1 00:00:03,320 --> 00:00:05,519 Speaker 1: What would you talk about on your on your podcast 2 00:00:05,800 --> 00:00:23,000 Speaker 1: Fine Elvis Presents Morning Show is dying. We were just 3 00:00:23,040 --> 00:00:25,759 Speaker 1: talking to her friend, Danielle DeLillo, and she has a 4 00:00:25,840 --> 00:00:29,920 Speaker 1: very thick, thick Brooklyn accent, and she doesn't have an accent. 5 00:00:30,840 --> 00:00:33,640 Speaker 1: You don't have an intern accent? Game, what did you 6 00:00:33,760 --> 00:00:36,280 Speaker 1: What did you say her? What was a podcast or 7 00:00:36,560 --> 00:00:40,519 Speaker 1: a new app? What's it called? It's oh, bab's in 8 00:00:40,560 --> 00:00:44,000 Speaker 1: a babbels just babbel about shit. So you go on 9 00:00:44,040 --> 00:00:45,640 Speaker 1: a date with Hunt. She just comes over and babbels 10 00:00:45,640 --> 00:00:48,600 Speaker 1: about ship Danielle Delo that we were just talking about. 11 00:00:49,320 --> 00:00:51,680 Speaker 1: I'm an intern for Elvis Duran in the Morning Show. 12 00:00:52,080 --> 00:00:54,040 Speaker 1: I am now going to get a glass of water, 13 00:00:54,160 --> 00:00:56,520 Speaker 1: a cup of coffee, and a bagel and put them 14 00:00:56,520 --> 00:00:59,240 Speaker 1: in my shopping bag. Then I'm going to go for 15 00:00:59,320 --> 00:01:02,240 Speaker 1: a ride in a taxicab to Long Island while eating 16 00:01:02,240 --> 00:01:06,160 Speaker 1: an apple. I do not have an accent, not the 17 00:01:06,240 --> 00:01:08,520 Speaker 1: least you know. I grew up in Erie, Pennsylvania, which 18 00:01:08,560 --> 00:01:11,600 Speaker 1: is a region of this country that's fairly accentless. So 19 00:01:11,760 --> 00:01:14,000 Speaker 1: I would watch TV shows and movies about New York 20 00:01:14,000 --> 00:01:16,320 Speaker 1: City and hear these people going, hey, when you problem 21 00:01:16,319 --> 00:01:19,640 Speaker 1: will you? And I just thought that it was all 22 00:01:19,680 --> 00:01:22,240 Speaker 1: made up, and then I moved here, and I'd be 23 00:01:22,280 --> 00:01:24,320 Speaker 1: standing in line in a Delhi and some guy goes, hey, 24 00:01:24,400 --> 00:01:26,479 Speaker 1: can you put some more meat on the sandwich? Will 25 00:01:26,520 --> 00:01:30,800 Speaker 1: be it's actually real people to me, Like, to me, 26 00:01:30,959 --> 00:01:34,600 Speaker 1: it's still a caricature because I'm so not used to 27 00:01:34,640 --> 00:01:37,840 Speaker 1: hearing it's still that. It really is so funny start 28 00:01:38,360 --> 00:01:41,000 Speaker 1: hanging around with people and then start talking the way 29 00:01:40,720 --> 00:01:43,160 Speaker 1: they do, or you kind of you kind of like 30 00:01:43,720 --> 00:01:45,679 Speaker 1: detend depending on the group of people that you're with, 31 00:01:46,360 --> 00:01:49,800 Speaker 1: you literally behave that way. Like when I'm with my 32 00:01:49,960 --> 00:01:53,840 Speaker 1: smart people, my smart friends comparisons a little bit more 33 00:01:53,920 --> 00:01:56,560 Speaker 1: you know, uh, you know, studious, and I speak like this, 34 00:01:56,800 --> 00:01:59,640 Speaker 1: But when my Brooklyn friends, all the Brooklyn he comes out. 35 00:02:00,080 --> 00:02:02,040 Speaker 1: Happens when you go back to your roots, when you're 36 00:02:02,040 --> 00:02:03,760 Speaker 1: hanging out with the people that you grew up with, 37 00:02:04,160 --> 00:02:06,880 Speaker 1: you tend to fall into that like category. Like I'm 38 00:02:06,920 --> 00:02:09,040 Speaker 1: sure when you go back to Wisconsin, you your accent 39 00:02:09,080 --> 00:02:11,280 Speaker 1: comes back even more. When I'm hanging out with my 40 00:02:11,320 --> 00:02:13,720 Speaker 1: Bronx people, I'm It's like, what the fuck I mean 41 00:02:13,800 --> 00:02:18,160 Speaker 1: this is? But like if I'm sitting here talking you Nate, 42 00:02:18,200 --> 00:02:20,320 Speaker 1: I'm not going to just say what you know, it's funny. 43 00:02:20,360 --> 00:02:23,120 Speaker 1: I was listening to an old air check of you 44 00:02:23,200 --> 00:02:25,560 Speaker 1: from years ago when you were first on the show, 45 00:02:25,600 --> 00:02:30,320 Speaker 1: and it was so thick back then, so thick, almost 46 00:02:30,360 --> 00:02:33,160 Speaker 1: unrecognizable from now. Growing up. Why were you listening to that? 47 00:02:34,520 --> 00:02:37,680 Speaker 1: You know a little bit? So growing up at stat Island. 48 00:02:37,680 --> 00:02:39,600 Speaker 1: Staten Island is a part of New York where it's 49 00:02:39,600 --> 00:02:44,000 Speaker 1: almost Italian. I am that five percent that is an Italian. 50 00:02:44,400 --> 00:02:49,040 Speaker 1: So having friends that grow up wearing vlor suits, gold chains, 51 00:02:49,440 --> 00:02:52,120 Speaker 1: slip back care and every time I talked, I was 52 00:02:52,160 --> 00:02:55,560 Speaker 1: the minority and what did the men wear. So so 53 00:02:55,639 --> 00:02:57,919 Speaker 1: every time I talked, all my friends are like, yeah, 54 00:02:58,200 --> 00:02:59,919 Speaker 1: how come you don't sound like you're you're like us 55 00:03:00,000 --> 00:03:03,800 Speaker 1: because I'm not Italian. I didn't grow up around the town. 56 00:03:03,919 --> 00:03:06,760 Speaker 1: And then when people here I'm from Staten Island, they go, 57 00:03:07,040 --> 00:03:09,200 Speaker 1: why don't you sound like you're from Yeah, And I'm 58 00:03:09,240 --> 00:03:12,320 Speaker 1: from the part of Brooklyn that's that's across the bridge 59 00:03:12,720 --> 00:03:15,200 Speaker 1: from Staten Island. And I was the only non Italian 60 00:03:15,200 --> 00:03:18,280 Speaker 1: in my neighborhood. And so you know, if I get 61 00:03:18,320 --> 00:03:21,240 Speaker 1: upset and angry, I sound like I'm from there. But 62 00:03:21,280 --> 00:03:23,839 Speaker 1: I try not to and people say, oh, you're from Bensonhurst. Yeah, 63 00:03:24,040 --> 00:03:25,720 Speaker 1: you know. But when when you cut me off in traffic, 64 00:03:25,760 --> 00:03:29,959 Speaker 1: I'm like you motherfucker you ta And I go down 65 00:03:30,000 --> 00:03:35,120 Speaker 1: to the hip hop station, I actually start talking street 66 00:03:37,840 --> 00:03:45,720 Speaker 1: what is that? What is that? From? Angel and Charlotte 67 00:03:45,760 --> 00:03:47,760 Speaker 1: and Angeli and DJ and we do the breakfast club 68 00:03:47,960 --> 00:03:50,240 Speaker 1: on the hip hop station. So I just want to 69 00:03:50,280 --> 00:03:52,280 Speaker 1: I want some street credit. I just want to be cool. 70 00:03:52,840 --> 00:03:55,880 Speaker 1: So sometimes it's not a good thing to do. I'm 71 00:03:55,920 --> 00:03:58,400 Speaker 1: not doing it. I'm not doing it from I'm you know, 72 00:03:58,480 --> 00:04:01,360 Speaker 1: from a mean spirited place. It's just I try, and 73 00:04:01,680 --> 00:04:05,120 Speaker 1: I want to try. What I want to be a chameleon. 74 00:04:05,200 --> 00:04:08,440 Speaker 1: I want to be. But I want to be a 75 00:04:08,520 --> 00:04:10,839 Speaker 1: chameleon with things that you aren't. I want to put 76 00:04:10,880 --> 00:04:17,960 Speaker 1: some spec on that, real respect that you know what. No, no, no, no, Danielle, 77 00:04:17,960 --> 00:04:21,080 Speaker 1: he said respect. Want to put some respect on you know, 78 00:04:21,480 --> 00:04:24,080 Speaker 1: you can blend into something that which you are, Like 79 00:04:24,120 --> 00:04:26,880 Speaker 1: if you become more Brooklyn when you're around your Brooklyn friends, 80 00:04:26,920 --> 00:04:29,720 Speaker 1: but you cannot take on an identity then it's not yours. 81 00:04:29,839 --> 00:04:32,920 Speaker 1: It's not it's that's not okay, oh my gosh. Then 82 00:04:32,960 --> 00:04:35,159 Speaker 1: you know what happens when he leaves the room. They 83 00:04:35,200 --> 00:04:39,280 Speaker 1: make fun of him beyond what a jackat because you 84 00:04:39,279 --> 00:04:41,840 Speaker 1: just imagine the conversation that goes on when you leave that. 85 00:04:42,160 --> 00:04:43,840 Speaker 1: I'm going to see what happens when he goes into 86 00:04:43,839 --> 00:04:47,880 Speaker 1: a Chinese Chinese restaurant. How do you want to do that? 87 00:04:50,760 --> 00:04:53,360 Speaker 1: You can't pretend to be black when you're not black. No, 88 00:04:53,360 --> 00:04:55,000 Speaker 1: I'm not trying to pretend. No, no no, no, no no no. 89 00:04:55,200 --> 00:05:00,320 Speaker 1: I'm just trying to use use verbage, use use ms. 90 00:05:00,400 --> 00:05:02,520 Speaker 1: It's different. I'm not trying to I'm not trying to 91 00:05:02,839 --> 00:05:06,640 Speaker 1: emulate or mimic. I'm trying to there's a difference and 92 00:05:06,720 --> 00:05:10,640 Speaker 1: trying to use language that you might hear. So when 93 00:05:10,640 --> 00:05:12,520 Speaker 1: you go to Chucky Cheese, you walk around going, man, 94 00:05:12,600 --> 00:05:16,280 Speaker 1: that's lit, Wow, that's so late. Your dog and you 95 00:05:16,680 --> 00:05:22,400 Speaker 1: different to your friends you're coming down. But the no, 96 00:05:23,040 --> 00:05:25,440 Speaker 1: you can't compare going down to that station by talking 97 00:05:25,480 --> 00:05:27,239 Speaker 1: to your dog. If you hang out with gay people, 98 00:05:27,279 --> 00:05:29,719 Speaker 1: do you suddenly like act like you're into men when 99 00:05:29,760 --> 00:05:32,000 Speaker 1: my kids check out that guy's ask how am I right? 100 00:05:33,440 --> 00:05:36,600 Speaker 1: Am I right? You're saying you just try to use 101 00:05:36,600 --> 00:05:39,800 Speaker 1: different vocabulary, try to speak in a different way. Yes, 102 00:05:40,000 --> 00:05:42,799 Speaker 1: that's what I'm saying. Okay, gotcha. So you use different words, 103 00:05:42,800 --> 00:05:45,840 Speaker 1: but you don't speak in a different way. No, no, no, no, no, 104 00:05:45,839 --> 00:05:50,000 Speaker 1: no no. Please don't don't misconstrue what I'm saying. I try, 105 00:05:50,040 --> 00:05:52,160 Speaker 1: and you know, I you know, when I'm with my 106 00:05:52,240 --> 00:05:54,360 Speaker 1: friends from Brooklyn, I dumb it down a little bit. 107 00:05:54,720 --> 00:05:57,400 Speaker 1: When I'm with my friends from an I try and 108 00:05:57,440 --> 00:05:59,920 Speaker 1: be bros like you. And then and then when you're 109 00:06:00,040 --> 00:06:02,719 Speaker 1: TI one oh five, you try to. I try to 110 00:06:02,839 --> 00:06:05,039 Speaker 1: use words like you know, dropping it, you know, like 111 00:06:05,120 --> 00:06:07,160 Speaker 1: say hey on the d L. You know, I use 112 00:06:07,440 --> 00:06:11,520 Speaker 1: just like vocabulary like two thousand eight urban. No. God. 113 00:06:11,720 --> 00:06:14,040 Speaker 1: When my kids come home from school, they their new 114 00:06:14,080 --> 00:06:18,120 Speaker 1: word is everything savage. This is so savage. Mom, I'll 115 00:06:18,120 --> 00:06:20,680 Speaker 1: say that's lit. That's fine. That's on a day. I 116 00:06:20,680 --> 00:06:24,200 Speaker 1: don't go to my son Spencer, Hey, Spencers, that savage. 117 00:06:24,279 --> 00:06:25,960 Speaker 1: He's gonna look right through me and go Mom, you 118 00:06:25,960 --> 00:06:27,880 Speaker 1: don't don't talk like that. You don't feel like you 119 00:06:27,880 --> 00:06:29,800 Speaker 1: don't be a mora. You don't be like, hey, that's 120 00:06:29,880 --> 00:06:32,400 Speaker 1: my bob. No, I don't what that song is a bob? 121 00:06:33,160 --> 00:06:36,599 Speaker 1: Which was a bob? What the kids bop? Not kids bob? 122 00:06:36,960 --> 00:06:38,919 Speaker 1: If a song is hot, it's a bob, it's fire, 123 00:06:38,960 --> 00:06:42,039 Speaker 1: it's lit. My kids never say that. You don't get 124 00:06:42,080 --> 00:06:46,720 Speaker 1: to say that he's like his finger. You don't get 125 00:06:46,760 --> 00:06:50,480 Speaker 1: to wear like Pokemon shirts. You don't get to do 126 00:06:50,560 --> 00:06:52,719 Speaker 1: that trying to relate. You don't get the shop at 127 00:06:52,720 --> 00:06:56,760 Speaker 1: like Forever twenty one. You don't. You don't use a 128 00:06:56,880 --> 00:07:02,880 Speaker 1: f sentence. No, I mean I'm hired. There are some Yeah, 129 00:07:03,440 --> 00:07:06,200 Speaker 1: there are some things that just are natural to you 130 00:07:06,240 --> 00:07:09,120 Speaker 1: that you can like naturally segue into, like when I'm 131 00:07:09,120 --> 00:07:12,120 Speaker 1: home in Wisconsin, I naturally segue into that accent because 132 00:07:13,080 --> 00:07:16,320 Speaker 1: you're from right and if like you. But there are 133 00:07:16,400 --> 00:07:19,800 Speaker 1: certain things that it just shows that you're trying too 134 00:07:19,920 --> 00:07:22,679 Speaker 1: hard say if it's not if it doesn't come naturally 135 00:07:22,680 --> 00:07:24,800 Speaker 1: to you, and you have to learn the words in 136 00:07:24,840 --> 00:07:27,960 Speaker 1: the vocabulary. I don't think that are the people you're 137 00:07:28,000 --> 00:07:30,920 Speaker 1: hanging around. Don't say that stuff. So it doesn't come naturally. 138 00:07:31,320 --> 00:07:36,080 Speaker 1: Then you don't spect to worry about say that anything 139 00:07:36,080 --> 00:07:38,480 Speaker 1: gives you the feels. No, you don't do You don't 140 00:07:38,480 --> 00:07:41,120 Speaker 1: say adulting, you know, can we get rid of adulting? 141 00:07:41,680 --> 00:07:45,240 Speaker 1: Get rid of that phrase. I really hate that word adulting. Adults. 142 00:07:45,440 --> 00:07:50,240 Speaker 1: I just don't have to. You're not an adult. Thank you, Spencer. 143 00:07:50,280 --> 00:07:53,400 Speaker 1: If you say you savage, you're definitely not savage. I 144 00:07:53,400 --> 00:07:54,840 Speaker 1: don't know, I don't know. I don't mean to hurt 145 00:07:54,880 --> 00:07:56,360 Speaker 1: your feelings. I just don't want you to feel like 146 00:07:56,360 --> 00:07:58,200 Speaker 1: you have because you're good enough the way you are, 147 00:07:58,640 --> 00:08:02,320 Speaker 1: like you natural, scary, are just fine the way you are. 148 00:08:02,360 --> 00:08:04,320 Speaker 1: You don't have to try to take anything else on 149 00:08:04,960 --> 00:08:11,720 Speaker 1: an intervention. Sometimes I inadvertently pick up snapchat speak because 150 00:08:12,080 --> 00:08:14,960 Speaker 1: because when you see your news feeds, you see people 151 00:08:15,240 --> 00:08:17,960 Speaker 1: talking like that or writing writing on this, and what 152 00:08:18,000 --> 00:08:21,000 Speaker 1: do those people look like? I mean, those people are 153 00:08:21,080 --> 00:08:24,120 Speaker 1: talking about anybody whoever. Okay, But but if a fifteen 154 00:08:24,160 --> 00:08:27,400 Speaker 1: year old on Snapchat says year old. Okay, but if 155 00:08:27,440 --> 00:08:30,880 Speaker 1: somebody says that, then yeah, who sayings straight fire? Because 156 00:08:30,920 --> 00:08:33,800 Speaker 1: you shouldn't be saying that's straight fire? That song straight fire? 157 00:08:34,880 --> 00:08:37,520 Speaker 1: Yesterday I was tired and I'm like, I wrote sleepless 158 00:08:37,600 --> 00:08:40,040 Speaker 1: a f what's wrong with putting that on Snapchat? If 159 00:08:40,080 --> 00:08:42,079 Speaker 1: you're saying it like to be funny, it's fine, that's 160 00:08:42,120 --> 00:08:45,319 Speaker 1: exactly right, that's fine. Like if you're saying like, but 161 00:08:45,320 --> 00:08:48,160 Speaker 1: but you know, it's almost a mocker a mockery of it, 162 00:08:48,440 --> 00:08:52,120 Speaker 1: you know, Yeah, no, I see what you're saying. You've 163 00:08:52,120 --> 00:08:57,280 Speaker 1: done it before. I see what you're saying. I I 164 00:08:57,320 --> 00:08:59,120 Speaker 1: just don't want you to feel like you have to 165 00:08:59,160 --> 00:09:02,480 Speaker 1: try too hard. Like there's you know, if let's say 166 00:09:02,480 --> 00:09:07,240 Speaker 1: that you're out of the demographic for saying something, of course, 167 00:09:07,360 --> 00:09:10,000 Speaker 1: then if you're saying it like I roll, or if 168 00:09:10,040 --> 00:09:12,240 Speaker 1: you're saying it to be ironic, that's one thing. But 169 00:09:12,280 --> 00:09:14,840 Speaker 1: if you're saying it to like try to fit in 170 00:09:15,000 --> 00:09:17,880 Speaker 1: and seem like you're that, then you don't. I just 171 00:09:18,120 --> 00:09:19,400 Speaker 1: I just don't think you need to try that hard. 172 00:09:19,440 --> 00:09:20,760 Speaker 1: But if you're not, if that's not what you're doing, 173 00:09:20,800 --> 00:09:22,600 Speaker 1: then that's not what I don't want people to think that. 174 00:09:22,679 --> 00:09:24,880 Speaker 1: I'm just saying that this is you just kind of 175 00:09:25,160 --> 00:09:30,160 Speaker 1: gravitate towards those that behavior because you're in that that 176 00:09:30,160 --> 00:09:35,080 Speaker 1: that so he is trying to do it when he's 177 00:09:35,120 --> 00:09:38,320 Speaker 1: hanging out with those people, whoever those people are. It 178 00:09:38,320 --> 00:09:40,440 Speaker 1: comes across different. When you say, how about the way 179 00:09:40,480 --> 00:09:42,079 Speaker 1: you guys shop and the way you dress, I mean, 180 00:09:42,280 --> 00:09:45,000 Speaker 1: don't you dress younger than you are? I mean that 181 00:09:45,000 --> 00:09:46,840 Speaker 1: that's pretty much doing the same thing you're trying to 182 00:09:46,880 --> 00:09:48,880 Speaker 1: be something you're not. No. I try to dress what 183 00:09:48,920 --> 00:09:52,120 Speaker 1: makes me feel good and what makes me feel like myself, 184 00:09:52,120 --> 00:09:54,360 Speaker 1: like dress like how I am. We talked about this 185 00:09:54,400 --> 00:09:56,000 Speaker 1: on the show about six or seven years ago. We 186 00:09:56,000 --> 00:09:58,360 Speaker 1: were at an event and we were meeting like six people. 187 00:09:59,000 --> 00:10:00,920 Speaker 1: One of them was black in five of them are white, 188 00:10:01,000 --> 00:10:02,079 Speaker 1: and he said a load to all of them. And 189 00:10:02,120 --> 00:10:03,400 Speaker 1: when he said a load of the black man, he went, 190 00:10:03,440 --> 00:10:06,679 Speaker 1: my man, he did. We talked about on the air 191 00:10:06,760 --> 00:10:10,920 Speaker 1: he did, and you did the back path and he did, Yes, 192 00:10:11,000 --> 00:10:12,600 Speaker 1: you did. You did the lean in and you did 193 00:10:12,600 --> 00:10:14,280 Speaker 1: the back path with him, be like my man was up. 194 00:10:14,360 --> 00:10:19,440 Speaker 1: He did, there's no defense anymore. And we talked about 195 00:10:19,440 --> 00:10:23,600 Speaker 1: on the show, you can't defend them anymore. The island 196 00:10:23,640 --> 00:10:25,199 Speaker 1: and we're drifting. You know what. I did date a 197 00:10:25,240 --> 00:10:28,000 Speaker 1: guy who did that too. He was a white and 198 00:10:28,200 --> 00:10:33,040 Speaker 1: um he anytime any time we were anywhere and he 199 00:10:33,200 --> 00:10:35,520 Speaker 1: saw a person of color, if it was a black, 200 00:10:35,600 --> 00:10:38,959 Speaker 1: a black person, he would say so. And it was 201 00:10:39,320 --> 00:10:42,640 Speaker 1: so uncomfortable because it was like, that's not you never 202 00:10:42,720 --> 00:10:48,240 Speaker 1: say like that. That's so defensive, like image, like seeing 203 00:10:48,280 --> 00:10:50,440 Speaker 1: your priest and going up to you would be like hey, 204 00:10:50,520 --> 00:10:55,640 Speaker 1: so you know, it's it's me being from Wisconsin if 205 00:10:55,679 --> 00:10:57,280 Speaker 1: everyone's like hey, hey, and they came up to me 206 00:10:57,320 --> 00:11:02,800 Speaker 1: and they were like, oh hey, ridiculous. You know, the 207 00:11:02,960 --> 00:11:06,240 Speaker 1: entire time we've been talking in in referencing scary, all 208 00:11:06,280 --> 00:11:08,319 Speaker 1: I can think of is that movie Malibu's Most Wanted. 209 00:11:09,280 --> 00:11:12,360 Speaker 1: That's all I see. You're doing? What? What? What? Jamie Kennedy, 210 00:11:12,400 --> 00:11:15,079 Speaker 1: Jamie Kennedy. I love Jamie Kennedy. He's great, but that 211 00:11:15,200 --> 00:11:18,000 Speaker 1: happening the movie is he's a white guy with the 212 00:11:18,080 --> 00:11:22,040 Speaker 1: boom box. I mean, it's just watch He's like Eminem 213 00:11:22,120 --> 00:11:24,840 Speaker 1: but living in Malibu. It's like it's like when we 214 00:11:24,880 --> 00:11:26,920 Speaker 1: meet people who aren't from New York and they'll go, oh, 215 00:11:27,000 --> 00:11:30,560 Speaker 1: you want a cup of core feet? What's up New York? 216 00:11:30,640 --> 00:11:32,880 Speaker 1: You know how annoyed do get when someone tries to, 217 00:11:33,800 --> 00:11:35,800 Speaker 1: you know, do your accent and you're like, you don't 218 00:11:35,840 --> 00:11:38,160 Speaker 1: tell anything. You're doing, that's what you're doing. But I 219 00:11:38,240 --> 00:11:40,679 Speaker 1: do feel though if I was going to greet Charlemagne 220 00:11:40,679 --> 00:11:43,360 Speaker 1: from the breakfast cab, I wouldn't say so. I wouldn't 221 00:11:43,600 --> 00:11:46,080 Speaker 1: I would not say so, but I'd be like, hey man, 222 00:11:46,360 --> 00:11:50,640 Speaker 1: hey man, because that's because that's how we talked to guys. Ever, 223 00:11:54,520 --> 00:11:56,719 Speaker 1: are you saying that to Charlemagne because you think that's 224 00:11:56,720 --> 00:11:59,880 Speaker 1: how Charlemagne talks? Would you say that to any guy? Maybe? 225 00:12:00,000 --> 00:12:02,760 Speaker 1: Any guy? It's like because Charlot means a guy's guy 226 00:12:02,760 --> 00:12:04,520 Speaker 1: to me, it's like he's also also apparently is the 227 00:12:04,600 --> 00:12:10,200 Speaker 1: only black person you know, because it's the one that 228 00:12:10,240 --> 00:12:13,560 Speaker 1: I'm referencing because people listed on his podcast who Wants 229 00:12:14,679 --> 00:12:18,000 Speaker 1: because we get Charlotta Magne on the next podcast. I 230 00:12:18,080 --> 00:12:22,160 Speaker 1: want Scary to speak to him in street, but Charlemagne 231 00:12:22,160 --> 00:12:26,000 Speaker 1: doesn't talk to He's like, hy man, how are you 232 00:12:26,000 --> 00:12:30,400 Speaker 1: You're gonna say? What is he doing? Charlotte? He's down 233 00:12:30,400 --> 00:12:32,080 Speaker 1: for it. He's in a meeting right now. He said 234 00:12:32,120 --> 00:12:36,600 Speaker 1: he would come down, but he can't. Charlemagne just wrote 235 00:12:36,600 --> 00:12:40,360 Speaker 1: a book you don't even read, like busy building. Fortunately 236 00:12:41,480 --> 00:12:44,080 Speaker 1: that ch is the smartest, one of the smartest guys 237 00:12:44,120 --> 00:12:47,680 Speaker 1: I know. He is building. He's he's a mud He's okay, 238 00:12:47,720 --> 00:12:49,240 Speaker 1: so you said a little while ago, when you're around 239 00:12:49,280 --> 00:12:52,559 Speaker 1: your smart friends, you act smart. Charlomne's fucking brilliant. You 240 00:12:52,600 --> 00:12:57,199 Speaker 1: should at throwing around him. I'm just I'm just I'm 241 00:12:57,200 --> 00:12:59,320 Speaker 1: putting out what he's given me, you know, if he's 242 00:12:59,600 --> 00:13:03,520 Speaker 1: give me himself, he's being himself. Sec. How do you 243 00:13:03,600 --> 00:13:07,080 Speaker 1: say hi to me, to you, to me, hey, Bethany? 244 00:13:07,200 --> 00:13:21,440 Speaker 1: Because because okay, what's something? Man? Yo? What's up? Three 245 00:13:21,480 --> 00:13:24,600 Speaker 1: different ways of hello? Because you're three different styles of people. 246 00:13:25,320 --> 00:13:27,920 Speaker 1: There's nothing to do. Has nothing to do with raised 247 00:13:27,920 --> 00:13:31,680 Speaker 1: color age anything. How in a vacuum? Like, how would 248 00:13:31,720 --> 00:13:34,000 Speaker 1: you say hi? Just like in a vacuum because someone 249 00:13:34,040 --> 00:13:36,360 Speaker 1: I just met, Hello, nice to meet you. So that's you, 250 00:13:36,880 --> 00:13:39,960 Speaker 1: that's you. So you can say I can't give you hello, 251 00:13:40,080 --> 00:13:41,520 Speaker 1: nice to meet you the same way I'm going to 252 00:13:41,559 --> 00:13:43,000 Speaker 1: give that to me. But you can say that to 253 00:13:43,040 --> 00:13:47,120 Speaker 1: any Hello, Hi, good morning, Hi, good morning, hiod morning, Hi, 254 00:13:47,200 --> 00:13:52,559 Speaker 1: good morning, Charlemagne. Good okay, Charlotta, Hi, good morning Charlotte. 255 00:13:52,840 --> 00:13:55,920 Speaker 1: If Joe from the Rock the Rock Station was out 256 00:13:55,960 --> 00:13:59,400 Speaker 1: by the front desk standing next to Charlemagne, would you 257 00:13:59,440 --> 00:14:08,160 Speaker 1: say hi Joe Sharde, No, you wouldn't. I go to 258 00:14:08,440 --> 00:14:11,760 Speaker 1: Charlemagne this morning in the hallway and he's like hey hey, 259 00:14:11,840 --> 00:14:15,200 Speaker 1: and I'm like, hey, charlem everybody good, Yeah, everyone's good. 260 00:14:15,200 --> 00:14:18,360 Speaker 1: All right, I'll talk to you later and walked away. Yoh, 261 00:14:18,720 --> 00:14:27,320 Speaker 1: made tar yo, what's good? What's good? You? Let your 262 00:14:27,360 --> 00:14:32,240 Speaker 1: show was straight fire today a twelve year old girl, 263 00:14:33,760 --> 00:14:39,440 Speaker 1: You're the day with savvage man while you man, what man? 264 00:14:39,640 --> 00:14:45,440 Speaker 1: What's mad? What's with these ratchet thoughts? By the way, 265 00:14:45,480 --> 00:14:47,400 Speaker 1: scary of a new title for his segment what You're 266 00:14:47,400 --> 00:14:53,960 Speaker 1: Gonna Be Hunky of the Day, dropped the mind off 267 00:14:54,000 --> 00:15:00,520 Speaker 1: on me on the show, the fifteen minute Morning Shelf