WEBVTT - SYSK’s 2021 Glad Tidings Bonanza Holiday Special

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<v Speaker 1>Welcome to stuff you should know a production of I

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<v Speaker 1>Heart Radio. Hey, and welcome to the Holiday Cast. I'm Josh,

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<v Speaker 1>and there's Chuck and Jerry's with us in spirit, and

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<v Speaker 1>everything is merry and bright, and the tidings are glad

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<v Speaker 1>in the halls are decked, and uh, Santa's on his way.

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<v Speaker 1>That's right. Are Christmas episode that we look forward to

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<v Speaker 1>every year. This, along with the Halloween episodes or episodes,

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<v Speaker 1>are two of our favorites. And they are both ad

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<v Speaker 1>free because we insist upon it, because Christmas has been

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<v Speaker 1>commercialized enough for doing our bit to reverse that trend

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<v Speaker 1>just ever so slightly. And I think it's it's been

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<v Speaker 1>having a measurable effe, don't you, Chuck? I think so.

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<v Speaker 1>People's fingers are spared that fast forward button for the

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<v Speaker 1>next forty five minutes, and let's do this. So what

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<v Speaker 1>are we going to do first? Maybe the mystery behind

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<v Speaker 1>the world's most famous Christmas poem? Yeah, did you dig

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<v Speaker 1>this one up? Or no? I believe this was a

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<v Speaker 1>listener suggestion. It was so. This is based on an

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<v Speaker 1>article by Stacy Conrad in Mental Floss, but it was

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<v Speaker 1>suggested to us by one of our listeners named Adam Stevenson,

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<v Speaker 1>and thank you very much to Adam for sending this

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<v Speaker 1>idea in And the whole thing, Chuck, that we're talking

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<v Speaker 1>about is probably the world's most famous Christmas poem. It's

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<v Speaker 1>called a Visit from St. Nicholas, and we've read it before,

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<v Speaker 1>but it's actually, in most people's mind called Toys the

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<v Speaker 1>Night before Christmas. That's what I was confused a couple

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<v Speaker 1>of times I read through this. So that poem has

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<v Speaker 1>the authorship of it is disputed and has been disputed

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<v Speaker 1>for some time now. And it's not one of those

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<v Speaker 1>questions where somebody says, no, no, it was my great

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<v Speaker 1>great great great great grandfather who wrote it. Instead, there's

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<v Speaker 1>actually like evidence that kind of backs this up. So

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<v Speaker 1>right now here in one and maybe for the rest

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<v Speaker 1>of all time, we're not a certain who wrote a

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<v Speaker 1>Visit from St. Nick also known as Towards the Night

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<v Speaker 1>before Christmas. That's right. We know. It first popped up

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<v Speaker 1>in Troy, New York's Troy Sentinel on December appropriately three,

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<v Speaker 1>with no authorship attributed, and then thirteen years after that,

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<v Speaker 1>a professor and a poet named Clement Clark Moore was

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<v Speaker 1>named as the author. Because of the story that his housekeeper,

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<v Speaker 1>without him knowing it, sent the piece in. It was

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<v Speaker 1>a poem he wrote for his kids, supposedly, and sent

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<v Speaker 1>into the newspaper. And then in eighteen forty four, which

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<v Speaker 1>is twenty one years later, right, it was officially included

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<v Speaker 1>in one of his poet poetry anthologies. That's right, So

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<v Speaker 1>it officially became credited to Clement Clark Moore. And then

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<v Speaker 1>at some point, in a not entirely certain win, another family, um,

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<v Speaker 1>the family of Henry Livingston Jr. And again by family

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<v Speaker 1>we mean um, five generations grandchildren step forward and said, hey, um,

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<v Speaker 1>I don't think this is quite right, because it turns

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<v Speaker 1>out that great great great great great grandfather Henry had

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<v Speaker 1>been reading this poem to our to his kids, my

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<v Speaker 1>great great great great grandmother for like fifteen years before

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<v Speaker 1>it was first published in the Troy, New York Sentinel. Right,

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<v Speaker 1>So if that was three, they're claiming it goes back

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<v Speaker 1>to eighteen seven. Yeah, that's what I saw, all right.

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<v Speaker 1>So let's duke this out on the livingstone side. And

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<v Speaker 1>we're not taking sides because neither one of us know

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<v Speaker 1>or care, but uh, on the livings, they certainly do.

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<v Speaker 1>On the Livings in side. They say, you know what,

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<v Speaker 1>we have Dutch heritage in our family and ancestry. Um

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<v Speaker 1>great great great great great great grand Peppie Henry's mom

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<v Speaker 1>was Dutch and there's a lot of Dutch references in

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<v Speaker 1>the poem, so it's his. Yeah, apparently this is where

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<v Speaker 1>we get the names for Santa's eight Reindeer, And originally

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<v Speaker 1>Donner and Blitzen's names were Dunder and blicks them. If

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<v Speaker 1>you read that, I know it's great. What makes it

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<v Speaker 1>like a cheap T shirt you would buy or something?

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<v Speaker 1>What a dunder brand T shirt? Well just know, like

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<v Speaker 1>you know, you're off brand toys. That seems like the

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<v Speaker 1>Christmas shirt. Yeah, so don't but it Dunder and blicks

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<v Speaker 1>them mean thunder and lightning and Dutch, so hence the

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<v Speaker 1>Dutch references. And the thing is that Clement Clark Moore

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<v Speaker 1>wasn't Dutch and he didn't have Dutch heritage, so it

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<v Speaker 1>does make it a little more sensible that Livingston, who

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<v Speaker 1>did have Dutch heritage, would have used those Dutch names initially.

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<v Speaker 1>That's right. And for all of you thinking I'd just

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<v Speaker 1>stepped by a Dunder and Mifflin joke, I just want

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<v Speaker 1>to acknowledge it, so you know that I did think

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<v Speaker 1>of it and I chose not to same here, all right,

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<v Speaker 1>it's a Christmas miracle for growing up. Yeah, we really are.

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<v Speaker 1>Uh So blix Um changed to blix in first, I

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<v Speaker 1>think to rhyme with vixen, and I believe in the

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<v Speaker 1>etour More stepped up because you know, he was like, hey,

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<v Speaker 1>this is my poem after all, right, uh and changed

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<v Speaker 1>it to the Germanic Blitzen, and then Dunder eventually became Donder,

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<v Speaker 1>and then in the early twentieth century it was went

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<v Speaker 1>to Donner because it's also Germanic. Yeah, so there's the

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<v Speaker 1>whole thing. Originally Dunder and blicks Him were two of

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<v Speaker 1>the names, and those are clearly Dutch words, which has

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<v Speaker 1>nothing to do with Clement Clark Moore. Um. There's another

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<v Speaker 1>thing to remember. We said that Henry's children said, and

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<v Speaker 1>apparently a neighbor at times said that they remember him

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<v Speaker 1>reading this to them back in eighteen oh seven, uh sixteen,

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<v Speaker 1>years before it was published, and they there's also family

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<v Speaker 1>legend among the Livingston's that there used to be a

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<v Speaker 1>handwritten draft copy that had markouts and scratches and revisions

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<v Speaker 1>to it. That would Yeah, I would basically suggest this

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<v Speaker 1>is the original version of the poem, and the case

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<v Speaker 1>would be closed had that not burned up in a

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<v Speaker 1>house fire at some point in family history. I don't see.

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<v Speaker 1>I was when I was reading this stuff, I was like,

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<v Speaker 1>all right, here we go, it's over, case reopened. Yeah,

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<v Speaker 1>the mysterious house fire. Now I'm like, I don't know

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<v Speaker 1>about you. Livingstone's right, okay, very fishy. Well, then the

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<v Speaker 1>literary professors got involved, and then things got really taken

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<v Speaker 1>off the rails, right, Yeah, they've there have been plenty

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<v Speaker 1>of well know about plenty, but at least a few

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<v Speaker 1>literary professors who have gotten in the archives and the

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<v Speaker 1>anthologies and said, you know what, this more guy never

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<v Speaker 1>wrote anything like this thing. Uh, it's in this anapestic

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<v Speaker 1>scheme where you have the two syllables followed by a

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<v Speaker 1>more stressed third syllable, and you never wrote anything like that, buddy,

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<v Speaker 1>So I think you're a fraud. Yeah. And I had

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<v Speaker 1>no idea about that scheme until I kind of spelled

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<v Speaker 1>it out myself and got it wrong. Though. Did you

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<v Speaker 1>notice that? No? I didn't. You got the first half right,

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<v Speaker 1>but then you lose it at you lost it after

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<v Speaker 1>and all through the house, Oh I did. Yeah, that

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<v Speaker 1>was pretty much like oh yeah, I see now okay,

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<v Speaker 1>can read it like yeah, please do, please do. Itwas

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<v Speaker 1>the night before Christmas and all through the house not

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<v Speaker 1>a creature was stirring, not even a mouse. Oh man,

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<v Speaker 1>this is like my math. You got tripped up. Yeah

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<v Speaker 1>that's all right, good stuff, But that's anapestic scheme. They said,

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<v Speaker 1>you didn't write anything like that, buddy, But Livingston wrote

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<v Speaker 1>plenty of stuff like that. Yeah, so again case closed. Right,

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<v Speaker 1>if you want to put a nail in that coffin.

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<v Speaker 1>Another professor from New Zealand, a guy named McDonald Jackson,

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<v Speaker 1>stepped up and said, get this, everybody, I could. I've

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<v Speaker 1>devised a statistical analysis machine, and I said it loose

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<v Speaker 1>on Clement Clark Moore's manuscript notebook and it says all

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<v Speaker 1>of those poems are Clement Clark Moore's. But when I

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<v Speaker 1>feed that same machine towys the night before Christmas, you know,

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<v Speaker 1>a visit from St. Nicholas, everybody goes, oh yeah that

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<v Speaker 1>one he goes. It just starts coughing and smoking and sputtering,

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<v Speaker 1>and it broke. Yeah. Basically, uh, if you talk to

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<v Speaker 1>them more as they're like, yeah, but you know what

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<v Speaker 1>you're you're just constructing us in a way that makes

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<v Speaker 1>it look like you never anything like this, because I

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<v Speaker 1>know for sure he wrote the Pig and the Rooster

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<v Speaker 1>and that's antipestic. He wrote one like this, and that's

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<v Speaker 1>that I should I should spell out some of the

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<v Speaker 1>Pig and the Rooster and antipestic scheme and see what happens.

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<v Speaker 1>So on the more side this, I mean, I sort

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<v Speaker 1>of get this, but more was buddies with Rip van Winkle,

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<v Speaker 1>who was very much into the Dutch culture up there

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<v Speaker 1>in New York State. And I guess the argument is,

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<v Speaker 1>but because he was good friends with Irving that, uh,

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<v Speaker 1>it just he picked up on that Dutch stuff. Is

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<v Speaker 1>that the argument? That's the argument. But the argument that

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<v Speaker 1>I saw that basically is like, no, that's it's Clement

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<v Speaker 1>Clark Moore. Is that Clement Clark Moore, who has otherwise

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<v Speaker 1>never been accused of doing anything nefarious in his life,

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<v Speaker 1>um stepped up and claimed credit and an authorship of this,

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<v Speaker 1>and that just doesn't seem to be something that he

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<v Speaker 1>would have done had he not done that. And the

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<v Speaker 1>Livingston's Henry specifically, who was alive after the thing was

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<v Speaker 1>published for five more years, never stepped forward to take

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<v Speaker 1>credit for it, and that to a lot of people,

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<v Speaker 1>they are like, well that, I mean, that's that, Like, yes,

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<v Speaker 1>you can create statistical analysis machines to say whatever. But

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<v Speaker 1>as it stands out, if you go on to the

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<v Speaker 1>Poetry Websites Foundation, they say that there's a lot of

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<v Speaker 1>scholars that credit Henry Livingston with authorship, but they still

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<v Speaker 1>if you search Clement Clark Moore, the poem that they

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<v Speaker 1>have on their website for him is a visit from St. Nicholas. Still,

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<v Speaker 1>so everybody's like, who knows, but ultimately who cares? Just

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<v Speaker 1>read the poem. It's so great it doesn't matter who

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<v Speaker 1>wrote it anymore. I agree. So I think, Chuck, that

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<v Speaker 1>we've done our first little segment, which means it's time

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<v Speaker 1>for some of Jerry's delicious Christmas interstitial music. Huh all right,

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<v Speaker 1>let's hear it. Oh boy, that didn't that so much

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<v Speaker 1>better than an ad? Yeah? That is so nice. Jerry

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<v Speaker 1>really knows what she's doing. She's gotten really good at

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<v Speaker 1>this stuff. All right, where are we headed next? Oh jeez,

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<v Speaker 1>I'm driving? Huh Okay, I guess he said you want

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<v Speaker 1>to skip around, So yeah, let's do one of yours.

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<v Speaker 1>How about red and green? It's Christmas colors. Yeah, we

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<v Speaker 1>need to thank u Wanderopolis Reader's digests and our old

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<v Speaker 1>buddy Robert Paulson, Mr RP funding himself, longtime listener, he said, us,

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<v Speaker 1>I think he's done this past few years since it's

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<v Speaker 1>a bunch of Christmas ideas because you know, it gets

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<v Speaker 1>hard you guys to think of new things and to

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<v Speaker 1>find new stories, and Paulson's always sent this good stuff.

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<v Speaker 1>So this was inspired by Robert. And this is the

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<v Speaker 1>idea that where did green and red come from? For Christmas?

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<v Speaker 1>And there's quite a few theories and no one knows

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<v Speaker 1>for sure. No um, which is fun because that means

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<v Speaker 1>you get to toss out a lot of theories that

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<v Speaker 1>might be right or wrong, who knows. But um, if

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<v Speaker 1>you go talk to a Christian, say hey, that whole

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<v Speaker 1>red and green thing for Christmas? You're a Christian, where

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<v Speaker 1>did it come from? And they'll say, well, sit down, friend,

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<v Speaker 1>I'll tell you. It turns out that the green represents

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<v Speaker 1>an evergreen tree, which in turn represents Jesus. And you say,

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<v Speaker 1>I didn't see Jesus coming in this But here we go. Yeah,

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<v Speaker 1>it's only Christmas. And the reason that the evergreen represents

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<v Speaker 1>Jesus is because Jesus has eternal life or offers eternal life,

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<v Speaker 1>and the evergreen was representative of eternal life and living

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<v Speaker 1>through the winter time even the bleakest part of the winter,

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<v Speaker 1>and evergreen is still green. Hence the green part. And

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<v Speaker 1>you say, well, what about the the red. Don't say blood,

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<v Speaker 1>don't say blood. What do they say blood? Yeah, blood

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<v Speaker 1>of Christ. It's always the blood of Christ. So supposedly

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<v Speaker 1>that's where the red and green came from, as far

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<v Speaker 1>as Christian scholars are concerned. That's right. Other people say, well,

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<v Speaker 1>i'll tell you what. In the churches would put on

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<v Speaker 1>these miracle plays, is what they were called, And on

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<v Speaker 1>Christmas they would perform one called the Paradise Play, which

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<v Speaker 1>retells the story in Genesis of the creation of Adam

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<v Speaker 1>and even the garden of Eden when Adam was instructed

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<v Speaker 1>not to eat from the tree of good and evil

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<v Speaker 1>did so. Anyway, they were banished from Paradise. And when

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<v Speaker 1>they put on these miracle plays, apple trees weren't in season,

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<v Speaker 1>so they couldn't drag a dead apple tree in there,

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<v Speaker 1>so they would bring in a nice, lovely green evergreen

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<v Speaker 1>pine and then fastened apples to them, and that is

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<v Speaker 1>where the green and the red comes from. And every

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<v Speaker 1>single year there was always one townsfolk, one annoying towns folk.

0:12:59.200 --> 0:13:01.160
<v Speaker 1>It would stand up in point and say, that's not

0:13:01.240 --> 0:13:06.720
<v Speaker 1>an apple tree, that's right, Cleidas a slack gelgyokel. But

0:13:06.800 --> 0:13:10.280
<v Speaker 1>then now we get into probably the true origins of it,

0:13:10.280 --> 0:13:13.280
<v Speaker 1>because we're going back beyond the origin of Christianity and

0:13:13.320 --> 0:13:16.600
<v Speaker 1>starting to get into pagan and Roman culture. And as

0:13:16.640 --> 0:13:20.520
<v Speaker 1>we've seen time and time and time again with a

0:13:20.559 --> 0:13:24.360
<v Speaker 1>lot of the holidays that we celebrate these days, they're

0:13:24.440 --> 0:13:28.080
<v Speaker 1>ultimately based on Pagan and Roman rituals and this is

0:13:28.080 --> 0:13:32.440
<v Speaker 1>no no different. Um. They think that Saturnalia actually used

0:13:32.480 --> 0:13:36.120
<v Speaker 1>to claim as it's holiday colors red and green again

0:13:36.160 --> 0:13:39.800
<v Speaker 1>because of evergreens and the berries they bear. And and

0:13:39.840 --> 0:13:43.040
<v Speaker 1>then we talked about Saturnalia before in a Christmas episode, right,

0:13:43.080 --> 0:13:45.800
<v Speaker 1>we had to have. Surely at some point that's the

0:13:45.840 --> 0:13:48.960
<v Speaker 1>only way I would know about it. Uh. The Celtic people, also,

0:13:49.040 --> 0:13:52.800
<v Speaker 1>the ancient Celts, they loved their holly plants because they

0:13:52.840 --> 0:13:56.520
<v Speaker 1>were evergreen, and holly is very much associated with Christmas,

0:13:56.920 --> 0:13:58.560
<v Speaker 1>and they were saying, well, that's where the red and

0:13:58.559 --> 0:14:02.200
<v Speaker 1>green comes from. Then a little bit later on they were, uh,

0:14:02.280 --> 0:14:07.080
<v Speaker 1>these religious screens called rudes medieval churches were dyed red

0:14:07.120 --> 0:14:10.640
<v Speaker 1>and green. But other people say, well, that's because those

0:14:10.640 --> 0:14:14.080
<v Speaker 1>were the pigments that were available at the time. So

0:14:14.280 --> 0:14:16.400
<v Speaker 1>no one really knows for sure, no, but it does

0:14:16.480 --> 0:14:20.320
<v Speaker 1>like present like a connection between Christianity and red and green.

0:14:20.400 --> 0:14:23.920
<v Speaker 1>Those medieval church screens definitely do. So. The Victorians came

0:14:23.920 --> 0:14:26.120
<v Speaker 1>along and they had a bunch of different color schemes.

0:14:26.120 --> 0:14:29.960
<v Speaker 1>Blue and white, blue and red, red and green all

0:14:29.960 --> 0:14:33.440
<v Speaker 1>were pretty much equally associated with Christmas with the Victorians.

0:14:33.520 --> 0:14:38.359
<v Speaker 1>And uh, it wasn't until one when Coca Cola commissioned

0:14:38.440 --> 0:14:42.320
<v Speaker 1>Um had in Sunbloom to do his famous illustration of

0:14:42.360 --> 0:14:45.880
<v Speaker 1>Santa Claus, where Santa Claus became fat and fully clothed

0:14:45.920 --> 0:14:48.440
<v Speaker 1>in red for the first time and for the rest

0:14:48.440 --> 0:14:51.920
<v Speaker 1>of all time before that he was naked as a

0:14:51.960 --> 0:14:55.720
<v Speaker 1>j bird. That's right. It was a gross Christmas tradition,

0:14:56.200 --> 0:14:58.560
<v Speaker 1>all right, Jerry, how about some more of that music?

0:14:59.160 --> 0:15:24.960
<v Speaker 1>Take it away, Jerr. Okay, Chuck, So now I think

0:15:24.960 --> 0:15:27.360
<v Speaker 1>it's your turn to pick which one we're gonna do next.

0:15:27.440 --> 0:15:30.040
<v Speaker 1>It's a it's like opening Christmas presents. We're gonna just

0:15:30.080 --> 0:15:33.880
<v Speaker 1>switch off. You know where I'm headed. I'm headed to, Uh,

0:15:34.240 --> 0:15:38.080
<v Speaker 1>I'm headed to the nineteen eighties. I'm headed to December seven,

0:15:38.760 --> 0:15:41.880
<v Speaker 1>and I'm watching the TV show ALF, and I'm shocked

0:15:41.880 --> 0:15:44.640
<v Speaker 1>at what I'm seeing on my screen. It's right, mainly

0:15:44.640 --> 0:15:47.600
<v Speaker 1>because I never saw an episode of ALF. Oh you know, yeah,

0:15:47.720 --> 0:15:49.800
<v Speaker 1>you were a little old for it. I definitely did.

0:15:50.040 --> 0:15:53.560
<v Speaker 1>It was a cute show eighty six, so I was fifteen,

0:15:55.040 --> 0:15:57.320
<v Speaker 1>maybe just on the cusp, but yeah, I didn't see

0:15:57.640 --> 0:16:00.120
<v Speaker 1>way too old for what was ALF. Like an eightyear

0:16:00.120 --> 0:16:04.120
<v Speaker 1>old exactly the right age to hate ALF more than

0:16:04.200 --> 0:16:07.040
<v Speaker 1>any other age group on the planet, I think. Yeah,

0:16:07.080 --> 0:16:09.120
<v Speaker 1>I was like I started listening to Pink Floyd when

0:16:09.120 --> 0:16:10.920
<v Speaker 1>I was fifteen, So right, okay, yeah, you wouldn't have

0:16:10.960 --> 0:16:14.160
<v Speaker 1>like alfin people who have never seen ALF, like you. Um,

0:16:14.200 --> 0:16:16.160
<v Speaker 1>I was thinking our younger viewers, but I guess anybody

0:16:16.160 --> 0:16:19.880
<v Speaker 1>who has never seen ALF. It's a eighties sitcom about

0:16:19.920 --> 0:16:23.040
<v Speaker 1>an alien who crashed lands on Earth takes up a

0:16:23.120 --> 0:16:25.760
<v Speaker 1>residence with a family, who he in short order starts

0:16:25.760 --> 0:16:29.760
<v Speaker 1>to drive crazy with his wise cracking, his troublemaking. He's

0:16:29.800 --> 0:16:32.520
<v Speaker 1>good hearted, but he's just a lot. He's a handful.

0:16:32.560 --> 0:16:34.240
<v Speaker 1>And then on top of that, they have to keep

0:16:34.320 --> 0:16:37.800
<v Speaker 1>him a secret from nosy neighbors, from the government. Um.

0:16:38.160 --> 0:16:41.920
<v Speaker 1>And it's a it's a cute little show that that

0:16:42.640 --> 0:16:45.000
<v Speaker 1>like a six year old can follow the plotline of.

0:16:45.520 --> 0:16:47.960
<v Speaker 1>Uh you want to hear something more shocking. Yes, I

0:16:47.960 --> 0:16:50.840
<v Speaker 1>didn't know until yesterday that Alf was an alien. What

0:16:50.920 --> 0:16:53.680
<v Speaker 1>do you think he was? I don't know. I never

0:16:53.720 --> 0:16:56.480
<v Speaker 1>thought about it. I just I knew it was a puppet.

0:16:57.080 --> 0:17:00.000
<v Speaker 1>It looked like a little fuzzy beast of some kind.

0:16:59.800 --> 0:17:02.000
<v Speaker 1>I never really thought about I had no idea what

0:17:02.040 --> 0:17:04.560
<v Speaker 1>Alf was. But now that you know, I see this,

0:17:04.640 --> 0:17:07.520
<v Speaker 1>and I see the year clearly capitalizing on a post

0:17:07.520 --> 0:17:11.360
<v Speaker 1>et kind of thing. Let's do a sitcom. I'm sure

0:17:11.359 --> 0:17:13.080
<v Speaker 1>that was brought up in the room, you know. Yeah. Yeah,

0:17:13.080 --> 0:17:15.720
<v Speaker 1>and Alf actually stood for alien life for him. It

0:17:15.800 --> 0:17:18.120
<v Speaker 1>was the name that the dad Willie gave to him.

0:17:18.359 --> 0:17:20.600
<v Speaker 1>His real name was Gordon schum Way, and he was

0:17:20.680 --> 0:17:24.720
<v Speaker 1>from the planet mill Mack. Was it really Gordon Shumway? Yeah,

0:17:24.960 --> 0:17:31.120
<v Speaker 1>it's Have you ever seen that movie Permanent Midnight? Uh? Yeah, Oh, sure. Yeah, Yeah,

0:17:31.160 --> 0:17:33.200
<v Speaker 1>that guy that was based on the Ben Stiller place.

0:17:33.280 --> 0:17:35.919
<v Speaker 1>He was a writer for Alfred. Yeah, that's that's all

0:17:35.920 --> 0:17:38.320
<v Speaker 1>I knew of alf was that movie. Okay, gotcha? That

0:17:38.440 --> 0:17:41.080
<v Speaker 1>was one of my favorite lines from any movie is

0:17:41.119 --> 0:17:45.080
<v Speaker 1>when Owen Wilson and Ben Stiller have lost their percocets.

0:17:45.680 --> 0:17:49.040
<v Speaker 1>Owen Wilson and his voice goes, if I were a percoset,

0:17:49.040 --> 0:17:55.400
<v Speaker 1>where would I be? That? I can totally envision that. Wow.

0:17:55.800 --> 0:17:57.880
<v Speaker 1>That was a dead on Owen Wilson. By the way,

0:17:58.320 --> 0:18:03.119
<v Speaker 1>Wow there was again. So with alf Um, what you

0:18:03.160 --> 0:18:05.640
<v Speaker 1>see was what you got. It was very straightforward as

0:18:05.640 --> 0:18:08.600
<v Speaker 1>far as episodes were concerned. Sure, it was kind of jarring,

0:18:08.640 --> 0:18:11.480
<v Speaker 1>like you were saying when you tuned in on December, Oh,

0:18:11.520 --> 0:18:14.760
<v Speaker 1>I don't remember, but in and you found out that

0:18:14.800 --> 0:18:17.280
<v Speaker 1>there was a not just a one part as a standard,

0:18:17.280 --> 0:18:21.800
<v Speaker 1>but a two part episode shot on film of alf

0:18:22.240 --> 0:18:26.600
<v Speaker 1>And it was a very special Christmas special of alf Yeah.

0:18:26.680 --> 0:18:30.720
<v Speaker 1>It was, uh, to say the least, not very funny there.

0:18:30.720 --> 0:18:33.760
<v Speaker 1>You know, I watched some of it today. They didn't

0:18:33.800 --> 0:18:36.760
<v Speaker 1>forego the jokes entirely. They used them, tried to use

0:18:36.800 --> 0:18:39.879
<v Speaker 1>them effectively to sort of you know, punch up some

0:18:39.920 --> 0:18:43.000
<v Speaker 1>moments here and there, but it was definitely different. It

0:18:43.080 --> 0:18:46.920
<v Speaker 1>was Alf gets outside the house, get hitches a ride

0:18:46.920 --> 0:18:51.679
<v Speaker 1>with Cleveland Little from Blazing Saddle's fame as Santa Claus,

0:18:51.880 --> 0:18:55.480
<v Speaker 1>and they go to a hospital where Alf is mistaken

0:18:55.600 --> 0:18:59.240
<v Speaker 1>for a Christmas toy and given to a little girl

0:18:59.640 --> 0:19:04.159
<v Speaker 1>who is dying. Yes, which is basically the main plot

0:19:04.160 --> 0:19:07.160
<v Speaker 1>line of this episode. Alf hanging out with this dying

0:19:07.200 --> 0:19:09.800
<v Speaker 1>girl in her hospital room. And this is not like

0:19:09.840 --> 0:19:12.439
<v Speaker 1>the kind of thing where the dying girl doesn't know

0:19:12.520 --> 0:19:16.480
<v Speaker 1>she's dying. She actually talks openly and frequently about dying

0:19:16.520 --> 0:19:18.320
<v Speaker 1>and how she's being scared of it. Yeah, it's being

0:19:18.400 --> 0:19:22.400
<v Speaker 1>scared to die. Yeah. Not exactly like the typical Christmas

0:19:22.480 --> 0:19:25.680
<v Speaker 1>themes you would you would expect. There's also a part

0:19:25.720 --> 0:19:30.040
<v Speaker 1>in the second part where Alf talks um uh talks

0:19:30.440 --> 0:19:34.000
<v Speaker 1>Cleveland Little's character out of taking his life by jumping

0:19:34.000 --> 0:19:37.320
<v Speaker 1>off a bridge, not another I Actually I was about

0:19:37.320 --> 0:19:39.040
<v Speaker 1>to say that's not like a very Christmasy thing, but

0:19:39.080 --> 0:19:41.440
<v Speaker 1>thanks to a wonderful life, jumping off of a bridge

0:19:41.480 --> 0:19:44.600
<v Speaker 1>actually is kind of Christmas now that I think about it. Yeah,

0:19:44.720 --> 0:19:47.040
<v Speaker 1>But you know, being Alf and being a TV sit

0:19:47.080 --> 0:19:48.720
<v Speaker 1>come from the eighties, you would think at the end,

0:19:48.800 --> 0:19:52.000
<v Speaker 1>of course, the doctors come in and they say we're

0:19:52.040 --> 0:19:55.359
<v Speaker 1>going to save this girl, or or Alf, your heart

0:19:55.880 --> 0:19:59.080
<v Speaker 1>was big enough to heal this girl. But no, it

0:19:59.240 --> 0:20:02.320
<v Speaker 1>ends with Alf leaving and waving from the back seat

0:20:02.320 --> 0:20:04.919
<v Speaker 1>of the car, and she waves from her hospital window,

0:20:05.080 --> 0:20:08.600
<v Speaker 1>and the assumption is that she dies. Yeah. I mean,

0:20:08.600 --> 0:20:11.359
<v Speaker 1>there's a part early on in part one where Alf

0:20:11.440 --> 0:20:13.679
<v Speaker 1>over here is a doctor talking to Cleveland Little and

0:20:13.720 --> 0:20:16.520
<v Speaker 1>saying like, yeah, she's she's a goner, like there's nothing

0:20:16.560 --> 0:20:17.879
<v Speaker 1>we can do from her. This is going to be

0:20:17.960 --> 0:20:20.919
<v Speaker 1>her last Christmas. And the show makes no efforts to

0:20:21.000 --> 0:20:24.680
<v Speaker 1>change that whatsoever. And so like today, if you um

0:20:24.720 --> 0:20:26.800
<v Speaker 1>read about it on the internet, people like to tee

0:20:26.840 --> 0:20:30.320
<v Speaker 1>off on it um and in some pretty annoying like

0:20:30.359 --> 0:20:32.560
<v Speaker 1>think pieces. It's an easy target if you look at

0:20:32.560 --> 0:20:34.639
<v Speaker 1>it from a really cynical point of view, but if

0:20:34.640 --> 0:20:38.320
<v Speaker 1>you actually stop and watch it, it's an extremely touching episode.

0:20:38.520 --> 0:20:41.760
<v Speaker 1>Apparently viewers in seven were very touched by it, and

0:20:41.800 --> 0:20:43.639
<v Speaker 1>Alf went on to become a big hit in part

0:20:44.040 --> 0:20:47.200
<v Speaker 1>because of this kind of daring limb that they went

0:20:47.240 --> 0:20:49.960
<v Speaker 1>out on. But there's a guy who writes for Yahoo

0:20:50.040 --> 0:20:52.840
<v Speaker 1>News named Ethan Atler, and he noticed that at the

0:20:52.960 --> 0:20:55.680
<v Speaker 1>end of part two there's a little title card that

0:20:55.800 --> 0:20:58.160
<v Speaker 1>said that that episode was a memory of another girl

0:20:58.240 --> 0:21:00.080
<v Speaker 1>named Tiffany. So he was like, well, what is this.

0:21:00.280 --> 0:21:02.640
<v Speaker 1>That's the name of the dying girl in the episode.

0:21:02.680 --> 0:21:05.000
<v Speaker 1>Who's this Tiffany? And he started to dig into it

0:21:05.040 --> 0:21:06.840
<v Speaker 1>and he found out there actually was a real life

0:21:06.880 --> 0:21:10.040
<v Speaker 1>Tiffany who was dying who was a fan of Alf.

0:21:10.680 --> 0:21:13.119
<v Speaker 1>That's right, uh, And apparently this was something that happened

0:21:13.119 --> 0:21:17.720
<v Speaker 1>a lot, is that kids who were, you know, battling

0:21:17.760 --> 0:21:20.760
<v Speaker 1>cancer or something terrible like that, would get involved in

0:21:20.800 --> 0:21:23.119
<v Speaker 1>either with Make a Wish or just had a wish

0:21:23.160 --> 0:21:26.120
<v Speaker 1>to see Alf and to meet Alf because kids loved Alf.

0:21:26.840 --> 0:21:29.320
<v Speaker 1>And that's what happened. Tiffany went through Make a Wish

0:21:29.560 --> 0:21:31.960
<v Speaker 1>wanted to meet Alf, so they set up a video

0:21:32.040 --> 0:21:37.159
<v Speaker 1>conference in seven no small feat between Alf and the

0:21:37.160 --> 0:21:40.919
<v Speaker 1>puppeteer Paul Fusco obviously, and then Tiffany was in her

0:21:40.960 --> 0:21:44.919
<v Speaker 1>hospital room and the mom says, you know what, if

0:21:44.960 --> 0:21:47.680
<v Speaker 1>it hadn't been for this, like this gave Tiffany an

0:21:47.680 --> 0:21:49.879
<v Speaker 1>extra month of life. It like picked her spirits up

0:21:49.920 --> 0:21:53.520
<v Speaker 1>so much. Brandon Tartakov, who was running NBC at the

0:21:53.520 --> 0:21:56.840
<v Speaker 1>time heard about this and of course, you know, you

0:21:56.880 --> 0:21:59.600
<v Speaker 1>can imagine what happens from there. That's how this story

0:21:59.640 --> 0:22:02.959
<v Speaker 1>was born. He was like, this is gold, Christmas gold, everybody,

0:22:03.000 --> 0:22:05.280
<v Speaker 1>that's right. So they actually did make this two part

0:22:05.320 --> 0:22:09.480
<v Speaker 1>episode again, shot on film, um and they dedicated it

0:22:09.520 --> 0:22:13.159
<v Speaker 1>at the end title card to Tiffany Lee Smith in

0:22:13.200 --> 0:22:16.160
<v Speaker 1>her memory, which is pretty sweet. Um. But I mean

0:22:16.200 --> 0:22:19.160
<v Speaker 1>that that that video conference, that meeting between those two

0:22:19.200 --> 0:22:22.520
<v Speaker 1>was significant enough that like they did they did that,

0:22:22.600 --> 0:22:24.640
<v Speaker 1>you know, and if you go back and watch it.

0:22:24.960 --> 0:22:29.119
<v Speaker 1>I've only seen part one because I accidentally stumbled onto

0:22:29.119 --> 0:22:33.400
<v Speaker 1>an internet mystery Chuck. Part two is not on the internet.

0:22:33.480 --> 0:22:36.080
<v Speaker 1>Part one you can get anywhere and you watch it

0:22:36.119 --> 0:22:38.359
<v Speaker 1>and you want to see part two, and you can't

0:22:38.359 --> 0:22:42.040
<v Speaker 1>see part two anymore interesting there there. I watched this.

0:22:42.160 --> 0:22:44.400
<v Speaker 1>Uh you probably saw this too. There's like a ten

0:22:44.400 --> 0:22:46.320
<v Speaker 1>minute video where this guy kind of breaks it down

0:22:46.960 --> 0:22:49.080
<v Speaker 1>and goes over the story and shows clips from it.

0:22:49.640 --> 0:22:52.600
<v Speaker 1>Apparently out delivers a baby at some point too. That's

0:22:52.600 --> 0:22:56.240
<v Speaker 1>where some of the laughs come from. Uh. But yeah,

0:22:56.320 --> 0:22:58.600
<v Speaker 1>it's interesting. And the guy in the video too said

0:22:58.640 --> 0:23:02.919
<v Speaker 1>that um alf fan sites it can be rated the

0:23:02.960 --> 0:23:05.640
<v Speaker 1>worst or the best episode of ALF, depending on which

0:23:05.680 --> 0:23:07.480
<v Speaker 1>one you go to. Yeah, I read like a little

0:23:07.600 --> 0:23:10.960
<v Speaker 1>article on MeTV and they were saying, the ALF Christmas

0:23:10.960 --> 0:23:16.280
<v Speaker 1>Special is the ALF movie we always wanted. But anyway,

0:23:16.320 --> 0:23:18.320
<v Speaker 1>it was nice. It was very pleasant to watch, at

0:23:18.400 --> 0:23:20.560
<v Speaker 1>least the first part of it. I recommend anybody who

0:23:20.600 --> 0:23:22.400
<v Speaker 1>can go check it out. It's good and it maybe

0:23:22.480 --> 0:23:24.840
<v Speaker 1>want to watch more ALF again. Yeah. I looked up

0:23:24.880 --> 0:23:26.920
<v Speaker 1>the girl. I was like, I wonder where she is today.

0:23:26.960 --> 0:23:31.120
<v Speaker 1>She's born in seventy five, so she's a year older

0:23:31.200 --> 0:23:35.000
<v Speaker 1>than you, And um, I didn't she had She didn't

0:23:35.000 --> 0:23:36.679
<v Speaker 1>do a lot of stuff after her childhood. But she

0:23:36.840 --> 0:23:40.720
<v Speaker 1>was on that TV show as a cast regular. Uh

0:23:40.880 --> 0:23:45.520
<v Speaker 1>not Full House, Our House. Yeah yeah, with Wilford Brimley. Yeah,

0:23:45.560 --> 0:23:48.399
<v Speaker 1>I never saw that. Shannon Doherty and Wilford Brimley. She

0:23:48.520 --> 0:23:51.760
<v Speaker 1>was one of the little girls in that too. So

0:23:53.000 --> 0:23:56.160
<v Speaker 1>you know, now she's she's locked into Christmas history. That's right,

0:23:57.080 --> 0:24:00.880
<v Speaker 1>trapped forever with ALF. All right, Jerry, this is your

0:24:01.320 --> 0:24:23.080
<v Speaker 1>chance to shine. Tune up that violin and let's hear it, man.

0:24:23.160 --> 0:24:26.560
<v Speaker 1>We're just careening from Christmas Spirit to Christmas Spirit, aren't

0:24:26.720 --> 0:24:30.040
<v Speaker 1>I know? Uh? So that was yours. Why don't we

0:24:30.080 --> 0:24:32.800
<v Speaker 1>go with well, no, you pick from mine? Oh is

0:24:32.800 --> 0:24:36.120
<v Speaker 1>it my turn? Yeah, that's what we're doing. Okay, because

0:24:36.160 --> 0:24:38.080
<v Speaker 1>I I we got a big finish if you ask me.

0:24:38.160 --> 0:24:41.119
<v Speaker 1>Let's do Christmas songs, which is interesting, but you know

0:24:41.200 --> 0:24:44.679
<v Speaker 1>the one I'm excited about. Okay, all right, fair enough, okay,

0:24:45.320 --> 0:24:48.639
<v Speaker 1>uh yeah, Christmas songs. This got me thinking about I

0:24:49.000 --> 0:24:51.840
<v Speaker 1>saw the movie About a Boy recently, again movie that

0:24:51.880 --> 0:24:55.360
<v Speaker 1>I really love, and in that movie, Hugh Grant's character

0:24:55.760 --> 0:24:58.720
<v Speaker 1>is still living the good life as a fat cat

0:24:58.760 --> 0:25:01.879
<v Speaker 1>because of a Christmas song that his father wrote. I

0:25:01.880 --> 0:25:04.040
<v Speaker 1>can't remember the name of the song, but it's sort

0:25:04.080 --> 0:25:08.080
<v Speaker 1>of the idea. And it's correct that if you are

0:25:08.240 --> 0:25:11.280
<v Speaker 1>a pop star or even not, if you write, and

0:25:11.480 --> 0:25:13.520
<v Speaker 1>especially if you write and record and have those all

0:25:13.560 --> 0:25:17.360
<v Speaker 1>those rights to a popular Christmas song, then you are

0:25:17.400 --> 0:25:20.359
<v Speaker 1>living on easy street. My friend. Yeah, you can pretty

0:25:20.440 --> 0:25:23.400
<v Speaker 1>much just retire, and it's possible your kids and their

0:25:23.480 --> 0:25:26.480
<v Speaker 1>kids might be able to retire to and such as

0:25:26.560 --> 0:25:29.760
<v Speaker 1>the case Chuck with Jim Lee, who figures prominently in

0:25:29.760 --> 0:25:33.840
<v Speaker 1>this article you found about Christmas music in the music industry.

0:25:34.600 --> 0:25:37.959
<v Speaker 1>He was the bass player for Slade, who until today

0:25:38.160 --> 0:25:42.080
<v Speaker 1>I didn't realize was the originators of Quiet Riots Come

0:25:42.119 --> 0:25:45.359
<v Speaker 1>On Field of Noise. It's actually Slades Come On Field

0:25:45.359 --> 0:25:47.720
<v Speaker 1>of Noise. And I went back and listened to both

0:25:47.800 --> 0:25:50.359
<v Speaker 1>of them and I was like, this Slave Boy is

0:25:50.400 --> 0:25:53.600
<v Speaker 1>so much better. I mean, I love the Quiet Riot song,

0:25:53.680 --> 0:25:55.159
<v Speaker 1>and then I heard the slave version. I was like,

0:25:55.200 --> 0:25:58.439
<v Speaker 1>oh wow, this is this is amazing. Yeah Slade and

0:25:58.480 --> 0:26:01.560
<v Speaker 1>by the way, this is from Rob Pachetta cnn um,

0:26:01.600 --> 0:26:03.600
<v Speaker 1>but yeah Slade. I love Slade. When I was a kid,

0:26:03.600 --> 0:26:06.560
<v Speaker 1>they had that great video MTV video hit Run Run Away,

0:26:07.240 --> 0:26:09.520
<v Speaker 1>and that's how I got introduced. But previous to that,

0:26:09.600 --> 0:26:12.280
<v Speaker 1>in the early eighties, they were a big glam rock

0:26:12.359 --> 0:26:16.639
<v Speaker 1>band in England and Jim was the bassist and he was,

0:26:17.680 --> 0:26:20.199
<v Speaker 1>you know, he was talking about the pressure of of

0:26:20.200 --> 0:26:22.840
<v Speaker 1>writing that next big hit all the time, and he

0:26:22.880 --> 0:26:25.560
<v Speaker 1>was in he was sort of dry of ideas, and apparently,

0:26:25.560 --> 0:26:28.760
<v Speaker 1>as the story goes, in seventy three, in a hotel

0:26:28.800 --> 0:26:32.800
<v Speaker 1>bathroom kind of wondering what to do and remembered that

0:26:33.040 --> 0:26:38.199
<v Speaker 1>his manager and his mom had both said, why Christmas tune,

0:26:39.000 --> 0:26:43.680
<v Speaker 1>you can bloody retire. He's saying that inspired him. My room,

0:26:44.960 --> 0:26:49.400
<v Speaker 1>I mean a hotel bathroom so that inspired him and

0:26:49.520 --> 0:26:53.439
<v Speaker 1>he uh he he came up with the outline of

0:26:53.440 --> 0:26:56.000
<v Speaker 1>a verse and then a bridge apparently, and then all

0:26:56.040 --> 0:26:59.800
<v Speaker 1>of a sudden had a Christmas hit by Slade, which

0:27:00.320 --> 0:27:02.400
<v Speaker 1>isn't as big here in the States. I definitely heard

0:27:02.440 --> 0:27:04.919
<v Speaker 1>it quite a few times, but it's really big in

0:27:04.920 --> 0:27:07.280
<v Speaker 1>the UK. Yeah, I've never heard it before in my

0:27:07.440 --> 0:27:11.240
<v Speaker 1>entire life until yesterday. I think, Yeah, it's called Mary

0:27:11.400 --> 0:27:15.399
<v Speaker 1>Xmuss everybody, and um, yeah, I think it's enormous in

0:27:15.440 --> 0:27:17.880
<v Speaker 1>Britain because Against Slave was British, but I mean, it's

0:27:17.920 --> 0:27:20.040
<v Speaker 1>so big in Britain. I'm very surprised. I've never heard

0:27:20.040 --> 0:27:22.800
<v Speaker 1>it before. But it's a it's a cute, fun little

0:27:22.800 --> 0:27:25.560
<v Speaker 1>song about how not so Christmas is. But it was

0:27:25.640 --> 0:27:29.119
<v Speaker 1>a huge, huge hit for him, and it's kind of

0:27:29.160 --> 0:27:33.119
<v Speaker 1>one of those things where um Slade, the guy, the

0:27:33.119 --> 0:27:35.439
<v Speaker 1>bass player, Jim Lee, when he came up with this

0:27:35.480 --> 0:27:37.479
<v Speaker 1>idea like to do a Christmas song. It wasn't like

0:27:37.520 --> 0:27:39.480
<v Speaker 1>the band had been had been thinking of doing a

0:27:39.560 --> 0:27:41.840
<v Speaker 1>Christmas song. He really had to go sell it to

0:27:41.920 --> 0:27:44.920
<v Speaker 1>talk this awesome hard rocking glam rock band into doing

0:27:44.960 --> 0:27:47.040
<v Speaker 1>a Christmas song. And they didn't release it as like

0:27:47.080 --> 0:27:49.800
<v Speaker 1>a single or special. They released it on one of

0:27:49.840 --> 0:27:53.000
<v Speaker 1>their regular albums. Yeah, you're gonna say the name of

0:27:53.040 --> 0:27:57.199
<v Speaker 1>their lead singer, oh um, uh, it's great. Hold on,

0:27:57.280 --> 0:28:00.880
<v Speaker 1>what is his name? Naughty Holder? That's it's a great name.

0:28:00.920 --> 0:28:04.320
<v Speaker 1>And he actually looks a lot like a Naughty Holder does.

0:28:05.359 --> 0:28:08.280
<v Speaker 1>But Lee talks about the fact that it's like having

0:28:08.280 --> 0:28:12.680
<v Speaker 1>a pension basically here, you know, as he's aging, and

0:28:12.720 --> 0:28:14.960
<v Speaker 1>he said, you know, my grandkids just like we were

0:28:14.960 --> 0:28:16.760
<v Speaker 1>talking to He said, they're gonna be getting money for

0:28:16.800 --> 0:28:20.000
<v Speaker 1>this thing because Christmas tunes don't go away. If you

0:28:20.320 --> 0:28:22.760
<v Speaker 1>if you managed to wed yourself in there with a

0:28:22.800 --> 0:28:26.120
<v Speaker 1>popular tune, at least in your home country, uh, you're

0:28:26.119 --> 0:28:28.320
<v Speaker 1>gonna make a lot of money. And that's why Freddie

0:28:28.320 --> 0:28:31.880
<v Speaker 1>Mercury came to jim Ley at one point and said, Hey,

0:28:31.920 --> 0:28:34.159
<v Speaker 1>I'm kind of thinking about doing a Christmas song. Is like,

0:28:34.600 --> 0:28:36.399
<v Speaker 1>is that okay? Like I'm not gonna be stepping on

0:28:36.440 --> 0:28:39.040
<v Speaker 1>your toast or anything, am I? Yeah? Well, I mean

0:28:39.040 --> 0:28:41.120
<v Speaker 1>that was part of it. I think also, like Slade

0:28:41.240 --> 0:28:45.160
<v Speaker 1>was the ones who made it okay for people who

0:28:45.240 --> 0:28:49.480
<v Speaker 1>weren't being Crosby and Gene Autry record Christmas music because

0:28:49.480 --> 0:28:53.320
<v Speaker 1>after them Bowie recorded that Little Drummer Boy with Bing Crosby.

0:28:53.600 --> 0:28:55.920
<v Speaker 1>Queen came along and recorded There's and it just kept

0:28:55.920 --> 0:28:59.040
<v Speaker 1>going from there. I have the distinct impression that Slade

0:28:59.040 --> 0:29:03.640
<v Speaker 1>where the origin eights of that trend. I think, I think,

0:29:03.760 --> 0:29:05.480
<v Speaker 1>I think you might be right. It seems to be

0:29:05.520 --> 0:29:09.120
<v Speaker 1>what this uh, what this article is indicating. Uh And

0:29:09.160 --> 0:29:12.560
<v Speaker 1>you know now it's I think they said that, uh

0:29:12.600 --> 0:29:15.200
<v Speaker 1>and this was No one knows for sure, because no

0:29:15.240 --> 0:29:17.880
<v Speaker 1>one really wants to share these numbers, I think partially

0:29:17.880 --> 0:29:21.320
<v Speaker 1>because it goes against what you want to think about

0:29:21.320 --> 0:29:26.320
<v Speaker 1>it Christmas. But like that Mariah Carey song Ineen, they

0:29:26.480 --> 0:29:30.360
<v Speaker 1>estimated had earned her about sixty million bucks. It's it's

0:29:30.400 --> 0:29:32.200
<v Speaker 1>a great song. I'm not even a Mariah Carey fan,

0:29:32.240 --> 0:29:34.160
<v Speaker 1>but I love that song. It is a really good one.

0:29:34.240 --> 0:29:36.960
<v Speaker 1>Apparently she has more uppersly that have been coming out

0:29:37.040 --> 0:29:40.800
<v Speaker 1>lately to Christmas album. I think, yeah, I think she

0:29:40.960 --> 0:29:43.160
<v Speaker 1>just released another one. But that I mean that is

0:29:43.200 --> 0:29:47.160
<v Speaker 1>like it is a definitive recent Christmas hit, But it

0:29:47.200 --> 0:29:50.400
<v Speaker 1>also points out how hard it is to make one

0:29:50.400 --> 0:29:52.960
<v Speaker 1>of those, like because she's definitely not the only artist

0:29:53.160 --> 0:29:57.680
<v Speaker 1>who's working still today who's released a Christmas song every Christmas.

0:29:57.960 --> 0:30:00.960
<v Speaker 1>Tons and tons of artists like they're audited Christmas song

0:30:01.240 --> 0:30:02.920
<v Speaker 1>and one of the reasons why they take their song

0:30:03.000 --> 0:30:06.160
<v Speaker 1>was because they will basically be able to stop working

0:30:06.160 --> 0:30:09.040
<v Speaker 1>whenever they want if it's a hit. It's just so

0:30:09.240 --> 0:30:11.800
<v Speaker 1>rarely a hit. And there's this guy who has interviewed

0:30:11.800 --> 0:30:16.040
<v Speaker 1>in them in the article who basically said, um, he's uh.

0:30:16.120 --> 0:30:19.680
<v Speaker 1>He works for PRS for Music, which manages royalty payments.

0:30:19.920 --> 0:30:22.720
<v Speaker 1>He said, basically, you can count on your fingers the

0:30:22.840 --> 0:30:25.240
<v Speaker 1>number of artists in the last twenty five years we've

0:30:25.280 --> 0:30:27.840
<v Speaker 1>had like a bona fide Christmas hit. And it's true,

0:30:28.000 --> 0:30:31.120
<v Speaker 1>like there's plenty of Christmas songs, but Christmas hits are

0:30:31.160 --> 0:30:34.160
<v Speaker 1>few and far between. Yeah. I do think it's funny though,

0:30:34.160 --> 0:30:37.400
<v Speaker 1>how everyone, even bands you don't think you're doing it,

0:30:37.520 --> 0:30:39.920
<v Speaker 1>they try to get some of that Christmas juice because

0:30:40.400 --> 0:30:45.800
<v Speaker 1>if you will bring up like a modern Christmas rock playlist,

0:30:46.560 --> 0:30:49.000
<v Speaker 1>it is just littered with bands that I haven't even

0:30:49.000 --> 0:30:51.920
<v Speaker 1>heard of that are throwing their name in the hat. Basically,

0:30:54.240 --> 0:30:56.080
<v Speaker 1>I mean, I love a lot. I love Elton John's song,

0:30:56.120 --> 0:30:58.680
<v Speaker 1>I love Queen song, Thank God It's Christmas. I think

0:30:58.760 --> 0:31:01.280
<v Speaker 1>my favorite might be Tom pet ease uh and the

0:31:01.280 --> 0:31:05.040
<v Speaker 1>Heartbreakers Christmas all over again. I don't know that one. Oh,

0:31:05.120 --> 0:31:07.280
<v Speaker 1>it's great. It's great because at the end, I think

0:31:07.280 --> 0:31:08.760
<v Speaker 1>I talked about this some movie Crush a couple of

0:31:08.840 --> 0:31:11.920
<v Speaker 1>years ago. At the end, it's kind of fading out

0:31:11.960 --> 0:31:14.800
<v Speaker 1>with some jingle bells and Tom Petty and that sort

0:31:14.840 --> 0:31:19.480
<v Speaker 1>of Florida Southern draw says Santa this Christmas, I want

0:31:19.480 --> 0:31:23.280
<v Speaker 1>a thender Twin Reverb Chuck Berry song. Yeah. Yeah, And

0:31:23.280 --> 0:31:25.600
<v Speaker 1>he's just like listing things out. Is that it even

0:31:25.600 --> 0:31:28.200
<v Speaker 1>fades out on his voice. It's real. Hey, I remember

0:31:28.240 --> 0:31:30.760
<v Speaker 1>that song. That is a cute one. What's your favorite?

0:31:30.800 --> 0:31:33.959
<v Speaker 1>I think we poked about this before. My favorite Christmas

0:31:33.960 --> 0:31:36.520
<v Speaker 1>song of all the time, A recent Christmas hit, favorite

0:31:36.880 --> 0:31:42.440
<v Speaker 1>just pop rock of any era. Christmas song. Man, Somebody's

0:31:42.440 --> 0:31:44.440
<v Speaker 1>going to find me on the street and strangle me.

0:31:44.480 --> 0:31:48.400
<v Speaker 1>But I gotta say Last Christmas by wayamb Oh, it's great?

0:31:48.440 --> 0:31:50.480
<v Speaker 1>Are you kidding me? Yeah? A lot of people really

0:31:50.520 --> 0:31:52.720
<v Speaker 1>hate that song. But it's not because it's a bad song.

0:31:52.760 --> 0:31:55.080
<v Speaker 1>It's just because it's really overplayed. That's one of the

0:31:55.080 --> 0:31:58.320
<v Speaker 1>other problems with the fact that so few Christmas songs

0:31:58.320 --> 0:32:01.040
<v Speaker 1>are Christmas hits because that means that is a small pool.

0:32:01.080 --> 0:32:03.800
<v Speaker 1>It gets played over and over and over again. Such

0:32:03.840 --> 0:32:07.360
<v Speaker 1>good stuff. What a big mistake to get a Christmas

0:32:07.360 --> 0:32:10.640
<v Speaker 1>Heart and the very next day give it away. That's

0:32:10.760 --> 0:32:13.000
<v Speaker 1>it is a big, big mistake. There's one other person

0:32:13.000 --> 0:32:14.840
<v Speaker 1>I want to give a shout out to, though, is

0:32:15.160 --> 0:32:18.280
<v Speaker 1>Carly Kylie Minogue. She had some good Christmas songs and

0:32:18.320 --> 0:32:21.960
<v Speaker 1>there's actually um did she did a duet with James

0:32:22.120 --> 0:32:27.200
<v Speaker 1>Cordon called like every Day Is Christmas? I think, very

0:32:27.320 --> 0:32:29.320
<v Speaker 1>very cute. It's not it's not a hit in the

0:32:29.400 --> 0:32:32.120
<v Speaker 1>United States, but I would bet a lot of marmalite

0:32:32.120 --> 0:32:36.040
<v Speaker 1>that it was. It's a big hit in Australia. Uh.

0:32:36.120 --> 0:32:37.840
<v Speaker 1>I know people are sick of hearing it, but I

0:32:37.880 --> 0:32:41.720
<v Speaker 1>still love Paul McCartney's Wonderful Christmas Time and I love

0:32:41.800 --> 0:32:44.360
<v Speaker 1>John Lennon. So this is Christmas good stuff. Yeah, it

0:32:44.480 --> 0:32:47.040
<v Speaker 1>is good stuff. And then I also, um My, the

0:32:47.080 --> 0:32:49.080
<v Speaker 1>thing I've been playing Chuck and this will come probably

0:32:49.120 --> 0:32:50.880
<v Speaker 1>is a little surprised to you, Bias wanting to shout

0:32:50.880 --> 0:32:53.680
<v Speaker 1>it out to. Um. I found a YouTube video that's

0:32:53.680 --> 0:32:58.640
<v Speaker 1>an hour long called Kmart Store Intercom Christmas Music nineteen four.

0:32:59.560 --> 0:33:03.280
<v Speaker 1>Whoa knock your socks off? Is this a playlist? It's

0:33:03.320 --> 0:33:05.920
<v Speaker 1>apparently an hour that they took from the kmart store

0:33:05.920 --> 0:33:08.160
<v Speaker 1>intercom because at one point they call for security in

0:33:08.240 --> 0:33:13.440
<v Speaker 1>section three. Um. But it's like just small, like instrumental,

0:33:13.680 --> 0:33:19.320
<v Speaker 1>smallty Christmas music that will make you pucker. It's so sweet. Uh.

0:33:19.360 --> 0:33:22.080
<v Speaker 1>Emily has been She usually likes her her rock and

0:33:22.120 --> 0:33:24.720
<v Speaker 1>roll Christmas mixes, but she's a big Christmas music person.

0:33:24.800 --> 0:33:28.480
<v Speaker 1>From Thanksgiving to Christmas. It's always on in the house. Yeah,

0:33:28.480 --> 0:33:30.640
<v Speaker 1>but this year she's just so crazy with work and

0:33:30.680 --> 0:33:34.600
<v Speaker 1>really stressed. She's listened to nothing. But I mean, we're

0:33:34.640 --> 0:33:36.560
<v Speaker 1>calling it jazzy Christmas. I don't know what it is,

0:33:36.600 --> 0:33:39.480
<v Speaker 1>but it's the these it's sort of like dentist office

0:33:39.600 --> 0:33:44.280
<v Speaker 1>Christmas piano stuff. Oh yeah, nice, very relaxing. But I

0:33:44.320 --> 0:33:47.479
<v Speaker 1>do miss step into Christmas and Christmas all over the world,

0:33:47.560 --> 0:33:50.480
<v Speaker 1>and so we're gonna have to rock it out soon, okay.

0:33:51.200 --> 0:33:54.200
<v Speaker 1>Um oh. Another one that we um we should mention

0:33:54.280 --> 0:33:58.480
<v Speaker 1>is that Donnie Hathaway song. Um This Christmas I think

0:33:58.560 --> 0:34:03.200
<v Speaker 1>is what it's called Christmas. You've heard it a million times,

0:34:03.960 --> 0:34:06.480
<v Speaker 1>you know, listen to Dolly. I think I put this

0:34:06.520 --> 0:34:10.920
<v Speaker 1>before I left social media. Last year, a full of

0:34:10.920 --> 0:34:15.040
<v Speaker 1>Dolly Parton's Christmas songs are about having sex. What go

0:34:15.200 --> 0:34:19.560
<v Speaker 1>listen to? Go listen to Dolly Parton's Christmas songs about them.

0:34:19.560 --> 0:34:23.480
<v Speaker 1>At some point she's talking about like screwing Santa, or

0:34:23.560 --> 0:34:27.279
<v Speaker 1>like the guy in neighbor, or like what, it's really funny.

0:34:27.440 --> 0:34:30.440
<v Speaker 1>I'm telling you just do it. And you know it's

0:34:30.440 --> 0:34:32.760
<v Speaker 1>in the Dolly Parton way, like yeah, yeah, of course,

0:34:32.800 --> 0:34:35.000
<v Speaker 1>it's not like we had a few drinks and canoe

0:34:35.120 --> 0:34:38.800
<v Speaker 1>told or something. Really, I had no idea. It's really funny.

0:34:38.840 --> 0:34:41.080
<v Speaker 1>But that she she deserves another shout out just for

0:34:41.440 --> 0:34:45.319
<v Speaker 1>candy Christmas alone. Well, but I think that one talks

0:34:45.360 --> 0:34:48.840
<v Speaker 1>about it. Yeah, I think she talks about going to

0:34:48.880 --> 0:34:51.920
<v Speaker 1>the bar and picking up somebody maybe at once. I

0:34:51.960 --> 0:34:54.200
<v Speaker 1>know what you're talking about. I hadn't really thought about

0:34:54.239 --> 0:34:56.839
<v Speaker 1>it because it's just Dolly, you know. All Right, I'm

0:34:56.840 --> 0:34:58.719
<v Speaker 1>gonna look at the lyrics for that. Well, we need

0:34:58.719 --> 0:35:00.319
<v Speaker 1>to move on or else we're just gonna spend the

0:35:00.360 --> 0:35:03.360
<v Speaker 1>next forty five minutes talking about Christmas songs that we

0:35:03.360 --> 0:35:23.560
<v Speaker 1>we thought of. All right, Jerry, that's your cue? All right?

0:35:24.239 --> 0:35:28.279
<v Speaker 1>Is it my turn? It's your turn? Buddy. All right, well,

0:35:28.320 --> 0:35:31.359
<v Speaker 1>I guess there's nowhere else to go for you than

0:35:31.440 --> 0:35:36.080
<v Speaker 1>Advent calendars. That's true. I don't know how that happened,

0:35:36.080 --> 0:35:40.120
<v Speaker 1>did I Did you choose first or something? I must

0:35:40.120 --> 0:35:43.600
<v Speaker 1>have huh, all right, I'm not sure. It's it's kind

0:35:43.600 --> 0:35:46.120
<v Speaker 1>of like the antipestic rhyme scheme all over the place.

0:35:47.280 --> 0:35:50.040
<v Speaker 1>But we're talking to Advent calendars, and I realized that, um,

0:35:50.080 --> 0:35:52.520
<v Speaker 1>I didn't set out what an Advent calendar was. Maybe

0:35:52.520 --> 0:35:55.120
<v Speaker 1>not everybody understands that because I was raised Catholic, so

0:35:55.200 --> 0:35:58.040
<v Speaker 1>I had an Advent calendar every year, did you No.

0:35:58.520 --> 0:36:01.120
<v Speaker 1>I got into them when took German in high school

0:36:01.160 --> 0:36:03.560
<v Speaker 1>and we sold them for German Club. Okay, alright, so

0:36:03.600 --> 0:36:06.120
<v Speaker 1>they're a super German thing. But also if you're Catholic

0:36:06.120 --> 0:36:08.400
<v Speaker 1>in the United States, they're a pretty Catholic thing too,

0:36:08.480 --> 0:36:11.120
<v Speaker 1>but I think they're also a lot of Protestants usom.

0:36:11.160 --> 0:36:14.279
<v Speaker 1>But it's just basically a little calendar, but it's a

0:36:14.320 --> 0:36:18.960
<v Speaker 1>calendar plus because for each day from December one, that's

0:36:19.000 --> 0:36:22.399
<v Speaker 1>the extent of an Advent calendar. Each day it has

0:36:22.520 --> 0:36:24.719
<v Speaker 1>like a little door on it each day, and you

0:36:24.800 --> 0:36:27.279
<v Speaker 1>open up the door and there's like a swede inside

0:36:27.360 --> 0:36:29.600
<v Speaker 1>or something like that. And the whole point of an

0:36:29.640 --> 0:36:32.840
<v Speaker 1>Advent calendar is to get kids jazz about the coming

0:36:32.880 --> 0:36:37.040
<v Speaker 1>of Christmas, as if they needed any extra jazzing whatsoever.

0:36:37.400 --> 0:36:40.799
<v Speaker 1>But that seems to be the whole point of Advent calendars. Yeah,

0:36:40.840 --> 0:36:42.600
<v Speaker 1>we I don't know why I didn't get one this year,

0:36:42.640 --> 0:36:44.279
<v Speaker 1>because we've been getting them, and I've seen with my

0:36:44.320 --> 0:36:47.680
<v Speaker 1>own eyeballs how delighted my daughter is because you know,

0:36:47.719 --> 0:36:50.120
<v Speaker 1>it becomes the ritual every day. He used to open

0:36:50.120 --> 0:36:53.799
<v Speaker 1>that door and get that little piece of chocolate. Uh, jeez,

0:36:53.840 --> 0:36:55.439
<v Speaker 1>I didn't get one this year. If you look at dope,

0:36:55.520 --> 0:36:57.480
<v Speaker 1>it's not too late. You can just pick up the

0:36:57.480 --> 0:37:01.399
<v Speaker 1>pace and just started like you know, December twelve. Oh yeah,

0:37:01.480 --> 0:37:03.600
<v Speaker 1>I guess that we're recording this in December nine, So

0:37:03.840 --> 0:37:05.880
<v Speaker 1>you're right. I need to find a local German club,

0:37:06.239 --> 0:37:11.040
<v Speaker 1>high school German club. That all right? So these things?

0:37:11.360 --> 0:37:14.560
<v Speaker 1>There isn't one on the twenty, does it end. I've

0:37:14.560 --> 0:37:16.839
<v Speaker 1>seen both ways, and I don't remember. I haven't had

0:37:16.840 --> 0:37:19.319
<v Speaker 1>one for years either, but I feel like there was

0:37:19.360 --> 0:37:21.800
<v Speaker 1>there the last one you opened on Christmas, I thought,

0:37:21.800 --> 0:37:23.920
<v Speaker 1>But maybe it is Christmas Eve that you opened the

0:37:24.000 --> 0:37:25.719
<v Speaker 1>last one and you wake up and it's Christmas and

0:37:25.800 --> 0:37:29.520
<v Speaker 1>you burn it. Then you set it up fire uh

0:37:29.640 --> 0:37:33.680
<v Speaker 1>Latin uh in Latin, coming or arrival is what Advent means.

0:37:34.239 --> 0:37:38.160
<v Speaker 1>So obviously the arrival of Christmas and the first Advent

0:37:38.239 --> 0:37:41.400
<v Speaker 1>calendar that uh, you know, we kind of recognize. This

0:37:41.480 --> 0:37:44.560
<v Speaker 1>one was introduced later than I thought, in nineteen o

0:37:44.680 --> 0:37:47.840
<v Speaker 1>eight in uh Munich or as we would say in

0:37:47.840 --> 0:37:55.040
<v Speaker 1>German club Munichian Germany, by Gerard Long. Gerard, No, I

0:37:55.080 --> 0:37:57.440
<v Speaker 1>think it would be Gerhardt line. That's what I thought.

0:37:58.320 --> 0:38:01.439
<v Speaker 1>He really threw me off. They were in Saxony or something,

0:38:03.440 --> 0:38:06.279
<v Speaker 1>so Long actually said. It was my dear sweet mother

0:38:06.320 --> 0:38:08.560
<v Speaker 1>who introduced me to the Advent calendar. She used to

0:38:08.600 --> 0:38:11.960
<v Speaker 1>make them for me by hand herself, put little pastries

0:38:11.960 --> 0:38:15.000
<v Speaker 1>in there so that every day, um, I would get

0:38:15.040 --> 0:38:16.960
<v Speaker 1>to eat a little sweet and that was my treat

0:38:17.000 --> 0:38:20.279
<v Speaker 1>for Advent. And he loved it so much and loved

0:38:20.280 --> 0:38:22.040
<v Speaker 1>his dear sweet mother so much that he grew up

0:38:22.080 --> 0:38:24.320
<v Speaker 1>as an adult and in nineteen o eight he released

0:38:24.360 --> 0:38:28.400
<v Speaker 1>the first Advent calendar. But it was the suckiest Advent

0:38:28.520 --> 0:38:31.120
<v Speaker 1>calendar you could possibly get, because it was just a

0:38:31.160 --> 0:38:33.640
<v Speaker 1>flat piece of paper. There were no treats involved. There

0:38:33.640 --> 0:38:37.719
<v Speaker 1>are no doors to open. You just crossed off the day.

0:38:37.880 --> 0:38:41.400
<v Speaker 1>And I think gerhart Lang's mother haunted him by his

0:38:41.440 --> 0:38:45.520
<v Speaker 1>bedside for years until he finally in nine added doors

0:38:45.560 --> 0:38:48.399
<v Speaker 1>to his Advent calendars and put sweets inside. And then

0:38:48.440 --> 0:38:52.000
<v Speaker 1>everybody said okay, and his dear sweet mother could rest

0:38:52.000 --> 0:38:54.040
<v Speaker 1>in peace from that point on and went off to heaven.

0:38:55.360 --> 0:39:00.280
<v Speaker 1>That's nice German heaven. Uh. This went throughout Germany of first,

0:39:00.280 --> 0:39:02.960
<v Speaker 1>and they were they were selling and printing these things

0:39:03.000 --> 0:39:06.359
<v Speaker 1>like crazy up until World War One and in World

0:39:06.400 --> 0:39:09.000
<v Speaker 1>War Two when they stopped doing it because of the

0:39:09.040 --> 0:39:11.880
<v Speaker 1>paper rations. But you'll be glad to know. Then in

0:39:11.920 --> 0:39:15.840
<v Speaker 1>World War Two, the Nazis still printed their own Advent

0:39:15.920 --> 0:39:19.960
<v Speaker 1>calendars with Nazi propaganda stuff behind the little doors. Yeah,

0:39:20.000 --> 0:39:22.200
<v Speaker 1>they took all the churchy stuff out. Yeah, but in

0:39:22.200 --> 0:39:25.160
<v Speaker 1>the little pagan symbols. Uh. And then after World War

0:39:25.200 --> 0:39:27.839
<v Speaker 1>Two they kind of cranked up the operation again. Yeah,

0:39:27.880 --> 0:39:31.239
<v Speaker 1>they got back to normal. Everybody's like, thank God. And

0:39:31.280 --> 0:39:34.200
<v Speaker 1>apparently they just stayed basically in Germany. It was a

0:39:34.239 --> 0:39:38.879
<v Speaker 1>German tradition among Lutherans and other German Protestants. And then

0:39:38.880 --> 0:39:43.040
<v Speaker 1>in the fifties h Dwight Eisenhower, dear old Ike was

0:39:43.080 --> 0:39:47.160
<v Speaker 1>photographed with his grandchildren around Christmas time opening an Advent calendar,

0:39:47.200 --> 0:39:49.520
<v Speaker 1>and everybody said, I like Ike. So they went out

0:39:49.560 --> 0:39:51.839
<v Speaker 1>and bought event calendars, and they suddenly became a lot

0:39:51.880 --> 0:39:56.960
<v Speaker 1>more widespread in the United States, and today they are widespread,

0:39:57.000 --> 0:39:59.879
<v Speaker 1>to say the least, and they really bear little rese

0:40:00.080 --> 0:40:03.919
<v Speaker 1>went to that original Sucky Night Advent calendar that Gary

0:40:03.960 --> 0:40:06.520
<v Speaker 1>hart Lion came up with. Yeah, you know, when I

0:40:06.600 --> 0:40:09.440
<v Speaker 1>bought them, they do resemble it. It's still sort of

0:40:09.480 --> 0:40:13.640
<v Speaker 1>the traditional Advent calendar with just the simple little chocolate

0:40:13.680 --> 0:40:17.440
<v Speaker 1>in there, but they can get quite fancy. Now. Apparently

0:40:17.480 --> 0:40:21.320
<v Speaker 1>you can get large calendars with beer or wine or

0:40:21.360 --> 0:40:23.479
<v Speaker 1>whiskey in them, which I think is kind of cool.

0:40:24.640 --> 0:40:28.160
<v Speaker 1>What else, Um, if you're a little kid and you're like,

0:40:28.440 --> 0:40:31.439
<v Speaker 1>I really want to be exposed to branding all month

0:40:31.520 --> 0:40:35.040
<v Speaker 1>long to really get me primed to ask for certain

0:40:35.239 --> 0:40:38.279
<v Speaker 1>certain presents, then they've got Advent calendars for you. They

0:40:38.280 --> 0:40:42.480
<v Speaker 1>have roadblocks, they have Lego hot Wheels minecraft. Some of

0:40:42.520 --> 0:40:45.920
<v Speaker 1>them managed to be doubly branded. There's Harry Potter Lego

0:40:46.400 --> 0:40:52.799
<v Speaker 1>Advent calendars, Pokemon Funco Advent calendars, it's an advertising bananza

0:40:53.200 --> 0:40:57.560
<v Speaker 1>all about the arrival of the baby Jesus. I bet

0:40:57.560 --> 0:41:01.120
<v Speaker 1>Amazon sales one that's just a tiny little QR code

0:41:01.120 --> 0:41:04.239
<v Speaker 1>for five percent off something that's right, and like you

0:41:04.320 --> 0:41:07.160
<v Speaker 1>open each jour in the messages you love Amazon, I

0:41:07.200 --> 0:41:12.040
<v Speaker 1>love Amazon. You cannot do without Amazon. Uh. And then

0:41:12.160 --> 0:41:14.840
<v Speaker 1>there is one that uh I meant to look this

0:41:14.920 --> 0:41:17.239
<v Speaker 1>up and see a picture of it, but apparently if

0:41:17.239 --> 0:41:20.960
<v Speaker 1>you have way too much money and you're a uh no,

0:41:21.040 --> 0:41:22.520
<v Speaker 1>I'm not gonna say what kind of person might do?

0:41:22.520 --> 0:41:26.600
<v Speaker 1>Is okay because it's our kids are listening. But you

0:41:26.640 --> 0:41:29.759
<v Speaker 1>can get one from Tiffany and Company, which has it's

0:41:29.800 --> 0:41:34.160
<v Speaker 1>a big crate with you know, legit jewelry inside each

0:41:34.239 --> 0:41:37.720
<v Speaker 1>day to give your special someone twenty four individually wrapped

0:41:37.760 --> 0:41:41.480
<v Speaker 1>Tiffany gifts. I think in this crate man the spirit

0:41:41.520 --> 0:41:43.600
<v Speaker 1>of giving. That's what they call that. I guess so.

0:41:44.160 --> 0:41:47.520
<v Speaker 1>And by the way, everybody advent calendars was the suggestion

0:41:47.560 --> 0:41:50.920
<v Speaker 1>of another little helper named Alexandra Stock who sent in

0:41:51.000 --> 0:41:53.680
<v Speaker 1>that one and a whole list of others. So thanks

0:41:53.760 --> 0:41:57.640
<v Speaker 1>for that, and Chuck, I think it's Jerry's time to

0:41:57.680 --> 0:42:17.839
<v Speaker 1>shine again right now? All right, we're back and Uh,

0:42:18.040 --> 0:42:23.000
<v Speaker 1>we need to shout out Time magazine and and this

0:42:23.080 --> 0:42:26.160
<v Speaker 1>is going to be a dead giveaway Festivus web dot

0:42:26.200 --> 0:42:33.560
<v Speaker 1>com for this next bit. Yes, so we're talking about Festivus, Chuck, Festivus,

0:42:33.760 --> 0:42:36.719
<v Speaker 1>the festival for the rest of us or the festivals

0:42:36.800 --> 0:42:38.680
<v Speaker 1>for the rest of us, depending on who you talk to.

0:42:39.680 --> 0:42:42.040
<v Speaker 1>That's right. Uh, if you don't know what we're talking about,

0:42:42.200 --> 0:42:45.799
<v Speaker 1>then you probably are not a Seinfeld fan. But Festivus

0:42:47.000 --> 0:42:50.920
<v Speaker 1>was in the of an episode of The Strike in

0:42:50.960 --> 0:42:54.920
<v Speaker 1>the ninth season when Frank Costanza the great great Jerry Stiller,

0:42:55.840 --> 0:42:58.279
<v Speaker 1>Uh has he left us or is he around? Don't

0:42:58.280 --> 0:43:02.800
<v Speaker 1>know when? And Mara died? Don't know? All right, should

0:43:02.800 --> 0:43:05.520
<v Speaker 1>we get our our our person to check on this? Hey,

0:43:05.600 --> 0:43:11.719
<v Speaker 1>check on that? Will you on it? I think people

0:43:11.800 --> 0:43:13.839
<v Speaker 1>think we do have like a dedicated researcher at our

0:43:13.880 --> 0:43:17.759
<v Speaker 1>side at all times, and they're not very good. So

0:43:17.880 --> 0:43:21.400
<v Speaker 1>Jerry still er, Uh, this is great. He staged a

0:43:21.440 --> 0:43:25.640
<v Speaker 1>war on Christmas and created Festivus. With one of the

0:43:25.680 --> 0:43:28.719
<v Speaker 1>great lines in Seinfeld history, he said, many Christmases ago,

0:43:29.400 --> 0:43:30.880
<v Speaker 1>I went to buy a doll for my son. I

0:43:30.920 --> 0:43:32.560
<v Speaker 1>reached for the last one they had, but so did

0:43:32.600 --> 0:43:35.880
<v Speaker 1>another man and here's the line. As I rained blows

0:43:36.000 --> 0:43:39.359
<v Speaker 1>upon him, I realized there had to be another way

0:43:39.719 --> 0:43:45.240
<v Speaker 1>that Christmas twice today? You you watched it twice today.

0:43:45.280 --> 0:43:49.640
<v Speaker 1>Oh my gosh. It is flawless. Man. It has it all.

0:43:49.840 --> 0:43:53.960
<v Speaker 1>Cramers on a bagel strikes like giving her fake number

0:43:53.960 --> 0:43:56.960
<v Speaker 1>out and trying to get a free sub, Kruger's in it,

0:43:57.560 --> 0:44:03.200
<v Speaker 1>George's Human Fund, like fake charity, Cherry's two faced girlfriend,

0:44:03.320 --> 0:44:06.680
<v Speaker 1>like everything is in that one. It's just an amazing

0:44:06.760 --> 0:44:10.319
<v Speaker 1>flaw this episode. I love it. Uh So this is

0:44:10.480 --> 0:44:14.440
<v Speaker 1>on the show. It's celebrated on December twenty three because

0:44:14.440 --> 0:44:17.399
<v Speaker 1>he wanted to get a leg up on Christmas. Uh

0:44:17.440 --> 0:44:20.439
<v Speaker 1>and he he practiced festivals with the Festivus pole, which

0:44:20.480 --> 0:44:23.480
<v Speaker 1>was a bare aluminum pole in the living room or

0:44:23.480 --> 0:44:27.560
<v Speaker 1>the backyard with no decoration. And they have, of course

0:44:27.680 --> 0:44:30.880
<v Speaker 1>the airing of the family grievances and then engage in

0:44:31.040 --> 0:44:34.839
<v Speaker 1>the feats of strength. That's right. So everybody knows that

0:44:35.000 --> 0:44:38.720
<v Speaker 1>Seinfeld and Seinfeld writers just created this out of whole cloth,

0:44:38.840 --> 0:44:42.520
<v Speaker 1>and Festivus was born. And I mean almost immediately people

0:44:42.600 --> 0:44:45.719
<v Speaker 1>just started taking up festivals and celebrating festivals as well,

0:44:45.760 --> 0:44:48.879
<v Speaker 1>and still do today. Very much. But it turns out,

0:44:48.960 --> 0:44:52.279
<v Speaker 1>and I had no idea about this, but one of

0:44:52.280 --> 0:44:57.680
<v Speaker 1>the writers on Seinfeld, Dan O'Keeffe, his father, Daniel O'Keeffe Sr.

0:44:57.920 --> 0:45:01.120
<v Speaker 1>Actually created festivals back in the six these and little

0:45:01.200 --> 0:45:04.120
<v Speaker 1>Dan O'Keefe, as a kid in the seventies and eighties,

0:45:04.440 --> 0:45:07.759
<v Speaker 1>celebrated it with his family every single year. So Festivus

0:45:07.800 --> 0:45:10.799
<v Speaker 1>was a real thing. The other writers of Seinfeld forced

0:45:10.840 --> 0:45:14.160
<v Speaker 1>Dan O'Keefe to basically include in an episode. Yeah. I

0:45:15.160 --> 0:45:17.480
<v Speaker 1>think I may have heard that at some point, but

0:45:17.560 --> 0:45:21.400
<v Speaker 1>didn't really have it ingrained in my mind until this

0:45:21.480 --> 0:45:25.080
<v Speaker 1>popped up. And it just makes it all the better

0:45:25.320 --> 0:45:27.759
<v Speaker 1>the fact that this was a real thing. As the

0:45:27.760 --> 0:45:31.440
<v Speaker 1>family story goes in nineteen sixty six, on the eve

0:45:32.160 --> 0:45:34.520
<v Speaker 1>of the first date that Daniel Sr. Had with his

0:45:35.080 --> 0:45:40.840
<v Speaker 1>UH fiance to be Deborah Uh, they commemorate Festivus and

0:45:40.880 --> 0:45:45.040
<v Speaker 1>they became an annual tradition. Some differences is they did

0:45:45.080 --> 0:45:50.160
<v Speaker 1>not have a Festivus pole. I was creative for the show, uh,

0:45:50.239 --> 0:45:52.680
<v Speaker 1>and it was not on a set date. Apparently in

0:45:52.719 --> 0:45:55.319
<v Speaker 1>the O'Keefe family, happened at any time in the year

0:45:55.400 --> 0:45:57.839
<v Speaker 1>and never actually happened at Christmas. Yeah, I reade an

0:45:57.880 --> 0:45:59.959
<v Speaker 1>interview with Dan O'Keefe, and he said he never knew

0:46:00.560 --> 0:46:02.879
<v Speaker 1>when they were going to celebrate festivals until he got

0:46:02.880 --> 0:46:06.120
<v Speaker 1>off the bus after school and his dad like had

0:46:06.120 --> 0:46:09.239
<v Speaker 1>the decorations on, was playing weird sixties French music and

0:46:09.680 --> 0:46:14.400
<v Speaker 1>I guess I love that so much better than it

0:46:14.440 --> 0:46:17.360
<v Speaker 1>being a Christmas thing. Yeah, it's amazing. Yeah, there's no

0:46:17.360 --> 0:46:20.520
<v Speaker 1>no idea when. But they actually did air grievances. That

0:46:20.600 --> 0:46:22.279
<v Speaker 1>was part of it, and it seems to be part

0:46:22.320 --> 0:46:25.759
<v Speaker 1>of like the actual theme or reason four festivals. As

0:46:25.840 --> 0:46:29.840
<v Speaker 1>Daniel O'Keeffe senior conceived of it, that it was partially

0:46:29.920 --> 0:46:33.440
<v Speaker 1>just kind of like blow off steam, get out what

0:46:33.680 --> 0:46:35.520
<v Speaker 1>was bothering you about the rest of the family, and

0:46:35.520 --> 0:46:38.359
<v Speaker 1>then you drew off. You know, it's a healthy thing

0:46:38.400 --> 0:46:41.719
<v Speaker 1>to do. They didn't call it the airing of the grievances.

0:46:41.719 --> 0:46:45.240
<v Speaker 1>They just you know, basically spoke about their beefs uh.

0:46:45.560 --> 0:46:49.240
<v Speaker 1>They um apparently were inspired or the senior Daniels inspired

0:46:49.280 --> 0:46:52.960
<v Speaker 1>by a Samuel Beckett play called Crap's Last Tape where

0:46:53.239 --> 0:46:55.960
<v Speaker 1>the protagonist in the movie or I'm starting to play

0:46:56.200 --> 0:46:59.520
<v Speaker 1>Um tapes himself speaking at different points in his life.

0:46:59.560 --> 0:47:02.320
<v Speaker 1>And so the O'Keefe family used a tape recorder to

0:47:02.400 --> 0:47:05.520
<v Speaker 1>record their festivus and these some of these tapes still

0:47:05.560 --> 0:47:09.759
<v Speaker 1>exist apparently from little Dan's life, which is great. Yeah,

0:47:09.800 --> 0:47:13.600
<v Speaker 1>and there's actually in that episode Frank Costanza brings into

0:47:13.600 --> 0:47:17.080
<v Speaker 1>old tape recorder and plays an audio tape of one

0:47:17.120 --> 0:47:19.759
<v Speaker 1>of the festivals. Is where they just saw the whole

0:47:19.760 --> 0:47:23.040
<v Speaker 1>family descends into screaming and George's crying and it's it's

0:47:23.080 --> 0:47:27.160
<v Speaker 1>pretty good. Seriously, you need to watch the episode again.

0:47:27.719 --> 0:47:31.120
<v Speaker 1>So good. I'm like, man, this show was good, and

0:47:31.160 --> 0:47:33.920
<v Speaker 1>that was a really great episode. I'm gonna do that

0:47:34.000 --> 0:47:37.200
<v Speaker 1>right after this. Actually, this was exactly what I'm gonna do. Um.

0:47:37.239 --> 0:47:40.359
<v Speaker 1>One of the traditions that they did that that was

0:47:40.400 --> 0:47:43.680
<v Speaker 1>not on the show was this is really funny. It

0:47:43.719 --> 0:47:45.840
<v Speaker 1>was called a clock into bag or a clock in

0:47:45.920 --> 0:47:50.320
<v Speaker 1>a bag. And the thing here is that apparently even

0:47:50.880 --> 0:47:53.360
<v Speaker 1>the kids still don't know what that was all about.

0:47:53.440 --> 0:47:56.040
<v Speaker 1>This is something the dad did and they would ask him,

0:47:56.080 --> 0:47:58.360
<v Speaker 1>like Dad, what is the clock in the bag all about?

0:47:58.480 --> 0:48:00.680
<v Speaker 1>And he would say, that's not for you to know.

0:48:02.520 --> 0:48:04.120
<v Speaker 1>So they just had to go along with it and

0:48:04.239 --> 0:48:08.160
<v Speaker 1>honor the clock in the bank. And apparently one of

0:48:08.200 --> 0:48:11.480
<v Speaker 1>the other famous things about Festivists. The Festivals for the

0:48:11.520 --> 0:48:13.680
<v Speaker 1>rest of Us is what a lot of people say.

0:48:13.760 --> 0:48:17.080
<v Speaker 1>It's the slogan that's on that episode. That actually was

0:48:17.160 --> 0:48:20.520
<v Speaker 1>a slogan for Festivus with the Keith family, they called

0:48:20.520 --> 0:48:23.239
<v Speaker 1>it the Festival for the rest of Us, And initially

0:48:23.760 --> 0:48:26.000
<v Speaker 1>um was kind of a bit of dark humor reference

0:48:26.040 --> 0:48:29.600
<v Speaker 1>to Daniel O'Keeffe Senior's mom dying, and so it was

0:48:29.600 --> 0:48:31.920
<v Speaker 1>a festival for the rest of them left over after

0:48:32.120 --> 0:48:35.440
<v Speaker 1>his mom died. But it was part of the point

0:48:35.640 --> 0:48:38.920
<v Speaker 1>was to um move on each year, to like, you know,

0:48:39.160 --> 0:48:41.759
<v Speaker 1>are your grievances and kind of bid a dude to

0:48:41.880 --> 0:48:44.319
<v Speaker 1>whatever problems you had and just move on rather than

0:48:44.400 --> 0:48:47.000
<v Speaker 1>dwelling in the past and your problems and that that

0:48:47.080 --> 0:48:49.759
<v Speaker 1>seems to be tied in with that. So it was

0:48:50.239 --> 0:48:52.719
<v Speaker 1>I as if Festivus could have gotten any better, It

0:48:52.960 --> 0:48:55.720
<v Speaker 1>just did for me. I love it. So we should

0:48:55.719 --> 0:48:58.560
<v Speaker 1>do that now, Josh, I've been meaning to say, you're

0:48:58.600 --> 0:49:02.040
<v Speaker 1>not so great at mass, and oh, yeah, that's all

0:49:02.080 --> 0:49:06.560
<v Speaker 1>I have to say. Uh, your your putdowns are actually

0:49:06.560 --> 0:49:09.640
<v Speaker 1>not that bad. How about that? That's my big problem?

0:49:09.640 --> 0:49:11.560
<v Speaker 1>All right, we've gotten it. We've gotten that out of

0:49:11.560 --> 0:49:13.840
<v Speaker 1>the way. I feel so much better. I do too.

0:49:15.600 --> 0:49:17.279
<v Speaker 1>I love it. I think it's great that it was

0:49:17.320 --> 0:49:19.120
<v Speaker 1>a real thing and the writers had to kind of

0:49:19.120 --> 0:49:21.520
<v Speaker 1>put him up to it. Apparently Dan was a little

0:49:21.560 --> 0:49:24.160
<v Speaker 1>reticent about sharing this, but his since I think he

0:49:24.200 --> 0:49:26.240
<v Speaker 1>went on to write a book about it even Yeah,

0:49:26.280 --> 0:49:28.960
<v Speaker 1>I think so too. He fully embraced it. Yeah, I

0:49:29.000 --> 0:49:31.520
<v Speaker 1>mean with a set of cash. He right, and he

0:49:31.640 --> 0:49:35.279
<v Speaker 1>definitely likes set loose, a huge cultural juggernaut on the

0:49:35.480 --> 0:49:37.600
<v Speaker 1>on the world, which is cool. I love it. And

0:49:37.800 --> 0:49:39.359
<v Speaker 1>this makes me think of Aaron Cooper, So we want

0:49:39.360 --> 0:49:41.440
<v Speaker 1>to shout out Aaron, because I know Aaron loves Festivus

0:49:41.840 --> 0:49:45.759
<v Speaker 1>for sure. Happy Festivus, Cooper, and happy Festivus to all

0:49:45.800 --> 0:49:48.839
<v Speaker 1>the rest of us. Yeah, and thanks thanks for another

0:49:48.840 --> 0:49:52.440
<v Speaker 1>great year everybody, and you and Jerry and Dave and

0:49:52.600 --> 0:49:55.840
<v Speaker 1>UH and Max who helps uh helps us with the

0:49:55.880 --> 0:49:58.480
<v Speaker 1>ads and and the ad sales team and everyone at

0:49:58.480 --> 0:50:00.960
<v Speaker 1>I Heeart who helps us put this thing out. It's uh,

0:50:01.160 --> 0:50:04.000
<v Speaker 1>we gotta think Dave Ruse, we gotta thank our newest

0:50:04.120 --> 0:50:08.799
<v Speaker 1>member Libya, and we gotta thank Grabowski and uh, Julia, Yeah,

0:50:08.880 --> 0:50:11.839
<v Speaker 1>that's right, Julia Layton. And also thank you to our

0:50:11.880 --> 0:50:17.200
<v Speaker 1>special elf helpers Um, Adam Stevenson, Robert Paulson, of course

0:50:17.520 --> 0:50:21.960
<v Speaker 1>Alexandra stock Um for coming up with these great suggestions

0:50:22.000 --> 0:50:25.439
<v Speaker 1>for us. Were appreciate that big time. And like Chuck said,

0:50:25.440 --> 0:50:31.840
<v Speaker 1>happy Holidays, Merry Christmas, Happy New Year, Happy Hanuka, happy Kwanza,

0:50:32.640 --> 0:50:35.319
<v Speaker 1>as they say in that episode of The Simpsons, have

0:50:35.440 --> 0:50:38.680
<v Speaker 1>a tip top ted. And we appreciate you guys joining

0:50:38.760 --> 0:50:40.719
<v Speaker 1>us every year for this thing because we really look

0:50:40.760 --> 0:50:43.480
<v Speaker 1>forward to it. And Chuck, I have to say, after

0:50:43.520 --> 0:50:47.200
<v Speaker 1>a wonky ish episode, which I think was very appropriate

0:50:47.239 --> 0:50:50.280
<v Speaker 1>for I feel like we got our our Christmas spirit

0:50:50.280 --> 0:50:52.800
<v Speaker 1>back in this one. I think so. And of course,

0:50:53.080 --> 0:50:54.799
<v Speaker 1>if this is a tough time of year for you,

0:50:54.840 --> 0:50:57.719
<v Speaker 1>which it often is for some people we're thinking about you,

0:50:57.760 --> 0:51:00.600
<v Speaker 1>hang in there, get through these holidays and uh and

0:51:00.680 --> 0:51:03.920
<v Speaker 1>look forward to hopefully a better next year. So in

0:51:03.920 --> 0:51:08.439
<v Speaker 1>the meantime, everybody, happy holidays from all of us. It's

0:51:08.480 --> 0:51:36.120
<v Speaker 1>Stuff you Should Know. Stuff You Should Know is a

0:51:36.120 --> 0:51:39.480
<v Speaker 1>production of I Heart Radio. For more podcasts my heart Radio,

0:51:39.719 --> 0:51:42.720
<v Speaker 1>visit the I heart Radio app, Apple Podcasts, or wherever

0:51:42.760 --> 0:51:44.200
<v Speaker 1>you listen to your favorite shows.