what I'm saying. So then we can lock

1929
01:32:33,320 --> 01:32:35,840
Speaker 4: in and do what we do best, like you feel me.

1930
01:32:36,240 --> 01:32:39,160
Speaker 4: So that's what we're trying to do. So boom shout

1931
01:32:39,200 --> 01:32:41,400
Speaker 4: out to Big John. He was leaving I and my

1932
01:32:43,600 --> 01:32:45,679
Speaker 4: and then he was going to Wanner and he told

1933
01:32:45,760 --> 01:32:47,559
Speaker 4: me when he was when he was making that move,

1934
01:32:47,640 --> 01:32:49,560
Speaker 4: he was like, hey, bro, I don't do nothing but

1935
01:32:49,720 --> 01:32:51,599
Speaker 4: nobody like you know what I'm saying. I know everybody

1936
01:32:51,680 --> 01:32:53,760
Speaker 4: call you, but man, I want to. I want to.

1937
01:32:54,000 --> 01:32:55,639
Speaker 4: I want to you know what I'm saying. I want

1938
01:32:55,680 --> 01:32:57,360
Speaker 4: to get get it right with you know what I'm saying.

1939
01:32:57,600 --> 01:33:01,120
Speaker 4: And it was, and it was other other executives that

1940
01:33:01,240 --> 01:33:03,840
Speaker 4: really believed in me, like even with Ethiopia, like she

1941
01:33:04,280 --> 01:33:07,840
Speaker 4: connected me with my manager DJ, which is Jimmy Elban's nephew,

1942
01:33:08,160 --> 01:33:11,360
Speaker 4: because Ethiopia met me and knew I ain't had no manager.

1943
01:33:11,240 --> 01:33:14,120
Speaker 3: D Jimmy el Bean's nephew, nephew.

1944
01:33:14,280 --> 01:33:18,320
Speaker 4: Yeah. Yeah, So Ethiopia, she she knew, like, okay, man,

1945
01:33:18,360 --> 01:33:20,560
Speaker 4: this young dude got the division and he got his

1946
01:33:20,640 --> 01:33:22,920
Speaker 4: stuff going and he got business by this, so he

1947
01:33:23,120 --> 01:33:26,000
Speaker 4: just need a manager. And then she told DJ, like, man,

1948
01:33:26,040 --> 01:33:28,080
Speaker 4: you should go to Atlanta and meet with this kid

1949
01:33:28,200 --> 01:33:30,519
Speaker 4: Mike Will. Like, man, he not signing nobody or nothing,

1950
01:33:30,560 --> 01:33:32,320
Speaker 4: but he making a lot of noise and he's smart,

1951
01:33:32,680 --> 01:33:34,320
Speaker 4: and it's like I like what he I liked what

1952
01:33:34,400 --> 01:33:37,519
Speaker 4: he building. And then DJ was already known for managing

1953
01:33:37,600 --> 01:33:41,120
Speaker 4: like Polo, you know what I'm saying, boy, wonder hit boy,

1954
01:33:41,120 --> 01:33:42,640
Speaker 4: you know what I'm saying, Different people like that. So

1955
01:33:42,720 --> 01:33:44,560
Speaker 4: it's like at the end of the day, it's like

1956
01:33:45,360 --> 01:33:48,439
Speaker 4: he was already like a like a manager for producers

1957
01:33:48,479 --> 01:33:51,800
Speaker 4: and everything. So DJ flied to Atlanta and then we

1958
01:33:51,920 --> 01:33:54,519
Speaker 4: chopped it up and then I just told him like, hey,

1959
01:33:54,600 --> 01:33:57,320
Speaker 4: look all these companies coming at me right now, Everybody

1960
01:33:57,400 --> 01:33:59,360
Speaker 4: talking to me about management, all this kind of shit.

1961
01:33:59,560 --> 01:34:02,040
Speaker 4: I'm trying to see who's the first person who's gonna

1962
01:34:02,120 --> 01:34:04,439
Speaker 4: go give me this joint venture that I'm talking about.

1963
01:34:04,640 --> 01:34:06,240
Speaker 4: So me and my boys ain't got worried about no

1964
01:34:06,320 --> 01:34:09,599
Speaker 4: money and we could just focus on just like locking

1965
01:34:09,640 --> 01:34:12,120
Speaker 4: in on the and we get access to them because

1966
01:34:12,200 --> 01:34:15,560
Speaker 4: we got hits from from Gucci Man to Disney, like

1967
01:34:15,720 --> 01:34:17,200
Speaker 4: you don't matter who you put us in with you

1968
01:34:17,439 --> 01:34:18,680
Speaker 4: you know what I'm saying. We got it, like you

1969
01:34:18,720 --> 01:34:20,759
Speaker 4: know what I'm saying. And this before we had anything

1970
01:34:20,800 --> 01:34:22,920
Speaker 4: on the radio. So DJ was like, all right, shit,

1971
01:34:22,960 --> 01:34:24,559
Speaker 4: I'm gonna get it done, like you know what I'm saying.

1972
01:34:24,840 --> 01:34:26,840
Speaker 4: So he started working on getting it done. But then

1973
01:34:27,600 --> 01:34:30,200
Speaker 4: Big John saw how long I was holding out on it,

1974
01:34:30,680 --> 01:34:33,080
Speaker 4: to the point where Big John was like, man, I bro,

1975
01:34:33,200 --> 01:34:34,960
Speaker 4: when I made this move, this is the first move

1976
01:34:35,000 --> 01:34:36,720
Speaker 4: I'm finna do. Bro. I see what I see how

1977
01:34:36,760 --> 01:34:38,760
Speaker 4: you keep building it, you know what I'm saying. And

1978
01:34:38,880 --> 01:34:41,200
Speaker 4: then next thing you know, him and Ryan Press flew

1979
01:34:41,240 --> 01:34:43,200
Speaker 4: me out to La you know what I'm saying, and

1980
01:34:43,439 --> 01:34:45,280
Speaker 4: they wouldn't let me lead till we got the deal. Done.

1981
01:34:45,320 --> 01:34:49,400
Speaker 4: I was just I was just negotiating. I was negotiating.

1982
01:34:50,240 --> 01:34:52,360
Speaker 4: I don't even know what. Yeah, I ain't know what

1983
01:34:53,120 --> 01:34:55,680
Speaker 4: it was. Necessarily I'm negotiating it. But they wanted to

1984
01:34:55,720 --> 01:34:57,400
Speaker 4: do it. They're like, man, I bro, look we believe

1985
01:34:57,439 --> 01:34:59,640
Speaker 4: in you. So whatever you're doing. So they bless me

1986
01:35:00,160 --> 01:35:02,720
Speaker 4: and bless my guys and then started putting this like

1987
01:35:03,360 --> 01:35:05,400
Speaker 4: in writing camps, and so they set up a meeting.

1988
01:35:06,280 --> 01:35:08,080
Speaker 4: They were set up for meeting with me in New

1989
01:35:08,160 --> 01:35:10,439
Speaker 4: York with all the labels. This is my first time

1990
01:35:10,479 --> 01:35:12,720
Speaker 4: in New York in the winter time. I go up

1991
01:35:12,720 --> 01:35:15,200
Speaker 4: there and try to treat it like Atlanta, like with

1992
01:35:15,360 --> 01:35:18,200
Speaker 4: the thumbs in like a jogging suit. Like I'm thinking

1993
01:35:18,240 --> 01:35:18,920
Speaker 4: I'm in Atlanta.

1994
01:35:19,120 --> 01:35:21,040
Speaker 3: But I learned so many shorts out there, so I

1995
01:35:21,160 --> 01:35:21,680
Speaker 3: understand you.

1996
01:35:22,040 --> 01:35:25,920
Speaker 4: Man, that ship humble me. Man, that ship was like

1997
01:35:26,520 --> 01:35:28,800
Speaker 4: the wind was cutting through my bones. So I had this.

1998
01:35:29,040 --> 01:35:31,720
Speaker 4: I had this last meeting. It was when the sun

1999
01:35:31,880 --> 01:35:34,360
Speaker 4: was down. There was too cold outside. So Ryan Press

2000
01:35:34,479 --> 01:35:36,000
Speaker 4: was like, man, we got one more meeting with RCA.

2001
01:35:36,760 --> 01:35:38,960
Speaker 4: I'm like, nah, bro, I'm not going back outside, and

2002
01:35:39,080 --> 01:35:40,960
Speaker 4: he was like, man, you gotta go to this one.

2003
01:35:41,000 --> 01:35:43,120
Speaker 4: Like the whole staff is there and like they kept

2004
01:35:43,160 --> 01:35:45,000
Speaker 4: the staff overtime, like you know what I'm saying, Like

2005
01:35:45,080 --> 01:35:46,880
Speaker 4: this is just will be a good one. Like I'm like, bro,

2006
01:35:47,000 --> 01:35:49,000
Speaker 4: it's too cold, bro, like you know what I'm saying.

2007
01:35:49,040 --> 01:35:51,439
Speaker 4: My manager had to call DJ. He like, man, bro,

2008
01:35:52,160 --> 01:35:53,760
Speaker 4: this is just this will be a good this is

2009
01:35:53,760 --> 01:35:55,880
Speaker 4: a bit. So I'm like, man, Okay, there's people who

2010
01:35:55,920 --> 01:35:58,200
Speaker 4: I'm newly in business with. I can't just be stubborn,

2011
01:35:58,320 --> 01:35:59,680
Speaker 4: like you know what I'm saying, and I'm up here

2012
01:35:59,680 --> 01:36:02,400
Speaker 4: in New York or fuck it, like you know what

2013
01:36:02,439 --> 01:36:05,439
Speaker 4: I'm saying. Boom, go getting there, Go get in the car. Boom.

2014
01:36:05,479 --> 01:36:07,960
Speaker 4: We go to the motherfucking We go to the motherfucking

2015
01:36:08,000 --> 01:36:10,639
Speaker 4: meeting and then they showed me a bunch of artists

2016
01:36:10,680 --> 01:36:13,040
Speaker 4: and then I played and we can't Stop. And it's

2017
01:36:13,080 --> 01:36:15,640
Speaker 4: crazy because I had just told my manager like two

2018
01:36:15,680 --> 01:36:17,360
Speaker 4: weeks before, like man, I was trying to get that

2019
01:36:17,479 --> 01:36:20,000
Speaker 4: song to Miley Cyrus. I'm like, man, this song remind

2020
01:36:20,040 --> 01:36:25,400
Speaker 4: me of like Party in the USA, and so boom,

2021
01:36:25,560 --> 01:36:28,080
Speaker 4: we had that meeting with RCA. They heard we Can't

2022
01:36:28,120 --> 01:36:30,120
Speaker 4: Stop and they're like, yo, this would be good for

2023
01:36:30,240 --> 01:36:32,679
Speaker 4: Miley Cyrus. And I was like, man, I'll be perfect,

2024
01:36:32,800 --> 01:36:34,880
Speaker 4: Like because I ain't know what artists was signed where,

2025
01:36:35,320 --> 01:36:37,720
Speaker 4: so I ain't know Miley Cyrus was signed over there.

2026
01:36:37,840 --> 01:36:39,320
Speaker 4: So they were like, man, this would be good for one.

2027
01:36:39,360 --> 01:36:41,800
Speaker 4: I'm like, hey, I'll be perfect. So Boom gave them

2028
01:36:41,840 --> 01:36:44,000
Speaker 4: the song you know what I'm saying. They played it

2029
01:36:44,080 --> 01:36:46,280
Speaker 4: for her. She heard it. She was like, man, damn,

2030
01:36:46,280 --> 01:36:48,760
Speaker 4: this remind me of like a party I went to, like,

2031
01:36:48,880 --> 01:36:50,639
Speaker 4: it just sounds fun, like you know what I'm saying.

2032
01:36:50,960 --> 01:36:52,600
Speaker 4: So she was trying to cut that one, you know

2033
01:36:52,640 --> 01:36:54,400
Speaker 4: what I'm saying, And then we got in the sitdio.

2034
01:36:54,479 --> 01:36:58,280
Speaker 4: We cut that one and we did twenty three. Yeah real,

2035
01:37:00,080 --> 01:37:03,280
Speaker 4: thank you for bringing that full. Yeah, we've been on track.

2036
01:37:03,280 --> 01:37:04,000
Speaker 3: You brought it back.

2037
01:37:04,240 --> 01:37:06,080
Speaker 4: No, no, no, I was just I was just let

2038
01:37:06,160 --> 01:37:09,120
Speaker 4: y'all know the whole thing. Can you said, let them

2039
01:37:09,120 --> 01:37:13,000
Speaker 4: know about the the v y'all told me, y'all, y'all

2040
01:37:13,040 --> 01:37:13,920
Speaker 4: asked me about two.

2041
01:37:15,200 --> 01:37:17,160
Speaker 3: You brought it back because I was with the ventures

2042
01:37:17,920 --> 01:37:20,840
Speaker 3: still three more were good. We're good.

2043
01:37:21,200 --> 01:37:25,360
Speaker 4: Three more all right? And by the way, man, I

2044
01:37:25,400 --> 01:37:27,680
Speaker 4: don't want to keep elaborating on this, but it's like

2045
01:37:28,520 --> 01:37:30,200
Speaker 4: Mighty didn't want to rap that night, you know, what

2046
01:37:30,240 --> 01:37:32,880
Speaker 4: I'm saying. She didn't want to write. She didn't want

2047
01:37:32,880 --> 01:37:35,120
Speaker 4: to She didn't come in there and say, hey, I

2048
01:37:35,200 --> 01:37:37,160
Speaker 4: want to make a rap song like it was we

2049
01:37:37,320 --> 01:37:40,000
Speaker 4: Can't Start, We Can't Stop as a singing record. To her,

2050
01:37:40,120 --> 01:37:42,000
Speaker 4: that just sounded fun, Like you know what I'm saying,

2051
01:37:42,040 --> 01:37:45,880
Speaker 4: that that record just sound fun. But like and in

2052
01:37:46,000 --> 01:37:49,479
Speaker 4: my mind as a producer, like you know, we producers,

2053
01:37:49,520 --> 01:37:51,640
Speaker 4: we see like these pictures and we see like these

2054
01:37:51,640 --> 01:37:53,840
Speaker 4: bigger pictures and we're trying to we're trying to push

2055
01:37:53,880 --> 01:37:56,439
Speaker 4: towards something. So during that time, I was trying, we

2056
01:37:56,479 --> 01:37:57,920
Speaker 4: were trying to like me and my start, we were

2057
01:37:57,920 --> 01:38:01,360
Speaker 4: trying to do something like like trap pop, like some

2058
01:38:01,520 --> 01:38:03,559
Speaker 4: trap pop kind of vibes, Like we're trying to push

2059
01:38:03,600 --> 01:38:07,000
Speaker 4: the trap sound as pop as possible and see how

2060
01:38:07,080 --> 01:38:08,640
Speaker 4: far we could push it. Because at the end of

2061
01:38:08,680 --> 01:38:11,960
Speaker 4: the day, anybody like my age younger, like we all

2062
01:38:12,040 --> 01:38:15,160
Speaker 4: grew up on MTV, v H one, you know what

2063
01:38:15,200 --> 01:38:17,120
Speaker 4: I'm saying, We all grew up on Nori Yeager, you

2064
01:38:17,160 --> 01:38:26,640
Speaker 4: know what I'm saying. Like, but but at the end

2065
01:38:26,680 --> 01:38:29,479
Speaker 4: of the day, no so real ship shout out to Miley.

2066
01:38:29,600 --> 01:38:33,000
Speaker 4: She believed in the vision, like she didn't. She didn't

2067
01:38:33,000 --> 01:38:34,760
Speaker 4: look at it. She didn't look at it in no

2068
01:38:34,920 --> 01:38:37,280
Speaker 4: kind of way like, oh, he's not big enough for

2069
01:38:37,360 --> 01:38:39,920
Speaker 4: he's not small enough. Like she already doing what she

2070
01:38:40,040 --> 01:38:41,720
Speaker 4: was doing. She ain't have to do, she ain't have

2071
01:38:41,800 --> 01:38:43,880
Speaker 4: to try ship. She already told me, Like, man, I

2072
01:38:43,920 --> 01:38:47,360
Speaker 4: don't I don't want she said, I don't want to

2073
01:38:47,400 --> 01:38:48,880
Speaker 4: rap because I don't want people to I don't want

2074
01:38:48,920 --> 01:38:50,479
Speaker 4: to compute my fans. I don't want them to think

2075
01:38:50,479 --> 01:38:52,840
Speaker 4: that I'm trying to like this way. I'm like, there

2076
01:38:52,880 --> 01:38:55,960
Speaker 4: could be yeah, but I'm like, man, but look, I

2077
01:38:56,000 --> 01:38:59,080
Speaker 4: already got this verse from Juicy J and wiz Man.

2078
01:38:59,120 --> 01:39:01,120
Speaker 4: I already had to I'm like, I already got a

2079
01:39:01,200 --> 01:39:04,160
Speaker 4: verse written from Tran, I got this hook written from Tron,

2080
01:39:04,720 --> 01:39:07,000
Speaker 4: one of the greatest songwriters of all time. Salute the

2081
01:39:07,160 --> 01:39:10,439
Speaker 4: Tron rock City. You know what I'm saying, And I'm like, man,

2082
01:39:10,640 --> 01:39:12,479
Speaker 4: I sit in here with you. We can go line

2083
01:39:12,520 --> 01:39:14,360
Speaker 4: for line till we get it right. But I feel

2084
01:39:14,400 --> 01:39:16,320
Speaker 4: like this would be so hard. If you do this, man,

2085
01:39:16,439 --> 01:39:19,040
Speaker 4: like it, it'll be game changing. Like you know what

2086
01:39:19,040 --> 01:39:22,120
Speaker 4: I'm saying, It'll be like when like Britney Spears did,

2087
01:39:22,240 --> 01:39:25,200
Speaker 4: like any kind of different record than when Justin Timberlate

2088
01:39:25,280 --> 01:39:27,960
Speaker 4: came with like sexy back like man like this this

2089
01:39:28,080 --> 01:39:29,720
Speaker 4: is this will like break the mold, you know what

2090
01:39:29,720 --> 01:39:38,040
Speaker 4: I'm saying. So yeah, world up man. So that that

2091
01:39:38,160 --> 01:39:41,200
Speaker 4: was then introduction to trap pop, that ship global, you

2092
01:39:41,240 --> 01:39:47,200
Speaker 4: know what I'm saying. So shout out to slip rip

2093
01:39:47,320 --> 01:39:50,800
Speaker 4: man for real for you know what I'm saying. Like

2094
01:39:50,840 --> 01:39:52,559
Speaker 4: I'm just saying, getting paid.

2095
01:39:53,880 --> 01:39:56,679
Speaker 3: Off the record.

2096
01:39:56,880 --> 01:39:59,000
Speaker 4: Yeah that's right.

2097
01:40:00,040 --> 01:40:06,400
Speaker 3: Yeah, yeah, all right, Zetoven or Sunny Digital.

2098
01:40:07,320 --> 01:40:12,200
Speaker 4: I am. We gotta toest man. You gotta take a

2099
01:40:12,320 --> 01:40:15,040
Speaker 4: toe my big brother and my little brother, man, you

2100
01:40:15,080 --> 01:40:17,000
Speaker 4: know what I'm saying, love them both.

2101
01:40:19,040 --> 01:40:20,920
Speaker 3: All right south side of lex Luga.

2102
01:40:22,280 --> 01:40:26,400
Speaker 4: Mine, we're gonna go on that one man, We're gonna

2103
01:40:26,400 --> 01:40:29,120
Speaker 4: go Sizzle Man. Shout out to Sizzle. You know what

2104
01:40:29,160 --> 01:40:31,559
Speaker 4: I'm saying. That's the first. That's the first other young

2105
01:40:31,640 --> 01:40:33,519
Speaker 4: nigga I seen come on the on the scene like

2106
01:40:34,280 --> 01:40:36,439
Speaker 4: right after me. Like I remember when walking met him.

2107
01:40:37,040 --> 01:40:38,880
Speaker 4: You know what I'm saying, I remember when walking back

2108
01:40:39,640 --> 01:40:41,880
Speaker 4: Lex Luga too. I really got a toast to it.

2109
01:40:41,880 --> 01:40:43,439
Speaker 4: I just don't want to get y'all too drunk, you

2110
01:40:43,479 --> 01:40:47,880
Speaker 4: know what I'm saying. But yeah, yeah, we really got

2111
01:40:47,920 --> 01:40:49,160
Speaker 4: a toast to that. You know what I'm saying, Cause

2112
01:40:49,160 --> 01:40:51,559
Speaker 4: I remember I remember when Walking met both of them.

2113
01:40:53,960 --> 01:40:57,160
Speaker 4: So like after after me and Walker was moving around

2114
01:40:57,560 --> 01:41:04,280
Speaker 4: and and and we're doing everything like with Gucci, cause

2115
01:41:04,280 --> 01:41:07,439
Speaker 4: that's when Gucci started doing like no Paying, No Pencil

2116
01:41:07,479 --> 01:41:09,240
Speaker 4: Traple Harll is like a lot of that mixtape. So

2117
01:41:10,160 --> 01:41:11,439
Speaker 4: and like you know what I'm saying, he was just

2118
01:41:11,520 --> 01:41:14,479
Speaker 4: like going crazy and just freestyling on my tracks. And

2119
01:41:15,600 --> 01:41:17,679
Speaker 4: at this point, like man, he's saying walk and flock

2120
01:41:17,720 --> 01:41:20,479
Speaker 4: and flying. He's saying Mike Will made it like he's saying,

2121
01:41:20,520 --> 01:41:21,880
Speaker 4: like you're fucking with us, you know what I'm saying.

2122
01:41:21,920 --> 01:41:24,080
Speaker 4: So it's like, hey, man, we could do something bigger

2123
01:41:24,120 --> 01:41:26,800
Speaker 4: than like being these little young dudes. Say you know

2124
01:41:26,840 --> 01:41:28,800
Speaker 4: what I'm saying, keep getting into like the fights in

2125
01:41:28,840 --> 01:41:30,720
Speaker 4: the club and all this kind of shit, Like man,

2126
01:41:30,760 --> 01:41:33,560
Speaker 4: Gucci Man really going rock star status, bro, Like you

2127
01:41:33,600 --> 01:41:35,120
Speaker 4: know what I'm saying, We can really take this ship

2128
01:41:35,479 --> 01:41:37,960
Speaker 4: on somewhere. So it's like I'm telling Walker, like, bro,

2129
01:41:38,040 --> 01:41:40,320
Speaker 4: you need a rap, you know what I'm saying. He like, man,

2130
01:41:40,360 --> 01:41:42,400
Speaker 4: everybody keep telling me that, bro, Like man, I ain't

2131
01:41:42,439 --> 01:41:44,479
Speaker 4: fit the ramp like, man, I ain't with all that whoo.

2132
01:41:45,000 --> 01:41:48,160
Speaker 4: So one day he called me, He's like, bro, I

2133
01:41:48,240 --> 01:41:51,200
Speaker 4: did my first rap song. Bro like ooh yeah. I'm like,

2134
01:41:51,280 --> 01:41:53,519
Speaker 4: I'm like for real. And then he like he like, man,

2135
01:41:53,520 --> 01:41:55,200
Speaker 4: I'm like, let me hear. You're like, man, you gotta

2136
01:41:55,240 --> 01:41:57,120
Speaker 4: hear this ship. Bro, you gotta hear this ship. So

2137
01:41:57,200 --> 01:41:59,599
Speaker 4: he playing me that we on the way and I'm

2138
01:41:59,640 --> 01:42:02,080
Speaker 4: hearing that. I'm like, I'm like, I'm like damn. I'm like, bro,

2139
01:42:02,160 --> 01:42:04,280
Speaker 4: you really just snapped. Bro. He was like, hey, Bro,

2140
01:42:04,400 --> 01:42:06,280
Speaker 4: I'm like, who the hell made that beat? And he

2141
01:42:06,439 --> 01:42:08,120
Speaker 4: was like he was like, Bro, it's this. Your nigga

2142
01:42:08,120 --> 01:42:10,599
Speaker 4: ain't south Side, but I just make this young nigga Broke.

2143
01:42:10,600 --> 01:42:12,160
Speaker 4: He mind me up, Broke here mind me and you.

2144
01:42:12,280 --> 01:42:14,920
Speaker 4: When I first met you, Bro like, Bro, I'm telling you, bro,

2145
01:42:15,040 --> 01:42:16,800
Speaker 4: he gonna heat. Hey, I need to I need to

2146
01:42:16,880 --> 01:42:18,599
Speaker 4: introduce y'all to each other. You know what I'm saying,

2147
01:42:18,680 --> 01:42:19,559
Speaker 4: y'all niggas together.

2148
01:42:19,640 --> 01:42:22,759
Speaker 3: Bro knows the same people.

2149
01:42:23,240 --> 01:42:26,080
Speaker 4: South Side started eight away in my Yeah, yeah, you

2150
01:42:26,120 --> 01:42:27,800
Speaker 4: know what I'm saying. He was like, man, he was like, man,

2151
01:42:28,280 --> 01:42:30,880
Speaker 4: when I introduced y'all, Bro, Like, Bro, that shit gonna

2152
01:42:30,880 --> 01:42:33,960
Speaker 4: be like game changing, bro Like and then you know

2153
01:42:33,960 --> 01:42:35,560
Speaker 4: what I'm saying, he had linked me and me in

2154
01:42:35,680 --> 01:42:38,439
Speaker 4: south Side up and then Boom, me in south Side

2155
01:42:38,479 --> 01:42:40,920
Speaker 4: were like we always were rocking, you know what I'm saying.

2156
01:42:41,040 --> 01:42:42,600
Speaker 4: And it was crazy because his mom was trying to

2157
01:42:42,640 --> 01:42:44,639
Speaker 4: put me south Side and Alex Luger in the group.

2158
01:42:45,280 --> 01:42:48,320
Speaker 4: You know what I'm saying. Like that that's how Dal

2159
01:42:48,400 --> 01:42:51,160
Speaker 4: had the vision, you know what I'm saying. But then like, yeah,

2160
01:42:51,320 --> 01:42:52,920
Speaker 4: they have had the vision. Dal was trying to put

2161
01:42:53,000 --> 01:42:54,640
Speaker 4: me south Side and Lex in the group. You know

2162
01:42:54,720 --> 01:42:56,760
Speaker 4: what I'm saying. That would have been super crazy. But

2163
01:42:56,880 --> 01:42:59,200
Speaker 4: that was around the time I started Ear Drummers, you

2164
01:42:59,240 --> 01:43:01,439
Speaker 4: know what I'm saying. So it was another executive that

2165
01:43:01,640 --> 01:43:06,400
Speaker 4: was running the production company for there, and so he

2166
01:43:07,080 --> 01:43:10,560
Speaker 4: everybody else just signed their contracts. Like with me, I

2167
01:43:10,880 --> 01:43:12,960
Speaker 4: already had a lawyer. I already had like family that

2168
01:43:13,160 --> 01:43:15,400
Speaker 4: was lawyers. You know what I'm saying. Boom, we like,

2169
01:43:15,439 --> 01:43:16,880
Speaker 4: you know what I'm saying. We looked over it and

2170
01:43:16,960 --> 01:43:19,439
Speaker 4: then I was just letting that executive know like, man,

2171
01:43:19,520 --> 01:43:21,960
Speaker 4: this isn't gonna work because I'm trying to start something

2172
01:43:22,000 --> 01:43:24,519
Speaker 4: called Ear Drummers, and I can't like turn my back

2173
01:43:24,600 --> 01:43:26,120
Speaker 4: on my guys, Like you know what I'm saying, but

2174
01:43:26,200 --> 01:43:29,120
Speaker 4: I feel like I need to do this. I feel

2175
01:43:29,120 --> 01:43:30,840
Speaker 4: like I need to do this too, like you know

2176
01:43:30,880 --> 01:43:32,760
Speaker 4: what I'm saying, because like, like you know what I'm saying,

2177
01:43:33,040 --> 01:43:35,519
Speaker 4: goos Walker, everybody embraced me, you know what I'm saying,

2178
01:43:35,560 --> 01:43:36,840
Speaker 4: So I want to get it right, but I want

2179
01:43:36,880 --> 01:43:39,559
Speaker 4: to do it like this, and like that dude kind

2180
01:43:39,600 --> 01:43:41,679
Speaker 4: of like just he didn't really know me. We ain't

2181
01:43:41,680 --> 01:43:43,680
Speaker 4: have we didn't really have a relationship, like I have

2182
01:43:43,800 --> 01:43:46,240
Speaker 4: more relationship like walking there, you know what I'm saying.

2183
01:43:46,240 --> 01:43:47,760
Speaker 4: So he kind of like just shrugged me off, you

2184
01:43:47,800 --> 01:43:49,920
Speaker 4: know what I'm saying. And then at that point it

2185
01:43:50,000 --> 01:43:52,120
Speaker 4: was like that's when I want to meet, like like

2186
01:43:52,800 --> 01:43:55,000
Speaker 4: to change in future, you know what I'm saying. But

2187
01:43:56,200 --> 01:43:59,519
Speaker 4: Dare she always been a real anti real family to me,

2188
01:43:59,720 --> 01:44:01,680
Speaker 4: Like you know what I'm saying. Her brother Joe is

2189
01:44:01,760 --> 01:44:04,240
Speaker 4: like my man, one of my closest mentors. Like we

2190
01:44:04,360 --> 01:44:06,800
Speaker 4: talk every single day, you know what I'm saying, since

2191
01:44:07,200 --> 01:44:09,000
Speaker 4: by since two thousand and seven, Like you know what

2192
01:44:09,040 --> 01:44:12,160
Speaker 4: I'm saying, And like, man, they whole family, Like you

2193
01:44:12,160 --> 01:44:13,560
Speaker 4: know what I'm saying, and braced me. So it's like

2194
01:44:14,120 --> 01:44:16,000
Speaker 4: it's deeper than rap, like you know what I'm saying

2195
01:44:16,040 --> 01:44:17,839
Speaker 4: with them or whatnot.

2196
01:44:18,160 --> 01:44:20,280
Speaker 3: So let me let me ask you lord to you

2197
01:44:20,400 --> 01:44:20,880
Speaker 3: or respect?

2198
01:44:23,479 --> 01:44:32,599
Speaker 4: Respect? Whys out there?

2199
01:44:32,640 --> 01:44:32,760
Speaker 2: Bro?

2200
01:44:37,800 --> 01:44:40,560
Speaker 4: I don't have the exact way of answering this, but

2201
01:44:41,320 --> 01:44:54,080
Speaker 4: gyaltier respect. I probably say respect because it's like I

2202
01:44:54,120 --> 01:44:56,040
Speaker 4: don't know how to break it down. As long as

2203
01:44:56,080 --> 01:44:58,479
Speaker 4: as long as as long as long as you respect me.

2204
01:44:58,560 --> 01:45:00,560
Speaker 4: It's like it's some kind of loyalty that there, Like,

2205
01:45:00,640 --> 01:45:03,600
Speaker 4: you know what I'm saying, respect that you feel me like,

2206
01:45:04,160 --> 01:45:06,280
Speaker 4: as long as you respect me, it gotta be some

2207
01:45:06,400 --> 01:45:09,000
Speaker 4: type of loyalty there because you're not you're not crossing

2208
01:45:09,040 --> 01:45:11,680
Speaker 4: the line of disrespect, you know what I'm saying. And

2209
01:45:12,160 --> 01:45:15,360
Speaker 4: I don't know, like everybody gonna have their own definitions

2210
01:45:15,400 --> 01:45:19,360
Speaker 4: of loyalty, you know what I'm saying. But but respect

2211
01:45:19,400 --> 01:45:23,280
Speaker 4: and respect, I don't really have a correct way of

2212
01:45:23,720 --> 01:45:26,880
Speaker 4: answering that. But that's that's what I would say. Yeah,

2213
01:45:27,640 --> 01:45:28,200
Speaker 4: all right, so.

2214
01:45:28,320 --> 01:45:29,160
Speaker 3: Now take a shot.

2215
01:45:30,800 --> 01:45:32,760
Speaker 4: I forgot that that was that same game. I thought

2216
01:45:32,800 --> 01:45:35,080
Speaker 4: this was me just throwing something out there. That's the

2217
01:45:35,160 --> 01:45:42,960
Speaker 4: same game that came.

2218
01:45:43,680 --> 01:45:50,520
Speaker 3: Yeah, we always say both the white, we say both, Okay.

2219
01:45:52,160 --> 01:45:55,840
Speaker 4: My bad, ive been, my bad. I've been I've been

2220
01:45:55,920 --> 01:45:57,519
Speaker 4: drinking and smoking. I thought we were on to the

2221
01:45:57,560 --> 01:46:00,519
Speaker 4: other but the other game, Yeah, definitely take a shot

2222
01:46:00,600 --> 01:46:00,920
Speaker 4: to that one.

2223
01:46:01,120 --> 01:46:05,439
Speaker 3: This is what we'd like to ask you. I'm humble,

2224
01:46:07,960 --> 01:46:08,880
Speaker 3: how did this happen?

2225
01:46:09,640 --> 01:46:12,680
Speaker 4: So humble? You know what I'm saying. Shout out to

2226
01:46:12,760 --> 01:46:16,240
Speaker 4: Kendrick Man. He had reshot to me and and told me,

2227
01:46:16,400 --> 01:46:19,320
Speaker 4: like man, he was about to start a new project.

2228
01:46:20,400 --> 01:46:25,200
Speaker 4: So boom, he comes comes to the studio, spends a

2229
01:46:25,280 --> 01:46:27,639
Speaker 4: whole but my matter of fact, comes to my crib

2230
01:46:27,800 --> 01:46:32,120
Speaker 4: in La, spends them the whole compound. I had a compound,

2231
01:46:32,160 --> 01:46:34,800
Speaker 4: then I had a crib by La, and he came

2232
01:46:34,880 --> 01:46:37,240
Speaker 4: over there and then he was just listening to beats

2233
01:46:37,280 --> 01:46:40,840
Speaker 4: down there all day. Took a bunch of beats and

2234
01:46:40,920 --> 01:46:43,200
Speaker 4: then he started like he started like sending me like

2235
01:46:43,320 --> 01:46:46,800
Speaker 4: different videos and he was just like man, showing me

2236
01:46:46,920 --> 01:46:50,000
Speaker 4: like different snippers of Humble, different snippers of DNA. And

2237
01:46:50,080 --> 01:46:52,320
Speaker 4: then so I was like, man, Dawn, this ship hard.

2238
01:46:52,479 --> 01:46:53,920
Speaker 4: Like man, when you get to La, I'm like, man,

2239
01:46:54,120 --> 01:46:56,799
Speaker 4: be out there on such and such day, So boom,

2240
01:46:57,080 --> 01:46:59,040
Speaker 4: when I get out there, I call him come to

2241
01:46:59,160 --> 01:47:01,920
Speaker 4: the studio boone. He played me Humble, and he played

2242
01:47:01,960 --> 01:47:04,920
Speaker 4: me DNA, and he played me x x six And

2243
01:47:05,040 --> 01:47:08,080
Speaker 4: I'm like, man, my mom was just blown on all

2244
01:47:08,160 --> 01:47:10,800
Speaker 4: three of them because that shit was like fireworks. It's

2245
01:47:10,840 --> 01:47:13,679
Speaker 4: like they are three different directions, but it's like bright

2246
01:47:13,720 --> 01:47:17,760
Speaker 4: as a motherfucker. So it's like he played me those

2247
01:47:17,840 --> 01:47:21,720
Speaker 4: three and then Humble, Humble was one of them. You

2248
01:47:21,760 --> 01:47:24,160
Speaker 4: know what I'm saying, Like I made that beat. It

2249
01:47:24,280 --> 01:47:27,960
Speaker 4: was crazy. I had made that beat with my brother Plus.

2250
01:47:28,479 --> 01:47:30,280
Speaker 4: I had pulled up on him at this studio like

2251
01:47:30,520 --> 01:47:33,640
Speaker 4: around our way, like round and like the Mary of

2252
01:47:33,680 --> 01:47:35,880
Speaker 4: the area, you know what I'm saying. He Plus was

2253
01:47:35,920 --> 01:47:38,360
Speaker 4: already over there and I was just around that area.

2254
01:47:38,520 --> 01:47:41,800
Speaker 4: So so boom, I heard Plus was in there. So

2255
01:47:41,840 --> 01:47:44,200
Speaker 4: I pulled up to a studio, went in the studio,

2256
01:47:44,800 --> 01:47:48,280
Speaker 4: and then boom, he was in there making beats. I

2257
01:47:48,360 --> 01:47:50,280
Speaker 4: finished this one beat that he started on and then

2258
01:47:50,280 --> 01:47:53,240
Speaker 4: he said he about to go outside smoking cigarette or whatever,

2259
01:47:53,360 --> 01:47:55,880
Speaker 4: but he was taking a car, so boom, I literally

2260
01:47:56,400 --> 01:47:59,680
Speaker 4: I literally started Humble cooked her Humble. He come in

2261
01:47:59,720 --> 01:48:01,840
Speaker 4: the room. You know what I'm saying, He like, damn,

2262
01:48:01,840 --> 01:48:04,800
Speaker 4: but he just made this right now, I'm like, man, hey, yeah, bro,

2263
01:48:04,880 --> 01:48:06,760
Speaker 4: this shit going crazy, like you know what I'm saying.

2264
01:48:07,120 --> 01:48:09,040
Speaker 4: And I knew like Gucci was on his way home,

2265
01:48:09,439 --> 01:48:11,280
Speaker 4: so I was trying to make something like I was

2266
01:48:11,360 --> 01:48:12,920
Speaker 4: just trying to get a whole pack that was just

2267
01:48:13,120 --> 01:48:14,720
Speaker 4: urgent for Gucci, Like you know what I'm saying, Like

2268
01:48:15,200 --> 01:48:16,880
Speaker 4: because he was his he was on his way home,

2269
01:48:17,000 --> 01:48:19,360
Speaker 4: so like to me, that beat was just urgent. So

2270
01:48:20,479 --> 01:48:22,240
Speaker 4: Plus came in there here like, man, it's hard, I'm

2271
01:48:22,240 --> 01:48:24,280
Speaker 4: about to bounce this. I'm like, hell, no, bro, you go,

2272
01:48:24,720 --> 01:48:26,920
Speaker 4: you gotta ask someone there. So he put the final

2273
01:48:27,000 --> 01:48:29,120
Speaker 4: touches on that joint. And this is my brother from

2274
01:48:29,120 --> 01:48:30,600
Speaker 4: eleventh grade. You know what I'm saying. This is what

2275
01:48:30,680 --> 01:48:33,080
Speaker 4: I did. This is what I did formation with this?

2276
01:48:33,200 --> 01:48:35,960
Speaker 4: What did love me with this? What I did like

2277
01:48:36,000 --> 01:48:38,240
Speaker 4: a lot of classics with like he's an animal man,

2278
01:48:38,280 --> 01:48:41,160
Speaker 4: shout out to Plus. You know what I'm saying. But yeah,

2279
01:48:41,200 --> 01:48:43,519
Speaker 4: he had he added the final touches on that joint.

2280
01:48:43,880 --> 01:48:48,559
Speaker 4: And then I remember like me and Gucci ended up

2281
01:48:48,600 --> 01:48:50,599
Speaker 4: doing first day out of fat and then after first

2282
01:48:50,680 --> 01:48:53,240
Speaker 4: day out of the fast, like Gucci just wanted straight,

2283
01:48:53,600 --> 01:48:55,720
Speaker 4: straight like dark beats. He didn't want nothing else that

2284
01:48:55,880 --> 01:48:59,200
Speaker 4: sounded like urgent on the radio, So he like he

2285
01:48:59,320 --> 01:49:02,320
Speaker 4: might have heard a beat for Humble like once or twice,

2286
01:49:02,360 --> 01:49:05,760
Speaker 4: but joint, it could have it could have been you

2287
01:49:05,800 --> 01:49:08,360
Speaker 4: know what I'm saying. But you know, like producers, we

2288
01:49:08,479 --> 01:49:11,519
Speaker 4: always got like a vision on who we want to

2289
01:49:11,560 --> 01:49:13,280
Speaker 4: make the beat for. Like when I made easter Land

2290
01:49:13,280 --> 01:49:15,200
Speaker 4: and six for Gucci back in the day, I was thinking, like,

2291
01:49:15,280 --> 01:49:17,080
Speaker 4: I'm making a beat for dip set, you know what

2292
01:49:17,080 --> 01:49:19,000
Speaker 4: I'm saying, And it's like, you know what I'm saying.

2293
01:49:19,040 --> 01:49:21,200
Speaker 4: But then when Gucci was doing like in freestyle tapes,

2294
01:49:21,200 --> 01:49:24,000
Speaker 4: it's like I played that beat and then he just

2295
01:49:24,080 --> 01:49:26,439
Speaker 4: went in and snapped on that motherfucker and it's like, man,

2296
01:49:26,520 --> 01:49:28,200
Speaker 4: this was this was like a hook. This is my

2297
01:49:28,360 --> 01:49:30,960
Speaker 4: first joint. That's how I jumped off the porch and

2298
01:49:31,080 --> 01:49:33,200
Speaker 4: this is a hood classic still to this day. You

2299
01:49:33,240 --> 01:49:36,600
Speaker 4: know what I'm saying. Nineteen years later, you feel me up,

2300
01:49:38,240 --> 01:49:41,360
Speaker 4: I got a producer. You might have a vision. But

2301
01:49:41,840 --> 01:49:43,320
Speaker 4: I say all that to say, you might have a

2302
01:49:43,439 --> 01:49:45,360
Speaker 4: vision as a producer, like I'm making a beat for

2303
01:49:45,479 --> 01:49:47,679
Speaker 4: this person, but it might not be for that person,

2304
01:49:48,040 --> 01:49:50,120
Speaker 4: Like you know what I'm saying, And sometimes it is

2305
01:49:50,200 --> 01:49:54,040
Speaker 4: for that person. But but like that right there, Gucci

2306
01:49:54,080 --> 01:49:55,680
Speaker 4: already knew like, man, I got first day out of

2307
01:49:55,680 --> 01:49:58,519
Speaker 4: the fast all right, boom, I want to I want

2308
01:49:58,560 --> 01:50:00,280
Speaker 4: to do all different beats like this and me and

2309
01:50:00,400 --> 01:50:03,160
Speaker 4: they token started collabing and then we did everybody looking

2310
01:50:03,200 --> 01:50:06,680
Speaker 4: in at that project came out dope and then Dog

2311
01:50:06,800 --> 01:50:08,519
Speaker 4: was asking me for beats and I just felt like

2312
01:50:08,560 --> 01:50:10,679
Speaker 4: that beat was always urgent, you know what I'm saying.

2313
01:50:10,960 --> 01:50:14,479
Speaker 4: But to me also, I felt like that beat was like, damn,

2314
01:50:14,600 --> 01:50:17,120
Speaker 4: this is like this guy like some West Coast vibe

2315
01:50:17,160 --> 01:50:20,880
Speaker 4: to it. It sounded like some West Coast like you

2316
01:50:20,920 --> 01:50:22,880
Speaker 4: know what I'm saying, d boys ship, But you know

2317
01:50:22,920 --> 01:50:24,760
Speaker 4: what I'm saying, But it got like the trap vibe

2318
01:50:24,800 --> 01:50:27,280
Speaker 4: to it perfect. I'm like, man, Kendrick are going crazy

2319
01:50:27,320 --> 01:50:30,040
Speaker 4: on this ship and he got the vision fit perfectly.

2320
01:50:30,560 --> 01:50:32,960
Speaker 4: Went dumb. You know what I'm saying, shout out the humble.

2321
01:50:35,000 --> 01:50:37,400
Speaker 4: I should want that, I should want to post him.

2322
01:50:38,320 --> 01:50:41,920
Speaker 3: And you said that you a school boy, surprised connected

2323
01:50:41,960 --> 01:50:43,759
Speaker 3: you with Kendrick? Right, how did y'all you and school

2324
01:50:43,760 --> 01:50:45,080
Speaker 3: with Q connect? Originally?

2325
01:50:45,840 --> 01:50:47,639
Speaker 4: Originally that was through Brock.

2326
01:50:47,560 --> 01:50:49,040
Speaker 3: And it seems like it's early TD.

2327
01:50:49,400 --> 01:50:52,040
Speaker 4: Yeah, that was through Brock and Matt. You know what

2328
01:50:52,040 --> 01:50:55,479
Speaker 4: I'm saying. They shot they connected me with Q and

2329
01:50:56,439 --> 01:50:59,719
Speaker 4: and Dave three, and I was just sitting like brocking

2330
01:50:59,760 --> 01:51:03,880
Speaker 4: Matt like a bunch of beats. And then my hating

2331
01:51:03,960 --> 01:51:06,000
Speaker 4: joint ended up being one of the joints of school

2332
01:51:06,000 --> 01:51:08,400
Speaker 4: Boy QT Pit and then they send it back and

2333
01:51:08,439 --> 01:51:11,920
Speaker 4: I'm like, man, this dude hard as a motherfucker. Project

2334
01:51:12,040 --> 01:51:13,840
Speaker 4: ended up dropping, And at that time, me and Q

2335
01:51:14,040 --> 01:51:16,120
Speaker 4: used to just stay chopping it up. N whenever he

2336
01:51:16,200 --> 01:51:18,000
Speaker 4: came to Atlanta, Like you know what I'm saying with

2337
01:51:18,120 --> 01:51:20,800
Speaker 4: Lincoln go to some of the shows and different shit

2338
01:51:20,920 --> 01:51:23,760
Speaker 4: like that, and we just kept a lot there like that,

2339
01:51:23,960 --> 01:51:27,360
Speaker 4: like TD, that's family. And it's crazy before I even

2340
01:51:27,439 --> 01:51:31,920
Speaker 4: came around, Like I think like DJ had something to

2341
01:51:32,000 --> 01:51:37,439
Speaker 4: do with helping, Like no, no, DJ, Yeah, my manager DJ,

2342
01:51:37,920 --> 01:51:40,640
Speaker 4: he had something to do with like like even with

2343
01:51:40,800 --> 01:51:42,519
Speaker 4: TD coming in, like you know what I'm saying with

2344
01:51:42,600 --> 01:51:45,679
Speaker 4: in the scope, So it's like this was always family.

2345
01:51:45,720 --> 01:51:48,400
Speaker 4: It was always like one degree separation with Damn. They're

2346
01:51:48,400 --> 01:51:50,760
Speaker 4: always working at the same studios and all that shit.

2347
01:51:50,840 --> 01:51:55,040
Speaker 4: But like I'm happy, I'm happy, humble with landed, where

2348
01:51:55,200 --> 01:51:57,439
Speaker 4: landed I'm happy. First day out of the fairs landed,

2349
01:51:57,479 --> 01:51:59,599
Speaker 4: word landed. And it's like that's just how things end

2350
01:51:59,680 --> 01:52:00,639
Speaker 4: up working their stuff out.

2351
01:52:00,960 --> 01:52:01,960
Speaker 3: They went to the right places.

2352
01:52:02,000 --> 01:52:07,639
Speaker 4: Man, pull it up? Mm hmm, how did that happen?

2353
01:52:09,479 --> 01:52:10,000
Speaker 4: Poor it up?

2354
01:52:10,080 --> 01:52:10,280
Speaker 12: Man?

2355
01:52:11,120 --> 01:52:13,240
Speaker 4: That was a dope session, man, like that was that

2356
01:52:13,360 --> 01:52:19,280
Speaker 4: was really that was Rihanna Wright in camp and I

2357
01:52:19,400 --> 01:52:23,719
Speaker 4: was locked in with Tryan and p Nasty and Mars

2358
01:52:23,880 --> 01:52:26,360
Speaker 4: and and then it was like, man, we worked on

2359
01:52:26,400 --> 01:52:28,400
Speaker 4: a lot of different songs we worked on. We actually

2360
01:52:28,479 --> 01:52:31,599
Speaker 4: worked on we Can't Stop, and like some more songs

2361
01:52:31,720 --> 01:52:36,479
Speaker 4: during like during like like around that time, like just

2362
01:52:36,840 --> 01:52:38,639
Speaker 4: in the in the vein of like man, we're gonna

2363
01:52:39,040 --> 01:52:41,960
Speaker 4: we're gonna do something for like Rihanna or like just

2364
01:52:42,040 --> 01:52:45,439
Speaker 4: a pop star you feel me and and Rihanna had

2365
01:52:45,479 --> 01:52:47,840
Speaker 4: been working on the album for a minute and so

2366
01:52:48,000 --> 01:52:49,960
Speaker 4: they were bands to Make a Dance was hot at

2367
01:52:50,000 --> 01:52:54,920
Speaker 4: the time. So they were telling me like, man, yeah, yeah,

2368
01:52:55,760 --> 01:52:58,160
Speaker 4: So they were just telling me, like, man, if Rihanna

2369
01:52:58,240 --> 01:53:00,320
Speaker 4: get a female version of this song, man, like she

2370
01:53:00,400 --> 01:53:02,560
Speaker 4: need like a song like this out of just like

2371
01:53:02,680 --> 01:53:05,760
Speaker 4: because Bands of Maker Dance was like blue hot, like

2372
01:53:06,320 --> 01:53:10,280
Speaker 4: it was just like everywhere, like everybody like, man, it's

2373
01:53:10,360 --> 01:53:13,960
Speaker 4: still like, it's still so many remixes that I want

2374
01:53:14,000 --> 01:53:16,160
Speaker 4: to hear that I never heard that I heard about,

2375
01:53:16,520 --> 01:53:18,160
Speaker 4: you know what I'm saying for bands of Macca dance

2376
01:53:19,000 --> 01:53:23,040
Speaker 4: or so anyway I had. I had this one beat

2377
01:53:23,120 --> 01:53:25,240
Speaker 4: and I remember this specific beat because I tried to

2378
01:53:25,280 --> 01:53:28,200
Speaker 4: give it to Walker and Walker was like, man, Bro,

2379
01:53:28,280 --> 01:53:30,120
Speaker 4: you're trying to make me do a whole other bands

2380
01:53:30,160 --> 01:53:31,880
Speaker 4: to make her dance. Brother, it beat something like bands

2381
01:53:31,960 --> 01:53:33,840
Speaker 4: make a dance, you know what I'm saying. I remember

2382
01:53:33,920 --> 01:53:35,720
Speaker 4: he said that, and I was just like, it's a

2383
01:53:35,800 --> 01:53:38,320
Speaker 4: different beat, but it's like, so what, Bro, It's a

2384
01:53:38,439 --> 01:53:40,479
Speaker 4: vibe like you know what I'm saying, Like Niggas was

2385
01:53:40,520 --> 01:53:42,200
Speaker 4: doing that with Little Giant, but this is my brother,

2386
01:53:42,360 --> 01:53:44,040
Speaker 4: just this Walker, So you're like, bro, give me some

2387
01:53:44,120 --> 01:53:45,800
Speaker 4: whole new ship, like you know what I'm saying. So

2388
01:53:45,960 --> 01:53:48,040
Speaker 4: when he said that, it stood out to me. And

2389
01:53:48,120 --> 01:53:49,720
Speaker 4: then when they kept asking, like man, we want the

2390
01:53:49,760 --> 01:53:51,880
Speaker 4: female version of bands to make her dance, It's like

2391
01:53:51,960 --> 01:53:55,160
Speaker 4: I literally played that same beat for Taran. Taran just

2392
01:53:55,240 --> 01:53:57,000
Speaker 4: walked it down quick.

2393
01:53:57,600 --> 01:53:58,080
Speaker 3: And then.

2394
01:54:00,160 --> 01:54:02,680
Speaker 4: Chris Brown, he had pulled up to the studio. You

2395
01:54:02,760 --> 01:54:05,920
Speaker 4: know what I'm saying, and like he was listening to

2396
01:54:05,960 --> 01:54:07,800
Speaker 4: a bunch of different records and he ended up coming

2397
01:54:07,840 --> 01:54:08,240
Speaker 4: in the room.

2398
01:54:08,720 --> 01:54:10,360
Speaker 3: Fantastic thing.

2399
01:54:12,520 --> 01:54:14,800
Speaker 4: He ended up. He ended up coming in the room

2400
01:54:15,400 --> 01:54:19,120
Speaker 4: and then boom he heard he heard like a few

2401
01:54:19,160 --> 01:54:21,040
Speaker 4: different records, but he heard pour it Up. And he

2402
01:54:21,200 --> 01:54:23,880
Speaker 4: was like, man, yo, man, did we hear this one?

2403
01:54:23,960 --> 01:54:26,000
Speaker 4: And I was like, I'm like nah. And then he

2404
01:54:26,120 --> 01:54:28,280
Speaker 4: was like here like man, but we got it here

2405
01:54:28,360 --> 01:54:30,400
Speaker 4: this one like you know what I'm saying. Like and

2406
01:54:30,520 --> 01:54:34,200
Speaker 4: then and then boom so and I was like, man, ship, bro,

2407
01:54:34,480 --> 01:54:35,920
Speaker 4: you know what I'm saying. I'll be hard like and

2408
01:54:36,000 --> 01:54:37,960
Speaker 4: the next thing, I know, like you know what I'm saying.

2409
01:54:38,000 --> 01:54:40,000
Speaker 4: He was like, man, what's this record that Chris is

2410
01:54:40,000 --> 01:54:41,920
Speaker 4: talking about? Pull it up? You know what I'm saying.

2411
01:54:42,320 --> 01:54:45,440
Speaker 4: And she she asked Omar that, and then Omar had

2412
01:54:45,480 --> 01:54:47,440
Speaker 4: hit me. I was like, man, yo, she asked me

2413
01:54:47,480 --> 01:54:50,280
Speaker 4: about pour it Up? So Boom sent them send the

2414
01:54:50,360 --> 01:54:52,960
Speaker 4: pour it up. She heard it. She was like, oh yeah, no, no,

2415
01:54:53,120 --> 01:54:54,960
Speaker 4: this is is fun. Like this is just dope. You

2416
01:54:55,040 --> 01:54:57,560
Speaker 4: know what I'm saying. She man, she took that ship

2417
01:54:57,800 --> 01:55:01,680
Speaker 4: like like out of here. She sounded amazing on that joint.

2418
01:55:02,440 --> 01:55:04,760
Speaker 4: I Remember when I first heard that joint, I was like, man, yo,

2419
01:55:04,880 --> 01:55:06,400
Speaker 4: this should is this should is out of here. It

2420
01:55:06,480 --> 01:55:11,040
Speaker 4: was nothing like that ever before, Like when it came out,

2421
01:55:11,120 --> 01:55:13,080
Speaker 4: that was like some trap pop type ship like.

2422
01:55:14,680 --> 01:55:16,440
Speaker 3: That for real.

2423
01:55:17,960 --> 01:55:19,920
Speaker 4: Bands and make a dance with some trap pop.

2424
01:55:20,760 --> 01:55:23,400
Speaker 5: Your your teenage version of yourself is probably to be

2425
01:55:23,480 --> 01:55:27,760
Speaker 5: a producer. Who were your top five inspirational producers at that.

2426
01:55:28,400 --> 01:55:36,120
Speaker 4: Time in your life teenage? Definitely Hypnotide Mind, Juicy J

2427
01:55:36,200 --> 01:55:41,680
Speaker 4: and DJ Paul, you know what I'm saying. Definitely Organized Noise,

2428
01:55:42,840 --> 01:55:53,120
Speaker 4: Definitely Many Fresh, definitely for real and and Timberland, you

2429
01:55:53,160 --> 01:55:55,640
Speaker 4: know what I'm saying. And Doctor Dray too though you

2430
01:55:55,680 --> 01:55:56,200
Speaker 4: know what I'm saying.

2431
01:55:56,280 --> 01:55:56,600
Speaker 12: For real?

2432
01:55:57,760 --> 01:56:03,680
Speaker 3: Yeah, And where are you on? Like how much do

2433
01:56:03,760 --> 01:56:06,440
Speaker 3: you sample? Actually sample? Like how much is that a

2434
01:56:06,480 --> 01:56:07,480
Speaker 3: part of your repertoire?

2435
01:56:07,880 --> 01:56:10,880
Speaker 4: Like I don't see me. I'm like an open I'm

2436
01:56:10,960 --> 01:56:13,680
Speaker 4: like an open like mind when I when it comes

2437
01:56:13,680 --> 01:56:17,000
Speaker 4: to creativity, like I look at making beats and making songs,

2438
01:56:17,040 --> 01:56:19,560
Speaker 4: like cooking or like you know what I'm saying, playing golf,

2439
01:56:19,640 --> 01:56:22,440
Speaker 4: It's like it's just art, it's just layers. So like

2440
01:56:22,560 --> 01:56:24,760
Speaker 4: when when it comes to like sampling, like if it's

2441
01:56:24,800 --> 01:56:29,000
Speaker 4: a simple like I gotta I gotta record with Savage

2442
01:56:29,040 --> 01:56:30,600
Speaker 4: on my on my album. You know what I'm saying.

2443
01:56:30,640 --> 01:56:35,840
Speaker 4: I got that that sample from you know what I'm saying,

2444
01:56:35,920 --> 01:56:38,440
Speaker 4: Like I gut to I collaborate with you know what

2445
01:56:38,480 --> 01:56:41,360
Speaker 4: I'm saying. And when I when I heard the sample,

2446
01:56:41,400 --> 01:56:43,640
Speaker 4: I was just like, oh yeah, this ship hard. Immediately

2447
01:56:44,040 --> 01:56:46,000
Speaker 4: laid drums on that motherfucker, you know what I'm saying.

2448
01:56:46,400 --> 01:56:49,680
Speaker 4: And so that was just organic like that. But then

2449
01:56:49,760 --> 01:56:53,040
Speaker 4: it's like I got another song where you know what

2450
01:56:53,040 --> 01:56:55,240
Speaker 4: I'm saying, I might have like a Viner out and

2451
01:56:55,320 --> 01:56:59,000
Speaker 4: I might just be like just like scratching something like

2452
01:56:59,160 --> 01:57:01,280
Speaker 4: into the song and like it might go with the

2453
01:57:01,360 --> 01:57:05,200
Speaker 4: rhythm or even like DNA on when I when I

2454
01:57:05,240 --> 01:57:07,400
Speaker 4: said for Ray James, give me some Ganja, I ain't

2455
01:57:07,440 --> 01:57:09,560
Speaker 4: know that was Ray James give me some ganja. Like

2456
01:57:09,640 --> 01:57:11,360
Speaker 4: that beat was just going so hard, and I was

2457
01:57:11,440 --> 01:57:13,480
Speaker 4: like I was waiting on my boy plus to pull

2458
01:57:13,560 --> 01:57:15,520
Speaker 4: up with the weed too, you know what I'm saying.

2459
01:57:15,560 --> 01:57:17,640
Speaker 4: So when I hit that separa just right on point,

2460
01:57:17,640 --> 01:57:19,360
Speaker 4: they were like, give me some ganja, give me some

2461
01:57:19,480 --> 01:57:21,680
Speaker 4: gud give me give me some gundry. You know what

2462
01:57:21,680 --> 01:57:23,560
Speaker 4: I'm saying, give me, give me me, and then Kendrick

2463
01:57:23,680 --> 01:57:25,839
Speaker 4: was just over there like going crazy and the speakers

2464
01:57:25,880 --> 01:57:28,680
Speaker 4: were so loud, but Kendrick was going so crazy, all like, bro,

2465
01:57:28,720 --> 01:57:31,320
Speaker 4: I ain't gonna lie that ship kind of hard, like

2466
01:57:31,400 --> 01:57:35,200
Speaker 4: how you like with how you rapping, Cause it's kind

2467
01:57:35,240 --> 01:57:36,960
Speaker 4: of like give me some Ganja kind of like it's

2468
01:57:37,000 --> 01:57:39,320
Speaker 4: like give me some more bars. It's like they kind

2469
01:57:39,360 --> 01:57:41,520
Speaker 4: of go with it, and like that was an accident.

2470
01:57:41,640 --> 01:57:44,200
Speaker 4: You know what I'm saying. That was an accident and

2471
01:57:44,600 --> 01:57:47,680
Speaker 4: we ended up I ended up clicking that joint in there.

2472
01:57:48,080 --> 01:57:50,040
Speaker 3: Is sampling your go to first thing?

2473
01:57:50,360 --> 01:57:53,440
Speaker 4: Or is it like I'm with I'm with whatever, man,

2474
01:57:53,520 --> 01:57:55,480
Speaker 4: not really, you know what I'm saying, But I'm with

2475
01:57:55,640 --> 01:57:57,960
Speaker 4: whatever I say. I say drums are my first thing,

2476
01:57:58,440 --> 01:58:00,520
Speaker 4: but I just like making something different, So rock a

2477
01:58:00,560 --> 01:58:02,680
Speaker 4: fucking sample up or if there's some shit I never

2478
01:58:02,760 --> 01:58:06,320
Speaker 4: heard before or some shit that's inspiring, you could do it. Yeah,

2479
01:58:06,440 --> 01:58:08,240
Speaker 4: like that shit is fun, Like you know what I'm saying,

2480
01:58:08,320 --> 01:58:10,640
Speaker 4: Definitely depending on who I'm in the studio with. You

2481
01:58:10,680 --> 01:58:14,120
Speaker 4: know what I'm saying with the squad, Like everybody think

2482
01:58:14,160 --> 01:58:16,120
Speaker 4: it's different. So it's just like, man, we're just trying

2483
01:58:16,160 --> 01:58:19,520
Speaker 4: to make something sound as different and out of box

2484
01:58:19,720 --> 01:58:21,080
Speaker 4: and unique as possible.

2485
01:58:21,160 --> 01:58:24,320
Speaker 3: So, however, like you use any tool in the toolbox.

2486
01:58:24,040 --> 01:58:26,440
Speaker 4: Exactly, for sure, I want to learn how to use AI.

2487
01:58:27,640 --> 01:58:31,160
Speaker 3: Oh so, how what's your take on Tim and what

2488
01:58:31,320 --> 01:58:32,480
Speaker 3: he's trying.

2489
01:58:32,280 --> 01:58:33,640
Speaker 4: To do with AI? What's Tim doing?

2490
01:58:34,440 --> 01:58:38,000
Speaker 3: Uh? Basically, isn't he got AI artists? Right? That's what

2491
01:58:38,080 --> 01:58:39,680
Speaker 3: he's trying to do. And he got backlash for it.

2492
01:58:40,000 --> 01:58:43,840
Speaker 4: I believe, what is it? Right?

2493
01:58:43,960 --> 01:58:45,080
Speaker 3: But it's an ar artist.

2494
01:58:45,160 --> 01:58:48,920
Speaker 2: And then and basically his whole thing was that, And

2495
01:58:49,000 --> 01:58:51,120
Speaker 2: I don't you know, I'm not quoting him forbade him,

2496
01:58:51,120 --> 01:58:53,919
Speaker 2: but he was just basically saying, look, I got ideas

2497
01:58:54,040 --> 01:58:57,120
Speaker 2: that maybe artists I work with don't have the same ideas,

2498
01:58:57,120 --> 01:58:58,960
Speaker 2: and I want to be able to put these ideas

2499
01:58:59,000 --> 01:59:02,160
Speaker 2: out and so aireartists, well, you know, allow him to

2500
01:59:02,200 --> 01:59:02,840
Speaker 2: do these things.

2501
01:59:03,200 --> 01:59:06,640
Speaker 4: Yeah, to me, I look at I look at I

2502
01:59:06,720 --> 01:59:09,840
Speaker 4: don't have nothing against like AI at all. Like I

2503
01:59:09,920 --> 01:59:12,560
Speaker 4: look at AI like a new tool. Like if you're creative,

2504
01:59:12,960 --> 01:59:14,440
Speaker 4: you know what I'm saying. It's like a new tool.

2505
01:59:14,560 --> 01:59:17,440
Speaker 4: So it's like like I was telling somebody the other

2506
01:59:17,520 --> 01:59:21,680
Speaker 4: day that I had just said in this interview that

2507
01:59:21,960 --> 01:59:24,080
Speaker 4: I remember I had went to my first hip hop

2508
01:59:24,200 --> 01:59:28,600
Speaker 4: concert with Bone Thirst and Harmony and like I was like, yeah,

2509
01:59:28,640 --> 01:59:30,800
Speaker 4: I was like six seven years old and my pops

2510
01:59:30,840 --> 01:59:33,280
Speaker 4: took me. And then when we left, my pops was like, man,

2511
01:59:33,920 --> 01:59:36,360
Speaker 4: you know what, man, music is done. I'm like, man,

2512
01:59:36,400 --> 01:59:38,320
Speaker 4: what do you mean? And then he was like he

2513
01:59:38,440 --> 01:59:40,440
Speaker 4: was like, man, it was no instruments on the stage

2514
01:59:40,440 --> 01:59:42,600
Speaker 4: because he was used to going to like Ohio Players,

2515
01:59:42,800 --> 01:59:44,840
Speaker 4: you know what I'm saying, Earth Winning Fire, like all

2516
01:59:44,920 --> 01:59:47,040
Speaker 4: those different bands, so he like it was no instruments

2517
01:59:47,120 --> 01:59:48,440
Speaker 4: on stage. He was like, it was just a DJ

2518
01:59:48,600 --> 01:59:52,120
Speaker 4: out there but turntables, dudes just yelling in a microphone

2519
01:59:52,200 --> 01:59:56,280
Speaker 4: like it's done. But like that same type of music

2520
01:59:56,400 --> 01:59:58,920
Speaker 4: and that culture, that hip hop culture right there, It's

2521
01:59:59,000 --> 02:00:01,400
Speaker 4: like I was able to move mountains with it, like

2522
02:00:01,440 --> 02:00:03,600
Speaker 4: you know what I'm saying. So it's like with AI,

2523
02:00:04,600 --> 02:00:06,720
Speaker 4: just at the same time where everybody's saying like shit

2524
02:00:06,840 --> 02:00:08,880
Speaker 4: is dry, shit has done, and shit sound the same,

2525
02:00:09,000 --> 02:00:10,840
Speaker 4: or this and that, this and that, and then it's like,

2526
02:00:11,000 --> 02:00:13,760
Speaker 4: oh they're doing AI. I still haven't heard the song

2527
02:00:13,840 --> 02:00:16,440
Speaker 4: or I haven't met anybody who's heard the song. And

2528
02:00:16,560 --> 02:00:17,960
Speaker 4: it's like hey bro, you got to hit this new

2529
02:00:18,000 --> 02:00:21,600
Speaker 4: AI shit like you know what I'm saying. No, But

2530
02:00:22,720 --> 02:00:26,120
Speaker 4: like even but a person can't wait to tell you, like, man,

2531
02:00:26,200 --> 02:00:28,600
Speaker 4: hey bro, you know this AI, right? They can't. They can't,

2532
02:00:28,600 --> 02:00:30,120
Speaker 4: you know what I'm saying. They're like, you can you

2533
02:00:30,200 --> 02:00:30,800
Speaker 4: condamn there?

2534
02:00:31,120 --> 02:00:31,320
Speaker 3: Yeah?

2535
02:00:31,320 --> 02:00:33,520
Speaker 4: You can damn there here like when it's AI. So

2536
02:00:33,600 --> 02:00:35,840
Speaker 4: you gotta utilize it like a tool. If you can't

2537
02:00:35,880 --> 02:00:38,520
Speaker 4: get a big choir, utilize it like that. Or if

2538
02:00:38,560 --> 02:00:40,520
Speaker 4: you can't get this so you can't get that, you

2539
02:00:40,600 --> 02:00:43,760
Speaker 4: gotta utilize it like that. But but that's like that's

2540
02:00:43,840 --> 02:00:46,040
Speaker 4: like if you get like a keyboard and you just

2541
02:00:46,160 --> 02:00:48,880
Speaker 4: go get the stock beats. Nobody goes to the keyboard

2542
02:00:48,920 --> 02:00:51,160
Speaker 4: and gets the stock beats. They use a keyboard and

2543
02:00:51,240 --> 02:00:54,040
Speaker 4: make beats. Like you know what I'm saying, Nobody expects

2544
02:00:54,080 --> 02:00:55,760
Speaker 4: to use the stock beats. So when you go to

2545
02:00:55,880 --> 02:00:58,040
Speaker 4: like these AI platforms, they showing you what it can do,

2546
02:00:58,400 --> 02:00:59,560
Speaker 4: you know what I'm saying. But that's just showing you

2547
02:00:59,600 --> 02:01:01,280
Speaker 4: what it could do. Now you got to utilize the

2548
02:01:01,320 --> 02:01:04,200
Speaker 4: motherfucker like a keyboard or whatever. And you gotta utilize

2549
02:01:04,240 --> 02:01:07,000
Speaker 4: it like a tool and and and expand the sound

2550
02:01:07,080 --> 02:01:09,240
Speaker 4: you know what I'm saying, But you know, a certain

2551
02:01:09,360 --> 02:01:11,920
Speaker 4: certain people of creativity level just hit right here, you

2552
02:01:11,960 --> 02:01:13,600
Speaker 4: know what I'm saying. It's all about.

2553
02:01:14,920 --> 02:01:15,480
Speaker 3: You know what I'm saying.

2554
02:01:16,360 --> 02:01:18,560
Speaker 5: I mean, I think I think there's there's pros and

2555
02:01:18,640 --> 02:01:20,920
Speaker 5: concert because there's definitely I saw something.

2556
02:01:20,960 --> 02:01:22,320
Speaker 3: I don't know how accurate this report is.

2557
02:01:22,360 --> 02:01:24,440
Speaker 5: They said that some of the top music that was

2558
02:01:24,480 --> 02:01:28,000
Speaker 5: playing on Spotify was all AI generated groups.

2559
02:01:28,920 --> 02:01:31,240
Speaker 4: And and but at the same time, like right now,

2560
02:01:31,280 --> 02:01:34,080
Speaker 4: you know, at the same time, if somebody wasn't a

2561
02:01:34,160 --> 02:01:37,960
Speaker 4: student of the game, or wasn't like like a student

2562
02:01:38,000 --> 02:01:41,920
Speaker 4: of music, or wasn't a creator or like hasn't created

2563
02:01:41,960 --> 02:01:44,080
Speaker 4: any type of music, it's gonna be hard for them

2564
02:01:44,120 --> 02:01:46,280
Speaker 4: to pull up one of these AI you know what

2565
02:01:46,320 --> 02:01:50,040
Speaker 4: I'm saying platforms or whatever, or the apps or whatever

2566
02:01:50,200 --> 02:01:51,720
Speaker 4: and and make a song.

2567
02:01:52,720 --> 02:01:54,080
Speaker 3: They already have to have it in them.

2568
02:01:55,800 --> 02:01:58,600
Speaker 4: It got to somewhere, It got to come from somewhere.

2569
02:01:58,680 --> 02:02:01,480
Speaker 4: So it's like like you got to even know like,

2570
02:02:01,560 --> 02:02:03,600
Speaker 4: oh man, let me mix this with that. And you

2571
02:02:03,640 --> 02:02:05,040
Speaker 4: know what I'm saying, it's just like cooking. You can

2572
02:02:05,120 --> 02:02:06,760
Speaker 4: go in the kitchen with a whole bunch of season

2573
02:02:06,840 --> 02:02:09,880
Speaker 4: and the sauces and protein and whatever. You know what

2574
02:02:09,920 --> 02:02:11,680
Speaker 4: I'm saying. You can fuck the shit up, you can

2575
02:02:11,760 --> 02:02:13,440
Speaker 4: burn it, you can do whatever it is, like you

2576
02:02:13,480 --> 02:02:15,120
Speaker 4: know what I'm saying, or not cook it all the way, right,

2577
02:02:15,160 --> 02:02:17,160
Speaker 4: you can get sick and all that shit, or you

2578
02:02:17,240 --> 02:02:20,120
Speaker 4: can we got we got a cookoff. We can use

2579
02:02:20,120 --> 02:02:22,520
Speaker 4: the same season or whatever, and we can make two

2580
02:02:22,600 --> 02:02:24,760
Speaker 4: totally different dishes, like you know what I'm saying. So

2581
02:02:24,840 --> 02:02:26,920
Speaker 4: it's like, it's all about how you use that shit,

2582
02:02:27,040 --> 02:02:30,720
Speaker 4: you know what I'm saying. And if somebody uses the

2583
02:02:30,800 --> 02:02:33,480
Speaker 4: AI shit and it's cheesy, they will probably go in

2584
02:02:33,480 --> 02:02:35,000
Speaker 4: the studio make a cheesy joint too.

2585
02:02:35,480 --> 02:02:37,520
Speaker 3: But the argument could be made.

2586
02:02:38,240 --> 02:02:39,960
Speaker 5: You know, these tech companies are kind of like the

2587
02:02:40,000 --> 02:02:42,320
Speaker 5: new record labels, right, We kind of could say that

2588
02:02:43,680 --> 02:02:45,720
Speaker 5: the tech companies they're kind of like the new record

2589
02:02:45,800 --> 02:02:49,840
Speaker 5: labels in a sense. The streaming platforms, the social media

2590
02:02:50,400 --> 02:02:52,040
Speaker 5: music is being promoted a lot.

2591
02:02:52,400 --> 02:02:56,000
Speaker 4: Yeah, but it's different because the music. I just say

2592
02:02:56,040 --> 02:02:59,280
Speaker 4: it's different because those a more retail and like, you

2593
02:02:59,360 --> 02:03:03,200
Speaker 4: know what I'm saying, record labels are more distribution.

2594
02:03:03,320 --> 02:03:08,000
Speaker 5: Right, right, but they distribute now through DSPs exactly retail, right,

2595
02:03:08,080 --> 02:03:09,960
Speaker 5: But it's not like old school where you had to

2596
02:03:10,040 --> 02:03:13,240
Speaker 5: go physically, and they're still using tech, is what I'm saying.

2597
02:03:13,720 --> 02:03:16,240
Speaker 3: The texts are now the gatekeeper the distribution.

2598
02:03:16,720 --> 02:03:20,120
Speaker 5: So my thing is that my worry is that just

2599
02:03:20,280 --> 02:03:23,520
Speaker 5: like the idea that maybe record labels at some point

2600
02:03:23,600 --> 02:03:27,360
Speaker 5: started dumbing down music to a degree to make it

2601
02:03:27,520 --> 02:03:29,080
Speaker 5: easier for them to reproduce it and.

2602
02:03:29,120 --> 02:03:29,880
Speaker 3: Make money off of it.

2603
02:03:29,960 --> 02:03:32,760
Speaker 5: And I have to deal with talent, real talent, you

2604
02:03:32,800 --> 02:03:35,320
Speaker 5: know what I'm saying, Maybe this happens in AI like

2605
02:03:35,920 --> 02:03:41,160
Speaker 5: these DSPs, these tech companies eventually start phasing out. Like

2606
02:03:41,280 --> 02:03:43,240
Speaker 5: of course you're never going to be replaced, but it's

2607
02:03:43,240 --> 02:03:45,360
Speaker 5: I'm talking about the generation under you and the generation

2608
02:03:45,520 --> 02:03:49,440
Speaker 5: under that. If they started getting desensitized to real music,

2609
02:03:50,240 --> 02:03:51,560
Speaker 5: then AI becomes a problem.

2610
02:03:52,800 --> 02:03:56,040
Speaker 4: Yeah, it's all about I feel like when they're kind

2611
02:03:56,080 --> 02:03:58,840
Speaker 4: of like being able to produce and like being able

2612
02:03:58,880 --> 02:04:01,360
Speaker 4: to create music. Man, all about how good of a

2613
02:04:01,440 --> 02:04:03,320
Speaker 4: student you were, you know what I'm saying, Like the

2614
02:04:03,400 --> 02:04:06,360
Speaker 4: best artists, the best producers, the best everything, they were

2615
02:04:06,480 --> 02:04:09,160
Speaker 4: a student of something of the music, you know what

2616
02:04:09,160 --> 02:04:13,080
Speaker 4: I'm saying. So it's like and then it's all about

2617
02:04:13,200 --> 02:04:16,800
Speaker 4: your your creativity level and how you collaborate. The best

2618
02:04:16,840 --> 02:04:19,200
Speaker 4: song is the best collaboration, you know what I'm saying.

2619
02:04:19,280 --> 02:04:21,840
Speaker 4: So at the end of the day, it's like I

2620
02:04:21,920 --> 02:04:24,840
Speaker 4: don't I don't see AI. Like I said, if once

2621
02:04:24,920 --> 02:04:27,280
Speaker 4: I hear that song, that's like I ain't gonna lie this.

2622
02:04:27,760 --> 02:04:29,720
Speaker 4: I can't go without hearing this song, Like you know

2623
02:04:29,720 --> 02:04:32,960
Speaker 4: what I'm saying. For the most part, it's still like

2624
02:04:33,240 --> 02:04:37,040
Speaker 4: artists that people are connecting to. Sometimes it might be songs.

2625
02:04:37,080 --> 02:04:40,000
Speaker 4: It's just you know what I'm saying, that's just playing

2626
02:04:40,080 --> 02:04:43,160
Speaker 4: and somebody might have created something that's easy on the

2627
02:04:43,240 --> 02:04:45,640
Speaker 4: ears and putting the right marketing dollars behind it and

2628
02:04:45,760 --> 02:04:48,200
Speaker 4: pushing it a certain type of way that you know

2629
02:04:48,240 --> 02:04:52,400
Speaker 4: what I'm saying that, But you know, like that's cool.

2630
02:04:52,560 --> 02:04:55,280
Speaker 4: That's that's like their creation and that's what they push,

2631
02:04:55,680 --> 02:04:58,800
Speaker 4: and that's like it's gonna connect just like another song

2632
02:04:58,960 --> 02:05:01,920
Speaker 4: is gonna connect or like anything everything has. It's like

2633
02:05:02,240 --> 02:05:05,160
Speaker 4: like like its moments type shit, if that makes sense.

2634
02:05:05,280 --> 02:05:08,080
Speaker 4: And I just I just feel like the AI shit

2635
02:05:08,200 --> 02:05:10,720
Speaker 4: is like it's so broad that it's like it could

2636
02:05:10,760 --> 02:05:12,480
Speaker 4: be used as a tool or it could be used

2637
02:05:12,480 --> 02:05:15,040
Speaker 4: to make a whole song. And I don't think I

2638
02:05:15,120 --> 02:05:17,720
Speaker 4: don't think it's like US versus AI thing. I think

2639
02:05:17,760 --> 02:05:20,520
Speaker 4: it's like how do we utilize AI to make the

2640
02:05:21,360 --> 02:05:25,520
Speaker 4: biggest joint? And because you got the technology side, but

2641
02:05:25,640 --> 02:05:28,720
Speaker 4: then we're still real humans, Like we're still going outside,

2642
02:05:28,760 --> 02:05:31,960
Speaker 4: were still seeing shit, We're still hearing cars ride by,

2643
02:05:32,480 --> 02:05:34,320
Speaker 4: like you know what I'm saying, Like we still in

2644
02:05:34,440 --> 02:05:37,960
Speaker 4: the barbershops, We still like amongst people. So it's like

2645
02:05:38,400 --> 02:05:41,520
Speaker 4: you got that world just like just like you got

2646
02:05:41,840 --> 02:05:43,760
Speaker 4: the world where people sitting in the house with the

2647
02:05:43,800 --> 02:05:46,360
Speaker 4: gaggos all day and they be somewhere in the metaverse

2648
02:05:46,360 --> 02:05:47,600
Speaker 4: and all that kind of shit, Like you know what

2649
02:05:47,600 --> 02:05:50,000
Speaker 4: I'm saying, Like you got that world, and you got

2650
02:05:50,240 --> 02:05:53,040
Speaker 4: like like the real world, like is that ship playing

2651
02:05:53,080 --> 02:05:54,880
Speaker 4: in the in the cars and the clubs and the

2652
02:05:55,040 --> 02:05:58,160
Speaker 4: radio or is the people playing there or people talking

2653
02:05:58,160 --> 02:06:00,440
Speaker 4: about it? Did the impact culture like you know what

2654
02:06:00,440 --> 02:06:03,800
Speaker 4: I'm saying in any type of way, Like did anybody

2655
02:06:03,920 --> 02:06:06,080
Speaker 4: care that this joint came out? You know what I'm saying?

2656
02:06:06,440 --> 02:06:09,720
Speaker 4: And that's I think that's something that they're gonna have

2657
02:06:09,800 --> 02:06:12,120
Speaker 4: to figure out. It's like what's gonna be the presence

2658
02:06:12,320 --> 02:06:15,640
Speaker 4: with this AI person or this ar artist or whatever

2659
02:06:16,280 --> 02:06:16,960
Speaker 4: in the real.

2660
02:06:16,880 --> 02:06:21,840
Speaker 1: World questions about this song. What just give me one

2661
02:06:22,920 --> 02:06:29,000
Speaker 1: word DNA electrifying. We can't stop.

2662
02:06:30,880 --> 02:06:40,800
Speaker 4: I just said game change right, Uh, trend sting. Okay,

2663
02:06:43,240 --> 02:06:46,600
Speaker 4: they tell me that something won't gonna work really yeah,

2664
02:06:48,160 --> 02:06:51,480
Speaker 4: Well we can't because yeah, because at that time, pop

2665
02:06:51,600 --> 02:06:54,280
Speaker 4: radio was eighty m so it's at a certain tempo

2666
02:06:54,840 --> 02:06:58,280
Speaker 4: and we can't start was like this party. We can

2667
02:06:58,400 --> 02:07:01,840
Speaker 4: do what we want. And it's like, Bro, no matter

2668
02:07:01,920 --> 02:07:04,040
Speaker 4: what you do, Bro, you cannot slow down pop radio.

2669
02:07:04,760 --> 02:07:07,400
Speaker 4: It ain't gonna happen. Bro, They're not gonna let this

2670
02:07:07,640 --> 02:07:11,440
Speaker 4: sounds slow down pop radio. Like this is how it works.

2671
02:07:12,360 --> 02:07:13,360
Speaker 4: Ship changed the game.

2672
02:07:15,400 --> 02:07:17,120
Speaker 3: Oh I love this.

2673
02:07:19,000 --> 02:07:24,920
Speaker 4: Falling damn one word?

2674
02:07:26,120 --> 02:07:30,240
Speaker 3: Whatever you want to I'll accept whatever he said.

2675
02:07:30,280 --> 02:07:40,160
Speaker 4: Three words now, okay, all but falling that was I

2676
02:07:40,280 --> 02:07:43,680
Speaker 4: should like that, should like that should Damn there like

2677
02:07:43,720 --> 02:07:45,480
Speaker 4: a dream. Bro, I ain't gonna lie, you know what

2678
02:07:45,480 --> 02:07:48,880
Speaker 4: I'm saying, because like I gotta tell a little story,

2679
02:07:48,920 --> 02:07:51,600
Speaker 4: I'm falling. I'm gonna keep it brief, but y'all got

2680
02:07:51,720 --> 02:07:54,360
Speaker 4: to drinking. Don't keep you know what I'm saying. But

2681
02:07:54,560 --> 02:07:57,800
Speaker 4: like man, shout out to DJ. You know what I'm saying.

2682
02:07:57,920 --> 02:08:01,960
Speaker 4: Like he was a part of a lot of eminem projects,

2683
02:08:02,080 --> 02:08:04,280
Speaker 4: Like you know what I'm saying the whole time. Yeah,

2684
02:08:04,600 --> 02:08:06,560
Speaker 4: So that's what Falling with the follow was on that.

2685
02:08:07,040 --> 02:08:10,720
Speaker 4: So was on that as well. Are you're talking about

2686
02:08:10,840 --> 02:08:13,800
Speaker 4: Oh are you talking about are you talking about Falling.

2687
02:08:16,320 --> 02:08:19,160
Speaker 3: Little palk about Yeah?

2688
02:08:19,200 --> 02:08:21,920
Speaker 4: Yeah, okay, okay x x X and Little Pete? Okay,

2689
02:08:22,760 --> 02:08:23,520
Speaker 4: that one is.

2690
02:08:26,440 --> 02:08:26,720
Speaker 3: That one?

2691
02:08:26,920 --> 02:08:34,600
Speaker 4: Is that one's that one's like wavy, Yeah, wavy salute

2692
02:08:34,600 --> 02:08:36,200
Speaker 4: to both of them, you know what I'm saying, resting,

2693
02:08:36,240 --> 02:08:40,800
Speaker 4: peace of resting, piece of Little Pete. But I was

2694
02:08:40,960 --> 02:08:46,760
Speaker 4: that was that was so both of them are yeah,

2695
02:08:47,280 --> 02:08:49,840
Speaker 4: God bless yeah, man, resting piece of both of them. Man,

2696
02:08:50,320 --> 02:08:55,440
Speaker 4: Like that was that was just that was just wavy.

2697
02:08:55,920 --> 02:08:57,720
Speaker 3: This record is totally different.

2698
02:08:58,120 --> 02:09:03,000
Speaker 4: Yeah, Now Falling it was a unique situation, man, because

2699
02:09:03,760 --> 02:09:06,640
Speaker 4: Maconey I had gave that beat to Maconey, you know

2700
02:09:06,640 --> 02:09:11,720
Speaker 4: what I'm saying, So like like, let's he's good. I'm

2701
02:09:11,760 --> 02:09:15,880
Speaker 4: thinking of Maconey had wrote the joint. You know what

2702
02:09:15,880 --> 02:09:19,480
Speaker 4: I'm saying. He was already like what our with our

2703
02:09:19,560 --> 02:09:21,360
Speaker 4: production company, you know what I'm saying. He was part

2704
02:09:21,360 --> 02:09:24,200
Speaker 4: of that venture as well. Yeah, for sure, he part

2705
02:09:24,240 --> 02:09:27,880
Speaker 4: of that published adventure as well. Beat John He was

2706
02:09:27,880 --> 02:09:31,000
Speaker 4: one of my first signs, along with Race Trimmer you

2707
02:09:31,040 --> 02:09:35,520
Speaker 4: know what I'm saying, and yeah, so you know what

2708
02:09:35,520 --> 02:09:38,840
Speaker 4: I'm saying, so so boom, Like I had gave him

2709
02:09:38,920 --> 02:09:43,520
Speaker 4: that beat and and he had he had him and

2710
02:09:43,600 --> 02:09:46,000
Speaker 4: little people were already working on the project, so him

2711
02:09:46,040 --> 02:09:49,000
Speaker 4: a little Pete had did the song together you know

2712
02:09:49,040 --> 02:09:51,120
Speaker 4: what I'm saying, and it was already a dope song.

2713
02:09:51,240 --> 02:09:53,240
Speaker 4: Then Wiz Khalifa did a song on the same beat,

2714
02:09:53,600 --> 02:09:54,880
Speaker 4: you know what I'm saying, and it's like me and

2715
02:09:55,000 --> 02:09:57,680
Speaker 4: Wiz already had so much history, and then I was

2716
02:09:57,760 --> 02:09:59,400
Speaker 4: just trying to like figure out, like which one do

2717
02:09:59,520 --> 02:10:01,840
Speaker 4: I make another beat for? Both of the songs were

2718
02:10:01,880 --> 02:10:04,360
Speaker 4: like so good, you know what I'm saying, And and

2719
02:10:04,440 --> 02:10:07,120
Speaker 4: I thought Wiz was gonna end up using I thought

2720
02:10:07,160 --> 02:10:08,760
Speaker 4: he was gonna end up using that beat because he

2721
02:10:08,840 --> 02:10:11,600
Speaker 4: told me he was going to hold it. And and

2722
02:10:11,680 --> 02:10:14,520
Speaker 4: then that was the beat that Maconey and Pete ended

2723
02:10:14,600 --> 02:10:21,560
Speaker 4: up doing that song too. And then after that, after that, yeah, man,

2724
02:10:22,080 --> 02:10:27,000
Speaker 4: like that song was done. They had it on this project,

2725
02:10:27,480 --> 02:10:31,880
Speaker 4: and then I think like one of the music executives

2726
02:10:32,240 --> 02:10:37,240
Speaker 4: had let had let Xxx hit the record, like before

2727
02:10:37,280 --> 02:10:41,400
Speaker 4: he had passed and he heard it and was like, man, yo, yo,

2728
02:10:41,520 --> 02:10:43,680
Speaker 4: this is a this is a dope song like and

2729
02:10:43,800 --> 02:10:45,760
Speaker 4: he ended up doing a verse to it and then

2730
02:10:45,920 --> 02:10:48,800
Speaker 4: he ended up passing away. I never got a chance

2731
02:10:48,840 --> 02:10:51,560
Speaker 4: to meet xxx. I didn't even get a chance to

2732
02:10:51,600 --> 02:10:56,040
Speaker 4: meet him. And it's crazy. Man, my man, my man, Adam,

2733
02:10:56,640 --> 02:11:00,160
Speaker 4: my man, Adam Leber had had was just connect then

2734
02:11:00,200 --> 02:11:02,880
Speaker 4: that's right before he right before he passed away, you

2735
02:11:02,920 --> 02:11:05,440
Speaker 4: know what I'm saying. But man, man, it was so talented,

2736
02:11:06,120 --> 02:11:07,800
Speaker 4: Like I wish we could have you know what I'm saying.

2737
02:11:07,800 --> 02:11:09,600
Speaker 4: I wish we could have Like I know, we would

2738
02:11:09,640 --> 02:11:12,280
Speaker 4: have went crazy right up. Yeah, Florida, dude, for sure.

2739
02:11:12,720 --> 02:11:15,000
Speaker 4: Imagine like this this is my note.

2740
02:11:15,920 --> 02:11:20,120
Speaker 3: You know, like I thought you met, Yeah, I won't

2741
02:11:20,680 --> 02:11:21,280
Speaker 3: thought you'll met.

2742
02:11:21,680 --> 02:11:23,880
Speaker 4: Yeah, Man, I wish I wish we would have met.

2743
02:11:23,880 --> 02:11:25,160
Speaker 4: You know what I'm saying. I know we would have

2744
02:11:25,200 --> 02:11:28,520
Speaker 4: went crazy because he was another like young rock star

2745
02:11:28,680 --> 02:11:30,520
Speaker 4: that was like pushing it forward, you know what I'm saying.

2746
02:11:31,000 --> 02:11:34,920
Speaker 1: And to me, that's what you you do, like you

2747
02:11:35,040 --> 02:11:39,640
Speaker 1: make rock stars. Brake shrim is a rock star like Swimming.

2748
02:11:39,920 --> 02:11:45,120
Speaker 3: It's not like they rockstar like to me, that's what

2749
02:11:45,280 --> 02:11:45,720
Speaker 3: you made.

2750
02:11:46,280 --> 02:11:48,280
Speaker 4: But see I wouldn't even I won't even take the

2751
02:11:48,400 --> 02:11:50,520
Speaker 4: credit of like like I get what you're saying. I

2752
02:11:50,560 --> 02:11:52,720
Speaker 4: appreciate that, but I wouldn't take the credit of like

2753
02:11:52,920 --> 02:11:54,840
Speaker 4: making them you know what I'm saying, Like I can

2754
02:11:55,160 --> 02:11:58,240
Speaker 4: I can identify with a rock star head, you know

2755
02:11:58,280 --> 02:12:01,680
Speaker 4: what I'm saying. It's like like it's like it's like

2756
02:12:02,040 --> 02:12:04,840
Speaker 4: if it's like if we never wore a sup before

2757
02:12:05,160 --> 02:12:07,440
Speaker 4: and then were walking time for it, they already know like, oh, yeah,

2758
02:12:07,440 --> 02:12:09,160
Speaker 4: I need to put him in this, and like I

2759
02:12:09,240 --> 02:12:10,720
Speaker 4: need to cut it like this, and he gonna like

2760
02:12:10,760 --> 02:12:12,360
Speaker 4: it like that, like you know what I'm saying. So

2761
02:12:12,480 --> 02:12:15,520
Speaker 4: it's like, yeah, that's like a tail that's like a tailor,

2762
02:12:15,600 --> 02:12:17,480
Speaker 4: you know what I'm saying. So it's like I could

2763
02:12:17,480 --> 02:12:19,120
Speaker 4: see a rock shot and be like, man, I ain't

2764
02:12:19,160 --> 02:12:20,720
Speaker 4: gonna lie. He just need to do this right here,

2765
02:12:21,200 --> 02:12:23,000
Speaker 4: and like, man, we're gonna end up, you know what

2766
02:12:23,000 --> 02:12:25,480
Speaker 4: I'm saying, doing some shit that's gonna change the game,

2767
02:12:25,680 --> 02:12:26,800
Speaker 4: Like you know what I'm saying, Like I knew what

2768
02:12:26,880 --> 02:12:29,760
Speaker 4: it was when I'm at Pluto, Like I knew what

2769
02:12:29,800 --> 02:12:31,680
Speaker 4: it was when I'm at Sway, Like I knew what

2770
02:12:31,800 --> 02:12:33,800
Speaker 4: it was when I'm at Macone, like I knew what

2771
02:12:33,880 --> 02:12:36,160
Speaker 4: it was when I'm at Like, I mean, Chief Keep

2772
02:12:36,280 --> 02:12:38,360
Speaker 4: was already you know what I'm saying, like kicking the

2773
02:12:38,440 --> 02:12:40,640
Speaker 4: door and making noise. You know what I'm saying. But

2774
02:12:40,720 --> 02:12:42,160
Speaker 4: that's my brother, Like you know what I'm.

2775
02:12:42,000 --> 02:12:44,200
Speaker 3: Saying, Like I love I love the fact that he

2776
02:12:44,360 --> 02:12:45,280
Speaker 3: was standing next to you.

2777
02:12:46,280 --> 02:12:48,200
Speaker 4: That's my brother right there. You know what I'm saying.

2778
02:12:48,480 --> 02:12:50,600
Speaker 4: Right up, you know what I'm saying. But now just

2779
02:12:50,720 --> 02:12:52,720
Speaker 4: knowing what it is sich for Ram, you know what

2780
02:12:52,720 --> 02:12:55,160
Speaker 4: I'm saying. Miley Cyrus is like you know what I'm saying.

2781
02:12:55,160 --> 02:12:57,400
Speaker 4: You just seeing like the rock start. Like I can't

2782
02:12:57,480 --> 02:13:00,280
Speaker 4: say I made Miley Cyrus, but it's like, you know

2783
02:13:00,280 --> 02:13:03,320
Speaker 4: what I'm saying. We already she already had a major

2784
02:13:03,440 --> 02:13:05,480
Speaker 4: fan base of handle Mon Tennis. Like man, we just

2785
02:13:05,560 --> 02:13:08,040
Speaker 4: gave her a new identity or something that you know

2786
02:13:08,080 --> 02:13:10,320
Speaker 4: what I'm saying. That we was even vibing too, like damn,

2787
02:13:10,440 --> 02:13:12,520
Speaker 4: like hold up this shit kind of hard, like I

2788
02:13:12,600 --> 02:13:14,280
Speaker 4: fuck with this, Like you know what I'm saying. So

2789
02:13:14,400 --> 02:13:17,480
Speaker 4: it's like it's like it's just it's just like being

2790
02:13:17,520 --> 02:13:20,360
Speaker 4: able to identify I don't I don't I don't make

2791
02:13:20,440 --> 02:13:23,680
Speaker 4: them they already are made. I just can identify, like

2792
02:13:25,120 --> 02:13:27,880
Speaker 4: the IT factor, you know what I'm saying, or up

2793
02:13:28,360 --> 02:13:31,880
Speaker 4: no matter how big or how up and coming or

2794
02:13:32,000 --> 02:13:34,560
Speaker 4: anything like I don't. I don't. I don't look at

2795
02:13:34,600 --> 02:13:38,120
Speaker 4: it like wave to ride like I always was trying

2796
02:13:38,120 --> 02:13:40,600
Speaker 4: to like create the wave, like with somebody like man,

2797
02:13:40,640 --> 02:13:42,920
Speaker 4: we're gonna create a wave, Like you know what I'm saying,

2798
02:13:43,160 --> 02:13:45,240
Speaker 4: Like as soon as y'all think y'all could seem I

2799
02:13:45,320 --> 02:13:47,680
Speaker 4: forget about UCJ, but we're finna come back. Bands, make

2800
02:13:47,720 --> 02:13:51,640
Speaker 4: a dance, smoking nigga. You know what I'm saying, show out,

2801
02:13:51,800 --> 02:13:54,880
Speaker 4: you know what I'm saying, Stealing this bitch like twenty three,

2802
02:13:55,160 --> 02:13:57,120
Speaker 4: Like we're going crazy, like you know what I'm saying,

2803
02:13:57,320 --> 02:13:59,640
Speaker 4: Like as soon as y'all think that I could overlook future,

2804
02:13:59,720 --> 02:14:02,960
Speaker 4: Like I'm saying, we're going dirty, fright, ain't nowhere around

2805
02:14:03,040 --> 02:14:04,960
Speaker 4: the itching. You know what I'm saying, turn on the

2806
02:14:05,080 --> 02:14:08,960
Speaker 4: lights never in New Bugatti. You know what I'm saying,

2807
02:14:09,320 --> 02:14:12,640
Speaker 4: Like all kinds of joints, ships back to back, like

2808
02:14:13,160 --> 02:14:15,160
Speaker 4: move that dope, like you know what I'm saying, Like

2809
02:14:16,200 --> 02:14:18,120
Speaker 4: part of me, you know what I'm saying. And then

2810
02:14:18,200 --> 02:14:21,080
Speaker 4: it's like as soon as you think, like, I'll never

2811
02:14:21,160 --> 02:14:23,280
Speaker 4: listen to my style song. Man, you're talking about man

2812
02:14:23,320 --> 02:14:25,720
Speaker 4: with my Jay's on. You know what I'm saying, Like

2813
02:14:26,520 --> 02:14:29,800
Speaker 4: now now overseas, they moving like this, They weren't never

2814
02:14:29,920 --> 02:14:31,520
Speaker 4: moving like this in certain rooms like you know what

2815
02:14:31,520 --> 02:14:33,720
Speaker 4: I'm saying, Like they move into they move into the

2816
02:14:33,800 --> 02:14:36,200
Speaker 4: bounce like you know what I'm saying. And then it's like,

2817
02:14:36,960 --> 02:14:38,840
Speaker 4: but she cool enough to even want to even do

2818
02:14:38,920 --> 02:14:41,120
Speaker 4: that joint? You know what I'm saying, Trust to trust

2819
02:14:41,160 --> 02:14:43,600
Speaker 4: the process. Just be like, nah, my fan's not gonna

2820
02:14:43,640 --> 02:14:45,840
Speaker 4: like it. I don't do that kind of music. I'm

2821
02:14:45,880 --> 02:14:48,920
Speaker 4: not doing that right. It's too risky, you feel me,

2822
02:14:49,080 --> 02:14:51,440
Speaker 4: you know what I'm saying. So that's rock star ship.

2823
02:14:51,440 --> 02:14:53,000
Speaker 3: Comes from that line, Pops.

2824
02:14:53,840 --> 02:15:01,520
Speaker 1: Yeah you kept that real nigga ship. Man, I swear

2825
02:15:01,600 --> 02:15:05,040
Speaker 1: to god. Man, let me just tell you something. Yeah,

2826
02:15:05,720 --> 02:15:09,200
Speaker 1: we're taking a picture. But I don't ever want you

2827
02:15:09,320 --> 02:15:18,520
Speaker 1: to ever think that our culture don't understand how much

2828
02:15:18,640 --> 02:15:19,440
Speaker 1: you mean to us.

2829
02:15:20,160 --> 02:15:22,920
Speaker 4: Man. I love the culture. Man. I look, you know

2830
02:15:23,000 --> 02:15:25,720
Speaker 4: I used to think like that. I used to think

2831
02:15:25,800 --> 02:15:27,720
Speaker 4: like that, but I said it. I was like, Man,

2832
02:15:27,800 --> 02:15:30,160
Speaker 4: this next run is for everybody who believes. Man, because

2833
02:15:30,160 --> 02:15:35,680
Speaker 4: we man, you know what I'm saying, there's so many

2834
02:15:35,720 --> 02:15:37,920
Speaker 4: people that believe. There's so many people in the culture

2835
02:15:37,960 --> 02:15:40,680
Speaker 4: that's like that. Like you said, like man ended up

2836
02:15:40,720 --> 02:15:43,480
Speaker 4: telling me you got your back. Man, I appreciate that

2837
02:15:43,600 --> 02:15:50,280
Speaker 4: you believe you Man, there's more believe. Louder should be louder,

2838
02:15:50,360 --> 02:15:52,640
Speaker 4: But this is really louder because I ain't gonna lie.

2839
02:15:53,000 --> 02:15:56,760
Speaker 3: Ire, we got your back seems louder. That's let me

2840
02:15:56,880 --> 02:16:02,720
Speaker 3: change it. Thank Youtivity is way more you you Listen,

2841
02:16:02,880 --> 02:16:04,120
Speaker 3: you the man slam.

2842
02:16:06,120 --> 02:16:11,880
Speaker 4: Should in the case you don't know you for ten years.

2843
02:16:12,080 --> 02:16:14,560
Speaker 3: In case you don't know, listen, we got your back

2844
02:16:14,640 --> 02:16:15,080
Speaker 3: over here.

2845
02:16:15,400 --> 02:16:16,240
Speaker 4: That's hard, I.

2846
02:16:16,280 --> 02:16:19,640
Speaker 3: Mean, but said, and you kind of don't need us,

2847
02:16:20,680 --> 02:16:26,360
Speaker 3: but we want you to know that we got your back.

2848
02:16:26,440 --> 02:16:28,640
Speaker 1: We're here, we're here, regards we're here like like like

2849
02:16:28,800 --> 02:16:32,280
Speaker 1: like like you you kind of don't because you know

2850
02:16:32,920 --> 02:16:33,720
Speaker 1: ship nigga.

2851
02:16:34,200 --> 02:16:36,720
Speaker 4: You doing good but great.

2852
02:16:37,760 --> 02:16:41,800
Speaker 1: But guess what that's that that shouldn't be No, that's

2853
02:16:41,840 --> 02:16:45,039
Speaker 1: not what what what what we are doing over here?

2854
02:16:45,440 --> 02:16:46,600
Speaker 1: Let me just tell you something, Mike.

2855
02:16:47,840 --> 02:16:49,720
Speaker 3: I'm sorry. I don't mean to call you Mike.

2856
02:16:50,120 --> 02:16:50,800
Speaker 4: I don't know if I.

2857
02:16:51,640 --> 02:16:55,680
Speaker 3: Don't even know, I don't even get the will to

2858
02:16:55,840 --> 02:16:59,360
Speaker 3: call you right, let me just take something.

2859
02:17:04,040 --> 02:17:05,200
Speaker 4: But let me just take you something.

2860
02:17:08,280 --> 02:17:09,959
Speaker 3: You're one of the best producers out there.

2861
02:17:10,040 --> 02:17:15,720
Speaker 1: Brother and me and my brother this motherfucker right here.

2862
02:17:16,959 --> 02:17:21,280
Speaker 1: We love giving people they flowers. We love making sure

2863
02:17:21,560 --> 02:17:25,040
Speaker 1: that people understand that in hip hop.

2864
02:17:25,480 --> 02:17:27,359
Speaker 3: This is what we're doing. Legacy.

2865
02:17:27,440 --> 02:17:32,920
Speaker 1: This is your fucking home. Anytime you fucking yeah yeah, yeah, yeah, yeah,

2866
02:17:33,040 --> 02:17:37,240
Speaker 1: yeah yeah, yeah yeah yeah. Anytime you fucking feel like

2867
02:17:38,000 --> 02:17:41,400
Speaker 1: you wanna not the pink toenails though, please, I'll bother

2868
02:17:41,480 --> 02:17:44,520
Speaker 1: tell christ.

2869
02:17:44,840 --> 02:17:48,440
Speaker 3: Let's just go to you want to promote your pink toenail? No, no, no, no,

2870
02:17:48,640 --> 02:17:49,640
Speaker 3: I got black toenails.

2871
02:17:49,680 --> 02:17:50,320
Speaker 4: That's horrible.

2872
02:17:50,800 --> 02:17:54,480
Speaker 3: That's horrible. What's my brother in law like, Oh my god,

2873
02:17:55,000 --> 02:17:56,720
Speaker 3: oh my look look look.

2874
02:17:56,520 --> 02:17:59,240
Speaker 1: Look, look, look at look good look looks oh I

2875
02:17:59,320 --> 02:18:02,880
Speaker 1: have black to nails. But listen, No, no, no, Mike

2876
02:18:03,000 --> 02:18:05,880
Speaker 1: will Mike. Well, let me just tell you somebody, this

2877
02:18:06,080 --> 02:18:06,960
Speaker 1: is your platform.

2878
02:18:07,480 --> 02:18:08,240
Speaker 3: This is your home.

2879
02:18:08,720 --> 02:18:11,520
Speaker 1: Anytime you ever want to put more, you want to talk,

2880
02:18:11,840 --> 02:18:14,200
Speaker 1: you want to tell people, you want to say that, yo,

2881
02:18:14,560 --> 02:18:15,600
Speaker 1: this is this is this.

2882
02:18:15,800 --> 02:18:21,320
Speaker 3: Is your platform, one million percent. And I look at that.

2883
02:18:21,520 --> 02:18:30,400
Speaker 11: Your watch, your watch is fucking fantastic, Mike, Mike, I

2884
02:18:30,560 --> 02:18:31,560
Speaker 11: just wanted you to know this.

2885
02:18:32,640 --> 02:18:37,439
Speaker 1: Whenever you want to talk anything, this is your platform.

2886
02:18:39,320 --> 02:18:41,600
Speaker 1: Look at us, This is your platform.

2887
02:18:41,760 --> 02:18:45,040
Speaker 3: Right ho day doll it on.

2888
02:18:48,760 --> 02:18:52,160
Speaker 5: Drink Champs is a drink Champs LLC production hosts and

2889
02:18:52,280 --> 02:18:55,200
Speaker 5: executive producers n O r E and d j e

2890
02:18:55,440 --> 02:18:55,680
Speaker 5: f N.

2891
02:18:56,879 --> 02:18:57,680
Speaker 3: Listen to Drink.

2892
02:18:57,560 --> 02:19:01,840
Speaker 5: Champs on Apple Podcast, Amazon Music, Spotify, or wherever you

2893
02:19:02,000 --> 02:19:05,760
Speaker 5: get your podcasts. Thanks for joining us for another episode

2894
02:19:05,800 --> 02:19:08,440
Speaker 5: of Drink Champs hosted by yours truly, dj e f

2895
02:19:08,560 --> 02:19:10,720
Speaker 5: N and n O r E. Please make sure to

2896
02:19:10,760 --> 02:19:13,240
Speaker 5: follow us on all our socials That's at drink Champs

2897
02:19:13,280 --> 02:19:17,960
Speaker 5: across all platforms at the Real norriegon ig at Noriega

2898
02:19:18,040 --> 02:19:21,680
Speaker 5: on Twitter, Mine is at Who's Crazy on ig at,

2899
02:19:21,800 --> 02:19:24,600
Speaker 5: dj e f N on Twitter, and most importantly, stay

2900
02:19:24,640 --> 02:19:27,640
Speaker 5: up to date with the latest releases, news and merch

2901
02:19:27,800 --> 02:19:29,680
Speaker 5: by going to drink champs dot com