1
00:00:11,800 --> 00:00:16,880
Speaker 1: And it's Drinks motherfucking podcast. Mason, he's a legendary queen's rapper.

2
00:00:17,000 --> 00:00:19,200
Speaker 1: He's agree is your boy in O R E He's

3
00:00:19,239 --> 00:00:23,240
Speaker 1: a Miami hippop pioneer up his DJ e FN. Together

4
00:00:23,400 --> 00:00:25,640
Speaker 1: they drink it up with some of the biggest players,

5
00:00:25,920 --> 00:00:29,960
Speaker 1: I mean, in the most professional unprofessional podcast and you're

6
00:00:30,040 --> 00:00:34,240
Speaker 1: number one source for drunk drinks. Motherfucking is New Year's

7
00:00:34,240 --> 00:00:37,640
Speaker 1: e just like it's time for drink Chimps. Drink up,

8
00:00:37,680 --> 00:00:46,400
Speaker 1: motherfuck mother. Would a good be? Hopefully is what it

9
00:00:46,400 --> 00:00:48,400
Speaker 1: should be. This is your Boy and O R E

10
00:00:48,960 --> 00:00:51,560
Speaker 1: e FN is on vacation. I haven't used that word

11
00:00:51,600 --> 00:00:54,240
Speaker 1: in over ten years, vacation. But let's pick him up

12
00:00:54,240 --> 00:00:56,560
Speaker 1: wherever he's at. Before we get into two nice episodes,

13
00:00:56,600 --> 00:00:59,320
Speaker 1: I want to big up while wave uh you know,

14
00:00:59,560 --> 00:01:03,680
Speaker 1: uh a tremendous company out there. Big up my man,

15
00:01:03,800 --> 00:01:07,559
Speaker 1: Steve Ripkin. We wanted a sexy place uh to do this,

16
00:01:07,840 --> 00:01:09,720
Speaker 1: and you know they provided. It's a big them all.

17
00:01:10,040 --> 00:01:14,480
Speaker 1: But this is Drink Champs podcast, and right now I

18
00:01:14,600 --> 00:01:18,960
Speaker 1: have two of the most lyrical giants of the world,

19
00:01:19,840 --> 00:01:23,639
Speaker 1: the gorilla and the Lion of the jungle. These guys

20
00:01:23,880 --> 00:01:27,440
Speaker 1: go baf a ball. They finally linked up together and

21
00:01:27,440 --> 00:01:31,360
Speaker 1: made a whole project. It comes. It came out Black Friday.

22
00:01:31,680 --> 00:01:33,280
Speaker 1: If you didn't go get it, you don't know who

23
00:01:33,280 --> 00:01:35,360
Speaker 1: we're talking about right now. Right now, we're talking about

24
00:01:35,440 --> 00:01:39,320
Speaker 1: Jada Kiss and Mr f A. B. L. West makes

25
00:01:39,360 --> 00:01:47,600
Speaker 1: something Now now, now you know I'm peeping on Instagram.

26
00:01:47,640 --> 00:01:49,600
Speaker 1: Your brothers was on the promo. Run out here in

27
00:01:49,840 --> 00:01:53,920
Speaker 1: l A. You guys wants to change three different times today. No,

28
00:01:54,600 --> 00:01:57,720
Speaker 1: we gotta just young Vi. You know I think it's

29
00:01:57,720 --> 00:02:03,160
Speaker 1: got the stylus with y'all go somewhere. I said, these

30
00:02:03,240 --> 00:02:08,760
Speaker 1: things have changes. Outfit terry, bring vibe everywhere we go. Okay, well,

31
00:02:08,919 --> 00:02:10,920
Speaker 1: well I want to start it off right and celebrate

32
00:02:10,919 --> 00:02:13,040
Speaker 1: you fab. It goes your own bottle, even though you

33
00:02:13,080 --> 00:02:15,120
Speaker 1: got bottles at the crib. We gotta get it. Do

34
00:02:15,160 --> 00:02:17,280
Speaker 1: it right, you pop, that's all you. You know what

35
00:02:17,320 --> 00:02:19,760
Speaker 1: I'm saying. Kiss, We got you to you want your

36
00:02:19,800 --> 00:02:21,480
Speaker 1: bucket to kiss or you want to take this bucket.

37
00:02:21,480 --> 00:02:23,880
Speaker 1: It's a little sexy. Okay, looks right there. You know

38
00:02:23,880 --> 00:02:25,639
Speaker 1: what I'm saying. Wenna, you guys. I know y'all have

39
00:02:25,720 --> 00:02:28,600
Speaker 1: been working hard and all that, but I am your

40
00:02:28,639 --> 00:02:32,280
Speaker 1: pair we are of the same and I want to

41
00:02:32,280 --> 00:02:34,919
Speaker 1: salute and respect you brothers. You understand what I'm saying.

42
00:02:35,680 --> 00:02:38,040
Speaker 1: I heard you. I heard you had an argument about

43
00:02:38,040 --> 00:02:42,560
Speaker 1: the Vibe cover. Oh yeah, I was talking, Uh yeah,

44
00:02:42,680 --> 00:02:49,120
Speaker 1: the Niger. Yeah. We came to the conclusion that he

45
00:02:49,320 --> 00:02:52,600
Speaker 1: was like he was trying to hold back and he

46
00:02:52,680 --> 00:02:55,440
Speaker 1: was ha, you know what I mean. I ad he

47
00:02:55,520 --> 00:02:59,480
Speaker 1: admitted it. Yeah, he tried to smash or something when

48
00:02:59,480 --> 00:03:00,920
Speaker 1: you took out as a I don't know what it

49
00:03:01,080 --> 00:03:03,240
Speaker 1: was it was. I think it was a little Pillow

50
00:03:03,360 --> 00:03:07,280
Speaker 1: talk that you know, you know, that's when a lot

51
00:03:07,280 --> 00:03:09,880
Speaker 1: of the hat didn't be going on talk. That's when

52
00:03:09,919 --> 00:03:15,760
Speaker 1: theos hate goes on, you know, Pilow talking fat definitely.

53
00:03:15,960 --> 00:03:20,240
Speaker 1: So let's take up from the beginning fat right, because uh,

54
00:03:21,280 --> 00:03:24,680
Speaker 1: you guys, you didn't meet Clue that night that you rhymed.

55
00:03:25,240 --> 00:03:28,760
Speaker 1: I met Clue. I met Clue that night. I had

56
00:03:28,800 --> 00:03:32,040
Speaker 1: never met Clue before. Was crazy. The craziest part about

57
00:03:32,080 --> 00:03:34,800
Speaker 1: me and Clue is in that you remember it was

58
00:03:34,840 --> 00:03:36,960
Speaker 1: like mixed tastes and you've never seen what the DJ's

59
00:03:37,040 --> 00:03:40,960
Speaker 1: looked like. Well, from my standpoint, I had this picture

60
00:03:41,040 --> 00:03:44,520
Speaker 1: of Clue in my head that I thought he looked like,

61
00:03:44,640 --> 00:03:46,240
Speaker 1: you know what I mean. All the DJ's back then

62
00:03:46,320 --> 00:03:50,280
Speaker 1: was big and had these deep voices, so you know.

63
00:03:50,320 --> 00:03:52,160
Speaker 1: And then I met Clue and he was like a

64
00:03:52,240 --> 00:03:54,520
Speaker 1: smaller dude. I was like, oh, you know what I mean.

65
00:03:54,920 --> 00:03:57,800
Speaker 1: But I threw me off off the rip. Then he

66
00:03:57,920 --> 00:04:00,200
Speaker 1: came and was saying, I thought I was just me

67
00:04:00,320 --> 00:04:02,400
Speaker 1: and him, like you know, people had told me, told

68
00:04:02,480 --> 00:04:04,200
Speaker 1: him I was nice, and he wouldn't meet me in

69
00:04:04,720 --> 00:04:06,960
Speaker 1: but he came. I was like, Yo, we come back

70
00:04:06,960 --> 00:04:10,240
Speaker 1: from commercial. We're gonna wrong on it. We have a

71
00:04:10,280 --> 00:04:14,960
Speaker 1: freestyle on the air with with Nori and and Fabulous,

72
00:04:15,040 --> 00:04:18,520
Speaker 1: and I'm just like, oh ship. I just knew it

73
00:04:18,560 --> 00:04:23,400
Speaker 1: was an opportunity that I couldn't uh, I couldn't just

74
00:04:23,520 --> 00:04:27,240
Speaker 1: not put put my all into. I didn't know when

75
00:04:27,279 --> 00:04:29,440
Speaker 1: I was gonna get this opportunity again, you know what

76
00:04:29,440 --> 00:04:32,479
Speaker 1: I'm saying. So you know, I had no idea I

77
00:04:32,520 --> 00:04:36,080
Speaker 1: was gonna be there. I always in my in my

78
00:04:36,680 --> 00:04:38,240
Speaker 1: in my head, and when I play around with you,

79
00:04:38,279 --> 00:04:41,000
Speaker 1: I always say I smoked you that night. Definitely want

80
00:04:41,040 --> 00:04:45,320
Speaker 1: to rema no, But now that I don't think I

81
00:04:45,400 --> 00:04:50,440
Speaker 1: smoke you, per se anger your joy. I just knew

82
00:04:50,520 --> 00:04:55,680
Speaker 1: that I felt like I smoked the opportunity and you

83
00:04:55,720 --> 00:04:58,159
Speaker 1: definitely did. Let's make some noise for that. Goddamnit, Let's

84
00:04:58,160 --> 00:05:01,920
Speaker 1: make some noise for that. God damnit. Yes, yes you came.

85
00:05:02,520 --> 00:05:05,080
Speaker 1: You were hungry. Um. It was crazy because I remember

86
00:05:05,160 --> 00:05:07,560
Speaker 1: Clue pulling me to the side. So he was like, yo,

87
00:05:07,640 --> 00:05:10,360
Speaker 1: my man's sport. He didn't even call you fat, he said,

88
00:05:10,360 --> 00:05:12,800
Speaker 1: I think it was something like that. It was sport.

89
00:05:12,880 --> 00:05:14,600
Speaker 1: In fact, he didn't even call me fat. With us,

90
00:05:14,600 --> 00:05:16,640
Speaker 1: it was sport because he was like my hood nickname.

91
00:05:16,720 --> 00:05:19,280
Speaker 1: But he was like, y'all got my man sport. He said, Yo,

92
00:05:19,440 --> 00:05:21,400
Speaker 1: do you mind? And I was like nah, And like

93
00:05:21,480 --> 00:05:24,720
Speaker 1: for me to see like your career like blossom from that,

94
00:05:24,720 --> 00:05:27,840
Speaker 1: that's crazy concerned certain niggas in that position with them,

95
00:05:27,839 --> 00:05:30,760
Speaker 1: but like, nah, nah, let my little man like you

96
00:05:30,760 --> 00:05:33,320
Speaker 1: know what I'm saying, not saying that you would have

97
00:05:34,000 --> 00:05:35,640
Speaker 1: just trying to even if you were just trying to

98
00:05:35,640 --> 00:05:37,839
Speaker 1: put your man on, a lot of nigga would would

99
00:05:37,839 --> 00:05:40,920
Speaker 1: have said no, right, a lot of But that's that's

100
00:05:40,920 --> 00:05:42,719
Speaker 1: what I loot you for that. Man. I didn't even

101
00:05:42,720 --> 00:05:44,120
Speaker 1: know that. I didn't even know that it was a

102
00:05:44,240 --> 00:05:47,440
Speaker 1: question to you because I guess. But but I mean,

103
00:05:47,720 --> 00:05:49,840
Speaker 1: I guess the test was more for you. You You know

104
00:05:49,839 --> 00:05:52,120
Speaker 1: what I'm saying, because I guess you know, I was

105
00:05:52,160 --> 00:05:54,920
Speaker 1: quote on coote hot at the time, so scorching, Okay,

106
00:05:54,960 --> 00:05:57,000
Speaker 1: thank you fat. It makes me sure that I God

107
00:05:57,040 --> 00:06:01,839
Speaker 1: damn I make that. Yeah. So I guess he puts

108
00:06:01,880 --> 00:06:03,720
Speaker 1: you in the test to see if you were fold

109
00:06:04,200 --> 00:06:06,640
Speaker 1: and you came, and you came to the occasion man,

110
00:06:06,680 --> 00:06:08,880
Speaker 1: and for me to see you. What's that fifteen years later?

111
00:06:09,480 --> 00:06:17,520
Speaker 1: I was I wasn't. So that's nineteen years well since

112
00:06:17,560 --> 00:06:21,280
Speaker 1: that first day, since that day that was did you?

113
00:06:21,360 --> 00:06:22,960
Speaker 1: Did you? Guys? Both of you? And none of this

114
00:06:23,040 --> 00:06:26,120
Speaker 1: question goes for both of you? Guys. Um the other day,

115
00:06:26,800 --> 00:06:31,800
Speaker 1: well yesterday exactly, Kiss landed, I'm immalleible having lunch. I

116
00:06:31,920 --> 00:06:34,360
Speaker 1: go meet Kiss. That was a ball stunt right there.

117
00:06:34,800 --> 00:06:39,080
Speaker 1: I'm just getting to a full start, right So I'm

118
00:06:39,120 --> 00:06:43,440
Speaker 1: looking at me and Kiss is drunk, loud as hell

119
00:06:43,680 --> 00:06:47,799
Speaker 1: and Beverly Hill just for no reason, and I'm looking

120
00:06:47,920 --> 00:06:50,320
Speaker 1: I'm looking at our life, and I'm like, did you

121
00:06:50,360 --> 00:06:54,120
Speaker 1: ever think like that? This is nineteen years later, like

122
00:06:54,200 --> 00:06:58,080
Speaker 1: you're still here quote unquote because people use that word relevant,

123
00:06:58,480 --> 00:07:01,480
Speaker 1: so fucking roughly, and and for all three of us

124
00:07:01,720 --> 00:07:04,360
Speaker 1: to be quote unquote like what they say is relevant.

125
00:07:04,400 --> 00:07:06,920
Speaker 1: Did you think no? Because I never even at that

126
00:07:06,960 --> 00:07:09,880
Speaker 1: time I thought hip hop was a career. I don't

127
00:07:09,880 --> 00:07:12,160
Speaker 1: think my like the parents at that time, you know,

128
00:07:12,280 --> 00:07:14,200
Speaker 1: you tell your parents you're trying to be a rapper,

129
00:07:14,200 --> 00:07:18,160
Speaker 1: they would like what because it wasn't looked at as

130
00:07:18,200 --> 00:07:22,680
Speaker 1: a lengthy career where you could, you know, even step

131
00:07:22,720 --> 00:07:25,360
Speaker 1: out of other things and do other things based off

132
00:07:25,400 --> 00:07:27,119
Speaker 1: of your hip hop creer, you know what I'm saying.

133
00:07:27,160 --> 00:07:31,440
Speaker 1: So I would have never saw this even progressing that long.

134
00:07:31,520 --> 00:07:33,560
Speaker 1: It was about we loved it when we first did.

135
00:07:33,600 --> 00:07:35,640
Speaker 1: It wasn't even a career option. It was something you

136
00:07:36,120 --> 00:07:37,800
Speaker 1: love to do, Like I like the spit, I like,

137
00:07:38,320 --> 00:07:40,600
Speaker 1: you know, doing what I do. I love hip hop,

138
00:07:41,240 --> 00:07:43,760
Speaker 1: And that's what what it snim from. It wasn't never

139
00:07:43,800 --> 00:07:45,520
Speaker 1: stoked at us like I'm gonna look at this ship

140
00:07:45,560 --> 00:07:49,200
Speaker 1: like I'm gonna be a night ship twenty years, you

141
00:07:49,240 --> 00:07:53,000
Speaker 1: know what I mean. That wasn't even thought, which is crazy, No,

142
00:07:53,200 --> 00:07:57,240
Speaker 1: not at all. No, you just you love the passion

143
00:07:57,280 --> 00:07:59,960
Speaker 1: of it so much and you just want to be

144
00:08:00,400 --> 00:08:03,400
Speaker 1: in the mix and on and have a record deal.

145
00:08:04,400 --> 00:08:08,720
Speaker 1: You don't even think. You're just really thinking about back

146
00:08:08,760 --> 00:08:11,400
Speaker 1: then how they say supposed to think five years ahead

147
00:08:11,440 --> 00:08:14,360
Speaker 1: and all that, you're thinking like six months the little

148
00:08:14,400 --> 00:08:17,520
Speaker 1: goal was a record deal that was like, yeah, I

149
00:08:17,600 --> 00:08:21,560
Speaker 1: got I got full. He was like I had one

150
00:08:21,600 --> 00:08:27,160
Speaker 1: place the whole hood be like it's like and he

151
00:08:27,480 --> 00:08:30,320
Speaker 1: signed this, Like do you think do you think as

152
00:08:30,520 --> 00:08:32,680
Speaker 1: as people as all three of us, we've done great

153
00:08:32,720 --> 00:08:35,840
Speaker 1: in our career, right, we have success, we're still out

154
00:08:35,880 --> 00:08:38,320
Speaker 1: here doing it. Do you think we're chasing the money

155
00:08:38,559 --> 00:08:41,400
Speaker 1: or we're chasing the thrill? Because the other day this

156
00:08:41,440 --> 00:08:45,600
Speaker 1: is what I realized, right, like, when you drop an album,

157
00:08:45,840 --> 00:08:48,720
Speaker 1: besides the money, it's the thrill, isn't it, Because that's

158
00:08:48,760 --> 00:08:52,000
Speaker 1: what replaced hustling for us, right Remember if it wasn't

159
00:08:52,000 --> 00:08:54,680
Speaker 1: getting no royalty money really like unless you you know

160
00:08:54,840 --> 00:08:57,160
Speaker 1: you're selling ten million albums or something. So it really

161
00:08:57,280 --> 00:08:59,560
Speaker 1: was you know you're gonna get money, But it was

162
00:08:59,600 --> 00:09:02,600
Speaker 1: really a out putting that music out of people reacting

163
00:09:02,640 --> 00:09:05,800
Speaker 1: to it and streets saying it's crazy, and you know

164
00:09:05,840 --> 00:09:08,240
Speaker 1: what I mean, that's that's the thrill. That's when you

165
00:09:08,280 --> 00:09:10,560
Speaker 1: think drives us more. At this point after You've got

166
00:09:10,559 --> 00:09:13,480
Speaker 1: ten years in your career. You got twelve fifteen years

167
00:09:13,480 --> 00:09:16,240
Speaker 1: in your career. Is it? Is it the thrill? Because

168
00:09:16,520 --> 00:09:18,959
Speaker 1: you know, you know when you hustle, right after you

169
00:09:19,080 --> 00:09:21,560
Speaker 1: make you make a certain amount, it's still a fucking

170
00:09:21,920 --> 00:09:25,920
Speaker 1: it's a it's a it's a chance. Still still a

171
00:09:25,960 --> 00:09:28,120
Speaker 1: thrill of it every time you drop out. I was

172
00:09:28,160 --> 00:09:30,440
Speaker 1: watching you. You know, when you watch the Drug Dealer movie,

173
00:09:30,480 --> 00:09:32,719
Speaker 1: somebody actually like, why didn't get off the game? Right there?

174
00:09:32,720 --> 00:09:38,080
Speaker 1: He got enough money last time. It's still out there

175
00:09:38,200 --> 00:09:40,439
Speaker 1: because he just because it's now it's part of the

176
00:09:40,679 --> 00:09:42,360
Speaker 1: you know, this is what I do. You know what

177
00:09:42,400 --> 00:09:44,920
Speaker 1: I'm saying. So it's still a thrill to me. Money

178
00:09:44,960 --> 00:09:48,959
Speaker 1: can't be your only motivation or you do anything for money,

179
00:09:49,080 --> 00:09:50,760
Speaker 1: you know what I'm saying. People that don't have money,

180
00:09:50,800 --> 00:09:53,240
Speaker 1: they do anything for money. Once you got money, you

181
00:09:53,280 --> 00:09:56,160
Speaker 1: got to have a different motivation or you you ain't

182
00:09:56,160 --> 00:09:58,880
Speaker 1: never even gonna be the best at it, right Like

183
00:09:58,880 --> 00:10:01,800
Speaker 1: like like once I went platinum, I only went platform once.

184
00:10:02,440 --> 00:10:05,560
Speaker 1: Um I chased that, like like I chased it like

185
00:10:05,600 --> 00:10:07,319
Speaker 1: it was a high. Like I was like I wanted

186
00:10:07,360 --> 00:10:10,480
Speaker 1: to go platform a games and I never did. But

187
00:10:12,679 --> 00:10:16,800
Speaker 1: chasing I chased the shutout of that's like chasing that

188
00:10:16,840 --> 00:10:19,600
Speaker 1: you never got, you know, for the chase of it,

189
00:10:22,240 --> 00:10:25,560
Speaker 1: you did it, and you know, I'm just saying they're crazy.

190
00:10:25,559 --> 00:10:27,880
Speaker 1: That's what I thought. On the other day. I'm sitting

191
00:10:27,920 --> 00:10:30,520
Speaker 1: there and I'm like, the the closest thing I got

192
00:10:30,600 --> 00:10:33,559
Speaker 1: to that high is doing a podcast. In the podcast

193
00:10:33,920 --> 00:10:36,240
Speaker 1: crazy shit about it. It's like I dropped an album

194
00:10:36,320 --> 00:10:38,440
Speaker 1: every week, So you remember how long you used to

195
00:10:38,440 --> 00:10:40,040
Speaker 1: take to make an album because we came from the

196
00:10:40,080 --> 00:10:42,760
Speaker 1: two Ways rail days, so you couldn't put an album

197
00:10:42,800 --> 00:10:44,800
Speaker 1: together in three months. Like how these dudes due? These

198
00:10:44,840 --> 00:10:47,760
Speaker 1: dudes go on their grandma basement. And so I was

199
00:10:47,800 --> 00:10:49,120
Speaker 1: just thinking about that the other day. I was like,

200
00:10:49,160 --> 00:10:51,559
Speaker 1: the closest thing I got to that is dropping the

201
00:10:51,640 --> 00:10:54,720
Speaker 1: podcast and getting these million streams a week, and then

202
00:10:55,080 --> 00:10:58,280
Speaker 1: now I'm chasing that. Like no, I'm like, what I'm

203
00:10:58,320 --> 00:11:01,440
Speaker 1: saying to myself, it's what is it? Like, what is

204
00:11:01,440 --> 00:11:04,880
Speaker 1: is it? The thrill? The thrill? Right, because if you

205
00:11:04,960 --> 00:11:07,360
Speaker 1: placed it, because we all started from drug dealing, it

206
00:11:07,400 --> 00:11:12,040
Speaker 1: was that that was the first thrill, right, buck, Definitely,

207
00:11:12,440 --> 00:11:14,120
Speaker 1: you know what I'm saying, right, So what do you

208
00:11:14,200 --> 00:11:17,040
Speaker 1: think you more the thrill or I look like kids

209
00:11:17,040 --> 00:11:22,960
Speaker 1: about to say the money. Definitely five kids. The money,

210
00:11:23,200 --> 00:11:25,480
Speaker 1: it's a little bit of the thrill. It's it's fifty

211
00:11:25,480 --> 00:11:29,720
Speaker 1: fifty with me, because you remember back then, it was

212
00:11:29,760 --> 00:11:33,160
Speaker 1: more money. It was giving us. You told me that

213
00:11:33,200 --> 00:11:35,400
Speaker 1: story with ex You know what I mean. They can't

214
00:11:35,400 --> 00:11:39,000
Speaker 1: do that now. You gotta have a studio and in

215
00:11:39,040 --> 00:11:42,280
Speaker 1: your basement or something. Now that ain't giving them budgets.

216
00:11:42,320 --> 00:11:44,880
Speaker 1: They was giving us back then. Shout out to Steve Rifkin,

217
00:11:47,360 --> 00:11:50,920
Speaker 1: giving much the whole ship change now, so you know

218
00:11:50,920 --> 00:11:53,680
Speaker 1: what I mean, appreciated some time. Was there a time

219
00:11:53,720 --> 00:11:55,880
Speaker 1: in the game five where you know, if you just

220
00:11:55,880 --> 00:11:58,120
Speaker 1: said we've we've been doing it for like nineteen years

221
00:11:58,200 --> 00:12:00,480
Speaker 1: with like how many years of a game it but

222
00:12:00,559 --> 00:12:03,920
Speaker 1: when you kind of lost love for the game. I never,

223
00:12:04,040 --> 00:12:06,440
Speaker 1: truthfully me, I never lost love for that one, like

224
00:12:06,480 --> 00:12:10,040
Speaker 1: not even a little bit, just maneuvered anyway. I never

225
00:12:10,080 --> 00:12:14,160
Speaker 1: really lost I didn't like some of the politics in

226
00:12:14,200 --> 00:12:17,199
Speaker 1: the game, but I never lost my love for hip

227
00:12:17,280 --> 00:12:19,920
Speaker 1: hop and what how passionate I was about hip hop,

228
00:12:20,080 --> 00:12:23,360
Speaker 1: How something somebody plays something dope for me, and how

229
00:12:23,400 --> 00:12:25,880
Speaker 1: that makes you feel, how that motivate you. The one

230
00:12:25,920 --> 00:12:28,360
Speaker 1: that when people are successful, I want to be in

231
00:12:28,400 --> 00:12:32,040
Speaker 1: a successful circle too, So it always kept kept me,

232
00:12:32,600 --> 00:12:35,680
Speaker 1: you know. And I just love the music too, Like

233
00:12:35,720 --> 00:12:38,120
Speaker 1: I love when Nick somebody talking that ship, whether it's me,

234
00:12:38,320 --> 00:12:40,720
Speaker 1: whether it's whoever it is, when somebody's saying that ship

235
00:12:40,760 --> 00:12:43,600
Speaker 1: where they give you that vibe or like when your

236
00:12:43,600 --> 00:12:46,959
Speaker 1: ship came out and it gave you, it gave you

237
00:12:47,000 --> 00:12:49,319
Speaker 1: like a vibe where he felt like it was relatable,

238
00:12:49,360 --> 00:12:51,280
Speaker 1: but then it had that energy to it as well.

239
00:12:51,440 --> 00:12:53,800
Speaker 1: You know what I'm saying. I like different different artists

240
00:12:53,800 --> 00:12:56,040
Speaker 1: for different ship, you know what I'm saying. And that's

241
00:12:56,040 --> 00:12:58,600
Speaker 1: the ship that the love just keep me afloat, like

242
00:12:58,640 --> 00:13:00,400
Speaker 1: you know what I mean, the three of us, the

243
00:13:00,559 --> 00:13:02,680
Speaker 1: one thing the three of us have in common besides

244
00:13:02,760 --> 00:13:04,640
Speaker 1: us being for New York and being in l A.

245
00:13:04,679 --> 00:13:07,439
Speaker 1: But you're gonna address that later like that, that's just ill,

246
00:13:07,559 --> 00:13:10,920
Speaker 1: just us to being. But we always kind of messed

247
00:13:10,920 --> 00:13:14,840
Speaker 1: with like the new newer generation, like you'll always yeah,

248
00:13:14,880 --> 00:13:18,839
Speaker 1: you'll always see fab one the new dude joint working

249
00:13:18,880 --> 00:13:21,640
Speaker 1: with a boogie. You always see j the kiss jump

250
00:13:21,679 --> 00:13:25,040
Speaker 1: on or bring out a younger mate, and you always

251
00:13:25,040 --> 00:13:27,400
Speaker 1: see me like you know, just show love if it's

252
00:13:27,440 --> 00:13:30,680
Speaker 1: even if it's just giving a conversation when in fact,

253
00:13:31,200 --> 00:13:34,400
Speaker 1: in our day, we weren't really being embraced like that.

254
00:13:34,559 --> 00:13:36,520
Speaker 1: I didn't even give embraced like that, like I even

255
00:13:36,520 --> 00:13:38,760
Speaker 1: look at it. I was talking and how it was

256
00:13:38,840 --> 00:13:43,880
Speaker 1: like classes if y'all was the juniors and like big

257
00:13:43,920 --> 00:13:46,200
Speaker 1: and it was the seniors, And I came in on

258
00:13:46,240 --> 00:13:50,400
Speaker 1: a freshman tip the juniors and seen the seniors were

259
00:13:50,400 --> 00:13:52,839
Speaker 1: still fighting so much to be the man. They wasn't

260
00:13:52,840 --> 00:13:55,440
Speaker 1: looking out for the freshman like they do now. Like

261
00:13:55,480 --> 00:13:58,400
Speaker 1: you know what I'm saying, was trying to remember how

262
00:13:58,400 --> 00:13:59,920
Speaker 1: the dude just as soon as he got in the

263
00:14:00,640 --> 00:14:03,520
Speaker 1: he like you let him know, welcome to the NBA. Yeah,

264
00:14:03,600 --> 00:14:06,760
Speaker 1: I think I think it just wasn't It just was

265
00:14:07,559 --> 00:14:10,839
Speaker 1: that everybody was still so young and hungry and in

266
00:14:11,240 --> 00:14:15,200
Speaker 1: the game and proving theirselfs too to be able to

267
00:14:15,200 --> 00:14:18,400
Speaker 1: to to open the door, step a hand and somebody

268
00:14:18,400 --> 00:14:20,400
Speaker 1: it was a different love. Yeah, you know what I'm saying.

269
00:14:20,400 --> 00:14:22,400
Speaker 1: I remember a lot of artists like on I was coming.

270
00:14:22,400 --> 00:14:24,880
Speaker 1: There wasn't just saying. I I even tell the artists

271
00:14:24,880 --> 00:14:27,200
Speaker 1: today like they to take advantage of it, because you

272
00:14:27,200 --> 00:14:29,360
Speaker 1: know what I mean, Like the same way they like

273
00:14:29,400 --> 00:14:32,120
Speaker 1: even how I was joking how wold like you could

274
00:14:32,120 --> 00:14:34,360
Speaker 1: taking nigger just wasn't taking pictures with hold back in

275
00:14:34,400 --> 00:14:36,600
Speaker 1: the days like hold we this wasn't that wasn't his,

276
00:14:36,880 --> 00:14:39,000
Speaker 1: you know what I mean, he was on his whole ship.

277
00:14:39,120 --> 00:14:43,680
Speaker 1: And now it's more just open for because it's just

278
00:14:43,720 --> 00:14:45,680
Speaker 1: a different vibe now, you know what I'm saying, it's

279
00:14:45,680 --> 00:14:49,640
Speaker 1: a different vibe. So I think it's dope that that

280
00:14:50,840 --> 00:14:53,720
Speaker 1: when when the older artists or the O g s

281
00:14:53,840 --> 00:14:56,840
Speaker 1: or whatever look out for the younger artists coming and

282
00:14:57,600 --> 00:14:59,480
Speaker 1: show them love. And you know what I mean, a

283
00:14:59,480 --> 00:15:01,680
Speaker 1: lot of them be looking up to niggas too, and

284
00:15:01,720 --> 00:15:03,880
Speaker 1: when they meet you and then you want some funny ship,

285
00:15:03,960 --> 00:15:07,560
Speaker 1: you fuck up for you. But this vice as vice

286
00:15:07,680 --> 00:15:10,360
Speaker 1: versa two, because because it's hard to be the new

287
00:15:10,480 --> 00:15:13,200
Speaker 1: young hot dude and not feel like everybody's supposed to

288
00:15:13,280 --> 00:15:16,200
Speaker 1: kiss you. You know what I'm saying, Like that's that

289
00:15:16,360 --> 00:15:18,720
Speaker 1: that ego being there too. You need some niggas and

290
00:15:18,720 --> 00:15:20,560
Speaker 1: they be on their ship and you just gotta take

291
00:15:20,600 --> 00:15:22,080
Speaker 1: it with it. The dude used to be on your

292
00:15:22,200 --> 00:15:24,480
Speaker 1: post on your wall, but now they meet them and

293
00:15:24,520 --> 00:15:26,320
Speaker 1: they just they don't even want to say nothing to them.

294
00:15:26,360 --> 00:15:28,440
Speaker 1: They just want to be like because I get it.

295
00:15:28,480 --> 00:15:30,120
Speaker 1: I've been a man too. I've been a man a

296
00:15:30,120 --> 00:15:32,960
Speaker 1: couple of times where you know, I just felt like

297
00:15:33,240 --> 00:15:36,320
Speaker 1: that walking over there, like, and as I got older,

298
00:15:36,400 --> 00:15:38,440
Speaker 1: I embraced it more like you know what I'm saying,

299
00:15:38,480 --> 00:15:42,880
Speaker 1: But it takes time. Like right now, it's like pretty

300
00:15:42,960 --> 00:15:47,560
Speaker 1: much a hot topic. Joe Buttons, I'm not Joe Buttons,

301
00:15:47,680 --> 00:15:53,120
Speaker 1: Um Walker, Flocker and Pete Rock It's going at it

302
00:15:53,200 --> 00:15:58,600
Speaker 1: on on on social media. It's weird weird commodation right, so,

303
00:15:58,960 --> 00:16:01,280
Speaker 1: which is crazy. It's because I believe walk a flock

304
00:16:01,400 --> 00:16:05,440
Speaker 1: up uh did something and said he did something, and

305
00:16:05,480 --> 00:16:08,840
Speaker 1: people just defended it and now they're having this whole thing.

306
00:16:08,880 --> 00:16:11,600
Speaker 1: And the thing about it is this, I think that

307
00:16:11,680 --> 00:16:16,520
Speaker 1: we respected older classmen's prior to us and before us.

308
00:16:16,920 --> 00:16:19,680
Speaker 1: But even if we didn't respect them, we would never

309
00:16:19,760 --> 00:16:23,680
Speaker 1: make that known publicly. Do you think that is? That

310
00:16:23,800 --> 00:16:26,120
Speaker 1: was a lack of what's happening right now, a little

311
00:16:26,200 --> 00:16:28,440
Speaker 1: lack of respect. But it's also they got the platform

312
00:16:28,480 --> 00:16:32,240
Speaker 1: to just say whatever online in different places, like you

313
00:16:32,240 --> 00:16:34,000
Speaker 1: I thought she was going to say to Joe Budden ship.

314
00:16:34,040 --> 00:16:36,720
Speaker 1: I think I've seen somebody wearing fun Joe buttons. He

315
00:16:36,760 --> 00:16:40,120
Speaker 1: made that a he's a he's not he's getting he

316
00:16:40,200 --> 00:16:42,600
Speaker 1: made his own ship. I was like, yo, this this

317
00:16:42,880 --> 00:16:47,640
Speaker 1: that's had one of them. Yeah, they really hate him, Okay,

318
00:16:47,680 --> 00:16:49,920
Speaker 1: they like they look at him as like the old

319
00:16:49,960 --> 00:16:52,240
Speaker 1: hating nigger. Like I love it though, but we did

320
00:16:52,320 --> 00:16:53,960
Speaker 1: with that from the block too. It was he was

321
00:16:54,000 --> 00:16:55,400
Speaker 1: trying to get out on the block. It was an

322
00:16:55,440 --> 00:17:01,200
Speaker 1: old hate nigga. What's the disconnect? What what is it

323
00:17:01,240 --> 00:17:06,639
Speaker 1: like there there? Like, uh, there's older there's people like us.

324
00:17:06,680 --> 00:17:08,880
Speaker 1: I don't want call use older people, but we embrace that.

325
00:17:09,240 --> 00:17:12,440
Speaker 1: Why is the like it's like it feels like the

326
00:17:12,480 --> 00:17:15,840
Speaker 1: eighties because like Pete Rockets considered the eighties. Cannot get

327
00:17:15,880 --> 00:17:18,440
Speaker 1: me say that, So it's like it's really the eighties

328
00:17:20,000 --> 00:17:22,760
Speaker 1: or early nineties. Okay, so um, I feel like it's

329
00:17:22,880 --> 00:17:28,040
Speaker 1: that generation that kind of versus the younger people. They

330
00:17:28,119 --> 00:17:32,639
Speaker 1: just can't get along. Is it because the style of music,

331
00:17:33,359 --> 00:17:36,160
Speaker 1: It's a lot of things, and certainly is their personality

332
00:17:36,280 --> 00:17:39,280
Speaker 1: just like or they just ain't feeling what's going on

333
00:17:39,440 --> 00:17:42,160
Speaker 1: over there, or they don't feel like it comes from

334
00:17:42,200 --> 00:17:44,520
Speaker 1: they think, or maybe they don't feel like that error

335
00:17:44,560 --> 00:17:47,280
Speaker 1: pays homage to this. It's a lot of different reasons

336
00:17:47,280 --> 00:17:49,600
Speaker 1: that nigga might feel away. You know what I'm saying,

337
00:17:50,240 --> 00:17:52,760
Speaker 1: It ain't really crazy part on the block. I feel

338
00:17:52,800 --> 00:17:55,520
Speaker 1: like old niggas used to feel like that because they

339
00:17:55,600 --> 00:17:57,560
Speaker 1: figured like he was gonna cut into their money. But

340
00:17:57,960 --> 00:18:01,119
Speaker 1: in this and Wrap, that's two different lanes walk a

341
00:18:01,200 --> 00:18:03,560
Speaker 1: flocker and then Pete Rock Lane, and Pete Rock and

342
00:18:03,640 --> 00:18:06,240
Speaker 1: then Walker Flocking Lane, So they ain't taking no money

343
00:18:06,240 --> 00:18:08,320
Speaker 1: out of each other thing. It's maybe just a difference

344
00:18:08,320 --> 00:18:13,440
Speaker 1: in opinions or how they grew up all right now

345
00:18:13,520 --> 00:18:17,040
Speaker 1: now now I'm kissing you've you you are you paying

346
00:18:17,080 --> 00:18:20,000
Speaker 1: attention to like these guys going there, like the younger

347
00:18:20,080 --> 00:18:24,200
Speaker 1: generation and the yachties and the Joe Buttons. Excuse me,

348
00:18:24,200 --> 00:18:26,359
Speaker 1: a little oozy, No, no no one of them to stay

349
00:18:26,640 --> 00:18:31,359
Speaker 1: you know, one of the I'm sorry, man, Yeah, I

350
00:18:31,520 --> 00:18:34,320
Speaker 1: keep I check it out a little bit. I don't

351
00:18:34,440 --> 00:18:38,000
Speaker 1: dive all away in. How do you avoid like that?

352
00:18:38,200 --> 00:18:42,800
Speaker 1: Like how like nobody came at you like that? I

353
00:18:42,840 --> 00:18:45,720
Speaker 1: mean I think they know, Man, you touched the stove,

354
00:18:45,840 --> 00:18:50,400
Speaker 1: You're gonna find out it's hot. But for the most part,

355
00:18:50,440 --> 00:18:53,280
Speaker 1: I embrace all of them. You know what I mean,

356
00:18:54,280 --> 00:18:57,639
Speaker 1: They see me and it's a it's a mutual respect,

357
00:18:58,960 --> 00:19:01,200
Speaker 1: you know, as people respect each other. That shouldn't really

358
00:19:01,240 --> 00:19:03,520
Speaker 1: be if you're funk with somebody. You know what I mean,

359
00:19:03,880 --> 00:19:06,760
Speaker 1: we cord you. You could be whatever state where you at.

360
00:19:06,800 --> 00:19:09,440
Speaker 1: You stay with progress in different directions. But you know

361
00:19:09,480 --> 00:19:11,360
Speaker 1: what I mean, we ain't gotta I don't really pay

362
00:19:11,359 --> 00:19:13,320
Speaker 1: attention to none of that ship like I feel. I

363
00:19:13,600 --> 00:19:15,760
Speaker 1: see it and scroll look read it and just keep

364
00:19:15,800 --> 00:19:18,520
Speaker 1: scrolling like it ain't even like you know what I'm saying.

365
00:19:18,880 --> 00:19:21,360
Speaker 1: And a lot of times, ain't nobody really turn into

366
00:19:21,440 --> 00:19:23,680
Speaker 1: nothing anyway on some hip hop ship. So you gotta

367
00:19:23,680 --> 00:19:25,439
Speaker 1: pop a bottle, you gotta drink something. Come on that

368
00:19:25,520 --> 00:19:27,760
Speaker 1: you can't be sold with chaps on head. Come on now,

369
00:19:27,840 --> 00:19:29,359
Speaker 1: let's let's do it. Whatever you want to do. You

370
00:19:29,440 --> 00:19:31,800
Speaker 1: got a choice, baby, Come on. If you're supporting black

371
00:19:31,840 --> 00:19:34,040
Speaker 1: accidents over, you got French Montana Street. If you want

372
00:19:34,040 --> 00:19:36,159
Speaker 1: to do a shot, shot time, fam, I feel like

373
00:19:36,200 --> 00:19:41,320
Speaker 1: you feel like I'm whatever, let's do it. See smoke camera.

374
00:19:41,800 --> 00:19:47,119
Speaker 1: This is I'm just saying. I'm just trying to build up. Yes, yes, yes, man,

375
00:19:47,160 --> 00:19:49,000
Speaker 1: I'm trying to build up to it what you wanna do?

376
00:19:49,160 --> 00:19:51,040
Speaker 1: Kiss you want fresh for no, Look, I gotta get

377
00:19:51,080 --> 00:19:53,560
Speaker 1: something to eat. You're gonna let you eat live on

378
00:19:53,760 --> 00:19:56,760
Speaker 1: fucking drink Chaps. Me and Fab gonna get it in,

379
00:19:56,840 --> 00:20:01,560
Speaker 1: but you're gonna have a drink Listen. Come on, somebody

380
00:20:01,560 --> 00:20:04,040
Speaker 1: helped me out. This is crazy. Whatever I want to do,

381
00:20:04,080 --> 00:20:08,119
Speaker 1: this like, no was trolling us. I don't know that.

382
00:20:08,359 --> 00:20:10,120
Speaker 1: That's what I gotta ask you. This, what I gotta

383
00:20:10,160 --> 00:20:13,359
Speaker 1: ask you is your fans hitting you as much as

384
00:20:13,359 --> 00:20:15,639
Speaker 1: they're hitting me. For you to see them, they attack

385
00:20:15,720 --> 00:20:18,280
Speaker 1: both of us. I see them like yo, even when

386
00:20:18,320 --> 00:20:20,200
Speaker 1: I do so, they're like, you gotta do drink shop

387
00:20:20,760 --> 00:20:23,760
Speaker 1: Like y'all know you don't do podcasts and fresh like,

388
00:20:23,840 --> 00:20:26,840
Speaker 1: but you gotta do. You gotta do drink Champs. And

389
00:20:26,840 --> 00:20:28,480
Speaker 1: then I would run into you and you like, yeah,

390
00:20:28,520 --> 00:20:29,919
Speaker 1: you gotta. I'm like, you know, we gotta make that.

391
00:20:30,160 --> 00:20:32,119
Speaker 1: I just always wanted to do it when it was

392
00:20:32,840 --> 00:20:34,840
Speaker 1: time to do it, when we had something like you know,

393
00:20:36,240 --> 00:20:38,919
Speaker 1: like because you see drink Chaps, I remember what exactly

394
00:20:38,920 --> 00:20:40,000
Speaker 1: what you told me to say. As soon as I've

395
00:20:40,040 --> 00:20:42,560
Speaker 1: got to promote something, but just so you know, but

396
00:20:42,640 --> 00:20:44,960
Speaker 1: not even on the promote time to just something. We

397
00:20:45,080 --> 00:20:47,159
Speaker 1: got something to go off of, and it's you know,

398
00:20:47,520 --> 00:20:49,880
Speaker 1: it's just fooling here. Let the nigga eat. Come on, man,

399
00:20:50,000 --> 00:20:52,240
Speaker 1: fab never been here. Let's kiss eat. You're gonna take

400
00:20:52,240 --> 00:20:54,399
Speaker 1: a shot before the food and then we're gonna keep

401
00:20:54,400 --> 00:20:55,800
Speaker 1: it moving. This is what we gotta do. We are

402
00:20:55,840 --> 00:20:58,359
Speaker 1: for the culture. This is this is the first time

403
00:20:58,640 --> 00:21:00,960
Speaker 1: a person from the end of culture is running the

404
00:21:01,000 --> 00:21:03,240
Speaker 1: coach and we're gonna do this right, Jayda kisses my man.

405
00:21:03,280 --> 00:21:05,440
Speaker 1: I got him drunk yesterday doesn't mean I'm not gonna

406
00:21:05,440 --> 00:21:08,840
Speaker 1: get him drunk today. Fabulous has never been here. He's

407
00:21:08,880 --> 00:21:11,639
Speaker 1: the homie and he's gonna get the great treatment because

408
00:21:11,640 --> 00:21:14,679
Speaker 1: he has desert. See what it is is our culture

409
00:21:14,760 --> 00:21:18,000
Speaker 1: was dying because we can't. We forgot to praise our

410
00:21:18,080 --> 00:21:21,640
Speaker 1: people like to us, fabbie rappers should be a fucking superhero.

411
00:21:21,840 --> 00:21:23,159
Speaker 1: That's what it is like to me. Like you have

412
00:21:23,200 --> 00:21:26,280
Speaker 1: a look at you ever seen them? They put their

413
00:21:26,359 --> 00:21:28,040
Speaker 1: rock stars in. This is what I'm trying to say.

414
00:21:28,080 --> 00:21:29,760
Speaker 1: This is a rock stars, dude. This is what we're

415
00:21:29,760 --> 00:21:31,919
Speaker 1: gonna do right here. Baby, I feel like Jaya kissing

416
00:21:32,000 --> 00:21:35,080
Speaker 1: poor the shots. I feel like that's how you got

417
00:21:35,119 --> 00:21:36,480
Speaker 1: let's do it. Kids, come on over and up to

418
00:21:37,240 --> 00:21:39,840
Speaker 1: let's having party, eat a pizza and all that. On

419
00:21:39,920 --> 00:21:42,840
Speaker 1: let we're doing something different. On drink chairs, eating the

420
00:21:42,960 --> 00:21:46,560
Speaker 1: niggas he said, live eating, he said he can't drink

421
00:21:46,600 --> 00:21:48,919
Speaker 1: tweak and guess what we're gonna do? A mode man,

422
00:21:49,640 --> 00:21:56,240
Speaker 1: come on, make some know So so Fab, was it

423
00:21:56,480 --> 00:21:59,400
Speaker 1: you who started the Friday night freestyles? Or was it

424
00:21:59,440 --> 00:22:02,080
Speaker 1: was he started that? He started that? How did how

425
00:22:02,080 --> 00:22:05,840
Speaker 1: did I have that? I actually jumped in. He was

426
00:22:05,920 --> 00:22:10,679
Speaker 1: doing it, bubbled, he was doing Clue at night and

427
00:22:11,080 --> 00:22:13,760
Speaker 1: I heard I heard he was like, yo, you heard

428
00:22:13,760 --> 00:22:17,639
Speaker 1: the new Fab freestyles. Then I heard probably one or

429
00:22:17,640 --> 00:22:19,920
Speaker 1: two of him. I said, I need in on this,

430
00:22:20,240 --> 00:22:22,520
Speaker 1: and I've seen how much interest it was. I went

431
00:22:22,640 --> 00:22:26,800
Speaker 1: somewhere like Hole and Jake Cole and me. Everybody was

432
00:22:26,840 --> 00:22:30,800
Speaker 1: there like they everybody was like hey, we here. Whole

433
00:22:30,960 --> 00:22:32,720
Speaker 1: was like yo, it even got the clue. Ad Litt

434
00:22:32,760 --> 00:22:35,560
Speaker 1: was on that end, you know, because I told Clue like,

435
00:22:35,960 --> 00:22:38,800
Speaker 1: we gotta do that, we gotta you know what I mean,

436
00:22:39,280 --> 00:22:42,120
Speaker 1: I'm telling him to shout out Jamaica big music. Hut.

437
00:22:42,320 --> 00:22:45,040
Speaker 1: So was it so? Was it like? Because it felt

438
00:22:45,040 --> 00:22:47,760
Speaker 1: like y'all was almost balance each other at first. So

439
00:22:47,800 --> 00:22:50,639
Speaker 1: you started it first, you're saying fat and then he

440
00:22:50,800 --> 00:22:53,200
Speaker 1: started it. And then when when Kiss did it, he

441
00:22:53,280 --> 00:22:59,680
Speaker 1: was like this one, it was like I gotta kiss

442
00:22:59,760 --> 00:23:04,200
Speaker 1: y'all balls too, So it's like respectful kiss. And I

443
00:23:04,280 --> 00:23:07,840
Speaker 1: didn't even looked at it, like like he opening up

444
00:23:07,880 --> 00:23:10,920
Speaker 1: a mean lane for this. I love this and this

445
00:23:11,320 --> 00:23:14,920
Speaker 1: this went away. He bought it back. I need it.

446
00:23:15,160 --> 00:23:19,520
Speaker 1: I want let me get some of this. Look that

447
00:23:19,560 --> 00:23:27,960
Speaker 1: album got that check. Maybe this is this is the five.

448
00:23:28,720 --> 00:23:31,720
Speaker 1: This is the motherfucker Jada Kiss. This is the hip hop.

449
00:23:31,960 --> 00:23:34,760
Speaker 1: This is to you guys standing here, standing the test

450
00:23:34,800 --> 00:23:37,239
Speaker 1: of time with your career and standing here and by

451
00:23:37,280 --> 00:23:39,840
Speaker 1: the way, we all here have a career. We don't

452
00:23:39,840 --> 00:23:41,640
Speaker 1: have a job. This is a career when you got

453
00:23:41,640 --> 00:23:43,879
Speaker 1: more than ten years in their feet of your family,

454
00:23:44,080 --> 00:23:46,359
Speaker 1: and I personally want to say, I respect you, brothers.

455
00:23:46,400 --> 00:23:48,679
Speaker 1: I'm proud of you, brothers, and I want everybody to

456
00:23:48,680 --> 00:23:53,679
Speaker 1: go out there and get that motherfucking album. Salute and

457
00:23:53,720 --> 00:24:00,640
Speaker 1: it's going down like this ship Freshman was a little horse.

458
00:24:00,640 --> 00:24:04,080
Speaker 1: When it's hot, I can't even front my nigga frends.

459
00:24:04,160 --> 00:24:06,040
Speaker 1: I love you, my brother, we gotta chill that up.

460
00:24:06,600 --> 00:24:10,280
Speaker 1: That's what we gotta doing. We gotta get you know, bartenders,

461
00:24:10,440 --> 00:24:12,679
Speaker 1: you know what hit them? Fries got damn this is

462
00:24:12,720 --> 00:24:16,640
Speaker 1: the first time drink Champs history. They are eating live

463
00:24:16,760 --> 00:24:20,040
Speaker 1: on TV. And guess what we supported, Oh god damn

464
00:24:20,080 --> 00:24:22,960
Speaker 1: it because people from voting in the back. We don't

465
00:24:23,000 --> 00:24:25,760
Speaker 1: smoke a batter of water. Eating French fries and pizza.

466
00:24:26,560 --> 00:24:28,560
Speaker 1: That's some real wrapper ship. Just in case you don't know,

467
00:24:29,040 --> 00:24:31,720
Speaker 1: that's that's wrapping food. That's tall food right on the

468
00:24:31,880 --> 00:24:36,800
Speaker 1: road in New York ship. It's New York ship too.

469
00:24:37,000 --> 00:24:39,920
Speaker 1: We try to try to get y'all to New York pizza.

470
00:24:40,160 --> 00:24:46,280
Speaker 1: We eat New York ship. Definitely, definitely. We know we've

471
00:24:46,280 --> 00:24:48,320
Speaker 1: seen y'all at the other joint and they had like

472
00:24:48,400 --> 00:24:51,399
Speaker 1: a bottle of were wine for y'all. They they gotta stop.

473
00:24:51,400 --> 00:24:53,560
Speaker 1: They had wine for themselves. They gave us water. They

474
00:24:53,560 --> 00:24:56,000
Speaker 1: gave y'all water. It was one of Champs for real.

475
00:24:56,440 --> 00:25:00,760
Speaker 1: They gotta really, I gotta take my stip now, you know,

476
00:25:01,840 --> 00:25:05,400
Speaker 1: I'm sorry, I'm s's inside y'all inside. But so now,

477
00:25:06,040 --> 00:25:10,240
Speaker 1: so you guys are doing these freestyles now now into

478
00:25:10,320 --> 00:25:12,399
Speaker 1: New York to the fans and I'm putting myself in

479
00:25:12,520 --> 00:25:15,080
Speaker 1: the fans on At this point, it was like everybody

480
00:25:15,080 --> 00:25:18,240
Speaker 1: would speculating, are theyn't going at each other at first?

481
00:25:18,920 --> 00:25:22,000
Speaker 1: Because it was like you fired one off on on

482
00:25:23,080 --> 00:25:25,119
Speaker 1: forget what day, and then you fired one off like

483
00:25:25,200 --> 00:25:27,880
Speaker 1: the very next day, that the same day, the same

484
00:25:27,960 --> 00:25:30,440
Speaker 1: day when they all came out the same day. Mines

485
00:25:30,480 --> 00:25:32,760
Speaker 1: came out in the morning, he came out at midnight. Wow.

486
00:25:32,880 --> 00:25:35,719
Speaker 1: So I'm just saying people were like, people were speculating,

487
00:25:36,000 --> 00:25:38,600
Speaker 1: is it shots being thrown? Is this you know what

488
00:25:38,600 --> 00:25:40,920
Speaker 1: I mean? You guys going at each other? How how

489
00:25:40,920 --> 00:25:44,639
Speaker 1: did you'll turn it around? No? Because to me, I

490
00:25:44,680 --> 00:25:46,560
Speaker 1: hope they were going all right because when I started

491
00:25:46,600 --> 00:25:48,320
Speaker 1: doing it, I started doing it for the love of

492
00:25:49,320 --> 00:25:54,280
Speaker 1: what when I came from freestyling over the freestyling over

493
00:25:54,320 --> 00:25:57,880
Speaker 1: other people beats, and that's what I you know, initially

494
00:25:57,920 --> 00:25:59,919
Speaker 1: came in doing it like I felt like that was missing,

495
00:26:00,119 --> 00:26:01,600
Speaker 1: like you know what I mean, and I hadn't been

496
00:26:01,640 --> 00:26:03,199
Speaker 1: it in a while, so it was kin of it

497
00:26:03,240 --> 00:26:05,560
Speaker 1: was almost like spawning for me. And then when Kiss

498
00:26:05,560 --> 00:26:08,840
Speaker 1: came in and was doing them, so I see the

499
00:26:08,880 --> 00:26:12,320
Speaker 1: general that the interest in generated, and I was like, well,

500
00:26:12,359 --> 00:26:14,960
Speaker 1: let's why don't we combine it to you know what

501
00:26:15,000 --> 00:26:17,199
Speaker 1: I mean, put the theme behind it. Put you know,

502
00:26:17,400 --> 00:26:21,600
Speaker 1: Freddy versus Jason, but already free. Why was it called

503
00:26:21,600 --> 00:26:26,080
Speaker 1: Freddy ver Jason? Whoa, I'm just riding on Elm Street,

504
00:26:26,119 --> 00:26:28,800
Speaker 1: by the way, because they tried to suice. I mean,

505
00:26:33,359 --> 00:26:38,040
Speaker 1: Freddy Jason was a real movie. Oh you gotta at somebody,

506
00:26:38,080 --> 00:26:40,119
Speaker 1: you gotta we're not trying to do that. We know,

507
00:26:40,480 --> 00:26:47,840
Speaker 1: they gotta relax, relaxed. So I became Friday on Elm Street.

508
00:26:47,880 --> 00:26:51,399
Speaker 1: We just okay because I remember seeing it came at us.

509
00:26:53,040 --> 00:26:55,960
Speaker 1: Oh no, it wasn't nice. It was not nice. But

510
00:26:56,040 --> 00:26:59,480
Speaker 1: they made it clear, like you can say you're CNN.

511
00:26:59,680 --> 00:27:03,000
Speaker 1: Don't ever having on paper. And I'm talking about not

512
00:27:03,160 --> 00:27:06,840
Speaker 1: mind you because the time time Warner was Warner Brothers,

513
00:27:07,240 --> 00:27:09,280
Speaker 1: So I guess I guess at that time they couldn't

514
00:27:09,320 --> 00:27:12,199
Speaker 1: sue each other. But they made it clad like do

515
00:27:12,520 --> 00:27:16,359
Speaker 1: not use that, y'all. And if you noticed all or

516
00:27:16,440 --> 00:27:20,880
Speaker 1: none of our promotions should ever had CNN, you might

517
00:27:20,880 --> 00:27:24,959
Speaker 1: have said seeing but it was yeah, yeah, so that's crazy.

518
00:27:25,200 --> 00:27:29,000
Speaker 1: So like, okay, you guys are in the game. Now,

519
00:27:29,000 --> 00:27:33,399
Speaker 1: you gotts start learning contracts, right, because obviously when you

520
00:27:33,480 --> 00:27:37,280
Speaker 1: learn contracts. This is the reason why Kiss has been

521
00:27:37,359 --> 00:27:40,639
Speaker 1: on maybe three or four labels. You've been on Elektra

522
00:27:41,440 --> 00:27:43,920
Speaker 1: and I saw that Electra, then I went to Atlantic.

523
00:27:44,640 --> 00:27:47,760
Speaker 1: Then you have a stand no no Asta, Okay, elector

524
00:27:49,040 --> 00:27:54,200
Speaker 1: first one. Okay, that was your first deal. That was

525
00:27:54,240 --> 00:27:57,919
Speaker 1: what you know, but we never put the product on.

526
00:27:58,119 --> 00:28:01,119
Speaker 1: Oh okay, it's a this is a funny story. It

527
00:28:01,200 --> 00:28:05,719
Speaker 1: was we want to get it loyalty this get Clue

528
00:28:05,880 --> 00:28:07,800
Speaker 1: had worked that in this cope. So we got to

529
00:28:07,880 --> 00:28:12,359
Speaker 1: deal up there and Steve Stout was up there and

530
00:28:13,200 --> 00:28:16,160
Speaker 1: Clue end up doing something. I think Clue got fired. Wow,

531
00:28:16,400 --> 00:28:18,800
Speaker 1: little key. I think he cluled out fired from interscope.

532
00:28:19,119 --> 00:28:22,240
Speaker 1: And it was like coming to me like, well, are

533
00:28:22,280 --> 00:28:26,040
Speaker 1: you gonna go? We'll stay with or go with you

534
00:28:26,320 --> 00:28:29,840
Speaker 1: and Clue. I had a tough decision. This is my

535
00:28:29,880 --> 00:28:32,159
Speaker 1: first record deal. We just talked how you getting the

536
00:28:32,200 --> 00:28:35,000
Speaker 1: record deal was was the goal? You know what I mean?

537
00:28:35,040 --> 00:28:38,440
Speaker 1: That was goal. So I had this decision of it,

538
00:28:38,480 --> 00:28:41,400
Speaker 1: I'm not gonna walk away from my record deal, you

539
00:28:41,440 --> 00:28:44,160
Speaker 1: know what I mean, Let's do that or just go

540
00:28:44,280 --> 00:28:46,280
Speaker 1: to the Clue when we figure it out. So I

541
00:28:46,360 --> 00:28:48,800
Speaker 1: chose to go a clue and figure it out. Good brother,

542
00:28:48,920 --> 00:28:54,920
Speaker 1: Good brother, brother. I didn't. I didn't. I didn't feel

543
00:28:55,080 --> 00:28:57,840
Speaker 1: comfortable staying at in the scope with without people that

544
00:28:57,880 --> 00:29:00,440
Speaker 1: I knew. I always heard before that too, Howdy and

545
00:29:00,600 --> 00:29:04,160
Speaker 1: stre with shady and you know meany different luck things

546
00:29:04,360 --> 00:29:07,120
Speaker 1: and you have. That's that's all your fati, that's all.

547
00:29:07,160 --> 00:29:10,080
Speaker 1: You gotta celebrate you today. Crate that just we don't

548
00:29:10,080 --> 00:29:12,600
Speaker 1: hear eight times got damn you gotta listen. You can

549
00:29:12,640 --> 00:29:16,120
Speaker 1: always come back anytime, anytime you want to talk, because

550
00:29:16,120 --> 00:29:18,560
Speaker 1: you know, you know what it is. Also, I got women,

551
00:29:18,640 --> 00:29:22,880
Speaker 1: you know, I got a little like um uh uh

552
00:29:23,400 --> 00:29:26,840
Speaker 1: bugs and everywhere when people go and you know what,

553
00:29:26,880 --> 00:29:28,840
Speaker 1: I don't like when people say you don't have a

554
00:29:28,880 --> 00:29:32,680
Speaker 1: good personality. The thing about it is, you know that's

555
00:29:32,680 --> 00:29:34,800
Speaker 1: what I'm saying that you know why they ain't in

556
00:29:34,840 --> 00:29:37,280
Speaker 1: the locker room. But I see I'm in the locker

557
00:29:37,400 --> 00:29:39,920
Speaker 1: room with you. I know you're a funny nagger. Like

558
00:29:40,000 --> 00:29:43,280
Speaker 1: I know, I'm gonna display that today. We're gonna celebrate

559
00:29:43,280 --> 00:29:45,360
Speaker 1: you today. We're gonna celebrate the boat for y'all. You're

560
00:29:45,360 --> 00:29:48,720
Speaker 1: gonna get your piece of y'all for another shot or y'all. Yeah,

561
00:29:49,040 --> 00:29:51,000
Speaker 1: it's some rosette, you know, for the tracer. You know,

562
00:29:51,240 --> 00:29:52,640
Speaker 1: you know what I mean, you gotta you gotta tracing

563
00:29:52,720 --> 00:29:56,680
Speaker 1: your motherfucking shot what you know what a shot racer?

564
00:29:57,560 --> 00:30:01,280
Speaker 1: That's old school, Yeah, old was right now. Forty years old,

565
00:30:01,360 --> 00:30:04,320
Speaker 1: y'all as much as and fab You just had a

566
00:30:04,360 --> 00:30:09,640
Speaker 1: birthday too, if you just turned forties, though, not the chasing.

567
00:30:11,600 --> 00:30:13,959
Speaker 1: You know, you know I'm dyslexic. Come on, my brothers,

568
00:30:15,120 --> 00:30:20,000
Speaker 1: I'm dyslexic. Traction. Get money over being dyslexic for years

569
00:30:20,000 --> 00:30:24,239
Speaker 1: for the everybody in dyelexic class. Gotta start following me.

570
00:30:24,280 --> 00:30:27,800
Speaker 1: I'm just telling you so. You know we've been in

571
00:30:27,800 --> 00:30:29,920
Speaker 1: this game. But you just turned forty. You just celebrated

572
00:30:29,960 --> 00:30:34,440
Speaker 1: your birthday. How did that feel, brother? I mean it felt, truthfully,

573
00:30:34,480 --> 00:30:37,160
Speaker 1: it felt like a regular day. I noticed that's like

574
00:30:37,200 --> 00:30:40,959
Speaker 1: a milestone age, but I didn't really, I don't know

575
00:30:41,520 --> 00:30:44,840
Speaker 1: so much. Man, you feel different. I ain't gonna lie

576
00:30:45,600 --> 00:30:48,520
Speaker 1: my forty a birthday was trash. I just sent him

577
00:30:48,560 --> 00:30:51,360
Speaker 1: a sex turned forty sid Timber six, the fucking hurricane

578
00:30:51,440 --> 00:30:55,000
Speaker 1: can so fat Joe hits me and goes, we gotta go.

579
00:30:55,280 --> 00:30:58,600
Speaker 1: We're all gonna die. I know, excuse me. First off,

580
00:30:58,640 --> 00:31:00,680
Speaker 1: he didn't hit me and say that day I found

581
00:31:00,720 --> 00:31:03,400
Speaker 1: my friend is I'm at I want to ship that

582
00:31:03,520 --> 00:31:06,240
Speaker 1: problem one twelve. At the time, I'm thinking I'm doing it.

583
00:31:06,280 --> 00:31:08,000
Speaker 1: I got all the roads in in the world. And

584
00:31:08,080 --> 00:31:10,760
Speaker 1: Fat Joe walks in and says, I love you, happy

585
00:31:10,840 --> 00:31:17,160
Speaker 1: forty if we're all gonna die, Like what kind of birthday?

586
00:31:18,200 --> 00:31:21,520
Speaker 1: He's like, the hurricane is coming out me, fab I'm like,

587
00:31:21,800 --> 00:31:24,000
Speaker 1: I'm gonna stare at the Saint Regions. These niggas ain't

588
00:31:24,040 --> 00:31:27,720
Speaker 1: letting this come down. And then the Saint Regions evacuated me.

589
00:31:28,800 --> 00:31:31,440
Speaker 1: It was like I had to go back to New York.

590
00:31:31,640 --> 00:31:33,080
Speaker 1: This is the place I didn't want to be in

591
00:31:33,160 --> 00:31:35,640
Speaker 1: the forty because you got to celebrate outside if you

592
00:31:35,800 --> 00:31:38,160
Speaker 1: want to raise a real true blood New York. And

593
00:31:38,200 --> 00:31:40,320
Speaker 1: when you cut me and it said, if the Yankee

594
00:31:40,320 --> 00:31:42,960
Speaker 1: sign comes out, you need to celebrate your birth day

595
00:31:43,040 --> 00:31:45,840
Speaker 1: somewhere else. You understand what I'm saying, because there's other

596
00:31:45,840 --> 00:31:48,280
Speaker 1: people that's gonna come out because it's your fortier. And

597
00:31:48,360 --> 00:31:51,000
Speaker 1: guess what, I was right back in my town. Let's

598
00:31:51,040 --> 00:31:56,200
Speaker 1: make some noise for me going right back home. Even

599
00:31:56,240 --> 00:31:59,360
Speaker 1: though I didn't want to. I want to say the

600
00:31:59,480 --> 00:32:01,880
Speaker 1: town man, you can't escape the town so I can

601
00:32:01,920 --> 00:32:04,960
Speaker 1: do some drinking because I got notes and ship like that,

602
00:32:05,000 --> 00:32:07,760
Speaker 1: and I got a special surprise for y'all too. Where's

603
00:32:07,800 --> 00:32:10,440
Speaker 1: my man? Motherfucker's the name of the company nine Lives?

604
00:32:10,640 --> 00:32:15,400
Speaker 1: What what is it? Nine Lives Collective? Give him? Give

605
00:32:15,480 --> 00:32:17,080
Speaker 1: him a gift man, give him a gift place. Man.

606
00:32:17,120 --> 00:32:18,960
Speaker 1: If you know, we treat artists good, I'm an artist.

607
00:32:19,360 --> 00:32:21,239
Speaker 1: You know what I'm saying. Make sure the artists. Look.

608
00:32:21,360 --> 00:32:23,400
Speaker 1: You know what I'm saying. Kay, can you need some hennessy? K?

609
00:32:23,920 --> 00:32:26,920
Speaker 1: You're good. See what I'm saying. These other outlets don't

610
00:32:26,960 --> 00:32:29,280
Speaker 1: even know Nicker's names. You know what I'm saying. Treat

611
00:32:29,320 --> 00:32:32,120
Speaker 1: family got good. Hold me over there, you're good. I

612
00:32:32,200 --> 00:32:35,200
Speaker 1: know your seriously, guy, I expect you. I'm expect you. Brother.

613
00:32:35,480 --> 00:32:37,640
Speaker 1: Let's do let's do a look at that and giveing

614
00:32:37,680 --> 00:32:43,080
Speaker 1: them pre roads m and it supports Puerto Rico on

615
00:32:43,120 --> 00:32:45,040
Speaker 1: case you don't know that. Look at the top. That's

616
00:32:45,080 --> 00:32:47,160
Speaker 1: Heath and all that crazy ship on there. Look at that.

617
00:32:47,160 --> 00:32:49,000
Speaker 1: I like to treat my artists good. Fact we popped

618
00:32:49,000 --> 00:32:50,920
Speaker 1: the bottle of rods when they be wreck. Come on,

619
00:32:52,040 --> 00:32:53,880
Speaker 1: come on, kids, you gotta pop yours too. Come on,

620
00:32:53,920 --> 00:32:57,040
Speaker 1: I'm halfway through my bottle. Man nine, I say you

621
00:32:57,240 --> 00:33:05,239
Speaker 1: oh fu. They told me you're a real champagne drink up.

622
00:33:05,280 --> 00:33:08,560
Speaker 1: That's what they told me. Do you drink brown? But

623
00:33:08,640 --> 00:33:11,080
Speaker 1: you used to be a champagne drink I see you. Yeah,

624
00:33:12,320 --> 00:33:13,960
Speaker 1: let's see if let's see. We're gonna find out right

625
00:33:14,000 --> 00:33:18,120
Speaker 1: now if you're a champagne nigger right now. Okay, let's see.

626
00:33:18,440 --> 00:33:23,920
Speaker 1: Oh you're popping. That's championship game ship. Let's make some

627
00:33:24,040 --> 00:33:31,480
Speaker 1: noise that was like that? He not not this one kiss?

628
00:33:31,520 --> 00:33:34,800
Speaker 1: This is the show. Then you go. You got this

629
00:33:35,120 --> 00:33:37,000
Speaker 1: nice and cold? You know what I'm saying, We're gonna

630
00:33:37,080 --> 00:33:38,960
Speaker 1: drink a hold. This is how we do it. Man.

631
00:33:39,360 --> 00:33:41,040
Speaker 1: You know, we got to know how to treat our artists.

632
00:33:41,040 --> 00:33:43,520
Speaker 1: You know what I'm saying, our artists and superheroes nowadays.

633
00:33:43,520 --> 00:33:46,120
Speaker 1: And I got notes. I ain't going too my notes yet.

634
00:33:46,520 --> 00:33:48,479
Speaker 1: You know I got my ESPN. First take on, I'm

635
00:33:48,480 --> 00:33:51,960
Speaker 1: gonna make sure kids don't take out my eye. You know.

636
00:33:52,240 --> 00:33:57,400
Speaker 1: I you got to do something I learned from you. Okay, okay, okay,

637
00:33:57,480 --> 00:33:59,160
Speaker 1: And that's some pre rolls I'm gonnahit a pre roll

638
00:33:59,240 --> 00:34:08,840
Speaker 1: to them smoking blunt okay, kids got okay kids, okay,

639
00:34:08,960 --> 00:34:18,200
Speaker 1: kiss make some noise, matter, make some noise. What's kids

640
00:34:18,239 --> 00:34:19,759
Speaker 1: have been on a drink? Chance too much? It's how

641
00:34:20,280 --> 00:34:23,560
Speaker 1: that's how poured the champagne. Fat. That's it? Yeah, yeah,

642
00:34:23,600 --> 00:34:28,600
Speaker 1: that's fat. Is that what you call is again? It's

643
00:34:28,640 --> 00:34:31,160
Speaker 1: called the p scene because you hung then and then

644
00:34:31,200 --> 00:34:34,440
Speaker 1: your twist. You got that twist, then it's okay. It's

645
00:34:34,480 --> 00:34:36,560
Speaker 1: I learned it in Paris. Fat. I've been changing on

646
00:34:36,640 --> 00:34:38,920
Speaker 1: niggas for a while and think it should have checked

647
00:34:38,960 --> 00:34:41,880
Speaker 1: me a lot of time. It's been changing. Wow, I

648
00:34:41,920 --> 00:34:43,839
Speaker 1: think it's told me they had a jade the kiss

649
00:34:43,880 --> 00:34:46,840
Speaker 1: session and the alleged came in with why and he

650
00:34:47,040 --> 00:34:49,879
Speaker 1: was loose, and I looked. I didn't even find it funny.

651
00:34:49,920 --> 00:34:52,040
Speaker 1: I said, I like wine, this is what I and

652
00:34:52,080 --> 00:34:53,680
Speaker 1: we was just getting drunk gonna wine. You know it

653
00:34:53,800 --> 00:34:55,719
Speaker 1: wasn't the wine. Oh, I know what you're saying. You

654
00:34:55,840 --> 00:35:00,879
Speaker 1: gotta relax. I'm just rolling with the story. So fat,

655
00:35:01,080 --> 00:35:05,200
Speaker 1: what's what's that error in hip hop? Where if you

656
00:35:05,280 --> 00:35:08,839
Speaker 1: could live it again, like and you could just put

657
00:35:08,920 --> 00:35:11,480
Speaker 1: yourself in there where you would put yourself. Like I'm saying,

658
00:35:11,920 --> 00:35:14,239
Speaker 1: like any error in hip hop, you don't have to

659
00:35:14,280 --> 00:35:17,160
Speaker 1: be the error. It could be any error already knows

660
00:35:17,160 --> 00:35:21,960
Speaker 1: answering the golden ever? Baby, what is the golden ever?

661
00:35:22,040 --> 00:35:24,560
Speaker 1: If you say that, because there's different people who got

662
00:35:24,640 --> 00:35:27,560
Speaker 1: different ten years, what's your name on it? I ain't

663
00:35:27,560 --> 00:35:31,480
Speaker 1: gonna lie like from like ninety five or two thousand

664
00:35:31,560 --> 00:35:34,640
Speaker 1: and five? Okay, that's he asked me like a real

665
00:35:34,760 --> 00:35:37,920
Speaker 1: drink champer, because that's when we were asking people that

666
00:35:38,040 --> 00:35:41,279
Speaker 1: ten year gap. So you said ninety five to what

667
00:35:41,520 --> 00:35:44,040
Speaker 1: two thor you went a little further? Okay, that's not

668
00:35:45,040 --> 00:35:48,040
Speaker 1: that is a little further, right, because no, no, no, That'shi.

669
00:35:48,440 --> 00:35:50,880
Speaker 1: That's him. You know, I'm dyslexic and I don't know

670
00:35:51,040 --> 00:35:54,840
Speaker 1: math neither. I'm education. We saw some I'm that nigga

671
00:35:54,880 --> 00:35:57,120
Speaker 1: that niggas laughed at in the Yellow Boss. No, I

672
00:35:57,160 --> 00:35:59,200
Speaker 1: didn't go to high school. I was already in jail. Yeah,

673
00:35:59,440 --> 00:36:01,759
Speaker 1: I was in a juveniles you know. They got me

674
00:36:01,840 --> 00:36:04,680
Speaker 1: from they got me early for they got me early,

675
00:36:04,719 --> 00:36:07,000
Speaker 1: fourteen years old. It's done for me. What was doing?

676
00:36:07,200 --> 00:36:09,200
Speaker 1: But I started writing rhymes. Let's make some noise for

677
00:36:09,280 --> 00:36:12,879
Speaker 1: me figuring it out yeah, let me tell you something

678
00:36:12,920 --> 00:36:20,080
Speaker 1: about your man Fendi. Right now, Fendy got Hollywood m h. Ever,

679
00:36:20,200 --> 00:36:24,200
Speaker 1: since he snuffs sub zero work, it's a noise for

680
00:36:24,280 --> 00:36:29,919
Speaker 1: that makes some noise that because his industry car went

681
00:36:30,080 --> 00:36:32,960
Speaker 1: up like he was just normal, like like fending my

682
00:36:33,120 --> 00:36:35,279
Speaker 1: negger like a false from Let me tell you you

683
00:36:35,320 --> 00:36:40,040
Speaker 1: need one more snuffing. Listen, listenin wanted, let's keep fending.

684
00:36:40,719 --> 00:36:46,239
Speaker 1: Let's not want. This is the first work put up

685
00:36:48,800 --> 00:37:00,040
Speaker 1: young kids. Tell you he need to know when and

686
00:37:00,120 --> 00:37:02,120
Speaker 1: let me tell you all thinking, this is a story

687
00:37:02,160 --> 00:37:05,640
Speaker 1: I never said before in my life. Right. So Finny

688
00:37:05,719 --> 00:37:08,800
Speaker 1: sees me I'm performing and he goes, listen, man, you

689
00:37:08,880 --> 00:37:11,840
Speaker 1: need chance in between your performance. So I'm like, I

690
00:37:11,880 --> 00:37:15,279
Speaker 1: don't know what this won't wall. I'm like, yo, I

691
00:37:15,440 --> 00:37:18,960
Speaker 1: feel like I got any chance. He's like, I got you,

692
00:37:19,560 --> 00:37:23,000
Speaker 1: he asked me. He said, I'm gonna go everywhere my nigga,

693
00:37:23,080 --> 00:37:32,520
Speaker 1: the nigga snug on a plane. This is prepriate, Ladin. Obviously, dude, y'all,

694
00:37:32,560 --> 00:37:36,640
Speaker 1: I'm just different. Do you remember this? Listen my nigga.

695
00:37:36,760 --> 00:37:39,440
Speaker 1: Let me tell you what these these book niggas was this?

696
00:37:41,239 --> 00:37:44,040
Speaker 1: I said, how could you sneaker? On the flee. So

697
00:37:44,239 --> 00:37:47,920
Speaker 1: we walked in. The niggas that checked their tickets, they

698
00:37:48,000 --> 00:37:50,200
Speaker 1: give you, they ripped the ship back and they give

699
00:37:50,239 --> 00:37:52,960
Speaker 1: it back to you. The niggas had every nigga who

700
00:37:53,080 --> 00:37:55,120
Speaker 1: checked in and ripped the ticket and give it back

701
00:37:55,480 --> 00:37:57,440
Speaker 1: and put it in the radio and was like your

702
00:37:57,760 --> 00:38:01,160
Speaker 1: askin such such radio. These niggas came and they said,

703
00:38:01,160 --> 00:38:06,319
Speaker 1: oh we was already gonna be played. Fucked me up

704
00:38:08,880 --> 00:38:11,840
Speaker 1: six D. It's not just one of tune with these niggas.

705
00:38:12,520 --> 00:38:18,759
Speaker 1: That nigger friendly. Let's make some for him being grand girl. Yo.

706
00:38:19,160 --> 00:38:21,640
Speaker 1: I don't think y'all understand what I just said, get

707
00:38:21,760 --> 00:38:24,520
Speaker 1: on the plane is that's not that's a bat boost.

708
00:38:24,600 --> 00:38:28,360
Speaker 1: That's not jumping over the boost. That's killing the turnstown.

709
00:38:29,080 --> 00:38:33,759
Speaker 1: They're not jumping, ain't that? And you know if you

710
00:38:33,760 --> 00:38:35,719
Speaker 1: would have got caught, it had been mad awkward like

711
00:38:36,000 --> 00:38:41,080
Speaker 1: excuse me said, I think it's a bad thing. On

712
00:38:41,160 --> 00:38:45,120
Speaker 1: the plane is a fat jobs right? If I have

713
00:38:45,200 --> 00:38:48,080
Speaker 1: you ever seen the nigga smoke on the plane, not

714
00:38:48,200 --> 00:38:53,040
Speaker 1: the commercial, not the pride You blew a bowl on

715
00:38:53,120 --> 00:38:54,760
Speaker 1: the plane? Now, I seen the nigga blew a bowlie

716
00:38:54,800 --> 00:38:57,399
Speaker 1: on the plane. Who is he did he get the rest.

717
00:38:57,440 --> 00:39:03,560
Speaker 1: He used to smoke cigarettes, had smoking planes if some

718
00:39:03,840 --> 00:39:09,160
Speaker 1: planes still got the a little bit of both. I

719
00:39:10,920 --> 00:39:13,520
Speaker 1: heard niggas that sad they would jump on the plane

720
00:39:13,600 --> 00:39:17,680
Speaker 1: and smoke a bow. Yeah, I've never said that. I'm

721
00:39:17,719 --> 00:39:21,759
Speaker 1: trying to though, I want to come on, kay, you

722
00:39:21,840 --> 00:39:23,960
Speaker 1: want to smoke a bobie on the plane. I've been

723
00:39:24,000 --> 00:39:25,960
Speaker 1: on private, but I knew if I would to let

724
00:39:26,000 --> 00:39:29,560
Speaker 1: that bobie, I'm like everybody around smoked the blunt on

725
00:39:29,600 --> 00:39:32,759
Speaker 1: the train in New York. I've done and I've done

726
00:39:32,800 --> 00:39:35,560
Speaker 1: that between the cars, not the Metro, sitting in the

727
00:39:35,640 --> 00:39:38,160
Speaker 1: car just I've done that. But I felt so disrespectful

728
00:39:38,400 --> 00:39:40,560
Speaker 1: because there was there's always people there, just like for

729
00:39:40,719 --> 00:39:43,000
Speaker 1: real used to light cars up. That was his thing.

730
00:39:43,080 --> 00:39:45,600
Speaker 1: He literally loved to do that, roll up in front

731
00:39:45,640 --> 00:39:48,800
Speaker 1: of everybody, just liked it. He had it like timed

732
00:39:48,800 --> 00:39:51,520
Speaker 1: out so like he really liked his couple stops and

733
00:39:51,600 --> 00:39:53,040
Speaker 1: then you get off because you can get locked the

734
00:39:53,080 --> 00:39:55,600
Speaker 1: feet back. Then you definitely get some old school school

735
00:39:55,640 --> 00:39:59,759
Speaker 1: New York ship. Niggas ever smoked in the movie theater, Definitely.

736
00:40:00,520 --> 00:40:08,600
Speaker 1: I kicked out the Atlas. We went to CEC before

737
00:40:08,680 --> 00:40:11,560
Speaker 1: with the whole crew got kicked out before he was

738
00:40:11,640 --> 00:40:14,040
Speaker 1: on the look at this story, though, this is the illness.

739
00:40:14,520 --> 00:40:18,120
Speaker 1: They kicked us out. We get into this ship. We

740
00:40:19,080 --> 00:40:21,919
Speaker 1: put the blood in the um like the McDonald's cup.

741
00:40:22,960 --> 00:40:31,120
Speaker 1: We didn't be blown passing in around. That's what you

742
00:40:31,760 --> 00:40:36,759
Speaker 1: bab plasets see before, just coming on. They knocked me

743
00:40:37,160 --> 00:40:42,640
Speaker 1: styles and k Nobody wants to leave though we on

744
00:40:42,760 --> 00:40:46,200
Speaker 1: the back staircase. Now you gotta wait to the whole crew.

745
00:40:48,520 --> 00:40:53,239
Speaker 1: We fell asleep in the back staircares we wake up.

746
00:40:53,640 --> 00:40:58,960
Speaker 1: The whole movie there is empty. I mean it's like, yo,

747
00:41:00,080 --> 00:41:04,560
Speaker 1: nobody's did not our man doing popcorn? The whole ship

748
00:41:04,760 --> 00:41:08,080
Speaker 1: is empty. We come out the door and the snow

749
00:41:08,239 --> 00:41:12,359
Speaker 1: and like what the fuck? And then't like one last

750
00:41:12,480 --> 00:41:14,440
Speaker 1: They must be like yo, We're gonna go around one

751
00:41:14,520 --> 00:41:18,600
Speaker 1: more time. Then they say like yo, and picked this up.

752
00:41:18,680 --> 00:41:21,440
Speaker 1: And I was the Eli ship. I remember, remember that

753
00:41:21,560 --> 00:41:25,760
Speaker 1: ship was sleeping on the back staircase at Bay Plaza movie.

754
00:41:25,880 --> 00:41:28,400
Speaker 1: Think now. One thing I had to deal with, uh,

755
00:41:29,480 --> 00:41:32,479
Speaker 1: was me being from left track right and me having

756
00:41:32,560 --> 00:41:36,000
Speaker 1: people from Queensbridge actually because trash regard us of what

757
00:41:36,160 --> 00:41:39,680
Speaker 1: trash was. The person who walked me through and me

758
00:41:39,840 --> 00:41:42,799
Speaker 1: coming back home. It always was like a little hard

759
00:41:43,040 --> 00:41:47,000
Speaker 1: because people like, you know, it's always hate or something

760
00:41:47,040 --> 00:41:49,520
Speaker 1: because people expect you to just stay with your owner door.

761
00:41:49,920 --> 00:41:54,239
Speaker 1: You was from Brooklyn that had a unique situation. Most

762
00:41:54,280 --> 00:41:56,680
Speaker 1: of your crew was from Queen's. Did you ever like

763
00:41:56,800 --> 00:42:00,680
Speaker 1: receive slack from really? My my real internal Clue that

764
00:42:00,800 --> 00:42:03,640
Speaker 1: moved with me was still my coold in Brooklyn. But

765
00:42:04,280 --> 00:42:06,600
Speaker 1: when I went to Clue, it was just to connect.

766
00:42:07,280 --> 00:42:09,560
Speaker 1: We made that connection with Clue and they embraced me

767
00:42:09,680 --> 00:42:12,279
Speaker 1: because like I was Clue artist, you know what I'm saying.

768
00:42:12,320 --> 00:42:14,560
Speaker 1: But my my team that I was running with was

769
00:42:14,640 --> 00:42:18,560
Speaker 1: still went back to Brooklyn because my guys was was

770
00:42:18,680 --> 00:42:20,960
Speaker 1: with me. We go meet Clue and we're going like

771
00:42:21,280 --> 00:42:24,440
Speaker 1: you know, we every I think every artist too, was

772
00:42:24,560 --> 00:42:27,200
Speaker 1: coming in that you bring your you bring your homies,

773
00:42:27,280 --> 00:42:28,640
Speaker 1: like you don't even bring your team. I don't know

774
00:42:28,680 --> 00:42:30,960
Speaker 1: if they're doing that now, some some guys are doing it,

775
00:42:31,080 --> 00:42:34,719
Speaker 1: but um, you know now it's a different way. At

776
00:42:34,760 --> 00:42:36,800
Speaker 1: that time, you brought all your guys with you, like

777
00:42:37,120 --> 00:42:40,560
Speaker 1: it was everybody was showing up everywhere, ten twelve, fifteen

778
00:42:40,680 --> 00:42:42,640
Speaker 1: deep and don't let you have a show. And then

779
00:42:42,719 --> 00:42:46,560
Speaker 1: it's then it's thirty years forty. Your whole projects is there,

780
00:42:46,640 --> 00:42:48,960
Speaker 1: you know what I'm saying. So that's how we was moving.

781
00:42:49,040 --> 00:42:51,640
Speaker 1: So I never had that like coming back problem or

782
00:42:51,800 --> 00:42:55,640
Speaker 1: like you know what I mean. Moved to Queen's for

783
00:42:56,000 --> 00:42:58,279
Speaker 1: for like like two for like a year and a

784
00:42:58,400 --> 00:43:00,920
Speaker 1: year and a half, I lived on screen Feel Boulevard

785
00:43:01,680 --> 00:43:04,799
Speaker 1: right by Springfield High right by Springfield High School. Who

786
00:43:04,920 --> 00:43:07,239
Speaker 1: they like you? Why don't move over there? I just

787
00:43:07,400 --> 00:43:09,439
Speaker 1: was that was me supposed to be like my little

788
00:43:09,520 --> 00:43:13,080
Speaker 1: cut out the hood, out my Brooklyn hood to kind

789
00:43:13,080 --> 00:43:15,680
Speaker 1: of Queen's kind of thing. Now like Brooklyn is like

790
00:43:15,760 --> 00:43:18,640
Speaker 1: the cut Now did you ever think that, well, Brooklyn

791
00:43:18,760 --> 00:43:21,640
Speaker 1: some parts, you know, like with downtown Woodsburg, but you

792
00:43:21,920 --> 00:43:25,160
Speaker 1: best star in Brownsville in East New York is still Brooklyn.

793
00:43:25,960 --> 00:43:36,120
Speaker 1: It's still they gentrifying, but watch it still relax. But

794
00:43:36,239 --> 00:43:40,480
Speaker 1: we're doing this motherfucker hip hop. He's walking in now.

795
00:43:40,960 --> 00:43:43,160
Speaker 1: I just wanted to help, you know, we got to

796
00:43:43,160 --> 00:43:45,680
Speaker 1: boost these raiders. Keep y'all ship hot, make sure be

797
00:43:45,840 --> 00:43:50,720
Speaker 1: motherfucker's go get the what's it's not Friday on the street,

798
00:43:52,120 --> 00:44:04,160
Speaker 1: motherfucking buck daddy in. Yeah, let them know that niggas

799
00:44:04,200 --> 00:44:10,080
Speaker 1: ain't like that. What's going on with my brother man man,

800
00:44:10,520 --> 00:44:14,880
Speaker 1: you know it's grew happy Yeah, yeah, yeah to you.

801
00:44:15,640 --> 00:44:21,359
Speaker 1: Happy birthday to you, Happy birthday, his fabulous the only

802
00:44:21,440 --> 00:44:26,080
Speaker 1: nigger that got the name that I would. Happy birthday

803
00:44:26,200 --> 00:44:29,439
Speaker 1: to you. Yeah, that's take a shot for that fun

804
00:44:31,360 --> 00:44:34,279
Speaker 1: we're supposed to take me. I'm feeling a little nillow. Yeah,

805
00:44:34,440 --> 00:44:37,640
Speaker 1: we're gonna turn them off. Yeah, yeah, don't know when

806
00:44:37,680 --> 00:44:42,000
Speaker 1: you with me. I had to give you a surprise.

807
00:44:42,320 --> 00:44:47,120
Speaker 1: Let the chairman full up because we all helping promote

808
00:44:47,320 --> 00:44:50,440
Speaker 1: this motherfucking album that you guys got, helping promote the

809
00:44:50,480 --> 00:44:53,080
Speaker 1: excellence that you guys are putting together, and we're helping

810
00:44:53,160 --> 00:44:54,960
Speaker 1: doing it. You know what I'm saying with the chairman

811
00:44:54,960 --> 00:44:56,719
Speaker 1: of a vote, thank you for coming through. You know

812
00:44:56,760 --> 00:44:58,839
Speaker 1: what I mean? We have some questions? Yeah please here

813
00:44:58,880 --> 00:45:03,439
Speaker 1: you are? You are he's actually our guests today, because

814
00:45:03,480 --> 00:45:05,359
Speaker 1: that's how that's how I feel. We either wake up,

815
00:45:05,440 --> 00:45:11,359
Speaker 1: let's wake up time. That's how you feel. You ain't

816
00:45:11,400 --> 00:45:27,520
Speaker 1: seen you note that's yeah, I'm looking fresh ship man

817
00:45:31,960 --> 00:45:37,720
Speaker 1: enough vanilla black, excellent Black Vote TV and y'all fucking

818
00:45:37,920 --> 00:45:42,120
Speaker 1: into into legends. Legends. Everybody can't be one now you're

819
00:45:42,160 --> 00:45:49,960
Speaker 1: looking at for chance to you, Well, we just turned up.

820
00:45:49,960 --> 00:45:55,040
Speaker 1: That's vanilla baby. Yeah, while you an make the coke

821
00:45:55,120 --> 00:46:02,840
Speaker 1: also official drink. We're still negotiate. That went some No, No,

822
00:46:04,880 --> 00:46:08,320
Speaker 1: it's like the time gotta be right, you know, Okay, okay,

823
00:46:08,840 --> 00:46:11,200
Speaker 1: but I gave him my word like it did something

824
00:46:11,280 --> 00:46:16,440
Speaker 1: with that. We came up with it together. Yeah, that's

825
00:46:16,440 --> 00:46:18,239
Speaker 1: what I'm talking about, kid, Go ahead, take it over there.

826
00:46:18,280 --> 00:46:21,600
Speaker 1: How did that come on? Puerto Rican Day Parade and

827
00:46:21,680 --> 00:46:23,880
Speaker 1: Day parade? And I mean, I guess what a lot

828
00:46:23,920 --> 00:46:27,279
Speaker 1: of people don't know and what doesn't really get, you know,

829
00:46:28,400 --> 00:46:33,480
Speaker 1: publicizes how close New York rap artists are. Like we

830
00:46:33,600 --> 00:46:37,160
Speaker 1: don't really like have beef beef with some cats. LLL

831
00:46:37,280 --> 00:46:39,120
Speaker 1: has some beef for the rest of us, we didn't

832
00:46:39,160 --> 00:46:41,680
Speaker 1: really we don't really have beef with each other, like

833
00:46:41,960 --> 00:46:44,000
Speaker 1: from New York, you know what I'm saying. So we

834
00:46:44,400 --> 00:46:46,440
Speaker 1: all grew up together, you know what I'm saying, And

835
00:46:46,520 --> 00:46:48,759
Speaker 1: so us hanging out is nothing but us just like

836
00:46:48,880 --> 00:46:51,520
Speaker 1: hanging out like regular people. And um, we was at

837
00:46:51,520 --> 00:46:54,080
Speaker 1: the Puerto Rican Day Parade and we're sending the crib

838
00:46:54,239 --> 00:46:56,520
Speaker 1: chilling doing what we do. You know, he has a

839
00:46:56,560 --> 00:46:59,640
Speaker 1: lot of incredible ideas and you know it just started

840
00:46:59,680 --> 00:47:02,360
Speaker 1: off from helped to kick off the rock and you

841
00:47:02,400 --> 00:47:05,719
Speaker 1: know Sulia blessing my brother fab and look forward to

842
00:47:05,760 --> 00:47:08,560
Speaker 1: get money with him in the future. I'm talking about man. Yeah,

843
00:47:08,640 --> 00:47:14,120
Speaker 1: So what I'm talking about the one thing I've been

844
00:47:14,760 --> 00:47:17,000
Speaker 1: you got questions. You said you got questions. Yeah, him

845
00:47:17,000 --> 00:47:18,719
Speaker 1: with some questions. That's what I'm talking about. This is

846
00:47:18,800 --> 00:47:21,520
Speaker 1: your co host for the evening. That's all. That's your

847
00:47:21,600 --> 00:47:24,680
Speaker 1: top three mcs. That was a top one off tops

848
00:47:24,680 --> 00:47:33,400
Speaker 1: about my top three? Yeah, Biggie nas jay Z, I

849
00:47:33,480 --> 00:47:36,680
Speaker 1: gotta say the same thing, Biggie jay Z and and

850
00:47:36,760 --> 00:47:41,760
Speaker 1: no particular order. How are y'all as New York artists?

851
00:47:42,200 --> 00:47:45,600
Speaker 1: How are y'all adapting to the situation of trap music

852
00:47:46,080 --> 00:47:50,080
Speaker 1: and being on the kick versus the snare. I just

853
00:47:50,120 --> 00:47:52,040
Speaker 1: want to have another shot to that before y'all drink.

854
00:47:52,280 --> 00:47:59,160
Speaker 1: I want to just make sure everybody got sufficiently What

855
00:47:59,400 --> 00:48:02,200
Speaker 1: is your shot? What a shot? Yeah, let's do. But

856
00:48:02,239 --> 00:48:04,759
Speaker 1: that's want to let ya know, y'all drink, drink. Let's

857
00:48:04,760 --> 00:48:07,040
Speaker 1: where everything goes. You know when we slur our words

858
00:48:07,080 --> 00:48:09,359
Speaker 1: and yeah, we have fun because I came from here

859
00:48:09,480 --> 00:48:17,560
Speaker 1: to Yeah, a little happy birthday already know you got

860
00:48:18,200 --> 00:48:20,279
Speaker 1: I'm missing a shot. I'm not gonna skip it. Yeah,

861
00:48:20,320 --> 00:48:22,880
Speaker 1: that's not what I do over here. Damn. Yeah. So

862
00:48:22,880 --> 00:48:26,120
Speaker 1: what I'm talking about listen man once again, ye us

863
00:48:26,280 --> 00:48:33,160
Speaker 1: being you know, having fun champs. Most TV lets. Nobody

864
00:48:33,239 --> 00:48:35,160
Speaker 1: ask you and the crew no, yeah you're no, no,

865
00:48:35,520 --> 00:48:39,440
Speaker 1: we got saying we just so Yeah, I know you

866
00:48:39,520 --> 00:48:47,960
Speaker 1: needed that one, huh. I say the kick versus the share.

867
00:48:49,440 --> 00:48:52,000
Speaker 1: You know, we come from the kick, right, we come

868
00:48:52,080 --> 00:48:54,600
Speaker 1: from the which one? We come from the kick from

869
00:48:54,640 --> 00:48:58,560
Speaker 1: the we come from the s That's that's embedded. That's

870
00:48:58,600 --> 00:49:02,480
Speaker 1: something we can do effortlessly. But since they're doing the

871
00:49:03,040 --> 00:49:08,400
Speaker 1: other thing, I say, instead of negating it, you embrace it.

872
00:49:08,880 --> 00:49:11,880
Speaker 1: Then you're getting on that joint and kill it, you

873
00:49:11,920 --> 00:49:13,920
Speaker 1: know what I mean, instead of hating it. Yeah, you

874
00:49:14,080 --> 00:49:20,480
Speaker 1: like your situation and you maximize optunity even though it

875
00:49:20,600 --> 00:49:25,040
Speaker 1: might not be a cup of tea. Depth and just

876
00:49:25,360 --> 00:49:27,440
Speaker 1: you know, switch your style to whatever, you know what

877
00:49:27,440 --> 00:49:30,160
Speaker 1: I mean, if you can, if you do that, you're

878
00:49:30,200 --> 00:49:32,360
Speaker 1: that guy. You can switch up your style. You can

879
00:49:32,440 --> 00:49:38,239
Speaker 1: go stout. You feel like you you um well, dumb

880
00:49:38,320 --> 00:49:41,040
Speaker 1: your ship down. No, not dumb it down. You still

881
00:49:41,080 --> 00:49:44,840
Speaker 1: gotta be you never you do you on that trapp

882
00:49:44,920 --> 00:49:50,160
Speaker 1: be and obliviate that world, do you? That's a very

883
00:49:50,239 --> 00:49:53,480
Speaker 1: important word. I want to talk about New York rap.

884
00:49:54,520 --> 00:50:00,080
Speaker 1: You know, take it there, New York rap. We have

885
00:50:00,200 --> 00:50:03,480
Speaker 1: to do us. Do y'all feel like we as a

886
00:50:03,560 --> 00:50:06,640
Speaker 1: community of doing us? Are we trying to survive and

887
00:50:06,719 --> 00:50:14,600
Speaker 1: catch onto a wave? Or do you feel like New

888
00:50:14,719 --> 00:50:16,759
Speaker 1: York is New York? Man, I can't even shop water

889
00:50:16,920 --> 00:50:19,960
Speaker 1: that's New York, New York. A percentage is trying to

890
00:50:20,120 --> 00:50:23,759
Speaker 1: catch the wave. And then there's still a percentage that's

891
00:50:23,800 --> 00:50:28,279
Speaker 1: doing or New York. And so does the way you

892
00:50:28,360 --> 00:50:30,440
Speaker 1: feel like New does the way you feel like like

893
00:50:32,239 --> 00:50:34,960
Speaker 1: even changed? You know what I mean? So you can't

894
00:50:35,440 --> 00:50:37,560
Speaker 1: you can't go with the flow. You gotta be the floats.

895
00:50:37,680 --> 00:50:40,319
Speaker 1: You gotta be with the you know. So I think

896
00:50:41,880 --> 00:50:43,480
Speaker 1: I love that. I think it's important for people to

897
00:50:43,520 --> 00:50:45,399
Speaker 1: hear that because a lot of times, to be honest,

898
00:50:45,440 --> 00:50:48,880
Speaker 1: you don't get played in the southern cities because they

899
00:50:48,960 --> 00:50:51,080
Speaker 1: feel like there's some tension that's really not there. They

900
00:50:51,120 --> 00:50:53,800
Speaker 1: feel there's some lack of respect that's not really you

901
00:50:53,800 --> 00:50:55,880
Speaker 1: know what I'm saying, And it's just like, you know,

902
00:50:55,920 --> 00:50:57,800
Speaker 1: I want to just know your opinion on it, and

903
00:50:58,040 --> 00:50:59,919
Speaker 1: I would have to agree with you to looking good

904
00:51:00,280 --> 00:51:02,320
Speaker 1: as we got Cardi B out there, Cardi B is

905
00:51:02,800 --> 00:51:06,480
Speaker 1: kicking pure ass. When you speak to Cardi B, hustling

906
00:51:06,680 --> 00:51:08,640
Speaker 1: is so New York. You don't even have to say

907
00:51:08,680 --> 00:51:12,839
Speaker 1: where she's from, Like like, bitch, I know where you're from.

908
00:51:13,320 --> 00:51:15,000
Speaker 1: Don't mean to call up, but you know what I'm saying,

909
00:51:15,040 --> 00:51:18,520
Speaker 1: like you already know, and she's from uptown who it's

910
00:51:18,520 --> 00:51:21,440
Speaker 1: like New York? Yeah, she reading New York like and

911
00:51:21,560 --> 00:51:25,919
Speaker 1: she's out there kicking ass, like so did you guys?

912
00:51:26,280 --> 00:51:29,480
Speaker 1: You know, to reiterate his question, but in a different way,

913
00:51:30,160 --> 00:51:32,319
Speaker 1: Like a lot of people always keep saying it's New

914
00:51:32,400 --> 00:51:35,439
Speaker 1: York back. I never liked saying I never liked trying

915
00:51:35,480 --> 00:51:38,279
Speaker 1: to like bring New York. And I always felt like,

916
00:51:38,480 --> 00:51:40,680
Speaker 1: even when people was trying to do those records new

917
00:51:40,760 --> 00:51:43,040
Speaker 1: York back, you don't gotta say New York back. You

918
00:51:43,120 --> 00:51:46,239
Speaker 1: gotta make a hit record. And that's what puts New York.

919
00:51:46,760 --> 00:51:52,239
Speaker 1: When dudes like did he still breathing? In yourself and

920
00:51:52,400 --> 00:51:58,000
Speaker 1: myself and yourself? That question is already answered. They didn't

921
00:51:58,040 --> 00:52:00,840
Speaker 1: go nowhere. We know, you know, got to you know

922
00:52:00,880 --> 00:52:04,440
Speaker 1: what I mean, you start putting yourself, you start slating

923
00:52:05,080 --> 00:52:07,840
Speaker 1: from what you bring to the culture. When you add

924
00:52:07,880 --> 00:52:11,440
Speaker 1: to that. No, it's not back because it didn't go nowhere,

925
00:52:11,480 --> 00:52:14,440
Speaker 1: because you're looking at the culture, you know what I mean.

926
00:52:15,040 --> 00:52:18,279
Speaker 1: That's how you gotta carry to everybody feel like that.

927
00:52:19,239 --> 00:52:21,160
Speaker 1: I don't know. I want to be in a success circle.

928
00:52:21,800 --> 00:52:25,240
Speaker 1: Whatever it's successful. You know, it's different levels of success,

929
00:52:25,280 --> 00:52:27,520
Speaker 1: but whatever successful, I want to be in that and

930
00:52:27,600 --> 00:52:32,040
Speaker 1: the conquers. Do you feel like New York supports New

931
00:52:32,120 --> 00:52:34,960
Speaker 1: York enough? Like like the most most of it on

932
00:52:35,080 --> 00:52:41,879
Speaker 1: the low we're doing on the we don't, dudes. I'm

933
00:52:41,960 --> 00:52:45,120
Speaker 1: sure a lot of people that portray like they have

934
00:52:45,239 --> 00:52:48,000
Speaker 1: a problem with each other or there in their cribs

935
00:52:48,040 --> 00:52:51,799
Speaker 1: and in their own personal zones, playing their ship out

936
00:52:51,840 --> 00:52:55,680
Speaker 1: of the person's catalog or music or you know what

937
00:52:55,719 --> 00:52:59,399
Speaker 1: I mean, they enjoy to the person's success. They don't.

938
00:52:59,480 --> 00:53:02,799
Speaker 1: They don't do it as much as the self. That's

939
00:53:02,840 --> 00:53:06,200
Speaker 1: how the self slid in. You're saying that you were

940
00:53:06,239 --> 00:53:08,799
Speaker 1: still playing fifty while y'all was going at it. I'm

941
00:53:08,840 --> 00:53:15,360
Speaker 1: a fan of fifty, I'm not. Yeah, get Richard not

942
00:53:15,600 --> 00:53:19,120
Speaker 1: trying to classic anybody with ears. That was your classic.

943
00:53:19,160 --> 00:53:21,960
Speaker 1: Why y'all was battling? It's always a classic, and you

944
00:53:22,080 --> 00:53:25,960
Speaker 1: still listen to it. I'm not, I'm not I'm asking.

945
00:53:26,040 --> 00:53:29,440
Speaker 1: I'm a real listening. I deal with the situation on

946
00:53:29,560 --> 00:53:31,239
Speaker 1: the table that was all, you know, I mean, just

947
00:53:31,400 --> 00:53:34,360
Speaker 1: because it's the beautiful something was, you know, it was

948
00:53:34,400 --> 00:53:37,719
Speaker 1: a discrepancy. I don't take away from that body of work,

949
00:53:38,200 --> 00:53:40,520
Speaker 1: you know what I mean, that's that's still a classic,

950
00:53:40,719 --> 00:53:43,359
Speaker 1: no matter what's going. Fifty was mad at me one

951
00:53:43,440 --> 00:53:45,880
Speaker 1: time because I voiced that I felt like he was

952
00:53:45,960 --> 00:53:49,520
Speaker 1: trying to the fans, ye like when he was going

953
00:53:49,640 --> 00:53:52,239
Speaker 1: at you know. I mean, of course he had his

954
00:53:52,360 --> 00:53:55,040
Speaker 1: personal reasons why he was going at different people. But

955
00:53:55,239 --> 00:53:58,000
Speaker 1: when you're going at all these guys in New York

956
00:53:58,640 --> 00:54:04,160
Speaker 1: and trying to bring them down to put yourself higher, change,

957
00:54:04,480 --> 00:54:07,480
Speaker 1: you're changing the whole. You're changing the whole perspective, our

958
00:54:07,560 --> 00:54:11,080
Speaker 1: whole perspective to hip hop as a culture, to people

959
00:54:11,120 --> 00:54:13,480
Speaker 1: out of town too. You know, because at one point

960
00:54:13,520 --> 00:54:17,920
Speaker 1: he was going at kiss Joe what you know, and

961
00:54:18,160 --> 00:54:23,719
Speaker 1: you know, what's our defense without him needing defense. His

962
00:54:23,920 --> 00:54:27,480
Speaker 1: formula to come in was that. So I think at

963
00:54:27,560 --> 00:54:32,359
Speaker 1: a point that was his only only day he knew

964
00:54:32,520 --> 00:54:35,399
Speaker 1: was I'm gonna do this and that's gonna work. That's

965
00:54:35,400 --> 00:54:38,279
Speaker 1: what Works learned that. But I think he likes it too,

966
00:54:38,800 --> 00:54:43,680
Speaker 1: you know, that's he definitely, but that That's what's interesting

967
00:54:43,719 --> 00:54:46,480
Speaker 1: about your freestyles was like I always felt like when

968
00:54:46,520 --> 00:54:50,439
Speaker 1: you freestyle, it was like you're returning to like your

969
00:54:50,480 --> 00:54:54,120
Speaker 1: home base. Like that's where I came from. Okay, what

970
00:54:54,360 --> 00:54:56,759
Speaker 1: was that? How how I started? Yeah, that's what I

971
00:54:56,880 --> 00:54:59,200
Speaker 1: came from, even up there when we went up there

972
00:54:59,239 --> 00:55:01,440
Speaker 1: for Clue, that was me just I come from that

973
00:55:01,960 --> 00:55:03,960
Speaker 1: and I had to learn how to, you know, make

974
00:55:04,080 --> 00:55:07,600
Speaker 1: songs and even like you know what, did a song

975
00:55:07,680 --> 00:55:10,480
Speaker 1: with with with Puff and Bold too and we did

976
00:55:10,640 --> 00:55:13,000
Speaker 1: trade it all. Like that was me learning how to

977
00:55:13,120 --> 00:55:15,400
Speaker 1: make those kind of songs. But I come from the

978
00:55:15,480 --> 00:55:19,000
Speaker 1: class of watching Puff make records with you know what

979
00:55:19,080 --> 00:55:21,279
Speaker 1: I'm saying. So that's why I'm like, I knew how

980
00:55:21,360 --> 00:55:23,520
Speaker 1: to rap and mixtape for them. But then when I

981
00:55:23,600 --> 00:55:25,160
Speaker 1: had the time to make a song, I had to go,

982
00:55:25,760 --> 00:55:29,440
Speaker 1: you know to what I was raised on. Right. So

983
00:55:29,560 --> 00:55:31,880
Speaker 1: now when you hear like these stories and these super

984
00:55:31,920 --> 00:55:36,239
Speaker 1: producers and they're crazy ideas and like how they put

985
00:55:36,280 --> 00:55:39,120
Speaker 1: it together. You guys both work with puff. He's standing

986
00:55:39,239 --> 00:55:43,400
Speaker 1: right here like like, what was it described? What is

987
00:55:43,440 --> 00:55:45,440
Speaker 1: it like being in the studio with him? Because all

988
00:55:45,760 --> 00:55:48,359
Speaker 1: he's been on before, all of us, we all look

989
00:55:48,480 --> 00:55:50,920
Speaker 1: up to him, We all show him up. Damn, I

990
00:55:51,120 --> 00:55:53,600
Speaker 1: just seen you, my nigga, bouleg cat, my nigga. So

991
00:55:53,800 --> 00:55:59,560
Speaker 1: listen how that for me is does everything like he

992
00:56:00,880 --> 00:56:06,680
Speaker 1: he's the first person that gave us an opportunity. I

993
00:56:06,719 --> 00:56:11,560
Speaker 1: feel like we should make the opportunities. And one of

994
00:56:11,640 --> 00:56:16,160
Speaker 1: the most golden is things you know what, don't even recognize.

995
00:56:16,200 --> 00:56:18,879
Speaker 1: It's like giving you an opportunity. It's like coming out

996
00:56:18,920 --> 00:56:22,520
Speaker 1: of the draft and go in prices. We was able

997
00:56:22,560 --> 00:56:27,840
Speaker 1: to get drafted to the Chicago Bulls when Jordan's was

998
00:56:28,000 --> 00:56:30,120
Speaker 1: the hottest see you know what I mean, So it

999
00:56:30,239 --> 00:56:34,399
Speaker 1: was that's a blessing from the Lord itself. And then

1000
00:56:34,800 --> 00:56:38,480
Speaker 1: him just showing us. Let me backtrack a little bit,

1001
00:56:39,520 --> 00:56:42,120
Speaker 1: not only him, we was able to be in the

1002
00:56:42,239 --> 00:56:44,680
Speaker 1: presence of notorious br G you know what I mean.

1003
00:56:45,160 --> 00:56:52,680
Speaker 1: So that definitely make that he made the stars. He

1004
00:56:52,960 --> 00:56:55,440
Speaker 1: changed our lives. You'd be able to, you know, put

1005
00:56:55,520 --> 00:56:58,439
Speaker 1: my son through college by my mom's the house, learned

1006
00:56:58,480 --> 00:57:03,960
Speaker 1: how to perform, do things of that nature. You know

1007
00:57:04,000 --> 00:57:06,400
Speaker 1: what I mean? For me, it's prices. You know what

1008
00:57:06,440 --> 00:57:11,359
Speaker 1: I mean. I would my story. He's included in my story. Yeah,

1009
00:57:11,480 --> 00:57:14,120
Speaker 1: your life couldn't be told. Yeah, you know what I mean.

1010
00:57:14,200 --> 00:57:18,479
Speaker 1: And that's and that's all gratitude or place from work

1011
00:57:18,560 --> 00:57:21,520
Speaker 1: ethic from to cassy even tell you like I'll be

1012
00:57:21,800 --> 00:57:23,640
Speaker 1: if I'm working. I don't even want to sleep. I

1013
00:57:23,640 --> 00:57:26,120
Speaker 1: don't I want to keep working. The only one besides

1014
00:57:26,160 --> 00:57:28,920
Speaker 1: in you, the only even thing I see that this

1015
00:57:29,680 --> 00:57:32,920
Speaker 1: he could stay up longing in anybody. And he like

1016
00:57:33,000 --> 00:57:37,800
Speaker 1: an accent, did you and then you and then you

1017
00:57:38,360 --> 00:57:41,200
Speaker 1: and then you get my partner when he used the

1018
00:57:41,240 --> 00:57:53,280
Speaker 1: word ruby loring and motherfucking everything. Yeah, just getting that's

1019
00:57:53,320 --> 00:57:58,880
Speaker 1: the five birthday, can't Yes, Yeah, I'm saying your group,

1020
00:57:58,960 --> 00:58:02,040
Speaker 1: we know you don't drink joins your champagne. No, you're

1021
00:58:02,080 --> 00:58:12,800
Speaker 1: gonna have a ship. We got we got m No

1022
00:58:13,000 --> 00:58:18,840
Speaker 1: tyger no tyger. Okay, that was real, but no doubt

1023
00:58:19,520 --> 00:58:23,320
Speaker 1: everything over here without water. Let me just tell y'all something.

1024
00:58:23,600 --> 00:58:30,080
Speaker 1: Let me say us something. Um, the fans is very

1025
00:58:30,200 --> 00:58:33,840
Speaker 1: important to us, right and the thing about it is

1026
00:58:34,440 --> 00:58:37,600
Speaker 1: the fans wanted not only y'all on head, but they

1027
00:58:37,680 --> 00:58:41,120
Speaker 1: wanted you on head, right, And we wanted to show

1028
00:58:41,240 --> 00:58:45,080
Speaker 1: love because I'm an artist, right, So but I wanted

1029
00:58:45,160 --> 00:58:50,959
Speaker 1: to give y'all something more then something because I'm your pad.

1030
00:58:51,800 --> 00:58:54,040
Speaker 1: That's the thing about it is I want you to

1031
00:58:54,120 --> 00:58:58,320
Speaker 1: win more than anything else, because that's that's the fun

1032
00:58:59,360 --> 00:59:03,640
Speaker 1: where I come from. I'm the same exact thing. I

1033
00:59:03,760 --> 00:59:07,240
Speaker 1: just I just still see you brothers together because because

1034
00:59:07,360 --> 00:59:10,400
Speaker 1: y'all like from two different hoods, Like, I just still

1035
00:59:10,560 --> 00:59:12,640
Speaker 1: want to because I know we touched on it a

1036
00:59:12,720 --> 00:59:15,440
Speaker 1: little bit earlier, but still, just how did job put

1037
00:59:15,480 --> 00:59:19,000
Speaker 1: it together? Like with with y'all two together, we're we're

1038
00:59:19,000 --> 00:59:22,320
Speaker 1: it's just like, yo, it just going, let's do an album.

1039
00:59:23,000 --> 00:59:25,960
Speaker 1: Was it because you're both on Depth Jam? Or was

1040
00:59:26,040 --> 00:59:28,360
Speaker 1: it just like even if y'all wasn't on Depth JAM

1041
00:59:28,480 --> 00:59:30,800
Speaker 1: and you was on you know, I think it's them

1042
00:59:30,880 --> 00:59:34,040
Speaker 1: from my mutual respect, Yeah, that's my brother, you know

1043
00:59:34,040 --> 00:59:39,000
Speaker 1: what I mean? And not only that, we we were

1044
00:59:39,120 --> 00:59:41,680
Speaker 1: carrying the torch for New York. You know what I mean.

1045
00:59:41,760 --> 00:59:43,920
Speaker 1: We gotta keep that thing lit and lit out of

1046
00:59:44,040 --> 00:59:48,520
Speaker 1: high blue flame. So you know what I mean. Sometimes

1047
00:59:49,360 --> 00:59:53,640
Speaker 1: is bigger than whatever label you on or whether you

1048
00:59:53,760 --> 00:59:59,360
Speaker 1: gotta take some initiative on yourself and and just you

1049
00:59:59,440 --> 01:00:01,640
Speaker 1: know what I mean, spark up the culture sometimes and

1050
01:00:01,800 --> 01:00:04,880
Speaker 1: that's where that's where I linked this project them from. Yeah,

1051
01:00:05,160 --> 01:00:07,080
Speaker 1: I want to say, I'm excited about this project. This

1052
01:00:07,160 --> 01:00:10,400
Speaker 1: is like a dream coming. Did you think I never did?

1053
01:00:10,480 --> 01:00:13,520
Speaker 1: I was shocked, Like when I heard it, I was shocked,

1054
01:00:13,640 --> 01:00:18,720
Speaker 1: you know. And this um because I think they they

1055
01:00:20,360 --> 01:00:22,480
Speaker 1: they balance each other out. You know what I'm saying,

1056
01:00:22,600 --> 01:00:25,760
Speaker 1: it's what you need, and it's it's so authentic, but

1057
01:00:25,840 --> 01:00:27,960
Speaker 1: it's what It's not what you would have kind of like,

1058
01:00:28,280 --> 01:00:30,480
Speaker 1: you know, just obviously put together, but it's what you

1059
01:00:31,000 --> 01:00:33,480
Speaker 1: would have dreamt for. And so you know, I look

1060
01:00:33,560 --> 01:00:39,200
Speaker 1: forward to the congratulations, congratulngratulations. We fell up, you fell up,

1061
01:00:39,320 --> 01:00:42,160
Speaker 1: You fell up, you fell up? Come on? Oh yeah? Also,

1062
01:00:42,240 --> 01:00:45,200
Speaker 1: why do we get the shots. It's my brother Groomy

1063
01:00:45,240 --> 01:00:48,600
Speaker 1: Low's birthdaythday, so we want to bring out a vegan

1064
01:00:48,720 --> 01:01:03,960
Speaker 1: Kate because he's vegan. Happy birth ye, Happy bird to black,

1065
01:01:07,320 --> 01:01:14,240
Speaker 1: Happy birthday birthday to ye. Okay, something gave me something,

1066
01:01:14,280 --> 01:01:16,320
Speaker 1: recollarct to me something the black versions. We gotta do

1067
01:01:16,360 --> 01:01:22,040
Speaker 1: the Spanish version. Then cool beyond your fair, cool beyond

1068
01:01:22,440 --> 01:01:37,400
Speaker 1: your yo. Let me just say this on behalf of

1069
01:01:37,480 --> 01:01:40,600
Speaker 1: drink Chaps, thank you. You're one of the most genuine

1070
01:01:40,680 --> 01:01:44,840
Speaker 1: people ever in the industry. You're always the same from

1071
01:01:45,080 --> 01:01:48,200
Speaker 1: every different era. I felt like I know your thirty years.

1072
01:01:49,280 --> 01:01:53,120
Speaker 1: I can't know your thirty years, only forty, but in

1073
01:01:53,240 --> 01:01:55,360
Speaker 1: my mind, I know your thirty year in my mind,

1074
01:01:55,800 --> 01:01:59,160
Speaker 1: and we've been a great guy for thirty years. You

1075
01:01:59,280 --> 01:02:01,400
Speaker 1: do what you gotta do. I heard about you going

1076
01:02:01,440 --> 01:02:06,160
Speaker 1: to Ethiopia and you know, baptizing children in my mind. Again,

1077
01:02:06,280 --> 01:02:08,120
Speaker 1: that's in my mind, but I know you went to

1078
01:02:08,200 --> 01:02:26,439
Speaker 1: Ethiopia and I just wanted to see so great soul.

1079
01:02:26,920 --> 01:02:28,840
Speaker 1: You're one of them great people. You're one of them

1080
01:02:28,880 --> 01:02:34,600
Speaker 1: people that it's like a human insect when he coming around,

1081
01:02:35,040 --> 01:02:39,160
Speaker 1: it's like you lit acent, just loving the air with

1082
01:02:40,720 --> 01:02:43,800
Speaker 1: definitely don't know what you mean though, Gonna gotta throw

1083
01:02:43,880 --> 01:02:46,840
Speaker 1: that out here. You know when you like instance clearly

1084
01:02:47,240 --> 01:02:50,160
Speaker 1: is love but something instance think. That's what I'm saying.

1085
01:02:50,200 --> 01:02:52,400
Speaker 1: That's why you still those are the other one. So

1086
01:02:52,720 --> 01:02:55,000
Speaker 1: we gotta get it from the guy with the ship

1087
01:02:55,120 --> 01:02:57,280
Speaker 1: wrapped around his head. Then you know he knows he

1088
01:02:57,400 --> 01:03:00,920
Speaker 1: got the good ship a little bit. Okay, let's make

1089
01:03:01,000 --> 01:03:02,840
Speaker 1: some noise for us not knowing when we're talking about

1090
01:03:02,880 --> 01:03:08,560
Speaker 1: right now, Yo, treak up. It's finally you're getting drunk

1091
01:03:08,600 --> 01:03:14,080
Speaker 1: on your own show. You know you use I've never

1092
01:03:14,160 --> 01:03:16,919
Speaker 1: made it. Let's have another shot. Let's have another shot.

1093
01:03:16,960 --> 01:03:19,240
Speaker 1: I'm in, I'm in, I'm in. Okay. We need to

1094
01:03:19,280 --> 01:03:21,280
Speaker 1: treat our guests the right way. Let's treat let's get

1095
01:03:21,320 --> 01:03:23,520
Speaker 1: them shots to come on. Come on, no, no, no,

1096
01:03:23,760 --> 01:03:27,800
Speaker 1: this mean I need to shot. I got you? Okay, Yeah,

1097
01:03:27,800 --> 01:03:41,280
Speaker 1: I just mean eyes that's going down. That's that Chris Vanella,

1098
01:03:41,920 --> 01:03:45,560
Speaker 1: Chris Vanilla. God damnit. So now I just snuck up

1099
01:03:45,600 --> 01:03:53,960
Speaker 1: in this motherfucker. Yeah money, let's talk show. Listen, listen.

1100
01:03:54,040 --> 01:03:57,640
Speaker 1: These boys are both on rock Nation, both for y'all,

1101
01:03:57,800 --> 01:04:01,720
Speaker 1: Rock Nation, right, How does that for for for both

1102
01:04:01,760 --> 01:04:06,920
Speaker 1: of y'all? Technically, yeah, I'm locked. The Locks is on

1103
01:04:07,120 --> 01:04:10,439
Speaker 1: rock Nation. You know what I mean? They have they're

1104
01:04:10,480 --> 01:04:14,240
Speaker 1: having something on the table for me that we you know,

1105
01:04:14,760 --> 01:04:18,360
Speaker 1: it's yet to be. Just Signmurad carry y'all shout out,

1106
01:04:18,760 --> 01:04:22,520
Speaker 1: showed me a plaque, you know what I mean? That's

1107
01:04:22,560 --> 01:04:29,040
Speaker 1: in history. Congratulations to rock Nations, A great movement, great

1108
01:04:29,120 --> 01:04:31,120
Speaker 1: movement for hip hop. You know what I'm saying, just

1109
01:04:31,280 --> 01:04:35,080
Speaker 1: managing our own talents, looking at our feach others space

1110
01:04:35,440 --> 01:04:37,680
Speaker 1: gotta you know, we gotta send some of the drink champs.

1111
01:04:39,040 --> 01:04:41,080
Speaker 1: We're gonna get to a space. We're gonna get all

1112
01:04:41,160 --> 01:04:44,200
Speaker 1: these all these hip hop black on brands were gonna

1113
01:04:44,240 --> 01:04:45,640
Speaker 1: be up here. You know what I'm saying, That we're

1114
01:04:45,640 --> 01:04:47,640
Speaker 1: gonna know for each other. That's a great that's a

1115
01:04:47,720 --> 01:04:51,520
Speaker 1: great segment because where we had Homes just dropped his

1116
01:04:51,560 --> 01:04:55,920
Speaker 1: four four four album, right and he's he's speaking like

1117
01:04:56,080 --> 01:05:03,560
Speaker 1: it's just he's that line was how dare I drink Bovardere? What?

1118
01:05:04,080 --> 01:05:07,520
Speaker 1: Who was that moment for you? Um? Because I know

1119
01:05:07,640 --> 01:05:10,040
Speaker 1: that's your brother. But also he still loves one of

1120
01:05:10,120 --> 01:05:13,440
Speaker 1: the biggest artists to funk out there. Man. I mean,

1121
01:05:13,480 --> 01:05:16,320
Speaker 1: I think he was in such a spiritual zone when

1122
01:05:16,400 --> 01:05:19,040
Speaker 1: he was doing the whole album. He was just living

1123
01:05:19,120 --> 01:05:21,280
Speaker 1: his truth, you know what I'm saying, And like, there's

1124
01:05:21,320 --> 01:05:23,919
Speaker 1: no way that if we're living our truth, we can't

1125
01:05:24,000 --> 01:05:25,840
Speaker 1: love me. We're not supposed to love each other. We

1126
01:05:25,880 --> 01:05:28,840
Speaker 1: don't stick together, Like like that's not our truth. What's

1127
01:05:28,880 --> 01:05:32,000
Speaker 1: going on right now is not our truth. And the

1128
01:05:32,120 --> 01:05:35,160
Speaker 1: thing everybody has to understand is, like some of us

1129
01:05:35,240 --> 01:05:38,000
Speaker 1: out there, we actually set the price for you, you

1130
01:05:38,040 --> 01:05:40,040
Speaker 1: know what I'm saying, And when you come, you'll be

1131
01:05:40,040 --> 01:05:41,960
Speaker 1: able to set the price for the next generation. But

1132
01:05:42,120 --> 01:05:44,840
Speaker 1: right now I'm setting the price for you. So if

1133
01:05:44,880 --> 01:05:46,960
Speaker 1: you go and you rock with somebody else, you're just

1134
01:05:47,120 --> 01:05:49,480
Speaker 1: lowering your cut. Baby. You know what I'm saying. This

1135
01:05:49,600 --> 01:05:52,360
Speaker 1: is black magic at his fullest. Imagine what they are

1136
01:05:52,400 --> 01:05:53,960
Speaker 1: not gonna pay for it if it don't come this

1137
01:05:54,440 --> 01:05:57,200
Speaker 1: un cut. So it's like, yo, I got to have

1138
01:05:57,360 --> 01:06:01,040
Speaker 1: the price high, so everybody motherfucker eats. But it's a

1139
01:06:01,120 --> 01:06:04,080
Speaker 1: situation where we have to be conscious of that. I

1140
01:06:04,160 --> 01:06:06,080
Speaker 1: don't think people doing on purpose, you know what I'm saying.

1141
01:06:06,080 --> 01:06:08,240
Speaker 1: It's not really all the way like that. But we

1142
01:06:08,360 --> 01:06:10,320
Speaker 1: have to enter in this mold of consciousness and know

1143
01:06:10,400 --> 01:06:12,600
Speaker 1: what we're doing with our money because our money is

1144
01:06:12,640 --> 01:06:14,880
Speaker 1: not getting put back in our communities and that we're

1145
01:06:14,880 --> 01:06:17,520
Speaker 1: begging and scrapping and scraping. And I'm not really one

1146
01:06:17,560 --> 01:06:19,880
Speaker 1: of them niggers. So if you're motherfucking buy a rock,

1147
01:06:19,960 --> 01:06:21,760
Speaker 1: I'm giving all the money to the hood. You know what,

1148
01:06:21,800 --> 01:06:24,080
Speaker 1: I'm saying, I'm gonna keep like a little bit for

1149
01:06:24,200 --> 01:06:26,360
Speaker 1: myself because I like the ball, you know what's like that.

1150
01:06:26,680 --> 01:06:28,760
Speaker 1: But I'm saying most of the ship, it's gonna be

1151
01:06:28,840 --> 01:06:31,520
Speaker 1: going to making changes, open in school and doing different things.

1152
01:06:31,600 --> 01:06:35,560
Speaker 1: But it's it's just about having that economic power, you

1153
01:06:35,600 --> 01:06:37,960
Speaker 1: know what I'm saying. And right now, hip hop has

1154
01:06:38,000 --> 01:06:41,600
Speaker 1: an economic power, and we gotta make quality brands, quality records,

1155
01:06:42,000 --> 01:06:45,200
Speaker 1: quality entertainment. But we gotta like own our ship and

1156
01:06:45,360 --> 01:06:47,840
Speaker 1: support our own ship, you know what I'm saying. So

1157
01:06:47,880 --> 01:06:49,800
Speaker 1: it's now look, so look, this is a problem. A

1158
01:06:49,840 --> 01:06:51,760
Speaker 1: lot of them catch it that you'll drink. They voted

1159
01:06:51,840 --> 01:06:55,560
Speaker 1: for Trump. You know what I'm saying, You're drinking Nation Ship.

1160
01:06:55,960 --> 01:06:59,800
Speaker 1: The sending donations, I'm sending donations to motherfucking change for

1161
01:07:00,040 --> 01:07:03,480
Speaker 1: ain't how university. I'm not. I'm just I'm really I

1162
01:07:03,560 --> 01:07:06,920
Speaker 1: am trying to sell this black love to y'all. I

1163
01:07:06,960 --> 01:07:08,680
Speaker 1: don't want to get it twisted because I know the

1164
01:07:08,760 --> 01:07:11,360
Speaker 1: war that we're end and I know that if we

1165
01:07:11,440 --> 01:07:14,440
Speaker 1: don't get our paper and we don't understand how to

1166
01:07:14,480 --> 01:07:17,440
Speaker 1: work together, then we're just gonna be in the same thing, man,

1167
01:07:17,640 --> 01:07:20,800
Speaker 1: understinking we have chrome sticking were rich when we pull

1168
01:07:20,960 --> 01:07:23,160
Speaker 1: even the rich. We only have one percent of the

1169
01:07:23,200 --> 01:07:28,400
Speaker 1: wealth in the United States, but we control seventy of

1170
01:07:28,440 --> 01:07:31,720
Speaker 1: the culture something. I mean right there, we got we

1171
01:07:31,800 --> 01:07:33,960
Speaker 1: had one percent of wealth. You know what, other time

1172
01:07:34,040 --> 01:07:36,600
Speaker 1: we have one percent of wealth the day we became

1173
01:07:36,720 --> 01:07:39,680
Speaker 1: free slaves. Ain't not even changed since then. So we

1174
01:07:39,800 --> 01:07:43,600
Speaker 1: have a new generation of entrepreneurs and go get us that.

1175
01:07:43,720 --> 01:07:46,080
Speaker 1: We gotta rock with each other right now, because it's

1176
01:07:46,160 --> 01:07:48,360
Speaker 1: like times of the essence. And the thing is, you

1177
01:07:48,400 --> 01:07:50,840
Speaker 1: can switch that ship over real quick. You can take

1178
01:07:50,920 --> 01:07:54,200
Speaker 1: power real motherfucking quick. And hip hop got that ship.

1179
01:07:54,760 --> 01:07:57,640
Speaker 1: And you know so, whether it's as space or what

1180
01:07:58,280 --> 01:08:02,280
Speaker 1: or what um you know, Ross is doing with Bella,

1181
01:08:02,760 --> 01:08:05,840
Speaker 1: what y'all doing with Tiger anything, it is at least

1182
01:08:06,400 --> 01:08:10,320
Speaker 1: you at least need to have the choice going to

1183
01:08:10,360 --> 01:08:12,760
Speaker 1: the type of thing off the back keep doing I'm

1184
01:08:12,760 --> 01:08:15,800
Speaker 1: talking about whatever your your vibe is, what I'm saying,

1185
01:08:16,439 --> 01:08:19,960
Speaker 1: it's just that basically what you're saying is there's a choice.

1186
01:08:20,000 --> 01:08:22,519
Speaker 1: You can't tell me Rock don't taste better than any

1187
01:08:22,560 --> 01:08:26,000
Speaker 1: of that other ship. You know, Yeah, you know what

1188
01:08:26,120 --> 01:08:28,479
Speaker 1: it is. It's just and it's not just with the

1189
01:08:28,760 --> 01:08:33,360
Speaker 1: Rock it's just with everything, I think we are becoming

1190
01:08:33,439 --> 01:08:35,800
Speaker 1: more conscious. I'm not saying we should be. I think

1191
01:08:35,880 --> 01:08:38,920
Speaker 1: we are, and we just and we're on We're on

1192
01:08:39,040 --> 01:08:40,840
Speaker 1: the right path right now what I'm saying. So I

1193
01:08:40,920 --> 01:08:43,760
Speaker 1: don't really have no criticism. But when when it comes

1194
01:08:43,800 --> 01:08:46,600
Speaker 1: to making change, we're gonna need some money. You know,

1195
01:08:46,760 --> 01:08:49,320
Speaker 1: what was my dream? And this is some real ship,

1196
01:08:49,840 --> 01:08:56,840
Speaker 1: Like it's crazy. I was in Amsterdam, um Amsterdam, Holland

1197
01:08:57,040 --> 01:09:00,720
Speaker 1: obviously right, and I'm there with styles Peak, and I

1198
01:09:00,840 --> 01:09:03,479
Speaker 1: walked into a spot. And so you can't buy weed

1199
01:09:03,600 --> 01:09:05,519
Speaker 1: in one spot. You can buy the weed in one spot,

1200
01:09:05,960 --> 01:09:09,840
Speaker 1: but then the other spot you can't buy weed, but

1201
01:09:10,000 --> 01:09:13,080
Speaker 1: you could drink. You understand what we're trying to say.

1202
01:09:13,479 --> 01:09:16,320
Speaker 1: So you you bought a weed spot on one side, right,

1203
01:09:16,479 --> 01:09:18,920
Speaker 1: I mean, excuse me. You buy the weed on one side,

1204
01:09:19,240 --> 01:09:20,960
Speaker 1: and then if you want to smoke the weed, you

1205
01:09:21,080 --> 01:09:23,280
Speaker 1: go across to the ball. But you can't buy no

1206
01:09:23,400 --> 01:09:28,160
Speaker 1: weed at that ball, right, And but if you have weed,

1207
01:09:28,200 --> 01:09:31,360
Speaker 1: you can smoke, but and then you can drink. But

1208
01:09:31,439 --> 01:09:34,080
Speaker 1: it's the same two people who own the ball. So

1209
01:09:34,280 --> 01:09:38,320
Speaker 1: it's like fab owns the dispensary. And then and then

1210
01:09:38,479 --> 01:09:41,920
Speaker 1: Jada kiss across the street almost the actual ball if

1211
01:09:42,080 --> 01:09:44,880
Speaker 1: you want to go smoke your ship. And I was

1212
01:09:44,960 --> 01:09:47,240
Speaker 1: just like that was so genius to me, Like it

1213
01:09:47,360 --> 01:09:50,160
Speaker 1: was so simple because I told you I'm from special education.

1214
01:09:50,400 --> 01:09:53,360
Speaker 1: I apologize, so I look at things in a simple way.

1215
01:09:54,040 --> 01:09:58,240
Speaker 1: And I was like, damn, why can't we figure that out?

1216
01:09:58,400 --> 01:10:02,400
Speaker 1: Like you know what i' I'm saying, like, man, look

1217
01:10:02,640 --> 01:10:05,320
Speaker 1: you I could, I could sell you the bus. That's

1218
01:10:05,360 --> 01:10:07,720
Speaker 1: that when the litt let's call it what it is.

1219
01:10:07,880 --> 01:10:10,759
Speaker 1: That's that where they left. Niggers need to stop cooning

1220
01:10:11,320 --> 01:10:15,280
Speaker 1: right now. It's an emergency situation. Niggas need to stop cooning,

1221
01:10:15,680 --> 01:10:18,920
Speaker 1: including myself. You know what I'm saying, nothing on me.

1222
01:10:19,439 --> 01:10:21,720
Speaker 1: We all need the mother get focused and get this

1223
01:10:21,840 --> 01:10:25,479
Speaker 1: money where you can put my own bag. Yeah, I

1224
01:10:25,600 --> 01:10:28,240
Speaker 1: love this drink. I like when you like this daddy,

1225
01:10:28,400 --> 01:10:31,680
Speaker 1: when you put my daddy, like when you scrap thing

1226
01:10:32,880 --> 01:10:36,639
Speaker 1: like that, you'll be practicing. You got your notes, Okay, Yeah,

1227
01:10:36,680 --> 01:10:40,320
Speaker 1: I'm not gonna go with that one out there. Every

1228
01:10:40,400 --> 01:10:43,160
Speaker 1: day every day it's a birthday on drink champs. God

1229
01:10:43,240 --> 01:10:50,760
Speaker 1: damn it. I'm in Okay, got notes now, I'm trying

1230
01:10:50,800 --> 01:10:56,400
Speaker 1: to get my life together what's going on? What did

1231
01:10:56,479 --> 01:10:59,640
Speaker 1: y'all think about? Excuse me, what y'all think about the

1232
01:10:59,800 --> 01:11:03,000
Speaker 1: m in them freestyle. That's a good one because I

1233
01:11:03,120 --> 01:11:06,759
Speaker 1: think he used his platform and his voice to speak.

1234
01:11:07,080 --> 01:11:09,600
Speaker 1: I liked it to project what he thought. And I

1235
01:11:09,800 --> 01:11:13,280
Speaker 1: just check up everybody to speak up. You know. I

1236
01:11:13,400 --> 01:11:16,920
Speaker 1: wish it would have came not at the BT before that.

1237
01:11:18,200 --> 01:11:20,599
Speaker 1: I wish the BT would have been the second one

1238
01:11:21,640 --> 01:11:25,040
Speaker 1: or something. I just I thought it was cool because

1239
01:11:25,360 --> 01:11:28,040
Speaker 1: you didn't thought eminem to do it at me too.

1240
01:11:28,400 --> 01:11:30,479
Speaker 1: But then and then the gen said he got an

1241
01:11:30,520 --> 01:11:34,320
Speaker 1: album coming out and a lot of things is lining

1242
01:11:34,439 --> 01:11:37,400
Speaker 1: up for the market and of it. No, I mean

1243
01:11:37,520 --> 01:11:40,840
Speaker 1: not taking nothing away. He's a lyrical monster. But what

1244
01:11:40,960 --> 01:11:45,160
Speaker 1: he was saying wasn't wasn't. Everything he was saying was right.

1245
01:11:45,920 --> 01:11:52,360
Speaker 1: I just wish she said it before that. We can't

1246
01:11:52,400 --> 01:11:55,600
Speaker 1: really be mad at the message. But never I just

1247
01:11:55,760 --> 01:11:57,880
Speaker 1: told you he's talking about the fact that would have

1248
01:11:58,000 --> 01:12:00,479
Speaker 1: on the world if it wasn't tied to the B

1249
01:12:00,720 --> 01:12:03,439
Speaker 1: T Wars. Yeah, like it just seemed a little having

1250
01:12:03,479 --> 01:12:06,080
Speaker 1: out some black people on that one. People appropriate to

1251
01:12:06,160 --> 01:12:08,719
Speaker 1: be No, no, no, no, no, listen, I'm not saying

1252
01:12:08,800 --> 01:12:11,479
Speaker 1: nothing negative Okay, we're talking about we have to talk

1253
01:12:11,520 --> 01:12:14,479
Speaker 1: about our global perception. You know what I'm saying, And

1254
01:12:14,560 --> 01:12:16,640
Speaker 1: it's just the only thing he was saying is that

1255
01:12:17,640 --> 01:12:22,840
Speaker 1: that I think the BT wars was a good idea.

1256
01:12:22,920 --> 01:12:24,800
Speaker 1: Though I think it was a good idea, But I

1257
01:12:25,000 --> 01:12:28,840
Speaker 1: understand how you appreciation or appropriation where he was using

1258
01:12:28,920 --> 01:12:31,320
Speaker 1: that platform because you know, you know the way when

1259
01:12:31,360 --> 01:12:34,040
Speaker 1: we've been doing that, all that wineing and marching, they've

1260
01:12:34,040 --> 01:12:36,000
Speaker 1: just been looking at us like we're winding and marching.

1261
01:12:36,400 --> 01:12:38,000
Speaker 1: So I think that's what he's saying that he would

1262
01:12:38,000 --> 01:12:40,920
Speaker 1: have rather him doing on CNN, so it wouldn't look

1263
01:12:41,040 --> 01:12:44,960
Speaker 1: like you know what I'm saying, What wouldn't that is

1264
01:12:45,120 --> 01:12:48,280
Speaker 1: able to do that on the A m as. They

1265
01:12:48,320 --> 01:12:52,720
Speaker 1: wouldn't even give they wouldn't even gave you that to

1266
01:12:52,960 --> 01:12:55,880
Speaker 1: do that interesting point, and wouldn't even give you the

1267
01:12:56,479 --> 01:13:00,800
Speaker 1: two fifty seconds and then the w that you even

1268
01:13:01,000 --> 01:13:05,120
Speaker 1: say that type of message on that platform. I'm gonna

1269
01:13:05,160 --> 01:13:08,559
Speaker 1: tell you what I thought immediately, not that anybody's asking,

1270
01:13:09,280 --> 01:13:14,120
Speaker 1: but it's your show today, No, no, this is this

1271
01:13:14,280 --> 01:13:19,240
Speaker 1: is appropriate? Yes for me. The first thing I felt,

1272
01:13:19,880 --> 01:13:22,680
Speaker 1: I was like, I was like, thank God that m

1273
01:13:22,760 --> 01:13:26,439
Speaker 1: did that ship was really really dope. Then the second thing,

1274
01:13:26,520 --> 01:13:29,439
Speaker 1: I was like, people gotta stopped beating us to the

1275
01:13:29,479 --> 01:13:31,160
Speaker 1: punch to take care of us. And what I'm saying.

1276
01:13:31,240 --> 01:13:33,040
Speaker 1: I was talking with Bonal the other day. I was like,

1277
01:13:33,280 --> 01:13:36,240
Speaker 1: thank you for everything you did to us, But I'm

1278
01:13:36,560 --> 01:13:39,040
Speaker 1: you know, I won't have to beat you. I'm meant

1279
01:13:39,080 --> 01:13:41,000
Speaker 1: to step into that zone, you know what I'm saying,

1280
01:13:41,520 --> 01:13:45,240
Speaker 1: Like like like I'm talking about other people caring for

1281
01:13:45,320 --> 01:13:48,840
Speaker 1: our people more than for our people, and I'm saying,

1282
01:13:48,840 --> 01:13:52,400
Speaker 1: I'm saying everything beautiful. I'm saying, thank God for Bonal,

1283
01:13:52,560 --> 01:13:57,040
Speaker 1: thank God for Eminem. I don't I can't lie and

1284
01:13:57,160 --> 01:14:01,400
Speaker 1: say I don't wish it was j the kiss, you

1285
01:14:01,439 --> 01:14:03,320
Speaker 1: know what I'm saying. I don't whisten it. I don't

1286
01:14:03,960 --> 01:14:06,560
Speaker 1: wish it was fab you know what I'm saying. And

1287
01:14:06,640 --> 01:14:11,720
Speaker 1: it's just like, um, we have to understand how powerful

1288
01:14:12,680 --> 01:14:15,120
Speaker 1: you know, our world? Did they making sure our wor

1289
01:14:15,160 --> 01:14:18,360
Speaker 1: all on fall apart? You know what I'm saying. They

1290
01:14:18,600 --> 01:14:24,679
Speaker 1: you know, they seeing it and they understand the magic

1291
01:14:24,800 --> 01:14:27,439
Speaker 1: in it, but were not understand that our magic. So

1292
01:14:27,560 --> 01:14:30,120
Speaker 1: it's like that most ferocious thing that you could kick

1293
01:14:30,200 --> 01:14:33,240
Speaker 1: and utilize that time on TV. You know what I'm saying.

1294
01:14:33,280 --> 01:14:35,479
Speaker 1: We I just feel like we got to utilize that time.

1295
01:14:35,720 --> 01:14:38,840
Speaker 1: You know, he would have gave me a jay to kiss,

1296
01:14:39,000 --> 01:14:41,080
Speaker 1: the platform to do that or what. Or they did

1297
01:14:41,160 --> 01:14:43,200
Speaker 1: it because it was Eminem doing it, and of course

1298
01:14:43,240 --> 01:14:45,880
Speaker 1: they're looking at it as a moment for themselves too. Yeah,

1299
01:14:45,880 --> 01:14:47,000
Speaker 1: I don't think so. I think they would have had

1300
01:14:47,040 --> 01:14:48,680
Speaker 1: Emminent on sife fer. I think they would have still

1301
01:14:48,680 --> 01:14:50,479
Speaker 1: had him on the safe. I'm saying, what they let

1302
01:14:50,640 --> 01:14:53,000
Speaker 1: us do it, What they would have given us that

1303
01:14:54,080 --> 01:14:56,160
Speaker 1: you was gonna spit prior to that, I think so,

1304
01:14:56,240 --> 01:14:59,679
Speaker 1: I'm saying, I think so. I think at the clock

1305
01:14:59,720 --> 01:15:01,880
Speaker 1: of the world, they wouldn't let anybody do it that

1306
01:15:02,000 --> 01:15:07,360
Speaker 1: wanted to touch that particular time. Over I mean, overall, overall,

1307
01:15:07,439 --> 01:15:10,280
Speaker 1: it has to be something that fuels us to be

1308
01:15:10,439 --> 01:15:12,560
Speaker 1: first for us, you know what I'm saying. And you

1309
01:15:12,680 --> 01:15:16,160
Speaker 1: know that may feel uncomfortable and everybody's undid so many

1310
01:15:16,240 --> 01:15:18,519
Speaker 1: different records, you know what I'm saying, But we gotta

1311
01:15:18,600 --> 01:15:21,800
Speaker 1: be clever without entertainment, so we could keep on shock

1312
01:15:21,840 --> 01:15:23,920
Speaker 1: in the world, you know, and then shout out shot

1313
01:15:24,800 --> 01:15:28,920
Speaker 1: Colin Captain Bath, how was your birthday? Man? Was what

1314
01:15:29,080 --> 01:15:34,400
Speaker 1: was your wish for this year? Um, there was wealth,

1315
01:15:34,680 --> 01:15:40,160
Speaker 1: yea knowledge itself. I like the I like I like.

1316
01:15:40,920 --> 01:15:42,800
Speaker 1: I like vibes, you know what I mean. I like

1317
01:15:42,920 --> 01:15:46,400
Speaker 1: a good vibe more than like wanting for anything or

1318
01:15:46,640 --> 01:15:48,760
Speaker 1: like you know what I mean. So I got a

1319
01:15:48,840 --> 01:15:52,800
Speaker 1: cool vibe. I spent some some of the time with

1320
01:15:52,920 --> 01:15:57,120
Speaker 1: my kids. Um, I went out and grabbed the bag,

1321
01:15:59,240 --> 01:16:01,240
Speaker 1: you know, spend some more time with my kids. And

1322
01:16:02,280 --> 01:16:04,240
Speaker 1: you know what I mean. I felt like I was

1323
01:16:04,360 --> 01:16:07,040
Speaker 1: a milestone age. I didn't. I ain't I'm gonna have

1324
01:16:07,120 --> 01:16:09,360
Speaker 1: a party. And we had parties, but I was more

1325
01:16:09,479 --> 01:16:12,519
Speaker 1: like just trying to just vibe, Like just see where

1326
01:16:12,520 --> 01:16:14,719
Speaker 1: I look at you look back on where I became.

1327
01:16:15,000 --> 01:16:18,040
Speaker 1: Did you miss me for real? Because we I'm saying,

1328
01:16:18,120 --> 01:16:21,519
Speaker 1: it seems like a things his birthday party? Man, Man,

1329
01:16:21,760 --> 01:16:24,519
Speaker 1: I t for your birthday. He why want your party

1330
01:16:24,560 --> 01:16:27,760
Speaker 1: with me for your birthday? Man? We were party for

1331
01:16:27,840 --> 01:16:30,120
Speaker 1: my birthday before you came to my party. And you know,

1332
01:16:30,320 --> 01:16:32,000
Speaker 1: but me and you ain't never really party. You know

1333
01:16:32,000 --> 01:16:38,680
Speaker 1: what I'm saying. Eyes, brother, many, I understand, I understand.

1334
01:16:39,280 --> 01:16:45,400
Speaker 1: You know what I'm saying. Let's do it goes down

1335
01:16:45,520 --> 01:16:48,560
Speaker 1: like that? Every year, fact has a theme for his

1336
01:16:48,600 --> 01:16:50,559
Speaker 1: birthday parties. It was the theme this year, my brother

1337
01:16:50,840 --> 01:16:55,080
Speaker 1: parties coming. I was still able to do this together.

1338
01:16:56,160 --> 01:16:58,920
Speaker 1: You should be. I'm looking like I was on your

1339
01:16:59,000 --> 01:17:02,599
Speaker 1: graund so I was Rael, call up the pilot. Yeah,

1340
01:17:02,760 --> 01:17:07,240
Speaker 1: let's do it. I just gotta get my huge es. Yeah.

1341
01:17:07,840 --> 01:17:09,840
Speaker 1: I just gotta get my shoes. I got my suit.

1342
01:17:09,920 --> 01:17:14,680
Speaker 1: I'm telling to bone ut up. I knew it was

1343
01:17:14,800 --> 01:17:18,600
Speaker 1: the funniest niggasin the ray Ship. Oh, because you're like

1344
01:17:18,840 --> 01:17:21,800
Speaker 1: you you kill J. We don't even you never told

1345
01:17:21,840 --> 01:17:31,880
Speaker 1: that story and you never told a story. I I

1346
01:17:32,120 --> 01:17:41,680
Speaker 1: was thank you got me being here here. Very J

1347
01:17:42,000 --> 01:17:46,160
Speaker 1: came with me, get the funk out. Ray J came

1348
01:17:46,200 --> 01:17:51,439
Speaker 1: to Vegas with me. Oh, I I just want to say,

1349
01:17:52,200 --> 01:17:54,120
Speaker 1: we're gonna take it too. We hit to me and

1350
01:17:54,840 --> 01:17:56,320
Speaker 1: you got I didn't know this part of it. I

1351
01:17:56,400 --> 01:18:00,840
Speaker 1: don't even know racing. It's me. That's crazy. Tyrese in

1352
01:18:01,240 --> 01:18:05,720
Speaker 1: Um having heart No, no Gary Um, he just he

1353
01:18:05,920 --> 01:18:11,639
Speaker 1: just different. Seems like you. Okay, so chu out. It's

1354
01:18:11,720 --> 01:18:16,560
Speaker 1: me Tyrese, ray J and if Ary Gray. You know

1355
01:18:16,640 --> 01:18:18,720
Speaker 1: I'm gonna type of that. I like your riding, man,

1356
01:18:18,800 --> 01:18:21,800
Speaker 1: I like people. That's unpredictable. Ain't. You know what I'm saying.

1357
01:18:21,800 --> 01:18:24,920
Speaker 1: I like different personality. So I was like I never

1358
01:18:25,000 --> 01:18:26,720
Speaker 1: knew they would be come with day all the day,

1359
01:18:27,680 --> 01:18:33,639
Speaker 1: but like, you know, yeah, that sounded like the type

1360
01:18:33,680 --> 01:18:35,400
Speaker 1: of night I want to have in Vegas. You know

1361
01:18:35,400 --> 01:18:38,479
Speaker 1: What's what I'm saying. So ty reach the fight. This

1362
01:18:38,520 --> 01:18:41,080
Speaker 1: is a Floyd fight, right yeah, and ty Reech keep

1363
01:18:41,120 --> 01:18:42,680
Speaker 1: on talking about like how you got to get back

1364
01:18:42,720 --> 01:18:44,640
Speaker 1: for church and we just like, you know, the night

1365
01:18:44,680 --> 01:18:46,600
Speaker 1: ain't start. You gotta get back for church. We and

1366
01:18:46,760 --> 01:18:49,960
Speaker 1: motherfucking Vegas. Nigga, Like you can go to church next week.

1367
01:18:50,360 --> 01:18:52,400
Speaker 1: You know what I'm saying, Center sending your thing. You

1368
01:18:52,439 --> 01:18:54,040
Speaker 1: know what I'm saying that number were in Vegas. Don't

1369
01:18:54,080 --> 01:18:56,840
Speaker 1: be bringing God into the city. Don't bringing God and

1370
01:18:56,920 --> 01:19:00,320
Speaker 1: God into this situation. You know what I'm saying. Gray,

1371
01:19:00,320 --> 01:19:03,400
Speaker 1: It's like, nigga, shut the funk up. Then you got

1372
01:19:03,600 --> 01:19:08,920
Speaker 1: um ray J. So ray J is like just really

1373
01:19:09,160 --> 01:19:12,439
Speaker 1: like feeling like ray J right now. You know what

1374
01:19:12,479 --> 01:19:19,200
Speaker 1: I'm saying. I'm saying, he's at home with his brother daddy.

1375
01:19:19,240 --> 01:19:22,160
Speaker 1: We're in Vegas. He's a friend that's feeling it to

1376
01:19:22,280 --> 01:19:26,360
Speaker 1: the tip degree, Like Yo, check this out. Niggas. I

1377
01:19:26,560 --> 01:19:29,680
Speaker 1: told y'all niggas. And also we had his back, so

1378
01:19:29,800 --> 01:19:33,240
Speaker 1: he was good and so boom, we're rocking through the night.

1379
01:19:33,439 --> 01:19:35,400
Speaker 1: You know what I'm saying. Me and Fat we usually

1380
01:19:36,000 --> 01:19:38,720
Speaker 1: brush shows at the fights of the games. You know

1381
01:19:38,760 --> 01:19:41,400
Speaker 1: what I'm saying. Jade is always then to cut him

1382
01:19:41,479 --> 01:19:43,800
Speaker 1: saying with his own tried I'm talking to y'all so

1383
01:19:43,880 --> 01:19:47,519
Speaker 1: you can visualize it. Dada old lights, said Jada Light,

1384
01:19:47,640 --> 01:19:50,680
Speaker 1: laying in the cut, smoking and talking and whispering and

1385
01:19:50,720 --> 01:19:53,400
Speaker 1: the raspy voice. This is really what's going on at

1386
01:19:53,439 --> 01:19:56,760
Speaker 1: the joint. So I'm up in there, you know. And

1387
01:19:58,280 --> 01:20:00,600
Speaker 1: we decided to have it dinner, you know, and we

1388
01:20:00,720 --> 01:20:03,080
Speaker 1: had to fight and we just say no, we're gonna

1389
01:20:03,120 --> 01:20:06,439
Speaker 1: go eat whatever weever. We're signal and our ship, you know,

1390
01:20:07,040 --> 01:20:10,080
Speaker 1: because we did. We did in their heavy So everybody

1391
01:20:10,840 --> 01:20:13,080
Speaker 1: everybody coming to the dinner like, dinner's on me. You

1392
01:20:13,120 --> 01:20:14,840
Speaker 1: know what I'm saying. I like to I like to

1393
01:20:14,920 --> 01:20:17,920
Speaker 1: buy dinner. Yeah. So we had dinner after the fight

1394
01:20:18,680 --> 01:20:21,880
Speaker 1: last minute because we bumped into each other and my

1395
01:20:21,920 --> 01:20:24,360
Speaker 1: mouth at Johnny some more pick it up. And when

1396
01:20:24,640 --> 01:20:26,800
Speaker 1: we went to the dinner, yeah, there you go. We're

1397
01:20:26,840 --> 01:20:29,600
Speaker 1: talking at the dinner. I think I had cracked a

1398
01:20:29,680 --> 01:20:32,920
Speaker 1: joke for something about ray J being on Floy's. You

1399
01:20:32,960 --> 01:20:38,040
Speaker 1: know they had like seven yeah, yeah, yeah, because I

1400
01:20:38,120 --> 01:20:41,080
Speaker 1: think but now nobody goeside. And then a little Way

1401
01:20:41,240 --> 01:20:45,240
Speaker 1: had like those lines, uh, get you leave your dead

1402
01:20:45,320 --> 01:20:50,400
Speaker 1: in the living room, little Wayne lines this line and

1403
01:20:50,439 --> 01:20:53,920
Speaker 1: the rap before your dead in the living room. Okay,

1404
01:20:54,160 --> 01:20:56,760
Speaker 1: it was a wrap line, right, but I switched it

1405
01:20:56,840 --> 01:21:05,360
Speaker 1: for twitters coast. So you got my man listen trying

1406
01:21:05,400 --> 01:21:13,559
Speaker 1: to make this coach whole another podcast. Yeah, that's my nig.

1407
01:21:13,600 --> 01:21:15,679
Speaker 1: I love him. I just didn't think the Army nigger

1408
01:21:15,720 --> 01:21:18,040
Speaker 1: was gonna say that. I thought Bobby Brown was that

1409
01:21:18,200 --> 01:21:20,880
Speaker 1: was his ship. But dream came on his back. But

1410
01:21:21,000 --> 01:21:27,080
Speaker 1: continue so tough haster dinner. We had to dinner talking

1411
01:21:27,120 --> 01:21:32,519
Speaker 1: about me tweeting ray J singing in the living room.

1412
01:21:33,360 --> 01:21:36,080
Speaker 1: You know, it was a funny Twitter moment at that time.

1413
01:21:36,160 --> 01:21:38,040
Speaker 1: And I don't know what this year this was, but

1414
01:21:38,120 --> 01:21:40,120
Speaker 1: it was when Twitter was popping. It was funny. And

1415
01:21:40,280 --> 01:21:45,840
Speaker 1: whatever ray J walked in, everybody oh laughing from the

1416
01:21:46,040 --> 01:21:48,640
Speaker 1: from the night. Ray J cool at this point, he like, yo,

1417
01:21:48,840 --> 01:21:51,240
Speaker 1: fab you killed me last night. It was cool. Everything

1418
01:21:51,360 --> 01:21:53,880
Speaker 1: was cool. He that's the exact word with him. A

1419
01:21:53,920 --> 01:21:55,720
Speaker 1: little bit. Yeah, like you killed me like you know

1420
01:21:55,960 --> 01:22:03,160
Speaker 1: some jokes. Ship I'm full Dame Dash laughing at Kevin Hart,

1421
01:22:03,280 --> 01:22:10,479
Speaker 1: laughing at everybody having everybody it ain't even but they

1422
01:22:10,640 --> 01:22:15,240
Speaker 1: saw anybody sounds so funny like when they get seen it,

1423
01:22:15,320 --> 01:22:17,360
Speaker 1: it was like a like a like a funny thing,

1424
01:22:17,479 --> 01:22:19,840
Speaker 1: like you know what I mean, it's a funny guy, right,

1425
01:22:19,920 --> 01:22:22,240
Speaker 1: he didn't. If you do something funny, we're gonna laugh.

1426
01:22:23,200 --> 01:22:28,160
Speaker 1: So ray J leaves, we had a dinner. We laugh.

1427
01:22:28,360 --> 01:22:32,240
Speaker 1: Everything cool at the dinner, ray J leaves. I don't

1428
01:22:32,280 --> 01:22:35,479
Speaker 1: know what happened. Ray J bumps into Kevin Hart in

1429
01:22:35,600 --> 01:22:40,479
Speaker 1: this hotel. Just sounds crazy. Kevin Hart calls me, says, yo,

1430
01:22:40,960 --> 01:22:45,800
Speaker 1: I just seen ray J. This nigga is bugging. He

1431
01:22:45,920 --> 01:22:49,200
Speaker 1: got a tight ass redhood by keep talking about he

1432
01:22:49,240 --> 01:22:52,960
Speaker 1: got indoor pools and outdoor pools in six seven Rose

1433
01:22:53,080 --> 01:22:56,320
Speaker 1: races outside. Come with him the money team. He's screaming

1434
01:22:56,360 --> 01:23:00,400
Speaker 1: all kind of ship your you knew the pre balls

1435
01:23:00,520 --> 01:23:05,080
Speaker 1: before he laid his sixtheing, this is Kevin Heart telling

1436
01:23:05,160 --> 01:23:08,320
Speaker 1: me that telling you, I'm like, what are you talking about? Kevin?

1437
01:23:08,360 --> 01:23:11,160
Speaker 1: He said, that's what I was asking, ray J, what

1438
01:23:11,280 --> 01:23:13,519
Speaker 1: are you talking about? I was like, all right, cool,

1439
01:23:13,960 --> 01:23:16,600
Speaker 1: we're supposed to meet up. I got a show and

1440
01:23:16,800 --> 01:23:20,240
Speaker 1: Vegan I got let me get it, let me get

1441
01:23:20,280 --> 01:23:24,120
Speaker 1: it and take it over. We had a show Me

1442
01:23:24,280 --> 01:23:27,519
Speaker 1: and Styles if fab got a show at the Palms.

1443
01:23:27,560 --> 01:23:30,960
Speaker 1: All right, was the moms n hip hop has been

1444
01:23:31,080 --> 01:23:39,280
Speaker 1: very raced us. We go on and Stiles going on,

1445
01:23:41,320 --> 01:23:45,120
Speaker 1: Fabrics going on after us were going on. We're going

1446
01:23:45,200 --> 01:23:48,559
Speaker 1: on that. So we just get off. We're coming down

1447
01:23:48,640 --> 01:23:52,719
Speaker 1: the corridor. I'll dress your room is to the left,

1448
01:23:54,400 --> 01:23:58,760
Speaker 1: to the right as Floyd in fifth and ray J,

1449
01:24:00,520 --> 01:24:04,599
Speaker 1: well at we hollert. We said was something to floydan

1450
01:24:04,720 --> 01:24:07,760
Speaker 1: fifth and ray J fabs coming up. He got to

1451
01:24:07,840 --> 01:24:11,800
Speaker 1: go on in a minute. He's hollering that floydan fifth. Wait,

1452
01:24:11,920 --> 01:24:14,439
Speaker 1: let me tell you what that conversation was right there?

1453
01:24:14,720 --> 01:24:16,760
Speaker 1: Go ahead, then I get picking up right back up,

1454
01:24:17,120 --> 01:24:30,960
Speaker 1: a walking go ahead, get fat talking to floy you're

1455
01:24:31,000 --> 01:24:38,960
Speaker 1: rushing far, rushing far do That's why I said pick

1456
01:24:39,000 --> 01:24:41,040
Speaker 1: it up from right now. It's like this, how I

1457
01:24:41,080 --> 01:24:46,120
Speaker 1: gotta pick it up from right up? Very go ahead,

1458
01:24:46,600 --> 01:24:52,720
Speaker 1: a killing Come tell the story, Bruce bru We're in

1459
01:24:52,800 --> 01:24:57,599
Speaker 1: to listen, listen, listen. When we build that beautiful nice

1460
01:24:57,680 --> 01:25:02,560
Speaker 1: y'all ros the far brand and y'all. I'm walking in

1461
01:25:02,760 --> 01:25:07,080
Speaker 1: at that whole hallway right there. I see Floyd, Fifty

1462
01:25:07,439 --> 01:25:12,080
Speaker 1: and ray Ja. I say what's up to Floyd? I say,

1463
01:25:12,120 --> 01:25:16,280
Speaker 1: what's up to? Fifty? Fifty holds my hand like but

1464
01:25:16,400 --> 01:25:19,800
Speaker 1: don't let it go, So then he taps ray J.

1465
01:25:20,640 --> 01:25:24,200
Speaker 1: Ray J must have been telling Floyd and fifty, Yo,

1466
01:25:24,280 --> 01:25:27,120
Speaker 1: this nigga Fab was talking shit about us. He said

1467
01:25:27,160 --> 01:25:30,519
Speaker 1: the Money Team ain't ship, we ain't ship the he

1468
01:25:30,680 --> 01:25:34,400
Speaker 1: just whatever. So Fifty says, ray what's that ship that

1469
01:25:34,479 --> 01:25:38,200
Speaker 1: you said? Fat was saying. He's like, ray J turned around.

1470
01:25:38,240 --> 01:25:40,920
Speaker 1: Now he's stuck, like he gotta he gotta back up

1471
01:25:41,000 --> 01:25:44,560
Speaker 1: whatever he was telling them. But I'm right there. So

1472
01:25:44,760 --> 01:25:50,360
Speaker 1: ray is like, your Fab, we're the money team. You

1473
01:25:50,479 --> 01:25:54,519
Speaker 1: can't disrespect us, Fab, We're the money team. I'm like, what,

1474
01:25:54,840 --> 01:25:57,880
Speaker 1: ray J, what are you talking about? What happened? We

1475
01:25:58,000 --> 01:26:02,439
Speaker 1: got six rolls royces outside Fat, we got indoor pools,

1476
01:26:02,720 --> 01:26:06,439
Speaker 1: outdoor pools. I'm like, ray J, what the funk are

1477
01:26:06,479 --> 01:26:10,280
Speaker 1: you talking about? This is what I'm saying, like to him, like,

1478
01:26:10,439 --> 01:26:13,000
Speaker 1: what are you talking about? Bro? Then I looked at him.

1479
01:26:13,920 --> 01:26:16,960
Speaker 1: He got the tight red hoodie on that Kevin Hart

1480
01:26:17,040 --> 01:26:19,960
Speaker 1: told me on the phone. He said, Yo, he got

1481
01:26:20,040 --> 01:26:23,880
Speaker 1: a tight red hoodie d and flip flops. I looked down,

1482
01:26:23,960 --> 01:26:26,240
Speaker 1: I see the flip flops. I looked up. He got

1483
01:26:26,320 --> 01:26:29,519
Speaker 1: the tight red hoodie on. So in my man, I said, oh, ship,

1484
01:26:29,640 --> 01:26:31,360
Speaker 1: this is the ship Kenn Hall was telling about when

1485
01:26:31,400 --> 01:26:34,799
Speaker 1: he said he was bucket out here is a comedian.

1486
01:26:34,840 --> 01:26:37,160
Speaker 1: So you're not really taking it serious. I can't even

1487
01:26:37,320 --> 01:26:41,400
Speaker 1: understand it and don't sense what he's saying. So now

1488
01:26:41,560 --> 01:26:44,519
Speaker 1: I see, so Nacy, all right, this is the bugging

1489
01:26:44,600 --> 01:26:46,719
Speaker 1: ray J, bugging ray J right now that we're talking

1490
01:26:46,800 --> 01:26:52,160
Speaker 1: to I'm like ray Jack. He's like, you're fat, disrespecting Floyd,

1491
01:26:52,240 --> 01:26:57,000
Speaker 1: You're disrespecting fifty, disrespecting the money team want to happen.

1492
01:26:57,920 --> 01:27:01,120
Speaker 1: I don't know what he's talking about. I'm trying to

1493
01:27:01,280 --> 01:27:03,519
Speaker 1: follow it while he's even saying to me, I'm trying

1494
01:27:03,560 --> 01:27:05,720
Speaker 1: to see what has been to But then he like,

1495
01:27:06,600 --> 01:27:09,960
Speaker 1: so I look at Florida fifty and they still trying

1496
01:27:10,000 --> 01:27:13,080
Speaker 1: to follow along. Everybody's trying to follow along with ray going,

1497
01:27:13,840 --> 01:27:17,639
Speaker 1: but he's not making no sense. So now We're like raised,

1498
01:27:17,720 --> 01:27:23,080
Speaker 1: like yo, let me get back yet happen? Go this

1499
01:27:23,240 --> 01:27:27,920
Speaker 1: is the outside from we said, what's up to Florida fifth?

1500
01:27:28,439 --> 01:27:31,479
Speaker 1: Because I'll address it when you was right, I'm with

1501
01:27:31,760 --> 01:27:41,640
Speaker 1: thousand mind he got I just came in when we

1502
01:27:41,840 --> 01:27:49,120
Speaker 1: knew mean we just came the ship. We need together.

1503
01:27:50,000 --> 01:27:53,880
Speaker 1: Keep me going. Look we said we said it was

1504
01:27:54,040 --> 01:27:59,719
Speaker 1: up to Florida five, right, m ray J a dressing roommates.

1505
01:28:01,520 --> 01:28:03,720
Speaker 1: Now I see Fab come up to this is the

1506
01:28:03,800 --> 01:28:07,360
Speaker 1: locks just no, just miss peak. Smooch wasn't there for

1507
01:28:07,439 --> 01:28:10,720
Speaker 1: this particular I see I see Fab say it was

1508
01:28:10,800 --> 01:28:15,960
Speaker 1: up to Floyd and fifth, and now he has some

1509
01:28:16,080 --> 01:28:20,240
Speaker 1: words with ray J. But ray J was bugging. He

1510
01:28:20,320 --> 01:28:23,080
Speaker 1: got that same mouthfit and the tote that he's saying,

1511
01:28:23,120 --> 01:28:27,000
Speaker 1: the red flip flops. That means, right, we need to

1512
01:28:27,040 --> 01:28:28,720
Speaker 1: make clip. I don't think we're breaking it down. I

1513
01:28:28,760 --> 01:28:32,240
Speaker 1: don't think so. If he had on the same clothes,

1514
01:28:32,360 --> 01:28:35,120
Speaker 1: that mean he'd been up since then, So that means

1515
01:28:35,240 --> 01:28:39,519
Speaker 1: he's on a different stratus. Fan were listen fight, Let's

1516
01:28:39,520 --> 01:28:43,280
Speaker 1: just listen her on the third ship, because there's one

1517
01:28:43,400 --> 01:28:46,960
Speaker 1: don't changes. And then you got here ships also looking

1518
01:28:47,160 --> 01:28:50,679
Speaker 1: like the little little the red jo. Check it out

1519
01:28:51,000 --> 01:28:54,599
Speaker 1: the ship. He's saying from Kevin Hart. His outfit is clicking.

1520
01:28:55,640 --> 01:28:58,000
Speaker 1: It's absolutely right. I can wait. And he had the

1521
01:28:58,080 --> 01:29:01,360
Speaker 1: red flip flops with the red adedis hoodie, the whole

1522
01:29:01,400 --> 01:29:06,040
Speaker 1: suit on. Now at the fabs talking the fifth in

1523
01:29:06,160 --> 01:29:10,040
Speaker 1: Floyd any knowledge, ray J. And then he's seen he

1524
01:29:10,280 --> 01:29:14,160
Speaker 1: was bugging. He's back talking the fifth and Floyd, I

1525
01:29:14,200 --> 01:29:19,479
Speaker 1: ain't know. Fifth was holding his head now because he said,

1526
01:29:24,560 --> 01:29:31,599
Speaker 1: so we're looking at it, it looks like from out

1527
01:29:31,720 --> 01:29:34,840
Speaker 1: for when we're looking at it's Fab talking the fifth.

1528
01:29:36,439 --> 01:29:38,960
Speaker 1: Ray J is trying to talk the Fab but he ain't.

1529
01:29:39,720 --> 01:29:45,040
Speaker 1: He's ignoring him now because he's white. So now he's

1530
01:29:45,080 --> 01:29:47,920
Speaker 1: going like this the space a few hits to the

1531
01:29:48,320 --> 01:29:50,439
Speaker 1: ray J is trying to get his attention, but he's

1532
01:29:50,439 --> 01:29:53,599
Speaker 1: still talking to me. He's still talking the fifth in Floyd.

1533
01:29:53,880 --> 01:29:59,600
Speaker 1: He's tapping his chest one too many. He got the

1534
01:29:59,760 --> 01:30:02,160
Speaker 1: fl through my head while he's talking to me. What's

1535
01:30:02,200 --> 01:30:06,840
Speaker 1: wrong with this? Is pressing me right now, Like I

1536
01:30:07,000 --> 01:30:08,800
Speaker 1: went back to the hood for a second, I said,

1537
01:30:08,800 --> 01:30:12,240
Speaker 1: oh ship, ray J is pressing me right now. So

1538
01:30:12,520 --> 01:30:19,600
Speaker 1: that's thought about it. It pushed them now when he

1539
01:30:19,840 --> 01:30:24,840
Speaker 1: pushed them his spits, glasses fly or shades went over

1540
01:30:24,920 --> 01:30:27,800
Speaker 1: there because you know he pushed ray J. I'm not

1541
01:30:27,920 --> 01:30:30,200
Speaker 1: sure if ray J pushed them back, but then the

1542
01:30:30,280 --> 01:30:33,880
Speaker 1: security and its wine. But ray J went but lest

1543
01:30:33,960 --> 01:30:38,519
Speaker 1: they after that, he started calling out gang shit all

1544
01:30:38,560 --> 01:30:41,320
Speaker 1: of that. But one of my men grabbed them and

1545
01:30:41,439 --> 01:30:49,000
Speaker 1: breed them in. What pushed was it? I need to

1546
01:30:49,080 --> 01:30:54,320
Speaker 1: know actual? Let me tell you the actual push. The

1547
01:30:54,479 --> 01:30:58,000
Speaker 1: actual push, because he had on the hoodie. I pushed them,

1548
01:30:58,200 --> 01:31:07,479
Speaker 1: but I grabbed his hoodie too old screw hoodie perfect.

1549
01:31:07,560 --> 01:31:13,960
Speaker 1: I'm gonna publicly like sound ray J, you with us.

1550
01:31:19,080 --> 01:31:21,479
Speaker 1: If your guy pulled over, you left that out when

1551
01:31:21,520 --> 01:31:25,599
Speaker 1: you told me what happened. I didn't know her. Your

1552
01:31:25,640 --> 01:31:29,639
Speaker 1: hood got pulled open, then we're gonna pull your hood

1553
01:31:29,720 --> 01:31:37,080
Speaker 1: over your head. What your team behind you get dog?

1554
01:31:38,800 --> 01:31:40,800
Speaker 1: But I ain't. I didn't swing on him. I didn't

1555
01:31:40,800 --> 01:31:42,600
Speaker 1: do nothing else to him. I just grabbed him. But

1556
01:31:42,600 --> 01:31:45,040
Speaker 1: I had him by his hood. That's some brookl ship.

1557
01:31:45,200 --> 01:31:47,759
Speaker 1: That's your automatically. That him going, that's what he started

1558
01:31:47,800 --> 01:31:49,360
Speaker 1: doing the while and ship. When I let him go,

1559
01:31:49,479 --> 01:31:52,760
Speaker 1: he start going. Man. I scrabbed him and pulled him

1560
01:31:52,760 --> 01:31:55,960
Speaker 1: in our dressing room until he calmed down a little bit.

1561
01:31:56,280 --> 01:31:59,000
Speaker 1: He couldn't even get out the hoodie joint though. Okay,

1562
01:31:59,040 --> 01:32:00,760
Speaker 1: I can't get out of that. That's like a move.

1563
01:32:00,960 --> 01:32:03,400
Speaker 1: That's like a like somebody pull your who like this.

1564
01:32:04,040 --> 01:32:06,920
Speaker 1: You can't trying to scrot around and get out of that.

1565
01:32:07,240 --> 01:32:10,479
Speaker 1: You can't get out of that. So I had that that,

1566
01:32:10,920 --> 01:32:13,360
Speaker 1: but I wasn't trying to like hit on because I

1567
01:32:13,479 --> 01:32:20,719
Speaker 1: was like, just really just relax, relax, relax. I would

1568
01:32:20,760 --> 01:32:24,639
Speaker 1: tell you he gave him to Millie. I've never seen

1569
01:32:24,720 --> 01:32:26,400
Speaker 1: him get out of it. Now, that's how you know

1570
01:32:26,840 --> 01:32:31,120
Speaker 1: your homie is funked up. And just keep yeah, definitely

1571
01:32:34,640 --> 01:32:38,040
Speaker 1: touching me. Yeah, ray Je stopped touching, yeah, he said,

1572
01:32:38,840 --> 01:32:42,240
Speaker 1: and he said stopped. Yeah, he said that. Nigga told

1573
01:32:42,280 --> 01:32:44,880
Speaker 1: me don't touch him, and I touched him like he's

1574
01:32:45,840 --> 01:32:47,720
Speaker 1: he kind of do it, and that's when they escalated.

1575
01:32:47,920 --> 01:32:50,720
Speaker 1: He I told him stop touching me. Can I can?

1576
01:32:50,800 --> 01:32:52,719
Speaker 1: I just give you on my parties, you gotta understand

1577
01:32:53,160 --> 01:32:57,560
Speaker 1: definitely no. I mean from there from there when he

1578
01:32:57,640 --> 01:33:01,000
Speaker 1: smoked yo yo. So it was my fault. I was

1579
01:33:01,200 --> 01:33:03,880
Speaker 1: I'm at the dinner, I'm pushing them. You know what

1580
01:33:03,920 --> 01:33:06,200
Speaker 1: I'm saying. We're getting it like that and then I'm

1581
01:33:06,240 --> 01:33:08,760
Speaker 1: not gonna lie, it's gonna come out like after and

1582
01:33:08,840 --> 01:33:10,840
Speaker 1: I kept ampering them up. You know what I'm saying.

1583
01:33:11,880 --> 01:33:14,080
Speaker 1: I kept anthing ray J up just on the ship,

1584
01:33:14,200 --> 01:33:17,800
Speaker 1: not to like whatever whatever. Yeah, just sucking around like

1585
01:33:18,000 --> 01:33:19,920
Speaker 1: like like we all just like you know what I'm saying,

1586
01:33:19,920 --> 01:33:21,320
Speaker 1: like a crue, you know what I'm saying. That so

1587
01:33:22,200 --> 01:33:25,080
Speaker 1: feel no way? Then yeah, yeah, yeah, we was all together.

1588
01:33:25,160 --> 01:33:27,960
Speaker 1: We kept on working with him, and then I don't know,

1589
01:33:28,200 --> 01:33:30,519
Speaker 1: and then and then the drinks was going crazy and

1590
01:33:30,720 --> 01:33:34,360
Speaker 1: vegan sometimes you know, things in drinks because because it

1591
01:33:34,520 --> 01:33:37,720
Speaker 1: wasn't like you said, he kept We mean, ray J

1592
01:33:37,880 --> 01:33:42,840
Speaker 1: kept fab No, no, no, we kept you everybody like

1593
01:33:43,439 --> 01:33:50,080
Speaker 1: like like because he's saying he's fair, so we're working

1594
01:33:50,120 --> 01:33:51,599
Speaker 1: with him like he's fam you know I'm saying, we're

1595
01:33:51,640 --> 01:33:54,559
Speaker 1: not knowing, like you know, he may have been partying

1596
01:33:54,680 --> 01:33:58,280
Speaker 1: a little much, because he's up from that night, from

1597
01:33:58,360 --> 01:34:02,040
Speaker 1: that dinner to backstage. He's still out in the park

1598
01:34:02,120 --> 01:34:06,479
Speaker 1: to him. Hold it didn't after this, I walking at

1599
01:34:06,600 --> 01:34:08,919
Speaker 1: this and I think I'm looking at that baby Tupac.

1600
01:34:09,120 --> 01:34:10,880
Speaker 1: You know what I'm saying, I'm not knowing what's going on.

1601
01:34:11,520 --> 01:34:16,639
Speaker 1: He's screaming out the craziest gang all types of ship,

1602
01:34:16,680 --> 01:34:21,080
Speaker 1: and I'm like, yo, I'm like, what went on? And

1603
01:34:21,800 --> 01:34:24,160
Speaker 1: so it's clicking to me that old man. All that

1604
01:34:24,320 --> 01:34:27,600
Speaker 1: ship started from us sucking around from Charlie. Damn, I

1605
01:34:27,640 --> 01:34:30,920
Speaker 1: don't shut up. And then the shape kept going, and

1606
01:34:31,040 --> 01:34:32,960
Speaker 1: you know I got them on the phone, ray J

1607
01:34:33,120 --> 01:34:37,599
Speaker 1: apologizing being a cool thing guy I was. The joke

1608
01:34:37,680 --> 01:34:39,680
Speaker 1: started from in the first place. He was on the

1609
01:34:39,920 --> 01:34:48,120
Speaker 1: Floyd seven. I was Floyd crib. It was light. It

1610
01:34:48,280 --> 01:34:50,720
Speaker 1: was like it wasn't even a real real time that

1611
01:34:50,800 --> 01:34:53,640
Speaker 1: we would give each other. It wasn't really something like

1612
01:34:53,760 --> 01:34:57,240
Speaker 1: in front of your girl. I still did the show too, Yeah,

1613
01:34:57,280 --> 01:34:59,439
Speaker 1: he still did the show after that whole little thing.

1614
01:34:59,520 --> 01:35:01,639
Speaker 1: I went, still did the show. I had an after

1615
01:35:01,720 --> 01:35:05,240
Speaker 1: party after it. Right ray J showed up to the

1616
01:35:05,280 --> 01:35:08,680
Speaker 1: after party. I heard with Shook Knight trying to get

1617
01:35:08,760 --> 01:35:11,960
Speaker 1: in the after party. They didn't let him in. And

1618
01:35:12,080 --> 01:35:14,240
Speaker 1: then that's when he called up to the Breakfast club

1619
01:35:14,280 --> 01:35:17,479
Speaker 1: and did the famous friend that rant was. I ran

1620
01:35:17,520 --> 01:35:19,120
Speaker 1: a special to the day. I listened to it like

1621
01:35:19,160 --> 01:35:22,759
Speaker 1: a couple of months ago, and it was still still time.

1622
01:35:23,479 --> 01:35:26,880
Speaker 1: You got this be you have no idea, ray J,

1623
01:35:27,120 --> 01:35:30,439
Speaker 1: your only correct. I was cool with ray J. Cool,

1624
01:35:30,720 --> 01:35:36,160
Speaker 1: she happened whatever, whatever, and then you can show up

1625
01:35:36,200 --> 01:35:42,479
Speaker 1: to your after party. And then later on Jack he's name,

1626
01:35:42,680 --> 01:35:44,720
Speaker 1: ray J pulled up to that, but he pulled over,

1627
01:35:45,240 --> 01:35:48,719
Speaker 1: pulled up with shut what what? What was the thoughts?

1628
01:35:48,760 --> 01:35:51,080
Speaker 1: You're trying to press you again? He thought he was

1629
01:35:51,160 --> 01:35:55,599
Speaker 1: doing a double press, double press, your ship get wrinkled again,

1630
01:35:55,640 --> 01:35:57,760
Speaker 1: and you pressed it again. That's what it is I'm doing,

1631
01:35:59,320 --> 01:36:01,400
Speaker 1: ray J. I ain't know. It's like that. You did that.

1632
01:36:01,600 --> 01:36:03,639
Speaker 1: This is new news. You got a lot of gates

1633
01:36:03,680 --> 01:36:08,599
Speaker 1: saying you like the double press the man? And then

1634
01:36:08,680 --> 01:36:11,400
Speaker 1: what was the first thoughts to your mind? A lucky guy?

1635
01:36:11,560 --> 01:36:13,880
Speaker 1: See him at the party? Thing? This is I just heard.

1636
01:36:14,360 --> 01:36:17,400
Speaker 1: I heard and at the time four it was four

1637
01:36:17,439 --> 01:36:20,080
Speaker 1: in the morning in Vegas time, but it was seven

1638
01:36:20,160 --> 01:36:22,840
Speaker 1: am New York time, so he caught when they didn't

1639
01:36:22,880 --> 01:36:26,120
Speaker 1: let him in. He called up to the breakfast club,

1640
01:36:26,200 --> 01:36:30,040
Speaker 1: still hype on whatever he was on? Yeah whatever he

1641
01:36:30,120 --> 01:36:34,519
Speaker 1: was breast club, he's on one. Definitely. Where were you

1642
01:36:34,680 --> 01:36:37,360
Speaker 1: at your when you heard? I was laid up and

1643
01:36:37,439 --> 01:36:40,280
Speaker 1: then I U I woke up in the morning that time.

1644
01:36:40,479 --> 01:36:43,280
Speaker 1: My phone in the bed, just like laying down in

1645
01:36:43,320 --> 01:36:56,120
Speaker 1: the bed. That's crazy. Let it go crazy, so you can't.

1646
01:36:56,200 --> 01:36:58,280
Speaker 1: You kept it cool. I kept it cool. I went

1647
01:36:58,439 --> 01:37:00,360
Speaker 1: back to my room, laid up. I woke up in

1648
01:37:00,439 --> 01:37:03,240
Speaker 1: the morning. My phone was on fire. When you when

1649
01:37:03,240 --> 01:37:05,439
Speaker 1: you when you go viral or any kind of when

1650
01:37:05,479 --> 01:37:10,439
Speaker 1: your phone is this is before Instagram. That's your smoke

1651
01:37:10,520 --> 01:37:14,120
Speaker 1: coming up from your phone. Give me a light up somewhere.

1652
01:37:14,160 --> 01:37:19,200
Speaker 1: You though about lights New York. You've been hanging out

1653
01:37:19,240 --> 01:37:25,599
Speaker 1: with two things. Charge you lighting the charger? Charge? Jada

1654
01:37:25,680 --> 01:37:29,320
Speaker 1: took my charge. It's a crazy ship plugged up. That

1655
01:37:29,520 --> 01:37:34,880
Speaker 1: was the lead. Mr. Mr Land. When's my phone's charge? You?

1656
01:37:35,040 --> 01:37:38,240
Speaker 1: I know these y'all. Look at that. Look at that.

1657
01:37:38,360 --> 01:37:40,280
Speaker 1: Look this is how we treat you about drink chaps.

1658
01:37:40,479 --> 01:37:43,760
Speaker 1: Oh man, get that, no problem. Yeah, yeah, you do

1659
01:37:43,840 --> 01:37:47,640
Speaker 1: whatever you want to do. Yeah, you do whatever you

1660
01:37:47,760 --> 01:37:51,040
Speaker 1: want to do. Drink sponsibly. If you've seen Steve broken

1661
01:37:51,200 --> 01:37:57,960
Speaker 1: right there, yeah, man, legend Mann Steve. I watched the

1662
01:37:58,040 --> 01:38:01,400
Speaker 1: dock on. You think it's somebody did a documentary and

1663
01:38:04,040 --> 01:38:10,880
Speaker 1: shot Steve has all of the knowledge. Baby, don't know

1664
01:38:11,000 --> 01:38:13,679
Speaker 1: what it is Steve about your whole story. My second

1665
01:38:13,720 --> 01:38:18,760
Speaker 1: sea didn't you been seeing that same, Yeah, we need

1666
01:38:18,840 --> 01:38:22,320
Speaker 1: to talk about that. Bite you up talking about that?

1667
01:38:22,520 --> 01:38:24,720
Speaker 1: You know what? I want to talk because they say

1668
01:38:24,760 --> 01:38:28,439
Speaker 1: bad boys been in the street team, that's what they say.

1669
01:38:29,360 --> 01:38:30,720
Speaker 1: They say, Yeah, you know what I'm saying. We got

1670
01:38:30,720 --> 01:38:37,160
Speaker 1: to talk about that. Michael don't. Don't you see these

1671
01:38:37,200 --> 01:38:40,000
Speaker 1: other names, but he was on it was on loud right, No, no,

1672
01:38:40,240 --> 01:38:46,920
Speaker 1: now listen, but to niggers before me. I'm just telling y'all.

1673
01:38:47,720 --> 01:38:51,560
Speaker 1: I'm just telling these all the niggers performed me. You

1674
01:38:51,680 --> 01:38:56,960
Speaker 1: see what I gave the episode we got who you know?

1675
01:38:57,080 --> 01:39:00,439
Speaker 1: Any of them? One you don't want to stay. I

1676
01:39:00,439 --> 01:39:02,839
Speaker 1: don't want to stand. I tried to make a new

1677
01:39:03,720 --> 01:39:06,400
Speaker 1: Top Fools, and I said, we're gonna do it in

1678
01:39:06,640 --> 01:39:08,519
Speaker 1: l A. But I'm figuring it's a different vibe. You're

1679
01:39:08,520 --> 01:39:11,360
Speaker 1: a different vibe, though, But do it. You're like what

1680
01:39:11,400 --> 01:39:13,320
Speaker 1: you said. You said they had wine or something, right,

1681
01:39:13,680 --> 01:39:17,200
Speaker 1: it's a different they gave, y'all, I gotta do this

1682
01:39:17,360 --> 01:39:21,880
Speaker 1: though the water they had one got they made do

1683
01:39:22,280 --> 01:39:26,519
Speaker 1: with Steve. There was no bow and it was yeah,

1684
01:39:27,840 --> 01:39:29,400
Speaker 1: don't get my brother