WEBVTT - | Ep 54 | Kickin’ It With A King! (feat. Carlos King)

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<v Speaker 1>Welcome to Reasonably Shady, a production of the Black Effect

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<v Speaker 1>Podcast Network and I Heart Radio. Welcome to another episode

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<v Speaker 1>of Reasonably Shady. I am Gazelle Bryant. So what's up everyone,

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<v Speaker 1>This is Robin Dixon. Thank you once again forgiving us

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<v Speaker 1>your ears. Yes, especially in the summertime, because you know,

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<v Speaker 1>like in the summer, people go vacant. People are outside

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<v Speaker 1>outside traveling. Yes they are, you know, to be listening.

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<v Speaker 1>Or maybe they listened to us at the pool, Oh

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<v Speaker 1>that's true. Yeah, or maybe they're you know, there's people

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<v Speaker 1>hopefully you're still working out and you're listening to us

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<v Speaker 1>on your workout or on your way to work, but

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<v Speaker 1>you're you're really not working these days. Who's working right

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<v Speaker 1>by the way, okay? But the traffic in the working

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<v Speaker 1>in the in the gas prices. So I saw something

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<v Speaker 1>on the internet about the gas prices in other countries.

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<v Speaker 1>Oh they're like double as it is absurd. What is happening?

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<v Speaker 1>I don't know, but I'm gonna talk to pootin when

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<v Speaker 1>is okay? When when I need to look up like traditionally,

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<v Speaker 1>So first of all, they said inflation is at nine

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<v Speaker 1>point one percent, which is like the highest it's been

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<v Speaker 1>in like forty years or something forty one years out

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<v Speaker 1>of control. When is that going to go backwards? When

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<v Speaker 1>when is that going to reverse? Like? How long are

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<v Speaker 1>we going to be in this? Because this is something

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<v Speaker 1>bad is gonna happen, but I pray not. But in

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<v Speaker 1>order for it to switch, something bad's gotta happen. Okay,

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<v Speaker 1>can we talk like, is Russia still they're still fighting?

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<v Speaker 1>I don't know, but if they are about to call

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<v Speaker 1>poot and keep telling y'all, I'm okay. Anyway, alright, per usual,

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<v Speaker 1>we're getting into our reasonably shady moment of the week,

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<v Speaker 1>and I'm just gonna go right into it because these

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<v Speaker 1>kids are mine. You know what, Just when you think

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<v Speaker 1>they love you, they slap you in the face of

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<v Speaker 1>and you realize maybe they don't what happened. So I've

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<v Speaker 1>got to go out of town. And it's kind of

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<v Speaker 1>been stressing me at a little bit because I'm I'm

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<v Speaker 1>leaving them for longer than I would normally leave them.

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<v Speaker 1>And I've been like all up in their face, jumping

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<v Speaker 1>in their beds, trying to be up under them, and

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<v Speaker 1>they're like, ma get away. So I'm like, guys, look,

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<v Speaker 1>I'm traveling I'm doing I'm doing some things and I'm

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<v Speaker 1>really gonna miss you all, and they're like, Bama, like

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<v Speaker 1>they don't care at all that I'm leaving. And I

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<v Speaker 1>feel like my kids are a little shady. They're a

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<v Speaker 1>little bit too much like me. Yeah, but you know

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<v Speaker 1>when you're going, they'll miss you. So but but but

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<v Speaker 1>that is kind of like, okay, so was there a

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<v Speaker 1>time or how long ago was it when the same

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<v Speaker 1>scenario we would be taking place and they're like oh no,

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<v Speaker 1>and and they're crying, Well, I we we went from

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<v Speaker 1>tears I used to get tears too, oh my gosh,

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<v Speaker 1>I'm gonna miss you, and then wanting to like get

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<v Speaker 1>every piece of me that they that they could before

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<v Speaker 1>I left too. They don't give two stocks about me.

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<v Speaker 1>They're like goodbye. Well they are what sixteen and seventeen. Yes,

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<v Speaker 1>Grace is basically putting up the deuces sign like peace out, mom. Yeah. Okay,

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<v Speaker 1>so so I have so Corey's fourteen, so I have

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<v Speaker 1>like a couple more years, a couple more years, yeah,

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<v Speaker 1>because he's still you know, I feel like a lot

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<v Speaker 1>of kids at fourteen are on re like that, like

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<v Speaker 1>they don't want anything to do with their parents. Corey

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<v Speaker 1>is still like likes me, he still loves me, but

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<v Speaker 1>he done much longer. Okay, well I'm sorry, it's okay.

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<v Speaker 1>You have me. I know, I know Robin doesn't care

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<v Speaker 1>about me either, But do you have a recently shady moment?

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<v Speaker 1>I do. It's just another event kind of situation. I'm counting. So,

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<v Speaker 1>you know, you go to the nail salon, you get

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<v Speaker 1>your you know, your your mani and your petty and

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<v Speaker 1>the nails, like, oh, you want gel on your toes

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<v Speaker 1>and like usually I'm like, no, I don't need Joe.

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<v Speaker 1>I'm just gonna do paint polish or whatever, but like

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<v Speaker 1>white paint chips. So I was like, yeah, let's do Joe. Okay, Okay,

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<v Speaker 1>worst decision ever, worst because it really weakens your toenails.

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<v Speaker 1>And so like my big like look at this, you

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<v Speaker 1>see this, Like it literally my nails split like deep

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<v Speaker 1>and not that it hurts, but it's like if you

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<v Speaker 1>just like play with your toenail, it's splitting, it's coming

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<v Speaker 1>off toails. Are we's gonna take a picture off her

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<v Speaker 1>toeail that we're talking about. She's gonna posting on her

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<v Speaker 1>stories because it looks crazy. I mean, but this the

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<v Speaker 1>piece came off, but it literally was like flipped up

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<v Speaker 1>that whole that whole piece was just like flipped up.

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<v Speaker 1>So the Gael like really weakened your toenails. I said, okay,

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<v Speaker 1>I didn't know that. That's good to know. It's good

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<v Speaker 1>to know people that said that's a good tip. And okay,

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<v Speaker 1>And so this is the second time I had to

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<v Speaker 1>so this toe, my other big toe. This is acrylic

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<v Speaker 1>on my toe because the Gael weakened my toe nail,

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<v Speaker 1>you know, So when they so when I got my

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<v Speaker 1>nails polished again, and I had like a big split

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<v Speaker 1>in it right there, like, oh, well, we can't pull

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<v Speaker 1>that off. It's gonna hurt. So let's put a crylic

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<v Speaker 1>on it, literally crylic on my big toes. So you

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<v Speaker 1>got tricked into a crylic basically, it's what you're saying, Yeah,

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<v Speaker 1>well it's just acrylic right here. But I'm I'm taking

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<v Speaker 1>this off, like I don't ship and now I feel

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<v Speaker 1>like I'm stuck, right because it's the summertime, right, so

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<v Speaker 1>I can't So if I take the gel off, you know,

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<v Speaker 1>you want to let you give your your nails time

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<v Speaker 1>to like get stronger and and grow in but it's

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<v Speaker 1>the summertime. I can't have my nails, my toe nails

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<v Speaker 1>not painting. No, that one Dixon is not having now

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<v Speaker 1>he is not walking down the street with you. And

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<v Speaker 1>you tells the jack yes. And then when if I

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<v Speaker 1>take the gel off of these nails, they're gonna be

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<v Speaker 1>so we I don't know what to do. Let's stop. Yeah,

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<v Speaker 1>you stock you're stuck with gel on your toes until

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<v Speaker 1>you're seventy five. Let's tell like the fall until it's

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<v Speaker 1>time to like cover the toes. Alright, guys, we have

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<v Speaker 1>an amazing show for you. Guys, we are talking to

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<v Speaker 1>none other than Carlos King, King King. And if you

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<v Speaker 1>don't know who he is, um, and I have to

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<v Speaker 1>really explain to you who he is, you might be

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<v Speaker 1>a loser. So it is reasonably shade sters. We have

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<v Speaker 1>for us to date a guest who really needs no introduction. Okay,

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<v Speaker 1>but we're gonna introduce him anyway. So he is what

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<v Speaker 1>is he robbing? Oh my gosh, the producer extraordinaire, Mr Carlos,

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<v Speaker 1>kids of many many television shows. He's got a new podcast,

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<v Speaker 1>He's got a new nighttime talk show. Carlos Like, let

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<v Speaker 1>us get us right, tell us run down your resume,

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<v Speaker 1>up everything. Yeah, you guys did a great job. So

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<v Speaker 1>you know, people call me the King of reality television.

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<v Speaker 1>People or you or yourself. Oh honey, like Beyonce's bee Hive.

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<v Speaker 1>I don't come up with the moniker. My fans do.

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<v Speaker 1>Just check it, ye. So you know, i am called

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<v Speaker 1>the King of reality television, and I've been producing reality

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<v Speaker 1>TV for fifteen years, starting with the Real house Spots

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<v Speaker 1>of Atlanta, which was my first reality show. I'm the

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<v Speaker 1>first black man ever to executive produce a Real Housewives

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<v Speaker 1>franchise and paved the way for others. Hey, Eric Fuller,

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<v Speaker 1>Eric Eric Um. I have a late night show on

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<v Speaker 1>own called The Nightcap with Carlos King that air Saturday's

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<v Speaker 1>at ten o'clock on the Upper Morfrey Network. I'm the

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<v Speaker 1>creator of the Love and Match franchise, which has Hunt's

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<v Speaker 1>Bill and d C starring Gizelle's best friend Money Samuel.

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<v Speaker 1>Podcast called Reality with the King, which is a shady,

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<v Speaker 1>reasonable podcast. Like yeah, okay, so we're gonna start with

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<v Speaker 1>some ice breakers a little bit. Okay, this is rapid fire,

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<v Speaker 1>rapid fire, Carlos Okay, you ready, Okay, favorite Colorady favorite

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<v Speaker 1>color blue blue, Beyonce, Arihanna, Beyonce, Nicki, Minaja, Cardi ban Nicki, Minaj,

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<v Speaker 1>Potomac or Atlanta. Oh, no shade right now? Potomac okay,

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<v Speaker 1>and no shade because we love Atlanta and they paid

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<v Speaker 1>the way, yes, but they paid the way. But don't

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<v Speaker 1>make anybody man please. Yes, but Carlos King has said

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<v Speaker 1>Potomac okay. And that's huge, just for the record for

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<v Speaker 1>Carlos to say that, because we know that Atlanta is

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<v Speaker 1>your baby, you know, when it comes to producing and

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<v Speaker 1>when it comes to talking about the Real Housewives of Atlanta,

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<v Speaker 1>it's simos. What's not simultaneous, Simo is Carlos is in

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<v Speaker 1>the equation. Okay. There is no Atlanta without Carlos King. Okay,

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<v Speaker 1>So so you know what, Carlos I. On a recent

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<v Speaker 1>episode of Reasonably Shady, I kind of went on a

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<v Speaker 1>rant about how I feel like social media has kind

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<v Speaker 1>of um changed the landscape of of the Real Housewives.

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<v Speaker 1>Like we were kind of being nostalgic about early Atlanta Housewives, yes,

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<v Speaker 1>you know, seasons one through four or five, whatever, And

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<v Speaker 1>I was saying, I really feel like now because social

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<v Speaker 1>media is so prevalent in in you know, almost so

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<v Speaker 1>toxic that it has changed the way that people on

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<v Speaker 1>these shows act and the things that they say, the

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<v Speaker 1>things they do, the way that they look, so that

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<v Speaker 1>now you're not really getting the real raw person and

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<v Speaker 1>the things that they would really say and how they

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<v Speaker 1>were interact with one another. You're getting people who are guarded,

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<v Speaker 1>who are worried about, yes, filtered, who are who are

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<v Speaker 1>worried about you know what the fans are gonna say, Yeah,

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<v Speaker 1>it's been canceled dealing with the backlass of social media. Like,

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<v Speaker 1>so do you agree with that? Because I was like,

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<v Speaker 1>I really miss you know nothing, you know, it's just

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<v Speaker 1>when you think about it's like, wow, like you if

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<v Speaker 1>you sit and watch Atlanta season one to three, it's

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<v Speaker 1>so different than anything that's on TV right now. If

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<v Speaker 1>you watch Beverly Hills seasons one to three, it's so different,

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<v Speaker 1>Like things have just changed so much. So do your thought, Yeah, no,

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<v Speaker 1>I listen, I agree one a hundred person And I

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<v Speaker 1>produced the first episode, first season of the Real Hospital

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<v Speaker 1>of Atlanta in two thousand and eight, right, so I

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<v Speaker 1>was there when Ninie Leagus, Kim Zosiac, Chara Whitfield, de

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<v Speaker 1>Sean Snow Lisa Wu like, these women were the blueprint,

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<v Speaker 1>and the reason why they were the blueprint is because

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<v Speaker 1>they didn't have anybody to study. They were truly being themselves.

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<v Speaker 1>There was no social media. What has happened now, especially

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<v Speaker 1>when it comes to let's talk about the Housewives fan base.

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<v Speaker 1>The Housewives fan base who I love because they followed

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<v Speaker 1>my career. They're fantastic some of them. Some of them

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<v Speaker 1>are very toxic, and it's it's it's it's it's ruining

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<v Speaker 1>the fun of watching the show, and it's ruining the

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<v Speaker 1>fund of producing the show. I will say when I

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<v Speaker 1>left see the Nine of the Real Hospitals of Atlanta,

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<v Speaker 1>it wasn't around the time where I felt that some

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<v Speaker 1>of those women, we're behaving because they cared about what

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<v Speaker 1>social media was going to say and and and there

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<v Speaker 1>they come across very guarded. I'll gep an example. Deret

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<v Speaker 1>on Beverly Hills was iconic when she first came onto

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<v Speaker 1>the scene. She was interesting, she was fun. The fans

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<v Speaker 1>hated the read her first and second season, but I

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<v Speaker 1>loved her because I said, she's ballsy, she's brave, and

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<v Speaker 1>she speaks her mind. Deret is so boring. She has

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<v Speaker 1>nothing going on Twitter, ruined deret do not care about

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<v Speaker 1>the rented clothes that you get from the stylist in

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<v Speaker 1>the nine o two one oh the code. I could

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<v Speaker 1>care less about your alleged um businesses of you trying

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<v Speaker 1>to make over a corner of a restaurant and we

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<v Speaker 1>don't see it anymore. I do not care about your

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<v Speaker 1>wedding dresses you're trying to promote when I haven't seen

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<v Speaker 1>it all this season. Time outwards, time out, time out. Okay,

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<v Speaker 1>first of all, first of all, we started this, and y'all,

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<v Speaker 1>I don't think we recorded it. Carlo said he was

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<v Speaker 1>reasonable and zealous, shady. Let me tell you something. This

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<v Speaker 1>man is a shady one. Is he read to Read

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<v Speaker 1>like a new book talk and he wasn't done. You

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<v Speaker 1>interrupted him. Continue. Well, I'll finish by saying to Read

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<v Speaker 1>is the perfect example of how social media can ruin

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<v Speaker 1>a reality star who had the potential to be iconic

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<v Speaker 1>and and and that is sad. And that's why last

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<v Speaker 1>one I leave My Love and Match Hunsbill cast. There

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<v Speaker 1>four seasons, and none of them are on Twitter anymore

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<v Speaker 1>because they ain't said to themselves, I no longer can

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<v Speaker 1>do my job if I re comments based on what

0:13:07.400 --> 0:13:09.200
<v Speaker 1>these people think about me. So let me do, let

0:13:09.240 --> 0:13:11.520
<v Speaker 1>me do, let me do this. Let me continue being

0:13:11.520 --> 0:13:14.360
<v Speaker 1>great on my show where I'm asking money and not

0:13:14.480 --> 0:13:17.200
<v Speaker 1>care about what you guys saying on Twitter dot com. Yeah,

0:13:17.280 --> 0:13:19.560
<v Speaker 1>and you know that's me and Robin's story. I know,

0:13:19.920 --> 0:13:22.920
<v Speaker 1>you know we don't play around with the Twitter. Um. Now,

0:13:23.080 --> 0:13:24.880
<v Speaker 1>I do have a question because you and I were

0:13:25.000 --> 0:13:27.959
<v Speaker 1>on because this offended me a little bit, Carlos, some

0:13:28.280 --> 0:13:30.680
<v Speaker 1>little caveat out there. First, you and I were we

0:13:30.760 --> 0:13:34.400
<v Speaker 1>did this little e behind reality television or something like

0:13:34.440 --> 0:13:37.920
<v Speaker 1>the story of reality television. Okay, So in that you

0:13:38.040 --> 0:13:43.040
<v Speaker 1>talked about Ninie Leaks and the greatness and the bigness

0:13:43.080 --> 0:13:46.680
<v Speaker 1>of Ninie Leaks. Right, Because I'm gonna be honest with

0:13:46.800 --> 0:13:49.360
<v Speaker 1>the first time I saw Ninie on Atlanta, which was

0:13:49.480 --> 0:13:53.960
<v Speaker 1>like season one ap one, first scene there's Ninie, I

0:13:54.040 --> 0:13:57.840
<v Speaker 1>was like, holy shit, she's a star, right, And and

0:13:57.920 --> 0:14:00.960
<v Speaker 1>you in that interview, it I like you were taking

0:14:01.000 --> 0:14:05.400
<v Speaker 1>credit for for for Nini and her personality and her

0:14:05.480 --> 0:14:10.120
<v Speaker 1>character and everything, not her character, but just like her rise, right.

0:14:10.840 --> 0:14:13.840
<v Speaker 1>And I was like, no, Carlos, you can't do that.

0:14:13.920 --> 0:14:16.600
<v Speaker 1>And I took I took it personal only because I

0:14:16.640 --> 0:14:18.199
<v Speaker 1>am on the other side of the camera and I

0:14:18.200 --> 0:14:20.480
<v Speaker 1>would never want any producer to be like, oh I

0:14:20.640 --> 0:14:23.360
<v Speaker 1>made Gizelle, I made Robin. If it wasn't for me

0:14:23.440 --> 0:14:26.400
<v Speaker 1>and bitches wouldn't be ship like I would hate that.

0:14:27.120 --> 0:14:29.360
<v Speaker 1>But to my in my defense, I never said those things.

0:14:29.360 --> 0:14:32.120
<v Speaker 1>But continue no, no, no. So the question, well you

0:14:32.120 --> 0:14:35.600
<v Speaker 1>you kind of did a little bit Carlos, So the question.

0:14:35.680 --> 0:14:39.200
<v Speaker 1>So the question is do you feel like without Carlos,

0:14:39.440 --> 0:14:41.000
<v Speaker 1>Nini would not be as big as she is, I

0:14:41.000 --> 0:14:43.480
<v Speaker 1>guess is the question? Oh no, not at all, not

0:14:43.560 --> 0:14:45.520
<v Speaker 1>at all. So let's let's let's go back a little bit.

0:14:45.560 --> 0:14:48.280
<v Speaker 1>Because one thing about me, you know, being from the

0:14:48.280 --> 0:14:56.920
<v Speaker 1>world of journalism and my Porsche boys, is I remember

0:14:56.960 --> 0:15:00.640
<v Speaker 1>the facts. So when you and I both were on

0:15:01.080 --> 0:15:04.800
<v Speaker 1>UM I think it's called Reality rewind Andy Cohen produced it,

0:15:05.520 --> 0:15:09.120
<v Speaker 1>and they when I say that, the producers asked me

0:15:09.200 --> 0:15:11.640
<v Speaker 1>questions about Ninie Leaks and the first day we met,

0:15:12.040 --> 0:15:14.120
<v Speaker 1>and I said, when I met ninniele she was a star.

0:15:14.280 --> 0:15:16.120
<v Speaker 1>I thought in love with her. She said, hey, bitch,

0:15:16.200 --> 0:15:18.240
<v Speaker 1>I said, oh bitch, we're gonna be friends forever, like

0:15:18.320 --> 0:15:22.320
<v Speaker 1>I love her. And what I did say which is

0:15:22.360 --> 0:15:27.400
<v Speaker 1>true is that Ninie will look at me and my

0:15:27.520 --> 0:15:31.520
<v Speaker 1>mannerisms and she would be like, oh, that's funny. And

0:15:31.600 --> 0:15:34.480
<v Speaker 1>she will always you know how like growing up in

0:15:34.480 --> 0:15:39.280
<v Speaker 1>the black household, how your parents would be like, just Zelle, Robin,

0:15:39.400 --> 0:15:42.440
<v Speaker 1>go dance for the people, Go go dann go see

0:15:42.480 --> 0:15:44.800
<v Speaker 1>in front of the friends like this. Chris would come over.

0:15:45.480 --> 0:15:49.240
<v Speaker 1>So on set, Ninie will have her friends over and

0:15:49.280 --> 0:15:52.120
<v Speaker 1>she was like, Carlo's come here. Do that thing you

0:15:52.120 --> 0:15:54.240
<v Speaker 1>did when you used to swipe your bangs away. And

0:15:54.280 --> 0:15:57.880
<v Speaker 1>I would be like, yes, yeah, yeah, I love it.

0:15:57.960 --> 0:16:04.160
<v Speaker 1>I love so in she started taking my manner rhythms

0:16:04.600 --> 0:16:08.520
<v Speaker 1>and she will apply it on camera and people and

0:16:08.560 --> 0:16:11.000
<v Speaker 1>people would be like, why are you acting like a

0:16:11.000 --> 0:16:13.520
<v Speaker 1>gay black man? People obviously say likened A's like a

0:16:13.560 --> 0:16:16.240
<v Speaker 1>gay black man. I was saying Gizelle that I'm the

0:16:16.320 --> 0:16:19.000
<v Speaker 1>gay black man that she was acting like. So I'm

0:16:19.040 --> 0:16:21.200
<v Speaker 1>glad we talked about that. But no, I would never

0:16:21.200 --> 0:16:23.560
<v Speaker 1>take credit for her success. But I will say this,

0:16:25.000 --> 0:16:37.480
<v Speaker 1>and every great female reality star is great because she

0:16:37.600 --> 0:16:44.640
<v Speaker 1>has a producer. Oftentimes it's a gay boy oftentimes who

0:16:44.880 --> 0:16:48.720
<v Speaker 1>is able to pull out the best. And when I

0:16:48.840 --> 0:16:51.400
<v Speaker 1>say that, I'm not saying we take credit for no

0:16:51.480 --> 0:16:55.760
<v Speaker 1>more success. My my, my thought process in this is

0:16:55.800 --> 0:16:59.040
<v Speaker 1>when you look at Beyonce and Mariah Kerry and Jennet Jackson,

0:16:59.120 --> 0:17:04.000
<v Speaker 1>like these great reformers, oftentimes they have a gay choreographer,

0:17:04.760 --> 0:17:10.720
<v Speaker 1>Like there's something about that relationship that happens. And I

0:17:10.800 --> 0:17:13.959
<v Speaker 1>believe the reason why Gil you are one of my

0:17:14.080 --> 0:17:18.280
<v Speaker 1>ten greatest houseplights of all time is talk about that

0:17:19.280 --> 0:17:22.800
<v Speaker 1>you're great on your own. Don't get me wrong. But

0:17:23.480 --> 0:17:26.200
<v Speaker 1>and I'm gonna stop saying his name because he's very private.

0:17:26.320 --> 0:17:29.560
<v Speaker 1>But there's a producer who works on potomac Um, a

0:17:29.600 --> 0:17:33.000
<v Speaker 1>gay black man who is beyond talented and a genius.

0:17:33.400 --> 0:17:37.359
<v Speaker 1>And I think because you have a trusting relationship with

0:17:37.440 --> 0:17:41.119
<v Speaker 1>him and and a and a key key that that

0:17:41.840 --> 0:17:43.760
<v Speaker 1>it brings off the best in you. But but but

0:17:43.920 --> 0:17:47.280
<v Speaker 1>by no means what I say. He's the reason why

0:17:47.920 --> 0:17:56.800
<v Speaker 1>you're number nine on my list. So let's get to

0:17:56.800 --> 0:17:59.320
<v Speaker 1>the list really quickly, because I have some questions about

0:17:59.359 --> 0:18:01.359
<v Speaker 1>this list now. Was happy that I made it on

0:18:01.400 --> 0:18:05.040
<v Speaker 1>the list. I was honored because Carlos King does not

0:18:05.160 --> 0:18:09.040
<v Speaker 1>give out accolades easily at all. Okay, we know that.

0:18:09.240 --> 0:18:15.479
<v Speaker 1>So Kyle Richards was not on the list right And

0:18:15.840 --> 0:18:17.960
<v Speaker 1>that was confusing to me because I feel like she's

0:18:18.040 --> 0:18:22.000
<v Speaker 1>held Beverly Hills together for fourteen seasons or have a

0:18:22.000 --> 0:18:24.720
<v Speaker 1>long maybe I would agree with you, So then why

0:18:24.760 --> 0:18:27.199
<v Speaker 1>wasn't she on the list? She was not on my

0:18:27.280 --> 0:18:31.959
<v Speaker 1>top ten list right now, when I do my top twenty,

0:18:32.200 --> 0:18:41.400
<v Speaker 1>Kyle would be numbered eleven. I'm done. Car would be

0:18:41.400 --> 0:18:46.960
<v Speaker 1>between the love and OK. But but I guess the

0:18:47.000 --> 0:18:50.639
<v Speaker 1>big the bigger question, Carlos is you had Danielle Stop

0:18:50.720 --> 0:18:53.240
<v Speaker 1>on the list. No shade to Danielle, but Danielle was

0:18:53.240 --> 0:18:56.760
<v Speaker 1>a housewife for well how many seasons? At one point

0:18:56.760 --> 0:19:02.920
<v Speaker 1>two and for two Whereas it's like, if I feel

0:19:02.960 --> 0:19:06.800
<v Speaker 1>like skin in the game speaks volumes, right, Kyle has

0:19:06.840 --> 0:19:10.600
<v Speaker 1>skinning the game like no other and and every season

0:19:10.680 --> 0:19:13.000
<v Speaker 1>she has a solid season and she keeps that show going.

0:19:13.440 --> 0:19:16.719
<v Speaker 1>So like, how would how would she be over how

0:19:16.760 --> 0:19:21.480
<v Speaker 1>would you overlook her to a Danielle style? Easily? Name

0:19:21.560 --> 0:19:32.600
<v Speaker 1>me one iconic thing that Kyle has done, Mauriceo. The splits, Carlos,

0:19:32.920 --> 0:19:35.680
<v Speaker 1>that's what we got. Let's plan it exactly. No. Look,

0:19:36.160 --> 0:19:41.080
<v Speaker 1>I am a huge Kyle Richard's fan. I think she's

0:19:41.080 --> 0:19:48.639
<v Speaker 1>a great reality star Kyle Richard's competing against the top ten.

0:19:49.680 --> 0:19:52.280
<v Speaker 1>She doesn't hold the candle to a daniel style because

0:19:52.320 --> 0:19:54.760
<v Speaker 1>at the end of the day, and I said this,

0:19:54.840 --> 0:19:59.119
<v Speaker 1>and I and and quote me again, without Danielle, nothing

0:19:59.119 --> 0:20:01.679
<v Speaker 1>would have happened on New Jersey housewise, and I was

0:20:01.760 --> 0:20:05.200
<v Speaker 1>there the first two seasons and can say that without

0:20:05.280 --> 0:20:08.199
<v Speaker 1>Danielle the show will be boring. And no disrespect of

0:20:08.200 --> 0:20:11.040
<v Speaker 1>Potomic Ladies, but we can also look at a show

0:20:11.080 --> 0:20:15.320
<v Speaker 1>like Potomac and say without certain people, what would be happening. So,

0:20:15.440 --> 0:20:21.200
<v Speaker 1>because Danielle was on her own and Teresa at that

0:20:21.320 --> 0:20:26.960
<v Speaker 1>time was very safe and sweet, Teresa's table flip is

0:20:27.040 --> 0:20:32.320
<v Speaker 1>courtesy of Danielle. So Kyle. Although Kyle is good at

0:20:32.600 --> 0:20:35.720
<v Speaker 1>stirring the pot and listen, I think Kyl is great.

0:20:36.760 --> 0:20:47.400
<v Speaker 1>But when it comes to Niny, Bethany, Ramona, Teresa, Danielle, Giselle, Sara,

0:20:47.720 --> 0:20:55.600
<v Speaker 1>Kim Zelsiac, Kyle, Kyle is an iconic, but she definitely

0:20:55.640 --> 0:20:58.240
<v Speaker 1>is a formidable player. Okay, So I heard a rumor

0:20:58.400 --> 0:21:00.639
<v Speaker 1>that that because you worked on Erzy the year at

0:21:00.640 --> 0:21:04.119
<v Speaker 1>the table got flipped, right, Yes, so she didn't really

0:21:04.119 --> 0:21:05.960
<v Speaker 1>flip the table, that was you under the table flipping

0:21:05.960 --> 0:21:09.119
<v Speaker 1>it for her. I heard a room that that was

0:21:09.160 --> 0:21:14.159
<v Speaker 1>Carlos onto the table, and Teresa took all the credit

0:21:14.200 --> 0:21:20.600
<v Speaker 1>for Carlos flipping that table. So I was under the

0:21:20.640 --> 0:21:22.960
<v Speaker 1>table handy dang yelled the book that she placed on

0:21:23.000 --> 0:21:24.920
<v Speaker 1>the table, and then you and then you flipped it,

0:21:24.920 --> 0:21:26.359
<v Speaker 1>and then you flipped it because you said it's gonna

0:21:26.359 --> 0:21:29.520
<v Speaker 1>be good. I wish I was that. I wish I

0:21:29.560 --> 0:21:32.000
<v Speaker 1>was a little bright genius then, but I was that.

0:21:33.400 --> 0:21:35.920
<v Speaker 1>Was that your first housewife show you worked on before?

0:21:35.920 --> 0:21:41.199
<v Speaker 1>It was that before Atlanta? That was after Atlanta? So

0:21:41.240 --> 0:21:44.360
<v Speaker 1>what's funny? And I did Atlanta season one, and and

0:21:44.440 --> 0:21:46.439
<v Speaker 1>I had a break for like two weeks, and then

0:21:46.440 --> 0:21:50.359
<v Speaker 1>I got a phone call about this housewife in New Jersey,

0:21:50.440 --> 0:21:54.160
<v Speaker 1>and I decided to do New Jersey. Okay, but you weren't.

0:21:54.240 --> 0:21:57.640
<v Speaker 1>You weren't EP on New Jersey, were you? No? No, No,

0:21:57.760 --> 0:22:01.399
<v Speaker 1>I was in a gipping books underneath the table, Rabbit.

0:22:03.119 --> 0:22:06.560
<v Speaker 1>You're a field producer. Okay, let's be clear. Act on

0:22:06.640 --> 0:22:08.760
<v Speaker 1>Atlanta Girls. When I was at EP, Honey, I still

0:22:08.880 --> 0:22:11.320
<v Speaker 1>was on my knees doing something to make sure the

0:22:11.359 --> 0:22:15.200
<v Speaker 1>scene was great. So, so where did you start in

0:22:15.200 --> 0:22:18.720
<v Speaker 1>in your producing career, Like, how did you get started? Yeah,

0:22:18.760 --> 0:22:23.840
<v Speaker 1>so I went to college and I majored in journalism.

0:22:23.880 --> 0:22:27.040
<v Speaker 1>Because of that, I was afforded these internships. So I

0:22:27.119 --> 0:22:30.840
<v Speaker 1>interned at The View, I entered at MTV. My last

0:22:30.920 --> 0:22:34.240
<v Speaker 1>internship was at BT. A year later, I got a

0:22:34.359 --> 0:22:36.680
<v Speaker 1>job as a p A working on one or six

0:22:36.720 --> 0:22:40.240
<v Speaker 1>and Park and other shows. And then two years after that,

0:22:40.320 --> 0:22:43.359
<v Speaker 1>I got a phone call from a mutual friend who said,

0:22:43.520 --> 0:22:47.399
<v Speaker 1>I have this opportunity in Atlanta to do this reality

0:22:47.440 --> 0:22:51.880
<v Speaker 1>show called Ladies of Hotlanta. You love reality TV? Would

0:22:51.880 --> 0:22:55.159
<v Speaker 1>you be interested? And I was like, child, let me

0:22:55.240 --> 0:22:57.960
<v Speaker 1>think and because I was like, you expect me to

0:22:58.040 --> 0:23:01.080
<v Speaker 1>leave New York City and go to Atlanta? But I said,

0:23:01.080 --> 0:23:02.879
<v Speaker 1>you know what, I'm a man of faith. Let me

0:23:02.960 --> 0:23:05.080
<v Speaker 1>do it. And it was the best decision of my

0:23:05.160 --> 0:23:08.880
<v Speaker 1>career because the rest is history. Okay, so you didn't start.

0:23:08.920 --> 0:23:11.879
<v Speaker 1>You weren't EP on season one Atlanta. No, No, I

0:23:12.000 --> 0:23:15.000
<v Speaker 1>wasn't a p until season six of Atlanta, which is

0:23:15.000 --> 0:23:18.760
<v Speaker 1>the highest season. And we know because and Nini called

0:23:19.280 --> 0:23:23.440
<v Speaker 1>Peter a bit. Now I have a question, so, um,

0:23:23.600 --> 0:23:26.520
<v Speaker 1>because we spoke of you and people that have worked

0:23:26.560 --> 0:23:29.560
<v Speaker 1>producers on Potomac, who have been very influential in helping

0:23:29.640 --> 0:23:33.000
<v Speaker 1>us get to where we are. Um However, give me

0:23:33.040 --> 0:23:36.280
<v Speaker 1>an honest answer, Carlos, do you feel like do you

0:23:36.320 --> 0:23:40.080
<v Speaker 1>feel like because you are a man okay, and and

0:23:40.160 --> 0:23:43.840
<v Speaker 1>you're a man helping women tell their story, do you

0:23:44.000 --> 0:23:47.320
<v Speaker 1>feel like you can do it better than a woman

0:23:48.560 --> 0:23:53.040
<v Speaker 1>helping women tell their story? Is there is there disconnot

0:23:53.040 --> 0:23:56.440
<v Speaker 1>a disconnect, but you know when women, we know what

0:23:56.560 --> 0:23:59.639
<v Speaker 1>we go through, we feel it. Yeah, so I'm what

0:23:59.680 --> 0:24:02.120
<v Speaker 1>do you have the Yeah, that's a that's a very

0:24:02.119 --> 0:24:05.239
<v Speaker 1>great question. No, I don't think I have a um

0:24:05.440 --> 0:24:09.560
<v Speaker 1>an edge over a woman who's also producer. UM. I

0:24:09.600 --> 0:24:13.760
<v Speaker 1>think a woman who's producing a show that's dominated by women,

0:24:14.240 --> 0:24:17.199
<v Speaker 1>she has to be confident in order to be honest

0:24:17.240 --> 0:24:20.240
<v Speaker 1>with the women and not be intimidated by the woman.

0:24:20.560 --> 0:24:24.160
<v Speaker 1>And I think the reality star who's a woman has

0:24:24.200 --> 0:24:27.840
<v Speaker 1>to be able to feel comfortable sharing your personal business

0:24:27.840 --> 0:24:32.960
<v Speaker 1>because let's let's just be real. Historically, women don't like

0:24:33.040 --> 0:24:35.919
<v Speaker 1>to tell other women the business period. They just because

0:24:36.440 --> 0:24:38.119
<v Speaker 1>it's one of the things where it's like, girl, I

0:24:38.160 --> 0:24:39.879
<v Speaker 1>don't know you want my man, I don't know you

0:24:39.920 --> 0:24:42.160
<v Speaker 1>want my life. I don't know if there's some single

0:24:42.200 --> 0:24:46.119
<v Speaker 1>black or white female situation. So it takes a minute.

0:24:46.520 --> 0:24:50.399
<v Speaker 1>So when you come to a talented man, Gail straight,

0:24:51.640 --> 0:24:55.000
<v Speaker 1>there's a guard that's led down right because it's like, well,

0:24:55.040 --> 0:24:57.080
<v Speaker 1>you can't take my man, and if you do, and

0:24:57.119 --> 0:25:01.320
<v Speaker 1>if you can, I want another issue, right, um, And

0:25:01.359 --> 0:25:05.240
<v Speaker 1>I'm able to at least give you more more of

0:25:05.359 --> 0:25:09.440
<v Speaker 1>me because my guard is now. So I don't think that, um,

0:25:09.520 --> 0:25:11.400
<v Speaker 1>we do a better job in women, not at all.

0:25:11.440 --> 0:25:13.280
<v Speaker 1>I think women can do a great job. And what's

0:25:13.280 --> 0:25:17.240
<v Speaker 1>funny is, let's talk to Giselle. I remember talking to

0:25:17.280 --> 0:25:22.800
<v Speaker 1>you your first season. I remember you had a female

0:25:22.800 --> 0:25:27.639
<v Speaker 1>Shaw runner and she called me and you guys were

0:25:28.080 --> 0:25:33.800
<v Speaker 1>in the middle of getting a scene together, and Giselle said, oh, Carlos,

0:25:33.920 --> 0:25:37.360
<v Speaker 1>I thought you were gonna are for this third I did,

0:25:37.440 --> 0:25:40.440
<v Speaker 1>and I was like, why did I come from? That's

0:25:40.440 --> 0:25:43.760
<v Speaker 1>so funny? I ask that. Well, I, well, I knew

0:25:43.800 --> 0:25:46.199
<v Speaker 1>that we had the same production company. People don't know this,

0:25:46.240 --> 0:25:48.920
<v Speaker 1>but we have the same production company as Atlanta, Potoma does.

0:25:49.200 --> 0:25:54.240
<v Speaker 1>And you were of producers. You're the only person that black.

0:25:54.280 --> 0:25:59.400
<v Speaker 1>We know their name, right, So I just assumed that

0:25:59.440 --> 0:26:01.399
<v Speaker 1>they would in Atlanta was great, So I just assumed

0:26:01.400 --> 0:26:02.960
<v Speaker 1>that they would take whoever they were using in Atlanta

0:26:03.080 --> 0:26:06.760
<v Speaker 1>and give them to us so that we could be great. Um,

0:26:06.800 --> 0:26:08.760
<v Speaker 1>now I can say that the person that you were

0:26:08.800 --> 0:26:12.080
<v Speaker 1>talking to, she was great for us. She gave us

0:26:12.080 --> 0:26:14.000
<v Speaker 1>the tools. Yeah, she gave us the tools that we

0:26:14.040 --> 0:26:17.400
<v Speaker 1>needed season one, season two. I can Carlos, and be honest,

0:26:17.400 --> 0:26:19.679
<v Speaker 1>I can still hear her in my brain. Um. She

0:26:19.760 --> 0:26:21.679
<v Speaker 1>has this saying called fix your face. And there's so

0:26:21.720 --> 0:26:23.560
<v Speaker 1>many times where like I'm in a scene and that

0:26:23.680 --> 0:26:25.280
<v Speaker 1>this face is jacked all the way up, but I

0:26:25.320 --> 0:26:27.520
<v Speaker 1>need to fix it. And it's not anything that has

0:26:27.520 --> 0:26:29.520
<v Speaker 1>to it's not anything that has to do with the cast.

0:26:29.600 --> 0:26:31.919
<v Speaker 1>It's what's going on in producing like that. You know,

0:26:32.280 --> 0:26:35.679
<v Speaker 1>sometimes the producing of it all could be problematic, and

0:26:35.720 --> 0:26:38.040
<v Speaker 1>you know, we get upset about it. But but she

0:26:38.200 --> 0:26:43.919
<v Speaker 1>gave us wonderful tools to get us to a season.

0:26:44.880 --> 0:26:48.840
<v Speaker 1>No season, Well are we supposed to say that? Okay, fine,

0:26:48.880 --> 0:26:55.080
<v Speaker 1>we just did season I want to talk about now.

0:26:55.119 --> 0:26:57.800
<v Speaker 1>I want to talk about you because Carlos, you know,

0:26:57.840 --> 0:27:01.400
<v Speaker 1>we might have been in Miami and and Carlos Herd.

0:27:01.440 --> 0:27:03.240
<v Speaker 1>We was in Miami and when I say, we me

0:27:03.400 --> 0:27:06.600
<v Speaker 1>robbing and some other ladies and Carlos said, let me

0:27:06.800 --> 0:27:11.800
<v Speaker 1>go meet the ladys that son Mike face to face

0:27:12.000 --> 0:27:16.800
<v Speaker 1>up closing in personal and I totally loved it. Was

0:27:16.880 --> 0:27:18.960
<v Speaker 1>so happy that you did that. I'm sure you're you know,

0:27:19.000 --> 0:27:20.840
<v Speaker 1>you're a really busy guy and you took time out

0:27:21.160 --> 0:27:23.280
<v Speaker 1>to come and meet us and just keep key. I mean,

0:27:23.280 --> 0:27:28.280
<v Speaker 1>we had a good key kip with Carlos. Yes, no,

0:27:28.880 --> 0:27:31.400
<v Speaker 1>and and listen, and I'll say this and I don't

0:27:31.440 --> 0:27:34.800
<v Speaker 1>care gets mad. I am a black man in this

0:27:34.840 --> 0:27:39.439
<v Speaker 1>business producing reality TV, and I'm such a fan of

0:27:39.520 --> 0:27:44.280
<v Speaker 1>reality And one thing about me is I support all

0:27:44.320 --> 0:27:47.560
<v Speaker 1>of my black females and males in this genre because

0:27:47.720 --> 0:27:49.840
<v Speaker 1>I know how hard it is to be great in

0:27:49.880 --> 0:27:52.640
<v Speaker 1>front of the camera being judged by the world. So

0:27:52.760 --> 0:27:55.000
<v Speaker 1>Number one, I want to make it very clear, I

0:27:55.040 --> 0:27:58.719
<v Speaker 1>am a fan. Number one, I thank you. I watched

0:27:58.720 --> 0:28:02.239
<v Speaker 1>Potomac and I get my entire life. So when I

0:28:02.280 --> 0:28:04.560
<v Speaker 1>was told that you ladies were well, that you two

0:28:04.560 --> 0:28:08.880
<v Speaker 1>and some other folks were in Miami, I you don't

0:28:08.880 --> 0:28:12.560
<v Speaker 1>I didn't tell you all this. I canceled two meetings

0:28:12.600 --> 0:28:16.880
<v Speaker 1>and I said, and I said, I have to meet them.

0:28:16.720 --> 0:28:20.640
<v Speaker 1>I'm a fan, just like meeting Beyonce. Oh my gosh.

0:28:21.240 --> 0:28:24.679
<v Speaker 1>I was like, wait, I said, but Carlos is what

0:28:24.800 --> 0:28:28.280
<v Speaker 1>you don't know. So after you laughing everything, um, Karen

0:28:28.320 --> 0:28:30.639
<v Speaker 1>comes up to me and she says, at Giselle, did

0:28:30.920 --> 0:28:32.879
<v Speaker 1>you did you get to meet the Carlos? Did you

0:28:32.920 --> 0:28:36.600
<v Speaker 1>did you meet Carlos? I said, yes, bitch before you, Yes,

0:28:36.640 --> 0:28:39.560
<v Speaker 1>I met Carlos. Okay, he came and saw me first,

0:28:39.640 --> 0:28:41.760
<v Speaker 1>and look and look. Some other people were like, Carlos

0:28:41.880 --> 0:28:48.400
<v Speaker 1>was here. I didn't see Carlos. Yeah, that's probably about this.

0:28:48.560 --> 0:28:56.080
<v Speaker 1>I don't know. I listen. I love I love all

0:28:56.120 --> 0:28:59.280
<v Speaker 1>of you, ladies, but I will say this, it was

0:28:59.720 --> 0:29:03.440
<v Speaker 1>a pleasure beating the two of you. I'm not gonna

0:29:03.440 --> 0:29:05.520
<v Speaker 1>say who us was in the room because I ain't stupid,

0:29:05.920 --> 0:29:09.520
<v Speaker 1>but I have to say, first of all, guys, Gizelee

0:29:09.560 --> 0:29:14.280
<v Speaker 1>and Robin are gorgeous in person, like like no makeup.

0:29:14.800 --> 0:29:17.640
<v Speaker 1>We were in the bed, like when I said to you, guys,

0:29:17.680 --> 0:29:20.360
<v Speaker 1>we had a key. We had a key key. And

0:29:20.400 --> 0:29:25.640
<v Speaker 1>the beauty of talking to Gizelle and Robin was they're

0:29:25.760 --> 0:29:28.840
<v Speaker 1>such great professionals and they know how to do their

0:29:28.920 --> 0:29:32.520
<v Speaker 1>job and we just had a I don't want to

0:29:32.520 --> 0:29:34.440
<v Speaker 1>spoil it, but we just had a good time talking

0:29:34.440 --> 0:29:38.000
<v Speaker 1>about the show and the scenes and this and just

0:29:38.120 --> 0:29:41.960
<v Speaker 1>reality TV. They threw me shade, you know it was

0:29:41.440 --> 0:29:45.600
<v Speaker 1>It was fun and I want people to know that

0:29:46.000 --> 0:29:49.840
<v Speaker 1>at the very end of the day, I am a

0:29:49.960 --> 0:29:52.560
<v Speaker 1>huge fan of Potomac. And I say this all the time,

0:29:52.880 --> 0:29:54.800
<v Speaker 1>and I'm not disrespecting my land of girls, who I

0:29:54.840 --> 0:29:58.800
<v Speaker 1>will always love, but the real hospice of Potomac to

0:29:58.960 --> 0:30:04.000
<v Speaker 1>me is the best housewives out right now amazing. So

0:30:04.080 --> 0:30:06.920
<v Speaker 1>wait before before you switch topics. So when when you

0:30:06.960 --> 0:30:09.240
<v Speaker 1>were um, when we were in the room, you called

0:30:09.280 --> 0:30:13.200
<v Speaker 1>Giselle executive producer and you called me co executive producer.

0:30:13.560 --> 0:30:16.520
<v Speaker 1>So what are you when you're watching Potomac? What are

0:30:16.520 --> 0:30:23.160
<v Speaker 1>you seeing that makes you think that? Okay, So as

0:30:23.200 --> 0:30:26.320
<v Speaker 1>a student, no, let let me not be so humble.

0:30:26.400 --> 0:30:31.840
<v Speaker 1>As a professor of super sorry, Dr Wendy, I'm the

0:30:31.840 --> 0:30:36.600
<v Speaker 1>professor tonight. So you're talking about they'll do it, they'll

0:30:36.640 --> 0:30:40.600
<v Speaker 1>do it. So luck when I watched the show and

0:30:40.640 --> 0:30:42.880
<v Speaker 1>that and that's the reason why I'm saying what I

0:30:42.920 --> 0:30:46.600
<v Speaker 1>said earlier was the relationship between the producer and the

0:30:46.640 --> 0:30:49.960
<v Speaker 1>cast members crucial because there's a level of trust. And

0:30:49.960 --> 0:30:53.560
<v Speaker 1>when you talked about the female producer, who you still

0:30:53.600 --> 0:30:57.560
<v Speaker 1>here in your ear like fix that face. I can't

0:30:57.600 --> 0:31:01.440
<v Speaker 1>watch Potomac and a thing about the two of you,

0:31:02.080 --> 0:31:04.560
<v Speaker 1>y'all play off of each other. And I'll give it.

0:31:04.600 --> 0:31:09.320
<v Speaker 1>I'll give an example of two scenes that are I'll

0:31:09.320 --> 0:31:18.760
<v Speaker 1>give three very quickly. I'll give three very quickly. Season one,

0:31:19.320 --> 0:31:23.920
<v Speaker 1>episode one, Jeez, okay, because I do this ship for real.

0:31:24.320 --> 0:31:32.280
<v Speaker 1>When Gizelle told Karen, y'all have this argument about the

0:31:32.280 --> 0:31:35.880
<v Speaker 1>crab boils, and it was his whole thing in the mirror,

0:31:36.680 --> 0:31:39.560
<v Speaker 1>I I knew in that instance, I said, Oh, Gizelle,

0:31:39.600 --> 0:31:43.240
<v Speaker 1>it's like this has to be in the first episode.

0:31:43.680 --> 0:31:45.840
<v Speaker 1>I'm not gonna be a part of anything boring, so

0:31:46.000 --> 0:31:49.120
<v Speaker 1>let me make sure to just be honest. And since

0:31:49.200 --> 0:31:51.640
<v Speaker 1>Karen and are friends in real life, let me read

0:31:51.640 --> 0:31:53.720
<v Speaker 1>her real quick and it won't matter. So that's a

0:31:54.520 --> 0:32:00.200
<v Speaker 1>I'm not suber. One. Number two is last season when

0:32:00.840 --> 0:32:04.560
<v Speaker 1>Professor Wendy and the two of you were on the couch.

0:32:04.680 --> 0:32:09.240
<v Speaker 1>You guys are on the cash trip. Um Ashley took

0:32:09.280 --> 0:32:13.120
<v Speaker 1>off maternity leave to be messy and to deliver the

0:32:13.200 --> 0:32:17.680
<v Speaker 1>message to Dr Wendy and y'all to set on the couch.

0:32:18.480 --> 0:32:21.600
<v Speaker 1>Wendy had was fed up to here y'all look on

0:32:21.640 --> 0:32:23.840
<v Speaker 1>the couch and said, girl, I don't really give a ship.

0:32:24.280 --> 0:32:27.120
<v Speaker 1>This was a great scene. I'm going to sip on

0:32:27.200 --> 0:32:30.560
<v Speaker 1>my bottle water with the straw and Robin said, I'm

0:32:30.560 --> 0:32:35.160
<v Speaker 1>going to literally finger myself as you talk about that.

0:32:35.280 --> 0:32:37.680
<v Speaker 1>I was like, they are good, paired and last or

0:32:37.680 --> 0:32:42.840
<v Speaker 1>not least last, but not least. When Ashley and Candice

0:32:43.200 --> 0:32:47.160
<v Speaker 1>had that altercation in candice home and Ashley gave the

0:32:47.200 --> 0:32:50.880
<v Speaker 1>read of girl, you mean your mama hig official mama table,

0:32:50.960 --> 0:32:55.800
<v Speaker 1>which I think is everything and canvas stupid knife. That

0:32:55.920 --> 0:33:00.440
<v Speaker 1>was all orchestrated because Robin said, I'm just gonna say it, Uh,

0:33:00.480 --> 0:33:03.960
<v Speaker 1>your husband act like you set a flat out, and

0:33:04.000 --> 0:33:06.640
<v Speaker 1>then Gazelle said, you leave it. I'll come back in

0:33:06.680 --> 0:33:08.160
<v Speaker 1>the house because when you think I'm gonna work to

0:33:08.200 --> 0:33:11.120
<v Speaker 1>do because the crew is here for another two hours.

0:33:11.680 --> 0:33:13.840
<v Speaker 1>So that's what I mean when I say, you guys

0:33:13.920 --> 0:33:18.640
<v Speaker 1>are the executive and the co EP. Okay, now now

0:33:18.640 --> 0:33:21.000
<v Speaker 1>that you didn't broke that all the way down, we

0:33:21.120 --> 0:33:25.000
<v Speaker 1>must agree and all right, so switch your gears a

0:33:25.040 --> 0:33:26.840
<v Speaker 1>little bit. Switching gears a little bit because I know

0:33:27.080 --> 0:33:30.400
<v Speaker 1>that um not not I know, but I've heard that

0:33:30.560 --> 0:33:33.400
<v Speaker 1>you and Andy Cohen. Do you all have a relationship,

0:33:33.440 --> 0:33:38.400
<v Speaker 1>because it seems like right now the trajectory of your career,

0:33:38.600 --> 0:33:42.560
<v Speaker 1>Carlos is similar to Andy. Right, Um, do you feel

0:33:42.560 --> 0:33:45.720
<v Speaker 1>like he's a mentor to you? Do you feel like, um,

0:33:45.880 --> 0:33:48.520
<v Speaker 1>you know, do you'all talk y'all go to parties? Do

0:33:48.560 --> 0:33:51.880
<v Speaker 1>you Are you invited to the Hamptons like I'm not.

0:33:53.120 --> 0:33:55.120
<v Speaker 1>I am not invited to the Hamptons. No I'm not.

0:33:55.400 --> 0:33:59.080
<v Speaker 1>But no, So here's somebody obviously I have the pleasure

0:33:59.440 --> 0:34:01.840
<v Speaker 1>of work with for all the years I did Atlanta

0:34:01.960 --> 0:34:04.960
<v Speaker 1>and New Jersey. And when it was announced that I

0:34:05.000 --> 0:34:09.080
<v Speaker 1>had a podcast, he sent me a d M and

0:34:09.160 --> 0:34:13.440
<v Speaker 1>he said, dude, you're killing get congratulations And I of

0:34:13.480 --> 0:34:17.320
<v Speaker 1>course said thank you, and I said, look, I'm no idiot,

0:34:17.400 --> 0:34:20.759
<v Speaker 1>like you paved the way for someone like me to

0:34:20.960 --> 0:34:24.320
<v Speaker 1>have a career um in front of the camera because

0:34:24.400 --> 0:34:27.120
<v Speaker 1>you shown that it can be done. And at the

0:34:27.239 --> 0:34:29.720
<v Speaker 1>end of the day, what I will say on record

0:34:30.280 --> 0:34:34.560
<v Speaker 1>is the fact that he is somebody that definitely paved

0:34:34.600 --> 0:34:38.120
<v Speaker 1>the way. And I will always give the man his flowers. Yes, yes,

0:34:38.200 --> 0:34:40.920
<v Speaker 1>So are you gonna have a surrogate and name the child?

0:34:41.719 --> 0:34:45.240
<v Speaker 1>I mean, what's what, what's what's going to be for you? Well?

0:34:45.280 --> 0:34:48.120
<v Speaker 1>You know, look, I want to be able to be

0:34:48.680 --> 0:34:52.719
<v Speaker 1>the phase of black unscripted television. So I have a

0:34:52.880 --> 0:34:56.400
<v Speaker 1>I have years before that can happen. Okay, when you

0:34:56.440 --> 0:35:00.200
<v Speaker 1>turn fifty, right, okay, very good? Like I got got.

0:35:00.239 --> 0:35:02.440
<v Speaker 1>I got a lot of years before I turned fifty.

0:35:03.480 --> 0:35:08.399
<v Speaker 1>So look in your experience producing great reality television, how

0:35:08.440 --> 0:35:11.120
<v Speaker 1>many times have you gotten cursed out by? Remember? Yes?

0:35:11.320 --> 0:35:14.280
<v Speaker 1>Is it arranged from like? Um? And who has cursed

0:35:14.280 --> 0:35:16.840
<v Speaker 1>you out the moment? Who's the best curse your best?

0:35:17.040 --> 0:35:24.560
<v Speaker 1>Y'all gonna get So I've been cussed out by Nini Charai, Candy,

0:35:25.000 --> 0:35:39.239
<v Speaker 1>Faedra Porscha, Marlowe, Kim I'm sorry, Kim Costume, Kim Zosiac yes, Um,

0:35:39.440 --> 0:35:48.640
<v Speaker 1>Kim Fields. Okay, she didn't know what hit her at me?

0:35:48.640 --> 0:35:50.920
<v Speaker 1>I said, yeah, honey, you better read me, honey. But no,

0:35:51.600 --> 0:35:55.319
<v Speaker 1>the only person who has never yelled at me is

0:35:55.400 --> 0:35:59.719
<v Speaker 1>Kenya Moore. Kenym Moore has never yelled at me when

0:35:59.800 --> 0:36:04.120
<v Speaker 1>k so, let's talk about this. You know how, sometimes

0:36:04.160 --> 0:36:09.319
<v Speaker 1>a producer can say, like, you know what, I think

0:36:09.360 --> 0:36:11.560
<v Speaker 1>we should talk about this. We'll talk about that. And

0:36:11.600 --> 0:36:14.040
<v Speaker 1>sometimes you're like, all right, final, I'll mark it up.

0:36:14.360 --> 0:36:16.680
<v Speaker 1>And sometimes you're like, no, I'm not doing it right.

0:36:18.080 --> 0:36:21.400
<v Speaker 1>So Kenya, Ken, you will give me this look and

0:36:21.200 --> 0:36:30.400
<v Speaker 1>I know she's mad, she'll do this and I'm like,

0:36:30.480 --> 0:36:32.719
<v Speaker 1>oh my gosh, ken is mad, but she she she

0:36:32.840 --> 0:36:36.400
<v Speaker 1>has never raised her voice. So the person who has

0:36:36.440 --> 0:36:39.760
<v Speaker 1>cut me out the best is and you're gonna gag

0:36:40.400 --> 0:36:46.520
<v Speaker 1>Cynthia Bailey. You know what's funny that I mean that?

0:36:46.880 --> 0:36:50.000
<v Speaker 1>So I have cursed out producers too. No no, no no,

0:36:50.120 --> 0:36:51.799
<v Speaker 1>no, no no, let me help you, Carlos, let me help you,

0:36:51.840 --> 0:36:55.520
<v Speaker 1>Let me help you. This is t so the first

0:36:55.880 --> 0:36:58.960
<v Speaker 1>cursing out that Eric Fuller got. Yes, we're gonna mention

0:36:58.960 --> 0:37:05.080
<v Speaker 1>his name, Robin. Yes. So you so it's funny you

0:37:05.120 --> 0:37:06.719
<v Speaker 1>say Cynthia. And you know a lot of people kind

0:37:06.719 --> 0:37:09.400
<v Speaker 1>of compared me to cynthio On on Potomac or whatever.

0:37:09.760 --> 0:37:11.879
<v Speaker 1>So I'm like, it's funny you say that because it's like, yeah,

0:37:11.960 --> 0:37:14.279
<v Speaker 1>we might be quiet, we might be the nice, the

0:37:14.360 --> 0:37:16.560
<v Speaker 1>laid back one, the easy one, but we have it

0:37:16.640 --> 0:37:18.919
<v Speaker 1>in us like kiss us off, you piss us off.

0:37:19.320 --> 0:37:21.160
<v Speaker 1>But I need to know why you custom ouse. I'm

0:37:21.160 --> 0:37:24.560
<v Speaker 1>gonna tell you. I'm gonna tell you why. So, um,

0:37:24.960 --> 0:37:26.920
<v Speaker 1>it was season one and it was in the beginning

0:37:26.960 --> 0:37:30.120
<v Speaker 1>of the season and me, Robin, and Katie were going

0:37:30.200 --> 0:37:33.520
<v Speaker 1>to Charie's house. Okay, So Katie and I were in

0:37:33.560 --> 0:37:35.600
<v Speaker 1>the bushes for some reason. That's the that's I think

0:37:35.600 --> 0:37:39.120
<v Speaker 1>that was part of the scene. So we that, I mean,

0:37:39.160 --> 0:37:41.040
<v Speaker 1>if we were in the car, we were in we

0:37:41.080 --> 0:37:43.359
<v Speaker 1>went the car, but they didn't show that because we

0:37:43.360 --> 0:37:45.399
<v Speaker 1>were in the car before we got started, and there

0:37:45.440 --> 0:37:48.480
<v Speaker 1>was some information that Katie was told to talk about

0:37:49.120 --> 0:37:52.719
<v Speaker 1>and she didn't know not to tell us. She told

0:37:52.800 --> 0:37:55.480
<v Speaker 1>us before we started filming, okay, which was which is like,

0:37:55.719 --> 0:37:57.920
<v Speaker 1>because you know, Katie wasn't Katie was just we were

0:37:57.960 --> 0:38:00.280
<v Speaker 1>we were new okay. So so they were talking about

0:38:00.280 --> 0:38:02.640
<v Speaker 1>wanting a scene. So, so, okay, season one, I'm gonna

0:38:02.640 --> 0:38:04.240
<v Speaker 1>be honest, I didn't know what the hell I signed

0:38:04.320 --> 0:38:06.920
<v Speaker 1>up for. All she knew, I didn't know what I

0:38:06.960 --> 0:38:12.399
<v Speaker 1>signed up for. Okay. So so season one, before we

0:38:12.440 --> 0:38:15.920
<v Speaker 1>started filming, just I'm probably revealing too much at this point.

0:38:16.080 --> 0:38:19.840
<v Speaker 1>So before production started, they asked me, is there anything

0:38:19.880 --> 0:38:23.160
<v Speaker 1>that's off limits in your story? Right? You know that's

0:38:23.200 --> 0:38:24.960
<v Speaker 1>a setup, you know, how y'all do that's a set up.

0:38:26.040 --> 0:38:30.560
<v Speaker 1>I'm like, they asked me that, yes, and I said, well,

0:38:30.880 --> 0:38:33.319
<v Speaker 1>you know, Wane wand doesn't really want to talk about

0:38:33.360 --> 0:38:38.560
<v Speaker 1>his financial issues. Okay. So we pull up to a scene,

0:38:39.080 --> 0:38:41.040
<v Speaker 1>we're in a car. We're like, they're holding us, right,

0:38:41.080 --> 0:38:43.720
<v Speaker 1>and Katie is like, yeah, um, I was with Ashley

0:38:43.760 --> 0:38:46.799
<v Speaker 1>today and actually was talking about you know, one had

0:38:46.880 --> 0:38:50.640
<v Speaker 1>y'all had twenty five and one y'all file for bankruptcy

0:38:50.680 --> 0:38:55.200
<v Speaker 1>and all this, and I right, I mean, in hindsight,

0:38:55.320 --> 0:38:58.320
<v Speaker 1>Katie should have saved all of that for the scene.

0:38:58.440 --> 0:39:00.439
<v Speaker 1>But oh yeah, because that would have been and yeah,

0:39:01.160 --> 0:39:03.680
<v Speaker 1>iconic scenes you talk about, that would have been amazing.

0:39:04.000 --> 0:39:07.279
<v Speaker 1>So then Eric comes to the car to be like okay, guys, okay, guys,

0:39:07.320 --> 0:39:09.359
<v Speaker 1>it's time for you guys to go into Teresus and

0:39:09.440 --> 0:39:13.520
<v Speaker 1>Robin was like, hew fucking gets out to car, curse

0:39:13.680 --> 0:39:18.480
<v Speaker 1>Eric out to smithereens. Okay, I was clutching my pearls.

0:39:18.560 --> 0:39:23.000
<v Speaker 1>I said, we God damn so um Robin left. She

0:39:23.080 --> 0:39:25.920
<v Speaker 1>left the scene the scene she said, don't call me

0:39:25.960 --> 0:39:28.800
<v Speaker 1>no more. I quit. This was this was two weeks

0:39:28.800 --> 0:39:33.320
<v Speaker 1>in the season one. Robin quit. I told you, I

0:39:33.320 --> 0:39:36.120
<v Speaker 1>don't know what I signed up for y'all reason about

0:39:36.120 --> 0:39:40.080
<v Speaker 1>shady exclusive it is it is I quit, I don't

0:39:40.120 --> 0:39:42.520
<v Speaker 1>and and so for me to still be here seven

0:39:42.600 --> 0:39:44.680
<v Speaker 1>years later, like I guess I got over really quickly.

0:39:44.920 --> 0:39:47.600
<v Speaker 1>And I'm like, yeah, and so now my what I

0:39:47.640 --> 0:39:49.520
<v Speaker 1>say to people when they get all mad, it's what

0:39:49.600 --> 0:39:53.200
<v Speaker 1>you signed up for. Yes, it is. It definitely is.

0:40:00.560 --> 0:40:02.239
<v Speaker 1>Do you believe that this is facts? Because this is

0:40:02.320 --> 0:40:05.160
<v Speaker 1>Robin and I always say we always say that if

0:40:05.200 --> 0:40:08.239
<v Speaker 1>you get through a season as a People on Our

0:40:08.320 --> 0:40:11.480
<v Speaker 1>sidecast and as if at some point in the season

0:40:11.520 --> 0:40:15.000
<v Speaker 1>you didn't want to run away cry because everybody out,

0:40:15.440 --> 0:40:18.040
<v Speaker 1>leave your family and just go hide it under a rock,

0:40:18.320 --> 0:40:21.680
<v Speaker 1>then you're not doing your job. Like every season you

0:40:21.680 --> 0:40:25.320
<v Speaker 1>gotta you gotta throw it all on the table. Yeah, no,

0:40:25.520 --> 0:40:29.880
<v Speaker 1>I can't hardly believe that. Listen. I will always defend

0:40:30.280 --> 0:40:33.960
<v Speaker 1>my reality cast, not people I just work with. I'm

0:40:33.960 --> 0:40:37.480
<v Speaker 1>talking about the industry as a whole. It takes a

0:40:37.520 --> 0:40:41.240
<v Speaker 1>lot of courage to get in front of a camera

0:40:42.239 --> 0:40:46.480
<v Speaker 1>and tell your business and and and to to to

0:40:46.640 --> 0:40:48.880
<v Speaker 1>talk about things that you don't want to talk about.

0:40:49.680 --> 0:40:53.040
<v Speaker 1>That takes a lot of courage. So if you aren't

0:40:53.160 --> 0:40:57.719
<v Speaker 1>having anxiety or feeling like I want to quit or

0:40:57.800 --> 0:41:00.920
<v Speaker 1>feeling like, damn, this is gonna be bad, then you

0:41:00.960 --> 0:41:04.799
<v Speaker 1>were being honest because one thing I will say, everybody

0:41:04.840 --> 0:41:08.640
<v Speaker 1>in their lives have something going on that they would

0:41:08.719 --> 0:41:11.680
<v Speaker 1>prefer to keep under the rug. We all I have

0:41:11.760 --> 0:41:13.359
<v Speaker 1>that there's ship that goes on with me. I'm like

0:41:13.480 --> 0:41:17.440
<v Speaker 1>the Lord Jesus. But if I signed on to be

0:41:17.440 --> 0:41:21.400
<v Speaker 1>a reality star, I want to be the best, and

0:41:21.440 --> 0:41:25.160
<v Speaker 1>I have the personality of if you don't want to

0:41:25.200 --> 0:41:30.080
<v Speaker 1>be great, then why I sign up to do it? Right? Right?

0:41:30.160 --> 0:41:33.320
<v Speaker 1>We we we totally agree. Well, see my perspective different

0:41:33.440 --> 0:41:35.800
<v Speaker 1>because I signed up, Like I said, I didn't know

0:41:35.840 --> 0:41:39.200
<v Speaker 1>what I signed up for, and when the opportunity presented itself,

0:41:39.239 --> 0:41:41.760
<v Speaker 1>I was just kind of like, oh, you only live once, Okay,

0:41:41.800 --> 0:41:43.960
<v Speaker 1>I'll do it. I'll try it for me. I wasn't

0:41:44.280 --> 0:41:46.200
<v Speaker 1>you know, Oh I want to be you know, a

0:41:46.239 --> 0:41:48.920
<v Speaker 1>superstar And and to be honest, does that will tell you?

0:41:48.960 --> 0:41:51.600
<v Speaker 1>Like to this day, I still don't think I'm like famous,

0:41:51.640 --> 0:41:54.279
<v Speaker 1>Like I'm still it's still weird to me that I'm

0:41:54.360 --> 0:41:58.000
<v Speaker 1>on reality TV. That's just my personality. I'm I'm laid back.

0:41:58.040 --> 0:42:01.279
<v Speaker 1>I don't think coming if I'm wrong. I don't think

0:42:01.400 --> 0:42:06.560
<v Speaker 1>you or Ashley care about that in my opinion. Yeah,

0:42:06.560 --> 0:42:09.359
<v Speaker 1>and Nashley too. Yeah, we're we're pretty much. I will

0:42:09.640 --> 0:42:13.640
<v Speaker 1>probably say like I'm the same person today that I

0:42:13.760 --> 0:42:16.239
<v Speaker 1>was seven years ago or eight years ago before the show.

0:42:16.600 --> 0:42:20.680
<v Speaker 1>You know, like it hasn't it doesn't consume my life. Um,

0:42:20.760 --> 0:42:22.160
<v Speaker 1>and you know, I want to go back to the

0:42:22.160 --> 0:42:26.440
<v Speaker 1>conversation about you know, people you know watching the shows

0:42:26.560 --> 0:42:29.160
<v Speaker 1>and and and thinking they have to act a certain way.

0:42:29.680 --> 0:42:31.640
<v Speaker 1>It's hard because it's like on Reality's like Okay, you

0:42:31.680 --> 0:42:33.799
<v Speaker 1>want to watch because you want to know, like you

0:42:33.840 --> 0:42:36.719
<v Speaker 1>wanna know what happens, right as a as a cast member,

0:42:36.760 --> 0:42:38.760
<v Speaker 1>I want to say, Okay, what's happening on these other shows?

0:42:39.160 --> 0:42:41.440
<v Speaker 1>But then a part of me doesn't want to watch

0:42:41.560 --> 0:42:43.960
<v Speaker 1>because I don't want to think that I have to

0:42:44.000 --> 0:42:49.080
<v Speaker 1>act like Teresa or Dorenda or Ramona or whoever Erica. Like,

0:42:49.120 --> 0:42:50.920
<v Speaker 1>I don't want to think, let me watch these shows

0:42:51.000 --> 0:42:53.040
<v Speaker 1>and act like them and say what they say and

0:42:53.120 --> 0:42:55.920
<v Speaker 1>do what they do. So you know, for me, I've

0:42:55.960 --> 0:42:58.360
<v Speaker 1>always just been like you know what, I'm gonna be myself.

0:42:58.880 --> 0:43:01.440
<v Speaker 1>I'm not really into it, like you know, trying to

0:43:01.480 --> 0:43:03.640
<v Speaker 1>pretend to be someone I'm not. I know what they

0:43:03.680 --> 0:43:06.239
<v Speaker 1>say about me. I don't care. That's why you're great

0:43:06.239 --> 0:43:09.239
<v Speaker 1>at what you do. Yeah, you don't have to be

0:43:09.320 --> 0:43:11.719
<v Speaker 1>the loudest in the room to have a moment. And

0:43:11.960 --> 0:43:15.240
<v Speaker 1>to your point, Robin, let's talk about the real housewives

0:43:15.280 --> 0:43:18.399
<v Speaker 1>of Dubaye, right, which I like to say the real

0:43:18.440 --> 0:43:25.960
<v Speaker 1>housewives of Bye Bye. For me, those women studied every

0:43:26.000 --> 0:43:30.239
<v Speaker 1>single housewife and it's hard for me to get into

0:43:30.280 --> 0:43:32.640
<v Speaker 1>them because I don't think they're being themselves. What do

0:43:32.719 --> 0:43:35.080
<v Speaker 1>y'all think? Okay, I've only seen one, maybe one and

0:43:35.120 --> 0:43:37.680
<v Speaker 1>a half episodes. The only thing that stands out to

0:43:37.719 --> 0:43:41.560
<v Speaker 1>me is the is the model girl? Right, But I

0:43:41.600 --> 0:43:44.359
<v Speaker 1>think he's talking about her. I feel like, but I

0:43:44.400 --> 0:43:50.400
<v Speaker 1>feel like, Okay, yes, she's at least entertaining to watch

0:43:50.680 --> 0:43:54.719
<v Speaker 1>the others is like paint drying, right, So she keeps me,

0:43:54.760 --> 0:43:57.480
<v Speaker 1>I'm looking for her for the next scene, so I

0:43:57.520 --> 0:44:00.680
<v Speaker 1>will give her that. Yeah, are were about to be clips?

0:44:00.760 --> 0:44:06.240
<v Speaker 1>They're gonna clip this up? Jeez? No, But I agree.

0:44:06.280 --> 0:44:08.960
<v Speaker 1>The thing is this. The thing is this When you

0:44:09.000 --> 0:44:13.640
<v Speaker 1>look at someone like Chanelle on Dubai, you're already interesting,

0:44:13.880 --> 0:44:18.000
<v Speaker 1>You're you're you're gorgeous, you have this interesting look. Everything

0:44:18.000 --> 0:44:20.440
<v Speaker 1>about your life to me is interesting. You don't have

0:44:20.520 --> 0:44:23.680
<v Speaker 1>to try hard to be the moment, just be you

0:44:23.960 --> 0:44:29.440
<v Speaker 1>because you already have it. Aesthetically, some miss think go

0:44:29.520 --> 0:44:32.719
<v Speaker 1>into the scene and make magic happen. And that's the

0:44:32.760 --> 0:44:36.320
<v Speaker 1>reason why in my opinion, and this is no shade,

0:44:36.520 --> 0:44:43.680
<v Speaker 1>let's talk about it. That's why Potomac Yes became great

0:44:44.840 --> 0:44:48.359
<v Speaker 1>half this season two babies not after season two. What

0:44:48.400 --> 0:44:53.239
<v Speaker 1>happened to season one? See season one was not good.

0:44:55.200 --> 0:45:00.160
<v Speaker 1>People need to figure out where who who we are

0:45:00.920 --> 0:45:04.160
<v Speaker 1>and you know, let's let's let's keep it all the

0:45:04.160 --> 0:45:08.359
<v Speaker 1>way real. Carlos TV had not seen people like us,

0:45:08.880 --> 0:45:12.360
<v Speaker 1>had not seen light skinned, green eye bandits, had didn't

0:45:12.440 --> 0:45:16.239
<v Speaker 1>understand okay, they educated their black women, they went to

0:45:16.280 --> 0:45:19.680
<v Speaker 1>college like you know, that was so foreign back then,

0:45:20.840 --> 0:45:23.000
<v Speaker 1>and so I felt I felt like people just needed

0:45:23.000 --> 0:45:26.800
<v Speaker 1>to especially our culture, needed to understand. Yeah, we with y'all,

0:45:27.000 --> 0:45:30.840
<v Speaker 1>like we we down, We're bout about it now. I

0:45:30.840 --> 0:45:33.839
<v Speaker 1>think Bravo wanted to establish us as they didn't even

0:45:33.880 --> 0:45:35.239
<v Speaker 1>confused as to what we were gonna be. So it

0:45:35.280 --> 0:45:38.960
<v Speaker 1>was like this big whole etiquette thing, right remember that. Unfortunately, Yes,

0:45:39.440 --> 0:45:42.680
<v Speaker 1>we didn't get it either. But I don't know what

0:45:42.800 --> 0:45:45.440
<v Speaker 1>season two, what happened? We just got ratchet? What do

0:45:45.560 --> 0:45:49.600
<v Speaker 1>we do? I mean, he's I don't know. I guess

0:45:49.640 --> 0:45:52.080
<v Speaker 1>he's talking about the addition of some people that he

0:45:52.120 --> 0:45:55.640
<v Speaker 1>works closely with. That's what I'm gonna assume. Is that

0:45:55.680 --> 0:46:00.359
<v Speaker 1>what you're talking about, Carlos? Oh it know what you're

0:46:00.360 --> 0:46:08.239
<v Speaker 1>talking about? No, don't do it. I love it all right.

0:46:08.280 --> 0:46:10.720
<v Speaker 1>So this is a portion of the episode of the show, Carlos,

0:46:10.760 --> 0:46:13.200
<v Speaker 1>and which you can ask us anything, say whatever you

0:46:13.200 --> 0:46:16.680
<v Speaker 1>gotta says anything, tell us anything, you know what you

0:46:16.760 --> 0:46:21.160
<v Speaker 1>gotta say? What? Oh, and tell us what would you

0:46:21.239 --> 0:46:24.280
<v Speaker 1>do differently in Potomac or if you were a producer

0:46:24.280 --> 0:46:26.920
<v Speaker 1>in Potomac, what do you see? Like, Oh, you know,

0:46:27.239 --> 0:46:29.360
<v Speaker 1>are there things that you would have tried to produce

0:46:29.400 --> 0:46:32.160
<v Speaker 1>differently or or you know, I don't know. That's a

0:46:32.280 --> 0:46:38.239
<v Speaker 1>very good question. Okay, So I'm happy to report that

0:46:40.040 --> 0:46:46.400
<v Speaker 1>after season one where season one half potential, but like

0:46:46.480 --> 0:46:49.960
<v Speaker 1>Gazelle admitted, it was all about etiquette, and no one

0:46:50.000 --> 0:46:53.120
<v Speaker 1>gives a shit about that, right, I am going to

0:46:53.160 --> 0:46:59.359
<v Speaker 1>say this, and I'm gonna be very real. Starting from

0:46:59.400 --> 0:47:05.960
<v Speaker 1>season two, you you guys have excelled tremendously, to the

0:47:06.080 --> 0:47:10.160
<v Speaker 1>point of I wouldn't have done anything differently. I think

0:47:10.160 --> 0:47:14.040
<v Speaker 1>you guys haven't going on thank you, go on thank

0:47:14.040 --> 0:47:16.480
<v Speaker 1>you and I and I've said, I've said that the

0:47:16.520 --> 0:47:19.719
<v Speaker 1>secret Sauce and the beauty of Potomac is that you know,

0:47:19.800 --> 0:47:22.520
<v Speaker 1>because we were the last standing o G. So like me,

0:47:22.680 --> 0:47:28.480
<v Speaker 1>Rob and Ashley Karen have a chemistry about us that, um,

0:47:28.520 --> 0:47:32.680
<v Speaker 1>people want to see season after season, right. I mean, yes,

0:47:32.719 --> 0:47:34.319
<v Speaker 1>we've gotten some people that have come and go along

0:47:34.360 --> 0:47:39.440
<v Speaker 1>the way, But but to keep the originals together for

0:47:39.640 --> 0:47:43.040
<v Speaker 1>this long I think has been very productive for the show.

0:47:43.440 --> 0:47:45.560
<v Speaker 1>I agree. I agree. If it ain't, don't fix it.

0:47:46.160 --> 0:47:53.200
<v Speaker 1>And your franchise does a marvelous job at casting. Y'all

0:47:53.200 --> 0:47:55.200
<v Speaker 1>cast some good people to be on the show. It's

0:47:55.200 --> 0:47:58.279
<v Speaker 1>actually really hard to cast our show though, you know that, right. No,

0:47:58.480 --> 0:48:00.520
<v Speaker 1>it's funny. I know the casting and he used to

0:48:00.560 --> 0:48:02.799
<v Speaker 1>do it for years and he said the same thing.

0:48:02.880 --> 0:48:08.160
<v Speaker 1>But you guys find great people in the midst of

0:48:08.160 --> 0:48:16.960
<v Speaker 1>the struggle, like Monique and Wendy and Candice and Mia.

0:48:17.880 --> 0:48:23.720
<v Speaker 1>You know what I'm saying. I scala no, no, ma'am.

0:48:23.920 --> 0:48:28.080
<v Speaker 1>Scalar no, ma'am. No, mam, but I want to say

0:48:28.080 --> 0:48:31.280
<v Speaker 1>I think Mia was a great addition. I think that

0:48:31.680 --> 0:48:35.040
<v Speaker 1>she brings you know, I always like something different, you know,

0:48:35.120 --> 0:48:38.120
<v Speaker 1>Mia brings something different and and she and she owns

0:48:38.120 --> 0:48:40.799
<v Speaker 1>her ship. She she stands on who and what she is.

0:48:40.840 --> 0:48:43.000
<v Speaker 1>I love that. No, I mean, but I agree with

0:48:43.080 --> 0:48:45.880
<v Speaker 1>everything he said. I think everyone has been Yeah, I

0:48:45.920 --> 0:48:48.919
<v Speaker 1>think everyone's been a great addition. And yes, it's really

0:48:48.960 --> 0:48:52.000
<v Speaker 1>hard to cast this show. But but you're right, it's

0:48:52.040 --> 0:48:54.680
<v Speaker 1>like finding diamonds in the rough, you know, and and

0:48:54.760 --> 0:48:58.520
<v Speaker 1>it's and maybe that's why you know I'm still here.

0:48:58.680 --> 0:49:00.960
<v Speaker 1>I'm the boring one, and I'm still here because you

0:49:01.000 --> 0:49:04.319
<v Speaker 1>can't find that many people to replace me. So you know,

0:49:04.520 --> 0:49:06.960
<v Speaker 1>I don't know if you know, And let me. I'm

0:49:07.000 --> 0:49:08.560
<v Speaker 1>a comment on that, and then I'm gonna ask all

0:49:08.560 --> 0:49:12.120
<v Speaker 1>the questions. I don't think you're boring at all. Not

0:49:12.320 --> 0:49:17.520
<v Speaker 1>everybody on Housewide needs to be this big, boisterous personality.

0:49:18.600 --> 0:49:21.440
<v Speaker 1>And I need somebody who's level headed. You need somebody

0:49:21.440 --> 0:49:25.759
<v Speaker 1>who's the peacemaker, and you need somebody who's there and

0:49:26.000 --> 0:49:28.839
<v Speaker 1>and not you know this this this this sort of

0:49:28.880 --> 0:49:32.880
<v Speaker 1>like big, like I said, personality, And I think you

0:49:32.960 --> 0:49:35.280
<v Speaker 1>offer that to the show. So I don't think you're boring.

0:49:35.320 --> 0:49:39.839
<v Speaker 1>Cynthia was not boring at all. Um, So it does

0:49:39.960 --> 0:49:42.680
<v Speaker 1>bother me when people say that. Yeah, Like, I mean,

0:49:42.719 --> 0:49:44.640
<v Speaker 1>I think on any show you need balance. Like, if

0:49:44.680 --> 0:49:47.520
<v Speaker 1>you had six knees on the show, it would be chaos.

0:49:48.160 --> 0:49:50.120
<v Speaker 1>You know, if you have sixs on the show, it

0:49:50.120 --> 0:49:53.480
<v Speaker 1>would be chaos. You know, So you definitely need balance.

0:49:53.719 --> 0:49:56.759
<v Speaker 1>And and then you know, and then the other thing

0:49:56.840 --> 0:49:59.920
<v Speaker 1>is like, you know, not everyone is everyone's cup of tea.

0:50:00.080 --> 0:50:03.440
<v Speaker 1>That's fine. That's why there's six, seven, eight housewives on

0:50:03.440 --> 0:50:06.319
<v Speaker 1>the show, because you're not going to like every single one.

0:50:06.560 --> 0:50:11.319
<v Speaker 1>So and some people like the you know, aspirational part

0:50:11.400 --> 0:50:14.840
<v Speaker 1>of housewives, but other people like the relatable part of housewives.

0:50:14.880 --> 0:50:16.719
<v Speaker 1>So I just I mean, I don't know. I think

0:50:16.760 --> 0:50:19.480
<v Speaker 1>it's good to show both, but I do, you know,

0:50:19.520 --> 0:50:21.200
<v Speaker 1>I mean, I laugh at it. I'm like, you know,

0:50:21.400 --> 0:50:24.359
<v Speaker 1>I'm I'm still here. If I'm so boring, I'm still here.

0:50:25.160 --> 0:50:29.480
<v Speaker 1>You know, I'm obviously doing something right. All right, we

0:50:29.480 --> 0:50:32.439
<v Speaker 1>got time for one question. You have one question, Oh

0:50:32.520 --> 0:50:36.200
<v Speaker 1>my god, just one a you can have to, you

0:50:36.200 --> 0:50:40.640
<v Speaker 1>can have to, Okay, I gotta make a good okay,

0:50:40.920 --> 0:50:46.080
<v Speaker 1>And y'all better be honest. Would y'all say Monique Samuel's

0:50:46.320 --> 0:50:51.600
<v Speaker 1>was good for the show, really that's your question. Oh God, listen,

0:50:51.600 --> 0:50:54.400
<v Speaker 1>he's been dying to say her name. He's been dying

0:50:54.760 --> 0:50:57.920
<v Speaker 1>so so so this is this is probably gonna, I

0:50:57.920 --> 0:51:00.960
<v Speaker 1>don't know, upset some people, maybe because people are very sensitive.

0:51:01.360 --> 0:51:04.840
<v Speaker 1>So when season one, when we filmed the show and

0:51:04.920 --> 0:51:09.600
<v Speaker 1>season one was about to premiere, I said, we don't

0:51:09.600 --> 0:51:12.239
<v Speaker 1>have any color on this show. I said, we're to

0:51:12.440 --> 0:51:15.360
<v Speaker 1>light skin. We need some brown skinned people on the show.

0:51:15.440 --> 0:51:17.839
<v Speaker 1>And I said, people aren't going to connect with us,

0:51:18.280 --> 0:51:21.320
<v Speaker 1>you know, people who are you know, used to watching Atlanta,

0:51:21.400 --> 0:51:23.000
<v Speaker 1>So they're not going to connect with us because they're

0:51:23.040 --> 0:51:26.040
<v Speaker 1>going to just see a cast full of light skinned people.

0:51:26.320 --> 0:51:29.000
<v Speaker 1>So when Monique was cast it, I was so happy.

0:51:29.080 --> 0:51:33.080
<v Speaker 1>I was so happy to see a beautiful, brown skinned

0:51:33.080 --> 0:51:36.320
<v Speaker 1>woman cast on our show who's living the Potomac life

0:51:36.320 --> 0:51:38.719
<v Speaker 1>that they wanted to see. I thought she was a

0:51:38.800 --> 0:51:41.840
<v Speaker 1>fabulous addition to our show. You know, not just for

0:51:41.880 --> 0:51:44.440
<v Speaker 1>that reason alone, but I thought that was so important

0:51:44.880 --> 0:51:47.520
<v Speaker 1>for people to see that um and for for them

0:51:47.560 --> 0:51:50.640
<v Speaker 1>to be able to connect to us. And I mean, yeah,

0:51:50.800 --> 0:51:52.480
<v Speaker 1>I do. I think she was a good addition to

0:51:52.520 --> 0:51:56.000
<v Speaker 1>the show. Of course, we we had success, so you know,

0:51:56.680 --> 0:51:58.080
<v Speaker 1>and I think you know, a lot of it is

0:51:58.120 --> 0:52:01.000
<v Speaker 1>that people tuned in, they saw all Monique, they said,

0:52:01.000 --> 0:52:02.680
<v Speaker 1>oh well, let me watch this show and see what

0:52:02.719 --> 0:52:05.759
<v Speaker 1>it's about. And then people were able to appreciate the

0:52:05.800 --> 0:52:09.360
<v Speaker 1>show for what it was and not look at the

0:52:09.360 --> 0:52:11.799
<v Speaker 1>show and say I can't relate to anyone. So just

0:52:11.880 --> 0:52:14.200
<v Speaker 1>for that reason alone, I think she was a great addition.

0:52:14.360 --> 0:52:16.799
<v Speaker 1>And so I agree with everything that Robin said. But

0:52:17.760 --> 0:52:22.560
<v Speaker 1>currently she's exactly where she should be, which is with

0:52:22.680 --> 0:52:26.759
<v Speaker 1>you on another network. No, and I agree with that.

0:52:26.840 --> 0:52:31.040
<v Speaker 1>I agree with that. Okay, so my next question, it'll

0:52:31.080 --> 0:52:34.160
<v Speaker 1>be quick, is two and one. But it's easy. Okay,

0:52:34.160 --> 0:52:40.000
<v Speaker 1>you ready, out of the current Real Housewives of Potomac cast,

0:52:42.000 --> 0:52:49.960
<v Speaker 1>besides just Zelling Robin, who is the top housewife that

0:52:50.040 --> 0:52:54.280
<v Speaker 1>you think brings it and who is the least interesting

0:52:54.320 --> 0:52:58.200
<v Speaker 1>housewife that brings it? I can answer this because it's

0:52:58.200 --> 0:53:01.040
<v Speaker 1>because I think it changes here. It does change, it

0:53:01.120 --> 0:53:03.000
<v Speaker 1>changes year after year. But I can say, and this

0:53:03.040 --> 0:53:05.840
<v Speaker 1>is a little bit of a spoiler alert for season seven,

0:53:05.880 --> 0:53:10.839
<v Speaker 1>I hope Andy don't fire me. Karen come brings it.

0:53:11.920 --> 0:53:16.560
<v Speaker 1>This season. Yes she does, and it wait wait, meaning

0:53:17.000 --> 0:53:20.200
<v Speaker 1>Karen is Karen is wanted to straddle the fence, not

0:53:20.280 --> 0:53:23.160
<v Speaker 1>give her opinion, you know, kind of play it safe.

0:53:23.840 --> 0:53:27.160
<v Speaker 1>The Grand Dame does not do that, okay. And the

0:53:27.280 --> 0:53:32.719
<v Speaker 1>least she doesn't know she she she's spilling tea like

0:53:32.920 --> 0:53:35.680
<v Speaker 1>Karen was spilling tea this season. When does she ever

0:53:35.719 --> 0:53:39.440
<v Speaker 1>spill tea? She has a spilled tea in seven seasons. Listen,

0:53:39.680 --> 0:53:42.279
<v Speaker 1>I'm telling you I think it's a different side to her.

0:53:43.400 --> 0:53:45.279
<v Speaker 1>I know why Ram is not agreeing with me right now.

0:53:46.000 --> 0:53:48.359
<v Speaker 1>And the least, who would you say, is the least

0:53:48.560 --> 0:53:52.200
<v Speaker 1>what was the question? Was the least at least interesting,

0:53:53.040 --> 0:53:56.520
<v Speaker 1>least important, or at least all of the above? Says Look,

0:53:56.560 --> 0:53:58.960
<v Speaker 1>I'm let you answer that. Can wait wait, let me

0:53:59.000 --> 0:54:02.840
<v Speaker 1>answer the first part. I don't agree with um, Karen.

0:54:02.960 --> 0:54:05.640
<v Speaker 1>I'm going to say. Ashley, Oh yeah, well, I mean

0:54:05.680 --> 0:54:09.520
<v Speaker 1>but but I think Ashley is not a surprise considering

0:54:09.640 --> 0:54:12.600
<v Speaker 1>last year. Yeah. I think I feel like Ashley saw

0:54:12.760 --> 0:54:15.279
<v Speaker 1>last year and was like, oh, it's time to play,

0:54:15.320 --> 0:54:18.120
<v Speaker 1>and you're gonna see a very different a very You're

0:54:18.160 --> 0:54:19.920
<v Speaker 1>gonna see a different Ashley. You're gonna see the old

0:54:19.920 --> 0:54:23.400
<v Speaker 1>Ashley but you're gonna see a very different Ashley. Yeah. Okay, true, true, Okay,

0:54:23.400 --> 0:54:25.759
<v Speaker 1>So Karen and Ashley, we'll give it to them. Okay, yeah,

0:54:26.080 --> 0:54:27.920
<v Speaker 1>Lord the least, and she's not gonna answer that. We're

0:54:27.960 --> 0:54:30.319
<v Speaker 1>not gonna answer that in that second call. You can

0:54:30.400 --> 0:54:33.640
<v Speaker 1>answer just like process of elimination. I mean, I mean,

0:54:33.680 --> 0:54:40.760
<v Speaker 1>I think, I mean, okay, I'm not answered. Listen, Carlos,

0:54:40.760 --> 0:54:42.560
<v Speaker 1>I'm gonna answer that. Okay, this is what we're gonna do.

0:54:42.640 --> 0:54:45.680
<v Speaker 1>The season is going to premiere. We're gonna talk to

0:54:45.760 --> 0:54:48.160
<v Speaker 1>you again on your podcast, and I will answer that

0:54:48.239 --> 0:54:52.680
<v Speaker 1>question for you, Okay, and I will give reasons why. Okay,

0:54:53.080 --> 0:54:58.280
<v Speaker 1>fair enough. I mean we know because the thing about

0:54:58.280 --> 0:55:02.440
<v Speaker 1>is this, Okay, I I think I may know who

0:55:02.480 --> 0:55:04.920
<v Speaker 1>the answer is, but I don't want to speculate, so

0:55:05.120 --> 0:55:09.080
<v Speaker 1>we will wait and you'll announce it on Reality of

0:55:09.120 --> 0:55:13.799
<v Speaker 1>the King pot Yes, okay, perfect, Okay, yes, yes, so

0:55:13.840 --> 0:55:19.919
<v Speaker 1>tell us. I'm not spl it and I'm not gonna

0:55:19.920 --> 0:55:24.120
<v Speaker 1>spoil it, but I'll say this much. I am hearing

0:55:25.000 --> 0:55:31.160
<v Speaker 1>this upcoming season, Darling's explosive and fantastic da I heard

0:55:31.200 --> 0:55:36.840
<v Speaker 1>the same thing you guys are coming for the Crown

0:55:37.080 --> 0:55:43.120
<v Speaker 1>of Belly Hills. Oh listen, Carlos, um I concur listen.

0:55:44.239 --> 0:55:48.680
<v Speaker 1>I heard the same thing, and you know, I hope

0:55:48.719 --> 0:55:52.040
<v Speaker 1>the ratings reflect that. Yes, yes, yes, yes, I gotta say,

0:55:52.320 --> 0:55:55.000
<v Speaker 1>carl before we leave, let's let Carlos talk about Okay,

0:55:55.040 --> 0:55:58.040
<v Speaker 1>your podcast, your show and stuck all your time they

0:55:58.120 --> 0:56:00.120
<v Speaker 1>come on, Not that he hasn't already done that in

0:56:00.200 --> 0:56:06.080
<v Speaker 1>the whole podcast. Yes, where we can. Okay, by the way,

0:56:06.200 --> 0:56:08.080
<v Speaker 1>By the way, this was like the best key key

0:56:08.160 --> 0:56:11.080
<v Speaker 1>we've had on reasonably Shady in a very long time. Like, Carlos,

0:56:11.320 --> 0:56:13.840
<v Speaker 1>you are a good key key. I feel like we

0:56:13.840 --> 0:56:16.719
<v Speaker 1>should we should make this a regular thing. No, we're

0:56:16.719 --> 0:56:19.200
<v Speaker 1>gonna we'll have him back. Okay after we're like midway

0:56:19.280 --> 0:56:22.520
<v Speaker 1>through season seven, after that starts airing, We're gonna have

0:56:22.560 --> 0:56:24.520
<v Speaker 1>you come back so you can give us your critiques

0:56:25.120 --> 0:56:29.160
<v Speaker 1>all season seven. Yes, that's good. I would love it.

0:56:29.200 --> 0:56:32.040
<v Speaker 1>But no, no, I'm just gonna say that what the

0:56:32.160 --> 0:56:35.920
<v Speaker 1>listeners just heard is exactly what happened when we all

0:56:36.000 --> 0:56:38.520
<v Speaker 1>met for the first time. It was it was a

0:56:38.600 --> 0:56:40.480
<v Speaker 1>key key it was fun. So I'm glad that you

0:56:40.520 --> 0:56:42.640
<v Speaker 1>guys thought that chemistry. I just want to let the

0:56:42.680 --> 0:56:47.160
<v Speaker 1>listeners know Carlos is very tight. Yeah, because I remember

0:56:47.160 --> 0:56:49.400
<v Speaker 1>when when we saw you, I was like feeling on

0:56:49.440 --> 0:56:53.520
<v Speaker 1>your on your box, like, oh works, don't are done, honey.

0:56:53.600 --> 0:56:55.680
<v Speaker 1>Just want to let y'all know, Carlos King is a

0:56:55.719 --> 0:57:00.920
<v Speaker 1>snack Okay, be clear, total clear. That thing is snack up. Okay.

0:57:01.040 --> 0:57:02.880
<v Speaker 1>He does not play on your side of the street,

0:57:02.920 --> 0:57:05.319
<v Speaker 1>and that is totally fine. But for the other side

0:57:05.320 --> 0:57:07.600
<v Speaker 1>of the street, he is quite snack a ball. Okay.

0:57:07.680 --> 0:57:12.360
<v Speaker 1>So boys, your heart out, come for the King, and

0:57:12.440 --> 0:57:14.000
<v Speaker 1>in a different kind of way, come for the kid.

0:57:14.840 --> 0:57:17.760
<v Speaker 1>You know, you know what, Lord, But you know, I

0:57:17.800 --> 0:57:21.000
<v Speaker 1>remember he smelled good. Yeah, and he was nice and tight. Yes,

0:57:21.640 --> 0:57:29.880
<v Speaker 1>that thing okay, car And I'm not mad. I'm not mad. No,

0:57:30.040 --> 0:57:33.280
<v Speaker 1>he's no, he's not rich. He rich Ritchen, He's a

0:57:33.320 --> 0:57:36.520
<v Speaker 1>double rich as well. Okay, all right, we have to go, Carlos.

0:57:36.600 --> 0:57:38.400
<v Speaker 1>You's got no more time, all right, y'all listen to

0:57:38.400 --> 0:57:43.840
<v Speaker 1>it for Carlos. Follow me on at Carlos King Underscored

0:57:43.880 --> 0:57:48.640
<v Speaker 1>to find out what I'm doing. That's all right, thank you,

0:57:49.400 --> 0:58:03.120
<v Speaker 1>thank you, ladies, good bye ya. Reasonably Shady is a

0:58:03.200 --> 0:58:07.520
<v Speaker 1>production of the Black Affect podcast Network. For more podcasts

0:58:07.520 --> 0:58:10.280
<v Speaker 1>from I Heart Radio, visit the I Heart Radio app,

0:58:10.440 --> 0:58:13.520
<v Speaker 1>Apple podcast, or wherever you listen to your favorite shows,

0:58:13.880 --> 0:58:16.920
<v Speaker 1>and you can connect with us on social media at

0:58:17.000 --> 0:58:25.720
<v Speaker 1>Robin Dixon, ten, Giselle Bryant, and reasonably Shady