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Speaker 1: So you know, we got a packed house, right, and

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Speaker 1: all these people coming and crashing and right, I'm trying

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Speaker 1: to make the most of it. So I'm, you know,

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Speaker 1: I'm suggesting me play some games, camp games. Keep the

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Speaker 1: attitude l like we're all here, you know, And uh,

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Speaker 1: everybody starts bringing up these kind of like camp games.

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Speaker 1: You know, I was hoping to say a little more.

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Speaker 2: I thought you just said you were bringing up camp games,

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Speaker 2: and I can't but that phrase was ringing in my head.

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Speaker 1: I was, you know, maybe I said camp games, but.

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Speaker 2: Maybe maybe that's what made them think of it.

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Speaker 1: But I guess I thought I was thinking of games

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Speaker 1: from my.

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Speaker 2: Camp, different camp, but yes.

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Speaker 1: I don't know. So so it comes around to like

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Speaker 1: people are throwing out different suggestions. Some of them sound fun,

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Speaker 1: some of them don't. And then everybody really rallies around

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Speaker 1: and gets excited around. I can't remember or who said it,

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Speaker 1: damned if it matters. Somebody goes, oh, let's play pigs

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Speaker 1: in a tunic, Pigs in a tunic. Everybody goes, oh, yeah,

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Speaker 1: I don't want to be the guy to go like,

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Speaker 1: the fuck is pigs in a tunic?

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Speaker 2: You know what I mean?

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Speaker 1: And somebody's like I'll get the pillows, and then somebody

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Speaker 1: else like runs out in the kitchen, was like I'll

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Speaker 1: check and see if they have any crackers or cereal boxes,

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Speaker 1: and then and then a bunch of people just start

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Speaker 1: lying down on their belly like the kind of hey.

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Speaker 1: I ultimately just was like, hey, you gotta go. But

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Speaker 1: like I was happy, you know, initially to be welcoming

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Speaker 1: and like try to support because obviously, like people are

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Speaker 1: being evacuated and all that, but I can't the game

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Speaker 1: and I can't ask what.

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Speaker 2: The game is, Yeah, of course.

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Speaker 1: So it was really distressing. And I've been searching on

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Speaker 1: the internet, so I'm asking you now because I don't

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Speaker 1: know what this is.

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Speaker 2: We can't have everyone on their why do they hate

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Speaker 2: cereal boxes? Not now on their bellies.

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Speaker 1: It just wasn't it just it wasn't right, and it

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Speaker 1: wasn't okay with me crackers, and I had to kind

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Speaker 1: of stand in my power and say like to even

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Speaker 1: even like my wife and stuff, go you can't sleep

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Speaker 1: here tonight, Like you just have to go somewhere else, and.

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Speaker 2: Like fresh, I was like for the house, you need

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Speaker 2: sort of a kind of went decontamination protocol for the house.

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Speaker 2: After Pigs and the Tunics, I.

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Speaker 1: Go, I go, this is like ghost in the graveyard

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Speaker 1: and somebody I guess kindly, Oh good one man, And

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Speaker 1: I was like, I guess that was sort of like

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Speaker 1: a stay of execution for me. But I gotta come

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Speaker 1: clean now and just say like, I don't know what

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Speaker 1: it is. I can't have it in my house. I

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Speaker 1: haven't been able to sleep, I haven't. You know, I'm

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Speaker 1: a victim here, sure, because it's been very, very distressing.

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Speaker 1: But we have a guest. He was scheduled to be

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Speaker 1: in person, but he flew away.

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Speaker 2: Is this right?

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Speaker 1: Yeah?

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Speaker 3: That is right. I sort of fled the PREMI did

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Speaker 3: you ever play this? Did I ever play Pigs in

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Speaker 3: the Tunic?

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Speaker 1: In a tunic? No, it's I think this is what

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Speaker 1: they were saying. I honestly can't even be sure.

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Speaker 3: Did you ever see a succession?

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Speaker 1: Oh no, don't tell me. I know what this is.

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Speaker 1: Succession succession, Yes, yes, yes, yes, I've seen this. I've

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Speaker 1: seen this, so Kevin sent me this.

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Speaker 2: Yeah, this is actually real stories happening to real people.

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Speaker 3: Well, they in that they play a game called on

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Speaker 3: the Floor. Maybe it was inspired by that. I don't know.

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Speaker 1: No, some people were on the floor, but most weren't.

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Speaker 1: Maybe half and half some people got on the floor

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Speaker 1: in their belly, but it was pretty clear they weren't

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Speaker 1: going to stay there.

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Speaker 2: And is not a floor, no, NOI but it's the

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Speaker 2: closest thing I know to it.

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Speaker 1: It wasn't that. It wasn't that. Kevin sent me. Kevin

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Speaker 1: sent me succession.

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Speaker 2: Kevin sent me a divix of it.

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Speaker 1: Yeah, he's a yeah. He sent me a couple of

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Speaker 1: links and he said, check out this epic suck session.

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Speaker 2: Kevin sent me a lossy Yeah. Kevin sent me a

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Speaker 2: lossy divis of succession.

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Speaker 1: He sent me a flack file, a massive flack file.

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Speaker 3: That sounds like what I'm talking about.

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Speaker 1: So okay, is yeah. I couldn't get through it.

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Speaker 4: I texted the file he had on Do not disturb.

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Speaker 3: It's not for everyone. It's not for everyone, Zach.

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Speaker 2: You love being in the computer like this, don't you

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Speaker 2: look at you there on the computer. You're having the

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Speaker 2: time of your life in the computer today.

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Speaker 1: This is this science fiction world that you occupy now

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Speaker 1: where you're actually inside the computer.

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Speaker 2: And you're snuggled right in the computer, aren't you that's right,

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Speaker 2: it is.

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Speaker 3: You guys don't know this, but it's nice and warm

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Speaker 3: over here.

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Speaker 1: It looks a little that's lovely.

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Speaker 2: That's the nice warm computer. Wow.

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Speaker 3: Wow.

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Speaker 1: So this guy went short sleeves because that's how nice

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Speaker 1: and warm he is. Paintings behind him and any and

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Speaker 1: and it's interesting it also has been warm here, but

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Speaker 1: in a very bad way, right.

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Speaker 2: And you held up two fingers. You head up two

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Speaker 2: fingers and said PC blinders.

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Speaker 3: Mm hmm. Wow. I don't I don't know how much

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Speaker 3: my presence. I think my presence was only really a

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Speaker 3: detriment with you.

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Speaker 2: And shows with like Succession and PC blinders.

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Speaker 1: It's like, yeah, you're obsessed with TV shows. Do you

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Speaker 1: want It's like you want us to talk to you

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Speaker 1: about TV shows because you're in them. It's like I've

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Speaker 1: actually been in them too. I'm not like talking about

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Speaker 1: it all the time. I'm talking about.

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Speaker 3: Whatever you guys talk about. I'll talk about camp games.

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Speaker 2: No, No, we can talk about TV shows. It's not

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Speaker 2: to do it. We can talk about TV shows. It's

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Speaker 2: like I want this to actually like go somewhere and

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Speaker 2: then we'll talk about TV shows. I honestly do not

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Speaker 2: give a fuck.

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Speaker 1: As I've been saying to other guests, I don't want

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Speaker 1: it to be a big ass fucking favor to me,

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Speaker 1: you know what I mean, Like, it's just not like

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Speaker 1: the vibes that I need the guest bringing is that

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Speaker 1: it's some huge ass fucking favor to me. You basically

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Speaker 1: beg to be on the show because you were going

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Speaker 1: to be in LA, Like, can I please come on

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Speaker 1: someone to be in LA? Yeah, surrounded the fucking thing.

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Speaker 1: And then we're like, all right, booked you and you

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Speaker 1: were like, oh, except for I'm not in LA in

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Speaker 1: the computer, which is the only thing I like.

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Speaker 2: So if you need to talk about TV shows for

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Speaker 2: an entire fucking hour, then fine, that's what we're gonna do.

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Speaker 2: No skin off my chin, twin, Let's do the damn thing.

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Speaker 3: TV show preference. I have no preference, and I would

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Speaker 3: have loved to be there in person, but it wasn't.

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Speaker 2: And you did another show about TV shows, another whole

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Speaker 2: podcast about.

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Speaker 3: It, another show or you TV shows? Yeah, I don't

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Speaker 3: even know what you mean by that.

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Speaker 1: Did you did you do a.

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Speaker 2: Whole my am? My life? Is this me? Kevin? Is

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Speaker 2: this me? Is it? Only? Sometimes it is me?

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Speaker 4: It's not you this time, Zach.

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Speaker 2: I know you didn't think it was me.

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Speaker 4: I know you said no preference. You might want to

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Speaker 4: go to a system preference. Make your headphones are working.

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Speaker 3: Yeah, no, I heard you. I just don't know what

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Speaker 3: you're talking about. I did another show about TV shows.

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Speaker 1: Didn't you do a whole entire podcast talking about TV shows?

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Speaker 2: Yeah, it's like this. I know that Zach said no preference,

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Speaker 2: but maybe he should have said and I don't like

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Speaker 2: I understand, like I did hear that, but I think

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Speaker 2: like maybe he should have said system preference, system preference, just.

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Speaker 1: To check on whether the headphones were working or not.

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Speaker 3: The way you just said it, it sounded like you said

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Speaker 3: nope reference. Have you guys seen Nope? Okay the film

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Speaker 3: by Jordan Peele?

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Speaker 4: Uh?

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Speaker 1: Yeah, I watched it the way it was meant to

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Speaker 1: be watched as well, part of it on a plane.

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Speaker 1: What do you think it seemed unfinished? Yeah, it's it's

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Speaker 1: there were simultaneously a lot of ideas in it, and

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Speaker 1: yet none of them really landed for me before the

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Speaker 1: movie was over.

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Speaker 2: Why is so like you brought up TV shows and

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Speaker 2: now I'm trying to like engage with the like the

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Speaker 2: subject that you introduced again.

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Speaker 1: Yeah, you were just like, oh uh sorry, uh can

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Speaker 1: I grab that real quick? It's the goal post, by

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Speaker 1: the way. You mind if I grab that real quick,

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Speaker 1: just put that over and I just truck that over here?

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Speaker 1: You mind if I just moved that over here, just

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Speaker 1: get it out of our way. It's like, well, actually

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Speaker 1: wasn't in my way.

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Speaker 2: It was make this might if I just take this

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Speaker 2: across state lines real quick.

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Speaker 1: Pinching the goal post, picking it up, putting it somewhere else.

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Speaker 3: It's not really you're too big.

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Speaker 2: I want to do this with us if you could.

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Speaker 2: If you could do that, that's too big. If you

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Speaker 2: can pick up you can just carry it across state lines.

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Speaker 2: I'm sorry you can't play.

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Speaker 1: We should be in different leagues because then and this

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Speaker 1: is not like you're a giant.

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Speaker 2: It's not like discriminatory or whatever, like it's too huge

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Speaker 2: to be playing.

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Speaker 1: I don't want to get in the weeds on like

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Speaker 1: who can compete in what sport or whatever?

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Speaker 2: It's not the show, like we never want to be

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Speaker 2: happy that that's not the goal post.

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Speaker 1: And I'll go out on a limb. If you could

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Speaker 1: pinch the goalpost like this, pick it up. You're just

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Speaker 1: two fingers. You can pick it up, pull out of

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Speaker 1: the ground, and put it somewhere.

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Speaker 2: Where does it end?

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Speaker 1: I just don't think that's going to make it an

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Speaker 1: interesting competition for anyone.

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Speaker 3: Okay, I won't play.

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Speaker 1: Okay, thanks Jesus, God fucking damn it, dude, that was

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Speaker 1: hard enough. So thank you for being on.

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Speaker 2: Zach.

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Speaker 1: Zach Cherrys here everybody. He's obsessed with TV shows and

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Speaker 1: we're obsessed with him. We love this guy. We can't

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Speaker 1: believe he came back sort of through the computer. Was

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Speaker 1: supposed to be here, so I would have loved to

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Speaker 1: be there. I would have loved to be there in person.

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Speaker 2: And you were on a whole other TV show about you,

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Speaker 2: not a a show about TV shows before.

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Speaker 1: You did a whole podcast just talking about a TV shows.

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Speaker 3: I would love to talk about this, but I don't.

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Speaker 3: I really don't know what you're talking about.

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Speaker 1: Well, Zach, I've been on any other podcast lately.

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Speaker 3: I did dough Boys.

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Speaker 2: Well, I was out there release this man.

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Speaker 4: I'm gonna play you something that's a refresher memory.

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Speaker 2: Refresh your memory before.

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Speaker 5: We jump into the episode, though, Zach, how did you

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Speaker 5: come to Severn, So did you get cast my recollection?

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Speaker 3: Is? I sent in a tape first? Then I got

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Speaker 3: a callback.

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Speaker 1: Pause. It's your fucking life, man, it's your life. It's

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Speaker 1: never got some it's not some gotcha election.

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Speaker 3: It's just like, this is not some gotcha.

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Speaker 2: Why did you admit it before?

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Speaker 1: Why didn't you just say I was just on a

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Speaker 1: podcast all about TV shows.

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Speaker 3: To describe all I talked about about TV shows.

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Speaker 2: It's wild TV show. I mean, I guess it's a

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Speaker 2: TV show. It's very nominated in categories with other TV shows.

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Speaker 2: I don't think they're quite It's a little different from

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Speaker 2: what you're using.

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Speaker 1: But I don't think it's merely a TV show.

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Speaker 3: You made it seem like I was recently on some

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Speaker 3: pop culture show where I talked about numerous TV shows culture.

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Speaker 1: Actually, it's just culture.

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Speaker 2: It's art.

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Speaker 3: We did, I think we did win a Peabody.

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Speaker 2: So it is Buddy Buddy.

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Speaker 3: Yeah, So yes, I did an episode of the seventh

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Speaker 3: podcast recently. If you want to talk about that, I'm

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Speaker 3: happy if you talk about that.

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Speaker 1: Great son. Actually, before we.

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Speaker 5: Jump into the episode, Zach, how did you started to.

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Speaker 3: My recollection? Is I sent in a tape? First. Then

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Speaker 3: I got a call back and at the time, I

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Speaker 3: remember I was working on the show the last o

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Speaker 3: G and my callback was on a day that I

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Speaker 3: was shooting. But they let me leave in the middle

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Speaker 3: of the day and then come back. So I I left,

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Speaker 3: and I remember I was sitting in the waiting room

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Speaker 3: and I saw Ben walk by, and kind of how

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Speaker 3: the podcast started. I thought I would have a few more.

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Speaker 2: Like I know, like I've seen the show, I've seen Severance,

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Speaker 2: and I know it's like it's a streaming show. You

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Speaker 2: are supposed to kind of like suffer along with the

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Speaker 2: characters in this way. It's not all supposed to be

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Speaker 2: like this isn't Becker, you know, and like I was

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Speaker 2: making fun of that before, but like I get it,

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Speaker 2: it is different. This to me, this is this is

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Speaker 2: too far. I cannot I cannot be living this moment

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Speaker 2: with this, with this character.

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Speaker 1: It's really long, man, sure answers getting long.

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Speaker 2: If I'm at I'm just here's what I.

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Speaker 1: Saw Ben walk by, kind of like the podcast.

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Speaker 2: I don't know how the people and I'm gonna be

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Speaker 2: there's contract, I'm gonna be. Adams got the inner monologue.

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Speaker 5: Before we jump into the episode, Zach, how did you

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Speaker 5: come to Severn?

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Speaker 2: So?

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Speaker 5: Did you get cast?

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Speaker 3: My recollection is I sent in a tape for ship?

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Speaker 2: Then oh my god, I fucked up?

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Speaker 3: Call back and at the time.

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Speaker 2: What do I do now?

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Speaker 3: Correct on a day that I was shooting, but they

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Speaker 3: let me go leave How to get out of this

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Speaker 3: in the middle of the day and then come back?

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Speaker 1: Still going, still going?

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Speaker 3: And I remember I was sitting in the waiting room

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Speaker 3: and I saw Ben walk.

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Speaker 1: Can I give him the wrap? S? Does he even

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Speaker 1: know it? Does he even know hands signal to wrap

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Speaker 1: it up?

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Speaker 3: And then Ben was just like, I kick my drink over.

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Speaker 1: Yeah, I guess.

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Speaker 3: And then I went in and read they didn't like it.

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Speaker 3: They would have just made I laugh.

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Speaker 1: He'll be like, this is over now, my story is over.

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Speaker 2: Go laugh? Didn't do it?

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Speaker 3: Come of it? And and sat in silence for a

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Speaker 3: little bit. And then and I actually got a lot

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Speaker 3: of hurt myself. Do I have to hurt myself? How

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Speaker 3: bad am I willing to a lot of people like

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Speaker 3: that episode? A lot of people?

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Speaker 1: So so let me just back up, because you said

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Speaker 1: something about.

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Speaker 2: The larger puzzle in some way that I didn't understand. Hayes.

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Speaker 1: You thought you said something I thought was interesting. So

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Speaker 1: let me ask my first question, who the fuck are

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Speaker 1: you talking to? You're asking you who the fuck are

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Speaker 1: you talking to on the show.

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Speaker 3: I'm talking to. I'm talking to my my coworkers, Adam

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Speaker 3: Scott and Ben Stiller.

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Speaker 1: Hey wait, but Adam doesn't do podcasts. Uh, I don't

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Speaker 1: think Adam appears on podcasts.

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Speaker 2: That was actually my confusion too, And I could definitely

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Speaker 2: see how you would think it was.

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Speaker 1: You said, I'm gonna be Adam Scott's inner monog and

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Speaker 1: I said, it doesn't sound like him, but I know

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Speaker 1: he doesn't do podcasts, So what did they do?

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Speaker 2: Sor I was being Adam Scott's inner monologue listening to

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Speaker 2: the show at home because he doesn't do podcasts.

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Speaker 1: He's saying he does.

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Speaker 3: A lot, and I haven't heard him on here, but

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Speaker 3: he's been on a bunch because he has a whole

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Speaker 3: he has a whole series with Scott, and then he

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Speaker 3: does go on comedy Bang Bang m hm, and now

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Speaker 3: he does another show.

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Speaker 2: It's like TV shows again. I think he's like talking

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Speaker 2: about TV shows and he loves TV show show so

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Speaker 2: much that he's like a podcast as a TV show

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Speaker 2: or actually rather that a TV show is a podcast.

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Speaker 1: And then Ben actually does do podcasts, but he does

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Speaker 1: him once and then he's kind of tough to follow

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Speaker 1: up on.

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Speaker 3: I haven't experienced that with either of them, So okay,

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Speaker 3: that's not been my experience.

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Speaker 1: So you're talking about this show on here. We've talked

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Speaker 1: about this show on here before. Have you figured out

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Speaker 1: what the fuck is going on with this thing? I'm

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Speaker 1: looking at it still and I'm going, what do they

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Speaker 1: even think they're doing? Or what's happening? Or when is

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Speaker 1: the show going to start? You know what I mean?

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Speaker 2: I do.

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Speaker 3: I remember you had some issues with I don't know

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Speaker 3: if it was your TV or your computer.

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Speaker 1: I don't think it was. First of all, let me

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Speaker 1: say this, I think it is on the computer. Sometimes

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Speaker 1: that's not a TV show.

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Speaker 2: That's not and you this guy would know, Zach, he's

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Speaker 2: doing a damn residency in the computer.

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Speaker 3: What did you when Kevin sent you this suck sash file?

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Speaker 3: What did you watch that on?

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Speaker 1: Because of where it's sort of a long story, but

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Speaker 1: but ultimately my wife's watch Okay, so that was where

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Speaker 1: I ended up. That ended up being the screen where

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Speaker 1: I could get it to work.

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Speaker 3: I'm if you want to walk us through that process,

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Speaker 3: I'm happy to hear it.

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Speaker 2: I had to set it up, so I'm happy to

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Speaker 2: take it from here.

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Speaker 1: Yeah, yeah, that would be great.

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Speaker 2: I don't.

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Speaker 1: I couldn't. I was scared. As Hayes will tell.

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Speaker 2: You, I was able to plug in an external laser

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Speaker 2: disc drive into his wife's into his wife's watch, yes,

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Speaker 2: without waking her up.

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Speaker 1: Hmm okay.

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Speaker 3: So my advice to you would be, the next time

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Speaker 3: you try and watch Severn's, just use that same send show.

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Speaker 2: I just I do just want to say, like, I

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Speaker 2: almost got caught, because the next day Sean was like,

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Speaker 2: you know, she'd like, she wears it to sleep to

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Speaker 2: like monitor her heart rate, and she was like, oh, like,

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Speaker 2: my heart rate's a little different than it was normally.

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Speaker 2: But it turned out that when the show was playing

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Speaker 2: on her watch, her heart rate got boring or yeah.

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Speaker 3: It measured it. The measurements said that it got boring.

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Speaker 2: The heart rate was perfectly matching something that was boringer.

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Speaker 2: That even being a sleek somehow the rhythms of the

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Speaker 2: show made her heart rate boringer than it was normal.

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Speaker 1: When she's just from sleeping, having our heart do.

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Speaker 2: Well.

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Speaker 3: Now it feels like you think that's an insult to me.

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Speaker 3: But you were you were watching show, you were watching.

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Speaker 3: I was watching my show.

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Speaker 1: So I never said what to do with mister defensive.

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Speaker 1: Everything's so personal it revolves around you. No, you just

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Speaker 1: suggested Succession as a show to watch.

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Speaker 3: You and you were watching these suck session videos that

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Speaker 3: Kevin sent. You know, I haven't seen them. I don't

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Speaker 3: know what that is. So if that's boring, that has

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Speaker 3: nothing to do with me.

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Speaker 1: I didn't say it was boring. I said my wife's

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Speaker 1: heart rate was measurably boringer than during sleep.

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Speaker 3: Well, maybe next time show her severance and see what

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Speaker 3: her heart, see how her heart responds.

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Speaker 1: She I wasn't showing her anything, Zach. No one showed

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Speaker 1: her anything. You're such a terrible listener. And so much

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Speaker 1: of acting and so much of performing in comedy is

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Speaker 1: rooted in listening to your scene partner, observing, reacting honestly.

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Speaker 1: And what you're doing now is you're taking the.

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Speaker 2: Goalpost, pinching that.

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Speaker 1: And and now I've got to show her severance because

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Speaker 1: the suck session heart rate, she.

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Speaker 2: Was asleep and her watch I don't listening to.

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Speaker 1: The story of how you got the fucking show.

401
00:20:53,320 --> 00:20:58,280
Speaker 2: Sean was kneeling on the floor. His chin resting on

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Speaker 2: the bed was to hold his head up easier.

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Speaker 1: Mm hmm, okay, well watch my show.

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Speaker 3: My advice would be the next time that you I

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Speaker 3: to watch Severance. I was don't have to show.

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Speaker 1: Oven mits taped to my hands inside of sleeping back

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Speaker 1: the way Mike bro Bigli asleep just because I'm a fan.

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00:21:19,000 --> 00:21:20,399
Speaker 1: I don't have a sleep wal, I can guess you,

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Speaker 1: but I just am such a fan of his work,

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Speaker 1: and it just I thought that sounds really cozy to me.

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Speaker 1: And so that was like another big reason that like,

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Speaker 1: I was never gonna be able to get this thing

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Speaker 1: to play if Haye didn't come over. I got really scared,

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Speaker 1: but I just decided to try it, you know. So

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Speaker 1: sleeping bag, it's like taped on Oh yeah.

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00:21:40,960 --> 00:21:43,879
Speaker 2: Yeah I did. It's a framed copy of Vulture magazine

417
00:21:43,880 --> 00:21:46,560
Speaker 2: from when they talked about that thing for the fucking

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Speaker 2: five hundred thousand times.

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Speaker 1: When I finally officially fell asleep just seeing it even mentioned.

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Speaker 3: When they talked about Mike Berbiglia's movie that.

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Speaker 1: And it was not just a movie. My friend was

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Speaker 1: every form of media.

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Speaker 2: About five hundred thousand times, and they and I got

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Speaker 2: a framed copy of that issue.

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Speaker 1: There is if they invent a new form of media tomorrow,

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Speaker 1: it will the first thing they will debut on. That

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Speaker 1: will be some version of this sleepwalking issue that this

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Speaker 1: man has.

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Speaker 3: It hasn't made it to TV yet, so I haven't.

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Speaker 3: I have not seen it.

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00:22:27,680 --> 00:22:32,400
Speaker 2: That's the one they're they're working on. That one. That's

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Speaker 2: the that's the last Frontier TV dead, this TV show.

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00:22:38,440 --> 00:22:40,320
Speaker 2: And so, I mean, it's hard to imagine where you

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Speaker 2: go from here in this interview, but I am curious.

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00:22:44,480 --> 00:22:48,480
Speaker 3: Yeah, yeah, I want to say this interview there's context.

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00:22:49,119 --> 00:22:51,400
Speaker 3: It's not about just TV shows in general. It's about

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Speaker 3: the process of making the show.

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00:22:53,040 --> 00:22:56,960
Speaker 2: Seven the content. That's what I was and so set

439
00:22:57,040 --> 00:22:59,200
Speaker 2: up set up this conversation, Adam Scott.

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Speaker 1: Context.

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00:23:00,280 --> 00:23:03,600
Speaker 6: The setup is the rest of episode asks you how

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Speaker 6: just go listen to that, just go listen to that.

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Speaker 1: Well, they're not gonna do that, Zach.

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Speaker 3: They probably already did.

445
00:23:12,880 --> 00:23:14,560
Speaker 2: Just when you told them. You think they just went

446
00:23:14,640 --> 00:23:17,240
Speaker 2: and did it, right, then you actually think they did that?

447
00:23:17,800 --> 00:23:18,560
Speaker 2: Is that possible?

448
00:23:19,920 --> 00:23:20,680
Speaker 3: It's possible?

449
00:23:22,160 --> 00:23:23,760
Speaker 2: Do you like, Zach?

450
00:23:24,680 --> 00:23:29,480
Speaker 1: You know, the star of Better Man. Robbie Williams, featured

451
00:23:29,520 --> 00:23:34,080
Speaker 1: as a monkey in that film, had once had an

452
00:23:34,160 --> 00:23:38,720
Speaker 1: album called The Ego has Landed. And I think the

453
00:23:38,800 --> 00:23:44,840
Speaker 1: same thing just happened on this show. Your arrogance, your

454
00:23:46,200 --> 00:23:49,840
Speaker 1: disgusting narcissism. And I know that word has used too

455
00:23:49,920 --> 00:23:53,800
Speaker 1: much these days to believe that everyone hearing this has

456
00:23:54,040 --> 00:23:57,639
Speaker 1: already listened to that episode of the show about TV

457
00:23:57,760 --> 00:23:58,760
Speaker 1: shows that you did.

458
00:24:00,119 --> 00:24:03,040
Speaker 3: Well, we've been talking about you played the same You

459
00:24:03,080 --> 00:24:05,000
Speaker 3: played a piece of a clip over and over. If

460
00:24:05,040 --> 00:24:07,240
Speaker 3: they wanted to hear the rest of it. I assume

461
00:24:07,280 --> 00:24:09,920
Speaker 3: they would, you know, go check it out on their own.

462
00:24:10,000 --> 00:24:12,240
Speaker 1: But can I get that?

463
00:24:14,320 --> 00:24:16,680
Speaker 2: Well, then we don't have anything to do now, Zach the.

464
00:24:16,640 --> 00:24:18,840
Speaker 3: Short version of what do you want to hear?

465
00:24:19,119 --> 00:24:21,280
Speaker 1: I don't know the answer the question what happens on

466
00:24:21,320 --> 00:24:21,840
Speaker 1: the podcast?

467
00:24:21,880 --> 00:24:23,800
Speaker 3: I was cast on the show? I was cast on

468
00:24:23,840 --> 00:24:27,760
Speaker 3: the show. That's the short version. Is that better than

469
00:24:28,119 --> 00:24:33,600
Speaker 3: the version you heard? Are you more satisfied with that?

470
00:24:32,520 --> 00:24:35,960
Speaker 2: And like the kind of critic that just gives something

471
00:24:36,000 --> 00:24:39,040
Speaker 2: like like this gets a a this gets to be whatever. No,

472
00:24:39,160 --> 00:24:40,880
Speaker 2: I'll just be like, yeah, they both suck.

473
00:24:42,760 --> 00:24:46,080
Speaker 1: Yeah, Okay, it's not a competition between the two. But

474
00:24:46,359 --> 00:24:48,600
Speaker 1: this one's bad. That one's bad in a different way.

475
00:24:49,960 --> 00:24:54,560
Speaker 1: This one is more respectful of my time. That one,

476
00:24:54,600 --> 00:24:57,480
Speaker 1: I guess is like, I mean, I can I can

477
00:24:57,560 --> 00:24:59,840
Speaker 1: relate to you more because you're kind of soaking up, like,

478
00:25:00,040 --> 00:25:03,679
Speaker 1: oh my god, ai Adam Scott is talking to me like,

479
00:25:03,680 --> 00:25:05,240
Speaker 1: when am I going to get this chance again?

480
00:25:05,280 --> 00:25:11,920
Speaker 2: You know, Kevin is there any more?

481
00:25:12,680 --> 00:25:15,119
Speaker 5: So after that, we kind of go back to the

482
00:25:15,160 --> 00:25:19,440
Speaker 5: workstation and Dylan is teaching Helly how they do their

483
00:25:19,520 --> 00:25:21,639
Speaker 5: job and everything. But he starts showing off all the

484
00:25:21,720 --> 00:25:25,080
Speaker 5: incentives he's earned from being so good at his job.

485
00:25:25,240 --> 00:25:30,119
Speaker 3: Is this this is the way what's going on? This

486
00:25:30,200 --> 00:25:31,800
Speaker 3: is the only way you could think to get at

487
00:25:31,880 --> 00:25:32,480
Speaker 3: him on the show?

488
00:25:32,720 --> 00:25:36,000
Speaker 2: Did you did you forget what the show was supposed

489
00:25:36,040 --> 00:25:37,560
Speaker 2: to be about that day? And he has to tell

490
00:25:37,640 --> 00:25:39,560
Speaker 2: you on a podcast.

491
00:25:39,119 --> 00:25:43,560
Speaker 1: Islet or something? Because you don't know what to do.

492
00:25:43,640 --> 00:25:46,080
Speaker 2: They have to train ai Adam Scott to get you

493
00:25:46,119 --> 00:25:49,000
Speaker 2: to remember what's even happening on your own show every day,

494
00:25:49,040 --> 00:25:52,600
Speaker 2: and to get you I didn't get you to realization,

495
00:25:52,880 --> 00:25:54,800
Speaker 2: pretend that it's on a podcast about it.

496
00:25:54,880 --> 00:25:56,920
Speaker 3: I finally understand what's going on here, So if you guys,

497
00:25:57,000 --> 00:25:59,440
Speaker 3: if this is how this is the only way I think.

498
00:25:59,320 --> 00:26:04,200
Speaker 2: I understand what's going on here. You said no preferences.

499
00:26:05,200 --> 00:26:08,040
Speaker 1: You should have said system preferences. Brother, make sure your

500
00:26:08,119 --> 00:26:10,840
Speaker 1: damn headphones were working. Okay, you just said you didn't

501
00:26:10,840 --> 00:26:11,359
Speaker 1: hear the captain.

502
00:26:11,440 --> 00:26:13,680
Speaker 3: I'm sorry, play the play the clip again.

503
00:26:13,960 --> 00:26:16,480
Speaker 5: So after that we kind of go back to the

504
00:26:16,560 --> 00:26:20,840
Speaker 5: workstation and Dylan is teaching Helly how they do their

505
00:26:20,920 --> 00:26:23,000
Speaker 5: job and everything. But he started showing off all the

506
00:26:23,119 --> 00:26:27,320
Speaker 5: incentives he's earned from being so good at his job. Zact.

507
00:26:27,359 --> 00:26:30,520
Speaker 2: Okay, can I just wanted to check here. Yeah. I

508
00:26:30,560 --> 00:26:32,520
Speaker 2: thought it was kind of rude in the podcast when

509
00:26:32,760 --> 00:26:36,040
Speaker 2: a Adam Scott was talking that you chimed in and said,

510
00:26:36,080 --> 00:26:40,200
Speaker 2: that's me. I play the character Dylain that I understand

511
00:26:40,240 --> 00:26:42,680
Speaker 2: he's an AI, but like he is actually the star

512
00:26:42,880 --> 00:26:43,800
Speaker 2: still some respect.

513
00:26:44,040 --> 00:26:46,919
Speaker 1: Yes, And I also say, like, one thing that is

514
00:26:46,960 --> 00:26:47,800
Speaker 1: distressing to me.

515
00:26:47,800 --> 00:26:49,679
Speaker 3: Is I was trying to give you context for that.

516
00:26:51,040 --> 00:26:54,080
Speaker 2: I wouldn't be listening to this. Don't be thinking about

517
00:26:54,080 --> 00:26:57,600
Speaker 2: me when you're doing this podcast in the moment just now.

518
00:26:57,880 --> 00:26:59,960
Speaker 2: I was trying to give you context for what was

519
00:27:00,080 --> 00:27:02,960
Speaker 2: happening when I'm because You've been very confused when.

520
00:27:02,800 --> 00:27:06,320
Speaker 1: I'm listening to this. If you have if you have

521
00:27:06,359 --> 00:27:09,160
Speaker 1: your way, I'm gonna stay confused until the day I die, which,

522
00:27:09,160 --> 00:27:11,000
Speaker 1: if you have your way, will be very soon, I'm

523
00:27:11,040 --> 00:27:16,440
Speaker 1: sure so so I'm yeah, that's how we die.

524
00:27:16,640 --> 00:27:17,520
Speaker 3: I don't want you to out.

525
00:27:17,560 --> 00:27:23,280
Speaker 1: So as I'm listening to this, uh clip, even knowing

526
00:27:23,280 --> 00:27:25,880
Speaker 1: that the Adam Scott is ai, you can just hear

527
00:27:26,040 --> 00:27:29,359
Speaker 1: in the way that he's asking this next question that

528
00:27:29,480 --> 00:27:32,000
Speaker 1: he had to listen to the answer to the first one.

529
00:27:32,800 --> 00:27:34,320
Speaker 1: Isn't it just palpable?

530
00:27:34,520 --> 00:27:38,840
Speaker 3: Like even just seems to have lost that might have

531
00:27:38,920 --> 00:27:40,199
Speaker 3: been earlier in the podcast on.

532
00:27:40,440 --> 00:27:46,240
Speaker 7: Certain a certain will to carry on, you know, and

533
00:27:46,320 --> 00:27:50,199
Speaker 7: it actually gives you like a sympathy for these you know,

534
00:27:50,480 --> 00:27:55,040
Speaker 7: like they don't have souls per se necessarily, but they

535
00:27:55,160 --> 00:27:55,560
Speaker 7: still have.

536
00:27:55,520 --> 00:28:00,399
Speaker 1: An accumulation of experience, yes, and it impacts them the

537
00:28:00,440 --> 00:28:02,240
Speaker 1: way it would impact anyone.

538
00:28:05,200 --> 00:28:05,760
Speaker 5: Incentives.

539
00:28:05,960 --> 00:28:08,679
Speaker 3: Yeah, that's that's a big thing for Dylan. And I

540
00:28:08,680 --> 00:28:12,600
Speaker 3: remember when I first started working on the show, I

541
00:28:12,640 --> 00:28:15,840
Speaker 3: didn't ask a ton of like extra questions about about

542
00:28:15,840 --> 00:28:18,320
Speaker 3: what we know about Dylan. So like early on this

543
00:28:18,400 --> 00:28:21,199
Speaker 3: is kind of it. You learn that he is the

544
00:28:21,320 --> 00:28:24,680
Speaker 3: type of guy who is who is really obsessed with

545
00:28:24,880 --> 00:28:30,120
Speaker 3: like hitting Asach Mark's at work basically, and that informed

546
00:28:30,400 --> 00:28:33,240
Speaker 3: a lot about him. I'm talking about my character Dylan,

547
00:28:33,960 --> 00:28:34,320
Speaker 3: and what.

548
00:28:34,320 --> 00:28:37,119
Speaker 1: Did you say? He's obsessed with hitting is what at work?

549
00:28:37,760 --> 00:28:40,040
Speaker 3: His Marx, I was. I was referencing him.

550
00:28:40,080 --> 00:28:45,080
Speaker 1: So Marx is something that an actor hits. And also

551
00:28:46,600 --> 00:28:50,640
Speaker 1: there's a character named Mark as you just d so like,

552
00:28:50,800 --> 00:28:52,400
Speaker 1: what are you talking about?

553
00:28:52,680 --> 00:28:56,200
Speaker 2: I think sometimes when you chime in and say, this

554
00:28:56,280 --> 00:28:59,160
Speaker 2: is me Zach the actor, this is me the character Dylan,

555
00:28:59,200 --> 00:29:02,400
Speaker 2: I think sometimes what you think is Dylan is actually Zach.

556
00:29:04,040 --> 00:29:05,720
Speaker 3: I thought it was pretty clear based on that.

557
00:29:05,880 --> 00:29:08,800
Speaker 2: Dylan does not know about the March. He can't see those.

558
00:29:09,360 --> 00:29:12,480
Speaker 3: That's right, But he has goals that he's trying to hit.

559
00:29:12,960 --> 00:29:14,920
Speaker 2: Oh, he might refer to it and let me guess

560
00:29:14,920 --> 00:29:17,360
Speaker 2: he's pinching them and taking them across state lines.

561
00:29:18,160 --> 00:29:24,000
Speaker 1: Look. Look, without without really having like seen the show

562
00:29:24,120 --> 00:29:27,040
Speaker 1: in any kind of measurable I.

563
00:29:26,960 --> 00:29:29,040
Speaker 3: Gave you some I gave you advice on how to

564
00:29:29,080 --> 00:29:29,640
Speaker 3: fix that.

565
00:29:29,680 --> 00:29:34,040
Speaker 1: In any kind of you know, actionable way. What I

566
00:29:34,080 --> 00:29:38,120
Speaker 1: can say is, when I'm listening to this, I can't

567
00:29:38,200 --> 00:29:41,960
Speaker 1: translate just from having been in the biz for a

568
00:29:42,040 --> 00:29:42,520
Speaker 1: day or two.

569
00:29:42,640 --> 00:29:47,880
Speaker 3: Myself was just telling us, this is Sean talking right

570
00:29:47,920 --> 00:29:48,440
Speaker 3: now when.

571
00:29:48,320 --> 00:29:52,360
Speaker 1: You're telling us, yeah, I didn't. It was early on.

572
00:29:52,440 --> 00:29:55,720
Speaker 1: I didn't really ask a lot of questions about who

573
00:29:56,440 --> 00:29:59,480
Speaker 1: Dylan is And what you're really saying is I wasn't

574
00:29:59,520 --> 00:30:01,560
Speaker 1: really doing my job.

575
00:30:03,360 --> 00:30:10,600
Speaker 3: Sure, yes, but the checks still cleared? Is that so

576
00:30:10,960 --> 00:30:14,280
Speaker 3: I'm not as familiar with your work on camera, Sean

577
00:30:15,800 --> 00:30:18,719
Speaker 3: when you prepared for the role talking about it now?

578
00:30:18,840 --> 00:30:21,960
Speaker 1: Stop like you have not doing a whole podcast every

579
00:30:21,960 --> 00:30:22,600
Speaker 1: other day.

580
00:30:23,080 --> 00:30:26,840
Speaker 3: Yeah, well you weren't invited to. But when you prepared

581
00:30:26,880 --> 00:30:29,320
Speaker 3: for the role, what was your role on Parks and

582
00:30:29,400 --> 00:30:31,320
Speaker 3: rec Bjorn lerpist or something.

583
00:30:32,120 --> 00:30:34,000
Speaker 1: His name is Matt Marbles.

584
00:30:34,120 --> 00:30:36,680
Speaker 3: Matt Marbles. Yeah, so did you ask a lot of

585
00:30:36,760 --> 00:30:38,800
Speaker 3: questions going in about Matt Marbles?

586
00:30:38,880 --> 00:30:46,200
Speaker 1: Endless? And like what did you ask? Where am I?

587
00:30:46,360 --> 00:30:47,040
Speaker 2: Where am I?

588
00:30:48,920 --> 00:30:51,360
Speaker 3: Well, usually that you can get back from the script.

589
00:30:51,440 --> 00:30:52,280
Speaker 1: What's my secret?

590
00:30:52,760 --> 00:30:53,920
Speaker 3: Why is this happening?

591
00:30:54,960 --> 00:30:59,160
Speaker 1: Who am I hiding the secret from? Are they gonna

592
00:30:59,160 --> 00:31:02,080
Speaker 1: catch me? Do I secretly want to.

593
00:31:02,040 --> 00:31:05,280
Speaker 3: Be caught for the secret?

594
00:31:05,320 --> 00:31:07,840
Speaker 1: Is that you keep two secrets? I know, but you

595
00:31:07,880 --> 00:31:08,680
Speaker 1: have to ask what.

596
00:31:08,560 --> 00:31:12,080
Speaker 3: It is I don't think that's usually how people do.

597
00:31:12,120 --> 00:31:15,400
Speaker 1: It was this guy's favorite camp game, you know what

598
00:31:15,480 --> 00:31:18,120
Speaker 1: I mean, Just dig in. It's just like there's meat

599
00:31:18,200 --> 00:31:21,680
Speaker 1: on the bone. I would for months seating up to that,

600
00:31:21,720 --> 00:31:24,520
Speaker 1: I would recreate Matt Merble's commute to work every morning,

601
00:31:25,240 --> 00:31:27,080
Speaker 1: just to get used to the root, you know what

602
00:31:27,080 --> 00:31:27,400
Speaker 1: I mean.

603
00:31:27,480 --> 00:31:29,920
Speaker 3: So you flew to Pawnee and.

604
00:31:32,520 --> 00:31:32,920
Speaker 2: Mm hmm.

605
00:31:34,600 --> 00:31:37,160
Speaker 1: Flying to Pawnee is not part of his commute because

606
00:31:37,200 --> 00:31:39,200
Speaker 1: he lives there, right.

607
00:31:39,520 --> 00:31:42,640
Speaker 3: You flew out once and then you drove back and

608
00:31:42,680 --> 00:31:46,240
Speaker 3: forth mm hmm from every day home to his work.

609
00:31:46,400 --> 00:31:48,480
Speaker 3: So I had to get his address. I had to

610
00:31:48,480 --> 00:31:51,840
Speaker 3: find out where the office was. What's the just bad

611
00:31:52,000 --> 00:31:54,000
Speaker 3: situation getting into the room.

612
00:31:54,920 --> 00:31:59,320
Speaker 8: It's it's not all about the money for everybody's act.

613
00:32:00,080 --> 00:32:02,920
Speaker 8: For some of us, it's actually about the art on screen.

614
00:32:03,200 --> 00:32:05,400
Speaker 8: And when you watch the episode and you see that

615
00:32:05,440 --> 00:32:07,240
Speaker 8: I was nodding my head so much while other people

616
00:32:07,240 --> 00:32:09,560
Speaker 8: were talking that they were unable to create any sort

617
00:32:09,560 --> 00:32:11,760
Speaker 8: of continuity when they got back and forth to me,

618
00:32:12,320 --> 00:32:17,120
Speaker 8: you'll understand that it really wasn't about you know, some

619
00:32:17,160 --> 00:32:20,360
Speaker 8: sort of financial thing, some reward, some getting more work

620
00:32:20,400 --> 00:32:24,640
Speaker 8: out of this. It was about in that moment saying

621
00:32:24,920 --> 00:32:26,320
Speaker 8: yes to the moment.

622
00:32:27,120 --> 00:32:30,840
Speaker 3: I respect that. I respect that I do. I respect

623
00:32:30,880 --> 00:32:33,480
Speaker 3: that I was. I was ready to sort of, you.

624
00:32:33,480 --> 00:32:36,600
Speaker 1: Know, the scene Adam Scott and speaking of jumping all over.

625
00:32:36,640 --> 00:32:39,160
Speaker 1: I interrupted him pretty hard one take, and I could

626
00:32:39,240 --> 00:32:44,239
Speaker 1: feel that he felt that I just had something I

627
00:32:44,280 --> 00:32:46,640
Speaker 1: wanted to get off. And boy, oh boy, did I

628
00:32:46,720 --> 00:32:48,800
Speaker 1: get it off. And man was it a little bit

629
00:32:48,880 --> 00:32:50,160
Speaker 1: quiet at the end of that take.

630
00:32:51,280 --> 00:32:55,600
Speaker 3: And that has been my experience working with him.

631
00:32:55,640 --> 00:32:59,160
Speaker 2: So then, well, your guy is like at all, your

632
00:32:59,240 --> 00:33:04,720
Speaker 2: guy like seems to not even know the moment is happening.

633
00:33:05,600 --> 00:33:09,720
Speaker 2: I mean, like I barely ever seeing them nodding it once.

634
00:33:10,120 --> 00:33:13,360
Speaker 1: Your guy is like head is in the same spot

635
00:33:13,400 --> 00:33:15,840
Speaker 1: like all the time when they're moving the cameras and

636
00:33:15,880 --> 00:33:16,640
Speaker 1: going around.

637
00:33:17,280 --> 00:33:21,240
Speaker 3: You know, I know Sean hasn't Sean was watching just

638
00:33:21,280 --> 00:33:22,920
Speaker 3: a blank screen? Have you seen the show?

639
00:33:23,160 --> 00:33:23,520
Speaker 2: Yes?

640
00:33:25,160 --> 00:33:28,080
Speaker 3: And so your your opinion of my performance is that

641
00:33:28,560 --> 00:33:30,800
Speaker 3: I don't even know the moment is happening.

642
00:33:31,880 --> 00:33:37,600
Speaker 2: I mean, look, if I'm in a scene with the

643
00:33:37,680 --> 00:33:47,640
Speaker 2: severance Snape himself to me, that's the moment, that that's

644
00:33:47,680 --> 00:33:49,720
Speaker 2: the moment, and.

645
00:33:49,640 --> 00:33:51,400
Speaker 3: I'll give it up for that. I'll give it up.

646
00:33:51,360 --> 00:33:54,680
Speaker 2: When that moment's happening, there's only one thing to say,

647
00:33:55,320 --> 00:33:56,160
Speaker 2: and that is.

648
00:33:57,720 --> 00:34:02,800
Speaker 1: Yes, doggy, big no, big violent.

649
00:34:07,680 --> 00:34:10,520
Speaker 3: That's that is really interesting. I think that would have

650
00:34:10,560 --> 00:34:16,480
Speaker 3: been interesting. That wasn't. That was never in the script. Uh,

651
00:34:16,520 --> 00:34:20,120
Speaker 3: and it never felt earned to me. Just being there.

652
00:34:20,200 --> 00:34:23,160
Speaker 2: You need but I'm sorry, you need like every body

653
00:34:23,239 --> 00:34:26,160
Speaker 2: motion in the script for you. I was.

654
00:34:26,280 --> 00:34:29,919
Speaker 3: I was more speaking to the yes doggy to move

655
00:34:30,000 --> 00:34:30,640
Speaker 3: around some.

656
00:34:32,160 --> 00:34:35,279
Speaker 2: Say yes dog. You just do big nods and you

657
00:34:35,360 --> 00:34:39,719
Speaker 2: do a little a little you feel the yes dog.

658
00:34:41,440 --> 00:34:44,560
Speaker 3: I'm sorry I was not understanding the note. Uh, sure,

659
00:34:44,640 --> 00:34:46,480
Speaker 3: that's something I could have done. It didn't. It didn't.

660
00:34:46,680 --> 00:34:49,480
Speaker 3: It never felt like the show needed it.

661
00:34:50,080 --> 00:34:53,000
Speaker 1: Okay, well, don't feel like anything. I'm looking at the

662
00:34:53,040 --> 00:34:54,840
Speaker 1: fucking show. There's nothing on screen.

663
00:34:56,440 --> 00:34:58,359
Speaker 3: I wish. I wish i'd been able to be there

664
00:34:58,400 --> 00:35:00,360
Speaker 3: in person, because I could have showed you.

665
00:35:00,360 --> 00:35:02,319
Speaker 2: You weren't even if you weren't even in person on

666
00:35:02,360 --> 00:35:05,040
Speaker 2: the show. You did that for the computer too.

667
00:35:05,200 --> 00:35:07,480
Speaker 1: Oh my god, you're obsessed with being.

668
00:35:09,120 --> 00:35:12,600
Speaker 2: Show. Just all in there, aren't you? Good?

669
00:35:14,440 --> 00:35:16,719
Speaker 3: Show will be coming to set to them cooing in

670
00:35:16,760 --> 00:35:20,000
Speaker 3: the computer. Well, I was really I was really sick.

671
00:35:19,840 --> 00:35:20,160
Speaker 2: So.

672
00:35:22,239 --> 00:35:26,279
Speaker 1: Damn I'm sorry man, Jesus Christ a virus?

673
00:35:27,520 --> 00:35:31,680
Speaker 2: Yeah, four more clip, I'm sorry man, that sucks.

674
00:35:33,680 --> 00:35:37,319
Speaker 5: So then the Mellon Party actually starts and Zach, why

675
00:35:37,360 --> 00:35:38,839
Speaker 5: does Dylan love the Melon Party?

676
00:35:38,920 --> 00:35:39,000
Speaker 2: So?

677
00:35:39,200 --> 00:35:40,120
Speaker 1: I think it's all.

678
00:35:40,200 --> 00:35:44,120
Speaker 2: Just you know, I just this guy can teach you

679
00:35:44,120 --> 00:35:50,640
Speaker 2: a little lesson about about jumping the jumping your cue there,

680
00:35:51,640 --> 00:35:52,800
Speaker 2: he's not dub.

681
00:35:55,160 --> 00:35:58,480
Speaker 1: You kind of started, but he wasn't.

682
00:35:58,239 --> 00:36:01,319
Speaker 2: That and you can feel him show the fuck down.

683
00:36:01,560 --> 00:36:03,160
Speaker 2: He's and that's it for the other.

684
00:36:03,400 --> 00:36:04,719
Speaker 1: Okay, I guess you don't need me here.

685
00:36:04,760 --> 00:36:06,680
Speaker 2: He's clocked out.

686
00:36:11,960 --> 00:36:14,040
Speaker 3: I guess that's where I'm I didn't feel that there

687
00:36:14,120 --> 00:36:16,520
Speaker 3: was a lot more coming from that question.

688
00:36:16,640 --> 00:36:19,239
Speaker 1: Even now, you don't feel it, yeah, I guess.

689
00:36:19,239 --> 00:36:21,520
Speaker 2: Wow, even though listening to pack you don't feel it.

690
00:36:21,760 --> 00:36:27,040
Speaker 3: Oh wow, let me hear it again, keV big Dog.

691
00:36:27,880 --> 00:36:31,560
Speaker 5: So then the melon party actually starts and Zach, why

692
00:36:31,560 --> 00:36:33,080
Speaker 5: does Dylan love the Melon Party?

693
00:36:33,120 --> 00:36:37,440
Speaker 3: So? I think it's all just so if you listen closely,

694
00:36:38,239 --> 00:36:39,880
Speaker 3: he actually did finish his question.

695
00:36:40,040 --> 00:36:44,400
Speaker 2: No, he was pretty close. Why does Dylan love the

696
00:36:44,440 --> 00:36:46,080
Speaker 2: Melon party so much? In the show?

697
00:36:46,640 --> 00:36:49,560
Speaker 1: Yeah, well, he guess, well, he does say under his breastworder,

698
00:36:49,600 --> 00:36:51,200
Speaker 1: do you think, But I think he was gonna say,

699
00:36:51,360 --> 00:36:54,279
Speaker 1: do you think it's maybe because and then lay out

700
00:36:54,560 --> 00:36:57,640
Speaker 1: his own premise of why maybe Dylan loves the Melon

701
00:36:57,719 --> 00:37:00,279
Speaker 1: Party so much? And do you hear that, even under

702
00:37:00,360 --> 00:37:03,840
Speaker 1: duress the stank he puts on Melon Party the second

703
00:37:03,880 --> 00:37:08,000
Speaker 1: Tybee says it, he knows there's something juicy and delicious

704
00:37:08,000 --> 00:37:10,760
Speaker 1: in there, just like the melon. So heyes.

705
00:37:10,880 --> 00:37:12,960
Speaker 3: You think he was going to clarify that he means

706
00:37:13,040 --> 00:37:13,720
Speaker 3: in the show.

707
00:37:13,680 --> 00:37:16,799
Speaker 1: The show, that would help me because I didn't know

708
00:37:16,840 --> 00:37:18,040
Speaker 1: what the fuck was going on.

709
00:37:18,600 --> 00:37:20,879
Speaker 3: You felt my answer didn't address that.

710
00:37:21,880 --> 00:37:24,400
Speaker 2: Well, I'm listening and I'm like, why are we talking

711
00:37:24,440 --> 00:37:28,000
Speaker 2: about this? Yeah? What is it? It can't be that

712
00:37:28,080 --> 00:37:31,600
Speaker 2: this is a show that's happening somewhere else because here

713
00:37:33,120 --> 00:37:35,560
Speaker 2: it takes the same amount of time to just do

714
00:37:35,640 --> 00:37:37,319
Speaker 2: it over there. Why don't we just do that?

715
00:37:37,680 --> 00:37:40,480
Speaker 1: By the way, it's scary, it's terrifying.

716
00:37:41,000 --> 00:37:43,120
Speaker 3: The podcast clips we're hearing are scary.

717
00:37:43,800 --> 00:37:47,920
Speaker 1: Yes, all of it. The show. The show is basically

718
00:37:48,000 --> 00:37:50,759
Speaker 1: all ghosts. And then you're talking about the show as

719
00:37:50,760 --> 00:37:52,640
Speaker 1: if I've seen something that was never there.

720
00:37:52,760 --> 00:37:54,960
Speaker 2: Clips her bone shreddingly terrified.

721
00:37:55,000 --> 00:37:58,800
Speaker 1: It's like being it's like It's like having your entire

722
00:37:59,360 --> 00:38:03,200
Speaker 1: reality pulled out from beneath you because I'm going, well,

723
00:38:03,239 --> 00:38:06,680
Speaker 1: I watched the show, dog shit, nothing happened. There was

724
00:38:06,719 --> 00:38:07,600
Speaker 1: nothing that did agree.

725
00:38:07,719 --> 00:38:10,120
Speaker 3: You didn't watch the show, And now I want these

726
00:38:10,160 --> 00:38:11,399
Speaker 3: guys talk about it.

727
00:38:11,920 --> 00:38:15,239
Speaker 1: And it's like they're going, oh, the melon party. I'm like,

728
00:38:15,320 --> 00:38:17,160
Speaker 1: that didn't fucking that's.

729
00:38:16,960 --> 00:38:19,560
Speaker 3: Not it it Kevin, can you bring up a clip

730
00:38:19,600 --> 00:38:21,520
Speaker 3: on your phone and go show Sean a clip of

731
00:38:21,560 --> 00:38:22,200
Speaker 3: the show right now?

732
00:38:22,239 --> 00:38:26,480
Speaker 2: Please just a second, okay? And so this is what

733
00:38:26,640 --> 00:38:32,359
Speaker 2: it takes to actually move units at Apple these days.

734
00:38:32,360 --> 00:38:38,040
Speaker 2: Oh boy, we're having people tricking. This is not a trick.

735
00:38:38,560 --> 00:38:40,040
Speaker 2: If I'm going to talk.

736
00:38:39,920 --> 00:38:42,680
Speaker 3: About the show, I want Sean to have even one

737
00:38:43,239 --> 00:38:48,879
Speaker 3: frame to understand purchasing Apple TV Plus. Okay, you can

738
00:38:48,880 --> 00:38:50,480
Speaker 3: find a trailer, it doesn't it. You don't have to.

739
00:38:50,760 --> 00:38:52,200
Speaker 3: And the first eight minutes are free.

740
00:38:52,320 --> 00:38:54,960
Speaker 2: This is like one of these like pig sucking scams

741
00:38:55,040 --> 00:38:57,000
Speaker 2: or whatever they call it. You know and see and

742
00:38:57,120 --> 00:38:59,399
Speaker 2: season one is a free and I've heard that they

743
00:38:59,440 --> 00:39:04,000
Speaker 2: do those on the on the computer and scam. Yeah,

744
00:39:04,040 --> 00:39:06,239
Speaker 2: pig sucking scams, and they trick you to sending all

745
00:39:06,239 --> 00:39:08,319
Speaker 2: your money like you just did with a simple then

746
00:39:08,360 --> 00:39:08,880
Speaker 2: I'll say.

747
00:39:08,880 --> 00:39:11,000
Speaker 3: Maybe that's what your friends were trying to do, Sean

748
00:39:11,120 --> 00:39:14,320
Speaker 3: at the at the camp at the Camp Games party.

749
00:39:14,560 --> 00:39:18,560
Speaker 1: Okay, so this says, suck session the boise ballot out

750
00:39:18,800 --> 00:39:21,719
Speaker 1: to see who will take over the family Vacuum Empire

751
00:39:22,440 --> 00:39:27,160
Speaker 1: after their mom hires. And so this actually kind of.

752
00:39:27,160 --> 00:39:30,560
Speaker 3: Slaps Okay, this is this is not what we want

753
00:39:30,600 --> 00:39:31,360
Speaker 3: to be seeing.

754
00:39:31,160 --> 00:39:36,560
Speaker 1: Piggy Hearts, isn't it? And so I liked that that

755
00:39:36,719 --> 00:39:39,479
Speaker 1: was better than the first episode I watched for sure.

756
00:39:40,360 --> 00:39:41,560
Speaker 3: So Kevin, I was I.

757
00:39:41,480 --> 00:39:43,719
Speaker 1: Was going to see a melon party and maybe it's

758
00:39:43,719 --> 00:39:45,080
Speaker 1: because it wasn't done.

759
00:39:46,640 --> 00:39:48,200
Speaker 3: Well, you know what, Kevin, you want to bring up

760
00:39:48,239 --> 00:39:49,640
Speaker 3: lemon party and show it real quick.

761
00:39:50,280 --> 00:39:52,600
Speaker 2: That's blocked on here, playing another clip.

762
00:39:52,680 --> 00:39:58,000
Speaker 3: That's blocked on here. I do love hearing you both

763
00:39:58,040 --> 00:40:01,760
Speaker 3: talk about these other scenes because it's such a different world,

764
00:40:01,880 --> 00:40:04,719
Speaker 3: like I didn't even giving a complete Oudy world for

765
00:40:04,840 --> 00:40:07,759
Speaker 3: so much of the season that I love hearing about

766
00:40:07,800 --> 00:40:09,680
Speaker 3: all this stuff because I was talking about the show

767
00:40:10,000 --> 00:40:10,440
Speaker 3: that little.

768
00:40:10,560 --> 00:40:15,240
Speaker 2: Uh were you reading these parts of the script?

769
00:40:15,840 --> 00:40:18,640
Speaker 3: I was. I was reading everything. But I always say

770
00:40:18,680 --> 00:40:20,759
Speaker 3: about my show more than any other.

771
00:40:20,800 --> 00:40:26,000
Speaker 2: That was so completely obvious to the entire world.

772
00:40:26,120 --> 00:40:28,640
Speaker 1: I love everything at play, which is you going like, hey, guys,

773
00:40:28,640 --> 00:40:30,319
Speaker 1: you're kind of talking about a part that I'm not

774
00:40:30,360 --> 00:40:32,640
Speaker 1: even fucking involved with and I'm the guest. But I

775
00:40:32,680 --> 00:40:35,919
Speaker 1: actually was basically all you're saying, yes, and then they

776
00:40:35,960 --> 00:40:38,160
Speaker 1: go like, but you work for the show. You at

777
00:40:38,200 --> 00:40:40,080
Speaker 1: least read it, so you understood some of the like

778
00:40:40,680 --> 00:40:43,920
Speaker 1: context of what else was happening, and you're like, yeah, totally,

779
00:40:44,040 --> 00:40:45,560
Speaker 1: but you're doing a jerk off motion.

780
00:40:47,960 --> 00:40:49,600
Speaker 3: Yeah I did. I did not read any of the

781
00:40:49,600 --> 00:40:50,160
Speaker 3: stuff I was.

782
00:40:50,239 --> 00:40:53,120
Speaker 2: I actually love I was really inspired by the by

783
00:40:53,160 --> 00:40:55,600
Speaker 2: the solidarity, especially kind of like in a moment like

784
00:40:55,640 --> 00:40:59,040
Speaker 2: this in the world where people listen to that episode,

785
00:40:59,440 --> 00:41:04,239
Speaker 2: everyone in the world knew that you were lying your

786
00:41:04,320 --> 00:41:10,160
Speaker 2: fucking face off to your boss and an AI version

787
00:41:10,880 --> 00:41:17,759
Speaker 2: of another guy, and everyone just collectively decided, Okay, we're

788
00:41:17,840 --> 00:41:21,680
Speaker 2: just not going to bring this up. Everyone nobody talked

789
00:41:21,680 --> 00:41:22,280
Speaker 2: about it.

790
00:41:22,280 --> 00:41:23,840
Speaker 1: It's not the time I go.

791
00:41:23,680 --> 00:41:26,680
Speaker 2: Around in the city. Not a single person. Everyone just

792
00:41:26,719 --> 00:41:32,960
Speaker 2: collectively decided, Okay, he lied, he was lying. Do we

793
00:41:33,000 --> 00:41:35,200
Speaker 2: need to talk about this right now? I don't think

794
00:41:35,239 --> 00:41:35,480
Speaker 2: we do.

795
00:41:36,640 --> 00:41:37,239
Speaker 1: I don't think so.

796
00:41:38,760 --> 00:41:42,200
Speaker 3: I I also appreciated that because I wasn't ready to.

797
00:41:43,320 --> 00:41:45,600
Speaker 3: I didn't want to have to like make shit I did.

798
00:41:46,920 --> 00:41:48,719
Speaker 2: Yeah, I did. I was.

799
00:41:49,320 --> 00:41:55,719
Speaker 1: I did. I was reading that, you know what. Yeah,

800
00:41:55,880 --> 00:42:02,000
Speaker 1: I was reading it like so crazy most definitely my

801
00:42:02,120 --> 00:42:04,360
Speaker 1: eyes hurt from reading it so hard.

802
00:42:05,320 --> 00:42:07,120
Speaker 3: I should have tried. I should have said that.

803
00:42:08,600 --> 00:42:12,040
Speaker 2: I read some other parts and yes, I did read

804
00:42:12,120 --> 00:42:12,800
Speaker 2: those two.

805
00:42:15,520 --> 00:42:18,279
Speaker 3: I should have said that I I was. I was.

806
00:42:19,280 --> 00:42:20,920
Speaker 3: I didn't want to admit it and I was a

807
00:42:20,960 --> 00:42:24,920
Speaker 3: little stressed out and I did not respond and but yeah,

808
00:42:24,960 --> 00:42:27,160
Speaker 3: I was glad they didn't push me on it. And uh,

809
00:42:27,200 --> 00:42:30,440
Speaker 3: and thank you guys for supporting me in that.

810
00:42:30,719 --> 00:42:32,600
Speaker 2: You know, And do people like when they come up

811
00:42:32,600 --> 00:42:35,439
Speaker 2: to you or are they like talking about how you lied?

812
00:42:35,560 --> 00:42:40,200
Speaker 2: Or are they like they have also, I haven't gotten

813
00:42:41,080 --> 00:42:43,640
Speaker 2: that people or have decided to not talk about how

814
00:42:43,640 --> 00:42:45,680
Speaker 2: you lied to your Yeah, no, I happen.

815
00:42:45,880 --> 00:42:47,800
Speaker 1: Maybe it's because you won't stay in one place.

816
00:42:48,680 --> 00:42:53,680
Speaker 3: This is the first time hearing about that. Yeah, experience

817
00:42:53,760 --> 00:42:57,680
Speaker 3: of reading it and even being there shooting it, there's

818
00:42:57,760 --> 00:43:00,800
Speaker 3: such a gap. I was when you finally wasn't shooting

819
00:43:00,880 --> 00:43:03,480
Speaker 3: I'm lying about that too. It really comes alive when

820
00:43:03,480 --> 00:43:06,400
Speaker 3: you see it in a way other things I've worked on,

821
00:43:07,080 --> 00:43:09,399
Speaker 3: it's felt more similar to the experience of making it.

822
00:43:09,560 --> 00:43:10,800
Speaker 3: So even though I was taking.

823
00:43:11,080 --> 00:43:14,200
Speaker 2: What I feel like this is like you're reading this,

824
00:43:14,320 --> 00:43:16,080
Speaker 2: you're making the show, You're saying the whole time, and

825
00:43:16,080 --> 00:43:18,480
Speaker 2: be like, well, it's a fucking sack of crap.

826
00:43:21,280 --> 00:43:26,080
Speaker 1: No fuck, okay, all right, I thought, I thought. I

827
00:43:26,080 --> 00:43:28,840
Speaker 1: thought the question that proceeded this was they just went like,

828
00:43:29,960 --> 00:43:32,080
Speaker 1: how do you feel about the Bible? And you, well,

829
00:43:32,080 --> 00:43:36,719
Speaker 1: the experience of reading it versus actually being there shooting it,

830
00:43:36,840 --> 00:43:39,640
Speaker 1: which I thought, why what were you saying that?

831
00:43:39,719 --> 00:43:40,520
Speaker 2: Which one were you saying?

832
00:43:40,680 --> 00:43:42,239
Speaker 1: You have to believe it, all this stuff, but you

833
00:43:42,280 --> 00:43:43,480
Speaker 1: don't have to shoot it.

834
00:43:43,680 --> 00:43:45,400
Speaker 2: Can I hear it again? Kevin? I want to be

835
00:43:45,480 --> 00:43:47,960
Speaker 2: clear which which Which part was he saying? Was the

836
00:43:48,000 --> 00:43:48,760
Speaker 2: part that sucked?

837
00:43:51,000 --> 00:43:54,920
Speaker 3: Even being there shooting it, there's such a gap to

838
00:43:55,040 --> 00:43:58,400
Speaker 3: when you finally see it, like, okay, really.

839
00:43:58,160 --> 00:44:00,759
Speaker 2: Shooting it suck too. So you were like sitting there

840
00:44:01,000 --> 00:44:05,840
Speaker 2: at your marks, Well, look.

841
00:44:05,880 --> 00:44:07,759
Speaker 3: I mean, what am I What am I gonna say?

842
00:44:07,880 --> 00:44:11,800
Speaker 2: Call my account? Oh? Thank god the check cleared. Okay,

843
00:44:13,719 --> 00:44:18,680
Speaker 2: sack of crap for another okay, twenty minutes. You it's

844
00:44:18,719 --> 00:44:21,280
Speaker 2: just like being paid an increase of twenty minutes.

845
00:44:21,719 --> 00:44:25,360
Speaker 3: It's I will say, I will say I have almost

846
00:44:25,400 --> 00:44:30,080
Speaker 3: the the opposite experience being on this show right where

847
00:44:30,560 --> 00:44:32,880
Speaker 3: where it sucks doing it, and then I hear it

848
00:44:32,920 --> 00:44:33,960
Speaker 3: and it's even worse.

849
00:44:34,000 --> 00:44:35,359
Speaker 2: It's not the opposite.

850
00:44:36,320 --> 00:44:42,160
Speaker 3: First of all, that that is that is the opposite?

851
00:44:42,400 --> 00:44:43,719
Speaker 3: How is that not the opposite?

852
00:44:45,120 --> 00:44:47,960
Speaker 2: The opposite would be if this were good?

853
00:44:48,920 --> 00:44:53,480
Speaker 3: Okay, great, I I apologize, I misspoke. Is it the maybe?

854
00:44:53,520 --> 00:44:55,239
Speaker 3: Is it the inverse?

855
00:45:00,560 --> 00:45:04,040
Speaker 2: And he normally doesn't normally I mean, that's not a

856
00:45:04,160 --> 00:45:08,560
Speaker 2: normal sound for him. He only does that when he's

857
00:45:08,719 --> 00:45:09,520
Speaker 2: very stressed.

858
00:45:09,640 --> 00:45:12,080
Speaker 1: You gotta do a lot to wrench that on of me.

859
00:45:16,520 --> 00:45:19,440
Speaker 1: Is Lance armstrong? Bracelet this?

860
00:45:20,239 --> 00:45:20,479
Speaker 2: Yeah?

861
00:45:21,120 --> 00:45:25,480
Speaker 3: Yeah, live strong baby. Wow, that's my guy, Lance.

862
00:45:26,640 --> 00:45:27,160
Speaker 1: That's cool.

863
00:45:28,600 --> 00:45:33,959
Speaker 3: I love Lance. Yeah, tell me.

864
00:45:33,840 --> 00:45:34,960
Speaker 1: What his whole deal is?

865
00:45:36,360 --> 00:45:37,280
Speaker 2: Uh?

866
00:45:37,400 --> 00:45:42,320
Speaker 3: What era? Bicycle?

867
00:45:44,320 --> 00:45:51,080
Speaker 2: Adam Scott was like, talk about how you got on Severance? Yeah?

868
00:45:51,160 --> 00:45:52,040
Speaker 3: I said, what what?

869
00:45:53,040 --> 00:45:53,680
Speaker 1: What era?

870
00:45:54,360 --> 00:45:55,040
Speaker 2: What era?

871
00:45:55,800 --> 00:46:00,000
Speaker 1: What era? Because it's obviously because the story, the whole story,

872
00:46:00,160 --> 00:46:01,839
Speaker 1: it is about two and a half hours.

873
00:46:03,480 --> 00:46:05,319
Speaker 6: If you want to hear the whole story, is that

874
00:46:05,440 --> 00:46:08,040
Speaker 6: videotaping it that show?

875
00:46:09,440 --> 00:46:10,520
Speaker 3: Sorry? What are you asking?

876
00:46:10,760 --> 00:46:13,680
Speaker 2: Is they? Is that a Severn video.

877
00:46:14,560 --> 00:46:16,600
Speaker 3: You can watch it on Seawn's wife's watch.

878
00:46:17,000 --> 00:46:22,160
Speaker 2: Is that a the podcast? Yes? Is that not a

879
00:46:22,160 --> 00:46:22,880
Speaker 2: gas for me?

880
00:46:23,719 --> 00:46:27,840
Speaker 3: I was only in the audio. Okay, they did not

881
00:46:27,960 --> 00:46:29,520
Speaker 3: have access to seeing me.

882
00:46:30,480 --> 00:46:31,799
Speaker 2: And they filmed everyone else.

883
00:46:33,040 --> 00:46:38,480
Speaker 3: I don't know. That's that's beyond my I don't care.

884
00:46:39,000 --> 00:46:44,239
Speaker 1: Anything. It's this computer. It's being inside the computer. This

885
00:46:44,280 --> 00:46:48,680
Speaker 1: is your whole generation is just being inside the computer

886
00:46:48,840 --> 00:46:52,040
Speaker 1: and just no just no caring about an ambivalent about

887
00:46:52,040 --> 00:46:54,200
Speaker 1: whether I live or die. Don't even want me to die.

888
00:46:54,880 --> 00:46:57,279
Speaker 1: And then at the same time that that's going on,

889
00:46:58,000 --> 00:47:00,920
Speaker 1: you don't know the podcast we're on this promotion for

890
00:47:01,120 --> 00:47:05,840
Speaker 1: your show, you claim actually seeing it was different.

891
00:47:06,520 --> 00:47:10,200
Speaker 3: The first time I read the script for Severance was

892
00:47:10,239 --> 00:47:15,840
Speaker 3: in twenty nineteen. I got it on my email, I

893
00:47:15,840 --> 00:47:18,120
Speaker 3: got it on my computer and.

894
00:47:18,680 --> 00:47:22,399
Speaker 2: Kevin, okay, sorry, turn off, Kevin turned off, shut it off.

895
00:47:23,520 --> 00:47:26,600
Speaker 2: Thank you. You didn't need to go back to that story.

896
00:47:26,680 --> 00:47:29,719
Speaker 2: I promise you. I promise you.

897
00:47:30,320 --> 00:47:32,879
Speaker 3: It felt like the show needed me to finish it

898
00:47:33,440 --> 00:47:36,239
Speaker 3: and to expand out. I was sort of doing a prequel,

899
00:47:36,640 --> 00:47:38,280
Speaker 3: and then I was going to finish it later.

900
00:47:38,800 --> 00:47:42,120
Speaker 1: When you normally when you shoot a show and then

901
00:47:42,160 --> 00:47:47,040
Speaker 1: when you see it. It's the same normally seeing it

902
00:47:47,080 --> 00:47:51,520
Speaker 1: as the same experience as studios, the same experiences like there, yeah,

903
00:47:51,680 --> 00:47:54,479
Speaker 1: usually and this one it doesn't feel like you were there.

904
00:47:55,840 --> 00:47:56,080
Speaker 2: Yeah.

905
00:47:56,239 --> 00:47:58,400
Speaker 1: Could that be because there's nothing on the screen?

906
00:48:01,400 --> 00:48:03,879
Speaker 3: Yeah, that hasn't been my experience. When I watch it,

907
00:48:04,040 --> 00:48:07,719
Speaker 3: I can see it. This might be a dress situation,

908
00:48:07,880 --> 00:48:09,399
Speaker 3: a white and gold and to get.

909
00:48:09,320 --> 00:48:12,920
Speaker 2: To the bottom. But it's different than when you were

910
00:48:12,920 --> 00:48:15,360
Speaker 2: shooting it. So when you were shooting it, you can't

911
00:48:15,400 --> 00:48:15,799
Speaker 2: see it.

912
00:48:17,320 --> 00:48:19,239
Speaker 3: I didn't say it was the opposite. I just said

913
00:48:19,280 --> 00:48:21,480
Speaker 3: it feels different. Whoa, whoa, whoa.

914
00:48:21,719 --> 00:48:25,960
Speaker 1: Wait, let's not blow buy it. This guy, okay, this

915
00:48:26,040 --> 00:48:29,800
Speaker 1: guy just fucking pulled all four dress colors off the dome.

916
00:48:31,320 --> 00:48:33,799
Speaker 3: So the first time I started acting, actually I was

917
00:48:33,840 --> 00:48:36,960
Speaker 3: in the fourth grade, I had a chance to do

918
00:48:37,040 --> 00:48:39,160
Speaker 3: what was called an operetta.

919
00:48:40,360 --> 00:48:42,520
Speaker 4: I want to play one last clip where Zach doesn't

920
00:48:42,520 --> 00:48:45,360
Speaker 4: say anything, but I feel like he should have. This

921
00:48:45,480 --> 00:48:47,919
Speaker 4: has been talking about how Apple did not want Adam

922
00:48:47,960 --> 00:48:48,800
Speaker 4: Scott in the show.

923
00:48:49,480 --> 00:48:51,440
Speaker 9: It was at sort of at a loss, and then

924
00:48:51,480 --> 00:48:53,000
Speaker 9: I said to them just sort of like without even

925
00:48:53,040 --> 00:48:54,040
Speaker 9: talking to you, I said.

926
00:48:53,880 --> 00:48:55,440
Speaker 4: Like I sped the clip up just so you know

927
00:48:56,080 --> 00:48:56,760
Speaker 4: what if the guy.

928
00:48:56,719 --> 00:48:59,040
Speaker 9: Read for you this is how it foun then I

929
00:48:59,080 --> 00:49:01,400
Speaker 9: went to you and I was kind of like, to

930
00:49:01,440 --> 00:49:04,640
Speaker 9: me this because I was just thinking myself in this situation.

931
00:49:05,280 --> 00:49:06,960
Speaker 9: You know, if somebody said to me like, hey, I

932
00:49:07,000 --> 00:49:08,279
Speaker 9: want you to do this part, and then like I

933
00:49:08,400 --> 00:49:09,680
Speaker 9: told you the part was yours and I said I

934
00:49:09,680 --> 00:49:10,839
Speaker 9: actually could you read for the part?

935
00:49:11,520 --> 00:49:14,279
Speaker 2: And I but I asked you and you said yes.

936
00:49:14,480 --> 00:49:17,279
Speaker 5: Yeah. So just to say right off the bat that

937
00:49:17,320 --> 00:49:20,439
Speaker 5: Apple has been so great to all of us and

938
00:49:20,560 --> 00:49:23,680
Speaker 5: to the show and talking about for me and this

939
00:49:23,719 --> 00:49:24,360
Speaker 5: has nothing to do.

940
00:49:24,600 --> 00:49:27,239
Speaker 2: I wish I could have him on the show right now.

941
00:49:28,560 --> 00:49:32,840
Speaker 3: I wish we could walk Adam. Yes, you could probably

942
00:49:32,880 --> 00:49:33,480
Speaker 3: license it.

943
00:49:34,200 --> 00:49:37,000
Speaker 2: Wait, so you, Kevin, you wanted Dak to get in there.

944
00:49:37,360 --> 00:49:41,319
Speaker 4: I feel like he could have said like no, no, no,

945
00:49:41,640 --> 00:49:43,919
Speaker 4: like trade my boy.

946
00:49:45,040 --> 00:49:47,600
Speaker 2: No, no, he's got to say that. No no, no, no

947
00:49:47,600 --> 00:49:50,840
Speaker 2: no no, uh uh, he's got.

948
00:49:50,719 --> 00:49:54,800
Speaker 1: To say that, don't do that Apple No.

949
00:49:55,920 --> 00:49:56,280
Speaker 3: Apple?

950
00:49:56,360 --> 00:49:56,440
Speaker 1: No.

951
00:49:56,560 --> 00:49:58,080
Speaker 3: You thought I should have said that, Kevin?

952
00:49:59,320 --> 00:50:03,640
Speaker 4: You sound like me looking at our download analytics right

953
00:50:05,400 --> 00:50:09,840
Speaker 1: Right, Hollywood, Hamburg