1 00:00:00,600 --> 00:00:07,920 Speaker 1: I'm real people, real celebrity joined the Breakfast Morning. Everybody 2 00:00:08,000 --> 00:00:10,920 Speaker 1: is DJ Envy, Angela Yee, Scharlaman the guy. We are 3 00:00:11,000 --> 00:00:13,880 Speaker 1: the Breakfast Club. We got a special guest joining us 4 00:00:13,920 --> 00:00:16,640 Speaker 1: this morning. Us right the legendary comment comments in the 5 00:00:16,680 --> 00:00:18,880 Speaker 1: build the morning sir Peace Peace, what's up? Yea not 6 00:00:18,960 --> 00:00:21,160 Speaker 1: comment before you walked in and said, man comments one 7 00:00:21,160 --> 00:00:32,839 Speaker 1: of those people. I'm scared of his eyes crazyfidence. I 8 00:00:32,920 --> 00:00:35,040 Speaker 1: think by the said comment is one of those individuals 9 00:00:35,120 --> 00:00:37,360 Speaker 1: you don't play with. He has that eye that that like, 10 00:00:37,400 --> 00:00:39,479 Speaker 1: I'm from Chicago and now you can die to night, 11 00:00:41,560 --> 00:00:44,000 Speaker 1: I said. I interviewed a lot of people comment has 12 00:00:44,040 --> 00:00:51,600 Speaker 1: that eye music soul child got that. That's a different 13 00:00:52,840 --> 00:00:55,160 Speaker 1: But welcome to the show, sir Man, Thank you. I'm 14 00:00:55,160 --> 00:00:56,960 Speaker 1: glad to be here. What's up? Man? Or he just 15 00:00:57,000 --> 00:00:59,040 Speaker 1: saw the interview off like this? Before the people shot 16 00:00:59,040 --> 00:01:01,760 Speaker 1: in Chicago this past weekend fourth of July, it was 17 00:01:01,800 --> 00:01:03,520 Speaker 1: like seventy shot. What the hell is going on in 18 00:01:03,520 --> 00:01:05,960 Speaker 1: your city? Man? Man, it's just tough out there. Man, 19 00:01:06,000 --> 00:01:09,000 Speaker 1: it's been like guns is everywhere. That's the way cast 20 00:01:09,080 --> 00:01:11,440 Speaker 1: think that that's the way they think they should handle it. 21 00:01:11,520 --> 00:01:13,679 Speaker 1: Is like man, I'm got to pop this cat. That's 22 00:01:13,720 --> 00:01:15,920 Speaker 1: that's just the way the youngest's been raised. Now, that's 23 00:01:15,920 --> 00:01:18,200 Speaker 1: what they know. So you know, we on a mission 24 00:01:18,360 --> 00:01:20,679 Speaker 1: to stop that. That's what I'm on. Like, that's my 25 00:01:20,760 --> 00:01:24,400 Speaker 1: whole mission for now to forever. I'm on that. How 26 00:01:25,440 --> 00:01:27,800 Speaker 1: I mean, it just seems so violent out there. Man, 27 00:01:27,800 --> 00:01:29,720 Speaker 1: it's gonna it's it's gonna take a thing. It's gonna 28 00:01:29,720 --> 00:01:31,640 Speaker 1: take a lot. Man. I ain't got all the answers, 29 00:01:31,640 --> 00:01:34,959 Speaker 1: but I know for sure like giving short these jobs 30 00:01:35,000 --> 00:01:37,000 Speaker 1: because I'd be around like some of the youngest and 31 00:01:37,040 --> 00:01:39,920 Speaker 1: they like, man, we gotta get money. And you know 32 00:01:40,280 --> 00:01:42,319 Speaker 1: when they get jobs, they're like, okay, man, maybe I 33 00:01:42,319 --> 00:01:43,959 Speaker 1: ain't got to go out here and do no hustling. 34 00:01:44,000 --> 00:01:45,920 Speaker 1: I ain't gotta be on the street. So that's one 35 00:01:45,920 --> 00:01:48,080 Speaker 1: thing to help me. And Kanye did this something with 36 00:01:48,560 --> 00:01:51,640 Speaker 1: our foundations where we helped get twenty thousand jobs for 37 00:01:51,840 --> 00:01:54,240 Speaker 1: kids in Chicago. But then this program. You know, think 38 00:01:54,280 --> 00:01:57,120 Speaker 1: about when we were being raised, we had stuff to do. Man, 39 00:01:57,160 --> 00:02:00,600 Speaker 1: we could play ball, go whatever, play baseball, do something. Man. 40 00:02:00,640 --> 00:02:03,000 Speaker 1: You just gotta have something for them to do this productive. 41 00:02:03,080 --> 00:02:04,760 Speaker 1: I like, did you acknowledge it's a problem because a 42 00:02:04,800 --> 00:02:06,280 Speaker 1: lot of people in Chicago you talk to them and 43 00:02:06,280 --> 00:02:08,480 Speaker 1: they'd be like, it ain't that bad here. Stop believing 44 00:02:08,480 --> 00:02:10,440 Speaker 1: everything you see on the news. Nah, man, I just 45 00:02:10,520 --> 00:02:14,000 Speaker 1: left there yesterday and it was like, man, a little 46 00:02:14,000 --> 00:02:16,160 Speaker 1: eleven year old girl just got killed. You having to 47 00:02:16,160 --> 00:02:18,919 Speaker 1: sleepover now, it's a problem. Gee, Like when you got 48 00:02:19,240 --> 00:02:22,600 Speaker 1: just innocent people getting shot. People thinking like man, everybody 49 00:02:22,680 --> 00:02:25,359 Speaker 1: rolling around with guns. It's like, no, that's a problem, man. 50 00:02:25,440 --> 00:02:27,640 Speaker 1: You can't ain't can't nobody be proud of that. And 51 00:02:27,680 --> 00:02:29,080 Speaker 1: I said, when you go in the neighborhoods and you 52 00:02:29,080 --> 00:02:31,239 Speaker 1: see this a lot of houses that are abandoned or 53 00:02:31,280 --> 00:02:32,880 Speaker 1: burnt down, it's like, when are they gonna fix up 54 00:02:32,880 --> 00:02:35,639 Speaker 1: the neighborhood too? Yeah, man, it's it's I ain't a lie. 55 00:02:35,639 --> 00:02:37,840 Speaker 1: When I go home sometimes be like it's sad to me. 56 00:02:37,880 --> 00:02:40,760 Speaker 1: I ride around my old neighborhood and it's like, man, man, 57 00:02:40,800 --> 00:02:43,120 Speaker 1: this is how it is. But you know, like like 58 00:02:43,120 --> 00:02:45,120 Speaker 1: I said, we're making moves. I always try to look 59 00:02:45,120 --> 00:02:47,360 Speaker 1: at the positive, be like, man, we're about to change this, 60 00:02:47,520 --> 00:02:49,680 Speaker 1: you know. So that's what it is that you know, 61 00:02:49,880 --> 00:02:52,120 Speaker 1: I'm teaming up with people that's that's in the field 62 00:02:52,160 --> 00:02:54,440 Speaker 1: because there's people out there doing that work every day, 63 00:02:54,560 --> 00:02:56,639 Speaker 1: you know, so I'm teaming up with them too. Yeah, 64 00:02:56,639 --> 00:02:59,520 Speaker 1: we got superintendents from Chicago want us to come talking 65 00:02:59,560 --> 00:03:02,280 Speaker 1: to school. I'm scared, man. No, man, we need y'all 66 00:03:02,280 --> 00:03:06,680 Speaker 1: to come talk. You think about my eyes looking crazy 67 00:03:06,680 --> 00:03:09,360 Speaker 1: when you see what I'm showing, like yo, I mean, 68 00:03:09,400 --> 00:03:12,040 Speaker 1: but really, when you get around some people, you kind 69 00:03:12,040 --> 00:03:14,679 Speaker 1: of see, you know, people stop, they'd be happy to see. 70 00:03:14,800 --> 00:03:16,800 Speaker 1: They'd be happy to see y'all man. And when and 71 00:03:16,800 --> 00:03:19,639 Speaker 1: when they see people like yourself or you know, like 72 00:03:19,840 --> 00:03:21,760 Speaker 1: they feel like they can do something because that's all 73 00:03:21,760 --> 00:03:24,359 Speaker 1: it is. Sometimes it's just something that they're seeing somebody 74 00:03:24,400 --> 00:03:26,200 Speaker 1: that made it, man, because think about it. There they 75 00:03:26,200 --> 00:03:29,239 Speaker 1: ain't around nobody that's it's doing nothing. But they got brocked. 76 00:03:29,240 --> 00:03:35,760 Speaker 1: They got that's very true. But they don't see that 77 00:03:35,800 --> 00:03:38,720 Speaker 1: all the time. And sometimes it's just like man, they 78 00:03:38,760 --> 00:03:41,000 Speaker 1: think you so distanced. I remember I did this song 79 00:03:41,040 --> 00:03:43,600 Speaker 1: with this girl Drezy from from the Crib and she 80 00:03:43,720 --> 00:03:45,600 Speaker 1: on the album and stuff. But um, and when I 81 00:03:45,640 --> 00:03:48,560 Speaker 1: did it, like some some some people call me like man, 82 00:03:48,600 --> 00:03:50,080 Speaker 1: I feel like, I mean, they call it really something 83 00:03:50,040 --> 00:03:51,400 Speaker 1: of my guys, And I was like man, I feel 84 00:03:51,440 --> 00:03:53,680 Speaker 1: like we can make it your boy comment messing with Drezy. 85 00:03:53,920 --> 00:03:56,840 Speaker 1: It's just like sometimes you think they think Oprah is 86 00:03:56,880 --> 00:04:00,240 Speaker 1: just a distance, you know, like a president. Yeah she 87 00:04:00,400 --> 00:04:09,080 Speaker 1: is party op Yeah, bro, we just did I don't know, 88 00:04:09,120 --> 00:04:14,280 Speaker 1: I don't know about this, but she might have. Yeah. 89 00:04:15,040 --> 00:04:18,320 Speaker 1: So the name the album is Nobody's Smiling. Is that 90 00:04:18,400 --> 00:04:20,680 Speaker 1: anything to do with Chicago? Yeah, that's what That's what 91 00:04:20,760 --> 00:04:24,280 Speaker 1: that's for. That's it's really talking about the situation in Chicago. 92 00:04:24,360 --> 00:04:26,480 Speaker 1: And uh, like I said, it's a call to action 93 00:04:26,600 --> 00:04:29,039 Speaker 1: more than just being like, hey, we're gonna stay like this. 94 00:04:29,120 --> 00:04:31,520 Speaker 1: Of course that came from that rock Himp thought, you know, 95 00:04:31,600 --> 00:04:34,680 Speaker 1: from the ghetto and he said Nobody Smiling. But you know, 96 00:04:34,720 --> 00:04:36,440 Speaker 1: it was just it was just me and no idea 97 00:04:36,480 --> 00:04:38,920 Speaker 1: discussing what we could do to give back because I 98 00:04:38,920 --> 00:04:43,080 Speaker 1: feel like I've always represented Chicago, but I could do more. 99 00:04:43,200 --> 00:04:45,320 Speaker 1: You know, I got my foundation, I got different things. 100 00:04:45,320 --> 00:04:47,240 Speaker 1: But it's like when you see what's going on, you 101 00:04:47,279 --> 00:04:49,400 Speaker 1: feel like, man, I gotta do more. You know. You 102 00:04:49,440 --> 00:04:51,760 Speaker 1: did a lot of collaborations with artists from Chicago as 103 00:04:51,760 --> 00:04:54,560 Speaker 1: well a lot of the upcoming artists from Chicago. So 104 00:04:54,680 --> 00:04:58,040 Speaker 1: that's a great thing. Yeah, like Little Herb and Treesy 105 00:04:58,200 --> 00:05:01,200 Speaker 1: and um you know, I got Bibby and Audience and 106 00:05:01,279 --> 00:05:03,760 Speaker 1: like who else g count and just dude k D. 107 00:05:04,160 --> 00:05:06,600 Speaker 1: I got all them on my cover on my album covers, 108 00:05:06,680 --> 00:05:09,320 Speaker 1: like I did different versions just saying hey, man, y'all 109 00:05:09,360 --> 00:05:11,320 Speaker 1: because you know, one thing was like they were looking 110 00:05:11,360 --> 00:05:13,480 Speaker 1: at me like, oh man, you know you know you're acting, 111 00:05:13,520 --> 00:05:16,000 Speaker 1: you're doing this. I'm like, man, I'm here with y'all. 112 00:05:16,000 --> 00:05:18,080 Speaker 1: Like I mean, I ain't. I ain't every day in Chicago, 113 00:05:18,120 --> 00:05:20,159 Speaker 1: but I'm I'm here. I'm gonna do what I could 114 00:05:20,160 --> 00:05:22,359 Speaker 1: do to help y'all. So that's what That's what I 115 00:05:22,400 --> 00:05:23,880 Speaker 1: was going to ask that, you know what, you're doing 116 00:05:23,920 --> 00:05:26,560 Speaker 1: so much acting and your movies are successful, why do 117 00:05:26,600 --> 00:05:28,680 Speaker 1: you continue to do music like it's it's it's no 118 00:05:28,720 --> 00:05:32,359 Speaker 1: money in the music industry no more. That's no money. 119 00:05:32,720 --> 00:05:34,839 Speaker 1: It's it's harder to make money in the music industry now. 120 00:05:34,839 --> 00:05:36,440 Speaker 1: It's not like before we you know, you could go 121 00:05:36,480 --> 00:05:38,360 Speaker 1: into and make a couple hundred grand. It's just well, 122 00:05:38,360 --> 00:05:40,840 Speaker 1: it's money. When your man becomes the executive vice president 123 00:05:40,839 --> 00:05:43,880 Speaker 1: of the depth jam, let me cut this check for 124 00:05:44,000 --> 00:05:50,599 Speaker 1: you for you know, yeah, you know what's what's good 125 00:05:50,600 --> 00:05:53,479 Speaker 1: though with no id Man Like obviously I grew up 126 00:05:53,480 --> 00:05:55,880 Speaker 1: with him since fourth grade and now we you know, 127 00:05:55,920 --> 00:05:58,160 Speaker 1: we kind of went our separate ways for a second 128 00:05:58,200 --> 00:06:00,360 Speaker 1: after three albums and then we got back to together 129 00:06:00,680 --> 00:06:03,359 Speaker 1: after he's working with YA. But Man, one thing about 130 00:06:03,440 --> 00:06:05,960 Speaker 1: him being executive at the label, it's kind of I 131 00:06:06,040 --> 00:06:08,640 Speaker 1: work smarter because before you know, you being a studio 132 00:06:08,920 --> 00:06:11,560 Speaker 1: recording using up your budget. But now you know, like 133 00:06:11,600 --> 00:06:14,640 Speaker 1: you got somebody that knows how record companies work, and 134 00:06:15,080 --> 00:06:17,120 Speaker 1: it's a lot of good insight that you get from 135 00:06:17,120 --> 00:06:19,720 Speaker 1: having somebody. Plus man, they care about hip hop, him 136 00:06:19,720 --> 00:06:22,760 Speaker 1: and hip hop. They them dudes like care about the culture. 137 00:06:22,839 --> 00:06:25,080 Speaker 1: So that made me like be like, man, I definitely 138 00:06:25,080 --> 00:06:26,880 Speaker 1: want to be on Deaf Jam. It's it's like a 139 00:06:26,920 --> 00:06:31,240 Speaker 1: great place for me. If he wasn't the executive, it 140 00:06:31,279 --> 00:06:33,159 Speaker 1: just depends on who was a person that was that 141 00:06:33,279 --> 00:06:35,880 Speaker 1: was signing me really more than anything. But you know, 142 00:06:35,880 --> 00:06:37,560 Speaker 1: as soon as it because at first he was like 143 00:06:37,880 --> 00:06:40,240 Speaker 1: we was talking about it and he was like, Manna, 144 00:06:40,279 --> 00:06:42,120 Speaker 1: I might you know be the executive And I was like, 145 00:06:42,120 --> 00:06:44,280 Speaker 1: all right, we'll let me know because I was just 146 00:06:44,400 --> 00:06:46,919 Speaker 1: really for me you and you was asking why I 147 00:06:46,960 --> 00:06:48,919 Speaker 1: make music. You gotta have a purpose for me. I 148 00:06:48,960 --> 00:06:51,960 Speaker 1: gotta have like, like, what motivated me to do this 149 00:06:52,000 --> 00:06:54,240 Speaker 1: album was I was like, man, this is a chance 150 00:06:54,279 --> 00:06:56,360 Speaker 1: for me to give back for real and really talk 151 00:06:56,400 --> 00:07:00,640 Speaker 1: about what's what's going on from a different perspective. You know, 152 00:07:00,960 --> 00:07:03,480 Speaker 1: y'all here, You know, you got we got the Chief Keys, 153 00:07:03,520 --> 00:07:07,119 Speaker 1: we got Little Reefs, we got Dirk, we got Baby Chance. 154 00:07:07,200 --> 00:07:09,680 Speaker 1: It's a lot of people just talking about Chicago. But 155 00:07:09,720 --> 00:07:11,680 Speaker 1: you know, I'm gonna give a different perspective just because 156 00:07:11,720 --> 00:07:13,680 Speaker 1: of what I've seen. Was there a period of time 157 00:07:13,680 --> 00:07:15,640 Speaker 1: when you thought you and no Id wouldn't ever work 158 00:07:15,680 --> 00:07:18,400 Speaker 1: together again, because y'all really had like a major you know, 159 00:07:18,440 --> 00:07:20,720 Speaker 1: I think he felt slighted, like he wanted you to 160 00:07:20,760 --> 00:07:23,480 Speaker 1: call on him to work and you just weren't. And yeah, 161 00:07:23,560 --> 00:07:25,760 Speaker 1: I mean no, it was definitely for a while we 162 00:07:25,760 --> 00:07:28,640 Speaker 1: weren't you know, we weren't cool point blank. And uh, 163 00:07:28,720 --> 00:07:30,840 Speaker 1: I ain't know when we was going hook back up. 164 00:07:30,880 --> 00:07:32,640 Speaker 1: But it was luck, you know, it was just like, man, 165 00:07:32,680 --> 00:07:34,320 Speaker 1: he was working with ya in the studio and we 166 00:07:34,360 --> 00:07:37,320 Speaker 1: just started getting back cool. It's like somebody you know 167 00:07:37,440 --> 00:07:40,000 Speaker 1: him since fourth grade. You could always one thing when 168 00:07:40,000 --> 00:07:42,000 Speaker 1: I'm working with him, he could always go back to, like, 169 00:07:42,080 --> 00:07:44,800 Speaker 1: come on, man, you that south Side. You know you 170 00:07:44,920 --> 00:07:47,400 Speaker 1: that a guy from the crib. Man like he reminds 171 00:07:47,560 --> 00:07:50,200 Speaker 1: he reminds me of what we what we did this 172 00:07:50,280 --> 00:07:52,400 Speaker 1: for him? What were doing for you know, you still 173 00:07:52,400 --> 00:07:55,800 Speaker 1: work coosely with Kanye. Yeah, we didn't worked together in 174 00:07:55,840 --> 00:07:58,440 Speaker 1: a long time. But you know, that's my guy. But 175 00:07:58,720 --> 00:08:00,680 Speaker 1: it's like for me, I like work when ye when 176 00:08:00,680 --> 00:08:03,280 Speaker 1: he in that zone and want to work, like, I'm like, yeah, 177 00:08:03,320 --> 00:08:05,920 Speaker 1: if he you know, because he gotta be motivated. Yeah, 178 00:08:06,040 --> 00:08:07,960 Speaker 1: is that type of person that's gotta like he's been 179 00:08:07,960 --> 00:08:10,560 Speaker 1: working on his music. But you know, if he like, man, 180 00:08:10,600 --> 00:08:12,800 Speaker 1: come on, Rosch, let's do this, let's do this, then 181 00:08:12,800 --> 00:08:14,320 Speaker 1: I you know, then I'm with it. But if not, 182 00:08:14,400 --> 00:08:16,280 Speaker 1: then I'm just like, man, we're good, we're friends. We 183 00:08:16,360 --> 00:08:18,200 Speaker 1: ain't gotta work. You know, who do you think about 184 00:08:18,200 --> 00:08:19,760 Speaker 1: his ranch and stuff? You ever put them to the 185 00:08:19,800 --> 00:08:22,800 Speaker 1: side to give him some some og wisdom? Yeah, you know. 186 00:08:22,880 --> 00:08:25,480 Speaker 1: I didn't talk to him, not about not ring, because 187 00:08:25,480 --> 00:08:27,679 Speaker 1: I like the fact that you know, he's speaking his mind. 188 00:08:27,920 --> 00:08:30,560 Speaker 1: I'm like, y'all, man, speak your mind. I think it's 189 00:08:30,920 --> 00:08:33,640 Speaker 1: I think for me. It's like showing a certain courage 190 00:08:33,679 --> 00:08:35,560 Speaker 1: to go out there and just say what you're feeling. Man, 191 00:08:35,600 --> 00:08:38,360 Speaker 1: And that's what it is. He always been like that too, 192 00:08:38,400 --> 00:08:40,520 Speaker 1: So I ain't never I don't never be like man, 193 00:08:40,600 --> 00:08:42,720 Speaker 1: don't do you because he'd been he'd been like that 194 00:08:42,760 --> 00:08:45,720 Speaker 1: since I know him. He come to my basement saying 195 00:08:45,800 --> 00:08:47,640 Speaker 1: not saying some of the exact same things, but he 196 00:08:47,720 --> 00:08:50,599 Speaker 1: had just say it's whatever's on his mind. So and 197 00:08:50,920 --> 00:08:53,040 Speaker 1: my homies would be ready to box him, they'd be 198 00:08:53,080 --> 00:08:55,240 Speaker 1: ready to move up on you know. That's just but 199 00:08:55,240 --> 00:08:57,959 Speaker 1: but anyway, it's like I talked to him about this 200 00:08:58,080 --> 00:09:00,000 Speaker 1: stuff that's going on in life, and then you know, 201 00:09:00,120 --> 00:09:02,480 Speaker 1: he might gather some information, but the same token, I'll 202 00:09:02,520 --> 00:09:04,440 Speaker 1: be learning from him too. You know, did you go 203 00:09:04,480 --> 00:09:06,520 Speaker 1: to the winding? Yeah? I went to the wedding. It 204 00:09:06,559 --> 00:09:09,280 Speaker 1: was good man, man, it was real top man. It 205 00:09:09,360 --> 00:09:12,319 Speaker 1: was like simple, it felt real family. It seems simple 206 00:09:12,320 --> 00:09:17,079 Speaker 1: and all. It seemed simple. Look, you know how you 207 00:09:17,120 --> 00:09:19,600 Speaker 1: could buy something real nice, but you ain't gotta like, 208 00:09:20,080 --> 00:09:21,760 Speaker 1: you ain't gotta ball it out like you know, like 209 00:09:21,760 --> 00:09:24,480 Speaker 1: you could get a dope car you ain't gotta put on. 210 00:09:25,040 --> 00:09:27,600 Speaker 1: It was that type of sample Okay, you're influence Italy. 211 00:09:27,600 --> 00:09:29,880 Speaker 1: You're looking at this beautiful place. Well, you ain't got 212 00:09:29,960 --> 00:09:33,480 Speaker 1: to do a whole lot. They had like just simple stuff, nice, 213 00:09:33,600 --> 00:09:36,440 Speaker 1: nice wine, champagne and all that, and then you know, 214 00:09:36,520 --> 00:09:39,760 Speaker 1: just good music man. And it felt family. Man. Everybody 215 00:09:39,800 --> 00:09:42,840 Speaker 1: was having fun. Castle was wrapping, you know, at the wedding. 216 00:09:42,880 --> 00:09:45,200 Speaker 1: So that's why I'm saying it just felt simple. Went 217 00:09:45,360 --> 00:09:47,600 Speaker 1: like I was thinking, you know, I ain't know what 218 00:09:47,679 --> 00:09:49,480 Speaker 1: I ain't know what to expect to be honest, right, 219 00:09:53,679 --> 00:09:55,800 Speaker 1: but it was real cool. Man. I went, my mother 220 00:09:55,840 --> 00:09:57,720 Speaker 1: went with me and we just we just kicked it. 221 00:09:57,840 --> 00:10:00,240 Speaker 1: You think you ever get married? I don't know, man, 222 00:10:00,280 --> 00:10:02,959 Speaker 1: I was I was thinking about that last night talking 223 00:10:03,000 --> 00:10:05,120 Speaker 1: to one of my friends as lady friend. I'm like, 224 00:10:05,200 --> 00:10:08,079 Speaker 1: I don't know if if I'm marriage material maybe maybe 225 00:10:08,120 --> 00:10:12,120 Speaker 1: one day this before after you hit it. This is before. 226 00:10:13,080 --> 00:10:16,040 Speaker 1: Why would you say you're not marriage material? I mean, 227 00:10:16,080 --> 00:10:18,640 Speaker 1: I'm just like, man, I'll be focused on on my 228 00:10:18,760 --> 00:10:21,640 Speaker 1: music a lot, and and work a lot acting in 229 00:10:21,800 --> 00:10:26,040 Speaker 1: different things. So sometimes it's hard to balance with a relationship. 230 00:10:26,120 --> 00:10:29,480 Speaker 1: You know, likes kind of guy. I do like relationships, 231 00:10:29,480 --> 00:10:31,920 Speaker 1: But I'm saying a lot of times I've been in 232 00:10:31,960 --> 00:10:35,680 Speaker 1: relationships I make I mean, I don't make my best albums, 233 00:10:37,200 --> 00:10:40,959 Speaker 1: and like sometimes it's like, you know, when you're in 234 00:10:40,960 --> 00:10:43,319 Speaker 1: a relationship, put it this way, you got to find it. 235 00:10:43,679 --> 00:10:47,240 Speaker 1: I would have to find the right relationship or something. 236 00:10:47,240 --> 00:10:49,360 Speaker 1: She could produce the album. No, no, no, But I'm 237 00:10:49,400 --> 00:10:51,480 Speaker 1: just saying, a woman that understand the time you got 238 00:10:51,600 --> 00:10:53,640 Speaker 1: to give to your work, you know what I mean, 239 00:10:53,679 --> 00:10:55,600 Speaker 1: that's really more than anything, because I mean, ain't like 240 00:10:55,640 --> 00:10:57,880 Speaker 1: I'm just only doing music. It's like I'm working to 241 00:10:57,920 --> 00:11:01,000 Speaker 1: do other things. And a person got to really understand that. 242 00:11:01,160 --> 00:11:02,600 Speaker 1: I think I saw somewhere where you said you were 243 00:11:02,640 --> 00:11:04,800 Speaker 1: done with industry checks, like you wanted like to day 244 00:11:04,840 --> 00:11:07,559 Speaker 1: to teach your journalists or something. It was done, he said. 245 00:11:08,280 --> 00:11:11,079 Speaker 1: I say, I'm saying I ain't. You know, I was 246 00:11:11,160 --> 00:11:13,920 Speaker 1: kind of over for a second for show, Like second, 247 00:11:14,720 --> 00:11:19,000 Speaker 1: I don't want to be peeping on songs. So then 248 00:11:19,320 --> 00:11:21,720 Speaker 1: so so for me now it's like who you know, 249 00:11:21,800 --> 00:11:24,280 Speaker 1: if the right woman coming, if she a teacher or 250 00:11:24,880 --> 00:11:28,080 Speaker 1: or actor, actress, I'm with it. You know, I'm just 251 00:11:28,120 --> 00:11:30,160 Speaker 1: gonna look at the person more than anything. You have 252 00:11:30,160 --> 00:11:34,679 Speaker 1: a nice little roster industry chickens. Yeah, Serena Williams. That's 253 00:11:35,160 --> 00:11:51,640 Speaker 1: that's about Washington. Ain't scandals easy easy? She married that 254 00:11:51,960 --> 00:11:55,000 Speaker 1: you admitted the combat Jack. I think it was that 255 00:11:55,280 --> 00:12:00,040 Speaker 1: everybody really does got that that good good like to 256 00:12:00,200 --> 00:12:03,240 Speaker 1: know what it is. I mean, Erica got something with us, 257 00:12:03,240 --> 00:12:05,920 Speaker 1: She got something special, mankind and twisted for a little bit. 258 00:12:07,000 --> 00:12:08,319 Speaker 1: She hit you about that, like, why are you talking 259 00:12:08,320 --> 00:12:10,840 Speaker 1: about my box on on interviews? Noah, she just read 260 00:12:10,920 --> 00:12:14,080 Speaker 1: she just retweeted some good stuff, like, you know, Erica 261 00:12:14,240 --> 00:12:16,319 Speaker 1: raw girl. Man, she got a lot to us. So 262 00:12:16,600 --> 00:12:18,720 Speaker 1: she from the hood, point blank. She just one of 263 00:12:18,720 --> 00:12:23,359 Speaker 1: those people from the hood that's artsy, artistic and spiritual 264 00:12:23,400 --> 00:12:25,160 Speaker 1: and all this shit. You know, she got a lot 265 00:12:25,200 --> 00:12:26,440 Speaker 1: to us. But you can't be man when it guys 266 00:12:26,480 --> 00:12:30,600 Speaker 1: it's positive things about your box. Yea, girls, tips, she said, 267 00:12:30,640 --> 00:12:34,520 Speaker 1: drink raw cranberry juice. How you get that about? She said, 268 00:12:37,320 --> 00:12:40,800 Speaker 1: I saw a lot of veggies green juices. Yeah. Now 269 00:12:40,840 --> 00:12:43,600 Speaker 1: I also read somewhere that you were thinking about investing 270 00:12:43,600 --> 00:12:46,160 Speaker 1: in Broadway plays and and things like that. Yeah, that's 271 00:12:46,160 --> 00:12:49,040 Speaker 1: something you're considering, because I heard it's pretty rough. Yeah, No, 272 00:12:49,160 --> 00:12:51,240 Speaker 1: I want I want to do Broadway. I'm gonna do Broadway. 273 00:12:51,240 --> 00:12:53,600 Speaker 1: As an actor. But also I'm looking, you know at 274 00:12:53,600 --> 00:12:56,679 Speaker 1: producing some some Broadway plays because I'm getting into that 275 00:12:56,920 --> 00:12:59,760 Speaker 1: as far as my live performance, making it more the 276 00:13:00,080 --> 00:13:01,959 Speaker 1: tore like, you know, because it's just, man, I've been 277 00:13:02,360 --> 00:13:04,480 Speaker 1: rocking shows for a long time, so I want to 278 00:13:04,480 --> 00:13:07,400 Speaker 1: bring something new to the table for the audience too. 279 00:13:07,480 --> 00:13:11,800 Speaker 1: But pay needs you right now. Just ended Sunday and 280 00:13:12,000 --> 00:13:13,680 Speaker 1: everybody's seeing the play is pretty good, but it just 281 00:13:13,760 --> 00:13:16,160 Speaker 1: you know, I don't I don't think it's Financially they 282 00:13:16,200 --> 00:13:18,280 Speaker 1: said it, they said financially it was just really rough. 283 00:13:18,320 --> 00:13:20,480 Speaker 1: They didn't know all the things they had to pay for. 284 00:13:20,720 --> 00:13:22,640 Speaker 1: And you know, as far as getting the audience to 285 00:13:22,720 --> 00:13:25,120 Speaker 1: half a million dollars a week, hip hop on Broadway 286 00:13:25,280 --> 00:13:28,160 Speaker 1: is tough for audience. Yeah, I mean I think you gotta, 287 00:13:28,400 --> 00:13:31,400 Speaker 1: you know, bring something that's gonna have it. It's gonna 288 00:13:31,440 --> 00:13:34,320 Speaker 1: be real true. But at the Saint Token Universal, I 289 00:13:34,320 --> 00:13:35,800 Speaker 1: don't know, you know, I didn't get to see the play, 290 00:13:35,840 --> 00:13:37,720 Speaker 1: so I can't say how that play was. But I 291 00:13:37,800 --> 00:13:39,920 Speaker 1: do check out theater and that's why I want to, 292 00:13:39,920 --> 00:13:42,360 Speaker 1: you know, do some theater myself. What would you recommend 293 00:13:42,440 --> 00:13:44,320 Speaker 1: to go see your play? For? Well, all the guys 294 00:13:44,320 --> 00:13:45,920 Speaker 1: out there looking to take somebody on a date. I 295 00:13:46,000 --> 00:13:48,880 Speaker 1: go to brower all the time. What's some of your favorites. 296 00:13:49,240 --> 00:13:51,200 Speaker 1: The last thing I saw was Rocky on Broadway. I 297 00:13:51,240 --> 00:13:53,480 Speaker 1: believe how was that? It was good? I didn't like 298 00:13:53,480 --> 00:13:55,720 Speaker 1: it as a musical. I want to see Motown to musical. 299 00:13:55,880 --> 00:13:58,000 Speaker 1: I'm taking my mom to see that. My mother. I 300 00:13:58,040 --> 00:14:00,439 Speaker 1: went with my mother and my grandmother to see that. 301 00:14:00,440 --> 00:14:02,400 Speaker 1: That was a good play. I mean, a good musical. 302 00:14:02,720 --> 00:14:05,400 Speaker 1: But I like stuff to drama, like like, oh this 303 00:14:05,400 --> 00:14:07,559 Speaker 1: this is this play called Death of a Salesman. It's 304 00:14:07,600 --> 00:14:11,199 Speaker 1: like an old classic play and Philip seymo Hoffman was 305 00:14:11,240 --> 00:14:13,679 Speaker 1: in that. Before you pass I went and seeing Seeing 306 00:14:13,720 --> 00:14:15,560 Speaker 1: Now I'm going to see I'm going to see this 307 00:14:15,559 --> 00:14:18,240 Speaker 1: one called Cabaret. This lady named Michel Ways. You know, 308 00:14:18,320 --> 00:14:20,400 Speaker 1: I'll be into the different things because as an actor, 309 00:14:20,440 --> 00:14:23,720 Speaker 1: I gotta keep learning too and keep growing. So that's 310 00:14:23,720 --> 00:14:25,880 Speaker 1: why I'll be checking out everything. As you as you 311 00:14:25,920 --> 00:14:28,800 Speaker 1: get older, do you look for other ways to perform 312 00:14:28,840 --> 00:14:30,440 Speaker 1: as an artist? Because I always saying you're one of 313 00:14:30,440 --> 00:14:32,520 Speaker 1: the artists that as you grow, you're not gonna look 314 00:14:32,520 --> 00:14:35,240 Speaker 1: stupid performing the songs you got. Yeah you know, yeah, yeah, yeah, 315 00:14:35,240 --> 00:14:38,200 Speaker 1: I feel you on that. Uh. I actually have been 316 00:14:38,240 --> 00:14:40,800 Speaker 1: like I've been growing with my performance because I used 317 00:14:40,880 --> 00:14:43,560 Speaker 1: I used to just like jump, just feel the energy 318 00:14:43,560 --> 00:14:46,440 Speaker 1: and jump up. But now like lately, I've been understanding 319 00:14:46,480 --> 00:14:49,720 Speaker 1: that the presentation go like you give it that drama 320 00:14:49,760 --> 00:14:51,720 Speaker 1: and stuff, you know, and that's part of that is 321 00:14:51,720 --> 00:14:54,280 Speaker 1: coming from me just understanding what the story is. And 322 00:14:54,760 --> 00:14:57,360 Speaker 1: so now my live performance sometimes I'm just like, man, 323 00:14:57,800 --> 00:14:59,360 Speaker 1: you know, I might do a song sitting on the 324 00:14:59,360 --> 00:15:01,560 Speaker 1: stool for second and then just come out and then 325 00:15:01,720 --> 00:15:04,080 Speaker 1: just get live on another turn up on another song 326 00:15:04,160 --> 00:15:07,120 Speaker 1: then you know. So yeah, my performance is definitely growing. 327 00:15:07,120 --> 00:15:09,560 Speaker 1: And it's like you said, I want to make music 328 00:15:09,640 --> 00:15:12,920 Speaker 1: that like when I'm sixty years old, I could be like, man, 329 00:15:13,000 --> 00:15:15,040 Speaker 1: this song was cold, and I'm still could rocket. I 330 00:15:15,120 --> 00:15:16,880 Speaker 1: was surprised when I seen you perform, and I'm surprised 331 00:15:16,920 --> 00:15:18,640 Speaker 1: a lot of people don't talk about your performance because 332 00:15:18,960 --> 00:15:20,720 Speaker 1: you go from, like you said, sitting on the stool 333 00:15:20,720 --> 00:15:22,160 Speaker 1: to break dancing in the middle of the set, and 334 00:15:22,240 --> 00:15:27,560 Speaker 1: I'm like, you ain't gonna be doing that when you're six. Yeah, 335 00:15:27,640 --> 00:15:30,120 Speaker 1: but I mean, but you know, that's I feel like 336 00:15:30,200 --> 00:15:33,200 Speaker 1: a show. I've seen seen people doing great shows like 337 00:15:33,480 --> 00:15:35,280 Speaker 1: you know, I used to see Big Daddy Kane and 338 00:15:35,680 --> 00:15:38,280 Speaker 1: care Us one and shoot, I've seen the Jackson five 339 00:15:38,360 --> 00:15:40,320 Speaker 1: when I was a short. That was my first concert. 340 00:15:40,640 --> 00:15:43,560 Speaker 1: So it was like, Man, I think about shows and 341 00:15:43,560 --> 00:15:46,280 Speaker 1: they I really, you know, want to perform. And one 342 00:15:46,320 --> 00:15:49,040 Speaker 1: thing I know I gotta do is like in performances, 343 00:15:49,320 --> 00:15:52,080 Speaker 1: some some songs. Sometimes I'm doing shows, ain't like the 344 00:15:52,120 --> 00:15:55,240 Speaker 1: crowd know all my songs. Sometimes they do, but when 345 00:15:55,240 --> 00:15:57,560 Speaker 1: they don't, you gotta you gotta win them over. So 346 00:15:57,600 --> 00:16:00,120 Speaker 1: it's got to be in the performance. Then then just 347 00:16:00,240 --> 00:16:02,120 Speaker 1: like you know, if I had all just all hits, 348 00:16:02,160 --> 00:16:04,280 Speaker 1: it would be a different thing. But but I still 349 00:16:04,280 --> 00:16:06,200 Speaker 1: want to give a performance just because of where I 350 00:16:06,280 --> 00:16:09,080 Speaker 1: come from. You know. Now you reacted to Marvel Comics 351 00:16:09,120 --> 00:16:11,360 Speaker 1: andnown seen that there's a black Captain America. You said 352 00:16:11,360 --> 00:16:13,640 Speaker 1: you thought it was a great thing. And I remember 353 00:16:13,640 --> 00:16:15,840 Speaker 1: at one point you were supposed to play a green 354 00:16:15,920 --> 00:16:20,320 Speaker 1: lantern before. Yeah, man, yeah, I was. I was a 355 00:16:20,320 --> 00:16:22,200 Speaker 1: green lantern for a minute because we was doing the 356 00:16:22,240 --> 00:16:24,960 Speaker 1: movie Justice League or you had the gig. Yeah, I 357 00:16:24,960 --> 00:16:27,840 Speaker 1: had a gig I had. We went down to Australia 358 00:16:28,120 --> 00:16:30,200 Speaker 1: and man, I had to suit on and everything it 359 00:16:30,280 --> 00:16:36,200 Speaker 1: was like I was ready, man, but I mean, you know, 360 00:16:36,240 --> 00:16:38,160 Speaker 1: I was gig because I was like man at that time, 361 00:16:38,280 --> 00:16:40,680 Speaker 1: this was two thousand and eight. I was like, man, 362 00:16:40,720 --> 00:16:43,760 Speaker 1: it ain't really black superheroes out there. And this dude 363 00:16:43,760 --> 00:16:46,040 Speaker 1: that was it was a Latino brother too, that was 364 00:16:46,520 --> 00:16:49,240 Speaker 1: playing He was playing Superman. And at the time we 365 00:16:49,280 --> 00:16:51,800 Speaker 1: was like, man, black and Latino kids go see us 366 00:16:52,160 --> 00:16:54,120 Speaker 1: and be like, damn, I could be a superhero because 367 00:16:54,160 --> 00:16:56,800 Speaker 1: you think about a lot of superheroes ain't seeing it's 368 00:16:56,800 --> 00:16:59,560 Speaker 1: just only white. So anyway, it was one of those 369 00:16:59,600 --> 00:17:02,400 Speaker 1: things that it didn't the movie didn't go after a minute. 370 00:17:02,720 --> 00:17:05,440 Speaker 1: But if it come back around, hopefully I'll do. You know, well, no, 371 00:17:05,520 --> 00:17:07,240 Speaker 1: it's coming out. They're doing it. They starting with the 372 00:17:07,600 --> 00:17:10,040 Speaker 1: Batman versus Superman, introducing a lot of the Justice League 373 00:17:10,040 --> 00:17:11,639 Speaker 1: and that they supposed to do the movie in like 374 00:17:11,720 --> 00:17:14,359 Speaker 1: twenty sixteen or so. I'm just hoping they used the 375 00:17:14,720 --> 00:17:19,960 Speaker 1: black green landish Yeah, Superman, that would be That would 376 00:17:19,960 --> 00:17:21,960 Speaker 1: be dope. But now they already got that Superman, so 377 00:17:21,960 --> 00:17:24,280 Speaker 1: they probably gonna use that Superman. They gotta have some 378 00:17:24,359 --> 00:17:26,600 Speaker 1: Spanish cast in it somewhere. Man, how did they tell 379 00:17:26,600 --> 00:17:27,880 Speaker 1: you that, Joe, You're just you're not gonna be green 380 00:17:27,920 --> 00:17:30,280 Speaker 1: Landing no more. Now. Now, what happened was the movie 381 00:17:30,600 --> 00:17:33,400 Speaker 1: just didn't then it fell apart with where it just 382 00:17:33,400 --> 00:17:36,520 Speaker 1: didn't golf because it was a writer strike at the time, 383 00:17:36,520 --> 00:17:39,240 Speaker 1: and they was like, nah, but but really the truth 384 00:17:39,320 --> 00:17:42,080 Speaker 1: I heard that, you know, the people that were doing 385 00:17:42,400 --> 00:17:44,760 Speaker 1: behind Batman was like, we don't want to have no 386 00:17:44,840 --> 00:17:48,120 Speaker 1: Justice League come out before we finished the Batman trilogy. So, 387 00:17:48,160 --> 00:17:51,040 Speaker 1: I mean, I understand that he's ruining that whole franchise. Man, 388 00:17:51,200 --> 00:17:54,000 Speaker 1: he sucks. Yeah, they I mean, I'm a Marvel guy. Yeah, 389 00:17:54,040 --> 00:18:05,400 Speaker 1: your mother green chattered on his own. Absolutely, mane that's 390 00:18:05,400 --> 00:18:08,920 Speaker 1: your favorite. Absolutely. You hate that you have that tattoo. 391 00:18:09,359 --> 00:18:11,280 Speaker 1: I do because I mean it means something to me. 392 00:18:11,280 --> 00:18:12,440 Speaker 1: But I don't want to walk around with the water. 393 00:18:12,440 --> 00:18:15,080 Speaker 1: Ain't my daughter six and she's asking me about why 394 00:18:15,080 --> 00:18:17,280 Speaker 1: do you have that on y'all having no real explanation 395 00:18:17,320 --> 00:18:19,359 Speaker 1: for it. Man, that's the only that's the reason why 396 00:18:19,359 --> 00:18:21,440 Speaker 1: I ain't really getting no task, And I'll be changing 397 00:18:21,520 --> 00:18:24,120 Speaker 1: my mind too much. I'd be like, man, I wouldn't 398 00:18:24,119 --> 00:18:26,200 Speaker 1: like it maybe three three months later, you know what 399 00:18:26,240 --> 00:18:28,600 Speaker 1: I mean? You ever thought about getting one? Though? I 400 00:18:28,600 --> 00:18:30,840 Speaker 1: mean sometimes I thought about it quick, but I ain't 401 00:18:30,920 --> 00:18:33,840 Speaker 1: what you get, man, I don't know. I have to 402 00:18:33,880 --> 00:18:42,600 Speaker 1: be something like man, I think angel wings or something 403 00:18:42,640 --> 00:18:44,800 Speaker 1: like that. You know, but I ain't really that ain't 404 00:18:44,800 --> 00:18:47,400 Speaker 1: mean the tats ain't me Serena really break your heart? Man? 405 00:18:47,440 --> 00:18:49,560 Speaker 1: Because I saw an interview with black TV you admitted 406 00:18:49,600 --> 00:18:51,960 Speaker 1: that the whole issue with drink was over Serena. Well, 407 00:18:52,760 --> 00:18:54,320 Speaker 1: let me let me let me break it down real 408 00:18:54,440 --> 00:18:57,320 Speaker 1: quick so I can be specific. Okay, it's like, you know, 409 00:18:57,400 --> 00:19:00,320 Speaker 1: me and Serena was together, we broke up. I don't 410 00:19:00,320 --> 00:19:03,000 Speaker 1: know specifically a hund drake if if you know, obviously 411 00:19:03,000 --> 00:19:04,720 Speaker 1: it felt like something's going on. I ain't. I ain't 412 00:19:04,800 --> 00:19:06,560 Speaker 1: dwelling it too much. He thought Drake was hitting it 413 00:19:06,720 --> 00:19:09,880 Speaker 1: when y'all together, nah after and then so they ain't. 414 00:19:09,880 --> 00:19:11,320 Speaker 1: I ain't got no problem with that. You do what 415 00:19:11,359 --> 00:19:13,800 Speaker 1: you do, even even if even if somebody dealing with 416 00:19:13,880 --> 00:19:16,120 Speaker 1: your lady, why you would have they ain't They ain't 417 00:19:16,119 --> 00:19:18,199 Speaker 1: they fault. That's that's that's on your lady, You and 418 00:19:18,240 --> 00:19:20,560 Speaker 1: your lady. So I wouldn't. I wouldn't. So I wouldn't. 419 00:19:20,680 --> 00:19:23,720 Speaker 1: I wasn't tripping on that your friend, unless stay your friend, 420 00:19:23,760 --> 00:19:32,359 Speaker 1: right friend, he looked so um so like she was on. 421 00:19:33,240 --> 00:19:35,240 Speaker 1: Drake was on. After while, I felt like in some 422 00:19:35,320 --> 00:19:37,199 Speaker 1: of his songs he was like saying stuff that I 423 00:19:37,240 --> 00:19:43,159 Speaker 1: felt like it was subliminal to you, and I was 424 00:19:43,200 --> 00:19:45,919 Speaker 1: like about him. Yeah, I was like that. I was like, 425 00:19:45,960 --> 00:19:48,639 Speaker 1: you know, you know, you just don't know it like nowadays, 426 00:19:48,680 --> 00:19:51,840 Speaker 1: you know, cast be doing them sneak this is. I'm like, nah, man, 427 00:19:52,040 --> 00:19:53,560 Speaker 1: I just come out and say what I gotta say. 428 00:19:53,560 --> 00:19:56,800 Speaker 1: So I feel after while, it was like I don't 429 00:19:56,840 --> 00:19:58,840 Speaker 1: know enoughing. It was like one it was a show 430 00:19:58,880 --> 00:20:01,359 Speaker 1: where I was at. Now I left, and then Drake 431 00:20:01,520 --> 00:20:03,760 Speaker 1: was like, man, he said something to the you know, 432 00:20:04,040 --> 00:20:05,920 Speaker 1: out out in the crowd, like man, you know, he 433 00:20:06,040 --> 00:20:09,000 Speaker 1: was saying some tough stuff. So then I can't remember, 434 00:20:09,080 --> 00:20:12,080 Speaker 1: like man, but it was something like man, yo, don't 435 00:20:12,280 --> 00:20:14,040 Speaker 1: they don't they know, they don't know. They don't want 436 00:20:14,040 --> 00:20:15,960 Speaker 1: to mess with me though, and can't mess with me. 437 00:20:16,000 --> 00:20:19,240 Speaker 1: But look at that right there. So then I was 438 00:20:19,280 --> 00:20:21,960 Speaker 1: like I was like, all right, you know, all right, 439 00:20:22,080 --> 00:20:24,000 Speaker 1: nice time. You know, it was that time because I 440 00:20:24,080 --> 00:20:27,040 Speaker 1: knew he was directing it to me, so that's when it, 441 00:20:27,200 --> 00:20:30,040 Speaker 1: you know. But we kept it on record and then 442 00:20:30,119 --> 00:20:32,439 Speaker 1: everything got squashed. That's real for you to admit that though. 443 00:20:32,440 --> 00:20:34,040 Speaker 1: Did you ever like call Serena and say, yo, you 444 00:20:34,040 --> 00:20:37,000 Speaker 1: messing with homie? Yeah? I mean I definitely talked to 445 00:20:37,080 --> 00:20:40,639 Speaker 1: about it. I definitely talked to about it. But you know, 446 00:20:41,200 --> 00:20:44,119 Speaker 1: at the end of the day, once once they you know, 447 00:20:44,320 --> 00:20:46,320 Speaker 1: she ain't your lady, ain't too much. You know, what 448 00:20:46,440 --> 00:20:48,040 Speaker 1: can I say that ain't got gonna do with me 449 00:20:48,080 --> 00:20:49,879 Speaker 1: at that point? Would you do anything different now? Like 450 00:20:49,880 --> 00:20:51,280 Speaker 1: would you reach out to him for us and be like, hey, 451 00:20:51,320 --> 00:20:54,240 Speaker 1: you stubbing me and that's not your friends? Yeah, I 452 00:20:54,280 --> 00:20:57,040 Speaker 1: don't know him like that. And but you know, if 453 00:20:57,080 --> 00:20:59,159 Speaker 1: I had a song, I would have said face to 454 00:20:59,160 --> 00:21:01,520 Speaker 1: face because I'm I'm I'm a person who go confront 455 00:21:01,600 --> 00:21:04,280 Speaker 1: the situation like that's just what it is. And I 456 00:21:04,280 --> 00:21:06,359 Speaker 1: would have just said, face to face, y'all, you're dissing me, 457 00:21:06,400 --> 00:21:09,200 Speaker 1: what's up? You know? Like what's up? Like you got 458 00:21:09,200 --> 00:21:11,960 Speaker 1: something against me? You know, and we go from there. 459 00:21:12,040 --> 00:21:13,919 Speaker 1: But you know what the worst is when you date 460 00:21:14,000 --> 00:21:15,800 Speaker 1: somebody and then she starts dating somebody else, but she 461 00:21:15,840 --> 00:21:19,119 Speaker 1: tells them your business. Oh man. Yeah, yeah, see I 462 00:21:19,200 --> 00:21:21,159 Speaker 1: try not to even you know, I try not to 463 00:21:21,160 --> 00:21:23,320 Speaker 1: even get with women that I feel got that got 464 00:21:23,359 --> 00:21:25,680 Speaker 1: that gene. And you know what I'm saying, like like 465 00:21:25,920 --> 00:21:28,159 Speaker 1: I if she if if a woman talking a lot 466 00:21:28,240 --> 00:21:31,960 Speaker 1: around me about certain stuff, all right, it ain't she moving. 467 00:21:32,000 --> 00:21:33,760 Speaker 1: You talk to you about people, she'll talk to other 468 00:21:33,800 --> 00:21:36,520 Speaker 1: people about exactly exactly, so she talking to me about 469 00:21:36,680 --> 00:21:38,080 Speaker 1: So I don't even you know, I don't even keep 470 00:21:38,119 --> 00:21:40,680 Speaker 1: them in my circle. They easily I don't work about 471 00:21:40,680 --> 00:21:43,560 Speaker 1: do stage right? You changed a lot. What was the 472 00:21:43,600 --> 00:21:47,080 Speaker 1: craziest thing that that relationship made you do? Can you 473 00:21:47,119 --> 00:21:51,920 Speaker 1: auction off some of those office now? But I think 474 00:21:52,080 --> 00:21:56,400 Speaker 1: the craziest thing I did was drinking wheat grass all 475 00:21:56,400 --> 00:22:01,440 Speaker 1: the time. That was grassed people. That was a great thing. 476 00:22:01,920 --> 00:22:05,840 Speaker 1: But what that was a positive? Okay that that was 477 00:22:06,160 --> 00:22:10,120 Speaker 1: It wasn't bad then, Actually that that relationship wasn't bad. 478 00:22:10,440 --> 00:22:13,199 Speaker 1: It was like it was it was some changes going on, 479 00:22:13,280 --> 00:22:15,400 Speaker 1: but it was like good change. Like we're talking about 480 00:22:15,480 --> 00:22:17,800 Speaker 1: weak grass and it went like and it went like 481 00:22:17,840 --> 00:22:21,199 Speaker 1: she was like, yo, drink this. It was like like 482 00:22:21,320 --> 00:22:24,720 Speaker 1: you around somebody that's healthy and you and my goal 483 00:22:24,840 --> 00:22:26,760 Speaker 1: was like, man, I want to be healthier. You know. 484 00:22:26,800 --> 00:22:28,359 Speaker 1: I came to New York and I was starting to 485 00:22:28,359 --> 00:22:30,639 Speaker 1: get you know, get it to myself more. Moved to 486 00:22:30,680 --> 00:22:33,040 Speaker 1: Brooklyn and was like, man, I'm gonna do this. So 487 00:22:33,080 --> 00:22:35,720 Speaker 1: I was around people that was like creative. Like it 488 00:22:35,800 --> 00:22:37,760 Speaker 1: went like she was like, yo, you should put on 489 00:22:37,800 --> 00:22:45,399 Speaker 1: that crochet she you know, I was trying to find 490 00:22:45,400 --> 00:22:51,159 Speaker 1: my I was trying to find my style. But then 491 00:22:51,280 --> 00:22:54,800 Speaker 1: that you know, within my individuality, within that. But you 492 00:22:54,840 --> 00:22:57,280 Speaker 1: know that's a that's a strong woman. I give it 493 00:22:57,359 --> 00:22:59,359 Speaker 1: up to each she comes in Chicago City to you 494 00:22:59,400 --> 00:23:02,639 Speaker 1: when you was like where you at, bro They was like, 495 00:23:02,680 --> 00:23:06,639 Speaker 1: what where you at? Man? What's up? What's like? What's popping? Bro? What? 496 00:23:06,760 --> 00:23:08,400 Speaker 1: We need to come talk to you? Man? We need 497 00:23:08,440 --> 00:23:11,720 Speaker 1: what we need to do? My friends? You know, my 498 00:23:11,760 --> 00:23:15,760 Speaker 1: mother said, mom, you lost me around Electric Circus Like 499 00:23:16,119 --> 00:23:17,880 Speaker 1: he's a bit out there, right, Yeah? Yeah, I mean 500 00:23:17,920 --> 00:23:20,800 Speaker 1: I went out there sometimes. You know, honestly, sometimes that 501 00:23:21,520 --> 00:23:24,600 Speaker 1: for me, like that's part of being a like an artist. 502 00:23:24,640 --> 00:23:27,040 Speaker 1: You gotta go through those things because if I kind 503 00:23:27,040 --> 00:23:29,960 Speaker 1: of keep creating or keep doing the same thing, then 504 00:23:30,000 --> 00:23:32,560 Speaker 1: people throw that away. So it's like you gotta follow 505 00:23:32,560 --> 00:23:35,359 Speaker 1: whatever you really are and if it's something that you 506 00:23:35,400 --> 00:23:37,600 Speaker 1: know you're gonna lose some people. You lose them. Hopefully 507 00:23:37,680 --> 00:23:40,280 Speaker 1: you come back with with a B after that or something. 508 00:23:40,359 --> 00:23:42,640 Speaker 1: You know it's gonna be like all right, cool, you 509 00:23:42,640 --> 00:23:44,640 Speaker 1: you're back with some stuff. You know, nothing to hope 510 00:23:44,640 --> 00:23:46,679 Speaker 1: what happens to Kanye. I feel like Jesus was his 511 00:23:46,720 --> 00:23:49,280 Speaker 1: electric Circus. I hope his next albums is B. Yeah. 512 00:23:49,320 --> 00:23:52,080 Speaker 1: I mean I thought Jesus was. I think Jesus is dope, 513 00:23:52,119 --> 00:23:54,679 Speaker 1: but I also think that Jesus was. I mean the 514 00:23:54,760 --> 00:23:58,040 Speaker 1: reason why I called it his electric Circus because some people, 515 00:23:58,119 --> 00:24:00,440 Speaker 1: some of his natural fans, was like, what is this? 516 00:24:00,880 --> 00:24:03,639 Speaker 1: But he he knows how to make songs and market 517 00:24:03,680 --> 00:24:07,840 Speaker 1: them so well. Electric Circus didn't get no like publicity. Really, 518 00:24:07,880 --> 00:24:10,679 Speaker 1: it was like it was like this and like you know, 519 00:24:10,680 --> 00:24:13,600 Speaker 1: it wasn't getting out there like Kanye was out there 520 00:24:13,640 --> 00:24:16,040 Speaker 1: with with Jesus, you know what I mean. Record. Yeah, 521 00:24:16,040 --> 00:24:18,920 Speaker 1: he's so record and he and he went out to it. Yeah. Ever, 522 00:24:19,040 --> 00:24:20,560 Speaker 1: feel like you've missed out with about due because you 523 00:24:20,560 --> 00:24:23,359 Speaker 1: didn't get a baby like all the other got a baby. 524 00:24:24,080 --> 00:24:28,760 Speaker 1: A baby. Look, I don't you know, I don't want 525 00:24:28,760 --> 00:24:31,320 Speaker 1: to be in um. I got I got one daughter. 526 00:24:31,480 --> 00:24:34,040 Speaker 1: I definitely don't want no more baby mamas. You know, 527 00:24:34,040 --> 00:24:36,040 Speaker 1: what I'm saying. So it's like, but then you also 528 00:24:36,080 --> 00:24:39,399 Speaker 1: don't feel like your marriage material. So basically so I mean, 529 00:24:39,480 --> 00:24:41,600 Speaker 1: I can't look let me, I'll say this, I might 530 00:24:41,680 --> 00:24:43,680 Speaker 1: walk out the building. It might be a woman there, 531 00:24:44,080 --> 00:24:46,800 Speaker 1: and we started talking and the things started going forward. 532 00:24:47,000 --> 00:24:48,800 Speaker 1: I'm just saying right now, I guess I'm just in 533 00:24:48,800 --> 00:24:51,719 Speaker 1: the mode or like, like, man, I'm enjoying being single. 534 00:24:52,000 --> 00:24:53,600 Speaker 1: I don't mean I don't like go out. I'm be 535 00:24:53,640 --> 00:24:55,919 Speaker 1: going out with ladies and dating and then you know, 536 00:24:56,040 --> 00:24:59,440 Speaker 1: as things evolved, if it happens, it happened. Um, but 537 00:24:59,440 --> 00:25:01,639 Speaker 1: but as far you know, I definitely made a decision 538 00:25:01,720 --> 00:25:04,760 Speaker 1: after one child, I'm like, I'm only having a baby 539 00:25:04,800 --> 00:25:07,280 Speaker 1: if I'm married that at that point, because you know, 540 00:25:07,359 --> 00:25:09,600 Speaker 1: the baby mamas situation ain't the best. If you got 541 00:25:09,600 --> 00:25:12,080 Speaker 1: to slip up though, ain't no slip ups. Man, you 542 00:25:12,119 --> 00:25:14,480 Speaker 1: gotta hear, I'm grown man, now you can't you know 543 00:25:14,520 --> 00:25:19,600 Speaker 1: what you're up. Yeah, I know what I'm but it 544 00:25:19,600 --> 00:25:23,000 Speaker 1: ain't no slip ups. Has your mom ever met one 545 00:25:23,040 --> 00:25:25,000 Speaker 1: of your women that you were dating and wanted you 546 00:25:25,040 --> 00:25:28,760 Speaker 1: to get married to them? Yeah? Yeah, she definitely My 547 00:25:28,800 --> 00:25:31,520 Speaker 1: mother has been. You know, she even like man, why 548 00:25:31,520 --> 00:25:33,760 Speaker 1: don't you get married? She wants the best for me 549 00:25:33,800 --> 00:25:35,639 Speaker 1: and she thinks marriage is the best. But you know, 550 00:25:36,000 --> 00:25:37,840 Speaker 1: I know what's good for me, so I do you know, 551 00:25:37,880 --> 00:25:40,560 Speaker 1: I do what's right because I know I'm a person 552 00:25:40,520 --> 00:25:42,359 Speaker 1: who's like I'd rather be honest and be like I 553 00:25:42,359 --> 00:25:45,040 Speaker 1: ain't at that point yet, than they'll be leading somebody 554 00:25:45,119 --> 00:25:47,440 Speaker 1: on and it's the saint token, like I ain't gonna 555 00:25:47,480 --> 00:25:49,800 Speaker 1: just do it, get married because that's what you're supposed 556 00:25:49,800 --> 00:25:52,080 Speaker 1: to do it. Because my mother say, yeah, why don't 557 00:25:52,080 --> 00:25:54,600 Speaker 1: you get married? It's like, nah, man, you gotta be 558 00:25:54,640 --> 00:25:57,960 Speaker 1: something that's real sacred for real out of Taragi, Erica 559 00:25:58,000 --> 00:26:00,840 Speaker 1: and Serena, who the mom really ain't carry that's the carry, Like, 560 00:26:00,880 --> 00:26:06,840 Speaker 1: that's I think carry first. Um My mother loves My 561 00:26:06,840 --> 00:26:10,840 Speaker 1: mother loved to Rogie and she am funny enough. She 562 00:26:10,920 --> 00:26:14,840 Speaker 1: got cool with Serena, like even more after we broke up, 563 00:26:15,440 --> 00:26:21,800 Speaker 1: which is crazy we broke up with Serena. It was, 564 00:26:22,200 --> 00:26:24,360 Speaker 1: but now I'm you know, at the end of the day, 565 00:26:24,400 --> 00:26:26,160 Speaker 1: after a while, I was kind of like, man, that's 566 00:26:26,480 --> 00:26:28,560 Speaker 1: I like how they got a little sisterhood, you know, 567 00:26:28,600 --> 00:26:30,200 Speaker 1: because it's like, at the end of the day, I 568 00:26:30,440 --> 00:26:32,680 Speaker 1: got love for Serena, so I want to see us successful. 569 00:26:32,720 --> 00:26:35,439 Speaker 1: So she talking to somebody older and getting some advice, 570 00:26:35,560 --> 00:26:37,640 Speaker 1: or they just kicking it. It's all good. But it 571 00:26:37,680 --> 00:26:39,879 Speaker 1: was funny that they got cool after. I mean they 572 00:26:39,920 --> 00:26:42,440 Speaker 1: weren't like enemies or nothing before, but they got cool after. 573 00:26:42,520 --> 00:26:44,040 Speaker 1: That's me Serena really loves you, man. She wanted to 574 00:26:44,080 --> 00:26:46,080 Speaker 1: keep in touch on ways someone euse. She needed that connection. 575 00:26:46,680 --> 00:26:52,919 Speaker 1: You know, that's your words, that's get it back. I 576 00:26:52,920 --> 00:26:56,240 Speaker 1: don't go back, bro, go back? Why why don't you 577 00:26:56,280 --> 00:27:00,320 Speaker 1: go back? I mean it's like, once I've experienced that person, 578 00:27:00,320 --> 00:27:02,879 Speaker 1: and I feel like, man, I just feel like sometimes 579 00:27:03,000 --> 00:27:07,000 Speaker 1: life moves on. I can't say I never would go back, 580 00:27:07,160 --> 00:27:10,919 Speaker 1: but most of the times that like Serena and Erica 581 00:27:11,080 --> 00:27:14,760 Speaker 1: was the most serious relationships that I had as an adult. 582 00:27:15,240 --> 00:27:18,280 Speaker 1: And after one of those things where I'm like, man, 583 00:27:18,320 --> 00:27:20,879 Speaker 1: I just I gotta move forward because to work with it. 584 00:27:20,960 --> 00:27:23,200 Speaker 1: I was real love right that both of them women 585 00:27:23,280 --> 00:27:25,639 Speaker 1: I was about to I could have married, you know 586 00:27:25,680 --> 00:27:27,560 Speaker 1: what I'm saying. So at the end of the day, 587 00:27:27,600 --> 00:27:30,520 Speaker 1: it's just like, well, you know I got obviously ain't 588 00:27:30,560 --> 00:27:32,320 Speaker 1: supposed to be there. That's what I feel like. It's 589 00:27:32,359 --> 00:27:33,920 Speaker 1: like when I ain't supposed to be there, We're just 590 00:27:33,960 --> 00:27:36,520 Speaker 1: supposed to be friends. So I just keep it moving, right, 591 00:27:36,800 --> 00:27:39,320 Speaker 1: How did you all develop such a great relationship with mine? Angelo? 592 00:27:39,760 --> 00:27:43,280 Speaker 1: But we was yeah, rest in peace to to doctor Angelo. 593 00:27:44,040 --> 00:27:46,520 Speaker 1: You know what. I did this this benefit with her, 594 00:27:46,920 --> 00:27:49,840 Speaker 1: And actually before I did the benefit, I went to 595 00:27:49,960 --> 00:27:51,600 Speaker 1: went to her house just to meet with her because 596 00:27:52,440 --> 00:27:54,400 Speaker 1: she knew me, but she ain't knowing me that well. 597 00:27:54,440 --> 00:27:56,119 Speaker 1: And then she just wanted to get to know me 598 00:27:56,160 --> 00:27:58,760 Speaker 1: before I did the benefit, and we just was talking, man, 599 00:27:58,840 --> 00:28:03,440 Speaker 1: and just talking about talking about um, talking about Paul Roverson, 600 00:28:03,520 --> 00:28:05,280 Speaker 1: talking about all type of things in life, and then 601 00:28:05,320 --> 00:28:07,480 Speaker 1: we just got cool. We did, and then I would 602 00:28:07,480 --> 00:28:10,200 Speaker 1: go down for her birthday parties and uh, like, I'm 603 00:28:10,240 --> 00:28:12,920 Speaker 1: glad I went to Oprah through her this party like 604 00:28:13,000 --> 00:28:15,560 Speaker 1: last year, and I was like seeing if I could go, 605 00:28:15,600 --> 00:28:17,320 Speaker 1: it couldn't go, and I just went. Man, I was 606 00:28:17,359 --> 00:28:19,639 Speaker 1: feeling sick. I went. Man, I'm glad I made it 607 00:28:19,640 --> 00:28:23,120 Speaker 1: because it was like, well, yeah, that was the last 608 00:28:23,160 --> 00:28:25,920 Speaker 1: time I seen her, and uh yeah, man, I'm glad 609 00:28:25,960 --> 00:28:27,199 Speaker 1: I went. It was one of those things. We had 610 00:28:27,200 --> 00:28:29,639 Speaker 1: a great time too, but it's just one of those things. 611 00:28:30,080 --> 00:28:33,240 Speaker 1: It was something. Man when she um the day the 612 00:28:33,320 --> 00:28:36,399 Speaker 1: day before she the day before she passed, I was 613 00:28:36,440 --> 00:28:38,760 Speaker 1: doing this movie. I ain't stunning, but I was doing 614 00:28:38,760 --> 00:28:41,040 Speaker 1: this movie with Oprah and we was talking about her 615 00:28:41,480 --> 00:28:45,920 Speaker 1: and the truth I was doing this movie were open. 616 00:28:45,960 --> 00:28:49,080 Speaker 1: We was talking about her and she was like, I 617 00:28:49,120 --> 00:28:51,600 Speaker 1: was like, man, I'm gonna go see Doctor Angelou. And man, 618 00:28:51,640 --> 00:28:53,880 Speaker 1: the next day she passed. It was it was kind 619 00:28:53,880 --> 00:28:56,600 Speaker 1: of crazy. It was like, I mean, it was crazy, 620 00:28:56,720 --> 00:28:59,280 Speaker 1: but she didn't. Man, she lived the full life. Though 621 00:28:59,360 --> 00:29:02,200 Speaker 1: she criticized do you want for using the N word? 622 00:29:01,800 --> 00:29:04,440 Speaker 1: Did that convoy ever stop you from using it? Or 623 00:29:04,480 --> 00:29:06,760 Speaker 1: how did they know? It didn't really stop me because 624 00:29:06,800 --> 00:29:08,800 Speaker 1: I understood where she was coming from, and it was like, 625 00:29:08,840 --> 00:29:11,960 Speaker 1: I gotta give respect to her, but for saying that, 626 00:29:12,000 --> 00:29:14,800 Speaker 1: because you know, she got a whole another understanding of that, 627 00:29:14,840 --> 00:29:18,360 Speaker 1: and uh, but you know I am who I am 628 00:29:18,360 --> 00:29:20,720 Speaker 1: in the purpose of me using it ain't to bring 629 00:29:20,800 --> 00:29:23,880 Speaker 1: nobody down, So like my intentions wasn't that. So that's 630 00:29:23,880 --> 00:29:25,600 Speaker 1: why you know, I was like, Hey, I understand what 631 00:29:25,640 --> 00:29:28,920 Speaker 1: you're saying. I respect you for. But she the beautiful thing. 632 00:29:29,000 --> 00:29:30,840 Speaker 1: She was on that album too, and she you know, 633 00:29:31,200 --> 00:29:33,320 Speaker 1: regardless of whether I used that word or not, she 634 00:29:33,400 --> 00:29:37,040 Speaker 1: still was like, look, this is my son or grandson, 635 00:29:37,160 --> 00:29:39,400 Speaker 1: so she gave me love. That's what it is. Well 636 00:29:39,480 --> 00:29:42,720 Speaker 1: albums and stores to because you know he's a socially conscious. Brothers, 637 00:29:42,720 --> 00:29:44,360 Speaker 1: someone asking this, what do you think our number one 638 00:29:44,400 --> 00:29:46,600 Speaker 1: enemy out here is the police? When you see situations 639 00:29:46,640 --> 00:29:49,320 Speaker 1: like Eric Gardener that happened this weekend, are all ourselves? 640 00:29:49,320 --> 00:29:52,360 Speaker 1: When you see the forty shot in Chicago, I think 641 00:29:52,360 --> 00:29:55,280 Speaker 1: it's I think it's ourselves more than anything, because like 642 00:29:56,160 --> 00:30:00,719 Speaker 1: you can't really control other other force, you know, just 643 00:30:00,760 --> 00:30:02,960 Speaker 1: like a human being, Like you could control yourself, Like 644 00:30:03,000 --> 00:30:06,800 Speaker 1: you could get around a person and if they acting wow, 645 00:30:06,960 --> 00:30:08,640 Speaker 1: and they acted a fool, you ain't got to act 646 00:30:08,640 --> 00:30:11,720 Speaker 1: the food with them. And like I think the community, 647 00:30:11,800 --> 00:30:14,040 Speaker 1: we don't have to act the food. The police could 648 00:30:14,040 --> 00:30:16,160 Speaker 1: be acting the food and it will, Honestly, it will 649 00:30:16,200 --> 00:30:18,880 Speaker 1: be some some incidents where we may lose some people 650 00:30:19,040 --> 00:30:22,600 Speaker 1: to police violence, but I believe we're losing you know, 651 00:30:22,680 --> 00:30:25,520 Speaker 1: more people at our own hands and our own like 652 00:30:25,920 --> 00:30:28,320 Speaker 1: ignorance and the way we you know, acted towards each other. 653 00:30:28,360 --> 00:30:30,760 Speaker 1: But man, it's just it's just lack of love. Bro. 654 00:30:31,760 --> 00:30:33,200 Speaker 1: I feel like we hate the system more than we 655 00:30:33,200 --> 00:30:34,960 Speaker 1: love ourselves. Yeah, and then when it happened four with 656 00:30:35,040 --> 00:30:36,680 Speaker 1: July week, and I think it was like the cops 657 00:30:36,680 --> 00:30:38,960 Speaker 1: were involved in like six of the shootings. Yeah, people 658 00:30:38,960 --> 00:30:40,920 Speaker 1: were won't matter at the cops than the other seventy 659 00:30:40,920 --> 00:30:43,280 Speaker 1: people that got shot by bous. Yeah, man, I mean, 660 00:30:43,760 --> 00:30:45,480 Speaker 1: I mean we you know, I hear you know. We 661 00:30:45,560 --> 00:30:47,840 Speaker 1: talk about a lot of stuff going on in the world. 662 00:30:47,880 --> 00:30:50,480 Speaker 1: I'm like, man, it's a lot going on. And it 663 00:30:50,520 --> 00:30:53,680 Speaker 1: ain't just in Chicago. It's all over. But Chicago has 664 00:30:53,720 --> 00:30:57,120 Speaker 1: been tough, and it's like, man, you just gotta y'all 665 00:30:57,120 --> 00:30:58,600 Speaker 1: ask what we could do to help. Man, we just 666 00:30:58,640 --> 00:31:00,920 Speaker 1: gotta get them hope. Man. Short these talking about they 667 00:31:00,920 --> 00:31:03,560 Speaker 1: ain't got no hope, and I hate him say that 668 00:31:03,640 --> 00:31:05,880 Speaker 1: all the time. I just heard some some kids in 669 00:31:05,920 --> 00:31:07,960 Speaker 1: my program like talking about, man, we don't want to 670 00:31:07,960 --> 00:31:10,239 Speaker 1: go outside. We don't even want to you know, they 671 00:31:10,320 --> 00:31:12,200 Speaker 1: feeling like there ain't nothing they can do. So we 672 00:31:12,320 --> 00:31:14,280 Speaker 1: just gotta give them hope in different ways. And it 673 00:31:14,280 --> 00:31:17,320 Speaker 1: ain't no just one way. We get them hope. Going 674 00:31:17,360 --> 00:31:25,560 Speaker 1: to Chicago, yes, I you coming coming were the worst. 675 00:31:25,760 --> 00:31:27,760 Speaker 1: I went to Chicago, I went to Anglewood and tell 676 00:31:27,800 --> 00:31:32,080 Speaker 1: them what happened. Nothing, what happened? Shout out to my 677 00:31:32,080 --> 00:31:35,520 Speaker 1: guy Spendso from Chicago. I was talking about great young rapper. 678 00:31:35,720 --> 00:31:37,560 Speaker 1: You're telling what happened while you were sitting. I was 679 00:31:37,600 --> 00:31:41,920 Speaker 1: all over the place. I was in the students shots knowing. Gosh, 680 00:31:41,960 --> 00:31:48,120 Speaker 1: I don't know what happened. I heard something in the distance, yea, yea. 681 00:31:48,440 --> 00:31:50,400 Speaker 1: When you hear that in Brooklyn sometimes I heard that 682 00:31:50,440 --> 00:31:56,800 Speaker 1: on my block. This weekend, environment, we're gonna go out 683 00:31:56,840 --> 00:31:58,600 Speaker 1: there and speak to the school with a lot of 684 00:31:58,600 --> 00:32:02,200 Speaker 1: fruit of Islam. Security as white guys in suits too, 685 00:32:03,200 --> 00:32:04,920 Speaker 1: A couple of people you can call in Chicago. You'll 686 00:32:04,960 --> 00:32:08,840 Speaker 1: be fine. Okay, Well, Nobody Smiling is in stores right now. 687 00:32:09,000 --> 00:32:10,480 Speaker 1: Make sure you go pick it up as his ten 688 00:32:10,600 --> 00:32:13,520 Speaker 1: studio album. We appreciate you joining us, bro, thanks for 689 00:32:13,560 --> 00:32:17,280 Speaker 1: having me too long. Usually you gotta come up more frequently. Man, Wow, 690 00:32:17,800 --> 00:32:19,840 Speaker 1: I'm here many time you're in town, or you come through, 691 00:32:19,880 --> 00:32:24,560 Speaker 1: come through, man, man, thank you A man, I would say, 692 00:32:25,440 --> 00:32:31,440 Speaker 1: be like water for chocolate or this new album. Nobody's Smiling, 693 00:32:31,800 --> 00:32:35,160 Speaker 1: Okay for real, Alright, it's the Breakfast Club. It's coming 694 00:32:35,280 --> 00:32:36,080 Speaker 1: the Breakfast Club.