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Speaker 1: Hello the Internet, and welcome to Season one, four, Episode three.

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Speaker 1: After Daily's eight guys to production of My Heart Radio.

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Speaker 1: This is a podcast where we take a deep dive

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Speaker 1: into America's share consciousness. It is Wednesday, May twelve. My

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Speaker 1: name is Jack O'Brien a k Hey allergies. That is

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Speaker 1: courtesy of Rat Bohemian, very short, sweet, appropriate to the

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Speaker 1: time of year, uh and I'm thrilled to be joined

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Speaker 1: as always by my co host, Mr Miles Grag. Give

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Speaker 1: me one second to go to CPK real quick kiss,

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Speaker 1: stop the dicktive pizza so big cold pop, watch me

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Speaker 1: sit down with us week choose not a bye of invitation.

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Speaker 1: Only one can against my heart of racing white cheesy

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Speaker 1: screaming in the oven. Then hits your mouth. I love

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Speaker 1: a sudden go ask yourself for some napkins face all

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Speaker 1: covera like, what the hell happened to play? Starts up

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Speaker 1: with pizza hoty c pe came a baby, don't stop.

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Speaker 1: They got a pizza and it's all for you. Okay,

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Speaker 1: So the things didn't line up quite where I was at,

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Speaker 1: but you got the idea, okay, because it's the place

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Speaker 1: I love the pizza Hot CPK my baby won't stop.

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Speaker 1: And you know what the rhc PK it's apparently it's

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Speaker 1: a movement because Christie m Agucci, Man, you came through

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Speaker 1: with that one. And I love to see the never

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Speaker 1: ending del usual and again. And I encourage the listeners

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Speaker 1: just because someone touched our our r HC P song

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Speaker 1: doesn't mean you can't iterate too, because this thing is malleable.

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Speaker 1: But it's gold baby, it's beautiful. It's a beautiful thing.

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Speaker 1: Also wanted to give a shout out to Wrap Bohemian.

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Speaker 1: Wanted to honor the fact that the Hey Allergies is

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Speaker 1: a gin blossom, which is a nose based BAM's name,

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Speaker 1: so also appropriate for that reason. Sorry, I'm trying to

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Speaker 1: overcompensate for not having an r h t p K

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Speaker 1: one ready to go. Well, we'll be back at it

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Speaker 1: again tomorrow. But I mean, we're gonna have to talk

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Speaker 1: about this when we're done recording. Yeah, stupid. Right now,

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Speaker 1: we're thrilled to be joined in our third seat by

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Speaker 1: the brilliant, talented, the hilarious Jordan's Moral. Hi, everybody. Great

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Speaker 1: to be here, Great to be here. Yeah, I mean,

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Speaker 1: while we're on the topic of r h C p K. Yeah,

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Speaker 1: I had a little something that I just wanted to

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Speaker 1: add to the discourse. I just want to be part

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Speaker 1: of the conversation. And you know, and I think I

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Speaker 1: think you guys, you guys know this better than anyone.

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Speaker 1: This bit has great legs. I think it's gonna stay.

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Speaker 1: It's gonna stay fresh, long, long into yeah, at least.

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Speaker 1: But I just wanted to kind of throw this out

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Speaker 1: there in in case, you know, in case you ever

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Speaker 1: felt like you wanted to, you know, pivot a little

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Speaker 1: bit or going in another direction something I was thinking of.

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Speaker 1: Have you ever considered, you know, maybe the next phase

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Speaker 1: of this is red Hot Chili's Peppers. Chili's peppers just

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Speaker 1: take take our HCP. You put in a new chain restaurant.

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Speaker 1: It fits right in there. And again I'm not as

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Speaker 1: I'm not the expert in this that you guys are,

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Speaker 1: but just to start you off with where red Hot

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Speaker 1: Chilis Peppers could go. Can't stop addicted to the blossom.

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Speaker 1: This appetizers really awesome. And I don't have anything else.

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Speaker 1: I don't have maybe the marks to the ribs baby ribs,

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Speaker 1: uh baby back baby to back now yeah there you

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Speaker 1: sure it? Anyway, my gift to you, take it and

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Speaker 1: run if you want. Chilis Peppers. Uh yeah, we're actually

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Speaker 1: I mean we have been contacted by a few uh

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Speaker 1: music kind of representation, you know, record companies and agents

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Speaker 1: about just being a all chain restaurant teamed are h

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Speaker 1: c P cover band, So you know we're we're weighing

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Speaker 1: our options, but this is uh yeah, it's it's definitely happening.

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Speaker 1: Big shout out to all the fans. Will soon forget

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Speaker 1: about once we're huge arena touring musicians. Can I just

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Speaker 1: say this, aside from this graunge contribution to the r

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Speaker 1: h c P discourse and as we further out along,

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Speaker 1: I just wanted to mention that something very serendipitous happened

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Speaker 1: because Jordan's I didn't realize you were going to be

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Speaker 1: on the show until like like later last night when

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Speaker 1: I was sort of looking through the dock and I

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Speaker 1: was just so happening to be watching Bar Rescue when

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Speaker 1: you were honest so in the bar. So there's an

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Speaker 1: episode of Bar Rescue where these motherfucker's think their bar

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Speaker 1: is haunted. Okay, and Jordan pops up with who is

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Speaker 1: Who's other dude? Party writer podcaster met Myra. So you

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Speaker 1: show up and then I was like, oh my god,

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Speaker 1: and then I see you. Then I looked on the dock.

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Speaker 1: I was like, oh my god, this was all meant

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Speaker 1: to be. The energy was swirling. I just want to

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Speaker 1: ask about that bar. Do you think that bar was

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Speaker 1: actually haunted that John Taffrica rescued? So, yeah, so I

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Speaker 1: should say I did you know if you if you're

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Speaker 1: familiar with Bar Rescue, they have the recon portion where

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Speaker 1: you know, some some of John Tapper, Chaff Taffer's close

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Speaker 1: personal friends which you include, goes to the bar and

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Speaker 1: like kind of gives him the lowdown on like what's

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Speaker 1: really going on in this place? And wait, so do

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Speaker 1: you go undercover? I actually don't know the show. Do

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Speaker 1: you go undercover like as a customer or you just

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Speaker 1: go and do reconnaissance and they know you are part

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Speaker 1: of the team. Yeah. No, I think the ideas that

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Speaker 1: you are just a norm. I mean, obviously the bar

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Speaker 1: is set up to shoot in, so there's lights, there's cameras.

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Speaker 1: That part of it is, you know, and like everybody

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Speaker 1: in the bar has to sign some sort of release

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Speaker 1: so they kind of know that there's something shooting going on.

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Speaker 1: But no, I mean I think we you know, the

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Speaker 1: people at the bar were serving people just kind of

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Speaker 1: like normal, and so you know, me and me and

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Speaker 1: Matt just kind of like order drinks like we were.

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Speaker 1: We were there too, just to soak up the ghosts

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Speaker 1: and ghosts or no ghosts? What are you doing? I

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Speaker 1: don't think. I don't think there are ghosts period. I

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Speaker 1: don't think there are Eddie ghosts at all anywhere. And

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Speaker 1: I don't think, uh no, I don't think this place

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Speaker 1: was was haunted. Were it smelled bad? I don't know

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Speaker 1: if that because Okay, my other question is do you

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Speaker 1: think they were lying or do they were? The bar

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Speaker 1: because the people when they were shooting in the bar,

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Speaker 1: the staff there was like the owner like vanished because

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Speaker 1: he was so shook by the ghosts. And I bought

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Speaker 1: all this equipment to try and communicate with ghosts. And

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Speaker 1: I was like, is are they lying to get on

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Speaker 1: bar rescue or were they really thinking their ship was haunted?

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Speaker 1: I mean, people do take ghost stuff seriously, you know

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Speaker 1: what I'm saying. But you do you do they seem

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Speaker 1: like true? Believe? Yeah? I didn't. I did doubt their sincerity.

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Speaker 1: I I I would believe that that they would actually

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Speaker 1: be concerned about a haunting. Yes, I will give them that.

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Speaker 1: I take the placebo effect approach to ghosts, like it

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Speaker 1: is definitely real to them, to the effect that it

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Speaker 1: might as well be real, like they're seeing and hearing

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Speaker 1: whatever they claim to be seeing and hearing. It's not

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Speaker 1: like they're just making it up as a goof right, yeah,

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Speaker 1: you know, it's just that the unconscious is vast and

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Speaker 1: very powerful. But it was a real thrill. I was

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Speaker 1: ghost stories right now, and that brings me to wait,

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Speaker 1: was there was part of the thing they need to

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Speaker 1: be rescued from where they like, you know, we can't

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Speaker 1: make money Either's like ghosts suky they had as part

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Speaker 1: of the episode that I was not therefore, was like

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Speaker 1: they did like a cleansing. They had like a cleanser

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Speaker 1: come and do this clean. I believe the episode is

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Speaker 1: called Johnny Afraid of No Ghost Yeah, if correctly, Yes,

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Speaker 1: I mean, my miles, do you think that's why, like

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Speaker 1: we we've been having trouble with the uh Apple charts

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Speaker 1: where we're not charting the way we want to be.

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Speaker 1: Do you think there might be a ghost? You think

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Speaker 1: that's what? I don't know Man, you think that's why

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Speaker 1: Joe Rogan is so huge. It's just paid a bunch

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Speaker 1: of ghosts on a graveyard. Man. All Right, Jordan, we're

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Speaker 1: gonna get to know you a little bit better in

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Speaker 1: a moment. First, we're gonna tell our listeners a couple

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Speaker 1: of things we're talking about. We're gonna talk about the

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Speaker 1: US media coverage of the Israel Palestine conflict and just

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Speaker 1: how I'm seeing echoes of like sort of what we

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Speaker 1: lived through in and the media bias that we see

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Speaker 1: here in these United States. We'll talk about Liz Cheney

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Speaker 1: finally being canceled. This is the Elon Musk, the Elon

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Speaker 1: Musk hosting SNL of politics. Because this story has like

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Speaker 1: I thought this had happened and a dozen times before

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Speaker 1: it actually officially now has happened. Uh, they've been talking

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Speaker 1: about it for weeks and finally here we are they

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Speaker 1: officially through or under the bus. I want to get

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Speaker 1: to Greg Kelly's pants today. We've had it on the

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Speaker 1: dock for a little while, but I do want to

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Speaker 1: talk speaking into existence, Jack, you want to get into

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Speaker 1: Greg Kelly's pants to thank you, sir, into one of

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Speaker 1: his many mini pockets. Yes, we'll talk about that prego Heck,

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Speaker 1: did you guys see the prego heck? Yeah? About pregnancy? Yeah? Yeah, yeah,

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Speaker 1: so I looked up how does baby? Uh? Baby make?

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Speaker 1: How does baby make? No? No, this is a hack

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Speaker 1: for how to make spaghetti with meatballs? That, um, there's

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Speaker 1: a it seems like it's a badly acted bit, but

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Speaker 1: I don't know these cooking has My response to whet

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Speaker 1: that story, we will talk about the summer of flavor

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Speaker 1: that we have coming to us courtesy of Laz all

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Speaker 1: of that, plenty more. But first, Jordans, we like to

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Speaker 1: ask our guests, what is something from your search history

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Speaker 1: that's revealing about who you? Oh? Yeah, so this this

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Speaker 1: needs a little bit of set up. I'll ask you, guys,

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Speaker 1: how familiar are you with Sonic the Hedgehog fan art? Oh?

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Speaker 1: Fan art? Yeah, like the fan art community around the

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Speaker 1: video game character Sonic the Hedgehog. I mean, I'm familiar

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Speaker 1: enough with the franchise word when I've encountered fan art,

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Speaker 1: it kind of makes sense. But I don't know if

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Speaker 1: I could call out specific pieces of fan art, or

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Speaker 1: maybe I could if I saw it, because I don't know.

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Speaker 1: We see I see so much internet all the time

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Speaker 1: that Yeah, i'd say, chance, I know what we're talking about. Okay, Yeah,

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Speaker 1: I mean I would say that there's a collector, but

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Speaker 1: go ahead, averaged on Sonic fan art, you have a

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Speaker 1: lot of n F T s um so okay. So yes,

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Speaker 1: Sonic the Hedgehog fan art it has a robust community

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Speaker 1: and and you know, like there's the typical kind of

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Speaker 1: like fan art genres that you might expect, you know,

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Speaker 1: like uh, you know Sonic as Avatar, the Last Airbender

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Speaker 1: and you know, and but then new of course, you

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Speaker 1: get into the you get into the erotic Sonic with

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Speaker 1: a you know, huge Veny Crank giving it to Luigi,

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Speaker 1: things like yeah, so you know what you would expect,

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Speaker 1: but I'm intrigued. So and the but the genres get

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Speaker 1: even more specific. There is a a robust and thriving

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Speaker 1: community of Christian Sonic fan art people. So it's like

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Speaker 1: Sonic weeping at the foot of the Cross. Oh yep, uh,

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Speaker 1: you know, Sonic reading Bible verses, but they'll awkwardly insert

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Speaker 1: other Sonic the Sonic characters, so it'll be like no

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Speaker 1: one comes to the Father but through me knuckles. So

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Speaker 1: so that exists, right, and the one I found out

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Speaker 1: about this week was there is Sonic on his deathbed

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Speaker 1: fan art. So it's like Sonic in the hospital on

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Speaker 1: on life support and then like tails weeping at his

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Speaker 1: bedside and there, and it's not just one person did this.

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Speaker 1: Many people have done this, and it's all it's most

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Speaker 1: of it's done in MS paint and it's like, I

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Speaker 1: don't know where it comes from. It's like, yeah, what

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Speaker 1: about this weeks to people? What that's so great? So

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Speaker 1: I have I have now googled Sonic Sonic fan art

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Speaker 1: deathbed Maria looks so sad and the top result for

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Speaker 1: a Sonics deathbed. Yeah. And you think he'd be like

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Speaker 1: fun that, Like you think he'd be kicking the plug

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Speaker 1: out of his life support machion. You would think, so

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Speaker 1: he's Nintendo all day. Absolutely. This guy rassed me in

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Speaker 1: commercials in the nineties. He beat me in the Olympics.

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Speaker 1: But it's you know when it feels like the Easy

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Speaker 1: Doctor Dre thing, when when Easy was on his deathbed,

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Speaker 1: Dre came through and was like, look, man, like, let's

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Speaker 1: put all that ship behind us. I feel like Mario

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Speaker 1: is Dre in this in this situation. He's like we're

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Speaker 1: you know, we we had our differences, but we are

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Speaker 1: the same deep down. And I seeing you dying here

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Speaker 1: is is a little too close for home. It's it's

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Speaker 1: making me think about my own mortality. And also Luigi

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Speaker 1: clearly injected you with whatever's killing you. Feel bad about it? Right?

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Speaker 1: What is something you think is overrated? Jordan's about once

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Speaker 1: a year, I I forget that I hate Starbucks blended

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Speaker 1: drinks and I get a Starbucks blended drink because it's

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Speaker 1: time for a treaty, you know, And I and I

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Speaker 1: get it because you know, the the it looks good

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Speaker 1: on the menu. Yeah, really good photography for the very

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Speaker 1: good photography. Yeah, jeez. If you've ever seen one of

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Speaker 1: tho Starbucks breakfast sandwiches in person versus the menu, oh yeah,

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Speaker 1: you know the suvied egg bites and you're like, oh wow,

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Speaker 1: and you're like, are these pencil erasers that are just

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Speaker 1: greasy tastes good? Yeah? Yeah, That's what I was gonna say,

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Speaker 1: the same thing about the breakfast sandwich is the sausage

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Speaker 1: cheddar egg breakfast sandwich looks like shit. It looks like

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Speaker 1: and even like parts of it are hard that shouldn't

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Speaker 1: be hard and yeah the wave to fuck. I've never

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Speaker 1: had one that I didn't enjoy, like of the sandwich.

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Speaker 1: For some reason, they just they have I think whatever

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Speaker 1: chemicals they because if you agreed to the if you're

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Speaker 1: getting a Starbucks breakfast sandwich, it's because you're so out

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Speaker 1: your mind hungry. That's why it's relative. Because I'm never

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Speaker 1: checking for Starbucks. I'm doing that because I'm like, fuck,

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Speaker 1: is something that resembles breakfast airport and I'm met, ad

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Speaker 1: I need something taste better when you're running a marathon,

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Speaker 1: that's like the equipment, like the brand. The trick my

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Speaker 1: brain is, so what's your what's what how what's your

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Speaker 1: experience like with the blended drinks? Like in your mind,

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Speaker 1: what's it gonna be? And it always ends up being

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Speaker 1: in It's like it sounds like me with cotton or

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Speaker 1: candy corn. Yeah, yeah, no, I mean that's a great

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Speaker 1: that's a great analogy. That thing that like one one

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Speaker 1: bite or one sip of it is a lot of

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Speaker 1: fun and then the fifth bite You're like fuck this, Yeah,

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Speaker 1: I just like I get it and I'm like, hey,

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Speaker 1: this will be like you know, this will be this

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Speaker 1: will be tasty, this will give me a little pep

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Speaker 1: and I every time I have it, I'm like, this

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Speaker 1: is this is I see, this is chunky in a

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Speaker 1: way that I don't like. And I just wish it

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Speaker 1: was a Carl's Junior milkshake for the colories, you know,

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Speaker 1: like r right, it's it's ice. It's like ice crystals

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Speaker 1: at the core with like the coffee milky stuff around it.

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Speaker 1: So yeah, it just makes you wish it was a

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Speaker 1: milkshake because like a slushiest rap, I can deal with

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Speaker 1: the fact that like the balance gets thrown off as

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Speaker 1: I'm drinking it and it's just ice left behind. But

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Speaker 1: when it's a coffee drink, it's it's like that that

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Speaker 1: balance is too funked up. It's like, now I just

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Speaker 1: feel like I'm drinking like the weakest coffee that's ever

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Speaker 1: been brewed and then left out for it, stuck up

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Speaker 1: against a cool latta from Duncan. I think it's similar.

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Speaker 1: I make you equally frustrating because I feel like, you know,

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Speaker 1: everybody's kind of it ends up being a lot of

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Speaker 1: frozen water. At the end of the day. It sounds like, well,

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Speaker 1: we are looking at is trying to move away from

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Speaker 1: the frat pay and towards milkshake territory with these drinks.

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Speaker 1: You know, I am not a I have I have

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Speaker 1: not a Duncan guy. I uh um. I grew up

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Speaker 1: on the West Coast, so Duncans are kind of a

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Speaker 1: new thing, you know for me in the in the landscape,

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Speaker 1: and I moved recently and there's there's a close Duncan

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Speaker 1: and I've just never liked it. I I can't find

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Speaker 1: anything I like there. I kind of want to join

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Speaker 1: the East Coast people and they're like in ziasm for

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Speaker 1: Duncan because I think it's very sincere. I think it's

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Speaker 1: very adorable, and I want to, like, I don't know,

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Speaker 1: I want to share that because I do love donuts,

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Speaker 1: but every time I've gone to Duncan, it sucks, and

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Speaker 1: I don't I don't want it to I wanted Yeah, yeah,

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Speaker 1: that's what Jack put me onto when we were I'm

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Speaker 1: like all sour cream cake donuts and yeah, I feel

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Speaker 1: like it's pretty hard to funk up if you're have

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Speaker 1: you only been to Duncan on the West Coast. And

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Speaker 1: I'm not a Duncan apologist by any means, but no, no no,

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Speaker 1: and I'm yeah, I think I I've had it out

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Speaker 1: here a couple of times, and then I had I

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Speaker 1: had it a couple of times on the East Coast

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Speaker 1: as like road trip airport, like a road trip airport

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Speaker 1: type stop. Yeah, I've heard people who are Duncan defenders

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Speaker 1: in the marketing meetings we have with the Duncan people

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Speaker 1: tell me that you're supposed to that, Like they're like, well,

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Speaker 1: it's different on the West Coast. And I think it's

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Speaker 1: also like franchise e and so you can hit a

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Speaker 1: really bad one, you know. That is just Yeah, we're

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Speaker 1: gonna ask Jamie Loftus. I'm sure she can rank our

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00:18:07,760 --> 00:18:09,879
Speaker 1: West Coast Duncan like she's more in it for like

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Speaker 1: the Duncan swag then, but I guess she she also

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Speaker 1: likes that's not shade. I just feel like I don't

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Speaker 1: I don't want people, uh all right, sorry to doubt

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Speaker 1: you're I don't know, you're like a bit of light

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Speaker 1: ribbing podcaster at a podcaster. I think we can handle

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Speaker 1: it the internet, can't we? Jordan, what's something you think

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Speaker 1: is underrated? Okay, I'm gonna I'm gonna put myself out

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Speaker 1: there because you know, I like you guys, I'm a

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Speaker 1: fan of the show. Um, I don't want to be

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Speaker 1: kicked off the show. But I realized that this my

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Speaker 1: I'm prepared for what comes. I'm prepared. I think this

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00:18:50,720 --> 00:18:53,080
Speaker 1: is out there. There's a sentiment that I'm picking up,

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Speaker 1: and I think it's an okay time to say this.

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Speaker 1: It's it's never been safer to say this third way

328
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Speaker 1: of ska. It seems like it's getting a little rehab

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Speaker 1: in the culture. You know, I grew up in Orange

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Speaker 1: County in the nineties. It was a big thing for me.

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Speaker 1: I was there for the backlash. I you know, the

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00:19:15,880 --> 00:19:19,159
Speaker 1: backlash was mighty. It was powerful. But now does it

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Speaker 1: kind of seem like people are saying, like, hey, maybe

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00:19:23,560 --> 00:19:25,879
Speaker 1: this was okay? Were we too hard on this? It

335
00:19:25,960 --> 00:19:28,639
Speaker 1: was kind of fun, right. People who fucked with Scott

336
00:19:29,040 --> 00:19:31,480
Speaker 1: will always fun with Scott. You know, like Brandy Posey,

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Speaker 1: who comes on she's a Brandy Posey. Yeah, I mean,

338
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Speaker 1: And I played in SKA bands growing up because that

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00:19:38,240 --> 00:19:40,520
Speaker 1: was the way. Yeah, I played trumpets. I was like,

340
00:19:40,520 --> 00:19:43,000
Speaker 1: I don't play a guitar and ship. I put on

341
00:19:43,080 --> 00:19:47,280
Speaker 1: my anti negativity helmet, okay, like a motherfucking aqua bat.

342
00:19:47,359 --> 00:19:52,040
Speaker 1: Then in my band called the lip Tones because we

343
00:19:52,160 --> 00:19:55,680
Speaker 1: like lipped in canned iced tea, The lip Tones. That's

344
00:19:55,720 --> 00:20:00,439
Speaker 1: actually it was stupid, but it had to fit tone

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00:20:00,600 --> 00:20:04,680
Speaker 1: or sca into the name, right right right. But yeah,

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00:20:04,720 --> 00:20:08,280
Speaker 1: it's weird, like how I feel like there it sounds like,

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00:20:08,400 --> 00:20:11,119
Speaker 1: yeah for people who would maybe talk wild shit about it,

348
00:20:11,119 --> 00:20:14,119
Speaker 1: and I'm like, yeah, I'm kind of digging the skag again.

349
00:20:14,920 --> 00:20:18,560
Speaker 1: But yeah, I don't know, so just for like the uninitiated,

350
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Speaker 1: so they know who we're talking, like the Mighty Mighty

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00:20:20,680 --> 00:20:23,800
Speaker 1: Bostones would be third Whisko. Yeah, and you know, they

352
00:20:24,240 --> 00:20:28,359
Speaker 1: an album this month that is so good it might

353
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Speaker 1: might yeah, they it's I think it's called When God

354
00:20:31,760 --> 00:20:33,640
Speaker 1: Was Great. I listened to it front to back, front

355
00:20:33,640 --> 00:20:39,800
Speaker 1: to back a lot of bad, yeah exactly. And they've

356
00:20:39,840 --> 00:20:42,280
Speaker 1: got an eight minute song on there. I think I've

357
00:20:42,280 --> 00:20:44,480
Speaker 1: heard them refer to it as in a scotta DaVita.

358
00:20:47,560 --> 00:20:49,800
Speaker 1: That's that's from them, That's not from me. Yeah, I

359
00:20:50,040 --> 00:20:52,239
Speaker 1: I don't know. I think it's maybe a result of,

360
00:20:52,280 --> 00:20:55,200
Speaker 1: like you know, we all just kind of went through

361
00:20:56,200 --> 00:20:59,600
Speaker 1: the fucking worst year in history, and like, you know,

362
00:20:59,680 --> 00:21:02,760
Speaker 1: this idea of doing something that's like rooted in like

363
00:21:02,920 --> 00:21:06,040
Speaker 1: fun and enthusiasm is kind of like, I don't know,

364
00:21:06,080 --> 00:21:08,040
Speaker 1: it's kind of a nice thought of just putting on

365
00:21:08,080 --> 00:21:10,640
Speaker 1: a fucking bowling shirt with somebody else's name on it

366
00:21:10,720 --> 00:21:15,720
Speaker 1: and you know, goof goofing around with your with your buds.

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00:21:15,840 --> 00:21:17,760
Speaker 1: I don't know. I think we're all kind of just

368
00:21:17,840 --> 00:21:21,480
Speaker 1: like we're craving fun. We're craving goofy nous, and I

369
00:21:21,520 --> 00:21:24,520
Speaker 1: think that that maybe it's causing people to kind of

370
00:21:24,520 --> 00:21:27,520
Speaker 1: look back on that stuff and go like, yeah, that

371
00:21:27,640 --> 00:21:32,200
Speaker 1: was fun, right, Like right, there's an energy the sky.

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Speaker 1: I think though that is refreshing when when sort of

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00:21:35,880 --> 00:21:38,000
Speaker 1: in the context you're bringing up though, especially because so

374
00:21:38,080 --> 00:21:41,600
Speaker 1: much of our music is electronic now that hearing like

375
00:21:41,800 --> 00:21:44,920
Speaker 1: wind instruments and like all that and just a huge

376
00:21:45,000 --> 00:21:49,000
Speaker 1: band is like already sonically, I think refreshing. Shout out

377
00:21:49,040 --> 00:21:55,160
Speaker 1: to sonic refreshing and alright obviously, but yeah, like there

378
00:21:55,280 --> 00:21:57,400
Speaker 1: is that's like the fun of it to me. Now,

379
00:21:57,480 --> 00:21:59,879
Speaker 1: although like I will say this, I'll never focus Sublime

380
00:22:00,000 --> 00:22:02,720
Speaker 1: with Rome. I'm just gonna say that that's just that's

381
00:22:02,760 --> 00:22:05,119
Speaker 1: just a nailed on thing for me as a Southern

382
00:22:05,200 --> 00:22:08,639
Speaker 1: California native, Like Sublime with Rome is not it's not

383
00:22:08,720 --> 00:22:13,040
Speaker 1: something I'm not my sublime, No, not not my sublime.

384
00:22:14,359 --> 00:22:17,159
Speaker 1: I'm just realizing, like I I'm only I'm not a

385
00:22:17,240 --> 00:22:20,800
Speaker 1: huge like Scott or music history person, so like I

386
00:22:20,840 --> 00:22:23,760
Speaker 1: can only like looking at I had to google third

387
00:22:23,760 --> 00:22:27,280
Speaker 1: wave scott bands and then looking at all the band names,

388
00:22:27,440 --> 00:22:30,440
Speaker 1: it's like, I know, I've heard of the Mighty Mighty

389
00:22:30,440 --> 00:22:33,520
Speaker 1: Bostones and can place their songs. No doubt, I can

390
00:22:33,520 --> 00:22:36,840
Speaker 1: place their songs, sublime, I can place their songs. Two

391
00:22:36,880 --> 00:22:40,000
Speaker 1: of the best concerts I went to under the age

392
00:22:40,000 --> 00:22:43,520
Speaker 1: of like seventeen, or Mighty Mighty Bostones and no doubt,

393
00:22:43,800 --> 00:22:47,400
Speaker 1: just like accidentally, but like those are really fun shows.

394
00:22:47,600 --> 00:22:49,840
Speaker 1: Like the only time I've ever crowd served was that

395
00:22:49,920 --> 00:22:53,080
Speaker 1: a Mighty Mighty Bostones concert. Wait, hold on, that's cool.

396
00:22:53,119 --> 00:22:54,600
Speaker 1: You went from I don't. I had to look this

397
00:22:54,720 --> 00:22:58,600
Speaker 1: up to me like a fucking crowds when I was

398
00:22:58,720 --> 00:23:02,080
Speaker 1: visiting a college and they happened to be playing with

399
00:23:02,200 --> 00:23:07,119
Speaker 1: run DMC at Penn And that's a bill. That's a bill.

400
00:23:07,320 --> 00:23:10,080
Speaker 1: It was fucking dope, man, it was really And I

401
00:23:10,119 --> 00:23:14,200
Speaker 1: got way too drunk and act weird and that completely

402
00:23:14,240 --> 00:23:17,879
Speaker 1: colored colored whether I wanted to go to that school

403
00:23:17,960 --> 00:23:19,919
Speaker 1: or not. I was like, they all know me and

404
00:23:19,960 --> 00:23:24,720
Speaker 1: think I'm weird now, but I really, uh really at skanking, Jack,

405
00:23:26,480 --> 00:23:28,280
Speaker 1: that could have been your whole identity. You could have

406
00:23:28,320 --> 00:23:31,440
Speaker 1: gone to that college and just then, guy, oh my god,

407
00:23:31,440 --> 00:23:33,840
Speaker 1: I don't know there. Do you end up here? If?

408
00:23:33,880 --> 00:23:36,240
Speaker 1: Do you end up where you are now? Jack? If

409
00:23:36,240 --> 00:23:38,720
Speaker 1: that Scar show really took you away and set you

410
00:23:38,760 --> 00:23:41,720
Speaker 1: on another journey, do you think? Probably not? I think

411
00:23:41,720 --> 00:23:43,560
Speaker 1: about that a lot because I was definitely going to

412
00:23:43,680 --> 00:23:46,320
Speaker 1: go to Pen and both me and my wife we're

413
00:23:46,320 --> 00:23:48,720
Speaker 1: definitely gonna go to Pen and then last second changed

414
00:23:48,760 --> 00:23:51,240
Speaker 1: our mind and went to Georgetown independently of each other.

415
00:23:51,720 --> 00:23:55,600
Speaker 1: And that's a big life change. So before because y'all

416
00:23:55,640 --> 00:23:58,200
Speaker 1: met in college, Yeah, we met in college and we

417
00:23:58,200 --> 00:24:01,720
Speaker 1: were like early just vision Pen and then changed Sharmond's

418
00:24:01,760 --> 00:24:03,639
Speaker 1: last second to go to Georgia. Oh my god, and

419
00:24:03,880 --> 00:24:06,360
Speaker 1: please tell me she was she she she held you

420
00:24:06,440 --> 00:24:10,600
Speaker 1: in the flesh. She remembers me from this. I was like,

421
00:24:10,600 --> 00:24:13,959
Speaker 1: I men, this asshole jumped up on stage and you

422
00:24:14,000 --> 00:24:17,520
Speaker 1: wouldn't believe he crowdsurfed, got all this sweat on me.

423
00:24:17,760 --> 00:24:21,160
Speaker 1: I could not I was dry. Heating was so disgusting, babe,

424
00:24:21,200 --> 00:24:30,720
Speaker 1: that wasn't sweat. I pisted in my pants? Anybody bostones

425
00:24:30,800 --> 00:24:35,000
Speaker 1: so much? Alright, Well, I think I think we're gonna

426
00:24:35,080 --> 00:24:38,719
Speaker 1: let you continue on despite that shocking take. Thank you.

427
00:24:38,720 --> 00:24:41,719
Speaker 1: That's very big of you. I appreciate it was underrated

428
00:24:41,880 --> 00:24:45,399
Speaker 1: r I p my mentioned. Yeah, Yeah, what's one like

429
00:24:45,480 --> 00:24:49,200
Speaker 1: super underrated third wife Scott like album that people need

430
00:24:49,240 --> 00:24:52,120
Speaker 1: to check out to like come around on the Oh? Sure,

431
00:24:52,200 --> 00:24:54,120
Speaker 1: I got an answer off the dome. There's a band

432
00:24:54,160 --> 00:24:57,879
Speaker 1: called the Slackers and they did an album called Wasted

433
00:24:58,119 --> 00:25:00,560
Speaker 1: Days that I was listening to recent lee. It's a

434
00:25:00,600 --> 00:25:03,480
Speaker 1: little more like it's a little more kind of like

435
00:25:04,200 --> 00:25:07,040
Speaker 1: funky reggae with the little soul it's got like it

436
00:25:07,040 --> 00:25:10,000
Speaker 1: it you know, it's not the like power chords that

437
00:25:10,040 --> 00:25:12,320
Speaker 1: you kind of associate with third wave Scott. But it's

438
00:25:12,480 --> 00:25:15,119
Speaker 1: uh yeah, it's a it's it's a great record, a

439
00:25:15,160 --> 00:25:17,600
Speaker 1: lot of hits, and I think that if you, yeah,

440
00:25:17,640 --> 00:25:20,600
Speaker 1: I think it would appeal to fans of the genre

441
00:25:20,720 --> 00:25:24,719
Speaker 1: and non fanlight. Uh, let's take a break. We'll be

442
00:25:24,840 --> 00:25:39,680
Speaker 1: right back, and we're back, and let's talk about what's

443
00:25:39,720 --> 00:25:44,119
Speaker 1: going on in Palestine, how it's being covered by the

444
00:25:44,240 --> 00:25:47,280
Speaker 1: US media. I just feel like now that we've lived

445
00:25:47,320 --> 00:25:52,760
Speaker 1: through the year and the experience of watching the news

446
00:25:52,840 --> 00:25:58,280
Speaker 1: media coverage of huge, successful, peaceful, just protests, and they're like,

447
00:25:58,320 --> 00:26:01,120
Speaker 1: look at this individual case sub looting that we saw

448
00:26:01,920 --> 00:26:05,040
Speaker 1: all the way over here, does that negate everything they're

449
00:26:05,080 --> 00:26:13,560
Speaker 1: asking for? Exactly? Window was damaged the media's coverage of

450
00:26:14,200 --> 00:26:19,159
Speaker 1: Israel's provocation and violence towards Palestinians and then like the

451
00:26:19,200 --> 00:26:23,879
Speaker 1: Palestinians reacting and then just covering like starting the story

452
00:26:24,000 --> 00:26:27,600
Speaker 1: at the reaction is I don't know, it just feels

453
00:26:27,640 --> 00:26:30,280
Speaker 1: a little different. That would be like if the like

454
00:26:30,320 --> 00:26:35,760
Speaker 1: four media just covered like Portland at its high point,

455
00:26:36,080 --> 00:26:41,640
Speaker 1: like out, hold on, are you talking about like Ted

456
00:26:41,680 --> 00:26:44,480
Speaker 1: Wheeler or like everything else that's happening in the country.

457
00:26:44,760 --> 00:26:48,200
Speaker 1: You're just going here. It's very very I mean, but

458
00:26:48,320 --> 00:26:50,720
Speaker 1: this is this is how like you know, Western media

459
00:26:51,119 --> 00:26:54,280
Speaker 1: really helps keep everything in check, you know, because I

460
00:26:54,320 --> 00:26:56,720
Speaker 1: think it's part of it is to function. Part of

461
00:26:56,720 --> 00:26:59,320
Speaker 1: its function is to help obscure these kinds of atrocities

462
00:26:59,320 --> 00:27:01,199
Speaker 1: because I think no matter we were talking about this

463
00:27:01,200 --> 00:27:04,919
Speaker 1: on the Trending episode, even in Colombia, people are experiencing

464
00:27:05,000 --> 00:27:08,560
Speaker 1: very similar things around the globe of being like being

465
00:27:08,640 --> 00:27:12,280
Speaker 1: pressed by their governments a lack of access to care

466
00:27:12,520 --> 00:27:15,320
Speaker 1: or any kind of social safety nets or any kind

467
00:27:15,359 --> 00:27:19,880
Speaker 1: of support, and are now having to fight back, are

468
00:27:19,920 --> 00:27:23,000
Speaker 1: having to take a stand against like what they believe

469
00:27:23,160 --> 00:27:26,439
Speaker 1: is uh, whether it's like these taxes in Colombia or

470
00:27:26,440 --> 00:27:30,040
Speaker 1: in the case of East Jerusalem, people being forcefully evicted

471
00:27:30,080 --> 00:27:32,840
Speaker 1: from their homes attacked, and then you know, sort of

472
00:27:32,880 --> 00:27:35,879
Speaker 1: spending this as like these people are are just attacking

473
00:27:35,920 --> 00:27:40,040
Speaker 1: these innocent civilians in Jerusalem, like on the Israeli side,

474
00:27:40,080 --> 00:27:44,040
Speaker 1: and it it just feels I mean, yeah, like you said,

475
00:27:44,520 --> 00:27:47,520
Speaker 1: we've we've seen this happen, this sort of same strategy

476
00:27:47,560 --> 00:27:51,440
Speaker 1: play out in many different instances around the world. Yeah,

477
00:27:51,680 --> 00:27:54,720
Speaker 1: is there is there? Do either of you haven't explain

478
00:27:54,760 --> 00:27:57,719
Speaker 1: it to me? Like I'm five explanation of what this

479
00:27:57,920 --> 00:28:01,440
Speaker 1: current conflict is because I yeah, I mean I think,

480
00:28:01,440 --> 00:28:03,879
Speaker 1: like you said, I feel like I became aware that

481
00:28:03,960 --> 00:28:06,840
Speaker 1: something was going on. I tried to kind of like

482
00:28:06,920 --> 00:28:10,880
Speaker 1: search for a good story that would explain it to me,

483
00:28:11,119 --> 00:28:14,280
Speaker 1: and I feel like I kind of couldn't find anything.

484
00:28:14,320 --> 00:28:17,120
Speaker 1: I felt like there wasn't there was not good coverage

485
00:28:17,119 --> 00:28:20,200
Speaker 1: of this. Is there a kind of a cacophony. Yeah.

486
00:28:20,280 --> 00:28:23,320
Speaker 1: I think a big part that's being left out is

487
00:28:23,400 --> 00:28:27,399
Speaker 1: like there's you know, this occupation which is essentially like

488
00:28:27,680 --> 00:28:32,480
Speaker 1: right wing Israeli forces are occupying and like trying to

489
00:28:32,560 --> 00:28:38,400
Speaker 1: evict Palestinian families from homes they've lived in for generations,

490
00:28:38,640 --> 00:28:40,880
Speaker 1: and they're like, sorry, this is a settlement now, which

491
00:28:40,960 --> 00:28:44,440
Speaker 1: used to be like a far right wing Israeli position,

492
00:28:44,880 --> 00:28:48,480
Speaker 1: and now they're just you know, it's being adopted by

493
00:28:48,880 --> 00:28:54,080
Speaker 1: net Yahoo and you know, part of us. This is

494
00:28:54,120 --> 00:28:57,000
Speaker 1: part of a cycle for him to ramp up settlement

495
00:28:57,120 --> 00:28:59,640
Speaker 1: sort of activities and things like that to bolster his

496
00:29:00,040 --> 00:29:02,760
Speaker 1: support because he also has his own legal liabilities that

497
00:29:02,800 --> 00:29:05,240
Speaker 1: he's exposed to if he's out of office. So there's

498
00:29:05,280 --> 00:29:09,320
Speaker 1: like so yeah, they're using protests around that like eviction

499
00:29:09,680 --> 00:29:12,000
Speaker 1: to then be like, what, we have to amp up

500
00:29:12,000 --> 00:29:16,480
Speaker 1: our police presence. And so now they are they're they're

501
00:29:16,520 --> 00:29:22,800
Speaker 1: doing things like preventing Palestinians from like worshiping on like

502
00:29:22,840 --> 00:29:25,320
Speaker 1: they're cutting down the number of people who can worship

503
00:29:25,440 --> 00:29:29,640
Speaker 1: at like the third holiest site in Islam, and then

504
00:29:29,680 --> 00:29:34,400
Speaker 1: when people like protest that, they start shooting them with

505
00:29:34,720 --> 00:29:38,560
Speaker 1: less lethal not non lethal less lethal munitions and like

506
00:29:38,840 --> 00:29:42,640
Speaker 1: flash grenades and stuff in the mosque, like in the

507
00:29:42,760 --> 00:29:47,080
Speaker 1: actual mosque, and just like and then any response to

508
00:29:47,320 --> 00:29:52,080
Speaker 1: that is being covered as like, uh, you know, militant

509
00:29:52,120 --> 00:29:57,360
Speaker 1: forces and you know, Palestinian forces are clashing and it's

510
00:29:58,200 --> 00:30:01,760
Speaker 1: it's like the place of worshi ship who are and

511
00:30:01,880 --> 00:30:05,720
Speaker 1: one side is allowed to like one side's violence is

512
00:30:05,760 --> 00:30:08,920
Speaker 1: automatically assumed to be legitimate and the other side like

513
00:30:08,960 --> 00:30:12,520
Speaker 1: that's what kind of makes it like fit within the

514
00:30:12,640 --> 00:30:16,000
Speaker 1: broader like kind of what we experienced in twenty is

515
00:30:16,040 --> 00:30:18,880
Speaker 1: that like one side comes in and as aggressive end

516
00:30:18,960 --> 00:30:22,720
Speaker 1: is violent, and the other side, when they protest or

517
00:30:22,800 --> 00:30:25,760
Speaker 1: push back, it's like, well, now you've funked up, and

518
00:30:25,800 --> 00:30:29,240
Speaker 1: now we get to shoot you with rubber bullets and grenades.

519
00:30:29,320 --> 00:30:33,760
Speaker 1: And then, uh, you know, the Palestinians and desperation started

520
00:30:33,800 --> 00:30:39,600
Speaker 1: firing rockets at Israel at Jerusalem, and that is where

521
00:30:39,640 --> 00:30:44,320
Speaker 1: like they have this ABC News story that just starts

522
00:30:44,560 --> 00:30:50,480
Speaker 1: at the Palestinians firing rockets at Jerusalem and they're like

523
00:30:50,520 --> 00:30:53,239
Speaker 1: a children's ballet class had to take cover. They have

524
00:30:53,360 --> 00:30:56,720
Speaker 1: video of that people frantically sprinting through the streets of

525
00:30:56,800 --> 00:30:59,480
Speaker 1: Jerusalem like and they're like, this is the first time

526
00:30:59,520 --> 00:31:02,640
Speaker 1: in seven years that this has happened. Amazingly, no one

527
00:31:02,840 --> 00:31:05,360
Speaker 1: was hurt. Is the is the quote because they're just

528
00:31:05,440 --> 00:31:08,160
Speaker 1: kind of like they're doing it out desperation. They don't

529
00:31:08,200 --> 00:31:12,400
Speaker 1: really have the weaponry to fight back there, just because

530
00:31:12,400 --> 00:31:14,680
Speaker 1: they're not the backing of the U. S Military like

531
00:31:14,840 --> 00:31:16,800
Speaker 1: Israel does. I think a lot of it too, is

532
00:31:16,840 --> 00:31:20,200
Speaker 1: there's they've completely robbed people of the context broadly that

533
00:31:20,720 --> 00:31:24,760
Speaker 1: there this is an occupying force, that this is occupied

534
00:31:24,840 --> 00:31:28,760
Speaker 1: territory that isn't apartheid state, so they're living under that

535
00:31:28,880 --> 00:31:33,920
Speaker 1: already forever. And the pandemic only exacerbated that with like

536
00:31:34,200 --> 00:31:37,560
Speaker 1: very scant supplies for Palestinians to be able to access.

537
00:31:37,600 --> 00:31:40,160
Speaker 1: So it's just building and building and building. It's very

538
00:31:40,160 --> 00:31:43,240
Speaker 1: similar to what was happening last year in in America.

539
00:31:43,600 --> 00:31:47,120
Speaker 1: You know, like the broader context is systemic white supremacy

540
00:31:47,240 --> 00:31:51,200
Speaker 1: has completely ruined this country. Some people are able to

541
00:31:51,240 --> 00:31:54,240
Speaker 1: exist while many others are still experiencing the ills of

542
00:31:54,280 --> 00:31:58,440
Speaker 1: it repeatedly, repeatedly, and we're we get closer and closer

543
00:31:58,480 --> 00:32:00,560
Speaker 1: to like, you know, a tipping point of people saying,

544
00:32:00,600 --> 00:32:03,800
Speaker 1: like what the funk is this like no, but but

545
00:32:03,880 --> 00:32:06,360
Speaker 1: in the in the context of Israel and Palestine, this

546
00:32:06,440 --> 00:32:08,320
Speaker 1: is just like this is the ebb and flow of

547
00:32:08,440 --> 00:32:12,920
Speaker 1: Palatine or of Israeli settlement organizations saying this is ours. Now,

548
00:32:12,960 --> 00:32:15,320
Speaker 1: we're kicking you out. Unfortunately, the courts that you're going

549
00:32:15,360 --> 00:32:18,000
Speaker 1: to try to maybe appeal to will not look at

550
00:32:18,000 --> 00:32:21,560
Speaker 1: any of your documentation. Meanwhile, I can give you know,

551
00:32:21,720 --> 00:32:24,680
Speaker 1: documents that aren't even verified to say that I've actually

552
00:32:24,680 --> 00:32:27,680
Speaker 1: been here since X amount of years to justify this

553
00:32:28,080 --> 00:32:31,200
Speaker 1: me taking over this property. And so there's just a

554
00:32:31,240 --> 00:32:34,800
Speaker 1: lot of this this imbalance that is constantly being played out.

555
00:32:34,800 --> 00:32:37,240
Speaker 1: And then this is just another example now where it's

556
00:32:37,320 --> 00:32:40,760
Speaker 1: it's a provocation. And it just also reminds us of

557
00:32:40,800 --> 00:32:43,920
Speaker 1: how a lot of the BLM protests are happening in

558
00:32:43,960 --> 00:32:48,040
Speaker 1: the summer, which is people come out, they're protesting, the

559
00:32:48,040 --> 00:32:50,840
Speaker 1: police or whatever come out to provoke or whatever to

560
00:32:50,920 --> 00:32:53,360
Speaker 1: create a clash, and then they get violent. They use

561
00:32:53,440 --> 00:32:56,120
Speaker 1: that to justify their violence, and then the news is like, oh,

562
00:32:56,200 --> 00:32:59,560
Speaker 1: look at the violent clashes between police and protests, Like, well,

563
00:33:00,280 --> 00:33:03,479
Speaker 1: what part are you picking up this narrative at Do

564
00:33:03,600 --> 00:33:07,360
Speaker 1: you guys monitor right wing media a little bit closer

565
00:33:07,400 --> 00:33:10,840
Speaker 1: than than I do. You can do it so we

566
00:33:10,880 --> 00:33:13,800
Speaker 1: don't have to thank you, thank you for your service.

567
00:33:14,640 --> 00:33:19,760
Speaker 1: Is in right wing media? Is BLM still like a villain?

568
00:33:19,840 --> 00:33:23,520
Speaker 1: Do they still? Yeah? Absolutely? Yeah yeah. I was kind

569
00:33:23,520 --> 00:33:26,560
Speaker 1: of wondering if that hit, if that had subsided and

570
00:33:26,680 --> 00:33:29,480
Speaker 1: now it's all canceled culture stuff, or if they still

571
00:33:29,600 --> 00:33:33,440
Speaker 1: use they still have that, because I mean, this is

572
00:33:33,480 --> 00:33:36,200
Speaker 1: the language of oppressors, which is you treat people who

573
00:33:36,200 --> 00:33:41,760
Speaker 1: are seeking equality as a terrorist, terrorizing force without acknowledging

574
00:33:41,920 --> 00:33:43,760
Speaker 1: you know where you where you stand in terms of

575
00:33:43,760 --> 00:33:46,440
Speaker 1: the like hegemony of the entire situation, like you're the

576
00:33:46,480 --> 00:33:49,719
Speaker 1: oppressor class. But yet when your people have me asking

577
00:33:49,760 --> 00:33:51,520
Speaker 1: you for equality, it's like, oh my god, what are

578
00:33:51,560 --> 00:33:54,360
Speaker 1: they trying to do? It's like, well, you have to understand.

579
00:33:54,400 --> 00:33:56,680
Speaker 1: If you can't even acknowledge what the situation is, then

580
00:33:57,600 --> 00:34:00,280
Speaker 1: there's no way we can sort of objectively or even

581
00:34:00,320 --> 00:34:03,760
Speaker 1: clearly report this situation or come to any kind of

582
00:34:03,760 --> 00:34:07,880
Speaker 1: forward movement, because on one side you have people think like, well,

583
00:34:08,800 --> 00:34:11,239
Speaker 1: this is what they're gonna do. Violence isn't the way,

584
00:34:11,400 --> 00:34:13,279
Speaker 1: That's not the way you want to get things. I

585
00:34:13,400 --> 00:34:16,200
Speaker 1: retweeted this guy Omar Badar who I thought put it.

586
00:34:16,520 --> 00:34:19,319
Speaker 1: I'm probably buttraying pronunciation. But omar b A d d

587
00:34:19,360 --> 00:34:21,480
Speaker 1: a r at omar b A d d a r

588
00:34:21,600 --> 00:34:26,480
Speaker 1: on Twitter one status quo occupation apartheid is violence against Palestinians.

589
00:34:26,480 --> 00:34:29,440
Speaker 1: And you can like insert you know, black Americans, you

590
00:34:29,440 --> 00:34:35,440
Speaker 1: can insert Colombian citizens to Israel escalates through evictions, beatings, shootings, three,

591
00:34:35,520 --> 00:34:40,399
Speaker 1: then some Palestinians respond with violence. Four, then Israel responds

592
00:34:40,600 --> 00:34:43,520
Speaker 1: with massacre. And then he said, if you start reporting

593
00:34:43,520 --> 00:34:46,560
Speaker 1: at number three, you're misleading your audience. And I think

594
00:34:46,600 --> 00:34:51,200
Speaker 1: that's really how how you can kind of summarize almost

595
00:34:51,239 --> 00:34:56,239
Speaker 1: the entire like news cycle, and how how BLM becomes

596
00:34:56,320 --> 00:35:00,920
Speaker 1: this buzzword that they can point to to scare you know,

597
00:35:00,960 --> 00:35:04,319
Speaker 1: white people who aren't paying attention. Yeah. The the the other

598
00:35:04,400 --> 00:35:08,560
Speaker 1: thing that's I think really telling to is the spokesperson

599
00:35:08,640 --> 00:35:12,600
Speaker 1: Ned Price for the State Department. He had to answer

600
00:35:12,680 --> 00:35:17,160
Speaker 1: questions yesterday about what is the right of Palestinian people

601
00:35:17,239 --> 00:35:20,479
Speaker 1: to defend themselves Because if you're saying like, yeah, they

602
00:35:21,400 --> 00:35:24,719
Speaker 1: you know, civilians are dying, children are dying because of

603
00:35:24,760 --> 00:35:27,880
Speaker 1: these air strikes, Like what level does this idea of

604
00:35:27,880 --> 00:35:31,040
Speaker 1: self defense factor in for Palestinian people are they just like,

605
00:35:31,080 --> 00:35:33,600
Speaker 1: how what's the logic of the United States right now?

606
00:35:33,920 --> 00:35:37,960
Speaker 1: And just listening to this guy twist his brain into knots,

607
00:35:38,200 --> 00:35:43,080
Speaker 1: I think really shows how like how careful the United

608
00:35:43,120 --> 00:35:45,200
Speaker 1: States has to be with how they even talk about things.

609
00:35:45,239 --> 00:35:47,720
Speaker 1: They couldn't just sort of unequivpally be like I would

610
00:35:47,880 --> 00:35:49,800
Speaker 1: believe that they do have a right to self defense

611
00:35:49,800 --> 00:35:52,239
Speaker 1: in this instance, I'll just play this clip because the

612
00:35:52,320 --> 00:35:56,279
Speaker 1: journalists that were there at this briefing, we're really like

613
00:35:56,560 --> 00:36:01,120
Speaker 1: unrelenting and credit to them for asking these questions. Uh,

614
00:36:01,160 --> 00:36:03,640
Speaker 1: we stand by on behalf of this. I think that

615
00:36:04,200 --> 00:36:09,880
Speaker 1: Israeli military response to the rockets coming in, a military

616
00:36:09,920 --> 00:36:12,200
Speaker 1: response to the rockets coming in, is covered by this

617
00:36:12,719 --> 00:36:16,320
Speaker 1: broader rubric of self defense. Right. Self self defense often

618
00:36:16,440 --> 00:36:22,640
Speaker 1: does authorize Thank you, I want to ask you about you, Jason,

619
00:36:22,719 --> 00:36:25,719
Speaker 1: but talk about what you said about the principle of

620
00:36:25,760 --> 00:36:28,799
Speaker 1: self defense. Does that in any way apply to the Palestinians.

621
00:36:28,960 --> 00:36:31,919
Speaker 1: Do they have a right to self defense? The Palestinians

622
00:36:31,920 --> 00:36:36,400
Speaker 1: have a right to self defense. I'm in broadly speaking side, Uh,

623
00:36:36,640 --> 00:36:38,920
Speaker 1: we believe in the concept of self defense. We believe

624
00:36:38,920 --> 00:36:42,040
Speaker 1: it applies to any state I don't think that. I

625
00:36:43,280 --> 00:36:45,959
Speaker 1: So he goes on to say, I believe that goes

626
00:36:46,120 --> 00:36:49,080
Speaker 1: like it extends to any state, and this other reporter

627
00:36:49,239 --> 00:36:51,200
Speaker 1: then responds to say, like, Okay, hold on, I want

628
00:36:51,200 --> 00:36:52,600
Speaker 1: to get you on that, because you said applies to

629
00:36:52,600 --> 00:36:55,960
Speaker 1: any state. You're gonna know as soon as I read

630
00:36:56,000 --> 00:36:58,600
Speaker 1: what your answer was that there's a big problem with it.

631
00:36:58,800 --> 00:37:02,520
Speaker 1: You said, no problem, it just doesn't answer the question.

632
00:37:02,680 --> 00:37:05,120
Speaker 1: We believe that it, meaning the right to self defense

633
00:37:05,160 --> 00:37:11,480
Speaker 1: applies to any state. Well, you see the problem, right, Yes,

634
00:37:12,760 --> 00:37:14,960
Speaker 1: do you want to do you regard Palson as a state?

635
00:37:15,360 --> 00:37:19,400
Speaker 1: I wasn't do do you? But in the context of

636
00:37:19,400 --> 00:37:21,399
Speaker 1: the I C C and the U N So I'm

637
00:37:21,440 --> 00:37:24,160
Speaker 1: saying that you do not if it applies to any state,

638
00:37:24,200 --> 00:37:26,080
Speaker 1: that you saying the Palestinians don't have a right to

639
00:37:26,160 --> 00:37:28,880
Speaker 1: self I was making a broader point, not attached to

640
00:37:29,760 --> 00:37:32,560
Speaker 1: Israel or Palestinians. In that case, you're maaking a broader

641
00:37:32,640 --> 00:37:38,279
Speaker 1: point about states. But then, but it's so broad to

642
00:37:38,360 --> 00:37:41,440
Speaker 1: the situation that you're being asked about. It's a weird

643
00:37:41,680 --> 00:37:44,120
Speaker 1: position to be it. I mean, like, that's why he's

644
00:37:44,160 --> 00:37:46,839
Speaker 1: working for the state of Parmonies. Yeah, but I mean,

645
00:37:46,840 --> 00:37:50,480
Speaker 1: it's like the Biden administration. The statement was all, you know,

646
00:37:50,640 --> 00:37:54,839
Speaker 1: condemning the Palestinians fire rockets, not the air strikes that

647
00:37:55,120 --> 00:37:59,880
Speaker 1: came through and like killed lots of civilians, attacked apart

648
00:38:00,000 --> 00:38:03,719
Speaker 1: and buildings, like blew up apartment buildings just yesterday. But

649
00:38:03,880 --> 00:38:07,280
Speaker 1: like just ABC News is now like for some reason

650
00:38:07,320 --> 00:38:10,920
Speaker 1: above and beyond the most popular uh you know, national

651
00:38:10,960 --> 00:38:14,720
Speaker 1: news broadcasts, which I think means against like three thousand viewers.

652
00:38:14,760 --> 00:38:18,040
Speaker 1: But the way that they edited this was just so

653
00:38:18,200 --> 00:38:21,160
Speaker 1: like the progression was so clear that it was it

654
00:38:21,320 --> 00:38:25,239
Speaker 1: started with the Palestinian rockets. Then it showed like the

655
00:38:25,320 --> 00:38:28,759
Speaker 1: Israeli like victims who actually weren't hurt, which they said

656
00:38:28,880 --> 00:38:32,600
Speaker 1: was amazing. And then they just showed like angry Palestinians

657
00:38:32,680 --> 00:38:37,280
Speaker 1: throwing rocks and like protesting angrily. And then they showed

658
00:38:37,320 --> 00:38:40,719
Speaker 1: like a split second of Israeli police force like shooting

659
00:38:40,840 --> 00:38:43,840
Speaker 1: them with rubber bullets. It's just like, why why do

660
00:38:43,880 --> 00:38:46,879
Speaker 1: you have to Like the order that they cut it

661
00:38:46,960 --> 00:38:50,080
Speaker 1: was clearly meant to show like this is just Israel

662
00:38:50,200 --> 00:38:53,239
Speaker 1: responding to provocations by Palestine. It's like, why would you

663
00:38:53,280 --> 00:38:56,839
Speaker 1: have to do that if you were not like in

664
00:38:56,920 --> 00:39:00,160
Speaker 1: the tank for once again, the purpose of all the is,

665
00:39:00,200 --> 00:39:03,239
Speaker 1: whether it's black people seeking justice in this country or

666
00:39:03,280 --> 00:39:07,800
Speaker 1: Palestinians trying to liberate themselves or at least have some

667
00:39:07,680 --> 00:39:11,840
Speaker 1: some of human rights there, it's the whole point is

668
00:39:11,880 --> 00:39:16,480
Speaker 1: to completely turn them into a group that doesn't know

669
00:39:16,520 --> 00:39:19,239
Speaker 1: what they want, that they're just a problem, and to

670
00:39:19,520 --> 00:39:22,040
Speaker 1: just sort of take away the validity of what they're

671
00:39:22,080 --> 00:39:25,040
Speaker 1: asking for. If you can always take that away, then

672
00:39:25,360 --> 00:39:27,799
Speaker 1: to the person who is not really critically thinking while

673
00:39:27,840 --> 00:39:31,040
Speaker 1: they're watching and be like, oh, Hamas, just come on,

674
00:39:31,200 --> 00:39:34,120
Speaker 1: get over it. Like and that's how it sort of presented,

675
00:39:34,200 --> 00:39:36,080
Speaker 1: much in the same way a Fox viewer would look

676
00:39:36,080 --> 00:39:38,399
Speaker 1: at the Black Lives Matter marches in the way they

677
00:39:38,440 --> 00:39:41,120
Speaker 1: cut things and be like, oh, don't they have enough.

678
00:39:41,239 --> 00:39:44,080
Speaker 1: I mean, it's not that bad, And it's just meant

679
00:39:44,120 --> 00:39:46,120
Speaker 1: to completely take the wind out of this. And the

680
00:39:46,200 --> 00:39:49,000
Speaker 1: version you're getting of Israel and Palestine is the Fox

681
00:39:49,080 --> 00:39:53,200
Speaker 1: News version, Like the rest of the world views this

682
00:39:53,560 --> 00:39:58,520
Speaker 1: as like all all the you know, international organizations are like,

683
00:39:58,560 --> 00:40:01,720
Speaker 1: this is a viole sation of the Palestinian people's rights.

684
00:40:01,800 --> 00:40:04,160
Speaker 1: This is like a war crime. You cannot do these

685
00:40:04,200 --> 00:40:07,359
Speaker 1: things that Israel has been doing for years and years

686
00:40:07,360 --> 00:40:10,240
Speaker 1: and years like that. It's a pretty clear cut case

687
00:40:10,400 --> 00:40:14,400
Speaker 1: for all other media, But inside the US, we only

688
00:40:14,440 --> 00:40:17,480
Speaker 1: get the Fox News version of the Black Lives Matter protests,

689
00:40:17,560 --> 00:40:20,720
Speaker 1: only get that take of what's happening over there, because

690
00:40:20,760 --> 00:40:23,480
Speaker 1: they just assume you aren't paying attention, which I think

691
00:40:23,960 --> 00:40:27,840
Speaker 1: for me was certainly the case until I dug into it.

692
00:40:27,840 --> 00:40:30,840
Speaker 1: It is amazing how throughout the course of our lives

693
00:40:30,920 --> 00:40:35,560
Speaker 1: that angry Palestinian footage gets cut into news reports to

694
00:40:36,360 --> 00:40:40,440
Speaker 1: scare us. And uh, yeah, I know, with like no context.

695
00:40:40,480 --> 00:40:42,480
Speaker 1: It's just kind of this like even in like movies,

696
00:40:42,560 --> 00:40:44,280
Speaker 1: I feel like if they're if they're trying to show

697
00:40:44,320 --> 00:40:47,160
Speaker 1: you like the world is being thrown into chaos, they

698
00:40:47,200 --> 00:40:50,160
Speaker 1: will cut to that sort of footage. And yeah, and

699
00:40:50,200 --> 00:40:53,520
Speaker 1: I can totally see how that will be done with

700
00:40:54,040 --> 00:40:57,399
Speaker 1: BLM footage when you just need an example of because

701
00:40:57,400 --> 00:40:59,600
Speaker 1: oh yeah, just show angry black people, don't I don't

702
00:40:59,640 --> 00:41:02,040
Speaker 1: even don't even show don't even don't for a second

703
00:41:02,080 --> 00:41:05,160
Speaker 1: show the audio of what they're saying, because there are

704
00:41:05,160 --> 00:41:08,879
Speaker 1: people saying, don't kill us, this is from or where

705
00:41:08,960 --> 00:41:14,719
Speaker 1: they are for us, who aren't you know, but polyglots

706
00:41:14,760 --> 00:41:16,440
Speaker 1: if I don't speak Arabic or I'm not you know,

707
00:41:16,560 --> 00:41:19,239
Speaker 1: fluent in any of these languages of the people are

708
00:41:19,360 --> 00:41:22,080
Speaker 1: like the activists in Palestine, you would they're What they're

709
00:41:22,080 --> 00:41:24,760
Speaker 1: talking about is we're being kicked out of our homes,

710
00:41:24,920 --> 00:41:28,040
Speaker 1: we're getting bulldozed. Where are my child was shot in

711
00:41:28,080 --> 00:41:31,400
Speaker 1: the head, and I have no recourse? What am I

712
00:41:31,440 --> 00:41:34,799
Speaker 1: supposed to do? Am I? And what are what are

713
00:41:34,840 --> 00:41:38,200
Speaker 1: my rights? If someone is completely violating at what? Am

714
00:41:38,239 --> 00:41:40,759
Speaker 1: I just a subhuman at this point? Because that is

715
00:41:40,800 --> 00:41:43,960
Speaker 1: the same struggle that they're experiencing. But again, if you

716
00:41:44,080 --> 00:41:48,600
Speaker 1: just cut to screaming angry contorted faces, that's and now

717
00:41:48,680 --> 00:41:51,640
Speaker 1: you have some narration over it, Now you can be like, oh,

718
00:41:51,680 --> 00:41:54,919
Speaker 1: they're just being unreasonable, rather than that's real pain. That's

719
00:41:54,960 --> 00:41:58,839
Speaker 1: actually pain. That's a level of human suffering that most

720
00:41:58,840 --> 00:42:00,759
Speaker 1: of us have the privilege of and we'll have the

721
00:42:00,760 --> 00:42:03,799
Speaker 1: privilege of possibly never knowing. And I think that's what

722
00:42:03,960 --> 00:42:06,480
Speaker 1: I think is the really disingenuous thing about the way

723
00:42:06,560 --> 00:42:09,120
Speaker 1: they report that, or way they portray people like that.

724
00:42:09,160 --> 00:42:13,879
Speaker 1: There's a portrayal of angry black men in Forrest Gump

725
00:42:13,960 --> 00:42:18,359
Speaker 1: that I think is under underrated and like kind of

726
00:42:18,400 --> 00:42:22,719
Speaker 1: influential because it's so subtle, but it's like very clearly

727
00:42:22,800 --> 00:42:27,359
Speaker 1: shows like the kind of mainstream perception. So it's like

728
00:42:27,400 --> 00:42:30,279
Speaker 1: the scene where they're meeting with the Black Panthers, are

729
00:42:30,320 --> 00:42:34,680
Speaker 1: there at the Black Panthers like meeting place, and one

730
00:42:34,680 --> 00:42:37,719
Speaker 1: of the Black Panthers is like shouting at Forrest Gump

731
00:42:37,719 --> 00:42:40,840
Speaker 1: and like you don't hear him. It's just like anger, anger, anger, anger, anger,

732
00:42:40,880 --> 00:42:44,200
Speaker 1: like waiting this finger and then Jenny's boyfriend slaps her

733
00:42:44,640 --> 00:42:47,520
Speaker 1: and Forest like runs over to hit him, and the

734
00:42:47,560 --> 00:42:50,839
Speaker 1: guy keeps yelling at the spot on the wall that

735
00:42:50,920 --> 00:42:54,840
Speaker 1: Forrest Gump just was because it's just like his anger

736
00:42:55,080 --> 00:42:57,879
Speaker 1: is like connected to nothing, and he's just like so

737
00:42:58,080 --> 00:43:03,080
Speaker 1: blinded by anger. It's just like very tumaton of anger

738
00:43:03,480 --> 00:43:06,799
Speaker 1: that like can't that isn't trying to communicate anything. His

739
00:43:06,880 --> 00:43:12,960
Speaker 1: message has no content. It's just anger being uh displayed

740
00:43:13,000 --> 00:43:15,000
Speaker 1: for the sake of anger, and it's I don't know,

741
00:43:15,080 --> 00:43:17,919
Speaker 1: I I had to write an episode of After Ours

742
00:43:17,960 --> 00:43:22,520
Speaker 1: for correct about Forrest Gump and like just it's like

743
00:43:22,560 --> 00:43:26,600
Speaker 1: a really subtle thing, but it is like very uh,

744
00:43:27,080 --> 00:43:30,200
Speaker 1: I don't know, intentional, intentional for sure, you know, obviously

745
00:43:30,239 --> 00:43:33,239
Speaker 1: that's not the big headline here. But like you know,

746
00:43:33,760 --> 00:43:37,280
Speaker 1: worth saying, Forrest Gump is full of fucking boomer bullshit,

747
00:43:37,719 --> 00:43:41,880
Speaker 1: right right, all right, let's take a quick break and

748
00:43:41,920 --> 00:43:56,880
Speaker 1: we'll come back. And we're back, and let's talk about

749
00:43:57,200 --> 00:44:01,080
Speaker 1: Liz Cheney and how it relates to Forest. U Uh.

750
00:44:03,680 --> 00:44:08,920
Speaker 1: Daddy Dick always said, like shooting your friend in the

751
00:44:08,920 --> 00:44:11,400
Speaker 1: face while you're on a hunt is a box of

752
00:44:11,520 --> 00:44:19,040
Speaker 1: yellow cake that you suddenly found in Iraq. Yeah, I'm

753
00:44:19,080 --> 00:44:21,880
Speaker 1: a little obsessed with Dick Cheney though, you know so

754
00:44:22,080 --> 00:44:26,240
Speaker 1: somehow Liz Cheney, yes, the direct descendant of fucking Darth Vader,

755
00:44:26,360 --> 00:44:30,120
Speaker 1: Dick has become like the character from Congress that's like

756
00:44:30,160 --> 00:44:34,560
Speaker 1: inspiring sympathy from everyone, like oh god, like are we

757
00:44:34,680 --> 00:44:38,160
Speaker 1: mistreating list chain, and like, well, she chose her party

758
00:44:38,200 --> 00:44:41,319
Speaker 1: and she's in a she's in the goon squad and

759
00:44:41,360 --> 00:44:43,879
Speaker 1: they don't give a funk about anything. So, yes, that's

760
00:44:43,920 --> 00:44:47,080
Speaker 1: what's going to happen to you. Because unfortunately, ever since

761
00:44:47,080 --> 00:44:50,760
Speaker 1: she said out loud that Biden had one fahren Square

762
00:44:50,800 --> 00:44:54,600
Speaker 1: get off your fucking stolen election nonsense, and her vote

763
00:44:54,640 --> 00:44:57,759
Speaker 1: to impeach Trump, she's been on the Maga ship list.

764
00:44:57,800 --> 00:45:00,520
Speaker 1: Ever since we talked about how you know, Kevin McCarthy

765
00:45:00,560 --> 00:45:05,080
Speaker 1: has been just been constantly squeezed bullied into siding against

766
00:45:05,080 --> 00:45:07,719
Speaker 1: her now that he finally has like the writings on

767
00:45:07,760 --> 00:45:11,319
Speaker 1: the wall. Um, but it just seems a little bit

768
00:45:11,480 --> 00:45:13,919
Speaker 1: odd because first of all, with Kevin McCarthy, he said

769
00:45:13,960 --> 00:45:16,600
Speaker 1: the exact same thing she did too, except he didn't

770
00:45:16,640 --> 00:45:19,319
Speaker 1: vote for impeachment. But no one's no one's holding his

771
00:45:19,360 --> 00:45:21,920
Speaker 1: feet to the fire because it's probably because he's not

772
00:45:21,960 --> 00:45:25,839
Speaker 1: again a direct descendant of like the old GOP that

773
00:45:26,000 --> 00:45:28,480
Speaker 1: is slowly being like, what the hell are these people doing?

774
00:45:28,880 --> 00:45:31,919
Speaker 1: They're like, we used to be quiet racists, so this

775
00:45:32,040 --> 00:45:35,839
Speaker 1: is now like caused this weird bizarro game of what

776
00:45:35,880 --> 00:45:39,120
Speaker 1: I call what's canceled again because you have there are

777
00:45:39,160 --> 00:45:41,000
Speaker 1: these two takes from people on the right that I

778
00:45:41,000 --> 00:45:44,600
Speaker 1: am really scratching my head over. First, Senator Joni Ernest

779
00:45:44,920 --> 00:45:47,719
Speaker 1: was raising her concerns over like, wh yo, what's going on?

780
00:45:47,760 --> 00:45:50,200
Speaker 1: Why are we ousting Liz Cheney for just speaking her mind?

781
00:45:50,239 --> 00:45:52,200
Speaker 1: She said, quote, I feel it's okay to go ahead

782
00:45:52,200 --> 00:45:54,879
Speaker 1: and express what you feel is right to express. And

783
00:45:55,000 --> 00:45:57,879
Speaker 1: you know, cancel culture is cancel culture, no matter how

784
00:45:57,920 --> 00:46:01,000
Speaker 1: you look at it. Unfortunately, I think there are those

785
00:46:01,080 --> 00:46:03,960
Speaker 1: that are trying to silence others in the party. She added,

786
00:46:04,200 --> 00:46:08,279
Speaker 1: we shouldn't be trying to cancel voices. So I don't

787
00:46:08,280 --> 00:46:10,200
Speaker 1: know if that was her attempt to try and tell

788
00:46:10,280 --> 00:46:12,160
Speaker 1: other people in the GOP. She's like, we're no better

789
00:46:12,239 --> 00:46:16,040
Speaker 1: than the lips. Guys, if we're canceling each other, where

790
00:46:16,080 --> 00:46:19,680
Speaker 1: does it end? But I guess it turns out Josh Holly,

791
00:46:19,760 --> 00:46:24,040
Speaker 1: yes that Josh Holly is a lip because he disagrees

792
00:46:24,080 --> 00:46:27,399
Speaker 1: with this definition what Holly said quote, She's still going

793
00:46:27,440 --> 00:46:29,680
Speaker 1: to be a member. It will give her certainly a

794
00:46:29,719 --> 00:46:32,000
Speaker 1: media platform. I don't think it's being canceled in terms

795
00:46:32,040 --> 00:46:34,399
Speaker 1: of she's being silenced. It's a decision for the House

796
00:46:34,440 --> 00:46:40,919
Speaker 1: Caucus who represents them. Okay, So so boy snowflake Josh Hall, Wow,

797
00:46:41,000 --> 00:46:43,640
Speaker 1: it's cancer. What do you mean you can still talk?

798
00:46:43,719 --> 00:46:46,840
Speaker 1: You have a platform? Uh? And I'm just like, what

799
00:46:47,040 --> 00:46:50,440
Speaker 1: is going on right now? There's a real Ken Watton

800
00:46:50,560 --> 00:46:54,920
Speaker 1: abe let them fight appeal right right now? This is

801
00:46:55,120 --> 00:46:57,680
Speaker 1: this is as fun as the movie Alien Versus Predators

802
00:46:57,680 --> 00:47:00,920
Speaker 1: should have been, right Lindsay Gray, Am, I mean just

803
00:47:01,600 --> 00:47:04,840
Speaker 1: he kind of came out and said, what what this

804
00:47:04,960 --> 00:47:08,040
Speaker 1: really about. He said, Liz Cheney has made a determination

805
00:47:08,080 --> 00:47:11,879
Speaker 1: that the Republican Party can't grow with President Trump. I've

806
00:47:11,920 --> 00:47:16,120
Speaker 1: made a determination we can't grow with out without By

807
00:47:16,120 --> 00:47:21,320
Speaker 1: the way, yeah he believes it. I mean, he's I

808
00:47:21,360 --> 00:47:23,360
Speaker 1: don't know what. I don't know what kind of fucking

809
00:47:23,600 --> 00:47:25,640
Speaker 1: ship they're holding over his head still. I'm like, he's

810
00:47:25,640 --> 00:47:30,400
Speaker 1: out of office, Lindsey, But okay, whatever. I mean, so

811
00:47:30,440 --> 00:47:34,399
Speaker 1: many people have shown themselves to just completely liquefy their

812
00:47:34,480 --> 00:47:38,040
Speaker 1: spines into diarrhea and then just pledge fealty to Trump,

813
00:47:38,120 --> 00:47:41,399
Speaker 1: like on a dime, Like at least Afan Stefanik, who

814
00:47:41,400 --> 00:47:44,080
Speaker 1: they want to replace Liz Cheney. She went from being like,

815
00:47:44,320 --> 00:47:46,880
Speaker 1: you know, Trump's a misogynist and he's soft on pooting

816
00:47:46,960 --> 00:47:48,680
Speaker 1: funk out of here to being like he is the

817
00:47:48,800 --> 00:47:53,239
Speaker 1: rainis linger in our country has ever had fucking lis Cheney.

818
00:47:53,280 --> 00:47:56,920
Speaker 1: I mean, I think this is a strategic error that

819
00:47:57,040 --> 00:47:59,640
Speaker 1: I'm like kind of glad they're making that. They're just

820
00:48:00,000 --> 00:48:03,720
Speaker 1: really like they're just attaching like Donald Trump owns the party.

821
00:48:04,080 --> 00:48:06,839
Speaker 1: This is somebody who's like, what is he mid late

822
00:48:06,880 --> 00:48:10,040
Speaker 1: seventies now, yeah, he'll be late seventies by the time

823
00:48:10,239 --> 00:48:14,960
Speaker 1: the next election comes around and he's lost two popular votes,

824
00:48:15,000 --> 00:48:18,440
Speaker 1: like at the height of his movement. I just I

825
00:48:18,480 --> 00:48:23,839
Speaker 1: don't know what they're angle is necessarily like it, but

826
00:48:23,920 --> 00:48:27,520
Speaker 1: I like I'm glad that they are are just that

827
00:48:27,880 --> 00:48:30,640
Speaker 1: completely devoid of I mean, maybe they're just like we're

828
00:48:30,680 --> 00:48:33,600
Speaker 1: overleveraged on the like white supremacy things, so we can't

829
00:48:33,640 --> 00:48:36,800
Speaker 1: really like back away. We don't really have a cultural

830
00:48:36,840 --> 00:48:38,879
Speaker 1: place anymore. So like what the fund do you want

831
00:48:38,960 --> 00:48:41,200
Speaker 1: us to do? They're in a coin like you said,

832
00:48:41,200 --> 00:48:43,680
Speaker 1: like we're talking about, they're they're just painting themselves into

833
00:48:43,680 --> 00:48:46,120
Speaker 1: a corner. They can't he can't pivot out of what

834
00:48:46,200 --> 00:48:50,000
Speaker 1: they're doing. I mean unless you become liberal, like become

835
00:48:50,440 --> 00:48:53,120
Speaker 1: like being less of what this is. And I think

836
00:48:53,560 --> 00:48:56,840
Speaker 1: their fears like that's not going to resonate with our base,

837
00:48:57,320 --> 00:49:00,200
Speaker 1: which is already like a weird group of people. And

838
00:49:00,239 --> 00:49:02,239
Speaker 1: if they looked at any of the data, they'd see

839
00:49:02,280 --> 00:49:07,200
Speaker 1: that young voters were really instrumental in defeating Trump. So

840
00:49:07,239 --> 00:49:10,440
Speaker 1: on some level, just off maths, you should be like, well,

841
00:49:10,440 --> 00:49:12,480
Speaker 1: we need to appeal to these people. We lost all

842
00:49:12,520 --> 00:49:16,520
Speaker 1: these people in the suburbs and some independence and young people,

843
00:49:17,080 --> 00:49:19,520
Speaker 1: so we're gonna go further into the direction that was

844
00:49:19,719 --> 00:49:24,000
Speaker 1: causing people to flee. Do do you think they are

845
00:49:24,800 --> 00:49:31,719
Speaker 1: savvy enough too to be consciously trying to attract like

846
00:49:32,000 --> 00:49:36,000
Speaker 1: the Reddit dudes or the four Chan dudes, Because I

847
00:49:36,000 --> 00:49:39,120
Speaker 1: mean I think obviously, like you know, any q and

848
00:49:39,320 --> 00:49:45,120
Speaker 1: on doc you've watched shows how instrumental those dudes were

849
00:49:45,880 --> 00:49:49,440
Speaker 1: in in spreading you know, kind of q and on bullshit?

850
00:49:50,560 --> 00:49:53,640
Speaker 1: Do you think that the cancel culture thing? Are they

851
00:49:53,760 --> 00:49:56,799
Speaker 1: trying to like get gamer Gate guys or is that

852
00:49:56,960 --> 00:50:00,560
Speaker 1: Do you think they're so off their radar they gamer Gate?

853
00:50:00,640 --> 00:50:04,640
Speaker 1: That was part of Steve Bannon's whole thing in sen

854
00:50:04,880 --> 00:50:07,280
Speaker 1: was to like with at of that Cambridge Analytics stuff.

855
00:50:07,280 --> 00:50:08,799
Speaker 1: They're like, oh yeah, we gotta we got an in

856
00:50:08,880 --> 00:50:11,440
Speaker 1: road here with these like angry gamer man. Yeah, Like

857
00:50:11,560 --> 00:50:14,799
Speaker 1: is that their young contingent? That would be. But I

858
00:50:14,840 --> 00:50:17,200
Speaker 1: think more than anything, I just think this is so

859
00:50:17,360 --> 00:50:20,719
Speaker 1: it's become such a just like a living organism that's

860
00:50:20,719 --> 00:50:23,640
Speaker 1: thrashing to survive. It just doesn't know what's happening anymore.

861
00:50:23,960 --> 00:50:27,200
Speaker 1: And I think given this is the other thing though too,

862
00:50:27,320 --> 00:50:29,759
Speaker 1: they don't really The way they're moving in all the

863
00:50:29,840 --> 00:50:32,120
Speaker 1: States is we don't need to appeal to people because

864
00:50:32,120 --> 00:50:34,960
Speaker 1: we're gonna suppress the funk out of the vote. That

865
00:50:35,680 --> 00:50:37,880
Speaker 1: it does, it's not gonna matter because we're just gonna

866
00:50:37,920 --> 00:50:40,800
Speaker 1: target people who would vote against us and negate their votes.

867
00:50:40,960 --> 00:50:42,920
Speaker 1: That's how we're going to move forward. And it feels

868
00:50:42,960 --> 00:50:45,960
Speaker 1: like this is sort of like a shatter glass in

869
00:50:46,000 --> 00:50:50,719
Speaker 1: case of emergency thing for like white supremacy that they're like, okay, man,

870
00:50:50,760 --> 00:50:53,160
Speaker 1: if I'm sure in the back of your mind you

871
00:50:53,200 --> 00:50:56,359
Speaker 1: see the numbers going down, down, down, down down, You're like,

872
00:50:56,400 --> 00:50:58,719
Speaker 1: all right, what do we do? What's that last move

873
00:50:58,800 --> 00:51:03,279
Speaker 1: with parian As, Like they're just moving towards authoritarianism, Like

874
00:51:03,320 --> 00:51:08,520
Speaker 1: there's no there's no strategic future for them that involves

875
00:51:09,320 --> 00:51:13,840
Speaker 1: demot like actually letting people vote because they keep at

876
00:51:14,000 --> 00:51:18,000
Speaker 1: their height, they were losing the popular vote, Like what

877
00:51:18,000 --> 00:51:21,240
Speaker 1: what do they think is going to happen as the

878
00:51:21,320 --> 00:51:25,440
Speaker 1: voting population continues to get younger? And god, what a

879
00:51:25,600 --> 00:51:33,440
Speaker 1: fucking dumbass strategy. Furthering the voting is fake narrative. It's like, okay, well,

880
00:51:33,480 --> 00:51:35,200
Speaker 1: then you're goopers aren't going to come out and vote

881
00:51:35,200 --> 00:51:37,560
Speaker 1: because they think it's fake. Right. I don't know anyway,

882
00:51:37,600 --> 00:51:41,319
Speaker 1: not I mean, in their fantasy world, votes elections will

883
00:51:41,360 --> 00:51:45,080
Speaker 1: just be pure theater for them to proclaim themselves victor

884
00:51:45,280 --> 00:51:47,720
Speaker 1: Victor's every time because they have a board of elector

885
00:51:47,840 --> 00:51:49,680
Speaker 1: is just locked in every state. That is, like, I

886
00:51:49,719 --> 00:51:51,920
Speaker 1: don't care what they fucking voted. We're saying this person

887
00:51:52,000 --> 00:51:54,000
Speaker 1: won by because that's what they were trying to do

888
00:51:54,040 --> 00:51:56,719
Speaker 1: with the presidential election. Everyone's like, what the fund was that?

889
00:51:57,000 --> 00:51:58,520
Speaker 1: All right, this is all important, But I have to

890
00:51:58,560 --> 00:52:02,960
Speaker 1: talk about Greg Kelly's pants. Uh. I think I think

891
00:52:02,960 --> 00:52:10,440
Speaker 1: it's such a good Like it's such a great metaphor

892
00:52:10,600 --> 00:52:14,320
Speaker 1: for just like where the conservative movement is, like from

893
00:52:14,360 --> 00:52:18,080
Speaker 1: on on the cultural side, like just very like desperate

894
00:52:18,120 --> 00:52:22,200
Speaker 1: to be accepted, trying too hard, like trying to be cool,

895
00:52:23,040 --> 00:52:27,399
Speaker 1: completely blind and deaf to anything approaching coolness. But then

896
00:52:27,560 --> 00:52:33,320
Speaker 1: just like absurdly thin skinned, like so so incredibly thin skinned.

897
00:52:33,520 --> 00:52:38,400
Speaker 1: So he posted this picture, like is he on a

898
00:52:38,440 --> 00:52:41,560
Speaker 1: TV show? He's a pundit, but people think he might be.

899
00:52:42,680 --> 00:52:46,200
Speaker 1: People are giving him like Tucker Carlson vibes of like this.

900
00:52:46,480 --> 00:52:49,160
Speaker 1: He seems like he might have a future in politics

901
00:52:49,239 --> 00:52:52,120
Speaker 1: because he's the only person who seems to be able

902
00:52:52,160 --> 00:52:56,040
Speaker 1: to post like Trump does which is just like off

903
00:52:56,040 --> 00:53:01,160
Speaker 1: the cuff and stupid and right appealing to the conservative bass.

904
00:53:01,160 --> 00:53:03,520
Speaker 1: But he so he posted this picture with Trump where

905
00:53:03,520 --> 00:53:08,600
Speaker 1: he was wearing pants that had like five zippers cargo

906
00:53:08,680 --> 00:53:14,680
Speaker 1: pockets were incredibly tight, fit him, weird and just it

907
00:53:14,800 --> 00:53:18,759
Speaker 1: was like somebody had copy and pasted like a Europeans

908
00:53:18,840 --> 00:53:22,440
Speaker 1: jeans onto him from I allow me to interject it

909
00:53:22,600 --> 00:53:25,440
Speaker 1: is a rip off of the balm On sort of

910
00:53:25,520 --> 00:53:33,240
Speaker 1: biker jeans style. But turned to cargo pants, which screamed

911
00:53:33,280 --> 00:53:35,440
Speaker 1: what the lead singer of smash Mouth would wear if

912
00:53:35,480 --> 00:53:40,920
Speaker 1: he became radicalized, right right right, that's a that's a

913
00:53:40,960 --> 00:53:46,359
Speaker 1: perfect description. But he so, first he it looks so bad.

914
00:53:46,680 --> 00:53:52,239
Speaker 1: It's the bel were pants. Then you have no swag. Sorry,

915
00:53:52,280 --> 00:53:56,960
Speaker 1: try pants just looking at their website. But so he

916
00:53:57,120 --> 00:54:00,839
Speaker 1: first when he posted it, posted osh cosh because he

917
00:54:00,960 --> 00:54:03,720
Speaker 1: wanted to like kind of paper over the fact that

918
00:54:04,320 --> 00:54:09,920
Speaker 1: these were pants. And then people were like, yo, what

919
00:54:10,200 --> 00:54:13,040
Speaker 1: is happening with your pants? My man? And he responded

920
00:54:13,239 --> 00:54:18,080
Speaker 1: everyone busting my crackers over the quote pants busting my crackers,

921
00:54:18,120 --> 00:54:24,880
Speaker 1: fucking Flanders christ crackers. Parentheses partially my fault because I

922
00:54:24,880 --> 00:54:27,719
Speaker 1: called attention to them with the bugle boy. Okay, he said,

923
00:54:27,719 --> 00:54:30,439
Speaker 1: bugle boy, not Oshkosh. That makes more sense. Then he said,

924
00:54:30,480 --> 00:54:34,080
Speaker 1: the truth is their balm on all caps and then

925
00:54:33,880 --> 00:54:40,040
Speaker 1: press the most prestigious Brandon pants and then and then

926
00:54:40,280 --> 00:54:44,120
Speaker 1: m dash, my shoes are by Farragamo. Basically, I'm a

927
00:54:44,120 --> 00:54:49,880
Speaker 1: sharp dressed man, thank you. So just a perfect encapsulation

928
00:54:50,120 --> 00:54:54,799
Speaker 1: of I think like just that type of guy, and

929
00:54:54,880 --> 00:54:57,680
Speaker 1: I mean most American mindsets, to be honest, it's like,

930
00:54:57,800 --> 00:54:59,799
Speaker 1: I don't know, this is the best thing I can

931
00:55:00,280 --> 00:55:04,320
Speaker 1: Therefore I am good, right, Like, man, your ship looks

932
00:55:04,440 --> 00:55:09,040
Speaker 1: stupid When pozos try and intersect with high fashion, it

933
00:55:09,200 --> 00:55:14,960
Speaker 1: is so embarrassing, Like, yo, come on, sir, you up

934
00:55:15,000 --> 00:55:18,080
Speaker 1: from the waist up you look like a fucking principle

935
00:55:18,719 --> 00:55:21,680
Speaker 1: and then then the waist down like you're the like

936
00:55:21,800 --> 00:55:27,360
Speaker 1: Negos entourage. Right, No, no, anyways, a beautiful thing, but

937
00:55:27,440 --> 00:55:30,000
Speaker 1: we do have to move onto the prego. Heck, so, Miles,

938
00:55:30,040 --> 00:55:34,399
Speaker 1: you have not seen this yet? No, but ag um,

939
00:55:34,440 --> 00:55:36,640
Speaker 1: so this is just I don't know if you've seen

940
00:55:36,719 --> 00:55:40,600
Speaker 1: like some of those videos where someone usually a white lady,

941
00:55:40,800 --> 00:55:43,080
Speaker 1: will be like I have a cooking hack and then

942
00:55:43,120 --> 00:55:49,319
Speaker 1: it's like Phil RIGATONI like raw rigatoni with velvita and

943
00:55:49,400 --> 00:55:52,200
Speaker 1: like put you know, catch up on top and it's

944
00:55:52,239 --> 00:55:57,239
Speaker 1: actually lasagna. That No, so that's a that's a thing

945
00:55:57,320 --> 00:56:00,040
Speaker 1: that happens, is wit and people will disrespect themselves and

946
00:56:00,160 --> 00:56:02,759
Speaker 1: make that a food to eat. No, No, people will

947
00:56:02,800 --> 00:56:07,359
Speaker 1: make fun of them usually, But this one is so

948
00:56:08,160 --> 00:56:10,799
Speaker 1: out there. I can't tell if it's real, Like it

949
00:56:10,920 --> 00:56:13,840
Speaker 1: seems like it's a badly acted bit, but I don't know.

950
00:56:13,880 --> 00:56:16,640
Speaker 1: I want to I want to get your your thoughts

951
00:56:16,680 --> 00:56:19,520
Speaker 1: on this. Okay, allow me to watch while you're While

952
00:56:19,560 --> 00:56:23,040
Speaker 1: you're watching, note the note the reactions of the person

953
00:56:23,200 --> 00:56:27,319
Speaker 1: holding the camera. Is that audio necessary for me to

954
00:56:27,320 --> 00:56:31,720
Speaker 1: take this all into any kind to understand Jordan's point.

955
00:56:32,120 --> 00:56:36,600
Speaker 1: The person who's holding the camera is either doing a

956
00:56:36,640 --> 00:56:41,440
Speaker 1: bad job acting and what is a bit, or is

957
00:56:41,840 --> 00:56:45,360
Speaker 1: like recognizes how fucking stupid this is and it's making

958
00:56:45,400 --> 00:56:47,880
Speaker 1: fun of the person. I like that reading. That's okay.

959
00:56:48,080 --> 00:56:57,120
Speaker 1: I didn't. I didn't think that, Like, yeah, great, oh cool,

960
00:56:58,160 --> 00:57:01,480
Speaker 1: all my friends are coming. This is the easy, nice,

961
00:57:01,480 --> 00:57:04,759
Speaker 1: great counter tup though, to make spaghetti for a crowd

962
00:57:05,160 --> 00:57:09,840
Speaker 1: uncooked prego being poured on a countertop, about dishes or

963
00:57:10,440 --> 00:57:12,919
Speaker 1: right out of the canny. It's on your countertop. Yeah,

964
00:57:13,000 --> 00:57:14,919
Speaker 1: and it's exactly it's a can, that's a jug, that's

965
00:57:14,960 --> 00:57:18,840
Speaker 1: a plastic Yeah, that's the smart and final prego. Right,

966
00:57:20,720 --> 00:57:23,120
Speaker 1: we're going to see it some target products later, so

967
00:57:23,160 --> 00:57:31,360
Speaker 1: it might be a target Oh my gosh, and you've

968
00:57:31,360 --> 00:57:33,880
Speaker 1: done this before. Oh yeah, we do this all the time.

969
00:57:33,920 --> 00:57:38,240
Speaker 1: This is like, holy smokes, Now, this is bullshit, right,

970
00:57:38,880 --> 00:57:42,000
Speaker 1: it's got to be bullshit. A ton of people. Somebody

971
00:57:42,000 --> 00:57:48,440
Speaker 1: who dumping an entire plastic jar of parmesan cheese, parmesan

972
00:57:48,560 --> 00:57:52,560
Speaker 1: cheese breakt pantry, the target brand. I thought it was

973
00:57:52,600 --> 00:57:56,920
Speaker 1: Parmesan cheese brand, Parmesan cheese. It just has if the

974
00:57:56,920 --> 00:58:00,400
Speaker 1: parmesan cheesiest now just putting cooked noodles now, just putting

975
00:58:00,400 --> 00:58:07,720
Speaker 1: cooked noodles on it, putting more noodles on top, just

976
00:58:07,880 --> 00:58:12,440
Speaker 1: resting noodles on top of this pile of sauce, and

977
00:58:12,520 --> 00:58:14,680
Speaker 1: she starts mixing it in and it just looks like

978
00:58:14,720 --> 00:58:20,840
Speaker 1: a murder scene. I'm done, I'm done watching. This is bullshit.

979
00:58:21,160 --> 00:58:23,439
Speaker 1: This is fucking offensive. I mean, that's kind of where

980
00:58:23,480 --> 00:58:27,200
Speaker 1: it ends. So, yeah, that's not that's not how you cook.

981
00:58:27,400 --> 00:58:29,919
Speaker 1: That doesn't even make sense that you have to cook

982
00:58:30,000 --> 00:58:32,200
Speaker 1: everything together to infuse the flavors like you would if

983
00:58:32,200 --> 00:58:34,560
Speaker 1: you're actually making meatballs. You want that cooking in your sauce.

984
00:58:34,920 --> 00:58:39,440
Speaker 1: This is nonsense. I call bullshit because of the terrible

985
00:58:39,480 --> 00:58:41,560
Speaker 1: acting from the person holding the camera to try and

986
00:58:41,680 --> 00:58:45,760
Speaker 1: feign actual. But this is my one hope is that

987
00:58:45,920 --> 00:58:50,120
Speaker 1: they that it is reel and they are. They're terrible

988
00:58:50,160 --> 00:58:53,520
Speaker 1: acting is coming from them, their inability to like put

989
00:58:53,600 --> 00:58:57,280
Speaker 1: up with this ship anymore. From this friend they're like, wow,

990
00:58:57,640 --> 00:59:02,400
Speaker 1: yeah you are. You're going viral, Karen, You're going fire wow.

991
00:59:03,520 --> 00:59:05,040
Speaker 1: Because if you were that, if you're at that point

992
00:59:05,080 --> 00:59:06,920
Speaker 1: in your friendship with somebody like David, like, I'm not

993
00:59:06,960 --> 00:59:09,760
Speaker 1: shooting this fucking stupid thing for you full shooting your

994
00:59:09,800 --> 00:59:11,840
Speaker 1: damn so to get your fucking weak ass husband to

995
00:59:11,880 --> 00:59:14,240
Speaker 1: do this ship. But maybe she was doing it as

996
00:59:14,280 --> 00:59:17,600
Speaker 1: like an intervention, like as a hey, Jack, why are

997
00:59:17,640 --> 00:59:19,919
Speaker 1: you why? Why are you more invested in this being

998
00:59:19,920 --> 00:59:24,640
Speaker 1: a sincere video than it being like encountered fake videos

999
00:59:24,680 --> 00:59:27,280
Speaker 1: on the internet countless times. This just like I think

1000
00:59:27,320 --> 00:59:30,720
Speaker 1: I'm more in Jordan's court where it feels like the

1001
00:59:30,800 --> 00:59:35,280
Speaker 1: worst like product price just to get eyes on it.

1002
00:59:35,320 --> 00:59:38,320
Speaker 1: But I don't know but I think it's also it

1003
00:59:38,360 --> 00:59:40,200
Speaker 1: could be fake in that it's like people who are

1004
00:59:40,240 --> 00:59:43,120
Speaker 1: just who see the wave of like food sloppy weird

1005
00:59:43,160 --> 00:59:45,160
Speaker 1: food hacks and are like, this is how I'm doing

1006
00:59:45,200 --> 00:59:47,520
Speaker 1: it now if you can get a million views if

1007
00:59:47,520 --> 00:59:50,000
Speaker 1: we just recklessly put a bunch of sauce on our

1008
00:59:50,240 --> 00:59:52,360
Speaker 1: because you know there are people now who just dunking

1009
00:59:52,400 --> 00:59:54,920
Speaker 1: whole hot dogs in a bucket of catchup and you're like, oh,

1010
00:59:55,000 --> 01:00:00,600
Speaker 1: I love this ship a Stellemak room for a version

1011
01:00:00,920 --> 01:00:05,840
Speaker 1: where the that is a friend who has just gone

1012
01:00:06,040 --> 01:00:11,000
Speaker 1: completely lost their tether to reality during the pandemic, and

1013
01:00:11,160 --> 01:00:13,280
Speaker 1: this is their friend being like, I want to show

1014
01:00:13,360 --> 01:00:16,160
Speaker 1: you what you look like when you take a video

1015
01:00:16,320 --> 01:00:19,080
Speaker 1: of a friend who has a substance abuse problem and

1016
01:00:19,160 --> 01:00:22,720
Speaker 1: you're like, look at you. Yeah, I think and I think,

1017
01:00:22,760 --> 01:00:26,320
Speaker 1: you know, like seeing seeing the woman hosting this is

1018
01:00:26,400 --> 01:00:30,400
Speaker 1: kind of like important, and she does seem like someone

1019
01:00:30,400 --> 01:00:33,040
Speaker 1: who is just desperate to go viral. Like I'm sure

1020
01:00:33,080 --> 01:00:37,800
Speaker 1: she's made like a song parody about being a wine mom.

1021
01:00:37,880 --> 01:00:40,680
Speaker 1: You know she I think her t shirt says plant

1022
01:00:40,760 --> 01:00:44,680
Speaker 1: mom on it. Yeah, um so yeah, she's a plant

1023
01:00:44,800 --> 01:00:48,080
Speaker 1: from Target. Oh wow, Oh the clues this is like

1024
01:00:48,080 --> 01:00:54,760
Speaker 1: a fucking kuber. Mr Kobayashi. You just didn't realize what

1025
01:00:56,720 --> 01:01:01,840
Speaker 1: is Mr Police, You get all the blues. I was

1026
01:01:01,920 --> 01:01:06,480
Speaker 1: confessing to my crime in the video. Anyway, Hold on,

1027
01:01:06,840 --> 01:01:09,560
Speaker 1: hold the funk up. I need to just do a

1028
01:01:09,600 --> 01:01:12,760
Speaker 1: little frame by Oh it's as plant Lady is what

1029
01:01:12,800 --> 01:01:17,720
Speaker 1: he meant. It could be a confession. I'm just making

1030
01:01:17,760 --> 01:01:20,800
Speaker 1: sure the subconscious is vast. Maybe it was an unintentional

1031
01:01:21,160 --> 01:01:24,080
Speaker 1: See there is a Target does have a plant Mom shirt,

1032
01:01:24,360 --> 01:01:27,680
Speaker 1: and I was like, oh my god, she's just the

1033
01:01:27,680 --> 01:01:29,800
Speaker 1: whole thing is just an ad for a trip to Target.

1034
01:01:29,840 --> 01:01:32,440
Speaker 1: Plant Lady shirt actually seems to be like when that

1035
01:01:32,520 --> 01:01:35,560
Speaker 1: comes from I don't know, at sea or something anyway.

1036
01:01:35,560 --> 01:01:38,880
Speaker 1: But but even if she's sponsored by Target and like

1037
01:01:39,360 --> 01:01:43,160
Speaker 1: she's just desperate for clicks because she signed that contract

1038
01:01:43,480 --> 01:01:47,520
Speaker 1: with Target and get like gets to monetize every single

1039
01:01:47,680 --> 01:01:52,400
Speaker 1: view on the video, that's still it's not like it's satire.

1040
01:01:52,800 --> 01:01:55,280
Speaker 1: It's like she's like, I'm just gonna do something quirky

1041
01:01:55,400 --> 01:01:57,680
Speaker 1: that would be like a fun way to funk with

1042
01:01:57,760 --> 01:02:00,440
Speaker 1: stuff in the kitchen. It just it goes against everything

1043
01:02:00,480 --> 01:02:04,720
Speaker 1: about cooking. Though you don't encounter combining your a cold

1044
01:02:04,880 --> 01:02:11,160
Speaker 1: stone countertop, like cold stone pizzeria, stone pizza, like the

1045
01:02:11,360 --> 01:02:14,240
Speaker 1: parmesan's gonna melt, and like even the like I reject

1046
01:02:14,360 --> 01:02:17,600
Speaker 1: even the the efficiency of this like mixing strategy that

1047
01:02:17,720 --> 01:02:19,960
Speaker 1: has been devised again you know, right, because you have

1048
01:02:20,120 --> 01:02:22,000
Speaker 1: no that's such a great point is you will have

1049
01:02:22,120 --> 01:02:24,680
Speaker 1: to recount this somehow. You have to hear like, this

1050
01:02:24,840 --> 01:02:27,960
Speaker 1: is gonna be so fucking room temp, like, so you

1051
01:02:28,080 --> 01:02:29,760
Speaker 1: might as well cook it together if you're going to

1052
01:02:29,880 --> 01:02:31,760
Speaker 1: eventually have to put it back on the stove to

1053
01:02:31,840 --> 01:02:35,320
Speaker 1: reheat it, right right. The one reason I do think

1054
01:02:35,400 --> 01:02:38,520
Speaker 1: it's uh fake is that she said all my friends

1055
01:02:38,560 --> 01:02:41,160
Speaker 1: are coming over at the beginning, which is just something

1056
01:02:41,240 --> 01:02:44,120
Speaker 1: that you would right as like a set up. All

1057
01:02:44,200 --> 01:02:47,440
Speaker 1: my friends are coming over, you say to your friends,

1058
01:02:47,760 --> 01:02:53,560
Speaker 1: what do you and it's Monday night football coming over

1059
01:02:53,680 --> 01:02:59,240
Speaker 1: to night spaghetti on my kitchen counter like No, but

1060
01:02:59,360 --> 01:03:01,160
Speaker 1: this is I think this is what It reminds me

1061
01:03:01,320 --> 01:03:04,520
Speaker 1: of the table nacho's hack that I saw on TikTok

1062
01:03:04,720 --> 01:03:08,440
Speaker 1: blow up, where they were like, yo, fuck, like putting

1063
01:03:08,480 --> 01:03:11,840
Speaker 1: nachos on a plate, cover your fucking table and just

1064
01:03:12,040 --> 01:03:14,920
Speaker 1: get all the toppings like on your fucking table and

1065
01:03:15,000 --> 01:03:17,760
Speaker 1: then just use your chips to just eat, just scrape them,

1066
01:03:17,840 --> 01:03:20,680
Speaker 1: scrape them, scrape them, so you're not trying to dress like,

1067
01:03:20,800 --> 01:03:22,440
Speaker 1: you know, fight. You know, you'd rather than doing the

1068
01:03:22,520 --> 01:03:24,240
Speaker 1: top soggy layer. And then I got a bunch of

1069
01:03:24,320 --> 01:03:26,680
Speaker 1: dry chips on the bottom, eat them off your table.

1070
01:03:26,760 --> 01:03:29,160
Speaker 1: That was one that seemed very sincere and an easy

1071
01:03:29,280 --> 01:03:32,920
Speaker 1: clean up. Why why is that an easy clean up?

1072
01:03:33,000 --> 01:03:35,880
Speaker 1: And why is that any better than this? I think, Well,

1073
01:03:36,040 --> 01:03:39,000
Speaker 1: because okay, if we're eating nachos right, you got the

1074
01:03:39,080 --> 01:03:41,360
Speaker 1: cheese just right there ready to go, you can you

1075
01:03:41,440 --> 01:03:43,680
Speaker 1: can just take your chips and kind of keep building

1076
01:03:43,720 --> 01:03:46,720
Speaker 1: your ship rather than the fight that ensues over like

1077
01:03:47,040 --> 01:03:50,560
Speaker 1: as Saving Silverman described to us, you know, if they're connected,

1078
01:03:50,960 --> 01:03:55,479
Speaker 1: that's one nacho, you know, and then dipping, like having

1079
01:03:56,280 --> 01:03:58,840
Speaker 1: a great dip that you use for your nachos, But

1080
01:03:59,000 --> 01:04:01,360
Speaker 1: why would you put it direct play on the table? Okay?

1081
01:04:01,440 --> 01:04:03,960
Speaker 1: So what I'm saying is I think this. I think

1082
01:04:04,000 --> 01:04:09,920
Speaker 1: Table Nacho's inspired Sloppy counterprif Spaghetti, Okay, and they're trying

1083
01:04:09,960 --> 01:04:13,240
Speaker 1: to ride the Table Nacho's wave because Table Nacho's had

1084
01:04:13,320 --> 01:04:15,120
Speaker 1: a wave like that show was on the Today's Show.

1085
01:04:16,160 --> 01:04:18,520
Speaker 1: I mean, so I think this is something I don't know. Look,

1086
01:04:18,920 --> 01:04:21,440
Speaker 1: I didn't know that this was part of a get

1087
01:04:21,480 --> 01:04:23,560
Speaker 1: back to the lighter stuff and talk about sucking the

1088
01:04:23,640 --> 01:04:27,160
Speaker 1: Middle East or something. Table not just because Terry gous

1089
01:04:27,200 --> 01:04:34,000
Speaker 1: apart really up, man, But I mean, I guess table

1090
01:04:34,080 --> 01:04:37,000
Speaker 1: is table nacho is just five layer dip, right, but

1091
01:04:37,200 --> 01:04:39,200
Speaker 1: on it? Yeah, but on it but not in a

1092
01:04:39,280 --> 01:04:41,840
Speaker 1: containing Wait so okay, so wait you're Jack. You seem

1093
01:04:41,880 --> 01:04:43,680
Speaker 1: like you're real. You really can't get over the fact

1094
01:04:43,720 --> 01:04:47,200
Speaker 1: that it's on the table. Okay, now tell him? So

1095
01:04:48,000 --> 01:04:50,360
Speaker 1: how do you what's the logic here where that is

1096
01:04:50,440 --> 01:04:53,360
Speaker 1: like what's going on? But the counter thing, like what

1097
01:04:53,480 --> 01:04:57,040
Speaker 1: do you So you're just say table in favor? Yeah,

1098
01:04:57,280 --> 01:04:59,720
Speaker 1: and I'm not. I'm not in favor of this prego

1099
01:05:00,240 --> 01:05:04,240
Speaker 1: reparation like that. I'm just wondering if there is a

1100
01:05:04,440 --> 01:05:07,840
Speaker 1: universe where somebody has completely lost their tether to reality.

1101
01:05:08,120 --> 01:05:10,800
Speaker 1: I saw the table nachos video, saw these hack things,

1102
01:05:11,200 --> 01:05:14,000
Speaker 1: and is preparing this and showing it off to their

1103
01:05:14,120 --> 01:05:17,080
Speaker 1: friend or sister whoever was taking the video, And the

1104
01:05:17,200 --> 01:05:24,080
Speaker 1: friend is like, yeah, man, digital short is what your envision? Yeah?

1105
01:05:24,480 --> 01:05:29,000
Speaker 1: She's like, my friends are coming over right, They're like,

1106
01:05:29,120 --> 01:05:32,360
Speaker 1: what's going on with death. Yeah, yeah, I don't know.

1107
01:05:32,920 --> 01:05:35,600
Speaker 1: They're like she didn't even clean up the counter from

1108
01:05:35,600 --> 01:05:39,400
Speaker 1: the last time after Brad took the kids. She uh,

1109
01:05:40,120 --> 01:05:43,200
Speaker 1: kind of not holding me together the kids. I still

1110
01:05:43,240 --> 01:05:49,520
Speaker 1: have my plants, Okay, my plants and counter food. She's

1111
01:05:49,560 --> 01:05:52,400
Speaker 1: just eating at the table by herself with like surrounded

1112
01:05:52,440 --> 01:05:55,480
Speaker 1: by plants who are in seats and she's like trying

1113
01:05:55,520 --> 01:05:59,920
Speaker 1: to feed them. Like, here you go, Fernie, have a

1114
01:06:00,040 --> 01:06:03,680
Speaker 1: by the my counter spaghetti. Uh. And finally, uh, speaking

1115
01:06:03,720 --> 01:06:05,920
Speaker 1: of heating up, it is the Summer of Flavor. I

1116
01:06:06,000 --> 01:06:09,880
Speaker 1: do want to talk really briefly about these three new

1117
01:06:10,120 --> 01:06:13,960
Speaker 1: Lays potato chip flavors. We got wavy jerk chicken, we

1118
01:06:14,080 --> 01:06:18,120
Speaker 1: got chili mango, Uh, perfectly fine so far. And then

1119
01:06:18,160 --> 01:06:24,240
Speaker 1: we got summer blt No no, a lettuce flavor of

1120
01:06:24,280 --> 01:06:27,800
Speaker 1: potato chip. Like, what are you gonna do with that lettuce?

1121
01:06:28,840 --> 01:06:30,880
Speaker 1: Because I'll be honest, I put this in the dock,

1122
01:06:31,040 --> 01:06:33,800
Speaker 1: not because if you know, we've we're sponsored anything, even

1123
01:06:33,840 --> 01:06:37,520
Speaker 1: though it had sounds like the most aggressive product placement.

1124
01:06:37,920 --> 01:06:41,080
Speaker 1: But I love chips right now and the flavors that

1125
01:06:41,160 --> 01:06:45,360
Speaker 1: I've been getting, like the jalapeno ranch ones and ship, Like,

1126
01:06:45,440 --> 01:06:48,200
Speaker 1: I'm liking that we're entering all kinds of new fun

1127
01:06:48,360 --> 01:06:50,280
Speaker 1: territory with our chips. So when I saw this, is like,

1128
01:06:50,400 --> 01:06:53,680
Speaker 1: this is great, but yes, summer b LT, I just

1129
01:06:53,920 --> 01:06:56,600
Speaker 1: not sure how you're gonna pay that off Bacon. I

1130
01:06:56,720 --> 01:07:00,160
Speaker 1: get you can do some jankie bacon flavor and tomato, Like,

1131
01:07:00,760 --> 01:07:03,800
Speaker 1: is it a raw tomato flavor you're trying to replicate?

1132
01:07:03,880 --> 01:07:07,080
Speaker 1: Is it just gonna be a ketchup bacon flavored chip?

1133
01:07:07,680 --> 01:07:12,120
Speaker 1: Then call it ketchup bacon, called bal what's it called bacon,

1134
01:07:12,560 --> 01:07:15,880
Speaker 1: cheeseburger or something? Catchup and bacon and being like, look,

1135
01:07:15,960 --> 01:07:18,880
Speaker 1: you fucking creep, come and get it. I mean, ketchup

1136
01:07:19,040 --> 01:07:22,520
Speaker 1: is a very popular flavor in places that are in America.

1137
01:07:22,840 --> 01:07:27,160
Speaker 1: So I stick to pretty traditional chip flavors when I'm

1138
01:07:27,240 --> 01:07:29,480
Speaker 1: chick buying, I think as exotic as I'll get as

1139
01:07:29,560 --> 01:07:32,120
Speaker 1: like sour cream and cheddar ruffles. I love sour cream

1140
01:07:32,160 --> 01:07:37,760
Speaker 1: and d but these kind of like these kind of limited,

1141
01:07:37,960 --> 01:07:42,200
Speaker 1: small batch kind of mimi flavors scare me off as

1142
01:07:42,360 --> 01:07:45,120
Speaker 1: someone who has had a lot of them. What what

1143
01:07:45,280 --> 01:07:49,800
Speaker 1: do you recommend? Like, K B b Q, What what's

1144
01:07:49,840 --> 01:07:53,000
Speaker 1: been your favorite so far? I like Kai sweet chili chips.

1145
01:07:53,280 --> 01:07:56,120
Speaker 1: Okay that though having the UK, it's like it's usually

1146
01:07:56,160 --> 01:07:59,200
Speaker 1: when I go abroad and it becomes walkers rather than

1147
01:07:59,360 --> 01:08:03,200
Speaker 1: lace that you that the flip like the roast chicken

1148
01:08:03,400 --> 01:08:08,640
Speaker 1: chips that I've had in Canada. Oh my yeah, some

1149
01:08:08,760 --> 01:08:11,640
Speaker 1: good chips. They invented all dressed, which we got exactly

1150
01:08:11,680 --> 01:08:13,520
Speaker 1: here not too long ago, and I think all dressed

1151
01:08:13,600 --> 01:08:17,800
Speaker 1: fucking rules. It's really good. Yeah, So in that sense, like, yes,

1152
01:08:17,960 --> 01:08:20,040
Speaker 1: I I would say those are like my my go

1153
01:08:20,240 --> 01:08:22,680
Speaker 1: too is now these Like I love a spice. I

1154
01:08:22,800 --> 01:08:24,719
Speaker 1: like anything with a lot of spice. So the jerk

1155
01:08:24,880 --> 01:08:27,360
Speaker 1: chicken one does appeal to me, but it's weird when

1156
01:08:27,360 --> 01:08:29,200
Speaker 1: you say jerk chicken, so like are you trying to

1157
01:08:29,280 --> 01:08:33,040
Speaker 1: pay off the chicken aspect to like are these vegans?

1158
01:08:33,080 --> 01:08:35,960
Speaker 1: I don't look, who knows, but this is what they're

1159
01:08:36,000 --> 01:08:39,200
Speaker 1: coming with. Chili mango could be good too. Does Oreo

1160
01:08:39,439 --> 01:08:42,720
Speaker 1: rule this space? Is Oreo the best at the like

1161
01:08:44,160 --> 01:08:48,839
Speaker 1: funky yeah? Limited flavors. They've only had one real misfire

1162
01:08:48,920 --> 01:08:51,439
Speaker 1: in terms of flavor, and that one was so weird

1163
01:08:51,560 --> 01:08:54,599
Speaker 1: that it's still kind of succeeded with. I can't believe

1164
01:08:54,640 --> 01:09:00,080
Speaker 1: it's not butter one. The man, I was, what do

1165
01:09:00,120 --> 01:09:03,320
Speaker 1: you do? That's I Oreo has gone so fucking off

1166
01:09:03,400 --> 01:09:07,800
Speaker 1: the rails sugar and butter like that, that would be

1167
01:09:08,680 --> 01:09:11,479
Speaker 1: I would sugar and yeah, don't hate it like that

1168
01:09:12,080 --> 01:09:15,240
Speaker 1: when when my mom was cooking up batch of cookies

1169
01:09:15,320 --> 01:09:17,960
Speaker 1: and she was at the just sugar and butter mixed

1170
01:09:18,000 --> 01:09:20,880
Speaker 1: together phase, I would get a little licking of the spoon.

1171
01:09:21,040 --> 01:09:24,519
Speaker 1: It's a fun spoonful. Yeah, the Swedish fish one was

1172
01:09:24,600 --> 01:09:28,639
Speaker 1: kind of a mess, but otherwise I I really funk

1173
01:09:28,760 --> 01:09:32,240
Speaker 1: with Oreo special flavors that I love them. What do

1174
01:09:32,280 --> 01:09:35,559
Speaker 1: you think it's the best one, Lemon? If we're considering

1175
01:09:35,640 --> 01:09:38,639
Speaker 1: that especial, I think lemon is really good. I also

1176
01:09:38,960 --> 01:09:42,400
Speaker 1: big mac all of my Oreos. So it's two creams,

1177
01:09:42,520 --> 01:09:48,120
Speaker 1: three cookies, so that like is very specific. S'mores was

1178
01:09:48,200 --> 01:09:50,040
Speaker 1: really good. What do you do with that loose cookie?

1179
01:09:50,680 --> 01:09:53,680
Speaker 1: Just throw it to the kids? They fight for it,

1180
01:09:54,640 --> 01:09:57,479
Speaker 1: Lucy's that I keep from the side of my big Well.

1181
01:09:57,600 --> 01:09:59,800
Speaker 1: Usedly you have an odd maybe you need an even

1182
01:10:00,040 --> 01:10:02,880
Speaker 1: number of them, and then you can just make the

1183
01:10:03,000 --> 01:10:06,400
Speaker 1: loose cookie goes into the next big math, right like

1184
01:10:06,479 --> 01:10:08,800
Speaker 1: keep shifting it, yeah, or you know, crush it up

1185
01:10:08,840 --> 01:10:10,640
Speaker 1: so you have I end up with a bag of

1186
01:10:10,760 --> 01:10:15,559
Speaker 1: like twenty Lucy's. But you do. Yeah? I love that. Yeah, y'all,

1187
01:10:15,720 --> 01:10:17,160
Speaker 1: this is why we need an inter very strange Jack

1188
01:10:17,200 --> 01:10:22,519
Speaker 1: and loose oreole cookies. I told you, Wow, oh great Jack.

1189
01:10:24,439 --> 01:10:27,639
Speaker 1: So here's what you do. You know, all my friends

1190
01:10:27,640 --> 01:10:29,719
Speaker 1: are coming over and I'm gonna big mac all the orioles.

1191
01:10:29,920 --> 01:10:33,720
Speaker 1: You know, all your friends stopped talking to your videos up.

1192
01:10:35,360 --> 01:10:38,680
Speaker 1: How many plants do you have now? I don't know,

1193
01:10:38,800 --> 01:10:43,880
Speaker 1: but targets. Yeah, throw it to the kids. That's just

1194
01:10:44,360 --> 01:10:47,000
Speaker 1: dumping it into appears you have weeds growing through the

1195
01:10:47,479 --> 01:10:49,240
Speaker 1: floor of your It looks like one of those like

1196
01:10:49,400 --> 01:10:58,080
Speaker 1: taekwondo punching dummies. Just throwing cookies at Okay Jordan's. This

1197
01:10:58,160 --> 01:11:01,400
Speaker 1: has been so fun, man, It's such pleasure happening. You

1198
01:11:01,439 --> 01:11:04,599
Speaker 1: Where can people find you? Follow you? Here? You all

1199
01:11:04,640 --> 01:11:08,160
Speaker 1: that good stuff? Yeah? I am. I am currently flogging

1200
01:11:08,439 --> 01:11:12,759
Speaker 1: pre orders for a graphic novel that's coming out in July.

1201
01:11:13,640 --> 01:11:16,000
Speaker 1: It is called Bubble. I co wrote it with a

1202
01:11:16,040 --> 01:11:20,200
Speaker 1: great comedy writer, Sarah Morgan. A great comics artist. Tony

1203
01:11:20,320 --> 01:11:23,439
Speaker 1: Cliff does the art, Natalie Reese does the colors, and

1204
01:11:23,800 --> 01:11:26,920
Speaker 1: Uh yeah, it's like a it's a sci fi comedy, uh,

1205
01:11:27,200 --> 01:11:29,880
Speaker 1: with a lot of gore and sex jokes. You know.

1206
01:11:30,000 --> 01:11:32,000
Speaker 1: It's a near future where people all live in these

1207
01:11:32,040 --> 01:11:35,280
Speaker 1: bubble cities and they have this kind of life and

1208
01:11:35,360 --> 01:11:38,839
Speaker 1: death gig economy that they need to participate in to survive.

1209
01:11:39,560 --> 01:11:41,880
Speaker 1: And uh yeah, it's based on awful How did you

1210
01:11:41,920 --> 01:11:47,320
Speaker 1: come up with that? I mean I just fucking rooms

1211
01:11:48,920 --> 01:11:52,320
Speaker 1: were on, dude, and I came up with that, whoa

1212
01:11:53,120 --> 01:11:57,000
Speaker 1: bub We're in our own buck? That sounds really dopeful. Yeah,

1213
01:11:57,479 --> 01:12:01,760
Speaker 1: imus the graphic novel treatment of that dispia that yeah, yeah,

1214
01:12:01,880 --> 01:12:05,120
Speaker 1: it's uh, it's it's actually based on a scripted podcast

1215
01:12:05,240 --> 01:12:07,920
Speaker 1: I did a couple of years ago, and a lot

1216
01:12:08,040 --> 01:12:12,160
Speaker 1: of the stuff came true. So it's one of those

1217
01:12:12,240 --> 01:12:16,320
Speaker 1: kind of bubble predicted it kinds of things. Uh fortunately

1218
01:12:16,439 --> 01:12:18,639
Speaker 1: or unfortunately. But you know, I'm a big comics guy,

1219
01:12:18,680 --> 01:12:20,360
Speaker 1: so it's just like a dream to get to do it.

1220
01:12:20,479 --> 01:12:22,960
Speaker 1: And if you know Tony the guy who did the art,

1221
01:12:23,000 --> 01:12:25,479
Speaker 1: he does the Delilah Dirk series, so you know, all

1222
01:12:25,560 --> 01:12:28,519
Speaker 1: the like fighting and the environments are really cool. Yeah,

1223
01:12:28,640 --> 01:12:31,599
Speaker 1: it's it was a blast, and it's coming out thirteen

1224
01:12:31,760 --> 01:12:34,880
Speaker 1: but it is available for pre order, and I think

1225
01:12:34,920 --> 01:12:36,640
Speaker 1: we're gonna have some cool good ease for people who

1226
01:12:36,720 --> 01:12:39,080
Speaker 1: pre order. Uh, so you can do that Amazon, Barnes

1227
01:12:39,080 --> 01:12:42,639
Speaker 1: and Noble. Maybe better yet, call your local indie bookstore. Um.

1228
01:12:43,320 --> 01:12:46,400
Speaker 1: And I'm I'm doing signed pre orders from book Soup

1229
01:12:46,479 --> 01:12:48,479
Speaker 1: here in l A. So if you go on the

1230
01:12:48,560 --> 01:12:51,559
Speaker 1: book Soup website and hit up there signed pre orders section,

1231
01:12:51,960 --> 01:12:55,719
Speaker 1: you can get it in there. Support a great local bookstore. Great.

1232
01:12:56,280 --> 01:13:00,400
Speaker 1: And is there a tweet or any work of social

1233
01:13:00,479 --> 01:13:03,439
Speaker 1: media you've been enjoying? There is, Uh, this is a

1234
01:13:03,520 --> 01:13:05,720
Speaker 1: little bit of a local wreck. But I think I

1235
01:13:05,840 --> 01:13:09,680
Speaker 1: can Um, I think I can explain its appeal. You

1236
01:13:09,760 --> 01:13:13,400
Speaker 1: guys familiar with the LaBrea tar Pits, Oh yeah, Bret

1237
01:13:13,439 --> 01:13:16,599
Speaker 1: tar Pits, beloved l A institution. They have a great

1238
01:13:16,880 --> 01:13:20,360
Speaker 1: kind of scene outside there's a tar pit and they

1239
01:13:20,600 --> 01:13:23,479
Speaker 1: they have these like kind of fiberglass um kind of

1240
01:13:23,560 --> 01:13:27,360
Speaker 1: models of mammoths and there's this scene where, um, you know,

1241
01:13:27,439 --> 01:13:28,960
Speaker 1: one of the mammoth's is stuck in the tar and

1242
01:13:29,040 --> 01:13:31,960
Speaker 1: it's reaching out to its family on the other side

1243
01:13:32,000 --> 01:13:35,160
Speaker 1: of the pit, you know, So it's you know, it's

1244
01:13:35,200 --> 01:13:38,080
Speaker 1: a mammoth stuck and then there's another grown mammoth and

1245
01:13:38,520 --> 01:13:41,160
Speaker 1: a baby, and the baby is reaching out to I

1246
01:13:41,240 --> 01:13:43,960
Speaker 1: think what we're supposed to, you know, kind of assume

1247
01:13:44,080 --> 01:13:47,680
Speaker 1: is its parents in the tar. Very grim, very like,

1248
01:13:48,000 --> 01:13:50,519
Speaker 1: very memorable. It's just kind of like hitch as you're

1249
01:13:50,560 --> 01:13:54,800
Speaker 1: driving down. Will share and on this Sunday, to the

1250
01:13:55,680 --> 01:13:58,800
Speaker 1: Labra tarpits twitter account put up that photo of the

1251
01:13:59,200 --> 01:14:02,280
Speaker 1: child reaching the parent in the tar with the caption

1252
01:14:02,400 --> 01:14:10,880
Speaker 1: happy Mother's Day. Really fucking savage, so funny, people are

1253
01:14:11,000 --> 01:14:15,720
Speaker 1: mad in the comments. Check it out if you're ever

1254
01:14:15,800 --> 01:14:19,080
Speaker 1: in l a one of my favorite pots. Uh yeah,

1255
01:14:19,160 --> 01:14:21,479
Speaker 1: great Twitter account. As a kid, I would always go

1256
01:14:21,560 --> 01:14:23,120
Speaker 1: there and my mom would be like. I would be like,

1257
01:14:23,280 --> 01:14:25,400
Speaker 1: are they gonna move? And she's like, yeah, they're gonna

1258
01:14:25,479 --> 01:14:32,120
Speaker 1: move away the mother Yeah, man, she's been playing children

1259
01:14:32,200 --> 01:14:36,439
Speaker 1: since the fucking eighties. Yeah, Miles, where can people find you?

1260
01:14:36,520 --> 01:14:40,719
Speaker 1: What's the tweet you've been enjoying? Twitter? Instagram? Miles of Gray.

1261
01:14:41,120 --> 01:14:43,360
Speaker 1: Also the other podcast for twenty Day Fiance. I checked

1262
01:14:43,400 --> 01:14:45,840
Speaker 1: that one out if you like ninety day Fiance and

1263
01:14:45,920 --> 01:14:49,040
Speaker 1: the like. Um a few tweets that I like, let's

1264
01:14:49,120 --> 01:14:53,040
Speaker 1: see Okay, first one is from at eve six, because

1265
01:14:53,120 --> 01:14:58,160
Speaker 1: you know, Max Collins from Eve six Motherfucker based huh

1266
01:14:58,360 --> 01:15:01,600
Speaker 1: yeah at Eve six tw It's communism is only a

1267
01:15:01,640 --> 01:15:04,280
Speaker 1: scary concept to people because the madness of capitalism has

1268
01:15:04,320 --> 01:15:06,519
Speaker 1: been hyper normalized to such an extent that they don't

1269
01:15:06,560 --> 01:15:11,240
Speaker 1: see the blood dripping hard in the land. Off has

1270
01:15:11,280 --> 01:15:19,679
Speaker 1: been around capitalism? Has you fucked up? And let's see

1271
01:15:19,880 --> 01:15:24,519
Speaker 1: going on? This is from Mary Kobayashi at Mary co

1272
01:15:24,800 --> 01:15:27,840
Speaker 1: co k O c O. She tweets that'd be funny

1273
01:15:27,920 --> 01:15:30,400
Speaker 1: if when the beasts gave bell her library, she was like,

1274
01:15:30,880 --> 01:15:34,240
Speaker 1: oh my god, I love my library and pronounced it

1275
01:15:34,360 --> 01:15:40,360
Speaker 1: like that. Pronouncing like that is great. And then finally

1276
01:15:41,000 --> 01:15:44,200
Speaker 1: at Sleepy Socialists tweeted, it's funny that businesses are begging

1277
01:15:44,320 --> 01:15:47,439
Speaker 1: for workers instead of just getting those robots were told

1278
01:15:47,479 --> 01:15:49,960
Speaker 1: will so easily replace us if we raised the minimum wage.

1279
01:15:51,800 --> 01:15:54,559
Speaker 1: Some tweets I've been enjoying. Tony vent Sura tweeted, Back

1280
01:15:54,560 --> 01:15:56,240
Speaker 1: in my day, I could walk in a store with

1281
01:15:56,360 --> 01:15:59,080
Speaker 1: twenty five dollars U s D and walk out with

1282
01:15:59,240 --> 01:16:02,840
Speaker 1: six porter steaks, two chickens, a case of beer, five

1283
01:16:02,920 --> 01:16:06,320
Speaker 1: bottles of wine, two loaves of bread, and a gallon

1284
01:16:06,400 --> 01:16:09,519
Speaker 1: of milk. Can't do that today too many fucking cameras,

1285
01:16:10,560 --> 01:16:16,760
Speaker 1: and Amy Oh tweeted a great exchange with her grandma.

1286
01:16:17,200 --> 01:16:19,400
Speaker 1: She said, last night, my grandma told me she liked

1287
01:16:19,400 --> 01:16:22,160
Speaker 1: my new jacket, but today she changed her mind. And

1288
01:16:22,720 --> 01:16:25,680
Speaker 1: it's just a screen cap of a two messages from

1289
01:16:25,680 --> 01:16:28,080
Speaker 1: her grandma. Hey, Amy, I was laying in bed thinking

1290
01:16:28,120 --> 01:16:30,680
Speaker 1: about last night and how much fun I had. Then

1291
01:16:30,720 --> 01:16:33,080
Speaker 1: I thought about your new jacket. I did like it,

1292
01:16:33,320 --> 01:16:35,800
Speaker 1: but Mom could be right that a longer length might

1293
01:16:35,840 --> 01:16:37,960
Speaker 1: be a better choice. Please don't be mad at me

1294
01:16:38,040 --> 01:16:40,240
Speaker 1: for changing my mind, but sometimes I don't make the

1295
01:16:40,320 --> 01:16:42,760
Speaker 1: best quick decisions and need to think a little longer.

1296
01:16:43,000 --> 01:16:44,680
Speaker 1: I love you so much and wanted to share my

1297
01:16:44,800 --> 01:16:46,800
Speaker 1: best thoughts with you. Have a good week. I'll be

1298
01:16:46,880 --> 01:16:49,960
Speaker 1: praying for you. And then second message, please let me

1299
01:16:50,000 --> 01:16:52,280
Speaker 1: know when you read the previous texting you're not upset

1300
01:16:52,320 --> 01:16:55,880
Speaker 1: with me x x o. Wow, I just loved the

1301
01:16:56,080 --> 01:16:58,840
Speaker 1: like she was up all night being like funk. I

1302
01:16:58,960 --> 01:17:05,160
Speaker 1: told her that Jack looked good. Come cleaned to look

1303
01:17:05,439 --> 01:17:08,439
Speaker 1: the jagged looks like shit. Uh. You can find me

1304
01:17:08,520 --> 01:17:12,000
Speaker 1: on Twitter at Jack Underscore O'Brien. You can find us

1305
01:17:12,080 --> 01:17:14,599
Speaker 1: on Twitter at Daily Zeitgeist. We're at the Daily Zeitgeist

1306
01:17:14,680 --> 01:17:17,320
Speaker 1: on Instagram. We have a Facebook fan page on a

1307
01:17:17,400 --> 01:17:19,760
Speaker 1: website daily ze guys dot com where we post our

1308
01:17:19,800 --> 01:17:22,960
Speaker 1: episode was done our where we link off to the

1309
01:17:23,040 --> 01:17:25,760
Speaker 1: information that we talked about today's episode, as well as

1310
01:17:25,800 --> 01:17:29,320
Speaker 1: a song that we think you might enjoy checking out

1311
01:17:29,439 --> 01:17:33,360
Speaker 1: and maybe even listening to. Miles what second to this track?

1312
01:17:33,920 --> 01:17:37,040
Speaker 1: Gonna be a little bit of a shot a remix,

1313
01:17:37,520 --> 01:17:41,000
Speaker 1: that's what's called. It's a remix of Paradise but the

1314
01:17:41,160 --> 01:17:44,439
Speaker 1: DJ Grant reggae chop uh and I love you know.

1315
01:17:44,520 --> 01:17:48,000
Speaker 1: SHOT's voice is so timeless that you can, like any

1316
01:17:48,040 --> 01:17:50,360
Speaker 1: good producer can just put her vocals on. It's something

1317
01:17:50,479 --> 01:17:52,960
Speaker 1: new and it just feels like a fucking hit all

1318
01:17:53,040 --> 01:17:55,920
Speaker 1: over again. This is no exception. Uh, this is so

1319
01:17:56,120 --> 01:17:59,799
Speaker 1: check out DJ Grant with the Paradise DJ Grant Reggae

1320
01:18:00,040 --> 01:18:02,120
Speaker 1: top remix and that's gonna be on SoundCloud and that

1321
01:18:02,280 --> 01:18:04,639
Speaker 1: link will be there in the foot routes Bang bang

1322
01:18:05,200 --> 01:18:07,680
Speaker 1: The Daily ZYCHEI said, production by Heart Radio. For more

1323
01:18:07,720 --> 01:18:10,280
Speaker 1: podcast from my radio, visit yeah her radio app, Apple

1324
01:18:10,360 --> 01:18:12,360
Speaker 1: podcast or where have you listen to your favorite shows?

1325
01:18:12,760 --> 01:18:14,960
Speaker 1: That is gonna do it for us this morning. We

1326
01:18:15,040 --> 01:18:17,439
Speaker 1: are back this afternoon to tell you what's trending, and

1327
01:18:17,520 --> 01:18:19,120
Speaker 1: we will talk to y'all then by