1 00:00:02,960 --> 00:00:05,280 Speaker 1: Welcome to Stuff to Blow Your Mind, a production of 2 00:00:05,360 --> 00:00:11,039 Speaker 1: My Heart Radio. Hey, welcome to Stuff to Blow your Mind. 3 00:00:11,360 --> 00:00:14,840 Speaker 1: Listener mail. This is Robert Lamb and this is Joe McCormick. 4 00:00:14,960 --> 00:00:16,640 Speaker 1: End it's Monday, which is the day of the week 5 00:00:16,640 --> 00:00:18,599 Speaker 1: that we read back some of the messages you've sent 6 00:00:18,680 --> 00:00:21,800 Speaker 1: in over the past few cycles. So, uh, I think 7 00:00:21,840 --> 00:00:24,440 Speaker 1: we've got to start off with a very important correction 8 00:00:24,560 --> 00:00:32,840 Speaker 1: from a long time correspondent, Jim in New Jersey, who says, 9 00:00:33,040 --> 00:00:36,440 Speaker 1: Robert and Joe I was credited for the hot dog 10 00:00:36,520 --> 00:00:39,880 Speaker 1: kim chi combo suggestion. While I agree it sounds awesome, 11 00:00:40,000 --> 00:00:42,479 Speaker 1: I was not the person who suggested it. It may 12 00:00:42,520 --> 00:00:46,240 Speaker 1: have been another listener named Jim. Jim, what can I say? 13 00:00:46,280 --> 00:00:49,160 Speaker 1: I mean, huge apology to you over that. I don't 14 00:00:49,200 --> 00:00:52,600 Speaker 1: recall who attributed this to you. It may have been you, Rob, 15 00:00:54,240 --> 00:00:56,360 Speaker 1: I don't remember, but if that was me, then I 16 00:00:56,920 --> 00:01:00,640 Speaker 1: definitely apologized to this Jim and all other gems that 17 00:01:00,760 --> 00:01:08,800 Speaker 1: may be listening. But let's see to get into the 18 00:01:08,920 --> 00:01:12,200 Speaker 1: more substantive messages, Rob, do you want to read this 19 00:01:12,240 --> 00:01:16,399 Speaker 1: one from Frederick in response to various episodes, Sure, here 20 00:01:16,440 --> 00:01:21,160 Speaker 1: we go. Frederick says, hello, fellows, I am sickly for 21 00:01:21,200 --> 00:01:23,360 Speaker 1: a few days, which has allowed me ample time to 22 00:01:23,400 --> 00:01:25,880 Speaker 1: catch up on stuff to blow your mind. Episodes Present 23 00:01:26,160 --> 00:01:30,280 Speaker 1: and Vault Good Times, Smiley Face. Your episodes on the 24 00:01:30,319 --> 00:01:33,120 Speaker 1: seven day week were truly fascinating. Several years ago, I 25 00:01:33,160 --> 00:01:36,319 Speaker 1: was unemployed for some time, and I found myself longing 26 00:01:36,360 --> 00:01:38,840 Speaker 1: for Mondays so the work week would start and some 27 00:01:38,959 --> 00:01:43,120 Speaker 1: opportunities might come my way on catchup. You know the 28 00:01:43,200 --> 00:01:45,720 Speaker 1: scene in Home Alone where Kevin has prepared his mac 29 00:01:45,760 --> 00:01:48,360 Speaker 1: and cheese. Watching it as a child made me wonder 30 00:01:48,400 --> 00:01:51,240 Speaker 1: why doesn't he put ketchup on it? Several years later, 31 00:01:51,480 --> 00:01:54,720 Speaker 1: I had the revelation that Americans don't put ketchup on 32 00:01:54,760 --> 00:01:58,680 Speaker 1: their Macaroni's shocking if true. If Home Alone were to 33 00:01:58,760 --> 00:02:01,840 Speaker 1: play out in Sweden, where I am from, that plate 34 00:02:01,920 --> 00:02:05,800 Speaker 1: would have a glorious cover of thick ketchup and a 35 00:02:05,880 --> 00:02:09,640 Speaker 1: side of meatballs. Of course. Well, now that is interesting. 36 00:02:09,720 --> 00:02:13,600 Speaker 1: I uh yeah, I mean it's not crazy to think 37 00:02:13,639 --> 00:02:16,360 Speaker 1: of catchup going on on macaroni noodles, I guess. I 38 00:02:16,360 --> 00:02:20,720 Speaker 1: mean red sauce, of course is fabulous with with noodles 39 00:02:20,720 --> 00:02:23,840 Speaker 1: and famously so. Uh, but it's not a combination I 40 00:02:23,840 --> 00:02:26,359 Speaker 1: would have. I would have thought. Off here in Belgium 41 00:02:26,400 --> 00:02:29,400 Speaker 1: do they put mayonnaise on macaroni and cheese? Well? Why not? 42 00:02:29,680 --> 00:02:34,560 Speaker 1: Why not? Alright, Uh, here we go, Frederick continues, and 43 00:02:34,600 --> 00:02:36,760 Speaker 1: a special shout out to Robert quote, you put the 44 00:02:36,800 --> 00:02:39,040 Speaker 1: aliens in the middle of this stuff and you got 45 00:02:39,080 --> 00:02:42,120 Speaker 1: all the answers is a classic sample in the early 46 00:02:42,240 --> 00:02:47,359 Speaker 1: nineties track Abnormal Interference by eat Static around the five 47 00:02:47,400 --> 00:02:50,840 Speaker 1: minute mark. Hearing that reference in the dissolver of World's 48 00:02:50,880 --> 00:02:55,679 Speaker 1: episode took me way back. Ah. That's um, that's that's 49 00:02:55,680 --> 00:02:57,560 Speaker 1: cool to know. I'm not sure I knew the exact 50 00:02:57,760 --> 00:03:00,359 Speaker 1: title of this, uh this track, it's one I think 51 00:03:00,360 --> 00:03:04,960 Speaker 1: I've heard on Soma FM space station, Soma channel. If 52 00:03:05,200 --> 00:03:08,119 Speaker 1: anyone out there is not familiar with some FM, definitely 53 00:03:08,400 --> 00:03:11,680 Speaker 1: look it up. It's uh internet radio at its finest. 54 00:03:11,720 --> 00:03:15,440 Speaker 1: They have so many channels. Uh no advertisements. I absolutely 55 00:03:15,440 --> 00:03:19,280 Speaker 1: love it anyway, Frederick continues. I'm an electronic music producer 56 00:03:19,320 --> 00:03:22,600 Speaker 1: and in my daytime job, I developed music production software. 57 00:03:22,639 --> 00:03:24,000 Speaker 1: I would love to hear a stuff to blow your 58 00:03:24,040 --> 00:03:28,399 Speaker 1: myn episode on synthesizers and or electronic music. Your take 59 00:03:28,440 --> 00:03:31,160 Speaker 1: on the subject would complement the many YouTube channels I 60 00:03:31,240 --> 00:03:35,200 Speaker 1: binge in marvelous ways. All the best from a Swede 61 00:03:35,360 --> 00:03:39,480 Speaker 1: living in Berlin, Frederick M m oh, thanks Frederick. I 62 00:03:39,520 --> 00:03:42,520 Speaker 1: should also say Frederick identifies uh in a in a 63 00:03:42,600 --> 00:03:46,720 Speaker 1: PostScript of the particular digital audio workstation software that he 64 00:03:46,760 --> 00:03:49,200 Speaker 1: works on, and I'm inspired to check it out. Actually, 65 00:03:49,280 --> 00:03:52,920 Speaker 1: I'm sort of a I'm always on the lookout for 66 00:03:52,920 --> 00:03:54,960 Speaker 1: for what I feel like will be my one true 67 00:03:55,000 --> 00:03:58,600 Speaker 1: love DAW, which I haven't fully discovered yet. I've tooled 68 00:03:58,640 --> 00:04:01,200 Speaker 1: around with several of the big ones, and I you know, 69 00:04:01,280 --> 00:04:03,400 Speaker 1: I can enjoy them all, and I feel like I 70 00:04:03,400 --> 00:04:05,920 Speaker 1: always enjoy learning a new one, but I've never found 71 00:04:05,960 --> 00:04:09,880 Speaker 1: the one that's like my destiny. M Yeah, you know, 72 00:04:09,960 --> 00:04:13,000 Speaker 1: I wonder what you just said if this will be 73 00:04:13,040 --> 00:04:17,440 Speaker 1: the way that we think about creative artificial intelligence in 74 00:04:17,480 --> 00:04:19,599 Speaker 1: the future. You know it will. It won't be a 75 00:04:19,640 --> 00:04:22,320 Speaker 1: situation where, at least as far as creative endeavors go, 76 00:04:22,480 --> 00:04:26,080 Speaker 1: where you know, we'll be replaced by this AI or 77 00:04:26,120 --> 00:04:30,240 Speaker 1: this AI, but we'll be seeking out these collaborations with 78 00:04:30,360 --> 00:04:33,000 Speaker 1: different AI and and trying to find the right one, 79 00:04:33,080 --> 00:04:41,960 Speaker 1: trying to find our soulless soul match out there. All right. 80 00:04:42,040 --> 00:04:44,520 Speaker 1: This next message is in response to our episodes on 81 00:04:44,560 --> 00:04:47,440 Speaker 1: the Seven Day week and it comes from Joe spelled 82 00:04:47,520 --> 00:04:51,640 Speaker 1: Jo just j o. Jo says Hello, Robert and Joe. 83 00:04:51,960 --> 00:04:55,840 Speaker 1: I live in Malaysia, a Muslim majority country. While most 84 00:04:55,880 --> 00:04:59,440 Speaker 1: of the country follows the Saturday Sunday weekend convention, four 85 00:04:59,520 --> 00:05:03,600 Speaker 1: states have Friday Saturday weekends to allow Muslims more time 86 00:05:03,600 --> 00:05:07,039 Speaker 1: to observe Friday prayers. The part you mentioned about risk 87 00:05:07,120 --> 00:05:11,160 Speaker 1: taking behaviors going from high on Monday to low on Thursday, 88 00:05:11,200 --> 00:05:14,800 Speaker 1: than back up on Friday got me thinking would people 89 00:05:14,839 --> 00:05:17,960 Speaker 1: who have a Friday Saturday weekend show a similar trend, 90 00:05:18,080 --> 00:05:21,640 Speaker 1: but from Sunday high to Wednesday low than back to 91 00:05:21,760 --> 00:05:24,640 Speaker 1: high on Thursday, since Friday would be the start of 92 00:05:24,680 --> 00:05:28,080 Speaker 1: their weekend. I also wonder if risk averse attitudes have 93 00:05:28,160 --> 00:05:32,160 Speaker 1: anything to do with online shopping and impulse purchases. I 94 00:05:32,200 --> 00:05:34,800 Speaker 1: helped to run an online shop, and I've noticed there's 95 00:05:34,839 --> 00:05:38,040 Speaker 1: a tendency for people to purchase more items on the weekends, 96 00:05:38,240 --> 00:05:42,160 Speaker 1: while are slow days are Wednesdays and Thursdays. However, I'm 97 00:05:42,200 --> 00:05:44,440 Speaker 1: not entirely sure if that's because people have more time 98 00:05:44,480 --> 00:05:47,360 Speaker 1: to browse on the weekends or because of an increase 99 00:05:47,400 --> 00:05:51,080 Speaker 1: in risk taking behavior which leads to impulse purchases, or 100 00:05:51,279 --> 00:05:56,719 Speaker 1: because the shopping platforms provide Friday A coupons and vouchers. Anyway, 101 00:05:56,720 --> 00:05:58,600 Speaker 1: it was a great series and I enjoyed it a lot. 102 00:05:58,720 --> 00:06:01,240 Speaker 1: Keep up the good work, Live long and prosper Joe 103 00:06:01,240 --> 00:06:04,479 Speaker 1: in Malaysia. Oh thanks, Joe. That's interesting. Oh yeah, and 104 00:06:05,000 --> 00:06:09,400 Speaker 1: it is interesting to hear that you're you're your shopping 105 00:06:09,520 --> 00:06:12,480 Speaker 1: data somewhat conformed to the results of that study. If indeed, 106 00:06:12,560 --> 00:06:14,560 Speaker 1: risk risk taking has anything to do with it, I 107 00:06:14,560 --> 00:06:19,839 Speaker 1: would suspect probably risk aversion or risk tolerance plays some 108 00:06:20,080 --> 00:06:23,000 Speaker 1: role in in impulse purchases made online. I would have 109 00:06:23,040 --> 00:06:27,479 Speaker 1: to think so, especially given the idea about like say, 110 00:06:27,520 --> 00:06:31,760 Speaker 1: alcohol lowering people's risk aversion, and you know the many 111 00:06:31,800 --> 00:06:33,680 Speaker 1: stories people have about Oh I had a little too 112 00:06:33,760 --> 00:06:35,599 Speaker 1: much wine and then I ordered a bunch of things 113 00:06:35,600 --> 00:06:38,080 Speaker 1: on the internet. Yeah, yeah, you do hear it? That 114 00:06:38,120 --> 00:06:46,200 Speaker 1: a lot? All right? This next one comes to us 115 00:06:46,240 --> 00:06:49,480 Speaker 1: from Cindy. Cindy says, Hi, Robert and Joe, I am 116 00:06:49,520 --> 00:06:52,599 Speaker 1: one of those lurker listeners, but your Days of the 117 00:06:52,640 --> 00:06:56,200 Speaker 1: Week series inspired me to write in Days of the week, 118 00:06:56,200 --> 00:06:59,000 Speaker 1: and Chinese are very simple. Monday is known as the 119 00:06:59,000 --> 00:07:01,320 Speaker 1: first day of the week, whose day the second, etcetera. 120 00:07:01,400 --> 00:07:05,640 Speaker 1: Until Saturday Sunday is just Sunday. When I tried to 121 00:07:05,640 --> 00:07:09,159 Speaker 1: decipher the shop schedules when traveling in Japan, it got 122 00:07:09,160 --> 00:07:12,640 Speaker 1: complicated for me very quickly. The Japanese language names the 123 00:07:12,760 --> 00:07:17,760 Speaker 1: days after celestial bodies, similar to many Romance languages. This 124 00:07:17,840 --> 00:07:20,200 Speaker 1: is not the case for Portuguese, as I've heard from 125 00:07:20,200 --> 00:07:23,080 Speaker 1: a listener mail I thought it might be from the 126 00:07:23,160 --> 00:07:27,520 Speaker 1: Catholic missionaries, though a cursory Google search could not confirm that. 127 00:07:28,000 --> 00:07:31,520 Speaker 1: The five planets are known as water, metal, earth, as 128 00:07:31,560 --> 00:07:35,360 Speaker 1: in soil, not our earth, fire, and wood stars, each 129 00:07:35,400 --> 00:07:39,000 Speaker 1: a fundamental element in Daoism. I can read the kanji 130 00:07:39,160 --> 00:07:42,760 Speaker 1: characters in Chinese and mentally translate the planets into English, 131 00:07:42,960 --> 00:07:45,880 Speaker 1: then map those into days of the week in French. 132 00:07:46,720 --> 00:07:51,840 Speaker 1: My husband does not find this circuitous translation as interesting 133 00:07:51,880 --> 00:07:55,160 Speaker 1: as I do. While I am here, I also want 134 00:07:55,200 --> 00:07:59,200 Speaker 1: to talk about musical frission, which didn't seem enough to 135 00:07:59,280 --> 00:08:02,880 Speaker 1: warrant its own email when the episode was aired. If 136 00:08:02,880 --> 00:08:06,880 Speaker 1: frision is built up in anticipation to pique emotions, I'd 137 00:08:06,880 --> 00:08:10,720 Speaker 1: say nobody does anticipation better than Bach. His use of 138 00:08:10,800 --> 00:08:14,160 Speaker 1: chord progressions is always a long build up where I 139 00:08:14,200 --> 00:08:17,400 Speaker 1: try to anticipate the next key change, even for pieces 140 00:08:17,400 --> 00:08:20,880 Speaker 1: I've heard many times before, until he hits that tonic 141 00:08:21,200 --> 00:08:24,960 Speaker 1: and brings the release of tension. I cannot quote unquote 142 00:08:24,960 --> 00:08:30,160 Speaker 1: outsmart Bach, but consciously or unconsciously, I feel the compulsion too. 143 00:08:30,640 --> 00:08:33,600 Speaker 1: By the way, your podcasts are always so interesting and 144 00:08:33,640 --> 00:08:36,680 Speaker 1: thought provoking that I can only listen to them while 145 00:08:36,760 --> 00:08:41,480 Speaker 1: having my morning coffee or during more menial tasks like cleaning, 146 00:08:41,840 --> 00:08:43,960 Speaker 1: and then I will pause and tell my husband about 147 00:08:43,960 --> 00:08:47,160 Speaker 1: the tidbits I just learned. I save Lauren and Annie's 148 00:08:47,200 --> 00:08:50,400 Speaker 1: Saver for cooking, and I won't name what I listened 149 00:08:50,400 --> 00:08:53,920 Speaker 1: to while doing data analysis during my work day. All 150 00:08:53,960 --> 00:08:59,560 Speaker 1: the best sending the pod that shall not be named. Yeah, well, 151 00:08:59,559 --> 00:09:02,640 Speaker 1: but pre shade shout out for our friends Lauren and Annie. 152 00:09:02,760 --> 00:09:05,480 Speaker 1: Uh that's Lauren Vogelbaum and Annie Reese who hosts the 153 00:09:05,520 --> 00:09:08,240 Speaker 1: podcast Saver, which is in our network and it is 154 00:09:08,280 --> 00:09:11,520 Speaker 1: all about food, that's right. I think we we did 155 00:09:11,559 --> 00:09:14,600 Speaker 1: a guest spot on there a while back, doing some 156 00:09:14,040 --> 00:09:17,920 Speaker 1: uh some goblin market readings. Yeah, I think we've done 157 00:09:17,920 --> 00:09:20,840 Speaker 1: some some guest things back and forth or we've at 158 00:09:20,880 --> 00:09:22,760 Speaker 1: least been been on their show. I think we've talked 159 00:09:22,800 --> 00:09:25,600 Speaker 1: about having them come on our show before, but maybe 160 00:09:25,600 --> 00:09:28,200 Speaker 1: it's never happened. Annie did some just done some dramatic 161 00:09:28,280 --> 00:09:31,640 Speaker 1: readings for us before when we have you know, every 162 00:09:31,640 --> 00:09:34,480 Speaker 1: now and then there's a cinobide or a or an 163 00:09:34,480 --> 00:09:39,000 Speaker 1: Ottoman princess or a ruler that needs to be voiced 164 00:09:39,200 --> 00:09:41,440 Speaker 1: and uh in a quote and we'll we'll call on 165 00:09:41,480 --> 00:09:44,439 Speaker 1: Annie's talent for that. Oh but yeah, anyway, if you're 166 00:09:44,480 --> 00:09:47,600 Speaker 1: if you're interested in food, food history, food science, and 167 00:09:47,679 --> 00:09:49,959 Speaker 1: you haven't checked out the Saver podcast, you should look 168 00:09:49,960 --> 00:10:01,600 Speaker 1: it up. Yeah, alright, this next t one, uh that 169 00:10:01,600 --> 00:10:03,320 Speaker 1: that I think you're going to read force here, Joe. 170 00:10:03,400 --> 00:10:05,880 Speaker 1: This one was shared on the Stuff to Blow Your 171 00:10:05,920 --> 00:10:10,000 Speaker 1: Mind discussion module, which is our Facebook group. We don't 172 00:10:10,000 --> 00:10:13,079 Speaker 1: really do anything with our with our Facebook. I think 173 00:10:13,120 --> 00:10:16,160 Speaker 1: somebody in Theory is supposed to be updating that for us, 174 00:10:16,200 --> 00:10:19,319 Speaker 1: but I don't know the main Facebook page. You can 175 00:10:19,400 --> 00:10:22,240 Speaker 1: you can skip it, but we do have this discussion 176 00:10:22,280 --> 00:10:26,679 Speaker 1: module where a number of listeners share links, share their 177 00:10:26,679 --> 00:10:29,240 Speaker 1: own thoughts on different episodes, and occasionally, like you know, 178 00:10:29,240 --> 00:10:31,760 Speaker 1: share something like this that will feature on listener mail. 179 00:10:31,880 --> 00:10:34,560 Speaker 1: So you can find that in request entry to it 180 00:10:35,160 --> 00:10:37,800 Speaker 1: via the Book of Faces. All right, so this comes 181 00:10:37,840 --> 00:10:41,000 Speaker 1: from Adam again, this was shared on our Facebook group. 182 00:10:41,120 --> 00:10:44,640 Speaker 1: And this is uh in response to the seven day 183 00:10:44,640 --> 00:10:48,240 Speaker 1: Week episodes. And oh, Adam says, just some commentary from 184 00:10:48,240 --> 00:10:50,520 Speaker 1: a rabbi on the seven day Week part one. And 185 00:10:50,600 --> 00:10:52,839 Speaker 1: Adam specifies that this was only a response to the 186 00:10:52,880 --> 00:10:55,960 Speaker 1: first part and the other ones hadn't come out yet. Um. 187 00:10:56,000 --> 00:10:59,240 Speaker 1: But Adam says, as for the Judaic adoption of the 188 00:10:59,280 --> 00:11:02,520 Speaker 1: seven day week, some scholars believe that Israel did not 189 00:11:02,720 --> 00:11:06,080 Speaker 1: have Shabbat or the Sabbath in the seven day week 190 00:11:06,240 --> 00:11:09,480 Speaker 1: until we were sent into exile in Babylon circle five 191 00:11:09,520 --> 00:11:13,160 Speaker 1: eighty six b c. Then, as the seven day market 192 00:11:13,240 --> 00:11:15,840 Speaker 1: rhythms spread in the ancient Near East, it became a 193 00:11:15,920 --> 00:11:20,640 Speaker 1: major part of ancient Jewish practice. There is the ancient 194 00:11:20,720 --> 00:11:24,480 Speaker 1: ritual of reading publicly from the Torah or the pentituke 195 00:11:25,000 --> 00:11:27,320 Speaker 1: in the first five books of the Hebrew Bible, which 196 00:11:27,400 --> 00:11:30,600 Speaker 1: is mentioned in Ezra slash nee Maya, and I believe 197 00:11:30,640 --> 00:11:33,360 Speaker 1: in the Christian Bible as well. Those readings were to 198 00:11:33,440 --> 00:11:37,280 Speaker 1: take place when the most people were present. Since Mondays 199 00:11:37,320 --> 00:11:41,440 Speaker 1: and Thursdays were the common market days in Jerusalem. Those 200 00:11:41,480 --> 00:11:44,640 Speaker 1: were the days the Torah was read from publicly. Today, 201 00:11:44,679 --> 00:11:47,200 Speaker 1: this is still the practice by Jews. Torah has read 202 00:11:47,240 --> 00:11:51,280 Speaker 1: publicly on the Sabbath, on Mondays and on Thursdays, dating 203 00:11:51,320 --> 00:11:55,120 Speaker 1: back to those ancient market days. Additionally, my rabbinical thesis 204 00:11:55,200 --> 00:11:58,160 Speaker 1: asked the question about how Jews can live within Jewish 205 00:11:58,200 --> 00:12:02,200 Speaker 1: time if they live off planet. Specifically, the question I 206 00:12:02,200 --> 00:12:05,680 Speaker 1: addressed is when one would observe the Sabbath if you 207 00:12:06,040 --> 00:12:08,480 Speaker 1: were no longer connected to a twenty four hour day 208 00:12:08,600 --> 00:12:12,320 Speaker 1: and seven day week. Oh fascinating. I would love to 209 00:12:12,360 --> 00:12:17,000 Speaker 1: read that at them. Yeah, I love I love discussions 210 00:12:17,040 --> 00:12:22,240 Speaker 1: like this. I remember reading a fair amount about about 211 00:12:22,280 --> 00:12:27,199 Speaker 1: how Islamic practices might function in space or on other planets. Uh. 212 00:12:27,240 --> 00:12:30,400 Speaker 1: And it's it's fascinating to to imagine how how this 213 00:12:30,440 --> 00:12:33,040 Speaker 1: would relate to Jewish traditions as well. I mean, because 214 00:12:33,400 --> 00:12:35,880 Speaker 1: for the most part, it's really going to be only 215 00:12:35,920 --> 00:12:40,080 Speaker 1: your more recently developed religions that have h you know, 216 00:12:40,120 --> 00:12:43,760 Speaker 1: even a real concept of of other worlds and so forth. 217 00:12:44,040 --> 00:12:46,680 Speaker 1: Oh yeah, I can imagine multiple questions in Islam, say, 218 00:12:46,760 --> 00:12:48,880 Speaker 1: for like daily prayers if you have a different length 219 00:12:48,920 --> 00:12:51,600 Speaker 1: of days, or like, what direction would you face if 220 00:12:51,640 --> 00:12:55,160 Speaker 1: if you're supposed to uh face Mecca or something during prayers, 221 00:12:55,200 --> 00:12:57,840 Speaker 1: but you're on another planet. Yeah, yeah, people have thought 222 00:12:57,840 --> 00:13:00,000 Speaker 1: about these things. This might be something we could even 223 00:13:00,160 --> 00:13:02,320 Speaker 1: back to in the future episode we get get a 224 00:13:02,320 --> 00:13:05,800 Speaker 1: hold of the right resources, uh talk about in a 225 00:13:05,880 --> 00:13:08,280 Speaker 1: different faiths and uh what sort of thought has been 226 00:13:08,320 --> 00:13:12,320 Speaker 1: put into the continuation of of that faith off world? 227 00:13:17,880 --> 00:13:21,120 Speaker 1: All right? This next one comes to us from poodle Bat. 228 00:13:21,840 --> 00:13:24,720 Speaker 1: Poodle Bot writes in and says, hello, Robert, Joe, and Seth. 229 00:13:25,120 --> 00:13:27,520 Speaker 1: I've been listening to your episodes on the days of 230 00:13:27,520 --> 00:13:29,320 Speaker 1: the week, and I decided to write in about my 231 00:13:29,360 --> 00:13:33,800 Speaker 1: favorite calendar, that of the Shire. In an appendix to 232 00:13:33,960 --> 00:13:36,840 Speaker 1: The Lord of the Rings, Tolkien explains that the Hobbits 233 00:13:37,080 --> 00:13:40,320 Speaker 1: found it inconvenient that the days of the year don't 234 00:13:40,320 --> 00:13:43,320 Speaker 1: always fall in the same day of the week. To 235 00:13:43,400 --> 00:13:46,600 Speaker 1: remedy this, they have to holiday periods, one in winter 236 00:13:46,679 --> 00:13:49,360 Speaker 1: and one in summer that consists of several days with 237 00:13:49,640 --> 00:13:58,400 Speaker 1: no weekday value. So for example, you might have Monday, holiday, Holiday, Holiday, Tuesday, Wednesday, etcetera. 238 00:13:59,120 --> 00:14:02,440 Speaker 1: With this modification, the remaining number of days is divisible 239 00:14:02,480 --> 00:14:05,679 Speaker 1: by seven, and thus each calendar date falls on the 240 00:14:05,720 --> 00:14:08,120 Speaker 1: same day of the week every year. If you're born 241 00:14:08,160 --> 00:14:11,679 Speaker 1: on a Saturday, your birthday will always be on a Saturday. 242 00:14:11,760 --> 00:14:15,120 Speaker 1: I thought this was a genius device, and I just 243 00:14:15,160 --> 00:14:17,480 Speaker 1: thought i'd share thank you for all your entertaining and 244 00:14:17,520 --> 00:14:22,480 Speaker 1: insightful topics. On one hand, that seems great, but on 245 00:14:22,520 --> 00:14:24,400 Speaker 1: the other hand, it's like, oh, well, but if your 246 00:14:24,440 --> 00:14:28,440 Speaker 1: birthday is on like a Monday or Tuesday, and and 247 00:14:28,520 --> 00:14:31,400 Speaker 1: you don't get the rotation where it changes what day 248 00:14:31,400 --> 00:14:34,000 Speaker 1: of the week it is every year, then then that's 249 00:14:34,080 --> 00:14:36,680 Speaker 1: kind of a bummer, isn't it. Yeah, yeah, but it 250 00:14:36,680 --> 00:14:38,560 Speaker 1: also sounds like a fitting thing for a Hobbit to 251 00:14:38,600 --> 00:14:41,640 Speaker 1: be grumpy about. Oh yeah, well, I mean I say 252 00:14:41,640 --> 00:14:50,680 Speaker 1: this personally as as not a big birthday celebrator. Alright. 253 00:14:50,720 --> 00:14:53,160 Speaker 1: This next email is in response to our Days of 254 00:14:53,200 --> 00:14:56,600 Speaker 1: the Week series, and it it touches a bit on 255 00:14:56,760 --> 00:14:59,280 Speaker 1: the Weird House Cinema episode on Billy the Kid in 256 00:14:59,320 --> 00:15:02,680 Speaker 1: the Green Bay is Vampire. Remember that question we had 257 00:15:02,680 --> 00:15:05,640 Speaker 1: about the song Green Stamps We've talked about multiple times 258 00:15:05,640 --> 00:15:08,160 Speaker 1: on the show. We don't understand what the song is about. 259 00:15:08,240 --> 00:15:10,880 Speaker 1: We thought it was about money, but that became less 260 00:15:10,920 --> 00:15:13,640 Speaker 1: and less clear the more we examined it. So I 261 00:15:13,640 --> 00:15:16,280 Speaker 1: think we made some headway. Last listener mail, We'll see 262 00:15:16,280 --> 00:15:19,960 Speaker 1: where we get to today. Okay, well this is from Lee. 263 00:15:20,200 --> 00:15:23,120 Speaker 1: Li says, hello, Rob, Joe, and Seth love the podcast. 264 00:15:23,400 --> 00:15:26,320 Speaker 1: In regards to the seven Day Week and college students 265 00:15:26,480 --> 00:15:29,440 Speaker 1: slash Classes. Uh So this came up in several different 266 00:15:29,440 --> 00:15:32,880 Speaker 1: ways because in those episodes, we found, for example that uh, 267 00:15:32,920 --> 00:15:38,520 Speaker 1: college students disliked mondays more than older people did. And uh, 268 00:15:38,760 --> 00:15:40,960 Speaker 1: I think maybe there were a few other findings along 269 00:15:40,960 --> 00:15:44,000 Speaker 1: those lines. But anyways, Oh, and maybe they had different 270 00:15:44,120 --> 00:15:47,560 Speaker 1: levels of of consciousness of what day of the week 271 00:15:47,600 --> 00:15:50,680 Speaker 1: it was than people in other age, age groups or 272 00:15:50,680 --> 00:15:54,560 Speaker 1: demographic groups did. But anyway, Li says, uh, in regards 273 00:15:54,600 --> 00:15:57,600 Speaker 1: to the seven day week and college students slash classes, 274 00:15:57,880 --> 00:16:00,840 Speaker 1: going to date myself here, But while a student I 275 00:16:00,960 --> 00:16:05,160 Speaker 1: volunteered with on campus e m s. Often while assessing 276 00:16:05,200 --> 00:16:08,440 Speaker 1: the mental status of patients, especially those with head injury, 277 00:16:08,840 --> 00:16:11,720 Speaker 1: the what day is it question would be met with 278 00:16:11,760 --> 00:16:16,040 Speaker 1: a blank stare, sometimes bordering on panic while not necessarily 279 00:16:16,080 --> 00:16:19,880 Speaker 1: indicating a concussion. If the context was explored, such as 280 00:16:20,040 --> 00:16:23,160 Speaker 1: what classes did you have today? Do you have those 281 00:16:23,200 --> 00:16:26,480 Speaker 1: two or three times per week, etcetera. Digging deeper helped 282 00:16:26,520 --> 00:16:29,440 Speaker 1: them realize they did know what was going on. Later, 283 00:16:29,520 --> 00:16:32,960 Speaker 1: volunteering with the town e m S this was equally helpful. 284 00:16:33,400 --> 00:16:35,840 Speaker 1: This was prior to the ubiquity of cell phones and 285 00:16:35,880 --> 00:16:39,360 Speaker 1: even widespread PCs, so pen and paper calendars were the norm. 286 00:16:40,120 --> 00:16:42,560 Speaker 1: I was out of school almost ten years before we 287 00:16:42,600 --> 00:16:45,760 Speaker 1: had a PC. So now that I've sufficiently dated myself, 288 00:16:46,040 --> 00:16:49,120 Speaker 1: there was a time when many US grocery stores gave 289 00:16:49,160 --> 00:16:53,520 Speaker 1: away S and H green stamps with your purchase spend 290 00:16:53,560 --> 00:16:58,280 Speaker 1: more received more. These would be meticulously pasted into booklets 291 00:16:58,320 --> 00:17:01,160 Speaker 1: to be redeemed for products at the green Stamp store, 292 00:17:01,240 --> 00:17:04,360 Speaker 1: either locally or through a mail order catalog. I think 293 00:17:04,400 --> 00:17:08,480 Speaker 1: the company was Sperry and Hutchinson. Hope this is informative. 294 00:17:08,720 --> 00:17:12,760 Speaker 1: Keep up the great work with the podcast. Lee excellent. Yeah, this, uh, 295 00:17:12,880 --> 00:17:14,680 Speaker 1: this ties in with some of what I was looking 296 00:17:14,720 --> 00:17:19,280 Speaker 1: at that apparently the green Stamp uh cup on program 297 00:17:19,400 --> 00:17:22,480 Speaker 1: in the UK. There was some version of it or 298 00:17:22,600 --> 00:17:24,760 Speaker 1: some spinoff of it in the US for a while 299 00:17:24,800 --> 00:17:27,800 Speaker 1: as well, and this was would also, um, you know, 300 00:17:28,440 --> 00:17:32,480 Speaker 1: explain why Jethro Toll can be can be such a 301 00:17:32,600 --> 00:17:36,679 Speaker 1: hit on both sides of the pond. Right, yeah, all right, 302 00:17:36,720 --> 00:17:39,440 Speaker 1: well thanks for that that additional information. That that was great. 303 00:17:44,800 --> 00:17:46,960 Speaker 1: Al right, Rob, you want to read this message about 304 00:17:46,960 --> 00:17:50,720 Speaker 1: weird how Cinema from Jeff and Mimi whoa one listener 305 00:17:50,760 --> 00:17:53,639 Speaker 1: male from two different people at the sense what it says? 306 00:17:53,680 --> 00:17:58,760 Speaker 1: All right, from Jeff and Mimi, they say the following, Hello, 307 00:17:58,840 --> 00:18:02,199 Speaker 1: fellow good bad movie lovers, Robin Joe of all the 308 00:18:02,240 --> 00:18:05,320 Speaker 1: b movie review podcast, Weird House Cinema has a special 309 00:18:05,359 --> 00:18:08,960 Speaker 1: place in our weekend podcast lineup. Oh that is that 310 00:18:09,080 --> 00:18:11,480 Speaker 1: is delightful to hear. I know we are certainly not 311 00:18:11,560 --> 00:18:17,560 Speaker 1: alone in putting out podcast content about about weird or 312 00:18:17,600 --> 00:18:21,240 Speaker 1: bad movies. They continued. The pedigree of your choice is 313 00:18:21,280 --> 00:18:25,040 Speaker 1: regularly delights us as lovers of unloved and forgotten movies 314 00:18:25,080 --> 00:18:28,240 Speaker 1: from the late twentieth century. A recent deep dive of 315 00:18:28,240 --> 00:18:33,240 Speaker 1: the career of esteemed actor Michael Ironside unearthed several gyms 316 00:18:33,280 --> 00:18:39,600 Speaker 1: for us, though none so beloved as Destiny to Order, 317 00:18:41,119 --> 00:18:45,080 Speaker 1: Dark Toronto Knights, eighties glam A hack writer sham by 318 00:18:45,080 --> 00:18:48,040 Speaker 1: his own creations, and one of the most surprising bad 319 00:18:48,080 --> 00:18:53,720 Speaker 1: guys of the era, Michael Ironside's diabolical, philosophical biker king Kinrick. 320 00:18:54,280 --> 00:18:58,680 Speaker 1: It's a journey punctuated by pulpy performances, god machines, miles 321 00:18:58,800 --> 00:19:02,200 Speaker 1: or kilometers of scenery chewing, and one of the most 322 00:19:02,320 --> 00:19:06,240 Speaker 1: unexpected and creative deaths of an antagonist. The R ratings 323 00:19:06,280 --> 00:19:08,840 Speaker 1: seems to be mostly for language. The movie is light 324 00:19:08,960 --> 00:19:11,760 Speaker 1: on gore. It's a hoot. Someone was watching too many 325 00:19:11,880 --> 00:19:16,080 Speaker 1: Laura Brannigan videos. We couldn't recommend it more. Jeff and 326 00:19:16,160 --> 00:19:19,720 Speaker 1: Mimi ps as old school MST three K fans were 327 00:19:19,720 --> 00:19:23,200 Speaker 1: always delighted when your episode choice overlaps the production credits 328 00:19:23,240 --> 00:19:27,919 Speaker 1: of an MST three K episode Charles Band FTW, which 329 00:19:28,240 --> 00:19:31,560 Speaker 1: I'm to understand means for the win and not uh 330 00:19:31,760 --> 00:19:37,159 Speaker 1: something cruder, not fight the Wizard. I always as I 331 00:19:37,160 --> 00:19:40,080 Speaker 1: always thought it stood for m F the world. UM. 332 00:19:40,119 --> 00:19:43,480 Speaker 1: But but you saying the F word instead of just 333 00:19:44,240 --> 00:19:47,600 Speaker 1: saying f uh. And it was confused when I started 334 00:19:47,640 --> 00:19:49,200 Speaker 1: seeing what. I had a friend who was like super 335 00:19:49,240 --> 00:19:51,960 Speaker 1: into Harry Potter, and I remember she was posting something 336 00:19:51,960 --> 00:19:54,320 Speaker 1: and she was like, Harry Potter f t W and 337 00:19:54,320 --> 00:19:56,960 Speaker 1: I was like, WHOA, I mean, Harry Potter is great 338 00:19:56,960 --> 00:19:59,520 Speaker 1: and all but that's that seems kind of extreme. But 339 00:19:59,520 --> 00:20:01,239 Speaker 1: then I found Oh, it's for the Wind, that's what 340 00:20:01,280 --> 00:20:04,000 Speaker 1: they mean. Uh huh, Well no, for me, it's fight 341 00:20:04,040 --> 00:20:06,760 Speaker 1: the Wizard. It is known. That's what it is from 342 00:20:06,800 --> 00:20:09,520 Speaker 1: now on for everybody listening to this as well. Well, 343 00:20:09,520 --> 00:20:12,080 Speaker 1: Harry Potter fight the Wizard. That sounds good, that makes sense. 344 00:20:12,480 --> 00:20:15,320 Speaker 1: Well yeah, anyway, I looked up this movie Destiny to 345 00:20:15,440 --> 00:20:17,639 Speaker 1: order it. It does indeed look like a hoot. I 346 00:20:17,640 --> 00:20:21,080 Speaker 1: haven't seen it, just based on the user generated plot 347 00:20:21,080 --> 00:20:24,280 Speaker 1: descriptions I was reading on IMDb and and so forth, 348 00:20:24,320 --> 00:20:26,960 Speaker 1: it looks like it's one of these um uh kind 349 00:20:27,000 --> 00:20:30,840 Speaker 1: of lathe of heaven uh from in the mouth of madness. 350 00:20:30,920 --> 00:20:35,760 Speaker 1: Like a writer starts writing things that come true, okay 351 00:20:36,200 --> 00:20:37,919 Speaker 1: uh And of course, so one of them is like 352 00:20:38,000 --> 00:20:40,720 Speaker 1: he he like writes about his dream woman and then 353 00:20:40,760 --> 00:20:43,080 Speaker 1: she comes true and they fall in love or something. 354 00:20:43,119 --> 00:20:45,600 Speaker 1: But then he also writes about an evil bad guy, 355 00:20:45,720 --> 00:20:48,119 Speaker 1: and then that's Michael Ironside, and the bad guy wants 356 00:20:48,160 --> 00:20:51,159 Speaker 1: to uh take over this writing project and write his 357 00:20:51,200 --> 00:20:55,800 Speaker 1: own story. But the real, the real morsel of of 358 00:20:55,920 --> 00:20:58,560 Speaker 1: delight here was. I looked up the cast and who 359 00:20:58,560 --> 00:21:02,200 Speaker 1: would you guess is in this but George Bouza oh 360 00:21:02,240 --> 00:21:04,719 Speaker 1: Man Booza Boo is a lot of fun. This is 361 00:21:04,760 --> 00:21:08,080 Speaker 1: a Canadian mainstay. We talked about him a good bit 362 00:21:08,200 --> 00:21:10,720 Speaker 1: in Our Weird House in my episode on the Brain, 363 00:21:11,200 --> 00:21:14,960 Speaker 1: a movie about a giant brain. Yes, yeah, yeah, he's 364 00:21:14,960 --> 00:21:16,520 Speaker 1: a lot of fun. Also done a lot of voice 365 00:21:16,520 --> 00:21:19,000 Speaker 1: actor acting. I remember he was the voice of the 366 00:21:19,000 --> 00:21:23,520 Speaker 1: original Beast on x ME in the animated series. The 367 00:21:23,560 --> 00:21:27,359 Speaker 1: movie also has somebody named Dennis or maybe Deny Forest 368 00:21:27,920 --> 00:21:31,000 Speaker 1: who is playing uh well, I don't know who he 369 00:21:31,080 --> 00:21:32,640 Speaker 1: is in this movie because I haven't seen it, but 370 00:21:33,040 --> 00:21:35,280 Speaker 1: I think he was like a Hinchman in the Mask. 371 00:21:35,480 --> 00:21:37,160 Speaker 1: He was one of the you know, the bad guys 372 00:21:37,240 --> 00:21:40,280 Speaker 1: dudes and in Cliffhanger, I believe, but that I mentioned 373 00:21:40,320 --> 00:21:44,000 Speaker 1: him because in his IMDb photo he's like he's got 374 00:21:44,000 --> 00:21:47,240 Speaker 1: a bird perching on his hand and he's just gazing 375 00:21:47,280 --> 00:21:52,720 Speaker 1: at it lovingly. It's very Beastmaster. Yeah. He also had 376 00:21:52,800 --> 00:21:55,840 Speaker 1: in the in his head shot there. He also has 377 00:21:56,000 --> 00:21:59,040 Speaker 1: U has a certain style going on that reminds me 378 00:21:59,359 --> 00:22:03,480 Speaker 1: of a villain from the movie Mandy Um Jeremiah sand 379 00:22:03,920 --> 00:22:07,880 Speaker 1: Oh Yeah, played by the guy who is Bruce Wayne's 380 00:22:07,960 --> 00:22:12,680 Speaker 1: dad and Batman begins, Yeah, Linus Roach, Yeah, he was great, 381 00:22:13,160 --> 00:22:15,920 Speaker 1: great villain rolled at in this head shot. This guy 382 00:22:16,000 --> 00:22:19,600 Speaker 1: he he somehow also kind of gives me tom Noonan vibes. 383 00:22:19,640 --> 00:22:21,960 Speaker 1: I'm not sure why he doesn't call that much like him, 384 00:22:21,960 --> 00:22:24,800 Speaker 1: but that's that's what I'm getting. Yeah, definitely some some 385 00:22:24,920 --> 00:22:26,520 Speaker 1: new indvibes, like you don't know what he's gonna do 386 00:22:26,520 --> 00:22:29,960 Speaker 1: with that bird? Is he? Is he gonna bite it? 387 00:22:30,200 --> 00:22:33,480 Speaker 1: I don't know. That would be the obvious implication if 388 00:22:33,480 --> 00:22:37,360 Speaker 1: it was noon In. Yeah, good hinch he has his good, good, 389 00:22:37,440 --> 00:22:42,720 Speaker 1: good look for a Hinchman. He's like a sensitive hinge. Yeah, okay, 390 00:22:42,880 --> 00:22:45,160 Speaker 1: I think that probably does it for this episode, right, 391 00:22:45,520 --> 00:22:47,480 Speaker 1: I believe. So we're going to go ahead and cap 392 00:22:47,520 --> 00:22:49,480 Speaker 1: it off here, but we'd love to hear from him 393 00:22:49,760 --> 00:22:51,920 Speaker 1: out there if you have additional thoughts on anything we've 394 00:22:51,920 --> 00:22:54,520 Speaker 1: discussed in this episode, if you have thoughts on recent 395 00:22:55,880 --> 00:22:58,800 Speaker 1: future episodes of Stuff to Blow Your Mind right in, 396 00:22:59,000 --> 00:23:02,560 Speaker 1: we would love here from you. In the meantime, Yes, 397 00:23:03,200 --> 00:23:06,400 Speaker 1: Listener Mail comes out every Monday. Core episodes of Stuff 398 00:23:06,440 --> 00:23:09,120 Speaker 1: to Blow Your Mind come comes out on Tuesdays and Thursdays. 399 00:23:09,160 --> 00:23:13,199 Speaker 1: Wednesday's artifact or Monster Fact short form episodes. On Friday, 400 00:23:13,240 --> 00:23:15,679 Speaker 1: we put most of our serious concerns aside and just 401 00:23:15,680 --> 00:23:18,359 Speaker 1: talk about a weird film and then, oh yeah, the weekend, 402 00:23:18,480 --> 00:23:22,119 Speaker 1: that's time for a rerun. Uh you know how that works. Huge, Thanks, 403 00:23:22,160 --> 00:23:25,480 Speaker 1: as always to our excellent audio producer Seth Nicholas Johnson. 404 00:23:25,720 --> 00:23:27,400 Speaker 1: If you would like to get in touch with us 405 00:23:27,400 --> 00:23:30,080 Speaker 1: with feedback on this episode or any other, to suggest 406 00:23:30,080 --> 00:23:32,040 Speaker 1: a topic for the future, or just to say hello, 407 00:23:32,080 --> 00:23:35,000 Speaker 1: you can email us at contact at stuff to Blow 408 00:23:35,040 --> 00:23:44,680 Speaker 1: your Mind dot com. Stuff to Blow Your Mind is 409 00:23:44,720 --> 00:23:47,439 Speaker 1: production of I Heart Radio. For more podcasts for my 410 00:23:47,440 --> 00:23:50,400 Speaker 1: heart Radio, visit the i heart Radio app, Apple Podcasts, 411 00:23:50,480 --> 00:23:52,280 Speaker 1: or wherever you listen to your favorite shows.