WEBVTT - How Do Obelisks Work?

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<v Speaker 1>Welcome to brain Stuff production of I Heart Radio. Hey

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<v Speaker 1>brain Stuff, Lauren vogebam here. When it comes to astonishing

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<v Speaker 1>architectural achievements of ancient Egypt, the first example that comes

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<v Speaker 1>to mind maybe the pyramids. But these historic structures aren't

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<v Speaker 1>the only majestic geometric feats to originate from this civilization.

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<v Speaker 1>In fact, their rectangular cousin, the obelisk, can be found

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<v Speaker 1>in countries throughout the world, from Washington, d C. To Paris, France,

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<v Speaker 1>but the iconic monuments are still shrouded in a fair

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<v Speaker 1>amount of mystery. We spoke by email with historian Pamela

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<v Speaker 1>oh Long. She said obelisks originated in ancient Egypt. They

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<v Speaker 1>were spectacular monuments, often dedicated to the solar gods of Egypt,

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<v Speaker 1>but also representing the power of the Pharaoh. They were

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<v Speaker 1>monuments to the fusion of earthly and divine power. According

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<v Speaker 1>to Long, obelisks first appeared in the fifth and six

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<v Speaker 1>dynasties of the Old Kingdom circa four b C, the

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<v Speaker 1>same era in which the Pyramids of Giza were built.

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<v Speaker 1>She explained, the important central fact about obelisks is that

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<v Speaker 1>they are monoliths carved out of granite. Most from the

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<v Speaker 1>Aswan Quarry in Lower Egypt. As a single block of

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<v Speaker 1>stone weighing several hundred tons, the base was a square.

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<v Speaker 1>It gradually tapered as it rose, and was capped by

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<v Speaker 1>a pyramid shaped structure called a pyramidian. If creating an

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<v Speaker 1>artistically designed architectural masterpiece out of several hundred tons of

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<v Speaker 1>stone sounds impossibly challenging, that's because it nearly was, Along said,

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<v Speaker 1>Carving out an obelisk from the bedrock of the quarry,

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<v Speaker 1>dragging it to the transport ship on the Nile River,

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<v Speaker 1>offloading it, dragging it to where it was to stand,

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<v Speaker 1>and then raising it was a tremendous feat of high

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<v Speaker 1>technological skill and brute labor. The fact that these original

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<v Speaker 1>structures were monolithic, meaning that they were carved from one

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<v Speaker 1>single piece of stone, makes them distinct from more modern versions.

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<v Speaker 1>Along said, many people don't realize that the ancient Egyptian

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<v Speaker 1>obelisk was a monolith. This is one thing that makes

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<v Speaker 1>them beautiful and remarkable. There are obelisk shaped masonry structures,

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<v Speaker 1>such as the Washington Monument in Washington, d c. But

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<v Speaker 1>of course they differ from the ancient Egyptian monolithic structures.

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<v Speaker 1>According to experts, obelisks were often associated with the ancient

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<v Speaker 1>Egyptian sun god Raw, but their meaning may go even deeper.

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<v Speaker 1>But we also spoke via email with Vicky al Mansa

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<v Speaker 1>Vila Toro, a PhD Candidate in Egyptology at Brown University.

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<v Speaker 1>She said, the obelisk is a solar symbol of regeneration

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<v Speaker 1>and creation, and it symbolizes the ben Ben Stone. What

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<v Speaker 1>is the ben Ben Stone? According to the ancient Egyptian

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<v Speaker 1>myths of creation or cosmogenys, in the beginning, there was

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<v Speaker 1>a primordial ocean of nothingness called new Among these cosmogonies,

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<v Speaker 1>the Heliopolitan account describes how the first thing to ever

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<v Speaker 1>arise from these was a mound of earth, the so

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<v Speaker 1>called primordial Hill. This mound is clearly inspired by the

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<v Speaker 1>fertile hills that emerged from the waters of the Nile

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<v Speaker 1>every year after the annual flood began to recede and

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<v Speaker 1>the crop growing season approached. The ben Ben is actually

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<v Speaker 1>the icon the magical representation of the primordial hill. According

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<v Speaker 1>to a months of Villa Toro, the ben Ben was

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<v Speaker 1>likely an actual mound shaped monument that residents of Heliopolis

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<v Speaker 1>worshiped she said, the sun temples of the Fifth dynasty

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<v Speaker 1>incorporated amount of earth resembling a small pyramid in their courtyards,

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<v Speaker 1>and likewise, obelisks are topped by a small pyramidian. Thus,

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<v Speaker 1>both the obelisks and the pyramids are regenerative icons and

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<v Speaker 1>rooted in the symbolism of the primordial hill and the

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<v Speaker 1>ben Ben stone. The Egyptian myths of the creation are

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<v Speaker 1>multiple and sometimes contradictory. The myth that incorporates the primordial

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<v Speaker 1>hill and thus the ben Ben is the Heliopolitan myth.

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<v Speaker 1>Heliopolis was the city of worship of the sun god

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<v Speaker 1>Ra and as many manifestations. One significant feature found on

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<v Speaker 1>many of the original obelisks is their decoration. Along said,

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<v Speaker 1>obelisks were often found ornamented on all four sides with

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<v Speaker 1>hieroglyphic writing, which for the most part commemorated the pharaoh

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<v Speaker 1>and his or her deeds. Of course, some of Egypt's

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<v Speaker 1>obelisks have been removed from their original context. Along said,

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<v Speaker 1>It's also true the obelisks are ancient monuments that can

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<v Speaker 1>be moved, so their meaning has changed as they are

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<v Speaker 1>moved from one location and culture to another. The obelisks

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<v Speaker 1>in Egypt, Rome, Istanbul, Paris, London, and New York all

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<v Speaker 1>have meant very different things to the people and culture

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<v Speaker 1>that possesses them, very different from that of the ancient Egyptians.

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<v Speaker 1>The oldest man made object in Central Park and the

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<v Speaker 1>oldest outdoor monument in New York City is the obelisk

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<v Speaker 1>known as Cleopatra's Needle. It's over three thousand years old,

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<v Speaker 1>stand sixty nine ft high and ways in and an

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<v Speaker 1>amazing two d and twenty tons. It was erected in

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<v Speaker 1>Central Park on January twenty second of eighteen eighty one,

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<v Speaker 1>after having been sold to the United States by the

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<v Speaker 1>Egyptian government. One particularly famous relocation was that of the

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<v Speaker 1>Vatican Obelisk at the center of Rome St. Peter's Square.

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<v Speaker 1>Along said it's famous because of the renown it acquired,

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<v Speaker 1>and not when it was brought by the ancient Romans

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<v Speaker 1>from Egypt to Rome after the Roman conquest of Egypt,

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<v Speaker 1>but when Pope's sixth is the fifth Antis engineer Domenico

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<v Speaker 1>Fontana moved the obelisk from the side of St. Peter's

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<v Speaker 1>to the front where it now stands. This occurred in

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<v Speaker 1>a dramatic series of steps, with all of Rome watching

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<v Speaker 1>in the spring, summer and early fall of fifteen eighty six.

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<v Speaker 1>The dramatic transport process was fraught with danger and celebrated

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<v Speaker 1>all around Italy. When it was accomplished, Long said, the

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<v Speaker 1>engineer wrote a wonderful book with spectacularly detailed woodcuts, explaining

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<v Speaker 1>every step of the move, including all the ben and

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<v Speaker 1>machinery that where used. This account was published in We

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<v Speaker 1>can marvel at it today both because of Fontana's lucid

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<v Speaker 1>explanations and the illuminating illustrations. While obelisks are rich in

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<v Speaker 1>meaning and historical significance, their main attraction may really be

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<v Speaker 1>their inspiring esthetics. Long said. If you are ever in egypt,

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<v Speaker 1>istanbul Rome, Paris, London, or New York, stop to really

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<v Speaker 1>look at the obelisks. They are immensely heavy, but also fragile.

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<v Speaker 1>They're the oldest or among the oldest human made structures

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<v Speaker 1>that exist in whichever city you find them. They display

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<v Speaker 1>a subtle geometry. Block out the traffic, noise and other distractions,

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<v Speaker 1>and spend some time looking at the obelisk walking around

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<v Speaker 1>it if you can observing the hieroglyphs, the pyramidian pointing

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<v Speaker 1>to the sun, immensely heavy monuments that are also transportable.

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<v Speaker 1>They connect us to an ancient past, but can be

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<v Speaker 1>deeply moving in the present as well. Today's episode was

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<v Speaker 1>written by Michelle Konstantinovski and produced by Tyler Clay. For

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<v Speaker 1>more on this and loss of other curious topics, visit

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<v Speaker 1>how stuff works dot com. Brainstuff is production of I

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