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Speaker 1: Well there we are, putting my earpiece in like a

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Speaker 1: total non thro Hi everybody, my name is Luke Thomas.

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Speaker 1: It is the thirtieth of December twenty nineteen, and it

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Speaker 1: is time for Morning Combat. What a what a series

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Speaker 1: of fails this morning has been. I got here on time,

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Speaker 1: which is more than I can say for my trustee

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Speaker 1: co host, Brian Campbell. But I didn't have my earpiece

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Speaker 1: in because I'm just so derailed by everything. Welcome to everyone,

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Speaker 1: Thank you for joining us. Really appreciate it. Here's what

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Speaker 1: today was supposed to be. I think it still will be.

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Speaker 1: We're not going to do decades best. We're not going

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Speaker 1: to do our awards because every other show does that

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Speaker 1: and it's really the lame. We decided, why not just

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Speaker 1: do the top five stories that matter to us most

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Speaker 1: in and out of Combat Sports, a little bit of

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Speaker 1: a weekend pre review, and then we'll get into all

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Speaker 1: of that. And it actually turns out that just before

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Speaker 1: we started here, he only lives I'm not making this up.

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Speaker 1: He lives four miles away and he was still somehow

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Speaker 1: twenty minutes late. But it's my friend and yours Brian

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Speaker 1: Campbell from CBS Sports. I would love to know. Yo.

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Speaker 2: Happy New Year, Luke. I've come on, bro, let's do

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Speaker 2: this thing.

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Speaker 1: Why you were so late? I brought the total package?

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Speaker 1: You sicken me?

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Speaker 2: All right, all right, all right, my on is this

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Speaker 2: thing on?

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Speaker 1: You're on? New Year? To you, sir, New Year?

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Speaker 2: I had to travel morning from Hell, Luke.

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Speaker 1: Okay, I want to explain something to you. Do you

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Speaker 1: understand that I could take a later train and if

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Speaker 1: everything went fine, I'd still get her on time. Here's

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Speaker 1: what I do. I take the train so early that

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Speaker 1: if there's problems, I still get here on time.

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Speaker 2: Well you as well?

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Speaker 3: Would you have guessed it would take five hours to

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Speaker 3: commeet from Connecticut to Uh yes to this this Jersey swamp? Hey,

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Speaker 3: we made it end of the year bash. No, this

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Speaker 3: is not a great beer tasting episode. No, it's not

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Speaker 3: Luke's life versus mine for control and power. But we

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Speaker 3: want to celebrate what has been in a This show

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Speaker 3: has been a tremendous discovery. I forgive you for both

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Speaker 3: of our careers. You know, we built a family of weird.

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Speaker 1: I forgive you for your non apology. Boy, sound like

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Speaker 1: my wife. This is great. This is you gotta say

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Speaker 1: you're sorry. All right, all right, hey, check out the

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Speaker 1: build on this and he doesn't. All right, we'll see.

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Speaker 2: All right, look we need to celebrate this year, all right?

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Speaker 1: Uh do we in the worst possible fashion? You're sweaty.

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Speaker 2: I got rained on.

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Speaker 1: Zero sympathy from me, all right, zero? You got to

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Speaker 1: get up earlier, bro? What time you get up to

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Speaker 1: come to the show? Very early? Time to get up?

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Speaker 1: I don't need to disclose the personal details. Time to

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Speaker 1: get up?

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Speaker 2: Is this an interrogation? My check is still gonna clear.

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Speaker 1: I don't sign those I don't sign those checks. All right?

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Speaker 1: What time to get up? All right? Very early? You

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Speaker 1: want to move on with Uh? In just a minute.

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Speaker 1: I get up at four thirty, four thirty. It's very

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Speaker 1: and I'm four hours away late.

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Speaker 2: That's very rogan of you, very want to point that out,

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Speaker 2: very tony Robbins.

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Speaker 1: I appreciate you. All right, Now we have this bucket

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Speaker 1: of beer here for mister non apology.

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Speaker 2: It is Did you apologize to the listeners for coming

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Speaker 2: in there?

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Speaker 1: All we needed so it is cold? Now here's what

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Speaker 1: we did. Did you pick out the beers? Because this

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Speaker 1: is our trust. You just told them what you liked.

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Speaker 1: I told them what I like, and the producers put

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Speaker 1: it together. So you said, what I p as that

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Speaker 1: are fruity? I said, I can't do fruity, So how

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Speaker 1: about this one. I'm just gonna hand you what's out

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Speaker 1: dogfish Head, which is I think of Brendet of like Delaware,

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Speaker 1: they have the Super eight super goss Goes. I've never

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Speaker 1: seen this one. Our sessional gauze goes brewed with a

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Speaker 1: bevy of caad fruits and Qwa pours a deep vibrant

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Speaker 1: red with an ample addition of Hawaiian sea salt. That's

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Speaker 1: for you. This one's for Kendall Grove. Thank you, shout out.

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Speaker 1: This is grim Helio Graham. This is a dry hop

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Speaker 1: sour ale. I'll pass on that. The show's pretty good though.

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Speaker 1: Uh here we go. You know what, it's Delirium Tremens.

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Speaker 1: You can't go wrong with old Delirium Tremens. I told

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Speaker 1: him I wanted Belgian beer, so I'm just gonna have that.

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Speaker 1: Oh yes, that we might need that as well. Well.

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Speaker 3: We are here to celebrate today, Luke okay, are we

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Speaker 3: a twenty nineteen of combat our arrival on the scene.

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Speaker 3: We're the most destructive combat brothers since the Melendez is

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Speaker 3: we're on fire right now?

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Speaker 1: Are they combat brothers? Are they just murderers? Yeah? Well,

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Speaker 1: all right, so here's we're gonna do. We have to

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Speaker 1: do a bit of a weekend review. Yes, and then

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Speaker 1: we're going to get into the way they apparently want

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Speaker 1: to structure it is my top five, which we'll kind

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Speaker 1: of burn through all of them.

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Speaker 2: Yeah, we want to look at our best of the decade.

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Speaker 3: I'm not talking about what's your best round of the decade, Luke,

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Speaker 3: I mean what's your best damn moments of the year?

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Speaker 1: All right? Like I was saying, the most the things

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Speaker 1: we think about twenty nineteen in our lives, combat sports

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Speaker 1: and outside. What really stood out.

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Speaker 2: To us is we have MK ultra life that we've

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Speaker 2: built right here.

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Speaker 1: Before this out that we'll toast it and then we

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Speaker 1: will begin the weekend review. Okay, that's pretty nice and cold.

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Speaker 1: There we go. Hey, there's the swimming with bow legged women.

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Speaker 1: This is the tip tip action right there. All right,

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Speaker 1: that's good. That's really good to.

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Speaker 2: A drink minimum onset today, I heard, all right.

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Speaker 1: All right, so let's do this. I guess I'll go

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Speaker 1: to this camera over the weekend showtime, right here Showtime

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Speaker 1: Sports had a card down in Atlanta, Georgia. Your headlining

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Speaker 1: action jumping up a weight class to one thirty five,

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Speaker 1: Jervonte Davis taking on your Yorkist Gamboa. He wins via

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Speaker 1: twelfth round stoppage after not one, not two, but three knockdowns.

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Speaker 1: So in this voyage into one thirty five, I thought

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Speaker 1: there was some good. Brian thought there was some bad.

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Speaker 1: First of all, it's talk about the bad upfront, because

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Speaker 1: we have to the reason why is he nearly missed

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Speaker 1: weight going up a weight class Now he eventually made

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Speaker 1: it with a second attempt after two hours from the commission.

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Speaker 1: A little bit disconcerting that he did. Plus, I thought

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Speaker 1: Paul Malanaji, who was the commentator that night, was pretty

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Speaker 1: fair about it. In these bursts, I thought his power

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Speaker 1: did carry over into one thirty five. His speed was

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Speaker 1: still electrifying, his accuracy, his timing, he was really good

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Speaker 1: about splitting Gamba was timing. But then he would have

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Speaker 1: these moments where he would kind of take rounds off,

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Speaker 1: which he's been accused of doing. But you thought, up

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Speaker 1: aweight class, maybe this wouldn't be an issue. Now. On

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Speaker 1: the good side, as I mentioned, some of the things

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Speaker 1: that I just talked about with his boxing technique. Plus, dude,

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Speaker 1: that crowd was all about him, and I was telling

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Speaker 1: the producers here, I went bar hopping that night in

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Speaker 1: DC because that's some friendsm out of the country that

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Speaker 1: he just wanted to go around. We ended up in

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Speaker 1: a place that caters to like an African American establishment.

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Speaker 1: We walk upstairs and all the other bars in the

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Speaker 1: row were all showing Clemson and everything else. This particular club,

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Speaker 1: it was nothing but Jervonte Davis all the way around.

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Speaker 1: He really seems to be making inroads. They had celebrities there,

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Speaker 1: so to me, I thought there was some good. I

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Speaker 1: thought there was some bad. But there's some big questions

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Speaker 1: about whether or not he could be a star. But

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Speaker 1: are you gonna be the boxer that we think you

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Speaker 1: can be? The flashes are there. I don't know if

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Speaker 1: the rest of it is there yet. Yeah.

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Speaker 3: I called it a very uneven performance on my recap

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Speaker 3: on CBS Sports, and you nailed it. The big displays

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Speaker 3: of power were undoubtedly there. That's what you come to

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Speaker 3: see with Dravonte. Should he have allowed though a thirty

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Speaker 3: eight year old Uri Scamboa who by the way, beer

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Speaker 3: follower or not here came to win that fight, was

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Speaker 3: willing to put a shield on the line. A guy

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Speaker 3: who wasn't noted for having a great chin, even though

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Speaker 3: he's been an explosive fighter throughout his career. Let him

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Speaker 3: hang around, also with an injured right leg and almost

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Speaker 3: finished the fight.

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Speaker 1: There was a lot to like.

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Speaker 3: There's a commercial side of boxing, there's a critical side,

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Speaker 3: commercial side. You said it, He nailed it fifteen thousand.

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Speaker 3: People can't be wrong. He is a moving attraction, a

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Speaker 3: traveling show. People come to see him, but you have

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Speaker 3: to deliver up to the hype. It may be one

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Speaker 3: of those where you can look back on years and

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Speaker 3: go from now and go on his box trip page

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Speaker 3: and be like, oh, Ko twelve man Gamboa must have

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Speaker 3: really pushed him. That's a good win against a very

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Speaker 3: strong veteran opponent. True, But that's also when you can

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Speaker 3: pick a lot of holes in because at this point,

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Speaker 3: at twenty five, having already endured the sort of public shame,

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Speaker 3: if you will, when he was in that Comain event

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Speaker 3: bout on the Maymac card a couple of years back,

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Speaker 3: when he got that big platform and he misweight lost

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Speaker 3: his belt on the Scales really seemed to learn from that.

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Speaker 1: He's a new father.

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Speaker 3: Since then, he's turned a lot of things around, and

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Speaker 3: he's had a hell of a year with three knockouts.

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Speaker 3: But he didn't come in on wait the first time,

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Speaker 3: and that played out during the fight. I think if

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Speaker 3: you can connect the dots when he had those big

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Speaker 3: time stamina drops in there, you can't win against elite

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Speaker 3: fighters throwing fifteen punches around. He let amballa hang around,

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Speaker 3: and he didn't show the complete performance that by far

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Speaker 3: he's capable of. And that's why in twenty twenty, the

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Speaker 3: competition's going to have to raise up, because you can

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Speaker 3: only learn so much about yourself when you're blowing guys away.

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Speaker 3: Up to a certain level, this was certainly a learning

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Speaker 3: experience overall, but for him to be able to out

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Speaker 3: box an elite fighter for twelve rounds if he has to,

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Speaker 3: you have to go through these experiences and you have

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Speaker 3: to shine through them. Saved himself with the knockout, but

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Speaker 3: there's a lot of criticism to come if that didn't happen.

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Speaker 1: He was able to play with his food. The question

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Speaker 1: is what happens when he can't. That wasn't a question

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Speaker 1: for Saturday in Atlanta, but it's one going forward now.

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Speaker 1: In that co main event, Badu Jack taking on John Pascal.

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Speaker 1: I thought it was a no. I thought it was

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Speaker 1: a great fight. I did not think it was a

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Speaker 1: fight of the Year contender. You seem to think it was.

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Speaker 1: Don't understand me, Bryan. I enjoyed it, like the fourth

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Speaker 1: round knockdown, then the twelfth round knockdown, trading back and forth,

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Speaker 1: the clinical guy, Pascal being just your heavier, crazy fighting

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Speaker 1: spurts kind of guy. I enjoyed it, but that wasn't

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Speaker 1: anything compared to Spence Porter.

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Speaker 3: Well, you're hard to satisfy in general, that is true,

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Speaker 3: but look, this was damn right a fight of the

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Speaker 3: year contender.

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Speaker 2: I would have put it at the back end of

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Speaker 2: my top five.

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Speaker 3: And another reason why I hate when out Let's jump

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Speaker 3: the gun on December fifth and put out their awards

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Speaker 3: for the year. I hate that there's no rush, nothing

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Speaker 3: goes on in combat the first few weeks of January.

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Speaker 2: We all know that everybody wants to be first.

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Speaker 3: Though both guys put it on the line, these are

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Speaker 3: two guys that kind of fit into what I love

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Speaker 3: hashtag old guy fights still have something left in the tank,

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Speaker 3: but there's certainly past their prime. And what this produced

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Speaker 3: was a blood and guts, back and forth war that

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Speaker 3: you had to be entertained and want to turnaround for

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Speaker 3: Jean Pascal, who's got to kill a resume. He's fought everybody,

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Speaker 3: but we had left him for dead a couple of

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Speaker 3: times in recent years when he's lost to guys on

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Speaker 3: the web, and we said, okay, that's Iteddi's cheney, It's

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Speaker 3: the end of the line. He comes back this year,

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Speaker 3: knocks out Marcus Brown for a secondary title.

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Speaker 2: And then Spotty Jack.

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Speaker 1: Close fight could have gone either way.

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Speaker 3: I did want to circles back on Gervonte though, something

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Speaker 3: quick about the idea of what is next and how

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Speaker 3: big of a twenty twenty he needs to have.

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Speaker 1: Commercially.

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Speaker 3: He's there, He's where he needs to be to begin

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Speaker 3: to make that leap to the pay per view level.

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Speaker 3: You need the dance partners, you need to be willing,

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Speaker 3: and you need to chase them.

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Speaker 1: It's kind of not his fault.

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Speaker 3: His year was supposed to start in twenty nineteen with

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Speaker 3: that Abner marras Showtown in March on Showtime last minute,

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Speaker 3: Maraz pulled out all Dravante did in the meantime was

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Speaker 3: nock dudes out when they got in there against him,

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Speaker 3: until Saturday night, where it was a little bit more

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Speaker 3: of a test. It's time now whether you're welcoming in

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Speaker 3: Leo Santa Cruz, who is very hungry he wants to

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Speaker 3: be in there, or whether we can begin to bang

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Speaker 3: the drum for those.

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Speaker 1: Cross network, cross platform fights.

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Speaker 3: This division is loaded with young big names that have

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Speaker 3: Van Hanes of the World, Ryan Garcia, who's calling out Tank.

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Speaker 3: I saw Vasili Lomachenko. Tank just won the secondary version

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Speaker 3: of that WBA title, which Vasili Lomachenko is the WBA champion.

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Speaker 3: I want to start hearing about these fights being cooked up,

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Speaker 3: and I need Dravonte to step up and say I

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Speaker 3: want these fights as well.

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Speaker 1: Yeah, twenty five years old, if you're going to make

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Speaker 1: that next leap into pay per view, I want to

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Speaker 1: see some pay per view worthy of opponents. So he

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Speaker 1: looked good, but there were some questions that remained. The

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Speaker 1: one piece of MMA content that I want to get

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Speaker 1: to before we start our top five. God, this was bad.

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Speaker 1: This was bad. Dude, fad Or fought rampage in Japan.

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Speaker 1: I'll give fad Or that. Yeah, I'll give fad Or credit.

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Speaker 1: I thought he looked about as good as you could expect.

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Speaker 1: The crowd seemed to be well. The sidetime of Superno

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Speaker 1: was well attended. I thought rampages walk Out with the

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Speaker 1: Pride theme was great. Fad Or looked good in terms

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Speaker 1: of getting the crowd hived the the the ramp that

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Speaker 1: they were on, it had all the theatrics you could

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Speaker 1: really want. So on the one hand, I sort of

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Speaker 1: appreciate what Bilto was trying to do there. They loved

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Speaker 1: that nostalgia reminiscensm angle. This was this was terrible. Uh,

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Speaker 1: there's really no way to go about it. Again, I

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Speaker 1: don't blame fad Or for it. Rampage seemed utterly unprepared.

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Speaker 1: Now there's it's interesting. No one is more in the

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Speaker 1: old guy business. You were talking about Badou Jack and

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Speaker 1: and yes, well those guys are still top ten and

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Speaker 1: like heavyweight, we're not talking about that anymore. A heavyweight.

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Speaker 1: These are long past top ten rankings. I wrote an

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Speaker 1: article several years ago saying that people who thought, for example,

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Speaker 1: that Leader Jail through the fight against Tito or other ones,

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Speaker 1: you could have looked at that I understand why you

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Speaker 1: might look at it that way, but it's just not rational.

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Speaker 1: If we've certainly seen thrown fights. Taey hoom Bang and

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Speaker 1: Leo Koons got in trouble. Remember take Hombang went to

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Speaker 1: jail fort in Korea, South Korea. But the chances are

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Speaker 1: you have seen a throne fight. It's just that you

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Speaker 1: didn't know. They were very good about concealing it. I

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Speaker 1: do not think under any capacity that Rampage through a fight.

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Speaker 2: Here's not in the traditional sense, but this is.

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Speaker 1: But this is my point, right, you invite this kind

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Speaker 1: of skepticism, however irrational it might be, when you have

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Speaker 1: a guy that you trot out there as utterly unprepared

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Speaker 1: as at heavyweight as he was. This was a terrible showing.

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Speaker 1: You know, I don't know what Scott Coker is going

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Speaker 1: to do about it, because if you think about it,

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Speaker 1: remember Rampage had his little fiasco when he thought Fabio

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Speaker 1: Maldonado in the UFC. That was during Scott Coker's reign.

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Speaker 1: Then he comes back, well, dide STT.

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Speaker 2: Cooker's gonna do nothing. Let's look back to one don't

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Speaker 2: fail that drug.

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Speaker 3: And he was already setting up dates in Europe for

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Speaker 3: Kimbo Slave Styp Caroc's gonna do nothing.

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Speaker 1: Okay, But if you're a promotional partner who's working with

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Speaker 1: Rampage Jackson, you've done as much as you can for

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Speaker 1: the guy terms of giving him the fights on of

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Speaker 1: the places that he wants to fight, and he shows

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Speaker 1: up like that. It was disgraceful, man, it was absolutely disgraceful.

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Speaker 3: And look what Rampage did is he broke the code

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Speaker 3: of what we're doing here. This is the other end

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Speaker 3: of old guy fights. I love him, I slap him up,

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Speaker 3: I need him. It's gas station food. But Luke, it's

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Speaker 3: a carnival in a circus, one that belatour has really cornered.

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Speaker 1: The market on over the years.

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Speaker 3: But what we sort of sign up for is that

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Speaker 3: at least come in the best shape you can, at

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Speaker 3: least go after it. And usually if these things are

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Speaker 3: done right, they'll end quick enough. No one has to

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Speaker 3: take any extended damage. We get that nostalgic drug that

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Speaker 3: we're looking for, we'll typically get a sloppy little brawl,

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Speaker 3: because that's the whole thing about why old guy fights

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Speaker 3: work and why we love him.

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Speaker 1: You got a little bit of diminished skills between name guys.

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Speaker 3: It's fun. Rampage broke that code. He came in disturbingly

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Speaker 3: out of shape. He had been out of shape for

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Speaker 3: that recent run when he was up at heavyweight.

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Speaker 1: You know, a little pop belly there, But you know

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Speaker 1: it's fine.

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Speaker 3: He's still a tough guy. You're not gonna submit him,

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Speaker 3: You're not gonna knock him out. He's still one of

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Speaker 3: those guys. This was an absolute fu to the integrity

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Speaker 3: of not just the sport, but the idea of these

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Speaker 3: old guy fights.

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Speaker 1: You need to sort of stay in the old guy.

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Speaker 3: Code, and if you're gonna be in a circus fight,

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Speaker 3: you gotta at least take care of yourself coming in

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Speaker 3: and not have this type of ending, because we don't

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Speaker 3: want to feel bad about ourselves when we're watching this slot.

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Speaker 3: It's already bad enough, and when you come in there

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Speaker 3: at that level out of shape, it's just like this

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Speaker 3: is this is sad, this is disgusting. I want nothing

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Speaker 3: to do with this. Fade or gained nothing from this now.

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Speaker 3: Can you gauge Fador's expression? No, you once interviewed him

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Speaker 3: and ruined an interview I was supposed to have right

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Speaker 3: after you by the way by asking about his favorite

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Speaker 3: books hashtag never forget. But he's never gonna give you

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Speaker 3: an expression yet. He even looks sort of extra sad,

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Speaker 3: like come on, dude, get the hell up, let's do

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Speaker 3: this thing.

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Speaker 1: Yeah, I mean, and then taking a picture with fad

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Speaker 1: Or It's like, I don't mind sportsmanship and under performance

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Speaker 1: like that. It just looks exploiting on Instagram and sort

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Speaker 1: of you know, it was just it was. And here's

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Speaker 1: what I'm saying.

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Speaker 3: I'm still cashing checks that kind of stuff. I mean, like, right,

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Speaker 3: the hater's owner stand, I'm still cashing checks. It's like, dude,

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Speaker 3: but you shouldn't be for performances like that. And I'm

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Speaker 3: not asking him to finish the job and get knocked

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Speaker 3: out cold. I'm asking him to just try to compete.

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Speaker 3: So you get to a certain level where you can't

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Speaker 3: wear the sweatshirt to the way and we're gonna see

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Speaker 3: what's really going on.

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Speaker 1: I mean, you got to go in the pool with

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Speaker 1: your shirt off. That's the rules. He came in there

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Speaker 1: and it was really sad. Yeah, well we got to

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Speaker 1: move along. We don't have more time for it. But

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Speaker 1: the rising takes place. I think tonight heading into Tuesday.

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Speaker 3: So, I mean, you never know what's gonna happen in

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Speaker 3: the old guy fight he walked in. I thought we might

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Speaker 3: say pregnancy. I thought we might say birth. Someone gives birth.

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Speaker 3: I mean it was like it was like Arnold and Junior.

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Speaker 1: This is the thing. It's like we're blaming rampage. But

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Speaker 1: another part is like, dude, if you're a belt waring,

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Speaker 1: you're Scott Koker belt. He already did the whole thing

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Speaker 1: with Fibel Moldonado on twenty fifteen. And then on top

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Speaker 1: of that, it's like, dude, you know you book all

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Speaker 1: guy fights, they just end weird man, and they don't.

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Speaker 1: They don't, they don't go the way they're always supposed to.

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Speaker 1: You don't want scrutiny for people saying through a fight.

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Speaker 1: I get it. I don't think anyone did you keep

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Speaker 1: booking fights like this? You're gonna keep getting questions like this. Okay,

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Speaker 1: time for a transition, if we can. Brian, all right,

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Speaker 1: let's go through my top five. So you picked top

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Speaker 1: five best stories of twenty nineteen that inside and outside

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Speaker 1: of combat sports. We're gonna get to them in a minute.

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Speaker 1: Let's go through mine, and we don't have time for

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Speaker 1: all of these because I want to make sure we

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Speaker 1: get to the star that really matters the most. But

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Speaker 1: I do think, Brian, that this one does in fact matter.

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Speaker 1: My number five the welterweight division, and I wrote from

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Speaker 1: the you know, from Ben Askrins, he had a great run,

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Speaker 1: that there was a collapse, the return of Nate Diaz,

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Speaker 1: Anthony Pettis had a bit of a resurgence, although he

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Speaker 1: had you know, his own issues there, Jorge masvidoal To,

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Speaker 1: Colby Covington, and then Camarrow setting the world a blaze.

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Speaker 1: Even as we carry over into twenty twenty, Connor's gonna

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Speaker 1: fight Seroni up there. So I get it's partly like

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Speaker 1: a halfway step to one fifty five. So I'm kind

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Speaker 1: of cheating the margins here a little bit on this one,

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Speaker 1: which I recognize, but still, Brian, I don't. We'll talk

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Speaker 1: about some stuff that happened in other divisions with individual fighters,

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Speaker 1: but to me, no division was hotter. No division mattered

404
00:16:42,480 --> 00:16:45,400
Speaker 1: more across the sport for the things that we cared

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Speaker 1: about the most, from manufacturing a BMF title to everything

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Speaker 1: else than the welterweight division in twenty nineteen, what do

407
00:16:51,680 --> 00:16:53,240
Speaker 1: you think of when you think of the Wlsway division,

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Speaker 1: I think of Joge Mosmital.

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Speaker 2: He's the winner. I hate what people do who won

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Speaker 2: the year.

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Speaker 3: He's the winner of this damn year by far, whether

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Speaker 3: you wanted them as your fighter of the year or not.

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Speaker 3: But you make a great point. The welterweight division became

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Speaker 3: the sex division this year. Normally that's reserved for the

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Speaker 3: few times heavyweights hot or light heavyweight, or or light

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Speaker 3: or lightweight right now, which is the deepest and darkest

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Speaker 3: division in good ways. This they made marque moments happen.

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Speaker 3: This was a fun ast year largely because of that.

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Speaker 1: Yeah, So heading into the next year, as I mentioned,

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Speaker 1: Connor is going to go there. I'm kind of cheating

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Speaker 1: the sides here getting to it. But I always say this,

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Speaker 1: you look at the different organizations, like bigger ones globally,

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Speaker 1: they're two best divisions. They might have a star here

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Speaker 1: or a star there or whatever, but the two best

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Speaker 1: divisions are probably gonna be one fifty five and one seventy.

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Speaker 1: It's just the center of the tennis racket. Man, It's

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Speaker 1: where when you hit it you don't feel any vibrations

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Speaker 1: back in the wrist. And this is proof of that.

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Speaker 1: Oh yes, this is the marquis of all the marquees.

430
00:17:47,600 --> 00:17:50,199
Speaker 1: But you mentioned Jorge masdrol real quickly on him, he

431
00:17:50,400 --> 00:17:53,600
Speaker 1: and she him and Suhudo going back on fourth yesterday

432
00:17:53,640 --> 00:17:55,359
Speaker 1: on Twitter. I did not see that. Yeah, so Hudo

433
00:17:55,440 --> 00:17:57,000
Speaker 1: is trying to claim Fighter of the Year.

434
00:17:57,840 --> 00:17:59,080
Speaker 2: He's got to claim he's top three.

435
00:17:59,080 --> 00:18:00,879
Speaker 1: In my mind, he's he's got a claim to being

436
00:18:00,960 --> 00:18:03,240
Speaker 1: on the short list. I don't think he's. Well, Jesus,

437
00:18:03,240 --> 00:18:07,480
Speaker 1: that sounded mean, but he's got a claim. He doesn't

438
00:18:07,520 --> 00:18:10,560
Speaker 1: have the same, Like here's what Jorgeen maswud All did.

439
00:18:11,440 --> 00:18:13,560
Speaker 1: There are all these guys in these divisions at one

440
00:18:13,600 --> 00:18:15,440
Speaker 1: fifty five to one to seventy who are all really

441
00:18:15,480 --> 00:18:17,760
Speaker 1: good for a really long time, but they kind of

442
00:18:17,760 --> 00:18:20,439
Speaker 1: stay that way. And then there are the guys sometimes

443
00:18:20,520 --> 00:18:23,560
Speaker 1: through popularity, sometimes through popularity in a win, usually the

444
00:18:23,600 --> 00:18:27,360
Speaker 1: combination of the two that elevate themselves out of the trenches.

445
00:18:27,640 --> 00:18:30,000
Speaker 1: Mate Diez did it a few years ago with Connor McGregor.

446
00:18:30,400 --> 00:18:31,400
Speaker 1: Jorge did it this year.

447
00:18:31,480 --> 00:18:34,639
Speaker 3: He didn't just go from journeymen to super stardom pay

448
00:18:34,640 --> 00:18:37,080
Speaker 3: per view headliner level. In the process, he became a

449
00:18:37,160 --> 00:18:39,639
Speaker 3: legitimate title contender and is on the outskirts of the

450
00:18:39,680 --> 00:18:41,919
Speaker 3: pomp for pont top ten. Like, you couldn't script a

451
00:18:41,960 --> 00:18:43,800
Speaker 3: more impressive, insane.

452
00:18:43,400 --> 00:18:46,760
Speaker 1: Year, right, And I think doing that at welterweight is

453
00:18:46,840 --> 00:18:50,560
Speaker 1: harder than doing that in other divisions. Now, Henry's claim

454
00:18:50,600 --> 00:18:53,240
Speaker 1: is that he went up in weight class, which is tremendous. Okay, fine,

455
00:18:53,280 --> 00:18:55,520
Speaker 1: but remember Jorge Maswal used to be at one to

456
00:18:55,560 --> 00:18:57,359
Speaker 1: fifty five or has gone up to one seventy and

457
00:18:57,400 --> 00:18:59,280
Speaker 1: put a claim there and now don't really Well, that's

458
00:18:59,280 --> 00:19:01,000
Speaker 1: not the same thing is going being the champion? I

459
00:19:01,040 --> 00:19:03,359
Speaker 1: recognize still though, dude, Well, I.

460
00:19:03,320 --> 00:19:05,199
Speaker 3: Mean what Hendry could probably claim is he might have

461
00:19:05,200 --> 00:19:07,840
Speaker 3: the best two wins of the year combined together. I

462
00:19:07,840 --> 00:19:10,000
Speaker 3: thought the best win is still Shaw the I thought

463
00:19:10,000 --> 00:19:11,399
Speaker 3: the best win of the year was out of Sonya

464
00:19:11,400 --> 00:19:13,680
Speaker 3: over Whitaker. I thought that was the most valuable, most impressive.

465
00:19:14,119 --> 00:19:14,239
Speaker 1: Uh.

466
00:19:14,400 --> 00:19:16,399
Speaker 3: That's part of the currency why I'm arguing out of

467
00:19:16,400 --> 00:19:18,120
Speaker 3: Sonya as your fight of the year. Have no problem

468
00:19:18,119 --> 00:19:20,639
Speaker 3: with anybody picking Jorge so Hudo though for the two

469
00:19:20,680 --> 00:19:22,520
Speaker 3: fights he did fight in that six month stretch, it's

470
00:19:22,520 --> 00:19:23,400
Speaker 3: pretty damned are.

471
00:19:23,200 --> 00:19:25,040
Speaker 1: We going to move along here? But number four was

472
00:19:25,160 --> 00:19:27,159
Speaker 1: tech bros. Taken l did you follow the.

473
00:19:27,160 --> 00:19:29,879
Speaker 2: Story which you know, first of all, you put in

474
00:19:29,880 --> 00:19:30,560
Speaker 2: that beer through college.

475
00:19:30,560 --> 00:19:32,280
Speaker 1: What's going on? Yeah, I am, it's still it's cold,

476
00:19:32,640 --> 00:19:35,040
Speaker 1: It's still cold. Here. Here's why I want to Here's

477
00:19:35,040 --> 00:19:36,840
Speaker 1: why I want to think about it. You have the

478
00:19:36,840 --> 00:19:39,639
Speaker 1: whole h Q two thing happening with Amazon where they're like,

479
00:19:39,760 --> 00:19:42,320
Speaker 1: they had this whole bid to have cities give them

480
00:19:42,440 --> 00:19:46,119
Speaker 1: enormous to you know, utterly irresponsible tax breaks, including changing

481
00:19:46,119 --> 00:19:48,719
Speaker 1: the names of cities to bring Amazon there, and then

482
00:19:48,800 --> 00:19:50,639
Speaker 1: ultimately where do they just settle on? They settle on

483
00:19:50,680 --> 00:19:52,360
Speaker 1: the probably the places that were going to go anywhere

484
00:19:52,760 --> 00:19:55,119
Speaker 1: just outside of Washington, d C. New York decided to

485
00:19:55,160 --> 00:19:56,560
Speaker 1: bail on them. But they're going to bring some offices

486
00:19:56,600 --> 00:19:57,879
Speaker 1: to Manhattan just the same. So it was a bit

487
00:19:57,880 --> 00:19:59,919
Speaker 1: of a bad look for Amazon. Then on top of that,

488
00:20:00,000 --> 00:20:02,240
Speaker 1: I don't know, if you follow the story of We Work, Yes,

489
00:20:02,359 --> 00:20:04,200
Speaker 1: you see everyone looked at the rates for the we

490
00:20:04,359 --> 00:20:08,240
Speaker 1: Work offices and do they're out of control high? And

491
00:20:08,280 --> 00:20:12,440
Speaker 1: then it turns out you had this uh crazy as

492
00:20:12,480 --> 00:20:17,520
Speaker 1: a shithouse rat ceo who was out of his mind.

493
00:20:17,640 --> 00:20:19,840
Speaker 1: They try, they have these enormous losses, They try to

494
00:20:19,840 --> 00:20:21,960
Speaker 1: get an EPO or IPO. To excuse me, e p O,

495
00:20:22,119 --> 00:20:24,800
Speaker 1: you try to get an IPO and it was a

496
00:20:24,840 --> 00:20:27,920
Speaker 1: total disaster. Then on top of that you had Uber

497
00:20:28,080 --> 00:20:29,920
Speaker 1: coming back down to earth. This year. If there was

498
00:20:30,000 --> 00:20:33,120
Speaker 1: one lesson in the year in tech beyond the consumer

499
00:20:33,160 --> 00:20:34,920
Speaker 1: gadget side of things, it was this was the year

500
00:20:34,960 --> 00:20:37,560
Speaker 1: that the bros who believe in the solutionism of their

501
00:20:37,600 --> 00:20:39,480
Speaker 1: genius ideas took a big, fat out.

502
00:20:39,560 --> 00:20:41,560
Speaker 3: Oh way, this is your slaptck. You get on me

503
00:20:41,600 --> 00:20:43,320
Speaker 3: all the time. Everyone, somebody get hitting the dog. It's

504
00:20:43,320 --> 00:20:46,760
Speaker 3: a Cambell original. This is your version of slaptick. You

505
00:20:46,880 --> 00:20:48,800
Speaker 3: love clowning on nerdy white guys.

506
00:20:48,960 --> 00:20:52,880
Speaker 1: Yeah, I do. You're right, that's why you're here. Hey.

507
00:20:52,880 --> 00:20:55,080
Speaker 3: By the way, I don't normally get I don't normally

508
00:20:55,119 --> 00:20:57,520
Speaker 3: rock out with the ghosts, the super ghost fantastic.

509
00:20:57,760 --> 00:21:00,119
Speaker 1: Yeah, this is great, it looks cool. We'll skip that one.

510
00:21:00,200 --> 00:21:03,480
Speaker 1: Let's go to number three. The rise of Atasania. Two

511
00:21:03,560 --> 00:21:05,760
Speaker 1: things happened in twenty nineteen. We saw the end of

512
00:21:05,760 --> 00:21:09,560
Speaker 1: it with Volkanovski, obviously he's Australian. But more than that,

513
00:21:09,800 --> 00:21:12,399
Speaker 1: you had the rise of Oceania, the rise of New Zealand,

514
00:21:12,640 --> 00:21:16,360
Speaker 1: but no one was more important in that effort than

515
00:21:16,440 --> 00:21:19,560
Speaker 1: Israel Ata Sonya and doing what he did. Obviously, it

516
00:21:19,600 --> 00:21:21,960
Speaker 1: goes back to twenty eighteen to really capture the full

517
00:21:22,000 --> 00:21:25,199
Speaker 1: breadth of the experience, but the capstone to it with

518
00:21:25,520 --> 00:21:28,440
Speaker 1: the fights in Atlanta and then ultimately the ones in

519
00:21:28,600 --> 00:21:31,080
Speaker 1: back in Australia, the Rod Laver Arena where he beats

520
00:21:31,520 --> 00:21:34,119
Speaker 1: Robert Whitaker or it was a Marvel Stadium. Excuse me,

521
00:21:34,160 --> 00:21:35,879
Speaker 1: I think it was Marvel Stadium. Rod Laver was the

522
00:21:35,960 --> 00:21:39,240
Speaker 1: Silver fight. Yes, in any event, just an incredible run.

523
00:21:39,359 --> 00:21:40,800
Speaker 1: They called Rod Laver. By the way, most parts of

524
00:21:40,800 --> 00:21:42,000
Speaker 1: the arm just going to kick on. I like to

525
00:21:42,000 --> 00:21:45,040
Speaker 1: say Lavery like the Laver yourself. Up point being is

526
00:21:45,400 --> 00:21:47,560
Speaker 1: you just don't see rises like this very often. You

527
00:21:47,600 --> 00:21:50,320
Speaker 1: saw John Jones do something similar. Habib's wasn't quite as

528
00:21:50,400 --> 00:21:52,639
Speaker 1: quick because he had some injury in between, but you

529
00:21:52,840 --> 00:21:55,320
Speaker 1: just knew you were watching a rocket ship to the stars.

530
00:21:55,320 --> 00:21:57,880
Speaker 1: And I often said this, which was we always talk

531
00:21:57,880 --> 00:21:59,880
Speaker 1: about the rest of the world catching up to MM,

532
00:22:00,720 --> 00:22:02,280
Speaker 1: but if you look at what they're doing in that

533
00:22:02,359 --> 00:22:04,919
Speaker 1: part of the world, and particular a gym city kickboxing,

534
00:22:05,160 --> 00:22:07,399
Speaker 1: they didn't just catch up. They've lapped the world in

535
00:22:07,400 --> 00:22:10,000
Speaker 1: certain capacities, which was something I don't think the language

536
00:22:10,000 --> 00:22:13,880
Speaker 1: we use to describe globalization of MMA really ever fundamentally captured.

537
00:22:14,600 --> 00:22:16,560
Speaker 1: Go ahead, and god, look, this was a hell of

538
00:22:16,560 --> 00:22:16,840
Speaker 1: a year.

539
00:22:16,840 --> 00:22:18,680
Speaker 3: That's why I want to make that claim for Audisigania

540
00:22:18,720 --> 00:22:19,600
Speaker 3: as your Fighter of the Year.

541
00:22:20,000 --> 00:22:21,160
Speaker 1: It's very rare.

542
00:22:21,000 --> 00:22:25,200
Speaker 3: That you enter with so much hype, people critically doubting

543
00:22:25,240 --> 00:22:28,160
Speaker 3: you because you're so flashy, you can talk, and you're

544
00:22:28,160 --> 00:22:30,440
Speaker 3: trying to make that claim that I'm a generational talent

545
00:22:30,600 --> 00:22:32,040
Speaker 3: right now, and to back it.

546
00:22:32,040 --> 00:22:33,920
Speaker 1: Up at the level he did with three fights.

547
00:22:34,400 --> 00:22:36,240
Speaker 3: Good God, it's so weird when I'm going over my

548
00:22:36,520 --> 00:22:38,920
Speaker 3: boxer and MMA Fighters of the Year and you're doing

549
00:22:38,960 --> 00:22:42,119
Speaker 3: the debates and you're forming the year end stories. MMA

550
00:22:42,280 --> 00:22:46,520
Speaker 3: had three, four, five, six legitimate contenders for Fighter of

551
00:22:46,560 --> 00:22:48,760
Speaker 3: the Year. Three or four of those years are like

552
00:22:49,400 --> 00:22:51,280
Speaker 3: slam dunk years that would have won at any other

553
00:22:51,320 --> 00:22:53,800
Speaker 3: time where I feel like boxing, for whatever reason, had

554
00:22:53,800 --> 00:22:55,800
Speaker 3: some very good years. There's an argument at the top,

555
00:22:55,800 --> 00:22:58,240
Speaker 3: did you like Canello Moore? Did you like Spencer Pakia?

556
00:22:58,480 --> 00:23:00,879
Speaker 3: Some very good years I made this year, had some

557
00:23:01,160 --> 00:23:04,719
Speaker 3: breakout campaign, some monster years. Some of that is obviously

558
00:23:04,800 --> 00:23:07,600
Speaker 3: due to the more intense matchmaking that the UFC goes through.

559
00:23:07,720 --> 00:23:09,520
Speaker 1: You gotta fight all killer, no filler.

560
00:23:09,680 --> 00:23:12,520
Speaker 3: But even under that, guys, did anyone do anything more

561
00:23:13,080 --> 00:23:15,560
Speaker 3: successful at the highest level than aut of Sonya Avid?

562
00:23:15,600 --> 00:23:18,480
Speaker 3: I'll splash the pot, but Hona Sonya critically, man, that's

563
00:23:18,520 --> 00:23:20,640
Speaker 3: a year that'll go up there in history in terms.

564
00:23:20,480 --> 00:23:23,879
Speaker 1: Of raising his visibility. No one did what and he.

565
00:23:23,880 --> 00:23:25,280
Speaker 2: Authored the Fight of the Year on top of that

566
00:23:25,400 --> 00:23:26,280
Speaker 2: and survived it.

567
00:23:26,320 --> 00:23:29,000
Speaker 1: But my point being is for Atasania, for that run

568
00:23:29,080 --> 00:23:31,520
Speaker 1: he was on from was it February of twenty eighteen

569
00:23:31,960 --> 00:23:33,760
Speaker 1: all the way till the moment where he captured the title,

570
00:23:33,840 --> 00:23:35,520
Speaker 1: it's just the stuff of legend. And again to do

571
00:23:35,520 --> 00:23:37,280
Speaker 1: it from a part of the country where excuse be

572
00:23:37,320 --> 00:23:40,040
Speaker 1: part of the world rather that is not historically known

573
00:23:40,080 --> 00:23:41,920
Speaker 1: for that level of achievement, and then to just take

574
00:23:41,920 --> 00:23:46,000
Speaker 1: them and under intense and unrelenting skepticism about his upside

575
00:23:46,400 --> 00:23:48,440
Speaker 1: pretty important there as well. We moved to my number

576
00:23:48,440 --> 00:23:50,240
Speaker 1: two story. You have to go to the tight shot here.

577
00:23:50,280 --> 00:23:55,400
Speaker 1: Apparently Becky might go to prison. Oh boy, cut it out,

578
00:23:56,000 --> 00:24:00,640
Speaker 1: you look sweat. Just write a song about me. A yeah,

579
00:24:01,040 --> 00:24:02,520
Speaker 1: did she well, I want you to go that far?

580
00:24:02,840 --> 00:24:03,200
Speaker 1: She did?

581
00:24:03,240 --> 00:24:04,680
Speaker 2: You want to know the big hit?

582
00:24:04,720 --> 00:24:07,760
Speaker 1: All right? Any event, the on Becky character, there was

583
00:24:07,800 --> 00:24:10,360
Speaker 1: this whole college admission scan of the FBI uncovered all

584
00:24:10,400 --> 00:24:13,320
Speaker 1: of these rich people were either paying people to take

585
00:24:13,359 --> 00:24:17,159
Speaker 1: tests with their stupid kids, or creating false identities or

586
00:24:17,200 --> 00:24:22,160
Speaker 1: creating false resumes around the identities to get their kids

587
00:24:22,200 --> 00:24:25,879
Speaker 1: into the elite of society for colleges. Not because it

588
00:24:26,000 --> 00:24:29,760
Speaker 1: meant anything more than assuring their status for their progeny, yeah,

589
00:24:29,760 --> 00:24:32,360
Speaker 1: but just to do that, which lays bare all of

590
00:24:32,400 --> 00:24:35,560
Speaker 1: the claims of meritocracy in this country.

591
00:24:35,200 --> 00:24:37,879
Speaker 3: Social Robinhood, Luke Thomas, don't you find it out?

592
00:24:39,160 --> 00:24:41,399
Speaker 1: Don't you find it just so representative of the age

593
00:24:41,440 --> 00:24:43,840
Speaker 1: that we have this these contests of meritocracy, which really

594
00:24:44,119 --> 00:24:46,720
Speaker 1: the game is just rigged anyway, don't you feel that way?

595
00:24:47,320 --> 00:24:49,240
Speaker 3: Yeah, I'm gonna check my dictionary afterwards to fill up

596
00:24:49,359 --> 00:24:51,840
Speaker 3: most of that sentence. But hey, the mighty go down,

597
00:24:51,920 --> 00:24:53,840
Speaker 3: and Luke Thomas was there to celebrate their l's This

598
00:24:53,920 --> 00:24:54,480
Speaker 3: is great.

599
00:24:54,359 --> 00:24:56,880
Speaker 1: The mighty, yes, but not because they're mighty, because they're

600
00:24:56,960 --> 00:24:58,160
Speaker 1: mighty and their scoundrels.

601
00:24:58,240 --> 00:24:59,879
Speaker 3: Hey, I never saw that coming with Aunt Becky, but

602
00:25:00,040 --> 00:25:01,160
Speaker 3: at like what fifty five?

603
00:25:01,359 --> 00:25:03,800
Speaker 1: Still got it? Yeah, with Felicity Huffman, I got it.

604
00:25:04,119 --> 00:25:06,040
Speaker 2: I know you're trying to move past the conversation she had.

605
00:25:06,359 --> 00:25:08,720
Speaker 1: She had to go. I think to like to do

606
00:25:08,920 --> 00:25:11,080
Speaker 1: modest time, like weekend time. You ever have a friend

607
00:25:11,160 --> 00:25:13,720
Speaker 1: get du I'd have to do weekend jail. Uh No,

608
00:25:13,760 --> 00:25:15,520
Speaker 1: I hang around with a higher Oh do you? Is

609
00:25:15,520 --> 00:25:16,920
Speaker 1: that how you hang around with at the gas station?

610
00:25:16,960 --> 00:25:19,720
Speaker 1: A buddy of mine got a dui managed to figure

611
00:25:19,720 --> 00:25:21,760
Speaker 1: out a way to go to jail on the weekends,

612
00:25:22,000 --> 00:25:24,239
Speaker 1: so we'd always pick him up on Sunday and ask

613
00:25:24,320 --> 00:25:25,399
Speaker 1: him if he could give us a ride to the

614
00:25:25,440 --> 00:25:27,840
Speaker 1: liquor store, which he never really found very funny.

615
00:25:27,840 --> 00:25:29,280
Speaker 3: We gotta take a break, so we get a taste

616
00:25:29,280 --> 00:25:30,600
Speaker 3: test going here, Luke, all right, what do you know?

617
00:25:30,600 --> 00:25:32,080
Speaker 3: You gotta jump in with something else here?

618
00:25:32,280 --> 00:25:34,200
Speaker 1: What do you got? All right, I'm gonna I'm gonna

619
00:25:34,200 --> 00:25:36,840
Speaker 1: break in on that. Oh, here we go take one

620
00:25:36,920 --> 00:25:42,320
Speaker 1: of those. I like how you're breezing past any of

621
00:25:42,359 --> 00:25:45,160
Speaker 1: my stories of significance. Oh well, you know you get

622
00:25:45,200 --> 00:25:47,000
Speaker 1: so anal. I gotta get to my other job. I

623
00:25:47,040 --> 00:25:49,080
Speaker 1: gotta get it. Look, someone have bills to pay.

624
00:25:49,160 --> 00:25:51,080
Speaker 2: Some of us take days off from their other job

625
00:25:51,160 --> 00:25:52,040
Speaker 2: to be in order to do this show.

626
00:25:52,200 --> 00:25:53,280
Speaker 1: Take the days off that I have.

627
00:25:53,720 --> 00:25:55,399
Speaker 3: All right, all right, this is Look, I'm not a

628
00:25:55,400 --> 00:25:57,080
Speaker 3: Belgian guy. We've been down this road before.

629
00:25:57,560 --> 00:25:58,760
Speaker 1: You'll like this one.

630
00:25:58,800 --> 00:26:01,280
Speaker 3: I've I've had this many times. It's freaking fantastic.

631
00:26:01,320 --> 00:26:03,800
Speaker 1: Yeah, it's good. All right. What do you think? Give

632
00:26:03,880 --> 00:26:05,280
Speaker 1: us the review, give us the old.

633
00:26:05,960 --> 00:26:07,600
Speaker 3: And I know that you know, five years ago this

634
00:26:07,680 --> 00:26:09,320
Speaker 3: was the top of the line for that category. Since

635
00:26:09,320 --> 00:26:12,479
Speaker 3: then it's past. But it gives me the fields, all right.

636
00:26:12,520 --> 00:26:14,520
Speaker 1: On the inside, you have a little straw color that

637
00:26:14,560 --> 00:26:17,560
Speaker 1: it comes in. Looks like piss, but that's fine. What

638
00:26:17,600 --> 00:26:21,520
Speaker 1: does your piss look like? You want to know? All right?

639
00:26:21,720 --> 00:26:22,480
Speaker 2: Where are we on with you?

640
00:26:22,520 --> 00:26:23,720
Speaker 1: What's your number one?

641
00:26:23,880 --> 00:26:26,040
Speaker 2: What's your moment of the year in twenty nineteen?

642
00:26:26,080 --> 00:26:28,400
Speaker 1: I think I think my number one? And I think

643
00:26:28,400 --> 00:26:31,000
Speaker 1: you might agree with this because it's true in sports,

644
00:26:31,400 --> 00:26:35,159
Speaker 1: but it's also true out of sports. Twenty nineteen was

645
00:26:35,200 --> 00:26:39,119
Speaker 1: the year that the streaming wars became official. You have Netflix,

646
00:26:39,320 --> 00:26:43,040
Speaker 1: HBO now, Slash HBO Go. You have what's coming Peacock,

647
00:26:43,080 --> 00:26:45,560
Speaker 1: that's a real streaming service that's coming. But you already

648
00:26:45,600 --> 00:26:48,919
Speaker 1: had Netflix, Apple Plus came on board. Plus we know

649
00:26:49,080 --> 00:26:51,560
Speaker 1: on the sports side of things, the two big competitors.

650
00:26:51,600 --> 00:26:53,720
Speaker 1: Of course, by the way, Flow Sports is kind of

651
00:26:53,720 --> 00:26:56,159
Speaker 1: hanging out there. But the real two big dogs, they

652
00:26:56,160 --> 00:26:58,919
Speaker 1: are kind of hanging out there. They wrestling. They're kind

653
00:26:58,920 --> 00:27:01,400
Speaker 1: of dead right. They had DCU United rights and any

654
00:27:01,480 --> 00:27:03,640
Speaker 1: what says them about dc United. But the two big

655
00:27:03,640 --> 00:27:06,600
Speaker 1: ones are to Zone and ESPN Plus. Let me say

656
00:27:06,640 --> 00:27:08,840
Speaker 1: two things I think most folks get wrong about this debate.

657
00:27:09,400 --> 00:27:12,840
Speaker 1: One about Dezone. Ninety percent of de Zone's business is

658
00:27:12,880 --> 00:27:15,600
Speaker 1: outside of the United States, and they've even said they've

659
00:27:15,640 --> 00:27:18,600
Speaker 1: even said, you cannot compete in any market, whether it's

660
00:27:18,600 --> 00:27:21,520
Speaker 1: the United States or any other one, unless you've got

661
00:27:21,640 --> 00:27:24,440
Speaker 1: top tier rights. There's a lot of money that they

662
00:27:24,480 --> 00:27:27,720
Speaker 1: have put into boxing. But eventually, here's my belief, that

663
00:27:27,800 --> 00:27:30,560
Speaker 1: money is going to get spent on Premiere one hundred

664
00:27:30,880 --> 00:27:32,359
Speaker 1: rights fees, and a lot of the mine they've been

665
00:27:32,359 --> 00:27:34,400
Speaker 1: putting into boxing is going to con.

666
00:27:34,280 --> 00:27:36,240
Speaker 3: Boxing is their gateway drug to be able to get

667
00:27:36,240 --> 00:27:38,840
Speaker 3: into the US sports market because there's no leagues. Really,

668
00:27:38,840 --> 00:27:41,639
Speaker 3: there's no organization you can pick and choose, grab a promoter.

669
00:27:42,080 --> 00:27:43,680
Speaker 3: So I'll give his own credit, they had a grade

670
00:27:43,680 --> 00:27:45,560
Speaker 3: twenty nineteen. I didn't think they were the network of

671
00:27:45,560 --> 00:27:48,360
Speaker 3: the year necessarily in boxing, but they were close. They

672
00:27:48,359 --> 00:27:50,840
Speaker 3: put on big fights that matter, They put on creative fights,

673
00:27:50,880 --> 00:27:52,800
Speaker 3: you sort of if you're a fan of boxing, like well,

674
00:27:52,920 --> 00:27:55,399
Speaker 3: I know Canelo, I know Triple G, I know Anthony Joshua. Well,

675
00:27:55,400 --> 00:27:56,879
Speaker 3: all three of those are on the same network, So

676
00:27:56,920 --> 00:27:59,600
Speaker 3: I give them the credit. It hasn't been a perfect

677
00:27:59,640 --> 00:28:01,760
Speaker 3: year for them. I mean, are you a big YouTube

678
00:28:01,760 --> 00:28:04,400
Speaker 3: guy against YouTube that.

679
00:28:04,359 --> 00:28:06,400
Speaker 1: Tells me that what they're doing is they're biding time

680
00:28:06,440 --> 00:28:07,280
Speaker 1: for the big dogs.

681
00:28:07,280 --> 00:28:12,320
Speaker 3: But overall theory that this is just them making a splash.

682
00:28:12,600 --> 00:28:15,720
Speaker 3: They're throwing money away in boxing to try to create

683
00:28:15,760 --> 00:28:17,600
Speaker 3: a foothold while they're cashing in and around the world,

684
00:28:17,800 --> 00:28:19,919
Speaker 3: and then eventually when they get those NFL rights or

685
00:28:19,920 --> 00:28:20,439
Speaker 3: that whatever.

686
00:28:20,640 --> 00:28:23,639
Speaker 1: Yeah, this is this is just them putting money in

687
00:28:23,680 --> 00:28:28,640
Speaker 1: boxing as a showcase to the to the various leagues

688
00:28:28,840 --> 00:28:31,720
Speaker 1: that when their rights, fees or rights opportunies become available,

689
00:28:31,720 --> 00:28:33,439
Speaker 1: they can say, see how well we did with this.

690
00:28:33,480 --> 00:28:35,400
Speaker 1: We had the number one boxer bah blah blah, blah blah,

691
00:28:35,440 --> 00:28:36,840
Speaker 1: and then half that shit's going So.

692
00:28:36,840 --> 00:28:39,000
Speaker 3: Fans can enjoy it in the meantime because you're paying

693
00:28:39,120 --> 00:28:41,640
Speaker 3: less for pay per view quality fights, But that bubble's

694
00:28:41,640 --> 00:28:42,160
Speaker 3: gonna burst.

695
00:28:42,200 --> 00:28:45,200
Speaker 1: Also, I don't ever hear John Skipper talking about like

696
00:28:45,240 --> 00:28:46,840
Speaker 1: I hear him talking about with Kenelo does with their

697
00:28:46,840 --> 00:28:49,640
Speaker 1: subscription fees and how he helped actually change their modeling

698
00:28:49,680 --> 00:28:51,720
Speaker 1: because remember they gave the first fight away for free.

699
00:28:51,800 --> 00:28:53,360
Speaker 1: They stopped doing that ship for the second and third

700
00:28:53,360 --> 00:28:56,640
Speaker 1: fight completely. I never hear him anything about Bellatur ever.

701
00:28:57,200 --> 00:28:59,760
Speaker 1: I wonder what happens with the money that they've given them.

702
00:29:00,040 --> 00:29:01,680
Speaker 1: It'll be curious. If you party with them, you can

703
00:29:01,680 --> 00:29:04,080
Speaker 1: get some answers. And then of course you had ESPN Plus.

704
00:29:04,160 --> 00:29:06,480
Speaker 1: I don't part Oh yeah, it's funny, hardy har hard

705
00:29:06,520 --> 00:29:07,120
Speaker 1: drug addiction.

706
00:29:08,160 --> 00:29:11,080
Speaker 3: And then of course either word you just stunt the

707
00:29:11,080 --> 00:29:13,000
Speaker 3: growth of any any possible joke erection.

708
00:29:13,040 --> 00:29:15,240
Speaker 1: You're just no. I just I don't. I'm not like

709
00:29:15,280 --> 00:29:17,880
Speaker 1: the donks who hysterically laugh like hyenas at everything you say.

710
00:29:17,920 --> 00:29:19,240
Speaker 1: You got to have a rule zinger for me to

711
00:29:19,240 --> 00:29:21,560
Speaker 1: get a link lab. But it also brings us to

712
00:29:21,680 --> 00:29:23,920
Speaker 1: ESPN Plus, which is very different because it's part of

713
00:29:23,960 --> 00:29:26,920
Speaker 1: a larger sporting ecosystem. What are your impressions about what

714
00:29:26,960 --> 00:29:29,480
Speaker 1: happens for ESPN Plus in twenty twenty.

715
00:29:29,560 --> 00:29:31,840
Speaker 3: From a combat sensor from a larger sense, larger sense,

716
00:29:33,720 --> 00:29:35,640
Speaker 3: I don't know, Luke. I mean, look, they're not going

717
00:29:35,720 --> 00:29:37,760
Speaker 3: to fail when you have that brand behind it. It's

718
00:29:37,800 --> 00:29:41,120
Speaker 3: priced correctly well and they're really spread out across the

719
00:29:41,120 --> 00:29:43,080
Speaker 3: board that there's a there's a look right now when

720
00:29:43,120 --> 00:29:45,200
Speaker 3: youre looking at the zone, it's really combat or nothing.

721
00:29:45,240 --> 00:29:47,000
Speaker 3: I know they've got some fringe things on the side,

722
00:29:47,000 --> 00:29:49,000
Speaker 3: but ESPN has done a good job. It's sort of

723
00:29:49,000 --> 00:29:50,920
Speaker 3: well rounding it and giving a lot of people a

724
00:29:50,920 --> 00:29:51,920
Speaker 3: reason to get in on that.

725
00:29:52,160 --> 00:29:55,720
Speaker 2: And with that ESPN Disney engine behind it, you're not gonna.

726
00:29:55,480 --> 00:29:57,320
Speaker 1: Say that bodeling is the best because you have Hulu

727
00:29:57,320 --> 00:29:59,000
Speaker 1: which is for adults, You've got Disney Plus which is

728
00:29:59,080 --> 00:30:01,560
Speaker 1: ostensibly for children, everyone in between, and then you get

729
00:30:01,560 --> 00:30:03,959
Speaker 1: the sports component as a bundle. Last thing I say

730
00:30:04,000 --> 00:30:05,800
Speaker 1: about this, I said, people get two things wrong. One,

731
00:30:05,840 --> 00:30:10,080
Speaker 1: dezones businesses largely outside the country. Second second is uh,

732
00:30:10,120 --> 00:30:13,160
Speaker 1: there is It's not a zero some game, right There

733
00:30:13,200 --> 00:30:15,160
Speaker 1: are gonna be some winners, there's gonna be some losers.

734
00:30:15,480 --> 00:30:17,120
Speaker 1: But to me, it's like you ever seeing people like, oh,

735
00:30:17,120 --> 00:30:19,240
Speaker 1: I subscribe to a bunch of magazines and then you

736
00:30:19,280 --> 00:30:21,040
Speaker 1: check and they only subscribe to like three or four

737
00:30:21,120 --> 00:30:23,160
Speaker 1: the ones who really say they subscribe. It's gonna be

738
00:30:23,200 --> 00:30:23,640
Speaker 1: like that in.

739
00:30:23,600 --> 00:30:26,280
Speaker 2: The barber shops and doctors offices where people left right.

740
00:30:26,320 --> 00:30:28,440
Speaker 1: So exactly who who wins and who loses I don't know,

741
00:30:28,640 --> 00:30:30,600
Speaker 1: but the idea there'll be one or two I don't.

742
00:30:30,600 --> 00:30:33,600
Speaker 3: Actually, Hey, I've got the American beauty hazy ripple ipa

743
00:30:33,640 --> 00:30:35,640
Speaker 3: here from doctorsh I'm very grateful dead inspired.

744
00:30:35,640 --> 00:30:37,160
Speaker 1: Look do you ever get into the dead? Hard Courdon?

745
00:30:37,240 --> 00:30:41,080
Speaker 1: I'd rather die than listen to Scarlet Bogonia. Fuck the

746
00:30:41,080 --> 00:30:41,680
Speaker 1: grateful dead.

747
00:30:41,760 --> 00:30:42,120
Speaker 2: Wow.

748
00:30:42,320 --> 00:30:47,040
Speaker 1: Worst only fans worse are fish fans because they think

749
00:30:47,040 --> 00:30:48,880
Speaker 1: their music is actually better when it's the same. Wow.

750
00:30:48,960 --> 00:30:52,080
Speaker 2: Christ Oblagio knocking on your door. Wow, I would call

751
00:30:52,080 --> 00:30:52,600
Speaker 2: you a boomer.

752
00:30:52,640 --> 00:30:55,720
Speaker 3: Yet it's the boomers that are the dead fans, really, Luke,

753
00:30:55,800 --> 00:30:56,960
Speaker 3: I don't like that. I mean I was on the

754
00:30:56,960 --> 00:30:59,320
Speaker 3: outside looking in for many years, and certainly if you

755
00:30:59,480 --> 00:31:00,680
Speaker 3: needed a gain weight drug.

756
00:31:00,560 --> 00:31:02,200
Speaker 1: To get into the dead, there's way which you do.

757
00:31:02,320 --> 00:31:03,719
Speaker 2: There's a lot of gate weight drugs that will get

758
00:31:03,720 --> 00:31:05,440
Speaker 2: you into the dead, but Wow.

759
00:31:05,480 --> 00:31:07,520
Speaker 3: I had a I had a three year window of

760
00:31:07,560 --> 00:31:09,920
Speaker 3: my life where I was so I mean, I had,

761
00:31:10,000 --> 00:31:13,400
Speaker 3: you know, four hundred live discs. I had was to

762
00:31:13,440 --> 00:31:15,440
Speaker 3: the point where I could hear five seconds of the

763
00:31:15,480 --> 00:31:17,400
Speaker 3: song and tell you the year live that it was.

764
00:31:17,480 --> 00:31:20,640
Speaker 1: Yeah, but you have terrible taste in things. This is

765
00:31:20,720 --> 00:31:23,320
Speaker 1: very on brand for you. Wow wow.

766
00:31:25,120 --> 00:31:28,120
Speaker 3: So you you don't respect the the jam band art

767
00:31:28,160 --> 00:31:31,160
Speaker 3: in any on any line, I will say that you

768
00:31:31,200 --> 00:31:35,600
Speaker 3: don't respect the idea of catching feels off the rhythm the.

769
00:31:34,960 --> 00:31:38,400
Speaker 1: The year high on kludes maybe, oh even so even sober, Luke,

770
00:31:38,880 --> 00:31:40,760
Speaker 1: I'm trying to if no one listens to The Grateful

771
00:31:40,800 --> 00:31:43,160
Speaker 1: Dead sober and claims to like it, well, that's not

772
00:31:43,200 --> 00:31:43,720
Speaker 1: what you do.

773
00:31:43,800 --> 00:31:45,680
Speaker 3: I think people who used to get high still listen

774
00:31:45,720 --> 00:31:47,280
Speaker 3: to The Grateful Dead and try to remember what I

775
00:31:47,360 --> 00:31:48,000
Speaker 3: used to feel like.

776
00:31:48,040 --> 00:31:49,880
Speaker 1: Right, Which is fine, dude, if you want to get

777
00:31:49,960 --> 00:31:51,480
Speaker 1: high and listen to The Grateful Dead and just kind

778
00:31:51,480 --> 00:31:53,520
Speaker 1: of zone out whatever, I don't really have an issue.

779
00:31:53,560 --> 00:31:55,600
Speaker 1: But you can't be like playing the music sober and

780
00:31:55,600 --> 00:31:56,600
Speaker 1: be like, wow, isn't this great?

781
00:31:56,720 --> 00:31:58,560
Speaker 3: No, Okay, you want to talk about Pink Floyd, I

782
00:31:58,600 --> 00:32:00,400
Speaker 3: can give you that argument that it's more of a

783
00:32:00,480 --> 00:32:05,040
Speaker 3: drug band. Grateful that sort of passes past that, do they?

784
00:32:05,240 --> 00:32:06,680
Speaker 3: You don't You don't see the art in that?

785
00:32:06,920 --> 00:32:10,520
Speaker 1: Who Grateful Dead? The songwriting, the the country rock influence,

786
00:32:10,600 --> 00:32:13,160
Speaker 1: any of that? Oh you mean? Are they derivative of

787
00:32:13,200 --> 00:32:15,640
Speaker 1: the various musical influences of their time and then combined

788
00:32:15,640 --> 00:32:18,520
Speaker 1: it in a relatively unique way along with a traveling

789
00:32:18,560 --> 00:32:22,000
Speaker 1: circus slash drug medicine show kind of vibe? Yeah, sure

790
00:32:22,040 --> 00:32:23,960
Speaker 1: they did all of that. Do I like that? Ship? No?

791
00:32:24,040 --> 00:32:24,640
Speaker 1: I have ears?

792
00:32:26,640 --> 00:32:30,120
Speaker 2: Well you pop J in the back. That's that's fantastic. Wow,

793
00:32:30,120 --> 00:32:31,720
Speaker 2: all right, hey you want to get into my top five?

794
00:32:32,040 --> 00:32:34,440
Speaker 1: We have your top five like any of my top five,

795
00:32:34,480 --> 00:32:35,040
Speaker 1: which is fine.

796
00:32:35,080 --> 00:32:37,400
Speaker 3: You're don't have to try this. This is absolutely fantastic.

797
00:32:37,560 --> 00:32:40,040
Speaker 3: Never been a giant dogfish poet.

798
00:32:40,200 --> 00:32:43,160
Speaker 2: This is the kind of fruity, hoppy I p a

799
00:32:43,240 --> 00:32:43,960
Speaker 2: that I get down with.

800
00:32:44,080 --> 00:32:46,080
Speaker 1: This looks nice, a little got a little what would

801
00:32:46,120 --> 00:32:48,640
Speaker 1: you call that little pair almost to it looks like

802
00:32:48,640 --> 00:32:50,880
Speaker 1: TJ Dilli shows year And it's great because got a

803
00:32:50,880 --> 00:32:56,760
Speaker 1: po and numberady to have some. It's pretty good, come

804
00:32:56,800 --> 00:32:58,560
Speaker 1: to my side of the trend. Pretty good. I'll give

805
00:32:58,560 --> 00:33:00,720
Speaker 1: that two thumbs up. It's good, all right, you know,

806
00:33:00,760 --> 00:33:03,280
Speaker 1: I see, I'm amenable. You just have to produce quality.

807
00:33:03,400 --> 00:33:05,840
Speaker 3: There's got to be somewhere in the middle. We come

808
00:33:05,840 --> 00:33:07,560
Speaker 3: from such opposite side in the tracks.

809
00:33:07,640 --> 00:33:08,080
Speaker 1: This is good.

810
00:33:08,160 --> 00:33:09,640
Speaker 3: You know, Like people say, when are you guys gonna

811
00:33:09,680 --> 00:33:11,600
Speaker 3: go to a concert together and do a concert show?

812
00:33:11,800 --> 00:33:14,120
Speaker 1: I don't know what band would be the perfect intersection

813
00:33:14,160 --> 00:33:15,720
Speaker 1: of What about a hip hop act? We could go

814
00:33:15,720 --> 00:33:18,680
Speaker 1: to hip hop show together? Right? Possible? R I mean,

815
00:33:18,680 --> 00:33:20,280
Speaker 1: I'm a little more of a nineties throwback guy. I

816
00:33:20,280 --> 00:33:20,760
Speaker 1: don't know if you.

817
00:33:20,760 --> 00:33:24,840
Speaker 3: Know, but what you call the Wu Tang like essential,

818
00:33:24,840 --> 00:33:26,400
Speaker 3: you know, if we went to like a rage Wu

819
00:33:26,480 --> 00:33:27,280
Speaker 3: Tang concert.

820
00:33:27,040 --> 00:33:29,240
Speaker 1: Which I went to in Atlanta last ninety six.

821
00:33:29,400 --> 00:33:31,480
Speaker 2: Yeah, that was those were some uh there were some riots.

822
00:33:31,480 --> 00:33:32,760
Speaker 1: It was the worst I've ever been to.

823
00:33:32,960 --> 00:33:35,160
Speaker 3: Yeah, the one in Harford at the Meadows. People burned

824
00:33:35,160 --> 00:33:36,200
Speaker 3: the fence down, pissed all.

825
00:33:36,120 --> 00:33:37,920
Speaker 1: Over the seats. It was great. Yeah, yeah, that's great.

826
00:33:37,920 --> 00:33:39,760
Speaker 2: All right, Hey, why don't we get back into the show.

827
00:33:39,840 --> 00:33:44,680
Speaker 3: My top five months of twenty nineteen of the of

828
00:33:44,760 --> 00:33:47,600
Speaker 3: the year. Okay, let's bang. Let's start at number five.

829
00:33:48,040 --> 00:33:50,000
Speaker 3: I call it ten rounds of hell. It was UFC

830
00:33:50,040 --> 00:33:53,320
Speaker 3: two thirty six in Atlanta. I was Luke hashtag blessed

831
00:33:53,520 --> 00:33:55,720
Speaker 3: to get to cover it that night. And in the

832
00:33:55,840 --> 00:33:59,000
Speaker 3: end you had the two fights of the year, number

833
00:33:59,000 --> 00:34:01,160
Speaker 3: one and two in my opinion, back to back in

834
00:34:01,200 --> 00:34:04,080
Speaker 3: the comin event and the main event, interim title fights

835
00:34:04,080 --> 00:34:09,399
Speaker 3: in both Adasanya Gastolum and the Comaine Pourier outlasting Max

836
00:34:09,440 --> 00:34:12,840
Speaker 3: Holloway in the main event. And Luke, there's been what

837
00:34:12,920 --> 00:34:14,880
Speaker 3: I like to call magic in the air at a

838
00:34:14,880 --> 00:34:17,000
Speaker 3: couple at some fights memorably. Do you remember UFC two

839
00:34:17,080 --> 00:34:20,960
Speaker 3: seventeen at the Garden, It was bang, bang bang, Three

840
00:34:20,960 --> 00:34:23,840
Speaker 3: title fights in a row, insane endings. There's a high

841
00:34:23,880 --> 00:34:26,480
Speaker 3: in the air that is just palpable. There was something

842
00:34:26,600 --> 00:34:29,640
Speaker 3: special this night in Atlanta. In these ten rounds, there

843
00:34:29,640 --> 00:34:31,879
Speaker 3: were two fights that really matter, and we can argue

844
00:34:31,880 --> 00:34:34,959
Speaker 3: all day whether Dana putting an unnecessary interim title about

845
00:34:34,960 --> 00:34:36,759
Speaker 3: and each one sort of raised the stakes, which was

846
00:34:36,800 --> 00:34:39,400
Speaker 3: his goal. When we sort of rightfully all week we're like,

847
00:34:39,440 --> 00:34:41,640
Speaker 3: this is ridiculous, you don't need these. In the end,

848
00:34:41,680 --> 00:34:45,719
Speaker 3: it all worked out. I saw the reason why we

849
00:34:45,760 --> 00:34:48,480
Speaker 3: watched this sport. I saw two fights that could be

850
00:34:48,600 --> 00:34:50,960
Speaker 3: those fights when people say, hey, man, you're boxing fan.

851
00:34:50,960 --> 00:34:51,960
Speaker 3: You're like, yeah, man, I used to love it in

852
00:34:51,960 --> 00:34:53,680
Speaker 3: the nineties. What's the fight that got you in too.

853
00:34:53,680 --> 00:34:55,640
Speaker 3: Everybody's got that story, everybody's got that Gotti ward where

854
00:34:55,640 --> 00:34:57,200
Speaker 3: you're like, you know, I wasn't a big fan, but

855
00:34:57,280 --> 00:34:59,920
Speaker 3: that one fight just pulled me in. There was something

856
00:35:00,040 --> 00:35:03,920
Speaker 3: special in the air, and especially in Adasanya Gasolam where

857
00:35:03,960 --> 00:35:05,520
Speaker 3: it was not only the fight of the year, I thought,

858
00:35:05,560 --> 00:35:07,719
Speaker 3: hands down, I think it's on the shortlist of the

859
00:35:07,719 --> 00:35:09,040
Speaker 3: greatest fights in UFC history.

860
00:35:09,080 --> 00:35:12,080
Speaker 2: From the standpoint of two elite guys in their.

861
00:35:11,920 --> 00:35:15,120
Speaker 3: Absolute primes, Kelvin Gasoloma on one night put together the

862
00:35:15,120 --> 00:35:17,680
Speaker 3: performance we had wanted him to put together for years,

863
00:35:17,760 --> 00:35:19,600
Speaker 3: thought that that was possible. And then you had a

864
00:35:19,600 --> 00:35:22,160
Speaker 3: guy in Adsania, like I mentioned earlier, who really had

865
00:35:22,160 --> 00:35:24,399
Speaker 3: to critically prove that he had the backbone to stand

866
00:35:24,480 --> 00:35:26,359
Speaker 3: up with his flashy style and his mouth and all

867
00:35:26,400 --> 00:35:30,080
Speaker 3: that stuff. And it was a humbling three rounds of

868
00:35:30,160 --> 00:35:34,080
Speaker 3: tactical war back and forth, and then two absolutely batchit

869
00:35:34,080 --> 00:35:37,160
Speaker 3: crazy rounds of near submissions, near finishes, and then you

870
00:35:37,239 --> 00:35:39,239
Speaker 3: just sprinkle on Holloway Poier on the top of that.

871
00:35:39,680 --> 00:35:40,120
Speaker 1: It was one.

872
00:35:40,920 --> 00:35:42,920
Speaker 3: It was one of those nights where you're there as

873
00:35:42,920 --> 00:35:45,600
Speaker 3: a journalist, but you walk out of that arena at

874
00:35:45,680 --> 00:35:47,640
Speaker 3: two am or three am or whatever and go like,

875
00:35:48,000 --> 00:35:49,120
Speaker 3: I'm the luckiest man in the world.

876
00:35:49,200 --> 00:35:50,799
Speaker 1: I just got to experience. You don't get an at

877
00:35:50,840 --> 00:35:53,680
Speaker 1: a Signia versus Gasolum every year Brian Campbell. But I

878
00:35:53,719 --> 00:35:56,080
Speaker 1: always try to tell people my first go to like

879
00:35:56,440 --> 00:35:58,040
Speaker 1: all the cret in the world, to Brian Stand, all

880
00:35:58,080 --> 00:35:59,879
Speaker 1: the Cretin in the world, to Vanderlei Silva A lot.

881
00:36:00,280 --> 00:36:02,600
Speaker 1: That year was at twenty fourteen or so. They wanted

882
00:36:02,600 --> 00:36:04,440
Speaker 1: to name that Fight of the Year, but don't. I

883
00:36:04,440 --> 00:36:06,799
Speaker 1: don't give it to brawls. But I don't need a

884
00:36:06,840 --> 00:36:10,520
Speaker 1: brawl to get a fight that just checks all the boxes,

885
00:36:10,719 --> 00:36:13,600
Speaker 1: which that fight did, where you have high level technique,

886
00:36:13,600 --> 00:36:15,759
Speaker 1: where you have back and forth, where their games just

887
00:36:15,800 --> 00:36:17,719
Speaker 1: kind of fit together like a bit of a Tetris piece,

888
00:36:17,840 --> 00:36:19,680
Speaker 1: and they can take advantage of each other's weakness, and

889
00:36:19,719 --> 00:36:24,040
Speaker 1: then somebody, somebody has to ask themselves, do I want

890
00:36:24,040 --> 00:36:26,400
Speaker 1: it more? And they have to rise to the occasion,

891
00:36:26,440 --> 00:36:28,640
Speaker 1: which you got at Israel Atasignia, and you also got

892
00:36:28,640 --> 00:36:30,960
Speaker 1: this one more where you're like that is all that

893
00:36:31,320 --> 00:36:33,360
Speaker 1: technique he has. Is it just good for flash or

894
00:36:33,400 --> 00:36:35,640
Speaker 1: is there a real combative component to it? And you

895
00:36:35,719 --> 00:36:37,640
Speaker 1: got the answer there. To me, I don't There are

896
00:36:37,640 --> 00:36:39,960
Speaker 1: people accusing EMA journalists of being like, oh, this is

897
00:36:39,960 --> 00:36:43,160
Speaker 1: on your all decade list. That's recency bias. That's normally

898
00:36:43,200 --> 00:36:44,879
Speaker 1: a fair criticism. It's not here.

899
00:36:45,000 --> 00:36:46,680
Speaker 3: It was something special that went down that night by

900
00:36:46,760 --> 00:36:49,440
Speaker 3: number four Moment of the year in twenty nineteen. It

901
00:36:49,440 --> 00:36:51,320
Speaker 3: seems like almost years ago at this point, but I

902
00:36:51,360 --> 00:36:54,120
Speaker 3: don't know if you remember January of twenty nineteen, all

903
00:36:54,120 --> 00:36:57,719
Speaker 3: everybody talked about where the Dueling Firefest documentary is. One

904
00:36:57,760 --> 00:37:00,960
Speaker 3: on Netflix, one on Hulu, And for two days it

905
00:37:01,080 --> 00:37:06,520
Speaker 3: was viral as ish because of one man put it

906
00:37:06,560 --> 00:37:10,080
Speaker 3: on the big screen, Jay the Great Andy King, who

907
00:37:10,160 --> 00:37:13,440
Speaker 3: was willing to take one for the team.

908
00:37:15,200 --> 00:37:16,800
Speaker 2: Wow, Wow Wow.

909
00:37:17,360 --> 00:37:19,440
Speaker 3: So you think I put it on here because oh

910
00:37:19,520 --> 00:37:24,160
Speaker 3: Campbell's the dong guy all this stuff. No, Luke, Yes, yes,

911
00:37:24,200 --> 00:37:27,040
Speaker 3: we had fun with these memes like crazy. But you

912
00:37:27,080 --> 00:37:30,279
Speaker 3: know what, shout out to Andy King, shout out to

913
00:37:30,320 --> 00:37:36,880
Speaker 3: the ideas of brotherhood, teamwork, loyalty, family. This wish was

914
00:37:36,960 --> 00:37:41,120
Speaker 3: willing to risk it all when I look around this room. Okay,

915
00:37:41,120 --> 00:37:44,000
Speaker 3: people don't realize that behind these cameras there's a staff

916
00:37:44,040 --> 00:37:47,359
Speaker 3: of like twelve hungry ass people out making it work

917
00:37:47,400 --> 00:37:47,680
Speaker 3: for us.

918
00:37:47,719 --> 00:37:47,960
Speaker 1: All right.

919
00:37:48,000 --> 00:37:49,960
Speaker 3: Now there's there's ladies and there. I got a lot

920
00:37:49,960 --> 00:37:52,040
Speaker 3: of gross looks after I make jokes in the camera.

921
00:37:52,680 --> 00:37:55,080
Speaker 3: But what I'm saying is I love these people. I

922
00:37:55,200 --> 00:37:58,439
Speaker 3: like to believe that we got nothing. But Andy King's

923
00:37:58,440 --> 00:38:00,000
Speaker 3: out here, all right.

924
00:38:00,120 --> 00:38:02,000
Speaker 1: I'm not not in the what are they doing to you?

925
00:38:02,080 --> 00:38:06,120
Speaker 3: When I'm not not in the literal sense necessarily, I mean,

926
00:38:06,160 --> 00:38:07,240
Speaker 3: more likely they would.

927
00:38:07,120 --> 00:38:10,560
Speaker 1: Metaphorically go to suck the guy's dick to get the waters.

928
00:38:11,160 --> 00:38:13,080
Speaker 3: It sounds awful when you when you put it into

929
00:38:13,120 --> 00:38:15,919
Speaker 3: those words. But our guy, Jake right here, who doesn't

930
00:38:15,960 --> 00:38:17,640
Speaker 3: know nineties music, That guy's the best.

931
00:38:18,040 --> 00:38:24,080
Speaker 2: Andy King, you are, Andy King, damn right, damn right.

932
00:38:24,120 --> 00:38:26,960
Speaker 3: So shout out to Andy King for teaching this year

933
00:38:27,520 --> 00:38:29,400
Speaker 3: about teamwork, okay, about loyalty.

934
00:38:29,600 --> 00:38:33,040
Speaker 1: Andy King just there, He'll do it. Look at Jake.

935
00:38:33,080 --> 00:38:35,000
Speaker 1: This guy's the best right there. I love it, all right.

936
00:38:35,160 --> 00:38:36,759
Speaker 1: My number three moment of the year.

937
00:38:36,960 --> 00:38:39,680
Speaker 3: It doubles as my knockout of the year in boxing,

938
00:38:39,960 --> 00:38:44,040
Speaker 3: Does it really? Deontay Wilder Barclay Center this spring, I

939
00:38:44,239 --> 00:38:47,840
Speaker 3: was there and he sent Dominic Brazil to where luke.

940
00:38:47,840 --> 00:38:49,800
Speaker 1: The land of wind and ghosts to the.

941
00:38:49,680 --> 00:38:53,160
Speaker 2: Bottom floor of hell with a one punch knockout.

942
00:38:53,200 --> 00:38:53,359
Speaker 1: Look.

943
00:38:53,360 --> 00:38:55,719
Speaker 3: You may have loved his knockout over Louis or Tis better. Hey,

944
00:38:55,719 --> 00:38:57,799
Speaker 3: you may have loved Devin Hainey against Antonio Moran. If

945
00:38:57,800 --> 00:38:59,560
Speaker 3: you don't know that knockout, look it up. But for

946
00:38:59,640 --> 00:39:03,360
Speaker 3: me this personified in one punch who Deontay Wilder is

947
00:39:03,520 --> 00:39:07,120
Speaker 3: what he brings to the table as a attraction. One round,

948
00:39:07,280 --> 00:39:10,960
Speaker 3: one punch, clean knockout. But it wasn't just the knockout

949
00:39:11,000 --> 00:39:14,759
Speaker 3: that I love. It was the reaction of those at ringside.

950
00:39:14,840 --> 00:39:17,680
Speaker 3: Did you see that I was in that mix? Did

951
00:39:17,719 --> 00:39:20,440
Speaker 3: you see the showtime was able to zoom in afterwards

952
00:39:20,480 --> 00:39:21,640
Speaker 3: on the reactions of people.

953
00:39:22,360 --> 00:39:23,799
Speaker 2: You know Ray Floras, our showtime coming.

954
00:39:24,320 --> 00:39:25,840
Speaker 3: You know his younger brother Miguel who does some ring

955
00:39:25,840 --> 00:39:28,839
Speaker 3: announce Yep, he had the face of the year. Well

956
00:39:28,840 --> 00:39:30,279
Speaker 3: Andy King may have had the face of the year,

957
00:39:30,360 --> 00:39:32,960
Speaker 3: but he had the face of the year Jay in

958
00:39:32,960 --> 00:39:34,360
Speaker 3: the back. Can we get this cute up here? On

959
00:39:34,400 --> 00:39:36,920
Speaker 3: the reactions in the crowd here this was insane, But

960
00:39:37,880 --> 00:39:40,120
Speaker 3: I think if you want to show somebody who Deontay

961
00:39:40,160 --> 00:39:41,520
Speaker 3: Wilder is and what he's all about.

962
00:39:41,760 --> 00:39:43,480
Speaker 2: Luke, this one highlight.

963
00:39:44,160 --> 00:39:45,640
Speaker 1: We don't have it. Okay, apparently we don't have it.

964
00:39:45,640 --> 00:39:48,160
Speaker 1: That's it's great. It's only as a very good show.

965
00:39:48,400 --> 00:39:51,600
Speaker 3: It's only a showtime fight on a showtime show. Guys,

966
00:39:51,600 --> 00:39:54,160
Speaker 3: no problem at all, right, no, really anyway, Luke, take

967
00:39:54,200 --> 00:39:54,920
Speaker 3: my word for it.

968
00:39:55,239 --> 00:39:57,880
Speaker 1: There was jaws hanging down. There was so much oh

969
00:39:58,000 --> 00:39:58,799
Speaker 1: shit going on.

970
00:39:59,120 --> 00:40:01,560
Speaker 3: Rightfully so, because here is something none of those people

971
00:40:01,600 --> 00:40:04,919
Speaker 3: could just understand. Right Janty Wilder may have just killed

972
00:40:04,920 --> 00:40:05,880
Speaker 3: a man and that's boxing.

973
00:40:06,880 --> 00:40:08,000
Speaker 1: That's actually the beer thinking.

974
00:40:10,280 --> 00:40:12,399
Speaker 2: Wow, not in that way, but more like, wow, you're

975
00:40:12,400 --> 00:40:13,560
Speaker 2: gonna bail me out here.

976
00:40:13,239 --> 00:40:18,279
Speaker 1: We are we gonna. You're gonna Jay You and Jay

977
00:40:18,320 --> 00:40:21,360
Speaker 1: today l vps you two, you two.

978
00:40:22,520 --> 00:40:26,439
Speaker 3: God, Jay, it's Honica season you no no, no, no joy,

979
00:40:26,480 --> 00:40:28,640
Speaker 3: no grace, no uh doing your job nothing.

980
00:40:28,719 --> 00:40:31,120
Speaker 1: He wore a Honica sweater today. Do you see the sweater?

981
00:40:31,800 --> 00:40:34,640
Speaker 3: I came in here so abruptly late, bringing the goods.

982
00:40:35,200 --> 00:40:37,840
Speaker 3: All right, Hey my number two, Wow, what a missed

983
00:40:37,840 --> 00:40:39,160
Speaker 3: opportunity for this year?

984
00:40:40,239 --> 00:40:42,880
Speaker 1: Would go flores on lock that's isn't it isn't your.

985
00:40:42,880 --> 00:40:45,479
Speaker 2: Anyway, there's this zoom in look of everybody going nuts.

986
00:40:45,600 --> 00:40:47,000
Speaker 1: I'm in the middle of that. I'm the only guy

987
00:40:47,000 --> 00:40:47,800
Speaker 1: with a straight face.

988
00:40:48,880 --> 00:40:50,920
Speaker 2: I was a little concerned about boobs Brazil there.

989
00:40:51,040 --> 00:40:54,719
Speaker 1: Right, what's you call that? To his face? Yeah? All right,

990
00:40:54,719 --> 00:40:55,040
Speaker 1: here we go.

991
00:40:55,040 --> 00:40:57,160
Speaker 2: Hey, my number two moment of the year.

992
00:40:58,560 --> 00:41:00,800
Speaker 1: I gotta be honest. It's people up in their.

993
00:41:00,640 --> 00:41:04,680
Speaker 3: Fields about Star Wars episode nine, the Rise of Skywalker.

994
00:41:04,960 --> 00:41:06,799
Speaker 3: And one of those people is sitting next to me

995
00:41:06,840 --> 00:41:12,680
Speaker 3: at this desk, nursing his first beer a bartenderfill.

996
00:41:13,560 --> 00:41:16,120
Speaker 1: Here's the deal, Luke, I'm a hardcore Star Wars guy. Okay,

997
00:41:16,160 --> 00:41:17,440
Speaker 1: all right, nothing wrong with that. All right.

998
00:41:17,480 --> 00:41:19,400
Speaker 3: When I was three years old, I went to my grandparents'

999
00:41:19,440 --> 00:41:21,719
Speaker 3: house every day. Star Wars episode four I watched three

1000
00:41:21,760 --> 00:41:23,640
Speaker 3: times a day, every single day.

1001
00:41:23,760 --> 00:41:26,840
Speaker 2: I'm one of those hardcore originals. Episode nine.

1002
00:41:27,320 --> 00:41:29,799
Speaker 3: Was it the way I would want the saga the

1003
00:41:29,840 --> 00:41:33,960
Speaker 3: Star Wars the Skywalker nine episode series to end?

1004
00:41:34,960 --> 00:41:38,160
Speaker 2: Not necessarily, but was it? Jump off the cliff?

1005
00:41:38,520 --> 00:41:41,680
Speaker 3: Call the whole franchise shit, pick it out the doors

1006
00:41:41,680 --> 00:41:46,920
Speaker 3: of Disney call this just basically have an outrage that

1007
00:41:46,960 --> 00:41:49,520
Speaker 3: would have been equivalent to when the prequels came out

1008
00:41:49,560 --> 00:41:51,919
Speaker 3: yet we didn't have really an updated Internet at that point.

1009
00:41:52,280 --> 00:41:55,120
Speaker 3: Do you realize how bad the damn Prequels were? Anybody

1010
00:41:55,120 --> 00:41:56,719
Speaker 3: who steps up today and try to say, well, they're

1011
00:41:56,719 --> 00:41:58,400
Speaker 3: a little bit underrated, they're not actually as bad as

1012
00:41:58,440 --> 00:41:58,719
Speaker 3: you think.

1013
00:42:01,000 --> 00:42:02,080
Speaker 1: They're an insult.

1014
00:42:02,840 --> 00:42:08,000
Speaker 3: Within that insult, there's some, you know, redeemable moments, but

1015
00:42:08,160 --> 00:42:09,360
Speaker 3: largely that's vegetable.

1016
00:42:09,360 --> 00:42:10,360
Speaker 1: Is Zamnia the Prequels.

1017
00:42:10,360 --> 00:42:12,680
Speaker 3: That's like something I think I like, but there's no

1018
00:42:12,760 --> 00:42:13,680
Speaker 3: meat in the middle of it.

1019
00:42:13,680 --> 00:42:18,240
Speaker 2: It's not geared toward me. Episode nine was hit and miss?

1020
00:42:18,480 --> 00:42:18,879
Speaker 1: Was it hit?

1021
00:42:19,080 --> 00:42:23,520
Speaker 3: It was a miss from an in theater experience, especially

1022
00:42:23,560 --> 00:42:24,840
Speaker 3: that middle third of the movie.

1023
00:42:25,160 --> 00:42:27,520
Speaker 1: Were you sitting next to Andy King? I thought hit?

1024
00:42:27,600 --> 00:42:29,759
Speaker 1: I caught the old school feels. Can you can you

1025
00:42:29,840 --> 00:42:30,600
Speaker 1: stand up to this.

1026
00:42:30,520 --> 00:42:33,080
Speaker 3: Because you have spent a lot of time on radio,

1027
00:42:33,160 --> 00:42:36,239
Speaker 3: on YouTube getting those clicks, cashing those dollars, you know,

1028
00:42:36,280 --> 00:42:39,600
Speaker 3: buying those diapers with Oh my god, this guy has fallen.

1029
00:42:39,680 --> 00:42:41,759
Speaker 1: I mean, you know that's it's a little little nerd

1030
00:42:41,760 --> 00:42:43,440
Speaker 1: heavy here. Well, first of all, I count myself as

1031
00:42:43,440 --> 00:42:45,360
Speaker 1: a Star Wars nerd too. I think we share a

1032
00:42:45,480 --> 00:42:47,719
Speaker 1: mutual fandom. Let me ask you this, real quickly. Have

1033
00:42:47,800 --> 00:42:50,319
Speaker 1: you watched at all The Mandalorian on Disney plus a

1034
00:42:50,320 --> 00:42:52,399
Speaker 1: few episodes, so you're not finished with it yet? Nothing,

1035
00:42:52,440 --> 00:42:53,800
Speaker 1: It gets really good at the end of Okinish, the

1036
00:42:53,840 --> 00:42:55,960
Speaker 1: last episode. You're gonna love it. Okay, So I'm not

1037
00:42:56,040 --> 00:42:58,239
Speaker 1: out on all things Star Wars. In fact, the overwhelming

1038
00:42:58,239 --> 00:43:01,200
Speaker 1: majority of their content the middle three so, but the four, five,

1039
00:43:01,200 --> 00:43:04,680
Speaker 1: and six I love for the most part, and varying degrees. Mandalorian.

1040
00:43:04,760 --> 00:43:08,560
Speaker 1: I loved Force Awakens. I was fine with Last Jedi.

1041
00:43:08,600 --> 00:43:12,520
Speaker 1: I thought had its problems, but was creative. Prequels were

1042
00:43:12,600 --> 00:43:14,480
Speaker 1: just the prequels are for kids. I don't know. I mean,

1043
00:43:14,520 --> 00:43:16,440
Speaker 1: it's just shit. It's that they're They're terrible. I don't

1044
00:43:16,480 --> 00:43:18,600
Speaker 1: know what else to say about them. Okay, here's the

1045
00:43:18,640 --> 00:43:21,160
Speaker 1: problem with this movie. It's twofold. One, it's objectively a

1046
00:43:21,200 --> 00:43:24,759
Speaker 1: bad movie. Two. The problem with it is, and here's

1047
00:43:24,800 --> 00:43:28,320
Speaker 1: my real bone of contention. I'm not suggesting to you, Brian,

1048
00:43:28,600 --> 00:43:30,920
Speaker 1: that the last movie, The Last Jedi, is some problem

1049
00:43:30,960 --> 00:43:33,440
Speaker 1: free movie. It's got plenty of issues. I didn't like

1050
00:43:33,600 --> 00:43:35,880
Speaker 1: didn't like the Mary Poppins laya thing. I didn't like

1051
00:43:35,920 --> 00:43:38,560
Speaker 1: the hand handed way they treated politics. I didn't like

1052
00:43:38,600 --> 00:43:40,640
Speaker 1: how Snoke was just oft and then that was the

1053
00:43:40,719 --> 00:43:42,040
Speaker 1: end of it. There's a lot of thing that could

1054
00:43:42,080 --> 00:43:44,239
Speaker 1: go on, but those are three major ones that really

1055
00:43:44,239 --> 00:43:47,480
Speaker 1: stood out to me. However, what they did do with

1056
00:43:47,520 --> 00:43:50,160
Speaker 1: that movie, Ryan Johnson in particular, he was right about

1057
00:43:50,480 --> 00:43:53,480
Speaker 1: essentially three core insights. Kylo Ren is not interesting as

1058
00:43:53,480 --> 00:43:55,560
Speaker 1: an emo bag of shit. He's only interesting as a

1059
00:43:55,600 --> 00:44:00,480
Speaker 1: guy who gives into his own evil impulses. One. Two Dude,

1060
00:44:00,520 --> 00:44:03,160
Speaker 1: Star Wars, he was right. Goodbye to the First Order,

1061
00:44:03,200 --> 00:44:06,600
Speaker 1: Goodbye to the Rebellion, goodbye to everything. It was time

1062
00:44:06,640 --> 00:44:10,279
Speaker 1: for that ship to end, and that's finish, dude. If

1063
00:44:10,280 --> 00:44:12,360
Speaker 1: there was anything that this last movie showed, it was

1064
00:44:12,360 --> 00:44:14,840
Speaker 1: that Star Wars went on way past its expiration.

1065
00:44:14,960 --> 00:44:16,080
Speaker 2: No no, no, no, no no.

1066
00:44:16,360 --> 00:44:22,600
Speaker 3: This saga, this saga of let me finish, This saga.

1067
00:44:20,840 --> 00:44:23,880
Speaker 1: Went on way too long. And last but not least,

1068
00:44:23,960 --> 00:44:27,239
Speaker 1: the most important inside of all of this was and

1069
00:44:27,320 --> 00:44:30,759
Speaker 1: an era of the failure of our own institutions, of

1070
00:44:30,840 --> 00:44:34,160
Speaker 1: belief systems and the buildings that house them. He took

1071
00:44:34,239 --> 00:44:36,400
Speaker 1: that inside and brought it to Star Wars, which I

1072
00:44:36,440 --> 00:44:39,399
Speaker 1: thought was fucking brilliant. He took a risk, He took

1073
00:44:39,400 --> 00:44:42,839
Speaker 1: a risk What they did was they said, you know what,

1074
00:44:43,000 --> 00:44:46,279
Speaker 1: we've got mouth breathers for audience who didn't like us

1075
00:44:46,280 --> 00:44:48,880
Speaker 1: taking a risk with our characters. Let's just let's just

1076
00:44:49,000 --> 00:44:50,799
Speaker 1: and I don't hate that. Let's just get the cover

1077
00:44:50,920 --> 00:44:52,640
Speaker 1: band back together and play off.

1078
00:44:52,680 --> 00:44:55,040
Speaker 3: To some degree, I think you would agree the failures

1079
00:44:55,040 --> 00:44:57,400
Speaker 3: of episode nine did kind of fix some of the

1080
00:44:57,440 --> 00:44:58,359
Speaker 3: failures of episode eight.

1081
00:44:59,160 --> 00:45:02,000
Speaker 1: It was like they they exacerbated them. Now I thought.

1082
00:45:02,000 --> 00:45:03,880
Speaker 1: I thought it actually fixed it too. If I smash

1083
00:45:03,960 --> 00:45:06,239
Speaker 1: your car window and you tape it up with duct

1084
00:45:06,239 --> 00:45:09,680
Speaker 1: tape and drive around, did you fix your window? Here?

1085
00:45:09,680 --> 00:45:11,640
Speaker 1: We're going down weird right right now? All right, here's

1086
00:45:11,719 --> 00:45:13,440
Speaker 1: fox anything? You just covered it up.

1087
00:45:14,080 --> 00:45:17,480
Speaker 3: I didn't love the final scene with with with Oh

1088
00:45:17,520 --> 00:45:19,760
Speaker 3: spoiler alert. I didn't love the final scene with Palps.

1089
00:45:19,800 --> 00:45:21,719
Speaker 3: I didn't love Palpatine being back in the movie. I

1090
00:45:21,719 --> 00:45:24,520
Speaker 3: didn't love him not being actually explained why he's back

1091
00:45:24,560 --> 00:45:26,320
Speaker 3: in the movie, completely a punt and non creative.

1092
00:45:26,320 --> 00:45:27,640
Speaker 1: Oh, I got one night favorite.

1093
00:45:29,480 --> 00:45:33,840
Speaker 3: I a hardcore nerd for years. On this level, I

1094
00:45:33,880 --> 00:45:36,319
Speaker 3: do have limits. I don't read the books. I don't

1095
00:45:36,360 --> 00:45:39,080
Speaker 3: go too deep. I did watch Rebels and all the

1096
00:45:39,120 --> 00:45:41,600
Speaker 3: other side of spin off fours. But I've watched some

1097
00:45:41,640 --> 00:45:45,280
Speaker 3: nerd YouTube videos that sort of explain why the things

1098
00:45:45,280 --> 00:45:47,279
Speaker 3: that you think you hate an episode nine watching it

1099
00:45:47,280 --> 00:45:49,440
Speaker 3: for the first time in the theater actually fall in

1100
00:45:49,480 --> 00:45:52,280
Speaker 3: line with the overall storytelling of the entire life.

1101
00:45:52,280 --> 00:45:54,520
Speaker 1: Every time they do something interesting, they kill it off.

1102
00:45:54,680 --> 00:45:55,640
Speaker 1: You mean, like cheap plot.

1103
00:45:55,840 --> 00:45:58,759
Speaker 3: What I'm saying is, in the end, the message is

1104
00:45:58,840 --> 00:46:03,400
Speaker 3: that the final half hour cent we're actually the right ones.

1105
00:46:04,600 --> 00:46:07,279
Speaker 3: Execution was a little off, but the final scene they

1106
00:46:07,360 --> 00:46:07,719
Speaker 3: nailed it.

1107
00:46:07,719 --> 00:46:10,440
Speaker 1: The s it was the most It's.

1108
00:46:10,280 --> 00:46:13,399
Speaker 3: The final message of it doesn't matter who you are,

1109
00:46:13,480 --> 00:46:16,160
Speaker 3: where you come from, it matters who you end up becoming.

1110
00:46:17,480 --> 00:46:21,040
Speaker 3: You could be born in Cutter Palpatine, you can be

1111
00:46:21,160 --> 00:46:24,200
Speaker 3: bullied in ordinary Atlue, but you can still get your

1112
00:46:24,239 --> 00:46:25,080
Speaker 3: own showtime show.

1113
00:46:25,080 --> 00:46:26,640
Speaker 2: Hey, how chartlout to Miguel Flores?

1114
00:46:26,719 --> 00:46:28,680
Speaker 1: Right, that was my face when Brian Campbell was like,

1115
00:46:28,760 --> 00:46:29,520
Speaker 1: I didn't hate it.

1116
00:46:29,840 --> 00:46:32,440
Speaker 3: This is uh that guy looks like a Bermudan official

1117
00:46:32,480 --> 00:46:33,680
Speaker 3: when Andy King walks in the room.

1118
00:46:35,239 --> 00:46:37,520
Speaker 1: No, that's Andy King, Bermudahamian.

1119
00:46:37,600 --> 00:46:40,200
Speaker 2: Sorry BHAMI all right, yeah, thanks Jay, thanks for doing

1120
00:46:40,239 --> 00:46:40,600
Speaker 2: your job.

1121
00:46:40,719 --> 00:46:42,600
Speaker 1: The movie is just it's a poorly made movie, and

1122
00:46:42,640 --> 00:46:45,239
Speaker 1: what people really wanted was they just wanted here's what,

1123
00:46:45,360 --> 00:46:47,880
Speaker 1: here's what I had disappointments, But I don't I understand.

1124
00:46:47,920 --> 00:46:49,719
Speaker 1: Here's on the whole. It's a hundred times better than

1125
00:46:49,719 --> 00:46:53,120
Speaker 1: the prequels. Well, dude, that's not saying anything. That's not saying.

1126
00:46:53,000 --> 00:46:54,000
Speaker 2: Day's trying to get us to go.

1127
00:46:54,120 --> 00:46:56,759
Speaker 3: People don't realize, though, what we have seen with Rogue

1128
00:46:56,800 --> 00:46:59,439
Speaker 3: one is how you can tell the modern Star Wars movie.

1129
00:46:59,600 --> 00:47:04,000
Speaker 1: All right, hopefully we're mostly in alignment. You're just two

1130
00:47:04,080 --> 00:47:06,120
Speaker 1: forgiving a poor craftsmanship.

1131
00:47:06,239 --> 00:47:08,800
Speaker 3: My number one moment of the year in twenty nineteen

1132
00:47:08,840 --> 00:47:15,000
Speaker 3: in combat sports and beyond, it's unity, and it's similar

1133
00:47:15,040 --> 00:47:15,760
Speaker 3: and mirrors.

1134
00:47:15,920 --> 00:47:23,839
Speaker 1: Why is through all of this? Wow? All right, let

1135
00:47:23,880 --> 00:47:24,480
Speaker 1: me restart.

1136
00:47:24,680 --> 00:47:27,120
Speaker 3: So my number one moment of twenty nineteen, Luke, is

1137
00:47:27,719 --> 00:47:29,200
Speaker 3: it really mirrors you and I?

1138
00:47:29,480 --> 00:47:32,000
Speaker 1: All right, us coming together.

1139
00:47:34,440 --> 00:47:39,319
Speaker 3: For this show, building this band of this audience of

1140
00:47:39,400 --> 00:47:46,120
Speaker 3: just voracious viewers and listeners. And here's the thing you

1141
00:47:46,239 --> 00:47:49,920
Speaker 3: called Polish regional mma tip on tip of Ying and Yang.

1142
00:47:50,239 --> 00:47:52,560
Speaker 3: In some ways, Luke, you and I are that Yin

1143
00:47:52,600 --> 00:47:54,680
Speaker 3: and Yang, the dark side of the force and the

1144
00:47:54,760 --> 00:47:58,120
Speaker 3: light side, right, the twig and the berries, right, the

1145
00:47:58,200 --> 00:48:02,320
Speaker 3: tango and the cash. We come together to make something special.

1146
00:48:02,880 --> 00:48:06,360
Speaker 3: So I wanted to commemorate this moment of Polish regional

1147
00:48:06,480 --> 00:48:08,719
Speaker 3: mma finally coming to the forefront.

1148
00:48:08,960 --> 00:48:10,680
Speaker 1: Tip on Tip reality.

1149
00:48:10,960 --> 00:48:14,279
Speaker 3: It's a lifestyle, it's a movement, Luke, and really for

1150
00:48:14,360 --> 00:48:15,280
Speaker 3: this set's history.

1151
00:48:15,320 --> 00:48:17,960
Speaker 1: Although a woman on the train did ruin my.

1152
00:48:18,920 --> 00:48:23,200
Speaker 3: Project here to you, I wanted to commemorate this in

1153
00:48:23,280 --> 00:48:27,320
Speaker 3: loving memory, Luke, tip On Tip twenty nineteen and forever.

1154
00:48:27,440 --> 00:48:30,120
Speaker 1: Did you really have a broken frame? Well, here's the deal.

1155
00:48:30,160 --> 00:48:32,880
Speaker 3: On my on my train ride in from Hell, a

1156
00:48:32,960 --> 00:48:33,799
Speaker 3: lady sat on it.

1157
00:48:33,800 --> 00:48:34,920
Speaker 1: It's a true story. It happened.

1158
00:48:34,960 --> 00:48:37,239
Speaker 2: But I can buy a cheap frame to replace that.

1159
00:48:37,320 --> 00:48:39,640
Speaker 1: Luke. This is really what it's all about.

1160
00:48:39,680 --> 00:48:41,879
Speaker 3: This is my moment of the year because it's not

1161
00:48:41,960 --> 00:48:45,480
Speaker 3: just the here's the deal, It's not oh, I mean

1162
00:48:45,520 --> 00:48:46,920
Speaker 3: broken glass everywhere.

1163
00:48:47,040 --> 00:48:49,840
Speaker 1: It's not just the intensity.

1164
00:48:49,200 --> 00:48:51,080
Speaker 3: Of what's going on down below that of course you're

1165
00:48:51,120 --> 00:48:54,280
Speaker 3: fixated on. Check out the heart that they formed right here,

1166
00:48:54,480 --> 00:48:58,040
Speaker 3: because really fighting and loving there's a thin line between

1167
00:48:58,080 --> 00:48:59,400
Speaker 3: then the intensity.

1168
00:48:59,440 --> 00:48:59,560
Speaker 1: Here.

1169
00:48:59,600 --> 00:49:01,640
Speaker 3: This is our Jay right here, this girl, this is

1170
00:49:01,719 --> 00:49:04,479
Speaker 3: our this is like really, Luke, this is.

1171
00:49:04,400 --> 00:49:06,640
Speaker 2: You and I and this is the spirit of what

1172
00:49:06,680 --> 00:49:07,560
Speaker 2: we bring to the show.

1173
00:49:07,880 --> 00:49:12,640
Speaker 3: Intensity in your face, the ying, the yang, the ding

1174
00:49:12,719 --> 00:49:13,200
Speaker 3: and the dong.

1175
00:49:13,680 --> 00:49:15,959
Speaker 1: We should have started and we really shouldn't. We should

1176
00:49:16,040 --> 00:49:18,160
Speaker 1: really put this on the set. Yeah, I'm fine with that,

1177
00:49:18,239 --> 00:49:20,640
Speaker 1: you know, do you have a nail up here at all? Jay?

1178
00:49:21,480 --> 00:49:24,839
Speaker 1: All right? All right right here so it can live

1179
00:49:24,880 --> 00:49:28,279
Speaker 1: on forever. Thank you, Looke.

1180
00:49:28,320 --> 00:49:30,000
Speaker 2: That's my top moments of twenty nineteen.

1181
00:49:31,920 --> 00:49:34,040
Speaker 1: I'm good with that. All right, I'm good with that.

1182
00:49:34,600 --> 00:49:37,239
Speaker 1: How are your seven and a half beers doing pretty good? Here?

1183
00:49:37,280 --> 00:49:39,239
Speaker 1: I like this? I like this. There's a she look,

1184
00:49:39,280 --> 00:49:42,480
Speaker 1: I'm a I'm a New England kick this out. We've

1185
00:49:42,520 --> 00:49:45,760
Speaker 1: got the grim patter as a Seyson who drinks Sayson's

1186
00:49:45,800 --> 00:49:49,520
Speaker 1: besides fucking Cisse Rose. Do you this is I've never had.

1187
00:49:50,480 --> 00:49:52,800
Speaker 1: I'm gonna break into that. And then we got the

1188
00:49:53,239 --> 00:49:55,120
Speaker 1: grim helioga this is the one I'd did one before,

1189
00:49:55,880 --> 00:49:59,479
Speaker 1: who bought the Sayson fucking session beers? Really all right? Luke?

1190
00:50:00,120 --> 00:50:01,960
Speaker 1: All right? Can you go to the next segment? Can

1191
00:50:01,960 --> 00:50:03,319
Speaker 1: we do this? Yes? Now, we're going to do an

1192
00:50:03,320 --> 00:50:05,040
Speaker 1: extended DMS from Donks.

1193
00:50:05,200 --> 00:50:07,200
Speaker 3: I wanted to tell you something. You're mad at me

1194
00:50:07,239 --> 00:50:08,920
Speaker 3: that I'm late to the party.

1195
00:50:09,040 --> 00:50:11,080
Speaker 1: You got a job. You gotta get to you. Oh god,

1196
00:50:11,200 --> 00:50:12,680
Speaker 1: it's only the most important show of the year that

1197
00:50:12,680 --> 00:50:15,400
Speaker 1: you fucked up. But okay, I have they Have you

1198
00:50:15,440 --> 00:50:17,279
Speaker 1: seen the ship prepared? If we have time. We do

1199
00:50:17,400 --> 00:50:22,320
Speaker 1: not have time. So you ruin that. Blame yourself, take accountability.

1200
00:50:22,320 --> 00:50:25,680
Speaker 1: Andy King, Oh you leave, I'll do my own spin

1201
00:50:25,719 --> 00:50:27,480
Speaker 1: off show. All right. Well fine, you can do that,

1202
00:50:27,560 --> 00:50:29,200
Speaker 1: but you can't do it on this one. All right,

1203
00:50:29,280 --> 00:50:33,439
Speaker 1: let's do this Dams with Donks. So the plan was, yeah,

1204
00:50:33,440 --> 00:50:35,759
Speaker 1: you didn't do that one, well, the plan was to

1205
00:50:36,080 --> 00:50:38,200
Speaker 1: do this one. We normally do just an extended version.

1206
00:50:38,239 --> 00:50:40,520
Speaker 1: All right, So here we go to you first, Brian Campbell.

1207
00:50:40,680 --> 00:50:43,640
Speaker 1: This is from Z John sn what's your favorite fight

1208
00:50:43,680 --> 00:50:45,360
Speaker 1: from twenty nineteen MMA or boxing?

1209
00:50:45,360 --> 00:50:48,320
Speaker 3: All right, I've already established that out of Sonia and Gaslon,

1210
00:50:48,360 --> 00:50:50,600
Speaker 3: which I was cage signed for amazing the fight of

1211
00:50:50,600 --> 00:50:52,239
Speaker 3: the year in boxing. It may not be off the

1212
00:50:52,239 --> 00:50:54,719
Speaker 3: tip of your tongue. Is that Spence Porter, No, it's not,

1213
00:50:54,760 --> 00:50:56,560
Speaker 3: which was a fantastic one. I had that number two.

1214
00:50:57,120 --> 00:51:00,879
Speaker 3: It's no Nito, don't air o the jug at age

1215
00:51:00,920 --> 00:51:03,239
Speaker 3: thirty six against Naiowa Anue. We talked about it a

1216
00:51:03,280 --> 00:51:05,239
Speaker 3: couple weeks ago. But when you have a fight that

1217
00:51:05,280 --> 00:51:07,560
Speaker 3: matters so much, unification fight at one hundred and eighteen

1218
00:51:07,600 --> 00:51:10,480
Speaker 3: pounds finals of the WBSS tournament with the Ali Trophy

1219
00:51:10,480 --> 00:51:12,960
Speaker 3: and all that, But we thought it was a formality

1220
00:51:12,960 --> 00:51:14,759
Speaker 3: that the old guy Donair was biting off more than

1221
00:51:14,800 --> 00:51:17,360
Speaker 3: he can get chew. And at the same time, similar

1222
00:51:17,360 --> 00:51:19,640
Speaker 3: to Adasania in that Fight of the Year, we knew

1223
00:51:19,960 --> 00:51:22,279
Speaker 3: a new A was special because he's this Japanese guy

1224
00:51:22,280 --> 00:51:24,560
Speaker 3: who moves up in wait in Knox fools out time

1225
00:51:24,600 --> 00:51:27,680
Speaker 3: after time again, but nobody had tested him until now.

1226
00:51:27,920 --> 00:51:31,440
Speaker 3: Nonido Donare came down two weight classes from where he

1227
00:51:31,440 --> 00:51:32,560
Speaker 3: had been fighting in recent years.

1228
00:51:32,640 --> 00:51:34,799
Speaker 1: Didn't he get injured in the fight too? He did,

1229
00:51:34,960 --> 00:51:36,000
Speaker 1: and he fought. I'm sorry.

1230
00:51:36,040 --> 00:51:38,840
Speaker 3: It was a new A with a broken eye socket

1231
00:51:38,880 --> 00:51:41,000
Speaker 3: and he fought through it. And they had a round

1232
00:51:41,040 --> 00:51:43,200
Speaker 3: from hell in round eleven in which Donair got dropped

1233
00:51:43,200 --> 00:51:44,960
Speaker 3: by a body shot when he had no business getting

1234
00:51:45,000 --> 00:51:47,840
Speaker 3: back up from the spirit. The character that they showed,

1235
00:51:48,200 --> 00:51:50,719
Speaker 3: that's one of those hardcore delights. It's hard not to

1236
00:51:50,719 --> 00:51:52,600
Speaker 3: feel that. And Luke, I know that you don't get

1237
00:51:52,640 --> 00:51:55,080
Speaker 3: down with Australian boxing. You probably never even heard of

1238
00:51:55,160 --> 00:51:59,640
Speaker 3: Jeff Horn, Michael Zarafa tood hear one. Yeah, there's a round.

1239
00:51:59,719 --> 00:52:02,360
Speaker 3: Round is one of the best rounds of the last

1240
00:52:02,360 --> 00:52:04,400
Speaker 3: ten years. I think you should check out very corlous

1241
00:52:04,440 --> 00:52:06,320
Speaker 3: castile like the Australian version.

1242
00:52:06,480 --> 00:52:09,000
Speaker 1: A little bootleg, but it's fine, it's great, Okay, fair enough.

1243
00:52:09,200 --> 00:52:12,800
Speaker 1: I'll go with you on the Atasignya Gaslum twenty nineteen,

1244
00:52:13,360 --> 00:52:15,919
Speaker 1: and then I'll go Spence Porter for boxing. That one

1245
00:52:15,960 --> 00:52:18,480
Speaker 1: was high speed chess, baby. I was waiting for I

1246
00:52:18,560 --> 00:52:21,960
Speaker 1: was waiting for Spence to break and no, how is

1247
00:52:21,960 --> 00:52:23,560
Speaker 1: it here? Pull me some. I can't get through the

1248
00:52:23,600 --> 00:52:26,479
Speaker 1: head yet. All right, that's kind of Bat's port Andy

1249
00:52:26,600 --> 00:52:31,360
Speaker 1: King thing. That's great, that's great. Okay, why did you

1250
00:52:31,360 --> 00:52:35,400
Speaker 1: pour it like a gorilla? Very Darren till of me?

1251
00:52:35,480 --> 00:52:37,839
Speaker 1: All right, So Kyle, that's happy. I like that. Yeah.

1252
00:52:37,920 --> 00:52:41,040
Speaker 1: Kyle Carrozi says, why does Bellator seem to struggle when

1253
00:52:41,040 --> 00:52:43,400
Speaker 1: it comes to cultivating new talent. Some of the biggest

1254
00:52:43,480 --> 00:52:45,480
Speaker 1: names over there are fighters who got their fame in

1255
00:52:45,560 --> 00:52:48,279
Speaker 1: other organizations. They said, Rory in the UFC, fad Or

1256
00:52:48,360 --> 00:52:51,400
Speaker 1: and Pride. What do you think? It's not quite true. So,

1257
00:52:51,440 --> 00:52:54,520
Speaker 1: for example, Coker's methodology is a signed from the top down,

1258
00:52:54,680 --> 00:52:57,600
Speaker 1: groom from the bottom up. One guy that have There's

1259
00:52:57,600 --> 00:52:58,960
Speaker 1: a bunch of guys coming up. First of all, Dylan

1260
00:52:59,040 --> 00:53:02,000
Speaker 1: Danis is still very new. I don't know if he's

1261
00:53:02,000 --> 00:53:03,200
Speaker 1: gonna be a big deal. But here's my point. If

1262
00:53:03,239 --> 00:53:05,239
Speaker 1: you actually look at that welterweight division of the rory

1263
00:53:05,320 --> 00:53:09,120
Speaker 1: is gone. You've got Dylan, Dannis, Logan, Storly, Ed Ruth.

1264
00:53:09,160 --> 00:53:10,759
Speaker 1: You got a lot of guys who are young, and

1265
00:53:10,760 --> 00:53:12,279
Speaker 1: I don't know they're all gonna work out, but they

1266
00:53:12,280 --> 00:53:14,560
Speaker 1: don't all need to. There's just there's just a whole

1267
00:53:14,600 --> 00:53:17,360
Speaker 1: lot of youth there. Patrick Mixed I think fought already

1268
00:53:17,440 --> 00:53:19,160
Speaker 1: on the belt ar he's fighting tonight. I can't remember

1269
00:53:19,200 --> 00:53:21,480
Speaker 1: which night he's fighting. But they've got a bunch of

1270
00:53:21,480 --> 00:53:23,880
Speaker 1: intro how about aj McKee. They got a bunch of

1271
00:53:23,960 --> 00:53:26,360
Speaker 1: interesting guys who are coming up in this in this

1272
00:53:26,400 --> 00:53:29,560
Speaker 1: Featherway tournament. Adam Borich the whole nine yards. So I

1273
00:53:29,600 --> 00:53:31,960
Speaker 1: actually dispute the premise to a degree, I got it.

1274
00:53:32,000 --> 00:53:33,719
Speaker 3: Can I bring truth? Can I bring the TBT? The

1275
00:53:33,719 --> 00:53:35,920
Speaker 3: two bear truth to this conversation, Luke.

1276
00:53:36,160 --> 00:53:37,560
Speaker 1: Please, all right, here's the deal.

1277
00:53:38,600 --> 00:53:42,680
Speaker 2: If Belatore consistently grown, legitimately.

1278
00:53:41,920 --> 00:53:47,000
Speaker 3: Top level already drunk. I'm not there's no cleration behind deprivation.

1279
00:53:47,080 --> 00:53:48,239
Speaker 3: Are all right without representation?

1280
00:53:49,239 --> 00:53:51,799
Speaker 1: Sorry, I don't listen to hip hop. Go ahead. I

1281
00:53:51,840 --> 00:53:53,400
Speaker 1: did not have relations with that woman.

1282
00:53:55,280 --> 00:53:58,759
Speaker 3: Ultimately, Luke, if they were great, they'd leave Belatore Belatore's

1283
00:53:58,800 --> 00:54:03,000
Speaker 3: better off, sort of picking out they somewhat flawed potential

1284
00:54:03,080 --> 00:54:04,160
Speaker 3: rising star the MVP.

1285
00:54:04,320 --> 00:54:05,400
Speaker 1: To be honest too, once.

1286
00:54:05,200 --> 00:54:07,239
Speaker 3: Again, they fought it a little unfair to have fought

1287
00:54:07,239 --> 00:54:08,680
Speaker 3: an uber driver on Saturday, And it was.

1288
00:54:08,680 --> 00:54:12,680
Speaker 1: Fun watching so UFCD that he thought still can still operate.

1289
00:54:12,400 --> 00:54:15,160
Speaker 3: A vehicle, all right, and it was fun watching and

1290
00:54:15,640 --> 00:54:18,160
Speaker 3: favor you know, look at Michael Chandler is like part

1291
00:54:18,160 --> 00:54:20,840
Speaker 3: of the fabric of that company. Luke never made the

1292
00:54:20,920 --> 00:54:23,080
Speaker 3: leap to UFC yet is going to be fun every

1293
00:54:23,080 --> 00:54:23,520
Speaker 3: time he goes.

1294
00:54:23,400 --> 00:54:25,200
Speaker 1: To Why would he go when he can make good

1295
00:54:25,239 --> 00:54:26,480
Speaker 1: money and have all this?

1296
00:54:26,840 --> 00:54:28,560
Speaker 3: So the answer to that question is they have their

1297
00:54:28,600 --> 00:54:30,840
Speaker 3: own version of that, all right. And certainly Aaron Peekle

1298
00:54:30,880 --> 00:54:33,400
Speaker 3: had the potential to be massive and still has if

1299
00:54:33,440 --> 00:54:34,960
Speaker 3: you can put the train back on the tracks. But

1300
00:54:36,000 --> 00:54:39,680
Speaker 3: I would think the more flawed the top range prospect.

1301
00:54:39,400 --> 00:54:41,000
Speaker 1: Is for them, the more likely they can keep them.

1302
00:54:41,480 --> 00:54:44,720
Speaker 1: I would argue that they sign him a lot younger,

1303
00:54:44,880 --> 00:54:47,879
Speaker 1: so it's a lot more uncertainty and volatility and whether

1304
00:54:47,920 --> 00:54:49,799
Speaker 1: the prospect will work out. By the time you get

1305
00:54:49,840 --> 00:54:51,760
Speaker 1: signed to the UFC. It might be still a prospect

1306
00:54:51,760 --> 00:54:54,120
Speaker 1: special if it came off like Contender Series or something.

1307
00:54:54,440 --> 00:54:58,200
Speaker 1: But Belta will sign you at one and zher make

1308
00:54:58,239 --> 00:55:00,520
Speaker 1: your pro debut, so you might I get someone who

1309
00:55:00,560 --> 00:55:02,200
Speaker 1: ends up being a jackpot. You might get a lot

1310
00:55:02,239 --> 00:55:03,880
Speaker 1: of missus. AJV Key looks like a bit my be

1311
00:55:04,120 --> 00:55:04,439
Speaker 1: a jacket.

1312
00:55:04,480 --> 00:55:06,399
Speaker 3: My blood alcohol level though much bigger than your. Every

1313
00:55:06,400 --> 00:55:08,080
Speaker 3: time the camera goes to you, I'm taking down half

1314
00:55:08,080 --> 00:55:08,440
Speaker 3: a class.

1315
00:55:08,440 --> 00:55:09,879
Speaker 1: I could drink all of this and not get drunk.

1316
00:55:09,880 --> 00:55:12,359
Speaker 1: You don'tunderstand what you're dealing with here. Uh okay, this

1317
00:55:12,440 --> 00:55:15,399
Speaker 1: comes to us from brand Tendos sixty four to both

1318
00:55:15,400 --> 00:55:18,640
Speaker 1: of you. Not bad. Actually, if you had to fight

1319
00:55:18,719 --> 00:55:21,080
Speaker 1: yourself as you were at the beginning of this decade,

1320
00:55:21,560 --> 00:55:25,200
Speaker 1: who would win, present you or past? Actually a good question.

1321
00:55:25,719 --> 00:55:28,880
Speaker 3: It's based on Oh Jesus, it's based on fitness levels,

1322
00:55:28,920 --> 00:55:32,560
Speaker 3: it's based on mindset, it's based on knowledge of thirty.

1323
00:55:32,360 --> 00:55:34,040
Speaker 1: Year old me. Would wipe the floor with me.

1324
00:55:34,160 --> 00:55:37,120
Speaker 3: I would kick the shit out of twenty and thirty

1325
00:55:37,200 --> 00:55:38,279
Speaker 3: year old me, would you really?

1326
00:55:38,400 --> 00:55:42,240
Speaker 1: I really would have forty one twenty maybe not thirty.

1327
00:55:42,480 --> 00:55:48,080
Speaker 3: I don't think I had the the scars in life

1328
00:55:48,160 --> 00:55:51,239
Speaker 3: yet to really know who I was, like I do now?

1329
00:55:52,040 --> 00:55:54,840
Speaker 1: All right, been there and back, Luke, Okay, you know

1330
00:55:54,880 --> 00:55:57,960
Speaker 1: what I'm saying. I don't believe you. Do you want

1331
00:55:58,000 --> 00:55:59,600
Speaker 1: to test me? Is this where this is going? Luke?

1332
00:56:00,000 --> 00:56:01,960
Speaker 1: I don't want to shot at the title. Bro. Want

1333
00:56:02,000 --> 00:56:04,279
Speaker 1: to tell you you're gonna show up in a gee

1334
00:56:04,320 --> 00:56:06,240
Speaker 1: next week? Is that what's going? G and a Gee?

1335
00:56:06,280 --> 00:56:10,960
Speaker 1: Like like Halla Gracy? Have you ever seen that rat video? Uh? No,

1336
00:56:11,120 --> 00:56:12,680
Speaker 1: you don't know what I'm talking about. I don't. Is

1337
00:56:12,719 --> 00:56:14,520
Speaker 1: it from the nineties? Holy shit? Are you serious?

1338
00:56:15,360 --> 00:56:15,440
Speaker 3: Go?

1339
00:56:15,640 --> 00:56:17,800
Speaker 1: If you have not seen this, google G like this

1340
00:56:18,080 --> 00:56:20,719
Speaker 1: letter g G and a Gee Halla Gracy? The Metamores

1341
00:56:20,760 --> 00:56:22,360
Speaker 1: guy had a rap video.

1342
00:56:22,200 --> 00:56:24,920
Speaker 2: Sounds att nerdy. I usually play the hits like or

1343
00:56:24,920 --> 00:56:26,480
Speaker 2: get the fun out of the whatever.

1344
00:56:26,280 --> 00:56:29,880
Speaker 1: You think Henry Shudo does and cringe. It's it's another

1345
00:56:30,000 --> 00:56:32,560
Speaker 1: order of magnitude above that big third base fan. I

1346
00:56:32,600 --> 00:56:33,879
Speaker 1: don't know if you can guess that from looking at

1347
00:56:33,880 --> 00:56:38,680
Speaker 1: Pop the Weasel. All right, Anton Booth eleven says, well,

1348
00:56:38,760 --> 00:56:41,680
Speaker 1: boxing and m m a cross promote again in the

1349
00:56:41,680 --> 00:56:43,000
Speaker 1: next decade. What do you think?

1350
00:56:43,680 --> 00:56:46,920
Speaker 3: Yeah, of course it can't be forced, though, it's gotta

1351
00:56:46,960 --> 00:56:50,480
Speaker 3: be perfect. Mayweather McGregor was an absolute perfect storm, and

1352
00:56:50,520 --> 00:56:52,839
Speaker 3: again talking about it, people like, yeah, I know, man,

1353
00:56:52,880 --> 00:56:55,040
Speaker 3: by the g I don't think people really actually realize

1354
00:56:55,080 --> 00:56:57,000
Speaker 3: how perfect of a storm that fight was to come

1355
00:56:57,000 --> 00:56:59,520
Speaker 3: together when it did. I do think it'll happen again

1356
00:56:59,520 --> 00:57:00,440
Speaker 3: because there's money.

1357
00:57:00,320 --> 00:57:00,799
Speaker 1: To be made there.

1358
00:57:00,800 --> 00:57:03,480
Speaker 3: You just have to wait for timing and you need

1359
00:57:03,480 --> 00:57:04,759
Speaker 3: the right willing participants.

1360
00:57:04,840 --> 00:57:06,800
Speaker 1: Do you see Canelo was like, yeah, I'd fight forhem

1361
00:57:06,840 --> 00:57:10,600
Speaker 1: as well. You don't believe it, well, would he do it? Yeah?

1362
00:57:10,640 --> 00:57:11,040
Speaker 1: Of course.

1363
00:57:11,280 --> 00:57:13,080
Speaker 3: If Jorge Moswell is willing to come to his own

1364
00:57:13,120 --> 00:57:15,239
Speaker 3: and fight, Canelo kind of will be like, yeah, of course,

1365
00:57:15,239 --> 00:57:18,200
Speaker 3: I'll knock this dude out. But uh, I don't think

1366
00:57:18,200 --> 00:57:20,280
Speaker 3: that would be smart for UFC and Mosfield.

1367
00:57:20,280 --> 00:57:21,680
Speaker 1: I'll to do that. One thing that was really weird

1368
00:57:21,680 --> 00:57:23,040
Speaker 1: to me was like he was like, oh, I want

1369
00:57:23,040 --> 00:57:24,360
Speaker 1: to get this fight, and then he just posted a

1370
00:57:24,360 --> 00:57:26,880
Speaker 1: picture of him hitting the speed bag, you know, And

1371
00:57:26,960 --> 00:57:29,120
Speaker 1: I was like and people were like, damn, look at

1372
00:57:29,160 --> 00:57:30,840
Speaker 1: them hands. And don't get me wrong, Jorgees got great

1373
00:57:30,840 --> 00:57:34,440
Speaker 1: boxing and the speedbag work was nice, but it's like, dude,

1374
00:57:34,480 --> 00:57:37,680
Speaker 1: every pro boxer knows how to hit a speedbag. Like, well,

1375
00:57:37,720 --> 00:57:39,680
Speaker 1: anytime you don't understand what that was supposed to say.

1376
00:57:39,680 --> 00:57:42,520
Speaker 3: Anytime you mix MMA versus boxing, people will come because

1377
00:57:42,520 --> 00:57:46,200
Speaker 3: there's a curiosity, but you have to understand they were

1378
00:57:46,200 --> 00:57:48,360
Speaker 3: able to sell that. McGregor had a chance to half

1379
00:57:48,400 --> 00:57:50,840
Speaker 3: of the people on the globe, including Brendan shop.

1380
00:57:52,040 --> 00:57:54,480
Speaker 1: Taking shots to Brendan well, I look, you know, I

1381
00:57:54,480 --> 00:57:56,880
Speaker 1: thought he always picked Mayweather in the end. Now I

1382
00:57:56,880 --> 00:57:59,480
Speaker 1: thought his whole argument was made it whether we'll win.

1383
00:57:59,520 --> 00:58:00,960
Speaker 1: But Connor, in respect.

1384
00:58:00,680 --> 00:58:03,920
Speaker 3: To Brendan Shaub, Connor was on such a ride of magic,

1385
00:58:03,960 --> 00:58:05,720
Speaker 3: and I don't people hate when I say that, and

1386
00:58:05,880 --> 00:58:07,560
Speaker 3: you look at the Scout report, what the hell's magic?

1387
00:58:07,640 --> 00:58:09,720
Speaker 3: He was on such a ride of doing what he

1388
00:58:09,800 --> 00:58:13,360
Speaker 3: said he would do. And Mayweather was two years removed

1389
00:58:13,400 --> 00:58:15,760
Speaker 3: from retirement, so there was sort of that question Mark.

1390
00:58:15,800 --> 00:58:17,960
Speaker 3: I was never gonna pick McGregor or think. I'm just

1391
00:58:18,000 --> 00:58:20,120
Speaker 3: saying you had an ability to fool the public. No

1392
00:58:20,160 --> 00:58:21,720
Speaker 3: one's gonna believe Molesville could be Canelop.

1393
00:58:22,280 --> 00:58:25,000
Speaker 1: I'm gonna show this to Brendan suitor thinks I could

1394
00:58:25,000 --> 00:58:26,640
Speaker 1: have sworn he picked. You're trying to set up a

1395
00:58:26,680 --> 00:58:28,600
Speaker 1: rolling session between me and Brandon. We're gonna see what

1396
00:58:28,680 --> 00:58:33,120
Speaker 1: bro Come on, he would fucking smoking like Sam smoking

1397
00:58:33,160 --> 00:58:35,400
Speaker 1: all right here? You are uh more likely to happen

1398
00:58:35,440 --> 00:58:38,640
Speaker 1: from Bobby Adkins. Luke goes with Brian to a pro

1399
00:58:38,680 --> 00:58:42,000
Speaker 1: wrestling show. I'd rather get HIV shot in my eyeballs

1400
00:58:42,200 --> 00:58:46,960
Speaker 1: stop to a concert. What do you think.

1401
00:58:47,680 --> 00:58:48,520
Speaker 2: Let's do the concert?

1402
00:58:48,560 --> 00:58:51,280
Speaker 1: I just don't know. I don't think what's our middle ground?

1403
00:58:51,320 --> 00:58:52,240
Speaker 2: Is it rage against the machine?

1404
00:58:52,280 --> 00:58:54,440
Speaker 1: Is that our middle ground? Is it pearl jam? A

1405
00:58:54,440 --> 00:58:56,720
Speaker 1: pearl jam? But regge against the machine? I'm all in,

1406
00:58:57,080 --> 00:58:59,560
Speaker 1: all in, I'd happily go.

1407
00:59:00,640 --> 00:59:02,760
Speaker 3: I don't know if we would match up and meet

1408
00:59:02,760 --> 00:59:04,160
Speaker 3: in the middle anywhere else, because I.

1409
00:59:05,320 --> 00:59:10,680
Speaker 1: Can't believe we wouldn't match up on hip hop? Really,

1410
00:59:10,760 --> 00:59:14,640
Speaker 1: how okay? You wouldn't go to a push a T show? Well, well,

1411
00:59:14,680 --> 00:59:17,120
Speaker 1: you have to understand, Luke, and I'm a connoisseur of music.

1412
00:59:17,440 --> 00:59:20,360
Speaker 3: I just really want to put that out there. You know,

1413
00:59:20,440 --> 00:59:22,640
Speaker 3: hip hop shows are the worst, and I've seen many.

1414
00:59:22,520 --> 00:59:25,200
Speaker 3: They're the worst. So when I want to see art

1415
00:59:25,280 --> 00:59:28,120
Speaker 3: form displayed like that, I think that's why you're missing

1416
00:59:28,160 --> 00:59:31,560
Speaker 3: the boat on an understanding the jam genre is it's

1417
00:59:31,560 --> 00:59:35,439
Speaker 3: really I don't understand the art of music on your

1418
00:59:35,480 --> 00:59:37,720
Speaker 3: wall very similar here. All right, let's keep going because

1419
00:59:37,720 --> 00:59:39,280
Speaker 3: we have We're gonna have just enough time for Have.

1420
00:59:39,240 --> 00:59:41,200
Speaker 1: You seen this ship? We don't have time for. I

1421
00:59:41,240 --> 00:59:43,920
Speaker 1: have ship to do. Look, I will get you way.

1422
00:59:43,960 --> 00:59:45,920
Speaker 1: Did we not agree yesterday on the show call? We

1423
00:59:45,960 --> 00:59:47,240
Speaker 1: did not. We're not going to do that thing.

1424
00:59:47,560 --> 00:59:50,880
Speaker 3: What makes this show good is the constant tension of

1425
00:59:51,080 --> 00:59:54,960
Speaker 3: power between us. It's like it's like it's like the

1426
00:59:55,120 --> 00:59:57,360
Speaker 3: last of the line for guns and Roses. Remember Axel

1427
00:59:57,560 --> 01:00:00,439
Speaker 3: Axel wanted to basically become Elton Johnny One piano driven

1428
01:00:00,520 --> 01:00:02,000
Speaker 3: rock and slash. The other guy's like, what the hell

1429
01:00:02,000 --> 01:00:04,040
Speaker 3: you're doing, dude, we're grimy rock stars.

1430
01:00:04,280 --> 01:00:05,040
Speaker 2: That's you and I right.

1431
01:00:05,160 --> 01:00:08,320
Speaker 1: Someone has producer credits, someone doesn't. Uh.

1432
01:00:08,400 --> 01:00:11,200
Speaker 3: King dot J s draw that sword like he's iron

1433
01:00:11,280 --> 01:00:12,000
Speaker 3: Chicen eighty four.

1434
01:00:12,680 --> 01:00:15,480
Speaker 1: King dot J dot O seven says, name your fave

1435
01:00:15,640 --> 01:00:19,040
Speaker 1: Adam Sandler movie and your movie of the year. Fave

1436
01:00:19,080 --> 01:00:20,080
Speaker 1: Adams Sanlin Moviegough.

1437
01:00:20,640 --> 01:00:23,120
Speaker 3: All right, here's the answer is Billy Madison. But I'm

1438
01:00:23,120 --> 01:00:26,080
Speaker 3: gonna put a butt here. All right, it hasn't aged. Well,

1439
01:00:26,640 --> 01:00:28,040
Speaker 3: it hasn't aged to.

1440
01:00:28,080 --> 01:00:29,520
Speaker 1: The like when you say age you meant like the

1441
01:00:29,560 --> 01:00:31,920
Speaker 1: movie was over and you were like, wow, I'm not brained, Dan.

1442
01:00:32,120 --> 01:00:32,720
Speaker 1: Here's what I say.

1443
01:00:33,360 --> 01:00:35,520
Speaker 3: I can watch Tommy Boy, for example, from the Farley

1444
01:00:35,600 --> 01:00:38,760
Speaker 3: Library today and laugh as hard and real as I

1445
01:00:38,760 --> 01:00:41,480
Speaker 3: did in nineteen ninety five. All Right, Billy Madison in

1446
01:00:41,520 --> 01:00:44,280
Speaker 3: nineteen ninety four was so frickin good.

1447
01:00:44,320 --> 01:00:46,320
Speaker 2: I was a sophomore junior in high school around there.

1448
01:00:46,520 --> 01:00:47,080
Speaker 1: I saw it.

1449
01:00:47,080 --> 01:00:48,280
Speaker 2: Four times in the theater.

1450
01:00:48,640 --> 01:00:50,160
Speaker 3: Do you know the amount of movies I've seen four

1451
01:00:50,160 --> 01:00:54,640
Speaker 3: times in the theater each? Tea, Christmas Vacation and Return

1452
01:00:54,640 --> 01:00:56,240
Speaker 3: of the Jedi are the only three I've ever seen

1453
01:00:56,240 --> 01:00:56,840
Speaker 3: four times.

1454
01:00:56,640 --> 01:00:57,080
Speaker 1: In the theater.

1455
01:00:57,520 --> 01:01:00,320
Speaker 2: Luke, it was the epitome of who I I am?

1456
01:01:00,360 --> 01:01:01,120
Speaker 1: Billy Madison.

1457
01:01:01,520 --> 01:01:03,560
Speaker 2: You go back and watch it today at forty one.

1458
01:01:04,400 --> 01:01:06,439
Speaker 3: It can be a little hit or miss, but I'm

1459
01:01:06,440 --> 01:01:09,560
Speaker 3: a big Sandler guy. There's some late model offers that

1460
01:01:09,600 --> 01:01:11,600
Speaker 3: he's put out there. Have you seen bedtime stories with

1461
01:01:11,640 --> 01:01:15,520
Speaker 3: your with your wife and kid? No bad because Click.

1462
01:01:15,680 --> 01:01:19,240
Speaker 1: I've heard that's good because I would say, if I'm

1463
01:01:19,240 --> 01:01:21,400
Speaker 1: a best comedy that Adam Sandler's done, I'm gonna go

1464
01:01:21,480 --> 01:01:23,480
Speaker 1: water Boy. It's fantastic. I like Waterboy.

1465
01:01:23,600 --> 01:01:25,840
Speaker 2: I mean, dude, the golf one is you know all time?

1466
01:01:26,360 --> 01:01:29,160
Speaker 1: That's a good Okay, I won't go I'll be Gilmore.

1467
01:01:29,640 --> 01:01:31,720
Speaker 1: But really, his best movie I've seen to date is

1468
01:01:31,720 --> 01:01:35,120
Speaker 1: Punch Drunk Love, which is a pt Anderson movie where

1469
01:01:35,120 --> 01:01:37,600
Speaker 1: he I've actually never seen that one. Dude, It's fucking awesome.

1470
01:01:37,800 --> 01:01:40,240
Speaker 1: It's really really good. People like, oh, he does a

1471
01:01:40,320 --> 01:01:43,520
Speaker 1: serious role at uncut gems. He does that in uh,

1472
01:01:43,680 --> 01:01:44,439
Speaker 1: Punchdrunk Love.

1473
01:01:44,440 --> 01:01:47,480
Speaker 3: Actually, don't ever watch The Cobbler on Netflix, starring Adam Sandler.

1474
01:01:47,840 --> 01:01:50,120
Speaker 3: There's a twist at the end that I fucking shoe

1475
01:01:50,160 --> 01:01:52,960
Speaker 3: repair salesman like, he just it's a horror movie. At

1476
01:01:52,960 --> 01:01:55,760
Speaker 3: the end, he repairs shoes, he kills folks. That's what

1477
01:01:55,800 --> 01:01:57,640
Speaker 3: a cobbler is. They just fucking I know what the

1478
01:01:57,640 --> 01:01:59,440
Speaker 3: Cobbler is, Luke, what's your movie of the year.

1479
01:01:59,520 --> 01:02:02,400
Speaker 1: Let me get Skywalker. I don't really go to movies anymore,

1480
01:02:02,400 --> 01:02:05,000
Speaker 1: you know. Uh, my movie of the year, I'm gonna

1481
01:02:05,000 --> 01:02:08,480
Speaker 1: say is Shadow, which is a Chinese like sort of

1482
01:02:08,600 --> 01:02:12,160
Speaker 1: martial arts movie, and not exactly, but it's shot monochromatically,

1483
01:02:12,400 --> 01:02:17,240
Speaker 1: and uh is just brilliant. It's an absolutely brilliant movie.

1484
01:02:17,480 --> 01:02:19,640
Speaker 1: Shoplifters is another one in Japanese. When I saw those

1485
01:02:19,680 --> 01:02:21,720
Speaker 1: really good you gotta keep it roll, get on, keep

1486
01:02:21,760 --> 01:02:23,800
Speaker 1: it roll. Reft to skip some of these because we

1487
01:02:23,800 --> 01:02:25,600
Speaker 1: don't have time. So Jay in the back just sort

1488
01:02:25,600 --> 01:02:31,680
Speaker 1: of be on your ass here. Let's go to og

1489
01:02:31,880 --> 01:02:36,040
Speaker 1: spicy Brown between Luke and Bryan. Who would last longer

1490
01:02:36,080 --> 01:02:39,000
Speaker 1: in Naked and Afraid? Have you seen that show? Oh

1491
01:02:39,080 --> 01:02:41,640
Speaker 1: many many a time? Now? Would you last longer than me?

1492
01:02:41,680 --> 01:02:44,680
Speaker 1: And Naked and Afraid? I don't have high potential in

1493
01:02:44,720 --> 01:02:45,600
Speaker 1: that show, I'm gonna give you.

1494
01:02:45,600 --> 01:02:46,520
Speaker 2: I'm gonna be honest with you.

1495
01:02:48,120 --> 01:02:50,080
Speaker 3: I would think I would be a little bit soft

1496
01:02:50,680 --> 01:02:52,840
Speaker 3: in that, certainly in the naked idea, even on an

1497
01:02:52,840 --> 01:02:55,400
Speaker 3: idea on a show like Survivor on CBS that I've watched,

1498
01:02:55,720 --> 01:02:57,920
Speaker 3: you know, forever, I don't think I have what it

1499
01:02:57,960 --> 01:03:00,520
Speaker 3: takes in that category.

1500
01:03:00,560 --> 01:03:03,320
Speaker 2: You're a little bit more hard into life. You're an next.

1501
01:03:03,080 --> 01:03:05,400
Speaker 1: Marine, You're no such thing as next one.

1502
01:03:05,480 --> 01:03:09,439
Speaker 3: You're sort of in general borderline on your personality level

1503
01:03:09,440 --> 01:03:10,000
Speaker 3: at all times.

1504
01:03:10,000 --> 01:03:12,720
Speaker 1: You could snap at any point. Have I ever snapped

1505
01:03:12,760 --> 01:03:13,000
Speaker 1: on you?

1506
01:03:13,160 --> 01:03:15,280
Speaker 2: And those type of people do well with nothing?

1507
01:03:15,440 --> 01:03:18,000
Speaker 1: Yeah, I'd probably do okay naked and afraid. I was

1508
01:03:18,040 --> 01:03:20,600
Speaker 1: also a boy scout too, so that should becomes no

1509
01:03:20,640 --> 01:03:24,320
Speaker 1: surprise together, though it could be. I don't know. I'd

1510
01:03:24,320 --> 01:03:26,560
Speaker 1: sit on a cactus baccent some bad things for that one,

1511
01:03:26,760 --> 01:03:29,480
Speaker 1: probably all right. Next one, Edwin's picture asks what are

1512
01:03:29,480 --> 01:03:30,680
Speaker 1: your tips for a first date?

1513
01:03:31,800 --> 01:03:33,640
Speaker 2: I don't have many first dates that have gone all

1514
01:03:33,640 --> 01:03:34,400
Speaker 2: the way with the tip.

1515
01:03:34,240 --> 01:03:48,280
Speaker 1: You you're the worst. You're worst than Osama bin Laden.

1516
01:03:49,000 --> 01:03:51,120
Speaker 1: I just want you to know that you're worse than

1517
01:03:51,120 --> 01:03:53,400
Speaker 1: Osama bin Laden. Do you not have any tips for

1518
01:03:53,440 --> 01:03:54,840
Speaker 1: the in cells who watched the show?

1519
01:03:56,360 --> 01:03:56,480
Speaker 3: Uh?

1520
01:03:56,560 --> 01:03:58,640
Speaker 2: You know you may come as a shock. I wasn't

1521
01:03:58,640 --> 01:03:59,160
Speaker 2: a great dater.

1522
01:04:00,040 --> 01:04:03,800
Speaker 1: How'd you meet your wife? MySpace? No way? She hates

1523
01:04:03,840 --> 01:04:05,640
Speaker 1: when I tell that story? Though? Who cares that? This

1524
01:04:05,720 --> 01:04:08,160
Speaker 1: modern age don't gives a shit? The rings on? Who cares?

1525
01:04:08,200 --> 01:04:10,040
Speaker 1: At this point? It's pretty cool? All right? What about you?

1526
01:04:10,080 --> 01:04:14,600
Speaker 1: Do you a at a protest? Or a protest? We

1527
01:04:14,800 --> 01:04:17,959
Speaker 1: rally around the family with a pocket full of shells. No,

1528
01:04:18,240 --> 01:04:22,120
Speaker 1: we used to work together briefly, but corrections institute. Oh shit,

1529
01:04:22,160 --> 01:04:23,680
Speaker 1: that'd be awesome, wouldn't it. Hey?

1530
01:04:23,760 --> 01:04:25,439
Speaker 2: You ready for a viral videos to close?

1531
01:04:25,560 --> 01:04:27,040
Speaker 1: Kay? Hold on, hold on, hold on, hold on, hold

1532
01:04:27,080 --> 01:04:29,400
Speaker 1: on before we do that. All right, it's one twenty four.

1533
01:04:29,920 --> 01:04:31,800
Speaker 1: I'll make a deal with you. I'm being dead seriously.

1534
01:04:31,840 --> 01:04:33,800
Speaker 1: I don't have time to play around. You can get

1535
01:04:33,840 --> 01:04:35,200
Speaker 1: us out by one thirty. I can do it. Oh

1536
01:04:35,320 --> 01:04:37,840
Speaker 1: damn right, all right, let's you're ready for six minutes

1537
01:04:37,880 --> 01:04:38,960
Speaker 1: of fury, six minutes of fear?

1538
01:04:39,120 --> 01:04:40,720
Speaker 2: Sound Jay in the back. Can you give me a

1539
01:04:40,800 --> 01:04:42,080
Speaker 2: heads up that we're alive?

1540
01:04:42,160 --> 01:04:44,400
Speaker 1: We're good? Oh god?

1541
01:04:44,880 --> 01:04:46,320
Speaker 2: Have you seen this ship?

1542
01:04:46,880 --> 01:04:48,800
Speaker 1: Like? The good? You don't like that? That triple?

1543
01:04:48,880 --> 01:04:49,680
Speaker 2: I can get it done with that?

1544
01:04:49,920 --> 01:04:52,160
Speaker 3: The good, bad, the ugly and combat sports over the

1545
01:04:52,160 --> 01:04:54,400
Speaker 3: past two weeks. Luke, Hey, we start with a viewer

1546
01:04:54,440 --> 01:04:58,360
Speaker 3: on Instagram US with two s's versus them hit me

1547
01:04:58,440 --> 01:05:00,680
Speaker 3: up and said, hey, do you I think Luke has

1548
01:05:00,680 --> 01:05:04,400
Speaker 3: an uncanny resemblance to the Marvel's newest sketch of Mister

1549
01:05:04,480 --> 01:05:05,960
Speaker 3: Fantastic for twenty.

1550
01:05:05,680 --> 01:05:09,960
Speaker 1: Twenty Oh that's Luke freaking Thomas right there. What do

1551
01:05:10,000 --> 01:05:12,520
Speaker 1: you think, bro? He's got the salt and pepper.

1552
01:05:12,640 --> 01:05:15,000
Speaker 2: He's got the creepily long limbs.

1553
01:05:15,880 --> 01:05:18,360
Speaker 1: I won't boch for that. Is there a pro wrestler

1554
01:05:18,440 --> 01:05:22,960
Speaker 1: named Paul Lazenbie, not that I know, from Canada. He

1555
01:05:23,040 --> 01:05:26,520
Speaker 1: one time said I looked like Peter Parker's boss and

1556
01:05:26,600 --> 01:05:29,000
Speaker 1: Spider Man. I don't know, but that guy looks pretty

1557
01:05:29,080 --> 01:05:29,800
Speaker 1: jack too. Luke.

1558
01:05:29,840 --> 01:05:32,080
Speaker 2: You know you used to be a power lifter before pregnancy.

1559
01:05:32,360 --> 01:05:35,640
Speaker 1: Yeah, yeah, now just fucking dying slowly? Well yeah, it

1560
01:05:35,680 --> 01:05:36,200
Speaker 1: was a little bit like.

1561
01:05:36,200 --> 01:05:38,040
Speaker 3: My sure, all right, have you seen this shit, Luke.

1562
01:05:38,080 --> 01:05:40,280
Speaker 3: We're gonna go we always claim we go around the globe.

1563
01:05:40,480 --> 01:05:44,600
Speaker 3: South Africa. There's a heavyweight named Ruan Visser. He's getting ready,

1564
01:05:44,680 --> 01:05:46,440
Speaker 3: he's warming up, he's ready for the big fi. Oh

1565
01:05:46,520 --> 01:05:49,240
Speaker 3: my god, he's over the top rope. Luke eliminated from

1566
01:05:49,240 --> 01:05:51,960
Speaker 3: the Royal Rumble, just like that, his two feet hit

1567
01:05:52,000 --> 01:05:54,600
Speaker 3: the floor. Right, bro, I don't know much about this guy,

1568
01:05:54,600 --> 01:05:55,640
Speaker 3: but that's embarrassing.

1569
01:05:55,960 --> 01:05:57,920
Speaker 1: You can't come back from that. Well, well, look at

1570
01:05:57,920 --> 01:06:00,800
Speaker 1: his opponent. His opponent's just like I don't I don't

1571
01:06:00,840 --> 01:06:01,280
Speaker 1: stand for that.

1572
01:06:01,680 --> 01:06:04,560
Speaker 3: Who want Hey, let's go to regional low level mma.

1573
01:06:04,680 --> 01:06:06,480
Speaker 3: This could be Middle America. This could be Omaha, as

1574
01:06:06,520 --> 01:06:06,840
Speaker 3: far as.

1575
01:06:06,840 --> 01:06:09,120
Speaker 1: I know, Oh sent to Helen, look at a cage,

1576
01:06:09,120 --> 01:06:11,600
Speaker 1: hold him up, Luke, dude, he turned into a doorstop.

1577
01:06:11,760 --> 01:06:11,920
Speaker 1: You know.

1578
01:06:12,040 --> 01:06:14,240
Speaker 3: He turned into when you catch a fish and then

1579
01:06:14,280 --> 01:06:15,960
Speaker 3: you you mound it up and you put it there.

1580
01:06:16,760 --> 01:06:21,520
Speaker 1: Bob Oh wow for him, that's bad.

1581
01:06:21,600 --> 01:06:25,320
Speaker 3: But I guess that's why the wall the cages would dances.

1582
01:06:25,560 --> 01:06:27,400
Speaker 2: That might be is did it rain after that?

1583
01:06:27,440 --> 01:06:29,160
Speaker 1: I don't know. Bop was that racist? I don't know.

1584
01:06:29,280 --> 01:06:31,200
Speaker 1: All right, Well, if he's getting back at the white man,

1585
01:06:31,240 --> 01:06:32,320
Speaker 1: you sort of have to cheer him on.

1586
01:06:33,360 --> 01:06:35,600
Speaker 3: Hey, we're gonna go over to Glory. You told me

1587
01:06:35,640 --> 01:06:38,760
Speaker 3: about this guy, Alex Padeda. He once sends Autosania to hell,

1588
01:06:39,080 --> 01:06:42,120
Speaker 3: and now he won't stop sending everyone else Glory Champchamp,

1589
01:06:42,200 --> 01:06:44,520
Speaker 3: Glory Champchamp. Who is getting back into Mma?

1590
01:06:44,680 --> 01:06:46,880
Speaker 1: Is this true? So he they wanted to, and then

1591
01:06:46,880 --> 01:06:48,920
Speaker 1: Glory made him a big ass offer to not do

1592
01:06:49,000 --> 01:06:52,040
Speaker 1: it that he couldn't refuse. Bop, Bop, hold that bitch.

1593
01:06:52,120 --> 01:06:54,360
Speaker 3: Look at the way he sent that one touch So

1594
01:06:54,400 --> 01:06:56,720
Speaker 3: the way he touches people and they just they just

1595
01:06:56,760 --> 01:06:57,200
Speaker 3: go away.

1596
01:06:57,240 --> 01:06:59,120
Speaker 1: It kind of reminds me in college. I actually began

1597
01:06:59,160 --> 01:07:01,280
Speaker 1: covering him when he did Glory's Last Man Standing thing,

1598
01:07:01,320 --> 01:07:02,840
Speaker 1: And I knew he was good, but he didn't appear

1599
01:07:02,840 --> 01:07:04,800
Speaker 1: to be like a world beater. He's only become a

1600
01:07:04,800 --> 01:07:07,320
Speaker 1: world beater in the last few years or so. He

1601
01:07:07,480 --> 01:07:12,120
Speaker 1: just like became amazing as you just do this for.

1602
01:07:12,880 --> 01:07:14,640
Speaker 2: Like this segment. All right, Luke, we're gonna.

1603
01:07:14,400 --> 01:07:16,640
Speaker 1: Go from there. Here come the ball hit.

1604
01:07:17,360 --> 01:07:19,280
Speaker 3: There's an old the old guy. There's an old set

1605
01:07:19,320 --> 01:07:22,240
Speaker 3: hold on this guy. King are coming in right here,

1606
01:07:22,320 --> 01:07:26,280
Speaker 3: right here? I know, is that a TMT switch? All right,

1607
01:07:26,320 --> 01:07:27,320
Speaker 3: I gotta get back into the hage.

1608
01:07:27,720 --> 01:07:30,240
Speaker 1: You had like fifty I pas with fruit in it.

1609
01:07:30,360 --> 01:07:33,240
Speaker 1: You had one fucking Belgian beer. Luke.

1610
01:07:33,880 --> 01:07:36,480
Speaker 2: The history of Luke Thomas is like life never happy.

1611
01:07:36,560 --> 01:07:37,400
Speaker 1: All right, here we go, Luke.

1612
01:07:37,600 --> 01:07:39,960
Speaker 3: Actually, there's a staying that the old people use. It's

1613
01:07:40,000 --> 01:07:41,800
Speaker 3: called from the lip to the cup. And I know

1614
01:07:41,840 --> 01:07:43,680
Speaker 3: you don't know what that means, but this guy's trying

1615
01:07:43,720 --> 01:07:45,000
Speaker 3: to measure that distance.

1616
01:07:45,280 --> 01:07:50,400
Speaker 1: Check it out. Check it out, Check it out. It's

1617
01:07:50,400 --> 01:07:52,040
Speaker 1: a little trick you can play on your friends. Luke.

1618
01:07:52,040 --> 01:07:54,640
Speaker 1: All right, if you had some what do you think

1619
01:07:54,680 --> 01:07:58,320
Speaker 1: of that? Nothing no cell, little little no cell from

1620
01:07:58,360 --> 01:08:00,920
Speaker 1: Thomas you're five years old. Alright.

1621
01:08:00,960 --> 01:08:02,080
Speaker 2: That guy took it hard though.

1622
01:08:02,040 --> 01:08:06,240
Speaker 1: Right, Let's see one more time. Raises it up, get

1623
01:08:06,280 --> 01:08:12,160
Speaker 1: the correct measurements. Pretty good fall. He took well, and

1624
01:08:12,160 --> 01:08:13,640
Speaker 1: then I popped the back. If I can pop the

1625
01:08:13,640 --> 01:08:15,160
Speaker 1: control room, then you know I'm doing well.

1626
01:08:15,280 --> 01:08:18,479
Speaker 3: All right, let's go to another regional mma where anything

1627
01:08:18,479 --> 01:08:20,400
Speaker 3: can happen to regional m man if people come from.

1628
01:08:20,360 --> 01:08:21,120
Speaker 1: Under the canvas.

1629
01:08:21,240 --> 01:08:23,880
Speaker 2: Look at this ground and pound finish ref wakes the

1630
01:08:23,880 --> 01:08:24,360
Speaker 2: guy up.

1631
01:08:24,479 --> 01:08:26,400
Speaker 1: The guy he's back, he's back. Look at the ghost

1632
01:08:26,439 --> 01:08:28,839
Speaker 1: he's back. Look at the rest. Take down the fensive

1633
01:08:28,840 --> 01:08:32,559
Speaker 1: guarantee he topped on. Somebody's breaked that up. What is

1634
01:08:32,600 --> 01:08:35,160
Speaker 1: going on here? Whoa dude?

1635
01:08:36,400 --> 01:08:36,719
Speaker 3: Wow?

1636
01:08:37,600 --> 01:08:40,439
Speaker 2: Look at this regional over the ref of smile like

1637
01:08:40,439 --> 01:08:42,519
Speaker 2: I got that man? Yeah, well he put that guillotine

1638
01:08:42,560 --> 01:08:43,439
Speaker 2: on on on.

1639
01:08:45,240 --> 01:08:50,680
Speaker 1: Yeah, damn, holy shit. Man. You ever want to get

1640
01:08:50,720 --> 01:08:55,120
Speaker 1: high with Josh Rosenthal? Oh desperately? You know he's got

1641
01:08:55,280 --> 01:08:57,200
Speaker 1: fucking dank Come on.

1642
01:08:57,640 --> 01:09:00,280
Speaker 3: Yeah, all right, Hey we're gonna go to uh did

1643
01:09:00,320 --> 01:09:02,400
Speaker 3: you buy CrossFit Championships?

1644
01:09:02,520 --> 01:09:02,760
Speaker 1: Hey?

1645
01:09:02,800 --> 01:09:05,080
Speaker 3: Remember Polish m and they started this thing about tip

1646
01:09:05,120 --> 01:09:08,040
Speaker 3: on tip It was a revolution. Look at this celebration,

1647
01:09:08,200 --> 01:09:09,800
Speaker 3: Luke you downe with this.

1648
01:09:09,800 --> 01:09:11,360
Speaker 1: This is not how we greet each other.

1649
01:09:11,640 --> 01:09:13,920
Speaker 3: Look, there are people, and I'm not saying I want this,

1650
01:09:14,000 --> 01:09:15,400
Speaker 3: by the way, I want to put that out there

1651
01:09:15,600 --> 01:09:17,360
Speaker 3: that people think, if we can get to one hundred

1652
01:09:17,439 --> 01:09:20,680
Speaker 3: thousand YouTube subscribers, that you and I are gonna go

1653
01:09:20,720 --> 01:09:22,479
Speaker 3: tot and I am not in you.

1654
01:09:22,400 --> 01:09:24,599
Speaker 1: Could understand that. It's like I want Brian and Luke

1655
01:09:24,640 --> 01:09:29,840
Speaker 1: to like to fuck each other. Why would you want that, Luke.

1656
01:09:29,920 --> 01:09:31,920
Speaker 1: We're gonna we're gonna have to edit. We're gonna have

1657
01:09:31,960 --> 01:09:33,800
Speaker 1: to edit that part out afterwards. I mean, I don't

1658
01:09:33,800 --> 01:09:35,920
Speaker 1: even understand. I just don't even understand, like what the

1659
01:09:35,960 --> 01:09:36,760
Speaker 1: appeal would be.

1660
01:09:36,960 --> 01:09:40,200
Speaker 3: All right, Okay, all right, Hey, thanks for blowing the spot. Hey,

1661
01:09:40,280 --> 01:09:42,360
Speaker 3: let's move on here. A lot of people train for

1662
01:09:42,400 --> 01:09:48,360
Speaker 3: fights in very different ways, Luke. I mean, look, this

1663
01:09:48,439 --> 01:09:50,439
Speaker 3: is called hitting the bag. I think he got some

1664
01:09:50,479 --> 01:09:53,160
Speaker 3: of the shaft too. Look when you when it comes

1665
01:09:53,200 --> 01:09:58,080
Speaker 3: to preparing for a fight, Luke, I don't know.

1666
01:09:58,040 --> 01:10:00,400
Speaker 2: If this is an adult movie or a what's going

1667
01:10:00,439 --> 01:10:00,720
Speaker 2: on here?

1668
01:10:00,720 --> 01:10:02,760
Speaker 3: Hey, Dylan dani is putting that on the putting that

1669
01:10:02,840 --> 01:10:03,840
Speaker 3: all on the interwebsite.

1670
01:10:04,000 --> 01:10:08,880
Speaker 1: You into that nothing. I got nothing from Thomas I

1671
01:10:08,880 --> 01:10:12,240
Speaker 1: don't I don't know what to say. I don't know.

1672
01:10:12,360 --> 01:10:13,760
Speaker 1: I literally don't know what to say.

1673
01:10:15,360 --> 01:10:21,920
Speaker 3: Wow, wow, yeah, woo woo.

1674
01:10:22,560 --> 01:10:24,520
Speaker 2: All right, Hey, we're just gonna let that play.

1675
01:10:24,320 --> 01:10:26,960
Speaker 1: Jay big fan of that one. Okay, Hey, do you

1676
01:10:27,000 --> 01:10:29,760
Speaker 1: know how did we get this job? You know that

1677
01:10:29,840 --> 01:10:33,880
Speaker 1: Jay has three kids. There's no way they know what

1678
01:10:33,920 --> 01:10:36,559
Speaker 1: daddy does. We're living Oh god, all right, Hey, let's

1679
01:10:36,560 --> 01:10:37,599
Speaker 1: close with this.

1680
01:10:37,600 --> 01:10:39,280
Speaker 3: This is a little bit old, but I've had this

1681
01:10:39,320 --> 01:10:41,960
Speaker 3: saved on my phone for so long. This is Kevin

1682
01:10:42,000 --> 01:10:45,959
Speaker 3: Connors and Andre Ward ESPN Boxing. Look at it, Strange

1683
01:10:46,000 --> 01:10:47,920
Speaker 3: Brew two point oh pop and if these guys are

1684
01:10:47,920 --> 01:10:49,360
Speaker 3: my heroes, look at these guys.

1685
01:10:50,760 --> 01:10:54,160
Speaker 1: Look at the choreography, the placement. That's brilliant.

1686
01:10:54,920 --> 01:10:56,840
Speaker 2: Right, It's like you and me right now, if you

1687
01:10:56,920 --> 01:10:57,439
Speaker 2: only had.

1688
01:10:57,360 --> 01:11:01,400
Speaker 1: A beer salude.

1689
01:11:02,240 --> 01:11:03,920
Speaker 3: You know, when I was young, I really pretty much

1690
01:11:03,960 --> 01:11:05,080
Speaker 3: aspired to be those guys.

1691
01:11:06,520 --> 01:11:10,200
Speaker 1: That's where you and I differ. That's where our that's

1692
01:11:10,200 --> 01:11:12,360
Speaker 1: where we're are our lives part ways. Look have you

1693
01:11:12,400 --> 01:11:14,760
Speaker 1: seen that ship? I have seen that ship, all right?

1694
01:11:15,920 --> 01:11:17,799
Speaker 2: That say something really nice about.

1695
01:11:17,560 --> 01:11:19,920
Speaker 1: Our our audience, our overlords.

1696
01:11:20,040 --> 01:11:22,639
Speaker 3: First of all, we don't get we don't cash those

1697
01:11:22,720 --> 01:11:23,960
Speaker 3: chats here's the thing.

1698
01:11:24,000 --> 01:11:26,840
Speaker 1: I want to say nice things about Showtime, and I will,

1699
01:11:27,280 --> 01:11:30,040
Speaker 1: but my hunch is the people who like mad at

1700
01:11:30,080 --> 01:11:32,160
Speaker 1: the most of Showtime, they don't know what we're up to,

1701
01:11:32,600 --> 01:11:35,400
Speaker 1: because if they saw someone shadow boxing off a dong,

1702
01:11:36,040 --> 01:11:37,479
Speaker 1: we'd be fired tonight.

1703
01:11:38,120 --> 01:11:41,400
Speaker 2: Oh hey, we got fan mail. We got fan mail here?

1704
01:11:41,880 --> 01:11:43,680
Speaker 1: What is this? Hold on, I'm not gonna open it.

1705
01:11:43,720 --> 01:11:44,720
Speaker 1: I'm not gonna open it. Let me see.

1706
01:11:44,720 --> 01:11:45,439
Speaker 2: I'm good to open it.

1707
01:11:45,560 --> 01:11:49,519
Speaker 1: I'm gonna open it from Ireland. Dude, there's gonna be like,

1708
01:11:49,560 --> 01:11:51,439
Speaker 1: there's gonna be powder in there. Yeah, there's gonna be

1709
01:11:51,520 --> 01:11:55,200
Speaker 1: small pox in this, all right, although I've got smallpox vaccines.

1710
01:11:55,720 --> 01:11:57,439
Speaker 3: Remember in two thousand and one, people are milling each

1711
01:11:57,439 --> 01:11:58,439
Speaker 3: other powder and panisa.

1712
01:11:58,479 --> 01:12:00,479
Speaker 1: Yeah, maybe we get some of that. Try to like

1713
01:12:00,479 --> 01:12:03,120
Speaker 1: take this vaccine, all right. We got a card here.

1714
01:12:03,240 --> 01:12:04,320
Speaker 1: Let me see. We got show it to me too.

1715
01:12:04,360 --> 01:12:07,600
Speaker 1: Hold on, hold on, there's room for everyone on the

1716
01:12:07,680 --> 01:12:10,479
Speaker 1: nice list, even you shout out to Elf and this

1717
01:12:10,520 --> 01:12:12,680
Speaker 1: is where you get aids. Wow, look at this.

1718
01:12:13,000 --> 01:12:16,320
Speaker 3: To Luke and Brian, thanks for all the great content

1719
01:12:16,360 --> 01:12:17,200
Speaker 3: in twenty nineteen.

1720
01:12:17,320 --> 01:12:18,479
Speaker 2: Can't believe it's free.

1721
01:12:18,680 --> 01:12:22,400
Speaker 3: Yeah, Morning Combat is an outstanding show I'd say more

1722
01:12:22,479 --> 01:12:25,000
Speaker 3: nice things, but Jay is in my ear telling.

1723
01:12:24,800 --> 01:12:25,680
Speaker 1: Me to finish up.

1724
01:12:25,800 --> 01:12:31,400
Speaker 3: God, have a great Christmas and superb twenty twenty All

1725
01:12:31,479 --> 01:12:35,840
Speaker 3: the best des from Cork, Ireland is great, bitch. We

1726
01:12:35,960 --> 01:12:40,400
Speaker 3: are worldwide right now, I'm talking about right Yeah, what

1727
01:12:40,760 --> 01:12:42,040
Speaker 3: card our number one fan?

1728
01:12:42,120 --> 01:12:44,080
Speaker 1: And that really is real, man, like the postage on

1729
01:12:44,160 --> 01:12:46,960
Speaker 1: this thing, that's real. I love that shit? All right?

1730
01:12:47,560 --> 01:12:49,400
Speaker 1: How can they give to you and not to me? Luke?

1731
01:12:49,439 --> 01:12:52,720
Speaker 2: We can't have a show unless we have people.

1732
01:12:52,560 --> 01:12:54,720
Speaker 1: So so how do you find a fucking address? So

1733
01:12:55,320 --> 01:12:56,080
Speaker 1: that's a good point.

1734
01:12:56,120 --> 01:12:58,920
Speaker 2: This is this is a total unusual, a random bunker

1735
01:12:58,960 --> 01:12:59,639
Speaker 2: here in Jersey.

1736
01:13:00,280 --> 01:13:03,080
Speaker 1: Did he find the actual address? Bro? He got it

1737
01:13:03,160 --> 01:13:06,320
Speaker 1: right on the like he got it down on perfectly.

1738
01:13:06,600 --> 01:13:08,240
Speaker 2: He must have called somebody or I don't know.

1739
01:13:08,320 --> 01:13:09,240
Speaker 1: Maybe he's a little sketch.

1740
01:13:09,320 --> 01:13:11,799
Speaker 2: Maybe he's watching us right now from your laptop viewfinder.

1741
01:13:11,840 --> 01:13:14,559
Speaker 3: Maybe thats a nice card though. All right, all right, hey,

1742
01:13:14,600 --> 01:13:16,880
Speaker 3: shout out to Dez right there. Shout out to all

1743
01:13:16,960 --> 01:13:19,639
Speaker 3: the weird people, all right, all the lonely people. Where

1744
01:13:19,680 --> 01:13:23,040
Speaker 3: do they all come from? They show up in and

1745
01:13:23,280 --> 01:13:25,639
Speaker 3: watch our damn show? Yes, and I love it, Luke,

1746
01:13:25,720 --> 01:13:27,720
Speaker 3: because here's the thing. I would do this over the

1747
01:13:27,760 --> 01:13:28,880
Speaker 3: phone with you for free.

1748
01:13:29,120 --> 01:13:31,360
Speaker 1: I don't believe that, but we are getting paid, so

1749
01:13:31,479 --> 01:13:33,000
Speaker 1: it's a nice thing to say. I mean, look, here's

1750
01:13:33,000 --> 01:13:34,920
Speaker 1: the reality. Who gets paid to do this and who

1751
01:13:34,960 --> 01:13:37,240
Speaker 1: does this in combat sports? Seriously serious question.

1752
01:13:37,360 --> 01:13:39,559
Speaker 2: Most people in combat sports are putting out cringe content.

1753
01:13:39,640 --> 01:13:42,400
Speaker 1: Yeah, most people in combat sports are nerds. But then

1754
01:13:42,439 --> 01:13:44,800
Speaker 1: there's a couple of cool people that when they get together,

1755
01:13:44,840 --> 01:13:48,320
Speaker 1: they produce something better. But in all seriousness, this audience

1756
01:13:48,520 --> 01:13:51,120
Speaker 1: is unlike any other audience I think for any other show.

1757
01:13:51,520 --> 01:13:53,720
Speaker 1: This show is unlike any other show that we have

1758
01:13:53,760 --> 01:13:56,000
Speaker 1: in combat sports. You're damn right, and we're only trying

1759
01:13:56,000 --> 01:13:58,120
Speaker 1: to take it to the next level. In twenty twenty.

1760
01:13:58,160 --> 01:13:59,960
Speaker 1: Twenty nineteen was a great year for us. We did

1761
01:14:00,080 --> 01:14:01,360
Speaker 1: what episode is this twenty four?

1762
01:14:01,360 --> 01:14:05,400
Speaker 3: We gotta get I mean the microphone exposed, shattering the mold, right,

1763
01:14:05,439 --> 01:14:06,840
Speaker 3: I mean that's what we do on the show.

1764
01:14:07,840 --> 01:14:10,599
Speaker 1: Get the right, Yeah, get the f out of the commodo.

1765
01:14:10,600 --> 01:14:12,960
Speaker 1: It's gonna be a It was a great year. I

1766
01:14:13,000 --> 01:14:14,920
Speaker 1: can't thank Showtime enough for this opportunity.

1767
01:14:15,520 --> 01:14:17,800
Speaker 3: If this is our last episode, which there's many reasons

1768
01:14:17,800 --> 01:14:18,400
Speaker 3: why it could go.

1769
01:14:18,800 --> 01:14:21,240
Speaker 2: There's a broken frame picture of two guys touching dogs

1770
01:14:21,280 --> 01:14:21,559
Speaker 2: over there.

1771
01:14:21,720 --> 01:14:24,400
Speaker 1: That will be That will be our legacy, Brian Campbell's

1772
01:14:24,439 --> 01:14:25,880
Speaker 1: infestation of Dick touch.

1773
01:14:25,960 --> 01:14:28,360
Speaker 3: I will say this. Shout out to Andy King for

1774
01:14:28,400 --> 01:14:31,200
Speaker 3: teaching us about teamwork. Shout out to our crew, all

1775
01:14:31,240 --> 01:14:32,120
Speaker 3: these people.

1776
01:14:31,800 --> 01:14:39,280
Speaker 1: Behind here for everybody. Yeah, all right, Ashley didn't clap

1777
01:14:39,360 --> 01:14:43,679
Speaker 1: because yeah, but that it does, it doesn't really count. Yeah.

1778
01:14:44,840 --> 01:14:46,400
Speaker 2: I love this ship, Luke. Do you know when we

1779
01:14:46,439 --> 01:14:47,120
Speaker 2: signed up for this?

1780
01:14:48,720 --> 01:14:50,559
Speaker 1: I know because I gave you a phone call being like,

1781
01:14:50,640 --> 01:14:52,719
Speaker 1: don't do anything, I've got a great offer coming.

1782
01:14:52,840 --> 01:14:54,479
Speaker 3: I was like, you know what, remember that, remember that

1783
01:14:54,520 --> 01:14:56,720
Speaker 3: phone This is another thing that I do and it's

1784
01:14:56,800 --> 01:14:58,679
Speaker 3: great Now.

1785
01:14:58,760 --> 01:15:01,519
Speaker 1: Then it became the defines your best thing, going, luc

1786
01:15:01,640 --> 01:15:04,439
Speaker 1: the best. This is a real moment, even when you

1787
01:15:04,560 --> 01:15:11,600
Speaker 1: ruin shiptes late. All right, mmmm, that's pretty good. You

1788
01:15:11,680 --> 01:15:12,920
Speaker 1: want to do it? You want to do a Columbian

1789
01:15:12,960 --> 01:15:14,320
Speaker 1: style real quick? Yeah? What does that mean? Does that

1790
01:15:14,320 --> 01:15:16,360
Speaker 1: mean where we get high and shoot each other? That's

1791
01:15:16,360 --> 01:15:18,679
Speaker 1: actually your drugs, not Columbia's drugs. One more time ready,

1792
01:15:18,680 --> 01:15:20,800
Speaker 1: I'll show you, so you gotta go. It's up down

1793
01:15:21,160 --> 01:15:23,000
Speaker 1: very Danny Sigur, Right, here. Yeah, but you know what,

1794
01:15:23,080 --> 01:15:25,280
Speaker 1: it's a it's a good luck thing. How about okay, okay,

1795
01:15:25,280 --> 01:15:32,320
Speaker 1: so you gotta clinkajo clink, posentro clink bianthro take.

1796
01:15:32,200 --> 01:15:38,519
Speaker 3: It us Lithuanians. We just touched dogs and drink it. Luke,

1797
01:15:38,520 --> 01:15:39,760
Speaker 3: all right, that's what we do.

1798
01:15:39,840 --> 01:15:42,960
Speaker 1: Okay. It's a simpler time, it is it is? Yeah,

1799
01:15:42,960 --> 01:15:44,760
Speaker 1: all right, So here's our social you can see it

1800
01:15:44,800 --> 01:15:46,320
Speaker 1: on the They're gonna put it up here if you

1801
01:15:46,320 --> 01:15:48,280
Speaker 1: want to follow us, give it something you want to

1802
01:15:48,320 --> 01:15:50,360
Speaker 1: you want to put it on if you want to

1803
01:15:50,360 --> 01:15:53,040
Speaker 1: follow us on all this stuff for let's see Twitter,

1804
01:15:53,160 --> 01:15:55,720
Speaker 1: for Instagram, and then of course give the video a

1805
01:15:56,040 --> 01:15:58,519
Speaker 1: thumbs up, and then subscribe to the channel. Tell folks

1806
01:15:58,520 --> 01:16:01,240
Speaker 1: about this show, please please, please, please please. And he's

1807
01:16:01,240 --> 01:16:01,759
Speaker 1: gonna say.

1808
01:16:01,600 --> 01:16:03,439
Speaker 3: Before we go, because I have what number do we

1809
01:16:03,520 --> 01:16:06,639
Speaker 3: have to get to subscriber wise before we can unleash

1810
01:16:06,760 --> 01:16:07,759
Speaker 3: J on the masses?

1811
01:16:08,439 --> 01:16:13,320
Speaker 1: Ooh, seventy five K. Seventy five kright, not quite to

1812
01:16:13,320 --> 01:16:15,360
Speaker 1: the one hundred K. He can be seen at seventy

1813
01:16:15,400 --> 01:16:17,639
Speaker 1: five K. But until then, did you know he's a director,

1814
01:16:17,720 --> 01:16:20,440
Speaker 1: he stays at the Wizard of he's a singer songwriter,

1815
01:16:20,600 --> 01:16:25,840
Speaker 1: he's Uh well he's mostly mediocre. Mediocre? What do you do?

1816
01:16:26,200 --> 01:16:28,360
Speaker 1: All right? Thank you guys so much for watching. I

1817
01:16:28,400 --> 01:16:30,360
Speaker 1: hope you enjoyed twenty nineteen as a combat sports fan

1818
01:16:30,479 --> 01:16:32,960
Speaker 1: as well as an audience member of this show. That

1819
01:16:33,040 --> 01:16:35,519
Speaker 1: is Brian Campbell. I'm Luke Thomas until next time. Wait

1820
01:16:35,560 --> 01:16:38,640
Speaker 1: what Jay? What the fuck? J Why are you interrupting

1821
01:16:38,680 --> 01:16:44,240
Speaker 1: me on my fucking side off? Oh fuck Brian Campbell.

1822
01:16:44,320 --> 01:16:46,960
Speaker 1: There's Brian Campbell. I'm look Thomas until next time. No

1823
01:16:47,200 --> 01:17:41,320
Speaker 1: fuck it, Well your game's be loyal, bit chens