1 00:00:08,720 --> 00:00:12,799 Speaker 1: Misspelling with Tory spelling and iHeartRadio podcast. 2 00:00:14,920 --> 00:00:17,760 Speaker 2: Oh my gosh, toy, it's been a minute. 3 00:00:18,560 --> 00:00:22,320 Speaker 1: You know, I'm really sad I'm not on Hidden Hills anymore. 4 00:00:22,800 --> 00:00:24,560 Speaker 2: I'm really sad you're not here too. 5 00:00:25,079 --> 00:00:29,240 Speaker 1: No, I'm really close to you. But it's just the 6 00:00:29,280 --> 00:00:30,240 Speaker 1: whole animal thing. 7 00:00:31,080 --> 00:00:31,440 Speaker 2: I know. 8 00:00:32,400 --> 00:00:36,559 Speaker 1: I'm like you. I'm a farmer at heart. You'll get 9 00:00:36,600 --> 00:00:40,320 Speaker 1: back to the animals, you know, will, I will wait? 10 00:00:40,479 --> 00:00:42,239 Speaker 1: You have how many? You have? Two pigs? 11 00:00:43,200 --> 00:00:50,760 Speaker 2: Two pigs, a tortoise, two horses, five chickens, eight goats. 12 00:00:52,400 --> 00:00:55,360 Speaker 2: I haven't heard of ghats and actually have a cat 13 00:00:55,400 --> 00:01:00,160 Speaker 2: who just found a toy holding. 14 00:00:58,400 --> 00:01:01,160 Speaker 1: Like that is my dream life. I was getting there 15 00:01:01,320 --> 00:01:05,200 Speaker 1: is working aupboards that I had pigs, I had goats, 16 00:01:05,240 --> 00:01:07,360 Speaker 1: I had chickens, didn't have the tortoise yet. 17 00:01:08,120 --> 00:01:10,440 Speaker 2: I don't demend a tortoise. Don't get a tortoise. 18 00:01:10,520 --> 00:01:11,919 Speaker 1: Oh they're so great though. 19 00:01:12,280 --> 00:01:15,840 Speaker 2: Well, the tortoise came with the house, so we kind 20 00:01:15,880 --> 00:01:19,000 Speaker 2: of got still the tortoise, and the tortoise is a male, 21 00:01:19,319 --> 00:01:23,080 Speaker 2: and he is he's an intense guy, let's just put 22 00:01:23,120 --> 00:01:26,479 Speaker 2: it that way. He kind of he kind of drives 23 00:01:26,520 --> 00:01:30,120 Speaker 2: me crazy. Yeah, I'll tell you a story afterwards. I 24 00:01:30,120 --> 00:01:32,080 Speaker 2: don't want to tell you. I don't want to scare 25 00:01:32,120 --> 00:01:36,520 Speaker 2: your listeners with my tortoise coming into a sexuality story, 26 00:01:36,560 --> 00:01:38,560 Speaker 2: because that's that's a story. 27 00:01:38,680 --> 00:01:44,280 Speaker 1: For our listeners. I remember at one point, I think 28 00:01:44,319 --> 00:01:49,160 Speaker 1: your husband was going to help me build pig sanctuary, right, 29 00:01:49,240 --> 00:01:50,040 Speaker 1: like a yes. 30 00:01:50,200 --> 00:01:52,880 Speaker 2: So actually when I told him I was doing this podcast, 31 00:01:53,680 --> 00:01:56,480 Speaker 2: he said, first thing he said is did Tory work 32 00:01:56,480 --> 00:02:00,200 Speaker 2: out her pig thing? Because I'm still available? Oh? 33 00:02:00,760 --> 00:02:04,560 Speaker 1: I know. Well, we were in that house in Hidden 34 00:02:04,600 --> 00:02:09,520 Speaker 1: Hills that had mold, so we left that house hoping 35 00:02:09,600 --> 00:02:11,680 Speaker 1: to get back into another one. It's hard to find 36 00:02:11,680 --> 00:02:13,840 Speaker 1: house and hidden Hills, so we were like moving all 37 00:02:13,880 --> 00:02:18,560 Speaker 1: over hiding farm animals and garages because you couldn't have 38 00:02:18,600 --> 00:02:22,280 Speaker 1: them anywhere else but Hidden Hills. And it just got 39 00:02:22,320 --> 00:02:24,720 Speaker 1: to be Yeah, So we just have a year lease 40 00:02:24,800 --> 00:02:28,520 Speaker 1: here in Calabasas. I have homes that I call temporary 41 00:02:28,520 --> 00:02:32,200 Speaker 1: homes for all the animals because I say there's still ours, right, 42 00:02:32,240 --> 00:02:34,600 Speaker 1: and they're like, there's still yours. You can come and visit. 43 00:02:35,160 --> 00:02:38,440 Speaker 1: Absolutely hoping to move back into Hidden Hills. 44 00:02:38,680 --> 00:02:40,600 Speaker 2: If you ever need a place for one of your 45 00:02:40,600 --> 00:02:44,600 Speaker 2: animals to land, please ask me because that's actually how 46 00:02:44,600 --> 00:02:48,079 Speaker 2: we got most of our animals. We were kind of 47 00:02:48,680 --> 00:02:51,880 Speaker 2: we're kind of the place where someone's like in transition, 48 00:02:52,160 --> 00:02:55,280 Speaker 2: so they drop an animal off with us, or they're like, 49 00:02:55,400 --> 00:02:57,240 Speaker 2: we didn't know how to take care of a pig, 50 00:02:57,520 --> 00:02:59,079 Speaker 2: or we didn't know how to take care of a goat. 51 00:02:59,400 --> 00:03:02,560 Speaker 2: Here you go. So that's basically like our barnyard is that. 52 00:03:02,800 --> 00:03:05,080 Speaker 2: But here's the thing. You have a lot of kids. 53 00:03:05,360 --> 00:03:08,959 Speaker 2: I only have two kids. One is seventeen and one 54 00:03:09,040 --> 00:03:12,919 Speaker 2: is eight, So like, if I had the kids you had, 55 00:03:12,960 --> 00:03:14,520 Speaker 2: there's no way I would have all the animals I 56 00:03:14,560 --> 00:03:19,560 Speaker 2: had because I can't do both. So I so I 57 00:03:19,680 --> 00:03:23,360 Speaker 2: keep having, like my mothering is extending to the animals, 58 00:03:23,600 --> 00:03:26,560 Speaker 2: not to take because two that's all I can handle 59 00:03:26,560 --> 00:03:27,160 Speaker 2: at those points. 60 00:03:28,680 --> 00:03:30,720 Speaker 1: And see, I thought the more kids I had, the 61 00:03:30,760 --> 00:03:33,200 Speaker 1: more they'd help with the animals. And this is not true. 62 00:03:33,639 --> 00:03:35,560 Speaker 2: It is not necessarily true. 63 00:03:35,880 --> 00:03:41,000 Speaker 1: No, no, no, not at all. That's funny. I almost called 64 00:03:41,080 --> 00:03:44,760 Speaker 1: you about our pig, Wilbur, and my husband at the 65 00:03:44,760 --> 00:03:46,360 Speaker 1: time was like, why would you do that to her? 66 00:03:46,440 --> 00:03:49,400 Speaker 1: I was like, because I think Kelly mentioned that she 67 00:03:49,720 --> 00:03:52,160 Speaker 1: could take in and he was like, don't put your 68 00:03:52,200 --> 00:03:53,080 Speaker 1: animals on people. 69 00:03:53,960 --> 00:03:56,440 Speaker 2: Okay, I really really really think of me. My husband's 70 00:03:56,440 --> 00:04:00,280 Speaker 2: from Montana. It's just the way we roll here. So 71 00:04:00,520 --> 00:04:04,240 Speaker 2: I promise you anytime. And the other thing is when 72 00:04:04,280 --> 00:04:06,680 Speaker 2: you need a fix, you like, when you're like I 73 00:04:06,720 --> 00:04:09,880 Speaker 2: really just need to be with the animals. Yes, come over, 74 00:04:10,720 --> 00:04:14,360 Speaker 2: like I'm always just in the barn like bullshitting by myself. 75 00:04:14,480 --> 00:04:16,360 Speaker 2: Like I'm just just down there. 76 00:04:17,080 --> 00:04:21,960 Speaker 1: Like get the tummy pig, Yes, the little yeah, rubbing 77 00:04:22,160 --> 00:04:24,320 Speaker 1: the piggy belly. If you don't know, when you rub 78 00:04:24,360 --> 00:04:26,000 Speaker 1: a pig's belly, it falls over on it. 79 00:04:26,800 --> 00:04:31,160 Speaker 2: And they become aythnotized basically, so yes, nothing like it. 80 00:04:31,440 --> 00:04:34,600 Speaker 2: That's when you can trim their little feet because otherwise 81 00:04:34,680 --> 00:04:37,760 Speaker 2: their feet keep either like hooves keep growing and growing. 82 00:04:37,839 --> 00:04:39,279 Speaker 1: So it's stop. 83 00:04:39,640 --> 00:04:42,120 Speaker 2: My cat. I actually have to show you my cat 84 00:04:42,120 --> 00:04:44,760 Speaker 2: because she's going to be bothering us because I'm actually 85 00:04:44,800 --> 00:04:47,160 Speaker 2: in the cat's room, which used to be my office, 86 00:04:47,279 --> 00:04:50,240 Speaker 2: but then when the cats moved in again. I think 87 00:04:50,240 --> 00:04:52,320 Speaker 2: we have over twenty animals by the way. Tori, so, 88 00:04:52,600 --> 00:04:56,160 Speaker 2: my my seventeen year old she interned for a vet 89 00:04:56,520 --> 00:05:00,240 Speaker 2: last summer, and she there were these two kittens that 90 00:05:00,320 --> 00:05:04,440 Speaker 2: needed a home and She's like mom, and I said no, no, no, no, no, no, 91 00:05:04,640 --> 00:05:07,520 Speaker 2: we have so many no and she said please and 92 00:05:07,560 --> 00:05:11,000 Speaker 2: I said fine. So I mean that's how difficult like me? 93 00:05:12,000 --> 00:05:15,640 Speaker 2: So now Kindred spirits animals. And you know what's so 94 00:05:15,760 --> 00:05:18,880 Speaker 2: funny Tory is like we've actually been in and out 95 00:05:18,920 --> 00:05:21,560 Speaker 2: of each other's lives since we were I was eleven 96 00:05:21,600 --> 00:05:24,680 Speaker 2: when I did shrew Beverly Hills, so we have literally 97 00:05:24,720 --> 00:05:29,840 Speaker 2: been like in and out for fool lives. 98 00:05:31,120 --> 00:05:34,200 Speaker 1: It's true. So if you're eleven, I think I was fourteen. 99 00:05:36,120 --> 00:05:38,600 Speaker 1: Does that make sense? How old are you now? 100 00:05:39,000 --> 00:05:40,120 Speaker 2: I'm forty eight. 101 00:05:40,800 --> 00:05:42,680 Speaker 1: Okay, so I'm fifty one, So there you go. 102 00:05:43,200 --> 00:05:44,799 Speaker 2: I'm actually gonna be forty nine tomorrow. 103 00:05:45,800 --> 00:05:46,760 Speaker 1: Happy birthday. 104 00:05:47,000 --> 00:05:47,360 Speaker 2: Thank you. 105 00:05:49,320 --> 00:05:50,520 Speaker 1: Does that make you escorp you? 106 00:05:51,160 --> 00:05:54,480 Speaker 2: I'm a Libra, You're still a Libra and I'm far 107 00:05:54,520 --> 00:06:01,280 Speaker 2: from balanced. So I think they met up. Yeah, and 108 00:06:01,440 --> 00:06:04,560 Speaker 2: then and then we I feel like we probably saw 109 00:06:04,600 --> 00:06:07,480 Speaker 2: each other in passing. You were on the show. I 110 00:06:07,520 --> 00:06:09,159 Speaker 2: wanted to be on. I mean, I loved being on 111 00:06:09,200 --> 00:06:12,000 Speaker 2: Life Goes On. It was amazing. However, I feel like 112 00:06:12,080 --> 00:06:14,760 Speaker 2: nine to two was always like the cool kids show, 113 00:06:15,240 --> 00:06:17,680 Speaker 2: and I was on like the show people liked to 114 00:06:17,760 --> 00:06:21,640 Speaker 2: watch with their grandparents, so and I loved your show, 115 00:06:22,680 --> 00:06:25,200 Speaker 2: so I feel like I saw you during that time. 116 00:06:25,440 --> 00:06:27,400 Speaker 2: But then when we did A Friend to Die For, 117 00:06:28,480 --> 00:06:30,800 Speaker 2: I really spent some time with you. But I was 118 00:06:30,839 --> 00:06:33,400 Speaker 2: a colossal bitch during that movie. So I'm really sorry. 119 00:06:34,440 --> 00:06:37,640 Speaker 2: I don't know if you're a which movie A Friend 120 00:06:37,640 --> 00:06:41,360 Speaker 2: to Die For? I was so hot during that movie 121 00:06:41,480 --> 00:06:44,599 Speaker 2: that I like not talking. I remember not talking to 122 00:06:44,640 --> 00:06:46,320 Speaker 2: you very much, and I'm really sorry about that. 123 00:06:47,720 --> 00:06:51,720 Speaker 1: I didn't take that away from yet oh good. I 124 00:06:53,680 --> 00:06:58,719 Speaker 1: did not get that because when we did True Beverly Hills, 125 00:06:58,800 --> 00:07:01,880 Speaker 1: I definitely felt like out of the loop with the girls, 126 00:07:01,920 --> 00:07:04,520 Speaker 1: like it was like the Beverly Hills girls and then 127 00:07:04,560 --> 00:07:06,560 Speaker 1: the Red Feathers, and I was like, oh wait, I 128 00:07:06,600 --> 00:07:10,720 Speaker 1: am a Beverly Hills girl. Yeah, I know you guys. 129 00:07:10,760 --> 00:07:13,200 Speaker 1: Can I just hang? But it was like very two 130 00:07:13,280 --> 00:07:15,560 Speaker 1: distinct groups, and I was like, oh, is this what 131 00:07:15,640 --> 00:07:17,880 Speaker 1: clicks are? Like? Okay, I got it. I got it, 132 00:07:18,000 --> 00:07:20,120 Speaker 1: not just in school on movie sets. 133 00:07:20,400 --> 00:07:22,760 Speaker 2: It wasn't just you. It was actually going to click 134 00:07:22,800 --> 00:07:28,280 Speaker 2: within the click. Because I definitely, I definitely didn't feel 135 00:07:28,280 --> 00:07:32,280 Speaker 2: a part of the little core group of True Beverly 136 00:07:32,360 --> 00:07:35,760 Speaker 2: Hills girls, because I don't know, I was well. Also, 137 00:07:35,800 --> 00:07:39,600 Speaker 2: I played the poor girl, so I was not really 138 00:07:39,720 --> 00:07:43,720 Speaker 2: like a rich Beverly Hills girl. But also I auditioned 139 00:07:43,800 --> 00:07:49,360 Speaker 2: for the part of Hannah Neffler Jenny Lewis's Room five 140 00:07:49,440 --> 00:07:54,720 Speaker 2: times and then per usual, like literally like my whole career, 141 00:07:55,480 --> 00:07:58,880 Speaker 2: Jenny Lewis gets cast as the main girl, and I 142 00:07:58,920 --> 00:08:01,880 Speaker 2: get cast as the friend, the psyche kick or something 143 00:08:01,920 --> 00:08:05,320 Speaker 2: like that, Like it happened six times in my career. 144 00:08:06,320 --> 00:08:09,320 Speaker 1: So Jenny with Jenny Lewis, Jenny Lewis. 145 00:08:09,480 --> 00:08:12,360 Speaker 2: Yeah, but no Jenny Lewis. 146 00:08:11,600 --> 00:08:13,520 Speaker 1: With other shows with her. 147 00:08:13,680 --> 00:08:16,560 Speaker 2: Oh yeah, yes, commercials, television shows. 148 00:08:16,600 --> 00:08:17,280 Speaker 1: It was always her. 149 00:08:17,880 --> 00:08:21,280 Speaker 2: It was always her. Yet she had this gorgeous red hair, 150 00:08:21,800 --> 00:08:25,040 Speaker 2: and you'd think that would be hard to cast in 151 00:08:25,080 --> 00:08:28,160 Speaker 2: the family like as the main girl, but no, she 152 00:08:28,160 --> 00:08:29,680 Speaker 2: always got the part, and I always got the part 153 00:08:29,680 --> 00:08:33,200 Speaker 2: of her friends. So anyway, when I did True Beverly Hills, 154 00:08:33,720 --> 00:08:37,880 Speaker 2: I felt sad to not be Shelley's daughter, to not 155 00:08:37,960 --> 00:08:42,480 Speaker 2: be Hannah. And then Amy Foster and Emily Schulman knew 156 00:08:42,520 --> 00:08:45,080 Speaker 2: each other really well, and they were all kind of tight, 157 00:08:45,679 --> 00:08:48,040 Speaker 2: and they were kind of like, you know, had been 158 00:08:48,040 --> 00:08:51,360 Speaker 2: on a series before. I think Amy was on Ammy 159 00:08:51,480 --> 00:08:56,240 Speaker 2: was on Punky Brewster and on Small Wonder, so like 160 00:08:56,280 --> 00:08:59,760 Speaker 2: they were like in the kind of like child actor world. 161 00:09:00,280 --> 00:09:02,480 Speaker 2: And I was very much on the outskirts because I 162 00:09:02,520 --> 00:09:06,199 Speaker 2: had just done like commercials and guest spots. So I 163 00:09:06,880 --> 00:09:11,080 Speaker 2: felt very much like not cool at all during that movie. 164 00:09:11,120 --> 00:09:12,760 Speaker 2: And I always felt like I was trying to fight 165 00:09:12,840 --> 00:09:17,520 Speaker 2: for the camera because the director would never say, Okay, 166 00:09:17,559 --> 00:09:19,720 Speaker 2: you stand here, you stand here, you stand here. Jenny 167 00:09:19,720 --> 00:09:21,679 Speaker 2: would be like, well, I'm her daughter, so I need 168 00:09:21,720 --> 00:09:23,800 Speaker 2: to be close to Shelley, and we're like, okay, that's fair. 169 00:09:24,120 --> 00:09:26,040 Speaker 2: And then Amy's like, well I'm going to be here, 170 00:09:26,080 --> 00:09:27,720 Speaker 2: and Emily's like I'm going to be here, and I'm like, 171 00:09:27,800 --> 00:09:29,040 Speaker 2: I'm going to just be in the back. 172 00:09:33,080 --> 00:09:35,520 Speaker 1: Oh my gosh. It's funny because when I think of 173 00:09:35,559 --> 00:09:38,120 Speaker 1: that movie, I always think of you as Shelley Long's daughter. 174 00:09:39,320 --> 00:09:42,440 Speaker 1: No think I know, but it's just maybe you're the 175 00:09:42,480 --> 00:09:45,920 Speaker 1: most recognizable one. So I just go to that where 176 00:09:45,960 --> 00:09:48,200 Speaker 1: that's just a story we could start telling. I don't know, 177 00:09:48,720 --> 00:09:52,840 Speaker 1: but do you remember in Hollywood, young Hollywood like clubs 178 00:09:52,880 --> 00:09:56,480 Speaker 1: like Alfie Soda pop clubs. I sure we go to those. 179 00:09:57,120 --> 00:10:01,160 Speaker 2: I went to one and found it terrifying. Did you 180 00:10:01,280 --> 00:10:01,880 Speaker 2: go often? 181 00:10:02,800 --> 00:10:06,720 Speaker 1: I went to like two, and I'm not sure I 182 00:10:06,720 --> 00:10:12,000 Speaker 1: found it terrifying. Tell me, do tell well? An odd setup? 183 00:10:12,640 --> 00:10:15,160 Speaker 2: Well, did you go with us? Like I did go 184 00:10:15,280 --> 00:10:17,520 Speaker 2: during Troop Beverly Hills. That's when I went to Alfie's 185 00:10:17,520 --> 00:10:21,400 Speaker 2: because I went with AML and I remember going with 186 00:10:21,760 --> 00:10:24,640 Speaker 2: Emily Shulman. So I went with the Troop Beverly Hills girls. 187 00:10:24,679 --> 00:10:27,680 Speaker 2: And I'm pretty sure my mom waited outside the club 188 00:10:27,760 --> 00:10:30,559 Speaker 2: for me, because my mom never let me get very far, 189 00:10:31,120 --> 00:10:35,360 Speaker 2: thank god. So I do want to going in. 190 00:10:35,440 --> 00:10:38,120 Speaker 1: There were girls whom Troop Beverly Hill's there, so yes, yes, 191 00:10:38,200 --> 00:10:38,760 Speaker 1: that one. 192 00:10:39,600 --> 00:10:42,720 Speaker 2: We must have planned an outing. Yeah, and I don't 193 00:10:42,760 --> 00:10:43,880 Speaker 2: know who is the ringleader? 194 00:10:43,920 --> 00:10:44,240 Speaker 1: Who was? 195 00:10:44,760 --> 00:10:47,600 Speaker 2: I think Amy Foster might have been a kind of 196 00:10:47,640 --> 00:10:51,880 Speaker 2: like regular there. Yes, but it's really funny. I do 197 00:10:51,960 --> 00:10:54,360 Speaker 2: have friends, I mean Scott Grimes. I don't know if 198 00:10:54,360 --> 00:10:57,080 Speaker 2: you know Scott Crimes. Yes, very well, he went like 199 00:10:57,240 --> 00:11:01,040 Speaker 2: every Thursday he did, and Cole Eggert and. 200 00:11:02,720 --> 00:11:07,480 Speaker 1: Sleigh Melissa Milano and I hosted it one year. It 201 00:11:07,559 --> 00:11:14,080 Speaker 1: was like a big deal for me. Oh go and 202 00:11:14,320 --> 00:11:14,800 Speaker 1: who was. 203 00:11:14,760 --> 00:11:18,560 Speaker 2: ALFI no idea never I never met him. 204 00:11:18,840 --> 00:11:22,439 Speaker 1: He wasn't a teen. He was like an older grown up, 205 00:11:23,000 --> 00:11:25,560 Speaker 1: grown up putting these teen parties together. 206 00:11:26,160 --> 00:11:29,200 Speaker 2: I think there's some dark I don't know for a fact, 207 00:11:29,240 --> 00:11:32,360 Speaker 2: but I think there is some dark stuff that happened 208 00:11:32,920 --> 00:11:34,720 Speaker 2: that led to the demise of the club. 209 00:11:34,800 --> 00:11:36,439 Speaker 1: That's the lore I believe. 210 00:11:39,120 --> 00:11:43,800 Speaker 2: I mean, nothing can come from a nightclub for child actors, right, No, 211 00:11:44,120 --> 00:11:46,840 Speaker 2: that seems like bad from the word go, doesn't it does. 212 00:11:47,800 --> 00:11:49,920 Speaker 1: We would dance, they'd have a dance floor. 213 00:11:50,400 --> 00:11:55,240 Speaker 2: Yeah, there was soda pop like it was like. But 214 00:11:55,320 --> 00:11:57,080 Speaker 2: I think there might have been other stuff too. 215 00:11:57,880 --> 00:11:59,079 Speaker 1: Really, I never got that. 216 00:11:59,520 --> 00:12:03,800 Speaker 2: I didn't get it, but that's what I heard later on, 217 00:12:04,520 --> 00:12:06,280 Speaker 2: is that, like I said, there was some darkness. 218 00:12:06,960 --> 00:12:09,520 Speaker 1: UH would be in like cool hotels and it'd be 219 00:12:09,600 --> 00:12:11,160 Speaker 1: like in the ballroom. 220 00:12:11,640 --> 00:12:14,240 Speaker 2: And I think it was in a different spot every time. 221 00:12:14,800 --> 00:12:16,719 Speaker 1: Yeah, so it's like. 222 00:12:16,640 --> 00:12:19,880 Speaker 2: A pop up yes. And I might have been like 223 00:12:19,960 --> 00:12:22,840 Speaker 2: circus animals sometimes. 224 00:12:22,880 --> 00:12:25,000 Speaker 1: I remember, oh wait, like a monkey. 225 00:12:25,480 --> 00:12:32,160 Speaker 2: Yeah, and he'd bring in circus animals. So it was kooky. 226 00:12:33,160 --> 00:12:37,640 Speaker 2: But I lived in Thousand Oaks, so I didn't spend 227 00:12:37,679 --> 00:12:41,480 Speaker 2: any time in Los Angeles except to work or go auditions. 228 00:12:41,520 --> 00:12:43,760 Speaker 2: I think my dentist might have been on Sunset Boulevard, 229 00:12:43,960 --> 00:12:48,160 Speaker 2: but basically, unlike you who grew up in town, I was. 230 00:12:48,679 --> 00:12:52,840 Speaker 2: I was in like suburbia with my family. My dad 231 00:12:52,880 --> 00:12:56,199 Speaker 2: worked at j C. Pennies. My mom basically took care 232 00:12:56,240 --> 00:12:58,880 Speaker 2: of me and my sister, so I didn't get to 233 00:12:58,920 --> 00:13:01,720 Speaker 2: do much stuff at all because I just went home 234 00:13:01,720 --> 00:13:02,080 Speaker 2: at night. 235 00:13:02,440 --> 00:13:03,160 Speaker 1: It's a good call. 236 00:13:04,000 --> 00:13:07,000 Speaker 2: I mean, I guess she didn't know. It's funny my 237 00:13:07,080 --> 00:13:10,640 Speaker 2: mom didn't know, you know, not to do like I 238 00:13:10,640 --> 00:13:13,520 Speaker 2: don't know, Like she was just always there. So she 239 00:13:13,679 --> 00:13:17,360 Speaker 2: just was always observing, and I am. I'm grateful for that, 240 00:13:17,400 --> 00:13:20,000 Speaker 2: and I'm grateful that I grew up kind of I 241 00:13:20,040 --> 00:13:24,640 Speaker 2: had a relatively normal life besides being on set and working. 242 00:13:24,960 --> 00:13:28,439 Speaker 1: And that was just like so we had a good 243 00:13:28,480 --> 00:13:29,720 Speaker 1: head on your shoulders. 244 00:13:30,920 --> 00:13:32,840 Speaker 2: Yeah, I mean, like I had to take the trash 245 00:13:32,920 --> 00:13:34,800 Speaker 2: out every night, and I had to clean my bathroom 246 00:13:34,800 --> 00:13:40,480 Speaker 2: every Saturday. And my dad is my dad is the 247 00:13:40,559 --> 00:13:42,800 Speaker 2: kind of guy who, like I said, he worked at 248 00:13:42,840 --> 00:13:46,280 Speaker 2: j C. Pennies. He came from like a tiny, like 249 00:13:46,360 --> 00:13:51,440 Speaker 2: one bedroom apartment in New York, in Brooklyn, and he uh, 250 00:13:52,400 --> 00:13:54,560 Speaker 2: he wasn't gonna let me get full of myself. Let's 251 00:13:54,559 --> 00:13:55,280 Speaker 2: just put it that way. 252 00:13:55,880 --> 00:13:58,360 Speaker 1: Like ever, But it was good those parties because I 253 00:13:58,360 --> 00:14:01,160 Speaker 1: got to see like all the other actresses that were 254 00:14:01,200 --> 00:14:04,560 Speaker 1: out there, because we were all kind of auditioning for 255 00:14:04,600 --> 00:14:08,280 Speaker 1: the same stuff. It was a small world, it really was. 256 00:14:16,320 --> 00:14:20,320 Speaker 2: Did you go to Westlake or Harvard Westlake? I did, okay, 257 00:14:20,440 --> 00:14:22,720 Speaker 2: because I think my friend Tanya fun Moore went to 258 00:14:22,800 --> 00:14:23,280 Speaker 2: school with you. 259 00:14:23,480 --> 00:14:25,920 Speaker 1: She did. I was friends with her. Oh yeah, you're 260 00:14:25,920 --> 00:14:26,840 Speaker 1: still friends with her. 261 00:14:27,200 --> 00:14:29,120 Speaker 2: I do keep in touch with her. Yeah, she played 262 00:14:29,160 --> 00:14:30,360 Speaker 2: my best friend in Life goes On. 263 00:14:31,160 --> 00:14:34,000 Speaker 1: I have not seen her in oh my god, over 264 00:14:34,040 --> 00:14:38,480 Speaker 1: thirty years. She knows the same she yeah, she does, 265 00:14:39,280 --> 00:14:44,000 Speaker 1: she does funny. Yeah. Yeah. When I first joined that school, 266 00:14:44,120 --> 00:14:47,200 Speaker 1: she was like the ringleader. She was like, Oh, are 267 00:14:47,200 --> 00:14:50,640 Speaker 1: you an actress? I'm an actress, come this way. 268 00:14:50,920 --> 00:14:55,960 Speaker 2: Yes, okay, No, she she's and she's really really smart. 269 00:14:56,680 --> 00:15:00,680 Speaker 2: She went to Herbard and she's part of the reason 270 00:15:00,720 --> 00:15:04,480 Speaker 2: why I decided to go to college because I was 271 00:15:04,520 --> 00:15:07,320 Speaker 2: working with Tanya and on Life goes On and she 272 00:15:07,680 --> 00:15:10,000 Speaker 2: applied and got in I think everywhere she applied to, 273 00:15:10,320 --> 00:15:14,360 Speaker 2: and I was like, well, I better go to college too. 274 00:15:14,480 --> 00:15:17,160 Speaker 2: So I ended up kind of following in her footsteps, 275 00:15:17,160 --> 00:15:19,960 Speaker 2: and my boyfriend at the time did the same thing too, So. 276 00:15:20,760 --> 00:15:24,040 Speaker 1: Oh my gosh, what would have happened if you didn't. 277 00:15:24,640 --> 00:15:29,280 Speaker 2: I don't know. That's the weird thing about like your path, Like, yeah, 278 00:15:30,040 --> 00:15:34,840 Speaker 2: it's weird, wacky, like I think, and I feel like 279 00:15:34,920 --> 00:15:39,800 Speaker 2: being an actor you have to be open to what happens, 280 00:15:39,840 --> 00:15:42,000 Speaker 2: like what falls me up. I mean, my husband always 281 00:15:42,000 --> 00:15:46,520 Speaker 2: says to me, he's a lawyer, and like he's very 282 00:15:46,640 --> 00:15:49,120 Speaker 2: kind of analytical, and he's like, well, where do you 283 00:15:49,160 --> 00:15:51,120 Speaker 2: want to be in five years? I'm like, I'm an actor. 284 00:15:51,200 --> 00:15:54,720 Speaker 2: You can't say I want to be there in five years. 285 00:15:54,920 --> 00:15:57,200 Speaker 2: You just don't know what's going to happen. And you 286 00:15:57,280 --> 00:16:01,680 Speaker 2: kind of had to open to what life brings. And 287 00:16:02,600 --> 00:16:06,160 Speaker 2: I've kind of always lived that way and he drives 288 00:16:06,240 --> 00:16:08,200 Speaker 2: him up a wall. But I just think actors can 289 00:16:08,240 --> 00:16:11,840 Speaker 2: never know, Like we can hardly even plan vacations. 290 00:16:11,320 --> 00:16:16,680 Speaker 1: Right, it's a mental state too, Like we're creatives, you. 291 00:16:16,640 --> 00:16:21,800 Speaker 2: Know exactly, We're not, Yes, we are. We go with 292 00:16:21,880 --> 00:16:24,400 Speaker 2: the flow. I mean you have to. 293 00:16:24,720 --> 00:16:28,080 Speaker 1: I'm really good at that. I know no other way. 294 00:16:29,120 --> 00:16:32,280 Speaker 1: Five kids in totes, so it's like we'll just go. 295 00:16:32,800 --> 00:16:34,960 Speaker 2: Yeah, you kind of I mean you kind of have 296 00:16:35,040 --> 00:16:38,480 Speaker 2: to do that. I've never been a planner, and and 297 00:16:38,520 --> 00:16:41,240 Speaker 2: when I did go away to college, it was it 298 00:16:41,360 --> 00:16:45,520 Speaker 2: was scary because but I definitely kept one foot back 299 00:16:45,560 --> 00:16:49,800 Speaker 2: here just because I thought, like what I mean, I'm 300 00:16:49,800 --> 00:16:51,680 Speaker 2: not going to go to college and become a doctor. 301 00:16:52,280 --> 00:16:54,480 Speaker 2: I'm going to go to college and learn stuff, but 302 00:16:54,560 --> 00:16:56,240 Speaker 2: like I'm going to be an actor after that, Like 303 00:16:56,320 --> 00:16:59,480 Speaker 2: I'm not going to change who I am or I 304 00:17:00,480 --> 00:17:03,240 Speaker 2: my vocation just because I go to college. 305 00:17:03,800 --> 00:17:05,280 Speaker 1: Well, you did er so. 306 00:17:05,960 --> 00:17:09,119 Speaker 2: I did do ER so I had that dangerous amount 307 00:17:09,200 --> 00:17:13,040 Speaker 2: of doctor knowledge that I know something all paid off 308 00:17:13,320 --> 00:17:16,520 Speaker 2: that I know nothing. Yeah, I actually left college to 309 00:17:16,560 --> 00:17:17,879 Speaker 2: do YR so. 310 00:17:17,880 --> 00:17:19,200 Speaker 1: So you never finished college. 311 00:17:19,920 --> 00:17:22,040 Speaker 2: I did. I actually, so when I got killed off 312 00:17:22,040 --> 00:17:25,280 Speaker 2: of R I went back. Okay, but I had been 313 00:17:25,320 --> 00:17:28,480 Speaker 2: gone long enough I had to reapply, which is cruel. 314 00:17:30,040 --> 00:17:32,359 Speaker 2: You're like, I was just killed off er, Please at 315 00:17:32,440 --> 00:17:35,520 Speaker 2: least let me back in. They didn't care. No, they 316 00:17:35,520 --> 00:17:36,560 Speaker 2: didn't care. 317 00:17:36,119 --> 00:17:40,560 Speaker 1: You're not at all okay? Can we go back to 318 00:17:40,600 --> 00:17:41,639 Speaker 1: true Beverly Hills? 319 00:17:41,720 --> 00:17:45,200 Speaker 2: Yes, oh I was. I was actually going to get 320 00:17:45,240 --> 00:17:48,600 Speaker 2: like some bray to show you. I have a watch 321 00:17:48,680 --> 00:17:51,960 Speaker 2: and I have a jacket, but I never give a jacket. Shoot, 322 00:17:52,200 --> 00:17:55,159 Speaker 2: I do I have a jacket. I have a Wilderness 323 00:17:55,160 --> 00:18:00,239 Speaker 2: Girl's watch. Shelley Long gave us all these gifts, like, 324 00:18:00,960 --> 00:18:05,040 Speaker 2: she was so generous to us. So yeah, I got 325 00:18:05,080 --> 00:18:07,720 Speaker 2: like all these Wilderness Girl gifts from her. 326 00:18:07,920 --> 00:18:09,800 Speaker 1: My gosh, I know they. 327 00:18:09,640 --> 00:18:10,760 Speaker 2: Were very very sweet. 328 00:18:10,840 --> 00:18:11,159 Speaker 1: She was. 329 00:18:11,200 --> 00:18:21,439 Speaker 2: She was very sweet. So yes, what do you what 330 00:18:21,480 --> 00:18:24,760 Speaker 2: do you want to talk about True Beverly Hills. I 331 00:18:24,840 --> 00:18:26,560 Speaker 2: just watched it, by the way, with my eight year old, 332 00:18:26,600 --> 00:18:30,280 Speaker 2: so I'm very holds up right, it weirdly holds up 333 00:18:30,320 --> 00:18:31,840 Speaker 2: even though it's a time capsule. 334 00:18:32,359 --> 00:18:34,000 Speaker 1: It is, I know, it just does. 335 00:18:34,640 --> 00:18:35,240 Speaker 2: It does. 336 00:18:36,200 --> 00:18:42,879 Speaker 1: It's crazy because it came out and was not a hit. No, Like, 337 00:18:43,520 --> 00:18:44,800 Speaker 1: would you say it was a flop. 338 00:18:45,119 --> 00:18:47,920 Speaker 2: It was a flop. I mean I think it might 339 00:18:47,960 --> 00:18:51,439 Speaker 2: have made its money back, but it was basically a flop. 340 00:18:51,840 --> 00:18:55,560 Speaker 1: Yeah, I mean, anticipation was like, oh, this is going 341 00:18:55,640 --> 00:18:58,600 Speaker 1: to be huge, and then it was like womp, womp. 342 00:18:59,160 --> 00:19:02,520 Speaker 1: No one responded to it. But it's a movie that 343 00:19:02,600 --> 00:19:07,800 Speaker 1: went on to become called classic. Like everybody, you know 344 00:19:07,840 --> 00:19:10,639 Speaker 1: you're big when Kim Kardashian has a shower based on 345 00:19:10,680 --> 00:19:14,360 Speaker 1: True Beverly Hills. So did she really yeah, she really did. 346 00:19:14,520 --> 00:19:15,480 Speaker 2: That's hilarious. 347 00:19:16,119 --> 00:19:17,120 Speaker 1: We've made it. 348 00:19:17,680 --> 00:19:21,240 Speaker 2: We've totally made it. No, it's it is. It's one 349 00:19:21,240 --> 00:19:26,800 Speaker 2: of those funny cult classics, and it anytime you sit 350 00:19:26,840 --> 00:19:29,919 Speaker 2: down to watch it, you laugh and you think this 351 00:19:30,080 --> 00:19:32,440 Speaker 2: is just so great, and it like it is. It's 352 00:19:32,480 --> 00:19:35,920 Speaker 2: a time capsule. It's Rodeo Drive in its heyday, and 353 00:19:35,960 --> 00:19:42,080 Speaker 2: it's Spago and it's all this like these iconic places 354 00:19:42,480 --> 00:19:45,360 Speaker 2: and pias A Dora. I'm like Piaza Dora, like obviously, 355 00:19:45,359 --> 00:19:47,720 Speaker 2: like my eight year old doesn't know who Piazador is, right, 356 00:19:48,200 --> 00:19:50,520 Speaker 2: you know, she, my eight year old, got a total 357 00:19:50,600 --> 00:19:53,679 Speaker 2: kick out of it. She loved it. And and that, 358 00:19:53,880 --> 00:19:57,000 Speaker 2: I feel like, is the true testament to something like 359 00:19:57,040 --> 00:19:59,760 Speaker 2: that really holds up and do we make it. It was 360 00:19:59,760 --> 00:20:03,879 Speaker 2: it like nineteen eighty seven something like that, so it 361 00:20:03,960 --> 00:20:08,720 Speaker 2: was around that time, and gay men love it. They've 362 00:20:08,760 --> 00:20:10,960 Speaker 2: really kept the fire alive for Tuoberdly Hills. 363 00:20:10,960 --> 00:20:15,040 Speaker 1: I feel they have they have Oh my gosh. Yeah. 364 00:20:15,200 --> 00:20:19,000 Speaker 1: I just remember like doing that movie and thinking this 365 00:20:19,080 --> 00:20:21,359 Speaker 1: is my chance, like I'm finally going to be in 366 00:20:21,440 --> 00:20:25,920 Speaker 1: something it's not my dad's. And then I got cast 367 00:20:25,960 --> 00:20:31,720 Speaker 1: as a red feather. I was like Okay, you probably. 368 00:20:31,359 --> 00:20:34,840 Speaker 2: Read for Hannah too. We all probably read for Shelley's Dot. 369 00:20:34,880 --> 00:20:36,560 Speaker 1: Probably yeah. And then they. 370 00:20:36,560 --> 00:20:39,640 Speaker 2: Dulled out the parts after the Jetty and I. 371 00:20:39,640 --> 00:20:42,000 Speaker 1: Was like no, no, no, no. And then I was like, 372 00:20:42,080 --> 00:20:45,240 Speaker 1: down here, like you were Jamie from the Red Feathers. 373 00:20:45,280 --> 00:20:46,760 Speaker 1: You've had two lines, and I'm. 374 00:20:46,600 --> 00:20:51,000 Speaker 2: Like Culver City from Culver City, which now would be 375 00:20:51,040 --> 00:20:55,240 Speaker 2: like Culver City she but like, it's just interesting. 376 00:20:55,320 --> 00:20:57,280 Speaker 1: So people when they hear I was in that movie, 377 00:20:57,280 --> 00:20:58,880 Speaker 1: and they don't really know about it, They're like, oh, 378 00:20:58,960 --> 00:21:01,840 Speaker 1: you were in super Really Hills obviously, I'm like, no, actually, 379 00:21:01,880 --> 00:21:04,240 Speaker 1: I grew up in Beverly Hills. Wasn't in that true? 380 00:21:04,920 --> 00:21:08,720 Speaker 1: But I just remember we filmed in Malibu Canyon. 381 00:21:09,400 --> 00:21:10,440 Speaker 2: Mm hmmm we did. 382 00:21:11,000 --> 00:21:14,840 Speaker 1: We did. It was so hot, like it seemed like months, 383 00:21:15,800 --> 00:21:20,080 Speaker 1: very hot. And I was terrified because I had never 384 00:21:20,119 --> 00:21:24,000 Speaker 1: gone camping. I had never been in the wilderness, and 385 00:21:24,200 --> 00:21:26,080 Speaker 1: I was supposed to be on the team where they 386 00:21:26,080 --> 00:21:30,040 Speaker 1: did everything and they were like hard hitting girls that 387 00:21:30,160 --> 00:21:32,520 Speaker 1: like take down the Beverly Hills girls, and I was 388 00:21:32,680 --> 00:21:35,160 Speaker 1: terrified and I was like, oh my god, my parents 389 00:21:35,160 --> 00:21:37,760 Speaker 1: would never let me go camping. Shoot, how am I 390 00:21:37,800 --> 00:21:39,159 Speaker 1: going to pretend, I know. 391 00:21:39,359 --> 00:21:42,199 Speaker 2: And it's so funny that I like, I should have 392 00:21:42,240 --> 00:21:44,679 Speaker 2: been a red feather because I was way more of 393 00:21:44,760 --> 00:21:47,359 Speaker 2: that girl and you were way more the other girl 394 00:21:48,000 --> 00:21:50,439 Speaker 2: on the other like actual true Beverly Hills girl. So 395 00:21:51,680 --> 00:21:54,800 Speaker 2: but really the way we shot that in Malibu Canyon, 396 00:21:54,840 --> 00:21:57,120 Speaker 2: like they kind of were just like, go into that brush, 397 00:21:57,200 --> 00:22:00,439 Speaker 2: and we were like, what, like, just go into that 398 00:22:00,480 --> 00:22:04,200 Speaker 2: brush because they wanted it to look like a jungle, 399 00:22:04,440 --> 00:22:06,280 Speaker 2: so they didn't clear it, and they're just like, go 400 00:22:06,359 --> 00:22:10,320 Speaker 2: in there, and so we did, you know, we just 401 00:22:10,400 --> 00:22:13,719 Speaker 2: kind of I remember people dropping like flies too. They 402 00:22:13,720 --> 00:22:17,080 Speaker 2: would like get over stroke, yep, yep. 403 00:22:17,160 --> 00:22:19,720 Speaker 1: We were terrifying. It was like we were all down 404 00:22:19,760 --> 00:22:23,320 Speaker 1: in this pit and hanging on this field and then 405 00:22:23,359 --> 00:22:26,200 Speaker 1: they'd be like and go and yeah. They would run 406 00:22:26,280 --> 00:22:27,639 Speaker 1: you up and be like what am I doing to 407 00:22:27,760 --> 00:22:29,399 Speaker 1: go down the other side, and you look at the 408 00:22:29,440 --> 00:22:31,639 Speaker 1: other side, it was like straight down. 409 00:22:31,720 --> 00:22:36,080 Speaker 2: Yeah, okay, I know. No, it was rugged. For everybody 410 00:22:36,119 --> 00:22:40,640 Speaker 2: who thought it's fine like filming, it was just me. No. 411 00:22:40,840 --> 00:22:45,560 Speaker 2: It was very rugged. And because there were always so 412 00:22:45,640 --> 00:22:47,840 Speaker 2: many people in every scene, it was kind of like 413 00:22:48,119 --> 00:22:51,400 Speaker 2: you had to fend for yourself. I don't think I did. 414 00:22:51,720 --> 00:22:55,520 Speaker 2: I mean I did one scene, the scene where Emily 415 00:22:55,560 --> 00:22:59,040 Speaker 2: Shulman's character gives my character money because I can't afford 416 00:22:59,160 --> 00:23:03,200 Speaker 2: are like hatches feet or something, and there were three 417 00:23:03,240 --> 00:23:05,240 Speaker 2: of us in that scene. It was me, Shelley and Emily, 418 00:23:05,520 --> 00:23:07,960 Speaker 2: and I was like, Oh, finally a scene that doesn't 419 00:23:07,960 --> 00:23:12,040 Speaker 2: have fifteen people in it. It was. It was just crazy. 420 00:23:12,040 --> 00:23:14,200 Speaker 2: It was like a mosh pit every time we shot 421 00:23:14,200 --> 00:23:14,639 Speaker 2: a scene. 422 00:23:15,960 --> 00:23:18,399 Speaker 1: Really was, but it was. 423 00:23:19,000 --> 00:23:22,239 Speaker 2: It was such a cool movie to be a part of. 424 00:23:22,760 --> 00:23:24,919 Speaker 2: Had you done what did you done before that? You 425 00:23:24,960 --> 00:23:27,040 Speaker 2: had done your dad's stuff, So you've done like just. 426 00:23:27,080 --> 00:23:29,080 Speaker 1: Like guest spots from the guest spots. 427 00:23:29,160 --> 00:23:30,439 Speaker 2: So this was your first movie? 428 00:23:30,720 --> 00:23:36,280 Speaker 1: Yeah, yeah, I was so excited. Oh my gosh. Yeah. 429 00:23:36,320 --> 00:23:38,679 Speaker 2: It was fun. And we really did shoot over like 430 00:23:38,680 --> 00:23:39,919 Speaker 2: I want to say, like three months. 431 00:23:40,840 --> 00:23:44,479 Speaker 1: It was a long shoot. So I went to regular 432 00:23:44,480 --> 00:23:46,600 Speaker 1: school at the time and it was my entire sum 433 00:23:47,680 --> 00:23:51,480 Speaker 1: oh right, right, right, which I was fine with. Give 434 00:23:51,520 --> 00:23:55,720 Speaker 1: me more, give me more. Wait. Have you heard about 435 00:23:55,720 --> 00:23:58,200 Speaker 1: them doing another a remake of it? 436 00:23:59,320 --> 00:24:01,800 Speaker 2: No? I mean I hear like every once in a while, 437 00:24:02,040 --> 00:24:04,920 Speaker 2: it hasn't seemed serious. Have you heard something serious? 438 00:24:06,240 --> 00:24:09,520 Speaker 1: No? But I find it odd that's the question I 439 00:24:09,520 --> 00:24:11,040 Speaker 1: get the most, like is there ever going to be 440 00:24:11,080 --> 00:24:15,680 Speaker 1: another one? I'm like, why did they never remake that movie? 441 00:24:15,720 --> 00:24:16,680 Speaker 1: Of sorts? 442 00:24:17,200 --> 00:24:19,639 Speaker 2: I have no idea. I actually think it would be 443 00:24:19,680 --> 00:24:20,959 Speaker 2: a really fun one to remake. 444 00:24:21,520 --> 00:24:25,120 Speaker 1: I agree, and I feel like four five years ago 445 00:24:25,480 --> 00:24:29,560 Speaker 1: when I inquired, they said it was some huge producer 446 00:24:29,760 --> 00:24:33,000 Speaker 1: was coming in, like someone that had done what had 447 00:24:33,000 --> 00:24:36,199 Speaker 1: he done, like Mulan Rouge and like I don't know, 448 00:24:37,280 --> 00:24:40,080 Speaker 1: like a big, big director and producer, and they were 449 00:24:40,119 --> 00:24:41,200 Speaker 1: going to make it a musical. 450 00:24:42,480 --> 00:24:47,119 Speaker 2: Oh really, I think that would be really fun. 451 00:24:47,960 --> 00:24:48,840 Speaker 1: It would be fun. 452 00:24:49,280 --> 00:24:51,400 Speaker 2: Also, the thing that's so fun is all the cameos 453 00:24:51,720 --> 00:24:56,000 Speaker 2: in that, like Franky in a net are like running 454 00:24:56,040 --> 00:24:59,360 Speaker 2: by at the Beverly Hills Hotel and like Cheech Marin 455 00:24:59,560 --> 00:25:03,560 Speaker 2: is at the party. Like there there are some really 456 00:25:03,720 --> 00:25:06,320 Speaker 2: fun opportunities for cameos. I am surprised. 457 00:25:06,359 --> 00:25:08,280 Speaker 1: I assreciate it. Same. 458 00:25:09,080 --> 00:25:11,600 Speaker 2: And they remade our other movie that we did, which 459 00:25:11,680 --> 00:25:13,840 Speaker 2: is also a cult class for them. 460 00:25:13,720 --> 00:25:19,000 Speaker 1: And they remade, well, we should look into see if 461 00:25:19,000 --> 00:25:21,960 Speaker 1: they're remaking it. We should, we should remake it. 462 00:25:22,400 --> 00:25:23,800 Speaker 2: We should. Well, let's just do it. 463 00:25:24,080 --> 00:25:26,600 Speaker 1: Yeah, let's just do it. Yes,