1 00:00:04,400 --> 00:00:06,640 Speaker 1: So the rest of the night is a total blurred 2 00:00:06,920 --> 00:00:10,760 Speaker 1: I don't know what happened here or there, but I 3 00:00:10,840 --> 00:00:13,840 Speaker 1: wake up I'm feeling pretty refreshed. Knock, knock, knock. 4 00:00:13,880 --> 00:00:14,760 Speaker 2: Who's at the door. 5 00:00:15,680 --> 00:00:20,959 Speaker 1: The police, They come in and they put Chappy in 6 00:00:21,160 --> 00:00:25,040 Speaker 1: cocks what So I don't know what he did or 7 00:00:25,040 --> 00:00:28,040 Speaker 1: if he's been blamed for something I did, but I'm 8 00:00:28,080 --> 00:00:31,520 Speaker 1: nervous for him because he's got his big movie coming out. Yeah, 9 00:00:31,560 --> 00:00:35,199 Speaker 1: and I'm just like, uh oh, it's Chappy's Chappy going 10 00:00:35,240 --> 00:00:36,200 Speaker 1: to be stuck in jail. 11 00:00:36,920 --> 00:00:43,519 Speaker 3: Wait the beginning of the story. Hmm, you you woke up. 12 00:00:45,560 --> 00:00:48,360 Speaker 3: That's not the very beginning. Oh what was the very beginning? 13 00:00:49,200 --> 00:00:50,760 Speaker 2: Well, we're raging. 14 00:00:51,360 --> 00:00:58,000 Speaker 1: We went to one of these raves and uh, I mean, 15 00:00:58,400 --> 00:01:01,680 Speaker 1: I'm straight candy flippin'. I'm I'm I'm dropping uh, I'm 16 00:01:01,760 --> 00:01:05,560 Speaker 1: dropping tabs, doses, I'm I'm rocking pills. I got the 17 00:01:06,520 --> 00:01:11,039 Speaker 1: uh oh uh the okay, I did the New X 18 00:01:11,080 --> 00:01:15,399 Speaker 1: Files pills. Uh. And then we also had these triple 19 00:01:15,440 --> 00:01:20,440 Speaker 1: stack zoros and uh and I took Dolphin, which is 20 00:01:20,560 --> 00:01:22,560 Speaker 1: just like the straight stuff kind of dopey, and the 21 00:01:22,680 --> 00:01:25,120 Speaker 1: zorros are speedy to boleance it out, and then I 22 00:01:25,200 --> 00:01:29,200 Speaker 1: dropped like a couple of tabs of sunshine and white lightning. 23 00:01:29,560 --> 00:01:33,120 Speaker 1: And so I'm seriously just feeling the music, feeling the 24 00:01:33,200 --> 00:01:35,280 Speaker 1: lights and just dancing. 25 00:01:35,080 --> 00:01:44,279 Speaker 4: Just Sanctuary, Sanctuary, bad boy Bill, and I'm just fucking 26 00:01:44,480 --> 00:01:45,640 Speaker 4: feeling it, feeling it. 27 00:01:46,600 --> 00:01:47,400 Speaker 2: And then. 28 00:01:48,680 --> 00:01:51,200 Speaker 1: Uh, somebody introduces me to Chappie and we kind of 29 00:01:51,240 --> 00:01:53,280 Speaker 1: know of each other, but we don't know each other, 30 00:01:53,560 --> 00:01:56,440 Speaker 1: and and he's doing some fucking glow stick shit that 31 00:01:56,720 --> 00:01:59,240 Speaker 1: literally makes it look like I'm moving down. 32 00:01:59,040 --> 00:01:59,920 Speaker 2: A tunnel of light. 33 00:02:01,240 --> 00:02:05,360 Speaker 1: I was just like, uh, I'm partying with this guy tonight. 34 00:02:05,760 --> 00:02:07,480 Speaker 2: And so we fucking hop in. 35 00:02:07,520 --> 00:02:11,560 Speaker 1: The Dolorean, uh, the original Back to the Future Delorian, 36 00:02:11,560 --> 00:02:12,320 Speaker 1: which I've been driving. 37 00:02:12,639 --> 00:02:14,320 Speaker 2: Oh yes, yeah. 38 00:02:14,360 --> 00:02:20,280 Speaker 1: We throw some fucking uh banana stuff interfusion, yes, which 39 00:02:20,320 --> 00:02:21,200 Speaker 1: is ornamental. 40 00:02:21,800 --> 00:02:23,480 Speaker 2: It doesn't of course power the car. 41 00:02:23,639 --> 00:02:25,640 Speaker 1: Yeah, but it's fun to do it before you drive 42 00:02:25,760 --> 00:02:28,440 Speaker 1: and getting a kick out of it because he knows 43 00:02:28,440 --> 00:02:31,840 Speaker 1: it doesn't work that way machine. And then uh, and 44 00:02:31,880 --> 00:02:34,920 Speaker 1: then we're like cruising around and I, you know, I 45 00:02:34,960 --> 00:02:35,760 Speaker 1: reach under my seat. 46 00:02:35,800 --> 00:02:37,600 Speaker 2: There's a baseball bat there. I go, oh, that's right. 47 00:02:37,639 --> 00:02:40,200 Speaker 1: I was out smashing mailboxes last week that's why this 48 00:02:40,240 --> 00:02:43,320 Speaker 1: is here. And he goes, well, let's do it again, brother, 49 00:02:43,840 --> 00:02:46,920 Speaker 1: But that's not exactly how he talks. He's like, don't 50 00:02:47,520 --> 00:02:52,240 Speaker 1: he talks like Nigel. So anyway, we're smashing the boxes 51 00:02:52,880 --> 00:02:54,960 Speaker 1: and uh, and then there's one of those ones that 52 00:02:55,040 --> 00:02:59,000 Speaker 1: has the big plastic uh sort of protecting on it 53 00:03:00,200 --> 00:03:04,080 Speaker 1: that you can't hit it, and dude gets out, puts 54 00:03:04,120 --> 00:03:08,640 Speaker 1: his shoulder down and his fucking tread start spinning. Yeah, 55 00:03:08,800 --> 00:03:12,120 Speaker 1: and he just fucking shoulder tackles it like tackling dummy, 56 00:03:12,160 --> 00:03:14,960 Speaker 1: hits it, pulls it out of the ground, lifts it 57 00:03:14,960 --> 00:03:18,200 Speaker 1: over his head and throws it through the house. 58 00:03:18,760 --> 00:03:19,120 Speaker 2: Wow. 59 00:03:19,360 --> 00:03:22,359 Speaker 1: Anyway, rest of the night's are total and his programming 60 00:03:22,600 --> 00:03:27,080 Speaker 1: rest of the night's a total blur. Uh go home. 61 00:03:27,160 --> 00:03:29,960 Speaker 1: I guess I don't know what we did in between, but. 62 00:03:31,600 --> 00:03:34,280 Speaker 2: We all wind up crashing out. 63 00:03:34,840 --> 00:03:38,520 Speaker 1: My shit fucking kicks out, and then I just needs 64 00:03:38,600 --> 00:03:40,320 Speaker 1: to take something to bring me down. I took a 65 00:03:40,400 --> 00:03:44,120 Speaker 1: couple of second alls and uh two and all just 66 00:03:44,200 --> 00:03:46,000 Speaker 1: to just to bring me back down. 67 00:03:47,520 --> 00:03:49,920 Speaker 2: Crashed out because not that, because. 68 00:03:49,680 --> 00:03:53,000 Speaker 1: Those fucking zoros aren't always clean. And I get up 69 00:03:54,360 --> 00:03:58,320 Speaker 1: feeling pretty refreshed. Cops at the door, and they put 70 00:03:58,360 --> 00:03:59,440 Speaker 1: Chappie in cuffs. 71 00:04:00,000 --> 00:04:02,320 Speaker 3: Do you think it was because he threw the mailbox 72 00:04:02,560 --> 00:04:06,760 Speaker 3: into a house that they didn't say that? Huh, But 73 00:04:06,800 --> 00:04:10,880 Speaker 3: that's the only thing I remember. Also an escaped military robot. 74 00:04:10,880 --> 00:04:13,680 Speaker 3: Do you think it was because of that he's supposed 75 00:04:13,680 --> 00:04:16,480 Speaker 3: to go back to the army. They didn't say that. 76 00:04:18,440 --> 00:04:23,480 Speaker 1: What I especially remember him doing, which was probably illegal, 77 00:04:23,560 --> 00:04:26,680 Speaker 1: was throwing the mailbox to the house, which I guess 78 00:04:26,760 --> 00:04:31,160 Speaker 1: is a federal offense because mailman are a government. Yeah, 79 00:04:31,360 --> 00:04:34,840 Speaker 1: but it didn't seem like that's what they were mad about, 80 00:04:35,839 --> 00:04:38,040 Speaker 1: because one of them said something about murder. 81 00:04:38,680 --> 00:04:42,040 Speaker 2: Oh no, but I wonder if he was being framed. 82 00:04:43,240 --> 00:04:45,960 Speaker 1: Well, and that's exactly what I'm trying to get to 83 00:04:46,000 --> 00:04:46,560 Speaker 1: the bottom of. 84 00:04:46,640 --> 00:04:49,840 Speaker 3: Right after this, Hey, welcome to Hollywood Handbook and insiders 85 00:04:49,839 --> 00:04:51,680 Speaker 3: got to kicking button dropping names on the red carpet 86 00:04:51,760 --> 00:04:53,919 Speaker 3: Lineback always at this industry we call show business. 87 00:04:54,839 --> 00:04:57,920 Speaker 5: You know, we like to do segment called. 88 00:04:57,720 --> 00:04:59,800 Speaker 1: Ant wrong and yes. 89 00:04:59,600 --> 00:05:01,680 Speaker 5: It has not been working. 90 00:05:03,080 --> 00:05:06,320 Speaker 1: Yes, the results of the segment are there's some sort 91 00:05:06,360 --> 00:05:08,520 Speaker 1: of broken computer or something. 92 00:05:08,800 --> 00:05:13,440 Speaker 3: We assumed that doing the segment talking about criticism we 93 00:05:13,520 --> 00:05:17,200 Speaker 3: have received that is incorrect. Always on the internet pretty 94 00:05:17,240 --> 00:05:21,119 Speaker 3: much would result in somebody doing something to get these 95 00:05:22,000 --> 00:05:26,159 Speaker 3: false things removed and fixing it and fixing it changing 96 00:05:26,200 --> 00:05:31,679 Speaker 3: it to something good. And so this has not happened. 97 00:05:32,760 --> 00:05:35,080 Speaker 3: We have a couple of reviews, one in particular that 98 00:05:35,120 --> 00:05:39,560 Speaker 3: has just been really stuck in our shared craw. 99 00:05:39,440 --> 00:05:41,760 Speaker 1: Yes, just one crawl between the two of us with 100 00:05:41,839 --> 00:05:45,160 Speaker 1: this review sticking in it, and we can't taste anything 101 00:05:45,200 --> 00:05:47,640 Speaker 1: else when we're eating, even if we're eating a strong 102 00:05:47,800 --> 00:05:49,520 Speaker 1: flavor like a smoke diamond. 103 00:05:49,720 --> 00:05:54,440 Speaker 3: And it's from October eighteenth, twenty thirteen. It's from mister 104 00:05:54,520 --> 00:05:59,560 Speaker 3: Brandon Ray and this well, the subject line is boring 105 00:06:00,200 --> 00:06:01,920 Speaker 3: and the text is and rude. 106 00:06:02,480 --> 00:06:05,520 Speaker 1: So anyway, we've decided to correct it, and we wanted 107 00:06:05,560 --> 00:06:09,080 Speaker 1: you to first hand get a a listen. 108 00:06:09,360 --> 00:06:11,479 Speaker 3: And this is what Engineer Sam suggested we do this. 109 00:06:11,640 --> 00:06:13,040 Speaker 3: And I want to point something out of that. It's 110 00:06:13,120 --> 00:06:17,880 Speaker 3: very surprising to me and I'm shocked by this. Andrew 111 00:06:17,920 --> 00:06:21,920 Speaker 3: Sam gave us this good idea. And your Cody has 112 00:06:21,960 --> 00:06:24,960 Speaker 3: been doing well on the show, really engaging with guests 113 00:06:25,040 --> 00:06:26,159 Speaker 3: in a strong way. 114 00:06:26,640 --> 00:06:28,559 Speaker 1: Send is something of a breakout stop. 115 00:06:28,720 --> 00:06:31,280 Speaker 3: We haven't had Engineer Brett on the show in a while. 116 00:06:31,320 --> 00:06:34,280 Speaker 3: We have him today, and I think it's actually helpful 117 00:06:34,400 --> 00:06:36,560 Speaker 3: for you to know, and it's a compliment to you. 118 00:06:36,560 --> 00:06:39,880 Speaker 3: Have surprised we are that you are in third place. 119 00:06:40,040 --> 00:06:41,320 Speaker 3: You've become the worst engineer. 120 00:06:42,080 --> 00:06:44,360 Speaker 1: Yes, and that's just what you've done, such a good 121 00:06:44,440 --> 00:06:46,800 Speaker 1: job leading the others as the lead engineer that you've 122 00:06:46,800 --> 00:06:48,800 Speaker 1: actually led them, got very complacent. 123 00:06:49,160 --> 00:06:52,000 Speaker 2: It's a tortoise in the hair situation. I haven't even 124 00:06:52,040 --> 00:06:53,520 Speaker 2: been I haven't even done the show. 125 00:06:53,600 --> 00:06:56,640 Speaker 1: And well and we've noticed at. 126 00:06:56,560 --> 00:06:58,760 Speaker 2: All, and it shows, Brett, it really does show. 127 00:06:58,800 --> 00:07:00,880 Speaker 1: And when you are doing the show, seem uncomfortable, you 128 00:07:00,920 --> 00:07:03,159 Speaker 1: don't know what to do with your hands, and and 129 00:07:03,200 --> 00:07:04,440 Speaker 1: you look strange. 130 00:07:04,960 --> 00:07:07,440 Speaker 2: I'm actually working the board unlike those guys. 131 00:07:07,839 --> 00:07:12,400 Speaker 1: Well is that that remains seen? Yes, Well, anyway, you've 132 00:07:12,440 --> 00:07:15,160 Speaker 1: done a bad job and you're the worst one now. 133 00:07:15,480 --> 00:07:19,720 Speaker 1: So here, without further ado, is a little window into 134 00:07:20,000 --> 00:07:23,000 Speaker 1: how to handle customer service representatives. We had a great 135 00:07:23,040 --> 00:07:25,440 Speaker 1: experience with them, your friend, we had an amazing experience. 136 00:07:25,480 --> 00:07:27,720 Speaker 3: We had a great experience with them, and we will 137 00:07:27,760 --> 00:07:30,400 Speaker 3: share in the interest of transparency to kind of show 138 00:07:30,400 --> 00:07:31,360 Speaker 3: you how these things work. 139 00:07:32,280 --> 00:07:37,160 Speaker 2: This is the call we had for quality insurance purposes 140 00:07:37,200 --> 00:07:40,800 Speaker 2: your call maybe monitored or recorded. Thank you for contacting support. 141 00:07:41,520 --> 00:07:45,600 Speaker 6: Hi, thank you for contacting. Can I get your first 142 00:07:45,680 --> 00:07:46,440 Speaker 6: last night? Thanks? 143 00:07:46,440 --> 00:07:46,720 Speaker 7: Please? 144 00:07:46,920 --> 00:07:47,120 Speaker 1: Yes? 145 00:07:47,440 --> 00:07:51,240 Speaker 2: The first name is Brett b R E T T. Huh. 146 00:07:52,120 --> 00:07:52,440 Speaker 8: Okay. 147 00:07:52,760 --> 00:07:56,040 Speaker 2: Last name is Morris M O R R I S. 148 00:07:57,480 --> 00:07:58,960 Speaker 6: Hi Brett, how. 149 00:07:58,720 --> 00:08:01,680 Speaker 5: I'm doing well? Thank you? And I'm here with my 150 00:08:01,760 --> 00:08:02,559 Speaker 5: friend as well. 151 00:08:03,040 --> 00:08:04,400 Speaker 1: Yeah, we had a question. 152 00:08:05,240 --> 00:08:05,800 Speaker 5: We have a. 153 00:08:05,840 --> 00:08:08,400 Speaker 6: Quote, row, Well, can I get a confirmation of your 154 00:08:08,440 --> 00:08:09,640 Speaker 6: email and callback number? 155 00:08:09,680 --> 00:08:09,960 Speaker 3: First? 156 00:08:10,400 --> 00:08:10,600 Speaker 2: Oh? 157 00:08:10,680 --> 00:08:15,560 Speaker 3: Yeah, sorry, the email is Brett at your goddamn and 158 00:08:15,640 --> 00:08:16,640 Speaker 3: the calling number. 159 00:08:16,480 --> 00:08:21,800 Speaker 6: Is okay, and how can I help you today? 160 00:08:22,440 --> 00:08:25,800 Speaker 3: I am an engineer at a podcast network. 161 00:08:26,480 --> 00:08:27,400 Speaker 2: You host the podcast? 162 00:08:27,600 --> 00:08:31,640 Speaker 1: Yes, I work on one of the podcasts on the network, 163 00:08:31,720 --> 00:08:36,240 Speaker 1: and we have a there's an error on our page 164 00:08:36,280 --> 00:08:38,480 Speaker 1: where there's a review. 165 00:08:39,040 --> 00:08:42,480 Speaker 3: There's a review on our page that is wrong and 166 00:08:42,880 --> 00:08:45,880 Speaker 3: sort of inflammatory, and we were sort of hoping to 167 00:08:46,040 --> 00:08:47,000 Speaker 3: get it removed. 168 00:08:49,120 --> 00:08:54,640 Speaker 6: Is so if very understand correctly, you have like it's 169 00:08:54,679 --> 00:08:58,160 Speaker 6: like a it's more of a hold on. Give me 170 00:08:58,160 --> 00:09:03,320 Speaker 6: a second. Well, I think this content inappropriate. 171 00:09:03,080 --> 00:09:07,280 Speaker 1: Inappropriate, inappropriate, Yes, it's untrue. 172 00:09:08,200 --> 00:09:18,080 Speaker 6: But inappropriate false okay, yes, and false about the podcast. Okay, 173 00:09:18,160 --> 00:09:21,400 Speaker 6: I definitely understand the need, especially if you're working on 174 00:09:21,440 --> 00:09:25,120 Speaker 6: your podcast and there's a bunch of false and fraudulent 175 00:09:25,160 --> 00:09:27,679 Speaker 6: statements posted on your page. 176 00:09:27,920 --> 00:09:31,559 Speaker 1: Yeah, yes, that's yes, we knew you'd understand. 177 00:09:32,679 --> 00:09:36,160 Speaker 6: I definitely do. Let me see what I can do 178 00:09:36,240 --> 00:09:38,120 Speaker 6: for you today. I'm gonna actually have to get my 179 00:09:38,160 --> 00:09:41,240 Speaker 6: senior support on this on this case because they actually 180 00:09:41,280 --> 00:09:44,080 Speaker 6: have a little bit more workaround than I do. 181 00:09:44,640 --> 00:09:46,040 Speaker 1: Yeah, whoever, we need to bring. 182 00:09:45,880 --> 00:09:51,079 Speaker 6: In so Brett, can I ask what was the name 183 00:09:51,120 --> 00:09:53,319 Speaker 6: of the podcast? Yes, I can actually take a look 184 00:09:53,320 --> 00:09:53,680 Speaker 6: at it. 185 00:09:53,679 --> 00:09:58,800 Speaker 5: It's Hollywood Handbook h O L L Y W O 186 00:09:58,920 --> 00:10:00,400 Speaker 5: D and then hand Book. 187 00:10:00,880 --> 00:10:01,640 Speaker 1: Have you heard of it? 188 00:10:01,880 --> 00:10:06,120 Speaker 6: Okay, No, I actually have not. I actually don't really 189 00:10:06,559 --> 00:10:09,800 Speaker 6: do podcasts that much. Really, I listened to mostly music 190 00:10:09,920 --> 00:10:12,000 Speaker 6: on not the lie. I do listen to a lot 191 00:10:12,000 --> 00:10:15,520 Speaker 6: of music, and I have a lot of purchases of music. Well, 192 00:10:16,000 --> 00:10:18,080 Speaker 6: it's like music I can keep in the background. 193 00:10:18,600 --> 00:10:22,439 Speaker 1: Sure, yeah, yeah, classical and stuff. If you're ever looking 194 00:10:22,480 --> 00:10:24,400 Speaker 1: to dip your toe in the water of podcasts, though, 195 00:10:24,400 --> 00:10:26,120 Speaker 1: I would say this is a good one to start with. 196 00:10:28,160 --> 00:10:32,360 Speaker 1: I would you know, it's some of the reviews wouldn't 197 00:10:32,360 --> 00:10:40,400 Speaker 1: agree with me, but those ones are not accurate, and it. 198 00:10:40,360 --> 00:10:42,200 Speaker 6: Most likely is a recent one. 199 00:10:42,800 --> 00:10:46,000 Speaker 5: Oh no, no, this one is not recent. This one is. 200 00:10:46,559 --> 00:10:51,160 Speaker 3: It's from October twenty thirteen, and we we pointed out 201 00:10:51,160 --> 00:10:52,760 Speaker 3: to the person a while ago that it was wrong, 202 00:10:52,760 --> 00:10:54,480 Speaker 3: and they didn't change, and it's just been up there 203 00:10:54,480 --> 00:10:58,199 Speaker 3: and been up there and been up there, and we now, 204 00:10:58,480 --> 00:11:01,839 Speaker 3: almost two years later, are getting it together to kind 205 00:11:01,840 --> 00:11:03,200 Speaker 3: of do something about it and take it down. 206 00:11:04,520 --> 00:11:09,640 Speaker 6: Great, So is it the twenty fifth of October? 207 00:11:10,520 --> 00:11:14,280 Speaker 2: It's this one is from the eighteenth of October eighteenth? 208 00:11:14,320 --> 00:11:17,240 Speaker 6: Okay, son, I think a couple of October it just 209 00:11:17,360 --> 00:11:27,679 Speaker 6: as boring and rude. Correct, Yes, so October eighteenth, And 210 00:11:27,760 --> 00:11:36,120 Speaker 6: mister Brandon woray, Yes, So that was more of a 211 00:11:36,280 --> 00:11:37,600 Speaker 6: slandering statement. 212 00:11:38,160 --> 00:11:43,200 Speaker 1: Yes, because it's not to say that it's boring is 213 00:11:43,280 --> 00:11:47,000 Speaker 1: just inaccurate. It's an informational podcast, so there's so much 214 00:11:48,000 --> 00:11:48,520 Speaker 1: to learn from. 215 00:11:48,520 --> 00:11:50,320 Speaker 2: It's all presented in a very fun. 216 00:11:52,080 --> 00:11:59,200 Speaker 1: And very like nice way. So it just seems like 217 00:11:59,800 --> 00:12:02,319 Speaker 1: there has either been a misunderstanding or we think we were. 218 00:12:02,320 --> 00:12:04,719 Speaker 2: We think it might be about a different podcast. 219 00:12:04,960 --> 00:12:08,320 Speaker 1: Yes, that they entered the wrong name, or they thought 220 00:12:08,360 --> 00:12:10,800 Speaker 1: they were had two browsers open and thought they were 221 00:12:10,800 --> 00:12:14,720 Speaker 1: on a different page, or even potentially that it's some 222 00:12:14,760 --> 00:12:17,320 Speaker 1: sort of virus. I'm not a tech guy, so I 223 00:12:17,320 --> 00:12:18,600 Speaker 1: don't know exactly how that worked. 224 00:12:18,600 --> 00:12:19,559 Speaker 5: But she can see it too. 225 00:12:20,000 --> 00:12:22,360 Speaker 1: Yes, well, then it's not yeah that it's not in 226 00:12:22,440 --> 00:12:24,960 Speaker 1: ours and I don't know if it's the site or what. 227 00:12:26,800 --> 00:12:29,280 Speaker 6: Yes, and you pulled up the most critical ones of 228 00:12:29,320 --> 00:12:32,000 Speaker 6: your review, and that's why I was wondering which state 229 00:12:32,360 --> 00:12:34,400 Speaker 6: was Yeah. 230 00:12:34,280 --> 00:12:37,240 Speaker 1: Well and some of and and you know there, Yes, 231 00:12:37,280 --> 00:12:39,079 Speaker 1: obviously there are other critical ones we're not. 232 00:12:40,520 --> 00:12:42,760 Speaker 2: I can tell criticism, but. 233 00:12:42,760 --> 00:12:43,760 Speaker 1: This one's not. 234 00:12:45,400 --> 00:12:48,680 Speaker 6: Up to what everything should be. Because I understand criticism, 235 00:12:48,760 --> 00:12:52,559 Speaker 6: but this one just doesn't really say much or do anything. 236 00:12:52,559 --> 00:12:55,040 Speaker 6: It's kind of not what you are all about with 237 00:12:55,080 --> 00:12:56,240 Speaker 6: your podcast. 238 00:12:56,440 --> 00:12:59,920 Speaker 1: I guess it's just a naked attack. And the root 239 00:13:00,120 --> 00:13:02,440 Speaker 1: part two is like, well, it's actually something where we're 240 00:13:02,480 --> 00:13:04,360 Speaker 1: trying to help people with this thing. So it just 241 00:13:04,800 --> 00:13:09,040 Speaker 1: it presents a face for the show that is opposite. 242 00:13:09,120 --> 00:13:10,040 Speaker 2: It's the opposite root. 243 00:13:10,080 --> 00:13:14,920 Speaker 1: It's actually nice. So we were just wondering if there's 244 00:13:15,000 --> 00:13:18,840 Speaker 1: any way to get it, because we did actually correct 245 00:13:18,880 --> 00:13:20,960 Speaker 1: it on the show. We went on the show and said, 246 00:13:21,040 --> 00:13:23,680 Speaker 1: like to the person, and we said their name. They're 247 00:13:23,679 --> 00:13:26,120 Speaker 1: obviously a listener if they're writing about it. Otherwise they're 248 00:13:26,160 --> 00:13:30,280 Speaker 1: just crazy. And we said to them, hey, you know 249 00:13:30,840 --> 00:13:33,120 Speaker 1: you can talk to us. We can explain or anything, 250 00:13:33,240 --> 00:13:37,240 Speaker 1: or take it down. Now it's been two years, I'm going, well, 251 00:13:37,240 --> 00:13:40,880 Speaker 1: what at what point does it get corrected or do 252 00:13:40,920 --> 00:13:42,559 Speaker 1: we have to take matters in our own hands like 253 00:13:42,600 --> 00:13:43,280 Speaker 1: we're doing today. 254 00:13:43,360 --> 00:13:43,640 Speaker 3: You know. 255 00:13:46,080 --> 00:13:50,600 Speaker 6: It was the October eighteen. 256 00:13:49,000 --> 00:13:49,800 Speaker 1: Twenty thirteen. 257 00:13:49,920 --> 00:13:56,559 Speaker 3: Yeah, and we could also you can leave it up 258 00:13:56,960 --> 00:13:59,880 Speaker 3: if we could. Are you allowed to change the text? 259 00:14:01,679 --> 00:14:05,240 Speaker 6: No? I can't. If it's it's in's somebody a user 260 00:14:05,280 --> 00:14:07,360 Speaker 6: put it up there, I won't be able to rove it. 261 00:14:07,360 --> 00:14:09,800 Speaker 6: I'm going to get my finger advisor up online right 262 00:14:09,840 --> 00:14:13,120 Speaker 6: now and get them to go into I'm gonna just 263 00:14:13,200 --> 00:14:15,920 Speaker 6: explain what's going on, but I have to play to 264 00:14:15,960 --> 00:14:16,440 Speaker 6: call on hold. 265 00:14:16,600 --> 00:14:25,600 Speaker 3: Fortunately, Oh okay, okay, she's great, and I think she 266 00:14:25,760 --> 00:14:26,080 Speaker 3: is good. 267 00:14:26,160 --> 00:14:29,080 Speaker 5: It sounds like she is gonna she gets it, she understand. 268 00:14:29,160 --> 00:14:32,680 Speaker 6: I think she is going to take So we're going 269 00:14:32,720 --> 00:14:34,400 Speaker 6: to be on hold for about ten minutes. 270 00:14:34,960 --> 00:14:37,280 Speaker 2: Ten minutes, okay, ten minutes, okay, that's fine. 271 00:14:39,680 --> 00:14:41,480 Speaker 5: Where are you Where are you working out of? 272 00:14:42,960 --> 00:14:44,560 Speaker 6: We are working out of. 273 00:14:46,720 --> 00:14:52,280 Speaker 1: Is that nice? Now they have nice dangerous smalls there 274 00:14:52,960 --> 00:14:53,640 Speaker 1: some parts of it. 275 00:14:53,760 --> 00:14:57,160 Speaker 6: Yeah, that's what That's what I'm hearing in the suburbs. 276 00:14:57,320 --> 00:15:04,840 Speaker 6: So okay, definitely safe. So yeah, definitely. When I with 277 00:15:04,840 --> 00:15:08,360 Speaker 6: my last job, i sold insurance, it was not fun 278 00:15:09,200 --> 00:15:12,360 Speaker 6: to go out to the more dangerous parts of the city. 279 00:15:12,440 --> 00:15:17,000 Speaker 3: Oh, on foot door to door? Right, were people trying 280 00:15:17,000 --> 00:15:18,760 Speaker 3: to steal the insurance? 281 00:15:20,440 --> 00:15:22,440 Speaker 6: Not they don't think they can steal it. They have 282 00:15:22,520 --> 00:15:26,920 Speaker 6: to steal my laptop. They probably try to steal the 283 00:15:27,000 --> 00:15:30,800 Speaker 6: laptop if anything, but not many people mess with me 284 00:15:30,880 --> 00:15:31,400 Speaker 6: that much. 285 00:15:31,560 --> 00:15:33,800 Speaker 1: Catch twenty two though, right, because that's where they need 286 00:15:33,920 --> 00:15:38,960 Speaker 1: insurance the most. Right, It is like in the areas 287 00:15:39,000 --> 00:15:46,840 Speaker 1: where that sort of thing is happening. What company were 288 00:15:46,840 --> 00:15:47,640 Speaker 1: you selling insurance for? 289 00:15:51,200 --> 00:15:51,480 Speaker 5: Mmm? 290 00:15:55,320 --> 00:15:57,200 Speaker 1: I love those Geico commercials. 291 00:15:59,200 --> 00:16:02,560 Speaker 6: Yeah they were competition, but we were actually selling mostly 292 00:16:02,600 --> 00:16:04,160 Speaker 6: to unionized members. 293 00:16:04,440 --> 00:16:10,560 Speaker 1: Okay, right, right, actually random. 294 00:16:10,800 --> 00:16:14,120 Speaker 6: Now I'm getting more information because I actually explain what 295 00:16:14,200 --> 00:16:19,680 Speaker 6: the issue was. Great, and we won't have standhold because 296 00:16:19,720 --> 00:16:22,280 Speaker 6: I understand that my senior sport will not be able 297 00:16:22,320 --> 00:16:24,960 Speaker 6: to get this off to me. A second. I have 298 00:16:25,000 --> 00:16:28,960 Speaker 6: a link so that I because we can't remove it. Basically, 299 00:16:29,160 --> 00:16:32,560 Speaker 6: you know how I said the podcast team does. 300 00:16:33,120 --> 00:16:35,520 Speaker 2: Okay, so we'll have to talk to the podcast team. 301 00:16:36,800 --> 00:16:40,920 Speaker 6: Yeah, and there's not actually an a link for them. 302 00:16:41,160 --> 00:16:43,600 Speaker 2: It's more of a is there an email? 303 00:16:44,760 --> 00:16:45,720 Speaker 6: It's more of an email. 304 00:16:46,120 --> 00:16:48,880 Speaker 1: Okay, okay, we'll go back. 305 00:16:49,800 --> 00:16:53,400 Speaker 6: It's because I'm just trying to find it. So I 306 00:16:53,400 --> 00:16:55,760 Speaker 6: will send that on to the email addressed. 307 00:16:56,120 --> 00:16:59,120 Speaker 5: You're sending that to my not Brett's email, my email. 308 00:17:01,240 --> 00:17:03,680 Speaker 6: Not really morning person. And I woke up at six 309 00:17:03,720 --> 00:17:04,160 Speaker 6: in the morning. 310 00:17:05,920 --> 00:17:08,440 Speaker 1: Oh boy boy. 311 00:17:08,640 --> 00:17:12,679 Speaker 6: Yeah, I don't do mornings at all, and so but 312 00:17:12,760 --> 00:17:17,520 Speaker 6: my shist is almost over. So yeah, yeah, congratulations, But 313 00:17:18,440 --> 00:17:21,280 Speaker 6: I don't work standay's either I'm filling in for somebody. 314 00:17:21,480 --> 00:17:25,479 Speaker 1: Oh okay, okay, so that's a double WHAMMYE the morning 315 00:17:25,560 --> 00:17:30,120 Speaker 1: and it's the weekend. Were you out at the out 316 00:17:30,200 --> 00:17:32,720 Speaker 1: last night Friday night? In it? No? 317 00:17:32,880 --> 00:17:34,960 Speaker 6: I did not Friday night at I knew it was 318 00:17:35,000 --> 00:17:39,040 Speaker 6: better than that. My friends like you are gonna You're 319 00:17:39,200 --> 00:17:40,800 Speaker 6: just not going to go out right, I'm like, no, 320 00:17:41,359 --> 00:17:43,280 Speaker 6: not tonight. We have to wake up at six in 321 00:17:43,280 --> 00:17:43,680 Speaker 6: the morning. 322 00:17:44,880 --> 00:17:48,760 Speaker 3: You might make the last three innings of the Cubs game. 323 00:17:48,920 --> 00:17:50,840 Speaker 3: The Cubs are playing right now, and you could put 324 00:17:50,880 --> 00:17:52,760 Speaker 3: when your shift is over, you could probably get over 325 00:17:52,760 --> 00:17:54,280 Speaker 3: there in time, and you might even be able to 326 00:17:54,280 --> 00:17:55,320 Speaker 3: get a discount ticket. 327 00:17:55,920 --> 00:18:00,560 Speaker 1: Mmm, cheaper to get in for the end. No, no, sex. 328 00:18:00,359 --> 00:18:01,760 Speaker 6: Only because I'm not a Cloch fan. 329 00:18:02,800 --> 00:18:05,720 Speaker 5: Well, you could go route against them, say. 330 00:18:05,560 --> 00:18:11,399 Speaker 6: Boo, but then you're still paying money against the other team. 331 00:18:11,760 --> 00:18:14,159 Speaker 6: Get there. I don't think I want to. 332 00:18:14,320 --> 00:18:15,360 Speaker 1: Yeah, you're lying in their proper. 333 00:18:15,520 --> 00:18:17,840 Speaker 6: I mean, it's fun to go out that way, but 334 00:18:17,880 --> 00:18:20,360 Speaker 6: it's not I don't want to go game that as 335 00:18:20,400 --> 00:18:22,040 Speaker 6: a team that I don't want here for. 336 00:18:23,640 --> 00:18:25,639 Speaker 5: You can try to jump the fence. 337 00:18:33,960 --> 00:18:40,120 Speaker 1: Hello, hello, Hello, hello hello. 338 00:18:41,840 --> 00:18:46,240 Speaker 6: But sorry about that whole senior are picked up, explain 339 00:18:46,280 --> 00:18:47,919 Speaker 6: the issue and see if there is anything that we 340 00:18:47,960 --> 00:18:49,879 Speaker 6: can get resolved right now. But from what I was 341 00:18:50,000 --> 00:18:53,600 Speaker 6: understanding for my co workers are saying that there probably 342 00:18:53,640 --> 00:18:57,000 Speaker 6: isn't double check this so with the senior support though. 343 00:18:57,080 --> 00:18:57,920 Speaker 5: Okay, thank you. 344 00:19:00,040 --> 00:19:06,920 Speaker 6: M Burn and ring on the Fire playing. 345 00:19:11,840 --> 00:19:12,360 Speaker 1: The song. 346 00:19:14,240 --> 00:19:23,920 Speaker 2: Of course, it's ringing Fire. What do you like? You 347 00:19:24,000 --> 00:19:26,320 Speaker 2: know how to play this on the guitar? Yeah? 348 00:19:26,680 --> 00:19:28,440 Speaker 1: Yeah, learned at the end of the day. 349 00:19:28,880 --> 00:19:29,800 Speaker 5: That's not even a guitar. 350 00:19:29,840 --> 00:19:31,120 Speaker 1: It's mostly horns. 351 00:19:31,240 --> 00:19:39,000 Speaker 3: Yes, it's horns. That's a man's voice. So you need 352 00:19:39,040 --> 00:19:41,320 Speaker 3: to be like some kind of guitar. God, you don't 353 00:19:41,320 --> 00:19:43,159 Speaker 3: even know what it sounds like or what it is. 354 00:19:43,480 --> 00:19:45,760 Speaker 3: I don't have to play it to know that that's 355 00:19:45,760 --> 00:19:46,920 Speaker 3: a This is a person. 356 00:19:47,240 --> 00:19:53,160 Speaker 1: That's Joaquin Phoenix. They you're telling me that's not a guitar. 357 00:19:54,880 --> 00:19:56,480 Speaker 5: No, these those are horns. 358 00:19:56,640 --> 00:20:05,240 Speaker 1: There's horns. And then Joaquin does his thing. Can you 359 00:20:05,240 --> 00:20:09,480 Speaker 1: play this part on the guitar bred that part? 360 00:20:11,560 --> 00:20:11,800 Speaker 9: No? 361 00:20:11,960 --> 00:20:14,520 Speaker 2: No, it was the quiet part. He was saying. You 362 00:20:14,560 --> 00:20:17,359 Speaker 2: played the part, yeah, like where there isn't any sound. 363 00:20:17,680 --> 00:20:20,800 Speaker 1: Yeah, you could sing that part for us. 364 00:20:24,880 --> 00:20:27,000 Speaker 2: They have good music on here. I hate that elevator 365 00:20:27,119 --> 00:20:29,080 Speaker 2: music music. 366 00:20:29,720 --> 00:20:34,280 Speaker 1: I just realized we never told her my name. Now 367 00:20:34,720 --> 00:20:36,720 Speaker 1: and then maybe a little bit of why we're on hold, 368 00:20:38,200 --> 00:20:41,400 Speaker 1: regardless of she you know, she's not a podcast person, okay. 369 00:20:42,000 --> 00:20:45,320 Speaker 5: But or what in general, how she thinks she can treat. 370 00:20:45,760 --> 00:20:47,440 Speaker 2: She's always addressing bread. 371 00:20:47,359 --> 00:20:48,720 Speaker 5: She's she's talking to. 372 00:20:49,040 --> 00:20:50,600 Speaker 2: She thinks she's sunging to engine your birth. 373 00:20:50,880 --> 00:20:55,960 Speaker 1: But but yes, Hi and Sean, Hello, Hi. 374 00:20:57,400 --> 00:21:03,439 Speaker 6: Okay, actually coworkers a little bit inaccurate, but we actually 375 00:21:03,440 --> 00:21:07,520 Speaker 6: can possibly do something. Oh wow, my senior visor, his 376 00:21:07,680 --> 00:21:10,800 Speaker 6: name is Josh, okay, and he'll be getting in contact 377 00:21:10,800 --> 00:21:12,760 Speaker 6: with you in like twenty four to forty eight hours. 378 00:21:12,840 --> 00:21:15,119 Speaker 5: Okay, that's great. Is that gonna be over email or 379 00:21:15,160 --> 00:21:16,360 Speaker 5: on my phone? 380 00:21:17,359 --> 00:21:21,239 Speaker 6: Email? Because okay, most likely email, but he's sending it 381 00:21:21,280 --> 00:21:23,720 Speaker 6: to our engineer team to have it reviewed. 382 00:21:24,080 --> 00:21:28,360 Speaker 3: Great, that's awesome, and I probably know. 383 00:21:27,760 --> 00:21:31,000 Speaker 6: Easy respond to you. Engineer doesn't say don't talk to people. 384 00:21:31,960 --> 00:21:34,399 Speaker 5: Oh no, yeah, you don't want me doing that. 385 00:21:34,480 --> 00:21:36,080 Speaker 3: I'm an engineer as well, and you want to keep 386 00:21:36,119 --> 00:21:38,640 Speaker 3: me as far away from the people, Yeah, possible. 387 00:21:38,720 --> 00:21:42,560 Speaker 1: I deal with engineers and they're yeah, an interesting bunch 388 00:21:42,640 --> 00:21:48,680 Speaker 1: to say the least. Not always people persons. 389 00:21:49,480 --> 00:21:53,640 Speaker 6: Yeah, but that's definitely beginning in context if you within 390 00:21:53,680 --> 00:21:56,440 Speaker 6: the twenty four to forty eight hours. Because I know Josh, 391 00:21:56,440 --> 00:21:57,640 Speaker 6: he's pretty cool. 392 00:21:58,080 --> 00:22:02,239 Speaker 1: Oh oh great, better see you? So yeah great, Well, 393 00:22:02,320 --> 00:22:05,240 Speaker 1: maybe he should talk to me and not Bretona if 394 00:22:05,280 --> 00:22:08,320 Speaker 1: he's pretty cool. No, I'll kidding. 395 00:22:08,560 --> 00:22:09,800 Speaker 2: It's okay, you can talk. 396 00:22:09,680 --> 00:22:14,080 Speaker 1: To but gracias, I'm sorry. I brought up the uh 397 00:22:14,400 --> 00:22:18,760 Speaker 1: Geico thing before the competition. I wasn't even thinking, uh, 398 00:22:19,320 --> 00:22:20,440 Speaker 1: not even anything. 399 00:22:20,520 --> 00:22:23,920 Speaker 6: I did that insurance thing for like six months and they. 400 00:22:23,760 --> 00:22:26,840 Speaker 1: Quit pretty much all right, yeah, no sometimes people. 401 00:22:27,040 --> 00:22:30,040 Speaker 2: Yeah, well, we'll enjoy the Cubs game. 402 00:22:32,480 --> 00:22:33,240 Speaker 1: Get a hot dog. 403 00:22:33,440 --> 00:22:36,320 Speaker 6: Sure, and thank you so. 404 00:22:36,280 --> 00:22:39,120 Speaker 5: Much, thank you for the help. We appreciate it. 405 00:22:40,040 --> 00:22:42,040 Speaker 6: No problem. You have a good rest of they. 406 00:22:42,040 --> 00:22:43,400 Speaker 1: Okay, I hope you do too. 407 00:22:43,480 --> 00:22:47,960 Speaker 3: Thank you, bye, so thank you to Uh, we didn't 408 00:22:48,320 --> 00:22:50,640 Speaker 3: I don't know if we ever actually got her name. 409 00:22:51,440 --> 00:22:54,600 Speaker 3: It didn't matter, which I'm sure she would like us 410 00:22:54,680 --> 00:22:57,720 Speaker 3: to give it, but we don't have it, so we can't. 411 00:22:58,520 --> 00:23:00,000 Speaker 2: But she was great. 412 00:23:00,200 --> 00:23:02,199 Speaker 3: It looks like we are well on our way to 413 00:23:02,760 --> 00:23:04,560 Speaker 3: getting this issue resolved. 414 00:23:04,640 --> 00:23:08,000 Speaker 1: And we'll tell you if Josh actually is cool and uh, 415 00:23:08,080 --> 00:23:10,000 Speaker 1: and we'll tell you what happens on that email. 416 00:23:10,600 --> 00:23:13,200 Speaker 2: But that's all, folks. 417 00:23:13,320 --> 00:23:17,120 Speaker 3: Coming up is a guest, a very nice guest to have. 418 00:23:17,760 --> 00:23:20,720 Speaker 3: John Gabriis is here and he was on the podcast 419 00:23:20,760 --> 00:23:22,920 Speaker 3: before and we introduced him then. So go back and 420 00:23:22,960 --> 00:23:25,200 Speaker 3: listen to that one, and then come back and listen 421 00:23:25,240 --> 00:23:28,000 Speaker 3: to the show Hollywood Handbook. 422 00:23:28,240 --> 00:23:38,800 Speaker 1: Hollywood Handbook. So I turned to Doug and I look 423 00:23:38,840 --> 00:23:43,880 Speaker 1: at the course e fresh and I and I say, 424 00:23:43,960 --> 00:23:46,440 Speaker 1: let's do a full time sake, let's do it for John. 425 00:23:47,160 --> 00:23:50,720 Speaker 1: And he says no, And he says no, and then 426 00:23:50,840 --> 00:23:54,680 Speaker 1: finally we push and pull and push and pull, and 427 00:23:54,720 --> 00:23:57,000 Speaker 1: we jump into the bob sled and we ride it 428 00:23:57,040 --> 00:24:00,399 Speaker 1: all the way down and uh, I get and I 429 00:24:00,480 --> 00:24:04,399 Speaker 1: sort of nod to him and he goes, that was 430 00:24:04,480 --> 00:24:12,720 Speaker 1: a cool experience. Yes, Yes, and I felt the same. 431 00:24:13,800 --> 00:24:14,640 Speaker 2: Where was my week? 432 00:24:16,200 --> 00:24:20,000 Speaker 1: He had been kicked off the grounds for because. 433 00:24:19,800 --> 00:24:24,000 Speaker 3: He couldn't control his temperature, like being mad what's the 434 00:24:24,000 --> 00:24:24,480 Speaker 3: word for. 435 00:24:24,400 --> 00:24:29,680 Speaker 1: That thermometer or something? But he yes, and so we 436 00:24:30,920 --> 00:24:34,399 Speaker 1: But he'd been kicked off and then he also was 437 00:24:34,400 --> 00:24:36,720 Speaker 1: setting off fireworks all over because it. 438 00:24:36,720 --> 00:24:42,200 Speaker 3: Could melt the course. That's actually very dangerous. Yes, should 439 00:24:42,240 --> 00:24:46,000 Speaker 3: we talk to our guest? Yes, Hey, hi, Hollywood handboken 440 00:24:46,000 --> 00:24:47,560 Speaker 3: and siders guy to kicking button dropping names of the 441 00:24:47,560 --> 00:24:48,679 Speaker 3: red carpet lineback hallways of. 442 00:24:48,680 --> 00:24:53,359 Speaker 2: This industry we call showbiz. John Gabriis is back. Hey, guys, 443 00:24:53,440 --> 00:24:56,240 Speaker 2: thanks for having me. That was a for the listener. 444 00:24:56,280 --> 00:24:57,840 Speaker 2: They only caught the tail end of that story, but 445 00:24:57,880 --> 00:25:00,919 Speaker 2: that was a solid forty five minute That was I 446 00:25:01,119 --> 00:25:03,800 Speaker 2: blew me away. That was awesome. I'm very excited for you. 447 00:25:03,800 --> 00:25:05,080 Speaker 1: Well, I don't know if they'll hear any of it, 448 00:25:05,119 --> 00:25:09,840 Speaker 1: but yeah, I think it was quite a yarn I 449 00:25:10,000 --> 00:25:12,640 Speaker 1: spun and I'm known as a bit of a raconteur, 450 00:25:13,080 --> 00:25:14,119 Speaker 1: and so. 451 00:25:14,520 --> 00:25:16,879 Speaker 2: Thank you for regarding I'm glad I was able to 452 00:25:16,880 --> 00:25:18,800 Speaker 2: hear that one because I had heard you. I'd heard 453 00:25:18,840 --> 00:25:20,879 Speaker 2: people tell me, like people had come up to me 454 00:25:20,920 --> 00:25:23,720 Speaker 2: and said, have you heard Sean's story the Bob slide story, 455 00:25:23,960 --> 00:25:26,120 Speaker 2: like I haven't, and I just having to wander in. 456 00:25:26,359 --> 00:25:27,600 Speaker 1: Yeah, which one? 457 00:25:27,760 --> 00:25:30,240 Speaker 2: Well, that was because I had heard I had heard 458 00:25:30,240 --> 00:25:32,800 Speaker 2: the the other one, Yeah, that you know, when you 459 00:25:32,840 --> 00:25:37,440 Speaker 2: were with Marshawn Lynch at a Lake Placid training tournament 460 00:25:37,520 --> 00:25:40,440 Speaker 2: and just talking about quad strength and stuff like. I 461 00:25:40,480 --> 00:25:42,480 Speaker 2: think that story wasn't as interesting as this one. So 462 00:25:42,520 --> 00:25:44,600 Speaker 2: it's exciting to hear both. Now, the way I tell 463 00:25:44,680 --> 00:25:45,280 Speaker 2: it is good. 464 00:25:45,680 --> 00:25:48,520 Speaker 1: But yes, I understand this one has more twists and 465 00:25:48,600 --> 00:25:54,040 Speaker 1: turns the course itself like a course of a whey. 466 00:25:54,119 --> 00:25:57,639 Speaker 1: They moved on this, Yeah, shoot of the ice. 467 00:25:58,960 --> 00:26:00,040 Speaker 2: Yes, we're pushing it. 468 00:26:00,160 --> 00:26:07,679 Speaker 3: Yes, I like Bob's Yeah, pushing it right. 469 00:26:07,760 --> 00:26:10,600 Speaker 5: Oh goodness, John, thank you. So you've been on the 470 00:26:10,600 --> 00:26:11,200 Speaker 5: show before. 471 00:26:11,520 --> 00:26:16,120 Speaker 2: I have, of course, but even longtime fan, no time listener, 472 00:26:16,560 --> 00:26:20,159 Speaker 2: and two time guests. Yeah, I'm a huge fan of 473 00:26:20,200 --> 00:26:22,960 Speaker 2: the podcast. I just don't have time to listen to it. Yes, 474 00:26:23,040 --> 00:26:26,359 Speaker 2: and what have you been doing? Yeah? These last you know, 475 00:26:26,560 --> 00:26:36,879 Speaker 2: just the usual, various live performances, a lot of what comedy? Uh, 476 00:26:36,960 --> 00:26:39,800 Speaker 2: you know, I love to laugh. Yeah, and I'm doing 477 00:26:39,880 --> 00:26:42,440 Speaker 2: less and less comedy now and more and more just truths, 478 00:26:42,600 --> 00:26:44,960 Speaker 2: you know. And it's up to you to laugh or not. 479 00:26:45,119 --> 00:26:47,359 Speaker 3: Well, we talked about guy code last time, and that's 480 00:26:47,440 --> 00:26:48,600 Speaker 3: that's what guy code is. 481 00:26:48,720 --> 00:26:50,720 Speaker 2: Yeah, that's what guy coded. I drop truths. Some people 482 00:26:50,720 --> 00:26:53,320 Speaker 2: find it funny, some people find it informative, and I 483 00:26:53,320 --> 00:26:56,439 Speaker 2: don't give a fuck. However you find it, that's pretty 484 00:26:56,480 --> 00:27:00,240 Speaker 2: punk rock. I would I'm not. Yeah, I guess it's 485 00:27:00,240 --> 00:27:02,639 Speaker 2: a little throwback of me to behave this way, but 486 00:27:03,320 --> 00:27:05,399 Speaker 2: I do. I don't. I don't care for the audience. 487 00:27:05,520 --> 00:27:07,720 Speaker 1: Well, it's not throwback. Punk rock never goes out of 488 00:27:07,760 --> 00:27:10,679 Speaker 1: style to spit in the face of the man and 489 00:27:10,720 --> 00:27:12,480 Speaker 1: to say this is what it is, take it or 490 00:27:12,560 --> 00:27:12,920 Speaker 1: leave it. 491 00:27:13,600 --> 00:27:16,280 Speaker 2: Yeah, I guess rebellion will always be in style. 492 00:27:16,800 --> 00:27:19,480 Speaker 1: Yes, it takes but a single brick to start a revolution, 493 00:27:19,720 --> 00:27:23,600 Speaker 1: and you John have been that brick for a lot 494 00:27:23,640 --> 00:27:25,360 Speaker 1: of guys learning the code. 495 00:27:25,400 --> 00:27:28,280 Speaker 3: And I hear right after this, I don't want to 496 00:27:28,440 --> 00:27:32,520 Speaker 3: like spoil it for anybody. But you're gonna do drugs 497 00:27:32,520 --> 00:27:34,800 Speaker 3: on a podcast, I won't. I won't take exactly what 498 00:27:34,800 --> 00:27:35,040 Speaker 3: it is. 499 00:27:35,320 --> 00:27:40,280 Speaker 2: N't give any or which podcast. I will say. 500 00:27:40,280 --> 00:27:43,679 Speaker 1: It's a kind that you smoke and it's a and 501 00:27:43,720 --> 00:27:46,640 Speaker 1: you get high from it, and it's uh. 502 00:27:46,600 --> 00:27:49,200 Speaker 2: Yeah, I'm doing on this American life and you can 503 00:27:49,200 --> 00:27:51,879 Speaker 2: be with me in starly kind. 504 00:27:52,080 --> 00:27:56,000 Speaker 1: And he's yes, and that's and he's joking. 505 00:27:56,440 --> 00:28:01,160 Speaker 2: I'm us. You guys are so good at that, you know, 506 00:28:01,680 --> 00:28:04,199 Speaker 2: calling me out when when I'm joking, when I'm the 507 00:28:04,200 --> 00:28:05,720 Speaker 2: one saying something. 508 00:28:05,880 --> 00:28:07,960 Speaker 1: I would want and I would want the same from you, 509 00:28:08,440 --> 00:28:09,840 Speaker 1: and I'll give it to you. 510 00:28:09,920 --> 00:28:12,560 Speaker 2: And it's not, Oh, I know you will. 511 00:28:12,760 --> 00:28:15,080 Speaker 3: John, Can you do something for us? You have a 512 00:28:15,080 --> 00:28:17,080 Speaker 3: lottery ticket sitting in front of you. It's something, will 513 00:28:17,119 --> 00:28:18,840 Speaker 3: be just the fun thing we give to our guests. 514 00:28:18,880 --> 00:28:22,520 Speaker 3: I'm sure people some podcasts don't offer their guest compensation 515 00:28:23,280 --> 00:28:23,880 Speaker 3: of any kind. 516 00:28:23,960 --> 00:28:26,840 Speaker 1: Yes, but we offer our guests up to a million dollars, 517 00:28:26,880 --> 00:28:28,959 Speaker 1: almost a million dollars and that's after taxes. 518 00:28:29,000 --> 00:28:31,560 Speaker 2: Yes, and the reason the tax is paid one which 519 00:28:31,600 --> 00:28:34,640 Speaker 2: is exciting. Yes, the you know I have a lot 520 00:28:34,640 --> 00:28:36,880 Speaker 2: of irs issues. So this is like you don't even 521 00:28:36,920 --> 00:28:38,760 Speaker 2: want to have to be on the phone with them, No, 522 00:28:38,840 --> 00:28:41,479 Speaker 2: I can't. I don't even want them to find me period. 523 00:28:41,600 --> 00:28:43,320 Speaker 2: So actually, if I do win anything, i'd like to 524 00:28:43,320 --> 00:28:45,920 Speaker 2: put it in one of your names and then we'll 525 00:28:46,000 --> 00:28:47,240 Speaker 2: deal with some sort of party. 526 00:28:47,320 --> 00:28:50,400 Speaker 1: So that works great for us, and I've given Uncle 527 00:28:50,440 --> 00:28:52,000 Speaker 1: Sam my pound of flesh already. 528 00:28:52,080 --> 00:28:54,080 Speaker 3: The reason I'd love for you to scratch this off, 529 00:28:54,080 --> 00:28:57,480 Speaker 3: which we don't normally do, is normally we buy one 530 00:28:57,480 --> 00:29:01,840 Speaker 3: for the engineer as well. But time on our on 531 00:29:01,880 --> 00:29:04,720 Speaker 3: my way into the studio, Engineer Brett is with us today. 532 00:29:05,400 --> 00:29:09,640 Speaker 3: Hello Brett, hey texted and requested that's plenty a. 533 00:29:09,560 --> 00:29:11,840 Speaker 2: Breakfast, sandwich and a coffee. 534 00:29:12,080 --> 00:29:15,840 Speaker 1: And that's why Engineer Brett does not have my phone number. 535 00:29:17,640 --> 00:29:19,800 Speaker 3: So I said, you know what, that's fine. I will 536 00:29:20,080 --> 00:29:23,000 Speaker 3: furnish you with a breakfast sandwich and a coffee. But 537 00:29:23,120 --> 00:29:26,760 Speaker 3: that certainly no you know, no ticky, no laundry. 538 00:29:26,400 --> 00:29:28,960 Speaker 1: As you like to say, no washy, no wash And 539 00:29:29,000 --> 00:29:32,840 Speaker 1: that's my That's how my high school science teacher explained 540 00:29:32,840 --> 00:29:34,840 Speaker 1: semi permeable membranes and cells to me. 541 00:29:35,920 --> 00:29:39,600 Speaker 3: And so Brett doesn't have a ticket today. So what 542 00:29:39,640 --> 00:29:42,680 Speaker 3: I've done is I've given you the ticket that Brett 543 00:29:42,720 --> 00:29:44,080 Speaker 3: would have had had. 544 00:29:43,960 --> 00:29:46,800 Speaker 2: He not decided to more. 545 00:29:47,440 --> 00:29:50,480 Speaker 3: You know, well, I know Oliver twist. It's like more 546 00:29:50,640 --> 00:29:51,800 Speaker 3: please can last? 547 00:29:51,840 --> 00:29:54,000 Speaker 2: And then that's where the candy got the idea. That's 548 00:29:54,000 --> 00:30:02,560 Speaker 2: why there's two candies and eat package. Yeah. Well, I 549 00:30:02,560 --> 00:30:05,040 Speaker 2: don't carry anything smaller than twenty So does anyone have 550 00:30:05,040 --> 00:30:07,800 Speaker 2: a coin or something or maybe even like a euro? 551 00:30:07,920 --> 00:30:08,440 Speaker 2: That I cry? 552 00:30:08,800 --> 00:30:11,360 Speaker 5: And you don't have keys? 553 00:30:11,440 --> 00:30:16,360 Speaker 2: I don't have key any now, I'm all smart locks. Yeah, 554 00:30:17,600 --> 00:30:18,480 Speaker 2: so no coins? 555 00:30:19,320 --> 00:30:19,600 Speaker 5: I think? 556 00:30:19,920 --> 00:30:22,440 Speaker 2: Did you did you ask Hayes for the change from 557 00:30:22,440 --> 00:30:24,200 Speaker 2: the sandwich and coffee? Do you maybe have some of 558 00:30:24,200 --> 00:30:26,880 Speaker 2: the did you also demand at least a full ten 559 00:30:26,920 --> 00:30:30,520 Speaker 2: dollars worth of things? What about some of these toothpicks? 560 00:30:30,560 --> 00:30:33,160 Speaker 5: You have your minty toothpicks? 561 00:30:33,280 --> 00:30:33,520 Speaker 6: Ah? 562 00:30:33,640 --> 00:30:36,720 Speaker 1: Yes, and you could probably use the base of this. 563 00:30:37,120 --> 00:30:41,440 Speaker 2: To scratch the I can probably track down keys. Oh interesting, 564 00:30:42,240 --> 00:30:44,920 Speaker 2: a toyotay, It's. 565 00:30:46,000 --> 00:30:47,760 Speaker 5: It's like an ironic key chain. 566 00:30:47,960 --> 00:30:51,800 Speaker 2: It's an ironic I purchased an ironic automobile. Oh this 567 00:30:51,840 --> 00:30:54,040 Speaker 2: is Look. I don't want to act like I'm a 568 00:30:54,120 --> 00:30:57,040 Speaker 2: degenerate gambler, but this is a bad sign you got 569 00:30:57,160 --> 00:30:59,280 Speaker 2: four numbers in the forties, which is just a sign 570 00:30:59,280 --> 00:31:01,000 Speaker 2: that you're not going to see any forties. 571 00:31:01,080 --> 00:31:04,040 Speaker 3: Well, no, you're gonna see all fortyties, but not those forties. 572 00:31:04,120 --> 00:31:07,000 Speaker 1: Yes, yeah, you will see the numbers right around there. 573 00:31:07,600 --> 00:31:10,640 Speaker 3: What I neglected to think about was this was this 574 00:31:10,760 --> 00:31:15,280 Speaker 3: card has Brett's lucky. 575 00:31:15,480 --> 00:31:17,880 Speaker 2: That's the last thing I needed. Yeah, I would have 576 00:31:17,880 --> 00:31:19,840 Speaker 2: taken a breakfast sandwich. Look see I got forty six, 577 00:31:19,880 --> 00:31:22,040 Speaker 2: forty five, forty seven, and forty two. I've already scratched 578 00:31:22,080 --> 00:31:23,200 Speaker 2: off forty nine and forty eight. 579 00:31:23,520 --> 00:31:26,200 Speaker 3: Uh, that was exactly where squad, and then there's forty 580 00:31:26,200 --> 00:31:27,120 Speaker 3: one sliding right. 581 00:31:27,320 --> 00:31:29,120 Speaker 1: You'll get all the other in the middle there. 582 00:31:29,240 --> 00:31:33,520 Speaker 2: Oh man, it is such bullshit. Well, thank you guys 583 00:31:33,560 --> 00:31:35,880 Speaker 2: so much for this opportunity for a crack. 584 00:31:35,680 --> 00:31:38,800 Speaker 5: At Well you're only halfway, you still have Yeah, I know. 585 00:31:38,880 --> 00:31:40,160 Speaker 2: I'm just not confident. 586 00:31:40,000 --> 00:31:42,040 Speaker 1: And this is a good lesson for the scoop troope. 587 00:31:42,040 --> 00:31:44,880 Speaker 1: And I think this defeatist attitude and this sort of 588 00:31:44,920 --> 00:31:50,120 Speaker 1: giving up halfway down your scratch ticket is a thing 589 00:31:50,160 --> 00:31:52,880 Speaker 1: that stalls out a lot of careers in this town. 590 00:31:53,160 --> 00:31:55,360 Speaker 5: Do you agree, Hey, finish the scratch ticket. 591 00:31:55,520 --> 00:31:59,640 Speaker 3: Yeah, you already have your scratcher out, just yeah, scratch. 592 00:31:59,400 --> 00:32:02,280 Speaker 1: You even the last number and find the prize. 593 00:32:02,440 --> 00:32:04,800 Speaker 3: Yeah, and then even if it doesn't look like you want, 594 00:32:04,840 --> 00:32:06,720 Speaker 3: you should take it to the comedian story. 595 00:32:06,680 --> 00:32:08,880 Speaker 2: I make I make those guys check because they have 596 00:32:08,960 --> 00:32:11,239 Speaker 2: the machine, and you know, I don't have time to 597 00:32:11,280 --> 00:32:15,000 Speaker 2: read every number individually. But I did get every forty, 598 00:32:15,960 --> 00:32:19,040 Speaker 2: but no winner, no winner. Yes, but that's all right 599 00:32:19,120 --> 00:32:21,920 Speaker 2: because I was not I was not prepared to give 600 00:32:21,960 --> 00:32:24,360 Speaker 2: any money to charity anyway, because because I'm not going 601 00:32:24,400 --> 00:32:25,680 Speaker 2: to take it that, I'm not going to take that. 602 00:32:25,920 --> 00:32:28,719 Speaker 5: Sometimes people don't know. I think you might maybe you 603 00:32:28,760 --> 00:32:30,920 Speaker 5: did one. I'll take it to the store and then. 604 00:32:30,760 --> 00:32:31,680 Speaker 2: We'll yeah, you check it. 605 00:32:31,680 --> 00:32:35,160 Speaker 1: And then, of course Hayes claims that on his taxes anyway. 606 00:32:34,600 --> 00:32:36,640 Speaker 2: It helps you bumps you off the bracket. You know. 607 00:32:37,160 --> 00:32:40,360 Speaker 3: Well, if anything that I purchase and then bring into 608 00:32:40,440 --> 00:32:41,720 Speaker 3: this podcast room is for. 609 00:32:41,800 --> 00:32:44,800 Speaker 2: The podcast, I've already stabed myself twice with a I 610 00:32:44,800 --> 00:32:47,560 Speaker 2: don't think I'm prepared to have this. And the notes yeah, 611 00:32:47,680 --> 00:32:50,080 Speaker 2: once in the mustache and once in the tongue right after. 612 00:32:50,400 --> 00:32:51,960 Speaker 2: Why do they have to make them so sharp? 613 00:32:52,560 --> 00:32:52,840 Speaker 5: Yeah? 614 00:32:53,080 --> 00:32:56,680 Speaker 1: It is confusing because it's easy to hurt yourself with it. 615 00:32:56,720 --> 00:32:59,720 Speaker 3: And why don't they just make a nice It should 616 00:32:59,760 --> 00:33:03,680 Speaker 3: be very soft, a soft a soft ball, because the 617 00:33:03,760 --> 00:33:06,240 Speaker 3: round ball could actually hurt your teeth if it's made 618 00:33:06,280 --> 00:33:06,680 Speaker 3: of wood. 619 00:33:06,880 --> 00:33:07,440 Speaker 1: I almost so. 620 00:33:07,480 --> 00:33:08,520 Speaker 5: It should be a cotton ball. 621 00:33:08,560 --> 00:33:12,760 Speaker 1: Should be a soft, chewable ball, maybe with a slightly 622 00:33:12,800 --> 00:33:16,320 Speaker 1: hard shell and softer inside and nice taste. And I'd 623 00:33:16,400 --> 00:33:17,959 Speaker 1: like to be able to blow bubbles from it. 624 00:33:18,080 --> 00:33:21,040 Speaker 2: Oh, that would be ideal. And man, imagine if it 625 00:33:21,120 --> 00:33:23,720 Speaker 2: came with something to read, like a fortune or a 626 00:33:23,760 --> 00:33:26,040 Speaker 2: comic or horoscope. 627 00:33:25,440 --> 00:33:26,560 Speaker 1: Of some sort or both. 628 00:33:26,680 --> 00:33:30,959 Speaker 2: Yes' fun. Yes, these are minty. This is like brushing 629 00:33:31,320 --> 00:33:34,680 Speaker 2: keep keep the mintiness, I think. Yeah, or go pink, 630 00:33:34,960 --> 00:33:39,160 Speaker 2: go sweet and pink like pussy, gentlemen. That's one of 631 00:33:39,160 --> 00:33:40,920 Speaker 2: the kind of things I drop on guy. Code is 632 00:33:41,000 --> 00:33:41,520 Speaker 2: just truths. 633 00:33:41,560 --> 00:33:43,480 Speaker 3: Like see, this is a great way and just a 634 00:33:43,520 --> 00:33:46,080 Speaker 3: good example of your comedy that could get us sort 635 00:33:46,120 --> 00:33:48,560 Speaker 3: of into our next thing. Yes, you like to eat 636 00:33:48,600 --> 00:33:52,080 Speaker 3: your truths. You like to go topical drunk. 637 00:33:52,120 --> 00:33:55,560 Speaker 1: You take from the real world what is happening, and 638 00:33:55,600 --> 00:33:59,479 Speaker 1: you sort of give us this skewte perspective on it 639 00:33:59,600 --> 00:34:02,360 Speaker 1: that you're looking at it and go, whoa, he's looking like, 640 00:34:02,400 --> 00:34:05,080 Speaker 1: if I'm standing with my head straight, you kind of 641 00:34:05,080 --> 00:34:06,040 Speaker 1: got it to the side. 642 00:34:06,160 --> 00:34:08,399 Speaker 2: Well, yeah, I've always been that guy. I've always been 643 00:34:08,440 --> 00:34:10,719 Speaker 2: that guy. When someone's you know, we're we're watching a 644 00:34:10,719 --> 00:34:12,960 Speaker 2: football game, I'm like, guys, but look at it from 645 00:34:12,960 --> 00:34:16,359 Speaker 2: over here. Imagine you're over here. People are like, but 646 00:34:16,400 --> 00:34:19,040 Speaker 2: that's not the normal point of view. I'm like, exactly. 647 00:34:19,280 --> 00:34:24,160 Speaker 2: Topical storm Gabris, Yeah, yeah, fuck thinking outside the box. 648 00:34:24,400 --> 00:34:27,399 Speaker 2: Look at the box and think wherever you want. 649 00:34:28,320 --> 00:34:29,799 Speaker 5: Why is it too why is it so sharp? 650 00:34:29,880 --> 00:34:31,920 Speaker 2: Yeah? Why's it got to be a box? If you're 651 00:34:31,920 --> 00:34:33,799 Speaker 2: looking at it, it could be a box to someone else, 652 00:34:33,880 --> 00:34:35,680 Speaker 2: if you're looking at it from a certain angle, it's 653 00:34:35,719 --> 00:34:38,520 Speaker 2: a pyramid or cube or square. 654 00:34:38,640 --> 00:34:41,560 Speaker 1: Is and it's a topical storm. And then I just 655 00:34:41,600 --> 00:34:43,120 Speaker 1: made one up and it's John Soon. 656 00:34:44,440 --> 00:34:47,640 Speaker 2: I like it. That's me so anyway. So that's why 657 00:34:47,640 --> 00:34:49,160 Speaker 2: I bring up topical stuff like that. So we have. 658 00:34:49,160 --> 00:34:51,640 Speaker 3: Today's newspaper, and we just thought you could just go 659 00:34:51,840 --> 00:34:55,480 Speaker 3: and just go and just confirm that it is today's paper. 660 00:34:55,960 --> 00:34:59,360 Speaker 2: You like, you are saying like, isis hostage? 661 00:34:59,400 --> 00:34:59,520 Speaker 6: Yes? 662 00:34:59,640 --> 00:35:02,120 Speaker 3: And you've I had no time to prepare Icess he's 663 00:35:02,160 --> 00:35:04,120 Speaker 3: already talking about news. 664 00:35:04,200 --> 00:35:08,440 Speaker 2: I'm already in Saturday, April eighteenth, and the newspaper noise, 665 00:35:08,560 --> 00:35:10,160 Speaker 2: just so they know, yeah it's real. 666 00:35:10,320 --> 00:35:13,759 Speaker 8: This is newspaper real, okay, I got it, okay, and 667 00:35:13,880 --> 00:35:17,360 Speaker 8: any headline you want and just go all right, So 668 00:35:17,440 --> 00:35:20,640 Speaker 8: I'll go right here with Yemen chaos a boon for 669 00:35:20,760 --> 00:35:21,360 Speaker 8: al Kada. 670 00:35:21,920 --> 00:35:24,760 Speaker 1: Oh no, here he goes. 671 00:35:25,320 --> 00:35:27,160 Speaker 2: You know, looking at this real quick, I got I 672 00:35:27,160 --> 00:35:30,080 Speaker 2: got for you. I got Semen chaos a boon for 673 00:35:30,280 --> 00:35:37,120 Speaker 2: all Kada's okay, changes like, that's one thing you could do, 674 00:35:37,280 --> 00:35:40,359 Speaker 2: is just that's that's one topic idea where you don't 675 00:35:40,400 --> 00:35:43,080 Speaker 2: even have to add any other politics or anything like that. 676 00:35:43,239 --> 00:35:45,400 Speaker 2: You just hit him with the silly version of the topical, 677 00:35:45,480 --> 00:35:45,640 Speaker 2: you know. 678 00:35:45,920 --> 00:35:49,040 Speaker 1: And what I'm learning from you already then is just 679 00:35:49,200 --> 00:35:52,560 Speaker 1: And I swear I didn't know this before, but you 680 00:35:52,560 --> 00:35:53,400 Speaker 1: look at that boon. 681 00:35:53,560 --> 00:35:55,759 Speaker 2: If you maybe turn that b upside down, it would 682 00:35:55,760 --> 00:35:58,840 Speaker 2: look like a piece Semen chaos a poon for all Cada. 683 00:35:58,960 --> 00:36:02,360 Speaker 1: Yes, and that's something that you taught me, John, Oh. 684 00:36:02,200 --> 00:36:05,279 Speaker 2: Yeah, that's just And that's just a minor like word 685 00:36:05,320 --> 00:36:08,080 Speaker 2: tweak topicality. I could do. I could do seriously. Other 686 00:36:08,080 --> 00:36:08,600 Speaker 2: point of views. 687 00:36:08,600 --> 00:36:08,719 Speaker 1: Here. 688 00:36:08,760 --> 00:36:12,520 Speaker 2: We gotta look at this some prospects. The reopened Empress 689 00:36:12,560 --> 00:36:15,400 Speaker 2: Pavilion in Chinatown is long removed from its days as 690 00:36:15,440 --> 00:36:18,520 Speaker 2: the seat of power in southern California. Dim sum scene, 691 00:36:18,760 --> 00:36:23,640 Speaker 2: but it's not bad, okay. So yeah, I'm oh, here 692 00:36:23,680 --> 00:36:25,880 Speaker 2: we go. I'm looking at this, and I say to myself, 693 00:36:25,920 --> 00:36:28,000 Speaker 2: dim sum. How about I'm young, dumb and full of 694 00:36:28,040 --> 00:36:29,319 Speaker 2: dim sum? If you know what I mean? 695 00:36:30,480 --> 00:36:31,719 Speaker 1: No, so here I am. 696 00:36:31,840 --> 00:36:34,160 Speaker 2: I'm just some you know, I'm some Asian lady at 697 00:36:34,200 --> 00:36:36,400 Speaker 2: the Empress Pavilion and I'm young, dumb and full of 698 00:36:36,440 --> 00:36:39,760 Speaker 2: dim sum. All right? Moving on? How about this? Felix 699 00:36:39,920 --> 00:36:43,560 Speaker 2: Chevrolet has a twenty fifteen Camaro LS for one seventy 700 00:36:43,640 --> 00:36:46,160 Speaker 2: nine a month. Look, Felix, how about I pay you 701 00:36:46,200 --> 00:36:48,520 Speaker 2: an extra twenty dollars and you give me a MS? 702 00:36:48,840 --> 00:36:52,399 Speaker 2: All right? Moving on? I got a couple of other 703 00:36:52,440 --> 00:36:55,319 Speaker 2: things here that's mostly my head. Hey wait, can wait, wait? 704 00:36:55,360 --> 00:36:56,239 Speaker 5: Can we not move on? 705 00:36:56,480 --> 00:37:01,120 Speaker 2: But yeah, give you ms? Yeah, multiple scleros for an 706 00:37:01,160 --> 00:37:04,600 Speaker 2: extra twenty dollars a month. Yeah, because if they could 707 00:37:04,640 --> 00:37:07,520 Speaker 2: adapt you genetically, that's worth the extra twenty dollars. It's 708 00:37:07,520 --> 00:37:08,279 Speaker 2: just something to think about it. 709 00:37:08,480 --> 00:37:11,760 Speaker 3: Have a disease you want, you will pay it extra 710 00:37:11,800 --> 00:37:12,840 Speaker 3: twenty dollars a month. 711 00:37:13,920 --> 00:37:17,600 Speaker 2: I will say that I'll get to get MS. So 712 00:37:17,640 --> 00:37:22,440 Speaker 2: what I'm saying is though from Felix Chevrolet, Well, I 713 00:37:22,760 --> 00:37:24,759 Speaker 2: like okay. So here's where it comes in. Part of 714 00:37:24,800 --> 00:37:29,000 Speaker 2: my truth telling is it's your own truth, not necessarily 715 00:37:29,000 --> 00:37:31,120 Speaker 2: my truth. Yeah, so I hit you with that, and 716 00:37:31,120 --> 00:37:33,880 Speaker 2: that's not necessarily to say I'm willing to pay twenty 717 00:37:33,920 --> 00:37:36,439 Speaker 2: dollars a month, three thousand dollars extra down and twenty 718 00:37:36,520 --> 00:37:39,279 Speaker 2: hure dollars to get MS. But you did. Yeah, But 719 00:37:39,320 --> 00:37:42,200 Speaker 2: I'm saying that to make you think, what the fuck 720 00:37:42,280 --> 00:37:44,200 Speaker 2: is this guy tell MS? And then all of a 721 00:37:44,239 --> 00:37:47,400 Speaker 2: sudden it's in your mind. You're looking it up, donating, 722 00:37:47,800 --> 00:37:49,840 Speaker 2: you're talking to your friends and maybe have like those. 723 00:37:50,080 --> 00:37:53,440 Speaker 1: It's about awareness awareness, But do you think people would 724 00:37:53,440 --> 00:37:58,800 Speaker 1: donate money hearing that someone would pay to get the disease? 725 00:37:58,920 --> 00:38:01,840 Speaker 2: That's what they start saying. I say twenty dollars and 726 00:38:02,000 --> 00:38:07,080 Speaker 2: multiple scrolerosis in one in one sentence, and you immediately go, hey, 727 00:38:07,160 --> 00:38:10,160 Speaker 2: what the fuck twenty dollars? 728 00:38:09,120 --> 00:38:15,000 Speaker 10: And maybe what it is too is you would want 729 00:38:15,040 --> 00:38:19,960 Speaker 10: even more to educate people, Hey, don't pay for this right. 730 00:38:20,120 --> 00:38:22,480 Speaker 2: And if someone and also now I've said it, they 731 00:38:22,480 --> 00:38:24,279 Speaker 2: know it's a joke because it's coming from you know, 732 00:38:24,320 --> 00:38:26,040 Speaker 2: the voice of the people, the ironic voice of the 733 00:38:26,040 --> 00:38:32,160 Speaker 2: topical storm junks. Yeah, Johnson, tropical storm, topical storm storm huh. 734 00:38:32,200 --> 00:38:34,759 Speaker 2: And they hear it coming from me, And then they're 735 00:38:34,840 --> 00:38:37,160 Speaker 2: not gonna get tricked when they go into Felix Chevrolet 736 00:38:37,239 --> 00:38:38,960 Speaker 2: to buy a Camaro, They're gonna say, do you want 737 00:38:38,960 --> 00:38:41,680 Speaker 2: twenty extion dollars a month? You can have a degenerative 738 00:38:41,719 --> 00:38:44,400 Speaker 2: muscular disease. And these people will be like, no, no, 739 00:38:44,560 --> 00:38:46,920 Speaker 2: this is a comedy bit from my guy Johnny g 740 00:38:47,160 --> 00:38:49,359 Speaker 2: delivered topical storm gamers sor right. Here we go real 741 00:38:49,480 --> 00:38:53,040 Speaker 2: estate section a commitment to you open Sunday two to 742 00:38:53,120 --> 00:39:01,359 Speaker 2: five like my wife's legs three hours on a Sunday. Conveniently, 743 00:39:01,400 --> 00:39:07,839 Speaker 2: while I'm at work, handyman Clemente is over to help 744 00:39:07,840 --> 00:39:11,520 Speaker 2: fix the stove. Is that me? No, I wish and 745 00:39:11,520 --> 00:39:14,120 Speaker 2: insaid it's a sixty year old Latina dude dropping the 746 00:39:14,120 --> 00:39:18,000 Speaker 2: hammer on my wife. Tina's female, Yeah, yeah, yeah, but 747 00:39:18,120 --> 00:39:20,279 Speaker 2: he's effeminine. Okay, Here we go open a house by 748 00:39:20,320 --> 00:39:23,560 Speaker 2: appointment and directory open Sunday two to five, like my 749 00:39:23,600 --> 00:39:26,800 Speaker 2: wife's asshole. Oh no, it's the same, yeah. 750 00:39:28,320 --> 00:39:29,160 Speaker 1: The same time. 751 00:39:31,520 --> 00:39:34,759 Speaker 2: Okay, here we go, first person, no tears over the 752 00:39:34,880 --> 00:39:37,840 Speaker 2: end of Sabado. Spanish language show did little to impress 753 00:39:37,920 --> 00:39:41,320 Speaker 2: one writer in his childhood. All right, relaxed, dick, Okay, 754 00:39:41,440 --> 00:39:45,080 Speaker 2: moving on. It's see. The thing is, you don't want 755 00:39:45,080 --> 00:39:46,840 Speaker 2: to get topical about art. You don't want to do 756 00:39:46,960 --> 00:39:49,120 Speaker 2: art because if I'm doing art, you don't want to 757 00:39:49,160 --> 00:39:50,320 Speaker 2: do reductive art. 758 00:39:50,719 --> 00:39:57,320 Speaker 1: Yeah, the two word blow that. It's gray on gray, 759 00:39:57,680 --> 00:39:58,640 Speaker 1: nothing shows up. 760 00:40:00,000 --> 00:40:02,040 Speaker 2: Well, here's something. This is gonna be really funny. This 761 00:40:02,080 --> 00:40:03,520 Speaker 2: is gonna be a good one. This is a good 762 00:40:03,560 --> 00:40:05,320 Speaker 2: jumping off point and elsa. 763 00:40:05,120 --> 00:40:08,040 Speaker 1: Sorry sorry, even before you do it. It's good to 764 00:40:08,120 --> 00:40:10,719 Speaker 1: tell people something's gonna be funny before you say it. 765 00:40:10,760 --> 00:40:11,400 Speaker 1: Am I wrong? 766 00:40:11,800 --> 00:40:15,000 Speaker 2: Well, I feel like you know, babe Ruth points to 767 00:40:15,040 --> 00:40:17,440 Speaker 2: the fucking stadium and here you go, Yeah, the ball's 768 00:40:17,440 --> 00:40:19,359 Speaker 2: going that way. I'll tell you it's gonna be funny, 769 00:40:19,400 --> 00:40:21,160 Speaker 2: and then you put up your guard to be like, yeah, right, 770 00:40:21,200 --> 00:40:23,000 Speaker 2: it's not gonna be funny. Then I hit you with 771 00:40:23,000 --> 00:40:25,359 Speaker 2: it anyway and you laugh, and I fucking that hits 772 00:40:25,440 --> 00:40:27,840 Speaker 2: that much. Harder. That's like when you're in a fistfight 773 00:40:27,880 --> 00:40:29,080 Speaker 2: and you say, I'm gonna punch you right in the 774 00:40:29,080 --> 00:40:30,920 Speaker 2: fucking face right now. You give him the heads up, 775 00:40:30,960 --> 00:40:34,440 Speaker 2: and if they still can't stop, and if it isn't funny, 776 00:40:34,480 --> 00:40:36,759 Speaker 2: you can still be like, yeah it was. Yeah, well, 777 00:40:36,760 --> 00:40:37,880 Speaker 2: because it's all subjective. 778 00:40:38,280 --> 00:40:40,239 Speaker 1: Well, and that's what Babe Ruth would do a lot 779 00:40:40,280 --> 00:40:42,440 Speaker 1: of the time. As you said, he points to the 780 00:40:42,480 --> 00:40:46,120 Speaker 1: fucking stadium and then yeah, if he missed, he would 781 00:40:46,160 --> 00:40:48,960 Speaker 1: go like there, He goes like there, did you see. 782 00:40:49,160 --> 00:40:51,160 Speaker 2: Yeah, he fouled out a number of times and still 783 00:40:51,160 --> 00:40:54,000 Speaker 2: took a lap around the basis. Yeah. He would pop 784 00:40:54,000 --> 00:40:56,080 Speaker 2: fly to shortstop and then take a full lap around 785 00:40:56,120 --> 00:40:57,200 Speaker 2: the bases, hoping well. 786 00:40:57,200 --> 00:40:59,080 Speaker 1: A lot of times he would steal the ball then 787 00:40:59,160 --> 00:41:01,839 Speaker 1: from the catcher he missed, stick it in his back 788 00:41:01,920 --> 00:41:04,480 Speaker 1: pocket and go like you missed it. It went so fast, 789 00:41:04,560 --> 00:41:05,760 Speaker 1: and then he'd start running. 790 00:41:06,000 --> 00:41:07,960 Speaker 2: He would grant then like he would get to second 791 00:41:07,960 --> 00:41:09,759 Speaker 2: base and when no one was looking, he would take 792 00:41:09,800 --> 00:41:11,480 Speaker 2: it out of his pocket and throw it over the 793 00:41:11,520 --> 00:41:14,439 Speaker 2: fence and be like told you. He would scream told 794 00:41:14,440 --> 00:41:15,760 Speaker 2: you at everyone, Yeah. 795 00:41:15,640 --> 00:41:19,320 Speaker 1: Have I sufficiently stopped your momentum? From what you promised 796 00:41:19,360 --> 00:41:21,280 Speaker 1: us was gonna be a funny take on a headline. 797 00:41:21,320 --> 00:41:23,360 Speaker 2: Oh yeah, yeah. Well here, Well, I don't know what 798 00:41:23,400 --> 00:41:25,680 Speaker 2: the take is yet, because I just see a headline 799 00:41:25,760 --> 00:41:28,880 Speaker 2: and I know that's got that's got you know, grit, 800 00:41:28,920 --> 00:41:31,640 Speaker 2: that's got some teeth, There's some there's some meat in this, yes, 801 00:41:31,760 --> 00:41:33,799 Speaker 2: and then I by the time I'm done reading it, 802 00:41:34,040 --> 00:41:35,279 Speaker 2: I have an idea. 803 00:41:35,040 --> 00:41:37,200 Speaker 1: There's still juice. Juice in the squeez. 804 00:41:38,320 --> 00:41:41,600 Speaker 2: Thank you, Brett, for fuck's sake, You're all that's a 805 00:41:41,640 --> 00:41:44,640 Speaker 2: good nice, that's a great We'll leave that in because, 806 00:41:44,680 --> 00:41:46,920 Speaker 2: as you know, I'm all about the truth is fucking thing. 807 00:41:46,960 --> 00:41:50,440 Speaker 2: I'm switching seats for the next podcast for the Peote 808 00:41:50,440 --> 00:41:53,920 Speaker 2: with Starley Kin. All right, here we go in l 809 00:41:54,040 --> 00:41:58,080 Speaker 2: Salvador killing's rise amid rubble of truce, gangs make March 810 00:41:58,120 --> 00:42:01,160 Speaker 2: the deadliest month in ten years. Yeah, in like a 811 00:42:01,280 --> 00:42:08,239 Speaker 2: lamb out like a lion, my ass. 812 00:42:09,239 --> 00:42:11,440 Speaker 5: And what is that that is? In reference? 813 00:42:11,840 --> 00:42:14,919 Speaker 1: Yeah, go ahead and explain it for a while, so. 814 00:42:14,840 --> 00:42:16,719 Speaker 2: A parent, I don't know, there's some kind of you know, 815 00:42:16,840 --> 00:42:18,759 Speaker 2: a bunch of El Salvadorians are killing each other and 816 00:42:18,800 --> 00:42:19,319 Speaker 2: stuff like that. 817 00:42:19,400 --> 00:42:20,160 Speaker 1: Yeah, speak on that. 818 00:42:20,440 --> 00:42:24,120 Speaker 2: Yeah, Well, I think, you know, I usually just do 819 00:42:24,160 --> 00:42:25,560 Speaker 2: headline stuff. But if you give me a chance, I 820 00:42:25,560 --> 00:42:26,960 Speaker 2: could read the article and I can give you maybe a 821 00:42:26,960 --> 00:42:29,440 Speaker 2: fully realized, twenty five minute one man show on this 822 00:42:29,880 --> 00:42:31,920 Speaker 2: to me and please educate me on this. 823 00:42:33,320 --> 00:42:36,080 Speaker 3: If it is the deadliest month in ten years, March was, 824 00:42:36,560 --> 00:42:39,080 Speaker 3: I would think that in like a lamb, out like 825 00:42:39,120 --> 00:42:42,840 Speaker 3: a lion, would be a correct representation of what March 826 00:42:42,920 --> 00:42:43,200 Speaker 3: is like. 827 00:42:43,360 --> 00:42:45,040 Speaker 5: It's killing people. 828 00:42:45,160 --> 00:42:47,040 Speaker 2: I think it's in like a lion, out like a 829 00:42:47,120 --> 00:42:49,759 Speaker 2: rabbit lion to be honest. Oh yeah, because in the 830 00:42:49,760 --> 00:42:52,920 Speaker 2: March line, yeah, meaner lion. Oh okay, yeah, yeah. But 831 00:42:53,320 --> 00:42:55,279 Speaker 2: you bring up some valid points. But that's the thing 832 00:42:55,680 --> 00:42:59,640 Speaker 2: with my style of truth telling. There's not time for refining. 833 00:42:59,680 --> 00:43:03,600 Speaker 2: There's not time for writing, there's not time for thinking. 834 00:43:03,880 --> 00:43:06,799 Speaker 2: There's not time for maybe this doesn't work. You know, 835 00:43:06,840 --> 00:43:11,799 Speaker 2: there's accuracy, accuracy victim. Yes, yeah, there's not time for that. 836 00:43:11,800 --> 00:43:13,239 Speaker 2: That's not what I'm doing, you know what I mean. 837 00:43:13,400 --> 00:43:16,319 Speaker 2: I'm out at these colleges, you know, and I'm you know, 838 00:43:16,840 --> 00:43:20,600 Speaker 2: doing uh hey you say something, they say something, boom, 839 00:43:20,640 --> 00:43:23,040 Speaker 2: I'm off, you know, I'm doing forty minutes. Yeah, I 840 00:43:23,080 --> 00:43:26,280 Speaker 2: grab I go into a girl's purse and grab her whatever, 841 00:43:26,480 --> 00:43:29,560 Speaker 2: you know, or taser or pepper spray whatever, And I'm 842 00:43:29,640 --> 00:43:31,400 Speaker 2: you know, I'm fucking around with that shit on stage 843 00:43:31,400 --> 00:43:33,040 Speaker 2: like I'm just doing what I have to do. Yeah, 844 00:43:33,200 --> 00:43:35,399 Speaker 2: use it on yourself, Yeah, I use it on myself. Yeah, 845 00:43:35,840 --> 00:43:38,279 Speaker 2: I'm assuming you guys are talking about that. U see 846 00:43:38,280 --> 00:43:41,080 Speaker 2: Santa Barbara show I did where I grab some girls 847 00:43:41,080 --> 00:43:43,840 Speaker 2: pepper spray and sprayed sprayed in my mouth saying like 848 00:43:44,040 --> 00:43:45,640 Speaker 2: that's not even that hot, you know, and then I 849 00:43:46,080 --> 00:43:48,359 Speaker 2: lot my eyes and yeah, yeah, yeah. 850 00:43:48,400 --> 00:43:51,360 Speaker 3: Do you exclusively do college gigs at places where people 851 00:43:51,360 --> 00:43:51,880 Speaker 3: have died? 852 00:43:52,080 --> 00:43:53,640 Speaker 1: Well, because you last time you were here, you talked 853 00:43:53,680 --> 00:43:56,960 Speaker 1: about your Virginia Tech show And I do remember. 854 00:43:56,680 --> 00:43:58,640 Speaker 5: That, Barbara. 855 00:43:58,880 --> 00:44:04,520 Speaker 2: Yeah, famous, And I did the the I did Guyana 856 00:44:04,600 --> 00:44:07,160 Speaker 2: for a while. I did. I did like a residency 857 00:44:07,160 --> 00:44:09,800 Speaker 2: in Guyana where I did like twenty nights of shows 858 00:44:11,160 --> 00:44:14,720 Speaker 2: and the poster was me breaking through a brick wall 859 00:44:15,880 --> 00:44:19,879 Speaker 2: and saying, oh yeah, like the Kool Aid man, right. 860 00:44:19,880 --> 00:44:20,279 Speaker 6: I did not. 861 00:44:20,680 --> 00:44:21,080 Speaker 5: That did not. 862 00:44:22,680 --> 00:44:24,600 Speaker 2: That didn't resonate. A lot of people didn't get it 863 00:44:24,640 --> 00:44:26,480 Speaker 2: because brick walls are sacred there. 864 00:44:26,520 --> 00:44:28,080 Speaker 1: Yeah, it's like cows in India. 865 00:44:28,160 --> 00:44:30,239 Speaker 2: Yeah, yeah, it's pretty similar to that they don't eat 866 00:44:30,239 --> 00:44:33,399 Speaker 2: brick in Guyana because it's just similar to the fatted calf, 867 00:44:33,480 --> 00:44:34,719 Speaker 2: the gold the golden calf. 868 00:44:34,880 --> 00:44:38,400 Speaker 1: And you're going to Charlie Hebdo Offices to do a 869 00:44:38,520 --> 00:44:40,120 Speaker 1: quick set after this, right. 870 00:44:40,360 --> 00:44:44,719 Speaker 2: Yeah, Well, first I'm doing I gotta do mushrooms with 871 00:44:45,680 --> 00:44:52,279 Speaker 2: Miranda July for fresh air. And then after that I 872 00:44:52,600 --> 00:44:55,480 Speaker 2: had to well, I haven't gotten the rights to do 873 00:44:55,520 --> 00:44:57,799 Speaker 2: the Charlie Hebdo Offices, but I'm gonna do like some 874 00:44:58,000 --> 00:45:01,040 Speaker 2: busking outside. I got some street stuff. I'm bringing a 875 00:45:01,600 --> 00:45:04,040 Speaker 2: character artist I know from Venice Beach who's gonna do 876 00:45:04,120 --> 00:45:06,600 Speaker 2: some charriacatures of people that are walking by and stuff, 877 00:45:07,640 --> 00:45:09,479 Speaker 2: a little bit of a how do you like it? Yeah, 878 00:45:09,560 --> 00:45:13,600 Speaker 2: a little bit of like come at me, dog. Yeah, 879 00:45:13,760 --> 00:45:16,560 Speaker 2: you know that's you know, That's how I end most 880 00:45:16,560 --> 00:45:18,120 Speaker 2: of my sets, is like, all right, so you've heard 881 00:45:18,120 --> 00:45:20,319 Speaker 2: what I had to say. Now come at me dog. 882 00:45:20,320 --> 00:45:23,000 Speaker 2: Because I'm an equal opportunity employer. Man, you're not gonna come. 883 00:45:23,080 --> 00:45:25,760 Speaker 2: I'm not gonna come to your school shred you guys, 884 00:45:25,800 --> 00:45:28,759 Speaker 2: shred everything you believe in without giving you a chance 885 00:45:28,800 --> 00:45:32,160 Speaker 2: to come up. Like I did. I did something at 886 00:45:32,280 --> 00:45:37,759 Speaker 2: uh uh University of Iowa where the for the fraternity show. 887 00:45:37,840 --> 00:45:40,279 Speaker 2: What were those guys, the those nice kids with a 888 00:45:40,320 --> 00:45:45,480 Speaker 2: fun song about uh oh Oklahoma. Yeah yeah, yeah, that 889 00:45:45,560 --> 00:45:48,040 Speaker 2: was like a fun little topical song. So I went 890 00:45:48,080 --> 00:45:49,759 Speaker 2: down to that school and then I had, you know, 891 00:45:49,800 --> 00:45:51,920 Speaker 2: I did some material there. And then when I said 892 00:45:51,960 --> 00:45:54,520 Speaker 2: come at me dog, uh, some of the girls from 893 00:45:54,520 --> 00:45:56,640 Speaker 2: the sorority came up with like a sharpie marker and 894 00:45:56,680 --> 00:45:59,600 Speaker 2: like circled all my fat and imperfections on my body 895 00:45:59,600 --> 00:46:02,640 Speaker 2: and stuff. And I'm game for that. If I'm gonna 896 00:46:02,640 --> 00:46:06,000 Speaker 2: be here magnet pointing a fucking lens, the lens of 897 00:46:06,040 --> 00:46:08,360 Speaker 2: truth at different things, I'm going to be allowed to 898 00:46:08,360 --> 00:46:10,080 Speaker 2: turn that lens upon myself every once. 899 00:46:10,160 --> 00:46:11,880 Speaker 1: And it's like you said, I mean, you did just 900 00:46:11,960 --> 00:46:15,239 Speaker 1: say you're an equal opportunity employer. And I hate when 901 00:46:15,280 --> 00:46:19,280 Speaker 1: people change that term to be equal opportunity offender because 902 00:46:19,280 --> 00:46:22,560 Speaker 1: it's like, no, you're providing your enjoyment. You're giving them 903 00:46:22,600 --> 00:46:25,439 Speaker 1: the job of either laughing or coming at you dog. 904 00:46:25,600 --> 00:46:27,359 Speaker 2: And if they come at me dog, and I like it, 905 00:46:27,440 --> 00:46:29,359 Speaker 2: I'll buy that joke off them. Yeah you know what 906 00:46:29,360 --> 00:46:31,600 Speaker 2: I mean, Like I'll let that, Like I'll be like 907 00:46:31,640 --> 00:46:35,440 Speaker 2: that's pretty solid. I do look like Peter Jackson. So 908 00:46:35,560 --> 00:46:38,200 Speaker 2: I'll take that like that hurts, but I'll take that. 909 00:46:38,200 --> 00:46:39,920 Speaker 2: I'll buy it off them. And now I could use 910 00:46:39,920 --> 00:46:42,319 Speaker 2: that in my act. The sharpie is still bleeding through 911 00:46:42,360 --> 00:46:44,319 Speaker 2: your t shirt. Yeah, I haven't had a chance to 912 00:46:44,520 --> 00:46:46,320 Speaker 2: rinse off. I had to kind of get out of 913 00:46:46,320 --> 00:46:49,440 Speaker 2: that school pretty fast. I was trying to get a 914 00:46:49,520 --> 00:46:51,680 Speaker 2: sing along going. But they don't know all the same 915 00:46:51,719 --> 00:46:53,080 Speaker 2: words to songs as I do. 916 00:46:53,239 --> 00:46:53,960 Speaker 1: You know, mmmm. 917 00:46:54,239 --> 00:46:54,439 Speaker 5: Yeah. 918 00:46:54,560 --> 00:46:56,239 Speaker 1: Century is a tough one. 919 00:46:56,840 --> 00:46:59,200 Speaker 2: It is because a lot of people only know the beginning, 920 00:46:59,239 --> 00:47:01,839 Speaker 2: you know. You know, it's one of those you think 921 00:47:01,880 --> 00:47:05,080 Speaker 2: you know it after Crystal Ball, everyone falls off. You know, 922 00:47:05,239 --> 00:47:07,440 Speaker 2: I ain't got a fuck. I have no idea what's 923 00:47:07,480 --> 00:47:08,120 Speaker 2: coming up next. 924 00:47:08,200 --> 00:47:11,040 Speaker 1: Yeah, they kind of do that. 925 00:47:10,960 --> 00:47:14,480 Speaker 2: And I yeah, yeah, exactly, yeah, and they come back. 926 00:47:14,320 --> 00:47:16,920 Speaker 1: In and and then you just don't know. 927 00:47:17,480 --> 00:47:19,080 Speaker 5: We should do the popcorn gallery. 928 00:47:19,280 --> 00:47:20,759 Speaker 1: Oh maybe let's do it. 929 00:47:20,800 --> 00:47:23,239 Speaker 5: Well, will you find the song Brett just to google it? 930 00:47:23,280 --> 00:47:23,360 Speaker 1: Now. 931 00:47:23,400 --> 00:47:25,280 Speaker 2: I'm a huge fan of the podcast. I'm a diehard 932 00:47:25,320 --> 00:47:27,120 Speaker 2: fan podcast like you guys a lot, But I don't, 933 00:47:27,160 --> 00:47:29,919 Speaker 2: you know, I don't listen at all. Listen I don't 934 00:47:29,920 --> 00:47:32,879 Speaker 2: know and you were on it, you forgot what happened that? Yeah, yeah, yeah, 935 00:47:32,880 --> 00:47:36,359 Speaker 2: so yeah, Well, because you know, I've got a lot 936 00:47:36,440 --> 00:47:38,279 Speaker 2: I'm living a life here, so you know, I'm coming 937 00:47:38,280 --> 00:47:40,320 Speaker 2: from here, I'm doing something after, I'm doing something before, 938 00:47:40,400 --> 00:47:42,640 Speaker 2: and for me, some things just get lost on them. 939 00:47:42,680 --> 00:47:44,080 Speaker 5: No, a lot of our guests are not. 940 00:47:44,320 --> 00:47:47,200 Speaker 3: It's refreshing because some of them listen to the show 941 00:47:47,800 --> 00:47:48,319 Speaker 3: and like. 942 00:47:48,400 --> 00:47:50,040 Speaker 2: You know, and they come on and they want to. 943 00:47:50,040 --> 00:47:51,880 Speaker 3: Do and they come on and they like know what 944 00:47:51,920 --> 00:47:53,680 Speaker 3: the different bits are and stuff, and it's like. 945 00:47:53,600 --> 00:47:56,800 Speaker 1: What is frustrating in a way where it's like, hey, loser, 946 00:47:57,000 --> 00:47:59,160 Speaker 1: like we do the show, you just be here and 947 00:47:59,400 --> 00:48:07,840 Speaker 1: and do the d MT with the saracaning. I wish 948 00:48:07,960 --> 00:48:09,840 Speaker 1: that's and I'm kidding, but that's one of the like 949 00:48:09,920 --> 00:48:10,719 Speaker 1: the jokes you were. 950 00:48:10,719 --> 00:48:13,040 Speaker 2: Keeping the pattern a line. Well, it's like for me, 951 00:48:13,120 --> 00:48:15,480 Speaker 2: you know, I look at I look at the headlines, 952 00:48:15,480 --> 00:48:16,759 Speaker 2: I look at the audience, and I come up with 953 00:48:16,800 --> 00:48:19,279 Speaker 2: shit I like to Like I actually kept my eyes 954 00:48:19,320 --> 00:48:21,479 Speaker 2: closed on the elevator ride up here, and I didn't 955 00:48:21,480 --> 00:48:23,400 Speaker 2: open them until I walked into this room because I 956 00:48:23,440 --> 00:48:25,319 Speaker 2: want to be like a baby and I see the world. 957 00:48:25,360 --> 00:48:28,520 Speaker 2: This is my first vision, Brett's got a haircut. You 958 00:48:28,560 --> 00:48:31,760 Speaker 2: guys are both size medium shirts. Like this is something 959 00:48:31,760 --> 00:48:33,520 Speaker 2: that just hits you right away when you walk in. 960 00:48:33,760 --> 00:48:36,280 Speaker 2: And now I'm flowing with it. So what's this popcorn gallery? 961 00:48:36,320 --> 00:48:36,520 Speaker 9: Shit? 962 00:48:39,680 --> 00:48:41,000 Speaker 5: We forgot to get questions. 963 00:48:41,040 --> 00:48:45,520 Speaker 3: We asked questions for you from listeners, and this time 964 00:48:45,600 --> 00:48:48,359 Speaker 3: what they've done is written their questions into the newspaper. 965 00:48:49,080 --> 00:48:51,759 Speaker 2: And so you've requested that they write their questions into 966 00:48:51,800 --> 00:48:53,040 Speaker 2: the La Times of the. 967 00:48:53,080 --> 00:48:54,640 Speaker 5: La Times opinion page. 968 00:48:54,719 --> 00:48:57,760 Speaker 3: Yes, and so these are questions for you, John Gabrius, 969 00:48:58,000 --> 00:48:59,480 Speaker 3: from our listeners. 970 00:48:59,560 --> 00:49:04,719 Speaker 2: Via the La Times Opinion. Yes, here's the first one 971 00:49:04,840 --> 00:49:05,279 Speaker 2: for John. 972 00:49:05,920 --> 00:49:06,200 Speaker 5: John. 973 00:49:06,680 --> 00:49:09,680 Speaker 3: The next presidential election is coming in twenty sixteen, and 974 00:49:09,680 --> 00:49:12,720 Speaker 3: look who the probable nominees are. A Clinton and a Bush. 975 00:49:12,800 --> 00:49:18,360 Speaker 3: That would be Hillary and Jeb this time right, well, our. 976 00:49:18,200 --> 00:49:21,960 Speaker 2: Guys are He's ready to go full circle. I'm gonna 977 00:49:21,960 --> 00:49:23,640 Speaker 2: have a field day with this in a country of 978 00:49:23,719 --> 00:49:25,320 Speaker 2: more than three hundred million people. 979 00:49:25,360 --> 00:49:26,520 Speaker 5: This is the best we can do. 980 00:49:26,760 --> 00:49:29,320 Speaker 3: With Clinton, we would get our ex president husband lurking 981 00:49:29,360 --> 00:49:31,640 Speaker 3: in the background. Bush is one of the lesser known 982 00:49:31,640 --> 00:49:33,480 Speaker 3: members of the Bush clan, but he's probably the most 983 00:49:33,520 --> 00:49:36,719 Speaker 3: electable Republican maybe some better choices will come along, or 984 00:49:36,719 --> 00:49:39,160 Speaker 3: we can only hope trouble is the best. People don't 985 00:49:39,200 --> 00:49:41,360 Speaker 3: want a job where half the country will oppose everything 986 00:49:41,400 --> 00:49:44,160 Speaker 3: they do. I wish us luck. We're gonna need it. 987 00:49:44,280 --> 00:49:47,080 Speaker 3: And that's from our listener, Ron Swinson and Gino. 988 00:49:47,000 --> 00:49:51,680 Speaker 2: Okay, and his question is is this the best in 989 00:49:51,719 --> 00:49:53,320 Speaker 2: a country more than three hundred million people? 990 00:49:53,400 --> 00:49:55,720 Speaker 5: Is this the best we can do? Is in the middle. 991 00:49:55,960 --> 00:49:59,759 Speaker 2: Yeah, off the top of my head. Yes, that's just 992 00:50:00,000 --> 00:50:02,600 Speaker 2: I think, just riffing here. Yeah, it's the best we 993 00:50:02,640 --> 00:50:08,239 Speaker 2: could do. So it's Hillary Jeb Yeah, so yeah, it's 994 00:50:08,280 --> 00:50:08,920 Speaker 2: the best we could do. 995 00:50:09,320 --> 00:50:13,880 Speaker 3: Next question, Great, here's a question about the drought. 996 00:50:15,000 --> 00:50:16,960 Speaker 2: Oh good, very topical. 997 00:50:17,280 --> 00:50:19,759 Speaker 3: California is turning itself upside down because of the water 998 00:50:19,840 --> 00:50:22,200 Speaker 3: consumed by an agricultural industry that only has a modest 999 00:50:22,200 --> 00:50:24,640 Speaker 3: impact on the state's overall economy and produces food only 1000 00:50:24,640 --> 00:50:27,120 Speaker 3: a modest percentage of which is consumed by Californias. 1001 00:50:27,719 --> 00:50:30,160 Speaker 2: What what is wrong with this picture? 1002 00:50:30,320 --> 00:50:33,680 Speaker 3: Our drought is a national issue and deserves federal government consideration. 1003 00:50:34,000 --> 00:50:36,880 Speaker 3: The billions needed for water infrastructure, desalentation, or both should 1004 00:50:36,880 --> 00:50:38,120 Speaker 3: be a national expense. 1005 00:50:38,840 --> 00:50:42,080 Speaker 5: So what is wrong with that picture to you, John. 1006 00:50:42,719 --> 00:50:45,120 Speaker 2: That's the thing, man, We're not ready for it until 1007 00:50:45,120 --> 00:50:47,920 Speaker 2: it's on your front door, right, That's what I always say, 1008 00:50:48,239 --> 00:50:50,359 Speaker 2: get water, yeah, front door. Yeah. We didn't care about 1009 00:50:50,360 --> 00:50:53,399 Speaker 2: domestic terrorism until it hit us in the fucking gut. 1010 00:50:53,440 --> 00:50:57,279 Speaker 2: You know. We didn't care about race riots till it 1011 00:50:57,360 --> 00:50:59,680 Speaker 2: hit us in the fucking gut. We didn't care about 1012 00:51:00,280 --> 00:51:03,160 Speaker 2: animal testing of makeup until it hit us in the 1013 00:51:03,200 --> 00:51:07,360 Speaker 2: fucking gun. That was a big one. That was a 1014 00:51:07,400 --> 00:51:10,600 Speaker 2: big one. When Claire all Bunny escaped. You had the monkey, 1015 00:51:10,640 --> 00:51:11,359 Speaker 2: the Claire all. 1016 00:51:11,320 --> 00:51:12,480 Speaker 1: Monkeys and rabbits. 1017 00:51:13,880 --> 00:51:16,360 Speaker 2: Because I was like very confused, I ran into a 1018 00:51:16,520 --> 00:51:18,799 Speaker 2: chimp on Ninth Street, went back when I was living 1019 00:51:18,840 --> 00:51:20,719 Speaker 2: in New York, and it had lipstick on and I 1020 00:51:20,760 --> 00:51:27,160 Speaker 2: thought it was some sort of prank. Oh, ship, that's weird. 1021 00:51:27,200 --> 00:51:29,520 Speaker 2: Your dad's calling my phone. I guess I'll just shut 1022 00:51:29,560 --> 00:51:32,160 Speaker 2: it off. No, you can get it. Yeah, just talked 1023 00:51:32,160 --> 00:51:38,319 Speaker 2: to him real quick, mister Davenport. Oh, I'm sorry. You 1024 00:51:38,400 --> 00:51:46,440 Speaker 2: remarried doctor, doctor, doctor Hussain Davenport. Well, yeah, no, this 1025 00:51:46,640 --> 00:51:50,840 Speaker 2: is Hayes's he married and changed his colleague. I wouldn't 1026 00:51:50,840 --> 00:51:55,919 Speaker 2: say friend, No, I just know him through Yeah, uh huh, yeah, 1027 00:51:55,920 --> 00:51:56,319 Speaker 2: I'll tell. 1028 00:51:56,280 --> 00:51:58,080 Speaker 5: Him all right. 1029 00:51:58,400 --> 00:52:02,960 Speaker 2: Sounds good. D D say American Ninja Too is now 1030 00:52:03,000 --> 00:52:10,560 Speaker 2: on Netflix streaming. That's what he was calling Michael the cough. 1031 00:52:11,960 --> 00:52:13,440 Speaker 2: He could have texted that. That would have been a 1032 00:52:13,480 --> 00:52:16,439 Speaker 2: lot easier. I'm excited for your father. 1033 00:52:16,520 --> 00:52:18,120 Speaker 1: I noticed you didn't say love you too when you 1034 00:52:18,160 --> 00:52:19,160 Speaker 1: got off the phone with him. 1035 00:52:19,400 --> 00:52:21,799 Speaker 2: Well, he said I love you to me, and I 1036 00:52:21,800 --> 00:52:23,600 Speaker 2: don't know I'm well enough to say I love him back. 1037 00:52:23,880 --> 00:52:26,680 Speaker 2: I'm not afraid to say that I love a handful 1038 00:52:26,719 --> 00:52:31,840 Speaker 2: of people in my life. My mother, my wife, Scarlett Johansson, 1039 00:52:32,560 --> 00:52:36,400 Speaker 2: Linda Carter, Yeah, Margot Robbie. 1040 00:52:36,080 --> 00:52:38,800 Speaker 1: The Pet Guy, the Peter Guy games. 1041 00:52:39,200 --> 00:52:44,560 Speaker 2: Yeah, not Josh Hutchinson, but yeah, and then Thor Yep, 1042 00:52:44,719 --> 00:52:48,440 Speaker 2: the character, character, the character, and Wendy the Snapple Lady. 1043 00:52:49,040 --> 00:52:51,200 Speaker 2: Those are the only people. Jennifer Coolidge, you talk a 1044 00:52:51,200 --> 00:52:53,200 Speaker 2: lot about it. I do talk a lot about Jennifer Coolidge, 1045 00:52:53,239 --> 00:52:55,960 Speaker 2: but that's more I'm in like with her, ready to 1046 00:52:56,040 --> 00:52:57,719 Speaker 2: fall head over heels with Stiffler's mind. 1047 00:52:57,760 --> 00:52:58,960 Speaker 5: You don't want to fall in love. 1048 00:53:00,400 --> 00:53:03,400 Speaker 3: Yeah, it's a little buckly, right, exactly. 1049 00:53:03,800 --> 00:53:06,239 Speaker 2: It was first when I saw Legally Blonde that I 1050 00:53:06,760 --> 00:53:10,360 Speaker 2: really Coolidge really hit it for me. And when she 1051 00:53:10,440 --> 00:53:13,439 Speaker 2: finally fucks the ups guy, I was excited. They don't 1052 00:53:13,440 --> 00:53:15,080 Speaker 2: show the fucking but I imagine. 1053 00:53:15,280 --> 00:53:15,520 Speaker 1: Yeah. 1054 00:53:16,440 --> 00:53:20,400 Speaker 2: That is literally my favorite joke of all time is 1055 00:53:20,440 --> 00:53:25,840 Speaker 2: that that scene Legally Blonde. I honestly I paused the 1056 00:53:25,920 --> 00:53:27,439 Speaker 2: first time I saw it. I was in the movie theater. 1057 00:53:27,480 --> 00:53:29,080 Speaker 2: I walked out because I was laughing so hard. I 1058 00:53:29,080 --> 00:53:32,920 Speaker 2: had full on pissed myself, full like because I had 1059 00:53:32,960 --> 00:53:36,520 Speaker 2: drank like a giant Doctor Pepper and Cherry Coke mix 1060 00:53:37,040 --> 00:53:39,279 Speaker 2: and I last saw I pissed my pants. I was 1061 00:53:39,320 --> 00:53:40,759 Speaker 2: just trying to watch it on airplane. I was flying 1062 00:53:40,760 --> 00:53:44,239 Speaker 2: back from Amsterdam watching Legally Blond. That scene came up again. 1063 00:53:44,280 --> 00:53:47,000 Speaker 2: I threw up on my fucking table, right right on 1064 00:53:47,080 --> 00:53:50,520 Speaker 2: my little tray threw up. I was laughing so hard 1065 00:53:50,560 --> 00:53:52,000 Speaker 2: I hit my gag reflex. 1066 00:53:52,080 --> 00:53:52,120 Speaker 6: Or. 1067 00:53:52,239 --> 00:53:55,560 Speaker 3: They sometimes don't let you do suicides at the movie theater. 1068 00:53:55,600 --> 00:53:57,640 Speaker 2: They won't let you do suicides movie theater, but if 1069 00:53:57,640 --> 00:53:59,960 Speaker 2: you ask nicely. At the arc light, there's this guy, 1070 00:54:00,280 --> 00:54:05,520 Speaker 2: uh Mick, who works well, he's Irish, red hair, Yeah 1071 00:54:05,520 --> 00:54:08,960 Speaker 2: he has red hair. He's so I'm his little favorite 1072 00:54:08,960 --> 00:54:09,680 Speaker 2: movie tag. 1073 00:54:09,719 --> 00:54:09,880 Speaker 5: You know. 1074 00:54:09,920 --> 00:54:11,840 Speaker 1: It says their favorite movie on their name tag, and 1075 00:54:11,840 --> 00:54:13,440 Speaker 1: his is the wind that shakes the barley. 1076 00:54:13,560 --> 00:54:18,640 Speaker 2: Yeah. So uh, I'll go up to Mick and I'll say, look, 1077 00:54:18,680 --> 00:54:19,960 Speaker 2: I know I'm not supposed to do this, but give 1078 00:54:20,000 --> 00:54:23,439 Speaker 2: me half Doctor Pepper, half Cherry Coke, half DP half CC. 1079 00:54:23,600 --> 00:54:26,160 Speaker 2: Give me the DPCC baby. And he knows what I'm 1080 00:54:26,160 --> 00:54:28,399 Speaker 2: talking about. He hooks it up. Then I get the 1081 00:54:28,880 --> 00:54:32,520 Speaker 2: I get the spicy brat with the mango jalapeno sauce 1082 00:54:32,560 --> 00:54:35,480 Speaker 2: on top, extra relish, and I'll sit in the back 1083 00:54:35,520 --> 00:54:37,960 Speaker 2: movie theater and just fucking ham it. Drink, dip it 1084 00:54:38,040 --> 00:54:40,040 Speaker 2: right in the drink, float it in there for a 1085 00:54:40,040 --> 00:54:41,960 Speaker 2: little bit. Sip the drink and a little of the 1086 00:54:41,960 --> 00:54:45,640 Speaker 2: mango jalapeno essence in there. Take the dog out. The 1087 00:54:45,680 --> 00:54:49,040 Speaker 2: bun is like half dissolved. Pop that right down the gullet, 1088 00:54:49,560 --> 00:54:51,479 Speaker 2: and then I'll leave before the movie starts. Out there, 1089 00:54:51,640 --> 00:54:56,000 Speaker 2: easy on your stomach. It's like the Joey chestnut. Yeah. 1090 00:54:56,080 --> 00:54:59,320 Speaker 2: Kobayashi crazy Legs CONTI that was my old crew I 1091 00:54:59,400 --> 00:55:02,759 Speaker 2: used to run with and back when I was doing 1092 00:55:02,960 --> 00:55:06,560 Speaker 2: you know, amateur competitive eating. Well, I thought I was 1093 00:55:06,640 --> 00:55:08,279 Speaker 2: just eating, but a lot of people were telling me 1094 00:55:08,400 --> 00:55:11,359 Speaker 2: This is highly competitive the way you're eating. People would 1095 00:55:11,440 --> 00:55:13,960 Speaker 2: come up and just start competing with you. Yeah. That's 1096 00:55:14,000 --> 00:55:16,160 Speaker 2: how I first met Crazy Legs. I was at an 1097 00:55:16,239 --> 00:55:19,200 Speaker 2: oyster bar in on Pearl Street in Manhattan, and I 1098 00:55:19,239 --> 00:55:21,440 Speaker 2: had about you know, I was on the tenth dozen. 1099 00:55:22,200 --> 00:55:26,200 Speaker 2: I had gotten up to diarrhea a few times, and 1100 00:55:27,280 --> 00:55:29,040 Speaker 2: Crazy Legs CONTI comes in, he goes. I got a 1101 00:55:29,040 --> 00:55:30,719 Speaker 2: call from the manager says, you're you're up to one 1102 00:55:30,760 --> 00:55:33,200 Speaker 2: hundred and twenty oysters and I said, am I fuck, 1103 00:55:33,239 --> 00:55:35,799 Speaker 2: I don't have any money because you're in the shell. 1104 00:55:35,880 --> 00:55:36,040 Speaker 1: Yeah. 1105 00:55:36,040 --> 00:55:38,480 Speaker 2: Because I'm hammering the shells down, chewing through some of 1106 00:55:38,480 --> 00:55:41,560 Speaker 2: the shells, throwing them to my dog. You know whatever, 1107 00:55:41,560 --> 00:55:43,279 Speaker 2: I got my dog in the restaurant with me. It's 1108 00:55:43,440 --> 00:55:47,160 Speaker 2: it's a what's you called service? Yeah, it's a service. 1109 00:55:47,200 --> 00:55:50,319 Speaker 2: It's an emotional support dog. Yeah. Because this is when 1110 00:55:50,360 --> 00:55:52,480 Speaker 2: you were trying to get M MESS. Yeah I was. 1111 00:55:52,560 --> 00:55:54,759 Speaker 2: This was back when I was fucking two hundred and 1112 00:55:54,800 --> 00:55:57,320 Speaker 2: forty dollars a year right out of the pocket a 1113 00:55:57,560 --> 00:56:01,239 Speaker 2: post tax, trying to get MS, injecting myself with all 1114 00:56:01,280 --> 00:56:03,600 Speaker 2: kinds of different viruses and whatnot. 1115 00:56:03,680 --> 00:56:05,480 Speaker 1: I remember when I would go to eat with you. 1116 00:56:05,520 --> 00:56:07,280 Speaker 1: A lot of times you would be given a metal 1117 00:56:07,320 --> 00:56:09,680 Speaker 1: at the end of yeah, our meal, and you would 1118 00:56:09,680 --> 00:56:11,359 Speaker 1: be just as shocked as I was. 1119 00:56:11,560 --> 00:56:13,839 Speaker 2: For a while, I was only eating places that if 1120 00:56:13,880 --> 00:56:16,480 Speaker 2: you did a feat of eating your the meal was free. 1121 00:56:16,520 --> 00:56:17,960 Speaker 2: Because I was kind of broke for a little bit, 1122 00:56:18,160 --> 00:56:20,000 Speaker 2: because I refused to get a job, or you know, 1123 00:56:20,000 --> 00:56:21,719 Speaker 2: because I was asked to do I was asked to 1124 00:56:21,760 --> 00:56:24,000 Speaker 2: do Conan, I was asked to do the Daily Show. 1125 00:56:24,040 --> 00:56:27,080 Speaker 2: I was asked to host The Colbert Report before it 1126 00:56:27,120 --> 00:56:29,320 Speaker 2: was the Colbert Report, back when it was not anything. 1127 00:56:29,680 --> 00:56:31,360 Speaker 2: I was asked to that stuff, and I wouldn't I 1128 00:56:31,360 --> 00:56:34,360 Speaker 2: wouldn't sell out. So I was just doing my brand 1129 00:56:34,360 --> 00:56:37,000 Speaker 2: of truth telling down you know, downtown, at the comedy 1130 00:56:37,000 --> 00:56:43,040 Speaker 2: clubs down in Battery Park and Rector Street and Bushwick, 1131 00:56:43,560 --> 00:56:45,200 Speaker 2: and so I was I had to only eat meals 1132 00:56:45,200 --> 00:56:47,120 Speaker 2: I could afford, and the only meals I could afford 1133 00:56:47,160 --> 00:56:49,759 Speaker 2: were if you eat this eleven pound burger, it's free. 1134 00:56:50,280 --> 00:56:54,359 Speaker 2: So I'd eat that, go to the hospital, you know, 1135 00:56:54,920 --> 00:56:57,600 Speaker 2: be laid up for four or five days. Yeah, because 1136 00:56:58,040 --> 00:56:59,480 Speaker 2: I don't want to blow by some. 1137 00:56:59,560 --> 00:57:02,960 Speaker 1: Of the Colbert Rapport stuff they were doing when that 1138 00:57:03,080 --> 00:57:03,960 Speaker 1: was not a thing. 1139 00:57:05,360 --> 00:57:09,319 Speaker 2: That some of the edgiest humor. Well, I know that's 1140 00:57:09,360 --> 00:57:11,960 Speaker 2: the thing, but it was still a little too mainstream 1141 00:57:12,000 --> 00:57:14,560 Speaker 2: for me. But you're right, before Colbert was even around, 1142 00:57:15,000 --> 00:57:17,760 Speaker 2: they were doing shows that were the Colbert Rapport, not 1143 00:57:17,880 --> 00:57:20,320 Speaker 2: with Stephen Colbert, and not at all even about politics 1144 00:57:20,400 --> 00:57:24,560 Speaker 2: or Comedy Central. Yes, yeah, it was just they were 1145 00:57:24,600 --> 00:57:28,680 Speaker 2: all over. One of them was Full House, was a 1146 00:57:28,720 --> 00:57:31,919 Speaker 2: pre Colbert Colbert thing, right, they were trying that out, 1147 00:57:32,160 --> 00:57:37,800 Speaker 2: and then another thing was an episode of Cops, and 1148 00:57:37,800 --> 00:57:39,480 Speaker 2: and then one of it was a live show that 1149 00:57:39,600 --> 00:57:40,960 Speaker 2: just didn't translate well to tell. 1150 00:57:41,040 --> 00:57:45,200 Speaker 1: Anything where a desk was in frame was considered pre cod. 1151 00:57:45,080 --> 00:57:47,760 Speaker 2: For a while, that's what they were looking at because 1152 00:57:47,800 --> 00:57:50,240 Speaker 2: Comedy Central and that's what they knew they wanted. They 1153 00:57:50,240 --> 00:57:52,080 Speaker 2: hadn't met Colbert, but they knew a desk should be 1154 00:57:52,120 --> 00:57:53,640 Speaker 2: there or. 1155 00:57:53,720 --> 00:57:55,800 Speaker 5: Cops did not fall into that category. 1156 00:57:56,000 --> 00:58:00,200 Speaker 2: But but that's that's when that was pre the desk idea. 1157 00:58:00,240 --> 00:58:02,680 Speaker 2: That was just like, we need, we need a Colbert 1158 00:58:02,720 --> 00:58:05,919 Speaker 2: Report type show to come on after the Daily Show. 1159 00:58:05,920 --> 00:58:07,720 Speaker 2: And people would say what does that mean. We're like, 1160 00:58:07,720 --> 00:58:10,560 Speaker 2: we're not sure yet. And then that's like, well, let's 1161 00:58:10,560 --> 00:58:14,240 Speaker 2: watch the episodes of Cops and uh, let's watch the 1162 00:58:14,320 --> 00:58:16,720 Speaker 2: episodes full Let's watch tg I F and nothing came 1163 00:58:16,800 --> 00:58:19,480 Speaker 2: to them. Yeah that t G I F. 1164 00:58:19,520 --> 00:58:23,160 Speaker 1: And remembering shows from a long time ago, isn't that 1165 00:58:23,200 --> 00:58:26,760 Speaker 1: so great? Like maybe a picture from tg IF for 1166 00:58:26,960 --> 00:58:31,240 Speaker 1: Disney Afternoon and nostalgia. Isn't that in itself? Content? 1167 00:58:31,920 --> 00:58:32,120 Speaker 2: Yeah? 1168 00:58:32,280 --> 00:58:35,440 Speaker 1: Just rememberinding people of the theme song or something, or 1169 00:58:35,480 --> 00:58:38,040 Speaker 1: maybe a new angle on like what was in that 1170 00:58:38,160 --> 00:58:40,480 Speaker 1: gummy berry juice? Am I crazier? 1171 00:58:40,640 --> 00:58:43,320 Speaker 2: Was it just cocaine? Like isn't that funny? 1172 00:58:43,440 --> 00:58:43,600 Speaker 1: Yeah? 1173 00:58:43,720 --> 00:58:46,840 Speaker 2: I love when people say shit like you know what? 1174 00:58:46,840 --> 00:58:50,080 Speaker 2: What's comments? Thoughts? You know the comments the dog from 1175 00:58:50,080 --> 00:58:52,120 Speaker 2: full House. I like when people hit you with stuff 1176 00:58:52,160 --> 00:58:58,560 Speaker 2: like that or like yeah yeah, or like wait, Steven 1177 00:58:58,680 --> 00:59:01,640 Speaker 2: Erkle is that his name? Yeah, the black kid with 1178 00:59:01,680 --> 00:59:04,880 Speaker 2: the glasses. I forget his fucking name. Everybody loves Stephen 1179 00:59:04,920 --> 00:59:07,200 Speaker 2: Arkle or everybody hates Stephen Arkle. Hold on, I'm gonna 1180 00:59:07,240 --> 00:59:12,720 Speaker 2: do something that is very good. Wood got any Did 1181 00:59:12,800 --> 00:59:20,600 Speaker 2: somebody got any wood? Somebody got any wood? Cut it in? 1182 00:59:21,240 --> 00:59:25,080 Speaker 1: Yes? And that And I feel like that stuff to 1183 00:59:25,160 --> 00:59:26,120 Speaker 1: me is what's good. 1184 00:59:26,600 --> 00:59:28,320 Speaker 2: Yeah. Well, because a lot of people I find that 1185 00:59:28,400 --> 00:59:28,960 Speaker 2: really funny. 1186 00:59:29,040 --> 00:59:30,760 Speaker 5: If did you ever. 1187 00:59:30,760 --> 00:59:35,040 Speaker 2: Love the eighties or nineties on the show. Professionally, I 1188 00:59:35,120 --> 00:59:38,280 Speaker 2: never really seems like I'm built for it. I'm built 1189 00:59:38,320 --> 00:59:41,040 Speaker 2: for it. I never loved the eighties or nineties professionally, 1190 00:59:41,120 --> 00:59:43,919 Speaker 2: and I've never had a best week ever. 1191 00:59:44,360 --> 00:59:44,640 Speaker 5: Dude. 1192 00:59:44,680 --> 00:59:46,880 Speaker 1: Some of the stuff we watched when we were kids 1193 00:59:47,080 --> 00:59:49,080 Speaker 1: is fucked up when you think about it. 1194 00:59:49,240 --> 00:59:54,400 Speaker 2: Yeah, man, For example, ThunderCats hilarious, But how come the 1195 00:59:54,440 --> 00:59:56,440 Speaker 2: one panther that was clearly first of all, he was 1196 00:59:56,480 --> 01:00:01,080 Speaker 2: a panther, had a black voice, was my and was 1197 01:00:01,120 --> 01:00:04,400 Speaker 2: the mechanic. That's bullshit, man. How about how about G 1198 01:00:04,520 --> 01:00:06,640 Speaker 2: I Joe? How about G I Joe? Let's see, who's 1199 01:00:06,640 --> 01:00:11,520 Speaker 2: the only black character on G I Joe roadblock the Chef. Literally, 1200 01:00:11,600 --> 01:00:16,560 Speaker 2: his name means the impeding of progress. It's making me sad. 1201 01:00:16,240 --> 01:00:16,760 Speaker 5: To hear this. 1202 01:00:16,880 --> 01:00:18,680 Speaker 2: The only other black guy might have been Snake Eyes, 1203 01:00:18,720 --> 01:00:20,360 Speaker 2: but they didn't even give him a fucking line or 1204 01:00:20,400 --> 01:00:24,280 Speaker 2: a face. Come, Gargamel. I hate the Smurfs. Yeah, now come, 1205 01:00:24,280 --> 01:00:26,720 Speaker 2: there's only one Lady Smurf where they run the train. 1206 01:00:26,800 --> 01:00:32,320 Speaker 1: Oh gosh, yeah what yeah, Papa Smurf fucking that chick, dude. 1207 01:00:32,360 --> 01:00:34,520 Speaker 2: I once time saw a video on Pornhubb that was 1208 01:00:34,600 --> 01:00:39,000 Speaker 2: fucking gargamel fingering uh uh smurf at and he built 1209 01:00:39,040 --> 01:00:43,320 Speaker 2: it came like a media. He built her. That's the thing, dude, 1210 01:00:43,360 --> 01:00:45,520 Speaker 2: He built his own life. People don't remember. He was 1211 01:00:45,560 --> 01:00:48,439 Speaker 2: trying to build her full size. Oh she came out small, 1212 01:00:48,480 --> 01:00:50,040 Speaker 2: and he's like, I guess she's just for finger. 1213 01:00:50,160 --> 01:00:52,560 Speaker 1: He built her infiltrate smurfs and break them up. But 1214 01:00:52,600 --> 01:00:54,680 Speaker 1: then if okay, then if she's the only girl, then 1215 01:00:54,720 --> 01:00:57,360 Speaker 1: how was there ever any little smurfs before that? Anyway, 1216 01:00:57,560 --> 01:00:59,040 Speaker 1: some of that stuff we watched when her kids is 1217 01:00:59,080 --> 01:01:00,440 Speaker 1: fucked up when you think about it. 1218 01:01:00,520 --> 01:01:02,440 Speaker 2: Yeah, if you ever forst out on that, if you 1219 01:01:02,480 --> 01:01:04,360 Speaker 2: want to fuck something super small, you have to wrap 1220 01:01:04,400 --> 01:01:09,040 Speaker 2: it and tape. You know that, you guys know that. 1221 01:01:09,080 --> 01:01:10,520 Speaker 2: Though right, we missed this. 1222 01:01:11,000 --> 01:01:12,520 Speaker 5: We missed you doing this. 1223 01:01:13,040 --> 01:01:15,440 Speaker 2: I missed you guys doing this. I'm talking about you 1224 01:01:15,520 --> 01:01:17,720 Speaker 2: on the eighties and nineties. Shiit like, why should have 1225 01:01:17,720 --> 01:01:18,479 Speaker 2: been there? Yes? 1226 01:01:18,600 --> 01:01:19,440 Speaker 5: I should have been there. 1227 01:01:20,040 --> 01:01:24,200 Speaker 9: Holden in a bood the modern humorists, the modern he 1228 01:01:24,400 --> 01:01:27,120 Speaker 9: was holding in a boode. We had there mixing, We 1229 01:01:27,160 --> 01:01:30,440 Speaker 9: had MiB said Simmons, the Man in Black. 1230 01:01:30,240 --> 01:01:37,320 Speaker 11: And Franngela Frantila. We had sheer Godfrey. I mean, come on, 1231 01:01:38,240 --> 01:01:41,400 Speaker 11: and no capers give me. We forgot to give the 1232 01:01:41,680 --> 01:01:45,920 Speaker 11: shock nice the two five cord gallery, we have how Christian. 1233 01:01:47,400 --> 01:01:50,560 Speaker 9: House sparks from Queer as Folk, Finnegan, we couldn't get 1234 01:01:50,600 --> 01:01:53,200 Speaker 9: you in there, Fittigan, the. 1235 01:01:53,160 --> 01:01:55,120 Speaker 2: Best fucking comics of the time. I could have been 1236 01:01:55,160 --> 01:01:56,560 Speaker 2: part of it, and I wouldn't even need to know 1237 01:01:56,600 --> 01:01:58,520 Speaker 2: anything about the show. Just show me a clip right there, 1238 01:01:58,520 --> 01:02:00,320 Speaker 2: and you know I could riff for a fucking half power. 1239 01:02:00,440 --> 01:02:02,600 Speaker 2: I would have filled beta tapes with information. 1240 01:02:02,720 --> 01:02:03,800 Speaker 1: Should we keep listing? 1241 01:02:04,880 --> 01:02:07,600 Speaker 2: We got a few more. I'm assuming Scottian. 1242 01:02:07,160 --> 01:02:10,680 Speaker 1: From Anthrax, Uh huh, rich Eisner. 1243 01:02:12,760 --> 01:02:15,800 Speaker 2: Richard Jenny. But he looked directly down the barrel, not 1244 01:02:15,920 --> 01:02:17,760 Speaker 2: to the interviewers, so they had to put a brick 1245 01:02:17,800 --> 01:02:20,160 Speaker 2: wall behind him to make it look make sense like 1246 01:02:20,240 --> 01:02:22,320 Speaker 2: he was at a stand up comedy club, and they 1247 01:02:22,400 --> 01:02:25,920 Speaker 2: superimposed a clip art microphone in front of him to 1248 01:02:25,920 --> 01:02:28,480 Speaker 2: help justify why he's the only guy looking right down 1249 01:02:28,520 --> 01:02:28,960 Speaker 2: the barrel. 1250 01:02:29,120 --> 01:02:31,120 Speaker 1: Well, if you brought up Richard Jenny, then I'll bring 1251 01:02:31,240 --> 01:02:32,040 Speaker 1: up Stuart Scott. 1252 01:02:34,800 --> 01:02:37,800 Speaker 2: Fair enough. Platypus man r I p A, you take 1253 01:02:37,800 --> 01:02:40,960 Speaker 2: a right platypus Man was one of the Platypus Man 1254 01:02:41,040 --> 01:02:42,640 Speaker 2: was one of the first stand up specials I ever 1255 01:02:42,720 --> 01:02:46,520 Speaker 2: saw that hooked me on comedy. Yeah, that and that 1256 01:02:46,600 --> 01:02:48,400 Speaker 2: and Dana Carvey critics choice. 1257 01:02:48,440 --> 01:02:50,000 Speaker 5: I thought, that's what you called Stuart Scott. 1258 01:02:50,440 --> 01:02:52,320 Speaker 2: No, no, no, no, Stuart. I don't know who Stuart 1259 01:02:52,320 --> 01:02:52,800 Speaker 2: Scott is. 1260 01:02:52,800 --> 01:02:52,960 Speaker 1: Is he? 1261 01:02:53,120 --> 01:02:53,440 Speaker 9: Uh? 1262 01:02:54,080 --> 01:02:59,040 Speaker 2: I don't know baseball player, basketball player first, so you 1263 01:02:59,120 --> 01:03:04,400 Speaker 2: might think he was a Okay, he's super tall. We 1264 01:03:04,480 --> 01:03:06,680 Speaker 2: forgot to do the popcorn gallery drops. 1265 01:03:06,840 --> 01:03:09,040 Speaker 1: Oh yeah, we never reached in to get those, so. 1266 01:03:09,080 --> 01:03:10,600 Speaker 5: You should reach in the bag twice. 1267 01:03:10,640 --> 01:03:11,200 Speaker 2: We did too. 1268 01:03:15,360 --> 01:03:19,720 Speaker 1: It's a minty toothpick. Oh well we have those, yeah, yeah, 1269 01:03:19,840 --> 01:03:21,520 Speaker 1: and then let's reach back in again. 1270 01:03:24,600 --> 01:03:27,280 Speaker 2: It's a losing scratch off, we think. 1271 01:03:27,800 --> 01:03:34,880 Speaker 7: Okay, so it's all right, great, well, thanks for yeah, 1272 01:03:36,080 --> 01:03:37,880 Speaker 7: and so anything you want to plug? 1273 01:03:39,680 --> 01:03:44,360 Speaker 2: Yeah, I'm doing some live shows. Uh, coming up, I'll 1274 01:03:44,360 --> 01:03:48,200 Speaker 2: be I'll be torn around, I'll be where do I 1275 01:03:48,240 --> 01:03:48,480 Speaker 2: have come? 1276 01:03:48,600 --> 01:03:50,400 Speaker 1: Let me just check my never mind, we don't really 1277 01:03:50,920 --> 01:03:52,320 Speaker 1: hold on. Let me just check my website, and it 1278 01:03:52,360 --> 01:03:55,240 Speaker 1: turns out we don't have time. Gabris dot Or. I 1279 01:03:55,240 --> 01:03:56,600 Speaker 1: thought you'd have the plug ready to. 1280 01:03:56,560 --> 01:03:59,520 Speaker 2: Go, now, hold on, stand by email it to us. 1281 01:03:59,520 --> 01:04:01,840 Speaker 2: Old on, Wait, hold on, I'm here. Hold on, I'm 1282 01:04:01,840 --> 01:04:04,440 Speaker 2: almost there and I'm locked in. Okay, oh wait, what's 1283 01:04:04,440 --> 01:04:08,280 Speaker 2: the pezzart? Okay, I'll just it's so great to verify. 1284 01:04:08,400 --> 01:04:09,880 Speaker 2: Wait hold on, hold on, I'm gonna just verify on 1285 01:04:09,880 --> 01:04:10,320 Speaker 2: my email. 1286 01:04:10,400 --> 01:04:14,920 Speaker 1: So please rate us on iTunes, like our Facebook page, and. 1287 01:04:15,280 --> 01:04:17,880 Speaker 2: Talk to us on the forums. One second pro version, 1288 01:04:18,240 --> 01:04:20,000 Speaker 2: pro version pro version. 1289 01:04:20,040 --> 01:04:21,800 Speaker 5: We're so out of time, I think we can. Okay, 1290 01:04:21,840 --> 01:04:22,840 Speaker 5: give it to mcgirl. 1291 01:04:23,520 --> 01:04:25,960 Speaker 2: Here it is, okay, at at John Gabris on Twitter. 1292 01:04:25,960 --> 01:04:27,920 Speaker 2: I found it here. It is at John Gabris on Twitter. 1293 01:04:27,960 --> 01:04:30,600 Speaker 2: No h in John or Gabris And you're okay, and 1294 01:04:30,640 --> 01:04:31,200 Speaker 2: that's the plug. 1295 01:04:31,280 --> 01:04:33,720 Speaker 3: Okay, great, Joe mcgirl is going to get a free 1296 01:04:34,240 --> 01:04:35,640 Speaker 3: Twitter shout out from you. 1297 01:04:35,880 --> 01:04:37,480 Speaker 2: Okay, you got it, Joe mcgirl. 1298 01:04:37,600 --> 01:04:38,720 Speaker 5: And what's it gonna say? 1299 01:04:40,040 --> 01:04:43,600 Speaker 2: Hey? Who knows? I don't know. I'm just gonna pull up. 1300 01:04:43,720 --> 01:04:45,560 Speaker 2: You know. My tweets are just me opening up the app, 1301 01:04:45,640 --> 01:04:49,680 Speaker 2: typing something in, hitting sense and you're officient. A lot 1302 01:04:49,680 --> 01:04:51,600 Speaker 2: of people do it completely different than me. I just 1303 01:04:51,640 --> 01:04:53,680 Speaker 2: opened up the app, write something in and hit click 1304 01:04:53,840 --> 01:04:55,480 Speaker 2: and just boom out. It's out there. 1305 01:04:55,640 --> 01:04:58,040 Speaker 1: Hey, I put my normal pants on one leg at 1306 01:04:58,040 --> 01:05:01,760 Speaker 1: a time, just like every other guy. And so here 1307 01:05:01,800 --> 01:05:03,520 Speaker 1: we go and let's get out of here. 1308 01:05:03,640 --> 01:05:05,360 Speaker 2: Bye, a big time fan. 1309 01:05:09,920 --> 01:05:14,600 Speaker 9: Hollywood, and book is brought to you by Wolf Cool Productions. 1310 01:05:14,120 --> 01:05:21,840 Speaker 2: Subsidiary of Calvin Unhobbes. Our baby,