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Speaker 1: First of all, you don't know me.

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Speaker 2: We all about that high school drama Girl drama girl,

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Speaker 2: all about them.

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Speaker 3: High school queens.

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Speaker 4: We'll take you for a ride. And our comic girl

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Speaker 4: cheered for the right teams.

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Speaker 2: Drama Queens girl fashion, but your tough girl, you could

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Speaker 2: sit with us.

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Speaker 1: Girl Drama, Queens Drama, Queise Drama, Queens Drama, Drahna Queens

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Speaker 1: Drama Queens.

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Speaker 4: Six o two. You guys, we opened season six with

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Speaker 4: so much levity, everybody's ever the best I've ever.

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Speaker 2: Jumping around cactuses and bedrooms and.

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Speaker 3: So much joy, happiness.

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Speaker 4: And then it was a different shows so too, like

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Speaker 4: Brook Davis, what happened.

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Speaker 5: To you guys? It's really bad.

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Speaker 4: It's bad. Do you guys feel gross?

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Speaker 3: Well, you know what I was gonna say. Drives me

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Speaker 3: crazy because they color timed our show so warm, so

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Speaker 3: like all the colors would really really you know, saturate warmer.

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Speaker 3: So I remember how good all this prosthetic makeup looked

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Speaker 3: in person, and then on the show, I feel like

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Speaker 3: it looks like they just smashed like cherries and raspberries

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Speaker 3: into my face, like everything's magenta.

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Speaker 2: Really Yeah, Also, the bruises looked gnarly, like the color

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Speaker 2: of bruises like fresh fresh like that. They look really bad.

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Speaker 2: So it was good.

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Speaker 3: Yeah, it was. It was pretty gross. I remember Rocky

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Speaker 3: and I are our wonderful makeup artists who did all

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Speaker 3: the special effects stuff, going through like books of photos

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Speaker 3: of actual bruises and like injuries.

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Speaker 4: Oh yeah, I remember you had that book.

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Speaker 5: That was it was.

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Speaker 2: He used to take those photos and people would send

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Speaker 2: them to him. It was like a literal pick flip

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Speaker 2: through a picture book.

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Speaker 3: Yeah, and like special effects makeup artists would trade photos

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Speaker 3: and for years after we did this episode, anytime I

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Speaker 3: would get hurt or like see someone with a bruise,

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Speaker 3: I'd be like, can.

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Speaker 4: I take a picture of that? And I'd text it

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Speaker 4: to Rocky game I did too, for like tell people

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Speaker 4: at home who Rocky was. Like. For years we had

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Speaker 4: two female makeup artists on our show because it was

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Speaker 4: a very chick heavy show. But by season six we

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Speaker 4: had two male makeup artists. Yeah, we had Tim and

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Speaker 4: Rocky different as night and day.

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Speaker 2: The beauty makeup on this show looked amazing too. By

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Speaker 2: the way, on this episode, which I was like, wow,

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Speaker 2: Tim is all over this. You could just see it.

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Speaker 2: I mean, Hillary, your skin was flawless like all of

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Speaker 2: our I felt like my skin was glowing like it

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Speaker 2: never had.

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Speaker 4: Yeah, your ie makeup was tight.

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Speaker 2: Yeah, those guys are so creative.

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Speaker 4: No Rocky since working with us in Tree Hill has

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Speaker 4: gone on to win so many awards. He just did

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Speaker 4: the Fall of the House of Usher that everyone's raving about.

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Speaker 5: So cool.

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Speaker 4: He's like done everything. He's the special he's the special

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Speaker 4: effects guy. But how he ended up doing beauty makeup

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Speaker 4: on one Tree Hill was beyond us because he's like

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Speaker 4: this dude with a mustache and a shaved head, pretty goth,

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Speaker 4: and we were all like, I mean, okay, We're like,

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Speaker 4: hey dude.

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Speaker 2: Yeah, he's the sweetest though. He just had such a sweet,

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Speaker 2: like happy disposition, you know, just.

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Speaker 3: Like wide eyed and so soft spoken.

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Speaker 2: Yeah.

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Speaker 3: There's something so charming to me about men that are

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Speaker 3: that physically big, like that could be intimidating. Who come

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Speaker 3: in real gentle and talk to you like this and

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Speaker 3: you just know, oh hi, you know things? You know secrets,

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Speaker 3: don't you.

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Speaker 4: It looks so good though, and I I don't know,

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Speaker 4: I just I can't say that I didn't like this episode,

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Speaker 4: but I just had a pit in my stomach the

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Speaker 4: whole time, And then it dawned on me that when

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Speaker 4: this originally aired, people had to wait a whole week

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Speaker 4: with this ball of like anxiety in their throat. How

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Speaker 4: why do we do that to people? That's cruel, brutal.

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Speaker 5: I don't know.

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Speaker 3: Do you think that's why we like to binge watch

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Speaker 3: shows now?

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Speaker 5: Just to calm down?

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Speaker 2: Well?

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Speaker 4: Yeah, yeah, who's gonna go to work tomorrow after watching

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Speaker 4: this episode and be like, no, I have.

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Speaker 5: Great week now?

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Speaker 2: No I'm not okay?

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Speaker 3: All right, Well, let's tell the fans what it is,

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Speaker 3: because we really dove in y'all were talking about episode

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Speaker 3: six oh two, one million billionth of a millisecond on

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Speaker 3: a Sunday morning. The synopsis is that after Lucas and

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Speaker 3: Peyton enjoy planning their dream wedding, Brook and Peyton reconnect,

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Speaker 3: Nathan works with Quinn. By the way, it wasn't your

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Speaker 3: dream wedding, you bailed on it, but we'll get there.

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Speaker 3: Block and Peyton reconnect. Nathan works with Quinnon on his

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Speaker 3: basketball skills, but Hayley is worried for Nathan's well being

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Speaker 3: and reeling from a threat to her store. Brooke reaches

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Speaker 3: out to an unexpected ally. The punctuation in this synopsis

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Speaker 3: is all over the place. Jamie catches Antoine and Deb kissing.

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Speaker 3: Oh boy, did I like that part?

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Speaker 4: Yeah?

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Speaker 3: All right, kids, where do we want to even begin?

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Speaker 2: This was a weird episode because it was so much

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Speaker 2: lightheartedness and then so much really, really really over the

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Speaker 2: top and tense drama at the same time. And we

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Speaker 2: were bouncing back and forth. And I don't know if

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Speaker 2: I were a writer in that room, if I would

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Speaker 2: have known how to do any better. But I felt

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Speaker 2: what you were saying, Hillary, I really wanted to like

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Speaker 2: this episode, and I felt like I did, but there

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Speaker 2: was so much back and forth it was hard for

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Speaker 2: me to stay on top of.

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Speaker 4: It occurred to me. I remember having a conversation with

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Speaker 4: our boss that he was super into Sons of Anarchy,

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Speaker 4: like that's what he felt he should be writing that

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Speaker 4: kind of content. And I'm watching that kind of like

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Speaker 4: darkness sift in to our show. And I mean, we're

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Speaker 4: all influenced by things that we watch in our free time.

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Speaker 4: I mean, as actors, we do that in our performances.

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Speaker 4: We're like, oh, that's cool. I want to put that

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Speaker 4: in my bag of tricks. This is another show infiltrating

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Speaker 4: ours and it's the exact the opposite end of the

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Speaker 4: TV spectrum, right, Like I'm trying to think, like what

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Speaker 4: other mash up with one Tree Hill could have been

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Speaker 4: more awkward? Sons of an anarchy in Tree Hill? If

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Speaker 4: a motorcycle gang comes through to beat up anyone else? Uh,

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Speaker 4: do we think that dude was in in the suns, the.

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Speaker 2: Guy that killed Quenton?

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Speaker 4: Yeah, yeah, yeah, he was definitely in a bike gang.

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Speaker 2: Yeah behavior Yeah, okay, So maybe I've forgotten or I'm

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Speaker 2: missing it. When Quentin looked up and saw that he

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Speaker 2: was there and said, have a nice night. Why was

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Speaker 2: Robbie so sorry? Why was Quentin so freaked out? Like

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Speaker 2: how did he know something bad was happening to him?

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Speaker 3: Because he saw the guy like likely dead, there's a

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Speaker 3: bloody body, like in the back of the behind the counter.

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Speaker 2: I stepped out of the room for a second. I

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Speaker 2: was finishing up my makeup, and then I walked in.

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Speaker 2: I was like, wait, what, Okay, so he saw something

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Speaker 2: he shouldn't have seen.

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Speaker 4: So we're bookended by all this violence, Like we see

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Speaker 4: Brooke getting beat up again in the recap, and then

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Speaker 4: we've got violence again at the end, and it does

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Speaker 4: make it hard to enjoy the middle of the sandwich.

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Speaker 4: But what were our favorite parts of this Tree Hill Sandwich?

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Speaker 4: Like you said, the Jamie, the Jamie Ketcheen skills and

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Speaker 4: deb at the top of the episode.

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Speaker 5: Brilliant, So good sony.

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Speaker 4: Do people just kiss all the time?

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Speaker 3: I loved it.

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Speaker 2: Just cringing watching her tell him his reality is not real. No,

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Speaker 2: that is not what you saw. It's absolutely not true.

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Speaker 2: He's like, because I think it'd be great. Well, okay,

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Speaker 2: I guess it's all right then.

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Speaker 4: Yeah. There's so many like bait and switches with skills

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Speaker 4: in this episode where he thinks Hayley's onto him in

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Speaker 4: the beginning, where she's like, I know why you're here,

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Speaker 4: and Antoine has such an earnest look on his face.

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Speaker 4: His performance in this episode was so great because he's funny,

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Speaker 4: but there's a there's a puppy dog quality to Antoine's

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Speaker 4: eyes when they go real soft and you're like, oh,

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Speaker 4: he wants Haley to know, like he wants to be

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Speaker 4: found out so that the secret can be enjoyed, and

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Speaker 4: just like great, like we're together, we're a real couple,

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Speaker 4: not a sneaky couple anymore.

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Speaker 2: I love that Antoine is so he was so earnest

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Speaker 2: and it felt like he wasn't playing for the camera

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Speaker 2: those moments of comedy when it's real and it's not

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Speaker 2: but I'm like, set up, set up joke. He's just

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Speaker 2: completely in his body and just one little look cracked

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Speaker 2: me up.

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Speaker 4: Yeah.

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Speaker 3: It was also just so much fun to see over

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Speaker 3: and over again that that sort of moment, you know,

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Speaker 3: the inhale when you wonder if you're caught, and it's

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Speaker 3: nice to see Antoine having that again and again with

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Speaker 3: you and with Nathan, and like it just keeps coming

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Speaker 3: and it's so I don't know, the payoff feels bigger

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Speaker 3: because it ties through the whole episode. Sometimes on shows

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Speaker 3: where we have this many cast members, people get one

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Speaker 3: scene to process something. And I love that they're really

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Speaker 3: making a meal of this for Antoine and Barbara because

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Speaker 3: the materials just so good and they really are just

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Speaker 3: so like you said, Joy, they're in their bodies, they're present,

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Speaker 3: they're funny, and it is a delight.

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Speaker 5: To watch.

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Speaker 4: Well him in the stands with Nathan, you know, like

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Speaker 4: Haley's almost found him out. And then let's talk about breakfast,

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Speaker 4: like breakfast, come on, let's talk about breakfast. And then

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Speaker 4: Nathan is all like, dude, are you sneaking around with

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Speaker 4: some hot chick that you're not telling us about? And

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Speaker 4: it's like, oh god, somebody just say it. And the

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Speaker 4: child knows. The child knows, child knows, and he's taunting

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Speaker 4: Uncle skills God pass.

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Speaker 2: And later in the episode when that Deb's like, I've

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Speaker 2: been having sex and then Haley's like she's been having

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Speaker 2: sex on Nathan's face. Oh gross, mom, hilarious. I can't

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Speaker 2: wait for this payoff. I'm really excited, and I do

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Speaker 2: I agree that I like that they're drawing it out. Yeah,

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Speaker 2: that was one of my favorites. I loved. I loved

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Speaker 2: also Barbara and Brooke Sorry, Deb and Brooke. I loved

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Speaker 2: the just sort of the unlikely partnership of and Brooke

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Speaker 2: needing a mom in that moment and Debs showing up

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Speaker 2: to be a mom. It felt like it could not

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Speaker 2: have been more perfect relationally, like that's exactly what she needed.

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Speaker 4: Baby, you had to go so dark in this storyline

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Speaker 4: and you know you're not funny at all, which is

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Speaker 4: you know, that was how Brooke came in. She I'm

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Speaker 4: the comedic relief. You know, what did you have to

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Speaker 4: do for this because I'm so you're looking at like

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Speaker 4: bruise books of other battered women with Rocky. Yeah, you

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Speaker 4: know what was the process it?

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Speaker 3: You know, it's really interesting and god, it feels so

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Speaker 3: heavy to look back at. You know, we've all talked

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Speaker 3: about this, how our characters did so many adult things

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Speaker 3: at such young ages that we had to guess. You know, Joy,

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Speaker 3: I remember you talking about that when Haley and Nathan

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Speaker 3: have Jamie and being like, I don't know what it's

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Speaker 3: like to have a kid. You know, it's interesting to

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Speaker 3: look at this as women who are forty having had

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Speaker 3: versions of experiences with violence. I just hadn't had that

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Speaker 3: at this age yet, and so it was a strange

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Speaker 3: thing of having to try to find material to watch.

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Speaker 3: Like two, I remember watching like old episodes of Intervention

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Speaker 3: and listening to people who were talking about addiction, talking

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Speaker 3: about how that was a byproduct of violence. Finding articles

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Speaker 3: to read and you know, sources of people's real experience

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Speaker 3: and it did. It felt so heavy to kind of

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Speaker 3: hold all these stories I'd collected for this episode that

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Speaker 3: I think you can at least looking at it. I

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Speaker 3: sort of feel that transference, like I know there's something

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Speaker 3: real behind this, even though at the time I felt

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Speaker 3: like it was other people's stories I was telling. And

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Speaker 3: it's strange. It's like, even listening to myself talk, I'm like,

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Speaker 3: oh my god, I sound different. Like the heaviness of

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Speaker 3: it feels like it like weighed down on my voice.

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Speaker 3: It's bizarre how that stuff can kind of get in you.

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Speaker 4: I think I could feel like the pressure on you

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Speaker 4: in this because at this point we'd already done all

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Speaker 4: the psychoederic stuff, and we had already had fans approach

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Speaker 4: us on the street and say I've been assaulted in

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Speaker 4: real life, and watching you guys do this is helping

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Speaker 4: me process like what happened in my life. And so

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Speaker 4: it's one thing when you shoot that and you don't

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Speaker 4: have that fan response in your head.

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Speaker 3: Yeah, you don't know what.

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Speaker 4: You're like, I'm just telling a story. But once that

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Speaker 4: gets in your head and you're like, no, I'm telling

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Speaker 4: someone at home's story and if I fuck it up,

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Speaker 4: like it's going to hurt their healing process.

255
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Speaker 3: Yeah.

256
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Speaker 4: So I just feel like all the distance and weight

257
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Speaker 4: and responsibility on you in this episode because it's uncomfortable.

258
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Speaker 4: It was just uncomfortable to watch because it felt real

259
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Speaker 4: and like, I don't like the distance between Peyton and Brook.

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Speaker 4: That made me uncomfortable.

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Speaker 2: Yeah, not used to seeing Brook in that space at all.

262
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Speaker 3: No, and that awkwardness between us when you come home

263
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Speaker 3: and you have all this happiness and I have to

264
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Speaker 3: cover it is it's so uncomfortable.

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Speaker 2: Was it hard for you to come out of that

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Speaker 2: at the end of the day.

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Speaker 3: Yeah, I just remember how dark this whole period felt.

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Speaker 3: And I will say one of the things that was

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Speaker 3: really helpful was having the process of getting out of

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Speaker 3: the prosthetics at the end of the night, because it

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Speaker 3: takes a long time. They have to put solution on

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Speaker 3: and they have to start dissolving and you know, they're

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Speaker 3: sealed into your skin. So like the removal process took

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Speaker 3: over an hour, and so there was something that I

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Speaker 3: had to learn to do mentally, where like literally watching

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Speaker 3: Rocky take all that stuff off my face and participating

277
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Speaker 3: in the removal of it had to be like I

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Speaker 3: have to take this off and leave it here. I

279
00:14:50,280 --> 00:14:52,760
Speaker 3: have to try to leave this at work, but it

280
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Speaker 3: does you know, it's the weird part of our jobs.

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Speaker 3: I think it gets in your body. And when you

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Speaker 3: start to learn about you know, somatic work, and you

283
00:15:02,840 --> 00:15:06,920
Speaker 3: go through a version of this and you do research

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Speaker 3: and work on trauma, like you understand that even if

285
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Speaker 3: if something happens to your physical body.

286
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Speaker 4: If you get tackled by a man, yeah.

287
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Speaker 3: Like it happens to your brain.

288
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Speaker 4: Yeah.

289
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Speaker 3: And so it what we do, even though it's quote

290
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Speaker 3: unquote pretend leaves like real scars and it's wild, you

291
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Speaker 3: know when you think about it. Nobody talked to us

292
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Speaker 3: about this stuff back then.

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Speaker 4: Yeah, Cheryl Lee. Cheryl Lee told me back then, and

294
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Speaker 4: I didn't know what the hell she was saying. Wo.

295
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Speaker 4: We were doing so much crying, and she was she

296
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Speaker 4: was so clear. She was like, it's not real, but

297
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Speaker 4: your body thinks it's real. Okay, so your brain is

298
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Speaker 4: like okay, it was just my job. Fine, it's stuck

299
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Speaker 4: in you. And I was just like, what is she

300
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Speaker 4: talking about? But now you know, because we've got all

301
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Speaker 4: these books, yeah, gests some things to help us. Now.

302
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Speaker 2: I did a pilot and there was a sequence where

303
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Speaker 2: in the show, it was a sequence where you showed

304
00:16:10,040 --> 00:16:13,440
Speaker 2: my character and she was coming home with a different

305
00:16:13,440 --> 00:16:16,040
Speaker 2: guy every few nights. Or she was just having fun

306
00:16:16,080 --> 00:16:19,720
Speaker 2: living in the city. But we had to shoot all

307
00:16:19,760 --> 00:16:23,680
Speaker 2: of those sequences in the same day, and so I

308
00:16:23,760 --> 00:16:28,240
Speaker 2: spent seven out six seven hours in a day doing

309
00:16:28,400 --> 00:16:32,480
Speaker 2: all this kind of intense sexual stuff with all like

310
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Speaker 2: up against a window with no shirt, laying in bed,

311
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Speaker 2: rolling around pretending like I'm screened, some guy in a staircase.

312
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Speaker 2: It was all of these moments, one after another with

313
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Speaker 2: all these different guys, and I was just thinking, like, yeah, whatever,

314
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Speaker 2: it'll be a day. It's gonna be like, hey, maybe

315
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Speaker 2: it'll be fun, you know. And I got home and

316
00:16:50,560 --> 00:16:54,360
Speaker 2: my boyfriend was like, I wanted to cuddle. I was like,

317
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Speaker 2: you cannot touch me. I feel so this is so

318
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Speaker 2: unnatural for me, and I just had. I got in

319
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Speaker 2: the shower, I just had. I was like I had

320
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Speaker 2: to cry it out. I was like, don't touch me

321
00:17:05,359 --> 00:17:08,639
Speaker 2: for like a day. I just need. It's weird. And

322
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Speaker 2: I just thought, Oh, it'll be nothing. We're just acting,

323
00:17:11,720 --> 00:17:15,760
Speaker 2: and it should be. It should shouldn't be a thing,

324
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Speaker 2: you know, But it's weird. It gets in your body,

325
00:17:18,760 --> 00:17:19,600
Speaker 2: it really does.

326
00:17:20,000 --> 00:17:23,000
Speaker 4: Maybe it just gets in our head because it's the

327
00:17:23,040 --> 00:17:27,560
Speaker 4: idea that it could happen, right it's like this person

328
00:17:27,640 --> 00:17:30,920
Speaker 4: picked me up and vaulted me. And I didn't know

329
00:17:31,000 --> 00:17:34,439
Speaker 4: that I could be vaulted, and clearly I can, Like

330
00:17:35,440 --> 00:17:38,760
Speaker 4: I did Secret Life of Bees where Paul Betty beats

331
00:17:38,800 --> 00:17:41,520
Speaker 4: the out of me. In front of it was Barbara

332
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Speaker 4: Allenwood's daughter. It was her daughter who was playing little

333
00:17:45,119 --> 00:17:48,680
Speaker 4: Dakota Fanning hiding in the closet. Was she there for that? Yes,

334
00:17:49,200 --> 00:17:52,040
Speaker 4: oh my yes, because you see through us to her

335
00:17:52,119 --> 00:17:54,960
Speaker 4: in the poset, and so they had two different little

336
00:17:55,000 --> 00:17:57,320
Speaker 4: girls playing the little girl in the closet, and so

337
00:17:57,400 --> 00:18:00,480
Speaker 4: it was Barbara's daughter for half the time. And that's

338
00:18:00,520 --> 00:18:03,439
Speaker 4: a child that knows me, watching me get hurt, and

339
00:18:03,480 --> 00:18:07,040
Speaker 4: it's all pretend, but it didn't feel pretend because it

340
00:18:07,080 --> 00:18:09,480
Speaker 4: felt like I have to go protect this little girl

341
00:18:09,720 --> 00:18:14,160
Speaker 4: from this, you know, this reality that we don't want

342
00:18:14,160 --> 00:18:16,040
Speaker 4: her to think could ever happen, you know, like it

343
00:18:16,119 --> 00:18:20,919
Speaker 4: was just so it's such a weird, dumb job. It

344
00:18:21,000 --> 00:18:23,920
Speaker 4: sounds stupid to complain about it because it's our job, right,

345
00:18:24,000 --> 00:18:26,800
Speaker 4: but it also just kind of messes with your reality,

346
00:18:27,359 --> 00:18:30,399
Speaker 4: and well, the reality of brook in this is just

347
00:18:31,280 --> 00:18:33,880
Speaker 4: like I feel like deb in this where I'm sick

348
00:18:33,920 --> 00:18:36,640
Speaker 4: to my stomach, and I'm like, kid, whatever you want,

349
00:18:36,720 --> 00:18:39,960
Speaker 4: you want a gun, We'll get you. Like, whatever you want,

350
00:18:40,440 --> 00:18:41,879
Speaker 4: I will get for you in this moment.

351
00:18:42,680 --> 00:18:46,280
Speaker 3: I think it's interesting though, like I get your I

352
00:18:46,320 --> 00:18:48,320
Speaker 3: get the instinct to be like, it sounds so silly,

353
00:18:48,359 --> 00:18:50,879
Speaker 3: it's our job. Why would we complain about it? But

354
00:18:51,000 --> 00:18:54,159
Speaker 3: I do think we just happen to be in a

355
00:18:54,240 --> 00:18:58,040
Speaker 3: moment in like the learning of what it is to

356
00:18:58,080 --> 00:19:02,680
Speaker 3: be human now than it was ten years ago, let

357
00:19:02,680 --> 00:19:06,479
Speaker 3: alone twenty years ago. We know more about what happens

358
00:19:06,520 --> 00:19:09,080
Speaker 3: to your body, what happens to your brain, what imprints

359
00:19:09,119 --> 00:19:12,080
Speaker 3: on you, And I do think I think it's part

360
00:19:12,119 --> 00:19:14,600
Speaker 3: of the reason that we're having these sort of reckonings

361
00:19:14,600 --> 00:19:17,359
Speaker 3: in our industry and in so many industries, and people

362
00:19:17,440 --> 00:19:20,639
Speaker 3: are like, wait a second, what is required to do

363
00:19:20,680 --> 00:19:21,119
Speaker 3: a job?

364
00:19:21,680 --> 00:19:23,800
Speaker 4: What are our boundaries? Yeah?

365
00:19:23,920 --> 00:19:26,320
Speaker 3: And also how would we do it differently? Like I

366
00:19:27,200 --> 00:19:29,040
Speaker 3: think about this a lot, and I'm like, you know,

367
00:19:29,119 --> 00:19:32,320
Speaker 3: if we were in charge of a bunch of twenty

368
00:19:32,400 --> 00:19:35,760
Speaker 3: year olds on a show like Hours, I'd want to

369
00:19:35,800 --> 00:19:39,600
Speaker 3: make sure we had therapists on set during episodes like this.

370
00:19:39,720 --> 00:19:42,679
Speaker 3: I want to make sure, you know, people were like

371
00:19:43,280 --> 00:19:45,920
Speaker 3: doing some sort of a stretch class on their lunch break,

372
00:19:45,960 --> 00:19:48,679
Speaker 3: like to get this stuff out of their bodies. But

373
00:19:48,760 --> 00:19:49,760
Speaker 3: nobody taught us that.

374
00:19:49,920 --> 00:19:54,200
Speaker 2: Then, no, we didn't know to ask for Artists are

375
00:19:54,240 --> 00:19:56,640
Speaker 2: just supposed to shut up and suffer well.

376
00:19:56,680 --> 00:19:58,439
Speaker 3: And then you go, maybe this is the reason that

377
00:19:58,520 --> 00:20:03,200
Speaker 3: everybody winds up with, like since abuse problems, like everyone's.

378
00:20:02,800 --> 00:20:07,639
Speaker 4: Drinking so hard. Yeah, so that means be gentle to

379
00:20:07,720 --> 00:20:11,439
Speaker 4: teen drama actors. You guys, you know, just nice to

380
00:20:11,520 --> 00:20:23,359
Speaker 4: each other. That said, you did a beautiful job and

381
00:20:23,680 --> 00:20:27,400
Speaker 4: it should have been unnerving. And I remember it being

382
00:20:27,440 --> 00:20:33,520
Speaker 4: important to you that Brooke looked terrible and not sexy. Yes,

383
00:20:33,720 --> 00:20:36,480
Speaker 4: Like there's a there's a trend in some TV shows

384
00:20:36,480 --> 00:20:38,760
Speaker 4: where it's like I got punched, but it's a sexy

385
00:20:38,800 --> 00:20:42,280
Speaker 4: punch that split my lips, so I've got a pout. Yeah,

386
00:20:42,480 --> 00:20:44,560
Speaker 4: no sexy bruises here. These were gross.

387
00:20:44,880 --> 00:20:50,119
Speaker 3: Yeah, it was upsetting. I even I didn't love you know,

388
00:20:50,160 --> 00:20:53,639
Speaker 3: there's like a scene where I'm in like boy shorts

389
00:20:53,640 --> 00:20:56,680
Speaker 3: and a tank top and you see all the bruises

390
00:20:56,720 --> 00:20:58,600
Speaker 3: on the arms and legs and stuff in bed in

391
00:20:58,600 --> 00:21:01,920
Speaker 3: the morning, and I didn't want to do that. I

392
00:21:02,000 --> 00:21:03,960
Speaker 3: was like, I don't think we need I don't want

393
00:21:04,000 --> 00:21:07,880
Speaker 3: her to be in like cute little pajamas, but they

394
00:21:07,880 --> 00:21:10,560
Speaker 3: were like, well we got to see the bruises, so like, yeah,

395
00:21:10,920 --> 00:21:13,000
Speaker 3: do you want to be in small pajamas in bed

396
00:21:13,080 --> 00:21:14,440
Speaker 3: or do you want us to like shoot a scene

397
00:21:14,480 --> 00:21:15,720
Speaker 3: of you in the shower. And I was like, well,

398
00:21:15,720 --> 00:21:19,399
Speaker 3: that's off the table, so I guess it'll be pajamas

399
00:21:19,400 --> 00:21:19,800
Speaker 3: in the bed.

400
00:21:19,840 --> 00:21:21,879
Speaker 2: But they could have had you laying in bed with

401
00:21:21,960 --> 00:21:24,359
Speaker 2: sweatpants that were pulled at like one leg was up

402
00:21:24,440 --> 00:21:26,399
Speaker 2: high because you were sleeping, and as you pull the

403
00:21:26,440 --> 00:21:28,720
Speaker 2: sweatpants down, you see all the bruises on your leg.

404
00:21:28,800 --> 00:21:31,959
Speaker 2: Like there's ways to get around that. But I was

405
00:21:32,080 --> 00:21:33,600
Speaker 2: less offended.

406
00:21:33,040 --> 00:21:35,359
Speaker 4: By you being in bed in your underwear because it

407
00:21:35,359 --> 00:21:37,840
Speaker 4: meant that you were just like locked in your space

408
00:21:38,040 --> 00:21:39,760
Speaker 4: and you knew that you weren't coming out and no

409
00:21:39,800 --> 00:21:42,280
Speaker 4: one else was coming in. Then I was the first

410
00:21:42,280 --> 00:21:44,200
Speaker 4: scene where we saw you in this episode where you're

411
00:21:44,240 --> 00:21:47,760
Speaker 4: in a silky blouse and a mini skirt like Brooke

412
00:21:47,840 --> 00:21:51,200
Speaker 4: Davis like got dressed in the day after getting beat up. Well,

413
00:21:51,560 --> 00:21:54,160
Speaker 4: those are the clothes I got beat up in. They

414
00:21:54,240 --> 00:21:55,880
Speaker 4: are Yeah, that was the.

415
00:21:55,840 --> 00:21:58,320
Speaker 3: Outfit I was in at Closeover bros. And I'm like,

416
00:21:59,040 --> 00:22:01,680
Speaker 3: whatn't the first thing you do when you come home

417
00:22:02,080 --> 00:22:03,520
Speaker 3: to get out of these clothes?

418
00:22:03,600 --> 00:22:05,920
Speaker 2: But yeah, sweatpants like hide.

419
00:22:05,920 --> 00:22:10,080
Speaker 4: Your shirt was like ripped, and yeah, I just know

420
00:22:10,960 --> 00:22:17,080
Speaker 4: Davis needs to be in like the biggest T shirt ever. Yeah. Also,

421
00:22:17,160 --> 00:22:20,720
Speaker 4: I'm very angry with Peyton Sawyer this episode because she

422
00:22:20,800 --> 00:22:24,280
Speaker 4: comes in the house. I'm furious with Paytser. She comes

423
00:22:24,320 --> 00:22:26,680
Speaker 4: in the house and gets a dumb story about Brook

424
00:22:26,720 --> 00:22:30,160
Speaker 4: falling down the stairs and Brooke has clear handprints on

425
00:22:30,280 --> 00:22:35,040
Speaker 4: her neck, Like that's bad friend zone, man.

426
00:22:35,520 --> 00:22:37,880
Speaker 2: Yeah, Peyton's on cloud nine. She just can't see.

427
00:22:37,920 --> 00:22:41,400
Speaker 3: It's gotta love goggles on. They're like beer goggles, only

428
00:22:41,440 --> 00:22:42,040
Speaker 3: the red ones.

429
00:22:42,600 --> 00:22:44,640
Speaker 4: Yeah, what's that handprint on your neck? Is that where

430
00:22:44,640 --> 00:22:47,000
Speaker 4: you grabbed yourself when you were falling down the stairs.

431
00:22:47,600 --> 00:22:50,280
Speaker 3: So that's how you kept yourself from breaking your neck.

432
00:22:50,320 --> 00:22:51,000
Speaker 3: You're so smart.

433
00:22:52,240 --> 00:22:56,560
Speaker 2: Just I have a question though, do we think that

434
00:22:56,840 --> 00:23:01,080
Speaker 2: Brooke knew I mean the fact that her designs were stolen?

435
00:23:01,560 --> 00:23:03,600
Speaker 2: Did you decide that you knew ahead of time, like

436
00:23:03,720 --> 00:23:06,359
Speaker 2: right away that this was something Victoria had set up,

437
00:23:07,440 --> 00:23:10,320
Speaker 2: or like, why else would your designs be stolen right

438
00:23:10,359 --> 00:23:13,160
Speaker 2: in the moment when she had been threatening that exactly.

439
00:23:13,400 --> 00:23:16,919
Speaker 3: And that's that's the idea, right, is that she thinks

440
00:23:17,840 --> 00:23:20,440
Speaker 3: the at least I remember the sort of like character

441
00:23:20,560 --> 00:23:24,159
Speaker 3: motivation for me in that scene with Deb when she

442
00:23:24,400 --> 00:23:26,720
Speaker 3: is being maternal. You know, you have these two sort

443
00:23:26,760 --> 00:23:28,840
Speaker 3: of broken women who don't know how to do this.

444
00:23:30,080 --> 00:23:32,280
Speaker 3: When Deb is like, we've got to call the cops, honey,

445
00:23:32,560 --> 00:23:37,199
Speaker 3: that's why Brooke says no, yeah, because to her, she's thinking,

446
00:23:37,480 --> 00:23:40,159
Speaker 3: my mom hired someone to come in and steal from me,

447
00:23:40,320 --> 00:23:42,640
Speaker 3: and I was here late and I got my ass beat,

448
00:23:43,280 --> 00:23:46,040
Speaker 3: and I'm not going to let her win, Like I'm

449
00:23:46,080 --> 00:23:48,800
Speaker 3: not going to cause this pr nightmare for myself and

450
00:23:48,880 --> 00:23:51,000
Speaker 3: then have everyone find out my own mom did this

451
00:23:51,160 --> 00:23:51,359
Speaker 3: to me.

452
00:23:51,920 --> 00:23:52,520
Speaker 5: So she knows.

453
00:23:52,600 --> 00:23:53,240
Speaker 2: So she knows.

454
00:23:54,160 --> 00:23:55,960
Speaker 4: Yeah, that's what she thinks anyway.

455
00:23:55,960 --> 00:23:56,480
Speaker 5: Like she knows.

456
00:23:57,520 --> 00:23:59,560
Speaker 3: It adds, I think to a layer of that like

457
00:23:59,640 --> 00:24:04,919
Speaker 3: detac because for her, she's thinking, like, truly, the thing

458
00:24:05,000 --> 00:24:07,480
Speaker 3: my mom cares most about is the business and the money,

459
00:24:08,760 --> 00:24:13,520
Speaker 3: and it it adds, I think to that darkness. And

460
00:24:13,640 --> 00:24:17,440
Speaker 3: it's interesting that Deb, you know, Deb doesn't see it.

461
00:24:17,520 --> 00:24:21,120
Speaker 3: She would never think that Peyton doesn't think anything's wrong.

462
00:24:21,200 --> 00:24:24,480
Speaker 3: I wouldn't tell her, so that this sort of covering

463
00:24:24,600 --> 00:24:27,200
Speaker 3: that she's doing I think added some of that heaviness

464
00:24:27,280 --> 00:24:28,080
Speaker 3: you were talking about.

465
00:24:28,160 --> 00:24:32,480
Speaker 4: Hell well, speaking of goggles, where is everyone in the town?

466
00:24:33,240 --> 00:24:36,680
Speaker 4: Close over? Bros is made entirely of windows, and everyone's

467
00:24:36,800 --> 00:24:39,920
Speaker 4: walking by this mess and no one's like problem here

468
00:24:40,320 --> 00:24:40,560
Speaker 4: in the.

469
00:24:40,680 --> 00:24:43,280
Speaker 3: Heart of downtown, and everyone's like DIRP to DIRP to

470
00:24:43,359 --> 00:24:44,000
Speaker 3: dirr dir.

471
00:24:45,320 --> 00:24:47,960
Speaker 2: And it's so obvious that Peyton's not going to know

472
00:24:48,080 --> 00:24:51,080
Speaker 2: within and everybody had the way that news in tree

473
00:24:51,160 --> 00:24:55,320
Speaker 2: Hill travels so fast to everybody all over the fact

474
00:24:55,359 --> 00:24:59,040
Speaker 2: that Peyden doesn't know already, hasn't heard, and the Brook's

475
00:24:59,040 --> 00:24:59,919
Speaker 2: trying to keep it from her.

476
00:25:00,560 --> 00:25:03,960
Speaker 4: Yeah, the fact that no one knows this, it's so bizarre,

477
00:25:04,520 --> 00:25:08,680
Speaker 4: you guys. There was a restaurant in Wilmington that got

478
00:25:09,600 --> 00:25:12,920
Speaker 4: busted up. I was about I knew it got so

479
00:25:13,040 --> 00:25:15,960
Speaker 4: they smashed the plate glass window in the front of

480
00:25:16,000 --> 00:25:18,520
Speaker 4: the restaurant and then they broke in and they busted

481
00:25:18,640 --> 00:25:21,760
Speaker 4: up the entire wine collection in this restaurant. Oh yeah,

482
00:25:22,119 --> 00:25:25,040
Speaker 4: you guys, we knew about it with him forty five

483
00:25:25,160 --> 00:25:29,600
Speaker 4: minutes of that happening. The entire town knew because you went,

484
00:25:29,760 --> 00:25:32,000
Speaker 4: you walked by it. You drove past, you know, like

485
00:25:32,119 --> 00:25:35,119
Speaker 4: it was. It was in a hustle and bustle area,

486
00:25:35,320 --> 00:25:38,480
Speaker 4: and so the idea that everyone just walking past that

487
00:25:38,640 --> 00:25:40,240
Speaker 4: mess and close over rows.

488
00:25:40,320 --> 00:25:42,400
Speaker 2: There's not enough shot, Like nobody's coming in to shop.

489
00:25:42,440 --> 00:25:44,880
Speaker 2: The door is open, she left it unlocked because Dev

490
00:25:44,960 --> 00:25:45,560
Speaker 2: walks right in.

491
00:25:46,680 --> 00:25:51,159
Speaker 4: Yeah, it's Samantha there. I did.

492
00:25:51,359 --> 00:25:54,119
Speaker 2: I did love though, to continue on with Peyton.

493
00:25:55,400 --> 00:25:55,639
Speaker 4: I did.

494
00:25:55,800 --> 00:26:00,320
Speaker 2: I do love seeing Peyton happy. It's nice after after everything.

495
00:26:00,359 --> 00:26:02,679
Speaker 4: But it doesn't it make you feel a little sad

496
00:26:03,280 --> 00:26:08,159
Speaker 4: because she's just so eager, like it's your most eager

497
00:26:08,560 --> 00:26:11,680
Speaker 4: baby energy of just like he finally loves me, He

498
00:26:11,800 --> 00:26:15,840
Speaker 4: finally loves me. Right, Okay, I started right now. She's like,

499
00:26:15,960 --> 00:26:17,560
Speaker 4: I'm not going to say no to anything. You want

500
00:26:17,640 --> 00:26:19,840
Speaker 4: to move in, cool, You want to get married somewhere else,

501
00:26:19,960 --> 00:26:22,560
Speaker 4: that's cool too. You like sandwiches. I like sandwiches too.

502
00:26:22,840 --> 00:26:24,200
Speaker 2: Like it is such.

503
00:26:24,160 --> 00:26:28,479
Speaker 4: Strong yes man energy, which like, I love it. Fine,

504
00:26:28,760 --> 00:26:31,760
Speaker 4: I'm totally okay with it, especially for a young person

505
00:26:31,840 --> 00:26:33,880
Speaker 4: that's been dealt such a Shand.

506
00:26:33,800 --> 00:26:35,840
Speaker 3: You know what's killing me as you say this, as

507
00:26:35,880 --> 00:26:38,760
Speaker 3: I'm realizing it's runaway bride and reverse.

508
00:26:39,800 --> 00:26:42,359
Speaker 4: Already run and run and run and run, and now

509
00:26:42,440 --> 00:26:43,240
Speaker 4: she's like, whatever.

510
00:26:43,080 --> 00:26:43,800
Speaker 5: Kind of eggs you want?

511
00:26:43,920 --> 00:26:50,880
Speaker 4: I like those too, Let's go yeah strong, yes man energy, Uh, which.

512
00:26:50,680 --> 00:26:52,560
Speaker 2: Is But I'm a little like I was, So it's

513
00:26:52,840 --> 00:26:55,639
Speaker 2: strange for me to adjust to Peyton and Lucas finally

514
00:26:55,720 --> 00:26:59,400
Speaker 2: being together. Actually, as I'm watching it, I'm like, it's

515
00:26:59,440 --> 00:27:01,480
Speaker 2: hard for me to believe that it's real and it's

516
00:27:01,520 --> 00:27:05,920
Speaker 2: finally happening. I'm so used to him, you know, digging

517
00:27:05,920 --> 00:27:06,520
Speaker 2: around with other.

518
00:27:06,440 --> 00:27:09,800
Speaker 4: People, taking out well, and that they're actually like gonna

519
00:27:09,840 --> 00:27:13,080
Speaker 4: live together, and it never occurred to me that they

520
00:27:13,280 --> 00:27:17,600
Speaker 4: never had, Like them being in this hotel room is

521
00:27:17,680 --> 00:27:22,119
Speaker 4: the first time they're like living together, yeah, and just

522
00:27:22,200 --> 00:27:24,920
Speaker 4: spending all day together because she left right after high school.

523
00:27:25,240 --> 00:27:31,840
Speaker 4: So that's right, that was weird. But lesson here is

524
00:27:32,000 --> 00:27:36,040
Speaker 4: when you finally get the thing that you wanted and

525
00:27:36,280 --> 00:27:38,520
Speaker 4: have fun. Man, if he wants to jump on the bed,

526
00:27:38,640 --> 00:27:39,439
Speaker 4: jump on the bed.

527
00:27:39,440 --> 00:27:42,960
Speaker 2: Jump on the bed, great shot with those cactuses behind you.

528
00:27:43,080 --> 00:27:45,320
Speaker 2: I really loved that choice of art.

529
00:27:45,359 --> 00:27:45,880
Speaker 5: I don't know why.

530
00:27:45,960 --> 00:27:49,760
Speaker 4: I just thought it looked so great. We were jumping

531
00:27:49,840 --> 00:27:53,000
Speaker 4: on that bed for seven hours in the duration of

532
00:27:53,080 --> 00:27:55,639
Speaker 4: this episode, because we're jumping on the bed, and then

533
00:27:55,680 --> 00:27:58,360
Speaker 4: you guys go to school, and then there's basketball practice,

534
00:27:58,440 --> 00:28:01,280
Speaker 4: and then smother happens at the end of the school

535
00:28:02,440 --> 00:28:07,359
Speaker 4: and you're jumping on the bed. M yeah, man, this

536
00:28:07,520 --> 00:28:10,000
Speaker 4: is how I paid my mortgage jumping on the bed.

537
00:28:10,359 --> 00:28:10,520
Speaker 5: Uh.

538
00:28:11,359 --> 00:28:13,520
Speaker 4: I'm not unhappy with it, Jamie.

539
00:28:13,600 --> 00:28:15,240
Speaker 2: It was cute though, the back and forth between you

540
00:28:15,320 --> 00:28:18,439
Speaker 2: guys and Jamie jumping on the bed, it was very sweet.

541
00:28:18,640 --> 00:28:21,720
Speaker 4: Well, and then you delivering like the Moira line like

542
00:28:21,880 --> 00:28:25,000
Speaker 4: Hailey was also, it was really good place in this episode.

543
00:28:25,160 --> 00:28:28,400
Speaker 2: She was very Karen in this episode yeare yeah.

544
00:28:29,200 --> 00:28:32,680
Speaker 4: Yeah, which just made it that much like weirder that

545
00:28:32,760 --> 00:28:38,760
Speaker 4: everyone else was. The throes of terror, Dan included, Hailey

546
00:28:38,800 --> 00:28:40,680
Speaker 4: and Peyton are just like do do do do do?

547
00:28:41,160 --> 00:28:43,840
Speaker 4: Tree Hill's awesome. That's what I think is So.

548
00:28:45,720 --> 00:28:48,640
Speaker 3: The episode gives me a little bit of whiplash because

549
00:28:48,720 --> 00:28:51,560
Speaker 3: I am enjoying watching you guys so much. I am

550
00:28:51,880 --> 00:28:55,640
Speaker 3: loving the Jamie and Quinton storyline. I love learning more

551
00:28:55,640 --> 00:28:57,960
Speaker 3: about Quentin, the fact that he wants to be a dad,

552
00:28:58,080 --> 00:29:01,160
Speaker 3: he has a little brother, Robbie. He's just God, He's

553
00:29:01,280 --> 00:29:05,240
Speaker 3: so alive and beautiful. And and then you've got Brooke

554
00:29:05,360 --> 00:29:09,200
Speaker 3: and Dan in like the Seventh Circle of Hell, and

555
00:29:09,840 --> 00:29:12,440
Speaker 3: I'm just like, shouldn't we have maybe done a two

556
00:29:12,560 --> 00:29:13,760
Speaker 3: parter for this?

557
00:29:13,920 --> 00:29:17,240
Speaker 4: Is just should they have been split? Maybe It's like

558
00:29:17,720 --> 00:29:23,000
Speaker 4: the cockroaches and it's just a lot like, am I

559
00:29:23,080 --> 00:29:25,040
Speaker 4: supposed to laugh? Am I supposed to cry?

560
00:29:25,080 --> 00:29:26,160
Speaker 2: Am I supposed to cringe?

561
00:29:26,240 --> 00:29:26,400
Speaker 5: Am I?

562
00:29:26,680 --> 00:29:27,360
Speaker 4: Oh? No? Man?

563
00:29:27,680 --> 00:29:29,760
Speaker 2: How am I supposed to feel right now? Although I

564
00:29:29,880 --> 00:29:33,760
Speaker 2: did really, really really love Dan finally speaking and telling

565
00:29:33,840 --> 00:29:37,560
Speaker 2: her brand sucks and a lashing at her, Yeah, that

566
00:29:37,720 --> 00:29:38,360
Speaker 2: was kind of great.

567
00:29:38,840 --> 00:29:39,760
Speaker 5: It was really great.

568
00:29:40,360 --> 00:29:44,640
Speaker 3: Her realizing what the Beeper's for was great. But yeah,

569
00:29:44,760 --> 00:29:48,800
Speaker 3: it just you couldn't settle in either the joy or

570
00:29:48,880 --> 00:29:52,440
Speaker 3: the fear for long enough, so it was really it

571
00:29:52,560 --> 00:29:53,800
Speaker 3: was like getting rattled around.

572
00:29:55,800 --> 00:29:59,880
Speaker 4: Yeah. I wanted a roller coaster of like ups and downs.

573
00:30:00,000 --> 00:30:02,120
Speaker 4: We were a little bit smooth and flowed together, and

574
00:30:02,280 --> 00:30:05,520
Speaker 4: instead we just had like elevator drops, like Tower of Terror.

575
00:30:06,920 --> 00:30:11,000
Speaker 4: There's the name of this episode, Tower of Terror. Yeah,

576
00:30:11,360 --> 00:30:17,960
Speaker 4: the the Nanny Carey stuff felt to me like we

577
00:30:18,160 --> 00:30:21,040
Speaker 4: just really loved Tory and wanted to keep Tory around

578
00:30:21,880 --> 00:30:26,560
Speaker 4: at any cost because it is so unhinged and I'm

579
00:30:26,680 --> 00:30:31,600
Speaker 4: confused still, while why Dan couldn't talk for like a

580
00:30:31,680 --> 00:30:35,440
Speaker 4: long time, and it's just kind of like Frankenstein's Monster, like,

581
00:30:38,240 --> 00:30:40,920
Speaker 4: but then once he starts talking, it's like he doesn't

582
00:30:40,960 --> 00:30:45,160
Speaker 4: stay Yeah, yeah, he's just really on a roll. What

583
00:30:45,400 --> 00:30:49,440
Speaker 4: is the physical injury that kept him from talking? I

584
00:30:49,520 --> 00:30:51,280
Speaker 4: don't know. I guess just being hit by a car.

585
00:30:51,480 --> 00:30:54,920
Speaker 3: He had some I remember her saying like, ooh, you

586
00:30:55,080 --> 00:30:59,640
Speaker 3: can't talk, like you know something about your neck from that.

587
00:31:00,240 --> 00:31:01,400
Speaker 4: Like oh you remember?

588
00:31:01,440 --> 00:31:04,120
Speaker 3: It was like a really weird line of exposition.

589
00:31:03,960 --> 00:31:06,800
Speaker 2: Was like don't try and talk, you can't, you won't

590
00:31:06,840 --> 00:31:09,760
Speaker 2: be able to You're yeah, yeah, yeah, yeah.

591
00:31:09,880 --> 00:31:11,720
Speaker 4: I wonder if Paul did Paul have like a.

592
00:31:13,440 --> 00:31:15,479
Speaker 2: Did he did he have laryngitis or something like why

593
00:31:15,560 --> 00:31:17,640
Speaker 2: wouldn't I guess maybe they could have just written it in.

594
00:31:17,760 --> 00:31:21,080
Speaker 2: I just assumed that maybe he couldn't speak for some reason.

595
00:31:21,440 --> 00:31:23,840
Speaker 3: I think they just wrote it in because they wanted

596
00:31:23,880 --> 00:31:28,160
Speaker 3: this sort of payoff. But to it's one of those

597
00:31:28,280 --> 00:31:30,760
Speaker 3: things whereas an actor, like you read that and you

598
00:31:30,840 --> 00:31:34,160
Speaker 3: go off because they go you can't talk because you

599
00:31:34,240 --> 00:31:37,360
Speaker 3: have a crush injury to your neck from getting run over,

600
00:31:37,480 --> 00:31:39,200
Speaker 3: and you're like, do I because my neck looks the

601
00:31:39,240 --> 00:31:41,720
Speaker 3: same because I didn't actually get run over and people

602
00:31:41,760 --> 00:31:43,280
Speaker 3: are going to watch this and think I look like

603
00:31:43,320 --> 00:31:47,880
Speaker 3: an idiot, and like it's like I could see and

604
00:31:48,000 --> 00:31:50,160
Speaker 3: there's Paul. He does he commits to the bit, and

605
00:31:50,240 --> 00:31:52,600
Speaker 3: he did it so well and he played it so hard.

606
00:31:53,240 --> 00:31:54,760
Speaker 3: And then when he finally.

607
00:31:54,440 --> 00:31:58,000
Speaker 4: Speaks, like his voice is going back. He's so committed

608
00:31:58,040 --> 00:31:59,960
Speaker 4: and he's so good and is.

609
00:32:00,120 --> 00:32:02,440
Speaker 3: Viewer, you're like, his neck looks the same as it

610
00:32:02,520 --> 00:32:04,920
Speaker 3: did when he was like out working out in season

611
00:32:05,000 --> 00:32:08,320
Speaker 3: five when he was healthy. He's fine, he's fine, but

612
00:32:08,440 --> 00:32:10,120
Speaker 3: you have to suspend the disbelief.

613
00:32:10,720 --> 00:32:14,600
Speaker 4: The thing that broke the damn for Dan Scott was

614
00:32:14,640 --> 00:32:18,360
Speaker 4: when she's like lording over him and she says something

615
00:32:18,440 --> 00:32:22,000
Speaker 4: about like too bad you're not young and hot, and

616
00:32:22,880 --> 00:32:27,640
Speaker 4: the look on Paul's face was like, we both know

617
00:32:27,800 --> 00:32:33,720
Speaker 4: that's not true. Like he looked at her like we know, yeah.

618
00:32:33,920 --> 00:32:36,760
Speaker 2: He's greatd just face acting now, I know you're full

619
00:32:36,840 --> 00:32:37,240
Speaker 2: of shit.

620
00:32:37,840 --> 00:32:41,080
Speaker 4: Yeah, because I'm so good looking. He's so good looking.

621
00:32:41,440 --> 00:32:41,600
Speaker 3: Yes.

622
00:32:41,840 --> 00:32:43,600
Speaker 2: The look on his face when she threw the beeper

623
00:32:43,640 --> 00:32:48,240
Speaker 2: against the wall, though, that really got me the realization that, oh,

624
00:32:48,520 --> 00:32:51,200
Speaker 2: now I actually can't even get my heart transplant if

625
00:32:51,240 --> 00:32:53,400
Speaker 2: I needed to because I won't know and it was

626
00:32:53,480 --> 00:32:57,200
Speaker 2: a split second. It happened so fast. Just he's always

627
00:32:57,200 --> 00:33:00,400
Speaker 2: fine in the little nuggets everywhere. Also, why Toy and

628
00:33:00,440 --> 00:33:03,560
Speaker 2: I have the exact same haircut and color. Yeah, it's

629
00:33:03,640 --> 00:33:05,320
Speaker 2: kind of funny. Well maybe she did that on purpose

630
00:33:05,440 --> 00:33:07,720
Speaker 2: to try and lord Jamie, she.

631
00:33:07,800 --> 00:33:14,560
Speaker 4: Was trying to seduce your husband. Yeah, yeah, single white female. Yeah.

632
00:33:14,880 --> 00:33:17,000
Speaker 4: The Dan stuff, we see that he like slips his

633
00:33:17,160 --> 00:33:21,280
Speaker 4: hand through that little brace, so we know that he's

634
00:33:21,320 --> 00:33:24,480
Speaker 4: gonna plot and escape soon. There was a ray of

635
00:33:24,520 --> 00:33:27,400
Speaker 4: sunshine and that is the ray of sunshine in this

636
00:33:27,520 --> 00:33:31,680
Speaker 4: whole episode that Dan Scott our bad guy for the last.

637
00:33:32,280 --> 00:33:33,000
Speaker 3: Gonna get away.

638
00:33:33,240 --> 00:33:36,880
Speaker 4: He's going to escape from a worst bad guy. Christ

639
00:33:37,800 --> 00:33:39,720
Speaker 4: we have sunk solo.

640
00:33:40,560 --> 00:33:41,200
Speaker 5: We sure have.

641
00:33:48,840 --> 00:33:53,720
Speaker 4: Antoine and Deb's moment. Yes, their first real conversation. Yeah,

642
00:33:54,400 --> 00:33:56,240
Speaker 4: loved it. That was silver line.

643
00:33:56,320 --> 00:33:58,520
Speaker 2: That was so Antoine too. That's the kind of advice

644
00:33:58,560 --> 00:33:59,400
Speaker 2: he would actually give.

645
00:33:59,480 --> 00:34:01,280
Speaker 5: He's really good like that.

646
00:34:01,480 --> 00:34:03,840
Speaker 3: Yeah. Yeah, And it is such a nice thing to

647
00:34:05,400 --> 00:34:09,919
Speaker 3: hear out loud, because we are a show that talks

648
00:34:09,960 --> 00:34:12,520
Speaker 3: about feelings a lot and friends rely on each other

649
00:34:12,600 --> 00:34:17,319
Speaker 3: a lot, but to actually have someone voice she called

650
00:34:17,360 --> 00:34:20,919
Speaker 3: you for a reason. She respects you. She probably thinks

651
00:34:20,960 --> 00:34:23,759
Speaker 3: you're the one person who understands what she's going through.

652
00:34:25,320 --> 00:34:27,600
Speaker 3: I can't explain why that made me so emotional, but

653
00:34:27,640 --> 00:34:29,719
Speaker 3: I was like, oh my god, that is why people

654
00:34:29,840 --> 00:34:33,239
Speaker 3: call you and ask for your help, because you really

655
00:34:33,320 --> 00:34:36,560
Speaker 3: have trust. Like it made me feel so emo.

656
00:34:37,239 --> 00:34:39,279
Speaker 4: It was the respect line that got me because the

657
00:34:39,320 --> 00:34:42,440
Speaker 4: same thing got me because Deb has been shown by everybody.

658
00:34:42,920 --> 00:34:46,280
Speaker 4: She's been by her husband, by her son. Hailey's shown

659
00:34:46,360 --> 00:34:49,000
Speaker 4: her and told her how irresponsible she is. She's been

660
00:34:49,040 --> 00:34:52,160
Speaker 4: shown by Karen, her business partner. She knows that she

661
00:34:52,320 --> 00:34:57,640
Speaker 4: has had lows, and she has not made excuses. She's

662
00:34:57,760 --> 00:35:00,440
Speaker 4: just tried to show up in a different way. And

663
00:35:00,640 --> 00:35:03,759
Speaker 4: this is the first moment that anyone is saying to her,

664
00:35:04,280 --> 00:35:06,439
Speaker 4: I respect you and what you've been through.

665
00:35:06,920 --> 00:35:09,600
Speaker 2: Well, it's such a great point. I love that you

666
00:35:09,719 --> 00:35:10,080
Speaker 2: saw that.

667
00:35:10,680 --> 00:35:13,800
Speaker 4: Yes, it's the actions, you know, Like there's plenty of

668
00:35:13,920 --> 00:35:16,520
Speaker 4: characters in our show that say I'm sorry, I'm sorry,

669
00:35:16,560 --> 00:35:18,880
Speaker 4: I'm sorry, I'm sorry, I didn't mean too and then

670
00:35:18,920 --> 00:35:21,640
Speaker 4: they do the same shit over and over again. Deb

671
00:35:21,760 --> 00:35:25,560
Speaker 4: did a lot of awful stuff, and she just changed.

672
00:35:25,719 --> 00:35:28,320
Speaker 4: It was her actions that said I'm sorry. It was

673
00:35:28,400 --> 00:35:31,560
Speaker 4: her actions that said you deserve better. I'm going to

674
00:35:31,600 --> 00:35:34,640
Speaker 4: be different for you. And so now she's the lady

675
00:35:34,680 --> 00:35:38,560
Speaker 4: that shows up and makes breakfast for her grandson. Yeah, great,

676
00:35:39,160 --> 00:35:40,040
Speaker 4: drives them to school.

677
00:35:40,400 --> 00:35:40,880
Speaker 5: I love that.

678
00:35:42,400 --> 00:35:46,000
Speaker 2: I'm trying to find it within me to feel like

679
00:35:46,160 --> 00:35:49,160
Speaker 2: it's weird that Deb would be dating skills, but I

680
00:35:49,280 --> 00:35:51,520
Speaker 2: have to say, like, it really works for me.

681
00:35:52,440 --> 00:35:54,200
Speaker 4: Did we think it was weird when we were in

682
00:35:54,320 --> 00:35:57,279
Speaker 4: our twenties, because now in our forties we're Deb's like

683
00:35:57,360 --> 00:36:01,880
Speaker 4: we're Deb's exact age. Yeah, now I don't think it's

684
00:36:01,920 --> 00:36:03,840
Speaker 4: weird at all. Now I think it's like, get it.

685
00:36:04,480 --> 00:36:06,719
Speaker 4: But did we think it was weird at that age.

686
00:36:07,000 --> 00:36:08,440
Speaker 2: I think we thought it was scandalous.

687
00:36:08,520 --> 00:36:11,040
Speaker 4: But I think I even liked it back then. It

688
00:36:11,160 --> 00:36:15,480
Speaker 4: was just such a good match. Yeah, I'm trying to

689
00:36:15,600 --> 00:36:18,560
Speaker 4: make I don't remember having a problem with it. I

690
00:36:18,719 --> 00:36:20,759
Speaker 4: just thought it was funny. And no, I don't think

691
00:36:20,760 --> 00:36:26,600
Speaker 4: it's funny now. I think it's hot. And also we

692
00:36:26,719 --> 00:36:29,400
Speaker 4: knew that like two people we loved very much. Behind

693
00:36:29,440 --> 00:36:33,680
Speaker 4: the scenes, Antoine and Barbara were having a great time

694
00:36:34,239 --> 00:36:36,520
Speaker 4: like that made it fun for everybody.

695
00:36:36,960 --> 00:36:40,160
Speaker 2: Yeah, yeah, those were always fun days at work, they

696
00:36:40,200 --> 00:36:41,120
Speaker 2: were freaking hoot.

697
00:36:43,120 --> 00:36:46,400
Speaker 4: Well, the next heart to heart, the Brook and Peyton

698
00:36:46,480 --> 00:36:51,480
Speaker 4: heart to heart. I'm still mad that Brooke is laying

699
00:36:51,520 --> 00:36:53,640
Speaker 4: there in Peyton's lap and she's still not seeing the

700
00:36:53,719 --> 00:36:58,879
Speaker 4: handprints on her friend's neck. So dumb. But this conversation

701
00:36:59,040 --> 00:37:03,880
Speaker 4: where Brooke is just really like I don't believe in karma,

702
00:37:04,200 --> 00:37:04,920
Speaker 4: that whole thing.

703
00:37:07,520 --> 00:37:07,920
Speaker 5: I don't know.

704
00:37:08,480 --> 00:37:12,160
Speaker 4: Like I liked this conversation. They're actually talking about something real,

705
00:37:13,600 --> 00:37:15,239
Speaker 4: and it just made me mad that Peyton got up

706
00:37:15,280 --> 00:37:18,360
Speaker 4: and moved the next day, Like your friend is clearly

707
00:37:18,440 --> 00:37:21,360
Speaker 4: laying in your lap being like I'm in a bad place.

708
00:37:22,080 --> 00:37:25,560
Speaker 2: Yeah, it is uncharacteristic of Peyton, it is.

709
00:37:26,040 --> 00:37:29,719
Speaker 3: It all feels a little forced. But I will say

710
00:37:29,800 --> 00:37:36,040
Speaker 3: I think Brooke is isolating so intensely, like in a way,

711
00:37:36,440 --> 00:37:39,040
Speaker 3: I feel like she was kind of pushing you out.

712
00:37:40,239 --> 00:37:42,440
Speaker 4: Sure, but your job as the friend is to be

713
00:37:42,680 --> 00:37:46,480
Speaker 4: like not so fast. Yeah, I see what you're doing here,

714
00:37:48,520 --> 00:37:50,680
Speaker 4: especially for Peyton who's been through so much trauma and

715
00:37:50,840 --> 00:37:52,440
Speaker 4: like knows that bag of tricks.

716
00:37:52,920 --> 00:37:54,400
Speaker 3: Yeah, that's a good point.

717
00:37:54,880 --> 00:37:59,200
Speaker 4: If anyone was going to recognize signs, ye should be Peyton.

718
00:38:00,160 --> 00:38:03,560
Speaker 2: Yeah, what was the gist? Of that dialogue that you

719
00:38:03,640 --> 00:38:06,640
Speaker 2: guys were taught. I'm like, I remember seeing the scene,

720
00:38:06,719 --> 00:38:07,360
Speaker 2: but I don't know.

721
00:38:07,960 --> 00:38:10,719
Speaker 4: Peyton is thanking Brook. She's like, Brook, I just want

722
00:38:10,760 --> 00:38:13,480
Speaker 4: to thank you. Like Peyton's in a good place and

723
00:38:13,560 --> 00:38:16,320
Speaker 4: she's like, you gave me a place to live, you

724
00:38:16,480 --> 00:38:20,239
Speaker 4: help me with this record label. You are my person, Like,

725
00:38:20,600 --> 00:38:25,480
Speaker 4: thank you so much. Brooke keeps like making jokes like

726
00:38:25,560 --> 00:38:28,800
Speaker 4: she made the Lindsay joke earlier in the episode, like

727
00:38:28,880 --> 00:38:32,120
Speaker 4: blaming her injuries on a fistfight with Lindsay. Right, she

728
00:38:32,280 --> 00:38:36,399
Speaker 4: just keeps deflecting in a way that should be a big,

729
00:38:36,520 --> 00:38:37,320
Speaker 4: huge red flag.

730
00:38:37,719 --> 00:38:40,840
Speaker 2: Yeah, the heaviness that's on her definitely something that feels

731
00:38:40,840 --> 00:38:42,719
Speaker 2: like it should be acknowledged.

732
00:38:43,960 --> 00:38:46,640
Speaker 3: Yeah, the glossing over it definitely feels like a weird

733
00:38:46,680 --> 00:38:51,400
Speaker 3: writer choice, and I remember that we didn't love it

734
00:38:51,719 --> 00:38:54,880
Speaker 3: at the time, but you know, you have to shoot

735
00:38:54,920 --> 00:38:58,440
Speaker 3: what's on the page. But I think it's interesting because

736
00:39:00,120 --> 00:39:02,000
Speaker 3: you know, when you're when you're going through all the

737
00:39:02,160 --> 00:39:07,200
Speaker 3: thank yous, in that sort of odd heaviness, you offer

738
00:39:07,400 --> 00:39:10,920
Speaker 3: that you are a really good person. Brooke Davis Line

739
00:39:11,960 --> 00:39:13,280
Speaker 3: and Joy Brooks.

740
00:39:13,440 --> 00:39:13,600
Speaker 5: You know.

741
00:39:13,719 --> 00:39:15,920
Speaker 3: My Brooks response is, well, what do I get out

742
00:39:15,960 --> 00:39:19,120
Speaker 3: of it, you know. And that's when we get into

743
00:39:19,160 --> 00:39:21,880
Speaker 3: the whole thing about good karma and I don't believe

744
00:39:21,960 --> 00:39:23,960
Speaker 3: in karma and I don't want to talk about it,

745
00:39:24,200 --> 00:39:29,080
Speaker 3: and and then we hit that you know, what do

746
00:39:29,160 --> 00:39:33,680
Speaker 3: you believe in justice? M hm, which I was like,

747
00:39:34,719 --> 00:39:37,120
Speaker 3: well that was interesting foreshadowing for my own life. Fellow,

748
00:39:39,520 --> 00:39:42,400
Speaker 3: same and it's.

749
00:39:44,560 --> 00:39:44,920
Speaker 5: It does.

750
00:39:45,280 --> 00:39:47,680
Speaker 3: It does sort of cause this like sense of foreboding.

751
00:39:48,600 --> 00:39:51,879
Speaker 3: You know something's coming, and it is an odd thing

752
00:39:51,960 --> 00:39:55,480
Speaker 3: I would imagine, you know, for you Hill, as the

753
00:39:55,520 --> 00:39:57,600
Speaker 3: other actor in the scene, to just have to pretend

754
00:39:57,719 --> 00:39:58,759
Speaker 3: that you don't feel it.

755
00:39:59,600 --> 00:40:04,839
Speaker 4: Right, just like yeah, makes you feel stupid, you know, like, oh,

756
00:40:04,960 --> 00:40:10,360
Speaker 4: my friend's being incredibly cryptic and her face is destroyed anyway.

757
00:40:10,320 --> 00:40:13,560
Speaker 3: I'm getting married almighty.

758
00:40:14,280 --> 00:40:14,400
Speaker 2: Uh.

759
00:40:15,200 --> 00:40:20,360
Speaker 4: That said, I appreciate the physicality in the scene because

760
00:40:20,520 --> 00:40:23,640
Speaker 4: that was doing the work that the words weren't. Like,

761
00:40:23,760 --> 00:40:26,160
Speaker 4: when you see two people laying together and playing with

762
00:40:26,280 --> 00:40:29,680
Speaker 4: each other's hair, that is a form of intimacy, that's

763
00:40:29,719 --> 00:40:35,240
Speaker 4: a sisterhood, that is just a deep relationship that words

764
00:40:35,480 --> 00:40:39,440
Speaker 4: can't necessarily convey. And so I do remember you and

765
00:40:39,520 --> 00:40:41,800
Speaker 4: I being like, how do we make this loving? Because

766
00:40:41,800 --> 00:40:44,080
Speaker 4: it feels very disconnected.

767
00:40:44,560 --> 00:40:49,640
Speaker 2: Yeah, I mean Brooks trying to be there for Peyton

768
00:40:49,719 --> 00:40:52,239
Speaker 2: too and be supportive and be you know, happy for

769
00:40:52,320 --> 00:40:53,800
Speaker 2: her and give her what she needs so that she

770
00:40:53,920 --> 00:40:56,160
Speaker 2: can keep deflecting the attention off of herself.

771
00:40:56,600 --> 00:40:59,400
Speaker 4: Well, because Hailey delivers the line and the scene right before,

772
00:40:59,640 --> 00:41:03,440
Speaker 4: like only miserable people destroy someone else's happiness or.

773
00:41:03,480 --> 00:41:04,160
Speaker 5: Something like that.

774
00:41:04,360 --> 00:41:04,960
Speaker 2: What was that?

775
00:41:05,880 --> 00:41:08,480
Speaker 3: It was the only people that tear happy people down

776
00:41:08,640 --> 00:41:10,799
Speaker 3: are unhappy are unhappy people.

777
00:41:11,719 --> 00:41:13,120
Speaker 4: And Brooke is not going to do that.

778
00:41:13,960 --> 00:41:16,360
Speaker 3: Nope, she shan't stoop, she won't do it.

779
00:41:17,320 --> 00:41:19,439
Speaker 4: But what a weird thing for Haley to have to say,

780
00:41:20,560 --> 00:41:21,560
Speaker 4: you delivered it great.

781
00:41:22,200 --> 00:41:24,719
Speaker 2: Thanks. Yeah, I mean, I don't know, I mean, I

782
00:41:24,760 --> 00:41:30,560
Speaker 2: guess it's true. But yeah, they always script it.

783
00:41:30,719 --> 00:41:30,880
Speaker 4: You know.

784
00:41:30,960 --> 00:41:32,680
Speaker 2: It's so funny whenever these scripts would come in, and

785
00:41:32,760 --> 00:41:34,400
Speaker 2: sometimes you get these lines that were just.

786
00:41:35,080 --> 00:41:36,760
Speaker 5: So these.

787
00:41:38,760 --> 00:41:42,960
Speaker 2: Pragmatisms, know what are they called platitudes. They would put

788
00:41:42,960 --> 00:41:45,880
Speaker 2: the platitudes in and you just have to find a

789
00:41:45,920 --> 00:41:48,560
Speaker 2: way to make it real. We're just going to put

790
00:41:48,600 --> 00:41:50,360
Speaker 2: in some of the themes from this episode or some

791
00:41:50,440 --> 00:41:54,200
Speaker 2: of the personal beliefs of the writers and sell it.

792
00:41:55,400 --> 00:41:58,600
Speaker 4: Yeah. Yeah, somebody's like relaying a message here, or it

793
00:41:58,640 --> 00:42:00,839
Speaker 4: would just be such an unnatural line and you'd want

794
00:42:00,880 --> 00:42:02,719
Speaker 4: to change it, and they're like, I'm so sorry. We

795
00:42:02,760 --> 00:42:06,440
Speaker 4: already shot the previous scene where we echo those words again,

796
00:42:06,560 --> 00:42:08,560
Speaker 4: and so you just have to suck it up. I

797
00:42:08,680 --> 00:42:13,839
Speaker 4: hate that. I wanted to go first. The one thing

798
00:42:13,960 --> 00:42:17,560
Speaker 4: that felt very real was all the Haley Nathan stuff,

799
00:42:18,000 --> 00:42:22,000
Speaker 4: like Nathan working his ass off and trying to make

800
00:42:22,040 --> 00:42:25,239
Speaker 4: a comeback, and this whole like doctor situation between you two,

801
00:42:25,360 --> 00:42:28,480
Speaker 4: Like all I felt really dialed in. Yeah, I love that.

802
00:42:28,560 --> 00:42:31,000
Speaker 2: I like seeing them in a position where they're comfortable

803
00:42:31,080 --> 00:42:34,759
Speaker 2: and enjoying each other and enjoying this space where they're

804
00:42:35,239 --> 00:42:40,640
Speaker 2: being mentors and things finally feel settled. They've got a

805
00:42:40,719 --> 00:42:43,919
Speaker 2: system working so that they can both go to work,

806
00:42:44,000 --> 00:42:46,960
Speaker 2: they can both feel like they can both be involved

807
00:42:47,080 --> 00:42:51,440
Speaker 2: with Jamie's life and also find personal fulfillment. It's a

808
00:42:51,480 --> 00:42:54,400
Speaker 2: really nice little system that they've got going on. But

809
00:42:54,640 --> 00:42:57,800
Speaker 2: of course, no one and in tree Hill can remain

810
00:42:58,120 --> 00:43:01,759
Speaker 2: happy for long, so there's always going to be new things.

811
00:43:01,840 --> 00:43:04,759
Speaker 2: But yeah, I agree, it's really nice to see that,

812
00:43:05,080 --> 00:43:08,560
Speaker 2: and I love I just love seeing Nathan get back

813
00:43:08,600 --> 00:43:10,840
Speaker 2: on the basketball court and going for it again and

814
00:43:11,040 --> 00:43:14,279
Speaker 2: just having fun and watching all those guys play play ball.

815
00:43:15,080 --> 00:43:16,960
Speaker 2: I really love it whenever that's a part of our

816
00:43:16,960 --> 00:43:18,719
Speaker 2: show because it really was the core of how the

817
00:43:18,760 --> 00:43:22,840
Speaker 2: show started, was just watching the interactions, the communication, that

818
00:43:23,080 --> 00:43:25,759
Speaker 2: interpersonal dynamics that are happening on the court as a

819
00:43:25,800 --> 00:43:28,799
Speaker 2: reflection of what's happening in real life. And you could

820
00:43:28,800 --> 00:43:31,040
Speaker 2: see it all play out. And we did get away

821
00:43:31,040 --> 00:43:34,560
Speaker 2: from basketball for a while, so it's nice to It's

822
00:43:34,600 --> 00:43:35,960
Speaker 2: always nice when they bring it back in.

823
00:43:36,200 --> 00:43:36,600
Speaker 5: I love it.

824
00:43:38,080 --> 00:43:42,239
Speaker 4: And James seems so happy out there, Like James the

825
00:43:42,320 --> 00:43:46,879
Speaker 4: person that we know just lights up in a different way.

826
00:43:47,800 --> 00:43:49,920
Speaker 2: And playing with Robbie too though, because the two of

827
00:43:50,000 --> 00:43:53,239
Speaker 2: them had so much fun together. Robbie was always so

828
00:43:53,360 --> 00:43:56,560
Speaker 2: fun to work with and had so much energy. I mean,

829
00:43:56,640 --> 00:43:59,319
Speaker 2: what you see on the show is very much who

830
00:43:59,400 --> 00:44:02,200
Speaker 2: he is person well, and I.

831
00:44:02,320 --> 00:44:06,320
Speaker 3: Think also just on a technical level, the fact that

832
00:44:06,440 --> 00:44:09,919
Speaker 3: he was such a good basketball player, like James played

833
00:44:10,000 --> 00:44:13,480
Speaker 3: circles around everyone for years, Yeah, and so to have

834
00:44:13,640 --> 00:44:17,800
Speaker 3: someone he could exactly ball with, Like you can see

835
00:44:18,400 --> 00:44:22,200
Speaker 3: how challenged they both are and like they're really sweating

836
00:44:22,320 --> 00:44:23,320
Speaker 3: out on that court.

837
00:44:23,200 --> 00:44:24,360
Speaker 4: Like they're playing.

838
00:44:24,680 --> 00:44:28,520
Speaker 3: Yeah, they really got to play and and having Jackson

839
00:44:28,640 --> 00:44:32,680
Speaker 3: in on that mix and like that whole dynamic was

840
00:44:32,800 --> 00:44:36,560
Speaker 3: just so sweet and it made things feel so real,

841
00:44:36,680 --> 00:44:40,680
Speaker 3: even when you cut to you know, your house and

842
00:44:41,160 --> 00:44:45,279
Speaker 3: Jamie's walking on Nathan's back, like people were, you know

843
00:44:45,400 --> 00:44:47,680
Speaker 3: at that point, like begging Jackson to do that for

844
00:44:47,800 --> 00:44:50,080
Speaker 3: them because everybody is playing so much basketball.

845
00:44:50,400 --> 00:44:53,239
Speaker 4: So like it wound up in this script. Yeah, like

846
00:44:53,360 --> 00:44:55,160
Speaker 4: it all just I don't know.

847
00:44:55,239 --> 00:44:58,320
Speaker 3: It felt it felt so grounded in something real and

848
00:44:59,560 --> 00:45:02,920
Speaker 3: and genuine, and I think it really comes through on

849
00:45:03,080 --> 00:45:04,480
Speaker 3: screen in their dynamic.

850
00:45:04,640 --> 00:45:09,399
Speaker 2: Why did we kill Quentin off so soon?

851
00:45:10,120 --> 00:45:11,720
Speaker 3: Such a poor decision?

852
00:45:12,360 --> 00:45:14,440
Speaker 2: What did he get another job? Like do we know

853
00:45:14,560 --> 00:45:18,680
Speaker 2: what happened there? We're gonna have to ask Robbie we will.

854
00:45:19,320 --> 00:45:22,160
Speaker 3: I think it was just the plan, and I think

855
00:45:22,320 --> 00:45:25,360
Speaker 3: because it happened. But that's the thing I think because

856
00:45:25,360 --> 00:45:28,080
Speaker 3: it happened so soon in the season, like we shot

857
00:45:28,160 --> 00:45:32,560
Speaker 3: it before season six started airing, and I think everyone

858
00:45:32,760 --> 00:45:35,520
Speaker 3: unanimously was like, oh, we've done a bad thing, Like

859
00:45:35,640 --> 00:45:36,040
Speaker 3: we did.

860
00:45:36,000 --> 00:45:36,960
Speaker 5: This too quickly.

861
00:45:37,719 --> 00:45:39,640
Speaker 3: I think it was really in the outline of the

862
00:45:39,760 --> 00:45:42,560
Speaker 3: season and what that death was going to.

863
00:45:42,600 --> 00:45:44,280
Speaker 2: Mean and what it was going to do to everyone,

864
00:45:44,480 --> 00:45:48,960
Speaker 2: and they totally miss calculated how much people were going

865
00:45:49,000 --> 00:45:51,000
Speaker 2: to fall in love with him, how charismatic he was,

866
00:45:51,280 --> 00:45:55,040
Speaker 2: how powerful his arc was going from where he started

867
00:45:55,160 --> 00:45:57,400
Speaker 2: into the place that he was. Even in this episode,

868
00:45:57,840 --> 00:46:01,160
Speaker 2: you're just rooting for him so much. It's just I

869
00:46:01,160 --> 00:46:03,040
Speaker 2: don't know, He's had so much more. I feel like

870
00:46:03,440 --> 00:46:07,239
Speaker 2: he had so many more levels of us cheering for

871
00:46:07,400 --> 00:46:10,680
Speaker 2: him to go to before they could rip the rug

872
00:46:10,719 --> 00:46:12,759
Speaker 2: out from under us and have us be devastated like

873
00:46:12,840 --> 00:46:15,279
Speaker 2: it was devastating now. But they could have milked that

874
00:46:15,440 --> 00:46:16,440
Speaker 2: for a lot longer.

875
00:46:16,719 --> 00:46:19,680
Speaker 3: Yeah, Yeah, Robbie could have stayed on the show.

876
00:46:20,360 --> 00:46:24,160
Speaker 4: It comes down to representation in the room, right, because

877
00:46:24,200 --> 00:46:27,200
Speaker 4: if we finally have a young black man who is

878
00:46:27,320 --> 00:46:32,640
Speaker 4: succeeding on the show, and to shoot that guy, you know,

879
00:46:32,880 --> 00:46:38,160
Speaker 4: it just felt like a tone deaf white man's decision. Yeah,

880
00:46:38,600 --> 00:46:42,000
Speaker 4: And had we had some representation in the room, there

881
00:46:42,040 --> 00:46:44,480
Speaker 4: could have been a voice in there that said, this

882
00:46:44,680 --> 00:46:47,200
Speaker 4: is an important character to a number of kids who

883
00:46:47,239 --> 00:46:50,279
Speaker 4: are watching this show, and they should see black joy.

884
00:46:50,800 --> 00:46:54,560
Speaker 4: They should see like, you know, black success, because we

885
00:46:54,960 --> 00:46:57,000
Speaker 4: are not showing a lot of that on our show.

886
00:46:57,080 --> 00:46:59,640
Speaker 4: Our show has been criticized for its lack of diversity,

887
00:47:00,320 --> 00:47:03,080
Speaker 4: and this was an opportunity that could have been golden.

888
00:47:03,360 --> 00:47:06,480
Speaker 4: And I think Robbie did a beautiful job leading up

889
00:47:06,520 --> 00:47:10,360
Speaker 4: into this like narrative tragedy. But I do think we

890
00:47:10,480 --> 00:47:14,719
Speaker 4: did a disservice to our audience by killing him. And

891
00:47:15,040 --> 00:47:18,480
Speaker 4: that could just be me talking because I think he's

892
00:47:18,480 --> 00:47:23,080
Speaker 4: a naval actor, but yeah, I think we could have

893
00:47:23,120 --> 00:47:25,279
Speaker 4: done better. Every black man we have on the show

894
00:47:27,120 --> 00:47:29,600
Speaker 4: got put through hell. Antoine had to beg to be

895
00:47:29,680 --> 00:47:33,560
Speaker 4: a series regular, right. Ernest Waddell, we've had him on

896
00:47:33,640 --> 00:47:35,480
Speaker 4: the show and he talked about what a bad experience

897
00:47:35,560 --> 00:47:38,600
Speaker 4: it was for him, and so that we lost Robbie

898
00:47:38,719 --> 00:47:41,840
Speaker 4: also feels like another cheat. So when you hear people

899
00:47:42,000 --> 00:47:46,279
Speaker 4: talking about representation in writers' rooms, it's exactly for things

900
00:47:46,400 --> 00:47:46,640
Speaker 4: like this.

901
00:47:47,320 --> 00:47:52,640
Speaker 2: Yeah, that's right. It's such a shame ough And I'm

902
00:47:52,640 --> 00:47:54,800
Speaker 2: glad there's been a lot of change since then. I

903
00:47:54,880 --> 00:47:58,640
Speaker 2: feel like there's it's been so much improvement. But it's

904
00:47:58,719 --> 00:48:00,600
Speaker 2: really sad to go back and watch our show and

905
00:48:00,680 --> 00:48:03,680
Speaker 2: see things like that that it just wasn't It wasn't

906
00:48:03,719 --> 00:48:04,680
Speaker 2: in the place it should have been.

907
00:48:05,000 --> 00:48:05,759
Speaker 5: It's presure no.

908
00:48:05,840 --> 00:48:07,920
Speaker 4: I mean, for Haley, it's the first time we're seeing

909
00:48:07,960 --> 00:48:13,360
Speaker 4: Haley really true, he just gets an A plus. Come on,

910
00:48:14,360 --> 00:48:15,120
Speaker 4: that was great.

911
00:48:16,040 --> 00:48:17,920
Speaker 2: Yeah, yeah, it's fun to see that.

912
00:48:18,640 --> 00:48:20,440
Speaker 4: I feel like Debbie Downer for bringing it up, but

913
00:48:20,520 --> 00:48:21,200
Speaker 4: I had to say it.

914
00:48:21,600 --> 00:48:22,880
Speaker 3: No, it's really important.

915
00:48:23,440 --> 00:48:26,760
Speaker 2: Yeah, it affects the rest of Yeah, it just felt

916
00:48:26,800 --> 00:48:29,200
Speaker 2: like they didn't know what else to do, so they

917
00:48:29,320 --> 00:48:30,960
Speaker 2: just I mean, we really have hit the point in

918
00:48:31,040 --> 00:48:32,759
Speaker 2: the show where I feel like they just didn't quite

919
00:48:32,800 --> 00:48:35,280
Speaker 2: know what else to do, and so they just started

920
00:48:35,280 --> 00:48:37,120
Speaker 2: creating all these random scenarios.

921
00:48:37,280 --> 00:48:40,680
Speaker 4: I started punching people. I don't know what to do

922
00:48:40,760 --> 00:48:43,800
Speaker 4: with this character. We should tie them up, we should

923
00:48:43,840 --> 00:48:44,239
Speaker 4: hurt him?

924
00:48:44,680 --> 00:48:46,160
Speaker 3: Who feed him cockroaches?

925
00:48:46,280 --> 00:48:49,160
Speaker 5: Like really that's it? Oh my god.

926
00:48:50,520 --> 00:48:54,360
Speaker 4: When Lucas tells Skills that Peyton is moving in, and

927
00:48:54,480 --> 00:48:56,719
Speaker 4: Skills is like, do we want to have a drink?

928
00:48:56,800 --> 00:48:59,280
Speaker 4: Or should I wait until you for post to procos

929
00:48:59,360 --> 00:49:03,040
Speaker 4: to break, and then Jamie does the same to him.

930
00:49:03,080 --> 00:49:06,600
Speaker 4: He's like, so Peyton's moving in? What happened to Lindsay?

931
00:49:07,120 --> 00:49:08,520
Speaker 4: Were you with my mom?

932
00:49:09,320 --> 00:49:13,080
Speaker 2: What about you know? Like I just need to understand

933
00:49:13,160 --> 00:49:13,680
Speaker 2: this right now.

934
00:49:14,000 --> 00:49:16,560
Speaker 4: Yeah, everyone's on Lucas's this episode.

935
00:49:16,840 --> 00:49:22,200
Speaker 2: It actually is really fun listening to from a child's perspective, like, okay, wait,

936
00:49:22,280 --> 00:49:24,160
Speaker 2: so you guys were together but then you broke up,

937
00:49:24,200 --> 00:49:26,399
Speaker 2: but then you went with her, but then she went

938
00:49:26,480 --> 00:49:28,680
Speaker 2: with this guy, and now you're with this person, and what.

939
00:49:28,760 --> 00:49:30,200
Speaker 4: About that relationship?

940
00:49:31,480 --> 00:49:33,600
Speaker 2: Just the simplicity of the way that a child would

941
00:49:33,600 --> 00:49:36,240
Speaker 2: come in and look at the dynamic, the romantic dynamics

942
00:49:36,239 --> 00:49:38,080
Speaker 2: on our show. It's really funny.

943
00:49:38,680 --> 00:49:39,239
Speaker 4: Judge US.

944
00:49:39,960 --> 00:49:42,760
Speaker 5: Yeah, you're like, what were you doing?

945
00:49:44,840 --> 00:49:48,759
Speaker 4: Okay? So what are our honorable mentions? I know what

946
00:49:48,880 --> 00:49:52,520
Speaker 4: mine is, and it's a Nathan Haley thing, okay. And

947
00:49:52,640 --> 00:49:55,480
Speaker 4: I wrote it down where Nathan and Haley are at

948
00:49:55,520 --> 00:49:57,879
Speaker 4: the River Court and they're talking about that mason Boro

949
00:49:58,040 --> 00:50:00,920
Speaker 4: game where he kicked ass and he's like, every shot

950
00:50:00,960 --> 00:50:03,680
Speaker 4: I scored was like a pickup line for Hailey James

951
00:50:04,480 --> 00:50:08,440
Speaker 4: and and he says, I played that game for you, Haley,

952
00:50:09,120 --> 00:50:11,560
Speaker 4: and I would also like quit that game for you

953
00:50:12,000 --> 00:50:13,880
Speaker 4: because I like being a husband and a dad so

954
00:50:14,040 --> 00:50:18,800
Speaker 4: much more. I was just like, yes, sir, that was me.

955
00:50:20,000 --> 00:50:22,880
Speaker 2: There is I had a flag in that scene. I

956
00:50:23,040 --> 00:50:26,879
Speaker 2: was when we were watching because she says, the first

957
00:50:27,000 --> 00:50:31,080
Speaker 2: time I ever saw you play was that game, and

958
00:50:31,160 --> 00:50:34,399
Speaker 2: I'm like, what they grew up in the same town.

959
00:50:35,239 --> 00:50:38,480
Speaker 2: Lucas and Haley have been best friends. How in the

960
00:50:38,680 --> 00:50:41,160
Speaker 2: world is that the first basketball game she's ever seen

961
00:50:41,280 --> 00:50:46,160
Speaker 2: Nathan play? I mean surprised that nobody caught that.

962
00:50:46,960 --> 00:50:51,040
Speaker 4: Yeah, I mean, I guess not everybody went to basketball games.

963
00:50:51,080 --> 00:50:51,759
Speaker 4: I'm trying to think.

964
00:50:52,160 --> 00:50:54,319
Speaker 3: Wasn't that like a big deal that no one ever,

965
00:50:54,560 --> 00:50:57,279
Speaker 3: that you guys never went because Lucas didn't play, and

966
00:50:57,360 --> 00:50:58,600
Speaker 3: then once he got on the team.

967
00:50:58,920 --> 00:51:02,680
Speaker 2: No, I don't know, I don't know. I just it

968
00:51:02,840 --> 00:51:04,200
Speaker 2: just rang in my ear. I heard it, and I

969
00:51:04,280 --> 00:51:07,160
Speaker 2: was like, wait, I don't know, I could be wrong.

970
00:51:07,560 --> 00:51:09,520
Speaker 3: Did it make you feel the same way it made

971
00:51:09,520 --> 00:51:11,880
Speaker 3: you feel that no one checked on close Over Bros.

972
00:51:11,880 --> 00:51:14,320
Speaker 3: When the store had been decimated in the middle of downtown.

973
00:51:16,080 --> 00:51:18,000
Speaker 4: What are these tree hillers doing?

974
00:51:18,960 --> 00:51:19,600
Speaker 5: Do it feels?

975
00:51:19,640 --> 00:51:22,600
Speaker 2: Fish deb gets my honorable mention. I thought she just

976
00:51:22,760 --> 00:51:27,279
Speaker 2: totally shined shown. I don't know, she was fabulous.

977
00:51:27,760 --> 00:51:30,760
Speaker 3: Yeah, I mine is for Robbie.

978
00:51:31,840 --> 00:51:34,239
Speaker 4: I just I loved it.

979
00:51:35,040 --> 00:51:37,360
Speaker 3: Every single thing he did in this episode.

980
00:51:37,400 --> 00:51:38,279
Speaker 5: I loved so much.

981
00:51:38,880 --> 00:51:42,360
Speaker 3: And obviously I knew what was coming this season. I

982
00:51:42,520 --> 00:51:45,880
Speaker 3: didn't realize it was in the second Frickin' episode and

983
00:51:46,120 --> 00:51:48,759
Speaker 3: he when he parked his car at that gas station,

984
00:51:48,960 --> 00:51:53,399
Speaker 3: I screamed no, like and I was like, oh boy,

985
00:51:53,480 --> 00:51:55,080
Speaker 3: that was a lot. That was a lot that just

986
00:51:55,200 --> 00:51:56,040
Speaker 3: came out of my body.

987
00:51:58,360 --> 00:51:59,480
Speaker 4: He really just.

988
00:51:59,560 --> 00:52:03,080
Speaker 3: Affected me so much. And I'm I'm still sad about it.

989
00:52:06,040 --> 00:52:18,000
Speaker 2: That's awful. Okay, guys, Patricia is asking us, did any

990
00:52:18,040 --> 00:52:21,320
Speaker 2: of your parents try to discourage you from getting into acting?

991
00:52:22,000 --> 00:52:23,200
Speaker 3: Yeah? Did you?

992
00:52:26,200 --> 00:52:29,080
Speaker 4: Well, your parents knew about it, Like, your parents lived

993
00:52:29,120 --> 00:52:31,040
Speaker 4: in LA they knew what that life was like.

994
00:52:31,760 --> 00:52:34,080
Speaker 2: I don't know if Hillary, if you and I parents

995
00:52:34,160 --> 00:52:36,640
Speaker 2: actually knew what that really entailed.

996
00:52:37,680 --> 00:52:40,399
Speaker 4: My parents put me into classes when I was three

997
00:52:40,480 --> 00:52:43,240
Speaker 4: years old. I got put in these like little modeling

998
00:52:43,320 --> 00:52:45,600
Speaker 4: actor classes as a toddler, and I was told my

999
00:52:45,719 --> 00:52:48,279
Speaker 4: whole life that they did all this and made all

1000
00:52:48,320 --> 00:52:51,759
Speaker 4: these sacrifices because I announced at two and three years

1001
00:52:51,760 --> 00:52:54,040
Speaker 4: old that I wanted to be an actor. And then

1002
00:52:54,120 --> 00:52:57,160
Speaker 4: when I had kids, and it was like, and these

1003
00:52:57,239 --> 00:53:00,440
Speaker 4: kids both have actors as parents, they had no an

1004
00:53:00,520 --> 00:53:02,719
Speaker 4: idea two and three years old what an actor was.

1005
00:53:03,120 --> 00:53:08,920
Speaker 4: So yeah, I was sold a bag of false information. No,

1006
00:53:09,239 --> 00:53:13,920
Speaker 4: it was my parent's whole plan. Wow, which is probably

1007
00:53:13,920 --> 00:53:16,600
Speaker 4: why I'm having this like latent life rebellion where I'm like,

1008
00:53:16,920 --> 00:53:23,640
Speaker 4: I'm not gonna do it anymore. Yeah, I think kids

1009
00:53:23,640 --> 00:53:25,480
Speaker 4: should arrive at this on their own.

1010
00:53:26,000 --> 00:53:29,160
Speaker 2: Yeah, so your parents did, They were like, don't do it.

1011
00:53:29,680 --> 00:53:33,360
Speaker 3: Well, the thing is like we didn't. We didn't have

1012
00:53:33,640 --> 00:53:38,239
Speaker 3: like any actors in our family, like any attachment. But

1013
00:53:38,360 --> 00:53:41,840
Speaker 3: you know, with my with my dad's photography business, like

1014
00:53:42,040 --> 00:53:45,000
Speaker 3: it's a weird thing to be adjacent to an industry, right,

1015
00:53:45,200 --> 00:53:49,960
Speaker 3: Like my dad is certainly a visionary, he is certainly

1016
00:53:50,000 --> 00:53:54,080
Speaker 3: an artist. And to be clear, like when you're the photographer,

1017
00:53:54,239 --> 00:53:57,560
Speaker 3: like you're also the hired help, Like you're not the

1018
00:53:58,520 --> 00:54:02,480
Speaker 3: in the scenario where like we all know how hierarchies

1019
00:54:02,520 --> 00:54:07,200
Speaker 3: can go on sets, like you're not the talent, like

1020
00:54:07,480 --> 00:54:11,040
Speaker 3: you're the person capturing the talent. And so it's a

1021
00:54:11,160 --> 00:54:15,080
Speaker 3: really interesting thing like to sort of see both sides

1022
00:54:16,200 --> 00:54:19,200
Speaker 3: of something, like to be close to it but to

1023
00:54:19,320 --> 00:54:22,719
Speaker 3: still be in the like employee zone, like you know

1024
00:54:22,800 --> 00:54:24,680
Speaker 3: when people talk about what we do and they're like,

1025
00:54:24,719 --> 00:54:28,200
Speaker 3: well below the line, like the crew whatever, all of

1026
00:54:28,280 --> 00:54:31,160
Speaker 3: which we like to set fire to. But I think

1027
00:54:31,280 --> 00:54:35,120
Speaker 3: what was interesting for my parents was like just sort

1028
00:54:35,160 --> 00:54:40,200
Speaker 3: of seeing the churn in the business, and especially because

1029
00:54:40,239 --> 00:54:44,040
Speaker 3: of photography, like I think the way that so many

1030
00:54:44,160 --> 00:54:48,280
Speaker 3: women like can be treated or used by the business.

1031
00:54:48,320 --> 00:54:51,320
Speaker 3: My parents were just like, oh, absolutely not. And I

1032
00:54:52,239 --> 00:54:55,320
Speaker 3: you know, I also grew up like my dad immigrated

1033
00:54:55,360 --> 00:54:59,719
Speaker 3: here in the seventies. My mom's mom came through New

1034
00:54:59,800 --> 00:55:02,800
Speaker 3: York wor like on a boat from Italy. There's like

1035
00:55:02,960 --> 00:55:05,600
Speaker 3: classic immigrant mentality in my house of like you can

1036
00:55:05,640 --> 00:55:07,279
Speaker 3: be a doctor or a lawyer, or a lawyer or

1037
00:55:07,320 --> 00:55:11,279
Speaker 3: a doctor, like those are your options. And I was like, well,

1038
00:55:11,280 --> 00:55:12,920
Speaker 3: I'm going to be a doctor. And my parents were like,

1039
00:55:13,000 --> 00:55:15,960
Speaker 3: you are very argumentative about social justice. Are you sure

1040
00:55:16,040 --> 00:55:16,960
Speaker 3: you don't want to be a lawyer?

1041
00:55:17,600 --> 00:55:17,799
Speaker 4: Yeah?

1042
00:55:18,400 --> 00:55:20,600
Speaker 3: And then like I did a play and was like

1043
00:55:21,080 --> 00:55:22,600
Speaker 3: I think I want to go to theater school and

1044
00:55:22,640 --> 00:55:23,319
Speaker 3: my parents were just.

1045
00:55:23,400 --> 00:55:26,840
Speaker 4: Like, what the fuck. I don't know, that's not like

1046
00:55:26,960 --> 00:55:27,839
Speaker 4: a real thing.

1047
00:55:28,840 --> 00:55:32,720
Speaker 3: And yeah, they had like talks about it my freshman

1048
00:55:32,800 --> 00:55:35,759
Speaker 3: year in college and they were just apparently my dad

1049
00:55:35,880 --> 00:55:38,239
Speaker 3: was like, oh, Maureen, calm down, she's too smart. She'll

1050
00:55:38,280 --> 00:55:38,720
Speaker 3: be bored.

1051
00:55:38,880 --> 00:55:41,000
Speaker 4: She'll grow out of it, she'll grow out of it.

1052
00:55:42,320 --> 00:55:44,040
Speaker 2: Little did they know how smart you have to be

1053
00:55:44,160 --> 00:55:45,480
Speaker 2: to be an actor and to be a good as

1054
00:55:45,520 --> 00:55:47,200
Speaker 2: good as you are, you have to be little did

1055
00:55:47,239 --> 00:55:47,520
Speaker 2: they know?

1056
00:55:48,120 --> 00:55:50,960
Speaker 3: And then when I transferred and decided to do like

1057
00:55:51,120 --> 00:55:53,520
Speaker 3: theater and journalism, they were like, see, she's going to

1058
00:55:53,560 --> 00:55:55,960
Speaker 3: get a real job. And then I just became an

1059
00:55:55,960 --> 00:55:57,799
Speaker 3: activist actor and here we are.

1060
00:55:58,120 --> 00:56:02,160
Speaker 4: And here we are, the real job, working out real Well, sorry, mom,

1061
00:56:03,680 --> 00:56:07,000
Speaker 4: you you were like actually working working work from a

1062
00:56:07,080 --> 00:56:08,200
Speaker 4: young age. I was.

1063
00:56:08,400 --> 00:56:11,640
Speaker 2: So we did have performance in my family. And my

1064
00:56:11,680 --> 00:56:13,760
Speaker 2: grandfather was on Broadway and he was a stage manager

1065
00:56:13,800 --> 00:56:16,920
Speaker 2: and also an actor on Broadway. My grandmother grew up

1066
00:56:16,960 --> 00:56:18,960
Speaker 2: doing theater and did tons and tons of shows.

1067
00:56:19,480 --> 00:56:22,880
Speaker 4: My mom's mom's mom, like.

1068
00:56:22,920 --> 00:56:26,800
Speaker 2: My great grandma left the home, left home at nineteen

1069
00:56:26,880 --> 00:56:30,719
Speaker 2: to join the circus literally literally, So we do have

1070
00:56:30,960 --> 00:56:36,239
Speaker 2: all this family history and in art and entertainment. My

1071
00:56:36,560 --> 00:56:38,719
Speaker 2: skipped a generation with my folks. They both were like

1072
00:56:38,960 --> 00:56:41,719
Speaker 2: not interested at all in being on stage or having

1073
00:56:41,760 --> 00:56:42,360
Speaker 2: any Yeah.

1074
00:56:42,239 --> 00:56:44,680
Speaker 4: But your dad does the same thing. Like as actors,

1075
00:56:44,760 --> 00:56:49,040
Speaker 4: we diagnose like people's trauma and that's like your dad

1076
00:56:49,640 --> 00:56:52,120
Speaker 4: does that accounts with addiction he does.

1077
00:56:52,239 --> 00:56:56,680
Speaker 2: Yeah, he helps with drug and alcohol rehabilitation and also

1078
00:56:56,760 --> 00:56:59,320
Speaker 2: has been a counselor and worked in a lot of

1079
00:56:59,360 --> 00:57:00,520
Speaker 2: mental health facilities.

1080
00:57:02,920 --> 00:57:03,120
Speaker 4: Yeah.

1081
00:57:03,200 --> 00:57:05,360
Speaker 2: I mean I had kind of had a wild childhood,

1082
00:57:05,480 --> 00:57:10,200
Speaker 2: just experiencing so many different kinds of personalities and lives,

1083
00:57:10,320 --> 00:57:12,520
Speaker 2: just all the ways, all the ways people lived in

1084
00:57:12,600 --> 00:57:16,880
Speaker 2: so many different environments, which definitely fueled the fire and

1085
00:57:16,960 --> 00:57:19,160
Speaker 2: being an actor because I was just so interested in

1086
00:57:19,280 --> 00:57:21,240
Speaker 2: people and all the quirks and the ways that people

1087
00:57:21,320 --> 00:57:24,720
Speaker 2: ticked and worked. And I saw so much variety because

1088
00:57:24,720 --> 00:57:26,400
Speaker 2: we moved around a lot too, so I wasn't even

1089
00:57:26,440 --> 00:57:27,280
Speaker 2: like stuck in a bubble.

1090
00:57:27,320 --> 00:57:28,000
Speaker 4: It was really great.

1091
00:57:29,880 --> 00:57:34,800
Speaker 2: But sorry tangent, but yeah, I think when I started,

1092
00:57:35,800 --> 00:57:39,080
Speaker 2: it really was just a hobby something. My parents were like,

1093
00:57:39,280 --> 00:57:42,040
Speaker 2: there's a there's a little theater school on the corner.

1094
00:57:42,120 --> 00:57:43,960
Speaker 2: Do you want to go do this? Since you don't

1095
00:57:44,000 --> 00:57:46,480
Speaker 2: really seem to care about sports.

1096
00:57:48,440 --> 00:57:51,600
Speaker 4: Soccer, do you want to do something? Yeah?

1097
00:57:51,640 --> 00:57:52,760
Speaker 2: And then I just fell in love with it, and

1098
00:57:52,800 --> 00:57:55,200
Speaker 2: I don't think they knew enough to tell me, please,

1099
00:57:55,240 --> 00:57:56,320
Speaker 2: don't do this with your life.

1100
00:57:56,640 --> 00:57:58,560
Speaker 4: It's just so hard.

1101
00:58:00,080 --> 00:58:03,720
Speaker 2: And thank god they didn't because it's been amazing and

1102
00:58:04,080 --> 00:58:07,080
Speaker 2: it became a place I really loved. But now they

1103
00:58:07,120 --> 00:58:10,160
Speaker 2: didn't try and discourage me. They were happy to help

1104
00:58:10,200 --> 00:58:13,080
Speaker 2: and support my mother. God blessed when we moved to

1105
00:58:13,160 --> 00:58:15,800
Speaker 2: do when we moved to New Jersey, she drove me

1106
00:58:15,960 --> 00:58:17,720
Speaker 2: in and out of the city, you know, four or

1107
00:58:17,720 --> 00:58:20,800
Speaker 2: five days a week for voice lessons, dance classes, auditions,

1108
00:58:20,840 --> 00:58:23,880
Speaker 2: whatever it was. She just got a job that got

1109
00:58:23,920 --> 00:58:25,760
Speaker 2: her off at like two and she could just drive

1110
00:58:25,800 --> 00:58:28,320
Speaker 2: me into the city all the time. So they really

1111
00:58:28,360 --> 00:58:30,280
Speaker 2: made a lot of sacrifices to make it work. I'm

1112
00:58:30,280 --> 00:58:30,840
Speaker 2: glad it did.

1113
00:58:31,800 --> 00:58:36,800
Speaker 4: So cool. Yeah, yeah, thank you, Patricia. All Right, guys,

1114
00:58:36,920 --> 00:58:46,360
Speaker 4: are we gonna spin a wheel? Let's ladies, all right,

1115
00:58:46,960 --> 00:58:51,840
Speaker 4: we've got a most likely to have their own reality show?

1116
00:58:53,040 --> 00:58:56,040
Speaker 4: Tree Hill has a reality show? Is this a dance Scott?

1117
00:58:57,040 --> 00:58:57,600
Speaker 5: Dan Scott?

1118
00:58:57,720 --> 00:58:59,840
Speaker 4: Yeah too, I could see it was his a reality

1119
00:59:00,000 --> 00:59:02,560
Speaker 4: were a talk show? I had a talk show, all right,

1120
00:59:02,640 --> 00:59:06,480
Speaker 4: So who's got a reality show? Deep honestly, I think.

1121
00:59:06,400 --> 00:59:08,680
Speaker 3: Dev could start The Real Housewives of Tree Hill and

1122
00:59:08,800 --> 00:59:11,160
Speaker 3: I would watch And I don't watch any of those shows,

1123
00:59:11,200 --> 00:59:11,880
Speaker 3: but I'd watch her.

1124
00:59:12,160 --> 00:59:15,520
Speaker 4: Yes, m h, I'm on board for that. And also

1125
00:59:15,720 --> 00:59:17,720
Speaker 4: in real life, I would watch a show about Barbara

1126
00:59:17,760 --> 00:59:18,400
Speaker 4: and her daughters.

1127
00:59:18,560 --> 00:59:20,280
Speaker 2: Oh my gosh, why is that not on the air

1128
00:59:20,520 --> 00:59:25,240
Speaker 2: right now? No, But legitimately, someone needs to buy and sell, sell.

1129
00:59:25,160 --> 00:59:30,160
Speaker 4: And buy that they're such fantastic kids and they all

1130
00:59:30,240 --> 00:59:31,720
Speaker 4: have very different careers.

1131
00:59:32,240 --> 00:59:32,439
Speaker 3: Yeah.

1132
00:59:32,960 --> 00:59:35,640
Speaker 4: Can you imagine a family of four blondes where each

1133
00:59:35,720 --> 00:59:39,360
Speaker 4: one of them has such a distinct like niche and

1134
00:59:39,440 --> 00:59:41,680
Speaker 4: they're all so different, but they all are still like

1135
00:59:42,240 --> 00:59:45,360
Speaker 4: Halloween freaks. They just had their pumpkin coming party.

1136
00:59:45,720 --> 00:59:46,400
Speaker 5: I wish I've been.

1137
00:59:46,360 --> 00:59:47,240
Speaker 2: Able to go to that party.

1138
00:59:47,520 --> 00:59:51,000
Speaker 4: God, they're so cool. Yeah. Yeah, that's the show.

1139
00:59:51,560 --> 00:59:51,800
Speaker 5: That's it.

1140
00:59:52,160 --> 00:59:53,480
Speaker 4: Well, thanks for hanging out, everybody.

1141
00:59:53,600 --> 00:59:57,120
Speaker 2: I will see you next week, episode three of season six,

1142
00:59:57,360 --> 01:00:04,320
Speaker 2: Get Cape, Wear Cape Fly, see ya. Hey, thanks for listening.

1143
01:00:04,480 --> 01:00:06,680
Speaker 3: Don't forget to leave us a review. You can also

1144
01:00:06,760 --> 01:00:09,960
Speaker 3: follow us on Instagram at Drama Queens O t h.

1145
01:00:10,440 --> 01:00:14,240
Speaker 4: Or email us at Drama Queens at iHeartRadio dot com.

1146
01:00:14,840 --> 01:00:19,400
Speaker 4: See you next time. We all about that high school drama.

1147
01:00:19,520 --> 01:00:23,160
Speaker 3: Girl Drama Girl all about them high school Queens. We'll

1148
01:00:23,240 --> 01:00:26,240
Speaker 3: take you for a ride at our comic girl Sharing

1149
01:00:26,320 --> 01:00:30,360
Speaker 3: for the right teams. Drama Queenslease my girl, up Girl Fashion,

1150
01:00:30,400 --> 01:00:31,280
Speaker 3: what's your tough girl?

1151
01:00:31,400 --> 01:00:32,000
Speaker 2: You could sit with

1152
01:00:32,160 --> 01:00:36,080
Speaker 1: Us Girl Drama Queens, Drama Queens Drama, Queens Drama Drama,

1153
01:00:36,160 --> 01:00:37,440
Speaker 1: Queens Drama Queens