WEBVTT - #544 - Akon

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<v Speaker 1>Yeah, check it out, man, This is your boy akon.

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<v Speaker 1>Y'all know what time it is now check me out

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<v Speaker 1>on the Bootleg CAV podcast.

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<v Speaker 2>Peace.

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<v Speaker 3>Hey.

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<v Speaker 2>Before we start the episode, we're gonna remind everybody, man,

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<v Speaker 2>we got one of the biggest radio shows in the country,

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<v Speaker 2>syndicated in almost one hundred cities all over. Shout out

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<v Speaker 2>to iHeartRadio. All right, some of the latest cities that

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<v Speaker 2>we've been able to add. Man, We want to give

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<v Speaker 2>a shout out to ninety three point nine to Beat

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<v Speaker 2>in Honolulu. That's right, Hawaii, we over there going crazy.

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<v Speaker 2>I also want to give a shout out Hot ninety

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<v Speaker 2>eight three and Tucson. Shout out to Tucson going crazy.

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<v Speaker 2>Also want to give a shout out to Wild ninety

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<v Speaker 2>four one in Tampa going crazy. We just got Richmond.

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<v Speaker 2>We also just got the good folks in Bakersfield at

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<v Speaker 2>Hot one O four to seven. So we're going crazy

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<v Speaker 2>on the radio with my partner James Andre Jefferson Junior

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<v Speaker 2>for the Bootleg CAV Show. So make sure you tune

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<v Speaker 2>in and you can listen anywhere on that iHeart Radio app.

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<v Speaker 2>That's right, let's get into the interview. Bootleg CAV Show

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<v Speaker 2>special guests in here, akon the legend, Welcome.

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<v Speaker 1>What's up, daddyo?

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<v Speaker 4>What's up man?

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<v Speaker 2>How you doing?

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<v Speaker 1>Oh man? Amazing as usual.

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<v Speaker 2>I feel like you obviously got a new record that's

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<v Speaker 2>going crazy at radio. This is your second one in

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<v Speaker 2>like a year. It's feeling a little two thousand and

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<v Speaker 2>eight us in here. What it's been like for you

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<v Speaker 2>to be like fully activated and like just fully you

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<v Speaker 2>told me you're out here working on finishing up your

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<v Speaker 2>new album. Does it feel good to be fully like

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<v Speaker 2>back just I mean wearing because you obviously have had

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<v Speaker 2>so many business ventures. You've been behind the scenes with

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<v Speaker 2>so many people's careers, but it feels like you're in

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<v Speaker 2>your bag right now.

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<v Speaker 1>No, man, Honestly, this is probably the best I felt

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<v Speaker 1>in a long time. It feels real good to be

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<v Speaker 1>honest like especially knowing, Okay, now I can allocate all

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<v Speaker 1>my time back into music because before I had one

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<v Speaker 1>foot in, one foot out, having a bunch of business.

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<v Speaker 1>But then I would make time for the music, you

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<v Speaker 1>know what I'm saying. But now I was like, Okay,

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<v Speaker 1>I'm not worried too much about the business stuff. All

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<v Speaker 1>that's turnkey on cruise control. Now just focus on music

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<v Speaker 1>full time.

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<v Speaker 4>Yeah, how's the album sounding?

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<v Speaker 1>Oh my goodness, I'm excited.

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<v Speaker 2>Is there any any features?

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<v Speaker 1>The first album, it won't be no features because I

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<v Speaker 1>need to give the audience back the experience that I

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<v Speaker 1>that I kind of deprived of them. But then the

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<v Speaker 1>second album is called Iconic, which means every song from

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<v Speaker 1>top to bottom would have like iconic features on them.

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<v Speaker 2>Oh fire, Yeah, I feel like telling some of your

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<v Speaker 2>biggest I mean, most of your biggest songs you by yourself.

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<v Speaker 1>Yeah, they are.

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<v Speaker 2>Most I mean but that's the funny thing is most

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<v Speaker 2>people would need you to be on there right, to

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<v Speaker 2>be back in the day. It was like, because like

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<v Speaker 2>I need a hit, I'm gonna call Akon, I'm gonna

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<v Speaker 2>call t Pain, I mean right. It was really kind

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<v Speaker 2>of Yeah. Were you able to see Pain's Coachella performance

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<v Speaker 2>that it's been going viral?

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<v Speaker 4>A lot of people have been talking.

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<v Speaker 1>About and listen, I've been waiting for the world to

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<v Speaker 1>see Pain at its highest peak. This ship made me proud,

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<v Speaker 1>to be honest, I just know how he is. Like,

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<v Speaker 1>I know, Pain has always been the most amazing performer,

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<v Speaker 1>but he never had the real big outlets that most

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<v Speaker 1>artists have because he never got the flowers that I

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<v Speaker 1>felt like he deserved, you know what I mean.

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<v Speaker 2>Yeah, I felt like right around the time, like that

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<v Speaker 2>was the timing for that was would have been right

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<v Speaker 2>the Death of Autitude and jay Z's song came out,

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<v Speaker 2>and then people kind of like turn. I felt like

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<v Speaker 2>people like got weird about T pain It just in time, though.

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<v Speaker 2>I feel like we've like everyone's kind of appreciated, like

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<v Speaker 2>T Painty could do this. Both of y'all could do.

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<v Speaker 1>The super Bowl. Yeah, without a question.

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<v Speaker 4>If y'all could be man, y'all do that super Bowl.

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<v Speaker 1>Shit, man, we would like the super Bowl up.

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<v Speaker 2>Yeah, promise you no, I'd be crazy. Last time I

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<v Speaker 2>saw you was in Thailand. Yep, you had to show

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<v Speaker 2>out in Thailand, which was that rolling loud. It was

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<v Speaker 2>a good time. Thailand is one of the craziest places

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<v Speaker 2>I've ever been, very crazy for good and bad. I mean,

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<v Speaker 2>I mean mostly good reasons.

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<v Speaker 1>I loved it.

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<v Speaker 2>I love How long were you out there?

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<v Speaker 1>I was there for four days?

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<v Speaker 2>Okay, Okay, you don't think about going out there. You

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<v Speaker 2>had that time difference to fuck you up because it's

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<v Speaker 2>like a whole day ahead.

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<v Speaker 1>It's a whole day head because I was I was

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<v Speaker 1>in Bali for New Year's Eve, and then I stayed

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<v Speaker 1>in Baldi long enough to be able to do my

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<v Speaker 1>Thailand date. So I just stayed out there and then came, yeah,

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<v Speaker 1>showing you something.

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<v Speaker 4>Ye, Thailand's amazing, man, it's a good time.

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<v Speaker 2>What is your biggest like outside of the US? What

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<v Speaker 2>country would you say is like your biggest streaming market?

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<v Speaker 1>Man? Honestly, I haven't even looked at the analytics like that,

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<v Speaker 1>but if I had to choose, I would probably say

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<v Speaker 1>India and Brazil Africa. I think US is probably the last.

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<v Speaker 1>Oh really, because Europe comes after that, So US Latin

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<v Speaker 1>America technically yeah, technically Europe out of the big ones,

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<v Speaker 1>US is probably the last I saw.

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<v Speaker 2>You said that you were considering or you're gonna re

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<v Speaker 2>record your catalog with country the country genre version.

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<v Speaker 1>Huh yeah, listen, wait till you hear it.

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<v Speaker 2>Though you already started working.

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<v Speaker 1>I already started, Like it's it's monstrous, like.

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<v Speaker 2>So, what songs have you tweaked for country so far?

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<v Speaker 1>Well? This this thing? Because I got Trivia. I got

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<v Speaker 1>Trivia's coming out this week. When is this? Errand because

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<v Speaker 1>I I want to give it up.

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<v Speaker 2>This will this will probably drop Monday. Today's Wednesday. So

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<v Speaker 2>we've got we're gonna get through the weekend this week.

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<v Speaker 2>So to drop Monday.

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<v Speaker 1>Drop, to give up the trivia is to give up

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<v Speaker 1>the trivia. But just know that all of the hit

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<v Speaker 1>records all but been redone or actually I'm currently re

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<v Speaker 1>recording now in country.

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<v Speaker 2>Just like with country producers.

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<v Speaker 1>No, so so what I'm doing, i' went to Nashville

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<v Speaker 1>to actually do it, Like I'm going to think of

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<v Speaker 1>what country play like, I know what's going on, right,

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<v Speaker 1>I'm just I just love country music and if I

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<v Speaker 1>represent it from on my classics, I want it done

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<v Speaker 1>with the people that this is what they do and

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<v Speaker 1>the people that I'm a fan of, from the writers

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<v Speaker 1>to the producers to the arrangers, like the environment I

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<v Speaker 1>want to in golf, all of that. So we got

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<v Speaker 1>the first one actually that I'm actually going to be

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<v Speaker 1>announcing through a trivia question on which record will be

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<v Speaker 1>the first one that I do and who I plan

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<v Speaker 1>to feature it on.

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<v Speaker 2>Can I get the trivia questions, see if I can

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<v Speaker 2>answer it. Give me the trivia, let me see if I

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<v Speaker 2>could past.

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<v Speaker 1>Okay, So the first trivia. I'm actually gonna play the

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<v Speaker 1>first song that I'm doing in country backwards. Oh, so

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<v Speaker 1>you got to guess which one it is. Then the

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<v Speaker 1>second trivia is who do you think is who do

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<v Speaker 1>you think I'm featuring on that one?

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<v Speaker 2>A country artist? So all of these songs like country.

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<v Speaker 1>Artists, and they're actually legitimate Top ten Billboard country artists

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<v Speaker 1>on these bad boys.

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<v Speaker 2>Have you linked up with Jelly Roll yet?

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<v Speaker 1>Damn? He's a trivia question too. I can't. I can't

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<v Speaker 1>see so you have linked up with Jelly Roll? Oh

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<v Speaker 1>I can, I can. Well, the question is ship, So

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<v Speaker 1>man ca, have you messing up my You messing up

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<v Speaker 1>my whole trivia?

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<v Speaker 2>Have you hung out with Jelly Roll in your life?

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<v Speaker 2>I can't ask you spend any time with Jelly Roll?

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<v Speaker 2>I can't ask you haven't spent time. You can't tell

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<v Speaker 2>with him. Have you been in a recording studio with

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<v Speaker 2>Jelly I can't ask.

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<v Speaker 1>The Jelly Roll questions because he's a part of my trivia.

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<v Speaker 2>So he's so Jelly Roll is a part of your trivia,

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<v Speaker 2>which means he's a part of the country. I can't

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<v Speaker 2>say wow, shout out to Jelly Roll, man. I can't

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<v Speaker 2>say shoreboozy, I can't say man soboo.

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<v Speaker 1>Cut it out, man, you gonna give it up my

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<v Speaker 1>damn past Man, don't do it. You're gonna give it.

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<v Speaker 2>Up a little Morgan Wall maybe Bro please.

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<v Speaker 1>Man, you're too many names right now.

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<v Speaker 2>So what you're trying to say is by next year,

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<v Speaker 2>you're gonna be on stage coach.

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<v Speaker 1>By next year, I'll be on a uh probably CMA's

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<v Speaker 1>for sure.

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<v Speaker 2>Well, you gotta do stage coach because one hundred percent

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<v Speaker 2>whiz did it?

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<v Speaker 4>T Pain?

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<v Speaker 2>Did it?

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<v Speaker 1>Promise you? I'm doing stage coach?

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<v Speaker 4>Yeah, Pain.

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<v Speaker 2>I think when Pain covered that Chris, he did all

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<v Speaker 2>them covers even Actually I don't.

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<v Speaker 1>Want to speak for Pain, but I think one of

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<v Speaker 1>the purpose of doing all those covers was to go

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<v Speaker 1>and kill stage Coach.

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<v Speaker 2>And I also feel like it showed people.

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<v Speaker 1>How versatile he was to that he's such a beast

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<v Speaker 1>and his voice.

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<v Speaker 4>If you strip away that autoitude, it doesn't matter.

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<v Speaker 1>Yep, it don't even matter. He's still killing him.

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<v Speaker 2>Nah for sure, for sure, you in Pain, still in

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<v Speaker 2>contact for regular that's my dog, my lit bro. I'm

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<v Speaker 2>surprised we never got like a joint album from y'all.

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<v Speaker 1>We've actually been talking about it. We me and have

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<v Speaker 1>been talking about doing that for a minute.

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<v Speaker 2>If there's a t pain Akon joint album sometime in

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<v Speaker 2>the next like year or two with a tour, you

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<v Speaker 2>guys are selling out that it'd be crazy. You stir

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<v Speaker 2>that up and you get the super Bowl buzz.

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<v Speaker 1>Going a thousand all that's coming in my Trevius.

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<v Speaker 2>Show. I can't wait to hear the jelly Roll song.

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<v Speaker 2>Jedyal is a good guy.

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<v Speaker 1>I like jelly Roll a lot. Yeah, Like he's a convict.

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<v Speaker 2>He is a convict and actually just saw he's one

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<v Speaker 2>step closer because obviously he can't vote in Tennessee where

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<v Speaker 2>he's from, but they the courts are one step closer

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<v Speaker 2>from fully pardoning him as a felon because he's been

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<v Speaker 2>doing so much work to help like you know, people

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<v Speaker 2>incarcerated and and all that, and so yeah.

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<v Speaker 1>Aw, it's amazing, man, he deserves it.

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<v Speaker 2>Convict for sure. Convicted Akon and and the convict jelly

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<v Speaker 2>Roll On a song together coming soon.

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<v Speaker 4>Yeah, I think like what uh, what would be? It

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<v Speaker 4>would be that I feel like locked up with jelly

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<v Speaker 4>Roll would be crazy.

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<v Speaker 2>Statae tick. I can hear Jelly's tone doing this.

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<v Speaker 1>Please God, I can't go fuck up my goddam what dude.

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<v Speaker 2>I can hear I can hear Jelly saying it in

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<v Speaker 2>his tone. It's gonna be good. If that ever happened,

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<v Speaker 2>that would be great happen.

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<v Speaker 1>I'm gonna give you credit for making it happen.

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<v Speaker 2>Shouts to Jelly, man, are you going to stage Coach

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<v Speaker 2>this weekend?

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<v Speaker 3>No?

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<v Speaker 1>No, I won't be on Unfortunately, I'll be in a

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<v Speaker 1>studio working on my album for next years.

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<v Speaker 2>What is uh sonically like? Do you feel like you're

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<v Speaker 2>just kind of like, are we getting Vintage Acon? Are

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<v Speaker 2>we getting World of Acon?

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<v Speaker 4>What is what is this?

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<v Speaker 1>Yeah? You get you getting? You getting Vintage Acon with

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<v Speaker 1>a twist of Tomorrow's Acon.

0:09:35.960 --> 0:09:37.560
<v Speaker 4>Okay I like that?

0:09:37.720 --> 0:09:41.080
<v Speaker 2>Yeah, Yeah, that's that's dope.

0:09:40.840 --> 0:09:41.400
<v Speaker 4>U man?

0:09:41.559 --> 0:09:43.360
<v Speaker 2>What what what inspired you to want to do the

0:09:43.360 --> 0:09:45.920
<v Speaker 2>country ship? Because I think a lot of people, I mean,

0:09:45.920 --> 0:09:48.400
<v Speaker 2>you're a singer songwriter, so country I feel like country

0:09:48.440 --> 0:09:50.760
<v Speaker 2>is the one genre right now or if you're looking

0:09:50.840 --> 0:09:54.160
<v Speaker 2>for like strong songwriting, you're gonna find it like no.

0:09:54.200 --> 0:09:56.840
<v Speaker 1>One interestingly enough, Like a lot of people don't know

0:09:56.880 --> 0:10:01.559
<v Speaker 1>that my first album was written based on country music, really,

0:10:01.760 --> 0:10:03.080
<v Speaker 1>I swear to God, and I wanted to do a

0:10:03.080 --> 0:10:05.440
<v Speaker 1>country remix album at that time, but the label would

0:10:05.440 --> 0:10:06.680
<v Speaker 1>never let me do it because they thought it was

0:10:06.720 --> 0:10:09.199
<v Speaker 1>it would break away my audience and I want to

0:10:09.240 --> 0:10:13.240
<v Speaker 1>be looked at as a sellout. Wow, So it kind

0:10:13.240 --> 0:10:15.080
<v Speaker 1>of crushed my dreams and I just realized I couldn't

0:10:15.080 --> 0:10:18.199
<v Speaker 1>do it. And then, lady lately, I'm saying to myself, Okay,

0:10:18.240 --> 0:10:21.560
<v Speaker 1>now that music has now kind of all came together,

0:10:22.400 --> 0:10:24.400
<v Speaker 1>I think now it's probably the best time to do it,

0:10:24.440 --> 0:10:26.679
<v Speaker 1>if any to take those classics and actually do it.

0:10:26.840 --> 0:10:27.280
<v Speaker 4>I love that.

0:10:27.360 --> 0:10:29.439
<v Speaker 2>Yeah, yeah, I think like, yeah, back then, if you

0:10:29.440 --> 0:10:31.200
<v Speaker 2>would have did that, I tried people to look at

0:10:31.440 --> 0:10:32.880
<v Speaker 2>thought I was crazy. People would have looked.

0:10:32.720 --> 0:10:34.079
<v Speaker 1>At you crazy.

0:10:34.200 --> 0:10:35.599
<v Speaker 2>I mean when Nelly did it, people thought he was

0:10:35.600 --> 0:10:36.160
<v Speaker 2>fucking crazy.

0:10:36.240 --> 0:10:38.240
<v Speaker 1>I thought it was genius. And I actually envy Nelly

0:10:38.240 --> 0:10:39.560
<v Speaker 1>because he was able to do it and I couldn't.

0:10:39.679 --> 0:10:41.120
<v Speaker 2>Yeah, and he was able to do it to like

0:10:41.559 --> 0:10:43.320
<v Speaker 2>he just put out a whole country album like he

0:10:43.320 --> 0:10:44.079
<v Speaker 2>he was able to like.

0:10:44.600 --> 0:10:45.880
<v Speaker 1>That pocket before any of us.

0:10:45.960 --> 0:10:46.360
<v Speaker 4>For sure.

0:10:46.480 --> 0:10:50.920
<v Speaker 2>Ya shot to Nelly, man, talk to me, uh, what

0:10:51.080 --> 0:10:54.079
<v Speaker 2>is your you? Obviously you're a fucking og you've been

0:10:54.120 --> 0:11:01.400
<v Speaker 2>dealing with. I mean, I don't know you've had multiple wives?

0:11:01.600 --> 0:11:04.439
<v Speaker 1>Is that KIV? Next question please.

0:11:07.600 --> 0:11:11.120
<v Speaker 2>Yeo. Hypothetically, if you had more than one wife, how

0:11:11.120 --> 0:11:12.760
<v Speaker 2>do you deal with that without wanting to kill yourself?

0:11:13.400 --> 0:11:16.200
<v Speaker 1>I wouldn't kill myself. I would live life happily, So

0:11:16.240 --> 0:11:19.680
<v Speaker 1>it's fun. I think I think most guys would like that.

0:11:19.720 --> 0:11:22.280
<v Speaker 2>Would you set up a schedule like a Google spreadsheet,

0:11:22.360 --> 0:11:25.880
<v Speaker 2>Like it's Tuesday, it's you and you, it's Wednesday, it's Friday,

0:11:25.920 --> 0:11:26.520
<v Speaker 2>it's all of us.

0:11:26.600 --> 0:11:27.320
<v Speaker 1>Is that how you do it?

0:11:27.360 --> 0:11:31.200
<v Speaker 2>I don't know. Maybe, or or it'd be like a

0:11:31.200 --> 0:11:33.360
<v Speaker 2>color system where like you're green, you're purple, you're purple,

0:11:33.400 --> 0:11:35.240
<v Speaker 2>you're green, and then we're just gonna hit ram, We're

0:11:35.280 --> 0:11:37.720
<v Speaker 2>gonna spin away on whatever color. It's purple day, Come

0:11:37.760 --> 0:11:38.400
<v Speaker 2>on in baby.

0:11:38.480 --> 0:11:40.559
<v Speaker 1>Yeah yeah, yeah, yeah, your life would be interesting. I

0:11:40.559 --> 0:11:42.480
<v Speaker 1>would definitely watch it. Yeah, if you had.

0:11:42.400 --> 0:11:45.760
<v Speaker 2>A really show or if you had a reality show,

0:11:45.760 --> 0:11:46.280
<v Speaker 2>it would be great.

0:11:46.400 --> 0:11:47.840
<v Speaker 1>No, no, no, my life is too interesting?

0:11:48.080 --> 0:11:48.679
<v Speaker 2>Is it too interesting?

0:11:48.679 --> 0:11:49.040
<v Speaker 1>Too interesting?

0:11:49.080 --> 0:11:51.200
<v Speaker 2>What are your thoughts on that? Have you been paying attention?

0:11:51.200 --> 0:11:52.160
<v Speaker 2>What's going on with Shannon Sharp?

0:11:52.960 --> 0:11:57.160
<v Speaker 1>That was interesting to watch? Yeah, that was interesting to watch.

0:11:57.679 --> 0:11:59.280
<v Speaker 4>Yeah, it's pretty crazy.

0:11:59.400 --> 0:12:01.959
<v Speaker 1>No, that's pretty crazy. Like have you seen like.

0:12:01.920 --> 0:12:03.880
<v Speaker 2>The texts and some of the voicemails.

0:12:04.040 --> 0:12:06.280
<v Speaker 1>Well, I heard the call.

0:12:06.760 --> 0:12:08.880
<v Speaker 2>So you heard where he said, big black man choking

0:12:08.920 --> 0:12:10.800
<v Speaker 2>a little white woman in public.

0:12:10.880 --> 0:12:11.760
<v Speaker 1>Wait I didn't hear that.

0:12:11.960 --> 0:12:13.840
<v Speaker 4>Oh yeah, that's.

0:12:14.400 --> 0:12:18.079
<v Speaker 2>Just rand new mixtape just dropped this morning, that new

0:12:18.080 --> 0:12:19.040
<v Speaker 2>Shannon Sharp tape.

0:12:19.480 --> 0:12:22.320
<v Speaker 1>No, come on, bro, why are you doing shadd like that?

0:12:22.360 --> 0:12:22.560
<v Speaker 3>Man?

0:12:24.000 --> 0:12:29.480
<v Speaker 2>Bro, I'm gonna player for you because you this ship

0:12:29.559 --> 0:12:34.319
<v Speaker 2>is raising also, like, oh here it is, hold on.

0:12:36.320 --> 0:12:48.280
<v Speaker 5>You're coming to La tomorrow. Yes, well, I don't know

0:12:48.320 --> 0:12:49.440
<v Speaker 5>why you want to go out.

0:12:50.720 --> 0:12:53.480
<v Speaker 2>Wait, it don't make sense by the way, she sounds

0:12:53.520 --> 0:12:55.320
<v Speaker 2>so boring.

0:13:00.559 --> 0:13:15.880
<v Speaker 5>Okay, okay, what well, I'm not really interested and getting choked,

0:13:15.960 --> 0:13:17.280
<v Speaker 5>so I guess we're going.

0:13:19.520 --> 0:13:30.880
<v Speaker 3>Okay, I may choke your above me, big black guy choked,

0:13:30.960 --> 0:13:31.920
<v Speaker 3>small white bubby.

0:13:36.160 --> 0:13:41.840
<v Speaker 1>You're my old things like oh yeah, yeah, yeah.

0:13:40.160 --> 0:13:44.559
<v Speaker 2>I don't even like that man. Listen Shannon Sharp all

0:13:44.960 --> 0:13:48.280
<v Speaker 2>whatever happened to side. I'm just a little disappointed that

0:13:48.280 --> 0:13:49.800
<v Speaker 2>this fifty four year old man didn't think that a

0:13:49.840 --> 0:13:51.280
<v Speaker 2>nineen year old white girl was trying to set his

0:13:51.280 --> 0:13:52.400
<v Speaker 2>ass up. What the fuck are you doing with a

0:13:52.480 --> 0:13:53.280
<v Speaker 2>nineteen year old girl.

0:13:53.920 --> 0:13:56.200
<v Speaker 1>Well, listen, guys, at the end of day, there's a

0:13:56.200 --> 0:14:02.120
<v Speaker 1>lot of elder that's living their prime years with younger women. Right,

0:14:02.200 --> 0:14:05.000
<v Speaker 1>let's just be honest. Men like younger women. Right now,

0:14:05.000 --> 0:14:07.000
<v Speaker 1>you go too far, then, yeah, you went too far.

0:14:07.160 --> 0:14:10.520
<v Speaker 1>But for the most part, I just feel like Shannon

0:14:10.600 --> 0:14:11.400
<v Speaker 1>is getting set up.

0:14:11.760 --> 0:14:13.880
<v Speaker 2>He's I feel like he's getting six. But he walked

0:14:13.920 --> 0:14:16.079
<v Speaker 2>right into the trap and was like, I like it here.

0:14:19.000 --> 0:14:22.360
<v Speaker 2>He's like, yeah, I'm gonna say some crazy shit on text.

0:14:22.400 --> 0:14:24.040
<v Speaker 2>Mean some of the text menage.

0:14:24.160 --> 0:14:26.120
<v Speaker 1>I don't think he knew he was being recorded either,

0:14:26.640 --> 0:14:29.600
<v Speaker 1>because all all them spaces in between a convers No

0:14:29.680 --> 0:14:33.840
<v Speaker 1>conversation ever has that many spaces unless there's a conversation

0:14:33.920 --> 0:14:36.760
<v Speaker 1>being on as being muted, and with today's AI, you

0:14:36.760 --> 0:14:39.760
<v Speaker 1>can delete the voice and allow the background to keep playing.

0:14:40.000 --> 0:14:43.640
<v Speaker 1>That's one thing. Number two. I believe that him and

0:14:43.720 --> 0:14:46.880
<v Speaker 1>her always have these kinky type of conversations.

0:14:46.960 --> 0:14:48.960
<v Speaker 2>Oh yeah, I mean some of the times that she

0:14:49.000 --> 0:14:50.360
<v Speaker 2>said to him about them, because you.

0:14:50.280 --> 0:14:53.640
<v Speaker 1>Don't yeah, you don't, you don't. You don't go from

0:14:53.920 --> 0:14:56.560
<v Speaker 1>are you gonna be in LA tomorrow? To I don't

0:14:56.600 --> 0:14:59.920
<v Speaker 1>like being choked? As your next response, like it does

0:15:00.000 --> 0:15:02.360
<v Speaker 1>don't makes sense? Like, wait, what did I got to

0:15:02.360 --> 0:15:04.320
<v Speaker 1>do with him coming to LA tomorrow after that long

0:15:04.360 --> 0:15:04.880
<v Speaker 1>ass gap?

0:15:05.360 --> 0:15:05.560
<v Speaker 4>Yeah?

0:15:05.800 --> 0:15:07.560
<v Speaker 2>You know what I mean. I feel like Shannon's got

0:15:07.560 --> 0:15:09.440
<v Speaker 2>to be more self aware that like I think he's

0:15:09.480 --> 0:15:11.760
<v Speaker 2>gonna I think he's more than self aware now. But

0:15:11.960 --> 0:15:15.280
<v Speaker 2>like this all happened after he went on live and

0:15:15.520 --> 0:15:18.360
<v Speaker 2>was with Michelle or what was the girl's name? Was

0:15:18.400 --> 0:15:20.960
<v Speaker 2>it Michelle? The girl? He was fucking yeah, yeah, yeah,

0:15:21.000 --> 0:15:22.920
<v Speaker 2>Shannon's got for being an old head man. He got

0:15:22.880 --> 0:15:26.360
<v Speaker 2>to reel it in a little Yeah, he got to

0:15:26.400 --> 0:15:28.600
<v Speaker 2>reel it in dog like you're a thirty year old.

0:15:28.640 --> 0:15:31.000
<v Speaker 2>You know what I'm saying. Shit, Monique said it best.

0:15:31.040 --> 0:15:33.120
<v Speaker 2>He said, you need a fat, oh bitch to rub

0:15:33.160 --> 0:15:36.320
<v Speaker 2>your feet and cook you.

0:15:38.000 --> 0:15:40.320
<v Speaker 1>Jesus, it's a dangerous time.

0:15:40.400 --> 0:15:42.760
<v Speaker 2>Man. Last time we did an interview, people were mad,

0:15:42.760 --> 0:15:45.280
<v Speaker 2>I didn't ask you you did the hair transplant only

0:15:45.320 --> 0:15:46.920
<v Speaker 2>to cut your Hair's what's the point?

0:15:47.080 --> 0:15:49.640
<v Speaker 1>No, no, no, no, no, no, that wasn't I didn't do

0:15:49.720 --> 0:15:51.560
<v Speaker 1>the I didn't do the hair plant plant to cut

0:15:51.600 --> 0:15:54.960
<v Speaker 1>my hair. I did the transplant to grow hair. Okay,

0:15:55.040 --> 0:15:59.120
<v Speaker 1>the problem was my hair wasn't growing so I said,

0:15:59.120 --> 0:16:00.880
<v Speaker 1>fuck it, I'm just gonna keep cut to keep it even.

0:16:01.080 --> 0:16:02.640
<v Speaker 1>But I actually like it better than now this way.

0:16:02.800 --> 0:16:04.480
<v Speaker 2>Yeah, I mean it looks classic income.

0:16:04.600 --> 0:16:07.120
<v Speaker 1>Yeah, this is better man. It makes I look younger.

0:16:07.360 --> 0:16:10.600
<v Speaker 1>I feel better. Yeah, I mean I miss the waves though.

0:16:10.440 --> 0:16:12.960
<v Speaker 2>But yeah, I mean the waves are there. Your hairline

0:16:13.000 --> 0:16:13.920
<v Speaker 2>was a training.

0:16:13.640 --> 0:16:22.440
<v Speaker 1>Topic that shit kept be relevant the whole fucking What

0:16:22.480 --> 0:16:23.720
<v Speaker 1>was that during the pandemic?

0:16:23.800 --> 0:16:24.800
<v Speaker 2>Wasn't it something?

0:16:25.000 --> 0:16:25.920
<v Speaker 1>I even had fun with it?

0:16:25.960 --> 0:16:26.080
<v Speaker 5>Man.

0:16:26.120 --> 0:16:27.480
<v Speaker 1>We used to put stuff out there just so I

0:16:27.480 --> 0:16:31.160
<v Speaker 1>can I can laugh. And I think it was you

0:16:31.240 --> 0:16:33.880
<v Speaker 1>that broke the store. Probably it came from your show.

0:16:34.000 --> 0:16:38.920
<v Speaker 2>Yeah, uh was is it true back in the day

0:16:39.120 --> 0:16:41.040
<v Speaker 2>your brothers would fill in for you at shows?

0:16:41.640 --> 0:16:44.000
<v Speaker 1>No, it was just it was well Bou used to

0:16:44.040 --> 0:16:46.920
<v Speaker 1>feel in for me and shows, and then my other

0:16:46.960 --> 0:16:49.840
<v Speaker 1>brother Omar. He would just debo like straight take a

0:16:49.880 --> 0:16:52.840
<v Speaker 1>show like I'll be in New York and next thing

0:16:52.880 --> 0:16:55.920
<v Speaker 1>you know, you see, I'm getting a fly from Baltimore

0:16:55.960 --> 0:16:59.000
<v Speaker 1>that I'm performing live. This is a Oh, would just

0:16:59.000 --> 0:17:00.880
<v Speaker 1>book the show and keep the money, like, wouldn't even

0:17:00.880 --> 0:17:03.800
<v Speaker 1>tell me like about as you. He would go as

0:17:03.840 --> 0:17:06.480
<v Speaker 1>me was oh yeah, oh, mom was straight gangster but.

0:17:06.720 --> 0:17:09.600
<v Speaker 2>Oh man, and this is like before I guess, like

0:17:09.640 --> 0:17:11.639
<v Speaker 2>the internet was like super readily availed. Yeah, this is

0:17:11.840 --> 0:17:13.840
<v Speaker 2>this is so people could be like, I guess that

0:17:14.000 --> 0:17:16.119
<v Speaker 2>is ain't con No, No, they would not know the difference,

0:17:16.200 --> 0:17:17.480
<v Speaker 2>right because there was no YouTuber.

0:17:18.920 --> 0:17:20.960
<v Speaker 1>Right. And when you see me and my brother separately,

0:17:21.000 --> 0:17:23.280
<v Speaker 1>if you didn't see me in person, you would definitely say, okay,

0:17:23.440 --> 0:17:25.480
<v Speaker 1>one thousand percent for a thousand.

0:17:25.440 --> 0:17:28.239
<v Speaker 2>So you're older or your other brother was running it up.

0:17:28.320 --> 0:17:31.600
<v Speaker 1>He was almost running it up. Yeahs running up.

0:17:31.840 --> 0:17:34.280
<v Speaker 2>And then you you would send Boo sometimes to fill

0:17:34.280 --> 0:17:35.200
<v Speaker 2>in if you couldn't be there.

0:17:35.359 --> 0:17:37.760
<v Speaker 1>Yeah, that was back then. I had two shows at

0:17:37.760 --> 0:17:39.080
<v Speaker 1>one point, you know, I send boot to one. I

0:17:39.040 --> 0:17:39.639
<v Speaker 1>took the other.

0:17:39.520 --> 0:17:43.680
<v Speaker 2>One, and so would just sing like he would up

0:17:44.160 --> 0:17:44.600
<v Speaker 2>his lips.

0:17:44.800 --> 0:17:48.040
<v Speaker 1>Wow, he looks like hustling.

0:17:48.200 --> 0:17:49.040
<v Speaker 2>Nobody ever called on.

0:17:49.280 --> 0:17:51.320
<v Speaker 1>It was a beautiful time, no, I mean, but then

0:17:51.359 --> 0:17:53.440
<v Speaker 1>Boo just got too popular. Yeah yeah, you know, he

0:17:53.520 --> 0:17:57.760
<v Speaker 1>got big got we laugh about it today. It was

0:17:57.760 --> 0:18:00.000
<v Speaker 1>a one point was like, bro, why you tell everybody?

0:18:00.359 --> 0:18:01.920
<v Speaker 1>Everybody ask me about the shit? Why you got to

0:18:01.960 --> 0:18:04.480
<v Speaker 1>tell everybody said, relax, we had fun with it over,

0:18:04.560 --> 0:18:06.520
<v Speaker 1>you know. But he was he was like man, I

0:18:06.520 --> 0:18:07.960
<v Speaker 1>didn't want abody know that I was playing you.

0:18:08.520 --> 0:18:11.639
<v Speaker 2>Yo. Obviously your brother used to manage Kanye. Yeah, he

0:18:11.640 --> 0:18:13.399
<v Speaker 2>worked with Kanye very closely. What are your thoughts on

0:18:13.480 --> 0:18:16.120
<v Speaker 2>some of the new Kanye tweets that have been floating around.

0:18:17.880 --> 0:18:20.680
<v Speaker 1>Well, I mean, I mean, it's it's it's yes, yea yeah,

0:18:20.960 --> 0:18:23.000
<v Speaker 1>ye has his own specific I think he's in his

0:18:24.280 --> 0:18:26.840
<v Speaker 1>He's in his truth. He's in his truth right now. Yeah,

0:18:27.160 --> 0:18:28.639
<v Speaker 1>And I think his truth is rubbing a lot of

0:18:28.640 --> 0:18:30.400
<v Speaker 1>people a certain kind of way because they can kind

0:18:30.400 --> 0:18:32.760
<v Speaker 1>of remind I think his truth speaks to a lot

0:18:32.800 --> 0:18:33.520
<v Speaker 1>of people.

0:18:33.920 --> 0:18:36.879
<v Speaker 2>Right specifically, I'm talking about like, you know, the stuff

0:18:36.880 --> 0:18:38.479
<v Speaker 2>with his cousin, Like a lot of people went through that.

0:18:38.560 --> 0:18:41.920
<v Speaker 1>I mean, bro, it takes a lot to come out

0:18:42.040 --> 0:18:45.960
<v Speaker 1>and say, or admit for that matter, but just to

0:18:46.359 --> 0:18:49.840
<v Speaker 1>repent in a way to where you're not repenting to

0:18:51.240 --> 0:18:53.600
<v Speaker 1>the priests or the e mom.

0:18:53.440 --> 0:18:54.760
<v Speaker 2>You're repenting to the world.

0:18:54.840 --> 0:18:57.439
<v Speaker 1>You're repinning to the world. Like I think he's in

0:18:57.440 --> 0:19:01.159
<v Speaker 1>that space where I think he's kind kind of like

0:19:01.320 --> 0:19:03.000
<v Speaker 1>this is a space that no one could really understand

0:19:03.000 --> 0:19:04.320
<v Speaker 1>if you're not there, right, So I don't try to

0:19:04.359 --> 0:19:06.879
<v Speaker 1>explain what he's doing. I just try to explain it

0:19:06.920 --> 0:19:09.240
<v Speaker 1>from a perspective of how I understand it, and I

0:19:09.320 --> 0:19:11.679
<v Speaker 1>think he's in a spiritual space, from his understanding that

0:19:11.760 --> 0:19:14.920
<v Speaker 1>he needs to do these things and reveal his truth

0:19:14.960 --> 0:19:18.359
<v Speaker 1>to the world to reset you know what I'm saying,

0:19:18.359 --> 0:19:19.120
<v Speaker 1>If that makes sense.

0:19:19.440 --> 0:19:21.800
<v Speaker 2>Yeah, I feel like to like, you know, the thing

0:19:22.000 --> 0:19:24.120
<v Speaker 2>like him trying to get access to his kids he's got.

0:19:24.160 --> 0:19:26.480
<v Speaker 2>It's obviously hurting him, you know, Like I feel like

0:19:26.520 --> 0:19:28.320
<v Speaker 2>he's a guy who's going through a lot of a

0:19:28.359 --> 0:19:30.160
<v Speaker 2>lot of shit, and he's going through it in front

0:19:30.200 --> 0:19:31.000
<v Speaker 2>of our own eyes, you know.

0:19:31.080 --> 0:19:33.880
<v Speaker 1>Like, yeah, but I think the parenting part is something

0:19:33.880 --> 0:19:36.119
<v Speaker 1>that every man goes through, depending on how difficult the

0:19:36.160 --> 0:19:38.600
<v Speaker 1>woman chooses to be that you're with, Right, how.

0:19:38.480 --> 0:19:41.600
<v Speaker 2>Many kids you got? I got enough more than ten?

0:19:42.000 --> 0:19:44.000
<v Speaker 2>You know, don't speak about my kids.

0:19:44.520 --> 0:19:45.280
<v Speaker 1>Stop playing man.

0:19:45.320 --> 0:19:47.840
<v Speaker 2>You know this already going on.

0:19:48.200 --> 0:19:50.400
<v Speaker 1>No, No, Nick, Nick got about he got he got

0:19:50.600 --> 0:19:53.000
<v Speaker 1>a few more than me. Yeah, Nick's outside, No's he's

0:19:53.040 --> 0:19:53.520
<v Speaker 1>doing it right.

0:19:53.640 --> 0:19:56.600
<v Speaker 2>Yeah, I saw the new thing Trump's talking about doing

0:19:56.640 --> 0:19:59.840
<v Speaker 2>is giving five grand Trump's talk about giving five grand

0:19:59.840 --> 0:20:02.320
<v Speaker 2>to to women have babies to stop the birth rate

0:20:02.400 --> 0:20:05.200
<v Speaker 2>from going down. To Nick Cannon's gonna be out here.

0:20:05.600 --> 0:20:07.600
<v Speaker 1>But I don't think he's talking to minorities. He's talking

0:20:07.600 --> 0:20:09.480
<v Speaker 1>to white folks, you think so, Yeah, because the white

0:20:09.480 --> 0:20:12.120
<v Speaker 1>folks they're not they're not breeding enough. This is why

0:20:12.200 --> 0:20:15.120
<v Speaker 1>they're the white race is slowly diminishing. They're not having any.

0:20:15.119 --> 0:20:17.040
<v Speaker 2>Which obviously don't even feel like it's a bad thing.

0:20:17.080 --> 0:20:18.719
<v Speaker 2>I feel like we're all just kind of fucking each

0:20:18.720 --> 0:20:20.080
<v Speaker 2>other at this point. So who gives a fuck?

0:20:20.600 --> 0:20:22.720
<v Speaker 1>Yeah, I mean, the white folks don't fuck outside of

0:20:22.760 --> 0:20:23.080
<v Speaker 1>the race.

0:20:23.119 --> 0:20:24.560
<v Speaker 2>I got two Mexican babies.

0:20:25.600 --> 0:20:27.399
<v Speaker 1>No, but I I'm talking about in the South.

0:20:27.720 --> 0:20:29.840
<v Speaker 2>Oh yeah, in the South. I don't know. Man, You'll

0:20:29.880 --> 0:20:32.240
<v Speaker 2>see some of these young ladies, Like did you watch

0:20:32.320 --> 0:20:35.520
<v Speaker 2>Drew ski show on YouTube? Yeah, he had these two

0:20:35.600 --> 0:20:38.080
<v Speaker 2>like country ass white bitches who only fucked black dudes

0:20:38.080 --> 0:20:40.040
<v Speaker 2>on the show, and you could tell both of their

0:20:40.040 --> 0:20:45.680
<v Speaker 2>parents have said the herd are recently, it's almost like

0:20:45.720 --> 0:20:47.560
<v Speaker 2>the internet's gotten rid of like if you're like a

0:20:47.600 --> 0:20:52.359
<v Speaker 2>certain generation like of person, you're you're you're even if

0:20:52.400 --> 0:20:56.679
<v Speaker 2>your parents are like hardcore crazy racists, like you know,

0:20:57.760 --> 0:21:02.480
<v Speaker 2>your black culture is America like it is like all

0:21:02.480 --> 0:21:05.359
<v Speaker 2>of us. Yeah, but no, you're right, You're right, it is.

0:21:05.400 --> 0:21:06.679
<v Speaker 2>It is. I think it is a thing, like we

0:21:06.720 --> 0:21:07.880
<v Speaker 2>need more white babies out here.

0:21:08.600 --> 0:21:10.680
<v Speaker 1>They need to they definitely need to make more, you know, but.

0:21:10.800 --> 0:21:13.080
<v Speaker 2>Five thousand of pop. Like I wonder if I gave

0:21:13.080 --> 0:21:15.359
<v Speaker 2>my wife another one, you know, like it be half Mexican.

0:21:15.400 --> 0:21:20.040
<v Speaker 2>Do I get twenty five hundred half white, half Mexican?

0:21:20.400 --> 0:21:20.600
<v Speaker 3>Right?

0:21:20.800 --> 0:21:23.600
<v Speaker 1>Do you get half? That is an interesting question though.

0:21:23.920 --> 0:21:25.800
<v Speaker 1>I would actually ask as a trivia and see what happened.

0:21:25.840 --> 0:21:27.720
<v Speaker 2>Yeah, like what about a mixed race baby, you know

0:21:27.760 --> 0:21:29.840
<v Speaker 2>what I mean? Half the money at half, you know,

0:21:29.960 --> 0:21:32.600
<v Speaker 2>like you get at twenty five, I'll take the tax break.

0:21:35.400 --> 0:21:40.000
<v Speaker 2>Crazy times, man, this is crazy. I'm curious you obviously,

0:21:41.119 --> 0:21:43.639
<v Speaker 2>being from you're from and you having the reach you

0:21:43.680 --> 0:21:48.439
<v Speaker 2>have in Africa, what is your thought process on uh,

0:21:49.600 --> 0:21:53.200
<v Speaker 2>just all of this. You know, I feel like we've

0:21:53.240 --> 0:21:55.840
<v Speaker 2>gotten to the point where there was like a problem

0:21:55.880 --> 0:21:58.800
<v Speaker 2>with immigration where the border was wide open. So obviously

0:21:59.119 --> 0:22:01.600
<v Speaker 2>you know, yeah, short, like the border should be wide open.

0:22:01.600 --> 0:22:03.280
<v Speaker 2>Peoplehouldn't be able to just walk into the country. There

0:22:03.320 --> 0:22:04.200
<v Speaker 2>should be some sort of process.

0:22:04.359 --> 0:22:04.879
<v Speaker 1>Yeah, this should be.

0:22:05.000 --> 0:22:07.600
<v Speaker 2>Then the pendulum swings the opposite way, in which it's

0:22:07.680 --> 0:22:10.240
<v Speaker 2>like people are just like getting rounded up with no

0:22:10.359 --> 0:22:12.760
<v Speaker 2>due process. People are getting snatched up off the streets

0:22:12.800 --> 0:22:15.119
<v Speaker 2>because they're critical of Israel and then they're getting sent

0:22:15.160 --> 0:22:17.720
<v Speaker 2>to prisons. I just told you they're talking about building

0:22:17.920 --> 0:22:21.160
<v Speaker 2>a prison similar to Alsabado and Rwanda, which is it's

0:22:21.200 --> 0:22:24.160
<v Speaker 2>just a crazy time to be an immigrant in America.

0:22:24.359 --> 0:22:26.480
<v Speaker 1>Yeah, this is unbelievable, especially when you look at America

0:22:26.520 --> 0:22:28.399
<v Speaker 1>and America was built on immigrants.

0:22:28.400 --> 0:22:30.399
<v Speaker 2>Like while the Statue of Liberty is there.

0:22:30.400 --> 0:22:32.800
<v Speaker 1>I mean, everybody, believe it or not, everybody in America

0:22:32.880 --> 0:22:35.199
<v Speaker 1>is an immigrant because America, I.

0:22:35.160 --> 0:22:38.080
<v Speaker 2>Mean the Chinese built the railroads, you know.

0:22:38.119 --> 0:22:40.280
<v Speaker 1>Like I mean the Indians were here before whoever was

0:22:40.359 --> 0:22:43.520
<v Speaker 1>officially American claimed to be American to be here. So

0:22:43.560 --> 0:22:45.240
<v Speaker 1>we're all immigrants and when you look.

0:22:45.160 --> 0:22:46.800
<v Speaker 2>At it, it's just a scary time, man.

0:22:46.960 --> 0:22:49.080
<v Speaker 1>You know, it's so super scary man.

0:22:49.560 --> 0:22:51.840
<v Speaker 2>Yeah, I just feel like there's just like the empathy

0:22:51.920 --> 0:22:55.200
<v Speaker 2>is just and they doesn't exist. Yeah, it's gone. Man.

0:22:55.320 --> 0:22:57.960
<v Speaker 1>It's really all about the money and control and power,

0:22:58.560 --> 0:23:01.760
<v Speaker 1>like it gotten to the point where money was more

0:23:01.800 --> 0:23:02.879
<v Speaker 1>important than human life.

0:23:03.320 --> 0:23:03.560
<v Speaker 4>Yep.

0:23:04.040 --> 0:23:05.080
<v Speaker 1>That's when it gets scary.

0:23:05.840 --> 0:23:06.920
<v Speaker 4>That is when it gets scary.

0:23:07.119 --> 0:23:09.560
<v Speaker 2>Yeah, in Florida. They're I think they're bringing back child labor,

0:23:09.560 --> 0:23:10.479
<v Speaker 2>which is fucking nuts.

0:23:10.720 --> 0:23:13.360
<v Speaker 1>Child labor. Yeah you mean what.

0:23:13.560 --> 0:23:16.800
<v Speaker 2>Yeah, they got rid of the child labor restrictions in Florida.

0:23:16.880 --> 0:23:17.720
<v Speaker 1>What purpose with that?

0:23:17.760 --> 0:23:18.040
<v Speaker 3>What? Like?

0:23:18.080 --> 0:23:18.639
<v Speaker 1>What how does that?

0:23:18.680 --> 0:23:20.520
<v Speaker 2>Who's gonna pick the oranges? We're gonna have twelve year

0:23:20.520 --> 0:23:23.800
<v Speaker 2>olds out there picking fucking oranges, man, because all they're

0:23:23.840 --> 0:23:25.800
<v Speaker 2>deporting all the motherfuckers working in the Orange Viele.

0:23:25.840 --> 0:23:28.919
<v Speaker 1>Right, that's true. Yeah, So for all the deportees that

0:23:28.960 --> 0:23:31.840
<v Speaker 1>you're sending out, who's gonna replace those jobs? So now

0:23:31.880 --> 0:23:33.399
<v Speaker 1>we're going to the point now where we have to

0:23:33.480 --> 0:23:35.600
<v Speaker 1>violate kids to get that done. Like, that's crazy.

0:23:35.800 --> 0:23:37.160
<v Speaker 4>It's a wild, wild times man.

0:23:37.280 --> 0:23:40.600
<v Speaker 2>We're living in like a black Yeah, it's a black

0:23:40.600 --> 0:23:43.600
<v Speaker 2>mirror episode for sure. Yeah. It's like every time I

0:23:43.760 --> 0:23:45.960
<v Speaker 2>turn the TV, I'm like, what the fuck, don't let

0:23:45.960 --> 0:23:46.719
<v Speaker 2>me check my crypto?

0:23:46.800 --> 0:23:47.880
<v Speaker 4>My cryptos melted.

0:23:50.960 --> 0:23:53.800
<v Speaker 2>I'm looking at my Ethereum'm like, God, this motherfucker was

0:23:53.800 --> 0:23:55.360
<v Speaker 2>supposed to be the crypto president.

0:23:55.400 --> 0:23:56.240
<v Speaker 4>What the fuck.

0:23:56.800 --> 0:23:57.920
<v Speaker 2>You still have a lot of crypto?

0:23:58.320 --> 0:23:59.320
<v Speaker 1>Yes, still got a crypto?

0:23:59.480 --> 0:24:02.000
<v Speaker 2>What are your what are you a main holder of bitcoin?

0:24:02.400 --> 0:24:02.840
<v Speaker 1>Bitcoin?

0:24:02.960 --> 0:24:03.200
<v Speaker 4>Yeah?

0:24:03.240 --> 0:24:04.440
<v Speaker 2>Bitcoins can always be fine.

0:24:04.520 --> 0:24:06.920
<v Speaker 1>Yeah, that's it. Just focus on bitcoin, everything else going

0:24:07.000 --> 0:24:07.360
<v Speaker 1>up and down.

0:24:07.400 --> 0:24:10.120
<v Speaker 2>Bitcoin on state where it's at, and concoins to God

0:24:10.160 --> 0:24:12.560
<v Speaker 2>for good God for coins still floating around.

0:24:12.640 --> 0:24:13.800
<v Speaker 1>No, I don't even talk about my queen.

0:24:13.840 --> 0:24:16.920
<v Speaker 2>In October, we got an update on my coin is over.

0:24:17.040 --> 0:24:18.720
<v Speaker 2>I saw you in October. What's the update on the

0:24:18.720 --> 0:24:21.240
<v Speaker 2>city and that's some process that's still happening.

0:24:21.320 --> 0:24:22.280
<v Speaker 1>Yes, that's in process.

0:24:22.680 --> 0:24:24.439
<v Speaker 2>Is it hard for you to like because you know,

0:24:24.480 --> 0:24:26.280
<v Speaker 2>there's a lot of people who like say that, Like

0:24:26.920 --> 0:24:29.439
<v Speaker 2>if you watch there's like many YouTube documentaries about your

0:24:29.440 --> 0:24:31.960
<v Speaker 2>city and how it's like a big scam? Is it?

0:24:32.000 --> 0:24:33.359
<v Speaker 2>Do you care about the naysayers?

0:24:33.480 --> 0:24:33.560
<v Speaker 5>No?

0:24:33.680 --> 0:24:34.320
<v Speaker 2>I know the truth.

0:24:34.560 --> 0:24:36.440
<v Speaker 1>I don't care about that because in the end, when

0:24:36.440 --> 0:24:38.760
<v Speaker 1>the city's actually up, they're gonna feel like assholes.

0:24:38.880 --> 0:24:39.120
<v Speaker 4>Yeah.

0:24:39.840 --> 0:24:41.160
<v Speaker 1>Is it different if it wasn't happening.

0:24:41.240 --> 0:24:43.640
<v Speaker 2>What has been the most difficult part of that project?

0:24:43.680 --> 0:24:45.600
<v Speaker 2>Because it is a big thing to take on.

0:24:45.720 --> 0:24:47.760
<v Speaker 1>The biggest I think the most difficult part was fighting

0:24:47.760 --> 0:24:51.400
<v Speaker 1>the opposition, realizing how much interest that other governments had

0:24:51.440 --> 0:24:54.160
<v Speaker 1>in Africa, specifically in that area, and why they would

0:24:54.200 --> 0:24:56.840
<v Speaker 1>want to tear my project down. And that was a

0:24:56.880 --> 0:24:59.080
<v Speaker 1>big because I thought I was doing something to help,

0:24:59.320 --> 0:25:01.320
<v Speaker 1>but I didn't realize as much as I'm helping the people,

0:25:02.520 --> 0:25:06.520
<v Speaker 1>it's about the resources exactly. The oligarts that control with

0:25:06.600 --> 0:25:09.479
<v Speaker 1>certain areas, they feel like I'm going to interrupt what

0:25:09.520 --> 0:25:11.800
<v Speaker 1>they're doing over there as far as just robbing people.

0:25:11.840 --> 0:25:15.120
<v Speaker 2>So like in that area, what would be like an

0:25:15.119 --> 0:25:18.480
<v Speaker 2>oligarchic or a foreign government's interest in that area? Is

0:25:18.480 --> 0:25:19.240
<v Speaker 2>it resources?

0:25:19.359 --> 0:25:19.600
<v Speaker 4>Is it?

0:25:20.119 --> 0:25:22.760
<v Speaker 1>Yes, it's about resources control, Like that area is a

0:25:22.840 --> 0:25:25.439
<v Speaker 1>huge area for future developments and where they want to

0:25:25.800 --> 0:25:27.920
<v Speaker 1>build the new ports and stuff like that.

0:25:28.080 --> 0:25:30.480
<v Speaker 2>I feel like too, like they want to keep these

0:25:30.520 --> 0:25:31.760
<v Speaker 2>countries as poor as possible.

0:25:31.760 --> 0:25:33.520
<v Speaker 1>That's exactly what happens, So that's.

0:25:33.320 --> 0:25:35.400
<v Speaker 2>What they want, Like the goal is to keep everybody

0:25:35.400 --> 0:25:37.159
<v Speaker 2>in poverty over there, so they get what they want.

0:25:37.200 --> 0:25:39.439
<v Speaker 2>They can take advantage of a hundred of the minds.

0:25:39.440 --> 0:25:43.160
<v Speaker 2>They could take everything else because if everybody wakes up

0:25:43.240 --> 0:25:45.000
<v Speaker 2>or not necessarily wakes up, because I think people are

0:25:45.080 --> 0:25:49.080
<v Speaker 2>very like self aware. But if if it flit, an

0:25:49.080 --> 0:25:53.359
<v Speaker 2>alternative universe is created, an alternative path, right, then you

0:25:53.400 --> 0:25:54.640
<v Speaker 2>can't take advantage of You.

0:25:54.560 --> 0:25:57.720
<v Speaker 1>Can't take advantage you know, because when people are actually thriving,

0:25:58.119 --> 0:25:59.840
<v Speaker 1>they're not going to make starving decisions.

0:26:00.200 --> 0:26:02.280
<v Speaker 2>Yeah. Like if you think about some of these like

0:26:02.560 --> 0:26:06.120
<v Speaker 2>minds in Congo, they're like it's like literally modern day

0:26:06.119 --> 0:26:08.720
<v Speaker 2>slave ye, and like all of our phones are fueling

0:26:08.800 --> 0:26:09.360
<v Speaker 2>this trade.

0:26:09.440 --> 0:26:12.919
<v Speaker 4>You know, our tesla is are fucking yep. Yeah, it's crazy.

0:26:13.000 --> 0:26:13.960
<v Speaker 1>It's crazy, bro.

0:26:14.160 --> 0:26:17.040
<v Speaker 2>It's definitely like I think, I think the last few

0:26:17.119 --> 0:26:20.520
<v Speaker 2>years what I've at least you know, sometimes the Internet

0:26:20.600 --> 0:26:21.280
<v Speaker 2>is a good and a bad thing.

0:26:22.440 --> 0:26:22.560
<v Speaker 5>Uh.

0:26:23.359 --> 0:26:24.960
<v Speaker 2>There's a lot of brain rotten, crazy shit on the

0:26:25.000 --> 0:26:28.359
<v Speaker 2>Internet that fucks up our kids and you know, lowers

0:26:28.359 --> 0:26:31.000
<v Speaker 2>our society. But the good thing about the Internet is

0:26:31.040 --> 0:26:34.080
<v Speaker 2>that there has been we got to see people are

0:26:34.119 --> 0:26:37.640
<v Speaker 2>able to see what's going on in Gaza, right a transparency. Yeah,

0:26:37.720 --> 0:26:40.040
<v Speaker 2>people are able to see some of these videos from

0:26:40.040 --> 0:26:41.680
<v Speaker 2>some of these minds in the Congo where you're like,

0:26:41.720 --> 0:26:44.440
<v Speaker 2>wait a minute, there's like a lady with three kids

0:26:44.440 --> 0:26:48.120
<v Speaker 2>on her back while she's working you know, eighteen hour days, Like, yeah,

0:26:48.119 --> 0:26:48.880
<v Speaker 2>this is insane.

0:26:49.000 --> 0:26:52.160
<v Speaker 1>It really exposes the mistreatment of human beings for sure.

0:26:52.240 --> 0:26:54.280
<v Speaker 2>Yeah, it's like a good and it's like there's a

0:26:54.280 --> 0:26:56.320
<v Speaker 2>gift of the curse. Yeah, the gift and the curse

0:26:56.600 --> 0:26:59.960
<v Speaker 2>for sure, Yo is there is there a new or

0:27:00.160 --> 0:27:02.280
<v Speaker 2>artists that you're a fan of that you would like

0:27:02.320 --> 0:27:04.199
<v Speaker 2>to work with that you're just you've been paying attention to.

0:27:04.560 --> 0:27:09.200
<v Speaker 1>I've kindly, I've worked with man. I don't know if

0:27:09.240 --> 0:27:11.879
<v Speaker 1>there's one artist specific though, that I said to myself,

0:27:12.640 --> 0:27:15.399
<v Speaker 1>this kid got something crazy and I would definitely be

0:27:15.440 --> 0:27:16.960
<v Speaker 1>an honor to work with him. And that's Friday.

0:27:17.320 --> 0:27:18.159
<v Speaker 2>Friday's fire.

0:27:18.440 --> 0:27:21.159
<v Speaker 1>I love Friday. I think out of all the newest

0:27:21.240 --> 0:27:23.919
<v Speaker 1>artists that I've seen so far, he's the one that

0:27:24.000 --> 0:27:26.639
<v Speaker 1>I would say, Okay, I can count him in to

0:27:26.680 --> 0:27:27.720
<v Speaker 1>be around for a little while.

0:27:28.119 --> 0:27:30.359
<v Speaker 2>Yeah, he's got in the same way you do. That

0:27:30.440 --> 0:27:33.480
<v Speaker 2>kid's special, a very unique tone and voice. Yes, because

0:27:33.840 --> 0:27:35.560
<v Speaker 2>a lot at the end of the day with auto tune,

0:27:35.600 --> 0:27:37.320
<v Speaker 2>like so many people kind of sound like similar, but

0:27:37.400 --> 0:27:38.520
<v Speaker 2>Friday's voice.

0:27:38.359 --> 0:27:40.840
<v Speaker 1>Yeah, he's different. Yeah, he's different.

0:27:40.920 --> 0:27:41.760
<v Speaker 4>Yeah for sure.

0:27:42.640 --> 0:27:43.480
<v Speaker 2>Have you reached out at all?

0:27:43.760 --> 0:27:45.400
<v Speaker 1>Yeah, we spoke, Yeah, we reached out.

0:27:45.520 --> 0:27:47.560
<v Speaker 2>That would be hard, Yeah, Yeah, you got so much

0:27:47.600 --> 0:27:49.800
<v Speaker 2>going on in country album, hopefully a Tea Paint album.

0:27:49.880 --> 0:27:51.040
<v Speaker 2>You and T Paint got to make that happen.

0:27:51.040 --> 0:27:54.159
<v Speaker 1>Oh no, it's one hundred percent coming. You know, you'll

0:27:54.160 --> 0:27:55.200
<v Speaker 1>be the first I now sent on you.

0:27:56.240 --> 0:27:57.040
<v Speaker 4>That's big for the court.

0:27:58.680 --> 0:28:00.000
<v Speaker 2>Speaking of super Bow, would you think of super Bow

0:28:00.040 --> 0:28:01.440
<v Speaker 2>have time show with Kendrick? I thought it was I

0:28:01.440 --> 0:28:01.960
<v Speaker 2>thought it was a.

0:28:01.880 --> 0:28:03.840
<v Speaker 1>Piece of art. Man to me, I loved it. I

0:28:03.880 --> 0:28:06.080
<v Speaker 1>loved it. I loved the way Kendrick, you know, put

0:28:06.119 --> 0:28:08.520
<v Speaker 1>it together. I love the simpleness of it and the

0:28:08.600 --> 0:28:12.080
<v Speaker 1>dynamics of those little you know, uh you can say

0:28:12.119 --> 0:28:13.360
<v Speaker 1>eight coins that they put.

0:28:13.200 --> 0:28:15.159
<v Speaker 2>In there, ye a little like Yeah, there was like

0:28:15.359 --> 0:28:16.080
<v Speaker 2>very you know what I mean.

0:28:16.200 --> 0:28:18.119
<v Speaker 1>I love there was a piece of art, especially for

0:28:18.200 --> 0:28:21.000
<v Speaker 1>what Kendrick does and how it was wrapped around his truth.

0:28:21.040 --> 0:28:22.639
<v Speaker 1>I think it made all the sense in the world,

0:28:22.680 --> 0:28:23.240
<v Speaker 1>to be honest.

0:28:23.440 --> 0:28:24.960
<v Speaker 2>Yeah, I saw people complaining he didn't do some of

0:28:25.000 --> 0:28:26.680
<v Speaker 2>his bigger songs. I'm like, it wasn't about that. It

0:28:27.000 --> 0:28:29.320
<v Speaker 2>was it was about presenting a piece of art.

0:28:29.520 --> 0:28:32.080
<v Speaker 1>Absolutely. It was not about the songs, because the songs

0:28:32.280 --> 0:28:34.479
<v Speaker 1>you can play right after super Bowl, but it's like,

0:28:34.520 --> 0:28:36.760
<v Speaker 1>what what is the message? And I think people forget that.

0:28:37.400 --> 0:28:39.720
<v Speaker 2>Yeah, crazy to think like the stadium like he's doing

0:28:39.760 --> 0:28:44.560
<v Speaker 2>stadiums with Sizza and I mean Kendrick for for better

0:28:44.640 --> 0:28:46.640
<v Speaker 2>or worse, like the whole entire like obviously the beef

0:28:46.680 --> 0:28:50.000
<v Speaker 2>to me was great for hip hop. I mean shit,

0:28:50.120 --> 0:28:53.640
<v Speaker 2>Drake's doing fine. No Kiy is on fire, but it's

0:28:53.640 --> 0:28:55.720
<v Speaker 2>been dope to see, Like, damn, there's a hip hop

0:28:55.800 --> 0:28:59.320
<v Speaker 2>artist doing stadiums right Like, that's crazy. Chris Brown is

0:28:59.320 --> 0:29:01.200
<v Speaker 2>doing stadiums right now. Shots to Chris Breeze, he celebrate

0:29:01.240 --> 0:29:01.800
<v Speaker 2>twenty years.

0:29:02.000 --> 0:29:03.720
<v Speaker 1>Chris, Chris definitely deserves it.

0:29:04.240 --> 0:29:08.520
<v Speaker 2>I tell people, Chris Brown is our Michael Jackson, Like,

0:29:08.760 --> 0:29:10.960
<v Speaker 2>without a question. I think he's one of the most

0:29:10.960 --> 0:29:12.800
<v Speaker 2>talented human beings ever walked the face of there.

0:29:12.840 --> 0:29:13.680
<v Speaker 1>I promise you he is.

0:29:14.400 --> 0:29:17.720
<v Speaker 2>And when it comes to longevity, when it comes to

0:29:18.200 --> 0:29:23.480
<v Speaker 2>talent and just music records, he's our MJ without a question.

0:29:23.520 --> 0:29:27.240
<v Speaker 2>And it sucks because it's like one mistake always like well,

0:29:27.360 --> 0:29:29.560
<v Speaker 2>like it kind of prevents people like to acknowledge that.

0:29:29.600 --> 0:29:31.160
<v Speaker 2>But stop playing with.

0:29:31.200 --> 0:29:33.160
<v Speaker 1>Chris Brown, can't You can't man that, boys.

0:29:32.920 --> 0:29:34.680
<v Speaker 2>This guy's one of the greatest of all time. He's

0:29:34.720 --> 0:29:37.880
<v Speaker 2>on one of the greatest. Shout to Chris Breezy, man

0:29:38.000 --> 0:29:40.480
<v Speaker 2>big shots. Yeah, I gotta get to that that stadium show.

0:29:40.480 --> 0:29:44.640
<v Speaker 2>I think it's like him, Bryce and Tiller and Summer Walker. Yeah,

0:29:44.760 --> 0:29:47.200
<v Speaker 2>something like that, right, yeah, it should be dope. Uh,

0:29:47.520 --> 0:29:49.040
<v Speaker 2>any other investments you got work? I know, the last

0:29:49.040 --> 0:29:50.640
<v Speaker 2>time you're here talked about the Godfather's feech. So you're

0:29:50.640 --> 0:29:51.840
<v Speaker 2>working on anything else you got cooking?

0:29:52.080 --> 0:29:53.480
<v Speaker 1>Yeah, I mean right now, you know, we've got the

0:29:53.480 --> 0:29:56.000
<v Speaker 1>new album coming out, Not Guilty, that I'm really really

0:29:56.000 --> 0:29:56.560
<v Speaker 1>excited about.

0:29:56.720 --> 0:29:57.760
<v Speaker 2>Not Guilty. That's a great name.

0:29:57.840 --> 0:29:58.760
<v Speaker 1>Yeah, it's gonna be nice.

0:29:58.880 --> 0:30:01.360
<v Speaker 2>Yeah, I can't wait to hear that. And then this

0:30:01.440 --> 0:30:02.240
<v Speaker 2>jelly roll song.

0:30:05.800 --> 0:30:07.560
<v Speaker 1>That man right there put that together. If you hear

0:30:07.600 --> 0:30:09.280
<v Speaker 1>it is because it gave me the idea.

0:30:09.520 --> 0:30:12.040
<v Speaker 2>There it is. It is so Not Guilty. You're wrapping

0:30:12.040 --> 0:30:12.360
<v Speaker 2>that up.

0:30:12.560 --> 0:30:14.640
<v Speaker 1>Yeah, I'm wrapping that up currently now. Never really matter

0:30:14.640 --> 0:30:16.160
<v Speaker 1>at the first single that, I mean, second single that

0:30:16.200 --> 0:30:18.480
<v Speaker 1>dropped off of it, we just dropped last week, is

0:30:18.520 --> 0:30:19.400
<v Speaker 1>doing really really well.

0:30:19.440 --> 0:30:21.880
<v Speaker 2>And so it's crazy too because the first single, Beautiful Day,

0:30:22.000 --> 0:30:22.920
<v Speaker 2>is like an older.

0:30:22.640 --> 0:30:25.480
<v Speaker 1>Song, Yeah, that like leaked. I had leaked and ended

0:30:25.560 --> 0:30:27.280
<v Speaker 1>up ended up redoing it just to put it back

0:30:27.280 --> 0:30:28.080
<v Speaker 1>out of the marketplace.

0:30:28.120 --> 0:30:30.160
<v Speaker 2>And then this newer record is a new record.

0:30:30.160 --> 0:30:31.880
<v Speaker 1>It's a brand new record. Its featured Sime as a

0:30:31.920 --> 0:30:33.760
<v Speaker 1>new girl group that I'm about to present and I'm

0:30:33.840 --> 0:30:36.080
<v Speaker 1>introducing them to the world on this record. That's the

0:30:36.120 --> 0:30:36.960
<v Speaker 1>ones on the choruses.

0:30:37.080 --> 0:30:37.520
<v Speaker 2>That's dope.

0:30:37.600 --> 0:30:38.400
<v Speaker 1>Yeah, they're killing it.

0:30:38.680 --> 0:30:39.840
<v Speaker 2>You're still actively with.

0:30:41.680 --> 0:30:43.840
<v Speaker 1>Oh yeah, Now now I'm signing artists like it and

0:30:43.960 --> 0:30:47.880
<v Speaker 1>know tomorrow. Yeah, we're going super stupid. I'm signing artists producers.

0:30:48.360 --> 0:30:50.320
<v Speaker 1>We just picked up press Play, who's one of the

0:30:50.440 --> 0:30:52.680
<v Speaker 1>lead producers that we just picked up recently Monster.

0:30:53.320 --> 0:30:56.080
<v Speaker 2>So yeah, I mean you're one of the most prolific

0:30:56.320 --> 0:30:58.200
<v Speaker 2>CEOs ever if you think about all the people who

0:30:58.240 --> 0:30:58.960
<v Speaker 2>came through your label.

0:30:58.960 --> 0:31:00.800
<v Speaker 1>Man, Man, we just I'm just happy to be a

0:31:00.840 --> 0:31:03.920
<v Speaker 1>part of, you know, being a contribution to the culture. Man,

0:31:03.960 --> 0:31:05.440
<v Speaker 1>that's I'm happy enough for that for sure.

0:31:05.800 --> 0:31:08.480
<v Speaker 2>How many Lady Got albums came out through Convict.

0:31:08.960 --> 0:31:13.320
<v Speaker 1>The first it was the first, It was the first two,

0:31:14.880 --> 0:31:18.040
<v Speaker 1>the first the first two was mine, and then I

0:31:18.080 --> 0:31:20.400
<v Speaker 1>was in collaboration with the third one, and then I

0:31:20.480 --> 0:31:22.200
<v Speaker 1>was out by the time the next ones came out.

0:31:22.280 --> 0:31:25.120
<v Speaker 4>Wow. Yeah, those checks still coming in.

0:31:26.160 --> 0:31:28.040
<v Speaker 1>Yeah, it's still working. Yeah, he's still working.

0:31:28.160 --> 0:31:30.280
<v Speaker 2>Still feeding you got like poker Face was like on

0:31:30.320 --> 0:31:30.840
<v Speaker 2>the first album.

0:31:30.880 --> 0:31:32.160
<v Speaker 1>Yeah, that was the first album. The first album was

0:31:32.160 --> 0:31:34.840
<v Speaker 1>the biggest album. Yeah, that was the one that gave

0:31:34.840 --> 0:31:36.800
<v Speaker 1>her all the accolades.

0:31:37.560 --> 0:31:40.320
<v Speaker 2>It's crazy too, because like the dynamic between like a

0:31:40.320 --> 0:31:42.800
<v Speaker 2>song like just dance her first song You're on, and

0:31:42.840 --> 0:31:44.600
<v Speaker 2>then drast forward to like some of her other ships,

0:31:44.600 --> 0:31:47.360
<v Speaker 2>like yeah, this girl so just an alien man shot her?

0:31:47.480 --> 0:31:49.520
<v Speaker 1>Yeah, yeah, she's she's one of She's brilliant. Man.

0:31:49.520 --> 0:31:50.880
<v Speaker 2>When was that time you guys have talked to her

0:31:50.920 --> 0:31:51.440
<v Speaker 2>ran into her?

0:31:51.600 --> 0:31:54.040
<v Speaker 1>That's about it's about probably been about I would say

0:31:54.040 --> 0:31:56.440
<v Speaker 1>part of a year. Yeah, I think it's part of years.

0:31:56.480 --> 0:31:58.000
<v Speaker 1>I think it was one of her shows. I went

0:31:58.040 --> 0:32:01.240
<v Speaker 1>and saw her backstage, said, hello, a brief it's been

0:32:01.280 --> 0:32:01.800
<v Speaker 1>about a year.

0:32:01.840 --> 0:32:03.520
<v Speaker 2>Was there any what was it? What was it about

0:32:03.560 --> 0:32:05.920
<v Speaker 2>her that you heard or saw that you were like,

0:32:06.560 --> 0:32:08.120
<v Speaker 2>we got to figure this out.

0:32:08.640 --> 0:32:09.320
<v Speaker 4>I can help you out.

0:32:09.360 --> 0:32:11.040
<v Speaker 1>I don't see how anybody could have seen her and

0:32:11.080 --> 0:32:13.640
<v Speaker 1>not see it, Like she was a star off the gate,

0:32:14.440 --> 0:32:16.640
<v Speaker 1>and then her talent as a songwriter, as a performer,

0:32:17.240 --> 0:32:20.120
<v Speaker 1>and then she had her own style, like nobody looked

0:32:20.240 --> 0:32:22.720
<v Speaker 1>like her, and she was so fearless, like willing to

0:32:22.760 --> 0:32:25.200
<v Speaker 1>do things that no other artists would do. But most importantly,

0:32:25.280 --> 0:32:29.000
<v Speaker 1>she had such a hard working like she's she's like

0:32:29.960 --> 0:32:33.520
<v Speaker 1>she's a I mean her, her work ethic was just unmatchable.

0:32:34.000 --> 0:32:35.440
<v Speaker 1>She kept up with me, and that's when I knew

0:32:35.440 --> 0:32:36.000
<v Speaker 1>she could work.

0:32:36.160 --> 0:32:37.400
<v Speaker 4>Yeah, I can only imagine.

0:32:37.400 --> 0:32:39.000
<v Speaker 2>Was there ever an artist that was close to signing

0:32:39.040 --> 0:32:41.080
<v Speaker 2>a convict that for whatever reason you missed out on

0:32:41.320 --> 0:32:42.200
<v Speaker 2>or just didn't work out.

0:32:42.720 --> 0:32:44.520
<v Speaker 1>Oh, it's just a lot of I will be here

0:32:44.520 --> 0:32:45.160
<v Speaker 1>all day.

0:32:45.360 --> 0:32:45.880
<v Speaker 2>Give me one.

0:32:46.040 --> 0:32:47.000
<v Speaker 1>I will be here all day.

0:32:48.080 --> 0:32:48.840
<v Speaker 4>Can you give me one?

0:32:49.040 --> 0:32:50.840
<v Speaker 1>Yeah? But they too popular now and I don't want

0:32:50.840 --> 0:32:53.360
<v Speaker 1>to take that glory away from them. I had a

0:32:53.440 --> 0:32:55.760
<v Speaker 1>chance to sign the first What about someone who wasn't popular,

0:32:57.680 --> 0:32:59.000
<v Speaker 1>who wasn't popular.

0:33:00.120 --> 0:33:00.520
<v Speaker 2>Work out?

0:33:00.840 --> 0:33:03.400
<v Speaker 1>Because you've had, like, well, the one, the one, the

0:33:03.480 --> 0:33:06.200
<v Speaker 1>one that I did I think was going to be

0:33:06.360 --> 0:33:10.480
<v Speaker 1>really really big that I till this day believe it

0:33:10.520 --> 0:33:12.600
<v Speaker 1>could have been. I just don't know. What didn't click

0:33:12.680 --> 0:33:13.360
<v Speaker 1>was Red Cafe.

0:33:13.880 --> 0:33:15.400
<v Speaker 2>I was about to say, you had Red Cafe.

0:33:15.600 --> 0:33:16.960
<v Speaker 1>He was the one that I just knew was gonna

0:33:16.960 --> 0:33:17.240
<v Speaker 1>be bigger.

0:33:17.440 --> 0:33:20.920
<v Speaker 2>And Red Cafe ended up signing with everybody. Yeah, he

0:33:21.000 --> 0:33:22.400
<v Speaker 2>ended up. I think he was with cash money for

0:33:22.400 --> 0:33:23.520
<v Speaker 2>a little bit, right he left.

0:33:23.400 --> 0:33:26.240
<v Speaker 1>You after what happened was when he was with me.

0:33:26.960 --> 0:33:30.360
<v Speaker 1>I ended up doing the joint venture with Diddy with him,

0:33:30.720 --> 0:33:33.080
<v Speaker 1>so then it was me and Diddy. Haven't read. And

0:33:33.080 --> 0:33:35.440
<v Speaker 1>then after he left that situation, he went on to

0:33:35.640 --> 0:33:36.280
<v Speaker 1>do other things.

0:33:36.320 --> 0:33:37.600
<v Speaker 2>But very talented guy.

0:33:37.720 --> 0:33:40.840
<v Speaker 1>No, oh my god, Red, it is so fucking dope. Yeah,

0:33:41.880 --> 0:33:43.520
<v Speaker 1>he was so dope. But I think at that time

0:33:43.560 --> 0:33:46.280
<v Speaker 1>he was young, he didn't really have the patience that

0:33:46.360 --> 0:33:50.120
<v Speaker 1>it took to develop him globally because he wanted and

0:33:50.160 --> 0:33:52.000
<v Speaker 1>he all he cared about at that time was New York.

0:33:52.040 --> 0:33:53.840
<v Speaker 1>He's wanted New York to love him.

0:33:53.880 --> 0:33:57.360
<v Speaker 2>And you know who figured that out quickly was Floder. Yeah,

0:33:57.400 --> 0:34:00.240
<v Speaker 2>because floor Rider was like an underground Florida rapperd that

0:34:00.240 --> 0:34:02.920
<v Speaker 2>Birthday song. And then as soon as he figured out

0:34:03.680 --> 0:34:06.200
<v Speaker 2>that global ship, he hit the switch and turned it,

0:34:07.000 --> 0:34:08.360
<v Speaker 2>you know the black pit Bull.

0:34:11.920 --> 0:34:13.200
<v Speaker 1>Flow figured it out real quick.

0:34:13.200 --> 0:34:15.440
<v Speaker 2>Well, he figured that ship he's gonna eat forever.

0:34:15.560 --> 0:34:17.680
<v Speaker 1>Yeah, Flow figured that out real quick. I was actually

0:34:17.680 --> 0:34:20.080
<v Speaker 1>the first one to take him international and open that

0:34:20.280 --> 0:34:22.680
<v Speaker 1>open his eyes up to what that was. And interesting enough,

0:34:22.800 --> 0:34:24.719
<v Speaker 1>I was the first to take pit Bull international two.

0:34:25.400 --> 0:34:26.839
<v Speaker 1>That's why it's my brother till this.

0:34:26.880 --> 0:34:28.840
<v Speaker 4>Day, pit Bull man Il Pitt.

0:34:29.040 --> 0:34:32.080
<v Speaker 1>What he's done with his career man unbelievable.

0:34:32.239 --> 0:34:35.000
<v Speaker 2>The greatest person to ever pull up No one's ever

0:34:35.000 --> 0:34:39.560
<v Speaker 2>pulled off the white pants like him. He got that

0:34:39.640 --> 0:34:40.400
<v Speaker 2>white pants.

0:34:40.200 --> 0:34:42.359
<v Speaker 1>On Lone Pitt. That's that Cuban saying.

0:34:42.360 --> 0:34:45.000
<v Speaker 2>Speaking of guys who could do Super Bowls, Yeah, this

0:34:45.080 --> 0:34:46.880
<v Speaker 2>guy's just got two hours straight ahead rack.

0:34:46.920 --> 0:34:48.440
<v Speaker 1>He's another one that could do Super Bowl easy.

0:34:48.520 --> 0:34:49.960
<v Speaker 4>Yeah, shout out to pit bull Man.

0:34:50.160 --> 0:34:51.680
<v Speaker 2>And then you worked with wiz Kid a little bit

0:34:51.680 --> 0:34:52.040
<v Speaker 2>early on.

0:34:52.080 --> 0:34:54.080
<v Speaker 1>Ye whiz was my first afrobeat artist and I signed

0:34:54.120 --> 0:34:54.960
<v Speaker 1>back in two thousand and eight.

0:34:55.280 --> 0:34:56.799
<v Speaker 2>Yeah, damn two thousand and eight.

0:34:56.880 --> 0:34:59.680
<v Speaker 1>Yeah, we actually developed the whole afrobeat saying, that's crazy

0:34:59.680 --> 0:35:00.840
<v Speaker 1>sound seen everything.

0:35:01.040 --> 0:35:02.960
<v Speaker 2>It's got to be cool to kind of see it

0:35:03.080 --> 0:35:04.200
<v Speaker 2>grow into like this global.

0:35:04.400 --> 0:35:06.840
<v Speaker 1>Yeah, No, it's amazing, but I mean it was Excuse me,

0:35:06.920 --> 0:35:08.759
<v Speaker 1>it was hard work though, trying to get just the

0:35:09.120 --> 0:35:11.080
<v Speaker 1>US labels to even understand what it was because at

0:35:11.120 --> 0:35:13.440
<v Speaker 1>the time they thought it was reggae, right, So as

0:35:13.440 --> 0:35:16.680
<v Speaker 1>I'm shopping him, shopping, David Ough, shopping all these artists

0:35:16.680 --> 0:35:17.920
<v Speaker 1>I had Peace Square at the time that I was

0:35:17.960 --> 0:35:20.080
<v Speaker 1>also trying to shop on the side, it was like

0:35:20.080 --> 0:35:21.400
<v Speaker 1>they didn't understand what it was.

0:35:21.960 --> 0:35:24.640
<v Speaker 2>Have you ever connected with David Oh's dad. Uh Yeah,

0:35:24.680 --> 0:35:26.840
<v Speaker 2>because his dad is his dad is very very wealthy.

0:35:26.880 --> 0:35:28.759
<v Speaker 2>He's in the oil and gas. Yeah, him and I

0:35:28.760 --> 0:35:32.919
<v Speaker 2>were talking. His dad has helped with I think he's

0:35:32.960 --> 0:35:35.719
<v Speaker 2>providing like fifteen percent of the electricity in Nigeria.

0:35:35.920 --> 0:35:37.320
<v Speaker 1>He's a big dog over.

0:35:37.200 --> 0:35:39.200
<v Speaker 2>There, big dog, big dog. I feel like, if you're

0:35:39.200 --> 0:35:40.840
<v Speaker 2>going to create a city, you got to tap in

0:35:40.880 --> 0:35:41.959
<v Speaker 2>with David Oh's dad a little.

0:35:42.040 --> 0:35:44.120
<v Speaker 1>In Nigeria. You can't move it out talking to David

0:35:44.120 --> 0:35:46.160
<v Speaker 1>Thoh's dad, I mean, I wouldn't. You wouldn't be smart

0:35:46.160 --> 0:35:48.960
<v Speaker 1>if you try to go around right. And he's not

0:35:49.000 --> 0:35:52.040
<v Speaker 1>as he's a good man, but he believes in the youth.

0:35:52.719 --> 0:35:55.000
<v Speaker 1>Like if he sees something that's worth investing in, he

0:35:55.040 --> 0:35:55.920
<v Speaker 1>will definitely invest.

0:35:56.200 --> 0:35:58.759
<v Speaker 2>I love that. Yeah, it's been dope to just see, like,

0:35:58.760 --> 0:36:00.680
<v Speaker 2>like you said, a lot of people you know. So

0:36:01.000 --> 0:36:03.120
<v Speaker 2>I think back to the dance hall ship where there

0:36:03.200 --> 0:36:05.799
<v Speaker 2>was that wave where Sean Paul broke through and it

0:36:05.800 --> 0:36:07.719
<v Speaker 2>became like pop, but it was dance hall. It was

0:36:07.800 --> 0:36:10.680
<v Speaker 2>dance hall, right, and it's like now with like Afrobeat.

0:36:10.600 --> 0:36:11.839
<v Speaker 1>Took that, but they just burn.

0:36:11.880 --> 0:36:14.239
<v Speaker 2>A boy has broken through on broken level. Whiz Kid

0:36:14.280 --> 0:36:15.960
<v Speaker 2>has broken through on that level, and it's like and

0:36:16.000 --> 0:36:18.759
<v Speaker 2>then there's been like specific records, rama and you know,

0:36:18.800 --> 0:36:20.480
<v Speaker 2>certain things like that, but it's been dope to see

0:36:20.520 --> 0:36:23.640
<v Speaker 2>for sure. Absolutely, man, Yeah, it's it's it's not like

0:36:23.640 --> 0:36:24.920
<v Speaker 2>a new genre either, like no.

0:36:24.760 --> 0:36:27.280
<v Speaker 1>No, it's been Yeah, it's it's been around for a minute.

0:36:27.760 --> 0:36:32.640
<v Speaker 2>What has been your coolest live performance moment where you

0:36:32.680 --> 0:36:34.759
<v Speaker 2>were just like this is crazy. There's amount of like

0:36:34.800 --> 0:36:36.480
<v Speaker 2>whether it's the amount of people, whether it was maybe who

0:36:36.520 --> 0:36:39.200
<v Speaker 2>was in the crowd, like you're your craziest show.

0:36:39.960 --> 0:36:42.760
<v Speaker 1>My craziest shows. I would definitely say it was in Africa.

0:36:44.200 --> 0:36:50.279
<v Speaker 1>It's like I don't even know how to start to

0:36:50.440 --> 0:36:53.640
<v Speaker 1>explain it, Like right, it's it's it's a different type

0:36:53.680 --> 0:36:56.560
<v Speaker 1>of mania over there. And I feel like a rock

0:36:56.600 --> 0:36:58.680
<v Speaker 1>and roll star when I'm on that side because I

0:36:58.680 --> 0:37:00.480
<v Speaker 1>can jump off the top speaker into the crowd to

0:37:00.480 --> 0:37:03.120
<v Speaker 1>know they're gonna kiss me, right, you know what I mean?

0:37:03.200 --> 0:37:05.359
<v Speaker 2>Like it's that shit, like I could you could crowd surf.

0:37:05.440 --> 0:37:08.160
<v Speaker 2>They got you one hundred percent, that's fire. Yea. Was

0:37:08.200 --> 0:37:12.520
<v Speaker 2>there ever a record of yours that you gave away

0:37:12.920 --> 0:37:15.359
<v Speaker 2>because because it helped me understand like when you're doing

0:37:15.360 --> 0:37:17.520
<v Speaker 2>all these hooks whether it's Soul survivor, whether it's I

0:37:17.560 --> 0:37:18.719
<v Speaker 2>mean any millions.

0:37:18.440 --> 0:37:19.440
<v Speaker 4>Of hooks you did for people?

0:37:19.920 --> 0:37:23.000
<v Speaker 2>Were you sending these out or were artists sending you beats?

0:37:23.000 --> 0:37:25.040
<v Speaker 2>And then you would like, because I'm I'm assuming you

0:37:25.200 --> 0:37:27.120
<v Speaker 2>just had ship too where you were like, oh, so

0:37:27.160 --> 0:37:29.120
<v Speaker 2>and so was working on an album, let's send them

0:37:29.120 --> 0:37:30.440
<v Speaker 2>over a few to choose from.

0:37:30.480 --> 0:37:32.440
<v Speaker 1>So at that time, in my peer everything that you

0:37:32.520 --> 0:37:35.080
<v Speaker 1>heard me or I produced, because I was a producer first,

0:37:35.160 --> 0:37:36.200
<v Speaker 1>then song write a second.

0:37:36.200 --> 0:37:38.879
<v Speaker 2>So so did you produce a Survivor? Oh shit, yep,

0:37:39.440 --> 0:37:40.959
<v Speaker 2>crazy record produced that one.

0:37:41.080 --> 0:37:43.520
<v Speaker 1>That's one of the records that I Afterwards, I was like, damn,

0:37:43.520 --> 0:37:47.359
<v Speaker 1>I should have kept this one. But then I realized, nah,

0:37:47.360 --> 0:37:49.440
<v Speaker 1>I wouldn't have been the same if it was just me, Well,

0:37:49.480 --> 0:37:51.520
<v Speaker 1>anybody else wouldn't have did it the way Jeezi did it.

0:37:51.719 --> 0:37:55.720
<v Speaker 2>And that record is what broke Jezi through because because

0:37:55.840 --> 0:37:57.839
<v Speaker 2>uh and then what was was like his first single

0:37:57.880 --> 0:37:58.359
<v Speaker 2>off that album?

0:37:58.360 --> 0:37:59.799
<v Speaker 1>I think, yeah, that was that was his first break.

0:37:59.880 --> 0:38:03.000
<v Speaker 2>But but Soul Survivor was like the record that changed everything.

0:38:03.080 --> 0:38:05.319
<v Speaker 1>Yeah, that changed it changed the direction to where he

0:38:05.400 --> 0:38:08.040
<v Speaker 1>was going. Because one thing about Jeezy, he was probably

0:38:08.040 --> 0:38:11.000
<v Speaker 1>the first artist that I can ever remember that became

0:38:11.040 --> 0:38:13.680
<v Speaker 1>a household name of Atlanta through it just a mixtape. Yes,

0:38:14.040 --> 0:38:16.560
<v Speaker 1>Like his mixtape would play from top to bottom, the

0:38:16.600 --> 0:38:19.120
<v Speaker 1>whole mixtape in the club. They never would play just

0:38:19.160 --> 0:38:21.719
<v Speaker 1>one Jes song. They would play his whole mixtape. Yeah,

0:38:22.440 --> 0:38:25.640
<v Speaker 1>like literally like it was. It was unbelievable.

0:38:26.520 --> 0:38:30.520
<v Speaker 2>Was there ever one of your records that you did

0:38:30.600 --> 0:38:32.440
<v Speaker 2>keep that almost with someone else's?

0:38:33.880 --> 0:38:36.399
<v Speaker 1>Which record that I kept? That was almost? Oh yeah,

0:38:37.200 --> 0:38:40.320
<v Speaker 1>I want to love you. Because so when I originally

0:38:40.360 --> 0:38:43.400
<v Speaker 1>did it, I did it for Trick Daddy originally, and

0:38:43.480 --> 0:38:45.920
<v Speaker 1>I sent it off the Trick Daddy and then somehow

0:38:46.080 --> 0:38:49.640
<v Speaker 1>Plies got a hold of it, add his verses on it,

0:38:49.719 --> 0:38:53.160
<v Speaker 1>leaked it, and then it was a big old controversy

0:38:53.200 --> 0:38:54.719
<v Speaker 1>with the with the label and everything else. Then we

0:38:54.800 --> 0:38:58.080
<v Speaker 1>went back and snatched the record, I added my verses

0:38:58.080 --> 0:38:59.320
<v Speaker 1>on it and put Snoop on it, and then we

0:38:59.400 --> 0:39:02.520
<v Speaker 1>put it out. Such a big song, such a big song,

0:39:02.560 --> 0:39:04.120
<v Speaker 1>but that shit went through a ringer.

0:39:03.920 --> 0:39:06.160
<v Speaker 2>So there was like this damn, I guess this is

0:39:06.200 --> 0:39:08.120
<v Speaker 2>probably like this is prior before like the internet was

0:39:08.120 --> 0:39:10.920
<v Speaker 2>like super super crazy. So there's a Plies version of

0:39:10.920 --> 0:39:11.719
<v Speaker 2>that song that's out there.

0:39:11.719 --> 0:39:13.680
<v Speaker 1>Oh yeah, that was the Plais version was the biggest

0:39:13.760 --> 0:39:15.160
<v Speaker 1>version in Florida at that time.

0:39:15.400 --> 0:39:15.760
<v Speaker 4>Wow.

0:39:16.040 --> 0:39:17.520
<v Speaker 1>Plis man, he killed that ship.

0:39:18.120 --> 0:39:18.480
<v Speaker 2>Damn.

0:39:18.960 --> 0:39:21.200
<v Speaker 1>Yeah, and it was I just thanks to Plies, we

0:39:21.280 --> 0:39:23.680
<v Speaker 1>knew that record was a hit because his version had

0:39:23.680 --> 0:39:24.520
<v Speaker 1>already popped off and.

0:39:24.520 --> 0:39:28.160
<v Speaker 2>Were like, nigga, I'm talking to put snoop on this exactly.

0:39:29.840 --> 0:39:31.520
<v Speaker 1>Yeah. So if for one of Plies, I wouldn't even

0:39:31.520 --> 0:39:32.520
<v Speaker 1>know that record was a smash.

0:39:32.560 --> 0:39:33.960
<v Speaker 2>That's the kind of record too, where you're like the

0:39:33.960 --> 0:39:36.480
<v Speaker 2>O G version, You're like, we gotta recut this whole

0:39:36.480 --> 0:39:38.759
<v Speaker 2>thing because it's not gonna work at radio. That was

0:39:38.800 --> 0:39:40.839
<v Speaker 2>what I want to fuck you. It's just not gonna work.

0:39:41.360 --> 0:39:42.440
<v Speaker 2>I want to love you.

0:39:43.160 --> 0:39:44.359
<v Speaker 1>That works perfectly for radio.

0:39:44.480 --> 0:39:44.719
<v Speaker 4>Damn.

0:39:44.719 --> 0:39:46.880
<v Speaker 2>That's crazy man, that's a great record. What was it

0:39:46.920 --> 0:39:48.360
<v Speaker 2>like working with Minem.

0:39:48.000 --> 0:39:50.239
<v Speaker 1>Ohm was amazing. Him taught me a lot. He made

0:39:50.239 --> 0:39:51.880
<v Speaker 1>me kind of I think it was working with him

0:39:51.960 --> 0:39:56.040
<v Speaker 1>that helped me separate the industry form my life because

0:39:56.080 --> 0:39:59.239
<v Speaker 1>he was the first person through not teaching me it,

0:39:59.320 --> 0:40:02.800
<v Speaker 1>but watching him taught me that you gotta have moments

0:40:02.800 --> 0:40:06.239
<v Speaker 1>for your life, Like music can't be your life twenty

0:40:06.239 --> 0:40:07.000
<v Speaker 1>four hours a day.

0:40:07.480 --> 0:40:10.359
<v Speaker 2>Yeah, he's very it feels like he seven rates the two.

0:40:10.600 --> 0:40:12.800
<v Speaker 1>No, he did it, And I was like, whoa, because

0:40:12.880 --> 0:40:14.799
<v Speaker 1>when I went to go work with him, the nigga

0:40:14.840 --> 0:40:18.000
<v Speaker 1>took he took a break for lunch, went to lunch,

0:40:18.080 --> 0:40:19.120
<v Speaker 1>came back like it was a job.

0:40:19.400 --> 0:40:19.560
<v Speaker 4>Job.

0:40:19.840 --> 0:40:22.160
<v Speaker 1>At five pm, the nigga was gone. I couldn't find him.

0:40:22.200 --> 0:40:24.000
<v Speaker 1>I'm looking everywhere for the studio, Like he went home.

0:40:24.160 --> 0:40:26.239
<v Speaker 1>I said, what why so early? Oh, he goes. He

0:40:26.239 --> 0:40:29.080
<v Speaker 1>goes home every day at five pm. That's that's his

0:40:29.120 --> 0:40:31.600
<v Speaker 1>cut off. And mind you, while he goes home, I'm

0:40:31.600 --> 0:40:33.879
<v Speaker 1>in the studio all night till he returns the next day.

0:40:34.239 --> 0:40:35.839
<v Speaker 1>He's looking at me like, nigga, you're still here?

0:40:36.280 --> 0:40:39.720
<v Speaker 2>Yeah, And I'm like, yeah, this made a smack that session.

0:40:39.760 --> 0:40:40.160
<v Speaker 1>Yeah, it's a.

0:40:40.120 --> 0:40:44.920
<v Speaker 2>Smack that session crazy damn. And you're one of like

0:40:45.000 --> 0:40:50.040
<v Speaker 2>obviously like that's that's uh. Not everybody getting the eminem verse. Man, No,

0:40:50.680 --> 0:40:51.839
<v Speaker 2>that was a tough thing to get.

0:40:51.880 --> 0:40:53.560
<v Speaker 1>I know that was a special moment when I got it.

0:40:53.719 --> 0:40:55.720
<v Speaker 2>Yeah, yeah, that's also all time great.

0:40:55.840 --> 0:40:59.040
<v Speaker 4>Uh if you go to a white bar, oh yeah,

0:40:59.080 --> 0:41:01.760
<v Speaker 4>that record is just the whites love smack that dude,

0:41:01.880 --> 0:41:02.600
<v Speaker 4>They love it.

0:41:03.400 --> 0:41:08.879
<v Speaker 1>No, you have no idea, want no you have an idea?

0:41:09.000 --> 0:41:11.680
<v Speaker 2>Yeah? All right, So new album coming out soon. You're

0:41:12.040 --> 0:41:16.520
<v Speaker 2>oh about about nine finishing touches going on it, right?

0:41:16.680 --> 0:41:20.040
<v Speaker 1>She touches right now, mixes masters, all that never really

0:41:20.040 --> 0:41:22.120
<v Speaker 1>mad at future. The Simians is out currently right now

0:41:22.160 --> 0:41:23.399
<v Speaker 1>doing amazing. Uh.

0:41:23.520 --> 0:41:25.319
<v Speaker 2>Then a whole other album coming out with a bunch

0:41:25.320 --> 0:41:26.120
<v Speaker 2>of features.

0:41:25.880 --> 0:41:28.719
<v Speaker 1>Whole of the album after this album, but that'd be

0:41:28.760 --> 0:41:29.759
<v Speaker 1>a different, different.

0:41:29.480 --> 0:41:31.720
<v Speaker 2>Conversation, and then the country stuff and then the country

0:41:31.760 --> 0:41:33.239
<v Speaker 2>album's feature in Jelly row yep.

0:41:33.520 --> 0:41:43.000
<v Speaker 1>Oh my god, this motherfucker got it out of me. Yes,

0:41:44.040 --> 0:41:45.719
<v Speaker 1>he got it out. But I ain't gonna tell you

0:41:45.719 --> 0:41:46.759
<v Speaker 1>which song. I ain't gonna tell you.

0:41:46.760 --> 0:41:49.839
<v Speaker 2>It's gotta be locked up. It has to be. It's

0:41:49.880 --> 0:41:53.719
<v Speaker 2>locked up. It has to be. It literally can only

0:41:53.760 --> 0:41:54.440
<v Speaker 2>be locked up.

0:41:55.239 --> 0:41:56.960
<v Speaker 1>You're not hearing it from me, That's what I'm saying.

0:41:57.640 --> 0:42:01.120
<v Speaker 2>My god, Jelly's got a fucking iced out, handcuffed chain

0:42:01.239 --> 0:42:05.160
<v Speaker 2>around his fucking neck performs it's locked up anyway. Look, con,

0:42:05.200 --> 0:42:06.239
<v Speaker 2>I appreciate you pulling up.

0:42:06.560 --> 0:42:09.560
<v Speaker 1>Absolutely, that was somebody interrupting you from giving.

0:42:09.360 --> 0:42:17.800
<v Speaker 2>Up all the Yeah, it's Jelly Roll calling.

0:42:18.239 --> 0:42:20.359
<v Speaker 1>That's actually that's actually he's the one that.

0:42:22.400 --> 0:42:27.000
<v Speaker 2>What an idiot I mean, shout out the cart like

0:42:27.080 --> 0:42:30.480
<v Speaker 2>hated it. Go okay, yeah, motherfucker, I'm here. Well listen, man,

0:42:30.480 --> 0:42:33.680
<v Speaker 2>I appreciate you pulling up always new album coming soon,

0:42:33.680 --> 0:42:35.400
<v Speaker 2>hopefully before the end of the summer. Obvious he's probably

0:42:35.440 --> 0:42:36.280
<v Speaker 2>dropping summertime.

0:42:36.880 --> 0:42:38.800
<v Speaker 1>Yeah, I'll give you the exact day.

0:42:38.680 --> 0:42:40.880
<v Speaker 2>So okay, cool a con my guy. I appreciate you,

0:42:40.920 --> 0:42:41.400
<v Speaker 2>but I didn't know