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Speaker 1: Forever. Hi, everybody. Before we get into this episode, we

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Speaker 1: have a little bit of a question for you, and

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Speaker 1: that is what's standing between you and happiness, is that

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Speaker 1: you are your own feelings or read block preventing you

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Speaker 1: from achieving your goals. Have you thought about talking to

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Speaker 1: and other issues that are kind of you know what

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Speaker 1: stuff we're all dealing with. So connect with your counselor

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Speaker 1: Forward slash ding Dong. The promo code again is ding

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Speaker 1: dong because if you've been wanted to talk, you gotta

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Speaker 1: get started today. So go to better Help dot com

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Speaker 1: slash ding Dong and simply fill out the questionnaire to

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Speaker 1: help them assess your needs and get matched with the

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Speaker 1: counselor you'll love and one that you could always change

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Speaker 1: and maybe I'll even marry aunt. I guess that's not

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Speaker 1: that's not I can't do that. You can talk to

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Speaker 1: them and they can help. Yeah, look man, oh, I

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Speaker 1: see you? Why why and look over there? How is

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Speaker 1: that culture? Yes? Goodness, let ding dong los culture calling.

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Speaker 1: It's so funny, you said, are you ready? And then

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Speaker 1: my my brain went to sand and I didn't know

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Speaker 1: that ding Dong Last Culture ess Calling was coming. There

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Speaker 1: was a latent period of silence, There was a latent

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Speaker 1: period of talent for one. Have to just come out

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Speaker 1: right now an apologist for it, because it would appear

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Speaker 1: like I'm not excited to be here or I'm not present.

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Speaker 1: This is the most excited I have been for an

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Speaker 1: episode of Last Culture and I shared all episodes because

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Speaker 1: it's the beginning of something. It's the beginning of something.

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Speaker 1: Last culture has an announcement. We have a new favorite

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Speaker 1: television show. Have a new favorite television television show. At

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Speaker 1: the time this comes out, it will be out, I believe,

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Speaker 1: either right before the premier date or right after, and

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Speaker 1: we'll figure that out. But and I'm excited to see

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Speaker 1: you because I have not seen you in a fortnight,

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Speaker 1: a fortnite. And the last time I saw you was

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Speaker 1: in New Year's and you had a night I did.

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Speaker 1: You had such a night. It was the beginning of

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Speaker 1: twenty nineteen. And you know, after after what I call

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Speaker 1: a difficult I wanted to start twenty nineteen off in

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Speaker 1: the right kind of way. Okay, I don't see I

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Speaker 1: don't fucking buy that thing anymore, though, What don't you

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Speaker 1: buy that superstition of the way that you spend your

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Speaker 1: New Year's is the way that the rest of your

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Speaker 1: year pans out. You want to know why New Year's

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Speaker 1: ne Year's seventeen. So last New Year's Eve was the

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Speaker 1: saddest I'd ever been ever. You remember this? And then

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Speaker 1: I had I had a good year. That's insane that

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Speaker 1: you said that. And I don't think you had. If

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Speaker 1: you look at twelve, all the twelve months together I

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Speaker 1: think you had half a good year and half a bad. Sure,

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Speaker 1: but then like I mean, if you just take the average,

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Speaker 1: if you take the mean, and then then that is

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Speaker 1: like a pretty decent year. I'm just saying I wasn't

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Speaker 1: willing to play any chances with this. I needed New

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Speaker 1: Year's Eve to be good because I am a superstitious bitch.

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Speaker 1: And you know who made me that way, Katrina Roger.

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Speaker 1: Katrina Roger. She has me not stepping on cracks, she

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Speaker 1: has me not walking under ladders. She has me if

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Speaker 1: I see a black cat, we have like a negotiation,

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Speaker 1: and I'm like, you stay there. I'm very superstitious. So

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Speaker 1: this thing of like the way you start New Year's

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Speaker 1: is the way your year will go. I'm willing to

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Speaker 1: follow it through. And I had a fucking fantastic We

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Speaker 1: had so much, so much fun, and then you left

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Speaker 1: the next day to go be the bell of the ball,

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Speaker 1: to go right. Can I ask you a question about

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Speaker 1: the Golden Globes just before we get into the episode.

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Speaker 1: I want to know what did it feel like when

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Speaker 1: they said the best film of the year was Bohemian Rhapsody.

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Speaker 1: What did it feel like in that room literally when

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Speaker 1: they dared do this. I wasn't in the room, but

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Speaker 1: I was so all the writers were sort of tucked

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Speaker 1: away in one of the cabana rooms that were that

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Speaker 1: were just next to the ballroom, and all of us

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Speaker 1: were just I was literally a shanty town. That was

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Speaker 1: so Rammy had just won his Golden Globe. I just

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Speaker 1: turned to someone. I turned to Josh Patton, and I

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Speaker 1: who's brilliant And he was the one who wrote the

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Speaker 1: this is Us masturbation check. That was him, that was

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Speaker 1: really I turned to him and I was like, God,

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Speaker 1: that movie just sucks. And I was like l O

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Speaker 1: l A even being nominated, like we're really gonna like

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Speaker 1: we were really going to reward a Brian Singer movie

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Speaker 1: this year. Fucking insane, terrible movie was written by a computer.

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Speaker 1: I'm sorry if anyone listening had any connection to it

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Speaker 1: or worked on it or and we have seen it.

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Speaker 1: We have seen it truly, truly, truly, truly bad. And

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Speaker 1: then it won't And you can even tell when they

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Speaker 1: accepted it that like they didn't expect it. They didn't

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Speaker 1: know what to say. So it was just the feeling

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Speaker 1: in the room was nuts. Were all like what I

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Speaker 1: believe what I was watching, it was crazy, and so

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Speaker 1: many of the winds were so good, and I thought

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Speaker 1: the show was great. You guys did a great job

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Speaker 1: putting it together. I give class and so many of

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Speaker 1: the winds. In the first half, it was like, that's great,

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Speaker 1: that's great, and then I started to go cuck Mama, cuckoo. Anyway,

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Speaker 1: but I'm very proud of you, thank you, And this

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Speaker 1: is my first time seeing you since all that, so

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Speaker 1: I'm excited to be here. So for me to have

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Speaker 1: that late moment of silence in the beginning when there's

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Speaker 1: so much to discuss, so much, but I am so

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Speaker 1: excited for our guys. Oh, because this is the lead

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Speaker 1: actress of our new favorite show, and we actually not

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Speaker 1: only is this person going to be on, we're also

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Speaker 1: going to have Drew tarveron. We're also going to have

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Speaker 1: Brendon Scott Jones, and we're also gonna have Chris Kelly

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Speaker 1: and Sarah Schneider on. We were doing a the other

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Speaker 1: two events, we're putting our last cultures as a muscle.

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Speaker 1: We did this with Search Party in the off season,

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Speaker 1: but finally The Stars Online, so that we're doing this

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Speaker 1: right before the show starts, so that you can watch.

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Speaker 1: It's so good. It's so good. Now you have to

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Speaker 1: wait till January the premiere of the other two. And

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Speaker 1: it's so good. And our our guest today is I.

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Speaker 1: So we have this fun story of how we met.

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Speaker 1: But I had just been who can't we do that?

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Speaker 1: Just a crazy, crazy, crazy crazy person for this? For her,

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Speaker 1: I guess I stand our guests since first time I

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Speaker 1: ever saw her was on High Maintenance Laney Um opposite

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Speaker 1: Max and um I Max's character. Um. But I just

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Speaker 1: think she's so fucking cool. And then the coolest the

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Speaker 1: sput on the tablet on the table, we can say this,

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Speaker 1: and then but meanwhile she's like, she's this is a

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Speaker 1: fucking Broadway, honey, come on, come on, and not everyone

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Speaker 1: can stop the boards, not everyone can stomp the boards.

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Speaker 1: She can, she um. And then she is incredible in

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Speaker 1: the other too. I think this is incredible. I kept

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Speaker 1: texting her the entire time that I was watching the screeners.

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Speaker 1: I was like, this is a starmaking turn. This is

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Speaker 1: so I contacted Drew. I was like a lot of

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Speaker 1: people are going to feel very seen by this. Yes,

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Speaker 1: like I said to him, I was like, you know,

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Speaker 1: there was some special scenes in there that I was like,

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Speaker 1: oh man, that's christ and Sarah as well. But this

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Speaker 1: is so excited, it's so good, So let's go ahead

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Speaker 1: and say guest and she brought snacks. Yeah, honestly, I've

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Speaker 1: been sitting here listening to this, just annoyed to not

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Speaker 1: interject and like introduce me. We have to we have

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Speaker 1: to catch up and we have to get everything out there,

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Speaker 1: which is all the gorgeous credits and all the gorgeous love. Yes, wow,

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Speaker 1: thank you so much. Can we can we can we

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Speaker 1: just get this out of the way up top? Go ahead, bitch,

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Speaker 1: I want I know you want to say it? Are

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Speaker 1: you know? Do you know what I'm gonna talk about?

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Speaker 1: This whole psycho meeting? No living to the that's so good.

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Speaker 1: Just describe very briefly what it was like playing Glinda

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Speaker 1: in Wicked, Like I think you're the first Glinda I've

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Speaker 1: ever met, and this is a huge moment from Yeah,

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Speaker 1: I don't think. I opened the second National Tourism Linda

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Speaker 1: um and it was insane. I mean, that's a beheamoth

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Speaker 1: of a show. And people were especially at the time

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Speaker 1: because now a considerable amount of time has passed, but

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Speaker 1: like deeply attached to it and to those characters and

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Speaker 1: to those women, and and it spoke to so many people,

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Speaker 1: and and I was very young. I was like twenty

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Speaker 1: when I did it, and we traveled the country and

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Speaker 1: people just went insane. And it was crazy also to

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Speaker 1: do that number that she does, the popular number, because

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Speaker 1: doing comedy is so awesome, so deeply awesome. But then

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Speaker 1: to listen to people and like a barn in Alabama

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Speaker 1: laugh is one of the most extraordinary things I've ever experienced.

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Speaker 1: And so yeah, oh my god, Okay, sorry, I just

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Speaker 1: wanted to get that out of the I just know

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Speaker 1: it's popular, like the number you liked doing? Or do

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Speaker 1: you because my favorite just thank goodness, oh well, thank goodness.

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Speaker 1: I used to randomly somebody else had to sing the

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Speaker 1: high Sea for me because I was like, you know,

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Speaker 1: because it's high Sea, and like, no, not to jump it,

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Speaker 1: but like I don't think so honey was there in

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Speaker 1: the back that was just like girl on the front

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Speaker 1: was like, yeah, I just opened my mouth. But yeah,

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Speaker 1: you know. I used to get in a lot of

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Speaker 1: trouble because I would have a little bit too much

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Speaker 1: fun with popular and I did all sorts of crap,

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Speaker 1: and I you know, it's popular though I know. I

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Speaker 1: mean I didn't give the people what they wanted. I

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Speaker 1: gave myself what I wanted. You have to do that.

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Speaker 1: So when you're doing a role like that, which is

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Speaker 1: like iconically done and I'm guessing this is how all

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Speaker 1: replacement casts go, but they tell you kind of like

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Speaker 1: this is what Kristen China withset like this is what

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Speaker 1: we do? Or do you like it's a you know, yeah,

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Speaker 1: there's a formula that they want you to adhere to.

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Speaker 1: I think in a big way. I don't know how

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Speaker 1: how it's going over there now. Um, but yeah, yes,

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Speaker 1: you you do Kristen. You do Kristen, or you don't.

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Speaker 1: You don't do Kristen. You do because Kristen is I mean,

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Speaker 1: come on, is like a in a league of her own.

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Speaker 1: Nobody can do Kristen. Um. But I think that there's

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Speaker 1: certainly like a tone that they want to set with

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Speaker 1: that character. And they're very protective of how those two

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Speaker 1: women are perceived and how the relationship is told as

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Speaker 1: a story, right, So they get very specific about that

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Speaker 1: because they know that. I think I think that audiences

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Speaker 1: expect something, right. I think that Glinda is not the

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Speaker 1: better part, but the more interesting part because I think

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Speaker 1: there's more shades to it. I think like that's where

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Speaker 1: really like where all the acting happens, and like I think,

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Speaker 1: like a more interesting song. But wouldn't you say that

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Speaker 1: about like any comedic character and stories that you love.

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Speaker 1: Actually that that like not to say that Alphabat doesn't

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Speaker 1: have comedic moments, but if you think about like the

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Speaker 1: sidekick in any character, like I can't believe I'm thinking

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Speaker 1: about this off the top of my head, but like

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Speaker 1: Simon Pegg and the Mention Impossible movie, like I don't know,

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Speaker 1: I kind of go to see him, and he'd be

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Speaker 1: the more fun one to play than the one that's

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Speaker 1: like I'm taking the superious right right, right right. And

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Speaker 1: Alphabet has her like deadpan comedy moments, but it's about

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Speaker 1: the Glinda is the one who just broad and specific

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Speaker 1: moment like comedy has the ability And you guys know

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Speaker 1: this as human means like every there's all these things

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Speaker 1: made about like comedians and comedy, and you know that

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Speaker 1: everybody's a comedian needs to be like messed up in

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Speaker 1: some way, which is so stupid, but it is an

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Speaker 1: opportunity to like shape nuance and show what life actually

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Speaker 1: is because all we all do in our lives, like

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Speaker 1: when anybody does, is tell each other jokes and try

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Speaker 1: to laugh all the time. So it's like to me,

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Speaker 1: I don't know, but but don't get me wrong. I

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Speaker 1: just finished Sharp Objects the other day and like, I

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Speaker 1: can't it was so good. I haven't seen it. Is

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Speaker 1: there not a moment of levity in it? Is this

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Speaker 1: kind of just dark the whole night. I couldn't get

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Speaker 1: past this second episode. You know what, I'm going to

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Speaker 1: go ahead and say, no levity. Yeah, that's fine. It

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Speaker 1: was all right with it. Can I tell you what

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Speaker 1: else I just finished, which I'm obsessed with. Have you

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Speaker 1: watched Marvelous? Mrs Yes, obsessed? Here's the thing. I loved

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Speaker 1: the first season. I love the second season. Man. Sarah

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Speaker 1: Schneider and I got in our like sweatpants and sat

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Speaker 1: on her couch because she had screeners, and we watched it.

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Speaker 1: We were like, look what they're doing. This is amazing.

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Speaker 1: They went to Paris and like, oh my god, and

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Speaker 1: the costumes and even there's that scene where she's walking

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Speaker 1: through the apartment and the carpet is pink and she's

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Speaker 1: like watched the coat and the lipstick to the actual environment,

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Speaker 1: just the way it looks, the way she looks. The

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Speaker 1: visuals are amazing and Rachel is amazing. We have to

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Speaker 1: get her on. I was watching it last night. I

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Speaker 1: actually watched the finale of season two last night and

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Speaker 1: I was watching like her just perform on like the telethon.

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Speaker 1: It was so good and every episode has such great

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Speaker 1: iconic scenes, like when they went to the whole Catskills

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Speaker 1: thing forget it. I was my friend Brandon juranno Witz,

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Speaker 1: who was a great actor, played the like lead activities

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Speaker 1: director Simon says, moment and everything that they get, yes,

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Speaker 1: and they gave them. They cast amazing New York actors

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Speaker 1: in that show. It's such a pleasure. My favorite montage

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Speaker 1: was when the parents are falling back in love they

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Speaker 1: go to Paris. I died for that. I literally I

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Speaker 1: was like, oh, I mean to the point where they

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Speaker 1: like did two full songs for that montage because it

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Speaker 1: was so cute and great. And Shalube this old respect

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Speaker 1: and it's her name Marian with the mother. But I

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Speaker 1: was really impressed with her, especially two of them this season,

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Speaker 1: Like I really appreciated how much more they used them

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Speaker 1: in the second season as well. I thought they were

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Speaker 1: so good. And you know who is just a legend? Yes,

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Speaker 1: oh my god, I mean I'm like fully raving about

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Speaker 1: the show. And then also Zachary Levi charm machine just

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Speaker 1: like so good, and Rachel is out of control good

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Speaker 1: on me. She is exceptional on everything, like top to bottom,

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Speaker 1: even just the way that she wears those clothes. I mean,

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Speaker 1: forget it, that's like such a silly small thing to

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Speaker 1: say because she's giving such a wonderful performance, but she's

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Speaker 1: of the period, you know what I mean, Like you

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Speaker 1: buy every single aspect of it. And I think is

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Speaker 1: that I'm just in awe of the Sherman Palladinos. I'm

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Speaker 1: just like, this is so totally different from Gilmore Girls.

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Speaker 1: But also there's also some sliver of like ven diagram similarity. Definitely,

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Speaker 1: like there's still that breathless quality about like her stuff,

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Speaker 1: but like so like so just her mind to go

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Speaker 1: from like a mother daughter commedates to like a period

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Speaker 1: drama y like is so Sarah and I went to

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Speaker 1: the party, the party because and I was like I'm

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Speaker 1: going to this because I got invited last year, you know,

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Speaker 1: before it became this like monster head. So they invited nobody,

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Speaker 1: hell any York. And then season two rolled around and

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Speaker 1: I had to like I had to be like stepping

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Speaker 1: into this, and I brought Sarah because we love the show,

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Speaker 1: and we had literally front row seats in the theater

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Speaker 1: to go see it. And Amy Sherman Palladino came out

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Speaker 1: in one of her hats and she was wearing this

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Speaker 1: diamond necklace, like a double loop nineteen twenties, like long

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Speaker 1: diamond necklace, and my brain sort of went, oh, that

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Speaker 1: those are fake, because it's like that diamond necklace is insane,

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Speaker 1: But then I realized it's Amy Sherman Palladino. Those are

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Speaker 1: real diamonds, and they were Tiffany's had I think, lend

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Speaker 1: them to her. I mean, who knows, she might have

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Speaker 1: bought them, but like I was wearing this very sparkly

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Speaker 1: double hung thing. And then we went to the we

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Speaker 1: like walked on Fifth Avenue, went to the Rainbow Room

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Speaker 1: for the party, and we stayed the entire time. I mean,

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Speaker 1: we were obsessed. Were the best time, I mean, and

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Speaker 1: they it's Amazon's that this party that they threw was

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Speaker 1: lit and I was like, whoa they have? And also

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Speaker 1: you know, like I would imagine that's probably their biggest hit,

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Speaker 1: right yeah, post Transparent, I feel like it. Right. But

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Speaker 1: I also remember hearing like that the pilot when they

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Speaker 1: were you know, they just released the pilots like that

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Speaker 1: had been the best responded to one they had ever had.

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Speaker 1: And I'm watching it and I'm thinking, wow, it's gotten

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Speaker 1: so much better since the pilot. Like it's just one

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Speaker 1: of those it reminds me of me. That's what I

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Speaker 1: love about TV now is that, like you can't I

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Speaker 1: think like a lot of shows hit their stride even

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Speaker 1: season two, because now it' TV. You don't have to

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Speaker 1: hit numbers like right off the beginning. You can do

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Speaker 1: Amazon or Hulu or whatever, and people just let shows

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Speaker 1: kind of get a chance and grow an audience. Yeah,

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Speaker 1: and Amazon is able to do that. And I mean, listen,

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Speaker 1: I saw the pilot was also great. So good. Yeah,

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Speaker 1: pilots so good. Um, I I think just totally like

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Speaker 1: just I don't know, is such a good show. I'm

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Speaker 1: still in season one, so that's why I'm like, oh

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Speaker 1: wait till you get the season two. The shining moment

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Speaker 1: of season two I'll just say to you, is that

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Speaker 1: when they first get to the cast Skules and get

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Speaker 1: to their house, and there's been a long scene that

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Speaker 1: one can you believe, I got chills just even looking

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Speaker 1: at you and talking about literally, oh my god, we

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Speaker 1: can tell you, we can tell you so literally like

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Speaker 1: it's a it's an outside the house they check into

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Speaker 1: the cat Skills one of these like family retreat things

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Speaker 1: that people used to do, which, by the way, are

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Speaker 1: all being bought up by like Brooklyn hipsters to really

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Speaker 1: vive this trend of like which come on and like

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Speaker 1: all this stuff, you know, like potato sack races. It's

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Speaker 1: like whatever, I know, and so people are like, you know,

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Speaker 1: Brooklyn people like us. You know, people are buying up

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Speaker 1: these cats Skills retreats. Anyway, so this scene that Matt's

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Speaker 1: talking about is that they set up a camera and

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Speaker 1: they arrived to this house and you just see it

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Speaker 1: from the outside, and it's essentially them moving back into

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Speaker 1: the house with all of their stuff and throwing stuff

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Speaker 1: out the window and rearranging the furniture and like yelling

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Speaker 1: at the people to come back and forth. And it

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Speaker 1: was like a highly rehearsed warner of them just in

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Speaker 1: the house and like dialogue inside and outside. It was

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Speaker 1: the most intricate I had ever seen. And they do

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Speaker 1: some amazing winners, like that whole dance scene that they

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Speaker 1: did also at the Cats unbelievable. Believe I don't know,

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Speaker 1: because flat out right this day, this day or somebody

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Speaker 1: who directed the other two leto and oh my god.

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Speaker 1: It's also like Chris and I could talk about Killing

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Speaker 1: Eve for like a another, like we were doing this

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Speaker 1: whole press day our cast was and Chris and I

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Speaker 1: were just going like press person a press person being like,

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Speaker 1: have you watched Killing Eve? And they were like, um,

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Speaker 1: are we here to talk about You were like, we

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Speaker 1: don't care, we just finished. We want to talk about it. Okay,

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Speaker 1: Literally before Chris comes in, I am going to have

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Speaker 1: watched Killing You so that we can talk about and

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Speaker 1: you have to watch so that we can be ready

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Speaker 1: for Chris and Sarah. Well, I'll talk to Sara about

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Speaker 1: you talk to Chris about Yes, yes, the audience will

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Speaker 1: just deal with that. You can catch up with us. Okay.

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Speaker 1: So the other two, which is a show that we

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Speaker 1: are fucking love, so Central sent us the whole season,

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Speaker 1: so we got to watch it a literally, but I

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Speaker 1: and I don't really do this like you've been watched

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Speaker 1: I've been to and I never binge never, it's a

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Speaker 1: chore for me. But I was like preparing myself to

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Speaker 1: like roost for a day and just watch this whole thing,

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Speaker 1: and it was effortless and so good and like I

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Speaker 1: think it's like it's just the way Chris and Sarah

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Speaker 1: right and like even whatever, this sounds so esoteric whatever,

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Speaker 1: but like even at the office when I'm like looking

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Speaker 1: through old pieces of writing from old shows, and it's

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Speaker 1: like it says like Kelly Schneider, You're like reading through

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Speaker 1: their sketches and I'm like, oh my god, like they're

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Speaker 1: iconically good, crisp and clean, unbelievable and so and it

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Speaker 1: just shows on this on the show and with the

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Speaker 1: rest of the writing and stuff with Cole, with Jordan's

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Speaker 1: with with Joel, like all these people with Joel, with

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Speaker 1: Cole with Joel, so many and just that room is

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Speaker 1: so good and the writing is truly like yes, it's

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Speaker 1: what Mama saying earlier. People are gonna feel seen by

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Speaker 1: this in a way that like I didn't think you

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Speaker 1: could capture. I was like, oh, well, you know, like

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Speaker 1: all this this weird gay subculture of Instagram that's like

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Speaker 1: something so specific that it's so abstract to me. And

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Speaker 1: the fact that they were able to, like just in

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Speaker 1: that one episode like capture that and make it funny.

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Speaker 1: I thought was like, well, here's what I'll say, and

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Speaker 1: I want to know what you think about this. This

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Speaker 1: is what I think. That's the show apart. I think

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Speaker 1: we've we've tried. We've seen so many times like the

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Speaker 1: woman who's like almost thirty and like doesn't have it together,

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Speaker 1: this guy who's like they're almost thirty and they don't

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Speaker 1: have it together, and it takes place in New York,

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Speaker 1: and we've seen that. But this is so lived in.

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Speaker 1: This is so real, and it is told in a

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Speaker 1: way we haven't seen it. And what I really liked

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Speaker 1: about this season is your character actually tries to get

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Speaker 1: her ship together and like like not to spoil, but

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Speaker 1: like succeeds in many ways at growing And so many

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Speaker 1: times in other shows where we see this kind of

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Speaker 1: like Brooklyn situation of like we'd got to figure it out,

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Speaker 1: it's like you see this kind of wrote thing of

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Speaker 1: like you see the ways in which they don't succeed.

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Speaker 1: And I love the show because it truly is serialized

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Speaker 1: and we're really following these characters growth and like, is

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Speaker 1: that something that you knew would be part of it

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Speaker 1: from the pilot or like that just a surprise as

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Speaker 1: as you kept kept filming, or it's just a It's

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Speaker 1: a really good point to make because I think that

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Speaker 1: it is um and you know, we've all auditioned for

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Speaker 1: them so many times, or at least I do, because

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Speaker 1: this is something I get placed in a lot, which

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Speaker 1: is just like I can't get it together, and like,

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Speaker 1: thank you for calling me almost thirty. That's really sweet

428
00:22:21,560 --> 00:22:30,480
Speaker 1: the two characters, you know, I think we were like

429
00:22:30,600 --> 00:22:34,760
Speaker 1: thank you, um, I and I again, I think it's

430
00:22:34,840 --> 00:22:36,880
Speaker 1: you know, not to talk about this, well we could talk.

431
00:22:36,880 --> 00:22:39,560
Speaker 1: I could say this a thousand times right now. Is

432
00:22:39,600 --> 00:22:42,160
Speaker 1: that it's a testament to Chris and Sarah again, which

433
00:22:42,200 --> 00:22:44,800
Speaker 1: is just that they think about everything differently. So the

434
00:22:44,840 --> 00:22:46,520
Speaker 1: minute you think you have some sort of like an

435
00:22:46,560 --> 00:22:49,000
Speaker 1: interesting idea or think that where the characters will go

436
00:22:49,240 --> 00:22:52,360
Speaker 1: or or what you know, they think of something more

437
00:22:52,440 --> 00:22:55,320
Speaker 1: interesting than you. I don't know, it's like their brains

438
00:22:55,320 --> 00:22:57,960
Speaker 1: work differently than regular brains. But It's what I love

439
00:22:57,960 --> 00:23:00,000
Speaker 1: about the show is that it's you see them each

440
00:23:00,240 --> 00:23:03,160
Speaker 1: Every episode is essentially like a situation. Like the scripts

441
00:23:03,160 --> 00:23:08,199
Speaker 1: were literally named Chase turns fourteen, Chase goes to a premier.

442
00:23:08,800 --> 00:23:11,520
Speaker 1: It's just all but it's but it's us plopped into

443
00:23:11,560 --> 00:23:14,040
Speaker 1: these situations and what I And it's like you said,

444
00:23:14,160 --> 00:23:20,360
Speaker 1: she um Brook my character Um, It's it's like she's

445
00:23:20,920 --> 00:23:22,639
Speaker 1: Sarah said this word to me when I was like,

446
00:23:22,720 --> 00:23:24,439
Speaker 1: I don't know how to talk about it, and she's like,

447
00:23:24,480 --> 00:23:28,320
Speaker 1: it's the idea that you pivot and it's in life

448
00:23:28,720 --> 00:23:31,199
Speaker 1: and and then you know, and we can speak to

449
00:23:31,200 --> 00:23:33,240
Speaker 1: this in so many ways, which is that you know

450
00:23:33,320 --> 00:23:36,040
Speaker 1: your face with these things, and instead of like sitting

451
00:23:36,040 --> 00:23:38,280
Speaker 1: in your own muck about it, you're like, Okay, how

452
00:23:38,320 --> 00:23:41,520
Speaker 1: can I now take this and then pivot? And and

453
00:23:41,560 --> 00:23:44,360
Speaker 1: that's what I UM love about it. And there's no

454
00:23:44,480 --> 00:23:47,000
Speaker 1: animosity that the two of them have for their brother's

455
00:23:47,040 --> 00:23:50,120
Speaker 1: success at all. There's no jealousy, they're not mad about it.

456
00:23:50,119 --> 00:23:52,640
Speaker 1: It's none of that at all. It's like, Okay, this

457
00:23:52,720 --> 00:23:56,040
Speaker 1: is happening. How do I live within my life? And

458
00:23:56,040 --> 00:23:57,720
Speaker 1: then I think what I love about Brooke is that

459
00:23:57,880 --> 00:24:02,080
Speaker 1: she says, how do I, um, how do I now

460
00:24:02,200 --> 00:24:05,120
Speaker 1: mold my future? Because this is an opportunity. She takes

461
00:24:05,119 --> 00:24:09,320
Speaker 1: it as an opportunity exactly, and yeah, it's brilliant and

462
00:24:09,359 --> 00:24:12,480
Speaker 1: just the yeah, and you're right. It's like what both

463
00:24:12,520 --> 00:24:14,880
Speaker 1: of you are saying. I'm just now realizing the way

464
00:24:14,920 --> 00:24:17,800
Speaker 1: that what the show pulls off is so so so crazy,

465
00:24:17,840 --> 00:24:22,280
Speaker 1: because it is like two narrow duel Brooklyn Nights whatever,

466
00:24:22,359 --> 00:24:24,199
Speaker 1: just or just New Yorkers trying to make it. And

467
00:24:24,240 --> 00:24:26,720
Speaker 1: then but then like the container of that is their

468
00:24:26,760 --> 00:24:30,919
Speaker 1: brother's success, and every episode is a situation, and like

469
00:24:30,960 --> 00:24:33,399
Speaker 1: that's what the titles are. Truly, it's like them being

470
00:24:33,440 --> 00:24:35,760
Speaker 1: plopped into these different situations and that is the container

471
00:24:35,800 --> 00:24:37,639
Speaker 1: for season one. And then there's a there's a fun

472
00:24:38,080 --> 00:24:41,199
Speaker 1: tease at what's coming up, and I thought that was

473
00:24:41,320 --> 00:24:46,280
Speaker 1: so that last shot. I'm like, oh my god, this

474
00:24:46,320 --> 00:24:52,720
Speaker 1: is of course, yes, and it makes perfect so so intelligently.

475
00:24:52,720 --> 00:24:54,560
Speaker 1: Throughout this season you don't really see it coming, but

476
00:24:54,560 --> 00:24:57,120
Speaker 1: then it makes total sense. I can't. I mean, like

477
00:24:56,880 --> 00:24:58,679
Speaker 1: you and you you're going to hear us continue to

478
00:24:58,680 --> 00:25:01,080
Speaker 1: talk about the show a bunch. But what another thing

479
00:25:01,119 --> 00:25:04,040
Speaker 1: I really loved about it is just like just when

480
00:25:04,080 --> 00:25:06,800
Speaker 1: you think, because because there's an element of darkness to

481
00:25:06,840 --> 00:25:11,560
Speaker 1: the show, a huge element of who like put through

482
00:25:11,680 --> 00:25:16,560
Speaker 1: craziness and makeup inherent. Yeah, I mean like Drew's character

483
00:25:16,880 --> 00:25:20,919
Speaker 1: there is it's really interesting the way that these This

484
00:25:21,000 --> 00:25:22,640
Speaker 1: is another thing I real liked about it, Like this

485
00:25:22,880 --> 00:25:25,959
Speaker 1: moment arrives in both your character's lives and you have

486
00:25:26,000 --> 00:25:29,879
Speaker 1: to decide how you're actually going to tackle this moment

487
00:25:29,960 --> 00:25:31,919
Speaker 1: when it comes, you know, and it's this thing of

488
00:25:31,960 --> 00:25:34,800
Speaker 1: like that's very the return to Saturn, right. It's like

489
00:25:35,080 --> 00:25:39,280
Speaker 1: it's like Drew's character and I see him like his

490
00:25:39,400 --> 00:25:42,199
Speaker 1: character gets thrown this like wrench in his life and

491
00:25:42,240 --> 00:25:44,880
Speaker 1: the same with yours. And I actually think that your

492
00:25:44,960 --> 00:25:47,359
Speaker 1: character is the older sibling and you do see like

493
00:25:47,400 --> 00:25:49,359
Speaker 1: even those two or three years, like the way that

494
00:25:49,400 --> 00:25:52,679
Speaker 1: your character takes to like okay, my my pivot in

495
00:25:52,720 --> 00:25:56,240
Speaker 1: life is happening right now. You see like the differences there,

496
00:25:56,280 --> 00:25:58,480
Speaker 1: and he is like the little brother in a way,

497
00:25:58,840 --> 00:26:02,120
Speaker 1: and so it's just so specific and well it's it's

498
00:26:02,119 --> 00:26:04,280
Speaker 1: so funny too, because it's like you know, you think

499
00:26:04,320 --> 00:26:08,720
Speaker 1: about I'll just say for myself, is that like I

500
00:26:08,760 --> 00:26:13,080
Speaker 1: became um, like I know this this is related. I

501
00:26:13,160 --> 00:26:15,439
Speaker 1: knew about Bowen because of high maintenance, and then I

502
00:26:15,440 --> 00:26:17,360
Speaker 1: became very aware of you when you were doing your

503
00:26:17,359 --> 00:26:23,120
Speaker 1: lip sync things on Twitter, which it's like, I mean,

504
00:26:23,160 --> 00:26:26,360
Speaker 1: I watched them over and over again to like understand

505
00:26:27,640 --> 00:26:33,359
Speaker 1: what is happening in your brain because your mouth it

506
00:26:33,560 --> 00:26:40,239
Speaker 1: was so perfectly but then what's even your face is

507
00:26:40,400 --> 00:26:45,240
Speaker 1: fully acting. You're doing Tyrae, you're doing Sandra, You're doing

508
00:26:45,320 --> 00:26:49,480
Speaker 1: Julia Roberts. It's so funny. And then and then like

509
00:26:49,560 --> 00:26:51,719
Speaker 1: and then I knew about Matt because I started following you,

510
00:26:51,840 --> 00:26:54,320
Speaker 1: and then I got like introduced to like you know,

511
00:26:54,480 --> 00:26:57,840
Speaker 1: Cat Cohen and like Metra and Patti Harrison, and I

512
00:26:57,960 --> 00:27:00,080
Speaker 1: was like, oh, this is so cool, like you know

513
00:27:00,160 --> 00:27:03,720
Speaker 1: our generation of comedians and like what's happening? And then

514
00:27:03,760 --> 00:27:08,080
Speaker 1: I wasn't until like three weeks ago that I was like,

515
00:27:08,920 --> 00:27:11,560
Speaker 1: I'm like over half a decade older than all of

516
00:27:12,600 --> 00:27:14,760
Speaker 1: So the reason I bring this up is just to say,

517
00:27:15,480 --> 00:27:18,280
Speaker 1: is in like reference to the story, is that we

518
00:27:18,400 --> 00:27:20,920
Speaker 1: all look at where we're at in life, how old

519
00:27:20,960 --> 00:27:24,000
Speaker 1: we are, what that means, and what other people have

520
00:27:24,080 --> 00:27:27,320
Speaker 1: accomplished until that moment. How many times have you googled

521
00:27:27,400 --> 00:27:30,920
Speaker 1: the age of an actor to be like they've accomplished

522
00:27:30,960 --> 00:27:34,199
Speaker 1: and done all of these things, and where am I in?

523
00:27:34,560 --> 00:27:38,000
Speaker 1: You know, my story and like I think it's we

524
00:27:38,000 --> 00:27:40,360
Speaker 1: could look it up. I was like Emma stone Age

525
00:27:40,520 --> 00:27:46,400
Speaker 1: and you're like, I know forgetting she's like hosted the Oscar.

526
00:27:48,280 --> 00:27:52,000
Speaker 1: It's insane, especially because like now you realize I don't know,

527
00:27:52,040 --> 00:27:54,840
Speaker 1: like I think, like especially like the new phenomenon though

528
00:27:54,960 --> 00:27:59,520
Speaker 1: it's new like us, Yes, putting ourselves under these crazy

529
00:27:59,600 --> 00:28:02,920
Speaker 1: rubric in terms of age is relatively new. I think

530
00:28:02,960 --> 00:28:05,960
Speaker 1: that is true. When did you start performing and doing

531
00:28:06,000 --> 00:28:09,160
Speaker 1: this right out of college? Okay? Cool? And so there

532
00:28:09,240 --> 00:28:12,240
Speaker 1: was a was there a period of like success like

533
00:28:12,359 --> 00:28:15,960
Speaker 1: earlier or like did people consider People were always telling

534
00:28:15,960 --> 00:28:17,880
Speaker 1: you because this is something that we got a lot,

535
00:28:17,920 --> 00:28:20,280
Speaker 1: like you guys are so young. You guys are so young.

536
00:28:20,560 --> 00:28:23,399
Speaker 1: I still get that, which I'm like, think you, but

537
00:28:23,720 --> 00:28:26,240
Speaker 1: but now it happens a little bit less. I'm finding

538
00:28:26,320 --> 00:28:29,360
Speaker 1: like now that I'm like going to be what twenty nine,

539
00:28:29,640 --> 00:28:31,840
Speaker 1: I just feel like you don't hear as much as

540
00:28:31,880 --> 00:28:34,240
Speaker 1: you were when you were twenty one, which is like, well, yeah,

541
00:28:34,320 --> 00:28:36,719
Speaker 1: you start out your career and you're the youngest person

542
00:28:37,440 --> 00:28:40,000
Speaker 1: in whatever you're doing. Like my first job out of

543
00:28:40,000 --> 00:28:42,320
Speaker 1: college was the show called Walmart Topy at the Manette

544
00:28:42,400 --> 00:28:44,840
Speaker 1: Lane Theater, and I was the youngest person in the company.

545
00:28:45,240 --> 00:28:47,000
Speaker 1: And you know, it was that way for a while,

546
00:28:47,040 --> 00:28:49,440
Speaker 1: even when I did Wicked, I was very young, like

547
00:28:49,480 --> 00:28:51,880
Speaker 1: I was the youngest, one of the youngest people. And

548
00:28:51,880 --> 00:28:57,160
Speaker 1: then that just starts to stop happening, and it's um

549
00:28:57,200 --> 00:28:59,680
Speaker 1: and it's like it's like a case Walker who's on

550
00:28:59,680 --> 00:29:03,960
Speaker 1: the show. What do you mean you're fifteen compete? What

551
00:29:04,000 --> 00:29:05,920
Speaker 1: do you mean? He's like, this was my first audition,

552
00:29:05,920 --> 00:29:10,000
Speaker 1: and I'm like, same, I came to this just as

553
00:29:10,080 --> 00:29:18,480
Speaker 1: easily first audition. Yes, he was doing he was doing

554
00:29:18,600 --> 00:29:23,800
Speaker 1: this app called Musically, which is this is case Walker

555
00:29:23,800 --> 00:29:27,400
Speaker 1: who plays Chase Dreams on the show. Perfectly cast, perfectly cast,

556
00:29:27,840 --> 00:29:30,880
Speaker 1: perfect in every way, and um, you know, like we

557
00:29:30,960 --> 00:29:33,520
Speaker 1: read with Drew and I read with I think like

558
00:29:33,600 --> 00:29:36,840
Speaker 1: five different kids, and he's just you know, he's that

559
00:29:36,960 --> 00:29:41,160
Speaker 1: he's that is and he you know, he's like, yeah,

560
00:29:41,160 --> 00:29:43,400
Speaker 1: it's crazy, Like you know, they came to l A

561
00:29:43,800 --> 00:29:46,760
Speaker 1: and they did this audition and he booked a series

562
00:29:46,800 --> 00:29:50,760
Speaker 1: regular on a television It's amazing, And you're like, Google,

563
00:29:50,840 --> 00:29:52,360
Speaker 1: go go go go, go, go, go, go, go, go,

564
00:29:52,360 --> 00:29:54,720
Speaker 1: go go go. But it's like there is that thing though,

565
00:29:54,800 --> 00:29:56,440
Speaker 1: like you booked that thing early and then like you

566
00:29:56,480 --> 00:30:01,040
Speaker 1: realize it doesn't happen every time. And sure, yeah, I

567
00:30:01,120 --> 00:30:03,200
Speaker 1: was gonna say any waves and that happens in ways

568
00:30:03,240 --> 00:30:06,160
Speaker 1: exactly exactly. But I think that this is I was.

569
00:30:06,200 --> 00:30:09,160
Speaker 1: I was just saying, like it's a new thing where

570
00:30:09,160 --> 00:30:13,320
Speaker 1: I feel like either I mean for us, yes, obviously

571
00:30:13,360 --> 00:30:18,560
Speaker 1: that but also back in the day like pre Sochmid

572
00:30:19,480 --> 00:30:23,360
Speaker 1: did this, but it wasn't it wasn't as amplified. I know.

573
00:30:23,640 --> 00:30:26,960
Speaker 1: I think I think it will. Social media amplifies everything

574
00:30:27,040 --> 00:30:30,000
Speaker 1: of course, of course, and also the information isn't readily

575
00:30:30,040 --> 00:30:32,040
Speaker 1: available to you, so you can't just dive into a

576
00:30:32,080 --> 00:30:34,920
Speaker 1: worm hall of all this information. Like I literally, for

577
00:30:34,960 --> 00:30:36,720
Speaker 1: a bit that I didn't the other night, didn't show

578
00:30:36,760 --> 00:30:39,840
Speaker 1: I googled Jude laws weight and you can find it,

579
00:30:40,000 --> 00:30:43,680
Speaker 1: like he weighs pounds, like you can find it. Like,

580
00:30:43,880 --> 00:30:46,120
Speaker 1: but I was like, wow, you really can find anything

581
00:30:46,720 --> 00:30:49,600
Speaker 1: so in terms of age, like and then also there's

582
00:30:49,600 --> 00:30:51,920
Speaker 1: that thing of like when someone doesn't reveal their age,

583
00:30:51,920 --> 00:30:54,600
Speaker 1: it's like a scandal. Also, who doesn't reveal their age like,

584
00:30:56,600 --> 00:30:58,840
Speaker 1: you know what's crazy to me? Like this this is

585
00:30:58,880 --> 00:31:01,080
Speaker 1: like a sick oh statist like that's sometimes because it's

586
00:31:01,080 --> 00:31:04,880
Speaker 1: Oscar season. Like somebody the other day was like, you

587
00:31:04,920 --> 00:31:06,560
Speaker 1: know it might be it's so and so is here

588
00:31:06,640 --> 00:31:09,720
Speaker 1: because the mean age of the best actress Oscar winners

589
00:31:14,640 --> 00:31:20,040
Speaker 1: that Sandy Key this movie that is stunning. I'm literally

590
00:31:20,080 --> 00:31:22,040
Speaker 1: looking at you being like, how is he lip sinking

591
00:31:22,040 --> 00:31:25,040
Speaker 1: to this voice that is not his own voice? Even

592
00:31:25,040 --> 00:31:30,520
Speaker 1: though I know how things work, I see the other two.

593
00:31:30,640 --> 00:31:38,000
Speaker 1: There's no other series listeners that is crazy. It's like

594
00:31:38,080 --> 00:31:41,960
Speaker 1: sling blade that impression. Anyone can do anyone, but know

595
00:31:42,120 --> 00:31:45,160
Speaker 1: what I feel like, the thing is like I've just

596
00:31:45,200 --> 00:31:47,600
Speaker 1: been more aware of it as I as I hit

597
00:31:47,800 --> 00:31:49,959
Speaker 1: almost at thirty. And the thing is like, that's the

598
00:31:49,960 --> 00:31:53,040
Speaker 1: thing with the show is it's like maybe it's maybe

599
00:31:53,040 --> 00:31:55,880
Speaker 1: that's why I feel like this show right now is

600
00:31:55,920 --> 00:31:57,880
Speaker 1: the is the one I've waited for in this way

601
00:31:57,920 --> 00:32:00,880
Speaker 1: because I am almost thirty. But there was one scene

602
00:32:00,880 --> 00:32:03,520
Speaker 1: where I literally texted Drew that day because I was like,

603
00:32:03,840 --> 00:32:06,760
Speaker 1: I just watched the scene where you went to the gym.

604
00:32:06,800 --> 00:32:09,480
Speaker 1: I had gotten a gym membership that day. That's too

605
00:32:09,600 --> 00:32:12,960
Speaker 1: much and let me tell you. I went and walked

606
00:32:12,960 --> 00:32:16,000
Speaker 1: into the crunch gym and Greenpoint looked around and walked out.

607
00:32:16,320 --> 00:32:19,160
Speaker 1: I was so upset. I was so and now, no,

608
00:32:19,280 --> 00:32:21,000
Speaker 1: forget it now and now I know. Now I know

609
00:32:21,040 --> 00:32:24,240
Speaker 1: what I'm doing in there. I'll make a humiliating admission.

610
00:32:24,480 --> 00:32:27,240
Speaker 1: Why how does situation happen to me? After I fully

611
00:32:27,320 --> 00:32:29,880
Speaker 1: shot this scene and was aware of it and it

612
00:32:29,960 --> 00:32:34,360
Speaker 1: happened in front of Sarah and just to say, like

613
00:32:34,400 --> 00:32:37,480
Speaker 1: how things are related? So I go to the as

614
00:32:37,520 --> 00:32:40,440
Speaker 1: I said, marvelous Mrs Masal premiere with Sarah and you've

615
00:32:40,440 --> 00:32:43,920
Speaker 1: watched the show, and I literally had been like, I

616
00:32:44,000 --> 00:32:46,560
Speaker 1: have a publicist right now, So I was like, get

617
00:32:46,560 --> 00:32:49,360
Speaker 1: me into marvelousness. I want to go to that party.

618
00:32:49,400 --> 00:32:53,400
Speaker 1: They always have amazing past apps and like it's gorgeous.

619
00:32:53,560 --> 00:32:55,520
Speaker 1: So I go and Sarah has to pick up the

620
00:32:55,520 --> 00:32:57,880
Speaker 1: tickets because I was an idiot and took the R train,

621
00:32:57,960 --> 00:33:01,720
Speaker 1: which like what nobody can depend on that? So I'm

622
00:33:01,760 --> 00:33:04,200
Speaker 1: running late. Sarah picks up the tickets. It's free. She's like,

623
00:33:04,240 --> 00:33:06,600
Speaker 1: I'm cold, get here, and I'm like, I'm sorry, I'm coming.

624
00:33:07,200 --> 00:33:09,200
Speaker 1: She picks up the tickets and I go, hey, I'm

625
00:33:09,240 --> 00:33:12,760
Speaker 1: so sorry. I have to do the carpet because I

626
00:33:12,840 --> 00:33:15,880
Speaker 1: got the tickets through my public I was like, and

627
00:33:15,920 --> 00:33:18,760
Speaker 1: also like, it was one of those giant covered carpets.

628
00:33:18,760 --> 00:33:21,480
Speaker 1: You know, get me in there. It's a good idea

629
00:33:21,520 --> 00:33:23,160
Speaker 1: for you to do it. Yes, forget it. Yeah. So

630
00:33:23,200 --> 00:33:25,760
Speaker 1: I was like, okay, sorry, sorry, Sarah, I have to

631
00:33:25,800 --> 00:33:27,480
Speaker 1: do the carpet. And I did this in front of Sarah,

632
00:33:27,480 --> 00:33:30,360
Speaker 1: who is I'm not kidding you, the coolest person I know.

633
00:33:30,520 --> 00:33:33,560
Speaker 1: I think the coolest person I know she's I mean

634
00:33:33,680 --> 00:33:35,280
Speaker 1: she and I are friends now, and I'm still like

635
00:33:36,520 --> 00:33:40,400
Speaker 1: I think she's. So this happened to me in front

636
00:33:40,440 --> 00:33:43,720
Speaker 1: of Sarah Schneider after shooting the show. I go up

637
00:33:43,760 --> 00:33:46,320
Speaker 1: to the woman and I'm like, no, no, I'm sorry.

638
00:33:46,640 --> 00:33:48,479
Speaker 1: I walk up to the gate and I go at

639
00:33:48,480 --> 00:33:51,480
Speaker 1: the security card. It's like stops men and go hi, yeah,

640
00:33:51,560 --> 00:33:56,160
Speaker 1: I'm doing this. It's literally for bath and what I said,

641
00:33:56,800 --> 00:34:00,160
Speaker 1: I'm doing this and the girl goes, um, what's your aim?

642
00:34:00,200 --> 00:34:02,680
Speaker 1: And I said Helena York and she goes, I don't

643
00:34:02,800 --> 00:34:04,560
Speaker 1: have you on this list, and I go cool, So

644
00:34:04,640 --> 00:34:09,359
Speaker 1: where's the entrance? And I turned on my heel and

645
00:34:09,400 --> 00:34:15,080
Speaker 1: we just walked in and Sarah was like, oh, Hi,

646
00:34:15,280 --> 00:34:22,320
Speaker 1: I'm doing this. I'm doing I'm doing this. Hi, I'm

647
00:34:22,360 --> 00:34:25,400
Speaker 1: doing this. Is this so o noxious to say? That

648
00:34:25,520 --> 00:34:28,640
Speaker 1: is such a Laney thing, that is so your character

649
00:34:28,640 --> 00:34:32,839
Speaker 1: for my maintenance. Well, I'm so sad to say that. Like,

650
00:34:33,000 --> 00:34:37,440
Speaker 1: I'm not an actress. I just play myself. But like

651
00:34:37,840 --> 00:34:40,759
Speaker 1: the best I mean like that is like, no, that

652
00:34:40,920 --> 00:34:43,400
Speaker 1: is beautiful and I have such respect And even the

653
00:34:43,400 --> 00:34:45,839
Speaker 1: Red Carpet episode, by which, by the way, for all

654
00:34:45,880 --> 00:34:52,279
Speaker 1: of our listeners, this happens on anyway. I literally like,

655
00:34:52,320 --> 00:34:54,880
Speaker 1: this might happen, but it'll be funny, so let's try anyway.

656
00:34:55,080 --> 00:34:59,160
Speaker 1: I'm so so happy. That's amazing, amazing. Hi, I'm doing this.

657
00:34:59,400 --> 00:35:06,279
Speaker 1: I'm doing Miss Matt. You know, my favorite straight thing

658
00:35:06,440 --> 00:35:10,000
Speaker 1: is um, your own teeth. Yeah, I was at that

659
00:35:10,080 --> 00:35:12,520
Speaker 1: and um, I like Shosh and Redemption a lot. Oh,

660
00:35:12,560 --> 00:35:15,520
Speaker 1: I was going to guess Justin Thorou. Oh he's also

661
00:35:15,560 --> 00:35:19,000
Speaker 1: a good straight thing. But Justin, thora Redemption and my

662
00:35:19,080 --> 00:35:22,080
Speaker 1: teeth are all my favorite straight things. Yeah. And the

663
00:35:22,120 --> 00:35:25,279
Speaker 1: reason I guess your teeth was actually because today we

664
00:35:25,360 --> 00:35:31,319
Speaker 1: are going to be talking, honey about Smile Direct club. Well,

665
00:35:31,320 --> 00:35:33,600
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666
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667
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668
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669
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671
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674
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676
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690
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691
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692
00:37:07,239 --> 00:37:11,480
Speaker 1: dentist is a cool Mormon. Really, he's from Utah, so

693
00:37:11,520 --> 00:37:15,839
Speaker 1: I assume I we have a friend who recently went

694
00:37:15,880 --> 00:37:17,799
Speaker 1: to the dentist and said that every dentist in there

695
00:37:17,880 --> 00:37:21,120
Speaker 1: was a gay man. That's fun. That's a TV show.

696
00:37:21,280 --> 00:37:25,239
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697
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701
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702
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703
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704
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705
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706
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707
00:38:05,800 --> 00:38:08,160
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708
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723
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724
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727
00:38:59,719 --> 00:39:02,160
Speaker 1: you can even marry your personal style and that would

728
00:39:02,160 --> 00:39:09,960
Speaker 1: actually be fun. And is it fair to say that,

729
00:39:10,080 --> 00:39:12,200
Speaker 1: I feel like, I mean, I'm sure they both like

730
00:39:12,440 --> 00:39:15,560
Speaker 1: developed these together, but I feel like Sarah probably used

731
00:39:15,600 --> 00:39:19,560
Speaker 1: you as like you're used. Brooke is like her surrogate maybe,

732
00:39:19,560 --> 00:39:23,160
Speaker 1: and then maybe Carrie Drew's characters was like like what

733
00:39:23,719 --> 00:39:25,359
Speaker 1: they get asked that a lot. You got to ask

734
00:39:25,400 --> 00:39:29,120
Speaker 1: them about it too when they come because it's definitely yes,

735
00:39:29,360 --> 00:39:31,759
Speaker 1: but it's loosely no. But you know, the other day,

736
00:39:31,840 --> 00:39:34,040
Speaker 1: Chris was looking through old pictures and found a picture

737
00:39:34,040 --> 00:39:35,840
Speaker 1: of himself in his uniform from when he worked at

738
00:39:35,880 --> 00:39:39,800
Speaker 1: that Italian restaurant, and it's literally what Drew's wearing. So

739
00:39:40,040 --> 00:39:43,680
Speaker 1: you know, there's definite parallels. And um, Sarah when she

740
00:39:43,840 --> 00:39:45,920
Speaker 1: was single was on a quest to see fifty dicks,

741
00:39:45,960 --> 00:39:47,959
Speaker 1: Like that's a real thing that she and she now

742
00:39:48,120 --> 00:39:50,000
Speaker 1: at her wedding was like and I made it to two.

743
00:39:53,920 --> 00:39:58,439
Speaker 1: So there's definitely that. I mean, you know, thankfully they're

744
00:39:58,520 --> 00:40:03,839
Speaker 1: both wildly they have now they're catapulted into exactly who

745
00:40:03,840 --> 00:40:06,000
Speaker 1: they are now. Wild. So are you mostly in l

746
00:40:06,080 --> 00:40:11,480
Speaker 1: A now York. I walked here from my apartment. Shut up.

747
00:40:11,719 --> 00:40:15,360
Speaker 1: He lives right around the corner to Helena texted me,

748
00:40:15,360 --> 00:40:17,360
Speaker 1: I've been terrible about getting back to my text today.

749
00:40:17,719 --> 00:40:21,919
Speaker 1: Helena texted me, is the studio your apartment because we're

750
00:40:21,960 --> 00:40:24,120
Speaker 1: I'm a twenty minute walk from you, And I was like, no,

751
00:40:24,200 --> 00:40:26,400
Speaker 1: but I'm blocks away, and then this is okay. So

752
00:40:26,440 --> 00:40:28,560
Speaker 1: this is the story about Helena, and I want to know.

753
00:40:29,160 --> 00:40:33,520
Speaker 1: It's honestly one of my favorite things. That's favorite day.

754
00:40:33,520 --> 00:40:36,799
Speaker 1: It was my favorite days. He was he was going

755
00:40:36,840 --> 00:40:38,520
Speaker 1: on about it the other day. Oh, I love him.

756
00:40:38,680 --> 00:40:41,080
Speaker 1: He's anyway, this could be an entire souls like glad

757
00:40:41,120 --> 00:40:42,759
Speaker 1: we could spend the rest of our time here doing that.

758
00:40:42,920 --> 00:40:45,200
Speaker 1: Often tell the story I want to know. So I

759
00:40:45,239 --> 00:40:48,480
Speaker 1: took I took a class at the Brooklyn Heights studio

760
00:40:48,560 --> 00:40:51,880
Speaker 1: on Quartz Street. This is like nine thirty am. I

761
00:40:52,000 --> 00:40:55,480
Speaker 1: got my ass kicked, Hop out of the shower, Come

762
00:40:55,480 --> 00:40:57,200
Speaker 1: out of the shower, I get dressed, I walk up

763
00:40:57,239 --> 00:40:58,880
Speaker 1: the stairs, and then coming down the stairs, I make

764
00:40:58,920 --> 00:41:02,560
Speaker 1: eye contact with Helena h and then I just seize

765
00:41:02,680 --> 00:41:05,640
Speaker 1: up basically, and then she and then you were and

766
00:41:05,680 --> 00:41:08,160
Speaker 1: then I go, oh my god, Bowen yeah, And I

767
00:41:08,239 --> 00:41:11,640
Speaker 1: was like what because I have been like over here

768
00:41:11,680 --> 00:41:14,520
Speaker 1: like for years and years and years being like like

769
00:41:14,600 --> 00:41:16,560
Speaker 1: just being like, oh my god, that blond lady on

770
00:41:16,600 --> 00:41:20,200
Speaker 1: high maintenance is so funny. And then she's the one

771
00:41:20,239 --> 00:41:22,480
Speaker 1: who recognizes me, and I was like, this is so

772
00:41:22,640 --> 00:41:24,520
Speaker 1: backwards and fucked up. And then we had this like

773
00:41:25,080 --> 00:41:28,359
Speaker 1: such a cute little chat on the stairs, blocking everyone else,

774
00:41:28,400 --> 00:41:31,840
Speaker 1: and we exchanged phone numbers and we went to the

775
00:41:31,960 --> 00:41:34,319
Speaker 1: cycle together the next day or the next day or

776
00:41:34,320 --> 00:41:36,719
Speaker 1: two days later, and we took class together. And that

777
00:41:36,880 --> 00:41:39,480
Speaker 1: was the class where who who was the instructure? Was

778
00:41:39,480 --> 00:41:41,279
Speaker 1: it Rachel? It was Rachel and then she it was

779
00:41:41,320 --> 00:41:44,799
Speaker 1: where we had to go under the and I was like,

780
00:41:45,040 --> 00:41:50,240
Speaker 1: ship to this and it fucking it gave No. I didn't.

781
00:41:50,960 --> 00:41:55,319
Speaker 1: Really I'm very excellent, but some days I'm I'm very

782
00:41:55,360 --> 00:41:58,080
Speaker 1: excellent at it. It's like the stupidest skill to have,

783
00:41:58,280 --> 00:42:01,200
Speaker 1: but it's like one of my favorite skill because every

784
00:42:01,239 --> 00:42:04,120
Speaker 1: time I go and they're always like, don't look around,

785
00:42:04,200 --> 00:42:07,040
Speaker 1: this is your journey, and I'm on the bike fully

786
00:42:07,040 --> 00:42:12,640
Speaker 1: looking around, like look at you, we losers, and I'm

787
00:42:12,680 --> 00:42:15,160
Speaker 1: like fully keeping up and like sometimes if there's like

788
00:42:15,200 --> 00:42:17,560
Speaker 1: a cute guy like behind me or diect like behind me,

789
00:42:17,600 --> 00:42:21,520
Speaker 1: like I'll give them an extra show, like I'm just oh,

790
00:42:21,560 --> 00:42:24,080
Speaker 1: I love it, throw it back during a tap back.

791
00:42:24,239 --> 00:42:26,840
Speaker 1: I throw it back during a tap back and there's

792
00:42:26,880 --> 00:42:29,960
Speaker 1: a body roll. I'm like, get out of here. Over.

793
00:42:31,960 --> 00:42:34,160
Speaker 1: I can't sl on you twice. I think, Yeah, you

794
00:42:34,160 --> 00:42:39,439
Speaker 1: cancel on me a lot. I've actually had a lot.

795
00:42:39,560 --> 00:42:42,280
Speaker 1: By the way, have you guys also had people canceling

796
00:42:42,280 --> 00:42:44,359
Speaker 1: on you like crazy because they're sick. Everybody is sick

797
00:42:44,440 --> 00:42:46,399
Speaker 1: right now. Everyone sucks. It's it's not a good time

798
00:42:46,520 --> 00:42:49,319
Speaker 1: right now for health. It's just not We touched on

799
00:42:49,320 --> 00:42:51,200
Speaker 1: it before we came here because there's a bunch of

800
00:42:51,200 --> 00:42:54,720
Speaker 1: food in front of us. But we're all gladly opting

801
00:42:54,760 --> 00:42:58,000
Speaker 1: into each other's germs right now. Sure, but I'm doing

802
00:42:58,040 --> 00:43:00,239
Speaker 1: great in the whole thirty I've never felt better. This

803
00:43:00,280 --> 00:43:02,279
Speaker 1: is my last week that I'm free before work starts

804
00:43:02,320 --> 00:43:03,759
Speaker 1: up again. I will take a class with you this time.

805
00:43:03,760 --> 00:43:07,080
Speaker 1: I have to go to l A tomorrow. I went today.

806
00:43:07,160 --> 00:43:10,680
Speaker 1: I took Joe today at If anybody ever wants to

807
00:43:10,680 --> 00:43:12,680
Speaker 1: stalk and kill me, you can come to the Brooklyn

808
00:43:12,719 --> 00:43:15,920
Speaker 1: Heights cycle on Court Street. I'll be there. You know

809
00:43:15,960 --> 00:43:18,160
Speaker 1: who's who just moved to that studio And she's one

810
00:43:18,160 --> 00:43:22,080
Speaker 1: of my favorites is Claire. Oh, I like Claire, just

811
00:43:22,200 --> 00:43:25,359
Speaker 1: forge you. Oh my god. She smiles and I'm like, heaven, Yeah,

812
00:43:25,440 --> 00:43:27,719
Speaker 1: I'm like and when whenever she tosses her hair around,

813
00:43:27,760 --> 00:43:30,680
Speaker 1: I'm like, oh you are she's like developing a following.

814
00:43:30,840 --> 00:43:32,759
Speaker 1: She's like in the throes of developing her follow and

815
00:43:32,760 --> 00:43:34,960
Speaker 1: she deserves that. I can't believe I even know that

816
00:43:35,480 --> 00:43:39,360
Speaker 1: I've mentioned Claire on this pod before. She was the

817
00:43:39,360 --> 00:43:42,120
Speaker 1: one who filled in for that Gaga class, and then

818
00:43:42,160 --> 00:43:44,880
Speaker 1: she was the one who, like during one of the

819
00:43:44,960 --> 00:43:49,480
Speaker 1: sprints or one of the health she was like, um,

820
00:43:49,600 --> 00:43:51,759
Speaker 1: you have to put an effort, but you have to

821
00:43:51,800 --> 00:43:54,640
Speaker 1: do more than enough. Enough doesn't put a roof for

822
00:43:54,760 --> 00:43:57,680
Speaker 1: your head. Enough doesn't put food on the table. So

823
00:43:57,840 --> 00:44:03,760
Speaker 1: I need you to go more than And she I

824
00:44:03,760 --> 00:44:08,400
Speaker 1: felt that in my just like I like readied my body.

825
00:44:08,480 --> 00:44:10,799
Speaker 1: She does. She does the best talk. Well, I just

826
00:44:10,840 --> 00:44:12,879
Speaker 1: want to say because I would like to if we're

827
00:44:13,000 --> 00:44:15,680
Speaker 1: before we get off the ccycle topic, I would love

828
00:44:15,760 --> 00:44:18,640
Speaker 1: to just quickly like promote a couple instructors that I

829
00:44:18,640 --> 00:44:22,520
Speaker 1: think are great. So people that I love. Um Marvin

830
00:44:22,560 --> 00:44:25,360
Speaker 1: who teaches at NoHo in West Village a lot. Marvin

831
00:44:25,560 --> 00:44:30,920
Speaker 1: is fantastic. Bevin also boasted so great. Bevin is also

832
00:44:31,000 --> 00:44:36,360
Speaker 1: from One Tree Hill, What Yes, Gotta go? And then Karen.

833
00:44:36,760 --> 00:44:39,120
Speaker 1: Karen has the body of dreams. It's like one of

834
00:44:39,160 --> 00:44:41,040
Speaker 1: those bodies where I'm like, this is partially genetic, so

835
00:44:41,080 --> 00:44:44,440
Speaker 1: we'll never have it, so get out of my face. Um,

836
00:44:44,480 --> 00:44:48,120
Speaker 1: she's amazing. My friend Emily Turner, she just had a baby,

837
00:44:48,160 --> 00:44:49,719
Speaker 1: but she's gonna be back on the schedule soon. She

838
00:44:49,719 --> 00:44:54,680
Speaker 1: looks like a mermaid. She's amazing. Um Joe at Brooklyn Heights. Um,

839
00:44:54,800 --> 00:44:57,840
Speaker 1: Rachel's gone now, but she's doing this new thing that

840
00:44:57,840 --> 00:45:00,560
Speaker 1: I've heard is really great, like a dance fitness thing. Um.

841
00:45:00,600 --> 00:45:04,600
Speaker 1: Also Ariel and if you also again want to stalk

842
00:45:04,600 --> 00:45:06,560
Speaker 1: and kill me, I like to go to the eleven

843
00:45:06,640 --> 00:45:09,719
Speaker 1: forty five Am on Sunday's at NoHo with Ariel and

844
00:45:10,000 --> 00:45:12,400
Speaker 1: just plays the best music, the best. He definitely does

845
00:45:12,440 --> 00:45:15,880
Speaker 1: play best music. And also he always is sneaky with

846
00:45:15,920 --> 00:45:18,400
Speaker 1: what music you think is gonna fucking slap, I'm telling

847
00:45:18,400 --> 00:45:20,880
Speaker 1: you he played That's the way it is. By Clandon

848
00:45:21,080 --> 00:45:24,680
Speaker 1: and I had my hands in the air screaming out

849
00:45:24,680 --> 00:45:27,920
Speaker 1: of joy. God, he's good. And then he finished it

850
00:45:27,960 --> 00:45:29,719
Speaker 1: was since You've Been Gone by Kelly Clarkson, which you

851
00:45:29,760 --> 00:45:34,160
Speaker 1: were you were? He played on Sunday, this smash up

852
00:45:34,239 --> 00:45:37,520
Speaker 1: of every like white girl pop star song you want

853
00:45:37,520 --> 00:45:39,680
Speaker 1: to listen to, and it was like it was like

854
00:45:39,680 --> 00:45:42,520
Speaker 1: a matchup of like Taylor and Kelly and like there's

855
00:45:42,520 --> 00:45:44,800
Speaker 1: a Britney moment. I get it. It was so good

856
00:45:44,840 --> 00:45:47,560
Speaker 1: and we were like the night that they were going

857
00:45:47,600 --> 00:45:49,239
Speaker 1: to go see Dave and Arie when they were going

858
00:45:49,280 --> 00:45:51,279
Speaker 1: to go see Brittney in Atlantic City, he did an

859
00:45:51,280 --> 00:45:57,200
Speaker 1: all Brittany ride and it was so it was also

860
00:45:57,239 --> 00:45:59,520
Speaker 1: just did the Britney hair toss. Actually I think I've

861
00:45:59,560 --> 00:46:01,520
Speaker 1: been to one of his Brittany rides, but like years ago.

862
00:46:01,760 --> 00:46:06,120
Speaker 1: Oh my god. I just like some people want to

863
00:46:06,120 --> 00:46:08,479
Speaker 1: throw shade at Sole cycle and they're like I don't

864
00:46:08,480 --> 00:46:11,120
Speaker 1: like Cardio, and I'm like, stop it and get into it.

865
00:46:11,120 --> 00:46:14,040
Speaker 1: It's so and it's like I do other things because

866
00:46:14,040 --> 00:46:17,200
Speaker 1: you're supposed to. What else did you keep keep going

867
00:46:17,200 --> 00:46:19,520
Speaker 1: on a cycle run? But it's just it's just great.

868
00:46:19,560 --> 00:46:23,640
Speaker 1: It's great, and honestly it's great. It's this is this

869
00:46:23,680 --> 00:46:26,160
Speaker 1: is very woo woo, but like its exercise is good

870
00:46:26,160 --> 00:46:29,560
Speaker 1: for your brain and it changes your life. And I

871
00:46:29,640 --> 00:46:32,600
Speaker 1: used to work at Physique fifty seven. I worked the

872
00:46:32,600 --> 00:46:36,279
Speaker 1: front desk, so this was my like survival hustle, and

873
00:46:36,400 --> 00:46:38,279
Speaker 1: I used to when people checked in, like you know,

874
00:46:38,480 --> 00:46:40,440
Speaker 1: check their age and what their addresses were, because I

875
00:46:40,480 --> 00:46:42,920
Speaker 1: was like, who's paying this for exercise? Like, oh, you

876
00:46:43,120 --> 00:46:47,920
Speaker 1: live in so because I was you know, like working

877
00:46:47,960 --> 00:46:50,000
Speaker 1: it out. I was like printing my audition sides at

878
00:46:50,000 --> 00:46:51,959
Speaker 1: the front desk and checking people in and I would

879
00:46:51,960 --> 00:46:53,680
Speaker 1: like get my bacon, egg and cheese from the cart

880
00:46:53,719 --> 00:46:56,000
Speaker 1: outside and like open the studio and women would be

881
00:46:56,040 --> 00:46:58,440
Speaker 1: like is that bacon And I'd be like, yes, are

882
00:46:58,440 --> 00:47:01,160
Speaker 1: you here for the six am? And they would like

883
00:47:01,200 --> 00:47:06,080
Speaker 1: work out smelling my bacon? And now you're on TV?

884
00:47:06,160 --> 00:47:08,880
Speaker 1: Who cares? But but well it's just to go to say, like,

885
00:47:08,960 --> 00:47:11,759
Speaker 1: you know, we all hustle. And I worked in physic

886
00:47:11,800 --> 00:47:14,800
Speaker 1: fifty seven is bar method and I've been going back

887
00:47:15,200 --> 00:47:18,040
Speaker 1: and it is you should come with me while you're

888
00:47:18,120 --> 00:47:23,439
Speaker 1: doing Snell'll do it. I got a cart time. It's

889
00:47:23,520 --> 00:47:27,040
Speaker 1: so great and it is so impossible and there's like

890
00:47:27,080 --> 00:47:28,839
Speaker 1: lots of different bar method studios and I don't want

891
00:47:28,840 --> 00:47:31,839
Speaker 1: to throw shade, but Physic seven is truly the place

892
00:47:31,880 --> 00:47:34,359
Speaker 1: to go. It's so great. I love it. S LT

893
00:47:34,719 --> 00:47:37,680
Speaker 1: is also insane. Have you ever trying a megaformer. It's

894
00:47:37,719 --> 00:47:40,440
Speaker 1: like there's a pilates reformer, but then there's a megaformer

895
00:47:40,480 --> 00:47:43,719
Speaker 1: that has the movie bit the moving between. It's one

896
00:47:43,719 --> 00:47:46,040
Speaker 1: of those things where they're like okay, and you do

897
00:47:46,280 --> 00:47:48,960
Speaker 1: one rep and you're like that's enough, right, and they're

898
00:47:48,960 --> 00:47:51,480
Speaker 1: like no, forty more and you're like no, and they're

899
00:47:51,520 --> 00:47:54,680
Speaker 1: like keep going and you're like I literally can't, like

900
00:47:54,719 --> 00:47:57,320
Speaker 1: I don't know what to tell you. It's great. That

901
00:47:57,400 --> 00:48:01,160
Speaker 1: stuff crazy. Well, you weren't there, but for Rachel Witzky's

902
00:48:01,360 --> 00:48:05,720
Speaker 1: um we did a bar class and me and Dave Mazzony,

903
00:48:05,760 --> 00:48:07,960
Speaker 1: Ariel's boyfriend were the only guys that we're doing it

904
00:48:08,000 --> 00:48:10,640
Speaker 1: and it we were like, hey, it'll be fine because

905
00:48:10,760 --> 00:48:15,680
Speaker 1: because these grocery doors movement it was it was it

906
00:48:15,800 --> 00:48:18,600
Speaker 1: was like low impact, but the highest impact it was.

907
00:48:18,680 --> 00:48:22,080
Speaker 1: It was the frequency. It was like my body was

908
00:48:22,520 --> 00:48:26,799
Speaker 1: shaking and like I've actually, since the year has turned,

909
00:48:26,840 --> 00:48:28,840
Speaker 1: I've been in the gym, like every day I'm lifting

910
00:48:28,840 --> 00:48:31,440
Speaker 1: more and so like now I'm trying to get back

911
00:48:31,480 --> 00:48:33,759
Speaker 1: into it and I'm doing cardio and I have an announcement.

912
00:48:35,200 --> 00:48:40,640
Speaker 1: I am doing a marathon in November. Yes, congratulations. That's

913
00:48:40,640 --> 00:48:43,920
Speaker 1: such a journey. I always said I would do it

914
00:48:43,920 --> 00:48:47,080
Speaker 1: because I used to run very comparatively and like in

915
00:48:47,160 --> 00:48:48,960
Speaker 1: high school, and I was in really good shape. And

916
00:48:48,960 --> 00:48:50,520
Speaker 1: I've just kind of let that part of my life go,

917
00:48:50,680 --> 00:48:54,320
Speaker 1: which Mara doing, I'm doing here. We go to Disney World,

918
00:48:56,000 --> 00:49:01,000
Speaker 1: his favorite place in the wold fucking world. Helena, Wait,

919
00:49:01,200 --> 00:49:03,319
Speaker 1: can we get to I don't think so, honey, because

920
00:49:03,360 --> 00:49:08,520
Speaker 1: it's related if you come from me. Look, I'm doing

921
00:49:08,520 --> 00:49:14,520
Speaker 1: it at Disney World. How proud she was of me,

922
00:49:14,560 --> 00:49:16,160
Speaker 1: and how excited she was for me, And then when

923
00:49:16,160 --> 00:49:21,839
Speaker 1: I said it was Disney on the look her eyes grown. Man,

924
00:49:25,640 --> 00:49:28,480
Speaker 1: don't understand. You don't understand when the last time you went,

925
00:49:28,760 --> 00:49:38,799
Speaker 1: oh god, the judgment. I can't believe. I literally can't

926
00:49:38,800 --> 00:49:41,840
Speaker 1: believe this. It's as small as a world as running

927
00:49:41,840 --> 00:49:47,160
Speaker 1: into Bowen Ye on the stairs. It's the cycle gratry,

928
00:49:47,160 --> 00:49:49,880
Speaker 1: and I don't think so, honey, happens to be this.

929
00:49:50,160 --> 00:49:53,759
Speaker 1: It's literally okay, we'll get to it. We'll get to it.

930
00:49:54,160 --> 00:49:55,880
Speaker 1: Oh my god, we're going to get to it. And

931
00:49:58,080 --> 00:49:59,960
Speaker 1: I'm still excited that you're running a marathon. That's a

932
00:50:00,000 --> 00:50:03,000
Speaker 1: amazing And the reason the reason why I'm doing it

933
00:50:03,040 --> 00:50:05,759
Speaker 1: is because my friend Eric Harrison, who did one last year,

934
00:50:06,120 --> 00:50:08,960
Speaker 1: emailed me and said, this one's at Disney World if

935
00:50:08,960 --> 00:50:10,520
Speaker 1: you want to like have an extra reason to go,

936
00:50:10,640 --> 00:50:12,560
Speaker 1: And I was like thinking about it, and I was like,

937
00:50:12,640 --> 00:50:16,600
Speaker 1: it's in November, by the way, like November in Florida. Actually, yeah,

938
00:50:16,640 --> 00:50:20,600
Speaker 1: fair enough unless there's a hurricane, yeah for sure, which

939
00:50:20,640 --> 00:50:23,320
Speaker 1: the likelihood of that is actually high. Yeah, the world's

940
00:50:23,360 --> 00:50:26,520
Speaker 1: over so actually high. I hope this show comes out

941
00:50:26,640 --> 00:50:29,680
Speaker 1: very soon because no, but the thing is, like it was,

942
00:50:30,000 --> 00:50:32,719
Speaker 1: it feels far enough away where I'm like going to

943
00:50:32,800 --> 00:50:34,719
Speaker 1: be able to get ready for it. And honestly, I

944
00:50:34,719 --> 00:50:37,200
Speaker 1: said I would do it my whole life, and I'm

945
00:50:37,280 --> 00:50:38,840
Speaker 1: now I'm kind of at that point where it's like

946
00:50:38,880 --> 00:50:41,239
Speaker 1: stick to the training, stick to the training thing because

947
00:50:41,239 --> 00:50:43,719
Speaker 1: it also being disciplined. I've watched friends of mine go

948
00:50:43,800 --> 00:50:47,120
Speaker 1: through this being disciplined about the whole The whole thing

949
00:50:47,239 --> 00:50:50,240
Speaker 1: changes your life, not changes your life, but it gets

950
00:50:50,280 --> 00:50:52,160
Speaker 1: into your brain in a way that you just sort

951
00:50:52,160 --> 00:50:55,640
Speaker 1: of think about your own motivation and in your own organization,

952
00:50:55,719 --> 00:51:00,640
Speaker 1: and you're you know, ambition. It's so amazing, so impressive

953
00:51:00,640 --> 00:51:03,160
Speaker 1: and incredible to do one of them right now. What

954
00:51:03,200 --> 00:51:05,399
Speaker 1: I'm doing is ever since January one, and even since

955
00:51:05,400 --> 00:51:07,320
Speaker 1: a little bit before that, I finally got a gym membership.

956
00:51:07,360 --> 00:51:09,160
Speaker 1: Like I said, I've been to have been going to

957
00:51:09,320 --> 00:51:11,520
Speaker 1: for months and months and months, and so I've been

958
00:51:11,560 --> 00:51:13,719
Speaker 1: going every day. I'm in the gym for an hour

959
00:51:13,840 --> 00:51:16,399
Speaker 1: every day, and so I'm also thinking about what I'm

960
00:51:16,440 --> 00:51:19,720
Speaker 1: eating and like I'm eating like like high protein meals

961
00:51:19,719 --> 00:51:21,360
Speaker 1: like after I work out and stuff like that. I

962
00:51:21,440 --> 00:51:24,200
Speaker 1: just needed to change that part of my life to

963
00:51:24,280 --> 00:51:27,040
Speaker 1: make it a focus, and so like just letting all

964
00:51:27,080 --> 00:51:29,560
Speaker 1: the listeners know I'm actively doing it, and I will

965
00:51:29,600 --> 00:51:31,399
Speaker 1: be on this podcast every week so you can hold

966
00:51:31,400 --> 00:51:33,880
Speaker 1: me accountable if I'm saying I'm not. And He's going

967
00:51:33,920 --> 00:51:35,960
Speaker 1: to be that he's gonna be in Orlando November. I'll

968
00:51:35,960 --> 00:51:38,439
Speaker 1: be with him just to cheer him a coming. I

969
00:51:38,440 --> 00:51:41,800
Speaker 1: won't be there because it's the fucking worst place. I

970
00:51:42,600 --> 00:51:44,960
Speaker 1: need to know when the last time you went there.

971
00:51:46,040 --> 00:51:47,759
Speaker 1: I talk about it, like do I talk about it?

972
00:51:47,760 --> 00:51:52,480
Speaker 1: Because I don't, So we'll hold off because there's more

973
00:51:52,960 --> 00:51:57,440
Speaker 1: I will say. There is like a fun little at

974
00:51:57,520 --> 00:51:59,840
Speaker 1: us to know, like high up people at us, to

975
00:51:59,880 --> 00:52:03,360
Speaker 1: know who like I overheard them talking about their Christmas

976
00:52:03,400 --> 00:52:05,960
Speaker 1: plans and they were like, yeah, like I'll just out

977
00:52:06,000 --> 00:52:07,919
Speaker 1: him like Dennis M. Nicholas that we can. Day was like, yeah,

978
00:52:07,920 --> 00:52:09,520
Speaker 1: I might. I'm just thinking about getting like a room

979
00:52:09,520 --> 00:52:13,600
Speaker 1: at the Grand Flurty and just spending a few days

980
00:52:15,440 --> 00:52:17,680
Speaker 1: people at us and now just like love Disney World too,

981
00:52:17,800 --> 00:52:22,319
Speaker 1: like fucking like talent people like who I bet, I

982
00:52:22,360 --> 00:52:24,319
Speaker 1: bet you know who I bet is super fun at

983
00:52:24,320 --> 00:52:30,120
Speaker 1: Disney World. Kate Kate. Kate probably hates it. Kate probably

984
00:52:30,160 --> 00:52:32,640
Speaker 1: hates it. He probably hates it. I bet Cecily hates it.

985
00:52:33,040 --> 00:52:37,040
Speaker 1: Cecily likes it. I think I don't know any of

986
00:52:37,040 --> 00:52:40,200
Speaker 1: these people. Like wow, man, a lot of assumptions. I'm

987
00:52:40,239 --> 00:52:42,560
Speaker 1: just like eating all of listening to this conversations. I'm

988
00:52:42,600 --> 00:52:46,200
Speaker 1: so angry listen. Okay, well, look, it's it's a part

989
00:52:46,200 --> 00:52:48,360
Speaker 1: of my it's a part of my interest. I simply

990
00:52:48,360 --> 00:52:53,200
Speaker 1: want too. Here's what I will say if I ever

991
00:52:53,239 --> 00:52:57,800
Speaker 1: went back there with my people. No, I think running

992
00:52:57,800 --> 00:53:01,480
Speaker 1: a marathon there doesn't double back though. Do you have

993
00:53:01,520 --> 00:53:03,680
Speaker 1: to see the same stuff twice or do you I

994
00:53:03,719 --> 00:53:06,400
Speaker 1: would imagine because the property is so vast that like,

995
00:53:06,640 --> 00:53:10,640
Speaker 1: is it six point four miles mast it's hundreds of

996
00:53:10,680 --> 00:53:14,400
Speaker 1: thousands of Okay, so but that's so that's fun and

997
00:53:14,560 --> 00:53:19,120
Speaker 1: also probably flat the whole way because it's Florida, and

998
00:53:19,160 --> 00:53:21,759
Speaker 1: like there's no you know, crazy like for example, the

999
00:53:21,760 --> 00:53:23,640
Speaker 1: New York City Marathon. Everybody talks about the fact when

1000
00:53:23,680 --> 00:53:26,440
Speaker 1: you run over the bridge over Queens that it's like

1001
00:53:26,520 --> 00:53:29,759
Speaker 1: you're running uphill and you're halfway through and then at

1002
00:53:29,800 --> 00:53:34,319
Speaker 1: the end, Central Park is like an entire uphill, all

1003
00:53:34,400 --> 00:53:39,360
Speaker 1: up hill. Yeah. No, it's when you're finishing, it's it's

1004
00:53:39,400 --> 00:53:42,080
Speaker 1: that's a tougher one. But you're gonna deal with fucking

1005
00:53:42,400 --> 00:53:44,880
Speaker 1: You're gonna you're gonna be running through Jello. It's so humid.

1006
00:53:45,000 --> 00:53:49,960
Speaker 1: It's so humid. Um. I gotta tell you, um, you could.

1007
00:53:50,120 --> 00:53:52,319
Speaker 1: You could write a whole book about this, just this

1008
00:53:52,400 --> 00:53:56,000
Speaker 1: experience about getting ready for it. Apparently a lot of

1009
00:53:56,040 --> 00:53:59,919
Speaker 1: adult people like Disneyland and World I do, and I'm

1010
00:54:00,000 --> 00:54:03,800
Speaker 1: one of them, and I actually make it my mission

1011
00:54:04,200 --> 00:54:07,560
Speaker 1: to to to soften this. And you were going to

1012
00:54:07,680 --> 00:54:10,920
Speaker 1: go to Disney World. Very fun. You know what though,

1013
00:54:10,960 --> 00:54:13,279
Speaker 1: Here's what I will say, and I'm saying in here now,

1014
00:54:13,560 --> 00:54:16,479
Speaker 1: and maybe I'll be held accountable if I say it now,

1015
00:54:17,320 --> 00:54:19,160
Speaker 1: is that if Bowen wanted me to go with him

1016
00:54:19,160 --> 00:54:22,759
Speaker 1: to cheer you on, I do that. I would do that.

1017
00:54:22,800 --> 00:54:24,319
Speaker 1: I think we get a little we get a little

1018
00:54:24,320 --> 00:54:28,520
Speaker 1: group to go. You want to make dumb signs and

1019
00:54:28,600 --> 00:54:30,759
Speaker 1: mine will have like a dead Mickey Mouse on it.

1020
00:54:32,320 --> 00:54:34,279
Speaker 1: And then honestly we're going to get you into the

1021
00:54:34,280 --> 00:54:37,200
Speaker 1: park and we do like a cat skills experience like

1022
00:54:37,280 --> 00:54:43,759
Speaker 1: activities that giant. We got to find that by wow.

1023
00:54:43,880 --> 00:54:48,480
Speaker 1: We have to ask, we have question what is the

1024
00:54:48,520 --> 00:54:50,799
Speaker 1: culture that made you say culture is for you? Which

1025
00:54:50,840 --> 00:54:53,360
Speaker 1: is basically another way of asking. It's another way of asking,

1026
00:54:53,360 --> 00:54:55,640
Speaker 1: what was the formative pop culture when you were growing

1027
00:54:55,719 --> 00:54:59,000
Speaker 1: up that really informed your interests? Now, it's those kind

1028
00:54:59,000 --> 00:55:01,520
Speaker 1: of cultural touchstone that like kind of made you you,

1029
00:55:01,680 --> 00:55:05,200
Speaker 1: whether it was music a particular musical artist that you liked,

1030
00:55:05,200 --> 00:55:09,960
Speaker 1: a movie, a kind of genre of something. It's an

1031
00:55:10,000 --> 00:55:13,200
Speaker 1: interesting yeah, it's like I like the first thing that

1032
00:55:13,200 --> 00:55:17,680
Speaker 1: comes to mind is um, well, like you know, I'll

1033
00:55:17,680 --> 00:55:19,680
Speaker 1: just start by saying that, like I dance ballet from

1034
00:55:19,719 --> 00:55:22,320
Speaker 1: the age of three years old and all this stuff,

1035
00:55:22,320 --> 00:55:24,520
Speaker 1: but the thing that feels like it made me me.

1036
00:55:25,680 --> 00:55:31,480
Speaker 1: We're um a spintera Pet Detective and um Austin Powers

1037
00:55:31,640 --> 00:55:35,719
Speaker 1: number one. Wow. I have been saying on this podcast,

1038
00:55:36,440 --> 00:55:42,640
Speaker 1: we need like a broad comedy like that physical, insane comedy.

1039
00:55:42,760 --> 00:55:46,440
Speaker 1: Even see um Jim Carrey at the globes in his

1040
00:55:46,920 --> 00:55:50,040
Speaker 1: face and I just think he is such a genius.

1041
00:55:50,960 --> 00:55:56,360
Speaker 1: He compelling to watch, unbelievably compelling and interesting. And that,

1042
00:55:56,840 --> 00:56:00,279
Speaker 1: you know, ASPINTERA Pet Detective is such a great movie.

1043
00:56:00,320 --> 00:56:06,400
Speaker 1: I can still recite it. And you know, Christmas Vacation,

1044
00:56:06,680 --> 00:56:08,719
Speaker 1: that's a huge It's so it's you you mentioned that,

1045
00:56:08,760 --> 00:56:10,560
Speaker 1: and literally I have an aunt that plays it on

1046
00:56:10,600 --> 00:56:14,440
Speaker 1: a loop for seven during the Yeah, and like highly

1047
00:56:14,520 --> 00:56:19,000
Speaker 1: underrated Julia Louis Dreyfus in that movie is unbelievably great.

1048
00:56:20,320 --> 00:56:26,000
Speaker 1: I don't know, Margot, Oh god, what does she say

1049
00:56:26,040 --> 00:56:29,960
Speaker 1: that something? Whatever? Todd? I don't know, Margot, what we're

1050
00:56:30,040 --> 00:56:33,080
Speaker 1: going to do about A Todd? I don't know, Margot.

1051
00:56:33,200 --> 00:56:35,120
Speaker 1: It is so good, so good. Do you have a

1052
00:56:35,120 --> 00:56:39,480
Speaker 1: blunt spot for that? I'm a bad comedy st My

1053
00:56:39,520 --> 00:56:41,640
Speaker 1: sister wanted to put it on this this this Christmas.

1054
00:56:42,200 --> 00:56:44,040
Speaker 1: It's hard to motivate one that you're like, I don't

1055
00:56:44,080 --> 00:56:46,680
Speaker 1: have a relationship to this. Yeah, it's true. But then

1056
00:56:46,719 --> 00:56:48,200
Speaker 1: like this was the first year that I finally saw

1057
00:56:48,239 --> 00:56:50,040
Speaker 1: it A Wonderful Life, and I was like, oh my god,

1058
00:56:50,040 --> 00:56:51,640
Speaker 1: I could have been I could have grown up with this.

1059
00:56:51,960 --> 00:56:54,200
Speaker 1: I don't care for that movie. It was. It was nice.

1060
00:56:54,280 --> 00:56:56,120
Speaker 1: It was like, really, I care for it, but like

1061
00:56:56,200 --> 00:56:58,560
Speaker 1: I'm good. Now you're good. Okay, that's fair. But see

1062
00:56:58,640 --> 00:57:01,719
Speaker 1: Christmas Vacation. I think like, next up, next year, is

1063
00:57:01,760 --> 00:57:04,799
Speaker 1: there a Christmas movie that you're like every time? Yes,

1064
00:57:04,920 --> 00:57:09,759
Speaker 1: this besides Christmas Vacation. Um. I was going to say,

1065
00:57:09,800 --> 00:57:11,319
Speaker 1: like maybe Families, but I didn't watch it this year,

1066
00:57:11,360 --> 00:57:17,640
Speaker 1: which I'm surprised. Come Alone Home Alone to New York

1067
00:57:17,720 --> 00:57:21,120
Speaker 1: because you know, it's like when nineties Street looks like

1068
00:57:21,120 --> 00:57:25,160
Speaker 1: a ship hole and you're like, that's funny. Also, like

1069
00:57:25,320 --> 00:57:33,560
Speaker 1: the park is so dangerous, like oh no, yeah, seriously,

1070
00:57:33,760 --> 00:57:35,880
Speaker 1: Katherine and Howard like running through Time Square with like

1071
00:57:35,920 --> 00:57:37,920
Speaker 1: her nice coat and she's like, oh god, looking over

1072
00:57:37,920 --> 00:57:41,520
Speaker 1: her shoulder. Yeah, this city is so dangerous. But yeah, no,

1073
00:57:41,640 --> 00:57:43,240
Speaker 1: that was that is a good one, and also the

1074
00:57:43,280 --> 00:57:45,240
Speaker 1: high drinks that he gets up to, like the things

1075
00:57:45,280 --> 00:57:48,360
Speaker 1: he plans for the second one, I heightened. But I

1076
00:57:48,440 --> 00:57:52,120
Speaker 1: watched this year and I was like, Kevin McAllister is

1077
00:57:52,120 --> 00:57:56,800
Speaker 1: a diabolical psychopath. I was like, oh, he belongs in

1078
00:57:56,880 --> 00:58:01,240
Speaker 1: like a home shop children. Also, you know what's so

1079
00:58:01,280 --> 00:58:03,520
Speaker 1: crazy about that movie is like he sets up all

1080
00:58:03,560 --> 00:58:06,320
Speaker 1: that ship and then the next day his family all

1081
00:58:06,320 --> 00:58:10,240
Speaker 1: comes back and it's all it's all just like gone

1082
00:58:10,320 --> 00:58:13,760
Speaker 1: or like he's disposed to. Nothing said about, like the

1083
00:58:14,040 --> 00:58:17,000
Speaker 1: brother in law's house that was totally destroyed, were doing

1084
00:58:17,080 --> 00:58:20,920
Speaker 1: construction project, nothing is said about. Also in the first one,

1085
00:58:20,960 --> 00:58:25,320
Speaker 1: when like he literally like destroys all those ornaments, like

1086
00:58:25,680 --> 00:58:28,320
Speaker 1: there's like, um, the door knob is all heated up

1087
00:58:28,360 --> 00:58:30,800
Speaker 1: with that thing, Like imagine if somebody written reached for

1088
00:58:30,840 --> 00:58:32,680
Speaker 1: that doorknob and it was all hot. My mom this

1089
00:58:32,840 --> 00:58:35,640
Speaker 1: Christmas first time she saw it, she was like, what

1090
00:58:35,720 --> 00:58:37,920
Speaker 1: if the mom opens the door? My mom was like

1091
00:58:38,040 --> 00:58:40,920
Speaker 1: really concerned. My mom have never I've never seen my

1092
00:58:40,960 --> 00:58:42,920
Speaker 1: mom laugh at heart in my life at home alone.

1093
00:58:43,160 --> 00:58:46,439
Speaker 1: She was cackling at home alone in a terrifying way.

1094
00:58:46,480 --> 00:58:49,080
Speaker 1: I was like, I saw something that was like about

1095
00:58:49,320 --> 00:58:51,760
Speaker 1: raising children and about how it's bad that they see

1096
00:58:51,880 --> 00:58:53,880
Speaker 1: this kind of slaps it, like people getting hurt. And

1097
00:58:53,920 --> 00:58:57,160
Speaker 1: I was like, okay, though it didn't affect us because

1098
00:58:57,200 --> 00:58:59,440
Speaker 1: also like that we've they've been having that for years.

1099
00:58:59,440 --> 00:59:01,640
Speaker 1: I think about any tunes, even though it was cartoons,

1100
00:59:01,800 --> 00:59:04,800
Speaker 1: like literally all the comedy was heavy ship. Actually I

1101
00:59:04,840 --> 00:59:06,520
Speaker 1: just realized what I'm referring to, and it is a

1102
00:59:06,560 --> 00:59:10,160
Speaker 1: gorgeous film, and it's the Mr. Rogers story, which where

1103
00:59:10,160 --> 00:59:12,200
Speaker 1: he talks about how it's so sad that kids are

1104
00:59:12,240 --> 00:59:14,800
Speaker 1: exposed to all of this, you know, getting harmed in

1105
00:59:14,880 --> 00:59:17,240
Speaker 1: things all the time, and you watch Mr Rogers and

1106
00:59:17,240 --> 00:59:20,200
Speaker 1: you're like, he has a point. But also I really

1107
00:59:20,200 --> 00:59:27,120
Speaker 1: do like when the Roadrunner keeps getting away that good

1108
00:59:28,320 --> 00:59:31,600
Speaker 1: I cried on a plane is that movie? I love

1109
00:59:31,600 --> 00:59:35,120
Speaker 1: that you say Austin powers because Austin powers. Yes, And

1110
00:59:35,480 --> 00:59:38,240
Speaker 1: also like all of them that came out here all funny.

1111
00:59:38,320 --> 00:59:40,280
Speaker 1: Oh my god, the first one is great, the second

1112
00:59:40,320 --> 00:59:42,880
Speaker 1: one I think might be my favorite, and the well

1113
00:59:42,880 --> 00:59:47,880
Speaker 1: remember Anything is so underrated. And also Beyonce fully in it.

1114
00:59:48,840 --> 00:59:51,400
Speaker 1: Oh my god, oh my god, she's so good in it.

1115
00:59:51,520 --> 00:59:54,160
Speaker 1: She really is really good. Margaret that jennaked on the

1116
00:59:54,240 --> 00:59:58,600
Speaker 1: Code Day the Cold Day. I love it. It's so funny,

1117
00:59:58,720 --> 01:00:04,120
Speaker 1: it's so smart onliners one million dollars, it's so good,

1118
01:00:03,880 --> 01:00:07,080
Speaker 1: and all the Japan stuff, the Tokyo stuff, and the

1119
01:00:07,120 --> 01:00:09,840
Speaker 1: third one with that and all the subtitles. Guys, am

1120
01:00:09,840 --> 01:00:13,480
Speaker 1: I having you over so we can rewatch. We have to,

1121
01:00:13,520 --> 01:00:15,360
Speaker 1: we have to, Marathon. I don't remember the last time

1122
01:00:15,360 --> 01:00:17,640
Speaker 1: I saw it. I watched, I saw, I've seen that.

1123
01:00:18,480 --> 01:00:21,240
Speaker 1: I recently watched the second one because it was just

1124
01:00:21,280 --> 01:00:23,760
Speaker 1: on television and it was just so good. Like literally,

1125
01:00:23,800 --> 01:00:27,000
Speaker 1: there's this scene where like the like spy, like the

1126
01:00:27,040 --> 01:00:29,680
Speaker 1: woman is like approaching, like it's the first scene with

1127
01:00:29,720 --> 01:00:32,320
Speaker 1: Heather Graham, and she's like, you better keep an eye

1128
01:00:32,360 --> 01:00:34,520
Speaker 1: up because there's a spy here, and then she walks

1129
01:00:34,520 --> 01:00:37,080
Speaker 1: away and then he's like and then this girl comes

1130
01:00:37,560 --> 01:00:45,720
Speaker 1: Robin swallows and she's like never, that's standard, right, Yeah,

1131
01:00:44,520 --> 01:00:52,800
Speaker 1: she goes and she's like wearing that wig that's pushed back.

1132
01:00:52,840 --> 01:00:55,440
Speaker 1: Oh my god. And it's so much physical comedy and

1133
01:00:55,440 --> 01:00:58,600
Speaker 1: like all the actors that are so good. And also

1134
01:00:58,640 --> 01:01:08,959
Speaker 1: the second one brought us um the the American Woman cover. Yeah, yeah,

1135
01:01:09,080 --> 01:01:11,840
Speaker 1: it really is. It the same scene where Heather Graham

1136
01:01:11,920 --> 01:01:14,160
Speaker 1: is dancing like with the other. Oh my god, so

1137
01:01:14,560 --> 01:01:18,040
Speaker 1: I kept reminding to as a kid. Was at the

1138
01:01:18,160 --> 01:01:19,920
Speaker 1: end when the rocket is about to launch and it's

1139
01:01:19,920 --> 01:01:24,880
Speaker 1: Froud restarting the countdown, and yeah, we should scream the five.

1140
01:01:26,400 --> 01:01:31,840
Speaker 1: We can probably go to five. Funny, we don't have

1141
01:01:32,160 --> 01:01:34,880
Speaker 1: like that anymore. We don't and if we do it

1142
01:01:35,000 --> 01:01:37,920
Speaker 1: like tries too hard. But like we we don't have ship.

1143
01:01:38,000 --> 01:01:41,160
Speaker 1: That's just like it scene to scene, just funny like that.

1144
01:01:41,200 --> 01:01:43,640
Speaker 1: The scenes are written like sketches, like there's a simple

1145
01:01:43,680 --> 01:01:46,160
Speaker 1: comedic idea and each scene and that's just executed. It's

1146
01:01:46,200 --> 01:01:49,480
Speaker 1: just stupid that, like audiences don't want that anymore. It

1147
01:01:49,520 --> 01:01:53,920
Speaker 1: doesn't work. I think everyone's obsession with being smart. Yeah,

1148
01:01:54,240 --> 01:01:59,520
Speaker 1: don't you think I don't know, write it, Bowen, write it.

1149
01:02:00,000 --> 01:02:02,120
Speaker 1: I mean that should be what we're right. Yeah, and

1150
01:02:02,520 --> 01:02:05,040
Speaker 1: we basically wrote we wrote a show that we had

1151
01:02:05,040 --> 01:02:06,960
Speaker 1: a whole show which is called night Soap, which is

1152
01:02:07,040 --> 01:02:11,680
Speaker 1: us in full drag as to warring chocolate dynasty matriarchs,

1153
01:02:11,080 --> 01:02:14,000
Speaker 1: the Hersheyes in the nest Les and it's about who's

1154
01:02:14,000 --> 01:02:16,680
Speaker 1: going to sell the first chocolate in space and it

1155
01:02:16,760 --> 01:02:19,360
Speaker 1: was it is the only my character's name is Barbara Hershey,

1156
01:02:19,600 --> 01:02:22,160
Speaker 1: the actress Barbara Hershey, and it is in fact that

1157
01:02:22,360 --> 01:02:26,280
Speaker 1: Barbara Hershey. And that was a good show. Well, I'm

1158
01:02:26,280 --> 01:02:30,400
Speaker 1: a veil to be your assistant. I don't know, like

1159
01:02:30,880 --> 01:02:33,440
Speaker 1: Helena should have a kame did it one time? Literally

1160
01:02:34,120 --> 01:02:37,720
Speaker 1: literally the story of is like is like a fucking

1161
01:02:37,760 --> 01:02:39,480
Speaker 1: Mike Myers thing. Like by the end we do end

1162
01:02:39,560 --> 01:02:41,520
Speaker 1: up in space. It is like the second Austin Powers

1163
01:02:41,520 --> 01:02:43,840
Speaker 1: of the Death and Space. Yeah, I mean honestly remember

1164
01:02:43,920 --> 01:02:47,720
Speaker 1: like Mars Attacks. Yeah, I love Mars Attacks. And also

1165
01:02:48,480 --> 01:02:51,040
Speaker 1: that was classic lend close right there, classic lun close,

1166
01:02:51,080 --> 01:02:55,960
Speaker 1: classic s JP is s JP. Isn't Natalie Borman in

1167
01:02:56,000 --> 01:03:00,920
Speaker 1: Mors Attacks? Um, Elizabeth? No? No, someone is Natalie Apartment?

1168
01:03:00,920 --> 01:03:03,600
Speaker 1: Is she the President's daughter? I feel like someone I

1169
01:03:03,600 --> 01:03:06,320
Speaker 1: need to rewatch this. That's a really good one. Good god.

1170
01:03:06,360 --> 01:03:09,560
Speaker 1: And we're like the girls. She's walking like this just

1171
01:03:09,600 --> 01:03:11,439
Speaker 1: like really an alien. She's like, yes, he's help people

1172
01:03:11,560 --> 01:03:17,400
Speaker 1: walk so and that little that's that dress anyway? Um.

1173
01:03:17,760 --> 01:03:21,120
Speaker 1: The third Austin Powers gave us Nathan Leane lips thinking

1174
01:03:21,120 --> 01:03:25,400
Speaker 1: to be once. Every scene is a sketch, so good,

1175
01:03:26,040 --> 01:03:28,960
Speaker 1: damn it. I mean also, the music in it was

1176
01:03:30,040 --> 01:03:37,120
Speaker 1: just like, wait, what he had the modest touch much

1177
01:03:40,080 --> 01:03:44,160
Speaker 1: remember smoking a pancake or cigar, not grape like, so

1178
01:03:44,320 --> 01:03:47,320
Speaker 1: I will say, and the whole Austin Powers canon Goldmember

1179
01:03:47,400 --> 01:03:50,120
Speaker 1: is the character that hit the least for me. But

1180
01:03:50,400 --> 01:03:54,960
Speaker 1: that's only because we had the gloriousness a fat bastard, um,

1181
01:03:55,560 --> 01:03:57,960
Speaker 1: the confusing of the files with the ship and like,

1182
01:03:58,040 --> 01:04:04,160
Speaker 1: oh my god, naughty but not its So it's so

1183
01:04:04,160 --> 01:04:06,200
Speaker 1: funny that you it's so funny that you mentioned those

1184
01:04:06,200 --> 01:04:10,000
Speaker 1: movies as like influences, like formative things for you, because

1185
01:04:10,000 --> 01:04:13,640
Speaker 1: I feel like Helena, You've had such a great varied

1186
01:04:14,960 --> 01:04:18,320
Speaker 1: resume and like, but it feels like like in your

1187
01:04:18,360 --> 01:04:20,760
Speaker 1: heart of hearts, you are like a comedy person. I

1188
01:04:20,760 --> 01:04:23,840
Speaker 1: don't know. Yeah, it's um, it's interesting because I it's

1189
01:04:23,880 --> 01:04:26,000
Speaker 1: not interesting, it just is what it is. Um. I

1190
01:04:26,280 --> 01:04:29,640
Speaker 1: you know, I went to school for theater, and um,

1191
01:04:29,720 --> 01:04:31,360
Speaker 1: when you go to school for theater, you're like you

1192
01:04:31,400 --> 01:04:35,480
Speaker 1: fancy yourself very deep. And I played like, um, who's

1193
01:04:35,520 --> 01:04:38,919
Speaker 1: the mom and Tommy, um, Mrs Walker? I played Mrs

1194
01:04:38,920 --> 01:04:41,240
Speaker 1: Walker and Tommy my senior year. And then I graduated

1195
01:04:41,280 --> 01:04:43,840
Speaker 1: and I was like only cast in comedic roles in

1196
01:04:43,960 --> 01:04:46,240
Speaker 1: theater and then I started doing TV and I did.

1197
01:04:46,320 --> 01:04:49,000
Speaker 1: I have gotten to do a lot of different things,

1198
01:04:49,000 --> 01:04:53,240
Speaker 1: which is so cool what I do wish sometimes looking back,

1199
01:04:53,320 --> 01:04:55,560
Speaker 1: I'm like, oh, I wish I had done a uc

1200
01:04:55,760 --> 01:04:58,720
Speaker 1: B or thought about doing stand up or getting involved

1201
01:04:58,720 --> 01:05:00,520
Speaker 1: in that. But I was so poor and u c

1202
01:05:00,680 --> 01:05:05,440
Speaker 1: B classes are like four hundred dollars Jesus, and so

1203
01:05:05,560 --> 01:05:08,120
Speaker 1: I was like, well, I'm I'm gonna try. You know,

1204
01:05:08,200 --> 01:05:09,720
Speaker 1: I was trying to do theater, and I was doing

1205
01:05:09,720 --> 01:05:11,000
Speaker 1: a lot of theater, and I was touring. I like

1206
01:05:11,040 --> 01:05:13,640
Speaker 1: toured Wicked when I was very young, and I toured

1207
01:05:13,680 --> 01:05:18,800
Speaker 1: like high school musical as Sharp, so you know, I

1208
01:05:18,840 --> 01:05:21,160
Speaker 1: was doing that, and so I was just sort of

1209
01:05:21,200 --> 01:05:23,080
Speaker 1: on that train. And so I didn't get into that world.

1210
01:05:23,160 --> 01:05:27,440
Speaker 1: And honestly, it has always felt like, and this is

1211
01:05:27,480 --> 01:05:29,880
Speaker 1: why this is to me, I'm like so excited that

1212
01:05:29,920 --> 01:05:32,160
Speaker 1: people love the show and and and all of this

1213
01:05:32,360 --> 01:05:34,560
Speaker 1: or so far because they've been sending the episodes out.

1214
01:05:35,040 --> 01:05:37,640
Speaker 1: But when I got the pilot for this speaking because

1215
01:05:37,680 --> 01:05:40,760
Speaker 1: you were talking about running into Schneider and Kelly sketches

1216
01:05:40,880 --> 01:05:43,560
Speaker 1: now that you're at snl UM. When I got the pilot,

1217
01:05:43,600 --> 01:05:46,000
Speaker 1: I read it and I was like Oh, I hate

1218
01:05:46,040 --> 01:05:50,440
Speaker 1: reading stuff I want, Like it's so scary because when

1219
01:05:50,480 --> 01:05:52,880
Speaker 1: you want something, you're like there's a possibility that I'll

1220
01:05:52,880 --> 01:05:55,880
Speaker 1: disappoint myself and I won't get it. And so I

1221
01:05:55,920 --> 01:05:58,240
Speaker 1: read the pilot and I was like look, and so

1222
01:05:58,360 --> 01:06:01,160
Speaker 1: I went in and I met m and I was

1223
01:06:01,200 --> 01:06:03,240
Speaker 1: in there for a long time and we were chatting

1224
01:06:03,280 --> 01:06:07,000
Speaker 1: and their fans of High Maintenance and um, and I

1225
01:06:07,040 --> 01:06:09,760
Speaker 1: was just like, God, they're so cool, Like this is

1226
01:06:09,800 --> 01:06:12,160
Speaker 1: so cool, and like all of these like you guys

1227
01:06:12,160 --> 01:06:15,600
Speaker 1: are so deeply cool and like this whole world is

1228
01:06:15,640 --> 01:06:17,120
Speaker 1: so cool. And I was like, I got out of

1229
01:06:17,120 --> 01:06:19,400
Speaker 1: the audition and I called my manager and I was like, well,

1230
01:06:19,440 --> 01:06:22,360
Speaker 1: I'll never get it, But do you think that they

1231
01:06:22,440 --> 01:06:26,760
Speaker 1: want to have a drink with me? Sometimes? Like I

1232
01:06:26,800 --> 01:06:29,600
Speaker 1: want to hang out And then next thing you know,

1233
01:06:29,720 --> 01:06:32,680
Speaker 1: you're going to fucking Mrs Mazel's premier pint with Sarah.

1234
01:06:32,760 --> 01:06:36,560
Speaker 1: I'm doing this, Hi, I'm doing this. Um. So it

1235
01:06:36,840 --> 01:06:40,720
Speaker 1: feels like it's a club and it's not, because it's

1236
01:06:40,760 --> 01:06:43,680
Speaker 1: And the thing that has been so amazing about being

1237
01:06:43,680 --> 01:06:46,480
Speaker 1: a part of this world now is that everybody, and

1238
01:06:46,520 --> 01:06:48,800
Speaker 1: like you guys are so included in this is so

1239
01:06:48,920 --> 01:06:52,760
Speaker 1: incredible and wants to like constantly tell each other how

1240
01:06:52,800 --> 01:06:55,680
Speaker 1: great they're doing all the time. And I'm so amazed

1241
01:06:55,720 --> 01:06:58,440
Speaker 1: by people and so inspired by like different voices and

1242
01:06:58,560 --> 01:07:01,080
Speaker 1: comedy right now is so interest staying cool and different

1243
01:07:01,200 --> 01:07:04,880
Speaker 1: and yes, and it was even like, um, I went

1244
01:07:04,960 --> 01:07:09,400
Speaker 1: I saw Bowen, um guest on uh the you know

1245
01:07:09,920 --> 01:07:14,160
Speaker 1: um Cat and Mitra and Patty Show and the way

1246
01:07:14,200 --> 01:07:16,880
Speaker 1: that those three girls, Oh, it was really funny. It

1247
01:07:16,880 --> 01:07:21,120
Speaker 1: really made me laugh. It's a guy, I think, I

1248
01:07:21,160 --> 01:07:23,360
Speaker 1: think you and that whole song where they're like God

1249
01:07:23,480 --> 01:07:26,240
Speaker 1: is a guy because he's so random, and I was

1250
01:07:26,280 --> 01:07:29,720
Speaker 1: just like, this is so amazing anyway, I just I

1251
01:07:29,720 --> 01:07:31,800
Speaker 1: think you're also cool. And I'm so excited to be here.

1252
01:07:31,800 --> 01:07:34,480
Speaker 1: And so it was like you know, watching things like

1253
01:07:34,560 --> 01:07:37,800
Speaker 1: Ace Frona or um, you know, I just I kind

1254
01:07:37,840 --> 01:07:40,600
Speaker 1: of like I turned into theater and like I said

1255
01:07:40,600 --> 01:07:45,120
Speaker 1: about Brook, like I pivoted, and I'm just it feels

1256
01:07:45,200 --> 01:07:47,680
Speaker 1: right to be here and I'm so excited to be

1257
01:07:47,880 --> 01:07:51,920
Speaker 1: in this and I you know, like Molly Shannon plays

1258
01:07:52,000 --> 01:07:56,520
Speaker 1: my mom, you know that is that turn of events,

1259
01:07:56,880 --> 01:08:04,840
Speaker 1: Like and she's the best, incredible, she's the greatest. I mean,

1260
01:08:04,880 --> 01:08:06,520
Speaker 1: if you watch the show. There's a scene that we

1261
01:08:06,600 --> 01:08:11,680
Speaker 1: do on a plane and she's absolutely, she's just insane,

1262
01:08:11,720 --> 01:08:14,200
Speaker 1: and you know, we do these scenes in a in

1263
01:08:14,240 --> 01:08:18,560
Speaker 1: a bathroom and she she's just you know that episode

1264
01:08:18,760 --> 01:08:22,760
Speaker 1: that was that that was an example of it's it's

1265
01:08:22,760 --> 01:08:25,160
Speaker 1: like episode eight or nine, you guys. So I'm not

1266
01:08:25,200 --> 01:08:28,440
Speaker 1: going to talk about the specifics, but I will say

1267
01:08:28,760 --> 01:08:30,760
Speaker 1: there's an episode later in that season, which is the

1268
01:08:30,800 --> 01:08:33,479
Speaker 1: one we're talking about, which is the perfect example of

1269
01:08:33,479 --> 01:08:36,240
Speaker 1: what's so special about this show is it has all

1270
01:08:36,640 --> 01:08:41,080
Speaker 1: the darkness and it actually in the most shocking way

1271
01:08:41,800 --> 01:08:44,559
Speaker 1: makes it one of the funniest episodes of so and

1272
01:08:44,560 --> 01:08:48,000
Speaker 1: then by the it's dark, but then by the end

1273
01:08:48,120 --> 01:08:50,680
Speaker 1: something like these way it gets talked about is this

1274
01:08:50,720 --> 01:08:55,799
Speaker 1: is just so funny. Truly good dramatic performances, yes, truly

1275
01:08:55,800 --> 01:08:58,160
Speaker 1: good from everything, I mean, like across the board. Just

1276
01:08:58,240 --> 01:09:01,439
Speaker 1: like also, I have to say, like there's my favorite,

1277
01:09:01,479 --> 01:09:03,439
Speaker 1: I think my favorite moment of the whole season is

1278
01:09:03,479 --> 01:09:06,519
Speaker 1: a scene Withdrew at the end of one episode, which

1279
01:09:06,560 --> 01:09:10,240
Speaker 1: is you know what I'm talking about, which is, oh

1280
01:09:10,280 --> 01:09:13,840
Speaker 1: my god, there's just it's just so good, so smart,

1281
01:09:13,880 --> 01:09:16,880
Speaker 1: and that's like a true Chris tribute. Yeah, that felt

1282
01:09:16,960 --> 01:09:26,640
Speaker 1: very Chris. One of the credit sequence towards the Town,

1283
01:09:27,080 --> 01:09:30,120
Speaker 1: it was Drew is giving you so much and so

1284
01:09:30,160 --> 01:09:32,599
Speaker 1: many different things. The other thing that like this show

1285
01:09:32,640 --> 01:09:37,160
Speaker 1: gives you one of sykes for christis it's you know,

1286
01:09:37,200 --> 01:09:38,360
Speaker 1: there were days I was at work with her and

1287
01:09:38,360 --> 01:09:42,640
Speaker 1: I was like, what's happening. It's so awesome, And you know,

1288
01:09:42,640 --> 01:09:45,479
Speaker 1: they just got smart, cool people like you know, Richard

1289
01:09:45,600 --> 01:09:50,479
Speaker 1: kind is on the tind did you know before? No? Wow?

1290
01:09:50,640 --> 01:09:52,680
Speaker 1: Great you guys. You guys have such you guys have

1291
01:09:52,720 --> 01:09:55,120
Speaker 1: a very good belief. We had to do with chemistry

1292
01:09:55,160 --> 01:09:57,960
Speaker 1: read like we had to audition together and I looked

1293
01:09:58,040 --> 01:09:59,479
Speaker 1: him up and I was like, great, one of these

1294
01:09:59,560 --> 01:10:02,400
Speaker 1: UC you guys know how to do this. And I

1295
01:10:02,479 --> 01:10:05,679
Speaker 1: was petrified because he is I don't. Just a plug

1296
01:10:05,680 --> 01:10:07,400
Speaker 1: for Drew really quickly is if you go, if you're

1297
01:10:07,400 --> 01:10:09,320
Speaker 1: ever in l A and you go to the UC

1298
01:10:09,439 --> 01:10:12,160
Speaker 1: Beyond Franklin. He performs with this team on Friday Nights

1299
01:10:12,160 --> 01:10:14,400
Speaker 1: at nine, and gilling to Seem is also on that team,

1300
01:10:14,439 --> 01:10:17,519
Speaker 1: and she wrote on our show and they are very

1301
01:10:17,560 --> 01:10:20,360
Speaker 1: good and Drew is very good. Have you seen him?

1302
01:10:20,479 --> 01:10:23,400
Speaker 1: I mean, I I've known I know Drew and I've

1303
01:10:23,439 --> 01:10:26,280
Speaker 1: known his comedy for a long time. He is very

1304
01:10:26,280 --> 01:10:30,679
Speaker 1: good good, He's a very skilled, wonderful improviser, and so yeah,

1305
01:10:30,760 --> 01:10:34,080
Speaker 1: I don't know that worked out. And the thing is

1306
01:10:34,120 --> 01:10:36,200
Speaker 1: too It's like it's like you said, like you read

1307
01:10:36,240 --> 01:10:39,320
Speaker 1: these things and you're like so and the odds are

1308
01:10:39,360 --> 01:10:41,280
Speaker 1: so stacked against you that you're going to get this

1309
01:10:41,400 --> 01:10:45,519
Speaker 1: perfect thing. Oh it's insane. It's I think it's something

1310
01:10:45,520 --> 01:10:47,559
Speaker 1: that like a lot of actors that you could talk

1311
01:10:47,600 --> 01:10:49,400
Speaker 1: about this, this has happened to all of us where

1312
01:10:49,439 --> 01:10:52,320
Speaker 1: you're like where you just get it and you're like, oh, yeah,

1313
01:10:52,520 --> 01:10:54,320
Speaker 1: I'm gonna have to be disappointed now. I'm gonna like,

1314
01:10:54,360 --> 01:10:56,519
Speaker 1: I'm gonna be nervous when I get in. I know

1315
01:10:56,600 --> 01:10:58,519
Speaker 1: exactly how it's going to feel. I'm going to be

1316
01:10:58,520 --> 01:11:00,880
Speaker 1: like waiting for the phone call. I have to say though,

1317
01:11:00,880 --> 01:11:03,759
Speaker 1: And this is not in a way to um brag

1318
01:11:03,800 --> 01:11:05,880
Speaker 1: in any way, but when you read something that feels

1319
01:11:05,880 --> 01:11:10,160
Speaker 1: so perfect, it's often because it is yeah, like you know,

1320
01:11:10,320 --> 01:11:13,280
Speaker 1: I don't know, it's just things. It's like, um, you know,

1321
01:11:13,360 --> 01:11:14,920
Speaker 1: it's like what they say about meeting the right person.

1322
01:11:14,960 --> 01:11:17,280
Speaker 1: You're just like, yeah, you know what I mean. Well,

1323
01:11:17,320 --> 01:11:20,439
Speaker 1: it's it's it's two things where it's like christ and

1324
01:11:20,479 --> 01:11:22,880
Speaker 1: Sarah like the whoever is behind the work are the

1325
01:11:22,880 --> 01:11:25,200
Speaker 1: people who have made it so perfect. But then it's

1326
01:11:26,360 --> 01:11:28,559
Speaker 1: it's incumbent on the other person to be like, oh,

1327
01:11:28,600 --> 01:11:32,080
Speaker 1: I'm responding to this and so therefore I want to

1328
01:11:32,080 --> 01:11:33,680
Speaker 1: do a good job and just represent this one. And

1329
01:11:33,680 --> 01:11:36,400
Speaker 1: I feel like that is just the perfect stars aligning

1330
01:11:36,400 --> 01:11:38,679
Speaker 1: thing that that happened. Yeah, And what was amazing also

1331
01:11:38,720 --> 01:11:41,760
Speaker 1: about that experience and shooting it because we shot it

1332
01:11:41,840 --> 01:11:44,439
Speaker 1: all in New York, which also for me living here

1333
01:11:44,720 --> 01:11:47,679
Speaker 1: was absolutely dream like I've shot a show in New Mexico,

1334
01:11:47,840 --> 01:11:50,000
Speaker 1: which is a beautiful place, Like you're away from home.

1335
01:11:52,200 --> 01:11:55,120
Speaker 1: Drue God bless him, was away from home. I actually

1336
01:11:55,160 --> 01:11:57,080
Speaker 1: found his sublet and he has a lot of stories

1337
01:11:57,120 --> 01:12:00,680
Speaker 1: about his sublet, but I found for him, so you

1338
01:12:00,720 --> 01:12:03,200
Speaker 1: can ask him about the sublet that he lived in

1339
01:12:03,240 --> 01:12:06,719
Speaker 1: while he was here. But um is that when Chris

1340
01:12:06,760 --> 01:12:10,080
Speaker 1: and Sarah, when we were doing this, they were so

1341
01:12:10,680 --> 01:12:13,000
Speaker 1: and I think it's also their experience at SNL. They

1342
01:12:13,000 --> 01:12:15,320
Speaker 1: were so involved and invested in the things that they

1343
01:12:15,320 --> 01:12:17,240
Speaker 1: had written in the story that they were trying to tell,

1344
01:12:18,000 --> 01:12:20,880
Speaker 1: and you know, it was one of those things where

1345
01:12:21,160 --> 01:12:23,400
Speaker 1: if if I if they asked me to do like

1346
01:12:23,520 --> 01:12:27,799
Speaker 1: fifteen takes of something, I never felt like, oh I'm failing.

1347
01:12:27,960 --> 01:12:30,519
Speaker 1: I never felt that way. I always felt like, I

1348
01:12:30,600 --> 01:12:33,800
Speaker 1: know that they're waiting to get what they need because

1349
01:12:33,840 --> 01:12:35,599
Speaker 1: and then I trust them and I was just like, oh,

1350
01:12:35,640 --> 01:12:38,160
Speaker 1: I'll get there. And you develop a shorthand with people

1351
01:12:38,240 --> 01:12:40,240
Speaker 1: that are I mean, they created an environment where like

1352
01:12:40,240 --> 01:12:42,559
Speaker 1: everybody loved each other and they were all happy to

1353
01:12:42,600 --> 01:12:46,280
Speaker 1: be there, and you know, costumes and you know photography.

1354
01:12:46,400 --> 01:12:50,439
Speaker 1: Everybody that was there was just um like happy and

1355
01:12:50,560 --> 01:12:52,839
Speaker 1: loving what we were doing. Like there's nothing more pleasurable

1356
01:12:52,840 --> 01:12:55,240
Speaker 1: also than seeing like you know, your cameramember like their

1357
01:12:55,280 --> 01:12:58,880
Speaker 1: shoulders bouncing up and now because they're laughing. And Sarah

1358
01:12:58,920 --> 01:13:01,000
Speaker 1: christ and Sarah did that and they went out of

1359
01:13:01,000 --> 01:13:03,240
Speaker 1: their way, like Jill Bream who does our costumes, does

1360
01:13:03,280 --> 01:13:05,680
Speaker 1: the costumes for the shorts at SNL, and you know,

1361
01:13:05,720 --> 01:13:08,240
Speaker 1: there's just all these in and then Charlie who is

1362
01:13:08,240 --> 01:13:10,720
Speaker 1: our director of photography, does a lot of the photography

1363
01:13:10,800 --> 01:13:12,960
Speaker 1: for the shorts at SNL, and so it's like a family.

1364
01:13:13,960 --> 01:13:17,560
Speaker 1: It's so overused, I think to say that, but um,

1365
01:13:17,600 --> 01:13:19,960
Speaker 1: it's it's you know, it's like, on so many levels,

1366
01:13:20,000 --> 01:13:23,000
Speaker 1: this was such a dream job for me, and to

1367
01:13:23,040 --> 01:13:24,560
Speaker 1: the point that it was like a character that I

1368
01:13:24,600 --> 01:13:26,880
Speaker 1: really wanted to play. The writing was so good, Chris

1369
01:13:26,880 --> 01:13:29,680
Speaker 1: and Sarah so amazing. I absolutely love Drew, I love

1370
01:13:29,760 --> 01:13:36,400
Speaker 1: Ken marinozing Ken Rino, who is an again an amazing improviser,

1371
01:13:36,479 --> 01:13:39,400
Speaker 1: an incredible funny man. And Molly, I mean, my god,

1372
01:13:39,439 --> 01:13:42,840
Speaker 1: and like Case who is who we watched grow into

1373
01:13:42,840 --> 01:13:45,320
Speaker 1: this like wonderful actor while we were doing this and

1374
01:13:45,920 --> 01:13:49,200
Speaker 1: giving so much hard and you know, it's it's we

1375
01:13:49,280 --> 01:13:56,839
Speaker 1: got to know his parents. Like, it's just it's lucky. Everyone,

1376
01:13:57,080 --> 01:13:59,680
Speaker 1: I mean you especially, everyone just sort of is in

1377
01:13:59,760 --> 01:14:02,320
Speaker 1: the right place there and it sounds so so so

1378
01:14:02,360 --> 01:14:04,320
Speaker 1: fun and I'm from the outside looking and being like

1379
01:14:04,680 --> 01:14:07,479
Speaker 1: that is so cool. I'm so excited to just follow this.

1380
01:14:07,920 --> 01:14:10,200
Speaker 1: I think the show is going to be successful, and

1381
01:14:10,240 --> 01:14:14,000
Speaker 1: I think I think January is when it premiers everybody,

1382
01:14:14,000 --> 01:14:15,800
Speaker 1: which also coincidentally, and this is how you know it's

1383
01:14:15,800 --> 01:14:25,640
Speaker 1: a lucky day. That's my sister's birthday. Okay, are you

1384
01:14:25,800 --> 01:14:31,759
Speaker 1: to astrology? Yes? Okay, what are you a pisces SiO?

1385
01:14:32,600 --> 01:14:37,439
Speaker 1: We are water signs? No wonder I want to sit on.

1386
01:14:40,280 --> 01:14:44,559
Speaker 1: Who's to get sexual? Um? I get very sexual towards um,

1387
01:14:44,600 --> 01:14:50,040
Speaker 1: not my own signs, but aries. Oh interesting. When's your birthday? Okay,

1388
01:14:50,200 --> 01:14:53,400
Speaker 1: when's yours? February? Okay, we're right around the corner. We

1389
01:14:53,439 --> 01:14:56,680
Speaker 1: all right around the cornal um. I actually you were

1390
01:14:56,720 --> 01:14:58,920
Speaker 1: just saying, and I'm thinking now, maybe I'll do a

1391
01:14:58,920 --> 01:15:03,280
Speaker 1: Physiquity seven class for my birthday. Whoa, yeah, maybe all

1392
01:15:03,320 --> 01:15:06,040
Speaker 1: that would be fun. Right'll be right, you'll be here. Yeah,

1393
01:15:06,560 --> 01:15:13,599
Speaker 1: I'm the pilot season good good, it'll be so mad

1394
01:15:13,640 --> 01:15:18,800
Speaker 1: where I'm going for my birthday? Fucking Disney God, damn it. Man,

1395
01:15:19,160 --> 01:15:20,960
Speaker 1: it's harsh, but that's the way I am. I can't

1396
01:15:20,960 --> 01:15:23,400
Speaker 1: believe that we're pisces and sisters, and yet this is

1397
01:15:23,439 --> 01:15:25,800
Speaker 1: what tears us apart. Like as the pisces, you should

1398
01:15:25,800 --> 01:15:28,400
Speaker 1: be ready in touch with your inner child. Um No,

1399
01:15:28,640 --> 01:15:31,040
Speaker 1: my I was a child and now I'm an adult,

1400
01:15:31,160 --> 01:15:38,920
Speaker 1: so that time has passed that. I also was taken

1401
01:15:38,960 --> 01:15:40,960
Speaker 1: to Disneyland when I was a child and I went

1402
01:15:41,000 --> 01:15:43,800
Speaker 1: on the Frog and Toad right and I lost my ship.

1403
01:15:43,960 --> 01:15:46,840
Speaker 1: I was terrified. I was in a corner of that

1404
01:15:46,880 --> 01:15:50,559
Speaker 1: little boat, like get me out. Not every ride there

1405
01:15:50,640 --> 01:15:52,680
Speaker 1: is for kids, and that's why you need to go

1406
01:15:52,680 --> 01:15:58,960
Speaker 1: back as an adult manifold reasoning if it's not for kids.

1407
01:16:00,000 --> 01:16:02,960
Speaker 1: I'm not surprised to hear that you're a Pisces. I'm

1408
01:16:03,000 --> 01:16:05,240
Speaker 1: never surprised to meet at Pisces. No. I knew that

1409
01:16:05,280 --> 01:16:06,960
Speaker 1: we were all vibing, and I knew we were all

1410
01:16:07,000 --> 01:16:09,800
Speaker 1: water signs at the table. Because now I am an

1411
01:16:09,840 --> 01:16:13,439
Speaker 1: astrology bitch, like I do I follow like well, I

1412
01:16:13,439 --> 01:16:16,080
Speaker 1: don't know if you follow the Pisces horoscope like um,

1413
01:16:16,160 --> 01:16:19,600
Speaker 1: the ones on Twitter, Instagram and I'll read them and

1414
01:16:19,640 --> 01:16:22,360
Speaker 1: I'm like, this is terrifying. There have been days where

1415
01:16:22,360 --> 01:16:24,519
Speaker 1: I've been terrified. I'm like, do you do you know?

1416
01:16:24,640 --> 01:16:28,639
Speaker 1: My life? It's it's been a little rough, I think

1417
01:16:28,680 --> 01:16:34,360
Speaker 1: recently for Pisces. Maybe I feel like, well that no, no, no, recently,

1418
01:16:34,360 --> 01:16:36,920
Speaker 1: actually it's all turned around. But like my my whole

1419
01:16:36,960 --> 01:16:39,439
Speaker 1: first but that was my return to Saturn. Well, the

1420
01:16:39,479 --> 01:16:41,840
Speaker 1: thing that I was annoyed that I didn't get introduced of,

1421
01:16:42,120 --> 01:16:46,960
Speaker 1: I didn't get introduced until later on your podcast is that, Um,

1422
01:16:47,200 --> 01:16:49,080
Speaker 1: I agree with you about the superstition on how you

1423
01:16:49,120 --> 01:16:51,040
Speaker 1: spend the first moments of your new year, And so

1424
01:16:51,160 --> 01:16:54,080
Speaker 1: I threw a party at my house and the theme

1425
01:16:54,160 --> 01:16:57,519
Speaker 1: was Canadian tuxedos and everybody showed up an all denim

1426
01:16:57,600 --> 01:16:59,479
Speaker 1: and I made margarita as we were all tanked and

1427
01:16:59,479 --> 01:17:01,640
Speaker 1: I had enough amazing night. I was so happy and

1428
01:17:01,680 --> 01:17:03,599
Speaker 1: I was like, Oh, this is good, Like I believe

1429
01:17:03,600 --> 01:17:09,800
Speaker 1: in that as an omen there are bowen what Sola.

1430
01:17:10,040 --> 01:17:12,800
Speaker 1: Zola is the wedding company that will do anything for

1431
01:17:12,960 --> 01:17:16,639
Speaker 1: love and it's reinventing the wedding planning and registry experience

1432
01:17:16,680 --> 01:17:19,880
Speaker 1: to make the happiest moment and couples lives even happier

1433
01:17:20,280 --> 01:17:23,599
Speaker 1: from engagement to wedding and decorating your first home. Zola

1434
01:17:23,760 --> 01:17:28,160
Speaker 1: is there combining compassionate customer service with modern tools and technology,

1435
01:17:28,280 --> 01:17:32,080
Speaker 1: all in the service of Zola is the easiest way

1436
01:17:32,080 --> 01:17:34,880
Speaker 1: to plan your wedding and register. Joined five hundred thousand

1437
01:17:34,920 --> 01:17:37,240
Speaker 1: couples who have used Sola, Yeah, it really takes the

1438
01:17:37,280 --> 01:17:40,800
Speaker 1: stress out of wedding planning with free wedding websites, your

1439
01:17:40,880 --> 01:17:44,400
Speaker 1: dream wedding registry, affordable save the dates and invitations, and

1440
01:17:44,520 --> 01:17:47,200
Speaker 1: easy to use planning tools. Also, you can start with

1441
01:17:47,240 --> 01:17:50,200
Speaker 1: a free wedding website. It's so easy and takes just

1442
01:17:50,680 --> 01:17:53,559
Speaker 1: minutes to set up over one hundred beautiful wedding website

1443
01:17:53,560 --> 01:17:57,400
Speaker 1: designs to choose from that fit any couple, style and

1444
01:17:57,640 --> 01:17:59,960
Speaker 1: every type of wedding and I f a Q set

1445
01:18:00,000 --> 01:18:02,960
Speaker 1: shin helps address those awkward questions like can I bring

1446
01:18:02,960 --> 01:18:06,599
Speaker 1: my kids or can I bring my kids dogs? Yeah,

1447
01:18:06,640 --> 01:18:08,920
Speaker 1: and you can put your Zola registry on your wedding

1448
01:18:08,960 --> 01:18:11,040
Speaker 1: website so guests can get all the details they need

1449
01:18:11,040 --> 01:18:14,040
Speaker 1: and buy your wedding gift in one little, convenient, little beautiful,

1450
01:18:14,080 --> 01:18:17,000
Speaker 1: little stunning place. Okay. On speaking of wedding gifts, you

1451
01:18:17,000 --> 01:18:20,200
Speaker 1: can build your dream registry at Zola. It makes registring

1452
01:18:20,240 --> 01:18:23,120
Speaker 1: for newly with life so easy. The Zola store has

1453
01:18:23,160 --> 01:18:25,799
Speaker 1: the widest selection of gifts at all different price points.

1454
01:18:25,880 --> 01:18:28,760
Speaker 1: There's something forever guests to give, and guests love free

1455
01:18:28,760 --> 01:18:31,639
Speaker 1: shipping in returns, price matching, and more. Let me tell

1456
01:18:31,640 --> 01:18:34,200
Speaker 1: you so much to love. Okay, and you're probably wondering

1457
01:18:34,280 --> 01:18:36,439
Speaker 1: how can I get involved in this? Well? To start

1458
01:18:36,479 --> 01:18:39,720
Speaker 1: your free wedding website and also get fifty dollars off

1459
01:18:39,760 --> 01:18:42,719
Speaker 1: your registry on Zola, go to zola dot com forward

1460
01:18:42,760 --> 01:18:46,400
Speaker 1: slash ding dong. That's fifty dollars off your registry on Zola.

1461
01:18:46,600 --> 01:18:49,880
Speaker 1: If you go to zola dot com, forward slash ding dong,

1462
01:18:50,280 --> 01:18:55,280
Speaker 1: and maybe you can even marry your husband. I think

1463
01:18:55,600 --> 01:18:59,880
Speaker 1: that would be nice. It would be beautiful to marry. Yeah,

1464
01:19:00,080 --> 01:19:05,960
Speaker 1: husbands there are Okay, So let's just touch on the

1465
01:19:06,000 --> 01:19:08,040
Speaker 1: things we talked about in the beginning, because I know

1466
01:19:08,080 --> 01:19:13,439
Speaker 1: that we need the opinions. Bohemian Rhapsody, where are you at? Well,

1467
01:19:14,080 --> 01:19:16,640
Speaker 1: I didn't see that, So that's where I'm at, And

1468
01:19:16,680 --> 01:19:21,080
Speaker 1: here's where I am at. The Favorite was so good. Also,

1469
01:19:21,240 --> 01:19:25,720
Speaker 1: can you ever forgive me Megan? Come on? Not Megan? Yeah,

1470
01:19:26,439 --> 01:19:30,000
Speaker 1: Melissa sorry, Melissa McCarthy is so good. But like, the

1471
01:19:30,080 --> 01:19:33,800
Speaker 1: Favorite is one of my favorite. Her first scene, it's

1472
01:19:33,840 --> 01:19:38,120
Speaker 1: so good. And the fact that those three women performances.

1473
01:19:38,160 --> 01:19:39,680
Speaker 1: I was like, oh my god, and you could just

1474
01:19:39,800 --> 01:19:43,440
Speaker 1: tell they were having a blast. You were like oh

1475
01:19:43,520 --> 01:19:47,160
Speaker 1: and that moment where she's like are you like a yeah?

1476
01:19:49,760 --> 01:19:56,960
Speaker 1: So good. I think she's unbelievable. I think they're all amazing.

1477
01:19:57,360 --> 01:20:05,280
Speaker 1: And I loved on Olivia Coleman one best actress. I

1478
01:20:05,320 --> 01:20:07,720
Speaker 1: love that her speech was just I got to fly

1479
01:20:07,800 --> 01:20:12,200
Speaker 1: on an airplane. She's like a private jet, private jet.

1480
01:20:13,120 --> 01:20:15,920
Speaker 1: She's like, she's like truely that kind of speech is

1481
01:20:16,439 --> 01:20:19,479
Speaker 1: what I'm here for. I need either that that exact

1482
01:20:19,520 --> 01:20:24,519
Speaker 1: kind of speech or inspiring speech, like, yes, that was

1483
01:20:24,560 --> 01:20:27,400
Speaker 1: an amazing speech, but like a bunch of names, I'm like,

1484
01:20:27,479 --> 01:20:31,439
Speaker 1: write them a card. I hello. I don't think so, honey,

1485
01:20:31,560 --> 01:20:35,160
Speaker 1: when your speech is all names, because who's going to

1486
01:20:35,240 --> 01:20:37,400
Speaker 1: remember that? You know what it is? It's it's it's

1487
01:20:37,479 --> 01:20:40,599
Speaker 1: I get it because you're like this as especially as

1488
01:20:40,600 --> 01:20:43,920
Speaker 1: an actor. I'm going to say this is that it's like,

1489
01:20:44,000 --> 01:20:46,479
Speaker 1: it's nice and everything that like people like you're also

1490
01:20:46,560 --> 01:20:48,519
Speaker 1: very aware that you're like somebody else created the words

1491
01:20:48,560 --> 01:20:51,080
Speaker 1: I'm saying and directed this and then also not for nothing,

1492
01:20:51,280 --> 01:20:54,639
Speaker 1: edited it, and and so when you're an actor, you're

1493
01:20:54,680 --> 01:20:56,880
Speaker 1: like and not to say that, you know, we don't

1494
01:20:56,880 --> 01:21:00,960
Speaker 1: have value. I obviously have a lot of value. It's

1495
01:21:01,000 --> 01:21:03,000
Speaker 1: just that you were very aware that so much of

1496
01:21:03,000 --> 01:21:04,320
Speaker 1: what you did has to do with a lot of

1497
01:21:04,320 --> 01:21:07,640
Speaker 1: other people. And so I think that that's what that is.

1498
01:21:07,680 --> 01:21:09,519
Speaker 1: And as soon as you start seeing okay, right, and

1499
01:21:09,520 --> 01:21:11,759
Speaker 1: as soon as you start naming people, you're excluding others

1500
01:21:11,800 --> 01:21:13,800
Speaker 1: just automatically, like that's what that's what happened. But that's

1501
01:21:13,800 --> 01:21:16,240
Speaker 1: the problem is that I would one percent, like I

1502
01:21:16,280 --> 01:21:18,439
Speaker 1: liked it. When what's her face? One from Nurse Jackie

1503
01:21:18,479 --> 01:21:24,800
Speaker 1: and she was like, I gotta go. Yeah, not name

1504
01:21:24,840 --> 01:21:26,320
Speaker 1: starts with an M. Name starts and then I'm oh

1505
01:21:26,400 --> 01:21:28,760
Speaker 1: my god. She literally got up. She couldn't believe it,

1506
01:21:28,800 --> 01:21:31,880
Speaker 1: and she Merrick Merritt Weaver and she got him and

1507
01:21:31,920 --> 01:21:35,479
Speaker 1: she was like, oh my god, I gotta go, I

1508
01:21:35,479 --> 01:21:39,080
Speaker 1: gotta go, and she's she's incredibly talented. My thing with

1509
01:21:39,080 --> 01:21:41,479
Speaker 1: with the speech thing that is, I still say I

1510
01:21:41,479 --> 01:21:45,280
Speaker 1: don't think so honey on this because it is also entertainment,

1511
01:21:45,880 --> 01:21:48,800
Speaker 1: Like those shows are produced shows, and so you have

1512
01:21:48,880 --> 01:21:50,760
Speaker 1: to be entertaining up there, and I think people in

1513
01:21:50,760 --> 01:21:53,479
Speaker 1: the entertainment industry will understand that. So I think you

1514
01:21:53,520 --> 01:21:55,519
Speaker 1: have to keep it real brief. You're going to say names,

1515
01:21:55,560 --> 01:21:58,240
Speaker 1: say the really important names that you feel did that,

1516
01:21:58,320 --> 01:22:01,120
Speaker 1: but you have to hit him with entertainment something, you

1517
01:22:01,120 --> 01:22:05,479
Speaker 1: know what I mean, Like we need to be feeling

1518
01:22:05,680 --> 01:22:09,040
Speaker 1: feelings while you're up there. And I do understand like

1519
01:22:09,760 --> 01:22:12,040
Speaker 1: listing the names and feeling nervous. And also you know,

1520
01:22:12,360 --> 01:22:13,880
Speaker 1: you probably have a lot of people in your being,

1521
01:22:13,880 --> 01:22:15,840
Speaker 1: like remember if you want to say this person, this

1522
01:22:15,880 --> 01:22:19,600
Speaker 1: person's ego, this person. Yeah, it's probably that happening, and

1523
01:22:19,600 --> 01:22:21,479
Speaker 1: it's probably hard also to be like, no, I'm going

1524
01:22:21,520 --> 01:22:23,800
Speaker 1: to do my own things like I get that for sure.

1525
01:22:24,439 --> 01:22:26,800
Speaker 1: But I really did love Olivia Coleman speech. I thought

1526
01:22:26,800 --> 01:22:29,120
Speaker 1: she was so and she's so cool and awesome in

1527
01:22:29,160 --> 01:22:31,880
Speaker 1: that movie. What did you think should have won Best Movie? Alright?

1528
01:22:31,920 --> 01:22:34,040
Speaker 1: So what did you love this year? And I should have? Like,

1529
01:22:36,600 --> 01:22:38,920
Speaker 1: I will say this, I've actually seen a lot more

1530
01:22:38,960 --> 01:22:41,040
Speaker 1: than I thought I had. Let me let me guess

1531
01:22:41,000 --> 01:22:43,320
Speaker 1: you would have wanted Advice to win Best Musical Comedy

1532
01:22:43,360 --> 01:22:45,599
Speaker 1: and then the favorite. No, I would have wanted the favorite,

1533
01:22:45,600 --> 01:22:47,960
Speaker 1: I think, but for me, oh, for Musical Comedy. For

1534
01:22:48,040 --> 01:22:50,360
Speaker 1: Musical Comedy, I would have wanted the favorite. I liked Vice,

1535
01:22:50,680 --> 01:22:52,720
Speaker 1: but I didn't I didn't love it like the best.

1536
01:22:53,000 --> 01:22:55,920
Speaker 1: You would have wanted stars Born, not necessarily, I think

1537
01:22:56,000 --> 01:22:59,880
Speaker 1: probably I would have for I haven't seen I probably

1538
01:23:00,080 --> 01:23:03,000
Speaker 1: I want to see that Black Panther for me, for

1539
01:23:03,120 --> 01:23:06,320
Speaker 1: SA was an incredible movie. It was amazing. I think

1540
01:23:06,320 --> 01:23:08,880
Speaker 1: for Sag, I'm vote for a Black Panther, and I

1541
01:23:08,880 --> 01:23:13,200
Speaker 1: think for Best Actress. Honestly, I think I might vote Forgotten.

1542
01:23:13,479 --> 01:23:16,120
Speaker 1: This is my abody. How was that movie. I haven't

1543
01:23:16,160 --> 01:23:18,200
Speaker 1: seen that. The Wife is The Wife is very good?

1544
01:23:18,880 --> 01:23:21,559
Speaker 1: Is it better than Melissa McCarthy like can you ever

1545
01:23:21,600 --> 01:23:24,439
Speaker 1: Forgive Me? And I was like, this is one of

1546
01:23:24,439 --> 01:23:27,679
Speaker 1: my favorite performances. And by the way, not just her

1547
01:23:27,800 --> 01:23:31,200
Speaker 1: Richard E. Grant movie. That last shot of him where

1548
01:23:31,200 --> 01:23:33,920
Speaker 1: he comes into Julius, which is one of my favorite

1549
01:23:33,960 --> 01:23:37,519
Speaker 1: New York City bars period. It's gay or otherwise bars,

1550
01:23:37,960 --> 01:23:41,240
Speaker 1: great bar, but he walks in and the way he

1551
01:23:41,320 --> 01:23:44,360
Speaker 1: looks at her, the regretting his eyes at face. I

1552
01:23:44,400 --> 01:23:46,360
Speaker 1: get chills to thinking about it right now is one

1553
01:23:46,400 --> 01:23:48,719
Speaker 1: of the most I mean, maybe one of my favorite

1554
01:23:48,720 --> 01:23:51,720
Speaker 1: things I've ever seen captured on film. His performance and

1555
01:23:51,800 --> 01:23:57,800
Speaker 1: that is und and I think herschel of the thing

1556
01:23:57,880 --> 01:23:59,840
Speaker 1: is like people love him. He's already won. He's already

1557
01:23:59,840 --> 01:24:01,439
Speaker 1: from me. It's like when an actor has already won

1558
01:24:01,479 --> 01:24:03,599
Speaker 1: an Oscar, I'm cool moving, Oh did he win one?

1559
01:24:03,600 --> 01:24:09,840
Speaker 1: Already won? Oh? And I Richard Granted and he's very

1560
01:24:09,920 --> 01:24:11,400
Speaker 1: much had a movie as well. By the way, did

1561
01:24:11,400 --> 01:24:13,640
Speaker 1: you guys watch Bird Box? No? I haven't seen it

1562
01:24:13,640 --> 01:24:16,719
Speaker 1: because I'm too scared. Okay, Well, I loved it and

1563
01:24:17,120 --> 01:24:23,080
Speaker 1: Travante plays Oh my god, the most attractive man. Oh

1564
01:24:23,080 --> 01:24:24,879
Speaker 1: my god. I literally was like, why do I recognize

1565
01:24:24,920 --> 01:24:26,920
Speaker 1: him from? And I looked it up and I was like, Oh,

1566
01:24:26,960 --> 01:24:30,720
Speaker 1: he plays the hot grown up in Moonlight where he's

1567
01:24:30,720 --> 01:24:34,040
Speaker 1: in the dinner and what's his name? From the Jitney

1568
01:24:34,120 --> 01:24:36,400
Speaker 1: on Broadway? What is his name? Oh? My god? Who

1569
01:24:36,400 --> 01:24:41,800
Speaker 1: plays the other the waiter? But he plays the like

1570
01:24:42,000 --> 01:24:44,280
Speaker 1: he's wearing he has like a grill in his mouth

1571
01:24:44,439 --> 01:24:52,640
Speaker 1: and he's like, and what machine gun? Kelly? No, no,

1572
01:24:53,439 --> 01:24:56,479
Speaker 1: um But anyway, but Travante plays that part in Moonlight

1573
01:24:56,600 --> 01:24:58,960
Speaker 1: and he's in bird Box and you're just like, did

1574
01:24:59,000 --> 01:25:01,920
Speaker 1: you see Travonts Calvin client ad what? It's just him

1575
01:25:01,920 --> 01:25:05,400
Speaker 1: an underwear. It's crazy. Oh, I gotta go guys, it's

1576
01:25:06,080 --> 01:25:10,920
Speaker 1: the most arms and go home and watch it. I

1577
01:25:11,000 --> 01:25:13,320
Speaker 1: think I might just for that. But and if we're

1578
01:25:13,320 --> 01:25:16,439
Speaker 1: talking about like the Awards season, I'm feeling like Glenn,

1579
01:25:16,560 --> 01:25:19,920
Speaker 1: it's her time. Here's here's my fad, here's my thing

1580
01:25:19,920 --> 01:25:21,920
Speaker 1: on the list. You you prescribe to that like it's

1581
01:25:21,920 --> 01:25:26,639
Speaker 1: their time. Not really necessarily, but I feel she's here's

1582
01:25:26,680 --> 01:25:29,639
Speaker 1: the way if she has never wanted, if she loses

1583
01:25:29,760 --> 01:25:33,320
Speaker 1: this year, that makes sure the most frequent loser. I

1584
01:25:33,360 --> 01:25:35,679
Speaker 1: just don't think we can really allow that to happen.

1585
01:25:36,240 --> 01:25:38,839
Speaker 1: But here's here, let me get this out. So basically,

1586
01:25:38,840 --> 01:25:42,920
Speaker 1: here's what I think. Melissa McCarthy. She's fucking incredible and

1587
01:25:43,280 --> 01:25:49,479
Speaker 1: can you ever forgive me? But I still think, and

1588
01:25:49,560 --> 01:25:52,360
Speaker 1: this is like weird, I still think her most iconic

1589
01:25:52,640 --> 01:25:56,880
Speaker 1: performance as Bridesmaids, and I would like Melissa McCarthy to

1590
01:25:57,040 --> 01:26:01,720
Speaker 1: win for something that uses her all of her amazing

1591
01:26:01,920 --> 01:26:05,000
Speaker 1: unique skill set, because the way I think people should

1592
01:26:05,040 --> 01:26:07,479
Speaker 1: win an Oscar is you watch it and you say

1593
01:26:07,560 --> 01:26:09,840
Speaker 1: there's no one else that could have done it like that.

1594
01:26:09,840 --> 01:26:12,400
Speaker 1: That's how I feel. So for me, it's like the

1595
01:26:12,479 --> 01:26:16,920
Speaker 1: reason I'm a fan of god As performance is because

1596
01:26:17,080 --> 01:26:20,400
Speaker 1: I don't think there are many people who could have

1597
01:26:20,439 --> 01:26:23,599
Speaker 1: done that the way that was done. You get pop

1598
01:26:23,640 --> 01:26:29,240
Speaker 1: star across you believe that sort of specific, specific romantic chemistry,

1599
01:26:29,280 --> 01:26:33,360
Speaker 1: She asked with Bradley. You get how how much of

1600
01:26:33,400 --> 01:26:37,719
Speaker 1: a risk it was for Lady Gaga to do something

1601
01:26:37,720 --> 01:26:39,799
Speaker 1: like that. She could have looked like a fucking idiot.

1602
01:26:40,240 --> 01:26:44,360
Speaker 1: That's why I love that performance, and I genuinely I'm

1603
01:26:44,400 --> 01:26:47,120
Speaker 1: moved by that performance, and I think the chemistry between

1604
01:26:47,160 --> 01:26:50,400
Speaker 1: her and Bradley is the best chemistry of the year. However,

1605
01:26:51,360 --> 01:26:55,920
Speaker 1: Glenn Close is one of the most iconic actresses, and

1606
01:26:55,960 --> 01:26:59,920
Speaker 1: she's amazing in The Wife, and I just would feel

1607
01:27:00,120 --> 01:27:02,320
Speaker 1: strange voting for a pop star the first time you're

1608
01:27:02,640 --> 01:27:05,799
Speaker 1: for an oscar. So I'm leaving my own rubric behind

1609
01:27:06,280 --> 01:27:09,759
Speaker 1: to say that I actually think Glenn Close she should

1610
01:27:09,800 --> 01:27:12,599
Speaker 1: have an Academy Award. And she's also amazing in that movie.

1611
01:27:12,960 --> 01:27:15,559
Speaker 1: Olivia Coleman. I think she's also incredible. I just don't

1612
01:27:15,560 --> 01:27:18,120
Speaker 1: think she's the lead performance in that film. And whichever

1613
01:27:18,160 --> 01:27:19,640
Speaker 1: the fifth one is gonna be, it's probably gonna be

1614
01:27:19,680 --> 01:27:22,280
Speaker 1: Emily Blunt and Mary Poppins, and she'll she'll do better work.

1615
01:27:22,479 --> 01:27:25,320
Speaker 1: It's it's a it's still sticks to your She was

1616
01:27:25,360 --> 01:27:27,920
Speaker 1: Glen because no one else could have done her what

1617
01:27:28,000 --> 01:27:30,000
Speaker 1: she did in The Wife. Necessarily to see The Wife. No,

1618
01:27:30,120 --> 01:27:32,000
Speaker 1: I haven't seen any You should see it. Okay, it's

1619
01:27:32,439 --> 01:27:34,880
Speaker 1: suit you just saw it. You were just on a plane.

1620
01:27:34,920 --> 01:27:36,519
Speaker 1: Isn't on plane. It wasn't on a plane. I just

1621
01:27:36,520 --> 01:27:39,520
Speaker 1: got the screen. I haven't want I'm saying. I'm saying, hypothetically,

1622
01:27:39,600 --> 01:27:43,640
Speaker 1: you think Glenn might not Glenn did something that no

1623
01:27:43,640 --> 01:27:47,080
Speaker 1: one else cooked up. I think that which is your standard, right,

1624
01:27:47,120 --> 01:27:49,360
Speaker 1: and I think that at this moment in time. It's

1625
01:27:49,400 --> 01:27:51,400
Speaker 1: like I saw that Glenn Close performance and The Wife,

1626
01:27:51,400 --> 01:27:54,720
Speaker 1: and I was like, that's an expertly done, extremely well

1627
01:27:54,760 --> 01:27:59,160
Speaker 1: crafted performance that I respect deeply. But for me, it's

1628
01:27:59,200 --> 01:28:02,000
Speaker 1: just like, is the thing and I am like deeply

1629
01:28:02,040 --> 01:28:06,559
Speaker 1: a gay man to say this about what I love

1630
01:28:06,920 --> 01:28:12,880
Speaker 1: about Gaga in this award season is that you know,

1631
01:28:13,320 --> 01:28:19,240
Speaker 1: and this is this conversation, is that fashion choices that

1632
01:28:19,320 --> 01:28:23,000
Speaker 1: you make as an actress, there's you know, you fit

1633
01:28:23,080 --> 01:28:26,559
Speaker 1: within kind of a box. She's a rock star, so

1634
01:28:26,640 --> 01:28:29,639
Speaker 1: she can match her hair to her dress and just

1635
01:28:29,800 --> 01:28:34,599
Speaker 1: get away with it, and it is un unreal presence.

1636
01:28:35,040 --> 01:28:40,120
Speaker 1: She is already a legend. It's incredible. I mean, even

1637
01:28:40,120 --> 01:28:42,360
Speaker 1: thinking about looks that she did that maybe you didn't like,

1638
01:28:42,520 --> 01:28:45,639
Speaker 1: you still remember them, like those dishwashing gloves, the red

1639
01:28:45,640 --> 01:28:48,719
Speaker 1: dishwashing gloves with the wake out like I just love

1640
01:28:48,840 --> 01:28:50,920
Speaker 1: it was even like whatever you think about what Janelle

1641
01:28:51,120 --> 01:28:54,560
Speaker 1: Monet wore at the Golden Loves, she was wearing a

1642
01:28:54,600 --> 01:28:57,559
Speaker 1: car Lagerfeld and the fact that I know these things

1643
01:28:57,920 --> 01:28:59,799
Speaker 1: and I'm just like, but she can do whatever. She wants.

1644
01:29:00,040 --> 01:29:03,280
Speaker 1: I think because she's a rock star and there's something

1645
01:29:03,360 --> 01:29:05,680
Speaker 1: about that like, I don't know, I envy it. And

1646
01:29:05,720 --> 01:29:08,920
Speaker 1: then I'm like, I would kill to match blue hair

1647
01:29:08,960 --> 01:29:12,920
Speaker 1: to this like blue Valentino custom cloud thing that she

1648
01:29:13,040 --> 01:29:16,360
Speaker 1: was Tiffany. Oh my god. Maybe I've been watching too

1649
01:29:16,439 --> 01:29:18,880
Speaker 1: much drag Race, but I felt we needed bigger hair

1650
01:29:18,920 --> 01:29:21,439
Speaker 1: to go with that dress. I personally didn't love the

1651
01:29:21,520 --> 01:29:23,880
Speaker 1: hair choice. I thought the dress was great, and I

1652
01:29:23,920 --> 01:29:26,240
Speaker 1: loved the nod to Judy and A Star was Born,

1653
01:29:26,600 --> 01:29:31,439
Speaker 1: which was so basically the that she it was an

1654
01:29:31,439 --> 01:29:34,880
Speaker 1: homage to address that Judy Garland's character. Oh my god,

1655
01:29:36,439 --> 01:29:40,720
Speaker 1: Oh my, she didn't do it. Oh she didn't do

1656
01:29:40,720 --> 01:29:44,880
Speaker 1: it on purpose and she's like, oh my god, look

1657
01:29:45,080 --> 01:29:53,040
Speaker 1: similar hp A. There you go. And that's but honestly,

1658
01:29:53,120 --> 01:29:56,040
Speaker 1: like it very much looked like an homage. And the

1659
01:29:56,160 --> 01:29:58,680
Speaker 1: hair choice I just like I said, maybe I've been

1660
01:29:58,680 --> 01:30:00,840
Speaker 1: watching too much drag Race, because I wanted like a

1661
01:30:00,880 --> 01:30:03,519
Speaker 1: more volume to go with the volume of the dress.

1662
01:30:03,760 --> 01:30:05,240
Speaker 1: But you know what, at the end of the day,

1663
01:30:05,320 --> 01:30:08,920
Speaker 1: you're looking right, I'm literally just sitting here basking and

1664
01:30:08,960 --> 01:30:13,439
Speaker 1: the energy of it. Yes, there's just I sat next

1665
01:30:13,479 --> 01:30:16,200
Speaker 1: to Janelle Money and she was sitting across from Tessa

1666
01:30:16,280 --> 01:30:19,960
Speaker 1: Thompson at a restaurant recently. I was sitting right next

1667
01:30:20,000 --> 01:30:21,800
Speaker 1: to her and across from was Tessa Thompson, and I

1668
01:30:21,840 --> 01:30:25,360
Speaker 1: was like, oh, oh my god, yea, and her skin

1669
01:30:26,000 --> 01:30:29,519
Speaker 1: glows like that in person. Yeah, it's crazy. I mean,

1670
01:30:29,640 --> 01:30:33,600
Speaker 1: she is one of the most beautiful women as insane

1671
01:30:34,040 --> 01:30:39,200
Speaker 1: and Tessa Thompson was just in terms of style of

1672
01:30:39,280 --> 01:30:42,040
Speaker 1: to go and globes. I have to shout out Nicole Kidman.

1673
01:30:45,920 --> 01:30:51,040
Speaker 1: She's got great taste. She's awesome, a great taste in fashion,

1674
01:30:51,080 --> 01:30:53,719
Speaker 1: great taste in the product she she was just so like,

1675
01:30:54,160 --> 01:31:00,280
Speaker 1: gave her flotrough that dress, wait, gave her keep Urban

1676
01:31:00,320 --> 01:31:02,400
Speaker 1: was next to it. Gave both of them flu shots.

1677
01:31:02,479 --> 01:31:04,400
Speaker 1: Urban got one because he like winced from it, but

1678
01:31:04,439 --> 01:31:07,280
Speaker 1: he got one Keith. They were both down. I was like, wow,

1679
01:31:07,360 --> 01:31:09,599
Speaker 1: did you guys ask them before you went out? So

1680
01:31:09,640 --> 01:31:11,200
Speaker 1: this is gonna be part of my own things. So honey,

1681
01:31:11,240 --> 01:31:14,599
Speaker 1: but I did Keith, Nicole that I did, Jeff Bass,

1682
01:31:16,320 --> 01:31:18,720
Speaker 1: you administered them. Yeah, I was one of the I

1683
01:31:18,760 --> 01:31:20,679
Speaker 1: was one of these. He was one of the people

1684
01:31:20,680 --> 01:31:25,280
Speaker 1: that went out of the audience and begging was so funny.

1685
01:31:25,320 --> 01:31:27,479
Speaker 1: Dafoe knew about it beforehand, and he was still plugging

1686
01:31:27,479 --> 01:31:29,400
Speaker 1: it putting up. Dafoe was the only person who was

1687
01:31:29,439 --> 01:31:31,360
Speaker 1: told ahead of time, we're doing this bit with flu shots,

1688
01:31:31,400 --> 01:31:34,160
Speaker 1: will you it was an actual flu shot? No, no, no no,

1689
01:31:34,520 --> 01:31:38,280
Speaker 1: they were just okay, I thought you were actually. By

1690
01:31:38,280 --> 01:31:40,880
Speaker 1: the way, the fact that I believe that is I

1691
01:31:40,920 --> 01:31:44,639
Speaker 1: love that love that believe I'm doing this. Hi, I'm

1692
01:31:44,640 --> 01:31:49,040
Speaker 1: doing this because like that. Oh my god, Okay, that's funny.

1693
01:31:49,200 --> 01:31:51,479
Speaker 1: I have my whole line of things. Okay, well, I

1694
01:31:51,520 --> 01:31:54,240
Speaker 1: can't wait. Um, and about another thing I did in

1695
01:31:54,240 --> 01:31:59,080
Speaker 1: the show that was whatever, Okay, I can't wait. Cool Golden.

1696
01:31:59,360 --> 01:32:02,480
Speaker 1: It was the most it was the most overwhelming experience,

1697
01:32:02,720 --> 01:32:08,599
Speaker 1: especially because like Sandra, fuck, yes, can you just talk

1698
01:32:08,640 --> 01:32:10,799
Speaker 1: a little bit about it? Yeah? Can you talk about Honestly,

1699
01:32:11,560 --> 01:32:14,519
Speaker 1: I'm gonna be so annoying, and like she said things

1700
01:32:14,560 --> 01:32:16,920
Speaker 1: to me that like I that we are just like

1701
01:32:16,960 --> 01:32:20,160
Speaker 1: special for you, So that were she said it just

1702
01:32:20,320 --> 01:32:23,320
Speaker 1: for me. People keep asking has she seen the lipsing videos?

1703
01:32:23,479 --> 01:32:24,880
Speaker 1: The answer is yes, that was one of the first

1704
01:32:24,880 --> 01:32:27,240
Speaker 1: things we talked about. I will just say, okay, so

1705
01:32:27,280 --> 01:32:29,479
Speaker 1: like we so the first day that she meets us,

1706
01:32:29,560 --> 01:32:33,439
Speaker 1: we meet with Andy. He's fantastic, truly, Andy Sandberg, Like

1707
01:32:33,680 --> 01:32:36,080
Speaker 1: he's one of the goats, one of the nicest the

1708
01:32:36,080 --> 01:32:38,000
Speaker 1: fund and I'm just I look at him and like,

1709
01:32:38,400 --> 01:32:41,120
Speaker 1: you are a genius. Like I went back and listened

1710
01:32:41,160 --> 01:32:44,080
Speaker 1: to put the pop Star soundtrack and was like, and

1711
01:32:44,320 --> 01:32:47,439
Speaker 1: Anna Kiva Kiva was there too, and he's so nice. Um,

1712
01:32:47,479 --> 01:32:49,200
Speaker 1: yourma wasn't. But they were both there and they were

1713
01:32:49,240 --> 01:32:51,599
Speaker 1: just so nice, so nice to everybody and to me,

1714
01:32:51,640 --> 01:32:53,960
Speaker 1: and it was so great. And then so we meet

1715
01:32:53,960 --> 01:32:55,800
Speaker 1: with them. But then but then Sandra comes in and

1716
01:32:55,840 --> 01:32:58,120
Speaker 1: everyone's like yeay Sandra. And then she goes around and

1717
01:32:58,120 --> 01:33:01,360
Speaker 1: shakes hands with everybody, introduces her off to everybody, and

1718
01:33:01,360 --> 01:33:04,559
Speaker 1: then she comes to me and she goes, oh, I

1719
01:33:04,640 --> 01:33:10,519
Speaker 1: know who you are, and I just fucking melt and

1720
01:33:10,560 --> 01:33:12,320
Speaker 1: she gives me a hug. But then like later on,

1721
01:33:12,360 --> 01:33:14,200
Speaker 1: we break into smaller groups and she has this so

1722
01:33:14,240 --> 01:33:18,840
Speaker 1: the pepsid thing was her idea idea, and then she

1723
01:33:18,880 --> 01:33:21,479
Speaker 1: had like me and like Sudi and Max Selvestry like

1724
01:33:22,040 --> 01:33:26,080
Speaker 1: sit together and like write it with her. Um but um.

1725
01:33:27,600 --> 01:33:30,320
Speaker 1: But there was this little lull in in the the

1726
01:33:30,320 --> 01:33:32,439
Speaker 1: writer session when the food came and I just got

1727
01:33:32,479 --> 01:33:34,599
Speaker 1: up to use the bathroom, and she like reached her

1728
01:33:34,640 --> 01:33:37,000
Speaker 1: hands out. I told you this, Yeah, you don't have

1729
01:33:37,040 --> 01:33:39,320
Speaker 1: to share. She reached All I'll say is she reached

1730
01:33:39,320 --> 01:33:41,880
Speaker 1: her hands out as if to like and like looked

1731
01:33:41,880 --> 01:33:43,600
Speaker 1: at me and reached her hands out, and all I

1732
01:33:43,600 --> 01:33:48,320
Speaker 1: could do is just did you meet her with my fingers?

1733
01:33:50,000 --> 01:33:52,840
Speaker 1: And then and then and then she just says the

1734
01:33:52,880 --> 01:33:55,120
Speaker 1: same way. All I'll say is she like looks at

1735
01:33:55,120 --> 01:33:59,040
Speaker 1: me and she goes look at this man, and I

1736
01:33:59,120 --> 01:34:01,880
Speaker 1: was like and then she just goes on and talks

1737
01:34:01,920 --> 01:34:04,400
Speaker 1: about like she saw that she saw the video. And

1738
01:34:04,400 --> 01:34:08,280
Speaker 1: then she goes on and talks about like whatever. I

1739
01:34:08,400 --> 01:34:11,799
Speaker 1: just I just but she revealed so much about herself

1740
01:34:11,840 --> 01:34:17,240
Speaker 1: in like a few thoughts and sentences and it really

1741
01:34:17,280 --> 01:34:21,759
Speaker 1: just struck me. And I was just like this, Yeah,

1742
01:34:22,200 --> 01:34:24,120
Speaker 1: it was just she said things to me that like

1743
01:34:24,160 --> 01:34:26,640
Speaker 1: I will like sort of like hold dear, and like

1744
01:34:27,360 --> 01:34:29,599
Speaker 1: I think like she did like change my life in

1745
01:34:29,680 --> 01:34:32,240
Speaker 1: that moment. And I went up to her, and then

1746
01:34:32,280 --> 01:34:34,400
Speaker 1: and then the night after the show and then yeah,

1747
01:34:34,479 --> 01:34:37,280
Speaker 1: at their after party, got a moment with her and

1748
01:34:37,360 --> 01:34:42,040
Speaker 1: she she just she just like took my face and

1749
01:34:42,080 --> 01:34:44,920
Speaker 1: she just looked into my eyes and then we just

1750
01:34:45,080 --> 01:34:46,760
Speaker 1: had a nice moment where we really said things to

1751
01:34:46,800 --> 01:34:54,080
Speaker 1: each other and izing I'm just so lucky. I just

1752
01:34:54,160 --> 01:34:56,080
Speaker 1: I can't believe how lucky I was to work with her,

1753
01:34:56,400 --> 01:35:00,160
Speaker 1: just for her also as an actress. The fact that

1754
01:35:00,240 --> 01:35:02,960
Speaker 1: she was like is she done with Gray's Anatomy, the

1755
01:35:02,960 --> 01:35:04,720
Speaker 1: fact that she was like, Okay, this next thing I'm

1756
01:35:04,760 --> 01:35:07,439
Speaker 1: gonna do is going to be killing Eve. I was

1757
01:35:07,479 --> 01:35:10,800
Speaker 1: just like, you are a queen. That is so the

1758
01:35:10,920 --> 01:35:13,400
Speaker 1: last scene because sometimes, like you know, she was on

1759
01:35:13,439 --> 01:35:17,679
Speaker 1: this mess, she probably could have developed something for anything, whatever,

1760
01:35:17,800 --> 01:35:24,200
Speaker 1: and like that show, that last scene, Jodie incredible. Did

1761
01:35:24,240 --> 01:35:26,880
Speaker 1: see them on the carpet holding hands. Oh no, what

1762
01:35:27,000 --> 01:35:32,240
Speaker 1: a fucking moment. I need to god. But when she won,

1763
01:35:32,680 --> 01:35:34,639
Speaker 1: oh my god. She about her parents to the writer's

1764
01:35:34,720 --> 01:35:37,960
Speaker 1: room after she won, and like so cute they met everybody.

1765
01:35:37,960 --> 01:35:40,599
Speaker 1: I was. I was. I was really emotional all week.

1766
01:35:41,280 --> 01:35:43,920
Speaker 1: It's because of her, And like throughout throughout the joke

1767
01:35:44,000 --> 01:35:46,000
Speaker 1: runs and just throughout the runs of the show, like

1768
01:35:46,640 --> 01:35:48,400
Speaker 1: she'd keep looking at me, like in the audience, she'd

1769
01:35:48,439 --> 01:35:50,680
Speaker 1: be like wait, how She's like what is this? And

1770
01:35:50,720 --> 01:35:53,320
Speaker 1: I was like, You're doing great. She was great, and

1771
01:35:53,360 --> 01:35:55,160
Speaker 1: I thought the two of them were great. I was

1772
01:35:55,240 --> 01:35:57,840
Speaker 1: really excited about them. And then I was like, yeah,

1773
01:35:57,960 --> 01:36:00,360
Speaker 1: and I liked the like reverse roast in the getting.

1774
01:36:00,400 --> 01:36:02,960
Speaker 1: I thought that was so smart and like, honestly, it

1775
01:36:03,000 --> 01:36:04,280
Speaker 1: was one of those things I was with my girlfriends

1776
01:36:04,320 --> 01:36:06,920
Speaker 1: and we were like, oh, exactly what we need right now,

1777
01:36:06,960 --> 01:36:10,800
Speaker 1: like to be super positive about people, but like you know,

1778
01:36:10,920 --> 01:36:13,000
Speaker 1: be dumb about it, but be dumb about it. But

1779
01:36:13,040 --> 01:36:15,479
Speaker 1: like it was like no politics, It wasn't trying to

1780
01:36:15,520 --> 01:36:17,680
Speaker 1: be edgy. It was just fun and like it was

1781
01:36:17,720 --> 01:36:20,200
Speaker 1: the two of them like so positive and then like

1782
01:36:20,240 --> 01:36:22,160
Speaker 1: someone was talking to me too. It's like Andy has

1783
01:36:22,560 --> 01:36:25,160
Speaker 1: to a lot of people and he has some BROI

1784
01:36:25,520 --> 01:36:27,200
Speaker 1: vibed him, but it's like, no, he grew up in

1785
01:36:27,200 --> 01:36:30,760
Speaker 1: the Bay Area, like his mother was like the head

1786
01:36:30,800 --> 01:36:32,839
Speaker 1: of their house. Like he grew up in a very liberal,

1787
01:36:33,200 --> 01:36:36,320
Speaker 1: open minded household where he's just like he does not

1788
01:36:36,400 --> 01:36:40,280
Speaker 1: embody any sort of toxicity in terms of how he

1789
01:36:40,360 --> 01:36:44,599
Speaker 1: carries himself as a person. Like two great people, and

1790
01:36:44,640 --> 01:36:47,320
Speaker 1: he was just being so supportive of her the entire time.

1791
01:36:47,600 --> 01:36:49,640
Speaker 1: Like the two of them got along so well and

1792
01:36:49,680 --> 01:36:52,720
Speaker 1: like and this has all happened because they presented last

1793
01:36:52,800 --> 01:36:55,640
Speaker 1: year right space. I mean at the Emmys and so like,

1794
01:36:56,560 --> 01:36:58,240
Speaker 1: and I think, like the heads of NBC, we're just like, well,

1795
01:36:58,280 --> 01:37:01,000
Speaker 1: let's just tell the two like it was. That's enough

1796
01:37:01,000 --> 01:37:02,920
Speaker 1: of a shocking moment for everyone to be like a

1797
01:37:02,960 --> 01:37:04,960
Speaker 1: shocking choice for everyone and be like, wait, the two

1798
01:37:04,960 --> 01:37:08,240
Speaker 1: of them, huh. But also it could work like and

1799
01:37:08,320 --> 01:37:10,720
Speaker 1: I feel like it didn't like the there have been

1800
01:37:10,760 --> 01:37:13,320
Speaker 1: like some other random pairings, know, but the fact that

1801
01:37:13,360 --> 01:37:17,040
Speaker 1: it was a seasoned comedy writer and then one of

1802
01:37:17,040 --> 01:37:21,760
Speaker 1: the greatest art yeah actresses of you know alive right now.

1803
01:37:22,680 --> 01:37:25,160
Speaker 1: I believe she's I believe she's street level. I think

1804
01:37:25,160 --> 01:37:30,120
Speaker 1: she's like she's she's she's so impactful, and I think

1805
01:37:30,240 --> 01:37:33,760
Speaker 1: I agree like they let it just be politically relevant

1806
01:37:34,000 --> 01:37:36,120
Speaker 1: in that it was what it was. You know. There

1807
01:37:36,160 --> 01:37:38,639
Speaker 1: was that speech, that short little moment that she gave

1808
01:37:38,640 --> 01:37:40,800
Speaker 1: at the end where she was like, the reason I

1809
01:37:40,800 --> 01:37:42,280
Speaker 1: wanted to do this was to be part of this

1810
01:37:42,320 --> 01:37:44,360
Speaker 1: moment of change. And I see you all all your

1811
01:37:44,400 --> 01:37:47,240
Speaker 1: faces of change, and they panned around to the round

1812
01:37:47,240 --> 01:37:51,160
Speaker 1: around the room, and you know, the past few years

1813
01:37:51,160 --> 01:37:53,720
Speaker 1: being the hell escape that they are, Like, you do

1814
01:37:53,840 --> 01:37:59,040
Speaker 1: have to take take some hope in that like we

1815
01:37:59,080 --> 01:38:01,400
Speaker 1: don't allow things like we used to allow things more

1816
01:38:01,560 --> 01:38:05,679
Speaker 1: and I think that the the political aspect of it

1817
01:38:05,760 --> 01:38:09,080
Speaker 1: was just that we allowed it to be what last year.

1818
01:38:09,439 --> 01:38:12,479
Speaker 1: And last year was like more of a morning there

1819
01:38:12,520 --> 01:38:14,720
Speaker 1: was more of like a bereft tone to it, just

1820
01:38:14,760 --> 01:38:18,680
Speaker 1: in terms of times happened, which was necessarily great. This year,

1821
01:38:18,680 --> 01:38:20,760
Speaker 1: I think they wanted to focus more on, like, we'll

1822
01:38:20,760 --> 01:38:22,840
Speaker 1: look at all these incredible things that have already happened

1823
01:38:23,280 --> 01:38:26,200
Speaker 1: and dependent of anything else, and to let that be

1824
01:38:26,600 --> 01:38:30,639
Speaker 1: a beacon of hope to go forward and that which

1825
01:38:30,720 --> 01:38:34,240
Speaker 1: was so nice, especially after you know, the midterms and

1826
01:38:34,240 --> 01:38:37,679
Speaker 1: we've seen that the face of the face of Congress change,

1827
01:38:37,800 --> 01:38:40,280
Speaker 1: you know, so all that we love it. I'm so

1828
01:38:40,320 --> 01:38:43,320
Speaker 1: proud of you that the Golden Globes were great, and

1829
01:38:43,479 --> 01:38:45,640
Speaker 1: I just think it's crazy that the whole thing is

1830
01:38:45,720 --> 01:38:52,559
Speaker 1: null and void because Bohemian Rhapsody. Unfortunately, because of that,

1831
01:38:55,680 --> 01:38:58,040
Speaker 1: I don't think. I don't think all go first this

1832
01:38:58,120 --> 01:39:00,760
Speaker 1: time in my pocket and my okay, get it, will

1833
01:39:00,800 --> 01:39:03,559
Speaker 1: go first, get it and we'll go first. Okay minus

1834
01:39:03,600 --> 01:39:06,160
Speaker 1: minus globes related, so let's do it. Okay, this is

1835
01:39:06,240 --> 01:39:09,200
Speaker 1: Bowen's topical Globes related We're going to see how far

1836
01:39:09,280 --> 01:39:11,560
Speaker 1: he's going to go in this is Bowen Yanks. I

1837
01:39:11,600 --> 01:39:14,160
Speaker 1: don't think so, honey. His time starts now. I don't

1838
01:39:14,160 --> 01:39:17,160
Speaker 1: think so, honey. Myself forbissing both of my things that

1839
01:39:17,200 --> 01:39:19,519
Speaker 1: I was doing in the Golden Globes. Here's what happened.

1840
01:39:19,920 --> 01:39:22,759
Speaker 1: The pepsid bit, I might I thought I was cheating

1841
01:39:22,760 --> 01:39:24,679
Speaker 1: out to the right to the camera, which was on

1842
01:39:24,680 --> 01:39:26,880
Speaker 1: one side the entire time we rehearsed it was on

1843
01:39:26,920 --> 01:39:29,799
Speaker 1: a different side. It didn't catch the full logo. I

1844
01:39:29,840 --> 01:39:31,840
Speaker 1: hate myself that I cut off the pepsid logo and

1845
01:39:31,880 --> 01:39:34,519
Speaker 1: then I started late, and oh my god, I need

1846
01:39:34,560 --> 01:39:35,880
Speaker 1: to tell you this. After there was a whole fucking

1847
01:39:35,920 --> 01:39:38,760
Speaker 1: hullabaloo around making sure Ken Jong and Michelle Yo sat

1848
01:39:38,760 --> 01:39:40,840
Speaker 1: next to each other. I had talked to Constance who

1849
01:39:41,320 --> 01:39:43,360
Speaker 1: about the whole bit beforehand, and that was the whole

1850
01:39:43,360 --> 01:39:47,040
Speaker 1: fucking experience. She's lovely, she's great. It was just so strong. Well,

1851
01:39:47,040 --> 01:39:49,360
Speaker 1: it was just she was at the table with Gaga

1852
01:39:49,400 --> 01:39:51,639
Speaker 1: and Bradley right there, and I was like, I saw

1853
01:39:51,680 --> 01:39:54,240
Speaker 1: the Valentino right there. As I had to like explain

1854
01:39:54,320 --> 01:39:56,320
Speaker 1: to these movie stars what we were doing. This dumb

1855
01:39:56,360 --> 01:39:58,080
Speaker 1: bit for not dumb bit. But we were doing this

1856
01:39:58,120 --> 01:40:00,280
Speaker 1: bit for the monologue. I was like, what is this?

1857
01:40:00,479 --> 01:40:03,360
Speaker 1: And then I failed. I failed in some small way,

1858
01:40:03,400 --> 01:40:05,000
Speaker 1: and so I'm beating myself about that, and then I

1859
01:40:05,040 --> 01:40:07,160
Speaker 1: don't think starting myself during the flu shop it, I

1860
01:40:07,200 --> 01:40:08,560
Speaker 1: was supposed to go to Goga to give her the

1861
01:40:08,560 --> 01:40:10,360
Speaker 1: flu shop but she looks we made a context. She

1862
01:40:10,400 --> 01:40:12,240
Speaker 1: went no, and then I had to you see me

1863
01:40:12,280 --> 01:40:15,519
Speaker 1: do a sharp left and I did this and that's

1864
01:40:15,560 --> 01:40:19,439
Speaker 1: one minute. Wait. So so she just literally looked you

1865
01:40:19,479 --> 01:40:24,200
Speaker 1: in the eyes. So I looked Gogga wasn't so. I.

1866
01:40:24,439 --> 01:40:28,920
Speaker 1: We're walking down the steps. I the producer's Eric Gurian Um,

1867
01:40:29,000 --> 01:40:32,800
Speaker 1: little stranger, wonderful man um the entire time, He's like,

1868
01:40:32,840 --> 01:40:34,599
Speaker 1: you better go for Gaga? Are you going for Gag?

1869
01:40:34,640 --> 01:40:36,439
Speaker 1: I was like, I'm gonna go for Gaga like every

1870
01:40:36,439 --> 01:40:39,040
Speaker 1: gay person's dream to like stick a needle in her

1871
01:40:39,760 --> 01:40:43,320
Speaker 1: and um so I. So I I walked down the

1872
01:40:43,360 --> 01:40:45,800
Speaker 1: steps of the stage and I and I started saying

1873
01:40:45,800 --> 01:40:47,479
Speaker 1: out loud because and then Mike start catching and I

1874
01:40:47,520 --> 01:40:50,519
Speaker 1: go fake flu shot, fake flu shot. And I look

1875
01:40:50,600 --> 01:40:53,519
Speaker 1: at Gaga and she looks at me and she goes no, no,

1876
01:40:53,680 --> 01:40:56,920
Speaker 1: like terrified. She's like no, genuinely like no, I don't

1877
01:40:57,000 --> 01:40:59,320
Speaker 1: want this. I thought it was real. I mean, there

1878
01:40:59,360 --> 01:41:00,680
Speaker 1: you go. And so I was like, well, I'm not

1879
01:41:00,720 --> 01:41:03,040
Speaker 1: going to I'm not going to explain it to her

1880
01:41:03,040 --> 01:41:06,240
Speaker 1: and like be like, actually, no, you're you're gonna let

1881
01:41:06,280 --> 01:41:09,720
Speaker 1: me do you know? Like insane that I would do that,

1882
01:41:09,880 --> 01:41:14,320
Speaker 1: but I'm so Then I sharp left and you see

1883
01:41:14,360 --> 01:41:17,200
Speaker 1: you catch and I looked like it look like her idiot?

1884
01:41:17,240 --> 01:41:19,240
Speaker 1: What did that look Dune? It didn't look dumb at all.

1885
01:41:19,320 --> 01:41:22,800
Speaker 1: It looked it looked to me. It looked to me

1886
01:41:22,960 --> 01:41:26,160
Speaker 1: at home like, oh my god, he almost stuck a

1887
01:41:26,200 --> 01:41:27,880
Speaker 1: needle and guy out. And then I couldn't do it,

1888
01:41:28,120 --> 01:41:31,120
Speaker 1: like which was I was gonna? Just I was gonna do?

1889
01:41:31,320 --> 01:41:33,720
Speaker 1: I couldn't keep walking towards her, do you know? Like

1890
01:41:33,720 --> 01:41:36,280
Speaker 1: as soon as she was like well she said no, yeah,

1891
01:41:36,439 --> 01:41:37,960
Speaker 1: like what else am I gonna do? So then I

1892
01:41:38,040 --> 01:41:40,519
Speaker 1: turn and I go flu shot, flu shot? And then

1893
01:41:40,600 --> 01:41:43,280
Speaker 1: Keith Urban's like I'll do one, and I do, and

1894
01:41:43,439 --> 01:41:46,000
Speaker 1: I get give one to Nicole. Oh my god, the

1895
01:41:46,080 --> 01:41:48,439
Speaker 1: Queen Nicole. And she was just giggling the whole time.

1896
01:41:48,479 --> 01:41:52,160
Speaker 1: She's like it was just and then and then I

1897
01:41:52,200 --> 01:41:55,120
Speaker 1: and then I walked over to the Amazon table or

1898
01:41:55,160 --> 01:41:59,519
Speaker 1: the Homecoming table, which is like Julia Roberts fucking Jeff

1899
01:41:59,560 --> 01:42:02,400
Speaker 1: Bezos is there because she's on homecoming, and I go,

1900
01:42:02,680 --> 01:42:06,080
Speaker 1: flu shot, Mr Bezos and then we do this, Oh

1901
01:42:06,080 --> 01:42:11,000
Speaker 1: my god, He's like I own the world. He's like sure,

1902
01:42:11,200 --> 01:42:14,200
Speaker 1: and I was like, you are the richest. You're really

1903
01:42:14,200 --> 01:42:17,240
Speaker 1: the richest person on the plane. Yeah. And I would

1904
01:42:17,280 --> 01:42:21,880
Speaker 1: be like thank you, and he was like yes, yes, yes, sure,

1905
01:42:22,160 --> 01:42:25,439
Speaker 1: like just he was game. But I feel like that's

1906
01:42:25,439 --> 01:42:28,759
Speaker 1: how rich people say yes to things. Yes, yes, yes.

1907
01:42:30,680 --> 01:42:33,720
Speaker 1: So that's that's that's some behind the scenes. Wow, I

1908
01:42:33,760 --> 01:42:37,920
Speaker 1: needed that gossip. Thank you for that. Good okaytunately, maybe

1909
01:42:38,200 --> 01:42:40,240
Speaker 1: you know you'll get to poke it. You'll get to

1910
01:42:40,240 --> 01:42:43,200
Speaker 1: stick a needle insap other someday someday. Okay, I have

1911
01:42:43,280 --> 01:42:46,080
Speaker 1: one that's less golden globes really and that it's not

1912
01:42:46,120 --> 01:42:48,000
Speaker 1: at all Okay, this is Matt Rogers's. I don't think

1913
01:42:48,000 --> 01:42:50,040
Speaker 1: so many time starts now. I don't think so many

1914
01:42:50,040 --> 01:42:53,360
Speaker 1: people doing their hair before they go to the gym.

1915
01:42:53,439 --> 01:42:55,960
Speaker 1: So I've going to the gym, and something I am

1916
01:42:56,160 --> 01:42:59,519
Speaker 1: noticing is that a lot of you guys like are

1917
01:42:59,560 --> 01:43:02,960
Speaker 1: putting full ass product in your hair and styling your

1918
01:43:02,960 --> 01:43:07,599
Speaker 1: hair at I don't think so honey, because like it's like,

1919
01:43:07,640 --> 01:43:10,080
Speaker 1: what are you trying to do? Look good for us here?

1920
01:43:10,120 --> 01:43:11,800
Speaker 1: Like you already looked like you're in the gym. It's

1921
01:43:11,840 --> 01:43:14,080
Speaker 1: commonly the hottest guys there that have this done, which

1922
01:43:14,120 --> 01:43:16,360
Speaker 1: is like, okay, I had on a hat. But also

1923
01:43:16,479 --> 01:43:20,200
Speaker 1: I mostly don't think so honey. Mostly don't think so honey,

1924
01:43:20,200 --> 01:43:22,920
Speaker 1: because it's a complete waste of product, and me, the

1925
01:43:23,000 --> 01:43:26,960
Speaker 1: son of a Long Island hairdresser, knows the value of products.

1926
01:43:27,160 --> 01:43:29,679
Speaker 1: How dare you? And I'm not talking about a little product.

1927
01:43:29,720 --> 01:43:33,400
Speaker 1: I'm talking about a full side you know, part with

1928
01:43:33,439 --> 01:43:36,120
Speaker 1: like all theild and I feel like it's a totally

1929
01:43:36,160 --> 01:43:39,960
Speaker 1: reckless use of product. And then you distract me at

1930
01:43:39,960 --> 01:43:42,160
Speaker 1: the gym because you are incredibly hot and I have

1931
01:43:42,200 --> 01:43:44,800
Speaker 1: a full head on as well. So I don't think

1932
01:43:44,800 --> 01:43:48,120
Speaker 1: so honey. You guys, you're not you're not impressing me really,

1933
01:43:48,760 --> 01:43:52,320
Speaker 1: but maybe you are. Maybe I'm like actually sick. The

1934
01:43:52,360 --> 01:43:55,120
Speaker 1: thing is right, like you don't need to do your

1935
01:43:55,160 --> 01:43:57,799
Speaker 1: hair for the gym? No, how about girls in full beat?

1936
01:43:58,160 --> 01:44:01,479
Speaker 1: Oh god? What's the best? Another is that the gym

1937
01:44:01,560 --> 01:44:03,000
Speaker 1: and the thing I look at that, and as a

1938
01:44:03,160 --> 01:44:06,599
Speaker 1: former sufferer of acne, I'm like, your parts, yeah, oh yeah,

1939
01:44:06,600 --> 01:44:10,400
Speaker 1: they're just sucking themselves over. Those girls are probably like

1940
01:44:10,400 --> 01:44:12,800
Speaker 1: like magical creatures who have never had like you know

1941
01:44:12,880 --> 01:44:15,400
Speaker 1: some people. It's just like that's another thing too, when

1942
01:44:15,439 --> 01:44:18,960
Speaker 1: you sweat your hair product into your hair. I I

1943
01:44:19,040 --> 01:44:21,400
Speaker 1: know from because I used to run track in high

1944
01:44:21,400 --> 01:44:23,160
Speaker 1: school and of course you know that I had My

1945
01:44:23,200 --> 01:44:25,800
Speaker 1: hair was mostly gel. My head was mostly gel. There

1946
01:44:25,840 --> 01:44:28,000
Speaker 1: was not a long island, it was long island, so

1947
01:44:28,640 --> 01:44:32,559
Speaker 1: gel would run into my run into my forehead, and

1948
01:44:32,640 --> 01:44:38,360
Speaker 1: so that wasn't good for a teenager's that's where exactly.

1949
01:44:38,400 --> 01:44:41,120
Speaker 1: And so like you would think that like these guys

1950
01:44:41,120 --> 01:44:43,439
Speaker 1: who I would imagine have experience with hair gel I

1951
01:44:43,479 --> 01:44:45,720
Speaker 1: see using it now, would know that it's not the

1952
01:44:45,760 --> 01:44:49,840
Speaker 1: wisest idea to wear that at the gym. And also

1953
01:44:49,880 --> 01:44:51,559
Speaker 1: I feel like it's a hack. This is a hack

1954
01:44:51,600 --> 01:44:53,559
Speaker 1: of Jim. Hack is to wear a beanie at the gym,

1955
01:44:53,640 --> 01:44:55,920
Speaker 1: because then you don't have to clean the machines because

1956
01:44:55,920 --> 01:44:58,439
Speaker 1: you're not sweating on them. But that sounds uncomfortable for you.

1957
01:44:58,560 --> 01:45:01,000
Speaker 1: I like it, that sounds hot. I wear a beanie

1958
01:45:01,000 --> 01:45:04,800
Speaker 1: at the gym. It sounds honestly, it sounds like temperature hot.

1959
01:45:04,840 --> 01:45:07,240
Speaker 1: But then I'm picturing you in a beanie and I'm like, okay, okay,

1960
01:45:07,360 --> 01:45:11,200
Speaker 1: it's a look my gym. Look is my Brooklyn my

1961
01:45:11,280 --> 01:45:13,639
Speaker 1: Brooklyn crab t shirt that I've cut the sleeves off

1962
01:45:14,280 --> 01:45:17,719
Speaker 1: my little black beanie, so I look sorry straight, guys.

1963
01:45:17,920 --> 01:45:19,840
Speaker 1: The other thing I have to say about Matt looking

1964
01:45:19,840 --> 01:45:22,640
Speaker 1: cute is that this mustache is good. Do you like it?

1965
01:45:23,920 --> 01:45:28,840
Speaker 1: Love it? Learn? What I want to do is bring

1966
01:45:28,880 --> 01:45:32,760
Speaker 1: back eighties gay culture. Yes, that's what it's doing for me.

1967
01:45:35,240 --> 01:45:36,679
Speaker 1: You know. I was like, I was like, well, not

1968
01:45:39,680 --> 01:45:44,519
Speaker 1: hp A, you're so young. Oh my god, he knows

1969
01:45:44,560 --> 01:45:47,880
Speaker 1: what happened. Guys. I wrote stuff down because this is

1970
01:45:47,920 --> 01:45:51,280
Speaker 1: my first time. That's like when you guys do the

1971
01:45:51,280 --> 01:45:54,439
Speaker 1: live show that must not be allowed, they do it

1972
01:45:54,560 --> 01:45:56,680
Speaker 1: some of the best ones. Okay, this is Helen New York.

1973
01:45:56,760 --> 01:45:58,800
Speaker 1: So I don't think so, honey, her time starts now.

1974
01:45:59,040 --> 01:46:01,599
Speaker 1: I don't think so, honey. Adults who are into disney World.

1975
01:46:01,600 --> 01:46:05,759
Speaker 1: In Disneylands, a two day park copper passes a hundred

1976
01:46:05,760 --> 01:46:09,320
Speaker 1: and seventy four dollars, I don't think so. Honey, I

1977
01:46:09,360 --> 01:46:11,719
Speaker 1: did the math, and that is eight point seven bottles

1978
01:46:11,760 --> 01:46:14,679
Speaker 1: of wine. Okay, I don't think so, honey. You can't

1979
01:46:14,720 --> 01:46:17,800
Speaker 1: get French fries at Disney World. They don't have French fries.

1980
01:46:17,960 --> 01:46:20,200
Speaker 1: You're gonna walk around and be trash. At least let

1981
01:46:20,200 --> 01:46:25,000
Speaker 1: me eat some fucking French fries. Also, you're electively listening

1982
01:46:25,160 --> 01:46:29,599
Speaker 1: to screaming children and standing in line. I don't think so, honey.

1983
01:46:29,680 --> 01:46:33,240
Speaker 1: You can do that whole food and end up with

1984
01:46:33,240 --> 01:46:36,680
Speaker 1: like fifty bottles of kombucha by the end. And I

1985
01:46:36,680 --> 01:46:38,599
Speaker 1: don't think so, honey. That's a hundred and seventy four

1986
01:46:38,640 --> 01:46:41,000
Speaker 1: dollars for that dumb park copper pass, and you experience

1987
01:46:41,040 --> 01:46:43,400
Speaker 1: all these you're also gonna want a churro, and a

1988
01:46:43,560 --> 01:46:47,280
Speaker 1: churrow is like ten dollars and extra dollars. And I

1989
01:46:47,320 --> 01:46:49,400
Speaker 1: don't think so. It's a small world. It is not

1990
01:46:49,520 --> 01:46:52,240
Speaker 1: a small world. It is a big world. It takes

1991
01:46:52,400 --> 01:46:55,840
Speaker 1: one like twenty four hours to fly to Australia, which

1992
01:46:55,920 --> 01:46:58,240
Speaker 1: you would know if you saved your money from your

1993
01:46:58,240 --> 01:47:01,800
Speaker 1: stupid park paths and bend it on a trip to Australia.

1994
01:47:02,240 --> 01:47:07,719
Speaker 1: That's one minute. Okay, So points I can address right away.

1995
01:47:08,560 --> 01:47:10,920
Speaker 1: I don't know where you're going that you can't get

1996
01:47:10,920 --> 01:47:14,680
Speaker 1: French fries. You can absolutely, and Disney World can't. They

1997
01:47:14,720 --> 01:47:18,400
Speaker 1: have a French Friday. The reason I know about this

1998
01:47:18,439 --> 01:47:19,960
Speaker 1: is because before I did this, I was like, I

1999
01:47:20,000 --> 01:47:23,599
Speaker 1: don't want to be mean and I love all but

2000
01:47:23,760 --> 01:47:26,080
Speaker 1: I so I called my manager, who because I have

2001
01:47:26,120 --> 01:47:28,920
Speaker 1: a lot of adult friends that love business. Yes, Russell,

2002
01:47:29,040 --> 01:47:32,400
Speaker 1: it's a fucking epidemic. You adults loves it. He loves it.

2003
01:47:32,880 --> 01:47:35,479
Speaker 1: He loves it. And like my friend Leslie Margarita, who's

2004
01:47:35,479 --> 01:47:37,559
Speaker 1: a genius, love it and went with her husband and

2005
01:47:37,600 --> 01:47:42,160
Speaker 1: they love a lot of great sane people love okay, stable,

2006
01:47:44,840 --> 01:47:47,120
Speaker 1: But like I asked him and he goes, yeah, did

2007
01:47:47,160 --> 01:47:49,240
Speaker 1: you know that you can't get French fries at Disneyland?

2008
01:47:49,240 --> 01:47:51,760
Speaker 1: I was like what and he goes. And then any

2009
01:47:51,840 --> 01:47:54,800
Speaker 1: who also produces on high maintenance with him, and we

2010
01:47:54,840 --> 01:47:57,160
Speaker 1: all worked. They all worked together. She like looked it

2011
01:47:57,200 --> 01:47:59,680
Speaker 1: up and there's a reason why. But they literally have

2012
01:47:59,800 --> 01:48:03,360
Speaker 1: a French Friday. I think this is about I literally

2013
01:48:03,400 --> 01:48:05,519
Speaker 1: learned this today when I was like asking permission if

2014
01:48:05,520 --> 01:48:07,519
Speaker 1: I was allowed to be mean about people that adults

2015
01:48:07,520 --> 01:48:09,639
Speaker 1: that good at No, no, no, let me tell you something.

2016
01:48:09,720 --> 01:48:11,920
Speaker 1: Maybe you're right about that, but also, can I say

2017
01:48:11,960 --> 01:48:16,120
Speaker 1: something about the park copper pass? Looked, yes, yes, you

2018
01:48:16,160 --> 01:48:19,200
Speaker 1: can't fight me on the price, and I wouldn't dare point.

2019
01:48:19,280 --> 01:48:22,679
Speaker 1: I will say this though, the two day park copper pass, Yeah,

2020
01:48:22,680 --> 01:48:24,920
Speaker 1: that's a lot of money. The one day parkopper pass

2021
01:48:25,040 --> 01:48:28,040
Speaker 1: is crazy, way too much money. But if you're planning

2022
01:48:28,080 --> 01:48:32,000
Speaker 1: to go for many days, it actually is very very

2023
01:48:32,280 --> 01:48:36,240
Speaker 1: just then you're going to Disney World many days in

2024
01:48:36,280 --> 01:48:40,160
Speaker 1: a row. Also, I didn't understand like there are I'm

2025
01:48:40,280 --> 01:48:44,720
Speaker 1: ready to fight, Oh my god. Honestly, it's they're like

2026
01:48:45,240 --> 01:48:49,400
Speaker 1: lines on purpose. The lines and the children are only

2027
01:48:49,439 --> 01:48:51,320
Speaker 1: a problem with the Magic Kingdom, which I've discussed on

2028
01:48:51,360 --> 01:48:53,760
Speaker 1: this podcast as being a problematic. And I don't think

2029
01:48:53,800 --> 01:48:57,080
Speaker 1: they kids at Disney World. But you know what, Helena's

2030
01:48:57,120 --> 01:49:05,200
Speaker 1: Helena's final points, final point, that point, the Australian thing.

2031
01:49:05,200 --> 01:49:07,880
Speaker 1: It's like, sure, but no, this is the thing that

2032
01:49:07,920 --> 01:49:10,759
Speaker 1: I've always believed is that your family going to Disney

2033
01:49:10,760 --> 01:49:13,559
Speaker 1: World for vacation every single year of your fucking life

2034
01:49:13,960 --> 01:49:16,160
Speaker 1: has held you back from going to different places. Yes,

2035
01:49:16,240 --> 01:49:18,320
Speaker 1: it's like coming to New York and only seeing Phantom

2036
01:49:18,320 --> 01:49:20,320
Speaker 1: of the opera every time he's saying that means you're

2037
01:49:20,360 --> 01:49:23,240
Speaker 1: missing like The Problem, which right now is a great

2038
01:49:23,240 --> 01:49:24,920
Speaker 1: show that everybody should see. I want to go see

2039
01:49:24,920 --> 01:49:27,519
Speaker 1: The Problem. It's very good. But you like the fact

2040
01:49:27,560 --> 01:49:30,560
Speaker 1: that you went to like Paris and you were like,

2041
01:49:30,680 --> 01:49:32,559
Speaker 1: didn't care for I'm like, that's because you went to

2042
01:49:32,720 --> 01:49:35,320
Speaker 1: You grew up going to fucking Orlando your whole life,

2043
01:49:35,439 --> 01:49:38,599
Speaker 1: Like this is why it's bad. No, I don't agree.

2044
01:49:38,720 --> 01:49:41,240
Speaker 1: I like, well, because you don't agree I didn't care.

2045
01:49:41,640 --> 01:49:45,080
Speaker 1: You're like torturing yourself through running twenties six miles through it.

2046
01:49:45,320 --> 01:49:49,960
Speaker 1: You didn't care for Harris. Fuck, I didn't care for

2047
01:49:49,960 --> 01:49:53,080
Speaker 1: Paris either, Well you know what I mean, like Matt, First,

2048
01:49:53,600 --> 01:49:56,880
Speaker 1: I think we don't know what you mean. Matt. You well, like,

2049
01:49:56,920 --> 01:49:59,600
Speaker 1: but I liked other things like Rome in Berlin. I

2050
01:49:59,720 --> 01:50:02,519
Speaker 1: said what European city I loved and I would die for?

2051
01:50:02,640 --> 01:50:04,400
Speaker 1: And I would die for literally every single person there.

2052
01:50:04,400 --> 01:50:12,200
Speaker 1: They're all my sisters, brush the seven people in British Bruige.

2053
01:50:12,320 --> 01:50:15,080
Speaker 1: It's like such a that's maybe the best one syllable

2054
01:50:15,120 --> 01:50:21,840
Speaker 1: world Brish British going to British the best phonetic you

2055
01:50:21,840 --> 01:50:25,639
Speaker 1: you have to go to we're going to Tokyo dying.

2056
01:50:26,320 --> 01:50:28,519
Speaker 1: Max went to Tokyo, my one of my best fan,

2057
01:50:28,560 --> 01:50:31,640
Speaker 1: Maxwell Jenkins, who he went last minute. I was going

2058
01:50:31,680 --> 01:50:34,120
Speaker 1: to go with him and like I need money, but

2059
01:50:34,680 --> 01:50:37,519
Speaker 1: oh my god, it looks amazing. And then they're Kyoto

2060
01:50:37,680 --> 01:50:40,519
Speaker 1: outside of where I really and all the l A.

2061
01:50:40,600 --> 01:50:46,080
Speaker 1: Gates just went to Um. Yeah, to Tokyo and Kyoto. Um.

2062
01:50:46,120 --> 01:50:47,800
Speaker 1: But there's I mean, we're going to go to the

2063
01:50:47,800 --> 01:50:51,120
Speaker 1: Disneyland in the Disney State. But there's a Disney Sea there.

2064
01:50:51,120 --> 01:50:53,360
Speaker 1: It's a water park, water theme, it's not a water park.

2065
01:50:53,600 --> 01:50:55,760
Speaker 1: Why would you go all the way there and spend

2066
01:50:55,840 --> 01:50:59,439
Speaker 1: time to no Disney Sea in America? Oh my god,

2067
01:51:00,120 --> 01:51:03,920
Speaker 1: but there's the sea. You have to be able to

2068
01:51:04,000 --> 01:51:08,320
Speaker 1: look forward and enthusiastically approach other cultural activities. You have

2069
01:51:08,439 --> 01:51:10,400
Speaker 1: to do that. I'm going to make this a thing

2070
01:51:10,560 --> 01:51:13,120
Speaker 1: in the other two family. I know when Drew Tarver

2071
01:51:13,280 --> 01:51:15,880
Speaker 1: walks his Georgia Barn trash ass in here, he is

2072
01:51:15,880 --> 01:51:18,080
Speaker 1: going to say that he likes the Walt Disney World.

2073
01:51:18,240 --> 01:51:20,439
Speaker 1: I don't think so. I think we've had this conversation

2074
01:51:20,479 --> 01:51:22,000
Speaker 1: before because, by the way, the other thing that I

2075
01:51:22,040 --> 01:51:23,720
Speaker 1: love about dream and listen to say this one Drew.

2076
01:51:24,439 --> 01:51:27,680
Speaker 1: Drew was like, right after Thanksgiving, he calls me up

2077
01:51:27,680 --> 01:51:30,400
Speaker 1: and he's like, um, I'll rolling in a new couch

2078
01:51:30,479 --> 01:51:33,720
Speaker 1: on it that is and he really leans into it.

2079
01:51:34,800 --> 01:51:37,040
Speaker 1: And I was like, you've been around your family Ali

2080
01:51:39,680 --> 01:51:43,600
Speaker 1: down to Disney World. They grown up? Actually no, but

2081
01:51:43,600 --> 01:51:47,960
Speaker 1: the that family goes on interesting trips. Recently they went

2082
01:51:48,080 --> 01:51:51,960
Speaker 1: skiing in Colorado. They like they go on trips, and

2083
01:51:52,000 --> 01:51:54,680
Speaker 1: they rent cars in Mexico. They like drive when they go,

2084
01:51:54,720 --> 01:51:58,599
Speaker 1: and they say they do like legit trips. And then

2085
01:51:58,840 --> 01:52:01,000
Speaker 1: you guys are gonna hear all the story. I'm we

2086
01:52:01,040 --> 01:52:02,880
Speaker 1: have to go on Seth Meyers and I'm like, I

2087
01:52:02,960 --> 01:52:08,720
Speaker 1: can't stand up next to those Tarver stories. You guys

2088
01:52:08,720 --> 01:52:10,920
Speaker 1: will be so good. And then christ and Sarah are

2089
01:52:10,960 --> 01:52:13,960
Speaker 1: going on this month. I think on the twenties second,

2090
01:52:15,320 --> 01:52:21,040
Speaker 1: don't like Disney. Um, but this has been truly tremendous.

2091
01:52:21,760 --> 01:52:24,720
Speaker 1: I need and literally no, I'm so happy to have

2092
01:52:24,800 --> 01:52:27,240
Speaker 1: hung out with you because now I know that we're

2093
01:52:27,240 --> 01:52:30,759
Speaker 1: all going to do cell Cycle together and I can't

2094
01:52:30,840 --> 01:52:33,559
Speaker 1: wait to take it to Disney World. I would go

2095
01:52:33,720 --> 01:52:36,439
Speaker 1: for that dumb race, especially with like you guys, I'm like, okay,

2096
01:52:36,520 --> 01:52:39,120
Speaker 1: I do it's fun and we go on edibles and

2097
01:52:39,160 --> 01:52:42,800
Speaker 1: we we we like have a great time. It's fun. See,

2098
01:52:43,000 --> 01:52:45,599
Speaker 1: I mean we're convincing it, so we're not we're not

2099
01:52:45,760 --> 01:52:52,360
Speaker 1: children about it. Yes, it's a full child's activity. We've

2100
01:52:52,400 --> 01:52:54,800
Speaker 1: been through this, but we love it. But we love

2101
01:52:54,800 --> 01:52:57,519
Speaker 1: it and we love Helena, we love the other two.

2102
01:52:57,640 --> 01:53:00,360
Speaker 1: Please watch it truly, truly, truly, I mean we're we're not.

2103
01:53:00,400 --> 01:53:03,519
Speaker 1: There's no like marketing muscle here, So we just wanted

2104
01:53:03,520 --> 01:53:07,599
Speaker 1: to do this on UM, so just please check it out,

2105
01:53:07,680 --> 01:53:13,160
Speaker 1: Janu anything else we should say UM follow on Instagram

2106
01:53:13,200 --> 01:53:20,160
Speaker 1: and the social media first name spelled helene o r

2107
01:53:20,240 --> 01:53:24,400
Speaker 1: K lots of ease, UM. We've had a glorious time

2108
01:53:24,760 --> 01:53:31,839
Speaker 1: for joining. Thank you for having me when you wish

2109
01:53:33,240 --> 01:53:47,559
Speaker 1: us to by Hey, little reminder Better Help dot com

2110
01:53:47,680 --> 01:53:50,160
Speaker 1: forward slash ding dong. That's where you can go and

2111
01:53:50,160 --> 01:53:53,520
Speaker 1: put in a little promo code to get therapy online

2112
01:53:53,960 --> 01:53:56,720
Speaker 1: fast Now. Better Help makes it easy to connect with

2113
01:53:56,760 --> 01:54:00,280
Speaker 1: licensed professional counselors who are caring professionals who special lies

2114
01:54:00,320 --> 01:54:02,320
Speaker 1: in the issues that you want to talk about. We're

2115
01:54:02,320 --> 01:54:05,960
Speaker 1: talking about depression, stress and anxiety, trauma, grief, self esteem,

2116
01:54:06,000 --> 01:54:08,680
Speaker 1: and other issues that we're all kind of dealing with that,

2117
01:54:08,720 --> 01:54:10,160
Speaker 1: you know. We want to reach out and get some

2118
01:54:10,240 --> 01:54:12,320
Speaker 1: helpful and you can connect with your counselor in a

2119
01:54:12,360 --> 01:54:16,919
Speaker 1: safe and private environment using better Health dot com slash

2120
01:54:17,080 --> 01:54:20,439
Speaker 1: ding dong of course, yes, slash ding doc. If you

2121
01:54:20,479 --> 01:54:23,160
Speaker 1: want to use you know, our promo code and get

2122
01:54:23,160 --> 01:54:26,839
Speaker 1: temper sent off, you would use the promo code ding dong.

2123
01:54:27,080 --> 01:54:28,840
Speaker 1: We just wanted to stop in here in the middle

2124
01:54:28,840 --> 01:54:30,759
Speaker 1: of the episode inside and just say that to schedule

2125
01:54:30,880 --> 01:54:34,320
Speaker 1: secure video and found sessions or texture therapist, all included worldwide,

2126
01:54:34,480 --> 01:54:37,400
Speaker 1: and you can start communicating and under twenty four hours. Yeah,

2127
01:54:37,440 --> 01:54:40,400
Speaker 1: and maybe you can even marry your therapy. We've been

2128
01:54:40,400 --> 01:54:42,560
Speaker 1: through this week. You can't do that. It's not appropriate,

2129
01:54:42,520 --> 01:54:46,600
Speaker 1: it's not unethical. What if they're hot? Should I get

2130
01:54:46,640 --> 01:54:54,240
Speaker 1: another one? Yeah? Okay dot com. This has been a

2131
01:54:54,280 --> 01:54:58,600
Speaker 1: Forever Dog production executive produced by Brett Boham, Joe Silio,

2132
01:54:58,960 --> 01:55:03,480
Speaker 1: and Alex Ramsey. For more original podcasts, please visit Forever

2133
01:55:03,560 --> 01:55:07,120
Speaker 1: Dog Podcasts dot com and subscribe to our shows on

2134
01:55:07,200 --> 01:55:11,640
Speaker 1: Apple Podcasts, Spotify, or wherever you get your podcasts. Keep

2135
01:55:11,720 --> 01:55:14,560
Speaker 1: up with the latest Forever Dog news by following us

2136
01:55:14,600 --> 01:55:19,080
Speaker 1: on Twitter and Instagram at Forever Dog Team and liking

2137
01:55:19,120 --> 01:55:20,640
Speaker 1: our page on Facebook