1 00:00:00,040 --> 00:00:03,840 Speaker 1: All right, Hey, so Abby Anderson's podcast about to be on. 2 00:00:03,880 --> 00:00:06,560 Speaker 1: I really enjoyed this one because her and I are 3 00:00:06,600 --> 00:00:08,480 Speaker 1: I would say friends at this point. We've taken her 4 00:00:08,480 --> 00:00:11,720 Speaker 1: on the road open for me, she's been in the studio, 5 00:00:12,200 --> 00:00:16,079 Speaker 1: we've done shows together. So this was a very comfortable podcast, 6 00:00:16,079 --> 00:00:17,520 Speaker 1: so much so that when she walked in, I was like, 7 00:00:17,520 --> 00:00:19,360 Speaker 1: don't even talk to put the headphones on and let's start. 8 00:00:19,800 --> 00:00:21,919 Speaker 1: So I do think you liked this thing. The funny 9 00:00:21,960 --> 00:00:24,320 Speaker 1: thing about Abbe is she's very young, she's twenty two 10 00:00:24,400 --> 00:00:26,920 Speaker 1: that she ends up saying, and when we do this thing, 11 00:00:26,960 --> 00:00:28,760 Speaker 1: we talk about musical influences in a minute and all 12 00:00:28,800 --> 00:00:32,840 Speaker 1: her her super old people. Um, So I think you'll 13 00:00:32,880 --> 00:00:34,959 Speaker 1: like this episode. There are a lot of other ones 14 00:00:35,000 --> 00:00:36,479 Speaker 1: that we've done recently too that I would ask you 15 00:00:36,520 --> 00:00:39,319 Speaker 1: to check out your favorite recent one that we've done. Mike, 16 00:00:39,440 --> 00:00:44,400 Speaker 1: you think I really like Trevor from Old Dominions. Interesting. 17 00:00:44,520 --> 00:00:47,199 Speaker 1: I mean, everybody leaves and we're like, oh wow, that's 18 00:00:47,240 --> 00:00:50,239 Speaker 1: a good like the Laura vltzwe and I think just 19 00:00:50,360 --> 00:00:52,839 Speaker 1: from if you're looking for big artists, she's not one 20 00:00:52,880 --> 00:00:54,680 Speaker 1: that you would probably click on because she's a songwriter, 21 00:00:54,760 --> 00:00:57,000 Speaker 1: not known as an artist, but I really found that 22 00:00:57,040 --> 00:00:59,560 Speaker 1: one great, and Joy Williams too. I found those to 23 00:00:59,640 --> 00:01:01,400 Speaker 1: be great. If you look at for other ones, maybe 24 00:01:01,400 --> 00:01:03,840 Speaker 1: you're new to the podcast, you know you'll see some 25 00:01:03,920 --> 00:01:06,640 Speaker 1: names you don't recognize, but maybe you hop over and 26 00:01:06,880 --> 00:01:08,840 Speaker 1: check some of them out, and you know you can 27 00:01:08,880 --> 00:01:11,560 Speaker 1: always pause it and go to somebody else. Uh. There's 28 00:01:11,560 --> 00:01:15,080 Speaker 1: another podcast called Get Real with Caroline Hobby, which she 29 00:01:15,120 --> 00:01:19,200 Speaker 1: has on this week Uh. Lauren Aikins Thomas RT's wife. 30 00:01:19,200 --> 00:01:22,400 Speaker 1: She she talks to wives of country stars and people 31 00:01:22,480 --> 00:01:24,840 Speaker 1: love that one. I was look at some of her 32 00:01:24,880 --> 00:01:27,479 Speaker 1: numbers last night, and that podcast is killing it. It's 33 00:01:27,520 --> 00:01:30,880 Speaker 1: doing really well. And good for her because that podcast 34 00:01:30,920 --> 00:01:34,680 Speaker 1: has always been good. We've done nothing for her except 35 00:01:35,280 --> 00:01:37,400 Speaker 1: tell people about it. Like we brought her on our 36 00:01:37,440 --> 00:01:40,520 Speaker 1: network of shows, which we have, you know, six seven shows, 37 00:01:40,520 --> 00:01:44,319 Speaker 1: eight shows, whatever, But we didn't make our show better 38 00:01:44,319 --> 00:01:47,120 Speaker 1: at all. It was just always that good. And now 39 00:01:47,200 --> 00:01:49,520 Speaker 1: I'm just glad that people can actually hear it. There's 40 00:01:49,560 --> 00:01:52,560 Speaker 1: another one with Caroline Bryan Luke, Bryan's wife, This is Fantastic, 41 00:01:52,560 --> 00:01:53,960 Speaker 1: which is really the one that kind of put me 42 00:01:54,000 --> 00:01:58,800 Speaker 1: on that show. I was with Caroline this weekend and um, 43 00:01:58,960 --> 00:02:01,440 Speaker 1: because I was Luke for American but Caroline was here 44 00:02:01,440 --> 00:02:04,480 Speaker 1: because it's finale so nice and and her and I 45 00:02:04,520 --> 00:02:05,800 Speaker 1: talked for a bit and we follow each other on 46 00:02:05,840 --> 00:02:08,520 Speaker 1: Instagram and she was like, you know, she's a big 47 00:02:08,560 --> 00:02:11,760 Speaker 1: fan of the show at the radio show and she's like, 48 00:02:11,800 --> 00:02:13,680 Speaker 1: I'm you know, you're killing it. And then she was 49 00:02:13,720 --> 00:02:16,560 Speaker 1: like I love Amy, and I was like, joined the 50 00:02:16,680 --> 00:02:18,880 Speaker 1: joined the crowd as like, as as cool as the 51 00:02:18,919 --> 00:02:21,800 Speaker 1: game he is, she's even better in person. Amy has 52 00:02:21,800 --> 00:02:25,640 Speaker 1: a podcast called four Things with Amy Brown, and the 53 00:02:25,639 --> 00:02:27,480 Speaker 1: the fun thing about that is she really takes pride 54 00:02:27,520 --> 00:02:30,799 Speaker 1: in that podcast, like she she puts a lot of 55 00:02:30,840 --> 00:02:33,880 Speaker 1: work into and does a great job. And as much 56 00:02:33,919 --> 00:02:36,560 Speaker 1: crap as they give Amy about just being scatter brained, 57 00:02:36,760 --> 00:02:39,560 Speaker 1: I think that podcast is is scattered and there's four 58 00:02:39,560 --> 00:02:41,799 Speaker 1: different things. It's her brain in a podcast, but it's 59 00:02:41,800 --> 00:02:43,639 Speaker 1: pretty contained and it's really good. So you can check 60 00:02:43,680 --> 00:02:46,240 Speaker 1: that out. The guys have the Sore Losers podcast if 61 00:02:46,240 --> 00:02:47,519 Speaker 1: you like sports or if you want to recommend that 62 00:02:47,560 --> 00:02:51,120 Speaker 1: to somebody. Um. Kelly Henderson has the velvets Edge podcast, 63 00:02:51,120 --> 00:02:52,880 Speaker 1: which actually got a good little bump after the show. 64 00:02:53,280 --> 00:02:55,680 Speaker 1: She went on and talked about it on Very Cavalry 65 00:02:56,480 --> 00:02:58,560 Speaker 1: and got a good little bump there and people are 66 00:02:58,600 --> 00:03:01,079 Speaker 1: checking it out. So it's a lifestyle podcast here in Nashville. 67 00:03:01,639 --> 00:03:05,000 Speaker 1: Um any any what we're missing right now just from 68 00:03:05,040 --> 00:03:08,560 Speaker 1: promoting those uh, the Raging Idiots My my two man 69 00:03:08,720 --> 00:03:12,560 Speaker 1: comedy band. I hesitate to say band at this point 70 00:03:12,600 --> 00:03:14,280 Speaker 1: because we're not going out with the full band because 71 00:03:14,280 --> 00:03:16,200 Speaker 1: we're not doing like a big, in your face music show. 72 00:03:16,240 --> 00:03:18,640 Speaker 1: We're doing a comedy music show which is just Eddie 73 00:03:18,639 --> 00:03:21,480 Speaker 1: and myself, which I've called it's just the two of us, sorry, 74 00:03:21,520 --> 00:03:23,560 Speaker 1: but we're all. I guess there's three of us because 75 00:03:23,560 --> 00:03:25,959 Speaker 1: we're bringing Walker Burrows to play keys for us, who 76 00:03:26,040 --> 00:03:28,560 Speaker 1: was on American Idol this season and was when we 77 00:03:28,600 --> 00:03:31,360 Speaker 1: went to Hollywood Week. I saw him play and before 78 00:03:31,360 --> 00:03:32,360 Speaker 1: I ever met in him, and I was like, Oh, 79 00:03:32,440 --> 00:03:35,680 Speaker 1: this guy's gonna go really far. And so he's gonna 80 00:03:35,680 --> 00:03:38,120 Speaker 1: come out and do some shows, all the shows, and 81 00:03:38,120 --> 00:03:42,120 Speaker 1: and my client's gonna open um, so come out and uh. 82 00:03:42,320 --> 00:03:45,119 Speaker 1: I don't know Denver in Chicago where we're starting, we're 83 00:03:45,120 --> 00:03:46,960 Speaker 1: but we're newing both of those cities, and tickets are 84 00:03:47,000 --> 00:03:51,320 Speaker 1: selling pretty well there. Some places are gone st Louis, Austin, 85 00:03:52,080 --> 00:03:55,160 Speaker 1: UM Richmond, Virginia. All the places they're sold out, but 86 00:03:55,200 --> 00:03:57,720 Speaker 1: the Denver, Chicago there's still some tickets left. Um So 87 00:03:57,800 --> 00:03:59,000 Speaker 1: I would love for you to come out and see 88 00:03:59,040 --> 00:04:00,640 Speaker 1: that show. Also, we're going to all Aware. Never been 89 00:04:00,640 --> 00:04:04,600 Speaker 1: in Delaware in my life, which should be cool. Um 90 00:04:04,960 --> 00:04:08,200 Speaker 1: So check out the list. San Antonio, come see us. 91 00:04:08,920 --> 00:04:10,560 Speaker 1: We're doing I think fourteen or fifteen cities and it 92 00:04:10,600 --> 00:04:12,320 Speaker 1: will be funny and we will be recording an album 93 00:04:12,360 --> 00:04:14,720 Speaker 1: out on the road again. At some point we're gonna 94 00:04:14,760 --> 00:04:15,960 Speaker 1: pick one of the cities and we feel like we 95 00:04:15,960 --> 00:04:18,760 Speaker 1: have five or six new funny songs. But Raging Idiots 96 00:04:18,880 --> 00:04:21,920 Speaker 1: dot Com. That being said, I shall let you get 97 00:04:21,920 --> 00:04:24,600 Speaker 1: to this podcast. Thank you for listening to the Bobby Cast, 98 00:04:24,880 --> 00:04:30,760 Speaker 1: and this is Abby Anderson. All right, you guys, all 99 00:04:30,839 --> 00:04:36,599 Speaker 1: right episode with Abby Anderson. One of the things that 100 00:04:36,640 --> 00:04:39,279 Speaker 1: I'm happiest about you being here is that some guests 101 00:04:39,440 --> 00:04:41,560 Speaker 1: I don't know that well, and so I have to 102 00:04:41,560 --> 00:04:43,200 Speaker 1: put on pants. I have on pants, but I have 103 00:04:43,240 --> 00:04:45,920 Speaker 1: to put on pants and on shoes that makeup on 104 00:04:46,200 --> 00:04:49,159 Speaker 1: for you know, and mm own house. And it's always 105 00:04:49,200 --> 00:04:51,400 Speaker 1: were when I have to get even though it's my house. 106 00:04:51,520 --> 00:04:54,400 Speaker 1: This is a real life studio. Oh it's fancy, y'all. 107 00:04:54,520 --> 00:04:57,960 Speaker 1: You can't y'all can't see it. Hit it. You know, 108 00:04:58,040 --> 00:05:05,440 Speaker 1: it's fancy. It's nice, like these microphones are crisp. My 109 00:05:05,520 --> 00:05:09,719 Speaker 1: point is like I'm wearing slippers because you would feel comfortable. 110 00:05:09,839 --> 00:05:12,400 Speaker 1: And I was like, oh, it's not just but it's 111 00:05:12,440 --> 00:05:17,919 Speaker 1: just avvy. It's okay. Um. I had a you probably 112 00:05:18,400 --> 00:05:21,120 Speaker 1: you probably understand this feeling, you know, when you're out 113 00:05:21,120 --> 00:05:23,240 Speaker 1: of town all the time and you have like your 114 00:05:23,279 --> 00:05:26,920 Speaker 1: one day it's like get your crap together day. I 115 00:05:26,960 --> 00:05:30,359 Speaker 1: call it my coconut oil day of like no makeup, 116 00:05:30,920 --> 00:05:37,480 Speaker 1: just like moisturize just here. Yeah, me on my coconut 117 00:05:37,480 --> 00:05:41,279 Speaker 1: oil day. There's no like days off. That's boring. I 118 00:05:41,279 --> 00:05:44,440 Speaker 1: would go crazy if I had nothing on my schedule today, 119 00:05:44,760 --> 00:05:46,640 Speaker 1: I'd be boring. When I look at my calendar and 120 00:05:46,640 --> 00:05:50,080 Speaker 1: it's just white, I start to feel like, oh, I'm 121 00:05:50,120 --> 00:05:53,760 Speaker 1: not good enough really, because I'm like, what what is 122 00:05:54,200 --> 00:05:55,960 Speaker 1: does somebody want me to do anything today? No? I 123 00:05:56,000 --> 00:05:58,240 Speaker 1: get excited about that. I'm like, I'm gonna go ted 124 00:05:59,600 --> 00:06:04,320 Speaker 1: okay the label and hang out and say hi to everybody. Yeah, 125 00:06:04,440 --> 00:06:07,520 Speaker 1: do you I have a spray tan actually tonight, Oh 126 00:06:07,800 --> 00:06:11,080 Speaker 1: I did that. I did a little self tanner. Actually, well, 127 00:06:11,120 --> 00:06:15,400 Speaker 1: I'm naturally tan. I am naturally like Native American Latino 128 00:06:15,480 --> 00:06:19,640 Speaker 1: A little bit. Wait, which one we'll both like Mexico 129 00:06:19,760 --> 00:06:23,640 Speaker 1: really is native, like Mexicans really are Native Americans. So 130 00:06:23,680 --> 00:06:29,000 Speaker 1: where my mother's Cherokee, she's got a Latina blunder, you know, 131 00:06:29,440 --> 00:06:36,120 Speaker 1: and my dad's just white, like he's really white. Like 132 00:06:36,800 --> 00:06:39,800 Speaker 1: what you can dance though, you know, I don't know that. 133 00:06:39,880 --> 00:06:42,440 Speaker 1: I'm okay. I have a bit of a rhythm, but 134 00:06:42,480 --> 00:06:48,000 Speaker 1: I don't know if I'm rhythm. I've been really good. 135 00:06:48,400 --> 00:06:51,480 Speaker 1: I actually have been really good. I can answer that honestly. 136 00:06:51,600 --> 00:06:54,919 Speaker 1: Why would you say you haven't? Would you answer dishonestly 137 00:06:54,920 --> 00:06:57,680 Speaker 1: in the past? Oh? Well, you know when people ask you, like, 138 00:06:57,720 --> 00:07:00,839 Speaker 1: how are you saying? Oh, I'm good? Oh I don't 139 00:07:01,040 --> 00:07:02,600 Speaker 1: you know what I mean. I'm like, well, when it's 140 00:07:02,640 --> 00:07:04,680 Speaker 1: just in passing, like, I don't want to even then, 141 00:07:04,720 --> 00:07:06,160 Speaker 1: I like, I'd like to go terrible. I just have 142 00:07:06,200 --> 00:07:09,320 Speaker 1: to stop and act like they here. Okay, I was 143 00:07:09,320 --> 00:07:11,120 Speaker 1: gonna say, I'm like, I don't want to burn people 144 00:07:11,160 --> 00:07:14,080 Speaker 1: with all the emotions going on in my soul, all 145 00:07:14,120 --> 00:07:16,680 Speaker 1: the time, you know, you know, exhaust me. I don't 146 00:07:16,680 --> 00:07:18,920 Speaker 1: really ask how people are doing because I feel like 147 00:07:18,960 --> 00:07:21,240 Speaker 1: that's such a fake question. I think I'm I always go, hey, 148 00:07:21,240 --> 00:07:23,680 Speaker 1: good to see you. I like that. I think that's 149 00:07:23,720 --> 00:07:26,400 Speaker 1: generally what I say. I don't care how you feel. 150 00:07:26,600 --> 00:07:29,320 Speaker 1: Goods not true. We don't have enough time to talk 151 00:07:29,360 --> 00:07:31,760 Speaker 1: about how that's what I mean, and I don't want 152 00:07:31,760 --> 00:07:34,200 Speaker 1: to answer to see you, So I'm like, hey, good 153 00:07:34,200 --> 00:07:36,320 Speaker 1: to see you. Smart not how are you? It's funny 154 00:07:36,320 --> 00:07:37,920 Speaker 1: do you say that. I'm gonna start saying that and 155 00:07:38,040 --> 00:07:40,640 Speaker 1: never say nice to meet you too. People. Oh, I 156 00:07:41,360 --> 00:07:44,360 Speaker 1: never do that anymore because like I did radio tour 157 00:07:44,480 --> 00:07:47,200 Speaker 1: last year, and I've done that so many times where 158 00:07:47,240 --> 00:07:49,920 Speaker 1: I really, I mean, I pride myself on remembering names. 159 00:07:50,040 --> 00:07:52,920 Speaker 1: I feel like I'm pretty great at that. And there's 160 00:07:52,960 --> 00:07:57,240 Speaker 1: been just a couple instances where I saw a person again, 161 00:07:57,680 --> 00:07:59,760 Speaker 1: you know, a p D, and I said nice to 162 00:08:00,160 --> 00:08:03,160 Speaker 1: nice to meet you. We're like, oh, I remember when 163 00:08:03,160 --> 00:08:06,080 Speaker 1: I had that hour long deep conversation with you, and 164 00:08:06,160 --> 00:08:09,040 Speaker 1: you don't remember the crap. I am like, I know 165 00:08:09,080 --> 00:08:12,040 Speaker 1: it sucks years, yeah, but i'd you say good to 166 00:08:12,040 --> 00:08:15,320 Speaker 1: see you all the time. You're safe because people you've 167 00:08:15,360 --> 00:08:17,560 Speaker 1: never met it's still good to see them. People you 168 00:08:17,600 --> 00:08:22,320 Speaker 1: haven't met don't get offended. Yeah, it's going to see Nike. 169 00:08:22,920 --> 00:08:25,960 Speaker 1: Good to see you. Never say nice to meet you 170 00:08:26,000 --> 00:08:28,160 Speaker 1: anymore so, but it is good to see you. Um 171 00:08:29,000 --> 00:08:31,720 Speaker 1: when do we see each other? Last? Um, it's one. 172 00:08:32,120 --> 00:08:38,120 Speaker 1: I was playing your classic's nineteen and Bobby I cried 173 00:08:38,240 --> 00:08:41,760 Speaker 1: my eye stairwell after. I know you did not to, 174 00:08:42,040 --> 00:08:46,000 Speaker 1: but what happened. I have this show every year where 175 00:08:46,040 --> 00:08:47,960 Speaker 1: I picked five artists and I try to support them 176 00:08:48,000 --> 00:08:50,240 Speaker 1: and put them on the radio. And we do one 177 00:08:50,360 --> 00:08:52,440 Speaker 1: show and you guys come out and play like four 178 00:08:52,480 --> 00:08:54,680 Speaker 1: or five songs or something, right, and you were sick, 179 00:08:55,000 --> 00:08:57,200 Speaker 1: and I think you were playing next to last or last. 180 00:08:57,440 --> 00:08:59,560 Speaker 1: We drew it all out randomly, so and I was like, 181 00:08:59,800 --> 00:09:02,760 Speaker 1: you don't go do don't do any songs. You're like, no, 182 00:09:02,800 --> 00:09:09,079 Speaker 1: I have to do. I'm such an attention hog that 183 00:09:09,080 --> 00:09:11,760 Speaker 1: I'm like, I have to go on stage like after. 184 00:09:12,840 --> 00:09:19,520 Speaker 1: And I appreciate you telling me. And so you go 185 00:09:19,679 --> 00:09:22,680 Speaker 1: up and you weren't well, and I can respect that, 186 00:09:22,760 --> 00:09:25,040 Speaker 1: but also I go, you shouldn't do that for the 187 00:09:25,160 --> 00:09:29,040 Speaker 1: longevity or even the middle levity well, it was a 188 00:09:29,040 --> 00:09:31,719 Speaker 1: good lesson for me. And then you you went up 189 00:09:31,800 --> 00:09:34,439 Speaker 1: and you didn't feel great, and you then you cried afterwards. 190 00:09:35,280 --> 00:09:37,440 Speaker 1: I almost I almost lost it on stage, but I 191 00:09:37,440 --> 00:09:39,640 Speaker 1: started like buying the inshaw, I'm all that, and like 192 00:09:39,679 --> 00:09:41,599 Speaker 1: shut up out of your phone, like just sing the 193 00:09:41,679 --> 00:09:47,360 Speaker 1: stinking song, you know. And I got through three you 194 00:09:47,360 --> 00:09:49,560 Speaker 1: you allowed us to play five, and by the third 195 00:09:49,600 --> 00:09:51,520 Speaker 1: one I just told the audience. I was like, yeah, 196 00:09:51,720 --> 00:09:55,400 Speaker 1: I know, I sound like crap. I know you hear it. 197 00:09:55,520 --> 00:09:58,040 Speaker 1: So I'm just you know, you know, I know this 198 00:09:58,160 --> 00:10:00,480 Speaker 1: song is new, but can you sing the last scores? 199 00:10:01,280 --> 00:10:04,160 Speaker 1: I realized I asked them to sing a song they 200 00:10:04,160 --> 00:10:06,920 Speaker 1: didn't know yet, but they did. What long with that? 201 00:10:07,040 --> 00:10:09,240 Speaker 1: Good Lord? The next thing to single out right now? 202 00:10:09,559 --> 00:10:24,719 Speaker 1: Good Luck? I learned. Okay, Anny Day, just jump ahead. Halleluia, 203 00:10:25,080 --> 00:10:30,480 Speaker 1: I get a night this episode. Wrote this? When you 204 00:10:30,480 --> 00:10:32,880 Speaker 1: wrote it, was this about the dude you're dating now 205 00:10:32,960 --> 00:10:36,120 Speaker 1: or not? It is, yeah, the same guy told you 206 00:10:36,160 --> 00:10:38,360 Speaker 1: about Yeah, I guess I know about him before, like 207 00:10:38,600 --> 00:10:42,440 Speaker 1: people knew you actually yeah, because I wasn't really good Lord. 208 00:10:42,440 --> 00:10:44,640 Speaker 1: I hadn't even written good Lord, I don't think yet, 209 00:10:44,760 --> 00:10:47,400 Speaker 1: like we had just started dating kinda. We were on 210 00:10:47,440 --> 00:10:50,120 Speaker 1: the road. Where we where were we is December? Mike, 211 00:10:50,160 --> 00:10:53,199 Speaker 1: you were out there with us is December? Because we 212 00:10:53,240 --> 00:10:56,560 Speaker 1: went to cheesecake factory? Did she got me cheesecake? I 213 00:10:56,760 --> 00:10:59,640 Speaker 1: ate your cheesecake anymore? Because I already had to people 214 00:10:59,840 --> 00:11:01,640 Speaker 1: I was let me ask me that she's and I 215 00:11:01,679 --> 00:11:04,320 Speaker 1: was like, that is not how your's getting Oh, I 216 00:11:04,360 --> 00:11:07,360 Speaker 1: get you stating next to me. Do you know where 217 00:11:07,360 --> 00:11:09,760 Speaker 1: we were? Well? So we go in and I'm like, 218 00:11:10,040 --> 00:11:12,559 Speaker 1: what's what's happening? Are you dating? You're like, yeah, I 219 00:11:12,920 --> 00:11:15,120 Speaker 1: got this guy. And she's gonna say what city? He said? 220 00:11:15,160 --> 00:11:19,880 Speaker 1: He was that's he's in Atlanta and you're dating my 221 00:11:19,960 --> 00:11:22,840 Speaker 1: voice right now? Yeah, And I was like, I'm drying. 222 00:11:23,120 --> 00:11:28,000 Speaker 1: I'm driving down a lot. But he makes me so happy. 223 00:11:28,600 --> 00:11:30,320 Speaker 1: And I was like, wait, good for you, and he 224 00:11:30,400 --> 00:11:33,520 Speaker 1: was like, yeah, he's normal. He's a normal job. He's 225 00:11:33,559 --> 00:11:36,480 Speaker 1: not even like us, He's not crazy. That's pretty much. 226 00:11:37,120 --> 00:11:39,640 Speaker 1: He is amazing. So I've been writing all the love 227 00:11:39,760 --> 00:11:43,079 Speaker 1: songs and it's been so fun to just I don't 228 00:11:43,120 --> 00:11:45,800 Speaker 1: have a safe place, you know what I mean? So 229 00:11:46,200 --> 00:11:47,920 Speaker 1: this is how much older is this guy than you? 230 00:11:48,080 --> 00:11:51,520 Speaker 1: He's seven, I'm twenty two. That's good. Yeah, I think 231 00:11:51,600 --> 00:11:54,439 Speaker 1: that's a healthy age difference. And so you met him, 232 00:11:54,440 --> 00:11:57,439 Speaker 1: how we met? Some of my big sister set ups 233 00:11:57,559 --> 00:12:00,760 Speaker 1: up a mutual friends. It's called that your big sister 234 00:12:00,760 --> 00:12:04,080 Speaker 1: helped out there. Big sister facilitated. She's the one. She 235 00:12:04,120 --> 00:12:06,200 Speaker 1: didn't even know him though. She was just at dinner 236 00:12:06,240 --> 00:12:09,000 Speaker 1: with mutual friends and they were like, hey, we have 237 00:12:09,080 --> 00:12:11,320 Speaker 1: this friend who lives in Atlanta. Do you think your 238 00:12:11,320 --> 00:12:14,520 Speaker 1: little sister would want to go on a date with him? 239 00:12:14,600 --> 00:12:17,760 Speaker 1: And she sent me and I like, Bobby, I'm the 240 00:12:17,840 --> 00:12:20,920 Speaker 1: first say like I was twenty one, I was just 241 00:12:20,960 --> 00:12:24,440 Speaker 1: starting radio tour. I'm like, I want to flirt with everybody, 242 00:12:24,480 --> 00:12:27,800 Speaker 1: like I'm gonna date around, get to know myself, you know, 243 00:12:27,840 --> 00:12:31,120 Speaker 1: because I love dating. That's that's the point of it all. 244 00:12:31,679 --> 00:12:33,599 Speaker 1: And my sister sent me a picture of him and 245 00:12:33,640 --> 00:12:38,679 Speaker 1: I was like okay, oh, like all right, all right, 246 00:12:38,800 --> 00:12:41,360 Speaker 1: and and um, I was pretty I was a little 247 00:12:41,400 --> 00:12:43,640 Speaker 1: snobby though, because I was like, send me his resume, 248 00:12:43,840 --> 00:12:45,760 Speaker 1: Like I asked for the resume, and I said, okay, 249 00:12:45,800 --> 00:12:47,800 Speaker 1: you can give me. You can give him my number, 250 00:12:48,200 --> 00:12:50,880 Speaker 1: but he's got to call me. Don't tell him to 251 00:12:50,920 --> 00:12:52,640 Speaker 1: text me like that. Boy and he's called me, and 252 00:12:52,640 --> 00:12:54,600 Speaker 1: he would have called me anyways. He's that kind of 253 00:12:55,240 --> 00:13:03,200 Speaker 1: southern gentlemen. No, yeah, no the first time. No, no, hey, 254 00:13:03,240 --> 00:13:06,959 Speaker 1: who's single? No? Let me tell you a story that 255 00:13:07,040 --> 00:13:08,520 Speaker 1: just happened to me today. Are you ready for this? 256 00:13:08,880 --> 00:13:11,400 Speaker 1: I guess it's different from a dude. Okay, go ahead, 257 00:13:11,400 --> 00:13:13,319 Speaker 1: you're right the who's single? You're right, it's me I 258 00:13:13,440 --> 00:13:18,160 Speaker 1: have single and you're not listen to this story? So 259 00:13:18,480 --> 00:13:21,160 Speaker 1: I was I've been talking to this girl a little 260 00:13:21,200 --> 00:13:26,480 Speaker 1: bit kind of I'll even i'll even um put the 261 00:13:26,480 --> 00:13:28,880 Speaker 1: people's name in that. That kind of facilitated it. So 262 00:13:29,640 --> 00:13:32,920 Speaker 1: Lauren Elenea is on her Answer story and she meets 263 00:13:32,920 --> 00:13:36,559 Speaker 1: somebody and she's like, oh you two would be like 264 00:13:37,800 --> 00:13:40,560 Speaker 1: why are you mout? Are you opening your mouth? Be okay? 265 00:13:40,720 --> 00:13:44,640 Speaker 1: So anyway, oh my god, no, no no, wait no, 266 00:13:44,640 --> 00:13:49,040 Speaker 1: no wait for it though, for what wait for what happened? 267 00:13:49,440 --> 00:13:54,120 Speaker 1: So it's funny. You know who it is? So uh? 268 00:13:54,320 --> 00:13:56,160 Speaker 1: I was like, yeah, said, what's she cool? She was 269 00:13:56,200 --> 00:13:59,800 Speaker 1: like she's so nice, so so everything. So we're messaging 270 00:13:59,800 --> 00:14:03,640 Speaker 1: back forth and she's like, hey we should uh. We 271 00:14:03,640 --> 00:14:04,960 Speaker 1: were telling me like, hey, we should meet get together 272 00:14:05,000 --> 00:14:08,560 Speaker 1: and meet sometimes when you see messaging on Instagram. Yes, 273 00:14:08,600 --> 00:14:11,600 Speaker 1: on Instagram because different all this to me, it's all 274 00:14:11,800 --> 00:14:13,880 Speaker 1: it all goes the same spot on my phone pretty much. 275 00:14:13,920 --> 00:14:16,040 Speaker 1: So we're going back and forth on Instagram. It's like, hey, 276 00:14:16,080 --> 00:14:17,920 Speaker 1: we should find a time to get together because I'm 277 00:14:17,920 --> 00:14:21,360 Speaker 1: going back and forth to California a lot, and so 278 00:14:21,400 --> 00:14:23,560 Speaker 1: it doesn't matter. I mean, I can meet from anyone. 279 00:14:23,760 --> 00:14:25,560 Speaker 1: And so this has happened today, this fresh off the 280 00:14:25,560 --> 00:14:29,320 Speaker 1: press news story. Mike hasn't even heard this. And so 281 00:14:30,080 --> 00:14:34,920 Speaker 1: she goes, Hey, did you go on dates um back 282 00:14:34,920 --> 00:14:38,840 Speaker 1: in the day with this other girl who was remember 283 00:14:38,920 --> 00:14:41,360 Speaker 1: the flight attendant girl? Yeah? And I was like, because 284 00:14:41,360 --> 00:14:42,720 Speaker 1: I just wish one a couple of days as a girl. 285 00:14:43,080 --> 00:14:44,080 Speaker 1: It was a flight and I was like yeah, and 286 00:14:44,120 --> 00:14:46,240 Speaker 1: she goes. She goes, I used to be my roommates, 287 00:14:48,000 --> 00:14:50,200 Speaker 1: and apparently things weren't good with it, like ended real bad. 288 00:14:50,320 --> 00:14:52,720 Speaker 1: Like I don't know, I'm not sure the story thing 289 00:14:52,920 --> 00:14:55,920 Speaker 1: for you or I didn't care. I was like I 290 00:14:55,960 --> 00:14:59,600 Speaker 1: wouldn't care. I was like, hey, I'm an adult. And 291 00:14:59,760 --> 00:15:01,920 Speaker 1: we her and ILAND went out a couple of times. 292 00:15:02,520 --> 00:15:07,800 Speaker 1: She was like, yeah, I can't I can't know really well, 293 00:15:07,920 --> 00:15:10,240 Speaker 1: she still friends with the girl with the I think 294 00:15:10,240 --> 00:15:12,520 Speaker 1: they're the opposite. I think they're just I just don't 295 00:15:12,520 --> 00:15:14,040 Speaker 1: get along at all. Any Well, then what is it? 296 00:15:14,160 --> 00:15:18,240 Speaker 1: I don't know. I don't know, but the girl, come on, 297 00:15:18,440 --> 00:15:20,880 Speaker 1: that just happened today. You could have had Mr Bobby 298 00:15:21,040 --> 00:15:24,040 Speaker 1: freaking bones. I don't know that's the case either, but 299 00:15:24,200 --> 00:15:28,400 Speaker 1: it is. But that stinks. Well, Instagram is different, like 300 00:15:28,440 --> 00:15:31,840 Speaker 1: we had mutual friends. Like I'm not like, you're famous, 301 00:15:31,880 --> 00:15:35,200 Speaker 1: that's different. I'm extremely famous. You know what I mean? 302 00:15:35,640 --> 00:15:40,080 Speaker 1: Did you get the security coming in? I'm like, I 303 00:15:40,120 --> 00:15:42,800 Speaker 1: feel like it's it's that would make sense for you 304 00:15:42,920 --> 00:15:45,440 Speaker 1: to message on Instagram. You're the guy make the first move. 305 00:15:45,720 --> 00:15:49,200 Speaker 1: In this case, we all knew, like, you know, my 306 00:15:49,320 --> 00:15:52,800 Speaker 1: sister knew his friends is like family kind of. And 307 00:15:52,840 --> 00:15:55,600 Speaker 1: I was like, yeah, i's I have my number and 308 00:15:55,680 --> 00:15:57,520 Speaker 1: what does he say it? What's what's his first thing 309 00:15:57,560 --> 00:16:00,240 Speaker 1: to say? Well, he called me and I didn't sir, 310 00:16:00,280 --> 00:16:02,960 Speaker 1: because I was recording, and I told him the specific time, 311 00:16:03,280 --> 00:16:05,120 Speaker 1: like I told my sisters, like tell him to call 312 00:16:05,160 --> 00:16:07,280 Speaker 1: me at nine, I'll be free. So he did, like 313 00:16:07,520 --> 00:16:10,120 Speaker 1: on the spot on the dot, calls me at nine, 314 00:16:10,240 --> 00:16:14,080 Speaker 1: I don't answer, and then I call him back and 315 00:16:14,120 --> 00:16:18,080 Speaker 1: he's like hi. I'm like Hi, I'm happy, and he's like, 316 00:16:18,800 --> 00:16:20,600 Speaker 1: I don't remember word for word, but I didn't know 317 00:16:20,720 --> 00:16:23,920 Speaker 1: he talked for two hours. Yeah, I don't even talk 318 00:16:23,920 --> 00:16:27,240 Speaker 1: on the phone. We only talk on the phone FaceTime. 319 00:16:27,600 --> 00:16:30,000 Speaker 1: Well you FaceTime, yeah, But I mean that's what I 320 00:16:30,040 --> 00:16:33,400 Speaker 1: don't like. The texting. I just we're not texting throughout 321 00:16:33,400 --> 00:16:35,760 Speaker 1: the day. He's so busy and I'm so busy and 322 00:16:36,880 --> 00:16:39,720 Speaker 1: texting and FaceTime, no, no talk. I don't want it. 323 00:16:39,720 --> 00:16:40,720 Speaker 1: First of all, you put the phone up. Do you 324 00:16:40,880 --> 00:16:45,600 Speaker 1: do any cancer? Really? No? Probably maybe might get it 325 00:16:45,640 --> 00:16:47,960 Speaker 1: anyway from breathing. But I don't like it just too much. 326 00:16:48,000 --> 00:16:50,960 Speaker 1: I like to look or just text and I like, 327 00:16:51,000 --> 00:16:53,720 Speaker 1: but I enjoyed the texting because I'm good on text. Really, 328 00:16:54,040 --> 00:16:58,280 Speaker 1: do you feel like so funny on text? Yeah? And 329 00:16:58,320 --> 00:17:01,080 Speaker 1: I've been dating a bit, not a lot, but I've 330 00:17:01,080 --> 00:17:02,720 Speaker 1: been dating a bit. And one of my friends says, 331 00:17:02,720 --> 00:17:05,200 Speaker 1: how much stitch up with this girl? Um, my friend 332 00:17:05,240 --> 00:17:09,520 Speaker 1: works for bumble. Oh that's convenient, she's I want to 333 00:17:09,480 --> 00:17:11,000 Speaker 1: stitch up with this girl. I was like, okay, cool, 334 00:17:11,480 --> 00:17:15,600 Speaker 1: And this girl has a pretty high profiled um posit 335 00:17:16,200 --> 00:17:19,800 Speaker 1: spot will say that the girl. She wants to set 336 00:17:19,840 --> 00:17:23,800 Speaker 1: me up not in Nashville, um, but a pretty high 337 00:17:23,800 --> 00:17:28,879 Speaker 1: profile job person. And she's like, um, I'll introduce you 338 00:17:28,960 --> 00:17:30,880 Speaker 1: on text, and so she does this thing where it's 339 00:17:30,880 --> 00:17:33,960 Speaker 1: a text and it's her me and then the girl 340 00:17:34,080 --> 00:17:36,320 Speaker 1: and she's like, Okay, you guys go at it. And 341 00:17:36,320 --> 00:17:39,800 Speaker 1: you're just like in a pretty way room going to 342 00:17:40,000 --> 00:17:45,119 Speaker 1: chemistry and not even in human but I'm pretty smooth 343 00:17:45,119 --> 00:17:47,159 Speaker 1: on text. I got us out of that room. And 344 00:17:47,200 --> 00:17:49,120 Speaker 1: then yeah, because I'm pretty wit, do you want I'm 345 00:17:49,119 --> 00:17:51,560 Speaker 1: pretty virus. That's what I have is with because if 346 00:17:51,600 --> 00:17:53,560 Speaker 1: it's ever like going into like a club or a bar, 347 00:17:53,760 --> 00:17:55,200 Speaker 1: like no girl ever just looks at me and goes, 348 00:17:55,280 --> 00:17:58,359 Speaker 1: I gotta have that guy, but give me some space. 349 00:17:59,040 --> 00:18:03,560 Speaker 1: And I saw some credit. Bobby needs like a little room, 350 00:18:03,720 --> 00:18:06,640 Speaker 1: give a little space. And the music low he low 351 00:18:06,720 --> 00:18:09,720 Speaker 1: music so I can say funny things. And that's why 352 00:18:09,720 --> 00:18:13,679 Speaker 1: you're saying, that's why you're singles. So that's so funny. Um, okay, 353 00:18:13,720 --> 00:18:16,360 Speaker 1: good lord, you wrote that about your boyfriend. I did, 354 00:18:16,400 --> 00:18:17,880 Speaker 1: And did you play it for him before you gave 355 00:18:17,920 --> 00:18:21,160 Speaker 1: it to him? No? Gosh, So I oh, I just 356 00:18:21,240 --> 00:18:23,560 Speaker 1: like put myself. I have no idea what he thinks 357 00:18:23,600 --> 00:18:25,600 Speaker 1: about the song. You haven't played it for him, like 358 00:18:25,640 --> 00:18:28,800 Speaker 1: in personally like he no, he heard it before it 359 00:18:28,840 --> 00:18:31,520 Speaker 1: came out, like he started. I sent him demos all 360 00:18:31,560 --> 00:18:34,240 Speaker 1: the time. No, no, but not about him though. You 361 00:18:34,280 --> 00:18:37,200 Speaker 1: send him songs or just sent them songs about him too. 362 00:18:37,520 --> 00:18:40,160 Speaker 1: But I was just I never asked for opinions. Really, 363 00:18:40,200 --> 00:18:42,160 Speaker 1: I just send it to him. You know. I feel 364 00:18:42,160 --> 00:18:45,000 Speaker 1: like I don't want to ever put him. That's like asking, hey, babes, 365 00:18:45,080 --> 00:18:47,200 Speaker 1: this gross making me look fair? Like why would I 366 00:18:47,200 --> 00:18:49,879 Speaker 1: ever put someone in that position? Funny analogy. I mean 367 00:18:50,119 --> 00:18:51,960 Speaker 1: that being said, I was also the guy wants to 368 00:18:52,040 --> 00:18:54,040 Speaker 1: a girl was writing songs about my last girlfriend put 369 00:18:54,040 --> 00:18:55,639 Speaker 1: out a whole record and a bunch of songs about me, 370 00:18:56,080 --> 00:18:58,520 Speaker 1: and she would be like that weird. No, it was. 371 00:18:58,720 --> 00:19:02,320 Speaker 1: It was a compliment. But it's also because I think 372 00:19:02,320 --> 00:19:04,320 Speaker 1: her next record there's gonna be bashing songs about me. 373 00:19:04,760 --> 00:19:07,439 Speaker 1: Seems that weird. And we're not talked about it a lot, 374 00:19:07,440 --> 00:19:10,000 Speaker 1: and we're still close and we're still friends. It's like, hey, 375 00:19:10,040 --> 00:19:13,040 Speaker 1: do your art, like, can you understand that because you're 376 00:19:13,040 --> 00:19:15,040 Speaker 1: in the business. I do, So that's my question, Like, 377 00:19:15,640 --> 00:19:18,760 Speaker 1: is it you don't ask him because he has a 378 00:19:18,880 --> 00:19:22,960 Speaker 1: job that's secondary. No. No, he has great musical taste, 379 00:19:23,200 --> 00:19:26,879 Speaker 1: like he's got way the music he listens to is 380 00:19:26,920 --> 00:19:29,399 Speaker 1: just you know, he loves a good lyric He's an 381 00:19:29,440 --> 00:19:33,160 Speaker 1: attention to detail guy, and he's very analytical and I'm 382 00:19:33,240 --> 00:19:35,520 Speaker 1: very much like, how can we have the most fun 383 00:19:35,680 --> 00:19:39,040 Speaker 1: right now in the next twenty minutes, Like like you know, 384 00:19:39,200 --> 00:19:40,880 Speaker 1: I have no idea what comes out of my mouth 385 00:19:40,960 --> 00:19:44,159 Speaker 1: kind of person And and he's a total opposite of me, 386 00:19:44,280 --> 00:19:47,080 Speaker 1: which is so beautiful. And I've learned so much from 387 00:19:47,200 --> 00:19:49,920 Speaker 1: him because of that. Yeah, I'll send him a song 388 00:19:50,000 --> 00:19:53,440 Speaker 1: and and it'll be like this is beautiful or oh 389 00:19:53,440 --> 00:19:57,760 Speaker 1: my gosh, I really love this one. I really oh yeah, 390 00:19:57,800 --> 00:19:59,399 Speaker 1: oh yeah, because I would do that sometimes too, not 391 00:19:59,400 --> 00:20:02,719 Speaker 1: even about sure that'll uh that's I'm a favorite, That's 392 00:20:02,760 --> 00:20:04,960 Speaker 1: what I would say. He does tell me that, and 393 00:20:05,119 --> 00:20:08,080 Speaker 1: I appreciate that because we don't have the same taste 394 00:20:08,119 --> 00:20:10,080 Speaker 1: and muse it all time. But do you ever go, 395 00:20:10,160 --> 00:20:11,760 Speaker 1: I know it's how your favorite, but I still love it, 396 00:20:12,000 --> 00:20:15,399 Speaker 1: So that's fine. Yeah, you've heard me talking about how 397 00:20:15,480 --> 00:20:17,800 Speaker 1: much I love my sleep number bed. But not only me, 398 00:20:17,920 --> 00:20:20,480 Speaker 1: because who cares about me, Amy, you love yours two? Right? 399 00:20:20,520 --> 00:20:22,480 Speaker 1: Oh yeah, it's amazing. And with you, you and your 400 00:20:22,560 --> 00:20:25,680 Speaker 1: husband can have different sleep number settings. Yeah, that's the 401 00:20:25,720 --> 00:20:28,879 Speaker 1: best part. Because I'm a forty and he's a sixty. 402 00:20:29,040 --> 00:20:30,920 Speaker 1: That's old. You guys are no, no, no, no, that's 403 00:20:30,920 --> 00:20:34,600 Speaker 1: our sleep number. My sleep number setting is thirty. There's 404 00:20:34,640 --> 00:20:37,159 Speaker 1: never been a better time to save on proven quality 405 00:20:37,160 --> 00:20:39,440 Speaker 1: of sleep. 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Now, 439 00:22:28,800 --> 00:22:31,320 Speaker 1: we were out on the road together because you were 440 00:22:31,600 --> 00:22:33,719 Speaker 1: doing some shows opening up for me to doing stand up, 441 00:22:33,760 --> 00:22:36,480 Speaker 1: and you were like, I wonder if this is a 442 00:22:36,560 --> 00:22:39,879 Speaker 1: makeem white crowd? I said, what, I wonder if this 443 00:22:40,000 --> 00:22:42,280 Speaker 1: is a make 'em wait crowd? Because some did I 444 00:22:42,359 --> 00:22:44,720 Speaker 1: say that? Yeah, because some crowds really get into make 445 00:22:44,800 --> 00:22:47,320 Speaker 1: them wait. Oh yeah, so true, like some to some 446 00:22:47,440 --> 00:22:50,280 Speaker 1: places and theaters are super that people are really conservative 447 00:22:50,560 --> 00:22:52,920 Speaker 1: more so than others. And you were like, I wonder 448 00:22:52,960 --> 00:22:54,359 Speaker 1: if this is a make 'em wait crowd? And I 449 00:22:54,440 --> 00:22:56,359 Speaker 1: was like, what does that even mean? And you were like, well, 450 00:22:56,440 --> 00:22:58,680 Speaker 1: some people really get into make them weight. Well, what's true? 451 00:22:58,880 --> 00:23:01,840 Speaker 1: I mean yeah, some people. I mean I've never I 452 00:23:01,960 --> 00:23:05,720 Speaker 1: have not had one negative remark on this song. Um, 453 00:23:06,200 --> 00:23:09,479 Speaker 1: which is cool, that's great. Um, you know, if there 454 00:23:09,680 --> 00:23:13,040 Speaker 1: was any, that's okay too. But I do notice even 455 00:23:13,160 --> 00:23:16,880 Speaker 1: my girlfriends who aren't I don't know, you labeled conservative 456 00:23:17,040 --> 00:23:21,800 Speaker 1: or whatever or whatever, like, um, my girlfriend don't live 457 00:23:21,920 --> 00:23:27,520 Speaker 1: the making wait lifestyle that whatever. They're too young for, 458 00:23:27,640 --> 00:23:31,879 Speaker 1: you know, Like they love this song because to me, 459 00:23:32,040 --> 00:23:34,640 Speaker 1: it's not about you know, it can be about whatever 460 00:23:34,720 --> 00:23:36,240 Speaker 1: you wanted it is, but to me, it's a song 461 00:23:36,280 --> 00:23:40,360 Speaker 1: about worth as a young woman, you know, when when 462 00:23:40,440 --> 00:23:43,040 Speaker 1: you want to do it. But I believe you play 463 00:23:43,119 --> 00:23:45,320 Speaker 1: the game you want to play it, and that you 464 00:23:45,720 --> 00:23:48,720 Speaker 1: attract or, you set the standard for the guy you 465 00:23:48,840 --> 00:23:50,560 Speaker 1: want to date and how he's going to treat you. 466 00:23:50,840 --> 00:23:54,000 Speaker 1: You decide that. I didn't. I mean, I don't. I 467 00:23:54,000 --> 00:23:55,399 Speaker 1: don't want to hear the lyrics. I don't think it's 468 00:23:55,440 --> 00:23:59,760 Speaker 1: a song about sex. I didn't either, And of course, 469 00:24:00,000 --> 00:24:03,080 Speaker 1: I mean, golly, Bobby, I got messages all the time 470 00:24:03,240 --> 00:24:06,359 Speaker 1: from Mom's You don't say. I was saying, I'm gonna 471 00:24:06,400 --> 00:24:08,840 Speaker 1: make my daughters listen to this. I'm like, that's great. 472 00:24:09,160 --> 00:24:12,080 Speaker 1: But they took it that way about abstinence, and I 473 00:24:12,200 --> 00:24:14,480 Speaker 1: think that's a beautiful thing too. But I also think 474 00:24:14,680 --> 00:24:17,560 Speaker 1: more about worth to you, and absolutely, I mean that's 475 00:24:17,600 --> 00:24:20,040 Speaker 1: the way my parents raised me. It was never about 476 00:24:20,200 --> 00:24:26,000 Speaker 1: wait till you're married. I think they're way cool and 477 00:24:26,160 --> 00:24:29,639 Speaker 1: they they're way cooler than i'll ever be. But you know, 478 00:24:29,880 --> 00:24:31,800 Speaker 1: I just think it's about worth. You gonna talk about 479 00:24:31,800 --> 00:24:35,880 Speaker 1: how you grew up. Oh, I love talking about my family. Yes, 480 00:24:36,040 --> 00:24:41,240 Speaker 1: So you were born where Larre in Dallas, Well, technically Curville, Texas, 481 00:24:41,320 --> 00:24:45,080 Speaker 1: which is San Antonio, and then moved to Dallas. I'm 482 00:24:45,080 --> 00:24:48,920 Speaker 1: a Dallas girl, like eight ten, do you kind of 483 00:24:49,000 --> 00:24:52,440 Speaker 1: remember San Antonio? Absolutely? So then you moved to Dallas 484 00:24:52,480 --> 00:24:56,600 Speaker 1: and what's what's what's home like home? So there's it's loud. 485 00:24:56,880 --> 00:24:59,359 Speaker 1: Oh my gosh, it's so loud. There's seven kids in 486 00:24:59,400 --> 00:25:03,760 Speaker 1: my family, six girls, one boy. He's the youngest, and 487 00:25:04,600 --> 00:25:08,280 Speaker 1: my parents like Dad is mr like if you can 488 00:25:08,760 --> 00:25:11,440 Speaker 1: believe it, you can achieve it. And he doesn't talk 489 00:25:11,520 --> 00:25:12,800 Speaker 1: like that either. I don't know what I'm talking to. 490 00:25:14,200 --> 00:25:16,520 Speaker 1: But he was always the guy like waking us off 491 00:25:16,560 --> 00:25:20,000 Speaker 1: at four am, you know, and we'd have to march downstairs, 492 00:25:20,160 --> 00:25:22,920 Speaker 1: and he would have all these little positive chance he 493 00:25:22,960 --> 00:25:26,159 Speaker 1: would make us say like I'm a ten, I'm you know, 494 00:25:26,480 --> 00:25:29,159 Speaker 1: I know I'm a ten and whatever, you know. And 495 00:25:29,600 --> 00:25:32,080 Speaker 1: and my mother was always the one cooking in the 496 00:25:32,240 --> 00:25:35,800 Speaker 1: kitchen and you know, yelling about who knows what. But 497 00:25:35,880 --> 00:25:38,720 Speaker 1: there's always a party at our house, and it's always 498 00:25:38,840 --> 00:25:41,400 Speaker 1: very musical. And you have many brother and sisters. There's 499 00:25:41,440 --> 00:25:44,760 Speaker 1: seven of us where I'm the second oldest, okay, and 500 00:25:44,840 --> 00:25:48,200 Speaker 1: so what's the oldest doing. So my big sister, she's brilliant. 501 00:25:48,240 --> 00:25:51,920 Speaker 1: She's a brilliant. She's working for Oh Crutch, She's gonna 502 00:25:52,000 --> 00:25:54,800 Speaker 1: kill me, Ashland. I'm so sorry. I forget what company 503 00:25:54,880 --> 00:25:57,159 Speaker 1: she works for, but she's like the VP or some 504 00:25:57,359 --> 00:26:00,639 Speaker 1: of his marketing company. She's only twenty three. She's killing it. 505 00:26:00,760 --> 00:26:03,480 Speaker 1: She's out in New York, um and she does like 506 00:26:04,160 --> 00:26:08,000 Speaker 1: content for Instagram pages like the Dodo that's that fun 507 00:26:08,080 --> 00:26:14,239 Speaker 1: animal page. He is eight. We still a kid kid. 508 00:26:14,359 --> 00:26:18,359 Speaker 1: He's a kid kid. Yeah, my parents still it's like 509 00:26:18,440 --> 00:26:22,440 Speaker 1: on the radio. No, my parents. My family's my sisters, 510 00:26:22,640 --> 00:26:25,159 Speaker 1: my parents. I've always felt like they were proud of me. 511 00:26:25,520 --> 00:26:28,480 Speaker 1: My sisters are very unimpressed with me. They do not 512 00:26:28,680 --> 00:26:31,360 Speaker 1: let me drink my own kool aid. I'm very thankful 513 00:26:31,440 --> 00:26:33,640 Speaker 1: for that. We all, we all keep each other in check. 514 00:26:34,160 --> 00:26:36,960 Speaker 1: So when do you leave the house. I left home 515 00:26:37,080 --> 00:26:40,000 Speaker 1: when I was seventeen, so it was my senior year. 516 00:26:40,760 --> 00:26:46,320 Speaker 1: And yeah, came to Nashville and I was seventeen five 517 00:26:46,400 --> 00:26:49,359 Speaker 1: years four. I mean I was like on the brink 518 00:26:49,400 --> 00:26:51,480 Speaker 1: of I was eighteen. I just say seventeen because it 519 00:26:51,520 --> 00:26:56,639 Speaker 1: sounds more impressive, like I turned eighteen a month later. Well, 520 00:26:56,800 --> 00:26:59,919 Speaker 1: it sounds good for press, you know, like when Billboard's 521 00:27:00,000 --> 00:27:03,480 Speaker 1: interviewing you moved to Nashville when I was seventeen, Like, 522 00:27:05,240 --> 00:27:07,399 Speaker 1: what kind of high school kid were you? I was 523 00:27:07,520 --> 00:27:11,159 Speaker 1: such a nerd. Oh my gosh, like middle school. You 524 00:27:11,240 --> 00:27:13,960 Speaker 1: cannot pay me to go back to middle school. I 525 00:27:14,040 --> 00:27:16,800 Speaker 1: started home schooling my sophomore year of high school because 526 00:27:16,800 --> 00:27:19,800 Speaker 1: I was just I don't know. I had like two friends, 527 00:27:20,200 --> 00:27:21,719 Speaker 1: and we were the kind of friends who would hang 528 00:27:21,760 --> 00:27:24,000 Speaker 1: out with our mom on the weekend, so like we're 529 00:27:24,119 --> 00:27:27,000 Speaker 1: friends at school. But I never had friends on the weekends, 530 00:27:27,119 --> 00:27:29,480 Speaker 1: and I would cry a way too much about that. 531 00:27:29,760 --> 00:27:32,000 Speaker 1: But um, you know, would you do music? Would your 532 00:27:32,040 --> 00:27:35,920 Speaker 1: musical kid? What impresses me about you, which unless you 533 00:27:35,920 --> 00:27:39,800 Speaker 1: actually see you do it, is that you're quite good 534 00:27:39,840 --> 00:27:43,080 Speaker 1: on piano. Thank you. I appreciate you. Know. I get 535 00:27:43,160 --> 00:27:45,200 Speaker 1: to see everybody play. I have a cool job where 536 00:27:45,200 --> 00:27:46,480 Speaker 1: I get to, you know, be around like a lot 537 00:27:46,520 --> 00:27:49,120 Speaker 1: of great artists. But I remember first time I watched 538 00:27:49,119 --> 00:27:51,560 Speaker 1: you just sit down and key it's some keys by yourself, 539 00:27:51,720 --> 00:27:54,119 Speaker 1: and you're like, all right, and you I mean that's 540 00:27:54,160 --> 00:27:56,120 Speaker 1: teaches open your eyes even get open your eyes wide 541 00:27:56,119 --> 00:27:58,200 Speaker 1: and even wider when you start playing and singing, like 542 00:27:58,280 --> 00:28:00,520 Speaker 1: it's really special to watch you play the key Remember 543 00:28:00,520 --> 00:28:02,080 Speaker 1: you brought your keyboard into the show one time, the 544 00:28:02,200 --> 00:28:04,720 Speaker 1: radio show and we just played. One of my favorite 545 00:28:04,720 --> 00:28:06,960 Speaker 1: things to do with anyone if they can do it, 546 00:28:07,040 --> 00:28:09,240 Speaker 1: is sit and talk while they play, and you did that. 547 00:28:09,320 --> 00:28:11,160 Speaker 1: So it really was a special segment to me because 548 00:28:11,200 --> 00:28:13,680 Speaker 1: I love that with an artist, come in with keys 549 00:28:13,760 --> 00:28:15,840 Speaker 1: and just play and talk and like, do a little 550 00:28:15,840 --> 00:28:17,320 Speaker 1: bit of this song and then talk a little more 551 00:28:17,320 --> 00:28:20,719 Speaker 1: and it's it's good. There's um my favorite moment ever. 552 00:28:20,840 --> 00:28:22,280 Speaker 1: I did that with Ben Folds once. I don't know 553 00:28:22,280 --> 00:28:26,680 Speaker 1: if you know I'm familiar play some brick Um he's 554 00:28:26,720 --> 00:28:27,840 Speaker 1: one of my favorite artist, but he came in he 555 00:28:27,840 --> 00:28:29,919 Speaker 1: said it at Pig Piano and we talked about all 556 00:28:29,960 --> 00:28:32,680 Speaker 1: the songs and he would do an interview and I'd 557 00:28:32,720 --> 00:28:34,760 Speaker 1: be like, hey, so when you did you know Brick 558 00:28:35,400 --> 00:28:41,360 Speaker 1: And he would play six am they after the spot 559 00:28:41,760 --> 00:28:43,920 Speaker 1: and he would just go from song to song like 560 00:28:44,000 --> 00:28:46,360 Speaker 1: all of it is. I need to listen to him. Oh, 561 00:28:46,440 --> 00:28:49,240 Speaker 1: you'd love ben Folds, especially the real piano. We face stuff. 562 00:28:49,520 --> 00:28:51,280 Speaker 1: But you came in and I still tell people there 563 00:28:51,320 --> 00:28:52,920 Speaker 1: are only a couple of those performances that I look 564 00:28:52,960 --> 00:28:55,120 Speaker 1: at and because Craig Campbell can do it too. He 565 00:28:55,160 --> 00:28:58,720 Speaker 1: can come on a piano and just sit and go, yeah, 566 00:28:58,840 --> 00:29:00,320 Speaker 1: you know is this And then they kind went like 567 00:29:00,400 --> 00:29:03,720 Speaker 1: this bad and just played it. It was good. You 568 00:29:03,800 --> 00:29:06,480 Speaker 1: and Jimmy only came in whenever you guys did Shallow. Yeah, yeah, 569 00:29:06,640 --> 00:29:17,920 Speaker 1: here's the here's some of that. What does that? So? 570 00:29:17,960 --> 00:29:20,360 Speaker 1: Whose idea was this? This is all Jimmy. He calls 571 00:29:20,400 --> 00:29:22,080 Speaker 1: you and goes, hey, let's do this. Yeah. He called 572 00:29:22,160 --> 00:29:25,760 Speaker 1: me up in December and he said, hey, I want 573 00:29:25,800 --> 00:29:27,840 Speaker 1: to cover Shallow. I want you to be the girl 574 00:29:27,920 --> 00:29:30,480 Speaker 1: singing it with me, and this is the video concept. 575 00:29:30,560 --> 00:29:32,080 Speaker 1: This is when we're going to release it. I mean, 576 00:29:32,120 --> 00:29:35,480 Speaker 1: the guy had everything planned. He's brilliant, he really is. 577 00:29:35,680 --> 00:29:38,960 Speaker 1: His mind doesn't doesn't turn off. This is a good version. 578 00:29:39,200 --> 00:29:41,320 Speaker 1: Thank you, I appreciate. And also you have to sing 579 00:29:41,440 --> 00:29:45,520 Speaker 1: Lady Gaga's part. Yeah yeah, Jimmy goes. He goes, and 580 00:29:45,600 --> 00:29:47,840 Speaker 1: we've known each other for years, so we're cut up 581 00:29:47,880 --> 00:29:51,200 Speaker 1: all the time. But he was, um oh, I don't 582 00:29:51,240 --> 00:29:52,800 Speaker 1: remember what he said, but he asked me to sing 583 00:29:52,920 --> 00:29:55,840 Speaker 1: the song, and he's I think he could be amazing, 584 00:29:56,080 --> 00:29:59,400 Speaker 1: like you know, real like country artists haven't covered this 585 00:29:59,520 --> 00:30:02,240 Speaker 1: yet and like, Okay, I'm like Jimmy, that's great for 586 00:30:02,360 --> 00:30:06,640 Speaker 1: you because you get to cover gradly freaking Cooper and 587 00:30:06,760 --> 00:30:10,840 Speaker 1: I have to cover freaking Lady freaking Gaga. But okay, 588 00:30:11,120 --> 00:30:13,840 Speaker 1: great idea. You know, we'll see. But yeah, I was 589 00:30:14,040 --> 00:30:18,920 Speaker 1: very um, I was nervous recording that for sure, Well, 590 00:30:18,960 --> 00:30:21,400 Speaker 1: you have to sing it better and I don't. I'm 591 00:30:21,440 --> 00:30:25,000 Speaker 1: not saying or different, and hopefully I did it different 592 00:30:25,160 --> 00:30:28,760 Speaker 1: enough because I get nervous covering any artists that I 593 00:30:28,920 --> 00:30:33,120 Speaker 1: highly respect, um doing covers in general or scary. Who's 594 00:30:33,120 --> 00:30:36,360 Speaker 1: your favorite artist? Oh gosh, don't ask me that, because 595 00:30:36,840 --> 00:30:38,440 Speaker 1: I know there's so many and I'm not gonna let 596 00:30:38,440 --> 00:30:42,320 Speaker 1: you back away from this total, yeah, total body of work. 597 00:30:42,800 --> 00:30:44,960 Speaker 1: Like if you just had to pick one and they said, yeah, 598 00:30:45,440 --> 00:30:48,200 Speaker 1: this one month, you're just one artists most you have 599 00:30:48,320 --> 00:30:49,880 Speaker 1: one month, we're only giving you one artist. Let's do 600 00:30:49,960 --> 00:30:52,320 Speaker 1: for this whole month. Tina Turner is your favorite artists? 601 00:30:52,840 --> 00:30:55,960 Speaker 1: Really one of them? No, No, we're doing favorite artists. 602 00:30:56,400 --> 00:30:59,040 Speaker 1: But you said Tina Turner. Yeah, we'll go with Tina Turner. 603 00:30:59,200 --> 00:31:02,640 Speaker 1: That's the first one of the top man why her performance? 604 00:31:03,080 --> 00:31:05,600 Speaker 1: Her performing? She was the first concert I ever went 605 00:31:05,720 --> 00:31:08,280 Speaker 1: to I was eight years old, and I always remember 606 00:31:08,400 --> 00:31:13,959 Speaker 1: thinking I want to perform like Tina Oh touch yo 607 00:31:14,160 --> 00:31:20,400 Speaker 1: hey yeah, even doing the face right there. I can't 608 00:31:20,440 --> 00:31:24,960 Speaker 1: help it. I just I love her Favoriteena turn her song. Um. 609 00:31:25,920 --> 00:31:29,520 Speaker 1: I really love her cover of Let's Stay Together? Um, 610 00:31:29,800 --> 00:31:31,640 Speaker 1: I love what What's love got to do with it? 611 00:31:32,520 --> 00:31:35,960 Speaker 1: Does there? Staying? All her staying face songs? Who who 612 00:31:36,240 --> 00:31:38,400 Speaker 1: playing with her? When you saw her? Who was playing 613 00:31:38,440 --> 00:31:41,640 Speaker 1: with her? Like? Musician was playing? Like? Who was she 614 00:31:41,680 --> 00:31:43,680 Speaker 1: playing with you? Remember? Was it the Texas tour with 615 00:31:43,720 --> 00:31:46,920 Speaker 1: Lionel Richie? No, it was her. She was a headlining tour. 616 00:31:47,160 --> 00:31:49,000 Speaker 1: It was like her last. It was like a farewell 617 00:31:49,080 --> 00:31:51,800 Speaker 1: tour in Linel wasn't opening for her. I don't know, 618 00:31:52,600 --> 00:31:59,080 Speaker 1: I can't remember her. Yeah nothing nothing, I'm only yeah exactly. 619 00:31:59,480 --> 00:32:02,160 Speaker 1: This is still in college. Okay, you ever does she 620 00:32:02,240 --> 00:32:04,239 Speaker 1: have a Twitter? Tata Turner? I don't know. You ever 621 00:32:04,280 --> 00:32:06,320 Speaker 1: tried to tweet? Tweet Tina? Who else you got? Okay, 622 00:32:06,360 --> 00:32:08,760 Speaker 1: Tina Turners? That one trade off. We'll go back and 623 00:32:08,800 --> 00:32:11,640 Speaker 1: forth like this. If you're a Tina, what is it 624 00:32:11,680 --> 00:32:15,360 Speaker 1: she tweet? Because I think she lives in sweet Yeah, 625 00:32:15,440 --> 00:32:18,440 Speaker 1: she's chilling out. She lives in sweet I was with 626 00:32:18,880 --> 00:32:21,440 Speaker 1: We finished Idle this last week and we went to 627 00:32:21,520 --> 00:32:24,160 Speaker 1: a dinner afterward. I'm a name dropped like crazy real quick, 628 00:32:24,200 --> 00:32:27,440 Speaker 1: but it was Luke, Brian, Katy Perry, myself, Lionel Richie 629 00:32:28,360 --> 00:32:32,520 Speaker 1: Um Orlando Bloom Zerka Katy were engaged in a couple 630 00:32:32,520 --> 00:32:35,160 Speaker 1: of producers and Lonatchie was telling stories about Tina Turner 631 00:32:35,680 --> 00:32:39,280 Speaker 1: and loves her cry I just heard performed like I 632 00:32:39,400 --> 00:32:41,960 Speaker 1: literally like my hands are sweating thinking about her and 633 00:32:42,120 --> 00:32:46,440 Speaker 1: also girls like I just remember watching her growing up 634 00:32:46,480 --> 00:32:49,040 Speaker 1: as a kid. Like every performance in the way, she 635 00:32:49,120 --> 00:32:52,040 Speaker 1: didn't care if she got sweaty. She didn't care what 636 00:32:52,240 --> 00:32:55,400 Speaker 1: she looked like, like she's a when she sings like 637 00:32:55,480 --> 00:32:57,640 Speaker 1: you can't see the feeling in her face. She didn't 638 00:32:57,680 --> 00:33:01,120 Speaker 1: give a crap about how she looked as it was 639 00:33:01,160 --> 00:33:04,000 Speaker 1: a woman, She's just performing and feeling it. He was 640 00:33:04,000 --> 00:33:06,080 Speaker 1: talking about singing a duets with people because someone that 641 00:33:06,080 --> 00:33:07,680 Speaker 1: asked him by singing with people. Tina was one of them, 642 00:33:07,680 --> 00:33:09,240 Speaker 1: and he went talked to a bunch of stories about 643 00:33:09,240 --> 00:33:11,400 Speaker 1: it was quite fun. He talked about Ritha and Patty Bell. 644 00:33:11,560 --> 00:33:13,080 Speaker 1: It was just crazy to watch someone talk about that 645 00:33:13,160 --> 00:33:16,240 Speaker 1: kind of stuff. Um, But Tina Turner was that's funny 646 00:33:16,280 --> 00:33:18,400 Speaker 1: you bring that up. Minus. My first is John Mayor. 647 00:33:19,520 --> 00:33:21,880 Speaker 1: I know you said, you said that quite a car. 648 00:33:22,600 --> 00:33:24,800 Speaker 1: If you're going Tina, first round draft pick, I'm gonna 649 00:33:24,840 --> 00:33:28,960 Speaker 1: draft John Mayer. Alright, everybody does second round draft pick. God, 650 00:33:29,040 --> 00:33:34,719 Speaker 1: I hate labeling. People labeling were drafting arms for real. Elvis, 651 00:33:35,040 --> 00:33:39,520 Speaker 1: that was another one my mom introduced me. I did 652 00:33:39,640 --> 00:33:42,360 Speaker 1: think he was alive until I was about seven, and 653 00:33:42,400 --> 00:33:44,600 Speaker 1: then she told me he was dead. And that was 654 00:33:44,680 --> 00:33:46,880 Speaker 1: worse than finding out saying, like when she told me 655 00:33:46,960 --> 00:33:49,880 Speaker 1: Santa wasn't real, that was nothing because Elvis was dead. 656 00:33:50,200 --> 00:33:55,640 Speaker 1: So why Elvis again? Performance the way he interpreted songs, 657 00:33:55,680 --> 00:33:58,040 Speaker 1: even his phrasing. But how did you know Elvis as 658 00:33:58,040 --> 00:33:59,360 Speaker 1: a kid? Did your parents played in the house. My 659 00:33:59,400 --> 00:34:02,360 Speaker 1: mom played all the time, all the time, like all 660 00:34:02,440 --> 00:34:04,960 Speaker 1: my all the people I listened to is because of 661 00:34:05,040 --> 00:34:08,239 Speaker 1: my mother. Favorite Elvis song, Oh it's now or never. 662 00:34:09,000 --> 00:34:14,200 Speaker 1: It's now sigm a romantic and it's like, come on me, 663 00:34:15,120 --> 00:34:20,359 Speaker 1: it's like it's now never baby, come hold me, Oh good, 664 00:34:22,120 --> 00:34:28,880 Speaker 1: my room will be to Have you ever seen this? 665 00:34:29,800 --> 00:34:32,440 Speaker 1: I haven't. I don't cover him. I don't cover him 666 00:34:32,880 --> 00:34:36,439 Speaker 1: and I'd be scared to cover Tina Turner two. Tina 667 00:34:36,480 --> 00:34:40,319 Speaker 1: I would get because no nobody's Tina. Nobody ever will 668 00:34:40,440 --> 00:34:42,600 Speaker 1: be good. You could probably sing this and no one 669 00:34:42,640 --> 00:34:44,239 Speaker 1: would even know it wasn't your song. This is not 670 00:34:44,360 --> 00:34:46,800 Speaker 1: one of the big Elvis on the biggest ones, So 671 00:34:46,960 --> 00:34:50,359 Speaker 1: I like my favorite Elvis song is probably Teddy Bear. 672 00:34:51,480 --> 00:34:53,520 Speaker 1: Oh gosh, I'm trying to think of this one right now. 673 00:34:54,920 --> 00:34:57,759 Speaker 1: I don't want to be a Lion because lions are 674 00:34:57,840 --> 00:35:01,360 Speaker 1: too tough. I don't want to be in it. You 675 00:35:01,680 --> 00:35:08,800 Speaker 1: want to be, let me be? Do you know I 676 00:35:08,880 --> 00:35:11,439 Speaker 1: don't want to be. I don't know a word for word, 677 00:35:11,480 --> 00:35:17,520 Speaker 1: but I don't wonder if he picked that. No, no, no, 678 00:35:19,960 --> 00:35:24,640 Speaker 1: that's it, he stress son. No, oh, I just unknown. 679 00:35:24,719 --> 00:35:29,560 Speaker 1: You're right. No, no such number, no such number, no 680 00:35:29,840 --> 00:35:40,360 Speaker 1: such return. Alright, second round draft. I'm probably gonna have 681 00:35:40,480 --> 00:35:44,040 Speaker 1: to go. Do I have to do Garth? Oh? Yeah? 682 00:35:44,160 --> 00:35:47,040 Speaker 1: You do love Guard? I do love Garth, And I'm 683 00:35:47,040 --> 00:35:49,239 Speaker 1: gonna tell you what's harder about picking Guards so high 684 00:35:49,280 --> 00:35:51,239 Speaker 1: now is that I kind of know him now, and 685 00:35:51,320 --> 00:35:53,879 Speaker 1: it's weird to be like he's my favorite because he's 686 00:35:53,920 --> 00:35:57,359 Speaker 1: a friend. I wouldn't say friend okay, but I would 687 00:35:57,400 --> 00:36:00,839 Speaker 1: say more than acquaintances, even more than I would say 688 00:36:00,840 --> 00:36:03,960 Speaker 1: almost buddies. But it's almost to the point where I 689 00:36:04,000 --> 00:36:07,919 Speaker 1: don't like instagram messaging each other. Yeah, he probably won't 690 00:36:08,239 --> 00:36:12,359 Speaker 1: because I dad one of his friends, and I don't. 691 00:36:13,040 --> 00:36:14,719 Speaker 1: If I geek out too much and then I hang 692 00:36:14,760 --> 00:36:16,680 Speaker 1: out with them and you're not cool, then I'm not. 693 00:36:16,920 --> 00:36:19,960 Speaker 1: I'm not cool anyone, but I'll probably go garth, we're 694 00:36:19,960 --> 00:36:23,840 Speaker 1: gonna do, We're gonna do five, Go ahead, five. I 695 00:36:23,880 --> 00:36:26,440 Speaker 1: get to know you this way musically. First round pick 696 00:36:26,560 --> 00:36:30,400 Speaker 1: was Tina Turner. Second round, I'm thinking of influences. Linda 697 00:36:30,520 --> 00:36:35,640 Speaker 1: ron Stat number three. What planet are you from? Texas? Baby? 698 00:36:36,080 --> 00:36:40,239 Speaker 1: All right, like Linda, I know well, but even she 699 00:36:40,480 --> 00:36:43,480 Speaker 1: was before my time. But it's your parents, hug your mom. 700 00:36:44,360 --> 00:36:47,279 Speaker 1: Your favorite song she put out? So she put out 701 00:36:47,320 --> 00:36:51,840 Speaker 1: a Spanish album called and it's called Songs of My 702 00:36:52,000 --> 00:36:54,640 Speaker 1: Father and they are all the songs that our father saying. 703 00:36:54,680 --> 00:36:57,960 Speaker 1: Nor see she's Latina, but she, you know, was a country. 704 00:36:58,000 --> 00:37:02,040 Speaker 1: I guess she was crossover. You call her crossover? What 705 00:37:02,160 --> 00:37:05,600 Speaker 1: were you called? What is she country? No? She was 706 00:37:05,719 --> 00:37:08,879 Speaker 1: more like rock. What's London? Ron Said's biggest streaming song 707 00:37:09,000 --> 00:37:14,400 Speaker 1: Mike d I would sue bye you play it? But 708 00:37:14,640 --> 00:37:18,520 Speaker 1: that was that was a royal Orbison song. Would I 709 00:37:18,640 --> 00:37:22,239 Speaker 1: Love Him Too? Which is that might be my force? Yeah? Yeah? 710 00:37:22,280 --> 00:37:24,560 Speaker 1: What else? Is that? A second? Let me guess, Let 711 00:37:24,600 --> 00:37:32,240 Speaker 1: me guess, You're no good? What good? You're no good? 712 00:37:32,480 --> 00:37:36,200 Speaker 1: You're no good? That video? No, that's why I would 713 00:37:36,200 --> 00:37:40,080 Speaker 1: say she's kind of a pop pop rock artist, pop rock. 714 00:37:41,320 --> 00:37:44,160 Speaker 1: Need you name someone? Country crap? I'm a country singer. No, 715 00:37:44,320 --> 00:37:47,719 Speaker 1: that's all right, because I think she's dead. She influenced. No, No, 716 00:37:47,880 --> 00:37:49,880 Speaker 1: you're wrong. By the way, Elvis isn't the country the 717 00:37:49,880 --> 00:37:52,319 Speaker 1: call of fame? Did you? Oh? Yeah, A good point? 718 00:37:52,800 --> 00:37:54,160 Speaker 1: Which one? What are we talking about on the show? 719 00:37:54,239 --> 00:37:56,759 Speaker 1: Like Don't Be Cruel? Was the number one country, number 720 00:37:56,800 --> 00:38:00,160 Speaker 1: one country song. I actually did not know that. There's 721 00:38:00,200 --> 00:38:02,759 Speaker 1: only two people and he was genre list. He was 722 00:38:02,880 --> 00:38:07,719 Speaker 1: just everything. Yeah, you know he was. He kind of 723 00:38:07,760 --> 00:38:12,280 Speaker 1: did what Eminem did, meaning he took music that normally 724 00:38:13,040 --> 00:38:15,840 Speaker 1: black artist did and because he was white and he 725 00:38:15,920 --> 00:38:18,080 Speaker 1: did it, Yeah, I made it white people and white 726 00:38:18,080 --> 00:38:21,080 Speaker 1: people were like, oh, you're like, oh, I guess we 727 00:38:21,239 --> 00:38:23,960 Speaker 1: like that now. And so like people like Elvis stole 728 00:38:24,120 --> 00:38:30,760 Speaker 1: everything the way boomed. Yeah you know, but um, yeah, okay, 729 00:38:30,840 --> 00:38:34,040 Speaker 1: well that's three from me. Three the number three for you. 730 00:38:34,280 --> 00:38:42,239 Speaker 1: I were going John Mayre and Garth Um probably been 731 00:38:42,280 --> 00:38:45,560 Speaker 1: Folds and I need a listener more. And I saw 732 00:38:45,640 --> 00:38:47,880 Speaker 1: we saw been Folds to the airport and I wouldn't 733 00:38:47,880 --> 00:38:50,479 Speaker 1: go talk to him because I was like really yeah, 734 00:38:50,520 --> 00:38:55,120 Speaker 1: And I was like, so you didn't have met him? Yes, yes, 735 00:38:55,239 --> 00:38:57,359 Speaker 1: but he wouldn't remember me. And I'm such a big 736 00:38:57,400 --> 00:39:00,120 Speaker 1: fan that here's the problem now he's years ago. The 737 00:39:00,200 --> 00:39:02,560 Speaker 1: problem with people that you're such big fans of is 738 00:39:02,640 --> 00:39:05,320 Speaker 1: that they can never live up to how cool you 739 00:39:05,400 --> 00:39:11,959 Speaker 1: think they are. So like this has been faults. I've 740 00:39:12,400 --> 00:39:22,680 Speaker 1: told yeah, good, that's so pure. I'm gonna listen. He's 741 00:39:22,719 --> 00:39:26,200 Speaker 1: a very he's very piano pay. I feel I felt 742 00:39:26,280 --> 00:39:29,640 Speaker 1: dumb not knowing who he is. Number four. I should 743 00:39:29,680 --> 00:39:34,520 Speaker 1: have been thinking about this, okay, Ray Charles number four 744 00:39:34,840 --> 00:39:39,359 Speaker 1: because he is also country, because it's my favorite album, 745 00:39:40,160 --> 00:39:45,319 Speaker 1: Modern Sound. It's great and I'm my uh my mom again. 746 00:39:45,360 --> 00:39:47,760 Speaker 1: I mean we always listen to country music in Texas, 747 00:39:47,920 --> 00:39:50,479 Speaker 1: like that was, you know. But the reason I'm naming 748 00:39:50,600 --> 00:39:54,320 Speaker 1: him is because he kept me in piano lessons. He 749 00:39:54,520 --> 00:39:56,520 Speaker 1: is a reason because my mother said, like, I know 750 00:39:56,640 --> 00:39:59,680 Speaker 1: you want to send country, but here's this guy, right Charles. 751 00:39:59,760 --> 00:40:02,440 Speaker 1: Listen to this album and look what he did to 752 00:40:02,560 --> 00:40:05,879 Speaker 1: a genre that's not technically his. Listen to his phrase 753 00:40:05,960 --> 00:40:09,719 Speaker 1: and he made it his own record is crazy. I 754 00:40:10,120 --> 00:40:12,480 Speaker 1: love that record, but rarely does someone sitting here and 755 00:40:12,520 --> 00:40:15,160 Speaker 1: they actually know that record exists from Ray Charles, You're 756 00:40:15,200 --> 00:40:17,680 Speaker 1: such a music nerd. I didn't know. I'm really not Bobby, 757 00:40:17,960 --> 00:40:20,400 Speaker 1: like you know what I'm really not. I just know 758 00:40:20,520 --> 00:40:22,719 Speaker 1: what I know, which is not a lot. But we 759 00:40:22,800 --> 00:40:26,560 Speaker 1: all only know what we know. Yeah, you're all right 760 00:40:27,640 --> 00:40:32,920 Speaker 1: fit Ray Charles song. Oh so he does a duet 761 00:40:33,000 --> 00:40:39,440 Speaker 1: with Nora Jones called he Go Looking. You not know 762 00:40:39,719 --> 00:40:43,120 Speaker 1: har later or do they do it? Yeah, it's later. 763 00:40:43,760 --> 00:40:45,640 Speaker 1: It's like they do after he died and they put 764 00:40:45,680 --> 00:40:47,640 Speaker 1: it in or no, it was he was still alive 765 00:40:47,680 --> 00:40:52,680 Speaker 1: when it came out. I believe listeners. He's solid kill. 766 00:40:55,000 --> 00:40:58,279 Speaker 1: I just want to do the stak face. It's so good. 767 00:40:58,360 --> 00:40:59,960 Speaker 1: It makes you want to sway like he sways when 768 00:41:00,000 --> 00:41:02,399 Speaker 1: ever he's singing. You're like, I can't dance, but he's 769 00:41:02,400 --> 00:41:06,000 Speaker 1: gonna make me think I'm a good dancer. My Grandma 770 00:41:06,080 --> 00:41:07,800 Speaker 1: played Ray Charles all the time. My grandma rises me 771 00:41:07,800 --> 00:41:09,600 Speaker 1: for a long time, adopted for a while. She would 772 00:41:09,600 --> 00:41:12,240 Speaker 1: play Ray Charles all. That's how I know modern Town's 773 00:41:12,239 --> 00:41:15,279 Speaker 1: country music because she play that all the time, just 774 00:41:15,440 --> 00:41:17,600 Speaker 1: all Ray Charles and like the Ray Charles stuff. And 775 00:41:17,640 --> 00:41:19,480 Speaker 1: I mentioned at times too, I'll be like when they 776 00:41:19,680 --> 00:41:21,680 Speaker 1: they say what artists was it for you? But she 777 00:41:21,719 --> 00:41:25,399 Speaker 1: would play Andy Griffith, like gospel stuff. And people don't 778 00:41:25,400 --> 00:41:28,280 Speaker 1: know Andy Griffiths was like a real life singer because 779 00:41:28,320 --> 00:41:29,360 Speaker 1: he was in you know show he was in, right, 780 00:41:29,400 --> 00:41:32,479 Speaker 1: the Griffith Show. Yeah. So but it's like Ray Charles, 781 00:41:32,520 --> 00:41:34,759 Speaker 1: Andy Griffins. You know, he's saying, hey, will you pull 782 00:41:34,840 --> 00:41:39,720 Speaker 1: up some Yeah? I don't, It doesn't matter, like playing 783 00:41:39,840 --> 00:41:41,840 Speaker 1: the hits. I don't think you ever. I think he 784 00:41:41,960 --> 00:41:46,880 Speaker 1: covered a bunch of gospel stuff more than anything. Well 785 00:41:46,920 --> 00:41:49,120 Speaker 1: that's the that's well, that's the Andy Griffith theme song, 786 00:41:51,239 --> 00:42:07,879 Speaker 1: like like real Christians. Oh Lord ohlle Is always listened 787 00:42:07,880 --> 00:42:11,800 Speaker 1: to this and Ray Charles and Johnny Cash because Johnny 788 00:42:11,840 --> 00:42:14,800 Speaker 1: Cash was in Arkansas and really I didn't know that 789 00:42:15,400 --> 00:42:18,840 Speaker 1: and it was Arkansas Proud. The other guy is in 790 00:42:18,880 --> 00:42:20,399 Speaker 1: the rock and roll and County Music Call of Fame 791 00:42:20,840 --> 00:42:24,120 Speaker 1: in both Johnny Cash and right Now excuse me, Elvis. 792 00:42:24,800 --> 00:42:27,120 Speaker 1: But she was so proud that Johnny Cash was from Arkansas, 793 00:42:28,160 --> 00:42:30,279 Speaker 1: and so like, my goal has always been to be that. 794 00:42:30,680 --> 00:42:33,760 Speaker 1: I'm just picturing little Bobby being raised by his grandma 795 00:42:33,920 --> 00:42:39,759 Speaker 1: listening to the song I love it. We listen to 796 00:42:39,800 --> 00:42:43,200 Speaker 1: all the time. Okay, so you are number four for you? Um? 797 00:42:44,760 --> 00:42:49,880 Speaker 1: Maybe Weezer? Oh heck yeah, I just saw well, not Jessel. 798 00:42:50,040 --> 00:42:51,719 Speaker 1: I just saw him a couple of years ago at 799 00:42:51,840 --> 00:42:56,920 Speaker 1: Music Midtown in Atlanta, and I tell you why. And 800 00:42:56,960 --> 00:42:58,799 Speaker 1: I hung out with him like this, like two nights ago. 801 00:42:58,880 --> 00:43:03,120 Speaker 1: Oh my gosh, so for me. When I saw Rivers Cuomo, 802 00:43:03,640 --> 00:43:06,120 Speaker 1: the lead singer Wheezer, and I was twelve, and they 803 00:43:06,160 --> 00:43:09,160 Speaker 1: put to the blue record, the Blue album. Um, I 804 00:43:09,320 --> 00:43:11,080 Speaker 1: was like, oh, and he didn't wear the glasses on 805 00:43:11,080 --> 00:43:12,440 Speaker 1: the cover of the record, but he wore the glasses 806 00:43:12,480 --> 00:43:14,320 Speaker 1: all the time, the dark um glasses. And I was 807 00:43:14,440 --> 00:43:16,120 Speaker 1: such a nerd and I got beat up so much. 808 00:43:16,360 --> 00:43:18,719 Speaker 1: And I was a nerdy white kid and I thought 809 00:43:19,880 --> 00:43:24,440 Speaker 1: he's cool and he's so nerdy, that's why. And my 810 00:43:24,600 --> 00:43:26,640 Speaker 1: vision was so bad and that's why I started warning 811 00:43:26,680 --> 00:43:30,360 Speaker 1: between him and Buddy Holly, who I loved, and he 812 00:43:30,560 --> 00:43:33,400 Speaker 1: really was that inspiration because there was somebody like me. 813 00:43:33,600 --> 00:43:35,239 Speaker 1: There was someone like me, and I actually thought they 814 00:43:35,239 --> 00:43:39,640 Speaker 1: were cool and so um they played American Idol on 815 00:43:39,880 --> 00:43:42,000 Speaker 1: Sunday Night this week and they were in a trailer 816 00:43:42,080 --> 00:43:44,239 Speaker 1: and I just act like I belonged, went over wing 817 00:43:44,239 --> 00:43:48,320 Speaker 1: the trailer with him, and Um, Rivers was practicing Africa 818 00:43:48,360 --> 00:43:50,440 Speaker 1: because they were gonna play Africa. You know, the Toto song. 819 00:43:50,840 --> 00:43:55,080 Speaker 1: That's such a great song. It was one of my 820 00:43:55,160 --> 00:43:58,080 Speaker 1: favorite songs ever. So he had the guitar and it 821 00:43:58,080 --> 00:44:00,080 Speaker 1: wasn't plugged down electric guitar, and he was just in 822 00:44:00,200 --> 00:44:02,239 Speaker 1: it and singing the high parts to Africa because it 823 00:44:02,400 --> 00:44:03,719 Speaker 1: was about to go out. And I'm sitting in the 824 00:44:03,760 --> 00:44:08,000 Speaker 1: trailer listening to Rivers do this and the other band guys. 825 00:44:08,000 --> 00:44:09,839 Speaker 1: Everybody's hanging out and they think I'm supposed to be there, 826 00:44:10,040 --> 00:44:12,520 Speaker 1: and they were so nice. You but in with the 827 00:44:12,600 --> 00:44:20,920 Speaker 1: rimmed glasses. How cool? But probably I love that answer. 828 00:44:21,440 --> 00:44:24,319 Speaker 1: So John Mayer been folled. Garth Brooks Weezer, go ahead 829 00:44:24,360 --> 00:44:27,799 Speaker 1: and number five for you, And I want to pull 830 00:44:27,800 --> 00:44:30,800 Speaker 1: out my playlist. I know I should too, but I 831 00:44:30,840 --> 00:44:34,200 Speaker 1: should also know this by heart, you know what. Okay, 832 00:44:34,360 --> 00:44:38,840 Speaker 1: as far as influences people who shaped my career, I 833 00:44:38,880 --> 00:44:42,560 Speaker 1: would say, Dolly Pardon, Yeah, yeah, for sure you met Dolly. 834 00:44:43,080 --> 00:44:47,120 Speaker 1: I have met Dolly in a meet and greet before um, 835 00:44:47,920 --> 00:44:50,799 Speaker 1: you go to meat with Dolly Pardon. It was my dad, 836 00:44:50,880 --> 00:44:52,880 Speaker 1: a friend of a friend, and she was playing in 837 00:44:53,120 --> 00:44:56,040 Speaker 1: Texas and he just asked her could you sneak us? 838 00:44:56,320 --> 00:44:59,680 Speaker 1: You know, meet and greets. The thing about Dolly, I thought, Man, 839 00:45:00,000 --> 00:45:01,359 Speaker 1: he's going to come in and there's all a couple 840 00:45:01,360 --> 00:45:05,000 Speaker 1: of people. This is happening. What was it like interviewing her? Well, again, 841 00:45:05,120 --> 00:45:08,520 Speaker 1: she's so great on screen and she's so great everywhere 842 00:45:08,560 --> 00:45:10,280 Speaker 1: you see her that there's no way she could possibly 843 00:45:10,320 --> 00:45:13,080 Speaker 1: live up to the expectation you have to meet Dolly 844 00:45:13,120 --> 00:45:15,200 Speaker 1: Parton because she's such a legend. Yeah, and all the 845 00:45:15,280 --> 00:45:18,880 Speaker 1: expectations I had were surpassed. As soon as I met her, 846 00:45:18,880 --> 00:45:20,719 Speaker 1: I was like, oh, I get it. Aside from all 847 00:45:20,719 --> 00:45:24,759 Speaker 1: of her talent, the greatest just and I've interviewed her 848 00:45:24,800 --> 00:45:26,640 Speaker 1: and I've spent time with her away from microphones, and 849 00:45:26,800 --> 00:45:30,960 Speaker 1: she really is delightful all the time and funny and 850 00:45:31,200 --> 00:45:32,840 Speaker 1: you know what, not even I wouldn't even say delightful 851 00:45:32,840 --> 00:45:36,360 Speaker 1: all the time human And when she's not delightful, she 852 00:45:36,600 --> 00:45:38,960 Speaker 1: just is is a real treat to be around her. 853 00:45:39,400 --> 00:45:40,960 Speaker 1: The other there are a couple of people like that. 854 00:45:41,080 --> 00:45:43,320 Speaker 1: Reba's like that too. I got to sit down with 855 00:45:43,360 --> 00:45:49,360 Speaker 1: the rebuff for the Spotify Country Round. Yeah, isn't she 856 00:45:49,440 --> 00:45:52,960 Speaker 1: the coolest? She's just light, like you, like I get. 857 00:45:53,080 --> 00:45:55,520 Speaker 1: I got chills when she walked in the room. She's like, 858 00:45:55,680 --> 00:45:59,719 Speaker 1: that's She's just light. They's just like a ball of 859 00:46:00,080 --> 00:46:05,279 Speaker 1: is them walking in the funny? Yeah? Professional just She 860 00:46:05,880 --> 00:46:09,960 Speaker 1: asked me to come and introduce her at the in 861 00:46:10,080 --> 00:46:15,320 Speaker 1: d C at remember that I remember Kennedy Candy Honors 862 00:46:15,520 --> 00:46:17,319 Speaker 1: and it was like her and Share and the people 863 00:46:17,320 --> 00:46:19,719 Speaker 1: from Hamilton are getting this big award. And I was 864 00:46:19,800 --> 00:46:21,640 Speaker 1: the first one out and they were like, hey, uh 865 00:46:22,120 --> 00:46:23,880 Speaker 1: really want you to go and introduce her. And it 866 00:46:24,440 --> 00:46:27,919 Speaker 1: was me and Kristin Chennawyth into Brooks and Dunne into 867 00:46:28,040 --> 00:46:30,600 Speaker 1: Lady Annabella m at Kelly Clarkson. And first of all 868 00:46:30,640 --> 00:46:32,080 Speaker 1: was like, how did I even get into this company? 869 00:46:32,440 --> 00:46:34,719 Speaker 1: And secondly I remember going up and just like looking 870 00:46:34,760 --> 00:46:36,320 Speaker 1: at Reba and now she was sitting up there and 871 00:46:36,360 --> 00:46:39,799 Speaker 1: I was like, I love you from the stage. She's 872 00:46:39,840 --> 00:46:42,880 Speaker 1: the best and she will pop. She snap your head 873 00:46:42,920 --> 00:46:45,160 Speaker 1: off too, and she should at times because she, you know, 874 00:46:45,239 --> 00:46:50,640 Speaker 1: reb was just Jesus. Professional's a businesswoman. Dahlias too, and 875 00:46:50,880 --> 00:46:53,120 Speaker 1: and those are just two careers that I look up 876 00:46:53,200 --> 00:46:56,080 Speaker 1: to as far as talk about expanding your brand beyond 877 00:46:56,239 --> 00:46:59,840 Speaker 1: music in a brilliant way, Like the time when you 878 00:47:00,000 --> 00:47:02,040 Speaker 1: always net worth it Mike look dollar Parton's network. I 879 00:47:02,040 --> 00:47:07,359 Speaker 1: think it's like ninety million. More than that. I'm gonna say, 880 00:47:08,400 --> 00:47:11,799 Speaker 1: you can't start it nine. I'm really bad estimations. I'm 881 00:47:11,840 --> 00:47:14,840 Speaker 1: gonna say, Mike d I'm gonna say five hundred million. 882 00:47:15,840 --> 00:47:19,920 Speaker 1: I'm gonna say, uh, five one million or whatever it is? 883 00:47:19,960 --> 00:47:24,000 Speaker 1: Five million? You pick ninety million to begin with, and 884 00:47:24,040 --> 00:47:27,160 Speaker 1: I have to walk myself up sometimes she's worth half 885 00:47:27,160 --> 00:47:30,400 Speaker 1: a billion dollars? And what's Reba? Let me guess, Let 886 00:47:30,400 --> 00:47:33,719 Speaker 1: me guess, my guests us, I'm going to guess. Well, 887 00:47:33,760 --> 00:47:35,440 Speaker 1: I don't want to guess because I don't want to offender. 888 00:47:35,760 --> 00:47:38,279 Speaker 1: Do you think you're gonna I'm gonna guess seventy five million? 889 00:47:39,000 --> 00:47:47,439 Speaker 1: I'm gonna guess millions. Oh my gosh, I'm so proud 890 00:47:47,480 --> 00:47:51,319 Speaker 1: of myself, and so that at number five is dollar parton. Yes, 891 00:47:51,960 --> 00:47:57,200 Speaker 1: because exactly of what she said, she knows her purpose 892 00:47:57,760 --> 00:48:00,320 Speaker 1: and she uses it for good. She does use it 893 00:48:00,400 --> 00:48:02,640 Speaker 1: for good. Looky, I feel like I just learned a lot. 894 00:48:02,719 --> 00:48:04,640 Speaker 1: I had no idea that all those influences were such 895 00:48:05,200 --> 00:48:07,000 Speaker 1: big parts of you. What tape did you listen to 896 00:48:07,120 --> 00:48:09,000 Speaker 1: most growing up? For CD? I guess what CD wasn't 897 00:48:09,000 --> 00:48:11,480 Speaker 1: most to? What album? Remember the first album I ever 898 00:48:11,680 --> 00:48:15,160 Speaker 1: bought with my own hard earned money? Oh? My never, 899 00:48:15,280 --> 00:48:16,720 Speaker 1: I was Counting Crows by the way, but go ahead, 900 00:48:16,760 --> 00:48:19,200 Speaker 1: Oh I forgot. I forgot that someone's gonna yell at 901 00:48:19,200 --> 00:48:20,640 Speaker 1: me on an email or something saying you didn't you 902 00:48:20,680 --> 00:48:23,160 Speaker 1: didn't finish number five Counting Crows waiting to give me 903 00:48:23,239 --> 00:48:27,000 Speaker 1: a County Crows cross the live Wire. I'm not super 904 00:48:27,160 --> 00:48:30,040 Speaker 1: familiar for I know their name well. For me, it 905 00:48:30,160 --> 00:48:34,680 Speaker 1: was in college, even in high school. This across a uh, well, 906 00:48:34,760 --> 00:48:37,800 Speaker 1: we'll do August and everything after. Mr Jones probably the 907 00:48:37,840 --> 00:48:46,480 Speaker 1: biggest song Mr Jones and beautiful. Yeah, yeah, because I 908 00:48:46,600 --> 00:48:50,000 Speaker 1: love that backward and forward. Hold on for a second, 909 00:48:52,480 --> 00:48:56,200 Speaker 1: when were they big? Okay, so this is like that 910 00:48:56,400 --> 00:49:01,200 Speaker 1: crunge they were like hot. They were like hot ac grunge. 911 00:49:01,280 --> 00:49:03,680 Speaker 1: Like they weren't like Nirvana Pearl Jam. They were like 912 00:49:04,680 --> 00:49:10,719 Speaker 1: emo emo, emo grunge. Yeah, when the chorus come up, 913 00:49:11,360 --> 00:49:12,800 Speaker 1: I don't know. I bet you'll know a couple of 914 00:49:12,800 --> 00:49:16,239 Speaker 1: the songs in a second. Well, nothing familiar yet, though, 915 00:49:18,600 --> 00:49:26,839 Speaker 1: I'll tell you when the chorus comes up right here? 916 00:49:28,400 --> 00:49:32,000 Speaker 1: Oh no Jones, Yeah, I know you've heard this song, right, Yes, 917 00:49:32,120 --> 00:49:37,880 Speaker 1: definitely play the song from Cruel Intentions, because you can 918 00:49:37,960 --> 00:49:40,399 Speaker 1: even play it from the very beginning. Because I think 919 00:49:40,480 --> 00:49:45,560 Speaker 1: that you'll know this song for the piano part. When 920 00:49:45,560 --> 00:49:48,560 Speaker 1: I do that, you should not what is it? Because 921 00:49:48,560 --> 00:49:51,560 Speaker 1: I was perfectly on pit? What are could they have 922 00:49:51,640 --> 00:49:56,080 Speaker 1: a long December? It's been a long December and there yeah, no, no, no, 923 00:49:56,640 --> 00:49:59,879 Speaker 1: how about round here? I think i'll know it when 924 00:50:00,239 --> 00:50:05,239 Speaker 1: they sing it, you know, when I sing it, this 925 00:50:05,400 --> 00:50:10,960 Speaker 1: is around here and the nailed it? Which one is this? 926 00:50:11,160 --> 00:50:12,759 Speaker 1: This is called round here here. I'm giving you a 927 00:50:12,840 --> 00:50:16,320 Speaker 1: lesson on music now. I don't know where. No, I 928 00:50:16,360 --> 00:50:24,320 Speaker 1: don't write it down here around here? Okay, I'm gonna play. 929 00:50:24,360 --> 00:50:26,319 Speaker 1: I guess I have access to like how raw their 930 00:50:26,400 --> 00:50:32,120 Speaker 1: voices were like they just like, um, well, you. Okay, 931 00:50:32,160 --> 00:50:35,000 Speaker 1: you'll know from Shrek. You'll know Accidentally in Love. Yes, 932 00:50:35,360 --> 00:50:38,840 Speaker 1: and you probably know Shrek. Yes, play that one? You 933 00:50:38,880 --> 00:50:44,120 Speaker 1: know this one? No? No, no, no, no, yes, Accidentally 934 00:50:44,239 --> 00:50:51,640 Speaker 1: in Love? No? Oh my goodness. Play color blind please 935 00:50:52,120 --> 00:50:55,960 Speaker 1: from the beginning, and then we'll get color blind. Is this? 936 00:50:56,680 --> 00:50:59,479 Speaker 1: Do you ever see cruel intentions back into the movie? No? Okay, 937 00:50:59,520 --> 00:51:01,040 Speaker 1: so if you know a song now, I need to watch. 938 00:51:02,640 --> 00:51:07,160 Speaker 1: Oh oh yes, I know this one. Not well, I 939 00:51:07,239 --> 00:51:13,279 Speaker 1: am color blind. I am color not really my key, 940 00:51:13,640 --> 00:51:15,440 Speaker 1: not really my key? He sings about too high for me. 941 00:51:20,920 --> 00:51:26,879 Speaker 1: I am color blind. I ever heard this? You haven't 942 00:51:26,880 --> 00:51:29,440 Speaker 1: heard it heard. I've heard that piano, but I probably 943 00:51:29,520 --> 00:51:36,000 Speaker 1: know the chorse hopefully. Anyway, I'm gonna go and listen. 944 00:51:37,000 --> 00:51:39,239 Speaker 1: You're gonna listen to one thing. I'd put you on 945 00:51:40,719 --> 00:51:43,160 Speaker 1: some ben Folds, smartly ben folds, the piano, been folds, 946 00:51:43,200 --> 00:51:46,239 Speaker 1: five piano stuff, just because you do love just that. 947 00:51:46,360 --> 00:51:47,560 Speaker 1: And he does a thing now where he goes out 948 00:51:47,560 --> 00:51:50,040 Speaker 1: the orchestras and plays the full orchestras. I never yeah, 949 00:51:50,600 --> 00:51:52,040 Speaker 1: I'm sure I wish I was cool. Are you like? 950 00:51:52,040 --> 00:51:54,800 Speaker 1: What are your tomboys? A kid? Yes? Oh my god, 951 00:51:55,040 --> 00:51:59,360 Speaker 1: you played football? Yes, like, oh my gosh, I was 952 00:51:59,440 --> 00:52:04,440 Speaker 1: so dramatic. It though, like the first time I was surprising, right, 953 00:52:05,080 --> 00:52:08,359 Speaker 1: causing a scene everywhere I went. No, the first time 954 00:52:08,440 --> 00:52:10,920 Speaker 1: my mom ever gett like I was raised with sisters 955 00:52:11,000 --> 00:52:14,000 Speaker 1: and they're all so girly. And the first time my 956 00:52:14,120 --> 00:52:16,359 Speaker 1: mom told me like, hey, it's time to wear a bra, 957 00:52:16,840 --> 00:52:20,239 Speaker 1: you know, I cried like I caused a seen. I 958 00:52:20,320 --> 00:52:22,680 Speaker 1: was like, I refused to wear that. I was a 959 00:52:22,760 --> 00:52:27,080 Speaker 1: feminist before feminists were feminists. Okay, I started that whole thing, 960 00:52:27,360 --> 00:52:29,640 Speaker 1: but now for all, I was just like, I don't 961 00:52:29,640 --> 00:52:32,799 Speaker 1: want to add all guy friends. I had short hair 962 00:52:33,800 --> 00:52:35,840 Speaker 1: and I just were like my mom would pick me 963 00:52:35,880 --> 00:52:38,600 Speaker 1: out these cute outfits every day and I'd wear out 964 00:52:38,640 --> 00:52:40,240 Speaker 1: of the house, and as soon as I got to school, 965 00:52:40,239 --> 00:52:44,120 Speaker 1: I've changed into a T shirt and basketball shorts. And 966 00:52:44,200 --> 00:52:46,200 Speaker 1: then somewhere along the way, I realized like, oh, it's 967 00:52:46,239 --> 00:52:47,839 Speaker 1: kind of cool to have bibbs. It's kind of cool 968 00:52:47,920 --> 00:52:51,520 Speaker 1: to like be girling, you know. I was like, I 969 00:52:51,640 --> 00:52:54,120 Speaker 1: think I'd like to think I was really good. Yeah. 970 00:52:54,440 --> 00:52:57,160 Speaker 1: I thought I was gonna go to college and play 971 00:52:57,239 --> 00:53:01,320 Speaker 1: sports there. I was a springboard diver and gymnast, and 972 00:53:01,440 --> 00:53:05,960 Speaker 1: I did play football and you're a gymnast too tall. Well, 973 00:53:06,000 --> 00:53:08,440 Speaker 1: I was really sure. I hit like all of us, 974 00:53:08,520 --> 00:53:11,320 Speaker 1: Anderson girls are pretty late bloomers. I hit my gross 975 00:53:11,320 --> 00:53:14,120 Speaker 1: spurt when I was like nineteen, just out of the blue, 976 00:53:14,239 --> 00:53:16,600 Speaker 1: just got really tall. It was like three months ago. 977 00:53:18,239 --> 00:53:23,560 Speaker 1: Thank you, thank you. It's a compliment. Now. I did 978 00:53:24,320 --> 00:53:27,640 Speaker 1: one of these Bobby casts with Tom Douglas. I love mr. 979 00:53:28,800 --> 00:53:30,840 Speaker 1: And you wrote good Lord with him? Right, No, I 980 00:53:30,920 --> 00:53:33,640 Speaker 1: wrote make him weight with him. That's what it was. 981 00:53:33,840 --> 00:53:36,520 Speaker 1: He is man. I feel so lucky being in this 982 00:53:36,600 --> 00:53:38,520 Speaker 1: town because I didn't go to college, but I have 983 00:53:38,719 --> 00:53:43,319 Speaker 1: learned more here than in a year just from riding 984 00:53:43,400 --> 00:53:46,800 Speaker 1: with people like Tom, then in college could have probably 985 00:53:46,880 --> 00:53:49,480 Speaker 1: done for me. No offense to college people. I think 986 00:53:49,480 --> 00:53:51,160 Speaker 1: they're probably gonna be okay. I'm okay, Like I went 987 00:53:51,200 --> 00:53:54,600 Speaker 1: to college. I'm not offended. Okay, you're okay. Uh do 988 00:53:54,680 --> 00:53:58,320 Speaker 1: you ever? Do you good at theaters anymore? Eaters? I 989 00:53:58,400 --> 00:54:00,640 Speaker 1: haven't seen a good movie. I no, there's plenty of 990 00:54:00,680 --> 00:54:03,800 Speaker 1: good movies out there, but I'm not. I did, however, 991 00:54:04,000 --> 00:54:06,279 Speaker 1: just go see A Dog's Journey because your girl has 992 00:54:06,320 --> 00:54:09,839 Speaker 1: a song on the soundtrack. So I did see that movie. 993 00:54:10,320 --> 00:54:12,000 Speaker 1: I know you have a song, but isn't a dog. 994 00:54:12,040 --> 00:54:14,279 Speaker 1: It is a dog's purpose, a dog's journey, so it's 995 00:54:14,280 --> 00:54:16,680 Speaker 1: a second one. I actually bought tickets that and then 996 00:54:16,760 --> 00:54:19,480 Speaker 1: didn't go. I meant to buy tickets to Avengers, and 997 00:54:19,560 --> 00:54:21,760 Speaker 1: I clicked the wrong button about tickets to a Dog's Journey. 998 00:54:21,760 --> 00:54:24,440 Speaker 1: I haven't seen Avengers either. Was that good? Yeah? As 999 00:54:24,480 --> 00:54:26,520 Speaker 1: good as long it was good. Did you like A 1000 00:54:26,560 --> 00:54:30,240 Speaker 1: Dog's Journey? I loved it. It's definitely a family movie, 1001 00:54:30,960 --> 00:54:35,360 Speaker 1: and it's definitely about the dog. I would hope. I mean, 1002 00:54:35,400 --> 00:54:38,040 Speaker 1: it's not like, don't focus on the acting or anything, 1003 00:54:38,320 --> 00:54:40,640 Speaker 1: you know, but it's it's it is great. I cried, 1004 00:54:40,800 --> 00:54:43,520 Speaker 1: what's the name of the song in that It's called Fearless. 1005 00:54:44,280 --> 00:55:00,600 Speaker 1: I'm following crashing down sounds fun. I forgot to go 1006 00:55:00,680 --> 00:55:03,520 Speaker 1: to l A, go to the premier, acted like I 1007 00:55:03,640 --> 00:55:08,520 Speaker 1: belonged there. Did you go with the carpet your boyfriend? No? No, no, 1008 00:55:09,080 --> 00:55:11,680 Speaker 1: this was like literally a month ago, not even two 1009 00:55:11,680 --> 00:55:15,040 Speaker 1: weeks ago. He's got a real job, he's in Atlanta, 1010 00:55:15,120 --> 00:55:18,759 Speaker 1: he's you know, he works, he's got to do the 1011 00:55:18,880 --> 00:55:21,000 Speaker 1: day we did that show, drive to Atlanta and back 1012 00:55:21,040 --> 00:55:23,080 Speaker 1: the same day. Yes, that's probably why you were sick. 1013 00:55:23,120 --> 00:55:26,440 Speaker 1: I think that's why. Well, it was allergies. Allergies, like 1014 00:55:26,520 --> 00:55:29,799 Speaker 1: apparently pollen count in Atlanta was so bad. You've been 1015 00:55:29,880 --> 00:55:32,720 Speaker 1: to the allergist at all. No, I'm just on clared 1016 00:55:32,800 --> 00:55:34,680 Speaker 1: In right now. I've never been to allergy That was 1017 00:55:34,680 --> 00:55:37,000 Speaker 1: always a rich person thing, an allergist like I went 1018 00:55:37,080 --> 00:55:40,720 Speaker 1: to as a kid. I was, you know, I went recently. 1019 00:55:41,600 --> 00:55:44,440 Speaker 1: Now that I'm rich, I should go. Yeah, you can't 1020 00:55:44,480 --> 00:55:46,799 Speaker 1: do it. I went. It's really not did a big 1021 00:55:47,080 --> 00:55:49,839 Speaker 1: thing on the back. They did like seventy of them. 1022 00:55:50,320 --> 00:55:52,640 Speaker 1: And is it all just paull and stuff? Is it food? 1023 00:55:52,800 --> 00:55:55,080 Speaker 1: It's everything they would put. They put like taco meat 1024 00:55:55,120 --> 00:55:58,040 Speaker 1: in their honey. No, not all that, but they put 1025 00:55:58,120 --> 00:56:01,360 Speaker 1: they do prick you and they put I'm gonna believe 1026 00:56:01,440 --> 00:56:03,719 Speaker 1: everything you say. It's like they put like pollen and 1027 00:56:03,840 --> 00:56:07,319 Speaker 1: ragweed and it's just like crazy and you can't move 1028 00:56:07,840 --> 00:56:09,960 Speaker 1: and your part everything you're allergic to it blows up, 1029 00:56:10,000 --> 00:56:12,120 Speaker 1: so your whole body just feels disgusting and they're like, 1030 00:56:12,160 --> 00:56:14,440 Speaker 1: don't scratch it, and you're like, and then they did 1031 00:56:14,560 --> 00:56:16,839 Speaker 1: like eight in my arm, eight different ones, and I'm 1032 00:56:16,880 --> 00:56:19,239 Speaker 1: allergic to like eleven things so I wake up every 1033 00:56:19,320 --> 00:56:21,480 Speaker 1: morning and I take a pill and I do a 1034 00:56:21,560 --> 00:56:23,759 Speaker 1: nose spray and have a sublingual then take another pill 1035 00:56:24,200 --> 00:56:27,080 Speaker 1: just so I don't you have what that? What you had? 1036 00:56:27,280 --> 00:56:30,520 Speaker 1: It's so true, like it My throat literally swelled up 1037 00:56:30,880 --> 00:56:33,640 Speaker 1: within an hour, and I was like, what is going on? 1038 00:56:34,080 --> 00:56:38,359 Speaker 1: They gave me an EpiPen really because because I take 1039 00:56:38,480 --> 00:56:41,760 Speaker 1: so much allergy medicine that it could react badly together. 1040 00:56:42,200 --> 00:56:44,279 Speaker 1: And they're like, here's an EpiPen just in case you're 1041 00:56:44,280 --> 00:56:50,800 Speaker 1: ever going to show. You're gonna we're trying to help you, 1042 00:56:51,000 --> 00:56:54,840 Speaker 1: but in case we don't. Golly, that's awesome though. No, 1043 00:56:55,000 --> 00:56:57,600 Speaker 1: I've just with all traveling everything, it's just easier to 1044 00:56:57,680 --> 00:57:00,640 Speaker 1: take a you know, ready to have from Claire and 1045 00:57:00,680 --> 00:57:03,040 Speaker 1: then just to keep it, keep it clear. I'm a 1046 00:57:03,120 --> 00:57:06,360 Speaker 1: little you know, snotty right now. So sorry, sound like 1047 00:57:06,440 --> 00:57:09,480 Speaker 1: you are? You got next week with Rob Thomas. Next 1048 00:57:09,520 --> 00:57:11,800 Speaker 1: week Rob to is the start. I leave on Monday. 1049 00:57:11,840 --> 00:57:14,960 Speaker 1: I leave town tomorrow for a weekend of shows and 1050 00:57:15,040 --> 00:57:17,640 Speaker 1: then we leave for two months. On Monday. We're just 1051 00:57:17,680 --> 00:57:20,280 Speaker 1: gonna be gone, which is crazy because it's a different 1052 00:57:20,320 --> 00:57:23,120 Speaker 1: way of touring because you're gone for two months. Usually 1053 00:57:23,160 --> 00:57:25,600 Speaker 1: how it works and country music is someday. Yeah, we 1054 00:57:25,640 --> 00:57:27,560 Speaker 1: all go out on the weekends and I go out 1055 00:57:27,560 --> 00:57:28,920 Speaker 1: on the weekends and I do my shows and we 1056 00:57:29,000 --> 00:57:31,120 Speaker 1: come back and that's but you're doing like rock and 1057 00:57:31,240 --> 00:57:36,440 Speaker 1: roll touring. I'm I'm really excited about it because I mean, 1058 00:57:36,480 --> 00:57:39,320 Speaker 1: it's gonna be different for me. It's a it's it's 1059 00:57:39,360 --> 00:57:42,200 Speaker 1: a feeling of all right, little girl, you better you know, 1060 00:57:42,920 --> 00:57:45,520 Speaker 1: grow up now. Like it's I think I'm excited to 1061 00:57:45,600 --> 00:57:48,520 Speaker 1: learn a lot. It's gonna push me. How many artists 1062 00:57:48,600 --> 00:57:53,120 Speaker 1: are on the bill, just me and him? Oh my god, 1063 00:57:54,840 --> 00:57:56,320 Speaker 1: I got my work cut out from me. But it's 1064 00:57:56,320 --> 00:57:58,520 Speaker 1: a forty five minutes that every night, it's about four 1065 00:57:58,680 --> 00:58:00,960 Speaker 1: five minutes or five minutes. How many players four to 1066 00:58:01,040 --> 00:58:04,200 Speaker 1: five shows every week? How many players you with you? 1067 00:58:04,520 --> 00:58:09,160 Speaker 1: It's just a yeah, just four of us on stage. 1068 00:58:09,240 --> 00:58:12,480 Speaker 1: Do you get a real drum kit? So you have? 1069 00:58:12,640 --> 00:58:15,160 Speaker 1: You have a real band? Full band? You have a 1070 00:58:15,240 --> 00:58:18,560 Speaker 1: real band? Oh yeah, I mean everyone I've gotten open 1071 00:58:18,720 --> 00:58:21,080 Speaker 1: for his Let me have a real band. We're bringing 1072 00:58:21,080 --> 00:58:23,520 Speaker 1: our sound guy out. It'll be we're gonna be trekking 1073 00:58:23,560 --> 00:58:29,000 Speaker 1: in a van for yeah, in a van. Oh yeah, 1074 00:58:29,680 --> 00:58:34,520 Speaker 1: we're schmucking it. We're bawling on a budget. You're no, 1075 00:58:34,720 --> 00:58:38,000 Speaker 1: I legally I can't. I probably won't wait, but why 1076 00:58:38,040 --> 00:58:41,440 Speaker 1: can't you some twenty two? It's a rental and I 1077 00:58:41,480 --> 00:58:45,840 Speaker 1: think it's five. That's my my When I date, I 1078 00:58:45,920 --> 00:58:48,160 Speaker 1: only date people that can rent a car. That's my 1079 00:58:48,200 --> 00:58:49,600 Speaker 1: cut off. That's what I asked him. Can you in 1080 00:58:49,720 --> 00:58:52,680 Speaker 1: a car? Yes? But some girls are just really mature 1081 00:58:52,800 --> 00:58:55,400 Speaker 1: for the grades you might be missing out on. No, 1082 00:58:55,560 --> 00:58:57,800 Speaker 1: I'm not. I'm not dating anybody under twenty in saying 1083 00:58:58,280 --> 00:59:01,880 Speaker 1: nobody so young and full alie, I am very young, 1084 00:59:01,920 --> 00:59:08,600 Speaker 1: alf and you're out until three? Yeah fo yeah. So 1085 00:59:08,960 --> 00:59:11,240 Speaker 1: are you caught up on Matchbox twenty and Rob Thomas song? 1086 00:59:11,320 --> 00:59:13,880 Speaker 1: I am? Oh? Yeah, like, and I'll be honest like 1087 00:59:13,880 --> 00:59:16,840 Speaker 1: I was born in ninety seven and not to age anybody, 1088 00:59:16,960 --> 00:59:19,760 Speaker 1: especially Mr Rob, because I'm so excited about this store. 1089 00:59:19,880 --> 00:59:24,080 Speaker 1: But I knew Rob's music before a new Matchbox twenty 1090 00:59:24,480 --> 00:59:27,200 Speaker 1: because my dad listened to him all times. So yeah, 1091 00:59:27,280 --> 00:59:29,880 Speaker 1: like he was already huge when I found him. And 1092 00:59:29,960 --> 00:59:32,760 Speaker 1: so because I listened to Rob's music, I think I 1093 00:59:32,920 --> 00:59:34,920 Speaker 1: started listening when I was like fifteen because my dad 1094 00:59:35,080 --> 00:59:37,520 Speaker 1: listened to him. And then I was like, Oh, he 1095 00:59:37,680 --> 00:59:40,520 Speaker 1: wasn't a band. This music is awesome. That's funny, you 1096 00:59:40,640 --> 00:59:43,200 Speaker 1: are a kid. My favorite what I want to pull 1097 00:59:43,280 --> 00:59:47,360 Speaker 1: up the list matchbox and I know they're hit. Oh. 1098 00:59:47,560 --> 00:59:53,400 Speaker 1: My favorite Rob Thomas song is ever the same. Just 1099 00:59:53,840 --> 00:59:59,720 Speaker 1: such a great balance, such a great band and lonely 1100 00:59:59,760 --> 01:00:03,160 Speaker 1: no more. That's such a small it's such a danger, 1101 01:00:03,600 --> 01:00:07,560 Speaker 1: Like it's such a danger. It's just undeniable. Yeah, that's 1102 01:00:07,600 --> 01:00:09,440 Speaker 1: a good one. You can do it all in the ways. 1103 01:00:09,600 --> 01:00:13,440 Speaker 1: The passion of his voice kills me. I don't want me, 1104 01:00:15,160 --> 01:00:19,480 Speaker 1: I don't want to pay for Yes, that's a jam too, 1105 01:00:19,760 --> 01:00:23,280 Speaker 1: that's awesome. Did you listen did you listen to Masox? Yeah? 1106 01:00:23,440 --> 01:00:25,760 Speaker 1: Like their first record I was a kid sold like 1107 01:00:26,680 --> 01:00:30,240 Speaker 1: astronomical number right. I think it was called yourself or 1108 01:00:30,280 --> 01:00:32,080 Speaker 1: someone like you. Right at the of the first record, Mike, 1109 01:00:32,320 --> 01:00:34,360 Speaker 1: I've pulled up over here and this song came out here. 1110 01:00:34,680 --> 01:00:37,120 Speaker 1: When Push came out, I played some of this now 1111 01:00:37,200 --> 01:00:42,640 Speaker 1: you turn it up. I have control over here. It 1112 01:00:42,800 --> 01:00:45,360 Speaker 1: was like we were like, oh my god, was it 1113 01:00:45,520 --> 01:00:47,360 Speaker 1: that different when it came out and the guy in 1114 01:00:47,400 --> 01:00:49,440 Speaker 1: the front was like a big dude and like airline 1115 01:00:49,480 --> 01:00:52,880 Speaker 1: goggles and I got floppy hats. This was a big 1116 01:00:52,960 --> 01:00:56,320 Speaker 1: jam three Am, yes, three Am, and it was just 1117 01:00:56,360 --> 01:01:02,960 Speaker 1: one after the other. It's country like if he was 1118 01:01:03,320 --> 01:01:09,280 Speaker 1: like if this came out today. Yeah, this was. It's 1119 01:01:09,320 --> 01:01:13,960 Speaker 1: like us even like a long day again. It's the 1120 01:01:14,080 --> 01:01:16,640 Speaker 1: old go the Second Ship. I used to play this 1121 01:01:16,720 --> 01:01:18,360 Speaker 1: on my guitar because that had like four words, like 1122 01:01:18,400 --> 01:01:20,640 Speaker 1: one of the first songs I learned. Yeah. Yeah, but 1123 01:01:20,760 --> 01:01:23,560 Speaker 1: this whole album was good. And do you know this one? 1124 01:01:24,680 --> 01:01:26,200 Speaker 1: It's kind of it was a single, but I don't 1125 01:01:26,200 --> 01:01:28,000 Speaker 1: think it was a big I know their hits. It's 1126 01:01:28,000 --> 01:01:30,360 Speaker 1: not gonna lie and then it jumps in right here 1127 01:01:33,120 --> 01:01:35,240 Speaker 1: all the time. This was like when I was a 1128 01:01:35,320 --> 01:01:37,640 Speaker 1: kid in this song came out. It's crazy. Is Rob 1129 01:01:37,720 --> 01:01:42,080 Speaker 1: still sounds like that? Yeah, it's such a great vocalist. 1130 01:01:43,040 --> 01:01:49,920 Speaker 1: This was a real world Betty pretty. Yeah. Man, I'm 1131 01:01:49,920 --> 01:01:52,440 Speaker 1: gonna learn from a true rocker. He has a whole 1132 01:01:52,480 --> 01:01:56,240 Speaker 1: seven hits. That's what's crazy. He probably has to not 1133 01:01:56,280 --> 01:01:58,440 Speaker 1: play them all because he wants to play his stuff. 1134 01:01:58,960 --> 01:02:04,160 Speaker 1: Was new record too, was great. It says one last day, 1135 01:02:05,400 --> 01:02:07,560 Speaker 1: no no no. It's called Chip to Smile Ducks the 1136 01:02:07,640 --> 01:02:11,960 Speaker 1: name of the Stinking tour. Yeah, but his song. Um 1137 01:02:13,000 --> 01:02:16,400 Speaker 1: is it one last day? Yeah, it's so good. I'm 1138 01:02:16,480 --> 01:02:22,120 Speaker 1: not afraid. I'm not afraid. I was getting old, was 1139 01:02:22,320 --> 01:02:25,560 Speaker 1: lost d how the way he pronounced his words that 1140 01:02:25,680 --> 01:02:32,680 Speaker 1: way he enunciates the light. No, we've just met. So 1141 01:02:32,840 --> 01:02:36,280 Speaker 1: Jimmy Allen's really good friends with them. How are they friends? Do? 1142 01:02:36,440 --> 01:02:41,200 Speaker 1: Because Jimmy loves Matchbox twenty and so he texted me like, 1143 01:02:41,400 --> 01:02:43,880 Speaker 1: Jimmy knew that I got this tour before I knew 1144 01:02:43,920 --> 01:02:46,920 Speaker 1: it because they were at dinner, him and Robert at 1145 01:02:46,960 --> 01:02:49,200 Speaker 1: dinner one night while Jimmy was in Vegas or something 1146 01:02:49,360 --> 01:02:53,400 Speaker 1: or l A. And apparently Mr Rob was asking about me, like, 1147 01:02:53,440 --> 01:02:55,800 Speaker 1: what do you know about Abby Anderson chick? I'm and 1148 01:02:55,960 --> 01:02:58,640 Speaker 1: so Jimmy was like talking me up to him. And 1149 01:02:58,680 --> 01:03:00,520 Speaker 1: then I got the call like two days later from 1150 01:03:00,560 --> 01:03:03,960 Speaker 1: a manager saying, hey, Rob Thomas tour this summer. What 1151 01:03:04,080 --> 01:03:06,960 Speaker 1: you think I'm like, oh right, yeah. Apparently Jimmy and 1152 01:03:07,120 --> 01:03:11,000 Speaker 1: him talked about it and yeah look at you. Yeah, 1153 01:03:11,080 --> 01:03:13,600 Speaker 1: well look at you. You got the song out now, 1154 01:03:13,800 --> 01:03:17,600 Speaker 1: good lord, you're out doing your thing. Yeah, trying to. 1155 01:03:17,800 --> 01:03:22,640 Speaker 1: It's a grind, that's fun. Both are true. It's absolutely grind. 1156 01:03:22,800 --> 01:03:24,840 Speaker 1: It's not meant for everybody, but if it is meant 1157 01:03:24,880 --> 01:03:26,280 Speaker 1: for you, like there's a lot of joy in it, 1158 01:03:26,400 --> 01:03:29,160 Speaker 1: Oh my gosh. And that's what's been so fun is um. 1159 01:03:30,120 --> 01:03:33,000 Speaker 1: I don't know. I haven't had a day that it's 1160 01:03:33,080 --> 01:03:36,880 Speaker 1: felt like work yet, even the nights where it's three 1161 01:03:36,920 --> 01:03:39,360 Speaker 1: hours of sleep and you're catching a five am flight, 1162 01:03:39,440 --> 01:03:41,760 Speaker 1: it's still like, holy crap, I get I get to 1163 01:03:41,840 --> 01:03:45,000 Speaker 1: be exhausted, you know. I used to say that I 1164 01:03:45,120 --> 01:03:46,440 Speaker 1: haven't said in a bit, but I would say, I'm 1165 01:03:46,480 --> 01:03:50,000 Speaker 1: so lucky to be this tired. Am. That's exactly how 1166 01:03:50,040 --> 01:03:54,480 Speaker 1: I feel. There are days where it hurts, but I go, God, 1167 01:03:54,560 --> 01:03:56,280 Speaker 1: I'm so lucky to be so tired, because I'm so 1168 01:03:56,360 --> 01:03:58,040 Speaker 1: tired of doing something that I've tried my whole life 1169 01:03:58,080 --> 01:04:01,680 Speaker 1: to do well, to make a living doing it. That's 1170 01:04:01,760 --> 01:04:04,919 Speaker 1: the biggest lesson. And especially to days where I'm missing 1171 01:04:05,000 --> 01:04:07,240 Speaker 1: my man, I'm like Collie, I get to miss my man, 1172 01:04:07,480 --> 01:04:09,160 Speaker 1: you know. And he's gonna fly out to any shows, 1173 01:04:09,400 --> 01:04:12,440 Speaker 1: Yeah he is. We've we've planned. I think there's like yeah, 1174 01:04:12,560 --> 01:04:14,840 Speaker 1: one or two and then I'm I have a show 1175 01:04:14,880 --> 01:04:17,800 Speaker 1: in Atlanta. I'm back here in Nashville, so we'll see 1176 01:04:17,840 --> 01:04:20,560 Speaker 1: each other who who's um, who's one of the pants 1177 01:04:20,600 --> 01:04:23,800 Speaker 1: in the relationship? He's running the PA. We both do, 1178 01:04:24,320 --> 01:04:29,120 Speaker 1: Come on, we both do Instagram. Abby Anderson Music A 1179 01:04:29,280 --> 01:04:33,120 Speaker 1: B B Y Anderson Music, Abby Anderson Music. Look at 1180 01:04:33,160 --> 01:04:37,560 Speaker 1: you leaving for two months? Yeah? Trying to pack tonight. Um, 1181 01:04:38,080 --> 01:04:39,800 Speaker 1: that's really hard. I don't know how you pack for 1182 01:04:39,880 --> 01:04:44,680 Speaker 1: two months in one suitcase? Is that all you're taking one? 1183 01:04:46,280 --> 01:04:50,560 Speaker 1: A bed in the van? No? No, we're doing hotels. No, No, 1184 01:04:50,720 --> 01:04:52,720 Speaker 1: I would think so. I mean even while the driving, 1185 01:04:52,760 --> 01:04:54,880 Speaker 1: like you gotta you're just gonna land the seat. Yeah, 1186 01:04:55,080 --> 01:04:57,440 Speaker 1: just step straight. You're taking a driver or one of 1187 01:04:57,480 --> 01:05:02,880 Speaker 1: the band people. Yeah, we're like rocking this summer me. Yeah, 1188 01:05:02,920 --> 01:05:10,560 Speaker 1: you're like going full yeah some style you know. Yeah? 1189 01:05:10,800 --> 01:05:13,760 Speaker 1: Do you even know if some forty one is I 1190 01:05:13,880 --> 01:05:17,280 Speaker 1: was just agreeing with you, that's all right, Well listen, 1191 01:05:17,560 --> 01:05:19,960 Speaker 1: you know I enjoy you. Oh, I feel like you 1192 01:05:20,120 --> 01:05:24,360 Speaker 1: enjoying me. So thank you for I'm making me feel enjoyed. 1193 01:05:26,080 --> 01:05:28,800 Speaker 1: I'm a big fan and check out I have his music. 1194 01:05:29,120 --> 01:05:31,840 Speaker 1: And if you're you're out about and I would go 1195 01:05:31,880 --> 01:05:33,760 Speaker 1: see Rob Thomas even if I didn't, even if I Oh, 1196 01:05:33,800 --> 01:05:35,520 Speaker 1: I'm so excited to see even if you weren't on 1197 01:05:35,520 --> 01:05:36,680 Speaker 1: the show, i'd go to that show. But now that 1198 01:05:36,720 --> 01:05:38,880 Speaker 1: you're on, let me see, is he coming any more? Closes? Yeah, 1199 01:05:38,880 --> 01:05:42,320 Speaker 1: he's coming, uh Nashville. I know, but I'm so gone 1200 01:05:42,360 --> 01:05:47,560 Speaker 1: all the time. Theater in Austin. We'll just let me know. 1201 01:05:47,840 --> 01:05:51,120 Speaker 1: Playing that. I'm playing Moody theater too. Really we're the same. 1202 01:05:51,240 --> 01:05:53,120 Speaker 1: Rob Thomas and I basically don't trying to say so. 1203 01:05:53,200 --> 01:05:54,840 Speaker 1: I think I think I sold it out today. It 1204 01:05:55,720 --> 01:05:59,120 Speaker 1: is not. That is honestly insane. What is it just 1205 01:05:59,200 --> 01:06:01,440 Speaker 1: so your son? I mean, I don't mean that as 1206 01:06:01,440 --> 01:06:03,680 Speaker 1: a consul at all. It's a compliment. But you're selling 1207 01:06:03,760 --> 01:06:08,800 Speaker 1: out theaters. That's insane with me. That's amazing. Yes, yeah, 1208 01:06:08,800 --> 01:06:10,360 Speaker 1: I know, And that's why I was standing there. I'm like, 1209 01:06:10,480 --> 01:06:15,560 Speaker 1: he's doing what I want to do with talent. He's talking, 1210 01:06:16,480 --> 01:06:19,280 Speaker 1: and I'm busting my butt up here, like trying to 1211 01:06:19,360 --> 01:06:21,640 Speaker 1: get these people all love me. You just have to 1212 01:06:21,760 --> 01:06:25,960 Speaker 1: go out there and talk a little jealous. I love 1213 01:06:26,040 --> 01:06:27,560 Speaker 1: that you think is that easy? Because that means I'm 1214 01:06:27,600 --> 01:06:30,400 Speaker 1: doing it right. No, I would never want to do 1215 01:06:30,520 --> 01:06:32,800 Speaker 1: stand up comedy. That's got to be so hard. I 1216 01:06:32,920 --> 01:06:34,760 Speaker 1: love it because I try to make my radio show 1217 01:06:34,800 --> 01:06:36,320 Speaker 1: sound like that before. It sounds like we're just having 1218 01:06:36,400 --> 01:06:38,560 Speaker 1: fun and it sounds so easy that people go, that 1219 01:06:38,600 --> 01:06:40,840 Speaker 1: sounds so easy because that means that you're doing a 1220 01:06:40,880 --> 01:06:42,960 Speaker 1: good job at it. So the fact that you're like, yeah, 1221 01:06:43,040 --> 01:06:46,120 Speaker 1: you're just talking it when for the little guy over 1222 01:06:46,200 --> 01:06:51,160 Speaker 1: here and on the little list of them all, I'm 1223 01:06:51,200 --> 01:06:59,640 Speaker 1: the smallest sort. But Anderson, episode one seventy nine, thank 1224 01:06:59,640 --> 01:07:01,680 Speaker 1: you for I'm much and every well we'll see you 1225 01:07:01,680 --> 01:07:06,959 Speaker 1: after you get back, appreciate it. Mm hmmmm.