WEBVTT - 307: Everything's Coming Up Mellie w/ Bellamy Young

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<v Speaker 1>Unpacking the Toolbox is a production of Shondaland Audio in

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<v Speaker 1>partnership with Higheartradiots Show.

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<v Speaker 2>Yah and Katie.

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<v Speaker 1>Sell me.

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<v Speaker 3>We have been waiting, We have everyone's been waiting, The

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<v Speaker 3>Gladiator's been waiting, the listeners have been waiting. Garmon and

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<v Speaker 3>I have been waiting. Okay, we are in the midst

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<v Speaker 3>of season three, but I knew that it was going

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<v Speaker 3>to be for this.

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<v Speaker 1>Oh yeah, We've been saving it for this, like this

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<v Speaker 1>is saving it for this episode.

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<v Speaker 3>There's no rampump, there's no prep needed because there is

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<v Speaker 3>only one singular artist, actress, human being, animal saving vegan,

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<v Speaker 3>beautiful Yes, booking and best kisses, best person on the

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<v Speaker 3>inside and outside in that entire planet, the one and

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<v Speaker 3>only Bellam you Yes, or our first Lady and President

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<v Speaker 3>of the United States, Melly.

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<v Speaker 1>Graham Yeah or Smelly Melly is I like to call it.

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<v Speaker 2>I still have a tank top that some wonderful gladiator

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<v Speaker 2>made me that has all the iterations of melee on it.

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<v Speaker 1>I love that, I love that, love it.

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<v Speaker 3>Let me just tell all the gladiators listening, We're gonna

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<v Speaker 3>just fill you guys in real quick. We're talking about

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<v Speaker 3>episode three oh seven, which is called Everything's Coming Up,

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<v Speaker 3>Mel Melly. It aired on November fourteenth in twenty thirteen,

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<v Speaker 3>so that is eleven years ago. Written by Peter Noak,

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<v Speaker 3>Oh my.

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<v Speaker 1>God, and it was directed by Michael Cattleman.

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<v Speaker 3>Peter no Walk created.

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<v Speaker 1>How to Get Away with Murder.

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<v Speaker 3>Yes, Storry Barry Bostwick is Jerry Graham, oh lot an asshole.

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<v Speaker 1>And also yeah, and also I wanted to say Laurence

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<v Speaker 1>Stamel Stamile and she plays Carla, who's so amazing in

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<v Speaker 1>this episode. And also Candy Alexander is introduced in this episode.

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<v Speaker 4>That's the laptop situation. She turns around and you're just like, yo, yeah.

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<v Speaker 3>She's unbelievable. And she doesn't even I think she says

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<v Speaker 3>like a word or two and she is unbelievable.

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<v Speaker 1>Yeah, a couple of words. She is the jam.

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<v Speaker 3>The synopsis in Scandalpace is Melly is still trying to

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<v Speaker 3>recover from the public backlash of the last year, so

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<v Speaker 3>she decides to do a hard hitting news interview. Meanwhile,

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<v Speaker 3>as Cyrus continues to plot against Sally Langston, we learned

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<v Speaker 3>how fits Melly and Cyrus became a team.

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<v Speaker 1>Back at Opia. Huck continues to push Quinn way, but

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<v Speaker 1>Quinn's bloodlust could get her into some dangerous situations. Many

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<v Speaker 1>truths are revealed in a fifteen year flashback. The flashbacks

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<v Speaker 1>in this episode are epic. Just the facial hair and

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<v Speaker 1>wigs alone deserve a shout out.

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<v Speaker 2>Let us begin there because saw Jeff Berry as Derek.

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<v Speaker 1>Jack, I thought I was, let me tell you, as

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<v Speaker 1>as a character that had a beard glued on my face.

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<v Speaker 1>Often for homeless huck or hagrid huck is something that

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<v Speaker 1>shit is not fun. At least his was shorter, but

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<v Speaker 1>mine was. I remember thinking, oh, damn, I'm in homeless Hucks.

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<v Speaker 1>So I can't eat because you can't eat because all

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<v Speaker 1>the hair gets in your mouth when you're eating.

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<v Speaker 3>Is this the worst?

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<v Speaker 1>It's terrible, terrible.

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<v Speaker 4>Ton cryer, shout out to cry.

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<v Speaker 2>We have worked on my flashback leg so hard and

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<v Speaker 2>we were both so excited for this flashback, and I

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<v Speaker 2>was like, Mellie's gonna be ten and she's gonna have

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<v Speaker 2>a bub and she lives in California, California, And we

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<v Speaker 2>were overdoing the scene when Cyrus is leaving and he's that, man,

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<v Speaker 2>is your job right?

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<v Speaker 1>I forget it?

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<v Speaker 2>And I'm like, come back, tomorrow he'll be ready to work.

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<v Speaker 2>And but we're shooting that scene and I'm not sure

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<v Speaker 2>Cattleman had directed us before.

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<v Speaker 4>I wouldn't being nervous.

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<v Speaker 2>Because I didn't know him and they were sending he

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<v Speaker 2>turned out great, Michael Cattleman, where were you are? I

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<v Speaker 2>didn't know they were sending footage over so Tom Verica

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<v Speaker 2>could have eyeballs on it as we were going along,

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<v Speaker 2>and they decided to do the flashbacks and like a

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<v Speaker 2>blue filter so it was different from present day. So

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<v Speaker 2>we're outside in that driveway of that house over not

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<v Speaker 2>far from the studio, and it's hot, and so all

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<v Speaker 2>the tape that's holding all of Jeff Perry's not on,

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<v Speaker 2>but also his face back because they've got those frownies

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<v Speaker 2>on him.

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<v Speaker 4>When I ever saw those, are those.

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<v Speaker 3>Of you guys listening? Not only did he like that?

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<v Speaker 3>Don't know? It means they take these like strings with

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<v Speaker 3>tape and they basically give you a face, your excess

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<v Speaker 3>neck skin and your cheek skin so that it like

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<v Speaker 3>makes you go through like a wind tunnel to make

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<v Speaker 3>you look younger.

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<v Speaker 2>I don't have to have surgery, but for the ten

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<v Speaker 2>hours you're going to be filming, you look younger people.

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<v Speaker 4>You should look into them.

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<v Speaker 2>Everybody better or you cut yourself. Just give yourself a

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<v Speaker 2>little try it out.

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<v Speaker 4>Drive it stop there.

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<v Speaker 2>And things keep pop popping. We have to stop, and

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<v Speaker 2>then gluing back down and gluing back down. I see

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<v Speaker 2>Tom Berer, I see a car come up like it's

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<v Speaker 2>a cop show, and he pulls in and like parks

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<v Speaker 2>and falls out of the car and like leaves the

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<v Speaker 2>door open.

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<v Speaker 4>Comes on set and I think it's not that bad.

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<v Speaker 4>Don't make Jeff feel bad and goes inside and we

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<v Speaker 4>all stop and we're like, what should we are we? Honey,

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<v Speaker 4>he's watched the video and I have tanned myself to

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<v Speaker 4>a point under a blue filter at which I look

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<v Speaker 4>like and I have the same skin.

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<v Speaker 3>Oh my god, de remedy.

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<v Speaker 2>The fact that they need to differentiate between me and Carer.

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<v Speaker 1>Shut the hell up. I am wait, And had you

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<v Speaker 1>had already shot a bunch of stuff.

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<v Speaker 4>We had the first third of the day.

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<v Speaker 2>They were like, stop, we need to adjust the lighting.

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<v Speaker 2>Are we going to keep the blue filter?

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<v Speaker 4>What are we gonna do? Can we take her makeup down?

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<v Speaker 2>Ducks?

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<v Speaker 1>See he didn't like it either.

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<v Speaker 3>I love the idea behind it. And it looked whatever

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<v Speaker 3>everybody did, whether they adjusted the lighting or took down

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<v Speaker 3>the tan for the California beach. Babe, you look exquisite,

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<v Speaker 3>not rely that, but so much of your acting. And

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<v Speaker 3>we always have a carry Washington School of Acting moment

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<v Speaker 3>in this show, which definitely goes to Melle. Oh my god,

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<v Speaker 3>like yes, but my I just like between the flashback

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<v Speaker 3>makeup and also like Melle not being the Melly we

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<v Speaker 3>know yet you're doing all these scenes where you're not

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<v Speaker 3>as good at giving a speech or you're not as

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<v Speaker 3>sure of yourself, You're not as.

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<v Speaker 2>Amazing like twelve times my amazing husband, and you're just

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<v Speaker 2>amazing to be here and we're gonna be an amazing team.

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<v Speaker 1>Yeah, that Melo version of Melly was so much closer

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<v Speaker 1>to you, right, obviously.

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<v Speaker 4>That's cool.

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<v Speaker 3>Does everyone listening Gladiators know that Melly was not going

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<v Speaker 3>to be Melly? Like you tell us how you book

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<v Speaker 3>this job and like it wasn't supposed to it was

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<v Speaker 3>because you made such an impression.

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<v Speaker 4>I don't know about that. So here's okay.

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<v Speaker 2>Oh the backstory being wonderful Linda Lowie that now everybody

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<v Speaker 2>can love and appreciate because you guys spent such a.

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<v Speaker 4>Wonderful hour with her. You guys, I love that episode.

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<v Speaker 1>So's she's the best.

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<v Speaker 3>She saved all of our lives, our lives, so many lives.

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<v Speaker 2>I'd just gone into audition for her for five hundred

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<v Speaker 2>different things and not booked four hundred and ninety nine

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<v Speaker 2>of them. I like she said on like when she

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<v Speaker 2>was talking to you know, I don't know why you're

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<v Speaker 2>in the room. Do your best work, leave your heart

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<v Speaker 2>in the room and going about your life. Everything is

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<v Speaker 2>in higher hands. So I've done that a lot, so

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<v Speaker 2>I'll had all that taste of rejection. And I never

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<v Speaker 2>really got to do Grays because I did the private

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<v Speaker 2>practice that was embedded in Grays, the like embryonic private practice.

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<v Speaker 2>So I was in that part and that's the only

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<v Speaker 2>Shondaland job I had. But they, you guys, were filming

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<v Speaker 2>the pilot the next day. They needed someone to stand

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<v Speaker 2>beside Fitzgerald Grant and wave a little and be the

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<v Speaker 2>wife and Linda fucking Lowe, may we all bow down,

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<v Speaker 2>called five of us in same five that have been

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<v Speaker 2>there every other time. When you're like side eyeing each

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<v Speaker 2>other and trying to but like thinking about Wow, she's

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<v Speaker 2>We had two lines and one of them was live

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<v Speaker 2>like it was a whole line, but they were all

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<v Speaker 2>in there.

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<v Speaker 4>I tried to think Tony. It just directed me in

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<v Speaker 4>a dirty, sexy money.

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<v Speaker 2>And so I went out to get the audition at

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<v Speaker 2>five o'clock.

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<v Speaker 4>You had to be there the next morning.

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<v Speaker 2>But I went out the night before and bought some

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<v Speaker 2>clothes I thought would be appropriate, which I know, I

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<v Speaker 2>hate to shop more than I hate to go to

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<v Speaker 2>the dentist.

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<v Speaker 4>But I have pearl ear rings. Little store. Bought pearl

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<v Speaker 4>earrings and a blue.

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<v Speaker 3>First Not everyone's got first lady like a tire. I

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<v Speaker 3>definitely don't.

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<v Speaker 2>So I was just thinking, because there wasn't a lot

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<v Speaker 2>of texts, I was like, who's the person standing next

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<v Speaker 2>to Tony Cold? That's what I was trying to That's

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<v Speaker 2>how I approached it. And I got that going and

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<v Speaker 2>put my hair up when I set my two lines,

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<v Speaker 2>and they gave me some adjustment and I said them again,

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<v Speaker 2>and was it for Shanda, Anna and Betsy were in there.

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<v Speaker 1>We're all in there.

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<v Speaker 2>Huh yep, everybody's in that little tiny room and then

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<v Speaker 2>you leave and the but then they called, and then

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<v Speaker 2>I got the part I got the part.

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<v Speaker 3>But didn't she tell you they there was like gonna

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<v Speaker 3>be like three episodes, and like a hurt.

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<v Speaker 2>I said my two lines and was nobody talked to

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<v Speaker 2>me at the pilot.

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<v Speaker 4>That I was just like glad to be there. I

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<v Speaker 4>was literally just glad to be there.

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<v Speaker 2>They did some step faking stepping off air Force one

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<v Speaker 2>or I don't know what, were just like fake and Griffin.

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<v Speaker 3>You were like coming out of the airplane.

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<v Speaker 2>Yeah, yeah, yeah, And then it was over and nobody says,

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<v Speaker 2>booty you when you're a guest actor. And got picked

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<v Speaker 2>up and I can't invite it to the table read

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<v Speaker 2>for this episode, and I was like, oh, yeah, there

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<v Speaker 2>comes and I like wore my best dress and I

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<v Speaker 2>got all southerned up and showed up and was just.

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<v Speaker 1>I remember I remember that day. I remember you at

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<v Speaker 1>the table read. Oh, and I remember you being so

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<v Speaker 1>sweet and so kind, and I remember thinking, no, Shade,

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<v Speaker 1>I was like, why is friendly and kind and happy?

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<v Speaker 1>She's just got a tiny roll. And I was like, damn,

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<v Speaker 1>she real happy for this small ass roll. Yes, you

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<v Speaker 1>could tell I'm in the room.

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<v Speaker 4>Yes, So we did the read.

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<v Speaker 2>Of course, it's a wonderful and I'm just like, I'm

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<v Speaker 2>a part of something great.

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<v Speaker 3>Did you have a part? What do you do in

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<v Speaker 3>the second episode?

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<v Speaker 2>I don't remember it anyway, and everybody sits still. I'm

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<v Speaker 2>going to come around the room and I'm going to

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<v Speaker 2>tell you what your ARC's gonna be for the first season.

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<v Speaker 2>You're gonna do this, and you're gonna do this, and

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<v Speaker 2>you're gonna do this.

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<v Speaker 1>Who did Shonda? Shonda?

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<v Speaker 4>And she got to me and I'm like, oh yeah,

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<v Speaker 4>let me have it.

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<v Speaker 2>And she was like, I want to write a presidential divorce.

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<v Speaker 2>I think you're gonna be here maybe three episodes and

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<v Speaker 2>it's gonna be great.

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<v Speaker 1>And I was like, inside, yo, but cut to you,

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<v Speaker 1>like having more stuff to do on this show than

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<v Speaker 1>anyone else. Yes to you being.

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<v Speaker 3>Elected as the president of the United States. At the

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<v Speaker 3>end of the seventh season, Mellie Grant is the fucking

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<v Speaker 3>President of the United States.

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<v Speaker 1>Ridiculous, amazing, so.

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<v Speaker 4>Longed, but I'm like, my I'm gonna get some good

0:11:53.040 --> 0:11:54.840
<v Speaker 4>tape for my real is it killed me?

0:11:55.200 --> 0:11:57.360
<v Speaker 2>I go to Liza Smith and I make her talk

0:11:57.440 --> 0:12:00.360
<v Speaker 2>through my four four words that I have per episode

0:12:00.440 --> 0:12:00.760
<v Speaker 2>or whatever.

0:12:00.840 --> 0:12:04.080
<v Speaker 3>Smith is an acting coach who's incredible. Really gone to

0:12:04.120 --> 0:12:06.160
<v Speaker 3>her for a meal. I took class with her. Everybody,

0:12:06.240 --> 0:12:08.520
<v Speaker 3>look up if you're a prospect, if you're an actor

0:12:08.520 --> 0:12:10.559
<v Speaker 3>in Los Angeles, and she does New York too.

0:12:10.640 --> 0:12:14.920
<v Speaker 2>Lee got that job with me and for me because

0:12:14.920 --> 0:12:17.400
<v Speaker 2>I went with if I had two words, if I

0:12:17.400 --> 0:12:23.040
<v Speaker 2>had two pages, and then it was.

0:12:21.000 --> 0:12:23.199
<v Speaker 4>Six pages, and then I had a big fight, could live.

0:12:23.280 --> 0:12:25.480
<v Speaker 2>And then I got to stay all seven episodes and

0:12:25.559 --> 0:12:27.160
<v Speaker 2>the trio was like.

0:12:26.800 --> 0:12:28.840
<v Speaker 3>Oh what a what APO?

0:12:29.480 --> 0:12:33.120
<v Speaker 2>And then I was like fuck I. I was really

0:12:33.320 --> 0:12:36.720
<v Speaker 2>just proud, got taped like scenes for my reel.

0:12:37.440 --> 0:12:40.680
<v Speaker 1>You got seven seasons of footage now for your reel.

0:12:41.000 --> 0:12:43.360
<v Speaker 3>Seven seasons and a critics choice.

0:12:43.360 --> 0:12:45.280
<v Speaker 1>Of juicy as like acting.

0:12:45.440 --> 0:12:52.400
<v Speaker 3>Yes, this is the old time, greatest, most loved, hated, revered, respected, shocking,

0:12:52.600 --> 0:12:54.080
<v Speaker 3>incredible characters.

0:12:54.679 --> 0:12:57.320
<v Speaker 2>Yes, oh my god, there's a gift of a lifetime.

0:12:57.360 --> 0:12:59.520
<v Speaker 2>And you guys just still people. Don't they still talk

0:12:59.559 --> 0:12:59.800
<v Speaker 2>to you?

0:12:59.840 --> 0:13:00.000
<v Speaker 4>They?

0:13:00.559 --> 0:13:01.280
<v Speaker 1>Oh? Yeah?

0:13:01.320 --> 0:13:03.880
<v Speaker 3>Every episode you would wait to get a call from

0:13:03.920 --> 0:13:06.160
<v Speaker 3>your agents or something being like you're in the next one,

0:13:06.200 --> 0:13:08.840
<v Speaker 3>and would you be freaked out every single time? Okay,

0:13:08.960 --> 0:13:10.719
<v Speaker 3>Mellie's going to be written off, or she's going to

0:13:10.760 --> 0:13:13.080
<v Speaker 3>be killed, or you're auditioning for other things, and what

0:13:13.120 --> 0:13:14.200
<v Speaker 3>if you would book something else.

0:13:14.520 --> 0:13:16.719
<v Speaker 2>I was also recurring on Criminal Minds and we were

0:13:16.760 --> 0:13:20.640
<v Speaker 2>trying to offer me like something over there, and so

0:13:20.679 --> 0:13:22.920
<v Speaker 2>they were trying to leverage it. They didn't think anything

0:13:23.040 --> 0:13:25.960
<v Speaker 2>was right the Scandal for some reason. But then I

0:13:25.960 --> 0:13:27.880
<v Speaker 2>thought for seven years, I was I was going to

0:13:27.920 --> 0:13:28.760
<v Speaker 2>get killed off Scandal.

0:13:28.920 --> 0:13:31.960
<v Speaker 1>So did we all of us did remember every every

0:13:32.120 --> 0:13:34.439
<v Speaker 1>new episode, we'd be like, I'm still here, thank god

0:13:35.120 --> 0:13:36.520
<v Speaker 1>every episode.

0:13:36.280 --> 0:13:36.920
<v Speaker 4>But yeah, I was.

0:13:36.960 --> 0:13:40.360
<v Speaker 2>They tried to leverage Criminal Minds with Scandal. It did

0:13:40.400 --> 0:13:41.839
<v Speaker 2>not work, Peter Yo.

0:13:41.920 --> 0:13:44.000
<v Speaker 1>But as an actor, right, these are so few and

0:13:44.040 --> 0:13:47.120
<v Speaker 1>far between, these moments, these experiences where you do have

0:13:47.160 --> 0:13:49.840
<v Speaker 1>a small role and then it turns into a big,

0:13:50.120 --> 0:13:52.480
<v Speaker 1>significant role on a show. I did Weeds. I was

0:13:52.520 --> 0:13:54.839
<v Speaker 1>supposed to do four episodes on Weeds and I ended

0:13:54.920 --> 0:13:58.760
<v Speaker 1>up doing eight seasons of Weeds. And it was literally

0:13:58.840 --> 0:14:01.040
<v Speaker 1>I had four or four episodes whatever. I was like

0:14:01.080 --> 0:14:03.720
<v Speaker 1>a gang banger, no big ship. And the next thing

0:14:03.760 --> 0:14:04.800
<v Speaker 1>I knew, I was like they.

0:14:04.760 --> 0:14:06.760
<v Speaker 4>Kept bring I can't imagine without you.

0:14:06.920 --> 0:14:08.800
<v Speaker 1>It was thank you.

0:14:09.640 --> 0:14:12.960
<v Speaker 3>Any other big one isn't dread Mateo like she's the

0:14:13.000 --> 0:14:20.480
<v Speaker 3>other famous one, like Bellamie on Sopranos, Drea da Matteo

0:14:20.600 --> 0:14:23.600
<v Speaker 3>is like a huge prolific role.

0:14:24.160 --> 0:14:28.880
<v Speaker 1>Is she married to Taturo's character, not Toaturo Michael Imperio.

0:14:30.000 --> 0:14:31.560
<v Speaker 1>She's married to Michael Imperio.

0:14:32.520 --> 0:14:33.480
<v Speaker 4>I'm gonna pull out my.

0:14:35.200 --> 0:14:40.200
<v Speaker 3>Wife on fucking the Sopranos. Also was a co star,

0:14:40.440 --> 0:14:42.240
<v Speaker 3>a tiny co star.

0:14:43.200 --> 0:14:45.720
<v Speaker 2>Josh was not a series regular until I.

0:14:45.760 --> 0:14:49.560
<v Speaker 1>Was Yes, that's right, yeah, yeah either.

0:14:49.920 --> 0:14:52.320
<v Speaker 3>It's so crazy because when we started this podcast and

0:14:52.360 --> 0:14:56.480
<v Speaker 3>we have to read guest starring Bellamy Young, George Newbird,

0:14:56.840 --> 0:15:00.280
<v Speaker 3>it was so crazy. I'm like, what they started the

0:15:00.320 --> 0:15:03.480
<v Speaker 3>whole show. We were all on the same show. Can

0:15:03.520 --> 0:15:07.720
<v Speaker 3>we talk about, like, how was it working with Barry Bostwick,

0:15:08.760 --> 0:15:11.680
<v Speaker 3>like your personal fave moments of the episode?

0:15:11.760 --> 0:15:15.120
<v Speaker 4>For you Very's alleged Rocky Horror picture show.

0:15:15.280 --> 0:15:18.640
<v Speaker 1>You guys, Brad, He's Brad in the Rocky heartor Picture Show.

0:15:19.080 --> 0:15:21.680
<v Speaker 4>I was like, what in the world?

0:15:21.920 --> 0:15:24.800
<v Speaker 2>And he just is such a good human being easy

0:15:24.880 --> 0:15:26.840
<v Speaker 2>on set, especially we had to do. I didn't know

0:15:26.880 --> 0:15:29.640
<v Speaker 2>Cattleman and I didn't know Barry, and so I was like, oh, hell,

0:15:29.720 --> 0:15:33.840
<v Speaker 2>is this gonna go? But it was great because he

0:15:33.960 --> 0:15:38.000
<v Speaker 2>is such a great actor. And a great guy. So

0:15:38.040 --> 0:15:42.800
<v Speaker 2>it was all wonderful lessons, lessons everywhere I turned, all

0:15:42.840 --> 0:15:46.000
<v Speaker 2>through scandal. Just it was like grad school, just like

0:15:46.040 --> 0:15:48.040
<v Speaker 2>gobbling up all these wonderful lessons.

0:15:48.240 --> 0:15:53.920
<v Speaker 1>Yeah, we'll be right back. Guys.

0:15:56.760 --> 0:16:02.600
<v Speaker 3>Wow, you are so Bellamy. It's terrifying.

0:16:02.640 --> 0:16:05.640
<v Speaker 2>It's face. I really did forget about hucked face.

0:16:05.800 --> 0:16:07.360
<v Speaker 1>There was a lot of huck face. This is the

0:16:07.400 --> 0:16:10.120
<v Speaker 1>episode where spider bit me on my face on your

0:16:10.280 --> 0:16:12.600
<v Speaker 1>do you remember that, Katie? Like it got really serious

0:16:12.960 --> 0:16:14.600
<v Speaker 1>and so the on the show it looks like I

0:16:14.640 --> 0:16:17.840
<v Speaker 1>got punched dead ass, punched in the face and you

0:16:17.840 --> 0:16:20.240
<v Speaker 1>could see the little spider bite in some of the

0:16:20.240 --> 0:16:21.680
<v Speaker 1>closer on your eye.

0:16:21.480 --> 0:16:23.080
<v Speaker 3>Like they did a good job. I don't think anyone

0:16:23.080 --> 0:16:24.880
<v Speaker 3>else would have noticed, but I was like, oh, this

0:16:24.920 --> 0:16:28.160
<v Speaker 3>is when Jerima was having something fucked up, Like what.

0:16:28.280 --> 0:16:30.640
<v Speaker 1>Happened now to Gueramo. Yeah, he's got a.

0:16:30.640 --> 0:16:33.120
<v Speaker 3>Few things because he had a peanut allergy blow up

0:16:33.160 --> 0:16:35.760
<v Speaker 3>at his face blew. Yes, yes, when we were shooting,

0:16:35.760 --> 0:16:37.480
<v Speaker 3>we've had some stats and.

0:16:37.440 --> 0:16:39.640
<v Speaker 1>Then this jazzy little spider comes and bites me on

0:16:39.680 --> 0:16:40.720
<v Speaker 1>my fucking eye.

0:16:41.200 --> 0:16:45.360
<v Speaker 3>Anyway, go ahead, Katie Bellamy in if you could even

0:16:45.400 --> 0:16:49.200
<v Speaker 3>answer this years and years together. I would like to

0:16:49.240 --> 0:16:52.880
<v Speaker 3>know some of your all time favorite Melly memories on

0:16:53.200 --> 0:16:58.400
<v Speaker 3>set and some of your favorite Bellamy memories off set.

0:16:59.320 --> 0:17:07.280
<v Speaker 2>No swear, I loved every second of being Melly. I

0:17:07.320 --> 0:17:10.240
<v Speaker 2>loved it. I loved it because at first.

0:17:10.119 --> 0:17:13.760
<v Speaker 4>It was just like, who gets that great material? Do

0:17:13.760 --> 0:17:14.040
<v Speaker 4>you know?

0:17:14.240 --> 0:17:17.720
<v Speaker 2>So I'm just so grateful to have something great to

0:17:17.840 --> 0:17:20.760
<v Speaker 2>work on and great people to work on it with.

0:17:21.640 --> 0:17:25.600
<v Speaker 2>Eventually they'd write these little one act plays. When they

0:17:25.600 --> 0:17:28.760
<v Speaker 2>shot Tony and he's like comatose in the bed, Jeffy

0:17:28.840 --> 0:17:31.440
<v Speaker 2>and I have like a whole one act play over

0:17:31.480 --> 0:17:34.480
<v Speaker 2>his sleep, and damn body had the easiest day that day.

0:17:34.480 --> 0:17:36.159
<v Speaker 4>We were all like, oh, it's my next line, and he.

0:17:36.200 --> 0:17:39.560
<v Speaker 1>Was like, and he's he truly fell asleep probably right

0:17:40.359 --> 0:17:42.760
<v Speaker 1>part of it, and we were like, oh, you gotta wait.

0:17:43.880 --> 0:17:46.960
<v Speaker 2>But I think about at first, I really also because

0:17:47.000 --> 0:17:53.879
<v Speaker 2>I'm not so good at conflict, but Mellie was so like,

0:17:54.040 --> 0:17:56.200
<v Speaker 2>really it have these big fights with people, and they'd

0:17:56.240 --> 0:17:57.920
<v Speaker 2>be like, I'm so swarm storms.

0:17:58.280 --> 0:18:00.520
<v Speaker 4>It's just a character, and I'm just saying with the road.

0:18:01.200 --> 0:18:04.960
<v Speaker 2>But eventually I'm an exorcise.

0:18:05.080 --> 0:18:06.720
<v Speaker 4>This part of me. I'm gonna go to work.

0:18:07.480 --> 0:18:10.280
<v Speaker 1>Get that part out, Get it out. Yep, love that.

0:18:11.520 --> 0:18:15.760
<v Speaker 4>Let's do this between her thighs. Let's have it now.

0:18:16.280 --> 0:18:17.160
<v Speaker 4>I can just.

0:18:17.280 --> 0:18:21.520
<v Speaker 2>Remember with Jeffy, or with Tony or with Carrie. We

0:18:21.680 --> 0:18:24.520
<v Speaker 2>just got to do so much good work. It's the

0:18:24.600 --> 0:18:25.479
<v Speaker 2>work I remember.

0:18:26.600 --> 0:18:28.560
<v Speaker 1>But what I hate the most is that we didn't

0:18:28.600 --> 0:18:32.640
<v Speaker 1>get to interact that often, right Katie, myself and Mellie.

0:18:33.040 --> 0:18:35.480
<v Speaker 1>Which can you guys remember if we did have.

0:18:35.440 --> 0:18:38.520
<v Speaker 4>A location, it was something to do with a collection.

0:18:39.440 --> 0:18:42.680
<v Speaker 1>Yes, I remember at the edge with Cornelia's and.

0:18:42.720 --> 0:18:45.879
<v Speaker 3>Operation and all that, because cars what it was we did.

0:18:46.000 --> 0:18:47.480
<v Speaker 2>If there was an early one too, maybe it was

0:18:47.480 --> 0:18:49.760
<v Speaker 2>a flash No, it wouldn't have been a flashback. I'm

0:18:49.760 --> 0:18:52.199
<v Speaker 2>telling you guys, I've never watched Scandal. I don't know

0:18:52.280 --> 0:18:52.880
<v Speaker 2>what happened.

0:18:53.080 --> 0:18:54.320
<v Speaker 1>Wait, are you being serious?

0:18:54.560 --> 0:18:56.440
<v Speaker 4>No, I'm being serious because we tweeted.

0:18:56.800 --> 0:18:59.240
<v Speaker 3>Yeah, you would be the person that would watch the episode.

0:18:59.240 --> 0:19:01.760
<v Speaker 3>But you were on the section of your phone writing

0:19:01.800 --> 0:19:03.640
<v Speaker 3>all of your tweets and stuff like that. You were

0:19:03.640 --> 0:19:04.800
<v Speaker 3>in your phone tweeting.

0:19:04.920 --> 0:19:05.920
<v Speaker 4>Have you never seen it?

0:19:06.720 --> 0:19:08.639
<v Speaker 2>I last night when I was watching the episode to

0:19:08.640 --> 0:19:10.560
<v Speaker 2>come and talk to you all today, it was I

0:19:10.720 --> 0:19:14.800
<v Speaker 2>spent the first ten to fifteen minutes just crying, just

0:19:15.160 --> 0:19:22.680
<v Speaker 2>grass and joy and overwhelm and memories and oh, I'm

0:19:22.720 --> 0:19:24.880
<v Speaker 2>just so grateful that we were all there and then

0:19:24.880 --> 0:19:27.119
<v Speaker 2>we get to do this, and I'm so proud of

0:19:27.160 --> 0:19:27.720
<v Speaker 2>all of us.

0:19:28.160 --> 0:19:30.320
<v Speaker 3>Me too. It's like lightning in a bottle.

0:19:30.400 --> 0:19:30.760
<v Speaker 1>Wee get.

0:19:30.880 --> 0:19:34.000
<v Speaker 3>We feel so lucky hosting this podcast. In all honesty

0:19:34.080 --> 0:19:37.320
<v Speaker 3>because I say this and I don't mean to sound conceited,

0:19:37.359 --> 0:19:39.879
<v Speaker 3>but the show holds up, and the world is so

0:19:40.040 --> 0:19:42.240
<v Speaker 3>great and the writing is so great, and I'm watching

0:19:42.440 --> 0:19:46.639
<v Speaker 3>everything on TV now and Scandal is right there.

0:19:46.880 --> 0:19:49.159
<v Speaker 1>Yeah, it's such a gift. Yeah that we got to

0:19:49.400 --> 0:19:53.560
<v Speaker 1>rewatch it. It's and now we're far away from it iney, Yeah,

0:19:53.880 --> 0:19:56.440
<v Speaker 1>where I can watch myself and not be like, oh God,

0:19:56.480 --> 0:19:57.879
<v Speaker 1>why did I do that? I wanted to do it

0:19:57.920 --> 0:20:00.080
<v Speaker 1>this way. I'm just enjoying it.

0:20:00.160 --> 0:20:02.280
<v Speaker 3>And I don't remember anything. Quinn comes up.

0:20:02.359 --> 0:20:03.440
<v Speaker 1>I don't remember anything yet.

0:20:03.560 --> 0:20:06.080
<v Speaker 3>What I'm like, I didn't know she did that. I

0:20:06.080 --> 0:20:08.120
<v Speaker 3>don't remember any of it.

0:20:08.480 --> 0:20:12.520
<v Speaker 1>Quinn did a lot in this episode. Gwynn really step

0:20:12.880 --> 0:20:13.760
<v Speaker 1>in this episode.

0:20:13.880 --> 0:20:16.400
<v Speaker 3>She really steps in it.

0:20:16.760 --> 0:20:21.040
<v Speaker 2>Wow, kissing I didn't remember. Oh yeah, I don't remember

0:20:21.080 --> 0:20:22.159
<v Speaker 2>you kissing George there.

0:20:22.480 --> 0:20:24.040
<v Speaker 1>I didn't remember that either yet.

0:20:24.200 --> 0:20:30.080
<v Speaker 3>I saw a tongue between Mellie Grant and Fitzgerald Grant

0:20:30.200 --> 0:20:31.800
<v Speaker 3>and I liked it.

0:20:32.040 --> 0:20:33.400
<v Speaker 1>Oh yeah, I saw that too.

0:20:33.840 --> 0:20:34.359
<v Speaker 4>My husband.

0:20:34.400 --> 0:20:38.920
<v Speaker 3>I think it was Tony's tongue for sure. We're gonna

0:20:38.960 --> 0:20:42.320
<v Speaker 3>ask him now. Look, in the days of Scandal, this

0:20:42.480 --> 0:20:46.480
<v Speaker 3>was pre intimacy coordinator. So yeah, we did not have

0:20:46.480 --> 0:20:50.160
<v Speaker 3>any of this stuff. And also Tony, I have also

0:20:50.200 --> 0:20:52.400
<v Speaker 3>had to make out with Tony in scenes on Scandal.

0:20:52.960 --> 0:20:57.439
<v Speaker 3>Crazy most respectable, amazing dude. So I don't mean to

0:20:57.440 --> 0:21:04.200
<v Speaker 3>be like Tony talking whin tongue all the time, tongued down.

0:21:04.440 --> 0:21:06.880
<v Speaker 1>Listen, you got it's gotta be believable. You gotta give

0:21:07.080 --> 0:21:09.360
<v Speaker 1>if they're that close up on your face and it's

0:21:09.400 --> 0:21:11.280
<v Speaker 1>a merry come on, we weren't you have to hear.

0:21:12.080 --> 0:21:12.760
<v Speaker 3>In that scene?

0:21:12.960 --> 0:21:13.200
<v Speaker 1>Yes?

0:21:14.359 --> 0:21:17.119
<v Speaker 3>Wait, had you had like major sex scenes with Tony

0:21:17.200 --> 0:21:19.160
<v Speaker 3>before like that where it was like, I don't.

0:21:19.000 --> 0:21:23.280
<v Speaker 4>Remember that one, so maybe everybody else can tell one

0:21:23.680 --> 0:21:25.200
<v Speaker 4>had to be in the shower.

0:21:25.200 --> 0:21:27.080
<v Speaker 1>Oh, the shower one we did that episode?

0:21:27.200 --> 0:21:28.480
<v Speaker 3>Oh yeah, I think we did that.

0:21:28.680 --> 0:21:31.160
<v Speaker 2>You're like, yeah, how are you going to keep your

0:21:31.200 --> 0:21:37.160
<v Speaker 2>modesty appliances on under the waterfall, and I remember that,

0:21:37.600 --> 0:21:42.000
<v Speaker 2>but I don't think there was much loving, much other loving.

0:21:42.240 --> 0:21:46.840
<v Speaker 1>Right, it was so believable Mellie with Tony and Tony

0:21:47.119 --> 0:21:47.560
<v Speaker 1>like that.

0:21:47.560 --> 0:21:51.840
<v Speaker 3>Beginning sex scene was great and the camera was all

0:21:51.960 --> 0:21:54.520
<v Speaker 3>up in your ship and I just thought you were

0:21:54.560 --> 0:21:57.720
<v Speaker 3>so like giggly cute, Oh my god, and like it's

0:21:57.760 --> 0:22:00.920
<v Speaker 3>so great because we don't see that these are so great.

0:22:00.960 --> 0:22:05.879
<v Speaker 3>We don't see Melly, and this episode is really it

0:22:06.080 --> 0:22:09.600
<v Speaker 3>justifies so much of why Melly is Melly is.

0:22:10.160 --> 0:22:14.959
<v Speaker 2>Yeah, I know that's It was such a like an

0:22:15.000 --> 0:22:19.080
<v Speaker 2>act of compassion to meet her then see her just

0:22:19.920 --> 0:22:21.160
<v Speaker 2>loving fits.

0:22:21.480 --> 0:22:25.119
<v Speaker 1>This was your seven fifty two. I feel like this

0:22:25.200 --> 0:22:29.879
<v Speaker 1>was your seven fifty two, right, Yeah, your flashbacks, your backstory,

0:22:29.920 --> 0:22:30.440
<v Speaker 1>all that stuff.

0:22:30.520 --> 0:22:32.520
<v Speaker 3>Yeah, when you read it and saw that there was

0:22:32.560 --> 0:22:36.320
<v Speaker 3>this rape scene between your father in law and you,

0:22:36.480 --> 0:22:39.120
<v Speaker 3>were you like, let me do a quick email as Shonda,

0:22:39.440 --> 0:22:41.560
<v Speaker 3>nor did you just jump in both feed and trust?

0:22:41.760 --> 0:22:44.680
<v Speaker 3>What was your process around that? In zense, I.

0:22:44.640 --> 0:22:46.320
<v Speaker 2>Didn't cotton on to the fact that we could have

0:22:46.400 --> 0:22:48.960
<v Speaker 2>conversations with Shonda about changing scripts.

0:22:49.280 --> 0:22:51.639
<v Speaker 1>I would never do that. There was never did it.

0:22:51.640 --> 0:22:53.919
<v Speaker 1>I think Henry ian Cusick was the only one that

0:22:54.000 --> 0:22:56.320
<v Speaker 1>ever emailed or I think I'm still going.

0:22:56.280 --> 0:22:58.120
<v Speaker 4>To lee, And I was like, how am I?

0:22:58.200 --> 0:23:00.320
<v Speaker 2>How can I take care of myself in this How

0:23:00.320 --> 0:23:02.560
<v Speaker 2>can I tell this story the best? What can I

0:23:02.600 --> 0:23:05.760
<v Speaker 2>say on set that keeps me? What's appropriate to say? Again,

0:23:05.800 --> 0:23:08.240
<v Speaker 2>like you say, we didn't have intmacy coordinators? What's appropriate

0:23:08.280 --> 0:23:10.760
<v Speaker 2>to say to take care of myself in this situation?

0:23:11.520 --> 0:23:13.639
<v Speaker 2>And what is what do I just have to let

0:23:13.720 --> 0:23:15.399
<v Speaker 2>go of and let happen?

0:23:15.800 --> 0:23:18.080
<v Speaker 1>Well, my god, Bells, you did a beautiful job. And

0:23:18.119 --> 0:23:21.320
<v Speaker 1>not only that scene where he's attacking you and so sad,

0:23:21.640 --> 0:23:24.840
<v Speaker 1>and then we just there comes there's a moment when

0:23:24.880 --> 0:23:29.240
<v Speaker 1>you just see Mellie give up, and that's so powerful.

0:23:29.280 --> 0:23:32.159
<v Speaker 1>It's just you just lose all just expression on your

0:23:32.160 --> 0:23:35.119
<v Speaker 1>face and it's so beautiful. And then also what stood

0:23:35.160 --> 0:23:37.920
<v Speaker 1>out for me was this scene when you're walking back

0:23:37.920 --> 0:23:40.960
<v Speaker 1>into the bedroom where Fitz calls you to the bed

0:23:41.440 --> 0:23:42.800
<v Speaker 1>and it's close upon.

0:23:42.640 --> 0:23:45.600
<v Speaker 3>You and we see him in the backwer no, get

0:23:45.600 --> 0:23:46.080
<v Speaker 3>over here.

0:23:46.240 --> 0:23:48.280
<v Speaker 1>I have chills right now. You probably see the hair

0:23:48.359 --> 0:23:51.199
<v Speaker 1>standing up on my arm. It's crazy. Your work was

0:23:51.240 --> 0:23:52.440
<v Speaker 1>so beautiful in that scene.

0:23:52.640 --> 0:23:56.280
<v Speaker 2>Really, it's just so sad and relatable. It was just

0:23:56.400 --> 0:23:59.080
<v Speaker 2>the shame of it was easy to find.

0:23:59.200 --> 0:24:01.639
<v Speaker 3>You think she doesn't tell him, like, why does she

0:24:01.720 --> 0:24:04.040
<v Speaker 3>not tell it's the right It's not the right choice.

0:24:04.080 --> 0:24:06.880
<v Speaker 3>It's the most interesting choice for the show. I think.

0:24:06.920 --> 0:24:09.960
<v Speaker 3>I'm just like it makes Melly who she is. It's no,

0:24:10.240 --> 0:24:13.399
<v Speaker 3>I'm gonna accept this. I'm gonna not fuck up my

0:24:13.440 --> 0:24:15.600
<v Speaker 3>marriage because of this, and I'm going to use it

0:24:15.680 --> 0:24:18.480
<v Speaker 3>for our advantage because I am the political This is

0:24:18.480 --> 0:24:22.000
<v Speaker 3>the birthplace of the political animal. Everything I've came to

0:24:22.040 --> 0:24:26.239
<v Speaker 3>be to become Melly plus this equals the woman we

0:24:26.320 --> 0:24:27.920
<v Speaker 3>know today. That's the thing.

0:24:27.960 --> 0:24:32.320
<v Speaker 2>When I read the script, it was like, oh now

0:24:32.400 --> 0:24:36.000
<v Speaker 2>it all makes so much sense. But I think looking back,

0:24:36.040 --> 0:24:38.360
<v Speaker 2>like coming in the flashback in the moment, I think

0:24:38.440 --> 0:24:40.960
<v Speaker 2>she is a person who doesn't see herself as a victim,

0:24:41.320 --> 0:24:43.360
<v Speaker 2>like she should have been able to stop it and

0:24:43.840 --> 0:24:46.600
<v Speaker 2>why did it happen? And not ready to share it

0:24:46.680 --> 0:24:50.679
<v Speaker 2>yet and and then the yet never ends. And then

0:24:51.040 --> 0:24:54.399
<v Speaker 2>knowing I have discused me as a lawyer, mind, this

0:24:54.480 --> 0:24:57.520
<v Speaker 2>gives me power. I will leverage that and I'll deal

0:24:57.560 --> 0:25:00.520
<v Speaker 2>with it emotionally another day, but right now, and get

0:25:00.560 --> 0:25:02.960
<v Speaker 2>what I need, and what I need is what we need.

0:25:03.520 --> 0:25:06.399
<v Speaker 2>But then fifteen years later you are such a little

0:25:06.600 --> 0:25:11.439
<v Speaker 2>pussball of resist And so I was like, oh, that

0:25:11.880 --> 0:25:14.960
<v Speaker 2>explains everything to me. Yeah, how she is where she is,

0:25:15.040 --> 0:25:18.440
<v Speaker 2>who she is in the present, like all the rage

0:25:18.440 --> 0:25:22.600
<v Speaker 2>and anger and disappointment and yeah again whenever that was that,

0:25:22.640 --> 0:25:24.560
<v Speaker 2>I did at some time get to scream at him

0:25:24.560 --> 0:25:27.240
<v Speaker 2>about it being my turn, Like when was it going

0:25:27.320 --> 0:25:27.840
<v Speaker 2>to be my turn?

0:25:27.880 --> 0:25:29.040
<v Speaker 4>After all? I gave up for him?

0:25:29.240 --> 0:25:32.680
<v Speaker 1>Yeah. Do you think she ever told fits? Thinking outside

0:25:32.720 --> 0:25:34.320
<v Speaker 1>of what we see what we saw on the show,

0:25:34.359 --> 0:25:37.399
<v Speaker 1>I wonder if Nellie ever had a moment where she

0:25:37.520 --> 0:25:39.640
<v Speaker 1>was she told fits what happened, you know what I mean.

0:25:39.920 --> 0:25:41.560
<v Speaker 2>I don't think she did, which is an act of

0:25:41.680 --> 0:25:44.880
<v Speaker 2>love in itself, because that is the most like when

0:25:44.920 --> 0:25:47.080
<v Speaker 2>you think about me, you could say to somebody in

0:25:47.119 --> 0:25:48.960
<v Speaker 2>a fight, that's the most.

0:25:48.760 --> 0:25:53.560
<v Speaker 4>Vicious thing I think, especially like once little Jerry was deceased.

0:25:53.920 --> 0:25:57.919
<v Speaker 4>I just think that was never just oh my god, Jerry,

0:25:57.960 --> 0:25:58.680
<v Speaker 4>your son.

0:26:00.280 --> 0:26:00.840
<v Speaker 1>He died.

0:26:01.119 --> 0:26:03.120
<v Speaker 3>Got about that too?

0:26:04.200 --> 0:26:04.760
<v Speaker 1>Oh shit?

0:26:05.680 --> 0:26:08.800
<v Speaker 4>I don't know, God upset?

0:26:09.960 --> 0:26:13.000
<v Speaker 3>Why does Melly hate little baby Teddy?

0:26:13.080 --> 0:26:16.720
<v Speaker 1>So listen, first of all, it's little Gomez. Doesn't he

0:26:16.800 --> 0:26:20.240
<v Speaker 1>look like from the Adams family? With that parted hair.

0:26:20.359 --> 0:26:22.679
<v Speaker 1>I was like, why did they make him look like Gomez,

0:26:23.160 --> 0:26:25.360
<v Speaker 1>like baby Gomez from the Adams Family.

0:26:25.280 --> 0:26:29.200
<v Speaker 2>And this episode is he's huge.

0:26:29.200 --> 0:26:32.080
<v Speaker 1>He's huge. Oh my god, Bellamy me too. I wrote

0:26:32.080 --> 0:26:34.600
<v Speaker 1>it down as one of the memorable lines. He's huge.

0:26:35.080 --> 0:26:38.240
<v Speaker 1>You could see the hate Melly's hate for this kid.

0:26:38.760 --> 0:26:41.680
<v Speaker 3>Also, that little kid was a girl, right, that they

0:26:41.760 --> 0:26:43.280
<v Speaker 3>just cut the hair to be a boy.

0:26:43.320 --> 0:26:45.680
<v Speaker 1>Wait, one of them was I don't know if it

0:26:45.800 --> 0:26:48.240
<v Speaker 1>was that one. One of them was Belly's.

0:26:48.640 --> 0:26:51.520
<v Speaker 3>Bellamy's laughing because she doesn't know that one.

0:26:51.720 --> 0:26:52.560
<v Speaker 4>That's terrible.

0:26:53.280 --> 0:26:56.000
<v Speaker 3>No, I think that one was a girl. I could

0:26:56.040 --> 0:26:56.440
<v Speaker 3>be wrong.

0:26:58.160 --> 0:27:01.080
<v Speaker 2>I feel very bad that I we always had twins

0:27:01.359 --> 0:27:03.080
<v Speaker 2>and that part I didn't.

0:27:03.680 --> 0:27:07.000
<v Speaker 3>I'm pretty sure that baby girl would come into set,

0:27:07.280 --> 0:27:09.600
<v Speaker 3>into the hair trailer when I was.

0:27:09.600 --> 0:27:12.360
<v Speaker 1>There and they would they'd be like, this boy, oh look.

0:27:12.200 --> 0:27:14.200
<v Speaker 3>She finally has grown in some of her hair from

0:27:14.200 --> 0:27:16.360
<v Speaker 3>the last time she worked, and they'd be like, she's back.

0:27:16.480 --> 0:27:18.040
<v Speaker 3>Time to give her that Gomez.

0:27:18.160 --> 0:27:23.080
<v Speaker 1>Dude, Yo, Katie, can we please have that actor on

0:27:23.080 --> 0:27:25.520
<v Speaker 1>the podcast? How old do you think she is? Do

0:27:25.600 --> 0:27:26.240
<v Speaker 1>you think she is?

0:27:26.600 --> 0:27:29.000
<v Speaker 3>She can definitely speak for herself. We have to have it.

0:27:29.200 --> 0:27:32.800
<v Speaker 1>We have to have her, and we have to have

0:27:32.920 --> 0:27:35.919
<v Speaker 1>a Bellamy back to be on episode.

0:27:36.000 --> 0:27:37.000
<v Speaker 2>On behalf of everyone.

0:27:37.040 --> 0:27:39.360
<v Speaker 4>I apologize for your haircuts.

0:27:39.840 --> 0:27:42.840
<v Speaker 3>You're carrying this baby in the hallway, and who comes

0:27:42.920 --> 0:27:43.679
<v Speaker 3>up to you, Kate.

0:27:43.560 --> 0:27:46.200
<v Speaker 1>Burg Sally Langston. Yes, only time in.

0:27:46.160 --> 0:27:49.760
<v Speaker 2>Seven years that Mellie isn't going to coming from doing something.

0:27:49.800 --> 0:27:53.959
<v Speaker 2>I'm literally wait, lying in wait, standing still in the

0:27:54.000 --> 0:27:57.960
<v Speaker 2>hall holding a baby, trying to look innocent, like waiting

0:27:58.160 --> 0:28:01.840
<v Speaker 2>to like try and lure Sally into a trap about

0:28:01.880 --> 0:28:03.840
<v Speaker 2>her husband being a lathario.

0:28:03.680 --> 0:28:07.480
<v Speaker 1>With baby Gomez your arms. We will be.

0:28:07.640 --> 0:28:15.080
<v Speaker 3>Back with more after the break. I think the Kerry

0:28:15.200 --> 0:28:18.639
<v Speaker 3>Washington School of Acting Award goes to Mellie Grant in

0:28:18.680 --> 0:28:23.560
<v Speaker 3>this episode and the young's work. The award goes beginning

0:28:23.640 --> 0:28:28.280
<v Speaker 3>flashback scenes of you tongue smooching it's the fucking best,

0:28:28.320 --> 0:28:30.959
<v Speaker 3>and the giggling and all of this into the awful

0:28:31.040 --> 0:28:34.040
<v Speaker 3>rape scene, into the post scene of the rape, and

0:28:34.080 --> 0:28:37.879
<v Speaker 3>then I'm obsessed with your ending scene where you're doing

0:28:37.920 --> 0:28:40.080
<v Speaker 3>this stuff you talked about. You're like toasting and you're

0:28:40.120 --> 0:28:43.000
<v Speaker 3>just like, we're gonna do it, and you're unsure, like

0:28:43.040 --> 0:28:45.880
<v Speaker 3>you're acting. Bellamy is like you're like so not as

0:28:45.960 --> 0:28:48.239
<v Speaker 3>great as you became at giving a speech, and I

0:28:48.320 --> 0:28:49.600
<v Speaker 3>know that was an acting choice and.

0:28:49.560 --> 0:28:50.560
<v Speaker 1>It was so good.

0:28:52.440 --> 0:28:55.719
<v Speaker 3>But you won all the awards this episode deservedly. So

0:28:56.160 --> 0:28:58.360
<v Speaker 3>we always talk about the food in the episode, which

0:28:58.960 --> 0:29:02.320
<v Speaker 3>all I took for my notes was shitloads of grapes.

0:29:02.680 --> 0:29:06.000
<v Speaker 3>Everyone's plate just has grapes, and I'm just like, oh god,

0:29:06.440 --> 0:29:09.360
<v Speaker 3>no adult grabs that as a snack. Like clearly this

0:29:09.680 --> 0:29:10.520
<v Speaker 3>was season.

0:29:10.240 --> 0:29:12.360
<v Speaker 1>Three when a lot of us were like, oh shit,

0:29:12.480 --> 0:29:14.720
<v Speaker 1>I could see the camera does add ten pounds, let me,

0:29:15.200 --> 0:29:17.360
<v Speaker 1>let me get grapes for the scene. Let me eat grapes.

0:29:17.480 --> 0:29:19.240
<v Speaker 1>But the only there was one person eating, and it

0:29:19.320 --> 0:29:20.280
<v Speaker 1>was George in the car.

0:29:21.560 --> 0:29:25.480
<v Speaker 4>Carge car always eat a sandwich or something.

0:29:25.320 --> 0:29:26.440
<v Speaker 3>Right, sandwich?

0:29:26.640 --> 0:29:28.200
<v Speaker 1>Yeah, oh god.

0:29:28.440 --> 0:29:29.680
<v Speaker 3>I wanted to make out too.

0:29:29.840 --> 0:29:32.440
<v Speaker 4>I was gonna say, how is it? How is that that?

0:29:32.920 --> 0:29:34.640
<v Speaker 4>It's so funny to watch.

0:29:34.400 --> 0:29:37.600
<v Speaker 1>That knowing their relationship now that they're oh my god,

0:29:38.080 --> 0:29:38.680
<v Speaker 1>like the best.

0:29:38.880 --> 0:29:41.760
<v Speaker 3>I remember reading it and being like, are we doing this?

0:29:41.920 --> 0:29:45.200
<v Speaker 3>Is this what we're doing? First of all, I felt

0:29:45.200 --> 0:29:47.760
<v Speaker 3>bad at the time because I remember this, but we're

0:29:47.960 --> 0:29:52.760
<v Speaker 3>twenty five years different, I think, or maybe twenty two

0:29:52.960 --> 0:29:55.440
<v Speaker 3>something like that, And he was getting a lot of

0:29:55.520 --> 0:29:58.960
<v Speaker 3>shit in the pickup line at his kids' school. He

0:29:59.280 --> 0:30:03.280
<v Speaker 3>was because his kids were like young, and then all

0:30:03.320 --> 0:30:06.160
<v Speaker 3>the moms and dads would be like, saw scandal last night,

0:30:06.320 --> 0:30:09.600
<v Speaker 3>Like how's it? Uh? Oh shit, it's so stupid. But

0:30:09.680 --> 0:30:13.719
<v Speaker 3>I remember that going on. But no, I remember being

0:30:13.760 --> 0:30:16.840
<v Speaker 3>completely out of left field, and then I remember not

0:30:16.960 --> 0:30:19.000
<v Speaker 3>really getting it. And then when we shot it, I

0:30:19.080 --> 0:30:23.040
<v Speaker 3>was like, Oh, this is hilarious and amazing and so

0:30:23.240 --> 0:30:25.920
<v Speaker 3>scandal and it makes perfect sense. And I'm just not

0:30:26.000 --> 0:30:27.720
<v Speaker 3>ever smart enough to be a scandal writer, so I

0:30:27.720 --> 0:30:30.480
<v Speaker 3>would never come up with something like this. But it's perfect,

0:30:30.640 --> 0:30:35.200
<v Speaker 3>and we just have chemistry completely different than the Quinnhuk chemistry.

0:30:35.280 --> 0:30:37.960
<v Speaker 3>It's a different thing, like that betrayal.

0:30:38.160 --> 0:30:39.440
<v Speaker 4>Oh my god, you did that.

0:30:39.600 --> 0:30:43.640
<v Speaker 3>Oh I don't remember doing it. I don't remember shooting it.

0:30:43.680 --> 0:30:45.720
<v Speaker 3>I don't remember sing a thing in a guy's hand.

0:30:45.720 --> 0:30:47.920
<v Speaker 3>I don't remember running like that. Was it out of

0:30:47.960 --> 0:30:50.320
<v Speaker 3>my mind. I remember like having blood off. I don't

0:30:50.320 --> 0:30:51.040
<v Speaker 3>remember any of it.

0:30:51.680 --> 0:30:53.720
<v Speaker 1>Wow, it was really cool.

0:30:53.800 --> 0:30:56.200
<v Speaker 3>I think the episodes were coming so fast and furious

0:30:56.200 --> 0:30:56.600
<v Speaker 3>at this point.

0:30:56.920 --> 0:30:59.640
<v Speaker 1>I didn't have time. I completely think about that.

0:30:59.760 --> 0:31:02.280
<v Speaker 3>Yeah, episode seven in the first season, when Quinn is

0:31:02.320 --> 0:31:05.280
<v Speaker 3>also covered in Gideon's Blood. I remember shooting it. I

0:31:05.360 --> 0:31:07.920
<v Speaker 3>remember shooting it. I remember every minute of it. But

0:31:08.080 --> 0:31:11.360
<v Speaker 3>now that we're in episode three oh seven, I and

0:31:11.440 --> 0:31:13.800
<v Speaker 3>the next one was probably like coming in two days

0:31:13.800 --> 0:31:16.560
<v Speaker 3>and I was like so stressed about memorizing the lines,

0:31:16.600 --> 0:31:17.640
<v Speaker 3>and or it.

0:31:17.560 --> 0:31:19.880
<v Speaker 2>Was three episodes later and this was a reshoot one

0:31:19.960 --> 0:31:22.120
<v Speaker 2>night to pick up by a dumpster, like you're.

0:31:22.000 --> 0:31:23.040
<v Speaker 4>Being recruited, right.

0:31:23.960 --> 0:31:25.800
<v Speaker 2>That's why I can't remember anything, because there was so

0:31:25.920 --> 0:31:29.480
<v Speaker 2>much extra film. Do you remember the last episode whatever

0:31:29.520 --> 0:31:31.520
<v Speaker 2>we did. She might have lived at the table read

0:31:31.560 --> 0:31:33.880
<v Speaker 2>and died in the episode, or maybe it's opposite. So

0:31:34.040 --> 0:31:35.080
<v Speaker 2>much changed.

0:31:35.280 --> 0:31:39.120
<v Speaker 3>I remember going into a d R and saying, Oh,

0:31:39.120 --> 0:31:41.360
<v Speaker 3>I can't wait till we get to that scann Rewatch podcast.

0:31:41.640 --> 0:31:44.680
<v Speaker 3>Whoever that actor was, I don't remember he I will

0:31:44.680 --> 0:31:46.040
<v Speaker 3>get there when we get there. But I remember being

0:31:46.040 --> 0:31:48.280
<v Speaker 3>in ADR and then being like, nope, he's dead. And

0:31:48.320 --> 0:31:50.600
<v Speaker 3>he was alive when we shot it, and they just

0:31:50.720 --> 0:31:53.440
<v Speaker 3>literally changed my line when it was on his back.

0:31:53.480 --> 0:31:55.280
<v Speaker 3>That was like and he never woke up again. And

0:31:55.320 --> 0:31:58.120
<v Speaker 3>I wave to the sound department and I was like, wait,

0:31:58.160 --> 0:32:02.000
<v Speaker 3>this guy is dead. Yeah, he's done. I was like oh, which.

0:32:01.760 --> 0:32:03.160
<v Speaker 1>Means like dead in real life.

0:32:03.600 --> 0:32:07.040
<v Speaker 3>No, somebody just didn't like it. They just like, that's hilarious. Careful.

0:32:07.520 --> 0:32:10.920
<v Speaker 1>I was like, wait, oh god, now.

0:32:12.320 --> 0:32:15.280
<v Speaker 2>You you that was your burden this whole series is

0:32:15.320 --> 0:32:20.160
<v Speaker 2>you were always an ad r changing the storyline because.

0:32:19.920 --> 0:32:24.640
<v Speaker 3>Quinn had to do so much plot in the later

0:32:24.720 --> 0:32:28.000
<v Speaker 3>on in later seasons, Quinn will get there had a

0:32:28.040 --> 0:32:31.000
<v Speaker 3>lot of the plot talking about when we were doing

0:32:31.040 --> 0:32:33.920
<v Speaker 3>the cases of the week, and so when they would

0:32:33.920 --> 0:32:37.200
<v Speaker 3>rejigger the plot for whatever way, they could just change

0:32:37.240 --> 0:32:39.520
<v Speaker 3>it when it was not on my face but on

0:32:39.560 --> 0:32:43.200
<v Speaker 3>the back of my head. So I was going and changing.

0:32:43.400 --> 0:32:48.280
<v Speaker 3>It was so fun. Okay, so we've got grapes for food,

0:32:48.920 --> 0:32:51.080
<v Speaker 3>we've got the acting moments.

0:32:50.720 --> 0:32:53.120
<v Speaker 1>And wait, I just wanted to throw in one acting

0:32:53.160 --> 0:32:58.920
<v Speaker 1>moment Honorary. You mentioned Darby. There's the scene in Olivia's

0:32:58.960 --> 0:33:01.080
<v Speaker 1>office she tells a live I'm gonna hug you. Now

0:33:01.480 --> 0:33:03.760
<v Speaker 1>you just you could just stand there, but you have

0:33:03.840 --> 0:33:06.720
<v Speaker 1>to take it and I'm gonna That was brilliance. Both

0:33:06.760 --> 0:33:10.719
<v Speaker 1>of those actors were so amazing in that scene and

0:33:10.760 --> 0:33:13.200
<v Speaker 1>it was hilarious too. It was hilarious, like she's.

0:33:14.760 --> 0:33:18.960
<v Speaker 3>Yes, perfect, gee hit us with the horror. How does

0:33:19.000 --> 0:33:20.640
<v Speaker 3>this episode have anything you guys?

0:33:21.600 --> 0:33:26.600
<v Speaker 1>Listen? First, Bellamy Young did a movie that I freaking

0:33:26.760 --> 0:33:32.040
<v Speaker 1>love called The Nightstalker with Lou Diamond Phillips, about the

0:33:32.080 --> 0:33:36.960
<v Speaker 1>prolific serial killer Richard Ramirez. It's a stellar film. It's

0:33:37.000 --> 0:33:38.880
<v Speaker 1>so good and your work is good. Your wig is

0:33:38.920 --> 0:33:43.080
<v Speaker 1>good in that movie. I love that. Sexy as hell.

0:33:43.120 --> 0:33:44.920
<v Speaker 4>For you, I had bangs. It was great. But can

0:33:44.920 --> 0:33:46.400
<v Speaker 4>we give it for lou My dear Lucia.

0:33:48.560 --> 0:33:49.480
<v Speaker 1>Scary as hell?

0:33:50.320 --> 0:33:53.240
<v Speaker 4>That was a hard one to Was that tough?

0:33:53.240 --> 0:33:54.680
<v Speaker 1>What was that like shooting that movie?

0:33:54.840 --> 0:33:55.920
<v Speaker 4>I was scary.

0:33:55.920 --> 0:33:58.720
<v Speaker 3>We had a wonderful Who did you play? Bells?

0:33:59.120 --> 0:34:02.560
<v Speaker 2>I was just sized character that I'd go as a

0:34:02.640 --> 0:34:05.440
<v Speaker 2>lawyer trying to find information on some other victims that

0:34:05.480 --> 0:34:07.840
<v Speaker 2>I think are linked to him, and as he's dying

0:34:07.880 --> 0:34:09.760
<v Speaker 2>and on death row, I have all these at first.

0:34:09.960 --> 0:34:12.600
<v Speaker 2>He dies eventually, but I have all these one on

0:34:12.600 --> 0:34:14.759
<v Speaker 2>one interviews. It's us talking to each other, ME and

0:34:14.800 --> 0:34:18.560
<v Speaker 2>Lou and just his work was so beautiful and it

0:34:18.680 --> 0:34:21.919
<v Speaker 2>was so fun to try and keep up with.

0:34:21.840 --> 0:34:25.480
<v Speaker 1>That Bell's I did some research when I was looking

0:34:25.560 --> 0:34:27.920
<v Speaker 1>up the film again, just to read up on it.

0:34:27.960 --> 0:34:29.279
<v Speaker 1>I've seen it a couple of times, and I love

0:34:29.320 --> 0:34:32.120
<v Speaker 1>it so much. But I read that some of Richard

0:34:32.200 --> 0:34:36.319
<v Speaker 1>Ramirez's art work was actually up in the cell in

0:34:36.360 --> 0:34:38.840
<v Speaker 1>the scene when he's in the cell, the actual artwork

0:34:39.000 --> 0:34:42.840
<v Speaker 1>that this maniac did. I got chills when I read that.

0:34:42.840 --> 0:34:43.440
<v Speaker 1>That's crazy.

0:34:43.520 --> 0:34:46.400
<v Speaker 3>People are fucking crazy. And when you hear Sheil like,

0:34:46.600 --> 0:34:48.080
<v Speaker 3>oh yeah, oh my.

0:34:48.160 --> 0:34:50.680
<v Speaker 4>God, like I know that's scared. That that scared me.

0:34:50.719 --> 0:34:52.200
<v Speaker 4>I was like, don't come. I don't want any of

0:34:52.239 --> 0:34:52.960
<v Speaker 4>us to come home with me.

0:34:53.160 --> 0:34:55.200
<v Speaker 1>So y'all got to go watch The Night's Talker.

0:34:55.480 --> 0:35:00.200
<v Speaker 3>Ay, Yes, Bellamy was in the cottage in twenty twelve.

0:35:00.080 --> 0:35:00.960
<v Speaker 4>We made that.

0:35:01.360 --> 0:35:04.160
<v Speaker 3>And if we made that one, she says, she was

0:35:04.320 --> 0:35:07.040
<v Speaker 3>in my sleep in twenty ten. I don't know any

0:35:07.080 --> 0:35:11.000
<v Speaker 3>of these, but Bellamy, you've been around. This is also

0:35:11.040 --> 0:35:15.480
<v Speaker 3>why Scandal was so fucking great, because me being the baby,

0:35:15.520 --> 0:35:19.080
<v Speaker 3>but coming in every single one of you had worked

0:35:19.120 --> 0:35:23.960
<v Speaker 3>for a very long time, like consistent working journeymen, journey

0:35:23.960 --> 0:35:28.560
<v Speaker 3>women actors in the truest sense, and we were all

0:35:28.680 --> 0:35:31.400
<v Speaker 3>just hoping and praying that time hadn't run out and

0:35:31.480 --> 0:35:33.600
<v Speaker 3>someone would give us some sort of a shot for

0:35:33.800 --> 0:35:38.480
<v Speaker 3>financial stability and good material and just doing that dream

0:35:38.640 --> 0:35:40.160
<v Speaker 3>life where you get to show up every day at

0:35:40.160 --> 0:35:43.040
<v Speaker 3>an acting job that you like to be at. And

0:35:43.480 --> 0:35:47.399
<v Speaker 3>between Bellamy and Guillermo and Jeff Perry and Dan Bugatinsky

0:35:47.600 --> 0:35:50.680
<v Speaker 3>and Tony Goldwyn even though yes, he had done big stuff,

0:35:50.680 --> 0:35:53.960
<v Speaker 3>but it had been like not of recent I feel like,

0:35:54.000 --> 0:35:59.239
<v Speaker 3>and even Carrie Washington. Everyone was so thrilled and grateful

0:35:59.320 --> 0:36:01.440
<v Speaker 3>to be there. One was like, oh please, this is

0:36:01.480 --> 0:36:03.400
<v Speaker 3>a dime a dozen. We can get this. Everyone was like,

0:36:04.000 --> 0:36:08.440
<v Speaker 3>no one blow their nose too hot or steady, just steady,

0:36:08.560 --> 0:36:10.680
<v Speaker 3>keep it going. Do you want to line?

0:36:10.680 --> 0:36:11.640
<v Speaker 4>Should we practice?

0:36:11.880 --> 0:36:14.320
<v Speaker 1>We were so good about that, right, We would always

0:36:14.320 --> 0:36:17.520
<v Speaker 1>write we were such good, good boys and girls. We

0:36:17.600 --> 0:36:20.520
<v Speaker 1>really were like, let's run lines, guys, because we had

0:36:20.560 --> 0:36:22.480
<v Speaker 1>to get them out so fast that we had to.

0:36:22.800 --> 0:36:28.239
<v Speaker 4>Yes, had no pain than being the person the weaklink up.

0:36:29.080 --> 0:36:33.719
<v Speaker 3>Yes, okay we have. Barry Bostwick was the narrator in

0:36:33.840 --> 0:36:37.040
<v Speaker 3>rob Zombies three from Hell in twenty nineteen.

0:36:37.040 --> 0:36:38.799
<v Speaker 1>I don't know, it's like I haven't seen that one either,

0:36:38.840 --> 0:36:40.960
<v Speaker 1>but again, of course again he was Brad in the

0:36:41.040 --> 0:36:44.319
<v Speaker 1>Rocky Eart picture It's still playing in when theaters around

0:36:44.320 --> 0:36:46.480
<v Speaker 1>the world at midnight, The Midnight.

0:36:46.160 --> 0:36:50.000
<v Speaker 3>Movie classic of epic proportion. Okay, we've got word for

0:36:50.080 --> 0:36:52.800
<v Speaker 3>the words, just the writing for the episode. A couple

0:36:53.040 --> 0:36:56.200
<v Speaker 3>standout moments from the app For me, I'm doing a

0:36:56.239 --> 0:36:58.600
<v Speaker 3>standout words for the words and a cringe moment of

0:36:58.640 --> 0:37:01.000
<v Speaker 3>my acting is when Quinn's says they dead.

0:37:01.239 --> 0:37:05.879
<v Speaker 1>I can wait, when do you say they dead?

0:37:06.239 --> 0:37:08.839
<v Speaker 3>We're going at a round table about the people who

0:37:08.920 --> 0:37:11.440
<v Speaker 3>were murdered on the plane when the plane when fits

0:37:11.440 --> 0:37:14.359
<v Speaker 3>shot down the plane and they're like and everyone's doing

0:37:14.440 --> 0:37:17.439
<v Speaker 3>fast one liners and everybody on the plane. Quinn goes,

0:37:17.640 --> 0:37:22.760
<v Speaker 3>they did Are you kidding me? It is horribly delivered.

0:37:22.840 --> 0:37:23.560
<v Speaker 1>They did it.

0:37:23.880 --> 0:37:26.880
<v Speaker 3>They did it shouldn't have been mine. It's not good.

0:37:27.600 --> 0:37:30.920
<v Speaker 3>I hope somebody laughed and it brought somebody joy because

0:37:31.000 --> 0:37:31.800
<v Speaker 3>everybody else.

0:37:31.760 --> 0:37:33.240
<v Speaker 1>I'm going to watch it just.

0:37:34.880 --> 0:37:38.080
<v Speaker 3>Did it is they did. It's not good at all.

0:37:38.480 --> 0:37:41.680
<v Speaker 3>I love James Line. You control everything, which is exactly

0:37:41.680 --> 0:37:43.279
<v Speaker 3>why I want to have sex with you and kill you.

0:37:43.280 --> 0:37:44.040
<v Speaker 1>At the same time.

0:37:44.360 --> 0:37:44.640
<v Speaker 4>Yes.

0:37:44.800 --> 0:37:48.640
<v Speaker 3>Also fashion moment, he is the biggest silliest tie on it.

0:37:50.160 --> 0:37:55.439
<v Speaker 1>Yes, the big pink amazing, amazing, so terrible, but so good.

0:37:55.520 --> 0:38:00.359
<v Speaker 1>Also another fashion moment is Harrison's wearing pink suspenders, you guys,

0:38:00.360 --> 0:38:05.120
<v Speaker 1>did you guys clock that they're really actually dopey? And

0:38:05.239 --> 0:38:09.239
<v Speaker 1>another fashion moment, Carrie's wearing a black coat with a

0:38:09.280 --> 0:38:12.560
<v Speaker 1>white collar and white cuffs at the top of the show.

0:38:12.440 --> 0:38:13.560
<v Speaker 3>Which is opposite for her.

0:38:13.640 --> 0:38:18.880
<v Speaker 1>It's very Willy Wonka Willy Wonka. Yeah, but it's I

0:38:18.880 --> 0:38:22.120
<v Speaker 1>don't know who the designer is, but it's a killer.

0:38:22.360 --> 0:38:25.160
<v Speaker 3>I love this episode so much. I loved your work

0:38:25.160 --> 0:38:28.680
<v Speaker 3>in this so much. I'm just so grateful we ended

0:38:28.760 --> 0:38:30.839
<v Speaker 3>up altogether. What else we have to talk about? We've

0:38:30.840 --> 0:38:33.320
<v Speaker 3>got fun facts for the app ITTs revealed that Olivia

0:38:33.400 --> 0:38:36.279
<v Speaker 3>did know that her father's B six thirteen alias name

0:38:36.320 --> 0:38:40.520
<v Speaker 3>was Rowan Cyrus mentions that he was married to a woman.

0:38:40.960 --> 0:38:42.680
<v Speaker 1>Yes, he does go we.

0:38:42.640 --> 0:38:46.479
<v Speaker 3>Learned that in this episode. Yeah, and the big which

0:38:46.480 --> 0:38:49.000
<v Speaker 3>we talked about, like the big reveal we meet that

0:38:49.120 --> 0:38:52.160
<v Speaker 3>Carrie Washington has a mom at all and it's played

0:38:52.200 --> 0:38:54.680
<v Speaker 3>by Candy Alexander and it's the greatest reveal ever.

0:38:54.880 --> 0:38:56.279
<v Speaker 4>Next week, can't get here soon enough?

0:38:56.520 --> 0:38:57.520
<v Speaker 3>Can't yes?

0:38:58.440 --> 0:39:01.520
<v Speaker 4>Watch those two human fight and work.

0:39:01.600 --> 0:39:02.960
<v Speaker 1>A gift man.

0:39:03.680 --> 0:39:11.920
<v Speaker 3>Yes, yes, we have some to the time oh time capsule,

0:39:12.000 --> 0:39:15.240
<v Speaker 3>some tweets at the time. I freaking love this at

0:39:15.360 --> 0:39:19.399
<v Speaker 3>Chris Allegra November fifteen, twenty thirteen, said Mellie Grant said

0:39:19.440 --> 0:39:23.120
<v Speaker 3>she's a tar heel. It explains so much hashtag skittle.

0:39:23.480 --> 0:39:25.600
<v Speaker 3>Solly Grant went to UNC.

0:39:26.520 --> 0:39:30.120
<v Speaker 2>I hope it explained so much in a good way.

0:39:30.640 --> 0:39:33.359
<v Speaker 4>She did that. I think I can't remember where she

0:39:33.360 --> 0:39:35.600
<v Speaker 4>did go, but I think it just.

0:39:35.920 --> 0:39:37.839
<v Speaker 3>Grew up in North Carolina.

0:39:37.880 --> 0:39:38.880
<v Speaker 4>I grew up in North Carolina.

0:39:39.680 --> 0:39:40.960
<v Speaker 3>Is that where you grew up?

0:39:41.320 --> 0:39:44.160
<v Speaker 4>Yeah? And we even say Ashville when in that scene

0:39:44.960 --> 0:39:47.000
<v Speaker 4>to bed he was I was like, my dad just called.

0:39:47.040 --> 0:39:49.200
<v Speaker 4>He wanted to talk to his little girl, and which

0:39:49.239 --> 0:39:50.719
<v Speaker 4>is my home? I write?

0:39:50.920 --> 0:39:52.759
<v Speaker 3>Because they knew you were from Ashville?

0:39:52.960 --> 0:39:55.839
<v Speaker 4>I guess, so it's too weird if they didn't, right.

0:39:55.920 --> 0:39:57.440
<v Speaker 1>I remember we used to say that we felt like

0:39:57.480 --> 0:40:00.320
<v Speaker 1>there was cameras in our trailers or on set because

0:40:00.520 --> 0:40:02.879
<v Speaker 1>shit would pop up and you'd be like, wait, how

0:40:02.880 --> 0:40:05.720
<v Speaker 1>did you know that? I went to Incarnation grammar school,

0:40:05.760 --> 0:40:06.520
<v Speaker 1>whatever it was.

0:40:07.040 --> 0:40:11.320
<v Speaker 2>Because she gave herself Alex left season two, she could hear.

0:40:11.280 --> 0:40:17.240
<v Speaker 1>Everything everything yo. And then so Tyler J. Martin's tweeted,

0:40:17.280 --> 0:40:19.560
<v Speaker 1>I just watched Scandal and I am curled up into

0:40:19.640 --> 0:40:23.680
<v Speaker 1>a ball on my bed shouting Melley into my pillow.

0:40:24.120 --> 0:40:26.960
<v Speaker 1>I'm so emotionally stable hashtag emotionally stable.

0:40:28.640 --> 0:40:31.200
<v Speaker 3>This is also a good Melley one. Lula d At

0:40:31.239 --> 0:40:33.759
<v Speaker 3>I run with Lula tweeted, you declare war on me,

0:40:33.800 --> 0:40:35.719
<v Speaker 3>and you shame me, and you make me beg for

0:40:35.800 --> 0:40:39.000
<v Speaker 3>scraps and I've done nothing but fight for you. Damn

0:40:39.200 --> 0:40:41.279
<v Speaker 3>Melie that hashtag scandal.

0:40:42.200 --> 0:40:46.760
<v Speaker 1>Katie Babs tweeted finally watching last night's Scandal and Cyrus

0:40:46.880 --> 0:40:49.120
<v Speaker 1>was rocking the rug on his head and a beard

0:40:49.160 --> 0:40:52.040
<v Speaker 1>fifteen years ago. He sure was he was doing something

0:40:52.080 --> 0:40:54.399
<v Speaker 1>to that wig. Was something was happening up there?

0:40:54.440 --> 0:40:57.520
<v Speaker 3>A lot at Adela A Fadi wrote, O MG, scandal,

0:40:57.560 --> 0:41:00.480
<v Speaker 3>what no way? My heart can't take argg A dk

0:41:00.760 --> 0:41:02.560
<v Speaker 3>f m f l K. That's just like a lot

0:41:02.600 --> 0:41:07.520
<v Speaker 3>of gibbers, because what a gift to Bellamie Young to

0:41:07.640 --> 0:41:10.759
<v Speaker 3>come on rewatch Scandal podcast. You're gonna have to come

0:41:10.760 --> 0:41:11.440
<v Speaker 3>back again because I.

0:41:11.640 --> 0:41:13.879
<v Speaker 1>Ten more times touch based on.

0:41:13.840 --> 0:41:18.160
<v Speaker 3>All the personal memories. But we ship Juice.

0:41:17.880 --> 0:41:20.160
<v Speaker 1>And God, it feels like we've been talking for ten minutes.

0:41:20.480 --> 0:41:21.640
<v Speaker 3>Oh, I know, is it really?

0:41:21.680 --> 0:41:22.919
<v Speaker 4>I don't shoot all right?

0:41:23.040 --> 0:41:23.239
<v Speaker 3>Well?

0:41:23.360 --> 0:41:25.000
<v Speaker 4>No, I just I miss you guys.

0:41:25.880 --> 0:41:29.080
<v Speaker 1>We miss you too, Bells. What are you doing right now? Bells?

0:41:29.080 --> 0:41:30.040
<v Speaker 1>What are you working on right now?

0:41:30.440 --> 0:41:30.600
<v Speaker 2>Eat?

0:41:31.320 --> 0:41:32.719
<v Speaker 1>And what are you gonna eat? And what are you

0:41:32.760 --> 0:41:33.640
<v Speaker 1>working on? Yes?

0:41:34.000 --> 0:41:35.319
<v Speaker 4>No, I I've I've brought am.

0:41:35.360 --> 0:41:38.480
<v Speaker 2>I working on my dearest friend Say and I wrote

0:41:38.640 --> 0:41:41.719
<v Speaker 2>the first book and a sci fi y a trilogy

0:41:41.920 --> 0:41:44.640
<v Speaker 2>and we just did the shut out for it. So

0:41:44.680 --> 0:41:46.360
<v Speaker 2>we're just getting that off the ground.

0:41:46.440 --> 0:41:48.360
<v Speaker 1>That's what I'm that's exciting.

0:41:49.400 --> 0:41:53.240
<v Speaker 3>Bell me Young went to Yale. She's smart.

0:41:53.600 --> 0:41:56.040
<v Speaker 2>I don't know about that, but we just yeah, we

0:41:56.120 --> 0:41:57.960
<v Speaker 2>love yeah, we love the Are you.

0:41:57.880 --> 0:41:59.680
<v Speaker 1>A sci fi fan? Yeah?

0:42:00.239 --> 0:42:00.359
<v Speaker 4>Yea.

0:42:00.600 --> 0:42:03.279
<v Speaker 2>And I also just and like where the world is

0:42:03.320 --> 0:42:05.959
<v Speaker 2>going and now the question where like what we're all

0:42:06.120 --> 0:42:09.840
<v Speaker 2>facing with Ai and anyway, we just had this idea

0:42:09.880 --> 0:42:11.600
<v Speaker 2>they wouldn't leave us alone. And now we've written the

0:42:11.640 --> 0:42:12.480
<v Speaker 2>first books.

0:42:13.040 --> 0:42:15.719
<v Speaker 1>That's exciting. Can you share the title or not yet?

0:42:16.200 --> 0:42:17.440
<v Speaker 4>I think not yet?

0:42:17.719 --> 0:42:21.200
<v Speaker 3>Okay, good, yeah, okay tell us at a later time.

0:42:21.400 --> 0:42:23.600
<v Speaker 3>What are you going to eat today? What are you

0:42:23.640 --> 0:42:25.600
<v Speaker 3>going to eat?

0:42:26.120 --> 0:42:28.359
<v Speaker 4>You're going to make us a big veggie stir fries,

0:42:28.400 --> 0:42:30.520
<v Speaker 4>so like tough puns of broccoli and ye.

0:42:32.800 --> 0:42:34.120
<v Speaker 3>It's rainy here.

0:42:36.080 --> 0:42:38.080
<v Speaker 1>We didn't even get to talk about all the amazing

0:42:38.200 --> 0:42:41.480
<v Speaker 1>vegan fried chicken that Mellie got on the show, right,

0:42:41.480 --> 0:42:43.080
<v Speaker 1>you were obsessed with it, weren't you.

0:42:43.719 --> 0:42:46.719
<v Speaker 4>They made that special for us, Like that's en, that's

0:42:46.760 --> 0:42:46.920
<v Speaker 4>of it.

0:42:47.080 --> 0:42:49.600
<v Speaker 2>You're not going to get healthier, had to Doomies, but

0:42:49.680 --> 0:42:51.800
<v Speaker 2>it's going to be delicious. So hard.

0:42:52.560 --> 0:42:56.000
<v Speaker 1>Yeah, probably, I'm going to go to Doomies for lunch.

0:42:57.040 --> 0:42:57.960
<v Speaker 1>Vegan fried chicken.

0:42:58.239 --> 0:43:01.120
<v Speaker 3>I'm getting a veggie stir fry. That's It's so freaking

0:43:01.840 --> 0:43:05.640
<v Speaker 3>so good, Bellamy. There is no scandal without Melly Grand,

0:43:07.360 --> 0:43:10.879
<v Speaker 3>and there is no Melly Grand without Bell Me love me.

0:43:11.000 --> 0:43:15.560
<v Speaker 1>So much, Bell Yeah, Amy you yeah, but.

0:43:15.560 --> 0:43:16.439
<v Speaker 3>What's your middle name?

0:43:16.760 --> 0:43:20.760
<v Speaker 4>Maria?

0:43:21.640 --> 0:43:22.920
<v Speaker 3>Like, give me a minute?

0:43:23.080 --> 0:43:25.719
<v Speaker 4>And he was like Amy Maria Young her initial speller name.

0:43:26.880 --> 0:43:30.680
<v Speaker 1>And she was like, oh ship, I love.

0:43:30.520 --> 0:43:33.600
<v Speaker 2>That so so we monogrammed everything back in the day

0:43:33.840 --> 0:43:35.400
<v Speaker 2>and it was like a y am so it.

0:43:38.840 --> 0:43:42.200
<v Speaker 4>Lay on that plane. But he tried, yeah, I.

0:43:42.200 --> 0:43:46.959
<v Speaker 1>Would, Oh, Amy Maria Young, we love you. I love

0:43:46.960 --> 0:43:50.799
<v Speaker 1>you more than my luggage, as they say in Steel Magnolias.

0:43:50.840 --> 0:43:53.239
<v Speaker 1>I was trying to think of something southern. I love

0:43:53.280 --> 0:43:55.200
<v Speaker 1>you more than my luggage. I love you so much.

0:43:55.800 --> 0:43:57.120
<v Speaker 4>I love you and you guys are doing such a

0:43:57.160 --> 0:44:01.160
<v Speaker 4>good job. The podcast is so good. Thank you so soon.

0:44:01.840 --> 0:44:07.480
<v Speaker 1>You for having so much fun. Thank you guys for

0:44:07.600 --> 0:44:11.359
<v Speaker 1>joining us on Unpacking the Toolbox. If you enjoyed the show,

0:44:11.400 --> 0:44:14.560
<v Speaker 1>please subscribe, share with your friends, rate, or leave us

0:44:14.560 --> 0:44:15.000
<v Speaker 1>a review.

0:44:15.160 --> 0:44:19.080
<v Speaker 3>Scandal is executive produced by Sandy Bailey, Alex Alcea, Lauren Homan,

0:44:19.400 --> 0:44:23.160
<v Speaker 3>Tyler Klang, and Gabrielle Collins. Our producer and editor is

0:44:23.239 --> 0:44:26.040
<v Speaker 3>Vince de Johnny, with music by Chad Fisher.

0:44:26.280 --> 0:44:29.200
<v Speaker 1>Scandal is a production of ABC Signature, and you can

0:44:29.239 --> 0:44:31.480
<v Speaker 1>follow along by rewatching Scandal on Hulu.

0:44:31.680 --> 0:44:34.080
<v Speaker 3>Unpacking the Toolbox is a production of Shondaland Audio in

0:44:34.120 --> 0:44:38.439
<v Speaker 3>partnership with iHeartRadio. For more podcasts from Shondaland Audio, visit

0:44:38.480 --> 0:44:47.680
<v Speaker 3>the iHeartRadio app or anywhere you subscribe to your favorite shows.