1 00:00:10,520 --> 00:00:14,240 Speaker 1: You fuck you, you sick fun cocksucker, liddle itty bitty 2 00:00:14,320 --> 00:00:16,959 Speaker 1: baby dick dog fucker. We played the back of the 3 00:00:17,040 --> 00:00:19,279 Speaker 1: damn jam like ring goes stiff. You want the press 4 00:00:19,360 --> 00:00:21,480 Speaker 1: trying to dance with the ding goes least the wrong 5 00:00:21,560 --> 00:00:25,079 Speaker 1: gringos stepping sin colest to the bottom like a fuck 6 00:00:25,160 --> 00:00:27,720 Speaker 1: well pinko. You see me, hear me clearly thinking like 7 00:00:27,760 --> 00:00:30,360 Speaker 1: a mellow. Give me the fucking prepared to be a 8 00:00:30,520 --> 00:00:33,880 Speaker 1: yellow You spind cellow like you find that hello, looking 9 00:00:34,000 --> 00:00:36,240 Speaker 1: like the kind of uses the seam in his shell brow? 10 00:00:36,960 --> 00:00:39,600 Speaker 1: What type of ship is that? I raised this clip 11 00:00:39,600 --> 00:00:41,800 Speaker 1: and take you hear that's fat? I take a pucket 12 00:00:41,840 --> 00:00:44,320 Speaker 1: ship up in your fit in hat. Got anything to 13 00:00:44,360 --> 00:00:46,840 Speaker 1: say when you can vick this set? You fuck hard 14 00:00:46,880 --> 00:00:49,720 Speaker 1: body karada, your bumbs, coffee, your flop, your crumbs body 15 00:00:49,760 --> 00:00:52,920 Speaker 1: bussy if you spoiled me, No, pabbly can't harming the 16 00:00:53,000 --> 00:00:55,720 Speaker 1: sard army your poorties ball coming coming. It was so 17 00:00:55,880 --> 00:00:59,279 Speaker 1: probably you're but a soft, better start talking ship. You're 18 00:00:59,320 --> 00:01:02,319 Speaker 1: better off up a pop off your bitch the car, 19 00:01:02,440 --> 00:01:04,640 Speaker 1: catch us off the guts to give props and your 20 00:01:04,680 --> 00:01:08,000 Speaker 1: pomps to golds who started this schoolies can't do me. 21 00:01:08,080 --> 00:01:10,520 Speaker 1: You and your goonies will lose totts, booty and fruity 22 00:01:10,560 --> 00:01:13,000 Speaker 1: compared to Michael N. Moody and Marks ain't doing it truly, 23 00:01:13,080 --> 00:01:14,840 Speaker 1: don't got the nuts to pursue me. This thing might 24 00:01:14,880 --> 00:01:18,360 Speaker 1: wrong with the younger. Motherfucker's what's up? My name is 25 00:01:18,400 --> 00:01:23,800 Speaker 1: Michael Rappaport, Sick Books a k a. The Troublemaker, a 26 00:01:24,000 --> 00:01:27,960 Speaker 1: k a. The Push the t of Podcasting a k a. 27 00:01:28,319 --> 00:01:30,640 Speaker 1: The Gringo man Dingo. You are now listening to the 28 00:01:30,880 --> 00:01:37,840 Speaker 1: I Am Rappaport stereo podcast in prime time. Okay, we're 29 00:01:37,880 --> 00:01:45,280 Speaker 1: just jumping into this. We're just jumping right in to this. 30 00:01:45,520 --> 00:01:49,600 Speaker 1: It's prime time podcasting. That means I am podcasting and 31 00:01:49,760 --> 00:01:54,120 Speaker 1: putting it out. I am podcasting with reckless, abandoned and 32 00:01:54,200 --> 00:01:58,720 Speaker 1: then putting it out is the closest thing we can 33 00:01:58,840 --> 00:02:04,280 Speaker 1: do as of now, to a live, real time podcast. 34 00:02:06,720 --> 00:02:11,880 Speaker 1: Getting ready to fly again tomorrow to Detroit. Fuck in Detroit. 35 00:02:12,760 --> 00:02:15,880 Speaker 1: Haven't been the Detroit since I filmed zebra Head in Detroit, 36 00:02:16,440 --> 00:02:21,320 Speaker 1: and I believe literally have not been back to Detroit. 37 00:02:22,880 --> 00:02:25,160 Speaker 1: You know how I get down when I fly, I 38 00:02:25,240 --> 00:02:29,200 Speaker 1: hope there won't be any problems in the friendly skies. 39 00:02:30,400 --> 00:02:33,160 Speaker 1: I say friendly and not unfriendly, because I come in peace, 40 00:02:33,520 --> 00:02:39,200 Speaker 1: Come in peace and love anybody from the Wrapper Pack, 41 00:02:39,400 --> 00:02:44,079 Speaker 1: anybody who listens to the I Am Rappaport stereo podcast. 42 00:02:44,320 --> 00:02:47,720 Speaker 1: Come funk with me, Come to the Big Three. It's 43 00:02:47,760 --> 00:02:54,040 Speaker 1: a fantastic night. There's four games, four Big Three games 44 00:02:54,480 --> 00:03:01,560 Speaker 1: Friday in Detroit. Um, I'm gonna be on hand. I 45 00:03:01,680 --> 00:03:03,800 Speaker 1: get there early on. The first man in the building. 46 00:03:04,360 --> 00:03:08,760 Speaker 1: Always say your rap Yo Dingo. You'll push the t 47 00:03:08,919 --> 00:03:14,720 Speaker 1: of podcast and you know all the monikers, white Mike Dingo, 48 00:03:14,800 --> 00:03:17,239 Speaker 1: whatever you want to motherfucker, Mike rap you, fuck you, 49 00:03:17,280 --> 00:03:18,720 Speaker 1: whatever you want to say, as long as you say 50 00:03:18,760 --> 00:03:21,400 Speaker 1: it in peace. I will do my very very best 51 00:03:21,480 --> 00:03:25,160 Speaker 1: to be on alert to hear you, to find you, 52 00:03:25,960 --> 00:03:28,040 Speaker 1: to come talk some ship with you, and at very 53 00:03:28,200 --> 00:03:32,000 Speaker 1: least take a picture with you, and uh, you know 54 00:03:32,080 --> 00:03:34,760 Speaker 1: whatever else I could do. Okay, if I could hook 55 00:03:34,800 --> 00:03:36,640 Speaker 1: you up with some better seats and your real, real, 56 00:03:36,720 --> 00:03:39,839 Speaker 1: real Iron Rapp Reports stereo podcast fan, I said, if 57 00:03:40,080 --> 00:03:44,200 Speaker 1: if if I f F, if you know it's both 58 00:03:44,240 --> 00:03:47,080 Speaker 1: I F But I said, if put that extra F, 59 00:03:47,360 --> 00:03:49,640 Speaker 1: if I could bring you down closer, I will do 60 00:03:49,760 --> 00:03:52,360 Speaker 1: it and make no guarantees. But if you get my 61 00:03:52,440 --> 00:03:55,240 Speaker 1: attention and you get to the games early on Friday 62 00:03:55,320 --> 00:03:58,160 Speaker 1: the thirteenth in Detroit, like all the Big Three games, 63 00:03:58,720 --> 00:04:03,280 Speaker 1: holler at your boy, I'll be there. So the Great Disrupter, 64 00:04:03,680 --> 00:04:06,480 Speaker 1: that's what they call me. They call me the Great 65 00:04:06,520 --> 00:04:13,480 Speaker 1: Disruptorum has hurt some feelings again. Okay, hurt some feelings again, 66 00:04:13,480 --> 00:04:15,720 Speaker 1: and it never fucking stops, and it all, it all 67 00:04:15,800 --> 00:04:20,960 Speaker 1: happens on fucking Twitter. I'm done with Twitter, yo, I 68 00:04:21,080 --> 00:04:26,360 Speaker 1: am done with mother fucking sensitive all up in your feelings, 69 00:04:26,640 --> 00:04:31,720 Speaker 1: asked Twitter, I am done, not deleting my account, okay, 70 00:04:32,520 --> 00:04:34,920 Speaker 1: but if you want to reach out to me, the 71 00:04:35,040 --> 00:04:39,159 Speaker 1: best way to funk with me is on Instagram, slide 72 00:04:39,240 --> 00:04:42,360 Speaker 1: up in the d M s, or direct lead to me. 73 00:04:42,920 --> 00:04:50,080 Speaker 1: I am Rappaport podcast at gmail dot com. Okay, I'm 74 00:04:50,080 --> 00:04:51,800 Speaker 1: gonna be on Twitter, but it may not be me 75 00:04:52,240 --> 00:04:54,800 Speaker 1: on Twitter. Before you know, it was me on Twitter. 76 00:04:56,200 --> 00:05:00,640 Speaker 1: These motherfucker's are too sensitive and sanitized. Can't say a 77 00:05:00,839 --> 00:05:07,360 Speaker 1: goddamn thing to anybody. So the other day a friend 78 00:05:07,400 --> 00:05:12,680 Speaker 1: of mine, his name is high End Television, right A 79 00:05:12,800 --> 00:05:20,760 Speaker 1: big time, big fucking time, my guy. Um, he's funny 80 00:05:21,080 --> 00:05:25,760 Speaker 1: funny guy, but he's not inappropriate publicly, He's not inappropriate guy, 81 00:05:25,760 --> 00:05:27,719 Speaker 1: but he's funny. He's got a wicked sort of ship 82 00:05:27,880 --> 00:05:30,360 Speaker 1: talking sense of humor. But what he writes about his 83 00:05:30,480 --> 00:05:35,440 Speaker 1: more sort of cross cultural slow pitch funny. Sends me 84 00:05:35,520 --> 00:05:37,680 Speaker 1: a text the other day, I got a joke for you. 85 00:05:37,880 --> 00:05:40,720 Speaker 1: I go, what is it? He says, I haven't seen 86 00:05:40,800 --> 00:05:42,520 Speaker 1: someone try to get a tie boy out of a hole? 87 00:05:42,640 --> 00:05:45,720 Speaker 1: Is frantically since I walked in on Kevin Spacey in 88 00:05:45,760 --> 00:05:50,080 Speaker 1: the men's room at Chunky Cheese. But I'm bumpched. Funny joke, 89 00:05:51,200 --> 00:05:55,880 Speaker 1: obviously an inappropriately inappropriate joke trying to be inappropriate. I 90 00:05:55,920 --> 00:05:59,120 Speaker 1: didn't even look at it as a joke about the 91 00:05:59,240 --> 00:06:01,600 Speaker 1: tie key it's in the tunnel. I looked at it 92 00:06:01,640 --> 00:06:06,200 Speaker 1: as a Kevin Spacey is a fucking scumbad joke. Whatever 93 00:06:06,320 --> 00:06:09,080 Speaker 1: this joke would have brought no attention. It wouldn't have 94 00:06:09,120 --> 00:06:14,120 Speaker 1: been created. Had those tie boys kids, I've been trapped 95 00:06:14,120 --> 00:06:16,040 Speaker 1: in the tunnel and everybody heard it. They got out. 96 00:06:16,600 --> 00:06:21,400 Speaker 1: Watch Dateline, you watch, It's been covered. The Vulture. Movie 97 00:06:21,440 --> 00:06:24,040 Speaker 1: producers are already over there trying to suck up the 98 00:06:24,160 --> 00:06:27,480 Speaker 1: rights from every single ango from the coach's point, from 99 00:06:27,520 --> 00:06:29,360 Speaker 1: the kid's point of view, this kid's point of view. 100 00:06:30,200 --> 00:06:32,400 Speaker 1: The fucking you want to see what Hollywood is like, 101 00:06:32,480 --> 00:06:35,120 Speaker 1: go to Thailand right now. Watch the vultures come over there, 102 00:06:35,880 --> 00:06:40,480 Speaker 1: the fucking vultures. So I tweeted that out because my 103 00:06:40,520 --> 00:06:42,800 Speaker 1: friend said, I can't tweet that out, you know, like 104 00:06:42,880 --> 00:06:45,520 Speaker 1: I'll get killed for that. I said, I'll tweet it out. 105 00:06:45,520 --> 00:06:47,560 Speaker 1: So I tweeted out that joke. I haven't seen someone 106 00:06:47,640 --> 00:06:49,320 Speaker 1: try to get a tie boy out of a hole 107 00:06:49,400 --> 00:06:52,400 Speaker 1: this frantically since I walked in on Kevin Spacey in 108 00:06:52,440 --> 00:06:54,800 Speaker 1: the men's room at Chuck E. Cheese. Tweeted that out, 109 00:06:55,160 --> 00:06:59,599 Speaker 1: and I said, from an anonymous comedian July two, eighteen, 110 00:07:00,320 --> 00:07:03,520 Speaker 1: didn't get that much traction on my Twitter. Uh, you 111 00:07:03,600 --> 00:07:06,800 Speaker 1: know I've gotten things. They got more traction, whether they're 112 00:07:06,800 --> 00:07:12,320 Speaker 1: good or bad. The next day, Oh, those little fox, 113 00:07:12,480 --> 00:07:16,920 Speaker 1: the little overly sensitive fox, the same people that built 114 00:07:16,960 --> 00:07:19,040 Speaker 1: me up to be a hero just three weeks because 115 00:07:19,080 --> 00:07:24,080 Speaker 1: they come tack me. Michael Rappaport, how dare you say 116 00:07:24,200 --> 00:07:26,280 Speaker 1: something like that. I got a couple of people that 117 00:07:26,960 --> 00:07:33,720 Speaker 1: hit me back on Twitter too soon. Uh that's inappropriate. Uh, 118 00:07:35,600 --> 00:07:37,080 Speaker 1: you know, why would you say, so, how would you 119 00:07:37,120 --> 00:07:40,080 Speaker 1: feel if those were your kids in the tunnel. It's 120 00:07:40,080 --> 00:07:45,240 Speaker 1: a fucking joke. Wasn't even my joke. I'm gonna take response. 121 00:07:45,280 --> 00:07:47,120 Speaker 1: I'm gonna take the hit. But it wasn't even my 122 00:07:47,280 --> 00:07:52,560 Speaker 1: fucking joke. So the next day Yahoo News, Yahoo Entertainment, 123 00:07:54,120 --> 00:08:03,040 Speaker 1: Michael Rappaport slammed for a fucking awful joke about thy 124 00:08:03,200 --> 00:08:06,480 Speaker 1: cave rescue efforts. The joke wasn't about thy cave refue 125 00:08:06,520 --> 00:08:11,480 Speaker 1: rescue efforts. If I did this six months before and 126 00:08:11,520 --> 00:08:14,840 Speaker 1: there was no tie cave thing, I don't we care whatever. 127 00:08:14,880 --> 00:08:16,720 Speaker 1: I get how it could be offensive, but their people 128 00:08:16,800 --> 00:08:22,040 Speaker 1: are bent that of shape. One person that that's fucking awful. 129 00:08:22,920 --> 00:08:25,920 Speaker 1: You think it's fucking awful. You got a problem with it? 130 00:08:26,840 --> 00:08:28,600 Speaker 1: Why are you following me in the first place? You 131 00:08:28,720 --> 00:08:32,840 Speaker 1: know how I get down. Someone else put too soon, 132 00:08:35,240 --> 00:08:39,719 Speaker 1: someone else said deleted. This is weak sauce. Bro. You 133 00:08:39,800 --> 00:08:41,959 Speaker 1: know I don't like that bro ship. The bro is 134 00:08:42,000 --> 00:08:44,760 Speaker 1: too familiar. You don't know me, Duke. I'm not your 135 00:08:44,800 --> 00:08:49,960 Speaker 1: fucking bro, because if you knew me, you'd say deleted, 136 00:08:50,160 --> 00:08:53,520 Speaker 1: this is weak sauce, Duke, because then I would go, okay, 137 00:08:53,600 --> 00:08:55,319 Speaker 1: this this is coming from a place. I love you 138 00:08:55,400 --> 00:08:58,280 Speaker 1: call me bro. I don't know you, Duke, I don't 139 00:08:58,320 --> 00:09:03,040 Speaker 1: do that, Bro talk Bro. So all the little Huffington's 140 00:09:03,080 --> 00:09:06,680 Speaker 1: post they wrote a piecing the same and these little pieces, 141 00:09:06,760 --> 00:09:08,800 Speaker 1: little in piece. It's like, you know, not even a 142 00:09:08,920 --> 00:09:14,000 Speaker 1: hundred words. Rappaport did this, He didn't apologize. He blah 143 00:09:14,040 --> 00:09:16,719 Speaker 1: blah blah blah blah. And they're basically just trying to 144 00:09:16,840 --> 00:09:20,600 Speaker 1: show how open hearted and caring they are and bring 145 00:09:20,679 --> 00:09:25,440 Speaker 1: attention to their little piece. Their smear campaigns. These are 146 00:09:25,520 --> 00:09:29,240 Speaker 1: fucking smear paint campaigns against me, the gringo man dingo. 147 00:09:30,040 --> 00:09:32,600 Speaker 1: They're trying to bring attention to show how compassionate they are. 148 00:09:32,880 --> 00:09:34,520 Speaker 1: Of course, you want these kids to get out of 149 00:09:34,520 --> 00:09:36,920 Speaker 1: the goddamn tunnel. Safe talked about it right here on 150 00:09:36,960 --> 00:09:41,720 Speaker 1: the Iron Rapports Stereo podcast. Trying to use me an 151 00:09:41,880 --> 00:09:46,040 Speaker 1: international fucking hero Yahoo and all these Huffington's posts and 152 00:09:46,120 --> 00:09:48,599 Speaker 1: all these they just wrote about my heroic X a 153 00:09:48,640 --> 00:09:50,240 Speaker 1: few weeks ago. Now they want to tear me down. 154 00:09:50,280 --> 00:09:55,000 Speaker 1: Of course, Fox News same thing. Rappaport slammed for the 155 00:09:55,080 --> 00:09:59,640 Speaker 1: crew joke. Rapp Report faces backlash is all on toy 156 00:10:00,040 --> 00:10:02,880 Speaker 1: and you know like, this is not like National News, 157 00:10:03,920 --> 00:10:08,040 Speaker 1: these same people who call my joke that wasn't my joke. 158 00:10:08,120 --> 00:10:10,959 Speaker 1: But I am taking full responsibility for tweeting it for 159 00:10:11,559 --> 00:10:17,800 Speaker 1: these same people Yahoo News. Just today, in real time. 160 00:10:17,960 --> 00:10:22,600 Speaker 1: Just today, I thought it was appropriate to go up 161 00:10:22,640 --> 00:10:25,200 Speaker 1: to the Rock, the biggest, one of the most well 162 00:10:25,320 --> 00:10:28,160 Speaker 1: liked movie stars in all of history. They went up 163 00:10:28,200 --> 00:10:31,720 Speaker 1: to the Rock and asked him at a movie premiere. 164 00:10:32,920 --> 00:10:36,480 Speaker 1: And this guy, Ryan shock It. This is a reporter 165 00:10:36,800 --> 00:10:41,920 Speaker 1: BuzzFeed staff. He works at BuzzFeed. Ryan shock It went 166 00:10:42,040 --> 00:10:43,719 Speaker 1: up to the Rock. Imagine you go, you're at a 167 00:10:43,800 --> 00:10:46,320 Speaker 1: movie premiere, you might be with your wife and kids, 168 00:10:46,559 --> 00:10:49,720 Speaker 1: and a reporter asked you this. He asked this motherfucker, 169 00:10:49,920 --> 00:10:51,880 Speaker 1: and he writes, I asked him to his face, like 170 00:10:52,000 --> 00:10:55,079 Speaker 1: you're proud of this. This is more offensive than my 171 00:10:55,160 --> 00:10:58,520 Speaker 1: tie joke. He asked the Rock at a premiere, do 172 00:10:58,679 --> 00:11:04,599 Speaker 1: you think that you have big dick energy? Yo? This 173 00:11:04,800 --> 00:11:07,439 Speaker 1: is not appropriate, mother. I'm offended by you asking this 174 00:11:07,640 --> 00:11:10,960 Speaker 1: motherfucker does he think that he has big dick energy? 175 00:11:11,040 --> 00:11:13,760 Speaker 1: And then he followed up that question after the Rock 176 00:11:13,840 --> 00:11:16,120 Speaker 1: giggled and laughed, because you can't throw him off his game. 177 00:11:16,160 --> 00:11:19,839 Speaker 1: He's the rock. He's always got something cooking. This fucking 178 00:11:19,880 --> 00:11:26,360 Speaker 1: reporter who again announced I asked him to his face. Like, guys, guys, BuzzFeed, guys, 179 00:11:26,480 --> 00:11:28,600 Speaker 1: I'm going to the premiere of sky scraping her name 180 00:11:28,880 --> 00:11:31,160 Speaker 1: and and you dare me, I'm gonna go up to 181 00:11:31,240 --> 00:11:34,120 Speaker 1: the rock and ask him to his face if he 182 00:11:34,200 --> 00:11:36,880 Speaker 1: has big dick energy. They're like, don't do it, dude. 183 00:11:36,920 --> 00:11:38,760 Speaker 1: He's like, I'm gonna do it. Fuck it, I don't care. 184 00:11:40,360 --> 00:11:44,200 Speaker 1: Who do I care. Imagine you're out and a guy 185 00:11:44,280 --> 00:11:47,280 Speaker 1: asked you if you have big dick energy and then 186 00:11:47,360 --> 00:11:49,720 Speaker 1: follows it up, do you think you have more big 187 00:11:49,800 --> 00:11:52,760 Speaker 1: dick energy than the next man, whether the next man 188 00:11:52,920 --> 00:11:59,559 Speaker 1: is Kevin Hard or not? Ryan shock It, BuzzFeed, Yahoo, 189 00:12:00,160 --> 00:12:05,560 Speaker 1: Huffington Post. You're offended by my time joke, which is funny. 190 00:12:05,760 --> 00:12:09,440 Speaker 1: It's funny, the funny fucking joke. But you're not offended 191 00:12:09,480 --> 00:12:12,240 Speaker 1: by a guy going up to another guy at a 192 00:12:12,320 --> 00:12:14,720 Speaker 1: movie premiere and asking him if he has big dick energy. 193 00:12:14,840 --> 00:12:17,120 Speaker 1: Get the funk outta here, go and go up to 194 00:12:17,200 --> 00:12:21,280 Speaker 1: Scarlett Johnson or Gwyneth Palucho or or Taraji p Henson 195 00:12:21,520 --> 00:12:24,319 Speaker 1: and asked them, Yo, taraga, you think you have good 196 00:12:24,400 --> 00:12:27,000 Speaker 1: pussy energy. See how that goes over You would never 197 00:12:27,160 --> 00:12:34,199 Speaker 1: do it, double fucking standards wouldn't fucking happen. So anyway, me, 198 00:12:34,720 --> 00:12:38,520 Speaker 1: the Great disruptive Michael Rappaport, King of all disruptive things, 199 00:12:38,559 --> 00:12:46,400 Speaker 1: destructive media, distructive behavior, the real deal. Try to throw 200 00:12:46,440 --> 00:12:50,719 Speaker 1: me under the bus. So, like I said, I'm not 201 00:12:50,880 --> 00:12:53,760 Speaker 1: fucking with my Twitter. The dust Brothers are running my Twitter, 202 00:12:55,080 --> 00:12:58,959 Speaker 1: Jordan and Miles. Okay, I'm not funking with my Twitter 203 00:12:59,000 --> 00:13:00,679 Speaker 1: for a little bit. I'm a fit did by Twitter. 204 00:13:00,840 --> 00:13:06,079 Speaker 1: That's what's offensive. The sensitivity of Twitter is offensive. I 205 00:13:06,120 --> 00:13:09,000 Speaker 1: don't have any of these problems on Facebook, mony fucking 206 00:13:09,080 --> 00:13:13,760 Speaker 1: problems on Instagram. And I think it's because when you 207 00:13:13,840 --> 00:13:19,000 Speaker 1: write things, they can't get the sarcasm or the innuendows. 208 00:13:19,120 --> 00:13:21,520 Speaker 1: But when I do my videos, my ship talking videos 209 00:13:21,520 --> 00:13:24,400 Speaker 1: on Instagram or even my ship talking videos on Twitter, 210 00:13:26,280 --> 00:13:28,760 Speaker 1: there's no problem. But when you write things it could 211 00:13:28,760 --> 00:13:31,000 Speaker 1: be taken out of context. They're not hearing the humor, 212 00:13:31,280 --> 00:13:32,880 Speaker 1: they're not all a lie, and we're just living in 213 00:13:32,920 --> 00:13:37,840 Speaker 1: an overly sensitive, sick society. I'm offended by you being 214 00:13:37,880 --> 00:13:41,640 Speaker 1: offended by me. You fuck you and They're like, he 215 00:13:41,720 --> 00:13:54,160 Speaker 1: didn't apologize, funk outta here, apologize for what ship? You 216 00:13:54,200 --> 00:14:00,120 Speaker 1: know should be apologizing. It's a segue, you know it 217 00:14:00,160 --> 00:14:03,480 Speaker 1: should be apologizing as j R. Smith, fucking j R. Smith, 218 00:14:03,559 --> 00:14:10,760 Speaker 1: man Cleveland cavalier, j R. Smith. He should be apologizing 219 00:14:10,840 --> 00:14:13,120 Speaker 1: for his Instagram. I saw an Instagram video. You know, 220 00:14:13,480 --> 00:14:16,480 Speaker 1: in the summertime, all the players work out with the trainer. 221 00:14:16,520 --> 00:14:19,320 Speaker 1: Shout out to him, man Chris Brickley. I believe this 222 00:14:19,480 --> 00:14:24,880 Speaker 1: was a Chris Brickley workout, number one trainer to all 223 00:14:24,920 --> 00:14:27,640 Speaker 1: the NBA stars, the players, the up and comers, the 224 00:14:27,720 --> 00:14:30,240 Speaker 1: rookies that could have would have should have been. He 225 00:14:30,320 --> 00:14:32,280 Speaker 1: works with all of them. But I saw a video 226 00:14:32,320 --> 00:14:34,720 Speaker 1: I think it was Chris Brickley of j R. Smith 227 00:14:34,800 --> 00:14:40,400 Speaker 1: now a couple of days ago doing like us. He 228 00:14:40,520 --> 00:14:42,360 Speaker 1: put the ball behind his back and spun and did 229 00:14:42,440 --> 00:14:47,080 Speaker 1: a fade away jumper in the corner. Very impressive for 230 00:14:47,200 --> 00:14:50,880 Speaker 1: anybody else, Very impressive if it came from anybody else. 231 00:14:51,000 --> 00:14:52,760 Speaker 1: J R. Smith, let me tell you something. We know 232 00:14:53,000 --> 00:14:55,440 Speaker 1: you could shoot. We know you could put the ball 233 00:14:55,480 --> 00:14:58,320 Speaker 1: behind your back. We know you have multi skills on 234 00:14:58,440 --> 00:15:00,360 Speaker 1: a basketball court. We know you could hump, we know 235 00:15:00,440 --> 00:15:04,880 Speaker 1: you could dunk. But the one thing we don't know, 236 00:15:06,280 --> 00:15:08,320 Speaker 1: and the one thing that you should be posting Instagram 237 00:15:08,480 --> 00:15:13,040 Speaker 1: videos about, is the fucking rule book. You're posting Instagram 238 00:15:13,200 --> 00:15:17,720 Speaker 1: videos of you doing fade away threes in the corner. No, motherfucker, 239 00:15:18,280 --> 00:15:21,200 Speaker 1: I want to see you reading the NBA rulebook. How 240 00:15:21,280 --> 00:15:27,160 Speaker 1: many timeouts does a team have per half? That's what 241 00:15:27,320 --> 00:15:30,640 Speaker 1: you need to know. I want to see you doing simple, 242 00:15:30,760 --> 00:15:34,440 Speaker 1: basic arithmetic videos on Instagram. Nobody wants to see you 243 00:15:34,560 --> 00:15:39,720 Speaker 1: doing full away jump shots from the corner, particularly not 244 00:15:39,920 --> 00:15:43,880 Speaker 1: Lebron James, the Cleveland Cavaliers, anything that any fan of 245 00:15:43,960 --> 00:15:49,240 Speaker 1: the Cleveland Cavaliers and Tie fucking Lou posting videos of 246 00:15:49,320 --> 00:15:54,040 Speaker 1: you're doing full away jump shots in the corner. Tic 247 00:15:54,160 --> 00:15:57,720 Speaker 1: tac toe, basic arithmetic and you reading the n be 248 00:15:58,360 --> 00:16:02,560 Speaker 1: A rule book. You need to reread the NBA rule book. 249 00:16:02,800 --> 00:16:05,840 Speaker 1: Read that ship out loud, post that ship on Instagram. 250 00:16:10,160 --> 00:16:17,320 Speaker 1: We could talk all this ship, all this ship, these 251 00:16:17,360 --> 00:16:20,280 Speaker 1: fucking Kardashians and these Jenners, and the Kardashians and the 252 00:16:20,360 --> 00:16:25,960 Speaker 1: Jenners and its fucking girl, Kylie Jenner came out today. 253 00:16:26,680 --> 00:16:34,320 Speaker 1: It's worth nine hundred million mother fucking dollars. Self made 254 00:16:34,880 --> 00:16:41,400 Speaker 1: billionaire nine hundred millie. Goddamn, No one of these guys 255 00:16:41,520 --> 00:16:43,560 Speaker 1: get fucking nuts when they taste a little bit of 256 00:16:43,600 --> 00:16:47,800 Speaker 1: that Snapper m they taste a little bit of that 257 00:16:47,880 --> 00:16:56,480 Speaker 1: Kardashian Jenner, that jellybean, they lose their fucking minds. That's billionaire, 258 00:16:56,760 --> 00:17:07,200 Speaker 1: that's billionaire jelly bean. That's billionaire pussy. That is billionaire pussy. Okay, 259 00:17:07,840 --> 00:17:09,800 Speaker 1: No one of the people are losing their fucking minds, 260 00:17:10,960 --> 00:17:14,600 Speaker 1: getting all bent out of shape. Million dollars. I think 261 00:17:14,680 --> 00:17:23,080 Speaker 1: she's twenty years old. Twenty fucking years old. I'm in 262 00:17:23,160 --> 00:17:28,600 Speaker 1: Los Angeles right now, Okay. I've never seen anything like 263 00:17:29,200 --> 00:17:32,920 Speaker 1: the the uproar. Lebron James is in California. I was 264 00:17:32,960 --> 00:17:34,960 Speaker 1: talking with my wife the other day. We were like, yeah, 265 00:17:34,960 --> 00:17:38,200 Speaker 1: I've never seen anything like a movie premieres d C, 266 00:17:38,600 --> 00:17:44,480 Speaker 1: Marvel Movies, Black Panther, Iron Man, Leonardo DiCaprio, Jack Nicholson. 267 00:17:44,560 --> 00:17:47,960 Speaker 1: I've been out here since fucking eighty nine, Bruce Swill, 268 00:17:48,119 --> 00:17:54,080 Speaker 1: is this every fucking Fernando Valence Swell in the eighties Olympics. 269 00:17:56,320 --> 00:17:59,719 Speaker 1: Never seen anything like the fucking everybody's out of their 270 00:17:59,720 --> 00:18:03,879 Speaker 1: mind with Lebron James being here. Every two seconds you 271 00:18:04,000 --> 00:18:08,480 Speaker 1: turn on the regular news, the local Los Angeles news, Lebron, Lebron, 272 00:18:08,760 --> 00:18:11,360 Speaker 1: and we're not talking even sports. The motherfucker hasn't even 273 00:18:11,440 --> 00:18:14,000 Speaker 1: put on a Lakers jersey. There's not even a picture 274 00:18:14,080 --> 00:18:20,680 Speaker 1: of him in a Lakers jersey. There's photoshopped pictures, and 275 00:18:20,800 --> 00:18:28,200 Speaker 1: there's murals. What you're getting defamed and defaced and repainted 276 00:18:28,320 --> 00:18:35,440 Speaker 1: and defamed and defaced daily. Some guys spent probably fucking hours. 277 00:18:35,480 --> 00:18:37,520 Speaker 1: I don't know. I'm not an artist. I mean, it's 278 00:18:37,560 --> 00:18:39,840 Speaker 1: not the best one, but somebody has been even seeing 279 00:18:39,880 --> 00:18:43,280 Speaker 1: the picture, somebody's been putting paint. Someone painted a you know, 280 00:18:43,400 --> 00:18:45,480 Speaker 1: called Lebron the King of l A blah blah blah 281 00:18:45,480 --> 00:18:46,960 Speaker 1: blah blah, whether he is or he is, and you 282 00:18:47,040 --> 00:18:49,080 Speaker 1: know how I feel about him, whether he is the 283 00:18:49,160 --> 00:18:52,000 Speaker 1: King of the of l A or not. It's a mural, 284 00:18:52,160 --> 00:18:58,040 Speaker 1: it's not literal. They spray painted over it. The artists 285 00:18:58,080 --> 00:19:02,600 Speaker 1: who probably spent twenty hours during the initial painting came 286 00:19:02,680 --> 00:19:08,120 Speaker 1: back and fixed it. Well, some fucking lunatics came back 287 00:19:08,160 --> 00:19:10,800 Speaker 1: again splashed white paint all over it to the end 288 00:19:10,800 --> 00:19:14,000 Speaker 1: of the mural. I don't know if it was because 289 00:19:14,000 --> 00:19:16,400 Speaker 1: they called him the King of l A. This king ship, 290 00:19:17,280 --> 00:19:19,920 Speaker 1: it doesn't fly too good. I would stop with the 291 00:19:20,000 --> 00:19:23,800 Speaker 1: king Ship. We got Magic here, we got Kobe here, 292 00:19:26,600 --> 00:19:28,720 Speaker 1: But Diane have to shift all over the artist mural. 293 00:19:31,359 --> 00:19:34,920 Speaker 1: I don't agree with it. But every single place this 294 00:19:34,960 --> 00:19:37,040 Speaker 1: guy shows up. He was in Malibu the other day 295 00:19:37,119 --> 00:19:42,320 Speaker 1: with the fucking carn ashes. Uh Lebron, his wife, Tristan 296 00:19:42,400 --> 00:19:46,920 Speaker 1: Thompson and Chloe Kardashian people go there all the time. 297 00:19:47,000 --> 00:19:50,680 Speaker 1: Nobody cares. These fucking guys go there. Everybody loses their 298 00:19:50,720 --> 00:19:52,320 Speaker 1: fucking mind. And I'm gonna tell you something else. I 299 00:19:52,359 --> 00:19:55,680 Speaker 1: can't believe he's still hanging around Tristan Thompson. That fucking guy, 300 00:19:56,480 --> 00:19:59,680 Speaker 1: I guarantee you. When they go to dinner, Tristan Thompson 301 00:20:00,000 --> 00:20:02,240 Speaker 1: whips out his black card and pays for dinner. Cause 302 00:20:02,240 --> 00:20:04,520 Speaker 1: if I'm Lebron James, I'm not paying for ship around 303 00:20:04,600 --> 00:20:08,720 Speaker 1: Tristan Thompson. Lebron James like, motherfucker, you're lucky, you're in 304 00:20:08,800 --> 00:20:14,959 Speaker 1: the hundred million dollar Take that fucking card out. Tristan 305 00:20:15,040 --> 00:20:17,920 Speaker 1: Thompson signed a nineties something million dollar contract with the 306 00:20:17,960 --> 00:20:21,120 Speaker 1: Cleveland Cavaliers, and it's all because he played with Lebron James. 307 00:20:21,280 --> 00:20:27,560 Speaker 1: I'm not paying for jack shit around you anywhere ever, motherfucker. 308 00:20:27,640 --> 00:20:30,959 Speaker 1: When we go to get Starburst in the seven eleven 309 00:20:31,320 --> 00:20:35,040 Speaker 1: Sushi and Mallible, I don't give a fuck if I'm 310 00:20:35,119 --> 00:20:39,560 Speaker 1: Lebron James. Tell you this, motherfucker, the big goofy motherfucker 311 00:20:39,640 --> 00:20:43,200 Speaker 1: over here with the with the hat. Tristan him, he's 312 00:20:43,240 --> 00:20:46,000 Speaker 1: paying or his chicken is paying. They're not even married. 313 00:20:46,800 --> 00:20:51,240 Speaker 1: They're not even fucking married, Tristan Coli Kardashian going straight 314 00:20:51,280 --> 00:20:54,760 Speaker 1: from the doge piece. On the way from Jones Beach, 315 00:20:56,800 --> 00:20:59,480 Speaker 1: people are in an uproar about zac Efron. You know, 316 00:20:59,600 --> 00:21:01,439 Speaker 1: the good look an actor. He's a good looking kid. 317 00:21:01,960 --> 00:21:06,679 Speaker 1: I think he's on Peep that out so cock Diesel. 318 00:21:06,960 --> 00:21:09,400 Speaker 1: It's like a young John Stameles. I know he's he's 319 00:21:09,400 --> 00:21:11,480 Speaker 1: a he's I know, he's a low key stick man. 320 00:21:11,640 --> 00:21:14,840 Speaker 1: He's gotta be looking like that, zac Efron, This dumb 321 00:21:14,920 --> 00:21:19,760 Speaker 1: fox walking around with dreadlocks. You dumb fuck you look ridiculous, motherfucker, 322 00:21:21,680 --> 00:21:25,439 Speaker 1: you look crazy. This is one of the sexiest men 323 00:21:25,520 --> 00:21:28,920 Speaker 1: alive for People magazine, and you make yourself look like 324 00:21:29,000 --> 00:21:35,000 Speaker 1: a fucking idiot with dreadlocks. Everybody's upset about the cultural appropriation. 325 00:21:35,160 --> 00:21:36,720 Speaker 1: What about the fact that he just looks like a 326 00:21:36,880 --> 00:21:42,600 Speaker 1: dumb fuck. This is so racially insensitive. What about the 327 00:21:42,720 --> 00:21:46,640 Speaker 1: fact that he just looks like a dumb fuck. That's 328 00:21:46,680 --> 00:21:48,800 Speaker 1: what they should be saying to zac Efron, you look 329 00:21:49,040 --> 00:21:53,960 Speaker 1: like a dumb fuck. You have dreadlocks, you dumb fuck you. 330 00:21:55,080 --> 00:22:00,000 Speaker 1: You look fucking ridiculous. You got blue eyes, chiseled chin, fantastic, 331 00:22:00,000 --> 00:22:02,159 Speaker 1: has the jawline and all, and you got dreadlocks. You 332 00:22:02,240 --> 00:22:06,760 Speaker 1: look like a fucking idiot. It never works white people 333 00:22:06,800 --> 00:22:09,880 Speaker 1: with dreadlocks. Listen, I can't complain about the cultural appropriation. 334 00:22:10,160 --> 00:22:12,920 Speaker 1: I could just see and say what I call it 335 00:22:13,000 --> 00:22:15,960 Speaker 1: as I see it, and you look like a dumb fuck. 336 00:22:16,080 --> 00:22:17,760 Speaker 1: And he posted it. This isn't because he's doing a 337 00:22:17,840 --> 00:22:20,920 Speaker 1: movie role. If he was doing a movie role, he 338 00:22:20,920 --> 00:22:23,080 Speaker 1: could be oh yea, my hair looks crazy. I'm doing 339 00:22:23,080 --> 00:22:26,800 Speaker 1: a movie role. No one cares. He posted the picture 340 00:22:26,840 --> 00:22:29,960 Speaker 1: of him with dreadlocks and says, just for fun, Nah, 341 00:22:31,520 --> 00:22:33,720 Speaker 1: that's just to look like a fucking asshole. You look 342 00:22:33,760 --> 00:22:39,680 Speaker 1: like a dick duke. I'm not gonna do a full 343 00:22:40,119 --> 00:22:44,680 Speaker 1: sick Funk of the Week segment, but anytime I do 344 00:22:44,840 --> 00:22:47,600 Speaker 1: say sick funk of the week, you hear the music, 345 00:22:47,920 --> 00:22:52,840 Speaker 1: it creeps in. Uh. There's a guy in Miami. I'm 346 00:22:52,840 --> 00:22:55,920 Speaker 1: I'm going down to Miami for the Big Three. I 347 00:22:55,960 --> 00:22:58,840 Speaker 1: should bring a video camera with me. Maybe I'll find 348 00:22:58,920 --> 00:23:01,680 Speaker 1: some some my own firsthand sick funs of the week. 349 00:23:03,280 --> 00:23:07,040 Speaker 1: Right there in South Beach, a guy who looks like 350 00:23:07,119 --> 00:23:09,160 Speaker 1: a sick funk of the week. I mean, this guy, 351 00:23:10,880 --> 00:23:13,520 Speaker 1: God bless this guy. He looks like a sick fuck. 352 00:23:14,560 --> 00:23:19,240 Speaker 1: But they are accusing a man with no arms. Mhm, 353 00:23:20,560 --> 00:23:24,639 Speaker 1: a sick funk with no arms. Listen, we don't discriminate. 354 00:23:25,800 --> 00:23:30,359 Speaker 1: We do not discriminate. A guy named Jonathan Crenshaw no arms, 355 00:23:30,600 --> 00:23:35,080 Speaker 1: held a pair of scissors with his feet and stabbed 356 00:23:35,240 --> 00:23:38,920 Speaker 1: a twenty two year old tourist from Chicago. You sick 357 00:23:39,040 --> 00:23:42,600 Speaker 1: fuck you. I mean, you know, if you're gonna stab 358 00:23:42,800 --> 00:23:47,200 Speaker 1: somebody with scissors with your feet, that's a certain skill set. 359 00:23:48,600 --> 00:23:54,240 Speaker 1: That is a certain skill set. Nonetheless, you are a 360 00:23:54,320 --> 00:23:56,359 Speaker 1: sick funk a week, although I am not doing it 361 00:23:56,480 --> 00:24:04,040 Speaker 1: an official sick Funk of the Week segment, not doing it, Okay, 362 00:24:04,840 --> 00:24:08,200 Speaker 1: not doing it today? What else is going on in Spain? 363 00:24:08,320 --> 00:24:13,320 Speaker 1: This woman uh, Angela punt se, I'm not really good 364 00:24:13,400 --> 00:24:17,280 Speaker 1: with the lad with the accents. Angela punts punt say, 365 00:24:18,600 --> 00:24:23,160 Speaker 1: she's a trans You gotta get it right. You don't 366 00:24:23,160 --> 00:24:25,359 Speaker 1: want you don't want to offend the Huffington's Post or 367 00:24:25,480 --> 00:24:29,000 Speaker 1: Yahoo dot com. You fox, I know you're listening. Fucking miserable, 368 00:24:30,119 --> 00:24:33,240 Speaker 1: you fucking you lay miss at Ab you fuck you 369 00:24:35,240 --> 00:24:41,720 Speaker 1: this transsexual woman. She's the first ever trans sexual woman 370 00:24:43,920 --> 00:24:49,920 Speaker 1: to compete in the global the Worldwide Miss Universe contest. 371 00:24:50,520 --> 00:24:53,040 Speaker 1: I gotta be honest with you. I was in Thailand once. 372 00:24:53,640 --> 00:24:56,600 Speaker 1: I've been there, I think three times, Thailand. I don't 373 00:24:56,600 --> 00:24:58,520 Speaker 1: know how they didn't break the code here. First, this 374 00:24:58,640 --> 00:25:02,480 Speaker 1: woman is from Spain. Let me tell you something. There's 375 00:25:02,520 --> 00:25:06,359 Speaker 1: some beautiful women in Spain. There's some beautiful women from Spain. 376 00:25:06,480 --> 00:25:11,000 Speaker 1: She beat out twenty two other women, twenty two on 377 00:25:11,080 --> 00:25:13,159 Speaker 1: their women. Now I'm looking at a picture of her. 378 00:25:13,880 --> 00:25:17,159 Speaker 1: No disrespect to me, my eye. I look at the 379 00:25:17,240 --> 00:25:20,120 Speaker 1: picture here. She looks like a transsexual woman, a beautiful 380 00:25:20,200 --> 00:25:25,000 Speaker 1: trans sexual woman, but a transsexual woman, nonetheless, No disrespect, 381 00:25:26,560 --> 00:25:30,280 Speaker 1: no disrespect at all. She looks like a trans sexual woman. 382 00:25:30,600 --> 00:25:35,000 Speaker 1: But when I was in Thailand, they got that Lady 383 00:25:35,080 --> 00:25:38,720 Speaker 1: Boy program on lock and I call them lady boys 384 00:25:38,760 --> 00:25:40,960 Speaker 1: because that's what they call themselves. That's what they refer 385 00:25:41,080 --> 00:25:46,919 Speaker 1: to themselves as. In Thailand, they're openly comfortable with referring 386 00:25:46,960 --> 00:25:49,040 Speaker 1: to themselves as lady boys. I call you what you 387 00:25:49,119 --> 00:25:53,440 Speaker 1: call yourself, Okay, but I gotta be honest. I was 388 00:25:53,520 --> 00:25:58,679 Speaker 1: over there with A. G. Moody's brother, Dean Moody, Okay, 389 00:25:59,320 --> 00:26:00,639 Speaker 1: a couple of times. Times. I don't know if it's 390 00:26:00,680 --> 00:26:03,600 Speaker 1: two times or three times. And you need to uh 391 00:26:04,359 --> 00:26:07,679 Speaker 1: do some chin checking when you're talking to ladies over there, 392 00:26:07,680 --> 00:26:12,280 Speaker 1: because they have beautiful transgender women. I mean fucking stunning. 393 00:26:13,480 --> 00:26:17,200 Speaker 1: You see them all over the place. I mean summer obviously. 394 00:26:18,240 --> 00:26:21,200 Speaker 1: You know men that are now women. Some of them 395 00:26:21,359 --> 00:26:25,879 Speaker 1: you think are dead asked women. Okay, I'm gonna be honest. 396 00:26:26,920 --> 00:26:28,880 Speaker 1: I was at the beach one day during the day. 397 00:26:30,720 --> 00:26:33,240 Speaker 1: Can't during the fucking day because I don't want anyone 398 00:26:33,280 --> 00:26:36,360 Speaker 1: to take this out of context. You know, and you're 399 00:26:36,400 --> 00:26:38,720 Speaker 1: out there at the beach, you know, everybody's chilling whatever, 400 00:26:39,359 --> 00:26:42,720 Speaker 1: girls walking by, guys walking by, everybody's hanging out, kids 401 00:26:42,800 --> 00:26:46,760 Speaker 1: done his family, friendly, sir. What I thought was a 402 00:26:46,840 --> 00:26:51,199 Speaker 1: lady born a woman. Uh sits next to me. How 403 00:26:51,240 --> 00:26:54,679 Speaker 1: you doing? It's a nice perfect English. It's another thing 404 00:26:54,680 --> 00:26:59,639 Speaker 1: because sometimes you're you're entirelyand not everybody speaks English, perfect English. 405 00:26:59,760 --> 00:27:02,959 Speaker 1: I'm go ship, beautiful woman. I'm in Thailand talking to her, 406 00:27:03,000 --> 00:27:06,320 Speaker 1: talking to her. You have fifteen minutes, twenty minutes daytime, 407 00:27:06,400 --> 00:27:09,480 Speaker 1: you fuck, don't get any don't get crazy. The story 408 00:27:09,520 --> 00:27:11,760 Speaker 1: doesn't end the way you want it to end. Nothing 409 00:27:11,800 --> 00:27:20,080 Speaker 1: wacky here. But but she goes to the bathroom. Dean 410 00:27:20,520 --> 00:27:24,040 Speaker 1: Dean Moody. G. Moody's brother comes over to me and goes, 411 00:27:25,680 --> 00:27:26,920 Speaker 1: what the funk are you doing? I go, what do 412 00:27:26,960 --> 00:27:29,520 Speaker 1: you mean? And she's nice, that's a fucking lady, boy. 413 00:27:30,320 --> 00:27:33,239 Speaker 1: I had no idea to get the funk out of her. 414 00:27:33,400 --> 00:27:36,760 Speaker 1: He knew the bartender, he says, zig bartender was named 415 00:27:36,840 --> 00:27:39,320 Speaker 1: zig Tie guy named zig Tell him. He goes, yeah, 416 00:27:39,440 --> 00:27:44,479 Speaker 1: that's a lady boy. Your motherfucker that could have been 417 00:27:44,520 --> 00:27:47,000 Speaker 1: my fucking wife. Who knew. But I'm telling you. And Broad. 418 00:27:47,119 --> 00:27:49,920 Speaker 1: The reason why I'm saying broad daylight also because there 419 00:27:50,000 --> 00:27:52,639 Speaker 1: was no dark. You know, back alleys, there was no 420 00:27:53,080 --> 00:27:54,560 Speaker 1: There wasn't a bar in the middle of the night. 421 00:27:54,840 --> 00:27:57,560 Speaker 1: Broad daylight. I could see the woman right in front 422 00:27:57,600 --> 00:28:01,320 Speaker 1: of me look like a beautiful tie one and was not. 423 00:28:01,600 --> 00:28:03,600 Speaker 1: In fact, the Taiwan It's could have been a kickboxing 424 00:28:03,720 --> 00:28:08,000 Speaker 1: champion for all I know. Listen, who fun knows? I 425 00:28:08,080 --> 00:28:11,240 Speaker 1: don't know. What I do know is that the I 426 00:28:11,320 --> 00:28:17,160 Speaker 1: Am Rappaport Stereo podcast is going on tour. Okay, all 427 00:28:17,240 --> 00:28:21,080 Speaker 1: tickets are available and I am Rappaport toward dot Com. 428 00:28:23,880 --> 00:28:29,480 Speaker 1: Six of July, we will be in Toronto. The fourth 429 00:28:29,520 --> 00:28:32,840 Speaker 1: of August, we will be live on stage in New 430 00:28:32,920 --> 00:28:38,240 Speaker 1: York City. The eighteen of August, we will be in Houston. 431 00:28:41,480 --> 00:28:45,840 Speaker 1: Of August, Philadelphia, ladelph and then the twenty five of 432 00:28:45,920 --> 00:28:50,520 Speaker 1: August in Boston. All right, I am Rappaport toward dot Com. 433 00:28:52,040 --> 00:28:54,360 Speaker 1: Come see us me G Moody. You know we're gonna 434 00:28:54,360 --> 00:28:56,920 Speaker 1: have special guests. We tear ship up live. If you're 435 00:28:56,960 --> 00:28:59,880 Speaker 1: in Detroit this week, come see me Friday the third. 436 00:29:00,120 --> 00:29:02,120 Speaker 1: There's still tickets available. All you gotta do say yo 437 00:29:02,200 --> 00:29:05,080 Speaker 1: wrap Mike Rap. I will try to come over and 438 00:29:05,160 --> 00:29:06,880 Speaker 1: see you. If I hear you, I will come over 439 00:29:06,920 --> 00:29:08,440 Speaker 1: to see you. If you say I am wrapp Report, 440 00:29:08,520 --> 00:29:10,440 Speaker 1: I will definitely make my way over to see you 441 00:29:10,520 --> 00:29:12,840 Speaker 1: get there early. I don't know when the game starts 442 00:29:12,960 --> 00:29:16,320 Speaker 1: right now, Well, let's available online. I don't fact tick. 443 00:29:16,360 --> 00:29:20,840 Speaker 1: I'm freeballing right now. But it's a great night competitive basketball, 444 00:29:21,120 --> 00:29:23,360 Speaker 1: a lot of ship talking. I'll be there doing my 445 00:29:23,520 --> 00:29:26,720 Speaker 1: thing as the rovering reporter. See I am Rapports stereo 446 00:29:26,840 --> 00:29:31,040 Speaker 1: podcast in prime time. I'm out. Miles Jordan Takes said 447 00:29:31,120 --> 00:29:33,840 Speaker 1: he with something funing tick sat with whatever banker