WEBVTT - burrito-rolling master

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<v Speaker 1>Hello everyone, and welcome back to another episode of Alchemy.

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<v Speaker 1>This I am your host, Chris Alvarado. Yes, that Chris Alvarado,

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<v Speaker 1>and I'm super excited to be joined by my friends,

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<v Speaker 1>my colleagues, my co artists. So let's just jump right

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<v Speaker 1>into it and say hello to them in no particular order.

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<v Speaker 1>Let's start with somebody who rarely joins us as a

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<v Speaker 1>guest is usually a host. Say hello to col Stratton, everybody. Cole, Yeah,

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<v Speaker 1>this is weird. I think this is the first thing

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<v Speaker 1>I've done this word. It hasn't meant me or Kevin hosting.

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<v Speaker 1>I was like, Cole is also a great improviser who

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<v Speaker 1>likes to play. He doesn't have to do Yeah, you

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<v Speaker 1>know it's great just showing up and doing it, riding

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<v Speaker 1>up the sea suggestions and figuring out the dumb questions

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<v Speaker 1>to ask people and all that ship. It's the worst, right,

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<v Speaker 1>Speaking of which, Cole, yep, what's your favorite Jeopardy category?

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<v Speaker 1>It pops up? You know you're gonna get all of them?

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<v Speaker 1>Are just about all of them? You know, we actually

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<v Speaker 1>watched Jeopardy pretty much daily, recorded watching at lunch Umlula

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<v Speaker 1>of the Street that Mattea is on right now. Anything

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<v Speaker 1>pop culture related, obviously, if it's like movies or which

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<v Speaker 1>actually always makes me crazy because it's the pop culture

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<v Speaker 1>things that only the super champs like run. Most of

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<v Speaker 1>the other people just sit there scared and then they

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<v Speaker 1>just go peep peep and like they don't know the

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<v Speaker 1>answer is it would be like a picture Johnny Depp

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<v Speaker 1>and like, I don't know. Makes me a little crazy.

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<v Speaker 1>But yeah, anything pop culture related, anything pop cults are great.

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<v Speaker 1>I'm so glad you're here. I'm also glad that this

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<v Speaker 1>next person here, she just sell her celebrated birthday makes up. No,

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<v Speaker 1>it's hard. Jackie Ruthie, Alright, Jackie, serious question here. Concession

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<v Speaker 1>of choice at a basketball game? Or what are you

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<v Speaker 1>snacking on? See that's different than a movie. Concession of

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<v Speaker 1>choice at a basketball game? Ongoing cinnamon ager? What cell pretzel? Wow?

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<v Speaker 1>Craig Is also joined us today. He made a face

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<v Speaker 1>very controversial choice, what's sol I'm that's I'm just it's

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<v Speaker 1>something that I never have, you know, It's it's so

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<v Speaker 1>mall specific, and I'm so not a mall person, um,

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<v Speaker 1>but but it is. Gosh. I love it, and I

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<v Speaker 1>love it when they're just like a little undercooked, which

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<v Speaker 1>they usually are, especially where it's like knotted over. That's

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<v Speaker 1>where it really gets Doughey, Uh, give me that, and

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<v Speaker 1>give me a Coca Cola Classic. Really, you're you're on

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<v Speaker 1>a diet or a Coke zero not? Absolutely not. Keep

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<v Speaker 1>a Classic for me. I don't have it every day,

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<v Speaker 1>so you know, I'm like, this is fine. I'll keep

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<v Speaker 1>a Classic for when I have it. Makes sense, makes sense.

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<v Speaker 1>Super light your hair. Everybody say hello to Mark Gagliardi. Hello, alright,

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<v Speaker 1>Mark Gagliardi. What's your relationship with fitness? I Fitness and

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<v Speaker 1>I have an on again, off again relations same same

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<v Speaker 1>we will like we we we go long periods of

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<v Speaker 1>time without seeing one another, and then I will reach

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<v Speaker 1>out or sometimes Fitness will reach out to me, but

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<v Speaker 1>usually I reach out to Fitness tepidly, like I'm not

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<v Speaker 1>sure if I want to start things back up again. Um,

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<v Speaker 1>And then I try and I and we'll go for

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<v Speaker 1>like a month, and of course kind of we just

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<v Speaker 1>kind of fall off and stop calling each other, which

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<v Speaker 1>no one's fault, no one's fault, nobody's fault. It's nobody's fault.

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<v Speaker 1>We're just we're just leading different lives yeah. Hey, I

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<v Speaker 1>always think about asking fitness out and then I'm like,

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<v Speaker 1>I'm married, just lovliness, I'm married. I stay it this way,

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<v Speaker 1>but not at least make some noise from my boy

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<v Speaker 1>and your boy, Mr. Every everyone's boy here, my boy,

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<v Speaker 1>Craig Craig. I was talking to Jessica about this, and

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<v Speaker 1>it throw me crazy because I didn't think there was

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<v Speaker 1>a difference. Is your autograph different from your city, different

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<v Speaker 1>from your signature? Yeah? It is, really yeah, it is right.

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<v Speaker 1>I never thought about it, but it has to be now, Mark,

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<v Speaker 1>And I know this because for Thrilling a Venture Hour,

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<v Speaker 1>the podcast that we were on for a number of years,

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<v Speaker 1>we would sometimes have to do like two hundred posters

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<v Speaker 1>in a row, and so I developed kind of a

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<v Speaker 1>shorthand uh much less legible autograph with two large cs

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<v Speaker 1>and basically scribbles after that. So, if you know, if

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<v Speaker 1>you're a fan of a Thrilling Adventure Hour, you're looking

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<v Speaker 1>at fifteen names, you see two giants stays, You're like,

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<v Speaker 1>that's Craig Atkowski. I don't need to understand the rest

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<v Speaker 1>of it. But if I'm signing an official document or

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<v Speaker 1>an employment form or anything like that, attack form, I

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<v Speaker 1>will my cursive is still not great in any way,

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<v Speaker 1>shape or form, but I will try to delineate the

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<v Speaker 1>individual letters in Craig and Kaikowski a little more when

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<v Speaker 1>I'm doing a signature, but an autography, get two big seas.

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<v Speaker 1>And also, I quickly want to mention that I've been

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<v Speaker 1>binging this podcast, UM the Second Citizens hosted by by

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<v Speaker 1>Joe Canally, where he it's really fast. It's fascinating because

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<v Speaker 1>he's just talking to um uh residents, previous residents of

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<v Speaker 1>of Second City stages. So I know a lot of

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<v Speaker 1>the people. But Craig, your name comes up over and

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<v Speaker 1>over and over, and I'm always like, I want to

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<v Speaker 1>text Craig. I'm like, he probably knows, he probably knows

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<v Speaker 1>they're talking about it. I don't know if he put

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<v Speaker 1>my episode out yet, but it will eventually be a

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<v Speaker 1>guest so I will get to answer for myself. I'm

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<v Speaker 1>looking forward to that. All right, let's move on because

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<v Speaker 1>this is the stage right now, everybody. Some of us

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<v Speaker 1>didn't make it to a resident stage, you know, with

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<v Speaker 1>Second City, but this this, this is the show. This

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<v Speaker 1>is the show. UM. All of today's scene suggestion as

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<v Speaker 1>always come to us from our listener suggestions, emails, whatnot

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<v Speaker 1>if you want priority. Once while sending in a suggestion,

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<v Speaker 1>consider becoming a Patriot. Oh my gosh, I said considered

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<v Speaker 1>becoming I say, considered becoming a Patreon, which is a

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<v Speaker 1>Patreon v I P. Yeah, thank you, Jackie. Uh. You

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<v Speaker 1>can join us on Patreon. You will, You'll get moved

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<v Speaker 1>up in the cue as far as suggestions goes. You

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<v Speaker 1>can check out our bonus scenes and all of our

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<v Speaker 1>exclusive content. You can join us on Patreon at alchemy

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<v Speaker 1>this no great dot com. That's Patreon dot com, slash

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<v Speaker 1>alchemy this. I've only done this forever, so you have

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<v Speaker 1>to excuse me. Or if you want to reach out

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<v Speaker 1>to us the old time you way, Cole. I'm looking

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<v Speaker 1>at you, thinking Cole and never have messed this up.

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<v Speaker 1>You want to reach out to us, eating off a

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<v Speaker 1>piece of paper and not looking up anyway? Um, email

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<v Speaker 1>us at alchemy this email at gmail dot com. That's Alchemy.

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<v Speaker 1>That feels better. See one comes to us from Alchemy

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<v Speaker 1>v I P or Alchemy v I P. Jonathan Crane

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<v Speaker 1>Jonathan says, good day alchemists. Love the jargon great. Uh,

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<v Speaker 1>I was hoping you could do a take on this

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<v Speaker 1>burrito rolling master, Glad, do you exist, Jonathan. It's just

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<v Speaker 1>like it's just a tight, tight little role and you

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<v Speaker 1>called keep it and you use your fingers, use every

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<v Speaker 1>single finger, and you really just kind of get it

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<v Speaker 1>real nice and tight. You know. It's just like rolling

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<v Speaker 1>a burrito, but it's a live human. It's just a

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<v Speaker 1>little baby, and it's just very similar and you want

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<v Speaker 1>to keep them nice and tight in there like this.

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<v Speaker 1>That's a bit that's a bit too tight. And it's

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<v Speaker 1>very great that you're trying this on a doll. First. Yeah,

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<v Speaker 1>that's a bit too tight. Okay, Okay, okay, it's okay.

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<v Speaker 1>Think about how much effort you're and how read your

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<v Speaker 1>face is getting. I'm never going to get this dad thing.

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<v Speaker 1>To get this dad thing, it's the the amount of

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<v Speaker 1>effort is is unsafe, not just for the baby, but

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<v Speaker 1>for you. I'm concerned about Hernia's I'm concerned about also

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<v Speaker 1>just like um, you know, possible fatal situation. Why are

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<v Speaker 1>you just adding more things for me to worry about.

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<v Speaker 1>I'm so sorry. I've already told you how worried I

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<v Speaker 1>am about this whole process. Since the very beginning. We

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<v Speaker 1>hired you as a midwife to handle all of the

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<v Speaker 1>stress and anxiety of this sweet sweetheart. Sweetheart, she doesn't

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<v Speaker 1>know who you are? Well, that kit, that's impossible. I

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<v Speaker 1>mean she knows your name, miss, I'm assuming you don't

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<v Speaker 1>recognize him. Oh, um, no, I it's okay, it's okay,

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<v Speaker 1>it's okay. You probably don't eat, you do? Yeah? I eat,

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<v Speaker 1>you know, to stay alive. But honey, don't blow up

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<v Speaker 1>my spot. I'm just saying. I'm just saying, if she

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<v Speaker 1>knew a little bit about you, she might understand what's

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<v Speaker 1>going on with the tight swaddles. Please, I would love

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<v Speaker 1>to I would love to learn more about you. And

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<v Speaker 1>I apologize for focusing mainly on your pregnant wife. Let

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<v Speaker 1>me give you a little more attention. You've been focusing

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<v Speaker 1>on Elissa for eight months now and really making this

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<v Speaker 1>about her, and I think it should really beat you know.

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<v Speaker 1>Sometimes it's about the dad and what he wants and

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<v Speaker 1>needs and does you are? You are a participant? Are

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<v Speaker 1>going to be there? You? Um? And I've really been

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<v Speaker 1>thinking about the birth for the most part, and now

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<v Speaker 1>we're talking about the actual baby and and it's time

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<v Speaker 1>for you to shine. I would love to learn more

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<v Speaker 1>about what you do in in regards to food. I'm well,

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<v Speaker 1>I'm the world renowned British and I was kind of

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<v Speaker 1>hoping that our child would become a world renowned burritist. Wow.

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<v Speaker 1>I mean, I'm so. I'm a little shocked because I

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<v Speaker 1>had said to do it like a burrito, and then

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<v Speaker 1>you did it like a like a w W E wrestler.

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<v Speaker 1>And so I take my burrio's very seriously. You know

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<v Speaker 1>what I'm not. That's not my profession. And how dare

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<v Speaker 1>I speak to that? Hey, nerd, looks like you were

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<v Speaker 1>swaddled too tightly. Leave me alone, and look how wrapped

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<v Speaker 1>you are and your shawl shut up? Okay, look, um,

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<v Speaker 1>my dad's a burritus. I mean, I don't know my dad.

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<v Speaker 1>Mum h Well, I would never make fun of you

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<v Speaker 1>for that. Maybe we're not so different after all, I

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<v Speaker 1>don't know, we see pretty different. I mean, I'm I'm

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<v Speaker 1>sweet and you're obnoxious. Yeah, you're right. Well, I guess

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<v Speaker 1>I'm just gonna go punch the wall some more. Um,

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<v Speaker 1>if I'm late for Homer and and that's why whoa truck?

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<v Speaker 1>There's no need to do that. And look, yeah, my

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<v Speaker 1>my clothes are really tight. My dad wraps me up

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<v Speaker 1>every every morning. Okay, look how loose mine are? Okay, son,

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<v Speaker 1>here's your lunch. Let me put your jacket on. You

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<v Speaker 1>just just suck it in. Let's suck it in. Can'll

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<v Speaker 1>get myself for once? Dad? Oh? Someone out grown his father?

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<v Speaker 1>A Lissa get in here? Or someone's outgrown as father? What? Yeah,

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<v Speaker 1>he doesn't want to be wrapped anymore? Do I need

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<v Speaker 1>to remind you who your father is and what he does?

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<v Speaker 1>I love that I married my hype lady. You are

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<v Speaker 1>so good to me. Can I just say I'm I

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<v Speaker 1>didn't mean to make you run from upstairs. No, No,

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<v Speaker 1>it's fine. It's worth it. It's worth it. D This

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<v Speaker 1>jacket is super tight. And there's also like there's there's

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<v Speaker 1>a layer of beans in here, but they're they're somehow

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<v Speaker 1>evenly distributed. That's the whole point. The beans are specifically

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<v Speaker 1>laid out, so every bit of you has a little

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<v Speaker 1>bit of bean. Sweetheart, let me ask you a question.

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<v Speaker 1>What do What are some of your other friends dad's

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<v Speaker 1>do for a living? Um? Doctor, bullshit lawyer, um recording artist,

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<v Speaker 1>interesting postman? Okay, okay, okay, did you hear I said

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<v Speaker 1>interesting about the recording artist because your father is also

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<v Speaker 1>an artist, and he doesn't get to turn that off.

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<v Speaker 1>Do you understand he has a team full of people

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<v Speaker 1>underneath him that are waiting years just to stir the beans.

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<v Speaker 1>He he is so highly regarded in his in his profession.

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<v Speaker 1>I feel like you could give him a little more

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<v Speaker 1>respect here at the home. I don't know, I mean,

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<v Speaker 1>like even then, Okay, wrapped burrito is still pretty good.

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<v Speaker 1>Oh my god, Like Susie dalton Um, this is our

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<v Speaker 1>first official, you know, meeting, and we're going to be

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<v Speaker 1>doing this once a month for the first few months,

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<v Speaker 1>and then once we hit the second trimester, I'll be

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<v Speaker 1>coming in, uh bye week by twice a month, and

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<v Speaker 1>then once you hit the third trimester, I'll be coming

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<v Speaker 1>in once a week. So right now, um, I just

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<v Speaker 1>kind of want this to be a cool intro. So

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<v Speaker 1>dalton Um, tell me, yeah, really about you and your

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<v Speaker 1>journey and this pregnancy thus far. Well, it's been hard,

0:14:09.000 --> 0:14:12.240
<v Speaker 1>and you know, I'm I'm a postman. Uh and you know,

0:14:12.679 --> 0:14:15.560
<v Speaker 1>no rain, nor sleep, no whatever will keep me away.

0:14:15.600 --> 0:14:18.400
<v Speaker 1>So I've just been out delivering a lot, and uh,

0:14:18.760 --> 0:14:25.840
<v Speaker 1>this is one delivery I'm super nervous about Yeah, I'm

0:14:25.840 --> 0:14:28.200
<v Speaker 1>going to take care of the delivery this time. Honey.

0:14:28.360 --> 0:14:32.800
<v Speaker 1>That's just I'm sorry, Dalton was talking. Dalton. I would

0:14:32.800 --> 0:14:39.520
<v Speaker 1>just love to know about your journey into fatherhood and

0:14:39.560 --> 0:14:42.800
<v Speaker 1>how your body is feeling right now. Well, you know,

0:14:42.840 --> 0:14:45.760
<v Speaker 1>I'm a little, uh a little nervous. I got butterflies

0:14:45.760 --> 0:14:48.080
<v Speaker 1>in my stomach. Uh. You know, I was hoping that

0:14:48.120 --> 0:14:51.240
<v Speaker 1>the butterflies would go away and one to two days,

0:14:51.360 --> 0:14:56.880
<v Speaker 1>but it's looking like three to four days potentially Nextkay,

0:14:58.160 --> 0:15:02.080
<v Speaker 1>you're feeling a kick first time, Esther. Yes, I don't know.

0:15:02.160 --> 0:15:07.880
<v Speaker 1>I that's I know it's a it's a blueberry right now.

0:15:07.960 --> 0:15:10.480
<v Speaker 1>It's a blueberry right now. But I'm feeling is it

0:15:10.760 --> 0:15:13.240
<v Speaker 1>Is it a phantom kick? I don't know. Well, that's

0:15:13.360 --> 0:15:17.920
<v Speaker 1>really really incredible. I'm sorry, honey, right now, I'm priority.

0:15:18.200 --> 0:15:24.320
<v Speaker 1>May also, let's go ahead. No, you understand I only

0:15:24.400 --> 0:15:28.920
<v Speaker 1>bring the best tortillas to the best burritists, and you

0:15:29.040 --> 0:15:35.360
<v Speaker 1>understand that you are my the top burritists have been

0:15:35.440 --> 0:15:40.920
<v Speaker 1>for a long time. What's this about, Antonio? This feels

0:15:40.960 --> 0:15:43.720
<v Speaker 1>like preamble to something I don't want to hear. Well,

0:15:43.760 --> 0:15:45.800
<v Speaker 1>you might want to hear part of it. You definitely

0:15:45.840 --> 0:15:50.320
<v Speaker 1>I'm just gonna say it, Okay, I came across the

0:15:50.360 --> 0:15:56.760
<v Speaker 1>batch of the Guatemalan corn tortillas that the Aztecs made.

0:15:57.360 --> 0:16:01.720
<v Speaker 1>What the Aztec tortillas? The very one. Hold on, let

0:16:01.720 --> 0:16:03.960
<v Speaker 1>me shut the door. No more customers for the next

0:16:04.000 --> 0:16:09.320
<v Speaker 1>few minutes. All right, that should keep everyone out. Good, good,

0:16:09.880 --> 0:16:14.400
<v Speaker 1>But you know it's gonna cost you. I don't have

0:16:14.440 --> 0:16:17.400
<v Speaker 1>a lot of money right now, between this restaurant and

0:16:17.400 --> 0:16:20.320
<v Speaker 1>and my my child and all the extra small clothes

0:16:20.360 --> 0:16:23.400
<v Speaker 1>I have to buy for him. It's not money I'm after.

0:16:23.960 --> 0:16:27.120
<v Speaker 1>I mean, we're talking to Aztec tortilla. Yeah, I know

0:16:27.920 --> 0:16:33.080
<v Speaker 1>you mentioned that you have a son, do you not? Yes?

0:16:34.920 --> 0:16:40.240
<v Speaker 1>What's this about stilt skin? Give me your son and

0:16:40.320 --> 0:16:44.960
<v Speaker 1>you'll get the tortillas. What. But that's one thing I've

0:16:44.960 --> 0:16:48.800
<v Speaker 1>wanted for my whole lit life. Pit it against the

0:16:48.920 --> 0:16:54.440
<v Speaker 1>one thing I've wanted for like eleven months. Oh, I

0:16:54.480 --> 0:16:59.160
<v Speaker 1>don't know what to do. The choice is yours. Hey, um,

0:16:59.200 --> 0:17:02.000
<v Speaker 1>I need to return this breed out. That tortilla seems

0:17:02.040 --> 0:17:06.040
<v Speaker 1>to be thousands of years old. It was not fresh.

0:17:06.160 --> 0:17:11.080
<v Speaker 1>I got super sick after a couple of bites. Uh yeah, yeah,

0:17:11.080 --> 0:17:15.760
<v Speaker 1>we're doing We're doing an Aztech azchech corn tortillas. Could

0:17:15.880 --> 0:17:18.680
<v Speaker 1>could you? Could you make them fresh next time? It

0:17:20.320 --> 0:17:24.080
<v Speaker 1>really discuss has covered a mold. Look, we we gotta batch.

0:17:24.240 --> 0:17:27.560
<v Speaker 1>We gotta batche of these old Aztec tortillas, and we

0:17:27.600 --> 0:17:30.440
<v Speaker 1>gotta use them up first. Like I appreciate the history

0:17:30.600 --> 0:17:33.159
<v Speaker 1>of what you're doing here, but and the fact, I

0:17:33.160 --> 0:17:35.359
<v Speaker 1>mean there was a search charge. It was you know,

0:17:35.560 --> 0:17:37.760
<v Speaker 1>I thought you saw our creams like fifty cents to

0:17:37.800 --> 0:17:41.199
<v Speaker 1>a dollar. This was seven hundred dollar search charge. I

0:17:41.240 --> 0:17:44.240
<v Speaker 1>didn't notice until after you had swiped my credit card

0:17:44.880 --> 0:17:47.119
<v Speaker 1>and your cashier at the time was so enough they

0:17:47.119 --> 0:17:50.920
<v Speaker 1>could not reverse the charge. But thought, okay, delicacy, I'll

0:17:50.960 --> 0:17:54.040
<v Speaker 1>have it. And then I got super sick to flour

0:17:54.119 --> 0:17:56.440
<v Speaker 1>by it's super sick. Brought it back. Now, I'd really

0:17:56.480 --> 0:17:59.080
<v Speaker 1>like seven d either in a gift card or put

0:17:59.119 --> 0:18:04.600
<v Speaker 1>back into my card. He's well, Dalton, Uh, I'm not

0:18:04.760 --> 0:18:09.960
<v Speaker 1>sure why your midwife here ordered the ultrasound, but good

0:18:10.000 --> 0:18:12.560
<v Speaker 1>news for you, it turns out those aren't butterflies in

0:18:12.640 --> 0:18:15.840
<v Speaker 1>your stomach. Bad news for you. It does look like

0:18:16.400 --> 0:18:20.480
<v Speaker 1>whatever you had for lunch, uh was it? It didn't

0:18:20.480 --> 0:18:23.959
<v Speaker 1>happen to be thousands of years old? Did it? Uh?

0:18:24.359 --> 0:18:29.879
<v Speaker 1>Yeah did I. I went to the Brito Master on

0:18:29.960 --> 0:18:33.479
<v Speaker 1>twelfth and um, ah that the one he's using. That

0:18:33.600 --> 0:18:37.479
<v Speaker 1>he's using the Aztec toritos. Now, yeah, yeah, that's so,

0:18:37.600 --> 0:18:39.800
<v Speaker 1>that's what it was. It's uh, it's just a it's

0:18:39.800 --> 0:18:41.560
<v Speaker 1>just a bad burrito in there. You're gonna make a

0:18:41.560 --> 0:18:47.840
<v Speaker 1>great father. Well, Hank Jr. Welcome to your new life.

0:18:48.760 --> 0:18:51.760
<v Speaker 1>This what is this? What what is going on? Well?

0:18:51.840 --> 0:18:58.160
<v Speaker 1>You now work for us. You'll be um digging, you'll

0:18:58.200 --> 0:19:03.000
<v Speaker 1>be digging. Okay. Um, we're looking for you know, like

0:19:03.040 --> 0:19:08.400
<v Speaker 1>a truffle pig. Right, do you know what those are? Yeah?

0:19:08.440 --> 0:19:13.680
<v Speaker 1>I know what a truffle pig is. You seem so confused. Okay,

0:19:13.680 --> 0:19:15.639
<v Speaker 1>we took you your took you en a flight to

0:19:15.720 --> 0:19:19.639
<v Speaker 1>the Guatemala in jungle to look for more. I know

0:19:19.680 --> 0:19:21.760
<v Speaker 1>it's it's a weird time for me to be complaining

0:19:21.800 --> 0:19:25.840
<v Speaker 1>now about it, but I'm still I'm still processing this. Look.

0:19:26.080 --> 0:19:29.280
<v Speaker 1>I was in seventh grade two days ago. You know,

0:19:29.600 --> 0:19:33.600
<v Speaker 1>I befriended a bully. Okay, even though we have nothing

0:19:33.640 --> 0:19:37.960
<v Speaker 1>in common. Um, My dad finally stopped wrapping me in

0:19:38.040 --> 0:19:42.200
<v Speaker 1>the tightest clothes possible and putting beans in my clothes

0:19:42.280 --> 0:19:46.159
<v Speaker 1>for some fucking reason. And now I'm I'm a truffle

0:19:46.240 --> 0:19:52.240
<v Speaker 1>pig in Guatemala. That's about it. That's really about it.

0:19:52.359 --> 0:19:57.280
<v Speaker 1>That's really about it. Um dad, I'm oh, yeah, I

0:19:57.400 --> 0:20:02.480
<v Speaker 1>forgot got No Dad and my friend moved to Guatemala.

0:20:03.160 --> 0:20:08.080
<v Speaker 1>This walls all punched out? Do you want to talk

0:20:08.240 --> 0:20:12.880
<v Speaker 1>to me? Mom? Is about you right now? I mean,

0:20:12.920 --> 0:20:16.000
<v Speaker 1>I'm here for you, I I love you, I'm I'm

0:20:16.040 --> 0:20:20.160
<v Speaker 1>happy to help you with whatever. You just don't understand

0:20:21.280 --> 0:20:25.800
<v Speaker 1>so much pressure being a seventh grader like no Dad.

0:20:26.160 --> 0:20:29.080
<v Speaker 1>You see how loose my clothes arm up there? Loose?

0:20:30.520 --> 0:20:32.480
<v Speaker 1>I can get you tight clothes. What do you want

0:20:32.480 --> 0:20:36.720
<v Speaker 1>to learn about popping boners? I know about it in

0:20:36.800 --> 0:20:40.600
<v Speaker 1>your wife's fanda. I mean, I don't know. I'm just

0:20:40.680 --> 0:20:44.439
<v Speaker 1>thinking seventh grade boy, dad? What what am I missing?

0:20:44.520 --> 0:20:47.399
<v Speaker 1>I I don't know what he could teach you that

0:20:47.480 --> 0:20:51.320
<v Speaker 1>I that I couldn't. It's a special bond between a

0:20:51.440 --> 0:20:54.840
<v Speaker 1>kid and his dad and their clothes and being able

0:20:54.880 --> 0:20:58.000
<v Speaker 1>to be pinned in them properly. Mom, You'll never get it.

0:20:58.000 --> 0:21:01.680
<v Speaker 1>It's not your fault. You just and understand it. I'm

0:21:01.720 --> 0:21:04.000
<v Speaker 1>sure you had a similar relationship with your mom. Like

0:21:04.080 --> 0:21:06.480
<v Speaker 1>I would have had with my dad, but he wasn't there,

0:21:06.840 --> 0:21:08.760
<v Speaker 1>So you know, it's gonna be hard for me. And

0:21:08.800 --> 0:21:11.560
<v Speaker 1>I'm gonna always have these daddy issues. Everything I ever

0:21:11.640 --> 0:21:15.840
<v Speaker 1>do will be daddy issues. Alright, screenplays, daddy issues, everything

0:21:15.840 --> 0:21:20.800
<v Speaker 1>will be that. Well, fuck me, then, I guess. And

0:21:20.960 --> 0:21:30.000
<v Speaker 1>that seemed to all right. It seemed to comes to

0:21:30.119 --> 0:21:35.320
<v Speaker 1>us from alchemy v I p Oystein, Hans Guard gels Vic.

0:21:36.840 --> 0:21:40.920
<v Speaker 1>I actually put this into Google treads late this morning. Um,

0:21:40.960 --> 0:21:43.720
<v Speaker 1>and I'm I'm not too far away from the from

0:21:44.160 --> 0:21:49.840
<v Speaker 1>how it sounded Oystein, Hans Guard gaels Vic. Um. And

0:21:50.119 --> 0:21:54.000
<v Speaker 1>they write in Norway, when a situation is real crazy,

0:21:54.400 --> 0:22:01.520
<v Speaker 1>we say that is completely Texas, referring to the actual

0:22:02.560 --> 0:22:06.919
<v Speaker 1>I know, referring to the actual state of Texas. US

0:22:07.320 --> 0:22:11.520
<v Speaker 1>don't know why Wild West movies maybe, So that's my suggestion.

0:22:12.000 --> 0:22:16.439
<v Speaker 1>Things go completely Texas. Love what you do, oh with

0:22:16.520 --> 0:22:19.240
<v Speaker 1>a line through it, which is called a minuscule. Oh,

0:22:19.480 --> 0:22:27.040
<v Speaker 1>I love that. Thank you. Get in here, yes, ma'am,

0:22:27.440 --> 0:22:30.000
<v Speaker 1>Get in here right now, yes, ma'am. What what what

0:22:30.119 --> 0:22:33.480
<v Speaker 1>is it? Doctor? We needs you to take over this surgery.

0:22:33.920 --> 0:22:35.840
<v Speaker 1>It was supposed to be a routine app inducting me.

0:22:35.920 --> 0:22:40.520
<v Speaker 1>It's gotten completely Texas in there. Oh no, oh my gosh,

0:22:40.560 --> 0:22:46.360
<v Speaker 1>I mean Dr Hoisting's just completely lost it. Dr doc

0:22:46.440 --> 0:22:49.800
<v Speaker 1>will be could you not called Dr Steering? I can't

0:22:49.840 --> 0:22:53.280
<v Speaker 1>find I've been paging him. He's not answering his page.

0:22:53.280 --> 0:22:57.080
<v Speaker 1>I just ran into you, and ma'am, I look, I'll

0:22:57.080 --> 0:22:59.560
<v Speaker 1>do what you say. You're the administrator of this entire hospital.

0:22:59.600 --> 0:23:00.959
<v Speaker 1>I just want to know what I'm getting into if

0:23:01.000 --> 0:23:03.200
<v Speaker 1>I go in there and things have gone Texas? Are

0:23:03.200 --> 0:23:06.479
<v Speaker 1>we talking bell buckles and cowboy hats? Okay, okay, okay,

0:23:06.520 --> 0:23:10.119
<v Speaker 1>toss out appendix in the air. I'm gonna shoot it. Yeah,

0:23:10.160 --> 0:23:18.639
<v Speaker 1>you got it. Mr al Right, who morning, babe. Oh

0:23:18.720 --> 0:23:23.520
<v Speaker 1>my head it's pounding. I know mine too. What if

0:23:23.520 --> 0:23:27.720
<v Speaker 1>we do last night? I don't know. I'm gonna open

0:23:27.760 --> 0:23:29.840
<v Speaker 1>my phone and look through some pictures. Maybe we can

0:23:31.160 --> 0:23:36.919
<v Speaker 1>out right right? Oh, ship, baby, I think you and

0:23:36.960 --> 0:23:42.440
<v Speaker 1>I went completely Texas last night? What like I felt like,

0:23:42.800 --> 0:23:46.080
<v Speaker 1>I mean I should have stopped when things went sort

0:23:46.080 --> 0:23:51.080
<v Speaker 1>of wyoming? I know, I know, funk, we went full

0:23:51.080 --> 0:23:53.480
<v Speaker 1>blown Texas last night. I bet that means we've got

0:23:53.520 --> 0:23:55.199
<v Speaker 1>a lot of apologies to make. I got to call

0:23:55.200 --> 0:23:58.080
<v Speaker 1>a lot of the friends. Uh ship, it looks like

0:23:58.160 --> 0:24:02.720
<v Speaker 1>we actually vandalized property. Yeah. Hey, well we gotta stop

0:24:02.720 --> 0:24:07.520
<v Speaker 1>going Texas. I mean, look, we need to get some help.

0:24:07.760 --> 0:24:10.680
<v Speaker 1>Last week you went full on Florida. That was terrible,

0:24:11.600 --> 0:24:15.840
<v Speaker 1>but completely Texas. We've never gotten there. I know this

0:24:15.880 --> 0:24:20.200
<v Speaker 1>is the bottom I imagine. Yeah, me too. Well, maybe

0:24:20.240 --> 0:24:23.040
<v Speaker 1>we should piece together what happened from these photos and

0:24:23.080 --> 0:24:26.800
<v Speaker 1>just work backwards memento style sounds good. Well, if we're

0:24:26.800 --> 0:24:29.400
<v Speaker 1>gonna start at the end, is that how we would

0:24:29.440 --> 0:24:34.159
<v Speaker 1>do that? Yeah? My most my most recent picture is

0:24:34.160 --> 0:24:38.959
<v Speaker 1>at the police station. Maybe we don't go there first, Okaya?

0:24:40.480 --> 0:24:43.040
<v Speaker 1>Oh god, have you been seeing the news about the

0:24:43.080 --> 0:24:46.400
<v Speaker 1>whole Supreme Court and everything? This whole country has gone

0:24:46.440 --> 0:24:52.880
<v Speaker 1>completely Texas. It's a disaster. Yeah, I mean, look, I'm

0:24:52.920 --> 0:24:55.879
<v Speaker 1>I'm I'm looking at the paper this morning. I'm I

0:24:56.000 --> 0:25:00.040
<v Speaker 1>see every everything about this country is making me just

0:25:00.040 --> 0:25:03.639
<v Speaker 1>is just as angry as a cow in a pasture. Y'all?

0:25:04.640 --> 0:25:12.280
<v Speaker 1>What is going on? Oh? No, Dillard Mallory. You I

0:25:12.400 --> 0:25:15.959
<v Speaker 1>told you before we got married. I said, we're going

0:25:16.000 --> 0:25:19.440
<v Speaker 1>to couple's counseling and we're gonna work some things out

0:25:19.480 --> 0:25:23.119
<v Speaker 1>before we officially take the vows and within that you

0:25:23.200 --> 0:25:25.680
<v Speaker 1>found out that I have a problem problem with chick

0:25:25.760 --> 0:25:28.200
<v Speaker 1>going Texas. If you're gonna go Texas on me, I'm

0:25:28.200 --> 0:25:31.600
<v Speaker 1>moving to Norway. I don't, please don't move to Norway.

0:25:31.680 --> 0:25:33.760
<v Speaker 1>I know we've been working on this, We've been working

0:25:33.760 --> 0:25:36.560
<v Speaker 1>through it. I don't know if mercuries and retrograde or

0:25:36.880 --> 0:25:41.320
<v Speaker 1>if the sun's just shining over the range. Oh no,

0:25:42.000 --> 0:25:45.080
<v Speaker 1>I'm so sorry. I do I still have any of

0:25:45.080 --> 0:25:49.120
<v Speaker 1>those pills left? Well? Sorry, you could see I got

0:25:49.119 --> 0:25:52.680
<v Speaker 1>a foot over there. It looks like small intestine over there.

0:25:53.359 --> 0:25:56.639
<v Speaker 1>Sound an ear and some teeth. I mean, what the

0:25:56.680 --> 0:25:59.560
<v Speaker 1>hell happened here? I don't want to say it, But

0:25:59.600 --> 0:26:07.159
<v Speaker 1>whoever did this obviously well you know, no say it,

0:26:07.240 --> 0:26:16.000
<v Speaker 1>Lieutenant Serge. Whoever did this went completely Texas. We're dealing

0:26:16.000 --> 0:26:18.919
<v Speaker 1>with the psycho pass Arge. We're dealing with someone that

0:26:19.000 --> 0:26:22.400
<v Speaker 1>has no regard for human life, obviously, not even regard

0:26:22.480 --> 0:26:27.439
<v Speaker 1>for the artistry of killing. Captain. Captain, we've got a

0:26:27.480 --> 0:26:31.679
<v Speaker 1>new uh thing in in this invest in this case,

0:26:32.320 --> 0:26:35.359
<v Speaker 1>A new thing, Yes, a new thing in this case.

0:26:35.760 --> 0:26:37.200
<v Speaker 1>I'm Captain. By the way, I don't know if I

0:26:37.240 --> 0:26:42.600
<v Speaker 1>can handle more. He's Serge. I'm I'm serge who's highed, Well,

0:26:42.640 --> 0:26:47.959
<v Speaker 1>you're lieutenant, you outrank me, but I think collectively we

0:26:48.000 --> 0:26:51.040
<v Speaker 1>are we are yes place you were saying. Turns out

0:26:52.480 --> 0:26:57.360
<v Speaker 1>those body parts and pieces we found something on them.

0:26:57.400 --> 0:27:03.880
<v Speaker 1>Oh coreat a dry rub, dry rock, dry rub. Alright,

0:27:03.960 --> 0:27:09.439
<v Speaker 1>this has going completely Texas spies dry rub, seven different

0:27:09.520 --> 0:27:13.159
<v Speaker 1>spices and one. Oh god, I knew something was up

0:27:13.200 --> 0:27:15.840
<v Speaker 1>when we waited four hours to get into this crime scene.

0:27:16.440 --> 0:27:19.520
<v Speaker 1>It's making me feel like perhaps there's more that we

0:27:19.600 --> 0:27:22.239
<v Speaker 1>haven't uncovered. So I'm going to take it on my

0:27:22.280 --> 0:27:25.760
<v Speaker 1>own volition. If you, if you approve as the collective

0:27:25.760 --> 0:27:31.520
<v Speaker 1>captain to go sniff out and search out any Look,

0:27:31.560 --> 0:27:35.439
<v Speaker 1>I'm sorry, you need a signature from a captain on this. This.

0:27:35.640 --> 0:27:38.199
<v Speaker 1>I see you got a signature from a lieutenant and

0:27:38.440 --> 0:27:41.600
<v Speaker 1>one from ass sergeant. I don't not like math they

0:27:41.720 --> 0:27:43.600
<v Speaker 1>look if you want, if you want to check out

0:27:43.680 --> 0:27:46.440
<v Speaker 1>things from the thing locker, you're gonna have to get

0:27:46.440 --> 0:27:48.720
<v Speaker 1>me a captain signature on this. I can't. I can't

0:27:48.760 --> 0:27:53.320
<v Speaker 1>just release things to a deputy like that. I mean,

0:27:53.400 --> 0:27:56.600
<v Speaker 1>what can I say together there, captain? So I don't

0:27:56.680 --> 0:27:59.520
<v Speaker 1>think that's it. Look, we I appreciate you. I know

0:27:59.600 --> 0:28:02.480
<v Speaker 1>your happy. I've seen you come in here and tearing

0:28:02.520 --> 0:28:05.919
<v Speaker 1>through boxes with a flashlight. I'll sign it for you,

0:28:06.000 --> 0:28:10.000
<v Speaker 1>but I'm a captain c ap apostrophe and I I

0:28:10.080 --> 0:28:12.439
<v Speaker 1>have cereal. I don't know if this will fly, but

0:28:12.520 --> 0:28:15.640
<v Speaker 1>i'll I'll sign it for you. Listen, I just need

0:28:15.640 --> 0:28:17.040
<v Speaker 1>the thing on the things that I can go to

0:28:17.040 --> 0:28:20.280
<v Speaker 1>the thing. Okay, all right, you know I got to

0:28:20.320 --> 0:28:22.480
<v Speaker 1>tell you when I signed my name as signatures, just

0:28:22.560 --> 0:28:25.359
<v Speaker 1>a C C captain crunch. I don't have time. People

0:28:25.359 --> 0:28:30.960
<v Speaker 1>want to understand, um, babe. So this is where. This

0:28:31.000 --> 0:28:35.120
<v Speaker 1>is the last place I remember having a drink. Okay,

0:28:35.560 --> 0:28:42.040
<v Speaker 1>I think you and I ordered to audios Amarillo's right.

0:28:42.600 --> 0:28:44.520
<v Speaker 1>Yeah that sounds that sounds sort of familiar, ring a

0:28:44.560 --> 0:28:47.480
<v Speaker 1>little bit of a bell. Yeah, we had a sip. Right,

0:28:48.960 --> 0:28:52.479
<v Speaker 1>Did you guys want to have a seat today or Hi?

0:28:52.680 --> 0:28:56.560
<v Speaker 1>Do you did you work last night? Buddy tunes? I

0:28:56.640 --> 0:29:01.440
<v Speaker 1>work every day. It's really grilling. Oh it's a quick

0:29:01.480 --> 0:29:05.360
<v Speaker 1>turnaround for you. Um, I'm sorry about that. Yeah. There's

0:29:05.400 --> 0:29:08.360
<v Speaker 1>no union, like, there's nothing to stop them from giving

0:29:08.400 --> 0:29:10.680
<v Speaker 1>me just four hours off in between shifts. It's an

0:29:10.680 --> 0:29:13.760
<v Speaker 1>absolute nightmare. But unfortunately we do have rules here, so

0:29:14.560 --> 0:29:18.120
<v Speaker 1>you either need to sit and enjoy. Do you recognize us?

0:29:18.240 --> 0:29:22.920
<v Speaker 1>Do you recognize us from last night? So many people?

0:29:23.240 --> 0:29:27.360
<v Speaker 1>So many people? Maybe if I hear you talk a

0:29:27.400 --> 0:29:32.040
<v Speaker 1>little more. I'm a very oratory well based based on

0:29:32.040 --> 0:29:35.120
<v Speaker 1>one of the videos I saw, heard you a lot.

0:29:35.560 --> 0:29:38.160
<v Speaker 1>Can I hear you a little more? Ma'am? Um? Sure?

0:29:38.480 --> 0:29:40.360
<v Speaker 1>I mean if the thing is is like, this is

0:29:40.360 --> 0:29:43.080
<v Speaker 1>how I normally talk. But we kind of fear that

0:29:43.080 --> 0:29:47.040
<v Speaker 1>we went completely Texas last night. Recognized So it's possible

0:29:47.080 --> 0:29:51.120
<v Speaker 1>that I was like, Hi, yeah, does that sound right?

0:29:52.080 --> 0:29:55.480
<v Speaker 1>And I was like I was like, yeah, like this

0:29:55.520 --> 0:29:59.360
<v Speaker 1>is yes, this is very much so ringing bells, yes

0:30:00.040 --> 0:30:03.800
<v Speaker 1>it so? Did you want the same table? No? No, no, no,

0:30:03.800 --> 0:30:06.040
<v Speaker 1>no no, we gotta keep retracing our steps. Thank you

0:30:06.080 --> 0:30:09.040
<v Speaker 1>for your time, and hey, you know, maybe look for

0:30:09.040 --> 0:30:14.320
<v Speaker 1>somewhere else to work. You got a lot of nerve

0:30:14.440 --> 0:30:21.480
<v Speaker 1>coming back into this Arby's So sorry. Was it the

0:30:21.480 --> 0:30:23.360
<v Speaker 1>big hat that's what drew you in? Because you went

0:30:23.400 --> 0:30:26.720
<v Speaker 1>completely Texas when you were here last night? Shoot, no,

0:30:26.840 --> 0:30:29.040
<v Speaker 1>we want to say sorry. We're just piecing together. We're

0:30:29.040 --> 0:30:31.800
<v Speaker 1>just piecing together what happened last night? We're good people.

0:30:32.200 --> 0:30:34.320
<v Speaker 1>Why don't you look on your phone. That'll tell you

0:30:34.320 --> 0:30:37.240
<v Speaker 1>what happened last night. You were shooting wide angle videos

0:30:37.280 --> 0:30:40.000
<v Speaker 1>from the top of the counter here, getting Horsey sauce

0:30:40.080 --> 0:30:43.280
<v Speaker 1>on as many people as you could inside this place.

0:30:43.520 --> 0:30:47.480
<v Speaker 1>I never seen more you mean, thank god? I didn't

0:30:47.480 --> 0:30:52.160
<v Speaker 1>know if that was Horsey saucer or not. Come on,

0:30:53.200 --> 0:30:57.040
<v Speaker 1>come on you, we went completely Texas. I didn't know. Look,

0:30:57.040 --> 0:30:59.680
<v Speaker 1>we're sorry. Look, we love arbies, we love your roast beef.

0:30:59.800 --> 0:31:01.800
<v Speaker 1>I always get like the big pound one. I get

0:31:01.840 --> 0:31:05.720
<v Speaker 1>as much on there as possible. Um, but we just

0:31:06.040 --> 0:31:09.280
<v Speaker 1>we can't take responsibility for going completely Texas. You understand, like,

0:31:09.360 --> 0:31:14.239
<v Speaker 1>we're sorry, but we're sorry. We weren't ourselves. That's the

0:31:14.280 --> 0:31:20.280
<v Speaker 1>worst apology I've ever heard. We can't take responsibility. What

0:31:20.360 --> 0:31:23.280
<v Speaker 1>kind of an apology is? We can't take responsibility. You

0:31:23.360 --> 0:31:29.800
<v Speaker 1>went Texas in my franchise? All right, um, officer, So

0:31:29.880 --> 0:31:32.120
<v Speaker 1>what what what? What? What did you dig up in

0:31:32.120 --> 0:31:35.960
<v Speaker 1>those boxes? Any any, any any evidence that might direct

0:31:36.080 --> 0:31:37.920
<v Speaker 1>us to who this killer was. Now, I said, I

0:31:37.920 --> 0:31:39.640
<v Speaker 1>saw that you mentioned that there was a little bit

0:31:39.640 --> 0:31:44.239
<v Speaker 1>of a of a sauce sauce in a was so

0:31:44.280 --> 0:31:46.720
<v Speaker 1>surprising because I was expecting it just to be a

0:31:46.800 --> 0:31:48.840
<v Speaker 1>dry rub situation, and then all of a sudden, there's

0:31:48.840 --> 0:31:52.920
<v Speaker 1>a wet sauce. So I'm thinking we're going completely Texas,

0:31:52.960 --> 0:31:56.640
<v Speaker 1>We're going north south east west, and maybe we're even

0:31:56.680 --> 0:31:58.800
<v Speaker 1>and I didn't taste it, but it was a very

0:31:58.880 --> 0:32:00.920
<v Speaker 1>dark and hue, and we might even be going text

0:32:00.960 --> 0:32:04.200
<v Speaker 1>mex We might even be dealing with the mole. I'm

0:32:04.400 --> 0:32:09.880
<v Speaker 1>not sure, but again, if I can get your collective

0:32:09.960 --> 0:32:14.440
<v Speaker 1>captain approval, I would love to even go further, get

0:32:14.480 --> 0:32:18.000
<v Speaker 1>out of the walls of this precinct and take my

0:32:18.080 --> 0:32:20.680
<v Speaker 1>investigation to the streets. I think that there may be

0:32:20.800 --> 0:32:26.840
<v Speaker 1>some slow roasting pits search. I can only think of

0:32:27.160 --> 0:32:29.440
<v Speaker 1>one other time we you and I had to come

0:32:29.480 --> 0:32:33.720
<v Speaker 1>together for a secature. We did a go stop. I

0:32:33.760 --> 0:32:38.240
<v Speaker 1>got behind you, held your hand in mine. I remember vividly.

0:32:40.280 --> 0:32:42.000
<v Speaker 1>It seems like maybe we got to do that one

0:32:42.000 --> 0:32:44.880
<v Speaker 1>more time to give her the access she needs. I

0:32:44.920 --> 0:32:47.000
<v Speaker 1>actually think it could be an oral thing. I don't

0:32:47.000 --> 0:32:50.080
<v Speaker 1>think I need a physical No no, no, no, Well,

0:32:50.080 --> 0:32:51.920
<v Speaker 1>we'll see where it goes. We'll see where it goes,

0:32:52.080 --> 0:32:55.880
<v Speaker 1>we'll start it, We'll see if it gets to an orbles. Yeah,

0:32:55.920 --> 0:32:58.520
<v Speaker 1>so you're saying start with hands maybe and in oral

0:33:00.040 --> 0:33:03.560
<v Speaker 1>where it goes? All right again, this is not a

0:33:03.640 --> 0:33:06.840
<v Speaker 1>captain's signature. And why is this paper wet? I'm not

0:33:06.960 --> 0:33:10.320
<v Speaker 1>taking this like look, don't do you not understand? Just

0:33:10.440 --> 0:33:12.920
<v Speaker 1>let me out of the precinct. I don't know why

0:33:13.000 --> 0:33:16.400
<v Speaker 1>you guys keep me in here. I've been home in

0:33:16.440 --> 0:33:20.040
<v Speaker 1>three years. Yeah, you gotta stay in here right now.

0:33:20.440 --> 0:33:22.920
<v Speaker 1>Things are hot and get over here. Listen. Don't you

0:33:23.000 --> 0:33:27.680
<v Speaker 1>know there's a mole in this precinct. Somewhere there's a mole.

0:33:27.880 --> 0:33:32.800
<v Speaker 1>I heard it on the street. I found it. Wait

0:33:32.800 --> 0:33:37.200
<v Speaker 1>what I'm not we mean you found it? You trying

0:33:37.200 --> 0:33:45.280
<v Speaker 1>to say, oh, baby, huh, I didn't realize I skipped

0:33:45.280 --> 0:33:47.240
<v Speaker 1>over some stuff that you had air dropped to me

0:33:47.320 --> 0:33:50.880
<v Speaker 1>last night. Okay, well we're finally within reception. It probably

0:33:50.920 --> 0:33:57.960
<v Speaker 1>just came in. You're so, you're so smart and like reasonable, baby?

0:33:58.240 --> 0:34:03.320
<v Speaker 1>Were we were we do we have our hands and intestines?

0:34:03.400 --> 0:34:11.799
<v Speaker 1>Last night? Um that I do remember, Yes, Yeah, I

0:34:11.840 --> 0:34:14.440
<v Speaker 1>was hoping we wouldn't piece it together. Um. I started

0:34:14.440 --> 0:34:16.440
<v Speaker 1>to come out of the Texas when we were in

0:34:16.480 --> 0:34:19.040
<v Speaker 1>the middle of so many body parts. From what I

0:34:19.040 --> 0:34:22.359
<v Speaker 1>can only assume was us going so Texas that we

0:34:22.360 --> 0:34:24.920
<v Speaker 1>were shooting first, taking questions later, we just we we.

0:34:26.320 --> 0:34:27.600
<v Speaker 1>I think that's why we end up in the police

0:34:27.600 --> 0:34:30.960
<v Speaker 1>station because I was trying to establish an alibi for us. Okay,

0:34:30.960 --> 0:34:34.360
<v Speaker 1>but you're so smart. You're probably smarter than any captain

0:34:34.760 --> 0:34:36.680
<v Speaker 1>or sergeant or lieutenant or anybody they might have on

0:34:36.760 --> 0:34:39.959
<v Speaker 1>that four. So surely you covered our tracks. Surely there's

0:34:40.000 --> 0:34:43.120
<v Speaker 1>no evidence leading to us, right, baby, Well, I did

0:34:43.160 --> 0:34:45.120
<v Speaker 1>a trail. Of course. He saw us leading back to

0:34:45.160 --> 0:34:47.919
<v Speaker 1>the RBS. That matches the DNA of the manager there,

0:34:48.680 --> 0:34:52.560
<v Speaker 1>so if anything goes correctly, they'll pin it on him.

0:34:52.719 --> 0:34:55.680
<v Speaker 1>I love you here, and we have some that gatory, babe,

0:34:58.920 --> 0:35:02.359
<v Speaker 1>what a day? Hey, we gotta get some help. Yeah,

0:35:02.400 --> 0:35:05.799
<v Speaker 1>I think so. I mean, yes, we just framed an

0:35:05.840 --> 0:35:09.880
<v Speaker 1>innocent franchise owner of a fat whose places probably barely

0:35:10.000 --> 0:35:13.040
<v Speaker 1>making ends meet. But I think it's time to take

0:35:13.080 --> 0:35:15.800
<v Speaker 1>some responsibility in our own lives, and we killed somebody.

0:35:17.000 --> 0:35:20.080
<v Speaker 1>I wasn't even in a hospital last night. What are

0:35:20.120 --> 0:35:29.960
<v Speaker 1>you talking about? Shooting A shooting an appendix? I gotta know, Look, Deputy,

0:35:30.719 --> 0:35:32.839
<v Speaker 1>no offense. But if I'm gonna be sitting in here

0:35:32.880 --> 0:35:35.920
<v Speaker 1>in this derogation room, I don't know I should be

0:35:36.000 --> 0:35:38.640
<v Speaker 1>talking to at least a cap And I know, I'm

0:35:38.640 --> 0:35:43.600
<v Speaker 1>just I'm feeling like really really uh uh, but Cavin Fever,

0:35:43.719 --> 0:35:46.480
<v Speaker 1>I'm just I'm feeling like I gotta, you know, get out.

0:35:46.560 --> 0:35:49.000
<v Speaker 1>And you're from the outside. I just wanted to connect

0:35:49.000 --> 0:35:52.120
<v Speaker 1>with you. But um, how long you've been wearing those clothes?

0:35:53.480 --> 0:35:55.480
<v Speaker 1>What does it smell like? It smells like I've been

0:35:55.600 --> 0:35:57.440
<v Speaker 1>rolling around in beans. And let me tell you, it's

0:35:57.520 --> 0:36:00.120
<v Speaker 1>not that I've just haven't. I've been wearing in the

0:36:00.160 --> 0:36:02.240
<v Speaker 1>same clothes and we're in the same clothes for about

0:36:02.360 --> 0:36:04.640
<v Speaker 1>three years. I'm gonna get you that, Captain. I'm gonna

0:36:04.680 --> 0:36:07.640
<v Speaker 1>get you that, Captain. You've had good cop, now have

0:36:07.800 --> 0:36:15.200
<v Speaker 1>bad cops. Everything's wet now, man, what time to confess

0:36:15.960 --> 0:36:21.480
<v Speaker 1>a cat? Look listen, captain, I wasn't even at the hospital.

0:36:21.600 --> 0:36:24.600
<v Speaker 1>I was at my Arby's. We got video footage of

0:36:24.640 --> 0:36:26.960
<v Speaker 1>an Arby. Some crazy lady was in there last night

0:36:27.000 --> 0:36:29.680
<v Speaker 1>shooting Horsey sauce all over the place. You'll probably see

0:36:29.719 --> 0:36:31.719
<v Speaker 1>me in the background at a video at some point

0:36:32.600 --> 0:36:35.319
<v Speaker 1>video evidence. Hull. Take a look. I do like Rby.

0:36:35.360 --> 0:36:37.439
<v Speaker 1>It's a big hat like mine. It is a big

0:36:37.520 --> 0:36:43.719
<v Speaker 1>hat like yours. Yes, Oh baby, what a day. But

0:36:43.880 --> 0:36:47.239
<v Speaker 1>you know what, we're good to this relax. I watch

0:36:47.280 --> 0:36:50.160
<v Speaker 1>a little TV. No one's gonna come to our door.

0:36:53.600 --> 0:36:57.200
<v Speaker 1>What I said, no one come to our right? Is

0:36:57.239 --> 0:36:59.920
<v Speaker 1>someone knocked at our door? All right? But I mean

0:37:00.000 --> 0:37:02.880
<v Speaker 1>to day is no one's coming, No one's bugging us,

0:37:03.360 --> 0:37:06.400
<v Speaker 1>No one's gonna knock on our door. Okay, you're hearing that.

0:37:07.440 --> 0:37:13.440
<v Speaker 1>I am stop setting it up. And they looked at

0:37:13.480 --> 0:37:17.880
<v Speaker 1>the people here. Excuse me? Did you perform a routine

0:37:17.920 --> 0:37:22.440
<v Speaker 1>appen deck to me last night? Shit, we want to

0:37:22.560 --> 0:37:27.359
<v Speaker 1>hire you. We need surgeons. You did a great job.

0:37:28.840 --> 0:37:35.719
<v Speaker 1>Please taking it face value, go for it. Okay? Hi? Hello, Hi?

0:37:37.400 --> 0:37:40.120
<v Speaker 1>Uh you know for a fact that we were at

0:37:40.200 --> 0:37:43.960
<v Speaker 1>a hospital last night performing surgeries. Yes, yes, we we have.

0:37:44.840 --> 0:37:52.399
<v Speaker 1>We have camp footage and we're not in trouble. Well, look,

0:37:52.480 --> 0:37:55.279
<v Speaker 1>things went completely Texas in our operating room last night,

0:37:55.400 --> 0:37:58.200
<v Speaker 1>and then I guess things are also going completely Texas

0:37:58.280 --> 0:38:01.279
<v Speaker 1>for you in your lives because obviously you blacked out.

0:38:01.360 --> 0:38:04.640
<v Speaker 1>You performed a routine surgery, but you really got us

0:38:04.680 --> 0:38:06.879
<v Speaker 1>out of a bind there. And uh, I just smell

0:38:06.960 --> 0:38:14.040
<v Speaker 1>like beans. Uh you're you're alone? Right? Yeah? Sorry, I

0:38:14.680 --> 0:38:17.720
<v Speaker 1>I'm it's just a cold day, and I'm just wearing

0:38:17.760 --> 0:38:20.719
<v Speaker 1>my old, my old childhood jacket. As long as you're

0:38:20.719 --> 0:38:23.400
<v Speaker 1>not some deputy is trying to make a name for

0:38:23.480 --> 0:38:26.080
<v Speaker 1>herself by capturing two people who committed to haynge this crime.

0:38:26.160 --> 0:38:28.600
<v Speaker 1>As long as you're not that, we're no. No, that's

0:38:29.120 --> 0:38:32.160
<v Speaker 1>that's not that's not me. Because if my phone, if

0:38:32.239 --> 0:38:36.160
<v Speaker 1>my phone ring, sorry if I wasn't the guy you

0:38:36.239 --> 0:38:42.480
<v Speaker 1>were expecting, but this I'm the guy who's here. I'm

0:38:42.520 --> 0:38:45.040
<v Speaker 1>the guy who's here, and I'm offering you a job

0:38:47.680 --> 0:38:52.160
<v Speaker 1>for us that life is gonna go. Life goes the

0:38:52.200 --> 0:39:00.759
<v Speaker 1>way that it goes. Second, seeing the ring comes to

0:39:00.920 --> 0:39:04.000
<v Speaker 1>us from alchemy v I P. Pat scene, Pat says,

0:39:04.080 --> 0:39:09.279
<v Speaker 1>hey gang scene suggestion. The people and their auditions for

0:39:09.400 --> 0:39:13.880
<v Speaker 1>the canned laugh tracks on comedy shows. The people and

0:39:13.960 --> 0:39:17.000
<v Speaker 1>their auditions for the can laugh tracks on comedy shows.

0:39:17.239 --> 0:39:20.799
<v Speaker 1>Keep up the amazing job, Pat. Great, I see from

0:39:20.880 --> 0:39:25.440
<v Speaker 1>your head shot here that you did lear on Broadway?

0:39:25.560 --> 0:39:31.239
<v Speaker 1>Is that true? This? Wowd leerd leer many times? How

0:39:31.360 --> 0:39:34.200
<v Speaker 1>that is? That is great? Can you can you? Um,

0:39:34.600 --> 0:39:36.480
<v Speaker 1>you know what, I'm not gonna I'm not gonna give

0:39:36.480 --> 0:39:42.120
<v Speaker 1>any notes yet. B wins and crack wow for this weird,

0:39:42.239 --> 0:39:46.480
<v Speaker 1>just looking for sort of a gentle titter like like.

0:39:46.640 --> 0:39:49.040
<v Speaker 1>It's not the funniest joke of the of the scene,

0:39:49.080 --> 0:39:51.960
<v Speaker 1>but you know it made you laugh a little. All right,

0:39:53.200 --> 0:40:04.800
<v Speaker 1>are we rolling? Whenever you're ready? Who? Wow? Do you

0:40:04.920 --> 0:40:08.160
<v Speaker 1>mind if I give you a little adjustment? Yes? Please,

0:40:08.239 --> 0:40:12.000
<v Speaker 1>I I enjoy a direction. Imagine, okay, imagine in this

0:40:12.239 --> 0:40:16.759
<v Speaker 1>moment that you are Prince Hamlet, and Prince Hamlet has

0:40:16.840 --> 0:40:20.759
<v Speaker 1>just seen that he's also played Hamlet. Congratulations, I see

0:40:20.800 --> 0:40:23.560
<v Speaker 1>it right here. It's actually six lines on your resume.

0:40:23.719 --> 0:40:27.640
<v Speaker 1>It just you've played all of these characters in Hamlet. Yes,

0:40:27.760 --> 0:40:34.040
<v Speaker 1>I played Gertrude, now Claudius, that's Horatio. I played ros

0:40:34.080 --> 0:40:39.920
<v Speaker 1>and Grants and Gilderstein. Gilderstein, this this, this is. It

0:40:40.040 --> 0:40:42.440
<v Speaker 1>looks like these are all from the same production. Is

0:40:42.520 --> 0:40:45.239
<v Speaker 1>that did you do these all at once? I one

0:40:45.320 --> 0:40:49.239
<v Speaker 1>man Hamlet? That is that's impressive. So this time some

0:40:49.400 --> 0:40:54.359
<v Speaker 1>would say I'm patting my resume, but I I'm proud

0:40:54.400 --> 0:40:56.800
<v Speaker 1>of all that. I take everything that comes across my

0:40:56.920 --> 0:40:59.520
<v Speaker 1>desk at face value. If you say you did it,

0:40:59.640 --> 0:41:01.960
<v Speaker 1>you did it, and I am excited for you. I

0:41:02.120 --> 0:41:05.759
<v Speaker 1>just like a gentle titter like it's a kind of

0:41:05.880 --> 0:41:10.359
<v Speaker 1>a kind of funny thing happened. I don't know, can

0:41:10.480 --> 0:41:13.160
<v Speaker 1>you can you say something funny to just to cue me,

0:41:14.000 --> 0:41:18.960
<v Speaker 1>mildly funny, something mildly funny. Uh sure? How about Um,

0:41:20.120 --> 0:41:25.080
<v Speaker 1>I just flew in from Stratford upon Avon and uh

0:41:25.280 --> 0:41:32.000
<v Speaker 1>boy or my arms tired? Oh good sir. This is

0:41:32.080 --> 0:41:34.799
<v Speaker 1>my It's like my second acting class. The first one

0:41:34.960 --> 0:41:36.680
<v Speaker 1>was like more on camera stuff, so I'm trying to

0:41:36.719 --> 0:41:39.080
<v Speaker 1>work on my voice stuff as well. Just really I

0:41:39.120 --> 0:41:41.520
<v Speaker 1>want to be like, you know, ready to go in

0:41:41.560 --> 0:41:45.879
<v Speaker 1>any situation. It's actually really hard to break out into

0:41:45.920 --> 0:41:50.319
<v Speaker 1>the theater, so I just know that it's a little

0:41:50.320 --> 0:41:54.120
<v Speaker 1>bit easier to do the whole on camera thing. Mm hmm.

0:41:54.880 --> 0:41:56.960
<v Speaker 1>I feel like they're just they're just different. But what

0:41:57.040 --> 0:41:59.680
<v Speaker 1>do I know if you're just looking to round it out,

0:42:00.000 --> 0:42:03.280
<v Speaker 1>but if you're looking to um build up your resume,

0:42:04.200 --> 0:42:08.320
<v Speaker 1>just be aware, you know, this is pretty cutthroat this

0:42:08.560 --> 0:42:12.520
<v Speaker 1>class or this this industry in general, this class and

0:42:12.680 --> 0:42:16.880
<v Speaker 1>this industry both Well, I've got a thick skin and um,

0:42:16.920 --> 0:42:20.239
<v Speaker 1>I've got some range, as they say, so I'm really

0:42:20.280 --> 0:42:22.560
<v Speaker 1>looking forward to just like you know, working with the

0:42:22.640 --> 0:42:27.120
<v Speaker 1>master himself or herself. He's incredible. He's absolutely incredible, and

0:42:27.360 --> 0:42:32.080
<v Speaker 1>he does pick favorites. He does. Oh yeah, you're obviously

0:42:32.239 --> 0:42:33.960
<v Speaker 1>we're are one of his favor are your t a

0:42:34.440 --> 0:42:37.239
<v Speaker 1>or no? I've just been taking this class for the

0:42:37.280 --> 0:42:41.440
<v Speaker 1>past eight years. Eight years. Yeah, So you know, he

0:42:41.600 --> 0:42:44.640
<v Speaker 1>knows me, and I know him, and he knows my

0:42:44.920 --> 0:42:50.120
<v Speaker 1>my power, my strengths, and together we work on my weaknesses.

0:42:51.360 --> 0:42:55.960
<v Speaker 1>I I got a friend who's like always making stuff,

0:42:56.280 --> 0:42:58.480
<v Speaker 1>you know, So that's like I'm working of like putting

0:42:58.520 --> 0:43:01.120
<v Speaker 1>together some like photoge do with that. But right now

0:43:01.200 --> 0:43:06.640
<v Speaker 1>we're working on some like straight up voice stuff. Just knock, knock,

0:43:06.880 --> 0:43:10.239
<v Speaker 1>Who's who's at the door? Who is that? Who's at

0:43:10.280 --> 0:43:17.400
<v Speaker 1>the door? Why it's me? Both is a mackintrick, Shakespearean actor,

0:43:18.040 --> 0:43:22.799
<v Speaker 1>voice teacher. Just sorry, I'm late. I just came from

0:43:22.840 --> 0:43:29.080
<v Speaker 1>a gig. Oh I've been hired to provide laughter for

0:43:32.160 --> 0:43:38.200
<v Speaker 1>for multi camera sitcoms with prerecorded laugh tracks. Are we

0:43:38.280 --> 0:43:43.279
<v Speaker 1>going to be working on that in here? Why don't we?

0:43:44.000 --> 0:43:53.040
<v Speaker 1>Why don't we? So? I prepared my my monologues, okay,

0:43:53.760 --> 0:44:00.680
<v Speaker 1>contrasting trasting monolog minds contemporary at You're a new face,

0:44:00.719 --> 0:44:04.520
<v Speaker 1>are you not? Yes? Yes, yes, sir, Yes, sir, don't

0:44:04.640 --> 0:44:09.040
<v Speaker 1>bother telling me your name. I won't learn it. And

0:44:09.239 --> 0:44:15.719
<v Speaker 1>you you've been you've been here before. I live here practically, yes, yes, Well,

0:44:16.200 --> 0:44:19.040
<v Speaker 1>why don't you do your first monologue? Great? Okay, great,

0:44:19.160 --> 0:44:21.799
<v Speaker 1>you're not going to do the whole voice thing. Well,

0:44:21.880 --> 0:44:25.200
<v Speaker 1>I'm going to practice some of my canned laughs as

0:44:25.280 --> 0:44:28.440
<v Speaker 1>you do. Why don't you do your comedy monologue first? Okay,

0:44:29.080 --> 0:44:33.759
<v Speaker 1>and I will regale you with laughter. Okay, great, and

0:44:34.000 --> 0:44:41.719
<v Speaker 1>here it goes class. Everybody pay attention to me, look

0:44:41.840 --> 0:44:46.200
<v Speaker 1>up at me. Now you are a new here. But

0:44:49.480 --> 0:44:52.719
<v Speaker 1>so no, no, just continue a monologue. I'm just going

0:44:52.760 --> 0:44:55.480
<v Speaker 1>to pepper pepper and laughs. Doesn't sure whether you're trying

0:44:55.480 --> 0:44:58.239
<v Speaker 1>to give me notes at the same time. No, no, no,

0:44:58.520 --> 0:45:02.399
<v Speaker 1>keep going. I was delivering a mild titter. Okay, great.

0:45:03.160 --> 0:45:06.719
<v Speaker 1>My name is miss Wasta. But that's w A s

0:45:06.920 --> 0:45:13.759
<v Speaker 1>t A b A. That's pronounced wall star. Ah, that's

0:45:13.880 --> 0:45:24.399
<v Speaker 1>walls and water f t asn't tatar star was Oh boy,

0:45:25.560 --> 0:45:27.759
<v Speaker 1>oh my gosh, this is so crazy. I'm like a

0:45:27.840 --> 0:45:29.719
<v Speaker 1>huge fan. I know it's just the same audition, but like,

0:45:32.160 --> 0:45:35.200
<v Speaker 1>I love you, I'm a huge fan of yours. H

0:45:36.160 --> 0:45:40.360
<v Speaker 1>what what do you know me from your student? Like,

0:45:40.480 --> 0:45:43.279
<v Speaker 1>I'm in your classes and you looked you looked, you

0:45:43.360 --> 0:45:47.000
<v Speaker 1>looked familiar. Now here we are the same roll? Roll?

0:45:47.160 --> 0:45:48.840
<v Speaker 1>All right, I'm gonna bring you both in at the

0:45:48.920 --> 0:45:51.480
<v Speaker 1>same time on this one. If that's okay, we're running

0:45:51.480 --> 0:45:54.200
<v Speaker 1>a little up, we're running a little late you guys,

0:45:54.239 --> 0:45:57.640
<v Speaker 1>mast and student U sure cut, come on in, both

0:45:57.680 --> 0:46:01.080
<v Speaker 1>of you. Great, so thank you for coming in h

0:46:01.160 --> 0:46:04.200
<v Speaker 1>in this scene right here. We're what we're going to need.

0:46:04.400 --> 0:46:06.320
<v Speaker 1>We'll just go one at a time, and we just

0:46:06.480 --> 0:46:09.719
<v Speaker 1>want the sound that's made on a sitcom. When the

0:46:09.800 --> 0:46:14.000
<v Speaker 1>will they won't they couple kisses the first time? All right?

0:46:14.080 --> 0:46:17.440
<v Speaker 1>Does everybody have that? You're ready? And who's going first baths?

0:46:17.600 --> 0:46:20.360
<v Speaker 1>Mckintrick or this fellow? Um, why don't we start with

0:46:20.760 --> 0:46:23.680
<v Speaker 1>Why don't we start with this fellow? What's your name? Um?

0:46:24.600 --> 0:46:29.520
<v Speaker 1>Won't let it? Uh? Kyle? Okay, Kyle? Whenever you're ready?

0:46:30.000 --> 0:46:34.560
<v Speaker 1>M hmm, will you give me a brief leading a scenario?

0:46:34.640 --> 0:46:44.960
<v Speaker 1>Where's the first kiss? Sure? Thank you so much. That

0:46:45.080 --> 0:46:48.279
<v Speaker 1>was great. That was great? Thanks? Now? Um? Uh, balth

0:46:48.400 --> 0:46:53.600
<v Speaker 1>is our just about is it? It's Mr Experience actor

0:46:54.560 --> 0:47:09.280
<v Speaker 1>voice teacher can laugh track master whenever you're ready. M hm, whoa, Shannon,

0:47:09.440 --> 0:47:11.560
<v Speaker 1>He's never going to learn your name. I mean, you

0:47:11.640 --> 0:47:14.520
<v Speaker 1>were working on the lot to bury whatever that is

0:47:14.600 --> 0:47:18.840
<v Speaker 1>monologue for months and he he gave you a mild gaffall.

0:47:19.600 --> 0:47:23.680
<v Speaker 1>That was it. That's what was so hurtful. I'm used

0:47:23.719 --> 0:47:26.520
<v Speaker 1>to not hearing laughs. That's fine, if you don't want

0:47:26.600 --> 0:47:29.960
<v Speaker 1>to laugh, that's fine, But to verbalize it like that

0:47:30.200 --> 0:47:33.600
<v Speaker 1>was so mocking to me. And but now I'm starting

0:47:33.640 --> 0:47:36.200
<v Speaker 1>to think he's doing this on purpose because he knows

0:47:36.800 --> 0:47:41.560
<v Speaker 1>that my dramatic piece, my dramatic monologue is me having

0:47:41.640 --> 0:47:45.760
<v Speaker 1>to feel less than and confronting a father figure about

0:47:45.920 --> 0:47:48.400
<v Speaker 1>never being good enough. And maybe he's just trying to

0:47:49.040 --> 0:47:52.399
<v Speaker 1>spur that within me, and he thinks he probably thinks

0:47:52.440 --> 0:47:54.520
<v Speaker 1>I'm great. I was just trying to spurre that with me.

0:47:56.360 --> 0:47:58.720
<v Speaker 1>Or it's time to move on to his acting class

0:47:59.040 --> 0:48:03.359
<v Speaker 1>that you've been it for years, Balthazar. It's really nice

0:48:03.400 --> 0:48:05.280
<v Speaker 1>to have you in now. This is a big network,

0:48:05.440 --> 0:48:08.080
<v Speaker 1>as you know, it's one of the biggest networks in

0:48:08.840 --> 0:48:11.279
<v Speaker 1>TV land. You know, it's not TV Lander network. It's

0:48:11.320 --> 0:48:13.920
<v Speaker 1>just I'm just saying, I don't know. I thought this

0:48:14.120 --> 0:48:19.320
<v Speaker 1>was no, no, no, so uh, here's the thing. We've

0:48:19.640 --> 0:48:24.080
<v Speaker 1>received a handful of your auditions, and well, we love

0:48:24.520 --> 0:48:27.160
<v Speaker 1>we love it, we love it. And as a matter

0:48:27.200 --> 0:48:29.520
<v Speaker 1>of fact, we are here to pitch you on a

0:48:29.560 --> 0:48:32.480
<v Speaker 1>show idea that would be Greenland. If you accept, we'll

0:48:32.520 --> 0:48:35.000
<v Speaker 1>shoot twenty three episodes right now. If you say yes,

0:48:36.760 --> 0:48:41.400
<v Speaker 1>here's the idea. All right, I'm waiting. You're the actor

0:48:43.200 --> 0:48:49.239
<v Speaker 1>and you're the canned laughter. Let it digests, let it,

0:48:49.800 --> 0:48:54.239
<v Speaker 1>let us sink in. You've understand we're competing with these

0:48:54.320 --> 0:48:57.000
<v Speaker 1>streaming services now right. You know they're they're they're they're

0:48:57.000 --> 0:48:59.719
<v Speaker 1>flipping the script as it were. They're they're they're trying things.

0:48:59.800 --> 0:49:02.480
<v Speaker 1>And you know, we're old and the script, the script

0:49:02.760 --> 0:49:05.760
<v Speaker 1>is king the words of the bar. That's what I'm saying.

0:49:05.880 --> 0:49:08.319
<v Speaker 1>That's what I'm saying. Anyone here wants to do unscripted work,

0:49:08.640 --> 0:49:13.680
<v Speaker 1>it's bullshit. There's no art in that unscripted You know that, right?

0:49:15.680 --> 0:49:18.360
<v Speaker 1>But can I see what you've written here? May I?

0:49:19.160 --> 0:49:24.040
<v Speaker 1>May I essay an attempt? This is our screenwriter right here.

0:49:24.040 --> 0:49:27.399
<v Speaker 1>As a matter of fact, I won't learn your name.

0:49:28.960 --> 0:49:35.919
<v Speaker 1>He well, let me see who's at the door. Why

0:49:36.200 --> 0:49:47.279
<v Speaker 1>it's my neighbor Barrel Prescott, who what what O? Good?

0:49:47.360 --> 0:49:52.719
<v Speaker 1>Sir Ah. I know it's hard to determine which is

0:49:52.800 --> 0:49:57.000
<v Speaker 1>the dialogue my reaction, but what we know, you know

0:49:57.160 --> 0:49:59.520
<v Speaker 1>this is great. I saw you do your one man Hamlet,

0:49:59.560 --> 0:50:01.719
<v Speaker 1>your woman Romeo and Juliet. You're one man twelve Night,

0:50:01.800 --> 0:50:03.520
<v Speaker 1>and like, we just thought that this one man show

0:50:03.680 --> 0:50:06.560
<v Speaker 1>for you on the network would just be amazing, and

0:50:06.600 --> 0:50:08.160
<v Speaker 1>it is. I mean, you're bringing my words to life.

0:50:09.280 --> 0:50:12.480
<v Speaker 1>Did you enjoy in Romeo and Juliet when I deflowered myself?

0:50:13.960 --> 0:50:16.840
<v Speaker 1>Now those are This is also a little unorthodox. But

0:50:17.200 --> 0:50:20.600
<v Speaker 1>we understand that you teach the classes, is that right? Yes,

0:50:21.000 --> 0:50:23.200
<v Speaker 1>if that could be a teaching element to this, well,

0:50:23.320 --> 0:50:27.439
<v Speaker 1>not necessarily. But there's one other character, just just one

0:50:28.040 --> 0:50:29.920
<v Speaker 1>that we'd like to hand out to, maybe one of

0:50:29.960 --> 0:50:33.440
<v Speaker 1>your best students, somebody you've known for a while. Uh,

0:50:33.600 --> 0:50:35.920
<v Speaker 1>someone that you have a real, real rapport with, so

0:50:36.080 --> 0:50:40.560
<v Speaker 1>you could bounce off of each other. Okay, nobody comes

0:50:40.640 --> 0:50:43.279
<v Speaker 1>to mind. Nobody comes to mind. Well, maybe maybe I

0:50:43.400 --> 0:50:46.720
<v Speaker 1>think you teach tonight Tonight's Wednesday Night, Right, you teach teaching, Burbank,

0:50:47.920 --> 0:50:52.160
<v Speaker 1>I do, Okay, so maybe I do. I teach it

0:50:52.239 --> 0:51:01.160
<v Speaker 1>a former Storage Locker and Jenny Punskansky. And do you

0:51:01.280 --> 0:51:04.719
<v Speaker 1>also need me to say my uh, my resume, my

0:51:04.920 --> 0:51:08.040
<v Speaker 1>experience in my slate or just the name. That's alright,

0:51:08.120 --> 0:51:11.680
<v Speaker 1>miss Pistonski. Um, we can just go right ahead and

0:51:12.880 --> 0:51:17.000
<v Speaker 1>and uh and you can jump right into the scenes.

0:51:17.040 --> 0:51:22.800
<v Speaker 1>Has I've taken eight years of dramatic arts that storage

0:51:22.880 --> 0:51:27.400
<v Speaker 1>locker and Burbank. I see that, and I see that. Um,

0:51:27.960 --> 0:51:30.640
<v Speaker 1>that's you just wrote that on your resume. Well, I

0:51:30.719 --> 0:51:36.759
<v Speaker 1>haven't really big, Yes, I haven't gotten That's where I

0:51:36.840 --> 0:51:38.600
<v Speaker 1>do my acting. That's where I do most of my

0:51:38.680 --> 0:51:41.080
<v Speaker 1>acting thus far. But I'd love to I'd love to

0:51:41.160 --> 0:51:43.640
<v Speaker 1>add this to the to the to the resume. I

0:51:43.680 --> 0:51:47.400
<v Speaker 1>would love to add this. Wow, it's it's actually resume. Um,

0:51:48.000 --> 0:51:50.560
<v Speaker 1>but we will. Let's go ahead, and I'd like you

0:51:50.640 --> 0:51:53.319
<v Speaker 1>to take a look at the point in the story

0:51:53.360 --> 0:51:56.440
<v Speaker 1>where it's going between act two and Act three, and

0:51:56.640 --> 0:52:01.319
<v Speaker 1>a big bit of information has just been veiled by

0:52:01.400 --> 0:52:04.880
<v Speaker 1>Balthazar to Balthazar, and we want you to see if

0:52:04.920 --> 0:52:08.200
<v Speaker 1>we can compliment what Balthazar did in the In the

0:52:08.320 --> 0:52:14.080
<v Speaker 1>initial recording of yeah, he started interrupt I'm so I'm

0:52:14.160 --> 0:52:17.400
<v Speaker 1>in the middle of anhoe I'm so sorry to interrupt.

0:52:17.440 --> 0:52:21.080
<v Speaker 1>I'm so sorry to interrupt. Um network wants to turn

0:52:21.200 --> 0:52:27.680
<v Speaker 1>this into a chemistry read both is our here? He's here.

0:52:27.920 --> 0:52:31.879
<v Speaker 1>I'm so sorry to interrupt. Oh no, that's that's totally fine.

0:52:31.960 --> 0:52:36.080
<v Speaker 1>Well knock, knock, knock. Who's there? Wells the door while

0:52:36.160 --> 0:52:41.040
<v Speaker 1>it's me Mr chist and chemistry. Yes we are, and

0:52:41.200 --> 0:52:46.839
<v Speaker 1>and and how lucky to have such rapport already. Yes,

0:52:47.000 --> 0:52:50.480
<v Speaker 1>I'm Balthazar by the way, Yes, yes, I'm in your

0:52:50.560 --> 0:52:58.520
<v Speaker 1>Wednesday night class. Have been for a used Jenny's say

0:52:58.560 --> 0:53:04.880
<v Speaker 1>that last thanks and spellered forward T A S T

0:53:05.200 --> 0:53:11.879
<v Speaker 1>K I K I S C H I. I won't

0:53:11.960 --> 0:53:14.600
<v Speaker 1>learn that dame. I can guarantee you I won't learn

0:53:14.680 --> 0:53:19.640
<v Speaker 1>that name. Ah, let's commence. I'm so sorry, I am

0:53:20.480 --> 0:53:27.640
<v Speaker 1>so sorry. What there's been some changes, and screenwriters here

0:53:28.560 --> 0:53:32.560
<v Speaker 1>implement some of those. If I swear, if you interrupt

0:53:32.640 --> 0:53:37.160
<v Speaker 1>one more time, I'm going completely Texas on you. All right,

0:53:37.320 --> 0:53:40.640
<v Speaker 1>It's okay, Look, it's I mean, look, you're from the network,

0:53:40.719 --> 0:53:42.799
<v Speaker 1>so you get to do whatever you want, so bring

0:53:42.880 --> 0:53:48.000
<v Speaker 1>the screenwriter in. As always, I will respect the written word. Sorry, okay,

0:53:48.040 --> 0:53:51.799
<v Speaker 1>so here the changes? Um, wait, really quick, both star. Um,

0:53:52.640 --> 0:53:56.880
<v Speaker 1>did you do your solo production of The Tempest back

0:53:57.000 --> 0:54:04.920
<v Speaker 1>in Akron? And yes, yes, that was me. Did you

0:54:05.360 --> 0:54:10.000
<v Speaker 1>meet a young lady there? Um that might have gone

0:54:10.120 --> 0:54:19.319
<v Speaker 1>backstage and um sounds like me. Yes, I think you're

0:54:19.360 --> 0:54:23.719
<v Speaker 1>my dad. What that's what we needed to Matchine, that's

0:54:23.760 --> 0:54:31.880
<v Speaker 1>what we need to Matchine. That's our show. Oh my gosh.

0:54:32.440 --> 0:54:36.120
<v Speaker 1>All right, Um, I mean come on, that's fun. We're

0:54:36.160 --> 0:54:39.799
<v Speaker 1>having fun. We're having fun. Looking at my notes, uh

0:54:39.880 --> 0:54:42.879
<v Speaker 1>and it says and that's our show and that's true.

0:54:43.840 --> 0:54:46.520
<v Speaker 1>Let's thank all of our alchemists. Shall we see what

0:54:46.600 --> 0:54:48.520
<v Speaker 1>we're up to. Cole Stratton, thank you so much for

0:54:48.600 --> 0:54:52.359
<v Speaker 1>joining us. Where can we find you? What's going on? Well?

0:54:53.040 --> 0:54:56.600
<v Speaker 1>I guess my neighborhood is burning down right now, so

0:54:57.160 --> 0:55:00.279
<v Speaker 1>it might be my last episode ever. I do live

0:55:00.320 --> 0:55:04.080
<v Speaker 1>on a very busy street. Uh, not so much at Stratton.

0:55:04.160 --> 0:55:07.239
<v Speaker 1>Cole at Cole Stratton on the Socials SF Sketch Fest

0:55:07.400 --> 0:55:10.920
<v Speaker 1>coming back in January from the previous January. We'll do

0:55:11.040 --> 0:55:14.640
<v Speaker 1>shows eventually. Uh, pretty Pretty Pony first Thursday every month

0:55:14.680 --> 0:55:18.080
<v Speaker 1>the Westside Comedy Theater. Yeah, that's about it. Awesome, Thank you,

0:55:18.200 --> 0:55:23.839
<v Speaker 1>thank you for being here. Jackie Druthy was I'll never

0:55:23.960 --> 0:55:28.680
<v Speaker 1>get over that. I do it. I do it to

0:55:28.800 --> 0:55:36.400
<v Speaker 1>everyone who calls me. It's so, I'll never let it go.

0:55:37.920 --> 0:55:41.120
<v Speaker 1>I love a good commercial. I really like a lot

0:55:41.200 --> 0:55:46.600
<v Speaker 1>of good ad campaign just makes me go all right,

0:55:46.760 --> 0:55:51.480
<v Speaker 1>you got me there. I'm at Jackie d Ruthie on

0:55:52.160 --> 0:55:55.000
<v Speaker 1>Instagram and that's where I post when I have shows

0:55:55.200 --> 0:55:59.680
<v Speaker 1>much like the Pretty Pretty Pony Show, um and things

0:55:59.719 --> 0:56:02.960
<v Speaker 1>like that. So lots of fun things to look forward to.

0:56:03.520 --> 0:56:10.960
<v Speaker 1>Keep your eyes peeled. Okay, we'll do Craig Atkowski, Why man,

0:56:12.960 --> 0:56:20.120
<v Speaker 1>I love this so much? Well, of course, my favorite

0:56:20.120 --> 0:56:23.520
<v Speaker 1>ad campaign is for Arby's, uh you know, the voice

0:56:23.560 --> 0:56:27.279
<v Speaker 1>of being saying we have the meats. But a lot

0:56:27.360 --> 0:56:31.600
<v Speaker 1>of people think that RBS would stand for Roast Beef

0:56:31.760 --> 0:56:35.040
<v Speaker 1>right being their signature product RB. But in fact it

0:56:35.160 --> 0:56:38.280
<v Speaker 1>was founded in Boardman, Ohio by Forest and Leroy Raffle,

0:56:39.000 --> 0:56:43.560
<v Speaker 1>the Raffle Brothers, the rs B, the RBS. The RB

0:56:43.719 --> 0:56:46.960
<v Speaker 1>stands for Raffle Brothers, not Roast Base. I thought someone's

0:56:47.040 --> 0:56:51.920
<v Speaker 1>name r B a r B. Can we get about

0:56:51.960 --> 0:56:53.879
<v Speaker 1>there doing what's up? I think we need to hear

0:56:53.920 --> 0:57:05.239
<v Speaker 1>that what's up? Cool? That was perfect and last but

0:57:05.360 --> 0:57:10.600
<v Speaker 1>not Lea's Mark Gagliardi give me outway. It feels good,

0:57:10.719 --> 0:57:17.240
<v Speaker 1>It feels good, it feels good. Oh, what's going on? Uh?

0:57:17.440 --> 0:57:19.680
<v Speaker 1>You can find uh we got this with Mark and

0:57:19.720 --> 0:57:23.240
<v Speaker 1>Howe on the Maximum Fun Network. Uh. And look out

0:57:23.320 --> 0:57:26.840
<v Speaker 1>for Blood and Treasure season two coming out soon. Yes, yes,

0:57:26.920 --> 0:57:29.640
<v Speaker 1>indeed yeah, And thanks for and you didn't Are you

0:57:29.760 --> 0:57:35.160
<v Speaker 1>crushed it today? Chris? Oh my gosh, thanks so much,

0:57:35.280 --> 0:57:38.080
<v Speaker 1>thanks so much, and let's thank our engineer and produce

0:57:38.120 --> 0:57:43.120
<v Speaker 1>it to the stars Mr Doug and the fine folks

0:57:43.160 --> 0:57:47.840
<v Speaker 1>at I Heeart Media. I have been your host, Chris Albarado,

0:57:47.920 --> 0:57:50.120
<v Speaker 1>and I thank you for listening, and until next time

0:58:00.800 --> 0:58:02.200
<v Speaker 1>at a football of co