WEBVTT - Weirdhouse Cinema Rewind: Demon Knight 

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<v Speaker 1>Hey, welcome to Weird House Cinema. Rewind. This is Rob

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<v Speaker 1>Lamb and I'm Joe McCormick. And of course it's vault

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<v Speaker 1>time here on Weird House Cinema. This episode is about

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<v Speaker 1>the movie Demon Night. It originally aired February. You're in

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<v Speaker 1>for such a treat. You're gonna be dancing with Billy

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<v Speaker 1>Zane in your dreams. Welcome to Stuff to Blow your

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<v Speaker 1>Mind production of My Heart Radio. Hey, welcome to Weird

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<v Speaker 1>House Cinema. This is Rob and I'm Joe, and today

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<v Speaker 1>we are going to unscramble the cable signal and tune

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<v Speaker 1>into some Tales from the Crypt. That's right, Uh yeah,

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<v Speaker 1>we have. We have another slice of nineties genre cinema

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<v Speaker 1>for you this week, except this one's far cheaper than

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<v Speaker 1>Free Jack Um, I think, ultimately a more enjoyable film.

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<v Speaker 1>But it is, of course, the the initial cinematic spinoff

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<v Speaker 1>of HBO's Tales from the Crypt. It is Tales from

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<v Speaker 1>the Crypt Demon Night. From what that sounds right? It

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<v Speaker 1>looks very mid nineties. Uh so, I guess this one

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<v Speaker 1>and last week's are a little bit more mainstream than

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<v Speaker 1>than we usually go. Yeah, yeah, they're they're more mainstream,

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<v Speaker 1>but Demon Knight is also one. I mean, Free Jack

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<v Speaker 1>is definitely a film that that did not perform to

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<v Speaker 1>expectation and was kind of just thrown out there and

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<v Speaker 1>died and was forgotten by many. Uh. Demon Knight is

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<v Speaker 1>a film that I think also is, you know, we're

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<v Speaker 1>talking about this before we started recording, you know, maybe

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<v Speaker 1>a little under underappreciated, though it certainly has its following

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<v Speaker 1>and and you know continues to be popular to this day,

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<v Speaker 1>but you don't you don't hear it championed that often

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<v Speaker 1>as being like a great, uh piece of horror or

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<v Speaker 1>horror comedy from the nineties. I guess it's hard to

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<v Speaker 1>argue that it's great, but it is really fun. This

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<v Speaker 1>is a really fun, r rated, frisky piece of horror comedy. Yeah. Um,

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<v Speaker 1>it's it's essentially a siege movie. So the basic structure

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<v Speaker 1>is pretty uh, pretty nailed down. You know, like you're

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<v Speaker 1>gonna have characters go somewhere, they're gonna hold up there,

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<v Speaker 1>and then things are gonna try and get in and

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<v Speaker 1>get them. It's the basic Night of the Living Dead scenario.

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<v Speaker 1>It's Night of the Living Dead, evil Dead assault on

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<v Speaker 1>Precinct thirteen that that kind of thing. Yeah, so well,

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<v Speaker 1>let's just jump right into the elevator pitch on this one,

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<v Speaker 1>just now. This is the elevator pitch for the basic

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<v Speaker 1>movie itself. The Unholy Demon Lords have six of the

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<v Speaker 1>seven keys they need to drag the universe back into darkness,

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<v Speaker 1>and the only thing standing in their way on planet

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<v Speaker 1>Earth for that last key is one immortal drifter and

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<v Speaker 1>a rag tag bunch of losers in a rundown hotel

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<v Speaker 1>in the middle of the desert, uh huh, in a

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<v Speaker 1>place called Wormwood, New Mexico. I looked it up. Not

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<v Speaker 1>a real place. It sounds nice and biblical, though, which

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<v Speaker 1>is good because there's a lot of biblical uh nonsense

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<v Speaker 1>going on in this particular movie. Yeah, and this movie

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<v Speaker 1>is just jammed with drifters. Yeah, yeah, it's it's all.

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<v Speaker 1>It's braisically all drifters. I mean, and i've i've I've

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<v Speaker 1>actually seen it discussed in the sense that it's like

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<v Speaker 1>the meek shalling hair at the Earth, and this is

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<v Speaker 1>the meek. These are all the sorts of losers that

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<v Speaker 1>Jesus Christ himself would have hung out with in life.

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<v Speaker 1>Maybe not Thomas Hayden Church, He's not that meek, but

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<v Speaker 1>he's a scumbag in this. So yeah, that's true. So

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<v Speaker 1>the Pharisees come to Jesus and they say, hey, you

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<v Speaker 1>sit down to eat with the sinners and the tax

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<v Speaker 1>collectors and even with Thomas Hayden Church. All right, well,

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<v Speaker 1>let's look ahead. Have just a little bit of the

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<v Speaker 1>trailer audio here, and there's probably gonna be a little

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<v Speaker 1>crip keeper in there. You have a little. Pictures is

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<v Speaker 1>proud to present the motion picture directing debut of one

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<v Speaker 1>of America's most talented and respected artists. Oh hello, kiddies,

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<v Speaker 1>so glad you could join me, your pal, The Cryptie

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<v Speaker 1>has gone Hollywood in a big way. I'm directing my

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<v Speaker 1>first feature film, Care for a Little Shrink preview for

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<v Speaker 1>my big Scream premiere. I wanted lots of suspense, special effects, sex, violence.

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<v Speaker 1>It's the kind of thing you could really sink your

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<v Speaker 1>teeth into. Fights, camera hatcha and ladies, if you think

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<v Speaker 1>deep nights to browsing, yucky, thank you? All right? So yeah,

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<v Speaker 1>basically the idea here with the whole Tale from the

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<v Speaker 1>Crypt thing is, you know, Tales from the Crypt was

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<v Speaker 1>was like the show on HBO back in the day,

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<v Speaker 1>and We've talked about it on the show before here

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<v Speaker 1>on like, um, some of our horror anthology specials around Halloween.

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<v Speaker 1>You know, it's basically it's based on the old horror

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<v Speaker 1>comics and each each little story in the horror comic

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<v Speaker 1>would be about some horrible person getting their come upance,

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<v Speaker 1>and so each episode of Tales from the Crypt generally

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<v Speaker 1>revolves around that as well. Yeah. To me, the opening

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<v Speaker 1>theme music of Tales from the Crypt, I think it's

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<v Speaker 1>composed by Danny Elfman. It just sounds like the nineties,

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<v Speaker 1>and it sounds like being a kid in the nineties

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<v Speaker 1>trying to watch stuff that you're not allowed to watch.

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<v Speaker 1>It's like it's the sound of I think we may

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<v Speaker 1>have made this comparison before, but it's the sound of

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<v Speaker 1>a scrambled cable channel that you don't get that shows

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<v Speaker 1>are rated depravity all night and every day. Yeah, yeah,

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<v Speaker 1>it really does. Um And I guess one of the

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<v Speaker 1>interesting things about this is, like you can imagine the

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<v Speaker 1>studios came in there, some folks behind the scenes were like, Hey,

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<v Speaker 1>the show is really successful, we should do a movie.

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<v Speaker 1>The thing is, Tales from the Crypt. It doesn't really

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<v Speaker 1>lend itself well to that kind of format unless you're

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<v Speaker 1>gonna do an anthology film with just a bunch of

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<v Speaker 1>little stories. Um, much like the original tales from the

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<v Speaker 1>Crypto film the nineteen seventy two anthology picture from Amaricus. Oh,

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<v Speaker 1>I don't think I even knew that existed. Yeah, it

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<v Speaker 1>has the crypt Keeper in it, but the crypt Keeper

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<v Speaker 1>is played by Sir Ralph Richardson in like a hood.

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<v Speaker 1>That's nice. Um. Yeah, But so, as you mentioned, the

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<v Speaker 1>the standard format of the tales from the crypt episode, uh,

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<v Speaker 1>and you know, there's some variation, but the most common

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<v Speaker 1>format is that you have basically a sleazy salad of

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<v Speaker 1>gratuitous gore and nudity in which a morally bankrupt person

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<v Speaker 1>does something evil, they think they're going to get away

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<v Speaker 1>with it, and then they get their just desserts via

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<v Speaker 1>the the vengeful wrath of a monster, demon, ancient curse,

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<v Speaker 1>haunted scarecrow, chainsaw freak or whatever. Yeah, it's in a way,

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<v Speaker 1>it's it's like horror in a very simple form, fulfilling

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<v Speaker 1>a societal need. You know, we need the villains in

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<v Speaker 1>our world, in our life to suffer, and these little

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<v Speaker 1>stories provide that suffering along with some you know gratuitous violence,

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<v Speaker 1>maybe a little nudity, uh and and maybe a few

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<v Speaker 1>laughs as well. A lot of gallows humor finds its

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<v Speaker 1>way into these episodes, and a lot of puns. I mean,

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<v Speaker 1>the crypt Keeper loves to make death related puns. That's right, because,

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<v Speaker 1>of course, the big thing about the the HBO series

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<v Speaker 1>is hosted by the crypt Keeper. This wonderful puppetry creation

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<v Speaker 1>of a of a reanimated corpse that just gleefully uh

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<v Speaker 1>takes you on this journey to hear all of these tales.

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<v Speaker 1>You know who the crypt Keeper is. It's the preserved

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<v Speaker 1>remains of Jeremy Bentham. I couldn't stop thinking about that

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<v Speaker 1>this time. I mean, like god, that that rotten looking head.

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<v Speaker 1>It's almost perfectly the crypt Keeper. Well, let let's start

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<v Speaker 1>with the crypt Keeper talking about people involved in this one.

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<v Speaker 1>The crypt Keeper's voice is, of course John Casser born

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<v Speaker 1>in nineteen fifty seven. Uh. He a longtime actor and

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<v Speaker 1>voice actor, but he's most well known as the voice

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<v Speaker 1>of the crypt Keeper from Tales from the Crypt on

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<v Speaker 1>HBO from eighty nine through as well as the cartoon

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<v Speaker 1>Tales from the Crypt Keeper three uh three Tales from

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<v Speaker 1>the Crypt movies we'll get a touch on that in

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<v Speaker 1>a bit, but basically, just uh, with the Crypt Keeper,

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<v Speaker 1>we have a great voice coming together with an amazing puppet.

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<v Speaker 1>At least for most appearances, and all this based on

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<v Speaker 1>one of the EC comics horror hosts. You know. Other

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<v Speaker 1>hosts included things like the Vault Keeper and the Old Witch,

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<v Speaker 1>but those were just in the comic, right, They were

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<v Speaker 1>not on on the TV series. I don't think so. Though.

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<v Speaker 1>Occasionally the crypt Keeper has a guest that's not a

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<v Speaker 1>corpse in those little segments. Um. Uh. And we'll touch

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<v Speaker 1>on some of those examples as we go here. But

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<v Speaker 1>of course in this movie Tales from the Crypt Demon Night,

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<v Speaker 1>the crypt Keeper is just there to set things up

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<v Speaker 1>to say, hey, we can hear it is for you

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<v Speaker 1>a movie. Um. And the movie itself is pretty self contained. Uh.

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<v Speaker 1>It has a few nods to tails from the through

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<v Speaker 1>the crypt within it. Uh. But but but still, you

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<v Speaker 1>could watch it in and on it on its own,

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<v Speaker 1>without the intro or the outro, and you'd get it.

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<v Speaker 1>So I guess the first person we should talk about

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<v Speaker 1>is the director. This was directed by Ernest Dickerson. Dickerson

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<v Speaker 1>was born in nineteen fifty one, and he was a

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<v Speaker 1>classmate of Spike Lee at the Tisch School of the Arts,

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<v Speaker 1>and so he went on to work as a frequent

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<v Speaker 1>collaborator with Spike Lee as a cinematographer on various Spike

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<v Speaker 1>Lee joints including School Days, Do the Right Thing, Moment

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<v Speaker 1>Or Blues, Jungle Fever, and Malcolm X. He also worked

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<v Speaker 1>as cinematographer on films from John Saylis, the film Brother

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<v Speaker 1>from Another Planet, and Jonathan Demmi, and more recently, you

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<v Speaker 1>might have noticed his name as a director on a

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<v Speaker 1>number of TV projects, including multiple episodes of The Walking Dead,

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<v Speaker 1>Tremay The Wire. He se like one of those TV

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<v Speaker 1>directors that just works all the time, and he's also

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<v Speaker 1>done a lot of work in the horror genre. He

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<v Speaker 1>was He was cinematographer on the TV series Tales from

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<v Speaker 1>the Dark Side, an anthology series, and while Demon Knight

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<v Speaker 1>was his first horror or sci fi film as a director,

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<v Speaker 1>he went on to direct Future Sport, which looks interesting,

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<v Speaker 1>and the two thousand and one Snoop Dogg ghost movie Bones,

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<v Speaker 1>which I haven't seen, but I was reading a little

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<v Speaker 1>about and it it seems like it has its following,

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<v Speaker 1>so maybe it's worth Yeah, Okay, I mean it's snoop

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<v Speaker 1>is always entertaining, so so. Demon Knight, though, follows up

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<v Speaker 1>on Dickerson's film Juice, which started Tupac Shakur, and also

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<v Speaker 1>the exquisite film Surviving the Game. Do you remember this one, Joe,

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<v Speaker 1>of course I do. Surviving the I don't think Surviving

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<v Speaker 1>the Game is as good as Demon Night, as comparing

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<v Speaker 1>Dickerson's violent thrillers here surviving, but one thing that is

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<v Speaker 1>great about Surviving the Basically, it's an adaptation of the

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<v Speaker 1>short story The Most Dangerous Game about a group of

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<v Speaker 1>about like a rich guy on an island who hunts

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<v Speaker 1>human beings for sport. Uh. This adapts that to the

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<v Speaker 1>modern world, and it's a movie about a character named

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<v Speaker 1>Mason played by iced T who is like homeless and depressed,

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<v Speaker 1>and he gets offered a job by a guy who

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<v Speaker 1>he meets somewhere I think maybe at a like a

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<v Speaker 1>like a place where they're feeding the homeless, and he

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<v Speaker 1>gets recruited for this job to be a wilderness guide

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<v Speaker 1>for a bunch of rich dudes played by people like

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<v Speaker 1>Rutger Howard, Charles Stutton, Gary Busey, F Murray Abraham, John C. McGinley.

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<v Speaker 1>It is a real powerhouse cast, like every person who

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<v Speaker 1>could have played like, you know, the cocaine king of

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<v Speaker 1>the week in an eighties crime movie. Uh, they're one

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<v Speaker 1>of these, one of the party of the hunters in

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<v Speaker 1>this movie. And then of course the twist is once

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<v Speaker 1>they get out in the woods there they tell I see, okay,

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<v Speaker 1>well we're gonna hunt you now, but I see outsmarts

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<v Speaker 1>them all. So I remember catching this one on Able,

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<v Speaker 1>I think, and uh, and I remember finding it irresistible,

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<v Speaker 1>just drawn right into it. Yeah, And I I gotta say,

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<v Speaker 1>Iced Tea has a very weird charm in this movie.

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<v Speaker 1>It's hard to describe exactly what it is, but he

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<v Speaker 1>he plays a He plays a very rude and sympathetic

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<v Speaker 1>protagonist as he's like chugging along through the forest while

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<v Speaker 1>they're chasing him on a t v s. Yeah. So um.

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<v Speaker 1>So it's some some notable films so from Dickerson there

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<v Speaker 1>now coming back to Demon Night, Uh, there's a there's

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<v Speaker 1>an excellent shout factory slash screen factory, uh blu ray

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<v Speaker 1>of this film that came out, and that's that's what

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<v Speaker 1>I watched for this. But it also includes some some

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<v Speaker 1>really cool features, including interviews with Dickerson among others, and

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<v Speaker 1>one of the things that came out of it, aside

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<v Speaker 1>from him just being really chill and apparently easy to

0:12:48.679 --> 0:12:51.160
<v Speaker 1>work with um and open to some of the lunear

0:12:51.280 --> 0:12:54.160
<v Speaker 1>ideas that the actors brought to the table. Um, he

0:12:54.280 --> 0:12:56.959
<v Speaker 1>was also a major force behind having a more diverse

0:12:57.080 --> 0:13:00.680
<v Speaker 1>cast on this film, including the casting of African American

0:13:00.760 --> 0:13:04.720
<v Speaker 1>actors Jada Pinkett, c. C. H. Pounder, and Mark David

0:13:05.200 --> 0:13:07.880
<v Speaker 1>Kinnerlely who plays a very small part towards the end,

0:13:08.320 --> 0:13:11.520
<v Speaker 1>but also presumably First Nations actor Gary Farmer, who will

0:13:11.679 --> 0:13:14.600
<v Speaker 1>touch on here in a bit. And it's worth noticing

0:13:14.600 --> 0:13:18.200
<v Speaker 1>that even our secondary minority characters in this film survive

0:13:18.360 --> 0:13:21.800
<v Speaker 1>quite far into the picture right. The cliche long being

0:13:21.880 --> 0:13:24.320
<v Speaker 1>that in many horror movies it is common for the

0:13:24.360 --> 0:13:26.800
<v Speaker 1>cast to be all white except for one black character,

0:13:26.880 --> 0:13:30.120
<v Speaker 1>and the black guy dies first. So so yeah, it

0:13:30.120 --> 0:13:33.000
<v Speaker 1>seems that having having a black director at the at

0:13:33.040 --> 0:13:36.240
<v Speaker 1>the front of this thing really helped out in that regard.

0:13:36.480 --> 0:13:38.640
<v Speaker 1>For instance, the main character to character the Jada Pinkett

0:13:38.920 --> 0:13:42.200
<v Speaker 1>plays Jada Pinkett Smith plays in this UM like that

0:13:42.280 --> 0:13:45.360
<v Speaker 1>was I think the studio wanted Um. I forget which actor,

0:13:45.360 --> 0:13:48.840
<v Speaker 1>but they wanted a white female actor for the role um,

0:13:48.880 --> 0:13:51.520
<v Speaker 1>and he would he insisted on this, so and I

0:13:51.559 --> 0:13:53.920
<v Speaker 1>think it's a better film for it. Yeah. Now the

0:13:53.960 --> 0:13:58.400
<v Speaker 1>screenwriters on this were Ethan Rife, Cyrus Voris, uh and

0:13:58.679 --> 0:14:01.880
<v Speaker 1>Mark Bishop. That this trio they had written a post

0:14:01.880 --> 0:14:06.200
<v Speaker 1>apocalyptic movie called Escape from safe Haven in and that

0:14:06.280 --> 0:14:09.560
<v Speaker 1>was directed by Bishop, and Bishop didn't didn't seem to

0:14:09.559 --> 0:14:12.000
<v Speaker 1>go on to do much else in film, but Rife

0:14:12.000 --> 0:14:14.080
<v Speaker 1>and Voris went on to do quite a lot, including

0:14:14.080 --> 0:14:18.160
<v Speaker 1>two thousand and eight Kung Fu Panda. Yeah, they they

0:14:18.160 --> 0:14:20.400
<v Speaker 1>wrote that, uh, and you'll find their names attached to

0:14:20.600 --> 0:14:24.640
<v Speaker 1>anything involving Kung Fu Panda. They also wrote two thousand

0:14:24.640 --> 0:14:27.880
<v Speaker 1>tens Robin Hood. That's the Ridley Scott version starring Russell Crowe.

0:14:29.080 --> 0:14:33.960
<v Speaker 1>I didn't see um and Demon Knight was apparently a

0:14:33.960 --> 0:14:38.040
<v Speaker 1>spec script that they had out there and people were

0:14:38.080 --> 0:14:39.920
<v Speaker 1>you know, excited about it, and it got picked up

0:14:39.920 --> 0:14:42.680
<v Speaker 1>by this Tales from the Crypt trilogy idea, like they were.

0:14:42.880 --> 0:14:45.080
<v Speaker 1>The basic idea was like let's do three Tails from

0:14:45.080 --> 0:14:49.160
<v Speaker 1>the Crypt films will find the screenplays and we'll we'll

0:14:49.200 --> 0:14:51.240
<v Speaker 1>just you know, put to some Crypt Keeper at the beginning,

0:14:51.280 --> 0:14:53.280
<v Speaker 1>some crypt Keeper at the end, and you got yourself

0:14:53.320 --> 0:14:56.800
<v Speaker 1>a franchise. Now. Unfortunately, being a feature film instead of

0:14:56.800 --> 0:14:59.840
<v Speaker 1>being made for TV, it does not have commercial breaks

0:14:59.840 --> 0:15:01.720
<v Speaker 1>for the crypt Keeper to come in in the middle

0:15:01.760 --> 0:15:04.360
<v Speaker 1>of the movie and comment about what's currently going on

0:15:04.440 --> 0:15:06.680
<v Speaker 1>in the story. He's just at the beginning and the end.

0:15:07.320 --> 0:15:10.400
<v Speaker 1>But even with the only the beginning and the end

0:15:10.400 --> 0:15:14.680
<v Speaker 1>of Brackets, the crypt Keeper is a very welcome presence now.

0:15:14.760 --> 0:15:17.680
<v Speaker 1>Apparently I was watching some of the making of and

0:15:17.680 --> 0:15:20.480
<v Speaker 1>apparently there was some push and pull on the idea

0:15:20.480 --> 0:15:23.000
<v Speaker 1>of like what the the movie itself was going to be.

0:15:23.720 --> 0:15:26.960
<v Speaker 1>The screenwriters really thought, this is more of a hero movie,

0:15:27.000 --> 0:15:30.800
<v Speaker 1>this is about a hero's journey, etcetera. And then everyone

0:15:30.840 --> 0:15:33.400
<v Speaker 1>else was like, well, but it's a monster movie. It

0:15:33.440 --> 0:15:35.400
<v Speaker 1>needs to be a monster movie. It's Tales from the Crypt.

0:15:35.520 --> 0:15:37.040
<v Speaker 1>And then you know, ultimately goes back to what we

0:15:37.080 --> 0:15:39.840
<v Speaker 1>said earlier, like this is not a come uppance film.

0:15:39.920 --> 0:15:42.200
<v Speaker 1>It's not a film about a horrible person getting their

0:15:42.240 --> 0:15:44.760
<v Speaker 1>come uppance. It ends up really being more of a

0:15:44.760 --> 0:15:47.840
<v Speaker 1>hero's journey kind of a story with monsters, but with

0:15:47.880 --> 0:15:50.160
<v Speaker 1>the Tales from the Crypt branding. But also I mean,

0:15:50.240 --> 0:15:53.240
<v Speaker 1>I think Dickerson handles it exactly right, and that it

0:15:53.400 --> 0:15:56.600
<v Speaker 1>is not overly serious in any way, Like it is

0:15:56.640 --> 0:16:00.680
<v Speaker 1>a very loose, fun, frisky movie that does not ever

0:16:00.800 --> 0:16:04.120
<v Speaker 1>stop to take itself too seriously. And the scenes that

0:16:04.200 --> 0:16:06.560
<v Speaker 1>do get kind of serious addressing, like the you know,

0:16:06.640 --> 0:16:10.320
<v Speaker 1>the recurring hero Boti for whatever those are, those are

0:16:10.480 --> 0:16:12.840
<v Speaker 1>brief enough to be kind of welcome, and then it

0:16:12.920 --> 0:16:16.960
<v Speaker 1>quickly gets back to goofy gory jokes. Absolutely, Well, let's

0:16:16.960 --> 0:16:20.720
<v Speaker 1>start talking about some of these heroes. Um again, Jada Pinkett,

0:16:20.880 --> 0:16:23.960
<v Speaker 1>who would become Jada Pinkett Smith later on she plays

0:16:23.960 --> 0:16:27.560
<v Speaker 1>our hero. And this is um Jerry Jerry Line, Jerry Lynn,

0:16:27.880 --> 0:16:30.880
<v Speaker 1>like jer Lyne Jerlen. It it's one of those where

0:16:30.880 --> 0:16:32.720
<v Speaker 1>I got prepared for it to be pronounced a certain

0:16:32.760 --> 0:16:36.200
<v Speaker 1>way and then it was not in the film. Well, actually,

0:16:36.240 --> 0:16:38.920
<v Speaker 1>I think different characters in the movie pronounce her name

0:16:39.000 --> 0:16:41.680
<v Speaker 1>different and you might say, hey, that's not consistent, but

0:16:41.720 --> 0:16:43.880
<v Speaker 1>then hey, if you have you ever known somebody whose

0:16:43.960 --> 0:16:47.400
<v Speaker 1>name as written could be pronounced different ways, people pronounce

0:16:47.440 --> 0:16:53.160
<v Speaker 1>it different ways. But we're going with Jerlyne Jerylene. Okay, Jerylene.

0:16:53.160 --> 0:16:55.880
<v Speaker 1>I'm gonna trying to be consistent. I may just say

0:16:55.960 --> 0:16:59.840
<v Speaker 1>Jada pinkett Um anyway, Yep, she's in this. She had

0:16:59.840 --> 0:17:02.120
<v Speaker 1>not yet married will Smith, but she was on the

0:17:02.200 --> 0:17:04.440
<v Speaker 1>rise here. She was coming off of the Hughes Brothers

0:17:04.480 --> 0:17:08.800
<v Speaker 1>Minister Society as well as Jason's lyric and she would

0:17:08.840 --> 0:17:11.600
<v Speaker 1>apparently go on to like really break out. Uh in

0:17:12.720 --> 0:17:15.000
<v Speaker 1>is the nutty Professor. Then she was in Scream to

0:17:15.560 --> 0:17:18.400
<v Speaker 1>the Matrix sequels, just to name a few. I saw

0:17:18.440 --> 0:17:21.320
<v Speaker 1>that she's going to be in the upcoming New Matrix movie,

0:17:21.400 --> 0:17:24.639
<v Speaker 1>so I forget who her character is, but whoever she is,

0:17:24.680 --> 0:17:29.200
<v Speaker 1>she must survive the third film. Yeah. Now, let's see,

0:17:29.240 --> 0:17:31.640
<v Speaker 1>this is not a hero. This is our main antagonist

0:17:31.640 --> 0:17:35.320
<v Speaker 1>in the film, but we have Billy Zane as the collector.

0:17:35.720 --> 0:17:38.800
<v Speaker 1>Billy Zane is just wonderful in this movie. He is

0:17:38.880 --> 0:17:42.720
<v Speaker 1>he's I mean, Zane has a very punchable face and

0:17:42.760 --> 0:17:45.560
<v Speaker 1>a lot of roles and oh he's so punchable in

0:17:45.560 --> 0:17:49.160
<v Speaker 1>this he's he he just he hands it up so

0:17:49.280 --> 0:17:52.800
<v Speaker 1>much like he's great, playing like a smug, privileged s

0:17:52.880 --> 0:17:55.160
<v Speaker 1>ob and in so many other films, I mean, especially

0:17:55.200 --> 0:17:59.040
<v Speaker 1>Titanic comes to mind. Uh but yeah, he's he's like

0:17:59.440 --> 0:18:01.760
<v Speaker 1>a loony Tunes character in this in all the right

0:18:01.760 --> 0:18:04.760
<v Speaker 1>ways that would be in the appropriate Um, in the

0:18:04.760 --> 0:18:08.240
<v Speaker 1>appropriate ways. He was just like a cartoon character. Oh well,

0:18:08.359 --> 0:18:11.760
<v Speaker 1>you included a detail that he I think revealed in

0:18:11.800 --> 0:18:13.600
<v Speaker 1>one of the making of features. You said you were

0:18:13.640 --> 0:18:16.320
<v Speaker 1>watching that once. Once I read it, I was like,

0:18:16.359 --> 0:18:19.880
<v Speaker 1>oh my god, it's absolutely right, the one about a Laddin. Yes, yeah,

0:18:19.920 --> 0:18:23.479
<v Speaker 1>he He says that he approached the role like he was, uh,

0:18:23.760 --> 0:18:27.960
<v Speaker 1>playing the genie from a Laddin, except evil, And then

0:18:28.000 --> 0:18:30.760
<v Speaker 1>you see it in everything. It's exactly what he's doing.

0:18:30.840 --> 0:18:35.280
<v Speaker 1>He's almost Robin Williams, but a little bit less manic

0:18:35.440 --> 0:18:38.960
<v Speaker 1>and more smooth, but smooth in a very sinister and

0:18:39.119 --> 0:18:42.760
<v Speaker 1>silly way. He he's perfect in this role. Yeah, this

0:18:42.800 --> 0:18:44.840
<v Speaker 1>is This is apparently one of his favorite roles that

0:18:44.880 --> 0:18:47.520
<v Speaker 1>he did, and yeah, he really shines in it. Um.

0:18:47.560 --> 0:18:49.720
<v Speaker 1>You know, no matter what your opinion is of of

0:18:49.920 --> 0:18:52.320
<v Speaker 1>Zane in general, you know he's he's been in some

0:18:52.400 --> 0:18:55.560
<v Speaker 1>real some real stinkers for sure. Um. But yeah, this

0:18:55.640 --> 0:18:58.160
<v Speaker 1>has just the right amount of Billy Zane. And oh

0:18:58.240 --> 0:18:59.840
<v Speaker 1>and this was fun too. This was revealed one of

0:18:59.880 --> 0:19:03.480
<v Speaker 1>the treats. This was apparently Zane's first film without a hairpiece.

0:19:04.240 --> 0:19:07.640
<v Speaker 1>Uh so, yeah, apparently he came in to meet Dickerson

0:19:07.680 --> 0:19:10.159
<v Speaker 1>and he brought in like a little suitcase and he

0:19:10.240 --> 0:19:13.639
<v Speaker 1>opened it up, uh, and he was completely bald, you know,

0:19:14.240 --> 0:19:16.960
<v Speaker 1>and shaved down, and he showed him the hairpieces. He's like,

0:19:16.960 --> 0:19:18.880
<v Speaker 1>which one do you want me to wear for the film,

0:19:18.960 --> 0:19:21.880
<v Speaker 1>And Dickerson's like, I don't know. I like what you've

0:19:21.880 --> 0:19:24.120
<v Speaker 1>got going on there, And so that's what they went with,

0:19:24.480 --> 0:19:28.320
<v Speaker 1>which is bald, which yeah, um yeah, his bald head

0:19:28.400 --> 0:19:32.399
<v Speaker 1>is exquisite. And I wonder if that inspired the scenes

0:19:32.440 --> 0:19:34.919
<v Speaker 1>in the film where he's carrying around a suitcase or

0:19:34.960 --> 0:19:37.240
<v Speaker 1>maybe that was part of the script anyway. I mean,

0:19:37.359 --> 0:19:40.000
<v Speaker 1>he so we should say that in the movie we

0:19:40.040 --> 0:19:43.000
<v Speaker 1>said he's the villain, but he is the titular demon Knight.

0:19:43.240 --> 0:19:47.400
<v Speaker 1>He is a hell beast who's a kind of uh

0:19:47.560 --> 0:19:51.320
<v Speaker 1>smooth talking prince of the Infernal Realms who wants to

0:19:51.400 --> 0:19:54.640
<v Speaker 1>do some kind of apocalyptic magic and it involves him

0:19:54.680 --> 0:19:57.520
<v Speaker 1>frequently getting out a suitcase and asking people to put

0:19:57.560 --> 0:19:59.639
<v Speaker 1>a thing inside it. Right yeah, yeah, so he does

0:19:59.680 --> 0:20:04.199
<v Speaker 1>have case around, so presumably a very similar suitcase that

0:20:04.200 --> 0:20:06.840
<v Speaker 1>that held his many different hairs. Now you've got a

0:20:06.840 --> 0:20:10.360
<v Speaker 1>lot of films listed as Billy Zane credits that almost

0:20:10.400 --> 0:20:12.840
<v Speaker 1>none of which I had any idea Billy Zane was in.

0:20:13.040 --> 0:20:16.159
<v Speaker 1>Oh yeah, he was in Back to the Future. I

0:20:16.200 --> 0:20:18.800
<v Speaker 1>didn't know that he was in Night six is Critters.

0:20:19.560 --> 0:20:22.600
<v Speaker 1>I had no clue on that one. Yeah, no idea. Um,

0:20:22.960 --> 0:20:24.879
<v Speaker 1>I guess he really stood out. I guess one of

0:20:24.920 --> 0:20:26.639
<v Speaker 1>the early roles where he really stood out would be

0:20:26.640 --> 0:20:31.200
<v Speaker 1>the nine thriller Dead Calm, alongside Sam Neil and Nicole Kidman.

0:20:31.240 --> 0:20:33.600
<v Speaker 1>And he's he's quite good in that. I've never seen it. Oh,

0:20:33.680 --> 0:20:36.000
<v Speaker 1>it's good. It's a really really good, solid thriller. Huh.

0:20:36.480 --> 0:20:38.320
<v Speaker 1>Was that the one where he plays like a he's

0:20:38.359 --> 0:20:41.440
<v Speaker 1>like an evil guy on a boat. Yeah, it's a thrill.

0:20:41.520 --> 0:20:44.399
<v Speaker 1>That's probably oversimplifying it, but yeah, yeah, I mean I

0:20:44.440 --> 0:20:46.199
<v Speaker 1>haven't seen it forever, but I remember it as being

0:20:46.320 --> 0:20:49.199
<v Speaker 1>quite good. Um, it's like you take the end of

0:20:49.280 --> 0:20:51.760
<v Speaker 1>Cape Fear and make it a whole movie. Yeah, yeah,

0:20:51.760 --> 0:20:54.879
<v Speaker 1>I guess so. Yeah. Um. Zane of course did a

0:20:54.960 --> 0:20:57.600
<v Speaker 1>lot of TV work as well. He was on Twin Peaks, Um,

0:20:57.680 --> 0:21:00.199
<v Speaker 1>he was in the film Tombstone, And of course we

0:21:00.200 --> 0:21:03.600
<v Speaker 1>can't forget his starring role in Nine Is the Phantom

0:21:03.800 --> 0:21:07.000
<v Speaker 1>um because there was that whole period in the nineties

0:21:07.000 --> 0:21:10.760
<v Speaker 1>when Hollywood decided that old timey characters like Dick Tracy

0:21:10.880 --> 0:21:14.439
<v Speaker 1>and the Shadow were the next big thing, and that

0:21:14.520 --> 0:21:18.040
<v Speaker 1>was a weird time. I kind of wait, so was

0:21:18.160 --> 0:21:21.680
<v Speaker 1>the was the Phantom an old property that was being

0:21:21.680 --> 0:21:25.360
<v Speaker 1>revived or was it a new property in the style

0:21:25.480 --> 0:21:29.160
<v Speaker 1>of the old adventure cereals? The Phantom was an old character? Yeah,

0:21:29.160 --> 0:21:32.760
<v Speaker 1>oh okay, yeah, I know the Shadow was. Didn't Alec

0:21:32.840 --> 0:21:36.720
<v Speaker 1>Baldwin play the Shadow? And there? Yeah, that one. I

0:21:36.760 --> 0:21:38.399
<v Speaker 1>do not remember that one as being good, but it

0:21:38.440 --> 0:21:41.359
<v Speaker 1>had Alec Baldwin and it was directed by Russell McKay.

0:21:41.480 --> 0:21:43.080
<v Speaker 1>So I'm sure if I were to watch it again,

0:21:43.119 --> 0:21:46.399
<v Speaker 1>I would I would find some some lovable, weird things

0:21:46.440 --> 0:21:49.080
<v Speaker 1>in it, but I don't know. Uh, there are other

0:21:49.160 --> 0:21:52.800
<v Speaker 1>Moquet films I would rather see. Now. I know you

0:21:52.840 --> 0:21:55.320
<v Speaker 1>have unspeakable love for Dick Tracy. Do you want to

0:21:55.320 --> 0:21:58.639
<v Speaker 1>talk about that? Uh? Well, I wouldn't say it's unspeakable

0:21:58.720 --> 0:22:00.560
<v Speaker 1>love because I haven't seen it since I was a kid.

0:22:00.920 --> 0:22:05.200
<v Speaker 1>But it it was one that was not as good

0:22:05.240 --> 0:22:09.600
<v Speaker 1>as anticipated, perhaps, but it had such weird mobsters in it,

0:22:09.640 --> 0:22:12.680
<v Speaker 1>Like all the mobsters. You know, in a way they're

0:22:12.680 --> 0:22:15.560
<v Speaker 1>they're trying to create the kind of the rough characteratures

0:22:15.680 --> 0:22:18.040
<v Speaker 1>of the of the of the old comic and in

0:22:18.080 --> 0:22:22.320
<v Speaker 1>doing so, they created these monstrous mutant gangsters that were

0:22:22.400 --> 0:22:27.960
<v Speaker 1>just you know, irresistible and also just so weird, Like

0:22:28.000 --> 0:22:30.359
<v Speaker 1>it's so weird that the movies filled with them. Wasn't

0:22:30.359 --> 0:22:32.720
<v Speaker 1>there one called little Face who had a huge head

0:22:32.760 --> 0:22:35.160
<v Speaker 1>with a little face in the middle of it. Yeah, Yeah,

0:22:35.160 --> 0:22:37.600
<v Speaker 1>there was Flat Top, and I think there was one

0:22:37.680 --> 0:22:40.080
<v Speaker 1>called no Face who didn't have a face. There was

0:22:40.160 --> 0:22:43.320
<v Speaker 1>one called the Brow was just this enormous grotesque brow.

0:22:43.560 --> 0:22:46.760
<v Speaker 1>Like just tons of those type of characters, most of

0:22:46.800 --> 0:22:48.760
<v Speaker 1>which they did nothing with. Most of them are just

0:22:48.880 --> 0:22:50.960
<v Speaker 1>I think like they have like a good dozen of

0:22:50.960 --> 0:22:53.960
<v Speaker 1>them that they kill in one scene just in passing. Yeah,

0:22:54.320 --> 0:22:56.679
<v Speaker 1>they just have like the Star Wars Cantina scene, but

0:22:56.720 --> 0:22:59.760
<v Speaker 1>it's mutant mobsters. Yeah. So I feel like that kind

0:22:59.760 --> 0:23:03.200
<v Speaker 1>of and me for traditional gangster films to a certain extent,

0:23:03.200 --> 0:23:05.120
<v Speaker 1>because you're like, oh, well, you know, Godfather is good,

0:23:05.119 --> 0:23:08.199
<v Speaker 1>but it didn't have any mutants in it. Oh. I

0:23:08.240 --> 0:23:11.840
<v Speaker 1>like the Godfather is good, but yeah, but I'd like

0:23:11.880 --> 0:23:14.640
<v Speaker 1>to see mutant gangsters come back. I feel like that's

0:23:14.680 --> 0:23:17.240
<v Speaker 1>the that's the takeaway from Dick Tracy. I agree, a

0:23:17.280 --> 0:23:21.439
<v Speaker 1>little bit more boiling acid version of The Godfather. All Right.

0:23:21.480 --> 0:23:23.920
<v Speaker 1>We said that there was an immortal drifter in this film,

0:23:24.160 --> 0:23:27.879
<v Speaker 1>and there is the character breaker played by the the

0:23:28.000 --> 0:23:33.200
<v Speaker 1>always actually excellent William Sadler. Oh Man, William Sadler, he's

0:23:33.200 --> 0:23:36.199
<v Speaker 1>got one of those faces, right, That's just he has

0:23:36.240 --> 0:23:39.520
<v Speaker 1>an inherently evil looking face, which makes me assume that

0:23:39.560 --> 0:23:43.040
<v Speaker 1>in reality he must be a nice guy, because I

0:23:43.480 --> 0:23:46.679
<v Speaker 1>recall there being a bit about this in the novel

0:23:46.800 --> 0:23:49.360
<v Speaker 1>Around the World in Eighty Days, which I haven't read

0:23:49.400 --> 0:23:50.760
<v Speaker 1>since I was a kid, but I remember there's a

0:23:50.760 --> 0:23:54.119
<v Speaker 1>part where a police detective is talking about how people

0:23:54.160 --> 0:23:57.159
<v Speaker 1>who have criminal looking faces have no choice but to

0:23:57.240 --> 0:23:59.879
<v Speaker 1>be honest, because you know, everybody looks at them and

0:24:00.040 --> 0:24:02.760
<v Speaker 1>suspects there are criminal. It's only people who look very

0:24:02.760 --> 0:24:06.639
<v Speaker 1>trustworthy who can really get away with great crime. Uh So,

0:24:06.800 --> 0:24:09.080
<v Speaker 1>I don't know for sure, but but yeah, Saddler, he

0:24:09.160 --> 0:24:12.240
<v Speaker 1>just has that face where he looks like a devil person.

0:24:13.040 --> 0:24:15.280
<v Speaker 1>And there are other people like this who just kind

0:24:15.280 --> 0:24:18.360
<v Speaker 1>of naturally look like a cartoon devil, like Malcolm McDowell

0:24:18.520 --> 0:24:21.320
<v Speaker 1>kind of looks like a cartoon devil. Uh. There there's

0:24:21.359 --> 0:24:25.159
<v Speaker 1>a prosperity Gospel TV preacher named Mike Murdoch who just

0:24:25.240 --> 0:24:30.560
<v Speaker 1>looks like a cartoon demon. Well Sadler, Yeah, he definitely

0:24:30.560 --> 0:24:33.560
<v Speaker 1>has that sort of face. Uh. He's played a fairly

0:24:33.680 --> 0:24:36.720
<v Speaker 1>fairly diverse amount of roles. Um, I don't know, he

0:24:36.760 --> 0:24:40.160
<v Speaker 1>does tend to sort of play you're rougher characters. He's

0:24:40.280 --> 0:24:43.840
<v Speaker 1>he's played villains of differing varieties. Like he's definitely played

0:24:43.880 --> 0:24:47.720
<v Speaker 1>the suit wearing villain, but he's also played the you know,

0:24:47.800 --> 0:24:50.840
<v Speaker 1>the sort of uh, you know, dirt kicker kind of

0:24:50.880 --> 0:24:55.640
<v Speaker 1>a villain as well. Um. For instance, he's he might

0:24:55.640 --> 0:24:58.280
<v Speaker 1>be best known for his role as the Seventh Seal

0:24:58.359 --> 0:25:02.520
<v Speaker 1>inspired death in the and Ted movie. Right, Yeah, the Reaper.

0:25:02.960 --> 0:25:07.359
<v Speaker 1>They melvin him and uh. And also, interestingly enough, his

0:25:07.400 --> 0:25:10.040
<v Speaker 1>rendition of that character shows up on Tales from the

0:25:10.080 --> 0:25:13.320
<v Speaker 1>Crypt at one point, uh in the crypt Keeper sequence

0:25:13.400 --> 0:25:15.040
<v Speaker 1>where he's like playing a game at chess with the

0:25:15.040 --> 0:25:18.439
<v Speaker 1>crypt Keeper or something. But he was in shoshankredyption, he

0:25:18.520 --> 0:25:22.160
<v Speaker 1>was in the second die Hard movie. Yeah, he's the guy.

0:25:22.280 --> 0:25:25.360
<v Speaker 1>He's like the nude martial arts colonel I remember he's

0:25:25.400 --> 0:25:28.359
<v Speaker 1>in the hotel room doing like naked yogur or something,

0:25:28.880 --> 0:25:30.399
<v Speaker 1>and then he I think at some point he like

0:25:30.440 --> 0:25:35.239
<v Speaker 1>punches out a TV screen. Um. He he was on

0:25:35.280 --> 0:25:37.520
<v Speaker 1>Tales from the Crypt. He appeared in the UH in

0:25:37.720 --> 0:25:39.680
<v Speaker 1>what I believe was the pilot episode The Man Who

0:25:39.720 --> 0:25:43.639
<v Speaker 1>Was Death, and he also played the host of a

0:25:43.680 --> 0:25:46.680
<v Speaker 1>Tales from the Crypt spinoff, the title of the Two

0:25:46.680 --> 0:25:50.040
<v Speaker 1>Fisted Tales. This apparently wasn't picked up. They ended up

0:25:50.080 --> 0:25:53.040
<v Speaker 1>just using the three episodes. I think that they shot

0:25:53.359 --> 0:25:56.000
<v Speaker 1>using them as Tales from the Crypt episodes. But he

0:25:56.040 --> 0:25:58.880
<v Speaker 1>had this whole persona of Mr Rush, a crazy old

0:25:58.920 --> 0:26:01.040
<v Speaker 1>cowboy and a wheelchair, and if you look it up

0:26:01.040 --> 0:26:03.119
<v Speaker 1>on YouTube you can find clips of it. It's like

0:26:03.400 --> 0:26:05.960
<v Speaker 1>he's just completely over the top in the role as

0:26:06.000 --> 0:26:08.960
<v Speaker 1>one should be. Oh yeah, William Sadler is always like

0:26:08.960 --> 0:26:11.439
<v Speaker 1>a high tension cable, you know, He's like one of

0:26:11.440 --> 0:26:16.119
<v Speaker 1>those like steel cables that a tram car rides along. Yeah.

0:26:16.200 --> 0:26:18.920
<v Speaker 1>But yeah, throughout his career he's played very serious characters

0:26:18.960 --> 0:26:22.359
<v Speaker 1>and he's played just real live wires. He seemed to

0:26:22.359 --> 0:26:24.280
<v Speaker 1>have a tremendous amount of range there, but you don't

0:26:24.320 --> 0:26:26.359
<v Speaker 1>see him. I guess playing in the hero as much,

0:26:26.960 --> 0:26:29.000
<v Speaker 1>but in this in this one, because he's got an

0:26:29.000 --> 0:26:32.400
<v Speaker 1>evil looking face. Yeah, but it works here because he's

0:26:32.400 --> 0:26:34.160
<v Speaker 1>supposed to be he's a I mean, he's a guy

0:26:34.160 --> 0:26:36.960
<v Speaker 1>on the very um you know, um Margins of of

0:26:37.080 --> 0:26:41.480
<v Speaker 1>Law and Society. Yeah, alright. Some of the rest of

0:26:41.520 --> 0:26:44.119
<v Speaker 1>the cast here, cc H Pounder we already mentioned. She

0:26:44.119 --> 0:26:46.760
<v Speaker 1>plays a character Irene. She's a She's a talented actor,

0:26:46.800 --> 0:26:49.040
<v Speaker 1>probably best known for her role on the Shield. She

0:26:49.119 --> 0:26:52.320
<v Speaker 1>was an avatar, she was in RoboCop three and a

0:26:52.320 --> 0:26:54.439
<v Speaker 1>lot of TV work. I think she does one of

0:26:54.440 --> 0:26:57.280
<v Speaker 1>those big crime TV shows down, doesn't she like in

0:26:57.359 --> 0:26:59.399
<v Speaker 1>C I S or something. I think so. Yeah, she

0:26:59.680 --> 0:27:01.840
<v Speaker 1>that's the sort of show that she seemed to get

0:27:01.840 --> 0:27:04.919
<v Speaker 1>a lot of work on. Now. Another character actor in

0:27:04.960 --> 0:27:08.200
<v Speaker 1>this is uh somebody who recognize from previous episodes of

0:27:08.200 --> 0:27:10.160
<v Speaker 1>A Weird House, and that is Dick Miller, who plays

0:27:10.280 --> 0:27:16.399
<v Speaker 1>Uncle Willie. Yeah. Um, I would say this, whatever you

0:27:16.480 --> 0:27:18.919
<v Speaker 1>expect of a Dick Miller character, you will get it

0:27:19.000 --> 0:27:21.800
<v Speaker 1>from this film. He's not really playing against type or anything,

0:27:22.080 --> 0:27:25.480
<v Speaker 1>but it's a substantial role. And I found out on

0:27:25.520 --> 0:27:27.480
<v Speaker 1>the special features for this one. This was his first

0:27:27.520 --> 0:27:31.439
<v Speaker 1>time in his entire career, in which he wore prosthetic makeup.

0:27:32.840 --> 0:27:35.160
<v Speaker 1>I assume this is for the part where he turns

0:27:35.200 --> 0:27:38.240
<v Speaker 1>into a demon, not for his regular regular appearance, because

0:27:38.560 --> 0:27:41.040
<v Speaker 1>here he is, like you say, playing perfectly to type.

0:27:41.080 --> 0:27:44.679
<v Speaker 1>He is just a whiskey guzzlin drifter. And there's some

0:27:44.720 --> 0:27:49.400
<v Speaker 1>great drifter to drifter relations between him and William Sadler. Yeah, yeah,

0:27:49.400 --> 0:27:52.440
<v Speaker 1>they have, they have some good scenes. Um, apparently Dick,

0:27:52.600 --> 0:27:54.280
<v Speaker 1>like Dick Miller was, you know in all these old

0:27:54.320 --> 0:27:57.240
<v Speaker 1>older films, these Corman films and all. So apparently the

0:27:57.240 --> 0:28:00.119
<v Speaker 1>effects guys and Dickerson himself, they were just super were

0:28:00.160 --> 0:28:02.719
<v Speaker 1>thrilled to have Dick Miller on the picture because you know,

0:28:02.720 --> 0:28:03.920
<v Speaker 1>this is the guy who was in all those old

0:28:03.960 --> 0:28:07.399
<v Speaker 1>films that that they grew up watching. So, uh, that's

0:28:07.400 --> 0:28:10.040
<v Speaker 1>pretty You a vacuum salesman in a movie I saw

0:28:10.040 --> 0:28:12.879
<v Speaker 1>when I was a kid. Yeah, and you get taken

0:28:12.880 --> 0:28:16.000
<v Speaker 1>down to the furnace by by the Marlboro man. It's

0:28:16.040 --> 0:28:18.800
<v Speaker 1>like I've seen you die so many times, about one

0:28:18.840 --> 0:28:23.159
<v Speaker 1>more time. Um, let's see Thomas Haden Churches in this

0:28:23.200 --> 0:28:26.920
<v Speaker 1>plays a character named Roach. Um kind of Church is

0:28:27.000 --> 0:28:30.119
<v Speaker 1>kind of like a younger handsomer William Sadler in some ways.

0:28:30.680 --> 0:28:33.960
<v Speaker 1>Um yeah, in this movie. He so he plays this

0:28:34.080 --> 0:28:39.000
<v Speaker 1>swaggering creep, but with a swaggering creep with a luxurious

0:28:39.040 --> 0:28:43.600
<v Speaker 1>like Jethro tull roady hair. And he's also wearing a

0:28:43.720 --> 0:28:48.280
<v Speaker 1>Trent Resiner style see through T shirt. Yeah yeah, he's

0:28:48.320 --> 0:28:51.000
<v Speaker 1>he's absolutely hateable in this role and in all the

0:28:51.080 --> 0:28:54.560
<v Speaker 1>right ways, Like he really really makes you hate this character. Uh.

0:28:54.560 --> 0:28:57.800
<v Speaker 1>This was only his third film role though. Wow. Yeah,

0:28:57.800 --> 0:28:59.560
<v Speaker 1>he'd he'd go on to I mean he would, I

0:28:59.560 --> 0:29:01.320
<v Speaker 1>think he don't. He'd been on the show Wings and

0:29:01.360 --> 0:29:03.760
<v Speaker 1>that's what he was mainly known for. But he wouldn't

0:29:03.760 --> 0:29:07.560
<v Speaker 1>of course, being Sideways and Spider Man three. Now the movie,

0:29:07.680 --> 0:29:10.680
<v Speaker 1>of course, like any good horror movie, especially any good

0:29:10.720 --> 0:29:13.760
<v Speaker 1>horror movie from the nineties, has its share of useless cops.

0:29:14.840 --> 0:29:17.440
<v Speaker 1>And we have two useless cops in this one, one

0:29:17.440 --> 0:29:19.960
<v Speaker 1>of which dies pretty soon. The other is the deputy

0:29:20.360 --> 0:29:24.120
<v Speaker 1>deputy Bob Martel that that survives very long into the film.

0:29:24.400 --> 0:29:27.600
<v Speaker 1>And this is this is played by character actor Gary Farmer.

0:29:28.000 --> 0:29:31.600
<v Speaker 1>And here is your absolutely solid overdrawn at the Memory

0:29:31.600 --> 0:29:35.160
<v Speaker 1>Bank connection. Because he was in overdrawn in the Memory Bank. Really,

0:29:35.240 --> 0:29:38.120
<v Speaker 1>I didn't know that. Yeah. Yeah. Um, that of course

0:29:38.280 --> 0:29:44.280
<v Speaker 1>was American Playhouse. Um rendition of Overdrawn at the Memory

0:29:44.280 --> 0:29:47.080
<v Speaker 1>Bank that starred Rawle Julia and he just has a small,

0:29:47.560 --> 0:29:50.360
<v Speaker 1>ultimately kind of awkward role in it. Um. But he

0:29:50.400 --> 0:29:52.320
<v Speaker 1>went on to be in a ton more more stuff.

0:29:52.320 --> 0:29:54.280
<v Speaker 1>So he was born in fifty three. Uh, he's a

0:29:54.320 --> 0:29:58.320
<v Speaker 1>Canadian First Nations actor and um, let's see something like.

0:29:58.320 --> 0:29:59.880
<v Speaker 1>For instance, he went on to be in dead Man

0:30:00.120 --> 0:30:04.560
<v Speaker 1>the Western with Jarmusch movie yea yeah, and then also

0:30:05.040 --> 0:30:07.320
<v Speaker 1>in his film Ghost Dog Way of the Samurai. He

0:30:07.360 --> 0:30:10.320
<v Speaker 1>actually plays the same character in those two films. He

0:30:10.360 --> 0:30:14.520
<v Speaker 1>plays his character named Nobody. Okay. Yeah, And he was

0:30:14.560 --> 0:30:18.600
<v Speaker 1>also apparently under consideration for the role of Dr Gonzo

0:30:18.800 --> 0:30:20.960
<v Speaker 1>in Fear and Loathing in Las Vegas, but but I

0:30:21.000 --> 0:30:23.840
<v Speaker 1>didn't come together for some reason. Oh. That ultimately went

0:30:23.880 --> 0:30:28.040
<v Speaker 1>to um, what's his name, Benicio del Toro, Yes, Benicio

0:30:28.120 --> 0:30:31.480
<v Speaker 1>del Toro. Yes, Um, you know what. Actually, I should

0:30:31.480 --> 0:30:34.000
<v Speaker 1>go back on what I said earlier, because I I

0:30:34.080 --> 0:30:36.480
<v Speaker 1>said that this movie has useless cops and it is

0:30:36.640 --> 0:30:41.360
<v Speaker 1>a very reliable trope of horror movies, especially like horror

0:30:41.400 --> 0:30:43.719
<v Speaker 1>movies of the nineties. But it's it's pretty much always

0:30:43.760 --> 0:30:46.640
<v Speaker 1>there that you can just count on cops to not

0:30:46.760 --> 0:30:49.680
<v Speaker 1>be useful in them, you know, like you run up.

0:30:49.920 --> 0:30:51.560
<v Speaker 1>You never have the scene where you run up to

0:30:51.560 --> 0:30:54.400
<v Speaker 1>a cop and say, uh, there's a monster chasing us

0:30:54.400 --> 0:30:56.520
<v Speaker 1>and they whip out their gun and say where get

0:30:56.520 --> 0:31:00.160
<v Speaker 1>behind me? No, No, it's always like a calm out

0:31:00.160 --> 0:31:02.560
<v Speaker 1>and missy and then there's just like a claw sticking

0:31:02.560 --> 0:31:06.000
<v Speaker 1>through their face or something. Um. But in this movie, uh,

0:31:06.480 --> 0:31:10.440
<v Speaker 1>Gary Farmer's deputy Bob. He actually he becomes more useful

0:31:10.480 --> 0:31:12.360
<v Speaker 1>as the movie goes on, and then it's actually kind

0:31:12.400 --> 0:31:14.960
<v Speaker 1>of heroic by the end. Yeah. Yeah, even even though

0:31:15.000 --> 0:31:17.640
<v Speaker 1>he you know, as as a character actor, he has

0:31:17.680 --> 0:31:20.960
<v Speaker 1>this kind of like bumbling quality to him, you know

0:31:21.040 --> 0:31:23.960
<v Speaker 1>that plays well to comedy, and he does some good

0:31:23.960 --> 0:31:27.080
<v Speaker 1>comedy in this. But yeah, he also they do more

0:31:27.160 --> 0:31:29.240
<v Speaker 1>with the character than just have him fumble a gun

0:31:29.280 --> 0:31:32.320
<v Speaker 1>and get killed by a monster. All right. Another interesting

0:31:32.400 --> 0:31:35.280
<v Speaker 1>character we have in this is Charles Fleischer, who plays

0:31:35.320 --> 0:31:38.560
<v Speaker 1>his character Wally. Um. I think this is a character.

0:31:38.720 --> 0:31:40.760
<v Speaker 1>A lot of you may not not recognize his name,

0:31:41.160 --> 0:31:43.360
<v Speaker 1>some of you may not even recognize a picture of him,

0:31:43.520 --> 0:31:46.920
<v Speaker 1>but you would recognize his voice, at least one voice

0:31:46.920 --> 0:31:49.920
<v Speaker 1>that he does because he was the voice of Roger Rabbit. Wow.

0:31:50.920 --> 0:31:53.800
<v Speaker 1>And uh, outside of that, he often plays weirdos. He

0:31:53.800 --> 0:31:56.120
<v Speaker 1>has a real kind of like weirdo look to him.

0:31:56.160 --> 0:31:58.560
<v Speaker 1>You know, he plays that kind of character. Well, uh,

0:31:58.560 --> 0:32:01.320
<v Speaker 1>he doesn't disappoint in this film. He plays another weirdo.

0:32:01.520 --> 0:32:04.600
<v Speaker 1>He plays a very awkward guy in this movie. But

0:32:04.800 --> 0:32:06.520
<v Speaker 1>but he's he's I've seen even a number of things.

0:32:06.520 --> 0:32:09.280
<v Speaker 1>He had a fun role recurring role on Jonathan Ames

0:32:09.320 --> 0:32:12.640
<v Speaker 1>TV series Blunt Talk. So he's always a treat when

0:32:12.640 --> 0:32:14.680
<v Speaker 1>he shows up. But it doesn't seem he didn't show

0:32:14.720 --> 0:32:16.600
<v Speaker 1>up a lot and things I watched. Now we know

0:32:16.640 --> 0:32:20.200
<v Speaker 1>that Ernest Dickerson was himself cinematographer on on a bunch

0:32:20.240 --> 0:32:22.680
<v Speaker 1>of other movies. So he's directing here. Who does the

0:32:22.720 --> 0:32:27.600
<v Speaker 1>cinematography one Rick Boda or Bota b O t a

0:32:28.280 --> 0:32:31.760
<v Speaker 1>um who went on to direct not one, not two,

0:32:32.040 --> 0:32:35.200
<v Speaker 1>but three direct to video Hell Raisor sequels Right in

0:32:35.200 --> 0:32:39.040
<v Speaker 1>a Row, Health Seeker, Debtor, and Hell World. I believe

0:32:39.080 --> 0:32:41.800
<v Speaker 1>that's gonna be your numbers six, seven, and eight in

0:32:41.840 --> 0:32:44.080
<v Speaker 1>the Hell Raizor series. I would say that is not

0:32:44.200 --> 0:32:47.600
<v Speaker 1>a high point of the series. Um, but it's weird

0:32:47.640 --> 0:32:50.520
<v Speaker 1>because so those are not very good Hell Razor movies.

0:32:50.800 --> 0:32:55.160
<v Speaker 1>But I like his cinematography style in the movie. It's nothing, um,

0:32:55.200 --> 0:32:57.880
<v Speaker 1>you know, it's nothing all that artistic, but it's very fluid.

0:32:57.920 --> 0:33:00.320
<v Speaker 1>I mean like it's good in the sense that it's

0:33:00.320 --> 0:33:02.400
<v Speaker 1>the kind of good filmmaking that you don't you're not

0:33:02.520 --> 0:33:05.960
<v Speaker 1>thinking about technique. Yeah. Yeah, And it has some some

0:33:06.080 --> 0:33:08.760
<v Speaker 1>nice use of gels in places that they kind of

0:33:08.800 --> 0:33:12.280
<v Speaker 1>give it that tales from the crypt vibe without like

0:33:12.360 --> 0:33:15.840
<v Speaker 1>overdoing it. Um, Like you see a similar thing done

0:33:15.840 --> 0:33:20.600
<v Speaker 1>in uh what was Stephen king um creep Show, where

0:33:20.600 --> 0:33:23.480
<v Speaker 1>there was also a homage to horror comics of old

0:33:23.760 --> 0:33:25.479
<v Speaker 1>But there are scenes in that where they they just

0:33:25.520 --> 0:33:27.680
<v Speaker 1>go crazy with the gels to create these kind of

0:33:27.720 --> 0:33:30.280
<v Speaker 1>comic book colors, and there's a little of it in here,

0:33:30.280 --> 0:33:33.200
<v Speaker 1>but it feels a lot a lot more restrained. So

0:33:33.480 --> 0:33:37.000
<v Speaker 1>Hell World is the Evil Dead or not Evil Dead

0:33:37.040 --> 0:33:40.720
<v Speaker 1>the the I've totally forgotten what it's called Hell Razor.

0:33:40.840 --> 0:33:43.600
<v Speaker 1>Hell Hell World is the Hell Raisor movie where the

0:33:43.640 --> 0:33:48.560
<v Speaker 1>tagline is evil goes online. Oh man, it's the one

0:33:48.640 --> 0:33:52.280
<v Speaker 1>where they go to So I think it's supposed to

0:33:52.280 --> 0:33:55.200
<v Speaker 1>be that the pinhead is in a computer or something,

0:33:55.240 --> 0:33:57.720
<v Speaker 1>but then nobody ever really goes online in the movie.

0:33:57.760 --> 0:33:59.480
<v Speaker 1>I was talking to my friend Chuck about this not

0:33:59.520 --> 0:34:01.880
<v Speaker 1>too long. He pointed out that it's really a very

0:34:01.920 --> 0:34:05.360
<v Speaker 1>offline movie. It's about a party people. People go to

0:34:05.440 --> 0:34:09.600
<v Speaker 1>a big party at somebody's house and Pinhead starts killing him.

0:34:09.800 --> 0:34:12.319
<v Speaker 1>Oh wow, well, yeah, I never saw any of those,

0:34:12.400 --> 0:34:15.279
<v Speaker 1>those these three hell Raiser films in particular, but they

0:34:15.280 --> 0:34:17.319
<v Speaker 1>all had Doug Bradley and then at least a little bit,

0:34:17.360 --> 0:34:19.439
<v Speaker 1>so they have that going for him. I guess Hell

0:34:19.480 --> 0:34:22.560
<v Speaker 1>World also has Lance Hendrickson. Oh yeah, yeah, Oh, I

0:34:22.560 --> 0:34:24.880
<v Speaker 1>think I read about that where they were able they

0:34:24.920 --> 0:34:26.480
<v Speaker 1>were able to get him for the role because he

0:34:26.560 --> 0:34:28.239
<v Speaker 1>happened to be in I want to say, these were

0:34:28.239 --> 0:34:31.480
<v Speaker 1>filmed in Romania, and he was in Romania already film

0:34:31.680 --> 0:34:33.480
<v Speaker 1>filming some other role and they're like, hey, we can

0:34:33.480 --> 0:34:36.000
<v Speaker 1>get Lance Henderson. He's got another day or two on

0:34:36.080 --> 0:34:41.480
<v Speaker 1>his hotel room. And they did it perfect serendipity. Yeah. Uh. Now,

0:34:41.520 --> 0:34:44.440
<v Speaker 1>wen we mentioned that the cinematography of the movie is

0:34:44.480 --> 0:34:47.600
<v Speaker 1>quite effective. It's uh, it's nothing too flashy, but it's

0:34:47.640 --> 0:34:50.200
<v Speaker 1>fun and it's loose and it's very fluid and uh

0:34:50.239 --> 0:34:52.120
<v Speaker 1>and you're you're just right in there in the action.

0:34:52.160 --> 0:34:54.920
<v Speaker 1>I would say the same thing for the makeup effects

0:34:54.920 --> 0:34:57.560
<v Speaker 1>in the movie, which are quite good. Yeah. Yeah, the

0:34:57.560 --> 0:34:59.840
<v Speaker 1>the makeup and the monsters in this are great. And

0:35:00.440 --> 0:35:02.880
<v Speaker 1>we have the Todd Masters Company to think for this.

0:35:02.920 --> 0:35:05.000
<v Speaker 1>They did all the special makeup on the picture. They

0:35:05.040 --> 0:35:09.080
<v Speaker 1>did the monsters, and Masters was ideal for this because

0:35:09.080 --> 0:35:11.040
<v Speaker 1>he was a Tales from the Crypt veteran already at

0:35:11.080 --> 0:35:13.520
<v Speaker 1>that point, and he's he's done a lot of film

0:35:13.560 --> 0:35:17.160
<v Speaker 1>and TV work, uh, and he did a great job

0:35:17.160 --> 0:35:19.520
<v Speaker 1>on the monsters in this film as well, from like

0:35:19.560 --> 0:35:25.239
<v Speaker 1>a uh just from like a conceptual standpoint, because apparently

0:35:25.360 --> 0:35:27.440
<v Speaker 1>in the early stages the monsters were going to be

0:35:27.440 --> 0:35:30.200
<v Speaker 1>more zombie like or just kind of like possessed people,

0:35:30.920 --> 0:35:33.799
<v Speaker 1>and he ended up pushing for a different design, a

0:35:33.840 --> 0:35:36.120
<v Speaker 1>design that ultimately I think ended up being cheaper, which

0:35:36.160 --> 0:35:38.799
<v Speaker 1>the studio liked. But it but it leaned heavily on

0:35:38.920 --> 0:35:43.200
<v Speaker 1>body paint and lean actors uh in stilts with just

0:35:43.480 --> 0:35:47.560
<v Speaker 1>prosthetic heads and uh some interesting like growing and tail

0:35:47.640 --> 0:35:49.919
<v Speaker 1>features that will get to uh here in a bit.

0:35:50.160 --> 0:35:53.319
<v Speaker 1>The monsters are terrific. But Masters has been involved in

0:35:53.320 --> 0:35:55.800
<v Speaker 1>a number of different films that have great practical special

0:35:55.800 --> 0:36:00.520
<v Speaker 1>effects like Necronomicon, Book of the Dead, Uh, Hell Raiser, Bludline,

0:36:00.920 --> 0:36:05.160
<v Speaker 1>The Resurrected. The Resurrected is the the good Lovecraft movie

0:36:05.160 --> 0:36:08.320
<v Speaker 1>that I was trying to remember in a previous episode. Um,

0:36:08.360 --> 0:36:10.320
<v Speaker 1>he was in the fifth Nightmare on Elm Street movie.

0:36:10.440 --> 0:36:12.480
<v Speaker 1>He was in Return of not In. He did the

0:36:12.719 --> 0:36:15.920
<v Speaker 1>effects for the Return of Swamp Things, Slither Star Trek,

0:36:15.960 --> 0:36:18.120
<v Speaker 1>First Contact. He did the borg stuff in that with

0:36:18.160 --> 0:36:21.239
<v Speaker 1>the you know, the Borg queen. Uh, he was responsible

0:36:21.280 --> 0:36:24.440
<v Speaker 1>for that. And apparently he's going to direct a movie

0:36:25.000 --> 0:36:28.400
<v Speaker 1>according to IMDb, about giant leeches. So bringing the giant

0:36:28.440 --> 0:36:31.040
<v Speaker 1>leeches back. I think they've been absent from cinema for

0:36:31.480 --> 0:36:34.440
<v Speaker 1>what since the fifties or something. I'll bring them on.

0:36:34.880 --> 0:36:37.160
<v Speaker 1>But yeah, I agree with everything you said. I really

0:36:37.160 --> 0:36:39.880
<v Speaker 1>love the monster design in this movie. It's simple. They

0:36:39.920 --> 0:36:43.680
<v Speaker 1>look great. They've got green, glowing eyes and mouths. It's excellent.

0:36:52.520 --> 0:36:54.680
<v Speaker 1>All right, Well, let's jump into the film itself. Let's

0:36:54.760 --> 0:36:58.880
<v Speaker 1>let's roll through the plot. Well, so, first of all,

0:36:59.000 --> 0:37:01.919
<v Speaker 1>you have a class tails from the Crypt opening, which

0:37:01.960 --> 0:37:04.520
<v Speaker 1>is you know, your Dolly shot through the cobwebby mansion,

0:37:04.640 --> 0:37:06.960
<v Speaker 1>and then you go down a secret passageway into the

0:37:07.040 --> 0:37:09.320
<v Speaker 1>dungeon and it looks like it's the layer of Dr

0:37:09.360 --> 0:37:11.920
<v Speaker 1>faust Us. And then the crypt Keeper he pops up

0:37:11.920 --> 0:37:14.640
<v Speaker 1>out of the coffin and cackles at you. And as

0:37:14.640 --> 0:37:17.360
<v Speaker 1>I said before, all the sound effects here, it's the

0:37:18.000 --> 0:37:20.080
<v Speaker 1>Tales from the Crypto music is playing, and then you

0:37:20.120 --> 0:37:23.839
<v Speaker 1>get there, hey crypt keeper laugh. That is that is

0:37:23.920 --> 0:37:29.400
<v Speaker 1>such a powerful auditory queue to nineties childhood mindset. I

0:37:29.440 --> 0:37:32.000
<v Speaker 1>showed that just the opening to my son to see

0:37:32.040 --> 0:37:34.200
<v Speaker 1>how he would dig it, and he did not dig it.

0:37:34.280 --> 0:37:36.920
<v Speaker 1>He found it. He found it. They found it frightening,

0:37:37.280 --> 0:37:39.200
<v Speaker 1>and he did not want any part of it. That's

0:37:39.239 --> 0:37:41.920
<v Speaker 1>probably all for the best. This movie is not for kids.

0:37:42.440 --> 0:37:44.000
<v Speaker 1>And I'm not to say he was traumatized by it

0:37:44.080 --> 0:37:45.799
<v Speaker 1>or anything, but I was like, you want to check

0:37:45.800 --> 0:37:48.200
<v Speaker 1>this out for Halloween and he's like, okay, sure, and

0:37:48.200 --> 0:37:51.759
<v Speaker 1>then he saw it and he's like, no, thank you. Now.

0:37:51.800 --> 0:37:53.759
<v Speaker 1>I don't know if we even mentioned this before, but

0:37:53.800 --> 0:37:56.560
<v Speaker 1>the movie starts with an opening segment that is not

0:37:56.680 --> 0:37:59.200
<v Speaker 1>connected to the rest of the plot. I guess we

0:37:59.239 --> 0:38:01.799
<v Speaker 1>did mention that the were brackets, but it starts you

0:38:01.840 --> 0:38:04.560
<v Speaker 1>off in media rez with with stuff going on with

0:38:04.600 --> 0:38:07.759
<v Speaker 1>other characters you like paying up And uh, it's on

0:38:07.800 --> 0:38:12.080
<v Speaker 1>the scene of a woman reclining in lingerie talking on

0:38:12.160 --> 0:38:15.240
<v Speaker 1>the phone about how she has just murdered her husband,

0:38:15.280 --> 0:38:17.680
<v Speaker 1>like his bloody clothes are still all over the place,

0:38:18.280 --> 0:38:21.319
<v Speaker 1>and he's and we see he's downstairs dissolving in a

0:38:21.360 --> 0:38:24.080
<v Speaker 1>tub of acid in the basement, and she's talking to

0:38:24.160 --> 0:38:26.279
<v Speaker 1>her lover on the phone about how much they're going

0:38:26.320 --> 0:38:30.319
<v Speaker 1>to enjoy spending all of the dead guy's money. And uh, then,

0:38:30.360 --> 0:38:33.959
<v Speaker 1>of course, pretty much immediately the tub corpse wakes up,

0:38:34.040 --> 0:38:36.719
<v Speaker 1>and then it climbs the stairs and it has a

0:38:36.760 --> 0:38:39.080
<v Speaker 1>hatchet in its hand and it charges in on her

0:38:39.080 --> 0:38:41.680
<v Speaker 1>in a psycho style scene where she's in the bathtub

0:38:42.040 --> 0:38:45.400
<v Speaker 1>and he's like ah, And then we get a cut, cut, cut,

0:38:45.640 --> 0:38:47.840
<v Speaker 1>and it turns out it's a movie within a movie.

0:38:48.200 --> 0:38:52.279
<v Speaker 1>The corpseman is being played by John Laraquette, which is

0:38:52.400 --> 0:38:55.480
<v Speaker 1>just excellent. Wait did we already talk about John Laraquette.

0:38:56.160 --> 0:38:58.680
<v Speaker 1>We didn't, but of course he's He's most famous, or

0:38:58.680 --> 0:39:02.840
<v Speaker 1>at least for older TV viewers, for being the lawyer

0:39:02.880 --> 0:39:06.319
<v Speaker 1>What was the name of Felding on Night Court? I

0:39:06.400 --> 0:39:09.200
<v Speaker 1>never saw Night Court hand Fielding I'm sorry. Yeah, he

0:39:09.239 --> 0:39:12.480
<v Speaker 1>also plays a lawyer at some point on the West Wing. Yeah,

0:39:12.760 --> 0:39:15.040
<v Speaker 1>he played a lot of characters like that. But for

0:39:15.239 --> 0:39:17.880
<v Speaker 1>horror fans, he of course with the narrator on the

0:39:17.880 --> 0:39:21.120
<v Speaker 1>original Texas Chainsaw Masker, that opening scroll that sets the

0:39:21.120 --> 0:39:23.360
<v Speaker 1>tone for the film, and he did that at least

0:39:23.360 --> 0:39:26.080
<v Speaker 1>in the follow up in Texas Chansaw Masker too. I'm

0:39:26.080 --> 0:39:28.720
<v Speaker 1>not sure if if he did any of the sequels

0:39:28.719 --> 0:39:31.680
<v Speaker 1>beyond that. I think he did, but most notably that

0:39:31.760 --> 0:39:34.040
<v Speaker 1>first one though, really the first thing you hear in

0:39:34.080 --> 0:39:36.799
<v Speaker 1>that that picture, he's good at playing a kind of

0:39:36.880 --> 0:39:41.720
<v Speaker 1>like a thundering, conceited, pompous wind bag exactly. Yeah, that's

0:39:41.719 --> 0:39:44.319
<v Speaker 1>that's That's everything that he played to a t. But

0:39:44.440 --> 0:39:46.719
<v Speaker 1>in this movie, it's funny because he's just got this

0:39:46.760 --> 0:39:50.280
<v Speaker 1>bit part where he plays an actor playing a tub

0:39:50.360 --> 0:39:53.520
<v Speaker 1>corpse who's about to hatch it his his scheming ex

0:39:53.520 --> 0:39:56.759
<v Speaker 1>wife to death. And then but it turns out it's

0:39:56.760 --> 0:39:58.759
<v Speaker 1>a movie within a movie, and then we pan up

0:39:58.760 --> 0:40:01.439
<v Speaker 1>on the crypt keeper who's sitting in the director's chair,

0:40:01.520 --> 0:40:06.240
<v Speaker 1>so imagine Jeremy Bentham's preserved remains and start he starts

0:40:06.239 --> 0:40:09.200
<v Speaker 1>screaming at John Laraquette about how he can't act at all.

0:40:09.320 --> 0:40:12.719
<v Speaker 1>He's like, you're no Gory Cooper, You're not even a

0:40:12.800 --> 0:40:16.800
<v Speaker 1>Robert Deadford. And it was an ambitious bit of special

0:40:16.840 --> 0:40:21.839
<v Speaker 1>effects here, because they clearly had a live actor doing

0:40:21.880 --> 0:40:25.080
<v Speaker 1>some sort of like green screen head and then they

0:40:25.120 --> 0:40:29.120
<v Speaker 1>put the puppeteered crypt Keeper head over that in post

0:40:29.840 --> 0:40:32.040
<v Speaker 1>so it looks and it looks maybe a tiny bit rough.

0:40:32.080 --> 0:40:35.520
<v Speaker 1>You can tell there's some some ambitious special effects going

0:40:35.560 --> 0:40:37.920
<v Speaker 1>on here, but it's still amusing, which makes sense. You know,

0:40:38.000 --> 0:40:40.000
<v Speaker 1>this is Tales from the Crypt the movie. You should

0:40:40.040 --> 0:40:42.759
<v Speaker 1>go for it right, right, And it's great because so

0:40:42.840 --> 0:40:46.840
<v Speaker 1>this opening film within a film thing is is perfect.

0:40:46.920 --> 0:40:49.239
<v Speaker 1>It is a Tales from the Crypt episode. You know,

0:40:49.280 --> 0:40:51.680
<v Speaker 1>it's a ceed tale in which a bad person gets

0:40:51.760 --> 0:40:54.719
<v Speaker 1>what's coming to them. But so then of course we

0:40:54.760 --> 0:40:58.400
<v Speaker 1>get the crypt Keeper introducing the main story. He's you know,

0:40:58.480 --> 0:41:00.359
<v Speaker 1>I can't remember exactly what he says, but he makes

0:41:00.360 --> 0:41:02.000
<v Speaker 1>a bunch of puns and then he's like, I call

0:41:02.120 --> 0:41:04.759
<v Speaker 1>this one demon night, and then we cut to the

0:41:04.800 --> 0:41:08.840
<v Speaker 1>opening credits over a car cruising on a dark desert

0:41:08.920 --> 0:41:13.759
<v Speaker 1>highway with the most perfect nine soundtrack choice. That's right,

0:41:13.840 --> 0:41:16.360
<v Speaker 1>it's filters hey Man Nice Shot, which is also in

0:41:16.400 --> 0:41:19.440
<v Speaker 1>the trailer, I think, which I think, this is just mandatory.

0:41:19.520 --> 0:41:21.200
<v Speaker 1>This was just us law that if you had a

0:41:21.239 --> 0:41:24.160
<v Speaker 1>film that came out in you had to use hey

0:41:24.200 --> 0:41:27.560
<v Speaker 1>Man Nice Shot. Yeah, I was. It was hard to

0:41:27.560 --> 0:41:30.000
<v Speaker 1>contain the laughter while that was going on. And then

0:41:30.040 --> 0:41:33.479
<v Speaker 1>of course we see William Sadler driving uh and he's

0:41:33.560 --> 0:41:36.200
<v Speaker 1>you know, looking over his shoulder as if pursued by

0:41:36.239 --> 0:41:38.960
<v Speaker 1>the hounds of hell. But no, it's even worse. It's

0:41:39.040 --> 0:41:43.640
<v Speaker 1>Billy Zane and a cowboy hat. And it's very funny

0:41:43.640 --> 0:41:46.680
<v Speaker 1>when it first reveals Billy Zane smirking face in the

0:41:46.800 --> 0:41:50.360
<v Speaker 1>in the car that's chasing William Sadler, And so William

0:41:50.360 --> 0:41:52.720
<v Speaker 1>Sadler starts to run out of gas on this desert

0:41:52.800 --> 0:41:57.120
<v Speaker 1>highway and there is a highway showdown slash shootout, like

0:41:57.200 --> 0:42:00.279
<v Speaker 1>Billy Zane's riding up on him, and William Sadler gets

0:42:00.280 --> 0:42:03.040
<v Speaker 1>out a rifle it's like a lever action rifle, and

0:42:03.080 --> 0:42:06.400
<v Speaker 1>start shooting at Billy Zane's car. Eventually, the car catches

0:42:06.440 --> 0:42:10.200
<v Speaker 1>on fire, but Billy Zane, undeterred, just rams straight into

0:42:10.280 --> 0:42:12.920
<v Speaker 1>Saddler's car. Sadler gets out of it. At the last second,

0:42:13.000 --> 0:42:16.600
<v Speaker 1>and there's this huge fiery ramming explosion. So William Sadler

0:42:16.719 --> 0:42:19.280
<v Speaker 1>escapes the flaming wreckage. And I guess we're supposed to assume,

0:42:19.400 --> 0:42:22.080
<v Speaker 1>as as the naive audience, that Billy Zane has been

0:42:22.160 --> 0:42:24.719
<v Speaker 1>killed in the explosion, I guess, But why would we

0:42:24.760 --> 0:42:26.759
<v Speaker 1>actually believe that? I mean, would it make sense for

0:42:26.800 --> 0:42:29.640
<v Speaker 1>Billy Zane to be killed? And it doesn't, does it.

0:42:30.400 --> 0:42:33.320
<v Speaker 1>But William Sadler he looks at his palm and he

0:42:33.360 --> 0:42:35.240
<v Speaker 1>sees a bunch of dots. I think they're a little

0:42:35.239 --> 0:42:37.640
<v Speaker 1>like star tattoos on his palm, and some of them

0:42:37.640 --> 0:42:40.680
<v Speaker 1>are glowing and others are not. And then he just

0:42:40.760 --> 0:42:43.399
<v Speaker 1>sort of ambles on through the night. He's got he's

0:42:43.400 --> 0:42:47.160
<v Speaker 1>got drifter energy, he's got places to be. Apocalypse is

0:42:47.200 --> 0:42:49.680
<v Speaker 1>too for event, right, and so he he ambles on

0:42:49.719 --> 0:42:53.680
<v Speaker 1>into Wormwood, New Mexico, again not a real place, and

0:42:53.680 --> 0:42:57.200
<v Speaker 1>and goes up to a diner called the Halfway House

0:42:57.280 --> 0:43:00.880
<v Speaker 1>Cafe and immediately starts trying to jack cars, Like he

0:43:00.920 --> 0:43:03.920
<v Speaker 1>gets out of a butterfly knife and is sticking it

0:43:03.960 --> 0:43:06.160
<v Speaker 1>in the key hole of a car outside in the

0:43:06.160 --> 0:43:08.879
<v Speaker 1>parking lot, and a kid comes out and He's like, Hey,

0:43:08.920 --> 0:43:11.520
<v Speaker 1>are you stealing my daddy's car, And he's like, no,

0:43:11.600 --> 0:43:15.759
<v Speaker 1>I'm just testing the lock. Wormwood, New Mexico seems like

0:43:15.760 --> 0:43:18.760
<v Speaker 1>a very interesting place because not only do they have drifters,

0:43:19.040 --> 0:43:22.880
<v Speaker 1>it seems to be exclusively populated by drifters, Like I

0:43:22.920 --> 0:43:25.240
<v Speaker 1>want to meet other drifters that make up this town,

0:43:25.360 --> 0:43:29.080
<v Speaker 1>like Mayor Drifter and the rest of the post office,

0:43:29.719 --> 0:43:32.880
<v Speaker 1>like everybody is kind of like a a suspect drifter

0:43:33.040 --> 0:43:37.520
<v Speaker 1>type character. It's a drifter community. The like the characters

0:43:37.560 --> 0:43:40.520
<v Speaker 1>in the town who are not drifters, they're written in

0:43:40.560 --> 0:43:43.120
<v Speaker 1>such a way that they're like one decision away from

0:43:43.160 --> 0:43:46.080
<v Speaker 1>being a drifter. Yeah. I mean we all are, really,

0:43:46.120 --> 0:43:49.440
<v Speaker 1>but but especially these characters. So anyway, a bunch of

0:43:49.480 --> 0:43:51.200
<v Speaker 1>people run out of the diner. I think one of

0:43:51.239 --> 0:43:53.320
<v Speaker 1>the people who runs out as Thomas Hayden Church. But

0:43:53.400 --> 0:43:55.239
<v Speaker 1>a bunch of people run out and then they run

0:43:55.320 --> 0:43:58.480
<v Speaker 1>William Sadler off, So he's chased off into the night

0:43:59.200 --> 0:44:02.440
<v Speaker 1>where he is into Dick Miller as an old drunk,

0:44:02.960 --> 0:44:05.759
<v Speaker 1>and they share some whiskey and commiserate for a bit,

0:44:05.800 --> 0:44:08.279
<v Speaker 1>and then Dick Miller tells him that, Hey, I know

0:44:08.360 --> 0:44:10.279
<v Speaker 1>a place where you can bed down for the night,

0:44:10.480 --> 0:44:13.640
<v Speaker 1>and so they're funneling him towards this old church. You

0:44:13.640 --> 0:44:16.319
<v Speaker 1>can immediately tell the sort of plot mechanics that are

0:44:16.320 --> 0:44:20.160
<v Speaker 1>happening here. We're saving all of the characters into this

0:44:20.239 --> 0:44:25.799
<v Speaker 1>one fortress location. Now, fun fact about this location, Uh,

0:44:26.000 --> 0:44:29.440
<v Speaker 1>it looks really great, loose phenomenal. But when they went

0:44:29.480 --> 0:44:33.840
<v Speaker 1>to to put the film together, Dickerson particularly did not

0:44:33.960 --> 0:44:36.319
<v Speaker 1>want to film at night and have like really long

0:44:36.440 --> 0:44:40.160
<v Speaker 1>nights of shoots for the casting crew. So that was

0:44:40.200 --> 0:44:43.440
<v Speaker 1>one of the reasons that instead they got an airplane

0:44:43.480 --> 0:44:46.400
<v Speaker 1>hangar and in it they built that building and the

0:44:46.400 --> 0:44:50.439
<v Speaker 1>immediate surroundings like in its entirety so that they could

0:44:50.480 --> 0:44:52.279
<v Speaker 1>just film during the day at their leisure and have

0:44:52.320 --> 0:44:57.200
<v Speaker 1>complete control over the lighting. But there was one issue

0:44:57.600 --> 0:45:01.759
<v Speaker 1>pigeons had were we're already living in there in the

0:45:01.800 --> 0:45:05.160
<v Speaker 1>airplane hangar, and you know how pigeons are They they're

0:45:05.160 --> 0:45:09.000
<v Speaker 1>constantly making noise and making these pigeon noises. So they

0:45:09.040 --> 0:45:11.120
<v Speaker 1>couldn't get rid of the pigeons. But what they ended

0:45:11.200 --> 0:45:13.640
<v Speaker 1>up doing is every time before they would roll the

0:45:13.760 --> 0:45:16.319
<v Speaker 1>roll the camera, before they you know, say action, they

0:45:16.360 --> 0:45:19.359
<v Speaker 1>would fire off blank. They would fire off a gun

0:45:20.000 --> 0:45:21.960
<v Speaker 1>in order to frighten the pigeons and get them to

0:45:22.000 --> 0:45:24.080
<v Speaker 1>shut up, so they could they could have this window

0:45:24.440 --> 0:45:27.200
<v Speaker 1>of time in which they could film before the pigeons

0:45:27.200 --> 0:45:31.200
<v Speaker 1>started their ruckets. Again. Oh, that's funny. Somehow I feel

0:45:31.239 --> 0:45:33.120
<v Speaker 1>like I could kind of sense that it was that

0:45:33.200 --> 0:45:36.040
<v Speaker 1>it was indoor for outdoor, even though that's a fast expanse,

0:45:36.080 --> 0:45:38.240
<v Speaker 1>like you can't see the walls of the airplane hanger

0:45:38.320 --> 0:45:41.200
<v Speaker 1>or anything. But um, that's good. And I think I've

0:45:41.200 --> 0:45:43.160
<v Speaker 1>said this on the show before. I for some reason

0:45:43.200 --> 0:45:46.440
<v Speaker 1>always really enjoy a good indoor for outdoor set. Well.

0:45:46.440 --> 0:45:49.799
<v Speaker 1>It can make a very surreal environment, you know. And

0:45:49.840 --> 0:45:52.560
<v Speaker 1>it makes sense for this film because the only exteriors

0:45:52.560 --> 0:45:55.640
<v Speaker 1>we have are this loathsome former church in the middle

0:45:55.680 --> 0:45:57.920
<v Speaker 1>of a desert at the end of the world, and

0:45:57.960 --> 0:46:03.200
<v Speaker 1>then one flashback to the Crucifixion. So yeah, so it

0:46:03.239 --> 0:46:06.360
<v Speaker 1>makes sense that that we have this alien environment created

0:46:06.360 --> 0:46:10.319
<v Speaker 1>by shooting everything inside of an airplane hare exactly. But so,

0:46:10.440 --> 0:46:13.040
<v Speaker 1>what what is this church? Dick Miller explains to us

0:46:13.080 --> 0:46:16.040
<v Speaker 1>that it it's a church that isn't a church anymore.

0:46:16.120 --> 0:46:19.520
<v Speaker 1>He says they decommissioned it in the fifties due to

0:46:19.680 --> 0:46:24.799
<v Speaker 1>lack of interest. That's that's the official terminology on the

0:46:25.000 --> 0:46:28.680
<v Speaker 1>decommissioning form, right, Yeah, it was like interest on who's

0:46:28.719 --> 0:46:32.120
<v Speaker 1>part like on the Preacher there, or I think it's

0:46:32.160 --> 0:46:33.600
<v Speaker 1>the town. It's just you know, it's just a bunch

0:46:33.600 --> 0:46:36.840
<v Speaker 1>of drifters, just like I'm not interested in that reverend.

0:46:38.200 --> 0:46:40.520
<v Speaker 1>But so yeah, it turns into it turns out to

0:46:40.560 --> 0:46:44.399
<v Speaker 1>be this boarding house. It's like a desert hotel sort of,

0:46:44.560 --> 0:46:47.160
<v Speaker 1>and it's it's like we said, it's like the evil

0:46:47.200 --> 0:46:49.880
<v Speaker 1>Dead cabin for the movie the Fortress of Order that

0:46:49.960 --> 0:46:53.399
<v Speaker 1>will collect the characters and then fall under attack. It's

0:46:53.400 --> 0:46:57.560
<v Speaker 1>the supernatural alumo. Oh and then meanwhile we also see

0:46:57.600 --> 0:47:00.799
<v Speaker 1>that Billy Zane is hooking up with police, Like the

0:47:00.800 --> 0:47:03.680
<v Speaker 1>police are investigating the crash on the on the highway.

0:47:03.719 --> 0:47:06.160
<v Speaker 1>The cars are on fire. They're like, nobody could have

0:47:06.239 --> 0:47:08.560
<v Speaker 1>survived that. Those cars hit each other going a hundred

0:47:08.560 --> 0:47:11.160
<v Speaker 1>miles per hour, which we saw that opening scene they

0:47:11.160 --> 0:47:13.320
<v Speaker 1>were not going a hundred miles an hour, but whatever.

0:47:13.920 --> 0:47:17.319
<v Speaker 1>Um so. But then Billy Zane just sort of like

0:47:17.360 --> 0:47:19.879
<v Speaker 1>walks out from behind the flaming car and he's like, hey,

0:47:19.920 --> 0:47:22.879
<v Speaker 1>what's up, And they're all like, oh, I didn't think

0:47:22.880 --> 0:47:25.560
<v Speaker 1>you could have survived that. But so he explains to

0:47:25.600 --> 0:47:28.800
<v Speaker 1>them that he was chasing a man who stole something,

0:47:29.360 --> 0:47:31.879
<v Speaker 1>and so they're like, well, we'll help you find him,

0:47:32.080 --> 0:47:36.919
<v Speaker 1>and so Zane therefore enlists the police on his team. Initially, yeah,

0:47:36.960 --> 0:47:40.799
<v Speaker 1>he's just so ding dang charming, they just can't say no. Yeah. Now,

0:47:41.160 --> 0:47:42.640
<v Speaker 1>I have to say that the film does a great

0:47:42.719 --> 0:47:44.840
<v Speaker 1>job setting all this up there and there's no wasted

0:47:44.880 --> 0:47:48.120
<v Speaker 1>motion really and getting us from here into our siege

0:47:48.160 --> 0:47:51.759
<v Speaker 1>location and beginning to establish the rules for everything. Um.

0:47:51.880 --> 0:47:54.240
<v Speaker 1>And then the characters are mostly there to fulfill basic

0:47:54.280 --> 0:47:59.920
<v Speaker 1>tropes in the story, you know again, like the bumbling cop, etcetera. Um,

0:48:00.040 --> 0:48:02.520
<v Speaker 1>But that you know that, I feel like it comes

0:48:02.520 --> 0:48:06.640
<v Speaker 1>together rather rather well and also ultimately surprises you with

0:48:06.680 --> 0:48:09.279
<v Speaker 1>a few choices in terms of like who survives and

0:48:09.320 --> 0:48:12.640
<v Speaker 1>who doesn't. Yeah, totally alright, we got everybody more or

0:48:12.719 --> 0:48:17.680
<v Speaker 1>less bottled up inside this this old building. Who are characters? Okay,

0:48:17.719 --> 0:48:19.920
<v Speaker 1>I'm not gonna remember all of them, but so the

0:48:19.960 --> 0:48:22.799
<v Speaker 1>main ones, I guess. You've got William Sadler as as

0:48:22.880 --> 0:48:25.200
<v Speaker 1>this guy who will find out his named breaker. He's

0:48:25.239 --> 0:48:29.960
<v Speaker 1>the drifter. You've got Jada Pinkett playing Jerlyne, who is uh,

0:48:30.000 --> 0:48:32.400
<v Speaker 1>she is somebody who I think formerly was in prison

0:48:32.440 --> 0:48:36.759
<v Speaker 1>and now she's working for the boarding house on work release. Um.

0:48:36.880 --> 0:48:40.279
<v Speaker 1>Then you've got cc H Pounder who is playing Irene,

0:48:40.400 --> 0:48:44.439
<v Speaker 1>who is the owner proprietor of the boarding house. You've

0:48:44.440 --> 0:48:48.279
<v Speaker 1>got Cordelia who is a prostitute. You've got Wally who

0:48:48.360 --> 0:48:51.640
<v Speaker 1>is a male carrier. You've got Thomas Hayden Church. I

0:48:51.680 --> 0:48:54.520
<v Speaker 1>don't remember his character's name, but he's the creep. He's

0:48:54.560 --> 0:48:57.800
<v Speaker 1>the he's roach roach right. Yeah, he's like the cook

0:48:57.840 --> 0:49:01.400
<v Speaker 1>at the diner who is just a a nasty backstab

0:49:01.440 --> 0:49:04.560
<v Speaker 1>and woman Hayte and Creep, and then a few others. Well,

0:49:04.600 --> 0:49:06.880
<v Speaker 1>you got uncle Wally in there. Oh do we not

0:49:06.880 --> 0:49:10.239
<v Speaker 1>already talked about uncle We talked about uncle Uncle Willie.

0:49:10.280 --> 0:49:13.200
<v Speaker 1>That's that's that's stick Miller. Yeah. And then uh, and

0:49:13.239 --> 0:49:15.560
<v Speaker 1>then we'll have the police and then oh and there's

0:49:15.600 --> 0:49:18.080
<v Speaker 1>a kid who shows up later, I think, but that

0:49:18.200 --> 0:49:20.680
<v Speaker 1>that's basically it. That's it, Okay. I thought I may

0:49:20.680 --> 0:49:23.239
<v Speaker 1>have forgotten somebody. There's a great scene when we're sort

0:49:23.239 --> 0:49:25.160
<v Speaker 1>of just getting to know all the characters. There's a

0:49:25.200 --> 0:49:29.080
<v Speaker 1>scene of Breaker eating this food on the table. It's

0:49:29.120 --> 0:49:33.120
<v Speaker 1>just bright green slop. It looks like the slime that

0:49:33.160 --> 0:49:36.000
<v Speaker 1>they used to have on Nickelodeon. Uh, it was just

0:49:36.200 --> 0:49:40.000
<v Speaker 1>bright green liquid that he's eating with a spoon and

0:49:40.040 --> 0:49:43.239
<v Speaker 1>he slathers it and catch up. Yeah, but he's happy

0:49:43.320 --> 0:49:46.839
<v Speaker 1>to get it. He's just he's clearly Yeah. And then

0:49:46.960 --> 0:49:50.279
<v Speaker 1>eventually the police arrived with Billy Zane in response to

0:49:50.360 --> 0:49:52.640
<v Speaker 1>a report of an attempted car theft. I think that

0:49:52.719 --> 0:49:55.160
<v Speaker 1>was William Sadler trying to jack the car with his

0:49:55.239 --> 0:49:58.920
<v Speaker 1>knife earlier. And as soon as Billy Zane arrives and

0:49:58.960 --> 0:50:01.360
<v Speaker 1>sees William sad Lear in the sporting house, it is

0:50:01.400 --> 0:50:03.600
<v Speaker 1>just like this, like the you know, the lights go

0:50:03.719 --> 0:50:07.040
<v Speaker 1>off and he's sicking the cops on him. They've got

0:50:07.080 --> 0:50:10.720
<v Speaker 1>they've got William Sadler and cuffs, and Zane is looking

0:50:10.800 --> 0:50:15.359
<v Speaker 1>for what Breaker stole, which is an antiquity of some kind. Yeah,

0:50:15.400 --> 0:50:18.480
<v Speaker 1>and that's gonna be our our main plot element here.

0:50:18.520 --> 0:50:19.920
<v Speaker 1>They we're get to do in a bit. This is

0:50:19.920 --> 0:50:22.319
<v Speaker 1>the key. This is the thing that the demons want

0:50:22.680 --> 0:50:26.920
<v Speaker 1>and that the mortals in the universe absolutely cannot let

0:50:27.000 --> 0:50:29.759
<v Speaker 1>fall into their hands. Right, And then Dick Miller sells

0:50:29.840 --> 0:50:33.000
<v Speaker 1>him out. I felt betrayed. They've got him in the cuffs.

0:50:33.040 --> 0:50:35.000
<v Speaker 1>They're They're like, where is the thing? They've been looking

0:50:35.000 --> 0:50:37.279
<v Speaker 1>around for it. I think they come across Thomas Hayden

0:50:37.400 --> 0:50:39.440
<v Speaker 1>Church and in the middle of some kind of sex

0:50:39.480 --> 0:50:42.000
<v Speaker 1>act that involves him getting hooked up to a car battery.

0:50:42.080 --> 0:50:43.799
<v Speaker 1>Oh yeah, he has a great line, didn't He's like,

0:50:43.840 --> 0:50:49.080
<v Speaker 1>manipples are burning. Yeah, I think he says they're smoking, smoking.

0:50:49.160 --> 0:50:53.399
<v Speaker 1>Man nipples are smoking. Yeah, it's good. I hope it's

0:50:53.400 --> 0:50:55.839
<v Speaker 1>in his reel. Oh, it's got to be. But yeah.

0:50:55.840 --> 0:50:57.960
<v Speaker 1>Eventually they they've looked all over for this thing. They

0:50:57.960 --> 0:51:00.120
<v Speaker 1>can't find it. Then Dick Miller sells him out. He

0:51:00.200 --> 0:51:03.640
<v Speaker 1>sells out Breaker. He's like, hey, actually, the artifact is

0:51:03.719 --> 0:51:07.440
<v Speaker 1>just here under the table where everybody's standing, um, and

0:51:07.520 --> 0:51:11.160
<v Speaker 1>it's some kind of key, but it's also like a

0:51:11.200 --> 0:51:15.640
<v Speaker 1>bottle filled with some liquid, and Billy Zane won't touch it.

0:51:15.640 --> 0:51:18.640
<v Speaker 1>It's clear something very significant is going on. What he

0:51:18.680 --> 0:51:21.600
<v Speaker 1>wants is for Dick Miller to pour out its contents

0:51:21.640 --> 0:51:24.200
<v Speaker 1>and then put it into a suitcase for him, and

0:51:24.280 --> 0:51:27.240
<v Speaker 1>Breaker tells him not to do it, and they argue

0:51:27.239 --> 0:51:29.399
<v Speaker 1>back and forth, and eventually the cops are like, Ah,

0:51:29.440 --> 0:51:31.960
<v Speaker 1>to hell with it. Both of the cars from this

0:51:32.000 --> 0:51:34.640
<v Speaker 1>car crash were stolen. You're both going to jail and

0:51:34.680 --> 0:51:36.560
<v Speaker 1>we'll figure it out later. So they try to take

0:51:36.600 --> 0:51:40.520
<v Speaker 1>Sadler and Zane off to jail. But then Zane, I

0:51:40.560 --> 0:51:44.000
<v Speaker 1>think the switch flips and he comes off the leash

0:51:44.160 --> 0:51:47.239
<v Speaker 1>with an excellent punch right through the sheriff's head. Through

0:51:47.320 --> 0:51:51.879
<v Speaker 1>the Sheriff's said Ricky Oh style, Yeah, except unlike Ricky Oh,

0:51:52.400 --> 0:51:55.200
<v Speaker 1>he's got this wonderful awkwardness of the head being stuck

0:51:55.280 --> 0:51:57.719
<v Speaker 1>on his fest on his arm, so it's like having

0:51:57.719 --> 0:52:00.440
<v Speaker 1>to try and get that off of his hand. It's

0:52:00.440 --> 0:52:03.279
<v Speaker 1>pretty great, yeah, And then all hell breaks loose. Uh,

0:52:03.680 --> 0:52:07.560
<v Speaker 1>Billy fights to get the key, breaker burns him with it,

0:52:07.600 --> 0:52:09.640
<v Speaker 1>so it's like a vampire with a crucifix, you know.

0:52:09.640 --> 0:52:11.640
<v Speaker 1>If you touch the key to his face, it seems

0:52:11.680 --> 0:52:14.680
<v Speaker 1>to burn him. And then Billy Saying flies out the

0:52:14.719 --> 0:52:18.160
<v Speaker 1>window and then stands there while everybody watches him, and

0:52:18.200 --> 0:52:21.560
<v Speaker 1>he pierces his palm with a fingernail, bleeds a bunch

0:52:21.560 --> 0:52:24.480
<v Speaker 1>of green blood all over the place, and the drops

0:52:24.520 --> 0:52:27.280
<v Speaker 1>of his green blood on the earth make an army

0:52:27.320 --> 0:52:30.000
<v Speaker 1>of demons to attack the house. He throws a nice

0:52:30.040 --> 0:52:33.919
<v Speaker 1>hissy fit first though there's a there's a great but yeah,

0:52:33.960 --> 0:52:36.399
<v Speaker 1>then he starts summoning in the monsters, and man, if

0:52:36.400 --> 0:52:38.879
<v Speaker 1>you if you weren't already on board with this, once

0:52:38.880 --> 0:52:41.600
<v Speaker 1>the monsters pop out in this film, you're really good

0:52:41.600 --> 0:52:43.799
<v Speaker 1>to go, because these are some great monsters. Again, these

0:52:43.800 --> 0:52:47.640
<v Speaker 1>are like they're They're unlike most monsters I've seen in

0:52:47.680 --> 0:52:51.200
<v Speaker 1>other films. They're like these ghastly gaunt grave walker types

0:52:51.760 --> 0:52:54.040
<v Speaker 1>but with also with the with the glowing green eyes

0:52:54.080 --> 0:52:57.680
<v Speaker 1>that we mentioned, but also like piercings in places, but

0:52:57.680 --> 0:52:59.560
<v Speaker 1>but not in like a punk sense, and it's like

0:52:59.600 --> 0:53:02.680
<v Speaker 1>a seemly like antique sense, like their creatures of another

0:53:02.800 --> 0:53:06.520
<v Speaker 1>time even you know, so they have I feel like

0:53:06.520 --> 0:53:10.200
<v Speaker 1>they play against expectations in the of the typical demon

0:53:10.239 --> 0:53:13.720
<v Speaker 1>and zombie trope, like like the jewelry you might find

0:53:13.760 --> 0:53:16.400
<v Speaker 1>in like an ancient grave or something, you know, like

0:53:16.520 --> 0:53:19.520
<v Speaker 1>ancient Egypt or something who or something. Yeah, they have

0:53:19.600 --> 0:53:22.279
<v Speaker 1>kind of a gin quality to them, and they have

0:53:22.320 --> 0:53:24.279
<v Speaker 1>a great silhouette to them. You know. It's kind of

0:53:24.320 --> 0:53:27.080
<v Speaker 1>like when you think of um like having a good logo,

0:53:27.120 --> 0:53:28.319
<v Speaker 1>they say, well, it has to be able to work

0:53:28.320 --> 0:53:29.880
<v Speaker 1>in black and white, or you think of like a

0:53:30.280 --> 0:53:33.359
<v Speaker 1>iconic characters like Darth Vader, you can recognize him by

0:53:33.360 --> 0:53:37.000
<v Speaker 1>his silhouette, and these monsters cut a really signature silhouette,

0:53:37.239 --> 0:53:39.839
<v Speaker 1>which is key because they're often just should you see

0:53:39.880 --> 0:53:42.000
<v Speaker 1>some great close ups of them, but they're often just

0:53:42.080 --> 0:53:44.759
<v Speaker 1>in the background, in the in the shadows, kind of

0:53:44.800 --> 0:53:47.560
<v Speaker 1>creeping about and all. Yeah, and that's that's great also

0:53:47.680 --> 0:53:51.320
<v Speaker 1>because they provide a sort of textural setting that really

0:53:51.440 --> 0:53:54.560
<v Speaker 1>allows Billy Zane to shine because Billy Zane is the

0:53:54.560 --> 0:53:58.000
<v Speaker 1>front man doing his uh, doing his his funny stick.

0:53:58.120 --> 0:54:01.440
<v Speaker 1>He's like a you know, a burless comedian or something,

0:54:01.920 --> 0:54:04.640
<v Speaker 1>and then he's got the green eyed goblins all slinking

0:54:04.680 --> 0:54:09.879
<v Speaker 1>around behind him to back him up there his chorus line. Yeah. Absolutely. Uh.

0:54:09.920 --> 0:54:11.840
<v Speaker 1>Now on the feature, at one cool thing they mentioned,

0:54:11.880 --> 0:54:14.759
<v Speaker 1>I mentioned how like basically these are these these outfits

0:54:14.880 --> 0:54:19.520
<v Speaker 1>depend heavily on just body painting, like slender actors. Um,

0:54:19.600 --> 0:54:21.960
<v Speaker 1>so there's a lot of like skin involved, and they're stilts.

0:54:22.320 --> 0:54:24.520
<v Speaker 1>But then they have an awesome prosthetic head that looks

0:54:24.600 --> 0:54:28.640
<v Speaker 1>kind of like a you know, demonic pickled pig or something. Uh,

0:54:28.680 --> 0:54:31.399
<v Speaker 1>and then they then they have this uh, they're they're

0:54:31.440 --> 0:54:34.400
<v Speaker 1>growing in there. They're they're they're that that area is

0:54:34.440 --> 0:54:37.200
<v Speaker 1>covered up, and they have these tails, uh, these like

0:54:37.320 --> 0:54:41.080
<v Speaker 1>stunted tails that wag and apparently those were radio controlled

0:54:41.480 --> 0:54:43.839
<v Speaker 1>and the actors had to stow the battery like high

0:54:43.920 --> 0:54:46.920
<v Speaker 1>up between their legs. So it was quite a demanding

0:54:47.040 --> 0:54:49.920
<v Speaker 1>role of you know, still battery between your leg big

0:54:50.080 --> 0:54:53.120
<v Speaker 1>piece of prosthetics over your head. But the end result

0:54:53.200 --> 0:54:56.800
<v Speaker 1>looks tremendous. I totally agree. So so once these monsters

0:54:56.840 --> 0:54:59.800
<v Speaker 1>are in play and Billy Zanes outside trying to cause trouble,

0:55:00.440 --> 0:55:03.359
<v Speaker 1>we've got scenes of William Sadler running around the house

0:55:03.440 --> 0:55:06.480
<v Speaker 1>trying to seal up the openings, like seal up the

0:55:06.560 --> 0:55:10.719
<v Speaker 1>doors and windows with blood from this key. And then

0:55:10.800 --> 0:55:15.120
<v Speaker 1>we get flashbacks of the Crucifixion of Jesus involving green

0:55:15.200 --> 0:55:19.080
<v Speaker 1>eyed demons and lightning strikes. Yeah. Yeah, And again they

0:55:19.120 --> 0:55:22.000
<v Speaker 1>have a has an excellent otherworldly feel to it, like

0:55:22.080 --> 0:55:26.120
<v Speaker 1>this could be the Crucifixion on an alien world, which

0:55:26.239 --> 0:55:29.120
<v Speaker 1>especially since it seems a bit different, because I mean,

0:55:29.320 --> 0:55:31.520
<v Speaker 1>some of you, m you've ever went to Sunday School,

0:55:31.560 --> 0:55:33.080
<v Speaker 1>and you know, you ever read your Bible, you probably

0:55:33.080 --> 0:55:36.160
<v Speaker 1>don't remember the hooded demons that are showing up and

0:55:36.239 --> 0:55:39.480
<v Speaker 1>chasing people around at the foot of the cross. But

0:55:39.640 --> 0:55:42.560
<v Speaker 1>it happens here. History is written by the victors, you know.

0:55:42.800 --> 0:55:45.239
<v Speaker 1>The demons lost that struggle, so they got written out

0:55:45.239 --> 0:55:47.920
<v Speaker 1>of the story. This is funny because it made me

0:55:48.000 --> 0:55:50.520
<v Speaker 1>think about what is the best gold Gotha scene ever

0:55:50.680 --> 0:55:53.840
<v Speaker 1>in a horror movie? And another one that occurred to

0:55:53.960 --> 0:55:57.240
<v Speaker 1>me is Layer of the White Worm by Ken Russell,

0:55:57.480 --> 0:56:00.040
<v Speaker 1>which is an awesomely weird movie that we may have

0:56:00.200 --> 0:56:03.000
<v Speaker 1>to cover on here someday. Oh yeah, yeah, that one

0:56:03.080 --> 0:56:05.200
<v Speaker 1>has a good one. I feel like maybe there's at

0:56:05.280 --> 0:56:07.480
<v Speaker 1>least one other Kin Russell film that has a crucifixion

0:56:07.520 --> 0:56:11.520
<v Speaker 1>scene in it doesn't show up in US, well maybe

0:56:11.560 --> 0:56:16.359
<v Speaker 1>in The Devil's but also in the Altered States. Oh,

0:56:16.440 --> 0:56:18.799
<v Speaker 1>the one where William Hurd is sort of playing our

0:56:18.880 --> 0:56:22.799
<v Speaker 1>Gordon Wasson or or maybe he's playing what's his name, Uh,

0:56:22.920 --> 0:56:26.600
<v Speaker 1>the guy you did an episode about, Oh, John C. Lily. Yeah, yeah, yeah,

0:56:26.600 --> 0:56:28.320
<v Speaker 1>I think that one has a weird crucifixion in it.

0:56:28.680 --> 0:56:32.759
<v Speaker 1>There's also an excellent otherworldly crucifixion scene in uh The

0:56:32.880 --> 0:56:37.719
<v Speaker 1>Ninth Configuration, the film directed by William Peter Bladdie, and

0:56:37.760 --> 0:56:40.960
<v Speaker 1>written by him based on one of his novels. Yeah,

0:56:41.120 --> 0:56:43.720
<v Speaker 1>it's that one. That's a weird film we could discuss,

0:56:43.760 --> 0:56:55.040
<v Speaker 1>and it's got some great performances in it. So after

0:56:55.200 --> 0:56:58.080
<v Speaker 1>this part where the demons are set loose, the rest

0:56:58.200 --> 0:57:02.200
<v Speaker 1>of the movie, Uh, you could say it becomes less structured,

0:57:02.320 --> 0:57:04.520
<v Speaker 1>I guess, because it's just sort of like a you know,

0:57:04.640 --> 0:57:08.280
<v Speaker 1>you get different sort of vignettes within the supernatural demon siege,

0:57:08.440 --> 0:57:12.800
<v Speaker 1>Like you get uh, Billy Zane issuing hallucinatory temptations to

0:57:12.960 --> 0:57:16.360
<v Speaker 1>various characters in the boarding house. Uh. And then often

0:57:16.440 --> 0:57:20.080
<v Speaker 1>this temptation scene will be followed by demon possession of

0:57:20.200 --> 0:57:23.400
<v Speaker 1>the person, and then there will be attacks by monsters,

0:57:23.560 --> 0:57:27.040
<v Speaker 1>humans attempting to escape, and and so forth. Uh. And

0:57:27.280 --> 0:57:30.680
<v Speaker 1>more flashbacks about the backstory of the key. We we

0:57:30.880 --> 0:57:33.680
<v Speaker 1>we get to see Breaker in World War One. It

0:57:33.800 --> 0:57:37.080
<v Speaker 1>seems looking exactly the same age he's in the trenches.

0:57:37.520 --> 0:57:40.040
<v Speaker 1>A buddy of his gets killed somehow and is bleeding

0:57:40.120 --> 0:57:42.520
<v Speaker 1>all over the place, and the guy's like, now you

0:57:42.800 --> 0:57:45.560
<v Speaker 1>are the chosen one, and and the I guess the

0:57:46.280 --> 0:57:49.760
<v Speaker 1>the memory of the Crucifixion of Jesus gets like downloaded

0:57:49.800 --> 0:57:53.000
<v Speaker 1>into William Sadler's brain. Yeah, and he's now part of

0:57:53.080 --> 0:57:55.600
<v Speaker 1>this lineage of immortals that have to protect the key

0:57:56.000 --> 0:57:59.440
<v Speaker 1>and carry it through time. Right, And eventually Breaker has

0:57:59.480 --> 0:58:02.040
<v Speaker 1>to exp playing this to all the other characters and

0:58:02.120 --> 0:58:04.720
<v Speaker 1>they're like, wow, that's interesting. You're the chosen one across

0:58:04.800 --> 0:58:07.400
<v Speaker 1>time and you've been alive since World War One. And

0:58:07.520 --> 0:58:10.600
<v Speaker 1>Thomas Hayden Church, who I just realized earlier his his

0:58:10.720 --> 0:58:14.400
<v Speaker 1>initials are THHC. But anyway, he comes up. So he's

0:58:14.440 --> 0:58:16.640
<v Speaker 1>been a jerk the entire time so far. He's been,

0:58:16.760 --> 0:58:20.240
<v Speaker 1>you know, acting cowardly and cruel to others. And after

0:58:20.400 --> 0:58:23.240
<v Speaker 1>this story he comes up to a Breaker and he's like, wow,

0:58:23.400 --> 0:58:27.960
<v Speaker 1>I really admire what you did. I was wrong about you. Uh.

0:58:28.320 --> 0:58:30.200
<v Speaker 1>But then, of course, what he's really trying to do

0:58:30.920 --> 0:58:33.160
<v Speaker 1>is get Breaker to let his guard down so he

0:58:33.200 --> 0:58:36.240
<v Speaker 1>can double cross him, and he swipes the key from him. Yeah,

0:58:37.080 --> 0:58:40.560
<v Speaker 1>now he swiped the key. Meanwhile, the temptations continue because

0:58:40.840 --> 0:58:44.280
<v Speaker 1>even though Billy Zane and his demon minions are stuck

0:58:44.320 --> 0:58:47.440
<v Speaker 1>outside for the most part, uh, he can reach out

0:58:47.520 --> 0:58:50.840
<v Speaker 1>to your mind and tempt you, uh last temptation of

0:58:50.920 --> 0:58:54.160
<v Speaker 1>Christ style with something you want. And some of the

0:58:54.240 --> 0:58:57.680
<v Speaker 1>these make for some nice fun little sequences. For instance,

0:58:57.920 --> 0:59:02.880
<v Speaker 1>when he's tempting Jada pink Its character, um it's it's

0:59:02.920 --> 0:59:04.760
<v Speaker 1>the this is the sequence where it's like in um

0:59:04.840 --> 0:59:06.640
<v Speaker 1>it feels like it's in a parking garage and there's

0:59:06.680 --> 0:59:09.760
<v Speaker 1>this weird scene of of her face on a screen

0:59:09.960 --> 0:59:12.320
<v Speaker 1>and they're like demon hands on the other side pressing

0:59:12.360 --> 0:59:16.200
<v Speaker 1>against it. And then when that rips open, she's she

0:59:16.360 --> 0:59:20.000
<v Speaker 1>sees this image of breakers breaker like being torn apart

0:59:20.080 --> 0:59:22.960
<v Speaker 1>by the creatures of them eating his entrails. Yeah, well

0:59:23.080 --> 0:59:25.680
<v Speaker 1>he's I think Billy stands tempting her with the idea

0:59:26.240 --> 0:59:28.680
<v Speaker 1>that she that he could make her like rich and

0:59:28.920 --> 0:59:32.040
<v Speaker 1>famous world. Yeah, she'll see the world. Oh, it's like

0:59:32.240 --> 0:59:34.640
<v Speaker 1>it's like the vivid you know what's they'll like to

0:59:34.680 --> 0:59:36.960
<v Speaker 1>see the world. And it seems jay to Pinkett really

0:59:37.000 --> 0:59:39.440
<v Speaker 1>would like to see the world. Like she's interested in

0:59:39.520 --> 0:59:42.040
<v Speaker 1>this temptation, though she doesn't fall for it. She's got

0:59:42.040 --> 0:59:45.480
<v Speaker 1>the heroic constitution, uh to to resist the temptation. I'm

0:59:45.520 --> 0:59:47.200
<v Speaker 1>not sure what what would that What would that saving

0:59:47.240 --> 0:59:49.640
<v Speaker 1>throw be in d N D well, I guess that

0:59:49.680 --> 0:59:51.920
<v Speaker 1>would be they'd be like a wisdom saving throw. Okay,

0:59:52.200 --> 0:59:54.439
<v Speaker 1>so maybe a charisma I don't know, depends how you played.

0:59:54.480 --> 0:59:57.320
<v Speaker 1>Probably wisdom. She succeeds on the wisdom saving throw. She

0:59:57.440 --> 1:00:00.160
<v Speaker 1>resists the temptation. But what he's tempting her with is like,

1:00:01.520 --> 1:00:03.960
<v Speaker 1>it's not exactly clear, but it seems to suggest like, Yeah,

1:00:04.080 --> 1:00:06.680
<v Speaker 1>you could have your face on the cover of magazines

1:00:06.760 --> 1:00:08.680
<v Speaker 1>and you could travel to all the capitals of the

1:00:08.760 --> 1:00:13.360
<v Speaker 1>world and see Rome and everything. Wouldn't you like that? Oh?

1:00:13.440 --> 1:00:16.880
<v Speaker 1>And the whole time, the Grave digg Is track Suicide

1:00:16.960 --> 1:00:18.680
<v Speaker 1>is playing, which is a just a great beat in

1:00:18.760 --> 1:00:21.120
<v Speaker 1>the background. Yeah, that's an awesome song. I don't does

1:00:21.160 --> 1:00:22.920
<v Speaker 1>it ever get to the part with lyrics? I don't.

1:00:23.080 --> 1:00:24.680
<v Speaker 1>I don't think they use that much of it. Yeah,

1:00:24.680 --> 1:00:26.360
<v Speaker 1>they just use the intro. You gotta be looking for

1:00:26.480 --> 1:00:29.240
<v Speaker 1>it to notice it. But yeah, that is a great beat.

1:00:29.360 --> 1:00:31.360
<v Speaker 1>It does not get to the part about confront an

1:00:31.360 --> 1:00:35.840
<v Speaker 1>alligator let it eat your raw. Oh man. But there

1:00:35.880 --> 1:00:38.320
<v Speaker 1>are other temptations scenes as well, right, oh, yeah, there's

1:00:38.320 --> 1:00:40.720
<v Speaker 1>a bunch of them. There's the temptation of Dick Miller

1:00:40.880 --> 1:00:43.200
<v Speaker 1>is great because his is quite different. His is a

1:00:43.480 --> 1:00:47.280
<v Speaker 1>world of beautiful naked women offering him bottles of scotch,

1:00:47.640 --> 1:00:50.880
<v Speaker 1>and then he's just sort of like wanders through this

1:00:51.200 --> 1:00:54.040
<v Speaker 1>this crowd of ladies being like, try mine, and holds

1:00:54.120 --> 1:00:56.800
<v Speaker 1>up but they're all holding identical bottles of Scotch, I think.

1:00:57.520 --> 1:01:00.160
<v Speaker 1>And then he goes up maybe maybe Dick Miller just

1:01:00.240 --> 1:01:02.560
<v Speaker 1>dedicated to one brand. I couldn't tell what brand it was.

1:01:02.640 --> 1:01:05.920
<v Speaker 1>They've got the labels turned away. Um. But then he

1:01:06.120 --> 1:01:08.040
<v Speaker 1>he goes up to a bar, and then it turns

1:01:08.080 --> 1:01:11.600
<v Speaker 1>out Billy Zane is the bartender in this temptation dream

1:01:12.120 --> 1:01:16.160
<v Speaker 1>and he so he's a friendly bartender who offers him booze.

1:01:16.200 --> 1:01:19.320
<v Speaker 1>But I think is also supposed to be Hunter S. Thompson.

1:01:19.520 --> 1:01:21.560
<v Speaker 1>Was I mistaken here? No? I think you're right. It's

1:01:21.720 --> 1:01:24.320
<v Speaker 1>very very much a Hunter S Thompson. Look he has

1:01:24.360 --> 1:01:27.360
<v Speaker 1>going on behind the bar there. Yeah, and again it's

1:01:27.520 --> 1:01:30.360
<v Speaker 1>it's it is Billy Zane is an evil um genie

1:01:30.480 --> 1:01:32.920
<v Speaker 1>from the Disney movie Aladdin. Here and in a way

1:01:32.920 --> 1:01:35.520
<v Speaker 1>it works really well. I can't remember what Billy Zane says,

1:01:35.560 --> 1:01:39.160
<v Speaker 1>and maybe something about the golf shoes, but but it works.

1:01:39.560 --> 1:01:41.600
<v Speaker 1>Oh but anyway, this leads to, you know, as the

1:01:41.640 --> 1:01:45.280
<v Speaker 1>standard sequences, somebody has a temptation, they succumb to the temptation.

1:01:45.360 --> 1:01:47.360
<v Speaker 1>They're like, yeah, I want I want what you are

1:01:47.360 --> 1:01:51.320
<v Speaker 1>putting down. Billy Zane um and Dick Miller obviously wants this,

1:01:51.720 --> 1:01:55.040
<v Speaker 1>and so he turns into a demon and attacks some

1:01:55.120 --> 1:01:57.840
<v Speaker 1>of the characters. I don't remember all who, but I

1:01:57.920 --> 1:02:00.240
<v Speaker 1>think maybe he's fighting with Jada Pinkett and and with

1:02:00.560 --> 1:02:04.240
<v Speaker 1>William Sadler and and somehow his head gets cut off

1:02:05.160 --> 1:02:08.680
<v Speaker 1>and uh. And there's a great scene where they the

1:02:08.800 --> 1:02:12.320
<v Speaker 1>demons are vulnerable in their eyes. The way you can

1:02:12.640 --> 1:02:14.520
<v Speaker 1>put a demon down is to like shoot it in

1:02:14.600 --> 1:02:18.320
<v Speaker 1>the green eyeballs. And so the way they stopped Dick

1:02:18.400 --> 1:02:22.000
<v Speaker 1>Miller's severed head from continually commanding his body to attack

1:02:22.120 --> 1:02:24.880
<v Speaker 1>them is one of the characters grabs his head and

1:02:25.000 --> 1:02:29.600
<v Speaker 1>shoves it into the antler of a mounted stag. Yeah.

1:02:29.640 --> 1:02:32.760
<v Speaker 1>There's some great iye violence to the demons in this film. Yeah.

1:02:33.440 --> 1:02:35.760
<v Speaker 1>There's also a great scene where Billy Zane is wheeling

1:02:35.800 --> 1:02:39.040
<v Speaker 1>and dealing with Thomas Hayden Church because I remember thc is.

1:02:39.440 --> 1:02:41.520
<v Speaker 1>He's been like, hey, I've got the key, I stole it.

1:02:41.680 --> 1:02:42.920
<v Speaker 1>You know, I'll give it to you if you let

1:02:43.000 --> 1:02:47.080
<v Speaker 1>me escape. And so they're they're talking about their deal. Uh,

1:02:47.160 --> 1:02:50.040
<v Speaker 1>and Billy Zane is just walking on sunshine. He is

1:02:50.240 --> 1:02:54.480
<v Speaker 1>so light on his feet and frisky and exciting. Yeah

1:02:54.520 --> 1:02:57.240
<v Speaker 1>he is. It's it's another great scene. And it's and

1:02:57.320 --> 1:02:59.400
<v Speaker 1>you know exactly what's going to happen, you know, and

1:02:59.480 --> 1:03:02.840
<v Speaker 1>it's it's delightful. This is a scene in which it's

1:03:02.880 --> 1:03:05.600
<v Speaker 1>it's like Tales from the Crypt classic again, because you

1:03:05.680 --> 1:03:08.600
<v Speaker 1>have a horrible character that's gonna make making this choice.

1:03:08.640 --> 1:03:10.320
<v Speaker 1>You think he's gonna get away, but no, he's not

1:03:10.320 --> 1:03:12.000
<v Speaker 1>gonna get away with it because he's gonna be double

1:03:12.040 --> 1:03:14.800
<v Speaker 1>crossed by Billy Zane. He barely makes it down the

1:03:14.880 --> 1:03:18.840
<v Speaker 1>stairs before he says, actually, I lied, You're not gonna

1:03:18.880 --> 1:03:21.600
<v Speaker 1>make it away safe, and all the demons turn on

1:03:21.840 --> 1:03:24.520
<v Speaker 1>Thomas Hayden Church and terry his character to pieces. The

1:03:24.600 --> 1:03:26.880
<v Speaker 1>next thing that was really funny was that there is

1:03:26.960 --> 1:03:30.400
<v Speaker 1>a scene of the next Temptation scene is of the

1:03:30.560 --> 1:03:34.320
<v Speaker 1>kid Billy where he has turned into a violent maniac

1:03:34.480 --> 1:03:36.600
<v Speaker 1>by reading a copy of the Tales from the Crypt

1:03:36.680 --> 1:03:39.400
<v Speaker 1>comic book. I like that because on one hand, it

1:03:39.440 --> 1:03:41.720
<v Speaker 1>does it is the idea of like the corrupting comic book,

1:03:41.880 --> 1:03:44.800
<v Speaker 1>but it also made me think, you know, with the adults,

1:03:45.120 --> 1:03:47.480
<v Speaker 1>Billy Zane's character of the collector, He's like, what have

1:03:47.600 --> 1:03:49.800
<v Speaker 1>I offered you? Travel? What have I offered you all

1:03:49.840 --> 1:03:51.520
<v Speaker 1>the beautiful women in booze in the world, But for

1:03:51.600 --> 1:03:53.959
<v Speaker 1>a kid, He's like, what have I just literally turned

1:03:54.000 --> 1:03:56.280
<v Speaker 1>you into a bloodthirsty monster? Would you be down for that?

1:03:56.520 --> 1:03:59.400
<v Speaker 1>And kids like, yes, yes, I vote yes, let's do

1:03:59.520 --> 1:04:04.320
<v Speaker 1>exactly at then, and that's what happens, pure honesty. I

1:04:04.440 --> 1:04:07.360
<v Speaker 1>love it now. As the characters, it's the kind of

1:04:07.440 --> 1:04:11.000
<v Speaker 1>standard thing where in one of these supernatural fortress siege

1:04:11.040 --> 1:04:14.800
<v Speaker 1>movies where the characters are continually driven further and further

1:04:14.920 --> 1:04:17.640
<v Speaker 1>into retreat, like further back into the bailey or whatever,

1:04:18.440 --> 1:04:21.320
<v Speaker 1>and so at this point they end up retreating to

1:04:21.600 --> 1:04:24.040
<v Speaker 1>the attic, and at each point of retreat there's some

1:04:24.160 --> 1:04:26.760
<v Speaker 1>kind of battle that goes on, and uh, we we

1:04:26.880 --> 1:04:30.320
<v Speaker 1>get some chances for characters to actually be like courageous

1:04:30.400 --> 1:04:34.440
<v Speaker 1>and be heroes. So, uh, Deputy Bob and Irene at

1:04:34.520 --> 1:04:37.560
<v Speaker 1>one point like suicide bomb a bunch of the demons

1:04:37.680 --> 1:04:40.400
<v Speaker 1>with a vestimate out of grenades. Yeah, they didn't watch

1:04:40.440 --> 1:04:43.920
<v Speaker 1>an Aliens wheight, did they? Yes, they pull a Basquez

1:04:44.720 --> 1:04:47.760
<v Speaker 1>and it's kind of sweet. Yeah, it is, of course,

1:04:47.800 --> 1:04:51.360
<v Speaker 1>breaker bites it as well there after, Yeah, he gets maimed,

1:04:51.600 --> 1:04:54.440
<v Speaker 1>and then of course he's like, oh oh they got me,

1:04:54.600 --> 1:04:56.840
<v Speaker 1>they got me, you gotta become the new Chosen One

1:04:57.160 --> 1:05:00.800
<v Speaker 1>to Jada Pinkett and she's like what it she? I

1:05:00.880 --> 1:05:04.400
<v Speaker 1>guess she like catches his blood I think in the key,

1:05:05.040 --> 1:05:07.800
<v Speaker 1>and it's just understood that yep, from now on she's

1:05:07.840 --> 1:05:10.920
<v Speaker 1>just going to be immortal and and carrying this key around.

1:05:11.440 --> 1:05:14.480
<v Speaker 1>But then then Billy Zane comes in for one final

1:05:14.560 --> 1:05:18.680
<v Speaker 1>showdown with with Jada and uh so, and I gotta say,

1:05:18.680 --> 1:05:21.040
<v Speaker 1>at the beginning of the scene, he's got on sunglasses

1:05:21.120 --> 1:05:24.640
<v Speaker 1>that make him look like Riddick, but but kind of

1:05:24.680 --> 1:05:27.200
<v Speaker 1>like Riddic. Yeah, wait, what kind of Riddick like pre

1:05:27.360 --> 1:05:31.120
<v Speaker 1>Riddic this the Riddic didn't exist yet, right, Oh, I

1:05:31.160 --> 1:05:34.880
<v Speaker 1>guess not. Yeah, like maybe Vin Diesel. Eventually he saw

1:05:35.120 --> 1:05:37.439
<v Speaker 1>Dimon nine. He's like that that's the look I'm gonna

1:05:37.440 --> 1:05:40.320
<v Speaker 1>steal exactly. No, I'm not saying they're imitating Ridic Riddic.

1:05:40.400 --> 1:05:43.120
<v Speaker 1>I'm just saying he does look like him. Yeah, they

1:05:43.160 --> 1:05:46.720
<v Speaker 1>look kind of like, yeah, almost like wrap around goggles. Yeah. Yeah.

1:05:47.080 --> 1:05:49.720
<v Speaker 1>But there's another temptation scene where I guess he's trying

1:05:49.800 --> 1:05:53.360
<v Speaker 1>once again. I think he's trying to convince Jeralne to

1:05:53.800 --> 1:05:58.640
<v Speaker 1>marry him. I didn't exactly follow what was going to Basically,

1:05:58.720 --> 1:06:01.240
<v Speaker 1>it's like, well, I've won this point. I'm gonna kill you,

1:06:01.720 --> 1:06:04.600
<v Speaker 1>but if I could turn you instead, if I could,

1:06:04.640 --> 1:06:07.200
<v Speaker 1>you know, if you marry me, then I'm even more

1:06:07.840 --> 1:06:10.120
<v Speaker 1>of a success back home in the in the hells.

1:06:12.000 --> 1:06:13.680
<v Speaker 1>So he's like, I'm gonna I'm gonna shoot the moon.

1:06:13.760 --> 1:06:16.200
<v Speaker 1>I'm going for it. You know, he's he's filling on

1:06:16.320 --> 1:06:18.919
<v Speaker 1>top of it, and uh so he makes the offer, yeah,

1:06:19.280 --> 1:06:22.400
<v Speaker 1>and Billy saying he is on broiler mode. In the scene,

1:06:22.520 --> 1:06:27.560
<v Speaker 1>he is like the energy is electric. And there's a

1:06:27.600 --> 1:06:30.680
<v Speaker 1>part where infernal lightning erupts out of his groin. I

1:06:30.760 --> 1:06:33.200
<v Speaker 1>don't know if that's explained why he's just been like

1:06:33.320 --> 1:06:36.120
<v Speaker 1>talking and then like lightning shoots out of his crotch.

1:06:36.680 --> 1:06:39.320
<v Speaker 1>That was in the featurets. It was mentioned that this

1:06:39.480 --> 1:06:42.320
<v Speaker 1>was Zane's idea for the character, and Dickerson was like,

1:06:42.440 --> 1:06:43.840
<v Speaker 1>let's do it, let's roll with it, let's give it

1:06:43.840 --> 1:06:47.640
<v Speaker 1>a shot. Good choice. Um, And then there's a good

1:06:47.680 --> 1:06:50.480
<v Speaker 1>climax that involves Jada Pinkett. The whole time that she

1:06:50.920 --> 1:06:55.200
<v Speaker 1>somehow has gotten William Sadler's blood in her mouth, and

1:06:55.360 --> 1:06:57.800
<v Speaker 1>the whole time Billy Zane is like asking her, well,

1:06:58.040 --> 1:06:59.520
<v Speaker 1>what do you say? He's trying to get her to

1:06:59.560 --> 1:07:02.800
<v Speaker 1>say something, and she won't. And then it's revealed that, oh,

1:07:03.280 --> 1:07:05.600
<v Speaker 1>she hasn't said anything because she still has the blood

1:07:05.640 --> 1:07:08.560
<v Speaker 1>in her mouth, the blood of Christ, I believe somehow. Okay,

1:07:08.640 --> 1:07:10.680
<v Speaker 1>so yeah, we can go ahead and talk about about

1:07:10.680 --> 1:07:13.360
<v Speaker 1>this real quick. The idea is that this key with

1:07:13.520 --> 1:07:17.400
<v Speaker 1>the special glass container portion of it, are they it

1:07:17.480 --> 1:07:19.560
<v Speaker 1>was used to collect the blood of Christ at the

1:07:19.640 --> 1:07:24.560
<v Speaker 1>crucifixion and yeah, yeah, and there's still a little Jesus

1:07:24.640 --> 1:07:27.360
<v Speaker 1>blood in there, but it's been replenished with other people's blood,

1:07:27.440 --> 1:07:30.880
<v Speaker 1>especially the blood of the Chosen Ones, over time. And

1:07:31.520 --> 1:07:33.240
<v Speaker 1>so I'm not sure how the genetics of that works

1:07:33.280 --> 1:07:36.600
<v Speaker 1>out or if that's important for holy blood, uh you know,

1:07:36.800 --> 1:07:39.920
<v Speaker 1>hurting demons, but that's apparently how it's supposed to work, right,

1:07:40.000 --> 1:07:41.640
<v Speaker 1>And so she's got this blood in her mouth and

1:07:42.200 --> 1:07:44.480
<v Speaker 1>what do you know, she spits it all over Billy

1:07:44.560 --> 1:07:48.120
<v Speaker 1>Zane's face and that that defeats him in the end. Yeah, great, Milt,

1:07:48.480 --> 1:07:50.680
<v Speaker 1>it's a great death scene. Because he melts a little bit,

1:07:51.040 --> 1:07:53.959
<v Speaker 1>then he turns into a puppet, he turns into a giant,

1:07:54.040 --> 1:07:57.600
<v Speaker 1>skeletal demon, and then he explodes. They just do all

1:07:57.680 --> 1:08:01.160
<v Speaker 1>the things like the f X team just they had

1:08:01.200 --> 1:08:04.320
<v Speaker 1>no chill on this film. They're just a hundred miles

1:08:04.320 --> 1:08:06.360
<v Speaker 1>an hour the whole time. And so I guess we're

1:08:06.400 --> 1:08:08.760
<v Speaker 1>just going to assume that now Jada Pinkett is gonna

1:08:09.120 --> 1:08:12.720
<v Speaker 1>live for eighty years or whatever until eventually she has

1:08:12.800 --> 1:08:16.240
<v Speaker 1>to find the next chosen One to put her blood

1:08:16.280 --> 1:08:19.800
<v Speaker 1>into so they can go on preventing Billy Zane from

1:08:19.880 --> 1:08:21.800
<v Speaker 1>taking over the world. Where I guess it's not Billy Zane.

1:08:21.800 --> 1:08:24.160
<v Speaker 1>I think he's destroyed. There's just gonna be a new

1:08:24.280 --> 1:08:26.920
<v Speaker 1>collector from Hell chasing her around, right, And we see

1:08:27.000 --> 1:08:29.160
<v Speaker 1>him at the end because she gets on a bus

1:08:29.320 --> 1:08:30.880
<v Speaker 1>and when she gets on she does the thing with

1:08:30.920 --> 1:08:32.800
<v Speaker 1>the blood that's done throughout the film where you form

1:08:32.880 --> 1:08:36.160
<v Speaker 1>a seal that the demons cannot cross. And then this

1:08:36.560 --> 1:08:40.560
<v Speaker 1>other guy that has a briefcase for the key, he

1:08:40.720 --> 1:08:42.560
<v Speaker 1>sees it and he's like, no, I'll wait on the

1:08:42.640 --> 1:08:46.320
<v Speaker 1>next bus. And so the chase continues, and and it

1:08:46.479 --> 1:08:49.760
<v Speaker 1>potentially sets up a sequel that we never got. But man,

1:08:49.920 --> 1:08:51.280
<v Speaker 1>I think it would have been good, would have been

1:08:51.320 --> 1:08:55.000
<v Speaker 1>far preferable to Bordello of Blood, which was the actual

1:08:55.080 --> 1:08:57.880
<v Speaker 1>tales from the Trip film to follow. I never saw

1:08:57.880 --> 1:09:00.400
<v Speaker 1>a Bordello of Blood, but I remember a when I

1:09:00.479 --> 1:09:02.840
<v Speaker 1>was in elementary school, a friend of mine telling me

1:09:02.960 --> 1:09:05.679
<v Speaker 1>about how his mom had a copy of that movie

1:09:05.800 --> 1:09:09.960
<v Speaker 1>on on VHS, and I was like, I did not

1:09:10.080 --> 1:09:13.559
<v Speaker 1>know what bordello meant and I and I knew nothing

1:09:13.680 --> 1:09:17.559
<v Speaker 1>of of Dennis Miller. I mean, well, yeah, it definitely

1:09:17.600 --> 1:09:20.400
<v Speaker 1>has Dennis Miller in it. I never saw that one.

1:09:20.760 --> 1:09:23.720
<v Speaker 1>There was even a third one that was I think

1:09:23.880 --> 1:09:27.080
<v Speaker 1>is even less worth seeing. I think it may have

1:09:27.200 --> 1:09:29.240
<v Speaker 1>Tim Curry in it, but it's like a New Orleans

1:09:30.360 --> 1:09:32.560
<v Speaker 1>zombie kind of a thing. How could a movie with

1:09:32.680 --> 1:09:35.800
<v Speaker 1>Tim Curry be not worth seeing. I don't know. It

1:09:35.880 --> 1:09:38.320
<v Speaker 1>just doesn't. It doesn't. I just don't. It doesn't call

1:09:38.400 --> 1:09:40.760
<v Speaker 1>out to me. Maybe other folks have have seen it

1:09:40.800 --> 1:09:42.320
<v Speaker 1>and they can tell us how it is. But I

1:09:42.439 --> 1:09:45.479
<v Speaker 1>also understand that like some releases of it didn't even

1:09:45.520 --> 1:09:47.680
<v Speaker 1>have the crypt Keeper sequences on it. They released it

1:09:47.720 --> 1:09:50.000
<v Speaker 1>as its own thing, and then other versions they put

1:09:50.040 --> 1:09:53.040
<v Speaker 1>the crypt Keeper back on but it's also not really

1:09:53.120 --> 1:09:56.400
<v Speaker 1>top shelf crypt Keeper puppetry going on. So it just

1:09:56.520 --> 1:09:58.519
<v Speaker 1>sounds it sounds like it would be sad to watch.

1:09:58.600 --> 1:10:00.720
<v Speaker 1>I'd rather stick with Demon and I it and like

1:10:00.840 --> 1:10:05.320
<v Speaker 1>the really great tales from the Crypt episodes. Okay, now, um,

1:10:05.439 --> 1:10:07.080
<v Speaker 1>in turns, we'll Larry talked to a good bit here

1:10:07.080 --> 1:10:09.680
<v Speaker 1>about the monsters and so forth. I guess it is

1:10:09.720 --> 1:10:13.360
<v Speaker 1>worth noting that we do have holy relics that or

1:10:13.400 --> 1:10:16.560
<v Speaker 1>at least alleged to contain the blood of Christ. I

1:10:16.640 --> 1:10:18.280
<v Speaker 1>was looking around a little bit. There are a couple

1:10:18.360 --> 1:10:20.960
<v Speaker 1>of relics of the Holy blood. Um, there's one in

1:10:21.000 --> 1:10:25.720
<v Speaker 1>the Basilica of Saint Andrea. There's one that at least

1:10:25.840 --> 1:10:29.000
<v Speaker 1>was at some point in Westminster in England. There's the

1:10:29.080 --> 1:10:33.120
<v Speaker 1>relic of the Precious Blood in vine Gotten Abbey in Germany.

1:10:33.680 --> 1:10:36.960
<v Speaker 1>Uh So, the idea of this key containing the blood

1:10:37.080 --> 1:10:41.040
<v Speaker 1>is it does seem to be based on actual holy

1:10:41.120 --> 1:10:44.960
<v Speaker 1>relics that allegedly contain holy blood. Yeah. I think also

1:10:45.080 --> 1:10:47.880
<v Speaker 1>this ties into the to the grail legend, like the

1:10:48.000 --> 1:10:50.800
<v Speaker 1>idea that at the death of Christ that Joseph of

1:10:50.840 --> 1:10:54.360
<v Speaker 1>Arimathea held a grail that caught the blood of Jesus

1:10:54.400 --> 1:10:57.479
<v Speaker 1>stripping from the cross, and that somehow later he brought

1:10:57.640 --> 1:11:01.320
<v Speaker 1>with him like containers of blood to other places. I

1:11:01.400 --> 1:11:04.559
<v Speaker 1>think like that that's part of the local Glastonbury legend

1:11:04.640 --> 1:11:07.080
<v Speaker 1>in Britain. Now. I don't know if any of these

1:11:07.120 --> 1:11:11.760
<v Speaker 1>have actually been used against demons though, but perhaps perhaps, Man,

1:11:11.800 --> 1:11:13.360
<v Speaker 1>there's so much they could have done with a sequel though,

1:11:13.400 --> 1:11:15.280
<v Speaker 1>you know, they could have had a thing where all right,

1:11:15.360 --> 1:11:18.160
<v Speaker 1>she's on the run as always, the demons are after

1:11:18.600 --> 1:11:21.200
<v Speaker 1>but then where does she wind up a genetics laboratory?

1:11:21.360 --> 1:11:22.760
<v Speaker 1>What do they want to do? They want to use

1:11:22.800 --> 1:11:25.000
<v Speaker 1>the precious blood in the in the key. They want

1:11:25.040 --> 1:11:27.439
<v Speaker 1>to try and clone Jesus or something, and then that

1:11:27.560 --> 1:11:29.600
<v Speaker 1>becomes a whole plot element. But then he'd be a

1:11:29.680 --> 1:11:32.320
<v Speaker 1>mutant because he'd be like part Jesus, but then also

1:11:32.439 --> 1:11:36.479
<v Speaker 1>part William Sadler and part Jaya Pinkett. William Sadler is

1:11:36.680 --> 1:11:42.559
<v Speaker 1>Jesus Christ in Demon Night too. There's still time. There's

1:11:42.600 --> 1:11:45.920
<v Speaker 1>still time, Ernest Dickerson, if you're listening, please make it.

1:11:46.120 --> 1:11:48.599
<v Speaker 1>I will watch it. I will. I will take all

1:11:48.720 --> 1:11:53.599
<v Speaker 1>my friends to see it. I will as well. All right, well, um,

1:11:54.040 --> 1:11:55.920
<v Speaker 1>before we close out, I just want to I'll mention

1:11:56.000 --> 1:11:58.000
<v Speaker 1>again that you can rent or buy this one digitally

1:11:58.080 --> 1:12:00.559
<v Speaker 1>most places these days. But that twenty of teen Blu

1:12:00.720 --> 1:12:04.479
<v Speaker 1>ray release from shout Factory screen Factory import uh is

1:12:04.560 --> 1:12:06.760
<v Speaker 1>really slick and it's loaded with cool content. So if

1:12:06.800 --> 1:12:09.880
<v Speaker 1>you're a Demon Night fan, that's worth picking up. If

1:12:09.920 --> 1:12:13.240
<v Speaker 1>you're a Demon Yeah, we rented our copy from Video Drum,

1:12:13.479 --> 1:12:17.160
<v Speaker 1>the last video store here in Atlanta, Georgia. So if

1:12:17.200 --> 1:12:19.439
<v Speaker 1>you live in Atlanta, uh, go check out Video Drum.

1:12:19.479 --> 1:12:21.000
<v Speaker 1>It's great. And if you don't, look them up online

1:12:21.040 --> 1:12:23.479
<v Speaker 1>because you can buy some of their cool merch. Oh yeah,

1:12:23.479 --> 1:12:25.840
<v Speaker 1>they got great T shirts and stuff. Oh. I was

1:12:25.840 --> 1:12:28.080
<v Speaker 1>gonna say that the T shirt I'm wearing right now

1:12:28.800 --> 1:12:30.840
<v Speaker 1>is one of theirs. It's not, but it could be.

1:12:31.000 --> 1:12:35.400
<v Speaker 1>It's of their style. Oh oh, I see it. It

1:12:35.479 --> 1:12:39.120
<v Speaker 1>says Herzog and then it has the Danzig logo. Nice

1:12:39.479 --> 1:12:44.320
<v Speaker 1>Rachel got me this one? All right? Uh? Well, anything

1:12:44.400 --> 1:12:46.080
<v Speaker 1>else we need to say about Demon Night before we

1:12:46.479 --> 1:12:50.040
<v Speaker 1>we close the crypt down this one? I think that

1:12:50.120 --> 1:12:53.040
<v Speaker 1>wraps it up. But I just say again, great fun. Yeah. Yeah.

1:12:53.680 --> 1:12:55.400
<v Speaker 1>As always, we'd love to hear from everyone out there.

1:12:55.439 --> 1:12:57.280
<v Speaker 1>Do you have do you have memories of seeing this

1:12:57.400 --> 1:13:00.559
<v Speaker 1>when it came out. We're discovering it later on. Uh.

1:13:00.600 --> 1:13:03.200
<v Speaker 1>Do you have particular episodes of Tales from the Crypt

1:13:03.280 --> 1:13:05.920
<v Speaker 1>that we're your favorite. Uh, we'd love to hear from

1:13:05.960 --> 1:13:08.160
<v Speaker 1>you about that as well, or just any of the

1:13:08.200 --> 1:13:10.519
<v Speaker 1>other elements in this be it Holy Blood or really

1:13:10.600 --> 1:13:13.280
<v Speaker 1>cool demons. Uh, it's all on the table. Dick Miller

1:13:13.360 --> 1:13:16.000
<v Speaker 1>movies that we should add to the list. Let us know.

1:13:17.400 --> 1:13:19.000
<v Speaker 1>In the meantime, if you want to check out other

1:13:19.200 --> 1:13:22.880
<v Speaker 1>episodes of Weird House Cinema, it publishes every Friday in

1:13:22.920 --> 1:13:26.600
<v Speaker 1>the Stuff to Blow Your Mind podcast feed. Also, I

1:13:26.680 --> 1:13:28.679
<v Speaker 1>try to put up a blog post about the Weird

1:13:28.760 --> 1:13:32.519
<v Speaker 1>House series at Samoda music dot com. That's s E

1:13:32.720 --> 1:13:35.120
<v Speaker 1>m U t A Music dot com. It's just my

1:13:35.200 --> 1:13:37.400
<v Speaker 1>own personal blog. We don't have anywhere else to put

1:13:37.439 --> 1:13:40.040
<v Speaker 1>blog type content these days, so I'm just slapping it

1:13:40.120 --> 1:13:43.559
<v Speaker 1>up over there. Long. May you slap blogging and slapping

1:13:43.880 --> 1:13:46.960
<v Speaker 1>huge thanks as always to our excellent audio producer Seth

1:13:47.080 --> 1:13:49.519
<v Speaker 1>Nicholas Johnson. UH. If you would like to get in

1:13:49.640 --> 1:13:52.240
<v Speaker 1>touch with us with feedback on this episode or any other,

1:13:52.360 --> 1:13:54.519
<v Speaker 1>to suggest a topic for the future, or just to

1:13:54.600 --> 1:13:57.880
<v Speaker 1>say hello, you can email us at contact at Stuff

1:13:57.920 --> 1:14:07.400
<v Speaker 1>to Blow Your Mind dot com Stuff to Blow Your

1:14:07.439 --> 1:14:10.320
<v Speaker 1>Mind is production of I heart Radio. For more podcasts

1:14:10.360 --> 1:14:12.439
<v Speaker 1>for my heart Radio, visit the i heart Radio app,

1:14:12.640 --> 1:14:15.360
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.