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Speaker 1: Hello everyone, and welcome back to another episode of Alchemy.

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Speaker 1: This I am your host, Chris Alvarado. Yes, that Chris Alvarado,

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Speaker 1: and I'm super excited to be joined by my friends,

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Speaker 1: my colleagues, my co artists. So let's just jump right

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Speaker 1: into it and say hello to them in no particular order.

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Speaker 1: Let's start with somebody who rarely joins us as a

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Speaker 1: guest is usually a host. Say hello to col Stratton, everybody. Cole, Yeah,

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Speaker 1: this is weird. I think this is the first thing

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Speaker 1: I've done this word. It hasn't meant me or Kevin hosting.

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Speaker 1: I was like, Cole is also a great improviser who

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Speaker 1: likes to play. He doesn't have to do Yeah, you

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Speaker 1: know it's great just showing up and doing it, riding

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Speaker 1: up the sea suggestions and figuring out the dumb questions

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Speaker 1: to ask people and all that ship. It's the worst, right,

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Speaker 1: Speaking of which, Cole, yep, what's your favorite Jeopardy category?

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Speaker 1: It pops up? You know you're gonna get all of them?

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Speaker 1: Are just about all of them? You know, we actually

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Speaker 1: watched Jeopardy pretty much daily, recorded watching at lunch Umlula

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Speaker 1: of the Street that Mattea is on right now. Anything

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Speaker 1: pop culture related, obviously, if it's like movies or which

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Speaker 1: actually always makes me crazy because it's the pop culture

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Speaker 1: things that only the super champs like run. Most of

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Speaker 1: the other people just sit there scared and then they

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Speaker 1: just go peep peep and like they don't know the

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Speaker 1: answer is it would be like a picture Johnny Depp

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Speaker 1: and like, I don't know. Makes me a little crazy.

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Speaker 1: But yeah, anything pop culture related, anything pop cults are great.

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Speaker 1: I'm so glad you're here. I'm also glad that this

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Speaker 1: next person here, she just sell her celebrated birthday makes up. No,

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Speaker 1: it's hard. Jackie Ruthie, Alright, Jackie, serious question here. Concession

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Speaker 1: of choice at a basketball game? Or what are you

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Speaker 1: snacking on? See that's different than a movie. Concession of

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Speaker 1: choice at a basketball game? Ongoing cinnamon ager? What cell pretzel? Wow?

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Speaker 1: Craig Is also joined us today. He made a face

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Speaker 1: very controversial choice, what's sol I'm that's I'm just it's

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Speaker 1: something that I never have, you know, It's it's so

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Speaker 1: mall specific, and I'm so not a mall person, um,

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Speaker 1: but but it is. Gosh. I love it, and I

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Speaker 1: love it when they're just like a little undercooked, which

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Speaker 1: they usually are, especially where it's like knotted over. That's

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Speaker 1: where it really gets Doughey, Uh, give me that, and

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Speaker 1: give me a Coca Cola Classic. Really, you're you're on

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Speaker 1: a diet or a Coke zero not? Absolutely not. Keep

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Speaker 1: a Classic for me. I don't have it every day,

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Speaker 1: so you know, I'm like, this is fine. I'll keep

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Speaker 1: a Classic for when I have it. Makes sense, makes sense.

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Speaker 1: Super light your hair. Everybody say hello to Mark Gagliardi. Hello, alright,

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Speaker 1: Mark Gagliardi. What's your relationship with fitness? I Fitness and

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Speaker 1: I have an on again, off again relations same same

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Speaker 1: we will like we we we go long periods of

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Speaker 1: time without seeing one another, and then I will reach

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Speaker 1: out or sometimes Fitness will reach out to me, but

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Speaker 1: usually I reach out to Fitness tepidly, like I'm not

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Speaker 1: sure if I want to start things back up again. Um,

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Speaker 1: And then I try and I and we'll go for

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Speaker 1: like a month, and of course kind of we just

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Speaker 1: kind of fall off and stop calling each other, which

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Speaker 1: no one's fault, no one's fault, nobody's fault. It's nobody's fault.

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Speaker 1: We're just we're just leading different lives yeah. Hey, I

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Speaker 1: always think about asking fitness out and then I'm like,

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Speaker 1: I'm married, just lovliness, I'm married. I stay it this way,

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Speaker 1: but not at least make some noise from my boy

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Speaker 1: and your boy, Mr. Every everyone's boy here, my boy,

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Speaker 1: Craig Craig. I was talking to Jessica about this, and

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Speaker 1: it throw me crazy because I didn't think there was

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Speaker 1: a difference. Is your autograph different from your city, different

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Speaker 1: from your signature? Yeah? It is, really yeah, it is right.

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Speaker 1: I never thought about it, but it has to be now, Mark,

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Speaker 1: And I know this because for Thrilling a Venture Hour,

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Speaker 1: the podcast that we were on for a number of years,

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Speaker 1: we would sometimes have to do like two hundred posters

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Speaker 1: in a row, and so I developed kind of a

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Speaker 1: shorthand uh much less legible autograph with two large cs

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Speaker 1: and basically scribbles after that. So, if you know, if

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Speaker 1: you're a fan of a Thrilling Adventure Hour, you're looking

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Speaker 1: at fifteen names, you see two giants stays, You're like,

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Speaker 1: that's Craig Atkowski. I don't need to understand the rest

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Speaker 1: of it. But if I'm signing an official document or

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Speaker 1: an employment form or anything like that, attack form, I

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Speaker 1: will my cursive is still not great in any way,

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Speaker 1: shape or form, but I will try to delineate the

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Speaker 1: individual letters in Craig and Kaikowski a little more when

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Speaker 1: I'm doing a signature, but an autography, get two big seas.

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Speaker 1: And also, I quickly want to mention that I've been

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Speaker 1: binging this podcast, UM the Second Citizens hosted by by

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Speaker 1: Joe Canally, where he it's really fast. It's fascinating because

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Speaker 1: he's just talking to um uh residents, previous residents of

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Speaker 1: of Second City stages. So I know a lot of

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Speaker 1: the people. But Craig, your name comes up over and

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Speaker 1: over and over, and I'm always like, I want to

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Speaker 1: text Craig. I'm like, he probably knows, he probably knows

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Speaker 1: they're talking about it. I don't know if he put

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Speaker 1: my episode out yet, but it will eventually be a

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Speaker 1: guest so I will get to answer for myself. I'm

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Speaker 1: looking forward to that. All right, let's move on because

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Speaker 1: this is the stage right now, everybody. Some of us

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Speaker 1: didn't make it to a resident stage, you know, with

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Speaker 1: Second City, but this this, this is the show. This

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Speaker 1: is the show. UM. All of today's scene suggestion as

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Speaker 1: always come to us from our listener suggestions, emails, whatnot

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Speaker 1: if you want priority. Once while sending in a suggestion,

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Speaker 1: consider becoming a Patriot. Oh my gosh, I said considered

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Speaker 1: becoming I say, considered becoming a Patreon, which is a

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Speaker 1: Patreon v I P. Yeah, thank you, Jackie. Uh. You

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Speaker 1: can join us on Patreon. You will, You'll get moved

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Speaker 1: up in the cue as far as suggestions goes. You

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Speaker 1: can check out our bonus scenes and all of our

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Speaker 1: exclusive content. You can join us on Patreon at alchemy

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Speaker 1: this no great dot com. That's Patreon dot com, slash

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Speaker 1: alchemy this. I've only done this forever, so you have

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Speaker 1: to excuse me. Or if you want to reach out

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Speaker 1: to us the old time you way, Cole. I'm looking

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Speaker 1: at you, thinking Cole and never have messed this up.

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Speaker 1: You want to reach out to us, eating off a

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Speaker 1: piece of paper and not looking up anyway? Um, email

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Speaker 1: us at alchemy this email at gmail dot com. That's Alchemy.

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Speaker 1: That feels better. See one comes to us from Alchemy

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Speaker 1: v I P or Alchemy v I P. Jonathan Crane

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Speaker 1: Jonathan says, good day alchemists. Love the jargon great. Uh,

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Speaker 1: I was hoping you could do a take on this

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Speaker 1: burrito rolling master, Glad, do you exist, Jonathan. It's just

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Speaker 1: like it's just a tight, tight little role and you

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Speaker 1: called keep it and you use your fingers, use every

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Speaker 1: single finger, and you really just kind of get it

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Speaker 1: real nice and tight. You know. It's just like rolling

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Speaker 1: a burrito, but it's a live human. It's just a

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Speaker 1: little baby, and it's just very similar and you want

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Speaker 1: to keep them nice and tight in there like this.

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Speaker 1: That's a bit that's a bit too tight. And it's

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Speaker 1: very great that you're trying this on a doll. First. Yeah,

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Speaker 1: that's a bit too tight. Okay, Okay, okay, it's okay.

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Speaker 1: Think about how much effort you're and how read your

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Speaker 1: face is getting. I'm never going to get this dad thing.

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Speaker 1: To get this dad thing, it's the the amount of

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Speaker 1: effort is is unsafe, not just for the baby, but

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Speaker 1: for you. I'm concerned about Hernia's I'm concerned about also

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Speaker 1: just like um, you know, possible fatal situation. Why are

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Speaker 1: you just adding more things for me to worry about.

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Speaker 1: I'm so sorry. I've already told you how worried I

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Speaker 1: am about this whole process. Since the very beginning. We

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Speaker 1: hired you as a midwife to handle all of the

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Speaker 1: stress and anxiety of this sweet sweetheart. Sweetheart, she doesn't

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Speaker 1: know who you are? Well, that kit, that's impossible. I

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Speaker 1: mean she knows your name, miss, I'm assuming you don't

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Speaker 1: recognize him. Oh, um, no, I it's okay, it's okay,

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Speaker 1: it's okay. You probably don't eat, you do? Yeah? I eat,

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Speaker 1: you know, to stay alive. But honey, don't blow up

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Speaker 1: my spot. I'm just saying. I'm just saying, if she

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Speaker 1: knew a little bit about you, she might understand what's

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Speaker 1: going on with the tight swaddles. Please, I would love

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Speaker 1: to I would love to learn more about you. And

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Speaker 1: I apologize for focusing mainly on your pregnant wife. Let

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Speaker 1: me give you a little more attention. You've been focusing

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Speaker 1: on Elissa for eight months now and really making this

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Speaker 1: about her, and I think it should really beat you know.

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Speaker 1: Sometimes it's about the dad and what he wants and

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Speaker 1: needs and does you are? You are a participant? Are

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Speaker 1: going to be there? You? Um? And I've really been

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Speaker 1: thinking about the birth for the most part, and now

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Speaker 1: we're talking about the actual baby and and it's time

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Speaker 1: for you to shine. I would love to learn more

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Speaker 1: about what you do in in regards to food. I'm well,

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Speaker 1: I'm the world renowned British and I was kind of

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Speaker 1: hoping that our child would become a world renowned burritist. Wow.

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Speaker 1: I mean, I'm so. I'm a little shocked because I

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Speaker 1: had said to do it like a burrito, and then

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Speaker 1: you did it like a like a w W E wrestler.

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Speaker 1: And so I take my burrio's very seriously. You know

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Speaker 1: what I'm not. That's not my profession. And how dare

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Speaker 1: I speak to that? Hey, nerd, looks like you were

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Speaker 1: swaddled too tightly. Leave me alone, and look how wrapped

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Speaker 1: you are and your shawl shut up? Okay, look, um,

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Speaker 1: my dad's a burritus. I mean, I don't know my dad.

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Speaker 1: Mum h Well, I would never make fun of you

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Speaker 1: for that. Maybe we're not so different after all, I

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Speaker 1: don't know, we see pretty different. I mean, I'm I'm

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Speaker 1: sweet and you're obnoxious. Yeah, you're right. Well, I guess

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Speaker 1: I'm just gonna go punch the wall some more. Um,

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Speaker 1: if I'm late for Homer and and that's why whoa truck?

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Speaker 1: There's no need to do that. And look, yeah, my

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Speaker 1: my clothes are really tight. My dad wraps me up

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Speaker 1: every every morning. Okay, look how loose mine are? Okay, son,

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Speaker 1: here's your lunch. Let me put your jacket on. You

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Speaker 1: just just suck it in. Let's suck it in. Can'll

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Speaker 1: get myself for once? Dad? Oh? Someone out grown his father?

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Speaker 1: A Lissa get in here? Or someone's outgrown as father? What? Yeah,

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Speaker 1: he doesn't want to be wrapped anymore? Do I need

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Speaker 1: to remind you who your father is and what he does?

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Speaker 1: I love that I married my hype lady. You are

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Speaker 1: so good to me. Can I just say I'm I

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Speaker 1: didn't mean to make you run from upstairs. No, No,

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Speaker 1: it's fine. It's worth it. It's worth it. D This

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Speaker 1: jacket is super tight. And there's also like there's there's

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Speaker 1: a layer of beans in here, but they're they're somehow

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Speaker 1: evenly distributed. That's the whole point. The beans are specifically

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Speaker 1: laid out, so every bit of you has a little

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Speaker 1: bit of bean. Sweetheart, let me ask you a question.

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Speaker 1: What do What are some of your other friends dad's

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Speaker 1: do for a living? Um? Doctor, bullshit lawyer, um recording artist,

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Speaker 1: interesting postman? Okay, okay, okay, did you hear I said

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Speaker 1: interesting about the recording artist because your father is also

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Speaker 1: an artist, and he doesn't get to turn that off.

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Speaker 1: Do you understand he has a team full of people

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Speaker 1: underneath him that are waiting years just to stir the beans.

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Speaker 1: He he is so highly regarded in his in his profession.

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Speaker 1: I feel like you could give him a little more

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Speaker 1: respect here at the home. I don't know, I mean,

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Speaker 1: like even then, Okay, wrapped burrito is still pretty good.

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Speaker 1: Oh my god, Like Susie dalton Um, this is our

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Speaker 1: first official, you know, meeting, and we're going to be

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Speaker 1: doing this once a month for the first few months,

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Speaker 1: and then once we hit the second trimester, I'll be

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Speaker 1: coming in, uh bye week by twice a month, and

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Speaker 1: then once you hit the third trimester, I'll be coming

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Speaker 1: in once a week. So right now, um, I just

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Speaker 1: kind of want this to be a cool intro. So

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Speaker 1: dalton Um, tell me, yeah, really about you and your

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Speaker 1: journey and this pregnancy thus far. Well, it's been hard,

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Speaker 1: and you know, I'm I'm a postman. Uh and you know,

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Speaker 1: no rain, nor sleep, no whatever will keep me away.

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Speaker 1: So I've just been out delivering a lot, and uh,

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Speaker 1: this is one delivery I'm super nervous about Yeah, I'm

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Speaker 1: going to take care of the delivery this time. Honey.

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Speaker 1: That's just I'm sorry, Dalton was talking. Dalton. I would

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Speaker 1: just love to know about your journey into fatherhood and

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Speaker 1: how your body is feeling right now. Well, you know,

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Speaker 1: I'm a little, uh a little nervous. I got butterflies

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Speaker 1: in my stomach. Uh. You know, I was hoping that

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Speaker 1: the butterflies would go away and one to two days,

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Speaker 1: but it's looking like three to four days potentially Nextkay,

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Speaker 1: you're feeling a kick first time, Esther. Yes, I don't know.

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Speaker 1: I that's I know it's a it's a blueberry right now.

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Speaker 1: It's a blueberry right now. But I'm feeling is it

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Speaker 1: Is it a phantom kick? I don't know. Well, that's

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Speaker 1: really really incredible. I'm sorry, honey, right now, I'm priority.

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Speaker 1: May also, let's go ahead. No, you understand I only

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Speaker 1: bring the best tortillas to the best burritists, and you

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Speaker 1: understand that you are my the top burritists have been

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Speaker 1: for a long time. What's this about, Antonio? This feels

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Speaker 1: like preamble to something I don't want to hear. Well,

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Speaker 1: you might want to hear part of it. You definitely

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Speaker 1: I'm just gonna say it, Okay, I came across the

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Speaker 1: batch of the Guatemalan corn tortillas that the Aztecs made.

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Speaker 1: What the Aztec tortillas? The very one. Hold on, let

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Speaker 1: me shut the door. No more customers for the next

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Speaker 1: few minutes. All right, that should keep everyone out. Good, good,

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Speaker 1: But you know it's gonna cost you. I don't have

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Speaker 1: a lot of money right now, between this restaurant and

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Speaker 1: and my my child and all the extra small clothes

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Speaker 1: I have to buy for him. It's not money I'm after.

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Speaker 1: I mean, we're talking to Aztec tortilla. Yeah, I know

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Speaker 1: you mentioned that you have a son, do you not? Yes?

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Speaker 1: What's this about stilt skin? Give me your son and

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Speaker 1: you'll get the tortillas. What. But that's one thing I've

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Speaker 1: wanted for my whole lit life. Pit it against the

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Speaker 1: one thing I've wanted for like eleven months. Oh, I

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Speaker 1: don't know what to do. The choice is yours. Hey, um,

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Speaker 1: I need to return this breed out. That tortilla seems

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Speaker 1: to be thousands of years old. It was not fresh.

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Speaker 1: I got super sick after a couple of bites. Uh yeah, yeah,

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Speaker 1: we're doing We're doing an Aztech azchech corn tortillas. Could

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Speaker 1: could you? Could you make them fresh next time? It

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Speaker 1: really discuss has covered a mold. Look, we we gotta batch.

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Speaker 1: We gotta batche of these old Aztec tortillas, and we

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Speaker 1: gotta use them up first. Like I appreciate the history

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Speaker 1: of what you're doing here, but and the fact, I

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Speaker 1: mean there was a search charge. It was you know,

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Speaker 1: I thought you saw our creams like fifty cents to

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Speaker 1: a dollar. This was seven hundred dollar search charge. I

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Speaker 1: didn't notice until after you had swiped my credit card

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Speaker 1: and your cashier at the time was so enough they

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Speaker 1: could not reverse the charge. But thought, okay, delicacy, I'll

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Speaker 1: have it. And then I got super sick to flour

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Speaker 1: by it's super sick. Brought it back. Now, I'd really

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Speaker 1: like seven d either in a gift card or put

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Speaker 1: back into my card. He's well, Dalton, Uh, I'm not

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Speaker 1: sure why your midwife here ordered the ultrasound, but good

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Speaker 1: news for you, it turns out those aren't butterflies in

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Speaker 1: your stomach. Bad news for you. It does look like

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Speaker 1: whatever you had for lunch, uh was it? It didn't

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Speaker 1: happen to be thousands of years old? Did it? Uh?

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Speaker 1: Yeah did I. I went to the Brito Master on

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Speaker 1: twelfth and um, ah that the one he's using. That

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Speaker 1: he's using the Aztec toritos. Now, yeah, yeah, that's so,

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Speaker 1: that's what it was. It's uh, it's just a it's

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Speaker 1: just a bad burrito in there. You're gonna make a

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Speaker 1: great father. Well, Hank Jr. Welcome to your new life.

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Speaker 1: This what is this? What what is going on? Well?

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Speaker 1: You now work for us. You'll be um digging, you'll

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Speaker 1: be digging. Okay. Um, we're looking for you know, like

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Speaker 1: a truffle pig. Right, do you know what those are? Yeah?

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Speaker 1: I know what a truffle pig is. You seem so confused. Okay,

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Speaker 1: we took you your took you en a flight to

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Speaker 1: the Guatemala in jungle to look for more. I know

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Speaker 1: it's it's a weird time for me to be complaining

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Speaker 1: now about it, but I'm still I'm still processing this. Look.

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Speaker 1: I was in seventh grade two days ago. You know,

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Speaker 1: I befriended a bully. Okay, even though we have nothing

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Speaker 1: in common. Um, My dad finally stopped wrapping me in

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Speaker 1: the tightest clothes possible and putting beans in my clothes

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Speaker 1: for some fucking reason. And now I'm I'm a truffle

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Speaker 1: pig in Guatemala. That's about it. That's really about it.

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Speaker 1: That's really about it. Um dad, I'm oh, yeah, I

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Speaker 1: forgot got No Dad and my friend moved to Guatemala.

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Speaker 1: This walls all punched out? Do you want to talk

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Speaker 1: to me? Mom? Is about you right now? I mean,

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Speaker 1: I'm here for you, I I love you, I'm I'm

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Speaker 1: happy to help you with whatever. You just don't understand

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Speaker 1: so much pressure being a seventh grader like no Dad.

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Speaker 1: You see how loose my clothes arm up there? Loose?

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Speaker 1: I can get you tight clothes. What do you want

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Speaker 1: to learn about popping boners? I know about it in

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Speaker 1: your wife's fanda. I mean, I don't know. I'm just

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Speaker 1: thinking seventh grade boy, dad? What what am I missing?

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Speaker 1: I I don't know what he could teach you that

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Speaker 1: I that I couldn't. It's a special bond between a

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Speaker 1: kid and his dad and their clothes and being able

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Speaker 1: to be pinned in them properly. Mom, You'll never get it.

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Speaker 1: It's not your fault. You just and understand it. I'm

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Speaker 1: sure you had a similar relationship with your mom. Like

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Speaker 1: I would have had with my dad, but he wasn't there,

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Speaker 1: So you know, it's gonna be hard for me. And

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Speaker 1: I'm gonna always have these daddy issues. Everything I ever

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Speaker 1: do will be daddy issues. Alright, screenplays, daddy issues, everything

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Speaker 1: will be that. Well, fuck me, then, I guess. And

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Speaker 1: that seemed to all right. It seemed to comes to

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Speaker 1: us from alchemy v I p Oystein, Hans Guard gels Vic.

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Speaker 1: I actually put this into Google treads late this morning. Um,

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Speaker 1: and I'm I'm not too far away from the from

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Speaker 1: how it sounded Oystein, Hans Guard gaels Vic. Um. And

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Speaker 1: they write in Norway, when a situation is real crazy,

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Speaker 1: we say that is completely Texas, referring to the actual

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Speaker 1: I know, referring to the actual state of Texas. US

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Speaker 1: don't know why Wild West movies maybe, So that's my suggestion.

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Speaker 1: Things go completely Texas. Love what you do, oh with

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Speaker 1: a line through it, which is called a minuscule. Oh,

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Speaker 1: I love that. Thank you. Get in here, yes, ma'am,

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Speaker 1: Get in here right now, yes, ma'am. What what what

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Speaker 1: is it? Doctor? We needs you to take over this surgery.

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Speaker 1: It was supposed to be a routine app inducting me.

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Speaker 1: It's gotten completely Texas in there. Oh no, oh my gosh,

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Speaker 1: I mean Dr Hoisting's just completely lost it. Dr doc

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Speaker 1: will be could you not called Dr Steering? I can't

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Speaker 1: find I've been paging him. He's not answering his page.

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Speaker 1: I just ran into you, and ma'am, I look, I'll

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Speaker 1: do what you say. You're the administrator of this entire hospital.

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Speaker 1: I just want to know what I'm getting into if

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Speaker 1: I go in there and things have gone Texas? Are

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Speaker 1: we talking bell buckles and cowboy hats? Okay, okay, okay,

350
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Speaker 1: toss out appendix in the air. I'm gonna shoot it. Yeah,

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Speaker 1: you got it. Mr al Right, who morning, babe. Oh

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Speaker 1: my head it's pounding. I know mine too. What if

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Speaker 1: we do last night? I don't know. I'm gonna open

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Speaker 1: my phone and look through some pictures. Maybe we can

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00:23:31,160 --> 00:23:36,919
Speaker 1: out right right? Oh, ship, baby, I think you and

356
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Speaker 1: I went completely Texas last night? What like I felt like,

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Speaker 1: I mean I should have stopped when things went sort

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Speaker 1: of wyoming? I know, I know, funk, we went full

359
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Speaker 1: blown Texas last night. I bet that means we've got

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Speaker 1: a lot of apologies to make. I got to call

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Speaker 1: a lot of the friends. Uh ship, it looks like

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00:23:58,160 --> 00:24:02,720
Speaker 1: we actually vandalized property. Yeah. Hey, well we gotta stop

363
00:24:02,720 --> 00:24:07,520
Speaker 1: going Texas. I mean, look, we need to get some help.

364
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Speaker 1: Last week you went full on Florida. That was terrible,

365
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Speaker 1: but completely Texas. We've never gotten there. I know this

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Speaker 1: is the bottom I imagine. Yeah, me too. Well, maybe

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00:24:20,240 --> 00:24:23,040
Speaker 1: we should piece together what happened from these photos and

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00:24:23,080 --> 00:24:26,800
Speaker 1: just work backwards memento style sounds good. Well, if we're

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Speaker 1: gonna start at the end, is that how we would

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00:24:29,440 --> 00:24:34,159
Speaker 1: do that? Yeah? My most my most recent picture is

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Speaker 1: at the police station. Maybe we don't go there first, Okaya?

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Speaker 1: Oh god, have you been seeing the news about the

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Speaker 1: whole Supreme Court and everything? This whole country has gone

374
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Speaker 1: completely Texas. It's a disaster. Yeah, I mean, look, I'm

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Speaker 1: I'm I'm looking at the paper this morning. I'm I

376
00:24:56,000 --> 00:25:00,040
Speaker 1: see every everything about this country is making me just

377
00:25:00,040 --> 00:25:03,639
Speaker 1: is just as angry as a cow in a pasture. Y'all?

378
00:25:04,640 --> 00:25:12,280
Speaker 1: What is going on? Oh? No, Dillard Mallory. You I

379
00:25:12,400 --> 00:25:15,959
Speaker 1: told you before we got married. I said, we're going

380
00:25:16,000 --> 00:25:19,440
Speaker 1: to couple's counseling and we're gonna work some things out

381
00:25:19,480 --> 00:25:23,119
Speaker 1: before we officially take the vows and within that you

382
00:25:23,200 --> 00:25:25,680
Speaker 1: found out that I have a problem problem with chick

383
00:25:25,760 --> 00:25:28,200
Speaker 1: going Texas. If you're gonna go Texas on me, I'm

384
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Speaker 1: moving to Norway. I don't, please don't move to Norway.

385
00:25:31,680 --> 00:25:33,760
Speaker 1: I know we've been working on this, We've been working

386
00:25:33,760 --> 00:25:36,560
Speaker 1: through it. I don't know if mercuries and retrograde or

387
00:25:36,880 --> 00:25:41,320
Speaker 1: if the sun's just shining over the range. Oh no,

388
00:25:42,000 --> 00:25:45,080
Speaker 1: I'm so sorry. I do I still have any of

389
00:25:45,080 --> 00:25:49,120
Speaker 1: those pills left? Well? Sorry, you could see I got

390
00:25:49,119 --> 00:25:52,680
Speaker 1: a foot over there. It looks like small intestine over there.

391
00:25:53,359 --> 00:25:56,639
Speaker 1: Sound an ear and some teeth. I mean, what the

392
00:25:56,680 --> 00:25:59,560
Speaker 1: hell happened here? I don't want to say it, But

393
00:25:59,600 --> 00:26:07,159
Speaker 1: whoever did this obviously well you know, no say it,

394
00:26:07,240 --> 00:26:16,000
Speaker 1: Lieutenant Serge. Whoever did this went completely Texas. We're dealing

395
00:26:16,000 --> 00:26:18,919
Speaker 1: with the psycho pass Arge. We're dealing with someone that

396
00:26:19,000 --> 00:26:22,400
Speaker 1: has no regard for human life, obviously, not even regard

397
00:26:22,480 --> 00:26:27,439
Speaker 1: for the artistry of killing. Captain. Captain, we've got a

398
00:26:27,480 --> 00:26:31,679
Speaker 1: new uh thing in in this invest in this case,

399
00:26:32,320 --> 00:26:35,359
Speaker 1: A new thing, Yes, a new thing in this case.

400
00:26:35,760 --> 00:26:37,200
Speaker 1: I'm Captain. By the way, I don't know if I

401
00:26:37,240 --> 00:26:42,600
Speaker 1: can handle more. He's Serge. I'm I'm serge who's highed, Well,

402
00:26:42,640 --> 00:26:47,959
Speaker 1: you're lieutenant, you outrank me, but I think collectively we

403
00:26:48,000 --> 00:26:51,040
Speaker 1: are we are yes place you were saying. Turns out

404
00:26:52,480 --> 00:26:57,360
Speaker 1: those body parts and pieces we found something on them.

405
00:26:57,400 --> 00:27:03,880
Speaker 1: Oh coreat a dry rub, dry rock, dry rub. Alright,

406
00:27:03,960 --> 00:27:09,439
Speaker 1: this has going completely Texas spies dry rub, seven different

407
00:27:09,520 --> 00:27:13,159
Speaker 1: spices and one. Oh god, I knew something was up

408
00:27:13,200 --> 00:27:15,840
Speaker 1: when we waited four hours to get into this crime scene.

409
00:27:16,440 --> 00:27:19,520
Speaker 1: It's making me feel like perhaps there's more that we

410
00:27:19,600 --> 00:27:22,239
Speaker 1: haven't uncovered. So I'm going to take it on my

411
00:27:22,280 --> 00:27:25,760
Speaker 1: own volition. If you, if you approve as the collective

412
00:27:25,760 --> 00:27:31,520
Speaker 1: captain to go sniff out and search out any Look,

413
00:27:31,560 --> 00:27:35,439
Speaker 1: I'm sorry, you need a signature from a captain on this. This.

414
00:27:35,640 --> 00:27:38,199
Speaker 1: I see you got a signature from a lieutenant and

415
00:27:38,440 --> 00:27:41,600
Speaker 1: one from ass sergeant. I don't not like math they

416
00:27:41,720 --> 00:27:43,600
Speaker 1: look if you want, if you want to check out

417
00:27:43,680 --> 00:27:46,440
Speaker 1: things from the thing locker, you're gonna have to get

418
00:27:46,440 --> 00:27:48,720
Speaker 1: me a captain signature on this. I can't. I can't

419
00:27:48,760 --> 00:27:53,320
Speaker 1: just release things to a deputy like that. I mean,

420
00:27:53,400 --> 00:27:56,600
Speaker 1: what can I say together there, captain? So I don't

421
00:27:56,680 --> 00:27:59,520
Speaker 1: think that's it. Look, we I appreciate you. I know

422
00:27:59,600 --> 00:28:02,480
Speaker 1: your happy. I've seen you come in here and tearing

423
00:28:02,520 --> 00:28:05,919
Speaker 1: through boxes with a flashlight. I'll sign it for you,

424
00:28:06,000 --> 00:28:10,000
Speaker 1: but I'm a captain c ap apostrophe and I I

425
00:28:10,080 --> 00:28:12,439
Speaker 1: have cereal. I don't know if this will fly, but

426
00:28:12,520 --> 00:28:15,640
Speaker 1: i'll I'll sign it for you. Listen, I just need

427
00:28:15,640 --> 00:28:17,040
Speaker 1: the thing on the things that I can go to

428
00:28:17,040 --> 00:28:20,280
Speaker 1: the thing. Okay, all right, you know I got to

429
00:28:20,320 --> 00:28:22,480
Speaker 1: tell you when I signed my name as signatures, just

430
00:28:22,560 --> 00:28:25,359
Speaker 1: a C C captain crunch. I don't have time. People

431
00:28:25,359 --> 00:28:30,960
Speaker 1: want to understand, um, babe. So this is where. This

432
00:28:31,000 --> 00:28:35,120
Speaker 1: is the last place I remember having a drink. Okay,

433
00:28:35,560 --> 00:28:42,040
Speaker 1: I think you and I ordered to audios Amarillo's right.

434
00:28:42,600 --> 00:28:44,520
Speaker 1: Yeah that sounds that sounds sort of familiar, ring a

435
00:28:44,560 --> 00:28:47,480
Speaker 1: little bit of a bell. Yeah, we had a sip. Right,

436
00:28:48,960 --> 00:28:52,479
Speaker 1: Did you guys want to have a seat today or Hi?

437
00:28:52,680 --> 00:28:56,560
Speaker 1: Do you did you work last night? Buddy tunes? I

438
00:28:56,640 --> 00:29:01,440
Speaker 1: work every day. It's really grilling. Oh it's a quick

439
00:29:01,480 --> 00:29:05,360
Speaker 1: turnaround for you. Um, I'm sorry about that. Yeah. There's

440
00:29:05,400 --> 00:29:08,360
Speaker 1: no union, like, there's nothing to stop them from giving

441
00:29:08,400 --> 00:29:10,680
Speaker 1: me just four hours off in between shifts. It's an

442
00:29:10,680 --> 00:29:13,760
Speaker 1: absolute nightmare. But unfortunately we do have rules here, so

443
00:29:14,560 --> 00:29:18,120
Speaker 1: you either need to sit and enjoy. Do you recognize us?

444
00:29:18,240 --> 00:29:22,920
Speaker 1: Do you recognize us from last night? So many people?

445
00:29:23,240 --> 00:29:27,360
Speaker 1: So many people? Maybe if I hear you talk a

446
00:29:27,400 --> 00:29:32,040
Speaker 1: little more. I'm a very oratory well based based on

447
00:29:32,040 --> 00:29:35,120
Speaker 1: one of the videos I saw, heard you a lot.

448
00:29:35,560 --> 00:29:38,160
Speaker 1: Can I hear you a little more? Ma'am? Um? Sure?

449
00:29:38,480 --> 00:29:40,360
Speaker 1: I mean if the thing is is like, this is

450
00:29:40,360 --> 00:29:43,080
Speaker 1: how I normally talk. But we kind of fear that

451
00:29:43,080 --> 00:29:47,040
Speaker 1: we went completely Texas last night. Recognized So it's possible

452
00:29:47,080 --> 00:29:51,120
Speaker 1: that I was like, Hi, yeah, does that sound right?

453
00:29:52,080 --> 00:29:55,480
Speaker 1: And I was like I was like, yeah, like this

454
00:29:55,520 --> 00:29:59,360
Speaker 1: is yes, this is very much so ringing bells, yes

455
00:30:00,040 --> 00:30:03,800
Speaker 1: it so? Did you want the same table? No? No, no, no,

456
00:30:03,800 --> 00:30:06,040
Speaker 1: no no, we gotta keep retracing our steps. Thank you

457
00:30:06,080 --> 00:30:09,040
Speaker 1: for your time, and hey, you know, maybe look for

458
00:30:09,040 --> 00:30:14,320
Speaker 1: somewhere else to work. You got a lot of nerve

459
00:30:14,440 --> 00:30:21,480
Speaker 1: coming back into this Arby's So sorry. Was it the

460
00:30:21,480 --> 00:30:23,360
Speaker 1: big hat that's what drew you in? Because you went

461
00:30:23,400 --> 00:30:26,720
Speaker 1: completely Texas when you were here last night? Shoot, no,

462
00:30:26,840 --> 00:30:29,040
Speaker 1: we want to say sorry. We're just piecing together. We're

463
00:30:29,040 --> 00:30:31,800
Speaker 1: just piecing together what happened last night? We're good people.

464
00:30:32,200 --> 00:30:34,320
Speaker 1: Why don't you look on your phone. That'll tell you

465
00:30:34,320 --> 00:30:37,240
Speaker 1: what happened last night. You were shooting wide angle videos

466
00:30:37,280 --> 00:30:40,000
Speaker 1: from the top of the counter here, getting Horsey sauce

467
00:30:40,080 --> 00:30:43,280
Speaker 1: on as many people as you could inside this place.

468
00:30:43,520 --> 00:30:47,480
Speaker 1: I never seen more you mean, thank god? I didn't

469
00:30:47,480 --> 00:30:52,160
Speaker 1: know if that was Horsey saucer or not. Come on,

470
00:30:53,200 --> 00:30:57,040
Speaker 1: come on you, we went completely Texas. I didn't know. Look,

471
00:30:57,040 --> 00:30:59,680
Speaker 1: we're sorry. Look, we love arbies, we love your roast beef.

472
00:30:59,800 --> 00:31:01,800
Speaker 1: I always get like the big pound one. I get

473
00:31:01,840 --> 00:31:05,720
Speaker 1: as much on there as possible. Um, but we just

474
00:31:06,040 --> 00:31:09,280
Speaker 1: we can't take responsibility for going completely Texas. You understand, like,

475
00:31:09,360 --> 00:31:14,239
Speaker 1: we're sorry, but we're sorry. We weren't ourselves. That's the

476
00:31:14,280 --> 00:31:20,280
Speaker 1: worst apology I've ever heard. We can't take responsibility. What

477
00:31:20,360 --> 00:31:23,280
Speaker 1: kind of an apology is? We can't take responsibility. You

478
00:31:23,360 --> 00:31:29,800
Speaker 1: went Texas in my franchise? All right, um, officer, So

479
00:31:29,880 --> 00:31:32,120
Speaker 1: what what what? What? What did you dig up in

480
00:31:32,120 --> 00:31:35,960
Speaker 1: those boxes? Any any, any any evidence that might direct

481
00:31:36,080 --> 00:31:37,920
Speaker 1: us to who this killer was. Now, I said, I

482
00:31:37,920 --> 00:31:39,640
Speaker 1: saw that you mentioned that there was a little bit

483
00:31:39,640 --> 00:31:44,239
Speaker 1: of a of a sauce sauce in a was so

484
00:31:44,280 --> 00:31:46,720
Speaker 1: surprising because I was expecting it just to be a

485
00:31:46,800 --> 00:31:48,840
Speaker 1: dry rub situation, and then all of a sudden, there's

486
00:31:48,840 --> 00:31:52,920
Speaker 1: a wet sauce. So I'm thinking we're going completely Texas,

487
00:31:52,960 --> 00:31:56,640
Speaker 1: We're going north south east west, and maybe we're even

488
00:31:56,680 --> 00:31:58,800
Speaker 1: and I didn't taste it, but it was a very

489
00:31:58,880 --> 00:32:00,920
Speaker 1: dark and hue, and we might even be going text

490
00:32:00,960 --> 00:32:04,200
Speaker 1: mex We might even be dealing with the mole. I'm

491
00:32:04,400 --> 00:32:09,880
Speaker 1: not sure, but again, if I can get your collective

492
00:32:09,960 --> 00:32:14,440
Speaker 1: captain approval, I would love to even go further, get

493
00:32:14,480 --> 00:32:18,000
Speaker 1: out of the walls of this precinct and take my

494
00:32:18,080 --> 00:32:20,680
Speaker 1: investigation to the streets. I think that there may be

495
00:32:20,800 --> 00:32:26,840
Speaker 1: some slow roasting pits search. I can only think of

496
00:32:27,160 --> 00:32:29,440
Speaker 1: one other time we you and I had to come

497
00:32:29,480 --> 00:32:33,720
Speaker 1: together for a secature. We did a go stop. I

498
00:32:33,760 --> 00:32:38,240
Speaker 1: got behind you, held your hand in mine. I remember vividly.

499
00:32:40,280 --> 00:32:42,000
Speaker 1: It seems like maybe we got to do that one

500
00:32:42,000 --> 00:32:44,880
Speaker 1: more time to give her the access she needs. I

501
00:32:44,920 --> 00:32:47,000
Speaker 1: actually think it could be an oral thing. I don't

502
00:32:47,000 --> 00:32:50,080
Speaker 1: think I need a physical No no, no, no, Well,

503
00:32:50,080 --> 00:32:51,920
Speaker 1: we'll see where it goes. We'll see where it goes,

504
00:32:52,080 --> 00:32:55,880
Speaker 1: we'll start it, We'll see if it gets to an orbles. Yeah,

505
00:32:55,920 --> 00:32:58,520
Speaker 1: so you're saying start with hands maybe and in oral

506
00:33:00,040 --> 00:33:03,560
Speaker 1: where it goes? All right again, this is not a

507
00:33:03,640 --> 00:33:06,840
Speaker 1: captain's signature. And why is this paper wet? I'm not

508
00:33:06,960 --> 00:33:10,320
Speaker 1: taking this like look, don't do you not understand? Just

509
00:33:10,440 --> 00:33:12,920
Speaker 1: let me out of the precinct. I don't know why

510
00:33:13,000 --> 00:33:16,400
Speaker 1: you guys keep me in here. I've been home in

511
00:33:16,440 --> 00:33:20,040
Speaker 1: three years. Yeah, you gotta stay in here right now.

512
00:33:20,440 --> 00:33:22,920
Speaker 1: Things are hot and get over here. Listen. Don't you

513
00:33:23,000 --> 00:33:27,680
Speaker 1: know there's a mole in this precinct. Somewhere there's a mole.

514
00:33:27,880 --> 00:33:32,800
Speaker 1: I heard it on the street. I found it. Wait

515
00:33:32,800 --> 00:33:37,200
Speaker 1: what I'm not we mean you found it? You trying

516
00:33:37,200 --> 00:33:45,280
Speaker 1: to say, oh, baby, huh, I didn't realize I skipped

517
00:33:45,280 --> 00:33:47,240
Speaker 1: over some stuff that you had air dropped to me

518
00:33:47,320 --> 00:33:50,880
Speaker 1: last night. Okay, well we're finally within reception. It probably

519
00:33:50,920 --> 00:33:57,960
Speaker 1: just came in. You're so, you're so smart and like reasonable, baby?

520
00:33:58,240 --> 00:34:03,320
Speaker 1: Were we were we do we have our hands and intestines?

521
00:34:03,400 --> 00:34:11,799
Speaker 1: Last night? Um that I do remember, Yes, Yeah, I

522
00:34:11,840 --> 00:34:14,440
Speaker 1: was hoping we wouldn't piece it together. Um. I started

523
00:34:14,440 --> 00:34:16,440
Speaker 1: to come out of the Texas when we were in

524
00:34:16,480 --> 00:34:19,040
Speaker 1: the middle of so many body parts. From what I

525
00:34:19,040 --> 00:34:22,359
Speaker 1: can only assume was us going so Texas that we

526
00:34:22,360 --> 00:34:24,920
Speaker 1: were shooting first, taking questions later, we just we we.

527
00:34:26,320 --> 00:34:27,600
Speaker 1: I think that's why we end up in the police

528
00:34:27,600 --> 00:34:30,960
Speaker 1: station because I was trying to establish an alibi for us. Okay,

529
00:34:30,960 --> 00:34:34,360
Speaker 1: but you're so smart. You're probably smarter than any captain

530
00:34:34,760 --> 00:34:36,680
Speaker 1: or sergeant or lieutenant or anybody they might have on

531
00:34:36,760 --> 00:34:39,959
Speaker 1: that four. So surely you covered our tracks. Surely there's

532
00:34:40,000 --> 00:34:43,120
Speaker 1: no evidence leading to us, right, baby, Well, I did

533
00:34:43,160 --> 00:34:45,120
Speaker 1: a trail. Of course. He saw us leading back to

534
00:34:45,160 --> 00:34:47,919
Speaker 1: the RBS. That matches the DNA of the manager there,

535
00:34:48,680 --> 00:34:52,560
Speaker 1: so if anything goes correctly, they'll pin it on him.

536
00:34:52,719 --> 00:34:55,680
Speaker 1: I love you here, and we have some that gatory, babe,

537
00:34:58,920 --> 00:35:02,359
Speaker 1: what a day? Hey, we gotta get some help. Yeah,

538
00:35:02,400 --> 00:35:05,799
Speaker 1: I think so. I mean, yes, we just framed an

539
00:35:05,840 --> 00:35:09,880
Speaker 1: innocent franchise owner of a fat whose places probably barely

540
00:35:10,000 --> 00:35:13,040
Speaker 1: making ends meet. But I think it's time to take

541
00:35:13,080 --> 00:35:15,800
Speaker 1: some responsibility in our own lives, and we killed somebody.

542
00:35:17,000 --> 00:35:20,080
Speaker 1: I wasn't even in a hospital last night. What are

543
00:35:20,120 --> 00:35:29,960
Speaker 1: you talking about? Shooting A shooting an appendix? I gotta know, Look, Deputy,

544
00:35:30,719 --> 00:35:32,839
Speaker 1: no offense. But if I'm gonna be sitting in here

545
00:35:32,880 --> 00:35:35,920
Speaker 1: in this derogation room, I don't know I should be

546
00:35:36,000 --> 00:35:38,640
Speaker 1: talking to at least a cap And I know, I'm

547
00:35:38,640 --> 00:35:43,600
Speaker 1: just I'm feeling like really really uh uh, but Cavin Fever,

548
00:35:43,719 --> 00:35:46,480
Speaker 1: I'm just I'm feeling like I gotta, you know, get out.

549
00:35:46,560 --> 00:35:49,000
Speaker 1: And you're from the outside. I just wanted to connect

550
00:35:49,000 --> 00:35:52,120
Speaker 1: with you. But um, how long you've been wearing those clothes?

551
00:35:53,480 --> 00:35:55,480
Speaker 1: What does it smell like? It smells like I've been

552
00:35:55,600 --> 00:35:57,440
Speaker 1: rolling around in beans. And let me tell you, it's

553
00:35:57,520 --> 00:36:00,120
Speaker 1: not that I've just haven't. I've been wearing in the

554
00:36:00,160 --> 00:36:02,240
Speaker 1: same clothes and we're in the same clothes for about

555
00:36:02,360 --> 00:36:04,640
Speaker 1: three years. I'm gonna get you that, Captain. I'm gonna

556
00:36:04,680 --> 00:36:07,640
Speaker 1: get you that, Captain. You've had good cop, now have

557
00:36:07,800 --> 00:36:15,200
Speaker 1: bad cops. Everything's wet now, man, what time to confess

558
00:36:15,960 --> 00:36:21,480
Speaker 1: a cat? Look listen, captain, I wasn't even at the hospital.

559
00:36:21,600 --> 00:36:24,600
Speaker 1: I was at my Arby's. We got video footage of

560
00:36:24,640 --> 00:36:26,960
Speaker 1: an Arby. Some crazy lady was in there last night

561
00:36:27,000 --> 00:36:29,680
Speaker 1: shooting Horsey sauce all over the place. You'll probably see

562
00:36:29,719 --> 00:36:31,719
Speaker 1: me in the background at a video at some point

563
00:36:32,600 --> 00:36:35,319
Speaker 1: video evidence. Hull. Take a look. I do like Rby.

564
00:36:35,360 --> 00:36:37,439
Speaker 1: It's a big hat like mine. It is a big

565
00:36:37,520 --> 00:36:43,719
Speaker 1: hat like yours. Yes, Oh baby, what a day. But

566
00:36:43,880 --> 00:36:47,239
Speaker 1: you know what, we're good to this relax. I watch

567
00:36:47,280 --> 00:36:50,160
Speaker 1: a little TV. No one's gonna come to our door.

568
00:36:53,600 --> 00:36:57,200
Speaker 1: What I said, no one come to our right? Is

569
00:36:57,239 --> 00:36:59,920
Speaker 1: someone knocked at our door? All right? But I mean

570
00:37:00,000 --> 00:37:02,880
Speaker 1: to day is no one's coming, No one's bugging us,

571
00:37:03,360 --> 00:37:06,400
Speaker 1: No one's gonna knock on our door. Okay, you're hearing that.

572
00:37:07,440 --> 00:37:13,440
Speaker 1: I am stop setting it up. And they looked at

573
00:37:13,480 --> 00:37:17,880
Speaker 1: the people here. Excuse me? Did you perform a routine

574
00:37:17,920 --> 00:37:22,440
Speaker 1: appen deck to me last night? Shit, we want to

575
00:37:22,560 --> 00:37:27,359
Speaker 1: hire you. We need surgeons. You did a great job.

576
00:37:28,840 --> 00:37:35,719
Speaker 1: Please taking it face value, go for it. Okay? Hi? Hello, Hi?

577
00:37:37,400 --> 00:37:40,120
Speaker 1: Uh you know for a fact that we were at

578
00:37:40,200 --> 00:37:43,960
Speaker 1: a hospital last night performing surgeries. Yes, yes, we we have.

579
00:37:44,840 --> 00:37:52,399
Speaker 1: We have camp footage and we're not in trouble. Well, look,

580
00:37:52,480 --> 00:37:55,279
Speaker 1: things went completely Texas in our operating room last night,

581
00:37:55,400 --> 00:37:58,200
Speaker 1: and then I guess things are also going completely Texas

582
00:37:58,280 --> 00:38:01,279
Speaker 1: for you in your lives because obviously you blacked out.

583
00:38:01,360 --> 00:38:04,640
Speaker 1: You performed a routine surgery, but you really got us

584
00:38:04,680 --> 00:38:06,879
Speaker 1: out of a bind there. And uh, I just smell

585
00:38:06,960 --> 00:38:14,040
Speaker 1: like beans. Uh you're you're alone? Right? Yeah? Sorry, I

586
00:38:14,680 --> 00:38:17,720
Speaker 1: I'm it's just a cold day, and I'm just wearing

587
00:38:17,760 --> 00:38:20,719
Speaker 1: my old, my old childhood jacket. As long as you're

588
00:38:20,719 --> 00:38:23,400
Speaker 1: not some deputy is trying to make a name for

589
00:38:23,480 --> 00:38:26,080
Speaker 1: herself by capturing two people who committed to haynge this crime.

590
00:38:26,160 --> 00:38:28,600
Speaker 1: As long as you're not that, we're no. No, that's

591
00:38:29,120 --> 00:38:32,160
Speaker 1: that's not that's not me. Because if my phone, if

592
00:38:32,239 --> 00:38:36,160
Speaker 1: my phone ring, sorry if I wasn't the guy you

593
00:38:36,239 --> 00:38:42,480
Speaker 1: were expecting, but this I'm the guy who's here. I'm

594
00:38:42,520 --> 00:38:45,040
Speaker 1: the guy who's here, and I'm offering you a job

595
00:38:47,680 --> 00:38:52,160
Speaker 1: for us that life is gonna go. Life goes the

596
00:38:52,200 --> 00:39:00,759
Speaker 1: way that it goes. Second, seeing the ring comes to

597
00:39:00,920 --> 00:39:04,000
Speaker 1: us from alchemy v I P. Pat scene, Pat says,

598
00:39:04,080 --> 00:39:09,279
Speaker 1: hey gang scene suggestion. The people and their auditions for

599
00:39:09,400 --> 00:39:13,880
Speaker 1: the canned laugh tracks on comedy shows. The people and

600
00:39:13,960 --> 00:39:17,000
Speaker 1: their auditions for the can laugh tracks on comedy shows.

601
00:39:17,239 --> 00:39:20,799
Speaker 1: Keep up the amazing job, Pat. Great, I see from

602
00:39:20,880 --> 00:39:25,440
Speaker 1: your head shot here that you did lear on Broadway?

603
00:39:25,560 --> 00:39:31,239
Speaker 1: Is that true? This? Wowd leerd leer many times? How

604
00:39:31,360 --> 00:39:34,200
Speaker 1: that is? That is great? Can you can you? Um,

605
00:39:34,600 --> 00:39:36,480
Speaker 1: you know what, I'm not gonna I'm not gonna give

606
00:39:36,480 --> 00:39:42,120
Speaker 1: any notes yet. B wins and crack wow for this weird,

607
00:39:42,239 --> 00:39:46,480
Speaker 1: just looking for sort of a gentle titter like like.

608
00:39:46,640 --> 00:39:49,040
Speaker 1: It's not the funniest joke of the of the scene,

609
00:39:49,080 --> 00:39:51,960
Speaker 1: but you know it made you laugh a little. All right,

610
00:39:53,200 --> 00:40:04,800
Speaker 1: are we rolling? Whenever you're ready? Who? Wow? Do you

611
00:40:04,920 --> 00:40:08,160
Speaker 1: mind if I give you a little adjustment? Yes? Please,

612
00:40:08,239 --> 00:40:12,000
Speaker 1: I I enjoy a direction. Imagine, okay, imagine in this

613
00:40:12,239 --> 00:40:16,759
Speaker 1: moment that you are Prince Hamlet, and Prince Hamlet has

614
00:40:16,840 --> 00:40:20,759
Speaker 1: just seen that he's also played Hamlet. Congratulations, I see

615
00:40:20,800 --> 00:40:23,560
Speaker 1: it right here. It's actually six lines on your resume.

616
00:40:23,719 --> 00:40:27,640
Speaker 1: It just you've played all of these characters in Hamlet. Yes,

617
00:40:27,760 --> 00:40:34,040
Speaker 1: I played Gertrude, now Claudius, that's Horatio. I played ros

618
00:40:34,080 --> 00:40:39,920
Speaker 1: and Grants and Gilderstein. Gilderstein, this this, this is. It

619
00:40:40,040 --> 00:40:42,440
Speaker 1: looks like these are all from the same production. Is

620
00:40:42,520 --> 00:40:45,239
Speaker 1: that did you do these all at once? I one

621
00:40:45,320 --> 00:40:49,239
Speaker 1: man Hamlet? That is that's impressive. So this time some

622
00:40:49,400 --> 00:40:54,359
Speaker 1: would say I'm patting my resume, but I I'm proud

623
00:40:54,400 --> 00:40:56,800
Speaker 1: of all that. I take everything that comes across my

624
00:40:56,920 --> 00:40:59,520
Speaker 1: desk at face value. If you say you did it,

625
00:40:59,640 --> 00:41:01,960
Speaker 1: you did it, and I am excited for you. I

626
00:41:02,120 --> 00:41:05,759
Speaker 1: just like a gentle titter like it's a kind of

627
00:41:05,880 --> 00:41:10,359
Speaker 1: a kind of funny thing happened. I don't know, can

628
00:41:10,480 --> 00:41:13,160
Speaker 1: you can you say something funny to just to cue me,

629
00:41:14,000 --> 00:41:18,960
Speaker 1: mildly funny, something mildly funny. Uh sure? How about Um,

630
00:41:20,120 --> 00:41:25,080
Speaker 1: I just flew in from Stratford upon Avon and uh

631
00:41:25,280 --> 00:41:32,000
Speaker 1: boy or my arms tired? Oh good sir. This is

632
00:41:32,080 --> 00:41:34,799
Speaker 1: my It's like my second acting class. The first one

633
00:41:34,960 --> 00:41:36,680
Speaker 1: was like more on camera stuff, so I'm trying to

634
00:41:36,719 --> 00:41:39,080
Speaker 1: work on my voice stuff as well. Just really I

635
00:41:39,120 --> 00:41:41,520
Speaker 1: want to be like, you know, ready to go in

636
00:41:41,560 --> 00:41:45,879
Speaker 1: any situation. It's actually really hard to break out into

637
00:41:45,920 --> 00:41:50,319
Speaker 1: the theater, so I just know that it's a little

638
00:41:50,320 --> 00:41:54,120
Speaker 1: bit easier to do the whole on camera thing. Mm hmm.

639
00:41:54,880 --> 00:41:56,960
Speaker 1: I feel like they're just they're just different. But what

640
00:41:57,040 --> 00:41:59,680
Speaker 1: do I know if you're just looking to round it out,

641
00:42:00,000 --> 00:42:03,280
Speaker 1: but if you're looking to um build up your resume,

642
00:42:04,200 --> 00:42:08,320
Speaker 1: just be aware, you know, this is pretty cutthroat this

643
00:42:08,560 --> 00:42:12,520
Speaker 1: class or this this industry in general, this class and

644
00:42:12,680 --> 00:42:16,880
Speaker 1: this industry both Well, I've got a thick skin and um,

645
00:42:16,920 --> 00:42:20,239
Speaker 1: I've got some range, as they say, so I'm really

646
00:42:20,280 --> 00:42:22,560
Speaker 1: looking forward to just like you know, working with the

647
00:42:22,640 --> 00:42:27,120
Speaker 1: master himself or herself. He's incredible. He's absolutely incredible, and

648
00:42:27,360 --> 00:42:32,080
Speaker 1: he does pick favorites. He does. Oh yeah, you're obviously

649
00:42:32,239 --> 00:42:33,960
Speaker 1: we're are one of his favor are your t a

650
00:42:34,440 --> 00:42:37,239
Speaker 1: or no? I've just been taking this class for the

651
00:42:37,280 --> 00:42:41,440
Speaker 1: past eight years. Eight years. Yeah, So you know, he

652
00:42:41,600 --> 00:42:44,640
Speaker 1: knows me, and I know him, and he knows my

653
00:42:44,920 --> 00:42:50,120
Speaker 1: my power, my strengths, and together we work on my weaknesses.

654
00:42:51,360 --> 00:42:55,960
Speaker 1: I I got a friend who's like always making stuff,

655
00:42:56,280 --> 00:42:58,480
Speaker 1: you know, So that's like I'm working of like putting

656
00:42:58,520 --> 00:43:01,120
Speaker 1: together some like photoge do with that. But right now

657
00:43:01,200 --> 00:43:06,640
Speaker 1: we're working on some like straight up voice stuff. Just knock, knock,

658
00:43:06,880 --> 00:43:10,239
Speaker 1: Who's who's at the door? Who is that? Who's at

659
00:43:10,280 --> 00:43:17,400
Speaker 1: the door? Why it's me? Both is a mackintrick, Shakespearean actor,

660
00:43:18,040 --> 00:43:22,799
Speaker 1: voice teacher. Just sorry, I'm late. I just came from

661
00:43:22,840 --> 00:43:29,080
Speaker 1: a gig. Oh I've been hired to provide laughter for

662
00:43:32,160 --> 00:43:38,200
Speaker 1: for multi camera sitcoms with prerecorded laugh tracks. Are we

663
00:43:38,280 --> 00:43:43,279
Speaker 1: going to be working on that in here? Why don't we?

664
00:43:44,000 --> 00:43:53,040
Speaker 1: Why don't we? So? I prepared my my monologues, okay,

665
00:43:53,760 --> 00:44:00,680
Speaker 1: contrasting trasting monolog minds contemporary at You're a new face,

666
00:44:00,719 --> 00:44:04,520
Speaker 1: are you not? Yes? Yes, yes, sir, Yes, sir, don't

667
00:44:04,640 --> 00:44:09,040
Speaker 1: bother telling me your name. I won't learn it. And

668
00:44:09,239 --> 00:44:15,719
Speaker 1: you you've been you've been here before. I live here practically, yes, yes, Well,

669
00:44:16,200 --> 00:44:19,040
Speaker 1: why don't you do your first monologue? Great? Okay, great,

670
00:44:19,160 --> 00:44:21,799
Speaker 1: you're not going to do the whole voice thing. Well,

671
00:44:21,880 --> 00:44:25,200
Speaker 1: I'm going to practice some of my canned laughs as

672
00:44:25,280 --> 00:44:28,440
Speaker 1: you do. Why don't you do your comedy monologue first? Okay,

673
00:44:29,080 --> 00:44:33,759
Speaker 1: and I will regale you with laughter. Okay, great, and

674
00:44:34,000 --> 00:44:41,719
Speaker 1: here it goes class. Everybody pay attention to me, look

675
00:44:41,840 --> 00:44:46,200
Speaker 1: up at me. Now you are a new here. But

676
00:44:49,480 --> 00:44:52,719
Speaker 1: so no, no, just continue a monologue. I'm just going

677
00:44:52,760 --> 00:44:55,480
Speaker 1: to pepper pepper and laughs. Doesn't sure whether you're trying

678
00:44:55,480 --> 00:44:58,239
Speaker 1: to give me notes at the same time. No, no, no,

679
00:44:58,520 --> 00:45:02,399
Speaker 1: keep going. I was delivering a mild titter. Okay, great.

680
00:45:03,160 --> 00:45:06,719
Speaker 1: My name is miss Wasta. But that's w A s

681
00:45:06,920 --> 00:45:13,759
Speaker 1: t A b A. That's pronounced wall star. Ah, that's

682
00:45:13,880 --> 00:45:24,399
Speaker 1: walls and water f t asn't tatar star was Oh boy,

683
00:45:25,560 --> 00:45:27,759
Speaker 1: oh my gosh, this is so crazy. I'm like a

684
00:45:27,840 --> 00:45:29,719
Speaker 1: huge fan. I know it's just the same audition, but like,

685
00:45:32,160 --> 00:45:35,200
Speaker 1: I love you, I'm a huge fan of yours. H

686
00:45:36,160 --> 00:45:40,360
Speaker 1: what what do you know me from your student? Like,

687
00:45:40,480 --> 00:45:43,279
Speaker 1: I'm in your classes and you looked you looked, you

688
00:45:43,360 --> 00:45:47,000
Speaker 1: looked familiar. Now here we are the same roll? Roll?

689
00:45:47,160 --> 00:45:48,840
Speaker 1: All right, I'm gonna bring you both in at the

690
00:45:48,920 --> 00:45:51,480
Speaker 1: same time on this one. If that's okay, we're running

691
00:45:51,480 --> 00:45:54,200
Speaker 1: a little up, we're running a little late you guys,

692
00:45:54,239 --> 00:45:57,640
Speaker 1: mast and student U sure cut, come on in, both

693
00:45:57,680 --> 00:46:01,080
Speaker 1: of you. Great, so thank you for coming in h

694
00:46:01,160 --> 00:46:04,200
Speaker 1: in this scene right here. We're what we're going to need.

695
00:46:04,400 --> 00:46:06,320
Speaker 1: We'll just go one at a time, and we just

696
00:46:06,480 --> 00:46:09,719
Speaker 1: want the sound that's made on a sitcom. When the

697
00:46:09,800 --> 00:46:14,000
Speaker 1: will they won't they couple kisses the first time? All right?

698
00:46:14,080 --> 00:46:17,440
Speaker 1: Does everybody have that? You're ready? And who's going first baths?

699
00:46:17,600 --> 00:46:20,360
Speaker 1: Mckintrick or this fellow? Um, why don't we start with

700
00:46:20,760 --> 00:46:23,680
Speaker 1: Why don't we start with this fellow? What's your name? Um?

701
00:46:24,600 --> 00:46:29,520
Speaker 1: Won't let it? Uh? Kyle? Okay, Kyle? Whenever you're ready?

702
00:46:30,000 --> 00:46:34,560
Speaker 1: M hmm, will you give me a brief leading a scenario?

703
00:46:34,640 --> 00:46:44,960
Speaker 1: Where's the first kiss? Sure? Thank you so much. That

704
00:46:45,080 --> 00:46:48,279
Speaker 1: was great. That was great? Thanks? Now? Um? Uh, balth

705
00:46:48,400 --> 00:46:53,600
Speaker 1: is our just about is it? It's Mr Experience actor

706
00:46:54,560 --> 00:47:09,280
Speaker 1: voice teacher can laugh track master whenever you're ready. M hm, whoa, Shannon,

707
00:47:09,440 --> 00:47:11,560
Speaker 1: He's never going to learn your name. I mean, you

708
00:47:11,640 --> 00:47:14,520
Speaker 1: were working on the lot to bury whatever that is

709
00:47:14,600 --> 00:47:18,840
Speaker 1: monologue for months and he he gave you a mild gaffall.

710
00:47:19,600 --> 00:47:23,680
Speaker 1: That was it. That's what was so hurtful. I'm used

711
00:47:23,719 --> 00:47:26,520
Speaker 1: to not hearing laughs. That's fine, if you don't want

712
00:47:26,600 --> 00:47:29,960
Speaker 1: to laugh, that's fine, But to verbalize it like that

713
00:47:30,200 --> 00:47:33,600
Speaker 1: was so mocking to me. And but now I'm starting

714
00:47:33,640 --> 00:47:36,200
Speaker 1: to think he's doing this on purpose because he knows

715
00:47:36,800 --> 00:47:41,560
Speaker 1: that my dramatic piece, my dramatic monologue is me having

716
00:47:41,640 --> 00:47:45,760
Speaker 1: to feel less than and confronting a father figure about

717
00:47:45,920 --> 00:47:48,400
Speaker 1: never being good enough. And maybe he's just trying to

718
00:47:49,040 --> 00:47:52,399
Speaker 1: spur that within me, and he thinks he probably thinks

719
00:47:52,440 --> 00:47:54,520
Speaker 1: I'm great. I was just trying to spurre that with me.

720
00:47:56,360 --> 00:47:58,720
Speaker 1: Or it's time to move on to his acting class

721
00:47:59,040 --> 00:48:03,359
Speaker 1: that you've been it for years, Balthazar. It's really nice

722
00:48:03,400 --> 00:48:05,280
Speaker 1: to have you in now. This is a big network,

723
00:48:05,440 --> 00:48:08,080
Speaker 1: as you know, it's one of the biggest networks in

724
00:48:08,840 --> 00:48:11,279
Speaker 1: TV land. You know, it's not TV Lander network. It's

725
00:48:11,320 --> 00:48:13,920
Speaker 1: just I'm just saying, I don't know. I thought this

726
00:48:14,120 --> 00:48:19,320
Speaker 1: was no, no, no, so uh, here's the thing. We've

727
00:48:19,640 --> 00:48:24,080
Speaker 1: received a handful of your auditions, and well, we love

728
00:48:24,520 --> 00:48:27,160
Speaker 1: we love it, we love it. And as a matter

729
00:48:27,200 --> 00:48:29,520
Speaker 1: of fact, we are here to pitch you on a

730
00:48:29,560 --> 00:48:32,480
Speaker 1: show idea that would be Greenland. If you accept, we'll

731
00:48:32,520 --> 00:48:35,000
Speaker 1: shoot twenty three episodes right now. If you say yes,

732
00:48:36,760 --> 00:48:41,400
Speaker 1: here's the idea. All right, I'm waiting. You're the actor

733
00:48:43,200 --> 00:48:49,239
Speaker 1: and you're the canned laughter. Let it digests, let it,

734
00:48:49,800 --> 00:48:54,239
Speaker 1: let us sink in. You've understand we're competing with these

735
00:48:54,320 --> 00:48:57,000
Speaker 1: streaming services now right. You know they're they're they're they're

736
00:48:57,000 --> 00:48:59,719
Speaker 1: flipping the script as it were. They're they're they're trying things.

737
00:48:59,800 --> 00:49:02,480
Speaker 1: And you know, we're old and the script, the script

738
00:49:02,760 --> 00:49:05,760
Speaker 1: is king the words of the bar. That's what I'm saying.

739
00:49:05,880 --> 00:49:08,319
Speaker 1: That's what I'm saying. Anyone here wants to do unscripted work,

740
00:49:08,640 --> 00:49:13,680
Speaker 1: it's bullshit. There's no art in that unscripted You know that, right?

741
00:49:15,680 --> 00:49:18,360
Speaker 1: But can I see what you've written here? May I?

742
00:49:19,160 --> 00:49:24,040
Speaker 1: May I essay an attempt? This is our screenwriter right here.

743
00:49:24,040 --> 00:49:27,399
Speaker 1: As a matter of fact, I won't learn your name.

744
00:49:28,960 --> 00:49:35,919
Speaker 1: He well, let me see who's at the door. Why

745
00:49:36,200 --> 00:49:47,279
Speaker 1: it's my neighbor Barrel Prescott, who what what O? Good?

746
00:49:47,360 --> 00:49:52,719
Speaker 1: Sir Ah. I know it's hard to determine which is

747
00:49:52,800 --> 00:49:57,000
Speaker 1: the dialogue my reaction, but what we know, you know

748
00:49:57,160 --> 00:49:59,520
Speaker 1: this is great. I saw you do your one man Hamlet,

749
00:49:59,560 --> 00:50:01,719
Speaker 1: your woman Romeo and Juliet. You're one man twelve Night,

750
00:50:01,800 --> 00:50:03,520
Speaker 1: and like, we just thought that this one man show

751
00:50:03,680 --> 00:50:06,560
Speaker 1: for you on the network would just be amazing, and

752
00:50:06,600 --> 00:50:08,160
Speaker 1: it is. I mean, you're bringing my words to life.

753
00:50:09,280 --> 00:50:12,480
Speaker 1: Did you enjoy in Romeo and Juliet when I deflowered myself?

754
00:50:13,960 --> 00:50:16,840
Speaker 1: Now those are This is also a little unorthodox. But

755
00:50:17,200 --> 00:50:20,600
Speaker 1: we understand that you teach the classes, is that right? Yes,

756
00:50:21,000 --> 00:50:23,200
Speaker 1: if that could be a teaching element to this, well,

757
00:50:23,320 --> 00:50:27,439
Speaker 1: not necessarily. But there's one other character, just just one

758
00:50:28,040 --> 00:50:29,920
Speaker 1: that we'd like to hand out to, maybe one of

759
00:50:29,960 --> 00:50:33,440
Speaker 1: your best students, somebody you've known for a while. Uh,

760
00:50:33,600 --> 00:50:35,920
Speaker 1: someone that you have a real, real rapport with, so

761
00:50:36,080 --> 00:50:40,560
Speaker 1: you could bounce off of each other. Okay, nobody comes

762
00:50:40,640 --> 00:50:43,279
Speaker 1: to mind. Nobody comes to mind. Well, maybe maybe I

763
00:50:43,400 --> 00:50:46,720
Speaker 1: think you teach tonight Tonight's Wednesday Night, Right, you teach teaching, Burbank,

764
00:50:47,920 --> 00:50:52,160
Speaker 1: I do, Okay, so maybe I do. I teach it

765
00:50:52,239 --> 00:51:01,160
Speaker 1: a former Storage Locker and Jenny Punskansky. And do you

766
00:51:01,280 --> 00:51:04,719
Speaker 1: also need me to say my uh, my resume, my

767
00:51:04,920 --> 00:51:08,040
Speaker 1: experience in my slate or just the name. That's alright,

768
00:51:08,120 --> 00:51:11,680
Speaker 1: miss Pistonski. Um, we can just go right ahead and

769
00:51:12,880 --> 00:51:17,000
Speaker 1: and uh and you can jump right into the scenes.

770
00:51:17,040 --> 00:51:22,800
Speaker 1: Has I've taken eight years of dramatic arts that storage

771
00:51:22,880 --> 00:51:27,400
Speaker 1: locker and Burbank. I see that, and I see that. Um,

772
00:51:27,960 --> 00:51:30,640
Speaker 1: that's you just wrote that on your resume. Well, I

773
00:51:30,719 --> 00:51:36,759
Speaker 1: haven't really big, Yes, I haven't gotten That's where I

774
00:51:36,840 --> 00:51:38,600
Speaker 1: do my acting. That's where I do most of my

775
00:51:38,680 --> 00:51:41,080
Speaker 1: acting thus far. But I'd love to I'd love to

776
00:51:41,160 --> 00:51:43,640
Speaker 1: add this to the to the to the resume. I

777
00:51:43,680 --> 00:51:47,400
Speaker 1: would love to add this. Wow, it's it's actually resume. Um,

778
00:51:48,000 --> 00:51:50,560
Speaker 1: but we will. Let's go ahead, and I'd like you

779
00:51:50,640 --> 00:51:53,319
Speaker 1: to take a look at the point in the story

780
00:51:53,360 --> 00:51:56,440
Speaker 1: where it's going between act two and Act three, and

781
00:51:56,640 --> 00:52:01,319
Speaker 1: a big bit of information has just been veiled by

782
00:52:01,400 --> 00:52:04,880
Speaker 1: Balthazar to Balthazar, and we want you to see if

783
00:52:04,920 --> 00:52:08,200
Speaker 1: we can compliment what Balthazar did in the In the

784
00:52:08,320 --> 00:52:14,080
Speaker 1: initial recording of yeah, he started interrupt I'm so I'm

785
00:52:14,160 --> 00:52:17,400
Speaker 1: in the middle of anhoe I'm so sorry to interrupt.

786
00:52:17,440 --> 00:52:21,080
Speaker 1: I'm so sorry to interrupt. Um network wants to turn

787
00:52:21,200 --> 00:52:27,680
Speaker 1: this into a chemistry read both is our here? He's here.

788
00:52:27,920 --> 00:52:31,879
Speaker 1: I'm so sorry to interrupt. Oh no, that's that's totally fine.

789
00:52:31,960 --> 00:52:36,080
Speaker 1: Well knock, knock, knock. Who's there? Wells the door while

790
00:52:36,160 --> 00:52:41,040
Speaker 1: it's me Mr chist and chemistry. Yes we are, and

791
00:52:41,200 --> 00:52:46,839
Speaker 1: and and how lucky to have such rapport already. Yes,

792
00:52:47,000 --> 00:52:50,480
Speaker 1: I'm Balthazar by the way, Yes, yes, I'm in your

793
00:52:50,560 --> 00:52:58,520
Speaker 1: Wednesday night class. Have been for a used Jenny's say

794
00:52:58,560 --> 00:53:04,880
Speaker 1: that last thanks and spellered forward T A S T

795
00:53:05,200 --> 00:53:11,879
Speaker 1: K I K I S C H I. I won't

796
00:53:11,960 --> 00:53:14,600
Speaker 1: learn that dame. I can guarantee you I won't learn

797
00:53:14,680 --> 00:53:19,640
Speaker 1: that name. Ah, let's commence. I'm so sorry, I am

798
00:53:20,480 --> 00:53:27,640
Speaker 1: so sorry. What there's been some changes, and screenwriters here

799
00:53:28,560 --> 00:53:32,560
Speaker 1: implement some of those. If I swear, if you interrupt

800
00:53:32,640 --> 00:53:37,160
Speaker 1: one more time, I'm going completely Texas on you. All right,

801
00:53:37,320 --> 00:53:40,640
Speaker 1: It's okay, Look, it's I mean, look, you're from the network,

802
00:53:40,719 --> 00:53:42,799
Speaker 1: so you get to do whatever you want, so bring

803
00:53:42,880 --> 00:53:48,000
Speaker 1: the screenwriter in. As always, I will respect the written word. Sorry, okay,

804
00:53:48,040 --> 00:53:51,799
Speaker 1: so here the changes? Um, wait, really quick, both star. Um,

805
00:53:52,640 --> 00:53:56,880
Speaker 1: did you do your solo production of The Tempest back

806
00:53:57,000 --> 00:54:04,920
Speaker 1: in Akron? And yes, yes, that was me. Did you

807
00:54:05,360 --> 00:54:10,000
Speaker 1: meet a young lady there? Um that might have gone

808
00:54:10,120 --> 00:54:19,319
Speaker 1: backstage and um sounds like me. Yes, I think you're

809
00:54:19,360 --> 00:54:23,719
Speaker 1: my dad. What that's what we needed to Matchine, that's

810
00:54:23,760 --> 00:54:31,880
Speaker 1: what we need to Matchine. That's our show. Oh my gosh.

811
00:54:32,440 --> 00:54:36,120
Speaker 1: All right, Um, I mean come on, that's fun. We're

812
00:54:36,160 --> 00:54:39,799
Speaker 1: having fun. We're having fun. Looking at my notes, uh

813
00:54:39,880 --> 00:54:42,879
Speaker 1: and it says and that's our show and that's true.

814
00:54:43,840 --> 00:54:46,520
Speaker 1: Let's thank all of our alchemists. Shall we see what

815
00:54:46,600 --> 00:54:48,520
Speaker 1: we're up to. Cole Stratton, thank you so much for

816
00:54:48,600 --> 00:54:52,359
Speaker 1: joining us. Where can we find you? What's going on? Well?

817
00:54:53,040 --> 00:54:56,600
Speaker 1: I guess my neighborhood is burning down right now, so

818
00:54:57,160 --> 00:55:00,279
Speaker 1: it might be my last episode ever. I do live

819
00:55:00,320 --> 00:55:04,080
Speaker 1: on a very busy street. Uh, not so much at Stratton.

820
00:55:04,160 --> 00:55:07,239
Speaker 1: Cole at Cole Stratton on the Socials SF Sketch Fest

821
00:55:07,400 --> 00:55:10,920
Speaker 1: coming back in January from the previous January. We'll do

822
00:55:11,040 --> 00:55:14,640
Speaker 1: shows eventually. Uh, pretty Pretty Pony first Thursday every month

823
00:55:14,680 --> 00:55:18,080
Speaker 1: the Westside Comedy Theater. Yeah, that's about it. Awesome, Thank you,

824
00:55:18,200 --> 00:55:23,839
Speaker 1: thank you for being here. Jackie Druthy was I'll never

825
00:55:23,960 --> 00:55:28,680
Speaker 1: get over that. I do it. I do it to

826
00:55:28,800 --> 00:55:36,400
Speaker 1: everyone who calls me. It's so, I'll never let it go.

827
00:55:37,920 --> 00:55:41,120
Speaker 1: I love a good commercial. I really like a lot

828
00:55:41,200 --> 00:55:46,600
Speaker 1: of good ad campaign just makes me go all right,

829
00:55:46,760 --> 00:55:51,480
Speaker 1: you got me there. I'm at Jackie d Ruthie on

830
00:55:52,160 --> 00:55:55,000
Speaker 1: Instagram and that's where I post when I have shows

831
00:55:55,200 --> 00:55:59,680
Speaker 1: much like the Pretty Pretty Pony Show, um and things

832
00:55:59,719 --> 00:56:02,960
Speaker 1: like that. So lots of fun things to look forward to.

833
00:56:03,520 --> 00:56:10,960
Speaker 1: Keep your eyes peeled. Okay, we'll do Craig Atkowski, Why man,

834
00:56:12,960 --> 00:56:20,120
Speaker 1: I love this so much? Well, of course, my favorite

835
00:56:20,120 --> 00:56:23,520
Speaker 1: ad campaign is for Arby's, uh you know, the voice

836
00:56:23,560 --> 00:56:27,279
Speaker 1: of being saying we have the meats. But a lot

837
00:56:27,360 --> 00:56:31,600
Speaker 1: of people think that RBS would stand for Roast Beef

838
00:56:31,760 --> 00:56:35,040
Speaker 1: right being their signature product RB. But in fact it

839
00:56:35,160 --> 00:56:38,280
Speaker 1: was founded in Boardman, Ohio by Forest and Leroy Raffle,

840
00:56:39,000 --> 00:56:43,560
Speaker 1: the Raffle Brothers, the rs B, the RBS. The RB

841
00:56:43,719 --> 00:56:46,960
Speaker 1: stands for Raffle Brothers, not Roast Base. I thought someone's

842
00:56:47,040 --> 00:56:51,920
Speaker 1: name r B a r B. Can we get about

843
00:56:51,960 --> 00:56:53,879
Speaker 1: there doing what's up? I think we need to hear

844
00:56:53,920 --> 00:57:05,239
Speaker 1: that what's up? Cool? That was perfect and last but

845
00:57:05,360 --> 00:57:10,600
Speaker 1: not Lea's Mark Gagliardi give me outway. It feels good,

846
00:57:10,719 --> 00:57:17,240
Speaker 1: It feels good, it feels good. Oh, what's going on? Uh?

847
00:57:17,440 --> 00:57:19,680
Speaker 1: You can find uh we got this with Mark and

848
00:57:19,720 --> 00:57:23,240
Speaker 1: Howe on the Maximum Fun Network. Uh. And look out

849
00:57:23,320 --> 00:57:26,840
Speaker 1: for Blood and Treasure season two coming out soon. Yes, yes,

850
00:57:26,920 --> 00:57:29,640
Speaker 1: indeed yeah, And thanks for and you didn't Are you

851
00:57:29,760 --> 00:57:35,160
Speaker 1: crushed it today? Chris? Oh my gosh, thanks so much,

852
00:57:35,280 --> 00:57:38,080
Speaker 1: thanks so much, and let's thank our engineer and produce

853
00:57:38,120 --> 00:57:43,120
Speaker 1: it to the stars Mr Doug and the fine folks

854
00:57:43,160 --> 00:57:47,840
Speaker 1: at I Heeart Media. I have been your host, Chris Albarado,

855
00:57:47,920 --> 00:57:50,120
Speaker 1: and I thank you for listening, and until next time

856
00:58:00,800 --> 00:58:02,200
Speaker 1: at a football of co