1 00:00:03,040 --> 00:00:09,360 Speaker 1: Welcome to Before Breakfast, a production of iHeartRadio. Good Morning. 2 00:00:10,640 --> 00:00:16,239 Speaker 1: This is Laura. Welcome to the Before Breakfast podcast. Today's 3 00:00:16,280 --> 00:00:21,040 Speaker 1: tip is to map out your timeline. By figuring out 4 00:00:21,160 --> 00:00:24,280 Speaker 1: all the steps in a project and when you might 5 00:00:24,320 --> 00:00:26,840 Speaker 1: be able to do each step, you can have a 6 00:00:26,960 --> 00:00:31,680 Speaker 1: much better sense of whether something is doable and you 7 00:00:31,680 --> 00:00:34,640 Speaker 1: will have a much better shot at success if you 8 00:00:34,760 --> 00:00:40,160 Speaker 1: do give the project a whirl. We are coming toward 9 00:00:40,200 --> 00:00:43,479 Speaker 1: the end of this year, which means I am nearing 10 00:00:43,520 --> 00:00:47,000 Speaker 1: the end of this year's project of listening to all 11 00:00:47,040 --> 00:00:51,199 Speaker 1: the works of Bach. I have really enjoyed doing this project. 12 00:00:51,960 --> 00:00:56,920 Speaker 1: But key to making this project work was having a plan. First, 13 00:00:56,960 --> 00:00:59,279 Speaker 1: I needed to know that there were one thousand and 14 00:00:59,360 --> 00:01:04,160 Speaker 1: eighty works in the official BWV catalog. There are a 15 00:01:04,160 --> 00:01:07,280 Speaker 1: few more fragments and lost works and misattributed works, but 16 00:01:07,920 --> 00:01:11,760 Speaker 1: we don't need to become esoteric scholars here. One thousand 17 00:01:11,800 --> 00:01:16,119 Speaker 1: and eighty sounded good enough. Then I needed to know 18 00:01:16,160 --> 00:01:20,480 Speaker 1: how to split the listening each day. Well, theoretically, you 19 00:01:20,520 --> 00:01:23,759 Speaker 1: could just do three each day. Some of Bach's works 20 00:01:23,800 --> 00:01:26,880 Speaker 1: are much longer than others, and some of the long 21 00:01:26,920 --> 00:01:29,120 Speaker 1: ones are right next to each other in the catalog. 22 00:01:30,280 --> 00:01:33,560 Speaker 1: Listening to the Saint Matthew's Passion in Saint John's Passion 23 00:01:33,680 --> 00:01:36,960 Speaker 1: back to back would be more than four hours of listening, 24 00:01:37,959 --> 00:01:41,280 Speaker 1: whereas listening to three chorals back to back might be 25 00:01:41,360 --> 00:01:47,440 Speaker 1: less than three minutes. So probably marching straight through wouldn't work. 26 00:01:48,760 --> 00:01:52,639 Speaker 1: I also realized that I would like some variety. Bach 27 00:01:52,720 --> 00:01:58,640 Speaker 1: wrote choral works, organ works, orchestral works, but the BWV 28 00:01:58,760 --> 00:02:01,440 Speaker 1: numbers put all of the world works of a kind together. 29 00:02:02,800 --> 00:02:07,160 Speaker 1: So I created a schedule assigning myself different BWV numbers 30 00:02:07,200 --> 00:02:10,760 Speaker 1: from different parts of the catalog each day, which totaled 31 00:02:10,760 --> 00:02:14,240 Speaker 1: about thirty to forty minutes of listening. How did I 32 00:02:14,280 --> 00:02:18,440 Speaker 1: know the listening time. I searched for each BWV number 33 00:02:19,120 --> 00:02:23,639 Speaker 1: and saw how long the performances were. Creating this calendar 34 00:02:24,520 --> 00:02:28,120 Speaker 1: took a fair amount of work, but I would do 35 00:02:28,520 --> 00:02:30,480 Speaker 1: one to two months at a time so it was 36 00:02:30,520 --> 00:02:34,320 Speaker 1: never overwhelming. Then I would just spot check that I 37 00:02:34,360 --> 00:02:37,440 Speaker 1: was on track. After two months, would I have been 38 00:02:37,520 --> 00:02:41,360 Speaker 1: listening to about a sixth of the catalog? In any case, 39 00:02:41,440 --> 00:02:45,680 Speaker 1: The upside of having detailed assignments for each day was 40 00:02:45,680 --> 00:02:48,720 Speaker 1: that after all of that, the project was pretty easy 41 00:02:48,720 --> 00:02:52,040 Speaker 1: to stick to. On any given day, I am not 42 00:02:52,160 --> 00:02:55,120 Speaker 1: deciding what to listen to or how much to listen to. 43 00:02:56,320 --> 00:02:58,919 Speaker 1: I am just listening to a violin sonata and a 44 00:02:58,960 --> 00:03:03,640 Speaker 1: few corals today and something else tomorrow. At this point, 45 00:03:04,120 --> 00:03:09,399 Speaker 1: I've listened to almost everything. I think if you're going 46 00:03:09,400 --> 00:03:12,320 Speaker 1: to do any sort of project like this, you need 47 00:03:12,639 --> 00:03:17,000 Speaker 1: a detailed roadmap. I interviewed someone recently who was visiting 48 00:03:17,080 --> 00:03:22,160 Speaker 1: all of America's national parks. This required a detailed outline 49 00:03:22,200 --> 00:03:24,399 Speaker 1: of how many days it takes to see each one, 50 00:03:25,000 --> 00:03:28,959 Speaker 1: which are close, and which require lots of advanced reservations, 51 00:03:29,560 --> 00:03:33,120 Speaker 1: and which are a little bit more accessible. But doing 52 00:03:33,160 --> 00:03:37,960 Speaker 1: that meant that such a comprehensive project was actually doable 53 00:03:38,640 --> 00:03:43,280 Speaker 1: over a few summers. Likewise, folks who are participating in 54 00:03:43,760 --> 00:03:47,480 Speaker 1: National Novel Writing Month in November know that you need 55 00:03:47,520 --> 00:03:50,760 Speaker 1: to crank out fifty thousand words in a month. But 56 00:03:50,840 --> 00:03:52,960 Speaker 1: this is much more doable if you know that this 57 00:03:53,040 --> 00:03:56,360 Speaker 1: is sixteen hundred and sixty seven words on each of 58 00:03:56,400 --> 00:03:59,360 Speaker 1: thirty days, or two thousand words a day if you 59 00:03:59,400 --> 00:04:02,280 Speaker 1: plan to work to twenty five days taking the five 60 00:04:02,360 --> 00:04:05,480 Speaker 1: Sundays off, or twenty five hundred words a day if 61 00:04:05,520 --> 00:04:08,880 Speaker 1: you plan to take Saturdays and Sundays off if you 62 00:04:08,920 --> 00:04:11,520 Speaker 1: don't know your expected daily word count. On the other hand, 63 00:04:12,200 --> 00:04:15,640 Speaker 1: it's going to be a lot harder. Now, twenty five 64 00:04:15,720 --> 00:04:18,440 Speaker 1: hundred words a day might sound like a lot. That 65 00:04:18,520 --> 00:04:21,960 Speaker 1: means you are writing twenty five hundred words on Thanksgiving. 66 00:04:23,200 --> 00:04:25,880 Speaker 1: And if that does sound like a lot, well, maybe 67 00:04:25,880 --> 00:04:28,440 Speaker 1: you decide that you don't actually want to start this 68 00:04:28,520 --> 00:04:32,520 Speaker 1: project and then give up somewhere in the middle. And 69 00:04:32,600 --> 00:04:35,960 Speaker 1: that is a rational choice. But if you see where 70 00:04:36,000 --> 00:04:38,920 Speaker 1: you can fit twenty five hundred words a day into 71 00:04:38,960 --> 00:04:42,679 Speaker 1: your life, and you know that this is your expected pace, 72 00:04:43,839 --> 00:04:49,920 Speaker 1: you stand a pretty good chance of succeeding. Maps help 73 00:04:50,000 --> 00:04:53,760 Speaker 1: us get where we are going. We see how far 74 00:04:53,920 --> 00:04:55,840 Speaker 1: we need to go and how much time it will take. 75 00:04:57,080 --> 00:05:01,520 Speaker 1: That helps us make more rational choices. Most people understand 76 00:05:01,520 --> 00:05:05,520 Speaker 1: that you cannot drive five hundred miles and five hours 77 00:05:06,160 --> 00:05:09,240 Speaker 1: best case scenario, that is a nine to ten hour trip. 78 00:05:10,120 --> 00:05:11,960 Speaker 1: If you know where you will stop for lunch and 79 00:05:12,040 --> 00:05:15,320 Speaker 1: stop to stretch your legs along the road, you will 80 00:05:15,320 --> 00:05:18,640 Speaker 1: find it all more doable than if it looks like 81 00:05:18,760 --> 00:05:22,800 Speaker 1: just a huge number of miles. So if you are 82 00:05:22,800 --> 00:05:28,240 Speaker 1: contemplating any big project, map out your timeline. What do 83 00:05:28,320 --> 00:05:31,040 Speaker 1: you need to do when? How much do you need 84 00:05:31,080 --> 00:05:32,880 Speaker 1: to get done on each day to stay on track. 85 00:05:34,279 --> 00:05:37,640 Speaker 1: You might decide not to bite off the project, but 86 00:05:37,720 --> 00:05:41,200 Speaker 1: if you do, your odds of success will be good 87 00:05:41,680 --> 00:05:46,919 Speaker 1: if you have designed the timeline well. In the meantime, 88 00:05:47,880 --> 00:05:52,640 Speaker 1: this is Laura. Thanks for listening, and here's to making 89 00:05:52,680 --> 00:06:03,080 Speaker 1: the most of our time. Thanks for listening to Before Breakfast. 90 00:06:03,640 --> 00:06:07,360 Speaker 1: If you've got questions, ideas, or feedback, you can reach 91 00:06:07,440 --> 00:06:17,120 Speaker 1: me at Laura at Laura vandercam dot com. Before Breakfast 92 00:06:17,160 --> 00:06:21,440 Speaker 1: is a production of iHeartMedia. For more podcasts from iHeartMedia, 93 00:06:21,480 --> 00:06:25,520 Speaker 1: please visit the iHeartRadio app, Apple Podcasts, or wherever you 94 00:06:25,560 --> 00:06:26,840 Speaker 1: listen to your favorite shows.